{"meta":{"query_hash":"1c2bae0f1813","filters":{"topic":"South Asian Cinema and Culture"},"cohort_total":712,"direct_labels_cover":0,"predictions_cover":712,"exported":712,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/1c2bae0f1813","api":"https://metacan.xera.ac/api/v1/cohort?topic=South+Asian+Cinema+and+Culture"},"results":[{"id":"W102707887","doi":"","title":"Migration and hybridity: Stereoscopic vision in the novels of Rushdie, Mukherjee, and Ghosh (Salman Rushdie, Bharati Mukherjee, Amitav Ghosh, India).","year":2003,"lang":"en","type":"article","venue":"Scholarship at UWindsor (University of Windsor)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Hybridity; History; Art; Literature","score_opus":0.018882535411730093,"score_gpt":0.20770710739858048,"score_spread":0.18882457198685038,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W102707887","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6073534,0.017990684,0.0050183185,0.03577986,0.0028763579,0.00011984139,0.00024209885,0.00021130269,0.330408],"genre_scores_gemma":[0.976313,0.0016341051,0.0008551886,0.001959927,0.00032181948,0.000043195643,0.00005336138,0.00009581014,0.018723637],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99900216,0.000671895,0.000012061606,0.000081124614,0.00009385828,0.00013893028],"domain_scores_gemma":[0.99920446,0.0005097939,0.000073968586,0.00004493881,0.000052249135,0.00011461834],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014207122,0.00081381825,0.00038294718,0.0013525577,0.0131543465,0.0066197184,0.0009717164,0.0018550422,0.0035290027],"category_scores_gemma":[0.0014994651,0.00030149982,0.00039392165,0.0010236215,0.018510304,0.0038369808,0.003988785,0.0037574978,0.0003106943],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004562726,0.000019418234,0.00026921253,0.00009567711,0.0000067458222,0.0013724569,0.9186257,0.00005088647,0.00074567576,0.06639369,0.008711051,0.0036638207],"study_design_scores_gemma":[0.0000129663695,0.000041116124,0.0014781527,0.00020031031,0.000010034476,0.0015270521,0.7628533,0.0000954105,0.0004660465,0.00747036,0.22582439,0.00002086995],"about_ca_topic_score_codex":0.0055389795,"about_ca_topic_score_gemma":0.013149705,"teacher_disagreement_score":0.0131543465,"about_ca_system_score_codex":0.002993784,"about_ca_system_score_gemma":0.0013445235,"threshold_uncertainty_score":0.021721482},"labels":[],"label_agreement":null},{"id":"W1045191156","doi":"","title":"Postcolonialism: My Living by Arun Mukherjee (review)","year":2000,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Postcolonialism (international relations); Sociology; Gender studies","score_opus":0.00628409464338518,"score_gpt":0.17815897376270612,"score_spread":0.17187487911932095,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1045191156","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000094503725,0.984475,0.0000072295306,0.01403068,0.0011446609,0.0000012490574,0.000010051712,8.954474e-7,0.00023564871],"genre_scores_gemma":[0.0013103092,0.9867628,0.00002570035,0.009167943,0.0021810078,0.00000856861,0.00001783132,0.0000019732906,0.0005237484],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993475,0.00028763845,0.00007578477,0.00007262139,0.00013030354,0.000086109525],"domain_scores_gemma":[0.99708074,0.0013748149,0.0003865332,0.00007582785,0.00069060124,0.00039145694],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023285511,0.00067394256,0.0016020638,0.0018213774,0.0012882506,0.0030478232,0.0008122706,0.0028730852,0.0040515354],"category_scores_gemma":[0.0049141,0.0003521533,0.0004206025,0.0044865375,0.0024598306,0.0036468303,0.0027230575,0.003939617,0.0012835236],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012222605,0.00004640447,0.00060711795,0.013845556,0.0001226437,0.00023151886,0.0021270332,0.00006320989,0.00016285595,0.0049112113,0.7141571,0.2636032],"study_design_scores_gemma":[0.00004161161,0.000047423026,0.0030922547,0.012921279,0.00013820767,0.0004477058,0.0019082458,0.000011364216,0.000049101112,0.0014121189,0.9799068,0.000023738448],"about_ca_topic_score_codex":0.0139843365,"about_ca_topic_score_gemma":0.04206802,"teacher_disagreement_score":0.0139843365,"about_ca_system_score_codex":0.0024092246,"about_ca_system_score_gemma":0.00940901,"threshold_uncertainty_score":0.027805865},"labels":[],"label_agreement":null},{"id":"W1141426458","doi":"","title":"Research guides: Film Resources: UT Mississauga","year":2011,"lang":"en","type":"libguides","venue":"","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Business; Computer science","score_opus":0.15879285595893297,"score_gpt":0.31410786611403857,"score_spread":0.1553150101551056,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1141426458","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005789366,0.0019964136,0.0008026938,0.0015642862,0.0003747515,0.0003905084,0.025631694,0.0010581684,0.9623921],"genre_scores_gemma":[0.013129416,0.0015993026,0.0012728197,0.00013461147,0.000055429253,0.0003278991,0.0056279055,0.00049883284,0.9773537],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999721,0.00006371129,0.000019611727,0.00005314102,0.00010532404,0.00003709689],"domain_scores_gemma":[0.99756396,0.00045263532,0.00010542906,0.00015377217,0.0014112954,0.0003127963],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008707403,0.00060672936,0.00035855352,0.0026268624,0.0036336933,0.0031661775,0.00064554956,0.0006775942,0.59705377],"category_scores_gemma":[0.0036504066,0.0005809964,0.00013540428,0.0042143553,0.00042029328,0.0025425388,0.0010756206,0.00089944387,0.12751251],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007936636,0.00005762566,0.0008521684,0.00046841044,0.000002291822,0.0000715093,0.0025913876,0.000052723724,0.0004294414,0.0032314544,0.8727296,0.119434044],"study_design_scores_gemma":[0.000009680044,0.000023011587,0.0057938253,0.00031984536,0.0000051781876,0.00004621483,0.0035862394,0.0000897943,0.00043539846,0.00041081218,0.98927325,0.000006657185],"about_ca_topic_score_codex":0.06619605,"about_ca_topic_score_gemma":0.2152301,"teacher_disagreement_score":0.59705377,"about_ca_system_score_codex":0.0019052295,"about_ca_system_score_gemma":0.0038095596,"threshold_uncertainty_score":0.5747539},"labels":[],"label_agreement":null},{"id":"W137676267","doi":"10.3138/cjfs.16.1.63","title":"Film Fragments, Documentary History, and Colonial Indian Cinema","year":2007,"lang":"fr","type":"article","venue":"Canadian Journal of Film Studies","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":8,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Movie theater; Art; Colonialism; Humanities; Art history; History; Archaeology","score_opus":0.023250699332962522,"score_gpt":0.24117085620047546,"score_spread":0.21792015686751293,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W137676267","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.43442225,0.043066926,0.0008027313,0.009034221,0.0005328711,0.00006610141,0.0004796556,0.00005870883,0.5115366],"genre_scores_gemma":[0.9678246,0.011705919,0.0003369781,0.00028466727,0.00023515295,0.00002390166,0.00013357415,0.00003857023,0.019416563],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99914134,0.00044210965,0.00003666137,0.000081343635,0.00014896505,0.00014948106],"domain_scores_gemma":[0.9966978,0.0018220725,0.0005967669,0.00025143387,0.00025648024,0.00037539107],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00097104034,0.00031724796,0.00021900624,0.0029573825,0.005155185,0.0101232985,0.00075690076,0.00061636267,0.014242449],"category_scores_gemma":[0.0053192647,0.0002760447,0.00015130169,0.0051900945,0.0074816714,0.0037672066,0.0021022572,0.0014843266,0.00056541176],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00044801843,0.00012368316,0.014475908,0.0013067421,0.000051733565,0.0017659239,0.57054305,0.00022706343,0.0026563741,0.29883057,0.018775163,0.0907958],"study_design_scores_gemma":[0.000024206103,0.00011381656,0.090494856,0.0018553394,0.00010672415,0.0020859584,0.37420523,0.00020478209,0.0014648865,0.011777458,0.5175931,0.00007361771],"about_ca_topic_score_codex":0.04774182,"about_ca_topic_score_gemma":0.066015474,"teacher_disagreement_score":0.04774182,"about_ca_system_score_codex":0.0054859305,"about_ca_system_score_gemma":0.0019074787,"threshold_uncertainty_score":0.09492791},"labels":[],"label_agreement":null},{"id":"W1477303392","doi":"","title":"Lynda Cronin: EchoSense","year":2003,"lang":"en","type":"article","venue":"Espace Sculpture","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Medicine","score_opus":0.012489446883757815,"score_gpt":0.19487107145776572,"score_spread":0.18238162457400792,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1477303392","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002578879,0.009213794,0.0047972477,0.019822374,0.009592372,0.000063872256,0.0008090563,0.004014337,0.9491082],"genre_scores_gemma":[0.0065707094,0.0009980138,0.0007697547,0.0011725968,0.0004323219,0.00002019601,0.00013382647,0.0008496592,0.98905283],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994972,0.00010844461,0.00001757044,0.00011179667,0.00019191833,0.00007311046],"domain_scores_gemma":[0.9988103,0.00019318817,0.000053541127,0.00011930161,0.00046130363,0.0003623384],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009830802,0.0007156739,0.00038409504,0.0011751809,0.0024933042,0.0033594829,0.0008832524,0.001534549,0.50659984],"category_scores_gemma":[0.002692645,0.00030249776,0.00017290261,0.0007847882,0.00084667705,0.0023415836,0.0030551837,0.0019958036,0.22933424],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007934254,0.000014608984,0.00030223688,0.00012983955,0.0000021689004,0.00022406765,0.0010307982,0.00004579831,0.0008596734,0.0084709,0.8392665,0.14957412],"study_design_scores_gemma":[0.0000028779323,0.0000028123834,0.00017186475,0.00004705912,9.652119e-7,0.00008253336,0.00043380828,0.00004000862,0.00014894748,0.00030794545,0.9987569,0.000004239102],"about_ca_topic_score_codex":0.012501944,"about_ca_topic_score_gemma":0.027007535,"teacher_disagreement_score":0.50659984,"about_ca_system_score_codex":0.0009353127,"about_ca_system_score_gemma":0.0011848131,"threshold_uncertainty_score":0.7037754},"labels":[],"label_agreement":null},{"id":"W1479995070","doi":"","title":"\"Contradiction is Our Only Hope\": Soyinka and BJ","year":2006,"lang":"en","type":"article","venue":"West Africa review","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Contradiction; Epistemology; Philosophy; Sociology","score_opus":0.021200307856207537,"score_gpt":0.21804086129110162,"score_spread":0.1968405534348941,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1479995070","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0003492359,0.6359241,0.00012405818,0.34864312,0.012003715,0.000010179917,0.00002894777,0.0000058570404,0.0029107973],"genre_scores_gemma":[0.011002976,0.6881063,0.00042521104,0.28104132,0.011896016,0.000064198146,0.000043033408,0.000029706433,0.007391213],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976895,0.0012663775,0.00019742233,0.00015072749,0.0005007517,0.00019523788],"domain_scores_gemma":[0.9925811,0.005015445,0.0005666272,0.00014071945,0.0013612495,0.00033482647],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.007458214,0.00092733203,0.0013168794,0.0024516387,0.002299783,0.0068965126,0.001321989,0.0075825173,0.0055451454],"category_scores_gemma":[0.017309712,0.00044058336,0.00042869122,0.0051742685,0.005855779,0.013882037,0.004253462,0.007960564,0.0013536279],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000092265735,0.00002168127,0.00037470614,0.0054191654,0.00006204474,0.00022113124,0.0048058466,0.000046105357,0.00010939567,0.045926664,0.8451075,0.09781347],"study_design_scores_gemma":[0.000030179908,0.000014444121,0.0006693787,0.006612598,0.000064560445,0.00026028088,0.0038639272,0.000016507822,0.00006545554,0.008381438,0.9800045,0.000016843816],"about_ca_topic_score_codex":0.011977744,"about_ca_topic_score_gemma":0.022109412,"teacher_disagreement_score":0.011977744,"about_ca_system_score_codex":0.003164386,"about_ca_system_score_gemma":0.013826421,"threshold_uncertainty_score":0.039443254},"labels":[],"label_agreement":null},{"id":"W1480733249","doi":"","title":"Communal Violence, Trauma and Indian Women: Fictional Representations of Women in Manju Kapur's A Married Woman and Anita Rau Badami's Can You Hear the Nightbird Call?","year":2011,"lang":"en","type":"dissertation","venue":"MacSphere (McMaster University)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Psychology; Gender studies; History; Sociology","score_opus":0.012065288089249806,"score_gpt":0.19181254687112764,"score_spread":0.17974725878187783,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1480733249","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.86224985,0.00559737,0.0012317639,0.011690641,0.0006386782,0.00009739329,0.00014357574,0.000072388764,0.118278384],"genre_scores_gemma":[0.9818304,0.0028344071,0.0004905529,0.0010823999,0.00022140006,0.00006401724,0.000051009596,0.00003591925,0.013389833],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99905187,0.0005899199,0.000017652144,0.000060799648,0.000118366035,0.00016144918],"domain_scores_gemma":[0.9984187,0.0011976024,0.00014772086,0.00005382346,0.000056733705,0.00012542168],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011351872,0.00088126684,0.00048130157,0.0014043113,0.016809564,0.0061129755,0.0013476516,0.0021390598,0.0044343923],"category_scores_gemma":[0.001994594,0.0004253235,0.0003490773,0.0016704338,0.015829032,0.0030056685,0.0041743475,0.0039541638,0.00046446797],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011142836,0.000018323382,0.0003594726,0.000070641756,0.0000022687623,0.0005789782,0.9868831,0.000022178865,0.00032736643,0.008475362,0.001130377,0.0021207256],"study_design_scores_gemma":[0.0000037593754,0.000057598416,0.0018499654,0.00018931471,0.000009868862,0.00094883266,0.9265076,0.00006003081,0.00037929046,0.0011803622,0.06879433,0.000019179131],"about_ca_topic_score_codex":0.007794032,"about_ca_topic_score_gemma":0.017240401,"teacher_disagreement_score":0.016809564,"about_ca_system_score_codex":0.004290611,"about_ca_system_score_gemma":0.0015518108,"threshold_uncertainty_score":0.031130731},"labels":[],"label_agreement":null},{"id":"W1495874621","doi":"","title":"캐나다 시크 디아스포라와 터번착용","year":2013,"lang":"ko","type":"article","venue":"디아스포라연구","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Politics; Identity (music); Political science; Criminology; Law; Sociology; Philosophy","score_opus":0.014061944904674974,"score_gpt":0.1937498250878662,"score_spread":0.17968788018319123,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1495874621","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005257901,0.0026336957,0.004381858,0.01901829,0.0009477919,0.00006553024,0.00017794018,0.00007272141,0.9674442],"genre_scores_gemma":[0.37731886,0.004445671,0.0071040373,0.009128879,0.0009924247,0.00020720193,0.00034675165,0.00023673699,0.60021955],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9960335,0.0014252531,0.00017121495,0.00077744416,0.0010490768,0.00054354715],"domain_scores_gemma":[0.99826056,0.0004506471,0.0001960153,0.00021717431,0.0006425617,0.00023304447],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0025727996,0.0007285814,0.00034139282,0.0010852282,0.006595693,0.011081839,0.000981487,0.0035011389,0.03849358],"category_scores_gemma":[0.004088052,0.0003906616,0.0005681696,0.00094142946,0.016076725,0.0081629325,0.0034929097,0.0050677727,0.0144269625],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020952239,0.000020381955,0.0004970991,0.00008541297,0.000009229625,0.00013865888,0.00801739,0.000100145604,0.0002561909,0.94547707,0.030223079,0.015154452],"study_design_scores_gemma":[0.000013789745,0.000026625257,0.0011829009,0.00024300294,0.000012718571,0.00021677944,0.0077645443,0.00017856229,0.0005055312,0.16386102,0.82596743,0.000027092485],"about_ca_topic_score_codex":0.015400559,"about_ca_topic_score_gemma":0.015792452,"teacher_disagreement_score":0.9845995,"about_ca_system_score_codex":0.0075598415,"about_ca_system_score_gemma":0.0064695957,"threshold_uncertainty_score":0.12877381},"labels":[],"label_agreement":null},{"id":"W1500981128","doi":"10.1080/17448727.2011.561609","title":"MAKING MEANING OF 1984 IN CYBERSPACE","year":2011,"lang":"en","type":"article","venue":"Sikh Formations","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Homeland; Cyberspace; Multiculturalism; Media studies; Meaning (existential); Gender studies; Sociology; History; Law; Psychology; Political science; Pedagogy; The Internet; Politics","score_opus":0.09235290626154795,"score_gpt":0.24836001807831656,"score_spread":0.15600711181676863,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1500981128","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.058900755,0.0052235904,0.006597283,0.08171234,0.002008644,0.00003810197,0.00010313603,0.00013685122,0.84527934],"genre_scores_gemma":[0.9149674,0.0026003034,0.0010223051,0.0060971095,0.00046176786,0.000068070956,0.00010234782,0.00017232902,0.07450822],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9933956,0.003998843,0.00018821153,0.00047830798,0.0011380502,0.0008009948],"domain_scores_gemma":[0.9962274,0.0018713789,0.00028281333,0.00045062785,0.00053024193,0.0006375559],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004160851,0.00055748434,0.0003634863,0.0017777273,0.017151153,0.025657574,0.0010357813,0.004891263,0.011743782],"category_scores_gemma":[0.008301787,0.0003353188,0.00026208436,0.0027118886,0.05063864,0.025413865,0.01490303,0.007421256,0.0014723719],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018324341,0.000010528776,0.00067293935,0.000040297888,0.0000044382728,0.00031958905,0.1839943,0.000092616174,0.000106756,0.7853071,0.018356627,0.0110766],"study_design_scores_gemma":[0.000012220041,0.00001310924,0.0008926895,0.00027669134,0.000006847823,0.00016981266,0.17578728,0.00024292686,0.00014779363,0.2042421,0.61818796,0.000020545127],"about_ca_topic_score_codex":0.045123264,"about_ca_topic_score_gemma":0.037872266,"teacher_disagreement_score":0.045123264,"about_ca_system_score_codex":0.0124937,"about_ca_system_score_gemma":0.0074225743,"threshold_uncertainty_score":0.09064853},"labels":[],"label_agreement":null},{"id":"W1505141008","doi":"","title":"Wicked Villagers and the Mysteries of Reproduction: An Exploration of Horror Videos from Ghana and Nigeria","year":2007,"lang":"en","type":"article","venue":"Postcolonial text","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":34,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Folklore; Movie theater; Narrative; Reproduction; Sociology; History; Media studies; Aesthetics; Art; Anthropology; Visual arts; Literature; Ecology","score_opus":0.028664358030920472,"score_gpt":0.249290346548877,"score_spread":0.22062598851795653,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1505141008","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96437675,0.0025089642,0.0005121885,0.0021763828,0.00010027433,0.000074503194,0.00010180097,0.000010934954,0.030138178],"genre_scores_gemma":[0.9923334,0.0022701232,0.00041220794,0.00025459513,0.000034454155,0.00003300056,0.00005203648,0.000024122435,0.0045861444],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99948883,0.00032850791,0.000014802105,0.000029876277,0.000042794647,0.00009517298],"domain_scores_gemma":[0.998434,0.001244332,0.00013318514,0.000032176722,0.00005233003,0.00010386902],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00087601173,0.0004654417,0.00028604624,0.0011719296,0.0068110595,0.0027813045,0.0005333877,0.00094744755,0.00489412],"category_scores_gemma":[0.0024375939,0.00026629705,0.000099640194,0.0015037139,0.0050933603,0.0022110255,0.0025558162,0.0013549996,0.0002687274],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000039271534,0.00002465903,0.0024463015,0.00024299901,0.0000028317195,0.003125834,0.9783094,0.00002733035,0.0014197087,0.0019617118,0.0011561644,0.011243846],"study_design_scores_gemma":[0.0000035052608,0.000020224952,0.0047378694,0.00027225367,0.000003599504,0.00092997303,0.969571,0.000025643874,0.0002808898,0.00021800556,0.023932714,0.0000043430646],"about_ca_topic_score_codex":0.0076255645,"about_ca_topic_score_gemma":0.039821133,"teacher_disagreement_score":0.0076255645,"about_ca_system_score_codex":0.001404098,"about_ca_system_score_gemma":0.0009511925,"threshold_uncertainty_score":0.016372442},"labels":[],"label_agreement":null},{"id":"W1506971585","doi":"","title":"Assimilating Indian TV Screen","year":2010,"lang":"en","type":"article","venue":"Postcolonial text","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science; Geology","score_opus":0.015064304073695264,"score_gpt":0.23515956195375257,"score_spread":0.2200952578800573,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1506971585","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24460596,0.00013003331,0.0022006077,0.001168257,0.00020566049,0.000033677465,0.00012249738,0.0001585627,0.7513747],"genre_scores_gemma":[0.92399055,0.00021821796,0.0011263804,0.00029689303,0.00006470565,0.000015464359,0.000111331916,0.00021731229,0.07395914],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99963975,0.000097381766,0.000008923797,0.00004803345,0.00011352565,0.00009230213],"domain_scores_gemma":[0.9993456,0.00016865345,0.00004541723,0.00011250771,0.00020947008,0.00011836166],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00042059264,0.00032291148,0.00011732565,0.0006784423,0.0026864277,0.0059835226,0.00053669495,0.00041139685,0.01792829],"category_scores_gemma":[0.0020370171,0.00013494387,0.00017255395,0.0006793669,0.001492899,0.0020426034,0.0036223256,0.0015157481,0.0023783713],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00029457285,0.00025842816,0.016314179,0.00032274224,0.000026176547,0.001552688,0.48566765,0.00062691263,0.042893443,0.21178205,0.020794237,0.21946701],"study_design_scores_gemma":[0.0000181614,0.00012730042,0.045352567,0.00026540112,0.00010019186,0.00057126296,0.3294283,0.002782595,0.010013402,0.011317268,0.59995455,0.00006906698],"about_ca_topic_score_codex":0.018744702,"about_ca_topic_score_gemma":0.03455772,"teacher_disagreement_score":0.018744702,"about_ca_system_score_codex":0.0017184739,"about_ca_system_score_gemma":0.0012864659,"threshold_uncertainty_score":0.05997616},"labels":[],"label_agreement":null},{"id":"W1510501985","doi":"","title":"Postliberalization Indian Novels in English: Politics of Global Reception and Awards edited by Aysha Iqbal Vishwamohan","year":2014,"lang":"en","type":"article","venue":"Postcolonial text","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Politics; History; Literature; Media studies; Art; Sociology; Political science; Law","score_opus":0.007604603856999645,"score_gpt":0.22254316195920257,"score_spread":0.21493855810220291,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1510501985","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05443801,0.014270787,0.00034610328,0.0874246,0.011230314,0.00005446836,0.00021765144,0.00008261385,0.8319355],"genre_scores_gemma":[0.53348,0.0059691616,0.00015171609,0.007419296,0.005526804,0.000053078515,0.000092619404,0.0002610086,0.44704634],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99872905,0.00046595582,0.00003322095,0.00009822552,0.00026029148,0.00041325355],"domain_scores_gemma":[0.9979482,0.0009711741,0.00015383273,0.00009285537,0.00035317894,0.0004807539],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019040394,0.00047288262,0.00040670217,0.00096243346,0.0125293825,0.014238078,0.00087242445,0.0014057182,0.02160322],"category_scores_gemma":[0.002822951,0.00026358917,0.00017831975,0.0016178902,0.007073592,0.0031869838,0.004207109,0.0058210245,0.002202021],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000112103975,0.0000847175,0.0004669587,0.00025331805,0.000009545163,0.00077205827,0.1740231,0.00007557816,0.00086454756,0.47082436,0.3362036,0.016310154],"study_design_scores_gemma":[0.0000095277965,0.000016779071,0.0020868834,0.00013826572,0.0000051692223,0.00010589914,0.054394096,0.000037416918,0.00029301466,0.0040964717,0.93880266,0.000013841079],"about_ca_topic_score_codex":0.016985733,"about_ca_topic_score_gemma":0.04439279,"teacher_disagreement_score":0.02160322,"about_ca_system_score_codex":0.0073216064,"about_ca_system_score_gemma":0.006929632,"threshold_uncertainty_score":0.072269976},"labels":[],"label_agreement":null},{"id":"W1517713353","doi":"","title":"Blood Masculinities: The Triad of Men's Violences in Ghanian Occult Video Films","year":2007,"lang":"en","type":"article","venue":"Postcolonial text","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Masculinity; Occult; Ideology; Gender studies; Power (physics); Sociology; Politics; Law; Political science; Medicine","score_opus":0.01512112660163482,"score_gpt":0.23917540174427915,"score_spread":0.22405427514264434,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1517713353","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9508751,0.0038123536,0.00040191086,0.004625798,0.00016073423,0.000025612595,0.00005474311,0.000009029697,0.04003461],"genre_scores_gemma":[0.9975902,0.000618197,0.000070339185,0.00015174817,0.000044992914,0.0000049877212,0.0000107807855,0.0000035752332,0.0015052748],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9987966,0.00063148397,0.000036101465,0.00008280107,0.00023696235,0.00021605092],"domain_scores_gemma":[0.998743,0.00049383205,0.0005011935,0.000049210288,0.000073610936,0.0001391151],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00092076353,0.0003590093,0.00019407098,0.0013163635,0.0064465906,0.0031994113,0.00031904175,0.00070907554,0.0030287101],"category_scores_gemma":[0.003115528,0.00025463908,0.00013010649,0.0016187069,0.008625372,0.0015366479,0.0021840804,0.001339302,0.00011908681],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000751043,0.000030608906,0.04709106,0.00015019921,0.000029783052,0.00368711,0.89689773,0.000050345378,0.0014014727,0.025014386,0.0028461379,0.02272613],"study_design_scores_gemma":[0.000007668169,0.00006919231,0.1261055,0.00031693978,0.000020848101,0.0027383063,0.80789334,0.00008440889,0.0008171969,0.0035043268,0.05842253,0.00001978506],"about_ca_topic_score_codex":0.016621461,"about_ca_topic_score_gemma":0.03326333,"teacher_disagreement_score":0.016621461,"about_ca_system_score_codex":0.0028287182,"about_ca_system_score_gemma":0.000985481,"threshold_uncertainty_score":0.033049464},"labels":[],"label_agreement":null},{"id":"W1520930844","doi":"","title":"Between Tradaption and Adaptation: Glocal Imaginaries in British Asian Drama","year":2011,"lang":"en","type":"article","venue":"Postcolonial text","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Drama; History; Theatre studies; Context (archaeology); Performing arts; The arts; Glocalization; Geography; Gender studies; Sociology; Literature; Visual arts; Globalization; Art; Political science","score_opus":0.041029900925965514,"score_gpt":0.21958085835520666,"score_spread":0.17855095742924115,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1520930844","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5641161,0.0039469255,0.0056132865,0.007930352,0.00053999,0.00006189307,0.000053641485,0.00011928609,0.41761845],"genre_scores_gemma":[0.9834306,0.00066680025,0.0007040339,0.00049538945,0.000038066424,0.000018970992,0.000020754227,0.00009613916,0.014529324],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99751127,0.0016744859,0.000052980853,0.00014951183,0.00028160642,0.00033009268],"domain_scores_gemma":[0.9983241,0.0009505124,0.00009695105,0.00017129265,0.00018356208,0.0002735829],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0024516971,0.0007455841,0.00033890142,0.0009273267,0.007383956,0.008403901,0.0009099928,0.0013911506,0.0041552433],"category_scores_gemma":[0.003869373,0.00026295485,0.0002999207,0.0010242645,0.019970298,0.0041993577,0.0057658884,0.0034545872,0.00058002234],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009229611,0.00002064413,0.0009957629,0.000117298994,0.0000058021074,0.0005867686,0.9479716,0.000066006745,0.0019300228,0.03793024,0.0020384511,0.008245038],"study_design_scores_gemma":[0.0000065908052,0.00004428549,0.0030305518,0.00021242688,0.000011801881,0.0008494815,0.87991303,0.00023131425,0.00085383974,0.005679013,0.109139055,0.000028596573],"about_ca_topic_score_codex":0.02382078,"about_ca_topic_score_gemma":0.041459166,"teacher_disagreement_score":0.02382078,"about_ca_system_score_codex":0.0041322093,"about_ca_system_score_gemma":0.0017060798,"threshold_uncertainty_score":0.047364295},"labels":[],"label_agreement":null},{"id":"W1522927854","doi":"","title":"Communication & Global Shifts| Performing Terror, Mediating Religion: Indian Cinema and the Politics of National Belonging","year":2014,"lang":"en","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Movie theater; Genocide; State (computer science); Context (archaeology); Subjectivity; Politics; Power (physics); Relation (database); Gender studies; Terrorism; Sociology; Political science; Criminology; History; Law","score_opus":0.11470715254938965,"score_gpt":0.4576730387850922,"score_spread":0.34296588623570257,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1522927854","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20202014,0.01026544,0.000887409,0.033640973,0.0011140202,0.000025168274,0.00007510686,0.00007172551,0.7519],"genre_scores_gemma":[0.97699285,0.0037116036,0.00020716355,0.0018014016,0.00039445944,0.000011170729,0.00002624712,0.000039037295,0.016816054],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991425,0.00053611526,0.000014696746,0.000056737434,0.00008920997,0.00016076947],"domain_scores_gemma":[0.9991103,0.00043378407,0.00012132729,0.00007059015,0.000065676635,0.0001983465],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011553025,0.00034682895,0.00015485681,0.0009835256,0.0066949376,0.009327044,0.0003800055,0.0010459806,0.009316049],"category_scores_gemma":[0.0015876559,0.00012992499,0.00015107449,0.0011499631,0.011394514,0.0037009532,0.004653345,0.0021350333,0.000651402],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005950988,0.00006031326,0.0041118697,0.00039250538,0.00001879539,0.000985423,0.63292515,0.00011058101,0.0017370285,0.28855965,0.026443105,0.0445961],"study_design_scores_gemma":[0.000010024838,0.000049206108,0.010635083,0.0005057652,0.000030935713,0.00060758507,0.49861032,0.00011546803,0.0006449561,0.016746536,0.47202006,0.0000241088],"about_ca_topic_score_codex":0.0052223643,"about_ca_topic_score_gemma":0.010389496,"teacher_disagreement_score":0.009327044,"about_ca_system_score_codex":0.0018235041,"about_ca_system_score_gemma":0.0012823036,"threshold_uncertainty_score":0.031165302},"labels":[],"label_agreement":null},{"id":"W1526068666","doi":"10.24908/ss.v6i2.3258","title":"Roof's The Poetics of DNA","year":2009,"lang":"en","type":"article","venue":"Surveillance & Society","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Poetics; Art; Literature; Poetry","score_opus":0.01457717302431815,"score_gpt":0.21693466949673848,"score_spread":0.20235749647242032,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1526068666","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.025838852,0.012975463,0.028587082,0.17944683,0.005210337,0.000078463265,0.0001960354,0.00021356168,0.7474534],"genre_scores_gemma":[0.7162215,0.004687266,0.010382451,0.023866316,0.0022083104,0.00016149043,0.00007904324,0.00030026576,0.24209331],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974331,0.001662492,0.000057065332,0.00028288926,0.0003410604,0.00022337612],"domain_scores_gemma":[0.99433136,0.003641602,0.00027185588,0.0007790306,0.00047539372,0.00050079596],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0056576733,0.0004314579,0.00038946015,0.0013443085,0.0063280794,0.008696741,0.0009263305,0.002882691,0.010089563],"category_scores_gemma":[0.0091420235,0.00029216506,0.00036241088,0.001001116,0.052227244,0.009919742,0.003079005,0.0074588456,0.0014421495],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011139437,0.0000054585103,0.00011215736,0.000021508617,0.0000023472505,0.00004032958,0.009926088,0.000040589257,0.0001084367,0.9791454,0.006665427,0.003921028],"study_design_scores_gemma":[0.0000239801,0.000021507802,0.0002969385,0.00014433067,0.000008480366,0.00016921246,0.010589814,0.00019284096,0.00046470834,0.5405969,0.44747353,0.00001767167],"about_ca_topic_score_codex":0.0066508306,"about_ca_topic_score_gemma":0.0052411854,"teacher_disagreement_score":0.010089563,"about_ca_system_score_codex":0.0023074863,"about_ca_system_score_gemma":0.0031864145,"threshold_uncertainty_score":0.033752978},"labels":[],"label_agreement":null},{"id":"W1533790962","doi":"","title":"Errant Subjectivities in Bharati Mukherjee's Fiction","year":2011,"lang":"en","type":"article","venue":"Postcolonial text","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Subjectivity; Modernity; Identity (music); Sociology; Balance (ability); Aesthetics; Late modernity; Immigration; Epistemology; Position (finance); Gender studies; Philosophy; Law; Social science; Political science; Psychology","score_opus":0.04501468034324761,"score_gpt":0.22033530948464827,"score_spread":0.17532062914140067,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1533790962","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1685281,0.007869158,0.0043116445,0.036834277,0.0028292087,0.00010892186,0.00012830755,0.00016232854,0.7792281],"genre_scores_gemma":[0.87156254,0.002727594,0.0013669702,0.004371729,0.00065590575,0.000096824704,0.000048308833,0.00013197136,0.11903808],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99938405,0.00036796584,0.0000135732325,0.00004498956,0.000105355335,0.00008410039],"domain_scores_gemma":[0.9990595,0.0006748073,0.000064138156,0.000056423116,0.000068341156,0.00007672731],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007323414,0.00047047494,0.000261731,0.0007477083,0.007575875,0.004399336,0.00057255017,0.0013681569,0.0051590996],"category_scores_gemma":[0.0020841705,0.00019588992,0.00019440103,0.0007474091,0.0136806015,0.0022313942,0.002459447,0.0046124854,0.0008905835],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000051441348,0.000027528635,0.00037003309,0.0002052511,0.000006407925,0.0012783094,0.40192488,0.00010854527,0.0018842131,0.55565274,0.030059775,0.008430854],"study_design_scores_gemma":[0.0000113448195,0.000057274803,0.0023790754,0.000500029,0.000020948764,0.0019575201,0.12115553,0.00037650228,0.0022987495,0.028678741,0.84253025,0.00003394145],"about_ca_topic_score_codex":0.004107947,"about_ca_topic_score_gemma":0.008674046,"teacher_disagreement_score":0.007575875,"about_ca_system_score_codex":0.0022283515,"about_ca_system_score_gemma":0.0011434201,"threshold_uncertainty_score":0.017258942},"labels":[],"label_agreement":null},{"id":"W1535090563","doi":"","title":"Performing Identity in Gish Jen's Mona in the Promised Land","year":2007,"lang":"en","type":"article","venue":"International fiction review","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Subjectivity; Postmodernism; Identity (music); Politics; Sociology; Aesthetics; Identity politics; Epistemology; Political science; Law; Philosophy","score_opus":0.029107655809141694,"score_gpt":0.30366343844257404,"score_spread":0.27455578263343233,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1535090563","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.56167454,0.000944351,0.0053774007,0.013160354,0.0011271358,0.000059982627,0.000088345165,0.00018943429,0.41737846],"genre_scores_gemma":[0.94280094,0.00012989486,0.0006657629,0.00035957247,0.00006383526,0.000012769621,0.000018408362,0.00005374899,0.05589515],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990403,0.00042765067,0.000014815542,0.00008660231,0.0001614079,0.0002692679],"domain_scores_gemma":[0.99975413,0.00007314,0.000026433681,0.00002685807,0.000029636973,0.00008970954],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009844754,0.0002909581,0.00024430617,0.00031147402,0.0073927613,0.0037087835,0.0005697273,0.0011096013,0.004402618],"category_scores_gemma":[0.0010537158,0.00016375285,0.00022363247,0.00029881558,0.009726956,0.002258982,0.0029259918,0.0023368539,0.00073381414],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019655844,0.00007469914,0.0027508049,0.00012278046,0.0000134808915,0.0023939759,0.46248677,0.00024299207,0.003959269,0.49190727,0.017863136,0.01798825],"study_design_scores_gemma":[0.0000147830715,0.0001641702,0.0042886627,0.000114390234,0.000014039456,0.0013383902,0.30427372,0.00075219007,0.0030895455,0.02415619,0.66172945,0.00006444528],"about_ca_topic_score_codex":0.005256956,"about_ca_topic_score_gemma":0.018842507,"teacher_disagreement_score":0.0073927613,"about_ca_system_score_codex":0.003263661,"about_ca_system_score_gemma":0.0012087817,"threshold_uncertainty_score":0.023679674},"labels":[],"label_agreement":null},{"id":"W1535948510","doi":"","title":"When the East is a Career: The Question of Exoticism in Indian Anglophone Literature","year":2009,"lang":"en","type":"article","venue":"Postcolonial text","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Exoticism; Skepticism; Politics; Cult; Rebuttal; Sociology; Consilience; Literature; Media studies; History; Anthropology; Epistemology; Philosophy; Political science; Law; Art","score_opus":0.0159490026801177,"score_gpt":0.23070133317039473,"score_spread":0.21475233049027703,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1535948510","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3417395,0.049896408,0.0034615237,0.19875346,0.0026947735,0.000023364319,0.000027139604,0.000037045695,0.40336677],"genre_scores_gemma":[0.9764307,0.0062859417,0.00031279706,0.009077929,0.0009716976,0.000012604374,0.000007945833,0.00002899317,0.0068712723],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9961991,0.0024571666,0.00009260585,0.00019285813,0.0004953907,0.0005628838],"domain_scores_gemma":[0.9938121,0.003833833,0.000632876,0.00027666742,0.0007271698,0.0007172888],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0051899515,0.00024214048,0.00036391328,0.0016740694,0.011707775,0.01575219,0.000924915,0.0020418968,0.0016485616],"category_scores_gemma":[0.005647234,0.0002096639,0.00021897785,0.0018090173,0.032956574,0.00955263,0.005982669,0.0055765505,0.00029844375],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028541179,0.000013586887,0.001813828,0.00013097565,0.0000065291574,0.0005674081,0.40259042,0.00002241832,0.00015636004,0.5794555,0.006514315,0.008700037],"study_design_scores_gemma":[0.000008509539,0.00003344783,0.0043025576,0.0010096215,0.000022561338,0.00092001236,0.6898736,0.00012456032,0.00024901782,0.084227435,0.21919253,0.000036170106],"about_ca_topic_score_codex":0.009337178,"about_ca_topic_score_gemma":0.016980294,"teacher_disagreement_score":0.01575219,"about_ca_system_score_codex":0.004551786,"about_ca_system_score_gemma":0.0039357943,"threshold_uncertainty_score":0.033025682},"labels":[],"label_agreement":null},{"id":"W1538704372","doi":"10.29173/inton53","title":"Unsung Heroes? A Cross-Cultural Analysis of Lip-Syncing in American and Indian Film","year":2011,"lang":"en","type":"article","venue":"Intonations","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Hollywood; Ideology; Singing; Hostility; Movie theater; Aesthetics; Film industry; Musical; Feature (linguistics); Art; Media studies; History; Advertising; Sociology; Visual arts; Psychology; Political science; Acoustics; Linguistics; Law; Social psychology; Art history; Business; Politics","score_opus":0.036652916313172954,"score_gpt":0.2787719033785784,"score_spread":0.2421189870654054,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1538704372","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9562903,0.00082889595,0.00019876662,0.00065738964,0.000043286436,0.00002271401,0.00003687319,0.0000057449406,0.041916084],"genre_scores_gemma":[0.9958495,0.001186587,0.00020089524,0.00017599313,0.0000317293,0.000020483458,0.000057098314,0.00002218411,0.002455611],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9968982,0.0016800377,0.000107459455,0.00020071954,0.00062081096,0.000492805],"domain_scores_gemma":[0.9940202,0.003552992,0.0007804996,0.00028334744,0.00087294466,0.00049002486],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0036087052,0.00046474565,0.00032674868,0.0044231988,0.008463135,0.008417947,0.0010822708,0.0008198844,0.0020318658],"category_scores_gemma":[0.0072256387,0.00031955924,0.0002372701,0.0065411367,0.006427378,0.0029604845,0.003442361,0.0024355403,0.00024658476],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026789108,0.00003948653,0.008928316,0.000058815574,0.000009308194,0.00031944877,0.9792661,0.000010295178,0.000532585,0.004293757,0.00045047907,0.0060646655],"study_design_scores_gemma":[0.0000012508191,0.000016901718,0.037338693,0.00008434885,0.000010327578,0.00017987937,0.9486258,0.000040014398,0.00018081188,0.00018106123,0.013329411,0.000011567375],"about_ca_topic_score_codex":0.04459251,"about_ca_topic_score_gemma":0.09582148,"teacher_disagreement_score":0.04459251,"about_ca_system_score_codex":0.004391767,"about_ca_system_score_gemma":0.0019427383,"threshold_uncertainty_score":0.0886659},"labels":[],"label_agreement":null},{"id":"W1542643004","doi":"","title":"Postcolonial Theories by Jenni Ramone","year":2013,"lang":"en","type":"article","venue":"Postcolonial text","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Postcolonialism (international relations); Sociology; Gender studies","score_opus":0.007573430359364939,"score_gpt":0.2067444138310325,"score_spread":0.19917098347166756,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1542643004","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.023561407,0.053499702,0.000814893,0.3176796,0.0098784035,0.00002359937,0.00014267016,0.000059966533,0.59433985],"genre_scores_gemma":[0.44986743,0.044112895,0.000542953,0.024264945,0.0049567064,0.000121815596,0.00013036455,0.00021686073,0.47578603],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9995233,0.00023836752,0.000015545678,0.000057878307,0.00011217125,0.000052858304],"domain_scores_gemma":[0.9978148,0.0013050657,0.00018829435,0.00009800056,0.00036501567,0.00022874841],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014949875,0.00059399876,0.00027784787,0.0010740795,0.0058073425,0.0042326264,0.00065680675,0.0012080922,0.013071364],"category_scores_gemma":[0.0031219933,0.00021399198,0.00013337091,0.0013799749,0.00755496,0.0045880717,0.0027246405,0.0058408743,0.0029730785],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000039182698,0.00004659939,0.00055523246,0.00025708813,0.000011111212,0.00018629558,0.11090244,0.000085446845,0.00020321872,0.54665554,0.32723704,0.013820787],"study_design_scores_gemma":[0.00001068035,0.000010540498,0.0012829065,0.00038290521,0.000008028584,0.000060029804,0.027323164,0.000075552045,0.00017224278,0.034572363,0.9360912,0.000010372354],"about_ca_topic_score_codex":0.008573273,"about_ca_topic_score_gemma":0.015401981,"teacher_disagreement_score":0.013071364,"about_ca_system_score_codex":0.003794917,"about_ca_system_score_gemma":0.0020325533,"threshold_uncertainty_score":0.043728054},"labels":[],"label_agreement":null},{"id":"W1544053962","doi":"10.3138/tric.21.1.80","title":"Helen Gilbert and Joanne Tompkins. Post-colonial Drama: Theory, Practice, Politics","year":2000,"lang":"en","type":"article","venue":"Theatre Research in Canada","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Guelph","funders":"","keywords":"Drama; Colonialism; CLARITY; Politics; Sociology; Political philosophy; Postcolonialism (international relations); Literature; Gender studies; Law; Art; Political science","score_opus":0.024906844736316828,"score_gpt":0.2843619467235198,"score_spread":0.25945510198720295,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1544053962","genre_codex":"commentary","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008170108,0.29955643,0.0010865376,0.49509043,0.007820319,0.00007351395,0.00010999363,0.00007098486,0.18802162],"genre_scores_gemma":[0.26050985,0.34319508,0.0024444927,0.078837596,0.004630834,0.00027019077,0.00011719468,0.00018037266,0.30981442],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99860805,0.00070269115,0.000027707973,0.00010806703,0.0003813073,0.00017223488],"domain_scores_gemma":[0.99729496,0.0015836965,0.00017931747,0.000059868136,0.00035994747,0.0005222287],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015591276,0.0007354155,0.0003444205,0.0016975228,0.008171994,0.0064434726,0.0012666839,0.0040022354,0.006671655],"category_scores_gemma":[0.004674633,0.00034973788,0.0002081449,0.00269567,0.012433998,0.0065465057,0.003250025,0.004855049,0.0016682295],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035416906,0.00003968431,0.0007071833,0.00051804824,0.000006598383,0.00032877165,0.0832663,0.000139811,0.00019108986,0.22262393,0.6408834,0.051259797],"study_design_scores_gemma":[0.0000061958394,0.000011029635,0.0010486215,0.0008107614,0.000004645667,0.00014818541,0.077615954,0.00006277516,0.00014375833,0.021148246,0.898983,0.000016778777],"about_ca_topic_score_codex":0.10498338,"about_ca_topic_score_gemma":0.19806242,"teacher_disagreement_score":0.10498338,"about_ca_system_score_codex":0.007006565,"about_ca_system_score_gemma":0.006634344,"threshold_uncertainty_score":0.20874465},"labels":[],"label_agreement":null},{"id":"W1545693715","doi":"10.22230/cjc.2006v31n1a1778","title":"More than Just an Arts Festival: Communities, Resistance, and the Story of Desh Pardesh","year":2006,"lang":"en","type":"article","venue":"Canadian Journal of Communication","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":18,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Mainstream; The arts; Resistance (ecology); Sociology; Media studies; Colonialism; Gender studies; Political science; Law","score_opus":0.032924000947208446,"score_gpt":0.22642050118353316,"score_spread":0.1934965002363247,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1545693715","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7903289,0.0063063707,0.00067617325,0.06929085,0.0011422064,0.00006957222,0.00013197993,0.00004963276,0.13200435],"genre_scores_gemma":[0.97414213,0.0016290294,0.00020610177,0.0039507067,0.00021182746,0.00004087384,0.000023736391,0.00003355473,0.019762011],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9967925,0.0021117283,0.000027734195,0.00016438152,0.00027731643,0.0006263492],"domain_scores_gemma":[0.9978781,0.0009008436,0.00018155115,0.00007517207,0.00013369901,0.0008306562],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023523844,0.0006923969,0.0005240561,0.0007819687,0.037620753,0.006263399,0.0014359799,0.003132089,0.0040071956],"category_scores_gemma":[0.0028075112,0.00056991796,0.0003290692,0.0009936208,0.019556941,0.0043943366,0.0065844865,0.0073360936,0.00043879932],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025737292,0.000020901834,0.0005747045,0.000051813706,0.0000057255734,0.0016728006,0.9764534,0.000029132594,0.00032957498,0.009128746,0.009520724,0.0021866376],"study_design_scores_gemma":[0.000004418501,0.000027752789,0.0013282248,0.00007146846,0.0000043203963,0.00063266273,0.8985356,0.000033665656,0.00014861055,0.0005370945,0.09866454,0.000011646951],"about_ca_topic_score_codex":0.07461578,"about_ca_topic_score_gemma":0.1468883,"teacher_disagreement_score":0.9253842,"about_ca_system_score_codex":0.0074328496,"about_ca_system_score_gemma":0.0036025692,"threshold_uncertainty_score":0.14836293},"labels":[],"label_agreement":null},{"id":"W1548581408","doi":"","title":"The Oriental Express","year":2006,"lang":"en","type":"article","venue":"Postcolonial text","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Linguistics; History; Philosophy","score_opus":0.00807232049425049,"score_gpt":0.20158358404056173,"score_spread":0.19351126354631124,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1548581408","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0043409276,0.002571472,0.00015334258,0.003360991,0.00062802056,0.0000053261224,0.000042756805,0.000019507152,0.9888777],"genre_scores_gemma":[0.2417688,0.0033185466,0.00035957733,0.0027292415,0.0005994207,0.000025199108,0.0001053816,0.00018283966,0.750911],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997086,0.000098454824,0.000009426525,0.000043616168,0.000071045,0.00006891428],"domain_scores_gemma":[0.99978846,0.000039127706,0.000016957469,0.000043835,0.000053505573,0.0000582049],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004560126,0.00048304096,0.00016241877,0.000521823,0.0035098637,0.006280036,0.00035670868,0.00086898234,0.028587513],"category_scores_gemma":[0.00086578383,0.000097588476,0.00012264874,0.0006719269,0.0036722263,0.0021505991,0.0018977517,0.0019091871,0.007123449],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000048440197,0.000016459931,0.0003682812,0.00007282819,0.0000040088903,0.00029223238,0.029534696,0.000027760523,0.0011080202,0.7924108,0.13902898,0.03708745],"study_design_scores_gemma":[0.000002203253,0.000004843116,0.0005370917,0.0000397653,0.0000024488002,0.00007093604,0.0051615313,0.000009937344,0.00013326599,0.0055795573,0.9884553,0.0000031633788],"about_ca_topic_score_codex":0.010552281,"about_ca_topic_score_gemma":0.02243333,"teacher_disagreement_score":0.028587513,"about_ca_system_score_codex":0.002743825,"about_ca_system_score_gemma":0.0012405614,"threshold_uncertainty_score":0.09563476},"labels":[],"label_agreement":null},{"id":"W1548889758","doi":"","title":"A Desire for the Real: The Power of Film in The Englishman’s Boy","year":2009,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Guelph","funders":"","keywords":"Movie theater; Hollywood; Subjectivity; Power (physics); Interpretation (philosophy); Argument (complex analysis); Studio; Literature; Art; Aesthetics; History; Art history; Visual arts; Philosophy; Epistemology","score_opus":0.03490406122646574,"score_gpt":0.2766864718502456,"score_spread":0.24178241062377984,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1548889758","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21776672,0.018275768,0.0011879731,0.12704718,0.001371367,0.00005109002,0.00008357068,0.00006026331,0.6341561],"genre_scores_gemma":[0.938436,0.004264458,0.00023840659,0.003936786,0.00022272475,0.000014350483,0.000010811301,0.00005086572,0.05282557],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977442,0.0011948546,0.00002643128,0.00014732727,0.00037211625,0.0005151275],"domain_scores_gemma":[0.9980635,0.0007527138,0.0001582833,0.00007652038,0.0004330082,0.0005161075],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002210506,0.000363765,0.00028301452,0.0008498605,0.026460567,0.011510032,0.0006952079,0.0014881238,0.005539889],"category_scores_gemma":[0.0028336544,0.000340795,0.00015760674,0.0008560862,0.027322337,0.00430505,0.0025892362,0.0038068516,0.0004771197],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003914489,0.000028040682,0.0009852091,0.00009946274,0.000009426201,0.0008599086,0.7439626,0.000031118525,0.00065919495,0.21177073,0.0343292,0.0072261174],"study_design_scores_gemma":[0.000010580473,0.000022521617,0.0018701203,0.0002805959,0.000013580531,0.00037372153,0.53224784,0.000041326923,0.0005126444,0.0063423114,0.45826066,0.00002408751],"about_ca_topic_score_codex":0.4128678,"about_ca_topic_score_gemma":0.62490755,"teacher_disagreement_score":0.4128678,"about_ca_system_score_codex":0.016485253,"about_ca_system_score_gemma":0.010491725,"threshold_uncertainty_score":0.8209293},"labels":[],"label_agreement":null},{"id":"W1552513395","doi":"","title":"The Nation as “International Bastard”: Ethnicity and Language in Michael Ondaatje’s The English Patient","year":2003,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ethnic group; Welsh; Romance; Criticism; Empire; Sociology; History; Literature; Aesthetics; Gender studies; Media studies; Law; Art; Linguistics; Political science; Philosophy; Anthropology","score_opus":0.013849289014265255,"score_gpt":0.24393401462943287,"score_spread":0.23008472561516763,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1552513395","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.76287633,0.00397062,0.00072951254,0.053032737,0.0009799434,0.0000404341,0.00006732538,0.000041420884,0.17826179],"genre_scores_gemma":[0.97763664,0.00097498193,0.00016640467,0.00259691,0.00006111327,0.000012196547,0.00001306071,0.000042077183,0.018496685],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9986051,0.0006380733,0.00003622679,0.000076488985,0.00023163874,0.00041257087],"domain_scores_gemma":[0.9988004,0.00040487613,0.00012680488,0.00003203831,0.00011749958,0.00051830686],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012606286,0.00042325907,0.0004925299,0.00062323624,0.02143275,0.006836952,0.00077842677,0.0025531228,0.0030599951],"category_scores_gemma":[0.0028258169,0.00037570516,0.00019997628,0.00069557043,0.016637478,0.0023152519,0.0036082733,0.0058017564,0.000304905],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000041160845,0.000022350054,0.0009636757,0.000035253302,0.0000050511103,0.0033517575,0.94649154,0.000034978963,0.0005456123,0.039119944,0.006685603,0.0027030974],"study_design_scores_gemma":[0.000008807908,0.000023461873,0.0024186454,0.00011078562,0.000012728196,0.0034902727,0.85850275,0.00008122111,0.0004167046,0.0020444118,0.13285151,0.000038700837],"about_ca_topic_score_codex":0.27389526,"about_ca_topic_score_gemma":0.53803384,"teacher_disagreement_score":0.72610474,"about_ca_system_score_codex":0.011419314,"about_ca_system_score_gemma":0.0070550214,"threshold_uncertainty_score":0.54460204},"labels":[],"label_agreement":null},{"id":"W1554521206","doi":"","title":"Karayanni's Dancing Fear and Desire","year":2006,"lang":"en","type":"article","venue":"Postcolonial text","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Aesthetics; Psychology; Art; History; Sociology","score_opus":0.010716189155495062,"score_gpt":0.20253199928749377,"score_spread":0.19181581013199872,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1554521206","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08942433,0.0038258096,0.0005346405,0.026194701,0.001761805,0.00004228229,0.000083934705,0.00006216647,0.87807024],"genre_scores_gemma":[0.7495089,0.0030578775,0.00036902493,0.005446156,0.00045976558,0.00006492164,0.00005368541,0.00012957491,0.24091005],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99955374,0.00014121368,0.000016298818,0.00004400454,0.00009151963,0.00015319612],"domain_scores_gemma":[0.9996119,0.00014729776,0.000049207327,0.000030057958,0.000062880674,0.00009864125],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008089758,0.000748074,0.0003424576,0.0004905115,0.012587947,0.005070637,0.0006948178,0.0014690324,0.01303496],"category_scores_gemma":[0.0011222487,0.00022853324,0.00024360884,0.0008413129,0.008150337,0.0026837997,0.0037609553,0.007237593,0.0022499475],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011424435,0.000050965737,0.0008074586,0.00033355667,0.00000908413,0.0016050424,0.46680748,0.000059928967,0.0023964145,0.46332407,0.04741553,0.017076194],"study_design_scores_gemma":[0.000018101373,0.000054056338,0.0035104118,0.0002847725,0.000018386727,0.001631161,0.1998201,0.00011334427,0.00096447894,0.012828105,0.7807265,0.000030522755],"about_ca_topic_score_codex":0.0075119566,"about_ca_topic_score_gemma":0.024958119,"teacher_disagreement_score":0.01303496,"about_ca_system_score_codex":0.0042720116,"about_ca_system_score_gemma":0.0031383513,"threshold_uncertainty_score":0.04360634},"labels":[],"label_agreement":null},{"id":"W1564851391","doi":"","title":"The New Old World","year":2015,"lang":"en","type":"article","venue":"Alternate routes","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Business","score_opus":0.04035176517817437,"score_gpt":0.23839352206917996,"score_spread":0.1980417568910056,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1564851391","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.022036867,0.010110485,0.0009618012,0.027530072,0.0034404509,0.000026841213,0.00012868716,0.00007319517,0.9356916],"genre_scores_gemma":[0.27562702,0.008098059,0.0009372173,0.0076039843,0.0010528713,0.000051237635,0.00012666306,0.00015260714,0.7063503],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99935657,0.0002095627,0.000021665592,0.000117956166,0.00012029354,0.0001739516],"domain_scores_gemma":[0.9993062,0.00007738345,0.00004961475,0.00014272387,0.00011179727,0.00031240185],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010829619,0.0004850058,0.00029987382,0.0008382625,0.0071834316,0.012042887,0.0006716813,0.0018182297,0.06514122],"category_scores_gemma":[0.0013516523,0.00020161168,0.0002492135,0.0013224297,0.010285665,0.0083953785,0.0055989465,0.0048700925,0.008986992],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040956504,0.0000467663,0.0010953889,0.00012674606,0.000007656255,0.0003750941,0.060470738,0.00003616288,0.0006494202,0.78618765,0.10351818,0.047445264],"study_design_scores_gemma":[0.0000026013045,0.00001101123,0.000684551,0.000080778176,0.0000032782966,0.00016296131,0.016116787,0.000016948861,0.000071705406,0.0164727,0.9663708,0.000005939331],"about_ca_topic_score_codex":0.005919273,"about_ca_topic_score_gemma":0.016664743,"teacher_disagreement_score":0.06514122,"about_ca_system_score_codex":0.0029196898,"about_ca_system_score_gemma":0.0036246236,"threshold_uncertainty_score":0.21791911},"labels":[],"label_agreement":null},{"id":"W1569625956","doi":"","title":"Translating Minoritized Cultures: Issues of Caste, Class and Gender","year":2006,"lang":"en","type":"article","venue":"Postcolonial text","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":31,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Caste; Class (philosophy); Gender studies; Sociology; South asia; Political science; Anthropology; Epistemology; Law; Philosophy","score_opus":0.023288077745966713,"score_gpt":0.2602083280647407,"score_spread":0.23692025031877398,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1569625956","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.50254107,0.007839902,0.008283169,0.09198277,0.0045365673,0.00017312483,0.0003109981,0.00013588367,0.38419658],"genre_scores_gemma":[0.9618494,0.0027633735,0.0016980829,0.002308482,0.00022534357,0.0000693361,0.000057021818,0.00015580078,0.030873144],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977308,0.0013366723,0.00013905086,0.00012601652,0.0003979107,0.00026958153],"domain_scores_gemma":[0.9958385,0.0027630564,0.0002950006,0.00023480457,0.0006206753,0.0002479548],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0043568597,0.0006550883,0.0004251654,0.000951207,0.010609999,0.0075980993,0.0008745727,0.0010952491,0.0048273983],"category_scores_gemma":[0.0084616225,0.0002568073,0.0001851982,0.0013609197,0.008427234,0.0031121208,0.005090889,0.0055003045,0.0006562631],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031277123,0.000016168677,0.00045307187,0.00016289922,0.0000034253105,0.0005268362,0.9145395,0.000037808775,0.00106305,0.064214356,0.004890025,0.014061558],"study_design_scores_gemma":[0.0000069846938,0.00003084705,0.0015199302,0.00046636487,0.000009751065,0.00030379606,0.71342134,0.00014469551,0.0025758075,0.006495049,0.2750025,0.000022921704],"about_ca_topic_score_codex":0.010512179,"about_ca_topic_score_gemma":0.0245416,"teacher_disagreement_score":0.010609999,"about_ca_system_score_codex":0.006094239,"about_ca_system_score_gemma":0.0052435207,"threshold_uncertainty_score":0.04421693},"labels":[],"label_agreement":null},{"id":"W1572311073","doi":"","title":"Radha’s Revenge: Feminist Agency, Postcoloniality, and the Politics of Desire in Anita Nair’s Mistress","year":2013,"lang":"en","type":"article","venue":"Postcolonial text","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Agency (philosophy); Politics; Sociology; Gender studies; Mythology; Order (exchange); Patriarchy; Law; Political science; Literature; Social science; Art","score_opus":0.018244410581714117,"score_gpt":0.23553548325553633,"score_spread":0.21729107267382222,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1572311073","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.57328343,0.012282514,0.0048893588,0.04644765,0.0011745618,0.00004336913,0.00004081616,0.00006125437,0.361777],"genre_scores_gemma":[0.9782306,0.0009133636,0.00035327062,0.0011330007,0.00007240462,0.000015494645,0.0000043512887,0.000017349785,0.019260105],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99841106,0.0011458934,0.000025136924,0.00008759695,0.00014883927,0.0001813753],"domain_scores_gemma":[0.9989177,0.0006602684,0.00013906634,0.00009255956,0.00008755126,0.00010282722],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002368411,0.00039211634,0.00023652,0.00050408073,0.010650476,0.004700852,0.00048395814,0.0012511637,0.0016879002],"category_scores_gemma":[0.001781177,0.00023260631,0.00020619645,0.00048223682,0.019093426,0.0035233651,0.0037500495,0.0028912772,0.00029418536],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000057689867,0.000025720954,0.000732992,0.000081568156,0.0000050857284,0.00061577954,0.634892,0.00007933658,0.0009484835,0.3508727,0.0051288074,0.0065599545],"study_design_scores_gemma":[0.000016050162,0.00010136259,0.0029217396,0.0002798855,0.000013708834,0.0014170988,0.5170346,0.00044151928,0.002669115,0.041545004,0.43351492,0.00004494336],"about_ca_topic_score_codex":0.003032322,"about_ca_topic_score_gemma":0.0075536626,"teacher_disagreement_score":0.010650476,"about_ca_system_score_codex":0.0032241177,"about_ca_system_score_gemma":0.0016549155,"threshold_uncertainty_score":0.023392737},"labels":[],"label_agreement":null},{"id":"W1574213132","doi":"10.26522/vp.v11i1.914","title":"Voyage dans la culture indienne à travers quelques échantillons du cinéma bollywoodien","year":2014,"lang":"fr","type":"article","venue":"Voix Plurielles","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Art history","score_opus":0.006819466995201187,"score_gpt":0.19306115409017252,"score_spread":0.18624168709497133,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1574213132","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23112097,0.0071364995,0.0027831926,0.013466756,0.00038772047,0.000038463073,0.00011427555,0.00006577932,0.74488646],"genre_scores_gemma":[0.8971508,0.0030091507,0.0010462468,0.0009709656,0.00012152393,0.000036742873,0.000055365334,0.000059813236,0.0975494],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99891067,0.00042283323,0.000020529282,0.00010588982,0.00021566014,0.0003244239],"domain_scores_gemma":[0.999054,0.0004223669,0.0001141162,0.00009091233,0.00013643627,0.00018210779],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010766145,0.00034216003,0.00016186219,0.0011311468,0.0062548546,0.009805784,0.0005681033,0.0008017825,0.006907959],"category_scores_gemma":[0.0016713397,0.0001835191,0.00014513738,0.0016491502,0.008311627,0.0025571538,0.0029638954,0.0030601043,0.00076531747],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000071549504,0.000032418626,0.00463213,0.00015175543,0.000009616131,0.0003844166,0.3795478,0.00012337606,0.0027566543,0.54548824,0.013163634,0.05363842],"study_design_scores_gemma":[0.000008090863,0.000038901824,0.023403186,0.0005077356,0.00002112155,0.0004301654,0.18764073,0.00023149408,0.0018566601,0.015888544,0.7699303,0.000043013933],"about_ca_topic_score_codex":0.058675066,"about_ca_topic_score_gemma":0.101532936,"teacher_disagreement_score":0.058675066,"about_ca_system_score_codex":0.0058911215,"about_ca_system_score_gemma":0.003724443,"threshold_uncertainty_score":0.11666703},"labels":[],"label_agreement":null},{"id":"W1576636583","doi":"","title":"Reading the Perplexing Figure of the \"Bandit Queen\": Interpellation, Resistance and Opacity","year":2010,"lang":"en","type":"article","venue":"Thirdspace","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Subaltern; Transparency (behavior); Reading (process); Queen (butterfly); Politics; Power (physics); Aesthetics; Sociology; Resistance (ecology); History; Literature; Law; Philosophy; Art; Political science","score_opus":0.008331053139012513,"score_gpt":0.2011293089776488,"score_spread":0.1927982558386363,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1576636583","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.56091464,0.002380228,0.0052992036,0.017000915,0.00035875718,0.000063398846,0.00008964415,0.00009301225,0.41380024],"genre_scores_gemma":[0.9849451,0.0004657609,0.0003513931,0.00052096753,0.00004678544,0.00001706577,0.000012078568,0.00003300389,0.013607836],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99896395,0.00065884436,0.000018781326,0.0000668119,0.00012772945,0.00016384838],"domain_scores_gemma":[0.9985176,0.00109273,0.00014471536,0.00008948808,0.00007069146,0.00008477814],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010782265,0.0004696303,0.00022055695,0.0008670205,0.007903264,0.0074069714,0.00070940197,0.0011840916,0.0033411677],"category_scores_gemma":[0.002512356,0.00018810619,0.00018065529,0.00070266513,0.028584944,0.0039738645,0.004105642,0.0035879998,0.00032488932],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028349601,0.000011045343,0.0007010126,0.00009219919,0.0000041510593,0.00071425206,0.8088677,0.00007874821,0.0010464503,0.1828161,0.002011009,0.0036289792],"study_design_scores_gemma":[0.0000070715314,0.0000332485,0.0026757345,0.00029002462,0.00001501059,0.0010002968,0.7986772,0.00043568437,0.0029633518,0.026267288,0.1676074,0.00002780354],"about_ca_topic_score_codex":0.00718451,"about_ca_topic_score_gemma":0.010353533,"teacher_disagreement_score":0.007903264,"about_ca_system_score_codex":0.0032605163,"about_ca_system_score_gemma":0.0012683861,"threshold_uncertainty_score":0.023656845},"labels":[],"label_agreement":null},{"id":"W1583276286","doi":"","title":"Reconsidering social identification : race, gender, class and caste","year":2011,"lang":"en","type":"book","venue":"","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Caste; Gender studies; Sociology; Liminality; Aotearoa; Intersectionality; Subjectivity; Anthropology; Political science; Epistemology","score_opus":0.14151650885475475,"score_gpt":0.23041882347620077,"score_spread":0.08890231462144602,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1583276286","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009255752,0.15565154,0.002732385,0.6394173,0.036690865,0.00008462075,0.000604618,0.00007758612,0.15548536],"genre_scores_gemma":[0.35924318,0.113705255,0.004749851,0.11556558,0.054639023,0.00037483344,0.0008160588,0.0002914224,0.3506148],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987921,0.0005764795,0.00004631844,0.000108671855,0.00027866385,0.00019786079],"domain_scores_gemma":[0.99771523,0.0012396603,0.00011474368,0.00008322177,0.00058668957,0.00026042707],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020501434,0.00065119436,0.00069750776,0.0009783113,0.005636214,0.0047994056,0.0013125713,0.00266683,0.026020782],"category_scores_gemma":[0.0046682563,0.00020813776,0.00045150294,0.0014312787,0.005969823,0.00536366,0.0036508525,0.0035215123,0.0034335945],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026847601,0.000041166186,0.002448535,0.000407583,0.0000100760635,0.00021594134,0.039878964,0.0001004985,0.0002505353,0.19829202,0.63087523,0.12745252],"study_design_scores_gemma":[0.00000311331,0.000016633838,0.0036983942,0.0010708186,0.000005638944,0.00011496926,0.019252623,0.00006430772,0.00008145119,0.03848039,0.93719286,0.000018813713],"about_ca_topic_score_codex":0.036708962,"about_ca_topic_score_gemma":0.072011046,"teacher_disagreement_score":0.036708962,"about_ca_system_score_codex":0.0033474886,"about_ca_system_score_gemma":0.0036713106,"threshold_uncertainty_score":0.08704823},"labels":[],"label_agreement":null},{"id":"W1588926736","doi":"","title":"Vijay Lakshmi. Pomegranate Dreams & Other Stories","year":2007,"lang":"en","type":"article","venue":"International fiction review","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.027893903013645256,"score_gpt":0.28649501595169713,"score_spread":0.2586011129380519,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1588926736","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009727029,0.30927002,0.0005030311,0.03351645,0.009353024,0.000066760855,0.00035814568,0.00015186203,0.63705367],"genre_scores_gemma":[0.11260815,0.32258484,0.0009774083,0.012316975,0.0043408023,0.00012636684,0.00085598766,0.0001768401,0.54601264],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9998642,0.000045251687,0.000007878818,0.000015452964,0.000035516252,0.000031710206],"domain_scores_gemma":[0.99961996,0.00016759521,0.000038373666,0.00003220932,0.000066492445,0.00007535954],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00037800512,0.00036130476,0.00021460907,0.0011645611,0.0019766074,0.0026748779,0.00043433107,0.0010496081,0.06098505],"category_scores_gemma":[0.0009889101,0.00013385914,0.00013065999,0.0016103933,0.00075944583,0.0024150927,0.0016548984,0.0013251341,0.0124850655],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013477964,0.000061135215,0.0005888639,0.0031632164,0.000013950888,0.0005632598,0.007430657,0.00005813469,0.0016357955,0.035731133,0.46684933,0.4837698],"study_design_scores_gemma":[0.0000058498276,0.000015010288,0.0012602768,0.00042447826,0.00000822285,0.00036178366,0.0024481597,0.00000738084,0.00020870898,0.00075326476,0.9945036,0.0000033072463],"about_ca_topic_score_codex":0.002517041,"about_ca_topic_score_gemma":0.007829234,"teacher_disagreement_score":0.06098505,"about_ca_system_score_codex":0.00039585095,"about_ca_system_score_gemma":0.00081985036,"threshold_uncertainty_score":0.20401537},"labels":[],"label_agreement":null},{"id":"W1594497141","doi":"","title":"'Water': Diasporic Cinema and the Transcendence of Genre","year":2010,"lang":"en","type":"article","venue":"Queensland's institutional digital repository (The University of Queensland)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Film director; Movie theater; Politics; Project commissioning; Transcendence (philosophy); Publishing; Sociology; Transgender; Media studies; Aesthetics; Art history; Art; Gender studies; Literature; Political science; Philosophy; Law; Epistemology","score_opus":0.00721550231471955,"score_gpt":0.16273622658603595,"score_spread":0.1555207242713164,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1594497141","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18020426,0.0096511,0.0045258394,0.025928456,0.00089858676,0.000043826734,0.000087682776,0.00010262639,0.77855754],"genre_scores_gemma":[0.97521996,0.0018750256,0.00058985746,0.0010368649,0.00024571182,0.000025182042,0.000023148681,0.000063282896,0.020920973],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99811316,0.001280799,0.000031238305,0.0001563829,0.00020395863,0.00021440195],"domain_scores_gemma":[0.9978382,0.0011077787,0.00020028459,0.00023950957,0.00020730395,0.00040688633],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023921838,0.0004278239,0.0002433145,0.0014970241,0.008009626,0.011381915,0.0010495506,0.0011754503,0.006371134],"category_scores_gemma":[0.0043744585,0.00027461667,0.00014919626,0.0008967022,0.028792178,0.0076931636,0.006078781,0.0022631267,0.00041716246],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040270865,0.000018956529,0.00085782434,0.00012385599,0.0000069003763,0.00042134197,0.5236453,0.000041719897,0.00086230197,0.4421488,0.0121882055,0.019644503],"study_design_scores_gemma":[0.00002830674,0.000056075252,0.003200842,0.0004859673,0.000020313897,0.00069236866,0.28557256,0.0003056577,0.0009380173,0.082432665,0.6262393,0.000027968927],"about_ca_topic_score_codex":0.007585288,"about_ca_topic_score_gemma":0.011247238,"teacher_disagreement_score":0.011381915,"about_ca_system_score_codex":0.00367843,"about_ca_system_score_gemma":0.0014717208,"threshold_uncertainty_score":0.026688993},"labels":[],"label_agreement":null},{"id":"W1594917282","doi":"10.29173/md22015","title":"“We Are Text”: Reading, Dwelling and Narrative Identity in Michael Ondaatje’s The English Patient and Divisadero","year":2014,"lang":"en","type":"article","venue":"Multilingual Discourses","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Intertextuality; Reading (process); Narrative; Identity (music); Representation (politics); Literature; Linguistics; Psychology; Politics; Art; Aesthetics; Philosophy","score_opus":0.0179224609685924,"score_gpt":0.26603054301589363,"score_spread":0.24810808204730123,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1594917282","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.78215224,0.0036811829,0.0015074745,0.052387837,0.0007030956,0.000041741558,0.00004677611,0.00004574146,0.15943396],"genre_scores_gemma":[0.9829541,0.00049507525,0.00020191459,0.0017483579,0.00007379846,0.000016114354,0.0000110373585,0.000026803384,0.014472753],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99824893,0.0010746836,0.00004957843,0.00013819229,0.00017163473,0.0003170347],"domain_scores_gemma":[0.99866986,0.00061439065,0.00018692353,0.00005735993,0.0000970444,0.00037450236],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016501908,0.00042760128,0.0004208138,0.00067945296,0.015547063,0.006873992,0.0008687828,0.0027257006,0.0039838646],"category_scores_gemma":[0.0033403186,0.00031157202,0.00018760789,0.0005262518,0.030043876,0.0050672386,0.0055823596,0.00605652,0.00041989377],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013073112,0.00002064219,0.00044529917,0.000016330378,0.0000018407925,0.0009523526,0.9672095,0.000012031817,0.00019513082,0.027792932,0.0016390681,0.0017017131],"study_design_scores_gemma":[0.000010800662,0.000026469106,0.00101985,0.000081358165,0.0000057795733,0.0016588005,0.914691,0.000054709286,0.0002597296,0.009490196,0.07268379,0.000017601113],"about_ca_topic_score_codex":0.016228035,"about_ca_topic_score_gemma":0.029580852,"teacher_disagreement_score":0.016228035,"about_ca_system_score_codex":0.0033175712,"about_ca_system_score_gemma":0.0022643642,"threshold_uncertainty_score":0.032267153},"labels":[],"label_agreement":null},{"id":"W1596806238","doi":"","title":"Mahasweta Devi's Documentary/fiction as Critical Antidote: Rethinking Bonded Labour, 'Women and Development' and the Sex Trade in India","year":2002,"lang":"en","type":"article","venue":"Resources for feminist research","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sociology; Ethnography; Gender studies; Face (sociological concept); Conversation; Literature; History; Art; Anthropology; Social science","score_opus":0.055936218306290544,"score_gpt":0.310633770203909,"score_spread":0.25469755189761845,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1596806238","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2513288,0.031127065,0.011970072,0.34956786,0.0062267627,0.00013402948,0.00015667354,0.00019448773,0.34929428],"genre_scores_gemma":[0.9648839,0.0056091803,0.002144221,0.009156604,0.0008634068,0.00009517889,0.000033331406,0.00009539172,0.017118875],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99522024,0.003455202,0.00012415953,0.00023839755,0.00059565157,0.00036623955],"domain_scores_gemma":[0.98486924,0.012386635,0.00075559603,0.00083972013,0.00073017995,0.00041861145],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0053958595,0.0004902895,0.00040991997,0.0021389998,0.0139793,0.013792012,0.0019374194,0.0027378416,0.0016885069],"category_scores_gemma":[0.011543048,0.00031020536,0.00027673776,0.001807751,0.042697683,0.0071605644,0.006388687,0.008501949,0.0003088641],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015646883,0.0000149055895,0.00048829964,0.00017692818,0.000004182978,0.00060621864,0.44429109,0.00009134396,0.00034817157,0.53311473,0.0117016975,0.009146814],"study_design_scores_gemma":[0.0000083800805,0.00004369644,0.0013052473,0.00080901786,0.000023951327,0.001051195,0.2694793,0.00037610767,0.0018869538,0.06613549,0.6588297,0.00005098649],"about_ca_topic_score_codex":0.008400023,"about_ca_topic_score_gemma":0.011949917,"teacher_disagreement_score":0.0139793,"about_ca_system_score_codex":0.007738771,"about_ca_system_score_gemma":0.0054130703,"threshold_uncertainty_score":0.056148946},"labels":[],"label_agreement":null},{"id":"W1597100485","doi":"10.1111/anti.12103","title":"Sentimental Capitalism in Contemporary India: Art, Heritage, and Development in Ahmedabad, Gujarat","year":2014,"lang":"en","type":"article","venue":"Antipode","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":10,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Capitalism; Grassroots; Sociology; Politics; Gentrification; Exchange value; Political economy; Aesthetics; Political science; Law; Economic growth; Economics; Neoclassical economics; Art","score_opus":0.023682170734508866,"score_gpt":0.2169465872926621,"score_spread":0.19326441655815324,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1597100485","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96491665,0.00057097623,0.00008357778,0.001718106,0.000031200965,0.000009382007,0.000040980605,0.000009768544,0.03261935],"genre_scores_gemma":[0.9984737,0.0002089748,0.000035322897,0.00008801117,0.00000984682,0.0000029058217,0.000008124777,0.0000028892532,0.0011702107],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9994622,0.00013201758,0.000017411827,0.000037414542,0.0000722632,0.00027870323],"domain_scores_gemma":[0.99936885,0.00025540177,0.00014829129,0.000035492565,0.000050448423,0.00014156723],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00055804546,0.0002951605,0.0001818523,0.0018773823,0.007755236,0.0065737306,0.0006077787,0.00056550716,0.004113997],"category_scores_gemma":[0.0005048357,0.0002562863,0.00016389218,0.0027335123,0.008921113,0.0010998023,0.003481599,0.0013810325,0.00018165384],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009967749,0.000113388,0.059922848,0.00031809765,0.000025195905,0.0036542667,0.8519749,0.0002570529,0.003912582,0.05226296,0.0040404303,0.023418585],"study_design_scores_gemma":[0.0000057147663,0.000056797027,0.15444303,0.00016197938,0.000023878816,0.001101931,0.7919039,0.00016586333,0.00053337327,0.0013798322,0.050186355,0.000037369336],"about_ca_topic_score_codex":0.05864859,"about_ca_topic_score_gemma":0.13034883,"teacher_disagreement_score":0.05864859,"about_ca_system_score_codex":0.0059658657,"about_ca_system_score_gemma":0.0026703468,"threshold_uncertainty_score":0.1166144},"labels":[],"label_agreement":null},{"id":"W1601782748","doi":"","title":"At Odds: Reviewers and Readers of the Jalna Novels","year":2000,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Ideology; Conservatism; Odds; The Imaginary; Literature; History; Value (mathematics); Psychology; Sociology; Aesthetics; Psychoanalysis; Art; Politics; Law; Political science; Medicine; Computer science","score_opus":0.029873197533734696,"score_gpt":0.24798911357069028,"score_spread":0.2181159160369556,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1601782748","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.28378552,0.072298005,0.001015353,0.42021376,0.034782637,0.00011587731,0.00022478393,0.00037900364,0.187185],"genre_scores_gemma":[0.8895121,0.012469666,0.0004642906,0.023245774,0.012739052,0.00008278766,0.000069723304,0.000310575,0.061105892],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.98800266,0.0060126255,0.00047313282,0.0010227303,0.0029209782,0.0015678918],"domain_scores_gemma":[0.9388083,0.023398185,0.009188221,0.0018510963,0.018273856,0.00848039],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.011396722,0.00066444796,0.0009512709,0.0025747886,0.028279219,0.029440353,0.0013954273,0.0049209087,0.0054331548],"category_scores_gemma":[0.08358446,0.000649627,0.00028938506,0.0031532208,0.013658788,0.0064127836,0.00387129,0.004464178,0.001306936],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024036334,0.000042959728,0.0071260477,0.0003928708,0.000032182128,0.0034635416,0.77484024,0.000055506658,0.0012536941,0.023851529,0.16926908,0.019432034],"study_design_scores_gemma":[0.000020995876,0.00005610188,0.004068197,0.00056297774,0.00003524312,0.0013595555,0.3744923,0.00005078621,0.0004944333,0.0022773633,0.61650205,0.00007989243],"about_ca_topic_score_codex":0.055729486,"about_ca_topic_score_gemma":0.10116322,"teacher_disagreement_score":0.9442705,"about_ca_system_score_codex":0.01251271,"about_ca_system_score_gemma":0.017017273,"threshold_uncertainty_score":0.11081022},"labels":[],"label_agreement":null},{"id":"W1607720015","doi":"","title":"Malika Mokeddem. Of Dreams and Assassins","year":2003,"lang":"en","type":"article","venue":"International fiction review","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Philosophy","score_opus":0.02483788964113446,"score_gpt":0.2551473379887445,"score_spread":0.23030944834761005,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1607720015","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009606994,0.7347269,0.0003820962,0.045634694,0.009488108,0.000032802123,0.0001575346,0.000058508293,0.1999122],"genre_scores_gemma":[0.10990681,0.51187015,0.0006786385,0.015058177,0.0047513833,0.000059145852,0.00031141902,0.000088184985,0.35727614],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997706,0.00007993374,0.000020472511,0.000021366941,0.00007295617,0.000034703804],"domain_scores_gemma":[0.99930465,0.0002825063,0.00009465809,0.000034582037,0.00017774105,0.00010580619],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00062892697,0.0003962685,0.00025770304,0.001325776,0.0021728477,0.0025705453,0.00037558662,0.001098584,0.021546641],"category_scores_gemma":[0.0013384186,0.00017036211,0.00014166682,0.0013289789,0.0009225361,0.0021269803,0.0014627213,0.0013020217,0.005168528],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017642189,0.000058592857,0.0020219279,0.0049357195,0.00003054464,0.0010762615,0.014372509,0.00010899128,0.0021769556,0.03892799,0.4002156,0.53589845],"study_design_scores_gemma":[0.0000029842156,0.000016677206,0.0016167327,0.00046951394,0.000010465233,0.00050544436,0.0032210709,0.000013158102,0.0002550929,0.00051621,0.99336845,0.0000040825703],"about_ca_topic_score_codex":0.0032770468,"about_ca_topic_score_gemma":0.010781633,"teacher_disagreement_score":0.021546641,"about_ca_system_score_codex":0.0009536131,"about_ca_system_score_gemma":0.001832751,"threshold_uncertainty_score":0.07208067},"labels":[],"label_agreement":null},{"id":"W1629311557","doi":"","title":"“An Earth without Maps”: Antony Minghella's The English Patient","year":2012,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Hybridity; Cliché; Transnationality; Resistance (ecology); Aesthetics; Sociology; History; State (computer science); Perspective (graphical); TRACE (psycholinguistics); Literature; Gender studies; Art; Linguistics; Philosophy; Computer science; Visual arts","score_opus":0.013808523859784408,"score_gpt":0.2595818210522593,"score_spread":0.2457732971924749,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1629311557","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6970072,0.009466837,0.0010980152,0.12692592,0.0024380719,0.00005268269,0.000058851543,0.00007087109,0.16288158],"genre_scores_gemma":[0.95704246,0.0020859009,0.00022918984,0.007894003,0.00030290647,0.00002486678,0.000012069262,0.00004056865,0.03236798],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99947554,0.0002787721,0.0000114526765,0.00004075344,0.000054841625,0.00013869157],"domain_scores_gemma":[0.99966407,0.0001508036,0.000041359097,0.000011809912,0.000023239898,0.00010872349],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007155757,0.00032489953,0.00023535856,0.0003822265,0.008149077,0.0032092948,0.0004146834,0.0018713395,0.0031416812],"category_scores_gemma":[0.0016386135,0.00021045019,0.00013161257,0.00033491975,0.006735885,0.0030219622,0.0030782805,0.003915824,0.00029342907],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007190119,0.000042846343,0.0012308054,0.00008667415,0.000007836599,0.006772811,0.88707256,0.00003933039,0.001479071,0.07188774,0.024150725,0.007157622],"study_design_scores_gemma":[0.000018973074,0.00004827363,0.0030452695,0.00016978306,0.000015073344,0.005771061,0.5107346,0.000114523384,0.0006240097,0.003826002,0.47560456,0.000027840251],"about_ca_topic_score_codex":0.013062115,"about_ca_topic_score_gemma":0.024790857,"teacher_disagreement_score":0.013062115,"about_ca_system_score_codex":0.0026553113,"about_ca_system_score_gemma":0.0009969044,"threshold_uncertainty_score":0.025972188},"labels":[],"label_agreement":null},{"id":"W168104280","doi":"","title":"Writing/ Reading the Subaltern Woman: Narrative Voice and Subaltern Agency in Upamanyu Chatterjee’s English, August","year":2014,"lang":"en","type":"article","venue":"Postcolonial text","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Subaltern; Chatterjee; Narrative; Elite; Agency (philosophy); Gender studies; Reading (process); Sociology; Literature; History; Politics; Art; Linguistics; Political science; Philosophy; Social science; Law","score_opus":0.01318440125923019,"score_gpt":0.2318664616981423,"score_spread":0.2186820604389121,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W168104280","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8746573,0.00094537047,0.0009806986,0.0049900976,0.00012855486,0.00003466606,0.000042947864,0.000038771275,0.118181586],"genre_scores_gemma":[0.9898414,0.00030095674,0.00022394276,0.00028313065,0.0000321692,0.00001958896,0.000012375239,0.000023407072,0.009262937],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994911,0.00026272424,0.000013529115,0.0000488722,0.00005785139,0.00012579108],"domain_scores_gemma":[0.99909437,0.0004584856,0.000105089915,0.0000726476,0.00006711428,0.00020233479],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010849729,0.0004635467,0.00032612597,0.0006995045,0.009491198,0.0052660527,0.00061262527,0.00094050827,0.0028135693],"category_scores_gemma":[0.0019708092,0.0002306538,0.00011936787,0.0007281298,0.01217067,0.0025433032,0.0035864369,0.002660165,0.00033168946],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000200601,0.000010412564,0.00097394665,0.000041438645,0.0000020679583,0.0009724807,0.9789507,0.000019542222,0.0010622571,0.015130057,0.00084761716,0.0019693787],"study_design_scores_gemma":[0.0000040972486,0.00003461443,0.0053914487,0.00014687589,0.000012230608,0.0011445084,0.9146883,0.00015808524,0.0011737623,0.002506439,0.07472183,0.000017828454],"about_ca_topic_score_codex":0.011943659,"about_ca_topic_score_gemma":0.025235763,"teacher_disagreement_score":0.011943659,"about_ca_system_score_codex":0.0022463077,"about_ca_system_score_gemma":0.0019194777,"threshold_uncertainty_score":0.023748279},"labels":[],"label_agreement":null},{"id":"W1804158218","doi":"","title":"Utopia and the Village in South Asian Literatures by Anupama Mohan","year":2013,"lang":"en","type":"article","venue":"Postcolonial text","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Utopia; Sociology; History; Art history","score_opus":0.005377427479060531,"score_gpt":0.18996511962008517,"score_spread":0.18458769214102463,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1804158218","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2506863,0.07948945,0.00064009015,0.09461303,0.0072458405,0.00006649962,0.00012457471,0.00006210232,0.5670721],"genre_scores_gemma":[0.8756328,0.02215859,0.00032397037,0.0040685646,0.0015007758,0.00006932157,0.000041696938,0.00008021705,0.09612396],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995951,0.00024109692,0.00001704431,0.000020145351,0.000051242354,0.000075346594],"domain_scores_gemma":[0.99922454,0.00044491337,0.00008000277,0.00003113934,0.00009508359,0.00012430664],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011792908,0.00056310615,0.00030491606,0.0008812661,0.012432997,0.0046187113,0.00048040118,0.00089784013,0.0075809965],"category_scores_gemma":[0.0012028648,0.00022865421,0.00013915863,0.0013630925,0.0055409158,0.003243718,0.003513139,0.0031801746,0.00084913237],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008014373,0.000064988395,0.0010144744,0.0004805616,0.000009244684,0.0019716474,0.6165955,0.000078096,0.0014344233,0.30037683,0.062446073,0.015448043],"study_design_scores_gemma":[0.000013784043,0.00004391117,0.0041221925,0.00069047196,0.000016214583,0.00081491156,0.26326162,0.0001333716,0.00055373117,0.00836656,0.7219611,0.000022143942],"about_ca_topic_score_codex":0.0066586165,"about_ca_topic_score_gemma":0.02178931,"teacher_disagreement_score":0.012432997,"about_ca_system_score_codex":0.0024456938,"about_ca_system_score_gemma":0.0027051342,"threshold_uncertainty_score":0.025360942},"labels":[],"label_agreement":null},{"id":"W1815322","doi":"10.21225/d5ws37","title":"Introductions and Farewell","year":2007,"lang":"en","type":"article","venue":"Canadian Journal of University Continuing Education","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Psychology; Sociology; Philosophy","score_opus":0.0063440143147132505,"score_gpt":0.1721517328257671,"score_spread":0.16580771851105386,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1815322","genre_codex":"other","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0009247159,0.018292552,0.0015332191,0.12637463,0.119404204,0.00016207901,0.00070864,0.00040844668,0.7321915],"genre_scores_gemma":[0.00466436,0.0038129804,0.00056577305,0.022609137,0.0064468207,0.00009493467,0.00024446234,0.00018103096,0.9613806],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975751,0.00040703497,0.00013478665,0.00043955565,0.0010936033,0.00034993788],"domain_scores_gemma":[0.99321,0.0008208647,0.0001857072,0.0005463712,0.0039816373,0.0012553835],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003750737,0.0009912901,0.000719365,0.0021545556,0.007733116,0.005923101,0.0017450409,0.0039773746,0.2390032],"category_scores_gemma":[0.013876693,0.00045753503,0.00071868324,0.0012955737,0.0021677332,0.0060570994,0.0034325977,0.0047593676,0.103847586],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027098162,0.000012059292,0.00007498915,0.000047265035,0.0000015262127,0.000037079015,0.0001410527,0.000013093621,0.000079522666,0.009562362,0.9618722,0.02813173],"study_design_scores_gemma":[0.000004085176,0.000005349948,0.00016419569,0.0001048957,0.0000013027877,0.000033683587,0.00018811937,0.000011573634,0.000042283027,0.0017571223,0.99768174,0.0000055767173],"about_ca_topic_score_codex":0.030176291,"about_ca_topic_score_gemma":0.049883097,"teacher_disagreement_score":0.2390032,"about_ca_system_score_codex":0.004770271,"about_ca_system_score_gemma":0.0064049377,"threshold_uncertainty_score":0.79954535},"labels":[],"label_agreement":null},{"id":"W1816351055","doi":"","title":"Kolam: The Art of Remembering","year":2009,"lang":"en","type":"article","venue":"The Trumpeter","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Tamil; White (mutation); Poetry; Visual arts; Art; Literature","score_opus":0.017006062941690884,"score_gpt":0.19722271089493443,"score_spread":0.18021664795324355,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1816351055","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.044311255,0.019780286,0.0027724078,0.011306511,0.0032633538,0.00005233762,0.00033668792,0.00042358978,0.91775364],"genre_scores_gemma":[0.6737008,0.010558149,0.0018255009,0.0037547082,0.00087087083,0.000072435,0.00025876248,0.00027598054,0.3086828],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995939,0.00014565283,0.000018698633,0.000049509435,0.00007662178,0.00011565329],"domain_scores_gemma":[0.99949,0.00016821903,0.00006419995,0.000084673164,0.000060314414,0.00013260536],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00046239747,0.000626267,0.00025131088,0.0011537739,0.0049535413,0.0061105075,0.00061002607,0.000917379,0.017022388],"category_scores_gemma":[0.0017502317,0.00021846984,0.00024811865,0.0009072981,0.007443552,0.0046549244,0.0041216817,0.0024970153,0.004546556],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020013102,0.00006318261,0.0022418464,0.0007742274,0.000037695834,0.002142282,0.23683317,0.00015717656,0.003713392,0.37028274,0.24044004,0.14311415],"study_design_scores_gemma":[0.0000075527023,0.000036322494,0.0023835304,0.00048145768,0.000013409967,0.0016727592,0.039853767,0.000059486818,0.0009572505,0.008516782,0.94599193,0.000025785384],"about_ca_topic_score_codex":0.0015823451,"about_ca_topic_score_gemma":0.003883973,"teacher_disagreement_score":0.017022388,"about_ca_system_score_codex":0.0013452177,"about_ca_system_score_gemma":0.0011578839,"threshold_uncertainty_score":0.056945622},"labels":[],"label_agreement":null},{"id":"W1817564718","doi":"10.3138/topia.26.85","title":"Meanings of Bhangra and Bollywood Dancing in India and the Diaspora","year":2011,"lang":"en","type":"article","venue":"TOPIA Canadian Journal of Cultural Studies","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Diaspora; Dance; Homeland; Hindi; Musical; Media studies; Electronic dance music; Popular music; History; Gender studies; Politics; Visual arts; Sociology; Art; Political science","score_opus":0.044257286640950015,"score_gpt":0.2187881040825516,"score_spread":0.17453081744160157,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1817564718","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.94484276,0.0027250783,0.00009343283,0.001260085,0.00006141538,0.000018415149,0.000040163046,0.000007716329,0.050950903],"genre_scores_gemma":[0.99676967,0.0012193571,0.00005062696,0.00013402986,0.0000087717435,0.000014804695,0.000010678828,0.0000046409264,0.0017874159],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99845695,0.00076109264,0.000052040887,0.00010099969,0.00014982237,0.00047913034],"domain_scores_gemma":[0.99907184,0.00036875604,0.0001320786,0.000042962816,0.000068044596,0.00031627793],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010464934,0.00053857075,0.00045882675,0.0020040083,0.01231623,0.009378797,0.0010024093,0.00074488024,0.002744205],"category_scores_gemma":[0.0015189036,0.00040991293,0.00023207754,0.002691713,0.017337855,0.0018786141,0.007873678,0.0021273647,0.0002267085],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003202899,0.000022844202,0.007571649,0.00007710382,0.000006885164,0.0007832491,0.9723573,0.000015324911,0.00052234484,0.013025941,0.00035502753,0.0052303625],"study_design_scores_gemma":[0.0000019738902,0.000010271458,0.008658386,0.00007391826,0.000005166074,0.00018680577,0.9853039,0.0000065030413,0.000042802683,0.00030431597,0.0053997915,0.0000062929034],"about_ca_topic_score_codex":0.054763813,"about_ca_topic_score_gemma":0.11917752,"teacher_disagreement_score":0.054763813,"about_ca_system_score_codex":0.005032015,"about_ca_system_score_gemma":0.004394706,"threshold_uncertainty_score":0.108890116},"labels":[],"label_agreement":null},{"id":"W1840736559","doi":"","title":"Precarious Inclusions; Re-Imagining Disability, Race, Masculinity and Nation in My Name Is Khan","year":2014,"lang":"en","type":"article","venue":"ScholarSpace (University of Hawaii at Manoa)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Masculinity; Race (biology); Gender studies; Sociology; Inclusion (mineral); Scripting language; Disability studies; Computer science","score_opus":0.015819400683234668,"score_gpt":0.2044173636426063,"score_spread":0.18859796295937162,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1840736559","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6630085,0.0024193418,0.0061131124,0.027411316,0.0009351892,0.000053699478,0.000057780384,0.000041001156,0.29996005],"genre_scores_gemma":[0.99006385,0.00046275966,0.00065185456,0.00065630674,0.000044207838,0.000010234667,0.000008003338,0.000013891549,0.008088822],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9978502,0.0014916095,0.000038031198,0.0001320121,0.00023559414,0.00025249302],"domain_scores_gemma":[0.9981926,0.0009061773,0.00027586299,0.00011924443,0.00018611005,0.00032000177],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0027925833,0.00052443234,0.0002732638,0.0006836437,0.011419964,0.006098432,0.0009785234,0.0013906313,0.002410566],"category_scores_gemma":[0.0033170572,0.00024774444,0.00022593814,0.00033170654,0.029705914,0.006612695,0.0068395785,0.0048308037,0.00028009294],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027938295,0.000017789207,0.0011553512,0.000057262714,0.000004256059,0.0006384747,0.9014227,0.00004844863,0.0009074097,0.0886378,0.0024860383,0.0045964634],"study_design_scores_gemma":[0.0000063488355,0.000039868897,0.0022650787,0.00021657014,0.000019889605,0.0010181405,0.8350321,0.00022556206,0.0010782517,0.015596226,0.14447784,0.00002405323],"about_ca_topic_score_codex":0.007653225,"about_ca_topic_score_gemma":0.019153561,"teacher_disagreement_score":0.011419964,"about_ca_system_score_codex":0.0026288668,"about_ca_system_score_gemma":0.0024500731,"threshold_uncertainty_score":0.019073844},"labels":[],"label_agreement":null},{"id":"W1846335244","doi":"10.3968/j.ccc.1923670020120801.1326","title":"Promotion of Hinduism in Children through Cartoons in Pakistan","year":2012,"lang":"en","type":"article","venue":"Cross-cultural communication","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Hindi; Hinduism; Humanities; Psychology; Promotion (chess); Sociology; Ethnology; Art; Religious studies; Political science; Linguistics; Philosophy","score_opus":0.040514859001709036,"score_gpt":0.33839392872297686,"score_spread":0.2978790697212678,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1846335244","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99731123,0.000301763,0.00006300955,0.00014217687,0.000010616487,0.000010722236,0.000029726443,0.000003274466,0.0021275075],"genre_scores_gemma":[0.9966484,0.0008799828,0.0004141289,0.00009936586,0.00000766793,0.000012360451,0.000018069002,0.000003241664,0.0019167926],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9995548,0.00018856912,0.000016517688,0.00004583554,0.00009540382,0.00009877144],"domain_scores_gemma":[0.9988136,0.00044224018,0.00039545112,0.000047532376,0.00010243169,0.00019884341],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00061702036,0.0003219401,0.00019988173,0.0005131368,0.0016219412,0.0010504894,0.0002417845,0.00037592422,0.0045173],"category_scores_gemma":[0.0015879506,0.00023149121,0.00022705353,0.00036768417,0.0012210109,0.00055839476,0.0008215644,0.0007267354,0.00024252308],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00032139078,0.00089467707,0.38870335,0.0008525036,0.000036226716,0.008934889,0.50859636,0.00008203198,0.012769767,0.0014798864,0.0018749223,0.07545401],"study_design_scores_gemma":[0.00002197139,0.0012922266,0.48496622,0.00042217624,0.00005726015,0.004066811,0.47737634,0.00010626499,0.0033055358,0.00028398744,0.028053591,0.00004753747],"about_ca_topic_score_codex":0.009338789,"about_ca_topic_score_gemma":0.02485983,"teacher_disagreement_score":0.009338789,"about_ca_system_score_codex":0.0006466096,"about_ca_system_score_gemma":0.00085993117,"threshold_uncertainty_score":0.018568873},"labels":[],"label_agreement":null},{"id":"W1847290917","doi":"10.3138/topia.26.127","title":"Vamps, Heroines, Otherwise: Diasporic Women Resisting Essentialism","year":2011,"lang":"en","type":"article","venue":"TOPIA Canadian Journal of Cultural Studies","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Essentialism; Subjectivity; Gender studies; Resistance (ecology); Identity (music); Autoethnography; Colonialism; Ethnic group; Sociology; Aesthetics; History; Art; Anthropology; Philosophy","score_opus":0.09276348103287223,"score_gpt":0.2474922771219032,"score_spread":0.15472879608903095,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1847290917","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.88983935,0.0016192169,0.0015284627,0.009470248,0.0002313581,0.000032986874,0.000027862556,0.00005494702,0.09719555],"genre_scores_gemma":[0.9929726,0.00025296296,0.00018580223,0.00035262393,0.00001771758,0.000006836015,0.000005499129,0.000018137638,0.006187808],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980268,0.0010367156,0.000031006653,0.00014513392,0.00024970077,0.0005105018],"domain_scores_gemma":[0.99838734,0.00076848053,0.00020321715,0.00013632703,0.00017145941,0.00033324063],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002417941,0.0005119211,0.00034735093,0.0006349461,0.015751105,0.0050914614,0.00086391484,0.0013299095,0.0020613216],"category_scores_gemma":[0.0038940276,0.000264287,0.00018045664,0.00046979685,0.024944209,0.00266393,0.0051048263,0.0030588359,0.0002414148],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031599404,0.000011671536,0.0011090519,0.000035881436,0.0000035520284,0.0007034103,0.9637905,0.000015117174,0.0010167453,0.027819784,0.0014113856,0.004051425],"study_design_scores_gemma":[0.000007207602,0.000038865244,0.002000225,0.000094986724,0.000009072989,0.0007055301,0.90553176,0.00006644043,0.0007527643,0.0044790995,0.086300306,0.00001373709],"about_ca_topic_score_codex":0.038823113,"about_ca_topic_score_gemma":0.08930198,"teacher_disagreement_score":0.9611769,"about_ca_system_score_codex":0.0044637285,"about_ca_system_score_gemma":0.0037080299,"threshold_uncertainty_score":0.07719433},"labels":[],"label_agreement":null},{"id":"W1854696576","doi":"","title":"Les 3 p’tits cochons Canada [Québec] 2007, 120 minutes Les 3 p’tits cochons Canada [Québec] 2007, 120 minutes","year":2007,"lang":"fr","type":"article","venue":"Séquences : La revue de cinéma","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ecology; Biology","score_opus":0.015303382020042765,"score_gpt":0.21716752449690524,"score_spread":0.20186414247686246,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1854696576","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.019317955,0.008666144,0.0015397063,0.022110566,0.016118519,0.00072842225,0.02407904,0.0013200053,0.9061197],"genre_scores_gemma":[0.01810948,0.0010590857,0.0005566154,0.0009887998,0.00051529007,0.00012041993,0.0022315423,0.00022232716,0.9761964],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995254,0.00004154317,0.000011176598,0.0000589545,0.00016944465,0.0001934652],"domain_scores_gemma":[0.9986382,0.00008088667,0.00004027381,0.000034952274,0.00056976074,0.000635896],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00058921246,0.0011940628,0.00065486325,0.0006976673,0.0081957085,0.0036572514,0.0007864918,0.0029362626,0.47028464],"category_scores_gemma":[0.0018011488,0.0005819147,0.00044023598,0.00088616577,0.00077362155,0.0009482381,0.0012853023,0.0024483127,0.11186545],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010966391,0.000029417313,0.0006591931,0.000042350868,0.0000042080064,0.00010820534,0.00030019056,0.00011111617,0.0004064732,0.0007275431,0.9878554,0.009646247],"study_design_scores_gemma":[0.000025378267,0.000019559682,0.010409834,0.00009077687,0.0000038335666,0.00003190588,0.0010183038,0.000105613886,0.00015324756,0.00012883244,0.9880001,0.000012525337],"about_ca_topic_score_codex":0.8252528,"about_ca_topic_score_gemma":0.9709273,"teacher_disagreement_score":0.47028464,"about_ca_system_score_codex":0.01248084,"about_ca_system_score_gemma":0.011288366,"threshold_uncertainty_score":0.75557464},"labels":[],"label_agreement":null},{"id":"W1866948801","doi":"10.3968/j.ccc.1923670020141001.4024","title":"Media as Mediator: Intertextual Narrative in Digital and Performative Presentation","year":2014,"lang":"en","type":"article","venue":"Cross-cultural communication","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Tamil; Dance; Narrative; Performative utterance; Presentation (obstetrics); Conversation; Context (archaeology); Art; Literature; Mythology; Archetype; Aesthetics; Visual arts; Sociology; History; Archaeology; Communication","score_opus":0.018916632389405528,"score_gpt":0.2898876293427076,"score_spread":0.27097099695330207,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1866948801","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14803366,0.0059109284,0.071786314,0.015892949,0.0010104876,0.00026209216,0.00015883843,0.0005193812,0.7564253],"genre_scores_gemma":[0.9611198,0.0012765711,0.0075807325,0.00052241684,0.00022786732,0.00014350102,0.00006310802,0.00016561296,0.028900472],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9971117,0.002102859,0.00007470456,0.00018409711,0.00031259845,0.00021402592],"domain_scores_gemma":[0.9970101,0.001774269,0.00022229768,0.00047395783,0.00018992995,0.00032942506],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0035781786,0.0006431598,0.00023212419,0.0019118732,0.0050739315,0.01949142,0.001165847,0.0016223174,0.011732448],"category_scores_gemma":[0.006300831,0.00036530293,0.00036457615,0.0017510733,0.019968862,0.016717741,0.010516873,0.0024767406,0.0010332926],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000105738676,0.000041024894,0.0009019359,0.0002544435,0.000012666316,0.0011545897,0.30987513,0.00029114945,0.0025612847,0.65040797,0.0033644806,0.031029638],"study_design_scores_gemma":[0.00006139505,0.00014274039,0.001510836,0.0008746254,0.000049332964,0.0018433564,0.28292292,0.0016638393,0.004794344,0.16224463,0.5438388,0.000053212396],"about_ca_topic_score_codex":0.0012228156,"about_ca_topic_score_gemma":0.0011806722,"teacher_disagreement_score":0.01949142,"about_ca_system_score_codex":0.0027241262,"about_ca_system_score_gemma":0.0020351587,"threshold_uncertainty_score":0.039249003},"labels":[],"label_agreement":null},{"id":"W1870076635","doi":"10.3138/topia.26.195","title":"Cinematic Mourning: Partition and Indian Cinema","year":2011,"lang":"en","type":"article","venue":"TOPIA Canadian Journal of Cultural Studies","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Movie theater; Partition (number theory); Art; History; Art history; Mathematics; Combinatorics","score_opus":0.10081622437313595,"score_gpt":0.24863743913059083,"score_spread":0.14782121475745488,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1870076635","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.51032966,0.0040620007,0.0011171002,0.004171219,0.00029734123,0.00005058224,0.00006297547,0.000055334185,0.47985366],"genre_scores_gemma":[0.99270976,0.0005291137,0.00010562885,0.00015146789,0.00006190507,0.000008843883,0.000012370734,0.000018772738,0.0064022373],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99901557,0.00045142128,0.000019598487,0.000077431214,0.00011948396,0.0003164375],"domain_scores_gemma":[0.9981036,0.00066073926,0.00027623406,0.00015677801,0.00020795497,0.00059462176],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009372007,0.00037140952,0.00022806461,0.0016823979,0.010388319,0.010569367,0.0010313798,0.00089834665,0.0085451305],"category_scores_gemma":[0.003941642,0.00021186475,0.0002196386,0.0014803708,0.009453559,0.0025838863,0.0041850987,0.0025486604,0.00040426734],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00026802995,0.00013573076,0.012312324,0.00019749707,0.000021783731,0.0005970231,0.81113505,0.00010030249,0.002502319,0.12859288,0.0049862578,0.039150786],"study_design_scores_gemma":[0.000016605358,0.00007496747,0.051260542,0.00031235363,0.000055554206,0.0006686049,0.8304597,0.00024273647,0.0007348502,0.0074508716,0.10867653,0.000046631405],"about_ca_topic_score_codex":0.03310245,"about_ca_topic_score_gemma":0.05979843,"teacher_disagreement_score":0.96689755,"about_ca_system_score_codex":0.0036676652,"about_ca_system_score_gemma":0.002566327,"threshold_uncertainty_score":0.06581956},"labels":[],"label_agreement":null},{"id":"W1880407076","doi":"10.3138/topia.26.29","title":"Bollywood Nights: Indian Youth and the Creation of Diasporic Identity in South Africa","year":2011,"lang":"en","type":"article","venue":"TOPIA Canadian Journal of Cultural Studies","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Diaspora; Identity (music); Popularity; Gender studies; Politics; South asia; Perception; History; Media studies; Sociology; Geography; Political science; Ethnology; Aesthetics; Art; Psychology; Law","score_opus":0.05746523155055304,"score_gpt":0.2362359973772512,"score_spread":0.17877076582669815,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1880407076","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8247194,0.004676927,0.00073260814,0.014316222,0.0006901165,0.00007288305,0.00008195915,0.00007672325,0.15463318],"genre_scores_gemma":[0.98548317,0.001717991,0.00028031954,0.0005916274,0.00008373965,0.000021908865,0.000016479224,0.000052025585,0.011752755],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99891865,0.00048560448,0.000015990456,0.000049357324,0.00009500799,0.000435455],"domain_scores_gemma":[0.9988932,0.00032874953,0.0001208248,0.000063322615,0.000070587266,0.00052325625],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018887572,0.00055246364,0.00029033382,0.000982737,0.021447917,0.009248345,0.00085167197,0.0012029216,0.0055690533],"category_scores_gemma":[0.0019102014,0.00045978074,0.0002696493,0.0010010969,0.011679457,0.0029575767,0.00873414,0.0047061094,0.00042874145],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003202803,0.000035950994,0.0017671204,0.00007367441,0.000005271365,0.000848384,0.9681569,0.000019224655,0.0006345564,0.018818509,0.004110448,0.005497959],"study_design_scores_gemma":[0.000005706106,0.000024059713,0.003670399,0.00014455267,0.000010205776,0.0005068663,0.89275384,0.00003749452,0.00032655135,0.0015022121,0.10099931,0.000018793417],"about_ca_topic_score_codex":0.020336624,"about_ca_topic_score_gemma":0.053728085,"teacher_disagreement_score":0.021447917,"about_ca_system_score_codex":0.0034498002,"about_ca_system_score_gemma":0.0031859027,"threshold_uncertainty_score":0.040436506},"labels":[],"label_agreement":null},{"id":"W1881134420","doi":"10.3138/topia.26.47","title":"The Complicated Pleasures of Hindi Cinema in Canada","year":2011,"lang":"en","type":"article","venue":"TOPIA Canadian Journal of Cultural Studies","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Homeland; Movie theater; Hindi; Transformative learning; Space (punctuation); Media studies; Gender studies; Aesthetics; Islam; Sociology; History; Art; Visual arts; Political science; Law; Politics; Archaeology","score_opus":0.10025328606491633,"score_gpt":0.22984729501722773,"score_spread":0.12959400895231138,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1881134420","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9078918,0.0023187925,0.00059713144,0.0096696,0.00017445047,0.00010509553,0.00023211789,0.00004921202,0.07896183],"genre_scores_gemma":[0.987887,0.0010479689,0.0002851004,0.00060647854,0.00002121973,0.000021352065,0.00004071817,0.000026061762,0.010064091],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9983581,0.00047599472,0.000032145042,0.00012258587,0.0003222201,0.0006890332],"domain_scores_gemma":[0.9976585,0.0007636913,0.0001708868,0.000048911585,0.0003999053,0.0009579881],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001155984,0.0005378141,0.00038083494,0.0011870356,0.027958486,0.0066665276,0.0010873082,0.001343511,0.004517073],"category_scores_gemma":[0.003236714,0.00041187674,0.00023963682,0.0020474507,0.010134395,0.001377396,0.004078601,0.002533836,0.00023554354],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034779918,0.000014212269,0.0030588824,0.00008761709,0.0000056520316,0.0008730947,0.98225754,0.00004042988,0.0015768821,0.0031061342,0.003393592,0.005551149],"study_design_scores_gemma":[0.0000030427077,0.000015222218,0.0061005126,0.00009057675,0.000010855086,0.00025554525,0.9422537,0.00007569746,0.00039262325,0.00017169671,0.050604563,0.000025911551],"about_ca_topic_score_codex":0.9408069,"about_ca_topic_score_gemma":0.98316574,"teacher_disagreement_score":0.059193075,"about_ca_system_score_codex":0.04223747,"about_ca_system_score_gemma":0.03354166,"threshold_uncertainty_score":0.3064558},"labels":[],"label_agreement":null},{"id":"W191198345","doi":"","title":"\"Marlon Brando, Pocahontas, and me\"","year":2000,"lang":"en","type":"article","venue":"Essays on Canadian writing","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.010174793070606699,"score_gpt":0.1846622365989252,"score_spread":0.1744874435283185,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W191198345","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009623011,0.04183424,0.00034546634,0.58066106,0.012836817,0.00003303373,0.00016782123,0.000053961616,0.35444456],"genre_scores_gemma":[0.26258168,0.025884837,0.00056480145,0.09821229,0.004105264,0.00007568023,0.00010004702,0.00017729099,0.6082981],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99764913,0.0006575331,0.000039882918,0.00022244395,0.00080063986,0.0006304725],"domain_scores_gemma":[0.99640214,0.0009415077,0.00015684366,0.00008255091,0.0015572679,0.00085985125],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022977085,0.00084123114,0.00038883876,0.0015232204,0.039104003,0.013277305,0.001427453,0.0055382573,0.011359604],"category_scores_gemma":[0.007767508,0.00032201287,0.00033144574,0.0021436154,0.015830228,0.0036817712,0.0027124884,0.009395359,0.0013672138],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022699624,0.000009112087,0.00031199082,0.00007449161,0.0000054032917,0.00011475477,0.0534427,0.000022078915,0.00010767913,0.13076636,0.8075671,0.007555754],"study_design_scores_gemma":[0.000004267226,0.000002317596,0.0008688223,0.00023952729,0.000007030369,0.000036993762,0.05819284,0.00001829704,0.0001281839,0.0032663262,0.93722457,0.000010927851],"about_ca_topic_score_codex":0.8869386,"about_ca_topic_score_gemma":0.9586209,"teacher_disagreement_score":0.11306143,"about_ca_system_score_codex":0.039340585,"about_ca_system_score_gemma":0.052827798,"threshold_uncertainty_score":0.2854373},"labels":[],"label_agreement":null},{"id":"W1913448532","doi":"10.3138/topia.27.271","title":"The Globalization of Bollywood","year":2012,"lang":"en","type":"article","venue":"TOPIA Canadian Journal of Cultural Studies","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Globalization; Political science; Optometry; Medicine; Law","score_opus":0.046363814725763064,"score_gpt":0.2623676226444766,"score_spread":0.21600380791871354,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1913448532","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.22322863,0.0029860865,0.00037019947,0.0069166846,0.00015068398,0.000027166387,0.000067909976,0.00002700067,0.7662257],"genre_scores_gemma":[0.8565376,0.001256201,0.00029995476,0.0011926581,0.000058910686,0.000023496468,0.000045974073,0.00006067773,0.14052442],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993167,0.00016230937,0.000013249976,0.00008989599,0.00010794753,0.00030991307],"domain_scores_gemma":[0.9994473,0.00014198208,0.000067864756,0.00008683711,0.000089407884,0.00016664372],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008729467,0.00029459852,0.00015222727,0.0017423235,0.006063758,0.010236092,0.00054822344,0.0010689384,0.031146564],"category_scores_gemma":[0.0016187886,0.00020358045,0.0001305423,0.0019177137,0.0060674897,0.004250137,0.00490009,0.0026073845,0.0012820037],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000071522794,0.00007020942,0.00300929,0.000089104295,0.000006279044,0.0004429161,0.06376527,0.00007056485,0.00097015436,0.87293094,0.011609418,0.04696433],"study_design_scores_gemma":[0.00001513429,0.000034868655,0.025328938,0.00029981535,0.000008668188,0.00019909737,0.06410481,0.00010011416,0.00079072104,0.04136999,0.8677283,0.000019581885],"about_ca_topic_score_codex":0.02350762,"about_ca_topic_score_gemma":0.060795967,"teacher_disagreement_score":0.9764924,"about_ca_system_score_codex":0.009843919,"about_ca_system_score_gemma":0.0037553336,"threshold_uncertainty_score":0.104195595},"labels":[],"label_agreement":null},{"id":"W1928438804","doi":"10.1162/dram_a_00447","title":"Chasing the Parsi Theatre in Bareilly","year":2015,"lang":"en","type":"article","venue":"TDR/The Drama Review","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Future Earth","funders":"","keywords":"Mimicry; Mythology; Style (visual arts); Aesthetics; Literature; Art; History; Biology; Zoology","score_opus":0.06870634235109352,"score_gpt":0.2569692301767785,"score_spread":0.18826288782568495,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1928438804","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04098718,0.15479808,0.0011678808,0.014375198,0.0027435464,0.00003854703,0.0000636911,0.00009298286,0.78573287],"genre_scores_gemma":[0.5895528,0.22071348,0.0017963392,0.005779516,0.0020098004,0.000061984836,0.00012307269,0.00020527186,0.17975768],"study_design_codex":"design_other","study_design_gemma":"qualitative","domain_scores_codex":[0.9990761,0.0003208246,0.00003373697,0.000096896205,0.0003388202,0.00013364396],"domain_scores_gemma":[0.99935824,0.00031933954,0.0000647592,0.00005375002,0.00014078,0.00006305373],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011236662,0.00040212067,0.0002672093,0.00105143,0.002810776,0.0068121403,0.0007750807,0.0011936841,0.0073860884],"category_scores_gemma":[0.0012898546,0.0002210443,0.00020644235,0.0016734344,0.004545078,0.002471532,0.0023657593,0.0028494908,0.0014148955],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014025996,0.00007908727,0.0007302991,0.00447003,0.000048377686,0.0012777039,0.07240416,0.00048151822,0.0047325254,0.3505738,0.09611288,0.4689495],"study_design_scores_gemma":[0.0000033777312,0.00004679368,0.0011435167,0.000734528,0.000015173497,0.0007051832,0.014044493,0.000037935828,0.0011575357,0.0021559997,0.97993886,0.00001652215],"about_ca_topic_score_codex":0.010046287,"about_ca_topic_score_gemma":0.023296263,"teacher_disagreement_score":0.010046287,"about_ca_system_score_codex":0.0023705696,"about_ca_system_score_gemma":0.0030496146,"threshold_uncertainty_score":0.024708927},"labels":[],"label_agreement":null},{"id":"W1930517698","doi":"10.29173/cons19669","title":"“Dressed to the Nines: Oriental Feudalism and the Outward Appearance of Subordination”","year":2013,"lang":"en","type":"article","venue":"Constellations","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Subordination (linguistics); Feudalism; Queen (butterfly); Luxury goods; State (computer science); Consumption (sociology); History; Law; Ancient history; Political science; Art; Advertising; Business; Aesthetics; Philosophy; Computer science; Linguistics; Politics","score_opus":0.00837960282185007,"score_gpt":0.1815429347956369,"score_spread":0.17316333197378683,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1930517698","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3218109,0.0025785055,0.0016823214,0.009747075,0.00087346137,0.000019516274,0.000042818632,0.00008195981,0.6631634],"genre_scores_gemma":[0.9714174,0.0005382486,0.0003397057,0.0004064745,0.00007662683,0.0000062748813,0.000012529451,0.000041968866,0.02716068],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996184,0.00022692859,0.0000070808514,0.00004101224,0.000036642585,0.00007006387],"domain_scores_gemma":[0.9997043,0.000041417836,0.000057319663,0.000054744585,0.000033105996,0.000109083994],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00068576477,0.0004989373,0.00013957484,0.00048305368,0.005891549,0.0044797403,0.00034730096,0.0005460034,0.0051038265],"category_scores_gemma":[0.00071751984,0.00015749481,0.00016281883,0.00044972938,0.01749433,0.0018683946,0.0027869772,0.002198741,0.0007367465],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015315002,0.000029375598,0.0033633248,0.0001070148,0.0000121831345,0.0019178537,0.61674786,0.00009111107,0.0034886615,0.3331505,0.018981129,0.02195784],"study_design_scores_gemma":[0.00002659182,0.00008208185,0.012112966,0.00022832547,0.000030174926,0.0014039237,0.32222065,0.00019062175,0.0014637421,0.020414546,0.6417893,0.00003708119],"about_ca_topic_score_codex":0.006872628,"about_ca_topic_score_gemma":0.018270431,"teacher_disagreement_score":0.006872628,"about_ca_system_score_codex":0.0017079902,"about_ca_system_score_gemma":0.0006703055,"threshold_uncertainty_score":0.017073989},"labels":[],"label_agreement":null},{"id":"W1942828271","doi":"10.3138/topia.26.69","title":"Remembering <i>Devdas</i>: Travels, Transformations and Persistence of Images, Bollywood-Style","year":2011,"lang":"en","type":"article","venue":"TOPIA Canadian Journal of Cultural Studies","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Novella; Bengali; Hindi; Partition (number theory); Colonialism; Style (visual arts); History; Capital (architecture); Globalization; Literature; Ancient history; Art; Political science; Philosophy; Mathematics; Law; Linguistics","score_opus":0.09330950901096861,"score_gpt":0.23037047735960878,"score_spread":0.13706096834864018,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1942828271","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5757492,0.007261283,0.0032782054,0.010182809,0.0014405401,0.0000476361,0.00027351276,0.00019157222,0.40157515],"genre_scores_gemma":[0.9658054,0.0017350954,0.0005921388,0.00044615727,0.0002178199,0.000013044352,0.000057966965,0.00008253575,0.031049766],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996057,0.0001793833,0.000008943668,0.00005250899,0.000068823196,0.00008464897],"domain_scores_gemma":[0.99923694,0.00034788094,0.00011480148,0.000085439824,0.00008364795,0.00013130197],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00048831146,0.0004040414,0.00014050021,0.000787287,0.0055657243,0.0060124546,0.0006672611,0.00054449006,0.0044501983],"category_scores_gemma":[0.0019256364,0.00018306506,0.00012289998,0.00079144293,0.008010527,0.0033971467,0.0022213957,0.001963779,0.0005606095],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000086464854,0.000026541806,0.0027879328,0.0002226574,0.000011726837,0.00090477045,0.84728473,0.00007367881,0.0029284684,0.09429209,0.020181885,0.03119908],"study_design_scores_gemma":[0.0000055593473,0.000051614996,0.007293696,0.00020297708,0.000013143064,0.0014841994,0.34030786,0.00009332436,0.0021764687,0.0037908277,0.64454556,0.000034761233],"about_ca_topic_score_codex":0.009316062,"about_ca_topic_score_gemma":0.020397414,"teacher_disagreement_score":0.009316062,"about_ca_system_score_codex":0.002554268,"about_ca_system_score_gemma":0.00079273246,"threshold_uncertainty_score":0.018532574},"labels":[],"label_agreement":null},{"id":"W1954867404","doi":"10.3138/topia.26.11","title":"Shaming the Indian Diaspora, Asking for “Returns”: Swades","year":2011,"lang":"en","type":"article","venue":"TOPIA Canadian Journal of Cultural Studies","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Homeland; Shame; Diaspora; Investment (military); Affect (linguistics); Media studies; Political science; Gender studies; History; Sociology; Law; Communication","score_opus":0.12674897793518036,"score_gpt":0.26566142905988815,"score_spread":0.1389124511247078,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1954867404","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5791557,0.0035543009,0.002105947,0.024063282,0.0010338186,0.00003733943,0.000034452303,0.00010357019,0.38991153],"genre_scores_gemma":[0.9816626,0.0011085288,0.0003046966,0.001781895,0.000091762544,0.000014169025,0.000009193322,0.00003950005,0.014987777],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99882835,0.0007157151,0.000013350147,0.0000605441,0.00011600021,0.00026607997],"domain_scores_gemma":[0.9992112,0.00038670783,0.00008019106,0.000072529954,0.0000766237,0.00017283896],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001342778,0.0005417027,0.000248633,0.0005615456,0.014847543,0.007277721,0.00075820455,0.0016076938,0.0031823518],"category_scores_gemma":[0.0020372984,0.00021791915,0.00026249248,0.00058394234,0.01818813,0.004523991,0.0061196825,0.004588298,0.00052770117],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000039936134,0.000035910365,0.0010466637,0.000067350054,0.000007775478,0.00072443526,0.8909518,0.000045833316,0.0009854721,0.091630384,0.00726069,0.007203754],"study_design_scores_gemma":[0.000005498203,0.000022150489,0.0010749735,0.0001190814,0.000010784431,0.0004604838,0.86784,0.00007454384,0.00044459972,0.005077266,0.12485283,0.000017790984],"about_ca_topic_score_codex":0.010135137,"about_ca_topic_score_gemma":0.02256307,"teacher_disagreement_score":0.014847543,"about_ca_system_score_codex":0.0026178479,"about_ca_system_score_gemma":0.0020531612,"threshold_uncertainty_score":0.02015233},"labels":[],"label_agreement":null},{"id":"W1956446765","doi":"10.4324/9781315761048-9","title":"The Gori in the Story: The Shifting Dynamics of Whiteness in the Bollywood Film","year":2011,"lang":"en","type":"article","venue":"TOPIA Canadian Journal of Cultural Studies","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Westernization; Parallels; Ambivalence; Politics; Movie theater; Art; Gender studies; Aesthetics; History; Literature; Sociology; Political science; Psychology; Law; Social psychology; Engineering","score_opus":0.06715365357890457,"score_gpt":0.24329443196439157,"score_spread":0.176140778385487,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1956446765","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7890377,0.002727962,0.0019250344,0.009091759,0.0004050649,0.00002190865,0.000062304534,0.000052095726,0.19667625],"genre_scores_gemma":[0.98416626,0.0007792161,0.00032151665,0.00070795114,0.00006027049,0.000009968764,0.000023358789,0.00006991753,0.013861434],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988605,0.0006628627,0.000012949723,0.000108319626,0.00015485175,0.00020059018],"domain_scores_gemma":[0.9992525,0.0004099541,0.000090748465,0.00003929077,0.000062123734,0.0001453198],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014758426,0.0005042292,0.0002447594,0.0012126456,0.011289011,0.008692427,0.0006275492,0.0010399949,0.003406319],"category_scores_gemma":[0.0023468204,0.00031816907,0.00017083842,0.00094483467,0.014726661,0.0052387947,0.0045827413,0.003975429,0.0003334609],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032745247,0.000010600788,0.0008988496,0.000043112705,0.000004298578,0.0005998186,0.96525764,0.000019310635,0.0010527525,0.026195316,0.0024083822,0.0034771445],"study_design_scores_gemma":[0.000004508384,0.000030469997,0.004096421,0.00018618947,0.000015631733,0.0006471673,0.8102213,0.00010022105,0.0011869568,0.0030446758,0.18043764,0.000028782268],"about_ca_topic_score_codex":0.01067244,"about_ca_topic_score_gemma":0.029749611,"teacher_disagreement_score":0.011289011,"about_ca_system_score_codex":0.0030774903,"about_ca_system_score_gemma":0.00095865707,"threshold_uncertainty_score":0.022328854},"labels":[],"label_agreement":null},{"id":"W1978396709","doi":"10.1017/s0266464x07000309","title":"<i>Peter Pan</i> and the White Imperial Imaginary","year":2007,"lang":"en","type":"article","venue":"New Theatre Quarterly","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The Imaginary; Invisibility; White (mutation); Drama; Gender studies; Sociology; Representation (politics); Hegemony; Race (biology); Identity (music); Racism; Human sexuality; Critical race theory; Intersectionality; Power (physics); Art; Aesthetics; Politics; Psychoanalysis; Visual arts; Psychology; Political science; Law","score_opus":0.006541340493084511,"score_gpt":0.201599659457682,"score_spread":0.19505831896459747,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1978396709","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.043958407,0.030944584,0.004645695,0.21028711,0.0034608063,0.000044280805,0.00003800064,0.000086533815,0.7065346],"genre_scores_gemma":[0.6652967,0.015848555,0.002365458,0.030612698,0.0018481067,0.00013172407,0.000028167202,0.00024460856,0.28362402],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99929225,0.00042373966,0.000011726658,0.000084600324,0.00010515856,0.00008252084],"domain_scores_gemma":[0.9994566,0.00028753298,0.000056865683,0.000033098866,0.000056241945,0.000109661036],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009547194,0.00051770854,0.00022795265,0.00063491554,0.008463923,0.0058685006,0.00041560567,0.0015664167,0.005546765],"category_scores_gemma":[0.0015846851,0.00022773845,0.00014147379,0.0006086053,0.012205159,0.0063437345,0.0032015643,0.0042848904,0.00073345023],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000055326323,0.000022574191,0.0006704491,0.00012345283,0.0000064988876,0.00048589942,0.1295066,0.000066310524,0.0007217038,0.7116987,0.13347843,0.023164],"study_design_scores_gemma":[0.0000040686346,0.000017018865,0.0007409852,0.00018578582,0.0000045555676,0.0003842885,0.04361124,0.00011778446,0.0004270933,0.052506365,0.9019868,0.000014010823],"about_ca_topic_score_codex":0.008672099,"about_ca_topic_score_gemma":0.01507032,"teacher_disagreement_score":0.008672099,"about_ca_system_score_codex":0.001913619,"about_ca_system_score_gemma":0.0014863526,"threshold_uncertainty_score":0.01855582},"labels":[],"label_agreement":null},{"id":"W1995052259","doi":"10.1080/01439680903145520","title":"‘The Universal Film for all of us, everywhere in the world’: Satyajit Ray's<i>Pather Panchali</i>(1955) and the Shadow of Robert Flaherty","year":2009,"lang":"en","type":"article","venue":"Historical Journal Of Film Radio and Television","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Shadow (psychology); Computer graphics (images); Computer science; Psychology; Psychoanalysis","score_opus":0.011667641621948653,"score_gpt":0.21083488623915592,"score_spread":0.19916724461720725,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1995052259","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.006732946,0.31687152,0.0010617897,0.41090986,0.020816416,0.00005831479,0.00012972158,0.000083782754,0.2433358],"genre_scores_gemma":[0.2591018,0.15875839,0.0018626545,0.08682821,0.010257075,0.00017998634,0.00008817006,0.000362928,0.48256072],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990453,0.00044497362,0.00003176441,0.00016233556,0.0001966054,0.00011893714],"domain_scores_gemma":[0.9992225,0.00039069646,0.00007848088,0.000049137754,0.00010854196,0.00015068063],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018183741,0.00079754915,0.0004166065,0.0007488946,0.008286464,0.007122278,0.00079369807,0.002990104,0.008556538],"category_scores_gemma":[0.0030443668,0.0005416251,0.00019491439,0.001094201,0.0075889938,0.009195601,0.0032915901,0.009722547,0.0023811134],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033724038,0.00001630096,0.00020645282,0.00013914557,0.0000052926266,0.00027824723,0.034329224,0.000027547474,0.00016594173,0.24107647,0.6899436,0.033778116],"study_design_scores_gemma":[0.0000035519333,0.0000068593667,0.0003615146,0.00019866026,0.000002763517,0.00023525236,0.0053371713,0.000018522092,0.00008413675,0.004988647,0.988756,0.0000068783365],"about_ca_topic_score_codex":0.024132753,"about_ca_topic_score_gemma":0.046551667,"teacher_disagreement_score":0.024132753,"about_ca_system_score_codex":0.0060665663,"about_ca_system_score_gemma":0.0025438187,"threshold_uncertainty_score":0.0479846},"labels":[],"label_agreement":null},{"id":"W1998962279","doi":"10.1558/jasr.v21i3.366","title":"Orientalism in Outer-space","year":2009,"lang":"en","type":"article","venue":"Journal for the Academic Study of Religion","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Saskatchewan","funders":"","keywords":"Sanskrit; Hollywood; Hinduism; Orientalism; Literature; Popular culture; Appropriation; Modernity; History; Art; Aesthetics; Philosophy; Art history; Religious studies","score_opus":0.031455234770843235,"score_gpt":0.29608461552280835,"score_spread":0.2646293807519651,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1998962279","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.36024818,0.001374004,0.0015597176,0.0020962132,0.000146458,0.000011582461,0.000020544123,0.000040934203,0.63450235],"genre_scores_gemma":[0.9904156,0.00019458916,0.0002145138,0.00018000057,0.000024651836,0.0000026891923,0.000005948973,0.000017177601,0.00894485],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99927014,0.00039023845,0.000014529166,0.000101192105,0.00008864666,0.00013529058],"domain_scores_gemma":[0.99943584,0.00023216376,0.000083492836,0.00009977795,0.0000689705,0.00007966297],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00084436033,0.00045749536,0.00016147866,0.0006976228,0.0040236893,0.0060589686,0.00036812839,0.0006877358,0.004291646],"category_scores_gemma":[0.0010807671,0.00013675322,0.00013679678,0.0005931796,0.017375022,0.0025776448,0.0024039175,0.0012307673,0.00033527534],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012550593,0.000035233956,0.0037681349,0.000096744494,0.000009994708,0.0012461094,0.46788076,0.00011483928,0.0039914646,0.4930193,0.0044680354,0.02524392],"study_design_scores_gemma":[0.000028096863,0.0001270473,0.015906733,0.00024608124,0.000032538424,0.001460108,0.3188418,0.0003935479,0.00420471,0.06845233,0.59026235,0.00004461205],"about_ca_topic_score_codex":0.0057832533,"about_ca_topic_score_gemma":0.010156375,"teacher_disagreement_score":0.0060589686,"about_ca_system_score_codex":0.0021232066,"about_ca_system_score_gemma":0.0005458801,"threshold_uncertainty_score":0.015404999},"labels":[],"label_agreement":null},{"id":"W2005434275","doi":"10.1080/01436591003701117","title":"A Million Dollar Exit from the Anarchic Slum-world:<i>Slumdog Millionaire</i>'s hollow idioms of social justice","year":2010,"lang":"en","type":"article","venue":"Third World Quarterly","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":16,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Slum; Credibility; Poverty; Power (physics); Dignity; Sociology; Economic Justice; Political science; Media studies; Law","score_opus":0.013944156780340243,"score_gpt":0.22717354178807056,"score_spread":0.2132293850077303,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2005434275","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.35598472,0.0037682333,0.0016651034,0.09260602,0.0015498115,0.000019955056,0.000074966425,0.00007862613,0.5442525],"genre_scores_gemma":[0.9542202,0.0010924157,0.00029747642,0.004242078,0.00015598747,0.000011058504,0.000013330722,0.00004666931,0.03992091],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99968576,0.00016745798,0.0000051644133,0.000019672776,0.000039349772,0.000082637394],"domain_scores_gemma":[0.99967897,0.00013086229,0.00003671939,0.000026189633,0.000025563151,0.00010170389],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00065208157,0.00022481555,0.00012767113,0.00025704442,0.005918389,0.0065103304,0.0003061841,0.0009786376,0.0043002926],"category_scores_gemma":[0.0009274777,0.0001003189,0.00009600788,0.00033034413,0.009861108,0.0027034895,0.003543522,0.003075636,0.00028414276],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000060237315,0.00002527971,0.0015822846,0.00011657581,0.0000075497796,0.00082006113,0.45296785,0.000079071266,0.0012581282,0.47987068,0.047128882,0.016083343],"study_design_scores_gemma":[0.000008887375,0.000038267437,0.0026602314,0.00016938058,0.000010338146,0.00045253872,0.26765168,0.00013755752,0.0007832972,0.018640904,0.70943,0.000016889111],"about_ca_topic_score_codex":0.008177299,"about_ca_topic_score_gemma":0.02870331,"teacher_disagreement_score":0.008177299,"about_ca_system_score_codex":0.0019620657,"about_ca_system_score_gemma":0.0011897077,"threshold_uncertainty_score":0.016259432},"labels":[],"label_agreement":null},{"id":"W2008304869","doi":"10.1386/safm.1.1.9_1","title":"Nautanki and Hindi Cinema: Changing Representations","year":2009,"lang":"en","type":"article","venue":"Studies in South Asian Film & Media","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Movie theater; Aesthetics; Hindi; Modernity; Sociology; Ideology; Media studies; Politics; Nationalism; Gender studies; Art; Visual arts; Political science","score_opus":0.04583290490301702,"score_gpt":0.29187260619805405,"score_spread":0.24603970129503702,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2008304869","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7760875,0.005892793,0.0024187134,0.004226167,0.00045967012,0.00004926854,0.0001023129,0.000046447865,0.21071708],"genre_scores_gemma":[0.99119896,0.0012477929,0.00047481534,0.00018849477,0.00004893247,0.0000118225435,0.00003595352,0.000024912923,0.0067683225],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9989236,0.00052261533,0.000034228986,0.0001186174,0.00021394364,0.00018696352],"domain_scores_gemma":[0.9990011,0.00045530937,0.00017925496,0.000095417185,0.00013120077,0.00013770745],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001353869,0.0004221045,0.00019858975,0.0013364416,0.0053627416,0.007807252,0.0009628885,0.00078759843,0.0026348073],"category_scores_gemma":[0.0022822863,0.00025623915,0.0001661593,0.002010413,0.008940342,0.0038005274,0.003017898,0.0023031149,0.00030149033],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000042906766,0.000017227914,0.0028246033,0.00013873252,0.000007789691,0.0004986653,0.9213709,0.00006066893,0.0016287133,0.05800761,0.001425357,0.013976742],"study_design_scores_gemma":[0.000008609245,0.00009806488,0.017470077,0.00045192518,0.000030729356,0.0017938127,0.7399751,0.00042365177,0.0015659415,0.0042974246,0.23383255,0.00005205465],"about_ca_topic_score_codex":0.00964173,"about_ca_topic_score_gemma":0.016810352,"teacher_disagreement_score":0.00964173,"about_ca_system_score_codex":0.004279527,"about_ca_system_score_gemma":0.0015722451,"threshold_uncertainty_score":0.031050265},"labels":[],"label_agreement":null},{"id":"W2021580528","doi":"10.1111/j.1469-8129.2007.00301_10.x","title":"Two Men and Music: Nationalism in the Making of an Indian Classical Tradition by Janaki Bakhle","year":2007,"lang":"en","type":"article","venue":"Nations and Nationalism","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nationalism; Sociology; Media studies; Classics; Social science; History; Law; Political science","score_opus":0.027163655691762833,"score_gpt":0.2701135214539474,"score_spread":0.24294986576218458,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2021580528","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07973387,0.10538967,0.0014568804,0.18696856,0.012887596,0.00003568855,0.000056455236,0.00010633873,0.61336493],"genre_scores_gemma":[0.8258018,0.027905464,0.0009944824,0.011215634,0.004931832,0.000025508276,0.00002247826,0.00009738537,0.12900548],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991092,0.00041082868,0.000024345354,0.00007996829,0.00022169288,0.00015406868],"domain_scores_gemma":[0.99905187,0.00040722897,0.00006000805,0.000051286992,0.00013265233,0.00029688876],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015590176,0.00039019296,0.00031276816,0.00091882376,0.009722589,0.0062066102,0.0007646741,0.00085681817,0.0046134223],"category_scores_gemma":[0.0018798724,0.00019460169,0.00020145236,0.0008932503,0.012790296,0.0030907819,0.0029070005,0.004808641,0.00065060967],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001882418,0.000087083514,0.0019388245,0.00033467537,0.000027066428,0.0006700827,0.33465037,0.0001360493,0.00089360715,0.44385204,0.15296344,0.06425846],"study_design_scores_gemma":[0.000012266198,0.000038147038,0.004560122,0.00053804746,0.000030304403,0.0004466374,0.16561843,0.0002021771,0.0003540149,0.033249464,0.7949018,0.000048649974],"about_ca_topic_score_codex":0.026284741,"about_ca_topic_score_gemma":0.08326125,"teacher_disagreement_score":0.026284741,"about_ca_system_score_codex":0.0034051829,"about_ca_system_score_gemma":0.003326351,"threshold_uncertainty_score":0.0522635},"labels":[],"label_agreement":null},{"id":"W2023150041","doi":"10.1080/20932685.2014.999009","title":"Exploring first- versus third-person perceptions of product placement influence on consumption and fashion in India","year":2015,"lang":"en","type":"article","venue":"Journal of Global Fashion Marketing","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Lethbridge","funders":"","keywords":"Perception; Consumption (sociology); Product (mathematics); Psychology; Social psychology; Advertising; Business; Aesthetics; Art","score_opus":0.09469719680353499,"score_gpt":0.27383955901672935,"score_spread":0.17914236221319435,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2023150041","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99759763,0.000028612818,0.00004272769,0.000034547593,0.0000018281029,0.0000028113004,0.000011760092,0.0000015891484,0.002278582],"genre_scores_gemma":[0.9994234,0.000055512337,0.000044810582,0.000018357145,0.000002649121,0.0000020771383,0.000013225207,0.0000013501538,0.00043872453],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.999463,0.00022071874,0.00002536575,0.00004317782,0.00012270446,0.00012499864],"domain_scores_gemma":[0.9978308,0.000813003,0.00064403313,0.0001528275,0.00024367958,0.0003155945],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00090669014,0.00020484257,0.00014112591,0.0007070377,0.0010528127,0.0024894597,0.00020918825,0.00024215133,0.002223736],"category_scores_gemma":[0.0021243992,0.00019127969,0.00027247553,0.0006082005,0.0011539254,0.0006429051,0.0010515507,0.0006906744,0.00018084297],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001956286,0.0001906176,0.584865,0.00013650331,0.000060816845,0.00068355555,0.3906726,0.000081984006,0.00566014,0.0014130061,0.00032526147,0.015715025],"study_design_scores_gemma":[0.0000036027138,0.0001492998,0.7087979,0.000049138765,0.000030658368,0.00029669152,0.28695458,0.00017761758,0.00079658,0.00013952696,0.0025804676,0.000023877148],"about_ca_topic_score_codex":0.012977495,"about_ca_topic_score_gemma":0.020266945,"teacher_disagreement_score":0.012977495,"about_ca_system_score_codex":0.000849117,"about_ca_system_score_gemma":0.00039567988,"threshold_uncertainty_score":0.025803864},"labels":[],"label_agreement":null},{"id":"W2034498118","doi":"10.1111/j.1468-5906.2011.01594.x","title":"BUDDHAYANA: LIVING BUDDHISM by Anil Goonewardene","year":2011,"lang":"en","type":"article","venue":"Journal for the Scientific Study of Religion","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Mount Royal University","funders":"","keywords":"Buddhism; Mount; Citation; Sociology; Library science; Philosophy; Computer science; Theology","score_opus":0.051018735955330685,"score_gpt":0.24514024150575014,"score_spread":0.19412150555041946,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2034498118","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06287696,0.2925214,0.0011532952,0.24098197,0.035662584,0.000063112515,0.00020818521,0.00014283849,0.36638966],"genre_scores_gemma":[0.529421,0.07905517,0.0013698811,0.043857656,0.011344454,0.00010486473,0.00015187335,0.00042649778,0.33426863],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995435,0.0002418963,0.0000116590445,0.00006375632,0.00007026484,0.00006885167],"domain_scores_gemma":[0.9995515,0.0001902072,0.000032009215,0.00003063284,0.000050130675,0.00014539805],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008719811,0.00066922867,0.00052141683,0.00059933675,0.010374118,0.004418362,0.0008118539,0.0015902846,0.0050441143],"category_scores_gemma":[0.0011150037,0.00021686844,0.00017090896,0.0006161013,0.0065121124,0.003391688,0.0043051913,0.007906259,0.0015275351],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000120441466,0.00014251692,0.0009293151,0.00048325173,0.000033867975,0.0013192425,0.22723217,0.00010972462,0.0015002656,0.33789685,0.37508756,0.05514477],"study_design_scores_gemma":[0.000007605282,0.000021696469,0.0009589305,0.00025126073,0.000007667958,0.0005082982,0.029243024,0.00004454064,0.00021139198,0.012166015,0.9565641,0.00001551013],"about_ca_topic_score_codex":0.0072946628,"about_ca_topic_score_gemma":0.023490911,"teacher_disagreement_score":0.010374118,"about_ca_system_score_codex":0.0023624585,"about_ca_system_score_gemma":0.0016745212,"threshold_uncertainty_score":0.017140925},"labels":[],"label_agreement":null},{"id":"W2038709994","doi":"10.1386/safm.5.2.131_1","title":"Vernacular masculinity and politics of space in contemporary Bollywood cinema","year":2013,"lang":"en","type":"article","venue":"Studies in South Asian Film & Media","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":9,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Masculinity; Vernacular; Politics; Hindi; Subjectivity; Movie theater; Representation (politics); Aesthetics; Sociology; Space (punctuation); Gender studies; Media studies; Art; Visual arts; Literature; Political science; Law; Linguistics; Epistemology; Philosophy","score_opus":0.05601825010040115,"score_gpt":0.2667261666633579,"score_spread":0.21070791656295676,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2038709994","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.87400514,0.0008412798,0.00054224,0.0009188724,0.00005562575,0.000013138918,0.000031228283,0.000021808612,0.12357069],"genre_scores_gemma":[0.9952136,0.00011366074,0.000069295056,0.000032345422,0.000009486566,0.0000028125078,0.000005145131,0.0000078512485,0.0045457035],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9995116,0.00026951314,0.000008546058,0.000044886823,0.00006792074,0.00009744805],"domain_scores_gemma":[0.99955434,0.00020929356,0.00007749721,0.00002209968,0.000044597902,0.00009228685],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00065755495,0.0002600607,0.00014148945,0.0010395458,0.004396444,0.0055164737,0.00031835565,0.0004078526,0.005079724],"category_scores_gemma":[0.0009218376,0.00016152655,0.00006471971,0.00083292986,0.0068567414,0.0012160798,0.0020209374,0.0010477349,0.0002454179],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007455272,0.000029334165,0.004609878,0.00010086318,0.000006195305,0.0007041311,0.93691105,0.00004469161,0.0053750775,0.041526847,0.0012894054,0.009327857],"study_design_scores_gemma":[0.0000073257825,0.00007516016,0.0289662,0.00016660434,0.000012477748,0.00067686156,0.83876425,0.00014747691,0.0014671539,0.0021597957,0.12753166,0.000025009642],"about_ca_topic_score_codex":0.0060291775,"about_ca_topic_score_gemma":0.021236481,"teacher_disagreement_score":0.0060291775,"about_ca_system_score_codex":0.0018084706,"about_ca_system_score_gemma":0.0004673913,"threshold_uncertainty_score":0.016993344},"labels":[],"label_agreement":null},{"id":"W2038714095","doi":"10.1075/prag.14.2-3.12sha","title":"Reel to real","year":2015,"lang":"en","type":"article","venue":"Pragmatics Quarterly Publication of the International Pragmatics Association (IPrA)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":31,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"York University; Spencer Foundation","keywords":"Hindi; Indexicality; Identity (music); Sociology; Narrative; Heteroglossia; Style (visual arts); Ethnography; Linguistics; Media studies; History; Anthropology; Literature; Aesthetics; Art","score_opus":0.027904932450109745,"score_gpt":0.24708297392410972,"score_spread":0.21917804147399997,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2038714095","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0072760913,0.0011000525,0.003481158,0.008971751,0.001989986,0.000063272375,0.00023069548,0.00030655597,0.97658044],"genre_scores_gemma":[0.18316649,0.0016366602,0.0034108667,0.0055991416,0.0006553467,0.00012514503,0.00051848125,0.0005025916,0.80438524],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9982674,0.0006668822,0.000056323777,0.00032077593,0.00041387285,0.00027476173],"domain_scores_gemma":[0.99870074,0.00015361274,0.00010031114,0.00038363488,0.00028744517,0.00037427063],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014359668,0.00062827725,0.0002858393,0.0009504547,0.004649444,0.009002493,0.0012192078,0.0017439424,0.15789707],"category_scores_gemma":[0.0039898143,0.00018094061,0.0004291755,0.0006611399,0.004132388,0.0071851667,0.007820756,0.0030837334,0.057853624],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000089393296,0.000091299094,0.0012516218,0.00028733126,0.000016884738,0.0008488617,0.040041123,0.00013856574,0.0012077773,0.63165104,0.22803019,0.096345976],"study_design_scores_gemma":[0.0000031959717,0.000011236053,0.00019261874,0.00008501571,0.0000023919722,0.00015798621,0.00605434,0.00003651051,0.00014280531,0.0090294955,0.9842791,0.000005182639],"about_ca_topic_score_codex":0.0024734265,"about_ca_topic_score_gemma":0.0052940547,"teacher_disagreement_score":0.15789707,"about_ca_system_score_codex":0.002505307,"about_ca_system_score_gemma":0.0018143394,"threshold_uncertainty_score":0.5282183},"labels":[],"label_agreement":null},{"id":"W2038801250","doi":"10.1177/097133360501700202","title":"Hindu Diasporic Consciousness","year":2005,"lang":"en","type":"article","venue":"Psychology and Developing Societies","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":8,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Wilfrid Laurier University","funders":"","keywords":"Diaspora; Hinduism; Gender studies; Sociology; Consciousness; Identity (music); Zulu; Vitality; Hindi; Aesthetics; Religious studies; Art; Psychology","score_opus":0.03224903454087173,"score_gpt":0.27919186347138936,"score_spread":0.2469428289305176,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2038801250","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3686152,0.005217599,0.002469195,0.008404893,0.0003847791,0.000058019363,0.00008218595,0.00003794114,0.6147302],"genre_scores_gemma":[0.9864849,0.0010472877,0.00024177438,0.00058120454,0.00003499819,0.000013493391,0.000017503577,0.000008206743,0.011570627],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991768,0.00035988181,0.0000146213515,0.00008919916,0.000110546156,0.00024896878],"domain_scores_gemma":[0.99958616,0.00010750934,0.00004482592,0.00004069351,0.000067347595,0.00015347132],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006761872,0.0002692742,0.00020570357,0.00071725284,0.009385286,0.005869068,0.00056711485,0.0007915183,0.0043733786],"category_scores_gemma":[0.001176106,0.00012168,0.0001174135,0.0007695811,0.015617296,0.0020161604,0.0047522644,0.0017912834,0.00031377614],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022762264,0.000018275348,0.0025525296,0.00006541073,0.000006936447,0.0006762018,0.53684545,0.000043132375,0.0008006242,0.44215006,0.0037077814,0.013110921],"study_design_scores_gemma":[0.0000057823704,0.00003081833,0.0075957435,0.00020690233,0.000010808362,0.0006773842,0.57996607,0.00015339257,0.00048425054,0.022519784,0.3883326,0.000016447466],"about_ca_topic_score_codex":0.09147069,"about_ca_topic_score_gemma":0.12046848,"teacher_disagreement_score":0.09147069,"about_ca_system_score_codex":0.0068644797,"about_ca_system_score_gemma":0.005579039,"threshold_uncertainty_score":0.18187654},"labels":[],"label_agreement":null},{"id":"W2044394037","doi":"10.1386/safm.1.2.227/1","title":"Slumdogs and superstars: negotiating the culture of terror","year":2009,"lang":"en","type":"article","venue":"Studies in South Asian Film & Media","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"War on terror; Negotiation; Narrative; Politics; Representation (politics); Political science; Relation (database); Media studies; National security; Terrorism; Political economy; Sociology; Law; Art; Literature","score_opus":0.046428726077831016,"score_gpt":0.27094709559875674,"score_spread":0.22451836952092571,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2044394037","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.76478446,0.0021168443,0.0016356113,0.013168013,0.00039106852,0.000041102012,0.000045754103,0.000039756633,0.21777746],"genre_scores_gemma":[0.99097365,0.0006697561,0.00028278763,0.0005949851,0.000036519905,0.000009984633,0.000012637067,0.000021076678,0.0073985257],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9989957,0.00070907624,0.00001544181,0.00005043022,0.000082710554,0.000146551],"domain_scores_gemma":[0.99933064,0.00038748173,0.00008897769,0.000044369302,0.000032039912,0.000116530886],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013270077,0.00047468182,0.00016785701,0.0005818032,0.0073737474,0.0058495724,0.0004921624,0.0011561783,0.0043734615],"category_scores_gemma":[0.0015945217,0.00024009947,0.00016031758,0.0005653228,0.013600978,0.003729962,0.0050933314,0.00251071,0.0003598493],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007157266,0.00002025269,0.0018861926,0.000110377914,0.000011996564,0.0011616452,0.9107053,0.00009141997,0.0021496087,0.06922191,0.0049514323,0.009618284],"study_design_scores_gemma":[0.0000142280605,0.000048964805,0.0022343148,0.00016846659,0.000016109563,0.00046437155,0.8549092,0.00021914992,0.0011801091,0.0068535814,0.13387536,0.000016286593],"about_ca_topic_score_codex":0.007494057,"about_ca_topic_score_gemma":0.019610431,"teacher_disagreement_score":0.007494057,"about_ca_system_score_codex":0.0025093167,"about_ca_system_score_gemma":0.0009824123,"threshold_uncertainty_score":0.018206418},"labels":[],"label_agreement":null},{"id":"W2052474432","doi":"10.1386/safm.1.1.85/1","title":"Nationalism and Hindi Cinema: Narrative Strategies in Fanaa","year":2009,"lang":"en","type":"article","venue":"Studies in South Asian Film & Media","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":14,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Wilfrid Laurier University","funders":"Academy of Finland","keywords":"Movie theater; Hindi; Nationalism; Narrative; Citizenship; Politics; Gender studies; Media studies; Sociology; Aesthetics; Political science; Literature; Art; Law; Linguistics","score_opus":0.0379538566313489,"score_gpt":0.28894554828836505,"score_spread":0.2509916916570162,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2052474432","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5408264,0.0026128208,0.0032526243,0.006104624,0.000327663,0.000084249674,0.00007045744,0.00007903014,0.4466422],"genre_scores_gemma":[0.985911,0.0003037824,0.00061340665,0.0002186617,0.000034061704,0.00002332823,0.0000218419,0.000023552082,0.012850391],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99881905,0.00080664153,0.000023734437,0.00007426245,0.00008239608,0.00019398188],"domain_scores_gemma":[0.9983536,0.0009240778,0.0001323098,0.00005362158,0.00017459996,0.00036183264],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016594448,0.0004939003,0.00022763576,0.0013592765,0.014293572,0.007983707,0.00084109895,0.0010941823,0.005943813],"category_scores_gemma":[0.0026048103,0.00025761928,0.00019773761,0.00080393883,0.008703387,0.004068381,0.0039608874,0.0020906327,0.00043296858],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027346374,0.000029022138,0.0017174858,0.00008423815,0.000004305889,0.00046843558,0.9172168,0.00003106082,0.00073067524,0.06928252,0.0020140114,0.008394155],"study_design_scores_gemma":[0.0000073871397,0.000047174442,0.004012647,0.00023892612,0.000012257943,0.001069214,0.8298576,0.00030172776,0.00067420816,0.0057904087,0.15796673,0.000021756077],"about_ca_topic_score_codex":0.008314607,"about_ca_topic_score_gemma":0.017357381,"teacher_disagreement_score":0.014293572,"about_ca_system_score_codex":0.0030045058,"about_ca_system_score_gemma":0.0015024658,"threshold_uncertainty_score":0.021799326},"labels":[],"label_agreement":null},{"id":"W2052671680","doi":"10.1177/0893318912454400","title":"Forum Introduction","year":2012,"lang":"en","type":"article","venue":"Management Communication Quarterly","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Dalhousie University","funders":"","keywords":"Political science; Sociology","score_opus":0.013763638609711222,"score_gpt":0.212569230797027,"score_spread":0.19880559218731578,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2052671680","genre_codex":"other","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00060689397,0.0012380696,0.0016384154,0.016673634,0.09652023,0.0003883688,0.0040517016,0.0015467653,0.87733585],"genre_scores_gemma":[0.0021541219,0.00035207742,0.0003273392,0.003460411,0.011141448,0.00017258976,0.0012912196,0.00027445456,0.9808264],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989698,0.000156666,0.000031345364,0.00016565085,0.00046888436,0.00020774617],"domain_scores_gemma":[0.9970624,0.00031673216,0.00010533426,0.00023883155,0.0009672073,0.0013095716],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0015668985,0.0009601855,0.0006262622,0.0017014797,0.00273761,0.006550687,0.0014207683,0.00405527,0.79814905],"category_scores_gemma":[0.0044085537,0.0003261191,0.0007694055,0.00092540996,0.0005739778,0.0034301647,0.004348276,0.003216119,0.60240275],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029225379,0.000020678845,0.00004535996,0.000058088302,6.120066e-7,0.000026764345,0.000038638107,0.000014629554,0.00015750816,0.0026762355,0.97541875,0.021513557],"study_design_scores_gemma":[0.0000063541524,0.000009316727,0.0001145971,0.00003329125,5.1176795e-7,0.000010065889,0.000052068903,0.000012065285,0.00003286244,0.0007470425,0.9989792,0.0000026927737],"about_ca_topic_score_codex":0.0012198664,"about_ca_topic_score_gemma":0.0026362424,"teacher_disagreement_score":0.79814905,"about_ca_system_score_codex":0.0011856457,"about_ca_system_score_gemma":0.0018542231,"threshold_uncertainty_score":0.28791583},"labels":[],"label_agreement":null},{"id":"W2054737344","doi":"10.1353/utq.0.0304","title":"Keys to the Kingdom: The Search for How Best to Understand and Perform the Songs of Tagore","year":2008,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Kingdom; History; Genealogy; Geology; Paleontology","score_opus":0.04444212128313044,"score_gpt":0.21081370873365743,"score_spread":0.166371587450527,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2054737344","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17649305,0.04768292,0.018715674,0.115053214,0.002924911,0.00009739982,0.00007724206,0.00018574561,0.63876987],"genre_scores_gemma":[0.93971825,0.0076733404,0.005186588,0.004699805,0.0002875046,0.000031826756,0.000033195174,0.00014886638,0.042220596],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9987783,0.0007333854,0.000053080432,0.00012590698,0.00010586003,0.00020341638],"domain_scores_gemma":[0.99870324,0.0004672545,0.00012437264,0.0001642654,0.00020818392,0.00033254403],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020686393,0.0005364908,0.00039184507,0.00064839795,0.0066097416,0.008399031,0.00082901074,0.0017110296,0.0044184937],"category_scores_gemma":[0.0035674754,0.00024973918,0.00019386016,0.00072464824,0.021436661,0.012066739,0.0029582079,0.0040477677,0.001306755],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000051933494,0.000025944702,0.0013761742,0.00027421644,0.000011831939,0.0003339912,0.5316137,0.00008349692,0.0013406309,0.4015198,0.022735368,0.040632896],"study_design_scores_gemma":[0.0000136379595,0.00007861707,0.0032227617,0.0006545334,0.000023090046,0.00070519926,0.39418945,0.0003611777,0.00090727786,0.064002626,0.5357979,0.000043699274],"about_ca_topic_score_codex":0.0076663536,"about_ca_topic_score_gemma":0.015403935,"teacher_disagreement_score":0.008399031,"about_ca_system_score_codex":0.0037058,"about_ca_system_score_gemma":0.0028196294,"threshold_uncertainty_score":0.026887596},"labels":[],"label_agreement":null},{"id":"W2056511478","doi":"10.1353/mos.2014.0013","title":"My Metatextual Romance: Thinking With (and About) Jaane Tu Ya Janne Na","year":2014,"lang":"en","type":"article","venue":"Mosaic","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Parallels; Romance; Hindi; Literature; Movie theater; Consciousness; Politics; History; Aesthetics; Art; Philosophy; Linguistics; Epistemology; Political science; Law","score_opus":0.009968462716010852,"score_gpt":0.19276005786683872,"score_spread":0.18279159515082788,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2056511478","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18308988,0.0058781537,0.0068652756,0.064079046,0.0018835557,0.000048106755,0.000040292492,0.000110121255,0.73800546],"genre_scores_gemma":[0.9678907,0.0013080362,0.0007056184,0.0015953534,0.0003662226,0.000019498177,0.000016777441,0.000073189636,0.028024515],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988281,0.00078730594,0.000015010886,0.000115729235,0.0001372807,0.00011656185],"domain_scores_gemma":[0.9990897,0.00038493105,0.00010377777,0.000105658415,0.000120282864,0.00019569283],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001936091,0.00033918265,0.00022966869,0.0007091688,0.009328714,0.009705776,0.00072827114,0.001227736,0.0046536564],"category_scores_gemma":[0.0033032151,0.00022465787,0.00019828667,0.00069566595,0.026473295,0.0076413713,0.0031521597,0.0051160734,0.00064984686],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024551313,0.000016671956,0.0006898149,0.000047550046,0.0000032567402,0.00025656086,0.394229,0.00006306721,0.00043835808,0.5878624,0.008139592,0.00822914],"study_design_scores_gemma":[0.000013598596,0.000050173574,0.0015846874,0.0003040279,0.000011460682,0.0007768394,0.46536908,0.00038994293,0.0006460926,0.05941953,0.47141275,0.000021809075],"about_ca_topic_score_codex":0.0060410015,"about_ca_topic_score_gemma":0.010003398,"teacher_disagreement_score":0.009705776,"about_ca_system_score_codex":0.0037239725,"about_ca_system_score_gemma":0.0019183682,"threshold_uncertainty_score":0.0270195},"labels":[],"label_agreement":null},{"id":"W2063699350","doi":"10.3790/soc.59.2.199","title":"Arbeit am Ruf – Medienstrategien indischer Patrone","year":2009,"lang":"de","type":"article","venue":"Sociologus","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Newspaper; Humanities; Politics; Public sphere; Globe; Political science; Media studies; Sociology; Art; Art history; Law","score_opus":0.021932208811702894,"score_gpt":0.24404297790594656,"score_spread":0.22211076909424365,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2063699350","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14829877,0.044217266,0.009816243,0.070556335,0.005200801,0.00020277905,0.0008043636,0.0008106638,0.7200928],"genre_scores_gemma":[0.8625156,0.01961673,0.0048776576,0.00491762,0.0012455208,0.00018932257,0.00036090126,0.0003842415,0.105892345],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9958444,0.0018435132,0.00022682143,0.0004941528,0.00083227124,0.0007587896],"domain_scores_gemma":[0.99793017,0.0009029197,0.00020690095,0.00037244693,0.00021874947,0.0003688011],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0043408424,0.00080463855,0.0008036887,0.001871522,0.0072583677,0.011989579,0.0009546794,0.0032570362,0.019125441],"category_scores_gemma":[0.006342596,0.000736664,0.0006343207,0.0021423243,0.009251311,0.0075153173,0.00971983,0.009180642,0.010293211],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023459218,0.00040338055,0.007098889,0.0009829927,0.000119303,0.006051265,0.28225997,0.0007469615,0.0035642902,0.40785366,0.092888445,0.19779618],"study_design_scores_gemma":[0.000024761244,0.000082436,0.002961016,0.00066679495,0.000034920486,0.0038918739,0.03623063,0.00041864256,0.0013767993,0.029191792,0.92506665,0.00005374613],"about_ca_topic_score_codex":0.003480749,"about_ca_topic_score_gemma":0.003125584,"teacher_disagreement_score":0.019125441,"about_ca_system_score_codex":0.003893648,"about_ca_system_score_gemma":0.0029514874,"threshold_uncertainty_score":0.06398094},"labels":[],"label_agreement":null},{"id":"W2065164711","doi":"10.1891/1078-4535.15.1.28","title":"<i>The English Patient:</i> Michael Ondaatje's Characterization of the Nurse–Patient Relationship","year":2009,"lang":"en","type":"article","venue":"Creative Nursing","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Character (mathematics); Theme (computing); Class (philosophy); Psychology; Nursing; Psychoanalysis; Medicine; Epistemology; Computer science; Philosophy","score_opus":0.011829986777736225,"score_gpt":0.2129581364747214,"score_spread":0.20112814969698517,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2065164711","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21207657,0.020490943,0.0047742715,0.2766116,0.010436126,0.0001337689,0.0001823489,0.00011317006,0.47518122],"genre_scores_gemma":[0.9077983,0.005675773,0.0011736532,0.022175834,0.0013867929,0.00006550071,0.00003894558,0.00010424396,0.061581008],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986534,0.0006632121,0.00003255391,0.000106057676,0.00033172514,0.00021306449],"domain_scores_gemma":[0.99864286,0.00060799776,0.00017688902,0.000035311532,0.00022559403,0.0003113676],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012097849,0.00041099134,0.00028560316,0.00045376626,0.009370667,0.0060710707,0.0007615551,0.0023206065,0.0024683927],"category_scores_gemma":[0.0038081284,0.00017673502,0.00017659858,0.00045300668,0.014872449,0.002957623,0.002040873,0.005527996,0.00032362062],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006724751,0.000026261469,0.001289197,0.00026473586,0.000011168609,0.0021690098,0.7547413,0.00010339491,0.0015839922,0.1305696,0.10214884,0.00702518],"study_design_scores_gemma":[0.0000082759925,0.000030242541,0.0023159399,0.00030215573,0.000013531855,0.0034613549,0.43506822,0.00014510151,0.0007671991,0.0042481986,0.55360377,0.00003593947],"about_ca_topic_score_codex":0.066135086,"about_ca_topic_score_gemma":0.1057961,"teacher_disagreement_score":0.066135086,"about_ca_system_score_codex":0.004810168,"about_ca_system_score_gemma":0.0039185314,"threshold_uncertainty_score":0.13150024},"labels":[],"label_agreement":null},{"id":"W2068196585","doi":"10.1080/13698010903255478","title":"NECROIDEALISM, OR THE SUBALTERN'S SACRIFICIAL DEATH","year":2009,"lang":"en","type":"article","venue":"Interventions","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":35,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Subaltern; Ideal (ethics); Aesthetics; Conceptualization; Sociology; Hegemony; Politics; Sacrifice; Epistemology; Philosophy; Law; Political science; Linguistics","score_opus":0.12175457539092457,"score_gpt":0.32545998818690236,"score_spread":0.20370541279597779,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2068196585","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.048902187,0.008176982,0.0051311427,0.04153882,0.0007952095,0.000019049903,0.0000508615,0.0000809863,0.89530474],"genre_scores_gemma":[0.9165716,0.0018492233,0.00046316173,0.0020236103,0.00037700252,0.000017415203,0.000020499783,0.000028757433,0.07864881],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9994197,0.00026458592,0.000011670939,0.000085424406,0.00011863014,0.000099965684],"domain_scores_gemma":[0.99949384,0.0002394457,0.00006684109,0.00008546758,0.00006225583,0.0000521321],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010132225,0.00031796226,0.00017883346,0.00048242806,0.0036733083,0.0030655304,0.0005184705,0.0013134299,0.007481218],"category_scores_gemma":[0.0014798618,0.0000947551,0.00016409358,0.00042994454,0.021887433,0.0038191862,0.0034210407,0.0024948379,0.00054651056],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009363889,0.0000051156603,0.00007874848,0.000010607944,6.518139e-7,0.00006330842,0.0049681254,0.000035590412,0.00006160977,0.9861265,0.0060885316,0.002551822],"study_design_scores_gemma":[0.000011121682,0.000027010372,0.0006436736,0.000123651,0.0000038634435,0.00029128086,0.009817796,0.0002414535,0.00055299356,0.57713264,0.41114303,0.000011380432],"about_ca_topic_score_codex":0.0027804754,"about_ca_topic_score_gemma":0.0050842394,"teacher_disagreement_score":0.007481218,"about_ca_system_score_codex":0.0041439016,"about_ca_system_score_gemma":0.00136008,"threshold_uncertainty_score":0.030066311},"labels":[],"label_agreement":null},{"id":"W2073185055","doi":"10.1080/15339114.2010.528297","title":"Constructs of Asia in Indian Film and Film Song","year":2010,"lang":"en","type":"article","venue":"The Journal of Comparative Asian Development","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Visual arts","score_opus":0.022995942044707365,"score_gpt":0.24172432548197623,"score_spread":0.21872838343726886,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2073185055","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.60001475,0.0029860712,0.001279801,0.0020529553,0.00011898421,0.00002709765,0.00008609891,0.000043217846,0.3933911],"genre_scores_gemma":[0.9953466,0.00066052703,0.00014712903,0.00006927365,0.0000240024,0.0000074197724,0.00001845893,0.0000100150455,0.0037165564],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992874,0.0003983546,0.000025791156,0.00005738336,0.00012002006,0.00011097268],"domain_scores_gemma":[0.99926263,0.00035837165,0.0001582222,0.000072460265,0.0000631264,0.000085231644],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006780574,0.00038598687,0.00013608667,0.0015006692,0.0029484525,0.0072672553,0.0005052112,0.0003794504,0.0038867928],"category_scores_gemma":[0.0011280881,0.00014441593,0.00014331275,0.002961301,0.007559273,0.0021407828,0.0033854027,0.0012854413,0.00013499998],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000063125335,0.000050728293,0.008086056,0.00020222159,0.000019453943,0.00071442436,0.7562223,0.0001055293,0.0018745223,0.20782001,0.002370501,0.022471081],"study_design_scores_gemma":[0.0000142197,0.00006962639,0.038172606,0.0003355112,0.000059517926,0.0011492469,0.7533523,0.00044856814,0.0014352461,0.011588943,0.19333412,0.000040157327],"about_ca_topic_score_codex":0.009394595,"about_ca_topic_score_gemma":0.011709073,"teacher_disagreement_score":0.009394595,"about_ca_system_score_codex":0.0027919488,"about_ca_system_score_gemma":0.000931782,"threshold_uncertainty_score":0.020257175},"labels":[],"label_agreement":null},{"id":"W2078711827","doi":"10.3138/md.s84r.1","title":"Rethinking Postcolonial Melodrama and Affect","year":2015,"lang":"en","type":"article","venue":"Modern Drama","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":24,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Modernity; Temporality; Teleology; Aesthetics; Nationalism; Periodization; History; Literature; Sociology; Philosophy; Art; Epistemology; Political science; Law; Politics","score_opus":0.040650780635486494,"score_gpt":0.24203297997572662,"score_spread":0.20138219934024013,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2078711827","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4190199,0.007109904,0.003816119,0.013710319,0.0008237779,0.00002593595,0.00008661227,0.00005859082,0.5553488],"genre_scores_gemma":[0.9909813,0.00076868845,0.00023800482,0.00038538934,0.00008294878,0.0000073490196,0.000011190645,0.000021800503,0.007503357],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9993499,0.00038603594,0.000012650679,0.00006805101,0.000099509576,0.00008395824],"domain_scores_gemma":[0.99923825,0.00045318622,0.00008016341,0.00008427149,0.000079273166,0.00006492228],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010270835,0.0002742781,0.0001826649,0.00069502176,0.0035650558,0.005168778,0.00049050193,0.0008036646,0.0042256285],"category_scores_gemma":[0.0019598848,0.00012373958,0.00012335987,0.0005964854,0.012244221,0.003535421,0.0038141625,0.0020666549,0.000337621],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012704682,0.00004754198,0.003158702,0.00022525119,0.000019522655,0.00090320624,0.60862595,0.00008907145,0.003897312,0.34240586,0.0060722833,0.03442828],"study_design_scores_gemma":[0.000026340576,0.00010760004,0.018287417,0.0005247487,0.000029510316,0.0010486625,0.34748363,0.00035560864,0.0031046185,0.034006312,0.5949839,0.000041720887],"about_ca_topic_score_codex":0.0027357996,"about_ca_topic_score_gemma":0.0056193783,"teacher_disagreement_score":0.005168778,"about_ca_system_score_codex":0.0019668017,"about_ca_system_score_gemma":0.0005266402,"threshold_uncertainty_score":0.014270246},"labels":[],"label_agreement":null},{"id":"W2082752987","doi":"10.3138/md.45.2.288","title":"Duets, Duologues, and Black Diasporic Theatre: Djanet Sears, William Shakespeare, and Others","year":2002,"lang":"en","type":"article","venue":"Modern Drama","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Chorus; Drama; Literature; Art; Reading (process); Performance art; Visual arts; History; Art history; Philosophy; Linguistics","score_opus":0.022126203629575104,"score_gpt":0.1946318493355536,"score_spread":0.1725056457059785,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2082752987","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.44071922,0.059489794,0.0011099762,0.10021413,0.002491087,0.00003980449,0.000082318016,0.00004960486,0.39580405],"genre_scores_gemma":[0.9192559,0.011933892,0.000329938,0.0042934488,0.0005334706,0.000042132415,0.000021058824,0.00006853463,0.06352166],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991714,0.0005728069,0.000013252094,0.000059262653,0.00007427668,0.00010902866],"domain_scores_gemma":[0.999124,0.00044244804,0.00007794062,0.000040944953,0.000086483284,0.00022826329],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015835847,0.0007334457,0.00027083087,0.0009308215,0.010963662,0.0071566766,0.0005576483,0.0014755573,0.003949813],"category_scores_gemma":[0.0018692538,0.00025197884,0.0001299608,0.0009907689,0.013775444,0.0035305829,0.0032998698,0.0033334438,0.00040778646],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000069511545,0.00003851924,0.0013271269,0.00012516243,0.0000133496005,0.00037360276,0.8522267,0.000040091432,0.0005115842,0.104630545,0.029660868,0.0109829735],"study_design_scores_gemma":[0.000009901772,0.000035825182,0.0032632423,0.0003549759,0.000014109122,0.00026473167,0.6495795,0.00006397684,0.0004722558,0.006702041,0.33921906,0.000020345442],"about_ca_topic_score_codex":0.030268328,"about_ca_topic_score_gemma":0.07043051,"teacher_disagreement_score":0.030268328,"about_ca_system_score_codex":0.00262637,"about_ca_system_score_gemma":0.0016331115,"threshold_uncertainty_score":0.0601843},"labels":[],"label_agreement":null},{"id":"W2089810244","doi":"10.1353/rpc.2012.0025","title":"Religion and Film: Cinema and the Re-Creation of the World (review)","year":2012,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Movie theater; Art; Aesthetics; Art history","score_opus":0.013257930341355566,"score_gpt":0.24293113525628635,"score_spread":0.2296732049149308,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2089810244","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000047852747,0.9981744,0.000010595783,0.00061254116,0.00057861506,0.0000036245976,0.00001188903,0.0000019014232,0.0005585903],"genre_scores_gemma":[0.0005769184,0.9975914,0.000025063575,0.00055823073,0.00066196965,0.000007337122,0.000025858091,0.0000019696627,0.000551222],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994159,0.00016596427,0.00008461571,0.00007509752,0.00019727946,0.00006118728],"domain_scores_gemma":[0.9974727,0.0013781113,0.00038342562,0.0000456327,0.0005326085,0.00018745233],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008540656,0.0010182608,0.0018301115,0.003254548,0.00063484354,0.0039918893,0.0011423336,0.002314786,0.017276455],"category_scores_gemma":[0.0040311986,0.0005221639,0.00074055186,0.00606644,0.0010434159,0.0041598235,0.0012979914,0.0025519985,0.003743151],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000085827116,0.00006223172,0.00048603673,0.06363538,0.00017730347,0.000160667,0.00055459596,0.00010875255,0.00021886417,0.0022617772,0.3012418,0.6310067],"study_design_scores_gemma":[0.00004402228,0.00008301536,0.004475636,0.058621474,0.0002450306,0.0013866454,0.0010741992,0.000053469677,0.00009113837,0.00074421905,0.93314713,0.000033940592],"about_ca_topic_score_codex":0.004977799,"about_ca_topic_score_gemma":0.0074639386,"teacher_disagreement_score":0.017276455,"about_ca_system_score_codex":0.0010877205,"about_ca_system_score_gemma":0.002704122,"threshold_uncertainty_score":0.057795525},"labels":[],"label_agreement":null},{"id":"W2090445221","doi":"10.3138/utq.70.4.902","title":"‘Powerful Joy’: Michael Ondaatje's <i>The English Patient</i> and Walter Benjamin's Allegorical Way of Seeing","year":2001,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Psychoanalysis; Literature; Art; History; Sociology; Psychology","score_opus":0.0057729652726010465,"score_gpt":0.16229836769730313,"score_spread":0.1565254024247021,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2090445221","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.006933429,0.023261234,0.0006383211,0.84934807,0.03381235,0.000019522298,0.00003287783,0.00008297329,0.085871324],"genre_scores_gemma":[0.28648505,0.018186674,0.00087462115,0.44852132,0.020653047,0.00008026399,0.00004391377,0.0006248492,0.22453025],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99807715,0.0009299211,0.00004672417,0.00011778853,0.00030300216,0.0005253758],"domain_scores_gemma":[0.99792224,0.0005248003,0.00013104471,0.00006204848,0.00024089668,0.0011189656],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023712418,0.0009273779,0.00057234935,0.00076527253,0.018421398,0.010800491,0.0015950758,0.008786548,0.010753418],"category_scores_gemma":[0.004903511,0.0005819028,0.00035434176,0.00065701903,0.021672407,0.008216872,0.0076609687,0.026084797,0.0024800743],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025338428,0.000022650183,0.00022714227,0.00009003072,0.000008650308,0.0013253313,0.11158834,0.000024017729,0.00021088822,0.10396594,0.775299,0.007212552],"study_design_scores_gemma":[0.000009688836,0.0000117217605,0.00028881105,0.00019257925,0.0000066378684,0.0016913471,0.09640738,0.000022218104,0.00010849528,0.008984134,0.89225125,0.000025694231],"about_ca_topic_score_codex":0.05646367,"about_ca_topic_score_gemma":0.16938205,"teacher_disagreement_score":0.05646367,"about_ca_system_score_codex":0.0083531,"about_ca_system_score_gemma":0.0059679244,"threshold_uncertainty_score":0.11227},"labels":[],"label_agreement":null},{"id":"W2092961807","doi":"10.1353/esc.2013.0036","title":"Everybody Loves Imparfait: Academic Cultures of Imperfection","year":2013,"lang":"en","type":"article","venue":"English studies in Canada","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Literature; History","score_opus":0.024635095001799872,"score_gpt":0.25623629727656105,"score_spread":0.2316012022747612,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2092961807","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5109985,0.01555348,0.0032699045,0.1574043,0.0023238931,0.00010143979,0.0001463928,0.00029681632,0.3099053],"genre_scores_gemma":[0.9780049,0.0016748052,0.0003792304,0.009382418,0.00029326644,0.000033223816,0.000028457269,0.00011405716,0.010089734],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9622742,0.021445354,0.001198632,0.0022077598,0.0073848534,0.0054891976],"domain_scores_gemma":[0.9605567,0.011472946,0.0065960875,0.004036517,0.0053211544,0.012016545],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.026953012,0.0011695866,0.0014637902,0.0053079184,0.06942752,0.03811681,0.0040785354,0.005113431,0.007678733],"category_scores_gemma":[0.03635527,0.0009465845,0.00068765355,0.0064775907,0.10566837,0.023799187,0.03709386,0.015883649,0.0019199197],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028621456,0.000044305896,0.002639468,0.000043123116,0.000011524073,0.00032437014,0.91200376,0.000054505916,0.000074823314,0.07042162,0.010035632,0.0043182196],"study_design_scores_gemma":[0.000013244612,0.0000315686,0.0015374764,0.00022240254,0.000012042634,0.00028958553,0.83022434,0.0001370522,0.00012522891,0.01668862,0.15064658,0.0000718789],"about_ca_topic_score_codex":0.039158482,"about_ca_topic_score_gemma":0.049587682,"teacher_disagreement_score":0.06942752,"about_ca_system_score_codex":0.026116442,"about_ca_system_score_gemma":0.01709961,"threshold_uncertainty_score":0.18948895},"labels":[],"label_agreement":null},{"id":"W2105824915","doi":"10.1177/1470593108093555","title":"Weaving a web: subaltern consumers, rising consumer culture, and television","year":2008,"lang":"en","type":"article","venue":"Marketing Theory","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":58,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Subaltern; Sociology; Politics; Population; Sympathy; Narrative; Media studies; Political science; Social psychology; Law; Psychology","score_opus":0.01682336313948748,"score_gpt":0.21212530887678316,"score_spread":0.19530194573729567,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2105824915","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8876051,0.0006112139,0.0009188902,0.0023809217,0.000020882202,0.000008142328,0.000019028736,0.000014614389,0.10842136],"genre_scores_gemma":[0.9979413,0.00016725746,0.00010984191,0.00008385598,0.000010561625,0.0000030003844,0.000004144979,0.0000048844677,0.0016750712],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.999481,0.0002630578,0.000015398387,0.000053837073,0.00008146695,0.000105247054],"domain_scores_gemma":[0.9979917,0.0011990085,0.00023554936,0.00015672545,0.00015692557,0.00026013775],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008362947,0.00015789269,0.00013785088,0.0016083346,0.00276852,0.007462335,0.00038107153,0.00071206485,0.0045983684],"category_scores_gemma":[0.001722481,0.00014453703,0.00014435383,0.0013903507,0.012196252,0.005591643,0.0028829365,0.0012073088,0.00022258714],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015292913,0.00017221872,0.07256054,0.00015725588,0.000026126212,0.0026437887,0.4861898,0.00028605358,0.0033103444,0.37814593,0.00227429,0.054080814],"study_design_scores_gemma":[0.000022540757,0.00014452198,0.110524654,0.00024007169,0.000055779863,0.0022133468,0.7076756,0.0016964494,0.003345037,0.10888898,0.065140925,0.000052140917],"about_ca_topic_score_codex":0.0037446786,"about_ca_topic_score_gemma":0.004487752,"teacher_disagreement_score":0.007462335,"about_ca_system_score_codex":0.0018152645,"about_ca_system_score_gemma":0.00061929773,"threshold_uncertainty_score":0.015383124},"labels":[],"label_agreement":null},{"id":"W2107829034","doi":"10.5539/elt.v2n4p184","title":"Jane Austen and Imperialism---A Rereading of Pride and Prejudice","year":2009,"lang":"en","type":"article","venue":"English Language Teaching","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Pride; Prejudice (legal term); Peasant; Psychology; Sociology; Gender studies; Social psychology; Psychoanalysis; Law; Political science","score_opus":0.007529121788627259,"score_gpt":0.22049903882114166,"score_spread":0.21296991703251442,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2107829034","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13479313,0.0433641,0.0018731111,0.3718534,0.0068365987,0.000025246623,0.000033878023,0.00005859417,0.44116187],"genre_scores_gemma":[0.89662766,0.00948209,0.0008631669,0.023519617,0.0010719632,0.000020617868,0.000011382186,0.000105548235,0.068297945],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981224,0.0012308302,0.00003350932,0.000099996956,0.0003475809,0.00016570033],"domain_scores_gemma":[0.9985555,0.00072078046,0.00012497246,0.000081793565,0.00019336153,0.00032358404],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001961122,0.0003151306,0.00040962294,0.0007034886,0.009268495,0.005920536,0.0005994018,0.0019027113,0.0027459033],"category_scores_gemma":[0.0028509437,0.00027062668,0.00014647709,0.0006253953,0.019004261,0.0053565647,0.003598607,0.008969342,0.00069065567],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005780379,0.000030130224,0.0011525196,0.0001494018,0.000010374269,0.0009010451,0.5219828,0.00007774264,0.0008048193,0.3786315,0.082895845,0.013305945],"study_design_scores_gemma":[0.0000071008526,0.000023592233,0.0014701261,0.00029442564,0.0000050045287,0.000834352,0.17663838,0.00009603134,0.00038697827,0.0513688,0.76884824,0.000026920214],"about_ca_topic_score_codex":0.011552992,"about_ca_topic_score_gemma":0.031162534,"teacher_disagreement_score":0.011552992,"about_ca_system_score_codex":0.0035360123,"about_ca_system_score_gemma":0.002067726,"threshold_uncertainty_score":0.025655687},"labels":[],"label_agreement":null},{"id":"W2115982421","doi":"10.7202/1011718ar","title":"Transformations télévisuelles","year":2012,"lang":"fr","type":"article","venue":"Anthropologie et Sociétés","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.2055753988256063,"score_gpt":0.515354251147455,"score_spread":0.30977885232184876,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2115982421","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02496026,0.0016921106,0.01246732,0.0044844067,0.00063872384,0.00005251421,0.00029035515,0.00024188441,0.9551724],"genre_scores_gemma":[0.6630037,0.0053388984,0.010423829,0.0021413623,0.0006416721,0.00027309373,0.0009550743,0.00060421386,0.31661814],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9959847,0.001443314,0.00013590741,0.0008891126,0.0010057504,0.0005412541],"domain_scores_gemma":[0.99783677,0.00075069914,0.00023494793,0.000533211,0.00048456257,0.00015982348],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018128504,0.00072153046,0.00030136676,0.0025448655,0.0051236,0.01366943,0.0012900204,0.0018788431,0.05345192],"category_scores_gemma":[0.0054193046,0.00034647336,0.0006356975,0.003510811,0.012324202,0.010817923,0.0055122455,0.0042526154,0.00889144],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014574714,0.000020129206,0.0005797902,0.000050911913,0.0000049166424,0.00017918326,0.014977044,0.00015633665,0.00024114778,0.95243615,0.0055562677,0.025783623],"study_design_scores_gemma":[0.0000130931085,0.000019846226,0.0014844517,0.00018593298,0.000008565814,0.0005239474,0.021244545,0.00041785956,0.0007414837,0.16271488,0.8126268,0.000018503992],"about_ca_topic_score_codex":0.0129156085,"about_ca_topic_score_gemma":0.00879978,"teacher_disagreement_score":0.05345192,"about_ca_system_score_codex":0.008115069,"about_ca_system_score_gemma":0.0037594745,"threshold_uncertainty_score":0.17881453},"labels":[],"label_agreement":null},{"id":"W2120773940","doi":"10.7202/1011716ar","title":"« Aujourd’hui, les