{"meta":{"query_hash":"f7fe05242f3e","filters":{"topic":"Spanish Culture and Identity"},"cohort_total":266,"direct_labels_cover":0,"predictions_cover":266,"exported":266,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/f7fe05242f3e","api":"https://metacan.xera.ac/api/v1/cohort?topic=Spanish+Culture+and+Identity"},"results":[{"id":"W1007136813","doi":"","title":"El giro irónico de la violencia: la posutopía de la Guerra Civil española en \"Los girasoles ciegos\" y \"Capital de la gloria\"","year":2009,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Political science; Humanities; Art","score_opus":0.0066544918426221225,"score_gpt":0.240395653794029,"score_spread":0.23374116195140687,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1007136813","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.77699125,0.0026279858,0.00030187613,0.024268936,0.00019580238,0.00001993249,0.00009771645,0.000007650583,0.19548889],"genre_scores_gemma":[0.98777497,0.00068429246,0.000063263724,0.00085402763,0.00003593246,0.00000931201,0.000022681732,0.000008361589,0.010547177],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99869114,0.00047518275,0.000022760314,0.00010253856,0.0001610279,0.00054728944],"domain_scores_gemma":[0.99876034,0.00044463208,0.0002539066,0.00011221697,0.00020580972,0.0002229684],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019945237,0.0003211486,0.00023077895,0.0013582743,0.009181192,0.006352545,0.001031942,0.001993055,0.008494712],"category_scores_gemma":[0.0045135706,0.00015480291,0.00015892525,0.0019889541,0.015055465,0.0038500566,0.006637984,0.002969787,0.0003682356],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014947001,0.000113432536,0.038209688,0.00013709757,0.00001427346,0.0010222987,0.62752414,0.00007698027,0.00057810143,0.28689817,0.009271596,0.036004808],"study_design_scores_gemma":[0.000011304937,0.00002686448,0.03291711,0.0003139737,0.0000118556,0.000210253,0.8428512,0.00003220213,0.00026931136,0.008546793,0.11479701,0.000012139282],"about_ca_topic_score_codex":0.088933505,"about_ca_topic_score_gemma":0.13219993,"teacher_disagreement_score":0.088933505,"about_ca_system_score_codex":0.00567317,"about_ca_system_score_gemma":0.0055479356,"threshold_uncertainty_score":0.17683172},"labels":[],"label_agreement":null},{"id":"W1025220008","doi":"","title":"\"Momentos\" y \"Señora de nadie\": señoras de nadie, nada, nunca","year":2002,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Biology","score_opus":0.020761557263489452,"score_gpt":0.220736313925692,"score_spread":0.19997475666220255,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1025220008","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7692025,0.011467428,0.00032683148,0.018629123,0.00069562224,0.000044975302,0.0002431017,0.000013206218,0.19937731],"genre_scores_gemma":[0.972615,0.003513715,0.00014485093,0.0009062365,0.00007070251,0.000034149023,0.0000596566,0.000018514836,0.0226372],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994991,0.00018442581,0.000015586395,0.000046805242,0.000056832592,0.00019719824],"domain_scores_gemma":[0.99933976,0.00016139624,0.00009016484,0.000039064485,0.00018220591,0.00018740245],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015567533,0.0002750763,0.0002889528,0.0012066236,0.010200534,0.0051462934,0.00087011745,0.00077578524,0.0049266745],"category_scores_gemma":[0.0025458944,0.00023767607,0.00020844082,0.0020409962,0.0053434386,0.0033657136,0.0042389357,0.0021487856,0.0003241131],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011161376,0.00006634303,0.021632364,0.00013282313,0.000008478216,0.0005755362,0.8761476,0.00002622368,0.0003892624,0.061812073,0.012773878,0.02632371],"study_design_scores_gemma":[0.000002752881,0.0000058742307,0.010410472,0.00011768365,0.0000051567076,0.00009260876,0.91315025,0.000007008736,0.000087121094,0.0007243331,0.075390786,0.000005958065],"about_ca_topic_score_codex":0.30732632,"about_ca_topic_score_gemma":0.53862,"teacher_disagreement_score":0.30732632,"about_ca_system_score_codex":0.008462759,"about_ca_system_score_gemma":0.0076668137,"threshold_uncertainty_score":0.6110749},"labels":[],"label_agreement":null},{"id":"W1198278746","doi":"","title":"Histoires de filles. Volver de Pedro Almodóvar Volver de Pedro Almodóvar","year":2007,"lang":"es","type":"article","venue":"Ciné bulles","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Materials science; Art","score_opus":0.013434417113909764,"score_gpt":0.24522180835114843,"score_spread":0.23178739123723865,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1198278746","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013360394,0.28286138,0.0011344297,0.2378806,0.11208763,0.000089049325,0.00056188856,0.00018395262,0.35184065],"genre_scores_gemma":[0.07696956,0.044757944,0.0005336342,0.024522612,0.019418376,0.00006407621,0.00015922116,0.00023803204,0.8333366],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995173,0.0001954723,0.000015335198,0.00008334402,0.000110441964,0.00007809298],"domain_scores_gemma":[0.99938536,0.00018357785,0.00005688007,0.000029405332,0.00019314719,0.00015173054],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010761378,0.00091116794,0.00043178952,0.0008574378,0.004598255,0.0031638097,0.0005239507,0.0019793625,0.021659747],"category_scores_gemma":[0.001935436,0.00040315493,0.0003399612,0.00062483555,0.0021013932,0.0019452575,0.0022623353,0.0043466454,0.004809214],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008950974,0.000048539063,0.00032087456,0.00021500507,0.000007747526,0.0005128287,0.008550852,0.000053337804,0.00064533576,0.035268262,0.92873615,0.0255516],"study_design_scores_gemma":[0.0000022259119,0.0000054979473,0.00029433533,0.00008947028,0.0000012855614,0.00013570015,0.0021547345,0.000007652657,0.000076784294,0.0004126437,0.9968168,0.000002856945],"about_ca_topic_score_codex":0.011669822,"about_ca_topic_score_gemma":0.02386643,"teacher_disagreement_score":0.021659747,"about_ca_system_score_codex":0.0021336125,"about_ca_system_score_gemma":0.0012958834,"threshold_uncertainty_score":0.0724591},"labels":[],"label_agreement":null},{"id":"W128312074","doi":"10.3138/cjfs.15.2.81","title":"Sounds like Horror: Alejandro Amenàbar's Thesis on Audio-Visual Violence","year":2006,"lang":"fr","type":"article","venue":"Canadian Journal of Film Studies","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Amen; Art history","score_opus":0.025248767358066408,"score_gpt":0.2500546658049214,"score_spread":0.224805898446855,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W128312074","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06395922,0.07178382,0.0027992863,0.20207779,0.005836267,0.0000338608,0.00011527904,0.00005769075,0.6533368],"genre_scores_gemma":[0.8397643,0.024464697,0.00067524775,0.013016834,0.0026066185,0.00004527367,0.000029301633,0.00008898008,0.11930878],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9993062,0.00040240053,0.00000867002,0.000091208174,0.000111222165,0.00008021766],"domain_scores_gemma":[0.99893695,0.00068462745,0.000085483356,0.00004276335,0.00014929436,0.000100809644],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008108635,0.00033692582,0.00028361578,0.00056754204,0.0036421297,0.0043973983,0.000559676,0.0016122236,0.0051115705],"category_scores_gemma":[0.0025129656,0.00015334057,0.00016922234,0.00037106394,0.006068746,0.0026059973,0.0018660492,0.002701414,0.0007350543],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001384425,0.000092651986,0.001503323,0.00033852475,0.000026962289,0.0006367638,0.17480835,0.00023366061,0.0011702512,0.6279506,0.14158042,0.051520046],"study_design_scores_gemma":[0.00001681169,0.00004192248,0.0034796484,0.0007988664,0.000018815492,0.00041427196,0.08242102,0.0001374542,0.0005882278,0.040968638,0.871089,0.000025389032],"about_ca_topic_score_codex":0.00926673,"about_ca_topic_score_gemma":0.017449906,"teacher_disagreement_score":0.00926673,"about_ca_system_score_codex":0.0026277045,"about_ca_system_score_gemma":0.00093624846,"threshold_uncertainty_score":0.01906538},"labels":[],"label_agreement":null},{"id":"W13104730","doi":"","title":"Hybridity as Political Strategy in the Sourthern Chronicles of José Martí","year":2009,"lang":"en","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Hybridity; Politics; Political science; Ethnology; Sociology; Law; Anthropology","score_opus":0.0231604033853201,"score_gpt":0.24497505637382402,"score_spread":0.22181465298850392,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W13104730","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.66337144,0.0019348669,0.00048458957,0.023133751,0.0003159683,0.000026870805,0.000048075017,0.000012287835,0.31067213],"genre_scores_gemma":[0.9825429,0.00038095316,0.000088325636,0.0010865752,0.000082671504,0.000017728838,0.000015368396,0.00002306814,0.015762424],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99875283,0.00059817586,0.000014287185,0.00009753449,0.00012869864,0.00040843064],"domain_scores_gemma":[0.9985037,0.0007049736,0.00023548103,0.00006731387,0.00011379107,0.00037486936],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0021832513,0.0004211662,0.0003228453,0.0014273422,0.021288281,0.007353668,0.00076107413,0.0016853478,0.006094413],"category_scores_gemma":[0.002908401,0.00016806745,0.00012929949,0.0015248568,0.0149445925,0.0031094812,0.004472518,0.0037934897,0.00031604827],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004426048,0.00005193123,0.002719972,0.000029531506,0.000004160765,0.00039262982,0.7347754,0.000025004856,0.0002018859,0.24731158,0.008098176,0.0063454225],"study_design_scores_gemma":[0.000011202553,0.000014591167,0.003964324,0.00008737251,0.0000042976403,0.00012400078,0.8538567,0.00006116652,0.00014859503,0.012591665,0.1291243,0.00001194707],"about_ca_topic_score_codex":0.031394158,"about_ca_topic_score_gemma":0.0755471,"teacher_disagreement_score":0.031394158,"about_ca_system_score_codex":0.004999456,"about_ca_system_score_gemma":0.0033511561,"threshold_uncertainty_score":0.062422812},"labels":[],"label_agreement":null},{"id":"W134176862","doi":"10.25071/1708-6701.19652","title":"Alcides lanza (CD Review)","year":2008,"lang":"fr","type":"article","venue":"CAML Review / Revue de l ACBM","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Epistemology; Traditional medicine; Sociology; Medicine; Philosophy","score_opus":0.04681581826253635,"score_gpt":0.2675044493104065,"score_spread":0.22068863104787018,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W134176862","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00020701303,0.9211696,0.00018105244,0.0160664,0.03123923,0.00006613285,0.0003349595,0.00007247282,0.030663144],"genre_scores_gemma":[0.0037406008,0.82472056,0.00068798545,0.036055896,0.02588436,0.00019100275,0.00060428877,0.000049365408,0.108065896],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996712,0.00006940372,0.000032383978,0.00005028215,0.00012854676,0.000048133737],"domain_scores_gemma":[0.99930716,0.00015503776,0.00010683082,0.000028611299,0.00030796562,0.000094430216],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00070763624,0.0009054384,0.0010142105,0.0023772235,0.0005087427,0.0014426578,0.001225142,0.0020154037,0.05329335],"category_scores_gemma":[0.0020228934,0.00024042754,0.0006302831,0.0028821484,0.0003685215,0.0014377403,0.0014863979,0.0011600317,0.023681145],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006912211,0.0000115784505,0.00006818741,0.0046132714,0.000031927142,0.00013353286,0.000019519557,0.000018354964,0.00019274042,0.00073709677,0.7885288,0.20557599],"study_design_scores_gemma":[0.0000395044,0.000016064512,0.00024202933,0.0015457043,0.0000494387,0.00023119811,0.00002458057,0.0000054397533,0.000057297682,0.00022118757,0.99756324,0.0000042306133],"about_ca_topic_score_codex":0.003259274,"about_ca_topic_score_gemma":0.0071706157,"teacher_disagreement_score":0.05329335,"about_ca_system_score_codex":0.0008918951,"about_ca_system_score_gemma":0.0019087273,"threshold_uncertainty_score":0.17828399},"labels":[],"label_agreement":null},{"id":"W144739630","doi":"","title":"La sociedad por todas partes se filtra: Nation Formation in \"Halma\"","year":2012,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Philosophy; Political science; History","score_opus":0.031718586325289885,"score_gpt":0.25402695880042603,"score_spread":0.22230837247513613,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W144739630","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9524298,0.0004909556,0.00010468027,0.0019740285,0.000042884683,0.000008161177,0.00002838903,0.0000031204042,0.044917963],"genre_scores_gemma":[0.9928088,0.00024029876,0.00004011554,0.00012415956,0.000006490189,0.000010767852,0.000017379152,0.0000034388627,0.0067485976],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99957865,0.00015888382,0.000008390217,0.00003130082,0.000037026366,0.00018579351],"domain_scores_gemma":[0.99941766,0.0001927806,0.00009312238,0.000033170192,0.000085336615,0.00017794348],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00097373297,0.00017731973,0.00019088833,0.0008817469,0.0056805285,0.0040988605,0.00057853654,0.00061293156,0.005025099],"category_scores_gemma":[0.0015372422,0.00008117986,0.000114277995,0.0011203773,0.0046983813,0.0028991206,0.0035214366,0.0014538262,0.00031688128],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000092535454,0.00024484418,0.06145963,0.00006460829,0.000008375766,0.0006569414,0.78613865,0.00007234143,0.00040212093,0.118250914,0.003292017,0.02931698],"study_design_scores_gemma":[0.0000064100936,0.000023010463,0.042467434,0.00007150557,0.000007813372,0.000094263836,0.9198949,0.00008086879,0.00023312043,0.002670926,0.034442067,0.000007661882],"about_ca_topic_score_codex":0.070265025,"about_ca_topic_score_gemma":0.13963333,"teacher_disagreement_score":0.92973495,"about_ca_system_score_codex":0.0052975887,"about_ca_system_score_gemma":0.004552912,"threshold_uncertainty_score":0.1397121},"labels":[],"label_agreement":null},{"id":"W151207413","doi":"","title":"Timeless Rhetoric, special cincumstances: sex and symbol in \"La nada cotidiana\"","year":2010,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Timeless; Symbol (formal); Rhetoric; Art; Literature; Philosophy; Communication; Sociology; Theology; Psychology; Linguistics; Neuroscience","score_opus":0.009821433992846176,"score_gpt":0.21801050290738128,"score_spread":0.2081890689145351,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W151207413","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.43981606,0.0056352704,0.0017690308,0.02251646,0.0006959974,0.00003515069,0.00010849201,0.000027737202,0.5293958],"genre_scores_gemma":[0.98366725,0.0005810913,0.00022941876,0.0007496327,0.000072087925,0.000014857016,0.000015951751,0.000026485697,0.014643289],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986785,0.0008148445,0.000030730476,0.000098960794,0.00016743626,0.00020960894],"domain_scores_gemma":[0.99835473,0.00090587244,0.00023557572,0.00012523963,0.00021644792,0.00016211973],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020692025,0.00039511707,0.0002694571,0.0011482763,0.008856903,0.0072314525,0.00083914486,0.0014808528,0.005178794],"category_scores_gemma":[0.0044003385,0.0001593486,0.00013829034,0.0017596404,0.020829296,0.004093993,0.0037294345,0.0029705267,0.000296118],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000050722316,0.000033304215,0.002302374,0.00008390808,0.00000249135,0.00029429837,0.6022546,0.000015715708,0.00024755482,0.378958,0.00439342,0.0113636665],"study_design_scores_gemma":[0.000022951755,0.00002167213,0.00444584,0.0002247635,0.000013704963,0.00034618576,0.79298174,0.00006576199,0.0003666594,0.019302422,0.18219216,0.000016128013],"about_ca_topic_score_codex":0.04580124,"about_ca_topic_score_gemma":0.07322105,"teacher_disagreement_score":0.04580124,"about_ca_system_score_codex":0.0056636776,"about_ca_system_score_gemma":0.0051890486,"threshold_uncertainty_score":0.09106934},"labels":[],"label_agreement":null},{"id":"W1517767041","doi":"","title":"Emilio Prados: el jardín cerrado del exilio","year":2005,"lang":"es","type":"article","venue":"Escritos. Revista del Centro de Ciencias del Lenguaje","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Humanities; Art","score_opus":0.02101234277943234,"score_gpt":0.2557311391068662,"score_spread":0.23471879632743384,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1517767041","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04730402,0.15101203,0.0019683563,0.23326355,0.017867384,0.000034741664,0.000261039,0.000165443,0.5481234],"genre_scores_gemma":[0.51591694,0.06179341,0.001966942,0.029084042,0.005797589,0.000062683,0.00030885212,0.00030848858,0.38476107],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99905723,0.00039777282,0.000028390477,0.00010899863,0.0001907142,0.00021696386],"domain_scores_gemma":[0.99893576,0.0002470466,0.0001087914,0.00009499258,0.00038409713,0.00022929517],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019240753,0.00043512194,0.00037718116,0.00088584714,0.0029786641,0.0052213343,0.00087193295,0.0018139983,0.012415502],"category_scores_gemma":[0.0036114822,0.00016684628,0.00027237317,0.0009430134,0.0034983016,0.004185319,0.0034880373,0.004067939,0.0021983352],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00032558522,0.000085880594,0.0035148337,0.00044076177,0.000018708995,0.0012659664,0.04788722,0.00013179984,0.00038903026,0.35920417,0.4034959,0.18324007],"study_design_scores_gemma":[0.00000842417,0.000010212639,0.0017848337,0.00033624403,0.000004571,0.00017711027,0.010591737,0.00003364354,0.00012006749,0.0057775336,0.9811492,0.000006396784],"about_ca_topic_score_codex":0.02376245,"about_ca_topic_score_gemma":0.037742134,"teacher_disagreement_score":0.02376245,"about_ca_system_score_codex":0.004535021,"about_ca_system_score_gemma":0.004420753,"threshold_uncertainty_score":0.047248304},"labels":[],"label_agreement":null},{"id":"W153137155","doi":"","title":"Revisiones del franquismo: olvido presencial y presencia del olvido","year":2011,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.03258921901715559,"score_gpt":0.23711840252365154,"score_spread":0.20452918350649596,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W153137155","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19859947,0.011905757,0.008847726,0.044890836,0.0018856014,0.000096671516,0.00014515077,0.000113126895,0.7335156],"genre_scores_gemma":[0.9020737,0.0023886948,0.0012282112,0.003172992,0.00028987345,0.00004174693,0.00005071072,0.000074583026,0.09067942],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9963586,0.0016484116,0.00010826058,0.0004991777,0.0008209197,0.00056467793],"domain_scores_gemma":[0.9976277,0.00089528813,0.00026086654,0.00025075092,0.0007491974,0.00021611524],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003697282,0.0005654231,0.0002626762,0.0013972251,0.008476365,0.009914119,0.0007851514,0.0022879187,0.006584592],"category_scores_gemma":[0.004334242,0.00020825249,0.00029040716,0.0012561245,0.018579822,0.004319423,0.0035419348,0.0038747687,0.00071320037],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000042907628,0.000016075666,0.0019425004,0.00014423809,0.000008975728,0.0004994535,0.24453878,0.00016063322,0.0008985672,0.711833,0.014847758,0.02506712],"study_design_scores_gemma":[0.0000104167475,0.000046154815,0.0063995495,0.00058222923,0.000015734055,0.00039255733,0.120480776,0.0002551853,0.0010192257,0.039215397,0.8315415,0.000041244286],"about_ca_topic_score_codex":0.059811037,"about_ca_topic_score_gemma":0.07156944,"teacher_disagreement_score":0.059811037,"about_ca_system_score_codex":0.013321801,"about_ca_system_score_gemma":0.00674698,"threshold_uncertainty_score":0.11892575},"labels":[],"label_agreement":null},{"id":"W1532522712","doi":"","title":"Novela histórica y responsabilidad social del escritor: El camino trazado por Benjamín Prado en Mala gente que camina","year":2005,"lang":"en","type":"article","venue":"Americanae (AECID Library)","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université Laval","funders":"","keywords":"Hegemony; Dictatorship; Subject (documents); Period (music); Spanish Civil War; Humanities; Extension (predicate logic); History; Sociology; Political science; Art; Law; Aesthetics; Politics; Library science","score_opus":0.010716200653757668,"score_gpt":0.21649094631750676,"score_spread":0.2057747456637491,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1532522712","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06707133,0.055581037,0.0073535526,0.2315759,0.004686222,0.000045233897,0.00022446837,0.0001312456,0.633331],"genre_scores_gemma":[0.76581615,0.018860605,0.0026294417,0.015575844,0.0027682823,0.000095558535,0.00010574834,0.0002329184,0.19391535],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99859697,0.0007859281,0.000022686918,0.00018081837,0.00026679094,0.00014683182],"domain_scores_gemma":[0.9987471,0.0006217785,0.00015975782,0.0000936398,0.0001947932,0.00018293894],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013663885,0.00047211332,0.00032602958,0.0009762187,0.010311264,0.007033812,0.0008295845,0.0026357989,0.00530312],"category_scores_gemma":[0.0032407653,0.00019523413,0.00015412246,0.001088319,0.015704866,0.0076653343,0.003471357,0.004074613,0.0008313285],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000041310384,0.000014973992,0.0004881804,0.000109092136,0.0000048817433,0.0003933738,0.094633855,0.0000809942,0.00031279915,0.8121047,0.07891587,0.012899965],"study_design_scores_gemma":[0.000007674389,0.000015725453,0.0006479979,0.00018878345,0.000004848954,0.00034082934,0.033214357,0.00010968062,0.00031920406,0.064604655,0.9005279,0.000018362609],"about_ca_topic_score_codex":0.016402293,"about_ca_topic_score_gemma":0.03377706,"teacher_disagreement_score":0.016402293,"about_ca_system_score_codex":0.0068577183,"about_ca_system_score_gemma":0.003602297,"threshold_uncertainty_score":0.049756467},"labels":[],"label_agreement":null},{"id":"W154642500","doi":"","title":"Jeffry Moore: el Bardo en Montreal","year":2003,"lang":"es","type":"article","venue":"Qué leer","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Political science","score_opus":0.010556824649049844,"score_gpt":0.2224934992976069,"score_spread":0.21193667464855706,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W154642500","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0022182323,0.05425112,0.0009485175,0.033704195,0.0074446416,0.000048325724,0.0016074224,0.00065623934,0.89912134],"genre_scores_gemma":[0.0054988153,0.0057177274,0.00023501078,0.00072089286,0.00023295364,0.000008286403,0.00016268974,0.000111542795,0.9873122],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994824,0.0000622614,0.0000137476845,0.00010490068,0.00018927701,0.00014743762],"domain_scores_gemma":[0.99952376,0.000044565077,0.000029217184,0.000031926043,0.00024141332,0.00012919978],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005461851,0.0012245143,0.0005341722,0.0013057422,0.005850094,0.0055113253,0.0012935923,0.0023808368,0.38119826],"category_scores_gemma":[0.0013348197,0.00048801946,0.00041833683,0.0023053784,0.0014232296,0.0028034,0.0020722314,0.0025091087,0.06854824],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005920437,0.000029534212,0.00064137834,0.000121146855,0.00000944432,0.0003128317,0.00088629976,0.00015456605,0.00028389043,0.033999372,0.8442934,0.11920883],"study_design_scores_gemma":[0.0000031886623,0.0000017184525,0.00051478535,0.000048412643,0.0000021091373,0.000026451016,0.00046820758,0.000019663757,0.000055646673,0.00046489885,0.99838924,0.0000057474467],"about_ca_topic_score_codex":0.7628785,"about_ca_topic_score_gemma":0.88584346,"teacher_disagreement_score":0.7628785,"about_ca_system_score_codex":0.0110972915,"about_ca_system_score_gemma":0.011368089,"threshold_uncertainty_score":0.8826456},"labels":[],"label_agreement":null},{"id":"W1556950860","doi":"10.7440/res5.2000.13","title":"La novia oscura (fragmento)","year":2000,"lang":"es","type":"article","venue":"Revista de Estudios Sociales","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Novelis (Canada)","funders":"","keywords":"Humanities; Art","score_opus":0.032477097575600064,"score_gpt":0.27315132508589895,"score_spread":0.24067422751029888,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1556950860","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.016036455,0.0028494382,0.0010648492,0.0067458134,0.0034324208,0.000052168212,0.00039098368,0.00006153909,0.96936643],"genre_scores_gemma":[0.2292472,0.003069316,0.00087333797,0.0033846057,0.001074347,0.00009029475,0.00039301332,0.00023229796,0.76163554],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992085,0.0002216088,0.000025193542,0.00011066949,0.00022681348,0.00020718198],"domain_scores_gemma":[0.9992499,0.00014007869,0.000077347075,0.000079857826,0.00027936592,0.00017353654],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00056718,0.0005047902,0.00022463,0.00096243166,0.005394585,0.0035969284,0.0006764956,0.0012784762,0.027894916],"category_scores_gemma":[0.0026994736,0.00017613846,0.00032552675,0.0010529,0.0048680226,0.0020804547,0.0032383588,0.0024045282,0.0077763814],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020670769,0.0000842776,0.00525781,0.00041534347,0.000013720468,0.0020638388,0.08988797,0.00012485891,0.0013715535,0.39568442,0.37691712,0.1279724],"study_design_scores_gemma":[0.0000023319526,0.000010606499,0.0028010735,0.00010652669,0.000002644198,0.00029886607,0.0070082326,0.000013936132,0.00015017902,0.0022602223,0.9873368,0.000008725002],"about_ca_topic_score_codex":0.04577845,"about_ca_topic_score_gemma":0.099260844,"teacher_disagreement_score":0.04577845,"about_ca_system_score_codex":0.0042822934,"about_ca_system_score_gemma":0.0032387313,"threshold_uncertainty_score":0.09331781},"labels":[],"label_agreement":null},{"id":"W1564439521","doi":"","title":"The show must go on. Birdman or (the Unexpected Virtue of Ignorance) d’Alejandro González IñárrituBirdman or (the Unexpected Virtue of Ignorance) d’Alejandro González Iñárritu","year":2015,"lang":"en","type":"article","venue":"Ciné bulles","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Ignorance; Virtue; Philosophy; Humanities; Epistemology; Psychology","score_opus":0.05004554486498573,"score_gpt":0.25409166904019603,"score_spread":0.20404612417521029,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1564439521","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0050599766,0.015049193,0.0008867651,0.17847227,0.011826597,0.00001731078,0.0001889089,0.00010097794,0.78839815],"genre_scores_gemma":[0.12740636,0.0073849224,0.00057004305,0.03260028,0.0028290977,0.000025068943,0.000086942484,0.0002397171,0.82885754],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994617,0.00017645961,0.000011976798,0.00008649824,0.00014459617,0.000118682765],"domain_scores_gemma":[0.9991059,0.00021552177,0.00008414444,0.00006482953,0.0002593592,0.00027023078],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00097513956,0.00034886075,0.000274344,0.00033584237,0.005055017,0.0054050903,0.0003177471,0.0019964837,0.10258418],"category_scores_gemma":[0.002903289,0.00023838916,0.00023039641,0.0003114574,0.00256694,0.0040626717,0.0019336233,0.0037582978,0.014847773],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000693879,0.000023059294,0.0008593221,0.00013267115,0.000011013071,0.00022499867,0.0035372595,0.000041120617,0.0004742718,0.18651131,0.77612865,0.03198686],"study_design_scores_gemma":[0.000005367316,0.000007804753,0.0007708387,0.000109223605,0.0000043445957,0.00008876125,0.0024392637,0.000023039684,0.000147521,0.004266995,0.99212986,0.0000069705616],"about_ca_topic_score_codex":0.017871574,"about_ca_topic_score_gemma":0.040251892,"teacher_disagreement_score":0.10258418,"about_ca_system_score_codex":0.0021596733,"about_ca_system_score_gemma":0.0011233151,"threshold_uncertainty_score":0.34317827},"labels":[],"label_agreement":null},{"id":"W157141283","doi":"","title":"\"L'hora violeta\" y \"Para no volver\": dos lenguas, Barcelona y la mujer","year":2001,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Political science; Art","score_opus":0.01915068588123157,"score_gpt":0.24002073220731332,"score_spread":0.22087004632608176,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W157141283","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.84687287,0.008740196,0.0004074222,0.014025109,0.0005051835,0.0000243059,0.00024889453,0.000034525525,0.12914144],"genre_scores_gemma":[0.9781608,0.0014728986,0.00016300633,0.00081506436,0.000042219555,0.00002488456,0.00008974924,0.00003123227,0.019200133],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99901175,0.00043431684,0.000030646563,0.00011844914,0.000089487134,0.00031536774],"domain_scores_gemma":[0.99909115,0.00031757617,0.00013559894,0.0000751161,0.00018616553,0.0001943831],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018993855,0.00044047818,0.00038191088,0.0014904852,0.00856882,0.006873755,0.0012019468,0.0016004925,0.0056502502],"category_scores_gemma":[0.0036819377,0.00025716994,0.0002060408,0.0022210523,0.008171512,0.0027279842,0.0039762636,0.0026615732,0.00053595647],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00033280533,0.0001928221,0.038229138,0.00026294272,0.000016305657,0.0006609611,0.7975113,0.00011321987,0.00035823733,0.093817085,0.020163499,0.048341695],"study_design_scores_gemma":[0.000018415001,0.000032733125,0.02824377,0.00032043445,0.000015328722,0.00011090574,0.8788844,0.00003358846,0.00014806136,0.0016649336,0.09051302,0.000014463958],"about_ca_topic_score_codex":0.3173586,"about_ca_topic_score_gemma":0.42439008,"teacher_disagreement_score":0.3173586,"about_ca_system_score_codex":0.011736379,"about_ca_system_score_gemma":0.0061203125,"threshold_uncertainty_score":0.63102275},"labels":[],"label_agreement":null},{"id":"W1574958926","doi":"10.14198/aleua.2007.19.01","title":"José Santugini: el humorista seducido por la señorita cinematografía","year":2007,"lang":"es","type":"article","venue":"Anales de Literatura Española","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Novelis (Canada)","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.009026953359761159,"score_gpt":0.26422423191841005,"score_spread":0.2551972785586489,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1574958926","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.059410706,0.11137096,0.002436971,0.16995184,0.0056445035,0.000055771125,0.00015393806,0.00027959936,0.6506957],"genre_scores_gemma":[0.54178864,0.07353156,0.0030143287,0.018505024,0.008149083,0.000072405826,0.00011269885,0.0003158409,0.35451034],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99917275,0.00032264393,0.000015772324,0.00009839679,0.0002793758,0.00011106221],"domain_scores_gemma":[0.9988771,0.00052843755,0.000119210636,0.000061912164,0.0002375007,0.00017579035],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012421717,0.00042961352,0.00024248655,0.0015491372,0.0034483285,0.004870458,0.0006377447,0.0017172849,0.00879714],"category_scores_gemma":[0.0028384714,0.00015121515,0.00020425708,0.001135919,0.0043486767,0.002851436,0.0021917422,0.0019726604,0.0013899205],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009226962,0.00008489096,0.005117579,0.0006707622,0.000020859408,0.0014064184,0.10539205,0.00016126859,0.002944174,0.32419214,0.43390334,0.12601414],"study_design_scores_gemma":[0.0000037554669,0.000014372663,0.0022940023,0.00026060417,0.000006399563,0.000496542,0.012478472,0.00006166817,0.0005132454,0.0037980217,0.9800601,0.00001270658],"about_ca_topic_score_codex":0.013037777,"about_ca_topic_score_gemma":0.02178704,"teacher_disagreement_score":0.013037777,"about_ca_system_score_codex":0.0036655748,"about_ca_system_score_gemma":0.0028810576,"threshold_uncertainty_score":0.029429376},"labels":[],"label_agreement":null},{"id":"W1590454062","doi":"","title":"Review of Hélène Cixous, (eds) Marta Segarra and Joana Masó, Poetry in Painting: Writings on Contemporary Arts and Aesthetics. Edinburgh: Edinburgh University Press, 2012.","year":2013,"lang":"en","type":"article","venue":"The Bible and Critical Theory","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Poetry; The arts; Painting; Art; Art history; Theology; Literature; Visual arts; Philosophy","score_opus":0.030524347111042873,"score_gpt":0.23796578093972634,"score_spread":0.20744143382868346,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1590454062","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000057846948,0.98980194,0.00005075112,0.0038718784,0.0037426364,0.000003536047,0.00004695457,0.0000048284855,0.002419692],"genre_scores_gemma":[0.00084988575,0.98379,0.00013459091,0.0037686827,0.0047080535,0.000013566248,0.00010976391,0.000011367836,0.0066140587],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992704,0.0001749761,0.00007003213,0.00012380123,0.00029895752,0.00006183143],"domain_scores_gemma":[0.99708647,0.0010709643,0.0002457359,0.00006499312,0.0012650347,0.00026680052],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014776912,0.0012235396,0.0018208355,0.0052347654,0.00079351175,0.002630908,0.0010759219,0.0013977234,0.017527055],"category_scores_gemma":[0.0044586924,0.00044386872,0.00053607096,0.007527024,0.0011702914,0.003555013,0.0014734933,0.002482064,0.008127088],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029858636,0.000016299948,0.00013862686,0.0058567855,0.00004339201,0.00009356171,0.00030703945,0.000065130494,0.00016254069,0.0021377963,0.784444,0.20670508],"study_design_scores_gemma":[0.000004794887,0.0000078164685,0.0005065376,0.0029881378,0.000020272133,0.00022340484,0.00019745514,0.000007956895,0.00003884427,0.00039450187,0.99560344,0.000006907133],"about_ca_topic_score_codex":0.010334719,"about_ca_topic_score_gemma":0.02099396,"teacher_disagreement_score":0.017527055,"about_ca_system_score_codex":0.0021183346,"about_ca_system_score_gemma":0.004523207,"threshold_uncertainty_score":0.058633804},"labels":[],"label_agreement":null},{"id":"W1591472584","doi":"","title":"Reflections on Irish Writing in 2010","year":2011,"lang":"en","type":"article","venue":"Journal of Irish Studies","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Irish; Erasmus+; Thriving; Pleasure; Media studies; Sociology; History; Library science; Psychology; Art history; Social science; The Renaissance","score_opus":0.3018208808401936,"score_gpt":0.3831879554228104,"score_spread":0.08136707458261683,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1591472584","genre_codex":"commentary","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":"commentary","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0028258765,0.023436625,0.00012399106,0.77896523,0.12286497,0.00003402761,0.0002250477,0.0000623017,0.07146192],"genre_scores_gemma":[0.05344501,0.019020813,0.00049762585,0.6418211,0.046136986,0.00017958303,0.00033126754,0.0006629253,0.23790477],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9559434,0.015104562,0.0026809338,0.0040514106,0.014343615,0.007876051],"domain_scores_gemma":[0.9447449,0.014053638,0.0034465385,0.0020571852,0.020583048,0.01511464],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.033911545,0.0011039942,0.0017248351,0.0031572073,0.021407872,0.036879957,0.0040990706,0.012553677,0.020109061],"category_scores_gemma":[0.08389834,0.0010910903,0.0013969484,0.004818299,0.014675903,0.0120649645,0.015472295,0.02708368,0.009508207],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002356947,0.000013363439,0.00013673674,0.0001377699,0.000006367141,0.0003224163,0.015260016,0.000015714133,0.000047500205,0.0134393,0.9653158,0.005281474],"study_design_scores_gemma":[0.0000045120446,0.00000719946,0.0002338571,0.0003674033,0.0000022736115,0.000098216646,0.013403503,0.000006823024,0.00003526797,0.00069257006,0.98513097,0.000017410728],"about_ca_topic_score_codex":0.07809507,"about_ca_topic_score_gemma":0.1019601,"teacher_disagreement_score":0.07809507,"about_ca_system_score_codex":0.04130462,"about_ca_system_score_gemma":0.050731696,"threshold_uncertainty_score":0.2996874},"labels":[],"label_agreement":null},{"id":"W1602326447","doi":"10.14198/aleua.2004.17.06","title":"La novela histórica española en la transición y en la democracia","year":2004,"lang":"es","type":"article","venue":"Anales de Literatura Española","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Novelis (Canada)","funders":"","keywords":"Humanities; Political science; Art","score_opus":0.006026989869427986,"score_gpt":0.22614906815950284,"score_spread":0.22012207829007485,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1602326447","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09272234,0.020862786,0.0016847227,0.057044197,0.0026299881,0.000021402308,0.00022320313,0.000081261,0.8247302],"genre_scores_gemma":[0.81204545,0.0062751644,0.0003503694,0.0036174052,0.0008847679,0.000026136746,0.00011997601,0.00010514721,0.17657551],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99917346,0.00037237752,0.000019698993,0.00009387492,0.00011783068,0.00022281423],"domain_scores_gemma":[0.99944323,0.00024252871,0.00006170911,0.000066421315,0.000087983455,0.00009811164],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013772374,0.00061716593,0.0002611953,0.0011827124,0.008833667,0.00891968,0.00053340854,0.0013620963,0.013115463],"category_scores_gemma":[0.0020779765,0.00011418247,0.00018240434,0.0020075697,0.012178916,0.0035975813,0.003743213,0.0026499298,0.0009864921],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006431612,0.000020505428,0.001024573,0.00014165878,0.000010833594,0.000675969,0.1300231,0.00012436975,0.00042638235,0.8130585,0.039875843,0.014553983],"study_design_scores_gemma":[0.0000070489177,0.000010479406,0.0010009446,0.00012071878,0.0000056350973,0.00018253337,0.068352535,0.00003063894,0.00023160032,0.014497802,0.9155539,0.0000061007668],"about_ca_topic_score_codex":0.041671533,"about_ca_topic_score_gemma":0.07164982,"teacher_disagreement_score":0.041671533,"about_ca_system_score_codex":0.008026905,"about_ca_system_score_gemma":0.003967492,"threshold_uncertainty_score":0.08285797},"labels":[],"label_agreement":null},{"id":"W162040836","doi":"","title":"Teresa Pàmies and the spanish communist memoir: between devotion and disillusion","year":2005,"lang":"en","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Memoir; Communism; Political science; History; Art; Politics; Law","score_opus":0.01838941848351292,"score_gpt":0.2201800721128317,"score_spread":0.20179065362931878,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W162040836","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5091327,0.011850635,0.0010892225,0.08837054,0.0026653828,0.00003837373,0.00011881786,0.000031732736,0.38670254],"genre_scores_gemma":[0.9760969,0.0017434012,0.00011621387,0.0026946873,0.00033377364,0.000024290064,0.000019493415,0.0000515112,0.018919801],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99768317,0.0015956778,0.00003483204,0.00012531782,0.00019926361,0.0003617328],"domain_scores_gemma":[0.9962186,0.0020891156,0.00036030405,0.00023188852,0.00058221095,0.00051786343],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0036556777,0.000578383,0.00036596262,0.0013396135,0.01140051,0.009428043,0.00095353083,0.0019746602,0.0040976694],"category_scores_gemma":[0.0101072565,0.0001993604,0.0001900221,0.0015125788,0.01832591,0.0046423506,0.006026192,0.004758945,0.00039986268],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006021186,0.00003886317,0.0024167935,0.000072165676,0.00000869576,0.00045484919,0.8713199,0.000022608881,0.00016127688,0.103276245,0.014328186,0.007840132],"study_design_scores_gemma":[0.000009060852,0.000011030973,0.002620206,0.0001465427,0.000007081157,0.00019011478,0.8491748,0.000019604222,0.00014525317,0.004555103,0.14311223,0.0000090445255],"about_ca_topic_score_codex":0.027108405,"about_ca_topic_score_gemma":0.035994746,"teacher_disagreement_score":0.027108405,"about_ca_system_score_codex":0.004583592,"about_ca_system_score_gemma":0.004800349,"threshold_uncertainty_score":0.053901196},"labels":[],"label_agreement":null},{"id":"W171192559","doi":"","title":"Youth culture, visula Spain, and the limits of History in Alejandro Amenabar's Abre los ojos","year":2003,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.023028686945646755,"score_gpt":0.22406285237480122,"score_spread":0.20103416542915448,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W171192559","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.53239024,0.05195017,0.00016307537,0.06076929,0.0009351159,0.000010190635,0.00014526954,0.000027203758,0.3536094],"genre_scores_gemma":[0.95678985,0.0066784113,0.00005854983,0.0018001719,0.0002444975,0.000009800421,0.000036670273,0.000024390516,0.03435767],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994524,0.00020880572,0.000012049734,0.000043957134,0.0000632506,0.00021952591],"domain_scores_gemma":[0.9995353,0.00014576585,0.000089736444,0.000017113047,0.00005346525,0.00015861186],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011468246,0.000215515,0.00030679628,0.0012792514,0.005879201,0.008419695,0.00049323204,0.000715661,0.004987757],"category_scores_gemma":[0.0011743288,0.00017082994,0.00017039411,0.0017186898,0.0043449434,0.0019052168,0.0037195964,0.0015591541,0.00025045837],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018203455,0.00017392419,0.042284332,0.00016238209,0.000026903157,0.0015291024,0.35983476,0.0001662993,0.00025867627,0.4785622,0.042289197,0.074530214],"study_design_scores_gemma":[0.00002927122,0.000033178698,0.051253,0.0009945952,0.000019663597,0.00032563898,0.30471456,0.00012815112,0.00021699036,0.024470659,0.61778486,0.000029358334],"about_ca_topic_score_codex":0.09193435,"about_ca_topic_score_gemma":0.20385593,"teacher_disagreement_score":0.09193435,"about_ca_system_score_codex":0.007007746,"about_ca_system_score_gemma":0.0028540401,"threshold_uncertainty_score":0.18279845},"labels":[],"label_agreement":null},{"id":"W174653689","doi":"","title":"Spanish Constitutional Democracy and Cinematic Representations of Queer Sexuality, or, Saving the Family: \"Los novios búlgaros\", \"Reinas\", and \"Fuera de carta\"","year":2010,"lang":"en","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Queer; Political science; Sociology; Gender studies","score_opus":0.024449761314935804,"score_gpt":0.2651067007953537,"score_spread":0.2406569394804179,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W174653689","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.38341355,0.012165604,0.0006952952,0.021844506,0.0006560836,0.000030660194,0.00018834524,0.00003907671,0.5809668],"genre_scores_gemma":[0.9842201,0.0011323922,0.00006268499,0.00045550507,0.000062557,0.0000083525065,0.00003684765,0.0000145117065,0.014007115],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9989619,0.0006309768,0.0000136445215,0.00006929049,0.0000783089,0.00024574585],"domain_scores_gemma":[0.9992261,0.00022875541,0.00014050229,0.000074188065,0.00014159169,0.00018879873],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016775635,0.00039881616,0.00021411505,0.0010906454,0.0055608074,0.0064355102,0.0005186385,0.0008856315,0.006070285],"category_scores_gemma":[0.002087275,0.00015072513,0.00011268697,0.0011583446,0.01493425,0.0018048597,0.0033492057,0.0016332857,0.00029838883],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013224146,0.00003233822,0.004592792,0.00014321337,0.000009257521,0.0004373365,0.53122437,0.00022051406,0.00046719724,0.41465843,0.025529474,0.022552853],"study_design_scores_gemma":[0.000024406338,0.000028042592,0.021249024,0.00041472516,0.00001409777,0.0001586833,0.4704524,0.0001448749,0.00025880197,0.017035926,0.49019742,0.000021697388],"about_ca_topic_score_codex":0.08854712,"about_ca_topic_score_gemma":0.10727436,"teacher_disagreement_score":0.08854712,"about_ca_system_score_codex":0.011946635,"about_ca_system_score_gemma":0.0033684946,"threshold_uncertainty_score":0.17606342},"labels":[],"label_agreement":null},{"id":"W17662474","doi":"","title":"Frontline Tours and Memories of the Civil War: Luis Bolin's Spain: The Vital Years","year":2000,"lang":"en","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Spanish Civil War; Political science; Economics; Economy; History; Law","score_opus":0.009711337408027683,"score_gpt":0.1931702834914261,"score_spread":0.1834589460833984,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W17662474","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7717876,0.024288058,0.00022168846,0.058500793,0.0028397946,0.000030031186,0.0009241064,0.000044346616,0.14136355],"genre_scores_gemma":[0.949727,0.0080868555,0.00006419949,0.0047777835,0.0006166847,0.000021415153,0.00026350596,0.000074803276,0.03636766],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993813,0.00022067943,0.000011752649,0.0000380958,0.00005747266,0.00029063007],"domain_scores_gemma":[0.99870133,0.00032750866,0.00022532535,0.00006120467,0.00014883385,0.0005357602],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001297872,0.0005556674,0.00044486523,0.0012107077,0.010533349,0.0088985525,0.0008903251,0.0026427447,0.010546394],"category_scores_gemma":[0.0030884612,0.00026230633,0.00020166645,0.0019633127,0.006489145,0.003951973,0.0057053315,0.0051857703,0.00092059816],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003352545,0.00010040212,0.010883975,0.00021673708,0.000027704562,0.001583408,0.87778157,0.000090503134,0.00030568353,0.014685766,0.07210878,0.021880236],"study_design_scores_gemma":[0.000006787728,0.000016295948,0.009730371,0.00019912179,0.0000060403954,0.00015752326,0.828123,0.000012059605,0.000054214455,0.00039717858,0.16128398,0.000013542192],"about_ca_topic_score_codex":0.079490475,"about_ca_topic_score_gemma":0.17959867,"teacher_disagreement_score":0.079490475,"about_ca_system_score_codex":0.0049654385,"about_ca_system_score_gemma":0.002793517,"threshold_uncertainty_score":0.1580556},"labels":[],"label_agreement":null},{"id":"W1816928080","doi":"10.18682/cdc.v42i42.1426","title":"Tiempos Modernos. Entre lo moderno y lo arcaico: el cine de Jia Zhang-ke y Hong Sang-soo","year":2019,"lang":"es","type":"article","venue":"Cuadernos del Centro de Estudios de Diseño y Comunicación","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"CAE (Canada)","funders":"","keywords":"Humanities; Art","score_opus":0.0134040320936351,"score_gpt":0.24385488449154802,"score_spread":0.2304508523979129,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1816928080","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4131889,0.029472273,0.004750327,0.057869267,0.0024677557,0.00009305363,0.00019569468,0.00013843625,0.4918242],"genre_scores_gemma":[0.8820894,0.0059236996,0.0008112508,0.002038541,0.0003657881,0.00004331098,0.00005772615,0.00005102035,0.10861929],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99964595,0.00016214592,0.000010932357,0.00004279509,0.000051125076,0.000087069166],"domain_scores_gemma":[0.9995714,0.00010892813,0.000057122314,0.000030150903,0.00007963852,0.00015286621],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00083046005,0.00037079095,0.00019997779,0.00054282666,0.004248854,0.0039589386,0.00030190742,0.00065014046,0.0069933077],"category_scores_gemma":[0.00085617066,0.0002024477,0.00016310629,0.000697337,0.003674385,0.003076389,0.001912309,0.0020327158,0.00029340445],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013515881,0.000071233735,0.008294002,0.0004643092,0.000018097797,0.0011053472,0.60691917,0.00018551505,0.0026986683,0.27325508,0.060015555,0.046837877],"study_design_scores_gemma":[0.000013724555,0.000041375693,0.0088333655,0.00022566773,0.000017410888,0.00028288556,0.19231349,0.00022555348,0.0006570384,0.0054675564,0.79189795,0.000023952785],"about_ca_topic_score_codex":0.011402434,"about_ca_topic_score_gemma":0.032669675,"teacher_disagreement_score":0.011402434,"about_ca_system_score_codex":0.0031114893,"about_ca_system_score_gemma":0.0020721368,"threshold_uncertainty_score":0.023394883},"labels":[],"label_agreement":null},{"id":"W185746101","doi":"10.5206/entrehojas.v3i1.6137","title":"Almodóvar y el cómic underground español: Pepi, Luci, Bom y otras chicas del montón","year":2013,"lang":"es","type":"article","venue":"Entrehojas Revista de Estudios Hispánicos","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.015593546487674692,"score_gpt":0.23988200202758975,"score_spread":0.22428845553991505,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W185746101","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.72084576,0.0049391235,0.00036564365,0.008598135,0.00018876189,0.00001784429,0.000034532368,0.000012349727,0.2649978],"genre_scores_gemma":[0.9690055,0.002163712,0.0000978873,0.00050531205,0.00009842414,0.000009020016,0.000015360898,0.0000147482615,0.028090127],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997404,0.000109070264,0.0000029327919,0.000022936007,0.000045250526,0.000079274134],"domain_scores_gemma":[0.9996582,0.00013447853,0.000059181475,0.000017396816,0.0000468625,0.00008384682],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00058052177,0.00025078142,0.0001189731,0.0007034064,0.0036685055,0.0034657104,0.00031601483,0.0006724926,0.0039224024],"category_scores_gemma":[0.00089785765,0.000085135245,0.00009141246,0.00081899273,0.0050819726,0.0016178109,0.0016574591,0.0013446382,0.00020718518],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015258287,0.000116089104,0.012609378,0.00015236634,0.000008845278,0.0017848001,0.68870324,0.00009181442,0.0025846425,0.22454286,0.022514835,0.046738528],"study_design_scores_gemma":[0.000017131919,0.00006267636,0.033681624,0.0002316647,0.0000124710605,0.00050975324,0.5965082,0.00010938323,0.0008703066,0.0039004956,0.36407954,0.000016738923],"about_ca_topic_score_codex":0.031946275,"about_ca_topic_score_gemma":0.07154591,"teacher_disagreement_score":0.031946275,"about_ca_system_score_codex":0.00372798,"about_ca_system_score_gemma":0.001481139,"threshold_uncertainty_score":0.06352067},"labels":[],"label_agreement":null},{"id":"W188377998","doi":"","title":"Family Album as a Portable Home: Marta Balletbò-Coll's \"Costa Brava (Family Album)\"","year":2003,"lang":"en","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Geography","score_opus":0.017245551372863138,"score_gpt":0.21545349139304124,"score_spread":0.1982079400201781,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W188377998","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26642346,0.04540871,0.0008406354,0.30847573,0.0065513444,0.00008793063,0.00021197034,0.00007946826,0.3719208],"genre_scores_gemma":[0.7309414,0.017073262,0.0006644328,0.032560527,0.00087243225,0.000083377054,0.00009340183,0.00008410202,0.2176272],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99916637,0.00048131158,0.000007747004,0.000058835387,0.00008727175,0.00019850544],"domain_scores_gemma":[0.99941826,0.00013363415,0.000036289915,0.000026300779,0.00007689773,0.0003086532],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000936621,0.0002341729,0.00012678781,0.0003427993,0.013295776,0.0037361158,0.0006630607,0.0015947138,0.009556623],"category_scores_gemma":[0.0013995636,0.00017815015,0.00015656231,0.00046657512,0.0032828178,0.002940821,0.004232506,0.0028266003,0.0008925756],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007672574,0.00009099006,0.005301382,0.00020159537,0.000007582292,0.0017816095,0.24080701,0.000076862976,0.00037290307,0.07718785,0.5775987,0.096496895],"study_design_scores_gemma":[0.000005848493,0.000022583297,0.0074366424,0.00034197772,0.0000042638135,0.00041881233,0.1608289,0.000041077124,0.000113856055,0.0015227178,0.82924855,0.000014725157],"about_ca_topic_score_codex":0.14888288,"about_ca_topic_score_gemma":0.37992725,"teacher_disagreement_score":0.14888288,"about_ca_system_score_codex":0.0065327506,"about_ca_system_score_gemma":0.0053072767,"threshold_uncertainty_score":0.29603255},"labels":[],"label_agreement":null},{"id":"W1888211106","doi":"10.7202/1011659ar","title":"Mediterranean Perspectives: Early Spanish and Italian Contributions to the Cinema of Irregular Migration (Giordana, Marra, Soler, Uribe)1","year":2012,"lang":"en","type":"article","venue":"Cinémas Revue d études cinématographiques","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Movie theater; Immigration; Ideology; Geography; Humanities; Genealogy; Political science; History; Art; Art history; Archaeology; Politics; Law","score_opus":0.02352413572913126,"score_gpt":0.2530355363693183,"score_spread":0.22951140064018705,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1888211106","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.33623794,0.03573926,0.0008370147,0.024762746,0.0014376809,0.000034899796,0.00009656161,0.00005507406,0.60079885],"genre_scores_gemma":[0.9666399,0.0060451087,0.00030077458,0.00148647,0.00085961964,0.00001640202,0.000029106832,0.000058551155,0.024564093],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991148,0.0005738423,0.000012243853,0.00006527791,0.00008476215,0.00014898623],"domain_scores_gemma":[0.9991412,0.0004197632,0.000116582385,0.000054132764,0.000112607704,0.00015567127],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023948448,0.00062086066,0.00022441208,0.0012113629,0.004459315,0.0055094333,0.00053475477,0.0010596516,0.0035752605],"category_scores_gemma":[0.0023555222,0.00018174222,0.00015133979,0.0010137149,0.007888774,0.0016795116,0.002150626,0.0017543989,0.00026405323],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013577349,0.00005689516,0.0039811227,0.00024243351,0.0000119339975,0.0012814109,0.8384555,0.000054878696,0.0006707096,0.08782918,0.03630815,0.030972013],"study_design_scores_gemma":[0.000021876924,0.00005188799,0.019913435,0.0006501752,0.000014785595,0.00086207106,0.178134,0.00008661184,0.00024466496,0.0026580517,0.79734373,0.000018652565],"about_ca_topic_score_codex":0.028348688,"about_ca_topic_score_gemma":0.048426397,"teacher_disagreement_score":0.028348688,"about_ca_system_score_codex":0.0054602046,"about_ca_system_score_gemma":0.0014602274,"threshold_uncertainty_score":0.056367338},"labels":[],"label_agreement":null},{"id":"W196416416","doi":"","title":"Lesbianismo de (la) Transición en \"Vindication Feminista\" (1976 - 1979)","year":2010,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Political science","score_opus":0.01039632303482703,"score_gpt":0.24123099693114616,"score_spread":0.23083467389631912,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W196416416","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6346973,0.024373302,0.00039545458,0.015037864,0.0008188537,0.00006891978,0.00018354121,0.000016392112,0.3244084],"genre_scores_gemma":[0.9328702,0.0058971937,0.00013692307,0.0016570325,0.00019147294,0.00005061567,0.000055802364,0.000024341449,0.059116345],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9986582,0.0006455952,0.000028048884,0.000121468816,0.00012521533,0.00042141214],"domain_scores_gemma":[0.99915576,0.0003214722,0.00013750173,0.000039609222,0.00020008502,0.00014566215],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0021053776,0.00041027734,0.00032833562,0.0015964281,0.00947665,0.0045799343,0.00060060533,0.0013143308,0.0061038244],"category_scores_gemma":[0.0024293293,0.00020684507,0.00015811416,0.0023654813,0.009357367,0.0024578387,0.0028649578,0.002518339,0.00040097843],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010719739,0.00007613941,0.006165637,0.00008239789,0.0000047474855,0.00045139188,0.7024649,0.00003827212,0.00033967113,0.26009586,0.006451764,0.023722053],"study_design_scores_gemma":[0.000022857865,0.00004940638,0.01929685,0.0003687915,0.000014129956,0.00022759578,0.46072307,0.000030529234,0.00069116097,0.005613995,0.5129457,0.000015885495],"about_ca_topic_score_codex":0.20048426,"about_ca_topic_score_gemma":0.31159163,"teacher_disagreement_score":0.20048426,"about_ca_system_score_codex":0.013156879,"about_ca_system_score_gemma":0.011287846,"threshold_uncertainty_score":0.39863467},"labels":[],"label_agreement":null},{"id":"W1975441656","doi":"10.1177/1097184x06291902","title":"En-trenched Manhood","year":2007,"lang":"en","type":"article","venue":"Men and Masculinities","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Subjectivity; Militarism; Complicity; Masculinity; Narrative; Politics; Sociology; Hegemony; Gender studies; Rhetoric; Resistance (ecology); Subject (documents); Aesthetics; Literature; Law; Art; Philosophy; Political science; Epistemology","score_opus":0.014722114517965535,"score_gpt":0.21819577723296926,"score_spread":0.20347366271500372,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1975441656","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08473126,0.0017296274,0.0069068605,0.0047069397,0.0006131754,0.000034645913,0.000048587393,0.00005551205,0.9011734],"genre_scores_gemma":[0.87596667,0.0005920214,0.0010414106,0.001035442,0.000108152766,0.000026727826,0.000034106768,0.0000477316,0.12114772],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99836594,0.00089502486,0.000031256586,0.00019888872,0.00022449395,0.0002844215],"domain_scores_gemma":[0.99948967,0.0001564472,0.00006217701,0.00008976916,0.0001275293,0.000074420255],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015675342,0.00040818437,0.00022982116,0.00045999643,0.004653884,0.0048961528,0.00056685007,0.0008209723,0.0062682442],"category_scores_gemma":[0.001770743,0.000108532106,0.00015082519,0.000416819,0.011122343,0.0016666284,0.0035063098,0.0016733954,0.00079731777],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030442228,0.000014344922,0.0010025532,0.0000459913,0.0000032814487,0.00034025402,0.102248326,0.000080929516,0.00059421745,0.87536246,0.003779375,0.016497763],"study_design_scores_gemma":[0.0000072829803,0.00006179432,0.002181441,0.00016090806,0.000007344071,0.00040912145,0.10153079,0.00018898767,0.0012723887,0.06670232,0.8274644,0.000013315832],"about_ca_topic_score_codex":0.008230701,"about_ca_topic_score_gemma":0.014453835,"teacher_disagreement_score":0.008230701,"about_ca_system_score_codex":0.0047333464,"about_ca_system_score_gemma":0.0022800453,"threshold_uncertainty_score":0.034342945},"labels":[],"label_agreement":null},{"id":"W199037034","doi":"","title":"Del periódico al mito: constricciones de género y circularidad en \"La niña en la piedra\" (2006)","year":2013,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.008881548035182922,"score_gpt":0.21763769804007413,"score_spread":0.2087561500048912,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W199037034","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7673017,0.008574513,0.0010250023,0.021487903,0.0006530035,0.00008211463,0.0005555751,0.0000143813,0.20030572],"genre_scores_gemma":[0.9795918,0.0024935862,0.0004896919,0.00052105036,0.00013361558,0.00007552708,0.00013919857,0.000016658227,0.01653888],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99878675,0.0005456323,0.000044090953,0.00010166479,0.0002387213,0.000283147],"domain_scores_gemma":[0.99751735,0.000949096,0.00049297325,0.00020739032,0.0004842227,0.00034895886],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003690396,0.0002546728,0.00020521341,0.002042794,0.0071667465,0.005593372,0.00084226584,0.0008560674,0.0045094374],"category_scores_gemma":[0.007890416,0.00018079074,0.00015935194,0.0040360186,0.008098923,0.0043702633,0.005380121,0.0017939156,0.0001623432],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008918785,0.000054771564,0.040621314,0.00011956766,0.0000095376245,0.00031948902,0.68087536,0.00008069216,0.00015224774,0.20515257,0.013868015,0.058657233],"study_design_scores_gemma":[0.000005869323,0.000025348598,0.054654367,0.00032982937,0.000009700975,0.00020922627,0.78936905,0.000054657543,0.0001320684,0.005366413,0.14983152,0.0000119800425],"about_ca_topic_score_codex":0.1065045,"about_ca_topic_score_gemma":0.16319293,"teacher_disagreement_score":0.1065045,"about_ca_system_score_codex":0.007931309,"about_ca_system_score_gemma":0.00986903,"threshold_uncertainty_score":0.21176916},"labels":[],"label_agreement":null},{"id":"W2008526054","doi":"10.7202/201090ar","title":"Aujourd’hui Schéhérazade a appris à écrire : Anne-Marie Alonzo et l’entreprise de vivre","year":2006,"lang":"fr","type":"article","venue":"Voix et Images","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.012346940695757007,"score_gpt":0.243910518054524,"score_spread":0.23156357735876698,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2008526054","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18981841,0.033003956,0.0011967097,0.10431865,0.00298419,0.000025734897,0.000083662475,0.000040068142,0.6685287],"genre_scores_gemma":[0.7724677,0.007245683,0.00043346442,0.005560406,0.00076008117,0.000017671648,0.000027076547,0.0000697108,0.21341822],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995085,0.00027766317,0.0000051864363,0.00003562633,0.00009793547,0.00007507935],"domain_scores_gemma":[0.9996283,0.00015097173,0.00003807009,0.000015997968,0.00010300406,0.000063686915],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007009375,0.00029815992,0.00018514681,0.0002902422,0.0041500493,0.0030354157,0.0003297152,0.0007701629,0.007105687],"category_scores_gemma":[0.001319303,0.00009398766,0.000081962375,0.00038480439,0.00524165,0.00097596215,0.0012005115,0.0015579254,0.0007221812],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016396193,0.000046861198,0.0030401307,0.00025922252,0.000010403231,0.001302704,0.46373597,0.00014103715,0.002057538,0.34662217,0.13918369,0.043436307],"study_design_scores_gemma":[0.000009178305,0.000015092127,0.002572707,0.00018485822,0.000004238094,0.00024866164,0.09385624,0.000051049872,0.0003830731,0.005071587,0.8975937,0.000009679524],"about_ca_topic_score_codex":0.045722347,"about_ca_topic_score_gemma":0.08974412,"teacher_disagreement_score":0.045722347,"about_ca_system_score_codex":0.0039666854,"about_ca_system_score_gemma":0.0016443289,"threshold_uncertainty_score":0.0909124},"labels":[],"label_agreement":null},{"id":"W2008874682","doi":"10.4000/amnis.888","title":"Sueños y pesadillas: efectos subjetivos de la Guerra Civil española a través de cierta mirada cinematográfica","year":2006,"lang":"fr","type":"article","venue":"Amnis","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Wilfrid Laurier University","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.0048846201873562175,"score_gpt":0.21657132465035023,"score_spread":0.211686704462994,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2008874682","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8829182,0.0053342143,0.00027647198,0.007081579,0.00012556612,0.000014757994,0.000053166877,0.000013838939,0.10418222],"genre_scores_gemma":[0.98645836,0.0017882375,0.00006309094,0.00022517912,0.000034979967,0.000009848333,0.00002012224,0.000013085351,0.011387088],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99934036,0.00035351785,0.000010870243,0.00006244664,0.00007296214,0.00015996145],"domain_scores_gemma":[0.99919564,0.00042824814,0.00016701712,0.000036943482,0.0000843639,0.00008781866],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011990286,0.00041319206,0.00025950687,0.00072007836,0.005711079,0.0043652453,0.00038498855,0.0010945658,0.0069061043],"category_scores_gemma":[0.0028607924,0.00016026667,0.00011719035,0.0010180125,0.0054947855,0.0016960931,0.0033977958,0.0015314186,0.00030526103],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000103405546,0.000042932304,0.007958764,0.00014493676,0.000012935146,0.0010727893,0.94642836,0.000035803372,0.0010647288,0.021713085,0.0035824329,0.017839873],"study_design_scores_gemma":[0.0000130328235,0.00004087818,0.026866846,0.00020377572,0.000017911761,0.0002948604,0.8546464,0.00003497574,0.00030021238,0.0018490645,0.1157202,0.000011889742],"about_ca_topic_score_codex":0.048513066,"about_ca_topic_score_gemma":0.08910372,"teacher_disagreement_score":0.048513066,"about_ca_system_score_codex":0.0027878177,"about_ca_system_score_gemma":0.0011165348,"threshold_uncertainty_score":0.096461356},"labels":[],"label_agreement":null},{"id":"W2010708957","doi":"10.1080/14636204.2013.925175","title":"La estela del tiempo. Imagen e historicidad en el cine español contemporáneo","year":2013,"lang":"es","type":"article","venue":"Journal of Spanish Cultural Studies","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Humanities; Art","score_opus":0.0345929260629726,"score_gpt":0.3003237232277167,"score_spread":0.2657307971647441,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2010708957","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1497741,0.036649592,0.002017705,0.046175648,0.0014158188,0.000023908433,0.00024483542,0.00010363879,0.7635946],"genre_scores_gemma":[0.8374119,0.013694336,0.0006936798,0.0021460075,0.0006864847,0.000018219314,0.000106200845,0.00009385958,0.1451492],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99965334,0.00017277976,0.0000059120916,0.00004226892,0.00006514608,0.00006050841],"domain_scores_gemma":[0.9995208,0.00016853493,0.000059187223,0.00003325559,0.00014978704,0.00006849443],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007912634,0.00025352472,0.000116487114,0.0007480786,0.0028541242,0.004768137,0.00032759525,0.00094835705,0.011777782],"category_scores_gemma":[0.0014738399,0.00012999996,0.00012572487,0.00086789415,0.0036170718,0.0026830086,0.001588461,0.0012774933,0.0011651941],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011559243,0.00006127656,0.008895117,0.0004568919,0.000013188946,0.0009479858,0.363518,0.00014499099,0.002119772,0.37859637,0.10317866,0.14195213],"study_design_scores_gemma":[0.000008154871,0.00002202378,0.010423994,0.00039501718,0.000008621691,0.0004708097,0.111092515,0.00008806547,0.00051805866,0.006310822,0.870649,0.000012954572],"about_ca_topic_score_codex":0.03022321,"about_ca_topic_score_gemma":0.058245853,"teacher_disagreement_score":0.03022321,"about_ca_system_score_codex":0.0021855368,"about_ca_system_score_gemma":0.0013317836,"threshold_uncertainty_score":0.060094595},"labels":[],"label_agreement":null},{"id":"W2015200124","doi":"10.7202/011659ar","title":"Le film comme lieu de mémoire : En el balcón vacío et l’exil mexicain des Espagnols","year":2005,"lang":"fr","type":"article","venue":"Cinémas Revue d études