{"meta":{"query_hash":"302ef03f024c","filters":{"topic":"Spanish Literature and Culture Studies"},"cohort_total":324,"direct_labels_cover":1,"predictions_cover":324,"exported":324,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/302ef03f024c","api":"https://metacan.xera.ac/api/v1/cohort?topic=Spanish+Literature+and+Culture+Studies"},"results":[{"id":"W1005304635","doi":"","title":"Commercial Sucess or Culinary Legacy: turn-of-the-century Spanish culinary nacionalization","year":2010,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Business","score_opus":0.014531870582681326,"score_gpt":0.24316158316024178,"score_spread":0.22862971257756046,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1005304635","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.69127446,0.004371064,0.00026787032,0.0028119846,0.00006367443,0.0000099027975,0.00008429203,0.000011094099,0.3011057],"genre_scores_gemma":[0.9882682,0.0011727699,0.000084348,0.00014198116,0.000022133261,0.0000031730335,0.00004082753,0.000011319267,0.010255166],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99949,0.000112223366,0.000011549165,0.000096076554,0.00008468705,0.00020536402],"domain_scores_gemma":[0.9987645,0.0002692103,0.00015889102,0.0001353638,0.000384555,0.0002874213],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014285437,0.00019216591,0.00023410635,0.0011949035,0.0030667956,0.0056830314,0.00060501177,0.0005669076,0.005981206],"category_scores_gemma":[0.00221943,0.00008945616,0.00011013294,0.0020718232,0.0058079013,0.0023236985,0.0020086372,0.0013353818,0.00029007703],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00029041685,0.00022062818,0.05392735,0.00016416535,0.000023345186,0.001095681,0.23563105,0.00015343833,0.0013488447,0.5890041,0.0073795095,0.11076141],"study_design_scores_gemma":[0.00003639051,0.00012422768,0.22048861,0.0006041463,0.000033778906,0.0004741578,0.32333466,0.00031114658,0.0012144946,0.023070583,0.43027368,0.000034129887],"about_ca_topic_score_codex":0.048654284,"about_ca_topic_score_gemma":0.1022478,"teacher_disagreement_score":0.048654284,"about_ca_system_score_codex":0.006949526,"about_ca_system_score_gemma":0.0038931633,"threshold_uncertainty_score":0.09674215},"labels":[],"label_agreement":null},{"id":"W1013165340","doi":"","title":"Collected Short Stories of Isabella Valancy Crawford ed. by Len Early and Michael Peterman (review)","year":2013,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Art history; History","score_opus":0.0060532393079380875,"score_gpt":0.18072070580143954,"score_spread":0.17466746649350146,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1013165340","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0001537861,0.9776342,0.000030578693,0.01630381,0.0023145166,0.000015907937,0.00038055095,0.000004276605,0.003162423],"genre_scores_gemma":[0.0021342677,0.9760089,0.000109522734,0.012052478,0.0019857916,0.0001017214,0.0005853372,0.000019479372,0.007002554],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978855,0.00096821313,0.00024366619,0.00014941953,0.0006100745,0.00014310252],"domain_scores_gemma":[0.9896549,0.005242695,0.0011641954,0.00020196156,0.0031732148,0.00056299736],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00406667,0.0011474852,0.0016346718,0.004546086,0.0012918575,0.0030391596,0.0013044961,0.0018156273,0.014987087],"category_scores_gemma":[0.019603945,0.0006048875,0.000700812,0.0099931,0.0010301322,0.0027462936,0.0022171196,0.002797421,0.0056402073],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000043773318,0.000006080532,0.00013224651,0.012025467,0.0000775154,0.00015547445,0.0012406883,0.000025907466,0.000094454925,0.0009129627,0.9150828,0.07020273],"study_design_scores_gemma":[0.000009885314,0.000009829568,0.0010952308,0.015533508,0.000053747342,0.00014688152,0.0012305101,0.0000034022858,0.00005107999,0.0001873821,0.98166937,0.0000092082755],"about_ca_topic_score_codex":0.037365604,"about_ca_topic_score_gemma":0.121885404,"teacher_disagreement_score":0.037365604,"about_ca_system_score_codex":0.0037910072,"about_ca_system_score_gemma":0.010672626,"threshold_uncertainty_score":0.074296236},"labels":[],"label_agreement":null},{"id":"W1016989859","doi":"","title":"Emilia Pardo Bazán, gender, modernity and nationalism at the Paris World Exhibitions of 1889 and 1900","year":2008,"lang":"en","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Exhibition; Modernity; Nationalism; Art; Humanities; Art history; Sociology; Political science; Law; Politics","score_opus":0.029736770838847407,"score_gpt":0.22238032667676258,"score_spread":0.19264355583791518,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1016989859","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.45645413,0.12599926,0.00091457076,0.17819679,0.004547482,0.000047681842,0.0030533075,0.00010009409,0.23068666],"genre_scores_gemma":[0.8199038,0.026546108,0.000577044,0.004505621,0.0014363029,0.00004108894,0.00045167742,0.000114388866,0.14642392],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997148,0.00012647777,0.000004112035,0.000036828795,0.0000581122,0.000059556198],"domain_scores_gemma":[0.99964094,0.00012090211,0.00007163322,0.000011488354,0.00009925039,0.000055750512],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008263411,0.00042480443,0.00016736494,0.00096240186,0.0033588635,0.00225006,0.0005523457,0.00077615277,0.008442097],"category_scores_gemma":[0.001112645,0.00017041653,0.0001466301,0.001115358,0.0013432711,0.0021361306,0.0013022579,0.0012041384,0.0009867487],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002558016,0.00011753673,0.036246985,0.00046735027,0.000059187478,0.0006088538,0.20478787,0.00033203096,0.0007708766,0.1381471,0.53431475,0.08389162],"study_design_scores_gemma":[0.000010100892,0.000031462667,0.094612956,0.00026677037,0.0000148915915,0.00014623499,0.1085855,0.000039513678,0.0005063561,0.0024356165,0.7933164,0.000034165823],"about_ca_topic_score_codex":0.10037573,"about_ca_topic_score_gemma":0.28588077,"teacher_disagreement_score":0.10037573,"about_ca_system_score_codex":0.002792897,"about_ca_system_score_gemma":0.0011289357,"threshold_uncertainty_score":0.19958293},"labels":[],"label_agreement":null},{"id":"W10282183","doi":"","title":"Francisco Umbral's \"Lady\" Tourists: A fictional View of Early Female Visitors to Spain","year":2006,"lang":"en","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.010316569213022203,"score_gpt":0.21339881990903609,"score_spread":0.20308225069601388,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W10282183","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.29691797,0.022778952,0.00090298994,0.061347537,0.0020764838,0.000026453223,0.00019493751,0.00008318237,0.6156716],"genre_scores_gemma":[0.8323801,0.0048217666,0.00015922842,0.0064881206,0.0005293581,0.00001916315,0.00006613693,0.00008993669,0.15544616],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99935395,0.00031661987,0.000006999635,0.00004954251,0.00006870377,0.00020413779],"domain_scores_gemma":[0.99937516,0.00022177685,0.00007271897,0.000030138259,0.00007873277,0.00022151982],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001019515,0.00049779774,0.00034884078,0.0009781772,0.009015878,0.008837375,0.00095831236,0.0023068795,0.0058105257],"category_scores_gemma":[0.0012997134,0.00018625507,0.00027318668,0.000805276,0.007380693,0.001980268,0.003506683,0.0030837257,0.00078726077],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00028622884,0.00007259187,0.007337801,0.00022629376,0.0000167872,0.0035988316,0.7185497,0.00038906172,0.00045869194,0.12945797,0.11309058,0.026515504],"study_design_scores_gemma":[0.00001285969,0.000027452927,0.005206372,0.00037777922,0.000006397706,0.0005210721,0.40361163,0.00012737095,0.000100964644,0.00228737,0.5876997,0.000021060454],"about_ca_topic_score_codex":0.053425293,"about_ca_topic_score_gemma":0.09536843,"teacher_disagreement_score":0.053425293,"about_ca_system_score_codex":0.008126415,"about_ca_system_score_gemma":0.0018336549,"threshold_uncertainty_score":0.10622865},"labels":[],"label_agreement":null},{"id":"W1034293277","doi":"","title":"From cross gender to generic clousure: Sor Juana Inés de la Cruz's \"Los empeños de una casa\"","year":2008,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.02447377785628391,"score_gpt":0.26567721844376413,"score_spread":0.24120344058748022,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1034293277","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24222486,0.03269837,0.0035879759,0.17217663,0.0028349247,0.000055154418,0.00028145724,0.000041248437,0.5460994],"genre_scores_gemma":[0.95820206,0.0055967537,0.0005253671,0.008519666,0.0004142708,0.000037935857,0.00007918155,0.00008032162,0.026544286],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983298,0.0009843833,0.000038473765,0.00016200426,0.00018735488,0.00029806377],"domain_scores_gemma":[0.9979572,0.0009908162,0.000230815,0.00015542541,0.00037648642,0.00028914542],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0030172807,0.00053653074,0.00042619914,0.0021805863,0.00829501,0.0074446755,0.0010587439,0.0024754792,0.0076626544],"category_scores_gemma":[0.006224943,0.00023414743,0.0002998961,0.0028111234,0.016585141,0.00992303,0.006496528,0.0038345284,0.00045662682],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004062535,0.00003853836,0.0039161853,0.000103845196,0.000006928617,0.0004077341,0.37174022,0.00002059238,0.000084319734,0.5807505,0.027019672,0.015870808],"study_design_scores_gemma":[0.000018211158,0.00001681429,0.007320915,0.0007784445,0.000020812078,0.00056867825,0.6825842,0.000055584263,0.00021403185,0.05424812,0.2541506,0.000023541248],"about_ca_topic_score_codex":0.045198016,"about_ca_topic_score_gemma":0.08897623,"teacher_disagreement_score":0.045198016,"about_ca_system_score_codex":0.0051558358,"about_ca_system_score_gemma":0.004365757,"threshold_uncertainty_score":0.08986986},"labels":[],"label_agreement":null},{"id":"W1041758440","doi":"","title":"\"Duende\" and Apocalypse in Lorca's Theory and Poetics","year":2001,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Poetics; Persona; Philosophy; Poetry; Literature","score_opus":0.011061155561266005,"score_gpt":0.22343323533966314,"score_spread":0.21237207977839714,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1041758440","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.016772045,0.017023366,0.009401858,0.04632956,0.002213619,0.000032829746,0.000052475043,0.00007348077,0.9081008],"genre_scores_gemma":[0.7592975,0.0061405716,0.0031287733,0.0066922503,0.0023017032,0.00011176978,0.00003949531,0.00011106255,0.22217683],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99819607,0.0010758066,0.00003059425,0.00023692583,0.00022238238,0.00023822725],"domain_scores_gemma":[0.9988586,0.0007104263,0.00008553643,0.00009592863,0.00012728492,0.00012231267],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018356714,0.0005722081,0.00038106352,0.0015579498,0.005982771,0.0059865154,0.0007581522,0.002554775,0.0064648404],"category_scores_gemma":[0.0035641666,0.00023016302,0.00040617195,0.00095222675,0.029558424,0.0056059253,0.00267718,0.0044005853,0.00096577103],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005776979,0.0000032286162,0.00004769918,0.0000130696135,6.6184106e-7,0.000021354559,0.0021167686,0.00002871061,0.000013601126,0.99111956,0.004775326,0.0018542657],"study_design_scores_gemma":[0.000014400931,0.000018642784,0.00030877913,0.000108611246,0.0000033086023,0.000109801214,0.0024337906,0.00025313417,0.00006620102,0.71467566,0.28199384,0.000013809212],"about_ca_topic_score_codex":0.010661555,"about_ca_topic_score_gemma":0.010126773,"teacher_disagreement_score":0.010661555,"about_ca_system_score_codex":0.0072810454,"about_ca_system_score_gemma":0.0022646592,"threshold_uncertainty_score":0.052827954},"labels":[],"label_agreement":null},{"id":"W111315621","doi":"","title":"Introducción: María Luisa Bemberg o las trampas de la clase","year":2002,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Political science; Geography; Art","score_opus":0.01222757318126365,"score_gpt":0.22226225149030523,"score_spread":0.21003467830904157,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W111315621","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005747801,0.30810603,0.0022944154,0.293857,0.1708673,0.00010016201,0.0007319795,0.00023900344,0.2180563],"genre_scores_gemma":[0.08697186,0.25528318,0.0035114777,0.08033785,0.11152907,0.00027218284,0.0008966586,0.0007169172,0.46048078],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992963,0.0002641975,0.000040730316,0.00016038363,0.00015936802,0.000078927886],"domain_scores_gemma":[0.9974917,0.0011274116,0.00026069768,0.00012652382,0.0006850806,0.0003086584],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018936889,0.0010213212,0.000605787,0.002083851,0.0030866018,0.004448464,0.0014834323,0.0025719746,0.04787836],"category_scores_gemma":[0.004902625,0.00037915353,0.00032265758,0.0022424678,0.0023323682,0.0036328735,0.0030783962,0.004852867,0.013755219],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000051722258,0.000041214524,0.0010986893,0.0009738328,0.000010240318,0.00014971086,0.009253947,0.000052753807,0.00038929444,0.03930104,0.8541144,0.09456305],"study_design_scores_gemma":[0.000002177599,0.000004940867,0.00044715157,0.0005477375,0.00000429383,0.00007073764,0.0019141752,0.000011553793,0.000052455976,0.00071506156,0.9962261,0.0000037390316],"about_ca_topic_score_codex":0.014580866,"about_ca_topic_score_gemma":0.0144726895,"teacher_disagreement_score":0.04787836,"about_ca_system_score_codex":0.0022823415,"about_ca_system_score_gemma":0.0028006474,"threshold_uncertainty_score":0.16016906},"labels":[],"label_agreement":null},{"id":"W11339716","doi":"10.1002/tox.1020","title":"Una travesía desde ciertas márgenes a la novela Duelo de miradas","year":2004,"lang":"en","type":"article","venue":"Espéculo: Revista de Estudios Literarios","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Psychology; Humanities; Art; Social psychology","score_opus":0.013146461343468233,"score_gpt":0.23981268353153404,"score_spread":0.2266662221880658,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W11339716","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8997863,0.012715633,0.010386376,0.0042852466,0.0011641927,0.0003102976,0.0021918605,0.00110912,0.068050876],"genre_scores_gemma":[0.87064457,0.0053596357,0.021985278,0.0009636636,0.0005623689,0.00020958361,0.001766677,0.00017498477,0.09833325],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985422,0.0002840645,0.000042444874,0.00043098218,0.00048558955,0.00021468874],"domain_scores_gemma":[0.99832946,0.00024328363,0.00035632786,0.00013991297,0.0005567929,0.00037424266],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017565106,0.0008954608,0.00042380497,0.0012803235,0.0015917919,0.0016460998,0.0009323432,0.00094351085,0.009171828],"category_scores_gemma":[0.002765073,0.00024688026,0.0005746251,0.000994764,0.0011851494,0.0006221715,0.0010239073,0.0011594472,0.003026013],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.003035611,0.0011053797,0.14243263,0.0017614444,0.00018096993,0.0041807517,0.011155229,0.0010084537,0.17179039,0.007487666,0.019628286,0.6362332],"study_design_scores_gemma":[0.00008698234,0.0018973046,0.3102247,0.0003700515,0.00013091924,0.001171447,0.0031906308,0.0008362287,0.04380407,0.0008303718,0.63730216,0.0001551964],"about_ca_topic_score_codex":0.101648636,"about_ca_topic_score_gemma":0.19996816,"teacher_disagreement_score":0.101648636,"about_ca_system_score_codex":0.005017649,"about_ca_system_score_gemma":0.0036685802,"threshold_uncertainty_score":0.20211393},"labels":[],"label_agreement":null},{"id":"W11955872","doi":"","title":"Fear and Loathing in Vetusta: Coding Class and Gender in Clarín's \"La Regenta\"","year":2001,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Class (philosophy); Coding (social sciences); Social psychology; Sociology; Psychology; Epistemology; Philosophy; Social science","score_opus":0.021678169665807292,"score_gpt":0.24113037584791874,"score_spread":0.21945220618211145,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W11955872","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98988885,0.00011522015,0.00016471755,0.0008563582,0.00002732689,0.000022987664,0.000055538738,0.0000042971374,0.008864559],"genre_scores_gemma":[0.99602807,0.000076759694,0.00013996288,0.0001332619,0.000006487507,0.00003666692,0.000048816793,0.000008853285,0.0035211137],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99844295,0.0006012469,0.000077186494,0.00013445898,0.00027692417,0.00046721176],"domain_scores_gemma":[0.9957516,0.0017610368,0.0008729703,0.00020512183,0.0006204767,0.0007888288],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0028792939,0.00028434955,0.0003089722,0.0020813895,0.007075427,0.0040094457,0.0013499504,0.0012916968,0.0044872514],"category_scores_gemma":[0.009382559,0.00019768144,0.0003481436,0.0013162751,0.004871604,0.0026708676,0.0040577957,0.0024472752,0.00034816386],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013377173,0.00020554892,0.2001741,0.000057083987,0.000012753995,0.00042733492,0.7656063,0.00007340117,0.00037415017,0.008637014,0.0032905443,0.02100801],"study_design_scores_gemma":[0.0000036951744,0.00001956618,0.09559722,0.00008322247,0.000009323964,0.00010143199,0.8959244,0.00012230124,0.0001801721,0.00083748624,0.0071062744,0.000014885846],"about_ca_topic_score_codex":0.1065645,"about_ca_topic_score_gemma":0.20433035,"teacher_disagreement_score":0.1065645,"about_ca_system_score_codex":0.0054591894,"about_ca_system_score_gemma":0.004261135,"threshold_uncertainty_score":0.21188843},"labels":[],"label_agreement":null},{"id":"W12045282","doi":"10.1105/tpc.010471","title":"Algunas consideraciones fundamentales en torno a la génesis y desarrollo del romanticismo español","year":2007,"lang":"es","type":"article","venue":"Espéculo: Revista de Estudios Literarios","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Philosophy; Humanities; Art","score_opus":0.011609984337908903,"score_gpt":0.2571300997500395,"score_spread":0.24552011541213056,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W12045282","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.100015886,0.12615722,0.0022740457,0.13066654,0.002404863,0.00002239744,0.00013171542,0.00004856638,0.6382788],"genre_scores_gemma":[0.8812211,0.05464978,0.0007447164,0.009698258,0.0019687726,0.000044456894,0.00014095777,0.000094518306,0.05143748],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99766505,0.0011672652,0.000065113236,0.00022717392,0.00038742737,0.0004880416],"domain_scores_gemma":[0.99743634,0.001429845,0.00019516768,0.00027508647,0.00053338957,0.00013025332],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0052295756,0.00047870982,0.00049010117,0.0025559573,0.004634249,0.011938965,0.0012740113,0.0031162791,0.009174957],"category_scores_gemma":[0.0068637035,0.00018529376,0.0003259659,0.0048089833,0.014022318,0.007896851,0.004546615,0.0042967736,0.00085949583],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040129584,0.000024552068,0.0016238291,0.00026489972,0.0000128776255,0.00025840008,0.07572909,0.00006731692,0.00015535715,0.8708933,0.013875724,0.037054643],"study_design_scores_gemma":[0.000019707399,0.00001774929,0.0048878537,0.0014862538,0.000024279336,0.00027986162,0.12719741,0.0001054597,0.00029930144,0.078547284,0.7871189,0.000015862137],"about_ca_topic_score_codex":0.0198801,"about_ca_topic_score_gemma":0.024834733,"teacher_disagreement_score":0.0198801,"about_ca_system_score_codex":0.00661086,"about_ca_system_score_gemma":0.0056304117,"threshold_uncertainty_score":0.047965348},"labels":[],"label_agreement":null},{"id":"W127311085","doi":"","title":"\"Ponemos el espejo por delante\": Staging Race in Alejandro Tapia y Rivera's \"La cuarterona\"","year":2007,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Race (biology); Art; Mathematics; Sociology; Gender studies","score_opus":0.009825940786576441,"score_gpt":0.2373739477991098,"score_spread":0.22754800701253336,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W127311085","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8959351,0.003161935,0.00056228286,0.03092267,0.00038984985,0.000035898232,0.000089528585,0.000008518482,0.06889418],"genre_scores_gemma":[0.9879901,0.001118254,0.00023881906,0.0021337317,0.00006014584,0.00003699906,0.000034093715,0.000022785027,0.008364979],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99880433,0.00063609553,0.000031649175,0.00009798312,0.000111935886,0.0003180338],"domain_scores_gemma":[0.9978992,0.0006912419,0.0003920092,0.00010559573,0.00047188214,0.00044012239],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0026641276,0.00025163023,0.0002537194,0.0015358389,0.009478861,0.00481971,0.0010211188,0.001414847,0.0035792736],"category_scores_gemma":[0.0077840053,0.00013386949,0.0002234641,0.0016397872,0.007164539,0.0057228296,0.0045744786,0.002469271,0.0002674191],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011169825,0.00011674392,0.052047465,0.000077859346,0.000008882167,0.0005989668,0.827668,0.000027220103,0.00031263096,0.070024714,0.0127461795,0.036259633],"study_design_scores_gemma":[0.0000054448888,0.00001545408,0.025332766,0.00029317645,0.000015490836,0.00023340475,0.9332261,0.000041293653,0.00020163697,0.004046111,0.03657987,0.000009200215],"about_ca_topic_score_codex":0.09711691,"about_ca_topic_score_gemma":0.20201483,"teacher_disagreement_score":0.09711691,"about_ca_system_score_codex":0.0037036284,"about_ca_system_score_gemma":0.0049180863,"threshold_uncertainty_score":0.19310325},"labels":[],"label_agreement":null},{"id":"W12943616","doi":"10.1016/s0022-0965(03)00105-x","title":"\"Isabel, la Reina: Las hijas de la luna roja\", de Ángeles de Irisarri","year":2001,"lang":"en","type":"article","venue":"Insula-revista De Letras Y Ciencias Humanas","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.014716353989662758,"score_gpt":0.25458108626282927,"score_spread":0.23986473227316651,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W12943616","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1810923,0.27171767,0.0012520254,0.04652728,0.0068477406,0.000120877696,0.0009370464,0.00028988175,0.49121523],"genre_scores_gemma":[0.5253758,0.16688111,0.0016402145,0.0034474866,0.0009637438,0.00007758613,0.00046651496,0.00012154181,0.30102596],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997147,0.000076589466,0.000008344069,0.000051506453,0.000054878397,0.00009406776],"domain_scores_gemma":[0.9996075,0.0000940427,0.00006543917,0.00002254987,0.00012668545,0.00008378406],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00071905483,0.0007091752,0.00032209855,0.0009839404,0.0046824845,0.002221286,0.00093072304,0.0009840014,0.011124258],"category_scores_gemma":[0.0016819951,0.00019820819,0.00023540523,0.0008453014,0.0026340042,0.0011047913,0.0011794487,0.0015506152,0.0017396178],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004953207,0.0002429069,0.027463956,0.00199258,0.000063074236,0.0052946694,0.12022982,0.0002812762,0.0019522381,0.07202546,0.28563946,0.48431924],"study_design_scores_gemma":[0.0000152523435,0.0000383958,0.03306127,0.0010851589,0.000043789325,0.0011632507,0.059249114,0.000054299253,0.0004727047,0.0013101248,0.9034782,0.00002848054],"about_ca_topic_score_codex":0.37570953,"about_ca_topic_score_gemma":0.5029422,"teacher_disagreement_score":0.37570953,"about_ca_system_score_codex":0.005381032,"about_ca_system_score_gemma":0.00476658,"threshold_uncertainty_score":0.7470453},"labels":[],"label_agreement":null},{"id":"W130735618","doi":"","title":"Note on Zola and Galdós: 1883-1887","year":2008,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.016283263495473717,"score_gpt":0.22534461183343765,"score_spread":0.20906134833796394,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W130735618","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.037599802,0.1020892,0.0011236132,0.17061041,0.03924845,0.0001606784,0.0034297956,0.00010283496,0.6456352],"genre_scores_gemma":[0.26965874,0.039372105,0.0012377925,0.05494487,0.019344538,0.00026800495,0.0011056882,0.00028443188,0.61378384],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995565,0.000107723616,0.000029479557,0.00007725549,0.00009944617,0.0001296251],"domain_scores_gemma":[0.99923444,0.00034771275,0.000089919464,0.00004703328,0.00022265512,0.000058285037],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00096184725,0.000474704,0.00040575536,0.0020739213,0.0055823736,0.0023050231,0.000696531,0.0020753478,0.014293834],"category_scores_gemma":[0.0023444302,0.00021298847,0.00033894615,0.0026539895,0.005191158,0.0031521013,0.0025250546,0.004550581,0.0028355494],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014320412,0.00003593612,0.0018562707,0.00027353165,0.000019005443,0.00060408196,0.024807014,0.00005278037,0.00024654134,0.3839512,0.56232774,0.025682712],"study_design_scores_gemma":[0.000007844425,0.0000053185254,0.0019874836,0.00013689045,0.0000053117333,0.000108720866,0.0025656475,0.0000049572027,0.00014574874,0.0035649033,0.9914588,0.000008377899],"about_ca_topic_score_codex":0.06155664,"about_ca_topic_score_gemma":0.12097027,"teacher_disagreement_score":0.06155664,"about_ca_system_score_codex":0.0041130376,"about_ca_system_score_gemma":0.0025611985,"threshold_uncertainty_score":0.12239665},"labels":[],"label_agreement":null},{"id":"W130928408","doi":"","title":"Mirar o no mirar. La mujer como espectáculo en \"Garaje Olimpo\"","year":2012,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.012429542290533923,"score_gpt":0.23265610462290118,"score_spread":0.22022656233236726,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W130928408","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.22340448,0.02097046,0.0024995434,0.21605119,0.0069335783,0.000055897322,0.00024065832,0.0001311131,0.5297131],"genre_scores_gemma":[0.90057796,0.005270489,0.00057304726,0.015174877,0.0007585155,0.000045357327,0.000062826824,0.00010243417,0.077434495],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976151,0.0013741972,0.00006733856,0.00019348548,0.00040300234,0.00034694705],"domain_scores_gemma":[0.99760604,0.0007863581,0.00048282053,0.00020444219,0.00064247823,0.00027790168],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003206623,0.0005089828,0.00030763043,0.00093465846,0.008809476,0.0061864285,0.00082162576,0.0020930902,0.006156314],"category_scores_gemma":[0.007435911,0.0002095114,0.00028814262,0.0011808403,0.011226968,0.003890692,0.0038458288,0.0041365307,0.0011647014],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007043746,0.00006869556,0.00739958,0.00028713673,0.00001726854,0.0006166225,0.5256194,0.00003293221,0.0006630591,0.33820754,0.08378616,0.043231186],"study_design_scores_gemma":[0.000010865988,0.00002743141,0.006898759,0.00057446305,0.000032817043,0.00046806515,0.41168556,0.000043048505,0.0005506602,0.0115626305,0.56812334,0.000022328435],"about_ca_topic_score_codex":0.019948957,"about_ca_topic_score_gemma":0.04002303,"teacher_disagreement_score":0.019948957,"about_ca_system_score_codex":0.0032082072,"about_ca_system_score_gemma":0.0045721214,"threshold_uncertainty_score":0.0396657},"labels":[],"label_agreement":null},{"id":"W134609811","doi":"","title":"No Happy Endings: Carmen de Icaza's (Anti)Romance Novels","year":2011,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Romance; Art; Literature","score_opus":0.019445173678033136,"score_gpt":0.22011688531332524,"score_spread":0.2006717116352921,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W134609811","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12038479,0.008368449,0.0006860743,0.1050577,0.004752749,0.000023400175,0.00012432618,0.000050556373,0.760552],"genre_scores_gemma":[0.8626043,0.0024317703,0.00023406098,0.009946369,0.0014715382,0.000029658158,0.00005322394,0.00019495597,0.12303404],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986368,0.00067543203,0.000020192829,0.00011528477,0.00017953923,0.00037274833],"domain_scores_gemma":[0.99852127,0.0005938559,0.00016368397,0.00011151648,0.00030799615,0.00030177983],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023560098,0.0005378672,0.0004608044,0.000931652,0.016211934,0.008637487,0.0008311294,0.0026056254,0.008689123],"category_scores_gemma":[0.005392191,0.00022732149,0.0002543016,0.0011035217,0.013325556,0.0040086135,0.0039875046,0.006645267,0.0011776917],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021743741,0.00005434132,0.0008547169,0.00008278787,0.000011015888,0.0011420635,0.2800703,0.00006694386,0.0003208103,0.5465593,0.15665005,0.013970244],"study_design_scores_gemma":[0.000015845406,0.000012317194,0.0007036452,0.00012525219,0.000005751647,0.00028712855,0.14447042,0.000039641993,0.00026465388,0.009775512,0.84428823,0.000011666434],"about_ca_topic_score_codex":0.013645844,"about_ca_topic_score_gemma":0.034572408,"teacher_disagreement_score":0.016211934,"about_ca_system_score_codex":0.0051758913,"about_ca_system_score_gemma":0.0020142847,"threshold_uncertainty_score":0.037553847},"labels":[],"label_agreement":null},{"id":"W142134697","doi":"","title":"Similaridad y evolución en la rítmica del flamenco: una incursión de la matemática computacional","year":2005,"lang":"es","type":"article","venue":"idUS (Universidad de Sevilla)","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":8,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy","score_opus":0.005042202824006576,"score_gpt":0.2453927723220589,"score_spread":0.2403505694980523,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W142134697","genre_codex":"methods","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0487902,0.024979347,0.77733,0.01447654,0.006174849,0.00006384574,0.0002617101,0.0008704249,0.12705311],"genre_scores_gemma":[0.63125193,0.021999836,0.24001631,0.0040104645,0.00584849,0.00022823442,0.00044405236,0.0015450428,0.094655566],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"simulation_or_modeling","domain_scores_codex":[0.99901557,0.00021032775,0.000036507365,0.0003337526,0.0003117762,0.00009193202],"domain_scores_gemma":[0.9984913,0.00067084923,0.00011997717,0.00034382756,0.00026104503,0.00011303267],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013410451,0.0005847031,0.00069162785,0.0009973319,0.0015668888,0.00391721,0.0017112535,0.002342047,0.008624513],"category_scores_gemma":[0.00645538,0.00046363682,0.0012911119,0.0009092878,0.0041263015,0.0057875346,0.0030332922,0.0034419568,0.0018523919],"study_design_candidate":"simulation_or_modeling","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003823921,0.000014744624,0.00066848187,0.00013832489,0.000021992904,0.00017409479,0.00051681855,0.012814109,0.002192769,0.9462285,0.0071454565,0.03004656],"study_design_scores_gemma":[0.00001828891,0.00004673659,0.00086477085,0.00016259865,0.000032579268,0.00055372156,0.0002797219,0.09514508,0.0028633825,0.7509325,0.14902334,0.00007721856],"about_ca_topic_score_codex":0.0033154797,"about_ca_topic_score_gemma":0.0027735268,"teacher_disagreement_score":0.008624513,"about_ca_system_score_codex":0.0017224933,"about_ca_system_score_gemma":0.0009115735,"threshold_uncertainty_score":0.028851926},"labels":[],"label_agreement":null},{"id":"W142438518","doi":"","title":"Gohic Machinery in the Región Novels","year":2005,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.015127358058200615,"score_gpt":0.2327748933683964,"score_spread":0.2176475353101958,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W142438518","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14555465,0.0041049914,0.0006754394,0.0077597457,0.00029984393,0.000016917184,0.00011094692,0.000038474718,0.84143907],"genre_scores_gemma":[0.9519377,0.00088501855,0.00020994348,0.00062382006,0.00018605335,0.000013883239,0.00003796866,0.00008005758,0.046025492],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986975,0.000664862,0.00002457231,0.00015151728,0.00016143796,0.00030010552],"domain_scores_gemma":[0.9989801,0.00044802655,0.0001457566,0.00014735691,0.00012834315,0.00015031142],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012804345,0.0003055755,0.00039487233,0.0018576229,0.009908747,0.009545292,0.00075693754,0.0011945805,0.012892747],"category_scores_gemma":[0.0029386953,0.00015647455,0.00019507801,0.0024586935,0.015347121,0.0028182797,0.0035745555,0.0020373769,0.0007973094],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007081719,0.00001773835,0.0005946104,0.00006191989,0.0000057770285,0.00040636398,0.13797967,0.000063115025,0.00025675975,0.8440717,0.008211613,0.008259967],"study_design_scores_gemma":[0.000029876432,0.00002639761,0.0038753422,0.00029337785,0.000018447492,0.00040725945,0.20020881,0.00010472078,0.0005545332,0.06344962,0.73101395,0.00001767856],"about_ca_topic_score_codex":0.01599037,"about_ca_topic_score_gemma":0.028853105,"teacher_disagreement_score":0.01599037,"about_ca_system_score_codex":0.006094384,"about_ca_system_score_gemma":0.0024533232,"threshold_uncertainty_score":0.044218063},"labels":[],"label_agreement":null},{"id":"W147518070","doi":"","title":"The Deterritorialization of Knowledge in \"El zorro de ariiba y el zorro de abajo\"","year":2001,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Deterritorialization; Political