villageois ne sont plus en retard sur leur temps. Aujourd’hui, on vend du Pepsi dans les villages »","year":2012,"lang":"fr","type":"article","venue":"Anthropologie et Sociétés","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Political science; Art","score_opus":0.13587428353417,"score_gpt":0.41787833319225537,"score_spread":0.28200404965808534,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2120773940","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8617261,0.0077600656,0.0048991106,0.005682087,0.000437909,0.00015487314,0.0006440394,0.00010853904,0.11858723],"genre_scores_gemma":[0.9022069,0.0061882315,0.0042766365,0.00087088224,0.0000682207,0.00008345624,0.00026586,0.00004090423,0.085998915],"study_design_codex":"design_other","study_design_gemma":"qualitative","domain_scores_codex":[0.9996289,0.00012383182,0.000013416031,0.000056296343,0.00008190524,0.00009566345],"domain_scores_gemma":[0.9993519,0.00022758039,0.00011303875,0.00006608765,0.000169444,0.000071953975],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00081402296,0.00033529417,0.00020563926,0.0005607076,0.003014492,0.0016331924,0.00044467082,0.0006305547,0.010164082],"category_scores_gemma":[0.0013239036,0.00023093657,0.00024949643,0.0009802595,0.0017966613,0.0012170625,0.0014016444,0.0012008854,0.0011829552],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00075193465,0.0002570589,0.26008883,0.0020096889,0.00016713006,0.0039124703,0.2175372,0.0006143132,0.048607856,0.056186672,0.018633131,0.39123368],"study_design_scores_gemma":[0.000024293615,0.00052823516,0.2689615,0.00060058414,0.00007868054,0.0014954763,0.0785468,0.00022962104,0.010700492,0.0019552906,0.6367761,0.00010298603],"about_ca_topic_score_codex":0.046716917,"about_ca_topic_score_gemma":0.11561426,"teacher_disagreement_score":0.046716917,"about_ca_system_score_codex":0.001728821,"about_ca_system_score_gemma":0.0022802884,"threshold_uncertainty_score":0.092890024},"labels":[],"label_agreement":null},{"id":"W2120913901","doi":"","title":"Hoopla; Long Distance","year":2007,"lang":"en","type":"article","venue":"Women in Judaism A Multidisciplinary e-Journal","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.01490409059346439,"score_gpt":0.2489462058146713,"score_spread":0.2340421152212069,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2120913901","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.055170465,0.004197762,0.0017448075,0.025577275,0.0016634389,0.000070076945,0.00031705515,0.00020030499,0.91105884],"genre_scores_gemma":[0.39473382,0.0021143795,0.0015946808,0.0052013085,0.0007153341,0.00007846124,0.00020297122,0.00019557658,0.5951635],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99912864,0.00027439048,0.000020390296,0.00012409665,0.00021826843,0.00023418952],"domain_scores_gemma":[0.9971781,0.00042323655,0.00020278663,0.00017393744,0.0002974293,0.0017244837],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009808498,0.00032515114,0.00017322473,0.00086643995,0.008521103,0.005537622,0.0013488131,0.0016712261,0.15480374],"category_scores_gemma":[0.00319074,0.00016170701,0.00011386845,0.0014922211,0.002419844,0.0037557993,0.006357293,0.0019553495,0.014811248],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018717072,0.00057255995,0.014923435,0.00043969104,0.000018180479,0.0022983793,0.039015815,0.00013704128,0.001145328,0.23042843,0.31562135,0.39521265],"study_design_scores_gemma":[0.000022342676,0.00008989006,0.0087081455,0.00022032384,0.000007041546,0.0012758118,0.047709513,0.00012820908,0.00022891491,0.01918172,0.92241335,0.000014594584],"about_ca_topic_score_codex":0.008526527,"about_ca_topic_score_gemma":0.028210547,"teacher_disagreement_score":0.15480374,"about_ca_system_score_codex":0.002290697,"about_ca_system_score_gemma":0.0029473477,"threshold_uncertainty_score":0.51787007},"labels":[],"label_agreement":null},{"id":"W2140032414","doi":"10.1177/097152150000700207","title":"The Desiring Subject: Female Pleasures and Feminist Resistance in Deepa Mehta's Fire","year":2000,"lang":"en","type":"article","venue":"Indian Journal of Gender Studies","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":8,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Oppression; Lesbian; Resistance (ecology); Gender studies; Movie theater; Subject (documents); Agency (philosophy); Film director; Sociology; Politics; Pornography; Psychoanalysis; Art; Literature; Psychology; Political science; Law; Social science","score_opus":0.059082867415286025,"score_gpt":0.26511758064941515,"score_spread":0.20603471323412914,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2140032414","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.51694995,0.0029770604,0.0009470801,0.038367152,0.00074994186,0.000038178245,0.00009906103,0.000051124793,0.4398205],"genre_scores_gemma":[0.9473914,0.0007880578,0.00031941888,0.0025794387,0.00014406972,0.000015028353,0.00001892727,0.00004519326,0.04869851],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99930084,0.00018966378,0.0000070057345,0.000057478337,0.00017825353,0.00026680896],"domain_scores_gemma":[0.9992461,0.00031605898,0.00006454152,0.00003200178,0.00011649426,0.00022474694],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00076908036,0.00032968566,0.0002595012,0.00083118916,0.020387916,0.005573745,0.0006877699,0.0019496768,0.005193949],"category_scores_gemma":[0.0016112905,0.00023786582,0.0002370788,0.00061832374,0.012265427,0.0018676459,0.0029667092,0.0038874666,0.00032404793],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000076275566,0.00003137809,0.001958137,0.00006875268,0.00000836042,0.0019901467,0.87348366,0.00005274694,0.0023565486,0.0857867,0.022861602,0.011325729],"study_design_scores_gemma":[0.000010078089,0.000040041155,0.008880368,0.00017701695,0.0000139171025,0.0015935599,0.53803074,0.0001365134,0.0010148486,0.0033723037,0.44669038,0.000040190014],"about_ca_topic_score_codex":0.22794764,"about_ca_topic_score_gemma":0.56024504,"teacher_disagreement_score":0.22794764,"about_ca_system_score_codex":0.00855027,"about_ca_system_score_gemma":0.0036458464,"threshold_uncertainty_score":0.4532417},"labels":[],"label_agreement":null},{"id":"W2145998286","doi":"10.3821/1913-701x-143.2.57.a","title":"The Big Disconnect","year":2010,"lang":"fr","type":"article","venue":"Canadian Pharmacists Journal / Revue des Pharmaciens du Canada","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.02418577824763182,"score_gpt":0.22741953321945027,"score_spread":0.20323375497181845,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2145998286","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0023622732,0.012947771,0.00052258966,0.878325,0.008454932,0.000007199615,0.00015222056,0.000059935854,0.0971681],"genre_scores_gemma":[0.18871987,0.018573191,0.0011938841,0.62559056,0.012203897,0.00006245222,0.00032521522,0.00043973475,0.15289128],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99444747,0.0013456636,0.000114158975,0.0006736857,0.0019290885,0.0014898903],"domain_scores_gemma":[0.98582226,0.0030439987,0.00034725797,0.00093344523,0.0031586706,0.0066943076],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.007063327,0.000515003,0.0007585193,0.001806663,0.014009415,0.013878774,0.0021559012,0.008272728,0.0523133],"category_scores_gemma":[0.015727844,0.00037496162,0.00040266808,0.002075654,0.028084328,0.014596235,0.008485395,0.016626965,0.008366714],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030775565,0.000022182288,0.0006205897,0.00007238009,0.000014209558,0.000087897875,0.0038953004,0.000035494282,0.00008716546,0.2932959,0.66148096,0.04035722],"study_design_scores_gemma":[0.000010004158,0.000005570755,0.0010574352,0.00019397942,0.0000057916195,0.000070760616,0.006975718,0.000027575727,0.000031639283,0.07224125,0.9193612,0.000019131721],"about_ca_topic_score_codex":0.21854246,"about_ca_topic_score_gemma":0.3667215,"teacher_disagreement_score":0.21854246,"about_ca_system_score_codex":0.016213706,"about_ca_system_score_gemma":0.037565514,"threshold_uncertainty_score":0.4345408},"labels":[],"label_agreement":null},{"id":"W2148036573","doi":"","title":"Action and Romance (Postcolonial Style)","year":2005,"lang":"en","type":"article","venue":"Postcolonial text","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Romance; Style (visual arts); Action (physics); Art; Literature; History; Physics","score_opus":0.02185125476513974,"score_gpt":0.25105601409694916,"score_spread":0.22920475933180942,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2148036573","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0061249104,0.7113754,0.00033306913,0.031230293,0.006692064,0.000014688936,0.00008481461,0.000021667867,0.2441231],"genre_scores_gemma":[0.32649675,0.54379195,0.00045103105,0.0072085904,0.0113421455,0.0000676656,0.00018168867,0.00009759497,0.11036264],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99926287,0.00041813616,0.000030067182,0.0000657422,0.00014088866,0.00008236534],"domain_scores_gemma":[0.999529,0.00018824998,0.00006748589,0.000039819068,0.000101337304,0.00007417603],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00086252845,0.0006252373,0.00035646785,0.0014099153,0.0019227581,0.0048975493,0.00066643674,0.0009771163,0.011009537],"category_scores_gemma":[0.0016179496,0.00011624389,0.00012518487,0.0030018503,0.008638242,0.0023992404,0.0016428245,0.0015636933,0.002021674],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000071999755,0.000046853816,0.00060704304,0.0021581096,0.00001624364,0.000947922,0.043679517,0.000109032655,0.00057183695,0.45496598,0.3032564,0.19356905],"study_design_scores_gemma":[0.0000037840118,0.000011529458,0.0015040756,0.0007061785,0.0000023136233,0.00029203822,0.0043066726,0.000011984922,0.00006302953,0.00483848,0.98825574,0.0000042309266],"about_ca_topic_score_codex":0.005213865,"about_ca_topic_score_gemma":0.009289421,"teacher_disagreement_score":0.011009537,"about_ca_system_score_codex":0.0026731892,"about_ca_system_score_gemma":0.0017581728,"threshold_uncertainty_score":0.036830604},"labels":[],"label_agreement":null},{"id":"W2157765677","doi":"10.1017/s0040557414000453","title":"The Feminist Spectator in Action: Feminist Criticism for the Stage &amp; Screen. By Jill Dolan. Basingstoke, Hampshire, UK and New York: Palgrave Macmillan, 2013; pp. 248. $80 cloth, $26 paper.","year":2014,"lang":"en","type":"article","venue":"Theatre Survey","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Criticism; Action (physics); Performance art; Media studies; History; Stage (stratigraphy); Gender studies; Art history; Psychoanalysis; Sociology; Art; Psychology; Literature; Physics","score_opus":0.0624308448435223,"score_gpt":0.2700750878637325,"score_spread":0.20764424302021023,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2157765677","genre_codex":"commentary","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002231601,0.17583878,0.002184479,0.5347294,0.0147715015,0.00009236307,0.00058266416,0.00025013465,0.26931912],"genre_scores_gemma":[0.095117964,0.099465445,0.0018536659,0.096641235,0.0076702624,0.0005339734,0.00041124297,0.0007444915,0.69756174],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9965295,0.0020467814,0.0000662719,0.00019472506,0.0009876561,0.00017497942],"domain_scores_gemma":[0.99355644,0.0044168164,0.00031610523,0.00020470301,0.0011249613,0.00038091824],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00473208,0.0009500509,0.00062618585,0.0013495673,0.005947674,0.004571264,0.0016092781,0.004847201,0.046516534],"category_scores_gemma":[0.010488162,0.000765734,0.000354983,0.0022748054,0.010427629,0.00805494,0.0040766452,0.0065299594,0.010234652],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001583102,0.0000040438204,0.000059557682,0.00012199948,0.000001999049,0.00004882244,0.0037122946,0.000022035882,0.00005272625,0.012847327,0.96920645,0.0139069995],"study_design_scores_gemma":[0.0000038126072,0.000007136283,0.00053330546,0.0005182002,0.0000023366333,0.000091096306,0.008170187,0.00003460275,0.00009670536,0.00358035,0.98695326,0.00000908128],"about_ca_topic_score_codex":0.03729931,"about_ca_topic_score_gemma":0.08667699,"teacher_disagreement_score":0.046516534,"about_ca_system_score_codex":0.005313445,"about_ca_system_score_gemma":0.0043661282,"threshold_uncertainty_score":0.1556133},"labels":[],"label_agreement":null},{"id":"W2158716289","doi":"","title":"Partition and Postmemory in the Work of Kriti Arora and Sharlene Bamboat","year":2014,"lang":"en","type":"dissertation","venue":"","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Epitome; Partition (number theory); Visual arts; Art; Aesthetics; Literature; Mathematics","score_opus":0.013480737254538593,"score_gpt":0.20777318063389524,"score_spread":0.19429244337935664,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2158716289","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7700631,0.011471005,0.0017144125,0.00900976,0.00065075734,0.00007445556,0.00005709778,0.00010884222,0.20685056],"genre_scores_gemma":[0.98086745,0.0023164148,0.00051806786,0.00066546357,0.0000830518,0.00002026328,0.000019887695,0.000080753525,0.015428545],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980769,0.0009399883,0.00004467951,0.00022291808,0.00034620363,0.0003692407],"domain_scores_gemma":[0.99839044,0.0009402316,0.0001808979,0.00018073892,0.000096003714,0.00021171266],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002087386,0.00078689173,0.00054739375,0.0016379897,0.016543701,0.0079962555,0.0012724985,0.0012657075,0.0040688855],"category_scores_gemma":[0.0024592716,0.00055605546,0.0002888184,0.0015372811,0.023456747,0.0044028605,0.004871195,0.0038960697,0.0008122242],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000041706393,0.000029373006,0.00060724124,0.00009828489,0.000006423242,0.00074829307,0.9652833,0.00005436308,0.0011327986,0.02042459,0.0024724223,0.009101264],"study_design_scores_gemma":[0.000007922632,0.000077727185,0.0042861807,0.0003975402,0.000020917432,0.0023376693,0.79850036,0.000091488975,0.00087098766,0.0024530462,0.19091274,0.000043394662],"about_ca_topic_score_codex":0.017094593,"about_ca_topic_score_gemma":0.045974754,"teacher_disagreement_score":0.017094593,"about_ca_system_score_codex":0.005270373,"about_ca_system_score_gemma":0.0031113946,"threshold_uncertainty_score":0.03823942},"labels":[],"label_agreement":null},{"id":"W2162611599","doi":"10.1080/15210960.2010.481190","title":"<i>Bend It Like Beckham:</i>Dribbling the Self Through a Cross-Cultural Space","year":2010,"lang":"en","type":"article","venue":"Multicultural Perspectives","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Multiculturalism; Odds; Diaspora; Cross-cultural; Sociology; Girl; Space (punctuation); Media studies; Football; Gender studies; Psychology; Anthropology; Pedagogy; History; Linguistics; Computer science; Philosophy; Developmental psychology; Archaeology","score_opus":0.025953437645864448,"score_gpt":0.28926256767989755,"score_spread":0.2633091300340331,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2162611599","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17003995,0.0032721416,0.0073422515,0.06930117,0.004849749,0.00007900709,0.0002132976,0.00036278678,0.74453974],"genre_scores_gemma":[0.8069026,0.002114994,0.003153283,0.008336647,0.0006401177,0.00005262374,0.00007864888,0.00026541416,0.1784557],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99975735,0.00010546325,0.0000059696545,0.000037652993,0.000043149244,0.000050396327],"domain_scores_gemma":[0.9995639,0.00011103493,0.00005365792,0.000032891425,0.000069997004,0.00016863384],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000366574,0.0004225234,0.0001411943,0.00046237544,0.006142239,0.0056326683,0.00039434436,0.001159354,0.010101495],"category_scores_gemma":[0.0012216031,0.00019405526,0.00017733952,0.0004464477,0.0070266146,0.0042424793,0.002438256,0.0033827012,0.0012307679],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000118307486,0.00003126691,0.002808411,0.00023505198,0.000025606536,0.002180633,0.56142735,0.00009556503,0.008350456,0.18580565,0.20724392,0.031677824],"study_design_scores_gemma":[0.0000056310346,0.000033817825,0.0035595002,0.00020861848,0.00001938514,0.0015769539,0.29840887,0.0001741388,0.0021252902,0.005122731,0.68872947,0.000035551206],"about_ca_topic_score_codex":0.020273706,"about_ca_topic_score_gemma":0.049098343,"teacher_disagreement_score":0.020273706,"about_ca_system_score_codex":0.0012617272,"about_ca_system_score_gemma":0.0008724773,"threshold_uncertainty_score":0.040311396},"labels":[],"label_agreement":null},{"id":"W2167328832","doi":"10.3968/j.css.1923669720100606.015","title":"Some Basic Obeservation on Contradictory Representation of Women in Indian Perspectives QUELQUES OBSERVATIONS ÉLÉMENTAIRES SUR LA REPRÉSENTATION CONTRADICTOIRE DES FEMMES DANS LES PERSPECTIVES INDIENNES","year":2010,"lang":"fr","type":"article","venue":"Canadian social science","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Taste; Consumerism; Sociology; Social representation; Newspaper; Modernization theory; Scarcity; Gender studies; Ethnology; Political science; Media studies; Social science; Art; Psychology; Law","score_opus":0.036036800251522255,"score_gpt":0.2717841598462744,"score_spread":0.23574735959475215,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2167328832","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.90105367,0.0026455377,0.0007411914,0.014364252,0.0003337746,0.000020164323,0.00010352159,0.00002080542,0.080717094],"genre_scores_gemma":[0.99285567,0.00084108365,0.00010671,0.001011277,0.00012741248,0.000008450763,0.000015124337,0.0000134188585,0.0050207954],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9964373,0.00205441,0.000114868504,0.00024632955,0.00049220945,0.0006548129],"domain_scores_gemma":[0.9962042,0.0023932839,0.0005983766,0.0001950268,0.0003980733,0.00021099356],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0031738786,0.00042165833,0.00027022476,0.0020128072,0.008179581,0.0054088417,0.0008220902,0.0011386138,0.003508488],"category_scores_gemma":[0.004921698,0.00032327216,0.0002919078,0.0018390144,0.01199711,0.0017710524,0.0029681695,0.0026290244,0.00027305336],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037170317,0.00001184322,0.006219828,0.000078523444,0.00000925479,0.0008886444,0.96557873,0.000011094641,0.0011640931,0.019106884,0.001433809,0.005460047],"study_design_scores_gemma":[0.000002368481,0.000024548686,0.020258801,0.00017497111,0.000020018482,0.0008130233,0.92485124,0.000045576344,0.0009442495,0.0015780173,0.051259205,0.0000279452],"about_ca_topic_score_codex":0.022362482,"about_ca_topic_score_gemma":0.029943977,"teacher_disagreement_score":0.022362482,"about_ca_system_score_codex":0.0029511969,"about_ca_system_score_gemma":0.0013159466,"threshold_uncertainty_score":0.04446459},"labels":[],"label_agreement":null},{"id":"W2168850086","doi":"","title":"Architectures of the Veil: The R epresentation of the Veil and Zenanas in Pakistani Feminists' Texts","year":2012,"lang":"en","type":"article","venue":"Scholarship@Western (Western University)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Commons; Ethnic group; Political science; Sociology; Law","score_opus":0.06778732826244595,"score_gpt":0.2867424603086025,"score_spread":0.21895513204615658,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2168850086","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7051773,0.0026891697,0.0037252267,0.008259112,0.0002054455,0.000029795418,0.000088146226,0.000043295677,0.27978253],"genre_scores_gemma":[0.9960998,0.0003014971,0.00016200815,0.00008221957,0.000014134058,0.000007988356,0.000008912062,0.000007711424,0.0033156443],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99879444,0.00077222695,0.000021639986,0.00010423582,0.00014228366,0.00016517019],"domain_scores_gemma":[0.9987748,0.0007508737,0.00014431211,0.00010996898,0.00010583615,0.00011410944],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001571529,0.00033622552,0.00019020193,0.0011542283,0.010316977,0.007544506,0.0005954672,0.00090414385,0.0021177318],"category_scores_gemma":[0.0018031355,0.00023138266,0.00015021651,0.0014047173,0.025495233,0.0035972344,0.0032390438,0.001969357,0.00015330885],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034015706,0.000012305253,0.0018304881,0.00004702963,0.0000041393832,0.00049056456,0.6420911,0.00017492035,0.0004547819,0.34439972,0.00222406,0.008236839],"study_design_scores_gemma":[0.00001133011,0.00003741039,0.006762016,0.00021600316,0.000011154612,0.0005622307,0.7311731,0.00035374262,0.00054953224,0.023189666,0.237111,0.000022744929],"about_ca_topic_score_codex":0.0151058575,"about_ca_topic_score_gemma":0.02982468,"teacher_disagreement_score":0.0151058575,"about_ca_system_score_codex":0.006704317,"about_ca_system_score_gemma":0.0023352737,"threshold_uncertainty_score":0.04864347},"labels":[],"label_agreement":null},{"id":"W2172814001","doi":"10.3138/utq.84.4.07","title":"On Responsible Distance: An Interview with R. Cheran by Aparna Halpé","year":2015,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Centennial College; University of Windsor","funders":"","keywords":"Tamil; Militant; Diaspora; Context (archaeology); Nationalism; Democracy; Politics; Sociology; Censorship; Media studies; Sri lanka; Gender studies; History; Political science; Law; Anthropology; Literature; Art; Archaeology; South asia","score_opus":0.021907790473425365,"score_gpt":0.20100499823400444,"score_spread":0.17909720776057908,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2172814001","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2477052,0.02383895,0.0019757964,0.61050594,0.0041240244,0.00037678212,0.00019542147,0.00015376449,0.111124195],"genre_scores_gemma":[0.7766133,0.011470622,0.0017901496,0.12191505,0.0007249584,0.00040717202,0.000082941144,0.0001773357,0.086818434],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9961079,0.0024551183,0.00003844368,0.00024197235,0.0005217999,0.00063483726],"domain_scores_gemma":[0.9947944,0.002439375,0.00023657871,0.000084016654,0.0012132558,0.0012323065],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003950477,0.0006811019,0.0006972739,0.0010378718,0.024597682,0.004152285,0.0011683344,0.003055422,0.0036091185],"category_scores_gemma":[0.008012278,0.0006281916,0.00026954827,0.0011810715,0.007354079,0.004877942,0.0030723086,0.009946918,0.0008204835],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000051517934,0.00007507548,0.0009616877,0.00011582342,0.000006012012,0.0023264366,0.7522844,0.000085156076,0.0010420023,0.011011355,0.21891648,0.0131240375],"study_design_scores_gemma":[0.000004716358,0.00003870751,0.0009632985,0.00017557028,0.0000033726935,0.00064182916,0.6716522,0.00009504849,0.00018997981,0.00096220226,0.32523873,0.00003431785],"about_ca_topic_score_codex":0.06957566,"about_ca_topic_score_gemma":0.13889709,"teacher_disagreement_score":0.06957566,"about_ca_system_score_codex":0.008673882,"about_ca_system_score_gemma":0.011266202,"threshold_uncertainty_score":0.13834137},"labels":[],"label_agreement":null},{"id":"W2175827916","doi":"10.3138/utq.84.4.05","title":"(In)auspiciousness, Discipline, and Sympathy in Bankim Chandra Chatterjee's <i>Bishabriksha</i> and Rabindranath Tagore's <i>Chokher Bali</i>","year":2015,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Sympathy; Chatterjee; Realm; Modernity; Bengali; Bourgeoisie; Literature; Philosophy; Aesthetics; Art; Politics; Law; Epistemology; Psychology; Political science","score_opus":0.009884714116709277,"score_gpt":0.18410528016521194,"score_spread":0.17422056604850267,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2175827916","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5851949,0.005752994,0.0014385497,0.013508955,0.0006516003,0.000035017503,0.000064471074,0.00006777368,0.39328572],"genre_scores_gemma":[0.97965074,0.00042208427,0.000105257735,0.00045188426,0.0000721984,0.000007814996,0.000006254996,0.000022601927,0.019261232],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99945825,0.0002640252,0.00001702643,0.00006334472,0.00007247245,0.00012495025],"domain_scores_gemma":[0.99952435,0.00019248518,0.00009772151,0.000048886926,0.000042279957,0.00009423426],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00075761415,0.00030206112,0.00018060277,0.00056925503,0.010847154,0.0058583496,0.0005044542,0.0010925693,0.0032830986],"category_scores_gemma":[0.0016305426,0.00020356785,0.00012207084,0.00077321916,0.017803589,0.0021548367,0.0029963981,0.0020295389,0.00038057542],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000048013535,0.000011615908,0.0012053266,0.00005694868,0.0000051399043,0.0006354669,0.8790433,0.00002060616,0.001124043,0.109019995,0.0038397112,0.0049898713],"study_design_scores_gemma":[0.000015756681,0.000070881986,0.011051968,0.00016102621,0.000027853248,0.001289672,0.57593584,0.00010341554,0.0024507947,0.015291576,0.3935694,0.000031883603],"about_ca_topic_score_codex":0.014080524,"about_ca_topic_score_gemma":0.032780655,"teacher_disagreement_score":0.014080524,"about_ca_system_score_codex":0.002958803,"about_ca_system_score_gemma":0.0012958118,"threshold_uncertainty_score":0.027997136},"labels":[],"label_agreement":null},{"id":"W2176918369","doi":"","title":"Arun Kolatkar and Literary Modernism in India: Moving Lines by Laetitia Zecchini","year":2015,"lang":"en","type":"article","venue":"Postcolonial text","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Humber College","funders":"","keywords":"Modernism (music); Art; Literature","score_opus":0.01898284988987268,"score_gpt":0.23027045019989079,"score_spread":0.21128760031001811,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2176918369","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1542811,0.09276185,0.0011517784,0.12745453,0.0036293073,0.000057400244,0.00017384975,0.0001815611,0.62030864],"genre_scores_gemma":[0.89683145,0.021661632,0.0005358931,0.0045865024,0.0018198614,0.000054047458,0.000055937333,0.00015015231,0.07430446],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994906,0.00022790997,0.000019502922,0.000057784808,0.00007589349,0.00012827104],"domain_scores_gemma":[0.9986547,0.0009540026,0.00009763648,0.00005927246,0.00013068109,0.00010358805],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00075011916,0.000509449,0.0003142773,0.0013545958,0.007336486,0.007155915,0.00070641335,0.0011640182,0.0047381427],"category_scores_gemma":[0.0013959669,0.00020399143,0.00018951962,0.0019903935,0.0073944936,0.0033352585,0.0028303016,0.0041316603,0.0008187754],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013322756,0.00006223264,0.0013787402,0.0006257111,0.0000146916445,0.0009297572,0.26277283,0.0001784566,0.0015494381,0.64155614,0.06370979,0.027088966],"study_design_scores_gemma":[0.000020477402,0.00006864401,0.0066358624,0.00060884655,0.000039086524,0.0007286481,0.10579972,0.00025374038,0.0009955982,0.023802824,0.8609988,0.00004783645],"about_ca_topic_score_codex":0.007504239,"about_ca_topic_score_gemma":0.0119987335,"teacher_disagreement_score":0.007504239,"about_ca_system_score_codex":0.0035639566,"about_ca_system_score_gemma":0.0026112215,"threshold_uncertainty_score":0.025858402},"labels":[],"label_agreement":null},{"id":"W2187177861","doi":"","title":"Sringeri Vidya Bharati Foundation,Toronto, Canada Kumbhabhishekam Cultural Events","year":2010,"lang":"en","type":"article","venue":"","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Foundation (evidence); History; Archaeology","score_opus":0.011395572350305925,"score_gpt":0.2124187444376542,"score_spread":0.2010231720873483,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2187177861","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.027614549,0.017055564,0.0008748246,0.05594949,0.0048526363,0.0002563905,0.0042855167,0.00044758452,0.8886635],"genre_scores_gemma":[0.044632517,0.0071432614,0.0011334392,0.00067002577,0.0003331908,0.00004631235,0.0009248428,0.00011442975,0.9450019],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99949324,0.00005539384,0.000014326248,0.00006904599,0.0002278167,0.00014019007],"domain_scores_gemma":[0.9965192,0.00019014663,0.0000850021,0.00013871417,0.0011876688,0.0018792098],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00075916946,0.0005927179,0.0003072693,0.0009074684,0.005013342,0.003542517,0.000635973,0.0009264603,0.2002195],"category_scores_gemma":[0.0011687507,0.00029770972,0.000220932,0.0012815216,0.0009002082,0.0007066194,0.0021025254,0.0019662394,0.028724253],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017464443,0.00008763761,0.0031228105,0.00030630614,0.000011881665,0.0010500995,0.00238406,0.000115395385,0.0022219182,0.020162571,0.80667686,0.16368581],"study_design_scores_gemma":[0.000015834918,0.00002423594,0.0103718825,0.00013689019,0.000007955557,0.0003448244,0.002138635,0.00008188231,0.00033128544,0.00053553435,0.98600197,0.000009075295],"about_ca_topic_score_codex":0.16787364,"about_ca_topic_score_gemma":0.49518815,"teacher_disagreement_score":0.8321264,"about_ca_system_score_codex":0.005220076,"about_ca_system_score_gemma":0.022760695,"threshold_uncertainty_score":0.66980094},"labels":[],"label_agreement":null},{"id":"W2199930446","doi":"","title":"Rejecting the Margins of Difference: Strategies of Resistance in the Documentary Films of Pratibha Parmar","year":2008,"lang":"en","type":"article","venue":"Thirdspace","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Mainstream; Filmmaking; Resistance (ecology); Sociology; Aesthetics; Identity (music); Subject (documents); Feminism; Media studies; Nationalism; Gender studies; Political science; Law; Visual arts; Movie theater; Art; Politics","score_opus":0.027139804018326632,"score_gpt":0.23419328573822756,"score_spread":0.20705348171990093,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2199930446","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7010151,0.002513717,0.014941402,0.024968823,0.00074539473,0.00031830693,0.0000477457,0.00020019675,0.2552493],"genre_scores_gemma":[0.9801501,0.00053622545,0.002268607,0.001460931,0.000103428145,0.00013487053,0.00002052794,0.00014859122,0.0151766185],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9888508,0.0082965,0.00022378136,0.00081743486,0.0010388149,0.0007727879],"domain_scores_gemma":[0.9919226,0.0054300847,0.00082539406,0.0006407952,0.0005746522,0.00060644746],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0070758117,0.00091688614,0.0007249501,0.0012466611,0.018189855,0.018990189,0.0024817206,0.0034925283,0.0038704348],"category_scores_gemma":[0.01927974,0.00063279754,0.0005589968,0.0011082977,0.026662132,0.007940575,0.011101955,0.010276141,0.00061954634],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000047118843,0.000030401965,0.00044488252,0.000086873515,0.000012218138,0.0006183655,0.9443217,0.0000381829,0.0022213028,0.04381293,0.0015656154,0.006800357],"study_design_scores_gemma":[0.000031757667,0.0001418203,0.0018834717,0.0003284636,0.00004175251,0.0014147104,0.8210922,0.00051373,0.0019496545,0.018957037,0.15359299,0.000052432046],"about_ca_topic_score_codex":0.0033759065,"about_ca_topic_score_gemma":0.0034018655,"teacher_disagreement_score":0.018990189,"about_ca_system_score_codex":0.0028743,"about_ca_system_score_gemma":0.0022342275,"threshold_uncertainty_score":0.03742093},"labels":[],"label_agreement":null},{"id":"W2200337818","doi":"","title":"Family Business: Affect and Reconciliation in A Brimful of Asha","year":2015,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Guelph","funders":"","keywords":"Asha; Affect (linguistics); Narrative; Negotiation; Memoir; Performativity; Gender studies; Psychology; Sociology; Social psychology; Political science; Literature; Art; Social science; Linguistics","score_opus":0.07614924851333518,"score_gpt":0.28241947062411277,"score_spread":0.20627022211077758,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2200337818","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.47031957,0.0016966274,0.0034252494,0.009026301,0.00057376164,0.00007268685,0.00005951739,0.00012919705,0.5146972],"genre_scores_gemma":[0.96757877,0.0003094002,0.00048634838,0.00058051833,0.000061777624,0.000024525045,0.00001708627,0.000046032903,0.030895468],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974929,0.0014383628,0.000040031526,0.00015780226,0.00036948663,0.00050146226],"domain_scores_gemma":[0.9987166,0.0005308945,0.00014961812,0.000112332076,0.00015241334,0.00033817894],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018657171,0.0005162897,0.00026699415,0.0009959366,0.01953028,0.0078473715,0.001100407,0.0018011463,0.007863906],"category_scores_gemma":[0.003056914,0.00023822012,0.00024909902,0.0006927599,0.013640537,0.0034908145,0.0044715824,0.0032086314,0.0011429104],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004158423,0.00006258663,0.001416399,0.000055964636,0.00000801812,0.0014846919,0.8673564,0.00007094376,0.0013131513,0.10999073,0.0061259205,0.012073655],"study_design_scores_gemma":[0.000006267551,0.0000704021,0.0063859983,0.00017685235,0.000010828333,0.0015092092,0.70392454,0.0002924643,0.00095935835,0.008643688,0.2779815,0.000038919057],"about_ca_topic_score_codex":0.013672157,"about_ca_topic_score_gemma":0.024352606,"teacher_disagreement_score":0.01953028,"about_ca_system_score_codex":0.0043043615,"about_ca_system_score_gemma":0.0024236585,"threshold_uncertainty_score":0.03123051},"labels":[],"label_agreement":null},{"id":"W2201881103","doi":"10.1353/mos.2015.0046","title":"Cinematic Past Lives: Memory, Modernity, and Cinematic Reincarnation in Apichatpong Weerasethakul’s Uncle Boonmee Who Can Recall His Past Lives","year":2015,"lang":"en","type":"article","venue":"Mosaic","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Reincarnation; Movie theater; Modernity; Aesthetics; Recall; Cultural memory; Art; Historical memory; Literature; Sociology; Psychology; Philosophy; Anthropology; Cognitive psychology; Epistemology; Humanities","score_opus":0.03416163456625375,"score_gpt":0.22689645457566987,"score_spread":0.1927348200094161,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2201881103","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7541863,0.005819504,0.0015556077,0.008134443,0.0003421503,0.00003043461,0.00003200584,0.000023334445,0.22987613],"genre_scores_gemma":[0.9870934,0.001147244,0.0002736925,0.00018893855,0.000032806365,0.000008642094,0.000007264032,0.000009225053,0.011238716],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997415,0.00013653029,0.0000070959336,0.000025676703,0.000022350003,0.000066725035],"domain_scores_gemma":[0.9995691,0.00019731496,0.000072486706,0.000044806267,0.00003851969,0.00007787532],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00082028576,0.00033109522,0.00015835966,0.00046274997,0.0056453124,0.0046092677,0.0005142211,0.0008041564,0.003754902],"category_scores_gemma":[0.0010819038,0.0001687348,0.00012847348,0.0005203012,0.010848607,0.004932358,0.003087736,0.0020817164,0.00015899648],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017494718,0.000020655925,0.0009901884,0.000066390334,0.0000024599367,0.00047715867,0.93889344,0.000024922481,0.0007165063,0.04982787,0.0013463019,0.0076165837],"study_design_scores_gemma":[0.000005022029,0.000042101983,0.005273472,0.00024409962,0.000014778734,0.0010611074,0.82920855,0.00011283279,0.0007975674,0.0064107683,0.15681097,0.000018619443],"about_ca_topic_score_codex":0.0077385474,"about_ca_topic_score_gemma":0.027017156,"teacher_disagreement_score":0.0077385474,"about_ca_system_score_codex":0.0016473087,"about_ca_system_score_gemma":0.0012075274,"threshold_uncertainty_score":0.015387058},"labels":[],"label_agreement":null},{"id":"W2207126132","doi":"10.1017/cbo9780511581335.008","title":"Conclusion: The Wild Irish Boy in India","year":2007,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Dalhousie University","funders":"","keywords":"Irish; Geography; Philosophy; Linguistics","score_opus":0.033137761078271745,"score_gpt":0.20135179860166197,"score_spread":0.16821403752339023,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2207126132","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0031307768,0.006067702,0.00045432767,0.7905189,0.033805475,0.000051894036,0.00048060855,0.000102296624,0.165388],"genre_scores_gemma":[0.037863784,0.005417179,0.00032215522,0.5901766,0.0066183587,0.00007272404,0.00029676856,0.00011825314,0.3591141],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992945,0.00014733303,0.000020672345,0.00013549777,0.00017695718,0.00022500489],"domain_scores_gemma":[0.99874383,0.00023706896,0.000056140554,0.000044310866,0.0005961533,0.0003224562],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00077437237,0.0004999518,0.00027033762,0.0005188932,0.0053188405,0.0042687086,0.0015614317,0.0053819274,0.057683256],"category_scores_gemma":[0.0027649188,0.00016405995,0.0003738708,0.00069455034,0.003172835,0.004363047,0.0029685448,0.008405165,0.020601505],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010944838,0.000005975001,0.00019032888,0.00009378009,0.000002476119,0.00020713528,0.001830642,0.000017966207,0.00004559706,0.01829721,0.97473305,0.004564827],"study_design_scores_gemma":[0.000005672803,0.0000056296876,0.0005273433,0.0003816692,0.0000052133573,0.00021966825,0.020217335,0.000016315604,0.00010821212,0.0041312757,0.9743706,0.000011173763],"about_ca_topic_score_codex":0.041284226,"about_ca_topic_score_gemma":0.060788933,"teacher_disagreement_score":0.057683256,"about_ca_system_score_codex":0.0033255336,"about_ca_system_score_gemma":0.005192407,"threshold_uncertainty_score":0.19296974},"labels":[],"label_agreement":null},{"id":"W2207436560","doi":"","title":"“Beggaring the Nation”: Bodily Inscription and the Body Politic in Rohinton Mistry’s A Fine Balance","year":2015,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Body politic; Metaphor; Narrative; Balance (ability); Coherence (philosophical gambling strategy); Aesthetics; Sociology; Politics; Gender studies; Psychic; Epistemology; Psychology; Political science; Law; Philosophy; Art; Literature","score_opus":0.03828888669732229,"score_gpt":0.2558262987088352,"score_spread":0.21753741201151294,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2207436560","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14929223,0.009242928,0.008071294,0.07093295,0.002493536,0.000041093506,0.0000455696,0.000078713034,0.75980175],"genre_scores_gemma":[0.9551525,0.0009319782,0.0007342733,0.004941874,0.00023556617,0.000019331934,0.000008606715,0.000044654946,0.03793125],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99882597,0.00065317727,0.000017472183,0.00013705893,0.00015664479,0.00020961708],"domain_scores_gemma":[0.99963963,0.00019183698,0.000046870297,0.00003590841,0.000033428463,0.00005232576],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000942501,0.00030886,0.00021224203,0.00047951497,0.0070281625,0.0062086075,0.00059587735,0.0025646847,0.0022507708],"category_scores_gemma":[0.0016306187,0.00021807273,0.00020422612,0.0003537727,0.026873171,0.004319431,0.0031698144,0.004605544,0.0004762768],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026606644,0.000011039842,0.00018488814,0.000025778403,0.0000020972,0.00035527156,0.13004902,0.000060875802,0.0003052137,0.8562267,0.00829057,0.004461889],"study_design_scores_gemma":[0.000018076627,0.000058948757,0.0012189966,0.0002481431,0.000009648299,0.0010971561,0.12137834,0.00033107254,0.0010247111,0.12070873,0.7538671,0.000039037623],"about_ca_topic_score_codex":0.006311795,"about_ca_topic_score_gemma":0.011274379,"teacher_disagreement_score":0.9936882,"about_ca_system_score_codex":0.0032320758,"about_ca_system_score_gemma":0.001412127,"threshold_uncertainty_score":0.023450494},"labels":[],"label_agreement":null},{"id":"W2217955891","doi":"","title":"Physiognomy of War: Ruins of Memory in Michael Ondaatje’s Anil’s Ghost","year":2015,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narrative; Politics; Spanish Civil War; Literature; Art; History; Aesthetics; Law; Political science; Archaeology","score_opus":0.04587172489229097,"score_gpt":0.271738913816324,"score_spread":0.225867188924033,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2217955891","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6325144,0.010305429,0.0021185747,0.028351657,0.0022785233,0.000032590575,0.00011908616,0.0000721298,0.32420754],"genre_scores_gemma":[0.97010684,0.0009870324,0.00030768124,0.0009438866,0.00013395057,0.0000094324,0.000020578338,0.000045299013,0.027445415],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99927384,0.00033496268,0.000017307668,0.00006797384,0.00011864416,0.00018728217],"domain_scores_gemma":[0.999114,0.00040561374,0.00014439416,0.00007440434,0.000070763366,0.00019089755],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000765211,0.00037577,0.00036203192,0.00091775577,0.014105474,0.0079991035,0.0006731533,0.0017112496,0.005761022],"category_scores_gemma":[0.0027441632,0.000253329,0.0001329349,0.00070472155,0.021466935,0.004497259,0.0050504915,0.0044435887,0.0004999752],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007211796,0.000036382142,0.0011157988,0.000083092884,0.0000059911717,0.0019553541,0.81030154,0.000095071235,0.00047958863,0.1653517,0.01153609,0.008967192],"study_design_scores_gemma":[0.000016357075,0.000039146336,0.0021568772,0.0002573944,0.000011654099,0.00280707,0.5482586,0.00014152555,0.00063024927,0.019574793,0.42605865,0.000047698348],"about_ca_topic_score_codex":0.012997775,"about_ca_topic_score_gemma":0.035528462,"teacher_disagreement_score":0.014105474,"about_ca_system_score_codex":0.004100013,"about_ca_system_score_gemma":0.0017350782,"threshold_uncertainty_score":0.029747784},"labels":[],"label_agreement":null},{"id":"W2227502730","doi":"","title":"Unreliable Truths: Transcultural Women's Homeworlds in Indian Women's Fiction of the Diaspora by Sissy Helff","year":2014,"lang":"en","type":"article","venue":"Postcolonial text","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Diaspora; History; Gender studies; Art; Literature; Anthropology; Sociology","score_opus":0.004856243465403727,"score_gpt":0.18560804881813622,"score_spread":0.1807518053527325,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2227502730","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21338494,0.016470153,0.0013308856,0.09412225,0.008398286,0.00015382378,0.00025466052,0.0001628822,0.6657222],"genre_scores_gemma":[0.902586,0.0052391877,0.00033798342,0.007454896,0.001694688,0.00009172228,0.00006196162,0.00020984047,0.08232375],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9988147,0.0007306378,0.000022470871,0.00005975928,0.000106294254,0.00026614664],"domain_scores_gemma":[0.9976519,0.001782218,0.00010283904,0.000067613764,0.00012716596,0.00026829483],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016471604,0.0011640071,0.00052986597,0.0012591135,0.02143553,0.009969548,0.0011903248,0.0019845767,0.003988249],"category_scores_gemma":[0.0029489642,0.00032067348,0.00032923522,0.001401146,0.017186347,0.0036403043,0.0048541315,0.008098054,0.00055685773],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005525984,0.0000302079,0.00038937165,0.00012367073,0.000009782875,0.0008966371,0.8742548,0.000059694197,0.00034984094,0.085927136,0.033636786,0.0042667626],"study_design_scores_gemma":[0.000007491605,0.000030145799,0.0013622958,0.00029631314,0.000017250544,0.0005321704,0.6298193,0.00009034433,0.000365543,0.005830936,0.36162767,0.00002047084],"about_ca_topic_score_codex":0.024011528,"about_ca_topic_score_gemma":0.04976376,"teacher_disagreement_score":0.024011528,"about_ca_system_score_codex":0.004332191,"about_ca_system_score_gemma":0.003194725,"threshold_uncertainty_score":0.0477435},"labels":[],"label_agreement":null},{"id":"W2227683075","doi":"","title":"Review of Days and Nights in Calcutta by Bharati Mukherjee","year":2005,"lang":"en","type":"article","venue":"University of Minnesota Digital Conservancy (University of Minnesota)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Geography","score_opus":0.012643054633815555,"score_gpt":0.1729483406920081,"score_spread":0.16030528605819255,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2227683075","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0087771965,0.9430255,0.00013399309,0.01236953,0.0061043305,0.00006840892,0.0006378921,0.00005240314,0.028830733],"genre_scores_gemma":[0.038131677,0.9255092,0.00040722862,0.0073041045,0.0040344046,0.00009306204,0.0011507655,0.000099115605,0.02327057],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989687,0.00018163072,0.00010907591,0.00010159724,0.00051236013,0.0001266667],"domain_scores_gemma":[0.9953302,0.0015617086,0.0004665799,0.00015629885,0.0018787199,0.00060646486],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008609983,0.0007262747,0.0009938447,0.007417829,0.006593237,0.0046353796,0.0016441881,0.0010127404,0.013066726],"category_scores_gemma":[0.0031986544,0.0006012652,0.00033093078,0.019454088,0.0021429649,0.0025234253,0.0022560693,0.00221204,0.002753207],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008841153,0.000080969745,0.0032187167,0.017166985,0.00005590832,0.0024163155,0.053169414,0.000118928976,0.0011611856,0.0072077033,0.49300835,0.42230722],"study_design_scores_gemma":[0.000003019009,0.000017089586,0.011815127,0.0033917474,0.00002005246,0.0007808052,0.017341442,0.0000087875815,0.00007257164,0.0001357012,0.96639043,0.000023304312],"about_ca_topic_score_codex":0.15961763,"about_ca_topic_score_gemma":0.29655737,"teacher_disagreement_score":0.15961763,"about_ca_system_score_codex":0.0049465,"about_ca_system_score_gemma":0.014983997,"threshold_uncertainty_score":0.3173771},"labels":[],"label_agreement":null},{"id":"W2232691053","doi":"10.1080/1369801x.2015.1129912","title":"From ‘Magic’ to ‘Tragic Realism’","year":2016,"lang":"en","type":"article","venue":"Interventions","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Lethbridge","funders":"","keywords":"Hybridity; Midnight; MAGIC (telescope); Politics; Realism; Magic realism; State (computer science); Literature; History; Power (physics); Law; Sociology; Art; Political science; Astronomy","score_opus":0.06607496535156686,"score_gpt":0.288279302565156,"score_spread":0.22220433721358912,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2232691053","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.054208647,0.008914237,0.006978549,0.07883326,0.0023106846,0.00004545326,0.00008096794,0.0002742644,0.84835404],"genre_scores_gemma":[0.9412227,0.0025272674,0.001286838,0.0065236297,0.0006607667,0.00005323743,0.000044724336,0.00019771222,0.04748316],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99758065,0.0016166876,0.00004027247,0.00023103,0.00027830622,0.00025303266],"domain_scores_gemma":[0.9985331,0.00064488116,0.00015657945,0.00026303597,0.00017815907,0.00022426831],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0030521208,0.00081917254,0.0002717978,0.0010196903,0.009820727,0.010572698,0.0010896138,0.0018872684,0.0071777217],"category_scores_gemma":[0.004139014,0.00030911688,0.00026085385,0.00067929947,0.051135093,0.008636136,0.0064744614,0.008120729,0.0010224062],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030807103,0.000014955192,0.00020840646,0.00010553481,0.0000065429545,0.0001371725,0.118307844,0.00009673351,0.0004486339,0.85380393,0.020215943,0.006623545],"study_design_scores_gemma":[0.000017689055,0.000052648047,0.0006665802,0.0003927797,0.000016410926,0.00037660936,0.10709048,0.0002621981,0.0007856923,0.13662474,0.75368273,0.000031467433],"about_ca_topic_score_codex":0.0042941305,"about_ca_topic_score_gemma":0.0071202586,"teacher_disagreement_score":0.010572698,"about_ca_system_score_codex":0.005395046,"about_ca_system_score_gemma":0.002692047,"threshold_uncertainty_score":0.03914392},"labels":[],"label_agreement":null},{"id":"W2233344886","doi":"","title":"Un/Authorized Exhibits: Elegiac Necropolitics in Renée Sarojini Saklikar’s children of air india","year":2015,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Wilfrid Laurier University","funders":"","keywords":"Politics; Law; Economic Justice; Duty; Elegiac; Sociology; History; Media studies; Political science; Literature; Art","score_opus":0.029450678083977572,"score_gpt":0.27009036425172833,"score_spread":0.24063968616775075,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2233344886","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.45224258,0.012870132,0.0010498636,0.0473415,0.0020602944,0.00014989097,0.00029301766,0.00013980558,0.4838529],"genre_scores_gemma":[0.8814719,0.003242936,0.0004859533,0.003200446,0.00033367562,0.000087532375,0.0000636386,0.00014934171,0.11096474],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987483,0.0005088209,0.000030981286,0.0000925925,0.00020193918,0.00041743924],"domain_scores_gemma":[0.9991279,0.00032953438,0.00011906898,0.00007056198,0.00009649666,0.00025644372],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014505534,0.00048654794,0.0004039162,0.0008110382,0.018819252,0.0063180304,0.0009605291,0.0015882091,0.007614934],"category_scores_gemma":[0.0017797736,0.0005684242,0.00026555773,0.00091167726,0.017001145,0.0027103648,0.006537521,0.0075566014,0.00090803317],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003638478,0.00004276248,0.0012926464,0.00010182083,0.0000065335553,0.0027071927,0.81849694,0.00004773785,0.00059318467,0.14280878,0.02728094,0.0065850974],"study_design_scores_gemma":[0.000006744007,0.000028219967,0.0032077427,0.00013851818,0.00000971037,0.0014019465,0.37286937,0.000025813051,0.00035998577,0.0025158024,0.61941206,0.000024072162],"about_ca_topic_score_codex":0.041394494,"about_ca_topic_score_gemma":0.12022379,"teacher_disagreement_score":0.9586055,"about_ca_system_score_codex":0.008220261,"about_ca_system_score_gemma":0.004270594,"threshold_uncertainty_score":0.0823071},"labels":[],"label_agreement":null},{"id":"W2235685716","doi":"","title":"\"Provincializing English,\" Globalizing Indian English Drama","year":2015,"lang":"en","type":"article","venue":"Postcolonial text","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Western University","funders":"","keywords":"Drama; Privilege (computing); Indian English; Power (physics); Class (philosophy); Sociology; Media studies; Gender studies; History; Literature; Political science; Art; Law; Philosophy; Epistemology","score_opus":0.027033339185629262,"score_gpt":0.23756288715861465,"score_spread":0.2105295479729854,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2235685716","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17558442,0.00296824,0.0031237127,0.021869186,0.0009607574,0.00004067641,0.00008645542,0.00020246976,0.795164],"genre_scores_gemma":[0.9734765,0.0013165013,0.0005749701,0.001522675,0.00013353438,0.000017453136,0.00003996385,0.00007063473,0.022847662],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993374,0.00028495438,0.000013221799,0.000043156833,0.00009729828,0.00022394051],"domain_scores_gemma":[0.9995914,0.00012300893,0.000034411976,0.000054235203,0.00008822169,0.00010869548],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00078252476,0.0003909712,0.00014354305,0.00057164795,0.0076948274,0.0068803295,0.00051600294,0.0005135992,0.0025324575],"category_scores_gemma":[0.0013783191,0.00010053274,0.00019339417,0.00089339114,0.0086964285,0.0023641998,0.003932078,0.0026470604,0.00028634584],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000060157305,0.000029063936,0.0018511764,0.00018715092,0.000010023645,0.00063579174,0.4312052,0.0003530612,0.0024301808,0.5068083,0.031864945,0.024564926],"study_design_scores_gemma":[0.000008847588,0.000034121767,0.00484932,0.00018331327,0.000024903477,0.00043961694,0.35724592,0.0003594361,0.0014609789,0.021764211,0.6136,0.00002927839],"about_ca_topic_score_codex":0.035548296,"about_ca_topic_score_gemma":0.06903509,"teacher_disagreement_score":0.035548296,"about_ca_system_score_codex":0.0044409693,"about_ca_system_score_gemma":0.0037016813,"threshold_uncertainty_score":0.070682764},"labels":[],"label_agreement":null},{"id":"W2243102186","doi":"","title":"Bollywood/Toronto: Transational Spectatorship","year":2004,"lang":"en","type":"article","venue":"Public","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Media studies; History; Sociology","score_opus":0.03119328195836211,"score_gpt":0.20839720794233704,"score_spread":0.17720392598397494,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2243102186","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.006567446,0.010195605,0.0009892668,0.01370138,0.0018182426,0.000037378926,0.0016864915,0.0008789546,0.9641253],"genre_scores_gemma":[0.056932826,0.004298476,0.0005249306,0.00050560397,0.0003093932,0.000029826595,0.0007541618,0.00077036786,0.93587446],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.99944896,0.00012033438,0.00001705188,0.00006886381,0.00018508398,0.00015978367],"domain_scores_gemma":[0.9984137,0.00028863671,0.00008631538,0.00018273124,0.00033937625,0.00068937324],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010153517,0.0010762557,0.00033987677,0.0022977183,0.006877098,0.007948233,0.0006924691,0.0019644808,0.25579733],"category_scores_gemma":[0.0014626831,0.00044356083,0.00025480593,0.0046944222,0.003252108,0.005007772,0.004629973,0.0024980344,0.033530567],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000063467014,0.000019038924,0.0009734593,0.00026192795,0.0000057182992,0.0005136048,0.023220373,0.000082802966,0.000925941,0.046261933,0.85428333,0.07338825],"study_design_scores_gemma":[0.000003079247,0.000004366791,0.0016441379,0.00009734294,0.000003507895,0.00010272408,0.009819914,0.00004298297,0.00025934857,0.00076808705,0.9872476,0.000006987382],"about_ca_topic_score_codex":0.27218616,"about_ca_topic_score_gemma":0.54963386,"teacher_disagreement_score":0.72781384,"about_ca_system_score_codex":0.007508317,"about_ca_system_score_gemma":0.0059253485,"threshold_uncertainty_score":0.8557273},"labels":[],"label_agreement":null},{"id":"W225278369","doi":"","title":"Queer Spaces and Strategic Social Constructions in Rao’s The Boyfriend","year":2012,"lang":"en","type":"article","venue":"Scholarship@Western (Western University)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Queer; Sociology; Gender studies","score_opus":0.12134792190939994,"score_gpt":0.2896791465386305,"score_spread":0.16833122462923059,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W225278369","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24388875,0.00089034264,0.005760239,0.015831657,0.0002369831,0.00004884755,0.000058851812,0.00007050629,0.7332139],"genre_scores_gemma":[0.960011,0.00013863617,0.0004358869,0.0003376838,0.000025812431,0.000017755096,0.000015845686,0.000043567554,0.03897377],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9962972,0.002419145,0.000047073678,0.00031109096,0.00021758533,0.00070794695],"domain_scores_gemma":[0.99691546,0.0016360702,0.00032705057,0.00021641722,0.00022390115,0.0006811406],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0026841941,0.00041709564,0.00029184183,0.000876349,0.030611962,0.011335574,0.0012748368,0.0034194025,0.01617009],"category_scores_gemma":[0.004997457,0.000402036,0.0002561048,0.0012421826,0.030698545,0.007295104,0.004840645,0.005974805,0.0011102548],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019435798,0.000011301533,0.00049402466,0.000013092042,0.000002566001,0.00052482734,0.43222475,0.000038523784,0.00019572744,0.56211686,0.002117663,0.0022412117],"study_design_scores_gemma":[0.000012431297,0.000032191976,0.0011879468,0.000065479886,0.000010568371,0.0005643538,0.7421628,0.00020345935,0.00031630098,0.07086041,0.18455648,0.000027616044],"about_ca_topic_score_codex":0.028684828,"about_ca_topic_score_gemma":0.063704714,"teacher_disagreement_score":0.030611962,"about_ca_system_score_codex":0.0047682747,"about_ca_system_score_gemma":0.0043651415,"threshold_uncertainty_score":0.057035744},"labels":[],"label_agreement":null},{"id":"W225778516","doi":"","title":"Film Reviews: “We Were Children” and “Yummo Comes Home”","year":2015,"lang":"en","type":"article","venue":"Anabaptist Witness","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Outreach; Commission; Medicine; Political science; Law","score_opus":0.03389515831483981,"score_gpt":0.2330937448377871,"score_spread":0.1991985865229473,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W225778516","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0066563226,0.02175175,0.00059751846,0.1026203,0.037034467,0.00031457146,0.004272759,0.00084463827,0.82590765],"genre_scores_gemma":[0.026359938,0.008175645,0.0005768906,0.015392216,0.00414394,0.00008999717,0.0019020133,0.00045042444,0.9429088],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99966335,0.00006976072,0.0000109850325,0.000042081592,0.0001451817,0.000068669884],"domain_scores_gemma":[0.99865973,0.0001681059,0.000081237835,0.00004205498,0.0007537268,0.00029518304],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00055567746,0.0006485679,0.00028055743,0.0005858163,0.0039934996,0.0023138763,0.0004968056,0.001122615,0.17513114],"category_scores_gemma":[0.0027085647,0.000286543,0.00020072896,0.000649484,0.00063434005,0.001765472,0.0010616047,0.0019282519,0.043608118],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000054891734,0.0000014299864,0.000029394785,0.00002719167,6.119905e-7,0.000017164282,0.00019417089,0.000001927721,0.00005738148,0.00016973916,0.9967553,0.0027402586],"study_design_scores_gemma":[0.0000023711343,0.000005335586,0.0012610292,0.000093977,0.0000020439245,0.00005332684,0.0013923848,0.000010076853,0.000095168965,0.00004952339,0.99703145,0.000003281825],"about_ca_topic_score_codex":0.050959405,"about_ca_topic_score_gemma":0.21093775,"teacher_disagreement_score":0.17513114,"about_ca_system_score_codex":0.002301196,"about_ca_system_score_gemma":0.0015683046,"threshold_uncertainty_score":0.58587205},"labels":[],"label_agreement":null},{"id":"W2266683516","doi":"","title":"Meeting Mehta: A Conversation with the Director of 'Water'","year":2006,"lang":"en","type":"article","venue":"Metro Magazine: Media & Education Magazine","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Film director; Conversation; Hinduism; Chose; Sociology; Media studies; Gender studies; History; Art history; Religious studies; Political science; Movie theater; Philosophy; Law; Communication","score_opus":0.009172088662321195,"score_gpt":0.19998557320305843,"score_spread":0.19081348454073724,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2266683516","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.087189294,0.00733736,0.0012301331,0.71447647,0.01168919,0.00016053885,0.00034935703,0.00027432592,0.1772934],"genre_scores_gemma":[0.4373658,0.006379587,0.0022498462,0.23387603,0.0023664553,0.00015599732,0.00023424737,0.00044403,0.31692797],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99808925,0.000510321,0.000030912102,0.00016641521,0.0005077476,0.000695333],"domain_scores_gemma":[0.9960408,0.00059903204,0.00014199277,0.000054259093,0.0011431964,0.0020206731],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019891113,0.00051871344,0.00038507007,0.00079128414,0.031858828,0.0042039403,0.0013711276,0.004776308,0.012676885],"category_scores_gemma":[0.0060953605,0.000458935,0.00030078608,0.0010121039,0.0049236715,0.0028007992,0.0028888765,0.010365623,0.001480838],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000060316706,0.000053019663,0.0026521552,0.0001144908,0.000016154516,0.002546794,0.15748881,0.000055393342,0.0027888794,0.006963972,0.80743486,0.019825052],"study_design_scores_gemma":[0.000006802599,0.000020414891,0.0023066136,0.00008056931,0.000008219355,0.00042122707,0.15589061,0.000053264648,0.00045212838,0.00025527828,0.84046376,0.000041144147],"about_ca_topic_score_codex":0.700903,"about_ca_topic_score_gemma":0.8983201,"teacher_disagreement_score":0.700903,"about_ca_system_score_codex":0.018481016,"about_ca_system_score_gemma":0.020240676,"threshold_uncertainty_score":0.6017169},"labels":[],"label_agreement":null},{"id":"W2271475279","doi":"","title":"Sacrificed Lives: Kristeva on Women and Violence","year":2000,"lang":"en","type":"article","venue":"Canadian women's studies","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sociology; Gender studies; Criminology","score_opus":0.017227648019056324,"score_gpt":0.21482011497274897,"score_spread":0.19759246695369265,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2271475279","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16650777,0.10624006,0.0003980897,0.18684708,0.0031935119,0.00007353225,0.00021027647,0.000044010023,0.5364857],"genre_scores_gemma":[0.82845426,0.028271625,0.00022032438,0.015456044,0.0004081463,0.00006105731,0.00005895981,0.000079919046,0.12698962],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9968112,0.0011982222,0.00005304869,0.00013724464,0.00036387946,0.001436476],"domain_scores_gemma":[0.99747854,0.0010442319,0.00019527349,0.00009680993,0.00044351802,0.0007416102],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0026638552,0.000649727,0.000559792,0.0015897056,0.048178647,0.011818182,0.0016985122,0.0038855798,0.006237865],"category_scores_gemma":[0.0038744044,0.00046927546,0.00024927434,0.0023341174,0.03376549,0.006290629,0.0068717725,0.008052567,0.00052863685],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000054867418,0.000044395845,0.0016267947,0.00019023227,0.0000121503845,0.00049586577,0.6442302,0.00005933799,0.0002996987,0.2644065,0.06951162,0.01906835],"study_design_scores_gemma":[0.000004570658,0.000010134395,0.0034155722,0.0005280501,0.000009659782,0.00011698881,0.6212383,0.000011178294,0.00014357107,0.0070784143,0.36741987,0.000023675826],"about_ca_topic_score_codex":0.76136434,"about_ca_topic_score_gemma":0.927329,"teacher_disagreement_score":0.76136434,"about_ca_system_score_codex":0.039110105,"about_ca_system_score_gemma":0.053643826,"threshold_uncertainty_score":0.48008204},"labels":[],"label_agreement":null},{"id":"W2276109153","doi":"10.32873/uno.dc.jrf.20.01.10","title":"Hinduism and Its Others in Bollywood Film of the 2000s","year":2016,"lang":"en","type":"article","venue":"Journal of Religion & Film","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal; McGill University","funders":"","keywords":"Hinduism; Hindu nationalism; Diaspora; Modernity; Westernization; Globalization; Hindi; Hybridity; Nationalism; Sociology; Ideology; Gender studies; Criticism; Aesthetics; Literature; History; Politics; Religious studies; Art; Philosophy; Anthropology; Political science; Linguistics; Law; Epistemology","score_opus":0.01165168142048518,"score_gpt":0.2026053200037607,"score_spread":0.19095363858327552,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2276109153","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5458899,0.015084649,0.0005738115,0.011848978,0.0016161591,0.00006863729,0.0009771979,0.00009221607,0.4238485],"genre_scores_gemma":[0.93658483,0.004613999,0.00027445733,0.0014841254,0.00043227308,0.000034212528,0.00030233146,0.00009434048,0.056179367],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99944586,0.0002498122,0.000012636316,0.00006368319,0.000104615414,0.00012334433],"domain_scores_gemma":[0.9992606,0.00036367335,0.00010076184,0.000031615145,0.00009049926,0.00015275151],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006657645,0.000561166,0.0002841918,0.0018047291,0.0056766467,0.0059492216,0.00054919644,0.001045352,0.0065212357],"category_scores_gemma":[0.0014050697,0.00023038543,0.00011486653,0.002256767,0.0034164996,0.003135268,0.0021580781,0.0032069327,0.0006897877],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000341245,0.000118361975,0.0029415404,0.0005323108,0.0000194836,0.0018006802,0.85853124,0.000068253816,0.0043746457,0.043016426,0.049336195,0.038919594],"study_design_scores_gemma":[0.000018197616,0.00010822396,0.019642746,0.0009065644,0.000012271191,0.00078982033,0.2269846,0.0000821827,0.0015438404,0.0013330571,0.7485312,0.000047240337],"about_ca_topic_score_codex":0.018982321,"about_ca_topic_score_gemma":0.05821632,"teacher_disagreement_score":0.018982321,"about_ca_system_score_codex":0.0052903146,"about_ca_system_score_gemma":0.0007595167,"threshold_uncertainty_score":0.03838408},"labels":[],"label_agreement":null},{"id":"W2283387083","doi":"","title":"Architecture and film","year":2016,"lang":"en","type":"article","venue":"Journal for Studies in Management and Planning","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Conurbation; Quarter (Canadian coin); Architecture; Geography; Business; Advertising; Economy; Regional science; Economics; Archaeology","score_opus":0.07122419228289696,"score_gpt":0.31184822929768324,"score_spread":0.2406240370147863,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2283387083","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14363429,0.01083814,0.00067798636,0.010579595,0.00043435633,0.000024738907,0.00023544415,0.000044522094,0.83353096],"genre_scores_gemma":[0.8880074,0.00468165,0.00039638218,0.0010303516,0.0001283417,0.0000130440185,0.000074892174,0.000022671873,0.105645284],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99952185,0.00018962198,0.000015451857,0.00006094851,0.00010153547,0.00011054394],"domain_scores_gemma":[0.9995838,0.00010940798,0.00007203776,0.000038225702,0.00005384312,0.00014266852],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002824913,0.00024828216,0.00013872354,0.0010190498,0.004821078,0.006106426,0.00031484893,0.000564215,0.030972991],"category_scores_gemma":[0.0010520066,0.00014603918,0.00009470189,0.0016126988,0.0044570058,0.0015720371,0.0020006248,0.0009651603,0.0012011051],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007364832,0.000085953805,0.029645665,0.00037711844,0.000026461104,0.0009494328,0.13121195,0.0003458838,0.00217499,0.630521,0.069023125,0.13556474],"study_design_scores_gemma":[0.0000043016066,0.00002972159,0.060828414,0.0003022523,0.000009964785,0.0006505355,0.071553834,0.00008323385,0.0002946799,0.008689928,0.8575397,0.000013534824],"about_ca_topic_score_codex":0.03421781,"about_ca_topic_score_gemma":0.13685754,"teacher_disagreement_score":0.03421781,"about_ca_system_score_codex":0.0037691433,"about_ca_system_score_gemma":0.0016472427,"threshold_uncertainty_score":0.103614986},"labels":[],"label_agreement":null},{"id":"W2285287310","doi":"10.7202/1025627ar","title":"Sukanya Banerjee. Becoming Imperial Citizens: Indians in the Late-Victorian Empire. Next Wave: New Directions in Women’s Studies. Durham, NC: Duke University Press, 2010. ISBN 978-0-8223-4608-1. Price: US$23.95 (paper).","year":2013,"lang":"en","type":"article","venue":"Romanticism and Victorianism on the Net","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Empire; Romanticism; History; Media studies; Economic history; Humanities; Art; Art history; Sociology; Ancient history","score_opus":0.027690648267305374,"score_gpt":0.21794943428894353,"score_spread":0.19025878602163815,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2285287310","genre_codex":"review","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0021332395,0.7739354,0.0006271223,0.070821784,0.0071847765,0.00006120113,0.0006151108,0.00020031897,0.14442115],"genre_scores_gemma":[0.026816484,0.6023676,0.0011244399,0.008097853,0.0020679466,0.00010437906,0.0006143539,0.0002596734,0.35854724],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99949133,0.00015657075,0.000037135862,0.00005464004,0.00017310072,0.000087193876],"domain_scores_gemma":[0.99845517,0.0005946815,0.00012514404,0.00005697984,0.00039721155,0.00037088932],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010481412,0.00142358,0.0005842956,0.0018109314,0.0030091442,0.0041253064,0.0014398003,0.0025502536,0.059895437],"category_scores_gemma":[0.0013599253,0.00075142767,0.0003674326,0.0036892917,0.0016721961,0.00694107,0.0021023382,0.0044255345,0.02409923],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003650212,0.000025349853,0.00022111685,0.0008478822,0.0000049213754,0.00017522169,0.0075000627,0.000024745532,0.0003515795,0.007258351,0.8965339,0.08702036],"study_design_scores_gemma":[0.000006497639,0.000014008236,0.0022298847,0.00076309964,0.00000898453,0.00019518644,0.008879294,0.000032163574,0.00021062623,0.0021411385,0.9855036,0.000015324678],"about_ca_topic_score_codex":0.038370214,"about_ca_topic_score_gemma":0.12978356,"teacher_disagreement_score":0.059895437,"about_ca_system_score_codex":0.0026687332,"about_ca_system_score_gemma":0.0036812657,"threshold_uncertainty_score":0.20037019},"labels":[],"label_agreement":null},{"id":"W2292787354","doi":"10.5840/cpsem200320","title":"As the Head Bows to the Heart","year":2003,"lang":"en","type":"book-chapter","venue":"Semiotics","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Head (geology); Medicine; Geology; Geomorphology","score_opus":0.03295646282072005,"score_gpt":0.23665154876477457,"score_spread":0.2036950859440545,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2292787354","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.019176159,0.004423146,0.004705995,0.0081124855,0.0010194593,0.000033492164,0.0000392509,0.00010827551,0.9623817],"genre_scores_gemma":[0.53347695,0.0036815258,0.0029782334,0.0029106967,0.00032514008,0.000079017176,0.000042297223,0.00037301122,0.45613304],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99960655,0.00023461321,0.000009253478,0.000035759524,0.00005709622,0.000056695615],"domain_scores_gemma":[0.9996007,0.00015277405,0.00002816455,0.00005758086,0.000065870314,0.00009491577],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009446991,0.00057248195,0.00023871804,0.0005265373,0.0042707482,0.007420228,0.00044558506,0.001183689,0.011455134],"category_scores_gemma":[0.0014640974,0.00028810004,0.00017581866,0.0006645914,0.0120600555,0.005279984,0.0026760816,0.003979349,0.0027798684],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000049128197,0.000020509644,0.00034988156,0.0001233509,0.000004591476,0.00028986053,0.18481185,0.000081912556,0.0013850363,0.7680003,0.024672933,0.02021061],"study_design_scores_gemma":[0.000013944618,0.0000519521,0.00089571613,0.00040551892,0.000017804356,0.0005405872,0.09201506,0.0002600247,0.0010864654,0.12324649,0.7814436,0.000022855751],"about_ca_topic_score_codex":0.0043937275,"about_ca_topic_score_gemma":0.007083474,"teacher_disagreement_score":0.011455134,"about_ca_system_score_codex":0.0012375059,"about_ca_system_score_gemma":0.0023411212,"threshold_uncertainty_score":0.038321316},"labels":[],"label_agreement":null},{"id":"W2308438803","doi":"10.2139/ssrn.2752761","title":"Report on Media Activism and Other Manias: How the English Mass Circulation Indian Press Framed the 2014 Election Campaign","year":2015,"lang":"en","type":"article","venue":"SSRN Electronic Journal","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Circulation (fluid dynamics); Political science; Mass media; Law; Mechanics; Physics","score_opus":0.01937273093064637,"score_gpt":0.21430816453993556,"score_spread":0.1949354336092892,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2308438803","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5718173,0.0006377917,0.00068477896,0.043752827,0.0017396335,0.00015130328,0.00048030616,0.00011533885,0.38062075],"genre_scores_gemma":[0.9019459,0.0002775085,0.00014874456,0.0067646,0.0005248372,0.000072040144,0.00015915073,0.000099353405,0.09000786],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982191,0.0005504186,0.000047047863,0.00013218804,0.000302999,0.00074838114],"domain_scores_gemma":[0.9944306,0.0027612941,0.00055416283,0.00026913098,0.0010441542,0.000940626],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0037909695,0.00029826086,0.00021765896,0.0013127201,0.009855136,0.0093536,0.00075506524,0.0022609064,0.016467836],"category_scores_gemma":[0.007773784,0.00031549225,0.00035987352,0.0013503741,0.0041635903,0.0031129583,0.003812152,0.005166481,0.0018610044],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0008710893,0.0006137322,0.06508418,0.00044044197,0.000099143916,0.002402145,0.56299263,0.00034493295,0.006086623,0.142619,0.15141292,0.067033194],"study_design_scores_gemma":[0.000029390638,0.00015189688,0.06741142,0.00013550764,0.000064051164,0.00012831538,0.3697214,0.00024626555,0.002640218,0.0022815734,0.5571171,0.000072860064],"about_ca_topic_score_codex":0.07668916,"about_ca_topic_score_gemma":0.1300493,"teacher_disagreement_score":0.07668916,"about_ca_system_score_codex":0.004715034,"about_ca_system_score_gemma":0.004556581,"threshold_uncertainty_score":0.15248555},"labels":[],"label_agreement":null},{"id":"W2318087706","doi":"10.1386/safm.3.2.65_1","title":"Consumer citizens and troubling desires: Reading Hindi cinema in Pakistan","year":2011,"lang":"en","type":"article","venue":"Studies in South Asian Film & Media","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Wilfrid Laurier University","funders":"","keywords":"Hindi; Movie theater; Narrative; Sociology; Aesthetics; Modernity; Context (archaeology); Human sexuality; Consumption (sociology); Media studies; Agency (philosophy); Gender studies; Political science; History; Social science; Literature; Art; Law","score_opus":0.10928290284262704,"score_gpt":0.30509777074731503,"score_spread":0.195814867904688,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2318087706","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9580469,0.0012932336,0.00049571705,0.0052632485,0.00013001493,0.000051329673,0.000064571585,0.000014632499,0.034640394],"genre_scores_gemma":[0.99366945,0.0010551922,0.00024161309,0.00092057145,0.000064879496,0.000017613023,0.00003323551,0.000014679059,0.0039827726],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9988323,0.00066991267,0.000031072428,0.00007818076,0.00011710496,0.00027146563],"domain_scores_gemma":[0.9969721,0.0022592943,0.00027753733,0.000062574334,0.00017994216,0.00024858862],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019379329,0.0005884509,0.00030630996,0.00090599025,0.012549185,0.0061056875,0.00072935806,0.0022242556,0.0031290222],"category_scores_gemma":[0.0033712476,0.0006400113,0.00023355702,0.0011536886,0.008433301,0.0042784666,0.0030806637,0.0038044201,0.00027393913],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010195592,0.00001107925,0.0016577316,0.000033649387,0.0000017669902,0.0009639305,0.99325,0.000008419161,0.00030464135,0.0017569829,0.00055953756,0.0014420523],"study_design_scores_gemma":[0.0000013446219,0.000013998593,0.0016860642,0.00004821307,0.0000029890175,0.00040389257,0.9847707,0.000019295501,0.00013206823,0.00017568345,0.012740001,0.0000056681356],"about_ca_topic_score_codex":0.017372848,"about_ca_topic_score_gemma":0.03329978,"teacher_disagreement_score":0.017372848,"about_ca_system_score_codex":0.0033981411,"about_ca_system_score_gemma":0.0016707409,"threshold_uncertainty_score":0.034543455},"labels":[],"label_agreement":null},{"id":"W2326942451","doi":"10.3138/jrpc.4.1.004","title":"Shiva on the Durham Coalfield: On the Pertinence of Hindu Myth to the Film <i>Billy Elliot</i>","year":2003,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Hinduism; Mythology; History; Religious studies; Art; Sociology; Philosophy; Classics","score_opus":0.0181192601755062,"score_gpt":0.21902312908722724,"score_spread":0.20090386891172105,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2326942451","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.66602695,0.013045375,0.0007581783,0.027852003,0.0016318904,0.000022866654,0.00006290763,0.000047294947,0.2905525],"genre_scores_gemma":[0.978132,0.0019829217,0.00015945156,0.0015452261,0.00023076053,0.0000060497696,0.000010395088,0.000023934197,0.017909192],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995784,0.00024068926,0.00000386892,0.000026856475,0.00007680693,0.00007337619],"domain_scores_gemma":[0.9993729,0.0004071901,0.000056140623,0.000017079423,0.00006519249,0.00008157902],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006594933,0.00028774756,0.00014697909,0.0005992168,0.008932085,0.0041977405,0.00040816743,0.0010021009,0.0030095864],"category_scores_gemma":[0.001302625,0.00015944708,0.000079604506,0.00051028974,0.008592961,0.0015852752,0.0018825755,0.0023650976,0.00025468884],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000067298766,0.000017028422,0.0015312952,0.00010047455,0.0000067900346,0.0016721471,0.87912387,0.000048099104,0.0011751433,0.08054794,0.020725459,0.014984478],"study_design_scores_gemma":[0.000009079515,0.00005911515,0.0070277653,0.00040904488,0.00001004159,0.0013089362,0.55650514,0.00013283722,0.001443321,0.0031232054,0.4299514,0.000020102101],"about_ca_topic_score_codex":0.032894142,"about_ca_topic_score_gemma":0.08240255,"teacher_disagreement_score":0.032894142,"about_ca_system_score_codex":0.0027832612,"about_ca_system_score_gemma":0.0009310285,"threshold_uncertainty_score":0.06540531},"labels":[],"label_agreement":null},{"id":"W2331768509","doi":"10.2307/4127268","title":"Television and Social Change in Rural India. By Kirk Johnson London: Sage Publications, Inc. 2000. 247 pp. (b&amp;w photos, charts.) Us$51.95, cloth. Isbn 0-7619-9421-1.","year":2002,"lang":"en","type":"article","venue":"Pacific Affairs","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":16,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Social change; Geography; Socioeconomics; Sociology; Political science; Economic growth; Economics","score_opus":0.02422147580605625,"score_gpt":0.2194161247264936,"score_spread":0.19519464892043736,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2331768509","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0030376243,0.92735535,0.00025844292,0.01900304,0.0013922425,0.000016814964,0.00048233787,0.00011854415,0.048335556],"genre_scores_gemma":[0.09823384,0.7792615,0.00071302603,0.002752738,0.00116335,0.00006218812,0.0005660517,0.000099212804,0.117148064],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99967575,0.0000865152,0.00002097765,0.00004042114,0.00008104882,0.00009526261],"domain_scores_gemma":[0.9994894,0.00020366684,0.000084737825,0.00002530553,0.00006846178,0.00012833867],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00047418868,0.0011362826,0.0006184204,0.0024444866,0.0015147611,0.0042162905,0.0009356955,0.0016704322,0.024107605],"category_scores_gemma":[0.0010943651,0.0008095607,0.0003446098,0.0057757404,0.0031397047,0.0035282788,0.0015614422,0.0019387798,0.00469024],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001036057,0.000092618146,0.004076089,0.0035260522,0.000063729254,0.00045788262,0.009270935,0.00058085006,0.00056855794,0.023140835,0.59998715,0.35813168],"study_design_scores_gemma":[0.000017646369,0.00006244664,0.028077057,0.003763934,0.00006623262,0.0009739805,0.012504614,0.00017804635,0.00025136204,0.010748285,0.9433058,0.000050634626],"about_ca_topic_score_codex":0.0664157,"about_ca_topic_score_gemma":0.122089766,"teacher_disagreement_score":0.0664157,"about_ca_system_score_codex":0.0032597233,"about_ca_system_score_gemma":0.0034026012,"threshold_uncertainty_score":0.1320582},"labels":[],"label_agreement":null},{"id":"W2332548378","doi":"10.1177/0893318915620456","title":"Forum Introduction","year":2015,"lang":"en","type":"article","venue":"Management Communication Quarterly","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":9,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Latin Americans; Organizational communication; Political science; Public relations; Psychology","score_opus":0.0259123290580683,"score_gpt":0.2216108532689114,"score_spread":0.19569852421084308,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2332548378","genre_codex":"other","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0006059192,0.0012841178,0.0016031326,0.018277008,0.10570298,0.00038619028,0.0041216696,0.0015636202,0.8664553],"genre_scores_gemma":[0.0022789678,0.00037007386,0.00033436765,0.0039794105,0.01274082,0.00018321958,0.0013255161,0.0002996609,0.978488],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988953,0.0001722601,0.000033700286,0.00017509465,0.00050220435,0.00022149562],"domain_scores_gemma":[0.9967513,0.0003640488,0.000117385745,0.00025984863,0.0010578267,0.0014495093],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0016736797,0.00096460414,0.00062800304,0.0017361632,0.0028156424,0.0069457684,0.0014516748,0.0042138686,0.79801536],"category_scores_gemma":[0.0048956787,0.00033025598,0.0007779166,0.00093668525,0.0006202795,0.0035784948,0.0045957346,0.0034006324,0.601415],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027902359,0.000019116225,0.000044204084,0.000058267815,6.120477e-7,0.000025567799,0.00004042546,0.000014107739,0.00014484413,0.0026744532,0.9771295,0.019821102],"study_design_scores_gemma":[0.0000062363492,0.000008727619,0.00010639598,0.000035285222,4.926947e-7,0.000009589236,0.000054854572,0.000011598451,0.000030934276,0.0007546616,0.9989786,0.0000026715825],"about_ca_topic_score_codex":0.0012216187,"about_ca_topic_score_gemma":0.0026855986,"teacher_disagreement_score":0.20198464,"about_ca_system_score_codex":0.0012490323,"about_ca_system_score_gemma":0.0019626569,"threshold_uncertainty_score":0.28810656},"labels":[],"label_agreement":null},{"id":"W2344102095","doi":"10.1177/1748048515601577","title":"Learning through entertainment: The effects of Bollywood movies on the job-seeking behavior of South Asian female","year":2015,"lang":"en","type":"article","venue":"International Communication Gazette","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Entertainment; Psychology; Social psychology; Narrative; Advertising; Political science; Business; Art","score_opus":0.03879144581047668,"score_gpt":0.2633408713618756,"score_spread":0.22454942555139895,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2344102095","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9985083,0.000089574256,0.000014451258,0.00006554961,0.000003898252,0.000004028922,0.000024504427,0.0000010522004,0.0012886852],"genre_scores_gemma":[0.998678,0.00019707234,0.000059196795,0.000049946062,0.000010107568,0.0000058264445,0.000030831092,0.0000012909303,0.000967619],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99990094,0.000040941795,0.0000059497484,0.000010596624,0.000015306097,0.000026352607],"domain_scores_gemma":[0.99915636,0.00033130747,0.00023516623,0.000033846707,0.00004720238,0.0001962316],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00031425906,0.00019912615,0.0001287337,0.00021765335,0.0004156681,0.00059997855,0.000102090235,0.00021472102,0.0054507786],"category_scores_gemma":[0.001603654,0.00008953673,0.00022040747,0.00014113371,0.0002331483,0.00027712193,0.00048583403,0.00036037422,0.00026605063],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0009187702,0.0015643728,0.90530163,0.000345584,0.00018048112,0.000790244,0.02401399,0.000108230284,0.014738885,0.00024905754,0.0006412124,0.051147487],"study_design_scores_gemma":[0.000010058417,0.00046375112,0.9818704,0.00004084668,0.00006140192,0.00015436516,0.015252756,0.000100839025,0.00091047265,0.000042143773,0.0010855919,0.0000073200126],"about_ca_topic_score_codex":0.0022341073,"about_ca_topic_score_gemma":0.006012335,"teacher_disagreement_score":0.0054507786,"about_ca_system_score_codex":0.00015054975,"about_ca_system_score_gemma":0.00020294767,"threshold_uncertainty_score":0.01823467},"labels":[],"label_agreement":null},{"id":"W2345143930","doi":"10.1162/jinh_r_00969","title":"<i>Unreasonable Histories: Nativism, Multiracial Lives, and the Genealogical Imagination in British Africa</i>. By Christopher J. Lee (Durham, Duke University Press, 2014) 346 pp. $94.95 cloth $26.96 paper","year":2016,"lang":"en","type":"article","venue":"The Journal of Interdisciplinary History","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Psychological nativism; Colonialism; Subject (documents); History; Terminology; Ethnic group; Framing (construction); Mythology; Essentialism; Genealogy; Sociology; Gender studies; Law; Political science; Anthropology; Immigration; Classics; Philosophy; Archaeology","score_opus":0.01022658249956339,"score_gpt":0.18811560785948805,"score_spread":0.17788902535992465,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2345143930","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11413813,0.50135285,0.0012201873,0.19390011,0.0032233484,0.000020350974,0.00007432443,0.000043905733,0.18602678],"genre_scores_gemma":[0.88885903,0.050151788,0.0005189241,0.0075080986,0.0010157726,0.000024717345,0.00003243325,0.00006837962,0.051820938],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99908054,0.0006109498,0.000019159834,0.00004635091,0.000109878725,0.00013300273],"domain_scores_gemma":[0.9989496,0.00063128833,0.00011595301,0.000045683013,0.000091178925,0.00016621813],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013089516,0.00031826252,0.00024901732,0.00079248246,0.008194403,0.00704421,0.0005728015,0.0014879218,0.0035296283],"category_scores_gemma":[0.0020248003,0.00028858607,0.00011831679,0.0013924476,0.024086192,0.005809468,0.002066765,0.0022149023,0.00041771575],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000058450816,0.000025568948,0.0028820413,0.0003167023,0.000014617932,0.0007461312,0.602096,0.00006232825,0.00050293736,0.2298454,0.12164517,0.041804664],"study_design_scores_gemma":[0.0000049413106,0.000020245021,0.0088688815,0.0009887103,0.000007823118,0.0005818496,0.31752208,0.0000693467,0.00014840298,0.039679736,0.6320778,0.000030149145],"about_ca_topic_score_codex":0.11026257,"about_ca_topic_score_gemma":0.24726717,"teacher_disagreement_score":0.11026257,"about_ca_system_score_codex":0.005525642,"about_ca_system_score_gemma":0.0023251341,"threshold_uncertainty_score":0.21924156},"labels":[],"label_agreement":null},{"id":"W2347005500","doi":"","title":"Problematic Identities in Women's Fiction of the Sri Lankan Diaspora","year":2016,"lang":"en","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Diaspora; Literature; Sri lanka; History; Gender studies; Art; Sociology; South asia; Ancient history","score_opus":0.16533097939655778,"score_gpt":0.45336224581096696,"score_spread":0.2880312664144092,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2347005500","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14985426,0.050135043,0.0036293855,0.103682205,0.018460056,0.0001994575,0.00031211396,0.00016492627,0.6735625],"genre_scores_gemma":[0.7393277,0.024477156,0.002207356,0.013065405,0.0046371026,0.00025544106,0.00020515326,0.00025365173,0.21557108],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99859804,0.00094776857,0.000027789467,0.0000853161,0.00020477628,0.00013632861],"domain_scores_gemma":[0.99849546,0.0011496573,0.00008186684,0.00005357062,0.00011333386,0.00010606508],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012650044,0.0009758064,0.00048023544,0.0014170536,0.010684182,0.0052871965,0.0010900955,0.0018293877,0.0039449176],"category_scores_gemma":[0.00307772,0.0002764055,0.0003960489,0.0013435059,0.010574619,0.0023303197,0.0029899704,0.0038585805,0.00075009704],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004980293,0.00004084054,0.00090237416,0.00041471404,0.00001712237,0.0027357743,0.6112112,0.00015910588,0.0010440635,0.1389666,0.22455965,0.019898772],"study_design_scores_gemma":[0.0000037823752,0.000029571118,0.00090399646,0.00045883862,0.000007836434,0.0008724251,0.12717363,0.00007532477,0.00047048926,0.003511796,0.8664788,0.000013596664],"about_ca_topic_score_codex":0.009619095,"about_ca_topic_score_gemma":0.023652973,"teacher_disagreement_score":0.010684182,"about_ca_system_score_codex":0.0050285235,"about_ca_system_score_gemma":0.0018498369,"threshold_uncertainty_score":0.03648472},"labels":[],"label_agreement":null},{"id":"W2406389705","doi":"","title":"বল সহতযর ঐতহসকয়ন ও লকসহতযর সলতমম (Historicization of Bangla Literature with Reference to Geneaology of Folklore)","year":2013,"lang":"bn","type":"article","venue":"SSRN Electronic Journal","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Trent University","funders":"","keywords":"Bengali; Folklore; Phrase; Hierarchy; Linguistics; Habitus; Epistemology; Sociology; History; Philosophy; Anthropology; Political science; Law","score_opus":0.007471548652202897,"score_gpt":0.19502066843365798,"score_spread":0.18754911978145508,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2406389705","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10129733,0.04179052,0.004022781,0.011791433,0.0013343655,0.000043173,0.00027148373,0.000081090846,0.8393677],"genre_scores_gemma":[0.95879966,0.006757694,0.0008887837,0.0005591116,0.0002225123,0.00002444977,0.000062183906,0.000040514737,0.032645103],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990889,0.0004882755,0.000043986427,0.00014496893,0.00012822314,0.00010570387],"domain_scores_gemma":[0.9992987,0.00031166332,0.00009702294,0.0001053388,0.000108702094,0.00007867737],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008233892,0.00030218673,0.00023505242,0.0021219098,0.005029614,0.0066703022,0.0005522288,0.0008600205,0.004014642],"category_scores_gemma":[0.0013570505,0.00015193954,0.00014901641,0.0029711146,0.01607883,0.0028016863,0.0017565624,0.0015129008,0.0007667007],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003936815,0.000014385603,0.0019972418,0.00026377838,0.0000081411945,0.00045782016,0.12442493,0.00013257931,0.0007694191,0.84860235,0.005345408,0.017944604],"study_design_scores_gemma":[0.000008002357,0.000042370877,0.009663196,0.0005771489,0.000018845407,0.0013102649,0.05689024,0.00022391354,0.0010321371,0.0773756,0.85282576,0.000032500204],"about_ca_topic_score_codex":0.009546356,"about_ca_topic_score_gemma":0.01746719,"teacher_disagreement_score":0.009546356,"about_ca_system_score_codex":0.007599091,"about_ca_system_score_gemma":0.002115913,"threshold_uncertainty_score":0.05513549},"labels":[],"label_agreement":null},{"id":"W2407746535","doi":"10.1503/cmaj.109-5255","title":"“You have come to the right place”","year":2016,"lang":"en","type":"article","venue":"Canadian Medical Association Journal","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Nose; Thumb; Medicine; Circumference; Anatomy; Surgery; Mathematics; Geometry","score_opus":0.0076042061176643675,"score_gpt":0.19644471654493753,"score_spread":0.18884051042727315,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2407746535","genre_codex":"other","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.014616729,0.0032435446,0.003064768,0.09197504,0.020768343,0.00016301518,0.00045171432,0.00093800266,0.86477876],"genre_scores_gemma":[0.060926944,0.0014146194,0.001953418,0.042286288,0.0012250231,0.00006221212,0.00025450403,0.00042240485,0.8914546],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99840325,0.00047386662,0.000046405617,0.00023063975,0.00043985448,0.00040588086],"domain_scores_gemma":[0.99774194,0.000096172305,0.000083107574,0.00010998022,0.00080879027,0.00116005],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009258484,0.00071655976,0.00038000642,0.00049834204,0.010387853,0.0042691627,0.0008797236,0.0021700354,0.17667568],"category_scores_gemma":[0.0042650476,0.00032984943,0.00031185022,0.000431062,0.0024590795,0.002987826,0.0039787763,0.005692629,0.106226295],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000038634582,0.000047325157,0.0016724125,0.000089253495,0.000008778988,0.0006946387,0.01457682,0.000021403745,0.00088255643,0.014632734,0.9181374,0.049198017],"study_design_scores_gemma":[0.0000039087313,0.000018613953,0.0009066375,0.00007706121,0.0000028572629,0.00068670086,0.009820143,0.000012408579,0.00014043896,0.00073267275,0.9875823,0.000016320246],"about_ca_topic_score_codex":0.01764453,"about_ca_topic_score_gemma":0.03964424,"teacher_disagreement_score":0.17667568,"about_ca_system_score_codex":0.0013956504,"about_ca_system_score_gemma":0.0021837396,"threshold_uncertainty_score":0.59103906},"labels":[],"label_agreement":null},{"id":"W2428090974","doi":"10.1177/0973258616644814","title":"Dissent and Displacement of Subalternity in Malayalam Cinema: A Cultural Analysis of <i>Papilio Buddha</i> by Jayan K. Cherian","year":2016,"lang":"en","type":"article","venue":"Journal of Creative Communications","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"MacEwan University","funders":"","keywords":"Gautama Buddha; Subaltern; Movie theater; Theme (computing); Malayalam; Sociology; State (computer science); Film industry; Narrative; HERO; History; Aesthetics; Identity (music); Gender studies; Literature; Media studies; Buddhism; Law; Art; Political science; Philosophy; Linguistics","score_opus":0.0272298711330605,"score_gpt":0.28518404074617576,"score_spread":0.25795416961311524,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2428090974","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.95739526,0.0007511144,0.0004000692,0.0014813993,0.000033399403,0.00002284797,0.000016915375,0.0000063894518,0.039892614],"genre_scores_gemma":[0.99714833,0.00025162482,0.00010674459,0.00008148574,0.000007233519,0.0000070787087,0.000005978907,0.0000059976674,0.0023855811],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9991689,0.0004875014,0.00002217944,0.000063557076,0.00012917287,0.0001288198],"domain_scores_gemma":[0.998931,0.0005927267,0.00017856367,0.000062750885,0.00012105221,0.00011382652],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008552701,0.00024844674,0.00013815024,0.001002446,0.0064941184,0.004690256,0.0006725275,0.0005652188,0.0018812007],"category_scores_gemma":[0.0016507918,0.00019006124,0.00012352313,0.0008074309,0.008934568,0.0018069089,0.002656788,0.0013198924,0.00018962554],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013581016,0.000009823781,0.0022415903,0.000039308507,0.0000035220646,0.0009048608,0.9832824,0.000012360149,0.0009567685,0.008672297,0.00048851455,0.0033750115],"study_design_scores_gemma":[0.0000021564974,0.000013631719,0.015367104,0.000092440205,0.00000677952,0.00090291427,0.9506484,0.00010102049,0.00062353123,0.0009860344,0.031240888,0.000015153253],"about_ca_topic_score_codex":0.01717204,"about_ca_topic_score_gemma":0.041488137,"teacher_disagreement_score":0.01717204,"about_ca_system_score_codex":0.002865496,"about_ca_system_score_gemma":0.0018836727,"threshold_uncertainty_score":0.034144163},"labels":[],"label_agreement":null},{"id":"W243074162","doi":"10.3138/cjfs.17.2.35","title":"Deepa Mehta’s Film Water: The Power of the Dialectical Image","year":2008,"lang":"fr","type":"article","venue":"Canadian Journal of Film Studies","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":10,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Subversion; Sociology; Political science; Politics","score_opus":0.029965836152230786,"score_gpt":0.2259624086488955,"score_spread":0.19599657249666472,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W243074162","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10632029,0.01907289,0.020685447,0.11601195,0.0022780916,0.00015322932,0.00013287464,0.0000915394,0.7352537],"genre_scores_gemma":[0.8660771,0.007685202,0.0059085377,0.0076853717,0.0004745857,0.00019869822,0.000033147746,0.00014061705,0.11179671],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978265,0.0014846401,0.000028810993,0.00017039379,0.00031819244,0.00017143504],"domain_scores_gemma":[0.9980236,0.0014154889,0.00012280863,0.00010796126,0.00017778868,0.00015246613],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014637427,0.0003383455,0.00023380834,0.0007626059,0.006437102,0.0053859465,0.0007450752,0.0014971665,0.0060485853],"category_scores_gemma":[0.00487138,0.00028817204,0.00020671634,0.0008093787,0.016885102,0.008552802,0.004720461,0.0041129985,0.0005650325],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037264635,0.00001979144,0.00039324764,0.00017801851,0.0000058356554,0.00027040456,0.19923131,0.00006581694,0.0009143142,0.7489541,0.025598392,0.024331475],"study_design_scores_gemma":[0.000018172837,0.00004207743,0.0011979762,0.00039505796,0.000013170483,0.0003256974,0.11297039,0.00035318194,0.0015497885,0.12745482,0.7556486,0.000031138232],"about_ca_topic_score_codex":0.008544662,"about_ca_topic_score_gemma":0.017898902,"teacher_disagreement_score":0.008544662,"about_ca_system_score_codex":0.004008111,"about_ca_system_score_gemma":0.0022442748,"threshold_uncertainty_score":0.029081047},"labels":[],"label_agreement":null},{"id":"W2441750708","doi":"10.4000/interventionseconomiques.2867","title":"Les puissances émergentes dans la bataille mondiale de l’attraction : Bollywood, vecteur du soft power de l’Inde ?","year":2016,"lang":"fr","type":"article","venue":"Interventions économiques","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Political science; Art; Cartography; Geography","score_opus":0.030801850323764896,"score_gpt":0.2695680095332424,"score_spread":0.2387661592094775,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2441750708","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6780027,0.003313371,0.003095369,0.020416709,0.00031167988,0.00003931072,0.00006834675,0.000033323337,0.29471925],"genre_scores_gemma":[0.9771971,0.0008433678,0.00034276073,0.0003244231,0.000042817253,0.000014759067,0.000012229443,0.000016642656,0.021205945],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99911493,0.0004064841,0.000014145427,0.000104914434,0.00010320517,0.00025622672],"domain_scores_gemma":[0.9989311,0.00043048197,0.00017642413,0.00006573942,0.00011314707,0.00028306321],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016960801,0.0002866116,0.00019453988,0.00059065525,0.0058582556,0.007848188,0.0006452057,0.0010933987,0.014313491],"category_scores_gemma":[0.0026117917,0.00020905804,0.0001486847,0.00067324284,0.010061004,0.00477408,0.004588779,0.0029097341,0.0006796113],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017109652,0.00007959733,0.009410897,0.00028369165,0.000014306294,0.0007805276,0.65824974,0.00016980294,0.0027548005,0.28793517,0.005365219,0.0347852],"study_design_scores_gemma":[0.000019170167,0.00009614517,0.026388347,0.0004237856,0.000018743547,0.00025756616,0.6457217,0.00029437375,0.0010653639,0.024805333,0.30086827,0.00004115085],"about_ca_topic_score_codex":0.011394976,"about_ca_topic_score_gemma":0.02512854,"teacher_disagreement_score":0.014313491,"about_ca_system_score_codex":0.0038725038,"about_ca_system_score_gemma":0.0024388037,"threshold_uncertainty_score":0.04788339},"labels":[],"label_agreement":null},{"id":"W246175410","doi":"","title":"India in the World","year":2013,"lang":"en","type":"article","venue":"ARIEL","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; World literature; Politics; Publishing; Media studies; Sociology; Comics; Indian English; Literature; History; Art history; Art; Law; Political science","score_opus":0.01623768836852965,"score_gpt":0.19761365251003393,"score_spread":0.18137596414150428,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W246175410","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0060090628,0.4881157,0.00044529937,0.08047632,0.012537705,0.00002293709,0.0005316827,0.00020989978,0.4116514],"genre_scores_gemma":[0.12207969,0.40084696,0.0013047572,0.03256774,0.005883936,0.00008609907,0.001232832,0.00029846313,0.4356994],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994265,0.00012015015,0.000023539349,0.00010348763,0.00014084212,0.0001854657],"domain_scores_gemma":[0.999686,0.00006990055,0.00003353507,0.000039957868,0.00006204528,0.0001086183],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00038450188,0.0009961824,0.0006197084,0.0016127818,0.0034037512,0.00971894,0.00085593574,0.0017739919,0.027989147],"category_scores_gemma":[0.0008019089,0.00035848413,0.00033657477,0.0034291984,0.002764484,0.0054911617,0.004246278,0.0031255498,0.009400685],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003328932,0.00003498203,0.0014368686,0.0006454815,0.000023714785,0.00062068424,0.019584544,0.0000972808,0.00028870694,0.13278851,0.6654759,0.17897],"study_design_scores_gemma":[9.199547e-7,0.000003850585,0.0008172367,0.00023631092,0.0000039120214,0.0002090963,0.004278885,0.00000777973,0.000029286402,0.0021059732,0.992301,0.0000058429923],"about_ca_topic_score_codex":0.015026493,"about_ca_topic_score_gemma":0.025651805,"teacher_disagreement_score":0.027989147,"about_ca_system_score_codex":0.0025621061,"about_ca_system_score_gemma":0.0046101366,"threshold_uncertainty_score":0.093633056},"labels":[],"label_agreement":null},{"id":"W2464589461","doi":"10.1353/ari.2016.0003","title":"Subaltern Experimental Writing: Dalit Literature in Dialogue with the World","year":2016,"lang":"en","type":"article","venue":"Ariel","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":9,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Arts and Humanities Research Council; Trent University; Nottingham Trent University","keywords":"Caste; Subaltern; Narrative; Hinduism; Literature; Sociology; Relation (database); World literature; History; Aesthetics; Gender studies; Linguistics; Art; Philosophy; Political science; Law; Computer science","score_opus":0.016113857539524556,"score_gpt":0.21913792490578832,"score_spread":0.20302406736626377,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2464589461","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8448955,0.0015638936,0.0014381128,0.003901877,0.00030106297,0.00007995738,0.000085295884,0.000044784236,0.14768958],"genre_scores_gemma":[0.99483055,0.00032056816,0.00023431939,0.00015254524,0.00003846871,0.000043497574,0.000021090054,0.000014976439,0.0043440927],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9973036,0.0018749869,0.00008127636,0.00024739868,0.00023860174,0.0002541172],"domain_scores_gemma":[0.9956774,0.0027809849,0.0003897011,0.0005916842,0.00024203506,0.00031827745],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003643237,0.00059907546,0.0003701118,0.0010864886,0.013304099,0.009700328,0.0013239685,0.0011287793,0.0055441507],"category_scores_gemma":[0.0063100457,0.0002802556,0.00017428324,0.0016167631,0.02653857,0.004641264,0.0062401355,0.00290667,0.0004064111],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020329299,0.00026478927,0.0018420755,0.00020794789,0.000012032076,0.00078827806,0.87150866,0.00009299198,0.0022156616,0.11163059,0.0014303442,0.0098034],"study_design_scores_gemma":[0.000060008835,0.00021421914,0.0052794837,0.0001770438,0.000026504009,0.000523484,0.8402547,0.00030036172,0.005057496,0.012057582,0.1360165,0.000032564938],"about_ca_topic_score_codex":0.00417977,"about_ca_topic_score_gemma":0.007620947,"teacher_disagreement_score":0.013304099,"about_ca_system_score_codex":0.005991082,"about_ca_system_score_gemma":0.0019221709,"threshold_uncertainty_score":0.043468595},"labels":[],"label_agreement":null},{"id":"W2465312408","doi":"10.1177/0021989416631791","title":"Post-9/11 re-orientalism: Confrontation and conciliation in Mohsin Hamid’s and Mira Nair’s <i>The Reluctant Fundamentalist</i>","year":2016,"lang":"en","type":"article","venue":"The Journal of Commonwealth Literature","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Orientalism; History; Literature; Sociology; Aesthetics; Media studies; Philosophy; Art","score_opus":0.011929090747294376,"score_gpt":0.22113907019931095,"score_spread":0.20920997945201658,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2465312408","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.55605763,0.00245373,0.001992106,0.02846458,0.0019215946,0.00007516659,0.000055209977,0.000055962882,0.40892404],"genre_scores_gemma":[0.9858298,0.0003959182,0.00025097618,0.0011889747,0.00014235287,0.000018180031,0.000012423221,0.00003437192,0.012127097],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9975925,0.0013723418,0.000057117737,0.00022053752,0.00034033894,0.00041718132],"domain_scores_gemma":[0.9983419,0.00065713807,0.00031654787,0.00019600677,0.000229474,0.00025885162],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0030715142,0.0006172886,0.00034274766,0.00081878976,0.020428855,0.009681465,0.0011739738,0.0028573421,0.0034309372],"category_scores_gemma":[0.004606458,0.00036337317,0.00028769328,0.0008976399,0.030883046,0.005427314,0.0065771323,0.0064350287,0.00043592282],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006067944,0.0000310591,0.00052849133,0.00005575947,0.0000060872535,0.0014874307,0.865806,0.000038150807,0.00065601204,0.12168629,0.0052169557,0.0044271755],"study_design_scores_gemma":[0.000020447189,0.000059250546,0.0026072515,0.0001848604,0.000011221533,0.0009248999,0.7490158,0.00011638869,0.0013927991,0.0114451945,0.23418748,0.00003443335],"about_ca_topic_score_codex":0.014088343,"about_ca_topic_score_gemma":0.022213742,"teacher_disagreement_score":0.020428855,"about_ca_system_score_codex":0.0075949505,"about_ca_system_score_gemma":0.003015824,"threshold_uncertainty_score":0.055105507},"labels":[],"label_agreement":null},{"id":"W2469316094","doi":"10.3138/jrpc.23.1.40","title":"From the Sacred to the Performative","year":2011,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"Economic and Social Research Council","keywords":"Tamil; Performative utterance; Realm; Star (game theory); Aesthetics; Movie theater; Faith; Art; Popular culture; Sociology; Capitalism; Media studies; Literature; History; Philosophy; Law; Theology; Political science; Archaeology","score_opus":0.025998656598309355,"score_gpt":0.222676377790852,"score_spread":0.19667772119254265,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2469316094","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.070996776,0.0040289783,0.0071344962,0.025766958,0.0010467835,0.000038663366,0.00007569608,0.00012669855,0.8907849],"genre_scores_gemma":[0.9299061,0.0020709843,0.0015537427,0.0021303212,0.0003286409,0.000033726013,0.000044519697,0.00014153068,0.06379035],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9988926,0.00054605043,0.000031320174,0.0001711171,0.00018417036,0.00017470107],"domain_scores_gemma":[0.9991084,0.00019831283,0.00006504334,0.00020008486,0.00016643142,0.0002618149],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015594475,0.0006219127,0.00024929075,0.00092999305,0.0051057297,0.00831193,0.0006624006,0.0011656027,0.00929131],"category_scores_gemma":[0.0022850013,0.0001855887,0.00018922421,0.0005568001,0.034498986,0.0073616705,0.0052658725,0.003671499,0.0015183903],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005254151,0.000019834471,0.000721836,0.00015221248,0.0000082265515,0.00027506085,0.083657935,0.00009145365,0.0010704789,0.8801449,0.011063476,0.022742016],"study_design_scores_gemma":[0.00002123326,0.00014335055,0.0029839007,0.00069259835,0.000024602841,0.00060833676,0.0892758,0.0003259529,0.0015846962,0.17844194,0.725865,0.000032533222],"about_ca_topic_score_codex":0.0027688358,"about_ca_topic_score_gemma":0.0035598374,"teacher_disagreement_score":0.00929131,"about_ca_system_score_codex":0.0023034085,"about_ca_system_score_gemma":0.0020172708,"threshold_uncertainty_score":0.03108257},"labels":[],"label_agreement":null},{"id":"W2480532825","doi":"10.3968/8632","title":"Character of Cerezita in Cherri Moraga’s “Heroes and Saints”: Facing Some Disability Models","year":2016,"lang":"en","type":"article","venue":"Cross-cultural communication","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Character (mathematics); Order (exchange); Sociology; Moral character; Law; Aesthetics; Art; Political science; Business","score_opus":0.04764057453717062,"score_gpt":0.29276484013427256,"score_spread":0.24512426559710193,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2480532825","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.76349944,0.0032239708,0.001576762,0.0322093,0.00071623025,0.000037233945,0.000025376066,0.000057977868,0.19865374],"genre_scores_gemma":[0.9757236,0.001077789,0.00029914593,0.0009786716,0.0001075469,0.000012861377,0.0000083581135,0.000025708492,0.02176615],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99921644,0.00041259814,0.000009824305,0.000051951993,0.00010939301,0.00019987611],"domain_scores_gemma":[0.9993124,0.00022716222,0.000109715504,0.00004542265,0.00010387943,0.00020142623],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010103894,0.00051203114,0.00034010608,0.0004963176,0.013148529,0.0052950014,0.0005142397,0.0018492548,0.002476439],"category_scores_gemma":[0.0017978494,0.00021979635,0.00019004493,0.00032599227,0.012732864,0.0030748977,0.004582237,0.0046170256,0.00037208482],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040365136,0.00002927139,0.0010365245,0.000049561215,0.0000048401243,0.0018374361,0.8781993,0.00005273898,0.00089379185,0.10494327,0.008446573,0.0044663246],"study_design_scores_gemma":[0.000008724514,0.00006613998,0.00301681,0.00019485208,0.000013482786,0.002790945,0.6663675,0.00026385896,0.0008460074,0.0063388017,0.3200625,0.000030461917],"about_ca_topic_score_codex":0.009788848,"about_ca_topic_score_gemma":0.02198313,"teacher_disagreement_score":0.013148529,"about_ca_system_score_codex":0.003219153,"about_ca_system_score_gemma":0.001406209,"threshold_uncertainty_score":0.023356736},"labels":[],"label_agreement":null},{"id":"W2484720548","doi":"10.1007/978-81-322-2154-8_12","title":"Bus/Bas/बस: The 2012 Delhi Gang Rape Case, City Space and Public Transportation","year":2016,"lang":"en","type":"book-chapter","venue":"Exploring urban change in South Asia","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Tragedy (event); Symbol (formal); Politics; Traverse; New delhi; Relation (database); Geography; Space (punctuation); Political science; Sociology; Cartography; Social science; Law; Archaeology; Computer science","score_opus":0.17323362305893478,"score_gpt":0.23555939555452857,"score_spread":0.06232577249559379,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2484720548","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.41014358,0.006146345,0.00027438797,0.06439358,0.0008681729,0.000059590966,0.0002873471,0.000037288795,0.5177897],"genre_scores_gemma":[0.9087552,0.0040794904,0.000113992435,0.0036856192,0.00019310362,0.00007055832,0.00011804919,0.000050515,0.082933486],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99876285,0.00045139616,0.000019241328,0.000068484864,0.00011989473,0.00057806727],"domain_scores_gemma":[0.9993611,0.00020167556,0.000087260625,0.000040049472,0.000047967515,0.0002619978],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00091180066,0.0006980384,0.00039143304,0.0014691659,0.017855251,0.010910506,0.002274261,0.0056388946,0.012677972],"category_scores_gemma":[0.0019565094,0.00054668455,0.00042405672,0.0047656028,0.014161917,0.0050428463,0.008270839,0.0065504326,0.00089777674],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008818648,0.00013114522,0.008724287,0.00021972935,0.000027044278,0.00516002,0.59211826,0.00042595502,0.0002759074,0.279473,0.09101766,0.022338854],"study_design_scores_gemma":[0.0000073121787,0.000017638838,0.006094006,0.00020466474,0.000014239741,0.00036717384,0.80692565,0.00005374175,0.000116151066,0.006505632,0.17967069,0.00002303359],"about_ca_topic_score_codex":0.21387497,"about_ca_topic_score_gemma":0.47484913,"teacher_disagreement_score":0.21387497,"about_ca_system_score_codex":0.0166931,"about_ca_system_score_gemma":0.009985295,"threshold_uncertainty_score":0.42526013},"labels":[],"label_agreement":null},{"id":"W2485164633","doi":"10.5840/cpsem201436","title":"Hillary's Heels","year":2014,"lang":"en","type":"book-chapter","venue":"Semiotics","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Political science","score_opus":0.021671821231223954,"score_gpt":0.19571526478223403,"score_spread":0.17404344355101006,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2485164633","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001924616,0.0021460836,0.00037976832,0.0013898913,0.0004285033,0.000013854513,0.00002835835,0.0000376137,0.99365133],"genre_scores_gemma":[0.024936032,0.0013807848,0.0003302014,0.00046060167,0.00006855913,0.000018320648,0.000021472162,0.00006777015,0.9727163],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.999841,0.00005179276,0.0000058588525,0.000026164818,0.00004408184,0.00003115698],"domain_scores_gemma":[0.9998735,0.0000347695,0.000008283294,0.000019966024,0.00003040793,0.00003307231],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00026379482,0.0004615645,0.00017606326,0.0006652349,0.004157148,0.0043373234,0.0003807536,0.0008064259,0.06801539],"category_scores_gemma":[0.00047668646,0.00018711839,0.00015911083,0.00072039716,0.0023747492,0.0023687682,0.0018245608,0.0022687626,0.011734725],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000048322087,0.000037894457,0.00023350652,0.00018631291,0.0000037062957,0.00036487484,0.032815166,0.00008279168,0.0010092664,0.6433304,0.24127395,0.08061378],"study_design_scores_gemma":[0.0000023972716,0.0000062532786,0.00027939948,0.00012088385,0.0000017376472,0.000114564646,0.004200377,0.000028930257,0.00020634856,0.0074347532,0.9876007,0.0000036872884],"about_ca_topic_score_codex":0.013626097,"about_ca_topic_score_gemma":0.040825367,"teacher_disagreement_score":0.06801539,"about_ca_system_score_codex":0.0018572693,"about_ca_system_score_gemma":0.0017770749,"threshold_uncertainty_score":0.22753417},"labels":[],"label_agreement":null},{"id":"W2492375321","doi":"10.4018/978-1-4666-9967-0.ch015","title":"Bollywood Sporting Spectacles","year":2016,"lang":"en","type":"book-chapter","venue":"Advances in media, entertainment and the arts (AMEA) book series","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"MacEwan University","funders":"","keywords":"Spectacle; Entertainment; League; Enthusiasm; Event (particle physics); Advertising; Ideology; Art; Media studies; Cricket; Visual arts; Political science; Sociology; Psychology; Law; Politics; Business","score_opus":0.00782652928245644,"score_gpt":0.19894754601771014,"score_spread":0.1911210167352537,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2492375321","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0036851114,0.0028531856,0.00012740267,0.00072356075,0.0005333198,0.000015274165,0.00009310026,0.00007450699,0.99189454],"genre_scores_gemma":[0.0492337,0.005148247,0.00028819934,0.00042031007,0.00027999384,0.000017510632,0.00020208207,0.00010590469,0.94430417],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99990654,0.000011197175,0.000001963587,0.000015679923,0.000038887905,0.000025767864],"domain_scores_gemma":[0.99992335,0.000010493471,0.0000063521015,0.000007448837,0.0000178757,0.000034538592],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00012826502,0.00051529735,0.00017181237,0.00082605536,0.0024789704,0.004137193,0.0004430007,0.0004394094,0.0680013],"category_scores_gemma":[0.00029079145,0.00017482,0.00016141801,0.00080295425,0.001251988,0.0019011426,0.0019639893,0.0017548901,0.013282147],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000081871396,0.00012502556,0.00066470745,0.00058624544,0.0000063997663,0.0004388021,0.013695878,0.00019790512,0.0017324623,0.2519153,0.5518058,0.1787496],"study_design_scores_gemma":[0.000001989058,0.00001266017,0.0009131854,0.00019006498,0.0000017857881,0.00012243136,0.001668355,0.000029591001,0.00023113827,0.0014927416,0.99533254,0.0000034613947],"about_ca_topic_score_codex":0.006803616,"about_ca_topic_score_gemma":0.019204961,"teacher_disagreement_score":0.0680013,"about_ca_system_score_codex":0.0015223678,"about_ca_system_score_gemma":0.0011670548,"threshold_uncertainty_score":0.22748703},"labels":[],"label_agreement":null},{"id":"W2493429203","doi":"10.1057/9781137024763_10","title":"Conclusion: Girlhood After Shakespeare’s Heroines","year":2014,"lang":"en","type":"book-chapter","venue":"Palgrave Macmillan UK eBooks","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Queen (butterfly); Art; Literature; Order (exchange); Musical; Art history","score_opus":0.016838158535642793,"score_gpt":0.2007820405304939,"score_spread":0.1839438819948511,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2493429203","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.021536622,0.023617541,0.002164028,0.049799632,0.0049730036,0.00004120007,0.00010809722,0.00006773828,0.89769214],"genre_scores_gemma":[0.27895352,0.009103412,0.0005014608,0.009808398,0.0009606444,0.00006391729,0.00007627322,0.00016037757,0.700372],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99948585,0.00020809943,0.000010914231,0.000069888425,0.00012174549,0.00010341919],"domain_scores_gemma":[0.9996824,0.000101940015,0.000024639789,0.000019097217,0.000095197865,0.00007667461],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00064721843,0.00034202548,0.00020503817,0.00038117255,0.0050013065,0.0032412072,0.0004139472,0.0012046896,0.014350992],"category_scores_gemma":[0.0010050897,0.000120875564,0.00018527627,0.00041772376,0.005597949,0.0028371692,0.0020319752,0.0043108566,0.0030935733],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000507328,0.00001754058,0.0005911825,0.00024278466,0.000006227592,0.00061392837,0.11948361,0.00008110263,0.0005063538,0.6305484,0.22575001,0.022108074],"study_design_scores_gemma":[0.0000028931897,0.00001018156,0.0004316042,0.000274684,0.0000018898622,0.00017417452,0.020850932,0.000018220104,0.00027288345,0.008773419,0.9691852,0.0000039128354],"about_ca_topic_score_codex":0.009444548,"about_ca_topic_score_gemma":0.016595948,"teacher_disagreement_score":0.014350992,"about_ca_system_score_codex":0.0024699597,"about_ca_system_score_gemma":0.0019863937,"threshold_uncertainty_score":0.0480088},"labels":[],"label_agreement":null},{"id":"W2493925316","doi":"10.1093/acprof:oso/9780198075981.003.0006","title":"From Chandigarh to Vancouver","year":2012,"lang":"en","type":"book-chapter","venue":"Oxford University Press eBooks","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Vernacular; Caste; Ethnic group; Popularity; Human settlement; Movie theater; Geography; Identity (music); Genealogy; Anthropology; History; Ethnology; Gender studies; Ancient history; Sociology; Art; Archaeology; Art history; Political science; Literature; Aesthetics; Law","score_opus":0.028990575768737745,"score_gpt":0.17969526078635148,"score_spread":0.15070468501761375,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2493925316","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02323277,0.03257124,0.0001539009,0.0022575858,0.0008009536,0.00006806488,0.00016493796,0.00006469969,0.9406859],"genre_scores_gemma":[0.21189038,0.044943377,0.0006835484,0.0016508973,0.00015959701,0.0001145484,0.00023779816,0.00012086761,0.74019897],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99972934,0.000025561803,0.000008220328,0.000043533877,0.00008854398,0.0001047791],"domain_scores_gemma":[0.99985874,0.000024106612,0.000006101038,0.00000918798,0.000048686197,0.000053183125],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00012464327,0.00053028454,0.0002165643,0.0013991438,0.012658648,0.0045390283,0.0007088647,0.0006337916,0.026571738],"category_scores_gemma":[0.00040464656,0.0004023926,0.00011579384,0.0030541702,0.0017411702,0.001034282,0.0027447976,0.00246289,0.003040424],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011098593,0.00013592679,0.002866167,0.0012054414,0.000016962556,0.005468233,0.09728761,0.00030728334,0.003892918,0.17978095,0.24441689,0.4645107],"study_design_scores_gemma":[0.000004082379,0.0000123309255,0.0023177888,0.00021283458,0.000003352537,0.0005187537,0.00941266,0.000017580383,0.00022016355,0.00093094696,0.9863383,0.000011206639],"about_ca_topic_score_codex":0.47301772,"about_ca_topic_score_gemma":0.8096057,"teacher_disagreement_score":0.5269823,"about_ca_system_score_codex":0.010153208,"about_ca_system_score_gemma":0.011253816,"threshold_uncertainty_score":0.9405289},"labels":[],"label_agreement":null},{"id":"W2505034094","doi":"10.1093/cww/vpw020","title":"The Repeating Body: Slavery’s Visual Resonance in the Contemporary","year":2016,"lang":"en","type":"article","venue":"Contemporary Women s Writing","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":96,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Embodied cognition; Vision; Indexicality; Aesthetics; Event (particle physics); Art; Vulnerability (computing); Sight; Visual arts; Sociology; Literature; Philosophy; Anthropology; Linguistics; Epistemology; Computer science","score_opus":0.03347423773472935,"score_gpt":0.2459485865555329,"score_spread":0.21247434882080354,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2505034094","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.39432782,0.0035787818,0.009298979,0.014459689,0.0008446207,0.000043746695,0.00006198542,0.00017020106,0.57721424],"genre_scores_gemma":[0.9639356,0.0006996944,0.0013079594,0.0010057295,0.00014089554,0.000025705716,0.000017389426,0.00013597195,0.032731153],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99933076,0.00042890778,0.000007641419,0.00006881279,0.00008140515,0.000082618215],"domain_scores_gemma":[0.99948895,0.00030502473,0.000041759726,0.00006331827,0.000038972965,0.00006205102],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001156202,0.00038609543,0.00023131627,0.0006556126,0.0052756206,0.0062033613,0.00060346373,0.0013742357,0.0041855955],"category_scores_gemma":[0.0019390724,0.00021551829,0.0002486361,0.0005602676,0.01967569,0.0035760796,0.0038443292,0.0027397026,0.00035579252],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026796955,0.000010411172,0.0005184206,0.00006394864,0.0000041509415,0.00059112994,0.84803885,0.00006893611,0.0020016662,0.13680094,0.004627267,0.0072474913],"study_design_scores_gemma":[0.00002147279,0.00008169315,0.003378634,0.00034924617,0.000017076049,0.0017141551,0.6068744,0.0005307964,0.0021974344,0.033075552,0.35172358,0.000035990248],"about_ca_topic_score_codex":0.003947285,"about_ca_topic_score_gemma":0.0063281422,"teacher_disagreement_score":0.0062033613,"about_ca_system_score_codex":0.0016169456,"about_ca_system_score_gemma":0.0009431685,"threshold_uncertainty_score":0.014002204},"labels":[],"label_agreement":null},{"id":"W2505407417","doi":"10.4135/9788132113966.n13","title":"Bollywood in da Club: Social Space in Toronto's “South Asian” Community","year":2012,"lang":"en","type":"book-chapter","venue":"","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Club; Geography; Space (punctuation); Social space; Media studies; Sociology; Computer science; Medicine","score_opus":0.04671342840586753,"score_gpt":0.2419647312149036,"score_spread":0.19525130280903608,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2505407417","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06181523,0.009732407,0.00059410336,0.018054264,0.0010438942,0.000072382885,0.00018241013,0.00008680911,0.9084185],"genre_scores_gemma":[0.42774418,0.0041961865,0.00037747942,0.0012008284,0.00015435708,0.00006465242,0.00007234509,0.00014883597,0.5660411],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9996164,0.000105814164,0.000006419401,0.000033386077,0.000060484483,0.00017739036],"domain_scores_gemma":[0.99945956,0.000075004114,0.000025254005,0.000016837512,0.00004275236,0.0003805116],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00037328195,0.0006840703,0.00024741373,0.0008004622,0.025060507,0.008538019,0.0008080293,0.0014027976,0.03251049],"category_scores_gemma":[0.0005662539,0.0003000311,0.00018266455,0.0017882898,0.008162828,0.0028808562,0.004267963,0.0035624548,0.0020416405],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000045910972,0.000022859807,0.0016016002,0.0001587109,0.000004393212,0.000921524,0.5944768,0.00009076097,0.0005242505,0.16848648,0.2047638,0.028902987],"study_design_scores_gemma":[0.00000458039,0.000012687161,0.003670391,0.00017772935,0.0000051405677,0.0001488769,0.22867689,0.00003981989,0.00014102642,0.0023268529,0.76478523,0.00001079919],"about_ca_topic_score_codex":0.59327364,"about_ca_topic_score_gemma":0.9194592,"teacher_disagreement_score":0.40672636,"about_ca_system_score_codex":0.024593474,"about_ca_system_score_gemma":0.017655425,"threshold_uncertainty_score":0.81824327},"labels":[],"label_agreement":null},{"id":"W2507965407","doi":"10.1057/978-1-137-59923-0","title":"Hinduism and Hindi Theater","year":2016,"lang":"en","type":"book","venue":"Palgrave Macmillan US eBooks","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Hindi; Hinduism; History; Art; Literature; Philosophy; Artificial intelligence; Religious studies; Computer science","score_opus":0.017289823624928022,"score_gpt":0.2063330697690999,"score_spread":0.1890432461441719,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2507965407","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15583181,0.018764624,0.0017941088,0.00554092,0.0011274713,0.000033590808,0.000098677294,0.00008989264,0.816719],"genre_scores_gemma":[0.9094855,0.0037821697,0.00037540484,0.000607646,0.00019051644,0.00002009381,0.000036299167,0.00004726441,0.085455135],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990858,0.000501519,0.0000152122475,0.000060343686,0.00010908994,0.00022802221],"domain_scores_gemma":[0.9996469,0.00016457638,0.00003220964,0.000027273467,0.000042741616,0.00008624119],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008709946,0.00048615347,0.00020050131,0.0008077052,0.007630372,0.0051290425,0.00066447014,0.0007218922,0.006035404],"category_scores_gemma":[0.0007286359,0.0002139971,0.00011403101,0.0010248251,0.012702909,0.001971539,0.0025170327,0.0021176322,0.0011156087],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009343809,0.000043666438,0.00089291105,0.00022434673,0.0000070820834,0.0005197066,0.4087663,0.00014871253,0.0017919159,0.5310151,0.020044137,0.036452714],"study_design_scores_gemma":[0.000012470158,0.00011632521,0.0035410847,0.00034315154,0.000006355003,0.00065604295,0.12834455,0.00018479428,0.0012938738,0.01153996,0.85394055,0.000020806196],"about_ca_topic_score_codex":0.011348331,"about_ca_topic_score_gemma":0.026331834,"teacher_disagreement_score":0.011348331,"about_ca_system_score_codex":0.004682807,"about_ca_system_score_gemma":0.0019576289,"threshold_uncertainty_score":0.033976316},"labels":[],"label_agreement":null},{"id":"W2510892785","doi":"","title":"A Study of Alienation and Disharmony in Bharathi Mukherjee’s Jasmine","year":2016,"lang":"en","type":"article","venue":"Journal of Literature, Languages and Linguistics","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Courage; Alienation; Identity (music); Immigration; Gender studies; Dream; Sociology; Literature; History; Law; Political science; Art; Aesthetics; Psychology","score_opus":0.014263565248396386,"score_gpt":0.26824388561349377,"score_spread":0.2539803203650974,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2510892785","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9220666,0.0019216983,0.00031605497,0.010092683,0.00012145988,0.000027382488,0.000024359646,0.000017375382,0.06541237],"genre_scores_gemma":[0.98692375,0.0012991834,0.0001866027,0.0017016039,0.00004131543,0.000022184622,0.000011137664,0.000035001543,0.0097792],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99665844,0.0018535209,0.00007490133,0.00020514187,0.0005966822,0.0006113837],"domain_scores_gemma":[0.99664515,0.0015324116,0.0006704095,0.00017038402,0.00026205758,0.00071943307],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002305745,0.00065267406,0.00085540535,0.0019046457,0.03275236,0.0101259705,0.0019393566,0.002750986,0.005219234],"category_scores_gemma":[0.0046080956,0.0007039899,0.0004051858,0.0025595594,0.019916117,0.0059673446,0.007847016,0.0071922867,0.00063508836],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016191332,0.000066500295,0.0011791585,0.000046050973,0.000004830703,0.0010625288,0.973697,0.000012017996,0.00044481942,0.020102186,0.0014637385,0.0019050299],"study_design_scores_gemma":[0.0000041352273,0.00004134291,0.004917707,0.00012271915,0.0000089796295,0.0008546638,0.928352,0.00005829429,0.00018456689,0.0022364352,0.06320016,0.000019054818],"about_ca_topic_score_codex":0.013514509,"about_ca_topic_score_gemma":0.033141512,"teacher_disagreement_score":0.03275236,"about_ca_system_score_codex":0.0067301574,"about_ca_system_score_gemma":0.0042637945,"threshold_uncertainty_score":0.048830926},"labels":[],"label_agreement":null},{"id":"W2512497701","doi":"10.1057/978-1-137-59923-0_5","title":"Hinduism and Gender: Mythologizing and Othering Women","year":2016,"lang":"en","type":"book-chapter","venue":"Palgrave Macmillan US eBooks","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Hinduism; Hindi; Mythology; Interpretation (philosophy); Drama; Religious studies; Gender studies; History; Hindu nationalism; Sociology; Philosophy; Literature; Art; Political science; Classics; Law; Linguistics; Nationalism","score_opus":0.03213012948605136,"score_gpt":0.21491833671792,"score_spread":0.18278820723186862,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2512497701","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3936968,0.01783701,0.0035841388,0.019578679,0.0012832803,0.000056907353,0.000060998555,0.00006213263,0.5638401],"genre_scores_gemma":[0.9519978,0.0035634588,0.00042314778,0.0014398952,0.0001872687,0.00003350793,0.000019838866,0.000049310154,0.04228582],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974486,0.0018022452,0.000026961545,0.0001425371,0.00019605955,0.00038345804],"domain_scores_gemma":[0.99908924,0.0005584239,0.00007769465,0.000044900647,0.00006955781,0.0001601783],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0030020275,0.0007763925,0.00043781224,0.0013282355,0.015491687,0.0097142495,0.0010196917,0.0016129261,0.0038194112],"category_scores_gemma":[0.002051085,0.00028815554,0.00019773461,0.0016097372,0.037635278,0.005363688,0.0042952276,0.0035378376,0.00048534473],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012186122,0.000008935646,0.00036320533,0.000026347565,0.0000016385003,0.00016949691,0.8472912,0.00001355765,0.00018955219,0.1457644,0.0017742105,0.004385306],"study_design_scores_gemma":[0.0000038309017,0.000024853818,0.0009658191,0.00018057457,0.0000039386496,0.00026682433,0.83737236,0.000046857247,0.00026841718,0.013553011,0.14730416,0.000009322467],"about_ca_topic_score_codex":0.00936741,"about_ca_topic_score_gemma":0.017537396,"teacher_disagreement_score":0.015491687,"about_ca_system_score_codex":0.0050145863,"about_ca_system_score_gemma":0.0031555835,"threshold_uncertainty_score":0.03638351},"labels":[],"label_agreement":null},{"id":"W2518223788","doi":"10.5430/wjel.v6n2p24","title":"The Barbarous Moor in Peele’s Alcazar (1594)","year":2016,"lang":"en","type":"article","venue":"World Journal of English Language","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Immorality; Depiction; Literature; Battle; Philosophy; Context (archaeology); History; Law; Morality; Art; Ancient history; Archaeology; Epistemology","score_opus":0.008088802620318785,"score_gpt":0.21025289980415052,"score_spread":0.20216409718383174,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2518223788","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.22329211,0.005156131,0.0015361534,0.009468625,0.0005476673,0.000032772925,0.000051993713,0.0000415228,0.75987303],"genre_scores_gemma":[0.8127555,0.0011567076,0.00038025857,0.0008241569,0.0001050199,0.000017608172,0.000017296014,0.00004354359,0.18469992],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996271,0.00014556308,0.000005573073,0.000049503436,0.00006714173,0.00010514595],"domain_scores_gemma":[0.9998671,0.000058272017,0.000019883466,0.000009813411,0.00001711083,0.000027706024],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00037739013,0.00030445505,0.000167833,0.00053215015,0.009161459,0.0027071496,0.00032905262,0.001487154,0.0061012735],"category_scores_gemma":[0.0008454871,0.0001711939,0.00009847073,0.00025521146,0.0052665826,0.0019908063,0.0020940048,0.0022926726,0.00095442205],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001331881,0.000037783295,0.00094110443,0.00013015764,0.000005905495,0.0016547184,0.45293695,0.00008329764,0.0015715222,0.50057703,0.017324585,0.024603795],"study_design_scores_gemma":[0.0000062695112,0.000050034003,0.0031027396,0.00021055179,0.0000070822407,0.0011743827,0.07205581,0.000077866585,0.000986596,0.009470852,0.9128357,0.000022145674],"about_ca_topic_score_codex":0.010774073,"about_ca_topic_score_gemma":0.039524756,"teacher_disagreement_score":0.010774073,"about_ca_system_score_codex":0.0022140215,"about_ca_system_score_gemma":0.0007378243,"threshold_uncertainty_score":0.021422744},"labels":[],"label_agreement":null},{"id":"W2519451188","doi":"","title":"(Re)casting Caste: Dalit Literary Consciousness in Ajay Navaria’s Unclaimed Terrain and Goyu Shyamala’s Father may be an elephant and mother only a small basket but…","year":2016,"lang":"en","type":"article","venue":"Postcolonial text","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Caste; Sociology; Hindi; History; Literature; Realm; Consciousness; Gender studies; Aesthetics; Art; Philosophy; Linguistics; Archaeology","score_opus":0.027917475929163698,"score_gpt":0.24343514361312005,"score_spread":0.21551766768395636,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2519451188","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8155003,0.0058932165,0.00086114765,0.009113184,0.00047823723,0.000036547954,0.000052499017,0.00005710243,0.1680078],"genre_scores_gemma":[0.9871372,0.0008718589,0.0001642354,0.00041868046,0.000058117577,0.000011847355,0.000014517648,0.000026213438,0.0112974],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.999331,0.00030484423,0.000021984859,0.000069804526,0.000118635,0.00015367406],"domain_scores_gemma":[0.9994598,0.00024882134,0.00007411263,0.000052066487,0.0000675304,0.00009765567],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010738447,0.0006233586,0.0004151159,0.0011008086,0.01710902,0.008675543,0.00064048666,0.0010210862,0.0022563192],"category_scores_gemma":[0.0015730171,0.00026934713,0.00023346973,0.0012809279,0.018542156,0.003643765,0.0060700295,0.0038232065,0.00029686795],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025289808,0.000013678994,0.0009059034,0.000076020544,0.0000039433917,0.0007229997,0.95954025,0.000027848095,0.00065777777,0.03137356,0.0014745684,0.0051781107],"study_design_scores_gemma":[0.0000053617377,0.000030341047,0.0048822532,0.00016688913,0.000018803195,0.00084937946,0.8424382,0.000099677534,0.0006677386,0.0036436298,0.14717579,0.000021884287],"about_ca_topic_score_codex":0.018153502,"about_ca_topic_score_gemma":0.038417693,"teacher_disagreement_score":0.018153502,"about_ca_system_score_codex":0.00492548,"about_ca_system_score_gemma":0.002860107,"threshold_uncertainty_score":0.03609562},"labels":[],"label_agreement":null},{"id":"W2524729005","doi":"10.1057/978-1-349-94932-8_9","title":"Slum Extravaganza!: Cultural and Geopolitical Representation of Dharavi in Celluloid India","year":2016,"lang":"en","type":"book-chapter","venue":"Palgrave Macmillan US eBooks","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"MacEwan University","funders":"","keywords":"Escapism; Commodification; Movie theater; Hollywood; Fantasy; Bourgeoisie; Depiction; Orientalism; Art; Neoliberalism (international relations); Dictatorship; Aesthetics; Geopolitics; Sociology; Art history; History; Literature; Political science; Democracy; Social science; Law; Economy; Philosophy","score_opus":0.03192030316990725,"score_gpt":0.24695591639125106,"score_spread":0.2150356132213438,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2524729005","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.84716105,0.0015450901,0.00028889035,0.001268908,0.00005855321,0.000019946841,0.000117773554,0.000040208895,0.14949954],"genre_scores_gemma":[0.9911678,0.0005774603,0.000104558545,0.00010689201,0.00001129158,0.000009516892,0.000041235347,0.00002389689,0.00795726],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.999754,0.00009775664,0.000004642789,0.000021892209,0.000024862591,0.00009682945],"domain_scores_gemma":[0.99968195,0.0001788981,0.000045427358,0.000029673522,0.00001911503,0.000045061333],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00028249156,0.00036334322,0.00018182628,0.0012023024,0.0060895104,0.0051409276,0.0006611122,0.0005594395,0.005237055],"category_scores_gemma":[0.00058565434,0.00028575296,0.00014222963,0.0019749647,0.0048940834,0.0012587431,0.003167326,0.0015589299,0.0004386766],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000053039224,0.000017100669,0.0038608671,0.00012630131,0.0000054048487,0.0010226704,0.9400726,0.000057429537,0.0024240983,0.03679527,0.0024918588,0.013073245],"study_design_scores_gemma":[0.000004177697,0.000037576225,0.032786045,0.0002150917,0.000022514483,0.0012675938,0.8236055,0.000112984024,0.00095908745,0.001302629,0.13966087,0.000025921847],"about_ca_topic_score_codex":0.024843985,"about_ca_topic_score_gemma":0.08050688,"teacher_disagreement_score":0.024843985,"about_ca_system_score_codex":0.003294191,"about_ca_system_score_gemma":0.0014022673,"threshold_uncertainty_score":0.04939878},"labels":[],"label_agreement":null},{"id":"W2526253447","doi":"10.15760/etd.3018","title":"Apples and Knives (A Novel)","year":2000,"lang":"en","type":"report","venue":"","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Housewife; History; Psychology; Gender studies; Visual arts; Art; Sociology","score_opus":0.05734619408394727,"score_gpt":0.23931414875066565,"score_spread":0.1819679546667184,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2526253447","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.028572077,0.010655783,0.0009728305,0.03330107,0.010617794,0.00011844287,0.00028001747,0.00013355262,0.9153483],"genre_scores_gemma":[0.18160601,0.0044314093,0.00063067203,0.0132285785,0.001725799,0.00013631476,0.00015351616,0.00017066601,0.79791707],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993895,0.00019537278,0.0000144461055,0.00010801215,0.00012363051,0.00016903733],"domain_scores_gemma":[0.9996791,0.000078064884,0.000023746514,0.00002063485,0.0000641307,0.00013445056],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00063336623,0.0009669874,0.00035002158,0.00071291707,0.017914519,0.005805738,0.0010240503,0.0028900318,0.03078915],"category_scores_gemma":[0.0012230183,0.00034993197,0.0003423367,0.0005307457,0.0058541554,0.0048263357,0.0030464733,0.006170898,0.0075757857],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009610727,0.00022710874,0.00083754864,0.0001791241,0.000009329745,0.0045569334,0.11569858,0.000074438256,0.00052443205,0.21368551,0.6290062,0.035104662],"study_design_scores_gemma":[0.0000074184695,0.000021644688,0.0008817009,0.00017762011,0.0000029842236,0.0009983904,0.03624019,0.000042007654,0.000153367,0.0046032,0.9568575,0.000013817029],"about_ca_topic_score_codex":0.018431377,"about_ca_topic_score_gemma":0.048427384,"teacher_disagreement_score":0.03078915,"about_ca_system_score_codex":0.003993052,"about_ca_system_score_gemma":0.0021733814,"threshold_uncertainty_score":0.102999926},"labels":[],"label_agreement":null},{"id":"W2527447101","doi":"","title":"Bollywood sur le Lac. Dr. Cabbie, Canada, 2014, 1 h 41Dr. Cabbie, Canada, 2014, 1 h 41","year":2014,"lang":"fr","type":"article","venue":"Séquences : La revue de cinéma","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Political science","score_opus":0.010220628632004467,"score_gpt":0.1908975808228332,"score_spread":0.18067695219082874,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2527447101","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0026301504,0.044092555,0.00090395653,0.05591177,0.017626978,0.00020482957,0.0077331737,0.001170792,0.8697259],"genre_scores_gemma":[0.002243934,0.0027607323,0.00011311975,0.0008370284,0.00015235171,0.000014839724,0.0003575081,0.00013087665,0.9933895],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99928063,0.00006116062,0.000015885635,0.00015652909,0.00027269806,0.0002131231],"domain_scores_gemma":[0.9985078,0.00010580513,0.000043601518,0.000033789078,0.0008331358,0.00047592132],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007410735,0.0010531738,0.0007793827,0.00088731694,0.008793677,0.004240836,0.0010233218,0.0034310303,0.67873156],"category_scores_gemma":[0.0019718045,0.00060686964,0.00034019593,0.0012971251,0.00085803063,0.0015297616,0.0021205684,0.004127944,0.27264383],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000059796424,0.000011625135,0.00014166124,0.00007053271,0.0000015876111,0.000053287262,0.00014990415,0.000021707596,0.00023284554,0.0013344366,0.9712967,0.02662593],"study_design_scores_gemma":[0.0000037680102,0.000005331609,0.0006203728,0.000060092996,0.0000011637749,0.000032601034,0.0003213065,0.000016038583,0.00008571831,0.000084647385,0.9987645,0.0000044524236],"about_ca_topic_score_codex":0.5661464,"about_ca_topic_score_gemma":0.8273343,"teacher_disagreement_score":0.67873156,"about_ca_system_score_codex":0.009373288,"about_ca_system_score_gemma":0.012848842,"threshold_uncertainty_score":0.87281734},"labels":[],"label_agreement":null},{"id":"W2530635335","doi":"10.5195/cinej.2016.138","title":"Bollywood of India: Geopolitical Texts of Belonging and Difference and Narratives of Mistrust and Suspicion","year":2016,"lang":"en","type":"article","venue":"CINEJ Cinema Journal","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"CARE Canada","funders":"","keywords":"Geopolitics; Narrative; Partition (number theory); Identity (music); Construct (python library); Meaning (existential); Gender studies; History; Sociology; Political science; Aesthetics; Literature; Art; Law; Psychology","score_opus":0.00896657114326658,"score_gpt":0.21013370654043897,"score_spread":0.2011671353971724,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2530635335","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.77389663,0.0050269375,0.00090317876,0.006424074,0.000341422,0.000037035832,0.00014664128,0.00007600854,0.21314803],"genre_scores_gemma":[0.9887406,0.0013638977,0.00023297274,0.00042310858,0.00005246555,0.000016064361,0.00004883975,0.00005352979,0.009068478],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9993079,0.00034727383,0.000012715038,0.000047391954,0.000117175245,0.00016751318],"domain_scores_gemma":[0.9980355,0.0014327724,0.00017358568,0.00012319272,0.00007367119,0.00016137231],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00078161404,0.00065903243,0.0003186642,0.001559916,0.010703741,0.008832081,0.0009228653,0.0011558231,0.0028635892],"category_scores_gemma":[0.002554545,0.0003567228,0.00014973329,0.0028877517,0.01163726,0.0037923942,0.0044980445,0.00396224,0.00030708336],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007769443,0.000024035835,0.000998582,0.00013317664,0.000007845743,0.0009456335,0.94584215,0.000042000956,0.0014732885,0.039356828,0.0040041567,0.0070946305],"study_design_scores_gemma":[0.000007795765,0.000044258562,0.0067421733,0.00039988643,0.000023628869,0.0009244956,0.81633,0.00011610223,0.001227879,0.003439256,0.17070666,0.000037871738],"about_ca_topic_score_codex":0.008887003,"about_ca_topic_score_gemma":0.023822876,"teacher_disagreement_score":0.010703741,"about_ca_system_score_codex":0.0037825059,"about_ca_system_score_gemma":0.0013981682,"threshold_uncertainty_score":0.027444184},"labels":[],"label_agreement":null},{"id":"W2544402148","doi":"10.1177/0021989416673865","title":"Racialized rooms and technologies of stardom in Ondaatje’s <i>Coming Through Slaughter</i>","year":2016,"lang":"en","type":"article","venue":"The Journal of Commonwealth Literature","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Memorial University of Newfoundland","funders":"","keywords":"Race (biology); White (mutation); Anachronism; Interpretation (philosophy); Photography; Jazz; Art; Publicity; Critical race theory; Aesthetics; Visual arts; Sociology; Literature; History; Gender studies; Law; Politics; Philosophy","score_opus":0.01376412195310709,"score_gpt":0.23046403012029396,"score_spread":0.21669990816718687,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2544402148","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6827959,0.0021823277,0.005525311,0.00945882,0.00057565584,0.00003404691,0.000032199907,0.00005328721,0.2993425],"genre_scores_gemma":[0.9877487,0.00021524614,0.00036537234,0.00032992434,0.000035852572,0.000010341169,0.000005646458,0.000023724733,0.011265316],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99849033,0.0008426959,0.000028988052,0.00015992679,0.00019287394,0.00028515904],"domain_scores_gemma":[0.99888605,0.00052013824,0.00018729504,0.00011398728,0.00007570694,0.00021674162],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014532746,0.00028804786,0.00018687235,0.0006898179,0.015725467,0.009393823,0.00080026855,0.0013290485,0.0039369273],"category_scores_gemma":[0.0023929498,0.00034192312,0.00019463008,0.00057165936,0.024972104,0.004458811,0.006002079,0.0031437937,0.0003002277],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005462656,0.000033151864,0.0015576312,0.00007675295,0.0000042246784,0.00097529864,0.7364596,0.00008037812,0.0014625491,0.24929625,0.0024878227,0.007511646],"study_design_scores_gemma":[0.000010499943,0.00004472153,0.0051406855,0.00016992056,0.00001595905,0.00096784177,0.70818245,0.0001581336,0.0020366786,0.011952937,0.27128297,0.000037275724],"about_ca_topic_score_codex":0.010581691,"about_ca_topic_score_gemma":0.024165457,"teacher_disagreement_score":0.015725467,"about_ca_system_score_codex":0.003162709,"about_ca_system_score_gemma":0.0015007571,"threshold_uncertainty_score":0.022947192},"labels":[],"label_agreement":null},{"id":"W2554009710","doi":"10.55016/ojs/ajer.v59i4.55740","title":"Learning in Depth, (2010) by Kieran Egan","year":2014,"lang":"en","type":"article","venue":"Alberta Journal of Educational Research","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of New Brunswick","funders":"","keywords":"Psychology; Mathematics education; Educational research","score_opus":0.057084888793416874,"score_gpt":0.33161418263372927,"score_spread":0.2745292938403124,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2554009710","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0025183354,0.5517561,0.01887992,0.07231524,0.01816861,0.00013825131,0.00038938233,0.0005716189,0.33526263],"genre_scores_gemma":[0.035179585,0.2961718,0.019172084,0.034832828,0.0038048627,0.00028364302,0.00044269842,0.0006433115,0.6094691],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99917525,0.00020403726,0.00004119876,0.00019273713,0.00032601922,0.00006068035],"domain_scores_gemma":[0.99955446,0.00019180308,0.000032385975,0.000026483503,0.00013205875,0.00006282317],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012368861,0.0013707262,0.00045555164,0.0018249055,0.0020536636,0.0043802215,0.00072045485,0.0020627514,0.0074535217],"category_scores_gemma":[0.0025308656,0.0005847566,0.0005026574,0.0012706491,0.0029911846,0.008162307,0.0028112158,0.0051294393,0.0053633773],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003890315,0.000032698743,0.00022579613,0.0003623699,0.000010201485,0.0001089583,0.0025951716,0.00038770703,0.00036647776,0.114227355,0.67377156,0.20787288],"study_design_scores_gemma":[0.0000027869644,0.000008779812,0.0002544685,0.00048482357,0.000002784268,0.00018630881,0.00028900497,0.000083741805,0.00009669142,0.011552193,0.9870285,0.000009961695],"about_ca_topic_score_codex":0.006866847,"about_ca_topic_score_gemma":0.013863185,"teacher_disagreement_score":0.0074535217,"about_ca_system_score_codex":0.0037501366,"about_ca_system_score_gemma":0.0029786301,"threshold_uncertainty_score":0.027209222},"labels":[],"label_agreement":null},{"id":"W2582461309","doi":"10.17742/image.scandal.4-1.7","title":"“WE ARE RESILIENT BY FORCE, NOT BY CHOICE”: TERRIFYING BOMBAY IN NEW BOLLYWOOD CINEMA","year":2013,"lang":"en","type":"article","venue":"Imaginations Journal of Cross-Cultural Image Studies","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Movie theater; The Imaginary; Hindi; Dialectic; Media studies; Negotiation; Film industry; Spectacle; Art; History; Visual arts; Sociology; Aesthetics; Art history; Political science; Law; Computer science; Psychology; Social science; Psychoanalysis","score_opus":0.03443073271316987,"score_gpt":0.3467704470934433,"score_spread":0.3123397143802734,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2582461309","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7665782,0.0062021683,0.00082980056,0.016179098,0.00090489,0.000058321184,0.000052826657,0.000075933465,0.20911871],"genre_scores_gemma":[0.96835697,0.0018927113,0.00039350288,0.0010302311,0.00011451194,0.000017955283,0.000021855776,0.0000566753,0.0281156],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9994832,0.0002710722,0.000009220582,0.00004871384,0.00007035025,0.00011746334],"domain_scores_gemma":[0.99959797,0.0001297345,0.00005036523,0.000029255376,0.000044729382,0.00014795233],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010254624,0.00045861446,0.00023518672,0.00067337696,0.011382215,0.0063133896,0.00060138863,0.0010092139,0.004032616],"category_scores_gemma":[0.0012610249,0.0003128412,0.00013665101,0.0005666731,0.008403894,0.0050122007,0.0041050217,0.004090239,0.00043571988],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000057093614,0.000028959696,0.001210965,0.00010726084,0.000008585005,0.00090023555,0.94988173,0.000037142596,0.0012646735,0.020955529,0.015791724,0.009756056],"study_design_scores_gemma":[0.000007857247,0.000047716163,0.008508517,0.00030290842,0.000019339104,0.001268108,0.65349156,0.00015753551,0.0010038771,0.0016328252,0.33352038,0.000039297738],"about_ca_topic_score_codex":0.015558985,"about_ca_topic_score_gemma":0.048035197,"teacher_disagreement_score":0.015558985,"about_ca_system_score_codex":0.0033925392,"about_ca_system_score_gemma":0.0009691299,"threshold_uncertainty_score":0.030936837},"labels":[],"label_agreement":null},{"id":"W2582692677","doi":"10.3138/jrpc.28.2-3.3611","title":"Playing God: Participant Frameworks in the<i>Ras Lilas</i>of Krishna","year":2016,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Comics; Hinduism; Worship; Modernity; Entertainment; Sociology; Aesthetics; Literature; Popular culture; Art; Philosophy; Religious studies; Epistemology; Visual arts; Theology","score_opus":0.027746022556345826,"score_gpt":0.2556962165466165,"score_spread":0.22795019399027067,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2582692677","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.80863684,0.00078505964,0.006011178,0.0024108498,0.0001016227,0.00008113341,0.000047165424,0.00006097411,0.18186513],"genre_scores_gemma":[0.9930374,0.0001132841,0.000887126,0.000093574214,0.0000074594077,0.000011666891,0.000009775329,0.000024863533,0.0058147805],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9970016,0.002099503,0.000051879466,0.00032244457,0.00017732433,0.00034721958],"domain_scores_gemma":[0.9986506,0.0008207983,0.00012697172,0.00010942599,0.00009619932,0.00019591785],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0030916592,0.0005710326,0.00041698132,0.0010412139,0.011553215,0.0064571965,0.001384542,0.0014786589,0.0046110996],"category_scores_gemma":[0.0031189718,0.00050852814,0.00031344246,0.0006902549,0.027853966,0.005436021,0.0068471367,0.002981366,0.00046769902],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000038134767,0.000018905932,0.0005608648,0.000038232432,0.000004238287,0.00049144746,0.9117208,0.000040931758,0.0007954236,0.08385507,0.0003029817,0.002133031],"study_design_scores_gemma":[0.000014536483,0.00007599608,0.0019256931,0.00014516097,0.000015691461,0.000665997,0.92579865,0.0002844845,0.0005094964,0.014906383,0.0556242,0.000033778997],"about_ca_topic_score_codex":0.0049874494,"about_ca_topic_score_gemma":0.013854694,"teacher_disagreement_score":0.011553215,"about_ca_system_score_codex":0.002402597,"about_ca_system_score_gemma":0.0014577273,"threshold_uncertainty_score":0.017432213},"labels":[],"label_agreement":null},{"id":"W2584206876","doi":"","title":"Representation of identity as cultural citizenship practice: positioning Deepa Mehta, Mira Nair, and Gurinder Chadha in the context of postcolonial theory","year":2016,"lang":"en","type":"dissertation","venue":"Nottingham ePrints (University of Nottingham)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Orientalism; Multiculturalism; Gender studies; Sociology; Postcolonialism (international relations); Citizenship; Identity (music); Subject (documents); Cultural studies; Cultural identity; Politics; Anthropology; Aesthetics; Social science; Political science; Literature; Art; Law","score_opus":0.020695449095904133,"score_gpt":0.27515373823589684,"score_spread":0.2544582891399927,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2584206876","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3716549,0.01605227,0.0043366407,0.11884512,0.0013131049,0.000060130445,0.000036567468,0.000049656253,0.48765165],"genre_scores_gemma":[0.98898137,0.0025396824,0.00047004747,0.0017541725,0.00016095456,0.000032782675,0.0000071292866,0.00002050492,0.00603344],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99576205,0.0028795511,0.00006665964,0.00027659867,0.00048086714,0.00053429423],"domain_scores_gemma":[0.9966667,0.0019370894,0.00031369147,0.0002657656,0.0003881349,0.00042862762],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0043957327,0.00046739375,0.0004352987,0.0017980686,0.017109029,0.019173859,0.0017171353,0.0023515408,0.0017839803],"category_scores_gemma":[0.004130932,0.00030331098,0.00027106339,0.0020122076,0.062732324,0.009234016,0.00854196,0.0071296804,0.0002258339],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001076311,0.000027934459,0.0005455505,0.00005364871,0.0000030201859,0.00033140532,0.6543189,0.000032278727,0.00021371519,0.33605984,0.0017410595,0.0066619283],"study_design_scores_gemma":[0.000010379925,0.000042678283,0.002562302,0.0004404673,0.0000147409655,0.0006111869,0.76462996,0.00026755748,0.00051671,0.062667556,0.16820402,0.000032432305],"about_ca_topic_score_codex":0.027970774,"about_ca_topic_score_gemma":0.03230747,"teacher_disagreement_score":0.027970774,"about_ca_system_score_codex":0.013211602,"about_ca_system_score_gemma":0.00889046,"threshold_uncertainty_score":0.09585732},"labels":[],"label_agreement":null},{"id":"W2591753972","doi":"10.1111/1468-0424.12283","title":"Women and the Nationalisation of Literature: Text and Image as Parallel Narratives with Multiplied Meaning in a Hindi Periodical (1927–1941)","year":2017,"lang":"en","type":"article","venue":"Gender & History","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"York University","keywords":"Hindi; Narrative; Nationalism; Hinduism; Mainstream; Caste; Meaning (existential); Hindu nationalism; History; Sociology; Literature; Gender studies; Indian literature; Aesthetics; Linguistics; Politics; Psychology; Art; Political science; Law; Philosophy","score_opus":0.0265013094688214,"score_gpt":0.21382265117303786,"score_spread":0.18732134170421647,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2591753972","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8621718,0.002533051,0.00060841744,0.0052961065,0.00028212747,0.000028751758,0.00007403281,0.000040324863,0.12896536],"genre_scores_gemma":[0.98946697,0.00047727514,0.00017001969,0.00024025465,0.00008995075,0.000014389786,0.000018907189,0.000030366327,0.009491704],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9981122,0.0011871975,0.00004368303,0.00015336636,0.00029448123,0.00020913137],"domain_scores_gemma":[0.99600524,0.0027877407,0.00042539983,0.00017006171,0.0002468618,0.00036472746],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0026064147,0.0005986491,0.00039715043,0.002912976,0.014210697,0.015564713,0.0010188043,0.0015938681,0.0031620702],"category_scores_gemma":[0.0042962986,0.0004148378,0.0002461446,0.0027577,0.027721023,0.0059251855,0.0058520134,0.0022986575,0.00033462295],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014766263,0.0000065319255,0.00049474114,0.000025389903,0.0000020219259,0.00026733597,0.9874035,0.000007595253,0.00031308885,0.009355945,0.00044844317,0.0016605181],"study_design_scores_gemma":[0.0000056642916,0.000026851478,0.0026295725,0.0001267562,0.000008448499,0.00045058623,0.93856305,0.000051492458,0.000508616,0.0017567143,0.055858903,0.000013442284],"about_ca_topic_score_codex":0.0051776194,"about_ca_topic_score_gemma":0.012338117,"teacher_disagreement_score":0.015564713,"about_ca_system_score_codex":0.006198022,"about_ca_system_score_gemma":0.002476579,"threshold_uncertainty_score":0.044969976},"labels":[],"label_agreement":null},{"id":"W2609785720","doi":"10.1057/978-1-137-53175-9_9","title":"System within the Suburb: Dharavi and Class Depiction in Bollywood","year":2017,"lang":"en","type":"book-chapter","venue":"Palgrave Macmillan UK eBooks","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"MacEwan University","funders":"","keywords":"Spectacle; Geography; Escapism; Destinations; Shadow (psychology); Cartography; Media studies; History; Sociology; Political science; Archaeology; Tourism; Psychology","score_opus":0.02242812156683392,"score_gpt":0.20791894661470942,"score_spread":0.1854908250478755,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2609785720","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7038394,0.0016764621,0.0003966195,0.003154043,0.0002283155,0.0000319928,0.0001753677,0.00007665012,0.29042113],"genre_scores_gemma":[0.9457755,0.0006612952,0.00027209937,0.00045026492,0.00004933654,0.000018456089,0.00006284488,0.000078584344,0.052631456],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99974173,0.000103231025,0.0000036293334,0.000025603817,0.000035725974,0.000090114685],"domain_scores_gemma":[0.9998049,0.00007537521,0.000027654647,0.000012607577,0.000011877113,0.00006760077],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00026248072,0.00047390492,0.00021641051,0.0010866771,0.008236355,0.0064698835,0.00056523905,0.00089858467,0.010339242],"category_scores_gemma":[0.0004900439,0.00024030147,0.00013569898,0.0012587892,0.0033688117,0.0021365525,0.0026727684,0.0025981686,0.0010709608],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012699186,0.000095012605,0.0031426146,0.00014432725,0.000014949741,0.0024077792,0.9179969,0.00008668488,0.003061218,0.038181756,0.018423093,0.01631869],"study_design_scores_gemma":[0.000010324941,0.00004566295,0.013626097,0.00027843425,0.000017327518,0.00096134376,0.4990829,0.00014797506,0.00094341073,0.0016963298,0.48316407,0.00002607614],"about_ca_topic_score_codex":0.018548097,"about_ca_topic_score_gemma":0.066779345,"teacher_disagreement_score":0.018548097,"about_ca_system_score_codex":0.003373405,"about_ca_system_score_gemma":0.00059804803,"threshold_uncertainty_score":0.036880255},"labels":[],"label_agreement":null},{"id":"W2612070984","doi":"","title":"Review of Monolingualism and Linguistic Exhibitionism in Fiction by Anjali Pandey","year":2017,"lang":"en","type":"article","venue":"Postcolonial text","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Exhibitionism; Linguistics; Art; Philosophy; Psychology; Psychoanalysis","score_opus":0.021576225655430405,"score_gpt":0.27616536871631275,"score_spread":0.2545891430608824,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2612070984","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0005963527,0.9958478,0.000035900634,0.0022332387,0.0004947758,0.000003534238,0.000017358592,0.0000020043462,0.0007689658],"genre_scores_gemma":[0.004864744,0.99136496,0.00011360482,0.0014797313,0.0014021549,0.0000140837055,0.000042097414,0.0000070084316,0.0007117244],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991659,0.00031002058,0.00017385621,0.00012726641,0.00017816607,0.000044762524],"domain_scores_gemma":[0.9895573,0.007843495,0.000575764,0.00014110874,0.0016457817,0.00023642537],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0024203483,0.0004073828,0.0011901577,0.0049410765,0.00072257634,0.0028228008,0.0006856508,0.0010506465,0.0031522363],"category_scores_gemma":[0.008438866,0.0002755183,0.00028961583,0.0061100964,0.0017207128,0.0029299674,0.0016201271,0.001489099,0.0008284742],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001386916,0.00012672276,0.002131947,0.047058646,0.0001802415,0.0004246064,0.006834098,0.00008638644,0.0007789883,0.005507566,0.1069104,0.8298218],"study_design_scores_gemma":[0.000016989048,0.00010524207,0.011041457,0.034312505,0.00028295646,0.0017295381,0.0055857543,0.000050594033,0.00044101934,0.0016515561,0.94473094,0.000051457424],"about_ca_topic_score_codex":0.0046267565,"about_ca_topic_score_gemma":0.008972911,"teacher_disagreement_score":0.0049410765,"about_ca_system_score_codex":0.00094822235,"about_ca_system_score_gemma":0.0036236544,"threshold_uncertainty_score":0.012800217},"labels":[],"label_agreement":null},{"id":"W2619514164","doi":"10.1057/978-1-137-57375-9_3","title":"The ‘Alternate Space’ of A.R. Rahman’s Film Music","year":2017,"lang":"en","type":"book-chapter","venue":"Palgrave Macmillan UK eBooks","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Music of India; Tamil; Musical; Narrative; Melody; Singing; Art; History; Hindi; Popular music; Literature; Visual arts; Linguistics; Acoustics","score_opus":0.03169090779531717,"score_gpt":0.22106885464296083,"score_spread":0.18937794684764367,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2619514164","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.105118126,0.019781452,0.0030358515,0.0091397185,0.0013848637,0.000039654067,0.000052159296,0.00013239658,0.86131585],"genre_scores_gemma":[0.83084965,0.011235729,0.0030162442,0.0018950432,0.00045520387,0.000036529444,0.000036842852,0.00009865651,0.15237607],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999401,0.00030562072,0.000017071841,0.00006518194,0.00012875453,0.00008239959],"domain_scores_gemma":[0.9997086,0.00013112763,0.000032250846,0.000037602356,0.00004561451,0.00004472708],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005912585,0.00029155763,0.00016225268,0.00049585797,0.0025787656,0.0028347191,0.00052622496,0.00049138145,0.0037342757],"category_scores_gemma":[0.0009411572,0.00015033371,0.00012571024,0.00048279978,0.0041628764,0.0023066676,0.0010359772,0.0014910835,0.0007594654],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000954235,0.000059820686,0.001100875,0.00033156568,0.000016581136,0.00065101916,0.112626456,0.00015462344,0.0038820836,0.68566656,0.06426948,0.13114543],"study_design_scores_gemma":[0.000009954132,0.000097082055,0.003358082,0.00030520314,0.00001944771,0.0011789241,0.040537212,0.00027479563,0.0018800198,0.01263934,0.9396739,0.000025956693],"about_ca_topic_score_codex":0.0043261936,"about_ca_topic_score_gemma":0.012060067,"teacher_disagreement_score":0.0043261936,"about_ca_system_score_codex":0.0014540878,"about_ca_system_score_gemma":0.001092114,"threshold_uncertainty_score":0.012492359},"labels":[],"label_agreement":null},{"id":"W2622620010","doi":"","title":"MRS. DALLOWAY: DA LITERATURA AO CINEMA","year":2015,"lang":"pt","type":"article","venue":"Revista Ecos","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Movie theater; Romance; Art history; Literature","score_opus":0.051438011458988374,"score_gpt":0.25840842138648495,"score_spread":0.20697040992749657,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2622620010","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.045673203,0.28406793,0.0010008776,0.13633198,0.008401671,0.000048696074,0.0003722435,0.00015981452,0.52394354],"genre_scores_gemma":[0.44159806,0.0980113,0.00093003735,0.014559129,0.0030510111,0.00007808569,0.0001340122,0.0002200588,0.44141835],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99928766,0.00029273937,0.000025259342,0.00012316345,0.00015053648,0.00012068615],"domain_scores_gemma":[0.99920624,0.00032834208,0.00008818374,0.00004216653,0.00017681319,0.00015838447],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010786945,0.00064881274,0.0002829452,0.0016044299,0.011463344,0.007995454,0.0006187603,0.0016468068,0.0140033765],"category_scores_gemma":[0.0026741668,0.0002882267,0.00016741328,0.0017571226,0.0068016374,0.0048828656,0.0026581998,0.002813877,0.0013802141],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005177047,0.000018854795,0.0015427672,0.00036814605,0.000010041255,0.0006628778,0.25830793,0.000042992142,0.00092844834,0.11590166,0.5571042,0.065060444],"study_design_scores_gemma":[0.0000010509129,0.0000040806067,0.001194405,0.00018474624,0.0000026040252,0.00010312905,0.016657716,0.0000069292955,0.00010333411,0.0005112476,0.9812259,0.000004832978],"about_ca_topic_score_codex":0.16812201,"about_ca_topic_score_gemma":0.3441806,"teacher_disagreement_score":0.16812201,"about_ca_system_score_codex":0.010474967,"about_ca_system_score_gemma":0.004856099,"threshold_uncertainty_score":0.3342868},"labels":[],"label_agreement":null},{"id":"W262580655","doi":"10.3138/cjfs.17.1.44","title":"The “Valuable Deformity”: Calipers and the Failed Trope of Postcolonial Debt in Deepa Mehta's <i>Earth</i>","year":2008,"lang":"fr","type":"article","venue":"Canadian Journal of Film Studies","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.020242713974058163,"score_gpt":0.21881630481877606,"score_spread":0.1985735908447179,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W262580655","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20599428,0.008140044,0.00056736835,0.09072051,0.0008534119,0.0000148790705,0.00004511196,0.00003611825,0.69362825],"genre_scores_gemma":[0.9209074,0.0014281577,0.00011515875,0.0052344734,0.00020153575,0.00001021257,0.0000106250745,0.000027703596,0.07206468],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99946433,0.00019320998,0.0000061556498,0.0000400339,0.00010369131,0.00019262145],"domain_scores_gemma":[0.99957806,0.00013603842,0.000059053942,0.000027162521,0.0000486652,0.0001510726],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000639066,0.00020279796,0.00019291349,0.00051488617,0.012620005,0.0050068838,0.00061497523,0.0013262199,0.0051589576],"category_scores_gemma":[0.0013462502,0.00013972798,0.000081069076,0.000632638,0.0174957,0.002768362,0.0045948536,0.0040162,0.00029550178],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026012394,0.0000211759,0.00116532,0.000044669938,0.0000031565432,0.00065510103,0.20015222,0.00005817309,0.00019242015,0.7246128,0.058653776,0.014415186],"study_design_scores_gemma":[0.000017554317,0.000016368791,0.0035476459,0.00017939537,0.000004891441,0.00046090496,0.14290178,0.000119975026,0.0001407717,0.060331084,0.79226255,0.000017074468],"about_ca_topic_score_codex":0.03720334,"about_ca_topic_score_gemma":0.13250689,"teacher_disagreement_score":0.9627967,"about_ca_system_score_codex":0.0061274837,"about_ca_system_score_gemma":0.0030335041,"threshold_uncertainty_score":0.073973596},"labels":[],"label_agreement":null},{"id":"W2626145359","doi":"10.1525/fq.2017.70.4.77","title":"Elsewhere","year":2017,"lang":"en","type":"article","venue":"Film Quarterly","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Gender studies; Nomination; Hinduism; Movie theater; Lesbian; Identity (music); History; Immigration; Sociology; Religious studies; Art; Art history; Media studies; Political science; Law; Aesthetics; Philosophy","score_opus":0.023356543446228506,"score_gpt":0.22979792859879564,"score_spread":0.20644138515256713,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2626145359","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0009819304,0.0031978837,0.00082350563,0.010331321,0.025681484,0.00011941364,0.0020104812,0.000866529,0.9559874],"genre_scores_gemma":[0.0028099874,0.000846889,0.00022460624,0.0027922643,0.0014004655,0.00002606453,0.00056998106,0.0002678514,0.9910618],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992899,0.00010040009,0.000034314042,0.00015763972,0.00027554433,0.00014217052],"domain_scores_gemma":[0.99805224,0.00017371148,0.000105094296,0.00025886463,0.0008378277,0.00057232333],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004918196,0.0005682717,0.00043910812,0.0009802572,0.0024299163,0.006451632,0.0011451091,0.0017382842,0.7705655],"category_scores_gemma":[0.0030302773,0.00026987048,0.00032107852,0.0010795369,0.0006410241,0.0027146833,0.003171781,0.0019113909,0.5607442],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015873535,0.000016935071,0.0001309016,0.00008316177,0.0000014248681,0.000083092964,0.0001996287,0.000012084358,0.0003164004,0.0036999637,0.96423286,0.031207636],"study_design_scores_gemma":[9.068314e-7,0.000002328022,0.00012279017,0.000030004969,4.0315956e-7,0.000040915904,0.00012592666,0.000006806206,0.000050269573,0.00017209901,0.999446,0.0000015031197],"about_ca_topic_score_codex":0.0028376847,"about_ca_topic_score_gemma":0.006522005,"teacher_disagreement_score":0.7705655,"about_ca_system_score_codex":0.0011931491,"about_ca_system_score_gemma":0.0015605459,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W2626306083","doi":"","title":"Un futur à définir / A Future to Define / Tendance Floue, Mad in India","year":2012,"lang":"fr","type":"article","venue":"Ciel variable : art, photo, médias, culture","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.015444225768756537,"score_gpt":0.22559146958446827,"score_spread":0.21014724381571173,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2626306083","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.32445535,0.018732196,0.001713629,0.14753877,0.0028967408,0.00009101353,0.00050239224,0.00024222618,0.5038277],"genre_scores_gemma":[0.9092992,0.0025558833,0.00067807216,0.0058433963,0.00031866063,0.000035653346,0.00010217665,0.000099698904,0.081067204],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992519,0.00025094152,0.000029206005,0.0000680093,0.00007892543,0.00032094133],"domain_scores_gemma":[0.9993734,0.00012582101,0.000059938917,0.000061655854,0.000142336,0.00023691816],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00094998843,0.00040193598,0.00022271748,0.0010880905,0.012032674,0.0058787246,0.00070677896,0.0011837279,0.010913934],"category_scores_gemma":[0.001096647,0.00021195163,0.00021458328,0.0011516929,0.0083047,0.004823883,0.0037846395,0.0034220375,0.0011720557],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001659811,0.00010130925,0.012498,0.0005260571,0.00001664996,0.0015644927,0.3163648,0.000094029,0.0036119998,0.52085674,0.07933242,0.06486755],"study_design_scores_gemma":[0.000008000235,0.00004245565,0.021621998,0.00033972188,0.000015421194,0.00079834374,0.2873595,0.000083845625,0.00058686634,0.009459203,0.6796337,0.00005087094],"about_ca_topic_score_codex":0.05709248,"about_ca_topic_score_gemma":0.11925467,"teacher_disagreement_score":0.05709248,"about_ca_system_score_codex":0.0058212536,"about_ca_system_score_gemma":0.005679481,"threshold_uncertainty_score":0.113520324},"labels":[],"label_agreement":null},{"id":"W2627392023","doi":"","title":"Mrs. Hokulani's B&B","year":2017,"lang":"en","type":"article","venue":"Island writer","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Geography","score_opus":0.030041218893448837,"score_gpt":0.24153057394750763,"score_spread":0.2114893550540588,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2627392023","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02553253,0.013442225,0.000845749,0.3744807,0.03146326,0.00011483492,0.00041946745,0.00048571656,0.5532155],"genre_scores_gemma":[0.046156082,0.0034883476,0.0003914876,0.021342969,0.0017978699,0.000023743314,0.0000661895,0.00011792883,0.9266155],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99973065,0.000043956963,0.000013559072,0.00006047403,0.000067783076,0.000083469764],"domain_scores_gemma":[0.9986389,0.00014440922,0.00006284835,0.00004626741,0.00043369227,0.0006738809],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006281168,0.0003881797,0.00022164303,0.00052207103,0.0071723848,0.0025667544,0.00037660968,0.001605106,0.11030983],"category_scores_gemma":[0.0021522525,0.00021759297,0.00017316364,0.0003129,0.00071081665,0.0012973833,0.0014750276,0.0038182065,0.018002791],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000058458725,0.00002892998,0.0017970051,0.000096662254,0.000004540796,0.000993361,0.0022995393,0.000017986722,0.0013678763,0.0025315613,0.95819354,0.032610405],"study_design_scores_gemma":[0.00000530201,0.000030268933,0.0030428334,0.00011659996,0.000005118186,0.0018194878,0.0060608457,0.00004246742,0.0005673415,0.00032685616,0.987971,0.0000118692415],"about_ca_topic_score_codex":0.012502969,"about_ca_topic_score_gemma":0.046610825,"teacher_disagreement_score":0.11030983,"about_ca_system_score_codex":0.0008747773,"about_ca_system_score_gemma":0.0018316983,"threshold_uncertainty_score":0.3690232},"labels":[],"label_agreement":null},{"id":"W2635790917","doi":"10.1017/s0066622x00004196","title":"Exchanging Looks: ‘Art Dekho’ Movie Theatres in Bombay","year":2009,"lang":"en","type":"article","venue":"Architectural History","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"University of British Columbia","keywords":"Movie theater; Empire; Politics; Colonialism; George (robot); Boom; Population; Government (linguistics); Art history; Economic history; History; Art; Geography; Ancient history; Archaeology; Political science; Sociology; Engineering; Law; Demography","score_opus":0.016559002746359443,"score_gpt":0.1866867956339059,"score_spread":0.17012779288754645,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2635790917","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.40040213,0.015339221,0.0015089081,0.018599033,0.007490771,0.00040924258,0.0029131407,0.0008767321,0.5524608],"genre_scores_gemma":[0.8150697,0.004696921,0.0028751432,0.0033303488,0.0013167352,0.00022559713,0.0014930948,0.00070993963,0.1702826],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.99939084,0.00025059516,0.000012226091,0.00007247136,0.000092749935,0.00018095072],"domain_scores_gemma":[0.99960417,0.00006926947,0.000026902026,0.000040183415,0.00005388922,0.00020560343],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006138775,0.0012516195,0.0004065041,0.0007947179,0.012060277,0.0036357224,0.0006571352,0.0013208908,0.03129096],"category_scores_gemma":[0.0010869058,0.0004618684,0.00036839873,0.0006729054,0.002431129,0.0016795133,0.0035964295,0.0024351557,0.0042111767],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0010641977,0.0001907661,0.0057209376,0.00087288546,0.00014004277,0.0035001265,0.2307324,0.00032956508,0.0067994716,0.010896078,0.6612915,0.07846208],"study_design_scores_gemma":[0.000030757103,0.00013828248,0.03445015,0.00037317548,0.000033632525,0.0014420557,0.098925956,0.00018525572,0.00075398764,0.0004248625,0.86316407,0.00007783006],"about_ca_topic_score_codex":0.029598944,"about_ca_topic_score_gemma":0.12270133,"teacher_disagreement_score":0.03129096,"about_ca_system_score_codex":0.0025319855,"about_ca_system_score_gemma":0.00050568377,"threshold_uncertainty_score":0.10467863},"labels":[],"label_agreement":null},{"id":"W2724998780","doi":"","title":"Bollywood sur le Lac / Dr. Cabbie, Canada, 2014, 1 h 41","year":2014,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Political science","score_opus":0.004957719705367202,"score_gpt":0.12935570665868731,"score_spread":0.1243979869533201,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2724998780","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008355416,0.026609732,0.00068992923,0.025198855,0.009691981,0.00018721563,0.004792677,0.00062701636,0.92384714],"genre_scores_gemma":[0.0060889535,0.0022117558,0.00014652716,0.00065287197,0.00015379276,0.000012907266,0.00026156093,0.00010190394,0.9903696],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995408,0.000038743037,0.000011118183,0.00008849461,0.00015124903,0.00016974406],"domain_scores_gemma":[0.99939525,0.000043865006,0.000022623612,0.000013042918,0.00026862245,0.0002565965],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00040631503,0.0010679736,0.00058577803,0.00077091035,0.010174829,0.0036722927,0.00081114756,0.0029344398,0.57795715],"category_scores_gemma":[0.0011425442,0.0005171327,0.00041898777,0.0009543611,0.00080682285,0.0010567341,0.0018059484,0.003621916,0.124981314],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017979206,0.000034606994,0.0009921172,0.00015454691,0.000009189008,0.0006602934,0.0004801291,0.0001039642,0.001004228,0.004112482,0.9408199,0.05144873],"study_design_scores_gemma":[0.000008159138,0.0000118588705,0.0024200275,0.00011361061,0.0000027282374,0.00013519028,0.0007885248,0.00004357751,0.00018129699,0.00014771536,0.996139,0.000008458874],"about_ca_topic_score_codex":0.60248333,"about_ca_topic_score_gemma":0.87807554,"teacher_disagreement_score":0.57795715,"about_ca_system_score_codex":0.007893403,"about_ca_system_score_gemma":0.010286524,"threshold_uncertainty_score":0.79971546},"labels":[],"label_agreement":null},{"id":"W2734175412","doi":"","title":"India Reborn / India Reborn, Canada / Allemagne / Grande-Bretagnev/ France 2008 (2 DVD), 268 minutes","year":2009,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ancient history; History; Art; Geography","score_opus":0.0035171102089454993,"score_gpt":0.13136279465890244,"score_spread":0.12784568444995695,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2734175412","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0044362084,0.009684998,0.00015064758,0.004329679,0.007887149,0.00015485704,0.008977314,0.0007438024,0.9636354],"genre_scores_gemma":[0.0065700533,0.0014824742,0.00015091951,0.00032033442,0.0004474499,0.000020218708,0.0014996051,0.00023174883,0.9892771],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99982053,0.00001033587,0.0000027733377,0.000024217075,0.00008219122,0.00005999657],"domain_scores_gemma":[0.99978644,0.000022291317,0.000010204151,0.000010358499,0.000071530514,0.00009916076],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00020397527,0.00090577186,0.00035637236,0.0011093757,0.0028442943,0.0025938768,0.00053438667,0.000998546,0.36728883],"category_scores_gemma":[0.0005559505,0.00033626895,0.0002947446,0.0011511961,0.0003624653,0.0006373415,0.0009728451,0.0016837552,0.102931686],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005176728,0.00001101172,0.00014500215,0.00005132535,0.0000022654488,0.00006608116,0.00007406041,0.000035394994,0.00026892818,0.0007974179,0.98200905,0.01648757],"study_design_scores_gemma":[0.000007846445,0.000008033875,0.002308431,0.0000348741,0.0000021016797,0.000029220051,0.0001572693,0.00001457217,0.0001308965,0.00007584028,0.9972281,0.000002851883],"about_ca_topic_score_codex":0.18509433,"about_ca_topic_score_gemma":0.52471465,"teacher_disagreement_score":0.81490564,"about_ca_system_score_codex":0.0033296137,"about_ca_system_score_gemma":0.0030266447,"threshold_uncertainty_score":0.90248567},"labels":[],"label_agreement":null},{"id":"W2734610409","doi":"10.1017/s0026749x16000287","title":"Nationalizing the Consumption of Tea for the Hindi Reader: The Indian Tea Market Expansion Board's advertisement campaign","year":2017,"lang":"en","type":"article","venue":"Modern Asian Studies","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Consumption (sociology); Hindi; Caste; Advertising; Middle class; Elite; Modernity; Sociology; Gender studies; Political science; Social science; Business; Law","score_opus":0.08528793187490404,"score_gpt":0.30625250197767634,"score_spread":0.22096457010277232,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2734610409","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8471918,0.0009930357,0.00040925515,0.009807728,0.00068081653,0.00004804075,0.00006912777,0.00010361365,0.14069654],"genre_scores_gemma":[0.9602698,0.00064645003,0.000522283,0.0017460921,0.00054069463,0.000026082813,0.000037389033,0.00006767858,0.036143452],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9995858,0.00017086216,0.0000087313,0.000038619575,0.00008117674,0.00011486204],"domain_scores_gemma":[0.99808973,0.0010295892,0.00015978138,0.00009721425,0.00023474071,0.00038894755],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012640685,0.00026778926,0.00013471168,0.0006756239,0.006082697,0.004135973,0.0003396761,0.00088249234,0.00632204],"category_scores_gemma":[0.0015962799,0.0001638961,0.00014901854,0.00056348357,0.002058874,0.0011015183,0.0017399788,0.0019190967,0.00091517024],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004124541,0.0005691997,0.01658943,0.00049091293,0.000021372149,0.002966266,0.7608738,0.000093905364,0.026068147,0.03215319,0.06049556,0.099265814],"study_design_scores_gemma":[0.0000332005,0.00048047703,0.061035816,0.00027485518,0.00007638405,0.0012850313,0.29790866,0.00039346993,0.011200107,0.0009181156,0.6263057,0.000088073924],"about_ca_topic_score_codex":0.0059440043,"about_ca_topic_score_gemma":0.022543013,"teacher_disagreement_score":0.00632204,"about_ca_system_score_codex":0.0014727399,"about_ca_system_score_gemma":0.0012661375,"threshold_uncertainty_score":0.021149278},"labels":[],"label_agreement":null},{"id":"W2735593515","doi":"10.1177/0262728015615486","title":"Hindi, Urdu or Hindustani? Revisiting ‘National Language’ Debates through Radio Broadcasting in Late Colonial India","year":2016,"lang":"en","type":"article","venue":"South Asia Research","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":8,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Hindi; Urdu; Literary language; National language; History; Linguistics; Media studies; Sociology","score_opus":0.11191809403516062,"score_gpt":0.35575652776674105,"score_spread":0.24383843373158043,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2735593515","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6896161,0.007555593,0.0006320214,0.020914445,0.00029009808,0.000013554902,0.000030396495,0.000033903405,0.28091383],"genre_scores_gemma":[0.9956766,0.0011286004,0.00007854763,0.0005419773,0.000056637487,0.0000040338427,0.000005192624,0.000014830208,0.002493489],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978002,0.0013455689,0.000051514264,0.00015746415,0.00018835533,0.00045691262],"domain_scores_gemma":[0.9945951,0.0043293806,0.00031810225,0.00020307467,0.00027825925,0.00027603513],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0030328755,0.00034392846,0.00029046918,0.0012151616,0.0129105635,0.013577347,0.0009870111,0.001441605,0.0023985545],"category_scores_gemma":[0.004037207,0.00031482792,0.00014136241,0.001970479,0.028417898,0.004448122,0.0042981305,0.003931652,0.00025406844],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028950593,0.000011663478,0.0008781193,0.00006676603,0.000003303108,0.00062408944,0.8606483,0.00003233558,0.00041616734,0.13118613,0.0012013302,0.0049028764],"study_design_scores_gemma":[0.000010424402,0.000039485356,0.006463129,0.00029797622,0.000021109927,0.0005550564,0.8485094,0.00015082378,0.00068267755,0.0070703537,0.13617279,0.000026815838],"about_ca_topic_score_codex":0.04246472,"about_ca_topic_score_gemma":0.056463543,"teacher_disagreement_score":0.04246472,"about_ca_system_score_codex":0.0089284815,"about_ca_system_score_gemma":0.0041012107,"threshold_uncertainty_score":0.084435105},"labels":[],"label_agreement":null},{"id":"W2736424943","doi":"","title":"“‘Infantilism by Loss’: The Ghostly Child, Loss, and Embodied Witnessing in 'The Ever After of Ashwin Rao'”","year":2016,"lang":"en","type":"article","venue":"MacSphere (McMaster University)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Embodied cognition; Medicine; Computer science; Artificial intelligence","score_opus":0.0076076146057661494,"score_gpt":0.1688413585237678,"score_spread":0.16123374391800166,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2736424943","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.30211017,0.038825564,0.0053795865,0.35015592,0.005097292,0.00008757141,0.00008748293,0.00013727118,0.29811916],"genre_scores_gemma":[0.9534643,0.0048851618,0.000837593,0.014340648,0.0007220868,0.000052611522,0.00002045172,0.000108273096,0.025568847],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99578345,0.0030029556,0.00006446475,0.0002172188,0.00032438186,0.0006075505],"domain_scores_gemma":[0.9951734,0.0029272118,0.000676005,0.0003441064,0.00024554972,0.00063380785],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.006627823,0.0006591264,0.00057883386,0.0006995038,0.016338734,0.009765705,0.0024130256,0.0065682833,0.0038588427],"category_scores_gemma":[0.016892837,0.0005459691,0.00029249393,0.00061145186,0.046203025,0.012359501,0.0097665535,0.017347274,0.00045556246],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028709484,0.000016324975,0.0003723891,0.000062022955,0.000006476594,0.000784752,0.8199628,0.000032026033,0.0001397949,0.15194431,0.021257851,0.00539254],"study_design_scores_gemma":[0.000015470629,0.0000409429,0.0012700842,0.00055056694,0.00001762436,0.0026226344,0.7150165,0.00009237252,0.0002854471,0.03756929,0.24247843,0.000040563962],"about_ca_topic_score_codex":0.013434612,"about_ca_topic_score_gemma":0.026262902,"teacher_disagreement_score":0.016338734,"about_ca_system_score_codex":0.003263881,"about_ca_system_score_gemma":0.0046288855,"threshold_uncertainty_score":0.035051703},"labels":[],"label_agreement":null},{"id":"W2738508321","doi":"","title":"Anish Kapoor: Embedded Impressions of Indian Culture","year":2016,"lang":"en","type":"other","venue":"OCAD University Open Research Repository (OCAD University)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Sculpture; Hinduism; Art; Aesthetics; Embodied cognition; Visual arts; Sociology; Formative assessment; Architecture; Spirituality; Art history; Philosophy; Religious studies; Epistemology; Pedagogy","score_opus":0.04867870823871709,"score_gpt":0.28837534854639196,"score_spread":0.23969664030767487,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2738508321","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.58909076,0.0020916401,0.0036644177,0.003159843,0.0003337047,0.000047237718,0.00011735371,0.00020850111,0.40128657],"genre_scores_gemma":[0.98677886,0.00052948325,0.00062596216,0.00024063242,0.000038584993,0.000012694697,0.00002249823,0.00007431277,0.011677],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990965,0.00036429917,0.00002473116,0.00007135032,0.00032271654,0.000120345416],"domain_scores_gemma":[0.9989278,0.0007113267,0.00009569879,0.000115421455,0.00007718238,0.000072517825],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009225968,0.0004308796,0.00025308688,0.0014290021,0.004375896,0.0062643704,0.0005187243,0.0006447417,0.00576873],"category_scores_gemma":[0.0020742745,0.00032951563,0.0002750582,0.0014059646,0.0073604966,0.0023087116,0.0043377867,0.0020840236,0.0004926078],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009474716,0.000021739039,0.0026198167,0.00021361113,0.00002686895,0.0010742671,0.88746864,0.0002832088,0.0062397425,0.06549719,0.0054308274,0.031029446],"study_design_scores_gemma":[0.000009487307,0.000062294945,0.017140076,0.00032020302,0.000060494127,0.0023391796,0.8228301,0.0007063505,0.0027902345,0.009553509,0.14409997,0.00008816932],"about_ca_topic_score_codex":0.0055974633,"about_ca_topic_score_gemma":0.008478759,"teacher_disagreement_score":0.0062643704,"about_ca_system_score_codex":0.001937587,"about_ca_system_score_gemma":0.0007000957,"threshold_uncertainty_score":0.019298255},"labels":[],"label_agreement":null},{"id":"W2750546403","doi":"10.3138/md.60.3.401","title":"Manujendra Kundu, <i>So Near, Yet So Far: Badal Sircar’s Third Theatre</i>","year":2017,"lang":"en","type":"article","venue":"Modern Drama","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Ideology; Expansive; Communism; Literature; History; Aesthetics; Political science; Art; Law; Physics; Politics","score_opus":0.024122874858982336,"score_gpt":0.2324449277413797,"score_spread":0.20832205288239736,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2750546403","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.066328704,0.029998485,0.0031206096,0.03140662,0.005029329,0.000061527375,0.000110452354,0.0002919661,0.8636523],"genre_scores_gemma":[0.6386407,0.019794038,0.0031870375,0.008879936,0.0009712892,0.000102957834,0.00013016618,0.00051569677,0.3277782],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99951124,0.00020655633,0.000012120035,0.000050112212,0.00011332264,0.000106569525],"domain_scores_gemma":[0.99963045,0.00012738389,0.00003309383,0.000039243456,0.00008052119,0.00008918801],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006321574,0.0005308929,0.00027466385,0.0005213532,0.0056241793,0.006268815,0.00060122134,0.0010082566,0.009867577],"category_scores_gemma":[0.0013099437,0.00030689515,0.00021271691,0.00074526615,0.003828684,0.0042834054,0.0029067462,0.004371876,0.0021163428],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013900449,0.0000896825,0.001405318,0.0007171764,0.000017071894,0.0012172189,0.19404237,0.00021515971,0.004110635,0.43141538,0.2841786,0.08245235],"study_design_scores_gemma":[0.000004158948,0.00003838262,0.0013703768,0.00027199046,0.000010592672,0.00065196794,0.034899015,0.00012815527,0.0010294041,0.00611406,0.9554569,0.000025046911],"about_ca_topic_score_codex":0.0037361993,"about_ca_topic_score_gemma":0.011769515,"teacher_disagreement_score":0.009867577,"about_ca_system_score_codex":0.0015977039,"about_ca_system_score_gemma":0.0015203145,"threshold_uncertainty_score":0.033010364},"labels":[],"label_agreement":null},{"id":"W2751243260","doi":"10.4324/9781315641058-32","title":"Gender performance and the rise of actresses in traditional Asian theatre","year":2016,"lang":"en","type":"article","venue":"","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"History; Gender studies; Visual arts; Advertising; Art; Sociology; Business","score_opus":0.03204966404324096,"score_gpt":0.1920077245227424,"score_spread":0.15995806047950145,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2751243260","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.84358376,0.0006810852,0.00031399028,0.0018185478,0.00017965258,0.000014609266,0.000042788994,0.000015144739,0.1533505],"genre_scores_gemma":[0.9851011,0.00018830669,0.00007656317,0.000118072276,0.000049453458,0.0000060634156,0.000010158534,0.00001811293,0.014432208],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99852246,0.00059632136,0.00003679971,0.00011856162,0.00021902632,0.0005069135],"domain_scores_gemma":[0.9965945,0.0011412642,0.00046992913,0.00016302167,0.0003838827,0.0012473924],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0028340076,0.0003120304,0.00026311487,0.0012635117,0.008258368,0.008282253,0.000676563,0.0011345093,0.016691385],"category_scores_gemma":[0.0042609307,0.00027107733,0.000184814,0.0012376445,0.0072485963,0.002841857,0.004324544,0.0028158163,0.0013494015],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006318641,0.00017100606,0.048199438,0.00014263953,0.000022137374,0.0018286263,0.79881865,0.000084489766,0.0036712496,0.11036231,0.0046304436,0.031437058],"study_design_scores_gemma":[0.00002715926,0.00022170474,0.09840757,0.00020714977,0.000025402445,0.00086342945,0.8171674,0.00019023803,0.0015538753,0.00670876,0.074584484,0.000042868287],"about_ca_topic_score_codex":0.0074602487,"about_ca_topic_score_gemma":0.01791388,"teacher_disagreement_score":0.016691385,"about_ca_system_score_codex":0.0023841837,"about_ca_system_score_gemma":0.0017792976,"threshold_uncertainty_score":0.055838227},"labels":[],"label_agreement":null},{"id":"W2772128600","doi":"10.3138/md.0859","title":"Reunion, Complication, Refraction, and Translation: How Postcolonialism and Post-Structuralism Mark <i>Bengal Tiger at the Baghdad Zoo</i>","year":2017,"lang":"en","type":"article","venue":"Modern Drama","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Orientalism; Postcolonialism (international relations); Tiger; BENGAL; Hybridity; Carnivalesque; Spectacle; Defamiliarization; History; Sociology; Literature; Aesthetics; Art; Gender studies; Law; Political science; Archaeology","score_opus":0.024415366874920217,"score_gpt":0.23529923053491741,"score_spread":0.2108838636599972,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2772128600","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.32599607,0.007392775,0.004102288,0.04565893,0.0015146077,0.00007389197,0.00008253133,0.00015479539,0.61502415],"genre_scores_gemma":[0.9786285,0.0007424415,0.00028268792,0.0009777319,0.00015790518,0.000022683884,0.000015168722,0.00010598998,0.01906681],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99633515,0.0024795714,0.00005536931,0.00023310394,0.00031344866,0.00058342103],"domain_scores_gemma":[0.99727815,0.0016401936,0.00024380766,0.00029984763,0.00023984723,0.00029817663],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0035412114,0.0008704536,0.0003348725,0.0013329433,0.018359762,0.017107153,0.001532825,0.002653823,0.00813086],"category_scores_gemma":[0.005668962,0.00033907982,0.00026387657,0.0016498844,0.05190302,0.008211243,0.0074987225,0.0063257227,0.0010418687],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004830447,0.000018235629,0.0004380006,0.00005702883,0.000004884901,0.0006481065,0.82091856,0.000052797954,0.00037936913,0.1688826,0.0039046742,0.0046474836],"study_design_scores_gemma":[0.000022985252,0.0000465354,0.0017904834,0.00024977597,0.000016438478,0.0007891768,0.7258257,0.00018787257,0.0011388318,0.026883354,0.2430126,0.00003629666],"about_ca_topic_score_codex":0.020803727,"about_ca_topic_score_gemma":0.025977802,"teacher_disagreement_score":0.020803727,"about_ca_system_score_codex":0.010446486,"about_ca_system_score_gemma":0.0037402606,"threshold_uncertainty_score":0.075794935},"labels":[],"label_agreement":null},{"id":"W2790546610","doi":"10.3138/cjfs.26.1.2017-0004","title":"Love, Desi Style: Arranged Marriage and Transnational Mobility in Mira Nair’s <i>The Namesake</i>","year":2017,"lang":"en","type":"article","venue":"Canadian Journal of Film Studies","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Transnationalism; Style (visual arts); Movie theater; Wife; Immigration; Gender studies; Convention; Art; Sociology; History; Literature; Politics; Political science; Archaeology; Law","score_opus":0.047411182322445636,"score_gpt":0.2563642692383723,"score_spread":0.20895308691592668,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2790546610","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6572995,0.0016362927,0.0016757163,0.00935799,0.0007403227,0.000051697814,0.0000827713,0.00006224799,0.32909337],"genre_scores_gemma":[0.9815517,0.0005982135,0.00048567852,0.0004592422,0.0000773773,0.000014582964,0.000022679327,0.00003141074,0.016759178],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99942565,0.00033054393,0.000012303035,0.000055907956,0.00009800836,0.00007755325],"domain_scores_gemma":[0.9995497,0.00014779258,0.000077400175,0.00004338788,0.00005489033,0.00012672864],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008881755,0.00036043333,0.00021220541,0.0004165538,0.010262604,0.004137717,0.0007049325,0.00076630554,0.004462453],"category_scores_gemma":[0.0011983727,0.00025616318,0.00022414351,0.00054013205,0.004952183,0.0026719817,0.0032386896,0.0027616406,0.0004459152],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007666729,0.00007461697,0.0022639537,0.00013994993,0.000010411117,0.0016221956,0.9344013,0.000055837474,0.0026897513,0.037008427,0.008366039,0.013290894],"study_design_scores_gemma":[0.000011406217,0.00008406148,0.0085329255,0.00016816906,0.000018885885,0.0024980588,0.72719336,0.00030479493,0.0011927134,0.0019971589,0.25795153,0.00004695533],"about_ca_topic_score_codex":0.00821904,"about_ca_topic_score_gemma":0.0344108,"teacher_disagreement_score":0.010262604,"about_ca_system_score_codex":0.0019378979,"about_ca_system_score_gemma":0.00093626045,"threshold_uncertainty_score":0.016342402},"labels":[],"label_agreement":null},{"id":"W2793937683","doi":"10.32316/hse/rhe.v30i1.4519","title":"Off to School: Filmic False Equivalence and Indian Residential School Scholarship","year":2018,"lang":"en","type":"article","venue":"Historical Studies in Education / Revue d histoire de l éducation","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"University of Toronto","funders":"","keywords":"Film director; Scholarship; Humanities; Art; Political science; Art history; Sociology; Law; Movie theater","score_opus":0.09685861623340009,"score_gpt":0.3285768171484945,"score_spread":0.23171820091509443,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2793937683","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.27542236,0.012679671,0.002073743,0.04964763,0.0022881702,0.00005367721,0.0001997455,0.00009638734,0.65753853],"genre_scores_gemma":[0.9644743,0.0031906392,0.00034362616,0.0022063153,0.00026748315,0.000019518537,0.000049059017,0.000058039754,0.029391114],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9958406,0.0015211379,0.00011367866,0.00032105742,0.0010669391,0.0011364771],"domain_scores_gemma":[0.9968094,0.0013084697,0.00036616865,0.00043721418,0.0005887137,0.00049010327],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023532833,0.00038531408,0.00034825748,0.0027480926,0.024955424,0.015751475,0.0018047927,0.001623453,0.006435571],"category_scores_gemma":[0.007928845,0.0002782028,0.00026190502,0.0040201196,0.037341524,0.00533065,0.0087594865,0.00680215,0.00050469686],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000044473167,0.000025101832,0.0021157567,0.000109613946,0.0000076219844,0.00069676497,0.48255384,0.000069953174,0.00020236506,0.4711038,0.016141467,0.0269292],"study_design_scores_gemma":[0.000008145491,0.000022734774,0.007703183,0.0005382424,0.00002334427,0.0005297634,0.4783002,0.00015199397,0.0005324808,0.02148747,0.49066114,0.000041224637],"about_ca_topic_score_codex":0.31800124,"about_ca_topic_score_gemma":0.43609953,"teacher_disagreement_score":0.6819987,"about_ca_system_score_codex":0.02775247,"about_ca_system_score_gemma":0.013065478,"threshold_uncertainty_score":0.6323005},"labels":[],"label_agreement":null},{"id":"W2793966058","doi":"","title":"Bollywood Sounds: The Cosmopolitan Mediations of Hindi Film Song. 2015. Jayson Beaster-Jones. New York: Oxford University Press. 