cinématographiques","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.03654066532447008,"score_gpt":0.28859185019202166,"score_spread":0.25205118486755157,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2015200124","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6215084,0.009324368,0.0007080929,0.036571514,0.0008959126,0.000029060557,0.000110196976,0.00003547697,0.33081692],"genre_scores_gemma":[0.95402217,0.0020379708,0.0002172072,0.001201444,0.00012266928,0.000014134526,0.00002660749,0.000020329975,0.04233738],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996433,0.00018389389,0.000004465411,0.000028672339,0.000046926827,0.00009271411],"domain_scores_gemma":[0.9996954,0.00011223647,0.000043263135,0.000015115525,0.00005384862,0.00008017807],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005794388,0.00033344468,0.00012021532,0.00041444864,0.005320287,0.0031406498,0.0003465591,0.0010200891,0.006039596],"category_scores_gemma":[0.0010564317,0.00010387848,0.000073200026,0.00055835035,0.00413386,0.001704647,0.002080056,0.0015463723,0.00029498187],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019987355,0.000051455576,0.0047072805,0.00024938965,0.00001028263,0.0037616245,0.8156141,0.000075010576,0.0034376492,0.082722016,0.04508148,0.04408988],"study_design_scores_gemma":[0.000020469939,0.000049862992,0.01619989,0.00032430832,0.000010921882,0.000932406,0.38856068,0.00006847452,0.0007352912,0.0014348385,0.59164786,0.0000150477945],"about_ca_topic_score_codex":0.04285773,"about_ca_topic_score_gemma":0.07638926,"teacher_disagreement_score":0.04285773,"about_ca_system_score_codex":0.0032913508,"about_ca_system_score_gemma":0.0009981875,"threshold_uncertainty_score":0.08521658},"labels":[],"label_agreement":null},{"id":"W2019776779","doi":"10.3828/bhs.84.3.4","title":"Cybernetic Totemism in Giménez Caballero's <i>Hércules jugando a los dados</i> (1928)","year":2007,"lang":"es","type":"article","venue":"Bulletin of Hispanic Studies","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Ideology; Humanities; Art; Battle; Art history; Philosophy; Politics; History; Archaeology; Political science","score_opus":0.027188491802941812,"score_gpt":0.27554732227088874,"score_spread":0.24835883046794693,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2019776779","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15283522,0.038022153,0.0030345984,0.050040737,0.002319383,0.000025904563,0.000057237732,0.00006591454,0.75359887],"genre_scores_gemma":[0.93969876,0.0043168436,0.00043301162,0.0032488885,0.0004926303,0.0000276511,0.0000193098,0.000050335486,0.05171254],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994585,0.00032868565,0.0000070616734,0.00005627891,0.00006205517,0.00008740773],"domain_scores_gemma":[0.9996251,0.00022048374,0.000042203923,0.000026134507,0.000049917675,0.000036170502],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00093343033,0.00035840983,0.00019646119,0.00068911846,0.004754171,0.0038920857,0.000312778,0.00079114543,0.0017481502],"category_scores_gemma":[0.0013637611,0.00008564612,0.000108773,0.00055977923,0.012041855,0.0015837484,0.0017485281,0.0020673384,0.00016282924],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037380614,0.000019487843,0.00088178593,0.000075710224,0.000003317035,0.00031600823,0.114131056,0.00009375501,0.00023614443,0.8461551,0.021774,0.016276337],"study_design_scores_gemma":[0.000010587205,0.000014789121,0.0016367554,0.00024902986,0.0000036142415,0.00024131163,0.04069263,0.000062341176,0.0002689375,0.049911022,0.9068981,0.000010826022],"about_ca_topic_score_codex":0.0108146425,"about_ca_topic_score_gemma":0.017206399,"teacher_disagreement_score":0.0108146425,"about_ca_system_score_codex":0.0039903866,"about_ca_system_score_gemma":0.001274583,"threshold_uncertainty_score":0.02895236},"labels":[],"label_agreement":null},{"id":"W20206279","doi":"10.1016/j.nlm.2010.02.006","title":"En la Tierra de Campo: (memorias de un labrador)","year":2006,"lang":"en","type":"article","venue":"Dialnet (Universidad de la Rioja)","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"Howard Hughes Medical Institute","keywords":"Geography","score_opus":0.006579826129135519,"score_gpt":0.2041422854134973,"score_spread":0.19756245928436178,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W20206279","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09127045,0.018043797,0.008901196,0.039935946,0.021670135,0.000161158,0.0018556754,0.0019321308,0.81622946],"genre_scores_gemma":[0.4652548,0.011580999,0.009431707,0.006903621,0.004467552,0.00012686983,0.00093662884,0.0005128261,0.50078493],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997241,0.00006527382,0.0000129032505,0.00006184476,0.00008363592,0.00005227013],"domain_scores_gemma":[0.99953175,0.00007223523,0.00008432631,0.000103387356,0.00012406305,0.000084215884],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00050451915,0.0003917123,0.00019924351,0.00048507724,0.00093078334,0.001787694,0.0005006479,0.0005934813,0.043777592],"category_scores_gemma":[0.0022104776,0.0000975909,0.0002848431,0.00032797336,0.0014611899,0.0019015725,0.0014866684,0.0011733812,0.0095345685],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005872712,0.00013435664,0.005383738,0.00087135995,0.0000349759,0.0016288193,0.013054277,0.00020754257,0.008257836,0.10921537,0.35572582,0.5048986],"study_design_scores_gemma":[0.000019825276,0.00006384365,0.005110242,0.00036426118,0.000015461927,0.00087602,0.0027551958,0.00008231325,0.001595697,0.010504249,0.97858745,0.00002544252],"about_ca_topic_score_codex":0.005885843,"about_ca_topic_score_gemma":0.012072601,"teacher_disagreement_score":0.043777592,"about_ca_system_score_codex":0.0009315011,"about_ca_system_score_gemma":0.00083903683,"threshold_uncertainty_score":0.14645064},"labels":[],"label_agreement":null},{"id":"W2031083122","doi":"10.3828/catr.25.1.71","title":"The Construction of Exile from a French Deportation Camp in the Narrative of Xavier Benguerel","year":2011,"lang":"en","type":"article","venue":"Catalan Review","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Wilfrid Laurier University","funders":"","keywords":"Testimonial; Narrative; Dictatorship; Deportation; Variety (cybernetics); Representation (politics); Literature; History; Art; Immigration; Political science; Archaeology; Law; Computer science","score_opus":0.04904330265589553,"score_gpt":0.24124156200256988,"score_spread":0.19219825934667434,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2031083122","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.390005,0.3874716,0.000745867,0.010851954,0.0012116394,0.00004227057,0.00018552618,0.000027260248,0.20945895],"genre_scores_gemma":[0.9418519,0.042421952,0.0001874915,0.00085350714,0.00019566272,0.00002083273,0.00007561556,0.000014423117,0.014378634],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9983584,0.0011890734,0.00002701588,0.0001189564,0.00015612057,0.00015037858],"domain_scores_gemma":[0.9991541,0.00046388927,0.0001415214,0.0000452997,0.0001351243,0.000060208637],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020848478,0.00060626323,0.0004661681,0.0013279256,0.0030828756,0.004608704,0.0007291155,0.0013207318,0.0026038813],"category_scores_gemma":[0.0016844133,0.00013895323,0.00019795983,0.0013608173,0.004877519,0.0012547271,0.0015609048,0.001054791,0.00029629222],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00080275565,0.00009222973,0.004015608,0.006088103,0.00016567679,0.010434874,0.593994,0.0007688015,0.0040426496,0.15701021,0.043630917,0.17895424],"study_design_scores_gemma":[0.000031789026,0.000106895786,0.018477513,0.0028642192,0.000058858575,0.0026385202,0.19920492,0.00007727354,0.001082159,0.002036365,0.77338946,0.00003213646],"about_ca_topic_score_codex":0.059335668,"about_ca_topic_score_gemma":0.08434635,"teacher_disagreement_score":0.059335668,"about_ca_system_score_codex":0.008964969,"about_ca_system_score_gemma":0.0023166453,"threshold_uncertainty_score":0.1179806},"labels":[],"label_agreement":null},{"id":"W20406137","doi":"10.1089/ars.2010.3129","title":"Autocrítica i Marianne Sagebrecht: ¡Otra maldita novela sobre la guerra civil! [Isaac Rosa]","year":2007,"lang":"en","type":"article","venue":"Benzina: Revista d'excepcions culturals","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Canadian Institutes of Health Research","keywords":"Spanish Civil War; Humanities; Art; Political science; Law","score_opus":0.026995301596712918,"score_gpt":0.2569725542807347,"score_spread":0.22997725268402175,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W20406137","genre_codex":"review","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009671227,0.4487796,0.0039269757,0.30538568,0.038462162,0.000036860787,0.0002633916,0.00055623765,0.1929179],"genre_scores_gemma":[0.16118379,0.23645717,0.0048721894,0.045829125,0.028559886,0.00009140601,0.00022572711,0.00054385525,0.5222368],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994367,0.00018577243,0.000016859025,0.00015804735,0.00013408635,0.00006851774],"domain_scores_gemma":[0.999481,0.0001338871,0.00005524581,0.000037619906,0.00018378462,0.00010846644],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010868018,0.0006316244,0.00051360513,0.0006556207,0.0017206733,0.003421434,0.0006230821,0.0021551126,0.015360494],"category_scores_gemma":[0.0016326926,0.00020162281,0.0003979812,0.00041948294,0.002510158,0.0013703221,0.0016322931,0.0039596856,0.005264459],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021972002,0.000081384234,0.0015388005,0.0007407123,0.0000414286,0.0009066547,0.0043181847,0.0002554932,0.003141961,0.142766,0.6044481,0.2415416],"study_design_scores_gemma":[0.0000040003083,0.00001083118,0.0004625033,0.00017554211,0.000005768371,0.00023535201,0.00038960652,0.000038317226,0.00022553599,0.0026263215,0.9958175,0.000008808877],"about_ca_topic_score_codex":0.012744132,"about_ca_topic_score_gemma":0.01574418,"teacher_disagreement_score":0.015360494,"about_ca_system_score_codex":0.0025629788,"about_ca_system_score_gemma":0.0017930339,"threshold_uncertainty_score":0.051386},"labels":[],"label_agreement":null},{"id":"W206813080","doi":"","title":"Representaciones de \"lo femenino\" en el imaginario nacional argentino posdictadura: el discurso cinematográfico del poder","year":2004,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Political science","score_opus":0.013354145052977016,"score_gpt":0.2562281714237606,"score_spread":0.24287402637078356,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W206813080","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.78997374,0.004015716,0.0004932476,0.020801792,0.0004627688,0.000022485427,0.00014618596,0.000019453855,0.18406454],"genre_scores_gemma":[0.9828184,0.0013396406,0.000112846596,0.0005652331,0.00009445813,0.000017583458,0.000043106003,0.000020298976,0.014988405],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9994803,0.00024758966,0.000007971981,0.00004760317,0.000060756847,0.00015579064],"domain_scores_gemma":[0.99914825,0.00037710762,0.00012618616,0.000041104988,0.0001239321,0.00018335674],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014706202,0.0004279014,0.00020521636,0.0012104858,0.0074951495,0.0049849767,0.0005565417,0.0013197057,0.005962168],"category_scores_gemma":[0.0019873618,0.00014430498,0.00010858645,0.0014103506,0.0054646367,0.0024198454,0.0038400695,0.002851219,0.0002054323],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008784996,0.000034234676,0.005873016,0.00009544658,0.0000037827044,0.0005974373,0.9281728,0.000033025684,0.0004967665,0.03875058,0.010818712,0.015036235],"study_design_scores_gemma":[0.0000044164726,0.000014799405,0.01772136,0.00017851652,0.0000076605775,0.00014667714,0.84131026,0.0000609527,0.00013939511,0.001030354,0.13937834,0.000007327725],"about_ca_topic_score_codex":0.0783668,"about_ca_topic_score_gemma":0.14095967,"teacher_disagreement_score":0.0783668,"about_ca_system_score_codex":0.00492992,"about_ca_system_score_gemma":0.0021490382,"threshold_uncertainty_score":0.15582132},"labels":[],"label_agreement":null},{"id":"W2070850945","doi":"10.7202/016182ar","title":"Extraviada : égarée. À propos de Je l’ai tué, dit-elle, c’est mon père, de Raquel Capurro et Diego Nin","year":2007,"lang":"fr","type":"article","venue":"Filigrane Écoutes psychothérapiques","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy","score_opus":0.017086870227239485,"score_gpt":0.28261661079739653,"score_spread":0.26552974057015705,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2070850945","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.072318636,0.020675888,0.0015315611,0.08454613,0.0064705634,0.00006321613,0.00049597124,0.00012806474,0.81377],"genre_scores_gemma":[0.456103,0.00918798,0.001577824,0.01651837,0.0015770958,0.00009800898,0.00033151428,0.00029383972,0.51431245],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99851304,0.000513413,0.00004515551,0.00014746666,0.00041496288,0.00036604458],"domain_scores_gemma":[0.9986028,0.00021248189,0.00019568272,0.00013186308,0.00053424254,0.0003228399],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013710383,0.00042281408,0.00028539848,0.00074177765,0.0046353317,0.0041017444,0.00068025157,0.0018501311,0.026605949],"category_scores_gemma":[0.0036628104,0.00019095532,0.00032455527,0.0007263072,0.003644165,0.003204694,0.0049976655,0.003557722,0.005852271],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00028192566,0.00013102812,0.009606558,0.0005567165,0.000041075666,0.002468426,0.19290769,0.000054089833,0.002887373,0.1933792,0.40924278,0.18844318],"study_design_scores_gemma":[0.000011804122,0.000024916555,0.0046056,0.00017615662,0.000009053971,0.00070932443,0.03977994,0.000013285027,0.00030784088,0.003555938,0.9507925,0.00001368631],"about_ca_topic_score_codex":0.020219496,"about_ca_topic_score_gemma":0.057679214,"teacher_disagreement_score":0.026605949,"about_ca_system_score_codex":0.0032763425,"about_ca_system_score_gemma":0.0026911062,"threshold_uncertainty_score":0.08900571},"labels":[],"label_agreement":null},{"id":"W2077540112","doi":"10.3828/catr.27.1.173","title":"El Cinema de Cesc Gay: Una \"Metàfora Morta\" Per a un Trajecte Biogeogràfic","year":2013,"lang":"ca","type":"article","venue":"Catalan Review","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Movie theater; Art; Humanities; Visual arts","score_opus":0.0228388579630401,"score_gpt":0.2693481789646307,"score_spread":0.2465093210015906,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2077540112","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14057764,0.20248765,0.0020675613,0.035664592,0.007311528,0.000088144334,0.00035428317,0.00014005204,0.6113085],"genre_scores_gemma":[0.80376136,0.06723381,0.001290581,0.004753298,0.0018325405,0.000068298235,0.00023129972,0.00009314879,0.120735735],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996044,0.00021062662,0.000008040747,0.000050009843,0.00007122203,0.000055785593],"domain_scores_gemma":[0.9994618,0.00019855278,0.000068117726,0.00004471745,0.00015971137,0.00006716105],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000868876,0.0005051151,0.00022958244,0.00086101965,0.0022646324,0.005009673,0.00049848645,0.0009957406,0.005368312],"category_scores_gemma":[0.0012234692,0.00012865197,0.00020472171,0.0009224134,0.0025374866,0.00096062786,0.0013775614,0.0015480763,0.0006508035],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00031930607,0.00007386535,0.006851733,0.0028716645,0.00007443722,0.002611371,0.25857297,0.000555357,0.003629764,0.25512996,0.32408202,0.14522746],"study_design_scores_gemma":[0.000008940089,0.00001742691,0.005670489,0.0008423765,0.000020733329,0.000371306,0.03328434,0.00005792302,0.0002174693,0.00084177335,0.95865947,0.000007669372],"about_ca_topic_score_codex":0.046107825,"about_ca_topic_score_gemma":0.06529406,"teacher_disagreement_score":0.046107825,"about_ca_system_score_codex":0.0039468235,"about_ca_system_score_gemma":0.0016751448,"threshold_uncertainty_score":0.09167892},"labels":[],"label_agreement":null},{"id":"W2080151647","doi":"10.1353/mos.2014.0031","title":"Femininity and Effeminophobia in Manuel Puig’s Kiss of the Spider Woman","year":2014,"lang":"en","type":"article","venue":"Mosaic","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Femininity; KISS (TNC); Homosexuality; Spider; Art; Gender studies; Sociology; Biology; Zoology","score_opus":0.013345718542181272,"score_gpt":0.19879378343752788,"score_spread":0.1854480648953466,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2080151647","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3090175,0.009125215,0.0010656778,0.055861764,0.0009486537,0.000021308057,0.000022241005,0.000024365938,0.6239133],"genre_scores_gemma":[0.96270764,0.0015124665,0.0001475167,0.002379632,0.00015112315,0.000006964671,0.000004458418,0.000015899292,0.033074316],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99958867,0.00022995763,0.000003564188,0.00002948585,0.000057070538,0.00009124874],"domain_scores_gemma":[0.9997806,0.00010142316,0.000028593613,0.000011985488,0.000024834933,0.000052574105],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005162162,0.0002099151,0.00014362602,0.00024708017,0.0059784963,0.0026517264,0.00029243788,0.0010711668,0.0025089646],"category_scores_gemma":[0.00088211993,0.00012187892,0.00009073826,0.00018161126,0.010295572,0.0014344793,0.0018011067,0.0020664178,0.0002185094],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000051096773,0.00004913929,0.0022940107,0.000034847435,0.000005136782,0.0015181687,0.37641606,0.00008091391,0.00064320647,0.57835567,0.026385263,0.014166476],"study_design_scores_gemma":[0.00001800127,0.000040201077,0.004562479,0.00012838913,0.0000053509198,0.0017277808,0.34452447,0.00014883674,0.00050811487,0.044413768,0.60390204,0.000020544298],"about_ca_topic_score_codex":0.012402356,"about_ca_topic_score_gemma":0.024802709,"teacher_disagreement_score":0.012402356,"about_ca_system_score_codex":0.0021796382,"about_ca_system_score_gemma":0.0009547422,"threshold_uncertainty_score":0.024660349},"labels":[],"label_agreement":null},{"id":"W2103702168","doi":"10.26754/ojs_tropelias/tropelias.201523663","title":"Filosofía, intertextualidad y postmodernismo: la influencia de Friedrich Nietzsche en la obra novelística y en la ensayística de Juan Benet","year":2014,"lang":"es","type":"article","venue":"Tropelías/Tropelías","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Winnipeg","funders":"","keywords":"Philosophy; Humanities","score_opus":0.008564433052322816,"score_gpt":0.24947229805001475,"score_spread":0.24090786499769193,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2103702168","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.43827757,0.021530678,0.011936326,0.051868748,0.0009755017,0.00003827066,0.000077765915,0.00007514865,0.47521994],"genre_scores_gemma":[0.9733246,0.002058008,0.0007607325,0.000652361,0.00012698393,0.000023634579,0.000012574935,0.00002625805,0.023014829],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985942,0.0008217364,0.000028387874,0.00014230696,0.0002525153,0.0001609375],"domain_scores_gemma":[0.99864763,0.0008418233,0.00018290238,0.0001258515,0.00011800757,0.0000838802],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0027004136,0.0003424392,0.00024414784,0.00091230683,0.0043785996,0.004085826,0.00040878422,0.0013155827,0.0020030912],"category_scores_gemma":[0.002981472,0.0001602543,0.00019803194,0.0008091353,0.019868068,0.0038802112,0.0026395218,0.0018298519,0.00019433949],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036601374,0.000011547685,0.00071718346,0.00003755116,0.0000047205313,0.00013214152,0.057792135,0.00015197028,0.00034239292,0.93163395,0.002951382,0.0061883717],"study_design_scores_gemma":[0.000022194008,0.00004197608,0.0051099677,0.00030927395,0.000016896602,0.00054058887,0.06540539,0.00083897775,0.0013738975,0.47869396,0.44758895,0.000057931295],"about_ca_topic_score_codex":0.00703659,"about_ca_topic_score_gemma":0.009664679,"teacher_disagreement_score":0.00703659,"about_ca_system_score_codex":0.005530083,"about_ca_system_score_gemma":0.0021689578,"threshold_uncertainty_score":0.04012382},"labels":[],"label_agreement":null},{"id":"W2104104163","doi":"","title":"Importancia de 'studio d' para la 'identidad nacional' en el cine canadiense contemporáneo*","year":2004,"lang":"es","type":"article","venue":"Espacio Abierto","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.013050560623925109,"score_gpt":0.25683859709718987,"score_spread":0.24378803647326475,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2104104163","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10742545,0.003510892,0.0024536145,0.010048318,0.0005651707,0.000096517535,0.00011617448,0.00008948036,0.87569433],"genre_scores_gemma":[0.79526204,0.003933162,0.0019444446,0.0013507113,0.00022989139,0.00013936784,0.00019940345,0.0001351561,0.19680576],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99709654,0.001383069,0.000048680777,0.00026747579,0.000806744,0.00039752046],"domain_scores_gemma":[0.99581283,0.0013689492,0.00047287656,0.00042572693,0.0009895687,0.00093012716],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0028911957,0.00046377184,0.0002715481,0.0023625686,0.012258237,0.012636568,0.0010161521,0.0013225393,0.017739],"category_scores_gemma":[0.005415148,0.00035534697,0.00021154321,0.0021291848,0.0103202155,0.0053322734,0.0076028467,0.0027568385,0.0016248557],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007139356,0.00005518688,0.007646031,0.0002456881,0.0000066565894,0.00048745374,0.47141048,0.00012048958,0.0008545812,0.42887896,0.03206038,0.058162726],"study_design_scores_gemma":[0.000005262957,0.00002265279,0.009125907,0.0003715467,0.000009941098,0.00038829606,0.15318681,0.00019105869,0.00039368364,0.0045676273,0.8317194,0.000017765598],"about_ca_topic_score_codex":0.18820302,"about_ca_topic_score_gemma":0.3998198,"teacher_disagreement_score":0.81179696,"about_ca_system_score_codex":0.012381295,"about_ca_system_score_gemma":0.014864522,"threshold_uncertainty_score":0.37421513},"labels":[],"label_agreement":null},{"id":"W2121329457","doi":"","title":"El (re)conocimiento de la madre en \"La mitad del alma\"","year":2011,"lang":"es","type":"article","venue":"Institutional Repository University of Extremadura (University of Extremadura)","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Mythology; Literature","score_opus":0.022199864327603173,"score_gpt":0.19922853692829298,"score_spread":0.1770286726006898,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2121329457","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.069751896,0.0244547,0.003579248,0.061900977,0.0093129175,0.00007169923,0.000104030274,0.0003376378,0.8304869],"genre_scores_gemma":[0.775355,0.0063884263,0.0014987533,0.0081443265,0.0020258056,0.00007782974,0.00005423173,0.0001356588,0.20632008],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993772,0.00032489066,0.000011543589,0.00007400057,0.00011161015,0.00010072958],"domain_scores_gemma":[0.99960536,0.00012584924,0.00005496421,0.000053754593,0.00010334657,0.000056811972],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008317623,0.00053845247,0.00027968464,0.00053006195,0.00520985,0.0038351696,0.0006248977,0.0020598804,0.0046617873],"category_scores_gemma":[0.0017572165,0.00014936452,0.00026822468,0.00025916318,0.008325458,0.0017003679,0.0018618867,0.004660358,0.00087572716],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010299571,0.000042906227,0.0010407974,0.00016867738,0.000009505849,0.00084759266,0.13196477,0.000100229154,0.0006633846,0.7032486,0.119045585,0.042765018],"study_design_scores_gemma":[0.000011033477,0.00002176047,0.0010366021,0.00019636285,0.000008633343,0.00064213295,0.026575407,0.00011439443,0.00040776943,0.009370624,0.9616017,0.000013579745],"about_ca_topic_score_codex":0.0173668,"about_ca_topic_score_gemma":0.028066723,"teacher_disagreement_score":0.0173668,"about_ca_system_score_codex":0.00327527,"about_ca_system_score_gemma":0.0016662214,"threshold_uncertainty_score":0.034531415},"labels":[],"label_agreement":null},{"id":"W212741885","doi":"","title":"Eliding Transitions: Ruth Rendell’s Live Flesh and Pedro Almodóvar’s Carne trémula","year":2011,"lang":"en","type":"article","venue":"Sound Ideas (University of Puget Sound)","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Flesh; Art; Art history; Horticulture; Biology","score_opus":0.05145377682986272,"score_gpt":0.19761031189204484,"score_spread":0.14615653506218212,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W212741885","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.032713477,0.020015562,0.00090057915,0.8500897,0.018360516,0.000024048342,0.00006094664,0.000066630375,0.07776846],"genre_scores_gemma":[0.59435654,0.012910877,0.0010844545,0.20715451,0.007120092,0.00008617299,0.0000838236,0.0006143202,0.17658918],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9961068,0.0018894329,0.000038634902,0.00038418866,0.00036872172,0.0012122234],"domain_scores_gemma":[0.99428517,0.0013952376,0.00018334728,0.00021762958,0.0006327484,0.003285922],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0052100946,0.00080338743,0.00054491474,0.0008609265,0.03268784,0.013177928,0.002455781,0.009052796,0.012003911],"category_scores_gemma":[0.008298918,0.00041712786,0.00043900203,0.00085361325,0.019614616,0.009686276,0.010345328,0.021853179,0.0015418386],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000791837,0.00013537005,0.00094158924,0.000064255306,0.000019171379,0.0010563579,0.25755873,0.000077501674,0.00018757203,0.078000665,0.6275644,0.03431527],"study_design_scores_gemma":[0.000014100932,0.000014744034,0.00086493714,0.00022486762,0.0000068428035,0.00022569216,0.28278908,0.000032898217,0.000121818,0.009267893,0.70640767,0.000029511377],"about_ca_topic_score_codex":0.10253601,"about_ca_topic_score_gemma":0.35241017,"teacher_disagreement_score":0.10253601,"about_ca_system_score_codex":0.013678512,"about_ca_system_score_gemma":0.011255557,"threshold_uncertainty_score":0.2038784},"labels":[],"label_agreement":null},{"id":"W217124098","doi":"","title":"Le babélisme des mal-aimés. Babel d’Alejandro González Iñárritu Babel d’Alejandro González Iñárritu","year":2007,"lang":"fr","type":"article","venue":"Ciné bulles","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.018311745842307468,"score_gpt":0.22749335008738744,"score_spread":0.20918160424507998,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W217124098","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02188421,0.23387572,0.00063941546,0.40512484,0.017881285,0.000014356503,0.00017259263,0.00007132042,0.32033625],"genre_scores_gemma":[0.51801854,0.07876112,0.00069728977,0.036761634,0.009740159,0.000045274763,0.00010965373,0.00023996303,0.35562634],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990879,0.00050106255,0.000013226972,0.00007769869,0.00016369222,0.0001564683],"domain_scores_gemma":[0.9988794,0.00036625203,0.000101663834,0.00004678662,0.00029883743,0.00030701226],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016497101,0.0006552718,0.00046272614,0.00060989236,0.0050626616,0.0041759,0.00041429617,0.0020785688,0.010516604],"category_scores_gemma":[0.0031164493,0.00034847436,0.00018834957,0.00051043375,0.0050304895,0.0025825028,0.002205897,0.0060431324,0.0019727019],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000109044166,0.00005506656,0.0016162773,0.00022032548,0.000013249945,0.00037656332,0.039576508,0.00007002667,0.00030520308,0.2589631,0.6546555,0.04403905],"study_design_scores_gemma":[0.000008715237,0.000008003479,0.0014787973,0.0002174645,0.0000029636012,0.00020912358,0.01176782,0.000032450927,0.00007523526,0.0038943326,0.9822969,0.000008193213],"about_ca_topic_score_codex":0.030317767,"about_ca_topic_score_gemma":0.04894932,"teacher_disagreement_score":0.030317767,"about_ca_system_score_codex":0.004120034,"about_ca_system_score_gemma":0.0021010183,"threshold_uncertainty_score":0.060282588},"labels":[],"label_agreement":null},{"id":"W2213857754","doi":"","title":"Remembering Capa: Spain and the Legacy of Gerda Taro, 1936-37","year":2014,"lang":"en","type":"article","venue":"University of Minnesota Digital Conservancy (University of Minnesota)","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History; Geography","score_opus":0.011670703016518244,"score_gpt":0.1531934144166177,"score_spread":0.14152271140009948,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2213857754","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16237815,0.14698108,0.00039087655,0.06493234,0.016057055,0.000032286767,0.0009906475,0.00018151256,0.608056],"genre_scores_gemma":[0.6686014,0.031094804,0.00028101206,0.009314031,0.0037027095,0.000025708085,0.0005597404,0.00017621447,0.28624436],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99972016,0.00006696918,0.000008779536,0.000051069364,0.000055204673,0.00009773143],"domain_scores_gemma":[0.999665,0.00008244235,0.00005401815,0.000035777583,0.0000831274,0.00007963808],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00083065784,0.0005388177,0.0003963178,0.00080532546,0.004827185,0.005092727,0.00071820564,0.0016117372,0.009575404],"category_scores_gemma":[0.0017086529,0.00016798895,0.00020590606,0.0009183419,0.0028062488,0.0016500603,0.0027076001,0.0024081157,0.0016419017],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000676308,0.00016650761,0.011676373,0.00089008955,0.000043460637,0.00670544,0.17591621,0.00034994498,0.0010817888,0.096647754,0.5269371,0.17890903],"study_design_scores_gemma":[0.000010415789,0.000017249895,0.0063912086,0.0002789858,0.0000054906254,0.0002219702,0.015741127,0.000018393439,0.000111414425,0.00081437407,0.976379,0.000010313436],"about_ca_topic_score_codex":0.050236486,"about_ca_topic_score_gemma":0.089480706,"teacher_disagreement_score":0.050236486,"about_ca_system_score_codex":0.0063412106,"about_ca_system_score_gemma":0.0016978629,"threshold_uncertainty_score":0.099888146},"labels":[],"label_agreement":null},{"id":"W2271511668","doi":"10.4000/books.cvz.2649","title":"La novela del exilio","year":2001,"lang":"es","type":"book-chapter","venue":"Casa de Velázquez eBooks","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université Laval","funders":"","keywords":"Humanities; Art","score_opus":0.03895990331706653,"score_gpt":0.23373322815467296,"score_spread":0.19477332483760643,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2271511668","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.043096848,0.0077615976,0.005052684,0.016488474,0.0027236291,0.000035992725,0.00019239236,0.000094674586,0.9245537],"genre_scores_gemma":[0.5757832,0.0062889243,0.0018896231,0.0027360418,0.0014140712,0.00006626919,0.0002142403,0.00018847233,0.41141924],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99904996,0.00043054527,0.000033416774,0.00013433686,0.0001944613,0.00015725565],"domain_scores_gemma":[0.9991264,0.00036249886,0.000107760054,0.000115930285,0.00017407612,0.00011332104],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011638175,0.0005919814,0.00035728642,0.0011903946,0.0044122287,0.007035241,0.00074651185,0.0011914881,0.011364672],"category_scores_gemma":[0.0021477626,0.00016779172,0.00039035466,0.001097413,0.008030194,0.0048887497,0.0032827177,0.0032558215,0.0015112645],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000118978656,0.000046080775,0.001052796,0.00027586988,0.000010929465,0.0010029867,0.05375044,0.0003139948,0.0007397821,0.86898774,0.04929575,0.024404654],"study_design_scores_gemma":[0.000008781078,0.00003553987,0.0010264583,0.00023024488,0.0000065807576,0.00058186747,0.029083304,0.00015681973,0.0006997031,0.029359732,0.9387965,0.000014438046],"about_ca_topic_score_codex":0.0054566474,"about_ca_topic_score_gemma":0.010937813,"teacher_disagreement_score":0.011364672,"about_ca_system_score_codex":0.003990432,"about_ca_system_score_gemma":0.002060946,"threshold_uncertainty_score":0.038018584},"labels":[],"label_agreement":null},{"id":"W2281356601","doi":"","title":"Un mundo peligroso en el imaginario social","year":2010,"lang":"es","type":"article","venue":"Ciudades","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Art","score_opus":0.011191268285567027,"score_gpt":0.2564828119355042,"score_spread":0.2452915436499372,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2281356601","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3538692,0.0088256225,0.0017636353,0.03800379,0.0015655565,0.000042796233,0.00011878811,0.000074120224,0.59573644],"genre_scores_gemma":[0.9439564,0.003015453,0.00040921356,0.0016504655,0.00031667264,0.000029754045,0.00006494395,0.000049046957,0.050508007],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99849916,0.00074810866,0.000026327209,0.00011670919,0.00019989633,0.0004098709],"domain_scores_gemma":[0.9986865,0.0003961738,0.00011173327,0.00013752973,0.00035451745,0.00031351077],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022316861,0.00073168497,0.0005488874,0.001219144,0.008159552,0.008827106,0.0009814963,0.0026252274,0.008640002],"category_scores_gemma":[0.0038738176,0.00019980989,0.0003207964,0.0014340511,0.0141732665,0.0050758235,0.0073121516,0.0044043367,0.0007937548],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003407011,0.00028360367,0.0072540008,0.00019556498,0.000015122175,0.0023497674,0.25896418,0.00012940992,0.0008172207,0.63960993,0.025784574,0.064255916],"study_design_scores_gemma":[0.000057100624,0.00005334905,0.0057092323,0.00039268515,0.000021102283,0.0006303436,0.44545972,0.00016386452,0.00035869007,0.03294678,0.51418245,0.00002464405],"about_ca_topic_score_codex":0.049407523,"about_ca_topic_score_gemma":0.05665728,"teacher_disagreement_score":0.049407523,"about_ca_system_score_codex":0.009096897,"about_ca_system_score_gemma":0.0047767065,"threshold_uncertainty_score":0.09823984},"labels":[],"label_agreement":null},{"id":"W2284533073","doi":"","title":"Habanart à Québec : Entre Berbila et Le Che Habanart à Québec : art cubain actuel, La Chambre blanche/Le Lieu, centre en art actuel, Québec, 13 septembre au 7 octobre 2007 Habanart à Québec : art cubain actuel, La Chambre blanche/Le Lieu, centre en art actuel, Québec, 13 septembre au 7 octobre 2007","year":2008,"lang":"fr","type":"article","venue":"Inter : Art actuel","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy","score_opus":0.00956475803697943,"score_gpt":0.21704926900427493,"score_spread":0.2074845109672955,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2284533073","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21342503,0.14125663,0.0011096264,0.2283854,0.008365485,0.00034128068,0.008658248,0.00026936625,0.3981889],"genre_scores_gemma":[0.2831547,0.014158778,0.00078766525,0.009721773,0.00024941767,0.000078734716,0.00084937207,0.0001015498,0.69089806],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99954706,0.000045691333,0.0000121181565,0.000067256835,0.00013343043,0.00019438614],"domain_scores_gemma":[0.99928564,0.000046497953,0.000038174272,0.000013702259,0.00032937777,0.0002867035],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00064597145,0.00045337042,0.00030572963,0.00081313716,0.014653474,0.004918567,0.0010766715,0.0023522188,0.043156635],"category_scores_gemma":[0.000828134,0.00043321025,0.00028326883,0.002014577,0.0019329038,0.0016593403,0.0013826499,0.0036338659,0.0014720724],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016665553,0.0001750991,0.016231291,0.00038295676,0.000053877902,0.001240687,0.02241577,0.0004116152,0.0012255528,0.019973269,0.86347866,0.07424455],"study_design_scores_gemma":[0.000021798654,0.000018541148,0.081227094,0.00026990558,0.000019544212,0.00012741121,0.024521617,0.0001324718,0.00032629046,0.00031049576,0.8929807,0.000044042637],"about_ca_topic_score_codex":0.99649316,"about_ca_topic_score_gemma":0.9993315,"teacher_disagreement_score":0.078047074,"about_ca_system_score_codex":0.078047074,"about_ca_system_score_gemma":0.08697991,"threshold_uncertainty_score":0.5662738},"labels":[],"label_agreement":null},{"id":"W22984397","doi":"10.1371/journal.pone.0041354","title":"El ángel de la guarda: Grefa","year":2001,"lang":"en","type":"article","venue":"Dialnet (Universidad de la Rioja)","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Canadian Institutes of Health Research","keywords":"Humanities; Art","score_opus":0.012789391013923315,"score_gpt":0.23254622828053012,"score_spread":0.2197568372666068,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W22984397","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0139843,0.03489819,0.0067329993,0.020524077,0.011422588,0.00023853508,0.003443034,0.004044479,0.9047118],"genre_scores_gemma":[0.030417219,0.01354748,0.0024574003,0.002142368,0.0012159499,0.0001248955,0.0017427796,0.0005698624,0.947782],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99894506,0.00011545207,0.000047643793,0.00044112434,0.00023644921,0.00021425265],"domain_scores_gemma":[0.9988034,0.00023500153,0.00009832112,0.00014566717,0.0004000806,0.0003175492],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00084331265,0.0018925023,0.0013305849,0.0015309724,0.0015564093,0.0031153045,0.0015008335,0.0032425881,0.43685862],"category_scores_gemma":[0.0015790369,0.00025415907,0.00066775345,0.0011474119,0.0006627634,0.0016267606,0.0015919798,0.0024381715,0.37445787],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0013481036,0.00045789074,0.0028939394,0.0009107682,0.00005896406,0.0032383706,0.0004071691,0.0005299432,0.0064221667,0.01518434,0.2563272,0.7122212],"study_design_scores_gemma":[0.000044498727,0.000072429226,0.00183765,0.0002361585,0.000020031417,0.0017093052,0.00024821007,0.0002939359,0.0011292088,0.0013854763,0.9930038,0.000019281817],"about_ca_topic_score_codex":0.0033810537,"about_ca_topic_score_gemma":0.003282242,"teacher_disagreement_score":0.43685862,"about_ca_system_score_codex":0.001619224,"about_ca_system_score_gemma":0.0014819701,"threshold_uncertainty_score":0.8032528},"labels":[],"label_agreement":null},{"id":"W2306387970","doi":"10.1590/1517-106x/172-264","title":"MARCELINO PAN Y VINO UNA PELÍCULA FUNDACIONAL DEL ENMASCARAMIENTO DE LA ORFANDAD POLÍTICA","year":2015,"lang":"es","type":"article","venue":"Alea Estudos Neolatinos","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Humanities; Art","score_opus":0.024546307966612294,"score_gpt":0.2848793875101821,"score_spread":0.2603330795435698,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2306387970","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.051478293,0.030274637,0.001273637,0.05159153,0.0015979194,0.000024388955,0.00012027893,0.000040283172,0.863599],"genre_scores_gemma":[0.66223294,0.020972515,0.00086639356,0.0028171693,0.0009649846,0.000043740616,0.000062304825,0.00007567308,0.31196424],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99958664,0.0002164634,0.0000074286745,0.00006460275,0.00008068,0.000044240074],"domain_scores_gemma":[0.9995615,0.00020414787,0.000067226254,0.000030091001,0.000070568836,0.000066534354],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00055321294,0.00025949004,0.00010550339,0.00058597093,0.0026834477,0.0029361115,0.00025460412,0.00056946534,0.013398156],"category_scores_gemma":[0.0016489743,0.00010029691,0.000060007118,0.00062181166,0.003475016,0.001783223,0.0013670679,0.001272639,0.00078296935],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000101567675,0.000034009427,0.0043160645,0.00022175239,0.000008166887,0.0005033033,0.062233802,0.00020229431,0.000774257,0.6739657,0.16249962,0.095139585],"study_design_scores_gemma":[0.000003169966,0.000008237712,0.0033931283,0.00017689649,0.0000025173297,0.00011259903,0.008754332,0.0000480642,0.00017517856,0.00745344,0.9798686,0.0000039345246],"about_ca_topic_score_codex":0.01814912,"about_ca_topic_score_gemma":0.02238927,"teacher_disagreement_score":0.01814912,"about_ca_system_score_codex":0.0038083855,"about_ca_system_score_gemma":0.0016378111,"threshold_uncertainty_score":0.044821262},"labels":[],"label_agreement":null},{"id":"W2317325488","doi":"","title":"Barrie Kosky: un director de escena de culto debuta en el Real","year":2016,"lang":"es","type":"article","venue":"Scherzo: revista de música","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.011690343038668446,"score_gpt":0.2582142763393505,"score_spread":0.24652393330068206,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2317325488","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011434135,0.13636851,0.0037224116,0.4632184,0.11143579,0.000096900876,0.00082306465,0.000919156,0.2719817],"genre_scores_gemma":[0.099397436,0.03574169,0.0020882636,0.039187837,0.013066057,0.00010178542,0.0005642833,0.0009860459,0.80886656],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982663,0.0004950478,0.00009167438,0.00023789822,0.0005348141,0.00037436318],"domain_scores_gemma":[0.99732673,0.00040243063,0.00015309318,0.00013609184,0.001130526,0.0008510942],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0025063108,0.00094216876,0.0006524663,0.0015399687,0.0046452046,0.00682839,0.0015269956,0.003763904,0.04948626],"category_scores_gemma":[0.005832798,0.00026853225,0.00028939833,0.0012093154,0.0025837866,0.0066256286,0.004201314,0.0067141047,0.011912843],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011432877,0.000047979465,0.0009671598,0.00030799993,0.000010901223,0.00067811314,0.010096777,0.000066152395,0.0005409445,0.05102532,0.87769693,0.058447327],"study_design_scores_gemma":[0.0000049514,0.0000035922612,0.0003629452,0.00011202428,0.0000028889967,0.00010523367,0.004460266,0.00001684233,0.000104323255,0.0011416745,0.99367744,0.000007810757],"about_ca_topic_score_codex":0.026871582,"about_ca_topic_score_gemma":0.041638754,"teacher_disagreement_score":0.04948626,"about_ca_system_score_codex":0.0056393035,"about_ca_system_score_gemma":0.00679099,"threshold_uncertainty_score":0.16554803},"labels":[],"label_agreement":null},{"id":"W2332193930","doi":"10.1017/s0424208400000395","title":"Miracles in the Making of Twentieth-Century Spanishness: Ramón Menéndez Pidal, Buñuel’s<i>Viridiana</i>and<i>Isidro El Labrador</i>","year":2005,"lang":"en","type":"article","venue":"Studies in Church History","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Eleventh; Ideology; Kingdom; Dominance (genetics); History; Ancient history; Turning point; Art; Philosophy; Politics; Aesthetics; Political science; Period (music); Law","score_opus":0.06904136708194629,"score_gpt":0.2982646917250547,"score_spread":0.2292233246431084,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2332193930","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7382573,0.020394504,0.00068520935,0.023814825,0.0008135519,0.000013090613,0.0000409252,0.000023529241,0.21595706],"genre_scores_gemma":[0.98372793,0.0018983914,0.00008864444,0.0004937763,0.00009801037,0.0000034690113,0.000009174086,0.000014171347,0.013666496],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.999689,0.00017441284,0.0000042098945,0.000022018798,0.00003460573,0.00007587714],"domain_scores_gemma":[0.99968386,0.0001300737,0.000054382763,0.000022079117,0.000066623776,0.000043053547],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001120159,0.00027885233,0.00017398353,0.00051351136,0.002661066,0.0031620944,0.00033682113,0.0006390501,0.0017567999],"category_scores_gemma":[0.0012494583,0.00009428533,0.000096627016,0.00040764266,0.0060647866,0.0013239577,0.0016719311,0.0013700722,0.00013604257],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019698219,0.000057201018,0.0041131075,0.00016864132,0.000016800172,0.0013930969,0.6903631,0.00016824792,0.0012753775,0.25515544,0.014575868,0.032516047],"study_design_scores_gemma":[0.000039794642,0.000049961483,0.013425987,0.00039717663,0.000015052433,0.00042316667,0.39060882,0.00012157342,0.0009070488,0.011858442,0.5821293,0.000023675335],"about_ca_topic_score_codex":0.020302935,"about_ca_topic_score_gemma":0.038253542,"teacher_disagreement_score":0.020302935,"about_ca_system_score_codex":0.0031347107,"about_ca_system_score_gemma":0.0011148885,"threshold_uncertainty_score":0.04036951},"labels":[],"label_agreement":null},{"id":"W2346096435","doi":"10.18845/rc.v24i2.2482","title":"DESAFÍOS POSTMODERNOS DE LA OBRA LITERARIA DE JUAN BENET","year":2015,"lang":"es","type":"article","venue":"Revista Comunicación","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Winnipeg","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.03148456413655121,"score_gpt":0.2903481966441226,"score_spread":0.2588636325075714,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2346096435","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.72495127,0.0066520977,0.0010775971,0.013002561,0.00022169757,0.000021040298,0.00007204553,0.000024331546,0.25397745],"genre_scores_gemma":[0.98053074,0.0013753267,0.00021906309,0.000456135,0.00007482625,0.000012878184,0.000015469479,0.000014754775,0.017300934],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985922,0.0008091466,0.000025435756,0.00010332338,0.00026120417,0.00020861825],"domain_scores_gemma":[0.99816185,0.0010402462,0.00026834084,0.00013167594,0.00025940937,0.00013854931],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0034164495,0.00023389574,0.00019729408,0.0008611492,0.005330883,0.003388933,0.00031513034,0.0007706988,0.0033674736],"category_scores_gemma":[0.0037136795,0.00012915568,0.00010395191,0.0010721745,0.009072434,0.0015169501,0.00354021,0.0012852834,0.00023142988],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000099137615,0.000021757322,0.008022026,0.00011617951,0.0000043743944,0.00092707906,0.7381349,0.00009899608,0.00087792083,0.21072564,0.0060097734,0.03496216],"study_design_scores_gemma":[0.00001186991,0.00004929188,0.030357832,0.00044880365,0.000011011425,0.0007293784,0.33537617,0.00015099319,0.0009389586,0.016365504,0.61552966,0.000030549716],"about_ca_topic_score_codex":0.018654574,"about_ca_topic_score_gemma":0.044115722,"teacher_disagreement_score":0.018654574,"about_ca_system_score_codex":0.0043692114,"about_ca_system_score_gemma":0.0034928734,"threshold_uncertainty_score":0.03709203},"labels":[],"label_agreement":null},{"id":"W2376090481","doi":"10.4000/cinelatino.1362","title":"XXY, bien plus que deux sexes","year":2010,"lang":"fr","type":"article","venue":"Cinémas d’Amérique latine","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Petro-Canada","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.014132719388081858,"score_gpt":0.2333550097593709,"score_spread":0.21922229037128904,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2376090481","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06367134,0.0063506076,0.0025835417,0.034411278,0.0030423973,0.000054933567,0.00026366982,0.00008052741,0.88954175],"genre_scores_gemma":[0.2913573,0.0026381894,0.0010288003,0.008277746,0.00044949286,0.00006187312,0.00009516485,0.000101241705,0.69599015],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99917907,0.00022646961,0.00002083237,0.00013230141,0.00019767373,0.00024358541],"domain_scores_gemma":[0.99957937,0.00008234242,0.00006189481,0.000035183657,0.000112238755,0.00012899963],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00082940626,0.00045904698,0.00025746162,0.00040878073,0.0041700304,0.0031636234,0.00029927917,0.0011217245,0.026496727],"category_scores_gemma":[0.0019313892,0.0001657354,0.0003243703,0.00025581635,0.00344134,0.0019672418,0.0026222952,0.0024226706,0.004670333],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019359685,0.000059052883,0.010865445,0.00019701704,0.000029182378,0.0015451779,0.11760426,0.00006384743,0.004074037,0.66588104,0.119693175,0.07979414],"study_design_scores_gemma":[0.000007993473,0.00003687846,0.0038742379,0.000079709906,0.0000072806533,0.00061845884,0.019358687,0.00002318746,0.0004982404,0.0065958463,0.9688876,0.000011870903],"about_ca_topic_score_codex":0.01509714,"about_ca_topic_score_gemma":0.027089616,"teacher_disagreement_score":0.026496727,"about_ca_system_score_codex":0.0019468414,"about_ca_system_score_gemma":0.0017748559,"threshold_uncertainty_score":0.08864039},"labels":[],"label_agreement":null},{"id":"W2403117708","doi":"","title":"Habanart à Québec : Entre Berbila et Le Che. Habanart à Québec : art cubain actuel, La Chambre blanche/Le Lieu, centre en art actuel, Québec, 13 septembre au 7 octobre 2007","year":2008,"lang":"fr","type":"article","venue":"Inter : Art actuel","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.010860015601390735,"score_gpt":0.2133873044675777,"score_spread":0.20252728886618696,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2403117708","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13519625,0.23768356,0.0009012908,0.16786891,0.0062507894,0.00013975709,0.00433934,0.00020345129,0.44741666],"genre_scores_gemma":[0.3051734,0.024038224,0.0005459456,0.0069517014,0.00022066172,0.000044307013,0.00049288105,0.000098631266,0.6624343],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99962115,0.00005023151,0.000008300384,0.000053409345,0.000096544296,0.00017032478],"domain_scores_gemma":[0.9995943,0.0000312148,0.000026146441,0.00000973446,0.00017352616,0.00016517023],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00048914977,0.00044714235,0.00027677577,0.0007978167,0.012868048,0.0047369134,0.0008837024,0.0018417053,0.050695065],"category_scores_gemma":[0.00068232534,0.00032096647,0.0002597782,0.002031944,0.0024832792,0.0017298821,0.0014401685,0.0028342663,0.0017804005],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001721098,0.00012430058,0.014701511,0.0004040151,0.000046573798,0.0014702664,0.04845085,0.00034832963,0.0011094069,0.04160048,0.7466559,0.14491624],"study_design_scores_gemma":[0.000010169353,0.000010564193,0.03763766,0.00028374064,0.000010961393,0.00012425381,0.027603814,0.00006915186,0.00016373718,0.00034308952,0.9337218,0.000021086767],"about_ca_topic_score_codex":0.995977,"about_ca_topic_score_gemma":0.9989717,"teacher_disagreement_score":0.06909244,"about_ca_system_score_codex":0.06909244,"about_ca_system_score_gemma":0.05503036,"threshold_uncertainty_score":0.5013031},"labels":[],"label_agreement":null},{"id":"W2433278644","doi":"","title":"Lo difuso de la política en la versión cinematográfica de \"La muerte y la doncella\"","year":2016,"lang":"es","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Okanagan University College; Okanagan College","funders":"","keywords":"Art; Humanities","score_opus":0.10566677365353117,"score_gpt":0.5029021515466094,"score_spread":0.3972353778930783,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2433278644","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.020748757,0.023609784,0.0038225527,0.32270122,0.047335263,0.000060653434,0.0003651924,0.00029732802,0.58105934],"genre_scores_gemma":[0.45890385,0.012510926,0.0026357905,0.050154258,0.016450653,0.0002069786,0.00029436647,0.0007850678,0.45805818],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9965565,0.0018396417,0.00008773116,0.00036754255,0.0006811967,0.00046748586],"domain_scores_gemma":[0.9956626,0.0016948197,0.0003137382,0.00042963197,0.0014214538,0.00047780402],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005285612,0.0007708759,0.00040096085,0.0014009025,0.0065608076,0.014850988,0.00082239107,0.0048330985,0.013754424],"category_scores_gemma":[0.0107671125,0.0002535269,0.000333213,0.0015577215,0.009303751,0.0053368583,0.0036479915,0.009653139,0.0023777378],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009385533,0.000028717523,0.0005566384,0.00022335166,0.000007762709,0.00015937217,0.033113677,0.000049459173,0.0007926732,0.689271,0.24921599,0.02648747],"study_design_scores_gemma":[0.000008683419,0.0000054416714,0.00049825065,0.00017541801,0.0000072741404,0.00007046121,0.0073877447,0.000032104075,0.00018453735,0.0058704014,0.98575115,0.00000856675],"about_ca_topic_score_codex":0.03574812,"about_ca_topic_score_gemma":0.038931075,"teacher_disagreement_score":0.03574812,"about_ca_system_score_codex":0.009956822,"about_ca_system_score_gemma":0.006701095,"threshold_uncertainty_score":0.07224214},"labels":[],"label_agreement":null},{"id":"W246230236","doi":"","title":"The rise Spanish-language filmmaking. Out from hollywood's shadow, 1929-1939. Lisa Jarvinen. New Brunswick, New Jersey y London: Rutgers University Press, 2012","year":2016,"lang":"en","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Hollywood; Filmmaking; Shadow (psychology); Art history; Media studies; History; Art; Sociology; Movie theater; Psychology","score_opus":0.16053269577068238,"score_gpt":0.42505196324155314,"score_spread":0.26451926747087073,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W246230236","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.059626427,0.4161506,0.00033554644,0.08313135,0.0060681,0.000029506253,0.00095877884,0.000048907066,0.43365067],"genre_scores_gemma":[0.6227161,0.1114847,0.00034507932,0.004046954,0.002008324,0.000032173688,0.00031099506,0.00016703503,0.2588887],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996916,0.00011636838,0.000011784203,0.00004609129,0.000055318033,0.00007885226],"domain_scores_gemma":[0.9993443,0.00028554967,0.00006647481,0.00003243133,0.00014844727,0.00012282791],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011398526,0.0006678155,0.00030814295,0.0014624199,0.004242463,0.005701651,0.0005668025,0.0008397167,0.0126867145],"category_scores_gemma":[0.0020592315,0.00035442354,0.00013953705,0.0021626935,0.00513161,0.0029006496,0.0015947464,0.002174306,0.0012232729],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00032578842,0.00007380193,0.0042433157,0.00082600856,0.000018875582,0.0009217573,0.20734392,0.00013136031,0.0005305837,0.16692437,0.45729065,0.1613696],"study_design_scores_gemma":[0.000015682637,0.0000139173335,0.008016904,0.0006418216,0.0000072248804,0.00011841155,0.063123204,0.000021699925,0.00022164447,0.0034488267,0.92436075,0.00000998816],"about_ca_topic_score_codex":0.14251582,"about_ca_topic_score_gemma":0.3258667,"teacher_disagreement_score":0.14251582,"about_ca_system_score_codex":0.008231908,"about_ca_system_score_gemma":0.002942986,"threshold_uncertainty_score":0.28337258},"labels":[],"label_agreement":null},{"id":"W2468374300","doi":"10.18192/rceh.v40i1.1602","title":"Memoria crítica, working memory y pensar novelesco en La noche de los tiempos de Antonio Muñoz Molina","year":2015,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Humanities; Philosophy","score_opus":0.029428839259322322,"score_gpt":0.25865662468337364,"score_spread":0.2292277854240513,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2468374300","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.124517895,0.046689566,0.005449685,0.20311582,0.0044724415,0.000039416565,0.00041623405,0.00018372262,0.6151151],"genre_scores_gemma":[0.7866732,0.0150801875,0.0013103455,0.0056401617,0.0027734379,0.00005738044,0.0001816678,0.00018926764,0.18809435],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989907,0.00046203207,0.000030486031,0.00018532792,0.00020000867,0.00013152562],"domain_scores_gemma":[0.9978957,0.0010350542,0.00032712682,0.00023882631,0.00028977272,0.00021344463],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015949521,0.00040809953,0.00030596205,0.0008675659,0.0036168122,0.008781072,0.00072026876,0.0015715858,0.013842067],"category_scores_gemma":[0.006143205,0.00016220179,0.00022596055,0.0008217307,0.007386921,0.005114593,0.002079836,0.002480721,0.0015693562],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020033898,0.000058738897,0.0023857094,0.000324186,0.00001935561,0.000581081,0.05279011,0.0002967481,0.0004657359,0.7593236,0.11671231,0.06684207],"study_design_scores_gemma":[0.0000239593,0.000032758726,0.0029159358,0.00048434534,0.000020067257,0.0003561942,0.023322925,0.00021515509,0.0005035677,0.09232433,0.8797739,0.000026941454],"about_ca_topic_score_codex":0.009691876,"about_ca_topic_score_gemma":0.015234709,"teacher_disagreement_score":0.013842067,"about_ca_system_score_codex":0.0041299146,"about_ca_system_score_gemma":0.0028262753,"threshold_uncertainty_score":0.04630637},"labels":[],"label_agreement":null},{"id":"W2512800613","doi":"10.18192/rceh.v40i1.1600","title":"El triángulo azul: el teatro como recurso de sobrevivencia y espacio de memoria","year":2015,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Humanities; Art","score_opus":0.02638044865156507,"score_gpt":0.26025907704662443,"score_spread":0.23387862839505935,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2512800613","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1576516,0.0070506237,0.0043650996,0.04725827,0.0010609757,0.000051238832,0.00014056273,0.00007724027,0.7823444],"genre_scores_gemma":[0.91908264,0.00311787,0.00082787505,0.0018761855,0.00027616907,0.00003768944,0.00006125762,0.00011337946,0.07460692],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9970958,0.0014420663,0.00005518029,0.00025512555,0.00057596545,0.00057584513],"domain_scores_gemma":[0.99726593,0.0010074212,0.00034254018,0.0003960848,0.00052197755,0.00046602992],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0029944514,0.00032971991,0.00027934246,0.0018828274,0.012325763,0.010362448,0.0011612102,0.0012937869,0.013925454],"category_scores_gemma":[0.007932709,0.00017699036,0.0002473189,0.002921621,0.022950679,0.0055106306,0.008871514,0.0030622226,0.0013008831],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000039016126,0.000016256434,0.003415423,0.00008625319,0.0000073787487,0.0005493067,0.23503323,0.00015127948,0.00021620741,0.69817615,0.025639644,0.036669943],"study_design_scores_gemma":[0.000012607958,0.000023227343,0.0037601555,0.0003288346,0.000009077051,0.00019410439,0.21098702,0.00013729086,0.0003086789,0.0379597,0.7462597,0.0000197133],"about_ca_topic_score_codex":0.04288481,"about_ca_topic_score_gemma":0.060589027,"teacher_disagreement_score":0.9571152,"about_ca_system_score_codex":0.0087954225,"about_ca_system_score_gemma":0.00848818,"threshold_uncertainty_score":0.085270405},"labels":[],"label_agreement":null},{"id":"W2514343116","doi":"10.18192/rceh.v40i1.1607","title":"La apropiación de niños en España y Argentina. Dos políticas de la memoria","year":2015,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Humanities; Art","score_opus":0.019233945094239122,"score_gpt":0.2663118971269658,"score_spread":0.24707795203272667,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2514343116","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5265736,0.02006383,0.000881983,0.032879937,0.0017613001,0.000068255926,0.0005839244,0.00007882476,0.4171083],"genre_scores_gemma":[0.822246,0.007001001,0.00041286627,0.0014487103,0.00024694364,0.000053571035,0.00023978164,0.000034260127,0.16831687],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9995109,0.0001292045,0.000017569273,0.000073436335,0.000087066204,0.00018188274],"domain_scores_gemma":[0.99969447,0.000054704018,0.00006348471,0.000015498747,0.00007925779,0.000092539165],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006119807,0.0004253551,0.00021497566,0.00061471626,0.0060020764,0.0020295167,0.00035194692,0.00079738116,0.008346451],"category_scores_gemma":[0.0009777648,0.0001441199,0.00009587906,0.0006360357,0.0028273168,0.0010474828,0.0021608728,0.0013517296,0.00056619506],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00038078704,0.00006991256,0.048957013,0.0005160683,0.00002803203,0.0045324713,0.5531004,0.000315467,0.004066387,0.12139333,0.10874666,0.15789357],"study_design_scores_gemma":[0.000011193713,0.00006180497,0.065846734,0.0003318171,0.000011970865,0.0004928685,0.090285204,0.00007565934,0.000344813,0.0017257291,0.84079546,0.000016744754],"about_ca_topic_score_codex":0.22766915,"about_ca_topic_score_gemma":0.42709705,"teacher_disagreement_score":0.22766915,"about_ca_system_score_codex":0.0054559126,"about_ca_system_score_gemma":0.0037185804,"threshold_uncertainty_score":0.45268792},"labels":[],"label_agreement":null},{"id":"W2518188915","doi":"10.18192/rceh.v40i1.1596","title":"Novelistas españoles y memoria histórica en el siglo XXI","year":2015,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.025513273880671095,"score_gpt":0.25396402900540194,"score_spread":0.22845075512473084,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2518188915","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05783506,0.06731541,0.0033380638,0.096524514,0.032244466,0.00016123828,0.0012302767,0.00034880117,0.74100226],"genre_scores_gemma":[0.23643763,0.024634836,0.0017017677,0.006877724,0.007252349,0.00013908237,0.0009303394,0.00025740647,0.72176886],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9989286,0.00034386947,0.00006583977,0.00015615314,0.0002773629,0.00022815992],"domain_scores_gemma":[0.9990639,0.00030127683,0.00014282104,0.00009937973,0.00024701186,0.00014559379],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017373519,0.00062096654,0.00030419743,0.001061976,0.004474325,0.0063376576,0.00062818354,0.0015004313,0.026839],"category_scores_gemma":[0.0030388564,0.000246844,0.00031434625,0.0013071677,0.003474202,0.0041488865,0.0033400182,0.0032145386,0.004130493],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017875966,0.000059404414,0.0015892225,0.0007616539,0.00001926972,0.0011038684,0.062807016,0.00016388255,0.0017095539,0.46365452,0.38742027,0.08053249],"study_design_scores_gemma":[0.0000030741976,0.000008013457,0.0004356027,0.00007996872,0.0000017292066,0.00008516142,0.003768855,0.000009870181,0.00015304574,0.0014981759,0.99395317,0.0000033511185],"about_ca_topic_score_codex":0.0067489906,"about_ca_topic_score_gemma":0.011337145,"teacher_disagreement_score":0.026839,"about_ca_system_score_codex":0.0035185819,"about_ca_system_score_gemma":0.0032344025,"threshold_uncertainty_score":0.08978534},"labels":[],"label_agreement":null},{"id":"W2520265650","doi":"10.18192/rceh.v40i1.1599","title":"“Nobody Expects The Spanish Revolution”: memoria indignada e imaginarios de la historia en la narrativa gráfica española contemporánea","year":2015,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"University of Ottawa","funders":"","keywords":"Humanities; Art","score_opus":0.01645043905837349,"score_gpt":0.24309238769686384,"score_spread":0.22664194863849035,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2520265650","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.25949714,0.010486861,0.0030253932,0.14293398,0.002918933,0.00003751739,0.00022862895,0.0001103637,0.5807612],"genre_scores_gemma":[0.9287707,0.0022787827,0.0003719283,0.0045738537,0.0006343388,0.000024049396,0.000098082564,0.00008682758,0.063161485],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988663,0.0006942877,0.000025634172,0.00010470383,0.00014168413,0.00016740707],"domain_scores_gemma":[0.99877316,0.00062978396,0.00012659506,0.00009464158,0.0002237189,0.00015213544],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022284596,0.0003564393,0.0001935875,0.00066523656,0.0053451112,0.006476388,0.0005633657,0.0015924415,0.0065928632],"category_scores_gemma":[0.004168243,0.0001197949,0.00018256354,0.00073325,0.009501375,0.0033557762,0.0024618183,0.0028641257,0.000651438],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009646278,0.000029495899,0.0019552447,0.00012208396,0.0000072501252,0.0011295226,0.57257175,0.00013100871,0.00051280274,0.34871832,0.057838306,0.016887724],"study_design_scores_gemma":[0.000014890485,0.000017400938,0.0019660194,0.00024084614,0.0000059855906,0.0002561102,0.2546612,0.00011966479,0.00031291938,0.013797057,0.72859377,0.000014109649],"about_ca_topic_score_codex":0.019174634,"about_ca_topic_score_gemma":0.022642123,"teacher_disagreement_score":0.019174634,"about_ca_system_score_codex":0.0057842843,"about_ca_system_score_gemma":0.0023797704,"threshold_uncertainty_score":0.041968167},"labels":[],"label_agreement":null},{"id":"W2530360706","doi":"10.5206/entrehojas.v6i1.6165","title":"Cruzando Fronteras Genéricas: La Serie Carvalho de Manuel Vázquez Montalbán","year":2016,"lang":"es","type":"article","venue":"Entrehojas Revista de Estudios Hispánicos","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.013097595552695431,"score_gpt":0.23431191561342868,"score_spread":0.22121432006073324,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2530360706","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05357392,0.067899145,0.0030404206,0.33327505,0.006015602,0.000034972974,0.00019951853,0.00010548663,0.5358559],"genre_scores_gemma":[0.6791699,0.030703973,0.0021211996,0.046211276,0.004804887,0.000069658854,0.00017220817,0.00031961038,0.23642743],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99744177,0.0012789291,0.0000389121,0.00035233612,0.00049578253,0.00039220075],"domain_scores_gemma":[0.9973341,0.0014149487,0.0002425546,0.00020746933,0.00048765965,0.0003132296],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0027066255,0.00041270407,0.00048875663,0.001654696,0.012450826,0.009415992,0.001078074,0.003177485,0.009386833],"category_scores_gemma":[0.005009243,0.00025596836,0.0003082314,0.0018580855,0.011797861,0.0052219336,0.0043046065,0.0044270493,0.0010911038],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005418153,0.000027814984,0.0011367893,0.000144812,0.000012489843,0.0005907847,0.07600104,0.000121259705,0.00024500437,0.69630486,0.19149108,0.033869874],"study_design_scores_gemma":[0.0000026552702,0.0000053130098,0.00077349786,0.00020242696,0.000004607029,0.00019260532,0.01766467,0.00007024965,0.00009614679,0.017099988,0.96387625,0.000011667122],"about_ca_topic_score_codex":0.058446564,"about_ca_topic_score_gemma":0.100199044,"teacher_disagreement_score":0.058446564,"about_ca_system_score_codex":0.009613311,"about_ca_system_score_gemma":0.0046740095,"threshold_uncertainty_score":0.116212726},"labels":[],"label_agreement":null},{"id":"W2536978978","doi":"10.4000/belphegor.798","title":"La campaña social anticomic en la Gran Bretaña de postguerra","year":2016,"lang":"es","type":"article","venue":"Belphégor","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.016197888446921705,"score_gpt":0.2502319825527971,"score_spread":0.2340340941058754,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2536978978","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7588764,0.009313229,0.00063732645,0.011082966,0.00047073435,0.00005003182,0.0002964321,0.000075030046,0.21919788],"genre_scores_gemma":[0.9227384,0.0020537341,0.00017265754,0.00063141837,0.00006742507,0.000026476277,0.00009732952,0.000022793372,0.07418976],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995461,0.00012804885,0.0000127587045,0.000051094474,0.00006858702,0.00019334524],"domain_scores_gemma":[0.9996389,0.0000528092,0.00008030576,0.000026307765,0.000093334165,0.00010832116],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00067150145,0.00029042183,0.000307436,0.001121333,0.004474472,0.0027227288,0.00069354434,0.0008088713,0.018029736],"category_scores_gemma":[0.0010802797,0.00016357447,0.00016664897,0.0013752766,0.0036557226,0.0011415858,0.0037877383,0.0015922405,0.0010867966],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0010319503,0.00036411616,0.066684395,0.00079957914,0.000048535305,0.0040250635,0.31838402,0.00024825273,0.0060956064,0.25433096,0.030529408,0.317458],"study_design_scores_gemma":[0.000043774144,0.00018098894,0.16545002,0.00036073674,0.000022514889,0.00042492774,0.15124911,0.00006664576,0.0005241535,0.0043099555,0.67734104,0.000026158585],"about_ca_topic_score_codex":0.11232705,"about_ca_topic_score_gemma":0.3160207,"teacher_disagreement_score":0.11232705,"about_ca_system_score_codex":0.00830231,"about_ca_system_score_gemma":0.0046199216,"threshold_uncertainty_score":0.22334647},"labels":[],"label_agreement":null},{"id":"W2539126313","doi":"10.5206/entrehojas.v6i1.6166","title":"Riña de Gatos. Madrid 1936: Mendoza desde la óptica de la memoria histórica en el siglo XXI","year":2016,"lang":"en","type":"article","venue":"Entrehojas Revista de Estudios Hispánicos","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Spanish Civil War; Humanities; Art; History; Political science; Law","score_opus":0.010038681934910747,"score_gpt":0.24770930574641123,"score_spread":0.23767062381150048,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2539126313","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19790979,0.21372116,0.0007707266,0.037264057,0.009792342,0.00003766802,0.000733102,0.00017736027,0.53959376],"genre_scores_gemma":[0.8665679,0.029809043,0.00035169336,0.0016962817,0.0010009415,0.00002616522,0.0002532727,0.000070817434,0.100223884],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99977905,0.00006223019,0.000007189701,0.000049356517,0.000046501616,0.0000557235],"domain_scores_gemma":[0.9998253,0.0000634412,0.000046440215,0.000013169748,0.00002857221,0.000023070286],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00058107893,0.00047568104,0.00028245547,0.0008820599,0.0021608274,0.0029293406,0.00048194177,0.0011373141,0.005426115],"category_scores_gemma":[0.0011887404,0.00013670576,0.00017534134,0.0012526267,0.0024894788,0.0006966903,0.001234585,0.0014479554,0.0005774601],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0008972171,0.00009523544,0.009946204,0.0017347864,0.000053857155,0.008305356,0.15664428,0.0012532673,0.002138124,0.38579652,0.19797787,0.23515728],"study_design_scores_gemma":[0.000014488425,0.000023163833,0.008578156,0.00060364907,0.000008260801,0.00034757835,0.012189327,0.000034086253,0.00024367354,0.002215797,0.97572994,0.000011740529],"about_ca_topic_score_codex":0.03883889,"about_ca_topic_score_gemma":0.055288155,"teacher_disagreement_score":0.03883889,"about_ca_system_score_codex":0.008211627,"about_ca_system_score_gemma":0.0016445741,"threshold_uncertainty_score":0.077225626},"labels":[],"label_agreement":null},{"id":"W25433868","doi":"10.1016/j.jtcvs.2014.10.068","title":"De la violencia institucional a la violencia de género: últimas representaciones cinematográficas de la Guerra Civil en el cine español contemporáneo","year":2009,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Political science; Art","score_opus":0.011248328890638754,"score_gpt":0.26910321535471987,"score_spread":0.2578548864640811,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W25433868","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.61287117,0.00896028,0.0009852374,0.02024736,0.00064828794,0.000043291202,0.0001448514,0.000032567998,0.3560669],"genre_scores_gemma":[0.96540916,0.004421455,0.00018785195,0.0008721955,0.00025643848,0.000027735661,0.000041545885,0.000026954203,0.028756652],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992292,0.00039369953,0.0000140850525,0.00006113818,0.00010652776,0.00019543516],"domain_scores_gemma":[0.99890447,0.00050467486,0.00016251374,0.000067108616,0.00016230339,0.00019884972],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014744623,0.00041551198,0.00021183364,0.0015761137,0.006980778,0.0064803227,0.0005155747,0.0012340882,0.00881625],"category_scores_gemma":[0.0026705412,0.00013070635,0.0001620744,0.0014496469,0.00643702,0.0028341867,0.0041758106,0.0021291664,0.00040821315],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000074526346,0.00004763004,0.009294621,0.0001910817,0.000009590764,0.00094754057,0.8676497,0.000055490287,0.00094001874,0.07788884,0.012984345,0.029916614],"study_design_scores_gemma":[0.0000058202286,0.00001839162,0.010513133,0.000246066,0.000008686177,0.00038598018,0.70637304,0.00004458506,0.00027876085,0.0023130537,0.27980226,0.000010149477],"about_ca_topic_score_codex":0.025908088,"about_ca_topic_score_gemma":0.046949033,"teacher_disagreement_score":0.025908088,"about_ca_system_score_codex":0.0035027044,"about_ca_system_score_gemma":0.0017983709,"threshold_uncertainty_score":0.051514566},"labels":[],"label_agreement":null},{"id":"W2554636916","doi":"10.18192/rceh.v39i2.1636","title":"SARA J . BRENNEIS. Genre Fusion: A New Approach to History, Fiction, and Memory in Contemporary Spain. West Lafayette: Purdue University Press, 2014. 