science; Law","score_opus":0.013208937292167707,"score_gpt":0.24953885613001112,"score_spread":0.2363299188378434,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W147518070","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.71969223,0.0057526357,0.0010675184,0.028983781,0.00016224605,0.000035532943,0.00012406144,0.000014429672,0.24416755],"genre_scores_gemma":[0.9925148,0.00086001575,0.0001254881,0.00057015463,0.000032548716,0.000011393357,0.000020523461,0.0000057427083,0.0058593894],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9973742,0.0012399724,0.0000850331,0.00020533187,0.0004171123,0.0006783637],"domain_scores_gemma":[0.99214995,0.0040190984,0.0014508241,0.00061348686,0.0012790065,0.00048758794],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005207189,0.00022418817,0.00027539989,0.0024115338,0.0068041957,0.0062389467,0.0011493592,0.0017654024,0.005170968],"category_scores_gemma":[0.016037446,0.00018144007,0.00023799943,0.0025595082,0.01623204,0.0052231797,0.0061616525,0.002430632,0.00025886932],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014660956,0.00009694404,0.027781013,0.00020741468,0.000017924105,0.0005281418,0.5116384,0.00008886758,0.00036257258,0.40635163,0.006066392,0.046714094],"study_design_scores_gemma":[0.00004519979,0.000048479265,0.07352906,0.0007152142,0.000057495217,0.00047397928,0.69106025,0.00019813851,0.0008740556,0.046498988,0.18645912,0.00004001468],"about_ca_topic_score_codex":0.083063416,"about_ca_topic_score_gemma":0.107488886,"teacher_disagreement_score":0.083063416,"about_ca_system_score_codex":0.0069808406,"about_ca_system_score_gemma":0.009392412,"threshold_uncertainty_score":0.16515988},"labels":[],"label_agreement":null},{"id":"W1486681244","doi":"","title":"Living the Postcolonial; Thinking it Neo-colonial; Calling it Cultural Cooperation Between Spain and the Philippines","year":2015,"lang":"en","type":"article","venue":"Postcolonial text","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Exhibition; Archipelago; Promotion (chess); Colonialism; The Imaginary; Power (physics); Sociology; Political science; Gender studies; History; Politics; Law; Psychology; Art history; Archaeology","score_opus":0.04019284596167195,"score_gpt":0.2691253992806782,"score_spread":0.22893255331900625,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1486681244","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5546999,0.022755425,0.0012546999,0.042808127,0.0009241594,0.000032342396,0.00009656834,0.00007747225,0.37735134],"genre_scores_gemma":[0.9825033,0.0040159132,0.00017846179,0.0009253789,0.0002416394,0.00001589275,0.000015417112,0.000034831744,0.012069187],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9992187,0.00048204468,0.000015345624,0.00006728022,0.000103640916,0.000113003094],"domain_scores_gemma":[0.9980844,0.00081599865,0.00033138884,0.00012966139,0.0003319028,0.00030658863],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017612024,0.0004433129,0.00018281685,0.0008843965,0.0052701733,0.006458647,0.0007750143,0.00071976957,0.0034222486],"category_scores_gemma":[0.0028011734,0.000099650744,0.00007459527,0.0016941412,0.019269517,0.0023862624,0.0027871337,0.0021923024,0.000367338],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005308757,0.000060725695,0.0038105454,0.00030461373,0.000008642571,0.0025202457,0.7219972,0.00018341439,0.0007333106,0.21807282,0.020068552,0.032186914],"study_design_scores_gemma":[0.000011353844,0.000036023164,0.009305017,0.0005655011,0.000008548927,0.00040181936,0.39557016,0.0001242314,0.00056956016,0.006854311,0.5865323,0.000021088412],"about_ca_topic_score_codex":0.023965565,"about_ca_topic_score_gemma":0.027959906,"teacher_disagreement_score":0.023965565,"about_ca_system_score_codex":0.007935854,"about_ca_system_score_gemma":0.004577287,"threshold_uncertainty_score":0.05757892},"labels":[],"label_agreement":null},{"id":"W1503905117","doi":"","title":"Books between Europe and the Americas Connections and Communities, 1620-1860","year":2011,"lang":"en","type":"book","venue":"Palgrave Macmillan eBooks","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":23,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History; Latin Americans; Civility; Colonialism; Power (physics); Atlantic World; Classics; Humanities; Art; Ancient history; Archaeology; Political science; Law; Politics","score_opus":0.0382341499432763,"score_gpt":0.2270674303487822,"score_spread":0.1888332804055059,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1503905117","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004916949,0.16175178,0.00024188356,0.0067052473,0.0044076447,0.000025961643,0.00070655375,0.000056223922,0.82118785],"genre_scores_gemma":[0.10985758,0.06750419,0.0005292195,0.0021501728,0.0027907183,0.000076206765,0.0006980303,0.00013102287,0.8162628],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995901,0.00008324071,0.00002014623,0.000090952264,0.00013619271,0.00007935472],"domain_scores_gemma":[0.9997043,0.000068052745,0.000028471952,0.000017440345,0.00009691701,0.000084818945],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00035604363,0.00074052013,0.0003286388,0.0028919287,0.0033136478,0.004581689,0.00046373004,0.0008462359,0.03596256],"category_scores_gemma":[0.0013737025,0.0002311983,0.00015368719,0.006599049,0.002888775,0.0029239934,0.0016380355,0.0014513666,0.0046730693],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000045691824,0.000042989082,0.0011198305,0.00026218648,0.000006695584,0.00017303418,0.018657679,0.00013476519,0.00015883081,0.3176317,0.5687612,0.09300548],"study_design_scores_gemma":[0.000002294733,0.000002667225,0.0010672436,0.00019751165,9.43901e-7,0.000023765282,0.0014994022,0.000005719289,0.000010976308,0.0034390304,0.993749,0.0000014259591],"about_ca_topic_score_codex":0.024182927,"about_ca_topic_score_gemma":0.039458267,"teacher_disagreement_score":0.03596256,"about_ca_system_score_codex":0.004921095,"about_ca_system_score_gemma":0.003984612,"threshold_uncertainty_score":0.12030673},"labels":[],"label_agreement":null},{"id":"W1523215914","doi":"","title":"Las máscaras de la decadencia. Vila, María del Pilar, Rosario, Beatriz Viterbo Editora, 2006, 250 páginas.","year":2006,"lang":"es","type":"article","venue":"Dialnet (Universidad de la Rioja)","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Humanities; Art","score_opus":0.00443721240383226,"score_gpt":0.21517281000181743,"score_spread":0.21073559759798516,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1523215914","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0004755871,0.90760094,0.00018367518,0.04056159,0.027600752,0.000006085866,0.00016050223,0.000037994825,0.02337296],"genre_scores_gemma":[0.02576827,0.79969245,0.0006687981,0.011935494,0.03963042,0.00003960633,0.00034692488,0.00019659253,0.121721566],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99939585,0.00022830298,0.00003821826,0.000095384006,0.00016605372,0.00007609275],"domain_scores_gemma":[0.9991264,0.000333668,0.00008343857,0.000043162498,0.00032210414,0.00009125292],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012918427,0.001686729,0.000885113,0.0023345496,0.0027883241,0.008025037,0.0011487484,0.0025921983,0.014202616],"category_scores_gemma":[0.0021586174,0.0005880309,0.00046146134,0.0035921426,0.003035821,0.0039925133,0.0018309487,0.0034657249,0.0054683383],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000045709858,0.000012347612,0.00038928093,0.0010000733,0.000016865182,0.00018505697,0.003743505,0.00005687284,0.00010597366,0.0261435,0.8885062,0.079794735],"study_design_scores_gemma":[0.000004626991,0.0000026166347,0.00054502493,0.000670907,0.000005778386,0.000082941806,0.0012994187,0.000012146505,0.000039198596,0.0014165698,0.99591714,0.0000035967407],"about_ca_topic_score_codex":0.022745654,"about_ca_topic_score_gemma":0.06289644,"teacher_disagreement_score":0.022745654,"about_ca_system_score_codex":0.0036123677,"about_ca_system_score_gemma":0.00394388,"threshold_uncertainty_score":0.04751253},"labels":[],"label_agreement":null},{"id":"W1526311238","doi":"","title":"Translations and Translators of English-language Literature in Catalan Literary Publications and Series between 1868 and 1910","year":2012,"lang":"en","type":"article","venue":"","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Catalan; TRACE (psycholinguistics); Quarter (Canadian coin); Period (music); Linguistics; History; Series (stratigraphy); Catalan number; Literature; Mathematics; Art; Philosophy; Archaeology","score_opus":0.012562831051858297,"score_gpt":0.21979524110436657,"score_spread":0.20723241005250828,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1526311238","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8384089,0.026098672,0.00034593185,0.002648243,0.0011708428,0.0000743387,0.0024777064,0.00007470842,0.12870066],"genre_scores_gemma":[0.94204086,0.010630508,0.00074769894,0.0002911022,0.00051941536,0.00007547214,0.0017698818,0.00015010043,0.043774948],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.9956228,0.0017860935,0.00040817875,0.00060128997,0.0010390334,0.00054269197],"domain_scores_gemma":[0.9876512,0.0036994661,0.001862524,0.0009648751,0.005022426,0.0007995363],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0061132885,0.00041790196,0.00036147752,0.005393838,0.0017831849,0.002913509,0.00063276076,0.0003727368,0.0056324466],"category_scores_gemma":[0.013784359,0.00020502802,0.0001403995,0.007651313,0.002171401,0.000976589,0.0015777766,0.0006249258,0.002287566],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0009022793,0.00010375197,0.07706919,0.0023644846,0.000057093825,0.0042116498,0.5748897,0.00035989005,0.005659336,0.023053834,0.059475236,0.2518536],"study_design_scores_gemma":[0.00004637455,0.00010631491,0.3486997,0.0013613955,0.000035291774,0.000994713,0.10848145,0.00013637182,0.0015441881,0.00078929006,0.5377512,0.00005380486],"about_ca_topic_score_codex":0.020583598,"about_ca_topic_score_gemma":0.026576616,"teacher_disagreement_score":0.020583598,"about_ca_system_score_codex":0.0056444933,"about_ca_system_score_gemma":0.0028543836,"threshold_uncertainty_score":0.040953934},"labels":[],"label_agreement":null},{"id":"W154774702","doi":"","title":"Capitán Alfredo Miranda Labrador. Semblanza de un héroe de Krasny-Bor","year":2006,"lang":"es","type":"article","venue":"Revista española de historia militar","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Geography","score_opus":0.0051924600257339595,"score_gpt":0.2034478932735509,"score_spread":0.19825543324781694,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W154774702","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0033398469,0.39791995,0.0005098545,0.44298777,0.077062234,0.000020817752,0.00046636266,0.00014368811,0.0775494],"genre_scores_gemma":[0.09502792,0.2037365,0.0011887229,0.15542692,0.041951966,0.0000964225,0.0005444389,0.00085005735,0.501177],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991474,0.0003478906,0.000036478705,0.0001243766,0.00020838558,0.0001354215],"domain_scores_gemma":[0.99840873,0.0005854925,0.00013849691,0.000076848046,0.0005847376,0.00020564055],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017088677,0.00088997866,0.00059772376,0.0016465756,0.0033189685,0.003975958,0.0008585386,0.0036948868,0.02010589],"category_scores_gemma":[0.004763462,0.00029445783,0.00032409397,0.001674617,0.0019606927,0.0032050645,0.0023041198,0.0045628943,0.005639162],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007513694,0.000014520258,0.0002579936,0.00022664541,0.000007906154,0.00010883841,0.0023568238,0.00002534021,0.00006878986,0.028607404,0.9349072,0.033343446],"study_design_scores_gemma":[0.0000071816153,0.000004263692,0.0004713971,0.00024559107,0.0000053851204,0.00007833134,0.0011992955,0.000011857319,0.000078106736,0.0020618555,0.9958311,0.000005590856],"about_ca_topic_score_codex":0.022284614,"about_ca_topic_score_gemma":0.04149264,"teacher_disagreement_score":0.022284614,"about_ca_system_score_codex":0.0033498837,"about_ca_system_score_gemma":0.002039572,"threshold_uncertainty_score":0.06726092},"labels":[],"label_agreement":null},{"id":"W1553323140","doi":"","title":"A CRITICAL ANALYSIS OF SAMUEL MORENO AND ENRIQUE PEÑALOSA'S ADVERTISING CAMPAIGNS: AN APPROACH TOWARDS THEIR DISCOURSE STRATEGIES","year":2014,"lang":"en","type":"article","venue":"Lingüística y Literatura","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Critical discourse analysis; Advertising; Discourse analysis; Political science; Sociology; Business; Linguistics; Law; Philosophy; Ideology; Politics","score_opus":0.01567562954735937,"score_gpt":0.2725487017809194,"score_spread":0.25687307223356004,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1553323140","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.385485,0.010373989,0.007245305,0.10800643,0.0029799568,0.00063804945,0.00055825326,0.00012804374,0.484585],"genre_scores_gemma":[0.94429797,0.0022168409,0.001638991,0.00583905,0.0008595187,0.00034706105,0.0001386021,0.00024706946,0.04441493],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.98957574,0.007162079,0.00022823717,0.00058458524,0.001421668,0.001027645],"domain_scores_gemma":[0.9544521,0.03697138,0.0015269469,0.0007059127,0.0053517134,0.0009919127],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.011584316,0.0009793624,0.00051629246,0.008507715,0.017783081,0.01784175,0.00189668,0.0049195453,0.0057131075],"category_scores_gemma":[0.026184479,0.0005342621,0.0002931732,0.0053888676,0.016915128,0.007995351,0.0046427734,0.005468087,0.00064011256],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034792756,0.000030113491,0.00063170184,0.00014789833,0.000003882017,0.0006171311,0.8354696,0.000019331761,0.0005168312,0.14443454,0.010701732,0.0073924563],"study_design_scores_gemma":[0.000010367189,0.00001536485,0.0017719604,0.0005764859,0.000012789445,0.00018606307,0.68820316,0.00011112654,0.001199113,0.0078075603,0.30008677,0.000019245814],"about_ca_topic_score_codex":0.02570334,"about_ca_topic_score_gemma":0.026379244,"teacher_disagreement_score":0.02570334,"about_ca_system_score_codex":0.01954984,"about_ca_system_score_gemma":0.012240289,"threshold_uncertainty_score":0.14184469},"labels":[],"label_agreement":null},{"id":"W1555593680","doi":"","title":"El tercer cuerpo: estructuras en la construcción del sujeto masculino en las películas narrativas gays","year":2006,"lang":"es","type":"article","venue":"Archivos de la filmoteca: Revista de estudios históricos sobre la imagen","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Narrative; Movie theater; Representation (politics); Subject (documents); Art; Gaze; Subjectivity; Humanities; Literature; Psychoanalysis; Psychology; Philosophy; Politics; Political science","score_opus":0.004365652045580172,"score_gpt":0.22765936560527952,"score_spread":0.22329371355969935,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1555593680","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5761225,0.027943358,0.0037294053,0.013444931,0.0010284425,0.00005619656,0.000101126905,0.000085922664,0.3774881],"genre_scores_gemma":[0.97974056,0.0040100515,0.0003160373,0.00039734432,0.00019810126,0.00001730757,0.000021819598,0.000041824384,0.015256894],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99902856,0.0005925452,0.00001940295,0.00009348013,0.00012624687,0.00013980841],"domain_scores_gemma":[0.99917525,0.000454015,0.00010488956,0.00005532491,0.00010883253,0.00010155952],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016146346,0.0007657629,0.00036322215,0.0015241811,0.008768277,0.007854354,0.00066998194,0.0016584378,0.0026461885],"category_scores_gemma":[0.0030529406,0.00026053892,0.00023020033,0.0013950212,0.0153250005,0.0029206949,0.0036058242,0.0031082814,0.0003022576],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000057539426,0.000022163651,0.0012906343,0.000112764195,0.000004751718,0.0011692386,0.91515505,0.00005494169,0.0005165881,0.07125571,0.002735824,0.007624811],"study_design_scores_gemma":[0.000014348592,0.000046371788,0.0027531711,0.00052071415,0.00001974509,0.00092533225,0.6985825,0.00011320635,0.00081102725,0.004802944,0.2913928,0.000017995639],"about_ca_topic_score_codex":0.0230548,"about_ca_topic_score_gemma":0.031068388,"teacher_disagreement_score":0.0230548,"about_ca_system_score_codex":0.004166913,"about_ca_system_score_gemma":0.0018327938,"threshold_uncertainty_score":0.045841217},"labels":[],"label_agreement":null},{"id":"W157007779","doi":"","title":"Entrevista a Tamara Rojo","year":2006,"lang":"es","type":"article","venue":"Temas para el debate","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ballet; Art; Humanities; Dance; Visual arts","score_opus":0.014413000759619803,"score_gpt":0.2451896447218908,"score_spread":0.23077664396227102,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W157007779","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02411624,0.12389119,0.0027088723,0.53141505,0.019081637,0.000044347384,0.00034636597,0.0001410306,0.29825523],"genre_scores_gemma":[0.31255713,0.071970865,0.0020879807,0.11239383,0.007895384,0.00007740732,0.00022933075,0.0005224309,0.49226564],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983972,0.00060453336,0.00002601778,0.0003110138,0.00040007124,0.00026121965],"domain_scores_gemma":[0.9972338,0.00084714993,0.00018910313,0.00012997078,0.0010643094,0.0005356596],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0027561947,0.000565026,0.00034949288,0.0013642529,0.008508833,0.0064146435,0.0013064712,0.0023085217,0.01868299],"category_scores_gemma":[0.00558838,0.00026510895,0.0002926867,0.0015681754,0.007331504,0.0038526796,0.0030708893,0.004502798,0.0021421001],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000064756445,0.00004805989,0.0021596758,0.00025074917,0.00002296077,0.00045469872,0.048551228,0.00010290931,0.00053579285,0.29852283,0.5839245,0.06536184],"study_design_scores_gemma":[0.000005111735,0.000006446481,0.0013627517,0.00014667898,0.000006195885,0.000055300323,0.006017745,0.000022845892,0.00012600077,0.0031238396,0.98911697,0.000010235405],"about_ca_topic_score_codex":0.3994041,"about_ca_topic_score_gemma":0.6057943,"teacher_disagreement_score":0.3994041,"about_ca_system_score_codex":0.020740038,"about_ca_system_score_gemma":0.019564092,"threshold_uncertainty_score":0.79415864},"labels":[],"label_agreement":null},{"id":"W157076464","doi":"","title":"La popularidad de la \"Dama boba\" y su recepción americana en el siglo XX","year":2000,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.007227165109749524,"score_gpt":0.24210829986184693,"score_spread":0.2348811347520974,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W157076464","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.72423446,0.024527255,0.0003189162,0.028435998,0.0015214125,0.000021553364,0.0006674091,0.000037096746,0.22023594],"genre_scores_gemma":[0.8760639,0.023281103,0.00021963914,0.0021702873,0.0007753689,0.00003493452,0.00026715363,0.00005336101,0.09713437],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99957126,0.00012470971,0.000012277832,0.000043992095,0.00012268698,0.00012499979],"domain_scores_gemma":[0.99885046,0.0003737166,0.00021660661,0.00005390572,0.0003486606,0.00015664609],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001388136,0.00022693472,0.00020129915,0.0012539368,0.0032143386,0.0036905904,0.00038405752,0.0008296184,0.0088585885],"category_scores_gemma":[0.0027907211,0.00014243294,0.00012852825,0.003082773,0.0023960434,0.00173472,0.0016849483,0.0020838531,0.00089804543],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00063092966,0.00033309814,0.07548211,0.00086703745,0.00003334935,0.0011796579,0.34916183,0.00013132853,0.002717994,0.23980056,0.104239374,0.22542274],"study_design_scores_gemma":[0.000017470304,0.00004057511,0.091210224,0.0005246775,0.000020987829,0.00021371948,0.15365587,0.00004585886,0.0006611578,0.001813614,0.75177884,0.000017008606],"about_ca_topic_score_codex":0.08920711,"about_ca_topic_score_gemma":0.13223672,"teacher_disagreement_score":0.08920711,"about_ca_system_score_codex":0.003287994,"about_ca_system_score_gemma":0.0031463755,"threshold_uncertainty_score":0.17737573},"labels":[],"label_agreement":null},{"id":"W1587865100","doi":"","title":"El Ejido, Feria y Fiestas de San Isidro Labrador","year":2011,"lang":"es","type":"article","venue":"","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Geography","score_opus":0.028581438847763666,"score_gpt":0.2378201758089542,"score_spread":0.20923873696119055,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1587865100","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.069194786,0.33778316,0.0014124908,0.22772388,0.01776341,0.000060820126,0.0009259419,0.00021999846,0.34491557],"genre_scores_gemma":[0.5305508,0.166381,0.0016315785,0.030258985,0.010252623,0.00013135001,0.0007708796,0.000354457,0.25966835],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99916184,0.00035462668,0.000022887129,0.00012460205,0.00015996734,0.0001760596],"domain_scores_gemma":[0.9984629,0.000576143,0.00011845363,0.00009964024,0.0005899026,0.00015305069],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002326651,0.00087774714,0.00069551903,0.0021867142,0.004411753,0.0065435693,0.00083189947,0.0027410747,0.01266635],"category_scores_gemma":[0.005790035,0.0002350883,0.00046859242,0.0016042152,0.0025278775,0.0035072379,0.0025161754,0.0027781245,0.0017734339],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00056331104,0.00024431213,0.0048812246,0.001252483,0.000073547315,0.0016656095,0.043248966,0.0002574686,0.0008315961,0.24406914,0.5725638,0.1303485],"study_design_scores_gemma":[0.000056512406,0.000023179378,0.005343499,0.0010845582,0.00004420448,0.0003145715,0.022153031,0.00008707688,0.00030919988,0.010915463,0.9596452,0.000023543054],"about_ca_topic_score_codex":0.04776601,"about_ca_topic_score_gemma":0.06514125,"teacher_disagreement_score":0.04776601,"about_ca_system_score_codex":0.0050740107,"about_ca_system_score_gemma":0.0041699274,"threshold_uncertainty_score":0.09497595},"labels":[],"label_agreement":null},{"id":"W161034911","doi":"","title":"A Woman's Place: the Home, the Brothel and the Department Store in Argentine Golden Age Cinema","year":2012,"lang":"en","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Movie theater; Art; Advertising; History; Media studies; Art history; Sociology; Business","score_opus":0.013169327893445666,"score_gpt":0.21340144691972132,"score_spread":0.20023211902627566,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W161034911","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.86257863,0.007109344,0.00023651187,0.013595406,0.0005568304,0.000030336812,0.00008880944,0.000010855677,0.11579332],"genre_scores_gemma":[0.9869986,0.0019363066,0.00006258302,0.00080624403,0.00011928135,0.000013468422,0.00002188598,0.000023812127,0.010017802],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9988121,0.0006857206,0.000017849414,0.00006614801,0.00008249732,0.00033569837],"domain_scores_gemma":[0.9987423,0.0004978921,0.00016431381,0.000039747374,0.00012275134,0.0004330269],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015161963,0.0005397605,0.00037799266,0.0013927507,0.018448617,0.009520115,0.0011960657,0.0019365961,0.0087362],"category_scores_gemma":[0.0026065253,0.00030085776,0.00015839392,0.001733868,0.008747666,0.004525763,0.0043469346,0.0031604702,0.00034981573],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029722381,0.00005502575,0.0032337424,0.00006722084,0.000003037117,0.00072229456,0.9757918,0.0000063009857,0.000115837676,0.010693968,0.004106528,0.0051746024],"study_design_scores_gemma":[0.0000012734622,0.0000053443905,0.0026366052,0.00008652052,0.0000038973776,0.00009429821,0.9792381,0.000005741847,0.000027400369,0.00015011264,0.017748017,0.000002653716],"about_ca_topic_score_codex":0.08957952,"about_ca_topic_score_gemma":0.20911103,"teacher_disagreement_score":0.08957952,"about_ca_system_score_codex":0.006418209,"about_ca_system_score_gemma":0.003913067,"threshold_uncertainty_score":0.1781162},"labels":[],"label_agreement":null},{"id":"W1641838171","doi":"","title":"Los tipos sociales en las novelas de Azorín. El ‘alma nacional’ de los pueblos abúlicos","year":2013,"lang":"es","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Soul; Semantics (computer science); Topos theory; Space (punctuation); Social space; Humanities; Sociology; Art; Linguistics; Philosophy; Literature; Theology","score_opus":0.17919506111619235,"score_gpt":0.49925420601157866,"score_spread":0.32005914489538634,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1641838171","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3439459,0.012190975,0.004344703,0.020844271,0.0018749725,0.00009074719,0.00038432417,0.000069056245,0.616255],"genre_scores_gemma":[0.9215227,0.0016540395,0.0010338416,0.0011254345,0.00014887,0.000042387586,0.00010791417,0.000040957253,0.07432393],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990132,0.00043943786,0.000038359445,0.00016662614,0.00016767568,0.00017467384],"domain_scores_gemma":[0.9996308,0.000116598356,0.0000862746,0.000034709377,0.00006856772,0.00006306576],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009153756,0.00059266726,0.000388384,0.00048350327,0.0070585366,0.0052510593,0.00048506755,0.002235165,0.0062752734],"category_scores_gemma":[0.0011746874,0.00021446466,0.00026487323,0.0006400232,0.010296354,0.003553434,0.0033041555,0.0021280614,0.00068869826],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00040033378,0.00006408297,0.00490949,0.0004728191,0.000031125546,0.002964471,0.26810956,0.00037905222,0.0042965855,0.6671168,0.022254769,0.029000815],"study_design_scores_gemma":[0.00003800515,0.000067408764,0.010357689,0.0003536466,0.000029654666,0.0019267348,0.116504624,0.00030479877,0.0013487636,0.028977638,0.8400414,0.000049735827],"about_ca_topic_score_codex":0.012679346,"about_ca_topic_score_gemma":0.02491925,"teacher_disagreement_score":0.012679346,"about_ca_system_score_codex":0.006385494,"about_ca_system_score_gemma":0.0015172722,"threshold_uncertainty_score":0.046330214},"labels":[],"label_agreement":null},{"id":"W1651563570","doi":"","title":"EXPERTOS DE CANADÁ Y MÉXICO DIALOGAN SOBRE EL ARTE ACTUAL","year":2010,"lang":"es","type":"article","venue":"Gaceta UNAM (2010-2015)","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Political science","score_opus":0.014269166617113112,"score_gpt":0.24753600064124595,"score_spread":0.23326683402413284,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1651563570","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20688972,0.033612613,0.0034634683,0.29320592,0.003157776,0.00008312882,0.0012384723,0.00017630322,0.45817262],"genre_scores_gemma":[0.7240305,0.02348377,0.0022365656,0.023313116,0.00042234673,0.000071845,0.0004505201,0.0001412615,0.22585008],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99833316,0.000334641,0.00004549462,0.00018571143,0.00047693003,0.00062419474],"domain_scores_gemma":[0.99591786,0.0013886673,0.00019549897,0.00012082849,0.00181025,0.0005668967],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0028534892,0.00048964075,0.00036270832,0.0022069719,0.016535409,0.0064948597,0.0009229062,0.0030967307,0.014013348],"category_scores_gemma":[0.0062646726,0.00020452622,0.00033864935,0.0030664457,0.005702345,0.0027889842,0.0029480653,0.0034382038,0.00056652486],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014936819,0.00005414612,0.022634374,0.0005219678,0.000047981142,0.0024483923,0.25704616,0.00040619663,0.0018991566,0.15683262,0.43292663,0.12503302],"study_design_scores_gemma":[0.0000048878514,0.000007941125,0.011231103,0.00054316636,0.000027515793,0.00015079963,0.13518406,0.00007376844,0.00037902928,0.0018956995,0.8504717,0.000030342893],"about_ca_topic_score_codex":0.9061697,"about_ca_topic_score_gemma":0.9748029,"teacher_disagreement_score":0.09383029,"about_ca_system_score_codex":0.036274493,"about_ca_system_score_gemma":0.05071565,"threshold_uncertainty_score":0.2631911},"labels":[],"label_agreement":null},{"id":"W16552233","doi":"10.1097/01.cco.0000219250.15041.f8","title":"Panchiku, un baserritarra de comienzos del siglo XX. Un acercamiento hacia la cosmovisión y la vida cotidiana del labrador guipuzcoano","year":2011,"lang":"en","type":"article","venue":"Sancho el sabio: Revista de cultura e investigación vasca","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.022442585989671894,"score_gpt":0.22718396431853705,"score_spread":0.20474137832886516,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W16552233","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11516437,0.38984004,0.0037946869,0.119425885,0.02074541,0.00018815417,0.0012701255,0.0004950522,0.3490763],"genre_scores_gemma":[0.37930104,0.21963038,0.009860106,0.015637876,0.007256996,0.0002315456,0.0010079074,0.0003635271,0.3667107],"study_design_codex":"design_other","study_design_gemma":"qualitative","domain_scores_codex":[0.9993901,0.00016019873,0.000035508354,0.00012180978,0.00017709043,0.000115298266],"domain_scores_gemma":[0.99934644,0.00018611085,0.000093965165,0.00009162736,0.00014637403,0.00013535887],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010443043,0.0006079809,0.00037111097,0.0011787304,0.0023783273,0.002742402,0.00064437924,0.0012257152,0.01412841],"category_scores_gemma":[0.0018267375,0.00021870283,0.000349937,0.0012701307,0.001965503,0.0018680753,0.0027856592,0.0026753244,0.0024284523],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00065542164,0.00013939616,0.008652944,0.0021819468,0.000057815774,0.0030111077,0.012609757,0.0001806775,0.008665521,0.12204437,0.11356404,0.72823703],"study_design_scores_gemma":[0.000022651011,0.000065282984,0.007866499,0.00042258154,0.000021991327,0.0009957472,0.0022102967,0.00003169002,0.0012044514,0.0045652865,0.9825781,0.00001550323],"about_ca_topic_score_codex":0.00796969,"about_ca_topic_score_gemma":0.013111402,"teacher_disagreement_score":0.01412841,"about_ca_system_score_codex":0.0022089784,"about_ca_system_score_gemma":0.0028108894,"threshold_uncertainty_score":0.047264278},"labels":[],"label_agreement":null},{"id":"W165857266","doi":"10.24310/trans.2004.v0i8.2961","title":"Las tribulaciones de la Carmañola (y de la Marsellesa) en América Latina","year":2017,"lang":"es","type":"article","venue":"TRANS Revista de Traductología","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.013259013889729308,"score_gpt":0.28817181324272684,"score_spread":0.2749127993529975,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W165857266","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.55863756,0.023366984,0.0016576597,0.00826419,0.00040584494,0.00006179444,0.00038005752,0.000088072695,0.4071378],"genre_scores_gemma":[0.9546448,0.0025008684,0.0004708363,0.0003106979,0.000048533984,0.000029322639,0.000074172305,0.000025811354,0.04189505],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99968874,0.00012312549,0.00000848082,0.000049851584,0.000041135187,0.0000886821],"domain_scores_gemma":[0.99977535,0.000089826084,0.000046531033,0.000017976594,0.000049259463,0.000021136868],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000591032,0.00027130693,0.00018507852,0.0008730636,0.004229233,0.002399682,0.000331009,0.00053260534,0.009230112],"category_scores_gemma":[0.0009264912,0.00011351481,0.00012940618,0.0012079898,0.0032759646,0.0009600843,0.0012310493,0.0008282737,0.00044089384],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00038915037,0.000039648767,0.03533941,0.00075244915,0.000034257824,0.0017530657,0.3415201,0.00035100325,0.007097818,0.44441465,0.016453866,0.15185463],"study_design_scores_gemma":[0.000023015435,0.00004798041,0.06006735,0.0005456535,0.000022313134,0.00035976298,0.08740225,0.00012589036,0.00065423374,0.0045233206,0.8461963,0.000031912437],"about_ca_topic_score_codex":0.11607288,"about_ca_topic_score_gemma":0.2714134,"teacher_disagreement_score":0.11607288,"about_ca_system_score_codex":0.0044768727,"about_ca_system_score_gemma":0.0018216226,"threshold_uncertainty_score":0.23079455},"labels":[],"label_agreement":null},{"id":"W1700754033","doi":"","title":"Notions of Man and Manhood in Seventeenth-century Iberia: the Nobleman of \"La margarita del Tajo que dio nombre a Santaren\" of Ángela de Avezedo","year":2013,"lang":"es","type":"article","venue":"Moenia: Revista lucense de lingüistica & literatura","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Criticism; Decadence; Masculinity; Gender studies; Elite; Representation (politics); Sociology; History; Politics; Literature; Political