264 pp.","year":2017,"lang":"en","type":"article","venue":"MUSICultures","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Hindi; History; Art history; Art; Media studies; Sociology; Philosophy; Linguistics","score_opus":0.039965652435647765,"score_gpt":0.22529154505707952,"score_spread":0.18532589262143176,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2793966058","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009260495,0.8584496,0.0007640484,0.02677927,0.004934632,0.00002408953,0.00029685078,0.00012976782,0.09936128],"genre_scores_gemma":[0.24253912,0.49955538,0.0023066173,0.0045444947,0.0060347905,0.000058983485,0.00044308972,0.00016977113,0.24434763],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99986756,0.000046679026,0.0000064301753,0.000013628087,0.000040225677,0.000025461735],"domain_scores_gemma":[0.9995493,0.00021403845,0.000035340418,0.000022386082,0.000075529984,0.00010323547],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000735874,0.0008444955,0.00034624056,0.001394743,0.0023168514,0.003812572,0.00072417577,0.0010733594,0.02552024],"category_scores_gemma":[0.0011301462,0.0005330495,0.00019226599,0.0018835085,0.0022820323,0.004305083,0.0014221694,0.0014839465,0.0041700564],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017537107,0.000053315158,0.0017363798,0.0016251982,0.000032034448,0.0005800291,0.031516403,0.00013118249,0.0016916736,0.030927429,0.5413416,0.39018944],"study_design_scores_gemma":[0.000018577668,0.00003778458,0.01594076,0.0013515884,0.000035396453,0.000550398,0.01919837,0.00012505478,0.00053790957,0.006676879,0.95550764,0.000019655621],"about_ca_topic_score_codex":0.018453833,"about_ca_topic_score_gemma":0.07376148,"teacher_disagreement_score":0.02552024,"about_ca_system_score_codex":0.0013773174,"about_ca_system_score_gemma":0.0013817837,"threshold_uncertainty_score":0.0853737},"labels":[],"label_agreement":null},{"id":"W2794310994","doi":"","title":"The Age of Aspiration? Music Classes and the Limits of Gendered Self-transformation in Mumbai","year":2017,"lang":"en","type":"article","venue":"MUSICultures","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Hindi; Vision; Gender studies; Aesthetics; Sociology; Musical; Transformation (genetics); Salient; Psychology; Visual arts; Political science; Art; Law; Anthropology","score_opus":0.04312311614246263,"score_gpt":0.24460306893493033,"score_spread":0.20147995279246772,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2794310994","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.94880146,0.00057421584,0.00013318598,0.0017349396,0.000024335184,0.000009592171,0.000012558832,0.00000869341,0.048700903],"genre_scores_gemma":[0.99853384,0.00006551754,0.000016902999,0.000038023947,0.0000037988555,0.0000023336358,0.0000015287554,0.0000014457204,0.0013365133],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99913776,0.00032479144,0.000020313273,0.000067617664,0.00010957755,0.00033986924],"domain_scores_gemma":[0.9990677,0.00028421183,0.00013810305,0.000046691042,0.000073126874,0.00039011397],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010840347,0.00023793342,0.00021421124,0.0010279072,0.008450668,0.008332693,0.00063342624,0.0005992388,0.0049971035],"category_scores_gemma":[0.001457639,0.00021065779,0.00010707252,0.0007139872,0.011009033,0.0018194364,0.005371921,0.0015775738,0.000380045],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000079390775,0.00007696388,0.017533544,0.000042478976,0.000004770124,0.0006292224,0.90970093,0.000024001949,0.0013227349,0.058385346,0.00083163014,0.011369016],"study_design_scores_gemma":[0.0000075966905,0.000071847615,0.044925034,0.000104866274,0.0000064773453,0.00035456184,0.91463304,0.00008846042,0.00048319888,0.0043981834,0.034907166,0.000019602],"about_ca_topic_score_codex":0.021960465,"about_ca_topic_score_gemma":0.039417833,"teacher_disagreement_score":0.021960465,"about_ca_system_score_codex":0.003420766,"about_ca_system_score_gemma":0.0027098248,"threshold_uncertainty_score":0.04366529},"labels":[],"label_agreement":null},{"id":"W2794743211","doi":"10.3968/10076","title":"The Postcolonial Symbolism in The Black Album : The Affinity of Deedee and Shahid","year":2018,"lang":"en","type":"article","venue":"Canadian social science","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Ambivalence; Ideology; Shahid; Sociology; Taste; White (mutation); Appeal; Politics; Gender studies; Morality; Power (physics); Aesthetics; Psychology; Social psychology; Art; Philosophy; Political science; Theology; Law","score_opus":0.015459646129180693,"score_gpt":0.22892710381096204,"score_spread":0.21346745768178135,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2794743211","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.63060135,0.008817873,0.0009956236,0.03574591,0.0014443453,0.000018910767,0.000025624187,0.00002051717,0.32232988],"genre_scores_gemma":[0.98069453,0.001034124,0.00015000252,0.0013738258,0.00013897503,0.0000075522553,0.000005244252,0.000015092223,0.016580544],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9988257,0.00060577126,0.000017613058,0.00007738764,0.00021899152,0.00025449338],"domain_scores_gemma":[0.99915016,0.00036068878,0.00014078655,0.00004984336,0.00013138638,0.00016719199],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013528224,0.00039579716,0.00026373068,0.0006750652,0.01050272,0.0055910037,0.00059457397,0.001575335,0.0017745983],"category_scores_gemma":[0.002013103,0.00016039234,0.000106123116,0.0005134906,0.020785304,0.002572731,0.00372272,0.004157304,0.00034536084],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006138862,0.00006579,0.0016788943,0.00006178124,0.0000046654436,0.0009650913,0.6181373,0.000027389495,0.0010244609,0.35439625,0.009571277,0.014005618],"study_design_scores_gemma":[0.000024525998,0.00009991431,0.008907984,0.00039101994,0.000014242656,0.0012355407,0.4511517,0.00019161741,0.0008558643,0.026148379,0.51094455,0.000034687717],"about_ca_topic_score_codex":0.0107358415,"about_ca_topic_score_gemma":0.020331237,"teacher_disagreement_score":0.0107358415,"about_ca_system_score_codex":0.004167843,"about_ca_system_score_gemma":0.0020053973,"threshold_uncertainty_score":0.03023994},"labels":[],"label_agreement":null},{"id":"W2801689097","doi":"10.3138/cjfs.11.2.62","title":"The “Canadian Popular”: Atom Egoyan, Michael Ondaatje, and Canadian Popular Culture","year":2002,"lang":"fr","type":"article","venue":"Canadian Journal of Film Studies","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Popular culture; Humanities; Art; Sociology; Ethnology; Literature","score_opus":0.03386408355068311,"score_gpt":0.22539880180368074,"score_spread":0.19153471825299762,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2801689097","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3967763,0.030131241,0.00046477836,0.14625113,0.00078070944,0.000047392336,0.00055056374,0.000032966567,0.42496487],"genre_scores_gemma":[0.95752627,0.009730665,0.00019649239,0.0036926097,0.000092646456,0.000017440672,0.00008600235,0.000036211186,0.028621655],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979752,0.0003952846,0.000033072887,0.00013390381,0.00077372894,0.0006887958],"domain_scores_gemma":[0.9957883,0.00094449543,0.00032425538,0.00014120698,0.0020958204,0.00070594175],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022871483,0.00040647658,0.00034533106,0.0039789863,0.025142351,0.010883785,0.0013335135,0.0016417126,0.009068032],"category_scores_gemma":[0.0062930947,0.00033069644,0.0002057114,0.008298051,0.014359337,0.0045434474,0.0032585878,0.0022960848,0.00034003833],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016445773,0.00005891005,0.036853895,0.0002947807,0.000037547565,0.00067230605,0.48001775,0.00013118854,0.0005544599,0.32952222,0.10650103,0.045191385],"study_design_scores_gemma":[0.000010456033,0.0000129957525,0.041410737,0.00040256124,0.000043581636,0.00018277335,0.6357872,0.00011722319,0.00028997526,0.0050483155,0.31661117,0.000083109815],"about_ca_topic_score_codex":0.98572713,"about_ca_topic_score_gemma":0.9918807,"teacher_disagreement_score":0.08546842,"about_ca_system_score_codex":0.08546842,"about_ca_system_score_gemma":0.064338826,"threshold_uncertainty_score":0.6201197},"labels":[],"label_agreement":null},{"id":"W2802362205","doi":"10.5195/cinej.2017.170","title":"Bollywood in the Hollywood Era: Narratives of Ultra-nationalism, Terrorism and Violence","year":2018,"lang":"en","type":"article","venue":"CINEJ Cinema Journal","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"CARE Canada","funders":"","keywords":"Geopolitics; Hollywood; Empire; Nationalism; Politics; Terrorism; Rhetoric; Ideology; Narrative; Political science; Political economy; State (computer science); Power (physics); Media studies; Sociology; History; Law; Literature; Art","score_opus":0.01795291244151542,"score_gpt":0.24041110837308372,"score_spread":0.2224581959315683,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2802362205","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9160167,0.0034672406,0.00066021463,0.006225845,0.00022555083,0.000033104618,0.000118588156,0.000022258479,0.07323053],"genre_scores_gemma":[0.98715925,0.0011052815,0.00018620898,0.00077901926,0.00004481914,0.000029014867,0.000054854045,0.00003891968,0.0106026465],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9989697,0.0006569633,0.000020321191,0.000054296557,0.00009877747,0.00019995774],"domain_scores_gemma":[0.99872845,0.0007830112,0.00015191102,0.000057023928,0.000062689,0.00021683167],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015120958,0.0006460016,0.00029210965,0.0011262746,0.009494588,0.0073094596,0.00071468326,0.0015178401,0.0031025317],"category_scores_gemma":[0.002306841,0.00036938657,0.00017610355,0.00118687,0.008996633,0.00627706,0.004865023,0.0036665606,0.00034265014],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003701596,0.00001558795,0.0010303984,0.000053671418,0.0000042378647,0.00041837615,0.9844902,0.000013627363,0.00038367356,0.009542278,0.0019698732,0.0020409334],"study_design_scores_gemma":[0.0000036840809,0.00002051256,0.003088971,0.00013567191,0.000007116112,0.0002615743,0.92736644,0.000049617232,0.0003354084,0.001158378,0.06756003,0.000012619019],"about_ca_topic_score_codex":0.00840338,"about_ca_topic_score_gemma":0.0214447,"teacher_disagreement_score":0.009494588,"about_ca_system_score_codex":0.0034809457,"about_ca_system_score_gemma":0.0011370161,"threshold_uncertainty_score":0.025256097},"labels":[],"label_agreement":null},{"id":"W2803570592","doi":"10.7202/1045366ar","title":"Les salles de cinéma en Inde, un territoire à conquérir : perspectives historiques","year":2018,"lang":"fr","type":"article","venue":"Cinémas Revue d études cinématographiques","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.019978082866305185,"score_gpt":0.2482171599771057,"score_spread":0.22823907711080052,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2803570592","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20299384,0.09664667,0.006674098,0.07973832,0.0015205953,0.00005440623,0.00020619408,0.000081410806,0.6120845],"genre_scores_gemma":[0.92330295,0.020300467,0.0010063469,0.0016699628,0.00061923155,0.000046824363,0.00004916848,0.000058808706,0.052946214],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99790096,0.0012469032,0.000038151375,0.00027100672,0.00026841532,0.0002745362],"domain_scores_gemma":[0.99626297,0.0025672487,0.00031208797,0.00024585068,0.0003434957,0.0002683161],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003621429,0.0004570932,0.00029605645,0.0017753248,0.007340585,0.0103850495,0.0011339124,0.0017965768,0.0064739613],"category_scores_gemma":[0.005106534,0.00030163725,0.0001783752,0.0021624085,0.018470282,0.0077529466,0.0034796475,0.0046212547,0.0005178578],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000047057107,0.00002548685,0.0019681596,0.00032918502,0.000006959402,0.00045681506,0.46333107,0.00010788833,0.000648692,0.4971132,0.009758439,0.026206972],"study_design_scores_gemma":[0.0000051996853,0.00003154035,0.008135558,0.0012752431,0.000012367432,0.0006278391,0.21522164,0.00024511802,0.0007203224,0.027541483,0.74615335,0.000030325344],"about_ca_topic_score_codex":0.018631568,"about_ca_topic_score_gemma":0.028875405,"teacher_disagreement_score":0.018631568,"about_ca_system_score_codex":0.0070516653,"about_ca_system_score_gemma":0.0028382852,"threshold_uncertainty_score":0.051163614},"labels":[],"label_agreement":null},{"id":"W2808938263","doi":"10.26443/ijwpc.v5i2.180","title":"Space Between the Logs","year":2018,"lang":"en","type":"article","venue":"International Journal of Whole Person Care","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Space (punctuation); Computer science; Operating system","score_opus":0.0302972913401452,"score_gpt":0.2635932952271934,"score_spread":0.2332960038870482,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2808938263","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011401547,0.00049630174,0.013155675,0.0058244485,0.008394889,0.001159299,0.014530347,0.013447189,0.93159026],"genre_scores_gemma":[0.13482146,0.0007570896,0.013337153,0.004250861,0.0010308699,0.0025539156,0.014496789,0.007612159,0.82113975],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99732155,0.00054734736,0.0002308742,0.00055199914,0.00093382853,0.00041437283],"domain_scores_gemma":[0.98469216,0.002828392,0.0005972271,0.004921702,0.0049050674,0.0020554878],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0023483548,0.00075298786,0.0005432294,0.0014818029,0.0041333265,0.004235598,0.0015316738,0.0015593813,0.59382564],"category_scores_gemma":[0.02048645,0.0005037788,0.00049423025,0.0014602372,0.0012237927,0.0051680743,0.004291803,0.0019668187,0.35252208],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0010582802,0.00014762113,0.0013132357,0.0002801448,0.000006745932,0.00034054933,0.001361851,0.000091852744,0.0021908616,0.008385262,0.8068848,0.1779388],"study_design_scores_gemma":[0.00003853801,0.00005634065,0.00092551095,0.00016999683,0.0000047232643,0.00011718929,0.00151149,0.00016733572,0.0011035199,0.0015021344,0.9943831,0.000020042318],"about_ca_topic_score_codex":0.0053815576,"about_ca_topic_score_gemma":0.0062828665,"teacher_disagreement_score":0.59382564,"about_ca_system_score_codex":0.0009890076,"about_ca_system_score_gemma":0.0031252897,"threshold_uncertainty_score":0.57935846},"labels":[],"label_agreement":null},{"id":"W2885546855","doi":"10.14288/cl.v0i233.189287","title":"Telltale of Two Cities","year":2017,"lang":"en","type":"article","venue":"Open Collections","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"History","score_opus":0.049143585108533124,"score_gpt":0.2827695825196709,"score_spread":0.23362599741113776,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2885546855","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5983015,0.0011570352,0.0007176724,0.011798104,0.0008229661,0.00015049688,0.00080469955,0.00013729124,0.38611022],"genre_scores_gemma":[0.61042136,0.00043166275,0.00056026434,0.001310838,0.000132831,0.00007481712,0.00036120453,0.00013026281,0.3865768],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99958986,0.00010520933,0.000008486615,0.000053321055,0.00005939953,0.00018385741],"domain_scores_gemma":[0.99925643,0.00010571636,0.000039551567,0.00007907285,0.00006670334,0.0004524968],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004255508,0.0004032685,0.00028478174,0.0006812386,0.018543487,0.0050843796,0.0007182231,0.001400611,0.040538736],"category_scores_gemma":[0.0010084569,0.00029845658,0.0002686869,0.0011275944,0.0029585566,0.0018126855,0.005311019,0.0036321036,0.0028461409],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0015405017,0.00065395626,0.022348331,0.0004564134,0.000067705456,0.0153156165,0.5117983,0.00046419588,0.0057084328,0.21707089,0.15035884,0.07421687],"study_design_scores_gemma":[0.000056750338,0.000081303115,0.022467876,0.00009274655,0.00001794952,0.0007228978,0.2547503,0.00014983154,0.0007301806,0.0030735552,0.7178214,0.000035281035],"about_ca_topic_score_codex":0.038258087,"about_ca_topic_score_gemma":0.1914811,"teacher_disagreement_score":0.040538736,"about_ca_system_score_codex":0.0033214034,"about_ca_system_score_gemma":0.0040513296,"threshold_uncertainty_score":0.13561553},"labels":[],"label_agreement":null},{"id":"W2888246253","doi":"10.1353/jeu.2018.0008","title":"Refusing the Role, Embracing the Hole","year":2018,"lang":"en","type":"article","venue":"Jeunesse Young People Texts Cultures","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Queer; Media studies; Literature; Art; History; Art history; Sociology; Gender studies","score_opus":0.01188110796259811,"score_gpt":0.23622909959448668,"score_spread":0.22434799163188857,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2888246253","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02124513,0.043964375,0.007629348,0.4634056,0.025235284,0.00007962702,0.00003520864,0.00029523118,0.43811026],"genre_scores_gemma":[0.50716347,0.02367586,0.0054017054,0.14366746,0.0048422725,0.00017253564,0.000041257656,0.00055491173,0.31448057],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9942655,0.0035434873,0.00009822151,0.0004462897,0.0008358229,0.0008106518],"domain_scores_gemma":[0.99586797,0.0013673106,0.00029091988,0.00034553692,0.0008346342,0.0012936292],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0066416073,0.00064483134,0.00043722393,0.0007509617,0.013901655,0.01125631,0.0011687251,0.0049797525,0.009706129],"category_scores_gemma":[0.0117680235,0.0003349351,0.00031253387,0.00048861175,0.030373279,0.016893795,0.009084011,0.008081944,0.003947756],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005016335,0.0000747794,0.0004985771,0.00015822618,0.000007854393,0.00073442596,0.109763615,0.000059984613,0.0005926353,0.45117867,0.36355826,0.07332285],"study_design_scores_gemma":[0.000008374122,0.000027726592,0.00022421955,0.0003791039,0.0000054275806,0.0004311733,0.063380435,0.000046797213,0.00016716572,0.048233006,0.887081,0.000015651785],"about_ca_topic_score_codex":0.007488384,"about_ca_topic_score_gemma":0.0102000525,"teacher_disagreement_score":0.013901655,"about_ca_system_score_codex":0.002968408,"about_ca_system_score_gemma":0.008850742,"threshold_uncertainty_score":0.0351246},"labels":[],"label_agreement":null},{"id":"W2890572068","doi":"10.21992/tc29391","title":"Part Three: Introduction","year":2018,"lang":"en","type":"article","venue":"TranscUlturAl A Journal of Translation and Cultural Studies","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Moncton","funders":"","keywords":"Environmental science","score_opus":0.09594103805113909,"score_gpt":0.28619319327763937,"score_spread":0.1902521552265003,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2890572068","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0023536067,0.014722224,0.0043251985,0.036400817,0.050846647,0.00056838506,0.0058700247,0.00083070225,0.88408244],"genre_scores_gemma":[0.006715355,0.0066642202,0.0013336235,0.008593658,0.0074050673,0.00035023873,0.00258341,0.00046012862,0.96589416],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984775,0.00023219234,0.00006662708,0.00028505235,0.0007126536,0.00022591943],"domain_scores_gemma":[0.9961052,0.00053683587,0.00016624921,0.0004528795,0.0019634252,0.0007754293],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.002322738,0.0010596884,0.00063786353,0.0028086356,0.002627562,0.0067836936,0.0017440842,0.0028437478,0.34681594],"category_scores_gemma":[0.0063508567,0.00048157238,0.0010690407,0.0028442808,0.0013299519,0.0029052899,0.0038724374,0.0033740443,0.21034877],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006981799,0.00010258235,0.00035914226,0.00036039596,0.0000071879876,0.00005019965,0.00035754612,0.00019750424,0.0005374657,0.025878621,0.8855272,0.08655233],"study_design_scores_gemma":[0.000005644496,0.00002303333,0.00093698205,0.00024123708,0.000004127444,0.000025886156,0.00018803819,0.00003160358,0.00016136258,0.0032794555,0.99509466,0.000007891122],"about_ca_topic_score_codex":0.0075342194,"about_ca_topic_score_gemma":0.007682313,"teacher_disagreement_score":0.65318406,"about_ca_system_score_codex":0.003347129,"about_ca_system_score_gemma":0.006015659,"threshold_uncertainty_score":0.9316878},"labels":[],"label_agreement":null},{"id":"W2890760035","doi":"10.21992/tc29390","title":"Part Two: Introduction","year":2018,"lang":"en","type":"article","venue":"TranscUlturAl A Journal of Translation and Cultural Studies","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Moncton","funders":"","keywords":"Computer science","score_opus":0.08947282292386147,"score_gpt":0.2992134639238345,"score_spread":0.20974064099997305,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2890760035","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0030080937,0.01618277,0.004333572,0.038009062,0.04834835,0.0005051963,0.005467451,0.000684291,0.8834613],"genre_scores_gemma":[0.008288977,0.0070111603,0.0012551452,0.008819574,0.0071353028,0.00033421526,0.0022782374,0.0004059523,0.9644716],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99862885,0.00022798248,0.000058269605,0.0002904187,0.00059203117,0.00020253797],"domain_scores_gemma":[0.99665916,0.0005499863,0.0001431935,0.0004140929,0.0015398114,0.0006937781],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0020732454,0.0010645026,0.00063287537,0.0027211716,0.0026392166,0.0065166187,0.0015483039,0.0027481643,0.33526355],"category_scores_gemma":[0.005924705,0.0004594986,0.00096306327,0.0027125515,0.0014394651,0.0029937355,0.0037719964,0.0032011608,0.17869435],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008726331,0.00012219255,0.00045293185,0.00040999055,0.000008376283,0.00006893221,0.00056038634,0.0002058028,0.0006597772,0.039396726,0.85875297,0.09927473],"study_design_scores_gemma":[0.0000059609733,0.000023144636,0.0010174045,0.00022813915,0.000003952438,0.000031393993,0.0002397577,0.00003225288,0.0001689031,0.0038663945,0.9943745,0.000008057247],"about_ca_topic_score_codex":0.006467248,"about_ca_topic_score_gemma":0.006304962,"teacher_disagreement_score":0.66473645,"about_ca_system_score_codex":0.003242978,"about_ca_system_score_gemma":0.0052811787,"threshold_uncertainty_score":0.9481659},"labels":[],"label_agreement":null},{"id":"W2891008328","doi":"10.21992/tc29389","title":"Part One: Introduction","year":2018,"lang":"en","type":"article","venue":"TranscUlturAl A Journal of Translation and Cultural Studies","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Moncton","funders":"","keywords":"Computer science","score_opus":0.10755585900727857,"score_gpt":0.2872263793353993,"score_spread":0.17967052032812073,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2891008328","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0032967303,0.03920854,0.005130805,0.03020412,0.06642399,0.000669819,0.008812846,0.0010641351,0.845189],"genre_scores_gemma":[0.007796223,0.017509023,0.0015981157,0.007682822,0.012584253,0.00039344133,0.0038964811,0.00053396384,0.94800574],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988066,0.00016942683,0.000056555346,0.0002777202,0.0005348803,0.000154809],"domain_scores_gemma":[0.997198,0.00041433476,0.00014109895,0.00034300538,0.0013179359,0.00058553927],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0017555509,0.0012421842,0.0006990097,0.0029005364,0.0019518825,0.0053765955,0.0014699006,0.0024445585,0.3466126],"category_scores_gemma":[0.0048119533,0.00046913524,0.0009388095,0.002838308,0.0011500212,0.0028555237,0.0033932664,0.0025961464,0.23022485],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009960212,0.00014015455,0.0004047095,0.0006311101,0.000010395658,0.00006786163,0.0003069426,0.00024959602,0.00089499424,0.02097222,0.83601415,0.1402082],"study_design_scores_gemma":[0.0000061324713,0.000032035437,0.000923593,0.00024583342,0.000004885825,0.00003680655,0.00011078413,0.000029161647,0.00018811725,0.0026983132,0.99571615,0.000008152533],"about_ca_topic_score_codex":0.004812878,"about_ca_topic_score_gemma":0.0043480014,"teacher_disagreement_score":0.3466126,"about_ca_system_score_codex":0.0024896066,"about_ca_system_score_gemma":0.004510615,"threshold_uncertainty_score":0.9319778},"labels":[],"label_agreement":null},{"id":"W2893527889","doi":"10.18733/cpi29396","title":"The Sun and Her Flowers by Rupi Kaur","year":2018,"lang":"en","type":"article","venue":"Cultural and Pedagogical Inquiry","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Astronomy; Art; Geology; Physics","score_opus":0.4341093238530477,"score_gpt":0.39458320893196874,"score_spread":0.039526114921078936,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2893527889","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00017705713,0.9517801,0.000083843894,0.016636128,0.0181189,0.000012372485,0.000032875134,0.000012838899,0.013145936],"genre_scores_gemma":[0.0028581389,0.86817724,0.0001706933,0.01916425,0.012671163,0.00004244053,0.00008967804,0.000060869657,0.09676552],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99969923,0.000073534626,0.000023166938,0.00004439316,0.0001278693,0.000031869342],"domain_scores_gemma":[0.9993154,0.00024898336,0.000046743604,0.000021506848,0.00026791202,0.00009948659],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008781679,0.0007287331,0.0010603438,0.0019423704,0.0011399867,0.0023352192,0.00064205675,0.001180196,0.01669706],"category_scores_gemma":[0.0018732963,0.00035284858,0.00032377464,0.002477675,0.0012064558,0.0030877774,0.0019698378,0.0041245385,0.008940557],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022587637,0.000013134229,0.000086143904,0.0019099797,0.000012605854,0.000080875565,0.00047449488,0.000028145749,0.00019234479,0.0035207213,0.88670576,0.10695319],"study_design_scores_gemma":[0.0000036189758,0.0000053346234,0.00022189274,0.00063611753,0.000007378396,0.00013997042,0.00018517002,0.000004036874,0.00002643303,0.00038505948,0.9983814,0.000003707243],"about_ca_topic_score_codex":0.004176758,"about_ca_topic_score_gemma":0.010615882,"teacher_disagreement_score":0.01669706,"about_ca_system_score_codex":0.0013319148,"about_ca_system_score_gemma":0.0028441509,"threshold_uncertainty_score":0.05585718},"labels":[],"label_agreement":null},{"id":"W2899490250","doi":"10.18357/scene02201718369","title":"Shakespeare, Lord of Love and Changes","year":2018,"lang":"en","type":"article","venue":"Scene Reviews of Early Modern Drama","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; History; Literature","score_opus":0.050535645026067146,"score_gpt":0.26238462866551837,"score_spread":0.21184898363945123,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2899490250","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004229145,0.21725163,0.0014038776,0.097246096,0.023235114,0.000047946516,0.00041109938,0.00018800196,0.6559872],"genre_scores_gemma":[0.10484538,0.04339168,0.00074194715,0.014874202,0.0034226552,0.000064023465,0.00018948787,0.0002939407,0.83217674],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99942577,0.00022018365,0.000023830711,0.00008958989,0.00015252127,0.000088140725],"domain_scores_gemma":[0.9995303,0.00011424729,0.000031067997,0.000050961306,0.00015052034,0.00012295369],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009057442,0.00074906554,0.00031890854,0.0007347318,0.009405274,0.005489186,0.0005392979,0.0018715995,0.027174488],"category_scores_gemma":[0.002148017,0.0003594946,0.00019548112,0.0007153687,0.0056250403,0.0046373275,0.0026968226,0.0057751103,0.0083458945],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003655014,0.00001088621,0.00023983396,0.00021574282,0.000008023902,0.00024032393,0.026442342,0.000032764336,0.00021428776,0.07966139,0.8598715,0.03302639],"study_design_scores_gemma":[0.0000028601848,0.000005092324,0.0005434851,0.00015321691,0.0000023050231,0.00011699652,0.0057877256,0.000008092307,0.00009412156,0.0023747412,0.9909067,0.0000044956446],"about_ca_topic_score_codex":0.021000233,"about_ca_topic_score_gemma":0.069660425,"teacher_disagreement_score":0.027174488,"about_ca_system_score_codex":0.002657071,"about_ca_system_score_gemma":0.002885925,"threshold_uncertainty_score":0.09090775},"labels":[],"label_agreement":null},{"id":"W2900691087","doi":"10.5281/zenodo.167107","title":"Crossing Boundaries Andcreating Space In Alice Munro’S Who Do You Think You Are","year":2016,"lang":"en","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Alice (programming language); Space (punctuation); Art; Art history; Philosophy; Linguistics","score_opus":0.03223660710942688,"score_gpt":0.2323718720669491,"score_spread":0.2001352649575222,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2900691087","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1684879,0.0144303385,0.006066175,0.096858196,0.0019097152,0.00007143537,0.00007304688,0.00014473672,0.71195847],"genre_scores_gemma":[0.8637311,0.00269055,0.0015654129,0.005868261,0.00029274725,0.000050411207,0.000037203557,0.000191049,0.12557322],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99669135,0.0020103746,0.00003364832,0.00025803503,0.0004914849,0.0005150879],"domain_scores_gemma":[0.9985014,0.00074143923,0.00012804587,0.00009067853,0.00013787085,0.00040059906],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017483309,0.00050628715,0.00036418453,0.00070502586,0.021858918,0.010422871,0.0009847807,0.0021857792,0.0043324153],"category_scores_gemma":[0.0030687603,0.0003831082,0.000258239,0.0005261392,0.023701098,0.006691279,0.006101467,0.005751863,0.0007971894],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000042568423,0.00002692254,0.000477903,0.000070092974,0.0000038904145,0.00078289566,0.67706645,0.000046663892,0.00055219955,0.26829234,0.040635847,0.0120023005],"study_design_scores_gemma":[0.0000035176502,0.000021131944,0.00074702746,0.00018891109,0.0000043083,0.00072236924,0.36021134,0.00008857733,0.00045269512,0.012690563,0.6248466,0.000022879518],"about_ca_topic_score_codex":0.022443717,"about_ca_topic_score_gemma":0.08321653,"teacher_disagreement_score":0.022443717,"about_ca_system_score_codex":0.0062050577,"about_ca_system_score_gemma":0.0028136657,"threshold_uncertainty_score":0.045020998},"labels":[],"label_agreement":null},{"id":"W2908311139","doi":"","title":"Indian Cinema, Postcolonialism, and Social Justice: An Interview with Nandita Das","year":2018,"lang":"en","type":"article","venue":"Postcolonial text","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Movie theater; Postcolonialism (international relations); Sociology; Social justice; Economic Justice; Media studies; Gender studies; Anthropology; History; Political science; Social science; Art history; Law","score_opus":0.0258648794487399,"score_gpt":0.28129553407697994,"score_spread":0.25543065462824005,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2908311139","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.89499146,0.0021766964,0.00043887438,0.028661722,0.0006916171,0.0002005979,0.00013608803,0.000035782938,0.072667204],"genre_scores_gemma":[0.97797877,0.001380124,0.00020820231,0.0036829133,0.00012198912,0.00015438661,0.00003429631,0.000039638457,0.016399777],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99701405,0.0017510174,0.0000813725,0.00014986919,0.00022378517,0.000779838],"domain_scores_gemma":[0.99303377,0.0045766337,0.00050895737,0.00010752296,0.00057894003,0.001194146],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0034855122,0.00067999226,0.00057351356,0.0019596142,0.031312127,0.0070295837,0.0011807481,0.0027622723,0.0046055787],"category_scores_gemma":[0.007318949,0.00067002315,0.00030191545,0.0022988282,0.010540116,0.0048612542,0.0057454505,0.010319846,0.00047724615],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000071250593,0.000023164828,0.0004652119,0.00002330436,7.364548e-7,0.00027919223,0.99611473,0.0000039531565,0.000244088,0.0012570542,0.00096561416,0.00061580277],"study_design_scores_gemma":[9.22325e-7,0.000006185271,0.0007667019,0.00002619852,0.0000013003482,0.00006433747,0.9874998,0.000008263376,0.0000615037,0.000053730808,0.011506985,0.0000041874314],"about_ca_topic_score_codex":0.045902815,"about_ca_topic_score_gemma":0.10229602,"teacher_disagreement_score":0.045902815,"about_ca_system_score_codex":0.008161662,"about_ca_system_score_gemma":0.007311397,"threshold_uncertainty_score":0.09127128},"labels":[],"label_agreement":null},{"id":"W2909465498","doi":"10.1177/0019464618817368","title":"Gendered lives in vernacular fiction: Redefining family in Hindi short stories of the early 1940s","year":2019,"lang":"en","type":"article","venue":"The Indian Economic & Social History Review","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Wife; Hindi; Gender studies; Kinship; Caste; Vernacular; Sacrifice; Sociology; Literature; History; Anthropology; Law; Art; Political science; Philosophy","score_opus":0.0439505619195262,"score_gpt":0.2245380762047377,"score_spread":0.1805875142852115,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2909465498","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.85713065,0.020218961,0.0027757962,0.016001029,0.002121211,0.0000729655,0.00043484985,0.00011387254,0.1011307],"genre_scores_gemma":[0.9807329,0.0034921048,0.00057916506,0.0011668575,0.00036882338,0.000037730144,0.00011133185,0.00008807964,0.013422905],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99820733,0.001264834,0.000033792763,0.000097191136,0.00014648745,0.0002503932],"domain_scores_gemma":[0.99663204,0.0025291683,0.00025844498,0.000101922284,0.00021002594,0.00026847053],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019215608,0.0014308228,0.00055818935,0.0020561765,0.0144271515,0.0055854553,0.0010916606,0.0021677488,0.0031912297],"category_scores_gemma":[0.004664901,0.00052478135,0.00027333622,0.0016118108,0.015752982,0.004795331,0.0033847145,0.0033779412,0.00059371634],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024684487,0.0000080370555,0.00038402644,0.00006967405,0.0000035146068,0.00084171165,0.9844715,0.000027833987,0.0002880312,0.008521336,0.002766986,0.0025925604],"study_design_scores_gemma":[0.000007008177,0.00008223719,0.004157216,0.0004125718,0.000015811811,0.0020601773,0.7417746,0.00015204512,0.0008634899,0.0031903142,0.24725123,0.000033347587],"about_ca_topic_score_codex":0.010394056,"about_ca_topic_score_gemma":0.026359543,"teacher_disagreement_score":0.0144271515,"about_ca_system_score_codex":0.0061422065,"about_ca_system_score_gemma":0.0011947812,"threshold_uncertainty_score":0.04456508},"labels":[],"label_agreement":null},{"id":"W2913923960","doi":"","title":"Diasporic dreams and shattered desires: Displacement, identity and tradition in heaven on earth (Deepa Mehta 2008)","year":2018,"lang":"en","type":"other","venue":"Loughborough University Institutional Repository (Loughborough University)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Heaven; Casual; Diaspora; Narrative; Gender studies; Identity (music); Ethnic group; Sociology; Art; History; Aesthetics; Anthropology; Literature; Political science","score_opus":0.020851606233452325,"score_gpt":0.19408726399026766,"score_spread":0.17323565775681532,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2913923960","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5897953,0.011041354,0.0008226736,0.02120275,0.00047915976,0.000027073183,0.000103748964,0.000027571057,0.37650046],"genre_scores_gemma":[0.97093797,0.0035130195,0.0002241943,0.0008881245,0.000070512644,0.000020894964,0.000019825828,0.000017732329,0.024307834],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99958533,0.00025521114,0.000007692859,0.000031109677,0.000050026058,0.00007062022],"domain_scores_gemma":[0.9995297,0.00022114202,0.000056373923,0.000035915968,0.000034175137,0.00012265074],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00077649864,0.00023943082,0.00021436099,0.00058191526,0.008016751,0.005014884,0.00045087523,0.00086482405,0.0040256125],"category_scores_gemma":[0.0011970733,0.00017964802,0.000110664034,0.0009564588,0.013280154,0.0036336398,0.0046797274,0.0029460492,0.00034519873],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016964717,0.000019921383,0.0010936629,0.00007156909,0.0000037051432,0.0003315184,0.9080739,0.000021391203,0.00026620753,0.07528372,0.0065633324,0.008254054],"study_design_scores_gemma":[0.000003925478,0.000017386481,0.0040639816,0.00022363265,0.0000042154807,0.0005475268,0.82490003,0.000034630277,0.00019117881,0.0058727777,0.1641307,0.000010042047],"about_ca_topic_score_codex":0.011221465,"about_ca_topic_score_gemma":0.028711386,"teacher_disagreement_score":0.011221465,"about_ca_system_score_codex":0.0021414,"about_ca_system_score_gemma":0.0018122119,"threshold_uncertainty_score":0.022312284},"labels":[],"label_agreement":null},{"id":"W2919471713","doi":"10.1386/safm.9.2.129_1","title":"Reading double: Queer girls and Hindutva politics in The World Before Her","year":2017,"lang":"en","type":"article","venue":"Studies in South Asian Film & Media","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Hindutva; Queer; Heteronormativity; Gender studies; Politics; Hinduism; Hegemony; Ideology; Narrative; Queer theory; Sociology; Aesthetics; Political science; Literature; Art; Religious studies; Law; Philosophy","score_opus":0.060054097895679094,"score_gpt":0.30706210919849575,"score_spread":0.24700801130281666,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2919471713","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4289077,0.0034852393,0.00085683254,0.023176404,0.0006559887,0.000043383665,0.0001174686,0.000050219307,0.5427067],"genre_scores_gemma":[0.9654928,0.00063715345,0.00009436254,0.0008427013,0.00007015178,0.000007983231,0.000017956121,0.000026172487,0.032810647],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99884784,0.0005048571,0.000012530858,0.00010263625,0.0001812931,0.00035079962],"domain_scores_gemma":[0.9988682,0.0005625697,0.000119288845,0.00006322557,0.00012466586,0.0002620657],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012440141,0.0004366606,0.00026568663,0.00084560714,0.02134597,0.0102284085,0.00065369095,0.0017765479,0.008852244],"category_scores_gemma":[0.0019547364,0.00019553593,0.00013025694,0.0010512412,0.024625937,0.0039229034,0.0037947495,0.0051890607,0.00045180222],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028500803,0.00001281547,0.0006461186,0.00002975347,0.000003098092,0.0006363666,0.85841864,0.000026201165,0.00045665735,0.13094689,0.005300406,0.0034946282],"study_design_scores_gemma":[0.0000064034266,0.000020388296,0.0016156303,0.00010901444,0.0000059077547,0.00034807393,0.7719211,0.000051001687,0.00056881766,0.004561745,0.22077419,0.000017767086],"about_ca_topic_score_codex":0.12065111,"about_ca_topic_score_gemma":0.27042177,"teacher_disagreement_score":0.12065111,"about_ca_system_score_codex":0.009333395,"about_ca_system_score_gemma":0.0049050935,"threshold_uncertainty_score":0.23989773},"labels":[],"label_agreement":null},{"id":"W2921278407","doi":"10.1386/jepc.9.2.119_1","title":"Poland’s enchanted Bollywood","year":2018,"lang":"en","type":"article","venue":"Journal of European Popular Culture","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Movie theater; Entertainment; Hindi; Dance; Multiculturalism; Globalization; Popularity; Film industry; Geography; Economy; Political science; Media studies; Advertising; History; Visual arts; Art; Art history; Sociology; Business; Economics","score_opus":0.021457687928465974,"score_gpt":0.2231614399379607,"score_spread":0.20170375200949472,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2921278407","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.44507235,0.0035624148,0.0021740915,0.0064023687,0.00085034134,0.0000662003,0.00020947061,0.00023115489,0.5414316],"genre_scores_gemma":[0.7730583,0.0018724502,0.0012264987,0.0011868076,0.00009913557,0.000018203391,0.00010223303,0.00017442214,0.22226192],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9998117,0.000028037639,0.0000056142535,0.00003593727,0.00004932843,0.000069373964],"domain_scores_gemma":[0.99987996,0.000015422114,0.000016056583,0.000016341215,0.00002163819,0.00005043477],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002927037,0.0003628077,0.000167378,0.0006309553,0.0019874906,0.0037239352,0.00025642978,0.00050097867,0.013176054],"category_scores_gemma":[0.00049430656,0.00019061369,0.00013736512,0.0005113612,0.0013871414,0.0023725135,0.0038572152,0.0013964111,0.002606777],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0010226737,0.00028789908,0.010803601,0.0019075864,0.00009819665,0.010229137,0.14102028,0.00039024913,0.030033173,0.27712843,0.14960372,0.37747514],"study_design_scores_gemma":[0.000016422837,0.00008115311,0.011028207,0.00028206507,0.000024988136,0.0013260454,0.025476422,0.00018858716,0.0041675624,0.0041631013,0.9532221,0.000023391049],"about_ca_topic_score_codex":0.0017324704,"about_ca_topic_score_gemma":0.007416836,"teacher_disagreement_score":0.013176054,"about_ca_system_score_codex":0.00096066896,"about_ca_system_score_gemma":0.0005801039,"threshold_uncertainty_score":0.04407829},"labels":[],"label_agreement":null},{"id":"W2923864333","doi":"10.18357/scene02201718356","title":"Depoliticizing Titus in Delhi: The Hungry","year":2018,"lang":"en","type":"article","venue":"Scene Reviews of Early Modern Drama","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"New delhi; Production (economics); Political science; Geography; Economics; Archaeology","score_opus":0.055399074951745626,"score_gpt":0.27348800430076414,"score_spread":0.21808892934901852,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2923864333","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16162205,0.03181698,0.00069021824,0.07054581,0.009735535,0.000072542774,0.00042023533,0.00032505585,0.7247716],"genre_scores_gemma":[0.7117123,0.013680071,0.0004981778,0.007858651,0.0018441061,0.00004750724,0.00028371863,0.0004165163,0.26365885],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99947923,0.00015043387,0.000012935126,0.00005253941,0.00008095849,0.00022397167],"domain_scores_gemma":[0.99958426,0.000119551056,0.000044853114,0.000043017,0.000051882223,0.00015650917],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00069513806,0.00061864324,0.00028957607,0.0006828568,0.0098995585,0.0071333433,0.00087675033,0.0017207584,0.016052132],"category_scores_gemma":[0.0011022121,0.0003106641,0.00023591214,0.0012956816,0.0055273534,0.0030421996,0.005461527,0.0056288214,0.0022379414],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020746855,0.00008677309,0.002500686,0.00087858224,0.00003308053,0.00316751,0.41688782,0.000105574596,0.0037815038,0.086470276,0.43753266,0.048348095],"study_design_scores_gemma":[0.000012161585,0.000042329495,0.0077568125,0.00031175266,0.00001981047,0.0007336386,0.14196967,0.000027026828,0.00071416283,0.0014912926,0.8469006,0.000020724794],"about_ca_topic_score_codex":0.01329985,"about_ca_topic_score_gemma":0.058722816,"teacher_disagreement_score":0.016052132,"about_ca_system_score_codex":0.0030314499,"about_ca_system_score_gemma":0.0026131421,"threshold_uncertainty_score":0.05369973},"labels":[],"label_agreement":null},{"id":"W2924206618","doi":"","title":"Certain Poor Shepherds","year":2017,"lang":"en","type":"article","venue":"Dalhousie review","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Business","score_opus":0.04619751388316199,"score_gpt":0.2823953136277951,"score_spread":0.2361977997446331,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2924206618","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.030671528,0.30489755,0.00037206782,0.18190998,0.0056504486,0.00006805772,0.0008062531,0.00009847379,0.4755257],"genre_scores_gemma":[0.25067824,0.39183107,0.0007313999,0.080590576,0.0019120929,0.00014100004,0.00069392065,0.000104985585,0.2733166],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99938154,0.00016545382,0.00003539003,0.000051690073,0.000112085836,0.00025382836],"domain_scores_gemma":[0.9992803,0.00012995252,0.00009094367,0.00005489176,0.00020783213,0.00023614969],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012385802,0.00040415543,0.00034454872,0.0009893818,0.0027466842,0.003279778,0.0005109636,0.0013635715,0.026023641],"category_scores_gemma":[0.0026027397,0.0001638603,0.00023112756,0.0012907566,0.0029861748,0.0017635319,0.004007036,0.0024814527,0.0024402612],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014563547,0.00005327558,0.007867031,0.0022076587,0.00004486232,0.0008729399,0.0114426315,0.00009195201,0.00056149345,0.06541288,0.5672201,0.34407964],"study_design_scores_gemma":[0.0000064849846,0.000015661288,0.00589685,0.00110508,0.000014852746,0.0002984301,0.008122181,0.000007061964,0.00012596259,0.0019037534,0.9824959,0.0000076185643],"about_ca_topic_score_codex":0.051792953,"about_ca_topic_score_gemma":0.12661782,"teacher_disagreement_score":0.051792953,"about_ca_system_score_codex":0.0028307713,"about_ca_system_score_gemma":0.008988533,"threshold_uncertainty_score":0.10298294},"labels":[],"label_agreement":null},{"id":"W2935979847","doi":"10.29173/cais969","title":"Digital decolonization and activist tagging in the Post-Apology Residential School Database","year":2018,"lang":"fr","type":"article","venue":"Proceedings of the Annual Conference of CAIS / Actes du congrès annuel de l ACSI","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"University of Manitoba; University of Alberta","funders":"","keywords":"Decolonization; Parliament; Political science; Humanities; Library science; Ethnology; Sociology; Art; Computer science; Law; Politics","score_opus":0.016835983698623127,"score_gpt":0.2407445225265199,"score_spread":0.22390853882789677,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2935979847","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.66653454,0.0022898188,0.10369352,0.016774535,0.00090912427,0.002002838,0.048914317,0.0029170585,0.15596414],"genre_scores_gemma":[0.78798157,0.0013569592,0.12531535,0.0017628836,0.0003213007,0.0021189796,0.03826233,0.0013161999,0.041564405],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9695058,0.015560185,0.0027920057,0.0034061503,0.0071054986,0.0016303994],"domain_scores_gemma":[0.896373,0.049625296,0.0109881,0.02865819,0.012970194,0.0013852472],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.031417742,0.000304717,0.00039342724,0.010757924,0.0042206994,0.009310347,0.002448971,0.0012913924,0.0049766516],"category_scores_gemma":[0.07209913,0.000832668,0.0003313219,0.016858611,0.004513845,0.010333745,0.008592542,0.0020339002,0.0022301788],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00072763045,0.00018103718,0.102172196,0.0013138494,0.00006385735,0.0010328147,0.43337053,0.0012583982,0.008302099,0.100087605,0.067167714,0.2843221],"study_design_scores_gemma":[0.00003243775,0.000059265873,0.050963197,0.0008872091,0.000051674524,0.00031615354,0.15393782,0.00411611,0.007535106,0.008574931,0.77336293,0.00016310361],"about_ca_topic_score_codex":0.057261262,"about_ca_topic_score_gemma":0.10289182,"teacher_disagreement_score":0.9427387,"about_ca_system_score_codex":0.0062309518,"about_ca_system_score_gemma":0.006944588,"threshold_uncertainty_score":0.16615486},"labels":[],"label_agreement":null},{"id":"W2938937938","doi":"","title":"탈산업화 시대의 문화도시 연구 - 의 스트랫포드를 중심으로","year":2015,"lang":"ko","type":"article","venue":"도시인문학연구","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Tourism; Industrial city; Population; Geography; History; Visual arts; Sociology; Art; Economic geography; Archaeology","score_opus":0.04932371274182588,"score_gpt":0.23655843780643243,"score_spread":0.18723472506460656,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2938937938","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26098225,0.0079753585,0.0059255874,0.012169382,0.002245985,0.00010600903,0.00018010005,0.00007593875,0.7103393],"genre_scores_gemma":[0.90015006,0.0026898049,0.0011214277,0.00096595107,0.00021087508,0.000045939305,0.00006718038,0.000085559506,0.09466326],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99949336,0.00021786429,0.00000970665,0.00005532078,0.00008533308,0.00013849657],"domain_scores_gemma":[0.9996784,0.00008166593,0.00002912444,0.000019881023,0.00009298362,0.00009802575],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006755634,0.00045917326,0.00013956713,0.00093475595,0.007500706,0.0060270056,0.00042408847,0.0006399815,0.0068924087],"category_scores_gemma":[0.0008073344,0.0001375397,0.00023937217,0.0010297941,0.006784548,0.0029863433,0.0023368697,0.0017092997,0.0007654305],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007137804,0.000052285075,0.009545272,0.00033963725,0.00001668698,0.0009519968,0.30822617,0.0004702602,0.00084206095,0.60116094,0.040602494,0.037720878],"study_design_scores_gemma":[0.0000046282253,0.000036361445,0.012365768,0.00026374377,0.00001332153,0.0002518613,0.20761783,0.00026162347,0.0006636905,0.00860641,0.769888,0.000026776957],"about_ca_topic_score_codex":0.05793639,"about_ca_topic_score_gemma":0.1383965,"teacher_disagreement_score":0.05793639,"about_ca_system_score_codex":0.006203279,"about_ca_system_score_gemma":0.0033344957,"threshold_uncertainty_score":0.115198374},"labels":[],"label_agreement":null},{"id":"W2939363214","doi":"","title":"Three Experiments in Subaltern Intimacy","year":2018,"lang":"en","type":"article","venue":"Postcolonial text","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Subaltern; Colonialism; Consciousness; Ideology; Sociology; Aesthetics; Gender studies; Marxist philosophy; Reading (process); Field (mathematics); Power (physics); Postcolonialism (international relations); History; Politics; Epistemology; Political science; Art; Philosophy; Law","score_opus":0.03291763123054569,"score_gpt":0.27698624982506054,"score_spread":0.24406861859451484,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2939363214","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8489404,0.00032695758,0.00570494,0.0024463914,0.0002872599,0.0010527219,0.00016880115,0.00010148215,0.14097112],"genre_scores_gemma":[0.9781365,0.00018325317,0.0046227733,0.000705083,0.000038847727,0.0011830796,0.000068097754,0.00006386628,0.014998647],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99430805,0.0038015416,0.00020226238,0.00065276027,0.0005217139,0.00051363773],"domain_scores_gemma":[0.9727964,0.021340212,0.000647979,0.0027013575,0.001267252,0.0012467843],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.006035364,0.0006816322,0.0004380619,0.0007300013,0.007747105,0.003910317,0.0018852988,0.002848338,0.02348885],"category_scores_gemma":[0.022271467,0.00059191,0.00047240595,0.000698433,0.011754822,0.0038012047,0.006567431,0.0045411168,0.0012816295],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0029305613,0.008737604,0.0057723103,0.0010622904,0.000054999564,0.0020365315,0.6831589,0.0007719955,0.03828024,0.1975805,0.007281299,0.05233283],"study_design_scores_gemma":[0.0023678157,0.009809345,0.020254971,0.0008341004,0.00018580936,0.0021117025,0.44273892,0.002884448,0.08508808,0.15043677,0.28282622,0.00046178815],"about_ca_topic_score_codex":0.0021422603,"about_ca_topic_score_gemma":0.002929221,"teacher_disagreement_score":0.02348885,"about_ca_system_score_codex":0.0023409352,"about_ca_system_score_gemma":0.0010548749,"threshold_uncertainty_score":0.078578055},"labels":[],"label_agreement":null},{"id":"W2944194637","doi":"10.5539/res.v11n2p59","title":"Historical Documentary Gender Identities in Goumenissa of Greece Multimodal Research Material","year":2019,"lang":"en","type":"article","venue":"Review of European Studies","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Historiography; Filmmaking; Sociology; Subject (documents); Gender studies; Social science; Pedagogy; History; Library science; Archaeology","score_opus":0.1371942026211157,"score_gpt":0.3568170079469515,"score_spread":0.21962280532583578,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2944194637","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.86776763,0.00413254,0.0015603623,0.0014863176,0.00024646407,0.00013136442,0.0006516299,0.00004361919,0.12398009],"genre_scores_gemma":[0.983696,0.0016031889,0.00061731745,0.00010045104,0.000051369654,0.00007454288,0.00016014722,0.000037992762,0.013658971],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9988193,0.0006671433,0.000044830373,0.00017061962,0.00018057151,0.00011738342],"domain_scores_gemma":[0.99877864,0.00071856414,0.0001465355,0.00016198546,0.00010608322,0.0000881592],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018304199,0.00050769,0.00035178117,0.003251312,0.0039780336,0.0041260896,0.00082074193,0.0009721604,0.0065556415],"category_scores_gemma":[0.0033530802,0.000213252,0.00014588928,0.0035211223,0.0076762484,0.0024508038,0.0034677216,0.00096216897,0.0005129828],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000046868536,0.000019988163,0.0024383846,0.00028338187,0.000006148787,0.0030822041,0.93855566,0.00010411893,0.0028478599,0.025130862,0.0016767485,0.025807835],"study_design_scores_gemma":[0.0000050477406,0.00006625655,0.012156127,0.0006707814,0.000010280249,0.0017706562,0.6952627,0.00006319291,0.0013876961,0.0024314942,0.28615358,0.000022219043],"about_ca_topic_score_codex":0.0044661937,"about_ca_topic_score_gemma":0.0088636475,"teacher_disagreement_score":0.0065556415,"about_ca_system_score_codex":0.0039757993,"about_ca_system_score_gemma":0.0012345215,"threshold_uncertainty_score":0.028846562},"labels":[],"label_agreement":null},{"id":"W2945174606","doi":"10.5539/ells.v9n2p57","title":"Social and Physical Entrapments of Women in Bapsi Sidhwa’s Ice-Candy Man and Arundhati Roy’s The God of Small Things","year":2019,"lang":"en","type":"article","venue":"English Language and Literature Studies","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Creatures; Caste; Creed; Sociology; Gender studies; Psychology; History; Philosophy; Political science; Theology; Law","score_opus":0.010037957288589121,"score_gpt":0.22862199459103227,"score_spread":0.21858403730244316,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2945174606","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9807959,0.00056654774,0.0002018563,0.002048576,0.00017663366,0.0000285677,0.000042235948,0.000009079493,0.016130542],"genre_scores_gemma":[0.99131495,0.00064348883,0.0001807995,0.00036519193,0.00008559321,0.00003354222,0.000028119679,0.000015472677,0.0073329355],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99843127,0.000809997,0.000047202862,0.00015343366,0.0002445397,0.000313471],"domain_scores_gemma":[0.9981427,0.0008065279,0.00044571568,0.00009734419,0.00013749744,0.00037011117],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001504915,0.0007748374,0.0005128833,0.0010094345,0.015284479,0.004885278,0.00086446776,0.0016388951,0.0038134505],"category_scores_gemma":[0.0033363393,0.0006015125,0.00026227208,0.00081600493,0.010007654,0.0026396282,0.005213654,0.0029261697,0.00050416123],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000055556255,0.000058292517,0.0033046792,0.000080068705,0.000008151818,0.0036338822,0.98457944,0.000018557123,0.0013205511,0.0025727062,0.0012675357,0.0031005768],"study_design_scores_gemma":[0.000003168295,0.00006355443,0.004224112,0.000047689304,0.0000060268694,0.0015234178,0.97263193,0.000024062343,0.00043312053,0.00023257843,0.020797048,0.000013270187],"about_ca_topic_score_codex":0.003604334,"about_ca_topic_score_gemma":0.008206436,"teacher_disagreement_score":0.015284479,"about_ca_system_score_codex":0.0024714414,"about_ca_system_score_gemma":0.0014898968,"threshold_uncertainty_score":0.0179317},"labels":[],"label_agreement":null},{"id":"W2953832553","doi":"10.5194/isprs-archives-xlii-1-w1-1-2017","title":"Preface","year":2017,"lang":"en","type":"article","venue":"The international archives of the photogrammetry, remote sensing and spatial information sciences/International archives of the photogrammetry, remote sensing and spatial information sciences","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Helmholtz-Zentrum Potsdam - Deutsches GeoForschungsZentrum GFZ; Leibniz-Gemeinschaft; York University; Universität Stuttgart; Rheinische Friedrich-Wilhelms-Universität Bonn; Curtin University of Technology; University of Haifa; Aalto-Yliopisto; Institut national de recherche en informatique et en automatique (INRIA); Ohio State University; Technische Universität Braunschweig; Purdue University","keywords":"Computer science","score_opus":0.02589596647272734,"score_gpt":0.25803055081189963,"score_spread":0.23213458433917228,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2953832553","genre_codex":"other","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0026842307,0.0143688405,0.012469579,0.038330425,0.21843451,0.000667655,0.010986806,0.0019411264,0.70011675],"genre_scores_gemma":[0.011602029,0.007455537,0.004024015,0.005848986,0.02948641,0.00027948053,0.007810259,0.00087397493,0.93261933],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99927026,0.000093928255,0.000054013817,0.00015739792,0.00035547934,0.00006898748],"domain_scores_gemma":[0.9961577,0.0004413832,0.00013561534,0.00032564523,0.0022754353,0.00066430005],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012479406,0.0009120648,0.0006667369,0.0019907004,0.0020073806,0.0029182395,0.0011890669,0.0012325124,0.39988047],"category_scores_gemma":[0.007643562,0.00027527413,0.0004733521,0.001297505,0.0006183155,0.0025332528,0.001967898,0.0028286092,0.26466018],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000322439,0.000022250764,0.0001572416,0.00009590769,0.000002402521,0.000074639305,0.00011563856,0.00010928307,0.0002698369,0.006674192,0.941683,0.050763384],"study_design_scores_gemma":[0.0000027504386,0.000012687951,0.00025931068,0.00007607502,0.0000010779523,0.00007611036,0.00006308014,0.00003687318,0.00008162717,0.0018224856,0.9975643,0.0000035636147],"about_ca_topic_score_codex":0.0032655492,"about_ca_topic_score_gemma":0.0035767353,"teacher_disagreement_score":0.39988047,"about_ca_system_score_codex":0.0018414555,"about_ca_system_score_gemma":0.0019452514,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W2957276564","doi":"","title":"Cinéma sri-lankais. Autonomie et engagement de la nouvelle génération","year":2014,"lang":"fr","type":"article","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Humanities; Movie theater; Art; Sri lanka; Ethnology; Political science; Art history; Sociology; South asia","score_opus":0.011941388617356458,"score_gpt":0.2176186103062076,"score_spread":0.20567722168885114,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2957276564","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.054058287,0.023171835,0.00095340126,0.015155759,0.00075380196,0.000082642306,0.00052046747,0.00015456261,0.90514934],"genre_scores_gemma":[0.728016,0.016407011,0.0011774449,0.0015845424,0.00036402565,0.00010042375,0.0005424509,0.000105824,0.25170222],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994466,0.00023966008,0.00001586054,0.00007986433,0.00006893711,0.00014910537],"domain_scores_gemma":[0.9995396,0.00007960607,0.00007321076,0.000039910126,0.00008142589,0.00018633793],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00060957304,0.0005252821,0.00014025351,0.00072913844,0.0036842332,0.004260577,0.00048123326,0.0008389621,0.038964],"category_scores_gemma":[0.000831697,0.00017592261,0.00017266884,0.00087126694,0.002834029,0.0020479565,0.003596619,0.0015821536,0.0047083255],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001183431,0.0000722566,0.008644483,0.001511051,0.000037767702,0.0018588435,0.25311506,0.00022359773,0.0046728756,0.3527691,0.18899204,0.18798459],"study_design_scores_gemma":[0.0000056871045,0.000029020433,0.0110973,0.00033129955,0.000011468039,0.0004943312,0.033257786,0.000047056947,0.0002796339,0.0022186006,0.9522135,0.000014229733],"about_ca_topic_score_codex":0.029139718,"about_ca_topic_score_gemma":0.058537353,"teacher_disagreement_score":0.038964,"about_ca_system_score_codex":0.0029726205,"about_ca_system_score_gemma":0.002625988,"threshold_uncertainty_score":0.13034755},"labels":[],"label_agreement":null},{"id":"W2957841070","doi":"","title":"The Aesthetic through and beyond Capital: Speculations on Martin Wickramasinghe’s Gamperaḷiya and Virāgaya","year":2019,"lang":"en","type":"article","venue":"Postcolonial text","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narrative; Context (archaeology); Scrutiny; Mediation; Capital (architecture); Aesthetics; Interpretation (philosophy); Epistemology; Philosophy; Sociology; Literature; History; Art; Social science; Linguistics","score_opus":0.008969710990755782,"score_gpt":0.2146179264224025,"score_spread":0.2056482154316467,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2957841070","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26400906,0.008515329,0.008786988,0.04556263,0.0010134331,0.000041220363,0.00003769985,0.00007639555,0.67195725],"genre_scores_gemma":[0.98537153,0.0007717138,0.00046686418,0.00073607155,0.0000988547,0.000012789864,0.0000044074013,0.000027366532,0.012510352],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99913603,0.00049253774,0.000015493399,0.00008974185,0.00010370946,0.00016251838],"domain_scores_gemma":[0.9986809,0.00083235337,0.000101849444,0.00016912477,0.000106277985,0.00010939362],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022251192,0.00037776737,0.0002761034,0.0007554927,0.00526375,0.0063087274,0.0007425188,0.0016897388,0.0035315042],"category_scores_gemma":[0.0034707235,0.00026889346,0.00024285259,0.0006339466,0.03133076,0.00749759,0.0038332117,0.002920152,0.00037804007],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026144546,0.0000124018825,0.00034823842,0.000032232954,0.000002808135,0.00036577164,0.08494829,0.00007830774,0.00019043605,0.9072258,0.001883986,0.004885556],"study_design_scores_gemma":[0.000026925833,0.00008042081,0.003205271,0.00034320145,0.000017054506,0.0012566291,0.13313712,0.0007049854,0.0013955812,0.564234,0.295545,0.00005379092],"about_ca_topic_score_codex":0.003922533,"about_ca_topic_score_gemma":0.005532533,"teacher_disagreement_score":0.0063087274,"about_ca_system_score_codex":0.0032513677,"about_ca_system_score_gemma":0.0011307094,"threshold_uncertainty_score":0.023590505},"labels":[],"label_agreement":null},{"id":"W2959384078","doi":"10.29173/jjs87s","title":"Through (With) the Looking Glass","year":2006,"lang":"en","type":"article","venue":"Journal of Jungian Scholarly Studies","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Psychology; Medicine","score_opus":0.03151396039422468,"score_gpt":0.2523940840304301,"score_spread":0.22088012363620543,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2959384078","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.026475282,0.007172719,0.014236487,0.10828288,0.011137999,0.00014495038,0.0002692211,0.0010591774,0.8312213],"genre_scores_gemma":[0.3630919,0.0042720204,0.010025954,0.02920558,0.0020362453,0.00014955032,0.00014765628,0.002012801,0.58905834],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981824,0.0007163858,0.000048944876,0.0002577555,0.00032160868,0.0004729867],"domain_scores_gemma":[0.99768937,0.00038527398,0.00013660979,0.00044638998,0.0005706363,0.0007716492],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0028648134,0.0011548734,0.00046657378,0.0012038638,0.014607438,0.01217704,0.0012608754,0.0045497124,0.075052656],"category_scores_gemma":[0.0063664536,0.0006122461,0.0009546039,0.00089406944,0.015639428,0.019904593,0.01054915,0.009267606,0.017355949],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016174177,0.000094388844,0.00156743,0.00029263808,0.000035015357,0.0011195953,0.11342883,0.00013213398,0.002958783,0.42261088,0.39662933,0.060969114],"study_design_scores_gemma":[0.00002097035,0.000051395622,0.00068677706,0.00042955182,0.000025838583,0.00046822472,0.044788595,0.00011269116,0.00076434965,0.057023197,0.8955687,0.000059616323],"about_ca_topic_score_codex":0.011894061,"about_ca_topic_score_gemma":0.020032851,"teacher_disagreement_score":0.075052656,"about_ca_system_score_codex":0.0022257895,"about_ca_system_score_gemma":0.0043276683,"threshold_uncertainty_score":0.2510761},"labels":[],"label_agreement":null},{"id":"W2961898431","doi":"","title":"The Personas of Donald Glover: Black Minstrelsy and the Badman in the 21st Century","year":2019,"lang":"en","type":"article","venue":"Student Research Proceedings","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"MacEwan University","funders":"","keywords":"Persona; Mainstream; White (mutation); Context (archaeology); Entertainment; Personhood; Art; Sociology; Subversion; Subtext; Aesthetics; Art history; Literature; Visual arts; History; Humanities; Law; Politics; Political science","score_opus":0.047141549718101985,"score_gpt":0.3206035290792148,"score_spread":0.27346197936111283,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2961898431","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20135278,0.07080507,0.0022448467,0.26941365,0.005642925,0.00003856903,0.000066605084,0.00008686444,0.45034873],"genre_scores_gemma":[0.7866182,0.011616501,0.0011379628,0.04717659,0.00082716707,0.000045053017,0.000021806543,0.000121044744,0.15243572],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981299,0.0010047554,0.000022923552,0.00020883812,0.00027826117,0.00035528964],"domain_scores_gemma":[0.9991423,0.00026136826,0.00010045795,0.00005001314,0.00013112313,0.00031472836],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0025819712,0.00056968955,0.00037152373,0.0010167796,0.018491477,0.0089069465,0.00098687,0.0040741796,0.006236466],"category_scores_gemma":[0.0021494064,0.0002897575,0.00019595084,0.00064108334,0.027502002,0.005989487,0.004658425,0.0068220748,0.0010420509],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035128072,0.00003996485,0.0012026753,0.00006443922,0.0000056070053,0.000248024,0.36229217,0.00004444867,0.00024330357,0.53969514,0.079020195,0.017108973],"study_design_scores_gemma":[0.000005894559,0.000019089302,0.00082896237,0.00022738274,0.0000039185875,0.00027368806,0.0942876,0.00004139155,0.0001532764,0.01778463,0.8863551,0.000019093564],"about_ca_topic_score_codex":0.048996937,"about_ca_topic_score_gemma":0.10512781,"teacher_disagreement_score":0.048996937,"about_ca_system_score_codex":0.008911206,"about_ca_system_score_gemma":0.003144883,"threshold_uncertainty_score":0.097423434},"labels":[],"label_agreement":null},{"id":"W2968861619","doi":"","title":"Reviews of Tiger Dreams","year":2008,"lang":"en","type":"article","venue":"International Journal of Anglo-Indian Studies","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Portrait; Tiger; Wife; Prison; Miller; Character (mathematics); Art history; History; Performance art; Art; Law; Political science; Archaeology","score_opus":0.08004568481968764,"score_gpt":0.30567744417323495,"score_spread":0.2256317593535473,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2968861619","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000076602686,0.9528934,0.00004112743,0.020181177,0.024584975,0.000014981016,0.00007914345,0.000021940612,0.0021067187],"genre_scores_gemma":[0.0022147284,0.9075819,0.00013528578,0.049329422,0.033266846,0.00007741363,0.00021797723,0.000048497877,0.007127826],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9972963,0.0006813514,0.0005107161,0.00036400065,0.0008802169,0.0002674077],"domain_scores_gemma":[0.9787047,0.009136586,0.002156464,0.00089325325,0.0074893925,0.0016196353],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0045068287,0.0012136966,0.002376632,0.006564853,0.0013996529,0.00613167,0.0026887436,0.0056119678,0.016793117],"category_scores_gemma":[0.021718051,0.0008657673,0.0010491362,0.0069605713,0.0026005285,0.0053744083,0.0030395875,0.0051334803,0.008309627],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006770053,0.000017626546,0.000069666356,0.010185351,0.0000423315,0.00013894917,0.0002704173,0.00003185716,0.00009542953,0.0015087739,0.9133818,0.07419001],"study_design_scores_gemma":[0.0000118864655,0.000023853401,0.00019145875,0.0070050573,0.00002929084,0.00032884922,0.00022776396,0.000006158788,0.000034764467,0.00041752664,0.9917115,0.000011991418],"about_ca_topic_score_codex":0.0049865833,"about_ca_topic_score_gemma":0.010549568,"teacher_disagreement_score":0.016793117,"about_ca_system_score_codex":0.0039539086,"about_ca_system_score_gemma":0.008748634,"threshold_uncertainty_score":0.05617851},"labels":[],"label_agreement":null},{"id":"W2969450682","doi":"10.1177/1527476419869128","title":"Millennial Turbulence: The Networking of Tamil Media Politics","year":2019,"lang":"en","type":"article","venue":"Television & New Media","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":15,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Tamil; Populism; Politics; Publicity; Media studies; Mass media; Social media; Plot (graphics); Democracy; Sociology; Movie theater; Disinformation; Political science; Advertising; History; Law; Art; Business","score_opus":0.025002748513577176,"score_gpt":0.21580501149646492,"score_spread":0.19080226298288774,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2969450682","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.58774555,0.0050018234,0.0021137458,0.033050556,0.0008400229,0.00005591089,0.0001689057,0.00013790006,0.3708856],"genre_scores_gemma":[0.992394,0.00084153796,0.00014905653,0.0009165254,0.00012440216,0.000015647745,0.000025635185,0.000024067425,0.0055091255],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9992673,0.00035899482,0.000018176532,0.00007520396,0.00005908746,0.00022116832],"domain_scores_gemma":[0.99816835,0.00063349906,0.0003733143,0.000126318,0.0001159649,0.000582501],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014052358,0.00031549312,0.00013831264,0.0017691618,0.006942668,0.010585366,0.00065634906,0.0011126412,0.01038357],"category_scores_gemma":[0.0031097888,0.00025269506,0.00016502515,0.0012830102,0.0056159315,0.007344043,0.006943463,0.002244102,0.00088372856],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014089103,0.000060168673,0.035478078,0.00029395145,0.000044736084,0.0038476381,0.51636386,0.00024565787,0.0014263631,0.35548455,0.024083974,0.06253017],"study_design_scores_gemma":[0.00001721467,0.00010630516,0.022988018,0.00052825524,0.000043607957,0.0011229278,0.47441843,0.00071344187,0.0007281091,0.027452234,0.4718249,0.000056556055],"about_ca_topic_score_codex":0.0032120172,"about_ca_topic_score_gemma":0.0054970635,"teacher_disagreement_score":0.010585366,"about_ca_system_score_codex":0.0024630316,"about_ca_system_score_gemma":0.0014788714,"threshold_uncertainty_score":0.034736514},"labels":[],"label_agreement":null},{"id":"W2969730105","doi":"10.3917/rf.016.0003","title":"Introduction","year":2019,"lang":"fr","type":"article","venue":"Recherches familiales","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ministère de l’Emploi et de la Solidarité Sociale (Québec)","funders":"","keywords":"Computer science","score_opus":0.06077077072808543,"score_gpt":0.2650092538659038,"score_spread":0.20423848313781837,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2969730105","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0027029873,0.001411159,0.003309086,0.010298511,0.0026563918,0.000120890436,0.0016182599,0.00038214485,0.9775006],"genre_scores_gemma":[0.027852986,0.0019014766,0.0026697358,0.006188856,0.00080691115,0.00014614812,0.0017547738,0.00024264387,0.9584365],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.998247,0.0002818453,0.000076002754,0.00040839377,0.0006926983,0.00029405067],"domain_scores_gemma":[0.99836105,0.00024655432,0.00008882078,0.00022945278,0.0007378668,0.00033630535],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00128682,0.00054355955,0.0003219355,0.00088080554,0.003010814,0.00627991,0.0016258375,0.0024809642,0.3596219],"category_scores_gemma":[0.0038802926,0.0002141318,0.00043295723,0.0013110315,0.0014589326,0.0035821677,0.0033431498,0.0021476287,0.18582842],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000067572844,0.00006717935,0.001566897,0.00031323894,0.00000593989,0.0002830221,0.004747957,0.00011681343,0.000744675,0.23289824,0.602177,0.15701139],"study_design_scores_gemma":[0.0000017751589,0.0000089775085,0.0003984513,0.0000805146,9.784696e-7,0.00007848718,0.00058438693,0.000017100225,0.000070708724,0.0034852067,0.9952701,0.0000033990652],"about_ca_topic_score_codex":0.0047231545,"about_ca_topic_score_gemma":0.00590621,"teacher_disagreement_score":0.6403781,"about_ca_system_score_codex":0.002263624,"about_ca_system_score_gemma":0.003094176,"threshold_uncertainty_score":0.91342163},"labels":[],"label_agreement":null},{"id":"W2970010979","doi":"10.15353/kinema.vi.1172","title":"Malayalam Cinema from Politics to Poetics","year":2007,"lang":"en","type":"article","venue":"Kinema A Journal for Film and Audiovisual Media","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Malayalam; Movie theater; Tamil; Telugu; Film director; Poetics; Politics; Art; State (computer science); Literature; History; Poetry; Political science; Law; Philosophy","score_opus":0.02795956660005857,"score_gpt":0.28017144399446836,"score_spread":0.2522118773944098,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2970010979","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.027995978,0.026564002,0.001277573,0.020963209,0.0043162154,0.000066794804,0.0003189183,0.00021223396,0.91828513],"genre_scores_gemma":[0.4310564,0.036514986,0.0019428384,0.004449806,0.0028141711,0.00006918863,0.0002768489,0.00018797585,0.52268785],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99985254,0.00003931496,0.000009576222,0.000017232895,0.00004540687,0.00003598243],"domain_scores_gemma":[0.99976856,0.000033122524,0.000018086028,0.000025136605,0.00005860533,0.00009642795],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002316723,0.00031345803,0.000098024684,0.0006967275,0.002395051,0.0029680692,0.00020466746,0.00044584318,0.022264022],"category_scores_gemma":[0.00057352916,0.00012339574,0.00010891987,0.0004293879,0.0011339572,0.0018683564,0.0015774942,0.001022281,0.0057600145],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009250109,0.000095853415,0.0023414418,0.0013722142,0.000018915885,0.0014025692,0.0451416,0.00016472497,0.025905954,0.18840683,0.45674133,0.2783161],"study_design_scores_gemma":[0.0000012644209,0.000012606841,0.0027231479,0.00012889034,0.0000028333802,0.00036213818,0.002889713,0.000038892696,0.0009437726,0.0013158108,0.9915748,0.0000059553113],"about_ca_topic_score_codex":0.0037572605,"about_ca_topic_score_gemma":0.009994637,"teacher_disagreement_score":0.022264022,"about_ca_system_score_codex":0.0011357794,"about_ca_system_score_gemma":0.0010549171,"threshold_uncertainty_score":0.07448059},"labels":[],"label_agreement":null},{"id":"W2970070586","doi":"10.15353/kinema.vi.1131","title":"Cinemas of the Other","year":2006,"lang":"en","type":"article","venue":"Kinema A Journal for Film and Audiovisual Media","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Movie theater; Media studies; Personality; Sociology; Aesthetics; History; Art; Advertising; Visual arts; Psychology; Social psychology; Business","score_opus":0.01841795949509285,"score_gpt":0.231687173391107,"score_spread":0.21326921389601416,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2970070586","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.30218595,0.0074127917,0.0016241455,0.010924565,0.0025292821,0.00015132104,0.00044617537,0.0002074113,0.6745184],"genre_scores_gemma":[0.87974364,0.0028827747,0.0009077821,0.0016518632,0.00041141757,0.00003932573,0.00021676772,0.00010813375,0.114038296],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99934644,0.00024264402,0.000018382936,0.00011449631,0.00010926804,0.0001688667],"domain_scores_gemma":[0.9989153,0.00010567221,0.000087271954,0.00008210631,0.00016128631,0.00064845145],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007226845,0.0005186032,0.00020251777,0.00089453085,0.0052958634,0.004635758,0.00047916223,0.00064384664,0.016825411],"category_scores_gemma":[0.0017160092,0.00013289068,0.00026334325,0.00073434715,0.002427727,0.0024221428,0.0038257518,0.001975368,0.001473743],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016517278,0.00012850929,0.006609909,0.00037190682,0.000052079555,0.0021511973,0.6730142,0.00011029837,0.007897268,0.083389185,0.15837957,0.067730695],"study_design_scores_gemma":[0.0000066202642,0.00005436364,0.0072088977,0.0002448753,0.000019757374,0.00095431285,0.14199151,0.00007250633,0.0007225475,0.0015350292,0.84716696,0.000022657643],"about_ca_topic_score_codex":0.006434745,"about_ca_topic_score_gemma":0.01486087,"teacher_disagreement_score":0.016825411,"about_ca_system_score_codex":0.0011546562,"about_ca_system_score_gemma":0.0011584212,"threshold_uncertainty_score":0.056286573},"labels":[],"label_agreement":null},{"id":"W2970141906","doi":"10.15353/kinema.vi.1057","title":"Conversation with Sri Lankan Director Dharmasena Pathiraja","year":2004,"lang":"en","type":"article","venue":"Kinema A Journal for Film and Audiovisual Media","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Movie theater; Filmmaking; Conversation; Bourgeoisie; Media studies; Sri lanka; Sociology; Mainstream; Gaze; Indigenous; Politics; Film director; League; History; Gender studies; Art history; Psychoanalysis; Political science; Law; Psychology; Anthropology","score_opus":0.022113674106896093,"score_gpt":0.23533052507856578,"score_spread":0.21321685097166967,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2970141906","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1272262,0.020409916,0.00060072,0.62389785,0.008257341,0.0001813705,0.00019710802,0.00019683827,0.21903259],"genre_scores_gemma":[0.6687522,0.015834132,0.00082487956,0.13965099,0.0034423883,0.00041324596,0.00014708555,0.00034622164,0.17058888],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9969592,0.0017003955,0.0000620374,0.00028559228,0.00028003528,0.00071284384],"domain_scores_gemma":[0.9971021,0.0012155647,0.0001683254,0.000064573025,0.00037954352,0.001069957],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0037167084,0.00093532074,0.00073215825,0.000984936,0.032140065,0.009461202,0.001250338,0.0050558182,0.01609048],"category_scores_gemma":[0.0045424383,0.0005523239,0.0004704843,0.0011761446,0.008876228,0.006407044,0.0057606096,0.0150876,0.0029724538],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000070124544,0.00011633907,0.0010367687,0.0002280508,0.000012167134,0.0020772165,0.7619626,0.00004756353,0.0014375901,0.012449531,0.21120076,0.009361208],"study_design_scores_gemma":[0.0000071343607,0.000055033543,0.0009582454,0.00020171386,0.000007695478,0.00049178075,0.53020936,0.000030243044,0.00030070587,0.00042051123,0.46727842,0.000039147148],"about_ca_topic_score_codex":0.028540216,"about_ca_topic_score_gemma":0.0404667,"teacher_disagreement_score":0.032140065,"about_ca_system_score_codex":0.009237982,"about_ca_system_score_gemma":0.0058535114,"threshold_uncertainty_score":0.067026615},"labels":[],"label_agreement":null},{"id":"W2970190935","doi":"10.15353/kinema.vi.1110","title":"Goa, India 2004","year":2005,"lang":"en","type":"article","venue":"Kinema A Journal for Film and Audiovisual Media","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Movie theater; Government (linguistics); Media studies; Film industry; Natural (archaeology); Political science; Advertising; Sociology; History; Visual arts; Art; Business","score_opus":0.022121581077503807,"score_gpt":0.25865859400446833,"score_spread":0.23653701292696452,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2970190935","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0065097422,0.0071533243,0.00019048907,0.009327279,0.0028339743,0.00009597274,0.0071382336,0.0005545629,0.9661964],"genre_scores_gemma":[0.021302626,0.0035242005,0.00024201974,0.0017821302,0.00022489425,0.00006837087,0.003836541,0.00016928089,0.96884996],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9998196,0.000014478242,0.000007883291,0.000035319914,0.00006389166,0.00005888845],"domain_scores_gemma":[0.9996706,0.000029817034,0.000015533506,0.00003373497,0.0001464014,0.000103926475],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00019329441,0.00044509218,0.00017626246,0.0010535662,0.002908517,0.004363981,0.00077191234,0.0009497459,0.20116134],"category_scores_gemma":[0.0006760445,0.00029510452,0.00017071985,0.0019404441,0.00040212416,0.0012534108,0.0010837023,0.001575047,0.07184939],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000054150052,0.000029792769,0.00070361915,0.00020025615,0.0000060778552,0.00041206993,0.0007551731,0.00006571199,0.00071954576,0.00945508,0.93811214,0.04948627],"study_design_scores_gemma":[0.000002412302,0.000005127657,0.0037146609,0.000042719006,0.0000016208886,0.00010567521,0.00040584969,0.000014130841,0.00011410468,0.00018851098,0.99540126,0.000003861687],"about_ca_topic_score_codex":0.054745555,"about_ca_topic_score_gemma":0.13485433,"teacher_disagreement_score":0.20116134,"about_ca_system_score_codex":0.0024830985,"about_ca_system_score_gemma":0.0031062074,"threshold_uncertainty_score":0.6729517},"labels":[],"label_agreement":null},{"id":"W2970511892","doi":"10.15353/kinema.vi.1294","title":"Music and Art in Tareque and Catherine Masud's Film Muktir Gaan","year":2013,"lang":"en","type":"article","venue":"Kinema A Journal for Film and Audiovisual Media","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Victory; Event (particle physics); Resistance (ecology); Politics; Political activism; Visual arts; Art; Literature; Sociology; Aesthetics; History; Law; Political science","score_opus":0.023389027532638447,"score_gpt":0.23233699713806905,"score_spread":0.2089479696054306,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2970511892","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.29649618,0.03865623,0.0003943849,0.0609517,0.003746056,0.00005237967,0.0001382033,0.00006802601,0.59949684],"genre_scores_gemma":[0.89363575,0.006808673,0.00025411052,0.003328429,0.0009225941,0.000030884217,0.000036276433,0.000048908852,0.09493434],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994999,0.00024218882,0.000009609991,0.000040361414,0.00010672678,0.00010115274],"domain_scores_gemma":[0.999684,0.00014190997,0.000033631855,0.000020492851,0.00003392509,0.00008612735],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004973841,0.0005155975,0.00023691406,0.0008857686,0.009580709,0.0061488436,0.0005820307,0.0022682305,0.0039115357],"category_scores_gemma":[0.001224056,0.00018195444,0.00018661859,0.0006867524,0.0066031674,0.0016193135,0.002503188,0.0027324685,0.000597131],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00043009443,0.0000911151,0.0018780208,0.00034289807,0.00003842619,0.009036104,0.60657734,0.00029248206,0.0069145975,0.19099161,0.15162404,0.031783193],"study_design_scores_gemma":[0.000019815961,0.000049050963,0.0052030035,0.00023349012,0.000014299225,0.0013681988,0.123459965,0.00008289235,0.0007678732,0.0028991092,0.86586595,0.000036357145],"about_ca_topic_score_codex":0.02223704,"about_ca_topic_score_gemma":0.07235409,"teacher_disagreement_score":0.02223704,"about_ca_system_score_codex":0.0035261635,"about_ca_system_score_gemma":0.0008085669,"threshold_uncertainty_score":0.044215202},"labels":[],"label_agreement":null},{"id":"W2970524289","doi":"10.15353/kinema.vi.1224","title":"Going to the Movies in Egypt","year":2010,"lang":"en","type":"article","venue":"Kinema A Journal for Film and Audiovisual Media","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Motion (physics); Media consumption; Consumption (sociology); Advertising; Motion picture; Psychology; Sociology; Media studies; Aesthetics; Computer science; Art; Artificial intelligence; Business","score_opus":0.02077655845244909,"score_gpt":0.2658147496852727,"score_spread":0.2450381912328236,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2970524289","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99643075,0.00011491256,0.000013279837,0.00008955367,0.0000021315686,0.0000067177552,0.000019050647,3.419228e-7,0.0033231683],"genre_scores_gemma":[0.9961659,0.00035121627,0.000042894222,0.000067015455,0.000004240009,0.0000060633815,0.000029562301,0.0000013031736,0.0033317977],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997516,0.0000752237,0.00001092158,0.00002863003,0.00003991387,0.0000936441],"domain_scores_gemma":[0.9995338,0.00012974211,0.00013445616,0.000014332295,0.00008203588,0.00010584821],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00057077385,0.0001950687,0.000169667,0.0007325051,0.0017108284,0.0015068272,0.00026406583,0.00046042766,0.005706681],"category_scores_gemma":[0.0011821025,0.00017899263,0.0002083647,0.00080004625,0.0007293657,0.000761291,0.00081032666,0.00064497883,0.0003996954],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00056410534,0.0010074215,0.48897746,0.00041615192,0.00008566668,0.0026617027,0.45847198,0.00011200117,0.005214364,0.0031474044,0.0021692787,0.037172433],"study_design_scores_gemma":[0.000009368694,0.000119715194,0.5884775,0.00007788464,0.000041615593,0.0002300195,0.4028538,0.00012180633,0.00047271934,0.00016039047,0.0074173426,0.000017869172],"about_ca_topic_score_codex":0.029318139,"about_ca_topic_score_gemma":0.051849537,"teacher_disagreement_score":0.029318139,"about_ca_system_score_codex":0.0015353346,"about_ca_system_score_gemma":0.0007035057,"threshold_uncertainty_score":0.05829501},"labels":[],"label_agreement":null},{"id":"W2970617730","doi":"10.15353/kinema.vi.1113","title":"Mumbai (Bombay) 2005","year":2005,"lang":"en","type":"article","venue":"Kinema A Journal for Film and Audiovisual Media","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Corporation; Government (linguistics); State (computer science); Capital (architecture); Political science; Acronym; Economic history; Media studies; Management; Visual arts; History; Art; Sociology; Law; Economics","score_opus":0.026819197867463028,"score_gpt":0.26224426476752066,"score_spread":0.23542506690005763,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2970617730","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.007657759,0.028720656,0.0006029969,0.008352389,0.0039465292,0.00017675616,0.0075797387,0.00057721627,0.942386],"genre_scores_gemma":[0.017556095,0.009085068,0.00062948395,0.000769893,0.00020962687,0.000060639824,0.0025696775,0.000112441594,0.96900696],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99978226,0.00002248243,0.000012733588,0.000055955432,0.00007041997,0.000056106815],"domain_scores_gemma":[0.9997404,0.000021366684,0.0000185241,0.000027691209,0.00011568359,0.00007637597],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00028593364,0.0008116504,0.0003149501,0.0009905017,0.0023826803,0.0033408531,0.0006986673,0.00092400383,0.40362617],"category_scores_gemma":[0.0005096916,0.00039402887,0.00019992958,0.0015040324,0.00045801897,0.0013749131,0.0013188644,0.0014107118,0.15245262],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000100186815,0.000040020972,0.0011234949,0.00042798367,0.000011734533,0.0004453064,0.0005473584,0.00016532103,0.0011008823,0.010382141,0.8076554,0.1780001],"study_design_scores_gemma":[0.000003067713,0.000010252885,0.0034510163,0.00008352379,0.0000019632912,0.00018664113,0.00026009878,0.000034824734,0.00018872129,0.00018192176,0.9955923,0.0000055287073],"about_ca_topic_score_codex":0.0300008,"about_ca_topic_score_gemma":0.06391074,"teacher_disagreement_score":0.40362617,"about_ca_system_score_codex":0.0032480408,"about_ca_system_score_gemma":0.0023323458,"threshold_uncertainty_score":0.8506549},"labels":[],"label_agreement":null},{"id":"W2970872202","doi":"10.15353/kinema.vi.1143","title":"Goa, India 2005","year":2006,"lang":"en","type":"article","venue":"Kinema A Journal for Film and Audiovisual Media","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Movie theater; Sound (geography); Diction; Style (visual arts); Romance; History; Media studies; Visual arts; Advertising; Art; Literature; Sociology; Poetry; Acoustics","score_opus":0.015587358076768386,"score_gpt":0.23775505200354927,"score_spread":0.22216769392678087,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2970872202","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005915063,0.004871604,0.00026712345,0.007463548,0.0024866965,0.00010677018,0.010595955,0.0008396715,0.96745354],"genre_scores_gemma":[0.019590916,0.0028463516,0.00032673395,0.0019221023,0.0001969281,0.00007286209,0.0063865096,0.00019751077,0.96846],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99979395,0.000013601999,0.000008099059,0.00003675329,0.00007886739,0.00006870656],"domain_scores_gemma":[0.99964094,0.000024947942,0.00001612297,0.000034881225,0.0001690623,0.000114028066],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00022631005,0.0005329981,0.00021391426,0.0011949291,0.002299434,0.0041562356,0.00078867876,0.0009092773,0.25097063],"category_scores_gemma":[0.00072048366,0.0002698633,0.0001621888,0.0018664827,0.00034863016,0.0011534084,0.0011969187,0.0014563604,0.1220314],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000064191576,0.000031845393,0.0005988659,0.00018451674,0.0000061253695,0.0004390844,0.00040256104,0.0000641543,0.0007846618,0.007948233,0.9337399,0.055735826],"study_design_scores_gemma":[0.0000032036294,0.0000061641895,0.003151624,0.00003945015,0.000001563267,0.00011705282,0.0002633445,0.00001911531,0.00013457032,0.00021154876,0.99604803,0.0000042704446],"about_ca_topic_score_codex":0.035694018,"about_ca_topic_score_gemma":0.100035176,"teacher_disagreement_score":0.25097063,"about_ca_system_score_codex":0.0024869933,"about_ca_system_score_gemma":0.0031942134,"threshold_uncertainty_score":0.8395804},"labels":[],"label_agreement":null},{"id":"W2970990661","doi":"10.15353/kinema.vi.1058","title":"Nationalist Hindi Cinema","year":2004,"lang":"en","type":"article","venue":"Kinema A Journal for Film and Audiovisual Media","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Movie theater; Nationalism; Hindi; Capitalism; Film industry; Historiography; Sociology; Aesthetics; History; Political science; Media studies; Social science; Law; Art; Art history; Politics; Philosophy","score_opus":0.02968416149341487,"score_gpt":0.2646717690479562,"score_spread":0.23498760755454132,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2970990661","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.104470834,0.017699648,0.0005512646,0.024057398,0.00062424573,0.000016712846,0.0002072422,0.00004051405,0.85233206],"genre_scores_gemma":[0.938071,0.0077622393,0.0003607104,0.0015286723,0.0004450727,0.000015453426,0.00009823597,0.00002857197,0.05169001],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995803,0.00017891233,0.000008994669,0.000059586073,0.00007969415,0.000092479204],"domain_scores_gemma":[0.99930096,0.00024272695,0.00007570366,0.0000584963,0.00016446799,0.00015760027],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00065827573,0.00018253484,0.00013504324,0.0013170444,0.005339628,0.007462582,0.00048365377,0.0008279229,0.0077299736],"category_scores_gemma":[0.0012289861,0.00014605171,0.00007029434,0.0011555227,0.008159111,0.0025425362,0.0012413326,0.0017285197,0.0007168708],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024622064,0.00003261134,0.0012506954,0.00013028935,0.000005991869,0.000171435,0.10951393,0.00006479025,0.00028827056,0.8278633,0.035145935,0.025508214],"study_design_scores_gemma":[0.0000055993537,0.00003872736,0.015427402,0.00049178244,0.000007906467,0.00042452902,0.07512691,0.00043618152,0.00043315438,0.03612282,0.8714622,0.000022743596],"about_ca_topic_score_codex":0.023500316,"about_ca_topic_score_gemma":0.04618267,"teacher_disagreement_score":0.023500316,"about_ca_system_score_codex":0.009298193,"about_ca_system_score_gemma":0.0025593792,"threshold_uncertainty_score":0.0674634},"labels":[],"label_agreement":null},{"id":"W2971022024","doi":"10.15353/kinema.vi.1202","title":"Third Cinema Theory: New Perspectives","year":2009,"lang":"en","type":"article","venue":"Kinema A Journal for Film and Audiovisual Media","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"Universidad de Guadalajara","keywords":"Movie theater; Popularity; Latin Americans; Third world; Film theory; Media studies; Aesthetics; Sociology; Race (biology); Political science; Gender studies; Social science; History; Art; Law; Art history; Economic history","score_opus":0.025043628911548634,"score_gpt":0.26903041241038356,"score_spread":0.24398678349883493,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2971022024","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.023551594,0.15992722,0.024591649,0.11293145,0.0048432886,0.00005245185,0.00014073329,0.00006476414,0.6738968],"genre_scores_gemma":[0.8582442,0.0793403,0.0062213787,0.010359689,0.0081783235,0.00015397281,0.00012375851,0.000091042224,0.037287463],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99800736,0.0013909035,0.00004512528,0.0001448837,0.00023258729,0.00017924991],"domain_scores_gemma":[0.99500763,0.003682462,0.00027146103,0.00021179263,0.00040966473,0.00041691898],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0024728288,0.0005902374,0.0005702717,0.0038481331,0.0036381448,0.009051183,0.0014916963,0.0036726994,0.009215059],"category_scores_gemma":[0.0032637136,0.00023370315,0.0004590687,0.0022322363,0.02455194,0.010146347,0.002960175,0.0053309,0.00082912104],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000051439583,0.0000122513375,0.00013277418,0.00007559381,0.0000017011009,0.000067194596,0.005175296,0.00009050717,0.000034999706,0.98572356,0.0043849554,0.004296027],"study_design_scores_gemma":[0.00001236002,0.000032843578,0.0006596394,0.0010604495,0.0000081475955,0.0004155599,0.02172247,0.0012706919,0.00013608923,0.65557534,0.31908318,0.000023311228],"about_ca_topic_score_codex":0.004644925,"about_ca_topic_score_gemma":0.0032741714,"teacher_disagreement_score":0.009215059,"about_ca_system_score_codex":0.0062724133,"about_ca_system_score_gemma":0.0022765659,"threshold_uncertainty_score":0.045509815},"labels":[],"label_agreement":null},{"id":"W2971129950","doi":"10.15353/kinema.vi.1198","title":"Cinema in Post-Taliban Afghanistan","year":2009,"lang":"en","type":"article","venue":"Kinema A Journal for Film and Audiovisual Media","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Movie theater; Islam; Afghan; Buddhism; Praise; Sharia; Gautama Buddha; Population; Art; Law; Ancient history; History; Political science; Art history; Sociology; Literature; Archaeology; Demography","score_opus":0.019755671588638564,"score_gpt":0.26142171537722797,"score_spread":0.2416660437885894,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2971129950","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.90014493,0.008750266,0.00015580497,0.008959858,0.00086999877,0.000064802975,0.00019789941,0.000045921875,0.08081048],"genre_scores_gemma":[0.9835855,0.0029371544,0.00010859578,0.00076652376,0.000350504,0.000020299172,0.0000814886,0.000013436832,0.012136591],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99971694,0.00008862432,0.000008010974,0.000025011874,0.000038163224,0.00012327524],"domain_scores_gemma":[0.99958247,0.0001179457,0.000051001207,0.000014169171,0.00007023375,0.00016417686],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006628007,0.00034689013,0.000120429984,0.0014259069,0.007738272,0.0022342731,0.00035051678,0.00093678915,0.013749903],"category_scores_gemma":[0.0009054711,0.00015671719,0.0001117367,0.0010931576,0.0014118516,0.0008348572,0.0013597795,0.0011274135,0.00084242556],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004402912,0.00048827397,0.036952253,0.00073668483,0.000030172981,0.013268265,0.7847488,0.000061358645,0.014360022,0.006851243,0.05853647,0.08352618],"study_design_scores_gemma":[0.000040678744,0.000158814,0.18332668,0.00050156243,0.000031397813,0.003972089,0.46561623,0.0000826451,0.0014393033,0.00036707797,0.34443527,0.000028124237],"about_ca_topic_score_codex":0.023341019,"about_ca_topic_score_gemma":0.08555249,"teacher_disagreement_score":0.023341019,"about_ca_system_score_codex":0.0020147956,"about_ca_system_score_gemma":0.0011938204,"threshold_uncertainty_score":0.046410322},"labels":[],"label_agreement":null},{"id":"W2971139483","doi":"10.15353/kinema.vi.1308","title":"Patterns and Links in Satyajit Ray's Fairytale Trilogy","year":2014,"lang":"en","type":"article","venue":"Kinema A Journal for Film and Audiovisual Media","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Trilogy; Comedy; Fantasy; MAGIC (telescope); Narrative; Magic realism; Allegory; Literature; Art; Politics; Law; Political science","score_opus":0.020849441810512345,"score_gpt":0.24995523159479158,"score_spread":0.22910578978427923,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2971139483","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.73807365,0.00083196483,0.003277017,0.0023979947,0.00020367594,0.000119005424,0.00018148271,0.000099876015,0.2548153],"genre_scores_gemma":[0.9729278,0.0002642067,0.0008008707,0.00014014098,0.000036320023,0.00004082787,0.00008440987,0.000076522556,0.025628878],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99942446,0.00025347687,0.0000190734,0.00006635789,0.00011575042,0.00012091281],"domain_scores_gemma":[0.99919945,0.00034304772,0.00013791461,0.000075869066,0.000105148094,0.00013852637],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000690683,0.00024051465,0.00020108162,0.0022894072,0.008402629,0.0051383167,0.00054885895,0.0007727911,0.008669927],"category_scores_gemma":[0.0024831127,0.00025867662,0.00014433746,0.0029609813,0.006164299,0.0031129285,0.003884589,0.001659798,0.00070044206],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000078423924,0.0000420893,0.004357267,0.00011171615,0.0000068096747,0.0014550003,0.89076394,0.000048731734,0.002888305,0.07823333,0.00415614,0.017858304],"study_design_scores_gemma":[0.000012599957,0.00006203004,0.02553744,0.00022191857,0.000016207898,0.001371482,0.75589955,0.0003010015,0.0010907401,0.0077737514,0.20768477,0.000028577324],"about_ca_topic_score_codex":0.008081772,"about_ca_topic_score_gemma":0.017592534,"teacher_disagreement_score":0.008669927,"about_ca_system_score_codex":0.0020915023,"about_ca_system_score_gemma":0.0012048904,"threshold_uncertainty_score":0.02900374},"labels":[],"label_agreement":null},{"id":"W2971292382","doi":"10.15353/kinema.vi.1181","title":"Orson Welles and Rouben Mamoulian: Dr. Jekyll and Mr. Hyde?","year":2008,"lang":"en","type":"article","venue":"Kinema A Journal for Film and Audiovisual Media","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Innovator; Genius; Verdict; Movie theater; Tragedy (event); Art; Literature; Art history; Law; Political science; Intellectual property","score_opus":0.04177930282532754,"score_gpt":0.2530413558911783,"score_spread":0.21126205306585077,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2971292382","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.007098644,0.075662,0.0017195361,0.6613015,0.022514263,0.00007144313,0.00030382563,0.0003879936,0.23094076],"genre_scores_gemma":[0.08405736,0.033053074,0.0013058538,0.040284563,0.005020649,0.00007076473,0.00015348812,0.00030008997,0.83575416],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994261,0.00015183285,0.000019242249,0.00013924755,0.00017279634,0.00009075159],"domain_scores_gemma":[0.99838305,0.0003285334,0.00015990654,0.000053549167,0.0004831731,0.000591672],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009913925,0.00062036264,0.00041146725,0.0006854116,0.004013824,0.00436777,0.00058204425,0.0031438654,0.10956441],"category_scores_gemma":[0.0048890305,0.00029651803,0.00016789381,0.00051734643,0.0016975946,0.004768049,0.0018712014,0.004318238,0.028847365],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000047973797,0.000017092181,0.00064362807,0.000099669334,0.0000033272859,0.0002917192,0.0025810748,0.000020363193,0.0005102383,0.011796215,0.9571571,0.026831614],"study_design_scores_gemma":[0.000003232276,0.000007902445,0.00063680776,0.0000875743,0.0000021105113,0.00031265285,0.0028027734,0.00002537051,0.00023148154,0.00076789217,0.9951106,0.000011694247],"about_ca_topic_score_codex":0.010259719,"about_ca_topic_score_gemma":0.020875135,"teacher_disagreement_score":0.10956441,"about_ca_system_score_codex":0.002364344,"about_ca_system_score_gemma":0.0011689138,"threshold_uncertainty_score":0.36652946},"labels":[],"label_agreement":null},{"id":"W2973890097","doi":"10.3366/edinburgh/9781474421836.003.0004","title":"Diasporic Dreams and Shattered Desires: Displacement, Identity and Tradition in Heaven on Earth","year":2018,"lang":"en","type":"book-chapter","venue":"Edinburgh University Press eBooks","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Heaven; Diaspora; Representation (politics); Identity (music); Displacement (psychology); Art; Movie theater; Art history; Gender studies; History; Literature; Aesthetics; Sociology; Psychoanalysis; Political science; Psychology","score_opus":0.0476080500723972,"score_gpt":0.20825789531532307,"score_spread":0.16064984524292586,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2973890097","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.28934786,0.031656556,0.0011001731,0.013787666,0.00041695384,0.000029866329,0.000058378362,0.000023374952,0.6635792],"genre_scores_gemma":[0.94206476,0.008137198,0.00025764157,0.00075002573,0.000062305044,0.000016155604,0.00002058026,0.000018859484,0.0486725],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9996474,0.0001642425,0.000006595526,0.000030043433,0.00005951454,0.00009233523],"domain_scores_gemma":[0.999767,0.00010429017,0.000019555331,0.000017347646,0.00001731938,0.00007453702],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00057255453,0.00029750427,0.00021202723,0.00042729426,0.006926715,0.005197658,0.00051294046,0.0008418005,0.0034636983],"category_scores_gemma":[0.0006005124,0.0001458993,0.0001182128,0.001040366,0.020608027,0.0031902303,0.0033494222,0.0024129015,0.00026620182],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014794786,0.000012713962,0.0007797491,0.000066535125,0.0000027361732,0.00027030968,0.76413393,0.000029558902,0.00018720218,0.21912417,0.004985224,0.010393051],"study_design_scores_gemma":[0.0000061482656,0.000023419692,0.0033420771,0.00031328894,0.000005598401,0.00046520153,0.7292303,0.00005612742,0.00022521307,0.02169134,0.2446302,0.000011008153],"about_ca_topic_score_codex":0.053313624,"about_ca_topic_score_gemma":0.12039736,"teacher_disagreement_score":0.053313624,"about_ca_system_score_codex":0.004116561,"about_ca_system_score_gemma":0.0042254217,"threshold_uncertainty_score":0.10600656},"labels":[],"label_agreement":null},{"id":"W2973910788","doi":"10.26643/think-india.v22i3.8352","title":"Journey between Reality and Modernity – Women of Such a Long Journey","year":2019,"lang":"en","type":"article","venue":"Think India","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Patriarchy; Gender studies; Passion; Masculinity; Character (mathematics); Modernity; Femininity; Sociology; Space (punctuation); Aesthetics; Art; Psychology; Political science; Social psychology; Law; Philosophy","score_opus":0.038485168902738745,"score_gpt":0.24925377722941264,"score_spread":0.21076860832667388,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2973910788","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18942267,0.04296075,0.0037700196,0.17774746,0.0053314287,0.000043152515,0.000094818046,0.0001942607,0.58043545],"genre_scores_gemma":[0.8998302,0.00734766,0.0012694364,0.013371598,0.0011532156,0.00003089743,0.00003486015,0.0001163179,0.07684579],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99826497,0.0010330789,0.00003159042,0.00014744872,0.00022167758,0.0003012395],"domain_scores_gemma":[0.9982419,0.00039858674,0.00017063195,0.00023395955,0.00023558571,0.00071926817],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0026393184,0.0004413602,0.0003516598,0.000621482,0.015071546,0.0081683425,0.0006504169,0.0017971419,0.009839956],"category_scores_gemma":[0.0023402984,0.00030538708,0.00023739184,0.00067240535,0.03280371,0.009905305,0.0076033035,0.005269331,0.0014641344],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005493233,0.000054102868,0.0013286072,0.000111416506,0.000026284704,0.00088246,0.54741985,0.00005734251,0.001071341,0.38676956,0.04312914,0.019094905],"study_design_scores_gemma":[0.000005415796,0.00004663414,0.0010557355,0.00019741915,0.00000645124,0.0010758595,0.25138903,0.000027527401,0.00015122106,0.02954051,0.7164752,0.000029013767],"about_ca_topic_score_codex":0.0035427255,"about_ca_topic_score_gemma":0.008582762,"teacher_disagreement_score":0.015071546,"about_ca_system_score_codex":0.0031726044,"about_ca_system_score_gemma":0.0033154325,"threshold_uncertainty_score":0.032917917},"labels":[],"label_agreement":null},{"id":"W2982931918","doi":"10.1177/1464700119886238","title":"Bruised, battered, bleeding: the dangers of mobilising abused goddesses for ‘women’s empowerment’","year":2019,"lang":"en","type":"article","venue":"Feminist Theory","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Orientalism; Hinduism; Gender studies; Empowerment; Mainstream; Sociology; Domestic violence; Stereotype (UML); Power (physics); Media studies; Poison control; Psychology; Suicide prevention; Political science; Social psychology; Law; Art; Literature; Religious studies; Medicine","score_opus":0.01430205224353956,"score_gpt":0.22340814207415552,"score_spread":0.20910608983061596,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2982931918","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.68018025,0.009348059,0.0035651468,0.073140524,0.0020103345,0.000063323256,0.00009338761,0.00017929298,0.23141977],"genre_scores_gemma":[0.978234,0.002280152,0.00061056,0.002870118,0.00034430315,0.00002310234,0.00002153231,0.000055363744,0.0155609],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99824893,0.0011567955,0.00002510539,0.000082665756,0.00020601806,0.00028058456],"domain_scores_gemma":[0.9981779,0.0011095434,0.0002152957,0.00015175577,0.00010571289,0.00023985651],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018640042,0.0005399568,0.00018245654,0.0007763263,0.010111069,0.007741342,0.0006802291,0.0018587816,0.0056745177],"category_scores_gemma":[0.0034203255,0.0003547433,0.00029090678,0.0006071835,0.018057177,0.0042647603,0.005989592,0.0036066263,0.0007273757],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006604761,0.00003685525,0.0041471673,0.00032371053,0.000021710324,0.0018811922,0.8672471,0.00010438751,0.0022169244,0.069121726,0.019766822,0.035066422],"study_design_scores_gemma":[0.00001194863,0.000075673684,0.0066265003,0.00056219957,0.000030190351,0.0019827546,0.66888124,0.00026177516,0.0018876899,0.00934677,0.31029207,0.000041217492],"about_ca_topic_score_codex":0.0053152544,"about_ca_topic_score_gemma":0.01207036,"teacher_disagreement_score":0.010111069,"about_ca_system_score_codex":0.0016959138,"about_ca_system_score_gemma":0.0014715433,"threshold_uncertainty_score":0.018983126},"labels":[],"label_agreement":null},{"id":"W2984873711","doi":"10.3138/md.s1018r","title":"“Stories that Never Stop”: Fugitivity and Neo-Slave Performance","year":2019,"lang":"en","type":"article","venue":"Modern Drama","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narrative; Expansive; Drama; Cognitive reframing; Objectification; Literature; Temporalities; Middle Passage; Politics; Representation (politics); History; Art; Sociology; Aesthetics; Law; Philosophy; Epistemology; Theology","score_opus":0.024766988318342394,"score_gpt":0.20868761168975825,"score_spread":0.18392062337141585,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2984873711","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6350466,0.0049141594,0.0022527229,0.010268272,0.00076436205,0.000031035466,0.000033425236,0.000056257384,0.34663317],"genre_scores_gemma":[0.9799519,0.0008635262,0.0002808135,0.0006727134,0.00009075915,0.000015631687,0.0000141602595,0.000045919336,0.018064579],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988134,0.00077231415,0.000015798516,0.00006707697,0.00011934681,0.00021205681],"domain_scores_gemma":[0.9993364,0.00031661915,0.00008514849,0.00005607896,0.000054996082,0.00015064249],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015538239,0.00060267857,0.0002636731,0.0010987505,0.01082538,0.005107445,0.0006091644,0.0011849959,0.005524125],"category_scores_gemma":[0.0025279892,0.0001919061,0.0001776218,0.00060004747,0.019355735,0.0036726277,0.00534679,0.0022650775,0.00045176753],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000052059742,0.000024277679,0.0013130887,0.000083428946,0.000006643645,0.0005973066,0.8702701,0.000051301336,0.0008186446,0.1108195,0.006203636,0.009760044],"study_design_scores_gemma":[0.000012892,0.00009234587,0.004483879,0.00039107725,0.000013363003,0.0009018406,0.6483659,0.0002301475,0.0012499306,0.015632853,0.3286028,0.000023017152],"about_ca_topic_score_codex":0.004146023,"about_ca_topic_score_gemma":0.012240848,"teacher_disagreement_score":0.01082538,"about_ca_system_score_codex":0.0022728497,"about_ca_system_score_gemma":0.0008429383,"threshold_uncertainty_score":0.018480062},"labels":[],"label_agreement":null},{"id":"W2987150867","doi":"","title":"Book review: \"Beyond Trishanku: Diaspora Poetics and Homing in South Asian Women’s Writing\", edited by Shilpa Daithota Bhat","year":2019,"lang":"en","type":"article","venue":"Postcolonial text","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetics; Diaspora; History; Literature; Sociology; Art; Gender studies; Poetry","score_opus":0.007005750155209451,"score_gpt":0.21508991069585462,"score_spread":0.20808416054064516,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2987150867","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0006380083,0.66771746,0.0003093022,0.105746254,0.13615915,0.00009139714,0.0007054757,0.0001109912,0.08852193],"genre_scores_gemma":[0.0058205146,0.4527866,0.00036400702,0.03589074,0.04451942,0.00018061446,0.0009204605,0.0001958535,0.45932186],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99945647,0.00012193969,0.000035597615,0.000070283524,0.0002594336,0.000056261895],"domain_scores_gemma":[0.9979327,0.0007361736,0.000101246216,0.00005068777,0.00096918363,0.00021003667],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010304124,0.00079858344,0.0010790736,0.0021831775,0.001571166,0.0038353335,0.0011450698,0.001741379,0.046647985],"category_scores_gemma":[0.003102676,0.00029889678,0.00034608677,0.004390437,0.0012455443,0.0027636795,0.0015684762,0.0028028162,0.01851725],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005080543,0.000005286799,0.000018010525,0.00043214316,0.0000027446156,0.000019410498,0.00011541866,0.000009897305,0.000060205362,0.00076451973,0.98097974,0.017587543],"study_design_scores_gemma":[0.0000027578656,0.0000056439567,0.00020517188,0.0005791142,0.0000043342197,0.000050207895,0.00020478599,0.00000812316,0.00005112448,0.00024406299,0.9986406,0.0000041382896],"about_ca_topic_score_codex":0.013592025,"about_ca_topic_score_gemma":0.047077093,"teacher_disagreement_score":0.046647985,"about_ca_system_score_codex":0.0022633031,"about_ca_system_score_gemma":0.008471321,"threshold_uncertainty_score":0.15605307},"labels":[],"label_agreement":null},{"id":"W2987516898","doi":"10.5430/wjel.v10n1p1","title":"Anita Desai’s Fasting Feasting: A Picturesque Reflection of Male-Chauvinistic Indian Society","year":2019,"lang":"en","type":"article","venue":"World Journal of English Language","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Gender studies; Autonomy; Politics; Independence (probability theory); Sociology; Gratification; Consciousness; Political science; Psychology; Law; Social psychology","score_opus":0.014603728979261826,"score_gpt":0.23318935321422884,"score_spread":0.21858562423496702,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2987516898","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.48272747,0.0040178206,0.0017658116,0.028486222,0.0024915214,0.000108194654,0.00022547787,0.0001892979,0.47998825],"genre_scores_gemma":[0.9377947,0.0021791153,0.0007275039,0.0020585519,0.00055251335,0.00005118085,0.00008644692,0.00012017749,0.056429803],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99906105,0.00051739457,0.000013665749,0.00007261151,0.00013463259,0.0002006582],"domain_scores_gemma":[0.9995297,0.00017302402,0.000054529228,0.000031726217,0.00006525995,0.0001457389],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010567356,0.0011278866,0.00033107403,0.0007557224,0.0134437345,0.0062651867,0.0011260278,0.0014217652,0.006281119],"category_scores_gemma":[0.0009803459,0.0004051265,0.0004152954,0.00083378504,0.008103701,0.0028884055,0.002852351,0.0053855893,0.0010342648],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012079978,0.00014453345,0.00089076255,0.00026973654,0.000011894832,0.0054070028,0.8655158,0.00016648571,0.004296947,0.07952809,0.03243487,0.011213057],"study_design_scores_gemma":[0.0000075410276,0.000095186224,0.0031352825,0.00017493614,0.000015134567,0.0037404227,0.48993984,0.00019658744,0.0010792896,0.002473385,0.49909875,0.00004371029],"about_ca_topic_score_codex":0.0074608447,"about_ca_topic_score_gemma":0.01805585,"teacher_disagreement_score":0.0134437345,"about_ca_system_score_codex":0.0041335714,"about_ca_system_score_gemma":0.0017966477,"threshold_uncertainty_score":0.02999127},"labels":[],"label_agreement":null},{"id":"W2990477233","doi":"","title":"THE INTERACTION: BANOO ZAN’S SONGS OF EXILE IN BHABHA’S POST-COLONIALISM","year":2019,"lang":"en","type":"article","venue":"DergiPark (Istanbul University)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Colonialism; Art; History; Literature; Archaeology","score_opus":0.008053858530855156,"score_gpt":0.17760911282631747,"score_spread":0.1695552542954623,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2990477233","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.92491955,0.0012214677,0.00026556244,0.0049740374,0.00046549068,0.00003281043,0.00004376854,0.000023788214,0.06805352],"genre_scores_gemma":[0.989737,0.00029904142,0.000098440694,0.0005077957,0.00005299771,0.00001083348,0.000014470209,0.000019310208,0.009260131],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989078,0.0006325422,0.0000116982255,0.000052115352,0.000106449435,0.00028941032],"domain_scores_gemma":[0.99939096,0.00022216202,0.000053806147,0.000027359421,0.0000694455,0.00023621437],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010549885,0.00041836812,0.0003351545,0.00064120954,0.022199823,0.0052466076,0.00058799534,0.0011794565,0.00444176],"category_scores_gemma":[0.0012547844,0.00026729697,0.00015383968,0.00075639354,0.009287917,0.0017970745,0.0049174796,0.0031494682,0.0004602381],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000059022164,0.000032661756,0.0014243585,0.000045536086,0.000005181273,0.0012161817,0.98287165,0.000020665486,0.0014162868,0.005259214,0.0030156341,0.0046336506],"study_design_scores_gemma":[0.000009218218,0.000038060436,0.009260098,0.000093521354,0.0000066196985,0.0006861242,0.89353085,0.00005359944,0.00038192022,0.00045683366,0.09546226,0.000020933128],"about_ca_topic_score_codex":0.06839593,"about_ca_topic_score_gemma":0.16625062,"teacher_disagreement_score":0.06839593,"about_ca_system_score_codex":0.0038733245,"about_ca_system_score_gemma":0.0018632148,"threshold_uncertainty_score":0.13599563},"labels":[],"label_agreement":null},{"id":"W2993860056","doi":"10.2218/himalaya.2018.7922","title":"Review of Chidra by Nadav Harel and Arik Moran","year":2018,"lang":"en","type":"article","venue":"HIMALAYA","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"History","score_opus":0.011988692508369477,"score_gpt":0.21235484385594602,"score_spread":0.20036615134757654,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2993860056","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0001331667,0.993364,0.000021729042,0.0028205065,0.0026184919,0.0000033683607,0.000026355781,0.0000026264236,0.0010099154],"genre_scores_gemma":[0.00213376,0.98604673,0.00008641641,0.004104018,0.0057668085,0.000010188641,0.000056707326,0.000006155983,0.0017891295],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995944,0.00013097831,0.00006776712,0.00006786996,0.000095903495,0.000043000826],"domain_scores_gemma":[0.99839455,0.0008388162,0.00014312255,0.000046160334,0.0004210081,0.00015625345],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012513686,0.00094204093,0.0013640416,0.0034504433,0.0008899108,0.0025024118,0.0009142735,0.0016101197,0.008640036],"category_scores_gemma":[0.002701856,0.00030760636,0.00040518946,0.004918005,0.001347345,0.0021508848,0.0015109414,0.0020120428,0.0025417893],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015852519,0.00007327961,0.0008519237,0.03243674,0.00017849801,0.00095206377,0.0024635487,0.00016615358,0.000770146,0.006410186,0.55173904,0.4037998],"study_design_scores_gemma":[0.000009874659,0.000018796693,0.0015013954,0.0051330286,0.00005721266,0.0008727313,0.0005898771,0.000016491156,0.000081523605,0.0003357313,0.9913692,0.000014257964],"about_ca_topic_score_codex":0.0061975196,"about_ca_topic_score_gemma":0.008895617,"teacher_disagreement_score":0.008640036,"about_ca_system_score_codex":0.0013617455,"about_ca_system_score_gemma":0.0028806427,"threshold_uncertainty_score":0.028903723},"labels":[],"label_agreement":null},{"id":"W2994969289","doi":"","title":"Asha Siad and Roda Siad, 19 Days","year":2019,"lang":"pl","type":"article","venue":"Anabaptist Witness","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Asha; Political science; History; Theology; Philosophy","score_opus":0.01037690646075146,"score_gpt":0.20746800631657192,"score_spread":0.19709109985582046,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2994969289","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004567767,0.0763788,0.0008776157,0.22641768,0.04742178,0.00019974021,0.0025457295,0.00070485624,0.64088607],"genre_scores_gemma":[0.023679907,0.02582933,0.00080154184,0.015030418,0.0027263248,0.00009371935,0.0008251917,0.0003786792,0.9306349],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989599,0.00019184334,0.000033960998,0.000115457755,0.0004920458,0.00020684442],"domain_scores_gemma":[0.9972253,0.00013825769,0.00009602501,0.00008004405,0.0014123402,0.0010479797],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012084236,0.0005861058,0.00022202058,0.00072422373,0.008821443,0.0057812934,0.0006678047,0.0019237229,0.11143285],"category_scores_gemma":[0.0032189265,0.00045833105,0.00018323182,0.000877513,0.0012134538,0.004307103,0.0026318028,0.0037520272,0.03894017],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005051366,0.0000057222665,0.00007655672,0.000017832906,5.579976e-7,0.000022132075,0.0005549036,0.0000033882134,0.00004712885,0.0012633601,0.98940253,0.008600812],"study_design_scores_gemma":[0.0000013887411,0.0000022486765,0.00041954697,0.000038914888,7.130047e-7,0.000030639552,0.001373552,0.000003808006,0.000035494406,0.00011975364,0.997971,0.000002893847],"about_ca_topic_score_codex":0.15423335,"about_ca_topic_score_gemma":0.36292928,"teacher_disagreement_score":0.15423335,"about_ca_system_score_codex":0.004594269,"about_ca_system_score_gemma":0.00630885,"threshold_uncertainty_score":0.37278003},"labels":[],"label_agreement":null},{"id":"W2995294681","doi":"10.7202/1066403ar","title":"Women’s Household Drama: Love’s Victorie, A Pastorall, and The concealed Fansyes","year":2019,"lang":"en","type":"article","venue":"Renaissance and Reformation","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":67,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Windsor","funders":"","keywords":"Drama; Art; Literature","score_opus":0.012199663311262831,"score_gpt":0.1874227574332863,"score_spread":0.17522309412202347,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2995294681","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.43598166,0.01579609,0.0021006393,0.06985337,0.0019522803,0.000036900627,0.00020035572,0.000088065135,0.47399065],"genre_scores_gemma":[0.969104,0.0013361948,0.00018093608,0.0014854894,0.00020427837,0.000010563651,0.000024379198,0.00004205961,0.027612163],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9993106,0.0004489135,0.000008605336,0.000045264045,0.00006192941,0.00012466138],"domain_scores_gemma":[0.9993881,0.00032240583,0.00006219857,0.00004180795,0.000059545364,0.00012596032],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014827452,0.00037059517,0.00018503264,0.00047274493,0.0055203517,0.0047624516,0.00042642019,0.0011729548,0.006933436],"category_scores_gemma":[0.001865757,0.00014835842,0.00015623482,0.00052577246,0.008980577,0.003391042,0.0028736086,0.0023639908,0.00040285432],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010002367,0.000047818918,0.0023073065,0.00013304129,0.000012593928,0.00063975574,0.83979434,0.00005863379,0.0009640591,0.092012905,0.04734946,0.016580047],"study_design_scores_gemma":[0.000018195304,0.000034079545,0.0052038184,0.00018834611,0.000010255181,0.00037921022,0.51978797,0.00009001434,0.00059057365,0.0045497855,0.4691318,0.000015994194],"about_ca_topic_score_codex":0.011221448,"about_ca_topic_score_gemma":0.026793474,"teacher_disagreement_score":0.011221448,"about_ca_system_score_codex":0.0021922742,"about_ca_system_score_gemma":0.0009726311,"threshold_uncertainty_score":0.023194611},"labels":[],"label_agreement":null},{"id":"W2996968593","doi":"10.1386/safm_00013_1","title":"Making the nation manly: The case of Bhaag Milkha Bhaag (2013) and India's search for regional dominance in an era of neo-liberal globalization","year":2018,"lang":"en","type":"article","venue":"Studies in South Asian Film & Media","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Nationalism; Gender studies; Politics; Hindu nationalism; Dominance (genetics); Masculinity; Hinduism; Sociology; Political science; Political economy; Law; Religious studies; Philosophy","score_opus":0.0903997374329361,"score_gpt":0.3317058609147863,"score_spread":0.2413061234818502,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2996968593","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5748971,0.003532681,0.000986426,0.08385983,0.0005199087,0.000058594906,0.000058228645,0.0000437649,0.33604345],"genre_scores_gemma":[0.9818233,0.0006797788,0.00019154084,0.004393228,0.00006645159,0.000017896346,0.000007988892,0.00002652145,0.012793212],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99725866,0.0012575196,0.000034062712,0.00019581968,0.00020478226,0.0010490078],"domain_scores_gemma":[0.998329,0.0007860923,0.00014956135,0.00009009073,0.000111129724,0.00053404697],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0021044943,0.00039271958,0.00032293118,0.00089415204,0.036872234,0.010902102,0.001356325,0.0049959254,0.005104318],"category_scores_gemma":[0.002406264,0.0004259542,0.00032673407,0.001320533,0.023387756,0.0036926758,0.007645426,0.0081623765,0.0004236161],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035093944,0.000027050566,0.0015237893,0.00007299956,0.000008426491,0.006934458,0.7027943,0.00009474768,0.00078951777,0.27420273,0.0092301825,0.004286631],"study_design_scores_gemma":[0.00000813542,0.000023205292,0.003103592,0.00017519975,0.000017764072,0.0016746264,0.7497165,0.00014698766,0.00046730269,0.00840978,0.23621966,0.000037332178],"about_ca_topic_score_codex":0.080220535,"about_ca_topic_score_gemma":0.17140435,"teacher_disagreement_score":0.080220535,"about_ca_system_score_codex":0.011435775,"about_ca_system_score_gemma":0.0057403753,"threshold_uncertainty_score":0.15950716},"labels":[],"label_agreement":null},{"id":"W2997622858","doi":"10.25071/1916-4467.40440","title":"Aftermath: Focus on Understanding","year":2019,"lang":"en","type":"article","venue":"Journal of the Canadian Association for Curriculum Studies","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Focus (optics); Sociology; History; Political science; Optics; Physics","score_opus":0.04491211523158534,"score_gpt":0.24802098810967788,"score_spread":0.20310887287809254,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2997622858","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.017835822,0.004491907,0.0026736937,0.06747633,0.003771048,0.00005328409,0.0003000592,0.00017154153,0.9032263],"genre_scores_gemma":[0.49396142,0.0051210616,0.001064332,0.011515294,0.0010312643,0.00011495069,0.0004417132,0.0004571658,0.4862928],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998027,0.0007748879,0.00007809539,0.00029904718,0.00044928322,0.00037177754],"domain_scores_gemma":[0.9937894,0.0016802612,0.00025005025,0.00087812275,0.002025663,0.0013764179],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002503979,0.0003789118,0.00039865653,0.0006752479,0.004763681,0.0074070483,0.0015536952,0.0018368135,0.07269155],"category_scores_gemma":[0.009703848,0.00018372116,0.00031687558,0.00073755573,0.0050530676,0.010251373,0.0048902133,0.003914532,0.012772727],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012983363,0.000117561765,0.0037535639,0.00080173713,0.00001720655,0.00068829546,0.11702262,0.00007699154,0.0011987492,0.46854407,0.25267786,0.15497151],"study_design_scores_gemma":[0.000009629195,0.000025444979,0.002182116,0.00059162674,0.000015175341,0.00035335094,0.07982054,0.00008333442,0.0007836182,0.02706783,0.88905025,0.000017168828],"about_ca_topic_score_codex":0.015454023,"about_ca_topic_score_gemma":0.025349353,"teacher_disagreement_score":0.07269155,"about_ca_system_score_codex":0.0042965924,"about_ca_system_score_gemma":0.0089157345,"threshold_uncertainty_score":0.24317747},"labels":[],"label_agreement":null},{"id":"W2997652883","doi":"10.1386/safm_00012_1","title":"Women vs modernity in Rajinikanth's Tamil-language films: The mother, the good woman, the modern virgin and the angry feminist","year":2018,"lang":"en","type":"article","venue":"Studies in South Asian Film & Media","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"The Scarborough Hospital; University of Toronto","funders":"","keywords":"Modernity; Tamil; Gender studies; Globalization; Criticism; Sociology; Aesthetics; Stereotype (UML); Femininity; Literature; Art; Philosophy; Psychology; Political science; Law; Social psychology; Epistemology","score_opus":0.02717227453073823,"score_gpt":0.25587361950102094,"score_spread":0.22870134497028272,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2997652883","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8971758,0.0033540018,0.00021829423,0.0030688029,0.00019987742,0.000022973356,0.000044971755,0.000018787538,0.09589644],"genre_scores_gemma":[0.9933954,0.0010985008,0.00007867311,0.00023695428,0.000058621106,0.000009512581,0.000012180848,0.000016545348,0.0050936854],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99945956,0.00031350518,0.000013492199,0.00004281446,0.00005513752,0.0001154578],"domain_scores_gemma":[0.9991304,0.00053853536,0.00012407888,0.000037316328,0.00006753313,0.000102051476],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011620828,0.00060071587,0.00023948356,0.0010628307,0.0068081478,0.0060883705,0.0004890936,0.00088490185,0.0037766562],"category_scores_gemma":[0.0017318785,0.00027423835,0.00013816802,0.0011446042,0.0062562563,0.0027678197,0.0021893908,0.0024060728,0.0002822105],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003620428,0.000015581456,0.0016813506,0.00012092898,0.00000543762,0.00071594946,0.9802249,0.0000103809925,0.0011816344,0.010564259,0.0010127854,0.0044305357],"study_design_scores_gemma":[0.000004583935,0.00005730518,0.008846028,0.00024200283,0.000018123748,0.0006876159,0.9213635,0.000034740184,0.0009566579,0.0007204057,0.067052685,0.000016423472],"about_ca_topic_score_codex":0.0047946777,"about_ca_topic_score_gemma":0.014820408,"teacher_disagreement_score":0.0068081478,"about_ca_system_score_codex":0.0020974153,"about_ca_system_score_gemma":0.00092292816,"threshold_uncertainty_score":0.015217841},"labels":[],"label_agreement":null},{"id":"W2999032071","doi":"10.5958/0973-967x.2019.00020.6","title":"Role of cinema in promoting gender equity to achieve sustainable development goals in India","year":2019,"lang":"en","type":"article","venue":"Mass Communicator International Journal of Communication Studies","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Trinity College","funders":"","keywords":"Movie theater; Gender equity; Sustainable development; Equity (law); Political science; Business; Economic growth; Economics; Art; Visual arts; Law","score_opus":0.04603194342103095,"score_gpt":0.3276213551639331,"score_spread":0.28158941174290214,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2999032071","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.43048924,0.01607227,0.0056237374,0.026029216,0.0019721866,0.00031997144,0.00022508112,0.00021441944,0.5190538],"genre_scores_gemma":[0.9633296,0.006997115,0.0045085824,0.0021121975,0.00044485272,0.00010893987,0.00006768019,0.00008225723,0.022348655],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9989267,0.0006304977,0.000023061426,0.00005067723,0.00018611536,0.00018286715],"domain_scores_gemma":[0.9984737,0.00089801237,0.0001245773,0.00007883442,0.00019683145,0.00022799402],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019020721,0.00034874683,0.00015448441,0.0011340291,0.004073806,0.008405042,0.00073110126,0.00084189314,0.0052900915],"category_scores_gemma":[0.0027736826,0.00022853413,0.00027353852,0.0008771711,0.0030691673,0.003164041,0.0035545204,0.0017026585,0.00040603778],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014210219,0.0003504808,0.010425409,0.0022764588,0.000043758264,0.0019689887,0.58877236,0.00034977042,0.022186387,0.0930004,0.03353702,0.24694695],"study_design_scores_gemma":[0.000014783892,0.00020998846,0.028480383,0.0016286215,0.00010022881,0.0012799128,0.34487063,0.0004241303,0.0051784855,0.0052768267,0.6124751,0.000060977192],"about_ca_topic_score_codex":0.0039187786,"about_ca_topic_score_gemma":0.009028753,"teacher_disagreement_score":0.008405042,"about_ca_system_score_codex":0.0021007634,"about_ca_system_score_gemma":0.0019192512,"threshold_uncertainty_score":0.017697096},"labels":[],"label_agreement":null},{"id":"W3003907584","doi":"10.1163/9781848881877_003","title":"Bollywood in Diaspora: Cherishing Occidentalist Nostalgia","year":2013,"lang":"en","type":"book-chapter","venue":"","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Diaspora; Ideology; Movie theater; Hinduism; Independence (probability theory); Nationalism; History; Gender studies; Media studies; Geography; Sociology; Religious studies; Political science; Art history; Politics; Law; Philosophy","score_opus":0.022714722806483394,"score_gpt":0.19430148320414495,"score_spread":0.17158676039766155,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3003907584","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.61218756,0.008786651,0.0017339621,0.024829844,0.0019209041,0.000094310075,0.000053887397,0.00015822567,0.3502346],"genre_scores_gemma":[0.95005333,0.002997893,0.001075061,0.004317633,0.00029047788,0.000058446512,0.000029012035,0.00012139364,0.041056708],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.998953,0.0006202695,0.000016007803,0.00006755464,0.00010854228,0.00023477396],"domain_scores_gemma":[0.9990163,0.00025727972,0.000087388384,0.00008460705,0.00010781479,0.00044656548],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015704086,0.0004981532,0.00024565178,0.000744623,0.011900374,0.007545141,0.0007305462,0.0010153126,0.0052016317],"category_scores_gemma":[0.002134897,0.00023669506,0.00013450054,0.00052876986,0.00723401,0.0029173542,0.009551488,0.002392697,0.0006652701],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014810334,0.00017865628,0.0054877633,0.0004035607,0.000023287632,0.0025969867,0.78221893,0.000048131573,0.0044432236,0.07150143,0.043891173,0.089058675],"study_design_scores_gemma":[0.000016644906,0.00008544012,0.006574658,0.00040438096,0.000016049591,0.0014786627,0.42258438,0.000074684845,0.00089544244,0.0040198728,0.56382835,0.000021465421],"about_ca_topic_score_codex":0.004775281,"about_ca_topic_score_gemma":0.021728002,"teacher_disagreement_score":0.011900374,"about_ca_system_score_codex":0.002153945,"about_ca_system_score_gemma":0.0017012237,"threshold_uncertainty_score":0.017401218},"labels":[],"label_agreement":null},{"id":"W3005965474","doi":"10.1080/2201473x.2019.1677133","title":"Refusal/film: diasporic-indigenous relationalities","year":2020,"lang":"en","type":"article","venue":"Settler Colonial Studies","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Concordia University","funders":"","keywords":"Indigenous; Film director; Politics; Sociology; Sovereignty; Contextualization; Colonialism; Gender studies; Representation (politics); Anthropology; Media studies; Aesthetics; Movie theater; History; Art; Art history; Political science; Law","score_opus":0.08551270895451306,"score_gpt":0.2683834539514421,"score_spread":0.182870744996929,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3005965474","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.71205616,0.002150423,0.0026790663,0.007820227,0.00032145207,0.000053104486,0.000082961196,0.00006314546,0.2747735],"genre_scores_gemma":[0.98992467,0.0005129422,0.00023669118,0.0002560804,0.00003531223,0.000011699024,0.000019931518,0.000026809792,0.008975786],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99792033,0.0012308914,0.000046532747,0.0001986756,0.00026877527,0.00033487318],"domain_scores_gemma":[0.9985245,0.0007034027,0.00017240221,0.00018278306,0.00016523439,0.00025180512],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020667857,0.00040716806,0.0002671981,0.00077346485,0.015245849,0.0072343424,0.00092298497,0.0009941255,0.005276594],"category_scores_gemma":[0.003834499,0.0002402623,0.00017038714,0.0009918087,0.022198299,0.0035323682,0.0051379316,0.0032570781,0.00028898972],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001587246,0.000008149741,0.0011023962,0.00004766343,0.0000039796473,0.00046324808,0.9581591,0.00001532243,0.00070950104,0.035331897,0.0010502628,0.003092717],"study_design_scores_gemma":[0.000004695482,0.000021026559,0.003402188,0.00011417958,0.000010202048,0.0004406381,0.89480025,0.000063310115,0.00046454254,0.0029451358,0.0977226,0.000011236035],"about_ca_topic_score_codex":0.04779934,"about_ca_topic_score_gemma":0.08401707,"teacher_disagreement_score":0.04779934,"about_ca_system_score_codex":0.004681862,"about_ca_system_score_gemma":0.0025578619,"threshold_uncertainty_score":0.09504223},"labels":[],"label_agreement":null},{"id":"W3010752652","doi":"10.1515/asia-2019-0051","title":"From Topophilia to Despair. Kashinath Singh’s Banaras Trilogy","year":2019,"lang":"en","type":"article","venue":"Asiatische Studien – Études Asiatiques","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Trilogy; Modernity; History; Quarter (Canadian coin); Literature; Sociology; Aesthetics; Gender studies; Art; Law; Political science","score_opus":0.015762789638258074,"score_gpt":0.23745025000645334,"score_spread":0.22168746036819525,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3010752652","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14040194,0.023415891,0.0029137232,0.09665646,0.011149631,0.00015939862,0.00021354052,0.0004019193,0.7246875],"genre_scores_gemma":[0.8756565,0.0059204455,0.0009231991,0.008625374,0.0027382823,0.00013146574,0.00010229974,0.00033015138,0.105572306],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982905,0.0009020061,0.000047102494,0.00016532601,0.0003582134,0.00023684476],"domain_scores_gemma":[0.99810636,0.00079149357,0.00022508763,0.00012042019,0.00032359557,0.00043293284],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016387687,0.0008295944,0.0004995434,0.0010067462,0.016314672,0.009767614,0.0015020188,0.0023681903,0.007982631],"category_scores_gemma":[0.0029532264,0.0004158179,0.00024279147,0.0008846118,0.018387437,0.0058870465,0.005238218,0.008112253,0.00215094],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001352512,0.00013213551,0.0005927401,0.00035836722,0.000016033495,0.005107354,0.43719614,0.00011249179,0.0017189918,0.42650396,0.110897616,0.017228963],"study_design_scores_gemma":[0.000018510926,0.00006607073,0.0008755726,0.00035198443,0.000013477894,0.0045294357,0.20840283,0.00017805563,0.00088795566,0.025819309,0.7588041,0.000052739564],"about_ca_topic_score_codex":0.0030772036,"about_ca_topic_score_gemma":0.0048076734,"teacher_disagreement_score":0.016314672,"about_ca_system_score_codex":0.0035266562,"about_ca_system_score_gemma":0.0027116437,"threshold_uncertainty_score":0.02670461},"labels":[],"label_agreement":null},{"id":"W3021715159","doi":"10.1016/s1701-2163(16)32842-0","title":"Introduction | Foreword","year":2008,"lang":"en","type":"article","venue":"Journal of Obstetrics and Gynaecology Canada","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"The Society of Obstetricians and Gynaecologists of Canada","funders":"","keywords":"Medicine","score_opus":0.013552344855807138,"score_gpt":0.1825245389038342,"score_spread":0.16897219404802705,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3021715159","genre_codex":"editorial","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":"editorial","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00038561024,0.019492712,0.0006261603,0.1721655,0.6574787,0.00024901592,0.0011256449,0.00036605485,0.14811067],"genre_scores_gemma":[0.0030131775,0.012702235,0.00072869676,0.15172058,0.26381555,0.0003652918,0.0013588684,0.00038215806,0.5659135],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99896014,0.00015221021,0.00008659768,0.00016441189,0.00047952545,0.00015712413],"domain_scores_gemma":[0.9956357,0.0006935972,0.00025091556,0.00016493132,0.0020821139,0.0011727611],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016646191,0.0010466445,0.0009412832,0.0014179129,0.0019509827,0.0036605177,0.0013324465,0.005242506,0.22404478],"category_scores_gemma":[0.0086259805,0.00036355905,0.0008518208,0.00074228994,0.00078550685,0.0023839762,0.0027523322,0.005990398,0.20176513],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000120684,0.00000941615,0.000039844697,0.000092775736,0.0000011865009,0.000035069083,0.000012254336,0.000004248249,0.00004833395,0.00055599044,0.98139614,0.017792696],"study_design_scores_gemma":[0.000007961805,0.000014209162,0.00022161045,0.0002300912,0.0000031453246,0.00009200396,0.000029467743,0.0000056427343,0.000039335107,0.000515216,0.99883765,0.00000372978],"about_ca_topic_score_codex":0.0035660216,"about_ca_topic_score_gemma":0.0062327855,"teacher_disagreement_score":0.22404478,"about_ca_system_score_codex":0.0014884959,"about_ca_system_score_gemma":0.0036156971,"threshold_uncertainty_score":0.74950445},"labels":[],"label_agreement":null},{"id":"W3022437777","doi":"","title":"Myth and Patriarchy in Deepa Mehta's Heaven on Earth","year":2014,"lang":"en","type":"article","venue":"DMU Open Research Archive (De Montfort University)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Heaven; Patriarchy; Earth (classical element); Mythology; Gender studies; Sociology; Philosophy; Theology; Physics; Astronomy","score_opus":0.0624630602264728,"score_gpt":0.2758630743975497,"score_spread":0.2134000141710769,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3022437777","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5177434,0.0094721075,0.002508899,0.030672418,0.00078882126,0.00004680799,0.000047340556,0.0000715914,0.43864852],"genre_scores_gemma":[0.98787516,0.0010560849,0.00034435006,0.0009284971,0.00005241813,0.000016375605,0.0000067361784,0.000019020907,0.00970138],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99858594,0.0007876651,0.000022860544,0.00010443484,0.00017998388,0.00031916122],"domain_scores_gemma":[0.99926037,0.0003747989,0.000080111,0.000076271106,0.00007155455,0.00013676801],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019999985,0.00036842242,0.00029288404,0.0010251162,0.018421428,0.0075406153,0.00083654455,0.0015710853,0.0022865639],"category_scores_gemma":[0.0018868848,0.0003533168,0.00023275074,0.0013943147,0.05025014,0.0040009944,0.0051767137,0.0059053665,0.00020958313],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000230492,0.00002433065,0.0011868487,0.00006393959,0.000005340913,0.00040999477,0.70467705,0.00006189417,0.00042461237,0.28470004,0.002524596,0.005898328],"study_design_scores_gemma":[0.000016464075,0.00006795685,0.007175309,0.00032982454,0.000016157182,0.0011527874,0.64839077,0.00022312027,0.0005822969,0.042498335,0.29950103,0.00004589949],"about_ca_topic_score_codex":0.02983563,"about_ca_topic_score_gemma":0.04100513,"teacher_disagreement_score":0.02983563,"about_ca_system_score_codex":0.0055846525,"about_ca_system_score_gemma":0.004424575,"threshold_uncertainty_score":0.059323967},"labels":[],"label_agreement":null},{"id":"W3024746837","doi":"10.1163/18739865-01301006","title":"On the Path to Becoming","year":2020,"lang":"en","type":"article","venue":"Middle East Journal of Culture and Communication","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Temporalities; Framing (construction); Sociology; Pleasure; Cinematography; Aesthetics; Socialization; Gaze; Media studies; Visual arts; Gender studies; Art; History; Psychology; Political science; Psychoanalysis; Social science; Law","score_opus":0.07292782411966744,"score_gpt":0.2298491267018759,"score_spread":0.15692130258220846,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3024746837","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06627898,0.0046892995,0.0050555593,0.109045915,0.0020596576,0.00007444562,0.000059582457,0.00008337792,0.81265324],"genre_scores_gemma":[0.9420178,0.0014829682,0.0012294718,0.0058364826,0.0002714593,0.000044485623,0.000025208243,0.00006671393,0.04902554],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99652135,0.001723726,0.000050994782,0.00042743102,0.00058128644,0.0006952577],"domain_scores_gemma":[0.9980052,0.0005223849,0.00018553059,0.00025325143,0.00047467145,0.00055902],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0037836542,0.00052498904,0.00029286003,0.0010396899,0.012097143,0.009147951,0.0008893154,0.002572392,0.009526651],"category_scores_gemma":[0.005149131,0.00020433794,0.00022746004,0.00068160973,0.041345067,0.011557268,0.007895857,0.007554999,0.0016079029],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016990622,0.000017886621,0.00050075876,0.000033236593,0.000002738324,0.00019338878,0.15470397,0.00004358065,0.00015403131,0.81914574,0.0121099055,0.013077824],"study_design_scores_gemma":[0.000009926974,0.000035368066,0.00075031456,0.00020785241,0.000004368529,0.00027967224,0.17658739,0.000099759876,0.00021128835,0.1697934,0.6520028,0.000017966242],"about_ca_topic_score_codex":0.009607541,"about_ca_topic_score_gemma":0.011339625,"teacher_disagreement_score":0.012097143,"about_ca_system_score_codex":0.005053758,"about_ca_system_score_gemma":0.006041268,"threshold_uncertainty_score":0.036667764},"labels":[],"label_agreement":null},{"id":"W3027129934","doi":"10.1177/2455747120917584","title":"Mapping Delhi’s Weekly Markets: An Explorative Study of <i>Hafta</i> Bazaars","year":2020,"lang":"en","type":"article","venue":"Urbanisation","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Innovation Cluster (Canada)","funders":"","keywords":"Business; Point (geometry); Marketing","score_opus":0.0731251717713147,"score_gpt":0.23016369228237146,"score_spread":0.15703852051105677,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3027129934","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9826528,0.00017838615,0.00048955594,0.0005417963,0.000022231288,0.00010248145,0.0003369521,0.000019544943,0.015656209],"genre_scores_gemma":[0.99318874,0.00040737388,0.0011952444,0.00017804487,0.000015174264,0.00011234151,0.00021461528,0.00004640593,0.004642105],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9983498,0.0010499622,0.00003114913,0.00014322017,0.0001486171,0.00027727225],"domain_scores_gemma":[0.99738246,0.0017384747,0.00027295912,0.0002468759,0.00013560452,0.00022354549],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017532945,0.00041003956,0.00043328607,0.0019457374,0.006019135,0.0044419775,0.0013795452,0.0009865899,0.0042613535],"category_scores_gemma":[0.003199422,0.0005794686,0.00028779588,0.0029987253,0.00584217,0.003573805,0.0038024706,0.0018123423,0.0006311571],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004027255,0.00006530761,0.007460178,0.00013536285,0.000008049226,0.0011212255,0.97907925,0.000057104437,0.0010702994,0.0027408495,0.0017320439,0.0064900015],"study_design_scores_gemma":[0.0000025824065,0.00002658618,0.011184761,0.00005871452,0.000005289964,0.00019251164,0.97196126,0.00004721224,0.00020227948,0.0002444335,0.016062424,0.000011859023],"about_ca_topic_score_codex":0.021922955,"about_ca_topic_score_gemma":0.074624225,"teacher_disagreement_score":0.021922955,"about_ca_system_score_codex":0.0027531465,"about_ca_system_score_gemma":0.0017405439,"threshold_uncertainty_score":0.043590665},"labels":[],"label_agreement":null},{"id":"W3035511199","doi":"","title":"Uprooting and Rerooting: A Critical Race Informed Narrative Inquiry of LTC Home Culture with Stories Told by Thamizh (Tamil) Elders","year":2020,"lang":"en","type":"dissertation","venue":"UWSpace (University of Waterloo)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Tamil; Race (biology); Narrative; Critical race theory; Gender studies; Sociology; Genealogy; Gerontology; History; Medicine; Art; Literature","score_opus":0.014930095717548456,"score_gpt":0.2147235668427803,"score_spread":0.19979347112523183,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3035511199","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97094,0.0013558005,0.0014910862,0.011759128,0.00020603153,0.00023911108,0.00011499273,0.00002114714,0.013872768],"genre_scores_gemma":[0.99367297,0.000831023,0.0008754488,0.0014504428,0.00005216152,0.00014366096,0.000035455305,0.000031158175,0.0029077367],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9885562,0.008383475,0.00021922997,0.00052101066,0.00077877956,0.0015413514],"domain_scores_gemma":[0.9838149,0.010556926,0.0014507655,0.0004082211,0.0013787288,0.0023904417],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.013332818,0.0014343801,0.00090818113,0.0027420395,0.033080805,0.012875275,0.0038517793,0.003746239,0.002288059],"category_scores_gemma":[0.016462909,0.0008344845,0.00060704286,0.0021095665,0.041906357,0.011541351,0.011870614,0.007937979,0.00029465722],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005336621,0.000006338452,0.00029637548,0.00001790331,9.738777e-7,0.00023923589,0.9982582,0.0000060582834,0.00005746772,0.0005154752,0.00026339578,0.00033327952],"study_design_scores_gemma":[7.97791e-7,0.000004728687,0.00014866015,0.000031167518,0.000001374103,0.000057064455,0.9974559,0.000013804793,0.000033198383,0.0001237963,0.0021261964,0.0000033854596],"about_ca_topic_score_codex":0.16217166,"about_ca_topic_score_gemma":0.30936882,"teacher_disagreement_score":0.16217166,"about_ca_system_score_codex":0.026764322,"about_ca_system_score_gemma":0.015433388,"threshold_uncertainty_score":0.3224554},"labels":[],"label_agreement":null},{"id":"W3042230665","doi":"10.3968/11699","title":"An Ethical Interpretation of King Lear","year":2020,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Tragedy (event); Politics; Interpretation (philosophy); Order (exchange); Political ethics; Sociology; Law; Literature; Philosophy; Aesthetics; Environmental ethics; Epistemology; Political science; Social science; Art","score_opus":0.024232419681386303,"score_gpt":0.3055009103958605,"score_spread":0.28126849071447424,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3042230665","genre_codex":"other","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0868496,0.008876583,0.007665989,0.08905371,0.0015653955,0.000039652256,0.00006797466,0.000057906243,0.8058232],"genre_scores_gemma":[0.9521989,0.0019180805,0.0017806999,0.0055040913,0.00027533792,0.000037147092,0.000023068847,0.000058595153,0.038203873],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99111205,0.0064698267,0.00023338813,0.00039534268,0.0010597964,0.00072957936],"domain_scores_gemma":[0.99645126,0.0018809265,0.0004201035,0.00025932462,0.0007415568,0.00024673645],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003774203,0.00057474314,0.00032071842,0.0012961347,0.010393002,0.0071435533,0.00077749975,0.0033195459,0.00248116],"category_scores_gemma":[0.0075171557,0.00021821917,0.00024617274,0.0011178225,0.035187088,0.004513217,0.0055251946,0.0045326063,0.0005749256],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013735745,0.0000084222365,0.0003652803,0.000080324506,0.00000316178,0.0003859688,0.30305833,0.000067263965,0.00032133373,0.6831567,0.008580831,0.003958737],"study_design_scores_gemma":[0.0000060394364,0.000017602795,0.00097203196,0.00051421375,0.000012693588,0.0005452114,0.2640101,0.00030440133,0.00068041094,0.14947526,0.5834349,0.000027175172],"about_ca_topic_score_codex":0.013899791,"about_ca_topic_score_gemma":0.01592208,"teacher_disagreement_score":0.013899791,"about_ca_system_score_codex":0.007831713,"about_ca_system_score_gemma":0.00626635,"threshold_uncertainty_score":0.056823254},"labels":[],"label_agreement":null},{"id":"W3044289530","doi":"10.37867/te090227","title":"DIFFERENCE OF GAZE: STUDY OF THEMATIC PATTERNS OF THE WRITINGS OF UMA PARAMESWARAN AND RUPI KAUR","year":2017,"lang":"en","type":"article","venue":"Towards Excellence","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Multiculturalism; Diaspora; Settlement (finance); Queer; Variety (cybernetics); History; Sociology; Gender studies; Political science; Law","score_opus":0.039590934572994965,"score_gpt":0.252243225970187,"score_spread":0.21265229139719205,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3044289530","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.95148647,0.0017329721,0.0009819308,0.0019324367,0.00008422116,0.00010825417,0.00032513795,0.000033972297,0.043314595],"genre_scores_gemma":[0.9908483,0.0009643576,0.00068581407,0.00018115698,0.000049959905,0.000100963756,0.0002209769,0.00006697371,0.006881507],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9973302,0.0014700493,0.000098037264,0.00027765793,0.00051631243,0.0003076484],"domain_scores_gemma":[0.992144,0.0055400175,0.00078397023,0.00025991726,0.0009375337,0.00033463867],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002606554,0.00035402572,0.00038664186,0.006862124,0.007390002,0.0044497675,0.0010265611,0.0010939388,0.0029527773],"category_scores_gemma":[0.010459359,0.0002862121,0.00032472424,0.004852273,0.007031807,0.0040619583,0.003535735,0.0018261168,0.00045002892],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015623991,0.000005918678,0.0020009193,0.00005225958,0.0000025617503,0.00019665614,0.99213284,0.0000030271453,0.001082851,0.0012805236,0.00028418153,0.00294269],"study_design_scores_gemma":[0.0000023088558,0.000014321725,0.014928762,0.00009850113,0.000004734032,0.00022620034,0.9678619,0.00005305296,0.00033647678,0.00045728122,0.016007137,0.000009381334],"about_ca_topic_score_codex":0.028671848,"about_ca_topic_score_gemma":0.059414804,"teacher_disagreement_score":0.028671848,"about_ca_system_score_codex":0.0047529074,"about_ca_system_score_gemma":0.002291736,"threshold_uncertainty_score":0.057009935},"labels":[],"label_agreement":null},{"id":"W3047375439","doi":"10.7202/1070267ar","title":"Jaipur Literature Festival, the Gendered Literary Field, and the MeToo Movement in India","year":2020,"lang":"en","type":"article","venue":"Mémoires du livre","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Representation (politics); Narrative; Scholarship; Power (physics); Character (mathematics); History; Field (mathematics); Movement (music); Literature; Sociology; Gender studies; Aesthetics; Art; Political science; Law","score_opus":0.014960009880832853,"score_gpt":0.1992696486890323,"score_spread":0.18430963880819945,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3047375439","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8867184,0.0019000674,0.0003634993,0.005152816,0.0005505588,0.000046499117,0.00007799735,0.000047706933,0.10514253],"genre_scores_gemma":[0.9881281,0.0006047812,0.000119658616,0.0004151989,0.0001795696,0.0000421789,0.000031039555,0.00003075163,0.010448797],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9981591,0.00092918094,0.000038362705,0.0001280602,0.00019590306,0.0005494468],"domain_scores_gemma":[0.99760157,0.0011497185,0.00025066736,0.00017406825,0.00012596871,0.0006979863],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019310658,0.00051331316,0.0004049462,0.0020986842,0.02200552,0.011797194,0.0012430216,0.0013042067,0.0036572393],"category_scores_gemma":[0.0033267918,0.00035114976,0.00030132566,0.002618565,0.015721342,0.0025498485,0.009736605,0.0038254794,0.00040740453],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007705276,0.000050190283,0.0036175624,0.0001341651,0.000008586619,0.0019123714,0.94737136,0.0000386551,0.00086190057,0.033631347,0.003665242,0.00863162],"study_design_scores_gemma":[0.000005657387,0.000056729878,0.014751718,0.00019750581,0.000009566577,0.00069217966,0.8896617,0.00003223508,0.00037924643,0.0010697653,0.09311922,0.000024493313],"about_ca_topic_score_codex":0.01578625,"about_ca_topic_score_gemma":0.042944036,"teacher_disagreement_score":0.02200552,"about_ca_system_score_codex":0.0051392796,"about_ca_system_score_gemma":0.003696639,"threshold_uncertainty_score":0.03728825},"labels":[],"label_agreement":null},{"id":"W3082836044","doi":"10.31542/muse.v4i1.1869","title":"Rushdie Rewriting History Through Midnight's Children","year":2020,"lang":"en","type":"article","venue":"MacEwan University Student eJournal","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Midnight; Nationalism; History; Ideology; Parallels; Hegemony; State (computer science); Literature; Sociology; Politics; Gender studies; Art; Law; Political science","score_opus":0.03835595712790174,"score_gpt":0.18945105002363635,"score_spread":0.1510950928957346,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3082836044","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.088666715,0.013399456,0.004826503,0.038980566,0.0029450564,0.000072781644,0.00016111319,0.00012753603,0.85082024],"genre_scores_gemma":[0.85140705,0.0028450675,0.0019759617,0.00417228,0.00044052908,0.000060716888,0.00004485538,0.0001773608,0.13887632],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989899,0.0005193038,0.000020655581,0.00014374124,0.00013491705,0.00019154635],"domain_scores_gemma":[0.99924505,0.0004012246,0.00007840912,0.000056338416,0.000109382796,0.00010974076],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012320892,0.00042123767,0.0002570128,0.00084351195,0.007750867,0.005169847,0.0005528908,0.0013059817,0.006160458],"category_scores_gemma":[0.002532889,0.00027574092,0.0001952293,0.00043545122,0.011575808,0.0045168432,0.0032918996,0.004095094,0.000789404],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002799885,0.000014333318,0.00036186413,0.000055315362,0.000003287295,0.0004728444,0.16944486,0.00004401642,0.00036834256,0.78693485,0.031959217,0.0103130685],"study_design_scores_gemma":[0.000007032223,0.000027540591,0.00044141247,0.00012137951,0.000004729111,0.00038069044,0.043320477,0.000046473444,0.0005926339,0.02561296,0.92943233,0.000012296048],"about_ca_topic_score_codex":0.011780551,"about_ca_topic_score_gemma":0.028250707,"teacher_disagreement_score":0.011780551,"about_ca_system_score_codex":0.005569048,"about_ca_system_score_gemma":0.002134821,"threshold_uncertainty_score":0.040406525},"labels":[],"label_agreement":null},{"id":"W3083015056","doi":"","title":"“Monitor 3” SAVAC’s International Short Film and Video Festival, Toronto","year":2007,"lang":"en","type":"article","venue":"Goldsmiths (University of London)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Subject matter; Diaspora; Shot (pellet); Visual arts; Empathy; Prejudice (legal term); South asia; Media studies; History; Psychology; Sociology; Art; Gender studies; Social psychology; Ethnology","score_opus":0.011443011833063423,"score_gpt":0.19989175233872375,"score_spread":0.18844874050566032,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3083015056","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06521921,0.005359659,0.0019912904,0.010147674,0.009369541,0.0005535987,0.01595143,0.0017883574,0.8896193],"genre_scores_gemma":[0.1517167,0.0022924219,0.0019333098,0.0006978073,0.001053342,0.00014935694,0.0056101014,0.00077170605,0.83577526],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997348,0.000026269494,0.0000053606504,0.000043001535,0.000085939,0.000104632294],"domain_scores_gemma":[0.9993492,0.00004324642,0.00002205464,0.000040649502,0.00017043279,0.00037442957],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004337148,0.0007742034,0.00021961117,0.00096968445,0.004773822,0.0023376422,0.0005708862,0.00089763146,0.1715293],"category_scores_gemma":[0.00068708265,0.00038775825,0.000376672,0.0009666742,0.0007299689,0.000742901,0.0015986223,0.001293243,0.01470798],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018869826,0.0000249422,0.0013429938,0.00013672916,0.000010818306,0.00037914637,0.0032282749,0.000109857094,0.0037502805,0.0017367642,0.9648324,0.024259096],"study_design_scores_gemma":[0.000014228262,0.00006168899,0.015397685,0.000091970505,0.0000071620316,0.00015395907,0.0035980965,0.00012231777,0.0007320947,0.0001444937,0.97965723,0.000019119854],"about_ca_topic_score_codex":0.27135232,"about_ca_topic_score_gemma":0.6954657,"teacher_disagreement_score":0.7286477,"about_ca_system_score_codex":0.0038234012,"about_ca_system_score_gemma":0.002781782,"threshold_uncertainty_score":0.5738226},"labels":[],"label_agreement":null},{"id":"W3087245247","doi":"10.1177/1742766520922267","title":"News media commercialization in Chindia: Changing theoretical perceptions","year":2020,"lang":"en","type":"article","venue":"Global Media and Communication","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of the Fraser Valley","funders":"","keywords":"Commercialization; China; Dominance (genetics); Political science; Pluralism (philosophy); Perception; Media studies; Sociology; Public relations; Epistemology; Law","score_opus":0.023035195115420324,"score_gpt":0.23749035798482185,"score_spread":0.21445516286940153,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3087245247","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.87053037,0.0020340679,0.0005865198,0.013836002,0.000120419805,0.000030521263,0.000039634873,0.000016747796,0.11280577],"genre_scores_gemma":[0.9974668,0.0008567129,0.0000857249,0.00037358422,0.000030440862,0.000010412165,0.000012351079,0.000007310407,0.0011566197],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9962888,0.0017408961,0.00011353118,0.00033690478,0.0007285608,0.0007914104],"domain_scores_gemma":[0.9886412,0.007261241,0.0012304699,0.00042371024,0.0011845462,0.0012587609],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0061210054,0.00037021487,0.00035667964,0.0051122326,0.009685988,0.024249524,0.0012424932,0.0018582217,0.0042464375],"category_scores_gemma":[0.009164689,0.00039520333,0.00030011352,0.0059261257,0.022305245,0.013377792,0.0057747355,0.0055514616,0.00018376758],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004610657,0.00008522292,0.019195652,0.00013169873,0.000008990795,0.000591182,0.8046001,0.000079732956,0.00034426857,0.16129313,0.0010274516,0.012596502],"study_design_scores_gemma":[0.0000055601936,0.000032659787,0.015956528,0.00019106807,0.000008865603,0.00016990883,0.9577923,0.0004937752,0.0002337138,0.005779399,0.019308114,0.000028177865],"about_ca_topic_score_codex":0.031916168,"about_ca_topic_score_gemma":0.030449562,"teacher_disagreement_score":0.031916168,"about_ca_system_score_codex":0.017549962,"about_ca_system_score_gemma":0.0075720935,"threshold_uncertainty_score":0.12733448},"labels":[],"label_agreement":null},{"id":"W3088035649","doi":"10.5539/ijel.v10n5p366","title":"Language, Media and Ideology: CDA of an Animation, “The Donkey King”","year":2020,"lang":"en","type":"article","venue":"International Journal of English Linguistics","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Ideology; Movie theater; Politics; Sociology; Depiction; Animation; Media studies; Plot (graphics); Aesthetics; Political science; Law; Literature; Art; Mathematics; Statistics","score_opus":0.020313346226718366,"score_gpt":0.25730813399907193,"score_spread":0.23699478777235355,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3088035649","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8010305,0.0044293455,0.0013804465,0.01750745,0.0008031133,0.000050410043,0.000118216056,0.000025501435,0.17465506],"genre_scores_gemma":[0.98836017,0.0008805965,0.00027942908,0.00060114777,0.00008365542,0.000019282295,0.000027668517,0.000014062661,0.009734123],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99883145,0.000787351,0.000021376267,0.00007603796,0.00016043014,0.00012337154],"domain_scores_gemma":[0.99821544,0.0011284599,0.00024896726,0.000066185465,0.00018225658,0.00015875672],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001508718,0.00034595683,0.00015965063,0.0012609438,0.006680142,0.006358321,0.00034470527,0.0009073836,0.004265621],"category_scores_gemma":[0.0035271877,0.00017057634,0.00016385358,0.0010908532,0.0066002593,0.0038286953,0.0023828356,0.0017616878,0.00035962692],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009286216,0.00007644244,0.008663894,0.00020909135,0.000010100497,0.0012097708,0.91250885,0.00005451385,0.0014273778,0.04602696,0.008230746,0.02148941],"study_design_scores_gemma":[0.000008722669,0.00006521428,0.014617891,0.0003744607,0.000020381754,0.000506951,0.8307534,0.00014426286,0.00087708846,0.0025381707,0.15006314,0.00003030557],"about_ca_topic_score_codex":0.006285948,"about_ca_topic_score_gemma":0.013266352,"teacher_disagreement_score":0.006680142,"about_ca_system_score_codex":0.0028718659,"about_ca_system_score_gemma":0.0012708646,"threshold_uncertainty_score":0.020837009},"labels":[],"label_agreement":null},{"id":"W3092152506","doi":"10.4000/books.ifp.7231","title":"Dalit Literature: My Own Experience","year":2011,"lang":"en","type":"book-chapter","venue":"Institut Français de Pondichéry eBooks","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Encana (Canada)","funders":"","keywords":"History; Sociology","score_opus":0.030280489860813154,"score_gpt":0.21469045614496826,"score_spread":0.1844099662841551,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3092152506","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18079393,0.056545004,0.0010345412,0.12992632,0.0038605998,0.000092266804,0.00022428404,0.0002238365,0.6272992],"genre_scores_gemma":[0.55787784,0.02856961,0.00084741664,0.021458738,0.00086277956,0.00014146506,0.00012772628,0.00024081535,0.3898737],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99612767,0.0019391942,0.00010237665,0.0002685797,0.00068627537,0.0008759901],"domain_scores_gemma":[0.99524504,0.0014099147,0.00029105085,0.0002911983,0.00063734193,0.0021254509],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003335856,0.0007003693,0.0007492169,0.002333973,0.044459812,0.02178643,0.0027492389,0.0037538386,0.025479853],"category_scores_gemma":[0.006827805,0.0006113461,0.00019633067,0.004386762,0.018161118,0.011020923,0.01584937,0.00765788,0.004475166],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020076774,0.00014328049,0.0011876812,0.00022316104,0.0000044438802,0.0024324649,0.81152225,0.000029292101,0.00032641928,0.08089189,0.07651813,0.026700845],"study_design_scores_gemma":[0.0000028648894,0.000010037617,0.00047664793,0.00021227225,0.0000017132752,0.0006634966,0.31120515,0.000022214466,0.00010103602,0.0015574702,0.6857362,0.000010924375],"about_ca_topic_score_codex":0.017089147,"about_ca_topic_score_gemma":0.05675867,"teacher_disagreement_score":0.044459812,"about_ca_system_score_codex":0.011763965,"about_ca_system_score_gemma":0.0072713117,"threshold_uncertainty_score":0.08535391},"labels":[],"label_agreement":null},{"id":"W3097125126","doi":"","title":"The treatment of the theme in the novels of Bharati Mukherjee","year":2020,"lang":"en","type":"article","venue":"International journal of advance research, ideas and innovations in technology","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Theme (computing); Racism; sort; Immigration; Sociology; Aesthetics; Gender studies; Law; Political science; Art; Computer science","score_opus":0.06552200639079538,"score_gpt":0.356816799946632,"score_spread":0.29129479355583665,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3097125126","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1379505,0.022905778,0.008597015,0.17088364,0.010570185,0.00017856837,0.00027546362,0.00017281233,0.6484661],"genre_scores_gemma":[0.8692473,0.0070572314,0.0022509892,0.014773601,0.0029051644,0.00021777725,0.000072619936,0.00022544576,0.10324979],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982974,0.0010040053,0.000026416872,0.00012303835,0.00030920072,0.00023998797],"domain_scores_gemma":[0.99761766,0.0013051346,0.00031641452,0.000146008,0.0002602184,0.00035447016],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015776911,0.0005991759,0.00036862318,0.0008386273,0.015477701,0.007561305,0.0011785985,0.002367215,0.0072266003],"category_scores_gemma":[0.004307385,0.00030915902,0.0002907615,0.00096224097,0.013894969,0.004111862,0.004379294,0.00796825,0.0012021402],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000083169456,0.00006520803,0.0003022921,0.00036159848,0.000012664285,0.0015907465,0.29544446,0.00015051659,0.0025572951,0.6317517,0.059516955,0.0081633115],"study_design_scores_gemma":[0.0000104680685,0.00007587362,0.0011932545,0.00043364143,0.000014885476,0.0026056252,0.13583753,0.00030923286,0.001473687,0.030749021,0.8272594,0.000037379137],"about_ca_topic_score_codex":0.00281519,"about_ca_topic_score_gemma":0.0053417226,"teacher_disagreement_score":0.015477701,"about_ca_system_score_codex":0.0030963833,"about_ca_system_score_gemma":0.0024631745,"threshold_uncertainty_score":0.024175346},"labels":[],"label_agreement":null},{"id":"W3102052211","doi":"10.34256/irjt2111","title":"Idealogy – in the Contemporary Sri Lankan Tamil Novels","year":2020,"lang":"en","type":"article","venue":"International Research Journal of Tamil","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Tamil; Sri lanka; Diaspora; History; Geography; Ancient history; Sociology; Gender studies; Art; South asia; Literature","score_opus":0.3347717590759713,"score_gpt":0.3913530197069213,"score_spread":0.05658126063095004,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3102052211","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5209281,0.0056038774,0.0008803551,0.008225784,0.0007209674,0.00005457503,0.0001430423,0.000111638205,0.46333164],"genre_scores_gemma":[0.9777805,0.0009374296,0.00024618887,0.0003530086,0.0001497329,0.000021941109,0.000048271333,0.00007002785,0.020392867],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99927586,0.00031960598,0.00002179957,0.00007715429,0.00008009017,0.00022551649],"domain_scores_gemma":[0.9995467,0.0001409573,0.00010610377,0.00004946972,0.000052660398,0.00010409034],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010213903,0.0006387724,0.00023454918,0.0011724673,0.011141613,0.0070329197,0.00063000113,0.0009648592,0.0069109136],"category_scores_gemma":[0.0012228057,0.00026327948,0.00025869167,0.0010570377,0.016348783,0.0026887127,0.0037586675,0.001982251,0.0008110088],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023109691,0.000060808667,0.0028583768,0.00039044808,0.000020392064,0.0044875355,0.63250196,0.00020831944,0.0024853956,0.32639518,0.016968137,0.0133922985],"study_design_scores_gemma":[0.00002363878,0.000108382446,0.00595355,0.00029602196,0.000025311394,0.00287951,0.45242837,0.00026853482,0.0011779201,0.008581561,0.528214,0.000043217682],"about_ca_topic_score_codex":0.0034246435,"about_ca_topic_score_gemma":0.008132713,"teacher_disagreement_score":0.011141613,"about_ca_system_score_codex":0.0038846424,"about_ca_system_score_gemma":0.0013034367,"threshold_uncertainty_score":0.028185189},"labels":[],"label_agreement":null},{"id":"W3107055315","doi":"10.1088/2514-3433/abb6f0ch5","title":"The Onset of the Common Envelope","year":2020,"lang":"en","type":"book-chapter","venue":"","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Envelope (radar); Computer science; Telecommunications","score_opus":0.029039005938336353,"score_gpt":0.19628775491733824,"score_spread":0.16724874897900188,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3107055315","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.015411729,0.0013584935,0.0023382958,0.004518601,0.00039299886,0.000026964255,0.00003497663,0.00004237294,0.9758756],"genre_scores_gemma":[0.60765266,0.0017120522,0.0015992887,0.0023700984,0.0003045573,0.000093629584,0.00006372439,0.00036499335,0.38583905],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987815,0.00042767404,0.00003071765,0.00019217638,0.00026299205,0.0003049115],"domain_scores_gemma":[0.9988422,0.00033454734,0.00007154309,0.00027150975,0.00020608604,0.0002741554],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019738465,0.0005284766,0.00041643932,0.0008098898,0.0070018456,0.011791153,0.0010016499,0.0022185273,0.03335404],"category_scores_gemma":[0.0036231312,0.00040771262,0.0003894323,0.0010979087,0.019449092,0.013233925,0.008611737,0.008297215,0.004347236],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015700169,0.0000059678596,0.00006360346,0.000020072397,9.793254e-7,0.000098437435,0.018364098,0.000019294068,0.00018770628,0.9717907,0.0044878325,0.0049454584],"study_design_scores_gemma":[0.000012753728,0.000031683856,0.00066746195,0.0002944,0.0000060952275,0.00036787125,0.026846219,0.00021667995,0.0006377935,0.25224802,0.7186488,0.000022197462],"about_ca_topic_score_codex":0.0069511347,"about_ca_topic_score_gemma":0.009157531,"teacher_disagreement_score":0.03335404,"about_ca_system_score_codex":0.004871838,"about_ca_system_score_gemma":0.005142538,"threshold_uncertainty_score":0.11158037},"labels":[],"label_agreement":null},{"id":"W3108192121","doi":"10.1080/14680777.2020.1850501","title":"Perception of sexual violence in Tamil movies by Malaysian Indian viewers","year":2020,"lang":"en","type":"article","venue":"Feminist Media Studies","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":10,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Thompson Rivers University","funders":"Universiti Sains Malaysia","keywords":"Tamil; Sexual violence; Psychology; Courtship; Comedy; Femininity; Perception; Mythology; Gender studies; Social psychology; Criminology; Sociology; Literature; Art; Psychoanalysis","score_opus":0.03818208450468968,"score_gpt":0.2543372119651787,"score_spread":0.21615512746048904,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3108192121","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99532545,0.0003240132,0.000049047325,0.00014232162,0.000012371881,0.0000065103277,0.00004125125,0.0000034684317,0.004095655],"genre_scores_gemma":[0.9985696,0.0003662525,0.000051438627,0.000072532624,0.000010886562,0.000003842413,0.00002187159,0.0000039985266,0.0008995974],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9996996,0.00016114593,0.000013299218,0.000022108923,0.000053059517,0.000050757375],"domain_scores_gemma":[0.9992557,0.0003059259,0.00022334744,0.000026865475,0.0000868647,0.00010134246],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004580978,0.00029386638,0.00019773761,0.0005287495,0.0010335093,0.0019622468,0.00017326207,0.00037793556,0.0032660319],"category_scores_gemma":[0.0019479138,0.00019029045,0.0001736077,0.0003262099,0.0007013024,0.0008483148,0.00068848795,0.0006405471,0.00025505066],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023826095,0.000104300554,0.1842992,0.0004319128,0.00005281825,0.0016956521,0.7795915,0.00008211291,0.009973845,0.00085860206,0.0011975504,0.021474216],"study_design_scores_gemma":[0.0000066674097,0.00030027848,0.21741413,0.00028479536,0.000069649686,0.002188571,0.76619345,0.00018241562,0.001218545,0.000088679066,0.012013591,0.00003914837],"about_ca_topic_score_codex":0.00582858,"about_ca_topic_score_gemma":0.0076346407,"teacher_disagreement_score":0.00582858,"about_ca_system_score_codex":0.00045649562,"about_ca_system_score_gemma":0.00016621192,"threshold_uncertainty_score":0.011589348},"labels":[],"label_agreement":null},{"id":"W3111111550","doi":"10.5195/aa.2020.298","title":"Film Review: Manu","year":2020,"lang":"en","type":"article","venue":"Anthropology & Aging","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Manu; Biology","score_opus":0.03518608863305143,"score_gpt":0.26699131407931087,"score_spread":0.23180522544625945,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3111111550","genre_codex":"editorial","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0008140968,0.18834774,0.0004543424,0.15420987,0.42100137,0.00046384602,0.0014547169,0.00027062115,0.23298341],"genre_scores_gemma":[0.01410141,0.2404934,0.000966758,0.112734035,0.18471001,0.00092169637,0.0019679626,0.00046393654,0.44364086],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975821,0.0006042604,0.00025657393,0.00022661257,0.0010646039,0.00026576724],"domain_scores_gemma":[0.98839325,0.0016092998,0.00089869805,0.00061470096,0.007248925,0.0012353011],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002923672,0.0009384016,0.0010056942,0.0034351659,0.00288907,0.0054839198,0.0018036667,0.004457209,0.20150296],"category_scores_gemma":[0.014905398,0.00050470216,0.00076899835,0.0022249012,0.0013357538,0.003552789,0.002560687,0.0037225345,0.07857374],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023624545,0.000007518767,0.000032656135,0.00082823215,0.000006532106,0.0000534956,0.000030592615,0.0000048490388,0.00011926736,0.0003496788,0.981383,0.017160602],"study_design_scores_gemma":[0.000010652082,0.000006917481,0.00015657344,0.0015692086,0.000008856821,0.000080498394,0.000104923136,0.000010553032,0.00007735463,0.00012430947,0.9978466,0.0000035841726],"about_ca_topic_score_codex":0.004968434,"about_ca_topic_score_gemma":0.011445175,"teacher_disagreement_score":0.20150296,"about_ca_system_score_codex":0.0029461628,"about_ca_system_score_gemma":0.005818335,"threshold_uncertainty_score":0.67409456},"labels":[],"label_agreement":null},{"id":"W3111212760","doi":"10.18274/ncja8417","title":"A Theory of Adaptation, by Linda Hutcheon","year":2023,"lang":"en","type":"article","venue":"Borrowers and Lenders The Journal of Shakespeare Appropriations","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Adaptation (eye); Cognitive science; Computer science; Psychology; Neuroscience","score_opus":0.03208933742626521,"score_gpt":0.2169457917639399,"score_spread":0.1848564543376747,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3111212760","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0037822956,0.7494591,0.019837053,0.091155216,0.004462047,0.00006495088,0.0004126701,0.00013598427,0.1306907],"genre_scores_gemma":[0.25559348,0.5457175,0.020260783,0.024715262,0.00594065,0.0004298835,0.00055639556,0.00032244078,0.14646366],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99904126,0.00044992942,0.000054555312,0.00019914286,0.00017562183,0.0000794543],"domain_scores_gemma":[0.99893254,0.0007242079,0.0000831417,0.00006011824,0.000112660986,0.00008739555],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019664527,0.0011728683,0.0007296942,0.0020342942,0.0021841708,0.003984998,0.0016438047,0.0022029884,0.007410628],"category_scores_gemma":[0.0040514776,0.00078148406,0.000699041,0.0039383783,0.008290065,0.010385981,0.0024648225,0.003864397,0.0018175902],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006458023,0.00007163447,0.0011633452,0.0006855991,0.000053939813,0.00023953264,0.0074299774,0.0026559136,0.0001930574,0.6019965,0.29222086,0.09322507],"study_design_scores_gemma":[0.000017718741,0.000017557497,0.0013464522,0.00084076094,0.000018906778,0.0001789765,0.0018481498,0.0006679421,0.000098919416,0.5121645,0.48277232,0.000027865817],"about_ca_topic_score_codex":0.025622748,"about_ca_topic_score_gemma":0.02230802,"teacher_disagreement_score":0.025622748,"about_ca_system_score_codex":0.0048993668,"about_ca_system_score_gemma":0.0039486554,"threshold_uncertainty_score":0.05094725},"labels":[],"label_agreement":null},{"id":"W3116882234","doi":"","title":"Reinventing Sunny Leone: From a porn star to a Bollywood Star!","year":2019,"lang":"en","type":"article","venue":"Figshare","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Star (game theory); Sierra leone; Astronomy; Physics; History; Astrophysics; Ethnology","score_opus":0.034979342770446786,"score_gpt":0.21577666113739988,"score_spread":0.1807973183669531,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3116882234","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.25025794,0.02104592,0.004512566,0.21555136,0.028206902,0.0001453603,0.00022443937,0.0011972926,0.47885817],"genre_scores_gemma":[0.34560716,0.007776196,0.004671147,0.039824802,0.002148617,0.0000738368,0.00023918004,0.0012448655,0.5984143],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991947,0.000278508,0.000012759378,0.000100275895,0.00016205972,0.0002516413],"domain_scores_gemma":[0.9990195,0.00007747274,0.00005686337,0.00004706601,0.00016426729,0.00063494535],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010325758,0.00057299016,0.00034490775,0.00043653676,0.010992359,0.0073056957,0.0007096447,0.0020414132,0.018727897],"category_scores_gemma":[0.0018947616,0.0003961316,0.00030650393,0.00038965512,0.0042069796,0.006451928,0.0053051775,0.0065486333,0.00713124],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018371314,0.00018553494,0.0034528377,0.00035191627,0.00002364578,0.0022978988,0.16183841,0.00003446789,0.0023755166,0.02039949,0.7128808,0.09597587],"study_design_scores_gemma":[0.0000068945046,0.00008364215,0.001609211,0.00020235313,0.000010184706,0.0012257699,0.09463442,0.000048222584,0.0005277315,0.0010471828,0.9005816,0.0000227881],"about_ca_topic_score_codex":0.0066840444,"about_ca_topic_score_gemma":0.026769692,"teacher_disagreement_score":0.018727897,"about_ca_system_score_codex":0.0013489254,"about_ca_system_score_gemma":0.0011042183,"threshold_uncertainty_score":0.06265104},"labels":[],"label_agreement":null},{"id":"W3118460748","doi":"10.1088/1757-899x/1012/1/012062","title":"Problematizing Hybridity and Third Place in The Immigrant","year":2021,"lang":"en","type":"article","venue":"IOP Conference Series Materials Science and Engineering","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Hybridity; Immigration; Identity (music); Sociology; Westernization; Gender studies; Aesthetics; Political science; Anthropology; Modernization theory; Art; Law","score_opus":0.01931173637672839,"score_gpt":0.19480622037654094,"score_spread":0.17549448399981254,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3118460748","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96187663,0.00019371249,0.0010443773,0.0012705072,0.000052698335,0.000008408021,0.000009105477,0.0000070044393,0.035537444],"genre_scores_gemma":[0.9987814,0.0000369713,0.00010492352,0.000029873187,0.000004034046,0.0000021518604,0.000002024889,0.0000019302806,0.0010367249],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991769,0.00045565475,0.000019819512,0.000078421865,0.000119929224,0.00014930985],"domain_scores_gemma":[0.99880147,0.0004854695,0.0003022678,0.00010395561,0.00012249385,0.00018432434],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011016657,0.00028599717,0.0002006281,0.0006476979,0.0051905597,0.0050284425,0.00057496753,0.00086236175,0.0026147694],"category_scores_gemma":[0.0019078101,0.00015205928,0.00021363178,0.0005751542,0.013089652,0.0021446652,0.0042320895,0.0020117555,0.00014022583],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000100675206,0.00007166725,0.012642028,0.00007711914,0.00001570702,0.0030865415,0.81875086,0.00013414615,0.002353621,0.15313274,0.000832023,0.008802786],"study_design_scores_gemma":[0.00000532719,0.0000665854,0.0056577246,0.000049783775,0.000011573037,0.001266518,0.96308225,0.0002684467,0.00073237135,0.011096689,0.017740315,0.000022403767],"about_ca_topic_score_codex":0.0029526188,"about_ca_topic_score_gemma":0.0058361273,"teacher_disagreement_score":0.0051905597,"about_ca_system_score_codex":0.0015936686,"about_ca_system_score_gemma":0.001094582,"threshold_uncertainty_score":0.011562884},"labels":[],"label_agreement":null},{"id":"W3118957047","doi":"10.29173/cjfy29607","title":"Book Review of Zafar, Samra (with Meg Masters). 