242 pp.","year":2015,"lang":"en","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Art history; Art","score_opus":0.049655175286892596,"score_gpt":0.20755252565251003,"score_spread":0.15789735036561744,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2554636916","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0017167189,0.82607967,0.0022937846,0.10373301,0.009726738,0.00005156942,0.0009436144,0.00020934093,0.055245414],"genre_scores_gemma":[0.043915235,0.7564931,0.0052534784,0.01640464,0.010534394,0.00017581641,0.0007451024,0.0003710563,0.1661071],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992787,0.00022629164,0.00006171378,0.00008807927,0.0002795888,0.00006563681],"domain_scores_gemma":[0.9952512,0.0023428674,0.00026929396,0.00011457869,0.0017520662,0.00026996795],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017974483,0.0017595282,0.0008830009,0.0066053923,0.0030586438,0.0040174895,0.0020497444,0.0030513532,0.024660394],"category_scores_gemma":[0.0045666145,0.0006683105,0.0006306211,0.005280525,0.0018132543,0.008243462,0.002193619,0.003584776,0.012942342],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000685369,0.00004204354,0.0008853699,0.0007507895,0.000014781574,0.00019611327,0.0050814166,0.00007208324,0.00015456906,0.012417622,0.8267713,0.15354536],"study_design_scores_gemma":[0.000022176137,0.000020532863,0.0053324495,0.0018304983,0.000026351396,0.00032972076,0.0074022436,0.0001411399,0.00042285613,0.013329662,0.9711188,0.00002360219],"about_ca_topic_score_codex":0.021719692,"about_ca_topic_score_gemma":0.07143408,"teacher_disagreement_score":0.024660394,"about_ca_system_score_codex":0.0021205875,"about_ca_system_score_gemma":0.002344389,"threshold_uncertainty_score":0.08249718},"labels":[],"label_agreement":null},{"id":"W2558244871","doi":"10.18192/rceh.v39i3.1623","title":"Spirits and Those Living in the Shadows: Migrants and a New National Family in Biutiful","year":2015,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Humanities; Art","score_opus":0.05783086739351396,"score_gpt":0.26666519225455476,"score_spread":0.2088343248610408,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2558244871","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.91679317,0.0029649287,0.000291918,0.014112499,0.00035640935,0.000016337546,0.000021151856,0.000009011564,0.06543455],"genre_scores_gemma":[0.99032754,0.0008659555,0.000051455667,0.0006745554,0.000040433802,0.000007818718,0.0000048947136,0.00000891934,0.008018542],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99891233,0.000683972,0.000015317206,0.000046154244,0.000069691625,0.00027247175],"domain_scores_gemma":[0.99926513,0.00019581158,0.000119168944,0.000040737046,0.000074580996,0.00030466955],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017233596,0.00028592927,0.00024161398,0.000907343,0.013028551,0.0056654746,0.0004918264,0.0010648018,0.003906649],"category_scores_gemma":[0.0017503035,0.00016788262,0.00017888378,0.0008133647,0.01339118,0.0037405253,0.004711142,0.0023774926,0.00019570735],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018045412,0.000024558687,0.0035574285,0.000022975679,0.000002002025,0.00036406165,0.968906,0.000009359694,0.000104726634,0.020159846,0.0021643708,0.0046666623],"study_design_scores_gemma":[0.000002161505,0.000008959498,0.0019140082,0.00003916544,0.0000016054659,0.00010252234,0.972801,0.000008490225,0.000034192057,0.0007390882,0.024344863,0.0000040046507],"about_ca_topic_score_codex":0.033171978,"about_ca_topic_score_gemma":0.07283728,"teacher_disagreement_score":0.033171978,"about_ca_system_score_codex":0.0034266652,"about_ca_system_score_gemma":0.0031295621,"threshold_uncertainty_score":0.065957785},"labels":[],"label_agreement":null},{"id":"W2561741444","doi":"10.18192/rceh.v40i2.1841","title":"Of Prostitutes and Parchments: Sex, Immigration, and a Poetics of Skin in Lourdes Ortiz’s Fátima de los naufragios","year":2016,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Humanities; Art; Cartography; Geography","score_opus":0.010486582986225942,"score_gpt":0.23457604036550825,"score_spread":0.22408945737928232,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2561741444","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16290413,0.08381742,0.0013406945,0.31490216,0.0028900565,0.000035011464,0.000070407725,0.00002572598,0.43401447],"genre_scores_gemma":[0.87423444,0.020907737,0.00038351072,0.030354185,0.0010110013,0.000038617432,0.000019161278,0.000026442536,0.073024884],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998877,0.0006717561,0.000014451011,0.00007426591,0.00011641813,0.0002461713],"domain_scores_gemma":[0.9993192,0.0004844954,0.000069089096,0.000023085322,0.000046182773,0.00005796768],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014464863,0.00045322263,0.0003105122,0.0008657888,0.010392266,0.0049808277,0.00075307896,0.0039092065,0.0038659777],"category_scores_gemma":[0.0017018318,0.00026550025,0.00024731492,0.00074839627,0.013603165,0.0035114083,0.0034303374,0.004501883,0.00023892638],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009659805,0.00008282192,0.0031253716,0.000115619565,0.000010115664,0.0011233047,0.30151695,0.00011355566,0.00028037297,0.60822165,0.050709914,0.034603726],"study_design_scores_gemma":[0.000020310848,0.00006732616,0.0105377175,0.0010153024,0.000025635683,0.0007884325,0.2811923,0.00013648855,0.00045939154,0.041136075,0.6645759,0.000045092667],"about_ca_topic_score_codex":0.041169386,"about_ca_topic_score_gemma":0.10417289,"teacher_disagreement_score":0.041169386,"about_ca_system_score_codex":0.004004378,"about_ca_system_score_gemma":0.0024269396,"threshold_uncertainty_score":0.08185947},"labels":[],"label_agreement":null},{"id":"W2567292584","doi":"10.22475/rebeca.v4n1.341","title":"Federico Hidalgo, Argentine-Canadian filmmaker","year":2016,"lang":"en","type":"article","venue":"Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Concordia University","funders":"","keywords":"Film director; Latin Americans; Wife; Exhibition; Immigration; Feature film; Art; Art history; Feature (linguistics); Cartography; Visual arts; History; Geography; Movie theater; Political science; Archaeology; Law","score_opus":0.02695544873193137,"score_gpt":0.2525321702460609,"score_spread":0.22557672151412952,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2567292584","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.081515625,0.10121055,0.0009926084,0.050312575,0.0059213615,0.00013529541,0.0027374364,0.000350856,0.7568238],"genre_scores_gemma":[0.32087612,0.03905845,0.0021263575,0.005189066,0.00077902555,0.000067990506,0.00088299334,0.00019840982,0.63082165],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99969935,0.00004623,0.0000068932286,0.00006757365,0.00008285442,0.000097091375],"domain_scores_gemma":[0.9994893,0.000052873904,0.000026529327,0.000015342812,0.00026974163,0.0001460781],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00054712716,0.00067786704,0.00024512302,0.0012308904,0.0068056104,0.003800394,0.0004679039,0.0009850909,0.032381434],"category_scores_gemma":[0.0011479772,0.00017235779,0.00014246881,0.0014872688,0.0010750894,0.0010285929,0.001079433,0.0012117104,0.002069047],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00028661112,0.000052238134,0.008289417,0.0005248164,0.000023724722,0.0014486985,0.016323144,0.00017128879,0.002181875,0.03409208,0.7732736,0.16333254],"study_design_scores_gemma":[0.0000053190515,0.000006287825,0.01167785,0.00017148237,0.0000073278616,0.00022666456,0.0054715895,0.00004851615,0.0002336078,0.00019207844,0.9819479,0.000011340904],"about_ca_topic_score_codex":0.86135155,"about_ca_topic_score_gemma":0.930324,"teacher_disagreement_score":0.13864845,"about_ca_system_score_codex":0.014900323,"about_ca_system_score_gemma":0.0075297602,"threshold_uncertainty_score":0.2789299},"labels":[],"label_agreement":null},{"id":"W2574078637","doi":"10.18192/rceh.v40i2.1864","title":"BARBARA ZECCHI. Desenfocadas. Cineastas españolas y discursos de género. Barcelona: Icaria, 2014. 246 pp.","year":2016,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Art; Humanities","score_opus":0.01360059960321505,"score_gpt":0.22611665453673083,"score_spread":0.21251605493351577,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2574078637","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00046923087,0.934833,0.0003831418,0.027870892,0.005711119,0.000015242617,0.00031189248,0.00012227206,0.030283157],"genre_scores_gemma":[0.016327584,0.8264736,0.0018032973,0.0076737953,0.005757389,0.00006740117,0.0004871146,0.00030601912,0.14110382],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994454,0.00017785934,0.00003696329,0.00007061449,0.00019509582,0.00007410718],"domain_scores_gemma":[0.99834013,0.00048173018,0.0001294007,0.000068834925,0.0007529246,0.00022701135],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011745829,0.0018308504,0.00085754675,0.0052434807,0.0027927654,0.004022847,0.0014837332,0.0025356107,0.048808895],"category_scores_gemma":[0.0027296268,0.0007578243,0.00048091638,0.0053211222,0.0016082198,0.005090611,0.0020281177,0.0027685987,0.030867219],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003430801,0.000014268847,0.00038832013,0.0005160663,0.0000061767932,0.000050549308,0.0015825619,0.00002998282,0.00010510482,0.0028011454,0.9108045,0.08366694],"study_design_scores_gemma":[0.000009600577,0.0000085446,0.0026886521,0.0014123628,0.000012341678,0.0001893349,0.003862351,0.00003566387,0.0001438159,0.0026819156,0.9889444,0.000011080841],"about_ca_topic_score_codex":0.040387165,"about_ca_topic_score_gemma":0.094253875,"teacher_disagreement_score":0.048808895,"about_ca_system_score_codex":0.0027674064,"about_ca_system_score_gemma":0.0019210093,"threshold_uncertainty_score":0.16328204},"labels":[],"label_agreement":null},{"id":"W2576647274","doi":"10.18192/rceh.v38i3.1703","title":"STEPHANIE DENNISON, ED. Contemporary Hispanic Cinema: Interrogating the Transnational in Spanish and Latin American Film. Woodbridge: Tamesis, 2013. 244","year":2014,"lang":"en","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":12,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Latin Americans; Movie theater; Art; Art history; American film; Humanities; Political science; Law","score_opus":0.0199327226727389,"score_gpt":0.2210824571156757,"score_spread":0.2011497344429368,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2576647274","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0015442529,0.9085415,0.00056637754,0.033498902,0.003634959,0.000018835623,0.00009236579,0.000045761768,0.05205697],"genre_scores_gemma":[0.028649604,0.8973398,0.0014857061,0.0063614533,0.004161591,0.00007953219,0.00014207979,0.00012070442,0.06165955],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994054,0.00030180142,0.000027226264,0.00006824815,0.00014112594,0.000056145498],"domain_scores_gemma":[0.9987225,0.0005982347,0.000090840134,0.00003346778,0.00034151692,0.00021337532],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015610274,0.0012575705,0.00047758198,0.0029645632,0.002446506,0.0054691522,0.0011914207,0.0019717868,0.011622439],"category_scores_gemma":[0.0024557237,0.0004980616,0.0003104542,0.0026533776,0.0025280963,0.0058768494,0.0017276026,0.0029207866,0.0037632696],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000051233543,0.00007059657,0.0012523349,0.0017160262,0.000018397854,0.00052685966,0.030411506,0.00011473586,0.0004353439,0.020381479,0.7391632,0.20585832],"study_design_scores_gemma":[0.000007962076,0.000009072033,0.0016139013,0.0022906708,0.000010086581,0.0003597428,0.01990512,0.00006028078,0.0001479862,0.003518866,0.97206795,0.000008455863],"about_ca_topic_score_codex":0.015465442,"about_ca_topic_score_gemma":0.028768798,"teacher_disagreement_score":0.015465442,"about_ca_system_score_codex":0.0026429347,"about_ca_system_score_gemma":0.0032859286,"threshold_uncertainty_score":0.038880885},"labels":[],"label_agreement":null},{"id":"W2586990524","doi":"10.26754/ojs_tropelias/tropelias.2017271302","title":"Condiciones para el nacimiento de la ciencia ficción española contemporánea","year":2016,"lang":"es","type":"article","venue":"Tropelías/Tropelías","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"WSP (Canada)","funders":"","keywords":"Humanities; Art; Spanish Civil War; Political science; Law","score_opus":0.01984506188634947,"score_gpt":0.288557722025291,"score_spread":0.2687126601389415,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2586990524","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.114725344,0.041960113,0.0024282634,0.04980487,0.003390735,0.000033462096,0.00015475684,0.00011825807,0.7873842],"genre_scores_gemma":[0.85288984,0.016338388,0.0010607684,0.004402463,0.0017165483,0.000036809502,0.0001234919,0.00012268347,0.12330895],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978992,0.0008263939,0.000059076327,0.00029107856,0.0005476691,0.00037656957],"domain_scores_gemma":[0.99541855,0.001771082,0.00035374428,0.00041462536,0.0015902015,0.0004518301],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0039073634,0.00045425247,0.00032790675,0.0022985723,0.0065955995,0.012568007,0.0008325914,0.00181509,0.016632393],"category_scores_gemma":[0.008808273,0.00013557222,0.00023075916,0.0033570891,0.0090830205,0.0037215427,0.0029466234,0.0026543946,0.0018366274],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012261434,0.00005411239,0.005258724,0.0005343544,0.000026892061,0.0013849015,0.21416809,0.00018063716,0.0011083458,0.6191121,0.05181905,0.10623011],"study_design_scores_gemma":[0.000010033782,0.000016482722,0.004884443,0.0005987498,0.000011011361,0.00033935416,0.052018154,0.00006722439,0.00034776103,0.012143605,0.9295504,0.0000127603125],"about_ca_topic_score_codex":0.03615432,"about_ca_topic_score_gemma":0.046877295,"teacher_disagreement_score":0.03615432,"about_ca_system_score_codex":0.0083728405,"about_ca_system_score_gemma":0.0071167103,"threshold_uncertainty_score":0.07188779},"labels":[],"label_agreement":null},{"id":"W2606828084","doi":"10.1353/crc.2017.0007","title":"Ghost Returns and Historical Memories in Zhang Yimou's Gui lai and Pedro Almodóvar's Volver","year":2017,"lang":"en","type":"article","venue":"Canadian review of comparative literature","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Homecoming; Literature; Narrative; Film director; History; Meaning (existential); Art; Aside; Art history; Philosophy; Movie theater; Epistemology","score_opus":0.05193713851846916,"score_gpt":0.27882409047643864,"score_spread":0.22688695195796948,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2606828084","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9453673,0.0029077702,0.00041182077,0.0038825644,0.00018910451,0.000014687787,0.00004333426,0.00002354646,0.047159795],"genre_scores_gemma":[0.9893265,0.0006988227,0.00010015678,0.0003042107,0.000044719764,0.000012005781,0.000026170523,0.000018626475,0.009468805],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9995241,0.00021719636,0.000012109168,0.000061150975,0.000072644885,0.00011268804],"domain_scores_gemma":[0.9994937,0.00020533365,0.00009675937,0.000042495856,0.000040824856,0.0001207731],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00075407646,0.00031054093,0.00031364185,0.0006627375,0.0066195363,0.004552646,0.0006409822,0.0013824274,0.003672366],"category_scores_gemma":[0.0018028591,0.00024122154,0.00022093621,0.00094094337,0.007544863,0.0034658255,0.0031075072,0.0029796811,0.00018213861],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000052911473,0.000020334006,0.001231406,0.000051530846,0.000006811975,0.0014350044,0.9703368,0.000026294292,0.0004644969,0.01944517,0.0024179781,0.00451129],"study_design_scores_gemma":[0.000012727234,0.000056353096,0.013266434,0.00014442249,0.000018540917,0.0009352823,0.898589,0.0000822525,0.0005464156,0.0023228512,0.08398878,0.00003688427],"about_ca_topic_score_codex":0.013494226,"about_ca_topic_score_gemma":0.032546185,"teacher_disagreement_score":0.013494226,"about_ca_system_score_codex":0.0029600637,"about_ca_system_score_gemma":0.0007609458,"threshold_uncertainty_score":0.026831329},"labels":[],"label_agreement":null},{"id":"W2731744696","doi":"","title":"I.O.U. (Intersubjectivity, Optimism, Utopia): Reflections on Luis Jacob's Image Archive / I.O.U. (intersubjectivité, optimisme, utopie) : réflexion sur les archives photographiques de Luis Jacob","year":2008,"lang":"fr","type":"article","venue":"Ciel variable : art, photo, médias, culture","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Utopia; Humanities; Intersubjectivity; Art; Sociology; Art history; Social science","score_opus":0.041574743581243065,"score_gpt":0.26940905310297286,"score_spread":0.22783430952172978,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2731744696","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03159913,0.16649134,0.0027675151,0.41006917,0.007619005,0.00006084948,0.0001376769,0.00013886846,0.38111645],"genre_scores_gemma":[0.6368147,0.05643187,0.0032416708,0.05909085,0.004442703,0.00012643101,0.000047163554,0.0003859193,0.2394187],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987764,0.0005385738,0.000029635588,0.00010780042,0.0002738669,0.00027376163],"domain_scores_gemma":[0.9987344,0.0007665741,0.00009720435,0.0000468455,0.00018434254,0.00017067365],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0026401947,0.00045582702,0.00038635943,0.0013385612,0.01038681,0.00911299,0.0010619411,0.00443832,0.006599925],"category_scores_gemma":[0.003362027,0.00024150044,0.00028484012,0.001724198,0.014303458,0.0047134226,0.0031485613,0.0061125956,0.00079920964],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004608265,0.000033291028,0.0006605881,0.00024235489,0.000007388787,0.00046618967,0.20254631,0.00006991085,0.00046211752,0.4600678,0.29758677,0.03781116],"study_design_scores_gemma":[0.000013293209,0.000013104553,0.0021595045,0.0006061195,0.000007056019,0.00026543834,0.10649605,0.00006237265,0.00081935176,0.024754956,0.864772,0.00003070425],"about_ca_topic_score_codex":0.09802503,"about_ca_topic_score_gemma":0.15850276,"teacher_disagreement_score":0.09802503,"about_ca_system_score_codex":0.008404429,"about_ca_system_score_gemma":0.006289324,"threshold_uncertainty_score":0.19490892},"labels":[],"label_agreement":null},{"id":"W2762436886","doi":"","title":"Sieburth, Stephanie. Survival Songs. Conchita Piquer's Coplas and Franco's Regime of Terror. Toronto: Toronto UP, 2014. 257 pp.","year":2016,"lang":"en","type":"article","venue":"Revista De Estudios Hispanicos","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; History; Humanities","score_opus":0.014325073674456472,"score_gpt":0.2335347503983046,"score_spread":0.2192096767238481,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2762436886","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0012433666,0.91937447,0.00047293768,0.032901354,0.0056762896,0.000024731411,0.00088115403,0.00012178347,0.03930387],"genre_scores_gemma":[0.03457827,0.82188725,0.0012152793,0.0063146395,0.00374206,0.0000888072,0.00069834257,0.00021814599,0.13125722],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995803,0.00010827454,0.000041111743,0.000041278872,0.00016240204,0.00006656696],"domain_scores_gemma":[0.998338,0.0005884477,0.00011748417,0.000053696735,0.0006883658,0.0002140459],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00096126465,0.0017990326,0.00071465806,0.004968724,0.0056817457,0.0034655652,0.0013882911,0.0026688462,0.0369891],"category_scores_gemma":[0.0024718493,0.0009981114,0.00046032408,0.0064018187,0.0019524484,0.006471036,0.0016272368,0.0029557492,0.017794002],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037157777,0.000013960103,0.0006721853,0.0004812581,0.0000090978665,0.00016052213,0.006374312,0.00004711104,0.000105284125,0.004232308,0.8864335,0.10143338],"study_design_scores_gemma":[0.000011971208,0.000015163276,0.0070459354,0.0018928852,0.000022008848,0.00026367218,0.013612803,0.000034931105,0.00017755102,0.0034671703,0.9734405,0.000015476006],"about_ca_topic_score_codex":0.12559628,"about_ca_topic_score_gemma":0.3502493,"teacher_disagreement_score":0.12559628,"about_ca_system_score_codex":0.0030328713,"about_ca_system_score_gemma":0.003826686,"threshold_uncertainty_score":0.24973047},"labels":[],"label_agreement":null},{"id":"W2769884259","doi":"10.1353/llt.2017.0048","title":"Canada's Foreign Enlistment Act and the Spanish Civil War","year":2017,"lang":"en","type":"article","venue":"Labour / Le Travail","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Statute; Communism; Spanish Civil War; Law; Political science; Government (linguistics); Prime minister; Economic Justice; Public administration; Politics","score_opus":0.013858210880207633,"score_gpt":0.1986818317159606,"score_spread":0.18482362083575296,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2769884259","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05979825,0.011814306,0.00030350935,0.0970347,0.0019639547,0.000054493084,0.0010632952,0.000056674548,0.82791084],"genre_scores_gemma":[0.51968855,0.0072987517,0.00043735516,0.035921834,0.00042667254,0.000044219014,0.00068702677,0.00008160875,0.435414],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99744034,0.00016491448,0.000029874875,0.0001149383,0.00076465413,0.0014852422],"domain_scores_gemma":[0.99816257,0.00018590702,0.00009376358,0.000059089838,0.00073740643,0.0007612547],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012018312,0.00032442718,0.00021905595,0.00096604537,0.013917724,0.005997626,0.0008052936,0.0021150734,0.011860416],"category_scores_gemma":[0.0039885105,0.00018250769,0.00027510885,0.0015142895,0.0055316463,0.0006962393,0.0020824298,0.0029861818,0.0009921645],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022106165,0.000066530774,0.011075645,0.000109911016,0.000024078436,0.0010093888,0.014322042,0.00048017004,0.00027004286,0.34574857,0.55945253,0.06722002],"study_design_scores_gemma":[0.000025892428,0.000010497996,0.019721907,0.00011208128,0.000010404901,0.0000722698,0.006928823,0.00006882905,0.00011995989,0.0020722677,0.9708288,0.000028335668],"about_ca_topic_score_codex":0.99192375,"about_ca_topic_score_gemma":0.99487585,"teacher_disagreement_score":0.06683552,"about_ca_system_score_codex":0.06683552,"about_ca_system_score_gemma":0.15536425,"threshold_uncertainty_score":0.48492795},"labels":[],"label_agreement":null},{"id":"W27719219","doi":"10.7748/nop.14.6.9.s9","title":"Una despedida generacional: José Juan Arrom (1910-2007)","year":2007,"lang":"en","type":"article","venue":"Revista de la Casa de las Américas","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Mount Allison University","funders":"","keywords":"Humanities; Art","score_opus":0.017503178138213202,"score_gpt":0.2808198941825703,"score_spread":0.2633167160443571,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W27719219","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.073520504,0.35184878,0.0006948746,0.22797412,0.036362015,0.000041819025,0.00034498938,0.00010880764,0.30910417],"genre_scores_gemma":[0.42659703,0.11014346,0.00072156073,0.026022285,0.008717754,0.00006273127,0.00018813586,0.00024118162,0.42730582],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995715,0.00016755913,0.000007660701,0.00006883535,0.000099998506,0.00008454088],"domain_scores_gemma":[0.9997576,0.00005709956,0.000034383607,0.000008123688,0.00008028895,0.00006247563],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011076861,0.0005600877,0.00032339917,0.00055854407,0.0046880436,0.0019409439,0.0005922071,0.0013970176,0.0043848963],"category_scores_gemma":[0.001080849,0.0002021863,0.0002110961,0.0005526672,0.0026700143,0.001662845,0.0018224057,0.0034223252,0.0009054465],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019979825,0.00008642074,0.0033404802,0.0006566815,0.000017682205,0.0033276791,0.18208016,0.00013216115,0.0010510035,0.119681,0.59998226,0.08944456],"study_design_scores_gemma":[0.000003660794,0.00001026513,0.0012690173,0.00015828558,0.0000030967292,0.00028234653,0.014838637,0.000010216122,0.00009136463,0.0006046472,0.98272115,0.0000073838514],"about_ca_topic_score_codex":0.064960256,"about_ca_topic_score_gemma":0.10432469,"teacher_disagreement_score":0.064960256,"about_ca_system_score_codex":0.0037715395,"about_ca_system_score_gemma":0.0031458281,"threshold_uncertainty_score":0.12916428},"labels":[],"label_agreement":null},{"id":"W2773688099","doi":"10.4000/belphegor.979","title":"The middlebrow Spanish Civil War film: a site of mediation between culture and history.","year":2017,"lang":"en","type":"article","venue":"Belphégor","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Middlebrow; Spanish Civil War; Narrative; Mediation; History; Orality; Aesthetics; Literature; Art; Sociology; Social science","score_opus":0.03414442828392104,"score_gpt":0.2273795555084838,"score_spread":0.19323512722456276,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2773688099","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6645092,0.015737008,0.0009771531,0.013752465,0.0009890049,0.00004172434,0.00024561235,0.000049572085,0.30369824],"genre_scores_gemma":[0.9837946,0.0023220824,0.00023425726,0.0007193648,0.00012873017,0.0000124749495,0.00005920455,0.000040230094,0.012689114],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99955744,0.00023977832,0.0000061247642,0.000038318056,0.00006241132,0.000095952724],"domain_scores_gemma":[0.9995315,0.0002026041,0.000055020457,0.00003501054,0.00006472801,0.000111149784],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00087108504,0.0003301892,0.00020557415,0.0007927536,0.004074371,0.004881177,0.00047209265,0.0007759605,0.004035996],"category_scores_gemma":[0.001729625,0.000114643524,0.00012940346,0.00094922655,0.004450957,0.0015277701,0.0027077082,0.001198979,0.0003568718],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022122414,0.000077333934,0.012061036,0.00031414386,0.000024101926,0.0034560652,0.8286932,0.00007463542,0.0024300565,0.06487518,0.031958923,0.05581404],"study_design_scores_gemma":[0.00001622058,0.000032946362,0.039267834,0.0004268672,0.000010694547,0.0007469131,0.6028926,0.000087262095,0.00045919648,0.003601962,0.35244304,0.000014434548],"about_ca_topic_score_codex":0.025384774,"about_ca_topic_score_gemma":0.047571525,"teacher_disagreement_score":0.025384774,"about_ca_system_score_codex":0.0036139335,"about_ca_system_score_gemma":0.001407949,"threshold_uncertainty_score":0.050474048},"labels":[],"label_agreement":null},{"id":"W2792312807","doi":"","title":"Rap and Hip Hop Culture. 2014. Fernando Orejuela. New York: Oxford University Press. 272pp., 17 Listening Guides.","year":2017,"lang":"en","type":"article","venue":"MUSICultures","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Active listening; Media studies; History; Psychology; Gerontology; Sociology; Medicine; Communication","score_opus":0.04945917486264722,"score_gpt":0.22962678907408401,"score_spread":0.1801676142114368,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2792312807","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0003621557,0.96424913,0.00019602454,0.010921107,0.003520862,0.0000091252205,0.00029377727,0.00007152683,0.020376323],"genre_scores_gemma":[0.013605173,0.816863,0.00092884875,0.0028185828,0.004937376,0.00006464247,0.00048167867,0.00019381565,0.16010682],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997004,0.000087606495,0.000028357865,0.000037431382,0.000101190984,0.00004504872],"domain_scores_gemma":[0.99929285,0.00027222224,0.00007805214,0.000025712514,0.00021664718,0.000114509494],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010060794,0.0023243197,0.0009802595,0.0027248312,0.0019659626,0.00268114,0.0011521023,0.0023463236,0.060474258],"category_scores_gemma":[0.0018956475,0.0011392295,0.00045114287,0.0025342603,0.0017417471,0.0033997612,0.00189347,0.0026046862,0.015653837],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000089213725,0.000031713902,0.0004594623,0.0008854847,0.000011360603,0.00017412813,0.0013490202,0.00007809484,0.0001291041,0.0033605716,0.7718436,0.22158812],"study_design_scores_gemma":[0.000015985315,0.000028137714,0.0048590726,0.0029506146,0.000019415253,0.00055511965,0.0032180157,0.00005423133,0.00010923815,0.0032110033,0.9849609,0.000018157756],"about_ca_topic_score_codex":0.039341997,"about_ca_topic_score_gemma":0.09860169,"teacher_disagreement_score":0.060474258,"about_ca_system_score_codex":0.0019291267,"about_ca_system_score_gemma":0.0023218598,"threshold_uncertainty_score":0.20230657},"labels":[],"label_agreement":null},{"id":"W2800467567","doi":"","title":"Ghost Returns and Historical Memories in Zhang Yimou’s Gui lai and Pedro Almodóvar’s Volver Miaowei Weng","year":2017,"lang":"en","type":"article","venue":"Canadian review of comparative literature","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Homecoming; Literature; Film director; Narrative; Meaning (existential); Aside; History; Art; Art history; Philosophy; Movie theater; Epistemology","score_opus":0.052484513733344555,"score_gpt":0.278641472267167,"score_spread":0.22615695853382245,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2800467567","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.94819725,0.0026845068,0.00038178393,0.0041696406,0.00026751668,0.000016659884,0.00004499284,0.000026210624,0.04421146],"genre_scores_gemma":[0.98721516,0.0006504264,0.00009844752,0.000375341,0.000061714265,0.0000116659685,0.000028321618,0.000025870235,0.0115331905],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99933475,0.00030982023,0.000015334823,0.000081216815,0.00009473428,0.00016414166],"domain_scores_gemma":[0.99941766,0.00022376337,0.00009921829,0.00004986041,0.00004745116,0.0001620874],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009784112,0.00042347403,0.000375362,0.0008352885,0.010935533,0.0054264646,0.0007755093,0.0015398023,0.003947772],"category_scores_gemma":[0.0021561373,0.0003373726,0.0002557288,0.0011033498,0.009315952,0.0041665686,0.0038309218,0.0039415355,0.00024122199],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000048772352,0.000022592048,0.0010535024,0.000043156168,0.0000079419315,0.0015720811,0.97463226,0.000022840706,0.00033732256,0.01604286,0.0025942062,0.003622493],"study_design_scores_gemma":[0.000010678854,0.00004970949,0.009182312,0.00013144607,0.000016222468,0.00071624795,0.9001529,0.00009296819,0.00044283585,0.0019131501,0.08725593,0.00003551053],"about_ca_topic_score_codex":0.01643018,"about_ca_topic_score_gemma":0.0471987,"teacher_disagreement_score":0.01643018,"about_ca_system_score_codex":0.0038066402,"about_ca_system_score_gemma":0.0009653498,"threshold_uncertainty_score":0.032669067},"labels":[],"label_agreement":null},{"id":"W2801212251","doi":"10.3138/cjfs.21.1.104","title":"Castrating the Body of the Police: Portraits of an Impotent Institution in the Early Films of Pedro Almodóvar","year":2012,"lang":"fr","type":"article","venue":"Canadian Journal of Film Studies","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Portrait; Institution; Merge (version control); Art history; Sociology; Social science","score_opus":0.04461973487511004,"score_gpt":0.27287979520008704,"score_spread":0.228260060324977,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2801212251","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.31758147,0.0097689815,0.0023153387,0.042154253,0.0025831922,0.000067251385,0.000081383565,0.000047134406,0.62540096],"genre_scores_gemma":[0.9284307,0.0043676435,0.00041841556,0.0025512003,0.00052642374,0.000023274377,0.000025125484,0.00008971391,0.06356751],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986829,0.0007652136,0.000013364482,0.00006372975,0.00024582792,0.0002289601],"domain_scores_gemma":[0.99916947,0.000313188,0.00011645022,0.00003505648,0.00014777541,0.00021799067],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009716761,0.00044397495,0.0002550531,0.0011827141,0.010968436,0.0053957747,0.0006379854,0.0011591513,0.0033641993],"category_scores_gemma":[0.0028342137,0.00024058874,0.00021510154,0.0007790524,0.012731197,0.0022127063,0.002759123,0.0048418883,0.0004901988],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006739468,0.000027113896,0.0012145009,0.00008500503,0.0000071803715,0.0013032415,0.84462017,0.000085414584,0.0009383109,0.11105098,0.029163545,0.011437096],"study_design_scores_gemma":[0.0000104804185,0.000023714589,0.004263697,0.00028249217,0.0000090412705,0.0006005922,0.4501071,0.000111333,0.00049693004,0.0036272767,0.540446,0.000021386742],"about_ca_topic_score_codex":0.054814793,"about_ca_topic_score_gemma":0.09313512,"teacher_disagreement_score":0.054814793,"about_ca_system_score_codex":0.0050625606,"about_ca_system_score_gemma":0.002493501,"threshold_uncertainty_score":0.108991444},"labels":[],"label_agreement":null},{"id":"W2809827200","doi":"10.18192/rceh.v42i1.2005","title":"Sentimental Objects: Nostalgia and the Child in Cinema of the Spanish Memory Boom","year":2018,"lang":"en","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Subject (documents); Object (grammar); Representation (politics); Movie theater; Relation (database); Art; Psychoanalysis; Anxiety; Boom; Presentation (obstetrics); Psychology; Literature; Philosophy; Linguistics; Computer science; Medicine; Law","score_opus":0.008413391475894025,"score_gpt":0.1988559870981167,"score_spread":0.19044259562222265,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2809827200","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.88441265,0.004285037,0.0008096248,0.0046170973,0.00024538703,0.000020059895,0.000055165947,0.000020866692,0.105534226],"genre_scores_gemma":[0.9911096,0.0013160385,0.00019644696,0.00025639992,0.00005744055,0.000008850594,0.000019309255,0.000019679374,0.007016293],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99954695,0.00024725433,0.000007993433,0.000037913916,0.00006789244,0.00009199417],"domain_scores_gemma":[0.99956137,0.00019555943,0.00010129151,0.000028152808,0.000044746903,0.0000688105],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007446053,0.00032610542,0.00022412938,0.00051821605,0.002971239,0.0036174052,0.00040929328,0.000935471,0.0024145872],"category_scores_gemma":[0.0015253534,0.00012468237,0.00012581973,0.0004236963,0.0070409686,0.00146664,0.0024390635,0.0018627641,0.00018143868],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000055904868,0.000030685092,0.0042959102,0.000083593244,0.0000064528094,0.002176894,0.9530213,0.000029293438,0.0020667708,0.027085429,0.0022325923,0.008915078],"study_design_scores_gemma":[0.00001291823,0.000049117974,0.01489439,0.00021450901,0.000014703344,0.0024737355,0.82829434,0.00005131228,0.0008576193,0.0027892056,0.1503294,0.00001880746],"about_ca_topic_score_codex":0.012820242,"about_ca_topic_score_gemma":0.02030591,"teacher_disagreement_score":0.012820242,"about_ca_system_score_codex":0.0022773272,"about_ca_system_score_gemma":0.0008492614,"threshold_uncertainty_score":0.025491238},"labels":[],"label_agreement":null},{"id":"W2811119492","doi":"10.18192/rceh.v42i2.3137","title":"Feminine and Failed Suicides in Spanish Cinema","year":2018,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Humanities; Art","score_opus":0.01833912842025949,"score_gpt":0.24076285307977416,"score_spread":0.22242372465951465,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2811119492","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9734099,0.0023326436,0.00010473302,0.0024369324,0.00007556078,0.000012451196,0.000054726155,0.0000051961374,0.021567903],"genre_scores_gemma":[0.99537885,0.001016502,0.00004433543,0.00018555093,0.0000325591,0.0000070369815,0.000024086783,0.0000075071193,0.003303533],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99915874,0.0005098335,0.00002766077,0.000045345034,0.00012366871,0.00013480532],"domain_scores_gemma":[0.99785197,0.0007831836,0.0005983626,0.00013154898,0.00028937423,0.00034556095],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013844359,0.0003277008,0.00025377068,0.001279762,0.003133967,0.0033414648,0.00037907492,0.00080619694,0.0052636126],"category_scores_gemma":[0.0052785613,0.00017937638,0.000168879,0.00071723096,0.0025464178,0.0011820846,0.0019841252,0.000903075,0.00038863308],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000108571185,0.00012725813,0.11131194,0.00017439936,0.000028655413,0.002386492,0.8509264,0.00004256987,0.0006077194,0.0065683224,0.0068391776,0.020878468],"study_design_scores_gemma":[0.000010972703,0.000041865133,0.08800753,0.00028186172,0.000018511713,0.0017978147,0.86323804,0.00008433712,0.00018641865,0.00074004114,0.045572672,0.000019978861],"about_ca_topic_score_codex":0.017934479,"about_ca_topic_score_gemma":0.037062496,"teacher_disagreement_score":0.017934479,"about_ca_system_score_codex":0.0019694732,"about_ca_system_score_gemma":0.0010572603,"threshold_uncertainty_score":0.035660148},"labels":[],"label_agreement":null},{"id":"W2811253906","doi":"10.18192/rceh.v41i3.2365","title":"MARÍA ASUNCIÓN GÓMEZ. La madre muerta. El mito matricida en la literatura y el cine españoles. Chapel Hill: The University of North Carolina, 2016. 215 pp.","year":2017,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Chapel; Art; Humanities; Art history","score_opus":0.009031800021891741,"score_gpt":0.21491697601130388,"score_spread":0.20588517598941214,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2811253906","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0009721108,0.75820726,0.0007228129,0.16723949,0.030028654,0.00003260389,0.00082385726,0.0003753004,0.041597944],"genre_scores_gemma":[0.034411985,0.6169018,0.001885249,0.042976625,0.023515852,0.00015444009,0.0007137975,0.0005498516,0.27889046],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999358,0.00017822157,0.00003287753,0.00008641853,0.00026763213,0.00007684633],"domain_scores_gemma":[0.9977113,0.00060177426,0.00018549347,0.000066881534,0.0011577719,0.00027682685],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013339834,0.0013125045,0.00063549733,0.0034344217,0.0033078447,0.003301638,0.001719802,0.0026679402,0.0420331],"category_scores_gemma":[0.004025165,0.00056754064,0.00038469047,0.002565701,0.0013467701,0.004976208,0.002562066,0.0039288816,0.027004253],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024142428,0.000011179705,0.00020966338,0.0002499399,0.0000037293078,0.000049459635,0.0015153915,0.000021321432,0.0000788637,0.0024798163,0.95376515,0.04159128],"study_design_scores_gemma":[0.0000044298818,0.000008199801,0.001497065,0.0010075892,0.000007921769,0.00012921344,0.0024985943,0.000029421437,0.00014018283,0.001411512,0.993256,0.000009897057],"about_ca_topic_score_codex":0.050876565,"about_ca_topic_score_gemma":0.09644239,"teacher_disagreement_score":0.050876565,"about_ca_system_score_codex":0.002088012,"about_ca_system_score_gemma":0.0030333486,"threshold_uncertainty_score":0.14061475},"labels":[],"label_agreement":null},{"id":"W28121057","doi":"10.1111/gcb.13595","title":"The Scenes of Memory during the Era of the Democratic Transition in Spain: Politics and Culture","year":2014,"lang":"en","type":"article","venue":"Historiografías: revista de historia y teoría","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"China Postdoctoral Science Foundation; Academy of Finland; National Natural Science Foundation of China","keywords":"Transition (genetics); Politics; Narrative; Democracy; Spanish Civil War; Politics of memory; History; Political culture; Collective memory; Sociology; Political science; Law; Literature; Art","score_opus":0.00636548451872834,"score_gpt":0.18309766465115568,"score_spread":0.17673218013242734,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W28121057","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7048338,0.030270074,0.00037307327,0.07992952,0.0016096336,0.000018843115,0.00032713308,0.000043886324,0.18259391],"genre_scores_gemma":[0.9855978,0.0031385752,0.00006382824,0.0022525867,0.00018034024,0.0000061303426,0.00003934377,0.000015889562,0.008705446],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990858,0.00040066612,0.00002114569,0.00007643624,0.000093460876,0.00032244326],"domain_scores_gemma":[0.9989188,0.00030336092,0.00021049038,0.00010293841,0.00016476765,0.00029956514],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020983277,0.00019917836,0.0002871151,0.0004888545,0.0040087374,0.0055056466,0.00045883044,0.00092269917,0.003162464],"category_scores_gemma":[0.0025242895,0.000109866094,0.00013331052,0.00087174604,0.008467245,0.0015289889,0.0025589897,0.0019160577,0.00026915793],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005877628,0.00020393947,0.052675404,0.0003567254,0.000062277315,0.0026073721,0.3503952,0.00083523407,0.00129582,0.3084866,0.10069646,0.18179728],"study_design_scores_gemma":[0.000046386333,0.00006258044,0.108102895,0.0004368994,0.000012708267,0.00035196665,0.14639924,0.00017479609,0.0003117394,0.012768766,0.7312727,0.000059377016],"about_ca_topic_score_codex":0.05631873,"about_ca_topic_score_gemma":0.060445834,"teacher_disagreement_score":0.05631873,"about_ca_system_score_codex":0.010067071,"about_ca_system_score_gemma":0.0038995412,"threshold_uncertainty_score":0.11198181},"labels":[],"label_agreement":null},{"id":"W28195684","doi":"","title":"Victors, Villains, and Ghosts: filmic intertextuality in Javier Marías' s \"Mañana en la batalla piensa en mí\"","year":2004,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Midnight; Cartography; Physics; Geography","score_opus":0.008507170963254035,"score_gpt":0.22781675471899282,"score_spread":0.21930958375573878,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W28195684","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17159213,0.010386742,0.0035908578,0.048973836,0.0017315719,0.00004291546,0.00010412275,0.00010262693,0.76347524],"genre_scores_gemma":[0.8923104,0.0016227954,0.0004543083,0.0013669217,0.0002990021,0.000029881923,0.000024112062,0.00007783402,0.103814736],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.998281,0.0012194173,0.000024775865,0.00013232982,0.00017162452,0.00017094631],"domain_scores_gemma":[0.999238,0.0003557823,0.0001059802,0.00006017948,0.000073170384,0.00016692102],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014271525,0.0004891971,0.00024688544,0.000607362,0.010835383,0.008248973,0.0008164214,0.0017717842,0.005275428],"category_scores_gemma":[0.0023987133,0.0002561539,0.00022823036,0.0004606564,0.015697077,0.0043925554,0.0045219837,0.0035581987,0.000602029],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006179951,0.000018927996,0.00049648824,0.000077114615,0.000005345887,0.0007272882,0.5521066,0.00006219725,0.00047553363,0.42057428,0.019937402,0.0054570185],"study_design_scores_gemma":[0.000015719459,0.000038127408,0.001320799,0.0002845574,0.00001099203,0.00053637766,0.2722886,0.00018629164,0.0006363034,0.021953095,0.7027072,0.000021980359],"about_ca_topic_score_codex":0.012719474,"about_ca_topic_score_gemma":0.029962804,"teacher_disagreement_score":0.012719474,"about_ca_system_score_codex":0.0050039794,"about_ca_system_score_gemma":0.0014461117,"threshold_uncertainty_score":0.03630656},"labels":[],"label_agreement":null},{"id":"W2893962074","doi":"10.5206/entrehojas.v8i1.6176","title":"Fragmentación en la novela histórica contemporánea sobre la Guerra Civil española","year":2018,"lang":"es","type":"article","venue":"Entrehojas Revista de Estudios Hispánicos","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Spanish Civil War; Political science","score_opus":0.013400316891837065,"score_gpt":0.2470722014794435,"score_spread":0.23367188458760643,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2893962074","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26021108,0.041269504,0.0030696546,0.053425826,0.0049933554,0.00004694914,0.00077654223,0.0001674918,0.6360397],"genre_scores_gemma":[0.8348967,0.010229956,0.0005241055,0.002050655,0.0010396794,0.000030076948,0.00031538834,0.00011544724,0.15079801],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994555,0.00026840638,0.000015360609,0.0000842146,0.000088554676,0.00008792188],"domain_scores_gemma":[0.999466,0.00025279674,0.00007275271,0.000057127403,0.00009525543,0.000056132892],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008303655,0.00042750672,0.0002480004,0.0008561515,0.0049779527,0.0038217797,0.0004989462,0.0010337938,0.015417123],"category_scores_gemma":[0.0015667859,0.00012025728,0.00014757847,0.0015003326,0.0056506013,0.0021588923,0.0025105844,0.0016618249,0.001246968],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023267778,0.00003208737,0.0023794582,0.00070530607,0.000024085697,0.0034336327,0.36027518,0.00036658367,0.002783639,0.47532,0.10453622,0.049911156],"study_design_scores_gemma":[0.000004080512,0.000013156135,0.0021034908,0.0002942597,0.0000048559655,0.00046083782,0.050831493,0.000053241056,0.00041171935,0.0049591893,0.94085336,0.00001031324],"about_ca_topic_score_codex":0.032868054,"about_ca_topic_score_gemma":0.045884173,"teacher_disagreement_score":0.032868054,"about_ca_system_score_codex":0.0051049837,"about_ca_system_score_gemma":0.0013590817,"threshold_uncertainty_score":0.06535351},"labels":[],"label_agreement":null},{"id":"W2895732287","doi":"10.1386/slac.15.3.397_5","title":"Book Reviews","year":2018,"lang":"en","type":"article","venue":"Studies in Spanish & Latin-American Cinemas","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Movie theater; Art history; Art; Wright; Humanities; Media studies; Sociology","score_opus":0.08665184112348372,"score_gpt":0.3373898244357276,"score_spread":0.2507379833122439,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2895732287","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00035607108,0.07530714,0.0012126053,0.011238165,0.03156991,0.0001977552,0.0039895736,0.0010304721,0.8750983],"genre_scores_gemma":[0.0019285518,0.036759112,0.00091366266,0.005700106,0.0076785027,0.00010223182,0.0034505958,0.00058305875,0.9428841],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99867564,0.00014332402,0.00009167639,0.00024656169,0.0007248559,0.00011786388],"domain_scores_gemma":[0.9978369,0.00037719245,0.00013366378,0.00022447921,0.0010719692,0.0003557223],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006445211,0.0011807374,0.0012462628,0.003668418,0.0013834329,0.008587742,0.0021785486,0.0022525813,0.6352845],"category_scores_gemma":[0.004550661,0.0004764782,0.0009200694,0.0042391713,0.0007637168,0.004150266,0.0027273512,0.0025519829,0.5694306],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010482121,0.000017456738,0.000038619517,0.00042376952,0.0000036111076,0.00005015413,0.000054031516,0.000039588325,0.00011149783,0.0030385107,0.90930593,0.08690644],"study_design_scores_gemma":[0.0000020672478,0.0000036355482,0.000050772833,0.0002278477,0.0000016510215,0.00006616325,0.00003249235,0.0000069567704,0.000019566663,0.000494449,0.99909174,0.0000025745035],"about_ca_topic_score_codex":0.0038149941,"about_ca_topic_score_gemma":0.005162128,"teacher_disagreement_score":0.6352845,"about_ca_system_score_codex":0.0022403342,"about_ca_system_score_gemma":0.00386764,"threshold_uncertainty_score":0.5202224},"labels":[],"label_agreement":null},{"id":"W2896187411","doi":"10.1386/ijis.26.1-2.113_5","title":"Book Reviews","year":2013,"lang":"en","type":"article","venue":"International Journal of Iberian Studies","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dictatorship; Humanities; Media studies; The arts; Garcia; Art; Spanish Civil War; Art history; History; Political science; Sociology; Law; Democracy; Politics; Visual arts","score_opus":0.0572097740409896,"score_gpt":0.3067394593090528,"score_spread":0.24952968526806318,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2896187411","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0003147454,0.075711556,0.0011473594,0.014149682,0.03752538,0.00022113389,0.0053524408,0.0010801725,0.86449754],"genre_scores_gemma":[0.0021412508,0.04214508,0.0009238398,0.007843175,0.009817371,0.0001306605,0.0047512385,0.0006548366,0.9315925],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99834275,0.0001798925,0.00011699914,0.0002963175,0.0009175852,0.00014641987],"domain_scores_gemma":[0.99712485,0.00046027542,0.00016316304,0.0003163541,0.0015053584,0.00042996346],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008324732,0.001131247,0.0013312654,0.003685343,0.0013573839,0.009496557,0.0023803716,0.0027165404,0.6482677],"category_scores_gemma":[0.0056655356,0.0004865039,0.0009301959,0.0044823866,0.0008094674,0.0041916794,0.0028479917,0.00279118,0.5932204],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010847223,0.000014340295,0.000035739642,0.00047400102,0.000004177102,0.000046056117,0.000042284635,0.00003617769,0.000096641714,0.0031516277,0.92009485,0.07599314],"study_design_scores_gemma":[0.0000022643524,0.0000033657734,0.000045051976,0.00023388612,0.0000017189673,0.00005040268,0.000026297063,0.00000568996,0.000018847293,0.00052462623,0.99908555,0.000002323437],"about_ca_topic_score_codex":0.003361035,"about_ca_topic_score_gemma":0.0042722,"teacher_disagreement_score":0.6482677,"about_ca_system_score_codex":0.0023956264,"about_ca_system_score_gemma":0.0042795674,"threshold_uncertainty_score":0.50170344},"labels":[],"label_agreement":null},{"id":"W2904754938","doi":"10.1007/978-3-319-97274-9_2","title":"Sites Without Memory and Memory Without Sites: On the Failure of the Public History of the Spanish Civil War","year":2018,"lang":"en","type":"book-chapter","venue":"","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University; Trent University","funders":"","keywords":"Spanish Civil War; Dictatorship; Civil society; Government (linguistics); Public history; Political science; History; Media studies; Sociology; Law; Democracy; Politics","score_opus":0.04008484455618103,"score_gpt":0.19608662087965076,"score_spread":0.15600177632346973,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2904754938","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.042135738,0.018272955,0.00044890243,0.040312853,0.0012004811,0.000014857307,0.000082409046,0.000028172282,0.8975037],"genre_scores_gemma":[0.7671065,0.009011179,0.00018729614,0.004755143,0.001146338,0.00003078492,0.000100121106,0.00020142405,0.21746118],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.998689,0.0005205221,0.00001859163,0.00010878133,0.00020938856,0.00045370296],"domain_scores_gemma":[0.9984297,0.00068691804,0.00011473303,0.00016534512,0.00031417893,0.00028908538],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002126977,0.0005125795,0.0004635367,0.0015382203,0.01068129,0.015048424,0.0012595238,0.002834773,0.019777687],"category_scores_gemma":[0.0047797957,0.00024357332,0.00023490368,0.0027722835,0.022127451,0.008142177,0.0051391064,0.004215488,0.0017220589],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004994482,0.000035442943,0.0006483784,0.000076489174,0.0000060036386,0.00027109106,0.10528051,0.00009350001,0.00006485605,0.7806009,0.07719671,0.03567626],"study_design_scores_gemma":[0.000018576677,0.00001556055,0.001989553,0.00043609022,0.000009098818,0.00014139799,0.10766213,0.000069049696,0.00012293039,0.0779925,0.81152916,0.000013927506],"about_ca_topic_score_codex":0.11784007,"about_ca_topic_score_gemma":0.13668393,"teacher_disagreement_score":0.11784007,"about_ca_system_score_codex":0.014733417,"about_ca_system_score_gemma":0.011070145,"threshold_uncertainty_score":0.2343083},"labels":[],"label_agreement":null},{"id":"W2908371070","doi":"","title":"La culpabilidad literaria, una fuerza de lucha automática en la transición latente.","year":2018,"lang":"es","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities; German; Geography; Archaeology","score_opus":0.13836910012011044,"score_gpt":0.5063051215817461,"score_spread":0.3679360214616357,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2908371070","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.63982505,0.047719974,0.0066985395,0.07901148,0.00043779382,0.00006445799,0.0019218505,0.0001587468,0.22416213],"genre_scores_gemma":[0.9935376,0.0026336343,0.00039691367,0.000351503,0.000073361625,0.000033433396,0.00013084136,0.00001783041,0.00282493],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9962148,0.0021654726,0.00013477188,0.0005215818,0.00052905054,0.00043422144],"domain_scores_gemma":[0.98205584,0.012007711,0.0027667468,0.0010551118,0.001540971,0.0005736636],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0057246285,0.00032721442,0.00038925564,0.0038416898,0.0025393567,0.006390803,0.0008404275,0.000964158,0.008339776],"category_scores_gemma":[0.022809843,0.0004038086,0.000282111,0.004446279,0.012985761,0.009695827,0.0045366352,0.0020585202,0.0005514196],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010429992,0.00010192638,0.16048172,0.00044246795,0.00010766588,0.00041330332,0.14838874,0.00014184936,0.00022222973,0.58433694,0.015679061,0.089579865],"study_design_scores_gemma":[0.000047529214,0.00011825706,0.4544891,0.0032636833,0.00026104148,0.0008222935,0.16812666,0.0013760959,0.0008821632,0.18898067,0.18153714,0.00009529438],"about_ca_topic_score_codex":0.017860303,"about_ca_topic_score_gemma":0.018035356,"teacher_disagreement_score":0.017860303,"about_ca_system_score_codex":0.0038359603,"about_ca_system_score_gemma":0.0031776014,"threshold_uncertainty_score":0.035512686},"labels":[],"label_agreement":null},{"id":"W2908646930","doi":"10.7203/kam.12.13112","title":"De utopías y desengaños: la novelística divisionaria de Rodrigo Royo","year":2018,"lang":"es","type":"article","venue":"Kamchatka Revista de análisis cultural","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Novelis (Canada)","funders":"","keywords":"Humanities; Art","score_opus":0.021161844962186944,"score_gpt":0.27781451695576465,"score_spread":0.2566526719935777,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2908646930","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06415175,0.052195318,0.005139708,0.12313556,0.004448594,0.00005456788,0.00011829894,0.00010345333,0.7506528],"genre_scores_gemma":[0.8360615,0.014253003,0.0020743813,0.011597178,0.0011956826,0.00007400872,0.000042596002,0.0001946975,0.13450697],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.995939,0.0028441958,0.000037901995,0.00032084977,0.00052012794,0.00033794055],"domain_scores_gemma":[0.9989267,0.0004037666,0.00013953481,0.00012239197,0.00015946139,0.0002480723],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0032335387,0.0005187248,0.00037571933,0.0005461169,0.009268662,0.0067838794,0.001092292,0.0015759509,0.004390819],"category_scores_gemma":[0.0030667738,0.00023581115,0.0002877528,0.00062357134,0.018478002,0.0046556205,0.0044773873,0.0040056985,0.0011382126],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006583532,0.00003263299,0.00055648055,0.00013949399,0.0000074919067,0.0005938898,0.1687418,0.00017585495,0.0005452979,0.74495065,0.069738634,0.014451845],"study_design_scores_gemma":[0.000005670532,0.000014690747,0.00036642796,0.00013563811,0.0000029675089,0.00032825163,0.039892107,0.00008845496,0.00019813151,0.019183837,0.9397656,0.000018214794],"about_ca_topic_score_codex":0.020158058,"about_ca_topic_score_gemma":0.0361878,"teacher_disagreement_score":0.020158058,"about_ca_system_score_codex":0.006161781,"about_ca_system_score_gemma":0.0044229617,"threshold_uncertainty_score":0.04470706},"labels":[],"label_agreement":null},{"id":"W2909443182","doi":"10.7203/kam.12.11097","title":"'Culpables por la literatura: imaginación política y contracultura en la transición española (1968-1986)' de Germán Labrador","year":2018,"lang":"es","type":"article","venue":"Kamchatka Revista de análisis cultural","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.008942866092739168,"score_gpt":0.2672312645070957,"score_spread":0.2582883984143566,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2909443182","genre_codex":"empirical","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6485619,0.056650545,0.0015908871,0.024118686,0.001083469,0.000045118763,0.0004317027,0.000039287246,0.2674784],"genre_scores_gemma":[0.94725466,0.010151849,0.00020915308,0.00075327576,0.00015580394,0.000021150057,0.00009772881,0.000039627095,0.04131669],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994072,0.00026715358,0.000026946018,0.000079157224,0.00007535112,0.00014429569],"domain_scores_gemma":[0.9990158,0.0005666222,0.0001524305,0.000046498342,0.00012858982,0.000089952955],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001972256,0.00054192665,0.00028389393,0.0028777542,0.0056653637,0.0057446365,0.00048387877,0.0011384999,0.004646369],"category_scores_gemma":[0.0024872678,0.00018032402,0.0001362152,0.0042616813,0.010855645,0.004595255,0.0030671863,0.001764185,0.0003928821],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010779951,0.000022162172,0.0050026337,0.00019251516,0.000008883745,0.001230855,0.80260307,0.000077733835,0.000360691,0.14772718,0.014103796,0.028562747],"study_design_scores_gemma":[0.000013017608,0.000023482453,0.017955761,0.0004719245,0.0000164764,0.0004229142,0.509927,0.00005953814,0.0004949196,0.0057746065,0.46482584,0.000014589391],"about_ca_topic_score_codex":0.04561939,"about_ca_topic_score_gemma":0.08701025,"teacher_disagreement_score":0.04561939,"about_ca_system_score_codex":0.009575611,"about_ca_system_score_gemma":0.0038872655,"threshold_uncertainty_score":0.09070772},"labels":[],"label_agreement":null},{"id":"W2910332568","doi":"10.7202/1055192ar","title":"Gernikaren itzalpean: Propaganda, Appropriation, and Depoliticisation of Basque Art Music","year":2019,"lang":"en","type":"article","venue":"Circuit Musiques contemporaines","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"Agence Nationale de la Recherche","keywords":"Appropriation; Musical; Battlefield; Politics; German; Spanish Civil War; History; Event (particle physics); Art; Collective memory; Law; Humanities; Sociology; Visual arts; Art history; Political science; Ancient history; Linguistics; Philosophy","score_opus":0.03013610081080566,"score_gpt":0.1956154592071371,"score_spread":0.16547935839633143,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2910332568","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.723676,0.004429674,0.00039818196,0.0014175016,0.00014026562,0.000016919948,0.000037619433,0.000013783885,0.26987004],"genre_scores_gemma":[0.9837653,0.0011299308,0.00014232326,0.00013909677,0.00008810949,0.000007713723,0.00002041941,0.000014543786,0.014692507],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995933,0.00018435862,0.0000064979013,0.000042168707,0.00006748965,0.00010619274],"domain_scores_gemma":[0.9997683,0.00008870236,0.000045921726,0.000022712402,0.000036155372,0.000038218437],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006846012,0.00047668192,0.00020179765,0.0013717421,0.0054630376,0.004795317,0.00039429232,0.0007107029,0.0048677013],"category_scores_gemma":[0.0007210153,0.00010367888,0.000077604454,0.0010012744,0.0055449875,0.0007044584,0.0017879682,0.00084635726,0.000360919],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00037679193,0.00018150365,0.012777189,0.00035277632,0.000030429714,0.0030125494,0.72998637,0.00022666808,0.0035728368,0.11073612,0.013874434,0.12487229],"study_design_scores_gemma":[0.00003551571,0.00012873081,0.0685472,0.00045332892,0.000027696831,0.0013088423,0.5914335,0.00020356133,0.0012175437,0.0029390317,0.33367747,0.000027492248],"about_ca_topic_score_codex":0.012365543,"about_ca_topic_score_gemma":0.035501227,"teacher_disagreement_score":0.012365543,"about_ca_system_score_codex":0.0021901452,"about_ca_system_score_gemma":0.0006113802,"threshold_uncertainty_score":0.024587154},"labels":[],"label_agreement":null},{"id":"W2921119277","doi":"10.1080/24741604.2019.1589747","title":"Punctures and Molecular Politics: Topographies of the Body in Iván Zulueta’s <i>Arrebato</i> (1979)","year":2019,"lang":"en","type":"article","venue":"Bulletin of Spanish Visual Studies","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Cult; Clothing; Politics; Movie theater; Identity (music); Heroin; Lexicon; Aesthetics; Legislation; Power (physics); Art; Sociology; Literature; Psychology; Philosophy; Law; Political science; Drug; Linguistics","score_opus":0.012436035979640034,"score_gpt":0.24464263337546166,"score_spread":0.2322065973958216,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2921119277","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.320538,0.008846458,0.0025362538,0.006093988,0.0003061939,0.00002353091,0.00006416648,0.000053154352,0.6615382],"genre_scores_gemma":[0.97196406,0.0012931987,0.00035672952,0.0003106401,0.000046662917,0.0000116521305,0.000020638332,0.000054236378,0.025942123],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995389,0.00025392376,0.0000042227716,0.000041113217,0.000046901616,0.00011497151],"domain_scores_gemma":[0.999866,0.000067245324,0.000019039107,0.000011278793,0.000015287562,0.000021140237],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00046937587,0.00035826085,0.00022314473,0.0011422645,0.008008822,0.005627935,0.00046301808,0.00091153086,0.0040497505],"category_scores_gemma":[0.00065724045,0.000191533,0.00017082618,0.0007631279,0.016810227,0.0023005295,0.0027887472,0.0014889743,0.00038253237],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008242626,0.00001361716,0.00080553774,0.00007302882,0.000006082744,0.0009815568,0.6062907,0.00015394496,0.0009809771,0.37224162,0.0070651807,0.011305275],"study_design_scores_gemma":[0.000020764513,0.0000315457,0.0058750003,0.00036433,0.000015890244,0.0007115217,0.42054397,0.00019695636,0.00076236564,0.01961466,0.5518363,0.000026701246],"about_ca_topic_score_codex":0.040718473,"about_ca_topic_score_gemma":0.051399726,"teacher_disagreement_score":0.040718473,"about_ca_system_score_codex":0.0048708436,"about_ca_system_score_gemma":0.0011053518,"threshold_uncertainty_score":0.0809629},"labels":[],"label_agreement":null},{"id":"W2933519582","doi":"10.4000/books.cidehus.4275","title":"El Franquismo y las Elipsis del Terror","year":2012,"lang":"pt","type":"book-chapter","venue":"","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Trent University","funders":"","keywords":"Political