science; Art; Law","score_opus":0.00514425836646303,"score_gpt":0.20991549236259296,"score_spread":0.20477123399612993,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1700754033","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.40698174,0.18566464,0.0012177333,0.011845252,0.0009078002,0.000016469188,0.000048194488,0.000016679794,0.3933015],"genre_scores_gemma":[0.9705451,0.013645505,0.00026679947,0.0007176364,0.00021820836,0.000007326137,0.000017916023,0.000008409926,0.014573039],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9995871,0.00020834888,0.000014083233,0.000052592713,0.000050393704,0.00008752559],"domain_scores_gemma":[0.9998903,0.00004579573,0.000027271992,0.0000075106414,0.000012418776,0.000016617352],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014287573,0.0004641668,0.00035130075,0.0010081158,0.004169916,0.0042282334,0.0004990056,0.0011906561,0.0012959334],"category_scores_gemma":[0.0005604655,0.00015630038,0.0001375599,0.0009128276,0.014035602,0.001421288,0.002163101,0.0018068358,0.00015095554],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022604075,0.00005144943,0.0039443453,0.0002921697,0.000018950377,0.0009351334,0.27207556,0.0003261795,0.0009496471,0.6827784,0.0031402635,0.03526189],"study_design_scores_gemma":[0.000042125466,0.00010439495,0.03326092,0.0019387781,0.000034011366,0.0010677323,0.20135945,0.00023302119,0.0011351738,0.0393719,0.7214105,0.000042003354],"about_ca_topic_score_codex":0.026669752,"about_ca_topic_score_gemma":0.031405326,"teacher_disagreement_score":0.026669752,"about_ca_system_score_codex":0.0066352617,"about_ca_system_score_gemma":0.001495268,"threshold_uncertainty_score":0.053029},"labels":[],"label_agreement":null},{"id":"W170528323","doi":"","title":"Las biografías de escritores de Ramón Gómez de la Serna y su poética encubierta: \"Los contemporáneos\"","year":2005,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.010308134460618944,"score_gpt":0.23898701963049082,"score_spread":0.22867888516987186,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W170528323","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.48436707,0.05107793,0.0008395415,0.042312887,0.0022149768,0.000037053505,0.00026983867,0.000057386525,0.4188234],"genre_scores_gemma":[0.8883467,0.019411879,0.00034395957,0.002640312,0.0007688937,0.000029952704,0.0001389293,0.000079249265,0.08824006],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9994698,0.00025850747,0.000013226326,0.00006929412,0.00007991335,0.0001091732],"domain_scores_gemma":[0.9991035,0.00032964043,0.0001527543,0.0000975,0.00020502848,0.000111532354],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001712789,0.0004237787,0.00032573353,0.002087565,0.005610451,0.0040490483,0.0007455677,0.0014572678,0.009243282],"category_scores_gemma":[0.0036559086,0.0001500028,0.00016443049,0.002526405,0.0054551,0.0026759238,0.0030965703,0.0021559198,0.0007366187],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022176275,0.00009357699,0.011702374,0.00039624525,0.000017763003,0.001308605,0.5448127,0.000076667224,0.0008891862,0.31142905,0.043324918,0.08572719],"study_design_scores_gemma":[0.000017383298,0.00003562273,0.014858803,0.000837397,0.000025515024,0.00054412463,0.27505884,0.00004154433,0.0005438009,0.006094903,0.7019241,0.000017932933],"about_ca_topic_score_codex":0.04719088,"about_ca_topic_score_gemma":0.08911548,"teacher_disagreement_score":0.04719088,"about_ca_system_score_codex":0.0029174085,"about_ca_system_score_gemma":0.003384589,"threshold_uncertainty_score":0.09383237},"labels":[],"label_agreement":null},{"id":"W172912578","doi":"10.38178/cep.vi100.600","title":"Un capítulo del Quijote: II, 13, o el saber de la tierra","year":2005,"lang":"es","type":"article","venue":"Estudios Públicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Medicine","score_opus":0.008594005490801224,"score_gpt":0.24383952897096073,"score_spread":0.2352455234801595,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W172912578","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11101098,0.08423022,0.007982163,0.1533594,0.015316279,0.00014423425,0.00026904137,0.00015290573,0.6275348],"genre_scores_gemma":[0.6729381,0.028827056,0.0024457558,0.016043058,0.0044903243,0.00017484471,0.00017993167,0.00029166293,0.27460924],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99774206,0.0009840054,0.000075469674,0.0002618631,0.0004860387,0.00045061088],"domain_scores_gemma":[0.9970112,0.0011528195,0.00030011294,0.00030649884,0.00080801686,0.00042141587],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0034134488,0.00046595375,0.00047885513,0.0020451867,0.0075432635,0.015353328,0.00091950246,0.0019528908,0.010553078],"category_scores_gemma":[0.006527986,0.00026762465,0.0003772468,0.002267018,0.012601058,0.005433103,0.0040925294,0.0028540252,0.0011344283],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012401376,0.00006667512,0.006579949,0.00061878987,0.000015546379,0.0005897837,0.15082724,0.00016891383,0.0011139896,0.61355454,0.12605686,0.1002836],"study_design_scores_gemma":[0.000006220008,0.000034690238,0.0068016415,0.00092327537,0.00000973017,0.0002992137,0.08071559,0.00010990039,0.00042741623,0.020232564,0.89041674,0.000022977792],"about_ca_topic_score_codex":0.023244334,"about_ca_topic_score_gemma":0.046150334,"teacher_disagreement_score":0.023244334,"about_ca_system_score_codex":0.008492934,"about_ca_system_score_gemma":0.008451319,"threshold_uncertainty_score":0.06162083},"labels":[],"label_agreement":null},{"id":"W175405748","doi":"","title":"Interarte vanguardista y algunas cuestiones teórico-críticas a considerar","year":2003,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Philosophy","score_opus":0.014121901690899379,"score_gpt":0.23884684442427692,"score_spread":0.22472494273337754,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W175405748","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.092463486,0.06830726,0.0061890255,0.41004926,0.012749624,0.000053059448,0.00024780902,0.00016392858,0.40977654],"genre_scores_gemma":[0.81143934,0.0313265,0.0021315273,0.029555086,0.003146836,0.00010412528,0.00022614712,0.00041798517,0.121652536],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9963207,0.002027265,0.0001026791,0.0003592925,0.0006984336,0.00049152144],"domain_scores_gemma":[0.9944886,0.0026249927,0.00036786616,0.0005909053,0.0015294896,0.00039819616],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0063234875,0.00066952116,0.0005693652,0.0020069336,0.008012111,0.011011794,0.0017011103,0.0036003941,0.008124055],"category_scores_gemma":[0.016572773,0.00028678245,0.0004179456,0.0036036065,0.013952082,0.006525024,0.0050318404,0.0077489857,0.0011910989],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006982659,0.000040896623,0.0024269936,0.0002482118,0.000017918934,0.00032293398,0.08604128,0.000074323005,0.00027087517,0.81812644,0.061769433,0.030590937],"study_design_scores_gemma":[0.000018209807,0.000011629696,0.0015741275,0.0008382953,0.00002441778,0.00020145459,0.0921808,0.00008996273,0.0004319273,0.031613193,0.8730022,0.000013816467],"about_ca_topic_score_codex":0.061885763,"about_ca_topic_score_gemma":0.08221757,"teacher_disagreement_score":0.061885763,"about_ca_system_score_codex":0.00822709,"about_ca_system_score_gemma":0.01123702,"threshold_uncertainty_score":0.12305111},"labels":[],"label_agreement":null},{"id":"W175432870","doi":"","title":"Mezquinas preocupaciones coloniales: race, gender, affect, and the anticolonial intellectual in Alejandro Tapia y Rivera's \"La cuarterona\"","year":2012,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Race (biology); Humanities; Art; Political science; Gender studies; Sociology","score_opus":0.015237994183957953,"score_gpt":0.24098061595147774,"score_spread":0.22574262176751977,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W175432870","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8826844,0.0038034099,0.000105986066,0.010250792,0.00021262052,0.000009869594,0.000027675607,0.0000039654497,0.102901205],"genre_scores_gemma":[0.98888385,0.001079362,0.000030649964,0.0005092325,0.000044168835,0.000005468605,0.000008168053,0.0000051432203,0.009433871],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99951124,0.00021924863,0.000014095922,0.00004189005,0.000054024164,0.00015959899],"domain_scores_gemma":[0.9989303,0.00045078155,0.00022264212,0.000051686005,0.00014626286,0.00019832855],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010768515,0.00021190636,0.00018871557,0.000552624,0.0060571176,0.0035190617,0.00038955186,0.0005505557,0.0029137183],"category_scores_gemma":[0.0032896302,0.00008683543,0.00008743427,0.0007775053,0.007631304,0.0015916751,0.002614859,0.0019241944,0.00013701165],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012783702,0.0001443204,0.034672625,0.00007696141,0.000010562518,0.000903423,0.8122625,0.0000312569,0.00040251625,0.108135484,0.00800994,0.035222705],"study_design_scores_gemma":[0.00002232755,0.000047296955,0.074104056,0.00029491077,0.000027587042,0.00043155663,0.755518,0.00004355937,0.0005703016,0.004771208,0.16415268,0.000016566652],"about_ca_topic_score_codex":0.082746446,"about_ca_topic_score_gemma":0.17721403,"teacher_disagreement_score":0.082746446,"about_ca_system_score_codex":0.0030604852,"about_ca_system_score_gemma":0.002470883,"threshold_uncertainty_score":0.16452962},"labels":[],"label_agreement":null},{"id":"W176042391","doi":"","title":"\"La gran América Ibérica\": humanismo y utopía en los años veinte. El caso de Xul Solar","year":2012,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Geography; Art","score_opus":0.013682555748862702,"score_gpt":0.24444908371032603,"score_spread":0.23076652796146332,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W176042391","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21115899,0.10212298,0.0007484287,0.0683326,0.0019140823,0.000026014792,0.0003498937,0.00006612668,0.6152809],"genre_scores_gemma":[0.92689955,0.03316717,0.00037695875,0.0042765015,0.0004190946,0.000025329919,0.0001128843,0.000036477722,0.03468603],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99957937,0.0002024222,0.0000089272935,0.000044594086,0.000049716426,0.00011494283],"domain_scores_gemma":[0.99946994,0.00019288888,0.00010877258,0.000049134924,0.00010816867,0.00007104274],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010260332,0.00033850005,0.0002182997,0.001299196,0.0043602143,0.005608193,0.000478917,0.0010868597,0.0063475836],"category_scores_gemma":[0.0017657208,0.00010537309,0.00015394269,0.0036323038,0.005679514,0.0026436136,0.0024765758,0.0020340367,0.0003745786],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00025733034,0.000099491466,0.021050647,0.00087022095,0.000030333287,0.0012804492,0.17118324,0.0003044215,0.00072472036,0.55506474,0.09759894,0.15153544],"study_design_scores_gemma":[0.000024456524,0.000020100108,0.025593402,0.0012930526,0.000023016732,0.00030585108,0.15148382,0.000060804665,0.00021384655,0.018618971,0.8023447,0.000018079292],"about_ca_topic_score_codex":0.16104302,"about_ca_topic_score_gemma":0.2830928,"teacher_disagreement_score":0.16104302,"about_ca_system_score_codex":0.0065568155,"about_ca_system_score_gemma":0.0053476673,"threshold_uncertainty_score":0.3202113},"labels":[],"label_agreement":null},{"id":"W1780014010","doi":"","title":"El peso de la noche","year":2006,"lang":"es","type":"article","venue":"Dialnet (Universidad de la Rioja)","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Saskatchewan","funders":"","keywords":"Political science","score_opus":0.005903306060010438,"score_gpt":0.21929422350460986,"score_spread":0.21339091744459943,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1780014010","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011110078,0.097422495,0.0027067494,0.44577292,0.043799296,0.00003113789,0.0010173579,0.00043574272,0.39770427],"genre_scores_gemma":[0.22013007,0.052113347,0.004117197,0.07045227,0.020572761,0.00014776413,0.0013969695,0.0010846785,0.629985],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9960593,0.0015548634,0.00010720696,0.0006199739,0.0010938906,0.0005647406],"domain_scores_gemma":[0.99450254,0.0012084253,0.0002893735,0.0012644414,0.0020040122,0.00073122286],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005746153,0.0008756588,0.00095363986,0.002029902,0.0030229664,0.00800502,0.0014420329,0.0043612327,0.04539422],"category_scores_gemma":[0.012442767,0.0003328333,0.0007709831,0.0016863775,0.0046822825,0.0073905643,0.004781583,0.006590715,0.010712783],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00028907065,0.00007209192,0.0009586496,0.00042258712,0.000043990094,0.00021453715,0.0023820056,0.0001502734,0.0005972867,0.45769307,0.44850627,0.08867009],"study_design_scores_gemma":[0.000028794848,0.000011789218,0.0007583358,0.00035206194,0.0000136701,0.00007990701,0.00090185454,0.000039959315,0.000109129665,0.010362509,0.9873329,0.000009209568],"about_ca_topic_score_codex":0.022448037,"about_ca_topic_score_gemma":0.023302814,"teacher_disagreement_score":0.04539422,"about_ca_system_score_codex":0.008660215,"about_ca_system_score_gemma":0.0059139305,"threshold_uncertainty_score":0.15185875},"labels":[],"label_agreement":null},{"id":"W179222601","doi":"","title":"Miracle de fortune. Octubre de Daniel et Diego Vega, Pérou–Vénézuela–Espagne, 2010, 83 minOctubre de Daniel et Diego Vega, Pérou–Vénézuela–Espagne, 2010, 83 min","year":2011,"lang":"fr","type":"article","venue":"Ciné bulles","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Vega; Humanities; Miracle; Art; Philosophy; Theology; Physics","score_opus":0.04086553326294584,"score_gpt":0.24987290150168903,"score_spread":0.2090073682387432,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W179222601","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0061368826,0.5434497,0.00038581685,0.11840915,0.12258165,0.00009460482,0.0030253571,0.000205005,0.20571192],"genre_scores_gemma":[0.025407827,0.05527626,0.00029265293,0.010609755,0.013544581,0.0001733334,0.0007553591,0.00025511647,0.89368504],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99958307,0.00007607973,0.00001903187,0.00008069279,0.00011279587,0.00012822505],"domain_scores_gemma":[0.99946684,0.0001192792,0.000039644572,0.0000339701,0.00020765477,0.00013259976],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009640712,0.0013222849,0.0006615392,0.0011390483,0.006426766,0.0036313566,0.0010489018,0.0023137466,0.091658555],"category_scores_gemma":[0.0016091986,0.00074653287,0.00039781505,0.0014901267,0.00096249726,0.0027977668,0.0024003808,0.0030891546,0.013426266],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006430683,0.000015821575,0.0002876096,0.00014384519,0.0000055794517,0.000055818124,0.000714718,0.000027137947,0.00015266544,0.002044753,0.98186296,0.0146249],"study_design_scores_gemma":[0.0000079720385,0.0000071349555,0.003665895,0.00016449115,0.000004040927,0.000030925254,0.00094061455,0.00001216783,0.00005083719,0.00019927132,0.99491125,0.000005433307],"about_ca_topic_score_codex":0.08741558,"about_ca_topic_score_gemma":0.31035072,"teacher_disagreement_score":0.091658555,"about_ca_system_score_codex":0.0051012193,"about_ca_system_score_gemma":0.0026748918,"threshold_uncertainty_score":0.30662847},"labels":[],"label_agreement":null},{"id":"W1821166303","doi":"","title":"The Moradas of Angelina Muñiz Huberman, Esther Seligson and Teresa of Avila: Exile as Spiritual Experience","year":2009,"lang":"en","type":"article","venue":"Women in Judaism A Multidisciplinary e-Journal","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Mysticism; Theme (computing); Identity (music); Judaism; The Void; Spirituality; Art; Sociology; Religious studies; Art history; Theology; Aesthetics; Literature; Philosophy; Epistemology","score_opus":0.012685958226160306,"score_gpt":0.2626779696695186,"score_spread":0.2499920114433583,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1821166303","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.39570257,0.08640843,0.0016503396,0.096576706,0.0018832083,0.000024358289,0.00007483494,0.000049763843,0.41762978],"genre_scores_gemma":[0.9708593,0.0073428056,0.00017158176,0.0016939376,0.0002953709,0.000010456529,0.000010239056,0.000016611213,0.019599643],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996687,0.0001983081,0.0000049874716,0.000025311521,0.00004267392,0.000059971957],"domain_scores_gemma":[0.9997011,0.00014693796,0.00005321974,0.000015113795,0.00002926942,0.00005419751],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006601432,0.00025943117,0.00021486418,0.00038967555,0.004221172,0.0027474875,0.00038912598,0.00085544854,0.0020157134],"category_scores_gemma":[0.0010999804,0.00011428682,0.0000811732,0.00039833228,0.00884355,0.0018604004,0.002015463,0.0015316906,0.00020003904],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008618951,0.000040290175,0.0024469446,0.00013609261,0.0000069569746,0.0012891461,0.5613115,0.000088385954,0.00091909873,0.36985362,0.034922615,0.02889923],"study_design_scores_gemma":[0.000012770587,0.000031326144,0.007468241,0.0003343819,0.0000075687544,0.00065941137,0.22199216,0.00007100183,0.00041573384,0.015144253,0.7538483,0.000014896693],"about_ca_topic_score_codex":0.01419629,"about_ca_topic_score_gemma":0.027273674,"teacher_disagreement_score":0.01419629,"about_ca_system_score_codex":0.0034230424,"about_ca_system_score_gemma":0.0010963968,"threshold_uncertainty_score":0.02822727},"labels":[],"label_agreement":null},{"id":"W1828176894","doi":"","title":"Spanish Colonialism and the Production of Knowledge. A Review of Christopher Schmidt-Nowara's The Conquest of History: Spanish Colonialism and National Histories in the Nineteenth Century (Pittsburgh: U of Pittsburgh P, 2007)","year":2007,"lang":"en","type":"review","venue":"A Contracorriente: Revista de Historia Social y Literatura en América Latina","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Colonialism; History; Expansive; CONQUEST; Latin Americans; Historiography; Classics; Ancient history; Anthropology; Sociology; Law; Archaeology; Political science","score_opus":0.024794823770671034,"score_gpt":0.28422459230209757,"score_spread":0.2594297685314265,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1828176894","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000062024905,0.9981597,0.000007881312,0.0010025376,0.00019957298,6.591953e-7,0.0000029529197,7.548383e-7,0.00056384184],"genre_scores_gemma":[0.0017630421,0.99660695,0.000039408875,0.0005391383,0.00041509088,0.0000028871204,0.000010573043,0.0000013641329,0.00062168227],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.999532,0.00016849663,0.000045349865,0.000060383936,0.00014166624,0.000052089912],"domain_scores_gemma":[0.99869305,0.0006430369,0.00018088458,0.000028368222,0.000375788,0.000078967096],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012122581,0.00082525756,0.0010256959,0.0039952826,0.0010750301,0.0038358476,0.00061392813,0.0015372225,0.0021214373],"category_scores_gemma":[0.00217412,0.00048392476,0.00036530834,0.0100506935,0.003189765,0.0028670346,0.0012469906,0.0017213492,0.00067114923],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000081666425,0.00006375935,0.001620505,0.022923058,0.000099681,0.0005612115,0.0061122933,0.00029325468,0.00038751116,0.039278693,0.2433128,0.6852656],"study_design_scores_gemma":[0.000010695637,0.000022790564,0.0029900533,0.009847262,0.000029386549,0.00039908575,0.0022484483,0.000029266204,0.00006579127,0.0043050484,0.9800396,0.000012602419],"about_ca_topic_score_codex":0.04539485,"about_ca_topic_score_gemma":0.06341477,"teacher_disagreement_score":0.04539485,"about_ca_system_score_codex":0.0035368223,"about_ca_system_score_gemma":0.00852022,"threshold_uncertainty_score":0.09026122},"labels":[],"label_agreement":null},{"id":"W18283507","doi":"10.5206/entrehojas.v3i1.6134","title":"Masculinización y virilización de la escritura de la mujer de vanguardia: el caso de Estación. Ida y Vuelta y El Personaje Presentido","year":2013,"lang":"es","type":"article","venue":"Entrehojas Revista de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.0072484965921223036,"score_gpt":0.25870798307465864,"score_spread":0.25145948648253635,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W18283507","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.78766185,0.0059260298,0.0024379897,0.008206528,0.0003617198,0.000021910655,0.00006251249,0.000024547991,0.19529693],"genre_scores_gemma":[0.9854742,0.00096857274,0.0002369618,0.00022569174,0.000026331172,0.000007336349,0.000011957254,0.000012864353,0.01303607],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989188,0.0005317305,0.000026026286,0.00013994618,0.00016023927,0.000223181],"domain_scores_gemma":[0.9992993,0.00022363447,0.00015338851,0.000054957334,0.000111108486,0.00015758678],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015898515,0.00028385277,0.00019641119,0.0005130429,0.0046932194,0.0048373756,0.00063306175,0.0011202499,0.0047145663],"category_scores_gemma":[0.0021991504,0.00026467227,0.0002230741,0.0006531604,0.00854966,0.0029550847,0.0041576964,0.0021327122,0.00040539692],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010980625,0.000053368607,0.017714353,0.000092786955,0.0000132155665,0.001662723,0.70340645,0.000081308215,0.0012590495,0.24547994,0.0037348045,0.026392208],"study_design_scores_gemma":[0.000018137403,0.00013398033,0.047040213,0.0004449699,0.00003807773,0.0023517522,0.6332032,0.0003344419,0.0016343361,0.029101284,0.2856378,0.00006192526],"about_ca_topic_score_codex":0.025320193,"about_ca_topic_score_gemma":0.034833413,"teacher_disagreement_score":0.025320193,"about_ca_system_score_codex":0.003329142,"about_ca_system_score_gemma":0.0028209933,"threshold_uncertainty_score":0.05034566},"labels":[],"label_agreement":null},{"id":"W1835296873","doi":"10.19130/iifl.litmex.3.1.1992.137","title":"Genaro Estrada y España","year":2011,"lang":"es","type":"article","venue":"Literatura Mexicana","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Art; Humanities","score_opus":0.030668715200242228,"score_gpt":0.21379417788816385,"score_spread":0.18312546268792163,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1835296873","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.066039614,0.16070576,0.00053928286,0.027666382,0.0023633796,0.000020789214,0.0006766651,0.00006273424,0.7419254],"genre_scores_gemma":[0.5690326,0.11893534,0.0010774027,0.0049112746,0.0011428423,0.00006570814,0.00078518514,0.00007535365,0.30397427],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997693,0.000059085018,0.000009108815,0.000050198298,0.00005135814,0.000061030667],"domain_scores_gemma":[0.99981004,0.00004096342,0.000045385157,0.000017019789,0.00006345567,0.000023210245],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00048952387,0.00041237808,0.00022817815,0.0010461296,0.0016112844,0.0018521122,0.00035007397,0.00082184584,0.01962853],"category_scores_gemma":[0.0008438026,0.00009895276,0.00017273157,0.001939915,0.0016064148,0.000977817,0.0013483204,0.0011508793,0.0017084292],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00040968397,0.000054189462,0.013546152,0.0017029792,0.00004418439,0.002818113,0.036908537,0.0002480539,0.0023104153,0.44682384,0.186886,0.30824792],"study_design_scores_gemma":[0.000012146627,0.000011945124,0.008654101,0.00061234843,0.000009691979,0.00023284767,0.004884212,0.000012725926,0.00012157608,0.0025102992,0.98293406,0.0000041302824],"about_ca_topic_score_codex":0.062240593,"about_ca_topic_score_gemma":0.105121806,"teacher_disagreement_score":0.062240593,"about_ca_system_score_codex":0.003152082,"about_ca_system_score_gemma":0.0023307342,"threshold_uncertainty_score":0.12375665},"labels":[],"label_agreement":null},{"id":"W184207302","doi":"","title":"Espacios sonoros y escalas de silencio en la poesía de Luis de Góngora y sor Juana Inés de la Cruz","year":2000,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.007008149335063677,"score_gpt":0.22722768845460678,"score_spread":0.2202195391195431,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W184207302","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8250573,0.01510148,0.00030774923,0.023665842,0.00031393996,0.000035986304,0.00010806022,0.000015088992,0.13539451],"genre_scores_gemma":[0.9795145,0.005232026,0.00017911762,0.0009078915,0.00006864129,0.000026018311,0.000033628894,0.000017809858,0.014020389],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.998811,0.00049936585,0.000034916808,0.00010675019,0.00020414659,0.00034377538],"domain_scores_gemma":[0.9978089,0.00083840097,0.00037622947,0.000104969506,0.00048260746,0.00038893078],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0026687433,0.00029474264,0.0003578511,0.0017840797,0.0071631074,0.0042103566,0.00076290325,0.0012317536,0.007103804],"category_scores_gemma":[0.007842097,0.0002130382,0.00022250056,0.0025228746,0.006337363,0.0024933491,0.0042861686,0.0029722871,0.00031434625],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00034258812,0.0001671588,0.04288359,0.00034712,0.00002853261,0.0010919834,0.74054,0.00012894494,0.0006583192,0.13117869,0.014032257,0.068600774],"study_design_scores_gemma":[0.000024467648,0.00005199747,0.04994585,0.0008954401,0.000047281697,0.00025709224,0.78416497,0.00006727214,0.00044977383,0.005385943,0.15868776,0.000022098755],"about_ca_topic_score_codex":0.11723644,"about_ca_topic_score_gemma":0.21967557,"teacher_disagreement_score":0.11723644,"about_ca_system_score_codex":0.0091037685,"about_ca_system_score_gemma":0.008523553,"threshold_uncertainty_score":0.2331081},"labels":[],"label_agreement":null},{"id":"W189409820","doi":"","title":"Women Writers and \"modernismo\": strategies of expression in the Cuban poet Nieves Xenes","year":2002,"lang":"en","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.0246589174159435,"score_gpt":0.21689801131850367,"score_spread":0.19223909390256017,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W189409820","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5959373,0.02318575,0.0009112284,0.0241245,0.0004894277,0.0000361418,0.000036875514,0.000026010097,0.35525277],"genre_scores_gemma":[0.97364354,0.0022968978,0.00012308404,0.00044562254,0.000057177742,0.000015391266,0.000006901147,0.000020135618,0.023391176],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99748236,0.0019517548,0.000034047975,0.00010099103,0.00013916694,0.00029183563],"domain_scores_gemma":[0.9986291,0.0005965136,0.0002812914,0.000076489436,0.00020099233,0.00021569499],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002764025,0.00046628213,0.0002821656,0.0014676054,0.01200842,0.011266164,0.00057217997,0.0010104501,0.002308336],"category_scores_gemma":[0.002787965,0.00024343168,0.000103302984,0.0018303789,0.016922662,0.0027538026,0.0032433695,0.0018414259,0.00024525746],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000043370448,0.000019611032,0.0022202884,0.00007308618,0.0000043932496,0.00040787942,0.841953,0.000040281924,0.00022998368,0.14000173,0.003661377,0.011345046],"study_design_scores_gemma":[0.0000107243295,0.000020155541,0.0036810946,0.00035058148,0.000010291341,0.00022440609,0.7917788,0.00009009161,0.00040804973,0.0077242325,0.19568628,0.000015269277],"about_ca_topic_score_codex":0.06520807,"about_ca_topic_score_gemma":0.09424398,"teacher_disagreement_score":0.06520807,"about_ca_system_score_codex":0.010078615,"about_ca_system_score_gemma":0.0063031428,"threshold_uncertainty_score":0.12965703},"labels":[],"label_agreement":null},{"id":"W1896276560","doi":"","title":"LA IMAGEN DE AMÉRICA EN LA PRENSA DEL NORTE DE TENERIFE A FINALES DEL XIX THE IDEA OF AMÉRICA IN THE NORTHERN TENERIFE PRESS, IN THE LAST QUARTER OF NINETEENTH CENTURY","year":2015,"lang":"es","type":"article","venue":"Anuario de estudios atlánticos/Anuario de estudios atlánticos/Auario de estudios atlánticos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Quarter (Canadian coin); Battle; Emigration; Front (military); Humanities; Period (music); History; Ethnology; Political science; Ancient history; Geography; Art; Archaeology","score_opus":0.01718727623806901,"score_gpt":0.24315038909229264,"score_spread":0.22596311285422363,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1896276560","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3890751,0.05588736,0.0005848623,0.019302,0.0009021768,0.000016969208,0.00017263718,0.00002441246,0.53403455],"genre_scores_gemma":[0.9086708,0.010498819,0.00028512086,0.00077250256,0.00012227336,0.000014319211,0.000051718824,0.00001485751,0.079569586],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997603,0.0000726823,0.000007813628,0.00003019459,0.000059886694,0.00006908079],"domain_scores_gemma":[0.99987614,0.000028557455,0.000026930396,0.0000067574992,0.000038621216,0.000023012173],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006229025,0.00029023804,0.00017238819,0.000819006,0.0023807995,0.004235827,0.00023899246,0.0004640849,0.0035487588],"category_scores_gemma":[0.00050529593,0.000102868886,0.00007419784,0.0012446394,0.004260557,0.001298447,0.0009199953,0.0011044656,0.00017144546],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016720916,0.000038158865,0.010896635,0.0003563426,0.00001240957,0.0014107078,0.27338982,0.00018710704,0.002686321,0.6069191,0.022344649,0.08159157],"study_design_scores_gemma":[0.000010084023,0.00002418796,0.03508474,0.0008282873,0.0000092511145,0.00045728128,0.09984932,0.00009484947,0.00052317476,0.009098297,0.8540041,0.000016455915],"about_ca_topic_score_codex":0.22769639,"about_ca_topic_score_gemma":0.33815575,"teacher_disagreement_score":0.22769639,"about_ca_system_score_codex":0.0098715415,"about_ca_system_score_gemma":0.0040252167,"threshold_uncertainty_score":0.4527421},"labels":[],"label_agreement":null},{"id":"W1896554","doi":"10.1097/00006534-199110000-00045","title":"From Magasin to Magazine: au bonheur des Dames and Galdós' Tormento","year":2004,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.012217157170931366,"score_gpt":0.22771308151657266,"score_spread":0.2154959243456413,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1896554","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.039899807,0.20438458,0.00030440046,0.23096217,0.014309451,0.000016408569,0.00021659385,0.000042862826,0.50986385],"genre_scores_gemma":[0.38308498,0.09375726,0.00030117368,0.03894436,0.009378482,0.000030679617,0.00013513678,0.00015330245,0.47421467],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99965036,0.0001510295,0.000008101726,0.000039316572,0.00008182423,0.00006934234],"domain_scores_gemma":[0.9992543,0.0003651583,0.000053843443,0.0000272283,0.0001362709,0.00016324024],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00068609364,0.00038286232,0.00022569162,0.0013085259,0.0051957946,0.004934537,0.00041376453,0.0012440674,0.018616308],"category_scores_gemma":[0.0018617264,0.0001965811,0.00012077165,0.0013852511,0.0038503108,0.0033799922,0.0020470414,0.0020943566,0.0020680823],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006833872,0.000045021363,0.0017269305,0.00029877067,0.000008962021,0.00065860717,0.113650054,0.000029483079,0.00028882304,0.13445191,0.695062,0.05371105],"study_design_scores_gemma":[0.0000025004617,0.000004592413,0.0012765953,0.00016087775,0.0000019982226,0.00009530782,0.017332852,0.0000059289396,0.00004408382,0.0018018553,0.9792708,0.0000025951588],"about_ca_topic_score_codex":0.022015478,"about_ca_topic_score_gemma":0.074311234,"teacher_disagreement_score":0.022015478,"about_ca_system_score_codex":0.0040586935,"about_ca_system_score_gemma":0.0019357759,"threshold_uncertainty_score":0.062277794},"labels":[],"label_agreement":null},{"id":"W192581268","doi":"","title":"La Brígida de José Zorrilla y su celestinaje","year":2007,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy","score_opus":0.012190108202906946,"score_gpt":0.2336238285138566,"score_spread":0.22143372031094966,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W192581268","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08123008,0.19512407,0.0021912497,0.42308488,0.023839554,0.00007228839,0.0006704268,0.00027624558,0.27351114],"genre_scores_gemma":[0.5475088,0.1514473,0.0019807261,0.042939957,0.010917771,0.00016326302,0.000537867,0.00067503797,0.24382932],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979716,0.0009951562,0.00004353727,0.0002255725,0.00046088948,0.0003032661],"domain_scores_gemma":[0.9954678,0.0014216948,0.0003580935,0.00039687907,0.0019320007,0.00042344566],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0050728,0.00095364853,0.0008267424,0.002799473,0.005360552,0.007565127,0.0011943557,0.00248327,0.014695187],"category_scores_gemma":[0.012960232,0.0003512743,0.00048211665,0.0029648507,0.00505768,0.0052636378,0.004557351,0.0040606274,0.0024831623],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003576599,0.0002118198,0.0104140695,0.0009436851,0.000071077324,0.0008746405,0.064933576,0.00018585577,0.00085216726,0.2998414,0.5227312,0.09858282],"study_design_scores_gemma":[0.000031378695,0.000015259147,0.0044081756,0.0008849317,0.000033539996,0.00022994845,0.038230322,0.000069427,0.00030383983,0.006183271,0.9495848,0.000025015488],"about_ca_topic_score_codex":0.059577506,"about_ca_topic_score_gemma":0.061435603,"teacher_disagreement_score":0.059577506,"about_ca_system_score_codex":0.005549754,"about_ca_system_score_gemma":0.0067524565,"threshold_uncertainty_score":0.11846143},"labels":[],"label_agreement":null},{"id":"W19528616","doi":"10.3168/jds.2009-2111","title":"El primer año de la vida de Josemaría Escrivá","year":2002,"lang":"en","type":"article","venue":"Anuario de Historia de la Iglesia","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Agriculture and Agri-Food Canada","keywords":"Philosophy; Humanities; Art; Political