2019. A Good Wife: Escaping the Life I Never Chose- A Memoir. Toronto: Harper Collins.","year":2021,"lang":"fr","type":"article","venue":"Canadian Journal of Family and Youth / Le Journal Canadien de Famille et de la Jeunesse","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"MacEwan University","funders":"","keywords":"Chose; Memoir; Wife; Art; Art history; History; Psychoanalysis; Gerontology; Psychology; Philosophy; Theology; Medicine; Law; Political science","score_opus":0.012291359657425673,"score_gpt":0.22352717313042153,"score_spread":0.21123581347299586,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3118957047","genre_codex":"review","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00021405118,0.90504044,0.0002131148,0.020102121,0.0114568975,0.000027625683,0.0005180298,0.00009001133,0.062337764],"genre_scores_gemma":[0.004374606,0.59621304,0.0005669024,0.015444724,0.006144572,0.00007144416,0.0007494875,0.00012506393,0.37631014],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99969494,0.00004220929,0.000022010574,0.00004842486,0.0001550972,0.000037408623],"domain_scores_gemma":[0.9990589,0.00027951822,0.00007273286,0.000027137025,0.00044700722,0.00011470279],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005566993,0.0010298721,0.00090728945,0.0032034195,0.0016161666,0.0021528904,0.0010123984,0.0014085687,0.07410996],"category_scores_gemma":[0.0018291858,0.0005245236,0.0003676316,0.003975233,0.0008033625,0.0026420963,0.0010718411,0.0026718979,0.03881196],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000064876835,0.000004806321,0.000044847486,0.00022008303,0.0000017054025,0.00002933805,0.00011570472,0.000019419953,0.000030164043,0.0008858424,0.96056443,0.038077217],"study_design_scores_gemma":[0.0000014849336,0.000003516113,0.0003348926,0.0004301997,0.0000020844861,0.00009284966,0.00010347671,0.0000054128536,0.000010898048,0.00016858932,0.99884367,0.000002730742],"about_ca_topic_score_codex":0.035366658,"about_ca_topic_score_gemma":0.10770497,"teacher_disagreement_score":0.96463335,"about_ca_system_score_codex":0.0025437558,"about_ca_system_score_gemma":0.0037075682,"threshold_uncertainty_score":0.24792248},"labels":[],"label_agreement":null},{"id":"W3119173947","doi":"10.32396/usurj.v7i1.592","title":"So Many Places to Love, but It’s Our Birthplace that Loves Us Back Like No Other Place","year":2021,"lang":"en","type":"article","venue":"USURJ University of Saskatchewan Undergraduate Research Journal","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Saskatchewan","funders":"","keywords":"AKA; Shot (pellet); Beauty; Sky; Geography; Art; Visual arts; Advertising; History; Art history; Computer science; Aesthetics; Meteorology; Business","score_opus":0.0468655815815448,"score_gpt":0.265160856591405,"score_spread":0.21829527500986018,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3119173947","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.053554945,0.004963911,0.014628298,0.047939993,0.01036099,0.00021923424,0.0021338374,0.002099211,0.8640996],"genre_scores_gemma":[0.27406898,0.004685167,0.018260963,0.015851887,0.001652991,0.00014359503,0.0013556586,0.0014003229,0.6825805],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.9996363,0.00008766112,0.000009062533,0.00005899141,0.00012438511,0.00008358598],"domain_scores_gemma":[0.99921644,0.000049195318,0.000052884072,0.00010001658,0.00014873192,0.0004326532],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00034257176,0.0005647447,0.00032113146,0.0004771711,0.0054495386,0.0032750147,0.00046614188,0.0009734413,0.15040547],"category_scores_gemma":[0.00148401,0.0003604689,0.0003703271,0.00071425876,0.0015400692,0.0036166576,0.0036256502,0.002275927,0.04186045],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000097443895,0.00008933328,0.0044440874,0.00028839172,0.00004772846,0.0010482047,0.015563038,0.0000870927,0.004800111,0.016154146,0.83898306,0.118397325],"study_design_scores_gemma":[0.000010334025,0.000040199848,0.0030083829,0.00013416163,0.000014347703,0.0014849072,0.014806106,0.000045915975,0.00057402987,0.0017397823,0.9781043,0.000037479815],"about_ca_topic_score_codex":0.0025280435,"about_ca_topic_score_gemma":0.00947677,"teacher_disagreement_score":0.15040547,"about_ca_system_score_codex":0.00046611973,"about_ca_system_score_gemma":0.00047582094,"threshold_uncertainty_score":0.5031564},"labels":[],"label_agreement":null},{"id":"W3119289904","doi":"10.15353/cjds.v8i3.513","title":"Review of David James Savarese (Producer) &amp; Robert Rooy (Director, Producer), Deej (2017)","year":2019,"lang":"en","type":"article","venue":"Canadian Journal of Disability Studies","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Cognitive reframing; Sociology; Media studies; Art; Aesthetics; Management; Art history; Psychology; Social psychology; Economics","score_opus":0.054724350500469095,"score_gpt":0.2874853527789173,"score_spread":0.2327610022784482,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3119289904","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00008055218,0.9092226,0.00008988482,0.055431653,0.029831477,0.000014101441,0.00013457544,0.000011211631,0.005183947],"genre_scores_gemma":[0.0015495687,0.90322185,0.00017097752,0.05015332,0.02778053,0.000040170988,0.00020595935,0.000029395245,0.016848313],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99832875,0.00034113915,0.00021488288,0.00025524912,0.0007426115,0.00011735542],"domain_scores_gemma":[0.98884165,0.003983238,0.0008736484,0.00024573834,0.005089365,0.00096648093],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003761581,0.0007760566,0.0011842139,0.005055921,0.0012354631,0.0034697407,0.0014187538,0.0037617006,0.012782562],"category_scores_gemma":[0.0150511805,0.0006092574,0.00040641654,0.0049414258,0.0015984168,0.0040071215,0.001604484,0.004123144,0.00834685],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001690593,0.000006306347,0.000049925606,0.0025914023,0.000011325116,0.00003703425,0.00011215149,0.000016688713,0.00006455057,0.001119207,0.95530415,0.04067037],"study_design_scores_gemma":[0.000003562496,0.0000044264493,0.00023433017,0.002335707,0.000007010306,0.0000716838,0.00006116665,0.0000032497705,0.000021977698,0.0001335419,0.99711895,0.0000044228836],"about_ca_topic_score_codex":0.015593833,"about_ca_topic_score_gemma":0.031506743,"teacher_disagreement_score":0.015593833,"about_ca_system_score_codex":0.0033123156,"about_ca_system_score_gemma":0.006364101,"threshold_uncertainty_score":0.04276198},"labels":[],"label_agreement":null},{"id":"W3133492342","doi":"10.1386/safm_00030_7","title":"Speaking with Suhasini Mulay: A short story about a long strife","year":2019,"lang":"en","type":"article","venue":"Studies in South Asian Film & Media","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Filmmaking; Shadow (psychology); Homecoming; Historiography; Negotiation; Media studies; Sociology; Visual arts; Gender studies; Work (physics); Capital (architecture); Memory work; History; Aesthetics; Art; Movie theater; Social science; Psychology; Psychoanalysis; Engineering","score_opus":0.038236442269226165,"score_gpt":0.26373124882071985,"score_spread":0.22549480655149368,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3133492342","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.53994185,0.020906262,0.00333131,0.26678088,0.006887748,0.00021245194,0.00029917256,0.00027708456,0.16136315],"genre_scores_gemma":[0.900977,0.007620579,0.0012932443,0.024458105,0.0016521107,0.00017392823,0.00010319313,0.0002543209,0.063467406],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99686986,0.0020131879,0.00005708404,0.0002475993,0.0003616662,0.0004506491],"domain_scores_gemma":[0.99684864,0.0014902182,0.00023438912,0.00011452862,0.00027999838,0.001032305],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0021708708,0.0010161579,0.0008456245,0.00096823054,0.043312754,0.00920189,0.0015586503,0.004590317,0.0047052964],"category_scores_gemma":[0.0062602335,0.00083132496,0.0004682589,0.0013173305,0.013184594,0.0090000555,0.006897025,0.014907134,0.0015305986],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000054841545,0.000055194767,0.00083050434,0.0001261041,0.000008932016,0.002889456,0.9439945,0.000038504902,0.0005757459,0.015002215,0.028832676,0.0075913123],"study_design_scores_gemma":[0.0000032577198,0.00010653244,0.001569165,0.00026157574,0.000009585826,0.002348961,0.7511775,0.0001037308,0.00050269096,0.0013374178,0.24254145,0.000038161885],"about_ca_topic_score_codex":0.010097238,"about_ca_topic_score_gemma":0.01954791,"teacher_disagreement_score":0.043312754,"about_ca_system_score_codex":0.0041863467,"about_ca_system_score_gemma":0.002087998,"threshold_uncertainty_score":0.030374229},"labels":[],"label_agreement":null},{"id":"W3133732191","doi":"10.3828/liverpool/9781906733681.003.0015","title":"The Elements Trilogy","year":2015,"lang":"en","type":"book-chapter","venue":"Liverpool University Press eBooks","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History; Genealogy","score_opus":0.059148879690460954,"score_gpt":0.19630775350381235,"score_spread":0.1371588738133514,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3133732191","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0035593475,0.009022587,0.0040308163,0.022667432,0.0041689053,0.00005515912,0.00014123118,0.00013649749,0.956218],"genre_scores_gemma":[0.20901224,0.016758552,0.0061675543,0.016261091,0.003832769,0.00026002675,0.0004330001,0.0008653427,0.7464094],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99841905,0.00060298387,0.000052579268,0.0002090702,0.0004768405,0.00023954592],"domain_scores_gemma":[0.99902594,0.00038374844,0.00006992625,0.000109053864,0.00025431364,0.00015707022],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009796787,0.00057786284,0.00035256025,0.0016641137,0.006065086,0.008003589,0.0009854246,0.0017449587,0.028968623],"category_scores_gemma":[0.0023336334,0.0003161625,0.0002934906,0.0015043139,0.009068567,0.007907763,0.00391817,0.0057916874,0.0077872723],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030736035,0.000015499847,0.00026026927,0.00013783752,0.0000034798659,0.00015654035,0.021897905,0.000044821474,0.00026044901,0.8107968,0.1326695,0.033726137],"study_design_scores_gemma":[0.0000017922436,0.0000058515707,0.00014150002,0.00011551241,0.0000011997812,0.00010352639,0.0031927098,0.000026076033,0.000077131386,0.011762703,0.9845679,0.0000040443106],"about_ca_topic_score_codex":0.016440988,"about_ca_topic_score_gemma":0.02764801,"teacher_disagreement_score":0.028968623,"about_ca_system_score_codex":0.007847732,"about_ca_system_score_gemma":0.004418978,"threshold_uncertainty_score":0.0969097},"labels":[],"label_agreement":null},{"id":"W3134012327","doi":"10.21065/25205986.5.8","title":"PRIORITIES, CONCERNS AND EXPECTATIONS OF LOCAL YOUNG SPECTATORS REGARDING 21ST CENTURY FILM AND CINEMA.","year":2020,"lang":"en","type":"article","venue":"Advanced Humanities and Social Sciences","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Movie theater; Hollywood; Film industry; Drama; Originality; Cinematography; Production (economics); Media studies; Advertising; Art; Visual arts; Sociology; Social science; Business; Qualitative research; Art history","score_opus":0.04079558528314856,"score_gpt":0.2535807156917394,"score_spread":0.21278513040859084,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3134012327","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9850322,0.0005375967,0.00018662716,0.0020959724,0.000054380165,0.000024658253,0.00005645133,0.000008786916,0.012003392],"genre_scores_gemma":[0.9947131,0.00034272362,0.00007617163,0.00029854637,0.000012958298,0.000012652074,0.000028810091,0.0000049508917,0.0045101284],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9987286,0.0005443382,0.00004523794,0.00008291158,0.00023519086,0.0003638083],"domain_scores_gemma":[0.9954823,0.00080342754,0.0008974082,0.000069054004,0.00081586686,0.0019319368],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022425395,0.00022303389,0.00022874166,0.0007508297,0.0044530826,0.0045486176,0.0005046894,0.00097624015,0.0057601565],"category_scores_gemma":[0.0057380926,0.00027977958,0.00019366745,0.00044858194,0.0020894185,0.0016539476,0.002181206,0.0016038793,0.0009147356],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006388502,0.00010098987,0.15076935,0.00017465319,0.000014535574,0.0022828274,0.8213146,0.000048423226,0.0018548637,0.0019316782,0.0041418746,0.017302312],"study_design_scores_gemma":[0.000002117799,0.00009321503,0.040779654,0.00007071071,0.0000075445764,0.0005747126,0.9442039,0.00006468897,0.00021455972,0.00021457774,0.013751256,0.000023057424],"about_ca_topic_score_codex":0.011622664,"about_ca_topic_score_gemma":0.017373115,"teacher_disagreement_score":0.011622664,"about_ca_system_score_codex":0.0015207285,"about_ca_system_score_gemma":0.001574723,"threshold_uncertainty_score":0.023110032},"labels":[],"label_agreement":null},{"id":"W3134653173","doi":"10.21065/25205986.5.1","title":"PSYCHOLOGICAL EFFECTS OF PAKISTANI FILMS ON SPECTATORS WITH SPECIAL REFERENCE TO THE 21ST CENTURY FILMS","year":2020,"lang":"en","type":"article","venue":"Advanced Humanities and Social Sciences","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Theme (computing); Unconscious mind; Psychology; Film studies; Islam; Media studies; Social psychology; Aesthetics; Psychoanalysis; Sociology; Art; Movie theater; History; Visual arts; Computer science","score_opus":0.041633322764053876,"score_gpt":0.2694182894715756,"score_spread":0.2277849667075217,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3134653173","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9945485,0.000114595234,0.00002866999,0.00017315893,0.000021086867,0.000009774232,0.000041120224,0.0000024317324,0.005060547],"genre_scores_gemma":[0.99833494,0.0001698137,0.000037923095,0.000070604154,0.000029049486,0.000009621235,0.000037065493,0.0000021360272,0.001308843],"study_design_codex":"observational","study_design_gemma":"qualitative","domain_scores_codex":[0.9997037,0.00013730477,0.0000093452045,0.000025021229,0.00006413087,0.000060532817],"domain_scores_gemma":[0.9984498,0.0005046013,0.0005155574,0.00007039873,0.0002029289,0.0002566664],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00049646664,0.0003337557,0.00018529675,0.00035399818,0.0014365776,0.0017441815,0.00013183527,0.00050421985,0.0059620384],"category_scores_gemma":[0.002816987,0.00013974796,0.00027392583,0.000293143,0.00082783337,0.0005259181,0.0009727922,0.0009904267,0.00033434073],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0017884191,0.0012911301,0.50470936,0.00079015037,0.0002424487,0.0038034143,0.40998313,0.00024820413,0.030860294,0.0018418597,0.004271533,0.040170033],"study_design_scores_gemma":[0.000028183316,0.0011569357,0.7664537,0.00009091624,0.000087069006,0.00074344454,0.22278018,0.000114789895,0.0017049031,0.0002913843,0.006510554,0.000037930477],"about_ca_topic_score_codex":0.001670771,"about_ca_topic_score_gemma":0.0033260281,"teacher_disagreement_score":0.0059620384,"about_ca_system_score_codex":0.00033280664,"about_ca_system_score_gemma":0.00016352846,"threshold_uncertainty_score":0.019945025},"labels":[],"label_agreement":null},{"id":"W3135563291","doi":"10.7202/1075592ar","title":"A Queer Canadian Affair: The Diasporic Indian Woman Negotiating Queerness in Farzana Doctor’s Stealing Nasreen","year":2021,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Queer; Negotiation; Gender studies; Sociology; Media studies; Social science","score_opus":0.027914882509317535,"score_gpt":0.2626261387793232,"score_spread":0.2347112562700057,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3135563291","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.25773177,0.018547181,0.0008775175,0.28174996,0.0029492609,0.00008416382,0.00021530819,0.00004779056,0.43779704],"genre_scores_gemma":[0.89331365,0.005262087,0.00035009877,0.02252834,0.00026573852,0.00002491553,0.000041078998,0.000052640244,0.07816153],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99694073,0.00083387597,0.000032204887,0.00018474086,0.0005605478,0.0014478539],"domain_scores_gemma":[0.99779874,0.0006636349,0.00017464843,0.000052659074,0.0004381413,0.000872127],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0025683027,0.0004874276,0.00044823185,0.0008716862,0.0698249,0.008045078,0.0016386587,0.0051074526,0.008125205],"category_scores_gemma":[0.003940667,0.000329244,0.0003239293,0.0015223613,0.028262848,0.0036232965,0.0052680518,0.008972064,0.00057330425],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000055449378,0.000027776125,0.002047343,0.0000705215,0.000010156069,0.0018764001,0.80516976,0.00006844982,0.00040626622,0.118221514,0.06438308,0.0076633412],"study_design_scores_gemma":[0.0000072533844,0.000009437813,0.0026419929,0.00014752189,0.00001281308,0.00032024438,0.780902,0.000044455763,0.00013659806,0.0020111003,0.21372983,0.000036749723],"about_ca_topic_score_codex":0.95980483,"about_ca_topic_score_gemma":0.9884058,"teacher_disagreement_score":0.0698249,"about_ca_system_score_codex":0.061774373,"about_ca_system_score_gemma":0.065050825,"threshold_uncertainty_score":0.44820654},"labels":[],"label_agreement":null},{"id":"W3142171296","doi":"10.1386/safm.1.1.85_1","title":"Nationalism and Hindi Cinema: Narrative Strategies in Fanaa","year":2009,"lang":"en","type":"article","venue":"Studies in South Asian Film & Media","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":15,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Wilfrid Laurier University","funders":"Academy of Finland","keywords":"Movie theater; Hindi; Nationalism; Narrative; Citizenship; Politics; Gender studies; Media studies; Sociology; Aesthetics; Political science; Literature; Art; Law; Linguistics","score_opus":0.0379538566313489,"score_gpt":0.28894554828836505,"score_spread":0.2509916916570162,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3142171296","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5408264,0.0026128208,0.0032526243,0.006104624,0.000327663,0.000084249674,0.00007045744,0.00007903014,0.4466422],"genre_scores_gemma":[0.985911,0.0003037824,0.00061340665,0.0002186617,0.000034061704,0.00002332823,0.0000218419,0.000023552082,0.012850391],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99881905,0.00080664153,0.000023734437,0.00007426245,0.00008239608,0.00019398188],"domain_scores_gemma":[0.9983536,0.0009240778,0.0001323098,0.00005362158,0.00017459996,0.00036183264],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016594448,0.0004939003,0.00022763576,0.0013592765,0.014293572,0.007983707,0.00084109895,0.0010941823,0.005943813],"category_scores_gemma":[0.0026048103,0.00025761928,0.00019773761,0.00080393883,0.008703387,0.004068381,0.0039608874,0.0020906327,0.00043296858],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027346374,0.000029022138,0.0017174858,0.00008423815,0.000004305889,0.00046843558,0.9172168,0.00003106082,0.00073067524,0.06928252,0.0020140114,0.008394155],"study_design_scores_gemma":[0.0000073871397,0.000047174442,0.004012647,0.00023892612,0.000012257943,0.001069214,0.8298576,0.00030172776,0.00067420816,0.0057904087,0.15796673,0.000021756077],"about_ca_topic_score_codex":0.008314607,"about_ca_topic_score_gemma":0.017357381,"teacher_disagreement_score":0.014293572,"about_ca_system_score_codex":0.0030045058,"about_ca_system_score_gemma":0.0015024658,"threshold_uncertainty_score":0.021799326},"labels":[],"label_agreement":null},{"id":"W3147123918","doi":"10.1017/s0040557421000090","title":"Ishtyle: Accenting Gay Indian Nightlife By Kareem Khubchandani. Triangulations: Lesbian/Gay/Queer Theater/Drama/Performance. Ann Arbor: University of Michigan Press, 2020; pp. xxiv + 262. $80 cloth, $34.95 paper, $34.95 e-book.","year":2021,"lang":"en","type":"article","venue":"Theatre Survey","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Drama; Queer; Nightlife; Lesbian; Art; History; Sociology; Gender studies; Visual arts; Archaeology","score_opus":0.025934772182969218,"score_gpt":0.2172038486593274,"score_spread":0.19126907647635819,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3147123918","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.006923117,0.16902934,0.00092511106,0.039314587,0.016699677,0.00021775551,0.0028369692,0.0016150249,0.76243836],"genre_scores_gemma":[0.024369558,0.05934522,0.0007735255,0.0055140583,0.0017004072,0.0001006405,0.0009543835,0.0005498344,0.90669245],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99974436,0.000034651865,0.000007750185,0.000031396423,0.00011577245,0.0000661732],"domain_scores_gemma":[0.9992348,0.000060097045,0.00005051618,0.000025239367,0.00019968965,0.00042968494],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00048282897,0.0009312654,0.00035919773,0.00096584193,0.002076704,0.002632001,0.00073923403,0.0006953282,0.19349912],"category_scores_gemma":[0.0007789637,0.0004309751,0.00024179812,0.0015981551,0.0004995155,0.0025563026,0.0029841764,0.0018493024,0.07593343],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001877103,0.000010104603,0.00019001582,0.00019869213,0.000001264275,0.00004996923,0.0009954527,0.000011243543,0.0002574759,0.0005022806,0.9619027,0.03586209],"study_design_scores_gemma":[0.0000028551817,0.000011313289,0.002153408,0.00014469524,0.0000020580642,0.00011811528,0.0026999149,0.000012621945,0.000106752545,0.00007096754,0.9946714,0.0000058372048],"about_ca_topic_score_codex":0.018844955,"about_ca_topic_score_gemma":0.062464256,"teacher_disagreement_score":0.19349912,"about_ca_system_score_codex":0.0009044864,"about_ca_system_score_gemma":0.0016785086,"threshold_uncertainty_score":0.6473191},"labels":[],"label_agreement":null},{"id":"W3154802321","doi":"10.26522/tg.v6i1.2711","title":"The General Introduction","year":2021,"lang":"en","type":"article","venue":"the general brock university Undergraduate journal of history","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.016316404162631394,"score_gpt":0.18219392047451247,"score_spread":0.16587751631188108,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3154802321","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00032882407,0.001807897,0.0015364245,0.015935726,0.055122603,0.0006210949,0.007789224,0.0020604287,0.9147978],"genre_scores_gemma":[0.0010959192,0.00096317905,0.00044246294,0.0076512233,0.0044397786,0.00040597204,0.0028882727,0.0006031653,0.98151004],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99863464,0.00017495517,0.00007687365,0.00024290677,0.0006441679,0.00022647211],"domain_scores_gemma":[0.9923535,0.0006408795,0.00030574444,0.00077534554,0.0042929314,0.0016316056],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0022378147,0.0011353602,0.0011014405,0.002336278,0.002803512,0.0049670786,0.0020838194,0.0035148673,0.78525245],"category_scores_gemma":[0.011068647,0.00052747765,0.0007500734,0.0016789656,0.000849119,0.003857796,0.003114739,0.0027651833,0.78570575],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012552889,0.000010780487,0.00003416358,0.000074796735,6.2487385e-7,0.0000098222245,0.000008921336,0.000009679652,0.000102902224,0.0010312711,0.98080325,0.01790129],"study_design_scores_gemma":[0.0000056578237,0.0000071521463,0.00014112103,0.000099730045,7.7279645e-7,0.000011380783,0.000026297641,0.00001144536,0.000043401124,0.0004841268,0.99916565,0.0000032320795],"about_ca_topic_score_codex":0.005983066,"about_ca_topic_score_gemma":0.0086674355,"teacher_disagreement_score":0.78525245,"about_ca_system_score_codex":0.00223004,"about_ca_system_score_gemma":0.0047398545,"threshold_uncertainty_score":0.3063113},"labels":[],"label_agreement":null},{"id":"W3158531359","doi":"","title":"Book Review of Postcolonial Modernity and the Indian Novel","year":2021,"lang":"en","type":"article","venue":"Postcolonial text","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Modernity; History; Philosophy; Epistemology","score_opus":0.013871904635536456,"score_gpt":0.23455987017494306,"score_spread":0.22068796553940662,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3158531359","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0010508784,0.6953977,0.00018314103,0.036880326,0.03953599,0.00002375981,0.00022005972,0.000057325862,0.22665082],"genre_scores_gemma":[0.019486899,0.5561864,0.00021660021,0.012313558,0.037819836,0.00005770354,0.00034730823,0.00014074444,0.37343103],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99970895,0.000058906197,0.0000172283,0.000025958121,0.00014893584,0.0000399397],"domain_scores_gemma":[0.9990565,0.00040920055,0.000063235675,0.000034429402,0.00035506304,0.00008156868],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00060779025,0.00048341803,0.0005196636,0.0025581452,0.00142872,0.003212365,0.00088199857,0.0009859045,0.029805254],"category_scores_gemma":[0.0013278156,0.00018206048,0.0002160899,0.0040604267,0.0018527606,0.0018320697,0.0009266426,0.0021989495,0.0060640452],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015957225,0.000014700905,0.00004385453,0.00081676134,0.000006151765,0.00009326609,0.00065744447,0.00005669658,0.00015472004,0.028312165,0.93302226,0.036806036],"study_design_scores_gemma":[0.0000012109489,0.0000024540163,0.00018961362,0.00021118703,0.0000016600607,0.000050403043,0.00014210629,0.0000059858717,0.000019341789,0.00041571332,0.99895847,0.0000018267511],"about_ca_topic_score_codex":0.012386643,"about_ca_topic_score_gemma":0.031229502,"teacher_disagreement_score":0.029805254,"about_ca_system_score_codex":0.0034208114,"about_ca_system_score_gemma":0.00332027,"threshold_uncertainty_score":0.0997085},"labels":[],"label_agreement":null},{"id":"W3158833295","doi":"10.29173/cjfy29634","title":"Book Review of Zafar, Samra (with Meg Masters). (2019). A Good Wife: Escaping the Life I Never Chose- A Memoir. Toronto: Harper Collins.","year":2021,"lang":"fr","type":"article","venue":"Canadian Journal of Family and Youth / Le Journal Canadien de Famille et de la Jeunesse","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Chose; Memoir; Wife; Art history; Art; Philosophy; Theology; Law; Political science","score_opus":0.012353335087054327,"score_gpt":0.2230714305740706,"score_spread":0.21071809548701628,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3158833295","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00023174506,0.869739,0.00023946883,0.012242812,0.010396643,0.00003337767,0.0007548895,0.00012483957,0.10623724],"genre_scores_gemma":[0.0031113431,0.5602331,0.0006004731,0.0115498435,0.0053722574,0.00008801296,0.0012881047,0.0001395791,0.4176172],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99970216,0.00003331464,0.000027353746,0.000051701038,0.0001478377,0.00003747599],"domain_scores_gemma":[0.99937063,0.00017195447,0.000060542203,0.000025324443,0.00026464838,0.00010698964],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00042190598,0.0013466227,0.0010029309,0.0037167508,0.0016931583,0.0027669866,0.0012019142,0.0017751415,0.10563163],"category_scores_gemma":[0.0013697064,0.00056065863,0.00040101475,0.004970344,0.0007945945,0.0032229652,0.0014153746,0.0030272577,0.069123976],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000072959724,0.000008087821,0.0000626259,0.00034638238,0.0000022253134,0.00006188024,0.00019220136,0.000021600785,0.000039206734,0.0012377446,0.9278117,0.07020903],"study_design_scores_gemma":[0.000001260809,0.000003042303,0.0002671412,0.00049657223,0.0000014114951,0.00012239412,0.00009404513,0.0000041591843,0.0000065448376,0.00016891467,0.9988319,0.0000025698337],"about_ca_topic_score_codex":0.03179096,"about_ca_topic_score_gemma":0.1029238,"teacher_disagreement_score":0.10563163,"about_ca_system_score_codex":0.0022661176,"about_ca_system_score_gemma":0.003731974,"threshold_uncertainty_score":0.353373},"labels":[],"label_agreement":null},{"id":"W3159594729","doi":"10.24908/iqurcp.7401","title":"Home and the World: A Look at the Gendering of Indian Nationalist Politics Through a Literary Lens","year":2017,"lang":"en","type":"article","venue":"Inquiry Queen s Undergraduate Research Conference Proceedings","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Nationalism; Depiction; Politics; Aesthetics; Modernity; Gender studies; Sociology; Trope (literature); Independence (probability theory); Nationalist Movement; Literature; History; Art; Political science; Law","score_opus":0.13465802621507264,"score_gpt":0.35416702301110786,"score_spread":0.21950899679603522,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3159594729","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17538548,0.014470954,0.002325775,0.023429018,0.0013373531,0.000030819858,0.00007364427,0.000102856575,0.78284407],"genre_scores_gemma":[0.9745874,0.0039510764,0.00048311148,0.0018266795,0.0004995049,0.000042276344,0.000027180582,0.000104837214,0.018478025],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99594134,0.002694143,0.00005546727,0.00022972286,0.0003721537,0.0007071351],"domain_scores_gemma":[0.9975497,0.0016062389,0.00018281513,0.00017977464,0.00015858385,0.0003228256],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0033875757,0.0008640947,0.0006587056,0.004786362,0.027312886,0.023112481,0.0019223181,0.0028395108,0.003886852],"category_scores_gemma":[0.002714224,0.00041376453,0.0006034312,0.0048180744,0.057737816,0.007991075,0.0073092654,0.004988789,0.00040220696],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015430738,0.00002461436,0.0005328494,0.00006857214,0.0000059805197,0.00046318056,0.70143014,0.000035927325,0.00017168469,0.2904919,0.0028655238,0.0038942294],"study_design_scores_gemma":[0.0000046640835,0.000032011343,0.0022944459,0.00034595173,0.000017101298,0.0005683887,0.7922598,0.00010800719,0.0002677232,0.02188698,0.18219215,0.0000226881],"about_ca_topic_score_codex":0.020634599,"about_ca_topic_score_gemma":0.026935311,"teacher_disagreement_score":0.027312886,"about_ca_system_score_codex":0.0114589725,"about_ca_system_score_gemma":0.004103069,"threshold_uncertainty_score":0.08314109},"labels":[],"label_agreement":null},{"id":"W3163584340","doi":"10.32873/uno.dc.jrf.25.01.029","title":"You Wouldn't Understand","year":2021,"lang":"en","type":"article","venue":"Journal of Religion & Film","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Cape Breton University","funders":"","keywords":"Political science; Sociology","score_opus":0.021713959029259027,"score_gpt":0.22428767298211488,"score_spread":0.20257371395285587,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3163584340","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00066402514,0.04223265,0.0005020558,0.44047576,0.3708714,0.00008279304,0.0004729081,0.00033452307,0.1443639],"genre_scores_gemma":[0.005724448,0.027736025,0.0004952646,0.17593169,0.07178255,0.00009570604,0.00042292493,0.00042471752,0.7173866],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988782,0.00020855744,0.00006163859,0.000119681456,0.0005847297,0.00014711189],"domain_scores_gemma":[0.99571794,0.00047370122,0.00023492509,0.0001230765,0.002447119,0.0010033355],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013609632,0.00090034324,0.0005573085,0.0006764305,0.0032191211,0.007070973,0.00093023456,0.0044408916,0.13157797],"category_scores_gemma":[0.011473852,0.00033349107,0.00040525166,0.0005148621,0.0016351723,0.007105859,0.0028028055,0.007819798,0.09035995],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008563775,0.000004037798,0.000041896958,0.000065825225,0.0000014687473,0.00002967391,0.00013354898,0.0000050499198,0.0000690423,0.000827989,0.98904574,0.0097672185],"study_design_scores_gemma":[0.0000026624775,0.0000077727,0.00015258763,0.00013667344,0.0000023861994,0.0000785462,0.00061943027,0.0000093950175,0.00004029251,0.00019152398,0.9987532,0.0000054795846],"about_ca_topic_score_codex":0.016517142,"about_ca_topic_score_gemma":0.0246346,"teacher_disagreement_score":0.13157797,"about_ca_system_score_codex":0.0018867672,"about_ca_system_score_gemma":0.0024784955,"threshold_uncertainty_score":0.44017214},"labels":[],"label_agreement":null},{"id":"W3166289822","doi":"10.5539/ells.v11n2p89","title":"Oscar Wilde’s Multiple Appeals Revealed in the Male Characters in The Picture of Dorian Gray","year":2021,"lang":"en","type":"article","venue":"English Language and Literature Studies","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Aestheticism; Hedonism; Maslow's hierarchy of needs; Admiration; Psychology; Personality psychology; Gray (unit); Aesthetics; Feeling; Sociology; Intelligentsia; Personality; Psychoanalysis; Social psychology; Art; Law","score_opus":0.011718632818277815,"score_gpt":0.23287234098084741,"score_spread":0.2211537081625696,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3166289822","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6791146,0.0043120175,0.0027083317,0.037108567,0.0015400747,0.000055845278,0.000095505624,0.00008727707,0.27497783],"genre_scores_gemma":[0.9731833,0.00041665178,0.00038632695,0.0016184273,0.00012618607,0.000013182425,0.000012474622,0.00004687856,0.024196472],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99925727,0.0003421175,0.000012634894,0.00011480031,0.00018128667,0.00009186127],"domain_scores_gemma":[0.99951875,0.00017889721,0.00009488383,0.00002602558,0.00007283458,0.00010868052],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005842965,0.0003920767,0.00023749394,0.0004926172,0.0054140543,0.0027369356,0.00035376457,0.001066481,0.0022586025],"category_scores_gemma":[0.0017702146,0.00018506529,0.0001866533,0.00026287165,0.008032823,0.0018063859,0.0018869765,0.0028782906,0.0003883781],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002153193,0.000059666643,0.00232865,0.00020720807,0.0000232034,0.0076137353,0.7517237,0.000203178,0.007435551,0.16733925,0.046600226,0.016250404],"study_design_scores_gemma":[0.000016407641,0.00009968935,0.006350235,0.00015908967,0.000022477096,0.007289167,0.36104664,0.00037894343,0.0025786543,0.007987088,0.6140021,0.0000695845],"about_ca_topic_score_codex":0.0032359264,"about_ca_topic_score_gemma":0.007402352,"teacher_disagreement_score":0.0054140543,"about_ca_system_score_codex":0.0021202364,"about_ca_system_score_gemma":0.00059210043,"threshold_uncertainty_score":0.015383482},"labels":[],"label_agreement":null},{"id":"W3172460504","doi":"","title":"Partition Of India: A Boon Or Curse, With Special Reference To Women Struggle In Deepa Mehta’s Film 1947: Earth","year":2021,"lang":"en","type":"article","venue":"Journal of Emerging Technologies and Innovative Research","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Partition (number theory); Curse; Colonialism; Nationalism; Gender studies; Sociology; History; Political science; Anthropology; Law; Politics; Mathematics","score_opus":0.09331553521443925,"score_gpt":0.3442785121116966,"score_spread":0.25096297689725733,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3172460504","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.31813225,0.020317486,0.0010758209,0.09511089,0.006765885,0.00009380018,0.00031956926,0.00012725318,0.55805707],"genre_scores_gemma":[0.9083443,0.0084093595,0.0004057219,0.009942838,0.0016369354,0.000050192717,0.00013842777,0.00018541177,0.07088692],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99893206,0.00041522767,0.000020180601,0.00009238944,0.00017240862,0.00036774436],"domain_scores_gemma":[0.999316,0.00027293927,0.000077548146,0.00005391578,0.000059621245,0.00022004968],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00068755134,0.00075412926,0.000367254,0.0013857915,0.023335757,0.01093149,0.0009911503,0.0022121493,0.0048958436],"category_scores_gemma":[0.001693272,0.00042907248,0.00042991503,0.0022055977,0.01396035,0.0048025846,0.007534123,0.007136012,0.00064577325],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000087533335,0.000030451502,0.0014413974,0.00020449328,0.000022195154,0.0027875584,0.80987084,0.00007115235,0.00078927504,0.10686135,0.06604862,0.0117851505],"study_design_scores_gemma":[0.000006111699,0.000026215153,0.0039680293,0.0002789635,0.000018038181,0.0014262547,0.4573987,0.0000447154,0.00040681745,0.0026329223,0.5337656,0.000027587956],"about_ca_topic_score_codex":0.029934477,"about_ca_topic_score_gemma":0.075645454,"teacher_disagreement_score":0.029934477,"about_ca_system_score_codex":0.008566584,"about_ca_system_score_gemma":0.0031858617,"threshold_uncertainty_score":0.062155247},"labels":[],"label_agreement":null},{"id":"W3173672028","doi":"10.36099/ajahss.3.6.6","title":"Self-reflexivity and the Representation of The Indian Diasporic Community in Deepa Mehta’s Bollywood/Hollywood","year":2021,"lang":"en","type":"article","venue":"Addaiyan Journal of Arts Humanities and Social Sciences","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Hollywood; Narrative; Movie theater; Comics; History; Literature; Diaspora; Comedy; Gender studies; Sociology; Media studies; Art; Art history","score_opus":0.07876851809879633,"score_gpt":0.2906102780375307,"score_spread":0.2118417599387344,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3173672028","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5501538,0.0020183916,0.0018175723,0.008068648,0.00038725042,0.000057543002,0.00008140644,0.00008792186,0.43732747],"genre_scores_gemma":[0.97373146,0.00044672188,0.0003564505,0.0004651485,0.000032615473,0.000014497177,0.000018537468,0.00004484624,0.024889786],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988028,0.00047693713,0.00001490833,0.000103821694,0.00028882243,0.0003127058],"domain_scores_gemma":[0.99911314,0.0003091003,0.00007646079,0.000064467975,0.00014044956,0.00029633017],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00086303154,0.0003609992,0.00024322102,0.00084213825,0.016245455,0.009401729,0.0010656203,0.0010200639,0.003148126],"category_scores_gemma":[0.0015664025,0.0002270477,0.00016604987,0.00088576105,0.020190578,0.0021182399,0.0051227007,0.0038308236,0.00028615128],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029977053,0.000023378234,0.0008450865,0.000052659554,0.0000069339617,0.00094764517,0.8900012,0.000056258028,0.0014244965,0.095955506,0.004990588,0.005666316],"study_design_scores_gemma":[0.000010700582,0.000027747841,0.0038411843,0.00015820054,0.000019669804,0.0010366382,0.68895155,0.00021722744,0.001077656,0.0056789867,0.29893577,0.00004465806],"about_ca_topic_score_codex":0.24479423,"about_ca_topic_score_gemma":0.47052208,"teacher_disagreement_score":0.24479423,"about_ca_system_score_codex":0.011536205,"about_ca_system_score_gemma":0.007180644,"threshold_uncertainty_score":0.4867388},"labels":[],"label_agreement":null},{"id":"W3174178913","doi":"10.33137/wij.v17i2.36855","title":"Shtisel. Season 3. Directed by Alon Zingman. Written by Ori Elon and Yehonathan Indursky. NMC United Entertainment, [2013-]. Hebrew with English subtitles.","year":2021,"lang":"en","type":"article","venue":"Women in Judaism A Multidisciplinary e-Journal","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Hebrew; Entertainment; History; Art; Classics; Visual arts","score_opus":0.007851687807801289,"score_gpt":0.20351917703106692,"score_spread":0.19566748922326563,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3174178913","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0007892399,0.31521556,0.0011554823,0.071673475,0.07532349,0.0006600266,0.008893304,0.0012228978,0.5250665],"genre_scores_gemma":[0.0036501586,0.07659406,0.00053248886,0.023155125,0.008868313,0.00035834726,0.003995337,0.0006134412,0.8822328],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995559,0.000080581085,0.000030223098,0.00006467331,0.00020682438,0.0000617007],"domain_scores_gemma":[0.9983728,0.00033768083,0.00013148015,0.00005207741,0.00068180857,0.00042402477],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0012619182,0.0007181054,0.0005832176,0.0016401447,0.0011386805,0.001980447,0.001039157,0.0013720923,0.3260704],"category_scores_gemma":[0.00284098,0.00032060774,0.00038848532,0.0016293321,0.0005372213,0.002112253,0.0028470843,0.0018381559,0.15386657],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014602241,0.0000035984772,0.00002412382,0.00039980296,9.910688e-7,0.000010719079,0.000064009204,0.0000052510745,0.00005892813,0.0003415288,0.9621292,0.03694732],"study_design_scores_gemma":[0.0000026076873,0.0000074055997,0.00025891248,0.00031553264,6.0268945e-7,0.000016549588,0.00005927727,0.0000028021768,0.000018496927,0.00006035413,0.99925584,0.0000015716615],"about_ca_topic_score_codex":0.012108329,"about_ca_topic_score_gemma":0.029806355,"teacher_disagreement_score":0.3260704,"about_ca_system_score_codex":0.0011353678,"about_ca_system_score_gemma":0.0021568276,"threshold_uncertainty_score":0.9612788},"labels":[],"label_agreement":null},{"id":"W3175237160","doi":"10.82308/32851","title":"South Asian youth in the Canadian diaspora: media influences on identity development from Hollywood to Bollywood","year":2010,"lang":"en","type":"article","venue":"eScholarship@McGill (McGill)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Hollywood; Diaspora; Identity (music); Gender studies; Media studies; Political science; History; Advertising; Sociology; Art; Art history; Aesthetics; Business","score_opus":0.027763625523857176,"score_gpt":0.2155220468511753,"score_spread":0.18775842132731813,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3175237160","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97706157,0.0005514651,0.00013579844,0.00082002993,0.000059527425,0.00004197514,0.00007475011,0.000014759977,0.021240113],"genre_scores_gemma":[0.99371207,0.00060430873,0.00018056852,0.00022171493,0.0000075122807,0.000015498868,0.000042661315,0.000016988348,0.005198846],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9987174,0.00021964542,0.000019335701,0.000096959746,0.00025500878,0.0006916583],"domain_scores_gemma":[0.9989899,0.00014152162,0.00007533912,0.00002753438,0.00027458032,0.0004910025],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012748168,0.0006348354,0.00041352614,0.0014740517,0.022997836,0.0056332024,0.0010753291,0.00057145266,0.004512478],"category_scores_gemma":[0.001689717,0.0002959035,0.00034569058,0.0016615401,0.0064158347,0.0015946681,0.005443631,0.0019135671,0.00032643578],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005376687,0.00003992811,0.016261905,0.000052894637,0.000006064472,0.00084252405,0.9695295,0.000014439684,0.0010025667,0.0018362132,0.0014167805,0.008943435],"study_design_scores_gemma":[0.0000016893041,0.000013476446,0.009474006,0.000038330967,0.0000069011376,0.00012810873,0.98058826,0.000014755388,0.00020788013,0.00006752086,0.00944957,0.0000094652305],"about_ca_topic_score_codex":0.90007025,"about_ca_topic_score_gemma":0.9660935,"teacher_disagreement_score":0.09992975,"about_ca_system_score_codex":0.020287663,"about_ca_system_score_gemma":0.033626284,"threshold_uncertainty_score":0.20103645},"labels":[],"label_agreement":null},{"id":"W3175913990","doi":"10.1353/vpr.2021.0012","title":"Victorian Bestseller: The Life of Dinah Craik by Karen Bourrier","year":2021,"lang":"en","type":"article","venue":"Victorian periodicals review","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.013824357726145022,"score_gpt":0.22921685190409205,"score_spread":0.21539249417794704,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3175913990","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00038127325,0.8167344,0.00007815676,0.09678675,0.04248014,0.000017042077,0.00006597333,0.000026449105,0.043429814],"genre_scores_gemma":[0.01075775,0.57896876,0.00030705452,0.06903189,0.0154755125,0.000040221268,0.00014791929,0.00014621773,0.32512462],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99769896,0.00041882924,0.00011476271,0.00018774034,0.0012378143,0.00034191346],"domain_scores_gemma":[0.9945799,0.0008526361,0.00026661958,0.00014679463,0.0030433892,0.0011106456],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0035034553,0.00060673343,0.0007387411,0.0029886062,0.0041760565,0.008950195,0.001145695,0.0032848327,0.022778211],"category_scores_gemma":[0.0076730596,0.0005528772,0.00033814396,0.0037302033,0.002511302,0.004076204,0.003822366,0.0059281653,0.008300633],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017203922,0.000005837614,0.00003362411,0.00054953725,0.0000047585363,0.000038576156,0.0005265138,0.0000134343445,0.00009478695,0.0041489303,0.9662496,0.028317178],"study_design_scores_gemma":[0.000001416114,0.0000023201585,0.00013549277,0.0005575044,0.0000031059385,0.000027328337,0.00037548508,0.0000026308298,0.000023188457,0.0001500389,0.9987173,0.0000041346393],"about_ca_topic_score_codex":0.08434126,"about_ca_topic_score_gemma":0.2165335,"teacher_disagreement_score":0.08434126,"about_ca_system_score_codex":0.009166352,"about_ca_system_score_gemma":0.017923698,"threshold_uncertainty_score":0.16770065},"labels":[],"label_agreement":null},{"id":"W3177053341","doi":"10.18357/bigr22202120207","title":"Leila: Exposing the Borders Within","year":2021,"lang":"en","type":"article","venue":"Borders in Globalization Review","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.022914113410403326,"score_gpt":0.28381523764592187,"score_spread":0.26090112423551853,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3177053341","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00019682405,0.98440915,0.000049564616,0.0060619977,0.0029186397,0.0000036289732,0.000019967389,0.000007761444,0.006332462],"genre_scores_gemma":[0.005902131,0.97468114,0.00013735624,0.008500098,0.0034397505,0.00001518318,0.00006484001,0.000011959335,0.0072475118],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99949825,0.00016410778,0.00004018854,0.000041670683,0.00015950836,0.000096283366],"domain_scores_gemma":[0.9983375,0.0007327155,0.0001821562,0.000055624583,0.00045087445,0.00024096313],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013882469,0.0005488992,0.00047862952,0.0034766113,0.0009928714,0.0033281788,0.0008126542,0.0013425491,0.010078073],"category_scores_gemma":[0.0027601388,0.00020633353,0.00032567265,0.0045301216,0.0017804734,0.0034790158,0.002036334,0.0025573873,0.0016729771],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006563135,0.00003578487,0.00038718287,0.0139371855,0.00004184848,0.0002572386,0.002770689,0.00013937659,0.0006670976,0.028362397,0.6199179,0.33341765],"study_design_scores_gemma":[0.000002249889,0.000011273996,0.00082607963,0.0052998257,0.000018744864,0.00019634944,0.0011479048,0.000011676908,0.0000884645,0.0009660839,0.9914248,0.0000064461533],"about_ca_topic_score_codex":0.009406678,"about_ca_topic_score_gemma":0.021026801,"teacher_disagreement_score":0.010078073,"about_ca_system_score_codex":0.0023263476,"about_ca_system_score_gemma":0.0063622566,"threshold_uncertainty_score":0.033714533},"labels":[],"label_agreement":null},{"id":"W3182922235","doi":"10.24113/ijellh.v6i10.5103","title":"Exile of Women in Anita Raw Badami’s Can You Hear the Nightbird Call?","year":2018,"lang":"en","type":"article","venue":"SMART MOVES JOURNAL IJELLH","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Embarrassment; Politics; Partition (number theory); Romance; Malice; History; Order (exchange); Subject (documents); Gender studies; Sociology; Literature; Art; Law; Psychology; Political science; Social psychology","score_opus":0.015545388933002922,"score_gpt":0.21507689069115524,"score_spread":0.19953150175815232,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3182922235","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7748558,0.0032564825,0.000713757,0.035177827,0.0017651803,0.000066240136,0.00006205854,0.000071529146,0.18403116],"genre_scores_gemma":[0.9537491,0.0011111248,0.00025400484,0.0037337788,0.00030619145,0.000031624604,0.000015697862,0.0000427114,0.040755723],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988966,0.0005154051,0.000013043399,0.000063893895,0.00013390723,0.00037701338],"domain_scores_gemma":[0.9993948,0.00019968524,0.000096069234,0.000026686648,0.000053092175,0.00022962861],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012668341,0.00079748075,0.0003789295,0.0006104454,0.02559281,0.005947034,0.0007213459,0.0022693877,0.0055169],"category_scores_gemma":[0.001601902,0.00044772538,0.00031521023,0.00040081106,0.011202761,0.0030141724,0.005137108,0.004840887,0.0010291227],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000081543694,0.00004861179,0.0017747105,0.00006164212,0.000007719742,0.0034124784,0.96043956,0.000026740348,0.0015678607,0.014188819,0.013311929,0.0050782515],"study_design_scores_gemma":[0.0000054016255,0.00005897368,0.0027045077,0.000092151124,0.0000067365827,0.0020998598,0.87951535,0.000044745513,0.0004215081,0.0005838734,0.1144477,0.00001918309],"about_ca_topic_score_codex":0.0076329503,"about_ca_topic_score_gemma":0.02054658,"teacher_disagreement_score":0.02559281,"about_ca_system_score_codex":0.0026399887,"about_ca_system_score_gemma":0.0014915748,"threshold_uncertainty_score":0.019154608},"labels":[],"label_agreement":null},{"id":"W3183731752","doi":"10.1386/ajms_00056_1","title":"Leslee Udwin’s India’s Daughter (2015), the power of storytelling and question of social change in the #MeToo era","year":2021,"lang":"en","type":"article","venue":"Journal of Applied Journalism & Media Studies","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Storytelling; Film director; Power (physics); Daughter; Media studies; Narrative; Documentary film; Political science; Criticism; State (computer science); Law; Gender studies; Sociology; Criminology; Art; Literature; Movie theater","score_opus":0.041789151523316505,"score_gpt":0.2820868539353352,"score_spread":0.24029770241201873,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3183731752","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.40838656,0.020775478,0.0024235428,0.24357256,0.0023842587,0.00009493622,0.0001730221,0.00016367559,0.32202592],"genre_scores_gemma":[0.94769406,0.0065487702,0.0008392801,0.01107293,0.00033960707,0.000056751196,0.00004130147,0.000109022534,0.033298124],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9986513,0.00093837007,0.00002336007,0.000100895544,0.00011412059,0.0001718879],"domain_scores_gemma":[0.99774724,0.0014683489,0.00015919155,0.00013198513,0.00013758775,0.00035569692],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014780436,0.00043338764,0.00017305519,0.0007944166,0.01433129,0.010713516,0.0009452686,0.0020377317,0.003415352],"category_scores_gemma":[0.005149598,0.00037360325,0.00016861835,0.0006773892,0.012986183,0.00710186,0.0038769906,0.0060580247,0.0005574923],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000042006104,0.000038148235,0.0016828261,0.00014193024,0.0000091181,0.0013690534,0.8676859,0.000041964384,0.00085409876,0.07076738,0.042805776,0.014561667],"study_design_scores_gemma":[0.00000643113,0.000029653136,0.0018183554,0.00031576876,0.000010412268,0.0010845958,0.60962784,0.00006689464,0.0011313744,0.0058840457,0.3799973,0.000027275471],"about_ca_topic_score_codex":0.01169166,"about_ca_topic_score_gemma":0.023310611,"teacher_disagreement_score":0.01433129,"about_ca_system_score_codex":0.003020385,"about_ca_system_score_gemma":0.002138428,"threshold_uncertainty_score":0.023247242},"labels":[],"label_agreement":null},{"id":"W3186606165","doi":"10.6000/1929-4409.2020.09.30","title":"Is Mob Lynching a Contemporary Social Problem in India?","year":2021,"lang":"en","type":"article","venue":"International Journal of Criminology and Sociology","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanity; Context (archaeology); Politics; Hinduism; Social media; Criminology; Sociology; Media studies; Political science; History; Law; Religious studies","score_opus":0.08230935852671571,"score_gpt":0.30503540899882514,"score_spread":0.22272605047210942,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3186606165","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9376423,0.009337791,0.00014686918,0.031776097,0.00040338657,0.000029730998,0.00013583491,0.0000284616,0.020499533],"genre_scores_gemma":[0.98779607,0.008530354,0.00008295047,0.0021438447,0.00030258423,0.000012939625,0.000059998958,0.0000069375587,0.0010642424],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.9990439,0.00026136742,0.00004813579,0.000113056296,0.00016157604,0.00037193068],"domain_scores_gemma":[0.9979138,0.0004984363,0.0008380814,0.000096658296,0.00018905314,0.00046398508],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005373609,0.00026749683,0.0003051365,0.0022217014,0.005754637,0.004631285,0.00085769966,0.0016796573,0.0026448774],"category_scores_gemma":[0.0021974694,0.00041839704,0.00028049218,0.0026758984,0.0067528337,0.0029900288,0.0028696763,0.0021216634,0.00035753738],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000095208416,0.00028613905,0.35590583,0.0013294542,0.00007761841,0.02059239,0.5140608,0.00010458752,0.0013506283,0.0148146795,0.018382447,0.07300021],"study_design_scores_gemma":[0.0000040252116,0.00008507897,0.23439093,0.00046329174,0.00004354054,0.010560891,0.7201127,0.0000937466,0.00010175999,0.0019441249,0.032150205,0.00004979015],"about_ca_topic_score_codex":0.02979862,"about_ca_topic_score_gemma":0.03316788,"teacher_disagreement_score":0.02979862,"about_ca_system_score_codex":0.0028779376,"about_ca_system_score_gemma":0.0028559798,"threshold_uncertainty_score":0.059250355},"labels":[],"label_agreement":null},{"id":"W3190735673","doi":"10.33178/alpha.21.21","title":"100 Essential Indian Films, by Rohit K. Dasgupta and Sangeeta Datta","year":2021,"lang":"en","type":"article","venue":"Alphaville Journal of Film and Screen Media","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Hindi; Film industry; Dance; History; Geography; Ancient history; Art; Art history; Visual arts; Movie theater; Linguistics; Philosophy","score_opus":0.013412821842370228,"score_gpt":0.22135119219312765,"score_spread":0.20793837035075743,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3190735673","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.01669526,0.20601448,0.0013845616,0.15418272,0.048534583,0.00017576136,0.0006248467,0.00045835253,0.57192945],"genre_scores_gemma":[0.05846246,0.08680879,0.0016848968,0.021984244,0.00912254,0.000090987254,0.0004087456,0.00035878023,0.82107854],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996537,0.0000821222,0.000020128979,0.0000716176,0.00012255755,0.000049885028],"domain_scores_gemma":[0.99934834,0.00017842818,0.000035286303,0.000036505848,0.00023160188,0.00016987314],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005429578,0.0008707838,0.0002993568,0.001291273,0.004620959,0.0043081557,0.0005486434,0.0011680996,0.02262902],"category_scores_gemma":[0.0013004773,0.00034555912,0.0003273998,0.0013927288,0.0009173449,0.0031489534,0.0019520117,0.0032160822,0.009866677],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003527385,0.0000393765,0.00053183234,0.00023308623,0.000009296626,0.0003711699,0.005848789,0.000041316624,0.0011443873,0.008253181,0.9247557,0.058736615],"study_design_scores_gemma":[0.0000020614375,0.000007359256,0.0011232726,0.000115415816,0.000004652974,0.0003849921,0.0030601432,0.000035666766,0.00015379892,0.00031591483,0.99479115,0.000005459596],"about_ca_topic_score_codex":0.012221054,"about_ca_topic_score_gemma":0.042313047,"teacher_disagreement_score":0.02262902,"about_ca_system_score_codex":0.0015347098,"about_ca_system_score_gemma":0.0016436473,"threshold_uncertainty_score":0.075701594},"labels":[],"label_agreement":null},{"id":"W3194483909","doi":"10.5539/res.v13n3p76","title":"Significance of Sindoor (Vermilion Powder) in Hindu Marriage Rituals","year":2021,"lang":"en","type":"article","venue":"Review of European Studies","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Hinduism; Wife; Ceremony; Sociology; Gender studies; Hierarchy; Religious studies; Law; Theology; Political science; Philosophy","score_opus":0.06128507673820029,"score_gpt":0.2914041177358911,"score_spread":0.2301190409976908,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3194483909","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6994648,0.16373366,0.0011272016,0.0037498213,0.00049812027,0.0000758065,0.00013384606,0.00002370856,0.131193],"genre_scores_gemma":[0.95056623,0.04224555,0.0007622622,0.000665477,0.00012985413,0.000013466576,0.00005589385,0.0000075576963,0.0055537955],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.999423,0.00031716976,0.00003103496,0.000044458924,0.000109733825,0.00007464288],"domain_scores_gemma":[0.99961615,0.00018859633,0.0001039794,0.000015933187,0.000046403762,0.000028880013],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00061945274,0.00025838404,0.00018721404,0.0009360071,0.0018530813,0.0023001858,0.0003801135,0.0004512347,0.0028762578],"category_scores_gemma":[0.00077387586,0.00015809291,0.00012445786,0.0015907465,0.0023857323,0.00128629,0.0012714167,0.00050698547,0.0002909825],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00030764853,0.00020820311,0.044524718,0.007328865,0.00007637249,0.0057332986,0.2532197,0.00012638459,0.0087719215,0.05674433,0.007212882,0.6157456],"study_design_scores_gemma":[0.000018501258,0.00032391495,0.20343004,0.0054033813,0.00015201539,0.009918162,0.34953368,0.000195941,0.0032822003,0.0039022919,0.42377365,0.000066260225],"about_ca_topic_score_codex":0.007040806,"about_ca_topic_score_gemma":0.02170607,"teacher_disagreement_score":0.007040806,"about_ca_system_score_codex":0.0010411871,"about_ca_system_score_gemma":0.0012822443,"threshold_uncertainty_score":0.013999641},"labels":[],"label_agreement":null},{"id":"W3196817994","doi":"10.2307/j.ctt1tg5m03.9","title":"The Second and Third waves:","year":2017,"lang":"en","type":"book-chapter","venue":"Technology and Investment","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Geology","score_opus":0.01887666850922731,"score_gpt":0.20330403440073783,"score_spread":0.18442736589151051,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3196817994","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.017419891,0.02105613,0.0012005758,0.007567461,0.0006319053,0.000027911721,0.0000566918,0.000028057571,0.95201135],"genre_scores_gemma":[0.25839207,0.029899728,0.00085300626,0.002271122,0.00042112218,0.00010760342,0.00011491624,0.000089464345,0.707851],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997801,0.000047761216,0.000007151625,0.000022256467,0.00006002602,0.00008271466],"domain_scores_gemma":[0.999728,0.00008312494,0.000029519364,0.000030467128,0.000048151345,0.000080718426],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005094575,0.0005765312,0.00021614965,0.0008180357,0.0013381145,0.0061530736,0.00045631587,0.0009681,0.024043117],"category_scores_gemma":[0.0008829411,0.00016068565,0.00019187956,0.0021327324,0.0029714804,0.0054243268,0.0021245123,0.0030377542,0.0024284176],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036554266,0.000041755753,0.0007688461,0.0001416745,0.000003703935,0.00014702567,0.010372466,0.000114853916,0.00030343878,0.873536,0.0400728,0.07446087],"study_design_scores_gemma":[0.00001077582,0.00004005903,0.0038851472,0.00054758694,0.000007908737,0.00025320452,0.013864425,0.00034696134,0.00063058466,0.12357581,0.8568231,0.000014401913],"about_ca_topic_score_codex":0.008231161,"about_ca_topic_score_gemma":0.010811582,"teacher_disagreement_score":0.024043117,"about_ca_system_score_codex":0.0029399893,"about_ca_system_score_gemma":0.0031675682,"threshold_uncertainty_score":0.080432236},"labels":[],"label_agreement":null},{"id":"W3197158170","doi":"10.3138/md.64.3.br6","title":"Mala Renganathan and Arnab Bhattacharya, eds. <i>Rabindranath Tagore’s Drama in the Perspective of Indian Theatre</i>","year":2021,"lang":"en","type":"article","venue":"Modern Drama","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Drama; Perspective (graphical); Bengali; Focus (optics); Politics; Literature; Art; Sociology; Philosophy; Visual arts; Political science; Law; Linguistics; Physics","score_opus":0.013179418192540128,"score_gpt":0.22221873713673643,"score_spread":0.2090393189441963,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3197158170","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0065915645,0.6022728,0.0034224512,0.08949859,0.008615036,0.000059505506,0.00020674802,0.00030870887,0.28902456],"genre_scores_gemma":[0.09023983,0.6480574,0.0053370893,0.013206577,0.0062995194,0.00016956226,0.00031310803,0.00034596177,0.23603098],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993019,0.00030682652,0.000029115887,0.0000798495,0.00020936727,0.0000729073],"domain_scores_gemma":[0.99869555,0.00080548564,0.00007692314,0.00004849331,0.00019816095,0.00017550029],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010596198,0.0011525798,0.0005798996,0.0014453352,0.0026876095,0.0078927055,0.0013422896,0.0016370073,0.014623006],"category_scores_gemma":[0.0016152498,0.0005735611,0.00037586957,0.0026173063,0.002676509,0.009770645,0.00216845,0.0039533977,0.008392012],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007692472,0.00008736061,0.0007102053,0.0020206296,0.000026135102,0.00037149247,0.028642803,0.00032825518,0.0010606428,0.10187469,0.6716306,0.19317022],"study_design_scores_gemma":[0.0000044327235,0.0000136976105,0.0013988694,0.0006658722,0.000013041079,0.00048417808,0.013090449,0.00011914005,0.0002843826,0.0048925816,0.97901535,0.000018138895],"about_ca_topic_score_codex":0.0069001648,"about_ca_topic_score_gemma":0.02243447,"teacher_disagreement_score":0.014623006,"about_ca_system_score_codex":0.0020184384,"about_ca_system_score_gemma":0.0026167962,"threshold_uncertainty_score":0.048918843},"labels":[],"label_agreement":null},{"id":"W3199018590","doi":"10.5210/spir.v2021i0.11905","title":"IS OTT IN INDIA ‘OVER-THE-TOP’? RE-PRESENTATION, REGULATION AND RELIGIOUS SENTIMENTS IN INDIAN OTT","year":2021,"lang":"en","type":"article","venue":"AoIR Selected Papers of Internet Research","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Politics; Political science; Panopticon; Identity (music); Negotiation; State (computer science); Colonialism; Nationalism; Representation (politics); Sociology; Christian ministry; Media studies; Political economy; Law; Aesthetics; Art","score_opus":0.02210588402282301,"score_gpt":0.29869437772418134,"score_spread":0.27658849370135835,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3199018590","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8395164,0.0012383964,0.00025221938,0.014545193,0.00022647664,0.00001374074,0.000050672614,0.000024091432,0.14413272],"genre_scores_gemma":[0.9957717,0.00041182543,0.000032596283,0.00050049793,0.00004314033,0.000002376067,0.000009382922,0.0000063504312,0.003222115],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9993364,0.00022551637,0.000021867085,0.000047172,0.000096660864,0.00027238397],"domain_scores_gemma":[0.9986482,0.0005541987,0.00029021918,0.00012917403,0.00013018453,0.0002479802],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008186615,0.00015227865,0.00014804865,0.00076419045,0.0078514675,0.007513674,0.00050511945,0.00077229645,0.0046064816],"category_scores_gemma":[0.0019489625,0.00015102004,0.00016023903,0.001459314,0.013529992,0.002452994,0.003545528,0.0026142944,0.0003538219],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007739002,0.00006648932,0.015184316,0.000145682,0.000010207833,0.001208834,0.83604956,0.00007873756,0.0017423612,0.12531422,0.0063545415,0.013767591],"study_design_scores_gemma":[0.000004753737,0.00003470753,0.024561876,0.00014680439,0.000022662163,0.00072267343,0.8803139,0.000089578636,0.0005842932,0.0052416255,0.08824241,0.00003477346],"about_ca_topic_score_codex":0.034512028,"about_ca_topic_score_gemma":0.046592657,"teacher_disagreement_score":0.034512028,"about_ca_system_score_codex":0.005542971,"about_ca_system_score_gemma":0.0027258277,"threshold_uncertainty_score":0.06862235},"labels":[],"label_agreement":null},{"id":"W3200072974","doi":"10.3138/ecf.34.1.144","title":"<i>Reading Jane Austen after Reading Charlotte Smith</i> by Jacqueline M. Labbe","year":2021,"lang":"en","type":"article","venue":"Eighteenth-Century Fiction","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Reading (process); Art; Art history; Literature; Philosophy; Linguistics","score_opus":0.00863654079553103,"score_gpt":0.19801241272437994,"score_spread":0.18937587192884892,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3200072974","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0011538815,0.03673032,0.00088452315,0.2771922,0.1539932,0.00006641666,0.00040067168,0.0005662313,0.52901256],"genre_scores_gemma":[0.008239154,0.008223681,0.00042060297,0.04662211,0.016775446,0.00005613596,0.0001993477,0.0005384622,0.9189251],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995308,0.0001380256,0.000016058008,0.00006934727,0.00018903398,0.000056832283],"domain_scores_gemma":[0.9983369,0.00044615203,0.00008797948,0.000074565316,0.0006837459,0.00037070218],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005930575,0.0010323122,0.00050179614,0.0011071048,0.0055175438,0.004355338,0.0007013294,0.0022950112,0.12401317],"category_scores_gemma":[0.004508919,0.00030676703,0.0003307494,0.000813021,0.0016396458,0.0036673655,0.0021995436,0.0057187174,0.055336285],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000031832096,0.0000018339036,0.000018605278,0.000015546671,6.422277e-7,0.000021787753,0.00025862607,0.0000025713448,0.00006773858,0.0008120952,0.99617445,0.0026228407],"study_design_scores_gemma":[8.31826e-7,0.0000029746707,0.00016238488,0.000082744446,9.3592524e-7,0.00005104358,0.0007967281,0.0000062403974,0.000067210276,0.00033260701,0.9984933,0.0000028528336],"about_ca_topic_score_codex":0.010745133,"about_ca_topic_score_gemma":0.042468984,"teacher_disagreement_score":0.12401317,"about_ca_system_score_codex":0.0016768355,"about_ca_system_score_gemma":0.0013107132,"threshold_uncertainty_score":0.41486537},"labels":[],"label_agreement":null},{"id":"W3200181118","doi":"","title":"Bridging The Gap Between East And West: Patriarchal Ascendancy On The South Asian Women Presented In Anita Desai' Diamond Dust","year":2021,"lang":"en","type":"article","venue":"Turkish Online Journal of Qualitative Inquiry","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Chauvinism; Gender studies; Feminism; Sociology; History; Political science; Law; Politics","score_opus":0.22935593026996476,"score_gpt":0.36777837195850016,"score_spread":0.1384224416885354,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3200181118","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.94238317,0.0017082971,0.00031433353,0.008709096,0.0002193502,0.000032759646,0.00004273287,0.000016928092,0.046573218],"genre_scores_gemma":[0.99133915,0.00092466816,0.00013065098,0.00076533144,0.00005032464,0.000027732518,0.000012099206,0.00002297384,0.00672696],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9968892,0.0021318805,0.000060316645,0.0001238771,0.00028736496,0.00050740346],"domain_scores_gemma":[0.99736375,0.0015181801,0.00032939736,0.00010896051,0.00025022024,0.0004294511],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0034398232,0.0007145692,0.00060483505,0.0011225492,0.016742622,0.006748482,0.00095578335,0.0013927228,0.0048915665],"category_scores_gemma":[0.0042905114,0.0005414181,0.00029400535,0.0012386616,0.0146719385,0.004129442,0.008619462,0.0039507174,0.00052229577],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000090687445,0.000007318022,0.00059546414,0.00003057708,0.0000016048449,0.00031027262,0.9957216,0.0000036481106,0.00024866755,0.0015612763,0.00041160441,0.0010989226],"study_design_scores_gemma":[9.361727e-7,0.000009411558,0.0008046502,0.00004328825,0.0000020099817,0.00013725551,0.98936826,0.000007207274,0.000113179725,0.00012968882,0.00938088,0.0000031082407],"about_ca_topic_score_codex":0.009689478,"about_ca_topic_score_gemma":0.021557983,"teacher_disagreement_score":0.016742622,"about_ca_system_score_codex":0.0034816025,"about_ca_system_score_gemma":0.002789174,"threshold_uncertainty_score":0.025260866},"labels":[],"label_agreement":null},{"id":"W3200475321","doi":"10.48336/aa2h-2p81","title":"Women, labor and television: a critical analysis of women portrayed in Pakistani drama serials","year":2021,"lang":"en","type":"dissertation","venue":"Memorial University Research Repository (Memorial University)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Memorial University of Newfoundland","funders":"","keywords":"Drama; Mainstream; Ideology; Gender studies; Femininity; Entertainment; Criticism; Power (physics); Sociology; Women's work; Representation (politics); Feminism; Mass media; Media studies; Work (physics); Political science; Art; Politics; Literature; Engineering; Law","score_opus":0.022051506203748784,"score_gpt":0.26863538635312356,"score_spread":0.24658388014937477,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3200475321","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.85925037,0.0045009754,0.0012206278,0.013805123,0.00053395046,0.000116524825,0.00019062172,0.000021206302,0.12036053],"genre_scores_gemma":[0.9884538,0.0017095985,0.00028767245,0.001102877,0.00020455683,0.000061545514,0.000039534163,0.000023400331,0.008117023],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99737406,0.0017235705,0.00005191548,0.00013429826,0.00035269881,0.0003635291],"domain_scores_gemma":[0.99360234,0.0049887444,0.0004995833,0.00012609443,0.0005565473,0.00022657702],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0034190528,0.0008043174,0.00035462223,0.0034211106,0.014519735,0.009692485,0.00085002894,0.0016594337,0.0036483868],"category_scores_gemma":[0.0067153005,0.00041101346,0.00019063259,0.0030139547,0.017268976,0.0048312163,0.0029832174,0.002908412,0.00027422555],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016988142,0.000010713898,0.0012838183,0.000059605296,0.0000023285131,0.0004387697,0.985371,0.000013284491,0.0002558864,0.0078020613,0.0015955695,0.003149903],"study_design_scores_gemma":[0.0000014084865,0.000012568234,0.0022286654,0.00012303822,0.0000034890475,0.00010924539,0.9712967,0.000021241232,0.00020026269,0.0004748926,0.02552374,0.0000046775654],"about_ca_topic_score_codex":0.019353433,"about_ca_topic_score_gemma":0.027941829,"teacher_disagreement_score":0.019353433,"about_ca_system_score_codex":0.009193406,"about_ca_system_score_gemma":0.003097084,"threshold_uncertainty_score":0.06670314},"labels":[],"label_agreement":null},{"id":"W3201871595","doi":"10.3138/jrpc.2020-0014","title":"Locating the<i>Tawa’if</i>Courtesan-Dancer: Cinematic Constructions of Religion and Nation","year":2021,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Hindi; Movie theater; Dance; Urdu; Narrative; Hinduism; Aesthetics; Nationalism; Literature; Subject (documents); Sociology; Gender studies; History; Art; Religious studies; Law; Philosophy; Political science; Linguistics; Politics","score_opus":0.01331569387643707,"score_gpt":0.23123799034286605,"score_spread":0.21792229646642897,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3201871595","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.765939,0.0021887145,0.0017251128,0.004881112,0.00029106895,0.000035763853,0.00006128697,0.000049329323,0.22482862],"genre_scores_gemma":[0.9900358,0.0006541464,0.00050320796,0.00024370405,0.00004437753,0.000011431371,0.00001619583,0.000017894561,0.008473183],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997923,0.00011610407,0.0000053547456,0.000023709941,0.000019035799,0.000043511878],"domain_scores_gemma":[0.9996568,0.00013620089,0.000043680924,0.000026461828,0.000050364833,0.00008640357],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006812292,0.0002765278,0.00011474525,0.0006947354,0.0044307834,0.005190991,0.00045433975,0.0006889884,0.003219392],"category_scores_gemma":[0.00074757624,0.0001642838,0.00012281632,0.00057065795,0.0055767167,0.002040773,0.0018867555,0.0013487712,0.0002987216],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000041839296,0.000033309578,0.004553329,0.00019681038,0.000009228554,0.0010118778,0.9020319,0.00005873104,0.008232858,0.06440498,0.0054864604,0.013938642],"study_design_scores_gemma":[0.0000049344317,0.000059269765,0.018545046,0.00037048355,0.000028314947,0.001070944,0.793236,0.0002579639,0.0016240644,0.003259932,0.18151824,0.000024803376],"about_ca_topic_score_codex":0.008333004,"about_ca_topic_score_gemma":0.024737537,"teacher_disagreement_score":0.008333004,"about_ca_system_score_codex":0.0013080599,"about_ca_system_score_gemma":0.0008513928,"threshold_uncertainty_score":0.016568959},"labels":[],"label_agreement":null},{"id":"W3201991220","doi":"10.25071/2563-3694.95","title":"In Defense of #blackAF's Celebration of Mediocrity","year":2021,"lang":"en","type":"article","venue":"New Sociology Journal of Critical Praxis","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Mediocrity principle; Ideology; Politics; Fell; Everyday life; Aesthetics; Sociology; History; Media studies; Literature; Art; Gender studies; Political science; Law; Geography; Cartography","score_opus":0.02636279605222552,"score_gpt":0.29437296548003783,"score_spread":0.2680101694278123,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3201991220","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16758588,0.003968908,0.005022158,0.30636626,0.0020330462,0.000031999894,0.00007644668,0.00008799396,0.5148272],"genre_scores_gemma":[0.9176605,0.0011358279,0.00095333066,0.021371676,0.000483345,0.000027251119,0.000014752052,0.000074835276,0.05827844],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985165,0.00068707275,0.000020746771,0.00018919204,0.00030034743,0.0002861808],"domain_scores_gemma":[0.9975419,0.0014266332,0.00023832078,0.00020514189,0.00033457862,0.00025336668],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0029692037,0.00042544107,0.00021789983,0.0009385774,0.015442985,0.0059824707,0.0008016943,0.0034536861,0.0069974475],"category_scores_gemma":[0.006286035,0.0001710247,0.00017449592,0.00052495,0.024249867,0.007422676,0.003991535,0.008888146,0.00075221946],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000068053625,0.000017847386,0.0010078145,0.000054228116,0.000006958842,0.0003002892,0.15377516,0.000067033834,0.0006563618,0.7929961,0.03788421,0.013165827],"study_design_scores_gemma":[0.000014604874,0.000047910562,0.0023422306,0.00036756575,0.00001881286,0.0004445807,0.10776532,0.0005198384,0.0023610569,0.13402286,0.7520475,0.0000477828],"about_ca_topic_score_codex":0.022885717,"about_ca_topic_score_gemma":0.033944882,"teacher_disagreement_score":0.022885717,"about_ca_system_score_codex":0.004157393,"about_ca_system_score_gemma":0.0026452346,"threshold_uncertainty_score":0.045504987},"labels":[],"label_agreement":null},{"id":"W3202831686","doi":"10.3138/jrpc.2020-0068","title":"Hollywood’s Bad Muslims: Misrepresentations and the Channeling of Racial Violence","year":2021,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Hollywood; Movie theater; Islam; Racism; Narrative; Sociology; Gender studies; Diaspora; Media studies; Aesthetics; History; Literature; Art","score_opus":0.014229850504947352,"score_gpt":0.24567338358308607,"score_spread":0.23144353307813872,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3202831686","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.83566225,0.003487354,0.0023457764,0.014198514,0.00032925015,0.000028745011,0.000046248646,0.00003928985,0.14386253],"genre_scores_gemma":[0.99111384,0.00086674804,0.0003512543,0.00094131415,0.000059168553,0.000006839675,0.000009517381,0.000018331573,0.0066329213],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99889225,0.0006875099,0.000019474004,0.00007892667,0.0001394934,0.00018235129],"domain_scores_gemma":[0.9981534,0.0011196154,0.00024829857,0.00013752082,0.00012960756,0.00021152274],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017773024,0.00031675535,0.00013637598,0.0011094,0.006962193,0.004694365,0.0005512757,0.0010407001,0.002931471],"category_scores_gemma":[0.0034853134,0.0002054227,0.00011259115,0.00065705663,0.007636346,0.0039595803,0.0035897049,0.0021633026,0.00028086308],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000064510685,0.000035984274,0.0061564483,0.00008167258,0.000008572214,0.0006655226,0.89619774,0.000036950594,0.00076228316,0.06329568,0.0072769867,0.02541761],"study_design_scores_gemma":[0.0000070540955,0.000052968775,0.010819453,0.00036194464,0.000018484701,0.0011172548,0.83013844,0.0002552557,0.0013788062,0.010405483,0.14542313,0.000021781256],"about_ca_topic_score_codex":0.0066701286,"about_ca_topic_score_gemma":0.012790265,"teacher_disagreement_score":0.006962193,"about_ca_system_score_codex":0.0014500052,"about_ca_system_score_gemma":0.00077881117,"threshold_uncertainty_score":0.01326257},"labels":[],"label_agreement":null},{"id":"W3203308540","doi":"10.25145/j.recaesin.2021.83.11","title":"From Punjab to Peggy’s Cove: Joyful Activism in Behind the Bhangra Boys (2019)","year":2021,"lang":"en","type":"article","venue":"Revista Canaria de Estudios Ingleses","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Saint Mary's University","funders":"","keywords":"Cove; Immigration; Identity (music); Choreography; Gender studies; History; Art; Sociology; Media studies; Art history; Visual arts; Archaeology; Dance; Aesthetics","score_opus":0.02287212388486818,"score_gpt":0.24462921968154772,"score_spread":0.22175709579667954,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3203308540","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7520198,0.00236465,0.0006268143,0.015458424,0.0018045444,0.00008300507,0.00016480914,0.000087591856,0.22739044],"genre_scores_gemma":[0.95144016,0.00080973725,0.0004259652,0.0014510861,0.00011056386,0.000033631208,0.000042832606,0.00006287135,0.045623127],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.999348,0.0002231377,0.0000068895565,0.0000446659,0.00009236684,0.00028502534],"domain_scores_gemma":[0.99936587,0.00014450662,0.000039845807,0.000027132315,0.00006856007,0.0003541738],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00090915954,0.0005242392,0.00023873852,0.00046188117,0.022733241,0.005858561,0.00082403014,0.001471645,0.007081795],"category_scores_gemma":[0.0009806565,0.0003202424,0.00019418371,0.0006284021,0.008508341,0.0023160782,0.0047381315,0.004857588,0.0007219906],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008250955,0.00004757318,0.0024859868,0.00013347676,0.0000060534217,0.0021877487,0.94521123,0.000046350273,0.0023265718,0.017050631,0.020468267,0.009953534],"study_design_scores_gemma":[0.000008384296,0.00004992072,0.0070208856,0.0001890814,0.000007633399,0.0006587189,0.7246058,0.000045150522,0.00086020783,0.000648585,0.26587963,0.0000259406],"about_ca_topic_score_codex":0.13766253,"about_ca_topic_score_gemma":0.41690877,"teacher_disagreement_score":0.86233747,"about_ca_system_score_codex":0.005751274,"about_ca_system_score_gemma":0.0047237063,"threshold_uncertainty_score":0.27372247},"labels":[],"label_agreement":null},{"id":"W3204151254","doi":"10.1177/09749276211045787","title":"Book review: Harisur Rahman, Consuming Cultural Hegemony: Bollywood in Bangladesh","year":2021,"lang":"en","type":"article","venue":"BioScope South Asian Screen Studies","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Hegemony; Cultural hegemony; Political science; Law","score_opus":0.04674812753511842,"score_gpt":0.2915239056346923,"score_spread":0.2447757780995739,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3204151254","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000075225325,0.95554465,0.000118326185,0.02009832,0.010400494,0.000031089334,0.0004526825,0.00005359219,0.013225595],"genre_scores_gemma":[0.0012261211,0.9087778,0.00019655429,0.012539182,0.005632567,0.00009579026,0.0006175755,0.00005525172,0.07085912],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994831,0.000080172955,0.00004984922,0.00007984989,0.00025743063,0.00004958683],"domain_scores_gemma":[0.9978125,0.0009292038,0.00018825999,0.00004067395,0.00084328995,0.00018589359],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008273445,0.0016102507,0.0020233777,0.0031887689,0.0008613852,0.0028860618,0.002160481,0.002996981,0.06496176],"category_scores_gemma":[0.0038142712,0.0006574876,0.00045835463,0.008267546,0.0012318797,0.004128855,0.0012561005,0.0036405378,0.041512217],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008496034,0.0000034719865,0.000016272337,0.001103886,0.0000051820384,0.000022567054,0.00006138832,0.00001867874,0.000031038166,0.0003904769,0.96612877,0.032209907],"study_design_scores_gemma":[0.000008875865,0.000007927834,0.00016763141,0.0015935148,0.000008607971,0.00013286472,0.00010778672,0.000008917669,0.000030019164,0.000257899,0.9976671,0.000009016319],"about_ca_topic_score_codex":0.015835958,"about_ca_topic_score_gemma":0.04043253,"teacher_disagreement_score":0.06496176,"about_ca_system_score_codex":0.002416237,"about_ca_system_score_gemma":0.0046116314,"threshold_uncertainty_score":0.21731871},"labels":[],"label_agreement":null},{"id":"W3205263441","doi":"","title":"Dominant Racial Discourses in Social Media Through the Lens of Black Representation in Film","year":2021,"lang":"en","type":"article","venue":"Student Research Proceedings","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"MacEwan University","funders":"","keywords":"Social media; Representation (politics); Sociology; Media studies; White (mutation); Gender studies; Political science; Politics; Law","score_opus":0.1682041988949797,"score_gpt":0.42262289225277155,"score_spread":0.2544186933577919,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3205263441","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.79253864,0.0040820166,0.0033596745,0.020132339,0.0004637337,0.00007848979,0.0002940281,0.00004897004,0.17900212],"genre_scores_gemma":[0.98896056,0.0015803127,0.00077423145,0.0006122902,0.00014367526,0.000047879217,0.00004412599,0.00006128929,0.0077754795],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9962536,0.0028450089,0.000054173724,0.00022221205,0.00033048962,0.0002945022],"domain_scores_gemma":[0.99617565,0.0027943493,0.00042101892,0.000149384,0.00023344324,0.00022617939],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004112528,0.0007115907,0.0002989156,0.0033470083,0.012571345,0.013897961,0.00088638364,0.0016188795,0.005070899],"category_scores_gemma":[0.004894067,0.0004158696,0.00031718507,0.0026772679,0.015368689,0.011588762,0.005581283,0.003583233,0.00041539004],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026527458,0.000015213621,0.0011513123,0.00006937245,0.000005129695,0.00021278317,0.9736278,0.000017283706,0.0007079222,0.019338898,0.0011156336,0.0037120397],"study_design_scores_gemma":[0.0000046242276,0.000013430019,0.0034303248,0.0002221191,0.000013111484,0.0001257436,0.9443584,0.00010509879,0.0005600067,0.0036175223,0.047537524,0.000012076181],"about_ca_topic_score_codex":0.013672157,"about_ca_topic_score_gemma":0.024167733,"teacher_disagreement_score":0.013897961,"about_ca_system_score_codex":0.0046612117,"about_ca_system_score_gemma":0.0022452094,"threshold_uncertainty_score":0.033819675},"labels":[],"label_agreement":null},{"id":"W3206914360","doi":"10.1163/9789087903336_002","title":"Who Are the Censors, What Is Censored and Why?","year":2007,"lang":"en","type":"book-chapter","venue":"","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Psychology; History","score_opus":0.03579306074897364,"score_gpt":0.21942396729269426,"score_spread":0.1836309065437206,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3206914360","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08881394,0.04086374,0.004346316,0.13983661,0.0023659586,0.00005858608,0.00027171485,0.0000738371,0.72336924],"genre_scores_gemma":[0.7781904,0.024901267,0.0007818855,0.010629709,0.0010812826,0.00006479114,0.00011528457,0.00012623351,0.18410918],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9987587,0.0006259308,0.000044947472,0.00013641128,0.0001852158,0.00024875757],"domain_scores_gemma":[0.9968238,0.0013810341,0.00041926137,0.00030159653,0.00046879452,0.0006055599],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0031309042,0.0003322278,0.00035355013,0.00071865483,0.00408382,0.008896185,0.00081841386,0.0020159984,0.012959768],"category_scores_gemma":[0.006486625,0.00025305792,0.0001844364,0.0015026274,0.0152699165,0.010840909,0.0021705404,0.0049566305,0.0024332602],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003811485,0.000034684577,0.0050454144,0.00028201065,0.000014712225,0.000501357,0.2004739,0.00005210338,0.00030431934,0.67973655,0.056637347,0.056879457],"study_design_scores_gemma":[0.000011383628,0.00002582018,0.0076752855,0.0013059649,0.00002965079,0.00086196355,0.22414649,0.00017689033,0.0004910218,0.16933839,0.59590125,0.00003587455],"about_ca_topic_score_codex":0.016050363,"about_ca_topic_score_gemma":0.019970443,"teacher_disagreement_score":0.016050363,"about_ca_system_score_codex":0.003023843,"about_ca_system_score_gemma":0.003914846,"threshold_uncertainty_score":0.04335475},"labels":[],"label_agreement":null},{"id":"W3208856314","doi":"10.5281/zenodo.3700304","title":"Tamils at the Crossroad of Globalisation: Representing Tamil Diaspora Lives in Shyam Selvadurai's The Hungry Ghosts","year":2020,"lang":"en","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Tamil; Diaspora; Globalization; History; Art; Sociology; Literature; Gender studies; Political science; Law","score_opus":0.05095790725184476,"score_gpt":0.23251344052489023,"score_spread":0.18155553327304547,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3208856314","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9818264,0.0010435326,0.00022568923,0.0030422346,0.00015704911,0.00004109538,0.000038061928,0.000018266877,0.013607798],"genre_scores_gemma":[0.9901073,0.0010621677,0.00030189203,0.0011936373,0.000043567226,0.00003847068,0.00003229922,0.000032481657,0.007188274],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99917114,0.000399887,0.000018363016,0.000041757754,0.00006560651,0.00030327498],"domain_scores_gemma":[0.99936074,0.0002102526,0.00007145527,0.000036599617,0.000051959938,0.00026895516],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012331483,0.0010122928,0.0007098101,0.0011459362,0.020712765,0.006872713,0.0013169021,0.0021405506,0.005565695],"category_scores_gemma":[0.0014555217,0.00054500723,0.0004335912,0.00089812675,0.010680967,0.0044954936,0.008533774,0.004676657,0.0008177649],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023020686,0.000023417486,0.0011740415,0.00004415655,0.0000032944286,0.0013190112,0.99216485,0.000009147996,0.00046810324,0.001490435,0.00094941177,0.0023312427],"study_design_scores_gemma":[0.0000017896539,0.00002594008,0.00074467715,0.00005415671,0.0000036046033,0.0005047371,0.99004376,0.000013165993,0.000111603134,0.00015954975,0.008330104,0.000006971851],"about_ca_topic_score_codex":0.012290895,"about_ca_topic_score_gemma":0.03198329,"teacher_disagreement_score":0.020712765,"about_ca_system_score_codex":0.002795541,"about_ca_system_score_gemma":0.0025319566,"threshold_uncertainty_score":0.02443868},"labels":[],"label_agreement":null},{"id":"W3209275232","doi":"","title":"M(otherland) : multiple identities in Michael Ondaatje's \"Anil's ghost\" and other recent Canadian fiction","year":2002,"lang":"en","type":"article","venue":"","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Art history","score_opus":0.030345490882267453,"score_gpt":0.1924380277538345,"score_spread":0.16209253687156705,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3209275232","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12037394,0.0073249186,0.0010224327,0.10472453,0.0046489732,0.000056319514,0.00015728833,0.00008219259,0.7616094],"genre_scores_gemma":[0.72722083,0.0020991706,0.00059550535,0.0122267585,0.00045225225,0.000031811393,0.000048901475,0.0001477039,0.25717703],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987226,0.00035446772,0.000017208495,0.0000957223,0.00022132345,0.00058862707],"domain_scores_gemma":[0.99895704,0.00033441102,0.00007517574,0.00003470147,0.00016344804,0.00043514665],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010529812,0.00073053606,0.00037765896,0.0014643442,0.06494977,0.009548624,0.0013400689,0.005058784,0.010312392],"category_scores_gemma":[0.0028211505,0.00024800087,0.00032798556,0.0015181401,0.020668602,0.0030575856,0.0042841234,0.010896427,0.00085757213],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035606157,0.000014663146,0.0004862241,0.00004668884,0.0000048093943,0.0011936032,0.61529213,0.00005514169,0.00018265759,0.29530078,0.08173572,0.005652013],"study_design_scores_gemma":[0.0000068872628,0.0000076004058,0.0012209318,0.00016378213,0.000010911173,0.00072616816,0.31082627,0.00006533512,0.00023368931,0.0050797327,0.68163055,0.000028099566],"about_ca_topic_score_codex":0.82732755,"about_ca_topic_score_gemma":0.9425128,"teacher_disagreement_score":0.17267245,"about_ca_system_score_codex":0.035110697,"about_ca_system_score_gemma":0.019896036,"threshold_uncertainty_score":0.34737867},"labels":[],"label_agreement":null},{"id":"W3209688876","doi":"10.37390/avancacinema.2021.a248","title":"O poder da videoarte e do cinema negros na arte contemporânea","year":2021,"lang":"en","type":"article","venue":"AVANCA | CINEMA","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Contemporary art; Art; Movie theater; Black British; Video art; Identity (music); Politics; Film director; Visual arts; The arts; Aesthetics; Art history; Sociology; Gender studies; Performance art; Political science","score_opus":0.029306114474522325,"score_gpt":0.22920613359396136,"score_spread":0.19990001911943903,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3209688876","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06614358,0.01453616,0.0041091414,0.013618323,0.0018136096,0.000045806843,0.00012622685,0.00016561535,0.8994414],"genre_scores_gemma":[0.74592674,0.010542179,0.0041769813,0.0020128258,0.0012010875,0.00007962133,0.00008331314,0.00023864437,0.23573866],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99882287,0.00065134675,0.000019859195,0.00015090806,0.00021254008,0.00014247386],"domain_scores_gemma":[0.99916494,0.00036725824,0.000078112214,0.0000968529,0.00017136072,0.000121387406],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013960899,0.00043298857,0.00028643187,0.0013231945,0.007315347,0.005680227,0.0005508441,0.0010078346,0.013128251],"category_scores_gemma":[0.0027680339,0.00017702275,0.00016995762,0.0009280386,0.007512942,0.0033792742,0.0026713554,0.0021840886,0.0013193745],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007274176,0.000034826735,0.0017586325,0.0002357295,0.000008205736,0.00076141494,0.19048463,0.000107603315,0.002007664,0.67355263,0.038099714,0.09287613],"study_design_scores_gemma":[0.0000022667814,0.000015758113,0.001082652,0.00018578213,0.0000044925314,0.00026276073,0.02164498,0.000073262505,0.00034382322,0.004696623,0.9716793,0.000008292357],"about_ca_topic_score_codex":0.021766257,"about_ca_topic_score_gemma":0.048032902,"teacher_disagreement_score":0.021766257,"about_ca_system_score_codex":0.0031100016,"about_ca_system_score_gemma":0.0019873108,"threshold_uncertainty_score":0.04391837},"labels":[],"label_agreement":null},{"id":"W3209846396","doi":"10.3138/ctr.188.011","title":"When the Theatre Went Dark …","year":2021,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Comedy; Tragedy (event); Art; Visual arts; Space (punctuation); Art history; Literature; Philosophy","score_opus":0.023182769807575988,"score_gpt":0.21772884005819165,"score_spread":0.19454607025061565,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3209846396","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.012985943,0.6474057,0.0011628139,0.07352726,0.011874659,0.00004960963,0.00036084393,0.00008390652,0.2525492],"genre_scores_gemma":[0.2918295,0.52887875,0.0011074656,0.035385966,0.0027130607,0.00011062595,0.0005721201,0.00023121935,0.13917124],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978294,0.0009524935,0.00008539363,0.00019673914,0.00048657195,0.00044937464],"domain_scores_gemma":[0.9981982,0.0003859163,0.00014382854,0.00012373233,0.0008752263,0.0002731243],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0030306545,0.00063971983,0.00040578147,0.0015211051,0.0048862332,0.008381583,0.0010163205,0.0018022285,0.0118713025],"category_scores_gemma":[0.004334664,0.00026571625,0.0003765862,0.002404916,0.009127893,0.0058847135,0.0023381517,0.0049791075,0.0018433663],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024327346,0.000045301684,0.0009432984,0.0049922373,0.00007880203,0.0006376017,0.06412762,0.00016283966,0.0021366659,0.27791005,0.42710122,0.22162104],"study_design_scores_gemma":[0.000005850629,0.000017943774,0.0011315362,0.0015803893,0.000017851638,0.00019101004,0.017063517,0.000010866047,0.0003768568,0.0021466438,0.97744566,0.000011846048],"about_ca_topic_score_codex":0.1660112,"about_ca_topic_score_gemma":0.21189207,"teacher_disagreement_score":0.8339888,"about_ca_system_score_codex":0.0115102595,"about_ca_system_score_gemma":0.014855483,"threshold_uncertainty_score":0.33008987},"labels":[],"label_agreement":null},{"id":"W3210605763","doi":"","title":"Subaltern Consciousness In Rohinton Mistry’s A Fine Balance","year":2021,"lang":"en","type":"article","venue":"Turkish Online Journal of Qualitative Inquiry","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Subaltern; Caste; Colonialism; Harmony (color); Consciousness; Politics; Gender studies; Sociology; Postmodernism; Aesthetics; History; Political science; Literature; Law; Philosophy; Art","score_opus":0.1400080079333777,"score_gpt":0.3915117518413281,"score_spread":0.2515037439079504,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3210605763","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5235335,0.006795558,0.0029081905,0.095812656,0.0024419816,0.00005910286,0.000033587334,0.000080360485,0.36833504],"genre_scores_gemma":[0.9589032,0.0006316387,0.00046310545,0.00506372,0.00019184618,0.000015779144,0.0000046024797,0.000033722063,0.034692377],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99825233,0.00069522514,0.000044982993,0.00021963107,0.0003800685,0.00040771606],"domain_scores_gemma":[0.9991373,0.000291582,0.00019307568,0.00006202801,0.00012762898,0.00018831264],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012279511,0.000314512,0.00029607027,0.0005497304,0.013071868,0.0053899693,0.00048839126,0.0023846726,0.001770926],"category_scores_gemma":[0.0025995453,0.00027151473,0.0001911249,0.00039998087,0.019253433,0.004878875,0.0045751953,0.0055408105,0.0003126856],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000049949616,0.00003024361,0.0008579956,0.000049065606,0.0000047069816,0.0018371033,0.69613373,0.00005217321,0.0008890723,0.27054244,0.020041987,0.009511489],"study_design_scores_gemma":[0.0000142617455,0.000097288605,0.0030176428,0.00016591464,0.00001079287,0.0038599258,0.30733582,0.00027721422,0.00088605314,0.046332672,0.63794863,0.000053735916],"about_ca_topic_score_codex":0.009525585,"about_ca_topic_score_gemma":0.015285031,"teacher_disagreement_score":0.013071868,"about_ca_system_score_codex":0.0053359168,"about_ca_system_score_gemma":0.0026164649,"threshold_uncertainty_score":0.038714945},"labels":[],"label_agreement":null},{"id":"W3211886958","doi":"","title":"Sexual Violence During Partition in Bapsi Sidhwa’s Cracking India and Deepa Mehta’s Earth","year":2021,"lang":"en","type":"article","venue":"Student Research Proceedings","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"MacEwan University","funders":"","keywords":"Partition (number theory); Nationalism; Narrative; Sexual violence; Gender studies; Sociology; Communalism; History; Politics; Political science; Literature; Criminology; Law; Art","score_opus":0.0771456816841909,"score_gpt":0.3491918791277744,"score_spread":0.2720461974435835,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3211886958","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.93591833,0.0022091705,0.00029695686,0.0050786766,0.00040266028,0.00003307498,0.00005335112,0.000017387285,0.055990387],"genre_scores_gemma":[0.99175185,0.000989047,0.00016640121,0.00066843245,0.00008366022,0.000017668548,0.000025687787,0.000015801323,0.006281399],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9994473,0.0002651148,0.0000137055995,0.00005351864,0.00007860282,0.0001417164],"domain_scores_gemma":[0.99945706,0.0002910285,0.00008962713,0.000039128172,0.000034881992,0.000088270084],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005274563,0.0004882486,0.00034306967,0.00076478557,0.012443763,0.00518687,0.0006888411,0.0015104178,0.002701504],"category_scores_gemma":[0.0010177904,0.00036500304,0.000313025,0.0010679456,0.008333702,0.0023140667,0.003875231,0.003739127,0.00028285108],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006620752,0.000051064446,0.0028231833,0.00016265108,0.0000143895495,0.003715163,0.9491564,0.00010293408,0.0021742333,0.031719532,0.0039901445,0.0060240915],"study_design_scores_gemma":[0.000009255359,0.0000811658,0.012924746,0.0002861279,0.000024751718,0.0038406507,0.8747374,0.00019500175,0.0012474916,0.0020550007,0.10455555,0.000042898584],"about_ca_topic_score_codex":0.007998982,"about_ca_topic_score_gemma":0.020811146,"teacher_disagreement_score":0.012443763,"about_ca_system_score_codex":0.0030954415,"about_ca_system_score_gemma":0.0013095726,"threshold_uncertainty_score":0.02245915},"labels":[],"label_agreement":null},{"id":"W388819393","doi":"","title":"India on a Platter: A Study of Gurinder Chadha and Paul Mayed Berges's Cinematic Adaptation of The Mistress of Spices","year":2009,"lang":"en","type":"article","venue":"Postcolonial text","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Bazaar; Commodity; Colonialism; Art; Geography; Sociology; Business","score_opus":0.017724954889392214,"score_gpt":0.22902540311682054,"score_spread":0.21130044822742833,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W388819393","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.91882724,0.0022066904,0.00049234275,0.011439809,0.00035328075,0.00008564263,0.00011439612,0.000031824602,0.066448785],"genre_scores_gemma":[0.9823397,0.0023970061,0.00028591702,0.0020367731,0.00019411149,0.000054671622,0.00005403787,0.000057185476,0.012580555],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99788564,0.001299003,0.000041046816,0.00016438986,0.0002569023,0.00035296657],"domain_scores_gemma":[0.9967051,0.0019848591,0.00038009934,0.00012746532,0.00026876613,0.0005337417],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001932534,0.0007096146,0.00054524833,0.001742632,0.013919799,0.010768225,0.0015995556,0.0022227205,0.0049561975],"category_scores_gemma":[0.005265356,0.00072240597,0.00031657572,0.002228465,0.009950995,0.00485091,0.004688175,0.0053724227,0.00049259025],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010482452,0.000026825763,0.0006723046,0.000043193733,0.000002615642,0.00064405013,0.992963,0.000005229126,0.00034151642,0.0023293463,0.0015946812,0.0013666833],"study_design_scores_gemma":[0.0000027050132,0.000022628696,0.004078382,0.00009076322,0.0000065804165,0.00040308424,0.94941604,0.000020880734,0.00014180224,0.00020906051,0.045596905,0.0000111937625],"about_ca_topic_score_codex":0.025783973,"about_ca_topic_score_gemma":0.06913095,"teacher_disagreement_score":0.025783973,"about_ca_system_score_codex":0.004790184,"about_ca_system_score_gemma":0.0022399002,"threshold_uncertainty_score":0.051267803},"labels":[],"label_agreement":null},{"id":"W4200059473","doi":"10.15845/jaf.v5i02.3272","title":"Kashi Labh","year":2021,"lang":"en","type":"article","venue":"Journal of Anthropological Films","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Performative utterance; Ethnography; Space (punctuation); Aesthetics; Sociology; Anthropology; Art; Philosophy; Linguistics","score_opus":0.03456369636222714,"score_gpt":0.26097307342981685,"score_spread":0.2264093770675897,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4200059473","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3581726,0.0061589237,0.003719219,0.0067543173,0.0014039015,0.00034943575,0.0017311139,0.0008475731,0.62086296],"genre_scores_gemma":[0.75411934,0.0047579305,0.006452791,0.0027280266,0.00028440083,0.00040205463,0.0010555004,0.00022288246,0.22997706],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99971265,0.000053402215,0.000013675341,0.00005472239,0.00007309352,0.00009246111],"domain_scores_gemma":[0.9994407,0.00011130315,0.000041636267,0.00007379377,0.00015257418,0.00017998338],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004957141,0.0006841544,0.00023630046,0.0009164687,0.005692546,0.0023827187,0.0006088109,0.000698254,0.058168683],"category_scores_gemma":[0.00088494783,0.00035279966,0.0002526811,0.0012449588,0.0012653816,0.0016524028,0.0027815849,0.0013329269,0.009159426],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0011311361,0.00028065481,0.032400277,0.0029415502,0.0001294424,0.021362547,0.17838094,0.00053735747,0.105031244,0.07171779,0.201925,0.384162],"study_design_scores_gemma":[0.0000335872,0.00020664462,0.0365402,0.00033391645,0.000077096265,0.0073327306,0.0984508,0.0004633264,0.008624966,0.0033559205,0.84446126,0.0001194489],"about_ca_topic_score_codex":0.009602175,"about_ca_topic_score_gemma":0.026010005,"teacher_disagreement_score":0.058168683,"about_ca_system_score_codex":0.0012994949,"about_ca_system_score_gemma":0.0021417812,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W4205785086","doi":"10.5195/hcs.2013.155","title":"Editorial Introduction","year":2013,"lang":"en","type":"article","venue":"Health Culture and Society","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Mount Saint Vincent University","funders":"","keywords":"Computer science","score_opus":0.00981050060693474,"score_gpt":0.22517981643580826,"score_spread":0.2153693158288735,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4205785086","genre_codex":"editorial","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":"editorial","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000046403708,0.0023234372,0.000059156915,0.058816355,0.9256043,0.000038942766,0.00015087142,0.00007932143,0.0128812995],"genre_scores_gemma":[0.0010879675,0.0026041998,0.00012756637,0.09783706,0.78906125,0.0000829106,0.00019848689,0.000100365374,0.10890024],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99656653,0.00057298766,0.00023369881,0.0005017077,0.0016947824,0.00043028494],"domain_scores_gemma":[0.9876688,0.0026565192,0.0008981336,0.000663175,0.0056350096,0.0024783416],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0038939554,0.0016730999,0.001378144,0.0027093259,0.00285518,0.007161727,0.0019214033,0.011967315,0.11242333],"category_scores_gemma":[0.019844394,0.00066124165,0.0017614085,0.00090881094,0.0013485427,0.0027397848,0.0023214226,0.011164025,0.05353314],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009917127,0.000002989247,0.000011076031,0.00005388571,0.0000024018566,0.0000298343,0.0000061547184,0.0000031596478,0.00001877768,0.00016216646,0.9969116,0.0027880855],"study_design_scores_gemma":[0.000016983124,0.000006541986,0.00011936872,0.0001397229,0.000007104659,0.00004189697,0.000024705143,0.0000150378955,0.0000298485,0.00030036035,0.9992931,0.0000053076974],"about_ca_topic_score_codex":0.0029135314,"about_ca_topic_score_gemma":0.00687434,"teacher_disagreement_score":0.8875767,"about_ca_system_score_codex":0.0024954788,"about_ca_system_score_gemma":0.0033263683,"threshold_uncertainty_score":0.3760935},"labels":[],"label_agreement":null},{"id":"W4210637593","doi":"10.5325/weslmethstud.4.2012.0113","title":"INTRODUCTION TO AAR ESSAYS","year":2012,"lang":"en","type":"article","venue":"Wesley and Methodist Studies","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Political science; Economics","score_opus":0.07235051374738337,"score_gpt":0.3180803633204591,"score_spread":0.2457298495730757,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4210637593","genre_codex":"other","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0021942444,0.03505867,0.006066641,0.051837143,0.10700578,0.00018817258,0.0014399383,0.0005390155,0.79567045],"genre_scores_gemma":[0.039222293,0.021149594,0.006057291,0.01961059,0.05574446,0.000496022,0.0013636783,0.0010164917,0.8553396],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99766576,0.00095502724,0.00014262825,0.00020760897,0.00082736474,0.00020164932],"domain_scores_gemma":[0.99551976,0.002387994,0.00018550588,0.0003691481,0.0012521106,0.0002854384],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003202529,0.0008216689,0.0006001905,0.0048494255,0.0055253515,0.0061272746,0.0011831648,0.0021502145,0.0969481],"category_scores_gemma":[0.008753204,0.00033208338,0.0006246301,0.0035635077,0.003174641,0.0039231516,0.0024472706,0.004005217,0.040561102],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003787737,0.000060235114,0.00010093554,0.0003679794,0.0000068626214,0.000105573454,0.0031315123,0.00007769946,0.0003425055,0.13600637,0.8122778,0.04748468],"study_design_scores_gemma":[0.0000025980667,0.0000050545473,0.00018130962,0.00021482071,0.0000015061614,0.00004109218,0.00051225367,0.000028575887,0.00007751067,0.0068573863,0.992071,0.000006988859],"about_ca_topic_score_codex":0.0044077584,"about_ca_topic_score_gemma":0.0062641976,"teacher_disagreement_score":0.0969481,"about_ca_system_score_codex":0.00299443,"about_ca_system_score_gemma":0.0021623385,"threshold_uncertainty_score":0.3243237},"labels":[],"label_agreement":null},{"id":"W4212849159","doi":"10.4324/9780203016541","title":"Black and Asian Theatre in Britain","year":2020,"lang":"en","type":"book","venue":"","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"University of Toronto; University of Glasgow; University of Oxford; British Academy; University of South Florida; University of Pennsylvania; University of Hull; Johns Hopkins University","keywords":"History","score_opus":0.015823405615663057,"score_gpt":0.18698357576355942,"score_spread":0.17116017014789636,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4212849159","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14481783,0.010913828,0.00033579065,0.0058564297,0.0010705257,0.00002190946,0.00005395412,0.000047476547,0.8368822],"genre_scores_gemma":[0.5179466,0.005796197,0.00036982537,0.0010802569,0.00015540418,0.000023279888,0.000035247656,0.00010467478,0.47448847],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993143,0.00026084445,0.00001358868,0.000053476168,0.00017463387,0.00018313887],"domain_scores_gemma":[0.9995821,0.00008523694,0.00003322371,0.000028429105,0.00008748434,0.00018350949],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007835836,0.0002700908,0.00018991016,0.00068485993,0.0076177954,0.004376193,0.0003702302,0.0006967497,0.01760261],"category_scores_gemma":[0.0007168394,0.00015969053,0.00013113204,0.0012501237,0.0043246984,0.0011346331,0.0025663418,0.0014289967,0.0021389367],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020060895,0.000076081815,0.002401947,0.00045886228,0.0000116792025,0.0013223087,0.5567933,0.00013116893,0.0034513404,0.19591972,0.13691062,0.10232237],"study_design_scores_gemma":[0.0000053795534,0.0000338959,0.0050870315,0.00024866397,0.0000057221814,0.00033080988,0.07504993,0.000047373473,0.00038115293,0.001605522,0.91719043,0.00001405712],"about_ca_topic_score_codex":0.05847244,"about_ca_topic_score_gemma":0.17052186,"teacher_disagreement_score":0.05847244,"about_ca_system_score_codex":0.004213501,"about_ca_system_score_gemma":0.0024748906,"threshold_uncertainty_score":0.116264224},"labels":[],"label_agreement":null},{"id":"W4213111483","doi":"10.1017/s147959142100053x","title":"From<i>The Good Earth</i>to<i>Mother India</i>: esthetic circulations of peasant womanhood between India and China","year":2022,"lang":"en","type":"article","venue":"International Journal of Asian Studies","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"The Scarborough Hospital; University of Toronto","funders":"","keywords":"Peasant; China; Nexus (standard); Narrative; Gender studies; Politics; History; Colonialism; Political science; Geography; Sociology; Literature; Art; Law","score_opus":0.021235865441268938,"score_gpt":0.262564982665462,"score_spread":0.2413291172241931,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4213111483","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.83982205,0.0019104199,0.0006108963,0.00820175,0.00020707917,0.000020505333,0.00005484519,0.000048532624,0.14912394],"genre_scores_gemma":[0.99158067,0.00032829074,0.0000673735,0.00020427626,0.00002643845,0.000005622718,0.000009961883,0.000013958923,0.007763434],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993585,0.0002984799,0.000011215805,0.0000659512,0.00010016396,0.00016572936],"domain_scores_gemma":[0.99931407,0.00030410528,0.00008429009,0.00007623179,0.00007178423,0.00014938135],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011691488,0.00034596818,0.00024867497,0.0009570714,0.01100478,0.004841564,0.0006205226,0.0006566228,0.003772665],"category_scores_gemma":[0.0013662337,0.00017707981,0.00013382621,0.0015972863,0.017599665,0.0019198722,0.0035319605,0.0023571958,0.00014350911],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029442856,0.000009434692,0.0014131567,0.00004431516,0.0000050469075,0.00076784164,0.93655825,0.00003533345,0.0008375512,0.053529367,0.0023004552,0.004469835],"study_design_scores_gemma":[0.0000071589084,0.00005000892,0.012282997,0.00018573145,0.000017205788,0.00042045687,0.82314557,0.0001652111,0.0012180955,0.0046472517,0.15783128,0.000028932125],"about_ca_topic_score_codex":0.0420941,"about_ca_topic_score_gemma":0.085218795,"teacher_disagreement_score":0.0420941,"about_ca_system_score_codex":0.007885558,"about_ca_system_score_gemma":0.0043094796,"threshold_uncertainty_score":0.08369821},"labels":[],"label_agreement":null},{"id":"W4213123860","doi":"10.20355/c55k5m","title":"Editorial Introduction","year":2011,"lang":"en","type":"article","venue":"Journal of Contemporary Issues in Education","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Humanities; Art","score_opus":0.030052729139038493,"score_gpt":0.2638254046130167,"score_spread":0.23377267547397818,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4213123860","genre_codex":"editorial","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":"editorial","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000101936894,0.0019627446,0.00010628315,0.031220695,0.93073446,0.000091176305,0.00022332756,0.00015453876,0.03540488],"genre_scores_gemma":[0.002548007,0.0034762174,0.0003420367,0.07096892,0.6603623,0.00021689189,0.00046516658,0.0002689886,0.26135144],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9961294,0.00053087913,0.0002987537,0.0006076424,0.0019248094,0.00050845556],"domain_scores_gemma":[0.9808414,0.0024455104,0.0012221175,0.0010285486,0.011270862,0.00319145],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.004260674,0.0017184019,0.001593601,0.0026581818,0.0031570871,0.0057320916,0.0018846815,0.009196531,0.16362113],"category_scores_gemma":[0.01941128,0.00057595375,0.0014082808,0.0008437845,0.0012547941,0.00287024,0.0019288624,0.007314381,0.08903579],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021017397,0.0000050925732,0.000018825524,0.000101752354,0.000003070935,0.000056559278,0.0000065204804,0.000006143888,0.000069950045,0.00016326562,0.99487936,0.0046684025],"study_design_scores_gemma":[0.00002341607,0.000010638883,0.00017130919,0.00018318197,0.0000074609225,0.00005338658,0.000030476363,0.00002425759,0.00006840527,0.00033342373,0.99908733,0.000006640554],"about_ca_topic_score_codex":0.00234156,"about_ca_topic_score_gemma":0.0059211617,"teacher_disagreement_score":0.8363789,"about_ca_system_score_codex":0.0023698118,"about_ca_system_score_gemma":0.0036773086,"threshold_uncertainty_score":0.5473672},"labels":[],"label_agreement":null},{"id":"W4213290014","doi":"10.1017/s0026749x21000573","title":"Constructing a caste in the past: Revisionist histories and competitive authority in South India","year":2022,"lang":"en","type":"article","venue":"Modern Asian Studies","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":11,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Fulbright Association; Social Sciences and Humanities Research Council of Canada; Wenner-Gren Foundation","keywords":"Caste; Civility; Politics; Agrarian society; Tamil; Appeal; Honour; Political science; Opposition (politics); Colonialism; Political economy; Sociology; Genealogy; Gender studies; History; Ethnology; Law","score_opus":0.039422541045017974,"score_gpt":0.2536504227141013,"score_spread":0.21422788166908335,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4213290014","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8870217,0.0009709554,0.00039779334,0.0022584635,0.00004100003,0.0000227781,0.000029321696,0.000020846817,0.10923715],"genre_scores_gemma":[0.99807054,0.00009578066,0.000033202403,0.000033971366,0.000008188131,0.0000024447465,0.000004955839,0.000004225767,0.0017466162],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9970631,0.0010425514,0.00009160643,0.00023974475,0.00056989817,0.0009929987],"domain_scores_gemma":[0.99579936,0.002173575,0.0005619919,0.00040500303,0.00043221793,0.00062781724],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0024675252,0.00026602476,0.00036945895,0.0038242186,0.019741805,0.012461431,0.0015851484,0.0011342749,0.0034575763],"category_scores_gemma":[0.0041005346,0.00036680928,0.00019519839,0.0030580463,0.027688539,0.0029542588,0.0064582587,0.0035253558,0.00033867403],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005132859,0.000056321085,0.007330797,0.00004930384,0.0000095646865,0.0013318082,0.79963577,0.0001968756,0.00059664506,0.18117258,0.000616934,0.008952088],"study_design_scores_gemma":[0.00002564561,0.0001814647,0.035310823,0.00026601288,0.00003759805,0.0017237758,0.7047135,0.001207254,0.0013252713,0.03682182,0.21823736,0.00014951256],"about_ca_topic_score_codex":0.036610752,"about_ca_topic_score_gemma":0.06528951,"teacher_disagreement_score":0.036610752,"about_ca_system_score_codex":0.011373649,"about_ca_system_score_gemma":0.0046812296,"threshold_uncertainty_score":0.082522035},"labels":[],"label_agreement":null},{"id":"W4214519311","doi":"10.5430/wjel.v12n1p221","title":"Between the Homeland and Diaspora: Identity Dilemma in Indian Literature","year":2022,"lang":"en","type":"article","venue":"World Journal of English Language","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Homeland; Caste; Diaspora; Sociology; Gender studies; Cultural identity; Identity (music); Identity formation; Identity politics; Politics; Alienation; Political science; Social science; Law; Aesthetics; Negotiation","score_opus":0.0084661581418804,"score_gpt":0.2163734645697791,"score_spread":0.2079073064278987,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4214519311","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.44837138,0.02934427,0.003642268,0.06145862,0.0022411968,0.00008790549,0.00004839362,0.000065454595,0.45474055],"genre_scores_gemma":[0.98545223,0.0055342754,0.00053121167,0.0022915953,0.00038174866,0.00003843696,0.000011476552,0.000023794779,0.005735163],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9941579,0.0040368894,0.00015114821,0.00030316063,0.0005817429,0.0007691635],"domain_scores_gemma":[0.99579525,0.0027719138,0.00042364796,0.00026083447,0.00023629153,0.00051198143],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0049509094,0.00044432402,0.0005823455,0.002728233,0.0241293,0.022332264,0.0023383463,0.0030629057,0.0017240724],"category_scores_gemma":[0.005004817,0.00037072043,0.00040017918,0.0037820623,0.047854934,0.01146209,0.010920999,0.005707639,0.00031928884],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012423663,0.000027819844,0.0005752716,0.00008495467,0.000005637882,0.0010231986,0.6725874,0.000050739392,0.0000773215,0.31809917,0.0022412136,0.005214776],"study_design_scores_gemma":[0.0000030308233,0.00001305196,0.00051364524,0.00032005666,0.0000072256375,0.0005399151,0.9136734,0.000088584624,0.000086057546,0.023154208,0.06158433,0.000016522843],"about_ca_topic_score_codex":0.009362579,"about_ca_topic_score_gemma":0.010339217,"teacher_disagreement_score":0.0241293,"about_ca_system_score_codex":0.0068268417,"about_ca_system_score_gemma":0.0055349497,"threshold_uncertainty_score":0.049532473},"labels":[],"label_agreement":null},{"id":"W4214765275","doi":"10.1016/s1701-2163(16)34929-5","title":"Introduction | Foreword","year":2011,"lang":"en","type":"article","venue":"Journal of Obstetrics and Gynaecology Canada","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"The Society of Obstetricians and Gynaecologists of Canada","funders":"","keywords":"Medicine","score_opus":0.018225653762514196,"score_gpt":0.1813433752126295,"score_spread":0.1631177214501153,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4214765275","genre_codex":"editorial","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":"editorial","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0003551577,0.020771347,0.0006008269,0.17041884,0.6705881,0.00022930901,0.0010476683,0.0003401518,0.1356486],"genre_scores_gemma":[0.0029442734,0.01435565,0.0007361003,0.15686813,0.2894629,0.00036729628,0.001337878,0.00038321762,0.53354454],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989415,0.00015431293,0.000088430585,0.00016867467,0.0004896823,0.00015743739],"domain_scores_gemma":[0.9955069,0.0007224553,0.0002622453,0.00016832011,0.0021209454,0.0012190941],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0016748992,0.0010521394,0.0009353613,0.0013801333,0.0019458791,0.0038237134,0.0013253425,0.0052703484,0.21438822],"category_scores_gemma":[0.008976687,0.00036614283,0.00085089356,0.0007486523,0.00082345755,0.0024461127,0.0028406102,0.0062228935,0.19606869],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011505866,0.000008968805,0.00003742891,0.000096763935,0.0000011684521,0.00003495685,0.00001218267,0.0000043789655,0.0000477176,0.00055821246,0.9812106,0.017976144],"study_design_scores_gemma":[0.0000074635705,0.000013371628,0.00019910325,0.0002401016,0.0000029294008,0.000092972354,0.000028123924,0.0000052817036,0.000037704882,0.0005068335,0.9988625,0.0000036459312],"about_ca_topic_score_codex":0.003493715,"about_ca_topic_score_gemma":0.006159527,"teacher_disagreement_score":0.78561175,"about_ca_system_score_codex":0.0015340084,"about_ca_system_score_gemma":0.00374068,"threshold_uncertainty_score":0.71720004},"labels":[],"label_agreement":null},{"id":"W4220785768","doi":"10.5430/wjel.v12n2p345","title":"A Discourse of Integrative Fabric of Sita and Characteristics of Indian Women","year":2022,"lang":"en","type":"article","venue":"World Journal of English Language","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Patience; Affection; Ethos; Aesthetics; Simplicity; Character (mathematics); Sociology; Gender studies; Psychology; Social psychology; Political science; Art; Epistemology; Philosophy; Law","score_opus":0.006136202976033358,"score_gpt":0.21538375888117545,"score_spread":0.2092475559051421,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4220785768","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7956213,0.0015075956,0.0011141163,0.009179818,0.00021202565,0.000033513435,0.000049846753,0.000051561652,0.1922304],"genre_scores_gemma":[0.99650663,0.0002860649,0.00013913997,0.0002681614,0.000027453576,0.000011034692,0.000007872222,0.000011044146,0.002742581],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99717206,0.001847387,0.000076466604,0.00017126197,0.00031999365,0.00041286752],"domain_scores_gemma":[0.9975733,0.0013117212,0.00029938456,0.00018892178,0.00022410789,0.00040245696],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0030618794,0.0005816289,0.00045526164,0.0018402393,0.01498385,0.008952726,0.00085444376,0.0014140739,0.002681632],"category_scores_gemma":[0.003761027,0.00032513004,0.00035416815,0.0019873893,0.026173212,0.0043306304,0.0055979677,0.00358978,0.00030556356],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018770694,0.000013000283,0.0011610559,0.000038115108,0.000003168724,0.00032469386,0.9598017,0.00001728263,0.0007644367,0.03486399,0.00054518203,0.0024486517],"study_design_scores_gemma":[0.000001977897,0.000022916289,0.0024842173,0.00011972242,0.000011017398,0.00031156777,0.9658486,0.000052445805,0.00028878995,0.0019946508,0.028847404,0.000016651504],"about_ca_topic_score_codex":0.0100808125,"about_ca_topic_score_gemma":0.012135988,"teacher_disagreement_score":0.01498385,"about_ca_system_score_codex":0.004961527,"about_ca_system_score_gemma":0.0033779973,"threshold_uncertainty_score":0.035998523},"labels":[],"label_agreement":null},{"id":"W4220831824","doi":"10.1177/23938617221076181","title":"Clapping Along or Clapping Back: Of the Discourse of Hijra Community’s Resilient Happiness in Y-Film’s Hum <i>Hain Happy</i>","year":2022,"lang":"en","type":"article","venue":"Society and Culture in South Asia","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Happiness; Hum; Sociology; Status quo; Psychological resilience; Aesthetics; Law; Social psychology; Psychology; Political science; History; Art; Performance art; Art history","score_opus":0.02674072598625595,"score_gpt":0.24071722441718701,"score_spread":0.21397649843093106,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4220831824","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.61682,0.010699579,0.0019338279,0.09710423,0.0020197614,0.000080180784,0.00008379179,0.00014141166,0.2711173],"genre_scores_gemma":[0.9873095,0.00091527577,0.00019764225,0.003563182,0.00018340805,0.000022599184,0.0000122822885,0.000046975543,0.0077490886],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9944332,0.003946557,0.000070313465,0.00028754162,0.0004289333,0.000833547],"domain_scores_gemma":[0.99706644,0.0015424797,0.0002945646,0.00014049654,0.00036060397,0.0005954436],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0036224686,0.00079757464,0.00046685385,0.0010873274,0.034024764,0.012574317,0.001539139,0.0038060397,0.0034714213],"category_scores_gemma":[0.006054643,0.0003997148,0.00037229666,0.0009924169,0.035819374,0.0059882067,0.007423297,0.007871134,0.00057132903],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002004995,0.000015438547,0.0005223093,0.00005316289,0.0000055611326,0.00057477417,0.96395665,0.000021135325,0.00019709583,0.027468417,0.0048432704,0.0023221492],"study_design_scores_gemma":[0.000004140229,0.000018046254,0.0012551905,0.00013142628,0.000009099609,0.00026812646,0.92120165,0.00006105126,0.0001704031,0.001876569,0.074983545,0.000020800804],"about_ca_topic_score_codex":0.05150686,"about_ca_topic_score_gemma":0.05565774,"teacher_disagreement_score":0.05150686,"about_ca_system_score_codex":0.007370823,"about_ca_system_score_gemma":0.0042857206,"threshold_uncertainty_score":0.10241407},"labels":[],"label_agreement":null},{"id":"W4220949457","doi":"10.5430/wjel.v12n2p29","title":"Fresh Landscapes in Indian Culture – Sita the Creator of Space for Women Learning Skills","year":2022,"lang":"en","type":"article","venue":"World Journal of English Language","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Courage; Modernity; Aesthetics; Value (mathematics); Space (punctuation); Identity (music); Psychology; Sociology; Political science; Computer science; Art; Law","score_opus":0.004600881498609078,"score_gpt":0.2059381689349062,"score_spread":0.20133728743629714,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4220949457","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.30799064,0.009889057,0.0031848967,0.034750607,0.0017448914,0.000087511646,0.00016815453,0.00024412778,0.6419401],"genre_scores_gemma":[0.94985175,0.0030731314,0.001694619,0.0023467555,0.00024951523,0.000036292844,0.00005720785,0.00009799265,0.042592693],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991709,0.0003797111,0.00002032945,0.00006379494,0.00015403883,0.00021126214],"domain_scores_gemma":[0.9993363,0.00017806073,0.000050299826,0.0000974278,0.0001053293,0.00023259936],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009678823,0.00043237483,0.00025460534,0.0007667435,0.014916603,0.007910067,0.0007558319,0.0008925407,0.00878201],"category_scores_gemma":[0.00090408826,0.00028857836,0.0003586778,0.0012458699,0.011847961,0.00423165,0.006573824,0.004020996,0.001251945],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006419069,0.00012615866,0.0069630914,0.00047811118,0.00001802125,0.002354604,0.61759275,0.00013759718,0.0047292155,0.21938948,0.039386157,0.10876068],"study_design_scores_gemma":[0.0000035003638,0.00006806389,0.010552728,0.00031032957,0.000020569603,0.0016803798,0.43051645,0.000091305235,0.0006661181,0.0119339535,0.5441172,0.00003935173],"about_ca_topic_score_codex":0.011657631,"about_ca_topic_score_gemma":0.031428277,"teacher_disagreement_score":0.014916603,"about_ca_system_score_codex":0.002804272,"about_ca_system_score_gemma":0.0038841902,"threshold_uncertainty_score":0.029378712},"labels":[],"label_agreement":null},{"id":"W4225306963","doi":"10.24908/iqurcp15515","title":"Beauty, Blackness and Humanity: The Hyperreal Operation of Beauty Standards in Toni Morrison’s The Bluest Eye","year":2022,"lang":"en","type":"article","venue":"Inquiry Queen s Undergraduate Research Conference Proceedings","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Beauty; Aesthetics; Identity (music); White (mutation); Sociology; Art","score_opus":0.08773798550907408,"score_gpt":0.3485074055755257,"score_spread":0.2607694200664516,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4225306963","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2042172,0.011094441,0.006153001,0.17991915,0.0026998366,0.000035689955,0.000031151452,0.000084995256,0.5957646],"genre_scores_gemma":[0.91945386,0.002053595,0.0014877624,0.009442861,0.0004706581,0.00003846739,0.0000064376136,0.00010889042,0.066937506],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988211,0.0007168455,0.000011600639,0.000111325826,0.00019393991,0.00014519971],"domain_scores_gemma":[0.9988519,0.00057373557,0.00013266814,0.00007400097,0.00016965943,0.00019807805],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015972803,0.000375149,0.00018235913,0.00043377042,0.0069212727,0.004633242,0.00050730596,0.0012778705,0.0023240114],"category_scores_gemma":[0.0024455483,0.00022470519,0.0001428595,0.00019671273,0.021625904,0.003951729,0.003561062,0.0041534384,0.0002971899],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000056128014,0.00004184479,0.00088447187,0.000057420595,0.0000056138265,0.00040172526,0.19944137,0.00011092562,0.0009422116,0.74671793,0.03735717,0.013983199],"study_design_scores_gemma":[0.00002166303,0.00006344014,0.0022308398,0.00024274508,0.000013520265,0.0005408646,0.077104226,0.0004484953,0.00095557165,0.20234717,0.71598655,0.000044895023],"about_ca_topic_score_codex":0.010954936,"about_ca_topic_score_gemma":0.01701016,"teacher_disagreement_score":0.010954936,"about_ca_system_score_codex":0.0027365424,"about_ca_system_score_gemma":0.0015755586,"threshold_uncertainty_score":0.021782339},"labels":[],"label_agreement":null},{"id":"W4225379429","doi":"10.24908/iqurcp15463","title":"Combatting the Literary Canon through Performance","year":2022,"lang":"en","type":"article","venue":"Inquiry Queen s Undergraduate Research Conference Proceedings","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"HAMLET (protein complex); Inclusion (mineral); Trope (literature); Representation (politics); Shadow (psychology); Psychology; Literature; Sociology; Aesthetics; Social psychology; Art; Psychoanalysis; Law; Political science","score_opus":0.13774424650243358,"score_gpt":0.3301500183925158,"score_spread":0.1924057718900822,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4225379429","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.096219696,0.0023915153,0.009358063,0.042299263,0.005511777,0.00009571298,0.00003332532,0.00036992837,0.84372073],"genre_scores_gemma":[0.7451574,0.001420764,0.0038717287,0.0041005136,0.002087087,0.000092040435,0.000043358115,0.0003820971,0.24284509],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.995263,0.0025445214,0.00006894964,0.000304328,0.0010474628,0.0007716689],"domain_scores_gemma":[0.99692243,0.0009587678,0.00021399939,0.0003562742,0.0005269721,0.001021534],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0045325523,0.00089017965,0.0003637841,0.00080438517,0.013783329,0.010030502,0.0014189929,0.0020228857,0.014912996],"category_scores_gemma":[0.0077035236,0.00018880429,0.00030681907,0.00038353374,0.015227434,0.0051224357,0.01227031,0.0065626204,0.0042611635],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019050049,0.00018894294,0.001306027,0.00033665393,0.00002134546,0.0012820725,0.24781062,0.00057468424,0.0035819046,0.4647283,0.17167166,0.10830722],"study_design_scores_gemma":[0.000013258356,0.00017258259,0.0010698253,0.0003834933,0.0000102736185,0.00060797815,0.05684813,0.00038288464,0.001744297,0.019497171,0.91923535,0.000034748504],"about_ca_topic_score_codex":0.0024605715,"about_ca_topic_score_gemma":0.0058021056,"teacher_disagreement_score":0.014912996,"about_ca_system_score_codex":0.002734083,"about_ca_system_score_gemma":0.0025463947,"threshold_uncertainty_score":0.04988891},"labels":[],"label_agreement":null},{"id":"W4225709055","doi":"10.3138/jrpc.2021-0006","title":"Wandering Dervish of <i>Laila Majnu</i>: Sufism and Socio-Political Mobilization in Kashmir","year":2022,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sufism; Islam; Politics; Hinduism; Muslim world; Nationalism; Sociology; History; Religious studies; Gender studies; Philosophy; Law; Political science; Archaeology","score_opus":0.013832004420526298,"score_gpt":0.22931176957339616,"score_spread":0.21547976515286987,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4225709055","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8984285,0.0029707446,0.000405605,0.0055998163,0.00020940923,0.000032709166,0.000025455369,0.000032319924,0.0922955],"genre_scores_gemma":[0.99347705,0.00040420305,0.00013316928,0.0005319078,0.000024795574,0.000008704347,0.000007175087,0.000011483846,0.0054015974],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99917823,0.00036896468,0.00001823561,0.00007869505,0.00012286069,0.00023309169],"domain_scores_gemma":[0.9994729,0.00022377275,0.00009885428,0.0000356444,0.00005304243,0.00011577513],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013173737,0.0004806419,0.00032134433,0.0007953179,0.01568098,0.0060677454,0.0009496893,0.0017000416,0.0038331773],"category_scores_gemma":[0.001394826,0.00035260548,0.00021357881,0.0007236004,0.010815285,0.002365577,0.0036505992,0.0035742347,0.0005120653],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006311383,0.000058484595,0.0036252807,0.00015115205,0.000009097432,0.002207432,0.9223789,0.000049740283,0.00369081,0.054016188,0.0025778248,0.011172051],"study_design_scores_gemma":[0.000008243949,0.000085600695,0.012147299,0.00028350204,0.00001828292,0.0016025146,0.8671801,0.00016116774,0.0015344,0.00403979,0.112898216,0.000040848572],"about_ca_topic_score_codex":0.016668275,"about_ca_topic_score_gemma":0.041890346,"teacher_disagreement_score":0.016668275,"about_ca_system_score_codex":0.0057580406,"about_ca_system_score_gemma":0.0035184862,"threshold_uncertainty_score":0.04177773},"labels":[],"label_agreement":null},{"id":"W4225851535","doi":"10.5430/wjel.v12n3p243","title":"Food and Culture in Reference to the Novel Mistress of Spices","year":2022,"lang":"en","type":"article","venue":"World Journal of English Language","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Reading (process); Ethnic group; Identity (music); Food culture; Cultural identity; Class (philosophy); Sociology; Art; Aesthetics; Computer science; Anthropology; Political science; Social science; Law; Artificial intelligence","score_opus":0.016873809660308055,"score_gpt":0.22589090303349701,"score_spread":0.20901709337318897,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4225851535","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16942018,0.023332208,0.0028669117,0.17007218,0.025960447,0.000048087844,0.00013208335,0.0001210113,0.60804695],"genre_scores_gemma":[0.903125,0.0047542066,0.0006459909,0.015325912,0.00392701,0.00004591227,0.000038726586,0.00015086477,0.07198633],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988244,0.0007390908,0.000021002186,0.00008867897,0.00015900636,0.00016787887],"domain_scores_gemma":[0.99917114,0.00047880068,0.00008933077,0.0000531826,0.00009215985,0.00011543306],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010603155,0.0005724257,0.0002931092,0.000627487,0.0078086853,0.0049017505,0.0009567924,0.0022145207,0.0025931394],"category_scores_gemma":[0.002144508,0.00022842675,0.00031371272,0.00057319144,0.01587742,0.0028417583,0.002508744,0.0047070477,0.00040504077],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018114505,0.00006264604,0.0005737734,0.00022286332,0.000014193336,0.004377369,0.36448383,0.00013101846,0.0012640356,0.48483133,0.13273962,0.011118057],"study_design_scores_gemma":[0.000018964367,0.0000698402,0.0010981576,0.00027175527,0.000010299642,0.002275758,0.14719443,0.00017744624,0.0011546019,0.023043828,0.82465667,0.00002819158],"about_ca_topic_score_codex":0.004012812,"about_ca_topic_score_gemma":0.008652485,"teacher_disagreement_score":0.0078086853,"about_ca_system_score_codex":0.0030065747,"about_ca_system_score_gemma":0.001198294,"threshold_uncertainty_score":0.021814346},"labels":[],"label_agreement":null},{"id":"W4226165917","doi":"10.1353/bcc.2022.0157","title":"Kiss &amp; Tell","year":2022,"lang":"en","type":"article","venue":"Bulletin of the Center for Children's Books./Bulletin of the Center for Children's Books","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"KISS (TNC); Romance; Art; Dream; Hoax; Resentment; Queer; Fandom; Art history; Media studies; History; Sociology; Literature; Law; Gender studies; Psychology; Politics; Political science","score_opus":0.012599066677522022,"score_gpt":0.19757356875310042,"score_spread":0.1849745020755784,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4226165917","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0004501049,0.0007257318,0.00020798294,0.0010310017,0.0009306635,0.00004519872,0.0012421058,0.0010562195,0.994311],"genre_scores_gemma":[0.001244068,0.00030898023,0.000086873384,0.0004014474,0.00009039625,0.00001714913,0.00033444492,0.00031064276,0.99720603],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997217,0.00003406955,0.000011022339,0.000049404356,0.0001023317,0.000081483304],"domain_scores_gemma":[0.9994593,0.00006215473,0.000030291361,0.000052035433,0.00016360698,0.00023267636],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00027850454,0.001015035,0.0007101159,0.00086225115,0.0038723643,0.0054359846,0.0008744831,0.0018321754,0.8915205],"category_scores_gemma":[0.0014342797,0.0006174663,0.0004116846,0.0007340249,0.00051558187,0.003254135,0.004015201,0.0022371856,0.8545451],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032125925,0.000013202645,0.000069026064,0.000050236886,0.000001568935,0.00006243228,0.000098124074,0.000023144994,0.000112535534,0.0012054957,0.9619941,0.036337934],"study_design_scores_gemma":[0.0000030999934,0.000005152477,0.00015212652,0.000028258986,7.3880653e-7,0.00005301264,0.00015860028,0.000021139083,0.000049261853,0.0001713021,0.9993529,0.000004463467],"about_ca_topic_score_codex":0.0073848297,"about_ca_topic_score_gemma":0.01856708,"teacher_disagreement_score":0.8915205,"about_ca_system_score_codex":0.00092328445,"about_ca_system_score_gemma":0.00083070813,"threshold_uncertainty_score":0.15473276},"labels":[],"label_agreement":null},{"id":"W4226458378","doi":"10.4000/polysemes.9239","title":"Arundhati Roy’s The Ministry of Utmost Happiness, or How to Recruit Art and Intertexts in the Battle against “Stupidification”","year":2021,"lang":"en","type":"article","venue":"Polysèmes","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Novelis (Canada)","funders":"","keywords":"Battle; Christian ministry; Happiness; Art; Sociology; Psychology; History; Philosophy; Theology; Social psychology; Ancient history","score_opus":0.04804004789885768,"score_gpt":0.25045369958101404,"score_spread":0.20241365168215636,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4226458378","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0412804,0.021371888,0.0066664023,0.051264264,0.0031678923,0.00006396676,0.00010153189,0.00011891163,0.87596464],"genre_scores_gemma":[0.77113277,0.010478825,0.002387787,0.007909878,0.00058326806,0.00007759194,0.000058157755,0.0002292259,0.2071425],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978085,0.0013198652,0.00006690106,0.00023050653,0.00030723348,0.0002670029],"domain_scores_gemma":[0.99847203,0.00065019564,0.00017026355,0.00026206567,0.00021086387,0.00023456046],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002464629,0.0005798399,0.00028209644,0.0007147677,0.0076635717,0.0074347914,0.00072622177,0.0018796283,0.011584339],"category_scores_gemma":[0.0043522436,0.0002301492,0.00029405975,0.0010465891,0.014227715,0.008079674,0.0045234947,0.005255191,0.0028843568],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000041371455,0.000013541542,0.00061292714,0.00018794289,0.0000073357487,0.00027809886,0.15483753,0.000048383215,0.00048068017,0.78936726,0.031462956,0.022661995],"study_design_scores_gemma":[0.0000054981065,0.000031928652,0.0013377696,0.00035074155,0.000010797136,0.00046671706,0.0747705,0.000093792965,0.0005391851,0.03292912,0.8894389,0.00002496857],"about_ca_topic_score_codex":0.0077707283,"about_ca_topic_score_gemma":0.018152017,"teacher_disagreement_score":0.011584339,"about_ca_system_score_codex":0.0028937648,"about_ca_system_score_gemma":0.0035518561,"threshold_uncertainty_score":0.03875351},"labels":[],"label_agreement":null},{"id":"W4229067700","doi":"10.1177/00084298221086055","title":"Les femmes et les mythes hindous dans le théâtre hindi","year":2022,"lang":"en","type":"article","venue":"Studies in Religion/Sciences Religieuses","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Hindi; Hinduism; Mythology; Drama; Ideology; CONTEST; Gender studies; Criticism; Sociology; Character (mathematics); History; Literature; Art; Religious studies; Philosophy; Politics; Political science; Linguistics; Theology; Law","score_opus":0.12644665632343854,"score_gpt":0.34268614813853393,"score_spread":0.21623949181509539,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4229067700","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.75593317,0.0055861296,0.0019707377,0.0073204786,0.00065588095,0.00003222458,0.00011426545,0.000063508596,0.22832368],"genre_scores_gemma":[0.9726987,0.0013140913,0.0005236649,0.00057500345,0.00009251904,0.000012650491,0.000015691598,0.000020404506,0.02474732],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9993418,0.00040359359,0.0000067195165,0.000031977146,0.000090814756,0.00012519976],"domain_scores_gemma":[0.99972063,0.00015083945,0.00002711269,0.000013387444,0.000024403364,0.00006351084],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00083946117,0.0004286589,0.00015955933,0.00039740457,0.0063388045,0.0030096048,0.00026457364,0.000713859,0.0039157737],"category_scores_gemma":[0.0008882682,0.00017923379,0.0001337623,0.00045409036,0.0067447918,0.0008934001,0.0014141956,0.0017500703,0.0005024646],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012862247,0.0000299308,0.00349701,0.00014551713,0.000011448351,0.0009934688,0.8307622,0.00013815744,0.0048169903,0.12416514,0.008518109,0.026793426],"study_design_scores_gemma":[0.000009823938,0.00017359923,0.020245442,0.00028968003,0.000015509144,0.0022669556,0.48051116,0.00029079177,0.002507205,0.0033285944,0.49031618,0.000045042787],"about_ca_topic_score_codex":0.010606807,"about_ca_topic_score_gemma":0.022007389,"teacher_disagreement_score":0.010606807,"about_ca_system_score_codex":0.0017760905,"about_ca_system_score_gemma":0.00084922503,"threshold_uncertainty_score":0.02109009},"labels":[],"label_agreement":null},{"id":"W4229619","doi":"10.3138/topia.26.165","title":"The Production and Consumption of the Bollywood Phenomenon","year":2011,"lang":"en","type":"article","venue":"TOPIA Canadian Journal of Cultural Studies","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Phenomenon; Consumption (sociology); Production (economics); Economics; Aesthetics; Art; Philosophy; Epistemology; Microeconomics","score_opus":0.08674561608150208,"score_gpt":0.23617398365105036,"score_spread":0.14942836756954828,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4229619","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.62110776,0.0036683711,0.00083347183,0.0034359589,0.0000714318,0.000020293628,0.00011388803,0.000025445976,0.37072334],"genre_scores_gemma":[0.98073214,0.0007924116,0.00024150922,0.00013190597,0.000033821638,0.0000072542475,0.000027928902,0.000034280383,0.017998736],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99933356,0.00027718494,0.0000135875425,0.0000853117,0.00013915422,0.00015120339],"domain_scores_gemma":[0.99850285,0.00081959314,0.00019863335,0.0002413287,0.00009504909,0.00014248813],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013825367,0.0002845958,0.00017096894,0.0023068695,0.005152305,0.0084451595,0.00067091227,0.0009994464,0.011529638],"category_scores_gemma":[0.002469492,0.00024648066,0.00012520899,0.002957363,0.008520092,0.0047599594,0.003226774,0.0021110354,0.00060861337],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00033909705,0.00015820135,0.012263863,0.00025645207,0.000024155826,0.0011667139,0.37938026,0.000092789865,0.0043412703,0.5289701,0.005915258,0.06709184],"study_design_scores_gemma":[0.00004260342,0.000112528236,0.07483661,0.0008372998,0.000050534756,0.00080616004,0.42190742,0.0004940226,0.004649153,0.06992931,0.4262818,0.00005254688],"about_ca_topic_score_codex":0.008054235,"about_ca_topic_score_gemma":0.024082152,"teacher_disagreement_score":0.011529638,"about_ca_system_score_codex":0.0032864457,"about_ca_system_score_gemma":0.001366006,"threshold_uncertainty_score":0.038570464},"labels":[],"label_agreement":null},{"id":"W4229773884","doi":"10.4000/books.pulm.10198","title":"Bhaji, Curry, and Masala: Food and/as Identity in Four Films of the Indian Diaspora","year":2011,"lang":"en","type":"book-chapter","venue":"Presses universitaires de la Méditerranée eBooks","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Homeland; Diaspora; Gender studies; Identity (music); Media studies; Geography; Sociology; Politics; Genealogy; History; Art; Aesthetics; Political science; Law","score_opus":0.0179102792006963,"score_gpt":0.19799445209374264,"score_spread":0.18008417289304635,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4229773884","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.90535074,0.0027537765,0.0003267994,0.0029235224,0.00027757412,0.0000440349,0.00008516506,0.000014349447,0.08822402],"genre_scores_gemma":[0.989542,0.0025849573,0.00036247162,0.00044038036,0.00008446413,0.000029910898,0.000050982882,0.000028560728,0.00687626],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9990578,0.0005691368,0.000021558817,0.00006118782,0.00011592333,0.0001743935],"domain_scores_gemma":[0.99921,0.00043307606,0.00009975312,0.00004282361,0.0000744665,0.0001399341],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009556063,0.0005700282,0.00033105005,0.0010870177,0.011774845,0.006891374,0.0007255711,0.0009399331,0.0019791091],"category_scores_gemma":[0.001986923,0.00031401677,0.0002918666,0.00196458,0.00785123,0.0030342874,0.00360185,0.003254879,0.00020330849],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005843311,0.000024833644,0.0014563946,0.00012246873,0.0000118908265,0.0007515672,0.98324984,0.000020131029,0.0013794581,0.007358331,0.0016028157,0.0039637685],"study_design_scores_gemma":[0.0000048709153,0.000024834693,0.0063983644,0.000139095,0.000018185468,0.00044815824,0.93864894,0.000029165078,0.0005961898,0.0004607813,0.053211104,0.00002025766],"about_ca_topic_score_codex":0.029615145,"about_ca_topic_score_gemma":0.06675742,"teacher_disagreement_score":0.029615145,"about_ca_system_score_codex":0.0029646126,"about_ca_system_score_gemma":0.0014875238,"threshold_uncertainty_score":0.058885515},"labels":[],"label_agreement":null},{"id":"W4229923778","doi":"10.1139/b04-903","title":"INTRODUCTION / INTRODUCTION","year":2004,"lang":"en","type":"article","venue":"Canadian Journal of Botany","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Philosophy","score_opus":0.00937429051337286,"score_gpt":0.17694407718011163,"score_spread":0.16756978666673877,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4229923778","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002153911,0.0134456605,0.0051058605,0.03581062,0.06369302,0.00073810853,0.009697166,0.0020071764,0.8673485],"genre_scores_gemma":[0.008253925,0.00801878,0.0031612595,0.0140142655,0.011464637,0.00035465712,0.004548412,0.00048416926,0.9496999],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991929,0.00008778827,0.000032787633,0.00018558989,0.00039603235,0.0001048726],"domain_scores_gemma":[0.9980787,0.00017551756,0.00007921999,0.00015137675,0.0010195338,0.00049561117],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.001354172,0.0008660644,0.0004455755,0.0015217193,0.0018208555,0.0034161669,0.0011743099,0.0017420124,0.40852112],"category_scores_gemma":[0.0030886582,0.00022584424,0.00055909646,0.0010827169,0.0006853963,0.0018232837,0.002318843,0.0018065331,0.2583708],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000044939676,0.000045368135,0.00031348979,0.00042872396,0.0000030493559,0.00009723165,0.00018984727,0.000042656262,0.00060265075,0.00965553,0.8505863,0.13799015],"study_design_scores_gemma":[0.000003349394,0.000011347897,0.0003292307,0.0001298131,0.0000019918716,0.000039046383,0.000077649376,0.0000067048377,0.00011063125,0.0008434972,0.9984433,0.000003549554],"about_ca_topic_score_codex":0.005872494,"about_ca_topic_score_gemma":0.008628602,"teacher_disagreement_score":0.5914789,"about_ca_system_score_codex":0.0016622007,"about_ca_system_score_gemma":0.0039204485,"threshold_uncertainty_score":0.8436729},"labels":[],"label_agreement":null},{"id":"W4230824483","doi":"10.32920/ryerson.14654157","title":"Keep Dreaming Kiddo!","year":2021,"lang":"en","type":"preprint","venue":"","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Toronto Metropolitan University; York University","funders":"","keywords":"Film director; Government (linguistics); White (mutation); Sociology; Visual arts; Political science; Media studies; Art; Aesthetics; Movie theater; Philosophy","score_opus":0.03273378344443666,"score_gpt":0.21935430984364496,"score_spread":0.1866205263992083,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4230824483","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14704598,0.0034779313,0.0022259185,0.04043549,0.0059651774,0.00012925717,0.0016822683,0.00079909683,0.798239],"genre_scores_gemma":[0.3805242,0.002406338,0.0019531911,0.004168328,0.0004462305,0.00006420439,0.0007992153,0.00039311356,0.6092453],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99979585,0.000053990356,0.000004131544,0.000023093073,0.00004516741,0.000077744924],"domain_scores_gemma":[0.9996138,0.000045019777,0.000025553465,0.000023184719,0.000056704193,0.00023582873],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00022320365,0.0004021236,0.00014261574,0.00029499564,0.0060422705,0.0023915283,0.00036588937,0.000811681,0.043282684],"category_scores_gemma":[0.0008228477,0.00017946876,0.000198725,0.00029417415,0.0019824773,0.001515564,0.00211333,0.0023264627,0.011101432],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009765007,0.00006557072,0.003516078,0.0002474063,0.000016113436,0.001810475,0.21719177,0.00006566277,0.002797732,0.014955025,0.71978694,0.039449576],"study_design_scores_gemma":[0.000003371833,0.000022880015,0.004674207,0.000080179154,0.0000051020384,0.00055849855,0.10307016,0.000032609027,0.00047900886,0.0002169957,0.8908444,0.000012557017],"about_ca_topic_score_codex":0.037641276,"about_ca_topic_score_gemma":0.14288375,"teacher_disagreement_score":0.043282684,"about_ca_system_score_codex":0.001312734,"about_ca_system_score_gemma":0.00071828574,"threshold_uncertainty_score":0.144795},"labels":[],"label_agreement":null},{"id":"W4231276828","doi":"10.1386/btwo_00016_5","title":"Book Reviews","year":2019,"lang":"en","type":"article","venue":"Book 2 0","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Dalhousie University","funders":"","keywords":"History","score_opus":0.01897909064659824,"score_gpt":0.21104249365824565,"score_spread":0.1920634030116474,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4231276828","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00038744023,0.1921872,0.0011560455,0.009243708,0.028022556,0.00011455606,0.0023853777,0.000761867,0.7657412],"genre_scores_gemma":[0.001477683,0.067510724,0.00091004674,0.0044806055,0.005386989,0.00006634396,0.0020511362,0.00039027183,0.91772616],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99914145,0.0000837676,0.00004651559,0.00013728932,0.00052300806,0.00006785441],"domain_scores_gemma":[0.9986166,0.0002445718,0.00009089515,0.0001187969,0.00070180034,0.00022738299],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0004756294,0.0010717527,0.0009639225,0.0030000128,0.0012434603,0.0055472045,0.0016171496,0.0016245757,0.48820814],"category_scores_gemma":[0.002830447,0.00041017096,0.0005827967,0.0044468236,0.00070286804,0.0031591242,0.0017311111,0.0021773113,0.43155485],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007254895,0.0000118766175,0.000019056732,0.00034066336,0.0000021712174,0.000033420038,0.000049553775,0.000024857556,0.000118653246,0.0020750577,0.9196698,0.077647656],"study_design_scores_gemma":[0.0000011185499,0.000002564712,0.000044122695,0.00017197491,9.742135e-7,0.000055178778,0.000022600794,0.0000040179816,0.000015293846,0.00028805734,0.9993923,0.0000017613816],"about_ca_topic_score_codex":0.0035873398,"about_ca_topic_score_gemma":0.00791171,"teacher_disagreement_score":0.5117918,"about_ca_system_score_codex":0.0014639873,"about_ca_system_score_gemma":0.0025056014,"threshold_uncertainty_score":0.73000896},"labels":[],"label_agreement":null},{"id":"W4231669111","doi":"10.15353/kinema.vi.1016","title":"Cinefan 2003","year":2003,"lang":"en","type":"article","venue":"Kinema A Journal for Film and Audiovisual Media","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Movie theater; Notice; Film festival; Media studies; New delhi; Promotion (chess); History; Political science; Art history; Sociology; Law; Politics","score_opus":0.030131004809255048,"score_gpt":0.2575790220555239,"score_spread":0.22744801724626887,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4231669111","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0036322942,0.004247891,0.0012804521,0.0053529283,0.008151685,0.00019626186,0.0035637077,0.0017688045,0.971806],"genre_scores_gemma":[0.010609107,0.0016506166,0.0007783106,0.0008375079,0.0010136128,0.00009325793,0.0030784996,0.00041585637,0.9815232],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99960405,0.000049556613,0.000012835773,0.00008577972,0.00015696038,0.00009081728],"domain_scores_gemma":[0.99909925,0.00004657648,0.00003345631,0.00006779521,0.0003865683,0.00036634717],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008394447,0.00068891427,0.00028958326,0.0013611517,0.0023659642,0.004546643,0.0008547971,0.001340409,0.4444114],"category_scores_gemma":[0.0013814627,0.0002509522,0.00032033463,0.00082537555,0.00038787673,0.0018751072,0.0019892552,0.0014792968,0.15714107],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000063736676,0.000032456795,0.00027190024,0.0000865224,0.0000036459717,0.00012853743,0.00031813592,0.000036994854,0.0010817096,0.002614278,0.9395575,0.055804588],"study_design_scores_gemma":[0.00000244811,0.000006664669,0.0003933132,0.000033518983,7.614569e-7,0.000060456216,0.000087064174,0.000023615237,0.0000851889,0.00009395469,0.99921024,0.0000027271108],"about_ca_topic_score_codex":0.009477267,"about_ca_topic_score_gemma":0.03221459,"teacher_disagreement_score":0.4444114,"about_ca_system_score_codex":0.0016402659,"about_ca_system_score_gemma":0.0013507522,"threshold_uncertainty_score":0.7924797},"labels":[],"label_agreement":null},{"id":"W4232781462","doi":"10.5195/cinej.2013.75","title":"Editorial","year":2013,"lang":"en","type":"editorial","venue":"CINEJ Cinema Journal","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Movie theater; China; Neorealism (international relations); Media studies; Art; Political science; Art history; Sociology; Law; International relations; Politics","score_opus":0.009062193798785687,"score_gpt":0.2170175128133756,"score_spread":0.2079553190145899,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4232781462","genre_codex":"editorial","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":"editorial","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00003607811,0.0026048315,0.00006616134,0.017282432,0.9682187,0.000034998062,0.000091513604,0.00007068839,0.011594668],"genre_scores_gemma":[0.0006245737,0.0038900569,0.000106324704,0.016333546,0.9162041,0.000042053336,0.00012757917,0.00007951484,0.0625922],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9966497,0.0003577594,0.0003542894,0.0005388442,0.001810449,0.00028905337],"domain_scores_gemma":[0.98827094,0.002127523,0.0006334138,0.00054510834,0.006104999,0.0023179557],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002982537,0.0023953347,0.0019905043,0.0027972935,0.0030591295,0.006228971,0.0024961317,0.0075430064,0.084565446],"category_scores_gemma":[0.0153937545,0.0006554317,0.0016383289,0.0012967539,0.001284573,0.003440132,0.0014882166,0.0083396025,0.05918415],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008313746,0.00000598142,0.000012956353,0.00006741534,0.0000024306105,0.00005601382,0.000006982786,0.0000063619445,0.000025811893,0.0001477835,0.9951416,0.004518311],"study_design_scores_gemma":[0.000014387448,0.000008319417,0.00010317396,0.00019873177,0.0000065110326,0.00010427273,0.00002344715,0.00002649413,0.000048817146,0.00027486935,0.9991862,0.000004813753],"about_ca_topic_score_codex":0.0014337335,"about_ca_topic_score_gemma":0.0033011027,"teacher_disagreement_score":0.084565446,"about_ca_system_score_codex":0.0021541007,"about_ca_system_score_gemma":0.0029408615,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W4232815284","doi":"10.21065/25205985.5.1","title":"PRIORITIES, CONCERNS AND EXPECTATIONS OF LOCAL YOUNG SPECTATORS REGARDING 21ST CENTURY FILM AND CINEMA.","year":2020,"lang":"en","type":"article","venue":"Advanced Humanities and Social Sciences","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Theme (computing); Movie theater; Unconscious mind; Psychology; Media studies; Aesthetics; Sociology; Social psychology; Art; Psychoanalysis; Visual arts; Computer science","score_opus":0.04079558528314856,"score_gpt":0.2535807156917394,"score_spread":0.21278513040859084,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4232815284","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98783267,0.00031396904,0.00010116922,0.0010626618,0.0000342001,0.000015052213,0.000043165244,0.0000036148883,0.01059341],"genre_scores_gemma":[0.99650264,0.00023349647,0.000045014855,0.00014729935,0.000011535507,0.000008390348,0.000024709803,0.000002552608,0.0030243935],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99929225,0.0003302821,0.000023933564,0.000046024612,0.00012591798,0.00018150562],"domain_scores_gemma":[0.9975331,0.0004888867,0.0006086058,0.000038199556,0.00034964024,0.0009815596],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013703039,0.0002002984,0.00016584671,0.00049972296,0.0026123393,0.0032992486,0.0003123876,0.0007552174,0.004781785],"category_scores_gemma":[0.0037355179,0.00019374947,0.00017162375,0.00033210966,0.0011806255,0.0010741481,0.0012281348,0.0013078493,0.00069403526],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011202974,0.00014988462,0.268541,0.00017434442,0.00002326484,0.002612518,0.7043172,0.000052863415,0.0031573116,0.0016077367,0.0030658247,0.016185986],"study_design_scores_gemma":[0.0000028436514,0.00012430175,0.0997536,0.00006422997,0.000012265241,0.00057352445,0.88908553,0.00006768677,0.00028963797,0.00025569505,0.009751404,0.000019341587],"about_ca_topic_score_codex":0.0064171515,"about_ca_topic_score_gemma":0.0138189215,"teacher_disagreement_score":0.0064171515,"about_ca_system_score_codex":0.0010842242,"about_ca_system_score_gemma":0.0008294442,"threshold_uncertainty_score":0.015996635},"labels":[],"label_agreement":null},{"id":"W4233068793","doi":"10.32920/ryerson.14636418","title":"Dreaming in Canadian: South Asian Youth, Bollywood and Belonging","year":2021,"lang":"en","type":"preprint","venue":"","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Gratitude; Praise; Diaspora; Media studies; History; Gender studies; Art; Sociology; Psychology; Literature; Social psychology","score_opus":0.018661114561942495,"score_gpt":0.20037379092116636,"score_spread":0.18171267635922386,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4233068793","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.48882046,0.006576044,0.000428557,0.049399994,0.0009957461,0.0000960849,0.0009704842,0.00010850323,0.4526041],"genre_scores_gemma":[0.88922143,0.0044734036,0.00034721164,0.0030620901,0.00006890254,0.00004143545,0.00028400533,0.00010299409,0.10239844],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9990784,0.0001602716,0.000016380238,0.00008772951,0.00020564214,0.00045146083],"domain_scores_gemma":[0.9988532,0.00007515917,0.00006518643,0.000032268515,0.00026969495,0.00070450373],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011464406,0.0006028372,0.0003228376,0.0010488335,0.039076816,0.00825934,0.0009828841,0.0011462545,0.016647724],"category_scores_gemma":[0.0014679744,0.00028511725,0.0002549544,0.0028971997,0.009181622,0.003283573,0.0052413275,0.003860091,0.0010844717],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024436644,0.000024985598,0.005198887,0.00007106083,0.0000049025703,0.000582439,0.90213937,0.000020902686,0.00020772495,0.029277325,0.048473354,0.013974705],"study_design_scores_gemma":[0.0000024381877,0.000005548779,0.005306959,0.000105050625,0.000005643227,0.00013098898,0.8635102,0.000015847663,0.00006710704,0.00054790895,0.13028458,0.00001776185],"about_ca_topic_score_codex":0.9773268,"about_ca_topic_score_gemma":0.9926738,"teacher_disagreement_score":0.039913382,"about_ca_system_score_codex":0.039913382,"about_ca_system_score_gemma":0.0573782,"threshold_uncertainty_score":0.28959322},"labels":[],"label_agreement":null},{"id":"W4233271694","doi":"10.21065/2520-5986.5.1","title":"PSYCHOLOGICAL EFFECTS OF PAKISTANI FILMS ON SPECTATORS WITH SPECIAL REFERENCE TO THE 21ST CENTURY FILMS","year":2020,"lang":"en","type":"article","venue":"Advanced Humanities and Social Sciences","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Theme (computing); Unconscious mind; Psychology; Film studies; Islam; Media studies; Psychoanalysis; Social psychology; Sociology; Movie theater; History; Art; Visual arts; Computer science","score_opus":0.041633322764053876,"score_gpt":0.2694182894715756,"score_spread":0.2277849667075217,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4233271694","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9944102,0.0001230461,0.000029705256,0.00017997512,0.000021519247,0.000009941563,0.0000432366,0.000002437856,0.0051797973],"genre_scores_gemma":[0.998273,0.00017969646,0.000039579816,0.00007206814,0.000029523553,0.00000985506,0.000038238213,0.0000021664557,0.0013558562],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.999706,0.00013709965,0.000009222038,0.000024905989,0.0000633794,0.000059417587],"domain_scores_gemma":[0.9984664,0.0005055608,0.0005046677,0.00006935142,0.00020356473,0.0002505903],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00050079223,0.00032654844,0.00018427169,0.00034737412,0.001414748,0.0017062608,0.00013076232,0.0004960031,0.0060282312],"category_scores_gemma":[0.0028129367,0.0001358305,0.0002719694,0.00028765926,0.00080867595,0.0005234645,0.00094791525,0.0009627746,0.0003347678],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0017546973,0.0012500328,0.5025881,0.00082450605,0.00023770606,0.003828222,0.41155854,0.0002470544,0.030036319,0.0018380741,0.0044427575,0.04139397],"study_design_scores_gemma":[0.000027605727,0.0011709654,0.7664363,0.00009563755,0.00008737087,0.0007591337,0.22258198,0.000117014766,0.0016964914,0.00029833172,0.0066915033,0.00003773983],"about_ca_topic_score_codex":0.0016541769,"about_ca_topic_score_gemma":0.0032985557,"teacher_disagreement_score":0.0060282312,"about_ca_system_score_codex":0.00032951974,"about_ca_system_score_gemma":0.00016119405,"threshold_uncertainty_score":0.020166457},"labels":[],"label_agreement":null},{"id":"W4233311321","doi":"10.4095/294965","title":"The World (2000)","year":2000,"lang":"en","type":"report","venue":"","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Geography","score_opus":0.04043581313988047,"score_gpt":0.25546855337490115,"score_spread":0.21503274023502067,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4233311321","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0034978255,0.0059936037,0.0007508302,0.0014688799,0.0011708585,0.00016283542,0.33334643,0.0005729397,0.65303576],"genre_scores_gemma":[0.017634775,0.0077213463,0.0026506106,0.0004975014,0.00011074132,0.00019278575,0.23525399,0.00030793797,0.7356303],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994381,0.000021599606,0.00002757925,0.00006162527,0.00034249574,0.0001085777],"domain_scores_gemma":[0.9993742,0.000021733686,0.000033241013,0.000036318157,0.0004643429,0.00007018337],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00038796235,0.0009930733,0.00027350854,0.004498555,0.0013614155,0.0027526477,0.0007325694,0.00035745744,0.08563659],"category_scores_gemma":[0.0013445921,0.00029941616,0.00020573808,0.0107535245,0.0003798514,0.0014890452,0.0010543796,0.0009366312,0.04864196],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014816539,0.000007931547,0.0011624058,0.00015725334,0.000004218833,0.0000390209,0.00033539938,0.00005603592,0.00008082574,0.0047087157,0.9407057,0.05272763],"study_design_scores_gemma":[0.0000011757397,0.0000017705443,0.0074511613,0.00006372112,0.0000016154216,0.000029885574,0.0002442056,0.000010576735,0.000049630697,0.00020106626,0.9919418,0.0000033425072],"about_ca_topic_score_codex":0.7266803,"about_ca_topic_score_gemma":0.81615704,"teacher_disagreement_score":0.7266803,"about_ca_system_score_codex":0.0072996635,"about_ca_system_score_gemma":0.014665487,"threshold_uncertainty_score":0.5498587},"labels":[],"label_agreement":null},{"id":"W4233454575","doi":"10.32920/ryerson.14657190.v1","title":"Tirmazi","year":2021,"lang":"en","type":"preprint","venue":"","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Performative utterance; Animation; Persecution; Displacement (psychology); Mainstream; Context (archaeology); Islam; Poetry; Order (exchange); Sociology; Art; Visual arts; History; Aesthetics; Literature; Political science; Archaeology; Psychology; Law; Politics","score_opus":0.03664383143375605,"score_gpt":0.22133780345921528,"score_spread":0.18469397202545923,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4233454575","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06418052,0.005834579,0.0038649207,0.005642836,0.0048181387,0.00022134288,0.0013326679,0.0009956094,0.9131093],"genre_scores_gemma":[0.32347,0.005060222,0.006186618,0.0010174006,0.00066347665,0.00019495,0.0020676353,0.00086013024,0.6604796],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996383,0.00006143047,0.000022658138,0.000084158295,0.00012412446,0.000069227586],"domain_scores_gemma":[0.999468,0.000088055975,0.000051482602,0.00010062909,0.00019329031,0.00009862235],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00049238297,0.0006036636,0.00033664666,0.00088248064,0.0031713182,0.0030822325,0.0005728438,0.00084781897,0.09931978],"category_scores_gemma":[0.0015107357,0.00019359821,0.00028915453,0.00086629216,0.0009751428,0.0016215337,0.0022407956,0.0019697065,0.029540109],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0009783244,0.00012641354,0.0047544893,0.0026056094,0.00004472874,0.003937977,0.06453381,0.00053369795,0.033043545,0.13820298,0.27277377,0.47846472],"study_design_scores_gemma":[0.0000070267306,0.000042265176,0.0017144475,0.0001413594,0.0000077873,0.0012217372,0.0041672923,0.000099084995,0.0012316254,0.0005625643,0.99078965,0.000015057383],"about_ca_topic_score_codex":0.0025128364,"about_ca_topic_score_gemma":0.004250454,"teacher_disagreement_score":0.90068024,"about_ca_system_score_codex":0.0012902962,"about_ca_system_score_gemma":0.0012906262,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W4234689275","doi":"10.4095/301437","title":"Mother Tongue (English), 1996","year":2010,"lang":"en","type":"report","venue":"","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Tongue; First language; Linguistics; Psychology; Philosophy","score_opus":0.035670454755097045,"score_gpt":0.2458558256207952,"score_spread":0.21018537086569816,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4234689275","genre_codex":"dataset","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0049339305,0.0012401385,0.00012603865,0.00059202925,0.00030093378,0.00016175766,0.7999084,0.00041380824,0.19232291],"genre_scores_gemma":[0.018602964,0.004375346,0.0009419767,0.00024836056,0.000050449715,0.00027888324,0.743275,0.00017850228,0.23204857],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990514,0.000020939891,0.000041792824,0.000065898304,0.00051668246,0.00030329617],"domain_scores_gemma":[0.9982975,0.0000367506,0.00008270557,0.000035913996,0.0013844735,0.00016264112],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00031675384,0.001391468,0.00033911312,0.0051066624,0.001864344,0.0023964916,0.001587086,0.0004445725,0.08697113],"category_scores_gemma":[0.0019339059,0.0003656566,0.0004050381,0.010703594,0.00027633912,0.0012908231,0.0010619886,0.0009793115,0.057197005],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000047574064,0.000017753342,0.0058482713,0.00031045807,0.000008068443,0.0000822319,0.00029655945,0.00012687493,0.00017727398,0.00090632756,0.95492727,0.03725146],"study_design_scores_gemma":[0.000016518663,0.000014202286,0.1091576,0.00030200358,0.00000764758,0.00009333503,0.00096765417,0.00008113466,0.00015316135,0.000118747594,0.8890716,0.000016395585],"about_ca_topic_score_codex":0.90153563,"about_ca_topic_score_gemma":0.9119955,"teacher_disagreement_score":0.90153563,"about_ca_system_score_codex":0.007654514,"about_ca_system_score_gemma":0.01330805,"threshold_uncertainty_score":0.29094744},"labels":[],"label_agreement":null},{"id":"W4235564880","doi":"10.1057/9781137457233.0015","title":"The South Asian-Canadian Mediaâs Resistance to Gender and Cultural Stereotyping","year":2015,"lang":"en","type":"book-chapter","venue":"Palgrave Macmillan eBooks","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Resistance (ecology); Psychology; Social psychology","score_opus":0.055433632668094666,"score_gpt":0.23405816939130944,"score_spread":0.17862453672321477,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4235564880","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07379689,0.0046212524,0.00026375637,0.01636322,0.00049442484,0.000025684727,0.000107128355,0.00002844879,0.90429926],"genre_scores_gemma":[0.751672,0.0040601124,0.00025295583,0.0024659527,0.00011255321,0.000041231095,0.000049995793,0.000087947585,0.24125725],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9976439,0.0004524929,0.000032688324,0.00017857357,0.00067236,0.001019992],"domain_scores_gemma":[0.9977779,0.00076095044,0.0001560557,0.000089009474,0.0006408285,0.0005751788],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022366694,0.00075756834,0.0002932716,0.0021480313,0.028616631,0.014291813,0.0010717502,0.001995361,0.019957237],"category_scores_gemma":[0.0035479784,0.00039600438,0.00027424228,0.0034442393,0.018256752,0.0037330203,0.005161638,0.004028898,0.0011442394],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010620198,0.0000316182,0.003267719,0.00015214866,0.000011523516,0.0006384392,0.56956,0.00006660087,0.0009937418,0.3295815,0.05550511,0.040085375],"study_design_scores_gemma":[0.000008845824,0.000018413262,0.010089765,0.00036986778,0.000017696635,0.00024975493,0.39501244,0.00007031556,0.00058772956,0.008110243,0.5854258,0.000039165774],"about_ca_topic_score_codex":0.84681606,"about_ca_topic_score_gemma":0.9399587,"teacher_disagreement_score":0.15318394,"about_ca_system_score_codex":0.040884487,"about_ca_system_score_gemma":0.041106008,"threshold_uncertainty_score":0.3081721},"labels":[],"label_agreement":null},{"id":"W4235658193","doi":"10.22215/etd/2007-06364","title":"Resistance is futile: Indian cinema and identity construction among young south Asian Canadians of muslim and other backgrounds","year":2007,"lang":"en","type":"dissertation","venue":"","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University; Canadian Heritage; Social Sciences and Humanities Research Council; Library and Archives Canada","funders":"","keywords":"Movie theater; Identity (music); Resistance (ecology); Humanities; Gender studies; Genealogy; Political science; Sociology; History; Art; Art history; Aesthetics","score_opus":0.01057215147498026,"score_gpt":0.23846030143171898,"score_spread":0.22788814995673873,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4235658193","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9954378,0.00015549027,0.000016350868,0.00034334898,0.000011032457,0.000017921473,0.000031208572,0.000001644127,0.003985171],"genre_scores_gemma":[0.9969324,0.00026666062,0.000040004714,0.00014327702,0.0000055307028,0.00001154592,0.000038695332,0.000003116006,0.0025587508],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9990145,0.00016527307,0.000025042447,0.000083460414,0.0002480813,0.0004636197],"domain_scores_gemma":[0.9974293,0.00039781645,0.0005097672,0.00006516978,0.00063534366,0.00096270617],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012895119,0.00041173992,0.00032755994,0.001379869,0.009415542,0.0056663607,0.001036412,0.0010009015,0.004350814],"category_scores_gemma":[0.004105694,0.00035015322,0.00029112957,0.0013908368,0.0040197107,0.0013256227,0.0026013523,0.002302989,0.0003713127],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006605936,0.00011912613,0.112408124,0.000047224905,0.000010427557,0.00041253687,0.8792386,0.000010991282,0.00072976213,0.0006342518,0.00094640144,0.005376471],"study_design_scores_gemma":[0.000002223532,0.000022835573,0.068289414,0.00003667543,0.000008697753,0.00009764223,0.92943347,0.000017007465,0.000054355936,0.000037337668,0.0019896803,0.000010798062],"about_ca_topic_score_codex":0.78989667,"about_ca_topic_score_gemma":0.8946974,"teacher_disagreement_score":0.21010333,"about_ca_system_score_codex":0.008778743,"about_ca_system_score_gemma":0.01490364,"threshold_uncertainty_score":0.42268133},"labels":[],"label_agreement":null},{"id":"W4236285604","doi":"10.1386/ijcis.11.1-2.3_2","title":"Introduction","year":2017,"lang":"en","type":"article","venue":"International Journal of Contemporary Iraqi Studies","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Political science","score_opus":0.09144064076717072,"score_gpt":0.3253980458188156,"score_spread":0.23395740505164486,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4236285604","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0018984672,0.0028878157,0.0051490995,0.020556116,0.01655548,0.00032243435,0.008402136,0.001523558,0.9427049],"genre_scores_gemma":[0.013780243,0.0024234927,0.0024564685,0.00906143,0.004432122,0.0002703885,0.0060940315,0.00040008765,0.96108174],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99913895,0.00010400621,0.000034517983,0.00019222993,0.00040776504,0.00012242999],"domain_scores_gemma":[0.99813914,0.00020750573,0.000087500375,0.00019444751,0.0010330867,0.00033834492],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0010428196,0.0007845553,0.00033856588,0.0012347844,0.0016318237,0.0044239024,0.0014019902,0.0017100624,0.5878267],"category_scores_gemma":[0.003099153,0.00019078789,0.00060597033,0.00094394473,0.00060143764,0.0019229531,0.0024865153,0.0017632953,0.36727908],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000078981684,0.00006429708,0.0006845299,0.00043785476,0.000006576094,0.000120833734,0.00030756352,0.00012843734,0.000600371,0.028188774,0.7643366,0.20504506],"study_design_scores_gemma":[0.000005005014,0.000013159269,0.00045835343,0.00015617342,0.0000027026608,0.000036075297,0.0001501331,0.000022748347,0.00016474513,0.002301516,0.99668497,0.0000043392592],"about_ca_topic_score_codex":0.0045668357,"about_ca_topic_score_gemma":0.0041793953,"teacher_disagreement_score":0.41217327,"about_ca_system_score_codex":0.0014289137,"about_ca_system_score_gemma":0.0031659682,"threshold_uncertainty_score":0.5879151},"labels":[],"label_agreement":null},{"id":"W4236495087","doi":"10.1242/dev.193672","title":"The people behind the papers – Priyanka Govindaraju and Enrico Scarpella","year":2020,"lang":"en","type":"article","venue":"Development","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Biology","score_opus":0.014129669428758368,"score_gpt":0.16705565804587372,"score_spread":0.15292598861711534,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4236495087","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0034969405,0.081678994,0.003073319,0.57918346,0.26690868,0.00007335528,0.0003678902,0.0004144822,0.06480287],"genre_scores_gemma":[0.08557327,0.105784535,0.004065362,0.11791101,0.13605301,0.00032578444,0.0005197751,0.0019189002,0.5478484],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99587494,0.0013986578,0.00020702001,0.0008165016,0.0013496845,0.00035316052],"domain_scores_gemma":[0.97868323,0.0055789216,0.0011909311,0.0010028661,0.007871991,0.0056721508],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0060737296,0.0008303481,0.0009119093,0.0014985722,0.0045171115,0.00940248,0.0010643592,0.0018911876,0.02337166],"category_scores_gemma":[0.021923138,0.00035833963,0.0003703393,0.0012537582,0.0031262287,0.003940197,0.002594959,0.00709223,0.014571044],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028052293,0.000017486238,0.0002943296,0.00018223547,0.000010696526,0.00019231424,0.0016903733,0.00005187755,0.00030842947,0.018664071,0.9477544,0.030805692],"study_design_scores_gemma":[0.0000030698664,0.000006153658,0.00023943628,0.0001241748,0.0000031560107,0.0001220154,0.00066287053,0.00002728627,0.00015317157,0.0018396932,0.99680734,0.000011753455],"about_ca_topic_score_codex":0.0025097008,"about_ca_topic_score_gemma":0.002694264,"teacher_disagreement_score":0.02337166,"about_ca_system_score_codex":0.002643685,"about_ca_system_score_gemma":0.0049291463,"threshold_uncertainty_score":0.078186035},"labels":[],"label_agreement":null},{"id":"W4237208444","doi":"10.4212/cjhp.v69i1.1528","title":"Back to the Future","year":2016,"lang":"en","type":"article","venue":"The Canadian Journal of Hospital Pharmacy","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Library science; Computer