science","score_opus":0.04520514802568185,"score_gpt":0.2421751807417007,"score_spread":0.19697003271601884,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2933519582","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.064311616,0.025531087,0.0007976011,0.029967172,0.001071709,0.000024469029,0.00011589461,0.00003331481,0.87814707],"genre_scores_gemma":[0.6759542,0.01285707,0.00030098282,0.0025881147,0.00032048346,0.000017089851,0.00006488064,0.000023533239,0.3078737],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995419,0.00013948207,0.000008662204,0.000044129083,0.00009226924,0.00017356638],"domain_scores_gemma":[0.99977916,0.000048868944,0.000052731695,0.000016314796,0.000049492646,0.00005356435],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005890247,0.0004313175,0.00014114569,0.00051378505,0.0076519395,0.0036100685,0.00031869,0.0013067076,0.007347555],"category_scores_gemma":[0.0007617562,0.0001450754,0.00016275937,0.00053082465,0.011744241,0.0017193378,0.0017007313,0.0015988027,0.0010980666],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007565546,0.00002858704,0.0046635563,0.00014288709,0.000011472146,0.000870806,0.14031452,0.00013826619,0.00045544395,0.64803946,0.12987284,0.075386494],"study_design_scores_gemma":[0.000008753964,0.00002126127,0.0063199513,0.0003785362,0.000006163519,0.0005737752,0.06647884,0.0000713339,0.00021265681,0.016010517,0.9099043,0.000013950239],"about_ca_topic_score_codex":0.09223511,"about_ca_topic_score_gemma":0.14327078,"teacher_disagreement_score":0.09223511,"about_ca_system_score_codex":0.0056482684,"about_ca_system_score_gemma":0.0038139108,"threshold_uncertainty_score":0.18339652},"labels":[],"label_agreement":null},{"id":"W2944555226","doi":"","title":"\"Operación Bisonte\": de Villarquemado a Montreal","year":2017,"lang":"es","type":"article","venue":"Turolenses","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Political science","score_opus":0.02155625494580706,"score_gpt":0.2656706038361604,"score_spread":0.24411434889035336,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2944555226","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1799627,0.013985838,0.0012973952,0.04288446,0.002884075,0.00010639683,0.0008236924,0.00023038553,0.75782496],"genre_scores_gemma":[0.4491912,0.003516837,0.0006458177,0.002761088,0.0002167701,0.0000512321,0.0002039343,0.00012706517,0.543286],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99950516,0.00009778722,0.0000074090517,0.00007867667,0.000065045846,0.00024594422],"domain_scores_gemma":[0.9997578,0.000025712754,0.000015226487,0.000012500003,0.000060118407,0.0001285954],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00057240715,0.00057922653,0.00029360087,0.0006419579,0.011223592,0.004034769,0.0010362511,0.0014009685,0.03201794],"category_scores_gemma":[0.0009104698,0.00021153412,0.00029873927,0.0011055445,0.004381818,0.0014373247,0.0028763027,0.0034105836,0.0012871332],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00041853686,0.00018132405,0.0076812957,0.00024030334,0.000033403452,0.0026021719,0.10154622,0.00036167187,0.0026036475,0.536833,0.23807673,0.109421715],"study_design_scores_gemma":[0.000014533145,0.000021063504,0.011591284,0.00010165321,0.000010757857,0.00011395547,0.033856675,0.000053430587,0.00026977257,0.001738099,0.9522037,0.000025237137],"about_ca_topic_score_codex":0.8913016,"about_ca_topic_score_gemma":0.96323174,"teacher_disagreement_score":0.8913016,"about_ca_system_score_codex":0.029799191,"about_ca_system_score_gemma":0.023895312,"threshold_uncertainty_score":0.2186771},"labels":[],"label_agreement":null},{"id":"W2950898847","doi":"10.4324/9781351326407-100","title":"Oh, no, canada!","year":2018,"lang":"en","type":"book-chapter","venue":"","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Political science","score_opus":0.022686873578502523,"score_gpt":0.173229290444804,"score_spread":0.1505424168663015,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2950898847","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00027144066,0.004283121,0.00016873947,0.0058882274,0.0018629982,0.0000114910035,0.00049126387,0.000099854864,0.9869229],"genre_scores_gemma":[0.0010928903,0.0011102248,0.000077584526,0.0006873933,0.000051213923,0.0000064750375,0.000081184386,0.00008528758,0.9968078],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99974626,0.000017923501,0.0000052495866,0.000043380856,0.00011792218,0.000069335496],"domain_scores_gemma":[0.9997265,0.000024920944,0.0000068277004,0.000013197903,0.00016011349,0.000068528905],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00032088603,0.0007580128,0.00056623906,0.00090968073,0.00750165,0.0063012107,0.0007992789,0.0020851933,0.34914964],"category_scores_gemma":[0.00093281193,0.00037264213,0.0002807972,0.0017129708,0.001430425,0.00359358,0.0016646229,0.003490579,0.11324282],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011302303,0.000008451434,0.0000944518,0.000046714376,0.000001076966,0.00004363616,0.00041198544,0.000020250052,0.00007195835,0.03138064,0.9373377,0.030571906],"study_design_scores_gemma":[0.0000011460021,5.505115e-7,0.00009688259,0.00003695417,4.875095e-7,0.0000074841337,0.00039851837,0.0000054133484,0.000013997746,0.0007703034,0.9986663,0.0000020982354],"about_ca_topic_score_codex":0.5491892,"about_ca_topic_score_gemma":0.8433912,"teacher_disagreement_score":0.4508108,"about_ca_system_score_codex":0.009128858,"about_ca_system_score_gemma":0.012148622,"threshold_uncertainty_score":0.92835903},"labels":[],"label_agreement":null},{"id":"W2971085866","doi":"10.15353/kinema.vi.1067","title":"From Moscow to Madrid: Postmodern Cities, European Cinema","year":2004,"lang":"en","type":"article","venue":"Kinema A Journal for Film and Audiovisual Media","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Postmodernism; The Imaginary; Ideology; Politics; Movie theater; Aesthetics; Mythology; Psyche; Sociology; Heterotopia (medicine); Postmodernity; Art; Art history; Literature; Political science; Psychoanalysis; Philosophy; Law; Epistemology","score_opus":0.029850732309492103,"score_gpt":0.2608993050398716,"score_spread":0.2310485727303795,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2971085866","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.45767426,0.02178204,0.0016731478,0.015910873,0.0019814982,0.00002431136,0.00022490071,0.00016752043,0.5005615],"genre_scores_gemma":[0.9741606,0.0022513256,0.0002676394,0.00044438508,0.0002526645,0.0000135432765,0.000070654714,0.00006715686,0.022472017],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994924,0.00028533093,0.000012417871,0.000051979376,0.000060157156,0.0000977264],"domain_scores_gemma":[0.9995491,0.00019782012,0.00006839558,0.000038364946,0.00004259571,0.000103749175],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012956366,0.00039706167,0.00019746706,0.0016152582,0.0037355532,0.008344557,0.00058251375,0.00096025685,0.003486082],"category_scores_gemma":[0.0016842578,0.00014541083,0.00015161869,0.0013176322,0.005848045,0.0027860182,0.0031358,0.0011726749,0.00040287964],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003191682,0.00009789809,0.007409103,0.0003228929,0.000027836424,0.0019336842,0.49018824,0.000520659,0.0010025797,0.3480476,0.06333668,0.08679364],"study_design_scores_gemma":[0.00003210892,0.000038356557,0.014847257,0.00035696966,0.000017503995,0.00045798012,0.18778771,0.00016826921,0.00072216935,0.011828225,0.7837211,0.000022279413],"about_ca_topic_score_codex":0.00700177,"about_ca_topic_score_gemma":0.0106317615,"teacher_disagreement_score":0.008344557,"about_ca_system_score_codex":0.004178913,"about_ca_system_score_gemma":0.0010191931,"threshold_uncertainty_score":0.030320287},"labels":[],"label_agreement":null},{"id":"W2981359632","doi":"","title":"Mientras dure la guerra: claroscuros del pasado reciente","year":2019,"lang":"es","type":"article","venue":"Cameraman: Revista técnica cinematográfica","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Cartography; Geography","score_opus":0.009826358622734477,"score_gpt":0.23241688095294982,"score_spread":0.22259052233021534,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2981359632","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.118644245,0.0453715,0.0037344978,0.054719247,0.0035835723,0.000046928617,0.00016266695,0.00023412697,0.7735031],"genre_scores_gemma":[0.6027792,0.01669087,0.0026793324,0.0037710431,0.0006789742,0.00004253126,0.00008757562,0.00024813815,0.3730223],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99945873,0.0002210209,0.000009881173,0.00008929472,0.00010396818,0.000117044605],"domain_scores_gemma":[0.99952793,0.00013232198,0.000043070813,0.000050936596,0.00012281195,0.00012296489],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008630144,0.000496914,0.00021466536,0.0009903678,0.0071869697,0.0047303573,0.00044949388,0.0013129327,0.014335177],"category_scores_gemma":[0.0016680111,0.00018424795,0.00016855435,0.000896457,0.0053521027,0.0030034718,0.003043811,0.0020767595,0.0013605924],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024168412,0.000036637717,0.003366401,0.0004304713,0.000017002038,0.0021992875,0.30422965,0.000198016,0.0037132415,0.30914497,0.20703402,0.1693886],"study_design_scores_gemma":[0.0000036688173,0.0000124673,0.0032576446,0.00024007059,0.0000056188096,0.0002876098,0.048493028,0.000037303707,0.00032923644,0.0024835423,0.94483906,0.000010704196],"about_ca_topic_score_codex":0.081731625,"about_ca_topic_score_gemma":0.21193083,"teacher_disagreement_score":0.081731625,"about_ca_system_score_codex":0.0050931936,"about_ca_system_score_gemma":0.0024637464,"threshold_uncertainty_score":0.16251177},"labels":[],"label_agreement":null},{"id":"W2981829027","doi":"10.17398/2660-7301.42.133","title":"Representaciones de la división azul en la narrativa española actual (2005-2016)","year":2019,"lang":"es","type":"article","venue":"Anuario de Estudios Filológicos","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Novelis (Canada)","funders":"Universidad de Alcalá","keywords":"Dictatorship; Humanities; Theme (computing); Art; Representation (politics); Period (music); Composition (language); Front (military); Art history; Literature; Politics; Geography; Political science; Law; Aesthetics","score_opus":0.008446037918073128,"score_gpt":0.2479184362985159,"score_spread":0.23947239838044276,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2981829027","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6105308,0.010612589,0.0011952476,0.008707632,0.0006578594,0.000021761583,0.0007643036,0.000060994233,0.36744887],"genre_scores_gemma":[0.9643375,0.0021969639,0.00019214844,0.00023403503,0.00007469851,0.000015087363,0.00024638887,0.000037298192,0.032665793],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9992879,0.00028099288,0.000028238992,0.00009109244,0.00014565668,0.00016612401],"domain_scores_gemma":[0.99920565,0.00030684672,0.0001109635,0.00005168872,0.00020812087,0.00011676315],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018311283,0.00031138762,0.00017782093,0.00092589506,0.0038385415,0.004456113,0.00038021494,0.0007607185,0.007276756],"category_scores_gemma":[0.0028859386,0.00010505945,0.00013358664,0.0019380077,0.0035207658,0.002048086,0.002408277,0.0012550558,0.00078032876],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023214411,0.000020576002,0.009469439,0.00025046628,0.000015754276,0.0012000881,0.81868064,0.0001846886,0.0010354032,0.07675083,0.03468238,0.05747767],"study_design_scores_gemma":[0.000009629841,0.000023016322,0.023155276,0.0005012437,0.000010298083,0.0003299862,0.34017873,0.000097572054,0.0005903717,0.0026029106,0.63248473,0.000016168944],"about_ca_topic_score_codex":0.05091563,"about_ca_topic_score_gemma":0.07689033,"teacher_disagreement_score":0.05091563,"about_ca_system_score_codex":0.0059496416,"about_ca_system_score_gemma":0.0021847852,"threshold_uncertainty_score":0.10123855},"labels":[],"label_agreement":null},{"id":"W2997396766","doi":"10.7203/celestinesca.43.20241","title":"&lt;i&gt;La Celestina&lt;/i&gt; (1499) cinco siglos más tarde: ecos celestinescos en &lt;i&gt;Tiempo de Silencio&lt;/i&gt; (1962)","year":2019,"lang":"es","type":"article","venue":"Celestinesca","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Art; Humanities","score_opus":0.010932194790102424,"score_gpt":0.2204366807017788,"score_spread":0.20950448591167636,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2997396766","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09395363,0.013815828,0.0028953045,0.0064626485,0.0019396306,0.000079962425,0.00033662966,0.00008025258,0.88043624],"genre_scores_gemma":[0.6049772,0.005942894,0.002136728,0.0018494298,0.000348764,0.000057606212,0.00023164881,0.00010511106,0.38435066],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99973375,0.000061015115,0.000010451286,0.00006773838,0.000070835355,0.000056262426],"domain_scores_gemma":[0.9998661,0.000027550253,0.000024590365,0.00001620968,0.00003686614,0.000028717208],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003445517,0.00041485004,0.0001706935,0.00073411304,0.0031262957,0.003652032,0.0003127294,0.0012180656,0.009077262],"category_scores_gemma":[0.0004992254,0.0001752536,0.00020935683,0.0009800475,0.004422781,0.0016818293,0.0014205418,0.0020486047,0.0014691883],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00044545723,0.000070673974,0.008262893,0.00039043423,0.000018350735,0.0018582089,0.071207196,0.00021513445,0.006747422,0.7306834,0.05161918,0.12848172],"study_design_scores_gemma":[0.00000947599,0.000043471362,0.0068025235,0.00012666431,0.000005140336,0.0003525537,0.007593422,0.000055683926,0.0011327061,0.0067190514,0.9771428,0.00001634842],"about_ca_topic_score_codex":0.03504391,"about_ca_topic_score_gemma":0.08685534,"teacher_disagreement_score":0.03504391,"about_ca_system_score_codex":0.003997435,"about_ca_system_score_gemma":0.0019858,"threshold_uncertainty_score":0.06967986},"labels":[],"label_agreement":null},{"id":"W30038027","doi":"10.1073/pnas.1806296115","title":"Dos ferias y una tormenta","year":2005,"lang":"en","type":"article","venue":"Boletín de información técnica [de] AITIM","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"National Institute of Diabetes and Digestive and Kidney Diseases; National Institute of General Medical Sciences; Government of Canada; Canadian Institutes of Health Research; Welch Foundation","keywords":"Computer science","score_opus":0.01571062996650987,"score_gpt":0.2529503820590495,"score_spread":0.23723975209253964,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W30038027","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14741477,0.12273637,0.023039334,0.04941746,0.022805026,0.00043150125,0.00447768,0.0052921423,0.6243857],"genre_scores_gemma":[0.36353225,0.11453949,0.02255711,0.0100461645,0.0063243886,0.00039540927,0.0038512938,0.0007265809,0.4780273],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993155,0.00014678999,0.00003358571,0.00019358032,0.00020815326,0.000102448175],"domain_scores_gemma":[0.99954766,0.00010174282,0.0000731851,0.00006402462,0.00014348941,0.00006989368],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00095939945,0.0012196144,0.00095298176,0.0014692065,0.0012870792,0.0023066392,0.0008391496,0.0019688949,0.033828516],"category_scores_gemma":[0.0017918225,0.0003044449,0.0010274128,0.0008069025,0.0013937067,0.0013135605,0.0016381682,0.0028731932,0.010820617],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0016815662,0.0004543302,0.0054089576,0.0015723658,0.00012889443,0.006812965,0.0021488543,0.0008375471,0.018141676,0.074014224,0.093037374,0.79576135],"study_design_scores_gemma":[0.00007726105,0.00014955351,0.0037468174,0.0005496556,0.000055985045,0.0026259702,0.0006049168,0.0003954685,0.00319631,0.004367946,0.98419076,0.000039474406],"about_ca_topic_score_codex":0.008940371,"about_ca_topic_score_gemma":0.008244636,"teacher_disagreement_score":0.033828516,"about_ca_system_score_codex":0.0030182062,"about_ca_system_score_gemma":0.0012359523,"threshold_uncertainty_score":0.1131677},"labels":[],"label_agreement":null},{"id":"W3004308085","doi":"10.1386/fiin.17.4.143_7","title":"The Consequences of Cinema: An interview with Gael García Bernal (Toronto International Film Festival)","year":2019,"lang":"en","type":"article","venue":"Film International","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Garcia; Movie theater; Art history; Art; Humanities; Visual arts; Media studies; Sociology","score_opus":0.023021967125373945,"score_gpt":0.24929369624849557,"score_spread":0.22627172912312163,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3004308085","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.30766782,0.05156512,0.0010674079,0.42431015,0.011039025,0.00043535413,0.00092809804,0.00009847466,0.20288852],"genre_scores_gemma":[0.8952163,0.01703713,0.0005804196,0.02635314,0.0012787499,0.00029490096,0.00012244674,0.00015781421,0.05895908],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9953863,0.0034087684,0.00005322189,0.00016842158,0.0004801835,0.0005030586],"domain_scores_gemma":[0.99569345,0.0018767959,0.00029384915,0.000071658025,0.00098849,0.0010757272],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004494506,0.0006655206,0.000519344,0.0012275465,0.016753035,0.0065490208,0.0009282951,0.0034344052,0.005099673],"category_scores_gemma":[0.008379098,0.000557504,0.00027149453,0.0015168152,0.008303994,0.0037242323,0.002703888,0.006442432,0.0005009087],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000075838914,0.00005404694,0.0016864475,0.0001787037,0.0000063085854,0.0021333683,0.79859316,0.0000760169,0.00089828274,0.009130404,0.1806889,0.006478432],"study_design_scores_gemma":[0.0000063249104,0.000021828735,0.0036685285,0.00028912735,0.0000048958295,0.0003033096,0.66376895,0.000027762195,0.00014456375,0.0002961928,0.33143848,0.000029964262],"about_ca_topic_score_codex":0.26511258,"about_ca_topic_score_gemma":0.38709345,"teacher_disagreement_score":0.26511258,"about_ca_system_score_codex":0.0155306505,"about_ca_system_score_gemma":0.005862042,"threshold_uncertainty_score":0.52713895},"labels":[],"label_agreement":null},{"id":"W3008419506","doi":"10.18002/lys.v0i14.5604","title":"Juan Benet y el pensamiento místico: más allá del fatalismo = Juan Benet and mystical thought: beyond fatalism","year":2019,"lang":"es","type":"article","venue":"Lectura y Signo","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Winnipeg","funders":"","keywords":"Mysticism; Humanities; Art; Philosophy; Literature","score_opus":0.011732975376368214,"score_gpt":0.23487639523748527,"score_spread":0.22314341986111705,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3008419506","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.31073436,0.034601185,0.0038192084,0.15402716,0.0033276656,0.000022025424,0.00003648029,0.000068509114,0.49336338],"genre_scores_gemma":[0.9635562,0.0025247273,0.0003048631,0.0028839135,0.00048252844,0.000007758476,0.0000060132547,0.000034063378,0.030200033],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99878424,0.00075813854,0.000017071901,0.00011003758,0.00019559251,0.00013497692],"domain_scores_gemma":[0.99844813,0.00076526037,0.0002650251,0.00008804719,0.00022901129,0.00020441154],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016626605,0.0002652872,0.00021384351,0.00038162773,0.007979203,0.004746725,0.00044164658,0.0015676103,0.0013110976],"category_scores_gemma":[0.0030214577,0.00013468649,0.00015268198,0.00029625182,0.013538917,0.0023377724,0.0019924603,0.002321079,0.00023214435],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009081019,0.00003161187,0.0026450306,0.00013911664,0.000011793987,0.0011358999,0.23235981,0.00021971759,0.00051153003,0.7141015,0.03561921,0.0131339235],"study_design_scores_gemma":[0.000019116373,0.000048876947,0.004322625,0.0004071726,0.000020315494,0.001191556,0.11907962,0.00052673864,0.0007196204,0.12815751,0.74547094,0.000035957928],"about_ca_topic_score_codex":0.007476765,"about_ca_topic_score_gemma":0.014656622,"teacher_disagreement_score":0.007979203,"about_ca_system_score_codex":0.0039240313,"about_ca_system_score_gemma":0.0021293408,"threshold_uncertainty_score":0.028470933},"labels":[],"label_agreement":null},{"id":"W301135608","doi":"","title":"Papillon de nuit. Biutiful d'Alejandro González Iñárritu, Mexique—Espagne, 2010, 148 minBiutiful d'Alejandro González Iñárritu, Mexique—Espagne, 2010, 148 min","year":2011,"lang":"fr","type":"article","venue":"Ciné bulles","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.050085060126800925,"score_gpt":0.22009760843711648,"score_spread":0.17001254831031556,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W301135608","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010143449,0.3185146,0.0007771628,0.33380714,0.1275933,0.00012462396,0.0017729349,0.0003214451,0.20694546],"genre_scores_gemma":[0.038906015,0.04086608,0.00043472517,0.0283827,0.01855427,0.00017993554,0.0004311858,0.0002877386,0.87195736],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995059,0.00012811137,0.000016957914,0.0000959378,0.00010811521,0.00014509252],"domain_scores_gemma":[0.9992386,0.00012668967,0.000060531318,0.00003084063,0.00030294794,0.00024044045],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011193458,0.0013597329,0.0005915643,0.00095112185,0.0064614597,0.0042133005,0.0008319839,0.0028103765,0.04138332],"category_scores_gemma":[0.0018132378,0.00052095135,0.00027662853,0.0007852277,0.0010412644,0.0022890063,0.0028822937,0.004857422,0.007380501],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000053806903,0.000016765469,0.0003869347,0.0001421419,0.0000047511176,0.00011847249,0.0016430905,0.00002133582,0.0003032424,0.0047307108,0.97763926,0.014939665],"study_design_scores_gemma":[0.0000043194095,0.0000053660133,0.0018998688,0.00008809759,0.000002893635,0.000042650074,0.0010485665,0.000012032817,0.000054760698,0.00014859531,0.99668807,0.000004755779],"about_ca_topic_score_codex":0.06284969,"about_ca_topic_score_gemma":0.16447736,"teacher_disagreement_score":0.06284969,"about_ca_system_score_codex":0.0053793225,"about_ca_system_score_gemma":0.0033898123,"threshold_uncertainty_score":0.13844103},"labels":[],"label_agreement":null},{"id":"W302289962","doi":"","title":"La folle aventure. La Peau que j’habite de Pedro Almodovar, Espagne, 2011, 117 minLa Peau que j’habite de Pedro Almodovar, Espagne, 2011, 117 min","year":2012,"lang":"fr","type":"article","venue":"Ciné bulles","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.013748260666117658,"score_gpt":0.2431525241423003,"score_spread":0.22940426347618265,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W302289962","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0045286585,0.13223399,0.00051403925,0.57158446,0.06423791,0.000043105843,0.00077426055,0.00015821327,0.22592537],"genre_scores_gemma":[0.030932175,0.02182353,0.00047298372,0.09742526,0.013713631,0.000086179054,0.00029608814,0.00034113516,0.8349091],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992386,0.00023697049,0.00002510053,0.00015176556,0.00018022109,0.00016733664],"domain_scores_gemma":[0.9984635,0.00025669928,0.00009661199,0.000058993664,0.00063276873,0.0004914205],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013172256,0.00085804786,0.00046944164,0.00054390624,0.009095943,0.007064304,0.00081454247,0.003931712,0.04676867],"category_scores_gemma":[0.0035562688,0.0004118995,0.00028923393,0.0006233803,0.0020550233,0.0052678143,0.0028128603,0.0065187216,0.01042663],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020807105,0.000015574946,0.00026125507,0.00006541906,0.0000031594295,0.00005880822,0.0029125467,0.0000065643767,0.0001308971,0.009067881,0.97386056,0.013596551],"study_design_scores_gemma":[0.000004027066,0.0000036923577,0.0007741323,0.000072433955,0.000001783314,0.000034533423,0.002659612,0.0000044364356,0.00003671376,0.0005377675,0.9958674,0.000003531669],"about_ca_topic_score_codex":0.0465168,"about_ca_topic_score_gemma":0.15043828,"teacher_disagreement_score":0.04676867,"about_ca_system_score_codex":0.005421626,"about_ca_system_score_gemma":0.004352411,"threshold_uncertainty_score":0.15645677},"labels":[],"label_agreement":null},{"id":"W3026288648","doi":"10.6018/reapi.416741","title":"Dona-Arbre [Mujer-Árbol] de Fina Miralles: Recolectando conocimiento corporal.","year":2019,"lang":"es","type":"article","venue":"Arte y Políticas de Identidad","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.012968434406554194,"score_gpt":0.2521113431608898,"score_spread":0.23914290875433558,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3026288648","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.025163475,0.022021271,0.0231336,0.025159078,0.0020616492,0.00018659716,0.0003096852,0.00024518822,0.9017195],"genre_scores_gemma":[0.5746462,0.01607523,0.02467149,0.011944287,0.00064319297,0.0006512062,0.0004535806,0.0005921643,0.37032267],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977598,0.001236718,0.000061649065,0.00040686602,0.00036378906,0.00017117117],"domain_scores_gemma":[0.9980069,0.0010354603,0.00017810235,0.00025990885,0.00035979398,0.00015994985],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017429646,0.00070352276,0.00042554614,0.0018506796,0.005730214,0.004447871,0.0013243537,0.003055126,0.010098039],"category_scores_gemma":[0.0065085078,0.00047077527,0.0004626351,0.0013027255,0.008688479,0.0063580764,0.0037582032,0.0034995903,0.0021922751],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010128032,0.000051831295,0.0014678959,0.00027465392,0.000019425783,0.00033124088,0.0510417,0.00018533571,0.00080753997,0.82521933,0.054354984,0.06614474],"study_design_scores_gemma":[0.000024893086,0.00007304898,0.004685934,0.0008924404,0.00003890647,0.00047230197,0.018741699,0.0004349253,0.001154886,0.10860463,0.8648135,0.000062787214],"about_ca_topic_score_codex":0.022083433,"about_ca_topic_score_gemma":0.06352679,"teacher_disagreement_score":0.022083433,"about_ca_system_score_codex":0.004492505,"about_ca_system_score_gemma":0.0038969691,"threshold_uncertainty_score":0.043909788},"labels":[],"label_agreement":null},{"id":"W3034279405","doi":"10.4000/agedor.4163","title":"Le ravalement du franquisme par le décor du néo-cinéma historique","year":2008,"lang":"fr","type":"article","venue":"L’Âge d’or","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Historical Association","funders":"","keywords":"Art; Humanities","score_opus":0.026809376120192935,"score_gpt":0.20573683388083272,"score_spread":0.17892745776063979,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3034279405","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11454119,0.009993311,0.005032763,0.020309605,0.0010862534,0.000033648856,0.00007690204,0.00006118373,0.8488651],"genre_scores_gemma":[0.8208215,0.0034073403,0.0018850807,0.0013264996,0.0003976729,0.000026942495,0.000035026285,0.00014235015,0.17195755],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99918765,0.00037210307,0.000015174645,0.00010487265,0.00018846766,0.0001317718],"domain_scores_gemma":[0.99913067,0.00032631014,0.00008862618,0.00014465321,0.00020776813,0.000102066486],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018017972,0.00048005284,0.0002093327,0.0009873948,0.0046666465,0.0054359823,0.0004315276,0.0009433469,0.009581057],"category_scores_gemma":[0.0021801195,0.00015188755,0.00015945468,0.0008056363,0.007800259,0.0026767792,0.002152068,0.0019094024,0.0008938659],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000092908485,0.000015977232,0.002158028,0.00021684618,0.000007309727,0.0006044527,0.202224,0.00012801713,0.0019686122,0.7363882,0.014627678,0.041567974],"study_design_scores_gemma":[0.00000775776,0.000019987796,0.0032813186,0.00022512987,0.0000062362587,0.00038324928,0.03312839,0.00009025378,0.0006059268,0.013764532,0.9484766,0.000010576302],"about_ca_topic_score_codex":0.022990782,"about_ca_topic_score_gemma":0.050961744,"teacher_disagreement_score":0.022990782,"about_ca_system_score_codex":0.006100603,"about_ca_system_score_gemma":0.0025193852,"threshold_uncertainty_score":0.04571396},"labels":[],"label_agreement":null},{"id":"W303606728","doi":"10.3138/cjfs.17.1.2","title":"Punching Up the Story: Disability and Film","year":2008,"lang":"en","type":"article","venue":"Canadian Journal of Film Studies","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":16,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Admiration; Metaphor; Girl; Narrative; White (mutation); Apprehension; Baptism; Art; Disability studies; Literature; Aesthetics; Sociology; Psychology; Gender studies; Philosophy","score_opus":0.07492004438402436,"score_gpt":0.24352998138061965,"score_spread":0.1686099369965953,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W303606728","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14568745,0.04958033,0.0015384405,0.084247105,0.0073643234,0.000075516204,0.0004925106,0.00010628296,0.710908],"genre_scores_gemma":[0.81331414,0.034745555,0.0012406461,0.013101986,0.0027795832,0.00010772224,0.00033612436,0.00017372967,0.13420062],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990037,0.00060642604,0.000028913286,0.00007982445,0.00013164683,0.00014950693],"domain_scores_gemma":[0.9993369,0.0003578822,0.000054497184,0.000028646278,0.000059334678,0.00016272663],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008451105,0.00048591834,0.00021346581,0.0008518529,0.009791215,0.0069172685,0.0006511652,0.0019654376,0.008935391],"category_scores_gemma":[0.0025556923,0.00019248683,0.0001746066,0.0009314309,0.007066846,0.005444793,0.0035015778,0.0030312312,0.00091916125],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012247676,0.000093509756,0.0018215071,0.00048989675,0.000019904099,0.0029592975,0.5265486,0.00008893446,0.0011368237,0.10502518,0.32276097,0.038932968],"study_design_scores_gemma":[0.000010651274,0.00003350011,0.0015688846,0.0004384066,0.000011585038,0.0013194379,0.18443128,0.000043209388,0.0003155927,0.0026900044,0.8091245,0.0000130912495],"about_ca_topic_score_codex":0.012545765,"about_ca_topic_score_gemma":0.0300799,"teacher_disagreement_score":0.012545765,"about_ca_system_score_codex":0.0030509734,"about_ca_system_score_gemma":0.0007492633,"threshold_uncertainty_score":0.029891849},"labels":[],"label_agreement":null},{"id":"W3041080551","doi":"10.18192/rceh.v43i2.4651","title":"La historia como estado de excepción continuo: Sefarad, de Antonio Muñoz Molina","year":2020,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.01852496293985893,"score_gpt":0.23105120351781905,"score_spread":0.21252624057796013,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3041080551","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06341727,0.09489176,0.0019457827,0.2912853,0.005974808,0.000023351773,0.00020222086,0.000062119136,0.5421974],"genre_scores_gemma":[0.7358728,0.035118394,0.0008000722,0.017102271,0.0030257467,0.000041298677,0.00010500706,0.00015417811,0.20778018],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992489,0.0004279917,0.000010441755,0.00007957828,0.0001116466,0.000121341356],"domain_scores_gemma":[0.999387,0.00023869146,0.00008039264,0.00005325033,0.00013367408,0.00010692876],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013844649,0.00046008633,0.00025677597,0.0009798169,0.007930675,0.0066002524,0.0005822115,0.0013174916,0.0062690675],"category_scores_gemma":[0.002121291,0.00015419685,0.00021486788,0.001268069,0.010590791,0.0038443822,0.0023218025,0.0036408908,0.0007836396],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000096783166,0.000042536554,0.0036064899,0.00010253877,0.000009141909,0.00046853552,0.14923237,0.000096238466,0.00022359699,0.6001249,0.2145289,0.031467967],"study_design_scores_gemma":[0.000009080252,0.000010480222,0.0017294452,0.00027190018,0.0000043338323,0.00015284821,0.049074583,0.00003683589,0.00014587562,0.013631003,0.93492633,0.000007257623],"about_ca_topic_score_codex":0.04138823,"about_ca_topic_score_gemma":0.07001073,"teacher_disagreement_score":0.04138823,"about_ca_system_score_codex":0.007098249,"about_ca_system_score_gemma":0.0031388542,"threshold_uncertainty_score":0.08229464},"labels":[],"label_agreement":null},{"id":"W3042037047","doi":"10.18192/rceh.v43i2.4658","title":"Over Her Dead Body: Marianella Morena’s Delmira Agustini in No daré hijos, daré versos","year":2020,"lang":"en","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Centennial; Power (physics); Temporalities; Literature; History; Art; Theology; Philosophy; Archaeology","score_opus":0.023401390201889277,"score_gpt":0.2221826951760223,"score_spread":0.19878130497413302,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3042037047","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.38214862,0.039292194,0.0016736698,0.07812766,0.0051920456,0.000060745224,0.00012914714,0.000109955756,0.49326602],"genre_scores_gemma":[0.8792084,0.0054647587,0.00037660924,0.004153115,0.0006638653,0.000031594318,0.000035752975,0.000115598945,0.109950416],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992269,0.0004212237,0.000008907531,0.000079933634,0.0001056433,0.0001573024],"domain_scores_gemma":[0.9995173,0.00020243823,0.000055169425,0.00002616169,0.000063664185,0.00013527683],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011169645,0.0005450714,0.00036472597,0.0004728833,0.008698201,0.004496657,0.0007151949,0.0012940032,0.003943492],"category_scores_gemma":[0.0017821335,0.000178423,0.00021923355,0.0002985522,0.010113494,0.0021293135,0.0032722917,0.0035182857,0.0005864282],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011737564,0.00006460627,0.0012926874,0.00014182123,0.000011734658,0.0016506619,0.861167,0.00008059757,0.00082492095,0.06058245,0.05768786,0.016378285],"study_design_scores_gemma":[0.000008749871,0.0000256102,0.0022344445,0.00031226952,0.000006662826,0.0007655713,0.39747274,0.000056665518,0.00037141197,0.001894997,0.5968321,0.00001867216],"about_ca_topic_score_codex":0.033261165,"about_ca_topic_score_gemma":0.0766317,"teacher_disagreement_score":0.033261165,"about_ca_system_score_codex":0.0056545273,"about_ca_system_score_gemma":0.0016322923,"threshold_uncertainty_score":0.06613517},"labels":[],"label_agreement":null},{"id":"W3043361987","doi":"10.1353/hpn.2020.0045","title":"Inhabiting the In-Between: Childhood and Cinema in Spain’s Long Transition by Sarah Thomas","year":2020,"lang":"en","type":"article","venue":"Hispania","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Movie theater; Queer; Transition (genetics); Subject (documents); Ambivalence; Representation (politics); History; Temporality; Period (music); Art history; Art; Literature; Politics; Sociology; Gender studies; Psychoanalysis; Aesthetics; Philosophy; Political science; Law; Psychology","score_opus":0.017364836823137823,"score_gpt":0.19924993227866403,"score_spread":0.1818850954555262,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3043361987","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013250836,0.67870885,0.0003125453,0.18861109,0.0189035,0.000032097832,0.00024411423,0.000072685834,0.0998642],"genre_scores_gemma":[0.3276183,0.41846165,0.0008695257,0.033921268,0.019917365,0.00010729681,0.00043173082,0.00032501685,0.19834784],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.9992286,0.0003284885,0.000028745162,0.00008772295,0.00020592543,0.000120487195],"domain_scores_gemma":[0.99846965,0.00068590103,0.00016369158,0.00004389105,0.00037460838,0.0002622786],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013004793,0.0005230443,0.00034325273,0.0011517187,0.002356765,0.0057465294,0.00067753636,0.0017446654,0.0138644045],"category_scores_gemma":[0.0025498318,0.00026625057,0.00024087126,0.0016536477,0.002547481,0.003217853,0.0022223464,0.0030013022,0.0021938714],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000594815,0.000031928736,0.0012060133,0.0006700869,0.000012962963,0.0003432874,0.032156505,0.00012230866,0.00040800514,0.018518014,0.8863633,0.060108047],"study_design_scores_gemma":[0.0000050271005,0.000008072144,0.002649388,0.0010362787,0.0000054758943,0.00019936258,0.016554248,0.000024429242,0.0000919352,0.0008824752,0.9785342,0.000009162723],"about_ca_topic_score_codex":0.021851309,"about_ca_topic_score_gemma":0.03283133,"teacher_disagreement_score":0.021851309,"about_ca_system_score_codex":0.004296278,"about_ca_system_score_gemma":0.0020794363,"threshold_uncertainty_score":0.046381056},"labels":[],"label_agreement":null},{"id":"W3048840885","doi":"10.7202/1070962ar","title":"Lola Montez, c’est moi; or, Francesca Replayed","year":2020,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Art","score_opus":0.07265803457456496,"score_gpt":0.28214848179644586,"score_spread":0.2094904472218809,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3048840885","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0015578597,0.011801106,0.00021179789,0.93585765,0.0392351,0.000022004002,0.00023162563,0.00004800669,0.011034813],"genre_scores_gemma":[0.021143781,0.008272316,0.00044464917,0.7914444,0.012998757,0.0000467799,0.00015035483,0.00015304697,0.16534589],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.996166,0.0006359663,0.00015299216,0.0005878107,0.0015050359,0.00095223886],"domain_scores_gemma":[0.9874451,0.0028576276,0.00031966195,0.00029245447,0.0070534255,0.002031617],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004910331,0.0007672891,0.0009696346,0.0019021492,0.019701678,0.009465202,0.0024880983,0.016357973,0.012364704],"category_scores_gemma":[0.02492357,0.0005298677,0.0008259094,0.0021749733,0.0058034095,0.004216717,0.0033919893,0.01780961,0.0031471935],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020653093,0.0000073095603,0.0005412228,0.00007524352,0.000010398792,0.00010312631,0.0032950763,0.000021665672,0.00012432493,0.006648184,0.9854724,0.0036803307],"study_design_scores_gemma":[0.000005459469,0.0000036201254,0.0008674347,0.00013769884,0.000010652385,0.000054960237,0.008538284,0.00002062415,0.00011151596,0.00057056075,0.9896526,0.000026531554],"about_ca_topic_score_codex":0.6668877,"about_ca_topic_score_gemma":0.7837762,"teacher_disagreement_score":0.6668877,"about_ca_system_score_codex":0.022359107,"about_ca_system_score_gemma":0.022405248,"threshold_uncertainty_score":0.67014813},"labels":[],"label_agreement":null},{"id":"W3101434612","doi":"10.6035/clr.2020.24.6","title":"Son ilusiones: etnicidad e identidad cultural en la periferia urbana española desde Los Chichos hasta Estopa","year":2020,"lang":"es","type":"article","venue":"Cultura Lenguaje y Representación","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Art","score_opus":0.028412503685961054,"score_gpt":0.28629021485200734,"score_spread":0.2578777111660463,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3101434612","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8497606,0.0019324095,0.0008376687,0.003714319,0.00012583821,0.0000304681,0.00005762562,0.000019182118,0.14352193],"genre_scores_gemma":[0.972057,0.00063279853,0.0002016749,0.00020892441,0.00002484762,0.000020710735,0.000020224257,0.000010013664,0.026823845],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.999265,0.00032957364,0.000022127993,0.000108013526,0.000098156466,0.00017704733],"domain_scores_gemma":[0.9991573,0.0003142757,0.00012489964,0.000059164577,0.0001688621,0.00017536823],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014023007,0.00032745878,0.00021005848,0.0009949967,0.00880946,0.005619765,0.0005153875,0.0008459227,0.010344498],"category_scores_gemma":[0.0013715168,0.00020789934,0.00013028824,0.0011487079,0.008815871,0.0021907121,0.004834613,0.0012238724,0.00044316673],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000955896,0.00002953669,0.017386742,0.00013869845,0.000008908855,0.0013476348,0.90544224,0.000049521193,0.0008958207,0.046960235,0.0032852446,0.024359765],"study_design_scores_gemma":[0.000005820669,0.000039448503,0.029747766,0.0002139345,0.000011891355,0.00031458933,0.8774432,0.000080874706,0.00025722868,0.0018990944,0.08997145,0.000014616576],"about_ca_topic_score_codex":0.06370286,"about_ca_topic_score_gemma":0.14609076,"teacher_disagreement_score":0.06370286,"about_ca_system_score_codex":0.0039930064,"about_ca_system_score_gemma":0.0029488688,"threshold_uncertainty_score":0.1266641},"labels":[],"label_agreement":null},{"id":"W3109686035","doi":"10.18192/rceh.v43i3.2499","title":"El espejo quebrado: la sátira visual de Andrés Rábago, OPS","year":2020,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.01882223785244567,"score_gpt":0.2527480785609409,"score_spread":0.23392584070849523,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3109686035","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21364437,0.011682414,0.0020271884,0.040534068,0.0015122506,0.000031682008,0.00014744516,0.000099644196,0.73032093],"genre_scores_gemma":[0.84372634,0.004735245,0.0005775695,0.0033325334,0.00028919167,0.000024127026,0.00005249528,0.00013735051,0.14712524],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99938464,0.00032703928,0.000008622724,0.00006856711,0.000103167586,0.000107943866],"domain_scores_gemma":[0.99942744,0.000257078,0.00006461426,0.00005080903,0.00011099035,0.00008905126],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001055481,0.00032700828,0.00023216316,0.00081837404,0.005382382,0.0049521476,0.00049591914,0.0010739195,0.01592445],"category_scores_gemma":[0.00221328,0.00014509865,0.00019206372,0.0010352156,0.007961426,0.0028619352,0.0034336692,0.0022681453,0.0015386019],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012373045,0.00004034016,0.002323881,0.0003413144,0.0000085926595,0.0011939446,0.57060343,0.000077744044,0.001591596,0.3058862,0.06537704,0.05243217],"study_design_scores_gemma":[0.0000070685965,0.000024012274,0.0036803267,0.00036710128,0.000007617346,0.00037830672,0.2727813,0.00006368359,0.0003705667,0.0066928817,0.715614,0.0000130916405],"about_ca_topic_score_codex":0.017253827,"about_ca_topic_score_gemma":0.03506652,"teacher_disagreement_score":0.017253827,"about_ca_system_score_codex":0.003254197,"about_ca_system_score_gemma":0.0020606068,"threshold_uncertainty_score":0.053272605},"labels":[],"label_agreement":null},{"id":"W3112364023","doi":"10.30827/arenal.v27i2.7841","title":"Del Génesis a Christian Dior. Tensiones y cambios en el matrimonio franquista a través del cine (1958-1963)","year":2020,"lang":"es","type":"article","venue":"Arenal Revista de historia de las mujeres","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"York University","keywords":"Humanities; Political science; Art","score_opus":0.018669458700164076,"score_gpt":0.24557361829799024,"score_spread":0.22690415959782617,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3112364023","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.037486292,0.1594056,0.0019319189,0.22216141,0.0065692756,0.00003787892,0.00022778573,0.0000914887,0.5720884],"genre_scores_gemma":[0.5637627,0.043660738,0.0011298293,0.034509487,0.0039655124,0.000062235704,0.000072855204,0.00016228414,0.35267434],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991007,0.00050540845,0.000013391282,0.00011431597,0.00014589325,0.000120353034],"domain_scores_gemma":[0.99916005,0.00035782348,0.00009562059,0.000058120295,0.00015254472,0.00017582957],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010561388,0.00037260161,0.0001646065,0.0009071939,0.0056210547,0.004304987,0.00039160662,0.001430039,0.006727044],"category_scores_gemma":[0.0017705373,0.00016761966,0.00010312474,0.0009081508,0.011792965,0.002780671,0.002251525,0.0028626309,0.0010567653],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007118487,0.000021471003,0.002207778,0.00015991107,0.0000059168256,0.00032213956,0.07813076,0.00007004336,0.00027648525,0.68719214,0.19884267,0.032699548],"study_design_scores_gemma":[0.000006579086,0.000010457511,0.0014765413,0.00020694139,0.0000019244537,0.00014043826,0.015574859,0.000027937062,0.000117375814,0.020522961,0.96190643,0.000007494738],"about_ca_topic_score_codex":0.025604159,"about_ca_topic_score_gemma":0.046129156,"teacher_disagreement_score":0.025604159,"about_ca_system_score_codex":0.0052368217,"about_ca_system_score_gemma":0.0034689675,"threshold_uncertainty_score":0.050910234},"labels":[],"label_agreement":null},{"id":"W3117135330","doi":"10.4148/2334-4415.2178","title":"Luis I. Prádanos. Postgrowth Imaginaries: New Ecologies and Counterhegemonic Culture in Post-2008 Spain. Liverpool UP, 2018.","year":2020,"lang":"en","type":"article","venue":"Studies in 20th & 21st century literature","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Temporality; Sociology; Philosophy; Epistemology","score_opus":0.02602794634454152,"score_gpt":0.2537652698086377,"score_spread":0.22773732346409614,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3117135330","genre_codex":"review","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00028177386,0.95317197,0.00018164705,0.030150617,0.0024437667,0.0000059413806,0.00022290295,0.00003416258,0.013507259],"genre_scores_gemma":[0.011842985,0.9421351,0.000491937,0.007560584,0.0026862242,0.00003991815,0.0003495637,0.0000881173,0.03480555],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999321,0.00021525631,0.000048116413,0.000073339106,0.00026053315,0.00008176842],"domain_scores_gemma":[0.99749833,0.0010094412,0.00025341744,0.000059743445,0.0009944894,0.00018460775],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001328727,0.0012690966,0.0006968287,0.004165552,0.0015872326,0.0032368153,0.001216979,0.0023962783,0.020459818],"category_scores_gemma":[0.003590162,0.0004307745,0.00039495854,0.005306979,0.0015615352,0.0054139616,0.0019685107,0.0024795271,0.008472827],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037000325,0.000012026506,0.0007131802,0.0019412586,0.000012101912,0.00012162569,0.0026553462,0.00005284855,0.00008975492,0.01003671,0.8601736,0.124154575],"study_design_scores_gemma":[0.00001135182,0.000009862575,0.0035487842,0.0048594633,0.000014351755,0.00012260643,0.0035387364,0.000027494327,0.00011970745,0.0039704135,0.9837605,0.000016784055],"about_ca_topic_score_codex":0.04072529,"about_ca_topic_score_gemma":0.08026748,"teacher_disagreement_score":0.04072529,"about_ca_system_score_codex":0.0043077776,"about_ca_system_score_gemma":0.0039767227,"threshold_uncertainty_score":0.080976486},"labels":[],"label_agreement":null},{"id":"W3152536598","doi":"","title":"The American Way: Time, Death, and Resurrection in Iñárritu's Western Masterpiece","year":2017,"lang":"en","type":"article","venue":"","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Frontier; Mysticism; Meaning (existential); Narrative; Art history; Art; History; George (robot); Literature; Philosophy; Archaeology","score_opus":0.02731790160896185,"score_gpt":0.2562652066272523,"score_spread":0.22894730501829041,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3152536598","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3717624,0.021186898,0.002515593,0.03793268,0.0036854993,0.000039390536,0.00006064652,0.00013768631,0.56267923],"genre_scores_gemma":[0.9447134,0.0029148753,0.00042937434,0.0027725613,0.0004205019,0.0000245422,0.0000156535,0.00006679804,0.048642196],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99939835,0.0003556214,0.000009025163,0.000059182625,0.00005984092,0.000117955584],"domain_scores_gemma":[0.9997601,0.000099851255,0.000032345713,0.00001736888,0.00002956511,0.000060867475],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011318529,0.00043735714,0.00023682351,0.00056190864,0.013279084,0.00594969,0.0005555663,0.0014034642,0.0018232387],"category_scores_gemma":[0.00096755184,0.0002011309,0.00017759894,0.0004819691,0.012313224,0.0033798488,0.002977063,0.0034441003,0.0002514741],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000045199442,0.00003461565,0.00085877953,0.000063923326,0.000004641254,0.00064326945,0.8106788,0.000036159898,0.0005697408,0.15130714,0.02559712,0.010160681],"study_design_scores_gemma":[0.000005411147,0.000034020362,0.0020453287,0.00021418357,0.000011344344,0.0004963948,0.28951308,0.000087059656,0.0006002263,0.006156721,0.7008115,0.000024739697],"about_ca_topic_score_codex":0.012937183,"about_ca_topic_score_gemma":0.03641619,"teacher_disagreement_score":0.013279084,"about_ca_system_score_codex":0.0032150613,"about_ca_system_score_gemma":0.0012161337,"threshold_uncertainty_score":0.025723755},"labels":[],"label_agreement":null},{"id":"W3165431486","doi":"10.1080/14753820.2021.1920758","title":"Ni cautivas ni desarmadas: la imagen de la miliciana en la narrativa contemporánea española","year":2021,"lang":"es","type":"article","venue":"Bulletin of Spanish Studies","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"MacEwan University","funders":"","keywords":"Humanities; Art","score_opus":0.019734580483717023,"score_gpt":0.27920002513673137,"score_spread":0.25946544465301435,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3165431486","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.42499757,0.010578374,0.0032730578,0.027713824,0.0007891703,0.000021024522,0.00011250917,0.0000581416,0.5324562],"genre_scores_gemma":[0.97687966,0.0014756187,0.00022555143,0.0006611653,0.0000967637,0.000006822108,0.00002118703,0.00002758928,0.02060571],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99950707,0.00029150915,0.000007665264,0.0000402152,0.00007210323,0.00008145198],"domain_scores_gemma":[0.99961984,0.00013992102,0.000055165503,0.00003781597,0.00009128022,0.000055886725],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011640636,0.00033715492,0.00017108684,0.000646645,0.0040972102,0.004856364,0.0003927274,0.00091351237,0.004384501],"category_scores_gemma":[0.0019176835,0.00008508979,0.0001256877,0.0008645464,0.009517221,0.0019012513,0.0026467093,0.0014575316,0.00041402594],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008713099,0.000019507093,0.0040534553,0.00012364693,0.0000116683295,0.0012137912,0.77798194,0.00011632249,0.0009212126,0.17145792,0.016557531,0.027455986],"study_design_scores_gemma":[0.000009516099,0.000023125149,0.0066818735,0.00025966283,0.000011901718,0.0004877464,0.5086042,0.00010901115,0.0005041365,0.008217254,0.4750771,0.000014519178],"about_ca_topic_score_codex":0.021696676,"about_ca_topic_score_gemma":0.029636849,"teacher_disagreement_score":0.021696676,"about_ca_system_score_codex":0.0028422757,"about_ca_system_score_gemma":0.0015431489,"threshold_uncertainty_score":0.04314077},"labels":[],"label_agreement":null},{"id":"W3171907204","doi":"","title":"Alucinadas I y II:: el retorno de Metis y las escritoras españolas de ciencia ficción","year":2019,"lang":"es","type":"article","venue":"Hélice","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Metis; Humanities; Political science; Art; Computer science","score_opus":0.011007543342357179,"score_gpt":0.24083368450447126,"score_spread":0.22982614116211408,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3171907204","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.27101228,0.023689985,0.0022611055,0.035116605,0.0043585114,0.00019059972,0.0007445704,0.00023532737,0.66239107],"genre_scores_gemma":[0.75887424,0.007099399,0.0015370687,0.0036942516,0.000980266,0.00018380111,0.00058786746,0.00018599129,0.22685714],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99848676,0.00042250147,0.00005084905,0.00021583913,0.00035181132,0.0004721465],"domain_scores_gemma":[0.99765575,0.00056738034,0.00024706204,0.00029388518,0.00080653734,0.00042941933],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0024431252,0.00058758864,0.00042976876,0.0020610509,0.0052837194,0.0096105095,0.0013770714,0.0020603086,0.012735856],"category_scores_gemma":[0.0059199296,0.0001517137,0.00034454477,0.003244981,0.00430095,0.0038308452,0.0050041787,0.0029329222,0.0014216839],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004990207,0.00020109928,0.016598213,0.0009804448,0.000029676858,0.0011848989,0.23284942,0.00015069543,0.0027171536,0.31062737,0.117654555,0.3165075],"study_design_scores_gemma":[0.000021719077,0.000058536625,0.021135993,0.00048797697,0.00001500539,0.00027142957,0.07967947,0.000076471566,0.00074720447,0.0042622364,0.8932235,0.000020483469],"about_ca_topic_score_codex":0.0876879,"about_ca_topic_score_gemma":0.088276654,"teacher_disagreement_score":0.0876879,"about_ca_system_score_codex":0.011243268,"about_ca_system_score_gemma":0.009075838,"threshold_uncertainty_score":0.17435503},"labels":[],"label_agreement":null},{"id":"W3175060256","doi":"10.37536/cuco.2019.12.1219","title":"Una viñeta memorable y su pericampo en \"36-39 Malos tiempos\"","year":2019,"lang":"es","type":"article","venue":"CuCo Cuadernos de cómic","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Centre Intégré de Santé et de Services Sociaux des Laurentides","funders":"","keywords":"Humanities; Art","score_opus":0.014310566368647687,"score_gpt":0.23607332601280426,"score_spread":0.22176275964415657,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3175060256","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.42210743,0.017816804,0.0036613352,0.019197358,0.0034153962,0.000077272205,0.000751246,0.00023767061,0.5327354],"genre_scores_gemma":[0.89164454,0.0037302256,0.0008536658,0.00068631954,0.00049253093,0.000035642937,0.00019587696,0.00014178304,0.10221945],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99961346,0.00014333335,0.000010633315,0.000045940415,0.00009273769,0.00009398758],"domain_scores_gemma":[0.99950635,0.00019705793,0.0000797043,0.000054163913,0.00009330293,0.00006935496],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006676478,0.00040350674,0.00016693588,0.0008505402,0.0034981768,0.0036367471,0.0004519075,0.00067944033,0.011017233],"category_scores_gemma":[0.0019801813,0.00009732177,0.00015292894,0.0010109075,0.0046175867,0.0018611655,0.0022610722,0.0014826363,0.000825892],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00044155234,0.00004158893,0.0079917265,0.0006234212,0.000017160279,0.0028417367,0.45157027,0.00020703147,0.0037739172,0.27466616,0.08915526,0.16867012],"study_design_scores_gemma":[0.000008566779,0.000030471441,0.008146066,0.0002932726,0.000006963454,0.00044803595,0.07877771,0.000038473838,0.0007826635,0.0028137516,0.90864116,0.000012806091],"about_ca_topic_score_codex":0.017643033,"about_ca_topic_score_gemma":0.04508605,"teacher_disagreement_score":0.017643033,"about_ca_system_score_codex":0.0032466548,"about_ca_system_score_gemma":0.0014058528,"threshold_uncertainty_score":0.036856294},"labels":[],"label_agreement":null},{"id":"W3196527102","doi":"10.19137/anclajes-2021-2534","title":"La revista Anclajes en el País de nomeacuerdo","year":2021,"lang":"es","type":"article","venue":"Anclajes","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université Laval","funders":"","keywords":"Dictatorship; Humanities; Political science; History; Art; Politics; Law; Democracy","score_opus":0.015093474644954967,"score_gpt":0.26600782430177755,"score_spread":0.2509143496568226,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3196527102","genre_codex":"review","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0064455057,0.950516,0.00012833095,0.006198136,0.0023462758,0.000005380434,0.00007070993,0.000017546057,0.034272224],"genre_scores_gemma":[0.08699162,0.89437646,0.00047701498,0.0020605563,0.001797498,0.00002114672,0.00016435717,0.000023620947,0.014087793],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99923444,0.0002571019,0.000054648925,0.000087445485,0.0002500196,0.00011635177],"domain_scores_gemma":[0.9987256,0.00060900365,0.00017168197,0.00005287181,0.00036176044,0.000078975405],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019926282,0.00058117724,0.000759853,0.0020552804,0.0016407039,0.0028307997,0.00067060196,0.0009291003,0.009133074],"category_scores_gemma":[0.0029848658,0.00015151162,0.00036078657,0.0037114767,0.0029075297,0.0019692462,0.001288031,0.001842719,0.00088123325],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013799094,0.00006575383,0.003701898,0.011097065,0.000055597113,0.0016103607,0.041512113,0.00021352222,0.0006498772,0.086662605,0.08771845,0.7665748],"study_design_scores_gemma":[0.0000033418034,0.000017701977,0.0047006444,0.005285596,0.000022576834,0.00041154347,0.0069190417,0.000010441728,0.000066296474,0.001500919,0.9810543,0.000007669568],"about_ca_topic_score_codex":0.0701882,"about_ca_topic_score_gemma":0.09917915,"teacher_disagreement_score":0.0701882,"about_ca_system_score_codex":0.003972136,"about_ca_system_score_gemma":0.008892969,"threshold_uncertainty_score":0.13955933},"labels":[],"label_agreement":null},{"id":"W3209593771","doi":"","title":"Lola Montez, c’est moi; or, Francesca Replayed","year":2019,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Computer science; Art","score_opus":0.030405953319939047,"score_gpt":0.2704168423282383,"score_spread":0.24001088900829926,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3209593771","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0016883977,0.012921701,0.00021588337,0.93274885,0.040576905,0.000021871505,0.00024095476,0.000049645645,0.011535866],"genre_scores_gemma":[0.023433309,0.009108911,0.00046647762,0.7833013,0.014133171,0.00004744754,0.00016566331,0.0001602459,0.16918351],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9961991,0.0006373675,0.00015011043,0.00056619814,0.0015046883,0.0009425801],"domain_scores_gemma":[0.9871973,0.0029126161,0.00032964174,0.00030541618,0.007176696,0.0020784645],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0049099675,0.0007542069,0.00095705956,0.0019719875,0.019122818,0.009326317,0.0023807224,0.015532022,0.012218556],"category_scores_gemma":[0.02496436,0.00050082017,0.00079555745,0.0022347292,0.0057696565,0.0040787444,0.0033580335,0.016637033,0.0030593243],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021184112,0.0000073670694,0.0005711801,0.00007712862,0.0000104683895,0.00010267251,0.0033683805,0.000021023907,0.00012438916,0.006475807,0.9853507,0.0038697182],"study_design_scores_gemma":[0.0000054391403,0.000003694172,0.0009157414,0.00014268512,0.00001074703,0.000057556117,0.00872815,0.000020151507,0.00011150206,0.0005689851,0.9894093,0.000025964555],"about_ca_topic_score_codex":0.6548921,"about_ca_topic_score_gemma":0.7748039,"teacher_disagreement_score":0.6548921,"about_ca_system_score_codex":0.022043332,"about_ca_system_score_gemma":0.021863824,"threshold_uncertainty_score":0.6942806},"labels":[],"label_agreement":null},{"id":"W3212471823","doi":"10.5117/9789463724166","title":"Refugees and Migrants in Contemporary Film, Art and Media","year":2021,"lang":"en","type":"book","venue":"","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Refugee; Drama; Representation (politics); Contemporary art; Power (physics); Gender studies; Art; Turkish; Sociology; Aesthetics; Media studies; History; Political science; Visual arts; Art history; Performance art; Law; Politics","score_opus":0.04017656407998958,"score_gpt":0.2278578252569445,"score_spread":0.18768126117695494,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3212471823","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14064957,0.06968999,0.00036616356,0.021476373,0.0034099324,0.000055050525,0.00020606839,0.0000913919,0.7640554],"genre_scores_gemma":[0.5145287,0.05221296,0.0006043241,0.0051957318,0.002832471,0.000118702985,0.00017465939,0.00025243397,0.42407998],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99958867,0.00021565736,0.000009459469,0.00003362435,0.00007830961,0.00007436476],"domain_scores_gemma":[0.99968266,0.00016719688,0.000031459014,0.000016827446,0.00004097183,0.00006087797],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007610625,0.0005641722,0.00025168614,0.0014044838,0.0060252915,0.0084565785,0.00042547376,0.0010793379,0.008335999],"category_scores_gemma":[0.00096259033,0.00019396479,0.00014330317,0.0018393357,0.0052995114,0.0023281812,0.0022434029,0.0012191649,0.00076832547],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010275986,0.000097252305,0.002658733,0.00062314677,0.000015334812,0.00197996,0.5024353,0.0001483468,0.0013491333,0.12517193,0.27383184,0.09158629],"study_design_scores_gemma":[0.000006552114,0.000018689441,0.0024128077,0.00032266893,0.000005100062,0.0003724889,0.14600308,0.000019999034,0.00013934991,0.0011986833,0.8494927,0.0000078944395],"about_ca_topic_score_codex":0.009430492,"about_ca_topic_score_gemma":0.02705226,"teacher_disagreement_score":0.009430492,"about_ca_system_score_codex":0.0026381465,"about_ca_system_score_gemma":0.0011549009,"threshold_uncertainty_score":0.027886748},"labels":[],"label_agreement":null},{"id":"W3217804405","doi":"10.18192/rceh.v44i2.6115","title":"En tierra extraña: relato alternativo de la migración española contemporánea","year":2021,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Political science","score_opus":0.01413899062778483,"score_gpt":0.24954275388761696,"score_spread":0.23540376325983212,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3217804405","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.75348943,0.0042973245,0.00084425195,0.008383777,0.00020481885,0.000021712765,0.00012887002,0.000023005583,0.2326067],"genre_scores_gemma":[0.9695607,0.0017218337,0.0001748274,0.00072425324,0.0000772917,0.00001850502,0.00005515503,0.000018963594,0.02764838],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99932075,0.0002681604,0.00002056876,0.00009420608,0.000106668675,0.00018964024],"domain_scores_gemma":[0.999064,0.00029999122,0.00016661985,0.00010960468,0.00020179989,0.00015805925],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011463069,0.00024047567,0.00020673014,0.0010308527,0.004176334,0.004547983,0.0004686315,0.0007086597,0.011201193],"category_scores_gemma":[0.0025791961,0.000089732115,0.00013024514,0.001918569,0.0044377763,0.0022221664,0.0050987536,0.0011078365,0.00048020997],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009287666,0.000044884087,0.03203574,0.00015185191,0.000016618775,0.0019577127,0.833539,0.00009283451,0.00087379443,0.080020666,0.0070596663,0.044114344],"study_design_scores_gemma":[0.0000063752086,0.000030893847,0.041497085,0.0002992931,0.000011290346,0.00065117516,0.67850846,0.00005150077,0.00027249986,0.0054607484,0.27319694,0.000013804572],"about_ca_topic_score_codex":0.06759759,"about_ca_topic_score_gemma":0.120141715,"teacher_disagreement_score":0.06759759,"about_ca_system_score_codex":0.003139615,"about_ca_system_score_gemma":0.0028327815,"threshold_uncertainty_score":0.1344083},"labels":[],"label_agreement":null},{"id":"W325994853","doi":"10.22269/131022","title":"The Village Against the World","year":2013,"lang":"en","type":"book","venue":"Places","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"World Federation of Science Journalists","funders":"","keywords":"Geography","score_opus":0.017999536222657184,"score_gpt":0.20127141332346588,"score_spread":0.1832718771008087,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W325994853","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0071387463,0.013009249,0.00029827593,0.011525952,0.0015997903,0.00002066699,0.00004159467,0.00007373095,0.96629214],"genre_scores_gemma":[0.27514765,0.005968574,0.00027023404,0.0064100935,0.0004860248,0.000052232208,0.00006688442,0.0001411941,0.71145713],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99920326,0.00026260773,0.0000116574,0.00008076621,0.00012419591,0.0003174625],"domain_scores_gemma":[0.99971575,0.00004796898,0.00002331856,0.000036941005,0.00006836452,0.00010758871],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004944797,0.0006045362,0.000365416,0.0006338412,0.01303331,0.007760914,0.0006042715,0.0012807442,0.018793387],"category_scores_gemma":[0.0009850712,0.00019262695,0.00020839651,0.00062510057,0.007250391,0.0023242326,0.0049238773,0.0029149032,0.003962016],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003751731,0.000026839123,0.0006117015,0.00012736637,0.0000073419574,0.00070016907,0.07512447,0.00005977996,0.00038164662,0.6006307,0.2733513,0.04894108],"study_design_scores_gemma":[0.0000037308591,0.000006299834,0.00021336152,0.00011339966,0.0000019534557,0.00011730984,0.011920802,0.000009452004,0.00005561814,0.0049193245,0.98263526,0.0000035178205],"about_ca_topic_score_codex":0.041926336,"about_ca_topic_score_gemma":0.08364018,"teacher_disagreement_score":0.041926336,"about_ca_system_score_codex":0.005238643,"about_ca_system_score_gemma":0.0046061273,"threshold_uncertainty_score":0.08336455},"labels":[],"label_agreement":null},{"id":"W32635367","doi":"10.3390/nu12071982","title":"\"I must do something of my poetry\": Joan Vinyoli durant la guerra civil","year":2010,"lang":"en","type":"article","venue":"L' Avenç: Revista de història i cultura","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"National Institute of Diabetes and Digestive and Kidney Diseases","keywords":"Poetry; Art; Spanish Civil War; Humanities; Art history; Political science; Literature; Law","score_opus":0.013263056105871498,"score_gpt":0.22927634367682256,"score_spread":0.21601328757095106,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W32635367","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0012787846,0.51895034,0.0004251406,0.44255924,0.029735144,0.00002998488,0.00013292235,0.000048638944,0.006839712],"genre_scores_gemma":[0.036772817,0.64272875,0.0019394191,0.24778578,0.022359509,0.0001945522,0.00025534825,0.00022304986,0.047740813],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971424,0.0017549753,0.00014824567,0.0003080167,0.0005035665,0.00014280078],"domain_scores_gemma":[0.99357784,0.0035510703,0.00062883896,0.000105160914,0.0015514032,0.00058574165],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004375948,0.00059326045,0.0010010045,0.0010498546,0.0013736966,0.003413363,0.0011512055,0.002341619,0.009151267],"category_scores_gemma":[0.025427118,0.00030265958,0.00063909276,0.0007161109,0.0014159024,0.002950393,0.0015022112,0.0053360686,0.002426615],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012255754,0.000024680581,0.000755121,0.0031959903,0.000081531754,0.0004818753,0.0016881026,0.00006729838,0.000118891214,0.0046771467,0.8821271,0.10665971],"study_design_scores_gemma":[0.000025061167,0.000037128753,0.0012143385,0.012160085,0.00007667349,0.0011000519,0.0017499836,0.0000676227,0.0001606953,0.0017251134,0.98164785,0.00003542556],"about_ca_topic_score_codex":0.019126764,"about_ca_topic_score_gemma":0.023913667,"teacher_disagreement_score":0.019126764,"about_ca_system_score_codex":0.0021134154,"about_ca_system_score_gemma":0.005905731,"threshold_uncertainty_score":0.038030863},"labels":[],"label_agreement":null},{"id":"W35455609","doi":"10.3390/children9040565","title":"La historia de siempre","year":2008,"lang":"en","type":"article","venue":"Abfutbol: revista técnica especializada en fútbol","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Women and Children's Health Research Institute","keywords":"History","score_opus":0.022955184127949457,"score_gpt":0.2285278041739686,"score_spread":0.20557262004601914,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W35455609","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08717723,0.5491866,0.0030381316,0.06332544,0.012830549,0.000068209636,0.004570465,0.00042292493,0.27938044],"genre_scores_gemma":[0.32455465,0.5126907,0.0026150339,0.011712718,0.009102212,0.0000879414,0.0032096552,0.00025333243,0.13577366],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99946254,0.00012900533,0.00004215796,0.00013196011,0.00013769936,0.00009654491],"domain_scores_gemma":[0.99934036,0.00016309993,0.00015542636,0.00007114864,0.00017450421,0.00009534224],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005624973,0.00034667723,0.00041402254,0.0014219724,0.00074931106,0.0013764611,0.00044061342,0.00082555285,0.019332727],"category_scores_gemma":[0.0021494748,0.00014587106,0.00025309555,0.0027638148,0.0010323304,0.0012548168,0.0010497981,0.0018517678,0.005299816],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022745463,0.00007029932,0.03798977,0.0018996039,0.00006217196,0.007107351,0.004680252,0.00027145343,0.0013024969,0.04709749,0.22305489,0.67623687],"study_design_scores_gemma":[0.0000046111827,0.000018133367,0.010517929,0.00054862443,0.000012628804,0.0056122458,0.0006679204,0.000031783162,0.00024142294,0.0011640083,0.98117024,0.0000106008],"about_ca_topic_score_codex":0.00832793,"about_ca_topic_score_gemma":0.008690336,"teacher_disagreement_score":0.019332727,"about_ca_system_score_codex":0.001900495,"about_ca_system_score_gemma":0.0012606069,"threshold_uncertainty_score":0.06467444},"labels":[],"label_agreement":null},{"id":"W3556679","doi":"10.1080/02652038709373618","title":"Madrid