science","score_opus":0.010895091130309214,"score_gpt":0.21973380159681316,"score_spread":0.20883871046650396,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W19528616","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24680229,0.32471013,0.0079142675,0.11100794,0.03595545,0.00014645568,0.0028255377,0.0014667435,0.2691713],"genre_scores_gemma":[0.5817057,0.14081582,0.0076639485,0.013950527,0.011698208,0.0001391276,0.0017672644,0.00043386893,0.2418256],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99971133,0.00006929883,0.00001287775,0.000079204874,0.00006850957,0.000058688773],"domain_scores_gemma":[0.99945575,0.00010958671,0.000096080774,0.00004531437,0.00017998678,0.00011335234],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008791911,0.0005273975,0.0003063342,0.0005817766,0.0009079475,0.0012285683,0.00053159025,0.0010244919,0.009104448],"category_scores_gemma":[0.001511107,0.000132516,0.000312359,0.00039764596,0.0005742854,0.00076387334,0.0013416142,0.0012897435,0.0022993083],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00078482326,0.00020556664,0.020594856,0.0020847574,0.00010561943,0.0041048042,0.006962133,0.00062170485,0.015168531,0.045525845,0.16012292,0.7437184],"study_design_scores_gemma":[0.000009504181,0.000045771463,0.0075032455,0.00029251902,0.00001781249,0.0007394632,0.0009438452,0.00007450131,0.00072203163,0.00083625474,0.9888015,0.000013615461],"about_ca_topic_score_codex":0.0065069413,"about_ca_topic_score_gemma":0.010096847,"teacher_disagreement_score":0.009104448,"about_ca_system_score_codex":0.0012719169,"about_ca_system_score_gemma":0.0018846035,"threshold_uncertainty_score":0.030457437},"labels":[],"label_agreement":null},{"id":"W19699862","doi":"10.1016/j.ahj.2009.06.010","title":"José María Pérez \"Peridis\"","year":2007,"lang":"en","type":"article","venue":"Sesenta y más","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.017168901746308293,"score_gpt":0.23370123063971396,"score_spread":0.21653232889340568,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W19699862","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.055476725,0.17535493,0.0059616244,0.38271362,0.045971848,0.00018665324,0.004154217,0.0020691182,0.32811126],"genre_scores_gemma":[0.37466586,0.20685641,0.007611003,0.04677139,0.020627497,0.00025009338,0.0018922116,0.000763159,0.3405624],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993266,0.00020695213,0.000023801364,0.00012233698,0.00023155841,0.00008874209],"domain_scores_gemma":[0.997809,0.0006586176,0.00022642323,0.00010150542,0.0009694924,0.00023488044],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018309338,0.00095104985,0.00060796173,0.0015631685,0.001078341,0.0015560115,0.0009541888,0.0013775155,0.0362445],"category_scores_gemma":[0.0068495558,0.0001990618,0.00059593,0.00062159187,0.0007601883,0.00074758223,0.0010426546,0.0020028586,0.0115603395],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006139289,0.00015831689,0.014528285,0.0013418567,0.00012612173,0.0020171837,0.0015553822,0.00038020828,0.0013814718,0.014042689,0.7213852,0.24246933],"study_design_scores_gemma":[0.00008828155,0.00008288817,0.019073542,0.0015520626,0.000086830194,0.0019185797,0.0020086474,0.00039581425,0.0009595071,0.0037152702,0.9700495,0.00006898045],"about_ca_topic_score_codex":0.025339201,"about_ca_topic_score_gemma":0.029982762,"teacher_disagreement_score":0.0362445,"about_ca_system_score_codex":0.0018874876,"about_ca_system_score_gemma":0.0018939315,"threshold_uncertainty_score":0.121249974},"labels":[],"label_agreement":null},{"id":"W199572752","doi":"10.3138/cervantes.24.1.119","title":"Fashioning Identities in “El licenciado Vidriera”","year":2004,"lang":"es","type":"article","venue":"Cervantes Bulletin of the Cervantes Society of America","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.008872707200889837,"score_gpt":0.21903570345522494,"score_spread":0.2101629962543351,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W199572752","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24711476,0.001798327,0.006711013,0.011582721,0.00068726763,0.000020480153,0.000038644226,0.00006791101,0.731979],"genre_scores_gemma":[0.95123136,0.000309995,0.00055790367,0.00045761626,0.000062672,0.00000911185,0.000016396496,0.000047802543,0.047307085],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9969893,0.0020875987,0.000042741558,0.00023450002,0.0003395449,0.00030632003],"domain_scores_gemma":[0.99889743,0.0003145234,0.00019044272,0.00017996345,0.00017370131,0.00024387188],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001748792,0.0003971633,0.0002442908,0.0005685643,0.008787764,0.008284959,0.00071240193,0.0017045814,0.007470593],"category_scores_gemma":[0.0029374757,0.00029902763,0.00029232024,0.00044642342,0.016009906,0.0042659855,0.0036869156,0.0033256144,0.0014212818],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009045214,0.00003552404,0.002093642,0.00005344999,0.000007602773,0.0006581005,0.35778153,0.00010371862,0.00061443436,0.6207302,0.0085076,0.009323708],"study_design_scores_gemma":[0.00002124396,0.00010342472,0.0055258605,0.00020489993,0.000021263824,0.0013169979,0.32545653,0.0005293492,0.001200703,0.049399987,0.61615956,0.000060231218],"about_ca_topic_score_codex":0.009090237,"about_ca_topic_score_gemma":0.0173686,"teacher_disagreement_score":0.009090237,"about_ca_system_score_codex":0.0038257684,"about_ca_system_score_gemma":0.0011147844,"threshold_uncertainty_score":0.027758002},"labels":[],"label_agreement":null},{"id":"W1998379294","doi":"10.1353/utq.2007.0245","title":"The Wisdom of Eccentric Old Men: A Study of Type and Secondary Character in Galdós's Social Novels, 1870-1897 (review)","year":2007,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Character (mathematics); Psyche; Literature; Narrative; Consciousness; Soul; Performative utterance; Philosophy; Genius; Aesthetics; Art; Epistemology","score_opus":0.009937135632473818,"score_gpt":0.20551842059242612,"score_spread":0.1955812849599523,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1998379294","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00052715867,0.9951983,0.000012387773,0.0015620177,0.0005065621,0.0000034058937,0.000021741653,0.0000014921196,0.002166907],"genre_scores_gemma":[0.008181171,0.98891544,0.00003621186,0.0008935251,0.0008181068,0.000013153195,0.00004661661,0.000003384695,0.0010922992],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992293,0.0002711644,0.000087804365,0.000083384955,0.00026174495,0.00006663809],"domain_scores_gemma":[0.9978656,0.001249523,0.00034923866,0.000038682458,0.0003511488,0.00014585443],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014227477,0.0007068039,0.0010587086,0.0057130805,0.000945384,0.003359574,0.0006849856,0.0015822795,0.003726317],"category_scores_gemma":[0.0042438656,0.00031656848,0.0003538749,0.0063590975,0.003913379,0.0046884795,0.0017075926,0.0014953264,0.0009357107],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018983522,0.00007364099,0.0019132487,0.036069106,0.00022715147,0.0006951634,0.015650935,0.00014754043,0.00031659173,0.017056573,0.22420181,0.7034585],"study_design_scores_gemma":[0.000014288342,0.00004072758,0.004902958,0.010530752,0.000041505795,0.0010958377,0.0057176896,0.000007828888,0.000079728336,0.0012483605,0.976299,0.000021387166],"about_ca_topic_score_codex":0.006121461,"about_ca_topic_score_gemma":0.012406719,"teacher_disagreement_score":0.006121461,"about_ca_system_score_codex":0.0027870252,"about_ca_system_score_gemma":0.0029595231,"threshold_uncertainty_score":0.020221353},"labels":[],"label_agreement":null},{"id":"W1998987333","doi":"10.4000/criticon.591","title":"Los umbrales del Ramillete poético, de Tafalla y Negrete","year":2013,"lang":"es","type":"article","venue":"Criticón","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.013145833663389825,"score_gpt":0.23329121480586684,"score_spread":0.220145381142477,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1998987333","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26374978,0.050064236,0.005970764,0.062271792,0.0017882459,0.000049793205,0.00010521987,0.00007094665,0.6159293],"genre_scores_gemma":[0.939189,0.012913879,0.0010745659,0.0018668445,0.00041322655,0.0000368052,0.00002937544,0.000048508326,0.044427775],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987483,0.00065964035,0.000032231852,0.00012897511,0.00024740974,0.00018344386],"domain_scores_gemma":[0.9990102,0.00048011987,0.00018057192,0.00008790626,0.00014691261,0.00009423754],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019570235,0.00040411745,0.00036184644,0.0019443202,0.0050721094,0.0055911206,0.0006010234,0.001412333,0.0031333936],"category_scores_gemma":[0.0049634906,0.00012665935,0.0002005302,0.0018547262,0.014399068,0.0032445597,0.0032051255,0.0018318258,0.00034141497],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000050691036,0.000012271445,0.0020470428,0.00018906187,0.000005338116,0.00031628375,0.16237672,0.00010615772,0.00030283598,0.80454594,0.009191558,0.020856084],"study_design_scores_gemma":[0.000021823902,0.00004775237,0.008907557,0.0009260041,0.000027745966,0.00046779367,0.16971895,0.00017159658,0.00042609367,0.07753086,0.7417252,0.000028509074],"about_ca_topic_score_codex":0.021560904,"about_ca_topic_score_gemma":0.048379187,"teacher_disagreement_score":0.021560904,"about_ca_system_score_codex":0.005338048,"about_ca_system_score_gemma":0.0031177239,"threshold_uncertainty_score":0.04287082},"labels":[],"label_agreement":null},{"id":"W2018024963","doi":"10.3138/md.44.2.188","title":"Transvestism and Sexual Transgression in Garda Lorca's <i>The Public</i>","year":2001,"lang":"en","type":"article","venue":"Modern Drama","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Subject (documents); Subject matter; History; Literature; Art; Law; Political science; Library science; Computer science","score_opus":0.023784327057022832,"score_gpt":0.22087924312900023,"score_spread":0.1970949160719774,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2018024963","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12374047,0.016388867,0.00073931896,0.024745163,0.001026637,0.000022431139,0.00004594554,0.00005581745,0.8332353],"genre_scores_gemma":[0.9264763,0.001639658,0.00012278731,0.0013112148,0.0002230225,0.000011863689,0.000015021499,0.00004333895,0.070156775],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99815506,0.00094189256,0.000023514605,0.00015312202,0.00025987902,0.0004665246],"domain_scores_gemma":[0.9994209,0.00022768707,0.00007345221,0.00006644231,0.00008091981,0.00013055692],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015315507,0.00032859022,0.0002835439,0.001014697,0.01065349,0.011652863,0.0006463754,0.002139409,0.0077859787],"category_scores_gemma":[0.0022631416,0.00023895077,0.00022853717,0.000714828,0.020410435,0.0029140632,0.0057716863,0.0031095566,0.00046427498],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000058080837,0.000046582467,0.0009102687,0.000059763348,0.000005737361,0.0008419962,0.1863856,0.00006730623,0.00027565935,0.77033025,0.025227316,0.01579156],"study_design_scores_gemma":[0.000017987908,0.000030889692,0.0020505628,0.00032853356,0.000006904264,0.0008281452,0.07968328,0.0000976493,0.00031088397,0.021904545,0.8947169,0.000023787557],"about_ca_topic_score_codex":0.04229587,"about_ca_topic_score_gemma":0.055690788,"teacher_disagreement_score":0.04229587,"about_ca_system_score_codex":0.011048361,"about_ca_system_score_gemma":0.0028928954,"threshold_uncertainty_score":0.08409935},"labels":[],"label_agreement":null},{"id":"W2025441691","doi":"10.4000/ahrf.1751","title":"Paleobiografía del « Pobrecito Holgazán » Sebastián de Miñano","year":2004,"lang":"fr","type":"article","venue":"Annales historiques de la Révolution française","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Institut d'Histoire de l'Amérique Française","funders":"","keywords":"Art; Humanities","score_opus":0.011293582599579896,"score_gpt":0.22781403425401092,"score_spread":0.216520451654431,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2025441691","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.88951355,0.019108195,0.00018435733,0.0027697915,0.00010995342,0.00002993224,0.00070688274,0.000016181579,0.08756122],"genre_scores_gemma":[0.9696149,0.005427036,0.00026621707,0.0001995152,0.000051731822,0.000025366817,0.00033628833,0.0000104616665,0.024068376],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.99994457,0.00000784199,0.0000013021772,0.000012914197,0.00000591343,0.00002735289],"domain_scores_gemma":[0.9999646,0.000007132693,0.000011394772,0.000002869593,0.0000067045207,0.0000072908524],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00009334271,0.0002291136,0.00021773679,0.0011233253,0.0019890782,0.0012911139,0.00020658057,0.00035901205,0.007773913],"category_scores_gemma":[0.00015392875,0.00014455839,0.00008034702,0.0022285804,0.0010593584,0.00041642145,0.0007330089,0.00049957883,0.00039183607],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00085805135,0.00011499886,0.338318,0.0016989629,0.00011007163,0.0042919507,0.1852893,0.0008190035,0.015046781,0.15504149,0.022262326,0.27614906],"study_design_scores_gemma":[0.000013824509,0.000052156036,0.72780377,0.00043193664,0.000025240695,0.0006269914,0.020942552,0.00007689851,0.00056173786,0.0020584646,0.24739036,0.000016040749],"about_ca_topic_score_codex":0.12463344,"about_ca_topic_score_gemma":0.45631298,"teacher_disagreement_score":0.12463344,"about_ca_system_score_codex":0.0028929024,"about_ca_system_score_gemma":0.0012388433,"threshold_uncertainty_score":0.24781597},"labels":[],"label_agreement":null},{"id":"W2027749615","doi":"10.1353/hir.2013.0005","title":"Marginal Subjects: Gender and Deviance in Fin-de-siècle Spain (review)","year":2012,"lang":"en","type":"article","venue":"Hispanic Review","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Deviance (statistics); Subjectivity; Gender studies; Human sexuality; Agency (philosophy); Fin de siecle; Sociology; Witch; Humanities; Art; Philosophy; Social science","score_opus":0.03873907503629388,"score_gpt":0.2632618760201263,"score_spread":0.22452280098383243,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2027749615","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00044172685,0.99875236,0.0000059673685,0.00033965035,0.00011623821,0.0000012697558,0.000013393713,7.9414133e-7,0.0003286571],"genre_scores_gemma":[0.004774578,0.9942151,0.000016904705,0.00044791028,0.00021122572,0.0000057882994,0.000044735658,0.0000016383955,0.00028214764],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995933,0.000121675934,0.00006655304,0.000064498956,0.000108074055,0.00004585938],"domain_scores_gemma":[0.9990783,0.00045215452,0.00021522825,0.000016101942,0.00016706472,0.00007120152],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00097466446,0.0005553481,0.00167611,0.00221879,0.00044951247,0.0020874667,0.0007387425,0.0011354986,0.0042343573],"category_scores_gemma":[0.0018779123,0.00025952864,0.0005559217,0.004453719,0.0015970089,0.0012913476,0.0011326807,0.0010810693,0.0005074658],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00035314038,0.000080322956,0.00591058,0.1180802,0.00048487858,0.0005525615,0.0042856624,0.00014222297,0.00024478565,0.0057768314,0.09578722,0.7683016],"study_design_scores_gemma":[0.000055204004,0.00013861724,0.03598828,0.10678655,0.00068504614,0.0024344597,0.0073323064,0.000043572032,0.00014105134,0.0011173588,0.8452261,0.00005129645],"about_ca_topic_score_codex":0.013923155,"about_ca_topic_score_gemma":0.019256115,"teacher_disagreement_score":0.013923155,"about_ca_system_score_codex":0.0010749594,"about_ca_system_score_gemma":0.003398238,"threshold_uncertainty_score":0.027684271},"labels":[],"label_agreement":null},{"id":"W2027881403","doi":"10.4000/ahrf.1744","title":"Manuel Godoy y su tiempo. Congreso Internacional Manuel Godoy (1767-1851)","year":2004,"lang":"es","type":"article","venue":"Annales historiques de la Révolution française","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Institut d'Histoire de l'Amérique Française","funders":"","keywords":"Humanities; Art","score_opus":0.013140423543981247,"score_gpt":0.24209505780789234,"score_spread":0.2289546342639111,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2027881403","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.078197755,0.20652951,0.0004277681,0.12575799,0.010044932,0.000054363245,0.0007841298,0.00005308777,0.5781505],"genre_scores_gemma":[0.35168096,0.03197898,0.00036542767,0.005994099,0.0015461852,0.00004007756,0.00025009533,0.000061994535,0.60808223],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996331,0.000093429,0.000008153184,0.000054670152,0.00007264366,0.0001379963],"domain_scores_gemma":[0.99974674,0.000042406762,0.000046619516,0.000012634732,0.00005223852,0.00009939683],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007557257,0.0003046046,0.00017373834,0.00048285545,0.003711115,0.0015407292,0.0004260582,0.00095590035,0.008182316],"category_scores_gemma":[0.00116539,0.0001713402,0.00014327298,0.00062358147,0.0023979705,0.0009349466,0.0021937536,0.0016608443,0.0011881334],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018423634,0.000038602346,0.0047755907,0.0002837381,0.00001310936,0.001226259,0.076248,0.00016502055,0.0004934094,0.28860748,0.53729373,0.090670854],"study_design_scores_gemma":[0.0000025329618,0.0000050891445,0.0020299302,0.00005064465,9.986783e-7,0.000033509266,0.001802336,0.0000033704755,0.000052262847,0.00052456395,0.9954922,0.00000246914],"about_ca_topic_score_codex":0.11707247,"about_ca_topic_score_gemma":0.21148115,"teacher_disagreement_score":0.11707247,"about_ca_system_score_codex":0.0052830726,"about_ca_system_score_gemma":0.0056543,"threshold_uncertainty_score":0.23278207},"labels":[],"label_agreement":null},{"id":"W2037633435","doi":"10.3989/anacervantinos.2014.014","title":"Cervantes: estatua en Madrid, monumento de la nación","year":2014,"lang":"es","type":"article","venue":"Anales Cervantinos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Art; Humanities","score_opus":0.0054451003227305094,"score_gpt":0.23642926896709895,"score_spread":0.23098416864436844,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2037633435","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.25661206,0.088662885,0.0007464894,0.012605973,0.0012732069,0.000048991253,0.0005313026,0.00007515966,0.6394439],"genre_scores_gemma":[0.77114666,0.029025828,0.0006853753,0.0010923732,0.00036788272,0.000042088195,0.00034146738,0.00005373068,0.19724466],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995776,0.000117726886,0.000012141987,0.000060811108,0.00013409491,0.000097668846],"domain_scores_gemma":[0.9996393,0.00011288862,0.0000825055,0.00002115214,0.000065554865,0.00007866651],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00086146477,0.00035998173,0.00025774137,0.0014597811,0.0033523426,0.0028951603,0.0007716994,0.00086703163,0.011735949],"category_scores_gemma":[0.001538185,0.00012519429,0.00013821691,0.0018807718,0.0037231427,0.00089405075,0.002481305,0.0010848731,0.00083604053],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00039199597,0.000084524,0.022550989,0.0014880339,0.000037868336,0.0069750003,0.25608367,0.0009891281,0.002053292,0.2927456,0.102286525,0.31431344],"study_design_scores_gemma":[0.000012212515,0.0000323182,0.035169538,0.0008826433,0.0000115317425,0.00048247824,0.04289935,0.000039964856,0.0003374076,0.0027982574,0.9173227,0.000011554398],"about_ca_topic_score_codex":0.07590511,"about_ca_topic_score_gemma":0.16495565,"teacher_disagreement_score":0.07590511,"about_ca_system_score_codex":0.0067420066,"about_ca_system_score_gemma":0.004173957,"threshold_uncertainty_score":0.15092659},"labels":[],"label_agreement":null},{"id":"W2038675314","doi":"10.3828/bhs.2011.12","title":"Una zarzuela de Venezuela: el <i>Alma llanera</i> y la construcción de un mito nacional","year":2011,"lang":"es","type":"article","venue":"Bulletin of Hispanic Studies","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Art; Humanities","score_opus":0.02291189256364753,"score_gpt":0.2527666484878378,"score_spread":0.22985475592419027,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2038675314","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4889484,0.019701667,0.0019840016,0.0142297605,0.00034869573,0.000034112483,0.000121690806,0.0000532336,0.47457847],"genre_scores_gemma":[0.9534925,0.0029315583,0.0006274095,0.00047709933,0.00004445825,0.00001778536,0.000037022266,0.0000143682455,0.042357743],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99974114,0.00008841466,0.000004030443,0.000043461838,0.000030333093,0.000092580914],"domain_scores_gemma":[0.99988914,0.000024605475,0.000022208958,0.000012727154,0.000019661886,0.000031731022],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003800644,0.00021558384,0.00010885144,0.00055894884,0.0053864755,0.0039962223,0.00027110343,0.0005519581,0.0071499995],"category_scores_gemma":[0.00047041572,0.0001385921,0.00009531816,0.0008007509,0.0038868943,0.0016314276,0.0014987256,0.0013670921,0.0002825217],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001346432,0.00005146432,0.016360424,0.00022177177,0.000017462793,0.00094337325,0.12010234,0.0003333807,0.0041003437,0.7726448,0.014083928,0.071006],"study_design_scores_gemma":[0.000032998567,0.00005850439,0.05140988,0.0008972709,0.00004370166,0.0005608107,0.12436452,0.00043520017,0.0007058925,0.041371416,0.78007764,0.000042096795],"about_ca_topic_score_codex":0.11185938,"about_ca_topic_score_gemma":0.31099766,"teacher_disagreement_score":0.11185938,"about_ca_system_score_codex":0.0042694504,"about_ca_system_score_gemma":0.002937026,"threshold_uncertainty_score":0.22241658},"labels":[],"label_agreement":null},{"id":"W204126101","doi":"","title":"La mujer mediadora en \"Siervo libre de amor\", \"Cárcel de amor\" y \"Amadís de Gaula\"","year":2007,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.009484172979371751,"score_gpt":0.2326597504529272,"score_spread":0.22317557747355543,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W204126101","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5431081,0.01874988,0.00071657274,0.035398867,0.0015306476,0.000041058112,0.0002244391,0.000058794583,0.40017167],"genre_scores_gemma":[0.9586486,0.0075249854,0.00028382233,0.0024393287,0.00046009442,0.00004010857,0.00006839466,0.000055592533,0.030478964],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976145,0.0012983485,0.00007130348,0.00017023578,0.000404432,0.0004410677],"domain_scores_gemma":[0.99577326,0.002222364,0.0008109877,0.00022750776,0.00065929815,0.00030662376],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0035358125,0.0005742788,0.00036922848,0.0027508931,0.008839314,0.008262005,0.000880683,0.0015926417,0.010528968],"category_scores_gemma":[0.010512298,0.00026428018,0.00029068778,0.0036803707,0.0072487053,0.0046533165,0.004837975,0.002983199,0.0008490094],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018704332,0.00016870453,0.018759854,0.00067734404,0.000038926315,0.00084186316,0.6516993,0.00005494078,0.0008030847,0.22056879,0.032783993,0.07341627],"study_design_scores_gemma":[0.00001815842,0.000045111243,0.016150171,0.0009519579,0.00005733761,0.00039053545,0.58123535,0.000039818355,0.0007453055,0.0038035782,0.39654386,0.000018889805],"about_ca_topic_score_codex":0.040706683,"about_ca_topic_score_gemma":0.06678761,"teacher_disagreement_score":0.040706683,"about_ca_system_score_codex":0.006535289,"about_ca_system_score_gemma":0.006142754,"threshold_uncertainty_score":0.08093953},"labels":[],"label_agreement":null},{"id":"W2058760016","doi":"10.3828/bhs.2015.13","title":"Exilio espiritual en <i>Tierra adentro</i> de Muñiz-Huberman","year":2015,"lang":"es","type":"article","venue":"Bulletin of Hispanic Studies","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Athabasca University","funders":"","keywords":"Humanities; Context (archaeology); Art; Judaism; Philosophy; Theology; History","score_opus":0.04127756992083826,"score_gpt":0.2892207290505756,"score_spread":0.24794315912973736,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2058760016","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12678732,0.02926229,0.0031405617,0.08368873,0.0010501761,0.000036592784,0.00015684175,0.000082877734,0.7557946],"genre_scores_gemma":[0.8657854,0.010097004,0.0006537163,0.003976995,0.00032177582,0.000030911353,0.00005118027,0.00006843891,0.11901447],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99963045,0.0002009994,0.000005712664,0.000038915157,0.000056182304,0.00006771065],"domain_scores_gemma":[0.9996654,0.00013374192,0.0000543663,0.000026610936,0.000074710835,0.000045189863],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00091860356,0.00028697308,0.0001707635,0.0004837923,0.0033587422,0.0034074686,0.00041203893,0.00063358963,0.006197347],"category_scores_gemma":[0.001200627,0.0001469418,0.000094242365,0.000561516,0.0051972885,0.0024767418,0.0014426359,0.0016292422,0.0005460867],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009533053,0.000056406,0.0032188096,0.00013163793,0.0000064286487,0.00046650125,0.10150262,0.00014859314,0.0009235061,0.7667699,0.089608654,0.03707168],"study_design_scores_gemma":[0.00001118842,0.000022888022,0.006613339,0.0002715226,0.000010505647,0.00025823837,0.060220763,0.00012827422,0.000943568,0.033138976,0.8983649,0.00001589305],"about_ca_topic_score_codex":0.038230408,"about_ca_topic_score_gemma":0.05365959,"teacher_disagreement_score":0.038230408,"about_ca_system_score_codex":0.00516529,"about_ca_system_score_gemma":0.0022796679,"threshold_uncertainty_score":0.07601577},"labels":[],"label_agreement":null},{"id":"W2058866164","doi":"10.1353/mdr.0.0071","title":"Love, Desire and Identity in the Theatre of Federico García Lorca (review)","year":2008,"lang":"en","type":"article","venue":"Modern Drama","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Garcia; Queer; Identity (music); Art; Humanities; Literature; Art history; Sociology; Gender studies; Aesthetics","score_opus":0.03126744283819676,"score_gpt":0.250695589497475,"score_spread":0.21942814665927823,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2058866164","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00007404296,0.9973801,0.00000968548,0.00057631265,0.00056830136,0.0000031416334,0.000014527237,0.000001932063,0.0013720011],"genre_scores_gemma":[0.00184553,0.9944412,0.000036388654,0.0008816786,0.0007636244,0.000018386574,0.000056162935,0.000004271569,0.0019527522],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99949527,0.00015412616,0.00005625501,0.00006232375,0.0001633567,0.00006872967],"domain_scores_gemma":[0.9994221,0.0002636815,0.000118657685,0.0000105370045,0.00012215921,0.000062913714],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00077679654,0.001160712,0.0013505664,0.0017789502,0.00065923913,0.0028920702,0.0012180825,0.0017203286,0.017094536],"category_scores_gemma":[0.0024016635,0.00035751215,0.00054063165,0.002317094,0.0011203133,0.0017738491,0.0011994815,0.0018622137,0.0029246218],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019353423,0.00005963818,0.00034482652,0.04203355,0.00010939649,0.00024390574,0.0008932735,0.00010992461,0.00023290447,0.0033187887,0.42627245,0.5261878],"study_design_scores_gemma":[0.000026941507,0.000043342592,0.0025667332,0.018542312,0.0000662175,0.0008389733,0.00061050995,0.000017480621,0.000055402717,0.00025121213,0.97695947,0.000021386415],"about_ca_topic_score_codex":0.013702064,"about_ca_topic_score_gemma":0.017589377,"teacher_disagreement_score":0.017094536,"about_ca_system_score_codex":0.0017615687,"about_ca_system_score_gemma":0.002247028,"threshold_uncertainty_score":0.0571869},"labels":[],"label_agreement":null},{"id":"W2063406980","doi":"10.1353/ecf.2010.0036","title":"Women Writing Music in Late Eighteenth-Century England: Social Harmony in Literature and Performance (review)","year":2010,"lang":"en","type":"article","venue":"Eighteenth-Century Fiction","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Musical; Publishing; Entertainment; Literature; Art; History; Performing arts; Harmony (color); Piano; Popular music; Art history; Classics; Visual arts","score_opus":0.011645095030922958,"score_gpt":0.20548365002953461,"score_spread":0.19383855499861166,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2063406980","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00014081309,0.99909365,0.0000053288963,0.00033983708,0.00014833391,0.0000038352932,0.00001297505,9.2493343e-7,0.00025438934],"genre_scores_gemma":[0.0012348645,0.99792993,0.000017169143,0.00029383754,0.00014987557,0.000012868233,0.000025094734,7.727429e-7,0.00033571353],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994814,0.000121120866,0.00011697495,0.00006768603,0.00016040323,0.000052471525],"domain_scores_gemma":[0.9982735,0.0008310701,0.0003702716,0.000019347022,0.00038130934,0.00012459498],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00083117886,0.0006756258,0.001635255,0.0033301138,0.00051921554,0.0023715883,0.0006705128,0.0013130696,0.0077447887],"category_scores_gemma":[0.0031908052,0.00045921837,0.00055805687,0.0067041204,0.0008803676,0.0024325808,0.0012388952,0.0012009025,0.0012566139],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013897168,0.000076376964,0.0017005817,0.19658522,0.00027631703,0.00029728035,0.0021010458,0.00008160254,0.0002556263,0.00102735,0.1336165,0.6638431],"study_design_scores_gemma":[0.0000780739,0.00022436093,0.021129318,0.2376135,0.0007584403,0.0022920372,0.0053046225,0.000040409872,0.00015180469,0.0004477154,0.7319001,0.000059572372],"about_ca_topic_score_codex":0.011620451,"about_ca_topic_score_gemma":0.022575665,"teacher_disagreement_score":0.011620451,"about_ca_system_score_codex":0.0010595436,"about_ca_system_score_gemma":0.0034858203,"threshold_uncertainty_score":0.025908887},"labels":[],"label_agreement":null},{"id":"W2067164037","doi":"10.3138/md.48.1.71","title":"“¡Silencio, he dicho!” Space, Language, and Characterization as Agents of Social Protest in Lorca’s Rural Tragedies","year":2005,"lang":"en","type":"article","venue":"Modern Drama","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Silence; Aesthetics; Meaning (existential); Foregrounding; Art; Social space; Sociology; Space (punctuation); Literature; Epistemology; Linguistics; Philosophy","score_opus":0.01200126221062482,"score_gpt":0.23447789415673992,"score_spread":0.2224766319461151,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2067164037","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6246355,0.0034731582,0.0021408664,0.05228789,0.0003555049,0.00006420954,0.000041428102,0.000083864266,0.3169176],"genre_scores_gemma":[0.9873766,0.00025357792,0.00018678985,0.0011500098,0.00005297731,0.000023916964,0.0000064070737,0.0000340728,0.010915782],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99726284,0.0018616604,0.000025408584,0.00017328447,0.00022653423,0.00045013102],"domain_scores_gemma":[0.99848866,0.00073775806,0.00022109736,0.0000908167,0.00014889697,0.0003127031],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0027119673,0.0003997011,0.0003870261,0.0016902263,0.02174098,0.011374491,0.0010097635,0.0024449865,0.0033829198],"category_scores_gemma":[0.004436856,0.0002775709,0.00018985693,0.00084754033,0.044227254,0.0047625285,0.00554807,0.003714149,0.00029024688],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035969253,0.000025577367,0.0020138524,0.000028918843,0.0000042181914,0.0002400473,0.8945413,0.00005225072,0.00023408709,0.08904374,0.0074859844,0.00629403],"study_design_scores_gemma":[0.000011771009,0.000030182906,0.004929365,0.00016355923,0.000007042263,0.00019532547,0.8220465,0.00022262918,0.00018310988,0.013457764,0.15871769,0.00003504612],"about_ca_topic_score_codex":0.068283044,"about_ca_topic_score_gemma":0.104396,"teacher_disagreement_score":0.068283044,"about_ca_system_score_codex":0.00794488,"about_ca_system_score_gemma":0.0024392598,"threshold_uncertainty_score":0.13577121},"labels":[],"label_agreement":null},{"id":"W2079215237","doi":"10.5195/reviberoamer.2012.6915","title":"Sirena Pellarolo. <i>Sainetes, cabaret, minas y tangos. Una antología</i>","year":2012,"lang":"es","type":"article","venue":"Revista Iberoamericana","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Art","score_opus":0.013476703390948766,"score_gpt":0.2427282478573256,"score_spread":0.22925154446637686,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2079215237","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001349528,0.44970763,0.00037325415,0.41260022,0.052776758,0.000026976006,0.001049492,0.00016487554,0.08195128],"genre_scores_gemma":[0.046265855,0.422768,0.001619929,0.12708183,0.04416467,0.00014336794,0.0013448863,0.0005098278,0.35610175],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993961,0.00017103691,0.000037930728,0.00010429145,0.0002089077,0.000081682825],"domain_scores_gemma":[0.99725974,0.0009152703,0.00022506255,0.00009534975,0.0011580538,0.0003465188],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012137648,0.000981596,0.00045371047,0.0022266516,0.0028282553,0.004083801,0.0014869197,0.0029647425,0.0226463],"category_scores_gemma":[0.0041566286,0.00039192164,0.00033078442,0.0026088047,0.0011528657,0.003580056,0.00165774,0.005290992,0.0110246865],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003086361,0.000010247677,0.0002915568,0.0002771065,0.0000048651336,0.000058364265,0.0010362549,0.000008507404,0.00006953822,0.0054835295,0.97083485,0.021894272],"study_design_scores_gemma":[0.000006371484,0.000003741072,0.0013991076,0.0004875547,0.000006657698,0.00006919627,0.0014752977,0.000010736452,0.00012088202,0.00090977823,0.9955052,0.0000053766776],"about_ca_topic_score_codex":0.050078534,"about_ca_topic_score_gemma":0.10426388,"teacher_disagreement_score":0.050078534,"about_ca_system_score_codex":0.0024405234,"about_ca_system_score_gemma":0.0030580233,"threshold_uncertainty_score":0.09957409},"labels":[],"label_agreement":null},{"id":"W2085671849","doi":"10.3828/bhs.2010.4","title":"Política