science","score_opus":0.01700314799494696,"score_gpt":0.226056111514762,"score_spread":0.20905296351981503,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4237208444","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0030447473,0.032477625,0.000860064,0.5620514,0.031064952,0.000019559482,0.00024134746,0.0001171715,0.37012312],"genre_scores_gemma":[0.095694125,0.020095784,0.0009894164,0.25019652,0.0071012718,0.000041738,0.00021826655,0.00023726265,0.62542564],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980149,0.00058817735,0.00004946924,0.00026641684,0.00047670273,0.00060423044],"domain_scores_gemma":[0.9974527,0.00026673614,0.00009623111,0.00021674292,0.0008242579,0.001143429],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0028050041,0.0005749905,0.0004961894,0.00072710466,0.0073072836,0.012536069,0.0010332705,0.005034439,0.093260184],"category_scores_gemma":[0.005403173,0.0001832037,0.0004440209,0.0007710617,0.011077607,0.012474412,0.005139477,0.012159043,0.027076047],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000048584934,0.000043250595,0.00049418776,0.00010612635,0.000009778826,0.000104149534,0.003934318,0.000039934323,0.00016421125,0.45972285,0.5005325,0.034800235],"study_design_scores_gemma":[0.0000047187914,0.000007815086,0.0002556833,0.0002034651,0.000002656503,0.000050862687,0.0036334223,0.000014415615,0.000043891807,0.029464452,0.9663105,0.000008036792],"about_ca_topic_score_codex":0.023480883,"about_ca_topic_score_gemma":0.044520162,"teacher_disagreement_score":0.093260184,"about_ca_system_score_codex":0.007943745,"about_ca_system_score_gemma":0.010886594,"threshold_uncertainty_score":0.3119864},"labels":[],"label_agreement":null},{"id":"W4237794169","doi":"10.15353/kinema.vi.1157","title":"CINEFAN 2007","year":2007,"lang":"en","type":"article","venue":"Kinema A Journal for Film and Audiovisual Media","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Movie theater; Film director; Ninth; Film festival; Media studies; New delhi; History; Visual arts; Advertising; Political science; Art history; Art; Sociology; Business; Archaeology","score_opus":0.028075943303080025,"score_gpt":0.27743753910063873,"score_spread":0.2493615957975587,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4237794169","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0028576886,0.005400935,0.0009439114,0.0045771464,0.009926084,0.00011658529,0.0023085505,0.0012902237,0.9725788],"genre_scores_gemma":[0.007987479,0.003444577,0.00075706583,0.00078378886,0.0011627866,0.000060857306,0.0023641067,0.00030426824,0.9831352],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996996,0.000033553217,0.000008739675,0.000054117478,0.00012457879,0.0000795417],"domain_scores_gemma":[0.9993049,0.000056594894,0.000024062441,0.000044820357,0.0002902749,0.00027926278],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00061746367,0.0008372675,0.00032247248,0.001352872,0.0022714422,0.004595957,0.0006314089,0.0012505477,0.43005535],"category_scores_gemma":[0.0010780335,0.00026934224,0.00031656332,0.00079122576,0.00042587728,0.0019110325,0.0019966795,0.0018172847,0.13122332],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000042117597,0.000030749514,0.0001809676,0.00009758951,0.0000025919715,0.00009533431,0.00023632919,0.000031860745,0.0006859931,0.0032325115,0.9401245,0.055239387],"study_design_scores_gemma":[0.000002818651,0.000009193204,0.00047037992,0.000061614366,0.0000011362191,0.00007174024,0.0001420308,0.00003075298,0.000108315755,0.00012120439,0.9989772,0.0000035233775],"about_ca_topic_score_codex":0.006353523,"about_ca_topic_score_gemma":0.024443423,"teacher_disagreement_score":0.43005535,"about_ca_system_score_codex":0.0013123463,"about_ca_system_score_gemma":0.0014804623,"threshold_uncertainty_score":0.81295687},"labels":[],"label_agreement":null},{"id":"W4238551713","doi":"10.29173/cjfy6045","title":"Editorial Introduction","year":2008,"lang":"fr","type":"article","venue":"Canadian Journal of Family and Youth / Le Journal Canadien de Famille et de la Jeunesse","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.01403062396133034,"score_gpt":0.21423642391079867,"score_spread":0.20020579994946833,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4238551713","genre_codex":"editorial","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":"editorial","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00007168195,0.004032492,0.000061776314,0.038563155,0.9343519,0.0000519322,0.00024854814,0.00009203863,0.022526415],"genre_scores_gemma":[0.001833772,0.005278547,0.00017852282,0.05693372,0.7788472,0.00008945004,0.0004244711,0.0001550758,0.1562592],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99689084,0.00038246773,0.00021114622,0.00045292085,0.0015923986,0.00047021772],"domain_scores_gemma":[0.9874056,0.0016926621,0.00075695047,0.0006304998,0.0067144013,0.0027997917],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0033162015,0.0016292948,0.001214963,0.0035131255,0.00235125,0.0063139787,0.0016337094,0.00749233,0.15367635],"category_scores_gemma":[0.016552594,0.00057904184,0.0015622802,0.0011013997,0.0011958753,0.002203592,0.0021003115,0.0066763745,0.055970423],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012037652,0.0000032282194,0.00001581986,0.000069454276,0.000003272265,0.0000411166,0.000005769078,0.0000045525358,0.000023411541,0.00018200779,0.9954401,0.00419921],"study_design_scores_gemma":[0.000020259806,0.0000068692043,0.000148915,0.00015268633,0.000007947213,0.000060178514,0.000021670981,0.0000117601485,0.00003314441,0.00028108744,0.9992506,0.000004854537],"about_ca_topic_score_codex":0.0048323628,"about_ca_topic_score_gemma":0.011375386,"teacher_disagreement_score":0.15367635,"about_ca_system_score_codex":0.0033652417,"about_ca_system_score_gemma":0.0047358093,"threshold_uncertainty_score":0.5140986},"labels":[],"label_agreement":null},{"id":"W4238674234","doi":"10.2307/2672507","title":"Women, Democracy and The Media: Cultural and Political Representation in the Indian Press","year":2001,"lang":"en","type":"article","venue":"Pacific Affairs","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Representation (politics); Politics; Democracy; Political science; Media studies; Gender studies; Sociology; Law","score_opus":0.029986585896289396,"score_gpt":0.24641117450472896,"score_spread":0.21642458860843958,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4238674234","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.37827486,0.008527925,0.00048732798,0.046197135,0.00048024714,0.000025351645,0.00017561267,0.00003546061,0.56579614],"genre_scores_gemma":[0.98289734,0.0017324134,0.00004406327,0.0011671992,0.00035857898,0.000012030809,0.000017645783,0.000016161519,0.01375447],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99783105,0.0011348587,0.0000575365,0.0001121947,0.00033293845,0.0005314119],"domain_scores_gemma":[0.99402976,0.003924131,0.00066881796,0.00018811197,0.00034873627,0.0008404705],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0025088738,0.0002738997,0.0002246977,0.0028133325,0.008854935,0.017795336,0.00062959926,0.0012222956,0.015196269],"category_scores_gemma":[0.0074084685,0.00020169994,0.00018134304,0.0050861407,0.012158933,0.0041189212,0.0037850873,0.0030079698,0.0006176267],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024848184,0.00014869076,0.030919962,0.0003058935,0.000047124144,0.0005852512,0.45998034,0.00019240986,0.0010705133,0.41384953,0.021765687,0.07088616],"study_design_scores_gemma":[0.000032628253,0.000073660856,0.06889503,0.00050047744,0.0000777892,0.00033552691,0.55234724,0.00028567357,0.0009120488,0.055142116,0.3213374,0.000060425114],"about_ca_topic_score_codex":0.02099071,"about_ca_topic_score_gemma":0.03126712,"teacher_disagreement_score":0.02099071,"about_ca_system_score_codex":0.0034285514,"about_ca_system_score_gemma":0.0037863906,"threshold_uncertainty_score":0.050836563},"labels":[],"label_agreement":null},{"id":"W4239638021","doi":"10.32873/uno.dc.jrf.25.1.023","title":"Sabaya","year":2021,"lang":"en","type":"article","venue":"Journal of Religion & Film","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Memorial University of Newfoundland","funders":"","keywords":"Political science; Philosophy; Sociology","score_opus":0.014212458993806468,"score_gpt":0.21555586329325893,"score_spread":0.20134340429945247,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4239638021","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.007443165,0.083602116,0.0011241303,0.036227968,0.074383,0.00013239651,0.000904646,0.00054205745,0.79564047],"genre_scores_gemma":[0.05946207,0.034794964,0.00089156826,0.0113183195,0.0066187684,0.00008237944,0.0007533391,0.00043331974,0.8856453],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994566,0.000092688744,0.000019509216,0.00008272559,0.00026945668,0.00007897903],"domain_scores_gemma":[0.99840766,0.00019313018,0.00007637372,0.000094659394,0.0009805856,0.00024752098],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00074668793,0.0004930231,0.00036599752,0.0011979749,0.0035218152,0.003978302,0.00063510746,0.001100396,0.085718215],"category_scores_gemma":[0.0031142386,0.00022414906,0.0002470088,0.001069028,0.000626854,0.0017854245,0.0017246554,0.0027051908,0.02380969],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010374453,0.000025039462,0.0004293414,0.000635385,0.000009453703,0.0002662149,0.0013609685,0.00007082674,0.0009452798,0.012036815,0.85785097,0.12626614],"study_design_scores_gemma":[0.0000015584411,0.000006107115,0.00040787336,0.00008868567,0.000002584268,0.000091055605,0.00036291074,0.00002273795,0.0001421408,0.00019075819,0.9986808,0.0000027772255],"about_ca_topic_score_codex":0.007946501,"about_ca_topic_score_gemma":0.015216684,"teacher_disagreement_score":0.085718215,"about_ca_system_score_codex":0.0018548206,"about_ca_system_score_gemma":0.002413162,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W4239755499","doi":"10.32920/ryerson.14654157.v1","title":"Keep Dreaming Kiddo!","year":2021,"lang":"en","type":"preprint","venue":"","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Toronto Metropolitan University; York University","funders":"","keywords":"Film director; Government (linguistics); White (mutation); Sociology; Visual arts; Media studies; Political science; Art; Aesthetics; Movie theater; Philosophy","score_opus":0.03273378344443666,"score_gpt":0.21935430984364496,"score_spread":0.1866205263992083,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4239755499","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14704598,0.0034779313,0.0022259185,0.04043549,0.0059651774,0.00012925717,0.0016822683,0.00079909683,0.798239],"genre_scores_gemma":[0.3805242,0.002406338,0.0019531911,0.004168328,0.0004462305,0.00006420439,0.0007992153,0.00039311356,0.6092453],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99979585,0.000053990356,0.000004131544,0.000023093073,0.00004516741,0.000077744924],"domain_scores_gemma":[0.9996138,0.000045019777,0.000025553465,0.000023184719,0.000056704193,0.00023582873],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00022320365,0.0004021236,0.00014261574,0.00029499564,0.0060422705,0.0023915283,0.00036588937,0.000811681,0.043282684],"category_scores_gemma":[0.0008228477,0.00017946876,0.000198725,0.00029417415,0.0019824773,0.001515564,0.00211333,0.0023264627,0.011101432],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009765007,0.00006557072,0.003516078,0.0002474063,0.000016113436,0.001810475,0.21719177,0.00006566277,0.002797732,0.014955025,0.71978694,0.039449576],"study_design_scores_gemma":[0.000003371833,0.000022880015,0.004674207,0.000080179154,0.0000051020384,0.00055849855,0.10307016,0.000032609027,0.00047900886,0.0002169957,0.8908444,0.000012557017],"about_ca_topic_score_codex":0.037641276,"about_ca_topic_score_gemma":0.14288375,"teacher_disagreement_score":0.043282684,"about_ca_system_score_codex":0.001312734,"about_ca_system_score_gemma":0.00071828574,"threshold_uncertainty_score":0.144795},"labels":[],"label_agreement":null},{"id":"W4240760821","doi":"10.1002/9781444337822.wbetcfv3s013","title":"<scp>S</scp> idhwa, <scp>B</scp> apsi","year":2010,"lang":"en","type":"other","venue":"The Encyclopedia of Twentieth-Century Fiction","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Film director; Hinduism; Context (archaeology); Colonialism; Gender studies; South asia; History; Art; Religious studies; Ancient history; Sociology; Art history; Philosophy; Archaeology","score_opus":0.010378892104045813,"score_gpt":0.20949772256961494,"score_spread":0.19911883046556914,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4240760821","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0013518068,0.0013476615,0.0001272512,0.0017400993,0.00095838314,0.00002510681,0.0005724328,0.00011037773,0.9937669],"genre_scores_gemma":[0.024392534,0.0030930005,0.00040336966,0.00071719254,0.00038571705,0.000059198246,0.00074563216,0.00018546608,0.9700179],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9998932,0.000020465028,0.000004481585,0.000013486189,0.000040057654,0.000028245884],"domain_scores_gemma":[0.99961036,0.00007066146,0.000027279935,0.00003818966,0.00014101024,0.000112591515],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00023074949,0.00052023184,0.00015297343,0.0013347815,0.0033848288,0.003601799,0.00044171017,0.00062245503,0.22510175],"category_scores_gemma":[0.00073599676,0.00014272389,0.00010700157,0.0021499095,0.0007518027,0.0015550073,0.0016551156,0.0011924322,0.05468353],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028186168,0.000029636201,0.00050749886,0.00029319254,0.0000023225641,0.00027669524,0.002886587,0.0000385997,0.00050443196,0.01701102,0.88276947,0.09565236],"study_design_scores_gemma":[0.0000011376391,0.0000020710884,0.00065385655,0.000059033617,5.9040593e-7,0.00010217346,0.0013130498,0.000015932806,0.00016078296,0.00036157374,0.99732804,0.0000016860421],"about_ca_topic_score_codex":0.011649744,"about_ca_topic_score_gemma":0.031508036,"teacher_disagreement_score":0.77489823,"about_ca_system_score_codex":0.0014704773,"about_ca_system_score_gemma":0.0012314152,"threshold_uncertainty_score":0.7530404},"labels":[],"label_agreement":null},{"id":"W4241513175","doi":"10.15353/kinema.vi.1126","title":"Cinefan 2006","year":2006,"lang":"en","type":"article","venue":"Kinema A Journal for Film and Audiovisual Media","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Movie theater; Attendance; New delhi; AKA; Media studies; Government (linguistics); Advertising; Political science; Geography; History; Library science; Sociology; Art history; Law; Business; Archaeology","score_opus":0.017879423428257338,"score_gpt":0.23934504070895038,"score_spread":0.22146561728069303,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4241513175","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0018670085,0.003700684,0.0009829918,0.0047489884,0.011106786,0.0001737395,0.003507863,0.0016338582,0.97227806],"genre_scores_gemma":[0.0074988785,0.0018512051,0.00070503115,0.0008192454,0.0016503317,0.00008043737,0.0030256184,0.00037655325,0.98399276],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99948335,0.00007668874,0.000022078691,0.00011050542,0.00019073932,0.00011658905],"domain_scores_gemma":[0.9985672,0.00011063802,0.00005439366,0.00015477352,0.0005399144,0.00057292235],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00095186074,0.0009669109,0.00036366045,0.001721954,0.002472134,0.005455144,0.0011133065,0.0014634194,0.5631913],"category_scores_gemma":[0.0020354192,0.00037180222,0.0003849671,0.001037423,0.00046804245,0.0025604812,0.002424763,0.0021193207,0.21962397],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000384259,0.000021994578,0.00014578005,0.00009807803,0.000002513234,0.00008146075,0.00022890414,0.000025005282,0.00041726616,0.0024000516,0.9586576,0.037882946],"study_design_scores_gemma":[0.0000023422965,0.000006432621,0.00026882574,0.000033677083,6.5734974e-7,0.00004432049,0.00007763333,0.000013953725,0.000039936574,0.000059243437,0.9994506,0.00000243729],"about_ca_topic_score_codex":0.0070262193,"about_ca_topic_score_gemma":0.025296057,"teacher_disagreement_score":0.5631913,"about_ca_system_score_codex":0.0014439181,"about_ca_system_score_gemma":0.0012112504,"threshold_uncertainty_score":0.6230546},"labels":[],"label_agreement":null},{"id":"W4241640449","doi":"10.21992/t96d1n","title":"Introduction","year":2014,"lang":"en","type":"article","venue":"TranscUlturAl A Journal of Translation and Cultural Studies","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Computer science","score_opus":0.05699335461923811,"score_gpt":0.26486603262829067,"score_spread":0.20787267800905257,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4241640449","genre_codex":"other","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001254934,0.0027957933,0.02062307,0.008277048,0.009032724,0.00017467528,0.0011562923,0.0006329992,0.9560525],"genre_scores_gemma":[0.0210993,0.0019707147,0.0109834345,0.006601509,0.0031617226,0.0003337988,0.0012412831,0.001022095,0.9535861],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991008,0.00022959588,0.000038964186,0.0001855689,0.00031540514,0.00012971561],"domain_scores_gemma":[0.99889046,0.00021766519,0.00004971866,0.0001574307,0.00058976724,0.000094863804],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001182833,0.0013105097,0.0005572097,0.0015966546,0.0033465025,0.0044369865,0.0017652325,0.002262767,0.2750267],"category_scores_gemma":[0.0038279041,0.00038618525,0.0010509138,0.000931604,0.0024973585,0.004203084,0.0030350073,0.004656398,0.18279],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003596924,0.00008075046,0.00035631322,0.00023129031,0.000009494928,0.00011858132,0.0014924412,0.00018297318,0.00062780426,0.6115827,0.32806027,0.05722145],"study_design_scores_gemma":[0.000003818661,0.000016718132,0.000402708,0.00018169468,0.000004459327,0.00007054826,0.00038441035,0.000098959266,0.000278949,0.061401617,0.9371449,0.000011231357],"about_ca_topic_score_codex":0.006175939,"about_ca_topic_score_gemma":0.005333106,"teacher_disagreement_score":0.2750267,"about_ca_system_score_codex":0.0022755382,"about_ca_system_score_gemma":0.002059546,"threshold_uncertainty_score":0.920056},"labels":[],"label_agreement":null},{"id":"W4242114877","doi":"10.1386/btwo.2.1-2.7_7","title":"Introduction","year":2013,"lang":"en","type":"article","venue":"Book 2 0","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Brock University","funders":"","keywords":"Computer science","score_opus":0.00879480618215426,"score_gpt":0.16790191183176623,"score_spread":0.15910710564961197,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4242114877","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0005804607,0.0025561925,0.0029363008,0.007672363,0.013062827,0.00027320735,0.0076084896,0.0014627998,0.96384734],"genre_scores_gemma":[0.0017228359,0.0011425278,0.00079273846,0.0019868365,0.0015716872,0.000104176375,0.0030605434,0.00027515035,0.9893435],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993686,0.00006594243,0.000023938679,0.00013735447,0.00031738274,0.000086764136],"domain_scores_gemma":[0.9987331,0.000108586086,0.000045391993,0.0001301786,0.00068319775,0.000299634],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007377013,0.0010039045,0.00047466852,0.0015348917,0.001448781,0.0047666505,0.0012853716,0.0016415697,0.73865837],"category_scores_gemma":[0.0021329802,0.00029909378,0.0006866045,0.0012521477,0.00046145188,0.0023216775,0.0024219563,0.0018103007,0.6199396],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003515501,0.00003338061,0.00011529711,0.00020129334,0.0000020913856,0.00004488644,0.00007644562,0.00008205048,0.0003252087,0.0074567664,0.89607346,0.09555397],"study_design_scores_gemma":[0.0000031907305,0.000007743401,0.00014570275,0.00008358526,0.0000011006341,0.000016278664,0.000049662438,0.000014664824,0.00008021943,0.0012229555,0.998372,0.0000030271003],"about_ca_topic_score_codex":0.0048788544,"about_ca_topic_score_gemma":0.0063498,"teacher_disagreement_score":0.73865837,"about_ca_system_score_codex":0.0015100468,"about_ca_system_score_gemma":0.002937787,"threshold_uncertainty_score":0.3727721},"labels":[],"label_agreement":null},{"id":"W4242539535","doi":"10.5195/cinej.2019.178","title":"Bollywood in the Hollywood Era: Narratives of Ultra-nationalism, Terrorism and Violence","year":2019,"lang":"en","type":"article","venue":"CINEJ Cinema Journal","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"CARE Canada","funders":"","keywords":"Geopolitics; Hollywood; Empire; Nationalism; Rhetoric; Politics; Ideology; Narrative; Terrorism; Political science; Political economy; State (computer science); Power (physics); Media studies; Sociology; History; Law; Literature; Art","score_opus":0.011709587742821914,"score_gpt":0.2183837817167292,"score_spread":0.2066741939739073,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4242539535","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.90996283,0.0036472746,0.0006617856,0.006473941,0.00024107803,0.000035187364,0.00012650121,0.0000233716,0.07882803],"genre_scores_gemma":[0.9863196,0.0011634642,0.0001866778,0.0008167149,0.000047056124,0.000029912318,0.000056334004,0.000040860188,0.011339369],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9989761,0.0006504888,0.000019865141,0.000053356205,0.00009846228,0.00020163784],"domain_scores_gemma":[0.9987311,0.00077840046,0.00015268469,0.000055703855,0.000063696905,0.00021853205],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015125832,0.00064875896,0.00029261163,0.0011561309,0.009537532,0.007478248,0.00071656896,0.0015203028,0.0031518375],"category_scores_gemma":[0.002254109,0.00036856555,0.00017496424,0.0012134498,0.009049314,0.0062249904,0.0048416425,0.0037351486,0.0003511059],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000363056,0.000015570782,0.0009901036,0.0000540712,0.000004145725,0.0004096766,0.9844156,0.000013222756,0.0003819041,0.009627098,0.0020491031,0.0020031997],"study_design_scores_gemma":[0.00000357015,0.000020314314,0.0029692452,0.00013647029,0.0000067216033,0.00025958044,0.9259177,0.000048808943,0.00032863085,0.0011321421,0.069164276,0.000012388803],"about_ca_topic_score_codex":0.008642548,"about_ca_topic_score_gemma":0.021942267,"teacher_disagreement_score":0.009537532,"about_ca_system_score_codex":0.0035800745,"about_ca_system_score_gemma":0.0011695982,"threshold_uncertainty_score":0.025975406},"labels":[],"label_agreement":null},{"id":"W4243016351","doi":"10.4000/books.pum.2378","title":"Deepa Mehta","year":2014,"lang":"fr","type":"book-chapter","venue":"Presses de l’Université de Montréal eBooks","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sociology","score_opus":0.009722722347474616,"score_gpt":0.1588114375794999,"score_spread":0.14908871523202527,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4243016351","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.007042285,0.036678907,0.0028476806,0.050338667,0.00940524,0.00007152966,0.00038520058,0.00038251723,0.892848],"genre_scores_gemma":[0.031821325,0.011040598,0.0013216562,0.006715964,0.0006582151,0.00004543447,0.000087267006,0.00018440891,0.948125],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99941254,0.00009707,0.000018081726,0.00014151887,0.00024248587,0.000088375986],"domain_scores_gemma":[0.99936813,0.00014156685,0.000041262316,0.000047249225,0.00023551773,0.00016633916],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004427677,0.00044728327,0.00034425157,0.00087874423,0.004921474,0.003505227,0.000698667,0.0014339759,0.08932128],"category_scores_gemma":[0.0015357629,0.00035502308,0.00022260453,0.00078689767,0.0015374215,0.0037293897,0.003285596,0.004068505,0.028080838],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000058902762,0.00005609563,0.0006324743,0.000576855,0.000010640831,0.0004508866,0.008085112,0.000110423294,0.002382881,0.16168079,0.6430109,0.18294403],"study_design_scores_gemma":[0.0000011121854,0.000004418202,0.00020145607,0.000069663,0.0000019760423,0.00020407801,0.00057382276,0.00002408559,0.00015029954,0.0014307873,0.99733436,0.000004104318],"about_ca_topic_score_codex":0.0066998797,"about_ca_topic_score_gemma":0.020783165,"teacher_disagreement_score":0.08932128,"about_ca_system_score_codex":0.0028145635,"about_ca_system_score_gemma":0.004032003,"threshold_uncertainty_score":0.29880947},"labels":[],"label_agreement":null},{"id":"W4243753958","doi":"10.1386/ac_00028_7","title":"Om Puri: The man who presented the real faces of the subcontinent of India","year":2020,"lang":"en","type":"article","venue":"Asian Cinema","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Tamil; Indian subcontinent; Hindi; Movie theater; Face (sociological concept); Bengali; History; Media studies; Film industry; Ancient history; Art history; Art; Sociology; Literature; Social science; Philosophy","score_opus":0.018941693921397915,"score_gpt":0.19795477817590376,"score_spread":0.17901308425450585,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4243753958","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08195826,0.013219421,0.0034770241,0.09047356,0.020847602,0.00023436107,0.0004790093,0.0011315552,0.7881793],"genre_scores_gemma":[0.35497126,0.00888142,0.0017216342,0.04529058,0.0034533383,0.000113680704,0.00018322891,0.00047501922,0.58490986],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999348,0.00019633421,0.000018859491,0.00010541454,0.00013372584,0.00019759347],"domain_scores_gemma":[0.99937636,0.000098502765,0.00005489337,0.000047710295,0.00009869957,0.0003239214],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004551827,0.0008245662,0.0003120206,0.0005190723,0.01597601,0.0058156103,0.00094859785,0.0017645791,0.03050452],"category_scores_gemma":[0.0014493633,0.00044166492,0.00026474547,0.00069582905,0.0035561381,0.0049236203,0.0043951296,0.0057930383,0.009243723],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008734115,0.00013166592,0.0037271865,0.00033014963,0.000013718372,0.008669473,0.20364125,0.00006198283,0.0020558455,0.050059225,0.6556991,0.07552316],"study_design_scores_gemma":[0.0000016193245,0.000026966154,0.0016123542,0.0001333089,0.0000062266686,0.0047370787,0.07692345,0.000046659814,0.00043288493,0.0008535012,0.9151979,0.000028042852],"about_ca_topic_score_codex":0.011477353,"about_ca_topic_score_gemma":0.025204351,"teacher_disagreement_score":0.03050452,"about_ca_system_score_codex":0.0019949006,"about_ca_system_score_gemma":0.0021297187,"threshold_uncertainty_score":0.1020478},"labels":[],"label_agreement":null},{"id":"W4244445920","doi":"10.3138/md.45.3.335","title":"Introduction","year":2002,"lang":"en","type":"article","venue":"Modern Drama","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Postcolonialism (international relations); Drama; Aesthetics; Politics; Critical theory; Sociology; Power (physics); Field (mathematics); Critical practice; History; Media studies; Literature; Epistemology; Art; Gender studies; Social science; Political science; Law; Philosophy","score_opus":0.02279005685392865,"score_gpt":0.19336398962449836,"score_spread":0.1705739327705697,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4244445920","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002049242,0.005872047,0.0042578895,0.022832295,0.0141494,0.0002550786,0.005038719,0.0010040151,0.94454116],"genre_scores_gemma":[0.017435243,0.004350142,0.0029351378,0.011001006,0.0023944122,0.000273161,0.005321723,0.000540503,0.95574856],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975884,0.0003510151,0.00012996246,0.0006929612,0.0009089985,0.00032864747],"domain_scores_gemma":[0.99776006,0.00029873408,0.00011325104,0.00030342137,0.0010661382,0.00045841417],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0015708242,0.00091424776,0.0006723,0.0013011687,0.003436846,0.00769674,0.0024097722,0.004360256,0.46791616],"category_scores_gemma":[0.0066950456,0.00036787213,0.00083402626,0.0014778284,0.0016250259,0.0049083396,0.0044716075,0.0034991114,0.28763914],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009356849,0.000059999467,0.0009041886,0.00037893179,0.000009744825,0.00028243248,0.0010128712,0.000117413336,0.0003570458,0.07227514,0.78572345,0.13878523],"study_design_scores_gemma":[0.000003952038,0.000012203785,0.00030117,0.00013088324,0.0000019546997,0.0000972895,0.0002498578,0.000024050407,0.00006779076,0.003652233,0.995453,0.0000055283235],"about_ca_topic_score_codex":0.0056817518,"about_ca_topic_score_gemma":0.005360509,"teacher_disagreement_score":0.53208387,"about_ca_system_score_codex":0.0033458916,"about_ca_system_score_gemma":0.004951772,"threshold_uncertainty_score":0.758953},"labels":[],"label_agreement":null},{"id":"W4244822492","doi":"10.15353/kinema.vi.1093","title":"Delhi 2005","year":2005,"lang":"en","type":"article","venue":"Kinema A Journal for Film and Audiovisual Media","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Movie theater; New delhi; Hollywood; Alliance; Media studies; Asian games; History; Advertising; Art history; Geography; Sociology; Archaeology; Business","score_opus":0.02813317086410482,"score_gpt":0.2640900955341198,"score_spread":0.23595692467001494,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4244822492","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0015726521,0.0051666754,0.00045276678,0.0045008063,0.006000328,0.00006333676,0.0025320745,0.00039784325,0.97931343],"genre_scores_gemma":[0.0055463105,0.0021164336,0.00022578587,0.000800219,0.0004233007,0.000024434969,0.001607413,0.00009339746,0.9891627],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.99958175,0.00003781806,0.000024577676,0.00009981031,0.00017139479,0.000084776606],"domain_scores_gemma":[0.9994605,0.000033737047,0.000027078739,0.00008610448,0.00023885886,0.0001537472],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00036670998,0.00070000265,0.00033094402,0.0012177733,0.0017543773,0.0050695543,0.0008668611,0.0013891747,0.46274933],"category_scores_gemma":[0.0007992922,0.00028890898,0.0003043387,0.0011229236,0.00046592535,0.0016051128,0.001777777,0.0015646592,0.28373188],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000054563912,0.000040363106,0.00041564286,0.00019984246,0.000007084051,0.00034615636,0.0003547935,0.000071320006,0.0010693814,0.021353327,0.86923563,0.10685192],"study_design_scores_gemma":[0.0000016601898,0.0000057463576,0.0003895756,0.000024353885,7.0044297e-7,0.00007064465,0.00006570992,0.000008098657,0.000078375015,0.00019015536,0.9991629,0.000002041307],"about_ca_topic_score_codex":0.008135083,"about_ca_topic_score_gemma":0.01793169,"teacher_disagreement_score":0.46274933,"about_ca_system_score_codex":0.0016168824,"about_ca_system_score_gemma":0.0013799643,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W4245640627","doi":"10.1080/14622459.2016.1157352","title":"Collective Bibliography","year":2016,"lang":"en","type":"article","venue":"Reformation and Renaissance Review","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Bibliography; Philosophy; Mathematical economics; Mathematics; Political science; Law","score_opus":0.02524498242719296,"score_gpt":0.23862823201489838,"score_spread":0.21338324958770544,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4245640627","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00067744206,0.082428806,0.0018882626,0.013175694,0.04528369,0.00014627425,0.003569006,0.0007231309,0.85210776],"genre_scores_gemma":[0.004929805,0.032382224,0.0010649664,0.004164672,0.011065396,0.00015557009,0.003370117,0.0003785135,0.94248873],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999046,0.00018890698,0.00007922413,0.0001251553,0.00047928185,0.00008141308],"domain_scores_gemma":[0.9970499,0.00046971586,0.00019356498,0.00041255442,0.0015511317,0.00032303025],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001407276,0.00088064355,0.0009452047,0.00993646,0.0031109524,0.0056866053,0.0017712523,0.0015037567,0.36564663],"category_scores_gemma":[0.006663289,0.00028032533,0.00047580985,0.014047365,0.0011636745,0.0045341314,0.0035482326,0.0016697748,0.1643286],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013597761,0.000010490874,0.000051248993,0.00036422725,0.0000031309944,0.000022380125,0.00020814974,0.000031093452,0.00006945876,0.009521976,0.92633724,0.06336705],"study_design_scores_gemma":[0.0000015813822,0.000002766008,0.00008350244,0.00019665444,0.0000020592938,0.000014292942,0.00012287087,0.0000066577218,0.0000200687,0.0009930162,0.99855524,0.0000014327394],"about_ca_topic_score_codex":0.005998277,"about_ca_topic_score_gemma":0.014787963,"teacher_disagreement_score":0.36564663,"about_ca_system_score_codex":0.002262988,"about_ca_system_score_gemma":0.0046861595,"threshold_uncertainty_score":0.9048281},"labels":[],"label_agreement":null},{"id":"W4246620354","doi":"10.3138/topia.26.105","title":"The <i>Gori</i> in the Story: The Shifting Dynamics of Whiteness in Bollywood Film","year":2011,"lang":"en","type":"article","venue":"TOPIA Canadian Journal of Cultural Studies","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Westernization; Parallels; Ambivalence; Politics; Movie theater; Gender studies; Art; History; Aesthetics; Sociology; Literature; Media studies; Political science; Psychology; Law; Social psychology; Engineering","score_opus":0.05822863858274245,"score_gpt":0.23583551629371158,"score_spread":0.1776068777109691,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4246620354","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.80709213,0.0023305803,0.0018691507,0.009146022,0.000327785,0.000023405786,0.000056827022,0.000052006853,0.17910214],"genre_scores_gemma":[0.98633635,0.00073096086,0.00031797626,0.0006810306,0.000053503005,0.00001079876,0.000020279329,0.00007141524,0.011777658],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9988914,0.00063345727,0.000013930963,0.000103311075,0.00014707653,0.00021087281],"domain_scores_gemma":[0.99924785,0.0003828247,0.00009763329,0.000042864212,0.000067691704,0.00016107803],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015023198,0.00048088015,0.00024029301,0.0011620489,0.012653691,0.008806808,0.0006464725,0.0010525525,0.0030966175],"category_scores_gemma":[0.0022712173,0.0003154877,0.00019452283,0.00096035836,0.01678051,0.0053523313,0.0044250493,0.0042537064,0.0003147373],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024854928,0.000009893898,0.00087679713,0.000039708786,0.000003858963,0.0004544068,0.97022533,0.000017495768,0.00096651085,0.022433057,0.002051858,0.0028962533],"study_design_scores_gemma":[0.0000036748465,0.000026016734,0.0043061804,0.00018022668,0.00001483239,0.00061386125,0.84379584,0.00009259013,0.0011569525,0.0025932947,0.14718613,0.000030383073],"about_ca_topic_score_codex":0.014936628,"about_ca_topic_score_gemma":0.040253107,"teacher_disagreement_score":0.014936628,"about_ca_system_score_codex":0.0037457496,"about_ca_system_score_gemma":0.0012004765,"threshold_uncertainty_score":0.029699385},"labels":[],"label_agreement":null},{"id":"W4246655314","doi":"10.4324/9781135000356-rem1696-1","title":"Ivory, James (1928–)","year":2018,"lang":"en","type":"book-chapter","venue":"","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Drama; Globe; Art history; Art; Guild; History; Film industry; Visual arts; Ophthalmology; Medicine; Movie theater","score_opus":0.03086090476047424,"score_gpt":0.20225736166470704,"score_spread":0.1713964569042328,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4246655314","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0025110238,0.060745314,0.00056079106,0.0024995639,0.0029804078,0.000019250401,0.00008793439,0.000047402093,0.93054837],"genre_scores_gemma":[0.022269811,0.018244488,0.0004573916,0.00092893565,0.00053679576,0.000018064165,0.000060383412,0.00005426819,0.9574299],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9998938,0.000015848475,0.000003852491,0.000033066575,0.000033113283,0.00002037033],"domain_scores_gemma":[0.99995124,0.000012303097,0.0000061929322,0.000004111082,0.000013068806,0.000013036641],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00013910887,0.00047263046,0.00013715218,0.00075678836,0.001894833,0.0018537705,0.00027429484,0.00054657256,0.023800893],"category_scores_gemma":[0.00032339024,0.00018599702,0.000088727065,0.0006811805,0.0012430582,0.0015935184,0.0009198779,0.0012653418,0.007159555],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000046746838,0.0000255623,0.00043436143,0.00023688126,0.0000029504674,0.0002386094,0.005684608,0.00008083249,0.00079715106,0.18973812,0.6550924,0.1476217],"study_design_scores_gemma":[4.55957e-7,0.0000038022138,0.00025115357,0.000066707675,5.148417e-7,0.00007181083,0.00014548996,0.0000053028534,0.000040712224,0.0009758408,0.9984372,0.0000010634268],"about_ca_topic_score_codex":0.010573132,"about_ca_topic_score_gemma":0.022856388,"teacher_disagreement_score":0.023800893,"about_ca_system_score_codex":0.0017400855,"about_ca_system_score_gemma":0.0008237436,"threshold_uncertainty_score":0.07962185},"labels":[],"label_agreement":null},{"id":"W4246678921","doi":"10.1353/mdr.0.0104","title":"Reinventing India through \"A quite witty pastiche\": Reading Tom Stoppard's Indian Ink","year":2009,"lang":"en","type":"article","venue":"Modern Drama","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Colonialism; Empire; Identity (music); Power (physics); Mythology; British Empire; History; Reading (process); Politics; Literature; Art; Aesthetics; Sociology; Gender studies; Ancient history; Political science; Law; Archaeology","score_opus":0.023500631013244976,"score_gpt":0.23416764734541218,"score_spread":0.2106670163321672,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4246678921","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16124563,0.017567605,0.0030437324,0.07530334,0.003853141,0.000036851616,0.00007882285,0.00019707585,0.7386738],"genre_scores_gemma":[0.94363207,0.0047743767,0.0009293872,0.0058097043,0.00065866136,0.000030633255,0.000026373338,0.00015899153,0.04397984],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9991033,0.0005713647,0.000011562811,0.0000509983,0.00010154011,0.00016116443],"domain_scores_gemma":[0.9992021,0.00045964686,0.000053993033,0.000055652108,0.0000835073,0.00014517574],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011590216,0.0006211637,0.00028933323,0.0012510355,0.010765909,0.00969956,0.00083850225,0.0014838722,0.0031299726],"category_scores_gemma":[0.0020066374,0.00023628018,0.00023213969,0.0010984051,0.018096182,0.004846711,0.0041784467,0.0052160667,0.000528187],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009517668,0.00003675703,0.00083562086,0.00015585731,0.0000112528905,0.00088990916,0.5976358,0.00016561917,0.00090085185,0.344826,0.04229699,0.0121501535],"study_design_scores_gemma":[0.000011952413,0.000030575015,0.0012635364,0.00033598905,0.000019002027,0.00047228707,0.33508608,0.00019704158,0.000865111,0.019795915,0.6418944,0.000028104932],"about_ca_topic_score_codex":0.015412826,"about_ca_topic_score_gemma":0.03959884,"teacher_disagreement_score":0.015412826,"about_ca_system_score_codex":0.00485668,"about_ca_system_score_gemma":0.0020082174,"threshold_uncertainty_score":0.03523779},"labels":[],"label_agreement":null},{"id":"W4247366218","doi":"10.3138/cras.40.3.309","title":"Derelicte and the Oppressed: <i>Zoolander</i>, Hollywood, and Representing Activism","year":2010,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Spectacle; Hollywood; Resistance (ecology); Comedy; Representation (politics); Politics; Reading (process); Power (physics); Sociology; Poverty; Aesthetics; Art; Literature; Media studies; Political science; Art history; Law","score_opus":0.020152176034456692,"score_gpt":0.26147690521220085,"score_spread":0.24132472917774417,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4247366218","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.38059574,0.022947934,0.001413736,0.05471398,0.0005773904,0.000027083286,0.000037548423,0.0000473393,0.5396393],"genre_scores_gemma":[0.9774674,0.0032803512,0.00021929658,0.0015762505,0.000092137,0.000013484423,0.000009213986,0.000027832877,0.017314006],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99818283,0.0012831369,0.000025661278,0.00009923472,0.0001618121,0.0002471895],"domain_scores_gemma":[0.9987429,0.0007554646,0.0001826352,0.00007307529,0.00008159853,0.00016441564],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0024981522,0.00027917713,0.00019642709,0.0012946917,0.00792571,0.010610975,0.000656727,0.0012974982,0.007836987],"category_scores_gemma":[0.0015702747,0.00015114884,0.00010656484,0.0014005897,0.024233399,0.0060147145,0.004221311,0.0026049267,0.00031071712],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003467513,0.000045345216,0.0011323566,0.0001916917,0.000008108509,0.00028678664,0.66917294,0.000046531,0.00045396297,0.29315326,0.015524601,0.019949747],"study_design_scores_gemma":[0.000008661753,0.000020787145,0.00227665,0.00041634284,0.000009206013,0.00021360912,0.6636478,0.000064753396,0.0004358661,0.014128287,0.31876454,0.000013577996],"about_ca_topic_score_codex":0.016233394,"about_ca_topic_score_gemma":0.041949846,"teacher_disagreement_score":0.016233394,"about_ca_system_score_codex":0.003949421,"about_ca_system_score_gemma":0.0022312137,"threshold_uncertainty_score":0.032277763},"labels":[],"label_agreement":null},{"id":"W4247771663","doi":"10.32920/ryerson.14636418.v1","title":"Dreaming in Canadian: South Asian Youth, Bollywood and Belonging","year":2021,"lang":"en","type":"preprint","venue":"","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Gratitude; Praise; Diaspora; History; Media studies; Gender studies; Art; Sociology; Psychology; Literature; Social psychology","score_opus":0.018661114561942495,"score_gpt":0.20037379092116636,"score_spread":0.18171267635922386,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4247771663","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.48882046,0.006576044,0.000428557,0.049399994,0.0009957461,0.0000960849,0.0009704842,0.00010850323,0.4526041],"genre_scores_gemma":[0.88922143,0.0044734036,0.00034721164,0.0030620901,0.00006890254,0.00004143545,0.00028400533,0.00010299409,0.10239844],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9990784,0.0001602716,0.000016380238,0.00008772951,0.00020564214,0.00045146083],"domain_scores_gemma":[0.9988532,0.00007515917,0.00006518643,0.000032268515,0.00026969495,0.00070450373],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011464406,0.0006028372,0.0003228376,0.0010488335,0.039076816,0.00825934,0.0009828841,0.0011462545,0.016647724],"category_scores_gemma":[0.0014679744,0.00028511725,0.0002549544,0.0028971997,0.009181622,0.003283573,0.0052413275,0.003860091,0.0010844717],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024436644,0.000024985598,0.005198887,0.00007106083,0.0000049025703,0.000582439,0.90213937,0.000020902686,0.00020772495,0.029277325,0.048473354,0.013974705],"study_design_scores_gemma":[0.0000024381877,0.000005548779,0.005306959,0.000105050625,0.000005643227,0.00013098898,0.8635102,0.000015847663,0.00006710704,0.00054790895,0.13028458,0.00001776185],"about_ca_topic_score_codex":0.9773268,"about_ca_topic_score_gemma":0.9926738,"teacher_disagreement_score":0.039913382,"about_ca_system_score_codex":0.039913382,"about_ca_system_score_gemma":0.0573782,"threshold_uncertainty_score":0.28959322},"labels":[],"label_agreement":null},{"id":"W4250924127","doi":"10.21992/t9p35d","title":"Introduction","year":2016,"lang":"en","type":"article","venue":"TranscUlturAl A Journal of Translation and Cultural Studies","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Computer science","score_opus":0.06929339839964103,"score_gpt":0.2703984652312152,"score_spread":0.20110506683157414,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4250924127","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000984039,0.005933103,0.0037529971,0.03968831,0.07974813,0.00048025083,0.008130347,0.002421916,0.8588609],"genre_scores_gemma":[0.0021882358,0.0014138259,0.00097035774,0.00896347,0.008123055,0.00022838796,0.0024438112,0.00057103904,0.9750978],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99886537,0.00012990438,0.000050885938,0.00021834226,0.0005683858,0.00016721399],"domain_scores_gemma":[0.9969903,0.00030387274,0.00013431076,0.0002687774,0.00183876,0.00046393584],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.001235379,0.0010601898,0.0005732029,0.0016843796,0.0021324728,0.0036491875,0.0016971058,0.0028330872,0.6789134],"category_scores_gemma":[0.0052450052,0.0003221962,0.0008248861,0.0009039509,0.0006891536,0.0032759975,0.0032873906,0.0033251385,0.57446027],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019666524,0.000017567632,0.00006649078,0.00009826598,0.0000012065406,0.000023668214,0.00008181454,0.00001514767,0.00012731645,0.0042885053,0.96562684,0.029633444],"study_design_scores_gemma":[0.0000026961154,0.0000066875714,0.00015636648,0.00006966556,7.506446e-7,0.000018487408,0.00004977809,0.000008113869,0.00003572572,0.00063659105,0.9990121,0.000003021661],"about_ca_topic_score_codex":0.0044397893,"about_ca_topic_score_gemma":0.0051513473,"teacher_disagreement_score":0.3210866,"about_ca_system_score_codex":0.0015035679,"about_ca_system_score_gemma":0.00202229,"threshold_uncertainty_score":0.457991},"labels":[],"label_agreement":null},{"id":"W4251817152","doi":"10.32920/ryerson.14657190","title":"Tirmazi","year":2021,"lang":"en","type":"preprint","venue":"","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Performative utterance; Animation; Persecution; Displacement (psychology); Mainstream; Context (archaeology); Islam; Poetry; Order (exchange); Sociology; Art; Visual arts; History; Aesthetics; Literature; Political science; Archaeology; Psychology; Law; Politics","score_opus":0.03664383143375605,"score_gpt":0.22133780345921528,"score_spread":0.18469397202545923,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4251817152","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06418052,0.005834579,0.0038649207,0.005642836,0.0048181387,0.00022134288,0.0013326679,0.0009956094,0.9131093],"genre_scores_gemma":[0.32347,0.005060222,0.006186618,0.0010174006,0.00066347665,0.00019495,0.0020676353,0.00086013024,0.6604796],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996383,0.00006143047,0.000022658138,0.000084158295,0.00012412446,0.000069227586],"domain_scores_gemma":[0.999468,0.000088055975,0.000051482602,0.00010062909,0.00019329031,0.00009862235],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00049238297,0.0006036636,0.00033664666,0.00088248064,0.0031713182,0.0030822325,0.0005728438,0.00084781897,0.09931978],"category_scores_gemma":[0.0015107357,0.00019359821,0.00028915453,0.00086629216,0.0009751428,0.0016215337,0.0022407956,0.0019697065,0.029540109],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0009783244,0.00012641354,0.0047544893,0.0026056094,0.00004472874,0.003937977,0.06453381,0.00053369795,0.033043545,0.13820298,0.27277377,0.47846472],"study_design_scores_gemma":[0.0000070267306,0.000042265176,0.0017144475,0.0001413594,0.0000077873,0.0012217372,0.0041672923,0.000099084995,0.0012316254,0.0005625643,0.99078965,0.000015057383],"about_ca_topic_score_codex":0.0025128364,"about_ca_topic_score_gemma":0.004250454,"teacher_disagreement_score":0.09931978,"about_ca_system_score_codex":0.0012902962,"about_ca_system_score_gemma":0.0012906262,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W4252344626","doi":"10.4018/978-1-5225-5475-2.ch027","title":"Bollywood Sporting Spectacles","year":2018,"lang":"en","type":"book-chapter","venue":"IGI Global eBooks","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"MacEwan University","funders":"","keywords":"Spectacle; Entertainment; Enthusiasm; League; Event (particle physics); Advertising; Ideology; Media studies; Cricket; Art; Visual arts; History; Political science; Sociology; Psychology; Law; Politics; Business","score_opus":0.023336138487713206,"score_gpt":0.2222220910137728,"score_spread":0.1988859525260596,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4252344626","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005646914,0.0022769512,0.00014203531,0.0008089552,0.0004938255,0.000016564714,0.00007906262,0.000070220834,0.9904654],"genre_scores_gemma":[0.09481936,0.00504345,0.00035593082,0.0005594451,0.00038182034,0.000023606384,0.00019905537,0.00012583668,0.89849144],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9998977,0.000016332455,0.0000021220399,0.00001684711,0.00003434559,0.00003256163],"domain_scores_gemma":[0.9999064,0.000014320365,0.000007742752,0.0000094387005,0.000018483091,0.0000435538],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001500596,0.0005389071,0.00016066618,0.0007864895,0.0029755929,0.0044538756,0.000454801,0.00047237848,0.062180992],"category_scores_gemma":[0.00032644015,0.00015847551,0.00016320338,0.00077639986,0.0016168877,0.0018452994,0.0022522213,0.0018106393,0.0112091275],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010830572,0.00015387329,0.001007875,0.0007394876,0.00000887099,0.0006680618,0.027452683,0.00020519599,0.0027788908,0.33576488,0.4675668,0.16354528],"study_design_scores_gemma":[0.0000025732058,0.000017775079,0.0013920115,0.0002269703,0.000002667583,0.00018077815,0.00357835,0.000037311765,0.00034959172,0.0018434658,0.99236417,0.0000043825667],"about_ca_topic_score_codex":0.005249366,"about_ca_topic_score_gemma":0.015296051,"teacher_disagreement_score":0.062180992,"about_ca_system_score_codex":0.001598483,"about_ca_system_score_gemma":0.0010350341,"threshold_uncertainty_score":0.20801616},"labels":[],"label_agreement":null},{"id":"W4252480738","doi":"10.4212/cjhp.v73i4.3032","title":"Through the Looking-Glass","year":2020,"lang":"en","type":"article","venue":"The Canadian Journal of Hospital Pharmacy","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"World Wide Web; Computer science","score_opus":0.03578519208206953,"score_gpt":0.24140010031229034,"score_spread":0.2056149082302208,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4252480738","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0066147996,0.0030151545,0.0061756694,0.05992587,0.006520642,0.00011212581,0.00016755651,0.00058533746,0.9168829],"genre_scores_gemma":[0.12458181,0.0018610322,0.0061426456,0.033887777,0.00086943945,0.000113183814,0.00013351724,0.0010418503,0.83136874],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.997664,0.000787963,0.000049738468,0.00029392712,0.00068527536,0.00051918963],"domain_scores_gemma":[0.9967098,0.00054188323,0.00014095055,0.000494099,0.00089561206,0.00121757],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0027110402,0.00090617663,0.00052756065,0.0014102578,0.016020786,0.014217913,0.0016600088,0.0041156732,0.10663008],"category_scores_gemma":[0.007913058,0.0005164805,0.0009837769,0.0008024398,0.015863433,0.009655095,0.009253406,0.011265351,0.03652139],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006619074,0.00008482873,0.001077842,0.00011689609,0.000013303872,0.00042905496,0.024549413,0.000056405817,0.0006692192,0.46550724,0.45514634,0.052283242],"study_design_scores_gemma":[0.0000118614225,0.000026265872,0.0004121088,0.00023202233,0.0000074430404,0.0002980567,0.017073406,0.00006924354,0.00025774026,0.042083547,0.93949753,0.000030790932],"about_ca_topic_score_codex":0.025674041,"about_ca_topic_score_gemma":0.060987834,"teacher_disagreement_score":0.10663008,"about_ca_system_score_codex":0.0045941556,"about_ca_system_score_gemma":0.007946948,"threshold_uncertainty_score":0.35671318},"labels":[],"label_agreement":null},{"id":"W4252827558","doi":"10.1386/fm.5.3.66_5","title":"Reviews Film","year":2014,"lang":"en","type":"article","venue":"Film Matters","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Spike (software development); Storytelling; Management; Engineering; Art; Literature; Narrative; Economics","score_opus":0.0208465810891979,"score_gpt":0.2102768967888683,"score_spread":0.1894303156996704,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4252827558","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000946209,0.034003932,0.000521108,0.010725793,0.03596734,0.0001685466,0.0029288896,0.0009570349,0.91378117],"genre_scores_gemma":[0.0060755,0.020214172,0.0006112167,0.0038654136,0.008959155,0.00006675717,0.0028915661,0.00063572306,0.9566805],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993899,0.0000733085,0.000032301377,0.000077522745,0.00035927436,0.00006768428],"domain_scores_gemma":[0.99805814,0.00023319393,0.00011934281,0.00016370232,0.0011252529,0.0003002757],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003934741,0.00072433206,0.0004962003,0.0025384899,0.0015907912,0.0041639064,0.0010476251,0.0012046093,0.53279996],"category_scores_gemma":[0.0028626798,0.0003316803,0.00045621826,0.0021284453,0.00043288455,0.0023036683,0.0015352872,0.0016749192,0.24872775],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009047425,0.000005994348,0.00003256422,0.00016405355,0.0000018295962,0.0000357103,0.000055477612,0.000007941811,0.00013490031,0.00045218167,0.9611433,0.03795711],"study_design_scores_gemma":[0.0000018017831,0.0000034390505,0.00022305141,0.0001355948,0.000002153813,0.000043878303,0.00010964185,0.0000044843277,0.00004060089,0.00005288491,0.9993808,0.0000016971898],"about_ca_topic_score_codex":0.011282195,"about_ca_topic_score_gemma":0.03236312,"teacher_disagreement_score":0.53279996,"about_ca_system_score_codex":0.0015389909,"about_ca_system_score_gemma":0.0015515782,"threshold_uncertainty_score":0.6664041},"labels":[],"label_agreement":null},{"id":"W4254902789","doi":"10.29173/alr2463","title":"Introductions","year":2008,"lang":"en","type":"article","venue":"Alberta Law Review","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Political science","score_opus":0.03356960321625788,"score_gpt":0.2258479835455012,"score_spread":0.19227838032924333,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4254902789","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00040410584,0.012137527,0.002230393,0.04836311,0.074495286,0.0015671209,0.028041426,0.0021142398,0.8306468],"genre_scores_gemma":[0.0022847962,0.0061064884,0.0012913335,0.023866665,0.019844431,0.0010387304,0.010105977,0.0006468738,0.9348147],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.994879,0.00060259755,0.00020005833,0.00050510163,0.0032586355,0.0005545624],"domain_scores_gemma":[0.98506355,0.0028799083,0.0006339894,0.0011583766,0.008594813,0.0016693966],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.004687861,0.0014024008,0.0013661947,0.008149817,0.003943204,0.0053789397,0.0031413035,0.0038808784,0.5017387],"category_scores_gemma":[0.019761065,0.00079586793,0.0014441623,0.0046960134,0.0011112802,0.002658373,0.0028290811,0.004052582,0.31740192],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000055104338,0.000011324396,0.000018731927,0.000065292625,7.852604e-7,0.0000065749296,0.000013573007,0.000021915555,0.000022008906,0.0028618623,0.98969144,0.007280898],"study_design_scores_gemma":[0.0000050883327,0.0000066498806,0.0002840266,0.00016792622,0.0000019112629,0.000007738569,0.000032083342,0.000015281861,0.000024077739,0.001996014,0.9974534,0.00000573634],"about_ca_topic_score_codex":0.059286628,"about_ca_topic_score_gemma":0.07785277,"teacher_disagreement_score":0.5017387,"about_ca_system_score_codex":0.009211168,"about_ca_system_score_gemma":0.009494449,"threshold_uncertainty_score":0.7107092},"labels":[],"label_agreement":null},{"id":"W4255285568","doi":"10.5194/isprs-annals-iv-1-w1-1-2017","title":"Preface","year":2017,"lang":"en","type":"article","venue":"ISPRS annals of the photogrammetry, remote sensing and spatial information sciences","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Helmholtz-Zentrum Potsdam - Deutsches GeoForschungsZentrum GFZ; Leibniz-Gemeinschaft; York University; Universität Stuttgart; Rheinische Friedrich-Wilhelms-Universität Bonn; Curtin University of Technology; University of Haifa; Aalto-Yliopisto; Institut national de recherche en informatique et en automatique (INRIA); Ohio State University; Technische Universität Braunschweig; Purdue University","keywords":"Philosophy","score_opus":0.08737872107895073,"score_gpt":0.30918072083842896,"score_spread":0.22180199975947823,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4255285568","genre_codex":"other","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002835636,0.016106758,0.014929397,0.040726516,0.2307521,0.0006911372,0.012598009,0.0021827458,0.6791778],"genre_scores_gemma":[0.013096113,0.008580184,0.004934956,0.006310701,0.033569023,0.0002982788,0.009226563,0.0010134977,0.92297065],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992507,0.00009901967,0.000057240024,0.00016388198,0.00036013196,0.00006892636],"domain_scores_gemma":[0.99590427,0.00049261324,0.00015031752,0.0003677222,0.0024227558,0.0006623401],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0013201898,0.0009172671,0.00066822104,0.0020803637,0.0019279749,0.002822437,0.0012117473,0.0012441623,0.39063698],"category_scores_gemma":[0.007929396,0.00028072894,0.00048046984,0.0013650553,0.00061761285,0.0025719004,0.0019076531,0.002743379,0.25866035],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003461072,0.000021859454,0.00016426394,0.00010402091,0.0000027083754,0.00007744988,0.00010811679,0.0001272505,0.00029329324,0.0069692563,0.93891233,0.053184792],"study_design_scores_gemma":[0.0000029491534,0.000013443484,0.00025931373,0.00007866011,0.0000011733841,0.000077810895,0.00005691947,0.00004078277,0.00008796661,0.0019960273,0.99738115,0.0000036837641],"about_ca_topic_score_codex":0.0030916755,"about_ca_topic_score_gemma":0.0033746378,"teacher_disagreement_score":0.609363,"about_ca_system_score_codex":0.0017855784,"about_ca_system_score_gemma":0.0019234747,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W4256413504","doi":"10.1386/ctl.10.2.123_7","title":"Introduction","year":2015,"lang":"en","type":"article","venue":"Citizenship Teaching and Learning","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of New Brunswick","funders":"","keywords":"Business","score_opus":0.03526448278007085,"score_gpt":0.23481193724693447,"score_spread":0.19954745446686362,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4256413504","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0017480181,0.0013865015,0.0045665903,0.011133832,0.009674649,0.00026736618,0.006042548,0.0014064834,0.963774],"genre_scores_gemma":[0.008856052,0.0009600565,0.0017371177,0.0041105812,0.0017569717,0.00016648012,0.0041426276,0.0003254826,0.9779447],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992151,0.00009026448,0.000033267435,0.00017142491,0.0003752336,0.00011471646],"domain_scores_gemma":[0.9982014,0.0001620503,0.00007166853,0.00021105072,0.00093650917,0.000417424],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009166613,0.0006779394,0.0003194231,0.0010916783,0.0015771511,0.0040673087,0.0012631068,0.0014620285,0.62413365],"category_scores_gemma":[0.0027172654,0.00018011023,0.0005580412,0.00088278385,0.0005456151,0.0017458186,0.0026341407,0.0016049471,0.4333427],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008165245,0.000074191346,0.00062045373,0.00030195434,0.0000053079107,0.00013729745,0.0002855981,0.00012757063,0.00076929585,0.02511984,0.7548313,0.21764557],"study_design_scores_gemma":[0.000004699688,0.00001178472,0.00038310903,0.00008871695,0.0000019073249,0.000038374947,0.0001114745,0.000024826828,0.00018008315,0.0019183405,0.997233,0.0000036520244],"about_ca_topic_score_codex":0.0038927475,"about_ca_topic_score_gemma":0.0040578186,"teacher_disagreement_score":0.62413365,"about_ca_system_score_codex":0.0013584677,"about_ca_system_score_gemma":0.0030809052,"threshold_uncertainty_score":0.5361277},"labels":[],"label_agreement":null},{"id":"W4256537346","doi":"10.1057/978-1-349-95943-3_250","title":"Chandigarh University","year":2019,"lang":"en","type":"book-chapter","venue":"Palgrave Macmillan UK eBooks","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Global Affairs Canada; Canadian Breast Cancer Research Alliance; Camargo Foundation; Canada Council for the Arts; Killam Trusts; Government of Canada","keywords":"Geography","score_opus":0.020874551078127548,"score_gpt":0.18365144987311474,"score_spread":0.1627768987949872,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4256537346","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0008602819,0.01641448,0.00018384852,0.0022205876,0.0016344547,0.000035064088,0.0006401135,0.00017483074,0.97783625],"genre_scores_gemma":[0.004931357,0.0056137964,0.0001685786,0.0003548128,0.00013891993,0.000022036387,0.0001418256,0.00010647715,0.9885222],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993143,0.00006648327,0.000038574304,0.00015074953,0.00029386717,0.00013599862],"domain_scores_gemma":[0.9991456,0.00018675253,0.000056810164,0.00020236062,0.0002601409,0.00014830143],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003885753,0.0011824978,0.0007386876,0.0016347349,0.005667427,0.0063070236,0.0009460575,0.0015450999,0.42355335],"category_scores_gemma":[0.0021066724,0.00074056705,0.00034090594,0.0031037307,0.0014046545,0.003005406,0.0033888784,0.0032981748,0.16652247],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000083205996,0.000038113267,0.00027050707,0.0006142022,0.0000076969145,0.0005741344,0.001808261,0.00015097424,0.0006434408,0.05666511,0.73822176,0.20092253],"study_design_scores_gemma":[0.0000025837874,0.00000403716,0.00021538853,0.00012110662,0.000002070581,0.0001147703,0.00038108905,0.000009903168,0.00010363265,0.0010180179,0.99802184,0.000005666609],"about_ca_topic_score_codex":0.034288775,"about_ca_topic_score_gemma":0.09157316,"teacher_disagreement_score":0.42355335,"about_ca_system_score_codex":0.0025813389,"about_ca_system_score_gemma":0.004806358,"threshold_uncertainty_score":0.8222312},"labels":[],"label_agreement":null},{"id":"W4256626681","doi":"10.3399/bjgp15x685813","title":"Unhistoric acts","year":2015,"lang":"en","type":"article","venue":"British Journal of General Practice","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Novelis (Canada)","funders":"","keywords":"Medicine; Computer science; World Wide Web; Data science","score_opus":0.04406315168447664,"score_gpt":0.2561898148046992,"score_spread":0.21212666312022257,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4256626681","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.014513255,0.0016821082,0.0011611992,0.008870958,0.0037543199,0.00005740344,0.0003119895,0.000096285155,0.9695525],"genre_scores_gemma":[0.19407618,0.00096442696,0.00072817306,0.008248669,0.001140327,0.00011937374,0.0002604052,0.00022734876,0.7942351],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99717015,0.0010783124,0.00013237268,0.00033930817,0.0006813556,0.00059849716],"domain_scores_gemma":[0.9977533,0.00085900666,0.0001955588,0.00052205066,0.00039875467,0.00027123812],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020593558,0.0005029852,0.00031783347,0.001368963,0.009361168,0.0051510977,0.00086951983,0.0026123393,0.037906546],"category_scores_gemma":[0.0058423006,0.00030950436,0.0002200677,0.0016915656,0.008655925,0.0028943757,0.0033767652,0.006673719,0.009391796],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000050618786,0.000028873059,0.0005600048,0.00015332137,0.000005914835,0.00032343742,0.07345763,0.000022701033,0.00059583754,0.7470051,0.15807122,0.019725418],"study_design_scores_gemma":[0.0000039876877,0.0000076271626,0.0008574076,0.00007476306,0.000002783377,0.000129338,0.008323799,0.000018910021,0.00022727209,0.006414278,0.9839331,0.000006827972],"about_ca_topic_score_codex":0.007161873,"about_ca_topic_score_gemma":0.025759526,"teacher_disagreement_score":0.037906546,"about_ca_system_score_codex":0.0035637382,"about_ca_system_score_gemma":0.0020411683,"threshold_uncertainty_score":0.12681007},"labels":[],"label_agreement":null},{"id":"W4281254339","doi":"10.53032/tcl.2022.7.2.13","title":"Encountering The ‘Other’: Diasporic Consciousness in Jasmine and Brick Lane","year":2022,"lang":"en","type":"article","venue":"The Creative Launcher","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Immigration; Alienation; Gender studies; Sociology; Consciousness; Xenophobia; Racism; Political science; Psychology; Law","score_opus":0.0195684027350517,"score_gpt":0.20920610863907524,"score_spread":0.18963770590402354,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4281254339","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.73462284,0.016956067,0.0015018228,0.10462216,0.0031375184,0.000072248265,0.00006482701,0.00011496842,0.13890763],"genre_scores_gemma":[0.9601087,0.003666258,0.0005395185,0.010255187,0.00037411752,0.00006379279,0.000023127099,0.00013632573,0.024832895],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99481815,0.0034330531,0.000090769616,0.00041940837,0.0005962399,0.0006423619],"domain_scores_gemma":[0.99690956,0.0011308579,0.00038117782,0.00014051866,0.00030448023,0.0011334459],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004167895,0.0009880578,0.000954082,0.0011652169,0.033438437,0.014073119,0.002089654,0.004408418,0.0027753504],"category_scores_gemma":[0.005451376,0.0007118379,0.00040233604,0.0008513964,0.037017073,0.008232554,0.011228048,0.01030579,0.0006641957],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026636695,0.00001932181,0.0002759384,0.000039173312,0.0000049412597,0.0011540627,0.9794989,0.000010512091,0.00048371134,0.012799352,0.0043046335,0.0013827335],"study_design_scores_gemma":[0.00000435795,0.000031743137,0.00043063282,0.0001333616,0.0000066232205,0.0009869107,0.9147088,0.000023169508,0.00016942053,0.0014925987,0.08199562,0.0000168592],"about_ca_topic_score_codex":0.011683167,"about_ca_topic_score_gemma":0.019537386,"teacher_disagreement_score":0.033438437,"about_ca_system_score_codex":0.0053860107,"about_ca_system_score_gemma":0.0039228736,"threshold_uncertainty_score":0.039078414},"labels":[],"label_agreement":null},{"id":"W4281488631","doi":"10.32920/ifmj.v2i2.1610","title":"Pleasure, Polyphony, and Networking in Agents of Ishq","year":2022,"lang":"en","type":"article","venue":"Interactive Film and Media Journal","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Performative utterance; Sociology; Pleasure; Social media; Context (archaeology); Narrative; Agency (philosophy); Human sexuality; Media studies; Aesthetics; Gender studies; Psychology; Art; History; Literature; World Wide Web; Computer science; Social science","score_opus":0.024467615742531607,"score_gpt":0.2264281338136856,"score_spread":0.20196051807115398,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4281488631","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.66008294,0.0021391364,0.004214329,0.0049688388,0.0003182995,0.00010584045,0.00006684085,0.00007541711,0.32802832],"genre_scores_gemma":[0.98011106,0.0003946703,0.00072073407,0.00031551017,0.000048076003,0.00003995143,0.000016173657,0.000032229083,0.018321713],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99835724,0.00091075595,0.000032936012,0.00016309958,0.00022487403,0.00031112062],"domain_scores_gemma":[0.9988753,0.00044160956,0.00011623899,0.000078828,0.0000863478,0.00040172273],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013114436,0.00032710432,0.000174718,0.00090305734,0.008212777,0.0107347425,0.0009066422,0.001159163,0.008907131],"category_scores_gemma":[0.0024118482,0.00025759864,0.0002634221,0.00058801775,0.010050106,0.004100819,0.00877854,0.00152579,0.0006278651],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011436672,0.00017160065,0.013895512,0.00019104753,0.000017906113,0.0013943913,0.8504748,0.00014268301,0.0021517419,0.08244624,0.0051984554,0.043801297],"study_design_scores_gemma":[0.00002667666,0.00014162768,0.015921874,0.00017873407,0.000022833427,0.0009279745,0.67651874,0.00046206397,0.00088324706,0.014837146,0.29003438,0.00004468394],"about_ca_topic_score_codex":0.013016552,"about_ca_topic_score_gemma":0.017468262,"teacher_disagreement_score":0.013016552,"about_ca_system_score_codex":0.0023786328,"about_ca_system_score_gemma":0.0017047013,"threshold_uncertainty_score":0.029797375},"labels":[],"label_agreement":null},{"id":"W4283313784","doi":"10.32920/ifmj.v2i3.1507","title":"Screening Bodies","year":2022,"lang":"en","type":"article","venue":"Interactive Film and Media Journal","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Movie theater; Media studies; Population; Identity (music); History; Sociology; Visual arts; Gender studies; Aesthetics; Art; Art history","score_opus":0.02433701773060744,"score_gpt":0.2304549192994742,"score_spread":0.20611790156886675,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4283313784","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0025129162,0.0010279013,0.002487615,0.0034948061,0.0013563738,0.0003051036,0.0013079632,0.0007144112,0.9867929],"genre_scores_gemma":[0.025543345,0.0015460557,0.0022850835,0.003527004,0.00036760813,0.00020034818,0.0016868217,0.00039634225,0.9644474],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9958476,0.0007475668,0.00025418456,0.0006752663,0.0017401734,0.00073510775],"domain_scores_gemma":[0.9941754,0.0011228679,0.0003632048,0.001095632,0.0023988786,0.0008440155],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0028351047,0.00064389146,0.0004907259,0.0026093086,0.0038493727,0.007537689,0.0014971393,0.0028953955,0.3884779],"category_scores_gemma":[0.010876776,0.0004933047,0.0005537756,0.0021908644,0.0018384911,0.004021764,0.005141845,0.0017866895,0.23452128],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013568492,0.00009010087,0.0021131525,0.0005207825,0.000010885463,0.00069016026,0.0038599626,0.00008465856,0.001638671,0.121857546,0.6201414,0.24885711],"study_design_scores_gemma":[0.0000041348276,0.000011705633,0.00057833636,0.00014363347,0.0000030802246,0.000176558,0.00062112947,0.000017728935,0.00025015246,0.0016645011,0.99652314,0.0000059979216],"about_ca_topic_score_codex":0.0054712617,"about_ca_topic_score_gemma":0.005749072,"teacher_disagreement_score":0.3884779,"about_ca_system_score_codex":0.0017312693,"about_ca_system_score_gemma":0.004983487,"threshold_uncertainty_score":0.87226206},"labels":[],"label_agreement":null},{"id":"W4285677731","doi":"10.18733/cpi29624","title":"Fractured Intimacies in (Re)membering","year":2022,"lang":"en","type":"article","venue":"Cultural and Pedagogical Inquiry","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"White (mutation); Series (stratigraphy); Order (exchange); History; Art; Geology; Paleontology; Economics; Chemistry","score_opus":0.6080107543089519,"score_gpt":0.41905166908318237,"score_spread":0.18895908522576954,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4285677731","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23589134,0.004245491,0.008607162,0.03777822,0.0019557495,0.00006333535,0.00005294502,0.00020644671,0.7111994],"genre_scores_gemma":[0.926675,0.00088996295,0.0011811516,0.0029600193,0.00015614011,0.000036961042,0.000020769758,0.00017696452,0.06790307],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9964528,0.0019249927,0.0000828553,0.0003504161,0.00048517002,0.0007037806],"domain_scores_gemma":[0.9963864,0.0011401188,0.00038282984,0.0007363786,0.00047592077,0.00087829365],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005137848,0.0004891542,0.00034904672,0.0012297935,0.018634668,0.011414621,0.0015500647,0.0025027548,0.0137563655],"category_scores_gemma":[0.011026381,0.0004366273,0.00030334046,0.0010243664,0.02942452,0.0139170885,0.013763658,0.0076654325,0.002229848],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036176378,0.000023780638,0.00091114844,0.000049694587,0.0000069866956,0.00056075526,0.7580442,0.000046008703,0.00034258247,0.21004243,0.011851229,0.018084962],"study_design_scores_gemma":[0.000009424727,0.0000330002,0.00090390886,0.00024155519,0.000013682187,0.0008862224,0.60101193,0.0001636161,0.0006715672,0.05346063,0.3425766,0.000027858261],"about_ca_topic_score_codex":0.005639341,"about_ca_topic_score_gemma":0.011578902,"teacher_disagreement_score":0.018634668,"about_ca_system_score_codex":0.0030085822,"about_ca_system_score_gemma":0.0030504905,"threshold_uncertainty_score":0.046019614},"labels":[],"label_agreement":null},{"id":"W4285707848","doi":"10.4000/filmj.302","title":"Frontiers in Atom Egoyan’s Films: Identity, Imagination, and Crossing through Images","year":2021,"lang":"en","type":"article","venue":"Film journal","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Identity (music); Atom (system on chip); Art; Aesthetics; Imagination; Psychoanalysis; Art history; Psychology; Computer science; Cognitive psychology","score_opus":0.015620331363218947,"score_gpt":0.2504234632074425,"score_spread":0.23480313184422358,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4285707848","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.54405075,0.0036442433,0.0027434886,0.010755921,0.00030915358,0.000049229126,0.0000639886,0.00004337517,0.43833986],"genre_scores_gemma":[0.98510265,0.00077801227,0.0006444267,0.00033724157,0.000025825393,0.000007913674,0.00002058069,0.000025452082,0.013057933],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992606,0.00037996398,0.000014669117,0.00005398631,0.00012903992,0.00016181728],"domain_scores_gemma":[0.9993862,0.00024548543,0.000052757794,0.00002840394,0.00012512536,0.0001620778],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011085079,0.00038126518,0.00016122787,0.00075531565,0.00842449,0.008599243,0.00037065434,0.00094289443,0.0024473288],"category_scores_gemma":[0.001929528,0.00021633973,0.00014268524,0.0005469671,0.011461339,0.004128446,0.0025271273,0.0025691055,0.00023029452],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000046198442,0.000018007398,0.0011517605,0.000045172867,0.000004002642,0.00064588746,0.9230148,0.00004386161,0.0014937666,0.06173881,0.004420852,0.0073769065],"study_design_scores_gemma":[0.000007746012,0.000027164815,0.00430294,0.00014165962,0.000008213847,0.0005868504,0.85605454,0.00014084866,0.0009965026,0.0077548674,0.12995641,0.000022254848],"about_ca_topic_score_codex":0.05175839,"about_ca_topic_score_gemma":0.09568988,"teacher_disagreement_score":0.05175839,"about_ca_system_score_codex":0.003961461,"about_ca_system_score_gemma":0.0021121758,"threshold_uncertainty_score":0.102914214},"labels":[],"label_agreement":null},{"id":"W4287631524","doi":"10.5281/zenodo.4135688","title":"WATCH Antrum (2020) HD Full Movie online free ose","year":2020,"lang":"en","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Antrum; Computer science; Art; Medicine; Internal medicine; Stomach","score_opus":0.04590419175172593,"score_gpt":0.2185336466153781,"score_spread":0.17262945486365217,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4287631524","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0005529874,0.00026102352,0.0017148086,0.0003257651,0.00087348867,0.00018712899,0.0070180297,0.011818769,0.977248],"genre_scores_gemma":[0.0019882554,0.00026816194,0.0012400179,0.00031049596,0.00019240999,0.00008391657,0.0054406757,0.0073254616,0.98315054],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99980384,0.00001090272,0.000006920746,0.000038303242,0.00009281738,0.000047185735],"domain_scores_gemma":[0.99927026,0.000056427052,0.000017501754,0.00010476146,0.00030761492,0.00024345762],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00025479108,0.001158628,0.0005243301,0.0012039389,0.0012147976,0.0035584036,0.0012962834,0.0011838181,0.9256722],"category_scores_gemma":[0.0014504457,0.00062964787,0.00071408384,0.00084485376,0.0002590283,0.003058494,0.0027151702,0.0013193985,0.86379963],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000039136597,0.00001272773,0.000036765217,0.000086399625,0.0000018428317,0.000026103233,0.000036217083,0.000024238829,0.000539989,0.00054553803,0.97734684,0.021304179],"study_design_scores_gemma":[0.000016998052,0.0000152534,0.00041537048,0.00004560269,0.0000035911082,0.00007388372,0.00005049621,0.00008003613,0.00055422675,0.0002624817,0.99847215,0.000009905709],"about_ca_topic_score_codex":0.0041305088,"about_ca_topic_score_gemma":0.010360194,"teacher_disagreement_score":0.07432783,"about_ca_system_score_codex":0.00065894827,"about_ca_system_score_gemma":0.00044359782,"threshold_uncertainty_score":0.10601956},"labels":[],"label_agreement":null},{"id":"W4287645780","doi":"10.5281/zenodo.4068281","title":"Full Watch Two Weeks to Live Season 1 Episode 6","year":2020,"lang":"en","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.04645328650662274,"score_gpt":0.2340882017583379,"score_spread":0.18763491525171516,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4287645780","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0020872718,0.00035731526,0.0015715936,0.0017448525,0.0046857125,0.000790686,0.008658972,0.004850364,0.97525316],"genre_scores_gemma":[0.0053971703,0.00023904718,0.0010974976,0.0010465487,0.0007734832,0.00037755418,0.0048706206,0.0015041525,0.9846941],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993274,0.0000756887,0.00002064062,0.00009237587,0.0002564069,0.00022757547],"domain_scores_gemma":[0.99780244,0.000092500224,0.00005357563,0.0001730274,0.00057742826,0.001301107],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00058502227,0.000782161,0.00064995955,0.00073639344,0.0024196554,0.0037527366,0.0014394397,0.0014121043,0.8290975],"category_scores_gemma":[0.0022127589,0.0005122635,0.00070866576,0.00053236756,0.00023476307,0.0020785024,0.00478004,0.002064797,0.633856],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006777145,0.000060805116,0.00010491723,0.00006186122,0.0000024557658,0.000034471166,0.000071753355,0.000018283003,0.00022189805,0.00033515258,0.9773303,0.021690222],"study_design_scores_gemma":[0.000020964859,0.000033678705,0.0009825658,0.000039261682,0.0000023237571,0.000031704032,0.00023400318,0.00003346678,0.0001027925,0.0001629176,0.99834895,0.0000074172476],"about_ca_topic_score_codex":0.0045497944,"about_ca_topic_score_gemma":0.021140171,"teacher_disagreement_score":0.17090249,"about_ca_system_score_codex":0.00074387406,"about_ca_system_score_gemma":0.0010086462,"threshold_uncertainty_score":0.24377161},"labels":[],"label_agreement":null},{"id":"W4287645915","doi":"10.5281/zenodo.4068345","title":"Two Weeks to Live Season 1 Episode 6 [Sky1] English Subtitle","year":2020,"lang":"en","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Subtitle; History; Linguistics; Philosophy","score_opus":0.04134133737970921,"score_gpt":0.2264930229596234,"score_spread":0.18515168557991418,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4287645915","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001971936,0.00024985525,0.001331509,0.0015128121,0.0036370216,0.0006646294,0.011522904,0.0038145152,0.9752949],"genre_scores_gemma":[0.006032671,0.0001945151,0.001131586,0.0010790623,0.00061416544,0.00038714026,0.007102322,0.0023650068,0.9810936],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994105,0.000057926107,0.000018008104,0.00006931949,0.00022894845,0.00021528217],"domain_scores_gemma":[0.998353,0.00006377416,0.00003733387,0.00010951551,0.0005443406,0.00089198875],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00048207803,0.0006969413,0.0005752161,0.0007064318,0.0032666915,0.0031902213,0.0012246608,0.0011973063,0.7398592],"category_scores_gemma":[0.0017713357,0.00043285365,0.00056320435,0.00061456097,0.00023590896,0.0019553748,0.0034968692,0.0018165653,0.5278187],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040049585,0.000033854412,0.00007781953,0.000046184792,0.0000011811269,0.000027525071,0.00009188421,0.000011741935,0.00020045656,0.00028217435,0.98593277,0.013254325],"study_design_scores_gemma":[0.00001086498,0.00001990395,0.0008970083,0.000030822754,0.0000010608835,0.000020574604,0.00022952004,0.000019528785,0.00008788184,0.0001265758,0.99855083,0.0000054790075],"about_ca_topic_score_codex":0.010474423,"about_ca_topic_score_gemma":0.06334057,"teacher_disagreement_score":0.26014078,"about_ca_system_score_codex":0.00083476247,"about_ca_system_score_gemma":0.0011128464,"threshold_uncertainty_score":0.37105924},"labels":[],"label_agreement":null},{"id":"W4289841966","doi":"10.1080/14680777.2022.2108480","title":"“Bring about the change we want to see”: Ram Devineni and the media spectacle of <i>Priya’s Shakti</i>","year":2022,"lang":"en","type":"article","venue":"Feminist Media Studies","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University; McGill University","funders":"","keywords":"Comics; Spectacle; Sociology; Power (physics); Gender studies; Hinduism; Media studies; Political science; Religious studies; Law","score_opus":0.0794236755282989,"score_gpt":0.26354217726075746,"score_spread":0.18411850173245856,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4289841966","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.28136957,0.031930253,0.0055389805,0.21323164,0.0047092536,0.00015256161,0.00011860148,0.00018437752,0.46276477],"genre_scores_gemma":[0.9616536,0.0055792653,0.0010969149,0.01284892,0.001081562,0.00007314646,0.000033437253,0.00016600358,0.017467208],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9946175,0.00366804,0.00007059164,0.00037043204,0.00072658196,0.0005469384],"domain_scores_gemma":[0.99338657,0.004633146,0.0005233176,0.00030395505,0.0006117882,0.00054129906],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004946758,0.0009167512,0.0004854586,0.0022143396,0.02211163,0.020192541,0.0017256859,0.0043919696,0.0028699944],"category_scores_gemma":[0.007236387,0.0005612011,0.00037744665,0.0013114123,0.053334072,0.014651913,0.008465684,0.011650457,0.00066154735],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024745872,0.00003015741,0.00064451905,0.00016139906,0.000012386246,0.00080859,0.8537706,0.00004466648,0.000683276,0.1285575,0.008417216,0.0068449555],"study_design_scores_gemma":[0.000008798229,0.000042256677,0.0010518498,0.0005622828,0.000021681995,0.0008207251,0.66541004,0.00012124124,0.0009958202,0.016081207,0.31483552,0.00004862693],"about_ca_topic_score_codex":0.0068998346,"about_ca_topic_score_gemma":0.008604538,"teacher_disagreement_score":0.02211163,"about_ca_system_score_codex":0.0046172095,"about_ca_system_score_gemma":0.0031399555,"threshold_uncertainty_score":0.033500373},"labels":[],"label_agreement":null},{"id":"W4290630214","doi":"10.1080/25785273.2022.2109846","title":"The transnational tales of an Indian creative producer: the case of Guneet Monga","year":2022,"lang":"en","type":"article","venue":"Transnational Screens","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Scholarship; Movie theater; Context (archaeology); Mainstream; Production (economics); Sociology; Spectacle; Media studies; Ideology; Aesthetics; Gender studies; Political science; Visual arts; History; Politics; Art; Law","score_opus":0.02051580294770948,"score_gpt":0.2361905804991675,"score_spread":0.21567477755145803,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4290630214","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9277606,0.000814943,0.0010321246,0.0062351436,0.000094510295,0.00005578815,0.000050767114,0.000044876826,0.06391118],"genre_scores_gemma":[0.9858791,0.00059656886,0.00060228334,0.00063697394,0.00002851333,0.000020948279,0.000022009412,0.000056208086,0.012157395],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99787736,0.0011966301,0.00003518272,0.00019996149,0.00019220027,0.0004986299],"domain_scores_gemma":[0.99758184,0.0014042414,0.00019459821,0.00013526272,0.00013761506,0.0005465413],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017537677,0.0006870119,0.00038045517,0.0013921156,0.031205345,0.009173401,0.0018740444,0.002591158,0.0056635593],"category_scores_gemma":[0.0033065323,0.0006773721,0.00038664992,0.0013792687,0.010925006,0.0042408924,0.0059369537,0.0042428216,0.0006626478],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024582469,0.00003578127,0.0014439153,0.000057204757,0.0000056427693,0.0075606634,0.9797131,0.000053906697,0.00068993634,0.006976238,0.0009674843,0.0024715688],"study_design_scores_gemma":[0.0000029063217,0.000025842965,0.0014659669,0.0000765069,0.0000140533375,0.0026897304,0.96103483,0.00015972953,0.00041051095,0.0006345993,0.03346862,0.000016753334],"about_ca_topic_score_codex":0.028701512,"about_ca_topic_score_gemma":0.05290492,"teacher_disagreement_score":0.031205345,"about_ca_system_score_codex":0.0048328927,"about_ca_system_score_gemma":0.0028640782,"threshold_uncertainty_score":0.057068884},"labels":[],"label_agreement":null},{"id":"W4296001161","doi":"10.5281/zenodo.7083239","title":"watch Brahmastra Part One: Shiva 2022 FuLLMovie Free Online","year":2022,"lang":"en","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.052877093624414714,"score_gpt":0.21812517249627944,"score_spread":0.1652480788718647,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4296001161","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00078052364,0.00035253068,0.000643432,0.000688098,0.0011595559,0.00008669649,0.004161662,0.007271563,0.98485595],"genre_scores_gemma":[0.0037876936,0.0002857069,0.00027854633,0.00036176146,0.00016115721,0.000044590666,0.002902839,0.002974319,0.9892034],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99981576,0.000014021824,0.000004627913,0.00003905973,0.000071797316,0.000054763852],"domain_scores_gemma":[0.99930215,0.000047680325,0.000014353386,0.00009229929,0.00030764056,0.000236013],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00019377864,0.0008651702,0.00051691587,0.00072741025,0.0018113436,0.0031880399,0.0009048635,0.0013155099,0.9044206],"category_scores_gemma":[0.001015109,0.0006153065,0.00050167565,0.00071300025,0.00031670099,0.0029246355,0.0023019395,0.00170528,0.84484714],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031071664,0.000010376159,0.000056352437,0.00005282067,0.0000021211,0.000033750464,0.00005564861,0.000015391493,0.00045435407,0.00047530714,0.9853851,0.013427754],"study_design_scores_gemma":[0.00001023468,0.000015141088,0.0005428317,0.000034332774,0.0000030022113,0.00005204737,0.000118718985,0.000035894587,0.00025322443,0.00015811464,0.998769,0.0000075099497],"about_ca_topic_score_codex":0.0052523646,"about_ca_topic_score_gemma":0.01836563,"teacher_disagreement_score":0.095579386,"about_ca_system_score_codex":0.00073011883,"about_ca_system_score_gemma":0.0006544873,"threshold_uncertainty_score":0.13633233},"labels":[],"label_agreement":null},{"id":"W4302104233","doi":"10.2307/2672309","title":"No Aging in India: Alzheimer’s, the Bad Family, and Other Modern Things.","year":2000,"lang":"en","type":"article","venue":"Pacific Affairs","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":41,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Psychology","score_opus":0.018306850079633022,"score_gpt":0.20867263886871967,"score_spread":0.19036578878908667,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4302104233","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09867745,0.16555057,0.00021775765,0.6054553,0.012330406,0.000011136603,0.00023678523,0.000054209384,0.11746651],"genre_scores_gemma":[0.83802897,0.06888077,0.0002312548,0.05520646,0.005317674,0.000016124623,0.00010970547,0.000035976682,0.03217305],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993844,0.00022129423,0.000027578479,0.000041623596,0.00008937975,0.00023573841],"domain_scores_gemma":[0.998271,0.0003144857,0.00021262592,0.00012572693,0.00021684957,0.0008592966],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010263373,0.00024842544,0.0003189742,0.00064243074,0.0062283925,0.0044979933,0.0005366103,0.0016600167,0.004565999],"category_scores_gemma":[0.0026619595,0.00017767448,0.0001927809,0.0010208879,0.00929458,0.0049427743,0.0025061402,0.0046647703,0.00062958547],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003275754,0.00023667929,0.045714375,0.0008879136,0.00008481087,0.0029876868,0.13671383,0.00012412625,0.00083450426,0.1786665,0.48630208,0.14711995],"study_design_scores_gemma":[0.000019272764,0.00009670731,0.059748694,0.0009301005,0.000072093295,0.0021710114,0.18138373,0.00004432002,0.00029247394,0.028963257,0.7262203,0.000058016056],"about_ca_topic_score_codex":0.028199652,"about_ca_topic_score_gemma":0.087418355,"teacher_disagreement_score":0.028199652,"about_ca_system_score_codex":0.0024787441,"about_ca_system_score_gemma":0.0057078903,"threshold_uncertainty_score":0.056070983},"labels":[],"label_agreement":null},{"id":"W4309170891","doi":"10.1093/oso/9780192869067.001.0001","title":"Cultural Identity in Hindi Plays","year":2022,"lang":"en","type":"book","venue":"","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Hindi; Identity (music); Poetics; Drama; Cultural identity; Narrative; Politics; Gender studies; Sociology; Identity formation; Aesthetics; Literature; Social science; Political science; Art; Poetry; Linguistics; Philosophy; Self-concept; Law","score_opus":0.028226760067400318,"score_gpt":0.2420827726693122,"score_spread":0.21385601260191187,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4309170891","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13368332,0.006140504,0.0005162171,0.004467614,0.00039325352,0.000024423196,0.000040262126,0.000034069024,0.85470027],"genre_scores_gemma":[0.91374165,0.002051005,0.00017249645,0.0005565443,0.00010175602,0.000016760427,0.000029235527,0.000020729867,0.08330982],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.999273,0.0003278646,0.0000124842945,0.000050440558,0.00014624663,0.00018987694],"domain_scores_gemma":[0.99964416,0.00015022412,0.000030478057,0.000024265275,0.00005498501,0.00009594394],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004592341,0.00039888386,0.00020384483,0.00095591863,0.010164255,0.008159494,0.0005565183,0.0007167892,0.008200186],"category_scores_gemma":[0.0005132985,0.00014542372,0.00012241388,0.0011666468,0.009357313,0.0017368667,0.0030982855,0.0014209895,0.00074093445],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025565074,0.000033218665,0.0011230718,0.000092206246,0.0000031735563,0.00070542854,0.5272265,0.000082831,0.00069167936,0.42714489,0.016002405,0.026869051],"study_design_scores_gemma":[0.0000049164746,0.000044229113,0.0045046485,0.00038216508,0.0000050581784,0.0007004987,0.35041496,0.00015929248,0.0007650948,0.011664425,0.63133943,0.000015315436],"about_ca_topic_score_codex":0.0150725,"about_ca_topic_score_gemma":0.023943339,"teacher_disagreement_score":0.0150725,"about_ca_system_score_codex":0.005943024,"about_ca_system_score_gemma":0.0020333254,"threshold_uncertainty_score":0.043119907},"labels":[],"label_agreement":null},{"id":"W4309170912","doi":"10.1093/oso/9780192869067.002.0006","title":"The Author","year":2022,"lang":"en","type":"other","venue":"","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Hinduism; Hindi; History; South asia; Drama; Media studies; Religious studies; Anthropology; Sociology; Art; Philosophy; Literature","score_opus":0.021202183113349215,"score_gpt":0.218240053748785,"score_spread":0.1970378706354358,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4309170912","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001367141,0.0047987867,0.0014004075,0.021773724,0.025079412,0.00011293498,0.002909923,0.00039558366,0.9421622],"genre_scores_gemma":[0.012644407,0.002791572,0.00064681255,0.0063549727,0.0024097443,0.000101372534,0.0017729036,0.00028813726,0.97299],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986167,0.00022005137,0.00008618157,0.00032965143,0.00057556963,0.00017177216],"domain_scores_gemma":[0.996858,0.000372945,0.00012181164,0.00038396812,0.0018728832,0.00039041962],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010212234,0.0005313235,0.0005200283,0.0014972306,0.0030486218,0.0061964625,0.0010621976,0.00145368,0.39204994],"category_scores_gemma":[0.0067528468,0.00023505064,0.0003425724,0.0015535176,0.00088109553,0.0031568997,0.0025541103,0.0018976985,0.2769426],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024391291,0.000014207086,0.00029825882,0.00014842403,0.0000035223234,0.00010383213,0.00059483957,0.000028500595,0.00016653725,0.031250447,0.9033697,0.06399721],"study_design_scores_gemma":[0.0000014254075,0.0000033393178,0.00012915696,0.00007917239,0.0000010129257,0.000065973785,0.00019605075,0.000008135072,0.000046207453,0.0010606112,0.9984068,0.000002075683],"about_ca_topic_score_codex":0.0027607845,"about_ca_topic_score_gemma":0.0040134485,"teacher_disagreement_score":0.39204994,"about_ca_system_score_codex":0.0024538087,"about_ca_system_score_gemma":0.0032989883,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W4311266278","doi":"10.5281/zenodo.7431844","title":"Cultural Monsters in Indian Cinema: The Politics of Adaptation, Transformation and Disfigurement","year":2022,"lang":"en","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"MacEwan University","funders":"","keywords":"Movie theater; Disfigurement; Politics; Adaptation (eye); Transformation (genetics); Aesthetics; Art; Political science; Visual arts; Psychology; Law","score_opus":0.039710487736804224,"score_gpt":0.21750008411613683,"score_spread":0.17778959637933262,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4311266278","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.60140735,0.005935674,0.001295775,0.0119480025,0.00041233422,0.000083029256,0.00004475946,0.00014425715,0.37872884],"genre_scores_gemma":[0.9892418,0.0009390202,0.00021491566,0.0005440961,0.000084149025,0.000012661711,0.000009670721,0.000037455102,0.008916201],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9959758,0.0021359576,0.000077357596,0.0002569332,0.00046457225,0.0010893113],"domain_scores_gemma":[0.9975555,0.0010264423,0.00036669584,0.00031957804,0.00016086674,0.0005708722],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002394486,0.00049367605,0.00029220575,0.0018581747,0.0213585,0.01865691,0.001427748,0.001962687,0.0038531192],"category_scores_gemma":[0.0040836497,0.00047250048,0.00033361925,0.0019980017,0.026667448,0.0036193738,0.011007802,0.003991649,0.00037478382],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000061705796,0.000039005863,0.003497901,0.000094395684,0.000015589338,0.0013770834,0.8701117,0.00005893716,0.0013870022,0.101037376,0.0038309598,0.018488327],"study_design_scores_gemma":[0.0000079562105,0.000043608266,0.01315072,0.00020408953,0.000044532786,0.0015628544,0.70639986,0.00016980105,0.00097077235,0.0063664136,0.27102554,0.000053800508],"about_ca_topic_score_codex":0.035579037,"about_ca_topic_score_gemma":0.05034027,"teacher_disagreement_score":0.035579037,"about_ca_system_score_codex":0.007762321,"about_ca_system_score_gemma":0.0035225179,"threshold_uncertainty_score":0.07074386},"labels":[],"label_agreement":null},{"id":"W4312077203","doi":"10.47593/2675-312x/20223504eed_33p","title":"DIC-SBC Women’s Group","year":2022,"lang":"en","type":"article","venue":"ARQUIVOS BRASILEIROS DE CARDIOLOGIA - IMAGEM CARDIOVASCULAR","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Discovery Air (Canada)","funders":"","keywords":"Group (periodic table); Chemistry","score_opus":0.01505523832599487,"score_gpt":0.18596384442310743,"score_spread":0.17090860609711256,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4312077203","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004959643,0.015219446,0.0006196782,0.04436243,0.02470675,0.00059358473,0.0046593044,0.0004041676,0.90447503],"genre_scores_gemma":[0.03076813,0.009175142,0.0011913334,0.012747757,0.006880934,0.00075163477,0.0022350703,0.0002562753,0.9359936],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99935347,0.00007610607,0.000034859553,0.00012233254,0.00020045487,0.00021263474],"domain_scores_gemma":[0.99715626,0.00022779897,0.00011897077,0.00020613904,0.0009573753,0.0013334467],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00118943,0.00054380076,0.00043637515,0.001528272,0.0020023154,0.0018390933,0.0005690389,0.0015993173,0.3269584],"category_scores_gemma":[0.0048240134,0.00018395603,0.00034309388,0.0009975543,0.00048806224,0.000561254,0.0018944597,0.0014570929,0.066554226],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016006218,0.00004310522,0.0013278794,0.00020730423,0.000007798342,0.0002836249,0.00015401693,0.000011417413,0.00042155728,0.0036167726,0.8736859,0.120080516],"study_design_scores_gemma":[0.000039120583,0.000024088557,0.0016711104,0.00015231478,0.0000057647308,0.00022587394,0.00012692851,0.000010105364,0.000075650074,0.0003885822,0.9972773,0.0000030653034],"about_ca_topic_score_codex":0.0039291224,"about_ca_topic_score_gemma":0.011655795,"teacher_disagreement_score":0.3269584,"about_ca_system_score_codex":0.0009538252,"about_ca_system_score_gemma":0.005459818,"threshold_uncertainty_score":0.9600122},"labels":[],"label_agreement":null},{"id":"W4312245352","doi":"10.1017/9781800104631.015","title":"Afterword: A Personal Tribute","year":2022,"lang":"en","type":"other","venue":"","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Tribute; Art; Art history","score_opus":0.013925865962969486,"score_gpt":0.19350348550513816,"score_spread":0.17957761954216866,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4312245352","genre_codex":"editorial","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0002974248,0.008293231,0.0005200475,0.22212301,0.605473,0.00013844432,0.00047979824,0.00074507145,0.16192997],"genre_scores_gemma":[0.0020932942,0.0033005713,0.00024306918,0.116575584,0.08328076,0.00012299365,0.00033445927,0.0008264441,0.7932228],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99784374,0.0003021396,0.0001810594,0.00041008616,0.0010440854,0.00021892565],"domain_scores_gemma":[0.9914656,0.0012418547,0.00032466825,0.00056680554,0.0050542704,0.0013468276],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017328637,0.0016788953,0.0015697095,0.0018331724,0.0078057665,0.010518268,0.0025333022,0.0071426127,0.2821901],"category_scores_gemma":[0.01780564,0.00059869274,0.0008601533,0.001577353,0.0021533014,0.008142112,0.0049229898,0.012776666,0.40171418],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000036087106,0.000003773718,0.000009995433,0.000012358743,5.3452305e-7,0.000015386353,0.00003068791,0.0000021067417,0.00001547565,0.00035669556,0.99562067,0.0039286762],"study_design_scores_gemma":[0.0000021717362,0.000005053966,0.000053224798,0.00007833901,8.202361e-7,0.00005021535,0.00012389684,0.000009082948,0.000021345757,0.0003154393,0.99933666,0.0000037449017],"about_ca_topic_score_codex":0.0050403397,"about_ca_topic_score_gemma":0.004838308,"teacher_disagreement_score":0.2821901,"about_ca_system_score_codex":0.002838088,"about_ca_system_score_gemma":0.0030092043,"threshold_uncertainty_score":0.94402},"labels":[],"label_agreement":null},{"id":"W4312451910","doi":"10.1007/978-3-319-62419-8_262","title":"Finances and Focalization in Flynn’s Gone Girl","year":2022,"lang":"en","type":"book-chapter","venue":"","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Dalhousie University","funders":"","keywords":"Focalization; Girl; Art; Psychology; Literature; Developmental psychology; Narrative","score_opus":0.021929302079793565,"score_gpt":0.18430956309077606,"score_spread":0.1623802610109825,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4312451910","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.069126,0.0014752215,0.00050231337,0.0065049115,0.00012639102,0.000017266866,0.000031122687,0.000014154172,0.92220265],"genre_scores_gemma":[0.70165414,0.0006860087,0.00023265246,0.00063734554,0.000041035768,0.00002435654,0.00001745942,0.000042865566,0.29666415],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99969673,0.000120026976,0.000004336847,0.000035986464,0.000034121673,0.00010896704],"domain_scores_gemma":[0.9996959,0.00010495622,0.000031907522,0.000017911238,0.000030828625,0.00011847465],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005235706,0.00028020667,0.00014399408,0.00054356264,0.008343811,0.0043836576,0.00043471484,0.001032711,0.01802636],"category_scores_gemma":[0.0008574598,0.00016429742,0.00009710661,0.0007105498,0.005931649,0.002735308,0.0022089763,0.0023334015,0.0009586849],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000041123647,0.000034916266,0.0010532287,0.000042101034,0.0000032563155,0.0007856404,0.23574059,0.00005346911,0.00055114366,0.7136702,0.029170532,0.018853733],"study_design_scores_gemma":[0.00001028526,0.000024121857,0.0047538546,0.00019476558,0.0000061664227,0.00047322505,0.18826136,0.00010422078,0.0005722732,0.031454485,0.77413106,0.000014120038],"about_ca_topic_score_codex":0.025333488,"about_ca_topic_score_gemma":0.083852105,"teacher_disagreement_score":0.025333488,"about_ca_system_score_codex":0.004261004,"about_ca_system_score_gemma":0.0017658839,"threshold_uncertainty_score":0.060304165},"labels":[],"label_agreement":null},{"id":"W4312844217","doi":"10.1007/978-3-031-05390-0_9","title":"Surgical Strikes on Screen: Narrations of Terrorism and Military Cross-Border Violence In Bollywood Cinema","year":2022,"lang":"en","type":"book-chapter","venue":"","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"MacEwan University","funders":"","keywords":"Movie theater; Depiction; Narrative; Terrorism; The Imaginary; Ideology; Media studies; Political science; Politics; Advertising; Sociology; Art; Visual arts; Literature; Law; Psychology","score_opus":0.018198049643148858,"score_gpt":0.2819605537513986,"score_spread":0.26376250410824975,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4312844217","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24755989,0.014172801,0.0015921643,0.034367744,0.0047802823,0.00015116972,0.00043905195,0.00015301206,0.69678384],"genre_scores_gemma":[0.82817876,0.0058469065,0.0005749118,0.0049578226,0.0010231279,0.00014158395,0.00016851106,0.0003571655,0.15875123],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994474,0.00033243783,0.000008817739,0.000025227195,0.000066104556,0.0001200355],"domain_scores_gemma":[0.9987895,0.00079498324,0.00008992452,0.000032180964,0.000065808505,0.00022761745],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008342826,0.0012275927,0.0003271723,0.0012722453,0.012989184,0.006517335,0.0007632472,0.0025760932,0.011957898],"category_scores_gemma":[0.0023336755,0.0003598584,0.0002327017,0.0013164455,0.007165787,0.003213523,0.0043117166,0.006140987,0.0015749998],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000057333968,0.000026178555,0.00046202345,0.0002270212,0.000006194455,0.0014772271,0.91966456,0.000048573493,0.00107583,0.02570199,0.046299674,0.0049533932],"study_design_scores_gemma":[0.000008338283,0.000028841558,0.002253982,0.000600979,0.000010510242,0.0012745787,0.62846893,0.00008352868,0.0005230739,0.0016048996,0.3651244,0.000017990604],"about_ca_topic_score_codex":0.006675527,"about_ca_topic_score_gemma":0.02714194,"teacher_disagreement_score":0.012989184,"about_ca_system_score_codex":0.0029459163,"about_ca_system_score_gemma":0.0015725566,"threshold_uncertainty_score":0.04000312},"labels":[],"label_agreement":null},{"id":"W4312968213","doi":"10.5958/2454-1753.2022.00010.1","title":"‘Jyoti’ in Search of an Identity in a Novel Jasmine","year":2022,"lang":"en","type":"article","venue":"Motifs A Peer Reviewed International Journal of English Studies","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Identity (music); Art; Aesthetics","score_opus":0.07132213875151261,"score_gpt":0.3477560848149636,"score_spread":0.276433946063451,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4312968213","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.57894963,0.011194229,0.0028296805,0.06758174,0.007739343,0.00019998546,0.0002019714,0.00021628336,0.33108708],"genre_scores_gemma":[0.90456957,0.003754293,0.0017955618,0.008269215,0.0014097531,0.00013649513,0.00009596043,0.00017895807,0.07979039],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99907887,0.00048622876,0.000023494253,0.00009054581,0.00013190618,0.00018894166],"domain_scores_gemma":[0.9992912,0.00025602666,0.0000833227,0.000035981233,0.00009585812,0.00023762793],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011894901,0.0007045731,0.0005393989,0.0006160925,0.014066141,0.00639996,0.0007766115,0.002229203,0.004922067],"category_scores_gemma":[0.0019878158,0.00032626494,0.00039997895,0.0005968675,0.009056445,0.005215562,0.0036886972,0.0052952855,0.00090980594],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00025631188,0.00018197103,0.0010070242,0.00043355356,0.000012941592,0.0051010125,0.82534975,0.0000865525,0.0066139232,0.11471797,0.037294563,0.008944355],"study_design_scores_gemma":[0.000014677725,0.00021040154,0.0022828146,0.000391283,0.000019196214,0.005469833,0.38432604,0.0001928794,0.0013636984,0.0051864614,0.60049456,0.000048152346],"about_ca_topic_score_codex":0.0015063006,"about_ca_topic_score_gemma":0.00342253,"teacher_disagreement_score":0.014066141,"about_ca_system_score_codex":0.0020563724,"about_ca_system_score_gemma":0.0021530113,"threshold_uncertainty_score":0.016465962},"labels":[],"label_agreement":null},{"id":"W4317831304","doi":"10.1017/s0026749x22000257","title":"‘Enjoying life’: Consumption, changing meanings, and social differentiation in Kerala, India","year":2023,"lang":"en","type":"article","venue":"Modern Asian Studies","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Dalhousie University","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Consumption (sociology); Ambivalence; Consciousness; Feeling; Overconsumption; Caste; Sociology; Investment (military); Economics; Political science; Social psychology; Social science; Epistemology; Psychology; Financial crisis; Politics","score_opus":0.06733664419593285,"score_gpt":0.2708523892508283,"score_spread":0.20351574505489542,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4317831304","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99273527,0.0002658065,0.00003679708,0.00026212065,0.0000050164313,0.0000045761585,0.000015933902,0.0000025935733,0.0066718943],"genre_scores_gemma":[0.9993931,0.0001495996,0.000025386385,0.000021111022,0.0000038035969,0.0000023643931,0.0000056044905,0.000001125985,0.00039793763],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9994703,0.00022723581,0.000023165787,0.00004880086,0.00008023557,0.0001503948],"domain_scores_gemma":[0.9993081,0.00036097446,0.0001176275,0.000035480727,0.0000581756,0.000119761055],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000736298,0.00025227066,0.00030496606,0.0015074335,0.004289118,0.00428281,0.0005881251,0.00041561402,0.002408757],"category_scores_gemma":[0.00078318914,0.00023179446,0.00017320062,0.0022139035,0.005792564,0.0013240101,0.002688049,0.0010172209,0.00013411185],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003855201,0.000093039234,0.04652579,0.00013936571,0.000015853266,0.00078939646,0.9357601,0.0000634104,0.0011298092,0.0058272434,0.00048255004,0.009134918],"study_design_scores_gemma":[0.0000015624813,0.00003800083,0.10838733,0.000050939598,0.000010407462,0.00026057567,0.88507575,0.000077488425,0.00017328757,0.0004095283,0.0054979995,0.000017115497],"about_ca_topic_score_codex":0.027981421,"about_ca_topic_score_gemma":0.047417697,"teacher_disagreement_score":0.027981421,"about_ca_system_score_codex":0.0024783646,"about_ca_system_score_gemma":0.001126421,"threshold_uncertainty_score":0.05563712},"labels":[],"label_agreement":null},{"id":"W4319155401","doi":"10.5040/9781350904781","title":"Interview with Shilpa Gupta","year":2007,"lang":"en","type":"other","venue":"","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.03311123870877249,"score_gpt":0.22235723205484373,"score_spread":0.18924599334607123,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4319155401","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13703366,0.010992069,0.0006725648,0.70582503,0.006944012,0.0003610535,0.0018913379,0.0002254026,0.13605484],"genre_scores_gemma":[0.4971674,0.013893129,0.0006577399,0.30012733,0.001838622,0.0009765868,0.00054315286,0.00024037555,0.18455568],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985195,0.000559835,0.00004698946,0.00017597107,0.00022459657,0.00047313422],"domain_scores_gemma":[0.99487853,0.0018195864,0.00029832192,0.00012447691,0.00095899275,0.0019201497],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018119799,0.0007539094,0.0009910786,0.0012438513,0.012759602,0.0033956375,0.0008514917,0.004297743,0.025493573],"category_scores_gemma":[0.00499217,0.00076915335,0.0003172885,0.0023689284,0.0030208835,0.0042028786,0.002958637,0.013526459,0.008602716],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000826582,0.00017917898,0.003304092,0.00036061948,0.000009131006,0.004773784,0.1731658,0.00013488698,0.0012213277,0.007470452,0.79723644,0.012061639],"study_design_scores_gemma":[0.000014132927,0.00006159372,0.0034106334,0.00027122415,0.000008504575,0.0019699375,0.45080578,0.00010043154,0.00025823756,0.0007558531,0.54230046,0.0000431534],"about_ca_topic_score_codex":0.03344941,"about_ca_topic_score_gemma":0.05011797,"teacher_disagreement_score":0.03344941,"about_ca_system_score_codex":0.0061208634,"about_ca_system_score_gemma":0.005712287,"threshold_uncertainty_score":0.08528447},"labels":[],"label_agreement":null},{"id":"W4322586049","doi":"10.1515/9780520966475-022","title":"20. The Golden Quarter","year":2019,"lang":"en","type":"book-chapter","venue":"","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Quarter (Canadian coin); Art; History; Archaeology","score_opus":0.021505395630471727,"score_gpt":0.18746236598518376,"score_spread":0.16595697035471202,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4322586049","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00040276526,0.0034899672,0.00013431424,0.0037757608,0.0014033952,0.00001952235,0.00006647865,0.0000409109,0.99066705],"genre_scores_gemma":[0.002994482,0.0008665308,0.00005979992,0.0012090271,0.00011078295,0.000016910572,0.00002396288,0.000048462887,0.9946701],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.99965453,0.00006853032,0.000012029836,0.00006625275,0.00010270983,0.00009590808],"domain_scores_gemma":[0.9997546,0.000040024268,0.000012702889,0.000036573034,0.00008812677,0.00006797568],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005318583,0.0007071671,0.00031904175,0.0010414708,0.0051992885,0.005955132,0.00074528897,0.002543498,0.20939432],"category_scores_gemma":[0.0012625164,0.00032235228,0.00028854096,0.0010723001,0.0020595402,0.0043181432,0.0031764158,0.004070474,0.082954064],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023885004,0.00002056059,0.000110681336,0.000110260975,0.0000017781892,0.00007579658,0.0027762346,0.000018656578,0.00012880037,0.20430984,0.741187,0.05123654],"study_design_scores_gemma":[0.0000018349224,0.0000033465358,0.00012972236,0.00008662792,0.0000010872385,0.000022205115,0.00060122175,0.000009963308,0.000039774597,0.0040551615,0.99504673,0.0000021943224],"about_ca_topic_score_codex":0.021216461,"about_ca_topic_score_gemma":0.06322137,"teacher_disagreement_score":0.20939432,"about_ca_system_score_codex":0.00284799,"about_ca_system_score_gemma":0.0036262895,"threshold_uncertainty_score":0.7004938},"labels":[],"label_agreement":null},{"id":"W4323059334","doi":"10.1007/978-3-031-18537-3_6","title":"‘Soulful Listening’: Rumi’s Story of the Parrot and the Merchant","year":2023,"lang":"en","type":"book-chapter","venue":"","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Literature; Aesthetics; Art; History","score_opus":0.02861695250554736,"score_gpt":0.19001911526576318,"score_spread":0.16140216276021582,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4323059334","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07322009,0.009831801,0.0009950906,0.056155533,0.0033304973,0.00007399947,0.00007953079,0.0000743526,0.85623914],"genre_scores_gemma":[0.64916307,0.0060696825,0.00067587645,0.014547439,0.0015355315,0.000116248346,0.000057653564,0.00034014744,0.32749432],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99911016,0.000507768,0.0000128737,0.00006598274,0.00009203363,0.00021109828],"domain_scores_gemma":[0.99923897,0.00038108634,0.00005181264,0.000036635833,0.0000718382,0.00021964361],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016635647,0.0009885342,0.00038853937,0.0006285683,0.01715798,0.008084617,0.0011047433,0.0036720606,0.011062891],"category_scores_gemma":[0.0022892721,0.0003997026,0.00029340247,0.000987735,0.016619427,0.005786558,0.004914578,0.010388769,0.0019763159],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000069253045,0.00003726865,0.00025294462,0.00017937212,0.0000078571065,0.0017225693,0.7941031,0.000056040964,0.0007974327,0.11881259,0.076214224,0.0077473167],"study_design_scores_gemma":[0.000009712053,0.000038829912,0.0011261839,0.00035241054,0.0000099246045,0.00091749174,0.39779583,0.000066977635,0.00040392566,0.0052718106,0.59398586,0.000021024018],"about_ca_topic_score_codex":0.015669443,"about_ca_topic_score_gemma":0.04260596,"teacher_disagreement_score":0.01715798,"about_ca_system_score_codex":0.0029007902,"about_ca_system_score_gemma":0.0025345145,"threshold_uncertainty_score":0.03700906},"labels":[],"label_agreement":null},{"id":"W4323789740","doi":"10.33137/ic.v30i.39498","title":"Contributors","year":2022,"lang":"en","type":"article","venue":"Italian Canadiana","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Political science","score_opus":0.011542560181962633,"score_gpt":0.16296655302994045,"score_spread":0.1514239928479778,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4323789740","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0015987345,0.0059739635,0.0042619933,0.049769156,0.20059022,0.0005912814,0.0051405574,0.0018180888,0.730256],"genre_scores_gemma":[0.0026298112,0.0015277533,0.00072191394,0.0027222307,0.0076373983,0.00008876759,0.0010166715,0.00033567843,0.9833197],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99774975,0.0003268364,0.000081937025,0.0003687861,0.0012622772,0.0002103409],"domain_scores_gemma":[0.98276615,0.00096462655,0.0003684789,0.0008262246,0.010558569,0.004515921],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0019829245,0.0008999072,0.00053367374,0.0028439697,0.0027095682,0.006049758,0.0012979159,0.0017038576,0.5028684],"category_scores_gemma":[0.014218148,0.0002771108,0.0003566594,0.0016853871,0.0006389426,0.0026985789,0.0026307043,0.0021896814,0.33524656],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001379349,0.0000086461305,0.00013715058,0.00006461621,9.946393e-7,0.000051222647,0.000118476,0.000018355127,0.00016035872,0.002190964,0.97222996,0.025005601],"study_design_scores_gemma":[0.000001473293,0.0000023509162,0.00010687732,0.000046589073,9.837318e-7,0.000057549307,0.000109214074,0.0000133045405,0.000051013874,0.0003116464,0.9992969,0.0000020892242],"about_ca_topic_score_codex":0.0028390626,"about_ca_topic_score_gemma":0.007605855,"teacher_disagreement_score":0.4971316,"about_ca_system_score_codex":0.0026165983,"about_ca_system_score_gemma":0.0039285813,"threshold_uncertainty_score":0.70909786},"labels":[],"label_agreement":null},{"id":"W4327732007","doi":"10.5430/wjel.v13n5p67","title":"Racial and Gender Discrimination Reflected in Theodore Melfi’s Hidden Figures","year":2023,"lang":"en","type":"article","venue":"World Journal of English Language","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Prejudice (legal term); Opposition (politics); Race (biology); White (mutation); Gender studies; Racism; Sociology; Tone (literature); Psychology; Social psychology; Political science; Art; Law; Politics; Literature","score_opus":0.026731242935182732,"score_gpt":0.2702607733265447,"score_spread":0.24352953039136196,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4327732007","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.80710185,0.0030737221,0.0009794841,0.027396336,0.0022871087,0.00004891964,0.00011584574,0.00004307244,0.15895365],"genre_scores_gemma":[0.9694043,0.0010649918,0.000455507,0.0019137906,0.0003329825,0.000022181152,0.000026573303,0.00003189231,0.026747825],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99925345,0.00038663737,0.000013924468,0.000075250195,0.00015000568,0.00012068593],"domain_scores_gemma":[0.99906176,0.00045659876,0.00014466365,0.00004543708,0.00012336057,0.00016810365],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00091132766,0.00027742778,0.0002003129,0.00054419355,0.006834644,0.0026787363,0.00033970282,0.0007373818,0.002137134],"category_scores_gemma":[0.0024041918,0.00017541526,0.0001422101,0.00039114268,0.004207531,0.002035278,0.0013195913,0.0021590218,0.00022369645],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012897095,0.00007188687,0.0063260086,0.00018569232,0.000015043007,0.0024338306,0.8343702,0.000037719783,0.0039487453,0.03196843,0.08569497,0.034818467],"study_design_scores_gemma":[0.000010686259,0.0001612738,0.026360828,0.00038571525,0.000018333447,0.0022506244,0.38761657,0.00020136934,0.0020544198,0.0021319378,0.57875925,0.00004897524],"about_ca_topic_score_codex":0.0063227713,"about_ca_topic_score_gemma":0.017725503,"teacher_disagreement_score":0.006834644,"about_ca_system_score_codex":0.0016809881,"about_ca_system_score_gemma":0.0005784817,"threshold_uncertainty_score":0.012571931},"labels":[],"label_agreement":null},{"id":"W4353003169","doi":"10.37867/te1403131","title":"CROSSING GENDER DIASPORA WRITING: A STUDY OF ANITA RAU BADAMI’S FICTIONAL WORLD","year":2022,"lang":"en","type":"article","venue":"Towards Excellence","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Intersectionality; Gender studies; Diaspora; Sociology; Homeland; Oppression; Black feminism; Feminism; Feminist theory; Cultural studies; Politics; Anthropology; Political science","score_opus":0.06318265986889851,"score_gpt":0.261300764498309,"score_spread":0.1981181046294105,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4353003169","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9453267,0.0018980909,0.0007050649,0.008016518,0.00036886783,0.00012497747,0.000071514354,0.000036116402,0.043452207],"genre_scores_gemma":[0.97315663,0.001992116,0.00068398286,0.0032417055,0.00013296602,0.00020074798,0.00006173577,0.00009698036,0.020433238],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9964101,0.0021531663,0.000082461476,0.00030636665,0.00037324574,0.00067476457],"domain_scores_gemma":[0.9964226,0.0016909748,0.0003653514,0.00014711288,0.00035403474,0.0010198827],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0042014914,0.0012543172,0.0011589443,0.0025527452,0.035624836,0.011434208,0.0027700763,0.0027247663,0.0061963717],"category_scores_gemma":[0.0068708677,0.0009862736,0.00036694008,0.002226839,0.0128977485,0.0061068167,0.007978225,0.0070545673,0.0013312896],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007465902,0.0000592068,0.0006244483,0.000037489343,0.0000019511515,0.0005759222,0.9932481,0.0000040610303,0.00019591993,0.0017538624,0.0010354738,0.0024561808],"study_design_scores_gemma":[0.0000013559101,0.000020019559,0.0009214998,0.000043766955,0.0000021245683,0.00022105355,0.97877204,0.000013963675,0.00008835942,0.0001829497,0.019726623,0.000006199369],"about_ca_topic_score_codex":0.015558087,"about_ca_topic_score_gemma":0.049053367,"teacher_disagreement_score":0.035624836,"about_ca_system_score_codex":0.005859925,"about_ca_system_score_gemma":0.004465596,"threshold_uncertainty_score":0.042516947},"labels":[],"label_agreement":null},{"id":"W4360796867","doi":"10.3138/cjhh.590-062022","title":"<i>A Weaver-Poet and the Plague: Labor, Poverty, and the Household in Shakespeare’s London</i> by Scott Oldenburg","year":2023,"lang":"en","type":"article","venue":"Canadian Journal of Health History","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Carleton University; University of Ottawa","funders":"","keywords":"Plague (disease); Poverty; Sociology; Economic history; History; Economics; Economic growth; Ancient history","score_opus":0.02153441105272105,"score_gpt":0.19117868742125493,"score_spread":0.16964427636853388,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4360796867","genre_codex":"commentary","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005322865,0.4029088,0.00023450254,0.445413,0.02856277,0.0000314662,0.00014297785,0.000023911049,0.11735973],"genre_scores_gemma":[0.17924863,0.19697368,0.00036938032,0.08274556,0.016027343,0.0000841073,0.00009726313,0.00014179233,0.5243122],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99881375,0.0006431409,0.00004218181,0.00008117122,0.0001914766,0.00022839445],"domain_scores_gemma":[0.9988379,0.0006428524,0.00005650784,0.000029326677,0.00014034513,0.00029302482],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016664404,0.0009961564,0.0006566979,0.0011080032,0.011132228,0.0062997243,0.00084416603,0.0032869673,0.012510859],"category_scores_gemma":[0.0025947182,0.0003596739,0.0002572165,0.0016902592,0.011446388,0.0054543503,0.003592544,0.005480761,0.0015670386],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029487106,0.000014009585,0.0003205047,0.0001639003,0.000005622589,0.00024859267,0.048280004,0.0000266937,0.00006664423,0.061021026,0.8794515,0.010371857],"study_design_scores_gemma":[0.0000030107612,0.0000059664717,0.0005484973,0.0003878472,0.0000019192175,0.0000811429,0.04349953,0.000008594358,0.000032532105,0.0040228874,0.95139927,0.000008920089],"about_ca_topic_score_codex":0.243371,"about_ca_topic_score_gemma":0.5134626,"teacher_disagreement_score":0.243371,"about_ca_system_score_codex":0.0064623076,"about_ca_system_score_gemma":0.0071622157,"threshold_uncertainty_score":0.4839089},"labels":[],"label_agreement":null},{"id":"W4367159114","doi":"10.7202/1078744ar","title":"Terese SVOBODA (translator), Cleaned the Crocodile’s Teeth. Nuer Song. Greenfield Center, N.Y., The Greenfield Review Press, 1985, 116 pages, US $9.95 (paper)","year":2021,"lang":"en","type":"article","venue":"Culture","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Crocodile; Art; Center (category theory); Art history; Geology; Chemistry; Paleontology","score_opus":0.03726105973689093,"score_gpt":0.23708098866035335,"score_spread":0.19981992892346243,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4367159114","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0008875467,0.80689275,0.00034434494,0.020890316,0.011389661,0.00004867464,0.0008613669,0.00017031912,0.15851502],"genre_scores_gemma":[0.006015194,0.33131817,0.0006761893,0.006363583,0.0019470725,0.00006344501,0.00060105114,0.00013437524,0.65288097],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99975675,0.000029730667,0.000016981952,0.00003504091,0.00011663385,0.000044881654],"domain_scores_gemma":[0.99942833,0.00009720141,0.00007849465,0.000018260485,0.0002222602,0.00015535673],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006826665,0.00092952,0.0004379387,0.0015152105,0.0010928082,0.001710716,0.0006111431,0.0014983745,0.19505385],"category_scores_gemma":[0.0014440467,0.00036650535,0.00024038467,0.0015858647,0.00048561502,0.0021975825,0.0009969429,0.0017068019,0.09237137],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026952293,0.000008228268,0.00015135105,0.00058707286,0.0000037993514,0.00004655323,0.00015809819,0.000013219194,0.00023651961,0.00074127153,0.88330555,0.11472147],"study_design_scores_gemma":[0.000006495685,0.000013885824,0.0022828537,0.00052348204,0.0000054616376,0.00009799072,0.00026813184,0.0000047854996,0.000099081626,0.00015448718,0.9965383,0.0000050915437],"about_ca_topic_score_codex":0.033313546,"about_ca_topic_score_gemma":0.10386696,"teacher_disagreement_score":0.19505385,"about_ca_system_score_codex":0.0010627046,"about_ca_system_score_gemma":0.0021100282,"threshold_uncertainty_score":0.6525201},"labels":[],"label_agreement":null},{"id":"W4368371239","doi":"10.1080/0966369x.2023.2199521","title":"Bollywood’s new woman: Liberalization, liberation, and contested bodies <b>Bollywood’s new woman: Liberalization, liberation, and contested bodies</b> , edited by Megha Anwer and Anupama Arora, 2021, New Brunswick, Rutgers University Press, 213 pp., ₹ 7298. ISBN 978-19-78814-45-5","year":2023,"lang":"en","type":"article","venue":"Gender Place & Culture","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Liberalization; Political science; Art; Law","score_opus":0.01970235810192606,"score_gpt":0.20977940798963607,"score_spread":0.19007704988771001,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4368371239","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0040568723,0.28750083,0.0009704178,0.08150901,0.008694469,0.000031115058,0.0001841446,0.000099428114,0.61695373],"genre_scores_gemma":[0.06334675,0.113902204,0.001111867,0.010527076,0.0014729914,0.0000625063,0.00015273927,0.0002296282,0.8091942],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996275,0.00012995503,0.000008597194,0.000046501882,0.00010266983,0.0000847779],"domain_scores_gemma":[0.99982303,0.00006057446,0.000017961394,0.0000152413995,0.000022038306,0.000061103674],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006192438,0.00074781984,0.00026168436,0.0007050944,0.0029702839,0.0063970163,0.0005330601,0.0017060278,0.031347428],"category_scores_gemma":[0.0007181978,0.0003435968,0.00018966767,0.0011931146,0.005256151,0.0068532866,0.00255658,0.0033101756,0.0067471466],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003855978,0.000022380715,0.0001548617,0.00021306223,0.0000032487176,0.00011566561,0.012118832,0.000030845204,0.00027988502,0.13016522,0.7963142,0.060543288],"study_design_scores_gemma":[0.0000013436426,0.0000030419683,0.0002420269,0.00014888366,7.942566e-7,0.00006826031,0.0032407648,0.000007824967,0.00005744472,0.004514757,0.991712,0.000002830207],"about_ca_topic_score_codex":0.017287519,"about_ca_topic_score_gemma":0.0592017,"teacher_disagreement_score":0.031347428,"about_ca_system_score_codex":0.0029191624,"about_ca_system_score_gemma":0.003921294,"threshold_uncertainty_score":0.10486758},"labels":[],"label_agreement":null},{"id":"W4377194974","doi":"10.1163/26659050-12340042","title":"Bibi’s Room: Hyderabadi Women and Twentieth-Century Urdu Prose, written by Akhtar, Nazia","year":2023,"lang":"en","type":"article","venue":"Journal of Urdu Studies","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Urdu; Art; History; Literature","score_opus":0.027860010291958642,"score_gpt":0.25511607663914126,"score_spread":0.22725606634718262,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4377194974","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09285923,0.20948492,0.00056894234,0.06749608,0.02533371,0.00009827138,0.00043474638,0.000113946044,0.60361016],"genre_scores_gemma":[0.60151124,0.044060785,0.00067174266,0.0070278957,0.0034990418,0.00007132386,0.00014392655,0.0001785638,0.34283558],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9998204,0.0000695476,0.000010354289,0.000019612256,0.000028897266,0.00005123885],"domain_scores_gemma":[0.99982893,0.00007414976,0.000020105532,0.000009883278,0.000023987011,0.000042913154],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00059206743,0.0007977905,0.00030195116,0.000627866,0.0074166707,0.0034836312,0.00034833784,0.0010210891,0.011180361],"category_scores_gemma":[0.0007106023,0.00029548683,0.000120097764,0.0010363597,0.0031339894,0.0024240203,0.0014773048,0.002067372,0.0012359039],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000317225,0.000081672224,0.0014950804,0.0011413159,0.000016985718,0.0017011048,0.30805308,0.00012961523,0.0033944105,0.24878345,0.36752018,0.06736585],"study_design_scores_gemma":[0.000007697884,0.000021382219,0.004124824,0.00024419132,0.0000056823037,0.00029740125,0.042092066,0.00003415585,0.0003732178,0.0012081293,0.9515821,0.000009135739],"about_ca_topic_score_codex":0.007060214,"about_ca_topic_score_gemma":0.021600634,"teacher_disagreement_score":0.011180361,"about_ca_system_score_codex":0.0019738043,"about_ca_system_score_gemma":0.0016096605,"threshold_uncertainty_score":0.037402093},"labels":[],"label_agreement":null},{"id":"W4377989123","doi":"10.1139/cjc-2023-0023","title":"Crudden culture","year":2023,"lang":"en","type":"article","venue":"Canadian Journal of Chemistry","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Queen's University; Cape Breton University","funders":"","keywords":"Chemistry; Stereochemistry","score_opus":0.01689523195007331,"score_gpt":0.1952058444262113,"score_spread":0.178310612476138,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4377989123","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0056618936,0.0016851691,0.0003876406,0.008737407,0.001140431,0.00001926862,0.000059267364,0.000055543103,0.9822534],"genre_scores_gemma":[0.12392278,0.0019310155,0.000587807,0.005706476,0.00030956144,0.000037594164,0.000088864486,0.0002052052,0.8672107],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99906737,0.0002468634,0.000019435058,0.0001345872,0.00030875206,0.00022306228],"domain_scores_gemma":[0.9992237,0.00009895658,0.000036795223,0.0001544487,0.00022290938,0.00026321592],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009001889,0.0006402852,0.00031319962,0.0012331007,0.012759644,0.008556077,0.0007328396,0.0015554315,0.083355404],"category_scores_gemma":[0.0021742987,0.00025595762,0.00027180402,0.0011440499,0.009468896,0.004598611,0.0064144186,0.0054395692,0.014839489],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036015794,0.00004849335,0.0006219041,0.000078086305,0.000007117169,0.00027262338,0.04827996,0.00005652953,0.00060669234,0.66329044,0.23193063,0.05477149],"study_design_scores_gemma":[0.0000026170048,0.0000058686337,0.00037805876,0.000076330136,0.0000020397722,0.00006674046,0.011651567,0.000016274284,0.00014266495,0.011650099,0.9760029,0.0000049183063],"about_ca_topic_score_codex":0.03249285,"about_ca_topic_score_gemma":0.09176781,"teacher_disagreement_score":0.083355404,"about_ca_system_score_codex":0.005394017,"about_ca_system_score_gemma":0.005398616,"threshold_uncertainty_score":0.27885157},"labels":[],"label_agreement":null},{"id":"W4378175042","doi":"10.24818//syn/2023/19/1.06","title":"SCORCHED BY FIRE, DROWNED BY WATER, NO HEAVEN ON A CRACKED EARTH: ‘A LOOK’ AT DEEPA MEHTA’S WOMEN","year":2023,"lang":"en","type":"article","venue":"SYNERGY","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Heaven; Earth (classical element); Hollywood; Construct (python library); Diaspora; History; Media studies; Sociology; Art history; Aesthetics; Art; Gender studies; Engineering; Literature; Computer science; Physics","score_opus":0.012587435744741544,"score_gpt":0.1979430937330191,"score_spread":0.18535565798827755,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4378175042","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7492964,0.006622311,0.00058717135,0.028268877,0.00062261545,0.000051919462,0.0000984611,0.000032698325,0.21441956],"genre_scores_gemma":[0.9568727,0.0034374082,0.0003519694,0.0026647826,0.000102617494,0.0000212532,0.000020915199,0.0000445897,0.036483776],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99959344,0.00016325158,0.0000070447336,0.00003388432,0.000054325228,0.00014812616],"domain_scores_gemma":[0.9995863,0.00013896129,0.000040062165,0.000020802738,0.00004963358,0.00016418094],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007752606,0.00040817348,0.00025017577,0.00049354805,0.016652923,0.0055326666,0.0005198734,0.0010960626,0.0041291104],"category_scores_gemma":[0.00092289306,0.00025194854,0.0001736789,0.0009562889,0.007897071,0.0024278318,0.0033352296,0.0036767353,0.00042233375],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000345058,0.000028402408,0.002607059,0.00010332158,0.00000636003,0.001130266,0.95220274,0.00002580004,0.0017386228,0.024027491,0.008404653,0.00969077],"study_design_scores_gemma":[0.0000029239836,0.000025162639,0.0040139365,0.00014019891,0.000011976047,0.00081070553,0.8558069,0.00004118642,0.0006880523,0.0010037281,0.13743894,0.000016329557],"about_ca_topic_score_codex":0.06923755,"about_ca_topic_score_gemma":0.20946623,"teacher_disagreement_score":0.06923755,"about_ca_system_score_codex":0.004259794,"about_ca_system_score_gemma":0.0039425315,"threshold_uncertainty_score":0.13766909},"labels":[],"label_agreement":null},{"id":"W4378214154","doi":"10.32920/23159855.v1","title":"Unfair &amp; Not So Lovely: Exploring the Darker Side of Globalization, the Media &amp; Indian Beauty Standards","year":2023,"lang":"en","type":"preprint","venue":"","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Beauty; Globalization; Perspective (graphical); Aesthetics; Ideology; Identity (music); Sociology; Ideal (ethics); Art; Media studies; Political science; Visual arts; Law","score_opus":0.11484147440372446,"score_gpt":0.28301634382998747,"score_spread":0.16817486942626303,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4378214154","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.55454385,0.002906702,0.0029174758,0.019835705,0.00037879148,0.00004730922,0.00006328319,0.00003770805,0.4192691],"genre_scores_gemma":[0.9889537,0.0014828886,0.00057113095,0.00078506954,0.00009353085,0.000021403474,0.000014444204,0.000033524582,0.008044416],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99801826,0.0013584648,0.000024889303,0.000109128756,0.00023185789,0.0002573548],"domain_scores_gemma":[0.99770564,0.001434424,0.00023519456,0.00020240342,0.00017986532,0.00024264795],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0029094769,0.00044643576,0.00026164294,0.0017557774,0.0108273765,0.015995234,0.00072076794,0.0011658253,0.0044819973],"category_scores_gemma":[0.0028413842,0.0002819647,0.00028312736,0.002211644,0.023953672,0.009477132,0.0058328863,0.0033374398,0.00030126507],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002970445,0.000037246253,0.0034196938,0.00015479201,0.0000070068045,0.00046203015,0.79673886,0.00008223325,0.0008116916,0.18091941,0.0030061651,0.014331086],"study_design_scores_gemma":[0.0000027892809,0.000026117685,0.0045814496,0.00017971448,0.0000125952265,0.00027011675,0.91819394,0.00015865057,0.0006051286,0.015485975,0.060467392,0.000016200222],"about_ca_topic_score_codex":0.009282056,"about_ca_topic_score_gemma":0.014901925,"teacher_disagreement_score":0.015995234,"about_ca_system_score_codex":0.0043115383,"about_ca_system_score_gemma":0.0028648828,"threshold_uncertainty_score":0.031282485},"labels":[],"label_agreement":null},{"id":"W4378214485","doi":"10.32920/23159855","title":"Unfair &amp; Not So Lovely: Exploring the Darker Side of Globalization, the Media &amp; Indian Beauty Standards","year":2023,"lang":"en","type":"preprint","venue":"","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Beauty; Globalization; Perspective (graphical); Aesthetics; Ideology; Identity (music); Sociology; Art; Media studies; Political science; Visual arts; Law","score_opus":0.11484147440372446,"score_gpt":0.28301634382998747,"score_spread":0.16817486942626303,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4378214485","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.55454385,0.002906702,0.0029174758,0.019835705,0.00037879148,0.00004730922,0.00006328319,0.00003770805,0.4192691],"genre_scores_gemma":[0.9889537,0.0014828886,0.00057113095,0.00078506954,0.00009353085,0.000021403474,0.000014444204,0.000033524582,0.008044416],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99801826,0.0013584648,0.000024889303,0.000109128756,0.00023185789,0.0002573548],"domain_scores_gemma":[0.99770564,0.001434424,0.00023519456,0.00020240342,0.00017986532,0.00024264795],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0029094769,0.00044643576,0.00026164294,0.0017557774,0.0108273765,0.015995234,0.00072076794,0.0011658253,0.0044819973],"category_scores_gemma":[0.0028413842,0.0002819647,0.00028312736,0.002211644,0.023953672,0.009477132,0.0058328863,0.0033374398,0.00030126507],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002970445,0.000037246253,0.0034196938,0.00015479201,0.0000070068045,0.00046203015,0.79673886,0.00008223325,0.0008116916,0.18091941,0.0030061651,0.014331086],"study_design_scores_gemma":[0.0000027892809,0.000026117685,0.0045814496,0.00017971448,0.0000125952265,0.00027011675,0.91819394,0.00015865057,0.0006051286,0.015485975,0.060467392,0.000016200222],"about_ca_topic_score_codex":0.009282056,"about_ca_topic_score_gemma":0.014901925,"teacher_disagreement_score":0.015995234,"about_ca_system_score_codex":0.0043115383,"about_ca_system_score_gemma":0.0028648828,"threshold_uncertainty_score":0.031282485},"labels":[],"label_agreement":null},{"id":"W4378603656","doi":"10.1353/vpr.2022.0028","title":"Kamala Satthianadhan and the Indian Ladies' Magazine: Women's Editorship and Transnational Print Networks in Late Colonial India","year":2022,"lang":"en","type":"article","venue":"Victorian periodicals review","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Colonialism; Conversation; Publishing; Persona; Indian literature; Print culture; History; Sociology; Media studies; Gender studies; Art; Literature; Humanities","score_opus":0.006637299853501804,"score_gpt":0.20251391720258005,"score_spread":0.19587661734907824,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4378603656","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1667069,0.54751045,0.00017537063,0.059559327,0.0037226458,0.00004316908,0.000073737916,0.00003575969,0.22217269],"genre_scores_gemma":[0.6835345,0.26724932,0.00018889988,0.006871907,0.0036150364,0.00004009988,0.00004340175,0.00003110029,0.03842573],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99861467,0.00061651395,0.000056827754,0.00009691344,0.00039999434,0.00021516057],"domain_scores_gemma":[0.99499387,0.0031700637,0.0006222323,0.000103113474,0.0006665022,0.00044431444],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002209895,0.00021940982,0.0002098991,0.002513782,0.003101386,0.007247296,0.00050778873,0.0011712768,0.0024282665],"category_scores_gemma":[0.004425951,0.00023652923,0.00011099746,0.0038409142,0.005262537,0.002832578,0.0016750986,0.0016137902,0.0003641439],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014992274,0.00014259429,0.008586632,0.0064409487,0.00007133391,0.0040067146,0.44047418,0.0001376322,0.0025043495,0.17854431,0.102837674,0.2561036],"study_design_scores_gemma":[0.000009098366,0.000058306363,0.021289125,0.0022249362,0.000058566504,0.0010768712,0.11068203,0.000030469966,0.0005016365,0.0018262805,0.86221874,0.000023863297],"about_ca_topic_score_codex":0.013138182,"about_ca_topic_score_gemma":0.028439498,"teacher_disagreement_score":0.013138182,"about_ca_system_score_codex":0.0033301676,"about_ca_system_score_gemma":0.007323475,"threshold_uncertainty_score":0.026123405},"labels":[],"label_agreement":null},{"id":"W4379533049","doi":"10.1353/frm.2017.a682906","title":"Star Gazing via Documentary","year":2017,"lang":"en","type":"article","venue":"Framework The Journal of Cinema and Media","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Film director; Entertainment; Movie theater; Documentary film; Art history; Media studies; Art; Sociology; Visual arts","score_opus":0.01941158217859274,"score_gpt":0.24250703040937716,"score_spread":0.22309544823078442,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379533049","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04805796,0.0045882487,0.002543552,0.012563561,0.0026255162,0.00009101946,0.00034878516,0.00016946101,0.92901194],"genre_scores_gemma":[0.57449365,0.0072875572,0.0025512855,0.00462057,0.0022483207,0.00013355973,0.00047680724,0.0003773721,0.40781096],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998716,0.00061122834,0.000058986527,0.00020431804,0.0002806299,0.00012895509],"domain_scores_gemma":[0.99609643,0.0013774651,0.0005539137,0.0007850839,0.0006069942,0.0005801109],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002003793,0.00030147625,0.00019667335,0.0009483402,0.003680673,0.008016994,0.00059831794,0.0007718793,0.037617747],"category_scores_gemma":[0.006671424,0.00018532715,0.00018049982,0.0014539445,0.0038539444,0.005157881,0.003991275,0.0023295905,0.0061463006],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019393358,0.00011193081,0.004248641,0.000647943,0.000015502728,0.00088533375,0.14110169,0.00008808814,0.0022406369,0.38106197,0.31365344,0.15575099],"study_design_scores_gemma":[0.000007766835,0.000061325656,0.0027421825,0.00022505278,0.0000055484306,0.00029279475,0.021657547,0.000040175222,0.00048168152,0.0037359465,0.9707393,0.000010773695],"about_ca_topic_score_codex":0.002528338,"about_ca_topic_score_gemma":0.00515757,"teacher_disagreement_score":0.037617747,"about_ca_system_score_codex":0.0018255224,"about_ca_system_score_gemma":0.0013720883,"threshold_uncertainty_score":0.12584388},"labels":[],"label_agreement":null},{"id":"W4379928881","doi":"10.1353/cul.2013.a517441","title":"Arranged Marriage: Cultural Regeneration in Transnational South Asian Popular Culture","year":2013,"lang":"en","type":"article","venue":"Cultural Critique","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Diaspora; Popular culture; Gender studies; Middle class; Narrative; Sociology; Elite; Aesthetics; Media studies; Literature; Political science; Politics; Art; Law","score_opus":0.02401261707161135,"score_gpt":0.24934842025769915,"score_spread":0.2253358031860878,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379928881","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9351736,0.0018578793,0.00065938156,0.0053111576,0.00021574635,0.000037209233,0.000017808787,0.000021411875,0.05670591],"genre_scores_gemma":[0.9938595,0.0008876633,0.00020541716,0.00035969893,0.000032804895,0.00002015377,0.0000091218135,0.000013041931,0.0046125865],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99878937,0.00076542626,0.000035960285,0.00008075877,0.00013723872,0.00019125256],"domain_scores_gemma":[0.99927634,0.000256006,0.0001253158,0.00007072844,0.000089829206,0.00018181058],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002334557,0.00034325826,0.00024381193,0.0007547591,0.011937476,0.0071727345,0.0005992662,0.00095653307,0.0033952182],"category_scores_gemma":[0.0010920902,0.00028051756,0.00022636508,0.0013946414,0.013777102,0.0033827284,0.0074289353,0.0024971268,0.00021613193],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017406273,0.000030353925,0.0028978838,0.00007732024,0.0000045084907,0.0010070257,0.967993,0.000029853194,0.0008856208,0.020192267,0.00083887036,0.006025789],"study_design_scores_gemma":[0.000003776447,0.000040703446,0.0051168865,0.00011688304,0.0000053243593,0.0005448908,0.95032156,0.00010090488,0.00038548757,0.0013392359,0.042009287,0.000015091994],"about_ca_topic_score_codex":0.008761934,"about_ca_topic_score_gemma":0.020157155,"teacher_disagreement_score":0.011937476,"about_ca_system_score_codex":0.0025418121,"about_ca_system_score_gemma":0.0022619544,"threshold_uncertainty_score":0.018442214},"labels":[],"label_agreement":null},{"id":"W4380086856","doi":"10.4324/9781003295693-1","title":"Introduction","year":2023,"lang":"en","type":"book-chapter","venue":"","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.031692748960563635,"score_gpt":0.19385686841802566,"score_spread":0.162164119457462,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4380086856","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000624936,0.00428374,0.0026240798,0.004520089,0.0046160514,0.000099737284,0.0010830604,0.00035231453,0.98179597],"genre_scores_gemma":[0.0036224723,0.0036593438,0.001468347,0.0017611462,0.0012031343,0.00007945004,0.0011193539,0.00021779143,0.9868689],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99951875,0.00005836632,0.000019129197,0.00012048633,0.0002349905,0.000048205035],"domain_scores_gemma":[0.9994373,0.00012896345,0.000023346394,0.000056343128,0.00027196447,0.00008205557],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003913299,0.0006971024,0.0003723204,0.0014114382,0.0019294764,0.004163394,0.0011252398,0.0018296621,0.29714328],"category_scores_gemma":[0.0014137701,0.00026773135,0.00031022963,0.0013412519,0.0008657376,0.0029331273,0.0019132411,0.0022548104,0.14218289],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014912151,0.000030694253,0.0001338373,0.00020818594,0.0000015610128,0.00011979469,0.0008944617,0.00013763453,0.0003305876,0.117502354,0.79654497,0.08408099],"study_design_scores_gemma":[5.0770774e-7,0.0000026945172,0.000048929214,0.00006724368,3.1299734e-7,0.000043899534,0.00007233987,0.000014221666,0.00003045496,0.0026929695,0.99702495,0.0000014072201],"about_ca_topic_score_codex":0.0033357986,"about_ca_topic_score_gemma":0.004678848,"teacher_disagreement_score":0.7028567,"about_ca_system_score_codex":0.0019273702,"about_ca_system_score_gemma":0.00154125,"threshold_uncertainty_score":0.9940433},"labels":[],"label_agreement":null},{"id":"W4380355048","doi":"10.1007/978-3-031-28585-1_5","title":"Old Delhi (Shahjahanabad) and Adjacent Regions","year":2023,"lang":"en","type":"book-chapter","venue":"","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"New delhi; Bazaar; Face (sociological concept); Capital city; Art history; Quarter (Canadian coin); Cartography; History; Art; Geography; Sociology; Social science; Archaeology","score_opus":0.05409906202530742,"score_gpt":0.20620036035139716,"score_spread":0.15210129832608973,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4380355048","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.019461464,0.005810053,0.00017268772,0.00083356467,0.00039177705,0.000029088244,0.00015155229,0.000055620625,0.97309417],"genre_scores_gemma":[0.20714708,0.007457706,0.00042817794,0.0005188679,0.00015194346,0.000036387708,0.00026579364,0.000102649996,0.78389144],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9998776,0.000024744924,0.000004456757,0.000019300574,0.00002549326,0.000048500635],"domain_scores_gemma":[0.99990606,0.000027851727,0.000008852759,0.000012050652,0.000015601516,0.000029620707],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00012802186,0.0005905798,0.00019154177,0.00095914083,0.0033156865,0.004042412,0.000521468,0.00053849095,0.04004395],"category_scores_gemma":[0.0002647856,0.00021589446,0.0001301364,0.0025653595,0.0014549473,0.001181945,0.0015265732,0.0011693789,0.0053281425],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002641997,0.00016640485,0.0060664346,0.000959271,0.00002187894,0.005346737,0.09918133,0.00036801875,0.00629999,0.34244585,0.2529069,0.28597298],"study_design_scores_gemma":[0.000005761478,0.000024912846,0.007911799,0.00012733153,0.0000087023345,0.0006063089,0.019107785,0.000025457028,0.00039086613,0.0022199422,0.9695617,0.000009313877],"about_ca_topic_score_codex":0.024136614,"about_ca_topic_score_gemma":0.108424485,"teacher_disagreement_score":0.04004395,"about_ca_system_score_codex":0.0018532693,"about_ca_system_score_gemma":0.0015518802,"threshold_uncertainty_score":0.13396037},"labels":[],"label_agreement":null},{"id":"W4380625148","doi":"10.3138/jrpc.2022-0048","title":"On the Limits of Islamic Cinema: The Politics of <i>Halal</i> Cinema Discourse in Kerala, India","year":2023,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Movie theater; Islam; Legitimacy; Ideology; Politics; Context (archaeology); Media studies; Sociology; Aesthetics; Political science; Art; Law; History; Literature","score_opus":0.01828986958171538,"score_gpt":0.2549318192869382,"score_spread":0.23664194970522281,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4380625148","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.72666603,0.0049936255,0.001642955,0.015232261,0.00019559599,0.000035838137,0.000035829114,0.00006143523,0.2511364],"genre_scores_gemma":[0.9966017,0.0005770264,0.00011675255,0.00046243385,0.00004646191,0.00000847626,0.0000042964975,0.000011315566,0.0021715444],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99762326,0.0015518911,0.00005996591,0.00013576435,0.0002344988,0.0003946146],"domain_scores_gemma":[0.9921234,0.005998698,0.0004650682,0.00032469473,0.0005935048,0.00049467856],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0029707544,0.00026893322,0.00021474743,0.0011853081,0.010916668,0.014384606,0.0009688026,0.0014713724,0.002685375],"category_scores_gemma":[0.004711401,0.0003397572,0.00019064205,0.00086499884,0.02006619,0.003388556,0.0060340622,0.0032939937,0.00031708047],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008025012,0.0000508773,0.003153111,0.0002495481,0.000014112926,0.0016162229,0.7922274,0.0001520739,0.0036474457,0.18071392,0.0032318276,0.014863181],"study_design_scores_gemma":[0.000011261965,0.000054910543,0.0093534915,0.0006080603,0.0000464256,0.0011585638,0.8562135,0.00040165923,0.0022292428,0.008027819,0.12184789,0.00004714685],"about_ca_topic_score_codex":0.013367206,"about_ca_topic_score_gemma":0.01871118,"teacher_disagreement_score":0.014384606,"about_ca_system_score_codex":0.004708133,"about_ca_system_score_gemma":0.0030014124,"threshold_uncertainty_score":0.034160018},"labels":[],"label_agreement":null},{"id":"W4380634142","doi":"10.1111/cag.12863","title":"The globally familiar: Digital hip hop, masculinity, and urban space in Delhi. By Ethiraj GabrielDattatreyan, Durham and London: Duke University Press. 2020. pages 264. $37.25 (paperback). ISBN: 978‐1478011200","year":2023,"lang":"en","type":"article","venue":"Canadian Geographies / Géographies canadiennes","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Chatterjee; Politics; Sociology; Media studies; Library science; Political science; Law; Computer science; Artificial intelligence","score_opus":0.007640593860474014,"score_gpt":0.16465191946338592,"score_spread":0.1570113256029119,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4380634142","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.006539495,0.8798419,0.0001493832,0.024388159,0.0031717317,0.00001647327,0.00046500948,0.00010164186,0.08532621],"genre_scores_gemma":[0.1583805,0.6873885,0.00048546272,0.0035817786,0.0023030315,0.000044955355,0.0004976652,0.00015067503,0.14716744],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995796,0.00012386907,0.000023590334,0.0000667747,0.00012049102,0.00008569259],"domain_scores_gemma":[0.9995443,0.00019704888,0.00006233781,0.000033974713,0.00004927909,0.00011291914],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00056429516,0.001379113,0.00074083806,0.0022959262,0.0019337632,0.005586226,0.00092415395,0.0013801628,0.023501731],"category_scores_gemma":[0.00089145504,0.0006319375,0.00028817283,0.0070003937,0.0065387166,0.0046915226,0.0031930143,0.0020588632,0.0038734458],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008969306,0.000045853212,0.0023278801,0.0024579742,0.00004781326,0.00047194227,0.04909291,0.0002300178,0.00047526968,0.050312214,0.6810987,0.21334973],"study_design_scores_gemma":[0.000006834831,0.000021906904,0.009146958,0.0014106362,0.000022971291,0.00047190054,0.035282426,0.000039948263,0.000096870135,0.0042608883,0.9492108,0.000027812872],"about_ca_topic_score_codex":0.076002225,"about_ca_topic_score_gemma":0.14554375,"teacher_disagreement_score":0.076002225,"about_ca_system_score_codex":0.004521271,"about_ca_system_score_gemma":0.003106733,"threshold_uncertainty_score":0.15111971},"labels":[],"label_agreement":null},{"id":"W4380874233","doi":"10.3138/ctr.118.020","title":"Views &amp; Reviews","year":2004,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Politics; Order (exchange); Aesthetics; Sociology; Art; Political science; Law; Business","score_opus":0.06395794117396117,"score_gpt":0.2617707354672608,"score_spread":0.19781279429329965,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4380874233","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00010288867,0.74190116,0.00031336973,0.010658859,0.027815772,0.00019320718,0.002079016,0.00029067937,0.2166451],"genre_scores_gemma":[0.0019267543,0.6909311,0.0005485327,0.012998801,0.017775657,0.00038456265,0.0021535247,0.00021124003,0.27306986],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99829966,0.00025407327,0.00013131536,0.00018878332,0.00097450777,0.00015173998],"domain_scores_gemma":[0.9957769,0.000941908,0.0004845441,0.000260724,0.0019443935,0.00059143186],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001345961,0.0012533112,0.0018234956,0.0044847107,0.0006914437,0.0052493038,0.0027036448,0.0035413038,0.2506186],"category_scores_gemma":[0.0065935156,0.0006970519,0.0006992706,0.005877379,0.00093409,0.003836729,0.0018352335,0.0021878735,0.28317276],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029458775,0.000014005287,0.000022733497,0.004165767,0.000013149312,0.00006676,0.000027855758,0.000035784906,0.00011760518,0.00090211054,0.8612801,0.13332483],"study_design_scores_gemma":[0.0000060282487,0.0000041516782,0.00005807622,0.0012218532,0.0000053390318,0.000057543548,0.000013144912,0.0000028286781,0.000017934388,0.00016671974,0.9984434,0.0000029830585],"about_ca_topic_score_codex":0.0038106544,"about_ca_topic_score_gemma":0.0048362766,"teacher_disagreement_score":0.2506186,"about_ca_system_score_codex":0.0021579189,"about_ca_system_score_gemma":0.0047612586,"threshold_uncertainty_score":0.83840275},"labels":[],"label_agreement":null},{"id":"W4380880882","doi":"10.3138/ctr.122.006","title":"Rasika’s Bharata Natyam and Story-Dancing","year":2005,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Neighbourhood (mathematics); Inclusion (mineral); Sociology; Gender studies; History","score_opus":0.01993457809674008,"score_gpt":0.2195337210738611,"score_spread":0.19959914297712103,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4380880882","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.045307893,0.15629807,0.0010584063,0.014612122,0.001821016,0.000108299486,0.00012215436,0.000067811845,0.78060424],"genre_scores_gemma":[0.5747343,0.14693251,0.0018166255,0.0047715073,0.00051967864,0.00011504712,0.00019823648,0.00010837495,0.27080366],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994716,0.00022297213,0.00002123108,0.000045501256,0.00014134421,0.00009738005],"domain_scores_gemma":[0.99949133,0.00019339108,0.000044394972,0.000035044905,0.0001392884,0.00009646394],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007901313,0.0003723893,0.00021303639,0.00091534376,0.0055570006,0.0030372415,0.000491281,0.0007356044,0.010827065],"category_scores_gemma":[0.00120971,0.00013127267,0.0001403176,0.0015476554,0.0027643538,0.0017495472,0.0015554915,0.0016570811,0.0013040154],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013604028,0.00008364834,0.0017784607,0.0027278557,0.000033602482,0.0019436649,0.17511119,0.0001523072,0.0026422625,0.35504943,0.14019585,0.3201457],"study_design_scores_gemma":[0.000004675251,0.00002490536,0.0031913337,0.0006366281,0.000012720909,0.0009582994,0.023482718,0.000033914886,0.00040332755,0.003019096,0.9682226,0.000009785752],"about_ca_topic_score_codex":0.0931842,"about_ca_topic_score_gemma":0.24288967,"teacher_disagreement_score":0.0931842,"about_ca_system_score_codex":0.0039446796,"about_ca_system_score_gemma":0.0063371765,"threshold_uncertainty_score":0.1852836},"labels":[],"label_agreement":null},{"id":"W4380928987","doi":"10.3138/ctr.118.008","title":"Re-baptizing the World in Our Own Terms: Black Theatre and Live Arts in Britain","year":2004,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Hegemony; Colonialism; Ideology; Black British; Context (archaeology); Politics; White (mutation); The arts; Fantasy; Gender studies; Cultural hegemony; History; Theatre studies; Aesthetics; Art; Sociology; Literature; Visual arts; Political science; Drama; Law","score_opus":0.024836492192698418,"score_gpt":0.23851261491899597,"score_spread":0.21367612272629755,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4380928987","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26480547,0.2095441,0.0008111263,0.022624705,0.0019083724,0.000076164586,0.00006469222,0.000028906336,0.5001365],"genre_scores_gemma":[0.7285561,0.048371077,0.0005167176,0.0022348168,0.00026807943,0.00003874538,0.00004378255,0.00006636431,0.21990429],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983392,0.0008348824,0.00004549029,0.000103004335,0.00045509796,0.00022240727],"domain_scores_gemma":[0.99915564,0.00036953687,0.00008631217,0.000035670484,0.00018050935,0.00017221349],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016292233,0.00019827417,0.0002635452,0.001108019,0.00589615,0.006350589,0.00046779358,0.0013597911,0.006178307],"category_scores_gemma":[0.0019511981,0.00016659891,0.0000984131,0.0016210567,0.004244373,0.0013191359,0.0019831292,0.0012474213,0.0005677273],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003102211,0.000112866044,0.0028996048,0.0026083468,0.000026322636,0.0022746155,0.470529,0.00036195907,0.0035187323,0.20009923,0.08387279,0.23338632],"study_design_scores_gemma":[0.000012982037,0.000072691255,0.008893871,0.00081049575,0.000012790659,0.00046835595,0.08833875,0.000057077075,0.0005666696,0.0023744623,0.8983752,0.00001663831],"about_ca_topic_score_codex":0.20554423,"about_ca_topic_score_gemma":0.35388342,"teacher_disagreement_score":0.20554423,"about_ca_system_score_codex":0.0071676527,"about_ca_system_score_gemma":0.0061714887,"threshold_uncertainty_score":0.40869564},"labels":[],"label_agreement":null},{"id":"W4381334543","doi":"10.20885/asjmc.vol6.iss1.art2","title":"The #MeToo Phenomenon on Indian Social Media: Moving Onward from the American #MeToo","year":2022,"lang":"en","type":"article","venue":"Asian Journal of Media and Communication","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Mainstream; Social media; Gender studies; Sociology; Agency (philosophy); Visibility; Invisibility; Human sexuality; Media studies; Phenomenon; Caste; Political science; Social science; Geography","score_opus":0.022738172731933393,"score_gpt":0.22310294869511949,"score_spread":0.20036477596318608,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4381334543","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.60295707,0.0016634067,0.0016496625,0.019809287,0.00074932835,0.000059604365,0.00016643129,0.000097647404,0.37284762],"genre_scores_gemma":[0.9809105,0.0009990954,0.00028563396,0.002150224,0.00035193132,0.000031438125,0.000044680197,0.00004744494,0.01517903],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99888176,0.00032370433,0.000027905413,0.00013204855,0.0002695736,0.00036501695],"domain_scores_gemma":[0.9974638,0.0013048563,0.00034896372,0.00023601892,0.0002469012,0.00039943962],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001028448,0.0003320704,0.0002023672,0.0019091316,0.009862066,0.0092459945,0.00076118147,0.0012286087,0.005611409],"category_scores_gemma":[0.0030692678,0.00023783065,0.00026224784,0.0034435191,0.009927701,0.0049503082,0.0069770147,0.0036676566,0.0005334124],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012175238,0.00011983415,0.015304033,0.00034618558,0.000013493241,0.0020832138,0.60344625,0.00007352555,0.004459952,0.28900966,0.011078496,0.0739436],"study_design_scores_gemma":[0.000006369677,0.00008526248,0.030386388,0.0003389999,0.000024633748,0.0012482175,0.42720973,0.000176875,0.0016630304,0.007626633,0.5311699,0.00006395787],"about_ca_topic_score_codex":0.015589098,"about_ca_topic_score_gemma":0.026578603,"teacher_disagreement_score":0.015589098,"about_ca_system_score_codex":0.0031024506,"about_ca_system_score_gemma":0.0026438485,"threshold_uncertainty_score":0.03099668},"labels":[],"label_agreement":null},{"id":"W4382400668","doi":"10.25200/slj.v12.n1.2023.539","title":"More of the shareable same","year":2023,"lang":"en","type":"article","venue":"Sur le journalisme About journalism Sobre jornalismo","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Mainstream; Revenue; Political science; Sensationalism; Journalism; Sociology; Media studies; Humanities; Business; Law; Art","score_opus":0.03286081526521634,"score_gpt":0.23093941200333398,"score_spread":0.19807859673811765,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4382400668","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.113647446,0.0028133173,0.00989324,0.019499673,0.0035515705,0.00013849362,0.0012445006,0.000631699,0.84858],"genre_scores_gemma":[0.71904147,0.0021849517,0.007087107,0.007913884,0.0029793475,0.00011192063,0.0012537183,0.00072652777,0.25870118],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9967283,0.0008194641,0.00015637396,0.0007281756,0.0012028088,0.00036483843],"domain_scores_gemma":[0.9942293,0.0011396894,0.0007152131,0.0019510044,0.0009175328,0.0010474118],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002312149,0.000556721,0.00042642426,0.0029659802,0.0030329407,0.011589861,0.00094953104,0.0017254929,0.06523277],"category_scores_gemma":[0.0056817783,0.00028363336,0.0007016968,0.002850328,0.0046393527,0.010941652,0.0065726936,0.0022048128,0.014888526],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00045076932,0.00043907535,0.024358455,0.0014516754,0.0003312823,0.0032639068,0.066523544,0.00047636434,0.025912577,0.46476555,0.07673696,0.33528987],"study_design_scores_gemma":[0.000024212626,0.00015412831,0.01331009,0.00032609532,0.00010887471,0.0015967584,0.018091347,0.00027635382,0.0040968293,0.03561263,0.9263407,0.00006194236],"about_ca_topic_score_codex":0.001663964,"about_ca_topic_score_gemma":0.0023019658,"teacher_disagreement_score":0.06523277,"about_ca_system_score_codex":0.0014253122,"about_ca_system_score_gemma":0.0011594048,"threshold_uncertainty_score":0.21822536},"labels":[],"label_agreement":null},{"id":"W4382991752","doi":"10.1386/ffc_00053_1","title":"Bollywood self-fashioning: Indian popular culture and representations of girlhood in 1970s Indian cinema","year":2023,"lang":"en","type":"article","venue":"Film Fashion & Consumption","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"MacEwan University","funders":"","keywords":"Movie theater; Popular culture; Gender studies; Aesthetics; Sociology; Style (visual arts); Power (physics); Psychology of self; Media studies; Art; Psychology; Literature; Social psychology","score_opus":0.02646732469625063,"score_gpt":0.2593949146368782,"score_spread":0.23292758994062757,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4382991752","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9569661,0.0008236238,0.00020402911,0.0006468536,0.00004236192,0.0000116565625,0.000037795548,0.000017254528,0.04125033],"genre_scores_gemma":[0.9954091,0.0006214054,0.00008855427,0.00007938218,0.000016786666,0.0000076293745,0.00002040582,0.000017064393,0.003739794],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99939823,0.00027030802,0.000016980945,0.000058670725,0.00010499183,0.00015080921],"domain_scores_gemma":[0.9990779,0.00039518188,0.00021176632,0.00006465829,0.00010110338,0.0001492969],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009399645,0.00033292247,0.00020732489,0.001678304,0.0074590333,0.0056812586,0.0005957238,0.0005514917,0.0029130827],"category_scores_gemma":[0.0018197881,0.00033097778,0.00017255577,0.0013906268,0.00574666,0.0023303928,0.0029848234,0.0022127905,0.0002765969],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029325005,0.000020971553,0.006172868,0.000041111245,0.0000035867283,0.00046141376,0.9810034,0.000015929943,0.0014944746,0.0063988115,0.0005205224,0.0038374746],"study_design_scores_gemma":[0.0000024360454,0.000038532708,0.03130192,0.00013186235,0.0000129196715,0.0006914519,0.9299079,0.000057177513,0.0007712468,0.0003994993,0.036662843,0.000022226197],"about_ca_topic_score_codex":0.018757638,"about_ca_topic_score_gemma":0.038221415,"teacher_disagreement_score":0.018757638,"about_ca_system_score_codex":0.0032366156,"about_ca_system_score_gemma":0.00093610043,"threshold_uncertainty_score":0.03729689},"labels":[],"label_agreement":null},{"id":"W4383102742","doi":"10.1080/02759527.2023.2228145","title":"Queer Politics of Naming and Figuration of the “Lesbian” in <i>Maja Ma</i>","year":2023,"lang":"en","type":"article","venue":"South Asian Review","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Queer; Lesbian; Scholarship; Gender studies; Politics; Sociology; Representation (politics); Aesthetics; Art; Political science; Law","score_opus":0.02317553551126841,"score_gpt":0.23497287989645604,"score_spread":0.21179734438518763,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4383102742","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0119869495,0.9547626,0.00010492516,0.009840374,0.0003008756,0.000010601421,0.000027457585,0.000006834616,0.022959452],"genre_scores_gemma":[0.16076383,0.8301812,0.00014947378,0.0039958362,0.00029922294,0.000021512535,0.00003583582,0.0000066202665,0.0045465515],"study_design_codex":"design_other","study_design_gemma":"qualitative","domain_scores_codex":[0.99850166,0.0011241013,0.000057685975,0.00006937073,0.00013777074,0.00010941895],"domain_scores_gemma":[0.9986613,0.00081338483,0.00020968809,0.00003532936,0.00019960738,0.000080713005],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0028746333,0.00023980801,0.00034085233,0.00087900343,0.0012962748,0.0034055843,0.0005485237,0.0008232998,0.0020968993],"category_scores_gemma":[0.002218521,0.00012874328,0.00018908281,0.001611125,0.0034100749,0.0018237411,0.0008144175,0.0016502638,0.0002927029],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000268658,0.000092895585,0.0028289058,0.030034544,0.00022744155,0.0009596285,0.07607702,0.00022178124,0.0033308668,0.2388467,0.049922492,0.597189],"study_design_scores_gemma":[0.00001975452,0.00011491942,0.008275702,0.011577713,0.00015107992,0.00063712685,0.033654243,0.00003420992,0.001046741,0.0030409568,0.9414241,0.000023519084],"about_ca_topic_score_codex":0.016973045,"about_ca_topic_score_gemma":0.03309672,"teacher_disagreement_score":0.016973045,"about_ca_system_score_codex":0.002351335,"about_ca_system_score_gemma":0.00389289,"threshold_uncertainty_score":0.033748507},"labels":[],"label_agreement":null},{"id":"W4383723842","doi":"10.1142/9781800613737_0001","title":"TEMPORAL NATURALISM","year":2023,"lang":"en","type":"book-chapter","venue":"WORLD SCIENTIFIC (EUROPE) eBooks","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Perimeter Institute","funders":"","keywords":"Naturalism; Philosophy; Epistemology","score_opus":0.049408562197815406,"score_gpt":0.21989397976518413,"score_spread":0.17048541756736874,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4383723842","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.006999892,0.002406085,0.09744089,0.006554853,0.00091940624,0.000051794985,0.000590295,0.00020107703,0.8848357],"genre_scores_gemma":[0.6161062,0.002489804,0.040335085,0.0021548795,0.0014372551,0.0002863455,0.0012349858,0.0006322113,0.33532333],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99921095,0.000262386,0.000040207084,0.0002898938,0.00012692017,0.000069555936],"domain_scores_gemma":[0.9988366,0.0004942555,0.00007082925,0.00032250214,0.00020930967,0.0000665031],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012548519,0.00046225928,0.00043620632,0.0009414209,0.0022456911,0.0036859612,0.00081121287,0.0011316867,0.04343048],"category_scores_gemma":[0.0034383996,0.00039502743,0.00085187523,0.00084053684,0.0064847143,0.007941953,0.0018440649,0.002620389,0.003755346],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000034700586,0.0000017739017,0.000021352665,0.000006845137,0.0000015260025,0.000009880319,0.0001203923,0.00005152413,0.000026257541,0.9965609,0.0017671756,0.0014289286],"study_design_scores_gemma":[0.0000056458284,0.0000025758177,0.000042908112,0.000009999223,0.0000033513968,0.00004823852,0.00010510639,0.00031718894,0.000053467626,0.9491598,0.050249007,0.0000027332314],"about_ca_topic_score_codex":0.0047460734,"about_ca_topic_score_gemma":0.0038128546,"teacher_disagreement_score":0.04343048,"about_ca_system_score_codex":0.0028786957,"about_ca_system_score_gemma":0.0011563028,"threshold_uncertainty_score":0.14528942},"labels":[],"label_agreement":null},{"id":"W4384073710","doi":"10.1386/safm_00069_1","title":"The personal and the fictional: Aesthetic mediation in the Indian documentary","year":2023,"lang":"en","type":"article","venue":"Studies in South Asian Film & Media","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Narrative; Storytelling; Aesthetics; Nothing; Subjectivity; Sociology; Mediation; Politics; History; Literature; Visual arts; Media studies; Epistemology; Law; Art; Political science; Social science; Philosophy","score_opus":0.030239751295187817,"score_gpt":0.2653903395934824,"score_spread":0.23515058829829458,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4384073710","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3954578,0.008988347,0.007011757,0.015760535,0.00087443413,0.00007588732,0.0001239515,0.00019072031,0.57151645],"genre_scores_gemma":[0.98790157,0.0014611575,0.00095951924,0.00037915952,0.00013978769,0.00001783665,0.000026448846,0.00006479396,0.009049789],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99745375,0.00150345,0.00007529045,0.00017172944,0.0005222118,0.00027358197],"domain_scores_gemma":[0.99691004,0.0018415565,0.00026313536,0.00047505216,0.00023699888,0.00027333898],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002426496,0.00057288335,0.00029828728,0.0022953355,0.009431727,0.01460341,0.0012057027,0.0010689471,0.003617675],"category_scores_gemma":[0.0046486147,0.00026403615,0.0002610947,0.0025709537,0.030296488,0.0051866462,0.005904485,0.0035049452,0.0003168514],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000043393615,0.000032168642,0.0016260538,0.00039832926,0.000018598048,0.0013474785,0.6923207,0.00015118123,0.0020121497,0.27829581,0.003944562,0.019809477],"study_design_scores_gemma":[0.00001386976,0.00006834016,0.006903912,0.00080023444,0.00006553938,0.0035219921,0.54604083,0.0004070778,0.0025786106,0.031830404,0.4077019,0.00006727377],"about_ca_topic_score_codex":0.0046468275,"about_ca_topic_score_gemma":0.008530458,"teacher_disagreement_score":0.01460341,"about_ca_system_score_codex":0.004298878,"about_ca_system_score_gemma":0.0020880378,"threshold_uncertainty_score":0.031190693},"labels":[],"label_agreement":null},{"id":"W4385201214","doi":"10.1007/978-3-031-31820-7_10","title":"“Nobody Wants to Be the Behenji-Type”: Young People Managing Romance, Work and Violence in the Urban Slums of Kolkata","year":2023,"lang":"en","type":"book-chapter","venue":"Studies in childhood and youth","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Romance; Courtship; Girl; Gender studies; Premarital sex; Disengagement theory; Sociology; Psychology; Human sexuality; Developmental psychology; Medicine","score_opus":0.04689566272592622,"score_gpt":0.25012486527135325,"score_spread":0.20322920254542703,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385201214","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.40113065,0.047930673,0.00057275384,0.0371881,0.0020532594,0.00019830329,0.00016779218,0.000062959465,0.5106955],"genre_scores_gemma":[0.74757594,0.026849452,0.0006805622,0.008661328,0.00013467598,0.00015883031,0.00009645782,0.000064334345,0.21577847],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9993849,0.00021258139,0.000018919094,0.00003014804,0.00006569756,0.00028773895],"domain_scores_gemma":[0.9996959,0.00007724461,0.000036109544,0.0000086622085,0.000024467588,0.0001577045],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007408797,0.00075020135,0.00037516686,0.00074020686,0.015902398,0.0060519376,0.0010197569,0.001854163,0.006463153],"category_scores_gemma":[0.00048061507,0.00049984746,0.00025613778,0.0017234408,0.0063586514,0.0032539372,0.0042016055,0.004016074,0.0011459346],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020732741,0.00006853687,0.0050565526,0.00026414363,0.00000743834,0.0015568996,0.89170986,0.000054382737,0.00066758745,0.038281232,0.031300034,0.031012619],"study_design_scores_gemma":[0.000004433159,0.000028698187,0.008147084,0.00047618066,0.000009962592,0.0008058464,0.8633644,0.000022281134,0.00017640096,0.0013272433,0.12562317,0.000014402351],"about_ca_topic_score_codex":0.08228791,"about_ca_topic_score_gemma":0.33974835,"teacher_disagreement_score":0.08228791,"about_ca_system_score_codex":0.0057768305,"about_ca_system_score_gemma":0.0140100345,"threshold_uncertainty_score":0.16361785},"labels":[],"label_agreement":null},{"id":"W4385313872","doi":"10.1007/978-3-031-20769-3_20","title":"Writers as Workers: The Making of a Film Trade Union in India","year":2023,"lang":"en","type":"book-chapter","venue":"","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Redress; Trade union; Political science; Politics; Film industry; Economic history; Political economy; Sociology; Law; History; Art history; International trade; Economics","score_opus":0.038018618927573786,"score_gpt":0.23115464727048907,"score_spread":0.19313602834291527,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385313872","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.38749304,0.012011882,0.0009980317,0.024497315,0.0012761453,0.00005564994,0.00006936648,0.00011136257,0.5734872],"genre_scores_gemma":[0.89669615,0.005890206,0.000408316,0.0021491724,0.000444198,0.00003966792,0.000034213663,0.00010445784,0.09423356],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9981725,0.0008127301,0.000053153366,0.00018056853,0.00036684322,0.00041414108],"domain_scores_gemma":[0.99790215,0.0011182027,0.00026420457,0.00014203295,0.00016543374,0.00040790514],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016833119,0.000365784,0.00024834016,0.0018266088,0.0224681,0.015180656,0.0012790711,0.0020575977,0.0038423901],"category_scores_gemma":[0.0032674104,0.0004934509,0.00019662385,0.0031670372,0.012994809,0.0043981476,0.0068355408,0.005291095,0.0008656398],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003431862,0.00005405872,0.0014735543,0.00010939654,0.0000033111917,0.0011098728,0.8854474,0.00006063321,0.00053111586,0.07745527,0.011924658,0.021796484],"study_design_scores_gemma":[0.000007030581,0.000043341446,0.0031365703,0.00043509464,0.000011649694,0.0007398418,0.51097554,0.00010405524,0.0008542678,0.0030218451,0.48065013,0.000020656145],"about_ca_topic_score_codex":0.014671374,"about_ca_topic_score_gemma":0.02712729,"teacher_disagreement_score":0.0224681,"about_ca_system_score_codex":0.007941006,"about_ca_system_score_gemma":0.006933863,"threshold_uncertainty_score":0.057616293},"labels":[],"label_agreement":null},{"id":"W4385352895","doi":"10.13169/jofstudindentleg.3.1.0014","title":"In the registers of Coolitude","year":2023,"lang":"en","type":"article","venue":"Journal of Indentureship and its Legacies","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"The Imaginary; Diaspora; Voice; Reflection (computer programming); History; Literature; Art; Aesthetics; Sociology; Gender studies; Linguistics; Philosophy; Psychoanalysis; Computer science; Psychology","score_opus":0.04220559839258846,"score_gpt":0.261570454964341,"score_spread":0.21936485657175253,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385352895","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.280062,0.0053580464,0.004611537,0.021758549,0.001420452,0.0000533372,0.00014931493,0.00019081759,0.686396],"genre_scores_gemma":[0.9674653,0.00050474034,0.00032870902,0.00074306596,0.00018331582,0.000028989345,0.000030938118,0.00009830435,0.030616816],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99790823,0.0010675032,0.000059676753,0.00016894945,0.00031148558,0.00048416952],"domain_scores_gemma":[0.9980368,0.00095895794,0.00020698484,0.00033643542,0.00018613,0.000274737],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002086018,0.00046948975,0.0003289877,0.0012969236,0.0119670285,0.010374809,0.0009857847,0.0014472606,0.007995752],"category_scores_gemma":[0.008177337,0.00030515512,0.00022986236,0.0013789383,0.034981865,0.007465447,0.012600239,0.004699543,0.0007948735],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007270889,0.000009692124,0.0006592628,0.00009469454,0.0000042095908,0.00024306665,0.5009124,0.00004116119,0.00056293496,0.48496762,0.004272389,0.008159801],"study_design_scores_gemma":[0.000018140516,0.000054829896,0.0026047877,0.00047028315,0.000014517756,0.00048996054,0.42489505,0.00011634464,0.00092496834,0.067345574,0.50302565,0.000039954586],"about_ca_topic_score_codex":0.005674219,"about_ca_topic_score_gemma":0.0068508144,"teacher_disagreement_score":0.0119670285,"about_ca_system_score_codex":0.0029879115,"about_ca_system_score_gemma":0.0026577169,"threshold_uncertainty_score":0.026748478},"labels":[],"label_agreement":null},{"id":"W4385523514","doi":"10.1515/9789048556885-fm","title":"Frontmatter","year":2023,"lang":"en","type":"book-chapter","venue":"Amsterdam University Press eBooks","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Japan Society for the Promotion of Science; Menzies Centre for Australian Studies, King's College London, University of London; International Research Center for Japanese Studies; King's College London; Social Sciences and Humanities Research Council of Canada; San Francisco State University","keywords":"Philosophy","score_opus":0.039689932985526394,"score_gpt":0.1862978080150795,"score_spread":0.1466078750295531,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385523514","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00038137086,0.0009095375,0.00057599257,0.00074558065,0.0012356198,0.000036447305,0.0010116373,0.0013064955,0.9937973],"genre_scores_gemma":[0.0010745958,0.00032138237,0.00017771352,0.00025459589,0.000118419644,0.000010963066,0.00036191166,0.0002727685,0.9974076],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99972886,0.000027035967,0.000014350166,0.00007391078,0.00011595109,0.00003994175],"domain_scores_gemma":[0.9995739,0.00006071145,0.000023090237,0.00007247827,0.00013283445,0.00013693806],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00025928998,0.00074650976,0.0005501054,0.0011872262,0.0011191448,0.00492566,0.00091247505,0.0015737091,0.91003746],"category_scores_gemma":[0.0010972375,0.0003945521,0.0003998747,0.00091715663,0.000346662,0.0030652406,0.00255149,0.0014060296,0.83406085],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000045043867,0.000033466516,0.00015561988,0.00016148084,0.0000028302873,0.00010260295,0.00014795015,0.00004207601,0.0006426012,0.006092928,0.82612705,0.16644648],"study_design_scores_gemma":[0.0000034051718,0.000006680368,0.00016527835,0.00004201449,7.6260227e-7,0.000059433627,0.000051654562,0.000029870575,0.00008286232,0.0004404515,0.99911505,0.0000023774676],"about_ca_topic_score_codex":0.0010750915,"about_ca_topic_score_gemma":0.0030362096,"teacher_disagreement_score":0.08996254,"about_ca_system_score_codex":0.0005983622,"about_ca_system_score_gemma":0.00050353736,"threshold_uncertainty_score":0.12832063},"labels":[],"label_agreement":null},{"id":"W4385598855","doi":"10.59962/9780774860970","title":"Men, Masculinity, and the Indian Act","year":2019,"lang":"en","type":"book","venue":"University of British Columbia Press eBooks","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":24,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Masculinity; Gender studies; Psychology; Sociology","score_opus":0.011850875651593987,"score_gpt":0.15735606120367732,"score_spread":0.14550518555208333,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385598855","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00236972,0.03279424,0.000097207354,0.008669779,0.0005457747,0.000013177861,0.000027966602,0.000016434808,0.9554656],"genre_scores_gemma":[0.08508494,0.01792495,0.00021330408,0.005260646,0.00032966968,0.00003647369,0.000042054126,0.000030907886,0.8910769],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996018,0.00009803675,0.0000058218925,0.000027309348,0.0001600097,0.00010696958],"domain_scores_gemma":[0.99983644,0.00004556477,0.00001242589,0.000012425121,0.000043165335,0.000050003804],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00034759293,0.0004133506,0.00015689842,0.0007329499,0.008377818,0.0036925126,0.0004573268,0.00088847947,0.010472253],"category_scores_gemma":[0.0005216067,0.00019835719,0.000116693904,0.00092657463,0.008802114,0.0011879293,0.0014308275,0.0020591775,0.0020919591],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001030299,0.000019424186,0.00040518917,0.000050560404,0.0000021710023,0.00013750781,0.014465678,0.00006516903,0.0001085717,0.76627326,0.19437353,0.024088658],"study_design_scores_gemma":[0.0000015729598,0.0000030495414,0.0010118582,0.00012149074,0.0000018175239,0.00004577164,0.003658227,0.00002587857,0.00006308088,0.008906171,0.9861572,0.0000040583786],"about_ca_topic_score_codex":0.34503958,"about_ca_topic_score_gemma":0.5659818,"teacher_disagreement_score":0.34503958,"about_ca_system_score_codex":0.00871643,"about_ca_system_score_gemma":0.011078662,"threshold_uncertainty_score":0.68606246},"labels":[],"label_agreement":null},{"id":"W4385762473","doi":"10.22271/allresearch.2023.v9.i8a.11154","title":"Theme of immigration in novel ‘The Immigrant’ by Manju Kapur","year":2023,"lang":"en","type":"article","venue":"International Journal of Applied Research","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Patriarchy; Immigration; Theme (computing); Identity (music); Sociology; Gender studies; New Woman; Contemporary society; Aesthetics; Social science; Law; Art; Political science","score_opus":0.06454701687892524,"score_gpt":0.3363484447907235,"score_spread":0.2718014279117983,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385762473","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.48807195,0.022585837,0.002378155,0.08284065,0.022950169,0.00027844036,0.00026550295,0.00028756514,0.38034162],"genre_scores_gemma":[0.81351525,0.008304512,0.002229582,0.009839817,0.0030963449,0.00020166901,0.00014033816,0.0003665445,0.16230595],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988142,0.0006004008,0.000034403063,0.000114898015,0.0002559513,0.00018014506],"domain_scores_gemma":[0.99902475,0.00028723615,0.00009692911,0.00004231572,0.00021880634,0.00032996104],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011826854,0.00062726723,0.00043711896,0.00083345664,0.014868795,0.0050405767,0.0010951614,0.0013491927,0.005941151],"category_scores_gemma":[0.0020892841,0.00021908391,0.00033345676,0.00077297084,0.005280795,0.002247706,0.0031102041,0.004691075,0.0010142144],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016555778,0.00017918076,0.0016827204,0.00079796114,0.000016519716,0.007842316,0.75378495,0.000083191495,0.0033906945,0.07241531,0.13517873,0.02446287],"study_design_scores_gemma":[0.0000066088746,0.00009701672,0.002980395,0.0006231113,0.00001400861,0.0052689645,0.3349653,0.00011248493,0.0010069271,0.0018341537,0.65305316,0.000037859878],"about_ca_topic_score_codex":0.006065046,"about_ca_topic_score_gemma":0.016835338,"teacher_disagreement_score":0.014868795,"about_ca_system_score_codex":0.0033570363,"about_ca_system_score_gemma":0.004487846,"threshold_uncertainty_score":0.02435714},"labels":[],"label_agreement":null},{"id":"W4385853236","doi":"10.59962/9780774850407-028","title":"An Introduction to Deepa Mehta: Making Films in Canada and India","year":2003,"lang":"en","type":"book-chapter","venue":"University of British Columbia Press eBooks","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History; Sociology","score_opus":0.01010961372170531,"score_gpt":0.1547160528955016,"score_spread":0.1446064391737963,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385853236","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0024405657,0.10194027,0.0011207742,0.0119338455,0.0026188705,0.00008706181,0.0005887339,0.00022193373,0.879048],"genre_scores_gemma":[0.02409026,0.08695834,0.0018899477,0.0023029225,0.0005446097,0.00006175519,0.00029889427,0.00023983092,0.8836134],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996917,0.000033913286,0.000010095496,0.00002787562,0.00014537576,0.00009101158],"domain_scores_gemma":[0.9996113,0.000102587626,0.000009825141,0.000010938693,0.00015854964,0.00010676616],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002602599,0.0009405965,0.0004351404,0.0024195127,0.007687459,0.0060963947,0.0010120663,0.0015495162,0.050404884],"category_scores_gemma":[0.0006838105,0.00040919456,0.0002024776,0.0053350516,0.0021230318,0.0022913641,0.0012782381,0.0026007104,0.0075510605],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000131400075,0.000050329214,0.00024451115,0.00039481046,0.0000030543872,0.00022333933,0.009858555,0.00013246408,0.0005135352,0.05915923,0.7977199,0.13168716],"study_design_scores_gemma":[7.2991566e-7,0.0000018272106,0.0005305122,0.00016272128,0.0000017340728,0.000060401955,0.002568556,0.000016105903,0.0000864324,0.0011291595,0.9954366,0.000005186844],"about_ca_topic_score_codex":0.7308221,"about_ca_topic_score_gemma":0.9373269,"teacher_disagreement_score":0.2691779,"about_ca_system_score_codex":0.01758311,"about_ca_system_score_gemma":0.022205023,"threshold_uncertainty_score":0.5415263},"labels":[],"label_agreement":null},{"id":"W4385990033","doi":"","title":"Book Review: Dreaming in Canadian: South Asian Youth, Bollywood and