entre bombas, muertes y lágrimas (11 de Marzo de 2004)","year":2004,"lang":"en","type":"article","venue":"Religión y cultura","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Political science; Humanities; Philosophy","score_opus":0.011886958211343217,"score_gpt":0.2124036971103821,"score_spread":0.20051673889903887,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3556679","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6607457,0.057534564,0.00945367,0.0045521036,0.003943461,0.0016853407,0.0642129,0.005673928,0.19219828],"genre_scores_gemma":[0.6204466,0.023963572,0.041101873,0.0018599929,0.0008071365,0.0016023852,0.028433874,0.00044631437,0.2813382],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995371,0.000092772,0.00002501138,0.0001628836,0.000071988725,0.00011025336],"domain_scores_gemma":[0.9995529,0.00007616738,0.000075105454,0.000041771957,0.00012911804,0.0001248806],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007254902,0.001469988,0.001093954,0.0009581909,0.001962458,0.0013415362,0.001201691,0.0015605333,0.017360747],"category_scores_gemma":[0.0011491358,0.00058341026,0.0008078626,0.0019159329,0.00052183867,0.00041331197,0.0010835537,0.0013078793,0.005304322],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.008953852,0.001951268,0.19266286,0.004336167,0.0008566796,0.015395612,0.005036945,0.0044519184,0.015234645,0.012389926,0.17127046,0.56745976],"study_design_scores_gemma":[0.0009636495,0.000724377,0.40621,0.0008705715,0.0003695771,0.0035789635,0.0036344002,0.0012787703,0.005313347,0.0016074671,0.5753411,0.00010777638],"about_ca_topic_score_codex":0.17363967,"about_ca_topic_score_gemma":0.25319764,"teacher_disagreement_score":0.17363967,"about_ca_system_score_codex":0.005516421,"about_ca_system_score_gemma":0.003101153,"threshold_uncertainty_score":0.34525794},"labels":[],"label_agreement":null},{"id":"W366185792","doi":"","title":"Terence Koh : love for eternity","year":2009,"lang":"en","type":"book","venue":"Hatje Cantz eBooks","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Eternity; Art; Sensibility; Punk; Art history; Exhibition; Queer; The arts; Visual arts; Literature; Sociology","score_opus":0.04714392742101242,"score_gpt":0.2283430773880503,"score_spread":0.18119914996703787,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W366185792","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00606343,0.05726643,0.00031188954,0.019264208,0.0050902357,0.000018710649,0.000052678133,0.000052814405,0.91187966],"genre_scores_gemma":[0.1221678,0.023022076,0.00030136443,0.0065508047,0.0015364727,0.000059065173,0.000051635365,0.00010222828,0.8462086],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99970275,0.000093744864,0.0000054563347,0.00003042182,0.00010054287,0.00006699656],"domain_scores_gemma":[0.99982893,0.000057447975,0.000016110662,0.000018668921,0.000034404467,0.000044340188],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00036032425,0.00045562023,0.00022416872,0.0006590673,0.005856567,0.0033368897,0.00046933832,0.00095629256,0.010185116],"category_scores_gemma":[0.0007325169,0.0001727581,0.0001415279,0.0007837793,0.0036357343,0.0030770455,0.0017974611,0.0027374106,0.002050637],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025146835,0.00002295518,0.00040349909,0.00013675953,0.0000042034117,0.0005503551,0.038322948,0.000052495296,0.00030081742,0.14438024,0.7729494,0.042851288],"study_design_scores_gemma":[0.0000019845754,0.000005374875,0.00069696916,0.00014673772,0.0000012779384,0.00032204392,0.009016391,0.000012715494,0.000077303295,0.0035132435,0.9862016,0.000004519482],"about_ca_topic_score_codex":0.020385215,"about_ca_topic_score_gemma":0.07209308,"teacher_disagreement_score":0.020385215,"about_ca_system_score_codex":0.0028099502,"about_ca_system_score_gemma":0.0015697867,"threshold_uncertainty_score":0.040533125},"labels":[],"label_agreement":null},{"id":"W36628549","doi":"10.1080/14992027.2022.2142682","title":"Memorias del centeno y de la trinchera: \"Javier, un labrador berciano antifascista\"","year":2005,"lang":"en","type":"article","venue":"Dialnet (Universidad de la Rioja)","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Geography","score_opus":0.010717189499791403,"score_gpt":0.22599718005609357,"score_spread":0.21527999055630218,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W36628549","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05434219,0.044134755,0.0074396566,0.5532513,0.1915097,0.0001465649,0.0015292292,0.0010410044,0.1466056],"genre_scores_gemma":[0.39612764,0.016586086,0.006306658,0.08640038,0.033898048,0.0002146552,0.00070060475,0.0007995006,0.45896646],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.998069,0.00072074885,0.00008791444,0.00031445443,0.0006101069,0.00019780656],"domain_scores_gemma":[0.99496716,0.0015493601,0.0006107538,0.00029767578,0.0021234332,0.0004516588],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00345755,0.0007444027,0.0005013929,0.00078184204,0.004009863,0.0028559214,0.0007273382,0.0016310775,0.02330501],"category_scores_gemma":[0.015523288,0.00018207522,0.00030497595,0.0004359218,0.00347372,0.0018011866,0.002481402,0.0049631796,0.0057521607],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004136791,0.000024833389,0.003481679,0.00043349518,0.00002798176,0.0012256965,0.025695587,0.00008225434,0.002382345,0.013256688,0.8627066,0.09026927],"study_design_scores_gemma":[0.000010746276,0.0000309371,0.003822622,0.00043351192,0.000017075266,0.0008225441,0.010323515,0.000045019093,0.0006966001,0.00091336627,0.982852,0.00003210565],"about_ca_topic_score_codex":0.034290656,"about_ca_topic_score_gemma":0.06695383,"teacher_disagreement_score":0.034290656,"about_ca_system_score_codex":0.0026885185,"about_ca_system_score_gemma":0.0021772657,"threshold_uncertainty_score":0.077962995},"labels":[],"label_agreement":null},{"id":"W38687817","doi":"10.1371/journal.pone.0298770","title":"Semblanzas en plata viva","year":2007,"lang":"en","type":"article","venue":"Dialnet (Universidad de la Rioja)","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"MSD K.K.; Eisai Canada; Gilead Sciences","keywords":"Geography","score_opus":0.01255964542407578,"score_gpt":0.23055086278053355,"score_spread":0.21799121735645777,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W38687817","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.51580566,0.11941711,0.009266649,0.034062214,0.0048929616,0.0007475147,0.0028707958,0.0016848396,0.3112523],"genre_scores_gemma":[0.8768276,0.030766612,0.005467244,0.008695158,0.0016932227,0.0002745855,0.0018698464,0.00015790226,0.07424788],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9999083,0.000027449552,0.0000043669734,0.0000137385205,0.000020561296,0.000025535848],"domain_scores_gemma":[0.9998503,0.000033257737,0.000022661126,0.000016307291,0.000020649608,0.00005687154],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00024366668,0.00018445557,0.0004604685,0.0001912361,0.00042597938,0.0004128072,0.0002420244,0.00032915396,0.013906087],"category_scores_gemma":[0.00065641885,0.000040185143,0.00026813007,0.0002527406,0.00025234235,0.00026919722,0.0003988842,0.0010833002,0.0020082232],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.006625278,0.0008884531,0.0040213573,0.0006040375,0.00009354199,0.0029407765,0.00025471835,0.00022451457,0.0057008113,0.010218204,0.03854597,0.9298824],"study_design_scores_gemma":[0.0035537314,0.0056079454,0.03311154,0.00068141666,0.0002896805,0.0140987765,0.0005407931,0.0008866037,0.008698107,0.016522469,0.9159725,0.000036454534],"about_ca_topic_score_codex":0.0017232388,"about_ca_topic_score_gemma":0.0033070382,"teacher_disagreement_score":0.013906087,"about_ca_system_score_codex":0.00044437038,"about_ca_system_score_gemma":0.0005410185,"threshold_uncertainty_score":0.04652053},"labels":[],"label_agreement":null},{"id":"W39242671","doi":"10.1038/s44185-024-00048-4","title":"Puerto Real contra la violencia de género con un 'flashmob'","year":2014,"lang":"en","type":"article","venue":"npj Biodiversity","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Cartography; Geography","score_opus":0.011211043598640575,"score_gpt":0.17801618085974022,"score_spread":0.16680513726109963,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W39242671","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.80080354,0.0043480857,0.00105154,0.010164571,0.000514619,0.00013702463,0.0007337996,0.00005629108,0.18219042],"genre_scores_gemma":[0.9686488,0.0032745388,0.0013908843,0.0014033361,0.00019290698,0.000103630846,0.00028163657,0.000017541757,0.024686791],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99966764,0.00013849298,0.000008235686,0.000024092718,0.00004950714,0.00011214359],"domain_scores_gemma":[0.9993363,0.00026065423,0.00013917145,0.00007466017,0.0000710926,0.00011804808],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010366347,0.00022719386,0.00018005358,0.0003164019,0.0019467246,0.00087049516,0.00048122613,0.00056056783,0.012174298],"category_scores_gemma":[0.0025784245,0.000082247374,0.00012785339,0.00039032992,0.0010726576,0.0004967187,0.0019451603,0.0010083878,0.0005802811],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005150517,0.0004966614,0.2041939,0.000708926,0.00005506395,0.009631564,0.05428166,0.00036161358,0.0040949644,0.0332904,0.05635068,0.6360196],"study_design_scores_gemma":[0.00006687969,0.0003432062,0.33802992,0.0015903221,0.000044566907,0.004102404,0.12519594,0.00050232967,0.001046871,0.0065473514,0.522492,0.000038182166],"about_ca_topic_score_codex":0.02537502,"about_ca_topic_score_gemma":0.05279956,"teacher_disagreement_score":0.02537502,"about_ca_system_score_codex":0.0008857737,"about_ca_system_score_gemma":0.0012806394,"threshold_uncertainty_score":0.050454617},"labels":[],"label_agreement":null},{"id":"W41731340","doi":"","title":"La novela corta durante el franquismo","year":2011,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Political science","score_opus":0.02568875023177909,"score_gpt":0.23095697811497254,"score_spread":0.20526822788319346,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W41731340","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11893971,0.020279916,0.0028084777,0.20381106,0.016619992,0.00004370611,0.0003916851,0.0000797421,0.63702565],"genre_scores_gemma":[0.7524541,0.0066410573,0.0006214818,0.017908212,0.0037300347,0.000083396844,0.0001703726,0.00023453281,0.21815677],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99841917,0.0008488528,0.000027402479,0.00015513002,0.00022168814,0.00032778448],"domain_scores_gemma":[0.9982905,0.0007887161,0.00013007576,0.00016373575,0.0003901722,0.00023673299],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0024694896,0.0006861996,0.00045805564,0.0010536651,0.010846018,0.00808105,0.0010053315,0.0023603027,0.011343624],"category_scores_gemma":[0.0052339607,0.00018338108,0.00038177695,0.0012436244,0.016682794,0.0047901655,0.005346313,0.006565083,0.0013261688],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013097476,0.000049986666,0.0011515028,0.00013544611,0.000014658777,0.001175603,0.1997985,0.000046316694,0.00039194056,0.67763937,0.104366735,0.0150990095],"study_design_scores_gemma":[0.00001478918,0.000008811942,0.0007570486,0.00023856739,0.000008082222,0.00033808395,0.13530079,0.000028273129,0.0002642693,0.020534938,0.84249556,0.000010687047],"about_ca_topic_score_codex":0.029897422,"about_ca_topic_score_gemma":0.046949275,"teacher_disagreement_score":0.029897422,"about_ca_system_score_codex":0.0077054263,"about_ca_system_score_gemma":0.0034074928,"threshold_uncertainty_score":0.05944681},"labels":[],"label_agreement":null},{"id":"W4200193376","doi":"10.3138/utq.90.3.hr.46","title":"<i>Imagined Truths: Realism in Modern Spanish Literature and Culture</i> edited by Mary L. Coffey and Margot Versteeg","year":2021,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Realism; Art history; Philosophy; Literature; History; Art","score_opus":0.004798969820762098,"score_gpt":0.1651361188647635,"score_spread":0.1603371490440014,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4200193376","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0082304515,0.5845854,0.0015140513,0.19517168,0.0070475256,0.000017754612,0.00019173956,0.000049246082,0.20319206],"genre_scores_gemma":[0.50170255,0.34377527,0.0019499171,0.017238839,0.014520004,0.00007513912,0.00028355882,0.00026681513,0.12018788],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99911994,0.00055914425,0.000023257528,0.000058481575,0.00017445242,0.00006470086],"domain_scores_gemma":[0.99843675,0.00086909544,0.00013369555,0.000070556554,0.00036902772,0.00012101597],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016414658,0.0007096741,0.00043075022,0.001190716,0.0031427941,0.0076268883,0.00060060533,0.0013531084,0.0054980153],"category_scores_gemma":[0.003000023,0.00028617444,0.000263601,0.0022099244,0.009353455,0.0048632617,0.0019041662,0.0031748821,0.00096926466],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003496811,0.000021125214,0.000889798,0.0005069461,0.000013332746,0.00019832843,0.04135998,0.00022789191,0.00021303525,0.34843782,0.5750047,0.033091992],"study_design_scores_gemma":[0.0000143768475,0.000009892868,0.0019019628,0.0010184888,0.0000075303756,0.00013203807,0.024703803,0.00014248645,0.00011794125,0.063117534,0.9088157,0.000018093364],"about_ca_topic_score_codex":0.055236638,"about_ca_topic_score_gemma":0.082346596,"teacher_disagreement_score":0.055236638,"about_ca_system_score_codex":0.0074892635,"about_ca_system_score_gemma":0.005721579,"threshold_uncertainty_score":0.10983026},"labels":[],"label_agreement":null},{"id":"W4200629242","doi":"","title":"La huida a la capital. La emigración homosexual durante la dictadura franquista","year":2021,"lang":"es","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Humanities; Art","score_opus":0.011912119982727393,"score_gpt":0.21914713716237047,"score_spread":0.20723501717964307,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4200629242","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3850022,0.01979883,0.0005781408,0.038943697,0.0012171508,0.000033592303,0.00031961096,0.000023329323,0.5540834],"genre_scores_gemma":[0.864536,0.0035396144,0.0002762336,0.0022811398,0.00022575026,0.00002082955,0.000073385076,0.000024442676,0.1290227],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9994392,0.00013172768,0.000010659441,0.000067971596,0.000058680627,0.00029171046],"domain_scores_gemma":[0.99963677,0.00008902235,0.00006548852,0.00003213524,0.00006416102,0.00011235261],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009252521,0.00027241785,0.0002864335,0.00036952444,0.0059948717,0.0035990654,0.00035512482,0.0012372431,0.012597054],"category_scores_gemma":[0.0012287678,0.00015776027,0.000118187454,0.00077897735,0.005903948,0.0019362514,0.0021671362,0.0025840679,0.0009895321],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003444158,0.00011971188,0.009531339,0.00020050262,0.000013171855,0.0019451709,0.14060359,0.000087845336,0.0011665156,0.7116695,0.04051667,0.093801536],"study_design_scores_gemma":[0.000035632354,0.000056884168,0.02643039,0.00027073114,0.00001407994,0.000507138,0.056933343,0.000051144973,0.00043702102,0.013594236,0.901648,0.000021552036],"about_ca_topic_score_codex":0.120398216,"about_ca_topic_score_gemma":0.2020884,"teacher_disagreement_score":0.120398216,"about_ca_system_score_codex":0.0061994,"about_ca_system_score_gemma":0.004916761,"threshold_uncertainty_score":0.23939484},"labels":[],"label_agreement":null},{"id":"W4205301479","doi":"10.7238/dd.v0i9.393448","title":"El còmic i l’exili del 1939: des de la retirada fins a la diàspora i la resistència armada","year":2021,"lang":"ca","type":"article","venue":"Dictatorships & Democracies","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.0184502347527852,"score_gpt":0.2650633756467531,"score_spread":0.24661314089396788,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4205301479","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23185645,0.005362119,0.0007559262,0.017913407,0.0005097147,0.00004578095,0.000274577,0.000034751734,0.74324715],"genre_scores_gemma":[0.8431585,0.0022661614,0.00020077528,0.0019472867,0.00015784468,0.00003355503,0.00009489227,0.000051912983,0.15208915],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99883133,0.00028849262,0.000024638495,0.00011866233,0.00022698316,0.00050987164],"domain_scores_gemma":[0.9993381,0.0001643264,0.000079798105,0.000077859164,0.00017065436,0.00016916281],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013245991,0.0003067036,0.00022367213,0.0009865579,0.008700524,0.0063242125,0.0005206669,0.0008973347,0.016554255],"category_scores_gemma":[0.0021200448,0.00017954937,0.00014736838,0.0018278813,0.007536213,0.0019894096,0.0033395644,0.003034625,0.0013244104],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022513811,0.000060802915,0.017247207,0.00021374272,0.000015223854,0.0008958395,0.33596024,0.0001187377,0.0015253596,0.48597455,0.06430596,0.093457244],"study_design_scores_gemma":[0.000012700059,0.000031902866,0.019399395,0.00017592422,0.000006858608,0.00012890398,0.07104102,0.00003832406,0.0006903863,0.0031293347,0.90533346,0.000011921708],"about_ca_topic_score_codex":0.14031656,"about_ca_topic_score_gemma":0.26513457,"teacher_disagreement_score":0.14031656,"about_ca_system_score_codex":0.011086391,"about_ca_system_score_gemma":0.0053370786,"threshold_uncertainty_score":0.27899963},"labels":[],"label_agreement":null},{"id":"W4205841100","doi":"10.1353/wlt.2018.0272","title":"Poppies of Iraq by Helge Dascher","year":2018,"lang":"en","type":"article","venue":"World Literature Today","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Politics; Art history; History; Welsh; Art; Media studies; Classics; Literature; Humanities; Sociology; Law; Political science; Archaeology","score_opus":0.01028646431061174,"score_gpt":0.216949703435076,"score_spread":0.20666323912446427,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4205841100","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0048759948,0.3041949,0.00048259067,0.11205095,0.046397895,0.00006040823,0.0015947575,0.00044818225,0.5298944],"genre_scores_gemma":[0.045523044,0.06132661,0.0005022476,0.015441471,0.010501771,0.00005951522,0.0005911671,0.00037027552,0.8656839],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997731,0.000039622697,0.000009534783,0.00003525584,0.000078517536,0.000064000844],"domain_scores_gemma":[0.99974674,0.00004519544,0.000026441227,0.000016571415,0.0001009804,0.000064095046],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00046336555,0.0011593043,0.00031941,0.0020513886,0.0030152518,0.0024854608,0.00041772932,0.0009931405,0.072357275],"category_scores_gemma":[0.0010757231,0.00025075465,0.0002281827,0.0014513528,0.0009837482,0.0018334473,0.0022074885,0.0013338578,0.03445647],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008769794,0.000005519141,0.00022213405,0.000092680006,0.0000024622,0.00011700898,0.001136428,0.000014513043,0.0000919692,0.0045505874,0.94101465,0.05274332],"study_design_scores_gemma":[6.4843164e-7,0.0000014424442,0.00040399158,0.000065575055,4.4435214e-7,0.000046952504,0.0004096968,0.0000036482197,0.000019881492,0.00016012376,0.9988863,0.00000125841],"about_ca_topic_score_codex":0.018812109,"about_ca_topic_score_gemma":0.03358511,"teacher_disagreement_score":0.072357275,"about_ca_system_score_codex":0.0017772932,"about_ca_system_score_gemma":0.0011585525,"threshold_uncertainty_score":0.24205917},"labels":[],"label_agreement":null},{"id":"W4206230670","doi":"10.7203/celestinesca.45.21331","title":"&lt;i&gt;La Celestina&lt;/i&gt; en la democracia. Adaptación, censura y recepción de la recreación cinematográfica de Gerardo Vera","year":2021,"lang":"es","type":"article","venue":"Celestinesca","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Humanities; Art","score_opus":0.011701480595039795,"score_gpt":0.24255357314751244,"score_spread":0.23085209255247263,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4206230670","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0074952827,0.048708197,0.0014121326,0.035264026,0.004653878,0.000037268303,0.00012846614,0.00008537693,0.90221536],"genre_scores_gemma":[0.14464585,0.025675312,0.0013216817,0.004235351,0.0020215048,0.00005913505,0.00012769786,0.0001821804,0.8217313],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998933,0.00040958138,0.000028057459,0.00018908964,0.0002511125,0.00018911074],"domain_scores_gemma":[0.99925715,0.00022790216,0.000073662115,0.000087779685,0.00015705847,0.00019651924],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011736109,0.00068294565,0.0002526965,0.0013541998,0.0048349015,0.012585802,0.000705495,0.003062521,0.060642596],"category_scores_gemma":[0.0023990269,0.00028941545,0.0003147529,0.0018467105,0.005657738,0.004952763,0.0033908032,0.0033274656,0.010756092],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015011003,0.00006946564,0.0026299586,0.00043060293,0.000010965096,0.00059000426,0.021573568,0.00018647073,0.0016184945,0.41090995,0.37912476,0.1827057],"study_design_scores_gemma":[0.0000047514613,0.000010420046,0.0023666169,0.0003522316,0.0000034780442,0.00014064007,0.0045725247,0.000102051294,0.00024476138,0.006543212,0.98565096,0.000008299983],"about_ca_topic_score_codex":0.04599338,"about_ca_topic_score_gemma":0.068725996,"teacher_disagreement_score":0.060642596,"about_ca_system_score_codex":0.0066739717,"about_ca_system_score_gemma":0.0029645632,"threshold_uncertainty_score":0.20286971},"labels":[],"label_agreement":null},{"id":"W4206702351","doi":"10.4000/temoigner.6012","title":"Je vous offre les oiseaux – Us ofereixo els ocells : installation audiovisuelle de Marta Marín-Dòmine","year":2017,"lang":"fr","type":"article","venue":"Témoigner. Entre Histoire et Mémoire","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.020631689559056823,"score_gpt":0.24618222308220294,"score_spread":0.22555053352314614,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4206702351","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3130472,0.0061412198,0.010092309,0.024604272,0.006742813,0.00039582458,0.0012180901,0.0015615472,0.6361967],"genre_scores_gemma":[0.45550945,0.0025442499,0.012759092,0.0020973023,0.0012054612,0.00027641482,0.00045714216,0.0010963948,0.52405447],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99965453,0.00011804086,0.0000062028494,0.00005506902,0.00010236786,0.00006379564],"domain_scores_gemma":[0.9995049,0.00014970126,0.000022429858,0.00004950333,0.00013820817,0.00013527014],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00096012774,0.00041424957,0.0001738691,0.00063293445,0.0042777737,0.002099837,0.0005407675,0.000977267,0.046332326],"category_scores_gemma":[0.0017431581,0.00021536218,0.00016640413,0.00038295466,0.0018842805,0.0011650354,0.0028664144,0.0014457392,0.0038914054],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0008642909,0.00023694833,0.0064104307,0.00066083804,0.000020475762,0.0041612466,0.20314007,0.0003092582,0.042359367,0.026985195,0.41090506,0.30394682],"study_design_scores_gemma":[0.000024314708,0.000066020584,0.007129771,0.00022603005,0.0000077235845,0.00043670062,0.036082566,0.00014171915,0.0018816772,0.00071349234,0.95327044,0.000019573336],"about_ca_topic_score_codex":0.025919413,"about_ca_topic_score_gemma":0.0785377,"teacher_disagreement_score":0.046332326,"about_ca_system_score_codex":0.0012450769,"about_ca_system_score_gemma":0.0012270364,"threshold_uncertainty_score":0.15499711},"labels":[],"label_agreement":null},{"id":"W4206728845","doi":"10.7203/diablotexto.10.22877","title":"Las coordenadas de la identidad en las producciones culturales hispánicas","year":2021,"lang":"es","type":"article","venue":"Diablotexto Digital","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"University of Chicago; University of Missouri; University of Toronto; Purdue University; Yale University","keywords":"Humanities; Art","score_opus":0.009226052312019522,"score_gpt":0.2562985703695231,"score_spread":0.24707251805750355,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4206728845","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10081783,0.13960713,0.003927365,0.040860683,0.004544101,0.00009992142,0.0006822557,0.00020114273,0.7092596],"genre_scores_gemma":[0.56774664,0.14911479,0.0047307704,0.0024965997,0.0022824015,0.00012913074,0.00077279087,0.0003567033,0.27237022],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99874157,0.00038708534,0.000064567765,0.00015631967,0.00046474565,0.00018588008],"domain_scores_gemma":[0.9984654,0.0005071369,0.00018499128,0.00016294702,0.0004980718,0.00018141493],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0029761004,0.00047611835,0.00026255028,0.0023425105,0.0027926657,0.010049232,0.0007768036,0.0010228193,0.016500443],"category_scores_gemma":[0.0031449252,0.00024158841,0.00019376092,0.0051725307,0.0042769597,0.0033211396,0.0038505266,0.0016763413,0.0014628147],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013340506,0.00014417457,0.014957893,0.0010061596,0.000030080375,0.00079344213,0.08464038,0.00032331308,0.0020821728,0.2644638,0.13978206,0.49164313],"study_design_scores_gemma":[0.000008511496,0.000014388919,0.008157306,0.000643427,0.000011480143,0.00014800472,0.035320092,0.000050223513,0.0005915488,0.0044419337,0.95060045,0.0000126958275],"about_ca_topic_score_codex":0.04508838,"about_ca_topic_score_gemma":0.04458428,"teacher_disagreement_score":0.04508838,"about_ca_system_score_codex":0.0059434604,"about_ca_system_score_gemma":0.009520058,"threshold_uncertainty_score":0.08965188},"labels":[],"label_agreement":null},{"id":"W4206849751","doi":"","title":"Compte-rendu de La guerre civile dans le cinéma espagnol de la démocratie","year":2021,"lang":"fr","type":"other","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Political science; Art; Philosophy; Humanities","score_opus":0.010913230711710919,"score_gpt":0.21919669988071827,"score_spread":0.20828346916900736,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4206849751","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.034393705,0.023276743,0.000589999,0.05323304,0.0016589413,0.000029490273,0.00036051235,0.00004857842,0.8864089],"genre_scores_gemma":[0.26757398,0.007627624,0.00068495097,0.0022549706,0.0009247605,0.000079095975,0.0001373686,0.00014289905,0.7205743],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987112,0.00066542235,0.000018088673,0.00013420773,0.0001953972,0.000275622],"domain_scores_gemma":[0.99817526,0.0008491372,0.00012118231,0.00006796778,0.00034443673,0.0004419685],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001886208,0.00062989997,0.00023618423,0.0012897102,0.0074308026,0.0067561897,0.000525379,0.0037233888,0.03990292],"category_scores_gemma":[0.0026888764,0.0002462352,0.00016030749,0.0010921941,0.0031710288,0.0027299593,0.0029221603,0.002725807,0.0033278782],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019575415,0.0000758939,0.002347002,0.00022651999,0.000009958438,0.00070226984,0.052224685,0.00010297296,0.0012017543,0.5373859,0.31781632,0.087711],"study_design_scores_gemma":[0.000008085655,0.000006947614,0.004414488,0.00013509266,0.00000217681,0.00016101294,0.010990584,0.000042324536,0.00026035917,0.0027810012,0.98119074,0.000007179745],"about_ca_topic_score_codex":0.09169048,"about_ca_topic_score_gemma":0.16857,"teacher_disagreement_score":0.09169048,"about_ca_system_score_codex":0.0065364903,"about_ca_system_score_gemma":0.0032992926,"threshold_uncertainty_score":0.18231356},"labels":[],"label_agreement":null},{"id":"W4206854584","doi":"","title":"Historia de un informe para denunciar al régimen franquista por crímenes de lesa humanidad contra los \"invertidos\"","year":2021,"lang":"es","type":"article","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Humanities; Philosophy","score_opus":0.014724496966157193,"score_gpt":0.22266955782350312,"score_spread":0.20794506085734593,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4206854584","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.053094506,0.027056819,0.0025562502,0.17630151,0.0067384616,0.00005980864,0.00038883262,0.00008841514,0.7337154],"genre_scores_gemma":[0.51178724,0.013535944,0.0014232311,0.013021593,0.0027050623,0.00011798431,0.00022954324,0.00023148481,0.45694798],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99886274,0.00055636256,0.00003211247,0.00010769115,0.00016919317,0.00027191234],"domain_scores_gemma":[0.99905795,0.0003682364,0.000087137036,0.00012377267,0.00026105973,0.000101774276],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020958728,0.0004921828,0.00029228485,0.0015390606,0.0069090878,0.0064381966,0.0006779301,0.0022914317,0.016706489],"category_scores_gemma":[0.0036277198,0.0002691428,0.00019662517,0.0019172756,0.010252952,0.003838162,0.002733048,0.006071439,0.0011433886],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033800854,0.0000213059,0.00056311657,0.00008989206,0.0000035405612,0.00016517623,0.032673586,0.00007606483,0.00014676947,0.88187134,0.06581589,0.018539533],"study_design_scores_gemma":[0.000006139873,0.0000065335303,0.0007998132,0.0001832263,0.0000035684725,0.000060728376,0.009747772,0.00003661267,0.00014259163,0.009711273,0.97929686,0.0000048403876],"about_ca_topic_score_codex":0.06936559,"about_ca_topic_score_gemma":0.084301226,"teacher_disagreement_score":0.06936559,"about_ca_system_score_codex":0.010199124,"about_ca_system_score_gemma":0.009418514,"threshold_uncertainty_score":0.13792366},"labels":[],"label_agreement":null},{"id":"W4206889662","doi":"","title":"Los invertidos. Verdad, justicia y reparación para gais y transexuales durante la dictadura franquista","year":2021,"lang":"es","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Humanities; Political science; Art","score_opus":0.021428064545996706,"score_gpt":0.23918317700359634,"score_spread":0.21775511245759963,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4206889662","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2801757,0.010320617,0.00088621874,0.031528335,0.0011813533,0.00004415871,0.00023938576,0.000038698458,0.6755855],"genre_scores_gemma":[0.8795509,0.0016463565,0.00034255948,0.0010536867,0.000114866096,0.000025998774,0.0000554079,0.00004502071,0.11716508],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9989994,0.00035254593,0.000018830095,0.00012323365,0.00012260742,0.00038329972],"domain_scores_gemma":[0.99938035,0.00022455688,0.0000819913,0.00007235817,0.00010600833,0.00013469462],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001513439,0.00035190998,0.0002464715,0.00058836787,0.0063578715,0.0046478333,0.0005353538,0.0018175944,0.008912698],"category_scores_gemma":[0.0024917545,0.00018258113,0.00021200054,0.0008347394,0.00870022,0.0023519166,0.0031542743,0.003973064,0.0007296448],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008687078,0.000023021868,0.0028032435,0.00004547679,0.0000042511633,0.00037059546,0.097513326,0.000043634453,0.00029137515,0.86187947,0.011385534,0.02555328],"study_design_scores_gemma":[0.000032004085,0.000034019475,0.016532477,0.00026126395,0.000016504218,0.00031924143,0.094906226,0.00010099921,0.00039990444,0.042081643,0.8452897,0.00002600696],"about_ca_topic_score_codex":0.10358482,"about_ca_topic_score_gemma":0.20843227,"teacher_disagreement_score":0.10358482,"about_ca_system_score_codex":0.008190098,"about_ca_system_score_gemma":0.005014617,"threshold_uncertainty_score":0.20596379},"labels":[],"label_agreement":null},{"id":"W4212966874","doi":"10.5944/signa.vol6.1997.33035","title":"Felipe Benítez Reyes: Humo. (Barcelona: Planeta, 1995)","year":2022,"lang":"es","type":"article","venue":"Signa Revista de la Asociación Española de Semiótica","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Novelis (Canada)","funders":"","keywords":"Humanities; Art","score_opus":0.00780565779367051,"score_gpt":0.23817077102998852,"score_spread":0.230365113236318,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4212966874","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0022483328,0.45385006,0.0014513746,0.018562896,0.009737185,0.00004649439,0.0024104211,0.00066864956,0.51102453],"genre_scores_gemma":[0.02480381,0.086046554,0.0014793667,0.0029845878,0.0017615814,0.000094168565,0.0016178164,0.00072362134,0.88048846],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997031,0.000093301,0.000019088544,0.00004851877,0.00007643578,0.000059582144],"domain_scores_gemma":[0.99968755,0.000097971984,0.000024770157,0.00003451554,0.000105058585,0.000050061386],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005834962,0.0016552955,0.0008398396,0.0027135115,0.0019654022,0.0037878805,0.0013071545,0.0022828998,0.18635364],"category_scores_gemma":[0.00075025676,0.0004504111,0.00033780403,0.0043484457,0.000752404,0.0036412368,0.0026204125,0.0017614061,0.06857284],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007063155,0.000028532635,0.00047413426,0.00043760135,0.000010723101,0.00012143932,0.0007881078,0.00008699395,0.00015604647,0.014333407,0.8066847,0.1768078],"study_design_scores_gemma":[0.000012326675,0.000007981669,0.0022847147,0.00039142574,0.000006254192,0.00015725476,0.0010555838,0.00005637132,0.00010639182,0.002250786,0.99366426,0.0000067240535],"about_ca_topic_score_codex":0.03135716,"about_ca_topic_score_gemma":0.08703253,"teacher_disagreement_score":0.18635364,"about_ca_system_score_codex":0.0019404404,"about_ca_system_score_gemma":0.0010462312,"threshold_uncertainty_score":0.623415},"labels":[],"label_agreement":null},{"id":"W4224282621","doi":"10.6018/cartaphilus.476971","title":"Juan Benet: poeta en prosa del silencio y de las penumbras","year":2022,"lang":"es","type":"article","venue":"Cartaphilus Revista de investigación y crítica estética","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Winnipeg","funders":"","keywords":"Humanities; Art; Silence; Art history; Aesthetics","score_opus":0.015685539196793698,"score_gpt":0.24075998473304674,"score_spread":0.22507444553625305,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4224282621","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.109899394,0.046518017,0.0036556623,0.06853957,0.004433496,0.000028295302,0.00007116512,0.0001235068,0.7667309],"genre_scores_gemma":[0.80717504,0.00909481,0.0012498843,0.0044556693,0.0008470943,0.00003375212,0.00003848747,0.00015689108,0.17694847],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989398,0.000520778,0.000016283557,0.00011200104,0.00028125872,0.00012982736],"domain_scores_gemma":[0.9992724,0.0003231448,0.000081092876,0.000055601224,0.00016977277,0.000097987344],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018487567,0.00043301957,0.00027478405,0.0007088336,0.005434183,0.0039330376,0.00041222086,0.0011078629,0.0022699838],"category_scores_gemma":[0.0025750652,0.00014325127,0.00016640396,0.00070911436,0.009336711,0.002021044,0.0020733026,0.0028350318,0.00044570293],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012379994,0.000024541569,0.001979048,0.0001575283,0.000009691703,0.0008251091,0.16984417,0.00016622967,0.00074232137,0.7240324,0.06668209,0.035413105],"study_design_scores_gemma":[0.000007959129,0.000023226901,0.0019872452,0.00021826325,0.0000071701843,0.00033287646,0.031453,0.000109753106,0.00050064834,0.01648086,0.9488663,0.000012718883],"about_ca_topic_score_codex":0.011802693,"about_ca_topic_score_gemma":0.025506439,"teacher_disagreement_score":0.011802693,"about_ca_system_score_codex":0.0036449132,"about_ca_system_score_gemma":0.002263287,"threshold_uncertainty_score":0.026445806},"labels":[],"label_agreement":null},{"id":"W4224882557","doi":"10.3828/bhs.2022.23","title":"Comics Criticism from Within. Metatextual Musings on Comics and Cognitive Disability in Emotional World Tour: diarios itinerantes (2009) by Miguel Gallardo and Paco Roca","year":2022,"lang":"en","type":"article","venue":"Bulletin of Hispanic Studies","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Comics; Reflexivity; Narrative; Context (archaeology); Realm; Visual arts; History; Criticism; Psychology; Literature; Art; Sociology; Social science; Archaeology","score_opus":0.027075690262651303,"score_gpt":0.24384887789784646,"score_spread":0.21677318763519515,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4224882557","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2280122,0.045398686,0.0074251816,0.34793267,0.012832507,0.00006398184,0.00028321068,0.0002446623,0.35780695],"genre_scores_gemma":[0.94433606,0.0054083774,0.00087018864,0.010090954,0.0023627554,0.000049779188,0.00007468345,0.00032805643,0.03647917],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99714166,0.001972967,0.00007046799,0.00029610895,0.00032786088,0.00019089191],"domain_scores_gemma":[0.99339193,0.0044601536,0.00053648243,0.0005071749,0.00066779245,0.0004365173],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003474045,0.00079324935,0.00043120424,0.002085758,0.008413177,0.012246459,0.0010283364,0.0031789336,0.0042407634],"category_scores_gemma":[0.008865345,0.00020380109,0.00035052732,0.0019204443,0.023631806,0.00838127,0.0062710377,0.0055705244,0.0006084658],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000060712842,0.000029651277,0.0009981191,0.00023086657,0.000016823098,0.00058232684,0.620662,0.00010042489,0.00044524512,0.29716262,0.0627016,0.017009549],"study_design_scores_gemma":[0.00001490863,0.000018596145,0.0012118239,0.0006001126,0.000012452304,0.0004016057,0.33308735,0.00014522088,0.0005511073,0.019217473,0.6447188,0.000020560905],"about_ca_topic_score_codex":0.006509269,"about_ca_topic_score_gemma":0.009930575,"teacher_disagreement_score":0.012246459,"about_ca_system_score_codex":0.0061341603,"about_ca_system_score_gemma":0.0017957567,"threshold_uncertainty_score":0.04450673},"labels":[],"label_agreement":null},{"id":"W4234635418","doi":"10.1080/14636200123089","title":"Books received","year":2001,"lang":"en","type":"article","venue":"Journal of Spanish Cultural Studies","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.10743562689522226,"score_gpt":0.30494352285245335,"score_spread":0.1975078959572311,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4234635418","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00042991896,0.011095478,0.0005136186,0.0051105,0.004798945,0.000064584936,0.0036323385,0.0005238317,0.97383094],"genre_scores_gemma":[0.0016394812,0.0046497816,0.00033354646,0.0011221913,0.00051233394,0.000029019937,0.0018807395,0.00026513482,0.9895677],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993291,0.00005648928,0.000041633164,0.00017423817,0.00031183125,0.00008672754],"domain_scores_gemma":[0.99911815,0.00009974861,0.000034775017,0.00013678793,0.00045352863,0.0001570287],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00044554065,0.0009298991,0.0010304241,0.0022329043,0.0024505216,0.007855075,0.0015338375,0.0023861544,0.7438724],"category_scores_gemma":[0.0021262153,0.00054073887,0.0006999379,0.0031426835,0.0007730894,0.005335071,0.002977911,0.0026883984,0.605017],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022318725,0.00002198608,0.0001008,0.00017263992,0.000003969588,0.000059682567,0.00016642727,0.000037296468,0.00011803228,0.013540498,0.89335644,0.09239989],"study_design_scores_gemma":[0.0000027371923,0.0000033278272,0.00013791889,0.00008874887,0.0000010759269,0.000036011177,0.00006929576,0.00000931995,0.000024105828,0.00091674103,0.99870837,0.0000023573782],"about_ca_topic_score_codex":0.0064589684,"about_ca_topic_score_gemma":0.012440288,"teacher_disagreement_score":0.7438724,"about_ca_system_score_codex":0.0022606452,"about_ca_system_score_gemma":0.0023176079,"threshold_uncertainty_score":0.36533493},"labels":[],"label_agreement":null},{"id":"W4244518137","doi":"10.1090/mbk/118/02","title":"Interview with Federico Ardila","year":2018,"lang":"en","type":"book-chapter","venue":"American Mathematical Society eBooks","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Art","score_opus":0.034043980453353336,"score_gpt":0.22880050193667392,"score_spread":0.1947565214833206,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4244518137","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.024016421,0.016076796,0.0005740064,0.8154463,0.020126589,0.00016587228,0.0012356164,0.0000996694,0.12225866],"genre_scores_gemma":[0.11271642,0.007940216,0.00035365229,0.34411445,0.0037860733,0.00072473794,0.0004377915,0.00021799609,0.5297086],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99877435,0.000520513,0.000034643675,0.00013619971,0.00017280885,0.00036147665],"domain_scores_gemma":[0.9971138,0.001381139,0.00010884306,0.00004905197,0.00075366325,0.0005935456],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002812098,0.0006840315,0.0009809396,0.001290603,0.014451295,0.0044952314,0.00082999206,0.008166659,0.041378967],"category_scores_gemma":[0.00871374,0.00052577397,0.00032388145,0.0012418099,0.0028231025,0.005595462,0.0033557508,0.01055258,0.010514981],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007096822,0.00004739334,0.0007187548,0.00009974574,0.0000032594733,0.0007181929,0.03383339,0.000039290833,0.00021239127,0.007986736,0.95028776,0.0059821685],"study_design_scores_gemma":[0.000008702045,0.000008865329,0.0009746341,0.00014313047,0.0000023752866,0.00014065541,0.06879792,0.000026085143,0.00008412513,0.0006424124,0.92915535,0.000015694095],"about_ca_topic_score_codex":0.04857832,"about_ca_topic_score_gemma":0.06410722,"teacher_disagreement_score":0.04857832,"about_ca_system_score_codex":0.0072019594,"about_ca_system_score_gemma":0.004269787,"threshold_uncertainty_score":0.13842648},"labels":[],"label_agreement":null},{"id":"W4247935134","doi":"10.1386/ncin.12.1-2.159_5","title":"Reviews","year":2014,"lang":"es","type":"article","venue":"New Cinemas Journal of Contemporary Film","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"World Federation of Science Journalists","funders":"","keywords":"Humanities; Art; Intellect; Movie theater; Art history; Media studies; Theology; Sociology; Philosophy","score_opus":0.04944937201963773,"score_gpt":0.2653937483000699,"score_spread":0.21594437628043217,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4247935134","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00067361695,0.22314821,0.0017130525,0.03541558,0.07420587,0.00034510932,0.0069905836,0.0012684964,0.6562395],"genre_scores_gemma":[0.0059815543,0.17525318,0.0019261519,0.020963283,0.025709346,0.00032493618,0.007982856,0.00078996207,0.76106876],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.998243,0.00024162672,0.00015600577,0.00033095415,0.0008402805,0.00018823167],"domain_scores_gemma":[0.9973049,0.00041535185,0.00016126159,0.00030818887,0.0013404028,0.0004700009],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0011391139,0.0011270918,0.0013611763,0.0037964946,0.0012878261,0.007858313,0.002322694,0.0028516445,0.4726676],"category_scores_gemma":[0.005553187,0.00042877704,0.0008793661,0.003973953,0.0008561552,0.004291098,0.0032098377,0.00249709,0.32783863],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023337452,0.000020502184,0.00007678958,0.0012390332,0.000009595078,0.000063757885,0.000086927066,0.00004191973,0.00017622729,0.0049166987,0.87993705,0.11340813],"study_design_scores_gemma":[0.0000027507594,0.0000047173744,0.0000917425,0.00046030676,0.0000033208794,0.000058530146,0.000045167122,0.000005793291,0.000025523637,0.00060201966,0.99869746,0.0000026991092],"about_ca_topic_score_codex":0.003933391,"about_ca_topic_score_gemma":0.0047225608,"teacher_disagreement_score":0.5273324,"about_ca_system_score_codex":0.003135025,"about_ca_system_score_gemma":0.0061214,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W4248727173","doi":"10.4324/9781135000356-rem1235-1","title":"Emak Bakia (1926)","year":2018,"lang":"en","type":"book-chapter","venue":"","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Geography","score_opus":0.044614103968403124,"score_gpt":0.21107844221121394,"score_spread":0.16646433824281082,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4248727173","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002019412,0.11968287,0.0007150849,0.0074619097,0.0077911206,0.000029929854,0.00039007125,0.000148754,0.8617609],"genre_scores_gemma":[0.027588727,0.019787205,0.00058975565,0.0031387801,0.0010416767,0.000033281907,0.000214956,0.00017908524,0.9474266],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9998229,0.000035833018,0.0000051168586,0.00004815959,0.000048306418,0.000039776267],"domain_scores_gemma":[0.9999006,0.000020695992,0.000008117802,0.0000065351846,0.000044380846,0.00001972593],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002575753,0.0009235554,0.00030838008,0.0010450503,0.0026330687,0.0022616251,0.00039469486,0.000911811,0.057469666],"category_scores_gemma":[0.00057507114,0.00023331486,0.00017412925,0.0006082417,0.0011382396,0.0019374847,0.0010642927,0.002296383,0.028848594],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006253151,0.000025821791,0.0002177724,0.00020736552,0.0000042562883,0.0001909166,0.0023679503,0.000053564796,0.00033357754,0.07301122,0.8269896,0.096535474],"study_design_scores_gemma":[0.0000018348636,0.0000048127395,0.00018028355,0.00009772155,9.472075e-7,0.00010686276,0.00023302782,0.0000074245745,0.00007323502,0.0013015402,0.9979894,0.000002892493],"about_ca_topic_score_codex":0.0073697073,"about_ca_topic_score_gemma":0.01926343,"teacher_disagreement_score":0.057469666,"about_ca_system_score_codex":0.0017370608,"about_ca_system_score_gemma":0.0009488654,"threshold_uncertainty_score":0.1922552},"labels":[],"label_agreement":null},{"id":"W4251135116","doi":"10.3138/seminar.43.4.427","title":"Talk to Her! Look at her! Pina Bausch in Pedro Almodóvar's <i>Hable con ella</i>","year":2007,"lang":"en","type":"article","venue":"Seminar A Journal of Germanic Studies","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of New Brunswick","funders":"","keywords":"Humanities; Art","score_opus":0.034222703733631746,"score_gpt":0.2924415956268242,"score_spread":0.25821889189319247,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4251135116","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0068988265,0.012985002,0.001179738,0.41100502,0.1117096,0.00012196776,0.0006130734,0.0007901815,0.45469669],"genre_scores_gemma":[0.014046649,0.0017252851,0.00028321074,0.035677575,0.0034133669,0.000052940286,0.0001162217,0.00043207576,0.9442526],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992693,0.00020143483,0.000009196506,0.00009063418,0.00015643255,0.00027301582],"domain_scores_gemma":[0.99862325,0.00010814322,0.000034333825,0.000032891418,0.0003130601,0.0008883915],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00088092266,0.0011356453,0.0005986337,0.00061650045,0.013009881,0.0052890773,0.0009295373,0.0030506586,0.16900356],"category_scores_gemma":[0.002600133,0.0003800595,0.00043562683,0.00040839624,0.001717809,0.0036891496,0.005817808,0.006875763,0.083188795],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032186315,0.000019195111,0.00016529518,0.00002769624,0.0000018848049,0.00013707529,0.0018089978,0.000007094129,0.00017695419,0.0020601882,0.98691446,0.0086489655],"study_design_scores_gemma":[0.0000040327964,0.000007971562,0.00036951425,0.000045556568,0.0000019460867,0.00008345688,0.00876835,0.00000875347,0.00007289346,0.0004915185,0.9901371,0.000008841277],"about_ca_topic_score_codex":0.014788089,"about_ca_topic_score_gemma":0.037471272,"teacher_disagreement_score":0.16900356,"about_ca_system_score_codex":0.001982502,"about_ca_system_score_gemma":0.0018882881,"threshold_uncertainty_score":0.56537324},"labels":[],"label_agreement":null},{"id":"W4251305803","doi":"10.4324/9781135000356-rem683-1","title":"Salinas, Pedro (1891–1951)","year":2018,"lang":"en","type":"book-chapter","venue":"","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Government (linguistics); Art; Index (typography); History; Classics; Art history; Philosophy","score_opus":0.04186170291281752,"score_gpt":0.21648044197262653,"score_spread":0.17461873905980901,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4251305803","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0031669275,0.19271319,0.00044514835,0.009127656,0.00662128,0.000033939577,0.00037804298,0.000087840344,0.787426],"genre_scores_gemma":[0.056418765,0.09147178,0.0006052431,0.0048712115,0.002309686,0.00005440182,0.000401938,0.0001395565,0.8437274],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999828,0.00003256607,0.000006478436,0.000046912493,0.000059239188,0.000026864074],"domain_scores_gemma":[0.9999052,0.00002488151,0.00001172204,0.0000067834335,0.000033045013,0.000018408991],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00024344861,0.00083948276,0.00034469378,0.001297497,0.0024305615,0.0022794162,0.00055747235,0.00085147505,0.020409022],"category_scores_gemma":[0.0006991519,0.00023371875,0.00017310784,0.001022715,0.001596571,0.0018190355,0.0013804251,0.0017161105,0.009151207],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000058299833,0.000028654576,0.00038006515,0.0004061054,0.0000057866196,0.0005047219,0.010950346,0.00009130685,0.00027816798,0.11406429,0.7503138,0.1229186],"study_design_scores_gemma":[0.0000011501608,0.0000024747794,0.00018818515,0.000070553484,6.788596e-7,0.000090759706,0.0003174006,0.0000027428184,0.000024544917,0.00097458705,0.99832565,0.0000012546226],"about_ca_topic_score_codex":0.017053261,"about_ca_topic_score_gemma":0.0385863,"teacher_disagreement_score":0.020409022,"about_ca_system_score_codex":0.0028423788,"about_ca_system_score_gemma":0.0016158073,"threshold_uncertainty_score":0.068274975},"labels":[],"label_agreement":null},{"id":"W4253242382","doi":"10.18192/rceh.v42i2.3134","title":"Gendering the Suicidal Body: Male Translation of Female Death in Javier Marías’ Corazón tan blanco","year":2018,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Psychology","score_opus":0.03467973470635075,"score_gpt":0.25447803436209493,"score_spread":0.21979829965574418,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4253242382","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.34310216,0.028906567,0.0042972886,0.18560499,0.007104608,0.00005315618,0.00026588817,0.000068607726,0.43059677],"genre_scores_gemma":[0.9471153,0.0053849425,0.00049014797,0.006877512,0.0007231331,0.00003120533,0.000048300335,0.00009688747,0.039232522],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9988501,0.00072555663,0.00002173574,0.0000740588,0.00019043116,0.00013813117],"domain_scores_gemma":[0.9984835,0.000660964,0.00023945152,0.00009300446,0.00031909897,0.00020399538],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016242679,0.0004507869,0.0003127923,0.0007342978,0.006860246,0.003187152,0.0006285707,0.0013544126,0.003978546],"category_scores_gemma":[0.004292188,0.00016984114,0.00022164176,0.0006527593,0.010021756,0.0017788521,0.0029930808,0.003029194,0.00051149307],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000056429923,0.000021754407,0.002451043,0.00012682888,0.000005720451,0.001471866,0.8268529,0.000047936097,0.00043369376,0.12162542,0.03285308,0.014053333],"study_design_scores_gemma":[0.000008229165,0.000023761202,0.004095002,0.00038132703,0.0000069018856,0.0010166782,0.53952116,0.00005618859,0.00040919863,0.007458382,0.44700474,0.000018459326],"about_ca_topic_score_codex":0.035770677,"about_ca_topic_score_gemma":0.05885729,"teacher_disagreement_score":0.035770677,"about_ca_system_score_codex":0.0044570225,"about_ca_system_score_gemma":0.0028712621,"threshold_uncertainty_score":0.07112497},"labels":[],"label_agreement":null},{"id":"W4254002752","doi":"10.1080/146362002320309531","title":"Books received","year":2002,"lang":"en","type":"article","venue":"Journal of Spanish Cultural Studies","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Spanish Civil War; Art; Ideology; Vision; Humanities; White (mutation); Modernism (music); Nationalism; Art history; Politics; Philosophy; Theology; Political science; Law","score_opus":0.14501992047045587,"score_gpt":0.283951178217067,"score_spread":0.13893125774661114,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4254002752","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00048103978,0.015417895,0.0005037738,0.0047235424,0.0070552337,0.000076617944,0.0038990097,0.0005416817,0.9673012],"genre_scores_gemma":[0.0014527164,0.0065753143,0.0003902516,0.0011648517,0.00072584266,0.00003062838,0.002343851,0.00022554067,0.98709106],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99940145,0.000040519568,0.000035881676,0.00014565962,0.00030581764,0.000070630995],"domain_scores_gemma":[0.9991912,0.000085635525,0.000028918328,0.00010399241,0.00043664558,0.00015349747],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00037802962,0.0009265587,0.0011009307,0.0022234428,0.002045872,0.0071049174,0.0015483054,0.0020681077,0.73508716],"category_scores_gemma":[0.0018680692,0.00051943853,0.0007054651,0.0034785282,0.00057316956,0.0045293067,0.0026110117,0.0022113642,0.61418915],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018991015,0.000023254612,0.00011541972,0.00018282502,0.0000040746204,0.00006724083,0.00011201435,0.000037631915,0.000115503186,0.007359004,0.8892618,0.10270227],"study_design_scores_gemma":[0.0000025736772,0.0000035622545,0.00017238758,0.00010467957,0.0000013128519,0.00004256146,0.00006533044,0.000009239882,0.000023575187,0.0007773397,0.9987949,0.0000024037288],"about_ca_topic_score_codex":0.005212987,"about_ca_topic_score_gemma":0.011016173,"teacher_disagreement_score":0.73508716,"about_ca_system_score_codex":0.0017669373,"about_ca_system_score_gemma":0.002152237,"threshold_uncertainty_score":0.37786597},"labels":[],"label_agreement":null},{"id":"W4254961822","doi":"10.15353/kinema.vi.1080","title":"Nantes 2003","year":2004,"lang":"en","type":"article","venue":"Kinema A Journal for Film and Audiovisual Media","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Kazakh; Latin Americans; Film director; Geography; China; MAGIC (telescope); Ancient history; History; Art history; Political science; Archaeology; Movie theater; Law","score_opus":0.030003135378773693,"score_gpt":0.2643507523827646,"score_spread":0.23434761700399093,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4254961822","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0030434353,0.0048318454,0.00030747088,0.004044482,0.00665236,0.00006604816,0.0027292743,0.00035138632,0.97797364],"genre_scores_gemma":[0.004042582,0.001256411,0.00016694254,0.00040303063,0.000262114,0.000037952013,0.0013919537,0.00012279484,0.99231625],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99964166,0.000036155165,0.000014270553,0.00007880674,0.00015469997,0.00007439084],"domain_scores_gemma":[0.99970406,0.000018846502,0.000015791597,0.000031572912,0.0001397989,0.00008981633],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005324878,0.0007024234,0.00034765722,0.0010118064,0.0022395456,0.0047329715,0.0007060112,0.0010575867,0.45470536],"category_scores_gemma":[0.00088461395,0.00024017389,0.0002701807,0.0008354807,0.00038415124,0.0013259567,0.0024509449,0.0010938435,0.20286368],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012597417,0.000045460733,0.00053222524,0.00013894992,0.0000065528316,0.00023476452,0.00038677256,0.00007862045,0.0008192103,0.013269942,0.90896904,0.07539258],"study_design_scores_gemma":[0.0000020911011,0.000004599916,0.00054301176,0.000045614237,4.829066e-7,0.000030204772,0.00009812232,0.000014648829,0.00007490518,0.00023068876,0.9989536,0.000001951771],"about_ca_topic_score_codex":0.014173725,"about_ca_topic_score_gemma":0.04753701,"teacher_disagreement_score":0.45470536,"about_ca_system_score_codex":0.0021424142,"about_ca_system_score_gemma":0.0012060106,"threshold_uncertainty_score":0.7777966},"labels":[],"label_agreement":null},{"id":"W4256283290","doi":"10.26522/ti.v5i1.1339","title":"... TIPS","year":2016,"lang":"en","type":"article","venue":"ti<","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Business","score_opus":0.02845470757790927,"score_gpt":0.19013782188212813,"score_spread":0.16168311430421886,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4256283290","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0007679175,0.0044048238,0.0047462275,0.71398014,0.06445619,0.00010019545,0.0008518379,0.00154815,0.20914464],"genre_scores_gemma":[0.01291074,0.004862927,0.004646122,0.25610617,0.022881078,0.00022627297,0.0007505243,0.0015227889,0.69609344],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9965612,0.00084037904,0.00013935781,0.0005135239,0.0012923434,0.0006532214],"domain_scores_gemma":[0.9910396,0.0017116987,0.0002645104,0.000804077,0.0043431404,0.0018370592],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0025521163,0.0011212426,0.00056332274,0.0012036338,0.004149139,0.00814552,0.0023137191,0.0055003935,0.23495196],"category_scores_gemma":[0.018127652,0.00034905205,0.0010041087,0.00067909824,0.0029024733,0.009986204,0.0058692154,0.010283593,0.13185088],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000097156535,0.000015079934,0.000066785884,0.000038667382,0.0000014720588,0.00004036108,0.00024134571,0.000016142498,0.00006524142,0.006695208,0.97893596,0.013874116],"study_design_scores_gemma":[0.0000060351153,0.000005104591,0.00012885593,0.00012267374,0.0000012873174,0.000050871513,0.00084524084,0.000020245983,0.00008017888,0.0046690297,0.9940613,0.000009228712],"about_ca_topic_score_codex":0.0091705015,"about_ca_topic_score_gemma":0.014352704,"teacher_disagreement_score":0.765048,"about_ca_system_score_codex":0.0025144564,"about_ca_system_score_gemma":0.002707747,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W4281656478","doi":"10.18192/rceh.v44i3.6361","title":"Biutiful Worldview: Alternatives to a Society Pervaded by Capitalist Values","year":2022,"lang":"en","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Capitalism; Pessimism; Denunciation; Depiction; Sociology; Environmental ethics; Alienation; Quality (philosophy); Distrust; Aesthetics; Solidarity; Political economy; Political science; Epistemology; Law; Philosophy","score_opus":0.019690290002403882,"score_gpt":0.23384193173695667,"score_spread":0.21415164173455278,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4281656478","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3375327,0.0027474493,0.0049604056,0.023745226,0.000332207,0.000036613183,0.000025991074,0.000043414348,0.6305761],"genre_scores_gemma":[0.98751205,0.00071583677,0.0005909093,0.0011828515,0.000058826714,0.000019303929,0.000007778197,0.000024561523,0.009887879],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981996,0.0011390443,0.000022253156,0.00013158463,0.0002340704,0.0002734408],"domain_scores_gemma":[0.999089,0.00029600866,0.0001356509,0.00014334288,0.00012858,0.00020739186],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0029677898,0.00046082964,0.00030262698,0.001231769,0.008383517,0.011113483,0.0007111185,0.0012540234,0.0023682117],"category_scores_gemma":[0.0022142027,0.00016117285,0.00021617253,0.0010772896,0.03695761,0.004535882,0.0063552056,0.0035883137,0.00027395246],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000038124497,0.00004471681,0.0013504629,0.00003948737,0.0000070250026,0.00041897217,0.34690547,0.000054975822,0.0005194226,0.6393025,0.0029689888,0.008349729],"study_design_scores_gemma":[0.00003911303,0.00006478575,0.0030111675,0.0002999584,0.000018938465,0.00058079534,0.5037021,0.00039444602,0.00068606867,0.16470519,0.32646203,0.000035381843],"about_ca_topic_score_codex":0.010405594,"about_ca_topic_score_gemma":0.011558351,"teacher_disagreement_score":0.011113483,"about_ca_system_score_codex":0.0041715237,"about_ca_system_score_gemma":0.0025624535,"threshold_uncertainty_score":0.030266643},"labels":[],"label_agreement":null},{"id":"W4281690467","doi":"10.18192/rceh.v44i3.6358","title":"colapso de las narrativas identitarias en Eva (2017) de Arturo Pérez-Reverte","year":2022,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.017240119451557796,"score_gpt":0.2381205718959761,"score_spread":0.2208804524444183,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4281690467","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12400906,0.026237085,0.012279113,0.10160449,0.014015264,0.00008869876,0.0004899222,0.00018503203,0.7210913],"genre_scores_gemma":[0.76999986,0.010863963,0.0032426964,0.0092772,0.0033161396,0.0001314015,0.00026142478,0.00034704144,0.20256028],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984945,0.0008738845,0.000030105297,0.0001428922,0.00026599638,0.00019260217],"domain_scores_gemma":[0.9984968,0.0007257421,0.00012157538,0.00014439032,0.00032408387,0.00018745857],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002110753,0.00070487574,0.00033391453,0.001215165,0.0062275515,0.0066853515,0.0007533194,0.0019287659,0.008881759],"category_scores_gemma":[0.0043505803,0.000175132,0.00043019504,0.0008971201,0.0080800215,0.0036279198,0.0041214605,0.004311768,0.001349149],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001834342,0.00006429868,0.0026148723,0.0003433188,0.000026074302,0.0012879348,0.2082943,0.0002966188,0.0011237821,0.6209274,0.124625005,0.040212918],"study_design_scores_gemma":[0.000009960542,0.000019709089,0.001198496,0.00031506183,0.00000832764,0.00047916206,0.06150311,0.0001285769,0.0005998615,0.020916078,0.91480666,0.000015004799],"about_ca_topic_score_codex":0.009143911,"about_ca_topic_score_gemma":0.020453462,"teacher_disagreement_score":0.009143911,"about_ca_system_score_codex":0.0042977594,"about_ca_system_score_gemma":0.0024100235,"threshold_uncertainty_score":0.031182587},"labels":[],"label_agreement":null},{"id":"W4285673624","doi":"10.3366/edinburgh/9781474448505.003.0010","title":"It Could Happen to you: Empathy and Empowerment in Iberian Austerity Cinema","year":2020,"lang":"en","type":"book-chapter","venue":"Edinburgh University Press eBooks","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Austerity; Movie theater; Rhetorical question; Politics; Aesthetics; Political science; Sociology; Gender studies; Media studies; Art; Literature; Law","score_opus":0.038407264091408044,"score_gpt":0.21443154419232685,"score_spread":0.1760242801009188,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4285673624","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21240023,0.049363326,0.0018407801,0.054087233,0.0029426173,0.00006369047,0.000029393426,0.0000614064,0.6792113],"genre_scores_gemma":[0.8978988,0.013940588,0.0011004758,0.00875276,0.0008129375,0.00007974956,0.000025291009,0.0000673308,0.0773221],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984345,0.0010389393,0.000019032714,0.00007408943,0.00012292787,0.0003104846],"domain_scores_gemma":[0.9994578,0.00024458158,0.000079056656,0.000024412353,0.000042688524,0.00015141397],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0027569262,0.0007764731,0.0003984753,0.000709285,0.0076516108,0.006472597,0.00056954677,0.0020580483,0.004479292],"category_scores_gemma":[0.0015332849,0.00021325811,0.00027366113,0.0005020373,0.00909348,0.003510846,0.0075719682,0.0042313263,0.0006431218],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000944739,0.00010750659,0.00092264684,0.00031130572,0.000014611366,0.0010544648,0.841651,0.00008204872,0.0017145616,0.082231835,0.025144015,0.046671577],"study_design_scores_gemma":[0.000018325103,0.00004563556,0.0047145095,0.0009763234,0.000017070857,0.0010313205,0.42142856,0.00009881226,0.000514266,0.010462041,0.56067014,0.000023035233],"about_ca_topic_score_codex":0.0027373196,"about_ca_topic_score_gemma":0.0058349078,"teacher_disagreement_score":0.0076516108,"about_ca_system_score_codex":0.0029572449,"about_ca_system_score_gemma":0.0014351364,"threshold_uncertainty_score":0.02145636},"labels":[],"label_agreement":null},{"id":"W4295125938","doi":"","title":"\"Mientras llega el dia\" (1990) de Juan Valdano : vers un nouvel ordre social pour l'Equateur ou l'avènement du nouveau métis, archétype de l'éqEuatorianité","year":2010,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.014982662813916851,"score_gpt":0.22358589146937585,"score_spread":0.208603228655459,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4295125938","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.026399372,0.09225697,0.0056287446,0.4674215,0.009693266,0.00005128066,0.00033330036,0.00009003195,0.39812544],"genre_scores_gemma":[0.62190986,0.034680616,0.0030736893,0.038445503,0.004638469,0.00019527433,0.00021707911,0.0004208096,0.29641873],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989945,0.0005574755,0.000019896983,0.00016106745,0.00013376935,0.00013331875],"domain_scores_gemma":[0.9994148,0.0003105613,0.00006930234,0.000036801208,0.00010697447,0.000061501254],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020056101,0.0011340545,0.000551642,0.00088026194,0.0073606255,0.0067838086,0.00089592714,0.0043548583,0.006440268],"category_scores_gemma":[0.003353713,0.00035098207,0.00035320586,0.0013320734,0.0072557298,0.006802108,0.004425205,0.006803612,0.0009437788],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000039895553,0.000015133259,0.00046113622,0.000079438316,0.000007974173,0.00013204874,0.035459705,0.000058938196,0.000111363224,0.830818,0.12390766,0.008908764],"study_design_scores_gemma":[0.00003380844,0.000008717207,0.0019990455,0.00043234168,0.000018145742,0.00017489318,0.022760969,0.00016253543,0.0003293715,0.10953798,0.8645186,0.00002354014],"about_ca_topic_score_codex":0.059765518,"about_ca_topic_score_gemma":0.09567116,"teacher_disagreement_score":0.059765518,"about_ca_system_score_codex":0.0070553855,"about_ca_system_score_gemma":0.0037576067,"threshold_uncertainty_score":0.11883527},"labels":[],"label_agreement":null},{"id":"W4295546691","doi":"10.1386/slac_00077_5","title":"Inhabiting the In-Between: Childhood and Cinema in Spain’s Long Transition, Sarah Thomas (2019)","year":2022,"lang":"en","type":"article","venue":"Studies in Spanish & Latin-American Cinemas","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Movie theater; Transition (genetics); Art; Art