cursi y modernidad: los despachos de Ramón Gómez de la Serna","year":2010,"lang":"es","type":"article","venue":"Bulletin of Hispanic Studies","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Humanities; Art; The Renaissance; Spanish literature; Art history","score_opus":0.012052480507617905,"score_gpt":0.28697744024662486,"score_spread":0.27492495973900694,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2085671849","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14676875,0.02553117,0.0015479065,0.075004436,0.0010478816,0.000021484642,0.000045856723,0.00008309696,0.74994934],"genre_scores_gemma":[0.9039003,0.0062763365,0.0003431366,0.0031267998,0.00023395442,0.000025784551,0.000021006077,0.000062320505,0.08601038],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986527,0.0006797445,0.000012228321,0.0001253835,0.00021547124,0.00031442897],"domain_scores_gemma":[0.99943274,0.00023761786,0.0000729101,0.00003847971,0.00010925945,0.00010896123],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012945634,0.0003413378,0.00026535196,0.0008262041,0.007228324,0.006647511,0.00068922254,0.0018902536,0.0055738906],"category_scores_gemma":[0.0023637905,0.00020837941,0.00015693596,0.0009205819,0.01541396,0.0024518743,0.0030739359,0.0027482416,0.00048586086],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035023095,0.000013821045,0.0008747444,0.000060991195,0.0000038242856,0.00043345278,0.12282398,0.00010791597,0.00017804386,0.8380159,0.024949051,0.012503343],"study_design_scores_gemma":[0.000006976488,0.000012323226,0.0021486147,0.00029126988,0.0000078088115,0.00014434179,0.07146241,0.00007158935,0.00013088733,0.027540574,0.898169,0.000014256812],"about_ca_topic_score_codex":0.06340024,"about_ca_topic_score_gemma":0.10936242,"teacher_disagreement_score":0.06340024,"about_ca_system_score_codex":0.009348234,"about_ca_system_score_gemma":0.005908388,"threshold_uncertainty_score":0.1260624},"labels":[],"label_agreement":null},{"id":"W2088993831","doi":"10.2307/1261633","title":": <i>Discourses of Poverty: Social Reform and the Picaresque Novel in Early Modern Spain</i>","year":2003,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poverty; Social reform; Media studies; Political science; Sociology; Humanities; Economic history; History; Art; Law; Politics","score_opus":0.014425115116687667,"score_gpt":0.22269361265857499,"score_spread":0.2082684975418873,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2088993831","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03976939,0.4085084,0.0008345133,0.19857089,0.00579658,0.000022351343,0.0002711045,0.000081307924,0.34614548],"genre_scores_gemma":[0.7495939,0.073300466,0.0006409069,0.014724708,0.0061330637,0.00006440418,0.00022598497,0.00021851351,0.15509811],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99933165,0.00040382321,0.000015282101,0.000040589675,0.000110505825,0.00009809807],"domain_scores_gemma":[0.99947554,0.00024445163,0.00009563711,0.000029721114,0.00008163924,0.000073068244],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014828235,0.00056024466,0.0003876904,0.0010819805,0.0035616357,0.006694373,0.00079229707,0.0016581749,0.008227814],"category_scores_gemma":[0.001841722,0.00015342013,0.00021737504,0.0020427743,0.005918449,0.0036259175,0.0023398118,0.0020281158,0.0009379006],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021217656,0.000064195534,0.0018504505,0.00076687534,0.000027034275,0.0005397957,0.10514356,0.00027481644,0.00026830047,0.23665719,0.58482045,0.06937511],"study_design_scores_gemma":[0.000024016124,0.000017084834,0.004189343,0.0006969818,0.000011974207,0.00020108609,0.03714543,0.00006445807,0.00023326595,0.019566793,0.9378363,0.000013344582],"about_ca_topic_score_codex":0.021472534,"about_ca_topic_score_gemma":0.034377974,"teacher_disagreement_score":0.021472534,"about_ca_system_score_codex":0.0058665783,"about_ca_system_score_gemma":0.0022830204,"threshold_uncertainty_score":0.042695105},"labels":[],"label_agreement":null},{"id":"W2108130065","doi":"10.1525/ae.2001.28.3.681","title":"Carnival and Culture: Sex, Symbol, and Status in Spain; Carnival Song and Society: Gossip, Sexuality, and Creativity in Andalusia","year":2001,"lang":"en","type":"article","venue":"American Ethnologist","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Gossip; Symbol (formal); Human sexuality; Creativity; Index (typography); Sociology; Gender studies; Psychology; Social psychology; Philosophy; Linguistics","score_opus":0.02191034782243449,"score_gpt":0.277763889704554,"score_spread":0.2558535418821195,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2108130065","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.01081492,0.9215576,0.00015494827,0.018844336,0.0012105751,0.0000113472415,0.00018238452,0.000025019166,0.047198907],"genre_scores_gemma":[0.36106345,0.58155274,0.00070253346,0.0032382067,0.0027239388,0.00007608421,0.00039459195,0.00007696301,0.050171535],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.99954164,0.00019961767,0.000026989459,0.000044914636,0.00011244407,0.00007436403],"domain_scores_gemma":[0.9993073,0.00030460308,0.00012398326,0.00003387756,0.00011984768,0.000110418754],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013327409,0.0011119499,0.0007467527,0.003532954,0.0022862768,0.0062240018,0.0011170146,0.0010537088,0.00680807],"category_scores_gemma":[0.0019129835,0.00038025973,0.0002409172,0.0063525746,0.005255183,0.0031418367,0.0023788377,0.0013468612,0.0006539075],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022130355,0.00013098541,0.009667565,0.00220078,0.000076113654,0.0007027192,0.08615035,0.00055007014,0.00036102373,0.056589477,0.51918286,0.3241667],"study_design_scores_gemma":[0.00006887696,0.000050561583,0.05632158,0.0036455272,0.000080738486,0.0005115393,0.09138741,0.00013234148,0.0002281826,0.018980175,0.8285441,0.00004892994],"about_ca_topic_score_codex":0.09524363,"about_ca_topic_score_gemma":0.15898308,"teacher_disagreement_score":0.09524363,"about_ca_system_score_codex":0.004711117,"about_ca_system_score_gemma":0.003679928,"threshold_uncertainty_score":0.1893785},"labels":[],"label_agreement":null},{"id":"W2118511669","doi":"10.3138/md.0663","title":"Aesthetic Radicalism: Langston Hughes’s Lost Translation of Federico García Lorca’s <i>Bodas de sangre / Blood Wedding</i>","year":2014,"lang":"en","type":"article","venue":"Modern Drama","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Political radicalism; Oppression; Politics; Vernacular; Style (visual arts); Reading (process); Literature; Art; Art history; Philosophy; Law; Political science","score_opus":0.015062225128831692,"score_gpt":0.21473569954434635,"score_spread":0.19967347441551467,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2118511669","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26663044,0.003482154,0.004379123,0.08461236,0.011785598,0.000065015876,0.00022427931,0.00035734902,0.62846375],"genre_scores_gemma":[0.8693308,0.000535958,0.0008503338,0.004086903,0.00071743864,0.00003177489,0.00004588151,0.00037351417,0.12402736],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988524,0.0005278941,0.000018075865,0.000114852555,0.00028945776,0.00019725079],"domain_scores_gemma":[0.9990528,0.0003598111,0.00004051849,0.0000854025,0.00028086518,0.00018065092],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012025526,0.0005311987,0.00023876582,0.0005451914,0.00722425,0.0046702353,0.0007596184,0.0012954576,0.0078102476],"category_scores_gemma":[0.0035342937,0.0001627811,0.00019397885,0.00023980436,0.009216182,0.0013434592,0.002262103,0.0037991162,0.0010125566],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003638271,0.00011215254,0.0015926423,0.00016361372,0.00001919392,0.0021808143,0.43764374,0.00046939793,0.0039716586,0.22559239,0.28631005,0.04158061],"study_design_scores_gemma":[0.000021689271,0.00005092822,0.0014109166,0.0001730768,0.0000077858,0.00051965617,0.09484428,0.00030173844,0.0014486631,0.0049165417,0.89626986,0.000034822562],"about_ca_topic_score_codex":0.046059255,"about_ca_topic_score_gemma":0.07965903,"teacher_disagreement_score":0.046059255,"about_ca_system_score_codex":0.008837751,"about_ca_system_score_gemma":0.0020075275,"threshold_uncertainty_score":0.0915823},"labels":[],"label_agreement":null},{"id":"W2126776407","doi":"","title":"HOMENAJE EN LA ESCUELA DE CANADÁ A JUAN SORIANO","year":2007,"lang":"es","type":"article","venue":"Gaceta UNAM (2000-2009)","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.0077907682613001334,"score_gpt":0.22927528552034337,"score_spread":0.22148451725904325,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2126776407","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5039253,0.0069823186,0.000581829,0.011891471,0.0004169768,0.00007650759,0.0015812858,0.00008071185,0.4744636],"genre_scores_gemma":[0.69696075,0.0057082055,0.0008297393,0.0015965665,0.000035079956,0.000027007929,0.00055730616,0.000050502804,0.29423487],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996245,0.000027855462,0.0000043792356,0.000039401064,0.00010290509,0.00020081407],"domain_scores_gemma":[0.9995827,0.000020719901,0.000019910593,0.000011592447,0.00020748503,0.00015759465],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00034605313,0.00023923663,0.00017261074,0.0005280225,0.010955975,0.002441429,0.00057365734,0.0005659447,0.010220635],"category_scores_gemma":[0.0006237773,0.00015170936,0.0001586099,0.0017390032,0.0016762727,0.0005385127,0.001711393,0.0011433554,0.0005553447],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00046444216,0.00014421403,0.111490496,0.0005481502,0.000070134054,0.011952706,0.13562275,0.0018196986,0.0035630178,0.18696365,0.2705477,0.2768131],"study_design_scores_gemma":[0.000008733646,0.000017584229,0.048956066,0.0002765959,0.00001377622,0.00038068375,0.05583809,0.00017902265,0.0003437325,0.0010007428,0.89295083,0.00003410216],"about_ca_topic_score_codex":0.99110126,"about_ca_topic_score_gemma":0.9979842,"teacher_disagreement_score":0.03341897,"about_ca_system_score_codex":0.03341897,"about_ca_system_score_gemma":0.080045566,"threshold_uncertainty_score":0.24247271},"labels":[],"label_agreement":null},{"id":"W2127261664","doi":"","title":"De héroe a santo: Masculinidad y españolidad en La vida nueva de Pedrito de Andía, de Sánchez Mazas","year":2012,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.010733550019665009,"score_gpt":0.24317392443486768,"score_spread":0.23244037441520268,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2127261664","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6236122,0.101676725,0.00048257373,0.076383375,0.0012786442,0.00002350521,0.00028206938,0.000017338813,0.19624346],"genre_scores_gemma":[0.9444298,0.03337447,0.00018172301,0.0022219925,0.00029736973,0.000017481172,0.0000887322,0.000018121378,0.019370276],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99955744,0.00021622126,0.000011387721,0.00003875795,0.00007787849,0.00009820983],"domain_scores_gemma":[0.9990018,0.00041821453,0.00016362911,0.00004591305,0.00023144497,0.00013910589],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018342049,0.00034596442,0.00026789017,0.0009851238,0.0028384025,0.0032318006,0.0005252989,0.0008672523,0.004806807],"category_scores_gemma":[0.0039793905,0.00012441255,0.00020507786,0.0013262844,0.0029438175,0.0028001533,0.0022838656,0.0016295322,0.00036301912],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000368408,0.00029883196,0.088597335,0.00095089275,0.00007784759,0.0026907835,0.41711122,0.00019436495,0.0008685416,0.22897002,0.06410095,0.1957708],"study_design_scores_gemma":[0.000021444846,0.00004939608,0.09235307,0.002351771,0.000060213228,0.0009803412,0.5498322,0.00010790207,0.00044181116,0.009555667,0.34422016,0.000026054964],"about_ca_topic_score_codex":0.051869698,"about_ca_topic_score_gemma":0.082654215,"teacher_disagreement_score":0.051869698,"about_ca_system_score_codex":0.0024612725,"about_ca_system_score_gemma":0.0032832937,"threshold_uncertainty_score":0.103135526},"labels":[],"label_agreement":null},{"id":"W2129674986","doi":"10.14198/aleua.2005.18.09","title":"Un tema costumbrista: las horas de la ciudad","year":2005,"lang":"es","type":"article","venue":"Anales de Literatura Española","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Humanities; Art; Sociology; Philosophy","score_opus":0.005152141028095967,"score_gpt":0.2354682060915168,"score_spread":0.23031606506342084,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2129674986","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17159845,0.07385992,0.0049122423,0.18414159,0.0029187906,0.000034407534,0.00029839954,0.00013080487,0.5621054],"genre_scores_gemma":[0.93174785,0.013467252,0.0015647552,0.005846882,0.0008998522,0.000040488463,0.00010126369,0.00011095029,0.046220828],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998201,0.00082590553,0.000035062007,0.00019287599,0.00045615467,0.00028898526],"domain_scores_gemma":[0.99806863,0.0006258787,0.00027193647,0.00019088284,0.0005936377,0.00024908665],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019116427,0.0004252791,0.00030458512,0.002141169,0.0064234324,0.008428191,0.0009470057,0.0015590028,0.0050680926],"category_scores_gemma":[0.0044817803,0.00015536929,0.00019472715,0.0033362713,0.015035883,0.004408386,0.0041050278,0.0025746392,0.000613184],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006766116,0.000022597955,0.0046195546,0.00023718468,0.000012534583,0.00051775255,0.08435026,0.00014835323,0.00030076175,0.79689384,0.06109899,0.051730603],"study_design_scores_gemma":[0.000012680062,0.000027143391,0.008149082,0.000614009,0.000019274272,0.00041241702,0.07546756,0.00014069743,0.00031311455,0.050073504,0.8647437,0.000026855932],"about_ca_topic_score_codex":0.03231904,"about_ca_topic_score_gemma":0.06555236,"teacher_disagreement_score":0.03231904,"about_ca_system_score_codex":0.009828027,"about_ca_system_score_gemma":0.006360845,"threshold_uncertainty_score":0.07130772},"labels":[],"label_agreement":null},{"id":"W21303667","doi":"10.1016/j.brainres.2011.01.116","title":"Los republicanos del ochocientos y la memoria de su tiempo","year":2005,"lang":"en","type":"article","venue":"Ayer","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Natural Sciences and Engineering Research Council of Canada; Canadian Institutes of Health Research; Michael Smith Health Research BC; University of Victoria","keywords":"Humanities; Art; Political science","score_opus":0.01453745558178702,"score_gpt":0.23685123836660393,"score_spread":0.22231378278481692,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W21303667","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10501164,0.3176817,0.0059318137,0.018124793,0.005309528,0.000068149944,0.0024617855,0.0004110597,0.54499954],"genre_scores_gemma":[0.3654707,0.41636074,0.00440958,0.0018252893,0.0028198822,0.000077396006,0.0016914074,0.00011010202,0.207235],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9998087,0.000052125804,0.00001815112,0.000038494658,0.00005862048,0.000023963252],"domain_scores_gemma":[0.9995914,0.00010943594,0.00011706874,0.000053498956,0.00010473208,0.000023912662],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00044505295,0.0003183775,0.0002334713,0.0010880154,0.00071166904,0.001456131,0.00035189607,0.00066309253,0.013363338],"category_scores_gemma":[0.0008956131,0.000090838854,0.0002045032,0.001348919,0.0009117746,0.0007312121,0.0006744514,0.0007461669,0.003499743],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00044376098,0.00015565565,0.014112994,0.0030460397,0.00005562292,0.0028500496,0.0050608558,0.00063391414,0.007935445,0.094205864,0.053597663,0.8179021],"study_design_scores_gemma":[0.000009964754,0.00005759993,0.015784362,0.0012169834,0.000038883107,0.00084359536,0.0017418738,0.00010803159,0.001659673,0.0036392144,0.9748848,0.0000150359],"about_ca_topic_score_codex":0.014486359,"about_ca_topic_score_gemma":0.020794472,"teacher_disagreement_score":0.014486359,"about_ca_system_score_codex":0.0011005182,"about_ca_system_score_gemma":0.0012920733,"threshold_uncertainty_score":0.044704795},"labels":[],"label_agreement":null},{"id":"W2131982580","doi":"","title":"El escultimo tarifeño dentro del marco campogibraltareño. Los scout tarifeños 1917-1929","year":2007,"lang":"es","type":"article","venue":"Aljaranda: revista de estudios tarifeños","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.012408278913978282,"score_gpt":0.25678751357377216,"score_spread":0.2443792346597939,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2131982580","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.45691943,0.06986299,0.0006470944,0.012703922,0.00083358143,0.00005745237,0.00027277556,0.000031202697,0.45867148],"genre_scores_gemma":[0.8974013,0.012797987,0.00029121916,0.00092914584,0.00014876547,0.000023397339,0.00009517611,0.000020093163,0.088292986],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995871,0.00010288544,0.000010502984,0.000065297936,0.00009858942,0.00013562913],"domain_scores_gemma":[0.9995419,0.00015495413,0.00008811062,0.0000242966,0.0001082778,0.00008254673],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005905058,0.00031611003,0.00015945028,0.0011743467,0.0051673884,0.0030074683,0.0004976701,0.0008174306,0.00769977],"category_scores_gemma":[0.0011012638,0.00013466018,0.000106912026,0.0021138056,0.0036739854,0.0013566802,0.0019235756,0.0012299833,0.00055295543],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00027629634,0.00007834875,0.048354555,0.0010852525,0.000019634654,0.005230241,0.34932765,0.00018339387,0.0025321853,0.25446382,0.035140272,0.3033084],"study_design_scores_gemma":[0.000011745249,0.00007187897,0.0616904,0.0011399791,0.000012775625,0.0009718483,0.1381478,0.000051245395,0.00070374954,0.004890089,0.7922932,0.000015289808],"about_ca_topic_score_codex":0.08670956,"about_ca_topic_score_gemma":0.26056516,"teacher_disagreement_score":0.08670956,"about_ca_system_score_codex":0.005829986,"about_ca_system_score_gemma":0.0044483095,"threshold_uncertainty_score":0.17240971},"labels":[],"label_agreement":null},{"id":"W2165239413","doi":"10.7440/histcrit21.2001.06","title":"El joven Arciniegas a través de su correspondencia con Carlos Pellicer","year":2001,"lang":"es","type":"article","venue":"Historia Crítica","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Humanities; Art","score_opus":0.018613864966963288,"score_gpt":0.2483498592755295,"score_spread":0.2297359943085662,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2165239413","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.025569888,0.0559413,0.004393999,0.68019134,0.012549006,0.000037638238,0.00015038063,0.0001697789,0.22099674],"genre_scores_gemma":[0.2769075,0.06283477,0.0030936352,0.0790915,0.0071013714,0.00007196381,0.00015533528,0.00078532,0.5699587],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99837637,0.00072421174,0.000031778793,0.00027754763,0.00042753888,0.00016252822],"domain_scores_gemma":[0.99639493,0.0015307338,0.0002528341,0.0001501345,0.0012924994,0.0003788384],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002246013,0.0006259757,0.00042106063,0.0010147324,0.0058522546,0.0050761653,0.00083405053,0.0024391133,0.012568321],"category_scores_gemma":[0.009438549,0.00021982781,0.00026053918,0.0014899678,0.0045152484,0.0027691887,0.0024751364,0.00569904,0.0019517944],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009813249,0.00004521279,0.0026148497,0.00020840747,0.000022283322,0.0011457516,0.028385023,0.00035251622,0.00060627743,0.19813718,0.7143038,0.05408056],"study_design_scores_gemma":[0.000005665399,0.000007940598,0.00082938385,0.00018647776,0.000009771136,0.00026913095,0.0070115444,0.000101456324,0.0004166351,0.0066876304,0.9844587,0.000015602323],"about_ca_topic_score_codex":0.04089933,"about_ca_topic_score_gemma":0.05790547,"teacher_disagreement_score":0.04089933,"about_ca_system_score_codex":0.004407654,"about_ca_system_score_gemma":0.004137065,"threshold_uncertainty_score":0.08132255},"labels":[],"label_agreement":null},{"id":"W21659348","doi":"10.1136/jmg.2011.089144","title":"Tradurre la palabra hablada: La diseredata di Galdós","year":2012,"lang":"en","type":"article","venue":"Isidora: revista de estudios galdosianos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Canadian Institutes of Health Research","keywords":"Art; Humanities","score_opus":0.017301754618315037,"score_gpt":0.23726682076639,"score_spread":0.21996506614807496,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W21659348","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.023619603,0.0912919,0.0033341236,0.76473755,0.07231547,0.0003015222,0.0017282397,0.00035047208,0.042321242],"genre_scores_gemma":[0.28217468,0.12744951,0.01663206,0.41118,0.08006727,0.0012078923,0.0031597656,0.0005538093,0.07757502],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99586475,0.0014154217,0.00074828014,0.000534478,0.00096654915,0.0004704611],"domain_scores_gemma":[0.9782777,0.00831691,0.0021128485,0.0017009628,0.008316283,0.0012753457],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00888432,0.00090418867,0.0014042358,0.0036660642,0.0015173545,0.0056961714,0.0018882505,0.0033353295,0.010370682],"category_scores_gemma":[0.032065406,0.00032901592,0.0012188316,0.002707792,0.0021686452,0.0052603534,0.00281184,0.004877692,0.0040470143],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0011713238,0.00022970585,0.05013851,0.005155324,0.00046517185,0.0027706216,0.0069513205,0.00030759943,0.001336648,0.03175814,0.6357083,0.26400742],"study_design_scores_gemma":[0.00019553445,0.00012162345,0.018690035,0.00525525,0.00031495435,0.0018501823,0.0053201723,0.00024145095,0.00090133416,0.012316207,0.95470726,0.00008611038],"about_ca_topic_score_codex":0.010644825,"about_ca_topic_score_gemma":0.02050695,"teacher_disagreement_score":0.010644825,"about_ca_system_score_codex":0.0031010748,"about_ca_system_score_gemma":0.006088428,"threshold_uncertainty_score":0.046985388},"labels":[],"label_agreement":null},{"id":"W2202388108","doi":"","title":"Dictionnaire biographique des cardinaux du XIXe siècle. [Reseña]","year":2008,"lang":"fr","type":"article","venue":"Deposito Adademico Digital Universidad De Navarra (University of Navarra)","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.012701002835788892,"score_gpt":0.18223722045643678,"score_spread":0.16953621762064788,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2202388108","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0033802732,0.37977666,0.0019636287,0.016757641,0.011983377,0.00008885879,0.014742048,0.00065960956,0.57064784],"genre_scores_gemma":[0.027367098,0.16368549,0.0034958613,0.0045030247,0.0046800165,0.00018772822,0.013348932,0.0010650367,0.7816668],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99938,0.000094144314,0.000068440175,0.00010317153,0.0002776513,0.000076548706],"domain_scores_gemma":[0.999146,0.00019518346,0.00009669334,0.00006804978,0.0004123128,0.000081716214],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005718744,0.0010480718,0.0009325521,0.0054873773,0.001794681,0.0040235654,0.0008677304,0.0010009949,0.091393486],"category_scores_gemma":[0.0021532623,0.00045365075,0.0003017408,0.008999201,0.0013315134,0.0025566733,0.0012734472,0.0021673876,0.032458615],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000039501072,0.0000073953806,0.00045053082,0.00068883994,0.00001022581,0.00011052399,0.002213463,0.00006845126,0.0003743169,0.026310347,0.8604115,0.109315015],"study_design_scores_gemma":[0.0000014590713,0.0000015387909,0.0010043781,0.00013730334,0.0000013661956,0.000045611334,0.00018577921,0.0000064018163,0.00004362636,0.00032446574,0.99824524,0.0000028898537],"about_ca_topic_score_codex":0.15415348,"about_ca_topic_score_gemma":0.16819173,"teacher_disagreement_score":0.15415348,"about_ca_system_score_codex":0.0046101497,"about_ca_system_score_gemma":0.004711327,"threshold_uncertainty_score":0.30651242},"labels":[],"label_agreement":null},{"id":"W2205383945","doi":"10.3989/aearte.2015.09","title":"“Que las riquezas del mundo parecian estar alli cifradas: los festejos de boda de Catalina de Braganza en el contexto de la Restauración portuguesa (1661-1662)","year":2015,"lang":"es","type":"article","venue":"Archivo Español de Arte","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"European Social Fund; Fundação para a Ciência e a Tecnologia; Federation for the Humanities and Social Sciences","keywords":"Portuguese; Context (archaeology); Humanities; Political science; Art; Sociology; Geography; Philosophy; Archaeology","score_opus":0.025831969416852965,"score_gpt":0.3169952387630358,"score_spread":0.29116326934618286,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2205383945","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8215678,0.0068620006,0.0007105916,0.011090984,0.0004437648,0.000018254888,0.00010647805,0.000016398164,0.1591837],"genre_scores_gemma":[0.9802325,0.0011042606,0.00023308385,0.00055994134,0.0000336436,0.000006742916,0.00003503596,0.000008529032,0.017786128],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992441,0.0003082244,0.000017672857,0.00010557763,0.000090114176,0.00023431306],"domain_scores_gemma":[0.99948406,0.00014832255,0.00009449107,0.0000525003,0.00009400104,0.00012657598],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020196673,0.00035277242,0.000187541,0.000618939,0.00904482,0.0068890345,0.00066774734,0.0014291527,0.0047804327],"category_scores_gemma":[0.0012376339,0.00022605492,0.00018360329,0.0010971501,0.010529588,0.0019439565,0.0034660017,0.0018507342,0.00043065852],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00027085227,0.00004392006,0.02348016,0.00034720227,0.000022883378,0.0010189759,0.8140532,0.00019450796,0.0016004666,0.1064745,0.012323685,0.0401698],"study_design_scores_gemma":[0.000021257732,0.00008047166,0.08053598,0.00038467313,0.000019271414,0.0003465315,0.63192165,0.00006964667,0.00045920533,0.0028122896,0.28331476,0.000034176064],"about_ca_topic_score_codex":0.119152494,"about_ca_topic_score_gemma":0.24681668,"teacher_disagreement_score":0.119152494,"about_ca_system_score_codex":0.0065140105,"about_ca_system_score_gemma":0.004222004,"threshold_uncertainty_score":0.23691791},"labels":[],"label_agreement":null},{"id":"W2227282740","doi":"","title":"CARDIM, Pedro, HERZOG, Tamar, RUIZ IBÁÑEZ, José Javier, and SABATINI, Gaetano (eds.): Polycentric Monarchies: How did Early Modern Spain and Portugal Achieve and Maintain a Global Hegemony? Eastbourne, UK; Portland, Oregon; Vaughan, Ontario: Sussex Academic Press, 2012, VIII+241 págs., ISBN: 978-1-84519-544-1","year":2015,"lang":"en","type":"article","venue":"Hispania-revista Espanola De Historia","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Hegemony; Monarchy; Archaeology; Geography; Political science; Law; Politics","score_opus":0.017383085427566825,"score_gpt":0.21484213381773534,"score_spread":0.1974590483901685,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2227282740","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0007681225,0.96930444,0.0003895686,0.0063958406,0.002824084,0.000007664277,0.0001855826,0.000038516308,0.020086091],"genre_scores_gemma":[0.010129384,0.95551157,0.0008736401,0.00092055486,0.0022716208,0.000018485967,0.0002667396,0.00007932679,0.029928727],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99961805,0.00008981399,0.000027982795,0.00007156145,0.00013901315,0.00005344235],"domain_scores_gemma":[0.9987557,0.0006752393,0.000119717464,0.0000656363,0.0002481512,0.00013548738],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00094484905,0.0016974669,0.0014989675,0.002619438,0.0012454885,0.0064729215,0.0010586567,0.0019916724,0.031018568],"category_scores_gemma":[0.001981472,0.0009911989,0.00045324556,0.00662442,0.0013511344,0.0062775156,0.0012884911,0.0024451201,0.014678564],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011033449,0.000045616267,0.0011384563,0.0025539456,0.000041367308,0.00018341978,0.003922993,0.00024821295,0.0002589054,0.01646278,0.65110403,0.32392994],"study_design_scores_gemma":[0.000012293418,0.000012897909,0.003315128,0.0020798126,0.000033814493,0.0003334048,0.0020122507,0.00008235425,0.00014683795,0.0048512938,0.98710585,0.000014032764],"about_ca_topic_score_codex":0.019801276,"about_ca_topic_score_gemma":0.039262306,"teacher_disagreement_score":0.031018568,"about_ca_system_score_codex":0.0024578716,"about_ca_system_score_gemma":0.0030771962,"threshold_uncertainty_score":0.103767395},"labels":[],"label_agreement":null},{"id":"W2231310926","doi":"","title":"TRIBUTO AL HUMANISMO DE NORMAN BETHUNE","year":2009,"lang":"es","type":"article","venue":"Gaceta UNAM (2000-2009)","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Almeria","score_opus":0.012700924027793698,"score_gpt":0.245245318122354,"score_spread":0.23254439409456032,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2231310926","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17698155,0.063775115,0.0011542705,0.1276404,0.0039370814,0.000042243144,0.00012719992,0.000038177626,0.626304],"genre_scores_gemma":[0.6816839,0.014595326,0.0006889478,0.012388017,0.0009644572,0.00003368438,0.000043808206,0.00005733344,0.28954455],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99922574,0.00033451885,0.000011580451,0.00012317649,0.00016611368,0.00013887804],"domain_scores_gemma":[0.99959177,0.00019095514,0.000049075865,0.000022297054,0.000053069685,0.000092894654],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008786969,0.00029327133,0.00018035788,0.00079578295,0.010367961,0.004245732,0.0005459194,0.0014206959,0.008361695],"category_scores_gemma":[0.0013530827,0.00017817155,0.000090668545,0.0007980521,0.010932753,0.0024923969,0.0028956144,0.0028701457,0.00052552746],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009201057,0.000070631766,0.003738643,0.00014623509,0.000010070081,0.0010756956,0.21917728,0.00013068387,0.0013681082,0.61649394,0.08258078,0.07511591],"study_design_scores_gemma":[0.000003342988,0.000019316398,0.0031721066,0.0002811148,0.0000028827264,0.00023133798,0.028034845,0.000061004535,0.00041289668,0.017054161,0.9507105,0.000016540842],"about_ca_topic_score_codex":0.11058195,"about_ca_topic_score_gemma":0.23941693,"teacher_disagreement_score":0.11058195,"about_ca_system_score_codex":0.0059729903,"about_ca_system_score_gemma":0.003993217,"threshold_uncertainty_score":0.21987653},"labels":[],"label_agreement":null},{"id":"W2234775830","doi":"10.18192/rceh.v39i2.1626","title":"The Gypsy’s Curse: Race and Impurity of Blood in Pardo Bazán","year":2015,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Humanities; Art","score_opus":0.015336937775328146,"score_gpt":0.23398407047512929,"score_spread":0.21864713269980113,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2234775830","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.87695265,0.0030897695,0.00022849231,0.013847122,0.0003401527,0.000012247114,0.000048440583,0.000009172777,0.10547195],"genre_scores_gemma":[0.9767422,0.001020504,0.0000789957,0.0015366434,0.00009859209,0.000009159114,0.000024856436,0.000020972579,0.020468121],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9996044,0.0001799073,0.0000048123197,0.000045377685,0.000047908685,0.00011767],"domain_scores_gemma":[0.99969316,0.00009752824,0.00006706304,0.000017996848,0.000034528897,0.00008964369],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006098174,0.00020436109,0.0003843505,0.000388213,0.008131517,0.0029351988,0.0004288314,0.00093782693,0.005740313],"category_scores_gemma":[0.0011887792,0.00015551159,0.00013206918,0.0005728479,0.005264127,0.0012600253,0.0026608063,0.001996231,0.00038525954],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021564408,0.00008653568,0.01582588,0.00007850541,0.000019330773,0.0017653638,0.9038884,0.00001974856,0.0013290296,0.050206356,0.011689711,0.014875393],"study_design_scores_gemma":[0.000024158253,0.00007361927,0.08197655,0.00016610908,0.000028215645,0.00054812414,0.65907997,0.000059229704,0.0003160444,0.0051195533,0.25258783,0.00002065504],"about_ca_topic_score_codex":0.08242009,"about_ca_topic_score_gemma":0.17849259,"teacher_disagreement_score":0.08242009,"about_ca_system_score_codex":0.0044616098,"about_ca_system_score_gemma":0.0011838829,"threshold_uncertainty_score":0.1638807},"labels":[],"label_agreement":null},{"id":"W2241326272","doi":"10.18192/rceh.v39i2.1620","title":"Prosas profanas: Performance y