Belonging","year":2011,"lang":"en","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Geography; History","score_opus":0.18752268933993707,"score_gpt":0.4367814887716521,"score_spread":0.24925879943171506,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385990033","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0004073759,0.856779,0.00003899561,0.06851695,0.05117722,0.000048193946,0.00075025565,0.000029139534,0.022252811],"genre_scores_gemma":[0.0048130923,0.8540313,0.000113470436,0.032261107,0.02297452,0.000078095145,0.00066068786,0.000047383277,0.08502031],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99924695,0.00010360531,0.000057297373,0.000071320246,0.0003906814,0.0001301007],"domain_scores_gemma":[0.9956885,0.0009400804,0.00015721936,0.00005723196,0.0025118934,0.00064501376],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011374636,0.0009222017,0.00137557,0.002961384,0.0026025465,0.003756108,0.0017298384,0.0033085882,0.037703793],"category_scores_gemma":[0.0054714535,0.00032291457,0.00046326395,0.009145782,0.0016541358,0.0018887797,0.0011151592,0.0033261974,0.0056492486],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000070469464,0.0000036259146,0.00004415584,0.00079139887,0.000004550775,0.000023702702,0.00007960005,0.000007831357,0.000010555089,0.00032743483,0.98623395,0.012466213],"study_design_scores_gemma":[0.0000090597505,0.000008161847,0.0009589161,0.002045715,0.000021902142,0.0001621476,0.00063379644,0.00000489804,0.000016323158,0.00012263273,0.9960061,0.000010429668],"about_ca_topic_score_codex":0.5898749,"about_ca_topic_score_gemma":0.8407865,"teacher_disagreement_score":0.41012508,"about_ca_system_score_codex":0.011571947,"about_ca_system_score_gemma":0.03690113,"threshold_uncertainty_score":0.82508075},"labels":[],"label_agreement":null},{"id":"W4386560777","doi":"10.1177/13678779231197696","title":"Streaming and India's film-centred video culture: Linguistic and formal diversity","year":2023,"lang":"en","type":"article","venue":"International Journal of Cultural Studies","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":12,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Timeline; Movie theater; Diversity (politics); The Internet; Media studies; Creative industries; Sociology; Advertising; Political science; Business; History; Visual arts; World Wide Web; Computer science; Art; Law","score_opus":0.04808729938867885,"score_gpt":0.2795253480195035,"score_spread":0.23143804863082468,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386560777","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.85385466,0.00075778045,0.0007562283,0.0018387093,0.000055729008,0.000022180178,0.00005316082,0.000021512655,0.14264001],"genre_scores_gemma":[0.99792635,0.00028192086,0.00014312692,0.00007323829,0.00001894059,0.000004354848,0.0000137931265,0.0000062803892,0.0015320042],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.99941206,0.00021778447,0.00003650211,0.00005466161,0.00013184968,0.00014716932],"domain_scores_gemma":[0.9985922,0.00073415984,0.00023506256,0.00011815597,0.00014474688,0.00017561422],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007050907,0.0001375056,0.00010222515,0.0010768535,0.0033906566,0.004827634,0.00060675916,0.00025748863,0.002320623],"category_scores_gemma":[0.0024468375,0.00010455056,0.000082495746,0.0017611529,0.0055481987,0.0014696788,0.0027404074,0.0012397452,0.00010001964],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009563178,0.000055748074,0.020008374,0.00021583412,0.000013200314,0.0011069967,0.7327312,0.0001845571,0.005721627,0.18842977,0.0016356427,0.04980141],"study_design_scores_gemma":[0.000011523806,0.00019518199,0.11503635,0.0004057177,0.000041491505,0.002745412,0.75283116,0.0005601476,0.0023882007,0.015850957,0.10986137,0.000072519215],"about_ca_topic_score_codex":0.012433202,"about_ca_topic_score_gemma":0.013285359,"teacher_disagreement_score":0.012433202,"about_ca_system_score_codex":0.0024359943,"about_ca_system_score_gemma":0.0014040713,"threshold_uncertainty_score":0.024721682},"labels":[],"label_agreement":null},{"id":"W4386847006","doi":"10.11648/j.ellc.20230803.17","title":"The Changing Face of Conjugal Conflicts in Manju Kapur’s &amp;lt;i&amp;gt;The Immigrant&amp;lt;/i&amp;gt;","year":2023,"lang":"en","type":"article","venue":"","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Wife; Immigration; Theme (computing); Gender studies; Face (sociological concept); Sociology; Political science; Law; Social science","score_opus":0.046375621378198416,"score_gpt":0.25557349585170686,"score_spread":0.20919787447350843,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386847006","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.91264135,0.002698941,0.00024523225,0.009006161,0.00067064544,0.000021949012,0.000027934555,0.000023309763,0.07466449],"genre_scores_gemma":[0.9881201,0.001272024,0.00019378467,0.00082182774,0.00010766554,0.000014749441,0.000013237916,0.000019403718,0.009437159],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993901,0.0003277295,0.000012857403,0.000043780776,0.000074016985,0.00015154514],"domain_scores_gemma":[0.9995296,0.000098684126,0.00009412473,0.000022445476,0.000049675375,0.00020544542],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009880295,0.00038673732,0.0002860989,0.0005697575,0.02006169,0.0059115645,0.0007448505,0.0011764808,0.0032868143],"category_scores_gemma":[0.0011764265,0.00026038324,0.00023808434,0.00070730725,0.007909379,0.0023136486,0.0051321923,0.0032340335,0.00039404843],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035141373,0.000037438167,0.0021831703,0.000061648156,0.000005614571,0.0046432447,0.9695714,0.000025717405,0.00068762107,0.011389487,0.005003807,0.006355648],"study_design_scores_gemma":[0.0000025702554,0.00002612436,0.0027224508,0.0000701372,0.0000058519695,0.0021012174,0.93071026,0.00002906004,0.0002496888,0.0005885419,0.06347938,0.000014838523],"about_ca_topic_score_codex":0.014681689,"about_ca_topic_score_gemma":0.033647235,"teacher_disagreement_score":0.02006169,"about_ca_system_score_codex":0.0033090727,"about_ca_system_score_gemma":0.0025079718,"threshold_uncertainty_score":0.029192507},"labels":[],"label_agreement":null},{"id":"W4387031324","doi":"10.51818/sjhss.04.2013.102-107","title":"Leisure, Sports and Entertaintment: Politics and Life Style in Mizoram","year":2013,"lang":"en","type":"article","venue":"Salesian Journal of Humanities and Social Sciences","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"International Development Research Centre; London School of Economics and Political Science","keywords":"Politics; Style (visual arts); Life style; History; Psychology; Advertising; Political science; Business; Applied psychology; Law; Archaeology","score_opus":0.03268822783629642,"score_gpt":0.2354581392821106,"score_spread":0.2027699114458142,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387031324","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99709404,0.0005003805,0.000017857992,0.00016253647,0.0000040649215,0.0000028435375,0.000009289129,7.020484e-7,0.0022083626],"genre_scores_gemma":[0.999086,0.00031372803,0.000032955122,0.000035628123,0.0000057329817,0.0000026013133,0.000005807507,0.0000011881874,0.0005164134],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9998017,0.0000813288,0.000009736062,0.000022569335,0.000015959231,0.000068741174],"domain_scores_gemma":[0.99981123,0.000046134053,0.00006149925,0.000007570422,0.0000112606995,0.00006238116],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00033705562,0.00017779328,0.00023245,0.00066289894,0.0035903496,0.0022103912,0.00019028735,0.00031101616,0.0020311968],"category_scores_gemma":[0.00043893635,0.00019584715,0.000105721025,0.0011100094,0.0029559967,0.0007807241,0.0013374175,0.0004435701,0.00015199374],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001258803,0.00015912334,0.26948613,0.00015881029,0.00001730665,0.0012799388,0.69752,0.000043676915,0.0032167383,0.005381254,0.00041780228,0.022193315],"study_design_scores_gemma":[0.000005145535,0.00008434783,0.47940266,0.00006134779,0.000014523526,0.0005566221,0.50906765,0.00006661704,0.00020044389,0.00040687632,0.010121162,0.00001253691],"about_ca_topic_score_codex":0.015123432,"about_ca_topic_score_gemma":0.0461063,"teacher_disagreement_score":0.015123432,"about_ca_system_score_codex":0.0012863477,"about_ca_system_score_gemma":0.00058148196,"threshold_uncertainty_score":0.030070782},"labels":[],"label_agreement":null},{"id":"W4387222063","doi":"10.29173/comp68","title":"The Aesthetic Asceticism of the Mad","year":2023,"lang":"en","type":"article","venue":"COMPASS","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Asceticism; Aesthetics; Trance; Bengali; Appropriation; Spirituality; Poetry; Popular music; Mysticism; Literature; Sociology; Art; Religious studies; Philosophy; Anthropology; Theology","score_opus":0.02541460054161202,"score_gpt":0.2160958019359581,"score_spread":0.19068120139434608,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387222063","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13302763,0.0076407585,0.0034086618,0.016881151,0.000881762,0.000032378826,0.000062346204,0.0001368664,0.83792853],"genre_scores_gemma":[0.9614001,0.0012457782,0.0004435218,0.0009927513,0.00019382362,0.000015406813,0.000008818007,0.000058025606,0.035641786],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9990382,0.0005356308,0.00001724734,0.00008816891,0.00016260106,0.00015817098],"domain_scores_gemma":[0.999496,0.00018685615,0.000063044026,0.000078652316,0.00006299282,0.000112436894],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009762555,0.00059428165,0.00022401659,0.0013996916,0.009003139,0.008728415,0.00057366997,0.0009481812,0.0051046256],"category_scores_gemma":[0.0013003906,0.00019598857,0.00018655937,0.0009259285,0.03678864,0.0023759638,0.004309183,0.0025168066,0.00070722],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009263414,0.000029159077,0.0016502446,0.00019275481,0.000015081437,0.0005761796,0.21335255,0.0001557121,0.0033945616,0.74858344,0.010428699,0.021528997],"study_design_scores_gemma":[0.00002050955,0.0000872522,0.0042152996,0.0002175485,0.000021509775,0.0010414744,0.13962084,0.00035355616,0.0013378959,0.066303596,0.78674406,0.00003657722],"about_ca_topic_score_codex":0.005413482,"about_ca_topic_score_gemma":0.010143603,"teacher_disagreement_score":0.009003139,"about_ca_system_score_codex":0.0041821087,"about_ca_system_score_gemma":0.0011257114,"threshold_uncertainty_score":0.030343533},"labels":[],"label_agreement":null},{"id":"W4387223399","doi":"10.3138/md-66-3-1238","title":"Exhibiting the Nation: Identity and (Post)colonial Aesthetics in Hannah Khalil’s <i>A Museum in Baghdad</i>","year":2023,"lang":"en","type":"article","venue":"Modern Drama","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Performative utterance; Narrative; Depiction; Aesthetics; Politics; National identity; Making-of; Identity (music); Art; Cultural politics; Representation (politics); Sociology; Media studies; Visual arts; Literature; History; Political science; Law; Management","score_opus":0.03416124150797577,"score_gpt":0.24597170488445239,"score_spread":0.21181046337647663,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387223399","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.784298,0.0026423116,0.00082926685,0.0063615637,0.0003868568,0.00003251818,0.000039795737,0.00004217695,0.20536748],"genre_scores_gemma":[0.9893377,0.0002609915,0.00014547672,0.00025170526,0.000030656694,0.000007932915,0.0000071272048,0.000025157096,0.009933172],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99857545,0.0007911507,0.000026833928,0.00010046561,0.00013859614,0.00036762937],"domain_scores_gemma":[0.9993211,0.00031578052,0.00008234438,0.00006302818,0.000048123802,0.00016966499],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0021028616,0.00040429665,0.00029737075,0.00078338577,0.02018223,0.0100529,0.0007310699,0.0010866439,0.0050058267],"category_scores_gemma":[0.0017041585,0.00028912033,0.00024381446,0.0009926996,0.0342537,0.0027887616,0.006087482,0.0026503243,0.00037306585],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004216423,0.000016061042,0.0008873532,0.000045639863,0.0000039514302,0.0005341531,0.947164,0.000046817186,0.00047361085,0.04458128,0.0021712051,0.00403382],"study_design_scores_gemma":[0.000011127126,0.00003783293,0.00577883,0.0001256707,0.000009706539,0.00072783424,0.8634061,0.00009245413,0.00040842115,0.0024352905,0.12693764,0.000028948898],"about_ca_topic_score_codex":0.037030328,"about_ca_topic_score_gemma":0.08114648,"teacher_disagreement_score":0.037030328,"about_ca_system_score_codex":0.009340244,"about_ca_system_score_gemma":0.0025203438,"threshold_uncertainty_score":0.07362962},"labels":[],"label_agreement":null},{"id":"W4387396839","doi":"10.1002/fea2.12126","title":"“Mera Jamia, Mera Ghar”: The corporeal collective willfulness of young Muslim women at Jamia Milia Islamia University","year":2023,"lang":"en","type":"article","venue":"Feminist Anthropology","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of New Brunswick","funders":"","keywords":"Citizenship; Politics; Craft; Gender studies; Hinduism; Body politic; Sociology; Embodied cognition; Political science; Law; Religious studies; Art; Visual arts","score_opus":0.0178245749036061,"score_gpt":0.22302755613659825,"score_spread":0.20520298123299216,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387396839","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9867666,0.00050204695,0.0001623846,0.0027929891,0.000114855306,0.000023237626,0.000019757059,0.000011508374,0.009606749],"genre_scores_gemma":[0.9943509,0.000306912,0.000080724654,0.0005700228,0.000027915978,0.000013132885,0.0000078817275,0.00000897193,0.004633329],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9992318,0.0003841172,0.000014418297,0.00004299831,0.000090439185,0.0002362815],"domain_scores_gemma":[0.9991972,0.0002701323,0.00012688561,0.000028924926,0.00007130813,0.0003055263],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019485683,0.00045154773,0.00034432593,0.00061610335,0.011859188,0.0045435163,0.0005494501,0.0011448457,0.0036731584],"category_scores_gemma":[0.0015895314,0.00037349891,0.00023541534,0.00038338735,0.0058516604,0.001719342,0.0037649593,0.002176343,0.00050824904],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021544143,0.000036693218,0.0058335294,0.0000464159,0.00000426025,0.0004596706,0.9855012,0.0000071069776,0.0012742225,0.0015089164,0.0011423567,0.004164013],"study_design_scores_gemma":[0.0000010021931,0.00003185946,0.0047665434,0.00003860127,0.000003833736,0.00020907729,0.9854005,0.000013183818,0.00020603341,0.00011736788,0.009205839,0.000006272955],"about_ca_topic_score_codex":0.006018442,"about_ca_topic_score_gemma":0.014733992,"teacher_disagreement_score":0.011859188,"about_ca_system_score_codex":0.0014087135,"about_ca_system_score_gemma":0.0014776622,"threshold_uncertainty_score":0.012287974},"labels":[],"label_agreement":null},{"id":"W4387776641","doi":"10.5040/9798400693847.0168","title":"Shiva, Vandana (1952–)","year":2009,"lang":"en","type":"other","venue":"","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Biology","score_opus":0.014285566635786229,"score_gpt":0.19621715059274622,"score_spread":0.18193158395696,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387776641","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005135481,0.0127538955,0.0006827173,0.015690641,0.010330242,0.00003015362,0.00045784048,0.00016718329,0.9547519],"genre_scores_gemma":[0.02281366,0.0029162471,0.00019426364,0.0015306346,0.00035596755,0.000013252413,0.00014910373,0.0000649678,0.97196203],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999803,0.000027859056,0.000008229908,0.000050106955,0.000060525897,0.000050227573],"domain_scores_gemma":[0.9997818,0.000029264162,0.000014101876,0.000011805831,0.00008965515,0.000073425144],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00017799987,0.0003054025,0.000120700504,0.0004702792,0.002689196,0.0020820452,0.00038682527,0.000663778,0.11440255],"category_scores_gemma":[0.0006004442,0.00013282745,0.00010551869,0.0005834005,0.0006540128,0.001475657,0.0011481735,0.0011880107,0.04210965],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001924312,0.00002546335,0.001071324,0.00008321956,0.0000027066626,0.00024858658,0.0018542092,0.000044150056,0.000542311,0.029316427,0.85031384,0.11647846],"study_design_scores_gemma":[6.479176e-7,0.0000034130114,0.00051494234,0.0000211178,4.615376e-7,0.00015228934,0.0004409684,0.00000759574,0.000069555324,0.00046561623,0.99832195,0.0000014013103],"about_ca_topic_score_codex":0.010350948,"about_ca_topic_score_gemma":0.03378192,"teacher_disagreement_score":0.11440255,"about_ca_system_score_codex":0.001164185,"about_ca_system_score_gemma":0.0011441436,"threshold_uncertainty_score":0.38271463},"labels":[],"label_agreement":null},{"id":"W4388022353","doi":"10.36713/epra14753","title":"CONFLICT BETWEEN MODERNIZATION AND TRADITIONAL VALUES IN ANITA RAU BADAMI'S TAMARIND MEM","year":2023,"lang":"en","type":"article","venue":"EPRA International Journal of Research & Development (IJRD)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Modernization theory; Narrative; Character (mathematics); Sociology; Key (lock); Political science; Literature; Art; Law; Mathematics; Computer science","score_opus":0.21147641624861716,"score_gpt":0.3670856228789709,"score_spread":0.15560920663035374,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388022353","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8981027,0.0015428582,0.00086797273,0.0042725275,0.00023145221,0.000038226768,0.000027602035,0.000024352184,0.09489231],"genre_scores_gemma":[0.9941298,0.00035169392,0.0002707215,0.00019868632,0.00003046904,0.000017700866,0.0000069551,0.000012903051,0.004981228],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99904436,0.0005110232,0.00001882566,0.00007658126,0.00012072743,0.00022842866],"domain_scores_gemma":[0.999315,0.00032263692,0.00011436394,0.000036652884,0.00006244887,0.00014896238],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015995823,0.00046658175,0.0003372528,0.0008524635,0.016742976,0.006593609,0.0006029756,0.0011835103,0.0034749086],"category_scores_gemma":[0.0014626231,0.00029111683,0.00017940596,0.00082576374,0.015164973,0.0032669369,0.005163455,0.0024697692,0.00026548203],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000084050145,0.000039236977,0.001437313,0.00011205731,0.0000084036565,0.0015290556,0.93733895,0.00004522087,0.0021251177,0.04895734,0.0017638548,0.0065594683],"study_design_scores_gemma":[0.000009377864,0.00008013655,0.0032579754,0.00014493277,0.000015349255,0.0012661447,0.8821221,0.0001252995,0.0011061687,0.004632979,0.107213855,0.000025725176],"about_ca_topic_score_codex":0.003665216,"about_ca_topic_score_gemma":0.010993935,"teacher_disagreement_score":0.016742976,"about_ca_system_score_codex":0.0037615127,"about_ca_system_score_gemma":0.0021266108,"threshold_uncertainty_score":0.027291834},"labels":[],"label_agreement":null},{"id":"W4388275656","doi":"10.3138/topia-2022-0019","title":"Toxic Rhythms: Protest Masculinities of “Brown Indo-Canadians” versus “Surrey Jacks”","year":2023,"lang":"en","type":"article","venue":"TOPIA Canadian Journal of Cultural Studies","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Masculinity; Hegemonic masculinity; Gender studies; Appropriation; Honour; Virility; Sociology; Objectification; History; Archaeology; Philosophy; Political science; Law","score_opus":0.09552992365886204,"score_gpt":0.28181513994871105,"score_spread":0.186285216289849,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388275656","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9204051,0.0003303785,0.00011307406,0.000608874,0.000034846118,0.000016189828,0.000059437032,0.0000068159607,0.07842522],"genre_scores_gemma":[0.98922426,0.00020288076,0.00009448158,0.00018366106,0.000006639534,0.000005309738,0.000032266442,0.0000081217795,0.010242381],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9993044,0.00009925428,0.000008627626,0.00007274934,0.00026000442,0.0002549412],"domain_scores_gemma":[0.9995913,0.000050012142,0.00007052365,0.000018350443,0.00009976235,0.00017008936],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000536666,0.0003283669,0.00015622764,0.00083631347,0.011405267,0.0029110527,0.00040816917,0.00042547798,0.0056156465],"category_scores_gemma":[0.0008505178,0.00013232332,0.00009489182,0.0008144442,0.007094806,0.00060101965,0.0016428424,0.0008933307,0.00029600595],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00025740033,0.000103770384,0.06471457,0.00011025282,0.000029621722,0.0009272118,0.8342879,0.000075219665,0.0073933294,0.045730807,0.00699198,0.039377924],"study_design_scores_gemma":[0.000007242269,0.000064542866,0.17583798,0.00007236998,0.000016361908,0.0004409619,0.73137504,0.000059792445,0.00076889683,0.0005622417,0.09075124,0.00004325771],"about_ca_topic_score_codex":0.7513612,"about_ca_topic_score_gemma":0.9300508,"teacher_disagreement_score":0.24863881,"about_ca_system_score_codex":0.008154926,"about_ca_system_score_gemma":0.0058922446,"threshold_uncertainty_score":0.5002062},"labels":[],"label_agreement":null},{"id":"W4388383366","doi":"10.1093/oso/9780195122299.003.0019","title":"Postcolonial Identity as Feminist Fantasy A Study of Tamil Women’s Short Fiction on Dowry","year":2000,"lang":"en","type":"book-chapter","venue":"","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dowry; Wife; Ideology; Gender studies; Tamil; Identity (music); Misrepresentation; Metaphor; Fantasy; Sociology; History; Political science; Law; Art; Literature; Aesthetics; Politics; Theology; Philosophy","score_opus":0.021115722840692408,"score_gpt":0.24200106009077968,"score_spread":0.22088533725008727,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388383366","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9342103,0.00070102356,0.00035461778,0.0049127387,0.0001510536,0.000057088495,0.00005841467,0.000017862423,0.059536874],"genre_scores_gemma":[0.98906016,0.0002491391,0.00009020105,0.0006180081,0.00003351403,0.00003317998,0.000017702554,0.000021867701,0.009876358],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99694294,0.0016762041,0.000039768536,0.00018365443,0.0003235243,0.00083383167],"domain_scores_gemma":[0.994764,0.0035457085,0.00041658003,0.00017732396,0.00036867298,0.0007276809],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0035576408,0.0010977638,0.0006118824,0.00245663,0.033661317,0.010712181,0.0022091432,0.0033584007,0.008781893],"category_scores_gemma":[0.006265204,0.0006287561,0.00027911458,0.0016752006,0.03197541,0.004617479,0.006959563,0.007886845,0.000746757],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000112659345,0.000017666629,0.0003943488,0.000013089867,7.376028e-7,0.0003642853,0.99337053,0.000005012385,0.00013982446,0.004467878,0.00042074203,0.000794658],"study_design_scores_gemma":[0.0000020840785,0.000018615357,0.00095944083,0.00004052477,0.0000011583859,0.000121646626,0.9839622,0.000017213748,0.00016815178,0.00029177443,0.014409969,0.000007287508],"about_ca_topic_score_codex":0.060738128,"about_ca_topic_score_gemma":0.12378231,"teacher_disagreement_score":0.060738128,"about_ca_system_score_codex":0.012073232,"about_ca_system_score_gemma":0.004885297,"threshold_uncertainty_score":0.12076914},"labels":[],"label_agreement":null},{"id":"W4388470552","doi":"10.4103/ipcares.ipcares_179_22","title":"The Sky Is Pink","year":2022,"lang":"en","type":"article","venue":"Indian Pediatrics Case Reports","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Battle; Feeling; Narrative; Brother; Demise; Biography; Theme (computing); Sadness; Wife; Happiness; Character (mathematics); Psychology; Grief; History; Psychoanalysis; Aesthetics; Media studies; Art; Literature; Sociology; Social psychology; Art history; Anger; Law; Political science; Psychotherapist","score_opus":0.013984683931357874,"score_gpt":0.21299617115678424,"score_spread":0.19901148722542636,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388470552","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.025049688,0.0045824274,0.0034717843,0.02850627,0.02626738,0.00026076863,0.0020933296,0.0013102401,0.9084581],"genre_scores_gemma":[0.2036596,0.005076514,0.003787707,0.015962223,0.004993679,0.00012040833,0.0015377266,0.0012716587,0.76359046],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99978334,0.000055929508,0.0000071722616,0.000043814212,0.00005416652,0.000055643446],"domain_scores_gemma":[0.9995629,0.000050248418,0.00002531555,0.000027630242,0.00010490473,0.00022909934],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00022913892,0.00066295103,0.0002736708,0.00036826826,0.0033419589,0.0041396413,0.00040428794,0.0010373935,0.09176165],"category_scores_gemma":[0.0011350033,0.00023332376,0.000348975,0.000224666,0.001086277,0.0026945882,0.0025683967,0.0030961758,0.017674498],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020646329,0.00004006105,0.0006538702,0.0002942722,0.00002068033,0.000981405,0.012986331,0.000072840114,0.002979628,0.015234252,0.93944436,0.02708578],"study_design_scores_gemma":[0.000008719113,0.000029158267,0.001238407,0.00012098867,0.00000795425,0.00041630433,0.004618811,0.00005461047,0.0002893355,0.00036619586,0.9928388,0.00001076294],"about_ca_topic_score_codex":0.00786436,"about_ca_topic_score_gemma":0.022284202,"teacher_disagreement_score":0.09176165,"about_ca_system_score_codex":0.0009745433,"about_ca_system_score_gemma":0.00044840237,"threshold_uncertainty_score":0.30697328},"labels":[],"label_agreement":null},{"id":"W4389571154","doi":"10.5430/wjel.v14n1p440","title":"Tracing Hijra Ethnicity in Indian Transgender Autobiographies: Revisiting the Erased Hijra Legacy through Trans Self-memory","year":2023,"lang":"en","type":"article","venue":"World Journal of English Language","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Transgender; Subjectivity; Agency (philosophy); Narrative; Collective memory; Sociology; Gender studies; Normative; Political science; Epistemology; Linguistics; Law; Philosophy; Social science","score_opus":0.019549199366461774,"score_gpt":0.247730631378912,"score_spread":0.22818143201245022,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4389571154","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9018811,0.0027632623,0.0022754744,0.004493433,0.00030511108,0.00005435473,0.00015245222,0.000065176675,0.08800958],"genre_scores_gemma":[0.9909992,0.0012787457,0.000687325,0.00045307312,0.00005753914,0.000020507565,0.000045056557,0.000044883935,0.0064137047],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9989876,0.0005711153,0.000027714172,0.00009147923,0.000145681,0.00017635975],"domain_scores_gemma":[0.99837387,0.0007759456,0.000231801,0.00023234366,0.00022751166,0.00015836621],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017728902,0.0005061701,0.0002992746,0.0020944502,0.010794604,0.0070282524,0.0012535051,0.0010272239,0.0041005095],"category_scores_gemma":[0.0032051925,0.0002820373,0.00030788276,0.0014117802,0.010512323,0.0054265726,0.0059295315,0.0029768504,0.00055251445],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001609614,0.000014103919,0.0013040481,0.000068460846,0.0000033940692,0.00046010918,0.9850582,0.000014269247,0.00070851296,0.00651428,0.00058023666,0.005258247],"study_design_scores_gemma":[0.0000012307413,0.000016241858,0.003400275,0.00016682845,0.000013422075,0.00068762095,0.96045244,0.00005064651,0.000637458,0.0012973788,0.03326252,0.000013770661],"about_ca_topic_score_codex":0.014672048,"about_ca_topic_score_gemma":0.041246455,"teacher_disagreement_score":0.014672048,"about_ca_system_score_codex":0.0028133513,"about_ca_system_score_gemma":0.0029946151,"threshold_uncertainty_score":0.029173255},"labels":[],"label_agreement":null},{"id":"W4389617476","doi":"10.5772/intechopen.1003756","title":"Unsettling the System of Sexual and Ethnic Oppression in Shyam Selvadurai’s Funny Boy","year":2023,"lang":"en","type":"book-chapter","venue":"IntechOpen eBooks","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Tamil; Oppression; Gender studies; Subaltern; Human sexuality; Ethnic group; Sociology; Power (physics); Politics; Patriarchy; Political science; Anthropology; Art; Law; Literature","score_opus":0.06875153552142496,"score_gpt":0.2467169860620712,"score_spread":0.17796545054064625,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4389617476","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8127677,0.0028020004,0.001114242,0.0063339705,0.00020082685,0.000042847038,0.00003851619,0.000034579563,0.17666523],"genre_scores_gemma":[0.9888377,0.00064166373,0.00027716372,0.00033790787,0.000037818256,0.000023039349,0.00001195968,0.000014570477,0.009818164],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990088,0.00054978154,0.000012648943,0.00007289536,0.0000871384,0.00026872198],"domain_scores_gemma":[0.99953365,0.00018692238,0.00006937604,0.00003197499,0.000046050438,0.00013213711],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013199634,0.0006676128,0.00039967155,0.00091568875,0.017227028,0.00759907,0.000998556,0.0014149884,0.002904188],"category_scores_gemma":[0.001022063,0.00039734566,0.00022512102,0.00087631645,0.032142498,0.0031734384,0.0046628914,0.0030327186,0.00023386764],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003471663,0.00002578273,0.0011190262,0.00006720458,0.000006085807,0.001316096,0.9188933,0.000052131098,0.0010966562,0.07155815,0.0019286643,0.0039022227],"study_design_scores_gemma":[0.000011042368,0.00007214964,0.0053939754,0.00015754662,0.000015818745,0.0013125056,0.8870954,0.00011977654,0.0009037681,0.0057452368,0.099144876,0.000027928865],"about_ca_topic_score_codex":0.02449459,"about_ca_topic_score_gemma":0.05755001,"teacher_disagreement_score":0.02449459,"about_ca_system_score_codex":0.004797491,"about_ca_system_score_gemma":0.0038735117,"threshold_uncertainty_score":0.048704028},"labels":[],"label_agreement":null},{"id":"W4389630417","doi":"10.1080/13552074.2023.2249767","title":"Becoming Young Men in a New India: Masculinities, Gender Relations, and Violence in the Postcolony <b>Becoming Young Men in a New India: Masculinities, Gender Relations, and Violence in the Postcolony</b> , by Shannon Philip, Cambridge: Cambridge University Press, 2022, 211 pp., online ISBN: 9781009158725","year":2023,"lang":"en","type":"article","venue":"Gender & Development","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Gender studies; Gender relations; Masculinity; Sociology","score_opus":0.031240919934506967,"score_gpt":0.23104602919441222,"score_spread":0.19980510925990524,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4389630417","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0513122,0.7934685,0.00016102087,0.0950499,0.007115193,0.00004402599,0.00014702337,0.000040179853,0.052662097],"genre_scores_gemma":[0.28083593,0.64417666,0.00041700085,0.010982986,0.0050528394,0.000089869645,0.00015672827,0.000041421386,0.05824653],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99943167,0.00023735648,0.00002304711,0.000041045347,0.0001327815,0.00013424447],"domain_scores_gemma":[0.99901235,0.00045735252,0.00011710954,0.000020711988,0.00007721976,0.00031527496],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010097576,0.0007830615,0.00044491165,0.001246996,0.004055746,0.0056551793,0.00069318054,0.0015151636,0.004116203],"category_scores_gemma":[0.0008772518,0.000534091,0.000299286,0.0026393926,0.005491566,0.004102806,0.0027843376,0.002741016,0.00078042515],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001687204,0.00023729148,0.019256935,0.002432445,0.00006244257,0.0019404271,0.37702164,0.00015118532,0.0013579574,0.047459487,0.35278916,0.19712229],"study_design_scores_gemma":[0.00001256683,0.00010679371,0.07483645,0.002438074,0.000038372844,0.0020002418,0.23358697,0.000057795514,0.0002901847,0.0035846971,0.6829801,0.00006775267],"about_ca_topic_score_codex":0.050765466,"about_ca_topic_score_gemma":0.1373407,"teacher_disagreement_score":0.050765466,"about_ca_system_score_codex":0.0024233852,"about_ca_system_score_gemma":0.004640989,"threshold_uncertainty_score":0.10093993},"labels":[],"label_agreement":null},{"id":"W4390056644","doi":"10.24908/encounters.v24i0.17036","title":"Mona's Hamlu","year":2023,"lang":"en","type":"article","venue":"Encounters in Theory and History of Education","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.014585556488606615,"score_gpt":0.23519904707023478,"score_spread":0.22061349058162816,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390056644","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.014590306,0.033882566,0.000773802,0.036546767,0.016288837,0.000116709576,0.0012022022,0.0003408502,0.896258],"genre_scores_gemma":[0.025529955,0.0036766245,0.00042053088,0.0036459053,0.00046362428,0.0000322121,0.00023199925,0.00006764156,0.9659316],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996118,0.00007036144,0.000012501682,0.000052867374,0.00012217237,0.00013032905],"domain_scores_gemma":[0.99969137,0.00003572465,0.000018636398,0.000021992764,0.00011337388,0.00011898965],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00078162825,0.0005772224,0.0002423063,0.0006820175,0.00564429,0.0030571553,0.00057650596,0.0015366948,0.0988415],"category_scores_gemma":[0.0010123483,0.00023886967,0.00024843868,0.00052964856,0.0010193824,0.001536038,0.0024487413,0.0021516,0.030334292],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001772435,0.000069931135,0.0009874811,0.00037890134,0.000008847355,0.000715781,0.0039940444,0.00009552511,0.0019623458,0.08984094,0.761754,0.14001505],"study_design_scores_gemma":[0.000002711043,0.000009366974,0.00075886137,0.00004968497,0.0000016495374,0.00010850622,0.00085068477,0.000017828599,0.00015962376,0.0009048659,0.9971328,0.0000033612937],"about_ca_topic_score_codex":0.014297046,"about_ca_topic_score_gemma":0.04166933,"teacher_disagreement_score":0.0988415,"about_ca_system_score_codex":0.0028824992,"about_ca_system_score_gemma":0.005849184,"threshold_uncertainty_score":0.33065778},"labels":[],"label_agreement":null},{"id":"W4390790245","doi":"10.5430/wjel.v14n1p545","title":"Unveiling Implicit Stereotypes: The Praxis of Taming Men in Indian Households in Yadav’s The Anger of Saintly Men","year":2024,"lang":"en","type":"article","venue":"World Journal of English Language","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Patriarchy; Sociocultural evolution; Ambivalence; Anger; Gender studies; Context (archaeology); Sociology; Psychology; Social psychology; History","score_opus":0.010025699416609099,"score_gpt":0.22851908881731295,"score_spread":0.21849338940070384,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390790245","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9703048,0.0009008385,0.0012184521,0.008882288,0.00023558388,0.00009586289,0.000049857343,0.000018031182,0.018294306],"genre_scores_gemma":[0.99338007,0.00072379,0.0006271654,0.0019040698,0.000065479624,0.0000901142,0.000017082244,0.000014099096,0.003178179],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99299145,0.005003661,0.00010372909,0.00023515592,0.0007188357,0.0009471507],"domain_scores_gemma":[0.9954152,0.0026181124,0.0005980804,0.00023991732,0.00061171275,0.0005169247],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.008704654,0.00071537937,0.00062400114,0.0014247043,0.018915111,0.006126461,0.0020448975,0.0017401378,0.0034410018],"category_scores_gemma":[0.009344623,0.00047914285,0.00040665275,0.0010165356,0.016623091,0.004734843,0.008361928,0.00503367,0.0005591164],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014331467,0.00003760939,0.0027109922,0.000055110195,0.000003112899,0.0001786749,0.9907811,0.000009551843,0.00026618346,0.0019706946,0.0005110903,0.0034616052],"study_design_scores_gemma":[0.0000010789771,0.000024394103,0.0012324357,0.00006489827,0.0000036913843,0.000043132073,0.9949157,0.000026702915,0.00012218299,0.00040999916,0.0031494226,0.000006289025],"about_ca_topic_score_codex":0.02571801,"about_ca_topic_score_gemma":0.052213285,"teacher_disagreement_score":0.02571801,"about_ca_system_score_codex":0.005110087,"about_ca_system_score_gemma":0.0055791,"threshold_uncertainty_score":0.051136613},"labels":[],"label_agreement":null},{"id":"W4390973640","doi":"10.1057/s41280-023-00303-0","title":"Correction to: Dancing the Kleptocene","year":2024,"lang":"en","type":"article","venue":"postmedieval a journal of medieval cultural studies","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Computer science","score_opus":0.049546499740653956,"score_gpt":0.3109353056707199,"score_spread":0.26138880593006597,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390973640","genre_codex":"editorial","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00017055012,0.0009842037,0.0002342438,0.07298554,0.9189731,0.000013605385,0.00037053617,0.00013466482,0.006133554],"genre_scores_gemma":[0.021243215,0.007158232,0.0015234347,0.12133942,0.4353357,0.000207616,0.0009287262,0.00090992165,0.41135377],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99775785,0.0004128828,0.00028135657,0.0003861675,0.0008169281,0.00034492518],"domain_scores_gemma":[0.98932135,0.0026609842,0.0006419651,0.001031388,0.0053409105,0.0010034782],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017090727,0.0016621889,0.0011557065,0.0022364757,0.004608264,0.00467786,0.0027763692,0.007906435,0.0573063],"category_scores_gemma":[0.033988602,0.00057778496,0.0006472601,0.0017356176,0.0035495649,0.0023117738,0.0027503266,0.013644572,0.030237399],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011875732,0.000002124463,0.000029791081,0.000052283223,0.000002773585,0.00010924375,0.0000867531,0.000011929649,0.000017003058,0.00099445,0.9960998,0.0025818448],"study_design_scores_gemma":[0.000007107269,0.0000034436914,0.00023707656,0.00012484055,0.000004611628,0.00014687983,0.0001782464,0.00003729811,0.00006844997,0.00048431742,0.9986987,0.000009107752],"about_ca_topic_score_codex":0.023536533,"about_ca_topic_score_gemma":0.04091709,"teacher_disagreement_score":0.0573063,"about_ca_system_score_codex":0.003640941,"about_ca_system_score_gemma":0.0054282667,"threshold_uncertainty_score":0.19170868},"labels":[],"label_agreement":null},{"id":"W4391057666","doi":"10.1163/23523085-08030006","title":"Pamila Matharu: Where Were You in ’92?, Curated by Emelie Chhangur, Nasrin Himada and Charlotte Gagnier","year":2024,"lang":"en","type":"article","venue":"Asian Diasporic Visual Cultures and the Americas","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Sociology","score_opus":0.008124588179242862,"score_gpt":0.25191706517868245,"score_spread":0.2437924769994396,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391057666","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0041710716,0.14082631,0.0008161543,0.66151935,0.13579,0.0000670263,0.00021109064,0.0001832592,0.056415737],"genre_scores_gemma":[0.0673851,0.10936623,0.0014286818,0.26018065,0.090892635,0.0002808644,0.00020996337,0.000987702,0.46926817],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99903667,0.0003971932,0.00003351418,0.00013962672,0.00024778253,0.00014523603],"domain_scores_gemma":[0.9979388,0.0006897465,0.0001230986,0.00005638176,0.0005496441,0.00064228044],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020030616,0.0012214228,0.00074799696,0.000996041,0.00925884,0.0065312963,0.0007689477,0.0030304356,0.012219166],"category_scores_gemma":[0.007410944,0.00044643515,0.0003096649,0.0005829922,0.0028642728,0.005991239,0.004465702,0.011751276,0.006557241],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016231008,0.000009055791,0.00010608482,0.00010110644,0.0000031174739,0.0001456877,0.007862,0.000015620555,0.0002197242,0.004767648,0.97545016,0.011303565],"study_design_scores_gemma":[0.0000017662883,0.0000047932085,0.0003342807,0.0002241943,0.0000019486326,0.00020044163,0.009297148,0.000021928077,0.00009478546,0.0005751143,0.9892357,0.000007861225],"about_ca_topic_score_codex":0.010977226,"about_ca_topic_score_gemma":0.028087873,"teacher_disagreement_score":0.012219166,"about_ca_system_score_codex":0.0021116252,"about_ca_system_score_gemma":0.002243198,"threshold_uncertainty_score":0.040877163},"labels":[],"label_agreement":null},{"id":"W4391230116","doi":"10.1080/08865655.2023.2301080","title":"Healing the Bloody Line: Suturing Indians and Pakistanis into Hindi Cinema and Pakistani Telesoaps","year":2024,"lang":"en","type":"article","venue":"Journal of Borderlands Studies","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"Indian Council of Social Science Research","keywords":"Hindi; Movie theater; Bloody; History; Art; Literature; Philosophy; Linguistics","score_opus":0.021834514938592134,"score_gpt":0.2858397701630675,"score_spread":0.2640052552244754,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391230116","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8950846,0.0010980194,0.0024217635,0.0037928466,0.00018182046,0.00011868373,0.00003434121,0.00004647908,0.09722147],"genre_scores_gemma":[0.9919962,0.00072919397,0.0012130018,0.00042371463,0.0000484144,0.000033020606,0.000011914076,0.000022146882,0.0055223773],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9992144,0.00046523137,0.000013850076,0.000051315637,0.00007601142,0.0001791495],"domain_scores_gemma":[0.9984428,0.000898134,0.00017900296,0.00012824463,0.00009092215,0.0002608231],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016628173,0.0005148575,0.00017482032,0.00089304306,0.011733608,0.0063675097,0.0006329537,0.001011654,0.0043738084],"category_scores_gemma":[0.0029596498,0.0003128126,0.00020552496,0.0006934045,0.012822282,0.0053815423,0.0065606902,0.0019332258,0.0004185143],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000038553506,0.000045231693,0.001762243,0.00007111934,0.0000025523304,0.0006295869,0.965556,0.00002355787,0.0013107917,0.012547548,0.0011752461,0.016837562],"study_design_scores_gemma":[0.000007406642,0.00007586521,0.0038139455,0.00014534239,0.000010035417,0.00040332365,0.9494012,0.000049398503,0.0007227106,0.0015655127,0.043795194,0.000010058048],"about_ca_topic_score_codex":0.0055541764,"about_ca_topic_score_gemma":0.015460925,"teacher_disagreement_score":0.011733608,"about_ca_system_score_codex":0.0016748171,"about_ca_system_score_gemma":0.0021111248,"threshold_uncertainty_score":0.014631867},"labels":[],"label_agreement":null},{"id":"W4391275804","doi":"10.1093/oxfordhb/9780192843050.013.10","title":"‘Thrice fairer than myself’","year":2024,"lang":"en","type":"book-chapter","venue":"Oxford University Press eBooks","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Reflexive pronoun; Psychology; Philosophy; Epistemology","score_opus":0.02637909495647743,"score_gpt":0.18070680000145942,"score_spread":0.154327705044982,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391275804","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008899208,0.0052076243,0.0008232911,0.010964491,0.0023727575,0.000019367399,0.00002928026,0.000053924377,0.97163004],"genre_scores_gemma":[0.24010152,0.0033356019,0.00063613435,0.005123413,0.001182384,0.000026655587,0.000047284964,0.0001536453,0.7493934],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99942267,0.00022948308,0.000011569453,0.000076395765,0.00016012666,0.00009978768],"domain_scores_gemma":[0.99961025,0.00014379607,0.000025317957,0.00004205977,0.00008740533,0.00009127134],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00083422294,0.0005185048,0.00025747856,0.0005902028,0.004384043,0.004743126,0.0003924879,0.0008744706,0.030427406],"category_scores_gemma":[0.0013491554,0.00013195576,0.00017307219,0.0004784979,0.00655249,0.004373067,0.002130553,0.0028389452,0.0056403466],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003104397,0.000034732002,0.00044135613,0.00018636047,0.000007959615,0.00026052355,0.08984472,0.000053985983,0.0006564482,0.63818127,0.21906999,0.05123164],"study_design_scores_gemma":[0.0000017390911,0.000010874846,0.00030145785,0.00013042806,0.000002153625,0.000120535726,0.008244883,0.00003213791,0.00014361748,0.010289418,0.98071814,0.0000044853437],"about_ca_topic_score_codex":0.0031982665,"about_ca_topic_score_gemma":0.0062059425,"teacher_disagreement_score":0.030427406,"about_ca_system_score_codex":0.0014570887,"about_ca_system_score_gemma":0.0009921748,"threshold_uncertainty_score":0.10178977},"labels":[],"label_agreement":null},{"id":"W4391545302","doi":"10.14361/9783839470268-002","title":"1. Staying Inside","year":2024,"lang":"en","type":"book-chapter","venue":"Neue Ökologie","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Business","score_opus":0.07503504879698458,"score_gpt":0.23648172868202086,"score_spread":0.16144667988503628,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391545302","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0019649048,0.0046888846,0.00063066086,0.010292513,0.0029708915,0.000036096277,0.00006221165,0.00008923143,0.9792646],"genre_scores_gemma":[0.019625394,0.0024653643,0.00044426287,0.0039864373,0.00039753155,0.00004209204,0.000037698654,0.00016351655,0.9728377],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993255,0.00017427263,0.000020228581,0.00012849102,0.00016070125,0.00019076014],"domain_scores_gemma":[0.999566,0.0000665266,0.000033372235,0.000059522863,0.000120683966,0.00015389062],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00079355825,0.0008355555,0.00035732525,0.00074158324,0.010890472,0.007609556,0.00084020814,0.002975283,0.10658596],"category_scores_gemma":[0.001387442,0.00030209916,0.00034215656,0.00092412974,0.005168739,0.008663523,0.00520158,0.006509581,0.0500385],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029645422,0.00003835576,0.0003971478,0.00021302153,0.0000036471952,0.00019446599,0.04666343,0.00003016861,0.0004832094,0.48116714,0.40474382,0.06603602],"study_design_scores_gemma":[0.0000012747646,0.000007918262,0.00020135181,0.00011164533,0.0000018982256,0.00006682956,0.0052661435,0.000011006553,0.00008018576,0.006465691,0.98778164,0.000004434514],"about_ca_topic_score_codex":0.012607931,"about_ca_topic_score_gemma":0.027066944,"teacher_disagreement_score":0.10658596,"about_ca_system_score_codex":0.00247846,"about_ca_system_score_gemma":0.0035286325,"threshold_uncertainty_score":0.35656554},"labels":[],"label_agreement":null},{"id":"W4391609364","doi":"10.5430/wjel.v14n2p471","title":"Exploring Noetic Space in Shashi Deshpande’s That Long Silence","year":2024,"lang":"en","type":"article","venue":"World Journal of English Language","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Silence; Space (punctuation); Computer science; Philosophy; Aesthetics; Linguistics","score_opus":0.05623516884402339,"score_gpt":0.2445321096229376,"score_spread":0.1882969407789142,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391609364","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3990178,0.022566585,0.011488309,0.08033545,0.0018406506,0.00008570177,0.00010627246,0.00007156909,0.48448765],"genre_scores_gemma":[0.9792597,0.0025627697,0.0008315447,0.002913155,0.00016852385,0.000046738332,0.000016382306,0.000033237335,0.014167914],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9968129,0.0020874531,0.00006458237,0.00023122589,0.0005129486,0.00029096333],"domain_scores_gemma":[0.9970053,0.0021341369,0.00020823092,0.00014271389,0.00030584182,0.00020381602],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0025556935,0.0003086257,0.00045479817,0.0009448482,0.013227272,0.006351049,0.0011500366,0.0022087924,0.00252265],"category_scores_gemma":[0.004237821,0.0003040539,0.00024026986,0.0012180187,0.026220812,0.005750085,0.005415872,0.0045221956,0.0004513059],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020448033,0.000020252326,0.0003982295,0.00010661683,0.0000032401126,0.00055024895,0.64300674,0.000054808886,0.0005740461,0.34385812,0.0034675766,0.007939675],"study_design_scores_gemma":[0.000008859328,0.000048319645,0.0011822812,0.00043741756,0.000009861131,0.000997802,0.5570136,0.00021961714,0.00075836846,0.081122756,0.3581709,0.00003021166],"about_ca_topic_score_codex":0.009023715,"about_ca_topic_score_gemma":0.016009191,"teacher_disagreement_score":0.013227272,"about_ca_system_score_codex":0.005711819,"about_ca_system_score_gemma":0.004455229,"threshold_uncertainty_score":0.041442394},"labels":[],"label_agreement":null},{"id":"W4392106538","doi":"10.1386/btwo_00089_1","title":"Mina Loy: Woman, poet, genius, nomad","year":2023,"lang":"en","type":"article","venue":"Book 2 0","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University; University of British Columbia","funders":"","keywords":"Genius; Art; Art history","score_opus":0.025354707960518003,"score_gpt":0.21293386237932818,"score_spread":0.18757915441881018,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392106538","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18319495,0.05375223,0.0024148335,0.057180684,0.0070205894,0.00012438874,0.00016615428,0.00024247252,0.6959037],"genre_scores_gemma":[0.59949046,0.010210822,0.0011485149,0.005658239,0.0012469972,0.00013415716,0.0000532592,0.0001808739,0.38187668],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99975973,0.0001317311,0.0000045165752,0.000030130366,0.000033377113,0.00004050735],"domain_scores_gemma":[0.9998154,0.000064780295,0.00002256304,0.000009631038,0.000017426653,0.00007024589],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00063386775,0.0004916368,0.0002675731,0.00047494774,0.008124117,0.003062642,0.00029251655,0.00078505074,0.00837269],"category_scores_gemma":[0.00091857556,0.00016643616,0.000116127885,0.0004926301,0.00689002,0.0029424783,0.0028594243,0.0024928972,0.0015021969],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016450614,0.00009622115,0.0027255223,0.00044622365,0.000007729857,0.0022046687,0.5385158,0.00006905591,0.0020415916,0.2656265,0.1276503,0.060451988],"study_design_scores_gemma":[0.0000053997587,0.00005988425,0.0020759283,0.00025042743,0.00000395394,0.001050018,0.092971995,0.00004268476,0.0002854325,0.0041539,0.8990893,0.000011111309],"about_ca_topic_score_codex":0.0026909935,"about_ca_topic_score_gemma":0.008289952,"teacher_disagreement_score":0.00837269,"about_ca_system_score_codex":0.0017976682,"about_ca_system_score_gemma":0.001286771,"threshold_uncertainty_score":0.028009474},"labels":[],"label_agreement":null},{"id":"W4392305138","doi":"10.1080/02690055.2024.2277523","title":"River in an Ocean: Essays on Translation; Letters to a Writer of Color <b> <i>River in an Ocean: Essays on Translation</i> </b> Nuzhat Abbas, edTrace Press, Toronto2023, pb, 228pp, $18.00ISBN 9781775256755 | https://tracepress.org/en-us <b> <i>Letters to a Writer of Color</i> </b> Deepa Anappara and Taymour Soomro, edsPenguin Random House, New York2023, pb, 272pp, $17.00ISBN 9780593449417 | www.penguinrandomhouse.com","year":2024,"lang":"en","type":"article","venue":"Wasafiri","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Translation (biology); History; Oceanography; Linguistics; Geology; Philosophy; Biology; Genetics; Gene","score_opus":0.03358464913957177,"score_gpt":0.262012102968736,"score_spread":0.22842745382916424,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392305138","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0045360615,0.097035766,0.0006702851,0.27097642,0.08172343,0.00006587298,0.00068224577,0.00031406162,0.54399586],"genre_scores_gemma":[0.037011754,0.03354314,0.0006590972,0.020360447,0.012561679,0.00011934236,0.00034284763,0.0006925907,0.89470905],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99916124,0.00029906945,0.000041419073,0.00009099981,0.0003027342,0.0001044701],"domain_scores_gemma":[0.9982322,0.0007222381,0.00011617656,0.00006914208,0.0005958127,0.0002645103],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001124065,0.0010231702,0.00039603363,0.0008784772,0.005748821,0.0056561716,0.0006505012,0.0016483472,0.042456895],"category_scores_gemma":[0.0058368584,0.00031374954,0.00021446466,0.0016440887,0.0024051196,0.0030596093,0.0019221398,0.0029617092,0.01810997],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005581764,0.0000031607876,0.00002746411,0.00004196268,6.4399217e-7,0.000049583796,0.0016695908,0.000005742123,0.000039342023,0.0018904064,0.98966146,0.006605045],"study_design_scores_gemma":[0.0000019446722,0.0000026656342,0.00026034054,0.00012442887,8.440011e-7,0.000045792203,0.0034214058,0.00000801471,0.000044831573,0.00031718015,0.99576914,0.0000034645714],"about_ca_topic_score_codex":0.014708112,"about_ca_topic_score_gemma":0.029118925,"teacher_disagreement_score":0.042456895,"about_ca_system_score_codex":0.0032112768,"about_ca_system_score_gemma":0.0031779304,"threshold_uncertainty_score":0.14203244},"labels":[],"label_agreement":null},{"id":"W4392761940","doi":"10.4324/9781003359708-20","title":"‘I am a porn star!’ Sex and Sunny Leone unlimited in Bollywood","year":2024,"lang":"en","type":"book-chapter","venue":"","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sierra leone; Star (game theory); History; Astrophysics; Physics; Ethnology","score_opus":0.021724811550420088,"score_gpt":0.20018173403668685,"score_spread":0.17845692248626677,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392761940","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.89608777,0.0025810471,0.00033018694,0.01076617,0.00026381394,0.000015079124,0.000023557157,0.000027542575,0.08990475],"genre_scores_gemma":[0.9568326,0.00070999126,0.00015818133,0.0013720993,0.000031451407,0.000006490037,0.00001150138,0.000040491155,0.040837053],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989225,0.00033803453,0.000009713474,0.00013481948,0.0001228665,0.00047196753],"domain_scores_gemma":[0.9994954,0.00013288282,0.0000778926,0.000033436583,0.00004198049,0.00021835812],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00092128396,0.00038818247,0.0003427942,0.0007454853,0.02647267,0.0065306528,0.0008972649,0.001742286,0.006432175],"category_scores_gemma":[0.0013837828,0.00034738472,0.00016369336,0.0006096401,0.01619038,0.00353512,0.0061364635,0.0042369254,0.0005663877],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004145236,0.00002953479,0.0049014,0.00004010144,0.0000061773167,0.0030842656,0.95202476,0.000019003846,0.00048301066,0.025022343,0.0050597317,0.009288153],"study_design_scores_gemma":[0.0000018438391,0.000023783434,0.0051288125,0.00011628604,0.0000053412614,0.0016613745,0.8406966,0.000027127624,0.00026891896,0.0010452663,0.15100648,0.000018189157],"about_ca_topic_score_codex":0.06520367,"about_ca_topic_score_gemma":0.16494107,"teacher_disagreement_score":0.06520367,"about_ca_system_score_codex":0.0046166885,"about_ca_system_score_gemma":0.0016922092,"threshold_uncertainty_score":0.12964827},"labels":[],"label_agreement":null},{"id":"W4392906760","doi":"10.32920/25417162.v1","title":"Where There is Lightness, There is Dark: Exploring Colourism in the Philippine Diaspora","year":2024,"lang":"en","type":"preprint","venue":"","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University; University of Calgary","funders":"","keywords":"The arts; Presentation (obstetrics); Diaspora; Social media; Lightness; Tone (literature); Sociology; Visual arts; Political science; Art; Gender studies; Medicine; Computer science","score_opus":0.06474759812186545,"score_gpt":0.24916194774044206,"score_spread":0.1844143496185766,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392906760","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.989361,0.00015500275,0.00041187118,0.0004505407,0.000013706713,0.000044693268,0.000033804463,0.000009433666,0.0095199905],"genre_scores_gemma":[0.996494,0.00024172357,0.00038042385,0.00013983884,0.000008961058,0.000045211167,0.00001701605,0.000014405556,0.0026584219],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.999102,0.000545236,0.000018288396,0.00006862353,0.00007978018,0.0001859846],"domain_scores_gemma":[0.9984837,0.0007744179,0.00018900099,0.00008463116,0.00019617808,0.00027212405],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0024250294,0.0004840525,0.00023103127,0.0014250863,0.006659922,0.0046384786,0.0006696092,0.0004865876,0.0041138562],"category_scores_gemma":[0.002298898,0.000265519,0.00018345124,0.0010209428,0.005542093,0.002229744,0.004894097,0.0013073438,0.00032097445],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032921518,0.000040138508,0.009129521,0.00009607603,0.000004513378,0.00047958878,0.98060066,0.0000172131,0.0013347445,0.0010230631,0.00032693447,0.0069146515],"study_design_scores_gemma":[0.0000017629488,0.00002966729,0.0096510295,0.00005386406,0.0000044137214,0.00009438528,0.9835291,0.000039003833,0.00046514365,0.00017143432,0.005953546,0.000006669258],"about_ca_topic_score_codex":0.012814294,"about_ca_topic_score_gemma":0.028189,"teacher_disagreement_score":0.012814294,"about_ca_system_score_codex":0.0018487964,"about_ca_system_score_gemma":0.0018044526,"threshold_uncertainty_score":0.025479376},"labels":[],"label_agreement":null},{"id":"W4392906898","doi":"10.32920/25417162","title":"Where There is Lightness, There is Dark: Exploring Colourism in the Philippine Diaspora","year":2024,"lang":"en","type":"preprint","venue":"","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University; University of Calgary","funders":"","keywords":"The arts; Diaspora; Presentation (obstetrics); Social media; Lightness; Sociology; Visual arts; Art; Political science; Gender studies; Medicine; Computer science","score_opus":0.06474759812186545,"score_gpt":0.24916194774044206,"score_spread":0.1844143496185766,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392906898","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.989361,0.00015500275,0.00041187118,0.0004505407,0.000013706713,0.000044693268,0.000033804463,0.000009433666,0.0095199905],"genre_scores_gemma":[0.996494,0.00024172357,0.00038042385,0.00013983884,0.000008961058,0.000045211167,0.00001701605,0.000014405556,0.0026584219],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.999102,0.000545236,0.000018288396,0.00006862353,0.00007978018,0.0001859846],"domain_scores_gemma":[0.9984837,0.0007744179,0.00018900099,0.00008463116,0.00019617808,0.00027212405],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0024250294,0.0004840525,0.00023103127,0.0014250863,0.006659922,0.0046384786,0.0006696092,0.0004865876,0.0041138562],"category_scores_gemma":[0.002298898,0.000265519,0.00018345124,0.0010209428,0.005542093,0.002229744,0.004894097,0.0013073438,0.00032097445],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032921518,0.000040138508,0.009129521,0.00009607603,0.000004513378,0.00047958878,0.98060066,0.0000172131,0.0013347445,0.0010230631,0.00032693447,0.0069146515],"study_design_scores_gemma":[0.0000017629488,0.00002966729,0.0096510295,0.00005386406,0.0000044137214,0.00009438528,0.9835291,0.000039003833,0.00046514365,0.00017143432,0.005953546,0.000006669258],"about_ca_topic_score_codex":0.012814294,"about_ca_topic_score_gemma":0.028189,"teacher_disagreement_score":0.012814294,"about_ca_system_score_codex":0.0018487964,"about_ca_system_score_gemma":0.0018044526,"threshold_uncertainty_score":0.025479376},"labels":[],"label_agreement":null},{"id":"W4393246746","doi":"10.5281/zenodo.7431843","title":"Cultural Monsters in Indian Cinema: The Politics of Adaptation, Transformation and Disfigurement","year":2022,"lang":"en","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"MacEwan University","funders":"","keywords":"Movie theater; Disfigurement; Politics; Transformation (genetics); Adaptation (eye); Art; Art history; Political science; Psychology; Law; Biology; Genetics","score_opus":0.22120340007590372,"score_gpt":0.4641256161628005,"score_spread":0.2429222160868968,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4393246746","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.60140735,0.005935674,0.001295775,0.0119480025,0.00041233422,0.000083029256,0.00004475946,0.00014425715,0.37872884],"genre_scores_gemma":[0.9892418,0.0009390202,0.00021491566,0.0005440961,0.000084149025,0.000012661711,0.000009670721,0.000037455102,0.008916201],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9959758,0.0021359576,0.000077357596,0.0002569332,0.00046457225,0.0010893113],"domain_scores_gemma":[0.9975555,0.0010264423,0.00036669584,0.00031957804,0.00016086674,0.0005708722],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002394486,0.00049367605,0.00029220575,0.0018581747,0.0213585,0.01865691,0.001427748,0.001962687,0.0038531192],"category_scores_gemma":[0.0040836497,0.00047250048,0.00033361925,0.0019980017,0.026667448,0.0036193738,0.011007802,0.003991649,0.00037478382],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000061705796,0.000039005863,0.003497901,0.000094395684,0.000015589338,0.0013770834,0.8701117,0.00005893716,0.0013870022,0.101037376,0.0038309598,0.018488327],"study_design_scores_gemma":[0.0000079562105,0.000043608266,0.01315072,0.00020408953,0.000044532786,0.0015628544,0.70639986,0.00016980105,0.00097077235,0.0063664136,0.27102554,0.000053800508],"about_ca_topic_score_codex":0.035579037,"about_ca_topic_score_gemma":0.05034027,"teacher_disagreement_score":0.035579037,"about_ca_system_score_codex":0.007762321,"about_ca_system_score_gemma":0.0035225179,"threshold_uncertainty_score":0.07074386},"labels":[],"label_agreement":null},{"id":"W4393965020","doi":"10.35562/iris.3239","title":"Figurer l’invisible : l’exemple d’Anish Kapoor","year":2011,"lang":"fr","type":"article","venue":"Iris","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Figuring; Art; Optics; Physics","score_opus":0.048366116428100424,"score_gpt":0.22298078663257534,"score_spread":0.1746146702044749,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4393965020","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.22253647,0.005440561,0.0062050554,0.02228015,0.0012472883,0.00007004892,0.00008591367,0.00013356282,0.74200094],"genre_scores_gemma":[0.91376984,0.0021208955,0.0013047216,0.001874407,0.0001697626,0.000025884856,0.000020498761,0.00011249467,0.08060153],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99910223,0.00043968752,0.000016716363,0.000076125194,0.00016732991,0.00019797772],"domain_scores_gemma":[0.99950755,0.00021446083,0.00004826581,0.000046667603,0.00007547433,0.000107595755],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00093998865,0.0005612607,0.00027343738,0.00066972343,0.010696442,0.0054124775,0.00062968174,0.001610165,0.007214151],"category_scores_gemma":[0.0016014643,0.00032958068,0.00030313694,0.0005825495,0.014974203,0.004183507,0.0044800024,0.0049826195,0.0013622955],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000115709474,0.000030072277,0.00083182764,0.00021164452,0.000010049203,0.0036315366,0.6705258,0.00014435353,0.0022797699,0.29306608,0.016754352,0.012398789],"study_design_scores_gemma":[0.000024899717,0.00008795766,0.0018103402,0.00040939177,0.00002909784,0.0046711466,0.36229795,0.0005935704,0.0020515164,0.020811647,0.6071456,0.00006681378],"about_ca_topic_score_codex":0.013853117,"about_ca_topic_score_gemma":0.02395066,"teacher_disagreement_score":0.013853117,"about_ca_system_score_codex":0.0022918351,"about_ca_system_score_gemma":0.0013582989,"threshold_uncertainty_score":0.027544916},"labels":[],"label_agreement":null},{"id":"W4394852080","doi":"10.59825/jet.2024.2.3.21","title":"The Plight of Modern People: An Exploration of the Theme of Alienation in The MaddAddam Trilogy under Fromm’s Alienation Theory","year":2024,"lang":"en","type":"article","venue":"Yixin Publisher","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Trilogy; Alienation; Theme (computing); Sociology; Psychoanalysis; Psychology; Aesthetics; Political science; Literature; Philosophy; Art; Law; Computer science; World Wide Web","score_opus":0.03719972597243399,"score_gpt":0.2481972611180522,"score_spread":0.21099753514561823,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4394852080","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.44509423,0.019942073,0.009116139,0.076454856,0.0026210612,0.00013229826,0.000085599124,0.00007072634,0.44648308],"genre_scores_gemma":[0.9687102,0.0033411619,0.0009169135,0.0039743404,0.000590816,0.00008580969,0.00002036113,0.000056477307,0.022303974],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99646413,0.0023886166,0.000057196467,0.00019555996,0.0004653995,0.0004289396],"domain_scores_gemma":[0.9975547,0.001443129,0.00028635815,0.000109635606,0.00027292504,0.0003333087],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0031182854,0.00076875504,0.0005861768,0.002386099,0.022879807,0.008464348,0.0012984198,0.0024236331,0.0026109647],"category_scores_gemma":[0.003133687,0.0003113532,0.00047879535,0.002453622,0.04436835,0.0072972253,0.009357473,0.0064855223,0.00025209345],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010807207,0.000010735076,0.00038925913,0.00005537468,0.000002795534,0.00061558885,0.906407,0.000017321398,0.00019797613,0.08685484,0.002461941,0.0029763773],"study_design_scores_gemma":[0.0000069373546,0.000026757838,0.001354416,0.00027920012,0.000007279124,0.0008773018,0.7969287,0.00016677653,0.00022563014,0.017011125,0.18309453,0.000021280986],"about_ca_topic_score_codex":0.016704593,"about_ca_topic_score_gemma":0.02482152,"teacher_disagreement_score":0.022879807,"about_ca_system_score_codex":0.009196822,"about_ca_system_score_gemma":0.0047557415,"threshold_uncertainty_score":0.06672788},"labels":[],"label_agreement":null},{"id":"W4396584990","doi":"10.4324/9781003490234-12","title":"Brothers in the Kitchen","year":2024,"lang":"en","type":"book-chapter","venue":"","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.030664378817736752,"score_gpt":0.20493555309863543,"score_spread":0.17427117428089867,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4396584990","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0066408985,0.009408639,0.00052528165,0.0050387285,0.002378222,0.00004457746,0.00018621174,0.00017704525,0.97560036],"genre_scores_gemma":[0.031159805,0.0035878886,0.00037769537,0.0011156448,0.0001605026,0.000016247675,0.00007944857,0.00010241697,0.9634003],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999742,0.000043056214,0.0000056477465,0.000052544252,0.00007267209,0.000084106854],"domain_scores_gemma":[0.99982613,0.000015244848,0.0000073386987,0.000011748555,0.000040164556,0.0000993291],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00016887418,0.000836649,0.00024384842,0.0007774204,0.010348038,0.0050325044,0.00057615084,0.0010566249,0.06651079],"category_scores_gemma":[0.000379621,0.00032707126,0.00020485312,0.00064552005,0.0031706898,0.0032768317,0.0036129376,0.0027858724,0.01313744],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004145059,0.000036636226,0.0006832121,0.00018787026,0.00000527819,0.00081588916,0.07121682,0.0001011167,0.0009935579,0.22732697,0.6360503,0.06254084],"study_design_scores_gemma":[0.0000010299171,0.0000045116662,0.00023973944,0.000068693706,9.680641e-7,0.00012475176,0.007889401,0.000010118938,0.00007882783,0.00060341397,0.9909751,0.0000034587658],"about_ca_topic_score_codex":0.18755038,"about_ca_topic_score_gemma":0.5031268,"teacher_disagreement_score":0.18755038,"about_ca_system_score_codex":0.006435797,"about_ca_system_score_gemma":0.0060723824,"threshold_uncertainty_score":0.3729174},"labels":[],"label_agreement":null},{"id":"W4396710996","doi":"10.1353/jaas.2024.a926985","title":"The Elasticity Of Caste In The Sikh Diaspora: Jat Cool and Caste Masculinities in the Pacific Northwest","year":2024,"lang":"en","type":"article","venue":"Journal of Asian American Studies","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Caste; Diaspora; Geography; Sociology; Gender studies; Ethnology; Political science","score_opus":0.025207321562750025,"score_gpt":0.2655871275813709,"score_spread":0.24037980601862086,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4396710996","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9947218,0.00009520302,0.000042551237,0.00022471961,0.000005714338,0.0000025861937,0.000020853957,6.305324e-7,0.0048859594],"genre_scores_gemma":[0.9993537,0.000099764904,0.000025612264,0.000027279146,0.0000018719551,0.000002689568,0.000010670246,0.000001068144,0.00047727622],"study_design_codex":"observational","study_design_gemma":"qualitative","domain_scores_codex":[0.9995308,0.00015862369,0.000010960984,0.00004634116,0.00009465504,0.00015871054],"domain_scores_gemma":[0.999416,0.00013545675,0.00014175169,0.000028530598,0.00009330552,0.00018495314],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00073932705,0.00013629135,0.0001897375,0.00071582163,0.0045440276,0.0024952828,0.00040973772,0.00019697157,0.0031844035],"category_scores_gemma":[0.0013331884,0.00013515042,0.00008232341,0.001147864,0.004597692,0.001104868,0.0030524198,0.0010421864,0.00014282967],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008928829,0.00009546149,0.4909497,0.000075978285,0.000030635478,0.0005200375,0.47735146,0.00006218211,0.0007930109,0.007934006,0.00073607126,0.02136214],"study_design_scores_gemma":[0.0000016927689,0.000019543044,0.2739258,0.000071704526,0.0000058261103,0.000115976196,0.7211051,0.000053537347,0.000114206145,0.00056019856,0.0040179924,0.000008338087],"about_ca_topic_score_codex":0.10281234,"about_ca_topic_score_gemma":0.2530571,"teacher_disagreement_score":0.10281234,"about_ca_system_score_codex":0.001195462,"about_ca_system_score_gemma":0.0020683657,"threshold_uncertainty_score":0.20442784},"labels":[],"label_agreement":null},{"id":"W4396724612","doi":"10.1017/asr.2024.46","title":"Niyi Akinmolayan, dir. Room 315. 2016. 27 minutes. English. Nigeria. Anthill Studios. No price reported. YouTube.","year":2024,"lang":"en","type":"article","venue":"African Studies Review","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Regina","funders":"","keywords":"Studio; Advertising; Business; Art; Visual arts","score_opus":0.04371036597722227,"score_gpt":0.2797135373920144,"score_spread":0.2360031714147921,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4396724612","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001114805,0.10858778,0.0005695339,0.007797337,0.009202661,0.00015789118,0.0047050226,0.0009366344,0.8669284],"genre_scores_gemma":[0.0050815456,0.055825055,0.00058537244,0.0008566007,0.00068664807,0.00009469343,0.001396631,0.00045167824,0.9350218],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9998909,0.00003309652,0.000008706928,0.000019390181,0.000027140048,0.000020689378],"domain_scores_gemma":[0.9997658,0.000058280228,0.000020061112,0.000009969278,0.000055272358,0.00009058336],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00043730438,0.0011467962,0.0005053898,0.00089783885,0.00093113986,0.0018587313,0.00047650584,0.0007158765,0.76037586],"category_scores_gemma":[0.0008150479,0.00046200756,0.0002933043,0.0011298534,0.00028431322,0.0018246477,0.001239718,0.0011541713,0.5364916],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005570425,0.000014475113,0.0001270232,0.0010619331,0.000002652164,0.00008289602,0.00026731362,0.000019049763,0.00034880696,0.0010144307,0.85411537,0.14289027],"study_design_scores_gemma":[0.0000045530674,0.000009730891,0.0006813017,0.0006201923,0.0000020659113,0.000075180775,0.00033412577,0.000007928107,0.000069914044,0.00011726424,0.9980755,0.0000023275738],"about_ca_topic_score_codex":0.0046903584,"about_ca_topic_score_gemma":0.017895801,"teacher_disagreement_score":0.23962414,"about_ca_system_score_codex":0.00048006972,"about_ca_system_score_gemma":0.0006201441,"threshold_uncertainty_score":0.34179473},"labels":[],"label_agreement":null},{"id":"W4396838471","doi":"10.1007/978-3-031-47134-6_5","title":"Adaptation and Dialogue Studies","year":2024,"lang":"en","type":"book-chapter","venue":"Adaptation in theatre and performance","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"British Columbia Institute of Technology","funders":"","keywords":"Adaptation (eye); Computer science; Cognitive science; Psychology; Neuroscience","score_opus":0.062197738799308046,"score_gpt":0.23580410958290862,"score_spread":0.17360637078360058,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4396838471","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.019022211,0.016717575,0.0051115397,0.009575303,0.0006031732,0.00004822069,0.0000517289,0.00006137244,0.94880897],"genre_scores_gemma":[0.8460138,0.0060625095,0.0014438997,0.0020827153,0.0006005363,0.00023825833,0.00007980624,0.0002139138,0.14326458],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9964623,0.002732356,0.00004721223,0.0002650783,0.00021112492,0.00028203047],"domain_scores_gemma":[0.9972283,0.0019089985,0.00012415179,0.00037897917,0.00015254295,0.00020701252],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0029942207,0.0007921114,0.0006889225,0.0015669888,0.0063343337,0.008486117,0.0016106141,0.002921492,0.017340641],"category_scores_gemma":[0.006368297,0.0003087137,0.0002827683,0.003093766,0.02620643,0.009648541,0.0052609546,0.0051345592,0.0017613231],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002132529,0.000033309265,0.00016832209,0.000084634674,0.0000043282666,0.000100074045,0.07160197,0.00008591945,0.00009637473,0.90753543,0.009021765,0.011246478],"study_design_scores_gemma":[0.000024852088,0.000036419344,0.0012595436,0.00038565544,0.000011373461,0.00037409284,0.09930391,0.0003125457,0.00023232008,0.5091612,0.38888025,0.000017762039],"about_ca_topic_score_codex":0.004412046,"about_ca_topic_score_gemma":0.003201456,"teacher_disagreement_score":0.017340641,"about_ca_system_score_codex":0.004058414,"about_ca_system_score_gemma":0.0016424585,"threshold_uncertainty_score":0.05801016},"labels":[],"label_agreement":null},{"id":"W4396942475","doi":"10.53555/sfs.v10i1.1793","title":"Understanding The Role Of Folk Ballad Songs As Medium Of Mass Communication In Rural India","year":2023,"lang":"en","type":"article","venue":"Journal of Survey in Fisheries Sciences","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Vernacular; Folk culture; Ballad; Sociology; Aesthetics; History; Literature; Anthropology; Art","score_opus":0.2116349466345415,"score_gpt":0.2710968831058659,"score_spread":0.05946193647132439,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4396942475","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.91935927,0.003216733,0.0015329447,0.005545545,0.000033939363,0.000042126343,0.000060387756,0.000024295534,0.07018477],"genre_scores_gemma":[0.9960141,0.0015964897,0.0003502029,0.00023857405,0.000014185233,0.000011972399,0.000014618865,0.0000060161055,0.0017538475],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.999241,0.00035098186,0.000017845181,0.00007555638,0.000079805126,0.00023475902],"domain_scores_gemma":[0.9986687,0.00068238925,0.00026817847,0.0000401599,0.00016965305,0.00017090069],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00072362454,0.00029420387,0.00016496789,0.0012409644,0.0028435977,0.0063767238,0.0009780229,0.0007555316,0.0019161928],"category_scores_gemma":[0.0016241249,0.00026297016,0.00018374673,0.0011739894,0.0046125683,0.0043243165,0.0021125216,0.001215532,0.00030201537],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000706376,0.000103359875,0.05097978,0.00046758848,0.000019746962,0.0027196521,0.8711765,0.00020405445,0.004640727,0.035311207,0.0013152295,0.032991525],"study_design_scores_gemma":[0.0000053159542,0.00006494168,0.092252806,0.00037589917,0.00003922265,0.0010264738,0.8768705,0.0005894981,0.00043070482,0.005209862,0.023105368,0.000029493292],"about_ca_topic_score_codex":0.031623323,"about_ca_topic_score_gemma":0.035452083,"teacher_disagreement_score":0.031623323,"about_ca_system_score_codex":0.0023572776,"about_ca_system_score_gemma":0.002391484,"threshold_uncertainty_score":0.06287855},"labels":[],"label_agreement":null},{"id":"W4399047092","doi":"10.5430/wjel.v14n4p556","title":"From Pastoral Vistas to Urban Realities: Exploring the Transformative Journey through the Primordial Village of Aathi in Sara Joseph’s Gift in Green and Pallikaranai","year":2024,"lang":"en","type":"article","venue":"World Journal of English Language","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Transformative learning; Sociology; Aesthetics; Environmental ethics; Philosophy; Pedagogy","score_opus":0.027008686128741712,"score_gpt":0.2496062457752832,"score_spread":0.2225975596465415,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399047092","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9515726,0.0013543513,0.0008450302,0.003220485,0.00009188409,0.00002795484,0.000028461296,0.000022331775,0.042836938],"genre_scores_gemma":[0.9956601,0.0004146467,0.00021948609,0.00015353257,0.000011137583,0.00001167252,0.000007710622,0.00001647479,0.0035051657],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986784,0.00094728183,0.000013753299,0.00006038187,0.00010169544,0.00019839297],"domain_scores_gemma":[0.99912375,0.00055599265,0.00008163323,0.000041900374,0.000042305026,0.00015445742],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018679793,0.0004537561,0.00051517726,0.0009864029,0.014739723,0.0056787757,0.0008794818,0.0013372266,0.0025817293],"category_scores_gemma":[0.0017919478,0.00035472808,0.00021153795,0.0009801203,0.02563849,0.003782601,0.0067140125,0.0033817093,0.0002543062],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011971748,0.000010609395,0.00025573178,0.00002909663,0.0000012945081,0.0005334167,0.9871694,0.00002209396,0.0003030794,0.010203472,0.00030216307,0.0011577152],"study_design_scores_gemma":[0.0000019453062,0.000016695045,0.0007806422,0.000045911434,0.0000025413906,0.00030505474,0.9751727,0.00003567497,0.00018969153,0.0013676141,0.022075897,0.0000057085663],"about_ca_topic_score_codex":0.007422184,"about_ca_topic_score_gemma":0.027731288,"teacher_disagreement_score":0.014739723,"about_ca_system_score_codex":0.004928096,"about_ca_system_score_gemma":0.0022768376,"threshold_uncertainty_score":0.035755992},"labels":[],"label_agreement":null},{"id":"W4399267011","doi":"10.5430/wjel.v14n4p579","title":"In Search of Unheard Voices: Monologism in U.R. Anantha Murthy’s Samskara: A Rite for a Dead Man","year":2024,"lang":"en","type":"article","venue":"World Journal of English Language","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Rite; Rite of passage; Art; Combinatorics; Philosophy; Theology; Mathematics","score_opus":0.021160194185973993,"score_gpt":0.27407472289793,"score_spread":0.252914528711956,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399267011","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.697877,0.014530094,0.0050150384,0.033715807,0.0017713072,0.0001058239,0.00006139109,0.00013217636,0.24679136],"genre_scores_gemma":[0.9818333,0.0017201069,0.0005388538,0.0014842411,0.00023664063,0.00003505397,0.0000142382605,0.00009194259,0.014045592],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9920032,0.0063370354,0.00012376539,0.00038526361,0.0006259305,0.0005247866],"domain_scores_gemma":[0.9967835,0.002161814,0.00025876818,0.00020356945,0.00026240663,0.0003299758],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0038748644,0.00090596086,0.00067914126,0.0011723946,0.021905998,0.010044433,0.0012189153,0.002728585,0.0031744551],"category_scores_gemma":[0.006560364,0.00046395665,0.00026919667,0.0009844383,0.024200302,0.008803025,0.007543859,0.006381904,0.0010825131],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016177924,0.000025017536,0.00013956854,0.000054230542,0.000002139609,0.0004406329,0.9693954,0.000014228064,0.0006655002,0.024096673,0.001114603,0.0040358487],"study_design_scores_gemma":[0.000005999448,0.00008390516,0.0005550504,0.0002382466,0.000008109376,0.0011846791,0.8564153,0.000084147156,0.0013880092,0.0053600064,0.13464731,0.000029282131],"about_ca_topic_score_codex":0.0027426328,"about_ca_topic_score_gemma":0.005827328,"teacher_disagreement_score":0.021905998,"about_ca_system_score_codex":0.0047500436,"about_ca_system_score_gemma":0.0031935452,"threshold_uncertainty_score":0.03446412},"labels":[],"label_agreement":null},{"id":"W4399398189","doi":"10.1353/tj.2024.a929518","title":"Mahabharata by Ravi Jain and Miriam Fernandes (review)","year":2024,"lang":"en","type":"article","venue":"Theatre Journal","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sociology","score_opus":0.009650531077331301,"score_gpt":0.22149546746845836,"score_spread":0.21184493639112706,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399398189","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00008353613,0.9891615,0.000064326676,0.003656979,0.0037553909,0.000031385018,0.00013286281,0.000025080972,0.003088953],"genre_scores_gemma":[0.0013111355,0.97949755,0.00023393218,0.0071583763,0.0033274465,0.00008854973,0.00041280364,0.000017910486,0.007952364],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989944,0.00015730331,0.00014996322,0.00017708162,0.00042674856,0.00009461382],"domain_scores_gemma":[0.99773693,0.00055540807,0.00035279756,0.00006530874,0.0010037747,0.00028589112],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011378461,0.001225749,0.0016529221,0.0028966293,0.0007048532,0.003490584,0.0020741778,0.0016841288,0.029118136],"category_scores_gemma":[0.0042209676,0.0004931751,0.00086511584,0.003614763,0.00069101807,0.0027256787,0.0017765902,0.0037643248,0.015559007],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006084732,0.00002850399,0.00027243156,0.029749623,0.00012181709,0.0001576128,0.00021166506,0.000093383926,0.00031719764,0.0010040555,0.6846458,0.2833371],"study_design_scores_gemma":[0.000021066295,0.000027933365,0.001017612,0.011802121,0.00009877356,0.00048406504,0.00016417114,0.000021368634,0.00006665028,0.00027283805,0.98600125,0.000021969563],"about_ca_topic_score_codex":0.005283085,"about_ca_topic_score_gemma":0.0069819787,"teacher_disagreement_score":0.029118136,"about_ca_system_score_codex":0.0015113989,"about_ca_system_score_gemma":0.005331583,"threshold_uncertainty_score":0.097409904},"labels":[],"label_agreement":null},{"id":"W4399464923","doi":"10.53555/sfs.v10i5.2360","title":"Unveiling The Journey: Analysing The Atal Pension Yojana's Performance","year":2023,"lang":"en","type":"article","venue":"Journal of Survey in Fisheries Sciences","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Pension; Economics; Finance","score_opus":0.27408033520342984,"score_gpt":0.27617885496376304,"score_spread":0.002098519760333206,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399464923","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9898552,0.00034099605,0.000053431882,0.0016315569,0.00003264718,0.000023342573,0.0013776941,0.00001492462,0.0066702054],"genre_scores_gemma":[0.995159,0.00044298108,0.00015049438,0.00015905019,0.000029810637,0.000025197862,0.001183419,0.00001059187,0.0028396018],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9992829,0.00014613195,0.00004851535,0.000046200174,0.00014913242,0.0003271779],"domain_scores_gemma":[0.9979814,0.00034084718,0.0005888587,0.000106812586,0.00043785074,0.0005442189],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001307609,0.0001895254,0.00021142887,0.0024080812,0.0013968718,0.0028617133,0.00054354215,0.00039883252,0.0024440773],"category_scores_gemma":[0.00364773,0.00015689377,0.00027198732,0.0032775982,0.00066178007,0.0015254014,0.0019043603,0.0012525707,0.0013982628],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016473843,0.00016964458,0.8958324,0.00017389943,0.000029062674,0.00042821237,0.036509942,0.00024984055,0.00043006035,0.0025620905,0.010714323,0.052735824],"study_design_scores_gemma":[0.0000013962654,0.00007577021,0.96003115,0.000087455424,0.0000073616015,0.00009225389,0.029444685,0.00013411308,0.000085347354,0.00007204577,0.009956103,0.000012386451],"about_ca_topic_score_codex":0.03505386,"about_ca_topic_score_gemma":0.06270358,"teacher_disagreement_score":0.03505386,"about_ca_system_score_codex":0.0014738587,"about_ca_system_score_gemma":0.0022675162,"threshold_uncertainty_score":0.069699645},"labels":[],"label_agreement":null},{"id":"W4399539945","doi":"10.7202/1111919ar","title":"Ruptured Relationships in a Patriarchal Commons: Mother-Daughter Conflict in Priscila Uppal’s Projection: Encounters with My Runaway Mother","year":2024,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Kwantlen Polytechnic University","funders":"","keywords":"Daughter; Commons; Sociology; Psychology; Gender studies; Political science; Law","score_opus":0.055860038189586014,"score_gpt":0.28331998963978466,"score_spread":0.22745995145019865,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399539945","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.82707435,0.004828912,0.0006269437,0.06143978,0.0007031666,0.00006843855,0.000088323315,0.000036063997,0.105133995],"genre_scores_gemma":[0.98970675,0.0011518738,0.0001468541,0.0020636574,0.000041207088,0.000024652196,0.000015457346,0.000018320112,0.006831119],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99685776,0.0012121439,0.00005587749,0.00017467853,0.0004190716,0.001280427],"domain_scores_gemma":[0.9960394,0.0012984434,0.00042911712,0.00016167836,0.00036896128,0.0017024564],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002495354,0.0005119906,0.000617421,0.0011638746,0.0582289,0.0106544355,0.0023436898,0.003949198,0.007963215],"category_scores_gemma":[0.0059456723,0.00060281216,0.00032965234,0.001791986,0.03826941,0.0065494333,0.020632494,0.011956253,0.00048068748],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012881348,0.000013395529,0.0011300227,0.000023960663,0.0000034014477,0.0025116021,0.980119,0.000014667953,0.0001360672,0.009712402,0.0037450932,0.0025774715],"study_design_scores_gemma":[0.000002366749,0.000006555726,0.0015001321,0.00007952248,0.0000032549099,0.0006502669,0.9692439,0.000016107386,0.000070040536,0.0009118649,0.02750196,0.00001406229],"about_ca_topic_score_codex":0.32644215,"about_ca_topic_score_gemma":0.5271937,"teacher_disagreement_score":0.6735579,"about_ca_system_score_codex":0.01728376,"about_ca_system_score_gemma":0.023736292,"threshold_uncertainty_score":0.6490841},"labels":[],"label_agreement":null},{"id":"W4399541447","doi":"10.7202/1111918ar","title":"Eating Cake, Staying Quiet: The Rupture of Many Selves in Shyam Selvadurai’s The Hungry Ghosts","year":2024,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"QUIET; Psychology; Physics; Astronomy","score_opus":0.030511733112762385,"score_gpt":0.27913278911255646,"score_spread":0.24862105599979406,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399541447","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8822504,0.009568661,0.00043712262,0.042618014,0.00088250655,0.00003120622,0.00006788902,0.000026448179,0.06411775],"genre_scores_gemma":[0.9843274,0.0016949197,0.00013472723,0.0019681035,0.000059679234,0.000011191132,0.000012918583,0.000023274504,0.011767733],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99803644,0.000737469,0.000041753436,0.000103963794,0.00032667757,0.0007536947],"domain_scores_gemma":[0.99785244,0.0006315281,0.00032126697,0.00008811172,0.00027676148,0.0008298637],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002574529,0.0005579335,0.00074562634,0.0009699561,0.043090113,0.008208762,0.0015314843,0.0026196924,0.003599874],"category_scores_gemma":[0.0036709807,0.0005448125,0.00027880765,0.0014526097,0.039118726,0.0052970336,0.008718585,0.006740653,0.00033155005],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013666859,0.000009856175,0.0011174162,0.000031621374,0.000004407395,0.00047068537,0.98417735,0.000006775174,0.00015766901,0.007929976,0.0034614208,0.002619118],"study_design_scores_gemma":[0.0000023025707,0.000007806944,0.0020103292,0.000063352956,0.000005466913,0.00021539585,0.9681239,0.000007677052,0.00007218904,0.0007487129,0.028729657,0.000013188831],"about_ca_topic_score_codex":0.33707246,"about_ca_topic_score_gemma":0.5823464,"teacher_disagreement_score":0.6629275,"about_ca_system_score_codex":0.013080685,"about_ca_system_score_gemma":0.016051838,"threshold_uncertainty_score":0.670221},"labels":[],"label_agreement":null},{"id":"W4399974954","doi":"10.1007/978-981-97-2227-3_8","title":"Fatherhood and Precarity: Protective Fathers and Dysfunctional Families in Jeethu Joseph’s Drishyam and Contemporary Malayalam Cinema","year":2024,"lang":"en","type":"book-chapter","venue":"Asia-Pacific and literature in English","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"MacEwan University","funders":"","keywords":"Malayalam; Dysfunctional family; Movie theater; Precarity; Art; Sociology; Gender studies; Art history; Psychology; Philosophy; Linguistics; Psychiatry","score_opus":0.011207961438773026,"score_gpt":0.19042031674115203,"score_spread":0.179212355302379,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399974954","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.57634264,0.027965333,0.00082172325,0.02077429,0.00062343373,0.00003619163,0.00002955061,0.000020089115,0.37338677],"genre_scores_gemma":[0.94587386,0.00515398,0.00025759442,0.00073271274,0.00010441787,0.000016360049,0.000008049462,0.000008811481,0.047844213],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99972695,0.00015144955,0.0000075998455,0.000016952932,0.00002730433,0.0000697601],"domain_scores_gemma":[0.99970526,0.00014374407,0.00003365182,0.000011877425,0.000024969111,0.0000804144],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005557913,0.00024856237,0.00013842729,0.00035823561,0.006200381,0.0021528057,0.000400774,0.0008566844,0.002981359],"category_scores_gemma":[0.0007496801,0.00019219561,0.0000853605,0.00046095904,0.005699162,0.001385544,0.0017276388,0.0023129059,0.00025038864],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032491138,0.000072473646,0.0052080904,0.00010842978,0.0000041026315,0.002790459,0.7180825,0.000038384347,0.00081139634,0.22480437,0.009515051,0.0385323],"study_design_scores_gemma":[0.000014088593,0.00010336933,0.025879174,0.0005694052,0.000019693343,0.004492723,0.5106049,0.00015191018,0.0008403799,0.024438826,0.4328584,0.0000270893],"about_ca_topic_score_codex":0.0071813106,"about_ca_topic_score_gemma":0.03576693,"teacher_disagreement_score":0.0071813106,"about_ca_system_score_codex":0.0015253512,"about_ca_system_score_gemma":0.0024194953,"threshold_uncertainty_score":0.014279008},"labels":[],"label_agreement":null},{"id":"W4400035622","doi":"10.1093/9780198913252.001.0001","title":"Video Culture in India","year":2024,"lang":"en","type":"book","venue":"","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Geography","score_opus":0.013360096312887934,"score_gpt":0.20749722317181177,"score_spread":0.19413712685892384,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4400035622","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09895873,0.010879031,0.0003796389,0.005833673,0.0004209668,0.00001740015,0.000116865835,0.0000586852,0.88333505],"genre_scores_gemma":[0.90780395,0.012968604,0.00025516696,0.0011596661,0.00026902492,0.000022866267,0.00010264656,0.00006717027,0.07735091],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999508,0.00013638103,0.000020567944,0.000051013852,0.00014711807,0.00013682604],"domain_scores_gemma":[0.99953294,0.00019950593,0.00005609095,0.000039793224,0.000090703754,0.00008097057],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00028573032,0.00022558124,0.00013045246,0.0013798007,0.004494331,0.006741352,0.0007214459,0.0005331412,0.008400532],"category_scores_gemma":[0.0009069593,0.00012906827,0.00012404745,0.0024576588,0.0043268343,0.0015880981,0.002487449,0.0016990491,0.0007496204],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004810835,0.00006375947,0.0038429336,0.00042351443,0.000010817365,0.0021738112,0.228157,0.00044373475,0.002208165,0.6086259,0.045648187,0.1083541],"study_design_scores_gemma":[0.0000046708765,0.000040180297,0.00816222,0.0007192134,0.000011346123,0.0010781783,0.09087441,0.00019282661,0.001258879,0.0060583106,0.8915751,0.000024724706],"about_ca_topic_score_codex":0.03411858,"about_ca_topic_score_gemma":0.029478816,"teacher_disagreement_score":0.03411858,"about_ca_system_score_codex":0.0066409116,"about_ca_system_score_gemma":0.003330774,"threshold_uncertainty_score":0.06783998},"labels":[],"label_agreement":null},{"id":"W4401135531","doi":"10.5430/wjel.v14n6p400","title":"A Conflict between Tradition and Modernity: Analysis of Marital Issues in Chetan Bhagat’s Select Works","year":2024,"lang":"en","type":"article","venue":"World Journal of English Language","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Modernism (music); Modernity; Oppression; Sociology; Aesthetics; Gender studies; Philosophy; Epistemology; Law; Political science","score_opus":0.017633783622461277,"score_gpt":0.2504652278570084,"score_spread":0.23283144423454716,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4401135531","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.90770626,0.0024986546,0.00050783047,0.0041117934,0.000108737906,0.00004362034,0.000036798767,0.000008272536,0.084978096],"genre_scores_gemma":[0.9943382,0.0006136273,0.000095999276,0.00016918534,0.000036615842,0.000014713586,0.0000130066055,0.000006146781,0.004712474],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989555,0.00058904395,0.00002715658,0.00007448283,0.00015635404,0.0001974059],"domain_scores_gemma":[0.9984958,0.00088692043,0.00026506203,0.00006187219,0.000112010326,0.00017827732],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013323576,0.00025332588,0.00023259743,0.0015279345,0.017938433,0.0053415354,0.00075466774,0.0012586323,0.004111669],"category_scores_gemma":[0.002127798,0.00020605161,0.00012805422,0.0023446856,0.014221878,0.002726695,0.0030741435,0.0022082268,0.00021942238],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029737317,0.000048198883,0.0024269097,0.00006439852,0.0000043273294,0.0012509662,0.92462605,0.00003133993,0.00027461833,0.06383906,0.0014454019,0.0059589837],"study_design_scores_gemma":[0.0000042798556,0.000033635813,0.007759009,0.000112363545,0.0000072612665,0.00037502265,0.93828493,0.00009751631,0.00030318258,0.00329433,0.04971854,0.000009856992],"about_ca_topic_score_codex":0.008978909,"about_ca_topic_score_gemma":0.022928283,"teacher_disagreement_score":0.017938433,"about_ca_system_score_codex":0.0061664227,"about_ca_system_score_gemma":0.002087857,"threshold_uncertainty_score":0.044740796},"labels":[],"label_agreement":null},{"id":"W4401394104","doi":"10.1080/13537903.2024.2364459","title":"Cinema and Secularism","year":2024,"lang":"en","type":"article","venue":"Journal of Contemporary Religion","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Waterloo","funders":"","keywords":"Secularism; Movie theater; Media studies; Art history; Art; Sociology; Religious studies; History; Philosophy; Archaeology","score_opus":0.020300757631400736,"score_gpt":0.22770049381825658,"score_spread":0.20739973618685584,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4401394104","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.036690462,0.113107264,0.0010498223,0.059152417,0.004620267,0.0000177624,0.000074756616,0.000032835665,0.7852545],"genre_scores_gemma":[0.8820259,0.02761927,0.0005314773,0.0049621193,0.0038979463,0.000019734876,0.00005206265,0.000037549675,0.08085391],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994655,0.00034937388,0.000012590048,0.000042456053,0.000064994405,0.00006496157],"domain_scores_gemma":[0.9993166,0.00033949577,0.000073301795,0.00005434469,0.000103718805,0.00011256337],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00066364516,0.00021187526,0.0001570391,0.0007857209,0.002295735,0.0043708817,0.00020117233,0.00074385636,0.007876095],"category_scores_gemma":[0.0017242457,0.00009802011,0.000109862536,0.00059807935,0.0056241127,0.0026116923,0.0011818216,0.0017137473,0.0004208736],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023671359,0.000023389934,0.00062248163,0.000118559576,0.000004840915,0.00007243615,0.017356373,0.00008878695,0.0003220008,0.9019281,0.048229273,0.03121005],"study_design_scores_gemma":[0.000016012484,0.000053858043,0.0042356555,0.00047027215,0.000009381779,0.00020576609,0.011583857,0.00026700483,0.00038271816,0.15196984,0.8307934,0.000012299335],"about_ca_topic_score_codex":0.0030572962,"about_ca_topic_score_gemma":0.005111884,"teacher_disagreement_score":0.007876095,"about_ca_system_score_codex":0.0016206854,"about_ca_system_score_gemma":0.0008588928,"threshold_uncertainty_score":0.026348174},"labels":[],"label_agreement":null},{"id":"W4401441077","doi":"10.3138/jrpc-2022-0048","title":"On the Limits of Islamic Cinema: The Politics of <i>Halal</i> Cinema Discourse in Kerala, India","year":2024,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Movie theater; Islam; Politics; Media studies; Political science; Art; Sociology; Literature; History; Law; Archaeology","score_opus":0.014494364571218618,"score_gpt":0.2521802473626856,"score_spread":0.23768588279146696,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4401441077","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.72647005,0.0049637374,0.0016445934,0.015208198,0.000194782,0.000035611545,0.000035835918,0.00006143302,0.2513857],"genre_scores_gemma":[0.99660444,0.0005738267,0.000116539064,0.00045960458,0.000046281297,0.000008478223,0.0000043134773,0.000011338627,0.002175241],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99762243,0.0015523146,0.000059978676,0.00013595483,0.0002347098,0.00039456534],"domain_scores_gemma":[0.99213797,0.0059854314,0.00046480366,0.00032480972,0.0005939113,0.0004929488],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0029601057,0.0002691659,0.00021426885,0.0011853256,0.010903772,0.01435921,0.00096878794,0.0014659984,0.002700091],"category_scores_gemma":[0.0047122245,0.00033900625,0.00019016856,0.0008623345,0.020005498,0.0033889846,0.0060431752,0.0032870783,0.0003182519],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008068005,0.00005099333,0.0031664518,0.00025023817,0.000014198821,0.0016192971,0.79079515,0.00015294082,0.003662628,0.18201184,0.0032328374,0.01496276],"study_design_scores_gemma":[0.0000112962725,0.000055097367,0.009368121,0.0006079933,0.000046690788,0.00115868,0.8558164,0.00040149054,0.0022446252,0.008072368,0.122170076,0.000047179168],"about_ca_topic_score_codex":0.013336602,"about_ca_topic_score_gemma":0.018686693,"teacher_disagreement_score":0.01435921,"about_ca_system_score_codex":0.004704301,"about_ca_system_score_gemma":0.0029977458,"threshold_uncertainty_score":0.034132242},"labels":[],"label_agreement":null},{"id":"W4401853951","doi":"10.24908/jcri.v11i1.17326","title":"Performing Anti-Muslim Racism; Or, Muslim Self-Fashioning in Ayad Akhtar’s Plays","year":2024,"lang":"en","type":"article","venue":"Journal of Critical Race Inquiry","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narrative; Ideology; Sociology; Context (archaeology); Racism; Hegemony; Situated; Aesthetics; Gender studies; Politics; Literature; History; Law; Philosophy; Political science; Art","score_opus":0.04954082034341623,"score_gpt":0.3264767034835947,"score_spread":0.2769358831401785,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4401853951","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8156886,0.0018215926,0.0009909524,0.0061232434,0.00039539687,0.000041057345,0.000040863084,0.00003323454,0.17486508],"genre_scores_gemma":[0.9895516,0.0003687696,0.0003021044,0.0004459711,0.00004200691,0.000012187493,0.000009243388,0.0000130854,0.009255104],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99828714,0.0010928648,0.00003723679,0.00010802397,0.00018963715,0.00028505127],"domain_scores_gemma":[0.99928135,0.00029142667,0.00013691156,0.000058587266,0.00010012109,0.00013173389],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017639761,0.00056323176,0.00028709567,0.00065657054,0.019349994,0.0064688195,0.000763113,0.0018186276,0.0031554487],"category_scores_gemma":[0.0014063362,0.00027301928,0.00022205994,0.0005814523,0.018379271,0.0024555975,0.0033629811,0.0031065189,0.00047001502],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000086468805,0.000056935547,0.0016800963,0.00008859165,0.0000067679566,0.0013339696,0.8954283,0.000059425227,0.0010891542,0.09203158,0.0027462414,0.0053924755],"study_design_scores_gemma":[0.000008363978,0.00006139164,0.0039215875,0.000165713,0.000014430889,0.0010908456,0.8985816,0.00012264292,0.00090952875,0.0038641721,0.091233306,0.000026324413],"about_ca_topic_score_codex":0.0096184015,"about_ca_topic_score_gemma":0.023050953,"teacher_disagreement_score":0.019349994,"about_ca_system_score_codex":0.0037940089,"about_ca_system_score_gemma":0.0018397121,"threshold_uncertainty_score":0.02752763},"labels":[],"label_agreement":null},{"id":"W4401854787","doi":"10.5430/wjel.v15n1p35","title":"Transcending Otherness: Exploring Symbolism, Fluid Rejection, and Moral Ambiguity in Anosh Irani's The Parcel","year":2024,"lang":"en","type":"article","venue":"World Journal of English Language","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"VIT University","keywords":"Transgender; Prejudice (legal term); Narrative; Ambiguity; Queer; Context (archaeology); Aesthetics; Sociology; Face (sociological concept); Transsexual; Psychology; Social psychology; Gender studies; History; Art; Social science; Literature","score_opus":0.03195452505847626,"score_gpt":0.2357158641471916,"score_spread":0.20376133908871533,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4401854787","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.93566203,0.0010981312,0.0015779466,0.0038567171,0.00017397458,0.000038242484,0.000017511189,0.000015557318,0.057559803],"genre_scores_gemma":[0.9961361,0.00043960506,0.00043376064,0.0003265986,0.000040293307,0.000022126676,0.0000090469375,0.000015545065,0.0025768492],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982949,0.0011284378,0.000028266139,0.00009129608,0.00024666122,0.00021039964],"domain_scores_gemma":[0.99815065,0.0011333287,0.00027747906,0.000097829565,0.00017261614,0.00016797309],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0031707094,0.00076944364,0.00049786887,0.0014211106,0.010451647,0.008902435,0.0012308706,0.0014991587,0.0019584806],"category_scores_gemma":[0.0036472587,0.0002807921,0.00036191213,0.0010534051,0.022811042,0.005604517,0.0055430843,0.003338441,0.0002511947],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015418329,0.000019162891,0.0010538038,0.00003746313,0.0000031314828,0.00034772544,0.983207,0.000014735315,0.00043316666,0.011478584,0.00034655313,0.0030432804],"study_design_scores_gemma":[0.000002899619,0.000024713274,0.0017020267,0.000069470494,0.0000067730457,0.00027042092,0.9839385,0.00007287713,0.00022034202,0.002307288,0.011376685,0.000007966227],"about_ca_topic_score_codex":0.0048276735,"about_ca_topic_score_gemma":0.009837767,"teacher_disagreement_score":0.010451647,"about_ca_system_score_codex":0.0028910213,"about_ca_system_score_gemma":0.002948329,"threshold_uncertainty_score":0.020975888},"labels":[],"label_agreement":null},{"id":"W4402113904","doi":"10.62192/japas.v08i1n12","title":"Review of &lt;em&gt;Women Talking&lt;/em&gt;—Miriam Toews","year":2020,"lang":"en","type":"article","venue":"Journal of Amish and Plain Anabaptist Studies","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Political science; Theology; Philosophy","score_opus":0.030582097722856205,"score_gpt":0.2510352744195462,"score_spread":0.22045317669669,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4402113904","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00015537781,0.97970635,0.000032403426,0.01010207,0.00462299,0.0000075399844,0.000056650017,0.000004507654,0.0053120772],"genre_scores_gemma":[0.0028625608,0.9787396,0.00008277226,0.008502982,0.0057761963,0.000030807092,0.000114006,0.00001448694,0.003876588],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988776,0.0003301299,0.00015554161,0.00015012354,0.00037897404,0.00010756896],"domain_scores_gemma":[0.9908358,0.0035475523,0.0006787415,0.00016618158,0.0042255777,0.00054616254],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0034382413,0.00048027068,0.00094000786,0.004490503,0.001258315,0.0031924255,0.0012620902,0.0019527698,0.009637674],"category_scores_gemma":[0.008735259,0.00044688262,0.00036397364,0.005833531,0.0017029317,0.0029303925,0.0011042004,0.0023096984,0.00391965],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000068526235,0.000031928317,0.00023702359,0.018708302,0.000048438767,0.0001602704,0.001299552,0.000057186073,0.00022589466,0.006509841,0.7423714,0.23028173],"study_design_scores_gemma":[0.000003672899,0.0000125388915,0.00087352854,0.0069854665,0.000016335698,0.00011670908,0.00043669494,0.000006012842,0.000045765217,0.00016352012,0.99133366,0.0000060972175],"about_ca_topic_score_codex":0.026583228,"about_ca_topic_score_gemma":0.05240519,"teacher_disagreement_score":0.026583228,"about_ca_system_score_codex":0.004600894,"about_ca_system_score_gemma":0.011007382,"threshold_uncertainty_score":0.05285698},"labels":[],"label_agreement":null},{"id":"W4402143395","doi":"10.5430/wjel.v14n6p570","title":"Journey into The Psyche: Decoding Dreams in Chitra Banerjee Divakaruni’s Queen of Dreams","year":2024,"lang":"en","type":"article","venue":"World Journal of English Language","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Psyche; Queen (butterfly); Decoding methods; Art; Computer science; Art history; Psychoanalysis; Telecommunications; Psychology; Zoology; Biology","score_opus":0.011800173440966483,"score_gpt":0.2473919521461903,"score_spread":0.23559177870522383,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4402143395","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.582471,0.033285085,0.022016961,0.07923442,0.0036022728,0.0002141813,0.00042280616,0.00029310453,0.2784601],"genre_scores_gemma":[0.96731234,0.0071325195,0.003688035,0.002830943,0.0002238604,0.00006274116,0.00009443962,0.00011686899,0.018538285],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99861634,0.0009181842,0.000036430574,0.00008465516,0.00017068438,0.00017365241],"domain_scores_gemma":[0.99815804,0.0009986128,0.0001757521,0.00016451349,0.00023055254,0.00027243822],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023144193,0.00059450173,0.00045518525,0.0013515693,0.011258974,0.009511369,0.0011863377,0.0018519926,0.0024789423],"category_scores_gemma":[0.004002543,0.00040625772,0.00058372313,0.0013583803,0.020809326,0.009664834,0.006723954,0.0075814445,0.00052799523],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002423388,0.000016966318,0.00070675096,0.00014641545,0.0000063791013,0.00085675396,0.9042204,0.000067714056,0.00036878252,0.08195051,0.004584496,0.0070506693],"study_design_scores_gemma":[0.0000047063395,0.000024552543,0.0013254619,0.00032347665,0.000011147115,0.002110064,0.8691561,0.00021911343,0.00038504007,0.021641178,0.10476087,0.000038278675],"about_ca_topic_score_codex":0.016966045,"about_ca_topic_score_gemma":0.027070567,"teacher_disagreement_score":0.016966045,"about_ca_system_score_codex":0.0043111574,"about_ca_system_score_gemma":0.004172146,"threshold_uncertainty_score":0.03373456},"labels":[],"label_agreement":null},{"id":"W4402192346","doi":"10.29070/fwbjgg46","title":"Exploring Gendered Identity Crisis in Diasporic Space In the Works of Jhumpa Lahiri and Bharati Mukherjee","year":2024,"lang":"en","type":"article","venue":"Journal of Advances and Scholarly Researches in Allied Education","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Identity (music); Space (punctuation); Identity crisis; Sociology; Gender studies; Diaspora; Aesthetics; Art; Linguistics; Social science; Philosophy","score_opus":0.16672793517008158,"score_gpt":0.35404532640609065,"score_spread":0.18731739123600907,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4402192346","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.47368777,0.031399705,0.005089481,0.050686836,0.0025730238,0.00017930775,0.00009925506,0.000080022925,0.43620458],"genre_scores_gemma":[0.9502845,0.008293288,0.0013386601,0.0031034467,0.0004519023,0.00008189478,0.000028498553,0.00007721322,0.036340542],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9983223,0.0009951524,0.000045351946,0.00014175763,0.00028658038,0.00020889909],"domain_scores_gemma":[0.99751055,0.0015633776,0.00022139051,0.00017795166,0.00018843793,0.00033821666],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0027904557,0.000513127,0.0005684296,0.0014362952,0.017245121,0.008055569,0.000815406,0.001602063,0.0046709473],"category_scores_gemma":[0.003267137,0.00033960922,0.0003348693,0.0013525364,0.017254004,0.0062774476,0.005403324,0.0063032173,0.000672506],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002071264,0.000029182775,0.0005044655,0.00013421233,0.0000063375264,0.0011404784,0.88597864,0.000029631905,0.00075732765,0.09829039,0.005075144,0.008033365],"study_design_scores_gemma":[0.0000084835065,0.00007128941,0.0038402858,0.0008223525,0.000022923303,0.003158898,0.643886,0.00017606799,0.0008781317,0.01769444,0.32940716,0.000033926746],"about_ca_topic_score_codex":0.003325785,"about_ca_topic_score_gemma":0.008210458,"teacher_disagreement_score":0.017245121,"about_ca_system_score_codex":0.0036063385,"about_ca_system_score_gemma":0.003780837,"threshold_uncertainty_score":0.026165903},"labels":[],"label_agreement":null},{"id":"W4402192651","doi":"10.29070/cqmg5h41","title":"Revisiting Diaspora Through Gendered Spaces in the Works of Jhumpa Lahiri And Bharati Mukherjee","year":2024,"lang":"en","type":"article","venue":"Journal of Advances and Scholarly Researches in Allied Education","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Diaspora; Gender studies; Sociology; Aesthetics; Art","score_opus":0.0681026037995114,"score_gpt":0.34788311412078865,"score_spread":0.27978051032127726,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4402192651","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.41642177,0.053253748,0.008277527,0.06540523,0.0029543326,0.00021061525,0.000095989504,0.00012399784,0.45325682],"genre_scores_gemma":[0.95936346,0.014413579,0.00184964,0.0036053783,0.00038617678,0.00012990402,0.000016969658,0.00006786736,0.020166848],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99795204,0.0014603359,0.000045786048,0.00013669854,0.00020289505,0.00020228434],"domain_scores_gemma":[0.9975083,0.0018204473,0.00014854156,0.00015681873,0.00012809235,0.00023777859],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0035998179,0.0006864481,0.00058861385,0.0016841457,0.019495972,0.00882611,0.0011483271,0.0021113448,0.0031816545],"category_scores_gemma":[0.003283476,0.00041625614,0.00043181566,0.0016357065,0.030479642,0.0070489314,0.0073452457,0.0063618915,0.000466347],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000142681865,0.0000232909,0.00027853594,0.00014125371,0.000004797831,0.00086571235,0.8294675,0.00003120048,0.00041055525,0.15861984,0.0027750721,0.007367989],"study_design_scores_gemma":[0.000010092726,0.00005061092,0.0016394866,0.0012416048,0.00002267998,0.0017029099,0.67447627,0.0001886621,0.0006394487,0.028246092,0.2917531,0.00002898104],"about_ca_topic_score_codex":0.006272978,"about_ca_topic_score_gemma":0.017901812,"teacher_disagreement_score":0.019495972,"about_ca_system_score_codex":0.0047464226,"about_ca_system_score_gemma":0.0063345106,"threshold_uncertainty_score":0.034437835},"labels":[],"label_agreement":null},{"id":"W4402488158","doi":"10.1177/01708406241286485","title":"Media Review: Extrapolations – A View from OS4F","year":2024,"lang":"en","type":"article","venue":"Organization Studies","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Epistemology; Sociology; Philosophy","score_opus":0.053093070617749455,"score_gpt":0.28066608814360317,"score_spread":0.2275730175258537,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4402488158","genre_codex":"commentary","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0017915588,0.12979472,0.0015490121,0.7810082,0.0111425165,0.000020422016,0.00015566632,0.00005746859,0.074480474],"genre_scores_gemma":[0.17655236,0.24640402,0.0031527395,0.47000468,0.07566686,0.00023876633,0.00023026386,0.00025125773,0.02749911],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.98614955,0.006921578,0.00093977683,0.0016046744,0.003590684,0.00079379143],"domain_scores_gemma":[0.90058494,0.07536349,0.004028269,0.004728146,0.012425125,0.0028700775],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.026521366,0.0007892873,0.0011226455,0.011641516,0.0049627535,0.018399477,0.0022780416,0.013451959,0.01046048],"category_scores_gemma":[0.08916052,0.00046745792,0.0008820103,0.005846501,0.028429823,0.03887769,0.0077766352,0.0140130725,0.0028777036],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007894228,0.00002583028,0.0007272722,0.0013644184,0.0000393879,0.00050846353,0.013654846,0.00021098372,0.00015053981,0.60489357,0.2975088,0.08083696],"study_design_scores_gemma":[0.00001511065,0.000024448189,0.0005492521,0.0039524166,0.000016310098,0.0003523648,0.005359155,0.00017819995,0.000113425456,0.115741074,0.87366515,0.000032961634],"about_ca_topic_score_codex":0.013169223,"about_ca_topic_score_gemma":0.008818404,"teacher_disagreement_score":0.026521366,"about_ca_system_score_codex":0.008492515,"about_ca_system_score_gemma":0.009480114,"threshold_uncertainty_score":0.1402601},"labels":[],"label_agreement":null},{"id":"W4403273038","doi":"10.4000/1248d","title":"Mapping Postcolonial Spaces in Catherine Bush’s Minus Time","year":2002,"lang":"en","type":"article","venue":"Commonwealth Essays and Studies","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.06007095559536632,"score_gpt":0.2563356781879609,"score_spread":0.19626472259259456,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4403273038","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3667856,0.0054926286,0.001564702,0.025750961,0.00088775,0.000023587583,0.00023350662,0.000051990144,0.59920937],"genre_scores_gemma":[0.9625024,0.0010569538,0.0003015869,0.000940915,0.00005476761,0.000016874463,0.000047099846,0.00007123152,0.035008196],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993216,0.0002928208,0.00000965097,0.00006874991,0.00008817685,0.00021909208],"domain_scores_gemma":[0.9992378,0.00028755175,0.00007920466,0.00007043608,0.00012223466,0.00020276626],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00084676855,0.000335467,0.00019008425,0.001109026,0.013515304,0.0073130205,0.00069698016,0.0011774577,0.00712831],"category_scores_gemma":[0.0015986231,0.00019896067,0.00015904105,0.0018800041,0.018100662,0.0041060727,0.003942996,0.002726166,0.0005406515],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006632408,0.0000105371955,0.00087569957,0.000045513414,0.0000046365626,0.00045607198,0.81204337,0.000051385763,0.000693904,0.15619236,0.019662827,0.009897378],"study_design_scores_gemma":[0.0000059798685,0.000010163566,0.0033345541,0.00012102423,0.000005452828,0.000141713,0.55186135,0.000042066393,0.00051902846,0.006513643,0.43742862,0.00001647826],"about_ca_topic_score_codex":0.26970515,"about_ca_topic_score_gemma":0.5264377,"teacher_disagreement_score":0.26970515,"about_ca_system_score_codex":0.008746388,"about_ca_system_score_gemma":0.0041323,"threshold_uncertainty_score":0.5362706},"labels":[],"label_agreement":null},{"id":"W4403365976","doi":"10.25071/2563-3694.131","title":"Dreaming of fragments of home left behind","year":2023,"lang":"en","type":"article","venue":"New Sociology Journal of Critical Praxis","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Prayer; Poetry; Dream; Lyrics; Aunt; Reading (process); Urdu; History; Art; Psychology; Art history; Literature; Religious studies; Law; Political science; Philosophy","score_opus":0.03207810529102014,"score_gpt":0.29846057119920355,"score_spread":0.26638246590818343,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4403365976","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.40936926,0.009575735,0.007133211,0.07080846,0.0061649843,0.00010679804,0.0004438805,0.0003540018,0.49604365],"genre_scores_gemma":[0.9225137,0.001946899,0.00076253613,0.0037581467,0.00026201038,0.000026994501,0.000102723985,0.00013686132,0.07049012],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.998993,0.00050412846,0.00001764772,0.00012447164,0.00010386594,0.0002569942],"domain_scores_gemma":[0.99881494,0.00027236957,0.0001361137,0.00014998861,0.00017163513,0.00045506135],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013140066,0.0008573034,0.00043669142,0.0006436973,0.021283051,0.0062912223,0.000998653,0.0019413827,0.008412126],"category_scores_gemma":[0.0031361398,0.00038904566,0.0004177727,0.00056279224,0.024773885,0.007297277,0.0076175146,0.00783268,0.001599973],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005833088,0.00002336583,0.0009111506,0.000071404036,0.000009502369,0.0020163315,0.9065017,0.000058440684,0.00044475825,0.052940227,0.031661972,0.0053029037],"study_design_scores_gemma":[0.0000057292023,0.000023616323,0.00074726203,0.0001724001,0.000006982357,0.0010369588,0.8131972,0.00004460757,0.00021694333,0.0043197633,0.1802081,0.000020444464],"about_ca_topic_score_codex":0.015396935,"about_ca_topic_score_gemma":0.035040468,"teacher_disagreement_score":0.021283051,"about_ca_system_score_codex":0.003954656,"about_ca_system_score_gemma":0.0037534162,"threshold_uncertainty_score":0.030614614},"labels":[],"label_agreement":null},{"id":"W4403395282","doi":"10.12697/il.2024.29.1.1","title":"Crossing Genres and Fields","year":2024,"lang":"en","type":"article","venue":"Interlitteraria","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Computer science; Linguistics; Philosophy","score_opus":0.01974233510882197,"score_gpt":0.23830196986144545,"score_spread":0.21855963475262347,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4403395282","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09733539,0.0033693337,0.0022992708,0.0043278947,0.00033038825,0.000043135755,0.00013113793,0.000038838676,0.89212465],"genre_scores_gemma":[0.925654,0.0023383847,0.0013354303,0.0007070121,0.0002412589,0.000058864458,0.00016288298,0.00008057381,0.06942166],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99766624,0.00095645455,0.00010105637,0.0002932477,0.0004979214,0.00048508352],"domain_scores_gemma":[0.9961972,0.0010141364,0.0005929955,0.00035083445,0.000634146,0.001210761],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020825425,0.00043737507,0.00032486703,0.004198269,0.0068080663,0.01803378,0.0006545319,0.00122785,0.029092507],"category_scores_gemma":[0.005031287,0.00022115264,0.0002586167,0.005998066,0.010328426,0.0097181,0.004923417,0.0029309357,0.0016523155],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000038680213,0.000042508767,0.005021183,0.00007658405,0.000006027353,0.00015967271,0.074073136,0.00005454602,0.00032755465,0.88043034,0.0068363734,0.032933366],"study_design_scores_gemma":[0.000023245173,0.000094319,0.03201552,0.0008766507,0.000026923837,0.0007446305,0.29046753,0.0002748657,0.00031579204,0.2447076,0.4304129,0.000040041938],"about_ca_topic_score_codex":0.008030426,"about_ca_topic_score_gemma":0.008186621,"teacher_disagreement_score":0.029092507,"about_ca_system_score_codex":0.0031948194,"about_ca_system_score_gemma":0.0026618063,"threshold_uncertainty_score":0.09732419},"labels":[],"label_agreement":null},{"id":"W4403485770","doi":"10.5406/19346018.76.4.01","title":"Editor's Introduction","year":2024,"lang":"en","type":"article","venue":"Journal of Film and Video","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.00898166952294671,"score_gpt":0.2181094316711078,"score_spread":0.2091277621481611,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4403485770","genre_codex":"editorial","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":"editorial","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00014316617,0.007800247,0.00050342426,0.05910789,0.8553819,0.000099120756,0.00070932,0.00036379023,0.075891234],"genre_scores_gemma":[0.003396058,0.013752094,0.0013098771,0.07573424,0.4347338,0.0002430311,0.0011509195,0.00071828347,0.46896166],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99424547,0.0006284357,0.0005293024,0.0011433304,0.0028548997,0.0005985422],"domain_scores_gemma":[0.98053795,0.003454165,0.00087567157,0.0014619929,0.010468675,0.00320151],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00424197,0.0017064258,0.0015668597,0.0033660878,0.0033722923,0.009770437,0.0039371722,0.0073119304,0.31644064],"category_scores_gemma":[0.027782433,0.000613571,0.0014437181,0.0019703102,0.0018215048,0.0058843256,0.0034780838,0.0065245638,0.16457069],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010262018,0.000009527208,0.000032526434,0.00016281218,0.000002442306,0.000040489762,0.00003384402,0.0000137504185,0.000055972025,0.0014193413,0.98103297,0.017186131],"study_design_scores_gemma":[0.0000033349759,0.0000060581965,0.000062642684,0.0001549301,0.0000016419968,0.000042418105,0.000031916003,0.000012279384,0.000030932933,0.00042889334,0.99922097,0.00000403785],"about_ca_topic_score_codex":0.0014840595,"about_ca_topic_score_gemma":0.0024140957,"teacher_disagreement_score":0.31644064,"about_ca_system_score_codex":0.0025628642,"about_ca_system_score_gemma":0.0066915676,"threshold_uncertainty_score":0.97501445},"labels":[],"label_agreement":null},{"id":"W4404252554","doi":"10.4324/9781003156574-38","title":"Makeda Silvera","year":2024,"lang":"en","type":"book-chapter","venue":"","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.026350034894979658,"score_gpt":0.1970126624558538,"score_spread":0.17066262756087414,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404252554","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005533681,0.017571585,0.0010121646,0.01304817,0.004550523,0.00003793068,0.00023100384,0.00046509533,0.95754975],"genre_scores_gemma":[0.024239527,0.008307668,0.0008807409,0.0020073643,0.00025998254,0.000033874163,0.00011193083,0.00022938696,0.96392936],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99967444,0.000018336312,0.000005683299,0.00006792973,0.00015931297,0.00007425393],"domain_scores_gemma":[0.9997136,0.000034824592,0.0000137886855,0.00002225195,0.00013109241,0.00008436111],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00027218496,0.00058871316,0.0002804753,0.0012023195,0.0063110148,0.0027354066,0.00065228506,0.00079017313,0.046772003],"category_scores_gemma":[0.00070922484,0.00027349993,0.00023860745,0.0009545453,0.0013966863,0.0014599632,0.0023103456,0.0022284277,0.014825297],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000054200777,0.000039481234,0.00073485664,0.00033966082,0.000004631599,0.0007025989,0.00696065,0.00008504614,0.0019504708,0.11770004,0.70605725,0.16537113],"study_design_scores_gemma":[8.172018e-7,0.0000018869808,0.0001751027,0.000038787835,9.105301e-7,0.00010484487,0.00031835015,0.000008779155,0.0000826108,0.00050339336,0.99876297,0.000001572562],"about_ca_topic_score_codex":0.060112223,"about_ca_topic_score_gemma":0.19027695,"teacher_disagreement_score":0.060112223,"about_ca_system_score_codex":0.0036646973,"about_ca_system_score_gemma":0.00481649,"threshold_uncertainty_score":0.15646791},"labels":[],"label_agreement":null},{"id":"W4404445494","doi":"10.5430/wjel.v15n2p110","title":"Discourse of the Marginalized: A Critical Analysis of Mulk Raj Anand's The Old Woman and The Cow","year":2024,"lang":"en","type":"article","venue":"World Journal of English Language","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sociology; Philosophy; Theology","score_opus":0.008739530935883713,"score_gpt":0.25356282571713956,"score_spread":0.24482329478125586,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404445494","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8463521,0.007025631,0.0037121924,0.02958024,0.0015093215,0.00021387755,0.0001406301,0.00007199046,0.11139403],"genre_scores_gemma":[0.98741,0.0012257432,0.0006893492,0.001339659,0.00017799177,0.00007547456,0.000023147153,0.0000558836,0.009002673],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9930315,0.005040719,0.000122022684,0.00042242004,0.00072055444,0.0006627546],"domain_scores_gemma":[0.9906041,0.007300808,0.0004943181,0.00026911413,0.00074561324,0.00058608473],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.006432618,0.0011400311,0.0010100396,0.0021030866,0.02622256,0.014509381,0.0022993663,0.0034835401,0.00296894],"category_scores_gemma":[0.009938248,0.00059374946,0.00037671975,0.0015506992,0.039177574,0.0068841334,0.007762221,0.007545973,0.00034351213],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017222092,0.0000116635565,0.000115543575,0.00006371655,0.0000018594537,0.0006280914,0.9842523,0.000013467141,0.0003168635,0.012516297,0.00084951066,0.0012134898],"study_design_scores_gemma":[0.0000019435536,0.000016161755,0.00023763847,0.00017688241,0.0000052835494,0.00034593968,0.9619932,0.000042913005,0.00036879317,0.0015497002,0.03525208,0.000009434722],"about_ca_topic_score_codex":0.008827565,"about_ca_topic_score_gemma":0.016253587,"teacher_disagreement_score":0.02622256,"about_ca_system_score_codex":0.010678504,"about_ca_system_score_gemma":0.0060820025,"threshold_uncertainty_score":0.07747829},"labels":[],"label_agreement":null},{"id":"W4404725556","doi":"10.1007/978-981-97-6028-2_9","title":"Dissent and Disappearance: The Naxalite Insurgency in Indian New Wave Films","year":2024,"lang":"en","type":"book-chapter","venue":"","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Windsor","funders":"","keywords":"Dissent; Insurgency; Political science; Ancient history; History; Law","score_opus":0.02626087370708175,"score_gpt":0.20844380123543949,"score_spread":0.18218292752835774,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404725556","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18484852,0.0036954323,0.00041685987,0.024243899,0.001741411,0.00005248635,0.00006385904,0.000058261667,0.78487927],"genre_scores_gemma":[0.8509753,0.0014778652,0.00017435217,0.0032534422,0.0005142087,0.00003837043,0.00003469456,0.00010461025,0.14342715],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987437,0.0004023666,0.000030921783,0.00010295826,0.00022989213,0.0004901906],"domain_scores_gemma":[0.9988632,0.00050524354,0.00011475077,0.000068671216,0.0001559441,0.00029211983],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016514244,0.00045552256,0.00027787196,0.0013390229,0.023331638,0.013656143,0.0013138527,0.0022270405,0.009199968],"category_scores_gemma":[0.0032574076,0.0002950789,0.00026120726,0.0016970322,0.014902408,0.0060594515,0.00725268,0.008380176,0.00085279706],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008151882,0.000041078598,0.0011048968,0.0000939035,0.0000071639447,0.0014382205,0.73817986,0.000029762901,0.00087276334,0.20971413,0.033629734,0.0148070445],"study_design_scores_gemma":[0.000009495372,0.00002021802,0.0048345374,0.00018993804,0.000013627071,0.00051621016,0.6033731,0.00007531359,0.0004984711,0.006185222,0.38426057,0.000023348492],"about_ca_topic_score_codex":0.03070846,"about_ca_topic_score_gemma":0.09052955,"teacher_disagreement_score":0.03070846,"about_ca_system_score_codex":0.0062351455,"about_ca_system_score_gemma":0.0047892886,"threshold_uncertainty_score":0.061059415},"labels":[],"label_agreement":null},{"id":"W4405087357","doi":"10.29121/shodhkosh.v4.i1.2023.3025","title":"SCULPTING SELF IN STRUGGLE: A PERFORMATIVE EXPLORATION OF SHAUNA SINGH BALDWIN'S WHAT THE BODY REMEMBERS","year":2023,"lang":"en","type":"article","venue":"ShodhKosh Journal of Visual and Performing Arts","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Performative utterance; Aesthetics; Art; Art history; Visual arts","score_opus":0.047757213472982125,"score_gpt":0.2950785727339559,"score_spread":0.24732135926097376,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405087357","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.41009688,0.021790972,0.0092195785,0.04575618,0.0026624268,0.00014563477,0.00010081046,0.00017102851,0.5100565],"genre_scores_gemma":[0.9369886,0.0038722309,0.001548482,0.0025727013,0.00032261072,0.00005655332,0.00003473254,0.00018034247,0.054423716],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9953465,0.0029044927,0.00005009447,0.00027741055,0.00078754255,0.0006340025],"domain_scores_gemma":[0.9976489,0.0014118631,0.0001408184,0.00012371685,0.00026284144,0.00041193122],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0039163823,0.00097442203,0.0008676138,0.0018087476,0.023160374,0.011673635,0.0022053018,0.0028126545,0.0032586541],"category_scores_gemma":[0.0045281975,0.00040209596,0.0003853488,0.0015863065,0.064299576,0.0074450597,0.010462425,0.0062158233,0.0005110725],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012654171,0.000012934036,0.00014223892,0.000044747132,0.0000031561324,0.00034330407,0.94423944,0.00002480058,0.00034898744,0.046507306,0.0043968367,0.0039235842],"study_design_scores_gemma":[0.000006429202,0.00003099759,0.0007408599,0.00025085636,0.0000059831787,0.0006236016,0.8255934,0.00010280416,0.00036056098,0.008276761,0.16398166,0.00002608669],"about_ca_topic_score_codex":0.041547228,"about_ca_topic_score_gemma":0.07368326,"teacher_disagreement_score":0.041547228,"about_ca_system_score_codex":0.009302785,"about_ca_system_score_gemma":0.005008276,"threshold_uncertainty_score":0.082610786},"labels":[],"label_agreement":null},{"id":"W4405150841","doi":"10.71016/hnjss/xjtdft56","title":"Examining the Cultivating Effect of Social Issue Based Dramas on Women of Pakistan","year":2021,"lang":"en","type":"article","venue":"Human Nature Journal of Social Sciences","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Quarter (Canadian coin); Hum; Mainstream; Sample (material); Socioeconomics; Sociology; Geography; Political science; History; Performance art; Law","score_opus":0.02773275042738354,"score_gpt":0.3154887890074448,"score_spread":0.28775603858006127,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405150841","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9942932,0.00018685304,0.000058299098,0.00025352705,0.000013344039,0.000016618285,0.000021863225,0.0000026334321,0.005153594],"genre_scores_gemma":[0.9985637,0.00029711038,0.00011159984,0.00007325886,0.000011296364,0.000012006549,0.00001025757,0.0000014195981,0.0009193028],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.9995209,0.00022227525,0.000012390639,0.00003773668,0.000071144736,0.00013559945],"domain_scores_gemma":[0.9981963,0.00096424296,0.00042076193,0.000068156354,0.00010996128,0.00024056263],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00074565306,0.00029566663,0.00018859415,0.00040364175,0.0017853284,0.0011963203,0.00027640577,0.0003080651,0.0043236865],"category_scores_gemma":[0.0029945252,0.00018866609,0.00015503203,0.00034025378,0.0010455496,0.0005792503,0.0013458688,0.0005228479,0.00025647305],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0007101099,0.0015614843,0.39978364,0.0009550653,0.00009709712,0.0019669577,0.4293405,0.00014901713,0.017097723,0.002643695,0.0018571499,0.14383756],"study_design_scores_gemma":[0.000038897193,0.0015409681,0.5693316,0.00024202219,0.00008817415,0.00059677236,0.40228793,0.00014432735,0.001964542,0.0004777235,0.023253463,0.000033596676],"about_ca_topic_score_codex":0.002358588,"about_ca_topic_score_gemma":0.005731771,"teacher_disagreement_score":0.0043236865,"about_ca_system_score_codex":0.00063387677,"about_ca_system_score_gemma":0.0008210216,"threshold_uncertainty_score":0.0144642},"labels":[],"label_agreement":null},{"id":"W4405214211","doi":"10.26522/ssj.v18i4.4858","title":"“Learning to Belong Here in an Altogether Different Way”: An Interview with Julietta Singh (Interview)","year":2024,"lang":"en","type":"article","venue":"Studies in Social Justice","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"McMaster University; Concordia University","funders":"","keywords":"Sociology; Psychology; Gender studies; Social psychology","score_opus":0.09481647890929508,"score_gpt":0.3474139106140687,"score_spread":0.2525974317047736,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405214211","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.34329206,0.006485216,0.0038175338,0.5591988,0.0074874954,0.00060294074,0.00022345666,0.00010648485,0.07878609],"genre_scores_gemma":[0.79318583,0.0051830295,0.0021323622,0.12573679,0.0009409438,0.0008031897,0.00007147142,0.00026500132,0.0716815],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9902192,0.0062987576,0.0002732664,0.0005805067,0.000839995,0.0017883006],"domain_scores_gemma":[0.987586,0.0057593016,0.00077359786,0.00019940252,0.0015890889,0.0040925997],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.007139263,0.0009846184,0.0008861379,0.0011886808,0.040867355,0.008028136,0.0024360223,0.008921738,0.005583125],"category_scores_gemma":[0.016608054,0.0012385744,0.0005153136,0.001849858,0.016900877,0.012775547,0.007672113,0.03549255,0.0010953759],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011963718,0.000046356312,0.00042155004,0.00005729691,0.0000023467949,0.0009085769,0.9699449,0.000016962378,0.0005189302,0.0060164067,0.01945492,0.0025998268],"study_design_scores_gemma":[0.0000021573032,0.000012802455,0.00044123715,0.00008652093,0.0000024840522,0.00027255685,0.9306257,0.000021616022,0.00014119796,0.00045495207,0.06792237,0.000016300299],"about_ca_topic_score_codex":0.03374015,"about_ca_topic_score_gemma":0.06744298,"teacher_disagreement_score":0.040867355,"about_ca_system_score_codex":0.008653017,"about_ca_system_score_gemma":0.0141822165,"threshold_uncertainty_score":0.06708753},"labels":[],"label_agreement":null},{"id":"W4405263190","doi":"10.53555/sfs.v10i1.3226","title":"Empowering Narratives: A Feminist Critique of Physicality, Identity, and Representation in the Hindi Film Mary Kom","year":2023,"lang":"en","type":"article","venue":"Journal of Survey in Fisheries Sciences","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Hindi; Narrative; Identity (music); Representation (politics); Sociology; Aesthetics; Communication; Gender studies; Literature; Art; Linguistics; Philosophy; Political science; Politics; Law","score_opus":0.22390521066760524,"score_gpt":0.3600427617348162,"score_spread":0.13613755106721095,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405263190","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23143354,0.0057120486,0.009038393,0.1508812,0.0011716131,0.000073332885,0.000118155986,0.000054936892,0.6015167],"genre_scores_gemma":[0.9815222,0.00060503365,0.0006379699,0.003175908,0.00019765743,0.000039015893,0.0000116485435,0.000030645373,0.0137799475],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9967225,0.002514791,0.000036898742,0.000160085,0.00023621244,0.0003294566],"domain_scores_gemma":[0.993722,0.0050954064,0.0003076653,0.0001927843,0.00030202113,0.0003801006],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0048857904,0.0007095328,0.00033368732,0.0011661396,0.01823439,0.010345455,0.0016002769,0.0044569233,0.0057320995],"category_scores_gemma":[0.005804835,0.00040736533,0.00023666347,0.0009210574,0.05881503,0.007745749,0.00794145,0.007856394,0.0004026992],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032575463,0.000014088338,0.00022491449,0.000058979855,0.0000025563472,0.00026888604,0.5482784,0.000051712253,0.00029856444,0.4438728,0.0035771967,0.0033192562],"study_design_scores_gemma":[0.000028099952,0.00004817742,0.0012175869,0.0004181127,0.000014451654,0.00044526524,0.61541235,0.00035010886,0.0011329969,0.09714116,0.28376153,0.000030086503],"about_ca_topic_score_codex":0.011662686,"about_ca_topic_score_gemma":0.018719962,"teacher_disagreement_score":0.01823439,"about_ca_system_score_codex":0.0059540207,"about_ca_system_score_gemma":0.0035348635,"threshold_uncertainty_score":0.043199718},"labels":[],"label_agreement":null},{"id":"W4405595088","doi":"10.21659/rupkatha.v16n3.12g","title":"The Afterlife of a ‘Sexual Revolution’: Revisiting Responses to Deepa Mehta’s Fire (1996)","year":2024,"lang":"en","type":"article","venue":"Rupkatha Journal on Interdisciplinary Studies in Humanities","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Afterlife; History; Sociology; Art; Literature","score_opus":0.08744090684376346,"score_gpt":0.3577688767979602,"score_spread":0.2703279699541967,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405595088","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14164263,0.029931175,0.00091435475,0.6365855,0.00976151,0.000065237546,0.000063008156,0.00005842159,0.18097824],"genre_scores_gemma":[0.8266254,0.010830862,0.00041996173,0.11074615,0.0032806161,0.00009435981,0.000031633477,0.00019243674,0.047778457],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99367934,0.0038136726,0.00013979647,0.00040508405,0.0008831916,0.0010789644],"domain_scores_gemma":[0.99047816,0.0069577764,0.0005128056,0.00027354024,0.0010159657,0.000761889],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.008364131,0.000642952,0.0005581559,0.0011636135,0.0348626,0.014716107,0.0025017585,0.010544472,0.0032064815],"category_scores_gemma":[0.015747955,0.0005072675,0.0003788773,0.001423908,0.026055373,0.0059750653,0.0055492856,0.022404078,0.00045343913],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000043931508,0.000025808618,0.0005237839,0.00015741738,0.000010422713,0.0012439659,0.79795575,0.000038473838,0.000370087,0.10471748,0.084464855,0.010448002],"study_design_scores_gemma":[0.000010819981,0.000028309703,0.0012593748,0.00052696187,0.000011271835,0.00048116356,0.46338233,0.000059483627,0.00035752688,0.0041882666,0.5296643,0.000030233858],"about_ca_topic_score_codex":0.07523338,"about_ca_topic_score_gemma":0.104158476,"teacher_disagreement_score":0.07523338,"about_ca_system_score_codex":0.017802179,"about_ca_system_score_gemma":0.0076142675,"threshold_uncertainty_score":0.14959091},"labels":[],"label_agreement":null},{"id":"W4405762467","doi":"10.33470/2836-3140.1068","title":"Modernist Transitions: Cultural Encounters between British and Bangla Modernist Fiction from 1910s to 1950s","year":2024,"lang":"en","type":"article","venue":"Critical Humanities","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McMaster University","funders":"","keywords":"Bengali; Art; Cultural politics; Literature; Linguistics; Philosophy; Politics; Political science","score_opus":0.047501695198564065,"score_gpt":0.27169859229558485,"score_spread":0.2241968970970208,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405762467","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11189488,0.7634743,0.00019283437,0.015998352,0.0014283551,0.000028592243,0.0001848079,0.000018148148,0.106779754],"genre_scores_gemma":[0.59836423,0.3742793,0.00022038243,0.0041005854,0.0009410429,0.000038622904,0.00019958048,0.00004780088,0.021808382],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99851745,0.00055135234,0.00010707256,0.00015257591,0.00038572305,0.0002857987],"domain_scores_gemma":[0.9959442,0.0025306898,0.00038857345,0.00010326021,0.0006310539,0.00040220344],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0026444546,0.00037348198,0.00047134593,0.0049361438,0.00779435,0.0068587614,0.0005781011,0.0015276064,0.0052500535],"category_scores_gemma":[0.00503021,0.00025570832,0.00013758928,0.008229203,0.0117123285,0.00358794,0.002867854,0.0025218178,0.00044533963],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019499016,0.00003806327,0.004468212,0.004354717,0.000042305976,0.0014921359,0.75692815,0.00008640029,0.00079006806,0.08113519,0.027081195,0.123388596],"study_design_scores_gemma":[0.0000045761485,0.00003545407,0.026855852,0.0039528874,0.000019583855,0.0007566926,0.11859624,0.000018770832,0.0002945331,0.0019109757,0.8475276,0.000026857811],"about_ca_topic_score_codex":0.09383859,"about_ca_topic_score_gemma":0.18137518,"teacher_disagreement_score":0.09383859,"about_ca_system_score_codex":0.014875299,"about_ca_system_score_gemma":0.008004709,"threshold_uncertainty_score":0.18658477},"labels":[],"label_agreement":null},{"id":"W4406385699","doi":"10.11606/issn.1981-3341.pontourbe.2024.229240","title":"Ela te picou: o sexo entre hijras e homens na Índia rural","year":2024,"lang":"pt","type":"article","venue":"Ponto Urbe","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Gender studies; Sociology; Psychology","score_opus":0.012656119817857117,"score_gpt":0.22392984214043135,"score_spread":0.21127372232257424,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4406385699","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96476007,0.0035628218,0.00018319067,0.0031472002,0.00012544845,0.000024113406,0.00021221205,0.000019863826,0.027965123],"genre_scores_gemma":[0.9897315,0.0029036424,0.00012681766,0.0008918292,0.00005072955,0.000012797982,0.000057748137,0.000009738151,0.00621521],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994037,0.00022400194,0.000022752587,0.000051901206,0.00010185679,0.00019581594],"domain_scores_gemma":[0.99934226,0.00019043342,0.00013229866,0.00005036839,0.00013006708,0.00015444568],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005562317,0.00021831656,0.00020879229,0.0010450836,0.0042287474,0.0035044993,0.00067200273,0.000677598,0.005304224],"category_scores_gemma":[0.0016825318,0.00018822569,0.00024053252,0.0015127942,0.0024438552,0.0014791792,0.0025956673,0.0009546171,0.0005857786],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014827817,0.00015867062,0.29150128,0.0005678925,0.000048243568,0.0032836457,0.60934436,0.000069280715,0.0017984943,0.01162513,0.0081859855,0.073268704],"study_design_scores_gemma":[0.0000056091717,0.00015323526,0.26601613,0.00041340117,0.00006199442,0.0021791558,0.6787996,0.000053529853,0.00041750426,0.00073453184,0.05112747,0.000037858354],"about_ca_topic_score_codex":0.10316962,"about_ca_topic_score_gemma":0.15205283,"teacher_disagreement_score":0.10316962,"about_ca_system_score_codex":0.0018918972,"about_ca_system_score_gemma":0.0023770663,"threshold_uncertainty_score":0.2051382},"labels":[],"label_agreement":null},{"id":"W4406695380","doi":"10.1080/08164649.2025.2454229","title":"Towards Mature Manhood: The Representation of Neoliberal Boyhood in Bollywood Cinema","year":2024,"lang":"en","type":"article","venue":"Australian Feminist Studies","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"MacEwan University","funders":"","keywords":"Movie theater; Representation (politics); Art; Aesthetics; Gender studies; Sociology; Literature; Political science; Politics; Law","score_opus":0.06910388084939086,"score_gpt":0.32909709936192094,"score_spread":0.2599932185125301,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4406695380","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.74268574,0.0029004132,0.010615526,0.009825942,0.0005467325,0.00012224012,0.000088245564,0.00020773071,0.23300737],"genre_scores_gemma":[0.9788329,0.00071012246,0.0022100394,0.00047953846,0.000092641494,0.000032528165,0.000026922982,0.00008955374,0.01752563],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99808574,0.001380064,0.000023880742,0.000105058134,0.00022371464,0.00018158098],"domain_scores_gemma":[0.99824345,0.0010158216,0.00021739687,0.000098693716,0.00012901876,0.00029560502],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0021501805,0.0003721047,0.00020082218,0.0008451894,0.0062866067,0.0063623823,0.00081034325,0.0009381911,0.004279137],"category_scores_gemma":[0.00269603,0.00032020698,0.00015399011,0.0005750648,0.01022809,0.003301126,0.0045359614,0.0022540512,0.00040248255],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040640134,0.000020172522,0.00096945965,0.00014113702,0.0000049883374,0.00092832424,0.94516665,0.000067687935,0.0037126238,0.03836363,0.0024052446,0.008179536],"study_design_scores_gemma":[0.000008385079,0.00009508153,0.005708337,0.00031500057,0.000016092052,0.001494882,0.685937,0.00044144507,0.0023130518,0.004726147,0.29890835,0.00003619176],"about_ca_topic_score_codex":0.0029659267,"about_ca_topic_score_gemma":0.011025856,"teacher_disagreement_score":0.0063623823,"about_ca_system_score_codex":0.0021535226,"about_ca_system_score_gemma":0.0012160769,"threshold_uncertainty_score":0.01562494},"labels":[],"label_agreement":null},{"id":"W4407287556","doi":"10.5539/jel.v14n3p306","title":"Needs of Thai Diorama Documentary Production for Learning","year":2025,"lang":"en","type":"article","venue":"Journal of Education and Learning","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Production (economics); Psychology; Mathematics education; Visual arts; Art","score_opus":0.01135426366420905,"score_gpt":0.2670597866852245,"score_spread":0.25570552302101546,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4407287556","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97305375,0.0008173925,0.00083971344,0.0038238051,0.00006108861,0.00006774396,0.000114246715,0.000058866794,0.021163348],"genre_scores_gemma":[0.9894125,0.001095597,0.0014070829,0.00038889522,0.000045079585,0.000050874365,0.0001401908,0.000028212125,0.0074315662],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.9985441,0.0004938809,0.00012411186,0.00009124052,0.00040802138,0.00033860857],"domain_scores_gemma":[0.9922788,0.0031067452,0.0012453258,0.0001693211,0.0013553324,0.0018443852],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0021073532,0.00020487167,0.00023487456,0.00069713395,0.0017268272,0.0040708394,0.00053055526,0.001012358,0.010184183],"category_scores_gemma":[0.008156318,0.0002366224,0.0001720745,0.0009698679,0.00066863606,0.002337778,0.0012747324,0.0009187546,0.0012817632],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005422786,0.00063534494,0.11790224,0.004616514,0.000020121823,0.016368134,0.52853876,0.00046680734,0.028487928,0.004934398,0.01549245,0.281995],"study_design_scores_gemma":[0.000022025653,0.00063768605,0.10214575,0.0008430249,0.000029833038,0.0065657226,0.76026976,0.0010148603,0.003192751,0.0010636578,0.1241242,0.00009078286],"about_ca_topic_score_codex":0.0036546388,"about_ca_topic_score_gemma":0.004422006,"teacher_disagreement_score":0.010184183,"about_ca_system_score_codex":0.0012450562,"about_ca_system_score_gemma":0.0022285285,"threshold_uncertainty_score":0.03406942},"labels":[],"label_agreement":null},{"id":"W4407741300","doi":"10.1386/safm_00091_1","title":"Forbidden spectacles of a bygone era: An analysis of Malayalam cinema’s soft-porn noon-show culture","year":2024,"lang":"en","type":"article","venue":"Studies in South Asian Film & Media","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"MacEwan University","funders":"","keywords":"Malayalam; Noon; Movie theater; Art; Visual arts; Computer science; Physics; Astronomy; Artificial intelligence","score_opus":0.040914634076456825,"score_gpt":0.29115586021045725,"score_spread":0.2502412261340004,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4407741300","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9403816,0.00044883197,0.00032212472,0.0006640323,0.000023121645,0.000016367454,0.00004088215,0.000006246152,0.05809688],"genre_scores_gemma":[0.9965739,0.00026680125,0.00006028429,0.00004402143,0.000007981905,0.0000066372477,0.000016601423,0.000008974828,0.003014863],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9994906,0.0002297113,0.000013965559,0.000039702838,0.00009514284,0.0001308239],"domain_scores_gemma":[0.9987312,0.0006861105,0.00020087912,0.00007384885,0.00015462129,0.0001533209],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006780092,0.00024565484,0.00017828846,0.0012012469,0.004428248,0.0047061206,0.00050086266,0.00053616293,0.0039178594],"category_scores_gemma":[0.0021259978,0.0001914795,0.00013592948,0.0011150525,0.0053715385,0.0020463257,0.0022054077,0.001228098,0.00025323627],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004650883,0.000021172447,0.010317915,0.00013179194,0.000011716927,0.0009775412,0.9518881,0.00003469681,0.0017326052,0.024536008,0.001087099,0.009214838],"study_design_scores_gemma":[0.0000025197758,0.00003525654,0.057271335,0.00019683056,0.0000150549595,0.0006429989,0.89675474,0.0001955217,0.0007585752,0.0011653537,0.042944185,0.00001768037],"about_ca_topic_score_codex":0.011717722,"about_ca_topic_score_gemma":0.030741071,"teacher_disagreement_score":0.011717722,"about_ca_system_score_codex":0.0030353377,"about_ca_system_score_gemma":0.0012993272,"threshold_uncertainty_score":0.023299038},"labels":[],"label_agreement":null},{"id":"W4407867948","doi":"10.71281/jals.v2i4.238","title":"Institutional Racism and Racial Politics in Richard Wagamese’s Indian Horse: A Critical Race Study","year":2024,"lang":"en","type":"article","venue":"Journal of Arts and Linguistics Studies","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Race (biology); Racism; Politics; Gender studies; Institutional racism; Sociology; Horse; Anti-racism; Critical race theory; Political science; Law","score_opus":0.046172831929252776,"score_gpt":0.3329979881307349,"score_spread":0.28682515620148213,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4407867948","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.65964156,0.016411435,0.0029069115,0.10041572,0.0012625789,0.00012367782,0.000052544372,0.00006800733,0.21911755],"genre_scores_gemma":[0.97545993,0.0032167633,0.0007013293,0.0036587087,0.00020167421,0.0000454211,0.000009639036,0.000042591848,0.016664041],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99733365,0.0017257252,0.000027192455,0.00021784201,0.00028426023,0.00041137438],"domain_scores_gemma":[0.99744874,0.0013135193,0.00021441316,0.00010051317,0.00046791602,0.0004549573],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0029130452,0.0004478293,0.00037891557,0.0015366876,0.030167598,0.008172072,0.0014616268,0.0028454047,0.0019105669],"category_scores_gemma":[0.004325838,0.000289272,0.00024220976,0.0014132175,0.030996097,0.0040589133,0.0037140907,0.005139338,0.00022495836],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014179639,0.00003452068,0.0007664414,0.000048532973,0.0000043032924,0.00058572966,0.8927842,0.00005976881,0.0003123334,0.08982456,0.01038194,0.0051836357],"study_design_scores_gemma":[0.0000036310657,0.000028056576,0.0022468232,0.00021597782,0.000009367236,0.00043899482,0.7487651,0.00013359066,0.00038634992,0.007929545,0.23981169,0.000030866857],"about_ca_topic_score_codex":0.22844459,"about_ca_topic_score_gemma":0.36403373,"teacher_disagreement_score":0.22844459,"about_ca_system_score_codex":0.015914679,"about_ca_system_score_gemma":0.009892556,"threshold_uncertainty_score":0.45422977},"labels":[],"label_agreement":null},{"id":"W4407884681","doi":"10.1080/14746689.2024.2429032","title":"Dark days of Indian democracy: A historical study on the portrayal, censorship, and representation of ‘Indian emergency’ in Malayalam cinema","year":2024,"lang":"en","type":"article","venue":"South Asian Popular Culture","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"MacEwan University","funders":"","keywords":"Malayalam; Censorship; Movie theater; Representation (politics); Democracy; History; Media studies; Political science; Sociology; Computer science; Law; Artificial intelligence; Politics; Art history","score_opus":0.03094299547689822,"score_gpt":0.25794751916560504,"score_spread":0.22700452368870683,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4407884681","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9046237,0.0031730707,0.00064697623,0.002717517,0.00016990607,0.00004779344,0.0001962746,0.000056670826,0.088368125],"genre_scores_gemma":[0.9917761,0.0017009757,0.00018749836,0.0002506733,0.00008599196,0.000019517198,0.00006333319,0.000038145092,0.005877748],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9988017,0.0005667912,0.000038564853,0.000106744104,0.00015980449,0.00032634987],"domain_scores_gemma":[0.99778736,0.0012058825,0.00032931988,0.0001781223,0.00020437076,0.00029496854],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011756652,0.00047341458,0.0002654747,0.002474137,0.008265244,0.0059950426,0.0009788428,0.0012652496,0.0042966045],"category_scores_gemma":[0.003321678,0.00041464128,0.00020597992,0.002864789,0.0068079387,0.0031507863,0.0036064873,0.0030982178,0.0006316458],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034304056,0.00003076421,0.0033723237,0.00013647364,0.000005197495,0.001364171,0.9763524,0.000018496932,0.0017936615,0.0079757115,0.0017619532,0.007154538],"study_design_scores_gemma":[0.000002548087,0.00006455298,0.028194305,0.0003401669,0.000027704036,0.003483505,0.830773,0.00012025606,0.0013722645,0.00052776904,0.13503014,0.000063736275],"about_ca_topic_score_codex":0.017583668,"about_ca_topic_score_gemma":0.04371032,"teacher_disagreement_score":0.017583668,"about_ca_system_score_codex":0.0037225522,"about_ca_system_score_gemma":0.0013271942,"threshold_uncertainty_score":0.034962654},"labels":[],"label_agreement":null},{"id":"W4408022392","doi":"10.1386/btwo_00100_7","title":"‘Singing with wonder’: An interview between Sherryl Sewepagaham and Mark Turin","year":2024,"lang":"en","type":"article","venue":"Book 2 0","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Wonder; Singing; Art; Psychoanalysis; Art history; Psychology; Visual arts; Social psychology; Management","score_opus":0.0301592460721062,"score_gpt":0.22894437572116388,"score_spread":0.19878512964905767,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4408022392","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.63552076,0.011013592,0.0037199915,0.22951813,0.0018778916,0.0002374329,0.00007486692,0.00014773282,0.117889546],"genre_scores_gemma":[0.90712506,0.0025606956,0.0011599819,0.039012633,0.0002711299,0.00015985714,0.00002626444,0.00013387988,0.049550537],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9954674,0.0033936708,0.000050128852,0.0002220058,0.00036403682,0.0005027303],"domain_scores_gemma":[0.9957833,0.0027126763,0.00027473798,0.0000855196,0.0003876029,0.00075624645],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0034298617,0.00050011487,0.0006977418,0.00083122676,0.016558215,0.005930982,0.0012707877,0.0047606076,0.004053826],"category_scores_gemma":[0.007202082,0.0007827276,0.00024065595,0.0010115085,0.014413516,0.0063111223,0.0040620547,0.008458998,0.00051723426],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001851553,0.000020844987,0.00038810697,0.00003335982,0.0000016451406,0.0010409346,0.9629346,0.000031041644,0.00051976694,0.009168427,0.022671143,0.003171544],"study_design_scores_gemma":[0.000003269022,0.00004377613,0.00093877123,0.0001306043,0.0000031144239,0.0007718488,0.8551316,0.00008599886,0.0002728767,0.0008867474,0.1417065,0.000024953451],"about_ca_topic_score_codex":0.027647693,"about_ca_topic_score_gemma":0.042266615,"teacher_disagreement_score":0.027647693,"about_ca_system_score_codex":0.0046163267,"about_ca_system_score_gemma":0.0036666146,"threshold_uncertainty_score":0.054973543},"labels":[],"label_agreement":null},{"id":"W4408125076","doi":"10.1080/14794713.2025.2471519","title":"Mothers of the South: power, suffering, and identity in maternal narratives of South Indian cinema","year":2025,"lang":"en","type":"article","venue":"International Journal of Performance Arts and Digital Media","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"MacEwan University","funders":"","keywords":"Movie theater; Narrative; Identity (music); Power (physics); Media studies; Gender studies; Sociology; Aesthetics; Art; Visual arts; History; Literature","score_opus":0.009859224852862019,"score_gpt":0.2353347172475427,"score_spread":0.22547549239468068,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4408125076","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9616204,0.0021911478,0.00088384096,0.004909244,0.000105533276,0.00003005725,0.000054660937,0.000017460574,0.030187588],"genre_scores_gemma":[0.99432665,0.0014422312,0.0002604585,0.00032886662,0.000025711504,0.000020896588,0.00001831046,0.000017342592,0.0035595058],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983851,0.0011125596,0.000047975907,0.00009532617,0.00015129847,0.00020787798],"domain_scores_gemma":[0.9982161,0.0012207936,0.0002223559,0.000067480214,0.00009797539,0.00017523229],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0024912532,0.00053285185,0.00033644034,0.0007551256,0.00795792,0.004958564,0.00061798946,0.00090182346,0.0020526464],"category_scores_gemma":[0.0044543557,0.0004439997,0.00019437396,0.0006604122,0.0078707505,0.0029922726,0.005138429,0.0021669506,0.0002711701],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000095612995,0.0000032462535,0.0011340593,0.000027583343,0.0000026684777,0.00034606535,0.9937551,0.000008585985,0.0003884983,0.0026599716,0.0002962614,0.0013682914],"study_design_scores_gemma":[9.625843e-7,0.000009749956,0.0019167172,0.000092606075,0.0000070341316,0.00039307165,0.9832423,0.000027064594,0.00024777686,0.00047813557,0.01357718,0.0000074772047],"about_ca_topic_score_codex":0.010850398,"about_ca_topic_score_gemma":0.020561937,"teacher_disagreement_score":0.010850398,"about_ca_system_score_codex":0.0027753594,"about_ca_system_score_gemma":0.0023381629,"threshold_uncertainty_score":0.021574497},"labels":[],"label_agreement":null},{"id":"W4408533895","doi":"10.5430/wjel.v15n4p368","title":"Defying Norms: A Contrapuntal Reading of Gender Performance in the works of Amy Tan and Anita Nair","year":2025,"lang":"en","type":"article","venue":"World Journal of English Language","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Reading (process); Linguistics; Computer science; Art; Philosophy","score_opus":0.01090839020900893,"score_gpt":0.22333781918370835,"score_spread":0.2124294289746994,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4408533895","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.22055237,0.015857518,0.010630266,0.06401448,0.006009292,0.00010320554,0.000079462036,0.00014366613,0.6826098],"genre_scores_gemma":[0.97432387,0.0014823977,0.0009992161,0.00238691,0.00070439104,0.00006126006,0.000021777078,0.000100479774,0.019919682],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99566215,0.003043132,0.00008503557,0.0003546195,0.00058581284,0.00026919303],"domain_scores_gemma":[0.99593097,0.0024269058,0.00051654485,0.0003602086,0.0005635535,0.00020172533],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0036038153,0.00092996244,0.00048787642,0.0012133191,0.0072203185,0.009713112,0.0013886323,0.0025464504,0.0016981936],"category_scores_gemma":[0.006754296,0.000326405,0.00031155988,0.00058450585,0.029700795,0.0052428865,0.0037017125,0.0045582075,0.0004214511],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008507676,0.000038257604,0.0006401541,0.0001881757,0.000010890167,0.0009545312,0.52663153,0.00016130066,0.0008520518,0.45792845,0.0060192696,0.0064902636],"study_design_scores_gemma":[0.000027444923,0.00014704347,0.0021362433,0.0007676151,0.00003250865,0.0017601895,0.39820608,0.0006353459,0.0016913401,0.10866275,0.48587283,0.000060672723],"about_ca_topic_score_codex":0.0047883475,"about_ca_topic_score_gemma":0.0071693975,"teacher_disagreement_score":0.009713112,"about_ca_system_score_codex":0.004594208,"about_ca_system_score_gemma":0.0022309697,"threshold_uncertainty_score":0.03333348},"labels":[],"label_agreement":null},{"id":"W4408534091","doi":"10.5430/wjel.v15n4p355","title":"Contrastive Analysis of Imperative Sentences in English and Batak Toba: A Case Study Using Si Mardan Film","year":2025,"lang":"en","type":"article","venue":"World Journal of English Language","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Contrastive analysis; Computer science; Linguistics; Natural language processing; Artificial intelligence; Philosophy","score_opus":0.012209923334276816,"score_gpt":0.2617788857761253,"score_spread":0.24956896244184848,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4408534091","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98758405,0.00059209927,0.0016497315,0.0010045668,0.00005990216,0.0001762067,0.00007935035,0.000008951381,0.0088451095],"genre_scores_gemma":[0.9918079,0.00058034563,0.0027524661,0.00030825275,0.000028814597,0.00016711625,0.00007194274,0.000023465029,0.0042595956],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.9963606,0.0024403406,0.00017915103,0.00029860143,0.00044961827,0.00027174485],"domain_scores_gemma":[0.99416816,0.00435116,0.0004596013,0.00016594018,0.0005625651,0.0002925485],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0031927289,0.00057481986,0.000523358,0.0013863049,0.0059339995,0.002850426,0.001331696,0.0016288954,0.0023347917],"category_scores_gemma":[0.010371401,0.0004516633,0.00047992083,0.0012889439,0.0047805985,0.0024600518,0.002277866,0.0025754843,0.00031547],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000630242,0.0002244309,0.004491029,0.0003977137,0.000012116177,0.017792549,0.96098983,0.00007103092,0.004251573,0.003992359,0.0007364138,0.0069780466],"study_design_scores_gemma":[0.000013087212,0.00016155643,0.0111378245,0.00028020362,0.000026718084,0.0066027953,0.94941634,0.0002836269,0.0023312708,0.0008313409,0.028882213,0.000032955104],"about_ca_topic_score_codex":0.0085070785,"about_ca_topic_score_gemma":0.024471102,"teacher_disagreement_score":0.0085070785,"about_ca_system_score_codex":0.0037602906,"about_ca_system_score_gemma":0.0015175331,"threshold_uncertainty_score":0.027282953},"labels":[],"label_agreement":null},{"id":"W4409349604","doi":"10.1007/978-3-031-76830-9_6","title":"Mythologizing the Rāmāyaṇa: Gender, Power, and Politics in Bollywood Films (1993–2007)","year":2025,"lang":"en","type":"book-chapter","venue":"","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Politics; Power (physics); Political science; Physics; Law","score_opus":0.031854886681760605,"score_gpt":0.2282991851074114,"score_spread":0.1964442984256508,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4409349604","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19222528,0.026849136,0.0007384658,0.017117659,0.001044763,0.000074624804,0.00007806633,0.000036881975,0.7618351],"genre_scores_gemma":[0.83328754,0.010920298,0.0005327973,0.0019703063,0.00031917286,0.00012332348,0.00006855135,0.00009539265,0.15268263],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9996043,0.00018347331,0.000008940364,0.00004651837,0.000051965664,0.000104813065],"domain_scores_gemma":[0.9996387,0.0001526015,0.000048120513,0.000022165927,0.000046984333,0.0000914884],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012652647,0.0006586403,0.00026688265,0.0009069826,0.0097427955,0.0059991525,0.000774289,0.0011938091,0.00768207],"category_scores_gemma":[0.0010368767,0.00025835104,0.00012815536,0.0017220622,0.00894084,0.0045514754,0.0032810224,0.004834496,0.0007640612],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006187154,0.00005756062,0.0011889322,0.00027284835,0.000006796942,0.00040983793,0.6578535,0.000038041257,0.0013754412,0.284976,0.020506954,0.033252202],"study_design_scores_gemma":[0.000012127278,0.00005142763,0.008416128,0.0006572355,0.000016948863,0.0004942147,0.39049065,0.00009996926,0.0010594752,0.013702616,0.5849782,0.000020899492],"about_ca_topic_score_codex":0.012417585,"about_ca_topic_score_gemma":0.041596074,"teacher_disagreement_score":0.012417585,"about_ca_system_score_codex":0.00452278,"about_ca_system_score_gemma":0.0035408712,"threshold_uncertainty_score":0.032815278},"labels":[],"label_agreement":null},{"id":"W4409433240","doi":"10.3138/md-68-1-1305","title":"Social Reform in the Plays of Mohan Rakesh","year":2025,"lang":"en","type":"article","venue":"Modern Drama","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sociology; Social reform; History; Public administration; Social science; Political science; Law; Politics","score_opus":0.022734064376559626,"score_gpt":0.24555690572889668,"score_spread":0.22282284135233707,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4409433240","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.308031,0.012266287,0.0028134568,0.05554993,0.0016844245,0.00008104459,0.00005028863,0.000118642696,0.619405],"genre_scores_gemma":[0.9724009,0.0009299682,0.00049026706,0.002338196,0.00022595328,0.00003070467,0.000008427084,0.0000315729,0.023543969],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99727964,0.0017155771,0.00003653594,0.00014677062,0.0003278803,0.0004935801],"domain_scores_gemma":[0.9989717,0.0005073842,0.000117792726,0.000090481204,0.00012304045,0.00018970024],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0024574308,0.00037322732,0.00024267206,0.0006036559,0.0147703355,0.005382584,0.0007861539,0.0014212236,0.0032679974],"category_scores_gemma":[0.002943795,0.0001914063,0.00015089741,0.0006144406,0.019434076,0.0030296464,0.0046971324,0.0032266746,0.00050195283],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008521714,0.00006636186,0.0006414331,0.00010534199,0.000009990405,0.00049290585,0.39982325,0.0002608229,0.00085338403,0.55087435,0.029064748,0.0177221],"study_design_scores_gemma":[0.000021827867,0.000081389684,0.0021007387,0.00017418791,0.000010365344,0.00038741773,0.10304656,0.00034187504,0.0010505016,0.032361485,0.8603855,0.000038092297],"about_ca_topic_score_codex":0.011124625,"about_ca_topic_score_gemma":0.021414971,"teacher_disagreement_score":0.0147703355,"about_ca_system_score_codex":0.008073324,"about_ca_system_score_gemma":0.0035007312,"threshold_uncertainty_score":0.058576405},"labels":[],"label_agreement":null},{"id":"W4409476626","doi":"10.53103/cjlls.v5i2.206","title":"Deprivation, Frustration, Jealousy, Vindictiveness, Four Destroyed Lives and Baby Koachamma in Arundhati Roy’s The God of Small Things","year":2025,"lang":"en","type":"article","venue":"Canadian Journal of Language and Literature Studies","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Jealousy; Frustration; Psychology; Psychoanalysis; Social psychology","score_opus":0.015363994602784231,"score_gpt":0.22236741546018804,"score_spread":0.2070034208574038,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4409476626","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7130053,0.011165516,0.0012205843,0.03870634,0.002485087,0.00006277845,0.000085882464,0.0001554782,0.23311305],"genre_scores_gemma":[0.9566543,0.0029189913,0.00037412718,0.0029593625,0.0002614647,0.000036069006,0.000027344893,0.00008196247,0.036686443],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99908936,0.00045961872,0.000016926102,0.000054627595,0.00016103037,0.00021847496],"domain_scores_gemma":[0.9994875,0.00014351238,0.0000752959,0.00004704461,0.000058808404,0.00018769006],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00086014264,0.0005992279,0.0004017452,0.00030879994,0.012721174,0.005876022,0.00096360384,0.0012920757,0.0025495805],"category_scores_gemma":[0.0014726473,0.00032683968,0.00029843525,0.0003290777,0.01163341,0.0027678248,0.0046238303,0.0049521453,0.00061733153],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015286567,0.00015777622,0.002505246,0.00023796092,0.000025848436,0.0050265593,0.8450157,0.0001353087,0.0024907584,0.07848537,0.04621706,0.019549621],"study_design_scores_gemma":[0.000013352,0.00014448173,0.005138968,0.00022277221,0.000028963223,0.0051113013,0.5962215,0.0001333058,0.0014507661,0.005332581,0.38613352,0.00006842195],"about_ca_topic_score_codex":0.0062201247,"about_ca_topic_score_gemma":0.011246533,"teacher_disagreement_score":0.012721174,"about_ca_system_score_codex":0.003046208,"about_ca_system_score_gemma":0.0018418964,"threshold_uncertainty_score":0.022101939},"labels":[],"label_agreement":null},{"id":"W4410029598","doi":"10.36948/ijfmr.2025.v07i02.42417","title":"\"Exploring Dalit Literature With A Focus On Women's Lives And Experiences\"","year":2025,"lang":"en","type":"article","venue":"International Journal For Multidisciplinary Research","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Horizon College and Seminary","funders":"","keywords":"Focus (optics); Gender studies; Sociology; Focus group; Women's Lives; Anthropology","score_opus":0.16576307644741323,"score_gpt":0.3951535479145317,"score_spread":0.2293904714671185,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410029598","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.770109,0.033785228,0.00039082734,0.06569844,0.0012898735,0.000058105754,0.000114524606,0.000043488293,0.1285105],"genre_scores_gemma":[0.97829604,0.007862621,0.00010385005,0.0031164899,0.00011439685,0.000042040923,0.00002113241,0.000015093035,0.010428207],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9962915,0.0020799784,0.00009059552,0.00015692737,0.00034744246,0.0010335643],"domain_scores_gemma":[0.997879,0.00088448945,0.00029166063,0.00008727817,0.00022409299,0.0006334057],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0027903467,0.000770077,0.0006925592,0.0023530673,0.040940076,0.01295325,0.0021234076,0.0027298282,0.0054630456],"category_scores_gemma":[0.0036015797,0.0004920203,0.00031929917,0.0033294256,0.027886318,0.0064697457,0.015366979,0.006110056,0.00053446303],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009801285,0.000018459792,0.0012136659,0.000078911515,0.0000023427401,0.00037955234,0.98057806,0.000007511524,0.00009494556,0.012815115,0.0016861183,0.0031154796],"study_design_scores_gemma":[8.028854e-7,0.000009678095,0.0014546365,0.00016918455,0.0000017526982,0.00012684493,0.96620566,0.00000839154,0.000041252923,0.0003580464,0.031616304,0.000007531848],"about_ca_topic_score_codex":0.06368745,"about_ca_topic_score_gemma":0.0954918,"teacher_disagreement_score":0.06368745,"about_ca_system_score_codex":0.013678099,"about_ca_system_score_gemma":0.006986119,"threshold_uncertainty_score":0.12663347},"labels":[],"label_agreement":null},{"id":"W4410045947","doi":"10.21983/p3.0134.1.14","title":"Profanations","year":2016,"lang":"en","type":"book-chapter","venue":"Punctum Books","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Computer science","score_opus":0.0296403740870734,"score_gpt":0.19637228781978097,"score_spread":0.16673191373270757,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410045947","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0020348858,0.0025196343,0.0025074226,0.04092166,0.028949277,0.00038988292,0.0032566155,0.0010400473,0.9183806],"genre_scores_gemma":[0.012133064,0.0009256519,0.0008331356,0.029411092,0.0029515894,0.00027915253,0.0018277953,0.00033043875,0.9513081],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99565244,0.0007891682,0.00027830707,0.00075965,0.0016875855,0.0008328186],"domain_scores_gemma":[0.99380845,0.001172535,0.00021537865,0.0008316223,0.0030716916,0.0009003196],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0041073966,0.00069672114,0.000696684,0.0017532838,0.0062533165,0.0070159165,0.0023642585,0.006059245,0.42200547],"category_scores_gemma":[0.017027102,0.0005205051,0.00072571565,0.0013739151,0.0014858935,0.0032062817,0.0035204163,0.0065412666,0.21370344],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005274143,0.000030193647,0.00027511155,0.00010637766,0.000003832809,0.00026883036,0.00026087533,0.000041177354,0.00019638997,0.06494996,0.9012114,0.03260307],"study_design_scores_gemma":[0.0000063547795,0.000011844596,0.00014707075,0.000058898157,0.0000018271595,0.00011141627,0.00010001835,0.000036836438,0.000093189934,0.0035068048,0.99592054,0.0000051695138],"about_ca_topic_score_codex":0.003046718,"about_ca_topic_score_gemma":0.0060463324,"teacher_disagreement_score":0.42200547,"about_ca_system_score_codex":0.0029748727,"about_ca_system_score_gemma":0.005174529,"threshold_uncertainty_score":0.82443905},"labels":[],"label_agreement":null},{"id":"W4410285184","doi":"10.4324/9781003600374-14","title":"Relocating the Gaze","year":2025,"lang":"en","type":"book-chapter","venue":"","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Gaze; Psychology; Computer science; Computer vision","score_opus":0.023133365787862015,"score_gpt":0.19564063589367012,"score_spread":0.1725072701058081,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410285184","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.032977507,0.0024766475,0.0057780882,0.00938304,0.0009118218,0.000046944308,0.00007568538,0.00017387087,0.94817644],"genre_scores_gemma":[0.75671047,0.0021474555,0.0028521207,0.003838731,0.00036655742,0.00009074593,0.00013783223,0.0004916929,0.23336439],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99834764,0.0007495751,0.00002629476,0.00034314123,0.00022060197,0.00031273768],"domain_scores_gemma":[0.99912876,0.00024486575,0.000071652525,0.00017497332,0.0001900129,0.00018977169],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015048233,0.0006361915,0.00027636412,0.0011675479,0.0074324417,0.0070992215,0.0008704131,0.0017754339,0.024543377],"category_scores_gemma":[0.002943813,0.00028219356,0.00035169985,0.0006361958,0.014330988,0.0070131673,0.0099853845,0.0039746193,0.0034838512],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035394296,0.000023276345,0.00049962517,0.00010643479,0.000007323703,0.00034379252,0.35960528,0.00007840813,0.0023066637,0.59208715,0.020409556,0.024497004],"study_design_scores_gemma":[0.000008301342,0.000029897816,0.00067911425,0.00033162345,0.000010045687,0.00026736854,0.09674407,0.00013491877,0.00081719056,0.04536998,0.8555905,0.000017001132],"about_ca_topic_score_codex":0.016762652,"about_ca_topic_score_gemma":0.02035045,"teacher_disagreement_score":0.024543377,"about_ca_system_score_codex":0.004692781,"about_ca_system_score_gemma":0.002908636,"threshold_uncertainty_score":0.082105756},"labels":[],"label_agreement":null},{"id":"W4410313869","doi":"10.32920/ifmj.v4i1-2.2087","title":"From the South","year":2024,"lang":"en","type":"article","venue":"Interactive Film and Media Journal","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Environmental science","score_opus":0.018745659693257147,"score_gpt":0.23298617586507386,"score_spread":0.21424051617181672,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410313869","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0067824516,0.0035618055,0.000765116,0.009073605,0.0020584867,0.00007718788,0.0014930682,0.00021106067,0.9759772],"genre_scores_gemma":[0.05244918,0.0031140198,0.0011694152,0.0052316245,0.00030231045,0.00007175752,0.0013915858,0.00026937504,0.9360008],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996333,0.00005711675,0.000017164237,0.000100426165,0.00007474193,0.00011723241],"domain_scores_gemma":[0.99973243,0.000024419855,0.00002138704,0.00002873764,0.00009367847,0.000099407065],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00024141432,0.0005131762,0.00038277838,0.00066843914,0.004655172,0.0044235983,0.0005706123,0.0012061766,0.31892687],"category_scores_gemma":[0.00081835495,0.00023616149,0.0002588291,0.0012359286,0.0008288785,0.0022450695,0.0028583345,0.0025352007,0.10008212],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016696997,0.00006778519,0.005084998,0.00080364256,0.00002485065,0.001921918,0.016253805,0.00012739128,0.0029076221,0.13335566,0.59221727,0.24706812],"study_design_scores_gemma":[0.0000024761707,0.000004649494,0.0011314848,0.00005891588,0.0000014587368,0.00017025566,0.0017469239,0.0000094024235,0.000053848285,0.0007092461,0.9961081,0.0000030644237],"about_ca_topic_score_codex":0.02753282,"about_ca_topic_score_gemma":0.065882266,"teacher_disagreement_score":0.31892687,"about_ca_system_score_codex":0.0019390113,"about_ca_system_score_gemma":0.003205063,"threshold_uncertainty_score":0.97146815},"labels":[],"label_agreement":null},{"id":"W4410399558","doi":"10.1007/978-981-96-0045-8_105","title":"Fish Eyes Trilogy by Anita Majumdar","year":2025,"lang":"en","type":"book-chapter","venue":"","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Trilogy; Fish <Actinopterygii>; Art; Fishery; Art history; Biology","score_opus":0.01426425861006381,"score_gpt":0.19371632624819807,"score_spread":0.17945206763813426,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410399558","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0035974325,0.04889679,0.0012536596,0.04004423,0.022039562,0.0000468699,0.00012883944,0.00020784681,0.8837847],"genre_scores_gemma":[0.00690447,0.006851425,0.000310414,0.0023682057,0.000669394,0.000017337326,0.000018898447,0.0000821522,0.98277766],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9999064,0.000017282424,0.0000033188107,0.000022005974,0.00003591549,0.00001503228],"domain_scores_gemma":[0.9998568,0.000029220175,0.000008866567,0.000009623302,0.000052281506,0.000043181903],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00032202454,0.000580384,0.00023162964,0.0006229918,0.0030644408,0.0018983408,0.0003428161,0.00061603205,0.050543707],"category_scores_gemma":[0.00034525353,0.00022685468,0.0001807306,0.0004759233,0.0009801558,0.0019363832,0.0017522166,0.0026564382,0.019263199],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024644209,0.000015397321,0.00015387598,0.00015134379,0.000002617129,0.00014111608,0.0027897493,0.000052087726,0.00091086584,0.050294008,0.86659825,0.078865975],"study_design_scores_gemma":[9.687383e-7,0.000004656805,0.00012912379,0.000047609246,0.000001109201,0.00007560077,0.0005616019,0.000017736102,0.000088344634,0.00074875006,0.99832267,0.000001737635],"about_ca_topic_score_codex":0.006411796,"about_ca_topic_score_gemma":0.026077164,"teacher_disagreement_score":0.050543707,"about_ca_system_score_codex":0.001376943,"about_ca_system_score_gemma":0.0013821621,"threshold_uncertainty_score":0.16908556},"labels":[],"label_agreement":null},{"id":"W4410411693","doi":"10.5430/wjel.v15n7p59","title":"Misreading the Tradition: An Intertextual Study of Influence through Filmmakers Quentin Tarantino and Lokesh Kanagaraj","year":2025,"lang":"en","type":"article","venue":"World Journal of English Language","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.012740599533138771,"score_gpt":0.24756043182849244,"score_spread":0.23481983229535366,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410411693","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9338933,0.002333985,0.0014357518,0.004740562,0.00014709306,0.000074644144,0.000028580247,0.000023245993,0.0573228],"genre_scores_gemma":[0.99265337,0.00085479114,0.0002594151,0.0002842764,0.000059380734,0.000017222112,0.000011153161,0.000031081767,0.005829394],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9945635,0.0038752204,0.00008908188,0.00045596724,0.0005766313,0.00043964334],"domain_scores_gemma":[0.99124044,0.0067987144,0.00067560654,0.00025402987,0.00050302,0.0005283062],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005143926,0.0005099343,0.0007003343,0.00174389,0.018579124,0.010481635,0.0018023608,0.0020582117,0.002401869],"category_scores_gemma":[0.012354501,0.00043156403,0.00023742736,0.0016521103,0.02442921,0.0074979025,0.0053978227,0.0038364888,0.00020771567],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008536217,0.000007845147,0.00035572835,0.000018125818,0.000001700659,0.00026834288,0.9941765,0.0000061905994,0.00019534837,0.0034038723,0.00020442816,0.0013533717],"study_design_scores_gemma":[0.000004327155,0.000028038372,0.0021888914,0.00011922668,0.000008338734,0.00033408086,0.96662,0.00006628943,0.00028205605,0.001031671,0.029303594,0.000013445533],"about_ca_topic_score_codex":0.0237968,"about_ca_topic_score_gemma":0.042965915,"teacher_disagreement_score":0.0237968,"about_ca_system_score_codex":0.0066605937,"about_ca_system_score_gemma":0.0032323308,"threshold_uncertainty_score":0.048326254},"labels":[],"label_agreement":null},{"id":"W4411038965","doi":"10.1108/case.kellogg.2025.000056","title":"Viacom18: Creating a Sustainable Video Streaming (OTT) Business in India","year":2024,"lang":"en","type":"article","venue":"Kellogg School of Management Cases","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Kellogg's (Canada)","funders":"","keywords":"Business; Video streaming; Marketing; Process management; Industrial organization; Business administration; Computer science","score_opus":0.01064124865831263,"score_gpt":0.2227824963147578,"score_spread":0.21214124765644518,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4411038965","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15531339,0.0016238679,0.018674139,0.021180363,0.0021769435,0.0013256482,0.0029785768,0.013288456,0.7834386],"genre_scores_gemma":[0.37336376,0.0034127429,0.02465094,0.0036578958,0.0006413758,0.00044585267,0.0053887866,0.001900416,0.5865382],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992576,0.000057978647,0.00001914069,0.00006788916,0.00029768143,0.00029963645],"domain_scores_gemma":[0.99841964,0.00009721078,0.000050577943,0.00009301182,0.00029894128,0.001040629],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00079186755,0.0005231742,0.00011522373,0.0012908728,0.0027550089,0.0049105147,0.0009939024,0.0010209087,0.03030963],"category_scores_gemma":[0.0011194753,0.00034195033,0.0004658088,0.0011865004,0.0009672546,0.0027450807,0.00406125,0.0018059845,0.009889735],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003071152,0.00076913246,0.014561848,0.00038208714,0.000019870959,0.0034095012,0.005147707,0.0013246946,0.015516455,0.059002373,0.5950324,0.30452675],"study_design_scores_gemma":[0.000040919465,0.00015937278,0.010881161,0.00007755972,0.000020358395,0.0010447174,0.0041155773,0.001764934,0.0022242893,0.0015876517,0.978019,0.00006444403],"about_ca_topic_score_codex":0.040999092,"about_ca_topic_score_gemma":0.06305097,"teacher_disagreement_score":0.040999092,"about_ca_system_score_codex":0.0026900864,"about_ca_system_score_gemma":0.008001719,"threshold_uncertainty_score":0.101395786},"labels":[],"label_agreement":null},{"id":"W4411071344","doi":"10.1080/02759527.2025.2511421","title":"Remembering to Forget: Wartime Mothers in Tahmima Anam’s <i>A Golden Age</i>","year":2025,"lang":"en","type":"article","venue":"South Asian Review","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Capilano University; McMaster University","funders":"","keywords":"History; Psychology; Ancient history; Art","score_opus":0.018563678620421777,"score_gpt":0.25347691043767034,"score_spread":0.23491323181724857,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4411071344","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09736897,0.8399995,0.00026151296,0.027527245,0.0022502402,0.000048286856,0.0000521459,0.000014021554,0.032478176],"genre_scores_gemma":[0.34013224,0.6466287,0.00028436305,0.005494424,0.0010840195,0.000060842995,0.000043459146,0.0000156837,0.006256253],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993093,0.00047771403,0.000032275093,0.000036440073,0.00007673859,0.00006757706],"domain_scores_gemma":[0.9988557,0.0007691036,0.00020962252,0.0000271165,0.000080077414,0.000058311198],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023357426,0.00035684815,0.0004402821,0.00060785544,0.0015129297,0.0032019278,0.00055408844,0.0013079708,0.0024461523],"category_scores_gemma":[0.0024870466,0.00017528786,0.00019388918,0.0010871652,0.0028472955,0.0030329044,0.0016693686,0.0015113918,0.00036969816],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00037935431,0.0001528407,0.003014379,0.026031286,0.00011251141,0.0035652285,0.41642284,0.0001418685,0.0039377017,0.058988657,0.04869044,0.43856287],"study_design_scores_gemma":[0.000027367354,0.00020587585,0.006617544,0.012215318,0.000117564574,0.001921622,0.224725,0.000028484917,0.0014250904,0.0019431168,0.7507476,0.000025357464],"about_ca_topic_score_codex":0.0024160647,"about_ca_topic_score_gemma":0.005810256,"teacher_disagreement_score":0.0032019278,"about_ca_system_score_codex":0.0015278588,"about_ca_system_score_gemma":0.0025988605,"threshold_uncertainty_score":0.012352705},"labels":[],"label_agreement":null},{"id":"W4411110566","doi":"10.1163/25891715-bja10071","title":"The Uneven Landscapes of Censorship","year":2025,"lang":"en","type":"article","venue":"Public Anthropologist","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Censorship; Computer science; Political science; Law","score_opus":0.02508237544427873,"score_gpt":0.2650602649204225,"score_spread":0.2399778894761438,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4411110566","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.59882915,0.0046122563,0.0045097466,0.01849824,0.00013635389,0.000026797563,0.00015644563,0.000065380715,0.37316558],"genre_scores_gemma":[0.99758303,0.00023275019,0.00011741984,0.00018576399,0.00002679655,0.0000054982233,0.000011168174,0.000016805434,0.0018207738],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99320966,0.0035047452,0.00017400575,0.00075587607,0.0011328965,0.0012228155],"domain_scores_gemma":[0.99307865,0.0037348834,0.00081596023,0.0012693644,0.00047970895,0.00062147604],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0046842094,0.00017505986,0.00034656588,0.002595481,0.010620767,0.016494835,0.001008137,0.0016730314,0.00685109],"category_scores_gemma":[0.008862957,0.00034593817,0.00020935186,0.0020838997,0.04089762,0.009928002,0.009848884,0.0031291265,0.0005210827],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009994609,0.000020599035,0.0087221395,0.00008142191,0.000027296472,0.00084747135,0.22135931,0.000462525,0.0006549357,0.7322723,0.005241927,0.03021017],"study_design_scores_gemma":[0.00003204764,0.00005944355,0.034612488,0.0006718422,0.000037241065,0.0010413618,0.3532787,0.0008000267,0.0012735568,0.299302,0.30879667,0.000094688345],"about_ca_topic_score_codex":0.0054785265,"about_ca_topic_score_gemma":0.007638056,"teacher_disagreement_score":0.016494835,"about_ca_system_score_codex":0.0055510644,"about_ca_system_score_gemma":0.001691163,"threshold_uncertainty_score":0.04027599},"labels":[],"label_agreement":null},{"id":"W4411397604","doi":"10.53762/mh8jxr04","title":"10.53762/mh8jxr04","year":2000,"lang":"en","type":"article","venue":"Time to knit","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Doors; Carving; Craft; Visual arts; Period (music); Architecture; Porch; Beauty; Taste; Capital city; Ancient