history; Sociology; Biology; Genetics","score_opus":0.031814195003918924,"score_gpt":0.2691431244734506,"score_spread":0.2373289294695317,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4295546691","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0014718643,0.9466068,0.0000617266,0.033527028,0.0029230218,0.000004401347,0.00006119648,0.0000146988705,0.0153292315],"genre_scores_gemma":[0.0744667,0.8678845,0.00036099274,0.013325131,0.006474855,0.000031654818,0.00018854756,0.00007352381,0.037194114],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988887,0.0005246195,0.000051580842,0.00009781847,0.0002340049,0.00020340609],"domain_scores_gemma":[0.9982509,0.00062062795,0.00022988982,0.000053978998,0.0003913165,0.00045333206],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019811871,0.00063087925,0.0004843486,0.0013828592,0.002069755,0.008627453,0.00076513446,0.002114527,0.014900091],"category_scores_gemma":[0.0031266138,0.0003206298,0.0002875962,0.002138545,0.0040277755,0.0044595604,0.0030783638,0.0025104887,0.0021925964],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007359095,0.00003597018,0.0018695856,0.0017514358,0.000019920528,0.00029134387,0.021773329,0.000092428454,0.00024553135,0.019662809,0.7515156,0.20266858],"study_design_scores_gemma":[0.000008340046,0.000013785428,0.006300337,0.0025666354,0.0000091807115,0.0002857471,0.01881275,0.000011295893,0.000057907127,0.0017829986,0.9701395,0.000011519694],"about_ca_topic_score_codex":0.055930525,"about_ca_topic_score_gemma":0.09686217,"teacher_disagreement_score":0.055930525,"about_ca_system_score_codex":0.006762448,"about_ca_system_score_gemma":0.006018476,"threshold_uncertainty_score":0.11120993},"labels":[],"label_agreement":null},{"id":"W4299435451","doi":"","title":"Memoria y (re)construcciones del sujeto: el filme ‘El secreto de sus ojos’ (2009) de Juan José Campanella y la novela “El secreto y las voces” (2002) de Carlos Gamerro","year":2016,"lang":"es","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Art; Humanities","score_opus":0.14512551119894743,"score_gpt":0.4778940356012017,"score_spread":0.33276852440225424,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4299435451","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.248749,0.01573451,0.0023468062,0.076115794,0.0040354608,0.00004442933,0.00017080999,0.000062397914,0.65274084],"genre_scores_gemma":[0.9181999,0.0044823093,0.00041982337,0.0016740656,0.0005343705,0.000025662735,0.000056672645,0.00007731869,0.07452991],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989557,0.00046418814,0.00002332193,0.00010886062,0.0002000837,0.00024779126],"domain_scores_gemma":[0.99934334,0.0002253537,0.00012704925,0.0000536293,0.00010188318,0.0001488679],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012112886,0.00046295297,0.00027659055,0.0006666512,0.007926407,0.0073487866,0.0005477411,0.0013154955,0.005962256],"category_scores_gemma":[0.0026898677,0.00018558744,0.00017828576,0.00075025717,0.012276339,0.0033816502,0.003615814,0.0045607937,0.00044019255],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007489681,0.00003322683,0.0021915357,0.00014098277,0.000009316895,0.0010075782,0.5018562,0.00009363084,0.0007414644,0.4195185,0.055978224,0.018354483],"study_design_scores_gemma":[0.000020885174,0.000024511359,0.0048446665,0.0003615605,0.000013828448,0.0003840959,0.21073836,0.00008738007,0.00046259112,0.009646557,0.77339566,0.000019870018],"about_ca_topic_score_codex":0.04550387,"about_ca_topic_score_gemma":0.09508345,"teacher_disagreement_score":0.04550387,"about_ca_system_score_codex":0.0062531237,"about_ca_system_score_gemma":0.0036131747,"threshold_uncertainty_score":0.090478},"labels":[],"label_agreement":null},{"id":"W4304609177","doi":"10.32873/uno.dc.jrf.26.02.21","title":"Venus","year":2022,"lang":"en","type":"article","venue":"Journal of Religion & Film","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Venus; Astrobiology; Art; Physics","score_opus":0.015858858850537574,"score_gpt":0.2125670412921077,"score_spread":0.19670818244157012,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4304609177","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0016685602,0.02067099,0.00053354603,0.009767863,0.020017568,0.00009977733,0.001818431,0.0005682493,0.94485503],"genre_scores_gemma":[0.011297648,0.006491967,0.00052752014,0.004084072,0.002408755,0.0000593771,0.0016275316,0.0007141082,0.97278905],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992186,0.00014763407,0.000021165872,0.00010209504,0.000386324,0.00012416879],"domain_scores_gemma":[0.99880075,0.00014718104,0.000048552145,0.00007944154,0.00053807534,0.00038594712],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006741141,0.00048618196,0.00032552367,0.0016483605,0.0026129957,0.0039106663,0.00072928227,0.0011292197,0.2430711],"category_scores_gemma":[0.0025824134,0.00019337481,0.00022602259,0.0012029009,0.00047007416,0.0018240727,0.0019248944,0.0016407282,0.07345689],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034723253,0.000007986455,0.00010571564,0.00014089754,0.0000020324878,0.00006168591,0.00017134045,0.000023347066,0.00021142856,0.0064357664,0.9570509,0.035754096],"study_design_scores_gemma":[0.0000010095011,0.0000025060851,0.00012711468,0.000054096996,5.273404e-7,0.000027632386,0.000097688884,0.000008658012,0.000045916473,0.00014343842,0.9994899,0.0000014340244],"about_ca_topic_score_codex":0.01240877,"about_ca_topic_score_gemma":0.039458122,"teacher_disagreement_score":0.2430711,"about_ca_system_score_codex":0.001683429,"about_ca_system_score_gemma":0.0021295068,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W4309694188","doi":"10.3138/cjfs-2022-0019","title":"The Cinema of Sara Gómez: Reframing Revolution","year":2022,"lang":"en","type":"article","venue":"Canadian Journal of Film Studies","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Cognitive reframing; Movie theater; Art; Literature; Art history; Aesthetics; Psychology; Social psychology","score_opus":0.042034581376104455,"score_gpt":0.24100057184797227,"score_spread":0.1989659904718678,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4309694188","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11792904,0.012651281,0.00084337575,0.14433008,0.0087754,0.000041368905,0.00013108262,0.00012927825,0.71516913],"genre_scores_gemma":[0.85176903,0.0044725044,0.0005665836,0.012225124,0.002369996,0.000030023108,0.00007089962,0.00026681556,0.12822907],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.999064,0.00051143963,0.00001101738,0.000087818655,0.00011104928,0.00021467252],"domain_scores_gemma":[0.99890935,0.00046902217,0.00005723117,0.00009125877,0.00021806284,0.00025505145],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014672392,0.00046427012,0.00024694073,0.0009232704,0.008924204,0.0065819602,0.000774043,0.002866773,0.011465451],"category_scores_gemma":[0.0036226425,0.00013334777,0.00020365442,0.0005910937,0.007156142,0.0030748858,0.0035216792,0.0046372083,0.0008810964],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017962627,0.00009148533,0.00055504986,0.0002003444,0.000012538017,0.001311534,0.35682353,0.00013097853,0.001926347,0.33296087,0.27627817,0.029529527],"study_design_scores_gemma":[0.000012822537,0.000019515892,0.000915157,0.00014906318,0.000007687908,0.00019618089,0.11772179,0.00006395855,0.00028552127,0.005078865,0.87553734,0.000012121173],"about_ca_topic_score_codex":0.030253364,"about_ca_topic_score_gemma":0.06559389,"teacher_disagreement_score":0.030253364,"about_ca_system_score_codex":0.005904919,"about_ca_system_score_gemma":0.002635983,"threshold_uncertainty_score":0.060154498},"labels":[],"label_agreement":null},{"id":"W4312342048","doi":"10.14321/letrfeme.42.2.0165","title":"<i>Survival Songs. Conchita Piquer’s</i> Coplas <i>and Franco’s Regime of Terror</i>","year":2016,"lang":"en","type":"article","venue":"Letras Femeninas","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Icon; Art; Citation; Folklife; Chapel; Art history; Humanities; Literature; Library science; Computer science; Folklore","score_opus":0.019247465883592753,"score_gpt":0.2064433486586793,"score_spread":0.18719588277508656,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4312342048","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0005905123,0.82265973,0.0001520329,0.0280996,0.015659207,0.000020682477,0.0004385851,0.00007115317,0.13230848],"genre_scores_gemma":[0.017420892,0.44424343,0.0002905553,0.023227198,0.018868959,0.000066603185,0.0009485962,0.00015543231,0.4947783],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995303,0.00009750435,0.000023190343,0.00005662472,0.00020987036,0.000082535706],"domain_scores_gemma":[0.9989967,0.0003923028,0.0000970906,0.000040581723,0.00031104774,0.00016231048],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005438456,0.0009344692,0.00049531634,0.0021704114,0.0013573788,0.0026601003,0.00066121586,0.001735502,0.059465278],"category_scores_gemma":[0.002340118,0.00026641207,0.00036783158,0.0021503128,0.001162345,0.002458779,0.00092232163,0.0021611021,0.017720753],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011969624,0.000005199891,0.00008771486,0.00029457128,0.0000032755415,0.000025189565,0.0001862418,0.000015055341,0.000053911695,0.0031458205,0.9450914,0.051079582],"study_design_scores_gemma":[0.0000019005056,0.0000055845003,0.0005555527,0.00049432315,0.0000022427132,0.00007679697,0.00016150837,0.000005560989,0.00001724819,0.0003217168,0.9983542,0.000003396571],"about_ca_topic_score_codex":0.030084938,"about_ca_topic_score_gemma":0.06551719,"teacher_disagreement_score":0.059465278,"about_ca_system_score_codex":0.0033738313,"about_ca_system_score_gemma":0.0024162384,"threshold_uncertainty_score":0.19893116},"labels":[],"label_agreement":null},{"id":"W4312430846","doi":"10.6035/galeriaoctubre.4","title":"Papers de la memòria. Pilar Sala","year":2022,"lang":"ca","type":"book","venue":"Universitat Jaume I eBooks","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Association of Nurses in Oncology","funders":"","keywords":"Art","score_opus":0.007857398122255775,"score_gpt":0.18907346939191588,"score_spread":0.1812160712696601,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4312430846","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0013190107,0.09067074,0.00034379243,0.123436734,0.21040207,0.0001540651,0.0026266682,0.00031335244,0.5707335],"genre_scores_gemma":[0.0025312824,0.0040418776,0.00008449109,0.004854343,0.004687454,0.000030044484,0.00034315037,0.00009355656,0.98333377],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999445,0.000081067126,0.000023103823,0.00011877068,0.00022562522,0.00010641562],"domain_scores_gemma":[0.999343,0.00008859717,0.000025024798,0.000044885244,0.00038316834,0.000115431336],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00079046685,0.0014777565,0.0008015601,0.0015476377,0.0035786356,0.0053258664,0.0010038777,0.002275838,0.16774096],"category_scores_gemma":[0.0016384388,0.00047405806,0.0005583674,0.0013752884,0.0007646067,0.0018771064,0.0021981532,0.003876645,0.07383336],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010239866,0.000004760645,0.000021692626,0.000023465906,8.6463047e-7,0.000011066583,0.000037635804,0.000009756228,0.000018579654,0.0009916002,0.9916368,0.0072335587],"study_design_scores_gemma":[0.0000040630116,0.000002173293,0.00022588504,0.000039605417,0.0000010016965,0.000009356078,0.00005762362,0.000008978255,0.000020658683,0.00022600227,0.9994029,0.0000016688869],"about_ca_topic_score_codex":0.04897161,"about_ca_topic_score_gemma":0.09339574,"teacher_disagreement_score":0.16774096,"about_ca_system_score_codex":0.0052279215,"about_ca_system_score_gemma":0.0028862734,"threshold_uncertainty_score":0.56114936},"labels":[],"label_agreement":null},{"id":"W4313066913","doi":"10.6017/cs.v1i1.11771","title":"EL FUTURO DE LA JUVENTUD DE EL FUTURO, DE LUIS LÓPEZ CARRASCO","year":2019,"lang":"en","type":"article","venue":"ConSecuencias","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Politics; Context (archaeology); Movie theater; Sociology; Political science; Art; Art history; History; Law","score_opus":0.010101692864767944,"score_gpt":0.24360410132510252,"score_spread":0.23350240846033457,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4313066913","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3420504,0.12817407,0.00090955157,0.08832579,0.005496708,0.00006317008,0.00020091688,0.000045519057,0.43473387],"genre_scores_gemma":[0.8919685,0.040647335,0.0003340369,0.0038195755,0.0011379713,0.00005248319,0.000055461,0.000042849868,0.06194184],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99970347,0.0001615842,0.0000042271017,0.000036324094,0.000052711413,0.000041799693],"domain_scores_gemma":[0.999637,0.00019906143,0.00004138346,0.000012017597,0.00005128591,0.000059265505],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006240678,0.00030787542,0.00013993506,0.00057272665,0.003969897,0.0034615034,0.00040536316,0.0007313413,0.0029817459],"category_scores_gemma":[0.0015678088,0.00010459983,0.000102772996,0.0005256337,0.0028247463,0.0017873913,0.0012825973,0.0018917613,0.00024336972],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012011953,0.000090489906,0.0060740905,0.000532431,0.000012548738,0.0028337047,0.56320703,0.00015059038,0.0016840098,0.21890904,0.12546037,0.08092558],"study_design_scores_gemma":[0.0000045207144,0.000022953354,0.007251188,0.0009195201,0.000010068831,0.0004693939,0.21313961,0.000051587947,0.00043670222,0.002960515,0.77471954,0.00001432211],"about_ca_topic_score_codex":0.0402202,"about_ca_topic_score_gemma":0.07013883,"teacher_disagreement_score":0.0402202,"about_ca_system_score_codex":0.0036274975,"about_ca_system_score_gemma":0.002235199,"threshold_uncertainty_score":0.07997221},"labels":[],"label_agreement":null},{"id":"W4320305679","doi":"10.1353/hir.2022.0043","title":"Sex, Drugs, and Fashion in 1970s Madrid by Francisco Fernández de Alba","year":2022,"lang":"en","type":"article","venue":"Hispanic Review","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Modernity; Dictatorship; Democracy; Mores; Sociology; Context (archaeology); Humanities; History; Political science; Art; Politics; Law","score_opus":0.015535185186632066,"score_gpt":0.22989482522282306,"score_spread":0.21435964003619098,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4320305679","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0043867324,0.83889186,0.00003558584,0.06182654,0.016526539,0.000008841508,0.00019998575,0.000020428235,0.078103505],"genre_scores_gemma":[0.07873135,0.6976343,0.00014847518,0.017699342,0.021208461,0.000028953065,0.0003509091,0.00004878029,0.1841494],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994728,0.00013820925,0.000019828029,0.000068782094,0.00021312648,0.0000872504],"domain_scores_gemma":[0.999298,0.00017441165,0.0000914363,0.000020850694,0.0002602324,0.00015494086],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007235966,0.0009011436,0.0006076101,0.0027435538,0.0023724008,0.0035663452,0.0006451461,0.0019480824,0.015338786],"category_scores_gemma":[0.0011120033,0.00034711245,0.000345941,0.003869345,0.00329857,0.0015446064,0.0014038038,0.0024910634,0.0028021245],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006402313,0.000051857307,0.00225162,0.0008130288,0.000015555797,0.00037885617,0.006362719,0.00014257408,0.00014167004,0.026707662,0.9079188,0.055151552],"study_design_scores_gemma":[0.0000062497884,0.0000072006005,0.0057653254,0.0013169615,0.0000057869765,0.00012853161,0.0036441244,0.000009361969,0.000026330868,0.0006603101,0.988422,0.000007721604],"about_ca_topic_score_codex":0.17172794,"about_ca_topic_score_gemma":0.22462086,"teacher_disagreement_score":0.17172794,"about_ca_system_score_codex":0.0098605435,"about_ca_system_score_gemma":0.005792764,"threshold_uncertainty_score":0.34145677},"labels":[],"label_agreement":null},{"id":"W432335792","doi":"","title":"Reading Pictures: A History of Love and Hate by Alberto Manguel (review)","year":2002,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Reading (process); Literature; Love and hate; Psychoanalysis; Psychology; Art; Aesthetics; Philosophy; Linguistics","score_opus":0.011658142703222556,"score_gpt":0.1703234482400975,"score_spread":0.15866530553687497,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W432335792","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000053397383,0.99517536,0.0000075817998,0.0038210626,0.00065191404,0.0000010910999,0.000009460535,8.457491e-7,0.0002792265],"genre_scores_gemma":[0.00085254264,0.9935883,0.000028703125,0.0035942267,0.0015155266,0.0000074144323,0.00001421481,0.0000030162387,0.00039595604],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99925786,0.000305235,0.000073292525,0.00010130431,0.00020005033,0.00006229837],"domain_scores_gemma":[0.99622416,0.0024343887,0.00028847816,0.000091172515,0.00075742445,0.00020434737],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020327023,0.0008559434,0.0021036263,0.003998863,0.0012648941,0.003683902,0.0010925927,0.0035069596,0.0042541525],"category_scores_gemma":[0.006692794,0.00060192315,0.0005461565,0.006388357,0.0037997824,0.0048926435,0.0016919997,0.003479353,0.0015219476],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013898987,0.000044165095,0.0006706215,0.016379502,0.00015015395,0.00018587391,0.0020200498,0.000046607973,0.00015309954,0.003942326,0.6116416,0.36462697],"study_design_scores_gemma":[0.000033103843,0.000036371155,0.0035056428,0.013273677,0.00013475714,0.00053570105,0.0016258844,0.000010107642,0.000060083992,0.0008467357,0.9799137,0.000024312689],"about_ca_topic_score_codex":0.039426364,"about_ca_topic_score_gemma":0.09109842,"teacher_disagreement_score":0.039426364,"about_ca_system_score_codex":0.0035704903,"about_ca_system_score_gemma":0.0061214175,"threshold_uncertainty_score":0.07839376},"labels":[],"label_agreement":null},{"id":"W4360852891","doi":"10.3390/literature3020012","title":"Crisscrossed Identities and Black Feminist Perspectives in Lucía Mbomío’s Novel Hija del camino (2019)","year":2023,"lang":"en","type":"article","venue":"Literature","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Gender studies; Feminism; Black feminism; Racism; Representation (politics); Black women; Sociology; Quarter (Canadian coin); Perspective (graphical); Cultural studies; Curriculum; Art; History; Political science; Anthropology; Visual arts; Pedagogy; Law","score_opus":0.02562323452047937,"score_gpt":0.24855545180741553,"score_spread":0.22293221728693616,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4360852891","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.49614632,0.01433556,0.0009844413,0.09534501,0.0021175821,0.000029030592,0.000067018875,0.000038840226,0.39093614],"genre_scores_gemma":[0.9428835,0.0024029727,0.00034141968,0.0059654014,0.00041752998,0.000030323345,0.000012281875,0.00006540081,0.047881126],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99892247,0.00062627404,0.000009958409,0.000075623975,0.00014645935,0.00021920518],"domain_scores_gemma":[0.9993094,0.00031108726,0.000111651665,0.000023672783,0.000097371776,0.00014691317],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018114642,0.00046160675,0.00036137862,0.0009061901,0.011448288,0.0059114024,0.0005143559,0.00130264,0.0029293864],"category_scores_gemma":[0.0017042154,0.00015682286,0.00016192858,0.0006043962,0.016264204,0.0018620836,0.003193222,0.0026305653,0.00037225033],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001454393,0.00005118455,0.0017813778,0.00011316546,0.000010279143,0.0011952535,0.7576761,0.000111022055,0.0007922687,0.19816723,0.024728073,0.01522855],"study_design_scores_gemma":[0.000017599068,0.00003778631,0.003128704,0.0004150634,0.000011254578,0.00058474793,0.515828,0.00009499895,0.00059964077,0.01591647,0.46334288,0.000022788572],"about_ca_topic_score_codex":0.018450003,"about_ca_topic_score_gemma":0.026636178,"teacher_disagreement_score":0.018450003,"about_ca_system_score_codex":0.0057225954,"about_ca_system_score_gemma":0.0024722738,"threshold_uncertainty_score":0.041520536},"labels":[],"label_agreement":null},{"id":"W4378549162","doi":"10.1080/08923647.2023.2198932","title":"Speaking Personally - with Francisco Ibáñez-Carrasco","year":2023,"lang":"en","type":"article","venue":"American Journal of Distance Education","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Lakehead University; University of Toronto","funders":"","keywords":"Gerontology; Psychology; Medical education; Medicine","score_opus":0.011953024547938763,"score_gpt":0.23992159179180275,"score_spread":0.227968567243864,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4378549162","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0064984425,0.0008249148,0.005511169,0.005622072,0.009585006,0.0002231852,0.0031463923,0.013999605,0.9545892],"genre_scores_gemma":[0.0050141243,0.00026032462,0.001162369,0.00076176855,0.0004068857,0.0000626782,0.00057422725,0.0011506696,0.9906069],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9998375,0.00001453797,0.000004489493,0.000033210275,0.00006354613,0.000046650122],"domain_scores_gemma":[0.9989813,0.00010954682,0.00003129811,0.000065072425,0.0002660672,0.00054668623],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002468767,0.000836588,0.0005441487,0.00063605054,0.0011558596,0.001955787,0.0005168055,0.0006370771,0.80626714],"category_scores_gemma":[0.0017090328,0.00018393535,0.00031854998,0.00031757023,0.00020229351,0.0014162308,0.0018662731,0.0010147362,0.6443879],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000115909344,0.00006628368,0.00037250543,0.00006548984,0.000002866623,0.00006693913,0.00016717214,0.00001420875,0.0020608767,0.0004545211,0.9308775,0.06573584],"study_design_scores_gemma":[0.000017550637,0.00002521067,0.0015111263,0.00004896882,0.0000058696014,0.00008889732,0.00038435025,0.00009636663,0.00065735204,0.00019526224,0.99695504,0.000013973626],"about_ca_topic_score_codex":0.002507509,"about_ca_topic_score_gemma":0.007966376,"teacher_disagreement_score":0.80626714,"about_ca_system_score_codex":0.000251285,"about_ca_system_score_gemma":0.0004339861,"threshold_uncertainty_score":0.2763363},"labels":[],"label_agreement":null},{"id":"W4379740213","doi":"10.18192/rceh.v45i2.6717","title":"SARAH THOMAS. Inhabiting the In-Between: Childhood and Cinema in Spain’s Long Transition. Toronto: U of Toronto P, 2019. 240 pp.","year":2023,"lang":"en","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Movie theater; Transition (genetics); Art history; Sociology; Media studies; Economic geography; Art; Geography; Biology","score_opus":0.01361117208770035,"score_gpt":0.2248404881143596,"score_spread":0.21122931602665926,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379740213","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00074327854,0.88370335,0.00016189218,0.085374996,0.0070154415,0.000014765571,0.0007633201,0.00006628744,0.02215659],"genre_scores_gemma":[0.029695023,0.8286546,0.0008942557,0.022598159,0.0058438783,0.00008312656,0.0006109739,0.0001566182,0.111463375],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992262,0.0002681972,0.00007596145,0.0000678196,0.00025526425,0.00010644955],"domain_scores_gemma":[0.9968221,0.0011642271,0.0003204496,0.00007378449,0.0010647348,0.00055468985],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014436838,0.0011692289,0.00055862527,0.0029230702,0.0023573034,0.0029288018,0.0010390467,0.0032218504,0.023180583],"category_scores_gemma":[0.004439753,0.0006682236,0.00043567794,0.0040568477,0.0017449089,0.004857302,0.0016346743,0.0030115414,0.0072398926],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022428161,0.000007084658,0.000382792,0.00035045188,0.000005350045,0.00010493553,0.0034036567,0.000025786678,0.000036648195,0.0016714485,0.95391494,0.04007449],"study_design_scores_gemma":[0.000007700424,0.000008075165,0.004204739,0.0018415176,0.000007697913,0.00020347569,0.009695666,0.000016442978,0.00006624695,0.0010320027,0.9829033,0.000013125174],"about_ca_topic_score_codex":0.13463484,"about_ca_topic_score_gemma":0.29047018,"teacher_disagreement_score":0.13463484,"about_ca_system_score_codex":0.0037814674,"about_ca_system_score_gemma":0.004435843,"threshold_uncertainty_score":0.2677024},"labels":[],"label_agreement":null},{"id":"W4379741141","doi":"10.18192/rceh.v45i2.6685","title":"Ethos of Care in Manuel Puig’s El beso de la mujer araña","year":2023,"lang":"en","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Ethos; Situated; Embodied cognition; Politics; Sociology; Transactional leadership; Philosophy; Psychology; Epistemology; Social psychology; Political science; Law; Computer science","score_opus":0.01699416136523141,"score_gpt":0.25625554143685353,"score_spread":0.23926138007162212,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379741141","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.45054126,0.00899509,0.00464309,0.084077306,0.001839582,0.0000505423,0.000050724688,0.00007115471,0.4497313],"genre_scores_gemma":[0.97635514,0.0010762375,0.0004808822,0.0020070123,0.0001367068,0.000018538203,0.0000064238657,0.00002386362,0.019895107],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992137,0.00052172673,0.000006735053,0.000047931815,0.00006936495,0.00014045714],"domain_scores_gemma":[0.99968684,0.00013820088,0.00004696863,0.000024815488,0.000046015215,0.000057206216],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016218472,0.00024546636,0.00020800126,0.00031976588,0.005630337,0.0035956744,0.0005259805,0.0014610168,0.0020529777],"category_scores_gemma":[0.0019057647,0.00012164148,0.00016690102,0.00022805134,0.013654093,0.0017454264,0.0027053556,0.002941965,0.00023415458],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011089046,0.000067142406,0.0011926414,0.00005993124,0.0000060783445,0.0013610986,0.2763049,0.0002003149,0.0005808688,0.67727065,0.021362089,0.021483341],"study_design_scores_gemma":[0.000018125875,0.00005850479,0.0017786168,0.00022584449,0.0000063315824,0.00083152036,0.3220017,0.00017896337,0.00054173684,0.050157726,0.6241729,0.000028061484],"about_ca_topic_score_codex":0.010537644,"about_ca_topic_score_gemma":0.014124585,"teacher_disagreement_score":0.010537644,"about_ca_system_score_codex":0.004034154,"about_ca_system_score_gemma":0.0020559495,"threshold_uncertainty_score":0.029269934},"labels":[],"label_agreement":null},{"id":"W4380926066","doi":"10.3138/ctr.135.030","title":"Please Return to the Deer <i>Head Café:</i> How Kelowna’s Community was Lost and Found","year":2008,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Realization (probability); State (computer science); Performance art; Visual arts; Head (geology); Art history; Computer science; Biology","score_opus":0.06291882509688661,"score_gpt":0.2398819362221136,"score_spread":0.176963111125227,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4380926066","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0391924,0.04486013,0.0026872875,0.24347793,0.024806583,0.0003386216,0.0012479327,0.00086471206,0.6425245],"genre_scores_gemma":[0.08254347,0.010668694,0.0010613225,0.019894168,0.00056199695,0.00007547973,0.00025957383,0.00025473826,0.8846806],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995407,0.00009827573,0.000010652618,0.000042485535,0.00012574212,0.00018224098],"domain_scores_gemma":[0.9991328,0.00007826009,0.00004673244,0.000031018408,0.0003592145,0.00035198775],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007965766,0.00043720644,0.00035898533,0.00044626583,0.008482179,0.0028569647,0.0007631094,0.0020879952,0.09029944],"category_scores_gemma":[0.0019070712,0.00018449198,0.00023827712,0.00052885455,0.0014550644,0.0022245604,0.0017920518,0.0030311532,0.021025859],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000050175426,0.000018116445,0.00064148183,0.00016792462,0.000004415322,0.00084021944,0.008569825,0.00001607407,0.0006787386,0.0029606821,0.9523069,0.033745345],"study_design_scores_gemma":[0.0000037741793,0.000010261846,0.0015017797,0.00012905944,0.0000031535799,0.00030051265,0.014720643,0.000008666811,0.00016021793,0.00016386963,0.9829879,0.000010196885],"about_ca_topic_score_codex":0.27749845,"about_ca_topic_score_gemma":0.58473605,"teacher_disagreement_score":0.7225015,"about_ca_system_score_codex":0.0037360874,"about_ca_system_score_gemma":0.004105049,"threshold_uncertainty_score":0.55176646},"labels":[],"label_agreement":null},{"id":"W4383428683","doi":"10.1007/978-3-031-32346-1_2","title":"Lita Stantic: “The Personal Is Political” Is Professional","year":2023,"lang":"en","type":"book-chapter","venue":"","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Scholarship; Hegemony; Sociology; Reading (process); Movie theater; Politics; Perspective (graphical); Media studies; Social science; Gender studies; Aesthetics; Political science; Visual arts; Art; Law","score_opus":0.07331975269189431,"score_gpt":0.26530691131999,"score_spread":0.1919871586280957,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4383428683","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0019987293,0.003259093,0.0005078787,0.0097921025,0.0012983319,0.000014694471,0.000046716395,0.000029716219,0.98305273],"genre_scores_gemma":[0.09552464,0.0021133174,0.0004988749,0.0051909303,0.0007313396,0.000041876137,0.000087848304,0.00017734594,0.89563376],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999387,0.00023472079,0.000011221741,0.00008770415,0.00014775644,0.00013166066],"domain_scores_gemma":[0.9997509,0.00006500633,0.000013102799,0.000020971309,0.00009515192,0.000054874996],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008980292,0.00063085643,0.00038876908,0.00087315013,0.0058377935,0.008415675,0.00072761934,0.002412369,0.024707213],"category_scores_gemma":[0.000914165,0.00021017448,0.00024118542,0.0010729828,0.0068634367,0.003528919,0.001733612,0.004422149,0.005266305],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015441778,0.000022773485,0.00017263116,0.00004969398,0.0000020709952,0.00007293453,0.012487735,0.000026145362,0.00009267267,0.7922589,0.17288342,0.021915602],"study_design_scores_gemma":[0.0000048298134,0.0000047781814,0.00038549973,0.000078708414,0.0000025840347,0.000044755914,0.0058410247,0.00003018835,0.00007032704,0.01895049,0.9745823,0.0000045255138],"about_ca_topic_score_codex":0.04992728,"about_ca_topic_score_gemma":0.094887145,"teacher_disagreement_score":0.04992728,"about_ca_system_score_codex":0.0072185853,"about_ca_system_score_gemma":0.005275553,"threshold_uncertainty_score":0.09927338},"labels":[],"label_agreement":null},{"id":"W4385558423","doi":"10.1353/hir.2023.a903840","title":"Inhabiting the In-Between: Childhood and Cinema in Spain’s Long Transition by Sarah Thomas (review)","year":2023,"lang":"en","type":"article","venue":"Hispanic Review","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Movie theater; Witness; History; Homeland; Art history; Art; Politics; Philosophy; Law","score_opus":0.024377717452873305,"score_gpt":0.24957511291414886,"score_spread":0.22519739546127554,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385558423","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00008466268,0.9978235,0.0000057082084,0.0011395559,0.0004897148,0.0000016124159,0.000012409699,0.0000011839063,0.00044169856],"genre_scores_gemma":[0.0019460223,0.99477744,0.000026174679,0.0013861759,0.0011758214,0.000009778805,0.000042556745,0.0000028846525,0.00063324184],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993486,0.0002289264,0.00007806125,0.00011032405,0.00014756627,0.00008652286],"domain_scores_gemma":[0.9977125,0.0012346503,0.00037285857,0.000033362587,0.00044777774,0.00019880972],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011851805,0.00079236506,0.0010636552,0.001841168,0.00061560504,0.0031639766,0.0010500541,0.0024104363,0.009245431],"category_scores_gemma":[0.0038120127,0.00030493815,0.00053978845,0.0025454017,0.001141272,0.0025202492,0.0014521809,0.0024706186,0.0015836722],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021845548,0.00006225589,0.0015155663,0.054693006,0.00017691604,0.000305884,0.0027732304,0.00014498012,0.00018924885,0.0047578476,0.41326588,0.5218967],"study_design_scores_gemma":[0.000037693284,0.00005620644,0.010335355,0.0672426,0.00013263154,0.0011969886,0.0031146158,0.000029331855,0.000066468194,0.00059425656,0.91715634,0.00003760973],"about_ca_topic_score_codex":0.01432766,"about_ca_topic_score_gemma":0.016358962,"teacher_disagreement_score":0.01432766,"about_ca_system_score_codex":0.0019617707,"about_ca_system_score_gemma":0.0029198132,"threshold_uncertainty_score":0.030929029},"labels":[],"label_agreement":null},{"id":"W4388047502","doi":"10.24310/mumaedmumaed.8073","title":"Ni de aquí, ni de allá: las olas migratorias españolas a Alemania en el cine y en relatos testimoniales","year":2023,"lang":"es","type":"book-chapter","venue":"UMA Editorial eBooks","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Windsor","funders":"","keywords":"Art","score_opus":0.017229962621812433,"score_gpt":0.24780161783995636,"score_spread":0.23057165521814393,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388047502","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.018061824,0.052921318,0.00070459646,0.057243697,0.014524523,0.000041399504,0.000144241,0.000068061825,0.8562902],"genre_scores_gemma":[0.1429915,0.025407745,0.0005506459,0.011496729,0.005327265,0.000062175655,0.00015190421,0.00020336919,0.8138087],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.9997379,0.00011763455,0.0000065184677,0.000028012773,0.00004849289,0.00006131958],"domain_scores_gemma":[0.9996356,0.0001886957,0.000023433302,0.000017099559,0.00007917599,0.000055955657],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007570729,0.00065963727,0.0002362581,0.00086243596,0.0048611667,0.0065612365,0.0005455667,0.0018645169,0.01450531],"category_scores_gemma":[0.0015748702,0.00014969545,0.00015965033,0.0013166086,0.0031987012,0.0028914968,0.002540032,0.0026817075,0.0018951712],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008621441,0.000052206775,0.0005754387,0.00047288506,0.00000753405,0.0009248923,0.097152844,0.000049294413,0.0006485906,0.15850872,0.6763203,0.06520106],"study_design_scores_gemma":[0.000005217092,0.0000066407038,0.0006119795,0.00029351463,0.0000053159833,0.00015216277,0.040803596,0.000017272789,0.000124619,0.0032571773,0.95471835,0.000004120048],"about_ca_topic_score_codex":0.020967271,"about_ca_topic_score_gemma":0.05172121,"teacher_disagreement_score":0.020967271,"about_ca_system_score_codex":0.002515076,"about_ca_system_score_gemma":0.0024354637,"threshold_uncertainty_score":0.048525035},"labels":[],"label_agreement":null},{"id":"W4390109026","doi":"10.26754/ojs_neuroptica/neuroptica.2022410012","title":"Las cajas negras de la posmemoria","year":2023,"lang":"es","type":"article","venue":"Neuróptica","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Humanities; Art; Interpretation (philosophy); Narrative; Cartography; Philosophy; Geography; Literature","score_opus":0.016759101987802935,"score_gpt":0.26885080247189064,"score_spread":0.2520917004840877,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390109026","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.22059244,0.005582487,0.0046125767,0.014585913,0.0011624971,0.000041641677,0.00015296803,0.000096980875,0.7531725],"genre_scores_gemma":[0.91299576,0.0012545947,0.0005874601,0.0008295018,0.00019198089,0.000023273227,0.000039802075,0.000049748847,0.08402789],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991393,0.00042651873,0.000019810679,0.000103472004,0.00015592371,0.00015501217],"domain_scores_gemma":[0.99912804,0.00035946278,0.0001495301,0.00010146199,0.00013333303,0.00012823966],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009017551,0.0003472948,0.00017690228,0.0006200006,0.0071984753,0.0048503852,0.00059863535,0.0010422658,0.0116715925],"category_scores_gemma":[0.002533313,0.00014700333,0.00014008443,0.0006233479,0.009978052,0.002259211,0.0036676687,0.001793973,0.0011443888],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000115482246,0.000019982097,0.004596211,0.00024709554,0.000008167434,0.0011188238,0.5402932,0.00014208055,0.0017322114,0.38328898,0.03037512,0.03806269],"study_design_scores_gemma":[0.0000031315976,0.000022741884,0.0054367553,0.00029599635,0.0000061915757,0.0005781631,0.1470397,0.000055082804,0.00072585396,0.008520334,0.83729905,0.000017017152],"about_ca_topic_score_codex":0.014891254,"about_ca_topic_score_gemma":0.04028975,"teacher_disagreement_score":0.014891254,"about_ca_system_score_codex":0.0027637847,"about_ca_system_score_gemma":0.0020560054,"threshold_uncertainty_score":0.039045393},"labels":[],"label_agreement":null},{"id":"W4390409521","doi":"10.3917/rfsp.594.0820g","title":"AGUILAR FERNANDEZ (Paloma) – Políticas de la memoria. Memorias de la política. El caso español en perspectiva comparada – Madrid, Alianza Editorial, 2008. 584 p. Annexes. Bibliogr.","year":2009,"lang":"es","type":"article","venue":"Revue française de science politique","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Cascades (Canada)","funders":"","keywords":"Art; Humanities; Political science","score_opus":0.009624596104716415,"score_gpt":0.30463630083096344,"score_spread":0.29501170472624705,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390409521","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0010486688,0.6619744,0.00047064206,0.18549217,0.064724684,0.000025837466,0.00043931924,0.000094214265,0.08573016],"genre_scores_gemma":[0.06018657,0.44121248,0.0013495093,0.05992632,0.06654318,0.000112205795,0.001013115,0.0003218657,0.36933473],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99915254,0.00021294464,0.0000511665,0.0001456453,0.0003007219,0.000136928],"domain_scores_gemma":[0.99856806,0.0004828411,0.00014886621,0.000040207353,0.0006563007,0.000103651204],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013401717,0.0009787295,0.00058363465,0.002562556,0.0024846771,0.0044334307,0.0013228145,0.003889912,0.020457983],"category_scores_gemma":[0.0036565042,0.0003155461,0.0004894676,0.002440743,0.001356427,0.003605348,0.0014351673,0.005426843,0.005527899],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000054329976,0.000012040643,0.00018200648,0.0004261937,0.000009756131,0.00013015806,0.00062521343,0.000047569465,0.000100326586,0.018491121,0.94063514,0.03928613],"study_design_scores_gemma":[0.000011095599,0.0000050924064,0.0011620334,0.0005288424,0.000008195836,0.00005441056,0.00043811562,0.000018923562,0.00008829727,0.0024106612,0.99526703,0.000007238673],"about_ca_topic_score_codex":0.04727859,"about_ca_topic_score_gemma":0.086405724,"teacher_disagreement_score":0.04727859,"about_ca_system_score_codex":0.005328997,"about_ca_system_score_gemma":0.0041990005,"threshold_uncertainty_score":0.09400678},"labels":[],"label_agreement":null},{"id":"W4391155572","doi":"","title":"De portraits d'hommes au portrait d'une femme dans \"Un amor\" de Sara Mesa","year":2022,"lang":"fr","type":"book-chapter","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Portrait; Art; Humanities; Art history","score_opus":0.01947126910715101,"score_gpt":0.21111848719828483,"score_spread":0.19164721809113383,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391155572","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05262425,0.007452878,0.0018027178,0.009977952,0.0037677933,0.00005934409,0.00014833144,0.000058679627,0.924108],"genre_scores_gemma":[0.31279045,0.0038450828,0.0014302232,0.002937698,0.0006372155,0.000062581414,0.00009348609,0.00018402771,0.6780192],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996327,0.00020490617,0.000005597479,0.000035129913,0.000046604502,0.000075002376],"domain_scores_gemma":[0.9998627,0.00005763056,0.000010231104,0.0000068670565,0.00002143692,0.000041138104],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005066625,0.0009912635,0.00039091826,0.00093339256,0.013700332,0.0027531716,0.0004699019,0.0017996671,0.016208848],"category_scores_gemma":[0.0007078278,0.00026839427,0.00037532533,0.00072329154,0.004454552,0.0017543989,0.0020265693,0.003993304,0.002457966],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013322553,0.000049792954,0.0006744183,0.00021353022,0.0000123692935,0.004136138,0.6003177,0.00015005143,0.001902042,0.2365766,0.13219099,0.023643116],"study_design_scores_gemma":[0.0000045989336,0.000014472325,0.001242141,0.00021764575,0.0000057519683,0.0007303141,0.087455735,0.000045357137,0.0002145162,0.002326252,0.9077344,0.000008794936],"about_ca_topic_score_codex":0.02227112,"about_ca_topic_score_gemma":0.08065814,"teacher_disagreement_score":0.02227112,"about_ca_system_score_codex":0.0026135063,"about_ca_system_score_gemma":0.001035837,"threshold_uncertainty_score":0.054224014},"labels":[],"label_agreement":null},{"id":"W4391303304","doi":"10.32920/25105931","title":"My Life Without Me (2003)","year":2024,"lang":"en","type":"preprint","venue":"","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Psychology","score_opus":0.03959787222124561,"score_gpt":0.2521426587825763,"score_spread":0.2125447865613307,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391303304","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0030196318,0.012403729,0.00021636274,0.022163818,0.0062692193,0.000028746857,0.001449757,0.00014326366,0.9543055],"genre_scores_gemma":[0.015837202,0.0033995337,0.00016379479,0.0050943745,0.00046992663,0.00003181803,0.0004922577,0.00014163664,0.97436935],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99963,0.000072961215,0.000018174876,0.00006444266,0.0001249921,0.000089418],"domain_scores_gemma":[0.99969745,0.000033062166,0.000018012895,0.00002152644,0.00009526132,0.00013472271],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00037459185,0.00044823994,0.00023500582,0.00068849354,0.004655848,0.0057833167,0.0004789965,0.0017793204,0.13122134],"category_scores_gemma":[0.0011125379,0.00018395112,0.00020290357,0.0012466224,0.00091047544,0.0023126034,0.0019618333,0.0026886975,0.06175339],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000125802735,0.000010175989,0.0002787264,0.00006398607,0.0000014218176,0.00010961857,0.004218576,0.00000782875,0.00008134851,0.012541432,0.94206506,0.040609285],"study_design_scores_gemma":[0.0000010922944,0.0000023560863,0.0006995456,0.000058214435,3.710933e-7,0.000060735016,0.0017248804,0.000002541703,0.000024699597,0.0003035121,0.99712026,0.0000018615671],"about_ca_topic_score_codex":0.039690886,"about_ca_topic_score_gemma":0.13604027,"teacher_disagreement_score":0.86877865,"about_ca_system_score_codex":0.0026759184,"about_ca_system_score_gemma":0.0021624544,"threshold_uncertainty_score":0.4389791},"labels":[],"label_agreement":null},{"id":"W4391303360","doi":"10.32920/25105931.v1","title":"My Life Without Me (2003)","year":2024,"lang":"en","type":"preprint","venue":"","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Political science","score_opus":0.03959787222124561,"score_gpt":0.2521426587825763,"score_spread":0.2125447865613307,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391303360","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0030196318,0.012403729,0.00021636274,0.022163818,0.0062692193,0.000028746857,0.001449757,0.00014326366,0.9543055],"genre_scores_gemma":[0.015837202,0.0033995337,0.00016379479,0.0050943745,0.00046992663,0.00003181803,0.0004922577,0.00014163664,0.97436935],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99963,0.000072961215,0.000018174876,0.00006444266,0.0001249921,0.000089418],"domain_scores_gemma":[0.99969745,0.000033062166,0.000018012895,0.00002152644,0.00009526132,0.00013472271],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00037459185,0.00044823994,0.00023500582,0.00068849354,0.004655848,0.0057833167,0.0004789965,0.0017793204,0.13122134],"category_scores_gemma":[0.0011125379,0.00018395112,0.00020290357,0.0012466224,0.00091047544,0.0023126034,0.0019618333,0.0026886975,0.06175339],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000125802735,0.000010175989,0.0002787264,0.00006398607,0.0000014218176,0.00010961857,0.004218576,0.00000782875,0.00008134851,0.012541432,0.94206506,0.040609285],"study_design_scores_gemma":[0.0000010922944,0.0000023560863,0.0006995456,0.000058214435,3.710933e-7,0.000060735016,0.0017248804,0.000002541703,0.000024699597,0.0003035121,0.99712026,0.0000018615671],"about_ca_topic_score_codex":0.039690886,"about_ca_topic_score_gemma":0.13604027,"teacher_disagreement_score":0.13122134,"about_ca_system_score_codex":0.0026759184,"about_ca_system_score_gemma":0.0021624544,"threshold_uncertainty_score":0.4389791},"labels":[],"label_agreement":null},{"id":"W4392063947","doi":"10.7202/1109345ar","title":"Best sellers y censura franquista: las traducciones de Teresa Pàmies","year":2024,"lang":"es","type":"article","venue":"Meta Journal des traducteurs","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.05064933160800828,"score_gpt":0.27106410656321445,"score_spread":0.22041477495520617,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392063947","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13413098,0.011754828,0.00234709,0.055740237,0.0008726058,0.000023025008,0.00011552395,0.00006952274,0.79494613],"genre_scores_gemma":[0.87149787,0.0024843712,0.00051674334,0.0021261314,0.00032705063,0.0000145333715,0.000041965683,0.00007122107,0.12292011],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979253,0.0008826013,0.000041951575,0.00035192884,0.00040130716,0.0003969008],"domain_scores_gemma":[0.9979825,0.00072405447,0.00030223062,0.00031199103,0.00026898022,0.00041025603],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0030760553,0.00027722417,0.00034647898,0.0010418369,0.011213684,0.01853505,0.0010230956,0.002936783,0.015340487],"category_scores_gemma":[0.0058154613,0.0003349354,0.0002272071,0.0017080934,0.013982055,0.006077102,0.004344104,0.0035163104,0.0017267935],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000070967326,0.00002025522,0.0017621637,0.00005671114,0.0000081572925,0.000527637,0.08744075,0.00013506075,0.000068068824,0.8599965,0.030523425,0.019390216],"study_design_scores_gemma":[0.000028003484,0.000021620457,0.0036920174,0.00029237292,0.000011329373,0.00036614382,0.054592095,0.00033372687,0.00015389819,0.091830425,0.8486545,0.000023832272],"about_ca_topic_score_codex":0.030562581,"about_ca_topic_score_gemma":0.052091185,"teacher_disagreement_score":0.030562581,"about_ca_system_score_codex":0.009858999,"about_ca_system_score_gemma":0.0052607246,"threshold_uncertainty_score":0.07153237},"labels":[],"label_agreement":null},{"id":"W4392509005","doi":"10.1353/psg.2023.a920346","title":"Elvira Madigan","year":2023,"lang":"en","type":"article","venue":"Prairie schooner","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Medicine","score_opus":0.04474072930867293,"score_gpt":0.24357753300862772,"score_spread":0.1988368036999548,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392509005","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0017429026,0.03961718,0.0006797667,0.045063507,0.031171246,0.000068823065,0.00084357447,0.0010115111,0.8798015],"genre_scores_gemma":[0.005076958,0.007358605,0.00021173115,0.009948059,0.0016079448,0.00003732166,0.0001976303,0.0001960639,0.97536564],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994499,0.00008076441,0.000016291344,0.00016396157,0.00017566737,0.00011346243],"domain_scores_gemma":[0.9992193,0.00008805875,0.000047018395,0.000050901057,0.0002068855,0.00038777865],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004978784,0.00088291464,0.00043799673,0.0006852686,0.0019911863,0.0036099965,0.0011241543,0.0015352111,0.45485693],"category_scores_gemma":[0.0023708788,0.00029033382,0.00025114487,0.0003995224,0.0005165021,0.0016709063,0.0029482855,0.0025257766,0.19007663],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024392264,0.000015376952,0.00017070373,0.00006890847,0.0000020608065,0.0001297217,0.00010981519,0.000019580419,0.00010518226,0.0025430988,0.9392464,0.057564598],"study_design_scores_gemma":[9.843316e-7,0.000002962926,0.000088039575,0.00003055818,7.012423e-7,0.00009172609,0.00006982261,0.000004680478,0.000019408702,0.00008653367,0.9996031,0.0000014797242],"about_ca_topic_score_codex":0.0056678844,"about_ca_topic_score_gemma":0.010886414,"teacher_disagreement_score":0.45485693,"about_ca_system_score_codex":0.0013231006,"about_ca_system_score_gemma":0.0020973503,"threshold_uncertainty_score":0.7775804},"labels":[],"label_agreement":null},{"id":"W4393374997","doi":"10.55422/bbmp.944","title":"Una extraordinaria «revelación literaria»: Ana María Matute, el grupo Destino y el Premio Nadal","year":2023,"lang":"es","type":"article","venue":"BOLETÍN DE LA BIBLIOTECA DE MENÉNDEZ PELAYO","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Novelis (Canada)","funders":"","keywords":"Humanities; Art; Physics","score_opus":0.01634251984949579,"score_gpt":0.2966971744672233,"score_spread":0.2803546546177275,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4393374997","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03762347,0.15524895,0.0023644369,0.44763437,0.01718297,0.000026745502,0.000117157266,0.000108351946,0.3396935],"genre_scores_gemma":[0.64792645,0.0796676,0.0015812445,0.037887912,0.016799476,0.00007218242,0.00008758328,0.00028548672,0.2156921],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99822706,0.0010657638,0.00003574302,0.00016276354,0.00034244076,0.00016621106],"domain_scores_gemma":[0.99827635,0.00081340555,0.00017738501,0.000113855465,0.00042452334,0.0001944429],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020259155,0.00035540675,0.00029685008,0.0011696606,0.0060846754,0.008335053,0.0007087988,0.0014593981,0.0049742153],"category_scores_gemma":[0.0044171973,0.00015950578,0.00020982587,0.001142209,0.007858197,0.0037002675,0.0029717374,0.0033894775,0.0009846288],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007567076,0.000029684405,0.0020413373,0.00044742742,0.000016190359,0.00059845345,0.1133985,0.000106855965,0.00043605233,0.48226643,0.34252807,0.058055278],"study_design_scores_gemma":[0.0000028117836,0.0000061362716,0.0008099308,0.00028381316,0.0000043096975,0.00013980668,0.018659336,0.000040105053,0.00012754588,0.010172998,0.9697455,0.000007756922],"about_ca_topic_score_codex":0.01641775,"about_ca_topic_score_gemma":0.03573864,"teacher_disagreement_score":0.01641775,"about_ca_system_score_codex":0.006170603,"about_ca_system_score_gemma":0.004598159,"threshold_uncertainty_score":0.044771075},"labels":[],"label_agreement":null},{"id":"W4394678565","doi":"10.5944/hdp.39.2022.40374","title":"Reseña de: Gabriela DE LIMA GRECCO, Burning Books, Awarding Writers. Literary Censorship in Francisco Franco’s Spain and Getulio Vargas’s Brazil, 1936-1945, Brighton-Chicago-Toronto, Sussex Academic Press, 2020","year":2024,"lang":"en","type":"article","venue":"Historia del Presente","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Censorship; Art; Humanities; History; Philosophy; Theology","score_opus":0.0206042412090911,"score_gpt":0.2597745378352348,"score_spread":0.2391702966261437,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4394678565","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005127591,0.6277905,0.00040430832,0.14750256,0.018884728,0.00007521755,0.0015995415,0.0001726841,0.19844286],"genre_scores_gemma":[0.08923869,0.27790716,0.00096288807,0.025792625,0.008900686,0.0001839546,0.0011048007,0.0003031791,0.5956059],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99946624,0.00016048862,0.000029782352,0.000056986915,0.00016844008,0.00011798531],"domain_scores_gemma":[0.99872094,0.00047975982,0.00011235261,0.0000606538,0.0004908474,0.00013538371],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015242898,0.0011151306,0.00049517426,0.0036046475,0.0053249393,0.0066151265,0.0017463538,0.0029565757,0.043399103],"category_scores_gemma":[0.004063965,0.0004058507,0.0003145933,0.0046853614,0.0019301837,0.0060091754,0.0023436127,0.0022904093,0.0068029393],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024216946,0.000026766607,0.0006772268,0.0003876175,0.0000068388904,0.00011624613,0.006950339,0.000022609282,0.000050120478,0.02541543,0.9287469,0.03757566],"study_design_scores_gemma":[0.000009375347,0.0000033681824,0.0023881318,0.00065496797,0.0000088871575,0.000058756406,0.005239987,0.000015351765,0.00007303822,0.0016781674,0.9898645,0.00000547217],"about_ca_topic_score_codex":0.19545795,"about_ca_topic_score_gemma":0.4596692,"teacher_disagreement_score":0.19545795,"about_ca_system_score_codex":0.0056473096,"about_ca_system_score_gemma":0.0070798974,"threshold_uncertainty_score":0.38864046},"labels":[],"label_agreement":null},{"id":"W4394752060","doi":"10.1353/hsf.2024.a924561","title":"From the Theater to the Plaza: Spectacle, Protest, and Urban Space in Twenty-First-Century Madrid by Matthew I. Feinberg (review)","year":2024,"lang":"en","type":"article","venue":"Hispanófila/Hispanófila","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Spectacle; Space (punctuation); Urban space; Art; Art history; Visual arts; Media studies; History; Political science; Sociology; Law; Philosophy; Regional science; Linguistics","score_opus":0.010415437160813328,"score_gpt":0.2103212933957545,"score_spread":0.19990585623494117,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4394752060","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00010053276,0.9967597,0.000012962998,0.0013487848,0.0006267911,0.0000022254915,0.00001171221,0.0000031541026,0.0011341173],"genre_scores_gemma":[0.0019614443,0.99351233,0.000041316373,0.0012096941,0.0009058277,0.000010462297,0.000048972128,0.0000069002544,0.0023031682],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995565,0.00013604522,0.000035676356,0.00006149379,0.00015445623,0.000055903012],"domain_scores_gemma":[0.99932826,0.00029187315,0.0001330744,0.00001114214,0.00013633439,0.000099423094],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00075205276,0.0009673481,0.0012504791,0.0019471694,0.0006878322,0.0047880225,0.0010935012,0.0017130899,0.008815391],"category_scores_gemma":[0.0017594594,0.00036571219,0.00052429165,0.0034619905,0.0016222394,0.0029297264,0.0019153475,0.002650018,0.0026675772],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007408858,0.000048628528,0.00048045244,0.027658908,0.00010195082,0.00019083348,0.0031506587,0.00025167858,0.00017207951,0.006203089,0.46246874,0.49919888],"study_design_scores_gemma":[0.000012083192,0.000027777285,0.0024301563,0.017574865,0.00003666874,0.00038533122,0.0020427592,0.000018926608,0.000043319098,0.00069287326,0.9767131,0.000022076143],"about_ca_topic_score_codex":0.011151414,"about_ca_topic_score_gemma":0.012804025,"teacher_disagreement_score":0.011151414,"about_ca_system_score_codex":0.0023550494,"about_ca_system_score_gemma":0.0024836326,"threshold_uncertainty_score":0.029490352},"labels":[],"label_agreement":null},{"id":"W4394811693","doi":"10.5944/hdp.33.2019.40562","title":"Reseña de: Germán LABRADOR MÉNDEZ, Culpables por la literatura. Imaginación política y contracultura en la transición española (1968-1986), Madrid, Akal, 2017","year":2019,"lang":"es","type":"article","venue":"Historia del Presente","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.009250732953963794,"score_gpt":0.24971680737152224,"score_spread":0.24046607441755846,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4394811693","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005362362,0.6786153,0.00023528401,0.17066613,0.033798106,0.000026327938,0.0027932504,0.00010280022,0.10840051],"genre_scores_gemma":[0.08957955,0.34138128,0.0005715515,0.04456741,0.018266343,0.00009725196,0.0018685737,0.00028530616,0.5033827],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996227,0.000107800435,0.000025137613,0.000054805674,0.00011058061,0.00007899517],"domain_scores_gemma":[0.9993424,0.0002195231,0.00006114673,0.00002892226,0.0002730613,0.00007494584],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009006934,0.0010099044,0.00046578303,0.0031218627,0.0024428952,0.0039058416,0.00089283165,0.0019757298,0.038077302],"category_scores_gemma":[0.0020943785,0.00021821294,0.0002305507,0.0036109486,0.0014210301,0.003783058,0.0022439503,0.001832942,0.009782726],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002505159,0.000015129848,0.00039699225,0.00034708867,0.000007803755,0.00010609256,0.0023758328,0.000027100974,0.00006949828,0.008786529,0.96220875,0.025634127],"study_design_scores_gemma":[0.000006696215,0.0000033014678,0.0018594834,0.00057200406,0.0000078909425,0.000063911306,0.0037841431,0.000011714335,0.00007072144,0.0007435873,0.99287206,0.0000044689095],"about_ca_topic_score_codex":0.07248981,"about_ca_topic_score_gemma":0.14952034,"teacher_disagreement_score":0.07248981,"about_ca_system_score_codex":0.0037458104,"about_ca_system_score_gemma":0.0036381776,"threshold_uncertainty_score":0.14413571},"labels":[],"label_agreement":null},{"id":"W4397030495","doi":"10.52383/itfcoaching.v18i52.573","title":"La Volea de Revés de Del Potro","year":2010,"lang":"es","type":"article","venue":"ITF Coaching & Sport Science Review","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Cegep de Sept Iles","funders":"","keywords":"Humanities; Philosophy; Political science; Physics","score_opus":0.017230487240057712,"score_gpt":0.29720967633886886,"score_spread":0.27997918909881114,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4397030495","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.47227952,0.13721566,0.018483799,0.018445963,0.003878163,0.00015376077,0.00022335585,0.00028103983,0.34903866],"genre_scores_gemma":[0.6832412,0.06059599,0.0066230213,0.003038614,0.0008513202,0.00007148256,0.00016808651,0.00012393424,0.24528636],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995383,0.00013149549,0.00001706805,0.00009105934,0.00013588286,0.0000862779],"domain_scores_gemma":[0.99943453,0.00011164051,0.000111758425,0.000053956486,0.00017313992,0.000114931114],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009106208,0.00048825418,0.00045530224,0.0011032211,0.0022731654,0.002867017,0.00054438395,0.0013907393,0.012881779],"category_scores_gemma":[0.0016933485,0.00020934387,0.00042923997,0.0006474705,0.002478163,0.002362637,0.0021396636,0.0010707404,0.0017435439],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0008099484,0.00038987186,0.025712714,0.004653654,0.00017941177,0.008358415,0.04297767,0.0004438591,0.044752132,0.0908829,0.046504617,0.73433477],"study_design_scores_gemma":[0.000028488439,0.0005924503,0.039006434,0.0030767897,0.00009330921,0.006115844,0.03879744,0.00018512669,0.0041964166,0.012039503,0.8958104,0.000057665464],"about_ca_topic_score_codex":0.003210161,"about_ca_topic_score_gemma":0.007555332,"teacher_disagreement_score":0.012881779,"about_ca_system_score_codex":0.0007868313,"about_ca_system_score_gemma":0.0019118068,"threshold_uncertainty_score":0.04309386},"labels":[],"label_agreement":null},{"id":"W4397033141","doi":"10.18192/rceh.v45i3.6920","title":"TOM WHITTAKER. The Spanish Quinqui Film. Delinquency, Sound, Sensation. Manchester: Manchester UP, 2020. 