secularización","year":2015,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.019638784034954598,"score_gpt":0.22878028100807074,"score_spread":0.20914149697311615,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2241326272","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.30171376,0.007160349,0.00807712,0.008023153,0.00032214975,0.000060706614,0.00021255661,0.00010216431,0.674328],"genre_scores_gemma":[0.9486624,0.0031359761,0.0015596334,0.00023146128,0.00011737707,0.000049096874,0.00006904172,0.00005672911,0.046118222],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99855465,0.0007353311,0.000053880813,0.00012351474,0.000401378,0.00013116766],"domain_scores_gemma":[0.99774915,0.0008455306,0.00041290597,0.00020725894,0.00057069096,0.00021442537],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0024848175,0.0005637452,0.0001922922,0.0021374342,0.0028146706,0.008776673,0.0004817351,0.0005889376,0.0109316865],"category_scores_gemma":[0.0047618886,0.00015738612,0.00018999819,0.00325777,0.007799307,0.0036166785,0.0026286156,0.0011453289,0.00119281],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015542348,0.00007677763,0.018120434,0.00051448453,0.000030031817,0.00047202324,0.28978023,0.0005775366,0.0020005296,0.5083489,0.012262498,0.1676611],"study_design_scores_gemma":[0.000023118128,0.00018972497,0.048188087,0.0009835357,0.000044556295,0.00047218645,0.3709011,0.0009710079,0.0025401413,0.05207572,0.5235561,0.000054763175],"about_ca_topic_score_codex":0.009392346,"about_ca_topic_score_gemma":0.010372875,"teacher_disagreement_score":0.0109316865,"about_ca_system_score_codex":0.002901749,"about_ca_system_score_gemma":0.003820197,"threshold_uncertainty_score":0.03657019},"labels":[],"label_agreement":null},{"id":"W2246237395","doi":"10.55422/ppsmp.17","title":"Menéndez Pelayo y Pardo Bazán","year":2018,"lang":"es","type":"book","venue":"","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Novelis (Canada)","funders":"","keywords":"Humanities; Philosophy","score_opus":0.017377089293494574,"score_gpt":0.22139816560650705,"score_spread":0.20402107631301247,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2246237395","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.032245025,0.09936326,0.0023742232,0.022626044,0.0055803536,0.000072813054,0.00018401431,0.0002159516,0.83733827],"genre_scores_gemma":[0.49801025,0.049244694,0.0013474574,0.003000713,0.0033279927,0.00012509315,0.00019472056,0.00019920329,0.4445498],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995648,0.00014927326,0.0000073622027,0.00010952157,0.00011524926,0.000053703636],"domain_scores_gemma":[0.99977356,0.000078425226,0.000028898448,0.000022325601,0.000069726644,0.00002715027],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00068783545,0.000768524,0.00040740278,0.00077364844,0.002350342,0.004474094,0.0004908698,0.00097426336,0.009052843],"category_scores_gemma":[0.0014472675,0.00016852061,0.00023683907,0.0006631305,0.0035185302,0.0018771653,0.0014021746,0.0018728978,0.0014950858],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003742697,0.00010417381,0.0015881361,0.0007155041,0.000028118842,0.0012002155,0.033762828,0.00032335296,0.0017987137,0.612021,0.20907643,0.13900718],"study_design_scores_gemma":[0.000015037249,0.000024772804,0.001753581,0.00026896485,0.000010044172,0.00022275442,0.0033767635,0.00008566859,0.00039911811,0.006294601,0.9875416,0.0000070441743],"about_ca_topic_score_codex":0.014808541,"about_ca_topic_score_gemma":0.013316054,"teacher_disagreement_score":0.014808541,"about_ca_system_score_codex":0.0036733956,"about_ca_system_score_gemma":0.0013017271,"threshold_uncertainty_score":0.030284762},"labels":[],"label_agreement":null},{"id":"W2258096200","doi":"","title":"MÚSICA DE CHOPIN Y HAYDN, CON MARC-ANDRÉ HAMELIN","year":2007,"lang":"es","type":"article","venue":"Gaceta UNAM (2000-2009)","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.013970868614180678,"score_gpt":0.24453714395182155,"score_spread":0.23056627533764087,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2258096200","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.021493634,0.14129244,0.0035501008,0.09097895,0.016107175,0.00011934498,0.0012103199,0.00055991503,0.72468805],"genre_scores_gemma":[0.059146762,0.013981125,0.001078272,0.0048164823,0.0011804672,0.000030175706,0.00017004709,0.00016536129,0.9194313],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999461,0.00006284055,0.000009756618,0.0001369085,0.00023082971,0.00009873778],"domain_scores_gemma":[0.99960095,0.000040935443,0.0000339605,0.000021982596,0.00015978482,0.00014240247],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005967521,0.00096191047,0.00030483236,0.00096582074,0.005891706,0.0036672647,0.0006128547,0.0010079786,0.03222925],"category_scores_gemma":[0.0013484836,0.00025204418,0.00018244957,0.0010374745,0.0031628457,0.0013483982,0.0016795269,0.0021175365,0.005647328],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000095001626,0.00002023911,0.0016525008,0.00014037343,0.000012430913,0.0003899439,0.009515596,0.00011462521,0.0013449145,0.063034326,0.8484658,0.07521428],"study_design_scores_gemma":[0.0000024296755,0.0000053721596,0.0018762854,0.000048557285,0.0000015369171,0.00007278628,0.0010550212,0.000022809534,0.00012495548,0.00055094104,0.99623317,0.000006034876],"about_ca_topic_score_codex":0.5394227,"about_ca_topic_score_gemma":0.78001636,"teacher_disagreement_score":0.5394227,"about_ca_system_score_codex":0.015034972,"about_ca_system_score_gemma":0.007898569,"threshold_uncertainty_score":0.9265795},"labels":[],"label_agreement":null},{"id":"W2270798011","doi":"","title":"José Labrador, C. Ángel Zorita y Ralph A. Difran, Cancionero de poesías varias. Biblioteca de Palacio, Ms. nº 617 (Siglos XV y XVI) . Cleveland—Denver, Cleveland State University— University of Denver, 1984","year":2013,"lang":"es","type":"article","venue":"Anuario de Letras. Lingüística y Filología","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities; State (computer science); Mathematics","score_opus":0.008536670154976294,"score_gpt":0.1862166532255053,"score_spread":0.17767998307052899,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2270798011","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0012114829,0.81466556,0.00052147853,0.104662985,0.00764995,0.00003192634,0.0005727655,0.00007656278,0.07060728],"genre_scores_gemma":[0.037901692,0.76019657,0.0017097717,0.01649345,0.0106215,0.00011632385,0.0006164871,0.00020089513,0.17214327],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99873394,0.00030480334,0.00007623165,0.00015091867,0.00058156677,0.00015257277],"domain_scores_gemma":[0.996968,0.0008934209,0.0004135932,0.00009828629,0.0013925823,0.0002341752],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018590965,0.001324707,0.00078430714,0.004816945,0.0048125247,0.004496785,0.0015829614,0.0027049633,0.023580687],"category_scores_gemma":[0.0043570935,0.00072079134,0.00037084735,0.0062560462,0.0023465033,0.0056951935,0.0017484507,0.0037043602,0.005735291],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000056647194,0.000018736571,0.0007967471,0.0003500045,0.000011019673,0.00009575715,0.0022038685,0.00004094856,0.00012703122,0.016299883,0.931702,0.048297282],"study_design_scores_gemma":[0.000015635655,0.000008939601,0.0063698418,0.0005967946,0.000014630361,0.00008165243,0.002795024,0.000023489094,0.00012081888,0.0032202948,0.98673487,0.000018020226],"about_ca_topic_score_codex":0.20209952,"about_ca_topic_score_gemma":0.4195104,"teacher_disagreement_score":0.20209952,"about_ca_system_score_codex":0.007670544,"about_ca_system_score_gemma":0.0072342223,"threshold_uncertainty_score":0.4018463},"labels":[],"label_agreement":null},{"id":"W2271464584","doi":"10.14288/1.0093920","title":"La Historia de la Frontera y el Romancero Fronterizo","year":2010,"lang":"en","type":"article","venue":"Open Collections","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Art; History","score_opus":0.009305858828503892,"score_gpt":0.25100260115538614,"score_spread":0.24169674232688224,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2271464584","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16159976,0.043017227,0.001772054,0.008034595,0.0008068257,0.00002279049,0.00016595898,0.00010441041,0.78447634],"genre_scores_gemma":[0.89716697,0.014560719,0.0009336663,0.00053356576,0.000376017,0.000016543296,0.00012129941,0.000070303475,0.08622092],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992399,0.0003020094,0.000014797657,0.00009104422,0.0001399981,0.00021236678],"domain_scores_gemma":[0.99960226,0.00011492672,0.000089817375,0.00006386626,0.00009060413,0.000038502385],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008080975,0.00029773553,0.00027101632,0.0011514702,0.0037260286,0.005361198,0.0004612889,0.0006565352,0.0076446473],"category_scores_gemma":[0.0017202229,0.00014150645,0.00016269466,0.002363115,0.0055641276,0.0014311104,0.0013979924,0.0015158672,0.0006614024],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009698172,0.00004656288,0.008061439,0.00030196193,0.000008408735,0.001057226,0.09958882,0.00030895433,0.00048559956,0.75684917,0.019235043,0.11395993],"study_design_scores_gemma":[0.000008147197,0.000009681405,0.011069811,0.00029643057,0.0000037775708,0.00036291234,0.011185072,0.00005614328,0.00011847473,0.0061192946,0.97076315,0.0000070798524],"about_ca_topic_score_codex":0.046131678,"about_ca_topic_score_gemma":0.08427787,"teacher_disagreement_score":0.046131678,"about_ca_system_score_codex":0.0067521557,"about_ca_system_score_gemma":0.0025144503,"threshold_uncertainty_score":0.0917263},"labels":[],"label_agreement":null},{"id":"W2280067345","doi":"","title":"\"Aghardi\", de Enric Sió: una odisea contracultural en la España del tardofranquismo","year":2013,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.008162649954277987,"score_gpt":0.2195762879918346,"score_spread":0.2114136380375566,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2280067345","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4618934,0.030984016,0.0019043536,0.0841036,0.0052632014,0.00007900138,0.00022197409,0.00009736658,0.41545302],"genre_scores_gemma":[0.9174202,0.0092245275,0.0007396165,0.0072375047,0.0006759659,0.00006604457,0.000100784346,0.00010270835,0.064432666],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99908686,0.00039463278,0.000027047661,0.00009045402,0.00014979998,0.00025123887],"domain_scores_gemma":[0.9991703,0.0002863343,0.00014388132,0.0000654571,0.00018235248,0.00015172061],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019793154,0.00061664236,0.0003041084,0.0012083281,0.010870048,0.0046661254,0.00084426417,0.0021029897,0.0057642353],"category_scores_gemma":[0.0028612074,0.00017657483,0.00023570775,0.001577332,0.0079684155,0.0034685556,0.004529563,0.003969669,0.00073949335],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001307116,0.00008515273,0.010146721,0.00034362302,0.000008812955,0.0015096923,0.6407739,0.00002915872,0.0010436131,0.24398555,0.04808982,0.053853255],"study_design_scores_gemma":[0.000012576616,0.000027042403,0.009360595,0.0004835405,0.000013258685,0.000529635,0.42284098,0.000030088677,0.00048665862,0.004859432,0.56134206,0.000014176903],"about_ca_topic_score_codex":0.025566144,"about_ca_topic_score_gemma":0.05568176,"teacher_disagreement_score":0.025566144,"about_ca_system_score_codex":0.0045119873,"about_ca_system_score_gemma":0.005244744,"threshold_uncertainty_score":0.050834656},"labels":[],"label_agreement":null},{"id":"W2281203072","doi":"10.33137/q.i..v21i1.9421","title":"\"Or udirete, che Dio vi conduca\". Considerazioni sulla &lt;i&gt;Spagna&lt;/i&gt; in rima","year":2000,"lang":"it","type":"article","venue":"Quaderni d italianistica","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.028986972308838933,"score_gpt":0.2516779064365459,"score_spread":0.222690934127707,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2281203072","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.022322906,0.014202046,0.004439121,0.15700768,0.00393924,0.000060724273,0.00022877924,0.00010973327,0.79768974],"genre_scores_gemma":[0.5094087,0.015962085,0.0051607294,0.04981474,0.0040891552,0.00017179444,0.00026489474,0.00032722056,0.41480058],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99648833,0.0015161793,0.00013509422,0.0005522628,0.0008366161,0.00047156744],"domain_scores_gemma":[0.9961733,0.0010364308,0.00051561295,0.00058923697,0.0012218873,0.00046356473],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0037245331,0.00048123574,0.00044534577,0.0018528767,0.005609169,0.010455554,0.001051932,0.0019047344,0.024952663],"category_scores_gemma":[0.009116238,0.00023913673,0.0003828483,0.0018103375,0.011250431,0.006931702,0.006153272,0.004531517,0.00452694],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000408221,0.00002995894,0.0042406977,0.00032176168,0.000021544995,0.0002542431,0.020412784,0.000054287182,0.00051758805,0.84392554,0.0960172,0.03416349],"study_design_scores_gemma":[0.000008755204,0.000029636672,0.00464288,0.000526724,0.000021735901,0.0002981668,0.018228345,0.000097222735,0.0005964709,0.05396829,0.92155993,0.000021815897],"about_ca_topic_score_codex":0.014285854,"about_ca_topic_score_gemma":0.035605803,"teacher_disagreement_score":0.024952663,"about_ca_system_score_codex":0.0042059626,"about_ca_system_score_gemma":0.0057357913,"threshold_uncertainty_score":0.083474934},"labels":[],"label_agreement":null},{"id":"W2284917906","doi":"","title":"\"Dad vigor a mi lengua\": Orality and \"Costumbrismo\" in Gutiérrez Solana's Madrid","year":2011,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Orality; Economics; Economic growth; Literacy","score_opus":0.023577764220308727,"score_gpt":0.22920987091750702,"score_spread":0.2056321066971983,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2284917906","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6677349,0.03568715,0.00031103886,0.05883078,0.0021102016,0.000039708335,0.00024142388,0.00004406056,0.23500086],"genre_scores_gemma":[0.9597452,0.0053237644,0.00007095266,0.0018494005,0.0003185256,0.000015430463,0.000051433708,0.000037042915,0.03258823],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993075,0.00033153396,0.000019791843,0.00005900261,0.00008365769,0.00019849846],"domain_scores_gemma":[0.9991998,0.0003420107,0.000116492185,0.000029440554,0.000097348464,0.00021495698],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014007003,0.00043531964,0.00043500564,0.0015735982,0.009432243,0.0052462746,0.00092861184,0.0013216515,0.0060892683],"category_scores_gemma":[0.00234313,0.00018725278,0.00021622902,0.0014920158,0.0063357535,0.002004142,0.0037675695,0.0032840848,0.00041629502],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015405758,0.00017773922,0.0099296495,0.0002552184,0.000015036453,0.0025759987,0.8113157,0.000061099025,0.0005459339,0.10513192,0.03328827,0.036549408],"study_design_scores_gemma":[0.000020870515,0.00003204661,0.015629303,0.00040156985,0.000021373675,0.00042512128,0.66772795,0.00002334767,0.00026950936,0.002082857,0.31334853,0.000017507085],"about_ca_topic_score_codex":0.07803962,"about_ca_topic_score_gemma":0.14856996,"teacher_disagreement_score":0.07803962,"about_ca_system_score_codex":0.009033008,"about_ca_system_score_gemma":0.004604425,"threshold_uncertainty_score":0.15517074},"labels":[],"label_agreement":null},{"id":"W22942260","doi":"10.3899/jrheum.120504","title":"Recordando a Francisco Crespín Cuesta","year":2001,"lang":"en","type":"article","venue":"The Journal of Rheumatology","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Geology","score_opus":0.017549311577814697,"score_gpt":0.2289991389894778,"score_spread":0.2114498274116631,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W22942260","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02489854,0.047541764,0.0060319295,0.42710182,0.11753502,0.0002680148,0.0036782043,0.0019497479,0.37099487],"genre_scores_gemma":[0.13978001,0.03744293,0.00954522,0.07888293,0.03392225,0.0003160451,0.0015112889,0.0013932714,0.6972061],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99831176,0.00046433174,0.0000642054,0.00028684997,0.000664365,0.00020836007],"domain_scores_gemma":[0.99176276,0.0020915484,0.0006800396,0.0005174216,0.004008257,0.0009399356],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0027216442,0.0007007495,0.0006320956,0.0015603371,0.0029006798,0.003799136,0.0009996297,0.0019711591,0.071375325],"category_scores_gemma":[0.02339459,0.00019847655,0.00051034865,0.00094803533,0.0009805701,0.0018642801,0.00208783,0.003638581,0.02443215],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019400116,0.00008577811,0.0035389212,0.000359904,0.000021649688,0.0010064748,0.001981977,0.00008671131,0.00073129364,0.008073124,0.8373493,0.14657077],"study_design_scores_gemma":[0.00000952709,0.000019157993,0.0018721508,0.00032086432,0.0000114317545,0.00034411406,0.0012103514,0.000050990046,0.00033947345,0.00078657473,0.9950139,0.000021468582],"about_ca_topic_score_codex":0.025857348,"about_ca_topic_score_gemma":0.04878569,"teacher_disagreement_score":0.071375325,"about_ca_system_score_codex":0.0016747022,"about_ca_system_score_gemma":0.004233523,"threshold_uncertainty_score":0.23877424},"labels":[],"label_agreement":null},{"id":"W2301020229","doi":"","title":"Éveil modéré. La Nina Santa de Lucrecia Martel La Nina Santa de Lucrecia Martel","year":2005,"lang":"fr","type":"article","venue":"Ciné bulles","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.007897177657665391,"score_gpt":0.23080337962474062,"score_spread":0.22290620196707522,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2301020229","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0072078933,0.12204146,0.00040726905,0.39591268,0.071560934,0.000049585105,0.00052951823,0.00028106093,0.40200964],"genre_scores_gemma":[0.027140187,0.014356257,0.00017033645,0.029259602,0.007339063,0.00003101395,0.00008512913,0.00013837327,0.92148006],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99955946,0.00010042852,0.000008702124,0.0000910116,0.00011951594,0.000120814686],"domain_scores_gemma":[0.9992132,0.00014032907,0.00007043589,0.000022296095,0.00029144489,0.00026227976],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006769916,0.00056852336,0.00031733632,0.00046821756,0.003597532,0.0027445233,0.0006379535,0.0029620442,0.06844918],"category_scores_gemma":[0.0019150897,0.00028040286,0.00020140973,0.0002998764,0.00085405627,0.0019298824,0.0019147313,0.0047205663,0.016132697],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000050494837,0.000022061538,0.00028104222,0.00008311879,0.000002391351,0.00013882156,0.0007744938,0.000018885446,0.00024272913,0.015249975,0.9647635,0.018372497],"study_design_scores_gemma":[0.0000055083256,0.00000501044,0.00046157805,0.00006874748,0.0000015927554,0.00005388138,0.00052306516,0.000010756479,0.000060816987,0.0003611935,0.99844414,0.0000036610973],"about_ca_topic_score_codex":0.021828847,"about_ca_topic_score_gemma":0.055088412,"teacher_disagreement_score":0.06844918,"about_ca_system_score_codex":0.0027048795,"about_ca_system_score_gemma":0.0019042757,"threshold_uncertainty_score":0.22898531},"labels":[],"label_agreement":null},{"id":"W2304171410","doi":"","title":"Politiques culturelles des sexes: Erotisme feminin et nationalisme chez Rafael Luis Sanchez, Raphael Confiant, et Patrick Chamoiseau","year":2011,"lang":"fr","type":"article","venue":"Canadian review of comparative literature","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Sociology","score_opus":0.07449114530060484,"score_gpt":0.3118963213598008,"score_spread":0.23740517605919592,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2304171410","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.37316573,0.1775871,0.0004328984,0.04804172,0.0004248441,0.000013103104,0.000071456416,0.0000069008147,0.40025628],"genre_scores_gemma":[0.945096,0.0377204,0.00018377946,0.0012822622,0.00018775625,0.000015468602,0.000020245829,0.000007707533,0.015486308],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998749,0.00073248043,0.000024573483,0.00010412299,0.00019407745,0.00019571716],"domain_scores_gemma":[0.99851495,0.0008891949,0.0002870693,0.000046986286,0.00016786142,0.00009388752],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001856452,0.00022296522,0.0002935077,0.0011393153,0.005044612,0.0038355212,0.00036719674,0.0009283618,0.003065433],"category_scores_gemma":[0.0029801785,0.00015012026,0.00012789814,0.0021887827,0.007926493,0.0021740908,0.0014873397,0.0014761596,0.0001624152],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006585216,0.00005671108,0.014167765,0.00040838556,0.000021737267,0.001295334,0.32319012,0.00016193521,0.00037807436,0.56677026,0.012040677,0.081443205],"study_design_scores_gemma":[0.000020932193,0.000042047424,0.045872346,0.0014169896,0.000023960503,0.0008630003,0.3568371,0.00008427054,0.0003975353,0.01624445,0.5781682,0.000029185985],"about_ca_topic_score_codex":0.1064119,"about_ca_topic_score_gemma":0.20569873,"teacher_disagreement_score":0.1064119,"about_ca_system_score_codex":0.0057781395,"about_ca_system_score_gemma":0.005463828,"threshold_uncertainty_score":0.21158504},"labels":[],"label_agreement":null},{"id":"W2313073931","doi":"10.1212/wnl.0000000000002575","title":"Flamenco dancer posture","year":2016,"lang":"en","type":"article","venue":"Neurology","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Western Hospital","funders":"National Institute of Mental Health","keywords":"Deep brain stimulation; Neurology; Levodopa; Dystonia; Medicine; Physical medicine and rehabilitation; Parkinson's disease; Complication; Physical therapy; Anesthesia; Psychology; Disease; Surgery; Internal medicine; Psychiatry","score_opus":0.012531962090030291,"score_gpt":0.2024252591801588,"score_spread":0.1898932970901285,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2313073931","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.56591123,0.0073021287,0.0009210394,0.005836396,0.0016740015,0.00015354273,0.001136749,0.00011026684,0.41695467],"genre_scores_gemma":[0.9229751,0.0016659767,0.0005214284,0.0024218906,0.00022976995,0.000026319689,0.0002833608,0.000018153563,0.07185806],"study_design_codex":"case_report","study_design_gemma":"observational","domain_scores_codex":[0.9999014,0.00001140686,0.000004858477,0.000028440003,0.000028131784,0.000025664407],"domain_scores_gemma":[0.9999486,0.000008302478,0.000013988371,0.000005354551,0.000009612416,0.000014057873],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00010764242,0.00048805436,0.0001632264,0.0007277147,0.0013827784,0.0003071741,0.0003266347,0.0005401565,0.012450679],"category_scores_gemma":[0.00044290975,0.0000734851,0.00017104753,0.00033753135,0.0005522788,0.000232802,0.00044594155,0.0004893769,0.00114013],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00051408116,0.00056485785,0.109990455,0.0006454467,0.00007707284,0.5273892,0.029381597,0.00023329494,0.014332022,0.011991622,0.08190091,0.22297949],"study_design_scores_gemma":[0.00005583576,0.0005071031,0.25753638,0.00064975244,0.000048887323,0.5215422,0.0137348985,0.00021138071,0.0022898358,0.001723285,0.20163073,0.000069762886],"about_ca_topic_score_codex":0.01859625,"about_ca_topic_score_gemma":0.032826092,"teacher_disagreement_score":0.01859625,"about_ca_system_score_codex":0.0005750481,"about_ca_system_score_gemma":0.0003313178,"threshold_uncertainty_score":0.041651607},"labels":[],"label_agreement":null},{"id":"W2315286167","doi":"10.1353/ecf.2008.0015","title":"Zayde: A Spanish Romance (review)","year":2007,"lang":"en","type":"article","venue":"Eighteenth-Century Fiction","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Romance; Audience measurement; Art; Nothing; Classics; Art history; History; Literature; Humanities; Philosophy; Law; Political science","score_opus":0.01205683556623984,"score_gpt":0.2263849908138522,"score_spread":0.21432815524761234,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2315286167","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000044014923,0.9983993,0.000005066736,0.0006698638,0.00029181826,0.0000019082486,0.000023267965,0.0000012992986,0.0005634055],"genre_scores_gemma":[0.0014912669,0.99542564,0.000032062613,0.001459395,0.00035537273,0.000009691442,0.000078509926,0.0000036696267,0.0011444838],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995072,0.00012640508,0.00007798791,0.00007998443,0.00014751835,0.00006091955],"domain_scores_gemma":[0.99918085,0.00022399174,0.00022151624,0.000024043584,0.0002600238,0.00008948819],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011809102,0.0010544348,0.0022201617,0.0024026053,0.0006237719,0.003160309,0.0012481926,0.0014301213,0.019772938],"category_scores_gemma":[0.0035422777,0.00036796855,0.00076274405,0.004747887,0.0009902833,0.0021393185,0.0015306409,0.001708335,0.0027429839],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019490744,0.000032168395,0.00057622,0.06831678,0.00019195706,0.00021610632,0.00055255403,0.0000556119,0.00017021543,0.0029142764,0.38638446,0.5403947],"study_design_scores_gemma":[0.00003657771,0.00002304003,0.0025404312,0.035219826,0.00015768128,0.0004607057,0.00045927797,0.000007640929,0.000034244393,0.0003270599,0.96072316,0.00001040502],"about_ca_topic_score_codex":0.011952985,"about_ca_topic_score_gemma":0.020398906,"teacher_disagreement_score":0.019772938,"about_ca_system_score_codex":0.0019450281,"about_ca_system_score_gemma":0.0052614985,"threshold_uncertainty_score":0.06614709},"labels":[],"label_agreement":null},{"id":"W2318382584","doi":"10.1080/08831150009600334","title":"Playing Games of Identity: Benjamín Prado's<i>Alguien se acerca</i>","year":2000,"lang":"en","type":"article","venue":"Romance Quarterly","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Identity (music); Psychology; Humanities; Psychoanalysis; Art; Aesthetics","score_opus":0.014881493350322234,"score_gpt":0.236309019493467,"score_spread":0.22142752614314476,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2318382584","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.016934989,0.046208084,0.006838479,0.6495614,0.011842208,0.00003257222,0.00006990015,0.00010140765,0.26841095],"genre_scores_gemma":[0.56916326,0.031207586,0.010759329,0.0910372,0.0041124327,0.00017858885,0.000085260406,0.00060237764,0.292854],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981092,0.0012367844,0.000019472142,0.00020579345,0.0002366108,0.00019203604],"domain_scores_gemma":[0.9980399,0.0008880932,0.00008999553,0.00009615057,0.00024953217,0.00063642027],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022794008,0.0007068642,0.0005149107,0.0005828492,0.007867039,0.009015997,0.00139036,0.0034819103,0.008189754],"category_scores_gemma":[0.005497778,0.00030386177,0.00023193395,0.00060854584,0.012769168,0.011457456,0.0053851753,0.005429896,0.0017966887],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000038122686,0.000079722726,0.00040848626,0.00007668045,0.00000817552,0.00005532902,0.030733604,0.0001503633,0.00011244304,0.550295,0.38661355,0.03142854],"study_design_scores_gemma":[0.000019464442,0.000013973836,0.000335263,0.00025995693,0.000006406162,0.00007032408,0.024454672,0.00027991497,0.00015813476,0.19627279,0.7780999,0.000029244737],"about_ca_topic_score_codex":0.02316579,"about_ca_topic_score_gemma":0.053438302,"teacher_disagreement_score":0.02316579,"about_ca_system_score_codex":0.0036612586,"about_ca_system_score_gemma":0.0032641322,"threshold_uncertainty_score":0.046061933},"labels":[],"label_agreement":null},{"id":"W2396400154","doi":"","title":"Vida de Isidro labrador 1592","year":2015,"lang":"es","type":"article","venue":"Lemir: Revista de Literatura Española Medieval y del Renacimiento","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Geography","score_opus":0.020927160334027736,"score_gpt":0.26446393684380504,"score_spread":0.2435367765097773,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2396400154","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.003009026,0.42403126,0.00075106544,0.26247978,0.1989152,0.000025286901,0.00054595055,0.0002559314,0.109986484],"genre_scores_gemma":[0.063124605,0.19708076,0.001513951,0.10692041,0.16550763,0.00011726876,0.0008141478,0.0006926565,0.46422854],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985917,0.00046197395,0.00005944568,0.00028650524,0.00040155445,0.00019889821],"domain_scores_gemma":[0.99794215,0.0005273548,0.00015362361,0.00015408506,0.0008657732,0.00035702382],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002744081,0.0013362641,0.0011287369,0.0029949925,0.0023899477,0.0054174312,0.0012270684,0.0038663393,0.030509824],"category_scores_gemma":[0.006360532,0.00025476314,0.0006124515,0.0016032532,0.0016539374,0.0037140006,0.0041944813,0.004249386,0.014026155],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001204802,0.000037615253,0.00031296,0.0004976155,0.00001793236,0.00023704932,0.0010999201,0.000060552084,0.00045169637,0.020964416,0.93120515,0.04499471],"study_design_scores_gemma":[0.0000051537586,0.000005177588,0.00022304022,0.00030128198,0.0000050745543,0.00009310219,0.00038883754,0.000020289952,0.000088661334,0.00084410596,0.9980211,0.0000042282586],"about_ca_topic_score_codex":0.0050384267,"about_ca_topic_score_gemma":0.004215452,"teacher_disagreement_score":0.030509824,"about_ca_system_score_codex":0.002698489,"about_ca_system_score_gemma":0.0022961502,"threshold_uncertainty_score":0.10206556},"labels":[],"label_agreement":null},{"id":"W24773303","doi":"10.1111/anae.12661","title":"Walter de María. La Medición del mundo","year":2009,"lang":"en","type":"article","venue":"Arte y parte: revista de arte - España, Portugal y América","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Canadian Institutes of Health Research","keywords":"Humanities; Art","score_opus":0.014689878901244553,"score_gpt":0.24497378822085097,"score_spread":0.23028390931960643,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W24773303","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0030329742,0.33133656,0.0013878713,0.11492175,0.09578209,0.00006276712,0.0009608005,0.0005165651,0.45199856],"genre_scores_gemma":[0.04838123,0.17790288,0.0027338108,0.02531678,0.025102638,0.00012119786,0.0004960683,0.0004060352,0.71953934],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993025,0.0001401998,0.000050682567,0.00017928408,0.00022149568,0.00010589136],"domain_scores_gemma":[0.9991503,0.00022820836,0.00010823435,0.000067957655,0.00022598414,0.00021928466],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009232707,0.00073520915,0.0005320434,0.001188511,0.0010327229,0.0024256906,0.00067376305,0.002334505,0.14796889],"category_scores_gemma":[0.00337767,0.0001831101,0.00037038198,0.0007923484,0.0010310904,0.0016759719,0.0014378998,0.0026385416,0.068520665],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012131521,0.000043407264,0.00063273706,0.00081128714,0.00001522225,0.00104044,0.0006920666,0.00006072205,0.00046550375,0.0297107,0.66666484,0.29974174],"study_design_scores_gemma":[0.0000039229885,0.0000068891313,0.00023815401,0.00023775596,0.0000025451627,0.0006569024,0.00010662105,0.0000103225375,0.000050270264,0.00093019824,0.9977531,0.0000033957404],"about_ca_topic_score_codex":0.001799441,"about_ca_topic_score_gemma":0.00297691,"teacher_disagreement_score":0.14796889,"about_ca_system_score_codex":0.0013117254,"about_ca_system_score_gemma":0.0015624127,"threshold_uncertainty_score":0.49500525},"labels":[],"label_agreement":null},{"id":"W2478785","doi":"10.30827/arenal.v8i2.16553","title":"Del precio de la novia a la dote en la Europa mediterránea","year":2002,"lang":"es","type":"article","venue":"Arenal Revista de historia de las mujeres","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Humanities; Political science; Philosophy","score_opus":0.011132140072457868,"score_gpt":0.23161305995736314,"score_spread":0.22048091988490529,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2478785","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.888916,0.005442941,0.0015165008,0.0023629814,0.000104938044,0.000017158853,0.00046574394,0.000015411211,0.10115836],"genre_scores_gemma":[0.9749918,0.003964927,0.0009073195,0.00046491186,0.000026245947,0.000007604413,0.0002681144,0.000018613471,0.019350477],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994186,0.00013007627,0.00002842497,0.00013703384,0.000116287694,0.0001695232],"domain_scores_gemma":[0.99917656,0.00015756472,0.00023848172,0.00007459906,0.00023054142,0.00012217299],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010318628,0.00024445157,0.00026778594,0.0005563115,0.0014138779,0.0026657195,0.00025119373,0.00046110604,0.0033785452],"category_scores_gemma":[0.0010751797,0.00010889878,0.0002902538,0.0011070637,0.0011264376,0.00095403835,0.0019193698,0.00054735015,0.00036436267],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00064815924,0.00013278484,0.6551867,0.0016006015,0.00032025037,0.00565803,0.050116185,0.002128294,0.026521277,0.07757307,0.00567239,0.17444219],"study_design_scores_gemma":[0.0000081336875,0.00011255568,0.7235581,0.00047859375,0.00009739991,0.0011250048,0.046033233,0.00034615758,0.003637213,0.0029330058,0.22163352,0.000036999594],"about_ca_topic_score_codex":0.034059934,"about_ca_topic_score_gemma":0.06966287,"teacher_disagreement_score":0.034059934,"about_ca_system_score_codex":0.0017451273,"about_ca_system_score_gemma":0.0017595524,"threshold_uncertainty_score":0.06772339},"labels":[],"label_agreement":null},{"id":"W2496463028","doi":"","title":"Melancolía y desencanto en \"Pedro