history; Art; History; Archaeology; Geography; Engineering; Aesthetics; Psychology","score_opus":0.007669275246875248,"score_gpt":0.15338750419497643,"score_spread":0.14571822894810119,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4411397604","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00042790812,0.00035916347,0.00073817174,0.000505224,0.00065072643,0.00008207503,0.00072639284,0.0016323564,0.99487793],"genre_scores_gemma":[0.0016277322,0.00027190748,0.00045656122,0.00044216312,0.00013142407,0.00005320337,0.0004025133,0.00026892527,0.9963456],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994092,0.000058729256,0.000043542357,0.00020602396,0.0001865483,0.00009596146],"domain_scores_gemma":[0.9983045,0.00033999933,0.00008030709,0.00027801853,0.0005458237,0.00045140806],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0006611525,0.00140234,0.00071903534,0.0017346522,0.001724185,0.004675572,0.0013055899,0.0027542661,0.9747824],"category_scores_gemma":[0.0017876166,0.00046459842,0.0006897571,0.0017190499,0.00093556853,0.0026416152,0.003226199,0.0017364183,0.981076],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015093901,0.00013910951,0.0006307368,0.00032315226,0.000013106777,0.00028718152,0.00015110624,0.000109272056,0.002330318,0.0024565696,0.52868503,0.46472353],"study_design_scores_gemma":[0.000022943594,0.00003558073,0.0007481864,0.0001808937,0.000007096932,0.00027366253,0.00015551788,0.000115666124,0.000384893,0.00048222565,0.99757534,0.000018097331],"about_ca_topic_score_codex":0.0020177865,"about_ca_topic_score_gemma":0.002053465,"teacher_disagreement_score":0.025217593,"about_ca_system_score_codex":0.00086439116,"about_ca_system_score_gemma":0.00071411446,"threshold_uncertainty_score":0.035969853},"labels":[],"label_agreement":null},{"id":"W4411463946","doi":"10.36948/ijfmr.2025.v07i03.48222","title":"Funny Boy: Dismantling the System of Carnal and Racial Autocracy","year":2025,"lang":"en","type":"article","venue":"International Journal For Multidisciplinary Research","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Subaltern; Gender studies; Sociology; Character (mathematics); Politics; Power (physics); Sexual orientation; Race (biology); Tamil; Human sexuality; Ethnic group; Egalitarianism; Masculinity; Femininity; Battle; History; Political science; Law; Literature; Anthropology; Art","score_opus":0.08231399852870437,"score_gpt":0.4213531701514822,"score_spread":0.33903917162277786,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4411463946","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.39599547,0.00891861,0.007817683,0.062299415,0.0027984958,0.00010451726,0.00007579134,0.00022207142,0.521768],"genre_scores_gemma":[0.96541905,0.0009436789,0.0010247823,0.0019976813,0.00016358707,0.000041023843,0.000012122186,0.0000654582,0.030332675],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971403,0.0018592059,0.00003105851,0.00025410272,0.00024809147,0.0004673435],"domain_scores_gemma":[0.9982419,0.000555481,0.00022033326,0.00024997478,0.00024878088,0.0004834454],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003868687,0.0006885539,0.00045429554,0.0007911466,0.019860473,0.008213262,0.0013159673,0.0016725033,0.0036238472],"category_scores_gemma":[0.0037168425,0.000390318,0.0002837743,0.00052228005,0.037776534,0.006361409,0.007350588,0.00532722,0.0005140807],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008019435,0.000033038774,0.000917228,0.0001146926,0.000014231894,0.00084602623,0.6108213,0.000082159,0.0006168981,0.36100337,0.015862137,0.009608798],"study_design_scores_gemma":[0.000021554115,0.00011100245,0.002118524,0.00029025605,0.000029570845,0.0011848281,0.43891487,0.0003185332,0.0014728125,0.027451733,0.528043,0.00004331756],"about_ca_topic_score_codex":0.011101636,"about_ca_topic_score_gemma":0.026860919,"teacher_disagreement_score":0.019860473,"about_ca_system_score_codex":0.0044216434,"about_ca_system_score_gemma":0.004248079,"threshold_uncertainty_score":0.032081366},"labels":[],"label_agreement":null},{"id":"W4411607057","doi":"10.1080/09589236.2025.2521690","title":"Fragile fat masculinities: the narrative construction and masculine negotiation of fatphobia in Malayalam cinema","year":2025,"lang":"en","type":"article","venue":"Journal of Gender Studies","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"MacEwan University","funders":"","keywords":"Malayalam; Movie theater; Narrative; Negotiation; Masculinity; Gender studies; Sociology; Art; Literature; Linguistics; Philosophy; Social science","score_opus":0.03689938398556388,"score_gpt":0.28053824434735597,"score_spread":0.24363886036179208,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4411607057","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9327951,0.00077570404,0.0025401171,0.0013662009,0.000065281434,0.000031232383,0.00003148845,0.000022207607,0.062372655],"genre_scores_gemma":[0.9959902,0.00019853203,0.00037709737,0.00007625909,0.0000100478765,0.000009787683,0.0000081491025,0.000010051537,0.0033198404],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99908733,0.0005958871,0.000020797945,0.000053024392,0.00011487562,0.00012803514],"domain_scores_gemma":[0.9991899,0.00046495587,0.00012596778,0.000054869313,0.000061028062,0.000103238905],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011226306,0.00042727366,0.00013696907,0.00081741274,0.00492534,0.003967637,0.0003886092,0.00065212656,0.0019171542],"category_scores_gemma":[0.0019277408,0.00023021678,0.00016592769,0.00045921223,0.00874414,0.0020429057,0.0031202605,0.0011403973,0.00016860919],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036417652,0.000014957323,0.0030220952,0.00010786614,0.0000075890152,0.0011405289,0.9627406,0.000040413364,0.0052813375,0.022046406,0.00050274556,0.0050590932],"study_design_scores_gemma":[0.00000598742,0.000070834794,0.015111943,0.00029717063,0.000031942607,0.0021074214,0.89934015,0.00036083185,0.0043152785,0.004247183,0.07407306,0.000038186314],"about_ca_topic_score_codex":0.004263359,"about_ca_topic_score_gemma":0.009969303,"teacher_disagreement_score":0.00492534,"about_ca_system_score_codex":0.0018127046,"about_ca_system_score_gemma":0.0009168455,"threshold_uncertainty_score":0.013152182},"labels":[],"label_agreement":null},{"id":"W4411941343","doi":"10.1093/cdj/bsaf017","title":"Anti-caste, equity-focused trans activism and the fight for horizontal reservations in India","year":2025,"lang":"en","type":"article","venue":"Community Development Journal","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"Social Sciences and Humanities Research Council of Canada; Government of Canada","keywords":"Caste; Equity (law); Political science; Gender equity; Development economics; Economic growth; Geography; Economics; Law","score_opus":0.06025362383268363,"score_gpt":0.2876984948715991,"score_spread":0.22744487103891547,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4411941343","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7737043,0.0012513405,0.00089032046,0.012070863,0.00016607135,0.000024177216,0.000029248744,0.000023250072,0.21184044],"genre_scores_gemma":[0.99525684,0.00020385206,0.00008986243,0.00054652133,0.000018617113,0.000005581156,0.0000047378226,0.0000037396999,0.0038703],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9988877,0.0004216272,0.00001824008,0.000068186455,0.00011552068,0.0004888009],"domain_scores_gemma":[0.99889636,0.00046448535,0.0001676791,0.000076691955,0.00007793802,0.00031679802],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010490533,0.00019321502,0.00010730596,0.00058602204,0.0062365644,0.0043598376,0.00070898223,0.0007233543,0.0038643456],"category_scores_gemma":[0.00095176726,0.00013030563,0.00016047907,0.00068308273,0.008315904,0.0010969307,0.0051898975,0.002108979,0.00023288412],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014816447,0.0003070417,0.037986476,0.0003772041,0.000029161405,0.0025642929,0.37361485,0.000504279,0.0054579955,0.5004304,0.01126408,0.067315996],"study_design_scores_gemma":[0.00002033536,0.00014928983,0.067826405,0.00047828179,0.000037414866,0.0011398544,0.6799685,0.00063728134,0.0025738121,0.03638653,0.21073043,0.000051832176],"about_ca_topic_score_codex":0.01651468,"about_ca_topic_score_gemma":0.035111204,"teacher_disagreement_score":0.01651468,"about_ca_system_score_codex":0.0021448755,"about_ca_system_score_gemma":0.0035446703,"threshold_uncertainty_score":0.032837152},"labels":[],"label_agreement":null},{"id":"W4412396257","doi":"10.3167/saas.2025.330109","title":"Book Reviews","year":2025,"lang":"en","type":"article","venue":"Social Anthropology","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.025671726914353647,"score_gpt":0.3051124191060218,"score_spread":0.27944069219166817,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4412396257","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0004970933,0.16473283,0.0020414612,0.02142276,0.036700107,0.00022664026,0.004786496,0.0012904935,0.7683022],"genre_scores_gemma":[0.0025345571,0.091400206,0.0016678218,0.0094869435,0.008387798,0.00013207026,0.0039493795,0.000600421,0.8818408],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99869823,0.00013272454,0.00008849983,0.0002529892,0.0007072903,0.00012029836],"domain_scores_gemma":[0.9978776,0.00040924092,0.000102605605,0.00019166546,0.0011102754,0.00030865683],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00071538717,0.0011651431,0.0012383692,0.0033931793,0.0016882769,0.006770758,0.0025938756,0.0026261017,0.48736316],"category_scores_gemma":[0.0042256685,0.0005536059,0.0009083205,0.0045895022,0.0008046251,0.0041187312,0.0023644418,0.0030182004,0.44323823],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011497364,0.000016776463,0.000045227644,0.0004359966,0.000003969205,0.00006333889,0.00007835188,0.000037578156,0.00009738159,0.0032101406,0.8898455,0.1061542],"study_design_scores_gemma":[0.0000017328989,0.0000033343813,0.000050362374,0.00018792438,0.0000016831252,0.000076216114,0.000039070426,0.000006451562,0.000017157403,0.0005725792,0.9990409,0.000002561794],"about_ca_topic_score_codex":0.0048054704,"about_ca_topic_score_gemma":0.0076088174,"teacher_disagreement_score":0.48736316,"about_ca_system_score_codex":0.002302821,"about_ca_system_score_gemma":0.0043336884,"threshold_uncertainty_score":0.7312142},"labels":[],"label_agreement":null},{"id":"W4412432081","doi":"10.17953/a3.6553","title":"Pan-Indianism and Authenti(city): Refusing Colonial Borders","year":2025,"lang":"en","type":"article","venue":"American Indian Culture and Research Journal","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"University of Oklahoma; York University; Johns Hopkins University; University of Minnesota; Syracuse University","keywords":"Colonialism; History; Ethnology; Geography; Anthropology; Sociology; Archaeology","score_opus":0.024451027454919956,"score_gpt":0.339993332922327,"score_spread":0.315542305467407,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4412432081","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4319675,0.0028628905,0.004239888,0.022307783,0.00046777184,0.000026648195,0.000016517168,0.0000827851,0.53802824],"genre_scores_gemma":[0.99276286,0.00037184707,0.00047702075,0.0008073452,0.000036917718,0.0000066363323,0.0000035656742,0.000024336166,0.005509358],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99689376,0.0019218622,0.000103940576,0.00026206375,0.0002935056,0.00052476145],"domain_scores_gemma":[0.9967752,0.0012546343,0.0004756772,0.0006452309,0.00029011973,0.0005591399],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0040502003,0.00017451106,0.00025777897,0.00051020464,0.008422988,0.008986944,0.0007804162,0.0014815679,0.0028846173],"category_scores_gemma":[0.005732132,0.00017246464,0.00026203238,0.00077570404,0.03248257,0.005649615,0.01009294,0.0034342061,0.00039984097],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004781919,0.00003117773,0.005230473,0.00008482724,0.000010730692,0.00051439257,0.22228128,0.000085604646,0.00075857784,0.74239767,0.0027622005,0.025795277],"study_design_scores_gemma":[0.00003806208,0.00013492558,0.015012664,0.0006045175,0.0000482296,0.0017333556,0.4035774,0.00040368998,0.0014187634,0.16967054,0.40727243,0.00008555577],"about_ca_topic_score_codex":0.00755737,"about_ca_topic_score_gemma":0.016096417,"teacher_disagreement_score":0.991577,"about_ca_system_score_codex":0.0025230702,"about_ca_system_score_gemma":0.0038625211,"threshold_uncertainty_score":0.021419764},"labels":[],"label_agreement":null},{"id":"W4412670453","doi":"10.55041/isjem04887","title":"Voices on the Screen : Gender Equity and Women's Media Presence in India","year":2025,"lang":"en","type":"article","venue":"International Scientific Journal of Engineering and Management","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Gender equity; Equity (law); Gender studies; Psychology; Sociology; Advertising; Political science; Business; Law","score_opus":0.019002923561203058,"score_gpt":0.23741342304962207,"score_spread":0.218410499488419,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4412670453","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7994829,0.0033805596,0.0006427388,0.024850167,0.0003953036,0.00004045589,0.00025763453,0.000058264923,0.17089197],"genre_scores_gemma":[0.99366015,0.00069220917,0.00006933762,0.00085467857,0.00006940868,0.000008900763,0.00003406042,0.000010441256,0.004600892],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99762577,0.0008466727,0.00007971762,0.00022848991,0.0004802181,0.00073922717],"domain_scores_gemma":[0.99626595,0.0018526478,0.0007307277,0.00016078078,0.00029646858,0.000693424],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015937134,0.00025432245,0.00020161262,0.001786136,0.00639531,0.008949493,0.0011246117,0.0010392308,0.00887258],"category_scores_gemma":[0.0043843384,0.00025911033,0.0002168271,0.0024308653,0.005997046,0.0036992724,0.0062376196,0.0019897427,0.00056297355],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001782168,0.00017733281,0.11528782,0.0005530793,0.00003615711,0.003410243,0.6242959,0.0001362637,0.0019194265,0.11265024,0.01638148,0.12497393],"study_design_scores_gemma":[0.0000086266045,0.000121824654,0.14710793,0.00061827793,0.0000622375,0.0018374925,0.7355497,0.00026205662,0.0010812976,0.007906851,0.105365805,0.00007796629],"about_ca_topic_score_codex":0.03167728,"about_ca_topic_score_gemma":0.043583255,"teacher_disagreement_score":0.03167728,"about_ca_system_score_codex":0.00432826,"about_ca_system_score_gemma":0.0035393727,"threshold_uncertainty_score":0.06298578},"labels":[],"label_agreement":null},{"id":"W4412819134","doi":"10.29173/spectrum258","title":"Maternal Divinity, Fetishised Commodity","year":2025,"lang":"en","type":"article","venue":"Spectrum","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Divinity; Commodity; Business; Economics; Commerce; Philosophy; Theology; Market economy","score_opus":0.01290447026177024,"score_gpt":0.21972558951587592,"score_spread":0.20682111925410568,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4412819134","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4812545,0.007408432,0.002268271,0.025943916,0.0008017494,0.00003074711,0.000055190576,0.0000843901,0.48215273],"genre_scores_gemma":[0.9805731,0.0011456102,0.00018652315,0.0007188715,0.00007429497,0.000011183952,0.0000074353406,0.000018607429,0.01726439],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986614,0.00075672346,0.000021261223,0.00008655378,0.00018893946,0.00028513203],"domain_scores_gemma":[0.9993024,0.00031405312,0.000104438725,0.00008597993,0.00007089825,0.00012227253],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015823187,0.0003933447,0.00026843624,0.0005932166,0.010757163,0.005586134,0.00066298427,0.0010870752,0.0027330508],"category_scores_gemma":[0.0020054586,0.000243874,0.00014728423,0.0005971802,0.031903278,0.0025058864,0.005646884,0.0029033786,0.0004079424],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028454353,0.000014469321,0.0012603023,0.000040373,0.000003693706,0.0010362536,0.699443,0.000036367823,0.00058170035,0.2864653,0.0025681814,0.008521873],"study_design_scores_gemma":[0.000009230862,0.000071158844,0.004098603,0.00028216993,0.00001990342,0.0015841566,0.50458705,0.00012495414,0.0009550595,0.027068134,0.46117225,0.00002737694],"about_ca_topic_score_codex":0.013797246,"about_ca_topic_score_gemma":0.019273559,"teacher_disagreement_score":0.013797246,"about_ca_system_score_codex":0.0046439595,"about_ca_system_score_gemma":0.0027188782,"threshold_uncertainty_score":0.033694446},"labels":[],"label_agreement":null},{"id":"W4413908744","doi":"10.5430/wjel.v16n1p305","title":"The Politics of Representing Gender and Sexuality in Arundhati Roy’s Selected Books","year":2025,"lang":"en","type":"article","venue":"World Journal of English Language","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Politics; Human sexuality; Gender studies; Sociology; Religious studies; Political science; Philosophy; Law","score_opus":0.014533819182482493,"score_gpt":0.2522785066298207,"score_spread":0.2377446874473382,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4413908744","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.018091226,0.14488992,0.0030710855,0.04366805,0.0036815158,0.000044253415,0.00021808733,0.00028106,0.7860548],"genre_scores_gemma":[0.5148531,0.08257391,0.0033292966,0.012304666,0.0028302218,0.00016026256,0.00020110978,0.00040217064,0.38334528],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9986094,0.0007933877,0.000037388323,0.00010427676,0.00032888126,0.00012654992],"domain_scores_gemma":[0.99844104,0.0012286005,0.000049621987,0.00010061738,0.00010536388,0.000074761934],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00087886275,0.0005551258,0.0003290112,0.0012758116,0.005273474,0.0077473246,0.0010471615,0.0013131433,0.0051352265],"category_scores_gemma":[0.0017979812,0.00024379657,0.00032213476,0.001901292,0.012177092,0.003724581,0.0018403734,0.0042346767,0.0011498382],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003625907,0.00004322303,0.00041956754,0.0004070171,0.000013640713,0.000457815,0.093508825,0.00027985428,0.0005823574,0.657364,0.19077241,0.05611494],"study_design_scores_gemma":[0.0000020430177,0.000011336302,0.00046202974,0.00020461222,0.0000049331557,0.00026233323,0.010594274,0.00007036551,0.00027404045,0.015860986,0.97224146,0.000011558336],"about_ca_topic_score_codex":0.00926951,"about_ca_topic_score_gemma":0.014283645,"teacher_disagreement_score":0.00926951,"about_ca_system_score_codex":0.0056374427,"about_ca_system_score_gemma":0.0027693901,"threshold_uncertainty_score":0.040902674},"labels":[],"label_agreement":null},{"id":"W4414028504","doi":"10.22161/ijels.104.95","title":"A Critical Analysis of Sudha Murthy’s Novel Gopi Diaries","year":2025,"lang":"en","type":"article","venue":"International Journal of English Literature and Social Sciences","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Psychology; Psychoanalysis","score_opus":0.01588023611451856,"score_gpt":0.29875987372505564,"score_spread":0.2828796376105371,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4414028504","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26255494,0.013643679,0.0030430949,0.060024835,0.004776151,0.0004452571,0.00028949074,0.000109044726,0.6551136],"genre_scores_gemma":[0.8826808,0.0050173285,0.001558101,0.010288059,0.0009718746,0.0003640136,0.00015456199,0.00017328687,0.09879207],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99791664,0.0011977041,0.000042372274,0.00017973343,0.0004033197,0.00026032267],"domain_scores_gemma":[0.9974394,0.001539575,0.0002068552,0.000093088136,0.00045212152,0.00026893438],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0025682442,0.0006437884,0.0004924712,0.0018675714,0.01779192,0.009549797,0.0013566021,0.0018108857,0.005015721],"category_scores_gemma":[0.005539048,0.0003561827,0.00025214587,0.0015685428,0.015337742,0.00531586,0.005751217,0.0054547326,0.0007658288],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000052895626,0.000043851098,0.00028123174,0.00028034314,0.0000049426244,0.0026090802,0.7472853,0.000053175125,0.00093061785,0.19726953,0.04176348,0.009425575],"study_design_scores_gemma":[0.000004823467,0.00002693204,0.0008781773,0.0003980535,0.000004239286,0.0007248011,0.4802832,0.00006445097,0.00041502362,0.008418246,0.50876176,0.000020255522],"about_ca_topic_score_codex":0.006794037,"about_ca_topic_score_gemma":0.012600762,"teacher_disagreement_score":0.01779192,"about_ca_system_score_codex":0.012200768,"about_ca_system_score_gemma":0.004555688,"threshold_uncertainty_score":0.08852321},"labels":[],"label_agreement":null},{"id":"W4414248831","doi":"10.58213/f9xs0c28","title":"Clay and Conflict: Cultural Memory, Religious Violence, and Artistic Resistance in Anuradha Roy’s The Earthspinner","year":2021,"lang":"en","type":"article","venue":"Vidhyayana","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Government of Manitoba","funders":"","keywords":"Commodification; Ideology; Resistance (ecology); Narrative; Modernity; Culture theory; Authoritarianism; Nationalism; Transcendence (philosophy); Destiny (ISS module)","score_opus":0.015517187908590083,"score_gpt":0.22196228104071308,"score_spread":0.206445093132123,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4414248831","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8609459,0.005443514,0.0008059467,0.010318514,0.00043835494,0.000025784391,0.00007281542,0.000054084583,0.12189521],"genre_scores_gemma":[0.99327046,0.00074535067,0.00012408824,0.00051400164,0.000096671814,0.00000746691,0.000013925727,0.000024646715,0.005203374],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.998672,0.0007726914,0.00003175666,0.00012848809,0.00020880293,0.00018623903],"domain_scores_gemma":[0.99801266,0.0011819234,0.00032208618,0.0001690932,0.000106044936,0.00020825217],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015567576,0.0005646446,0.00043830814,0.0012890275,0.014534506,0.013054674,0.0014159476,0.0017646336,0.0032605971],"category_scores_gemma":[0.0033047742,0.00044209772,0.0002768866,0.0012605002,0.02269266,0.0049727075,0.0061121467,0.0052289586,0.0003462762],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000052892876,0.000058890906,0.0009784311,0.00007235669,0.000013759417,0.0009931736,0.9568982,0.00006305359,0.0005301413,0.030557552,0.0030995633,0.0066818628],"study_design_scores_gemma":[0.000014909181,0.00006916972,0.0034140039,0.00016713383,0.000023192852,0.0012995496,0.89322376,0.00016573737,0.00050478254,0.007640004,0.09342781,0.000049969683],"about_ca_topic_score_codex":0.0073680254,"about_ca_topic_score_gemma":0.016923629,"teacher_disagreement_score":0.014534506,"about_ca_system_score_codex":0.003482802,"about_ca_system_score_gemma":0.0013423178,"threshold_uncertainty_score":0.025269628},"labels":[],"label_agreement":null},{"id":"W4414435420","doi":"10.1007/978-3-030-11945-4_37-1","title":"Sense and Sensibility by Jane Austen","year":2025,"lang":"en","type":"book-chapter","venue":"","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Saskatchewan","funders":"","keywords":"Sensibility; Pride; Prejudice (legal term); Politics; Sister; Face (sociological concept); Casual; Plot (graphics); Common sense","score_opus":0.01403191187342219,"score_gpt":0.19223751825370558,"score_spread":0.17820560638028338,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4414435420","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0019902508,0.103415765,0.00072706095,0.12760843,0.019716745,0.000032654603,0.000047669066,0.00006350117,0.746398],"genre_scores_gemma":[0.017994413,0.018109014,0.0003652436,0.013483035,0.0012901374,0.000039988343,0.00001406561,0.000110122906,0.9485941],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995908,0.00017931615,0.000012425468,0.000044902972,0.00011574583,0.000056826695],"domain_scores_gemma":[0.99955493,0.00018129397,0.000019886664,0.000025060917,0.000090941954,0.00012791403],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011076054,0.0007360258,0.00046451206,0.000825844,0.0057120733,0.0052557564,0.00059597427,0.0019434728,0.03301008],"category_scores_gemma":[0.0013868766,0.00035809493,0.00022918571,0.0007811494,0.005180059,0.006473501,0.0037704613,0.007838678,0.008722274],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017788321,0.00002123381,0.00007613176,0.00014148591,0.0000028864529,0.0001029436,0.016245274,0.000036579208,0.00018599287,0.19067487,0.76506096,0.02743388],"study_design_scores_gemma":[0.0000016930097,0.000004823764,0.00009646222,0.00017111037,0.0000013146464,0.00008243395,0.0042385478,0.000013343644,0.00003509184,0.009863174,0.98548824,0.000003847935],"about_ca_topic_score_codex":0.009662133,"about_ca_topic_score_gemma":0.03741134,"teacher_disagreement_score":0.03301008,"about_ca_system_score_codex":0.0028663655,"about_ca_system_score_gemma":0.0025088163,"threshold_uncertainty_score":0.110429764},"labels":[],"label_agreement":null},{"id":"W4414546530","doi":"10.1007/978-981-96-1816-3_5","title":"Emma in Bollywood: The Small World of Aisha","year":2025,"lang":"en","type":"book-chapter","venue":"Asia-Pacific and literature in English","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"St. Jerome's University","funders":"","keywords":"Colonialism; Westernization; Identity (music); Post colonialism; Subaltern; Style (visual arts); Postcolonial literature; World literature","score_opus":0.010501463841123184,"score_gpt":0.183406800931561,"score_spread":0.17290533709043782,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4414546530","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.024999643,0.014680601,0.00034450376,0.008079472,0.0016004184,0.000031857755,0.000056537254,0.000069897666,0.9501371],"genre_scores_gemma":[0.14801198,0.005132532,0.00041501556,0.0014831906,0.000285236,0.00004124825,0.000044453278,0.0001282045,0.8444582],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9998079,0.00005068441,0.0000037568898,0.000021703052,0.000032551692,0.00008341104],"domain_scores_gemma":[0.99980646,0.000055594977,0.000012163174,0.000011170734,0.000029792776,0.00008481888],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004426837,0.00049642974,0.0002499941,0.000956165,0.013309353,0.0068609174,0.0006740855,0.0012889925,0.04727871],"category_scores_gemma":[0.00064037734,0.00025055796,0.00012768136,0.0011245662,0.0034399508,0.0049405983,0.0037808334,0.0035945314,0.0054617375],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016321574,0.00015210174,0.0011850605,0.00039863217,0.0000069346147,0.001593492,0.14051034,0.00012121843,0.0017088981,0.43808398,0.26336563,0.15271048],"study_design_scores_gemma":[0.000003067052,0.000011582011,0.0010654551,0.000149801,0.000002016775,0.00010550465,0.027473312,0.000029603807,0.0001876064,0.0028215738,0.96814597,0.0000043835016],"about_ca_topic_score_codex":0.0116091315,"about_ca_topic_score_gemma":0.06400966,"teacher_disagreement_score":0.04727871,"about_ca_system_score_codex":0.0037776686,"about_ca_system_score_gemma":0.0027877714,"threshold_uncertainty_score":0.15816301},"labels":[],"label_agreement":null},{"id":"W4414803737","doi":"10.61809/2168-0620.1356","title":"Seeing Her, Wanting Her: Postfeminist Desire and its Contradictions in Zendaya’s Magazine Covers","year":2025,"lang":"en","type":"article","venue":"International Journal of Undergraduate Research and Creative Activities","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Wilfrid Laurier University","funders":"","keywords":"Femininity; Subjectification; Realm; Agency (philosophy); Rhetoric; Feminism; Human sexuality; Feminist theory; Subjectivity; Male gaze","score_opus":0.04770760227105274,"score_gpt":0.33817187065458537,"score_spread":0.2904642683835326,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4414803737","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7777676,0.0010934706,0.0015767887,0.0056667137,0.00015209717,0.000017360033,0.00004424204,0.000027121507,0.21365453],"genre_scores_gemma":[0.9892246,0.0002142626,0.00022823953,0.00021826488,0.00002237254,0.000007599116,0.000013223601,0.000018137856,0.010053173],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.998703,0.00072788494,0.000022065891,0.00012205989,0.00020293216,0.0002220756],"domain_scores_gemma":[0.9989466,0.0006372648,0.00011030155,0.000060062983,0.00008664582,0.00015917057],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014320109,0.00030514697,0.00021493262,0.0013264605,0.010175169,0.012169075,0.00062859856,0.0015536619,0.004182999],"category_scores_gemma":[0.0018703794,0.0003191762,0.00025972223,0.0009960348,0.015222002,0.004967517,0.0042346045,0.0020148158,0.00040484895],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008521353,0.000049904625,0.0036061336,0.000051989486,0.0000074800737,0.0010914372,0.80220306,0.00007064638,0.0013465321,0.18263192,0.001728683,0.0071269264],"study_design_scores_gemma":[0.0000128712945,0.000049069764,0.0052828197,0.00010832676,0.000015812679,0.0009446244,0.7836461,0.00033091044,0.0010184343,0.017340848,0.19121875,0.000031428528],"about_ca_topic_score_codex":0.010410716,"about_ca_topic_score_gemma":0.01954614,"teacher_disagreement_score":0.012169075,"about_ca_system_score_codex":0.0054809144,"about_ca_system_score_gemma":0.0012042824,"threshold_uncertainty_score":0.039767027},"labels":[],"label_agreement":null},{"id":"W4414833235","doi":"10.1386/jcs_00125_5","title":"Sonia Boyce: Feeling Her Way","year":2025,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Feeling; Ambivalence; Reflection (computer programming)","score_opus":0.035425649089545506,"score_gpt":0.29935165874317776,"score_spread":0.2639260096536323,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4414833235","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0006791439,0.49200574,0.00011377555,0.34813574,0.123127714,0.00002305399,0.000067134686,0.000053479027,0.03579419],"genre_scores_gemma":[0.030066377,0.36953408,0.00031310497,0.22616686,0.08682186,0.00014587837,0.00018165975,0.00035120512,0.28641897],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99765104,0.00089602184,0.00011289416,0.0002882364,0.00074018276,0.00031164862],"domain_scores_gemma":[0.9949799,0.0011044814,0.00030002947,0.00013254983,0.0019511726,0.0015318689],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022510344,0.0009359372,0.00081550586,0.0013683263,0.0065561444,0.005831172,0.0017456074,0.0054445867,0.030352531],"category_scores_gemma":[0.013108818,0.00045148554,0.00032149447,0.0012404373,0.0042640455,0.005134725,0.0044325655,0.008046578,0.00983128],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007183431,0.000003449476,0.000047451627,0.00020060703,0.000002909735,0.00008258964,0.0017529549,0.0000047864655,0.00003547989,0.001082821,0.9876726,0.009107225],"study_design_scores_gemma":[0.0000018064958,0.0000039535275,0.0001583668,0.00034501165,0.0000034717796,0.000145238,0.0022239296,0.0000022151005,0.00001744112,0.00010763342,0.9969867,0.0000043367827],"about_ca_topic_score_codex":0.042843204,"about_ca_topic_score_gemma":0.12520778,"teacher_disagreement_score":0.042843204,"about_ca_system_score_codex":0.0062313597,"about_ca_system_score_gemma":0.010149752,"threshold_uncertainty_score":0.101539314},"labels":[],"label_agreement":null},{"id":"W4414842242","doi":"10.1007/s12119-025-10455-9","title":"The Role of Bollywood in Creating the Ideal Rape Victim in India","year":2025,"lang":"en","type":"article","venue":"Sexuality & Culture","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"University of British Columbia; London School of Economics and Political Science","keywords":"Hindi; Ideal (ethics); Depiction; Movie theater; Economic Justice; Hindi literature","score_opus":0.008669083840651676,"score_gpt":0.24569859617841372,"score_spread":0.23702951233776204,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4414842242","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.88521296,0.0010131458,0.00089596515,0.004205665,0.00014875762,0.000042560514,0.000045869518,0.000060660474,0.108374335],"genre_scores_gemma":[0.99524176,0.00035978702,0.00031140255,0.0001638257,0.0000252177,0.000006090817,0.000008475744,0.0000136838735,0.0038696893],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9989114,0.00065171486,0.000019086676,0.000052679094,0.00015034781,0.00021476114],"domain_scores_gemma":[0.99858737,0.0006556485,0.00033064673,0.00010562623,0.00011591482,0.00020472606],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013206576,0.00034419383,0.0001523905,0.001527338,0.0071112877,0.007035121,0.00084874086,0.00083624246,0.004328318],"category_scores_gemma":[0.002149653,0.00027359696,0.0002148947,0.00079972344,0.008111957,0.0018299852,0.003465175,0.0017907387,0.00044433505],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001482469,0.00012404661,0.017339822,0.00038962578,0.00002410935,0.0055396324,0.8493035,0.00024849756,0.0070525142,0.087575585,0.0051276265,0.02712685],"study_design_scores_gemma":[0.0000087362205,0.00017074155,0.027692623,0.00044690512,0.00005051603,0.0042796955,0.83402365,0.00048454362,0.0041514146,0.003367013,0.12526432,0.000059784186],"about_ca_topic_score_codex":0.0051757214,"about_ca_topic_score_gemma":0.0094085215,"teacher_disagreement_score":0.0071112877,"about_ca_system_score_codex":0.002466034,"about_ca_system_score_gemma":0.0013045706,"threshold_uncertainty_score":0.01789242},"labels":[],"label_agreement":null},{"id":"W4415844776","doi":"10.1177/01634437251387450","title":"(Dis)locating South Asia: Diasporic markets in the global streaming landscape","year":2025,"lang":"en","type":"article","venue":"Media Culture & Society","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Hegemony; Entertainment; Nexus (standard); Media industry; Live streaming; Globalization; Entertainment industry; Diaspora","score_opus":0.010515303016062735,"score_gpt":0.22177489049406462,"score_spread":0.2112595874780019,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4415844776","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.79219735,0.00043298202,0.0019062953,0.0012306593,0.000030578907,0.000030064228,0.0001339516,0.00003113985,0.20400696],"genre_scores_gemma":[0.99421716,0.00031854227,0.0004938537,0.00009867782,0.0000074230097,0.0000118491935,0.00004370274,0.000020926134,0.004787752],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9998765,0.00003124834,0.000004174427,0.000021894222,0.000019080388,0.000047104008],"domain_scores_gemma":[0.9998017,0.00005503423,0.0000406145,0.000021520103,0.000031272237,0.000049953258],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00031993754,0.00023712241,0.00012499653,0.0008980866,0.0015669969,0.00388926,0.00021563072,0.0003056026,0.009025361],"category_scores_gemma":[0.00052685535,0.00010791457,0.00016485121,0.0013466701,0.002873319,0.0027059217,0.0029471014,0.00059911655,0.0005204302],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00027517037,0.000050885214,0.09450819,0.000432892,0.000040967512,0.0042708716,0.47172308,0.0005809183,0.014274482,0.31131235,0.0051818565,0.09734835],"study_design_scores_gemma":[0.000015383188,0.000121868194,0.12348588,0.0003658645,0.0000635464,0.0018019191,0.68374985,0.001324256,0.003166503,0.0226979,0.163165,0.000041960207],"about_ca_topic_score_codex":0.012145252,"about_ca_topic_score_gemma":0.023931868,"teacher_disagreement_score":0.012145252,"about_ca_system_score_codex":0.0011008689,"about_ca_system_score_gemma":0.0012858938,"threshold_uncertainty_score":0.030192852},"labels":[],"label_agreement":null},{"id":"W4416434821","doi":"10.2307/jj.36032466.8","title":"CANADIAN INDIAN POLICIES AND PRACTICES","year":2025,"lang":"","type":"book-chapter","venue":"Anthem Press eBooks","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"","score_opus":0.04396499961371891,"score_gpt":0.26429729176906436,"score_spread":0.22033229215534544,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4416434821","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0067783734,0.0045523844,0.00012582068,0.018626526,0.0004781956,0.000029583796,0.0008133628,0.000073102055,0.9685227],"genre_scores_gemma":[0.08999994,0.0057175187,0.00047441773,0.0040744334,0.00011870074,0.000039744333,0.0002971167,0.000091056754,0.8991872],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99771833,0.0001385036,0.000038075304,0.00014471305,0.0009232899,0.0010370982],"domain_scores_gemma":[0.99870014,0.00008811387,0.000034119526,0.000068593705,0.0007117426,0.00039722264],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00093256537,0.0005653123,0.0003408018,0.0021103665,0.01609172,0.010132569,0.0012110532,0.0016868743,0.0731062],"category_scores_gemma":[0.002440072,0.00041327043,0.00037400576,0.0059279324,0.0029405484,0.0015370445,0.002048243,0.0032139549,0.0051807673],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004134288,0.00004365079,0.0013656812,0.00015115803,0.000011238625,0.00014201163,0.005702804,0.000195373,0.0002566013,0.4714963,0.4686407,0.051953044],"study_design_scores_gemma":[0.0000037828381,0.000004231236,0.003228347,0.00008672074,0.000006383854,0.00002548751,0.0044206493,0.00003976071,0.000111450216,0.0035013375,0.9885571,0.000014769057],"about_ca_topic_score_codex":0.9806425,"about_ca_topic_score_gemma":0.9915051,"teacher_disagreement_score":0.08475813,"about_ca_system_score_codex":0.08475813,"about_ca_system_score_gemma":0.13448083,"threshold_uncertainty_score":0.61496615},"labels":[],"label_agreement":null},{"id":"W46822672","doi":"","title":"The Inevitability of Censorship in a Free and Democratic Society","year":2002,"lang":"en","type":"article","venue":"Essays on Canadian writing","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Censorship; Democracy; Law; Political science; Sociology; Politics","score_opus":0.025790639694394917,"score_gpt":0.18965648393009335,"score_spread":0.16386584423569844,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W46822672","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.054046698,0.0028064016,0.0023257257,0.107081465,0.0005308448,0.00003839607,0.000054313205,0.000040684492,0.8330755],"genre_scores_gemma":[0.95387137,0.00059223536,0.0003767354,0.0040115095,0.00030927334,0.000032994656,0.000012835244,0.00004742842,0.04074559],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.98700225,0.0044075903,0.00025332154,0.0012110966,0.0027297845,0.0043959604],"domain_scores_gemma":[0.9735676,0.014484347,0.001239573,0.0029679616,0.0049321526,0.0028083082],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.013000095,0.0005856019,0.00075452396,0.0020420058,0.053156603,0.027192766,0.0032587317,0.011738137,0.0066193077],"category_scores_gemma":[0.026446862,0.00063419255,0.00051705283,0.0026297972,0.15095304,0.011285946,0.007118789,0.015374506,0.00056259835],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008334231,0.0000049462346,0.00010590705,0.000010983982,0.0000033844906,0.00006169185,0.028478175,0.000070162896,0.0000401923,0.9658383,0.004108462,0.0012694214],"study_design_scores_gemma":[0.00003714946,0.000011622622,0.0012168144,0.00016111202,0.000023869916,0.00010658639,0.042517703,0.0002526056,0.0002769092,0.6985503,0.25678495,0.000060446462],"about_ca_topic_score_codex":0.56571954,"about_ca_topic_score_gemma":0.5745801,"teacher_disagreement_score":0.43428046,"about_ca_system_score_codex":0.04659419,"about_ca_system_score_gemma":0.067774184,"threshold_uncertainty_score":0.87367606},"labels":[],"label_agreement":null},{"id":"W563332570","doi":"","title":"uMabatha: Decolonizing Shakespeare Using a Multi-Accentual Medium","year":2013,"lang":"en","type":"article","venue":"Scholars Commons (Wilfrid Laurier University)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Wilfrid Laurier University","funders":"","keywords":"Linguistics; Art; Philosophy","score_opus":0.04173269220527709,"score_gpt":0.22181558100469245,"score_spread":0.18008288879941536,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W563332570","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20756593,0.006718842,0.015234591,0.012621477,0.0039634197,0.00013286197,0.00013894592,0.0014781362,0.75214577],"genre_scores_gemma":[0.7233495,0.0027830468,0.008641871,0.0014696296,0.0005565849,0.00010382837,0.00008590658,0.0011997272,0.26180992],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99950504,0.00026707913,0.000011792481,0.00004764205,0.00008083283,0.0000876309],"domain_scores_gemma":[0.9995384,0.00017422168,0.000021787275,0.0000784756,0.00006795722,0.00011921394],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010535803,0.00051609613,0.00018977477,0.0006522711,0.008256833,0.004260326,0.00065079576,0.0010479455,0.02005178],"category_scores_gemma":[0.002015579,0.00023511653,0.00019271768,0.00043427953,0.0050484766,0.0038373088,0.005346508,0.0016924217,0.002349696],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018272325,0.00008531133,0.0011443055,0.00045568033,0.000018615832,0.0013982694,0.59605736,0.00017772765,0.010746003,0.124841124,0.1252392,0.13965368],"study_design_scores_gemma":[0.000015343216,0.00006590423,0.0015976956,0.0003490327,0.000017497305,0.00067480933,0.10894923,0.00020506846,0.0029635187,0.0040550893,0.88107985,0.000026888894],"about_ca_topic_score_codex":0.0063060345,"about_ca_topic_score_gemma":0.03093104,"teacher_disagreement_score":0.02005178,"about_ca_system_score_codex":0.0010774713,"about_ca_system_score_gemma":0.0011131458,"threshold_uncertainty_score":0.0670799},"labels":[],"label_agreement":null},{"id":"W56479301","doi":"","title":"Autobiography and an Overdetermined Self: Jane Willis's Geniesh: An Indian Girlhood","year":2003,"lang":"en","type":"article","venue":"Essays on Canadian writing","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Biography; Overdetermined system; Art; Art history; Mathematics","score_opus":0.012471208229359052,"score_gpt":0.2110799899499542,"score_spread":0.19860878172059515,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W56479301","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.120304495,0.01717339,0.0012734963,0.3388001,0.008628466,0.000069986345,0.0001190803,0.00011895965,0.5135119],"genre_scores_gemma":[0.8038906,0.0057020383,0.00043165506,0.032497447,0.0018622369,0.000049773793,0.000034188583,0.00023814761,0.1552939],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99638295,0.0016360845,0.000050526494,0.00024326959,0.00053695304,0.0011501816],"domain_scores_gemma":[0.99487865,0.0024093308,0.00034233098,0.00016396704,0.0007513992,0.0014542664],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0037178951,0.00096098904,0.00066611834,0.001591832,0.063417956,0.015270096,0.0023781396,0.0076504336,0.006691659],"category_scores_gemma":[0.0072440477,0.00048656212,0.00039588983,0.0018741025,0.054288518,0.006411128,0.007860741,0.023909029,0.00078982156],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015266693,0.00001588272,0.00025486865,0.00003427391,0.000005557486,0.0011527069,0.80394876,0.000023776054,0.00015872766,0.13057666,0.061332356,0.0024812282],"study_design_scores_gemma":[0.0000049360065,0.0000058006813,0.00050365174,0.00014728008,0.000009131952,0.000559794,0.65838915,0.000027743688,0.00014723613,0.004913894,0.33527046,0.000020891885],"about_ca_topic_score_codex":0.46490303,"about_ca_topic_score_gemma":0.68663126,"teacher_disagreement_score":0.535097,"about_ca_system_score_codex":0.029141333,"about_ca_system_score_gemma":0.029007317,"threshold_uncertainty_score":0.924394},"labels":[],"label_agreement":null},{"id":"W568649172","doi":"","title":"SHIFTING CONTINENTS/COLLIDING CULTURES. Diaspora Writing of the Indian Subcontinent.","year":2000,"lang":"en","type":"book","venue":"eCite Digital Repository (University of Tasmania)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":12,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Diaspora; Identity (music); Multiculturalism; Gender studies; History; Postcolonial literature; Ceylon; Geography; Genealogy; Colonialism; Media studies; Political science; Sociology; Aesthetics; Ancient history; Art; Law; Archaeology","score_opus":0.008943120009553064,"score_gpt":0.16232887512613087,"score_spread":0.15338575511657782,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W568649172","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20090479,0.06674092,0.0016053162,0.040980045,0.0085030785,0.0001414004,0.00014343152,0.00013368994,0.6808474],"genre_scores_gemma":[0.8928429,0.021034433,0.001037455,0.0057032043,0.0012805222,0.00012238667,0.00006951696,0.00012112923,0.07778862],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99767154,0.001427785,0.0001092395,0.00019442722,0.00035375377,0.00024318637],"domain_scores_gemma":[0.99644923,0.0018358588,0.00038329232,0.0002533466,0.00040703765,0.00067115156],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020524256,0.0006655577,0.00028789137,0.0023564503,0.015876086,0.01078327,0.00096161047,0.0012897354,0.0036490941],"category_scores_gemma":[0.0056162057,0.0002490869,0.00021338116,0.0030197161,0.012150896,0.004226435,0.0070415097,0.0027353913,0.0008760034],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024404568,0.000022695229,0.0013254439,0.0002427494,0.0000057842176,0.0010055995,0.85766494,0.000043049746,0.0003542312,0.08683436,0.023541978,0.02893475],"study_design_scores_gemma":[0.000005170672,0.000023084585,0.0030900182,0.0005282872,0.00000841304,0.00076897524,0.5170883,0.000060432518,0.0002852902,0.0075343596,0.47059044,0.00001723296],"about_ca_topic_score_codex":0.011814018,"about_ca_topic_score_gemma":0.026103714,"teacher_disagreement_score":0.015876086,"about_ca_system_score_codex":0.0035702158,"about_ca_system_score_gemma":0.0047976,"threshold_uncertainty_score":0.025903821},"labels":[],"label_agreement":null},{"id":"W572871391","doi":"10.4135/9788132113966","title":"The Magic of Bollywood: At Home and Abroad","year":2012,"lang":"en","type":"book","venue":"","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":26,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"MAGIC (telescope); Art; History; Geography; Astronomy; Physics","score_opus":0.013316503360392192,"score_gpt":0.19994292028526958,"score_spread":0.1866264169248774,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W572871391","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.01692206,0.0790838,0.00031013475,0.07747741,0.014922601,0.0000356751,0.00029734115,0.00019043614,0.8107605],"genre_scores_gemma":[0.16928726,0.035890922,0.0005530586,0.012258171,0.006430796,0.000034982237,0.00024035871,0.00047758975,0.77482677],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99953306,0.000117337084,0.000014599766,0.0000624666,0.00014324379,0.00012925938],"domain_scores_gemma":[0.9993424,0.00019437654,0.00004554469,0.00006055198,0.00012085274,0.0002363987],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007759243,0.0005846987,0.0003525406,0.0010161177,0.006336982,0.010430178,0.0006948354,0.0016898755,0.070079535],"category_scores_gemma":[0.0016170102,0.0002362964,0.0002040202,0.0019183608,0.0030958196,0.007439811,0.0042923368,0.00433713,0.00891651],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013232102,0.00009921479,0.0012887769,0.00046529676,0.000011105135,0.00070583494,0.059659995,0.000023639928,0.0012137111,0.1206706,0.6941023,0.12162711],"study_design_scores_gemma":[0.000002330144,0.000009091642,0.0008146945,0.00015591302,0.0000027711817,0.00013120343,0.017519638,0.0000053051517,0.00010598683,0.00070882397,0.9805398,0.000004543799],"about_ca_topic_score_codex":0.0064898245,"about_ca_topic_score_gemma":0.013296834,"teacher_disagreement_score":0.070079535,"about_ca_system_score_codex":0.002282864,"about_ca_system_score_gemma":0.0011801758,"threshold_uncertainty_score":0.23443937},"labels":[],"label_agreement":null},{"id":"W579635159","doi":"","title":"The Indian family in transition : reading literary and cultural texts","year":2007,"lang":"en","type":"book","venue":"","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Patriarchy; Gender studies; Tamil; Family life; Cult; Sociology; Agency (philosophy); History; Art; Literature; Social science","score_opus":0.01523241089734805,"score_gpt":0.21480887269651974,"score_spread":0.19957646179917168,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W579635159","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.25602746,0.1356264,0.0011375773,0.043947406,0.0043429337,0.00015156086,0.00028396503,0.00027535635,0.5582073],"genre_scores_gemma":[0.9220904,0.043131262,0.0006210096,0.00319567,0.0011620856,0.00011896419,0.00013718523,0.00013871577,0.029404623],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99887604,0.00053467194,0.000050897597,0.00007446853,0.00017608295,0.00028779492],"domain_scores_gemma":[0.99804306,0.0012027369,0.0001668488,0.000090346846,0.00020587129,0.00029120044],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011391139,0.0011117025,0.0005307839,0.004059143,0.013324,0.010537937,0.001410658,0.0012998558,0.0029945313],"category_scores_gemma":[0.0030041032,0.00029726585,0.0003266101,0.0068089473,0.0127608515,0.0031859085,0.0036448578,0.0027671535,0.00044474078],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000056058412,0.00005992491,0.0011438469,0.00030954398,0.0000118810585,0.0021946419,0.8770949,0.00010609386,0.0005949956,0.051036276,0.04378801,0.023603778],"study_design_scores_gemma":[0.0000037307623,0.000023845894,0.0043880986,0.00053426257,0.000015918851,0.000711533,0.65769476,0.00005392231,0.00025070837,0.0025239836,0.33377966,0.00001965326],"about_ca_topic_score_codex":0.06373249,"about_ca_topic_score_gemma":0.07532757,"teacher_disagreement_score":0.06373249,"about_ca_system_score_codex":0.01012937,"about_ca_system_score_gemma":0.005529734,"threshold_uncertainty_score":0.12672305},"labels":[],"label_agreement":null},{"id":"W581396908","doi":"10.5206/tjr.2015.1.3.2","title":"Representing Reconciliation","year":2015,"lang":"en","type":"article","venue":"Transitional justice review","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":16,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Print media; Frame (networking); Frame analysis; Advertising; News media; Media studies; Geography; Political science; Computer science; Sociology; Content analysis; Newspaper; Telecommunications; Business; Social science","score_opus":0.15138254759407752,"score_gpt":0.29638585178849935,"score_spread":0.14500330419442184,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W581396908","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00977363,0.13573386,0.0059531373,0.16059823,0.009724452,0.00016405396,0.00012357287,0.00013670628,0.6777923],"genre_scores_gemma":[0.64493096,0.092734605,0.005756918,0.07449465,0.0048259418,0.0004566659,0.00040577678,0.00023971789,0.17615473],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9814119,0.011683331,0.0008609183,0.0011504495,0.0028625773,0.0020307861],"domain_scores_gemma":[0.9906619,0.00393192,0.0006157125,0.0017279005,0.0023648432,0.0006976434],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.01978577,0.0006194737,0.0007631014,0.0024673925,0.008705868,0.015823448,0.002457481,0.0062497263,0.01895322],"category_scores_gemma":[0.023886422,0.00031390483,0.0006555117,0.0032186408,0.015626675,0.010884721,0.009337765,0.008809585,0.0026430693],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002517339,0.000021754404,0.00014384263,0.00044463816,0.000024203471,0.000066760724,0.00716179,0.00009539595,0.00008522369,0.8387508,0.08993194,0.06324849],"study_design_scores_gemma":[0.000014909982,0.000033325177,0.00044722616,0.002010004,0.00004052192,0.00010875392,0.0097912885,0.00010368716,0.00034047643,0.1305424,0.8565503,0.000017115846],"about_ca_topic_score_codex":0.006059848,"about_ca_topic_score_gemma":0.0113295475,"teacher_disagreement_score":0.01978577,"about_ca_system_score_codex":0.006954888,"about_ca_system_score_gemma":0.023117555,"threshold_uncertainty_score":0.10463846},"labels":[],"label_agreement":null},{"id":"W586184178","doi":"","title":"Contracting out Hollywood : runaway productions and foreign location shooting","year":2005,"lang":"en","type":"book","venue":"Rowman & Littlefield eBooks","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":64,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Hollywood; Studio; Competition (biology); Media studies; Film industry; Visual arts; Advertising; Engineering; Political science; Art; Economy; Movie theater; Sociology; Art history; Business; Economics","score_opus":0.026373707465133102,"score_gpt":0.21189726537951806,"score_spread":0.18552355791438496,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W586184178","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.017578337,0.0062814793,0.00033134784,0.0029849678,0.00039004337,0.000024650231,0.00004374117,0.000051801202,0.9723136],"genre_scores_gemma":[0.14504924,0.005848965,0.000401885,0.00083883177,0.00018445465,0.000022554392,0.00008423256,0.00015180772,0.847418],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997141,0.000044657936,0.0000055271894,0.00004274188,0.00008661709,0.00010641046],"domain_scores_gemma":[0.99978596,0.00005860953,0.000016151813,0.000018891235,0.00003378155,0.00008666199],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002884249,0.0005669394,0.00024379055,0.0008313745,0.006834006,0.008494093,0.0007500877,0.0011292757,0.06458976],"category_scores_gemma":[0.00055491395,0.00031347832,0.00016454075,0.0017981072,0.0032812206,0.0044842493,0.0030994345,0.0023219713,0.0039391397],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000058675298,0.0001418198,0.0010273013,0.00031285975,0.0000059752133,0.0007774338,0.12878706,0.0001634646,0.0009036361,0.38892904,0.32514822,0.1537445],"study_design_scores_gemma":[0.0000036816316,0.000019361696,0.003335106,0.00027265068,0.0000039631564,0.00023327634,0.06503721,0.0000544993,0.00028653254,0.006575793,0.9241692,0.000008810626],"about_ca_topic_score_codex":0.046591472,"about_ca_topic_score_gemma":0.16417135,"teacher_disagreement_score":0.06458976,"about_ca_system_score_codex":0.004633851,"about_ca_system_score_gemma":0.0026593579,"threshold_uncertainty_score":0.21607429},"labels":[],"label_agreement":null},{"id":"W58764907","doi":"","title":"And Still More Drama!: A Comparison of the Portrayals of African-American Women and African-American Men on BET's College Hill","year":2013,"lang":"en","type":"article","venue":"The Western journal of black studies","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":8,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; African american; Institution; Sociology; Historically black colleges and universities; Drama; Gender studies; Ethnic group; African-American culture; Racism; Social science; Anthropology; Literature; Art","score_opus":0.02649864149487353,"score_gpt":0.2687393226227455,"score_spread":0.242240681127872,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W58764907","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9706845,0.0011251125,0.00014730268,0.0016112694,0.00014046727,0.000031353728,0.00015014737,0.0000090755175,0.026100703],"genre_scores_gemma":[0.9927758,0.0012222452,0.000117703355,0.0004885014,0.000093630515,0.00003081059,0.00013301108,0.000028000599,0.005110342],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99916387,0.0003836534,0.000022854327,0.00004597847,0.0001848104,0.00019881547],"domain_scores_gemma":[0.9986525,0.0006008342,0.0002625033,0.0000363888,0.00017770572,0.00026999533],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012377045,0.0004918824,0.00030490616,0.0026674923,0.005754482,0.0046089836,0.00064838777,0.0011337725,0.007961886],"category_scores_gemma":[0.0036122168,0.00027889488,0.00027027525,0.0015407555,0.0027799795,0.0027346732,0.0032773162,0.0016908644,0.0007865349],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017276872,0.00010618848,0.016725954,0.00016510584,0.000029378429,0.00068848894,0.95896095,0.000021958775,0.0016488059,0.0025816248,0.0058383704,0.013060356],"study_design_scores_gemma":[0.000005010587,0.000043589127,0.032590747,0.00011883018,0.000012892604,0.00027179887,0.95018214,0.000054028533,0.00018708382,0.00013458407,0.016387545,0.000011693296],"about_ca_topic_score_codex":0.01789271,"about_ca_topic_score_gemma":0.05648697,"teacher_disagreement_score":0.01789271,"about_ca_system_score_codex":0.0018093581,"about_ca_system_score_gemma":0.000891221,"threshold_uncertainty_score":0.03557712},"labels":[],"label_agreement":null},{"id":"W598334664","doi":"10.4324/9780203556054","title":"Routledge Handbook of Indian Cinemas","year":2013,"lang":"en","type":"book","venue":"","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Movie theater; Tamil; Hindi; National cinema; Art; Media studies; History; Gender studies; Art history; Sociology; Literature","score_opus":0.016476516933056778,"score_gpt":0.180369143603845,"score_spread":0.16389262667078824,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W598334664","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0005199081,0.089249715,0.0032159747,0.0046528103,0.0037503063,0.000115289964,0.0028552439,0.0018127281,0.893828],"genre_scores_gemma":[0.014174887,0.08263785,0.004266303,0.0021066444,0.0019839169,0.0002473574,0.0024002704,0.0014945337,0.8906882],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985617,0.0003186337,0.000117026015,0.00018461712,0.00064098334,0.00017705353],"domain_scores_gemma":[0.9980849,0.0005359005,0.00012715066,0.0003981643,0.0005926393,0.00026122466],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009121308,0.0012765938,0.00079951505,0.003999733,0.002745454,0.009304086,0.0023427033,0.0015607405,0.2520164],"category_scores_gemma":[0.0037320019,0.0008094164,0.0005974068,0.0065552164,0.001794329,0.0050320625,0.0031727839,0.0028123185,0.118806586],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024157145,0.000019359974,0.00015594104,0.0011836862,0.0000068258296,0.00015491959,0.003351081,0.00015921518,0.0005181865,0.048945818,0.7105303,0.23495051],"study_design_scores_gemma":[5.48734e-7,0.0000014675799,0.00012860306,0.00022152675,0.0000011140008,0.000060937287,0.00028992453,0.000012642832,0.000027844633,0.0007646613,0.9984871,0.0000035836765],"about_ca_topic_score_codex":0.01756192,"about_ca_topic_score_gemma":0.024920957,"teacher_disagreement_score":0.2520164,"about_ca_system_score_codex":0.0038083815,"about_ca_system_score_gemma":0.005708343,"threshold_uncertainty_score":0.84307885},"labels":[],"label_agreement":null},{"id":"W632979102","doi":"","title":"Diamond dust : and other stories","year":2001,"lang":"en","type":"book","venue":"Vintage eBooks","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":9,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Disappointment; Nothing; Hospitality; Friendship; Media studies; Sociology; Art; History; Tourism; Archaeology; Social science; Psychology; Philosophy; Social psychology","score_opus":0.026152869476225298,"score_gpt":0.21356427781902326,"score_spread":0.18741140834279796,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W632979102","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0043928125,0.004254817,0.00033714282,0.0059595406,0.0014765175,0.00002717349,0.00018266565,0.00013590179,0.9832334],"genre_scores_gemma":[0.048610855,0.0025466767,0.0002861092,0.0025275706,0.00031263925,0.000043417564,0.00024826278,0.00017827855,0.94524616],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993318,0.00021371184,0.0000097891125,0.00006244354,0.00022735063,0.00015501674],"domain_scores_gemma":[0.9994404,0.00017601145,0.000028810404,0.000059248763,0.00007933171,0.00021616275],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00046684025,0.00070222525,0.00035889226,0.0012189234,0.007929561,0.009502928,0.0012085054,0.0018450394,0.11359529],"category_scores_gemma":[0.0019219997,0.00025909004,0.0002657738,0.001809881,0.002802631,0.0057365964,0.00475116,0.0028845696,0.020537926],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026723486,0.000044495693,0.00029159206,0.00009557762,0.0000026749124,0.00083547545,0.043006226,0.000025898918,0.00015212105,0.057314675,0.85348964,0.044714894],"study_design_scores_gemma":[0.0000014824808,0.0000021004573,0.00008695504,0.000043068165,5.521567e-7,0.00021343755,0.013869157,0.0000061610012,0.00002168263,0.001163201,0.98458976,0.0000024643289],"about_ca_topic_score_codex":0.008568083,"about_ca_topic_score_gemma":0.024258759,"teacher_disagreement_score":0.11359529,"about_ca_system_score_codex":0.0024510126,"about_ca_system_score_gemma":0.001244765,"threshold_uncertainty_score":0.38001412},"labels":[],"label_agreement":null},{"id":"W652469740","doi":"10.1215/9780822380986","title":"Soundtrack Available","year":2001,"lang":"en","type":"book","venue":"","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":53,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Musical; Popular music; Art history; Movie theater; Art; Ballad; Memphis; White (mutation); Queer; History; Visual arts; Literature; Sociology; Poetry; Gender studies","score_opus":0.036571579009181426,"score_gpt":0.19396288775432224,"score_spread":0.15739130874514082,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W652469740","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00023648754,0.00044254054,0.0023594056,0.00080857484,0.0028935694,0.00027884074,0.008425536,0.008819454,0.9757356],"genre_scores_gemma":[0.00087407953,0.0002971289,0.0008260219,0.00044838863,0.00040823873,0.000100302,0.0038321672,0.0020869635,0.9911267],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996393,0.00003209208,0.000017203965,0.00006764199,0.00019747547,0.00004636551],"domain_scores_gemma":[0.9990188,0.0001321517,0.000023928475,0.00013111653,0.00049605285,0.00019799724],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004407594,0.0010622425,0.00096769334,0.0014406163,0.0014629142,0.0049569975,0.0018787537,0.0017947827,0.93932456],"category_scores_gemma":[0.0020949265,0.0005391653,0.00065689225,0.0013123457,0.00036048522,0.0030079428,0.0031409005,0.0022044468,0.882503],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003676587,0.000025355643,0.000040775827,0.00012326839,0.0000015509299,0.000024852583,0.00003580786,0.00003035932,0.00038246938,0.0009734844,0.9398771,0.058448102],"study_design_scores_gemma":[0.000013608665,0.0000152004395,0.00019336843,0.00007506347,0.0000019783156,0.000032535805,0.000048425813,0.000033387958,0.000121605786,0.0004439687,0.99901414,0.000006564887],"about_ca_topic_score_codex":0.0028456294,"about_ca_topic_score_gemma":0.0044869,"teacher_disagreement_score":0.93932456,"about_ca_system_score_codex":0.0008161079,"about_ca_system_score_gemma":0.0011478268,"threshold_uncertainty_score":0.08654618},"labels":[],"label_agreement":null},{"id":"W6887874218","doi":"10.17613/vat7-np14","title":"Foreword","year":2021,"lang":"en","type":"article","venue":"Knowledge Commons (Lakehead University)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Context (archaeology); Identification (biology); Natural (archaeology); Articulation (sociology)","score_opus":0.0360698772571875,"score_gpt":0.2175286426903669,"score_spread":0.1814587654331794,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6887874218","genre_codex":"other","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00027327074,0.016881283,0.00058621727,0.085970834,0.22536764,0.00028806605,0.0041202134,0.00086606934,0.6656465],"genre_scores_gemma":[0.0009528743,0.0037127726,0.0001306886,0.016712856,0.015175447,0.00012513518,0.0018046751,0.0002646541,0.96112084],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990466,0.00009556124,0.000052033345,0.000124106,0.00053167425,0.00015005216],"domain_scores_gemma":[0.9966878,0.0002663355,0.00015288658,0.00010876668,0.0021588323,0.0006252862],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00085478247,0.0013761924,0.000841768,0.0016810257,0.0024172636,0.0045409873,0.0016752403,0.0039786706,0.5561012],"category_scores_gemma":[0.0054074693,0.00037969736,0.00061042566,0.0013190893,0.00075313175,0.0034810842,0.0029158026,0.0041135475,0.6398074],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000003924538,0.0000016707959,0.0000067734964,0.000030015086,2.2946435e-7,0.0000096826925,0.000010770615,0.000002127622,0.000015032674,0.00034489462,0.99335164,0.0062232693],"study_design_scores_gemma":[0.0000014794354,0.0000027567733,0.00005553362,0.00007096961,4.108675e-7,0.000025378753,0.000036382447,0.0000029312414,0.000016404643,0.00016647183,0.9996197,0.0000015009872],"about_ca_topic_score_codex":0.007895607,"about_ca_topic_score_gemma":0.009521182,"teacher_disagreement_score":0.5561012,"about_ca_system_score_codex":0.0017456732,"about_ca_system_score_gemma":0.0025873983,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W6891718084","doi":"10.48336/7y27-vh05","title":"Hegemonic masculinities, caste, and the body: interactions in local and transnational spaces","year":2023,"lang":"en","type":"article","venue":"Memorial University Research Repository (Memorial University)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Memorial University of Newfoundland","funders":"","keywords":"Caste; Hegemony; Hegemonic masculinity; Masculinity; Patriarchy; Identity (music)","score_opus":0.03729288420495868,"score_gpt":0.2491540979672157,"score_spread":0.211861213762257,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6891718084","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9313168,0.0011977911,0.0023829055,0.0017269185,0.000043194992,0.000027314542,0.000021057984,0.000008540338,0.063275434],"genre_scores_gemma":[0.9975656,0.00029080812,0.0002088413,0.00007214885,0.000005608965,0.000009683328,0.0000055273167,0.0000036628503,0.0018381085],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9976451,0.001465911,0.0000309903,0.0001237034,0.00025340472,0.00048079927],"domain_scores_gemma":[0.9983839,0.0009989918,0.00023285819,0.000068123605,0.00010332911,0.00021274228],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020507865,0.00036007562,0.00040999384,0.001425087,0.009611971,0.007163932,0.0005016113,0.0006757086,0.0043690517],"category_scores_gemma":[0.0024273181,0.0001984162,0.00020779372,0.0020061505,0.02608202,0.003168972,0.0066058957,0.0016775668,0.00016066803],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032423057,0.000038106908,0.013991882,0.00009733733,0.000013989139,0.00037964553,0.86793864,0.0001624516,0.00083544967,0.10517156,0.00023777876,0.011100822],"study_design_scores_gemma":[0.0000029561006,0.000024682346,0.018606301,0.00012994464,0.000008058944,0.000109725006,0.95854855,0.000113499926,0.00022678896,0.00803126,0.014184596,0.00001365282],"about_ca_topic_score_codex":0.029798677,"about_ca_topic_score_gemma":0.058546618,"teacher_disagreement_score":0.029798677,"about_ca_system_score_codex":0.0044444934,"about_ca_system_score_gemma":0.0033331998,"threshold_uncertainty_score":0.059250474},"labels":[],"label_agreement":null},{"id":"W6893209671","doi":"10.5281/zenodo.14680646","title":"Beyond the Red Carpet: Unravelling the Socio-Cultural Significance of Film Festivals and its Evolution Post-Pandemic","year":2024,"lang":"en","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Fraternity; Movie theater; Coronavirus disease 2019 (COVID-19); Film studies; Film festival; Mode (computer interface); Exhibition; Cultural heritage","score_opus":0.03646519131673502,"score_gpt":0.2374849293585084,"score_spread":0.20101973804177337,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6893209671","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.87321,0.008024583,0.0016858655,0.025223052,0.0009908252,0.00016184592,0.0004009522,0.000055563378,0.090247475],"genre_scores_gemma":[0.9881144,0.003532996,0.0006912417,0.0009358745,0.00026465836,0.00009915484,0.0001205614,0.00004298495,0.006198129],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99818474,0.00097218325,0.000054486292,0.00015843123,0.00027938263,0.0003507085],"domain_scores_gemma":[0.99335575,0.0029842956,0.0012162476,0.0004170899,0.0010063439,0.0010203659],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0032754634,0.00029198852,0.00024385098,0.0020483267,0.007981487,0.009245016,0.0009343633,0.0010886602,0.004320924],"category_scores_gemma":[0.0107660005,0.00026659452,0.00025000554,0.002026986,0.0068211337,0.008647251,0.006245078,0.0030357938,0.00036995995],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000089000656,0.00009713533,0.035211608,0.00053221587,0.000029227102,0.0014014827,0.8450606,0.00010320485,0.00089311297,0.022223765,0.017107667,0.07725101],"study_design_scores_gemma":[0.0000029751402,0.000047297475,0.06584993,0.00060832687,0.000014113531,0.0003197435,0.8477146,0.00013172562,0.00021602435,0.0022533752,0.082813725,0.000028151291],"about_ca_topic_score_codex":0.0138902515,"about_ca_topic_score_gemma":0.031056404,"teacher_disagreement_score":0.0138902515,"about_ca_system_score_codex":0.0036482706,"about_ca_system_score_gemma":0.0031947054,"threshold_uncertainty_score":0.027618825},"labels":[],"label_agreement":null},{"id":"W6893631264","doi":"10.5281/zenodo.4178854","title":"~#ReGarDer~Aniksha (2020) FILM Complet HD En Francais Streaming vf xkb","year":2020,"lang":"fr","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Video recording; French; Aerial photos","score_opus":0.034340066441399635,"score_gpt":0.22315613707094017,"score_spread":0.18881607062954053,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6893631264","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0012674462,0.00035592544,0.00097231875,0.0009683858,0.0014595807,0.00018443071,0.015006465,0.008805901,0.97097945],"genre_scores_gemma":[0.0037519953,0.0002930123,0.00079882384,0.00029544535,0.00013756687,0.00005593379,0.006840425,0.0030618177,0.98476493],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99979204,0.00001150564,0.0000069515418,0.00003636444,0.00008885627,0.00006424918],"domain_scores_gemma":[0.99910384,0.000041369753,0.000020474123,0.00008522663,0.00038903355,0.00036011168],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00030235012,0.00074195047,0.00029902192,0.0008033728,0.0017043046,0.003226443,0.0007764176,0.00093119714,0.9070333],"category_scores_gemma":[0.0011096341,0.00041453025,0.00038704916,0.0008813991,0.00024277133,0.0025410168,0.001870392,0.0011137447,0.7860366],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029909348,0.000009238572,0.00010564157,0.000056414483,0.0000013873442,0.00003233478,0.00007825596,0.000015124195,0.0004798694,0.0006774062,0.9803365,0.018177876],"study_design_scores_gemma":[0.0000074444333,0.000007818637,0.00067352445,0.00003506203,0.0000015917278,0.00004646209,0.00012618893,0.00003659763,0.0002872051,0.00010179222,0.9986701,0.000006345992],"about_ca_topic_score_codex":0.027806114,"about_ca_topic_score_gemma":0.082079515,"teacher_disagreement_score":0.092966676,"about_ca_system_score_codex":0.0010897274,"about_ca_system_score_gemma":0.00085133925,"threshold_uncertainty_score":0.13260561},"labels":[],"label_agreement":null},{"id":"W6893675396","doi":"10.5281/zenodo.4259283","title":"Filmywap Watch Feel the Beat (2020) Online Full Movie Download Hindi Free Streaming jal","year":2020,"lang":"en","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Beat (acoustics); Download; The Internet; Hindi","score_opus":0.03923678017594886,"score_gpt":0.2146200997722399,"score_spread":0.17538331959629103,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6893675396","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0012578485,0.0004093015,0.0017740952,0.00066788384,0.0018154479,0.00023604055,0.011202328,0.008168827,0.9744683],"genre_scores_gemma":[0.0049758237,0.0005264137,0.0016795734,0.0006315723,0.00048570067,0.000114553615,0.0076108645,0.0056327465,0.9783427],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9999037,0.0000061938013,0.0000031688646,0.000016699216,0.000044293207,0.000025826785],"domain_scores_gemma":[0.999608,0.00004211061,0.000010916169,0.00005302542,0.00013812687,0.00014781277],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00017770276,0.0007825013,0.00028628987,0.0007013047,0.0009902045,0.0029546772,0.00067718426,0.00069413445,0.86917907],"category_scores_gemma":[0.00088455033,0.00034771077,0.00040829685,0.00052043615,0.0002204966,0.0023706283,0.0018035999,0.0014243902,0.6411205],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000039081966,0.000013256288,0.000047990838,0.00010165098,0.0000020563612,0.000035322028,0.000051832598,0.000017986526,0.0007888573,0.00066925865,0.97864544,0.019587379],"study_design_scores_gemma":[0.000021174934,0.000020533238,0.0010513614,0.00007100691,0.0000036001006,0.00008934641,0.00010292088,0.000093009025,0.00057158724,0.00032844848,0.9976387,0.000008503873],"about_ca_topic_score_codex":0.0026577055,"about_ca_topic_score_gemma":0.008701199,"teacher_disagreement_score":0.13082093,"about_ca_system_score_codex":0.00038339756,"about_ca_system_score_gemma":0.00031022166,"threshold_uncertainty_score":0.18660021},"labels":[],"label_agreement":null},{"id":"W6893681396","doi":"10.5281/zenodo.4143353","title":"Filmywap Watch The Invisible Man (2020) Online Full Movie Download Hindi Free Streaming tly","year":2020,"lang":"en","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Government (linguistics); Staring; Scapegoat; Headline; Pretext; Subject (documents); Paraphernalia","score_opus":0.04221209745260079,"score_gpt":0.21770622905371928,"score_spread":0.17549413160111849,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6893681396","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0013507016,0.00038105444,0.0012805474,0.00075992296,0.0018710663,0.0001763696,0.007025334,0.0045078252,0.9826471],"genre_scores_gemma":[0.0053875125,0.00045928318,0.0012813334,0.0005267767,0.0004001029,0.000076120676,0.004717722,0.0031446952,0.98400646],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99990964,0.0000068069808,0.0000024393212,0.0000141941255,0.000042225034,0.000024742556],"domain_scores_gemma":[0.9996456,0.000037982263,0.000010576939,0.00004457778,0.000118645745,0.00014252366],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00016974189,0.0006652555,0.00021279826,0.0006039698,0.0012225593,0.0025524294,0.00056440756,0.00058052456,0.81621295],"category_scores_gemma":[0.0007777932,0.000286522,0.00033714558,0.00046626903,0.00024840268,0.0020683117,0.0017787598,0.0013161772,0.5270541],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034108245,0.000010689263,0.000055581528,0.00008761288,0.0000018537231,0.000040511957,0.00008149528,0.000017238957,0.00064719876,0.00092863425,0.9772704,0.020824626],"study_design_scores_gemma":[0.000010698954,0.000012892902,0.0007978664,0.00004884998,0.0000023420032,0.00006660059,0.00010859279,0.00006293218,0.00042071217,0.00023399093,0.9982291,0.0000054012758],"about_ca_topic_score_codex":0.003934794,"about_ca_topic_score_gemma":0.014770169,"teacher_disagreement_score":0.18378705,"about_ca_system_score_codex":0.00048265466,"about_ca_system_score_gemma":0.0003404029,"threshold_uncertainty_score":0.26214993},"labels":[],"label_agreement":null},{"id":"W6893682294","doi":"10.5281/zenodo.4138213","title":"Filmywap Watch Baikal: The Heart of the World 3D (2020) Online Full Movie Download Hindi Free Streaming nzb","year":2020,"lang":"en","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Download; Action (physics); EPIC; The Internet; Shot (pellet); Hindi","score_opus":0.034916241388031316,"score_gpt":0.2200025176835498,"score_spread":0.1850862762955185,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6893682294","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0007097408,0.0006015271,0.0013658138,0.0009093549,0.0024525016,0.00014714398,0.0074193026,0.0043711443,0.9820234],"genre_scores_gemma":[0.004746947,0.00083264895,0.0015281596,0.00057371875,0.00052199286,0.00007006069,0.005968944,0.0036353597,0.9821222],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9998652,0.000007643931,0.000003815707,0.000020530173,0.00007145086,0.00003146947],"domain_scores_gemma":[0.99960023,0.000038928752,0.000011811275,0.000038650123,0.00013903626,0.0001713009],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00019826605,0.0008623242,0.0002920904,0.00074217364,0.0014742996,0.0038066274,0.0007191152,0.00074880326,0.8530888],"category_scores_gemma":[0.00096431427,0.0003520521,0.0004818527,0.00061278004,0.00028594863,0.0024022989,0.0022179023,0.0015393163,0.5780738],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021933483,0.000005780646,0.00003446119,0.00007390454,0.0000015025081,0.000028669008,0.000041196374,0.000022936607,0.00035773535,0.0007628053,0.98582506,0.0128241],"study_design_scores_gemma":[0.000009834839,0.0000102649965,0.00044627677,0.000060144834,0.0000026131927,0.000064607084,0.000089356785,0.00006688768,0.00022377395,0.00027376442,0.9987465,0.0000059630897],"about_ca_topic_score_codex":0.0061296592,"about_ca_topic_score_gemma":0.023990571,"teacher_disagreement_score":0.1469112,"about_ca_system_score_codex":0.0007138273,"about_ca_system_score_gemma":0.0004702198,"threshold_uncertainty_score":0.20955104},"labels":[],"label_agreement":null},{"id":"W6893693316","doi":"10.5281/zenodo.4135487","title":"Filmywap Watch Monster Hunter (2020) Online Full Movie Download Hindi Free Streaming ykd","year":2020,"lang":"en","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Monster; Staring; Point (geometry); Subject (documents); Scapegoat","score_opus":0.038275924629133734,"score_gpt":0.21630073126771193,"score_spread":0.1780248066385782,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6893693316","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0007317488,0.00031649254,0.0007397103,0.00042090745,0.0010341312,0.0001486754,0.007257601,0.003788532,0.9855622],"genre_scores_gemma":[0.002048353,0.00031067347,0.0005798038,0.00023395468,0.00020400112,0.000050023187,0.0039076116,0.002006851,0.99065876],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99988246,0.0000070017013,0.0000028428847,0.000019685376,0.000055784825,0.000032182154],"domain_scores_gemma":[0.99961734,0.000032337455,0.000011153656,0.000043086457,0.00014536314,0.0001506235],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00017816425,0.0009344113,0.00031906363,0.0008174049,0.0012705632,0.0028775968,0.0007743292,0.0006925222,0.8990423],"category_scores_gemma":[0.00086185685,0.00036100298,0.00041769387,0.0007341953,0.0002621601,0.0021057182,0.0022140562,0.0012566515,0.7321512],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027361404,0.000008905628,0.000044149405,0.00007079365,0.0000016523854,0.000036995763,0.000048404916,0.000017007595,0.00034634976,0.00050575414,0.9827246,0.016167987],"study_design_scores_gemma":[0.0000096874355,0.000011418062,0.0006370929,0.00005004208,0.000002485051,0.000060541053,0.0000855948,0.000048366233,0.00024281564,0.00017015467,0.9986761,0.000005702439],"about_ca_topic_score_codex":0.0075467485,"about_ca_topic_score_gemma":0.02580925,"teacher_disagreement_score":0.10095769,"about_ca_system_score_codex":0.0006224096,"about_ca_system_score_gemma":0.0004886881,"threshold_uncertainty_score":0.14400393},"labels":[],"label_agreement":null},{"id":"W6893780146","doi":"10.5281/zenodo.4166846","title":"Filmywap Watch@ Monster Hunter (2020) Online Full Movie Download Hindi Free Streaming ykd","year":2020,"lang":"en","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Monster; Staring; Point (geometry); Subject (documents); Scapegoat","score_opus":0.037966292438420764,"score_gpt":0.21499253638295915,"score_spread":0.1770262439445384,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6893780146","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00055314455,0.00024804406,0.0005955434,0.00033289156,0.00075576804,0.00010890489,0.0054382617,0.0034145978,0.9885529],"genre_scores_gemma":[0.0016758627,0.00025015377,0.00044401328,0.00020460285,0.00013973995,0.000040720824,0.0028540709,0.0018326574,0.9925581],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99988437,0.0000068724275,0.000002880868,0.000021125228,0.000052789328,0.00003196221],"domain_scores_gemma":[0.9995975,0.0000329892,0.000011277936,0.000050562427,0.00014782575,0.00015980222],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0001760901,0.0008900702,0.0003275896,0.00081827666,0.001296573,0.0029576162,0.00080012134,0.00083415624,0.92156094],"category_scores_gemma":[0.0008663801,0.0003876991,0.00041841142,0.0007177886,0.0003087761,0.002327913,0.0025363548,0.0012230801,0.8070504],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027663606,0.000009730232,0.000045362794,0.00007359892,0.0000016214717,0.000035412464,0.00005170273,0.000016206424,0.000322903,0.00060463767,0.9798421,0.018969076],"study_design_scores_gemma":[0.000007953931,0.000009711163,0.0004880368,0.000049659197,0.0000021893745,0.00006167393,0.00008335366,0.00004081754,0.000237682,0.00017036026,0.99884295,0.0000055405935],"about_ca_topic_score_codex":0.007355809,"about_ca_topic_score_gemma":0.023857666,"teacher_disagreement_score":0.07843906,"about_ca_system_score_codex":0.0006568005,"about_ca_system_score_gemma":0.00048523745,"threshold_uncertainty_score":0.11188382},"labels":[],"label_agreement":null},{"id":"W6902105509","doi":"10.6084/m9.figshare.14947044.v1","title":"Katmundu Bengali Full Movie Download Mp4k","year":2021,"lang":"en","type":"article","venue":"Figshare","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Bengali; Download; Curfew; Film industry; Movie theater","score_opus":0.04934675071437512,"score_gpt":0.22168560515701646,"score_spread":0.17233885444264135,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6902105509","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0009463009,0.0012264766,0.0005421467,0.0014103606,0.0046384363,0.00012754707,0.019795189,0.0028557396,0.9684579],"genre_scores_gemma":[0.005972576,0.00076384103,0.00041960867,0.00043949162,0.0008298615,0.000041833548,0.0090465145,0.001837272,0.9806489],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99977523,0.000015917252,0.000008241256,0.000048447222,0.00009308207,0.000059143662],"domain_scores_gemma":[0.99948823,0.000023388948,0.000015047131,0.0000769106,0.00020778818,0.00018858029],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00020211903,0.001128273,0.0008072516,0.0010196184,0.0032009478,0.0048055663,0.0010654102,0.00089434587,0.8166341],"category_scores_gemma":[0.0009681032,0.0002997189,0.0005500493,0.002205368,0.00042493685,0.0026225657,0.0022506423,0.0012389229,0.6893597],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036022466,0.0000070568294,0.00006778405,0.00009777691,0.0000031157651,0.00007293169,0.000053460648,0.000023632854,0.0003732219,0.00096749497,0.9831073,0.01519017],"study_design_scores_gemma":[0.0000038490202,0.0000060981447,0.000662254,0.000026148062,0.0000029504763,0.00005706166,0.00010810324,0.000040827024,0.0002046833,0.0002173946,0.99866533,0.0000053606695],"about_ca_topic_score_codex":0.017648919,"about_ca_topic_score_gemma":0.04612152,"teacher_disagreement_score":0.18336588,"about_ca_system_score_codex":0.0014841866,"about_ca_system_score_gemma":0.0009032802,"threshold_uncertainty_score":0.26154917},"labels":[],"label_agreement":null},{"id":"W6907853996","doi":"10.2215/ff/v.4.i2.04","title":"Voices of the Khwaja sira: Navigating trans rights, religion, and journalism in Pakistan","year":2025,"lang":"en","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Journalism; Islam; Transgender; Citizen journalism; Media industry","score_opus":0.10093426067656819,"score_gpt":0.48951670477376397,"score_spread":0.3885824440971958,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6907853996","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7018769,0.006358256,0.0019331472,0.0894886,0.004019193,0.00013917345,0.00018577576,0.00013447757,0.19586456],"genre_scores_gemma":[0.9792644,0.0029134061,0.00065792195,0.005062579,0.0010177945,0.000041779145,0.00003906881,0.00006195733,0.010940929],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9957203,0.002492845,0.0001246609,0.00023121135,0.000660576,0.0007704223],"domain_scores_gemma":[0.9835117,0.010038995,0.0016819418,0.0004052341,0.000930604,0.0034315535],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.006910488,0.00046747547,0.00033069614,0.0018304321,0.025465153,0.018065304,0.00094843056,0.002623817,0.007634796],"category_scores_gemma":[0.010178426,0.0004725899,0.00022538968,0.0020508773,0.014317416,0.011019093,0.010858256,0.0041231345,0.0007570992],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000044372187,0.00006645851,0.003799619,0.00019630893,0.0000055988735,0.0018912038,0.9537537,0.000022802278,0.0010159996,0.014088509,0.01144094,0.013674482],"study_design_scores_gemma":[0.000008740271,0.000049321934,0.0023746856,0.00021052868,0.0000057648094,0.0006791284,0.89238566,0.000047868147,0.00030743185,0.0016023741,0.10231038,0.000018180086],"about_ca_topic_score_codex":0.0049072774,"about_ca_topic_score_gemma":0.010879295,"teacher_disagreement_score":0.025465153,"about_ca_system_score_codex":0.003787141,"about_ca_system_score_gemma":0.0058734654,"threshold_uncertainty_score":0.036546588},"labels":[],"label_agreement":null},{"id":"W6911883748","doi":"10.5281/zenodo.14680647","title":"Beyond the Red Carpet: Unravelling the Socio-Cultural Significance of Film Festivals and its Evolution Post-Pandemic","year":2024,"lang":"en","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Fraternity; Movie theater; Coronavirus disease 2019 (COVID-19); Film studies; Film festival; Mode (computer interface); Exhibition; Cultural heritage","score_opus":0.03646519131673502,"score_gpt":0.2374849293585084,"score_spread":0.20101973804177337,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6911883748","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.87321,0.008024583,0.0016858655,0.025223052,0.0009908252,0.00016184592,0.0004009522,0.000055563378,0.090247475],"genre_scores_gemma":[0.9881144,0.003532996,0.0006912417,0.0009358745,0.00026465836,0.00009915484,0.0001205614,0.00004298495,0.006198129],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99818474,0.00097218325,0.000054486292,0.00015843123,0.00027938263,0.0003507085],"domain_scores_gemma":[0.99335575,0.0029842956,0.0012162476,0.0004170899,0.0010063439,0.0010203659],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0032754634,0.00029198852,0.00024385098,0.0020483267,0.007981487,0.009245016,0.0009343633,0.0010886602,0.004320924],"category_scores_gemma":[0.0107660005,0.00026659452,0.00025000554,0.002026986,0.0068211337,0.008647251,0.006245078,0.0030357938,0.00036995995],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000089000656,0.00009713533,0.035211608,0.00053221587,0.000029227102,0.0014014827,0.8450606,0.00010320485,0.00089311297,0.022223765,0.017107667,0.07725101],"study_design_scores_gemma":[0.0000029751402,0.000047297475,0.06584993,0.00060832687,0.000014113531,0.0003197435,0.8477146,0.00013172562,0.00021602435,0.0022533752,0.082813725,0.000028151291],"about_ca_topic_score_codex":0.0138902515,"about_ca_topic_score_gemma":0.031056404,"teacher_disagreement_score":0.0138902515,"about_ca_system_score_codex":0.0036482706,"about_ca_system_score_gemma":0.0031947054,"threshold_uncertainty_score":0.027618825},"labels":[],"label_agreement":null},{"id":"W6912313016","doi":"10.5281/zenodo.4131884","title":"Filmywap Watch Monster Hunter (2020) Online Full Movie Download Hindi Free Streaming yjs","year":2020,"lang":"en","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Monster; Staring; Point (geometry); Subject (documents); Scapegoat","score_opus":0.038275924629133734,"score_gpt":0.21630073126771193,"score_spread":0.1780248066385782,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6912313016","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00085043325,0.0003349625,0.0009334479,0.00044733984,0.0009843458,0.00016288464,0.008320997,0.004877356,0.9830883],"genre_scores_gemma":[0.00253413,0.00034708722,0.00080846983,0.00027066004,0.00023310892,0.00005742063,0.0049820994,0.0025970594,0.98817],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9998822,0.000006956241,0.000002973943,0.000019977968,0.000056238,0.000031617466],"domain_scores_gemma":[0.99960893,0.000033495282,0.000011401446,0.000046449564,0.00014790232,0.00015181964],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00018383417,0.0009388206,0.00031269717,0.00086878735,0.0012628982,0.002805319,0.000815166,0.00070252386,0.8884214],"category_scores_gemma":[0.00086354447,0.00036619956,0.00041276446,0.0007545405,0.00026937897,0.0020932725,0.002183244,0.0012330085,0.7007834],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003187399,0.000009569177,0.000050026418,0.000075466414,0.0000018103315,0.00004083411,0.000053551743,0.00001973656,0.0003976693,0.00057233096,0.9807271,0.018020034],"study_design_scores_gemma":[0.000010305584,0.000012177364,0.00065015536,0.00005044687,0.0000027317053,0.000070652524,0.000082541,0.000058166246,0.00026855074,0.00018445609,0.9986035,0.000006317118],"about_ca_topic_score_codex":0.0077001746,"about_ca_topic_score_gemma":0.027138464,"teacher_disagreement_score":0.11157858,"about_ca_system_score_codex":0.0006251867,"about_ca_system_score_gemma":0.00049542426,"threshold_uncertainty_score":0.15915322},"labels":[],"label_agreement":null},{"id":"W6912584946","doi":"10.5281/zenodo.4091910","title":"Filmywap Watch The Invisible Man (2020) Online Full Movie Download Hindi Free Streaming ezg","year":2020,"lang":"en","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"nobody; Download; Government (linguistics); Hindi; Action (physics); Alien; Sign (mathematics)","score_opus":0.04213499299533036,"score_gpt":0.21763580358168336,"score_spread":0.175500810586353,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6912584946","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0011788502,0.0003877523,0.0012165731,0.0006725485,0.0016592757,0.00016627843,0.0056674024,0.0037384438,0.985313],"genre_scores_gemma":[0.004727171,0.00050922367,0.0011404133,0.00045489895,0.00039704586,0.00006830741,0.0037990147,0.0027899898,0.98611397],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99991596,0.000005700133,0.0000023206715,0.00001352622,0.000040580922,0.000021984932],"domain_scores_gemma":[0.99970573,0.00003431163,0.000009002044,0.00003928734,0.00009994844,0.00011161139],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00015875485,0.0006686055,0.0002312726,0.00061260775,0.0010995457,0.0024986702,0.00057419535,0.000584282,0.8277861],"category_scores_gemma":[0.00071024214,0.00030761224,0.00035870122,0.0004895278,0.00024355495,0.001992301,0.0015799775,0.0013547945,0.5427838],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035902183,0.000011310285,0.000053141976,0.00010164571,0.0000021452418,0.000048399703,0.00008294791,0.000018998839,0.00093472365,0.0011304349,0.97441894,0.02316156],"study_design_scores_gemma":[0.000011025577,0.000013106013,0.00081362156,0.000050239432,0.0000026441455,0.00007923167,0.00010512359,0.00005830199,0.0004617276,0.00025035508,0.99814963,0.000005062446],"about_ca_topic_score_codex":0.0034705584,"about_ca_topic_score_gemma":0.011677377,"teacher_disagreement_score":0.17221391,"about_ca_system_score_codex":0.00044886037,"about_ca_system_score_gemma":0.0003252615,"threshold_uncertainty_score":0.24564219},"labels":[],"label_agreement":null},{"id":"W6912658088","doi":"10.5281/zenodo.4124709","title":"Filmywap Watch Monster Hunter (2020) Online Full Movie Download Hindi Free Streaming eyq","year":2020,"lang":"en","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Monster; Anime; Online presence management; The Internet; Download; Instant messaging","score_opus":0.03809152033959245,"score_gpt":0.21691512957973497,"score_spread":0.1788236092401425,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6912658088","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0012856668,0.00041606888,0.0010825841,0.0005556809,0.0011863946,0.00019898605,0.011179567,0.005588923,0.978506],"genre_scores_gemma":[0.0036479388,0.0004271701,0.0010487115,0.00034478196,0.00028380944,0.00007383368,0.0068269433,0.0030707303,0.98427606],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9998952,0.0000063716893,0.0000026030873,0.000018031378,0.000047113648,0.000030700387],"domain_scores_gemma":[0.9996501,0.000028408705,0.000010712161,0.000041826726,0.00012682735,0.0001420686],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0001754534,0.0008691524,0.0002818795,0.0007939504,0.0011872103,0.0026675444,0.00072940846,0.000666479,0.8553199],"category_scores_gemma":[0.0007741573,0.00034738902,0.000370993,0.0007061249,0.000247748,0.002073655,0.0020712693,0.0011967848,0.6280942],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035488953,0.000009628629,0.000062807034,0.000082369224,0.0000021245053,0.000044585642,0.00006408452,0.000017709724,0.00046769017,0.0005936982,0.9809334,0.01768641],"study_design_scores_gemma":[0.000011065482,0.000012311553,0.00085702137,0.00005134537,0.000002836173,0.00007688068,0.00009571889,0.00006301858,0.00031092734,0.00017416461,0.99833846,0.000006279706],"about_ca_topic_score_codex":0.007799451,"about_ca_topic_score_gemma":0.028497057,"teacher_disagreement_score":0.14468008,"about_ca_system_score_codex":0.0005851996,"about_ca_system_score_gemma":0.00046345344,"threshold_uncertainty_score":0.20636857},"labels":[],"label_agreement":null},{"id":"W6912703473","doi":"10.5281/zenodo.4163052","title":"Filmywap Watch Antrum (2020) Online Full Movie Download Hindi Free Streaming uyt","year":2020,"lang":"en","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Entertainment; Antrum; Dimmer; Download; Prayer; Repetition (rhetorical device); Duration (music)","score_opus":0.037434652984131365,"score_gpt":0.21532142857912662,"score_spread":0.17788677559499524,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6912703473","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00066989654,0.0003055901,0.001513723,0.0004060169,0.0010367738,0.00019285736,0.007806557,0.008068795,0.9799998],"genre_scores_gemma":[0.0022368343,0.00033356907,0.0011686818,0.00030514592,0.000255056,0.00008236453,0.005134051,0.0048601124,0.9856242],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9998331,0.0000095793785,0.00000499009,0.000032269814,0.00007818644,0.000041843123],"domain_scores_gemma":[0.99939656,0.000055410455,0.000017974256,0.00008184482,0.00023462008,0.00021366253],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00022148206,0.001058855,0.0004493673,0.0010430883,0.0011832628,0.0034448777,0.0010570241,0.0009885682,0.9127966],"category_scores_gemma":[0.0012021908,0.0004948711,0.00060750154,0.0008260262,0.00025729698,0.0026525096,0.0023183895,0.0014554323,0.80256736],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000047065798,0.000013610117,0.00003926772,0.00010826801,0.0000020737548,0.000034670007,0.000042315107,0.000023576715,0.00066737144,0.0006328722,0.97461444,0.023774479],"study_design_scores_gemma":[0.000017629574,0.00001855237,0.0006182098,0.000061631574,0.000003615793,0.000080062775,0.000067328765,0.00009300163,0.0005378366,0.00027390438,0.9982199,0.000008377493],"about_ca_topic_score_codex":0.0038305053,"about_ca_topic_score_gemma":0.011042883,"teacher_disagreement_score":0.08720338,"about_ca_system_score_codex":0.00056584005,"about_ca_system_score_gemma":0.00042665543,"threshold_uncertainty_score":0.12438494},"labels":[],"label_agreement":null},{"id":"W6918163713","doi":"10.58079/u82r","title":"2014 Tamil Studies Conference Call for Papers: \"In Many Worlds: Kudi / Kudiyurimai, Belonging, and Citizenship in the Tamil Imaginary\"","year":2013,"lang":"en","type":"article","venue":"OpenEdition (OpenEdition)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Tamil; Citizenship","score_opus":0.0283284589753176,"score_gpt":0.24958923961736681,"score_spread":0.2212607806420492,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6918163713","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.019603612,0.02432241,0.00044074666,0.1244331,0.03188329,0.00031669834,0.0077182753,0.00034953756,0.7909324],"genre_scores_gemma":[0.040079493,0.0073407874,0.00036097574,0.0021234972,0.0027604837,0.00023166052,0.0016503687,0.00024159123,0.9452111],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996551,0.00008561272,0.000011179009,0.000032335534,0.000118816606,0.00009690281],"domain_scores_gemma":[0.9986166,0.00022538682,0.00007640639,0.000055536442,0.0003006776,0.0007253344],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0011962815,0.0007555673,0.0004528409,0.0014195585,0.0044833273,0.0051105595,0.00069182,0.0013381992,0.30205327],"category_scores_gemma":[0.0021132675,0.00036852533,0.0002761213,0.0018336112,0.0013346139,0.0024954479,0.0031707906,0.002055531,0.03345587],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000048312133,0.000011955982,0.0002912447,0.00008333263,0.0000032705134,0.000051002724,0.0009964451,0.000013042117,0.000120890894,0.0015934233,0.9854351,0.0113521125],"study_design_scores_gemma":[0.000010321099,0.0000118845655,0.0032202494,0.000111138506,0.000004603255,0.000021326405,0.0031720374,0.000016838201,0.00020027456,0.00022250488,0.9929991,0.000009671228],"about_ca_topic_score_codex":0.028082682,"about_ca_topic_score_gemma":0.09140311,"teacher_disagreement_score":0.30205327,"about_ca_system_score_codex":0.0050294325,"about_ca_system_score_gemma":0.0046801963,"threshold_uncertainty_score":0.9955363},"labels":[],"label_agreement":null},{"id":"W6920600198","doi":"10.6084/m9.figshare.14950701.v1","title":"Interstellar Movie Download In Hindi 720p Hd Video","year":2021,"lang":"fa","type":"article","venue":"Figshare","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Hindi; Download; Tamil; Turkish; Movie theater; Film industry","score_opus":0.03702584227689846,"score_gpt":0.22882174464745758,"score_spread":0.19179590237055913,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6920600198","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0006581219,0.0005491697,0.0019059804,0.0011052366,0.004317812,0.0001895035,0.034980565,0.0052147373,0.9510788],"genre_scores_gemma":[0.0028117145,0.0005055871,0.0011399657,0.00051345176,0.0006984442,0.00008686332,0.02010427,0.0032164499,0.97092324],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997867,0.000011542792,0.000007823327,0.000036271664,0.00011864439,0.000039052225],"domain_scores_gemma":[0.99929476,0.000038924536,0.000017603408,0.00008091114,0.0002937118,0.00027400223],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00028906,0.0010451424,0.0005287044,0.00094684964,0.0011802567,0.0025096424,0.0008634852,0.0008504875,0.8911442],"category_scores_gemma":[0.0010752717,0.00027748913,0.00036159196,0.00096757343,0.0003091151,0.0020311465,0.0018622448,0.0014581146,0.82743084],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022822825,0.000008778968,0.000025827834,0.000052997955,0.0000010535709,0.000029597359,0.000013391652,0.000019606943,0.0009700723,0.0005212586,0.9844998,0.013834794],"study_design_scores_gemma":[0.000010429424,0.000015827623,0.00069964747,0.000040304167,0.000001866643,0.00006972043,0.00005003971,0.0000672328,0.0005617409,0.00033742905,0.9981394,0.0000063941575],"about_ca_topic_score_codex":0.0032175898,"about_ca_topic_score_gemma":0.00886276,"teacher_disagreement_score":0.108855784,"about_ca_system_score_codex":0.00061725185,"about_ca_system_score_gemma":0.00070433586,"threshold_uncertainty_score":0.15526956},"labels":[],"label_agreement":null},{"id":"W6924795692","doi":"10.15562/tcp.56","title":"Using Boron Supplementation in Cancer Prevention and Treatment: A Review Article","year":2017,"lang":"en","type":"article","venue":"The Cancer Press","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Review article; Cancer; Cancer prevention; Boron; MEDLINE","score_opus":0.1567598578655398,"score_gpt":0.38781401361092466,"score_spread":0.23105415574538485,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6924795692","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00016657214,0.9991867,0.000029729617,0.00020800023,0.00010504492,0.0000013700032,0.0000052387636,0.0000011755029,0.0002961438],"genre_scores_gemma":[0.0019912887,0.99717534,0.00010998287,0.00023360932,0.00019529588,0.0000039495008,0.0000070062642,9.324801e-7,0.00028264034],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99977,0.00006800707,0.00005574218,0.000038533384,0.000048396538,0.000019307738],"domain_scores_gemma":[0.9994653,0.0003267296,0.00009552127,0.000008661301,0.000078141275,0.000025665202],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007861486,0.0005655085,0.0010537996,0.0019220089,0.00021457858,0.0008401865,0.000404591,0.0010126252,0.0024540655],"category_scores_gemma":[0.0009029025,0.00016517202,0.00036142356,0.0017516069,0.00049100595,0.0006696723,0.0005110893,0.00069111364,0.0004209005],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00034048426,0.000108285836,0.00048102555,0.03238597,0.0002779246,0.00021445668,0.0001245052,0.00012372577,0.0021208487,0.0017029201,0.01506146,0.94705844],"study_design_scores_gemma":[0.00013728888,0.00058157864,0.0026371246,0.02291637,0.0013413456,0.0019282294,0.00040504837,0.00009453453,0.0031924215,0.0014677759,0.96526027,0.00003799631],"about_ca_topic_score_codex":0.0019192392,"about_ca_topic_score_gemma":0.004945972,"teacher_disagreement_score":0.0024540655,"about_ca_system_score_codex":0.0005195955,"about_ca_system_score_gemma":0.0009253254,"threshold_uncertainty_score":0.008209705},"labels":[],"label_agreement":null},{"id":"W6925118832","doi":"10.17605/osf.io/4me8w","title":"Conway et al., 2020 - Increasing intentions to vaccinate against COVID-19: An online experiment","year":2020,"lang":"en","type":"other","venue":"OSF Preprints (OSF Preprints)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Test (biology); Vaccination; Framing (construction); Government (linguistics); Health care; Transparency (behavior)","score_opus":0.039570501842784586,"score_gpt":0.29578036250840445,"score_spread":0.25620986066561985,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6925118832","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9787223,0.00012053766,0.00087759324,0.0009218546,0.0002468734,0.002517005,0.00072009076,0.00009066715,0.015782982],"genre_scores_gemma":[0.9420738,0.0001675288,0.004510013,0.0016642739,0.00012520383,0.018985484,0.00047124596,0.000060609902,0.031941865],"study_design_codex":"nonrandomized_trial","study_design_gemma":"randomized_trial","domain_scores_codex":[0.9973295,0.0015715928,0.00013927543,0.00045519974,0.0002342639,0.0002703233],"domain_scores_gemma":[0.97812325,0.0153318895,0.0021176487,0.0015526699,0.0009331638,0.0019414243],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0044516264,0.00055942876,0.0006279348,0.00030050174,0.0024097322,0.0023237672,0.0010799752,0.0024561782,0.029456526],"category_scores_gemma":[0.024847573,0.0006854283,0.0006378526,0.00029093758,0.0015300806,0.0016395687,0.0012433863,0.002475,0.0042000557],"study_design_candidate":"randomized_trial","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.26838532,0.32704768,0.084801,0.0029389646,0.0010519072,0.0005740275,0.03749535,0.003731939,0.027966812,0.016360754,0.026279645,0.20336662],"study_design_scores_gemma":[0.08858798,0.3694399,0.3708194,0.0009469393,0.003070381,0.00016148,0.015937991,0.01906623,0.024576487,0.02310206,0.08362285,0.00066838664],"about_ca_topic_score_codex":0.017668026,"about_ca_topic_score_gemma":0.017962407,"teacher_disagreement_score":0.029456526,"about_ca_system_score_codex":0.001886963,"about_ca_system_score_gemma":0.003599539,"threshold_uncertainty_score":0.098541915},"labels":[],"label_agreement":null},{"id":"W6937036430","doi":"10.58079/qb38","title":"CALL FOR PAPERS \"NEGLECTED MEDIA \"","year":2010,"lang":"en","type":"article","venue":"OpenEdition (OpenEdition)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Government (linguistics); Key (lock); Work (physics); Focus (optics)","score_opus":0.016184590577679916,"score_gpt":0.21769199283631013,"score_spread":0.20150740225863023,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6937036430","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0008042164,0.005192647,0.0001840781,0.030475972,0.04393753,0.0007200759,0.0070239794,0.00080125453,0.9108602],"genre_scores_gemma":[0.00091057975,0.0009919505,0.000049765393,0.0014596151,0.0012694811,0.00007105168,0.0007262316,0.00011901584,0.99440247],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.998973,0.00006246144,0.000036951034,0.00011030994,0.0005760425,0.00024126074],"domain_scores_gemma":[0.99104744,0.00044905476,0.00027728314,0.0004035529,0.0037327474,0.0040900046],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0012299705,0.0011638985,0.0010320231,0.0019788954,0.006074366,0.008322151,0.0017443058,0.0044102473,0.83946604],"category_scores_gemma":[0.0063332478,0.00069773913,0.00064658927,0.0030138846,0.0010643881,0.0032802725,0.002760547,0.0024085417,0.66304415],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000004595443,0.0000035911025,0.000025466834,0.000023946634,3.647329e-7,0.000014086041,0.000010565493,0.0000019067566,0.000015649253,0.00010781851,0.9965689,0.003223165],"study_design_scores_gemma":[0.0000062916256,0.0000050228277,0.00044239894,0.000046613433,0.0000014599124,0.000015338912,0.00016786478,0.0000052814576,0.000020976446,0.0000625659,0.9992218,0.0000044348453],"about_ca_topic_score_codex":0.095655635,"about_ca_topic_score_gemma":0.2529737,"teacher_disagreement_score":0.83946604,"about_ca_system_score_codex":0.0077015627,"about_ca_system_score_gemma":0.012823646,"threshold_uncertainty_score":0.22898221},"labels":[],"label_agreement":null},{"id":"W6939352686","doi":"10.6084/m9.figshare.14948697.v1","title":"Ishkq In Paris Movie In Hindi 720p","year":2021,"lang":"fa","type":"article","venue":"Figshare","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Hindi; Movie theater; Turkish; Lyrics; Film industry; Counterfeit","score_opus":0.04130440357939417,"score_gpt":0.23635293423592202,"score_spread":0.19504853065652786,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6939352686","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004351647,0.0010689978,0.0012389732,0.0034732674,0.010504086,0.000270637,0.072420806,0.0073392983,0.8993323],"genre_scores_gemma":[0.018804833,0.00055540056,0.0014621237,0.0015440033,0.0015475405,0.00011820211,0.034059484,0.0035794731,0.9383289],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99972755,0.000028573151,0.000009905846,0.000040095118,0.00011899612,0.000074951065],"domain_scores_gemma":[0.9994311,0.000030062063,0.000013307394,0.00005685805,0.00024364081,0.000225032],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00041013534,0.0008504308,0.00038839623,0.0010256398,0.0022500094,0.002455788,0.00051918434,0.0008671362,0.67240435],"category_scores_gemma":[0.0012431702,0.0002449506,0.00033223603,0.001221993,0.0004784865,0.0014140597,0.0017207855,0.0014175436,0.44157124],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035932975,0.000005500656,0.00010236567,0.00005274295,0.0000020588466,0.00006572034,0.000063680855,0.00002659965,0.00034223456,0.0006657965,0.9909623,0.0076749404],"study_design_scores_gemma":[0.000011671628,0.000016579206,0.0023107156,0.00003120655,0.0000016106501,0.000058516634,0.00020099936,0.00006204684,0.0003598701,0.00016918243,0.9967706,0.000007116409],"about_ca_topic_score_codex":0.023499724,"about_ca_topic_score_gemma":0.0670822,"teacher_disagreement_score":0.67240435,"about_ca_system_score_codex":0.0020719543,"about_ca_system_score_gemma":0.0009143719,"threshold_uncertainty_score":0.46727544},"labels":[],"label_agreement":null},{"id":"W6949175398","doi":"10.5281/zenodo.12247744","title":"cec 201 pdf","year":2024,"lang":"en","type":"other","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Download; Economizer; Session (web analytics); Apprenticeship; Commission; TUTOR","score_opus":0.03283012058366554,"score_gpt":0.22197429413117695,"score_spread":0.1891441735475114,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6949175398","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00016586349,0.00025822176,0.00037206348,0.0008608811,0.0019845837,0.00013109249,0.0028600236,0.0028376302,0.9905296],"genre_scores_gemma":[0.0007974737,0.0002168204,0.0002400917,0.00081149855,0.00036984787,0.000042064872,0.0019595637,0.0010783153,0.99448425],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988906,0.00007488367,0.00004565488,0.00011131872,0.00072067446,0.0001569299],"domain_scores_gemma":[0.9951385,0.00037637303,0.000112764596,0.0004658454,0.0029580183,0.0009483364],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000694154,0.0012377853,0.0011193313,0.0027606206,0.002730725,0.01102621,0.0023995622,0.003669375,0.94486344],"category_scores_gemma":[0.00574929,0.00074499566,0.0009169307,0.0022099328,0.000714825,0.006551283,0.0032333327,0.002912324,0.92883056],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017998067,0.000020019368,0.000022700866,0.000056221255,8.4649264e-7,0.000030003917,0.000012008693,0.0000151819895,0.000116155796,0.0007875058,0.98290837,0.016012998],"study_design_scores_gemma":[0.0000072827174,0.000009943895,0.00011843434,0.000039927265,9.99855e-7,0.00004478051,0.00003456748,0.000028247132,0.00011322875,0.00028702265,0.99930906,0.0000065092745],"about_ca_topic_score_codex":0.0056226808,"about_ca_topic_score_gemma":0.013743129,"teacher_disagreement_score":0.05513656,"about_ca_system_score_codex":0.002048281,"about_ca_system_score_gemma":0.0018843028,"threshold_uncertainty_score":0.07864553},"labels":[],"label_agreement":null},{"id":"W6949786218","doi":"10.5281/zenodo.4121036","title":"FuLL~HD}}.!! WaTcH Foreign Country (2021) OnLine Free Movie On PutLocKer'S Or 123Movies zct","year":2020,"lang":"en","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Pretext; Gloom; The Internet; Government (linguistics); Order (exchange); Scapegoat","score_opus":0.057508758889773394,"score_gpt":0.2285582816188412,"score_spread":0.17104952272906782,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6949786218","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0004561613,0.00015806724,0.0007956718,0.00030276974,0.0009102529,0.00010260131,0.007864311,0.006145435,0.9832646],"genre_scores_gemma":[0.001788306,0.00017892673,0.0005458755,0.00027613257,0.000117828466,0.000054868116,0.0051539377,0.0032277796,0.9886563],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9998671,0.000008549684,0.000003955225,0.000023552826,0.000059787453,0.00003701205],"domain_scores_gemma":[0.9992792,0.000058193116,0.000015741953,0.0000874058,0.00027810293,0.00028129714],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00019125197,0.0010912992,0.00055071426,0.0008969085,0.0015703809,0.0031674511,0.0009964629,0.00096532673,0.9525826],"category_scores_gemma":[0.0012504173,0.00045473297,0.00065185566,0.000735344,0.00029183796,0.0027000832,0.0030979614,0.0013088912,0.8953109],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022916753,0.000011104532,0.000038309412,0.00006598335,0.0000013655921,0.00001809622,0.000027657623,0.00001994225,0.00023258457,0.00049875845,0.98232734,0.016735911],"study_design_scores_gemma":[0.000012595793,0.000012274091,0.00055304676,0.00006679245,0.0000026940058,0.00005174213,0.0000789446,0.000078855126,0.000291121,0.00023559468,0.99860555,0.0000108038375],"about_ca_topic_score_codex":0.0074654683,"about_ca_topic_score_gemma":0.018538455,"teacher_disagreement_score":0.047417402,"about_ca_system_score_codex":0.0007304929,"about_ca_system_score_gemma":0.0004625105,"threshold_uncertainty_score":0.06763506},"labels":[],"label_agreement":null},{"id":"W6949964027","doi":"10.5281/zenodo.4260004","title":"Filmywap Watch Heart of the Holidays (2020) Online Full Movie Download Hindi Free Streaming pqp","year":2020,"lang":"en","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Download; Coronavirus disease 2019 (COVID-19); The Internet; Hindi; Action (physics)","score_opus":0.036836055792668077,"score_gpt":0.21416004112299156,"score_spread":0.17732398533032348,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6949964027","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0016549976,0.00051612,0.0010159289,0.00085589173,0.0030202803,0.00023779122,0.014276866,0.005149735,0.97327244],"genre_scores_gemma":[0.005632025,0.0006232347,0.0010942926,0.00060998596,0.00071659894,0.00009063996,0.009117583,0.0031325514,0.97898316],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99990845,0.0000053816575,0.0000026654327,0.0000147867,0.000038979397,0.00002979536],"domain_scores_gemma":[0.9995987,0.000032961118,0.000011056534,0.00003967469,0.0001335654,0.00018406482],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00017007532,0.00073522486,0.0002907623,0.000653443,0.0011371224,0.002834269,0.00058346725,0.00063671713,0.84513855],"category_scores_gemma":[0.00078867277,0.00031050036,0.0004109596,0.00054952345,0.00020674946,0.0020661887,0.0017797592,0.0013271051,0.5898965],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034331068,0.000008910071,0.000058774465,0.00007204247,0.000001899064,0.000032063366,0.00004536267,0.000014930074,0.0003831533,0.00038309596,0.9848337,0.014131757],"study_design_scores_gemma":[0.000016290644,0.000018875973,0.0015727149,0.00006475939,0.0000035860407,0.00006598919,0.00013059955,0.0000712821,0.00031700742,0.00020037575,0.9975311,0.000007350349],"about_ca_topic_score_codex":0.0048683276,"about_ca_topic_score_gemma":0.018791027,"teacher_disagreement_score":0.15486145,"about_ca_system_score_codex":0.0004832487,"about_ca_system_score_gemma":0.00030970006,"threshold_uncertainty_score":0.220891},"labels":[],"label_agreement":null},{"id":"W6950083207","doi":"10.5281/zenodo.4165341","title":"Filmywap Watch The Kid Detective (2020) Online Full Movie Download Hindi Free Streaming enh","year":2020,"lang":"en","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Download; Sign (mathematics); The Internet; Action (physics); Hindi; Online chat","score_opus":0.0348662440239267,"score_gpt":0.21327459148336805,"score_spread":0.17840834745944134,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6950083207","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0013410015,0.00033004856,0.0012044058,0.0005670557,0.0014085227,0.00023329773,0.012459425,0.0060791485,0.9763772],"genre_scores_gemma":[0.0047945855,0.0003586023,0.0011285465,0.0004730653,0.00033818223,0.00009927531,0.00798477,0.0035401653,0.98128283],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9998932,0.000006252013,0.000002989482,0.000018185176,0.000047469213,0.00003192834],"domain_scores_gemma":[0.99958795,0.000037425423,0.000012083661,0.00004304769,0.00015662696,0.00016300938],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00016227899,0.00080373767,0.00029918275,0.00067866244,0.0012094738,0.0025117681,0.00068583176,0.00067999685,0.8574363],"category_scores_gemma":[0.0008491635,0.00036796578,0.00038304925,0.0004884434,0.00019446108,0.0020942928,0.0017920032,0.001248736,0.6486881],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035084322,0.0000116688225,0.00006581097,0.00007869033,0.000001738448,0.000037017046,0.000060729926,0.000013649342,0.0005171347,0.00044924897,0.98267406,0.016055156],"study_design_scores_gemma":[0.000016240352,0.000020036498,0.0012915235,0.00005609458,0.0000034260659,0.00008093481,0.00012122058,0.00007363213,0.00046837903,0.0001813498,0.99767953,0.000007625397],"about_ca_topic_score_codex":0.0053758253,"about_ca_topic_score_gemma":0.020602118,"teacher_disagreement_score":0.1425637,"about_ca_system_score_codex":0.00048650085,"about_ca_system_score_gemma":0.00035755016,"threshold_uncertainty_score":0.20334977},"labels":[],"label_agreement":null},{"id":"W6950522182","doi":"10.5281/zenodo.4246733","title":"123-[HD]-Watch! Antrum (2020) Online Full For Free PutlockeR'S dle","year":2020,"lang":"en","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Antrum; Entertainment; Sign (mathematics); Dimmer; Prayer; Repetition (rhetorical device)","score_opus":0.04904839304361266,"score_gpt":0.22238956094772883,"score_spread":0.17334116790411616,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6950522182","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00031208675,0.00016981023,0.0011491523,0.00023513348,0.0006036675,0.00012825345,0.0050855307,0.009187764,0.98312855],"genre_scores_gemma":[0.001454553,0.00017048861,0.0007086516,0.00026021834,0.000121487894,0.000066240566,0.0036588479,0.005813099,0.98774636],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9998159,0.000011512237,0.0000065471504,0.000034750054,0.00008752466,0.000043822536],"domain_scores_gemma":[0.99903786,0.00008208789,0.000019787294,0.00013545265,0.00045270487,0.00027218054],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00024146105,0.0010317646,0.0005982846,0.0010995416,0.0013232216,0.003964578,0.0013931931,0.0013346475,0.95258224],"category_scores_gemma":[0.0016512485,0.00062917726,0.00071397866,0.00091792154,0.0003009751,0.003398674,0.0026474723,0.0014208239,0.91615516],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003137196,0.0000132385,0.000037779715,0.0000767018,0.0000015567505,0.000024489194,0.000032693875,0.00002014749,0.0003978309,0.0006272436,0.97701263,0.021724422],"study_design_scores_gemma":[0.0000143707475,0.000013775407,0.00038254732,0.00005120005,0.0000028702816,0.000068094334,0.00005454809,0.0000788606,0.000342653,0.0002544816,0.99872714,0.000009412386],"about_ca_topic_score_codex":0.005227225,"about_ca_topic_score_gemma":0.011240994,"teacher_disagreement_score":0.04741776,"about_ca_system_score_codex":0.00062965177,"about_ca_system_score_gemma":0.00045204753,"threshold_uncertainty_score":0.067635596},"labels":[],"label_agreement":null},{"id":"W6950773865","doi":"10.5281/zenodo.5834059","title":"Foreword","year":2021,"lang":"en","type":"book-chapter","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Identification (biology); Context (archaeology); Natural (archaeology); Articulation (sociology)","score_opus":0.05229265820501009,"score_gpt":0.21375939596371277,"score_spread":0.16146673775870268,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6950773865","genre_codex":"other","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0002327582,0.0080418065,0.00061557203,0.013808675,0.035215035,0.00014109247,0.0021699732,0.00060162635,0.9391736],"genre_scores_gemma":[0.00054440787,0.0014523803,0.00014164064,0.0021868073,0.0018044937,0.000039646875,0.00080054224,0.00019529453,0.9928348],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99929833,0.000063791216,0.000027580758,0.000101785365,0.00041592834,0.00009246899],"domain_scores_gemma":[0.998806,0.00009405561,0.000045517638,0.000059087393,0.0007558319,0.00023959008],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00050131953,0.0012649863,0.0006758686,0.0017496662,0.0023373675,0.0045599584,0.0016143295,0.0027399305,0.6416254],"category_scores_gemma":[0.0021045022,0.0003970995,0.0005703777,0.0013697089,0.0006275567,0.003791281,0.0024721997,0.0031874839,0.65568066],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000004563633,0.0000041608464,0.0000122061965,0.00005035813,3.5994958e-7,0.000018378974,0.000029188526,0.000006737894,0.000041130046,0.0016515269,0.9787555,0.019425828],"study_design_scores_gemma":[7.428767e-7,0.0000019098047,0.000037820868,0.000051382933,2.7648414e-7,0.00003451457,0.00003114164,0.00000388807,0.000020688383,0.00026246175,0.99955386,0.0000013619972],"about_ca_topic_score_codex":0.006713679,"about_ca_topic_score_gemma":0.011461113,"teacher_disagreement_score":0.6416254,"about_ca_system_score_codex":0.0018788028,"about_ca_system_score_gemma":0.001865964,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W6955474186","doi":"10.58079/u82z","title":"Projection gratuite du film de Deepa Mehta \"EARTH\" à UQAM","year":2013,"lang":"fr","type":"article","venue":"OpenEdition (OpenEdition)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Projection (relational algebra); Intersection (aeronautics)","score_opus":0.012943369216604404,"score_gpt":0.20748485606988587,"score_spread":0.19454148685328146,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6955474186","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15626305,0.0034527169,0.0008590558,0.021927875,0.0046385475,0.00011999981,0.0014339288,0.00024154874,0.8110633],"genre_scores_gemma":[0.5846616,0.0028294232,0.0012532818,0.0021397902,0.0007208657,0.000073812065,0.00049416063,0.00038529304,0.40744182],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99968064,0.00009181005,0.000005373104,0.00003330351,0.00010625196,0.00008265667],"domain_scores_gemma":[0.99962103,0.000114663504,0.000025125706,0.000031359697,0.00008863568,0.00011916002],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00054582546,0.00029750515,0.00013278845,0.0003919349,0.003392781,0.0022494488,0.00024239733,0.00056508207,0.03414847],"category_scores_gemma":[0.0012887089,0.00017068569,0.00013887693,0.0005116511,0.0012907198,0.0009539816,0.0025112007,0.0022075737,0.0027505257],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00037704012,0.00006832704,0.003220027,0.00035975635,0.000014067108,0.0024333303,0.17986138,0.00036133558,0.0155129805,0.04896604,0.67234457,0.076481186],"study_design_scores_gemma":[0.000010047209,0.000024194554,0.0062475693,0.00014808968,0.0000037281645,0.00021568466,0.02000829,0.000068685295,0.00075900625,0.0003353752,0.972169,0.000010297376],"about_ca_topic_score_codex":0.042638686,"about_ca_topic_score_gemma":0.12255461,"teacher_disagreement_score":0.95736134,"about_ca_system_score_codex":0.0021108275,"about_ca_system_score_gemma":0.0011841627,"threshold_uncertainty_score":0.11423808},"labels":[],"label_agreement":null},{"id":"W6957875494","doi":"10.6084/m9.figshare.14953224.v1","title":"Hindi Movie Download Full Hd Jalpari","year":2021,"lang":"fa","type":"article","venue":"Figshare","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Hindi; Adventure; Download; Film industry; Film genre; Hollywood","score_opus":0.04232340682153912,"score_gpt":0.22865504991325844,"score_spread":0.18633164309171932,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6957875494","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00053688895,0.0013180497,0.0034784917,0.0017922082,0.008953015,0.00028011505,0.074725606,0.016571075,0.89234465],"genre_scores_gemma":[0.0016309172,0.0008158156,0.0017575462,0.0010838202,0.0013502616,0.00013931048,0.047124926,0.00822251,0.937875],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99958223,0.000032739903,0.00002714966,0.000070445705,0.00022292238,0.000064430984],"domain_scores_gemma":[0.9983866,0.00012208536,0.000048735394,0.00024940353,0.00069372315,0.00049952563],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0005248457,0.0017868214,0.0011617529,0.0018108144,0.0018267184,0.0046598297,0.0019102887,0.0013309568,0.9090939],"category_scores_gemma":[0.0017870535,0.00061746273,0.00077818055,0.0021627736,0.0005195192,0.0036132021,0.0027975396,0.0023645554,0.9026842],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022267224,0.000008074843,0.000013831638,0.000075126016,0.0000011680494,0.00001891533,0.000009990747,0.00002025923,0.00052318553,0.00027674995,0.9876016,0.0114288125],"study_design_scores_gemma":[0.000010115264,0.000012183489,0.00026336833,0.000041430318,0.0000024380295,0.000067679044,0.000032091626,0.00004974313,0.00042783856,0.00028833255,0.99879515,0.000009466123],"about_ca_topic_score_codex":0.0023031915,"about_ca_topic_score_gemma":0.006338558,"teacher_disagreement_score":0.09090608,"about_ca_system_score_codex":0.00068630517,"about_ca_system_score_gemma":0.0009878263,"threshold_uncertainty_score":0.1296665},"labels":[],"label_agreement":null},{"id":"W6958541275","doi":"10.6084/m9.figshare.14949213.v1","title":"Never Back Down 720p Download 12","year":2021,"lang":"fa","type":"article","venue":"Figshare","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Back pressure; Hollywood; Download; Drama; Midnight; Gold rush","score_opus":0.04754772116260922,"score_gpt":0.22420023931289362,"score_spread":0.1766525181502844,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6958541275","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00053337286,0.00027532398,0.0011487736,0.0012258984,0.004972613,0.00031374843,0.009090703,0.012651106,0.9697883],"genre_scores_gemma":[0.0005482314,0.00009299716,0.0004129106,0.00040972777,0.0003033591,0.000107260516,0.0027494787,0.004370113,0.9910059],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999191,0.00003814831,0.000020513397,0.00013664093,0.00045666282,0.00015711608],"domain_scores_gemma":[0.99671966,0.00019792798,0.000078807454,0.0004001047,0.0014662393,0.0011372536],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00072649546,0.0016292295,0.0012202534,0.002159591,0.002654925,0.005477503,0.0020492764,0.002466286,0.94458413],"category_scores_gemma":[0.0048637786,0.00091331877,0.0015603446,0.0013954936,0.00061968894,0.0033268647,0.004514507,0.0023861467,0.9588084],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001680715,0.000017819344,0.000036104255,0.00003444071,0.0000018385946,0.00001236861,0.000012835833,0.000013135815,0.00016556673,0.00017317603,0.9861405,0.013375412],"study_design_scores_gemma":[0.000017776287,0.000016473667,0.00033759745,0.000040967483,0.000004710732,0.000014962854,0.00005418559,0.000037994927,0.00020311974,0.00035474089,0.99890566,0.000011795125],"about_ca_topic_score_codex":0.009324877,"about_ca_topic_score_gemma":0.026479835,"teacher_disagreement_score":0.05541587,"about_ca_system_score_codex":0.0014602934,"about_ca_system_score_gemma":0.00202693,"threshold_uncertainty_score":0.079043925},"labels":[],"label_agreement":null},{"id":"W6968573947","doi":"10.5281/zenodo.4155660","title":"Filmywap Watch Monster Hunter (2020) Online Full Movie Download Hindi Free Streaming opp","year":2020,"lang":"en","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Monster; Anime; Online presence management; The Internet; Elite; Download; Instant messaging; Text messaging","score_opus":0.04027148270480368,"score_gpt":0.21802514699351494,"score_spread":0.17775366428871126,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6968573947","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00097252463,0.000430248,0.00079430465,0.00048033486,0.0011035457,0.00016043206,0.0067060986,0.003537418,0.98581505],"genre_scores_gemma":[0.0028434894,0.00046929723,0.00070130377,0.00027970018,0.00024963342,0.000055300654,0.003866915,0.0020444433,0.98949],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99989665,0.0000059340596,0.0000025222325,0.00001722953,0.000049030758,0.000028637844],"domain_scores_gemma":[0.999705,0.000024950872,0.000009320046,0.00003712741,0.000106952684,0.00011671849],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000171095,0.00082261284,0.00028022166,0.0007775715,0.0011244189,0.0027915677,0.0006949013,0.0006406097,0.8620344],"category_scores_gemma":[0.00070476724,0.000360833,0.0003953618,0.0007493568,0.0002565978,0.002005323,0.0018978502,0.0012837334,0.6402657],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003215066,0.000009894958,0.00005282525,0.000084219435,0.000002185367,0.00004653661,0.000062448904,0.000016145414,0.00052281615,0.0006888825,0.97969925,0.018782638],"study_design_scores_gemma":[0.000009030861,0.0000107054975,0.00073112914,0.000046404217,0.000002440446,0.000073057214,0.00008687856,0.00004026915,0.00026337182,0.00015665294,0.998575,0.000005055704],"about_ca_topic_score_codex":0.006979648,"about_ca_topic_score_gemma":0.02429869,"teacher_disagreement_score":0.13796562,"about_ca_system_score_codex":0.0005790686,"about_ca_system_score_gemma":0.00044956952,"threshold_uncertainty_score":0.19679123},"labels":[],"label_agreement":null},{"id":"W6968618558","doi":"10.5281/zenodo.4100547","title":"Filmywap Watch 1917 (2019) Online Full Movie Download Hindi Free Streaming hpt","year":2020,"lang":"en","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Pretext; Staring; Scapegoat; Subpoena; Paraphernalia; Government (linguistics)","score_opus":0.04443809180326246,"score_gpt":0.21979992209742444,"score_spread":0.17536183029416197,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6968618558","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0005232096,0.00024783282,0.00051219703,0.00048164988,0.0013758166,0.00011098091,0.005649866,0.0020207022,0.9890778],"genre_scores_gemma":[0.002142496,0.00028646176,0.000437391,0.00024277659,0.00026992636,0.000043465177,0.0035473725,0.0014647194,0.99156535],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99986875,0.000008090539,0.0000035858438,0.000019143123,0.00006791552,0.00003243678],"domain_scores_gemma":[0.9995962,0.00003851901,0.000011893515,0.000049785067,0.00016456145,0.00013908383],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00019947447,0.00074869016,0.00029031138,0.00088655215,0.0016223945,0.0031513434,0.0006860436,0.0007894149,0.9084824],"category_scores_gemma":[0.0009508165,0.00036532452,0.00043384053,0.0007210483,0.0002895043,0.0022655893,0.001888102,0.0016133453,0.74214274],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023231138,0.00000858831,0.00004230533,0.000058535676,0.0000014077093,0.000031019266,0.000044835382,0.000014150875,0.0002935662,0.00071615627,0.98211205,0.016654126],"study_design_scores_gemma":[0.000007765555,0.000011210631,0.00061759615,0.00004718907,0.0000019685544,0.00004978026,0.00008630946,0.000031505253,0.0002256279,0.00017709316,0.9987394,0.000004534557],"about_ca_topic_score_codex":0.005431006,"about_ca_topic_score_gemma":0.016749453,"teacher_disagreement_score":0.09151763,"about_ca_system_score_codex":0.00075462426,"about_ca_system_score_gemma":0.00043796,"threshold_uncertainty_score":0.13053882},"labels":[],"label_agreement":null},{"id":"W6968803421","doi":"10.5281/zenodo.4085929","title":"Filmywap Watch Aniksha (2020) Online Full Movie Download Hindi Free Streaming zeq","year":2020,"lang":"en","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Download; Shot (pellet); The Internet; Action (physics); Online video; Hindi","score_opus":0.0405684186486529,"score_gpt":0.21845667864484683,"score_spread":0.17788825999619393,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6968803421","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00071324717,0.00029029287,0.00092630973,0.0003998129,0.0012498773,0.00016032642,0.008248215,0.0043378863,0.98367405],"genre_scores_gemma":[0.0024948418,0.00031680748,0.0007770667,0.0002275355,0.00019535297,0.000055874632,0.0050203176,0.002381236,0.988531],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9998449,0.000007972274,0.00000456,0.000027708396,0.00007664145,0.000038178518],"domain_scores_gemma":[0.9994684,0.00003743926,0.000013160903,0.00007018349,0.00022870615,0.0001821597],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002341885,0.0009937902,0.00036051185,0.0009964103,0.00138828,0.0035804098,0.0009426946,0.000737178,0.9075028],"category_scores_gemma":[0.0009130125,0.0004164665,0.00053678366,0.00088675285,0.00027678497,0.0025362207,0.00198736,0.0015751341,0.7738215],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000045088633,0.000014374682,0.00006140615,0.000111098794,0.0000025884706,0.000038347476,0.000049833612,0.000030254421,0.00068858324,0.00088254345,0.9763633,0.021712458],"study_design_scores_gemma":[0.000014345392,0.000015292873,0.0007708757,0.000058008423,0.0000036442248,0.00007486087,0.00009821449,0.0000741299,0.0004231251,0.00030895736,0.99815035,0.00000822016],"about_ca_topic_score_codex":0.005556938,"about_ca_topic_score_gemma":0.0202546,"teacher_disagreement_score":0.09249723,"about_ca_system_score_codex":0.00069016183,"about_ca_system_score_gemma":0.0006711169,"threshold_uncertainty_score":0.13193601},"labels":[],"label_agreement":null},{"id":"W6968975941","doi":"10.5281/zenodo.4128982","title":"Filmywap Watch FLQ: la traque (2020) Online Full Movie Download Hindi Free Streaming adc","year":2020,"lang":"en","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Paraphernalia; Staring; Pretext; Headline; Dysgeusia; The Internet","score_opus":0.03461559748300616,"score_gpt":0.21668550229421601,"score_spread":0.18206990481120985,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6968975941","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00057775824,0.00032878589,0.00080862583,0.00068915036,0.0015899601,0.0001626584,0.009037311,0.0040300307,0.98277575],"genre_scores_gemma":[0.0023722341,0.00031519122,0.00074562774,0.00038817173,0.00033507776,0.00006041822,0.005185675,0.0024049105,0.9881926],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9998202,0.000011852254,0.0000046298665,0.000028280021,0.00008968655,0.00004546845],"domain_scores_gemma":[0.99940515,0.000049411326,0.0000155536,0.000059517144,0.0002794221,0.00019092241],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000255614,0.00089437567,0.0003585742,0.0009865016,0.0016438366,0.0035518087,0.00081397453,0.0009084225,0.90693694],"category_scores_gemma":[0.0011899497,0.0003482958,0.0004910137,0.0007778339,0.0002690322,0.0024207952,0.0019412356,0.0015830095,0.72097105],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020763297,0.000007637989,0.00002969826,0.00005802638,0.0000011707497,0.000022492566,0.000034223947,0.000014629535,0.0002775056,0.00049823645,0.9855187,0.013516923],"study_design_scores_gemma":[0.000009709512,0.000009951811,0.00040040928,0.00004793746,0.0000018050958,0.00004311877,0.0000777263,0.000047934856,0.00019130125,0.00016332633,0.9990017,0.0000050990607],"about_ca_topic_score_codex":0.009856262,"about_ca_topic_score_gemma":0.031406347,"teacher_disagreement_score":0.09306306,"about_ca_system_score_codex":0.00096375577,"about_ca_system_score_gemma":0.00065128657,"threshold_uncertainty_score":0.13274318},"labels":[],"label_agreement":null},{"id":"W6977064756","doi":"10.6084/m9.figshare.14952342.v1","title":"Our Films Their Films Satyajit Ray Pdf Download","year":2021,"lang":"en","type":"article","venue":"Figshare","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Movie theater; X-ray; Download; Focus (optics); Film theory; Film studies","score_opus":0.05055558569493391,"score_gpt":0.23003976050063576,"score_spread":0.17948417480570186,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6977064756","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00048617952,0.00055362814,0.00023352748,0.0029615131,0.005943895,0.000069048365,0.0010918628,0.0006626661,0.98799765],"genre_scores_gemma":[0.0011028778,0.00029117873,0.00014488127,0.0004978247,0.0006551909,0.000025502237,0.00046406302,0.00047407794,0.9963444],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994136,0.000035626075,0.000010674936,0.000069237314,0.00036708295,0.00010375203],"domain_scores_gemma":[0.99927574,0.00004397192,0.000020191359,0.00005481555,0.0003034861,0.0003017358],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004924055,0.0009059972,0.0005446619,0.0009640716,0.0036746385,0.007294983,0.0010414113,0.00153375,0.7966832],"category_scores_gemma":[0.001384947,0.00047473342,0.00074042694,0.0011587297,0.00057428045,0.0031321323,0.0032156953,0.004175029,0.6370006],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012425463,0.000012602205,0.000024494399,0.000025127623,0.000001131122,0.000024797246,0.000041595904,0.000013432708,0.00013492904,0.0010428552,0.9858272,0.012839474],"study_design_scores_gemma":[0.000005452887,0.0000048048646,0.00018406591,0.00001922173,0.0000018304745,0.000014169824,0.00014897287,0.000015932352,0.00008011461,0.00023785759,0.9992835,0.000004076179],"about_ca_topic_score_codex":0.008351979,"about_ca_topic_score_gemma":0.02701323,"teacher_disagreement_score":0.7966832,"about_ca_system_score_codex":0.0018345088,"about_ca_system_score_gemma":0.0019095032,"threshold_uncertainty_score":0.2900067},"labels":[],"label_agreement":null},{"id":"W6978099090","doi":"10.7916/d8-cvrv-2y10","title":"Footloose in Calcutta and New Delhi","year":2021,"lang":"en","type":"article","venue":"Columbia Academic Commons (Columbia University)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"New delhi; South asia; Southeast asia","score_opus":0.03539126128131408,"score_gpt":0.20269396675176796,"score_spread":0.16730270547045387,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6978099090","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14109156,0.019783886,0.00025398796,0.009975341,0.001336522,0.00017009083,0.0029985276,0.00017973517,0.8242104],"genre_scores_gemma":[0.36757416,0.0076644714,0.0004256764,0.002094294,0.00030678397,0.00013625997,0.001101827,0.00009748394,0.6205991],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99942124,0.000045181845,0.000013458604,0.000078560144,0.00017062968,0.0002709851],"domain_scores_gemma":[0.9996369,0.000048935857,0.000037435002,0.000018049737,0.00006627452,0.00019249767],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00014988256,0.00040049135,0.00027540486,0.0021221037,0.012802355,0.0043937024,0.001232884,0.00084166776,0.062074963],"category_scores_gemma":[0.00048199005,0.0003441374,0.00018372954,0.006434565,0.0027032916,0.00082827406,0.0034809094,0.0017991748,0.0033474665],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000305959,0.00023521349,0.018105634,0.0011297496,0.000051044983,0.0061143613,0.10959063,0.00022698162,0.0042759967,0.12567008,0.53511125,0.19918312],"study_design_scores_gemma":[0.000021847405,0.00001780815,0.07004467,0.00014782643,0.000009879227,0.0003214006,0.023542276,0.000020729196,0.0002647766,0.000608084,0.90497494,0.00002573296],"about_ca_topic_score_codex":0.621808,"about_ca_topic_score_gemma":0.9276468,"teacher_disagreement_score":0.621808,"about_ca_system_score_codex":0.011200574,"about_ca_system_score_gemma":0.014979922,"threshold_uncertainty_score":0.7608385},"labels":[],"label_agreement":null},{"id":"W6980647747","doi":"","title":"A comparison of three types of evacuation system","year":2007,"lang":"en","type":"article","venue":"NPARC","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"Natural Resources Canada; Transport Canada; Canadian Association of Petroleum Producers","keywords":"Context (archaeology); Work (physics); Function (biology); Test (biology); Disaster preparedness; Preparedness; Emergency procedure","score_opus":0.04718054675925711,"score_gpt":0.277117833117417,"score_spread":0.22993728635815988,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6980647747","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9580455,0.00031202065,0.026042758,0.00017918453,0.0000698436,0.0004285077,0.0005662773,0.0010922294,0.013263661],"genre_scores_gemma":[0.9865002,0.00014711947,0.010197848,0.000041945925,0.000006917722,0.00013038477,0.00042568808,0.000052018124,0.0024977953],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.99943,0.0001747742,0.000058839352,0.0000886512,0.00015106864,0.00009658588],"domain_scores_gemma":[0.9984328,0.0005821771,0.00012838848,0.0002639599,0.00045021623,0.00014228994],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00084720686,0.0005090871,0.00044697677,0.0010626044,0.00070925057,0.0007401638,0.00070612994,0.0006166121,0.005341361],"category_scores_gemma":[0.0028694826,0.00021590084,0.00038296744,0.00046817918,0.00042404523,0.001060986,0.00082546554,0.00024882273,0.0008548277],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.012485917,0.0016422529,0.09728389,0.0028961527,0.0006191916,0.0010298222,0.0037435773,0.28509873,0.21838763,0.013165178,0.0072972067,0.35635048],"study_design_scores_gemma":[0.0013188974,0.018267969,0.17677577,0.00039306175,0.0008610201,0.0019599313,0.006867568,0.51400506,0.20633094,0.005038398,0.06768256,0.000498897],"about_ca_topic_score_codex":0.0038979945,"about_ca_topic_score_gemma":0.0034751047,"teacher_disagreement_score":0.005341361,"about_ca_system_score_codex":0.00059339165,"about_ca_system_score_gemma":0.0004508884,"threshold_uncertainty_score":0.017868578},"labels":[],"label_agreement":null},{"id":"W6980782204","doi":"","title":"COOPERATIVAS DE LA NUEVA GENERACIÓN EN MANITOBA, CANADÁ: ¿CUÁL ES LA DEMORA?","year":2008,"lang":"es","type":"other","venue":"Redalyc (Universidad Autónoma del Estado de México)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; Hyporeflexia; TSG101; Liquation; Pretext","score_opus":0.012448283463066966,"score_gpt":0.21970816064311088,"score_spread":0.2072598771800439,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6980782204","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.941954,0.006403787,0.0012684885,0.0050573284,0.000069864145,0.000090221685,0.0020475402,0.000085355765,0.043023486],"genre_scores_gemma":[0.96908164,0.004601287,0.0021839577,0.00064393925,0.000009062864,0.000031847812,0.00077462406,0.000017669638,0.022656016],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.99935514,0.00007752183,0.000013278544,0.00009988575,0.00018351735,0.00027077805],"domain_scores_gemma":[0.9989447,0.00006521206,0.00013658106,0.000033464596,0.000541031,0.00027908065],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00070829573,0.00028323912,0.00022122754,0.000914381,0.0043454794,0.0019320071,0.000968463,0.00026651192,0.0028736482],"category_scores_gemma":[0.0011251742,0.00017817802,0.00023488485,0.001949405,0.0012036964,0.00043303586,0.0011245394,0.00057394063,0.0001877815],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024649673,0.00014439285,0.7962771,0.00037263863,0.00014519804,0.00080859364,0.019547135,0.0010477863,0.007510578,0.010506347,0.01633712,0.14705658],"study_design_scores_gemma":[0.000011415699,0.000055174005,0.91739506,0.00022206431,0.000092984614,0.00011235912,0.025892345,0.0006602491,0.0011864558,0.0007390315,0.053599596,0.00003321304],"about_ca_topic_score_codex":0.9936784,"about_ca_topic_score_gemma":0.99863976,"teacher_disagreement_score":0.031157663,"about_ca_system_score_codex":0.031157663,"about_ca_system_score_gemma":0.06616528,"threshold_uncertainty_score":0.22606575},"labels":[],"label_agreement":null},{"id":"W6981611679","doi":"","title":"The ethics of imagination: Levinas, Aesthetics and Poiesis in uTOpia","year":2010,"lang":"en","type":"dissertation","venue":"eScholarship@McGill (McGill)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"McGill University","funders":"","keywords":"Politics; Constructive; Utopia; Political philosophy; Social movement","score_opus":0.019397067366331493,"score_gpt":0.24613999418479568,"score_spread":0.2267429268184642,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6981611679","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08129045,0.026376668,0.021971116,0.12559731,0.0008445299,0.00003974617,0.000052222582,0.00015904335,0.743669],"genre_scores_gemma":[0.9742664,0.0016592959,0.0017986246,0.0017489468,0.0001199063,0.000032856107,0.0000073308393,0.000044988625,0.0203216],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99735427,0.0019921835,0.000031927062,0.00017053274,0.0002333742,0.00021762433],"domain_scores_gemma":[0.9988784,0.00064344524,0.00011343336,0.00012325023,0.000114027935,0.0001273405],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0025476036,0.00045368428,0.00021320605,0.0007475277,0.005995324,0.00828593,0.000700647,0.0018951866,0.0021604956],"category_scores_gemma":[0.0023689014,0.0001660942,0.00022334352,0.00070975564,0.0804546,0.0048016887,0.0033904454,0.0026948152,0.00035138283],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005837725,0.000002830166,0.000085531006,0.000010702939,8.085026e-7,0.000046152883,0.022553679,0.00009481543,0.00006390436,0.9731919,0.0021789004,0.0017650222],"study_design_scores_gemma":[0.000011363601,0.000014203593,0.00029616512,0.00010244949,0.000003364046,0.00009274917,0.020344093,0.00043014868,0.00016997765,0.8232277,0.15529566,0.000012134816],"about_ca_topic_score_codex":0.041789394,"about_ca_topic_score_gemma":0.053111862,"teacher_disagreement_score":0.041789394,"about_ca_system_score_codex":0.018132232,"about_ca_system_score_gemma":0.0053343754,"threshold_uncertainty_score":0.1315592},"labels":[],"label_agreement":null},{"id":"W6981714331","doi":"","title":"Exploring the awareness and attractiveness of Occupational Health (OH) careers","year":2024,"lang":"en","type":"article","venue":"Research Portal (King's College London)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Institute of Population and Public Health","funders":"","keywords":"Attractiveness; Occupational safety and health; Poison control; Quality (philosophy)","score_opus":0.26137708247584684,"score_gpt":0.3850452455125188,"score_spread":0.12366816303667194,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6981714331","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9760829,0.00026854526,0.000094035975,0.0010652507,0.000053279295,0.000021611715,0.00005206668,0.000003639382,0.022358518],"genre_scores_gemma":[0.99774796,0.00014812818,0.00007458851,0.000096342716,0.000016092437,0.000010472448,0.000021714157,0.0000027175008,0.0018820257],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9975674,0.001077501,0.00013330732,0.00009865415,0.00060793414,0.000515263],"domain_scores_gemma":[0.97467923,0.010846031,0.0053610494,0.00056957535,0.0026118848,0.0059322873],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004632349,0.00012481227,0.00020422008,0.0016576429,0.0021694098,0.0041213823,0.00043989831,0.00080801384,0.008389358],"category_scores_gemma":[0.030300984,0.00022440098,0.00032429144,0.00070844835,0.001369375,0.0015462707,0.0029903287,0.0017788606,0.0006305955],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000535287,0.0007317158,0.80168235,0.00023979275,0.000052098843,0.00077763863,0.130002,0.00011515118,0.0012523328,0.0051646126,0.0030921062,0.056354906],"study_design_scores_gemma":[0.000019344156,0.00029393472,0.6069952,0.0002120517,0.000029623203,0.00062394445,0.37802702,0.00025901507,0.0002993721,0.0014536858,0.011743363,0.000043457745],"about_ca_topic_score_codex":0.008072664,"about_ca_topic_score_gemma":0.014721654,"teacher_disagreement_score":0.008389358,"about_ca_system_score_codex":0.0013209343,"about_ca_system_score_gemma":0.0021211477,"threshold_uncertainty_score":0.028065205},"labels":[],"label_agreement":null},{"id":"W6981760161","doi":"","title":"An examination of the prevalence and correlates of chronic major depression in the Canadian Community Health Survey, Cycle 1.2","year":2007,"lang":"en","type":"dissertation","venue":"Mspace (University of Manitoba)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Depression (economics); Community health; Epidemiology; Public health; Mental health; Population; Disease","score_opus":0.01860033670910254,"score_gpt":0.2302017903506555,"score_spread":0.21160145364155294,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6981760161","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9379567,0.0014248932,0.0001649097,0.0008255501,0.000043740914,0.0004138249,0.052520383,0.00003094669,0.0066190455],"genre_scores_gemma":[0.97293437,0.0012103241,0.00040207745,0.00024124255,0.00001300316,0.00019553771,0.021374648,0.000012546492,0.0036163684],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99907625,0.000082436076,0.00006408274,0.00012591261,0.0003730283,0.0002782356],"domain_scores_gemma":[0.9976943,0.00012738015,0.0003244048,0.00009453223,0.0012944601,0.0004648183],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012155233,0.00033693563,0.0004121401,0.001841538,0.002079752,0.00093293155,0.0016509742,0.00067703513,0.0026130753],"category_scores_gemma":[0.0033042873,0.0006181128,0.00061238155,0.0055182893,0.00035897628,0.00047413807,0.00077654264,0.00082402665,0.00030688578],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000058819624,0.00004770232,0.9920189,0.0000403913,0.000039720027,0.000026351085,0.00031885318,0.00004785318,0.00009279122,0.00005193889,0.0035264746,0.0037302538],"study_design_scores_gemma":[0.0000017466826,0.0000057955126,0.9994388,0.0000063782454,0.000004862027,0.0000065964396,0.00016781817,0.000021150883,0.0000070788633,0.0000030618774,0.00033480467,0.0000017724217],"about_ca_topic_score_codex":0.9881401,"about_ca_topic_score_gemma":0.9954034,"teacher_disagreement_score":0.011859894,"about_ca_system_score_codex":0.01081096,"about_ca_system_score_gemma":0.024282213,"threshold_uncertainty_score":0.078439355},"labels":[],"label_agreement":null},{"id":"W6981930778","doi":"","title":"Gain, Loss, and Change: The Impact of Condos on Winnipeg Neighbourhoods","year":2021,"lang":"en","type":"article","venue":"WinnSpace (University of Winnipeg)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Renting; Stock (firearms); Affordable housing; Neighbourhood (mathematics); Rental housing; Cityscape; Apartment; Demographics","score_opus":0.0278566318105784,"score_gpt":0.22721335396915363,"score_spread":0.19935672215857522,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6981930778","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98047066,0.0017163492,0.00031744226,0.0019141553,0.00005540514,0.00012497033,0.0058651767,0.000011945202,0.009523873],"genre_scores_gemma":[0.9947497,0.0010213471,0.0005026798,0.00014465641,0.000007929817,0.000073087635,0.0013439471,0.000009567886,0.0021470725],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9986802,0.0002755614,0.000086061875,0.00018484093,0.00035311692,0.00042016897],"domain_scores_gemma":[0.9986142,0.00021501731,0.00028805743,0.00009825114,0.00041430042,0.00037010666],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000901857,0.00025062845,0.00045128417,0.001635314,0.0025494422,0.0029604533,0.0011526314,0.00036055828,0.003468651],"category_scores_gemma":[0.0050487355,0.00022742772,0.00048325697,0.003479578,0.0013805729,0.0013917894,0.004194409,0.00063943723,0.00020758361],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024707709,0.00008874516,0.84350616,0.0007872263,0.00019578426,0.0013137028,0.08727382,0.0007686914,0.0004512635,0.0061021615,0.011444041,0.047821313],"study_design_scores_gemma":[0.0000066689317,0.000035282857,0.85874224,0.00030132296,0.00005112621,0.00015426108,0.11941012,0.0004130115,0.00016971762,0.00045621584,0.020232437,0.000027621876],"about_ca_topic_score_codex":0.9231025,"about_ca_topic_score_gemma":0.9569251,"teacher_disagreement_score":0.0768975,"about_ca_system_score_codex":0.014047148,"about_ca_system_score_gemma":0.010439642,"threshold_uncertainty_score":0.1547007},"labels":[],"label_agreement":null},{"id":"W6982079200","doi":"","title":"Great Small &amp; Medium Fixed Blades - The Knife Junkie Podcast (Episode 386)","year":2023,"lang":"en","type":"other","venue":"Bulletin of Miscellaneous Information (Royal Gardens Kew)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Line (geometry); Performance art; Channel (broadcasting)","score_opus":0.015678853107476878,"score_gpt":0.18455420894719707,"score_spread":0.1688753558397202,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6982079200","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0022719095,0.00044398906,0.0011279769,0.0023984422,0.005199503,0.00019863284,0.0055880016,0.0029833969,0.97978824],"genre_scores_gemma":[0.006046774,0.0002302781,0.0006870574,0.00062132237,0.00046386904,0.000078829864,0.0025358484,0.0019888536,0.9873471],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995484,0.0000465006,0.000010528832,0.00004845545,0.00016923812,0.00017700078],"domain_scores_gemma":[0.99912757,0.000073887466,0.00003200635,0.000072028706,0.00022525861,0.00046931588],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004996936,0.00077817094,0.00040605039,0.00068063865,0.0042936006,0.0051425598,0.00081628293,0.0015706433,0.6999835],"category_scores_gemma":[0.0021645927,0.0005082447,0.0004525272,0.00066586287,0.00049723504,0.0030000042,0.004585496,0.002618549,0.4619776],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023737666,0.000015143272,0.0000784515,0.000040380477,6.6503367e-7,0.000051021518,0.00026264417,0.000009844333,0.00013611384,0.0008844077,0.990274,0.008223497],"study_design_scores_gemma":[0.0000032035177,0.000006057183,0.0003511128,0.0000313915,5.8461586e-7,0.000028921908,0.00038037714,0.000012082782,0.000088418274,0.00011855833,0.99897575,0.0000036108918],"about_ca_topic_score_codex":0.0072001386,"about_ca_topic_score_gemma":0.041291226,"teacher_disagreement_score":0.6999835,"about_ca_system_score_codex":0.0011516644,"about_ca_system_score_gemma":0.0008174283,"threshold_uncertainty_score":0.42793715},"labels":[],"label_agreement":null},{"id":"W6982422068","doi":"","title":"Inclusion of policies on ethical standards in animal experiments in biomedical science journals","year":2011,"lang":"en","type":"article","venue":"Bristol Research (University of Bristol)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Institute of Infection and Immunity","funders":"","keywords":"Inclusion (mineral); Ethical standards; Ethical issues; Research ethics; MEDLINE; Bioethics; Animal testing; Confidentiality; Biomedicine","score_opus":0.18149841895218624,"score_gpt":0.38551226712496117,"score_spread":0.20401384817277493,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6982422068","genre_codex":"methods","genre_gemma":"empirical","domain_codex":null,"domain_gemma":"evaluation","model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":"evaluation","domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.084420614,0.027416501,0.3321785,0.14516082,0.041050144,0.07179094,0.009192676,0.0047843233,0.2840055],"genre_scores_gemma":[0.23905335,0.018431397,0.5156336,0.0493233,0.012780607,0.09885723,0.010035188,0.002348253,0.05353703],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.54030484,0.2384945,0.12137881,0.0069286944,0.08407509,0.008818109],"domain_scores_gemma":[0.15147088,0.52892756,0.07341668,0.102028325,0.12847048,0.015686052],"candidate_categories":["metaresearch","research_integrity"],"consensus_categories":["metaresearch"],"category_scores_codex":[0.45909834,0.0012528456,0.0050988942,0.011545436,0.0076178354,0.014575337,0.007831723,0.017589165,0.021836942],"category_scores_gemma":[0.56966007,0.002967488,0.002180078,0.016465781,0.014890288,0.008220665,0.006507059,0.013086308,0.015930692],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0065431925,0.003062556,0.02842603,0.018934036,0.0006243813,0.0039397213,0.0546567,0.0015674544,0.02729664,0.15867385,0.27152592,0.42474946],"study_design_scores_gemma":[0.0018226288,0.0024248632,0.04141957,0.033487454,0.0006954598,0.004109101,0.014993348,0.004344825,0.016666977,0.08439428,0.7948778,0.00076376105],"about_ca_topic_score_codex":0.0018584834,"about_ca_topic_score_gemma":0.0034301209,"teacher_disagreement_score":0.98241085,"about_ca_system_score_codex":0.0049674343,"about_ca_system_score_gemma":0.043396674,"threshold_uncertainty_score":0.66702807},"labels":[],"label_agreement":null},{"id":"W6983747655","doi":"","title":"\\n Sayeh Canada 2003, 37 minutes","year":2004,"lang":"lt","type":"article","venue":"Érudit (Université de Montréal)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Liquation; Diafiltration; Emperipolesis; Triacetin; Fusible alloy","score_opus":0.005279302050644573,"score_gpt":0.1334790550742625,"score_spread":0.1281997530236179,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6983747655","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00145078,0.006630816,0.0004407177,0.017970588,0.041564375,0.0005579566,0.009545812,0.0014100902,0.9204288],"genre_scores_gemma":[0.0008987936,0.00047552818,0.000059344056,0.0010678457,0.0005325483,0.000040447983,0.0005302179,0.00014752033,0.9962478],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993963,0.000044660053,0.000017376411,0.00007127678,0.00025459845,0.00021578744],"domain_scores_gemma":[0.9988613,0.00009052022,0.000036504272,0.000041706444,0.00051642844,0.00045353745],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00076350867,0.0013357201,0.00088993285,0.0013741788,0.008252246,0.006040252,0.0011700467,0.0046516047,0.58716345],"category_scores_gemma":[0.0023750293,0.0007181865,0.00076354324,0.0015815158,0.00075078855,0.0014583952,0.00258907,0.003001756,0.3253464],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031797226,0.000006653978,0.000065250824,0.00002914743,0.0000012877815,0.000029003242,0.00002620242,0.000016094928,0.000046004006,0.0002832905,0.9945846,0.0048807315],"study_design_scores_gemma":[0.000010726971,0.000006337187,0.00067875924,0.000042577423,0.0000018270273,0.000007906548,0.00015104958,0.000016009652,0.000028102613,0.000107452724,0.9989446,0.0000047928665],"about_ca_topic_score_codex":0.33152592,"about_ca_topic_score_gemma":0.7262234,"teacher_disagreement_score":0.6684741,"about_ca_system_score_codex":0.005172406,"about_ca_system_score_gemma":0.008192562,"threshold_uncertainty_score":0.65919244},"labels":[],"label_agreement":null},{"id":"W6987989363","doi":"","title":"We were here: sexuality, photography, and cultural difference","year":2022,"lang":"en","type":"book","venue":"UCA Research Online (University for the Creative Arts)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Queer; Carving; Grassroots; The arts; Power (physics); Space (punctuation); Key (lock)","score_opus":0.14284726979554208,"score_gpt":0.3329522942306732,"score_spread":0.1901050244351311,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6987989363","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.021499578,0.097263,0.0011082686,0.0776757,0.0045327023,0.000032565265,0.00007593577,0.000056869252,0.79775536],"genre_scores_gemma":[0.43211302,0.051562525,0.0012770699,0.022420494,0.0026371866,0.00008476777,0.00008316818,0.00016672086,0.4896551],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9994785,0.00030618822,0.000009282661,0.00003688683,0.00012050699,0.00004865404],"domain_scores_gemma":[0.9991799,0.0005737984,0.000035220317,0.00006553768,0.000066300476,0.000079093494],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00083367503,0.00026793484,0.00016957609,0.0009772829,0.004337447,0.005556577,0.00052039477,0.0012791832,0.008325615],"category_scores_gemma":[0.0014839966,0.00017521951,0.00014359836,0.0010334448,0.013616653,0.0056167548,0.0018016323,0.0030693086,0.0009673283],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027354443,0.000033645,0.00069800846,0.00019363263,0.0000061214564,0.00043233638,0.14126998,0.000040569223,0.00044443115,0.55972457,0.24501584,0.052113578],"study_design_scores_gemma":[0.000006044844,0.000011197081,0.0010099175,0.000273277,0.0000044512035,0.00051717856,0.054044414,0.000023628048,0.00031938567,0.018253878,0.9255284,0.000008363504],"about_ca_topic_score_codex":0.010251533,"about_ca_topic_score_gemma":0.030044902,"teacher_disagreement_score":0.010251533,"about_ca_system_score_codex":0.0028001387,"about_ca_system_score_gemma":0.0013735272,"threshold_uncertainty_score":0.02785194},"labels":[],"label_agreement":null},{"id":"W6992986460","doi":"","title":"Nala: In Search of a Way","year":2024,"lang":"en","type":"dissertation","venue":"UWSpace (University of Waterloo)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Tamil; Hinduism; Compromise; Mirroring; Statue; Pilgrimage; Spanish Civil War; State (computer science)","score_opus":0.014630063086890577,"score_gpt":0.20127479546596322,"score_spread":0.18664473237907264,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6992986460","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21087106,0.0033855198,0.0038518512,0.039482214,0.0019876284,0.00011094563,0.00023701422,0.00033944182,0.7397343],"genre_scores_gemma":[0.7192074,0.0012448839,0.0034093233,0.0069157574,0.00012415154,0.00007678413,0.00013944603,0.00023860375,0.26864356],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99890053,0.00044612345,0.0000217747,0.00017281454,0.00019614656,0.00026259452],"domain_scores_gemma":[0.99919623,0.0001144015,0.00005386769,0.00009835783,0.00018333267,0.00035386553],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009904153,0.00047021126,0.00030604287,0.0005893068,0.019283496,0.009775449,0.0011898149,0.0020413199,0.014147524],"category_scores_gemma":[0.0016117402,0.00029248782,0.00028685297,0.0005070183,0.0105240345,0.006399002,0.005960077,0.004366325,0.00349654],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017596378,0.000103814375,0.0044644815,0.00021305878,0.000015420332,0.002535951,0.5840323,0.00010692109,0.0028770068,0.30595642,0.068920046,0.03059857],"study_design_scores_gemma":[0.0000063990915,0.00003728539,0.0016791384,0.00018041604,0.000008649932,0.0011302321,0.22203569,0.00014769232,0.0005607515,0.0053594657,0.7688222,0.00003211236],"about_ca_topic_score_codex":0.05444946,"about_ca_topic_score_gemma":0.22374812,"teacher_disagreement_score":0.05444946,"about_ca_system_score_codex":0.0072020376,"about_ca_system_score_gemma":0.0063404143,"threshold_uncertainty_score":0.1082651},"labels":[],"label_agreement":null},{"id":"W7000396033","doi":"","title":"“Feeling part of the action”: A study of affect and mobilization through tweets and poetry from the Anti-CAA Movement in India","year":2023,"lang":"en","type":"dissertation","venue":"eScholarship@McGill (McGill)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Affect (linguistics); Movement (music); Poetry; Mobilization; Social mobilization","score_opus":0.03497217961671459,"score_gpt":0.257764696774678,"score_spread":0.22279251715796342,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7000396033","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9821562,0.00021635549,0.00053730607,0.0020311684,0.000107085856,0.000063543215,0.0001435818,0.000018376084,0.014726329],"genre_scores_gemma":[0.9936473,0.00047997493,0.0004434316,0.0008400465,0.000098926925,0.00014455769,0.000102479884,0.000065260865,0.0041780677],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9970764,0.0016554176,0.00008526346,0.0002477479,0.00051895855,0.00041625687],"domain_scores_gemma":[0.99145657,0.006553464,0.0007482325,0.00025888917,0.0004629119,0.0005198976],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022204553,0.0006569283,0.0006612224,0.0022262936,0.0111901285,0.009431268,0.0014175402,0.002187068,0.002857996],"category_scores_gemma":[0.008540647,0.00067994307,0.00035279882,0.0027788484,0.011353661,0.005349357,0.005324765,0.0053152526,0.00087764015],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018500325,0.000031773096,0.0019113849,0.00005654716,0.000003776714,0.00026056482,0.9938014,0.000010637265,0.00068396947,0.000939918,0.00041255527,0.0018691029],"study_design_scores_gemma":[0.0000019171903,0.000026505095,0.006179598,0.00006146654,0.000004930662,0.00013467847,0.9862276,0.000037609665,0.00020806478,0.0002300262,0.0068717725,0.000015793383],"about_ca_topic_score_codex":0.0066148723,"about_ca_topic_score_gemma":0.012620355,"teacher_disagreement_score":0.0111901285,"about_ca_system_score_codex":0.0028942162,"about_ca_system_score_gemma":0.0017089173,"threshold_uncertainty_score":0.020999134},"labels":[],"label_agreement":null},{"id":"W7001033865","doi":"","title":"Indie crowdfunded narratives of commercial surrogacy, or the contested bodies of neoliberalism: Onir’s “I Am Afia” and Arpita Kumar’s Sita","year":2018,"lang":"en","type":"book-chapter","venue":"Portuguese National Funding Agency for Science, Research and Technology (RCAAP Project by FCT)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Filmmaking; Film director; Narrative; Indie film; Movie theater; Situated; Context (archaeology); Screenwriting; National cinema","score_opus":0.11507759154173354,"score_gpt":0.35820173336552813,"score_spread":0.2431241418237946,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7001033865","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4497563,0.006254151,0.0026850326,0.047839724,0.0009325231,0.000113669696,0.00018314531,0.00007822543,0.49215728],"genre_scores_gemma":[0.9647636,0.0022423754,0.0006711698,0.0032667809,0.00021946158,0.00009758174,0.000060745977,0.00008408639,0.028594226],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9962579,0.002066288,0.000075523174,0.00032566837,0.00064557407,0.00062902167],"domain_scores_gemma":[0.99530727,0.0031405375,0.00039602548,0.00028234257,0.00024678386,0.0006269961],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003920618,0.0006978233,0.00048547666,0.001388916,0.021138744,0.016456826,0.0015586043,0.0033349332,0.0047554434],"category_scores_gemma":[0.0069807256,0.0004992009,0.00044496576,0.0016212194,0.0327714,0.0081474045,0.010362683,0.007884073,0.00055809494],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030467701,0.000017422002,0.00043708214,0.00005881064,0.0000045420447,0.0007945883,0.8650536,0.000038344104,0.00036682625,0.12370591,0.0059204027,0.0035719767],"study_design_scores_gemma":[0.000007950583,0.000024939638,0.0009444635,0.00024888685,0.000012890396,0.0010801877,0.7431287,0.000112363596,0.00047818595,0.009258384,0.24467239,0.000030556886],"about_ca_topic_score_codex":0.013018763,"about_ca_topic_score_gemma":0.021709686,"teacher_disagreement_score":0.021138744,"about_ca_system_score_codex":0.008919718,"about_ca_system_score_gemma":0.0051138145,"threshold_uncertainty_score":0.06471735},"labels":[],"label_agreement":null},{"id":"W7004520090","doi":"","title":"The Year That Was","year":2018,"lang":"en","type":"article","venue":"Research Online (University of Wollongong)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sri lanka; South asia; Government (linguistics); Developing country; Population; Ceylon","score_opus":0.11836011177429313,"score_gpt":0.30377153435347115,"score_spread":0.18541142257917803,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7004520090","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18603231,0.004415446,0.0020590962,0.027618906,0.023223704,0.0005974189,0.023343682,0.0006940909,0.7320153],"genre_scores_gemma":[0.14228135,0.0013379679,0.00048216942,0.004725398,0.0009179733,0.0001292274,0.004371048,0.00016920317,0.84558564],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993369,0.00003088393,0.000016782753,0.00007142291,0.00022234353,0.00032164244],"domain_scores_gemma":[0.9985392,0.00004962871,0.0000866556,0.000048612903,0.00065701315,0.0006189604],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00048128964,0.00025029865,0.00027772048,0.00129166,0.0034789152,0.0027500023,0.0003840249,0.0009521763,0.030660238],"category_scores_gemma":[0.0016284868,0.00017609094,0.00026413356,0.0017202647,0.0007395648,0.0006252069,0.0012567826,0.0020852578,0.007904819],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00030221994,0.00009404997,0.023329018,0.0003202055,0.000031920346,0.0009227791,0.0048412946,0.00023686838,0.0017231285,0.03460029,0.8514497,0.08214848],"study_design_scores_gemma":[0.000007902077,0.000014052773,0.06521508,0.00005508913,0.000004007764,0.000043347387,0.0013505428,0.000022226883,0.0002260141,0.0001440451,0.93290967,0.000008045077],"about_ca_topic_score_codex":0.3628267,"about_ca_topic_score_gemma":0.6626898,"teacher_disagreement_score":0.3628267,"about_ca_system_score_codex":0.0058707963,"about_ca_system_score_gemma":0.010356562,"threshold_uncertainty_score":0.72142965},"labels":[],"label_agreement":null},{"id":"W7009226510","doi":"","title":"DISCUSSION PAPER SERIES","year":2023,"lang":"en","type":"book-chapter","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université Laval","funders":"","keywords":"","score_opus":0.018032475981628975,"score_gpt":0.19626913696569429,"score_spread":0.17823666098406532,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7009226510","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0014571162,0.0026068918,0.0005033119,0.072079524,0.030343195,0.0003585651,0.02256798,0.000427106,0.8696564],"genre_scores_gemma":[0.005269091,0.0010186168,0.00023791638,0.0069956025,0.0036855692,0.00028623,0.0047833305,0.00021905471,0.97750455],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99806005,0.0003102356,0.000080791746,0.0003330793,0.0007662362,0.00044966565],"domain_scores_gemma":[0.9956862,0.0010045759,0.0001697833,0.00057130156,0.001782778,0.0007854153],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0034556247,0.000915155,0.00095714576,0.0024717788,0.0029422,0.0098974975,0.001817405,0.006255563,0.64146936],"category_scores_gemma":[0.010897243,0.00031087387,0.0010036104,0.0028260534,0.0007506444,0.003913104,0.0026410576,0.0044899764,0.33461016],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000055541936,0.000029263325,0.00013987925,0.000079235695,0.0000032229545,0.000029254228,0.000052045423,0.000028990413,0.00005454433,0.011080123,0.9772554,0.0111923255],"study_design_scores_gemma":[0.00002252603,0.000010192978,0.00071779406,0.00010162583,0.00000475048,0.000009708127,0.00018945706,0.000031161493,0.00010816848,0.0030340403,0.9957663,0.000004261849],"about_ca_topic_score_codex":0.008933724,"about_ca_topic_score_gemma":0.0099400785,"teacher_disagreement_score":0.35853064,"about_ca_system_score_codex":0.0049303696,"about_ca_system_score_gemma":0.0082798945,"threshold_uncertainty_score":0.51140046},"labels":[],"label_agreement":null},{"id":"W7011872200","doi":"","title":"\\n Tokyo Girls\\n . Canada, 2000, 57 minutes","year":2001,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Work (physics); Data collection; Context (archaeology)","score_opus":0.006072643645994721,"score_gpt":0.13095718712958407,"score_spread":0.12488454348358935,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7011872200","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0020891938,0.0077985735,0.0003561763,0.010385264,0.013475928,0.0005911309,0.012551912,0.0018184767,0.95093334],"genre_scores_gemma":[0.0013382635,0.000953255,0.00008963703,0.0006831372,0.00035995044,0.00007439184,0.0010162512,0.00020283567,0.99528223],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997589,0.000020432755,0.0000088628085,0.000037756574,0.00009381819,0.000080273516],"domain_scores_gemma":[0.9991478,0.00006288565,0.000030069454,0.000025270912,0.00031750905,0.0004164626],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00044901145,0.001605855,0.00080593734,0.0011560197,0.005584383,0.003409885,0.0009471989,0.0023539304,0.65275085],"category_scores_gemma":[0.0014190172,0.0008030958,0.0003775281,0.0015613878,0.0007201761,0.0014911026,0.0021027015,0.0019416544,0.47130105],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004361449,0.000009595316,0.00011762219,0.00004500257,0.0000010892455,0.000032843047,0.0000675537,0.000016483995,0.000079966805,0.00015519024,0.9922029,0.007228259],"study_design_scores_gemma":[0.000014357987,0.00001102441,0.00196187,0.00008777151,0.0000019841677,0.00001393507,0.00043232203,0.000019117646,0.000034790413,0.00006507812,0.9973533,0.0000044905696],"about_ca_topic_score_codex":0.178784,"about_ca_topic_score_gemma":0.58184856,"teacher_disagreement_score":0.821216,"about_ca_system_score_codex":0.002560804,"about_ca_system_score_gemma":0.0033106317,"threshold_uncertainty_score":0.49530876},"labels":[],"label_agreement":null},{"id":"W7017809470","doi":"","title":"Bollywood Makes Men: Gender, Globalization, and Nation in India","year":2019,"lang":"en","type":"article","venue":"Western CEDAR (Western Washington University)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nationalism; Masculinity; Context (archaeology); Hindu nationalism; Hinduism; Hindutva; Nationalist Movement; Politics; Doctrine","score_opus":0.01741062923690047,"score_gpt":0.19590794182808163,"score_spread":0.17849731259118118,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7017809470","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24687697,0.021462971,0.0007313996,0.04405294,0.0013445929,0.000027698818,0.0000743928,0.00007002841,0.685359],"genre_scores_gemma":[0.9422085,0.0064365203,0.00023977259,0.0029463451,0.000344036,0.000015041743,0.000023046865,0.000049329286,0.047737323],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99925226,0.00036194985,0.000015736481,0.00007200322,0.00014047298,0.00015761904],"domain_scores_gemma":[0.99929774,0.0003687028,0.00008647672,0.000052828946,0.00005113037,0.00014308408],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00087007927,0.00039105956,0.00024006834,0.0009228394,0.009632924,0.008496881,0.0006304778,0.001097253,0.0050691552],"category_scores_gemma":[0.0012808065,0.00023818036,0.0001685235,0.0012768534,0.012799517,0.0040118936,0.0042771786,0.0031882266,0.00047215066],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000056777815,0.000059468206,0.0032412452,0.0001901214,0.000014273472,0.00084013795,0.63206047,0.0001083652,0.0008179659,0.29985824,0.03279918,0.029953714],"study_design_scores_gemma":[0.0000073362166,0.00006508997,0.0088763535,0.0004415093,0.000032483662,0.0007835263,0.47330555,0.0001462566,0.00077323936,0.01727327,0.49825564,0.000039702805],"about_ca_topic_score_codex":0.010354393,"about_ca_topic_score_gemma":0.020446686,"teacher_disagreement_score":0.010354393,"about_ca_system_score_codex":0.003549533,"about_ca_system_score_gemma":0.0014698732,"threshold_uncertainty_score":0.025753796},"labels":[],"label_agreement":null},{"id":"W7020119180","doi":"","title":"Kapamilya Channel Commercial Breaks (Q2 2021)","year":2021,"lang":"en","type":"other","venue":"Bulletin of Miscellaneous Information (Royal Gardens Kew)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Channel (broadcasting); Bundle; Quarter (Canadian coin); Current (fluid)","score_opus":0.009644455058438094,"score_gpt":0.17843052200446,"score_spread":0.1687860669460219,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7020119180","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0039029438,0.00046802458,0.0004551731,0.0009070523,0.0014259876,0.00023535627,0.032445192,0.001196909,0.9589634],"genre_scores_gemma":[0.010021264,0.00021274439,0.0002897739,0.00027076798,0.0001625334,0.00008036446,0.008184606,0.00048496187,0.9802931],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99981874,0.000014414305,0.0000043557684,0.00002463375,0.00007757747,0.000060183167],"domain_scores_gemma":[0.99937624,0.00006200913,0.00003461434,0.00004447571,0.00030030689,0.00018232781],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002496499,0.00032689265,0.00019812695,0.0007387425,0.0017726017,0.0020093014,0.00034479419,0.00084343716,0.6948274],"category_scores_gemma":[0.0011345396,0.0002841845,0.0001383584,0.0009296838,0.00019122205,0.0012072864,0.0014353202,0.0011274231,0.33926237],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008178032,0.000014238203,0.00027295382,0.00007568444,8.925046e-7,0.000062989755,0.00012628644,0.000019660396,0.00043424443,0.00058379216,0.97463006,0.023697374],"study_design_scores_gemma":[0.0000082080005,0.000017625081,0.0049500205,0.000057397207,9.076669e-7,0.000039858638,0.0002563267,0.000037449583,0.00024386686,0.00012120585,0.9942616,0.000005631053],"about_ca_topic_score_codex":0.010197362,"about_ca_topic_score_gemma":0.035509866,"teacher_disagreement_score":0.6948274,"about_ca_system_score_codex":0.0005134796,"about_ca_system_score_gemma":0.00073303544,"threshold_uncertainty_score":0.4352917},"labels":[],"label_agreement":null},{"id":"W7022236732","doi":"","title":"The Year That Was","year":2024,"lang":"en","type":"article","venue":"Figshare","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"","score_opus":0.06103165247429104,"score_gpt":0.2317135101798092,"score_spread":0.17068185770551816,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7022236732","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16385984,0.0050615566,0.0022131882,0.02782443,0.034770194,0.00065094675,0.024951816,0.0008494822,0.7398185],"genre_scores_gemma":[0.13353993,0.0015117964,0.0006096349,0.005156479,0.0011971104,0.00013698373,0.0050718407,0.00022530436,0.85255086],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99933004,0.0000315158,0.00001614266,0.00007414924,0.00024834787,0.00029973965],"domain_scores_gemma":[0.99826825,0.00005774701,0.00008715597,0.000057815447,0.00081614224,0.00071297464],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005969603,0.0002629965,0.00032435267,0.0014573302,0.0037955302,0.0033280824,0.00043478838,0.0010887956,0.036130983],"category_scores_gemma":[0.0018811006,0.00017231851,0.00029862137,0.0018011172,0.0007649044,0.0006561192,0.0015048977,0.0020920418,0.01016341],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00031831578,0.00009628727,0.01646914,0.000323828,0.00003056035,0.00091240974,0.00352224,0.00021881246,0.0016851733,0.026245922,0.8780663,0.07211106],"study_design_scores_gemma":[0.000010035649,0.000019002555,0.05720618,0.000069501555,0.000004810219,0.000054413984,0.0014736026,0.000029252864,0.0002552058,0.00016653139,0.9407025,0.000008985061],"about_ca_topic_score_codex":0.24802692,"about_ca_topic_score_gemma":0.5397377,"teacher_disagreement_score":0.24802692,"about_ca_system_score_codex":0.005020316,"about_ca_system_score_gemma":0.008810364,"threshold_uncertainty_score":0.49316645},"labels":[],"label_agreement":null},{"id":"W7024352432","doi":"","title":"(Re)Viewing Netflix India: Re-Presentation, (Self) Surveillance and Cultural Identity","year":2021,"lang":"en","type":"article","venue":"Scholarship@Western (Western University)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Cultural identity; Identity (music); Ethnic group; Context (archaeology)","score_opus":0.09339015044236566,"score_gpt":0.305648884374417,"score_spread":0.21225873393205136,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7024352432","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20918241,0.0013755426,0.0017454766,0.028875416,0.0029268637,0.000035765323,0.00031096887,0.0005090304,0.7550386],"genre_scores_gemma":[0.7802792,0.00075147377,0.00053705665,0.00148477,0.00055244414,0.000017635492,0.00013243787,0.00030194793,0.21594302],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9994636,0.00019906751,0.0000146147,0.00005063846,0.00013106137,0.00014099601],"domain_scores_gemma":[0.9986865,0.00043840232,0.00011464089,0.00021457237,0.00020747799,0.000338381],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001003489,0.00041256857,0.00013127392,0.000827893,0.004227918,0.010513172,0.00054595276,0.0010512983,0.039142393],"category_scores_gemma":[0.0027170416,0.0001649432,0.00018314502,0.00073164556,0.0034615463,0.0045563453,0.003770291,0.0024618756,0.004510677],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001833515,0.00008477137,0.0062974477,0.0003206593,0.000021344009,0.0014077346,0.58838934,0.0001531899,0.008610452,0.09055379,0.19514352,0.10883438],"study_design_scores_gemma":[0.000009170364,0.000048306985,0.011305524,0.00023552634,0.000034403252,0.0011276559,0.24139357,0.00022371161,0.0025725767,0.0035950178,0.73940825,0.00004631936],"about_ca_topic_score_codex":0.011316202,"about_ca_topic_score_gemma":0.021400018,"teacher_disagreement_score":0.039142393,"about_ca_system_score_codex":0.0023054609,"about_ca_system_score_gemma":0.0019379107,"threshold_uncertainty_score":0.13094437},"labels":[],"label_agreement":null},{"id":"W7024638632","doi":"","title":"The Student Movement Volume 105 Issue 15: SASA's Saris Shine at Cultural Celebration","year":2021,"lang":"en","type":"article","venue":"Digital Commons - Andrews University (Andrews University)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Passion; Quarter (Canadian coin); Entertainment; Annals; Poetry; The arts; Quilt; Government (linguistics)","score_opus":0.013124958564306174,"score_gpt":0.1903369105288572,"score_spread":0.17721195196455103,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7024638632","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.019437585,0.012229954,0.00020919277,0.26934654,0.13585815,0.00018964837,0.0010784924,0.00052873633,0.5611217],"genre_scores_gemma":[0.033345215,0.0038085582,0.00011931116,0.028348558,0.010660372,0.000115269395,0.00036234182,0.00032939756,0.92291105],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999114,0.00016490913,0.000029027382,0.000094775605,0.00026321135,0.00033407143],"domain_scores_gemma":[0.9980724,0.00014715368,0.00007964332,0.00009515355,0.0003039048,0.0013018363],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016375069,0.0010349483,0.00060459645,0.00073229015,0.012136703,0.009853512,0.00097389263,0.0045099813,0.19718474],"category_scores_gemma":[0.002688209,0.00040663398,0.00061108195,0.0012713361,0.0019044408,0.0035484268,0.007999596,0.0074016233,0.047023483],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016902944,0.000049974755,0.0005203577,0.00009742467,0.000003605151,0.000089463654,0.0022126245,0.0000075661424,0.00021187308,0.0020468447,0.9818496,0.012893755],"study_design_scores_gemma":[0.0000024747487,0.00001279543,0.001190371,0.00006946382,0.0000018125862,0.000026109248,0.003909394,0.0000051122715,0.000037606387,0.000081205246,0.9946602,0.0000035788726],"about_ca_topic_score_codex":0.012074927,"about_ca_topic_score_gemma":0.042660296,"teacher_disagreement_score":0.19718474,"about_ca_system_score_codex":0.0027532435,"about_ca_system_score_gemma":0.006301948,"threshold_uncertainty_score":0.65964866},"labels":[],"label_agreement":null},{"id":"W7027009016","doi":"","title":"Avaliação de imagens SAR no mapeamento de crostas lateríticas do depósito N1, Província Mineral de Carajás, Pará","year":2010,"lang":"pt","type":"dissertation","venue":"Biblioteca Digital da Memória Científica do INPE (National Institute for Space Research)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Amplitude; Sigma; Synthetic aperture radar; Joint (building)","score_opus":0.0583121367258066,"score_gpt":0.35037919642094617,"score_spread":0.2920670596951396,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7027009016","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9894253,0.0002148211,0.0041486965,0.00006502257,0.000010272809,0.000025905292,0.00080428226,0.00019061522,0.0051150746],"genre_scores_gemma":[0.9891445,0.00016770899,0.0076503335,0.000021598626,0.000007023156,0.000013864045,0.000715717,0.00003718273,0.0022420348],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.9998516,0.000013476527,0.0000037203758,0.000047169677,0.000059902268,0.000024073675],"domain_scores_gemma":[0.99969256,0.00008269645,0.000044783,0.000022818407,0.00012725654,0.000029850637],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003441948,0.00028576603,0.00017524391,0.0008186595,0.00020619213,0.0005441544,0.00018744284,0.00032158612,0.0012039153],"category_scores_gemma":[0.00042788548,0.00015796255,0.00019793228,0.00077634846,0.00016029924,0.0003330977,0.00018140374,0.0002443919,0.00030969267],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0009351844,0.00013694995,0.32577515,0.0004034585,0.00012881646,0.0005777058,0.0017824162,0.007128978,0.53143394,0.00045343005,0.0014397135,0.12980424],"study_design_scores_gemma":[0.000016879641,0.00012469488,0.9412089,0.000022480952,0.00008250809,0.00022605894,0.000704054,0.013392975,0.03999527,0.000092867434,0.0041166777,0.000016662761],"about_ca_topic_score_codex":0.011764308,"about_ca_topic_score_gemma":0.028978689,"teacher_disagreement_score":0.011764308,"about_ca_system_score_codex":0.00028069064,"about_ca_system_score_gemma":0.00024857186,"threshold_uncertainty_score":0.023391664},"labels":[],"label_agreement":null},{"id":"W7027642159","doi":"","title":"Crossing over: theorising Mehta’s film trilogy; practising diasporic creativity.","year":2010,"lang":"en","type":"dissertation","venue":"Adelaide Research & Scholarship (AR&S) (University of Adelaide)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Situated; Scholarship; Bridging (networking); Bricolage; Critical theory; Critical practice; Poetry; Film director; Knowledge production","score_opus":0.07097675813927079,"score_gpt":0.33753727869044686,"score_spread":0.2665605205511761,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7027642159","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11640108,0.02291872,0.09319277,0.07880242,0.0019987933,0.0005144799,0.0001755537,0.00024976514,0.6857463],"genre_scores_gemma":[0.93577176,0.005346607,0.016526615,0.00237988,0.00033074102,0.0002914482,0.00006522796,0.00012246058,0.03916518],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99655175,0.0021106566,0.00007184301,0.00042545877,0.0005685747,0.00027173766],"domain_scores_gemma":[0.9959637,0.0028957364,0.0002758893,0.00021498863,0.00034410242,0.00030557858],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003387711,0.0007184055,0.00031805353,0.002513801,0.00623361,0.0068755937,0.0015476967,0.0024964202,0.0056367693],"category_scores_gemma":[0.007555453,0.00040912264,0.000462928,0.0016604403,0.022605242,0.009332254,0.0049628406,0.0043766685,0.0005302886],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018667542,0.000022608418,0.0005962217,0.0001906786,0.000007332504,0.00038072726,0.15639275,0.0002537567,0.00050221744,0.81840634,0.006056247,0.017172512],"study_design_scores_gemma":[0.000025154635,0.00006782768,0.0016511091,0.0011959036,0.000023330802,0.0011418762,0.14141564,0.0026384748,0.0015983437,0.4094313,0.4407739,0.00003717192],"about_ca_topic_score_codex":0.0140864765,"about_ca_topic_score_gemma":0.014496669,"teacher_disagreement_score":0.0140864765,"about_ca_system_score_codex":0.007477604,"about_ca_system_score_gemma":0.004624511,"threshold_uncertainty_score":0.054253995},"labels":[],"label_agreement":null},{"id":"W7028467195","doi":"","title":"Ethnicity and the 2019 Canadian federal election: do&#13;\\nracialized candidates increase voter turnout?","year":2021,"lang":"en","type":"dissertation","venue":"Memorial University Research Repository (Memorial University)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Hyporeflexia; Diafiltration; Articular cartilage