233 pp.","year":2024,"lang":"en","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Juvenile delinquency; Sound (geography); Psychology; Criminology; Acoustics; Physics","score_opus":0.02465652933445653,"score_gpt":0.23883225877355602,"score_spread":0.2141757294390995,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4397033141","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0009781582,0.8614876,0.0002888164,0.033408705,0.01291444,0.000032497734,0.0027443382,0.00018274042,0.08796278],"genre_scores_gemma":[0.020984257,0.51444644,0.0012109902,0.006341403,0.0060751727,0.000105865925,0.0020451732,0.00031218806,0.4484785],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99969554,0.00006110514,0.00002542848,0.00003661488,0.00014187467,0.00003960002],"domain_scores_gemma":[0.998691,0.00027306034,0.00010862025,0.00003034568,0.00065099786,0.00024601378],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00070941786,0.0016031746,0.0006111976,0.0026734103,0.0018310272,0.0022594947,0.00084092264,0.0014063637,0.115349695],"category_scores_gemma":[0.0021551298,0.00073415646,0.00043769059,0.0033575278,0.00076351815,0.0033924342,0.0012593205,0.0019653693,0.03275407],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024165241,0.0000046312075,0.00027361594,0.00025807595,0.0000033176657,0.000067846304,0.0005045216,0.000012767652,0.00006665101,0.0004501439,0.9561716,0.04216278],"study_design_scores_gemma":[0.000007692836,0.000009780787,0.004755637,0.0012347625,0.0000083954355,0.00022967916,0.0024412395,0.00001591658,0.00006559853,0.00031237345,0.99091107,0.000007932373],"about_ca_topic_score_codex":0.09701587,"about_ca_topic_score_gemma":0.1926627,"teacher_disagreement_score":0.115349695,"about_ca_system_score_codex":0.00229971,"about_ca_system_score_gemma":0.0017532094,"threshold_uncertainty_score":0.38588315},"labels":[],"label_agreement":null},{"id":"W4397033523","doi":"10.18192/rceh.v45i3.6813","title":"Miguel Mármol, aspirante a mártir marxista: Testimonio y verdad en Miguel Mármol (1972), de Roque Dalton","year":2024,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.018048686873641032,"score_gpt":0.24593957506216807,"score_spread":0.22789088818852704,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4397033523","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12211608,0.097842135,0.0036658202,0.29005456,0.003933001,0.00005092026,0.00018870356,0.000060563783,0.48208827],"genre_scores_gemma":[0.8846333,0.016025878,0.0008914213,0.01866938,0.00082096097,0.000039375976,0.000028430046,0.000055435532,0.0788357],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985145,0.0009764042,0.000020605192,0.000107712964,0.00018606712,0.00019473203],"domain_scores_gemma":[0.9992606,0.00043025307,0.0000955755,0.000037227845,0.0000756718,0.00010074598],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001767008,0.00037525914,0.00022270516,0.00082498544,0.008892708,0.0041441023,0.00059895957,0.0021832306,0.003881684],"category_scores_gemma":[0.0039235465,0.00014810372,0.00017826653,0.0012240701,0.011559517,0.0033141957,0.003052916,0.0031694649,0.0005428862],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000076066804,0.000021284193,0.0019317287,0.00013893074,0.000010961138,0.0012788804,0.2370055,0.0001020974,0.00048325813,0.6201801,0.11184067,0.02693054],"study_design_scores_gemma":[0.0000067421424,0.000012005719,0.002106964,0.0004111008,0.0000073645674,0.00045653956,0.11071258,0.00006327092,0.00041190945,0.03552483,0.8502674,0.000019332329],"about_ca_topic_score_codex":0.029411497,"about_ca_topic_score_gemma":0.054659832,"teacher_disagreement_score":0.029411497,"about_ca_system_score_codex":0.0053580967,"about_ca_system_score_gemma":0.0023736458,"threshold_uncertainty_score":0.05848062},"labels":[],"label_agreement":null},{"id":"W4399811053","doi":"10.1353/rhm.2024.a930048","title":"Barcelona, City of Margins by Olga Sendra (review)","year":2024,"lang":"en","type":"article","venue":"Revista hispánica moderna/Revista hispanica moderna","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.0230442156177721,"score_gpt":0.24604274703973972,"score_spread":0.22299853142196763,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399811053","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00007349717,0.9906307,0.00003787133,0.002856408,0.0041223336,0.000010447901,0.00010871961,0.000025118201,0.0021349331],"genre_scores_gemma":[0.0025002516,0.9774255,0.000243865,0.005974286,0.0045222593,0.000059897025,0.0005106399,0.00003267754,0.00873064],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987509,0.0002875775,0.0001677033,0.00026102428,0.00041163186,0.00012112587],"domain_scores_gemma":[0.99794096,0.0005135005,0.0004361895,0.000079241094,0.0007545568,0.0002754809],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011062841,0.0014785082,0.0025348172,0.002914163,0.0006259462,0.003916432,0.0016793294,0.002106164,0.030506255],"category_scores_gemma":[0.0036131658,0.00052258954,0.0008619825,0.004408805,0.00077685504,0.0024930453,0.0015086799,0.00282961,0.01457038],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008940849,0.000015907224,0.00022697136,0.021207005,0.00010366287,0.00015686397,0.00013954897,0.00010563224,0.00016975329,0.0009956566,0.7477631,0.22902659],"study_design_scores_gemma":[0.00002816784,0.000018595643,0.0013041564,0.011777543,0.00007764895,0.0004099243,0.00014326627,0.00002294272,0.000052454245,0.00027991863,0.9858688,0.000016469674],"about_ca_topic_score_codex":0.005579042,"about_ca_topic_score_gemma":0.0071328906,"teacher_disagreement_score":0.030506255,"about_ca_system_score_codex":0.002410237,"about_ca_system_score_gemma":0.0045760577,"threshold_uncertainty_score":0.10205358},"labels":[],"label_agreement":null},{"id":"W4399939345","doi":"10.17227/ppo.num31-20577","title":"Anatomía de un instante de Javier Cercas: la humanización de lo no humano o la política viva","year":2024,"lang":"es","type":"article","venue":"Pensamiento palabra y obra","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.010571825138749723,"score_gpt":0.2690608204090172,"score_spread":0.2584889952702675,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399939345","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06038041,0.009479892,0.0148538165,0.021753076,0.0032388442,0.000049664617,0.00022953148,0.00022341589,0.8897913],"genre_scores_gemma":[0.8108496,0.006283082,0.005750294,0.0029155428,0.0007592121,0.00005834818,0.0001536748,0.00032190402,0.17290841],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99911565,0.00032149887,0.000016949969,0.00015181434,0.0002039475,0.00019023889],"domain_scores_gemma":[0.9992637,0.00023779528,0.00010285363,0.000102929276,0.00015671254,0.0001359627],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00091487035,0.00060079485,0.00021274693,0.0013420474,0.0071401955,0.008690389,0.00068810815,0.0025274998,0.018202854],"category_scores_gemma":[0.0023846033,0.00020507064,0.0003736825,0.00081217894,0.01642361,0.0058405087,0.0036648419,0.0028579633,0.0025292498],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000054076016,0.000010590382,0.0013695285,0.00017898134,0.000008139582,0.0015680541,0.09259406,0.0001859983,0.0011598604,0.8501108,0.026948655,0.025811194],"study_design_scores_gemma":[0.000004970507,0.000028620756,0.0027766777,0.00062198594,0.000014276484,0.0016570766,0.0646926,0.00017279827,0.0008043296,0.060327627,0.8688646,0.000034493994],"about_ca_topic_score_codex":0.011755453,"about_ca_topic_score_gemma":0.024873171,"teacher_disagreement_score":0.018202854,"about_ca_system_score_codex":0.0045606857,"about_ca_system_score_gemma":0.0039168713,"threshold_uncertainty_score":0.06089455},"labels":[],"label_agreement":null},{"id":"W4401088138","doi":"10.7202/1111670ar","title":"Les personnages fabulateurs dans l’oeuvre de Pedro Almodóvar. Une poétique du désir","year":2024,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.03320547206907985,"score_gpt":0.29448132534420407,"score_spread":0.2612758532751242,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4401088138","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18429834,0.024799362,0.0070465296,0.032714732,0.001865805,0.00009268589,0.00010025576,0.00008843332,0.7489938],"genre_scores_gemma":[0.75644284,0.006961659,0.0017309212,0.0023320906,0.00036127464,0.000046005745,0.00004229107,0.0001307108,0.2319522],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989838,0.0006002914,0.000012039871,0.00011707493,0.0001517127,0.00013511737],"domain_scores_gemma":[0.99946743,0.00021428315,0.0000661728,0.000042310985,0.00012091778,0.000088893095],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013140354,0.0004708217,0.00024416344,0.00068740617,0.004934959,0.0054682037,0.00042064398,0.0011211797,0.005364947],"category_scores_gemma":[0.0017163483,0.00020788665,0.00020890919,0.0006010798,0.006722553,0.0029546532,0.002001719,0.002048865,0.00090808247],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013603033,0.00003821847,0.0013832998,0.00022378779,0.000008028847,0.0011812305,0.469632,0.00015491551,0.0019342753,0.44265476,0.03812612,0.04452734],"study_design_scores_gemma":[0.000007591258,0.000027246644,0.0024484254,0.00020355861,0.000006934089,0.0005495805,0.14807136,0.00010004357,0.0005514311,0.010272353,0.8377446,0.00001685126],"about_ca_topic_score_codex":0.018658053,"about_ca_topic_score_gemma":0.029678646,"teacher_disagreement_score":0.018658053,"about_ca_system_score_codex":0.0035556166,"about_ca_system_score_gemma":0.0015887809,"threshold_uncertainty_score":0.037098885},"labels":[],"label_agreement":null},{"id":"W4401823919","doi":"10.5617/myn.11742","title":"Anatomía de un instante de Javier Cercas: la novela democrática a debate","year":2024,"lang":"es","type":"article","venue":"Memoria y Narración Revista de estudios sobre el pasado conflictivo de sociedades y culturas contemporáneas","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.017214260516455703,"score_gpt":0.2815004822044845,"score_spread":0.2642862216880288,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4401823919","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.043369003,0.0066916463,0.008663756,0.048910286,0.0031936206,0.00002803048,0.00009560754,0.00008690077,0.88896114],"genre_scores_gemma":[0.86949635,0.002666436,0.0018595275,0.004255324,0.0011624186,0.000047848866,0.000053961016,0.00018007755,0.12027795],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.997869,0.001052864,0.00003641803,0.00031549615,0.000365133,0.00036111596],"domain_scores_gemma":[0.999017,0.00039691234,0.000114063456,0.00015179139,0.00015407814,0.0001660948],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017308153,0.0005248329,0.00031733085,0.00085124024,0.012373243,0.012746358,0.0009959404,0.0034369912,0.011611046],"category_scores_gemma":[0.0030113526,0.00019586492,0.0004445975,0.0007494911,0.024120733,0.0064268596,0.004098874,0.0049682828,0.0016238503],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023149378,0.0000071830464,0.0001519124,0.000042503936,0.000003056789,0.00037064127,0.035817318,0.00008259067,0.00019679486,0.94383967,0.014103688,0.005361592],"study_design_scores_gemma":[0.000007780199,0.000018499597,0.00045383227,0.00026698897,0.000007678462,0.00055244635,0.03661569,0.00014865617,0.0003859887,0.11061806,0.8509021,0.00002225915],"about_ca_topic_score_codex":0.0063656666,"about_ca_topic_score_gemma":0.014559368,"teacher_disagreement_score":0.012746358,"about_ca_system_score_codex":0.0069506606,"about_ca_system_score_gemma":0.0033738054,"threshold_uncertainty_score":0.050430834},"labels":[],"label_agreement":null},{"id":"W4402035568","doi":"10.32920/26882470.v1","title":"Documenting the Restoration Process: The Documentaries of Sara Gómez at the Vulnerable Media Lab","year":2024,"lang":"en","type":"preprint","venue":"","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Social Sciences and Humanities Research Council of Canada; Queen's University","keywords":"Process (computing); Computer science; Operating system","score_opus":0.028173655082659416,"score_gpt":0.2635630493683979,"score_spread":0.2353893942857385,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4402035568","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6590249,0.0042733853,0.007007583,0.051965266,0.0009691394,0.00054123474,0.00028871867,0.0003006864,0.27562913],"genre_scores_gemma":[0.8881518,0.0019578314,0.006682504,0.0018337942,0.00006195422,0.00014805711,0.00011474053,0.00026572114,0.100783594],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9956008,0.0029528718,0.000088706074,0.00029664693,0.0006788665,0.00038211196],"domain_scores_gemma":[0.9953532,0.0015000708,0.000429682,0.0006297995,0.0012520747,0.0008352261],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005473413,0.00046057694,0.0002925904,0.001595015,0.023909636,0.00886555,0.0016232389,0.0016825197,0.007807448],"category_scores_gemma":[0.012089395,0.00031878086,0.00017768871,0.0013508673,0.009209026,0.00400166,0.0057489113,0.003311823,0.0014440618],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000110114495,0.00014272954,0.0038695927,0.00028214537,0.00000835373,0.004048144,0.835458,0.00030816704,0.0023891227,0.038950503,0.035293046,0.079140134],"study_design_scores_gemma":[0.00000652558,0.000044953347,0.002320502,0.0004640862,0.000009345509,0.000824074,0.58083165,0.00016517514,0.0015053545,0.0014124777,0.412386,0.00002986234],"about_ca_topic_score_codex":0.107149854,"about_ca_topic_score_gemma":0.21498297,"teacher_disagreement_score":0.107149854,"about_ca_system_score_codex":0.013167576,"about_ca_system_score_gemma":0.014570735,"threshold_uncertainty_score":0.21305233},"labels":[],"label_agreement":null},{"id":"W4402973915","doi":"10.1080/13569325.2024.2387061","title":"Roundtable/Photo Essay with Archivo El Insulto","year":2024,"lang":"es","type":"article","venue":"Journal of Latin American Cultural Studies","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"York University","keywords":"Art; History; Humanities","score_opus":0.0469511157773295,"score_gpt":0.3181142121235497,"score_spread":0.27116309634622016,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4402973915","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0046659145,0.011271792,0.001214432,0.12320602,0.2324076,0.00020515616,0.0021952805,0.0003986766,0.6244351],"genre_scores_gemma":[0.029504703,0.0047962894,0.0008357517,0.015562142,0.02879241,0.0001438987,0.00072261476,0.00034351868,0.9192986],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997416,0.00005726055,0.000009891627,0.000048447444,0.00009566785,0.000047110185],"domain_scores_gemma":[0.9990891,0.000247671,0.000048108832,0.00006598034,0.00033914077,0.00020994524],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00042756845,0.00057352067,0.00027671797,0.00077956734,0.004740716,0.0024793278,0.00051210704,0.0015958346,0.106774494],"category_scores_gemma":[0.0017832248,0.00018630427,0.00032026652,0.0006236747,0.0009457209,0.0016927539,0.002061827,0.0033348175,0.02847293],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002287776,0.000013209845,0.000048433285,0.00002879067,8.318891e-7,0.00012269377,0.0003829909,0.000011527701,0.00013580965,0.002672095,0.9915582,0.0050024698],"study_design_scores_gemma":[0.0000028143725,0.0000053645895,0.0002739557,0.00004794987,8.70252e-7,0.00010740411,0.00086144276,0.0000106960015,0.00013417717,0.00048234276,0.9980698,0.0000031040845],"about_ca_topic_score_codex":0.006900537,"about_ca_topic_score_gemma":0.021149714,"teacher_disagreement_score":0.106774494,"about_ca_system_score_codex":0.0017201033,"about_ca_system_score_gemma":0.0009773234,"threshold_uncertainty_score":0.35719627},"labels":[],"label_agreement":null},{"id":"W4404039608","doi":"10.7202/1113464ar","title":"Mémoire et narration de la mort dans le cinéma espagnol du 21<sup>e</sup> siècle","year":2024,"lang":"fr","type":"article","venue":"Frontières","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Physics; Humanities","score_opus":0.008133152298246083,"score_gpt":0.24028211289688725,"score_spread":0.23214896059864118,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404039608","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.53092,0.007005972,0.009467135,0.028979788,0.0027427485,0.00012222186,0.00054820813,0.00016752923,0.42004627],"genre_scores_gemma":[0.9027816,0.0026171585,0.0017027544,0.001405604,0.00044213788,0.00005009988,0.000123044,0.00012287548,0.09075474],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9991365,0.0005145127,0.000019883306,0.00008748296,0.00012942356,0.00011213159],"domain_scores_gemma":[0.99896264,0.0006352408,0.000099355064,0.000048282902,0.000117625736,0.00013685146],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012216123,0.00046697317,0.00021874663,0.00075751235,0.005804618,0.003988217,0.00054127205,0.0018137314,0.008255829],"category_scores_gemma":[0.003068416,0.00025287172,0.00022912888,0.000701955,0.0059151584,0.0029516106,0.0026918205,0.0028432165,0.0009744044],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010338696,0.0000238271,0.0020930748,0.0003057321,0.000012651557,0.0027023265,0.8557654,0.00014424734,0.0039409166,0.083765246,0.03081522,0.020328052],"study_design_scores_gemma":[0.0000066173716,0.00004909345,0.005501632,0.00039413766,0.00001037283,0.0014358304,0.19241527,0.00014902661,0.001153551,0.0021698554,0.7966855,0.000029089046],"about_ca_topic_score_codex":0.008126173,"about_ca_topic_score_gemma":0.018195488,"teacher_disagreement_score":0.008255829,"about_ca_system_score_codex":0.0018314953,"about_ca_system_score_gemma":0.00090137724,"threshold_uncertainty_score":0.027618527},"labels":[],"label_agreement":null},{"id":"W4404994953","doi":"10.1016/b978-0-323-95299-6.00006-8","title":"Discoba","year":2024,"lang":"en","type":"book-chapter","venue":"Protistology","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Saskatchewan","funders":"","keywords":"Computer science","score_opus":0.03287974966356966,"score_gpt":0.22393873391675603,"score_spread":0.19105898425318638,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404994953","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0010972383,0.010444475,0.0006556909,0.0011390728,0.0021633501,0.000026653623,0.0021679578,0.00069135916,0.98161423],"genre_scores_gemma":[0.019745754,0.010005202,0.0018289203,0.0007962991,0.0007140001,0.0000661511,0.0020164195,0.00091945165,0.96390766],"study_design_codex":"design_other","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99956065,0.000058131733,0.000036570964,0.00015761537,0.0001336968,0.000053351134],"domain_scores_gemma":[0.9995185,0.0000992567,0.00008822923,0.00008249955,0.00010615776,0.00010537855],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00026297444,0.0011008207,0.00084874127,0.0020142759,0.0018594577,0.006230468,0.001103591,0.0016986552,0.592964],"category_scores_gemma":[0.001176437,0.00031553346,0.0002986897,0.0022171957,0.0011239005,0.0025939285,0.0024887412,0.0020585086,0.44238833],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006069425,0.000095468204,0.0005902605,0.0021684617,0.000024230167,0.0008568948,0.0008533498,0.00029249315,0.004023105,0.14630093,0.32402313,0.5201647],"study_design_scores_gemma":[0.0000084050025,0.000006495429,0.00016343316,0.0001766369,0.0000034243847,0.0003002366,0.00006575107,0.0000273006,0.00025116708,0.0017796804,0.9972138,0.0000037698312],"about_ca_topic_score_codex":0.0029416182,"about_ca_topic_score_gemma":0.004959583,"teacher_disagreement_score":0.592964,"about_ca_system_score_codex":0.0018322103,"about_ca_system_score_gemma":0.0008806944,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W4405672263","doi":"10.26668/1688-5465_anuariosociojuridico/2022.v14i1.7450","title":"Ecos de la inauguración del monumento a José Enrique Rodó. La visión de los uruguayos sobre Rodó a mediados de siglo XX.","year":2022,"lang":"es","type":"article","venue":"Anuario del Área Socio-Jurídica","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Optech (Canada)","funders":"","keywords":"Art; Humanities","score_opus":0.007521209085331407,"score_gpt":0.256133906555746,"score_spread":0.24861269747041462,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405672263","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.46558186,0.049404208,0.0020793837,0.036436316,0.0016417145,0.00008684611,0.0002662158,0.00007994994,0.4444235],"genre_scores_gemma":[0.88634956,0.0036205293,0.0005497082,0.0009026053,0.00016161376,0.00003712394,0.00005235315,0.00004067612,0.10828587],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9990858,0.00040803858,0.000029707317,0.000097794866,0.00013205965,0.0002466799],"domain_scores_gemma":[0.99939287,0.000085057116,0.00014600815,0.000042895055,0.00018747729,0.0001455595],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013743208,0.0003615999,0.00026177493,0.00050872035,0.009046248,0.0031917032,0.00054972776,0.0010757267,0.006455536],"category_scores_gemma":[0.0017315174,0.00025097563,0.00020402875,0.00053663534,0.0057401904,0.0015884639,0.003352357,0.0018858031,0.00048903836],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019415178,0.000044476616,0.013541512,0.00038788683,0.000013293792,0.0017506437,0.56077105,0.00014334408,0.0025796224,0.33734238,0.026408639,0.05682298],"study_design_scores_gemma":[0.000009235269,0.00007409181,0.04615724,0.0005118922,0.000016609381,0.00039344953,0.19266166,0.0000920881,0.0007254115,0.004879525,0.75445235,0.00002652107],"about_ca_topic_score_codex":0.20940764,"about_ca_topic_score_gemma":0.34125778,"teacher_disagreement_score":0.20940764,"about_ca_system_score_codex":0.007484487,"about_ca_system_score_gemma":0.0046026637,"threshold_uncertainty_score":0.41637748},"labels":[],"label_agreement":null},{"id":"W4405693206","doi":"10.1007/978-3-031-72600-2_3","title":"Empowered Auralities: Memory, Disability, and Space in Mafifa (Daniela Muñoz Barroso, 2021)","year":2024,"lang":"en","type":"book-chapter","venue":"Global cinema","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Space (punctuation); Psychology; Philosophy; Linguistics","score_opus":0.01792241091690264,"score_gpt":0.23685832738650722,"score_spread":0.21893591646960459,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405693206","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.024003865,0.14542907,0.0010310676,0.04507488,0.0037305558,0.00003341624,0.00011829687,0.000053366773,0.78052545],"genre_scores_gemma":[0.5045657,0.036419507,0.00081806234,0.005151418,0.0016650801,0.000097488235,0.00008203392,0.00006818684,0.45113254],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997067,0.00012486966,0.0000056780327,0.00002619713,0.00004408899,0.00009237154],"domain_scores_gemma":[0.9998141,0.00008054336,0.000011208661,0.000011087778,0.000037857993,0.000045161818],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00057993556,0.00063522515,0.00027114968,0.0009107231,0.004688115,0.0050316546,0.00047330762,0.0016864352,0.012076884],"category_scores_gemma":[0.000929861,0.00012770497,0.00018382611,0.00056228286,0.0056050005,0.0036870835,0.0026389293,0.0021362405,0.0012318809],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000080255566,0.000054307726,0.0007053817,0.00029250397,0.000007674684,0.00043242166,0.117333144,0.00006508809,0.0005629481,0.5507155,0.18470079,0.14504999],"study_design_scores_gemma":[0.000008429902,0.000017143402,0.0011528893,0.0004069516,0.0000049585624,0.0004649573,0.032608256,0.00002067607,0.00014940364,0.020476809,0.9446804,0.000009096253],"about_ca_topic_score_codex":0.01999511,"about_ca_topic_score_gemma":0.052347813,"teacher_disagreement_score":0.01999511,"about_ca_system_score_codex":0.0033251892,"about_ca_system_score_gemma":0.0022954983,"threshold_uncertainty_score":0.04040122},"labels":[],"label_agreement":null},{"id":"W4405693211","doi":"10.1007/978-3-031-72600-2_11","title":"The Balance between Care and Self-Affirmation: Disability and the Family in Latin American Film","year":2024,"lang":"en","type":"book-chapter","venue":"Global cinema","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Balance (ability); Latin Americans; Self care; Psychology; Political science; Health care; Law; Neuroscience","score_opus":0.011643037072476879,"score_gpt":0.22215369796163884,"score_spread":0.21051066088916195,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405693211","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13473542,0.018643286,0.00071601087,0.047245298,0.0010755486,0.00003646084,0.000046779376,0.000018004692,0.79748315],"genre_scores_gemma":[0.9304805,0.0050273906,0.00022890915,0.0024184047,0.00027897177,0.000032895823,0.00001762611,0.000029674095,0.0614856],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993118,0.00043436378,0.000009086709,0.000033839966,0.00004864101,0.00016235068],"domain_scores_gemma":[0.9994642,0.00028540887,0.000028366825,0.000018170165,0.000052480485,0.00015147403],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011263851,0.00037176782,0.00023314498,0.0007604535,0.009382409,0.007839074,0.00067819626,0.001453808,0.007523395],"category_scores_gemma":[0.0014216107,0.00011221367,0.00014605353,0.00079932454,0.01161601,0.0028401995,0.0034501432,0.0024650993,0.0002449931],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000065828775,0.0001353362,0.0017759827,0.00013497968,0.000007523143,0.0009443509,0.57714665,0.000057626214,0.00038703228,0.35089555,0.03119627,0.03725284],"study_design_scores_gemma":[0.000016458413,0.000023084322,0.0036712955,0.00038664625,0.000010802578,0.00037739077,0.68293947,0.00006150526,0.00018120605,0.01804521,0.29427686,0.000010100493],"about_ca_topic_score_codex":0.0314071,"about_ca_topic_score_gemma":0.06352611,"teacher_disagreement_score":0.0314071,"about_ca_system_score_codex":0.006319228,"about_ca_system_score_gemma":0.0036493074,"threshold_uncertainty_score":0.06244856},"labels":[],"label_agreement":null},{"id":"W4410595899","doi":"10.3138/utq.94.02.07","title":"Before &amp; After: Plasticity, Plastic Surgery, and Pedro Almodóvar’s <i>The Skin I Live In</i>","year":2025,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Plastic surgery; Plasticity; Medicine; Surgery; Materials science; Composite material","score_opus":0.007667304558802855,"score_gpt":0.18509994982173505,"score_spread":0.1774326452629322,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410595899","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.052325897,0.048402067,0.0014090765,0.41458386,0.005677266,0.00001787443,0.000038274753,0.000046865836,0.47749874],"genre_scores_gemma":[0.7964627,0.018357687,0.00058679626,0.031213313,0.0025448343,0.00001941251,0.000017742812,0.000096367745,0.15070115],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990534,0.00042102367,0.000013718346,0.00007532136,0.0002240031,0.0002125642],"domain_scores_gemma":[0.99939144,0.0002199228,0.000058613787,0.000046174573,0.000106087384,0.00017786518],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014890557,0.00024813047,0.00015390865,0.00044856934,0.008426481,0.0050897277,0.0005812113,0.0017749851,0.005131571],"category_scores_gemma":[0.0022165743,0.00013125176,0.00015591679,0.00041852068,0.018319936,0.0026544428,0.0026052846,0.0039523854,0.00075499143],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000042272914,0.000055143788,0.0013752287,0.000092983784,0.0000043392483,0.00078187557,0.101242304,0.000120645025,0.0003155618,0.62390304,0.21695076,0.055115834],"study_design_scores_gemma":[0.000006453311,0.000019368494,0.0016148327,0.00020562683,0.0000027019498,0.0010821433,0.05099854,0.00005103415,0.00025708773,0.023260068,0.9224873,0.00001488109],"about_ca_topic_score_codex":0.031623628,"about_ca_topic_score_gemma":0.05057425,"teacher_disagreement_score":0.031623628,"about_ca_system_score_codex":0.00544008,"about_ca_system_score_gemma":0.0038917328,"threshold_uncertainty_score":0.062879145},"labels":[],"label_agreement":null},{"id":"W4410872748","doi":"10.63997/jct.v39i4.1127","title":"Autobiography Without an “I”: Currere for the Era of a Porous Self","year":2024,"lang":"en","type":"article","venue":"Journal of Curriculum Theorizing","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Mount Saint Vincent University","funders":"","keywords":"Biography; Porosity; Art; Art history; History; Geology; Geotechnical engineering","score_opus":0.0147242875397077,"score_gpt":0.26308130794651463,"score_spread":0.24835702040680693,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410872748","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3140277,0.0028701583,0.024742465,0.054302853,0.0014646351,0.00017047081,0.000059758015,0.000102857804,0.60225916],"genre_scores_gemma":[0.9618495,0.0011757954,0.0040030777,0.004975757,0.00018154399,0.000096852265,0.000018808643,0.0001000812,0.02759862],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9965808,0.0023975063,0.0000560929,0.00031050245,0.0004748683,0.00018031929],"domain_scores_gemma":[0.993276,0.0047114613,0.00035915273,0.0009364013,0.00044918316,0.0002678006],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.006187595,0.0002782044,0.00033498264,0.00072205433,0.007987745,0.006456053,0.0008248126,0.0015660983,0.007774424],"category_scores_gemma":[0.014734538,0.0002497754,0.00022258672,0.000540819,0.02648077,0.013855873,0.0058763176,0.0069191884,0.0008626859],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024000994,0.000057718164,0.00030733857,0.00007585101,0.00000382421,0.00012276568,0.21620807,0.000029895566,0.0005961077,0.76718205,0.004529884,0.010862603],"study_design_scores_gemma":[0.000036782803,0.00010819752,0.0007777283,0.000412419,0.000018415789,0.00045025887,0.22663045,0.00028384555,0.0029687374,0.18899506,0.5792822,0.00003586582],"about_ca_topic_score_codex":0.0023835658,"about_ca_topic_score_gemma":0.0023554761,"teacher_disagreement_score":0.007987745,"about_ca_system_score_codex":0.001858971,"about_ca_system_score_gemma":0.002284687,"threshold_uncertainty_score":0.032723486},"labels":[],"label_agreement":null},{"id":"W4414771880","doi":"10.1080/08865655.2025.2565565","title":"Unstable Borders: Lara Favaretto’s <i>Momentary Monument – The Wall</i> (2009)","year":2025,"lang":"en","type":"article","venue":"Journal of Borderlands Studies","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Statue; Culmination; Symbol (formal); Identity (music); Work (physics); Darkroom; Rumble","score_opus":0.024421959571187545,"score_gpt":0.2810591186586941,"score_spread":0.25663715908750656,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4414771880","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.22194669,0.016907757,0.0014541267,0.0895759,0.0043893405,0.000040380564,0.00011162304,0.00018752068,0.6653867],"genre_scores_gemma":[0.8200584,0.0022836188,0.0005131164,0.009810092,0.0005903811,0.000026332802,0.000046521334,0.00019678818,0.16647473],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994412,0.00025437688,0.000005857482,0.000072110575,0.00007093731,0.0001555396],"domain_scores_gemma":[0.9997156,0.00008743029,0.000027509615,0.0000263793,0.00003777666,0.00010519879],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00064595486,0.0003325364,0.00017715835,0.0004214202,0.016155578,0.006308022,0.00065478176,0.0021522688,0.0071667233],"category_scores_gemma":[0.0013301915,0.00019809276,0.00016797839,0.00040120745,0.00701415,0.0021473619,0.0035097236,0.003019238,0.0009400415],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000094746625,0.000042800933,0.0026330042,0.00012717553,0.000008642592,0.003474492,0.45619106,0.00010019356,0.001132913,0.19375418,0.30605173,0.036389038],"study_design_scores_gemma":[0.0000056494723,0.00002018748,0.0024133709,0.00014885592,0.000004083059,0.0005858225,0.07683099,0.000021801034,0.00022363124,0.0017655386,0.9179683,0.000011660408],"about_ca_topic_score_codex":0.048083026,"about_ca_topic_score_gemma":0.17301486,"teacher_disagreement_score":0.048083026,"about_ca_system_score_codex":0.0049949344,"about_ca_system_score_gemma":0.0017119616,"threshold_uncertainty_score":0.09560633},"labels":[],"label_agreement":null},{"id":"W4415764106","doi":"10.18192/rceh.v47i2.4979","title":"Transatlantic Body Politics of the Spanish Civil War: Decoloniality and the Poetics of Internationalism","year":2025,"lang":"en","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Internationalism (politics); Poetics; Poetry; Politics; Solidarity; Decoloniality; Indigenous; Civil society","score_opus":0.010592155400232653,"score_gpt":0.2254702077373403,"score_spread":0.21487805233710766,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4415764106","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26063386,0.006514585,0.0025016244,0.020109622,0.0006462113,0.000015926667,0.000025247842,0.000029164337,0.70952374],"genre_scores_gemma":[0.9762572,0.0013538704,0.00016572264,0.00073869125,0.00013098244,0.000013770916,0.000009074432,0.000035075638,0.021295669],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999027,0.0005748435,0.0000116266565,0.000063193176,0.00010270303,0.00022062224],"domain_scores_gemma":[0.9993624,0.00029134552,0.000096048076,0.000062668645,0.000090926864,0.00009663177],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022645968,0.00035175335,0.00023977556,0.00084081007,0.0051011737,0.007373238,0.00041589182,0.00094907644,0.0034936904],"category_scores_gemma":[0.0020319973,0.00008800979,0.00014929901,0.00093749276,0.025428345,0.002299095,0.0043699853,0.0023124272,0.00040806064],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000060946135,0.00003082635,0.001347896,0.00007132308,0.0000039663496,0.00028685448,0.30544952,0.00010180999,0.00047345794,0.6682546,0.0051334524,0.018785324],"study_design_scores_gemma":[0.000023092096,0.000036689078,0.004038566,0.00035339245,0.000008309238,0.00021243824,0.5006613,0.00015537305,0.00068337284,0.048600536,0.4452118,0.000015115293],"about_ca_topic_score_codex":0.010835577,"about_ca_topic_score_gemma":0.009957955,"teacher_disagreement_score":0.010835577,"about_ca_system_score_codex":0.004330834,"about_ca_system_score_gemma":0.0023445874,"threshold_uncertainty_score":0.031422496},"labels":[],"label_agreement":null},{"id":"W4415764188","doi":"10.18192/rceh.v47i2.4922","title":"“But I’m Also from There”: Transnational Adoption, Belonging and Cultural Identity in Susi Gonzalvo’s Zhao","year":2025,"lang":"en","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Representation (politics); Context (archaeology); Feeling; Identity (music); Cultural identity","score_opus":0.014295225090609256,"score_gpt":0.2425311759610548,"score_spread":0.22823595087044554,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4415764188","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9004249,0.0023467343,0.0005900139,0.010208751,0.0002692816,0.000025520256,0.00003820551,0.000012612689,0.08608386],"genre_scores_gemma":[0.9875535,0.0010060465,0.00014057636,0.0003787719,0.000021325424,0.000011829766,0.000013641607,0.000010978289,0.010863325],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99933165,0.0003452466,0.000013346,0.00006138505,0.00009239106,0.00015586035],"domain_scores_gemma":[0.9995534,0.00018157886,0.00008440723,0.000039066166,0.000054566724,0.000086961365],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010149765,0.00033658088,0.00025526283,0.0004815634,0.00660496,0.0040674307,0.0003685958,0.00070125563,0.0014047474],"category_scores_gemma":[0.0016647902,0.00015533625,0.00016589636,0.00068975455,0.0077794944,0.0021596197,0.003035316,0.002050642,0.00012019125],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004367357,0.00002981723,0.0067642303,0.0000551683,0.00000713731,0.0012161718,0.93570733,0.000033062952,0.0013025737,0.04136199,0.0035608297,0.00991802],"study_design_scores_gemma":[0.000006318233,0.000026872482,0.011594714,0.00014829425,0.000011875837,0.00038475386,0.8177569,0.000051474828,0.00054285594,0.0018404266,0.16761771,0.000017888238],"about_ca_topic_score_codex":0.05546085,"about_ca_topic_score_gemma":0.09677751,"teacher_disagreement_score":0.05546085,"about_ca_system_score_codex":0.003941784,"about_ca_system_score_gemma":0.001572707,"threshold_uncertainty_score":0.11027604},"labels":[],"label_agreement":null},{"id":"W4415764207","doi":"10.18192/rceh.v47i2.5894","title":"Storytelling and Narrative Legacy: Violence and the Moral Decline of Jaime Deza in Javier Marías’s Tu rostro mañana","year":2025,"lang":"en","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narrative; Storytelling; Interpretation (philosophy); Historiography","score_opus":0.013469091336817464,"score_gpt":0.22714051439287003,"score_spread":0.21367142305605258,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4415764207","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.66997564,0.019914662,0.0011483248,0.040618703,0.0015494938,0.000040017054,0.00008480712,0.000046216956,0.26662213],"genre_scores_gemma":[0.97644335,0.0026340531,0.00022259027,0.0010924486,0.00016094743,0.0000185132,0.000018459426,0.000026213977,0.019383322],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992766,0.00045044158,0.000009824465,0.0000510396,0.00006621192,0.00014590766],"domain_scores_gemma":[0.99936336,0.00029681483,0.00011718175,0.00004286038,0.000081055565,0.00009877767],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016218402,0.0005117038,0.0002957997,0.00080682285,0.010012455,0.0052170265,0.001018385,0.0017099067,0.0026889187],"category_scores_gemma":[0.0028488082,0.00020125865,0.000196464,0.00069670856,0.01245112,0.0021395609,0.0032329764,0.0034606005,0.00023143782],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000069826965,0.000040571034,0.0017532604,0.0001235966,0.000008950594,0.001745903,0.90609103,0.00009638445,0.00049878575,0.06460153,0.0140029015,0.010967209],"study_design_scores_gemma":[0.00001040943,0.000028876751,0.0034740865,0.00046386025,0.000011168647,0.00072178326,0.58706796,0.000061881896,0.0004480376,0.0036160941,0.4040745,0.00002137427],"about_ca_topic_score_codex":0.034840483,"about_ca_topic_score_gemma":0.060290724,"teacher_disagreement_score":0.034840483,"about_ca_system_score_codex":0.005927646,"about_ca_system_score_gemma":0.0020287402,"threshold_uncertainty_score":0.06927538},"labels":[],"label_agreement":null},{"id":"W4415764220","doi":"10.18192/rceh.v47i2.7675","title":"SARAH THOMAS. Inhabiting the In-Between: Childhood and Cinema in Spain’s Long Transition. Toronto: U of Toronto P, 2019. xii + 240 pp.","year":2025,"lang":"en","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Movie theater; Transition (genetics); Identity (music)","score_opus":0.009226936787330029,"score_gpt":0.22162711229942367,"score_spread":0.21240017551209364,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4415764220","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00059665047,0.88488954,0.0001393266,0.08421064,0.008952208,0.000013607332,0.00066755374,0.0000643062,0.020466153],"genre_scores_gemma":[0.02522044,0.82134885,0.00080508186,0.02414013,0.007127482,0.00007864483,0.0005729814,0.00017559006,0.12053081],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99927515,0.00023841929,0.00006916391,0.00006678034,0.0002464426,0.00010400511],"domain_scores_gemma":[0.996968,0.0011615513,0.0002960876,0.00007121067,0.00095122395,0.00055196614],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013594059,0.001151092,0.00058002234,0.002559361,0.002136893,0.003027832,0.0009278127,0.0031878308,0.024475817],"category_scores_gemma":[0.0043896576,0.00063926424,0.00040379766,0.0034449827,0.0017975783,0.0045578266,0.0016484956,0.0030520295,0.006984825],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019693356,0.000005437901,0.00026683902,0.00033090104,0.000004287248,0.000083665844,0.0025402112,0.000020621226,0.00003393584,0.0015582999,0.95855707,0.036579005],"study_design_scores_gemma":[0.0000061129444,0.000006883444,0.0031271633,0.0016489438,0.0000056908198,0.0001824747,0.0065539586,0.000013798176,0.00005077724,0.00079209637,0.9876008,0.000011286892],"about_ca_topic_score_codex":0.13274199,"about_ca_topic_score_gemma":0.27639702,"teacher_disagreement_score":0.13274199,"about_ca_system_score_codex":0.0039046153,"about_ca_system_score_gemma":0.0045867846,"threshold_uncertainty_score":0.26393867},"labels":[],"label_agreement":null},{"id":"W4417333550","doi":"10.14321/jgendsexustud.51.1.0135","title":"Premios Victoria Urbano 2024","year":2025,"lang":"en","type":"article","venue":"Letras Femeninas","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Research methodology; Ethnography; Persona","score_opus":0.012578555909512255,"score_gpt":0.2279771523818721,"score_spread":0.21539859647235984,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4417333550","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.003497586,0.04983986,0.0010387057,0.35875046,0.04995582,0.00022942059,0.0013774612,0.00025496658,0.5350557],"genre_scores_gemma":[0.0102532245,0.0097817,0.0005299824,0.03515794,0.0023429778,0.00017981873,0.00045160527,0.00010014968,0.94120264],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982497,0.00030423803,0.00006815564,0.0002355806,0.0006610866,0.00048117232],"domain_scores_gemma":[0.99739337,0.00024751204,0.000168664,0.00013180816,0.0009373624,0.0011212158],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019070692,0.0006270171,0.00039483336,0.00095593045,0.0046128267,0.0048860107,0.0011732616,0.0036057779,0.085356586],"category_scores_gemma":[0.0043630595,0.00046225046,0.00042586957,0.00086319033,0.0016824412,0.0022264025,0.0058387374,0.00744358,0.025319966],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027611899,0.00002421203,0.0009424753,0.00016726274,0.000003847991,0.00019560553,0.0007560874,0.000034955476,0.0001951282,0.022317141,0.9142494,0.061086252],"study_design_scores_gemma":[0.0000012489769,0.0000035122087,0.0008374127,0.000094346084,6.132569e-7,0.000024907058,0.00034318253,0.000009236385,0.00003476785,0.00046249168,0.9981856,0.0000027842634],"about_ca_topic_score_codex":0.112362035,"about_ca_topic_score_gemma":0.24405381,"teacher_disagreement_score":0.112362035,"about_ca_system_score_codex":0.008660366,"about_ca_system_score_gemma":0.019939413,"threshold_uncertainty_score":0.28554624},"labels":[],"label_agreement":null},{"id":"W47263441","doi":"","title":"The Bonds of Mis-Reading: Gendered Politics in Joan Boscan's Spanish Translation of \"Il Cortegiano\"","year":2006,"lang":"en","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Politics; Reading (process); Gender studies; Translation (biology); Political science; Sociology; Linguistics; Philosophy; Law; Chemistry","score_opus":0.021754151584537005,"score_gpt":0.22276398937866151,"score_spread":0.2010098377941245,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W47263441","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.39312598,0.007515883,0.0010812065,0.1566703,0.003909251,0.00003183168,0.0002078549,0.000050981063,0.43740663],"genre_scores_gemma":[0.9527654,0.00094317104,0.00014659176,0.006318214,0.00056083273,0.000018158264,0.000045199864,0.00014995736,0.03905243],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99824834,0.0009971274,0.000034854827,0.00015181005,0.00023050941,0.00033741645],"domain_scores_gemma":[0.99700385,0.0015620202,0.00033434748,0.00013876324,0.000599824,0.00036114402],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019192913,0.00049621303,0.00043450686,0.0009572347,0.01221904,0.0063915267,0.000764438,0.0027653344,0.005287204],"category_scores_gemma":[0.005304229,0.00018809472,0.00016360411,0.0011859174,0.010746405,0.0026363768,0.0031756458,0.0068986947,0.00064434326],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000078811565,0.000049024995,0.0023329195,0.000056488858,0.000007856007,0.0012448825,0.81193304,0.000041194067,0.00033391628,0.1292832,0.043784045,0.010854672],"study_design_scores_gemma":[0.000016697939,0.000017170923,0.006991314,0.00017465038,0.0000100908965,0.00038141836,0.68346095,0.00006907684,0.0005325626,0.0058500883,0.30247575,0.000020305863],"about_ca_topic_score_codex":0.11166497,"about_ca_topic_score_gemma":0.15038107,"teacher_disagreement_score":0.88833505,"about_ca_system_score_codex":0.008696133,"about_ca_system_score_gemma":0.004597426,"threshold_uncertainty_score":0.22203004},"labels":[],"label_agreement":null},{"id":"W48912220","doi":"","title":"Dragging Spain into the \"Post-Franco\" Era: Transvestism and National Identity in Una mala noche la tiene cualquiera","year":2000,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":12,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.009558292149711234,"score_gpt":0.23717664933174368,"score_spread":0.22761835718203244,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W48912220","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.76499134,0.0042052073,0.00020620595,0.021294642,0.00023452907,0.0000048018305,0.000045731842,0.0000072932266,0.20901023],"genre_scores_gemma":[0.98323166,0.00071074144,0.000033653076,0.000898362,0.000031403797,0.00000513708,0.000012103316,0.000006106534,0.015070963],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99945575,0.00022895487,0.0000076119995,0.00003889945,0.00003973391,0.00022915563],"domain_scores_gemma":[0.99964106,0.000108026354,0.00008989559,0.00002810789,0.000049778235,0.000083110266],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00087957055,0.00024198493,0.00019716828,0.00039244787,0.005384591,0.007280336,0.00049526937,0.0011823879,0.0029948116],"category_scores_gemma":[0.0008449415,0.00008918122,0.00016844929,0.0006309472,0.006878108,0.001852012,0.002634637,0.0015039637,0.00029973546],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00049488305,0.00014471238,0.035368294,0.0001094486,0.000028919214,0.0029633546,0.45162547,0.00038154202,0.00068561605,0.4495375,0.022138517,0.03652179],"study_design_scores_gemma":[0.00003749168,0.00006570214,0.044827204,0.00029887285,0.000017828746,0.00037802028,0.56349903,0.00023277651,0.00045546688,0.013988983,0.37615937,0.000039253868],"about_ca_topic_score_codex":0.05879694,"about_ca_topic_score_gemma":0.14027062,"teacher_disagreement_score":0.05879694,"about_ca_system_score_codex":0.007160479,"about_ca_system_score_gemma":0.0022461987,"threshold_uncertainty_score":0.116909385},"labels":[],"label_agreement":null},{"id":"W51124739","doi":"","title":"\"Azotes de barrio en Petare\": Is Spontaneous Film the Return of Imperfect Cinema?","year":2012,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Movie theater; Imperfect; Art; Art history; Philosophy; Linguistics","score_opus":0.01178356281335178,"score_gpt":0.22328618912795783,"score_spread":0.21150262631460606,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W51124739","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.613826,0.0040306184,0.0020705257,0.025897916,0.0005318544,0.000059285216,0.00018361544,0.00004978884,0.35335046],"genre_scores_gemma":[0.9898928,0.00068342173,0.00014520327,0.0005872775,0.00008426899,0.000013751261,0.000029901305,0.00002690703,0.0085364925],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984285,0.000969858,0.00003626034,0.00013989041,0.0002098999,0.00021547097],"domain_scores_gemma":[0.99744594,0.0012216836,0.000414943,0.00030439108,0.00031566268,0.00029728687],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020946376,0.00030509458,0.0002566854,0.0011463052,0.005100641,0.009902503,0.0009684371,0.0018894747,0.0076595107],"category_scores_gemma":[0.011513662,0.00023067227,0.00016081423,0.0010547392,0.013004562,0.006624418,0.003335217,0.0029473044,0.00043295533],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012586846,0.00009023682,0.009730731,0.00015403308,0.000012736279,0.0010762924,0.68249065,0.00004359948,0.00069935963,0.27319396,0.009996787,0.022385744],"study_design_scores_gemma":[0.00002129867,0.000038112503,0.015370014,0.0005112734,0.000026812731,0.0013164228,0.8092601,0.00016688774,0.0006987926,0.018315831,0.15425047,0.00002396456],"about_ca_topic_score_codex":0.015038052,"about_ca_topic_score_gemma":0.013454002,"teacher_disagreement_score":0.015038052,"about_ca_system_score_codex":0.0029827696,"about_ca_system_score_gemma":0.0018733373,"threshold_uncertainty_score":0.029901028},"labels":[],"label_agreement":null},{"id":"W561028389","doi":"10.71781/9473","title":"La mise en scène d'une image-témoin dans Tangos, el exilio de Gardel et Sur de Fernando Solanas","year":2007,"lang":"fr","type":"dissertation","venue":"Open MIND","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.025814310349981526,"score_gpt":0.32635602472262326,"score_spread":0.3005417143726417,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W561028389","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.44093928,0.029318634,0.005761938,0.074817546,0.008140802,0.000065771215,0.0003707037,0.00022037207,0.44036496],"genre_scores_gemma":[0.7924173,0.004848538,0.002078778,0.0021526855,0.00040433026,0.000025760584,0.0000730895,0.00030960143,0.1976899],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99968004,0.00014633327,0.0000046242094,0.000044688073,0.00005921766,0.00006512725],"domain_scores_gemma":[0.99963427,0.00012590438,0.000034938854,0.000018253886,0.00008633441,0.00010032068],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009520997,0.00052069017,0.00027316844,0.0006123013,0.008994877,0.004269694,0.00047220694,0.0012813604,0.009399984],"category_scores_gemma":[0.0021994652,0.00019189018,0.00019283367,0.00054568396,0.004921476,0.0022903897,0.0017191513,0.0025875017,0.00058786565],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022972548,0.000034689445,0.0022400632,0.00014299269,0.000013893528,0.002255523,0.7761452,0.00012241618,0.001875717,0.08696187,0.08318373,0.046794083],"study_design_scores_gemma":[0.000015315887,0.000026021717,0.005027392,0.00032284003,0.0000121947605,0.00070863194,0.3405146,0.00012876629,0.0007936243,0.0032350703,0.6491941,0.000021364092],"about_ca_topic_score_codex":0.21088867,"about_ca_topic_score_gemma":0.42438465,"teacher_disagreement_score":0.21088867,"about_ca_system_score_codex":0.005561685,"about_ca_system_score_gemma":0.0029682033,"threshold_uncertainty_score":0.41932237},"labels":[],"label_agreement":null},{"id":"W60227017","doi":"","title":"Soledad y solidaridad en el cine mexicano reciente: en torno a \"Japón\" (2000), \"Párpados azules\" (2007) y \"Perpetuum mobile\" (2009)","year":2012,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.0115144246705375,"score_gpt":0.2478672364519951,"score_spread":0.2363528117814576,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W60227017","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8061293,0.0036564684,0.0004963711,0.016820729,0.00046384084,0.000034538778,0.00015404572,0.000019943183,0.1722248],"genre_scores_gemma":[0.9787971,0.0015277172,0.00020435122,0.0005041858,0.00009295103,0.000027723321,0.000045056375,0.00001781806,0.018783104],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994266,0.00023492178,0.000015969164,0.000063184816,0.000079559424,0.00017975733],"domain_scores_gemma":[0.99900705,0.00027581805,0.00023951835,0.000060833114,0.00017071859,0.0002460534],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016679054,0.0003397846,0.00021546446,0.0007484387,0.0054278392,0.00487366,0.00069075904,0.000941207,0.006705143],"category_scores_gemma":[0.0032453586,0.00020306342,0.0001598543,0.0010010884,0.0042563267,0.0034518419,0.0038753008,0.0027994185,0.00026064974],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002754422,0.00027703075,0.028938288,0.00025149906,0.000014204961,0.0005790743,0.8123103,0.00004909738,0.0011919638,0.080748364,0.018366363,0.05699846],"study_design_scores_gemma":[0.000027273842,0.000048792146,0.04254247,0.0003635164,0.000025056544,0.00020511195,0.7863447,0.000059209182,0.00028399244,0.0015156835,0.16856864,0.000015559417],"about_ca_topic_score_codex":0.0550129,"about_ca_topic_score_gemma":0.11272194,"teacher_disagreement_score":0.0550129,"about_ca_system_score_codex":0.0034403086,"about_ca_system_score_gemma":0.002907556,"threshold_uncertainty_score":0.10938543},"labels":[],"label_agreement":null},{"id":"W63367871","doi":"","title":"Elsa Pataky: La Marilyn de Garci","year":2005,"lang":"es","type":"article","venue":"Fotogramas & DVD: La primera revista de cine","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.010750799677477512,"score_gpt":0.2524634898679309,"score_spread":0.24171269019045336,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W63367871","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013968341,0.08875387,0.00088514754,0.05547166,0.015420036,0.000046581852,0.00047812946,0.00055457634,0.8244215],"genre_scores_gemma":[0.105999224,0.02817122,0.00066048745,0.007105055,0.0030239953,0.000036074238,0.00014684982,0.0003325472,0.85452455],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9998092,0.00005203464,0.0000026473901,0.000044643195,0.000048210306,0.000043416905],"domain_scores_gemma":[0.99980277,0.0000460159,0.000016273038,0.000012849925,0.000056369157,0.00006573595],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00043066154,0.0007629262,0.00022015563,0.0006937714,0.0038277404,0.003255063,0.00057297345,0.001169318,0.043762222],"category_scores_gemma":[0.0008136883,0.00020935465,0.00017950093,0.00048670196,0.0013004018,0.001534611,0.0012994602,0.0022444797,0.007480124],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009703383,0.000035845318,0.000839522,0.00014842997,0.000007655527,0.00067485287,0.013134789,0.0000806939,0.0009783214,0.029675964,0.8929711,0.061355658],"study_design_scores_gemma":[0.0000028981453,0.000005030818,0.00077164057,0.00007938284,0.0000026035107,0.000089764944,0.0029657544,0.00002035617,0.00012950471,0.00037436123,0.99555486,0.000003704367],"about_ca_topic_score_codex":0.050627407,"about_ca_topic_score_gemma":0.11899294,"teacher_disagreement_score":0.050627407,"about_ca_system_score_codex":0.004216409,"about_ca_system_score_gemma":0.0015281913,"threshold_uncertainty_score":0.14639926},"labels":[],"label_agreement":null},{"id":"W657663390","doi":"","title":"Carlos Saura : interviews","year":2003,"lang":"en","type":"book","venue":"University Press of Mississippi eBooks","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Film director; Movie theater; Art; Trilogy; Treasure; Art history; Fantasy; Performance art; History; Visual arts; Cartography; Literature; Geography; Archaeology","score_opus":0.035749500007233065,"score_gpt":0.1870992890212905,"score_spread":0.15134978901405743,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W657663390","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.43072054,0.025253126,0.006913837,0.13421981,0.0046140403,0.006435223,0.008482623,0.00073363143,0.38262716],"genre_scores_gemma":[0.7329669,0.013089064,0.0041102497,0.031120742,0.000879137,0.009937494,0.0016035144,0.0004623978,0.20583062],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99541557,0.002630937,0.00014132589,0.00057844975,0.00047970007,0.0007539159],"domain_scores_gemma":[0.9936021,0.0027790286,0.00046715484,0.000135744,0.0012478301,0.0017680972],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0056129475,0.0011505701,0.00074856024,0.0026868696,0.012199798,0.006410396,0.0012697623,0.0031370164,0.019285873],"category_scores_gemma":[0.0112233,0.0007328169,0.00019909217,0.0034485904,0.005127036,0.003150397,0.002989908,0.006033559,0.003947823],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011105672,0.00015817372,0.0012915084,0.00030081696,0.0000024683436,0.0015747925,0.8786585,0.00009247192,0.0026871152,0.011344315,0.092122465,0.011656279],"study_design_scores_gemma":[0.000008224715,0.000021613554,0.0011954635,0.00038599398,0.0000015675541,0.00012897461,0.6712476,0.000046340087,0.00030515192,0.0005682145,0.326072,0.000018789036],"about_ca_topic_score_codex":0.042870272,"about_ca_topic_score_gemma":0.059670847,"teacher_disagreement_score":0.042870272,"about_ca_system_score_codex":0.014734981,"about_ca_system_score_gemma":0.010854799,"threshold_uncertainty_score":0.10691029},"labels":[],"label_agreement":null},{"id":"W68852173","doi":"","title":"Masculinidad disidente en la comedia sexy ibérica: Los días de Cabirio (1971)","year":2009,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.01476688455140189,"score_gpt":0.24579607980804832,"score_spread":0.23102919525664645,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W68852173","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7713769,0.048863716,0.00014512501,0.008686472,0.00096105423,0.00004057933,0.00038765982,0.000005813111,0.16953273],"genre_scores_gemma":[0.9428542,0.018067308,0.00015640055,0.0013569959,0.0002937361,0.00003750035,0.000121239435,0.000012642478,0.03709994],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99960524,0.00011728391,0.000010796073,0.00004665423,0.000060882718,0.00015915587],"domain_scores_gemma":[0.99967813,0.00010124733,0.000059363145,0.000015055673,0.000068690475,0.000077622346],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010876325,0.00030463538,0.00029116566,0.0011445044,0.005333794,0.0017688298,0.0004884858,0.00086285156,0.0037379656],"category_scores_gemma":[0.0013930651,0.00022916822,0.00013749131,0.0018366387,0.0035272914,0.0011642931,0.0020898639,0.0018452684,0.00036041185],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00025643286,0.00013490696,0.04688241,0.00024347371,0.000017094439,0.0017926723,0.79745644,0.000033301436,0.00074638217,0.039246034,0.01703857,0.09615225],"study_design_scores_gemma":[0.000013804363,0.000068904745,0.14407289,0.0006180533,0.000026490465,0.0011620837,0.47536874,0.000015364643,0.00042335218,0.0010199075,0.3771892,0.000021167629],"about_ca_topic_score_codex":0.24093343,"about_ca_topic_score_gemma":0.38826764,"teacher_disagreement_score":0.24093343,"about_ca_system_score_codex":0.0038747136,"about_ca_system_score_gemma":0.0035171947,"threshold_uncertainty_score":0.47906208},"labels":[],"label_agreement":null},{"id":"W6902962859","doi":"10.7916/d8-fdz9-ja61","title":"Carmen Toscano","year":2013,"lang":"en","type":"article","venue":"Columbia Academic Commons (Columbia University)","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Film director; Girl; Field (mathematics); Quarter (Canadian coin)","score_opus":0.019201240504684032,"score_gpt":0.1787398830619833,"score_spread":0.15953864255729927,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6902962859","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02364312,0.028364966,0.0003474374,0.11741097,0.011373112,0.00006412653,0.0010381901,0.00028072693,0.8174773],"genre_scores_gemma":[0.076679766,0.00927035,0.00023311301,0.011748911,0.0012663207,0.00007953593,0.00062859297,0.00017123575,0.89992225],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99957687,0.000048252085,0.000005396291,0.00009253914,0.0000976373,0.00017936598],"domain_scores_gemma":[0.9996006,0.000055651264,0.00002462941,0.000024387777,0.000110211055,0.00018451826],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00038408735,0.0007722468,0.0003525784,0.0011098735,0.0069224723,0.002557756,0.00062151864,0.0011612948,0.14305589],"category_scores_gemma":[0.0014369048,0.00023106739,0.00021802826,0.0008841568,0.0014779606,0.0012671129,0.002463662,0.0022789314,0.014826326],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000082411876,0.000031801344,0.003245823,0.0001456157,0.0000066332086,0.0006513369,0.0063720844,0.00004290458,0.00042483598,0.03584919,0.9028769,0.050270505],"study_design_scores_gemma":[0.0000029385649,0.000003810467,0.0017723648,0.00007881452,0.0000020540133,0.00007150628,0.0023238594,0.000008165523,0.00006314158,0.00030401984,0.9953661,0.0000032071684],"about_ca_topic_score_codex":0.10355133,"about_ca_topic_score_gemma":0.20141114,"teacher_disagreement_score":0.8569441,"about_ca_system_score_codex":0.00441239,"about_ca_system_score_gemma":0.0038788714,"threshold_uncertainty_score":0.47856963},"labels":[],"label_agreement":null},{"id":"W6968814204","doi":"10.5281/zenodo.4257496","title":"#ESP.RePeLis| Sonic: La película (2020) H.D Pelicula Completa español fta","year":2020,"lang":"es","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Anime; Animation; Digital video; Video game","score_opus":0.04686209713734566,"score_gpt":0.2415430972959909,"score_spread":0.19468100015864526,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6968814204","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0010888628,0.0007628387,0.0037150623,0.0007978988,0.0012365633,0.00017949463,0.01314946,0.014063499,0.96500635],"genre_scores_gemma":[0.0034126362,0.0006243926,0.0020146407,0.00038716898,0.00014259024,0.00011048151,0.0069695166,0.0049044956,0.981434],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99984646,0.000008407141,0.0000051003076,0.000031863096,0.000081291495,0.000026882586],"domain_scores_gemma":[0.99961334,0.000036081503,0.000014314775,0.00005028125,0.00017535177,0.00011056408],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00023767672,0.0011404885,0.0004732916,0.0008922929,0.0010113415,0.0025240916,0.00091827323,0.00094807055,0.86641955],"category_scores_gemma":[0.00074190885,0.00043602378,0.00056040863,0.0006131942,0.00026788222,0.0019249803,0.0019521147,0.0011064579,0.78396124],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006699595,0.000023227778,0.00010202733,0.0002167293,0.000002795478,0.00006496716,0.00007647683,0.000046093613,0.003566528,0.0011448633,0.93052566,0.06416361],"study_design_scores_gemma":[0.000008172818,0.000012191046,0.0002945154,0.000035458503,0.0000018624232,0.000060298484,0.000044091885,0.00003346579,0.0007422575,0.00016242146,0.9986002,0.000005116521],"about_ca_topic_score_codex":0.0034010527,"about_ca_topic_score_gemma":0.009823096,"teacher_disagreement_score":0.13358045,"about_ca_system_score_codex":0.00059085793,"about_ca_system_score_gemma":0.000494619,"threshold_uncertainty_score":0.1905362},"labels":[],"label_agreement":null},{"id":"W6969266951","doi":"10.5281/zenodo.4490687","title":"Fragmentos de una mujer (2020) Pelicula Completa Latino Mega *HD*720p En Español Gratis jap","year":2021,"lang":"es","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Physical activity; Paid work; Sack","score_opus":0.027162892157136784,"score_gpt":0.247987650037472,"score_spread":0.22082475788033523,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6969266951","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0019986636,0.002003279,0.0019518872,0.0009186157,0.0025686969,0.00012692835,0.01800679,0.0070148627,0.96541023],"genre_scores_gemma":[0.0051587224,0.0015222164,0.0013617162,0.00032280825,0.00027575306,0.000057811292,0.013420279,0.004073239,0.9738076],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99987197,0.0000063712496,0.0000044129574,0.000018875067,0.00007013259,0.000028277575],"domain_scores_gemma":[0.99965036,0.000026558613,0.000011065229,0.000050430885,0.00016079258,0.00010083874],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002030642,0.0007577351,0.00039481922,0.00084653345,0.0011675335,0.0023223935,0.00067537476,0.00057246117,0.81133324],"category_scores_gemma":[0.0005316903,0.00033825036,0.000460395,0.0011420203,0.00023962768,0.0012670066,0.0013590495,0.0012297957,0.63220805],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009533771,0.000017039076,0.00010183083,0.00014470016,0.000003318603,0.000082139,0.000051176667,0.000049826187,0.0028389392,0.00081891957,0.9537029,0.04209372],"study_design_scores_gemma":[0.000008381823,0.000010873264,0.00055415055,0.000035134388,0.0000022474933,0.000076808,0.000039030412,0.000018416855,0.0005937003,0.00015691365,0.99850047,0.0000038311446],"about_ca_topic_score_codex":0.0048378026,"about_ca_topic_score_gemma":0.0177032,"teacher_disagreement_score":0.18866676,"about_ca_system_score_codex":0.00072188606,"about_ca_system_score_gemma":0.0005202142,"threshold_uncertainty_score":0.26911026},"labels":[],"label_agreement":null},{"id":"W6979840980","doi":"","title":"Amor, lesbianismo, niÃ±as buenas, y putas : las protagonistas de LucÃa EtxebarrÃa","year":2006,"lang":"en","type":"other","venue":"Library and Archives Canada (Government of Canada)","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dichotomy; Femininity; Mythology; Power (physics); The Symbolic; Field (mathematics); Binary opposition; Social constructionism","score_opus":0.003147204266346148,"score_gpt":0.1311640356637002,"score_spread":0.12801683139735404,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6979840980","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06954886,0.02132043,0.00079137477,0.06348659,0.0017062846,0.00003145487,0.00010774378,0.000090333415,0.8429169],"genre_scores_gemma":[0.45639643,0.007558216,0.00038287265,0.008575954,0.0005348594,0.000054912827,0.000050831415,0.00014718142,0.5262987],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988943,0.00046198216,0.000012933401,0.0000970427,0.00025337987,0.00028030018],"domain_scores_gemma":[0.99955887,0.00011664446,0.00004445017,0.000024402672,0.0001372985,0.00011836479],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013603618,0.0005193962,0.00031944684,0.0006898153,0.011463841,0.0069802757,0.0005931231,0.0013381629,0.0076422393],"category_scores_gemma":[0.0015762007,0.00020777214,0.00017560922,0.0009916036,0.0070128418,0.0016960931,0.0026942948,0.0032120736,0.0008976639],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014056562,0.000077307515,0.0016542922,0.00016293679,0.00001164816,0.0010083056,0.37637222,0.00010162793,0.00063498586,0.39627117,0.18607487,0.037490062],"study_design_scores_gemma":[0.000005921714,0.0000064816,0.0009250328,0.00011298717,0.0000035295245,0.0001402627,0.055040903,0.000024742612,0.00025078037,0.002350472,0.9411309,0.000007915964],"about_ca_topic_score_codex":0.21615638,"about_ca_topic_score_gemma":0.376866,"teacher_disagreement_score":0.21615638,"about_ca_system_score_codex":0.012708897,"about_ca_system_score_gemma":0.0067958166,"threshold_uncertainty_score":0.4297964},"labels":[],"label_agreement":null},{"id":"W6986509974","doi":"","title":"Por la Senda Liberal","year":2004,"lang":"en","type":"other","venue":"OhioLink ETD Center (Ohio Library and Information Network)","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Regent; Politics; Queen (butterfly); Brother; Work (physics); Socioeconomic status","score_opus":0.00853574832558469,"score_gpt":0.18629998021632552,"score_spread":0.17776423189074084,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6986509974","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0042938245,0.0013620018,0.0004526733,0.010193856,0.0024644244,0.000035751786,0.00040943193,0.00028458895,0.98050344],"genre_scores_gemma":[0.03521383,0.0010096426,0.00036534166,0.0032551545,0.0004918716,0.000043791795,0.0002393674,0.00017979155,0.9592012],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999316,0.000109093744,0.000015906588,0.00012160738,0.0001944352,0.00024291169],"domain_scores_gemma":[0.99953485,0.000059009395,0.000030508398,0.00007098707,0.0002034063,0.000101311234],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007310821,0.000739623,0.00037185254,0.0007056086,0.005330567,0.004912853,0.00046129772,0.0015332622,0.121604115],"category_scores_gemma":[0.0018049817,0.0001859637,0.00047556456,0.0007053179,0.0021500527,0.0014487284,0.0025366202,0.0038775248,0.037528533],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015633288,0.000076974145,0.0017522358,0.0001725191,0.000009622608,0.0004773343,0.0114026535,0.00005783385,0.0008277612,0.19817658,0.68958735,0.097302794],"study_design_scores_gemma":[0.000005899401,0.000003852431,0.0004505512,0.000041588166,0.0000016559195,0.000047067355,0.0013815725,0.000007791831,0.00006213127,0.0009667533,0.9970283,0.0000028206741],"about_ca_topic_score_codex":0.057649396,"about_ca_topic_score_gemma":0.09690267,"teacher_disagreement_score":0.121604115,"about_ca_system_score_codex":0.0045080073,"about_ca_system_score_gemma":0.0034477762,"threshold_uncertainty_score":0.4068063},"labels":[],"label_agreement":null},{"id":"W6987848054","doi":"","title":"Una mujer al timón: Josune García","year":2024,"lang":"es","type":"book","venue":"Repositorio Institucional de la Universidad de Huelva (Universidad de Huelva)","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"University of Toronto; Universidad Complutense de Madrid; De La Salle University; Princeton University","keywords":"Context (archaeology); Perspective (graphical); Identity (music)","score_opus":0.011611437424845834,"score_gpt":0.2516372363072451,"score_spread":0.24002579888239928,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6987848054","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0015978782,0.30090296,0.00055497594,0.17416334,0.07029347,0.000033376527,0.00016012685,0.00016075587,0.4521331],"genre_scores_gemma":[0.010830625,0.041325606,0.00023694732,0.024670148,0.006573339,0.000029055089,0.000059610575,0.00020317979,0.9160714],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99951994,0.00015911405,0.000014033352,0.000073936215,0.00013827378,0.00009478337],"domain_scores_gemma":[0.99961036,0.0001180925,0.00002215769,0.000027537375,0.00013154272,0.0000902629],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00081721257,0.0010708445,0.0007270461,0.001014528,0.0048148474,0.005088684,0.0009017217,0.0029071856,0.027303336],"category_scores_gemma":[0.0015252141,0.00041228216,0.0003121292,0.00094805344,0.0020486875,0.00517179,0.0032997567,0.0051747197,0.013077694],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001047908,0.000012108462,0.000041868658,0.000051555697,0.0000017002698,0.000068444504,0.0011072032,0.000023382267,0.00003734634,0.027930494,0.95598805,0.014727359],"study_design_scores_gemma":[0.000001598313,0.000001413822,0.000055357672,0.000077742756,0.0000012902937,0.00003748357,0.0007825061,0.000007064164,0.000016326318,0.0010610706,0.9979552,0.0000028171426],"about_ca_topic_score_codex":0.023920922,"about_ca_topic_score_gemma":0.06294274,"teacher_disagreement_score":0.027303336,"about_ca_system_score_codex":0.0033968447,"about_ca_system_score_gemma":0.0024572264,"threshold_uncertainty_score":0.09133875},"labels":[],"label_agreement":null},{"id":"W6989260716","doi":"","title":"Amor, lesbianismo, niñas buenas, y putas : las protagonistas de Lucía Etxebarría","year":2006,"lang":"es","type":"dissertation","venue":"eScholarship@McGill (McGill)","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Relation (database); Perspective (graphical); Identification (biology); Identity (music)","score_opus":0.016123629379093125,"score_gpt":0.23005656966153248,"score_spread":0.21393294028243937,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6989260716","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1439821,0.072576314,0.0005659724,0.14863932,0.0017517174,0.00003140346,0.000102056154,0.000055856704,0.6322952],"genre_scores_gemma":[0.7972986,0.018093197,0.00025847918,0.009407189,0.00039849625,0.000041526655,0.00003561131,0.0000627379,0.1744042],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9985374,0.000876448,0.000018901284,0.00008679662,0.0001565443,0.00032392555],"domain_scores_gemma":[0.9995307,0.00015122657,0.00007231028,0.000029059382,0.00008037053,0.00013625411],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0025374843,0.00041268815,0.00032276157,0.00061207835,0.009141778,0.0048117796,0.00050863746,0.0014010672,0.008711232],"category_scores_gemma":[0.002225783,0.00021856776,0.0001420785,0.00088799105,0.008402495,0.0024146652,0.003037392,0.003443922,0.00095457473],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015421289,0.000066647604,0.004085689,0.0001898485,0.000010051991,0.00075101433,0.41239256,0.00004322568,0.00040814618,0.42380008,0.11133607,0.046762496],"study_design_scores_gemma":[0.000011027423,0.000013813139,0.0035961429,0.00047052273,0.000007236225,0.00018803442,0.16326109,0.000024410965,0.00016461108,0.005475473,0.82677704,0.00001068083],"about_ca_topic_score_codex":0.08118768,"about_ca_topic_score_gemma":0.17034544,"teacher_disagreement_score":0.08118768,"about_ca_system_score_codex":0.006541778,"about_ca_system_score_gemma":0.004337035,"threshold_uncertainty_score":0.16143018},"labels":[],"label_agreement":null},{"id":"W6991295266","doi":"","title":"Franco, Franco, Franco!","year":2004,"lang":"en","type":"other","venue":"OhioLink ETD Center (Ohio Library and Information Network)","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Modernization theory; Work (physics); Period (music); Soviet union","score_opus":0.008354517683343785,"score_gpt":0.18292780653027743,"score_spread":0.17457328884693366,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6991295266","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0017273637,0.002998275,0.00015025196,0.0017437055,0.00089815556,0.000017506554,0.0018991301,0.00030540052,0.9902602],"genre_scores_gemma":[0.006687578,0.0011095634,0.00012906038,0.00025783695,0.00007293538,0.000014645748,0.00055875117,0.00016545733,0.9910042],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99987733,0.000013516672,0.0000031567586,0.000024816452,0.00003649599,0.000044720684],"domain_scores_gemma":[0.9998462,0.000016811911,0.000012280015,0.000018682245,0.000049655773,0.00005627192],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00018646597,0.0006640798,0.00023590268,0.00072280475,0.002287023,0.0028615,0.00032430413,0.0006072512,0.47740808],"category_scores_gemma":[0.0004914887,0.00014867578,0.00016917379,0.0009425306,0.0004969908,0.0014212027,0.0011283729,0.0007503075,0.22386265],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037130136,0.000013609574,0.00039115717,0.00006965348,0.0000012807839,0.000110553025,0.00036539484,0.000023852062,0.00026316295,0.0051522474,0.91646457,0.07710749],"study_design_scores_gemma":[0.0000022722395,0.0000019257195,0.00089153176,0.000030896786,3.146758e-7,0.000036215686,0.0001967512,0.000005403833,0.000026900922,0.00011121204,0.9986951,0.0000015196404],"about_ca_topic_score_codex":0.07911291,"about_ca_topic_score_gemma":0.17288849,"teacher_disagreement_score":0.47740808,"about_ca_system_score_codex":0.0017286877,"about_ca_system_score_gemma":0.0012013597,"threshold_uncertainty_score":0.7454139},"labels":[],"label_agreement":null},{"id":"W6994224370","doi":"","title":"Alfonso XIII","year":2004,"lang":"en","type":"other","venue":"OhioLink ETD Center (Ohio Library and Information Network)","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Catalan; Reign; Vintage; Key (lock); Poetry","score_opus":0.009808853805311237,"score_gpt":0.1861488968002546,"score_spread":0.17634004299494335,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6994224370","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002541128,0.0044317255,0.00032504543,0.002652238,0.0042350013,0.000047847552,0.0006728319,0.0002593894,0.9848347],"genre_scores_gemma":[0.005952186,0.0012564347,0.0001532095,0.00027835256,0.00025040752,0.000017811377,0.00024250918,0.00007706268,0.991772],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99979585,0.000018372219,0.000004185687,0.000043394466,0.00007657895,0.000061582345],"domain_scores_gemma":[0.99980444,0.00001978192,0.000014561562,0.000017529957,0.000092033224,0.000051679654],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00028351336,0.00067109935,0.00019680934,0.00086730224,0.0021913,0.002382201,0.00043673033,0.00080472743,0.2508571],"category_scores_gemma":[0.0006088225,0.00012777612,0.0002736241,0.0006638229,0.0003593762,0.00063480786,0.001015673,0.0010915358,0.07722649],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008356597,0.000031601787,0.00053635327,0.000097572156,0.0000022825225,0.00020937916,0.0004793818,0.000072952615,0.00050001056,0.012947481,0.89641416,0.08862532],"study_design_scores_gemma":[0.0000022203512,0.0000046142877,0.0005613082,0.000038715472,5.113514e-7,0.000028520875,0.0001444565,0.000011826541,0.00007605705,0.00022626136,0.998904,0.0000014128171],"about_ca_topic_score_codex":0.020678384,"about_ca_topic_score_gemma":0.05055168,"teacher_disagreement_score":0.2508571,"about_ca_system_score_codex":0.0022576894,"about_ca_system_score_gemma":0.0011751424,"threshold_uncertainty_score":0.8392006},"labels":[],"label_agreement":null},{"id":"W6999213984","doi":"","title":"Carta