Páramo\"","year":2006,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.009116504700923513,"score_gpt":0.21938507784685704,"score_spread":0.21026857314593353,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2496463028","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06978176,0.12993649,0.0029080338,0.5821776,0.029532265,0.00012626381,0.0007916465,0.00026419983,0.1844818],"genre_scores_gemma":[0.42055458,0.1164746,0.0026759913,0.09700398,0.012546254,0.00034637382,0.00047917134,0.00059641653,0.34932262],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99902916,0.0004343368,0.00002720021,0.00012649281,0.00022372587,0.00015903653],"domain_scores_gemma":[0.99804306,0.0006903184,0.00021347066,0.000109098575,0.0006867391,0.00025731162],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0024127318,0.0010415199,0.00056483404,0.0019050973,0.00622185,0.0057095955,0.0012990272,0.0026767028,0.012022769],"category_scores_gemma":[0.0076621175,0.00026419453,0.000496179,0.0022506164,0.003236428,0.004397659,0.004552411,0.004346338,0.0021202657],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00026208663,0.00016415984,0.008532984,0.000824411,0.000040044906,0.001100061,0.06458585,0.00009353679,0.00074511656,0.17722149,0.64260125,0.10382901],"study_design_scores_gemma":[0.000018419478,0.000013371412,0.0051601734,0.0007102557,0.0000294578,0.0003157672,0.04263187,0.00004600662,0.00047428452,0.0056525897,0.944927,0.000020723937],"about_ca_topic_score_codex":0.04729669,"about_ca_topic_score_gemma":0.055644915,"teacher_disagreement_score":0.04729669,"about_ca_system_score_codex":0.0038266426,"about_ca_system_score_gemma":0.004268477,"threshold_uncertainty_score":0.09404284},"labels":[],"label_agreement":null},{"id":"W2499213798","doi":"10.1017/ccol9780521801928.003","title":"Flamenco guitar: history, style, status","year":2003,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Guitar; Sophistication; Style (visual arts); Art; Literature; Visual arts; Dance; Aesthetics; Acoustics","score_opus":0.028185414185140804,"score_gpt":0.1744376300428239,"score_spread":0.14625221585768308,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2499213798","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.028986419,0.073931396,0.0007195811,0.0037439938,0.0006643819,0.000015627254,0.00005434499,0.000053639367,0.89183056],"genre_scores_gemma":[0.5679432,0.05947115,0.0015207992,0.0021121358,0.0015162614,0.000059117032,0.0002067083,0.00019011895,0.36698046],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997552,0.00006717622,0.000007931248,0.00004902195,0.00007769381,0.000042856336],"domain_scores_gemma":[0.99983287,0.000057987632,0.000017301667,0.00001909714,0.000044861234,0.000027920478],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00052821875,0.00036391086,0.00020205256,0.0013190773,0.002202956,0.004628536,0.0007357506,0.0007678234,0.006562005],"category_scores_gemma":[0.00084935175,0.00011192021,0.00010041691,0.001979144,0.0040954067,0.0016496652,0.0010045919,0.0011041326,0.0008274099],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013339812,0.000062461,0.0025071604,0.00050124276,0.000007878732,0.0009339867,0.0648255,0.00011828048,0.0011993569,0.57660985,0.058941416,0.2941594],"study_design_scores_gemma":[0.000010658081,0.0000302022,0.004509921,0.00037844764,0.000004243444,0.00042559288,0.009859535,0.000062323896,0.00020030966,0.011191001,0.9733181,0.000009635847],"about_ca_topic_score_codex":0.014904054,"about_ca_topic_score_gemma":0.020955952,"teacher_disagreement_score":0.014904054,"about_ca_system_score_codex":0.0038237548,"about_ca_system_score_gemma":0.0012885138,"threshold_uncertainty_score":0.029634595},"labels":[],"label_agreement":null},{"id":"W2511225852","doi":"10.1353/rvs.2016.0033","title":"Spanish Female Writers and the Freethinking Press 1879-1926 by Christine Arkinstall","year":2016,"lang":"en","type":"article","venue":"Revista de estudios hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Political science","score_opus":0.014830862095331557,"score_gpt":0.21196594152248027,"score_spread":0.19713507942714872,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2511225852","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0051465156,0.7917064,0.00006902718,0.06120055,0.018419458,0.00001697853,0.0003805666,0.00003039124,0.12303012],"genre_scores_gemma":[0.119543135,0.4341667,0.00015660936,0.008731045,0.022233147,0.00005767994,0.00046094187,0.00016204825,0.41448876],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99912137,0.00026045606,0.000041862055,0.0001391118,0.0002816755,0.00015559098],"domain_scores_gemma":[0.9984426,0.00049523945,0.0002631416,0.00005430187,0.0005037988,0.00024094024],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013025637,0.0011216459,0.00072224287,0.0032288928,0.004023653,0.005835865,0.0008394023,0.0018571774,0.026303396],"category_scores_gemma":[0.0026653719,0.0004869249,0.0002535593,0.006105013,0.004035978,0.003218636,0.0026882207,0.0026912035,0.006056454],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000742179,0.00001944483,0.0011789872,0.00073443813,0.000011971389,0.0003748121,0.018271359,0.00008475805,0.000103174294,0.025867019,0.8999041,0.05337571],"study_design_scores_gemma":[0.0000046725027,0.0000049227037,0.001997053,0.00095240003,0.0000036085164,0.000089327696,0.005542568,0.000006774039,0.000031917,0.00048781943,0.9908709,0.000007979455],"about_ca_topic_score_codex":0.06508565,"about_ca_topic_score_gemma":0.089492686,"teacher_disagreement_score":0.06508565,"about_ca_system_score_codex":0.0069842734,"about_ca_system_score_gemma":0.0051195524,"threshold_uncertainty_score":0.1294136},"labels":[],"label_agreement":null},{"id":"W2514442499","doi":"","title":"Informes sobre uninédito de Goya. San Isidro Labrador en oración","year":2012,"lang":"es","type":"article","venue":"Carmelus: Comentarii ab Instituto Carmelitano editi","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Geography","score_opus":0.011001302336990402,"score_gpt":0.24722177875295956,"score_spread":0.23622047641596916,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2514442499","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011909941,0.32654148,0.0004248982,0.2674111,0.02791105,0.000026111229,0.0017625301,0.00022746478,0.36378548],"genre_scores_gemma":[0.12632452,0.19760768,0.0006529784,0.03747233,0.008703224,0.000053294876,0.0015056715,0.00035891953,0.62732136],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99938345,0.0002346378,0.000020768903,0.00008009696,0.00016926668,0.00011178289],"domain_scores_gemma":[0.99901736,0.0004612209,0.000073784046,0.000052171396,0.00026945077,0.00012589582],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013632689,0.0005032034,0.00046876332,0.001083947,0.0020044518,0.0029166609,0.0005320662,0.0020448372,0.058962002],"category_scores_gemma":[0.0027001193,0.00019543919,0.00021961599,0.0014637238,0.0012792716,0.0023053961,0.0015931383,0.0031012327,0.0076049045],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014296533,0.00003554571,0.0010716217,0.000564713,0.000012114896,0.00037116246,0.0066062636,0.00006501267,0.0003341681,0.03284627,0.8668311,0.09111905],"study_design_scores_gemma":[0.000004308976,0.0000034293626,0.0013857934,0.00028950348,0.0000035875787,0.000048580343,0.0015592532,0.000011003156,0.00007608689,0.00063110987,0.9959831,0.0000042501083],"about_ca_topic_score_codex":0.067953974,"about_ca_topic_score_gemma":0.08318293,"teacher_disagreement_score":0.067953974,"about_ca_system_score_codex":0.0038628865,"about_ca_system_score_gemma":0.0031214843,"threshold_uncertainty_score":0.19724756},"labels":[],"label_agreement":null},{"id":"W2516158303","doi":"10.18192/rceh.v39i3.1637","title":"How to Interpret Galdós’s Tormento? What the Galley Proofs Tell Us.","year":2015,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Humanities; Art","score_opus":0.019794345578171325,"score_gpt":0.23084378840704942,"score_spread":0.21104944282887808,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2516158303","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02415648,0.054636076,0.037677653,0.28860617,0.007116419,0.00008468149,0.000442657,0.00045370654,0.5868262],"genre_scores_gemma":[0.773765,0.016055346,0.0119757885,0.017402507,0.0030512768,0.00012153936,0.00025509574,0.0008567718,0.17651659],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99698406,0.0018269961,0.00010962933,0.000341501,0.00041186248,0.0003259816],"domain_scores_gemma":[0.9958554,0.0021074798,0.00041734645,0.0007707326,0.00060339924,0.00024558164],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0033720103,0.001002872,0.00067626487,0.0020088884,0.0046445723,0.011023486,0.00185515,0.004925742,0.011997076],"category_scores_gemma":[0.015580291,0.00042646797,0.00072916795,0.0011265659,0.016458323,0.014449556,0.0045669074,0.0053968164,0.0029666303],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002552667,0.0000043591463,0.00015301329,0.00005988133,0.00000896868,0.000107003296,0.003601439,0.000082577855,0.000051414583,0.970131,0.01901663,0.0067581455],"study_design_scores_gemma":[0.000029224148,0.000014118551,0.00047856756,0.0003046369,0.000019871422,0.00020266252,0.0036181773,0.00048483422,0.00042567684,0.5552697,0.43912107,0.000031392727],"about_ca_topic_score_codex":0.011214398,"about_ca_topic_score_gemma":0.010959179,"teacher_disagreement_score":0.011997076,"about_ca_system_score_codex":0.006858706,"about_ca_system_score_gemma":0.0024306702,"threshold_uncertainty_score":0.04976362},"labels":[],"label_agreement":null},{"id":"W2522111042","doi":"10.18192/rceh.v39i2.1659","title":"RENÉE M. SILVERMAN. Mapping the Landscape, Remapping the Text: Spanish Poetry from Antonio Machado’s Campos de Castilla to the First Avant-‐Garde (1909-1925). Chapel Hill: University of North Carolina Press, 2014. 271 pp.","year":2015,"lang":"en","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Chapel; Poetry; Art; Humanities; Cartography; Art history; Geography; Literature","score_opus":0.022151685383271696,"score_gpt":0.19472388440424657,"score_spread":0.17257219902097487,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2522111042","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.003413279,0.7327626,0.0040654982,0.13417079,0.012625955,0.00011481429,0.0013053408,0.00036997706,0.11117187],"genre_scores_gemma":[0.07578548,0.615675,0.0141249085,0.024680331,0.007197059,0.00030615574,0.0009050831,0.00082511146,0.26050097],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99927956,0.00028370065,0.000053977143,0.00007525503,0.00025473605,0.00005290724],"domain_scores_gemma":[0.99661773,0.0016012215,0.00016747921,0.000094549716,0.0013195327,0.00019943216],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017009953,0.0013063307,0.0005248804,0.0037216875,0.004557515,0.002753119,0.001644913,0.0013784432,0.016262868],"category_scores_gemma":[0.0046325093,0.00047766825,0.00041903727,0.004244444,0.002396145,0.006112894,0.0014595323,0.0026252263,0.008315263],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002207753,0.000019053557,0.0004637096,0.00043269942,0.000006952212,0.00015795631,0.008741648,0.000052276675,0.00017854384,0.008034213,0.87225956,0.109631315],"study_design_scores_gemma":[0.000009369028,0.000008872929,0.0029788855,0.0013121979,0.000010835973,0.00018010229,0.010785352,0.000053421183,0.0003708605,0.006127921,0.9781457,0.000016350474],"about_ca_topic_score_codex":0.08015848,"about_ca_topic_score_gemma":0.21743204,"teacher_disagreement_score":0.08015848,"about_ca_system_score_codex":0.002091977,"about_ca_system_score_gemma":0.0028823374,"threshold_uncertainty_score":0.15938377},"labels":[],"label_agreement":null},{"id":"W2529910716","doi":"","title":"Miracles in the Construction of Twentieth-Century Spanishness: Ramn Menndez Pidal, Luis Buuel's Viridiana and Isidro el labrador","year":2005,"lang":"en","type":"article","venue":"","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Geography; Archaeology; History; Ancient history","score_opus":0.011317761972455386,"score_gpt":0.22006071534709307,"score_spread":0.2087429533746377,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2529910716","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21987706,0.0626101,0.0014473939,0.10468888,0.0014243613,0.000026233936,0.00007761095,0.00003628257,0.609812],"genre_scores_gemma":[0.9532405,0.004708193,0.00023175773,0.0020424577,0.00028402157,0.000013832017,0.00001906397,0.000041677995,0.03941859],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992086,0.00045487983,0.000013541968,0.00006945648,0.000072589566,0.00018089566],"domain_scores_gemma":[0.9992987,0.00030117008,0.00007873412,0.000049158003,0.00016569211,0.000106561594],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002466232,0.0003998417,0.00032749466,0.0008967308,0.0058923084,0.0071671912,0.00062714145,0.001339942,0.005006943],"category_scores_gemma":[0.0025206641,0.00016133876,0.0001646098,0.0010808825,0.01576908,0.0032359385,0.0037292428,0.0026155207,0.00028972464],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000060988797,0.0000254163,0.0008456203,0.00005661754,0.0000058948517,0.00025809082,0.13024054,0.00006702015,0.00014253453,0.8453451,0.0113607785,0.011591435],"study_design_scores_gemma":[0.000049502763,0.000025866511,0.0043500266,0.00044603035,0.000013710312,0.00016524512,0.1581652,0.0000934065,0.00038641744,0.13503015,0.7012505,0.000023847831],"about_ca_topic_score_codex":0.03954335,"about_ca_topic_score_gemma":0.06116955,"teacher_disagreement_score":0.03954335,"about_ca_system_score_codex":0.006681493,"about_ca_system_score_gemma":0.004085452,"threshold_uncertainty_score":0.078626394},"labels":[],"label_agreement":null},{"id":"W25510387","doi":"10.1016/j.vaccine.2014.12.004","title":"Generaciones del cuento español","year":2013,"lang":"en","type":"article","venue":"Quimera: Revista de literatura","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.011243339293450417,"score_gpt":0.21047357287225843,"score_spread":0.199230233578808,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W25510387","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0070391535,0.907575,0.0007792272,0.0048974277,0.0052003996,0.000041557905,0.001054043,0.00013421813,0.073278934],"genre_scores_gemma":[0.04200458,0.9233869,0.0023334653,0.002394593,0.004275293,0.000082882514,0.0017248346,0.000108051245,0.023689352],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99904484,0.00024983182,0.00013144973,0.00018079703,0.0002922716,0.000100781785],"domain_scores_gemma":[0.9983382,0.0005955521,0.00029498056,0.000117681666,0.00059838616,0.000055126733],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017913064,0.0013202797,0.0016108043,0.0066568195,0.0011053107,0.0039910628,0.0013890172,0.0017407957,0.017889459],"category_scores_gemma":[0.0033577352,0.00026274184,0.0010320791,0.008076659,0.0018660423,0.0018606031,0.0013547662,0.0021467889,0.004320114],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00040474706,0.00017400568,0.002824313,0.017356595,0.0001513972,0.0027107275,0.004173837,0.0004194985,0.0019637016,0.040252965,0.09793147,0.8316368],"study_design_scores_gemma":[0.000014340393,0.000021727714,0.002063866,0.0037587443,0.00006765107,0.00066904275,0.00081576355,0.000034998375,0.00027884214,0.0009866029,0.9912753,0.000013135261],"about_ca_topic_score_codex":0.036584623,"about_ca_topic_score_gemma":0.02963346,"teacher_disagreement_score":0.036584623,"about_ca_system_score_codex":0.0037013046,"about_ca_system_score_gemma":0.0032441325,"threshold_uncertainty_score":0.072743356},"labels":[],"label_agreement":null},{"id":"W2551134565","doi":"","title":"El dialoguismo femenino en el Diálogo entre el Viejo, el Amor y la Mujer hermosa","year":2015,"lang":"es","type":"article","venue":"","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Art; Fifteenth; Biography; Humanities; Literature; Classics","score_opus":0.019699557197166536,"score_gpt":0.2640538545060461,"score_spread":0.2443542973088796,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2551134565","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.35691556,0.028484963,0.0051325588,0.03791621,0.0012084292,0.00004447452,0.00004132688,0.00006026229,0.5701963],"genre_scores_gemma":[0.9811483,0.0019846812,0.000452814,0.0010428408,0.00014337932,0.000023020111,0.0000061075343,0.000021531925,0.015177274],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9961468,0.0029727153,0.000040079656,0.00021558975,0.00025359547,0.00037112352],"domain_scores_gemma":[0.9982712,0.0011272279,0.0001654086,0.00007597487,0.00016756666,0.00019255173],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004379121,0.00044461744,0.00034742695,0.0009919901,0.0107131265,0.0075255316,0.0004937391,0.0024889624,0.0033610607],"category_scores_gemma":[0.0042951545,0.00023471628,0.00021316258,0.00072363485,0.025035348,0.0036835717,0.004130346,0.0024312898,0.0003501836],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000056263827,0.000023238596,0.0014505504,0.00009210953,0.0000047101303,0.0005736546,0.629925,0.000044722285,0.0004948934,0.3509983,0.002952255,0.013384353],"study_design_scores_gemma":[0.000023764485,0.000036081576,0.004334425,0.0007287195,0.000015896187,0.0005582248,0.45051876,0.0001347267,0.00052222004,0.032117464,0.51097786,0.0000318007],"about_ca_topic_score_codex":0.015170687,"about_ca_topic_score_gemma":0.019115962,"teacher_disagreement_score":0.015170687,"about_ca_system_score_codex":0.0058350936,"about_ca_system_score_gemma":0.0039190617,"threshold_uncertainty_score":0.04233682},"labels":[],"label_agreement":null},{"id":"W2555137535","doi":"10.18192/rceh.v39i2.1643","title":"BENJAMIN FRASER. Understanding Juan Benet. New Perspectives. Colección Understanding Modern European and Latin American Literature. Columbia: University of South Carolina Press, 2013. xix + 162 pp.","year":2015,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Latin Americans; Humanities; History; Art; Political science; Law","score_opus":0.037979941139722764,"score_gpt":0.21546788820611054,"score_spread":0.17748794706638776,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2555137535","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00026460437,0.9054875,0.0016838014,0.047905978,0.0051312903,0.00002142524,0.00113828,0.0003974755,0.037969775],"genre_scores_gemma":[0.013758626,0.8154633,0.005231407,0.010215839,0.006520732,0.00012410765,0.0010325683,0.0009663278,0.14668712],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99889636,0.00024390906,0.00008768509,0.00019195449,0.0004987936,0.0000812884],"domain_scores_gemma":[0.9970849,0.0010298305,0.0002432458,0.00013790654,0.0013218204,0.00018227949],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020473804,0.002765115,0.001350356,0.008354325,0.0040305783,0.0031128768,0.001721826,0.0036452818,0.07543306],"category_scores_gemma":[0.0054567093,0.001628141,0.00087899674,0.0096894195,0.0021859705,0.008299942,0.0014846836,0.0043662232,0.040333696],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002543777,0.00001437323,0.00018268322,0.0002719279,0.000008265913,0.00005330254,0.0005802422,0.00009120151,0.0000754606,0.006995891,0.90191454,0.08978667],"study_design_scores_gemma":[0.0000132266005,0.0000056788244,0.0013807674,0.0010298284,0.0000131984625,0.00008505237,0.0005739144,0.000084694206,0.00016824942,0.01228944,0.98433554,0.000020408246],"about_ca_topic_score_codex":0.07020532,"about_ca_topic_score_gemma":0.12610246,"teacher_disagreement_score":0.07543306,"about_ca_system_score_codex":0.0033502816,"about_ca_system_score_gemma":0.0033780814,"threshold_uncertainty_score":0.25234872},"labels":[],"label_agreement":null},{"id":"W2557890702","doi":"10.18192/rceh.v39i3.1631","title":"“La vengadora de los licenciados de Cuba”: patriarcado y colonialismo en La desheredada","year":2015,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Humanities; Art","score_opus":0.017038792425435392,"score_gpt":0.25212245761061847,"score_spread":0.2350836651851831,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2557890702","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4453891,0.029247552,0.0012407902,0.0939528,0.0014464237,0.00004662565,0.000205635,0.000028787372,0.4284423],"genre_scores_gemma":[0.9508401,0.005250341,0.00023390246,0.0029592784,0.00020231261,0.00002355728,0.000046588913,0.0000249016,0.040419042],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992619,0.0003252177,0.000016456721,0.000073220304,0.00007417828,0.00024901656],"domain_scores_gemma":[0.99942774,0.0001518105,0.00012459008,0.000043097723,0.00013654836,0.000116117306],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009923276,0.00036637817,0.00028854067,0.00092652737,0.011355107,0.0067253015,0.00067871745,0.0011561381,0.0033369642],"category_scores_gemma":[0.0014348241,0.0002042526,0.00020647819,0.0013591206,0.011177256,0.002451346,0.0027745757,0.0024587766,0.00023072617],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012047944,0.000031119176,0.0058570825,0.00021724324,0.000014889623,0.0012771102,0.23853426,0.00026382724,0.00040951621,0.704928,0.025941668,0.02240476],"study_design_scores_gemma":[0.000016294893,0.000039802493,0.011949913,0.0007466545,0.000029612116,0.0006084565,0.24053071,0.00033159764,0.0007849709,0.038067125,0.70685065,0.00004415442],"about_ca_topic_score_codex":0.28391576,"about_ca_topic_score_gemma":0.413718,"teacher_disagreement_score":0.71608424,"about_ca_system_score_codex":0.014101032,"about_ca_system_score_gemma":0.008525785,"threshold_uncertainty_score":0.5645264},"labels":[],"label_agreement":null},{"id":"W2557976071","doi":"10.1080/14753820.2016.1253172","title":"<i>Para usted soy siempre yo</i>: A Picaresque Double Act in Ángeles Vicente’s <i>Zezé</i> (1909)","year":2016,"lang":"es","type":"article","venue":"Bulletin of Spanish Studies","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Queen's University; Queen's University Belfast","keywords":"Novella; Depiction; Narrative; Art; Literature; Presentation (obstetrics); Philosophy; Art history","score_opus":0.03724259860019373,"score_gpt":0.27263173651544964,"score_spread":0.2353891379152559,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2557976071","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4348583,0.008507391,0.00088514684,0.023563089,0.0010179261,0.000036409834,0.00007228376,0.000048047277,0.53101146],"genre_scores_gemma":[0.9263461,0.0014885556,0.00019213674,0.0011075011,0.00018718788,0.0000175411,0.000021949538,0.000045347577,0.07059366],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996661,0.00015796759,0.0000047682797,0.000042121617,0.000049165756,0.00007981624],"domain_scores_gemma":[0.9998022,0.00006262505,0.000034398952,0.000015310134,0.00003839589,0.000047061036],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00075998664,0.0003079902,0.00024345813,0.0003036793,0.0056258435,0.003165603,0.0003766474,0.0009194958,0.0026346745],"category_scores_gemma":[0.0010859361,0.00014479224,0.0001050845,0.00022328943,0.0068630143,0.0010973983,0.0017854066,0.0020635908,0.00038467767],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00026252662,0.00008251965,0.0033474318,0.00022163987,0.000013110705,0.0040639173,0.5534774,0.00019223442,0.0021731756,0.31879285,0.08427867,0.033094414],"study_design_scores_gemma":[0.000015278933,0.00003512983,0.004365198,0.00016315318,0.000008523639,0.00087564735,0.13239123,0.0000823573,0.0009146073,0.002551718,0.8585771,0.000020043843],"about_ca_topic_score_codex":0.02310188,"about_ca_topic_score_gemma":0.04456308,"teacher_disagreement_score":0.02310188,"about_ca_system_score_codex":0.0036149533,"about_ca_system_score_gemma":0.0010245357,"threshold_uncertainty_score":0.045934796},"labels":[],"label_agreement":null},{"id":"W2558556251","doi":"","title":"TORRALBO CABALLERO, Juan de Dios (Granada: 2014). The Poetry of Bruce Meyer. The Inaugural Poet Laureate of the city of Barrie","year":2015,"lang":"en","type":"article","venue":"Alfinge Revista de Filología","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Art; Art history; Literature; Humanities","score_opus":0.032995571072160015,"score_gpt":0.23385348427408612,"score_spread":0.20085791320192609,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2558556251","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.003638275,0.7996863,0.00045937777,0.07723619,0.0118313115,0.000022058985,0.0013143701,0.00013977385,0.10567237],"genre_scores_gemma":[0.15601635,0.38962835,0.0013508988,0.016128154,0.0057477267,0.000120068085,0.0012940583,0.00073935057,0.4289751],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999554,0.0001770136,0.000019611369,0.000047718135,0.00009919208,0.00010243022],"domain_scores_gemma":[0.99931264,0.00018543734,0.00007161679,0.00003616537,0.00026576532,0.00012840374],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011438102,0.0012629277,0.0005852663,0.0024801604,0.006646387,0.006777001,0.0011942977,0.0025658794,0.025342992],"category_scores_gemma":[0.0017119593,0.00044861098,0.00028986693,0.0047342745,0.0027907186,0.004718109,0.002352106,0.0035466212,0.009313576],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009227252,0.00001811013,0.00078629056,0.00032200254,0.000010001993,0.0002358415,0.016721865,0.000052120948,0.00010069617,0.018834215,0.9106352,0.052191377],"study_design_scores_gemma":[0.000008082933,0.0000037029702,0.0017651224,0.0005596901,0.000005830225,0.000066505614,0.009925794,0.000006806986,0.000051163577,0.001359321,0.9862416,0.000006365288],"about_ca_topic_score_codex":0.12383783,"about_ca_topic_score_gemma":0.34551853,"teacher_disagreement_score":0.12383783,"about_ca_system_score_codex":0.005506869,"about_ca_system_score_gemma":0.0042724293,"threshold_uncertainty_score":0.246234},"labels":[],"label_agreement":null},{"id":"W2563584751","doi":"10.15581/008.32.2985","title":"Orringer, Nelson R. Lorca in Tune with Falla: Literary and Musical Interludes. Toronto-Buffalo-London: University of Toronto Press, 2013. 300 pp. (ISBN: 9-781442-647299)","year":2015,"lang":"es","type":"article","venue":"Rilce Revista de Filología Hispánica","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Musical; Art; Media studies; Art history; Sociology; Literature","score_opus":0.016444169321486055,"score_gpt":0.21730750740481425,"score_spread":0.20086333808332818,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2563584751","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00095880544,0.915079,0.00058063335,0.014674159,0.0036298654,0.00001601137,0.00037691894,0.00014555272,0.06453901],"genre_scores_gemma":[0.0440635,0.63712275,0.0013484342,0.0033481915,0.004844917,0.00005270736,0.0005001727,0.00045540938,0.30826384],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996388,0.00007778558,0.000032295437,0.000057867608,0.0001350687,0.000058195743],"domain_scores_gemma":[0.9990909,0.00037465882,0.00007126642,0.000053397005,0.00026447288,0.00014530931],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008026486,0.0015180808,0.00096428156,0.0041859453,0.003440065,0.0042704926,0.0013421394,0.002358865,0.05893133],"category_scores_gemma":[0.0022600847,0.0008023818,0.00041825828,0.0047090384,0.0023905558,0.006874607,0.0017260097,0.001683025,0.018310193],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008337801,0.000017284903,0.00036579772,0.0007750772,0.000011017276,0.00018099374,0.0046987636,0.000085363245,0.000267806,0.009146705,0.7811068,0.20326091],"study_design_scores_gemma":[0.0000063890907,0.000008174235,0.0015244575,0.00073643075,0.00001094234,0.00022276513,0.0030331877,0.000021503218,0.000094823816,0.0022976052,0.99203616,0.00000769914],"about_ca_topic_score_codex":0.08981468,"about_ca_topic_score_gemma":0.2243624,"teacher_disagreement_score":0.08981468,"about_ca_system_score_codex":0.0026258382,"about_ca_system_score_gemma":0.0025281745,"threshold_uncertainty_score":0.19714493},"labels":[],"label_agreement":null},{"id":"W2566028278","doi":"10.25115/raudem.v3i0.625","title":"Locuras detectivescas en La detective miope de Rosa Ribás","year":2017,"lang":"es","type":"article","venue":"RAUDEM Revista de Estudios de las Mujeres","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Humanities; Art; Detective fiction; Cartography; Art history; Geography","score_opus":0.013081247835797649,"score_gpt":0.26935552109221467,"score_spread":0.256274273256417,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2566028278","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.27117628,0.00576979,0.009407334,0.022624139,0.0007456711,0.000086876214,0.0004425617,0.00056425785,0.6891831],"genre_scores_gemma":[0.9057631,0.0009800206,0.0022464867,0.0009927494,0.00018825046,0.000035085177,0.00011173058,0.00012858285,0.08955416],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987006,0.00048849266,0.00003780992,0.0002366275,0.0003463719,0.00018999762],"domain_scores_gemma":[0.99781007,0.0008906305,0.0004032722,0.00023087079,0.00052312517,0.00014204341],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001248742,0.00035838844,0.0002925673,0.001409581,0.0042838287,0.0037812823,0.00080805505,0.001508843,0.013320692],"category_scores_gemma":[0.0043775043,0.0002072415,0.00027585815,0.0008857669,0.0073512844,0.0024690034,0.0033716464,0.0025509244,0.001763652],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00030713752,0.000046476707,0.0069037667,0.00034882902,0.000019594303,0.0052986634,0.25324237,0.0002785987,0.0046206433,0.63471276,0.035766985,0.058454208],"study_design_scores_gemma":[0.000022746153,0.00006966512,0.012683387,0.00032326137,0.000020908965,0.0023329621,0.068335466,0.0002941841,0.0033512302,0.026921352,0.88558346,0.000061389495],"about_ca_topic_score_codex":0.019127244,"about_ca_topic_score_gemma":0.024869276,"teacher_disagreement_score":0.019127244,"about_ca_system_score_codex":0.0047191954,"about_ca_system_score_gemma":0.001706931,"threshold_uncertainty_score":0.0445621},"labels":[],"label_agreement":null},{"id":"W2575297761","doi":"10.3138/md.0831","title":"Dramatizing Queer Visibility in <i>El público</i>: Federico García Lorca in Search of a Modern Theatre","year":2017,"lang":"en","type":"article","venue":"Modern Drama","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":11,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Queer; Drama; Garcia; Visibility; Poetry; Art; Representation (politics); Closet; Literature; Reading (process); History; Art history; Sociology; Humanities; Gender studies; Political science; Law; Politics; Geography","score_opus":0.03328339303877855,"score_gpt":0.27706314676377597,"score_spread":0.2437797537249974,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2575297761","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18714862,0.008796284,0.00369775,0.0756639,0.0023825795,0.0000291349,0.00008625605,0.00020374956,0.7219918],"genre_scores_gemma":[0.9553613,0.002053556,0.0003292331,0.0022085335,0.0004521131,0.000017032184,0.000019408782,0.000112083566,0.039446797],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99921656,0.00043109618,0.000005358853,0.00004674674,0.00009024017,0.000209965],"domain_scores_gemma":[0.99960154,0.00018612249,0.000046993653,0.00003337107,0.00006808399,0.00006403387],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012867838,0.0003661404,0.00022784965,0.0004988544,0.0056983754,0.0061443406,0.0005603397,0.0013674846,0.0032103457],"category_scores_gemma":[0.0019678543,0.00011571967,0.00019925265,0.00044938055,0.010804256,0.0021381064,0.002670207,0.0031689869,0.00039233154],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021097116,0.000076743534,0.0012663475,0.00016161427,0.000017347471,0.00106573,0.30928236,0.0004708521,0.001294307,0.51561815,0.14431445,0.026221056],"study_design_scores_gemma":[0.00002124165,0.000031773354,0.0019042963,0.00025872642,0.000012719921,0.00040814822,0.12505151,0.00027700304,0.0007423818,0.0133478055,0.85791516,0.000029263228],"about_ca_topic_score_codex":0.028042734,"about_ca_topic_score_gemma":0.03636606,"teacher_disagreement_score":0.028042734,"about_ca_system_score_codex":0.005972478,"about_ca_system_score_gemma":0.0015919403,"threshold_uncertainty_score":0.055759013},"labels":[],"label_agreement":null},{"id":"W2595105659","doi":"10.18192/rceh.v40i3.1956","title":"Arquitectura rural, espacio doméstico y masculinidad en varios poemas de Francisco de Quevedo","year":2016,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Humanities; Art","score_opus":0.008500033281525776,"score_gpt":0.22206650425132451,"score_spread":0.21356647096979875,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2595105659","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.90505,0.005939624,0.0005303894,0.0028815411,0.00010372787,0.00004264439,0.0002120812,0.000030340909,0.08520964],"genre_scores_gemma":[0.94477105,0.0017535087,0.0006261816,0.00021466833,0.000025491778,0.000021597463,0.00008487694,0.000015545851,0.052487187],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997018,0.000072536575,0.000004464472,0.00007956721,0.000032066062,0.000109596345],"domain_scores_gemma":[0.99967325,0.000083793726,0.000050076473,0.000022004071,0.00005667226,0.00011419891],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005475341,0.00030170687,0.0002607872,0.000796826,0.007854629,0.002169665,0.00040822462,0.0005599454,0.0047873864],"category_scores_gemma":[0.0006044867,0.00019827228,0.00016384265,0.0009950526,0.0042660423,0.0008518164,0.0012744877,0.00090166065,0.00021572532],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00041694846,0.00011004206,0.1294353,0.00032457954,0.000036365484,0.0018581363,0.63300544,0.00034481264,0.003061116,0.093098484,0.015058237,0.12325065],"study_design_scores_gemma":[0.000017522363,0.00012286167,0.2765221,0.0003351203,0.000028688,0.00064185617,0.27438635,0.00014856033,0.00041750408,0.0025810353,0.44476604,0.00003235849],"about_ca_topic_score_codex":0.37658888,"about_ca_topic_score_gemma":0.6648962,"teacher_disagreement_score":0.37658888,"about_ca_system_score_codex":0.0067160926,"about_ca_system_score_gemma":0.0030445768,"threshold_uncertainty_score":0.7487938},"labels":[],"label_agreement":null},{"id":"W2607121070","doi":"","title":"Review