damage; Proteogenomics","score_opus":0.01530437833493417,"score_gpt":0.23519775423699255,"score_spread":0.21989337590205837,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7028467195","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9414942,0.001003302,0.00009519128,0.008822611,0.00011366175,0.00003937808,0.0013331715,0.000009040787,0.047089335],"genre_scores_gemma":[0.99036825,0.00052449055,0.000065950466,0.0004585818,0.00002664881,0.000011441078,0.00045237032,0.00000789498,0.008084387],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9988172,0.00014969445,0.000019653773,0.00009362101,0.00033151166,0.0005883971],"domain_scores_gemma":[0.9964623,0.00037768506,0.0006385783,0.000117137126,0.000942582,0.0014616938],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001452692,0.00019708408,0.00027916513,0.00094799243,0.005186361,0.0025031727,0.00079360505,0.0005750355,0.00970865],"category_scores_gemma":[0.00510066,0.00016337838,0.00047119055,0.001415254,0.0011809516,0.00063664734,0.0010605692,0.0012085491,0.0005897021],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018974987,0.00012955166,0.94990885,0.000050482573,0.00005698623,0.000094501855,0.012272105,0.000105652405,0.00018841296,0.003192015,0.0107534155,0.023058273],"study_design_scores_gemma":[0.0000063389834,0.000019317373,0.9767437,0.000059957114,0.00002780259,0.000012948816,0.014610063,0.00010219602,0.000061376966,0.0001649696,0.0081789335,0.000012546652],"about_ca_topic_score_codex":0.9788522,"about_ca_topic_score_gemma":0.9924656,"teacher_disagreement_score":0.021147788,"about_ca_system_score_codex":0.018066362,"about_ca_system_score_gemma":0.03160018,"threshold_uncertainty_score":0.13108122},"labels":[],"label_agreement":null},{"id":"W7028846531","doi":"","title":"HBO can't film Somali-American drama at Minnesota high-rise","year":2016,"lang":"en","type":"other","venue":"Internet Archive (Internet Archive)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Drama; Apartment; Dozen; Statement (logic); Family member","score_opus":0.009755259448421441,"score_gpt":0.21268462853577288,"score_spread":0.20292936908735143,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7028846531","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.007857005,0.00037720148,0.00016102067,0.002027387,0.0005535231,0.000032961514,0.00070636306,0.0002114539,0.98807305],"genre_scores_gemma":[0.02778948,0.0004250894,0.0002207801,0.00055955176,0.000077177465,0.00002437934,0.00047414348,0.0001971839,0.9702323],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9998609,0.000016938977,0.0000025780214,0.000016955268,0.000053618816,0.00004891803],"domain_scores_gemma":[0.9995733,0.000016854608,0.00001438376,0.000027858234,0.0001009781,0.00026661993],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00024351898,0.00034089587,0.0000982165,0.00034765506,0.0043019406,0.0028032975,0.00027689108,0.00056474283,0.26671427],"category_scores_gemma":[0.00046640815,0.00018749396,0.000113431386,0.0003344383,0.00058217737,0.0016851184,0.0017130001,0.0010029094,0.052628215],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003687251,0.000035274235,0.0015479712,0.000071625254,0.00000238488,0.0001170229,0.002258224,0.000022257176,0.000906451,0.0064508915,0.95716494,0.031386178],"study_design_scores_gemma":[0.0000030202514,0.0000058789024,0.0026157624,0.00004735836,0.0000017107438,0.00004463721,0.002280081,0.000024564062,0.00023988962,0.00012939346,0.99460477,0.0000029925695],"about_ca_topic_score_codex":0.06008089,"about_ca_topic_score_gemma":0.37851146,"teacher_disagreement_score":0.26671427,"about_ca_system_score_codex":0.001473012,"about_ca_system_score_gemma":0.0015347988,"threshold_uncertainty_score":0.89224815},"labels":[],"label_agreement":null},{"id":"W7032871890","doi":"","title":"Ottawa Senators Skills Contest 10 Feb 2008","year":2008,"lang":"en","type":"other","venue":"Bulletin of Miscellaneous Information (Royal Gardens Kew)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"","score_opus":0.005628621971554441,"score_gpt":0.16701251463867695,"score_spread":0.1613838926671225,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7032871890","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0015284738,0.0010720865,0.00011887435,0.013783953,0.0042320746,0.00015507243,0.006419558,0.00044448342,0.9722454],"genre_scores_gemma":[0.0014114312,0.00007537387,0.000018608225,0.00074361276,0.00007929736,0.000021120497,0.00031362,0.00005796696,0.997279],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99800414,0.00010496803,0.00004760572,0.00018900733,0.00075132685,0.00090299785],"domain_scores_gemma":[0.9972339,0.00026567501,0.00008209799,0.00018039874,0.0012694387,0.00096852897],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0015192797,0.0010293954,0.00084223575,0.0016884048,0.009714071,0.010392648,0.0021852113,0.007974112,0.55078256],"category_scores_gemma":[0.0043068,0.0008840321,0.00061504205,0.0014314845,0.0014495323,0.002535162,0.0033981397,0.005368167,0.30039975],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022876842,0.00001231233,0.000074430944,0.000018873136,0.0000012732388,0.000034770128,0.00006003976,0.00001535514,0.000030675725,0.0020574487,0.9947547,0.0029173302],"study_design_scores_gemma":[0.0000084737685,0.000006579206,0.0007494746,0.000044575783,0.0000025389686,0.0000084680805,0.0003014925,0.000019666548,0.00007017847,0.00032069598,0.9984585,0.000009341489],"about_ca_topic_score_codex":0.40075597,"about_ca_topic_score_gemma":0.82172173,"teacher_disagreement_score":0.55078256,"about_ca_system_score_codex":0.009961767,"about_ca_system_score_gemma":0.01580829,"threshold_uncertainty_score":0.7968466},"labels":[],"label_agreement":null},{"id":"W7033251329","doi":"","title":"Premsa i identitat nacional: \"La Llumanera de Nova York (1874-1881)","year":2015,"lang":"ca","type":"article","venue":"LA Referencia (Red Federada de Repositorios Institucionales de Publicaciones Científicas)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nova (rocket); Nova scotia; Cornish; Context (archaeology)","score_opus":0.044603848185488446,"score_gpt":0.2566140672670021,"score_spread":0.21201021908151363,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7033251329","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20720273,0.0130283795,0.000599406,0.012849238,0.002504939,0.00009903966,0.0024994768,0.00006674596,0.76115006],"genre_scores_gemma":[0.27231517,0.003489473,0.0003366082,0.0009354229,0.00013435046,0.0000654798,0.0008872011,0.000033158685,0.7218032],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997261,0.000028075077,0.0000099224535,0.00005083352,0.000050585142,0.00013455901],"domain_scores_gemma":[0.9998271,0.000028287985,0.000026419304,0.000008716233,0.000047352863,0.000062166444],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00029065536,0.00023903509,0.000118514174,0.0006515091,0.004077915,0.00232807,0.00028613626,0.0005784588,0.018089406],"category_scores_gemma":[0.00053266244,0.0002162026,0.000095563606,0.0007005048,0.0019574566,0.0009078291,0.0021886493,0.0019324594,0.0015545164],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021004259,0.000056826382,0.036447097,0.0005827807,0.000020222398,0.0017027621,0.15859644,0.00026779622,0.002299096,0.30110285,0.35347357,0.1452405],"study_design_scores_gemma":[0.0000037431694,0.000008809481,0.034247454,0.000118509546,0.000003150625,0.00006257707,0.009346294,0.000015995753,0.0002668592,0.00038698412,0.95552975,0.000009969986],"about_ca_topic_score_codex":0.55304265,"about_ca_topic_score_gemma":0.8391096,"teacher_disagreement_score":0.55304265,"about_ca_system_score_codex":0.011440018,"about_ca_system_score_gemma":0.008613577,"threshold_uncertainty_score":0.89917916},"labels":[],"label_agreement":null},{"id":"W7034342559","doi":"","title":"Support &amp;amp; Help Instant Call Now 1 (877) 887-3557 +1(877) 887-3557 Toshiba™ Helpline. $upport Number (US)","year":2016,"lang":"en","type":"other","venue":"OSF Preprints (OSF Preprints)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Laptop; Phone; Service (business); Customer service; Mobile phone","score_opus":0.021665795741794457,"score_gpt":0.25876110794686635,"score_spread":0.2370953122050719,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7034342559","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00068650005,0.00022817272,0.00096158206,0.0009361078,0.0019154473,0.00031010574,0.0017184753,0.0057429015,0.98750067],"genre_scores_gemma":[0.0010018715,0.000156159,0.0003442973,0.00028597782,0.00016785784,0.00008175809,0.0006193756,0.00047213217,0.99687046],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99961215,0.000031205716,0.000017072762,0.000067439585,0.00018597275,0.000086131346],"domain_scores_gemma":[0.99811256,0.00019058949,0.000053372445,0.0001683731,0.0008059564,0.0006690189],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00035627317,0.0013231378,0.0009566484,0.0011176623,0.0018821931,0.0034568515,0.0014129612,0.0017331013,0.95539564],"category_scores_gemma":[0.0033113854,0.00069464697,0.00060838927,0.00077760086,0.0004153811,0.0018440526,0.0028310337,0.0013957251,0.94442624],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028077544,0.000043375723,0.000066685854,0.000051404637,0.0000011918677,0.000032816148,0.00002219757,0.000015547042,0.00024972935,0.0002176301,0.9656543,0.033616997],"study_design_scores_gemma":[0.000027913731,0.000044878587,0.00056533236,0.000060799997,0.0000033557978,0.000097818396,0.00012858305,0.000091954564,0.00019085745,0.00019592779,0.9985832,0.000009428458],"about_ca_topic_score_codex":0.0022167535,"about_ca_topic_score_gemma":0.0032209116,"teacher_disagreement_score":0.04460436,"about_ca_system_score_codex":0.00046925826,"about_ca_system_score_gemma":0.000700085,"threshold_uncertainty_score":0.06362271},"labels":[],"label_agreement":null},{"id":"W7034344700","doi":"","title":"♥╬ *⇨【+❷❼❻❽ ❶❼❽❻❼❸❼】Spiritual Healer | Native Healer | Traditional Healer And Sangoma With Strong Muthi For protection }} Bring Back Lost Lovers || Money Spells That Work Over Night For Instant Success And Real Love Binding Spells That Work Fast Get Back Ex Lover In same day {{ 100% Guaranteed Results }} In Johannesburg","year":2021,"lang":"en","type":"other","venue":"OSF Preprints (OSF Preprints)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Psychic; Wife; Work (physics); Caster; Romance","score_opus":0.04494818297221411,"score_gpt":0.24620224462404064,"score_spread":0.20125406165182652,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7034344700","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008626969,0.00048344774,0.0012192708,0.012832687,0.0029018696,0.00029731623,0.0011340614,0.0011891277,0.97131526],"genre_scores_gemma":[0.006784946,0.00014983938,0.00051690073,0.0010051723,0.00011258695,0.000052724175,0.0002661947,0.0003263801,0.99078524],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993777,0.00008896229,0.000019163615,0.00007967018,0.00018858929,0.00024589736],"domain_scores_gemma":[0.998618,0.000055855744,0.00004650528,0.00007706843,0.0002457817,0.0009566948],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00051023386,0.00062922493,0.0004777457,0.0007030091,0.0072592613,0.0039923103,0.00086638134,0.0014124044,0.57501227],"category_scores_gemma":[0.0014485747,0.00035654005,0.0005748056,0.00036946565,0.0007656493,0.0019315769,0.006215031,0.0031249542,0.3917893],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000057938618,0.00023375041,0.0007610929,0.0000981211,0.0000061640026,0.00016040461,0.0013042109,0.000044321812,0.0013254342,0.0057814596,0.9241797,0.06604737],"study_design_scores_gemma":[0.000009689256,0.000025230334,0.0015094427,0.000051075815,0.0000027517974,0.00005066027,0.0015321649,0.000028888264,0.00038085645,0.00048807348,0.99591416,0.000007035383],"about_ca_topic_score_codex":0.012992846,"about_ca_topic_score_gemma":0.06963043,"teacher_disagreement_score":0.42498773,"about_ca_system_score_codex":0.00207937,"about_ca_system_score_gemma":0.004371911,"threshold_uncertainty_score":0.6061934},"labels":[],"label_agreement":null},{"id":"W7036961129","doi":"","title":"Débat entre le modèle, le type et le projet scolaire : la typo-morphologie et la syntaxe spatiale des prototypes d'écoles primaires et leur influence sur le parc scolaire au Québec, 1943-1964","year":2021,"lang":"fr","type":"other","venue":"Corpus Université Laval (Université Laval)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Historical heritage; Identity (music)","score_opus":0.015385250589790926,"score_gpt":0.1987389028562671,"score_spread":0.18335365226647618,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7036961129","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9529133,0.0005589648,0.010964339,0.0011579152,0.000015263062,0.00004872047,0.0007686426,0.00008311107,0.033489835],"genre_scores_gemma":[0.9895835,0.00017411908,0.0041926536,0.000024898782,0.0000021742521,0.000030478504,0.0002773569,0.00002301378,0.0056917896],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994517,0.00017388868,0.000015436399,0.00012091184,0.00016739673,0.000070658454],"domain_scores_gemma":[0.99809104,0.00069072034,0.00019212466,0.00014733603,0.0007073843,0.00017142389],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012212697,0.00028074873,0.00021184456,0.0015142845,0.0017629133,0.004058389,0.00076412194,0.0003463071,0.0048615383],"category_scores_gemma":[0.003089933,0.00022458076,0.00036036546,0.0025495794,0.0046236767,0.0014953143,0.0011565953,0.0004994862,0.0003316528],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003058396,0.00004763095,0.6839543,0.00026555645,0.000105870575,0.0005384541,0.051600885,0.011687449,0.0052346,0.13877021,0.0041310783,0.103358105],"study_design_scores_gemma":[0.00002306016,0.0000963163,0.8487735,0.0003023325,0.00007975297,0.0003102927,0.057951298,0.021738073,0.0014468244,0.014939615,0.054234724,0.00010432327],"about_ca_topic_score_codex":0.74020815,"about_ca_topic_score_gemma":0.83839345,"teacher_disagreement_score":0.25979185,"about_ca_system_score_codex":0.01380027,"about_ca_system_score_gemma":0.009668956,"threshold_uncertainty_score":0.52264357},"labels":[],"label_agreement":null},{"id":"W7037194223","doi":"","title":"Dessine-moi une maison : psychanalyse dâun processus de design","year":2013,"lang":"fr","type":"other","venue":"Library and Archives Canada (Government of Canada)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Architectural design; Historicity (philosophy); Unconscious mind; Practical wisdom","score_opus":0.005755057126973393,"score_gpt":0.14901985983187105,"score_spread":0.14326480270489766,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7037194223","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.073279485,0.018952077,0.36036697,0.039494503,0.0013662544,0.0002654893,0.00020692109,0.00083217287,0.50523615],"genre_scores_gemma":[0.7723888,0.012204128,0.07693627,0.0043006595,0.0004287982,0.00043128312,0.00023221535,0.0006816381,0.13239625],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99001336,0.0061041736,0.00032152561,0.0011283163,0.0019061214,0.0005265304],"domain_scores_gemma":[0.9910517,0.0046776137,0.00061158923,0.0014900618,0.001778597,0.00039044162],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0071304194,0.0012589481,0.0005163264,0.0022405016,0.0050093336,0.015215811,0.0011584631,0.002542459,0.009966006],"category_scores_gemma":[0.009713392,0.0006334816,0.0011535496,0.0016350548,0.023860337,0.01608476,0.0051351,0.005164418,0.0017900799],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004672455,0.000032715536,0.0007891136,0.00027088594,0.000020090632,0.00018848032,0.061218083,0.0008027608,0.0018838877,0.89959216,0.0033177598,0.031837236],"study_design_scores_gemma":[0.000024390105,0.0001481432,0.0021141744,0.00086432596,0.000059859605,0.00065657357,0.04415248,0.0053533954,0.004460389,0.45076925,0.49130353,0.00009343916],"about_ca_topic_score_codex":0.00873767,"about_ca_topic_score_gemma":0.0083446475,"teacher_disagreement_score":0.015215811,"about_ca_system_score_codex":0.008993211,"about_ca_system_score_gemma":0.0075189318,"threshold_uncertainty_score":0.065250576},"labels":[],"label_agreement":null},{"id":"W7037255714","doi":"","title":"Disruptive Technology: The Future of SMS Technology","year":2018,"lang":"en","type":"other","venue":"Bulletin of Miscellaneous Information (Royal Gardens Kew)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Short Message Service; Service (business); Mobile payment; Mobile telephony; Quarter (Canadian coin); Instant messaging; Information and Communications Technology; Push technology; Service provider","score_opus":0.00458975988753323,"score_gpt":0.17449559245356971,"score_spread":0.16990583256603647,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7037255714","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0493658,0.19774035,0.019647315,0.2824249,0.006900926,0.000108773915,0.00048493943,0.00089728006,0.44242972],"genre_scores_gemma":[0.5794587,0.28816548,0.011617274,0.02019206,0.009364237,0.00012513548,0.0003507999,0.0002863959,0.09043981],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99768925,0.0010369701,0.00011164916,0.00017822882,0.00069384836,0.00028998998],"domain_scores_gemma":[0.9931826,0.0032090987,0.00065768516,0.00047842867,0.0015471315,0.000925074],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0028313783,0.00055103004,0.000341208,0.0022705887,0.0017225533,0.009254839,0.0010149011,0.002632559,0.013423575],"category_scores_gemma":[0.0062865824,0.00021784229,0.00036783618,0.002921153,0.004760802,0.014031024,0.0024368532,0.0027577614,0.004718452],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010704485,0.00007713218,0.0072584995,0.0014085534,0.000021561784,0.00073081936,0.010851106,0.0006229433,0.0019856934,0.31535432,0.055839587,0.6057427],"study_design_scores_gemma":[0.000007890341,0.00018577155,0.006274755,0.0018394068,0.000024908375,0.0010810661,0.014568276,0.0014585112,0.0016372502,0.07546185,0.89739597,0.0000643205],"about_ca_topic_score_codex":0.0046849656,"about_ca_topic_score_gemma":0.0037292782,"teacher_disagreement_score":0.013423575,"about_ca_system_score_codex":0.0027671563,"about_ca_system_score_gemma":0.0032528113,"threshold_uncertainty_score":0.04490632},"labels":[],"label_agreement":null},{"id":"W7037655128","doi":"","title":"EV-olving Transportation","year":2021,"lang":"en","type":"other","venue":"Bulletin of Miscellaneous Information (Royal Gardens Kew)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Government (linguistics); Incentive; Wife; Truck; Test (biology); Energy (signal processing)","score_opus":0.008194188190850785,"score_gpt":0.1725761832124869,"score_spread":0.16438199502163614,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7037655128","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0011575156,0.0019307544,0.0032053753,0.0030435517,0.0016833121,0.00009428429,0.006436198,0.0028379506,0.97961104],"genre_scores_gemma":[0.01036708,0.0036594614,0.0031644714,0.001239356,0.00020328401,0.00003632706,0.011168915,0.00095138565,0.96920973],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986939,0.00004433553,0.000021363052,0.000116926705,0.0008420482,0.00028150232],"domain_scores_gemma":[0.998705,0.00003304239,0.000020775557,0.000112674425,0.0008647596,0.00026363708],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000525184,0.0010087803,0.00040026713,0.0015916335,0.0043033743,0.007489933,0.0015156578,0.0017434874,0.29529926],"category_scores_gemma":[0.0014044577,0.0003941151,0.0007950682,0.0024809854,0.00077844906,0.0037794726,0.0038302285,0.0017460147,0.16201156],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028875415,0.00002178598,0.00047446205,0.00014570913,0.0000047020235,0.0000713196,0.00009875218,0.00021831956,0.00057114667,0.015937673,0.8798083,0.10261884],"study_design_scores_gemma":[0.000001570988,0.0000038412663,0.00032379886,0.000047508438,0.0000016302776,0.000034307628,0.00009381076,0.00011157369,0.00014251859,0.00068437896,0.99854964,0.0000054187744],"about_ca_topic_score_codex":0.38622147,"about_ca_topic_score_gemma":0.56862426,"teacher_disagreement_score":0.38622147,"about_ca_system_score_codex":0.0071207103,"about_ca_system_score_gemma":0.012729148,"threshold_uncertainty_score":0.98787445},"labels":[],"label_agreement":null},{"id":"W7037700733","doi":"","title":"Exploring mechanisms of typical and abnormal cognitive development: neurodevelopmental computational models of theory of mind and general intelligence","year":2011,"lang":"en","type":"dissertation","venue":"eScholarship@McGill (McGill)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"McGill University","keywords":"Transition (genetics); Constructive; Cognition; Task (project management); Attribution; Object (grammar); Computational model; Theory of mind","score_opus":0.08318389496348903,"score_gpt":0.22820180403967535,"score_spread":0.14501790907618634,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7037700733","genre_codex":"methods","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.36628637,0.0046897233,0.59086794,0.008743023,0.00009213917,0.00008390943,0.00027747758,0.00061022944,0.028349191],"genre_scores_gemma":[0.91321176,0.0019514202,0.08168677,0.00021381098,0.00002479072,0.00014447431,0.00010451367,0.000039336715,0.0026230246],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"simulation_or_modeling","domain_scores_codex":[0.99970216,0.00012953907,0.000012797856,0.00006478983,0.000061913925,0.000028714088],"domain_scores_gemma":[0.9987374,0.0008448576,0.00012641196,0.00013145416,0.0000962443,0.000063702595],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001442429,0.00049877685,0.00036791456,0.0011835898,0.0002693474,0.001743192,0.001365727,0.000737033,0.001182277],"category_scores_gemma":[0.00318611,0.00041063008,0.00081940525,0.00045499307,0.0027348981,0.003225575,0.0009313497,0.0013380131,0.00015039378],"study_design_candidate":"simulation_or_modeling","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004213583,0.000063011816,0.0117177395,0.000174897,0.000089534966,0.00028494096,0.001528809,0.07738539,0.0024126316,0.86155385,0.0008816098,0.043865405],"study_design_scores_gemma":[0.0000113378155,0.000043968488,0.0035389513,0.000040251827,0.00001840885,0.00020754445,0.0002843539,0.2513168,0.0010164704,0.74093926,0.002558945,0.000023727525],"about_ca_topic_score_codex":0.0031695839,"about_ca_topic_score_gemma":0.002637666,"teacher_disagreement_score":0.0031695839,"about_ca_system_score_codex":0.0015867128,"about_ca_system_score_gemma":0.00087039813,"threshold_uncertainty_score":0.011512399},"labels":[],"label_agreement":null},{"id":"W7042610359","doi":"","title":"Plays on \"the Indian\": representation of knowledge and authenticity in Indianist mimetic practice","year":2006,"lang":"en","type":"dissertation","venue":"Open MIND","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Representation (politics); Knowledge representation and reasoning; Feature (linguistics); Context (archaeology); Meaning (existential); Identity (music)","score_opus":0.04109654789916523,"score_gpt":0.3163045867324614,"score_spread":0.2752080388332962,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7042610359","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13193755,0.0008592671,0.0051489226,0.006231534,0.0002192821,0.000029684446,0.00001859624,0.00007896415,0.8554762],"genre_scores_gemma":[0.98617965,0.0002506722,0.00056823745,0.00016902889,0.000040363637,0.000009622414,0.000004853224,0.000034322624,0.012743199],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99579865,0.0031054905,0.000059618218,0.00017039491,0.00045276302,0.00041310219],"domain_scores_gemma":[0.9969158,0.0017353701,0.00024777438,0.0005320632,0.0002360202,0.00033294852],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0036765188,0.000466691,0.00027634806,0.00144919,0.011596717,0.010307868,0.0010636385,0.0011992113,0.00815986],"category_scores_gemma":[0.0071531036,0.00023371674,0.00021967149,0.0016854928,0.036240652,0.0061891233,0.008340596,0.0033738762,0.0005784801],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028758544,0.000015078253,0.00034711784,0.000044134784,0.000003612712,0.00022319828,0.67316586,0.0000657254,0.00045450107,0.31421933,0.0021833961,0.00924927],"study_design_scores_gemma":[0.000016777822,0.00005959582,0.0022272351,0.000391349,0.00003765859,0.00068884087,0.6670599,0.000704618,0.0012046389,0.08132468,0.24624327,0.000041426738],"about_ca_topic_score_codex":0.011427433,"about_ca_topic_score_gemma":0.016919814,"teacher_disagreement_score":0.011596717,"about_ca_system_score_codex":0.005344414,"about_ca_system_score_gemma":0.0031036187,"threshold_uncertainty_score":0.038776696},"labels":[],"label_agreement":null},{"id":"W7067102643","doi":"","title":"Los programas televisivos y niveles de agresividad en estudiantes del 3er. grado de secundaria de la Institución Educativa Experimental UNAP, San Juan Bautista - 2015","year":2017,"lang":"en","type":"dissertation","venue":"renati","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Test (biology); Quarter (Canadian coin); Educational institution; Population; Statistical analysis; Sample (material)","score_opus":0.01178107328111875,"score_gpt":0.31169784499271785,"score_spread":0.2999167717115991,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7067102643","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99901557,0.00028539504,0.000015186436,0.000045340184,0.0000055711885,0.0000075628177,0.000061981365,0.0000023679943,0.00056091737],"genre_scores_gemma":[0.99667585,0.001146271,0.0001001111,0.000035509445,0.000013495743,0.000050446288,0.00019684162,0.0000019701533,0.0017794957],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9998721,0.00003159406,0.0000095006535,0.000023333087,0.000032243937,0.00003114458],"domain_scores_gemma":[0.9993437,0.00013663524,0.0002583642,0.000020726013,0.00009442141,0.00014607116],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00039071968,0.00024787465,0.0002112457,0.00040219183,0.00029372267,0.00040839336,0.0003369631,0.00025154604,0.0019263881],"category_scores_gemma":[0.0010936726,0.00018610845,0.0002213807,0.0003733691,0.00019548243,0.0001991119,0.00042451153,0.00050412107,0.00022642878],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00042324225,0.0010441857,0.9693117,0.00014303382,0.00004276646,0.00026997444,0.0041636885,0.00006636216,0.0010944804,0.00007997861,0.0005419828,0.022818586],"study_design_scores_gemma":[0.000014562424,0.00044303728,0.992997,0.0000825478,0.000031846233,0.00009870806,0.00497914,0.00006233804,0.00014665803,0.000016295351,0.0011236793,0.000004168669],"about_ca_topic_score_codex":0.03127208,"about_ca_topic_score_gemma":0.046309005,"teacher_disagreement_score":0.03127208,"about_ca_system_score_codex":0.00050272857,"about_ca_system_score_gemma":0.0005415094,"threshold_uncertainty_score":0.062180102},"labels":[],"label_agreement":null},{"id":"W7094144834","doi":"","title":"\"I Am\"","year":2010,"lang":"en","type":"article","venue":"CUNY Academic Works (City University of New York)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Feeling; Regret; Head (geology); Lesbian; Work (physics); Power (physics); Period (music); Ambivalence","score_opus":0.03597117108701917,"score_gpt":0.20930819304862525,"score_spread":0.17333702196160608,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7094144834","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.01703374,0.004749723,0.0035201674,0.08722634,0.023334922,0.00020064377,0.0006211373,0.0008256032,0.8624877],"genre_scores_gemma":[0.07996687,0.0025833151,0.0010720842,0.040493693,0.0015853263,0.00012535062,0.00034416927,0.00043811268,0.8733911],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99792767,0.00081287837,0.00004828078,0.00026414482,0.0004455682,0.0005014931],"domain_scores_gemma":[0.9976878,0.00013152181,0.00014595616,0.00014295742,0.0007514,0.0011404109],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0014834455,0.001061722,0.00057163514,0.0006292396,0.011393761,0.0075944215,0.0010049725,0.0019985654,0.103985764],"category_scores_gemma":[0.004376544,0.0003491289,0.0004059345,0.0004783251,0.0040696794,0.004672038,0.0052140625,0.007282662,0.05890439],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000066324,0.000044518827,0.0013169408,0.00011449121,0.0000139948625,0.00042651733,0.049583763,0.000019307497,0.00058229244,0.027324373,0.88419163,0.03631594],"study_design_scores_gemma":[0.0000038418525,0.000018224935,0.00062771275,0.00013439884,0.0000052588625,0.00029482838,0.023513382,0.000014200554,0.0001265754,0.000878894,0.9743713,0.000011404308],"about_ca_topic_score_codex":0.014627507,"about_ca_topic_score_gemma":0.028466808,"teacher_disagreement_score":0.8960142,"about_ca_system_score_codex":0.0027421531,"about_ca_system_score_gemma":0.0022093074,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W7094426416","doi":"","title":"Los cuerpos y mentes mutilados en &lt;i&gt;El Paciente inglés&lt;/i&gt; de Michael Ondaatje","year":2017,"lang":"es","type":"other","venue":"El Servicio de Difusión de la Creación Intelectual (National University of La Plata)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ethnography; Power (physics); Persona; Perspective (graphical); Field (mathematics)","score_opus":0.008357499651402553,"score_gpt":0.230251367648883,"score_spread":0.22189386799748043,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7094426416","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15134849,0.0237954,0.005735626,0.13557634,0.010245635,0.00010765551,0.0002481482,0.0003474062,0.67259526],"genre_scores_gemma":[0.57077134,0.0064655705,0.001210404,0.009947467,0.0010596933,0.000059982198,0.000065034226,0.00018394907,0.4102366],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99886847,0.00057306077,0.000017818193,0.00010825616,0.00020685606,0.00022553786],"domain_scores_gemma":[0.99922776,0.00023162032,0.00010289309,0.000059528942,0.00012617093,0.00025200672],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00105749,0.00056379836,0.00027039176,0.00047010506,0.009828186,0.004603723,0.00047945484,0.0016997164,0.009859026],"category_scores_gemma":[0.0021552653,0.00022475212,0.00024035074,0.00033937945,0.008783363,0.0034287842,0.0034937568,0.004729422,0.0016705785],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00025131376,0.000096607,0.0029989681,0.00035051844,0.000028764625,0.0027505204,0.332827,0.00018055932,0.0036006193,0.28659537,0.31759936,0.052720375],"study_design_scores_gemma":[0.000008883731,0.000057629895,0.0025360675,0.00018709803,0.0000100217585,0.0010935601,0.068851456,0.00009928877,0.0009670323,0.0060750446,0.92008054,0.000033363038],"about_ca_topic_score_codex":0.008703639,"about_ca_topic_score_gemma":0.024800675,"teacher_disagreement_score":0.009859026,"about_ca_system_score_codex":0.0027829714,"about_ca_system_score_gemma":0.0018227259,"threshold_uncertainty_score":0.032981753},"labels":[],"label_agreement":null},{"id":"W7094667727","doi":"","title":"The Year That Was","year":2018,"lang":"","type":"article","venue":"Figshare","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sri lanka; South asia; Government (linguistics); Developing country","score_opus":0.06580245878603187,"score_gpt":0.24030240412419487,"score_spread":0.174499945338163,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7094667727","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23100165,0.0044495356,0.002242694,0.022398235,0.021215597,0.0005301735,0.021712063,0.00067468855,0.6957754],"genre_scores_gemma":[0.2070438,0.0016047973,0.00062264426,0.004507943,0.0010040649,0.00013495928,0.0048360405,0.00019586225,0.78004986],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995073,0.000023399545,0.000011687244,0.000057952995,0.00016721443,0.00023243115],"domain_scores_gemma":[0.9988612,0.00004615065,0.00006821996,0.000040403305,0.0005452746,0.00043885218],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004371685,0.00024257143,0.00026519515,0.0011726907,0.0034095887,0.002560234,0.00036408225,0.00085854554,0.027567495],"category_scores_gemma":[0.0014535298,0.00015625001,0.00023943653,0.001603686,0.00077141525,0.0005862925,0.0012532532,0.001973299,0.0062890947],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00041003744,0.000116520576,0.027243372,0.00042752456,0.000041053612,0.0013792557,0.006809746,0.00032564052,0.0026941225,0.048156843,0.8152334,0.0971625],"study_design_scores_gemma":[0.000009027434,0.00001703109,0.06896008,0.00006300353,0.000004645281,0.000057733687,0.0017638907,0.00002653943,0.00030783887,0.00019096366,0.9285905,0.000008852465],"about_ca_topic_score_codex":0.28131056,"about_ca_topic_score_gemma":0.5667845,"teacher_disagreement_score":0.28131056,"about_ca_system_score_codex":0.0050040716,"about_ca_system_score_gemma":0.008491869,"threshold_uncertainty_score":0.5593463},"labels":[],"label_agreement":null},{"id":"W7094683159","doi":"","title":"Precious and coveted as diamonds: Torontoâs Nanny Angel Network","year":2016,"lang":"en","type":"article","venue":"PubMed Central","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Postal service; Natural (archaeology); The Internet; Key (lock)","score_opus":0.0121118497700765,"score_gpt":0.17974363004342056,"score_spread":0.16763178027334405,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7094683159","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.023670053,0.02073005,0.0004902429,0.16014352,0.010016986,0.000072676834,0.0014778747,0.00023487344,0.78316367],"genre_scores_gemma":[0.17448099,0.023211675,0.0007658996,0.009710441,0.00157259,0.00009615776,0.0008520223,0.0003396815,0.78897065],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.9995198,0.0001350198,0.000014299383,0.000040012153,0.00014201527,0.00014886423],"domain_scores_gemma":[0.99749374,0.0003318187,0.00013834675,0.00006884218,0.0003788737,0.0015884187],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013396192,0.00030699844,0.00019919718,0.0009815197,0.008479529,0.005633117,0.000551308,0.0011435531,0.12017014],"category_scores_gemma":[0.0034244156,0.00016421224,0.00014077056,0.0016188093,0.0019942066,0.0030012308,0.004103069,0.0028290302,0.009376924],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000053080617,0.000016015092,0.001414525,0.00023302631,0.0000041067915,0.0005752515,0.020226246,0.000027342954,0.00024108349,0.033406384,0.9029405,0.040862475],"study_design_scores_gemma":[0.0000024941946,0.000003894233,0.00081127556,0.00012205058,0.000002839423,0.00012530266,0.015285968,0.000009208184,0.000045365738,0.00081983686,0.9827686,0.0000031922966],"about_ca_topic_score_codex":0.06906369,"about_ca_topic_score_gemma":0.3345663,"teacher_disagreement_score":0.93093634,"about_ca_system_score_codex":0.005646313,"about_ca_system_score_gemma":0.014084926,"threshold_uncertainty_score":0.4020092},"labels":[],"label_agreement":null},{"id":"W7095912359","doi":"","title":"Reader Gujarat University Title(s) and Name(s) of the person(s) making the presentation at the Forum","year":2015,"lang":"en","type":"article","venue":"","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Government (linguistics); Public broadcasting; Broadcasting (networking); Presentation (obstetrics); China; Commission; Service (business); Quality (philosophy)","score_opus":0.05643731157810432,"score_gpt":0.22408339123261978,"score_spread":0.16764607965451545,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7095912359","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0016266289,0.0058791568,0.0013159803,0.011999588,0.050338745,0.0002683924,0.003125802,0.00260813,0.92283756],"genre_scores_gemma":[0.004393984,0.0017757448,0.00028266216,0.0011758815,0.0019772474,0.000038200826,0.0004102975,0.00042108668,0.9895247],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995894,0.00004516196,0.000018087858,0.0001024358,0.00012594053,0.00011901781],"domain_scores_gemma":[0.9985251,0.000108946195,0.000071138275,0.00010651099,0.0007177603,0.00047049182],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00048486365,0.0009421827,0.00096406706,0.001165112,0.001949519,0.0052782414,0.0007889005,0.0015096277,0.68117857],"category_scores_gemma":[0.002104326,0.00033367108,0.00048992975,0.0011743114,0.0004542551,0.0026161775,0.0019118068,0.0015342853,0.61694825],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037601185,0.000013480747,0.00014863235,0.00014386624,9.523616e-7,0.00008812963,0.00025140538,0.000023599123,0.0009129088,0.00169988,0.9381755,0.058504112],"study_design_scores_gemma":[0.000001865838,0.00000999064,0.00030146187,0.0000628459,7.521382e-7,0.000057042747,0.00012989934,0.000013655586,0.00010210765,0.00006758958,0.99924964,0.000003171652],"about_ca_topic_score_codex":0.004690149,"about_ca_topic_score_gemma":0.0044853836,"teacher_disagreement_score":0.31882143,"about_ca_system_score_codex":0.0012406264,"about_ca_system_score_gemma":0.00094619,"threshold_uncertainty_score":0.45476007},"labels":[],"label_agreement":null},{"id":"W7097138213","doi":"","title":"Available at:http://ro.uow.edu.au/meme/vol1/iss2/5 Socially Responsible Journalism- The Kerala Model","year":2015,"lang":"en","type":"article","venue":"","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ceylon; Tamil; Emigration; Favourite; Work (physics); Diaspora","score_opus":0.09775557169389662,"score_gpt":0.24857780460636822,"score_spread":0.1508222329124716,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7097138213","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002664772,0.0020915265,0.000270706,0.01252643,0.00056413247,0.000026871192,0.0006016713,0.00017246287,0.9810814],"genre_scores_gemma":[0.1029019,0.0062001105,0.0007181014,0.00782918,0.0006168431,0.000101741556,0.00034607106,0.00051224336,0.8807737],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999343,0.00025658653,0.00004171677,0.00006014518,0.00017381822,0.00012475619],"domain_scores_gemma":[0.9983808,0.00055105507,0.00009416524,0.00026290657,0.00033027265,0.00038079987],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00087868975,0.00030473818,0.0002929818,0.0009898476,0.0042091613,0.009668276,0.0005209484,0.0012818731,0.25707182],"category_scores_gemma":[0.0033890652,0.00023761374,0.0001816996,0.0015424092,0.0028820578,0.005618577,0.003210161,0.0016319964,0.09689125],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023733348,0.00008283238,0.0011446081,0.00030454158,0.000011216325,0.00020441083,0.0063124998,0.00009980798,0.00020547779,0.12863924,0.78971195,0.07325969],"study_design_scores_gemma":[0.0000022439028,0.0000058245055,0.0008571837,0.00014434507,0.0000017153632,0.000050241775,0.0023019062,0.00003803862,0.00008090556,0.0049166894,0.99159545,0.0000054134584],"about_ca_topic_score_codex":0.0105394935,"about_ca_topic_score_gemma":0.025159748,"teacher_disagreement_score":0.25707182,"about_ca_system_score_codex":0.002874035,"about_ca_system_score_gemma":0.0029481032,"threshold_uncertainty_score":0.85999095},"labels":[],"label_agreement":null},{"id":"W70976203","doi":"10.5204/mcj.2648","title":"Whose Fire on Freedom Holds More Water?","year":2006,"lang":"en","type":"article","venue":"M/C Journal","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Geology","score_opus":0.012556932064469796,"score_gpt":0.19684654291436232,"score_spread":0.18428961084989254,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W70976203","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.017067986,0.00675905,0.0011405031,0.34187856,0.0056982217,0.000020374775,0.00007480526,0.000049460374,0.627311],"genre_scores_gemma":[0.6342752,0.005152053,0.00059508363,0.07494557,0.002317445,0.000030885785,0.00007544201,0.00016701348,0.28244126],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99803096,0.0008141558,0.000028628221,0.0002092079,0.00034072562,0.0005762888],"domain_scores_gemma":[0.99855345,0.00046608498,0.00010051706,0.00016422087,0.0002506831,0.00046512234],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015274915,0.0002997292,0.00023518469,0.00047263788,0.009599319,0.012335543,0.0005616206,0.0024847868,0.017729994],"category_scores_gemma":[0.004162015,0.00016086594,0.00021301689,0.0004759872,0.020906493,0.009760634,0.0037099186,0.0056156893,0.0021263175],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000038107737,0.00002371881,0.0007546861,0.000054170894,0.0000057428547,0.00020854398,0.028711636,0.000040696363,0.00026074986,0.76969403,0.17586893,0.024338983],"study_design_scores_gemma":[0.000008560792,0.000009419709,0.000821521,0.00012909784,0.0000031338345,0.000079747384,0.034055535,0.000043083302,0.00023048419,0.03969995,0.92490256,0.000016967446],"about_ca_topic_score_codex":0.030423632,"about_ca_topic_score_gemma":0.04822332,"teacher_disagreement_score":0.030423632,"about_ca_system_score_codex":0.00573957,"about_ca_system_score_gemma":0.0032046728,"threshold_uncertainty_score":0.06049311},"labels":[],"label_agreement":null},{"id":"W7099456703","doi":"","title":"The planning of the new capital of Tanzania: Dodoma, an unfulfilled dream","year":2015,"lang":"en","type":"article","venue":"","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Plan (archaeology); Capital (architecture); Government (linguistics); Politics; Urban planning; Mirroring; Point (geometry); Social capital","score_opus":0.035952209649907065,"score_gpt":0.23562411610084916,"score_spread":0.1996719064509421,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7099456703","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.48762292,0.04955066,0.014977373,0.12065132,0.00256882,0.0005865774,0.0010299563,0.0003586194,0.32265377],"genre_scores_gemma":[0.89835846,0.0113850385,0.015450625,0.0031782952,0.00013636336,0.00021539153,0.000392923,0.000082754486,0.07080026],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.999742,0.000066585795,0.000009529286,0.000026803344,0.000028146887,0.00012691558],"domain_scores_gemma":[0.9997874,0.000029437957,0.000019476181,0.000017260109,0.00003175219,0.00011480362],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006705103,0.00034151945,0.0001269453,0.0005956023,0.0032974195,0.0024342928,0.00047762753,0.00063389103,0.0042959233],"category_scores_gemma":[0.0006594006,0.00039116206,0.00014328105,0.0006906833,0.0021227268,0.0022271145,0.0029064436,0.0014295691,0.00038710472],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000112079375,0.00007713159,0.007573295,0.0008573349,0.000012026121,0.0045450153,0.05593259,0.0028933962,0.0032649762,0.6521418,0.12444992,0.1481405],"study_design_scores_gemma":[0.000030434636,0.000084377556,0.007954575,0.0004691705,0.000011429011,0.0008177151,0.034534834,0.0008269501,0.0006078116,0.02466544,0.9299643,0.000033054384],"about_ca_topic_score_codex":0.040542267,"about_ca_topic_score_gemma":0.10568847,"teacher_disagreement_score":0.040542267,"about_ca_system_score_codex":0.004473718,"about_ca_system_score_gemma":0.011640233,"threshold_uncertainty_score":0.0806126},"labels":[],"label_agreement":null},{"id":"W7101185792","doi":"","title":"A Position Paper on the Canadian Strategy for Cancer Control by the Canadian Association for Responsible Research Funding (CARRF)","year":2001,"lang":"en","type":"article","venue":"","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Position (finance); Association (psychology); Control (management); Position paper; Disease","score_opus":0.12300569870835668,"score_gpt":0.3301273090270025,"score_spread":0.20712161031864582,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7101185792","genre_codex":"commentary","genre_gemma":"commentary","domain_codex":null,"domain_gemma":"incentives","model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":"commentary","domain_candidate":"incentives","domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0005804192,0.029931257,0.0011509439,0.77507275,0.11084503,0.00074609264,0.005962927,0.00018317165,0.075527444],"genre_scores_gemma":[0.012496314,0.039946288,0.009682653,0.47494656,0.024358328,0.0007414464,0.0058445274,0.00040595685,0.43157783],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.98883724,0.00076054625,0.00056876516,0.000623605,0.0070430688,0.0021668056],"domain_scores_gemma":[0.9824936,0.0019357591,0.00048822394,0.0004850406,0.00863878,0.0059586125],"candidate_categories":["metaresearch"],"consensus_categories":[],"category_scores_codex":[0.011891148,0.0013122357,0.0010891359,0.0022880873,0.0071915337,0.006624703,0.0041688723,0.01750284,0.020458987],"category_scores_gemma":[0.017190011,0.00075664587,0.0013773503,0.0042762104,0.0026608584,0.0027339514,0.002709598,0.015019261,0.005707915],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000059143504,0.000006368681,0.00012477738,0.00003894417,0.0000037671991,0.00001677711,0.00004478708,0.000026348933,0.00003360708,0.0029507887,0.9917345,0.0050134854],"study_design_scores_gemma":[0.000015988671,0.000006885252,0.0014859351,0.00015506726,0.000012141636,0.000016112506,0.00010225887,0.00004639528,0.00004654458,0.00066267385,0.9974252,0.000024853647],"about_ca_topic_score_codex":0.8843485,"about_ca_topic_score_gemma":0.95092404,"teacher_disagreement_score":0.9881089,"about_ca_system_score_codex":0.036411613,"about_ca_system_score_gemma":0.21366642,"threshold_uncertainty_score":0.26418597},"labels":[],"label_agreement":null},{"id":"W7106285660","doi":"10.5406/19346018.77.4.04","title":"Forum of Award-Winning Films","year":2025,"lang":"en","type":"article","venue":"Journal of Film and Video","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Government (linguistics); Selection (genetic algorithm); Social media; Movie theater; Social life; Film industry","score_opus":0.01231119531641998,"score_gpt":0.23618101675183487,"score_spread":0.2238698214354149,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7106285660","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.031548493,0.007159793,0.0051298966,0.030804547,0.15723531,0.0024358074,0.025695525,0.003733402,0.7362573],"genre_scores_gemma":[0.11361767,0.0043980386,0.008521638,0.0046177614,0.07890414,0.003171042,0.020874083,0.0037388531,0.7621568],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99637395,0.0007466588,0.00016009802,0.00042027267,0.0013885138,0.0009104311],"domain_scores_gemma":[0.9901502,0.0024156868,0.00047215231,0.0005377895,0.0020775227,0.004346677],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0048228255,0.0018434796,0.00089585845,0.006062752,0.008759764,0.012766836,0.0017474198,0.0032100773,0.23841397],"category_scores_gemma":[0.013666204,0.00055915694,0.00086425524,0.0042257467,0.0007518496,0.0040785857,0.008970313,0.0033977246,0.047661256],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001849744,0.00011236044,0.0003710942,0.00022978478,0.000007851862,0.0003493453,0.0019909581,0.000033173354,0.0006931624,0.003680052,0.9542331,0.0381142],"study_design_scores_gemma":[0.000020466738,0.000047320445,0.0011473177,0.00010849405,0.0000037551456,0.00010791093,0.0014829966,0.00006191682,0.00019395535,0.00065529265,0.996157,0.000013654619],"about_ca_topic_score_codex":0.0012922463,"about_ca_topic_score_gemma":0.004746035,"teacher_disagreement_score":0.23841397,"about_ca_system_score_codex":0.0019255979,"about_ca_system_score_gemma":0.0015456914,"threshold_uncertainty_score":0.7975742},"labels":[],"label_agreement":null},{"id":"W7113906495","doi":"10.7202/1120915ar","title":"Cinematic Howling: Women’s Films, Women’s Film Theories","year":2009,"lang":"en","type":"article","venue":"Atlantis Critical Studies in Gender Culture & Social Justice","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Saskatchewan","funders":"","keywords":"Object (grammar); Photography; Narrative; Perspective (graphical)","score_opus":0.053686320670782765,"score_gpt":0.3272371860077015,"score_spread":0.27355086533691875,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7113906495","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2002874,0.015307578,0.0041464614,0.04738469,0.00079371204,0.000079401645,0.00016433382,0.000025442556,0.731811],"genre_scores_gemma":[0.97540635,0.0030799087,0.00041457347,0.0010675979,0.00022445116,0.000043306587,0.00004508226,0.0000244267,0.019694302],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990583,0.0005894131,0.000019915185,0.000108129476,0.00007482449,0.00014944853],"domain_scores_gemma":[0.99613166,0.0026986748,0.00031600887,0.00021593546,0.00028643053,0.00035134223],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020961002,0.0005250768,0.0002449179,0.0023583905,0.005890619,0.009640114,0.0010311326,0.002098183,0.00974074],"category_scores_gemma":[0.004842063,0.00031709074,0.0002255064,0.0020312413,0.013978118,0.007987175,0.0019804367,0.0028523554,0.00036186056],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002612132,0.00006242166,0.0013750865,0.00013300743,0.000009926418,0.00018792093,0.14989583,0.000074620504,0.0001816476,0.8353708,0.0046497593,0.008032877],"study_design_scores_gemma":[0.0000415205,0.00007953683,0.010171736,0.0009291879,0.00005071179,0.00040881406,0.40143204,0.0009913753,0.0007309856,0.30126616,0.28386614,0.00003177663],"about_ca_topic_score_codex":0.009639282,"about_ca_topic_score_gemma":0.0112890005,"teacher_disagreement_score":0.00974074,"about_ca_system_score_codex":0.0034778968,"about_ca_system_score_gemma":0.0017253688,"threshold_uncertainty_score":0.032586038},"labels":[],"label_agreement":null},{"id":"W7115574033","doi":"10.1108/978-1-62396-075-920251013","title":"Invisible Subjects","year":2013,"lang":"en","type":"book-chapter","venue":"","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"","score_opus":0.029781403991900098,"score_gpt":0.18876649043992766,"score_spread":0.15898508644802756,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7115574033","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0011595847,0.0016529876,0.00059893535,0.0013017,0.0005624076,0.000020042,0.000026821795,0.00003138038,0.99464613],"genre_scores_gemma":[0.02350847,0.001636979,0.00026942042,0.000997616,0.00023352246,0.00003656541,0.000047110854,0.00007477861,0.97319555],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9995492,0.00013609638,0.000014768172,0.00008481752,0.000114676914,0.0001004525],"domain_scores_gemma":[0.99965894,0.00007389701,0.000022255213,0.00007380256,0.00006933976,0.00010177025],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000642533,0.0007707392,0.00032321794,0.000917947,0.0050984467,0.0066447784,0.00086623355,0.0015164324,0.12232778],"category_scores_gemma":[0.0011711055,0.00025806177,0.00027585318,0.00091392506,0.0054364074,0.0055133644,0.0043368274,0.003363798,0.030868314],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017399114,0.000025704023,0.00009945653,0.00009147295,0.0000015676115,0.00009165109,0.010192587,0.000024383426,0.0002524527,0.87265146,0.08462045,0.03193148],"study_design_scores_gemma":[0.0000032589087,0.000006536439,0.00010614176,0.00015137423,0.0000017906068,0.00006091216,0.0024770494,0.000018140106,0.00010758585,0.027834715,0.9692295,0.0000028813713],"about_ca_topic_score_codex":0.004522385,"about_ca_topic_score_gemma":0.009082264,"teacher_disagreement_score":0.12232778,"about_ca_system_score_codex":0.0023620415,"about_ca_system_score_gemma":0.003009356,"threshold_uncertainty_score":0.4092272},"labels":[],"label_agreement":null},{"id":"W7115883510","doi":"10.1525/jrpc.22.2.008b","title":"Review: The Challenge of the Silver Screen: An Analysis of the Cinematic Portraits of Jesus, Rama, Buddha and Muhammad, by Freek L. Bakker","year":2010,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Redeemer University College","funders":"","keywords":"Gautama Buddha; Portrait; Object (grammar); Key (lock); Feature (linguistics)","score_opus":0.01005277405008441,"score_gpt":0.2302654367606899,"score_spread":0.22021266271060547,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7115883510","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00010421624,0.9772544,0.00002747491,0.015187253,0.0067757587,0.000010272284,0.00003502979,0.0000051000256,0.0006005283],"genre_scores_gemma":[0.0013415592,0.9783481,0.000083708306,0.0111011,0.007715448,0.000023653767,0.000043976892,0.0000066470952,0.0013356976],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989316,0.00034555877,0.00017252071,0.00011425575,0.00036459122,0.000071385155],"domain_scores_gemma":[0.992328,0.0044573704,0.00061049697,0.0001304552,0.0020626253,0.00041111157],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022892621,0.0010633472,0.0023556084,0.00406842,0.0009944632,0.0040464494,0.0015254326,0.0039600143,0.003951935],"category_scores_gemma":[0.01003496,0.00052292616,0.00076692796,0.0056964816,0.0018180332,0.0034821697,0.0013994204,0.0029005778,0.003043665],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009396259,0.000014415457,0.00013988414,0.017438924,0.000117828306,0.00019758457,0.00039230802,0.000042687643,0.000229337,0.0010308205,0.8412511,0.13905112],"study_design_scores_gemma":[0.00003811331,0.00006346052,0.0015472944,0.019770617,0.00018047934,0.0010202462,0.0009134214,0.00003788757,0.00013108969,0.00070089404,0.9755706,0.000025839296],"about_ca_topic_score_codex":0.0037629618,"about_ca_topic_score_gemma":0.014440148,"teacher_disagreement_score":0.00406842,"about_ca_system_score_codex":0.0020130293,"about_ca_system_score_gemma":0.003827393,"threshold_uncertainty_score":0.014605582},"labels":[],"label_agreement":null},{"id":"W7115922272","doi":"10.5840/envirophil2025222157","title":"Ancestral Future by Ailton Krenak","year":2025,"lang":"","type":"article","venue":"Environmental Philosophy","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"","score_opus":0.005008278993197392,"score_gpt":0.18735696405385957,"score_spread":0.18234868506066218,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7115922272","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.014346371,0.08439917,0.0011215254,0.31558692,0.042135175,0.000021350383,0.00009111422,0.00007802864,0.5422203],"genre_scores_gemma":[0.13542706,0.029801108,0.0005063777,0.02011256,0.0047706626,0.000024556059,0.000040054852,0.00013934089,0.8091783],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99972636,0.00009813663,0.00000886947,0.000052714837,0.00006620591,0.000047674323],"domain_scores_gemma":[0.9994222,0.00016376154,0.000029255645,0.00003459006,0.00015749212,0.00019272631],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007652358,0.00038863457,0.00021052445,0.00051569514,0.0039842753,0.0032161968,0.0003750349,0.00078677584,0.022938805],"category_scores_gemma":[0.0012435279,0.00013729636,0.00012822625,0.0004278386,0.0027520142,0.0039158612,0.0026105063,0.004554968,0.00446243],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037126767,0.000035022025,0.00038196042,0.00015977919,0.0000061707165,0.00017617714,0.021233043,0.00007882857,0.00051320955,0.39753646,0.54334617,0.036495984],"study_design_scores_gemma":[0.0000013047253,0.000003735665,0.0001905558,0.00008697979,0.0000014686331,0.00006360209,0.0036390454,0.000024175331,0.0000760407,0.0067377137,0.9891726,0.0000028082077],"about_ca_topic_score_codex":0.0042891465,"about_ca_topic_score_gemma":0.011187643,"teacher_disagreement_score":0.022938805,"about_ca_system_score_codex":0.0019637996,"about_ca_system_score_gemma":0.0015360314,"threshold_uncertainty_score":0.076738},"labels":[],"label_agreement":null},{"id":"W7117132894","doi":"10.5281/zenodo.18025420","title":"Listening Again: Media, Music, and Intergenerational Cultural Negotiation in Diasporic Contexts","year":2025,"lang":"en","type":"preprint","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Humber Polytechnic","funders":"","keywords":"Negotiation; Active listening; Meaning (existential); Space (punctuation); Cultural studies; Cultural diversity","score_opus":0.04653192142014986,"score_gpt":0.2414472092758052,"score_spread":0.19491528785565534,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7117132894","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.87712413,0.0029772227,0.0036555633,0.0026926405,0.00012334702,0.00004250889,0.000030070618,0.000024960103,0.113329574],"genre_scores_gemma":[0.99764085,0.00045479895,0.00027287935,0.000084185085,0.000016780908,0.000013318617,0.0000072534126,0.000007414539,0.0015026296],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9978338,0.0015014475,0.000052916872,0.00017801917,0.00018373335,0.00024999224],"domain_scores_gemma":[0.99738425,0.0016961197,0.00030867636,0.00017076846,0.000116546864,0.00032370546],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003344739,0.00034766766,0.00030361937,0.0014600097,0.005438852,0.010811383,0.00085917977,0.0011964308,0.004320044],"category_scores_gemma":[0.005449843,0.00028750955,0.00018294605,0.0012767378,0.01478254,0.007207433,0.008273879,0.0015981422,0.00026389872],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007669952,0.00005673825,0.009311317,0.00011959947,0.000021534299,0.0019229746,0.8871967,0.000092205286,0.0016684029,0.0762328,0.00043059853,0.022870367],"study_design_scores_gemma":[0.00001443224,0.000084981126,0.014541193,0.00020956865,0.000028833654,0.00081551226,0.92910266,0.0002446568,0.0007526516,0.024653716,0.029522747,0.000029031407],"about_ca_topic_score_codex":0.001902676,"about_ca_topic_score_gemma":0.0028400077,"teacher_disagreement_score":0.010811383,"about_ca_system_score_codex":0.0013618084,"about_ca_system_score_gemma":0.0010055408,"threshold_uncertainty_score":0.01768893},"labels":[],"label_agreement":null},{"id":"W7117171964","doi":"10.5281/zenodo.18025422","title":"Listening Again: Media, Music, and Intergenerational Cultural Negotiation in Diasporic Contexts","year":2025,"lang":"en","type":"preprint","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Humber Polytechnic","funders":"","keywords":"Negotiation; Active listening; Meaning (existential); Space (punctuation); Cultural studies; Cultural diversity","score_opus":0.04653192142014986,"score_gpt":0.2414472092758052,"score_spread":0.19491528785565534,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7117171964","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.87712413,0.0029772227,0.0036555633,0.0026926405,0.00012334702,0.00004250889,0.000030070618,0.000024960103,0.113329574],"genre_scores_gemma":[0.99764085,0.00045479895,0.00027287935,0.000084185085,0.000016780908,0.000013318617,0.0000072534126,0.000007414539,0.0015026296],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9978338,0.0015014475,0.000052916872,0.00017801917,0.00018373335,0.00024999224],"domain_scores_gemma":[0.99738425,0.0016961197,0.00030867636,0.00017076846,0.000116546864,0.00032370546],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003344739,0.00034766766,0.00030361937,0.0014600097,0.005438852,0.010811383,0.00085917977,0.0011964308,0.004320044],"category_scores_gemma":[0.005449843,0.00028750955,0.00018294605,0.0012767378,0.01478254,0.007207433,0.008273879,0.0015981422,0.00026389872],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007669952,0.00005673825,0.009311317,0.00011959947,0.000021534299,0.0019229746,0.8871967,0.000092205286,0.0016684029,0.0762328,0.00043059853,0.022870367],"study_design_scores_gemma":[0.00001443224,0.000084981126,0.014541193,0.00020956865,0.000028833654,0.00081551226,0.92910266,0.0002446568,0.0007526516,0.024653716,0.029522747,0.000029031407],"about_ca_topic_score_codex":0.001902676,"about_ca_topic_score_gemma":0.0028400077,"teacher_disagreement_score":0.010811383,"about_ca_system_score_codex":0.0013618084,"about_ca_system_score_gemma":0.0010055408,"threshold_uncertainty_score":0.01768893},"labels":[],"label_agreement":null},{"id":"W7117968984","doi":"10.1007/978-3-031-94070-5_28","title":"Every Child Matters: Nonnormative Fatherhood of Care and Compassion in Malayalam Cinema","year":2025,"lang":"en","type":"book-chapter","venue":"","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"MacEwan University","funders":"","keywords":"Compassion; Caste; Narrative; Malayalam; Movie theater; Shame","score_opus":0.007850543776311088,"score_gpt":0.19131442391440115,"score_spread":0.18346388013809006,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7117968984","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16034344,0.008872426,0.0019515819,0.0188101,0.0006963419,0.000055444973,0.00003056786,0.000029976283,0.80921006],"genre_scores_gemma":[0.9276396,0.0018291693,0.0005257283,0.0013755308,0.00010241158,0.000041589676,0.000010897638,0.000026518323,0.06844853],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9990496,0.0006502163,0.000019401656,0.000038376467,0.00008857133,0.00015374363],"domain_scores_gemma":[0.9992926,0.0003881488,0.000069888774,0.000038536004,0.000074133386,0.00013670619],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013381004,0.00031611667,0.00017266735,0.0002946311,0.007177962,0.0043484927,0.0004834291,0.00117052,0.003235265],"category_scores_gemma":[0.0013135305,0.00020390701,0.000101470934,0.00034804025,0.012114325,0.0023454386,0.0025544513,0.0036042212,0.00045364926],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026325371,0.000040107796,0.0011357944,0.00011629952,0.0000035484284,0.00087131775,0.622788,0.000026344884,0.0011374903,0.34719828,0.010487344,0.016169144],"study_design_scores_gemma":[0.000013121727,0.00008270676,0.008392672,0.0006907365,0.000019576803,0.0027156665,0.5040532,0.00022862415,0.0014675197,0.040038653,0.44226387,0.000033764638],"about_ca_topic_score_codex":0.00606389,"about_ca_topic_score_gemma":0.026982805,"teacher_disagreement_score":0.007177962,"about_ca_system_score_codex":0.0029511435,"about_ca_system_score_gemma":0.0035911668,"threshold_uncertainty_score":0.021412134},"labels":[],"label_agreement":null},{"id":"W7127313840","doi":"10.33524/cjar.v25i3.815","title":"In Memoriam: Dip Kapoor","year":2025,"lang":"en","type":"article","venue":"The Canadian Journal of Action Research","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"St. Francis Xavier University; McGill University; Nipissing University","funders":"","keywords":"","score_opus":0.18425030550282398,"score_gpt":0.39600930862870487,"score_spread":0.2117590031258809,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7127313840","genre_codex":"editorial","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":"editorial","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000939575,0.007975188,0.00013262521,0.32188582,0.6619405,0.000026642167,0.00022479276,0.00012237574,0.007598139],"genre_scores_gemma":[0.004498217,0.0073492397,0.0003089011,0.3449732,0.42989683,0.00011855122,0.00020926562,0.00025510663,0.21239065],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9965144,0.0005951641,0.00024831886,0.00065026915,0.0016454258,0.00034656835],"domain_scores_gemma":[0.9829473,0.0037552197,0.000951022,0.00061510026,0.008927841,0.0028035345],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0035138854,0.0022226707,0.0026909206,0.0020560415,0.006451867,0.008861111,0.0034903567,0.008850504,0.0774532],"category_scores_gemma":[0.03612563,0.0005888018,0.0016233356,0.0010442745,0.0026699556,0.0047585387,0.008039543,0.019718064,0.056779936],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007536268,0.0000032236999,0.000020219017,0.000025311305,0.000003742465,0.000043379972,0.00005036184,0.0000064860337,0.00001669596,0.00027416466,0.9977487,0.0018003003],"study_design_scores_gemma":[0.000010395579,0.0000063643083,0.00019212803,0.00013584101,0.000013418257,0.00010670441,0.00037018638,0.00003258736,0.0000488684,0.0005949315,0.99847597,0.000012610384],"about_ca_topic_score_codex":0.018479638,"about_ca_topic_score_gemma":0.028502353,"teacher_disagreement_score":0.0774532,"about_ca_system_score_codex":0.0058553875,"about_ca_system_score_gemma":0.0049907467,"threshold_uncertainty_score":0.25910676},"labels":[],"label_agreement":null},{"id":"W7128221286","doi":"10.37134/jvt.vol2.2.1.2021","title":"“வறம நரலல எஙகள மததயரன கரத ”- பகலடபபனகதகள -ஓர ஆயவ\"Not just water - The blood of our Ancestors\" - A study of Exile Tamil Fictions","year":2021,"lang":"ta","type":"article","venue":"Journal of Valartamil","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Tamil; Colonialism; Multiculturalism; Refugee; Postcolonialism (international relations); Displaced person","score_opus":0.06430778894196068,"score_gpt":0.27433719890616093,"score_spread":0.21002940996420025,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7128221286","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.43726987,0.024313945,0.004741781,0.045978226,0.002526468,0.0001152395,0.00013575309,0.00008046188,0.48483816],"genre_scores_gemma":[0.9616611,0.0037398525,0.00064221455,0.0025064403,0.0004784706,0.000062830375,0.000038133778,0.00007428135,0.030796615],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9982534,0.0012810266,0.000020530964,0.00010470167,0.000120639445,0.00021956806],"domain_scores_gemma":[0.9977164,0.0017524331,0.00015224356,0.00007883941,0.00014357334,0.00015652928],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019453864,0.0007864861,0.00038087647,0.0017595858,0.013913778,0.0071920957,0.001263974,0.002325095,0.0050145746],"category_scores_gemma":[0.0041368664,0.00024867,0.00031054328,0.001566618,0.02233747,0.005437052,0.0033604058,0.0046128575,0.0007115866],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000038018206,0.000029330773,0.0006204219,0.000174295,0.0000068435675,0.0009707054,0.74880195,0.000058031022,0.0001941155,0.22791141,0.013300998,0.007893838],"study_design_scores_gemma":[0.0000118277185,0.000062685394,0.0018088791,0.0007085416,0.000010936515,0.00096963934,0.57030225,0.00027340688,0.0005290021,0.024596661,0.4007015,0.00002469805],"about_ca_topic_score_codex":0.002821907,"about_ca_topic_score_gemma":0.006575643,"teacher_disagreement_score":0.013913778,"about_ca_system_score_codex":0.004202483,"about_ca_system_score_gemma":0.0014849091,"threshold_uncertainty_score":0.030491292},"labels":[],"label_agreement":null},{"id":"W7128227367","doi":"10.1080/29974828.2025.2521937","title":"Spatial Parameters of Romuva Cinema Rescue","year":2025,"lang":"en","type":"article","venue":"Eastern European Screen Studies","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"","score_opus":0.055345530372345464,"score_gpt":0.2685509140006137,"score_spread":0.21320538362826824,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7128227367","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.955301,0.00013105058,0.0003201519,0.0001132124,0.000003304321,0.000013026984,0.00028322288,0.000015447635,0.04381964],"genre_scores_gemma":[0.99892247,0.00002139088,0.000043550874,0.000002167309,0.0000010558764,0.0000026588689,0.00005095446,0.00000446924,0.00095120276],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.99979526,0.00007286918,0.000010025912,0.000040670635,0.000040242834,0.000040898834],"domain_scores_gemma":[0.9984713,0.0007532027,0.0001833227,0.00010130348,0.00037823798,0.000112551206],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00037127535,0.00010955308,0.00013280098,0.0014095918,0.0007621951,0.002159095,0.0002801741,0.00032373512,0.0108356485],"category_scores_gemma":[0.004868295,0.00009139363,0.00011711774,0.0015295102,0.00060051633,0.00095363986,0.00074392505,0.00026269627,0.0005361821],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0023755962,0.00036409812,0.56074214,0.00040413797,0.00013680047,0.0019086914,0.13828288,0.018487219,0.019038439,0.10946286,0.006575462,0.14222173],"study_design_scores_gemma":[0.000015518644,0.000109692606,0.89799756,0.000069086724,0.000031980144,0.00042170353,0.080760635,0.006033189,0.0011064264,0.0029951895,0.010417682,0.000041443123],"about_ca_topic_score_codex":0.029025361,"about_ca_topic_score_gemma":0.020697113,"teacher_disagreement_score":0.029025361,"about_ca_system_score_codex":0.00093781354,"about_ca_system_score_gemma":0.00034265962,"threshold_uncertainty_score":0.057712853},"labels":[],"label_agreement":null},{"id":"W7132957623","doi":"","title":"Sinhala Short Story: Origins and Growth (1860-1960)","year":2024,"lang":"en","type":"book","venue":"TSpace","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Sequence (biology); Identity (music); Identification (biology); Set (abstract data type); Focus (optics)","score_opus":0.02616363294872903,"score_gpt":0.25889446608416167,"score_spread":0.23273083313543264,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7132957623","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02452141,0.12663203,0.0004317728,0.011085264,0.008885892,0.00009825219,0.007082511,0.00012038362,0.8211425],"genre_scores_gemma":[0.12945677,0.07699727,0.00042871208,0.0011841473,0.001810664,0.00014989247,0.0025901194,0.00015916242,0.7872233],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99982244,0.000039460763,0.00001829825,0.000029183358,0.000049184517,0.00004141404],"domain_scores_gemma":[0.9997415,0.00009374555,0.0000400205,0.000023469154,0.00006582935,0.000035451154],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00032388052,0.0008360079,0.00046603061,0.0017366507,0.00213701,0.002727948,0.0004508344,0.0008352681,0.026975753],"category_scores_gemma":[0.0010436997,0.0003791826,0.00017890117,0.0047337622,0.0014869955,0.002382218,0.0019152398,0.0016904715,0.007851731],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00025143308,0.000070427945,0.0032126475,0.0023784093,0.00003826392,0.0024145716,0.04729443,0.00028703225,0.0005195763,0.14546952,0.64670867,0.15135512],"study_design_scores_gemma":[0.000006825741,0.000016025486,0.006790836,0.0003463671,0.000008061341,0.00023087651,0.0047033206,0.00001799249,0.00013005793,0.001361524,0.9863799,0.000008199346],"about_ca_topic_score_codex":0.029642975,"about_ca_topic_score_gemma":0.07202131,"teacher_disagreement_score":0.029642975,"about_ca_system_score_codex":0.002356661,"about_ca_system_score_gemma":0.0020353796,"threshold_uncertainty_score":0.09024286},"labels":[],"label_agreement":null},{"id":"W7135939854","doi":"","title":"Elastic 3D Space:Besides the Screen","year":2016,"lang":"en","type":"article","venue":"Discovery Research Portal (University of Dundee)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Theme (computing); Presentation (obstetrics); Movie theater; Work (physics); Head (geology)","score_opus":0.05303197398079022,"score_gpt":0.25538575055623247,"score_spread":0.20235377657544223,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7135939854","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.036780376,0.0067057484,0.1479774,0.016520683,0.0069377455,0.00021614424,0.00070584536,0.0054345834,0.77872145],"genre_scores_gemma":[0.5372974,0.008716025,0.093476325,0.004924432,0.0018186391,0.00039888755,0.001072506,0.0040665893,0.34822914],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998911,0.0003924054,0.000026900041,0.00008867093,0.00038390234,0.00019702454],"domain_scores_gemma":[0.99892044,0.00040316692,0.00002831748,0.00020956915,0.00017264436,0.00026585415],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018082804,0.00067783444,0.00026065548,0.0006725835,0.0020442565,0.00677808,0.00096659263,0.0015123384,0.07260584],"category_scores_gemma":[0.0028652956,0.00038855715,0.00050622754,0.0006232529,0.0023313153,0.00668596,0.0075276224,0.0020708642,0.00633639],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00048295746,0.000109516914,0.0007645812,0.0009685055,0.00003782725,0.0010464424,0.018898774,0.0020345896,0.019120535,0.35616168,0.26979667,0.33057797],"study_design_scores_gemma":[0.000025771227,0.00006664547,0.00057121355,0.00025353068,0.000013785374,0.0006184575,0.0039339927,0.00091899256,0.0032514147,0.01747675,0.97282434,0.000044938188],"about_ca_topic_score_codex":0.0016092722,"about_ca_topic_score_gemma":0.0032601492,"teacher_disagreement_score":0.07260584,"about_ca_system_score_codex":0.0006325494,"about_ca_system_score_gemma":0.0008280622,"threshold_uncertainty_score":0.24289078},"labels":[],"label_agreement":null},{"id":"W7148952558","doi":"10.1163/26659050-12340069","title":"Radio for the Millions: Hindi-Urdu Broadcasting Across Borders, written by Huacuja Alonso, Isabel","year":2025,"lang":"","type":"article","venue":"Journal of Urdu Studies","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Broadcasting (networking); Radio broadcasting; Digital radio; Digital broadcasting; Satellite broadcasting","score_opus":0.04152476833505156,"score_gpt":0.3586308879794121,"score_spread":0.31710611964436053,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7148952558","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.019179296,0.4387299,0.000569611,0.2019844,0.1707875,0.00007319535,0.0008410797,0.00017201573,0.1676629],"genre_scores_gemma":[0.18236469,0.17942928,0.001284233,0.07177018,0.0862227,0.000143154,0.0007448035,0.00046232739,0.47757867],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.99979645,0.00005898702,0.000013805618,0.000028924173,0.000055154313,0.0000466213],"domain_scores_gemma":[0.99938715,0.00028061154,0.00005196032,0.000023259356,0.00012844258,0.00012862266],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006259042,0.0008941597,0.00033759236,0.00094639783,0.0026298298,0.003186125,0.0003465632,0.0017660325,0.006371155],"category_scores_gemma":[0.001251303,0.00024479185,0.00014444458,0.0011836507,0.0012387118,0.0017740822,0.0010062366,0.0025932896,0.0017625911],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006735944,0.000016216327,0.00054685166,0.00040535175,0.0000066591792,0.00018733507,0.009923677,0.000058407702,0.0007783581,0.011952,0.9201539,0.055903945],"study_design_scores_gemma":[0.0000035700605,0.000012098386,0.003921689,0.00026428595,0.000003103752,0.0000934754,0.0047319196,0.000027183,0.0001175375,0.0002665313,0.9905528,0.000005781499],"about_ca_topic_score_codex":0.025576506,"about_ca_topic_score_gemma":0.051220693,"teacher_disagreement_score":0.025576506,"about_ca_system_score_codex":0.001309542,"about_ca_system_score_gemma":0.0015403755,"threshold_uncertainty_score":0.05085528},"labels":[],"label_agreement":null},{"id":"W7152701046","doi":"10.1386/safm_00109_5","title":"Politics of Recognition and Representation in Indian Stand-Up Comedy, Richa Chilana and Rashi Bhargava (eds) (2024)","year":2025,"lang":"en","type":"article","venue":"Studies in South Asian Film & Media","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Representation (politics); Politics","score_opus":0.04997814574980347,"score_gpt":0.29142424457543487,"score_spread":0.2414460988256314,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7152701046","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008926334,0.6601631,0.0003039092,0.053614166,0.0023386793,0.000019228224,0.00012636282,0.000048370093,0.2744598],"genre_scores_gemma":[0.2787845,0.48353472,0.000556816,0.0109582,0.0025733004,0.000074629505,0.00031956047,0.00010450037,0.2230938],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.9990656,0.00031446476,0.000028471757,0.000083134684,0.00023164568,0.0002767831],"domain_scores_gemma":[0.9994443,0.00020158043,0.000060424492,0.000027845503,0.00010894015,0.00015694369],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00095054606,0.00053773104,0.0004810888,0.0010212556,0.0038945987,0.010177163,0.0010037477,0.0018003962,0.020724501],"category_scores_gemma":[0.0014123088,0.00032758026,0.00025120235,0.0029556719,0.005869619,0.0044836015,0.0030631241,0.0027138493,0.004707349],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000076879434,0.00005180644,0.0010263375,0.0010039302,0.000016144832,0.0005001555,0.03458138,0.000078134355,0.00030792755,0.21760452,0.5404535,0.20429929],"study_design_scores_gemma":[0.000004796145,0.000014444716,0.003935244,0.00093649037,0.000011075179,0.0002895505,0.02332738,0.000026029142,0.00014194328,0.009948464,0.9613493,0.000015259076],"about_ca_topic_score_codex":0.06097077,"about_ca_topic_score_gemma":0.08065829,"teacher_disagreement_score":0.06097077,"about_ca_system_score_codex":0.0059704483,"about_ca_system_score_gemma":0.0058900774,"threshold_uncertainty_score":0.121231794},"labels":[],"label_agreement":null},{"id":"W7154841387","doi":"10.59236/emro.v27i10a128","title":"Asog","year":2025,"lang":"","type":"article","venue":"Educational Media Reviews Online","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Movie theater; Depiction; Short Film; Film director; Feature film; Theme (computing)","score_opus":0.042234384359031464,"score_gpt":0.32714330294241273,"score_spread":0.28490891858338124,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7154841387","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00054756564,0.0006124949,0.0010644128,0.0028640155,0.005682141,0.00020780225,0.0038223818,0.0026131144,0.982586],"genre_scores_gemma":[0.001403866,0.00030777417,0.00050580804,0.0006516148,0.00032706698,0.00006318746,0.0017255861,0.0006957866,0.9943193],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992939,0.00010176841,0.00003991044,0.00015577184,0.00029496884,0.000113665425],"domain_scores_gemma":[0.99833906,0.000105441875,0.000050711602,0.00020939845,0.00072440505,0.00057090394],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008730104,0.00084995036,0.0005128811,0.0011564251,0.0019513553,0.005818776,0.0011342781,0.0016705149,0.88181543],"category_scores_gemma":[0.0021450978,0.00039009182,0.00043808986,0.0010147832,0.00036020298,0.0028753637,0.0033914703,0.001468405,0.7696284],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037920345,0.000019837058,0.00006967917,0.000066856606,0.0000013430652,0.00003969056,0.000053535037,0.000019020596,0.00025356712,0.0019300029,0.94272155,0.054787006],"study_design_scores_gemma":[0.0000048313077,0.000006716741,0.00008812867,0.000018542121,5.6871556e-7,0.000023862905,0.000053894386,0.000018785235,0.00004464781,0.00017482658,0.99956363,0.0000015456299],"about_ca_topic_score_codex":0.0029246355,"about_ca_topic_score_gemma":0.0060467822,"teacher_disagreement_score":0.88181543,"about_ca_system_score_codex":0.001077423,"about_ca_system_score_gemma":0.0018681393,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W7156221474","doi":"10.4324/9781315086538-71","title":"Madhya Pradesh","year":2017,"lang":"en","type":"book-chapter","venue":"","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Uttar pradesh; The arts; State (computer science); Agriculture; Quarter (Canadian coin)","score_opus":0.04704857365197994,"score_gpt":0.21827415669476072,"score_spread":0.1712255830427808,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7156221474","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004941453,0.01631644,0.0005373904,0.0014905782,0.0008019275,0.00011740523,0.0005526504,0.00029262248,0.97494954],"genre_scores_gemma":[0.057388876,0.027741041,0.001989483,0.0022836784,0.0003968391,0.00018220369,0.00093013025,0.00015325978,0.9089346],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9998789,0.000012895578,0.0000070671913,0.000033100412,0.000039915984,0.00002814956],"domain_scores_gemma":[0.9999101,0.00002156024,0.000010366037,0.00001831763,0.000022989003,0.00001660219],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00013929908,0.0007680298,0.0003065571,0.0010864509,0.003312692,0.0029782222,0.0008234478,0.0006821296,0.09626096],"category_scores_gemma":[0.00038988664,0.00037778827,0.0002215112,0.0021594379,0.00077179575,0.0016566126,0.002147973,0.0018658343,0.032971777],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006367264,0.000121189376,0.00090843684,0.001675815,0.000021013875,0.0021061758,0.008884205,0.0003020608,0.00556948,0.16124386,0.3099672,0.5091369],"study_design_scores_gemma":[0.0000036204547,0.0000135195005,0.0007387566,0.00010870422,0.000003838365,0.00053936517,0.00035776748,0.000027431284,0.00020850608,0.001513076,0.9964803,0.0000051870907],"about_ca_topic_score_codex":0.0054595727,"about_ca_topic_score_gemma":0.01784782,"teacher_disagreement_score":0.09626096,"about_ca_system_score_codex":0.0011627709,"about_ca_system_score_gemma":0.0020527265,"threshold_uncertainty_score":0.322025},"labels":[],"label_agreement":null},{"id":"W7161690743","doi":"10.59236/emro.v27i7a382","title":"Agent of Happiness","year":2025,"lang":"","type":"article","venue":"Educational Media Reviews Online","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Happiness; Government (linguistics); Index (typography); Bureaucracy; Centenarian; Orange (colour)","score_opus":0.05059293161445524,"score_gpt":0.3267598823668775,"score_spread":0.27616695075242226,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7161690743","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010049292,0.007143492,0.0039387764,0.027597662,0.008524872,0.00020364397,0.0012660861,0.00041269633,0.9408634],"genre_scores_gemma":[0.1275717,0.00599669,0.0024477977,0.004387948,0.002971914,0.00023535425,0.0012259986,0.00042637755,0.85473627],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99943715,0.00019481608,0.000026967959,0.00010673432,0.00013387637,0.00010041087],"domain_scores_gemma":[0.9995271,0.000068774156,0.0000563187,0.000041570827,0.00010623726,0.00019993674],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00060140673,0.00050594774,0.00031998727,0.0005949354,0.002411401,0.0054333014,0.00037279777,0.0009849599,0.09918679],"category_scores_gemma":[0.0016482287,0.00020011229,0.00026318812,0.00046508026,0.0010931034,0.0029242854,0.0036976333,0.0018982006,0.023732543],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017348926,0.000047680533,0.0014582264,0.00039690163,0.000018715535,0.0003806985,0.011995582,0.000056754317,0.0020364744,0.09800165,0.74597394,0.1394599],"study_design_scores_gemma":[0.0000045132006,0.000014010962,0.00096379034,0.000057821544,0.0000033001872,0.0000881696,0.0021892153,0.000029901084,0.00016980183,0.0019007836,0.99457425,0.000004388178],"about_ca_topic_score_codex":0.0014733649,"about_ca_topic_score_gemma":0.0026840155,"teacher_disagreement_score":0.09918679,"about_ca_system_score_codex":0.0012087385,"about_ca_system_score_gemma":0.00082725973,"threshold_uncertainty_score":0.33181286},"labels":[],"label_agreement":null},{"id":"W7161713635","doi":"10.59236/emro.v27i7a347","title":"Amma's Pride","year":2025,"lang":"","type":"article","venue":"Educational Media Reviews Online","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Pride; Tamil; Transgender; Family life; Social life; Social change","score_opus":0.03906924278345362,"score_gpt":0.3202300411559281,"score_spread":0.2811607983724745,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7161713635","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004131957,0.00491061,0.0002385593,0.0114476625,0.01295384,0.000042720323,0.0002502167,0.0002520789,0.9657724],"genre_scores_gemma":[0.01863404,0.0019610352,0.00027984043,0.0019589995,0.0012672931,0.000027521215,0.000101825244,0.00013933306,0.9756301],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997358,0.000053496784,0.000007897747,0.000043624343,0.000092527465,0.00006672726],"domain_scores_gemma":[0.9996332,0.0000413852,0.000016947963,0.000035479545,0.00008466648,0.00018836927],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00042430198,0.000695956,0.00032667612,0.0006446271,0.005206929,0.005243774,0.0003833729,0.0010903836,0.2623413],"category_scores_gemma":[0.0011025632,0.00028980226,0.00030049286,0.00045423192,0.0007729141,0.002460766,0.004035668,0.0027691675,0.075286776],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000039066465,0.000032215252,0.00032154756,0.00009225746,0.00000419055,0.00019340732,0.0019040839,0.00001894679,0.00056015735,0.009720589,0.9380546,0.049059022],"study_design_scores_gemma":[0.0000016108693,0.000007019882,0.000530527,0.00004161406,0.0000012565472,0.00011729175,0.00068944274,0.000010018397,0.00007033462,0.00018494407,0.99834394,0.0000019761212],"about_ca_topic_score_codex":0.0011894606,"about_ca_topic_score_gemma":0.004998334,"teacher_disagreement_score":0.2623413,"about_ca_system_score_codex":0.0007510361,"about_ca_system_score_gemma":0.00063980336,"threshold_uncertainty_score":0.877619},"labels":[],"label_agreement":null},{"id":"W7162080753","doi":"10.59236/emro.v26i3a8176","title":"Holy Rights","year":2024,"lang":"","type":"article","venue":"Educational Media Reviews Online","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Wife; Islamophobia; Hearsay; Control (management); Human rights","score_opus":0.051077255823663646,"score_gpt":0.3186354660462153,"score_spread":0.26755821022255166,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7162080753","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00022768237,0.0007186793,0.0002643785,0.0016827396,0.0013485387,0.00004613484,0.0007458742,0.00037019778,0.9945958],"genre_scores_gemma":[0.0015592445,0.00035179293,0.00012373494,0.00088845403,0.00028252503,0.00002252719,0.00035607486,0.00025252812,0.99616325],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991769,0.00011584298,0.000037281283,0.0001649774,0.00031727646,0.00018762187],"domain_scores_gemma":[0.99894685,0.00014613562,0.00005075709,0.00032993435,0.00027652783,0.00024986351],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006810744,0.00073191436,0.0005912833,0.0010541385,0.0036254453,0.0082209725,0.000884898,0.0028705006,0.8257666],"category_scores_gemma":[0.0028116622,0.00046015126,0.00054479117,0.0012190504,0.0012536669,0.0053797765,0.0052384064,0.0032405176,0.5819811],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023670198,0.000025981853,0.000099621524,0.00010112791,0.0000028405143,0.00007211753,0.00024825052,0.000018843113,0.00025503643,0.021152386,0.9193203,0.058679894],"study_design_scores_gemma":[0.0000023084017,0.0000033816204,0.00013589949,0.00003791397,5.5674616e-7,0.00003002822,0.00008424314,0.00000690572,0.0000317955,0.00054470496,0.9991203,0.0000019880054],"about_ca_topic_score_codex":0.0036938093,"about_ca_topic_score_gemma":0.0076774075,"teacher_disagreement_score":0.8257666,"about_ca_system_score_codex":0.0014210071,"about_ca_system_score_gemma":0.0015322077,"threshold_uncertainty_score":0.24852276},"labels":[],"label_agreement":null},{"id":"W7162199780","doi":"10.59236/emro.v25i2a7944","title":"Unity Mosque","year":2023,"lang":"","type":"article","venue":"Educational Media Reviews Online","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Islam; Wish; Perspective (graphical); Space (punctuation); Reinterpretation","score_opus":0.10849940578120822,"score_gpt":0.33465397353243853,"score_spread":0.22615456775123033,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7162199780","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.003842955,0.001719912,0.0006459664,0.0028328379,0.0045082676,0.00022280082,0.0022543306,0.0011651838,0.98280776],"genre_scores_gemma":[0.009819236,0.00054887845,0.0006193573,0.00042084552,0.00035965358,0.000039750914,0.00070552167,0.0003827434,0.9871041],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997665,0.000033772325,0.000006550824,0.000051797,0.000081923696,0.000059497685],"domain_scores_gemma":[0.9994288,0.000033630517,0.000019511726,0.00004480339,0.000117814605,0.0003553327],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00032311195,0.00056542683,0.00027908158,0.00053250714,0.0038215162,0.003021715,0.00049621705,0.00091499276,0.6077987],"category_scores_gemma":[0.0009328493,0.00030985067,0.00023169395,0.00049256417,0.00047860056,0.0015577207,0.0037867415,0.0014865742,0.19694225],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000072991585,0.000022121623,0.00020502608,0.000119767225,0.0000022567733,0.00014197704,0.0008846739,0.000026279575,0.00084061,0.0026850735,0.9438602,0.051138986],"study_design_scores_gemma":[0.0000050204267,0.000011754895,0.00041545142,0.000027416185,7.604996e-7,0.00004174712,0.00045386955,0.000011747162,0.00007876806,0.000060372895,0.99889094,0.0000021559974],"about_ca_topic_score_codex":0.008648257,"about_ca_topic_score_gemma":0.037205722,"teacher_disagreement_score":0.6077987,"about_ca_system_score_codex":0.0008303393,"about_ca_system_score_gemma":0.00092536677,"threshold_uncertainty_score":0.5594275},"labels":[],"label_agreement":null},{"id":"W7162213578","doi":"10.59236/emro.v25i12a8111","title":"Meddle","year":2023,"lang":"","type":"article","venue":"Educational Media Reviews Online","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Bullfrog; Short Film; Performance art; Cultural studies; Hollywood","score_opus":0.1072319095552831,"score_gpt":0.333780512755161,"score_spread":0.2265486031998779,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7162213578","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00045766853,0.00046015764,0.00082892977,0.0011450206,0.0014549358,0.00011425984,0.0027965219,0.0022588782,0.99048364],"genre_scores_gemma":[0.0014825676,0.00025896984,0.0005117075,0.00032662664,0.00016241225,0.000040216186,0.0009691972,0.000701824,0.99554646],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996717,0.00003823333,0.0000143786465,0.000091119786,0.0001363585,0.000048167094],"domain_scores_gemma":[0.99916947,0.000097764074,0.00003509204,0.00011918096,0.0002392824,0.00033917237],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004685357,0.0007920156,0.00046490075,0.0010212803,0.0019845294,0.004571566,0.0010390254,0.0013495274,0.9224505],"category_scores_gemma":[0.0018633957,0.0006466472,0.00042280805,0.0006896809,0.00034258023,0.002994581,0.0032203088,0.0014668774,0.7698323],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031350985,0.000017113056,0.00006071585,0.000053091822,0.0000014954035,0.000040603543,0.00007056165,0.000014147284,0.00020558134,0.0015183778,0.9489316,0.04905529],"study_design_scores_gemma":[0.0000061030264,0.0000071686636,0.00017698058,0.000024304807,8.5165993e-7,0.000044806417,0.00006370317,0.000019864663,0.000053639607,0.00015483229,0.99944574,0.0000019983715],"about_ca_topic_score_codex":0.0034184179,"about_ca_topic_score_gemma":0.008443778,"teacher_disagreement_score":0.9224505,"about_ca_system_score_codex":0.0006508702,"about_ca_system_score_gemma":0.0007482789,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W7162665823","doi":"10.56159/9789813253636-1","title":"Introduction - Setting the Scene","year":2011,"lang":"en","type":"book-chapter","venue":"National University of Singapore Press eBooks","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"","score_opus":0.04535704803146552,"score_gpt":0.18374967395938324,"score_spread":0.13839262592791773,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7162665823","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0017359117,0.001907722,0.0014649305,0.01967306,0.0122607425,0.00024409918,0.00043168166,0.00032785643,0.96195406],"genre_scores_gemma":[0.0133044785,0.0011741178,0.0013292113,0.006599864,0.0010751862,0.00013392839,0.00028991862,0.00026192714,0.97583133],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99936455,0.00015213364,0.000018927301,0.00009602978,0.00017599257,0.00019237293],"domain_scores_gemma":[0.99931204,0.00004230166,0.00001894422,0.00004116167,0.00015207112,0.0004333876],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00095887546,0.00070266717,0.0003380837,0.00059572665,0.0058663646,0.0075374395,0.0010656842,0.0027406656,0.26575404],"category_scores_gemma":[0.0016540035,0.0003299504,0.00044829852,0.00057591556,0.0015035936,0.0043434417,0.005152486,0.0051986594,0.12033391],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002167711,0.00005136918,0.00016934049,0.00012574671,0.0000011541886,0.00015683331,0.0029382084,0.00003738767,0.00034846633,0.06995656,0.87493014,0.051263053],"study_design_scores_gemma":[0.000001916913,0.000008839,0.00018637764,0.00008743028,5.822624e-7,0.000040036175,0.0016054128,0.000008157846,0.000069330454,0.0018515143,0.9961371,0.0000032716346],"about_ca_topic_score_codex":0.006116354,"about_ca_topic_score_gemma":0.022649348,"teacher_disagreement_score":0.73424596,"about_ca_system_score_codex":0.0028250134,"about_ca_system_score_gemma":0.0029283199,"threshold_uncertainty_score":0.8890358},"labels":[],"label_agreement":null},{"id":"W7163370218","doi":"10.1353/crc.2023.a992070","title":"The Worlds Viewed: An Examination of Apichatpong Weerasethakul’s Uncle Boonmee Who Can Recall His Past Lives through a Cavellian Lens of Film Philosophy","year":2023,"lang":"en","type":"article","venue":"Canadian review of comparative literature","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Recall; Lens (geology); Through-the-lens metering; Narrative","score_opus":0.051231197545347926,"score_gpt":0.27147725391099337,"score_spread":0.22024605636564543,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7163370218","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2540113,0.039816726,0.0013154453,0.063038506,0.0011479313,0.00010735188,0.00020532134,0.00003985365,0.64031756],"genre_scores_gemma":[0.9083694,0.021998864,0.00063649565,0.0063966727,0.00016015506,0.00007328986,0.00008780495,0.00011554519,0.062161762],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99786466,0.0010680829,0.000043750402,0.00016202035,0.0003056731,0.0005558204],"domain_scores_gemma":[0.99671304,0.0017176393,0.00025996158,0.00008491719,0.0006214811,0.00060291245],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0034126786,0.00066127506,0.0005301097,0.004651051,0.0409845,0.013272746,0.0021894877,0.0028590057,0.009905206],"category_scores_gemma":[0.005062306,0.00054614345,0.00026087524,0.008454864,0.03165884,0.01223551,0.0060911328,0.008460831,0.0006203123],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009924187,0.000015541451,0.00054484425,0.000099776196,0.0000024856033,0.00065632886,0.93640846,0.000011515553,0.00009769754,0.049649674,0.0076757763,0.0048280037],"study_design_scores_gemma":[0.0000011592934,0.0000056229796,0.0017469121,0.00030795558,0.000004364626,0.0002028507,0.8732393,0.0000121118155,0.00006436565,0.0014579332,0.122949906,0.000007616174],"about_ca_topic_score_codex":0.49685603,"about_ca_topic_score_gemma":0.7741765,"teacher_disagreement_score":0.49685603,"about_ca_system_score_codex":0.027692255,"about_ca_system_score_gemma":0.021772303,"threshold_uncertainty_score":0.98792803},"labels":[],"label_agreement":null},{"id":"W7164878878","doi":"10.1080/17153379.2023.12558357","title":"Postcolonial Hangups in Southeast Asian Cinema: Poetics of Space, Sound, and Stability.","year":2023,"lang":"en","type":"article","venue":"Pacific Affairs","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetics; Southeast asia; South asia; Asian studies","score_opus":0.018429041896570252,"score_gpt":0.21872193415554197,"score_spread":0.20029289225897173,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7164878878","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.54148686,0.008012725,0.0014411478,0.014754332,0.00090168044,0.000040878786,0.000064255204,0.00005139122,0.4332468],"genre_scores_gemma":[0.98920447,0.0007030884,0.00013557696,0.00022408654,0.000072641196,0.000009965059,0.0000070141705,0.000016546388,0.00962676],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9995664,0.00028048098,0.000012400754,0.00002091655,0.000039791707,0.000080008234],"domain_scores_gemma":[0.9989575,0.00050481723,0.00014075793,0.000073214826,0.00014423998,0.00017940978],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013455739,0.0003277536,0.00011458013,0.00070531614,0.006852654,0.005499744,0.0004044036,0.0007029434,0.004029223],"category_scores_gemma":[0.0032504916,0.000120028955,0.0000928053,0.0007988544,0.011422269,0.0028322414,0.003186975,0.0021579147,0.000307641],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010560381,0.000023567623,0.0022496965,0.00010178256,0.0000055480446,0.0008417946,0.8013715,0.00003938359,0.0009314689,0.16977778,0.0075426064,0.01700923],"study_design_scores_gemma":[0.00001451614,0.00005650791,0.011733857,0.00037922946,0.000017152806,0.00046611734,0.7896827,0.00015710734,0.0009556567,0.011798636,0.18472324,0.000015284186],"about_ca_topic_score_codex":0.0063330433,"about_ca_topic_score_gemma":0.017907001,"teacher_disagreement_score":0.006852654,"about_ca_system_score_codex":0.001401146,"about_ca_system_score_gemma":0.0015850208,"threshold_uncertainty_score":0.013479054},"labels":[],"label_agreement":null},{"id":"W7164881336","doi":"10.1080/17153379.2023.12558252","title":"Waiting Town: Life in Transit and Mumbai’s Other World-Class Histories.","year":2023,"lang":"en","type":"article","venue":"Pacific Affairs","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Transit (satellite); Rapid transit; Public transport; Transit system; Rail transit","score_opus":0.0241611997107908,"score_gpt":0.20502120034167134,"score_spread":0.18086000063088054,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7164881336","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.72093225,0.011814911,0.00025311287,0.049043838,0.0011613006,0.00005171616,0.0006461873,0.000071231756,0.21602538],"genre_scores_gemma":[0.9423313,0.0022523073,0.00008191152,0.0015503799,0.000096134776,0.000026986605,0.00013727963,0.000030534073,0.053493235],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997578,0.00008526843,0.0000036045838,0.00001458942,0.0000128424745,0.00012590819],"domain_scores_gemma":[0.9994789,0.00006255842,0.000032320615,0.000018694696,0.000031697593,0.00037589396],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00036990177,0.00028620253,0.0001544912,0.00072581903,0.020199353,0.004062315,0.0006238201,0.0011084196,0.018718136],"category_scores_gemma":[0.00064199587,0.00024177782,0.00011057364,0.0011483385,0.004733169,0.0026673602,0.003598908,0.0023968094,0.0010564377],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009551061,0.000044918525,0.010584904,0.000111939786,0.000008236461,0.0014222458,0.90576786,0.000024722573,0.0004845047,0.02583737,0.03925191,0.016365867],"study_design_scores_gemma":[0.0000029633147,0.000017294022,0.031939443,0.00011338641,0.000005475659,0.00027782732,0.8072218,0.000013993965,0.00010264085,0.0006607687,0.15963446,0.000010069837],"about_ca_topic_score_codex":0.1439666,"about_ca_topic_score_gemma":0.43727344,"teacher_disagreement_score":0.1439666,"about_ca_system_score_codex":0.0047444114,"about_ca_system_score_gemma":0.003847413,"threshold_uncertainty_score":0.28625727},"labels":[],"label_agreement":null},{"id":"W7164882308","doi":"10.1080/17153379.2023.12558355","title":"Out of Line and Offline: Queer Mobilizations in ’90s Eastern India.","year":2023,"lang":"en","type":"article","venue":"Pacific Affairs","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Queer; Line (geometry); Line drawings","score_opus":0.02522229224964379,"score_gpt":0.23492740399976755,"score_spread":0.20970511175012377,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7164882308","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.61412233,0.0025025785,0.0003502625,0.05271743,0.0007083576,0.00007361417,0.00020241455,0.00006931548,0.32925373],"genre_scores_gemma":[0.94878185,0.00067769096,0.00004511307,0.004512745,0.00017937119,0.000024903922,0.000033835495,0.000045960795,0.045698483],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9980769,0.0006919257,0.000025674073,0.00009809233,0.00013653128,0.0009707937],"domain_scores_gemma":[0.9977769,0.0011508713,0.00022702136,0.00009389385,0.00012842608,0.00062277366],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014799646,0.00037470507,0.0002786817,0.0013096168,0.032090217,0.009051795,0.0010560277,0.0027468004,0.016745348],"category_scores_gemma":[0.004320984,0.00026361004,0.00019039135,0.00179903,0.018350963,0.004768637,0.0072935885,0.007618325,0.0012318845],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006726276,0.000039563874,0.0020153057,0.000045043755,0.0000050656104,0.0008350498,0.90940243,0.00003512916,0.00022774735,0.05888093,0.02084313,0.0076034116],"study_design_scores_gemma":[0.000012788274,0.000018227149,0.0077868276,0.00010273634,0.000006935996,0.00020079111,0.8353188,0.000049530274,0.00022493629,0.0021787514,0.15408106,0.000018574758],"about_ca_topic_score_codex":0.11087933,"about_ca_topic_score_gemma":0.24569549,"teacher_disagreement_score":0.11087933,"about_ca_system_score_codex":0.0074372906,"about_ca_system_score_gemma":0.0057240967,"threshold_uncertainty_score":0.22046787},"labels":[],"label_agreement":null},{"id":"W7164882948","doi":"10.1080/17153379.2023.12558394","title":"Ethical Encounters: Transnational Feminism, Human Rights, and War Cinema in Bangladesh.","year":2023,"lang":"en","type":"article","venue":"Pacific Affairs","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Movie theater; Human trafficking; First world war","score_opus":0.0196423718654421,"score_gpt":0.24078612632306773,"score_spread":0.22114375445762563,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7164882948","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.43478796,0.0068524587,0.0009985993,0.08490864,0.0007568086,0.00010715449,0.00012266777,0.000038627928,0.47142705],"genre_scores_gemma":[0.97226846,0.0017147355,0.00016461217,0.0020548704,0.000089676214,0.00004507948,0.00001761426,0.000020477748,0.023624437],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9969254,0.0023559837,0.0000484761,0.000117098396,0.00017210348,0.0003809566],"domain_scores_gemma":[0.9960614,0.002401334,0.00035330246,0.00011244522,0.00024017681,0.0008313205],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0034613176,0.00039816846,0.00019899786,0.0006979024,0.015078335,0.0070737554,0.00069559895,0.0026510162,0.016167102],"category_scores_gemma":[0.006407496,0.00021865487,0.00011065655,0.00079165446,0.012562807,0.005281399,0.0068881144,0.005040124,0.0009075337],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004058133,0.000040671915,0.0018489333,0.00011893871,0.000003988942,0.00081660843,0.91880167,0.000033099415,0.00054871995,0.055719174,0.011954119,0.010073489],"study_design_scores_gemma":[0.0000050414005,0.00001931573,0.001762965,0.00016716366,0.0000030512738,0.00023186582,0.88985264,0.00003393937,0.00014681669,0.0034723617,0.10429621,0.000008655929],"about_ca_topic_score_codex":0.014064836,"about_ca_topic_score_gemma":0.036515903,"teacher_disagreement_score":0.016167102,"about_ca_system_score_codex":0.0047254595,"about_ca_system_score_gemma":0.004014796,"threshold_uncertainty_score":0.05408436},"labels":[],"label_agreement":null},{"id":"W7164883765","doi":"10.1080/17153379.2013.12556958","title":"Anpo, Artxwar: The Art of Resistance [Film].","year":2013,"lang":"en","type":"article","venue":"Pacific Affairs","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"","score_opus":0.010748079741583455,"score_gpt":0.17918344405768025,"score_spread":0.1684353643160968,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7164883765","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00838462,0.04637156,0.0011887226,0.044732746,0.0055291145,0.000060817652,0.00020361056,0.00019518599,0.8933336],"genre_scores_gemma":[0.22247228,0.05779108,0.0019437706,0.012479962,0.0024152673,0.00018291065,0.00023557707,0.0004881271,0.701991],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99960405,0.00020941278,0.000016272828,0.00003639677,0.00007565884,0.000058113852],"domain_scores_gemma":[0.9995327,0.00017885654,0.000048215912,0.000040012215,0.00009794877,0.0001022821],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008903709,0.00076600764,0.00021278264,0.0009423399,0.008601647,0.0067371065,0.00074458256,0.002342293,0.034077495],"category_scores_gemma":[0.002672405,0.00030740118,0.0001975196,0.0014431649,0.0045778323,0.00613164,0.0028825977,0.0054881945,0.0037309262],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000087340704,0.000035691664,0.0006029314,0.0006360231,0.000014903437,0.00089231814,0.07883597,0.000108385895,0.00096975284,0.19015434,0.64340603,0.08425631],"study_design_scores_gemma":[0.000006051785,0.000010935827,0.0014363932,0.0005073718,0.0000085628535,0.00026335017,0.02089067,0.000067647015,0.00031546946,0.005233751,0.97125083,0.00000897761],"about_ca_topic_score_codex":0.014461153,"about_ca_topic_score_gemma":0.04260489,"teacher_disagreement_score":0.034077495,"about_ca_system_score_codex":0.0015642875,"about_ca_system_score_gemma":0.0021666072,"threshold_uncertainty_score":0.11400056},"labels":[],"label_agreement":null},{"id":"W7164884075","doi":"10.1080/17153379.2024.12558524","title":"Chinese Cinema: Identity, Power, and Globalization.","year":2024,"lang":"en","type":"article","venue":"Pacific Affairs","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"China; Period (music); Natural (archaeology)","score_opus":0.00835145373290919,"score_gpt":0.23570009797648503,"score_spread":0.22734864424357584,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7164884075","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.43431586,0.013470083,0.0007465826,0.020794779,0.00052383594,0.000050416576,0.00010666434,0.000029688648,0.52996206],"genre_scores_gemma":[0.98009664,0.002632855,0.00013852878,0.00047426764,0.00015349333,0.00001548016,0.00001982569,0.000006247182,0.01646265],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99963903,0.00016556276,0.0000138403,0.000030663672,0.00007555996,0.00007538578],"domain_scores_gemma":[0.99923635,0.00022378573,0.00010713023,0.000046910496,0.00012652046,0.0002593834],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00091186794,0.00022342829,0.000124173,0.0009916079,0.0037791922,0.0049070213,0.00029481653,0.00057820056,0.008716904],"category_scores_gemma":[0.0017785296,0.00010343624,0.000090741196,0.0012185791,0.005148149,0.002700791,0.0020355016,0.0008430917,0.00031028138],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000126152,0.00014077676,0.04421899,0.0003910997,0.000024936859,0.0010484242,0.35470238,0.00014476798,0.0016173964,0.42773715,0.036516644,0.13333125],"study_design_scores_gemma":[0.000028132146,0.0001087979,0.15721238,0.0006738307,0.000079831254,0.0006944417,0.4931916,0.0007577408,0.0014730826,0.04681851,0.29891828,0.000043490054],"about_ca_topic_score_codex":0.020763377,"about_ca_topic_score_gemma":0.037245765,"teacher_disagreement_score":0.020763377,"about_ca_system_score_codex":0.0022080042,"about_ca_system_score_gemma":0.0034838826,"threshold_uncertainty_score":0.041285038},"labels":[],"label_agreement":null},{"id":"W7164884922","doi":"10.1080/17153379.2003.12553878","title":"Asian Media Productions.","year":2003,"lang":"en","type":"article","venue":"Pacific Affairs","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"","score_opus":0.016773135887657536,"score_gpt":0.19262612216077152,"score_spread":0.175852986273114,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7164884922","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0036519812,0.009787396,0.0001618502,0.0029351716,0.0019312138,0.00002984594,0.0046787173,0.00029369903,0.9765301],"genre_scores_gemma":[0.013570857,0.0057773665,0.00020982404,0.0004904913,0.00041319188,0.000041852258,0.0017277506,0.00016663347,0.97760195],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99980503,0.00001893763,0.000016990514,0.00003472152,0.00008000292,0.00004435583],"domain_scores_gemma":[0.999419,0.00006298977,0.00006742083,0.00008069539,0.00022150693,0.00014843074],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004008502,0.0011085389,0.00028206472,0.0018125647,0.0015890017,0.00472144,0.00053047796,0.00072366244,0.25181273],"category_scores_gemma":[0.0009334099,0.00033783785,0.0002187239,0.0053015705,0.000502145,0.0032303496,0.0014785265,0.0013539927,0.12975791],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010507006,0.00004964019,0.001405561,0.00049235503,0.000007315507,0.00030090316,0.0017032992,0.00005357238,0.0009861861,0.01579306,0.76504356,0.21405944],"study_design_scores_gemma":[0.000003104099,0.0000064707438,0.0030986583,0.00008246619,0.0000037411987,0.00009147312,0.00056041457,0.000019703522,0.0003587999,0.0003139189,0.9954574,0.0000038468233],"about_ca_topic_score_codex":0.012786414,"about_ca_topic_score_gemma":0.027275521,"teacher_disagreement_score":0.25181273,"about_ca_system_score_codex":0.00125116,"about_ca_system_score_gemma":0.001565215,"threshold_uncertainty_score":0.8423975},"labels":[],"label_agreement":null},{"id":"W7164885681","doi":"10.1080/17153379.2024.12558494","title":"The Vulgarity of Caste: Dalits, Sexuality, and Humanity in Modern India.","year":2024,"lang":"en","type":"article","venue":"Pacific Affairs","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Vulgarity; Humanity; Dehumanization","score_opus":0.020339719264804924,"score_gpt":0.23572729022846972,"score_spread":0.2153875709636648,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7164885681","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.41157562,0.057345033,0.00050027744,0.037999235,0.000899913,0.000018468327,0.00012877333,0.000034858127,0.49149784],"genre_scores_gemma":[0.98677593,0.0040809056,0.000061892584,0.0006062215,0.00012830911,0.000003285014,0.00000870464,0.0000064013934,0.00832824],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99963915,0.0002193566,0.000008817488,0.00001758021,0.000038750655,0.000076301476],"domain_scores_gemma":[0.9993642,0.00036184557,0.000071054594,0.000044137232,0.00005178766,0.00010697466],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005783237,0.00020736798,0.00014152062,0.0007559752,0.0051482986,0.0040525496,0.00036550235,0.0005118762,0.002443317],"category_scores_gemma":[0.0016257447,0.00011311049,0.0000821968,0.0009029571,0.010602784,0.0018660972,0.0021028735,0.001978563,0.00016367776],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009587617,0.000047146983,0.009194177,0.00022663682,0.000016786937,0.0004932692,0.6035808,0.00009052233,0.00056966714,0.32674402,0.015044535,0.043896608],"study_design_scores_gemma":[0.000010505838,0.000054415515,0.04859838,0.0004868019,0.000038301656,0.0005812409,0.5597542,0.00013793666,0.00061178417,0.030307828,0.35938096,0.00003769062],"about_ca_topic_score_codex":0.018798186,"about_ca_topic_score_gemma":0.057156842,"teacher_disagreement_score":0.018798186,"about_ca_system_score_codex":0.0016059185,"about_ca_system_score_gemma":0.0015942021,"threshold_uncertainty_score":0.037377536},"labels":[],"label_agreement":null},{"id":"W7164886193","doi":"10.1080/17153379.2016.12557656","title":"India’s Daughter: The Story of Jyoti Singh.","year":2016,"lang":"en","type":"article","venue":"Pacific Affairs","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Guelph","funders":"","keywords":"","score_opus":0.014146042614251035,"score_gpt":0.19002859745332792,"score_spread":0.1758825548390769,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7164886193","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16945125,0.016844233,0.00055079034,0.35730356,0.008832489,0.00006680545,0.00038277134,0.00016077321,0.44640732],"genre_scores_gemma":[0.63940585,0.011460306,0.00038473384,0.091752805,0.0028848487,0.0000757317,0.00017649792,0.00021902184,0.2536402],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994153,0.00023018914,0.000009237962,0.00005392386,0.000075917225,0.00021539532],"domain_scores_gemma":[0.99905604,0.00028898602,0.000054871383,0.000041690753,0.00009017113,0.00046824428],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00074610685,0.0005165686,0.00031989484,0.0003901281,0.014967699,0.0046373447,0.00079869915,0.00290421,0.009649857],"category_scores_gemma":[0.0025234998,0.00030770668,0.0002359362,0.00054932025,0.0048773936,0.0031083035,0.0037624938,0.013105819,0.0021782117],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016187379,0.00012460227,0.004166805,0.00020612068,0.000026122016,0.018491691,0.39844272,0.0000917938,0.0007759523,0.04872676,0.50395757,0.024828047],"study_design_scores_gemma":[0.000008546332,0.000036350655,0.003272675,0.00017318326,0.000012846509,0.004858646,0.24190801,0.000041911473,0.0003947415,0.0013252255,0.74794286,0.00002498196],"about_ca_topic_score_codex":0.018475607,"about_ca_topic_score_gemma":0.044824675,"teacher_disagreement_score":0.018475607,"about_ca_system_score_codex":0.0020059128,"about_ca_system_score_gemma":0.0022790409,"threshold_uncertainty_score":0.03673613},"labels":[],"label_agreement":null},{"id":"W7164886887","doi":"10.1080/17153379.2020.12559550","title":"Political Communication and Mobilisation: The Hindi Media in India.","year":2020,"lang":"en","type":"article","venue":"Pacific Affairs","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Hindi; Politics; Political communication; Communication studies","score_opus":0.023995403514391653,"score_gpt":0.2075260067657602,"score_spread":0.18353060325136855,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7164886887","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.35256642,0.021076111,0.00049821584,0.059336122,0.0010167195,0.000040625782,0.0003227775,0.000079769394,0.56506324],"genre_scores_gemma":[0.9760657,0.00510727,0.00011466604,0.001193192,0.00037157806,0.000018185434,0.000042288735,0.000021899263,0.0170653],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99930537,0.00035146318,0.000014539007,0.000038043097,0.00007500927,0.00021549388],"domain_scores_gemma":[0.9973701,0.0017500257,0.00025324625,0.000070437236,0.0001757092,0.00038041026],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007723969,0.0003065159,0.00014485727,0.0015255604,0.007624507,0.009536109,0.00074736,0.0013546532,0.011070584],"category_scores_gemma":[0.002618854,0.00020872502,0.00012316089,0.002473156,0.005667814,0.0040080063,0.003555003,0.0027798633,0.00093256],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00026137294,0.0001815296,0.015932534,0.00076010026,0.000033644992,0.0036056037,0.60493577,0.00021039112,0.0014869684,0.17914528,0.065411545,0.12803522],"study_design_scores_gemma":[0.000020061068,0.00009122912,0.04781032,0.0008516256,0.000054283617,0.0011623817,0.55335593,0.00029339542,0.0009678564,0.010389632,0.3849502,0.00005310205],"about_ca_topic_score_codex":0.017552346,"about_ca_topic_score_gemma":0.030286634,"teacher_disagreement_score":0.017552346,"about_ca_system_score_codex":0.0025587818,"about_ca_system_score_gemma":0.003270807,"threshold_uncertainty_score":0.03703475},"labels":[],"label_agreement":null},{"id":"W7164888272","doi":"10.1080/17153379.2013.12556894","title":"Glimpses of Freedom: Independent Cinema in Southeast Asia.","year":2013,"lang":"en","type":"article","venue":"Pacific Affairs","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Movie theater; National cinema; Southeast asia","score_opus":0.01408617296592533,"score_gpt":0.19661569134912524,"score_spread":0.18252951838319992,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7164888272","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2733148,0.023915857,0.0026470535,0.07283321,0.0019547814,0.000083293744,0.00021507617,0.00011420551,0.6249216],"genre_scores_gemma":[0.89043224,0.007316818,0.0007932351,0.00297487,0.00043767286,0.000046410318,0.00007222198,0.000094711904,0.09783187],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996482,0.00018206393,0.000010204026,0.000024382009,0.000043544296,0.00009156644],"domain_scores_gemma":[0.9986999,0.0005887256,0.00008092461,0.000082300015,0.0001246798,0.00042338186],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014369668,0.00030693642,0.00014531256,0.0005945476,0.0055066645,0.004921976,0.000421222,0.0010014328,0.016467055],"category_scores_gemma":[0.0024076803,0.00018644377,0.00016253899,0.0004663401,0.005795967,0.004745947,0.004273249,0.0035393692,0.00070624135],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011787164,0.00008986009,0.0029902335,0.000297425,0.000013323396,0.0013589591,0.6754601,0.0001078747,0.0015053486,0.13431592,0.10003745,0.08370561],"study_design_scores_gemma":[0.000013523672,0.00006131877,0.0117662735,0.0006146843,0.000017764687,0.0008586092,0.3548544,0.00016404857,0.00084486254,0.019931963,0.61084855,0.000023962906],"about_ca_topic_score_codex":0.008536732,"about_ca_topic_score_gemma":0.04019782,"teacher_disagreement_score":0.016467055,"about_ca_system_score_codex":0.0015074183,"about_ca_system_score_gemma":0.0021670256,"threshold_uncertainty_score":0.055087805},"labels":[],"label_agreement":null},{"id":"W7164890885","doi":"10.1080/17153379.2019.12559464","title":"Borderlands: Travels Across India’s Boundaries.","year":2019,"lang":"en","type":"article","venue":"Pacific Affairs","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"","score_opus":0.01092225444252048,"score_gpt":0.21829613958606162,"score_spread":0.20737388514354113,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7164890885","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.36154726,0.010893847,0.0005599867,0.025949895,0.000911627,0.00004036744,0.0012721211,0.00020834948,0.59861654],"genre_scores_gemma":[0.929981,0.0044521033,0.00032732074,0.0017763542,0.00017299398,0.000024246536,0.00036837268,0.00008279849,0.062815],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996666,0.00012563689,0.000009542489,0.000019012507,0.000031032905,0.0001482468],"domain_scores_gemma":[0.99943286,0.00013699659,0.00007157379,0.000044854747,0.00005109731,0.00026254763],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00027897942,0.00020431823,0.0001204618,0.0007718969,0.0061773495,0.0040636524,0.00048432042,0.0007853138,0.028838705],"category_scores_gemma":[0.0011168959,0.00017093356,0.00011488428,0.0017223,0.0018886826,0.0025096412,0.0037891367,0.0015848149,0.0021847321],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00025998103,0.00010112995,0.041995816,0.00049915526,0.00002495569,0.004775565,0.42212358,0.00013267482,0.001442714,0.09161203,0.26194212,0.17509024],"study_design_scores_gemma":[0.0000070785118,0.00003593956,0.04473985,0.00034497405,0.000011053057,0.0011140637,0.40267068,0.000050741088,0.00023570943,0.0016582056,0.5491142,0.000017498181],"about_ca_topic_score_codex":0.043918442,"about_ca_topic_score_gemma":0.093223095,"teacher_disagreement_score":0.043918442,"about_ca_system_score_codex":0.0011568954,"about_ca_system_score_gemma":0.0025230616,"threshold_uncertainty_score":0.096475065},"labels":[],"label_agreement":null},{"id":"W7164891423","doi":"10.1080/17153379.2013.12556936","title":"Trans-Colonial Modernities in South Asia.","year":2013,"lang":"en","type":"article","venue":"Pacific Affairs","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"","score_opus":0.017134886880669147,"score_gpt":0.19444172034153323,"score_spread":0.1773068334608641,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7164891423","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4547004,0.043884218,0.00027316777,0.024364613,0.0005731875,0.00002855051,0.00020541524,0.000026644559,0.47594383],"genre_scores_gemma":[0.93311256,0.014274877,0.00012718013,0.00071847416,0.000121771845,0.000024902118,0.000048375172,0.000016113014,0.051555745],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9998386,0.000056052162,0.000008892047,0.000015295265,0.000018900266,0.00006216491],"domain_scores_gemma":[0.99963474,0.00010580843,0.00006416725,0.000024396659,0.00004085516,0.00013010266],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003242222,0.00024205737,0.00011412608,0.0006257721,0.004626287,0.002228499,0.00019785832,0.00039859992,0.017847383],"category_scores_gemma":[0.00076684577,0.00013427896,0.000066807945,0.0018380912,0.0033992522,0.0022115768,0.0030083235,0.0018450816,0.00056888274],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000096443015,0.000051875842,0.022079293,0.00058301195,0.000016163562,0.0027611514,0.6860294,0.00008379842,0.001565754,0.17543885,0.025643084,0.0856512],"study_design_scores_gemma":[0.000008390185,0.000041423926,0.08106732,0.0005358311,0.000015615055,0.0010742167,0.33609268,0.000055754103,0.00039488534,0.008040307,0.57266134,0.000012193324],"about_ca_topic_score_codex":0.035958145,"about_ca_topic_score_gemma":0.13313535,"teacher_disagreement_score":0.035958145,"about_ca_system_score_codex":0.0020635554,"about_ca_system_score_gemma":0.0033201315,"threshold_uncertainty_score":0.07149768},"labels":[],"label_agreement":null},{"id":"W7164892210","doi":"10.1080/17153379.2025.12558680","title":"Semiotics of Rape: Sexual Subjectivity and Violation in Rural India","year":2025,"lang":"en","type":"article","venue":"Pacific Affairs","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Subjectivity; Semiotics; Social semiotics; Visual semiotics","score_opus":0.00821107826378033,"score_gpt":0.2103277222191485,"score_spread":0.20211664395536816,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7164892210","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.46712893,0.0017307712,0.0033621031,0.0065345815,0.00011205865,0.00006321438,0.00015042342,0.00005986336,0.52085793],"genre_scores_gemma":[0.99439347,0.00020866079,0.00017124467,0.00006686248,0.000014003901,0.000017570792,0.000014019108,0.0000130594335,0.005101021],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99779797,0.0016019517,0.00005634682,0.00007985313,0.00017152332,0.00029230406],"domain_scores_gemma":[0.997015,0.0019013794,0.00036992828,0.0002399681,0.00018977735,0.00028392966],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013415528,0.0003844559,0.00025492936,0.0016724651,0.011821925,0.010510423,0.0010372215,0.0013349106,0.003756511],"category_scores_gemma":[0.0027938758,0.00030501373,0.0002481125,0.002403509,0.027729172,0.0029077276,0.0050770035,0.0035228226,0.00037983438],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003023036,0.000018175073,0.001290724,0.00006468238,0.0000029013133,0.00074155844,0.5758356,0.000086268716,0.00045075957,0.41896746,0.000649157,0.0018625025],"study_design_scores_gemma":[0.000010273964,0.00004746082,0.0059170616,0.00016104094,0.000015123528,0.0015615867,0.8744998,0.00041698484,0.0006117403,0.045347035,0.07138614,0.00002569705],"about_ca_topic_score_codex":0.014761546,"about_ca_topic_score_gemma":0.015155021,"teacher_disagreement_score":0.014761546,"about_ca_system_score_codex":0.0054232795,"about_ca_system_score_gemma":0.0037754457,"threshold_uncertainty_score":0.03934884},"labels":[],"label_agreement":null},{"id":"W7164894375","doi":"10.1080/17153379.2025.12558678","title":"The Political Outsider: Indian Democracy and the Lineages of Populism","year":2025,"lang":"en","type":"article","venue":"Pacific Affairs","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Populism; Politics; Democracy; Representative democracy","score_opus":0.007560133205495281,"score_gpt":0.2145770225253398,"score_spread":0.20701688931984452,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7164894375","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.22754413,0.0014727715,0.00079626805,0.01852579,0.00019697048,0.000022655786,0.00003546684,0.00003259028,0.75137335],"genre_scores_gemma":[0.9867909,0.000253746,0.00008365165,0.0005600259,0.00006968505,0.000008087822,0.000005745684,0.000020075764,0.012208113],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9973591,0.0015096461,0.000032000895,0.00017100046,0.0002705371,0.0006577558],"domain_scores_gemma":[0.9966814,0.0014956528,0.00033535907,0.0003767386,0.00031225535,0.0007985347],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0033237624,0.00033519478,0.00028989927,0.0013235543,0.020073956,0.016237492,0.0007979486,0.0013345369,0.007547177],"category_scores_gemma":[0.0054918597,0.00018882536,0.00014984212,0.002000937,0.035399348,0.0046050563,0.006035822,0.0057823076,0.0005006624],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000046208144,0.000024702464,0.003581635,0.000029796856,0.000005384254,0.00020883164,0.2866054,0.00005223161,0.00020123403,0.69502,0.0030860344,0.011138595],"study_design_scores_gemma":[0.000026722048,0.000057586953,0.013440955,0.0002719599,0.000035353798,0.0003749859,0.46081743,0.00040080724,0.00084247603,0.21170542,0.31197888,0.00004741801],"about_ca_topic_score_codex":0.017230662,"about_ca_topic_score_gemma":0.030868856,"teacher_disagreement_score":0.020073956,"about_ca_system_score_codex":0.0042720055,"about_ca_system_score_gemma":0.005576593,"threshold_uncertainty_score":0.03426075},"labels":[],"label_agreement":null},{"id":"W7164896559","doi":"10.1080/17153379.2015.12557284","title":"Bollywood: Gods, Glamour, and Gossip. Short Cuts, 52.","year":2015,"lang":"en","type":"article","venue":"Pacific Affairs","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Natural (archaeology); Period (music)","score_opus":0.031158818169633434,"score_gpt":0.21787142342418714,"score_spread":0.18671260525455372,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7164896559","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0029636158,0.43550268,0.00057638076,0.10000987,0.015874818,0.000060594753,0.0011161462,0.00035804493,0.44353774],"genre_scores_gemma":[0.028044507,0.097172335,0.00035517162,0.012994891,0.00483061,0.00013443101,0.00036484958,0.0003426294,0.8557605],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99969983,0.00009688737,0.00002016111,0.000033064578,0.00008419367,0.000065949884],"domain_scores_gemma":[0.99928916,0.00025028878,0.000053287782,0.00003803925,0.00014477513,0.00022444797],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00058383856,0.0011896993,0.00038707443,0.0015801077,0.0053997478,0.006916669,0.0009102538,0.0044091465,0.11766451],"category_scores_gemma":[0.0020380653,0.00088154146,0.00021028813,0.0026935362,0.00234276,0.008342537,0.0030394138,0.0044999407,0.03107304],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005106551,0.000018659981,0.00023111887,0.00020113916,0.0000036165497,0.00011288805,0.003469186,0.00002354925,0.00016169342,0.017067414,0.93031156,0.048348077],"study_design_scores_gemma":[0.000008251088,0.00001176839,0.0021692987,0.0003504436,0.000004845622,0.000113239046,0.0074070385,0.000028477074,0.00009270417,0.0022463698,0.9875606,0.000006970426],"about_ca_topic_score_codex":0.031211922,"about_ca_topic_score_gemma":0.13399436,"teacher_disagreement_score":0.11766451,"about_ca_system_score_codex":0.0025736403,"about_ca_system_score_gemma":0.0029215699,"threshold_uncertainty_score":0.39362705},"labels":[],"label_agreement":null},{"id":"W7164896653","doi":"10.1080/17153379.2017.12557755","title":"Unsettling India: Affect, Temporality, Transnationality.","year":2017,"lang":"en","type":"article","venue":"Pacific Affairs","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Natural (archaeology); Work (physics)","score_opus":0.032513820501893304,"score_gpt":0.2540570911264124,"score_spread":0.2215432706245191,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7164896653","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6730611,0.0023556207,0.0009384979,0.015156962,0.0003648474,0.000013654646,0.00010475097,0.000046511122,0.3079581],"genre_scores_gemma":[0.9956535,0.00034225226,0.000059857957,0.00035335182,0.0000427901,0.0000034059635,0.000008867046,0.000013490517,0.003522392],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990664,0.00052596076,0.000016339447,0.00006991268,0.00012815364,0.00019329428],"domain_scores_gemma":[0.9978861,0.0008313044,0.0005094205,0.0001682208,0.00024004678,0.00036488308],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012418139,0.00016091242,0.00011885006,0.00059509336,0.004590291,0.0068557607,0.00037165108,0.00082685036,0.004786773],"category_scores_gemma":[0.0041307285,0.00015736453,0.00012901746,0.0009211725,0.0067777713,0.00346698,0.0033618386,0.0022972592,0.0003574244],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017134826,0.000098382945,0.0357844,0.00014682187,0.00005144857,0.0013070623,0.7411818,0.00025747187,0.0023903584,0.1701115,0.011219974,0.03727952],"study_design_scores_gemma":[0.0000093787385,0.000043991382,0.07901731,0.00012801118,0.00004023727,0.00050528254,0.7785389,0.00026975217,0.00068083836,0.015286255,0.12543264,0.000047328238],"about_ca_topic_score_codex":0.009378762,"about_ca_topic_score_gemma":0.013892616,"teacher_disagreement_score":0.009378762,"about_ca_system_score_codex":0.0017346407,"about_ca_system_score_gemma":0.0012134215,"threshold_uncertainty_score":0.018648326},"labels":[],"label_agreement":null},{"id":"W7164898374","doi":"10.1080/17153379.2018.12557954","title":"Divided Lenses: Screen Memories of War in East Asia.","year":2018,"lang":"en","type":"article","venue":"Pacific Affairs","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"World War II; Narrative; Spanish Civil War","score_opus":0.02176369979038192,"score_gpt":0.21430528444007826,"score_spread":0.19254158464969634,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7164898374","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.56584877,0.010418162,0.0014465934,0.03166081,0.002068994,0.0000820394,0.0017916139,0.00021129394,0.38647184],"genre_scores_gemma":[0.9536424,0.002391981,0.00021638176,0.0025696335,0.0003557679,0.000029677038,0.00020671425,0.00011043512,0.040476914],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997218,0.00014406936,0.0000055443215,0.000022519396,0.000035542842,0.00007047625],"domain_scores_gemma":[0.99866354,0.00079879776,0.00010417983,0.000084357256,0.000108181215,0.00024087247],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00059241056,0.0005712436,0.00015227257,0.00083788636,0.0053262226,0.0050685904,0.0004519161,0.001332159,0.024884596],"category_scores_gemma":[0.0033141267,0.00020462277,0.00017044807,0.00077889906,0.0032196764,0.003993731,0.003859884,0.003083988,0.00180116],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00053552265,0.0000467418,0.0064254166,0.00038599144,0.00003986114,0.0030345616,0.84591514,0.00009405596,0.001986031,0.017813003,0.09799436,0.025729245],"study_design_scores_gemma":[0.000023823733,0.000068831934,0.012828972,0.0005188045,0.000030559313,0.0014699118,0.6888462,0.00011505565,0.0008475416,0.0031165907,0.29210666,0.000027149288],"about_ca_topic_score_codex":0.00710811,"about_ca_topic_score_gemma":0.026227333,"teacher_disagreement_score":0.024884596,"about_ca_system_score_codex":0.0010815087,"about_ca_system_score_gemma":0.00058179296,"threshold_uncertainty_score":0.083247304},"labels":[],"label_agreement":null},{"id":"W7164898383","doi":"10.1080/17153379.2021.12559797","title":"Fiction as History: The Novel and the City in Modern North India.","year":2021,"lang":"en","type":"article","venue":"Pacific Affairs","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Non-fiction; Popular fiction","score_opus":0.020294855267711458,"score_gpt":0.18479584293521836,"score_spread":0.1645009876675069,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7164898383","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06491129,0.024117135,0.00054671534,0.04600973,0.0029644947,0.000016686912,0.000116966374,0.0000848205,0.8612323],"genre_scores_gemma":[0.8520661,0.0067516034,0.00022468266,0.0026336971,0.0010968047,0.000021106289,0.00004647284,0.00005861488,0.13710092],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995172,0.00025228367,0.000009278532,0.000040854484,0.000064342,0.000116065035],"domain_scores_gemma":[0.99928194,0.00037533455,0.00006319399,0.00006815341,0.00005342922,0.00015794364],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00045539666,0.00038484696,0.00022057082,0.0011399753,0.01467096,0.010471052,0.0008097362,0.0015652984,0.0075048073],"category_scores_gemma":[0.0015151672,0.00016974952,0.00015165239,0.0020747297,0.02109372,0.002758063,0.0038234175,0.0030549676,0.00083773397],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000048492333,0.000023750223,0.00085838675,0.00015409348,0.000007226325,0.00080881786,0.27968436,0.0001800235,0.00017336664,0.60021156,0.10144377,0.016406275],"study_design_scores_gemma":[0.0000047703857,0.000011991319,0.002540529,0.0001647209,0.0000073391916,0.0003522595,0.12200635,0.00008777895,0.00018761784,0.020706605,0.8539165,0.00001350409],"about_ca_topic_score_codex":0.020373749,"about_ca_topic_score_gemma":0.06810241,"teacher_disagreement_score":0.020373749,"about_ca_system_score_codex":0.0051545813,"about_ca_system_score_gemma":0.003582217,"threshold_uncertainty_score":0.040510356},"labels":[],"label_agreement":null},{"id":"W7164898471","doi":"10.1080/17153379.2023.12558352","title":"Bombay Brokers.","year":2023,"lang":"en","type":"article","venue":"Pacific Affairs","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"","score_opus":0.02044331983547375,"score_gpt":0.20965477963765952,"score_spread":0.18921145980218576,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7164898471","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0012218765,0.0022311585,0.000096946176,0.004299088,0.0012711006,0.00003718239,0.0021471675,0.0003518301,0.9883435],"genre_scores_gemma":[0.0038026057,0.00060738146,0.00008154311,0.00068228965,0.00010551758,0.000012940811,0.0004681732,0.000121101286,0.99411845],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999673,0.000036559555,0.000013227098,0.00006925905,0.00011767482,0.000090346766],"domain_scores_gemma":[0.9993824,0.00006165458,0.000038538947,0.000073337455,0.00018478664,0.00025934487],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00029865067,0.00066488376,0.0003824986,0.0008349653,0.0033915075,0.0039580776,0.00062223256,0.0022351418,0.6714461],"category_scores_gemma":[0.0013106313,0.00053373555,0.00021702526,0.0013431796,0.0004184531,0.0023060355,0.0019676923,0.0022160786,0.43788767],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003414609,0.000014433111,0.0002708526,0.000050747993,0.00000163517,0.00006688949,0.0001352026,0.000014982494,0.000116019495,0.0042059612,0.9472733,0.047815874],"study_design_scores_gemma":[0.0000023332686,0.0000033029428,0.0006465769,0.000018697674,7.4741706e-7,0.000024734489,0.00013720035,0.000013399416,0.000051195413,0.00017821541,0.9989214,0.0000021886985],"about_ca_topic_score_codex":0.021989785,"about_ca_topic_score_gemma":0.052150086,"teacher_disagreement_score":0.6714461,"about_ca_system_score_codex":0.0015216853,"about_ca_system_score_gemma":0.001314784,"threshold_uncertainty_score":0.46864223},"labels":[],"label_agreement":null},{"id":"W7164898680","doi":"10.1080/17153379.2021.12559795","title":"Elusive Lives: Gender, Autobiography, and the Self in Muslim South Asia. South Asia in Motion.","year":2021,"lang":"en","type":"article","venue":"Pacific Affairs","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"South asia; Self; Southeast asia","score_opus":0.013693296215975906,"score_gpt":0.19372641812558164,"score_spread":0.18003312190960574,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7164898680","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.73826003,0.048899435,0.0005680861,0.048288178,0.0013716175,0.000036919242,0.0001300806,0.000023595347,0.16242206],"genre_scores_gemma":[0.9842802,0.004643769,0.00006585702,0.0010139977,0.00012724927,0.000012590724,0.000014645804,0.000007882028,0.009833878],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995732,0.00027945868,0.000011540019,0.000031476062,0.000045351993,0.00005891494],"domain_scores_gemma":[0.99789965,0.0012862721,0.00028344564,0.00008338812,0.00014215184,0.00030504086],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015564197,0.00038470482,0.00023703021,0.00069622765,0.005921751,0.004039063,0.00043397635,0.0010998595,0.005341604],"category_scores_gemma":[0.0032425914,0.00016997836,0.00010994815,0.00075297675,0.011290181,0.0033210213,0.0027156596,0.0024337822,0.00029067614],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023047438,0.000029556972,0.0030971586,0.000099685356,0.0000050840276,0.0005095087,0.95452225,0.000016212914,0.00024054032,0.027997801,0.0039237128,0.009535522],"study_design_scores_gemma":[0.0000040443206,0.000018585326,0.008431038,0.00022667531,0.000007740131,0.00032911624,0.9463773,0.000043710417,0.00014893684,0.005424508,0.038982186,0.0000060741404],"about_ca_topic_score_codex":0.0074865986,"about_ca_topic_score_gemma":0.015460757,"teacher_disagreement_score":0.0074865986,"about_ca_system_score_codex":0.0014042257,"about_ca_system_score_gemma":0.0020020704,"threshold_uncertainty_score":0.017869413},"labels":[],"label_agreement":null},{"id":"W7164900254","doi":"10.1080/17153379.2016.12557572","title":"Street Corner Secrets: Sex, Work, and Migration in the City of Mumbai. Next Wave: New Directions in Women’s Studies.","year":2016,"lang":"en","type":"article","venue":"Pacific Affairs","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Irregular migration; Placemaking; City region","score_opus":0.03988595389245129,"score_gpt":0.2304140754777385,"score_spread":0.19052812158528723,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7164900254","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.85050565,0.03298007,0.0001770477,0.079585485,0.00058093213,0.000047459896,0.001081182,0.000020461168,0.035021722],"genre_scores_gemma":[0.9746704,0.014291129,0.000106835876,0.0015993739,0.00022370483,0.000050566767,0.00017678982,0.000011822874,0.008869474],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993919,0.00029259824,0.000019070141,0.000029622279,0.00005017882,0.00021661246],"domain_scores_gemma":[0.99850416,0.0006412693,0.00023610966,0.000059996888,0.00014069538,0.00041770056],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010454062,0.00029292286,0.00025777897,0.0018900495,0.007018193,0.0037007402,0.00093152147,0.0015031312,0.011734067],"category_scores_gemma":[0.0023370762,0.0004408031,0.00023899678,0.0036776543,0.004660179,0.0047653792,0.004003606,0.002187607,0.0005508347],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010079096,0.00010096729,0.1783252,0.0004786296,0.000031941963,0.0011184608,0.6988701,0.00010378709,0.00035665094,0.014495646,0.03926499,0.066752784],"study_design_scores_gemma":[0.000003528665,0.000018643224,0.1530479,0.00032634693,0.000015425589,0.00013532916,0.8273234,0.000040817667,0.000060388727,0.00072931993,0.018284133,0.000014804567],"about_ca_topic_score_codex":0.3449755,"about_ca_topic_score_gemma":0.603659,"teacher_disagreement_score":0.3449755,"about_ca_system_score_codex":0.004315671,"about_ca_system_score_gemma":0.0068267123,"threshold_uncertainty_score":0.685935},"labels":[],"label_agreement":null},{"id":"W7164903530","doi":"10.1080/17153379.2015.12557341","title":"Communicating India’s Soft Power: Buddha to Bollywood. Palgrave Macmillan Series in Global Public Diplomacy.","year":2015,"lang":"en","type":"article","venue":"Pacific Affairs","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Gautama Buddha; Series (stratigraphy)","score_opus":0.027380869486099618,"score_gpt":0.24232915960429335,"score_spread":0.21494829011819375,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7164903530","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010860856,0.12251232,0.0005465258,0.21202661,0.008018529,0.000021787631,0.00029310875,0.00014005571,0.64558023],"genre_scores_gemma":[0.39478338,0.0603418,0.00060302136,0.026339123,0.0025822206,0.00006070786,0.00019997032,0.00024985697,0.5148399],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996389,0.00014226537,0.00001328794,0.00003108738,0.000055821103,0.00011863963],"domain_scores_gemma":[0.99926895,0.00043684972,0.000034813253,0.000041841013,0.000055535846,0.00016208459],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00061890564,0.00051111344,0.00019797077,0.00057034614,0.0050523872,0.005509854,0.0005839262,0.0018912868,0.022880208],"category_scores_gemma":[0.001895875,0.00030773194,0.00015504446,0.0011339653,0.005257884,0.004156506,0.003071904,0.0045397333,0.0037396352],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003553131,0.000025489479,0.00040988205,0.0003269521,0.0000064636333,0.00048306386,0.047816083,0.000069914575,0.0003494042,0.18421476,0.70125604,0.06500635],"study_design_scores_gemma":[0.0000027474825,0.000005649869,0.000893265,0.00030954886,0.000002970578,0.000091341186,0.018636746,0.000014764342,0.00012667578,0.005627797,0.97428334,0.000005114122],"about_ca_topic_score_codex":0.016383626,"about_ca_topic_score_gemma":0.053513557,"teacher_disagreement_score":0.022880208,"about_ca_system_score_codex":0.0029666515,"about_ca_system_score_gemma":0.0037265546,"threshold_uncertainty_score":0.0765419},"labels":[],"label_agreement":null},{"id":"W7164909046","doi":"10.1080/17153379.2018.12557925","title":"When Crime Pays: Money and Muscle in Indian Politics.","year":2018,"lang":"en","type":"article","venue":"Pacific Affairs","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Moneyness","score_opus":0.01663100178565868,"score_gpt":0.209290712424646,"score_spread":0.19265971063898732,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7164909046","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1604955,0.0063898438,0.00080083485,0.31521225,0.0017534805,0.000024005072,0.00014342979,0.000038374925,0.5151423],"genre_scores_gemma":[0.96565217,0.0017051778,0.00010906369,0.011343122,0.0004418137,0.000015656382,0.000019110437,0.00003964592,0.02067428],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9967809,0.0015811677,0.000054900032,0.00013140665,0.00027130058,0.0011803061],"domain_scores_gemma":[0.9942054,0.0025484245,0.00063489075,0.00019207865,0.0007671761,0.001652051],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0032325643,0.00021360345,0.00025231804,0.0009799593,0.011795683,0.012142445,0.0009527916,0.004225642,0.017511731],"category_scores_gemma":[0.013049397,0.00026713876,0.00019834716,0.0014875733,0.013532677,0.0065282215,0.0041653602,0.0064567076,0.0013769529],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020828989,0.00014801338,0.016169192,0.00014992102,0.00003459438,0.0013148797,0.12707189,0.0001635112,0.00030217023,0.6551402,0.15019114,0.049106207],"study_design_scores_gemma":[0.000028762903,0.000042030686,0.03280384,0.0006716581,0.00005700984,0.0005048877,0.50445443,0.0004214916,0.00038299002,0.16544607,0.29512832,0.000058515936],"about_ca_topic_score_codex":0.028755393,"about_ca_topic_score_gemma":0.054398432,"teacher_disagreement_score":0.028755393,"about_ca_system_score_codex":0.0044206777,"about_ca_system_score_gemma":0.0065780296,"threshold_uncertainty_score":0.058582544},"labels":[],"label_agreement":null},{"id":"W7164910574","doi":"10.1080/17153379.2025.12558725","title":"Boys Love Media in Thailand: Celebrity, Fans, and Transnational Asian Queer Popular Culture","year":2025,"lang":"en","type":"article","venue":"Pacific Affairs","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Queer; Popular culture; Popular media; South asia; Media culture","score_opus":0.009348306901758273,"score_gpt":0.2083907989737528,"score_spread":0.1990424920719945,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7164910574","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.93678445,0.0015243514,0.000088875844,0.0030255273,0.00011481092,0.000016601065,0.00013557066,0.000015844866,0.05829401],"genre_scores_gemma":[0.99242353,0.00077378994,0.000025893896,0.00015243745,0.000046198737,0.000009718716,0.00003423583,0.00001647053,0.006517714],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.9992828,0.00038308097,0.000015033266,0.000047771384,0.00007007282,0.00020138915],"domain_scores_gemma":[0.99720204,0.0010529883,0.00045849106,0.00004779218,0.00017017724,0.0010684959],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001129847,0.0003837543,0.00022255171,0.0014973233,0.008346182,0.008942826,0.0005296895,0.00073103403,0.015504659],"category_scores_gemma":[0.0027550848,0.00025755714,0.00016747204,0.002494336,0.0043074973,0.004080428,0.0027466149,0.002323798,0.00046712073],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014038898,0.000107147425,0.086817965,0.0001528057,0.000021680022,0.0012226106,0.88295084,0.000037502396,0.0003248747,0.011298971,0.0047494066,0.01217574],"study_design_scores_gemma":[0.0000034935629,0.000030232064,0.029776542,0.0000891102,0.00001361437,0.00018003055,0.95694166,0.000047999336,0.00011642117,0.00024288682,0.012547799,0.000010178077],"about_ca_topic_score_codex":0.03320668,"about_ca_topic_score_gemma":0.07522598,"teacher_disagreement_score":0.03320668,"about_ca_system_score_codex":0.0018184364,"about_ca_system_score_gemma":0.0021666153,"threshold_uncertainty_score":0.06602675},"labels":[],"label_agreement":null},{"id":"W7164911376","doi":"10.1080/17153379.2021.12559745","title":"Jugaad Time: Ecologies of Everyday Hacking in India. Anima: Critical Rave Studies Otherwise.","year":2021,"lang":"en","type":"article","venue":"Pacific Affairs","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Hacker; Everyday life","score_opus":0.02914997300063615,"score_gpt":0.2654850543809514,"score_spread":0.23633508138031523,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7164911376","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4011325,0.017282281,0.0037937986,0.05144911,0.0007200689,0.000060315364,0.00063758815,0.0001595826,0.5247647],"genre_scores_gemma":[0.9818233,0.0031515043,0.00039166288,0.0007577429,0.0001370337,0.000026126414,0.000052480184,0.000055512115,0.013604576],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99921954,0.0003647264,0.000015815314,0.00007881893,0.000062310784,0.0002587915],"domain_scores_gemma":[0.9973605,0.0015510527,0.00029193083,0.00024174625,0.0001872917,0.00036747076],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00087502156,0.00048140186,0.00023342122,0.0030213043,0.009965409,0.011665165,0.0014167629,0.001966915,0.009811813],"category_scores_gemma":[0.0031143983,0.0003484187,0.00029112014,0.0035405215,0.023532063,0.0104870135,0.0047438983,0.0032782804,0.00068979623],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009001223,0.000061561586,0.012242026,0.00026484192,0.000021408427,0.0011336702,0.57677877,0.00022882459,0.00041685827,0.36295742,0.017867051,0.027937574],"study_design_scores_gemma":[0.0000062730087,0.0000330239,0.03817137,0.0003869006,0.000024521654,0.00036272412,0.7786073,0.00021641326,0.00029689897,0.031739954,0.1501223,0.000032226893],"about_ca_topic_score_codex":0.027511902,"about_ca_topic_score_gemma":0.05308507,"teacher_disagreement_score":0.027511902,"about_ca_system_score_codex":0.0035417276,"about_ca_system_score_gemma":0.0032202015,"threshold_uncertainty_score":0.054703534},"labels":[],"label_agreement":null},{"id":"W7164912678","doi":"10.1080/17153379.2006.12554422","title":"Culture and the Making of Identity in Contemporary India.","year":2006,"lang":"en","type":"article","venue":"Pacific Affairs","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Identity (music); Making-of; Cultural identity; Identity formation","score_opus":0.01747048258417116,"score_gpt":0.2265709048477371,"score_spread":0.20910042226356593,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7164912678","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.36577126,0.009517115,0.0008512219,0.020015081,0.00050190155,0.000019453293,0.000033536453,0.000027206193,0.60326326],"genre_scores_gemma":[0.99339443,0.0010180271,0.0000793736,0.00029164585,0.000034133864,0.0000044283665,0.0000031442994,0.0000056271615,0.0051692333],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.998784,0.0007290466,0.000028109003,0.000054839707,0.0001270667,0.0002769628],"domain_scores_gemma":[0.9989956,0.00044057381,0.00012377827,0.00008032759,0.00010953616,0.0002501716],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010777813,0.00022986718,0.00015670553,0.0009186145,0.010550375,0.009301629,0.0005839432,0.0008963729,0.0033933967],"category_scores_gemma":[0.0023688087,0.00018523318,0.000111193986,0.0011571121,0.023750674,0.0029661548,0.0044529517,0.0025892486,0.0002916808],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040417042,0.00003922173,0.0048773005,0.00009192646,0.0000093029075,0.0006285399,0.5145074,0.00007760202,0.00032080468,0.45031476,0.0048372066,0.02425543],"study_design_scores_gemma":[0.0000118052585,0.000043976874,0.016853455,0.00035431708,0.000030884403,0.0006265017,0.7428467,0.0001579204,0.0005297367,0.07080413,0.16771169,0.000028806928],"about_ca_topic_score_codex":0.017779974,"about_ca_topic_score_gemma":0.036580373,"teacher_disagreement_score":0.017779974,"about_ca_system_score_codex":0.002750982,"about_ca_system_score_gemma":0.0037786323,"threshold_uncertainty_score":0.035352945},"labels":[],"label_agreement":null},{"id":"W7164913046","doi":"10.1080/17153379.2024.12558495","title":"Bollywood’s New Woman: Liberalization, Liberation, and Contested Bodies.","year":2024,"lang":"en","type":"article","venue":"Pacific Affairs","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Natural (archaeology); Field (mathematics); Work (physics)","score_opus":0.014838583489971057,"score_gpt":0.20653637573543254,"score_spread":0.1916977922454615,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7164913046","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.016626433,0.008748593,0.0011592009,0.09930947,0.0011754194,0.000024643214,0.000027595093,0.00002842306,0.8729001],"genre_scores_gemma":[0.4597288,0.0037140807,0.0010501714,0.02394059,0.0004288071,0.000066311186,0.000026627207,0.00010799272,0.5109366],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986125,0.0007116721,0.00002171029,0.00012308234,0.00020482788,0.0003261362],"domain_scores_gemma":[0.999191,0.00030460887,0.000053652333,0.0000956199,0.000086193315,0.00026897332],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017000369,0.0004018241,0.00016371554,0.0004854396,0.010428391,0.007814702,0.00065441034,0.0036045327,0.011286297],"category_scores_gemma":[0.0027518822,0.00019812185,0.00014682052,0.00051862345,0.020340499,0.007334917,0.0050294492,0.0092229815,0.0014957507],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032937765,0.000022535973,0.00020612823,0.000033621793,0.0000020015896,0.00016856538,0.03675674,0.000033028864,0.00017779229,0.8788316,0.07079961,0.012935393],"study_design_scores_gemma":[0.0000096872545,0.000013219836,0.00055908423,0.00017267992,0.0000030948509,0.00013359357,0.027607018,0.000080005266,0.00043454138,0.101719245,0.86925536,0.000012491939],"about_ca_topic_score_codex":0.01257269,"about_ca_topic_score_gemma":0.055623885,"teacher_disagreement_score":0.01257269,"about_ca_system_score_codex":0.004041297,"about_ca_system_score_gemma":0.0044415407,"threshold_uncertainty_score":0.037756383},"labels":[],"label_agreement":null},{"id":"W7164913359","doi":"10.1080/17153379.2011.12559073","title":"The Rise of China and India: A New Asian Drama.","year":2011,"lang":"en","type":"article","venue":"Pacific Affairs","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"","score_opus":0.014283292935352975,"score_gpt":0.18562178305100804,"score_spread":0.17133849011565508,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7164913359","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2751088,0.015544805,0.0010608208,0.10949754,0.0032840888,0.0000554777,0.00012664999,0.0001259569,0.5951958],"genre_scores_gemma":[0.9293772,0.0037195524,0.0002815738,0.0050201174,0.00056648673,0.000028413087,0.00003294511,0.000057139754,0.06091656],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99954444,0.00023347863,0.0000069898747,0.000024319475,0.00005402225,0.00013669605],"domain_scores_gemma":[0.99935037,0.00022031472,0.00004172392,0.00004940579,0.00005535065,0.00028278935],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000998872,0.00044288966,0.00018139562,0.00063330587,0.010207204,0.0056508714,0.00065308635,0.0012240899,0.006454833],"category_scores_gemma":[0.0011468487,0.00013929616,0.00023489517,0.0011990069,0.008315421,0.0036538735,0.0041963737,0.004844904,0.00038891437],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018399306,0.000080254234,0.005475353,0.00025809888,0.000031966214,0.0024592902,0.6298645,0.00020453765,0.0014027555,0.2134736,0.1164818,0.030083816],"study_design_scores_gemma":[0.00001544943,0.000055088556,0.009651714,0.00021819626,0.000029199307,0.00050099683,0.38837814,0.00027050503,0.00075035455,0.011474694,0.5886229,0.000032701984],"about_ca_topic_score_codex":0.016041636,"about_ca_topic_score_gemma":0.060131866,"teacher_disagreement_score":0.016041636,"about_ca_system_score_codex":0.0030853709,"about_ca_system_score_gemma":0.0034438926,"threshold_uncertainty_score":0.03189653},"labels":[],"label_agreement":null},{"id":"W7164920018","doi":"10.1080/17153379.2024.12558443","title":"Outcaste Bombay: City Making and the Politics of the Poor.","year":2024,"lang":"en","type":"article","venue":"Pacific Affairs","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Politics; Urban politics","score_opus":0.018977885190869764,"score_gpt":0.22052201356281487,"score_spread":0.2015441283719451,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7164920018","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.050427075,0.038741678,0.00024593287,0.25854462,0.0034453012,0.00005639282,0.00072012277,0.00009316172,0.6477257],"genre_scores_gemma":[0.48265463,0.025560003,0.00043680888,0.016701214,0.0009833662,0.000090373964,0.0002457139,0.00016193636,0.473166],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.99951553,0.00018320649,0.000008121923,0.00002431425,0.000053531894,0.00021533047],"domain_scores_gemma":[0.9993017,0.00015008476,0.00006208012,0.00003391946,0.00010696653,0.0003452649],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008772388,0.00038670396,0.00023461002,0.0006326414,0.016495237,0.0070053013,0.0005105703,0.002770913,0.03886089],"category_scores_gemma":[0.0013241677,0.00025250262,0.00016004998,0.0014127963,0.004930797,0.003337051,0.004482461,0.005231161,0.0023199772],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001333023,0.00004134848,0.00482759,0.00030352772,0.00001759925,0.0008072038,0.07138308,0.00013449906,0.00048627862,0.18151186,0.69257975,0.047774017],"study_design_scores_gemma":[0.000007659037,0.0000112902035,0.013050485,0.00021754688,0.0000088200895,0.0000765466,0.07624534,0.000035767927,0.00014186306,0.0032431937,0.9069483,0.0000130891485],"about_ca_topic_score_codex":0.22153068,"about_ca_topic_score_gemma":0.42238668,"teacher_disagreement_score":0.22153068,"about_ca_system_score_codex":0.007158009,"about_ca_system_score_gemma":0.0088623585,"threshold_uncertainty_score":0.44048244},"labels":[],"label_agreement":null},{"id":"W7164922975","doi":"10.1080/17153379.2024.12558543","title":"Queer Companions: Religion, Public Intimacy, and Saintly Affects in Pakistan.","year":2024,"lang":"en","type":"article","venue":"Pacific Affairs","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Queer; Public culture; Public discourse; Public life","score_opus":0.015572947812075423,"score_gpt":0.24391926373156037,"score_spread":0.22834631591948495,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7164922975","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9275548,0.0011291106,0.00011137281,0.01168284,0.00013357792,0.000016278678,0.00008314173,0.000012534186,0.05927635],"genre_scores_gemma":[0.99580127,0.00029320884,0.000016287133,0.00023503954,0.000017846205,0.0000022845231,0.000008986327,0.0000027083936,0.0036224485],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994947,0.00024681215,0.000009190145,0.00003153825,0.00004632619,0.00017147418],"domain_scores_gemma":[0.9983992,0.000566979,0.00032227513,0.000049087063,0.00012270929,0.00053973607],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00087708543,0.00016760176,0.0002126435,0.00049609033,0.013472921,0.0030899872,0.00035193752,0.0009684293,0.009816777],"category_scores_gemma":[0.0026354864,0.00014358727,0.000093182534,0.00079443364,0.006835958,0.002403109,0.0022144597,0.002797453,0.0003215377],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000102075566,0.00019754624,0.04052031,0.000047937494,0.000010504221,0.0009300262,0.9050816,0.000025361604,0.00016565277,0.026713151,0.009269227,0.01693648],"study_design_scores_gemma":[0.000011804529,0.000042702704,0.039885346,0.00006085547,0.000010695904,0.00027497482,0.92629254,0.00006161693,0.000068012305,0.0015863952,0.031693228,0.000011836272],"about_ca_topic_score_codex":0.0706677,"about_ca_topic_score_gemma":0.19402842,"teacher_disagreement_score":0.0706677,"about_ca_system_score_codex":0.0026059675,"about_ca_system_score_gemma":0.002743957,"threshold_uncertainty_score":0.1405127},"labels":[],"label_agreement":null},{"id":"W7164924767","doi":"10.1080/17153379.2023.12558354","title":"Bombay Hustle: Making Movies in a Colonial City.","year":2023,"lang":"en","type":"article","venue":"Pacific Affairs","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"","score_opus":0.03234347918703303,"score_gpt":0.24726268094920256,"score_spread":0.21491920176216953,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7164924767","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4394932,0.0058470303,0.0007481744,0.047001794,0.0032044675,0.0001971003,0.0010726376,0.000369904,0.50206566],"genre_scores_gemma":[0.64882314,0.0035591633,0.0016790385,0.0029553417,0.00031753728,0.000055825723,0.00042462017,0.00033228687,0.34185302],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99980205,0.00007074163,0.0000034496697,0.00001912367,0.000022823171,0.00008193442],"domain_scores_gemma":[0.99956125,0.0000359808,0.000020839048,0.0000149236075,0.000040753082,0.0003262531],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00043865986,0.0004270269,0.00011154305,0.0003231206,0.016719654,0.0030998825,0.00044721802,0.00097587565,0.03599098],"category_scores_gemma":[0.00071523245,0.00024123395,0.000107065775,0.00056506885,0.0019674348,0.001949507,0.0028076996,0.00338443,0.0030883055],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003226251,0.0001295833,0.011665979,0.00035899578,0.000021765527,0.0054931226,0.33552065,0.00013148443,0.0060951547,0.013792006,0.54372823,0.08274028],"study_design_scores_gemma":[0.000007827987,0.000038224363,0.02440735,0.00016173557,0.000009840759,0.00049997785,0.25159797,0.00009465512,0.00073887326,0.00036179626,0.7220637,0.000017953353],"about_ca_topic_score_codex":0.06821127,"about_ca_topic_score_gemma":0.33840832,"teacher_disagreement_score":0.06821127,"about_ca_system_score_codex":0.001643933,"about_ca_system_score_gemma":0.0019677682,"threshold_uncertainty_score":0.13562846},"labels":[],"label_agreement":null},{"id":"W7164924846","doi":"10.1080/17153379.2020.12559669","title":"A Suitable Girl. Directed by Sarita Khurana and Smriti Mundhra","year":2020,"lang":"en","type":"article","venue":"Pacific Affairs","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"","score_opus":0.01572363061058601,"score_gpt":0.18291598782314492,"score_spread":0.1671923572125589,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7164924846","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0056115193,0.023147205,0.0008713055,0.27122188,0.12906976,0.0005762843,0.0010426372,0.0005026146,0.5679568],"genre_scores_gemma":[0.006200142,0.0029205566,0.00026218162,0.018229192,0.004783465,0.00008756711,0.00011663979,0.000104067985,0.96729624],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997644,0.0000601453,0.000008962968,0.00004852216,0.00006508493,0.000052978867],"domain_scores_gemma":[0.9993079,0.00006758843,0.00003475712,0.000015439065,0.00019824502,0.00037604585],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004350639,0.0010021548,0.00051638496,0.00045724507,0.0046497574,0.0016809113,0.0006443215,0.0020471963,0.21921082],"category_scores_gemma":[0.0013244344,0.000347886,0.00037102253,0.00020190254,0.00051539904,0.0019783145,0.0028880483,0.00534262,0.094919376],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030083962,0.000025344618,0.00013949089,0.00006364009,0.0000016615217,0.0003821861,0.0005886793,0.000009385169,0.00020264937,0.001287141,0.9852806,0.011989106],"study_design_scores_gemma":[0.0000042887164,0.000010879854,0.0003948551,0.000052897427,0.0000012160067,0.00035130297,0.0014156962,0.000012945751,0.000038085003,0.00015002569,0.99756515,0.0000025845688],"about_ca_topic_score_codex":0.004532352,"about_ca_topic_score_gemma":0.012920016,"teacher_disagreement_score":0.21921082,"about_ca_system_score_codex":0.0005693633,"about_ca_system_score_gemma":0.00069582305,"threshold_uncertainty_score":0.73333323},"labels":[],"label_agreement":null},{"id":"W7164927739","doi":"10.1080/17153379.2010.12558998","title":"Horror to the Extreme: Changing Boundaries in Asian Cinema.","year":2010,"lang":"en","type":"article","venue":"Pacific Affairs","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"South asia; Southeast asia","score_opus":0.017080968828040808,"score_gpt":0.2087898650262692,"score_spread":0.1917088961982284,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7164927739","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.37485322,0.0077883513,0.0023165676,0.066204056,0.0018193148,0.000054692217,0.00007163827,0.000085044485,0.54680705],"genre_scores_gemma":[0.9771502,0.0013698054,0.00042800972,0.0033676266,0.0001926933,0.00002356567,0.000019552936,0.000047334695,0.017401343],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99806994,0.0013017408,0.000041640826,0.00011075158,0.00019483347,0.00028108136],"domain_scores_gemma":[0.99710494,0.00080546114,0.00031462772,0.00016980113,0.00041184013,0.0011933343],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0034118614,0.0002890473,0.00019614224,0.0006171354,0.012962587,0.010528087,0.00079776737,0.0016508453,0.008816849],"category_scores_gemma":[0.006961982,0.00020629479,0.00015612417,0.0005243984,0.014017887,0.008482371,0.0098372055,0.0055605858,0.00080603326],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009646328,0.000051776464,0.004100667,0.00015471989,0.000010637206,0.0009886259,0.85915774,0.00006343294,0.0012968335,0.07418233,0.02721788,0.03267884],"study_design_scores_gemma":[0.000008036786,0.00003168363,0.0060962285,0.00033074347,0.00000948981,0.00039494652,0.8187726,0.00008578894,0.0004323164,0.012149714,0.1616677,0.000020598065],"about_ca_topic_score_codex":0.0070317644,"about_ca_topic_score_gemma":0.017329734,"teacher_disagreement_score":0.012962587,"about_ca_system_score_codex":0.0020524852,"about_ca_system_score_gemma":0.0031430917,"threshold_uncertainty_score":0.02949524},"labels":[],"label_agreement":null},{"id":"W7164932814","doi":"10.1080/17153379.2003.12553799","title":"Community and Identities: Contemporary Discourses on Culture and Politics in India.","year":2003,"lang":"en","type":"article","venue":"Pacific Affairs","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Politics; Political culture; Identity (music)","score_opus":0.023512423322530073,"score_gpt":0.23304864719414248,"score_spread":0.20953622387161241,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7164932814","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.47538108,0.011772532,0.0014615211,0.07103751,0.0006785995,0.000025036246,0.000051990122,0.00005553936,0.43953612],"genre_scores_gemma":[0.994284,0.0013211723,0.00006979227,0.00073138747,0.00006559367,0.000010319602,0.0000057488423,0.0000105751515,0.0035015482],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.997235,0.001650141,0.000063599124,0.00013668659,0.00035590783,0.0005586397],"domain_scores_gemma":[0.99594826,0.0029030163,0.00028789102,0.00015693645,0.00020746495,0.00049648935],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002812352,0.00041875217,0.0004071401,0.001979665,0.025696853,0.014705279,0.0011020362,0.0025758946,0.00392771],"category_scores_gemma":[0.0047780056,0.00024294498,0.00015550907,0.00334281,0.03095869,0.0058786604,0.007928001,0.0052197245,0.00028055423],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020513184,0.000020464822,0.0012369847,0.00008507913,0.0000039735496,0.00050989504,0.7095888,0.000053183205,0.00016269513,0.27757266,0.0031808596,0.0075648506],"study_design_scores_gemma":[0.000005620806,0.000019629544,0.0037246696,0.0002926659,0.000013246924,0.00035329766,0.88833815,0.00014821238,0.00025403476,0.024280755,0.08255386,0.000015937201],"about_ca_topic_score_codex":0.022937737,"about_ca_topic_score_gemma":0.029023346,"teacher_disagreement_score":0.025696853,"about_ca_system_score_codex":0.006295442,"about_ca_system_score_gemma":0.0062251613,"threshold_uncertainty_score":0.045676827},"labels":[],"label_agreement":null},{"id":"W7164933368","doi":"10.1080/17153379.2022.12558163","title":"Brand New Nation: Capitalist Dreams and Nationalist Designs in Twenty-First-Century India.","year":2022,"lang":"en","type":"article","venue":"Pacific Affairs","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Nationalism; Economic nationalism","score_opus":0.02140798715290661,"score_gpt":0.20559998698868817,"score_spread":0.18419199983578155,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7164933368","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15991713,0.004385464,0.000859401,0.015922826,0.00068181666,0.000017159922,0.0000662244,0.000065515436,0.81808454],"genre_scores_gemma":[0.91508263,0.0013857199,0.00033338266,0.0009201901,0.00008421537,0.000013859913,0.000020193478,0.000038286995,0.08212163],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99967,0.00014150148,0.0000075026733,0.000028536107,0.000051097206,0.000101334015],"domain_scores_gemma":[0.99952304,0.00017094283,0.000037528498,0.000060378905,0.00005871209,0.00014937582],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007871894,0.00021046464,0.000105749146,0.0006516212,0.007967639,0.0068580206,0.00049789477,0.0009433581,0.0059229047],"category_scores_gemma":[0.0011779009,0.00014288157,0.00013036131,0.00082722615,0.012192806,0.0039845156,0.0030329449,0.0024441935,0.0006172062],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000060823222,0.000033796383,0.0012284351,0.000053518565,0.0000041507888,0.00034436968,0.2043156,0.00007287881,0.00020654479,0.7527073,0.021992145,0.0189804],"study_design_scores_gemma":[0.000012142656,0.00004842581,0.005751316,0.00017548613,0.000015410053,0.0006087972,0.25550842,0.0002503001,0.00062545825,0.05379589,0.68317735,0.000031038657],"about_ca_topic_score_codex":0.0128866555,"about_ca_topic_score_gemma":0.044900764,"teacher_disagreement_score":0.0128866555,"about_ca_system_score_codex":0.0037138457,"about_ca_system_score_gemma":0.0023109799,"threshold_uncertainty_score":0.026945949},"labels":[],"label_agreement":null},{"id":"W7164935205","doi":"10.1080/17153379.2009.12556381","title":"Cricket in Colonial India, 1780-1947.","year":2009,"lang":"en","type":"article","venue":"Pacific Affairs","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"","score_opus":0.011962560431564698,"score_gpt":0.21013028882451887,"score_spread":0.19816772839295416,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7164935205","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6251131,0.010134314,0.00014842136,0.0036988682,0.00048959366,0.00003715077,0.0014722486,0.00004659386,0.35885972],"genre_scores_gemma":[0.9024563,0.003577996,0.00010356503,0.00031708975,0.000090877715,0.000019054945,0.00033132435,0.00003289835,0.09307095],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99978393,0.00003578914,0.000006783193,0.000019642086,0.000027714897,0.00012611721],"domain_scores_gemma":[0.9997198,0.00006133291,0.00004376833,0.000012830993,0.00006383651,0.00009835448],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001734912,0.00021169856,0.00013845632,0.0009570049,0.005644354,0.0014556013,0.0004701313,0.00031349837,0.012402181],"category_scores_gemma":[0.0007038487,0.00016634971,0.00008576029,0.001839687,0.0018080273,0.0006602936,0.0016779501,0.0012251204,0.0012407623],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00066395546,0.00016863081,0.080438055,0.00087775965,0.000039683837,0.007772208,0.5096585,0.00031357055,0.0014960214,0.09180462,0.12647106,0.18029599],"study_design_scores_gemma":[0.000008887629,0.00005409677,0.24124496,0.00035199613,0.00001858261,0.0009795609,0.15501292,0.000050953444,0.0005443022,0.0008161843,0.6008951,0.000022484834],"about_ca_topic_score_codex":0.17986101,"about_ca_topic_score_gemma":0.5369931,"teacher_disagreement_score":0.17986101,"about_ca_system_score_codex":0.0041221473,"about_ca_system_score_gemma":0.0026884635,"threshold_uncertainty_score":0.35762823},"labels":[],"label_agreement":null},{"id":"W7164944242","doi":"10.1080/17153379.2007.12554637","title":"Asian Cinemas: A Reader and Guide.","year":2007,"lang":"en","type":"article","venue":"Pacific Affairs","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"","score_opus":0.015236838325033272,"score_gpt":0.22052739200942081,"score_spread":0.20529055368438753,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7164944242","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.003183877,0.2399869,0.012551444,0.03330296,0.017590528,0.0005780752,0.003714248,0.0049275807,0.68416446],"genre_scores_gemma":[0.008951873,0.12840566,0.010014834,0.01124197,0.004486969,0.0004693782,0.0017057476,0.0010453629,0.83367825],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997354,0.00007325793,0.000028820448,0.000027018437,0.00010630258,0.000029156448],"domain_scores_gemma":[0.998524,0.00034609207,0.00007939143,0.00007726774,0.0006452376,0.00032793553],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010255885,0.0016350711,0.00072910683,0.003001976,0.0012590392,0.0027876045,0.0010223181,0.0018398724,0.12440932],"category_scores_gemma":[0.002683251,0.0006860629,0.00031534038,0.0023085766,0.0005975381,0.0051812413,0.0021601007,0.0018538894,0.106529325],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015089761,0.000033012922,0.00012133529,0.00022186551,0.0000020722682,0.0000991893,0.0008260141,0.000051937015,0.0004251869,0.00093507674,0.89212644,0.105142735],"study_design_scores_gemma":[0.0000040529508,0.000013897285,0.00056641584,0.00027591822,0.000003049197,0.00031366575,0.0007455975,0.0000751177,0.00009846934,0.00045001297,0.9974474,0.0000063357925],"about_ca_topic_score_codex":0.0051706764,"about_ca_topic_score_gemma":0.023073208,"teacher_disagreement_score":0.12440932,"about_ca_system_score_codex":0.00049723976,"about_ca_system_score_gemma":0.001582941,"threshold_uncertainty_score":0.41619062},"labels":[],"label_agreement":null},{"id":"W7164944475","doi":"10.1080/17153379.2007.12554614","title":"Region, Culture and Politics in India.","year":2007,"lang":"en","type":"article","venue":"Pacific Affairs","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"","score_opus":0.01319151601337024,"score_gpt":0.21049378232503532,"score_spread":0.1973022663116651,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7164944475","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5443344,0.03786575,0.00023696579,0.028775252,0.00038579945,0.000014484294,0.0002090404,0.000034200806,0.38814414],"genre_scores_gemma":[0.9888298,0.0036771812,0.00003426833,0.000349661,0.000061585655,0.000006185491,0.000017242477,0.000005729588,0.0070184753],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995315,0.00020936424,0.000011899146,0.000024806142,0.000034121756,0.00018831472],"domain_scores_gemma":[0.9992372,0.00034495298,0.00009779588,0.0000205511,0.00005695251,0.00024262282],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00036798645,0.00015738825,0.00015064712,0.0009854034,0.004591178,0.0046544825,0.0004549354,0.0005433816,0.006529728],"category_scores_gemma":[0.0010463927,0.0001635687,0.00011841477,0.0023729582,0.004500945,0.0015133792,0.0023087526,0.0014206045,0.00028793968],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022809928,0.00014201201,0.083958894,0.00050614215,0.00005394673,0.0030092744,0.26979607,0.0005346462,0.0008586588,0.5485055,0.034073148,0.05833367],"study_design_scores_gemma":[0.000020151037,0.00008757127,0.2835541,0.0005438713,0.00008824371,0.0013885327,0.43661574,0.00025746092,0.00043098093,0.02064041,0.25633386,0.0000391379],"about_ca_topic_score_codex":0.075820684,"about_ca_topic_score_gemma":0.16221008,"teacher_disagreement_score":0.075820684,"about_ca_system_score_codex":0.0035927454,"about_ca_system_score_gemma":0.004505697,"threshold_uncertainty_score":0.15075874},"labels":[],"label_agreement":null},{"id":"W7164946271","doi":"10.1080/17153379.2019.12559427","title":"White Sun = Seto Surya. Written and directed by Deepak Rauniyar; editor, David Barker","year":2019,"lang":"en","type":"article","venue":"Pacific Affairs","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"White (mutation); Field (mathematics); White paper","score_opus":0.00538148842785134,"score_gpt":0.1781367827133279,"score_spread":0.17275529428547656,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7164946271","genre_codex":"editorial","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00040458512,0.062837236,0.0007921052,0.061241634,0.5518468,0.00012847877,0.00087417645,0.00038092493,0.321494],"genre_scores_gemma":[0.0036611438,0.023528192,0.00044839206,0.011844027,0.042690314,0.00008648132,0.0003164316,0.00028334372,0.9171417],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995315,0.000078693374,0.000044167868,0.00010312854,0.00020702061,0.000035540685],"domain_scores_gemma":[0.9981401,0.00051447796,0.00016986608,0.00009074354,0.0008237129,0.0002610396],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007061825,0.0010801125,0.000794688,0.0012299446,0.0019259957,0.0035814715,0.0008619447,0.00172792,0.19139814],"category_scores_gemma":[0.0034555574,0.0003534917,0.00033531466,0.0007284043,0.00080364814,0.0019356635,0.0012451748,0.0028011987,0.120857894],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001078995,0.0000020573996,0.000023810659,0.00013694172,0.000001572064,0.0000324231,0.00004289034,0.00001659434,0.00008070197,0.0010236838,0.9826186,0.016010048],"study_design_scores_gemma":[0.000001483872,0.0000014517061,0.000064233864,0.0000685025,8.2581255e-7,0.000031264182,0.00005912999,0.000012802913,0.000049540322,0.00013183843,0.9995776,0.000001356559],"about_ca_topic_score_codex":0.004516528,"about_ca_topic_score_gemma":0.009753778,"teacher_disagreement_score":0.19139814,"about_ca_system_score_codex":0.00068216445,"about_ca_system_score_gemma":0.0013200772,"threshold_uncertainty_score":0.6402906},"labels":[],"label_agreement":null},{"id":"W7164960258","doi":"10.1080/17153379.2024.12558562","title":"Asian Political Cartoons.","year":2024,"lang":"en","type":"article","venue":"Pacific Affairs","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"","score_opus":0.01552122051332835,"score_gpt":0.21934224500799332,"score_spread":0.20382102449466497,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7164960258","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0060278247,0.0038561267,0.00015451795,0.004921809,0.0023641598,0.000027691496,0.0007546057,0.00011050843,0.98178273],"genre_scores_gemma":[0.05616549,0.0036827433,0.00028151763,0.001613918,0.00066521665,0.00004629194,0.00053495925,0.00013893272,0.9368709],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99987924,0.000022678754,0.000005346261,0.000013462613,0.000033528504,0.000045781988],"domain_scores_gemma":[0.9997378,0.00004112128,0.000026701791,0.000025269612,0.00005930473,0.000109698485],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003007339,0.0006171577,0.00011437884,0.0008200989,0.0036272423,0.0031604338,0.00028184376,0.0007119126,0.160104],"category_scores_gemma":[0.0005798474,0.00018240279,0.00014891244,0.0019091953,0.00075480476,0.0019301726,0.0015915502,0.0015823593,0.028681455],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000060498336,0.000034706038,0.0013988408,0.00024137128,0.000004075691,0.00048725796,0.009030656,0.000042150226,0.00082871615,0.0538968,0.8486192,0.085355684],"study_design_scores_gemma":[0.0000016393541,0.0000031963843,0.0014420698,0.00004572816,0.000001479215,0.000073371506,0.0023139114,0.000015756534,0.00013955889,0.0003387457,0.9956226,0.0000020313541],"about_ca_topic_score_codex":0.013947039,"about_ca_topic_score_gemma":0.053278908,"teacher_disagreement_score":0.160104,"about_ca_system_score_codex":0.00094921846,"about_ca_system_score_gemma":0.0013903592,"threshold_uncertainty_score":0.53560126},"labels":[],"label_agreement":null},{"id":"W7164971751","doi":"10.1080/17153379.2005.12554184","title":"Transnational Television, Cultural Identity and Change: When Star Came to India.","year":2005,"lang":"en","type":"article","venue":"Pacific Affairs","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Cultural identity; Star (game theory); Identity (music); Cultural history","score_opus":0.03047179483109941,"score_gpt":0.24566447188330418,"score_spread":0.21519267705220477,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7164971751","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4633527,0.01177345,0.0006369444,0.11312777,0.001657645,0.000025303068,0.00024816088,0.000051090792,0.4091269],"genre_scores_gemma":[0.98463017,0.0021679497,0.0000971145,0.0020323677,0.00012426903,0.000008373083,0.00002576775,0.000016993023,0.010896959],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.99924695,0.0003217586,0.000020390318,0.00005941937,0.00008146573,0.00027003963],"domain_scores_gemma":[0.9984829,0.00064278266,0.00011629132,0.00007720431,0.00023346634,0.00044743513],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001054254,0.0001744653,0.0001667092,0.00084242236,0.0061852117,0.010319155,0.0004152475,0.0016962175,0.0069609936],"category_scores_gemma":[0.0030430155,0.00017570301,0.00015114364,0.001674896,0.0090004895,0.0067692897,0.0038092665,0.0043609636,0.00040688482],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016832033,0.00009937749,0.024228195,0.0001831304,0.000020832043,0.001337817,0.6203272,0.00010371328,0.0005454494,0.2683883,0.03002452,0.05457317],"study_design_scores_gemma":[0.000010114838,0.000040260322,0.037649218,0.00027511793,0.000026491865,0.0003206984,0.74372804,0.00009065244,0.00039046194,0.016051315,0.2013863,0.000031315052],"about_ca_topic_score_codex":0.060410235,"about_ca_topic_score_gemma":0.1047923,"teacher_disagreement_score":0.060410235,"about_ca_system_score_codex":0.0047615273,"about_ca_system_score_gemma":0.0037645497,"threshold_uncertainty_score":0.12011719},"labels":[],"label_agreement":null},{"id":"W785728338","doi":"","title":"Jim Doti: Mohindar's Story","year":2013,"lang":"it","type":"article","venue":"Chapman University Digital Commons (Chapman University)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.014865002915117977,"score_gpt":0.15773530762857332,"score_spread":0.14287030471345535,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W785728338","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.079935215,0.03851918,0.0019792654,0.3777244,0.014409532,0.00010699005,0.00050602935,0.0003586089,0.4864607],"genre_scores_gemma":[0.40011558,0.01498799,0.0012499448,0.08518794,0.0014205382,0.000066633744,0.00017342762,0.0003545455,0.49644348],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991817,0.00015217358,0.000010624446,0.00006987315,0.00026453906,0.00032107427],"domain_scores_gemma":[0.999033,0.00014639484,0.000052438736,0.000024105728,0.00022703872,0.0005171392],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00076606387,0.0005120953,0.00037123926,0.00049569656,0.02096844,0.004612923,0.0007881679,0.0027651766,0.012844289],"category_scores_gemma":[0.0023758665,0.00029406478,0.00023736151,0.0007821118,0.004541024,0.0030241478,0.0037931185,0.008350091,0.0025435197],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000074688505,0.000044429078,0.001986297,0.0001441274,0.000016776548,0.004442298,0.17012253,0.00007143567,0.00093868584,0.030709334,0.76650995,0.02493941],"study_design_scores_gemma":[0.000003461303,0.00001341127,0.0015317356,0.000116248375,0.0000075352755,0.0017903391,0.098949924,0.00003217399,0.00031175374,0.0008609964,0.89636225,0.000020218398],"about_ca_topic_score_codex":0.22134905,"about_ca_topic_score_gemma":0.4085045,"teacher_disagreement_score":0.22134905,"about_ca_system_score_codex":0.0053514526,"about_ca_system_score_gemma":0.0060027046,"threshold_uncertainty_score":0.44012135},"labels":[],"label_agreement":null},{"id":"W787089472","doi":"","title":"Bollywood and Gender","year":2009,"lang":"en","type":"article","venue":"Sound Ideas (University of Puget Sound)","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.025616745450976725,"score_gpt":0.2006237425977737,"score_spread":0.175006997146797,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W787089472","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02846215,0.0048655514,0.00057495723,0.015096274,0.0003321383,0.000010628912,0.00005494425,0.000023128541,0.9505801],"genre_scores_gemma":[0.6452378,0.0013860342,0.00021173706,0.002352928,0.0001426178,0.000033383567,0.000026605903,0.00007437144,0.35053453],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990381,0.00037122937,0.000017482309,0.0001488809,0.00013009051,0.0002942138],"domain_scores_gemma":[0.9992136,0.0002909931,0.00008503861,0.000088376764,0.00008925869,0.00023271766],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011812566,0.00040717312,0.00033199697,0.00090243074,0.010393899,0.008211437,0.00065253564,0.0017118395,0.041332416],"category_scores_gemma":[0.002229449,0.00018213653,0.00012274818,0.0012893301,0.01583176,0.0046943226,0.0041930513,0.00413972,0.003743174],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021685208,0.000017283153,0.00044071616,0.000017219825,0.0000017376155,0.00004925442,0.029145623,0.000011378322,0.00010759057,0.9509,0.008755514,0.010532043],"study_design_scores_gemma":[0.00002005505,0.000032785476,0.00273608,0.00020445306,0.000008325244,0.00018866325,0.07541073,0.000046817247,0.0002883675,0.29350537,0.6275413,0.000017060329],"about_ca_topic_score_codex":0.009883714,"about_ca_topic_score_gemma":0.020390373,"teacher_disagreement_score":0.041332416,"about_ca_system_score_codex":0.003209397,"about_ca_system_score_gemma":0.002411122,"threshold_uncertainty_score":0.13827074},"labels":[],"label_agreement":null},{"id":"W85435222","doi":"10.3138/topia.26.145","title":"<i>Ranis</i> Making Rotis: Dreams of the Good South Asian Girl","year":2011,"lang":"en","type":"article","venue":"TOPIA Canadian Journal of Cultural Studies","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Femininity; Taboo; Movie theater; Gender studies; Depiction; Girl; Casual; Masculinity; Diaspora; Aesthetics; Sociology; History; Art; Psychology; Literature; Political science; Anthropology","score_opus":0.06852191494046816,"score_gpt":0.23618102178497413,"score_spread":0.16765910684450597,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W85435222","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.25950292,0.012521138,0.0024209965,0.098907605,0.007671597,0.00018803579,0.00042353309,0.00046546187,0.6178987],"genre_scores_gemma":[0.758246,0.008367331,0.0023002962,0.009757575,0.0011483688,0.00009597712,0.00022508157,0.00045156787,0.21940768],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996419,0.0001631709,0.000009151631,0.000037086138,0.000045530454,0.00010312773],"domain_scores_gemma":[0.9995529,0.000084297215,0.000043135027,0.000029730107,0.0000806216,0.00020924736],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011697855,0.00048289303,0.0002056012,0.00041280797,0.0076084216,0.00495887,0.0006473856,0.00089516223,0.009040147],"category_scores_gemma":[0.00095000153,0.00021866988,0.00026374529,0.00043725708,0.0043561817,0.003622928,0.0028277994,0.004239292,0.0019166259],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001973738,0.000091514106,0.006449195,0.0007562994,0.000030207924,0.0029783477,0.5939851,0.00015572256,0.009017388,0.101010375,0.22889069,0.056437828],"study_design_scores_gemma":[0.0000053187027,0.00006467097,0.005125293,0.00036024043,0.000018807874,0.0014401518,0.44230053,0.00010944479,0.0013504997,0.0021664016,0.5470224,0.000036169073],"about_ca_topic_score_codex":0.017554138,"about_ca_topic_score_gemma":0.058359426,"teacher_disagreement_score":0.017554138,"about_ca_system_score_codex":0.0017015759,"about_ca_system_score_gemma":0.0013892872,"threshold_uncertainty_score":0.034903944},"labels":[],"label_agreement":null},{"id":"W97526701","doi":"","title":"Mahasweta Devi's Documentary/fiction as Critical Antidote: Rethinking Bonded Labour, \"Women and Development\" and the Sex Trade in India. (Research Articles/Rapports De Recherche)","year":2002,"lang":"en","type":"article","venue":"Resources for feminist research","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Ethnography; Sociology; Nous; Humanities; Art; Gender studies; Ethnology; Anthropology","score_opus":0.23839869221645724,"score_gpt":0.40091748393518095,"score_spread":0.16251879171872372,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W97526701","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19088767,0.045479894,0.011159326,0.37134072,0.0072364123,0.00013988119,0.00019593151,0.0001833838,0.37337676],"genre_scores_gemma":[0.95211,0.007835608,0.0019798672,0.011835928,0.0010196696,0.00012013503,0.00003495505,0.000082111204,0.024981614],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99564785,0.003180987,0.0000989392,0.0002572803,0.0005182177,0.00029668442],"domain_scores_gemma":[0.989375,0.008601078,0.00057632616,0.0005696987,0.0005928393,0.00028505502],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004683476,0.00043226234,0.00031851567,0.0016938178,0.011460848,0.011361596,0.0017940319,0.0026601686,0.0018478647],"category_scores_gemma":[0.00842743,0.00025936935,0.00024023047,0.0015311248,0.03908111,0.0057837744,0.0050758864,0.00635951,0.00029239888],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014424186,0.000015454054,0.000521598,0.00019361103,0.0000042361557,0.00041806963,0.3218473,0.000050723622,0.00033977788,0.6535025,0.013905413,0.009186869],"study_design_scores_gemma":[0.000009908008,0.00004272989,0.0017855143,0.0007024138,0.00002400464,0.0008833038,0.20465685,0.00022435075,0.0018997776,0.0705495,0.71918094,0.00004065771],"about_ca_topic_score_codex":0.010134568,"about_ca_topic_score_gemma":0.015566502,"teacher_disagreement_score":0.011460848,"about_ca_system_score_codex":0.0058849533,"about_ca_system_score_gemma":0.0053833164,"threshold_uncertainty_score":0.042698562},"labels":[],"label_agreement":null}]}