de 1956-08-15 a José Ferrater Mora des de Nova York (Estats Units d'Amèrica)","year":2008,"lang":"ca","type":"article","venue":"Hispana","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nova scotia; Nova (rocket); Context (archaeology); German","score_opus":0.13861931003432043,"score_gpt":0.25581663371975605,"score_spread":0.11719732368543562,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6999213984","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.051957153,0.007434776,0.0003919387,0.01912034,0.011439309,0.000114706614,0.0034396136,0.00017051559,0.90593165],"genre_scores_gemma":[0.033140678,0.00085719104,0.000087973545,0.0008841706,0.00018782729,0.000017029617,0.00036043604,0.000051909592,0.9644128],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99980694,0.000019096757,0.0000035830617,0.000035989164,0.000042495427,0.00009191417],"domain_scores_gemma":[0.9998323,0.000023336073,0.000012221311,0.0000065902254,0.00006093971,0.00006458246],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00021489224,0.00033041282,0.00016431465,0.00046440025,0.0058174497,0.0017798676,0.000347364,0.00087696547,0.07606469],"category_scores_gemma":[0.000480262,0.00018280707,0.00013130046,0.00052026083,0.0008814764,0.00073711487,0.0013152155,0.0022825142,0.010587139],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010687538,0.00002571583,0.002474006,0.00009945468,0.0000056604563,0.0009589667,0.014310232,0.00004326371,0.0005374562,0.020001207,0.94062644,0.020810738],"study_design_scores_gemma":[0.0000020992711,0.000006507199,0.0031290432,0.00003734022,8.857647e-7,0.000038866103,0.0033417162,0.000005648907,0.00008665657,0.00009921286,0.9932488,0.000003216668],"about_ca_topic_score_codex":0.33220682,"about_ca_topic_score_gemma":0.7257396,"teacher_disagreement_score":0.33220682,"about_ca_system_score_codex":0.004722527,"about_ca_system_score_gemma":0.0028906337,"threshold_uncertainty_score":0.6605463},"labels":[],"label_agreement":null},{"id":"W6999469989","doi":"","title":"Culpables por la literatura. Imaginación política y contracultura en la transición española (1968-1986), de Germán Labrador Méndez","year":2019,"lang":"es","type":"article","venue":"Dialnet (Universidad de la Rioja)","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Settlement (finance); Natural (archaeology)","score_opus":0.004666730213336915,"score_gpt":0.22793538943949299,"score_spread":0.22326865922615607,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6999469989","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07291553,0.48858103,0.0002864318,0.04635401,0.0026091256,0.000017425442,0.00040954715,0.000023901355,0.38880312],"genre_scores_gemma":[0.74282646,0.10067378,0.00036146972,0.0018067645,0.0008093585,0.000030632586,0.00020054169,0.000036770394,0.15325412],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99938,0.0002145388,0.000027490049,0.00010582345,0.00013319391,0.00013892517],"domain_scores_gemma":[0.9995086,0.00019587162,0.00010335145,0.00003328955,0.00008873464,0.000070108916],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009973862,0.0005148722,0.00022427454,0.0026033907,0.0033618272,0.003159842,0.00033449856,0.0011042089,0.0063021337],"category_scores_gemma":[0.0013148842,0.00016753402,0.00015308053,0.0036212588,0.005666793,0.002785745,0.001700698,0.001483519,0.00047127745],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020263747,0.000056668094,0.00460711,0.00069635944,0.000026767855,0.0010251665,0.15016142,0.00022447019,0.0008296845,0.5927744,0.13062139,0.11877391],"study_design_scores_gemma":[0.000012436441,0.000015750999,0.011426931,0.0008256638,0.00001024004,0.00017481527,0.031959444,0.000022750264,0.00022370988,0.0060564247,0.94926316,0.000008711105],"about_ca_topic_score_codex":0.087421484,"about_ca_topic_score_gemma":0.17586638,"teacher_disagreement_score":0.087421484,"about_ca_system_score_codex":0.011330814,"about_ca_system_score_gemma":0.004195005,"threshold_uncertainty_score":0.17382526},"labels":[],"label_agreement":null},{"id":"W7000673169","doi":"","title":"Ghost Returns and Historical Memories in Zhang Yimou's <i>Gui lai</i> and Pedro Almodóvar's <i>Volver</i>","year":2017,"lang":"en","type":"article","venue":"Project Muse (Johns Hopkins University)","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Zhàng; Volume (thermodynamics); Latin Americans; Feature (linguistics); Mars Exploration Program","score_opus":0.034295194289600595,"score_gpt":0.21464386287017573,"score_spread":0.18034866858057513,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7000673169","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6364626,0.109300636,0.0011506369,0.07101006,0.0011110095,0.00001449111,0.00031624627,0.000022832312,0.18061145],"genre_scores_gemma":[0.97472465,0.010849072,0.00012431406,0.0010404469,0.00016010598,0.000008262503,0.00007416868,0.000018036748,0.013000944],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992908,0.00041182805,0.000024758816,0.00006142153,0.00009453535,0.00011649446],"domain_scores_gemma":[0.9978156,0.0011338757,0.00048817293,0.00012749468,0.0001889983,0.00024585344],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017188903,0.00019762453,0.00028668728,0.0018551933,0.005151926,0.0054599326,0.00072386727,0.0010363612,0.008472023],"category_scores_gemma":[0.007940804,0.00018847064,0.00011470454,0.005114484,0.009240872,0.0051790173,0.0029552896,0.0020279111,0.00023903575],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012334803,0.000044791475,0.0103446,0.00035635915,0.000030166018,0.0010154686,0.5252741,0.00013082469,0.000102842474,0.38890788,0.027042491,0.046627227],"study_design_scores_gemma":[0.000020911726,0.000028366783,0.0403876,0.0010666109,0.000046809615,0.0007399459,0.5353694,0.0001795327,0.000363443,0.044220224,0.37751883,0.000058245063],"about_ca_topic_score_codex":0.032842886,"about_ca_topic_score_gemma":0.062694825,"teacher_disagreement_score":0.032842886,"about_ca_system_score_codex":0.0039894427,"about_ca_system_score_gemma":0.0020358379,"threshold_uncertainty_score":0.065303445},"labels":[],"label_agreement":null},{"id":"W7001052095","doi":"","title":"Hypatia’s Hijab: Visual Echoes of 9/11 in Alejandro Amenábar’s <i>Agora</i>","year":2016,"lang":"cs","type":"article","venue":"Project Muse (Johns Hopkins University)","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Series (stratigraphy); Volume (thermodynamics); Feature (linguistics); Noise (video)","score_opus":0.020488667627395464,"score_gpt":0.22119430389651967,"score_spread":0.20070563626912422,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7001052095","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4736953,0.0037774942,0.001373263,0.025504308,0.004181498,0.00002800019,0.00046252622,0.00019217243,0.4907855],"genre_scores_gemma":[0.9669744,0.000537593,0.00027054315,0.0009182247,0.00032844322,0.000009339547,0.00007775163,0.000196584,0.03068721],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99969137,0.000122228,0.000004767481,0.000035543253,0.000055606288,0.0000904079],"domain_scores_gemma":[0.9996215,0.0001480974,0.00003488657,0.00003122339,0.000059964037,0.00010424735],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00058958854,0.00032846056,0.00028195395,0.00062738924,0.006917707,0.0043304306,0.0004439441,0.0014009832,0.011189179],"category_scores_gemma":[0.0019950885,0.00018653962,0.00014111516,0.000693854,0.0046790657,0.0017888935,0.003026648,0.0034938513,0.0010161719],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00032567477,0.000036483358,0.002667822,0.00015218213,0.000019615356,0.0021800455,0.8078295,0.00006619331,0.0021218606,0.09335974,0.07358919,0.017651744],"study_design_scores_gemma":[0.000023345207,0.00002985812,0.010060447,0.00025769533,0.000016609863,0.0007207211,0.44107676,0.000095283736,0.000397068,0.005069195,0.54221815,0.000034955618],"about_ca_topic_score_codex":0.032130364,"about_ca_topic_score_gemma":0.11313889,"teacher_disagreement_score":0.032130364,"about_ca_system_score_codex":0.002269434,"about_ca_system_score_gemma":0.001003926,"threshold_uncertainty_score":0.0638867},"labels":[],"label_agreement":null},{"id":"W7001657618","doi":"","title":"LAVAL, C. y DARDOT, P., La sombra de Octubre (1917-2017). Barcelona: Gedisa, 2017.","year":2018,"lang":"es","type":"article","venue":"RACO (Revistes Catalanes amb Accés Obert) (Consorci de Serveis Universitaris de Catalunya)","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Product (mathematics); Perspective (graphical); Feature (linguistics)","score_opus":0.016756326308620846,"score_gpt":0.24614000534337505,"score_spread":0.2293836790347542,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7001657618","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0052855522,0.8381216,0.00049409777,0.040561773,0.014502593,0.000026894635,0.014197519,0.00018325608,0.086626776],"genre_scores_gemma":[0.19367893,0.48670796,0.0024297351,0.003918005,0.0068829134,0.00017357944,0.013114252,0.00043324812,0.29266137],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992161,0.00020715295,0.0000679629,0.0000913514,0.00025842682,0.00015893558],"domain_scores_gemma":[0.998312,0.00028277343,0.00019421818,0.000099283716,0.00093268027,0.00017905034],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011696233,0.0014707134,0.00060992927,0.004088759,0.0031741671,0.0036874167,0.0015666919,0.0016354317,0.035191234],"category_scores_gemma":[0.0030152248,0.0006117594,0.0005240014,0.0056556836,0.0019672557,0.0030386627,0.0022199135,0.002963805,0.008561284],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013611538,0.000028954091,0.0027690055,0.0005550598,0.000031201263,0.00020889813,0.002462598,0.00013317408,0.00006440412,0.011078004,0.89039236,0.09214024],"study_design_scores_gemma":[0.000015057569,0.000013354002,0.019622322,0.0014762001,0.000021099993,0.00014147996,0.00305726,0.000023757253,0.000116451854,0.0009945041,0.97450554,0.000012939649],"about_ca_topic_score_codex":0.37434816,"about_ca_topic_score_gemma":0.48560685,"teacher_disagreement_score":0.37434816,"about_ca_system_score_codex":0.011717883,"about_ca_system_score_gemma":0.0063311323,"threshold_uncertainty_score":0.7443384},"labels":[],"label_agreement":null},{"id":"W7012761549","doi":"","title":"Informes","year":2013,"lang":"es","type":"article","venue":"Dialnet (Universidad de la Rioja)","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Movie theater; First world war; World War II; Spanish Civil War","score_opus":0.009112722028567524,"score_gpt":0.21116337898010826,"score_spread":0.20205065695154073,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7012761549","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00094022707,0.014881278,0.0025534302,0.014094445,0.008858835,0.00014107475,0.00884007,0.0018700822,0.94782066],"genre_scores_gemma":[0.0070767053,0.011100238,0.0019056724,0.003936202,0.0013270132,0.00015557568,0.0060972357,0.0009051257,0.9674962],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975279,0.000435214,0.00019745981,0.0005276544,0.001072341,0.00023937433],"domain_scores_gemma":[0.9968549,0.0005540382,0.00019665068,0.00070067926,0.0013020787,0.00039165054],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016082083,0.001125185,0.0008729666,0.0030361547,0.0025863722,0.011120461,0.0018126225,0.0033589862,0.55270296],"category_scores_gemma":[0.008487337,0.0005780424,0.00079659023,0.0035796205,0.0012228441,0.007626228,0.004608767,0.0029757554,0.45518425],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005440918,0.000025687035,0.00028448895,0.00045929165,0.000011001826,0.00012692931,0.0004311723,0.00006894586,0.0003039055,0.031964973,0.8280626,0.13820657],"study_design_scores_gemma":[0.000002272642,0.0000035826242,0.00012598834,0.00012854923,0.0000019285476,0.000053773434,0.00010764369,0.000013417602,0.00005189205,0.0012666174,0.9982406,0.0000036701695],"about_ca_topic_score_codex":0.005975717,"about_ca_topic_score_gemma":0.0074734185,"teacher_disagreement_score":0.55270296,"about_ca_system_score_codex":0.003215607,"about_ca_system_score_gemma":0.00408906,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W7023462038","doi":"","title":"Quien Más No Puede","year":2005,"lang":"es","type":"article","venue":"Sound Ideas (University of Puget Sound)","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Perspective (graphical); Relation (database); Work (physics)","score_opus":0.01567538893653751,"score_gpt":0.20740016646552498,"score_spread":0.19172477752898748,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7023462038","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03962665,0.0063842065,0.0035279314,0.042847116,0.015378675,0.000082420316,0.00039444905,0.000888228,0.89087033],"genre_scores_gemma":[0.26992333,0.0037903613,0.0025752967,0.010496213,0.0020283542,0.00013107402,0.00041025825,0.0005538537,0.71009123],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984933,0.00039218503,0.000045041852,0.00028826908,0.00038330693,0.00039800975],"domain_scores_gemma":[0.99848074,0.00021311057,0.000107601525,0.00023069174,0.00067005504,0.0002978491],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016798386,0.0012301767,0.00094892277,0.0012124844,0.005992273,0.0079029165,0.0010622512,0.003001926,0.065128006],"category_scores_gemma":[0.0054786797,0.00033944237,0.0006187175,0.0008709913,0.003675485,0.004950691,0.003886165,0.005842323,0.014099813],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0007685759,0.00036562976,0.004081936,0.00046328094,0.00006713922,0.0012821935,0.021725224,0.00021684062,0.0031350611,0.4753195,0.28599685,0.20657764],"study_design_scores_gemma":[0.000027432005,0.000043521348,0.0013656245,0.0001380333,0.000018347258,0.00018621076,0.008308624,0.000059345028,0.00036278483,0.011235812,0.97823,0.000024128012],"about_ca_topic_score_codex":0.0144470995,"about_ca_topic_score_gemma":0.022827635,"teacher_disagreement_score":0.065128006,"about_ca_system_score_codex":0.004188059,"about_ca_system_score_gemma":0.0025611888,"threshold_uncertainty_score":0.21787488},"labels":[],"label_agreement":null},{"id":"W7034271331","doi":"","title":"Towards more efficient footings for concentrically braced frames: effects of variability","year":2024,"lang":"en","type":"article","venue":"PolyPublie (École Polytechnique de Montréal)","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Seismic analysis; Braced frame; Ductility (Earth science); Earthquake engineering; Structural system; Building code; Frame (networking)","score_opus":0.009214208692504774,"score_gpt":0.23275990419956072,"score_spread":0.22354569550705594,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7034271331","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9726681,0.000058264173,0.026115773,0.00002769717,0.0000070580413,0.000044147357,0.00011909765,0.00014312885,0.0008167145],"genre_scores_gemma":[0.9787161,0.000035761634,0.020739729,0.000007458409,0.0000022041002,0.000016351118,0.00012591168,0.00003196945,0.00032446292],"study_design_codex":"bench_or_experimental","study_design_gemma":"simulation_or_modeling","domain_scores_codex":[0.99965453,0.000064298445,0.000025000489,0.000059261005,0.000121346624,0.000075533026],"domain_scores_gemma":[0.99731404,0.0011186437,0.00054181484,0.00030379408,0.00062088337,0.00010086273],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00069125916,0.0005944153,0.00039755553,0.00051555556,0.00039724945,0.0007265713,0.0008186615,0.00038968187,0.0014450833],"category_scores_gemma":[0.003264579,0.00027144485,0.00029123703,0.00048356643,0.00030970536,0.00053110224,0.00042435923,0.0003136637,0.00025944057],"study_design_candidate":"simulation_or_modeling","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.001602028,0.0007449867,0.039755713,0.00046863727,0.00008463315,0.0005462485,0.00045211863,0.3963092,0.4209591,0.0007889332,0.0006264138,0.137662],"study_design_scores_gemma":[0.0001520541,0.00550341,0.16209066,0.00007980445,0.00017418599,0.0004239088,0.0012048504,0.56085664,0.26543722,0.0005810598,0.0033759475,0.000120306264],"about_ca_topic_score_codex":0.014177856,"about_ca_topic_score_gemma":0.034640536,"teacher_disagreement_score":0.014177856,"about_ca_system_score_codex":0.0005775443,"about_ca_system_score_gemma":0.0005611901,"threshold_uncertainty_score":0.028190672},"labels":[],"label_agreement":null},{"id":"W7034399609","doi":"","title":"TORRALBO CABALLERO, Juan de Dios (Granada, 2014). The Poetry of Bruce Meyer. The Inaugural Poet Laureate of the city of Barrie","year":2015,"lang":"en","type":"article","venue":"Universidad de Córdoba Insitutional Repository (Universidad de Córdoba)","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Nobel laureate; George (robot); Criticism","score_opus":0.01972893822527419,"score_gpt":0.2220645973347141,"score_spread":0.2023356591094399,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7034399609","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0051079146,0.6733722,0.00074384664,0.084840305,0.017934632,0.00003553413,0.0017474565,0.00032529945,0.21589282],"genre_scores_gemma":[0.12449049,0.21356745,0.0012426054,0.0116709005,0.0038129229,0.000097257674,0.0010774076,0.00065231486,0.64338857],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99966884,0.00011341176,0.000013910183,0.00004543361,0.00008268156,0.000075716365],"domain_scores_gemma":[0.9994741,0.00010559136,0.000050112834,0.00003375685,0.00021342657,0.00012300258],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00092602515,0.0010054547,0.00042637388,0.0017443597,0.006828177,0.0058714137,0.00086132734,0.0019413438,0.029488863],"category_scores_gemma":[0.0016783287,0.00034563968,0.00020389885,0.0028020418,0.0020695087,0.003279546,0.002128427,0.002743053,0.010190958],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000674228,0.000011665041,0.0007035641,0.00019769963,0.0000060746584,0.00014940012,0.010028839,0.000030276036,0.00008618978,0.016290892,0.906557,0.06587093],"study_design_scores_gemma":[0.000003991655,0.000002462905,0.0013642025,0.0002619642,0.0000029907549,0.000053603133,0.0048749414,0.000004614861,0.00003580436,0.0008084116,0.99258363,0.0000032904175],"about_ca_topic_score_codex":0.11685199,"about_ca_topic_score_gemma":0.35484925,"teacher_disagreement_score":0.883148,"about_ca_system_score_codex":0.004684948,"about_ca_system_score_gemma":0.003909981,"threshold_uncertainty_score":0.23234367},"labels":[],"label_agreement":null},{"id":"W7036739439","doi":"","title":"[Christmas Caroling in El Paso]","year":2002,"lang":"en","type":"other","venue":"The Portal to Texas History (University of North Texas)","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Front (military); Singing; Gold rush; Performance art; Quarter (Canadian coin)","score_opus":0.0236278709155746,"score_gpt":0.18538691089772455,"score_spread":0.16175903998214994,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7036739439","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0066768304,0.0014051487,0.00021364859,0.0038570734,0.0024072628,0.00003215451,0.0010880702,0.00017466249,0.984145],"genre_scores_gemma":[0.03740372,0.0011196081,0.0004166831,0.0011737533,0.00030466556,0.00002465179,0.0008450859,0.00013763306,0.9585742],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9999579,0.0000056080107,8.5031945e-7,0.000008574452,0.000012257879,0.0000147655755],"domain_scores_gemma":[0.99993837,0.0000042832658,0.00000432728,0.000003891569,0.000025642163,0.000023529046],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000082683895,0.00040215673,0.000105732615,0.00039466083,0.0033974985,0.0013667574,0.0003209567,0.00054673513,0.21324362],"category_scores_gemma":[0.00021850794,0.00017800345,0.000121669334,0.0004838325,0.0003417077,0.00087798596,0.0008668888,0.0014664032,0.04362544],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032960772,0.000013575445,0.00043380962,0.00003697111,0.0000014119764,0.00042107908,0.0011914672,0.00003286134,0.00022334205,0.0020243623,0.9764382,0.019149922],"study_design_scores_gemma":[0.0000020843609,0.000003208316,0.0019943062,0.000042535543,6.7561604e-7,0.000116133924,0.0020471965,0.000013920829,0.00005324468,0.00009007952,0.99563485,0.0000017601494],"about_ca_topic_score_codex":0.025241185,"about_ca_topic_score_gemma":0.11285726,"teacher_disagreement_score":0.21324362,"about_ca_system_score_codex":0.0007075041,"about_ca_system_score_gemma":0.00047691964,"threshold_uncertainty_score":0.713371},"labels":[],"label_agreement":null},{"id":"W7036744546","doi":"","title":"Comparison of blast prediction models for vapor cloud explosion","year":2001,"lang":"en","type":"article","venue":"NPARC","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"China Scholarship Council; National Natural Science Foundation of China","keywords":"Cloud computing; Hazard; Petrochemical; Range (aeronautics); Hazard analysis; Explosive material","score_opus":0.09653730348965157,"score_gpt":0.2873771058997222,"score_spread":0.19083980241007065,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7036744546","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8232798,0.0019951374,0.15286763,0.0012425083,0.0003403661,0.00023497986,0.0013076249,0.0026747126,0.016057186],"genre_scores_gemma":[0.9846994,0.0004393484,0.012214753,0.000073969764,0.000040837367,0.000098359924,0.00061804027,0.00006940193,0.0017458823],"study_design_codex":"simulation_or_modeling","study_design_gemma":"simulation_or_modeling","domain_scores_codex":[0.9995838,0.00014158958,0.000031010222,0.000077013225,0.00010397683,0.000062607],"domain_scores_gemma":[0.9975217,0.0016416952,0.00010885498,0.00007078345,0.00055814994,0.00009878237],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017483626,0.000979703,0.0010881205,0.00088114635,0.00052317814,0.0009728604,0.001318229,0.0011520128,0.0022753477],"category_scores_gemma":[0.0044456436,0.00032772956,0.00082865305,0.00060887914,0.00023704376,0.00084515766,0.00048342606,0.0008435493,0.000578592],"study_design_candidate":"simulation_or_modeling","study_design_consensus":"simulation_or_modeling","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018867069,0.00006694908,0.0028389823,0.000033250373,0.000048972302,0.000030348348,0.000027530952,0.9805187,0.00022029794,0.00049528055,0.00062375376,0.014907256],"study_design_scores_gemma":[0.000010344844,0.00003282581,0.0004862886,0.0000034480722,0.000011067291,0.0000037846883,0.000009841847,0.99904364,0.0001311243,0.00016766528,0.00009502468,0.0000048463576],"about_ca_topic_score_codex":0.068980396,"about_ca_topic_score_gemma":0.021251474,"teacher_disagreement_score":0.068980396,"about_ca_system_score_codex":0.0017184255,"about_ca_system_score_gemma":0.0011283176,"threshold_uncertainty_score":0.1371578},"labels":[],"label_agreement":null},{"id":"W7037760642","doi":"","title":"Faculty Senate Member Roster 2007-2008","year":2008,"lang":"en","type":"article","venue":"Digital Commons - USU (Utah State University)","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Phone; Government (linguistics); Work (physics); Quarter (Canadian coin)","score_opus":0.042830976313852694,"score_gpt":0.20885106520899793,"score_spread":0.16602008889514525,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7037760642","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0036784934,0.002091015,0.0005279714,0.008119135,0.012371634,0.0005903617,0.10568271,0.0023550563,0.86458343],"genre_scores_gemma":[0.0036795659,0.0010345952,0.00018571218,0.0008081223,0.00096447655,0.00024162716,0.01779371,0.0003454373,0.9749467],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990669,0.0000755915,0.00004590229,0.00012941996,0.00044419122,0.0002380209],"domain_scores_gemma":[0.9965238,0.00006797411,0.00016155749,0.00016085031,0.0019844724,0.0011013635],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0011504134,0.00071800954,0.0007245699,0.0023830486,0.003322068,0.0033835857,0.0011458903,0.0010493301,0.6279053],"category_scores_gemma":[0.00211947,0.00042817273,0.0003246871,0.0029988848,0.00027803204,0.002123927,0.0031052507,0.0011708846,0.5483831],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024523577,0.000011136099,0.00016413644,0.000042818978,0.0000010193406,0.000012158195,0.000018193743,0.0000056148174,0.0000697355,0.00020178636,0.9901854,0.009263429],"study_design_scores_gemma":[0.000007318462,0.00001791057,0.0020551381,0.000049965507,0.0000018415384,0.000014592191,0.00012878774,0.000011716135,0.00014889755,0.00005827699,0.9974999,0.0000057381067],"about_ca_topic_score_codex":0.0107582435,"about_ca_topic_score_gemma":0.03393865,"teacher_disagreement_score":0.6279053,"about_ca_system_score_codex":0.001707865,"about_ca_system_score_gemma":0.0038750155,"threshold_uncertainty_score":0.5307479},"labels":[],"label_agreement":null},{"id":"W7041918564","doi":"","title":"Olga Bezhanova","year":2020,"lang":"en","type":"article","venue":"Scholar Works  (Boise State University)","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Portuguese; Romance; World literature; Capital (architecture); Travel writing","score_opus":0.024817307916959897,"score_gpt":0.1739055035640202,"score_spread":0.1490881956470603,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7041918564","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011992995,0.19181684,0.005005877,0.2163661,0.0385101,0.000056138113,0.0008164983,0.0010516003,0.53438383],"genre_scores_gemma":[0.10826698,0.0732782,0.002704556,0.028117651,0.0046991617,0.00007290041,0.0004620939,0.000759313,0.7816391],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991621,0.00016273106,0.000025211693,0.00023428758,0.00030573388,0.000109852896],"domain_scores_gemma":[0.9986646,0.00019018383,0.000075446434,0.000047497146,0.00060370757,0.00041848543],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00092100835,0.000554463,0.0004845774,0.0010427843,0.0023979465,0.003413924,0.0006243063,0.00072956696,0.039904628],"category_scores_gemma":[0.0028400777,0.00020061298,0.00020757175,0.0005498189,0.0010157384,0.0020134759,0.0018196643,0.0019760702,0.019555729],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000042987653,0.00002802747,0.00081422064,0.00017792433,0.000007113484,0.00017185321,0.0013456793,0.00010212191,0.00032666515,0.03378369,0.8615552,0.10164463],"study_design_scores_gemma":[0.0000028361137,0.000006821629,0.00039579463,0.00013992064,0.0000020994119,0.00016050212,0.00073269237,0.00003884859,0.00014503657,0.0027964879,0.9955727,0.000006180798],"about_ca_topic_score_codex":0.00394521,"about_ca_topic_score_gemma":0.0060220542,"teacher_disagreement_score":0.96009535,"about_ca_system_score_codex":0.0020946814,"about_ca_system_score_gemma":0.0027108612,"threshold_uncertainty_score":0.13349426},"labels":[],"label_agreement":null},{"id":"W7071882582","doi":"","title":"The Transition Revisited: From Compression to <i>Cuidado</i>","year":2020,"lang":"en","type":"article","venue":"Project Muse (Johns Hopkins University)","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Democratization; Compression (physics); Transition (genetics); Precarity; Neoliberalism (international relations)","score_opus":0.02836000316363023,"score_gpt":0.20655288376451728,"score_spread":0.17819288060088706,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7071882582","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08401199,0.33018693,0.0013905849,0.25766185,0.006075476,0.000029025565,0.00022787284,0.00006820692,0.32034814],"genre_scores_gemma":[0.9027242,0.059917603,0.0002545496,0.012856404,0.0019346693,0.000026222533,0.00009108894,0.00006649861,0.022128673],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9991291,0.00035158906,0.000028798411,0.00012342937,0.00012665537,0.00024042718],"domain_scores_gemma":[0.99925774,0.00024086965,0.00010038576,0.000073420815,0.00017533502,0.00015219953],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011916857,0.00030908003,0.00039524518,0.0011715608,0.004887149,0.009802326,0.001022191,0.002037723,0.0071447776],"category_scores_gemma":[0.0024093806,0.00014324006,0.00024125764,0.0024583533,0.0244041,0.009622781,0.0045223827,0.0031294834,0.00047413196],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007997994,0.000024558673,0.0014618372,0.00049329386,0.000016060263,0.00053200545,0.1585192,0.000108440756,0.00025551327,0.62639856,0.12214592,0.08996453],"study_design_scores_gemma":[0.00001241897,0.000018433811,0.003725702,0.00087591,0.000009061173,0.00023281095,0.12299333,0.0000335309,0.0001268044,0.042595856,0.82935834,0.000017808263],"about_ca_topic_score_codex":0.06275749,"about_ca_topic_score_gemma":0.058028124,"teacher_disagreement_score":0.06275749,"about_ca_system_score_codex":0.008265439,"about_ca_system_score_gemma":0.0044565746,"threshold_uncertainty_score":0.12478441},"labels":[],"label_agreement":null},{"id":"W7094301618","doi":"","title":"Review of GERMÁN LABRADOR MÉNDEZ, &lt;i&gt;Letras arrebatadas: poesía y química en la Transición española&lt;/i&gt;","year":2011,"lang":"","type":"article","venue":"Insecta mundi","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Cloister; Domain (mathematical analysis); Field (mathematics); Representation (politics)","score_opus":0.027249627278651538,"score_gpt":0.23330999313823705,"score_spread":0.2060603658595855,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7094301618","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00010738794,0.9951066,0.000038345857,0.001427675,0.00051161076,0.0000055830437,0.000102009,0.0000034846921,0.002697356],"genre_scores_gemma":[0.0012062889,0.9953366,0.00008137112,0.0013354303,0.0003281293,0.000012266085,0.0001103653,0.0000035641713,0.0015860368],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99930716,0.00017265604,0.00014044883,0.00009734193,0.00021458557,0.00006784865],"domain_scores_gemma":[0.99838233,0.0008258039,0.0002307282,0.000045167257,0.0004321692,0.00008382978],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001599676,0.00069458375,0.0013455029,0.006074144,0.00058938994,0.0022479969,0.00095798547,0.0014215851,0.016238337],"category_scores_gemma":[0.0033959057,0.00038781224,0.00067971495,0.009202168,0.0009072523,0.0023952527,0.0010731054,0.0011301328,0.004575465],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011937439,0.00003800063,0.0003623417,0.088707946,0.00018394252,0.00044306464,0.0007682523,0.00015662507,0.0007197261,0.012909749,0.3686601,0.5269309],"study_design_scores_gemma":[0.000008080153,0.000016045107,0.0013455746,0.020838046,0.00007937259,0.00034645654,0.00023258748,0.000009122465,0.00007539418,0.0005934242,0.976445,0.00001083798],"about_ca_topic_score_codex":0.010404867,"about_ca_topic_score_gemma":0.018688114,"teacher_disagreement_score":0.016238337,"about_ca_system_score_codex":0.0027119685,"about_ca_system_score_gemma":0.0062101614,"threshold_uncertainty_score":0.05432266},"labels":[],"label_agreement":null},{"id":"W7095389589","doi":"","title":"Libidinal Economy of the Transition","year":2018,"lang":"","type":"article","venue":"","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Conversation; Transition (genetics); Exhibition; Poetics; Tourism; National economy","score_opus":0.01922723429319665,"score_gpt":0.20201927686859564,"score_spread":0.182792042575399,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7095389589","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.099281065,0.009835581,0.00058199774,0.03891856,0.0013908057,0.00001794518,0.00007020926,0.000039331873,0.8498645],"genre_scores_gemma":[0.9339985,0.0022329697,0.0002427339,0.004976785,0.00058616785,0.000032430355,0.000029527951,0.00005457022,0.057846252],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9985966,0.00067088037,0.000019706333,0.000097389675,0.00019360347,0.0004217347],"domain_scores_gemma":[0.9994875,0.0001907616,0.000060136437,0.000047109534,0.000088756715,0.00012569301],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012626942,0.00029719275,0.00022616811,0.00083731976,0.011600172,0.010124766,0.00042337555,0.0015836525,0.00885617],"category_scores_gemma":[0.0016586706,0.00013904892,0.00012891034,0.0010602338,0.018678745,0.0033180066,0.005890273,0.0035366474,0.00074259494],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000930571,0.000026680176,0.0006619943,0.00007769733,0.000003860134,0.00038159665,0.101183176,0.00004021236,0.00027272757,0.8478459,0.03259262,0.016820401],"study_design_scores_gemma":[0.00002966932,0.000026009593,0.002329486,0.00026196532,0.000004338385,0.0002401871,0.059349366,0.000059835955,0.00029364394,0.046418197,0.8909694,0.000017896464],"about_ca_topic_score_codex":0.009397338,"about_ca_topic_score_gemma":0.012173869,"teacher_disagreement_score":0.011600172,"about_ca_system_score_codex":0.0055281767,"about_ca_system_score_gemma":0.0036656847,"threshold_uncertainty_score":0.040109932},"labels":[],"label_agreement":null},{"id":"W7101120456","doi":"","title":"a. “Workplace Violence ” means,","year":2016,"lang":"en","type":"article","venue":"","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Harassment; Workplace violence; Occupational safety and health; Poison control; Work (physics); Human factors and ergonomics","score_opus":0.0181834773546743,"score_gpt":0.20781598363206985,"score_spread":0.18963250627739556,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7101120456","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.024733018,0.013711855,0.0062958486,0.0741341,0.011985132,0.00011123573,0.00072590035,0.00014618719,0.86815673],"genre_scores_gemma":[0.70771134,0.015451807,0.006142891,0.04811057,0.0047360575,0.00038298478,0.00073429395,0.00010840354,0.21662167],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9969592,0.00093537365,0.0002226937,0.0003685064,0.001058871,0.00045529185],"domain_scores_gemma":[0.99834216,0.00026286906,0.00037649265,0.00020553802,0.0005659742,0.0002469608],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0013615601,0.00047878653,0.0002101298,0.0006076791,0.0036527226,0.003150437,0.00049766107,0.0031873216,0.011904428],"category_scores_gemma":[0.0030066934,0.00013115518,0.00021711549,0.000704101,0.008369405,0.0032810098,0.0024939931,0.0027808337,0.0061659347],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000041054947,0.00006754591,0.0038636613,0.0003700083,0.000009915164,0.00021755089,0.015056159,0.000077941,0.0010554839,0.780072,0.14768532,0.051483408],"study_design_scores_gemma":[0.000007571247,0.00007940228,0.007400718,0.00075362454,0.000006361988,0.00072980946,0.009384784,0.000053566695,0.00033829358,0.04862967,0.93259364,0.000022618275],"about_ca_topic_score_codex":0.009890893,"about_ca_topic_score_gemma":0.013516721,"teacher_disagreement_score":0.9880956,"about_ca_system_score_codex":0.0014376814,"about_ca_system_score_gemma":0.003987291,"threshold_uncertainty_score":0.039824247},"labels":[],"label_agreement":null},{"id":"W7110523857","doi":"","title":"¿De quién es la democracia cultural? (Germán Labrador: Culpables por la literatura. Imaginación política y contracultura en la transción española (1968-1986), Madrid: Akal, 2017; Luis Moreno-Caballud: Culturas de cualquiera. Estudios sobre la democratizac","year":2018,"lang":"es","type":"article","venue":"Repositori digital de la UPF (Universitat Pompeu Fabra)","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Identity (music); Field (mathematics); Government (linguistics)","score_opus":0.005820080219001142,"score_gpt":0.24462093158850243,"score_spread":0.2388008513695013,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7110523857","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.063764565,0.49098465,0.0006986741,0.17175578,0.0022056745,0.000017831055,0.00038858506,0.000025413443,0.2701588],"genre_scores_gemma":[0.77530617,0.14930716,0.00048495602,0.0208329,0.0021254641,0.000035653382,0.00021939252,0.00008849613,0.051599767],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99794227,0.0010872982,0.000053510008,0.00021423955,0.00024739947,0.00045514572],"domain_scores_gemma":[0.9989712,0.0004484083,0.00021941499,0.00008114825,0.00015921184,0.00012067278],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0029153966,0.0005085466,0.00037609684,0.0028150454,0.0044782753,0.013568678,0.00067304843,0.0021371983,0.008410114],"category_scores_gemma":[0.002597777,0.0002000436,0.00025417504,0.0059610517,0.016482167,0.008344896,0.0044133365,0.0026616226,0.001111116],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007925754,0.000048609712,0.0045429324,0.00078158913,0.000038099588,0.0003848274,0.11620178,0.000121537894,0.00024371866,0.6707777,0.11264452,0.09413545],"study_design_scores_gemma":[0.00002636732,0.000018662848,0.016029647,0.0020933873,0.000024616078,0.00023087699,0.1289484,0.00006429794,0.00024511563,0.0292429,0.82305574,0.000019923378],"about_ca_topic_score_codex":0.071252644,"about_ca_topic_score_gemma":0.12425137,"teacher_disagreement_score":0.071252644,"about_ca_system_score_codex":0.011400069,"about_ca_system_score_gemma":0.0048431796,"threshold_uncertainty_score":0.14167583},"labels":[],"label_agreement":null},{"id":"W7113492339","doi":"","title":"Mothers and Sons in Hispanic Short Fiction by Women: A Quarter Century of Erotic, Destructive Maternal Love","year":2003,"lang":"en","type":"article","venue":"DigiNole (Florida State University)","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Perspective (graphical); Psychoanalytic theory; Quarter (Canadian coin); Latin Americans; Femininity; Narrative","score_opus":0.006103237397343414,"score_gpt":0.1601155771128224,"score_spread":0.15401233971547898,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7113492339","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5658824,0.05528379,0.0012897261,0.09233513,0.010001766,0.00006041309,0.000120970704,0.00015737521,0.2748684],"genre_scores_gemma":[0.907206,0.015987104,0.00038907575,0.006342886,0.0027313866,0.00006191558,0.000050553066,0.0001642266,0.067067005],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99858487,0.0008881846,0.000030961535,0.00010558106,0.00018427962,0.00020621282],"domain_scores_gemma":[0.9984388,0.000951495,0.00018043834,0.00008144356,0.00014610324,0.00020171591],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017782341,0.00084599276,0.0006017424,0.000940373,0.014779123,0.0057451045,0.0008839787,0.0020117871,0.0033132664],"category_scores_gemma":[0.0046050805,0.00035682143,0.00024187559,0.0007151742,0.012570849,0.002735412,0.004476973,0.0043912544,0.0006583196],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007332114,0.000043385153,0.0016256963,0.00011587429,0.000012685591,0.004406802,0.8927767,0.000038189897,0.00033212136,0.048196055,0.035531405,0.016847694],"study_design_scores_gemma":[0.000008999603,0.0000445264,0.0013568925,0.0003657171,0.00001419828,0.0027379193,0.5302524,0.000083841354,0.0005455892,0.0029824874,0.4615928,0.000014638341],"about_ca_topic_score_codex":0.008827044,"about_ca_topic_score_gemma":0.02272024,"teacher_disagreement_score":0.014779123,"about_ca_system_score_codex":0.0056347973,"about_ca_system_score_gemma":0.001958327,"threshold_uncertainty_score":0.04088354},"labels":[],"label_agreement":null},{"id":"W7116357687","doi":"10.18192/rceh.v48i1.7749","title":"Emotional Mismanagement: Academic Labor’s Neoliberal Values in Lourdes Ortiz’s Las manos de Velázquez","year":2025,"lang":"en","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narrative; Representation (politics); Neoliberalism (international relations); Identity (music)","score_opus":0.01586937816626875,"score_gpt":0.24791044811323368,"score_spread":0.23204106994696494,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7116357687","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.69399273,0.0046255253,0.0013546286,0.04732358,0.0009309445,0.00002409307,0.000031066644,0.00003790296,0.25167945],"genre_scores_gemma":[0.98329204,0.0006780813,0.00009928902,0.0013855302,0.00009081786,0.000008395166,0.000004877962,0.00001798059,0.014422859],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99857485,0.00081711926,0.000014045215,0.00009182682,0.00017050175,0.00033169368],"domain_scores_gemma":[0.9992805,0.0002996882,0.00010672798,0.00005673791,0.00008849275,0.0001678396],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0024937382,0.00043484662,0.00028298702,0.0005667004,0.0103138,0.010140855,0.00092046487,0.0015814661,0.002420953],"category_scores_gemma":[0.0024150661,0.00016934404,0.00022749147,0.0005497613,0.01965992,0.002197371,0.004889109,0.0039232187,0.00022922351],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001491922,0.00014022303,0.0027397408,0.0000679455,0.000015057119,0.001546484,0.64847356,0.00027074112,0.0008472506,0.30810744,0.019171922,0.018470392],"study_design_scores_gemma":[0.000023079023,0.000035779114,0.0031178545,0.00014816955,0.000013359712,0.00028766674,0.69169337,0.0001821693,0.0007134152,0.018729521,0.28502882,0.00002678153],"about_ca_topic_score_codex":0.022645185,"about_ca_topic_score_gemma":0.033515587,"teacher_disagreement_score":0.022645185,"about_ca_system_score_codex":0.009434765,"about_ca_system_score_gemma":0.0034002897,"threshold_uncertainty_score":0.068454266},"labels":[],"label_agreement":null},{"id":"W7128591762","doi":"10.18192/rceh.v48i1.7753","title":"Resistir el neoliberalismo: Daniel Gascón y Ana Iris Simón","year":2025,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"IRIS (biosensor); Context (archaeology); Work (physics); Coronavirus disease 2019 (COVID-19)","score_opus":0.014746112356656961,"score_gpt":0.24794125009895357,"score_spread":0.2331951377422966,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7128591762","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12638542,0.03363389,0.0012457181,0.62121916,0.002366124,0.000032554562,0.00013369281,0.00004565884,0.21493776],"genre_scores_gemma":[0.85744786,0.032737043,0.001139231,0.03740377,0.00140621,0.000048071583,0.00008196568,0.000074534575,0.069661364],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978102,0.001225429,0.000031760042,0.00017795691,0.0005433216,0.00021135768],"domain_scores_gemma":[0.9961299,0.0016130994,0.00034415573,0.00016490527,0.0012471498,0.000500932],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0038355794,0.00040218432,0.00033828695,0.0016561443,0.0054955645,0.006582406,0.0006619731,0.0014412461,0.0052927914],"category_scores_gemma":[0.007340279,0.00014608708,0.00014642249,0.0018220043,0.007357651,0.0047366475,0.0024959669,0.003133647,0.0007809924],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010560658,0.00011649917,0.011532589,0.0002541274,0.000022865284,0.00064553815,0.123571195,0.00035042517,0.0005074116,0.41094962,0.37368745,0.07825663],"study_design_scores_gemma":[0.000016514901,0.000026009775,0.0044635977,0.0005819455,0.000012900871,0.0003232146,0.11624762,0.00026901433,0.00041334733,0.044439852,0.8331659,0.00004010449],"about_ca_topic_score_codex":0.05851213,"about_ca_topic_score_gemma":0.065180056,"teacher_disagreement_score":0.05851213,"about_ca_system_score_codex":0.00806605,"about_ca_system_score_gemma":0.0066876644,"threshold_uncertainty_score":0.11634308},"labels":[],"label_agreement":null},{"id":"W7132519212","doi":"","title":"\"Culpables por la literatura. Imaginación política y contracultura en la transición española (1968-1986)\" de Germán Labrador Méndez [Reseña de libro]","year":2018,"lang":"es","type":"review","venue":"e_Buah","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Settlement (finance); Natural (archaeology)","score_opus":0.01470997034364229,"score_gpt":0.2890316564999489,"score_spread":0.2743216861563066,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7132519212","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00025132217,0.9873931,0.000032701984,0.0037890095,0.0006585843,0.0000026126042,0.00003128022,0.0000034760371,0.007837989],"genre_scores_gemma":[0.008376117,0.98092973,0.00012288791,0.0024966814,0.00078968686,0.000011666029,0.00007313882,0.000005359676,0.0071946844],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.998844,0.00045729382,0.00009607042,0.000117014126,0.00037745183,0.00010810195],"domain_scores_gemma":[0.9984896,0.0007067809,0.00026222732,0.00004676979,0.0003796069,0.00011495546],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015196761,0.0006819096,0.00072100566,0.004308414,0.0015256897,0.0046350323,0.0006466777,0.0022058443,0.011708984],"category_scores_gemma":[0.0034089908,0.00026404997,0.0004994991,0.007891869,0.0031391822,0.004031373,0.002380266,0.0025839761,0.0020238052],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000095822266,0.000044123306,0.0010698957,0.01892723,0.00009817858,0.00034542714,0.007507016,0.00013780114,0.00030723918,0.09971982,0.27906132,0.5926862],"study_design_scores_gemma":[0.000006036306,0.0000105752615,0.0014345091,0.014036741,0.000027925682,0.0002583626,0.0024218687,0.000008025257,0.00006534991,0.0035087988,0.9782139,0.000007783511],"about_ca_topic_score_codex":0.019666465,"about_ca_topic_score_gemma":0.032316323,"teacher_disagreement_score":0.019666465,"about_ca_system_score_codex":0.0040248134,"about_ca_system_score_gemma":0.008259075,"threshold_uncertainty_score":0.039170444},"labels":[],"label_agreement":null},{"id":"W7140959695","doi":"","title":"Culpables por la literatura. Imaginación política y contracultura en la transición española (1968-1986) [Reseña de libro]","year":2018,"lang":"es","type":"review","venue":"e_Buah","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Product (mathematics); Identification (biology)","score_opus":0.01658454161330127,"score_gpt":0.2929179765558498,"score_spread":0.27633343494254853,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7140959695","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0002280846,0.9925585,0.000021032016,0.0021631715,0.00032290295,0.0000021428668,0.000031007035,0.0000021285607,0.0046710274],"genre_scores_gemma":[0.0067192,0.9879581,0.00008766723,0.0011688161,0.00045132966,0.0000101402175,0.000065550485,0.0000036530796,0.0035355373],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99910957,0.00036186,0.000076020115,0.00009400526,0.00026995948,0.00008858197],"domain_scores_gemma":[0.99851376,0.00074862567,0.00024593232,0.000043271466,0.0003456381,0.00010272744],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014719743,0.0006176932,0.00075932354,0.004516867,0.0011235698,0.0041240645,0.0005850281,0.0018227561,0.013087699],"category_scores_gemma":[0.0035012404,0.00025599764,0.00050345936,0.008438362,0.0023317512,0.003256273,0.0019458021,0.0017250658,0.0017863434],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010953941,0.00005219236,0.0014321884,0.031384394,0.00012524094,0.0003031918,0.005180569,0.00014170588,0.00027257638,0.0619752,0.17273645,0.7262867],"study_design_scores_gemma":[0.000009784727,0.000020839714,0.0030147263,0.028438777,0.00006661564,0.0003641384,0.0029254665,0.000012551181,0.000079427795,0.0041464055,0.9609089,0.000012449576],"about_ca_topic_score_codex":0.020933043,"about_ca_topic_score_gemma":0.031229442,"teacher_disagreement_score":0.020933043,"about_ca_system_score_codex":0.00322397,"about_ca_system_score_gemma":0.0074102986,"threshold_uncertainty_score":0.04378271},"labels":[],"label_agreement":null},{"id":"W7161104340","doi":"","title":"El Tragaluz Democrático. Clip de la exposición","year":2023,"lang":"es","type":"article","venue":"DIGITAL.CSIC (Spanish National Research Council (CSIC))","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Solidarity; The arts; State (computer science); Democracy; George (robot)","score_opus":0.19830290433674586,"score_gpt":0.38317799060727886,"score_spread":0.184875086270533,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7161104340","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.006994292,0.047425624,0.00075901434,0.07185118,0.028074276,0.000041839452,0.00053507125,0.00020657812,0.8441122],"genre_scores_gemma":[0.20718287,0.018977541,0.0007282115,0.01556737,0.011593277,0.00017461099,0.00057644024,0.0004079536,0.74479175],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992725,0.0003563731,0.000014485619,0.0000878415,0.00011514131,0.00015358318],"domain_scores_gemma":[0.9996904,0.000104421604,0.000030750263,0.000048826223,0.00006532829,0.000060309016],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00073787355,0.00071612693,0.00032622268,0.0007970105,0.0047301804,0.0053182277,0.00046978187,0.0015683388,0.029975967],"category_scores_gemma":[0.0012964592,0.00024548086,0.00039082268,0.0010379791,0.003471156,0.0017251857,0.0031840026,0.0041116453,0.005361391],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000139903,0.000022757176,0.00037772924,0.00024357803,0.000006631438,0.00026839235,0.013845502,0.00008065019,0.00034528057,0.10319027,0.8356684,0.045810837],"study_design_scores_gemma":[0.000003751847,0.00000413335,0.00060776825,0.00010184636,0.0000012267886,0.00007624543,0.0024539588,0.000014266756,0.000044409397,0.0010698589,0.99561995,0.0000025628672],"about_ca_topic_score_codex":0.017987948,"about_ca_topic_score_gemma":0.037278913,"teacher_disagreement_score":0.029975967,"about_ca_system_score_codex":0.0036956593,"about_ca_system_score_gemma":0.0013970555,"threshold_uncertainty_score":0.10027963},"labels":[],"label_agreement":null},{"id":"W78567544","doi":"","title":"Entre la civilización y la barbarie: re-lectura de una novela de Eduarda Mansilla y la crítica genérica de Francine Masiello","year":2004,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.009078962716732027,"score_gpt":0.2259185193621995,"score_spread":0.21683955664546747,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W78567544","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20740567,0.033885274,0.0028920982,0.18970132,0.004485076,0.000041109193,0.00012631272,0.00006032325,0.56140286],"genre_scores_gemma":[0.915037,0.0047360156,0.00040387278,0.006457138,0.00083648035,0.000033082964,0.00003110119,0.00012598794,0.07233934],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99851745,0.0008577343,0.000020734013,0.0001163344,0.0001676644,0.0003200089],"domain_scores_gemma":[0.99851507,0.00083220605,0.00013951019,0.00010295138,0.00020069415,0.00020953825],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0027527655,0.0006595288,0.00054647983,0.001268109,0.01643707,0.008140048,0.0010914017,0.003783773,0.005409116],"category_scores_gemma":[0.003852797,0.00025565078,0.00027815,0.00137684,0.025921827,0.0041884487,0.0050489246,0.006231356,0.00042451842],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000079857135,0.000033760345,0.00051101134,0.00009218591,0.0000075846224,0.00048097203,0.335156,0.00006462114,0.00022538236,0.6201738,0.03505158,0.008123199],"study_design_scores_gemma":[0.000027279537,0.000018348213,0.0018146336,0.0004168522,0.000017196768,0.00021698663,0.23188658,0.00009909666,0.00037101316,0.030759746,0.7343467,0.000025591047],"about_ca_topic_score_codex":0.07993715,"about_ca_topic_score_gemma":0.16517721,"teacher_disagreement_score":0.07993715,"about_ca_system_score_codex":0.01060377,"about_ca_system_score_gemma":0.004698883,"threshold_uncertainty_score":0.15894377},"labels":[],"label_agreement":null},{"id":"W79016463","doi":"","title":"Reajustes y censuras para una puesta en escena de \"Los embuestes de Celauro\"","year":2000,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.014974581014964117,"score_gpt":0.24515441644879926,"score_spread":0.23017983543383513,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W79016463","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.38520288,0.00454249,0.0022401372,0.033706415,0.0006251702,0.000051086812,0.000081165745,0.000058147885,0.5734924],"genre_scores_gemma":[0.96930987,0.0009937228,0.00027603217,0.0014508986,0.00011301263,0.000029645927,0.00002140709,0.00002475867,0.0277807],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9957926,0.0018605085,0.00011422632,0.00028858375,0.00081641384,0.0011275975],"domain_scores_gemma":[0.99628925,0.0010791676,0.0005983152,0.0007970772,0.00078426633,0.00045189055],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0053105853,0.0003744835,0.00035374516,0.0010490197,0.012206333,0.010375141,0.0013067736,0.0031346185,0.00936941],"category_scores_gemma":[0.014698557,0.00021732943,0.00031097792,0.0015925394,0.024623182,0.006719045,0.008381801,0.0054665464,0.000559982],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006691827,0.00006005074,0.0060312576,0.00006386189,0.000009583108,0.00030503218,0.1032521,0.00007859074,0.00017850028,0.85846144,0.007472178,0.0240204],"study_design_scores_gemma":[0.000040185278,0.00006027205,0.015565744,0.0005826842,0.000037177037,0.00047777483,0.32726797,0.0001600668,0.0007792147,0.11897264,0.5360238,0.00003254591],"about_ca_topic_score_codex":0.025336709,"about_ca_topic_score_gemma":0.049705688,"teacher_disagreement_score":0.025336709,"about_ca_system_score_codex":0.006666086,"about_ca_system_score_gemma":0.010422597,"threshold_uncertainty_score":0.0503785},"labels":[],"label_agreement":null},{"id":"W8329764","doi":"10.1002/rcm.1290070604","title":"The Invisible War: Violences and Violations in Writing under Censorship in Franco's Spain","year":2009,"lang":"en","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Spanish Civil War; Political science; Law","score_opus":0.019908323720510004,"score_gpt":0.23471130868259604,"score_spread":0.21480298496208605,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W8329764","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99077016,0.0009556954,0.000025667987,0.0009515955,0.000022043821,0.0000038027024,0.00004912316,0.0000013107843,0.007220582],"genre_scores_gemma":[0.99713135,0.0003813341,0.000019782032,0.00016816282,0.000014588498,0.0000018029574,0.000023603172,0.0000018884059,0.002257357],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991303,0.00031709168,0.0000241378,0.000055708268,0.000103938284,0.0003686925],"domain_scores_gemma":[0.99872714,0.00034398524,0.0004954778,0.000063110856,0.00014872616,0.00022150668],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011055641,0.00018556975,0.00018720547,0.0011426694,0.0034115515,0.0019714085,0.00033891867,0.0007903411,0.0019641155],"category_scores_gemma":[0.0021977143,0.00008454199,0.00010107681,0.0013026537,0.0037839958,0.0004792835,0.0014101061,0.00066599424,0.00015924363],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005864555,0.00018842875,0.55016935,0.0001647021,0.000045079636,0.010086997,0.3373063,0.00023210135,0.0017216762,0.007222699,0.007351151,0.08492508],"study_design_scores_gemma":[0.000019145287,0.00007335444,0.5746927,0.00018133076,0.000013728738,0.0016871426,0.38026637,0.00012278046,0.0005054559,0.00066175486,0.041743223,0.000032940723],"about_ca_topic_score_codex":0.18976292,"about_ca_topic_score_gemma":0.2526929,"teacher_disagreement_score":0.18976292,"about_ca_system_score_codex":0.0036393271,"about_ca_system_score_gemma":0.002182158,"threshold_uncertainty_score":0.37731677},"labels":[],"label_agreement":null},{"id":"W84955423","doi":"","title":"Colonizing Voices and Visions: Lourdes Ortiz's \"Fátima de los naufragios\" and \"La piel de Marcelinda\"","year":2006,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.010589126230607497,"score_gpt":0.2374274488551639,"score_spread":0.2268383226245564,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W84955423","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06869461,0.0599799,0.0032208327,0.29745248,0.0042875707,0.000031907402,0.000073136514,0.000111769106,0.56614786],"genre_scores_gemma":[0.8416779,0.013607699,0.00074871077,0.018619454,0.0011365131,0.00005261933,0.000024843219,0.000099165925,0.12403301],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9979097,0.0013084551,0.00001791764,0.00017803203,0.00020891594,0.00037690604],"domain_scores_gemma":[0.9988612,0.0007020232,0.000108063716,0.000058708025,0.00008766838,0.00018231728],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019185041,0.000858908,0.0003285276,0.00095059274,0.012783548,0.011236219,0.0011278356,0.0043512313,0.0046609067],"category_scores_gemma":[0.0034027433,0.00027880288,0.00023630902,0.00081400585,0.023496693,0.008021838,0.0057040006,0.0059782104,0.0006273094],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000058731297,0.000023349136,0.00038942887,0.000055704717,0.0000044377102,0.00047445786,0.2799502,0.00008690426,0.00016497492,0.6315316,0.07387466,0.013385536],"study_design_scores_gemma":[0.000014270217,0.000023240913,0.0008567983,0.00056385546,0.000010902711,0.00034957068,0.24859108,0.00016454323,0.0003282471,0.06593922,0.68312895,0.000029348967],"about_ca_topic_score_codex":0.03159582,"about_ca_topic_score_gemma":0.06988564,"teacher_disagreement_score":0.03159582,"about_ca_system_score_codex":0.00594545,"about_ca_system_score_gemma":0.0028910777,"threshold_uncertainty_score":0.06282383},"labels":[],"label_agreement":null},{"id":"W89392403","doi":"","title":"Labrador Ben, Julia María; Del Castillo, Marie Christine, y García Toraño, Covadonga, La Novela de Hoy, La Novela de Noche y El Folletín Divertido. La labor editorial de Artemio Precioso","year":2006,"lang":"es","type":"article","venue":"Anales del Instituto de Estudios Madrileños","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Garcia","score_opus":0.00994520241109449,"score_gpt":0.2356162277517322,"score_spread":0.2256710253406377,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W89392403","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0032594532,0.24557577,0.0018711799,0.52838945,0.12159842,0.00003717758,0.0009219291,0.00013838976,0.09820823],"genre_scores_gemma":[0.12107219,0.18191053,0.0033914903,0.106559366,0.13215776,0.00018564674,0.0012203869,0.0010759713,0.45242673],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982697,0.0006116436,0.00008332903,0.00020667804,0.0006503758,0.0001783769],"domain_scores_gemma":[0.99030125,0.004138933,0.0004962061,0.0003226803,0.0041099116,0.0006311113],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0028330267,0.00083123986,0.000755271,0.002977134,0.005990049,0.0070837797,0.0015270138,0.003185418,0.017583283],"category_scores_gemma":[0.014183243,0.00042361653,0.0004472858,0.0026165994,0.0032866003,0.004783678,0.0017721192,0.0071685147,0.0037315162],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000407903,0.000008435531,0.00030414603,0.00019766696,0.000009653765,0.00007553795,0.00238136,0.00002112634,0.00009004775,0.024520999,0.960303,0.012047216],"study_design_scores_gemma":[0.0000052755377,0.0000045046927,0.0012249674,0.0004327719,0.00001135144,0.0000538852,0.002905075,0.000031701566,0.00014451485,0.004250274,0.9909259,0.000009747598],"about_ca_topic_score_codex":0.035359737,"about_ca_topic_score_gemma":0.1073621,"teacher_disagreement_score":0.035359737,"about_ca_system_score_codex":0.0058028786,"about_ca_system_score_gemma":0.0037875855,"threshold_uncertainty_score":0.07030785},"labels":[],"label_agreement":null},{"id":"W951885900","doi":"","title":"Amenábar culmina su Regresión: Cineastas españoles por el mundo","year":2014,"lang":"es","type":"article","venue":"Cambio 16","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.01618990578242725,"score_gpt":0.23609131536894076,"score_spread":0.21990140958651352,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W951885900","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.37755197,0.018128453,0.0012828738,0.03564039,0.0010514474,0.00003641948,0.00013124442,0.00007584537,0.56610125],"genre_scores_gemma":[0.91001624,0.0060901986,0.00036840525,0.0017145404,0.0003059914,0.00001878537,0.00005865204,0.000056232704,0.081370935],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99942786,0.00026767532,0.00000805884,0.0000452256,0.00007878666,0.00017237266],"domain_scores_gemma":[0.9993905,0.00018924552,0.000064726155,0.00003502333,0.00012790285,0.00019259416],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014630654,0.0002789837,0.00017470335,0.0006571383,0.004813929,0.004997874,0.00040050948,0.0009400204,0.011900239],"category_scores_gemma":[0.0017446489,0.00013473879,0.00016113397,0.0006912295,0.004130334,0.0024534387,0.003061156,0.0018059615,0.00091093144],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020949764,0.0001221518,0.012335238,0.0003144422,0.000020181102,0.002952758,0.6895599,0.00008993331,0.002290433,0.12533833,0.072933875,0.09383324],"study_design_scores_gemma":[0.000013204828,0.000028398417,0.012752685,0.00034889104,0.000009696986,0.00038524714,0.32902244,0.000049585753,0.00032707845,0.0026640408,0.65438795,0.000010866285],"about_ca_topic_score_codex":0.04625399,"about_ca_topic_score_gemma":0.10218374,"teacher_disagreement_score":0.04625399,"about_ca_system_score_codex":0.0038195688,"about_ca_system_score_gemma":0.002318884,"threshold_uncertainty_score":0.09196949},"labels":[],"label_agreement":null},{"id":"W953356506","doi":"","title":"Dramaturgas y censura en el primer franquismo: Pilar Millán Astray y Julia Maura","year":2013,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.010801999740906372,"score_gpt":0.22637319928852517,"score_spread":0.2155711995476188,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W953356506","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05142362,0.13314672,0.0011559518,0.60950387,0.014424137,0.000029845085,0.00008945968,0.00005569631,0.19017062],"genre_scores_gemma":[0.668072,0.06121558,0.0007765379,0.07142761,0.007868688,0.0001223614,0.00008142574,0.0003512535,0.19008446],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9980404,0.0011266733,0.000032772805,0.00014585185,0.00028681164,0.00036757434],"domain_scores_gemma":[0.9976617,0.001038926,0.00022547493,0.00012807614,0.0004808121,0.00046500572],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0039834254,0.0007519155,0.00060604216,0.0014968943,0.0143292565,0.011990346,0.0012469271,0.0038511995,0.008185354],"category_scores_gemma":[0.006221903,0.00029444802,0.00031024293,0.0016784942,0.015864156,0.007816399,0.0073950295,0.01117917,0.0011556213],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008018518,0.00010208426,0.0015073686,0.00019765916,0.000012370309,0.00032270496,0.240806,0.00005834492,0.00015348254,0.4325865,0.28457725,0.039596148],"study_design_scores_gemma":[0.000012440267,0.000010320359,0.0009030395,0.00045938964,0.000008122395,0.00014748964,0.16354296,0.000027890943,0.00014498606,0.0106695695,0.82406074,0.000012995529],"about_ca_topic_score_codex":0.044899233,"about_ca_topic_score_gemma":0.08051242,"teacher_disagreement_score":0.044899233,"about_ca_system_score_codex":0.009459544,"about_ca_system_score_gemma":0.007861983,"threshold_uncertainty_score":0.08927578},"labels":[],"label_agreement":null},{"id":"W955816293","doi":"","title":"La diffusion du cinema quebecois a I＇etranger","year":2010,"lang":"fr","type":"article","venue":"法语学习","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Movie theater; Art; Humanities; History; Literature","score_opus":0.00661595559736439,"score_gpt":0.1991774612971729,"score_spread":0.1925615056998085,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W955816293","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.33631223,0.009412446,0.0008878043,0.030628646,0.00127664,0.000034127417,0.00040050206,0.00007156024,0.62097603],"genre_scores_gemma":[0.867555,0.0024773544,0.0002831136,0.0011359416,0.0002532316,0.000019412617,0.00010134882,0.00004824242,0.12812634],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988158,0.00040406612,0.000015222124,0.00014668357,0.0002504622,0.00036770786],"domain_scores_gemma":[0.99798065,0.0005415286,0.0001199252,0.00008737059,0.0007399878,0.0005305466],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016291202,0.0005798355,0.00030873402,0.0011583775,0.006947219,0.007698805,0.00063892617,0.0016560773,0.016844401],"category_scores_gemma":[0.0038658928,0.00018397692,0.00025442187,0.0017011315,0.004893944,0.0022219117,0.001990744,0.004969719,0.000738921],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00046725344,0.00024834226,0.014608014,0.00030244372,0.0000605128,0.0020223472,0.2369533,0.0005252409,0.0050105625,0.47904146,0.09538719,0.1653733],"study_design_scores_gemma":[0.000035561392,0.00004395402,0.028556023,0.00026392343,0.000016187401,0.0002359105,0.081748515,0.00026286565,0.00052434654,0.0022278852,0.88605183,0.000032993903],"about_ca_topic_score_codex":0.85029894,"about_ca_topic_score_gemma":0.8533752,"teacher_disagreement_score":0.14970106,"about_ca_system_score_codex":0.03479913,"about_ca_system_score_gemma":0.016511746,"threshold_uncertainty_score":0.30116534},"labels":[],"label_agreement":null},{"id":"W986381220","doi":"","title":"(Im)penetrable Silence: the Lenguage of the Unspeakable in Manuela Fingueret's \"Hija del silencio\"","year":2003,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Culture and Identity","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Silence; Art; Humanities; Aesthetics","score_opus":0.014370501432454705,"score_gpt":0.21888390633571425,"score_spread":0.20451340490325953,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W986381220","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23044087,0.006606225,0.01780426,0.09024382,0.0022050466,0.00007664846,0.0002283781,0.00017935435,0.6522154],"genre_scores_gemma":[0.9674868,0.00080333964,0.0007004778,0.0046577537,0.00024620327,0.00005026277,0.00003858649,0.00011161113,0.025904968],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99722844,0.0017351157,0.00005092178,0.00024507038,0.00034828667,0.0003922171],"domain_scores_gemma":[0.99789727,0.001024378,0.00029757118,0.00023862177,0.00029730567,0.00024493184],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0028493241,0.0006215181,0.00038040982,0.0010596486,0.008566783,0.007300245,0.001549911,0.0029127444,0.0042792466],"category_scores_gemma":[0.007853708,0.0002309731,0.00031498674,0.001068429,0.03086469,0.005964093,0.007501818,0.0072589586,0.00070352916],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003270935,0.000016183103,0.00071700336,0.00004970913,0.000003922112,0.00029286437,0.50105226,0.000029590114,0.00030255748,0.48174304,0.008284785,0.0074753514],"study_design_scores_gemma":[0.000025969603,0.000035418398,0.0017976975,0.00039590232,0.000020605534,0.0007404005,0.5402568,0.00021317252,0.0012683634,0.0884799,0.3667356,0.000030263716],"about_ca_topic_score_codex":0.015179536,"about_ca_topic_score_gemma":0.016275728,"teacher_disagreement_score":0.9848205,"about_ca_system_score_codex":0.0039037515,"about_ca_system_score_gemma":0.0034486349,"threshold_uncertainty_score":0.030182362},"labels":[],"label_agreement":null}]}