of Ian Watson and colleagues, Negotiating Cultures: Eugenio Barba and the Intercultural Debate (Manchester, 2002)","year":2004,"lang":"en","type":"article","venue":"Modern Drama","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Watson; Negotiation; Psychoanalysis; Sociology; Psychology; Media studies; History; Social science; Computer science","score_opus":0.014688024672882348,"score_gpt":0.22916078077374435,"score_spread":0.214472756100862,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2607121070","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00006559429,0.9645069,0.000045440047,0.024905827,0.008760899,0.0000044818685,0.00004773216,0.00000262442,0.0016605088],"genre_scores_gemma":[0.00126191,0.9556056,0.00012299014,0.025588954,0.012347003,0.000021827918,0.00007501892,0.000012513459,0.0049641067],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986266,0.00039405728,0.00019894064,0.00021495561,0.00044942752,0.00011611677],"domain_scores_gemma":[0.99182135,0.0044312994,0.00055446895,0.00015946713,0.0023835944,0.0006497135],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0029624328,0.00095569727,0.0019015165,0.0068585756,0.0019942191,0.005964607,0.001644722,0.005222409,0.00787557],"category_scores_gemma":[0.011667975,0.0005449047,0.0004393751,0.010428962,0.002195533,0.0055584977,0.0027091536,0.0044768644,0.0045425803],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030452255,0.000019178287,0.0001851662,0.0043656994,0.000020391577,0.00008068064,0.00069383084,0.000036642934,0.00009019763,0.003656528,0.8993147,0.09150653],"study_design_scores_gemma":[0.000006296296,0.00000563114,0.00070084253,0.0050216406,0.000018733735,0.00015075973,0.0005170686,0.0000056301255,0.000023982553,0.00057947077,0.99296266,0.0000073269653],"about_ca_topic_score_codex":0.019100599,"about_ca_topic_score_gemma":0.05228122,"teacher_disagreement_score":0.019100599,"about_ca_system_score_codex":0.004470406,"about_ca_system_score_gemma":0.0067588137,"threshold_uncertainty_score":0.037978828},"labels":[],"label_agreement":null},{"id":"W261858404","doi":"10.5206/entrehojas.v4i1.6153","title":"Reseña: Mercedes Blanco, Góngora heroico. Las Soledades y la tradición épica.","year":2014,"lang":"es","type":"article","venue":"Entrehojas Revista de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Cartography; Geography","score_opus":0.01242633234833593,"score_gpt":0.23999101177141488,"score_spread":0.22756467942307895,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W261858404","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004021489,0.2695525,0.0007302053,0.35719112,0.037764218,0.000036599093,0.00027272006,0.000116879426,0.3303143],"genre_scores_gemma":[0.13487631,0.12736593,0.0010660313,0.08656294,0.031933144,0.00017754351,0.00022523689,0.00036822126,0.61742467],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991924,0.00030827578,0.000021828975,0.00014076148,0.00025391785,0.00008277735],"domain_scores_gemma":[0.99880445,0.00053641014,0.00014047541,0.00006537998,0.00028462158,0.00016866987],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010492551,0.00076661527,0.0004489051,0.0013360706,0.0043881787,0.0045777718,0.0010514321,0.0026530987,0.020627176],"category_scores_gemma":[0.0031179579,0.00027159523,0.0002653684,0.001598216,0.005719078,0.0041088113,0.0026186747,0.006114781,0.0034920454],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032199245,0.000014959965,0.0003953067,0.00026551384,0.000005353597,0.00019876758,0.012310252,0.000041462157,0.00017736595,0.08044389,0.8804082,0.02570667],"study_design_scores_gemma":[0.0000028347927,0.0000035175754,0.00062676566,0.000378085,0.0000018381074,0.00007257211,0.00299326,0.000010515631,0.000040917537,0.0018226036,0.9940428,0.0000042846937],"about_ca_topic_score_codex":0.039685797,"about_ca_topic_score_gemma":0.07306894,"teacher_disagreement_score":0.039685797,"about_ca_system_score_codex":0.006097834,"about_ca_system_score_gemma":0.0033284067,"threshold_uncertainty_score":0.078909576},"labels":[],"label_agreement":null},{"id":"W26504628","doi":"10.1364/boe.6.003765","title":"Vino viejo en odres nuevos","year":2011,"lang":"en","type":"article","venue":"Revista de libros","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"National Cancer Institute; Canadian Institutes of Health Research; National Institutes of Health","keywords":"Geology","score_opus":0.02788062106000433,"score_gpt":0.2078022843303065,"score_spread":0.17992166327030218,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W26504628","genre_codex":"other","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.039353777,0.34031188,0.0040760594,0.056770198,0.011917846,0.00003832766,0.0003192055,0.00031321213,0.54689944],"genre_scores_gemma":[0.39672735,0.29668185,0.00861001,0.021742439,0.007371837,0.000107751795,0.00042423667,0.00059626513,0.26773822],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985846,0.00064811966,0.00008335755,0.00019290963,0.00034426744,0.00014675358],"domain_scores_gemma":[0.9976872,0.0011509999,0.00030173114,0.00022180994,0.00047150257,0.00016676736],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002151592,0.0005818956,0.0006426041,0.002285572,0.0037425696,0.005994994,0.0007349685,0.0016411501,0.01928109],"category_scores_gemma":[0.0063452376,0.0001786058,0.00041446977,0.0024133872,0.005713292,0.004661924,0.0027826936,0.0026884929,0.0040527056],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021415956,0.00009108884,0.003930237,0.0019523919,0.000034127967,0.0016640958,0.051165454,0.00018830627,0.0009348959,0.38554287,0.1119735,0.44230887],"study_design_scores_gemma":[0.0000044768794,0.00002049236,0.0011747029,0.0012058228,0.000010919485,0.0005921871,0.014011494,0.000025118828,0.00018521401,0.008821072,0.9739342,0.000014290891],"about_ca_topic_score_codex":0.007259574,"about_ca_topic_score_gemma":0.013503727,"teacher_disagreement_score":0.01928109,"about_ca_system_score_codex":0.00274644,"about_ca_system_score_gemma":0.002581189,"threshold_uncertainty_score":0.06450164},"labels":[],"label_agreement":null},{"id":"W26998739","doi":"10.1111/ajt.13796","title":"La palabra viva de Carmen Martín de Gaite","year":2001,"lang":"en","type":"article","venue":"Insula-revista De Letras Y Ciencias Humanas","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.017408128437704777,"score_gpt":0.2391947652029366,"score_spread":0.2217866367652318,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W26998739","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.027446367,0.36374015,0.0023080646,0.40061975,0.055163432,0.00007934577,0.0013771151,0.00033257337,0.14893322],"genre_scores_gemma":[0.2554838,0.32228342,0.003420561,0.07025649,0.032758698,0.0001240518,0.0009973828,0.0003944633,0.3142812],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999511,0.00019273904,0.000013464382,0.00009259731,0.000116688054,0.000073519666],"domain_scores_gemma":[0.9979614,0.000792363,0.00020476151,0.00008745293,0.0007232724,0.00023077657],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014203226,0.0006419081,0.0004946947,0.0013670108,0.001399759,0.0015564042,0.00063254184,0.0013419726,0.03019217],"category_scores_gemma":[0.0062030703,0.00017568827,0.00034314246,0.0007205894,0.00087981625,0.0012718363,0.001050585,0.001586737,0.0058221477],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00025929903,0.00008092114,0.005886154,0.0007971328,0.000038641174,0.0014041456,0.0018052994,0.00015030998,0.00056783063,0.016072178,0.7905341,0.18240394],"study_design_scores_gemma":[0.000022683023,0.000037621772,0.008511977,0.0010976454,0.00001787662,0.0017996996,0.0013077214,0.00008501953,0.000326851,0.0028033792,0.98396295,0.000026620646],"about_ca_topic_score_codex":0.014302745,"about_ca_topic_score_gemma":0.016501233,"teacher_disagreement_score":0.03019217,"about_ca_system_score_codex":0.0011796538,"about_ca_system_score_gemma":0.0012432685,"threshold_uncertainty_score":0.10100287},"labels":[],"label_agreement":null},{"id":"W2737151657","doi":"10.26443/fo.v12i.193","title":"“To go abroad from Scotland...” The South American Travel Diary of Thomas Wilson","year":2010,"lang":"fr","type":"article","venue":"Fontanus","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"TypeScript; Latin Americans; Art; History; Art history; Humanities; Library science; Political science; Law; Computer science","score_opus":0.009519642987438903,"score_gpt":0.23017415366929256,"score_spread":0.22065451068185366,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2737151657","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21968527,0.02819651,0.0013354797,0.14071183,0.0066753,0.0000646468,0.0012943844,0.00011725844,0.60191923],"genre_scores_gemma":[0.5251393,0.021124732,0.0007604923,0.014565448,0.001035434,0.00008003736,0.00038322076,0.00020377398,0.43670762],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997558,0.00011188694,0.00000783518,0.000014106687,0.000058028025,0.000052333588],"domain_scores_gemma":[0.9995653,0.00014698289,0.000052523596,0.00002519831,0.00011047497,0.00009952182],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005402587,0.00021207474,0.00011923317,0.0007115978,0.005337595,0.0023691019,0.000270572,0.00029504206,0.014190499],"category_scores_gemma":[0.0014092334,0.00009424183,0.00006550617,0.0019200213,0.0019460438,0.0020450135,0.0011456327,0.0012658084,0.0019015906],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000075439784,0.00001937997,0.002518258,0.00017197244,0.000006058968,0.0004514829,0.25424984,0.000030843545,0.00087884825,0.044042222,0.6297235,0.067832194],"study_design_scores_gemma":[0.0000013220448,0.000004873242,0.0018304196,0.00004461529,0.0000010277132,0.000049212085,0.049933605,0.0000052105547,0.00008563633,0.0003378382,0.9477018,0.0000043958603],"about_ca_topic_score_codex":0.049957123,"about_ca_topic_score_gemma":0.16928473,"teacher_disagreement_score":0.049957123,"about_ca_system_score_codex":0.0018210948,"about_ca_system_score_gemma":0.002096288,"threshold_uncertainty_score":0.09933269},"labels":[],"label_agreement":null},{"id":"W2749758748","doi":"10.5206/entrehojas.v7i1.6172","title":"El debate realista español: apuntes de Galdós, Clarín y Bazán sobre la fórmula para reproducir la realidad","year":2017,"lang":"es","type":"article","venue":"Entrehojas Revista de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.020885908489113734,"score_gpt":0.28350740599350993,"score_spread":0.2626214975043962,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2749758748","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06174693,0.047757134,0.0057687876,0.35700512,0.0020806312,0.000021224429,0.000105834704,0.00005428103,0.52546006],"genre_scores_gemma":[0.8762461,0.016595686,0.0016120741,0.020143168,0.0011434047,0.000051134324,0.00006209474,0.00013582334,0.0840105],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9972633,0.00181027,0.000045027657,0.00023114006,0.0004392291,0.00021099762],"domain_scores_gemma":[0.99702066,0.0017520705,0.00018855133,0.00026274854,0.00062016706,0.00015577942],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0050432174,0.0004196665,0.00031758024,0.0010909152,0.005261811,0.00906228,0.0009223085,0.0027287381,0.008521079],"category_scores_gemma":[0.007465376,0.00015027795,0.00025098666,0.0016808488,0.017259357,0.005786325,0.0037733894,0.004076657,0.0010436042],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027299853,0.000013307068,0.00062296755,0.00008538949,0.0000062262598,0.00015186261,0.055098258,0.000049362796,0.00017196363,0.90548337,0.022181349,0.016108645],"study_design_scores_gemma":[0.0000181639,0.000020110687,0.0014115706,0.0006058024,0.000009992876,0.00013768741,0.06697908,0.00010566449,0.0004314309,0.13092414,0.7993437,0.000012577328],"about_ca_topic_score_codex":0.011931404,"about_ca_topic_score_gemma":0.014002804,"teacher_disagreement_score":0.011931404,"about_ca_system_score_codex":0.00651456,"about_ca_system_score_gemma":0.004631716,"threshold_uncertainty_score":0.04726672},"labels":[],"label_agreement":null},{"id":"W2773840127","doi":"10.24888/2410-4205-2017-13-4-37-43","title":"\"SLOVO I DELO GOSUDARY\" AS THE DISPLAY OF THE DAUGHTERNITY OF THE SERVICE PEOPLE OF SOUTHERN FRONTIER IN THE SECOND QUARTER XVII B","year":2017,"lang":"en","type":"article","venue":"History Facts and Symbols","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Quarter (Canadian coin); Frontier; Service (business); Geography; Business; Marketing; Archaeology","score_opus":0.017385316085124457,"score_gpt":0.19981670554728276,"score_spread":0.1824313894621583,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2773840127","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.63080627,0.004408895,0.00023443774,0.027859468,0.00091027643,0.000019675974,0.00009503828,0.00003579212,0.33563018],"genre_scores_gemma":[0.96192473,0.00048512715,0.00004625702,0.0016394964,0.00009872249,0.000011319004,0.00002131636,0.000023987895,0.035749055],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99925464,0.0002988177,0.000009253388,0.000052672076,0.000074597,0.00030999197],"domain_scores_gemma":[0.9996865,0.00008825634,0.00005111384,0.000014452947,0.00003867865,0.00012102874],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009772619,0.0003568218,0.00033117976,0.00052503234,0.014607376,0.00634,0.00045515122,0.001615649,0.0049013477],"category_scores_gemma":[0.0012352702,0.00012347131,0.00010095226,0.0008545206,0.011542797,0.0014627888,0.004497914,0.003249472,0.00035291098],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000618702,0.00001557803,0.0015355184,0.000059895672,0.0000029397202,0.0006115759,0.8950496,0.00001848318,0.0007545349,0.078783885,0.017255796,0.005850359],"study_design_scores_gemma":[0.000007914855,0.00002786587,0.008662525,0.00011693254,0.000004037477,0.00019676135,0.69088256,0.00001815537,0.000178181,0.0023943915,0.29750085,0.00000992077],"about_ca_topic_score_codex":0.052430335,"about_ca_topic_score_gemma":0.12599893,"teacher_disagreement_score":0.052430335,"about_ca_system_score_codex":0.005311097,"about_ca_system_score_gemma":0.0038853532,"threshold_uncertainty_score":0.10425031},"labels":[],"label_agreement":null},{"id":"W2780474260","doi":"10.18192/rceh.v41i2.2159","title":"Imagining Andalusia: Race, Translation, and the Early Critical Reception of Federico García Lorca in the U.S.","year":2017,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Garcia; Humanities; Art; Arabic; Poetry; Literature; Philosophy; Linguistics","score_opus":0.020626682810402093,"score_gpt":0.26148468064350144,"score_spread":0.24085799783309936,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2780474260","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6279991,0.02928386,0.00047331146,0.0699635,0.0014181298,0.000023625702,0.000042185107,0.000032084474,0.2707641],"genre_scores_gemma":[0.98766285,0.001981304,0.00004490187,0.0014092283,0.0001276419,0.0000072675225,0.000003813933,0.000012262593,0.008750732],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983789,0.0010918683,0.000028841241,0.00009696276,0.00015862624,0.0002448057],"domain_scores_gemma":[0.9974825,0.0017076941,0.00025888122,0.000065087916,0.00032191045,0.00016397842],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003081226,0.0003975588,0.00027127124,0.0012158251,0.01113384,0.0058569782,0.00044137618,0.0014828884,0.0016600855],"category_scores_gemma":[0.0053999447,0.00015887221,0.00013779252,0.00084883586,0.015507732,0.0021225712,0.0028978884,0.00273616,0.00015199765],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006887788,0.000013422372,0.0016377945,0.00007067931,0.0000044251055,0.0010651302,0.9165725,0.00003902236,0.00041640908,0.058229193,0.010863286,0.011019189],"study_design_scores_gemma":[0.000011538364,0.00003835762,0.008357534,0.00049468584,0.000013607396,0.00037235304,0.59118783,0.00007063253,0.0007205761,0.003677822,0.39502528,0.000029824696],"about_ca_topic_score_codex":0.07186016,"about_ca_topic_score_gemma":0.11026284,"teacher_disagreement_score":0.07186016,"about_ca_system_score_codex":0.011457326,"about_ca_system_score_gemma":0.0049068234,"threshold_uncertainty_score":0.14288378},"labels":[],"label_agreement":null},{"id":"W2801506446","doi":"","title":"Angelina y Octavio","year":2017,"lang":"fr","type":"article","venue":"XYZ. La revue de la nouvelle","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Philosophy","score_opus":0.012956726578931396,"score_gpt":0.24696138647417754,"score_spread":0.23400465989524613,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2801506446","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011456315,0.30407065,0.0035916069,0.150317,0.042437416,0.000059612834,0.0011362195,0.0004920194,0.4864392],"genre_scores_gemma":[0.21324293,0.23720522,0.0043594446,0.0289724,0.023616374,0.00022744447,0.0012134318,0.00061926694,0.4905435],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987534,0.00044662555,0.000047132435,0.00025135127,0.0003244356,0.00017702403],"domain_scores_gemma":[0.9983699,0.00055101124,0.00019044417,0.00015482058,0.00054852315,0.00018537586],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019246752,0.0014412401,0.0009424207,0.0017731037,0.002112,0.0042857104,0.0008641001,0.003161947,0.033618253],"category_scores_gemma":[0.006826777,0.000319378,0.0009471014,0.001430472,0.0022708392,0.003373475,0.0021030398,0.00470343,0.01154664],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005356241,0.0001257147,0.0027591556,0.0009843195,0.000068247566,0.0011347908,0.0053490456,0.00021246416,0.00043867732,0.3764846,0.45234686,0.15956041],"study_design_scores_gemma":[0.00004375924,0.000015415588,0.0012964896,0.00047419232,0.000020475538,0.00040661346,0.0010790025,0.000065332715,0.00018392113,0.012249733,0.98415124,0.000013867488],"about_ca_topic_score_codex":0.015761258,"about_ca_topic_score_gemma":0.013116833,"teacher_disagreement_score":0.033618253,"about_ca_system_score_codex":0.0032205656,"about_ca_system_score_gemma":0.002799554,"threshold_uncertainty_score":0.11246425},"labels":[],"label_agreement":null},{"id":"W2809747994","doi":"10.18192/rceh.v41i3.2359","title":"\"La Noche de San Daniel\", entre la ficción literaria y el compromiso político","year":2017,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Art; Humanities","score_opus":0.013728531610254151,"score_gpt":0.2532364712142026,"score_spread":0.23950793960394848,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2809747994","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16013919,0.013414021,0.0020234112,0.03707607,0.00082801486,0.00002810565,0.0001658435,0.000057241006,0.78626806],"genre_scores_gemma":[0.92049104,0.003445776,0.00049941114,0.0022388715,0.00018858592,0.000022685703,0.000060396975,0.00003685981,0.07301623],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983804,0.0006757057,0.00003768388,0.00022122274,0.00040694556,0.00027801792],"domain_scores_gemma":[0.9985012,0.0006669528,0.00023921381,0.00012670476,0.00027545,0.00019048138],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020098314,0.0002812087,0.00025631464,0.0011776721,0.00855611,0.007376121,0.00054861046,0.001181673,0.006381853],"category_scores_gemma":[0.0035061082,0.00012695584,0.00014118257,0.0017001517,0.019105421,0.0022091854,0.0039481153,0.0025620926,0.0005576459],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004143203,0.000013021001,0.004892077,0.00014662716,0.000007402717,0.00032795494,0.13680401,0.00008271953,0.00033918887,0.8150423,0.020274991,0.02202826],"study_design_scores_gemma":[0.000009622585,0.000020145668,0.00702255,0.0003524355,0.000008714066,0.0002071411,0.06639097,0.000050661467,0.00044718524,0.017465677,0.9080128,0.000012076817],"about_ca_topic_score_codex":0.03550444,"about_ca_topic_score_gemma":0.086274505,"teacher_disagreement_score":0.03550444,"about_ca_system_score_codex":0.011570697,"about_ca_system_score_gemma":0.009525297,"threshold_uncertainty_score":0.08395165},"labels":[],"label_agreement":null},{"id":"W2810284451","doi":"10.18192/rceh.v42i2.3116","title":"Death as Volition: Suicide in the Early Azorín","year":2018,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Volition (linguistics); Art; Philosophy","score_opus":0.02109139485806664,"score_gpt":0.25106820185076245,"score_spread":0.22997680699269582,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2810284451","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9847423,0.0038725694,0.000020421763,0.0026394906,0.000059532344,0.000010927771,0.00005707512,9.172014e-7,0.008596855],"genre_scores_gemma":[0.99017286,0.005299937,0.000029175197,0.00069166574,0.00003937305,0.0000104783685,0.00006336645,0.0000024806675,0.0036906009],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995347,0.0001628652,0.000034153218,0.00003308113,0.000056757,0.00017840223],"domain_scores_gemma":[0.99937624,0.00018181263,0.00018977019,0.000021746502,0.000079258185,0.00015117957],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012187265,0.0001995131,0.0003278705,0.0011114812,0.0035966516,0.0022519694,0.00045594634,0.0012268551,0.0033244845],"category_scores_gemma":[0.001883055,0.00019503859,0.00015301164,0.0013389672,0.0031452766,0.0018098414,0.00271123,0.0017134227,0.0002487034],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016076938,0.00023171079,0.40581042,0.0003188609,0.000024395937,0.0052268053,0.5363109,0.000060670518,0.0005557581,0.012516167,0.0039497158,0.03483379],"study_design_scores_gemma":[0.000008954608,0.00007043291,0.48942554,0.0006362252,0.0000152944,0.0013953387,0.4863057,0.00004641708,0.000129019,0.0008424553,0.021106463,0.000018248576],"about_ca_topic_score_codex":0.08914021,"about_ca_topic_score_gemma":0.19491664,"teacher_disagreement_score":0.08914021,"about_ca_system_score_codex":0.006047783,"about_ca_system_score_gemma":0.003843243,"threshold_uncertainty_score":0.1772427},"labels":[],"label_agreement":null},{"id":"W2811344709","doi":"","title":"Review: Marginal Subjects. Gender and Deviance in Fin-de-Siècle Spain by AKIKO TSUCHIYA","year":2012,"lang":"en","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Deviance (statistics); Humanities; Art; Mathematics; Statistics","score_opus":0.01799475861117425,"score_gpt":0.2300718299837443,"score_spread":0.21207707137257006,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2811344709","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0002457794,0.9971631,0.000005357115,0.0016813105,0.0006283555,0.0000023907216,0.000025914791,7.7909334e-7,0.00024696972],"genre_scores_gemma":[0.0033537194,0.9930524,0.000024690446,0.0021711802,0.00092341914,0.000012912162,0.000043332668,0.0000018210688,0.0004164729],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99921036,0.00027357234,0.00018443356,0.00010434916,0.00015047044,0.00007681167],"domain_scores_gemma":[0.9976674,0.0013892254,0.00043854676,0.000041956253,0.00034042666,0.00012256732],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018704311,0.0006905866,0.0025778974,0.0042032753,0.0006974978,0.002829271,0.00090414827,0.001896624,0.003845356],"category_scores_gemma":[0.0052223247,0.00038399658,0.00084614067,0.0073759463,0.0013240618,0.00191647,0.0015478609,0.0016079502,0.0007451107],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00047079026,0.000080680744,0.009707184,0.16187036,0.00088118995,0.0012941363,0.00349137,0.00010989713,0.0004054417,0.005487845,0.28016415,0.53603697],"study_design_scores_gemma":[0.00014301745,0.00012585643,0.0680298,0.20276907,0.0018839384,0.0030962303,0.008629457,0.00005958955,0.00013471555,0.0029206024,0.712128,0.00007968785],"about_ca_topic_score_codex":0.014748251,"about_ca_topic_score_gemma":0.028058056,"teacher_disagreement_score":0.014748251,"about_ca_system_score_codex":0.0014906368,"about_ca_system_score_gemma":0.0057551507,"threshold_uncertainty_score":0.02932483},"labels":[],"label_agreement":null},{"id":"W28753363","doi":"10.1103/physrevlett.119.021301","title":"José Sanz Gracia, \"El Chato\"","year":2006,"lang":"en","type":"article","venue":"Rujiar: miscelánea del Centro de Estudios Bajo Martín","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Natural Sciences and Engineering Research Council of Canada","keywords":"Art","score_opus":0.0074219805917755295,"score_gpt":0.19849140690085645,"score_spread":0.19106942630908091,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W28753363","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.023021385,0.17714554,0.0068299216,0.13769488,0.05877706,0.00015451346,0.0031182216,0.0031007032,0.5901577],"genre_scores_gemma":[0.0712587,0.06837001,0.0035588667,0.010689309,0.007450405,0.00010858738,0.0011135197,0.0007883772,0.8366621],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995378,0.000083294326,0.000014032988,0.00014119782,0.00014673683,0.00007691647],"domain_scores_gemma":[0.9992968,0.0001284758,0.0000737261,0.000054102173,0.00031569094,0.00013114553],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00077683205,0.0011635753,0.0006556298,0.0015555138,0.0020347724,0.002370811,0.00092743174,0.0015412618,0.08687025],"category_scores_gemma":[0.0021582989,0.00023892206,0.00045210635,0.00094645144,0.0008128285,0.0014544291,0.0014711911,0.002521339,0.030587837],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00032867002,0.00007460753,0.0024844452,0.00073695264,0.00003211674,0.0010076821,0.0017042382,0.00027618124,0.001574293,0.03631804,0.7416141,0.21384872],"study_design_scores_gemma":[0.000008605807,0.000008633658,0.0014415137,0.00014945884,0.000008315571,0.00024664545,0.00042665796,0.00007009071,0.00022210402,0.0009131671,0.996496,0.000008789303],"about_ca_topic_score_codex":0.015409452,"about_ca_topic_score_gemma":0.024608988,"teacher_disagreement_score":0.08687025,"about_ca_system_score_codex":0.0021166066,"about_ca_system_score_gemma":0.0017838785,"threshold_uncertainty_score":0.29060996},"labels":[],"label_agreement":null},{"id":"W2899774718","doi":"","title":"Festivales: Venecia, Toronto, Locarno","year":2018,"lang":"es","type":"article","venue":"Cinemanía","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Geography","score_opus":0.014063398532060942,"score_gpt":0.2519437123806499,"score_spread":0.23788031384858893,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2899774718","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12402974,0.086697966,0.0005920894,0.015762767,0.01521727,0.00024609308,0.022599371,0.0006918029,0.73416287],"genre_scores_gemma":[0.27591977,0.015431207,0.0005779738,0.00045065538,0.0017820119,0.0000956926,0.003769973,0.00035406082,0.70161873],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99964917,0.0000389571,0.000008319313,0.000049530216,0.00007193516,0.00018204587],"domain_scores_gemma":[0.999271,0.000068508336,0.000047113117,0.00003683931,0.00013680612,0.00043976447],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004611432,0.0010397176,0.00048991083,0.0021468685,0.01096935,0.0046177995,0.0008791085,0.0010495881,0.13498414],"category_scores_gemma":[0.0010399072,0.00034784852,0.00031752695,0.004337834,0.0017249911,0.0012649972,0.0023638997,0.0018355089,0.0056241686],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0007014529,0.000072459545,0.005192725,0.0013033162,0.00003268204,0.0017809126,0.038956027,0.00023673166,0.002646911,0.02672283,0.83507884,0.08727511],"study_design_scores_gemma":[0.000018514254,0.00001648766,0.027084734,0.00023620715,0.000008958168,0.00012269853,0.017279636,0.000020738578,0.00012139054,0.0002246698,0.9548541,0.000011995395],"about_ca_topic_score_codex":0.4870194,"about_ca_topic_score_gemma":0.84703094,"teacher_disagreement_score":0.4870194,"about_ca_system_score_codex":0.010823195,"about_ca_system_score_gemma":0.009043463,"threshold_uncertainty_score":0.96836925},"labels":[],"label_agreement":null},{"id":"W2903548408","doi":"10.1163/17683084-01502017","title":"Manuela Marujo, Aida Baptista &amp; Rosana Barbosa (eds), The voice and choice of Portuguese immigrant women/A vez e a voz da mulher imigrante portuguesa, Toronto, University of Toronto, 2005, 208 p., ISBN : 0-9690025-1-3","year":2008,"lang":"en","type":"article","venue":"Lusotopie","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Portuguese; Immigration; Sociology; Humanities; Naturalization; Art; Gerontology; Medicine; Political science; Demography; Philosophy; Alien; Population","score_opus":0.017340778201153786,"score_gpt":0.2100448498700783,"score_spread":0.1927040716689245,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2903548408","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0029926514,0.84726286,0.00040104057,0.024187589,0.0037856644,0.000018229952,0.00017013693,0.000067471505,0.121114455],"genre_scores_gemma":[0.029103773,0.797169,0.0010898797,0.002455021,0.0018392843,0.000035453282,0.0001898178,0.000091861875,0.16802591],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99966514,0.00010077438,0.000018043947,0.000049167636,0.00011338182,0.00005362867],"domain_scores_gemma":[0.9994412,0.00024996142,0.00007678474,0.000022022601,0.000104564264,0.00010549478],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008831212,0.0009642752,0.0005774494,0.0014791349,0.0017577024,0.0057113445,0.0007753622,0.0015592008,0.03247895],"category_scores_gemma":[0.0011634412,0.00046831777,0.00034209658,0.0024561104,0.0014243631,0.003963541,0.0010572029,0.0013861293,0.013580592],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007090911,0.000029091274,0.0012990957,0.0016894804,0.00001519937,0.0003847607,0.014694146,0.00007390572,0.0004013549,0.020035552,0.71912396,0.24218255],"study_design_scores_gemma":[0.0000069625435,0.000010126713,0.003396054,0.0014228548,0.000014829322,0.0004566403,0.011148744,0.000028802082,0.000118524156,0.0020198408,0.9813638,0.000012943422],"about_ca_topic_score_codex":0.032190893,"about_ca_topic_score_gemma":0.06762069,"teacher_disagreement_score":0.03247895,"about_ca_system_score_codex":0.0020448947,"about_ca_system_score_gemma":0.0029747651,"threshold_uncertainty_score":0.10865295},"labels":[],"label_agreement":null},{"id":"W2905240834","doi":"10.5294/978-958-12-0489-2","title":"El Hijo de María","year":2018,"lang":"es","type":"book","venue":"","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Centre hospitalier de l'Université Laval","funders":"","keywords":"History","score_opus":0.014826857509805847,"score_gpt":0.23336524916026388,"score_spread":0.21853839165045805,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2905240834","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0009812438,0.052016597,0.0009793203,0.026638707,0.039926145,0.0000565689,0.00041018333,0.0005105258,0.87848073],"genre_scores_gemma":[0.0042664506,0.007659523,0.00022268268,0.0030806412,0.003422194,0.000028526958,0.00009069748,0.00028414157,0.9809451],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999622,0.000058839767,0.00001405241,0.00010296118,0.00016657526,0.000035497356],"domain_scores_gemma":[0.99946326,0.00010704038,0.00004211761,0.00004230847,0.00027796748,0.00006733077],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004070373,0.001034483,0.0005737902,0.0015164922,0.0027194356,0.004107393,0.0005590988,0.001360424,0.12187761],"category_scores_gemma":[0.002314983,0.00039079136,0.00035837328,0.00082796987,0.0011497868,0.0037833112,0.0022172125,0.0035009007,0.086805895],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015388196,0.0000072074613,0.000049625498,0.0001315796,0.0000026452233,0.000065366185,0.0006338696,0.000034500496,0.00018603963,0.012761594,0.951293,0.034819048],"study_design_scores_gemma":[8.8370786e-7,0.0000017279668,0.00005990094,0.000093133924,9.551853e-7,0.00005735801,0.00017537545,0.000008873566,0.00004641238,0.0004680991,0.99908507,0.0000021018097],"about_ca_topic_score_codex":0.0038260806,"about_ca_topic_score_gemma":0.0072875908,"teacher_disagreement_score":0.12187761,"about_ca_system_score_codex":0.001806981,"about_ca_system_score_gemma":0.0015818314,"threshold_uncertainty_score":0.40772122},"labels":[],"label_agreement":null},{"id":"W2915285463","doi":"10.26530/oapen_393075","title":"Los Invisibles","year":2007,"lang":"en","type":"book","venue":"BiblioBoard Library Catalog (Open Research Library)","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":39,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Homosexuality; Femininity; License; Politics; Quarter (Canadian coin); Gender studies; Sociology; History; Political science; Law","score_opus":0.11686708273188338,"score_gpt":0.334063864907929,"score_spread":0.2171967821760456,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2915285463","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0019083953,0.01647599,0.00062818086,0.0042323167,0.0029098457,0.000021081583,0.0001645454,0.00017418734,0.97348547],"genre_scores_gemma":[0.029311426,0.012969749,0.00067878544,0.002264086,0.0012428743,0.000045131812,0.00028624848,0.00021438285,0.9529873],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99938226,0.000107066,0.000021258418,0.000101015714,0.000257781,0.00013059011],"domain_scores_gemma":[0.99965096,0.000080461505,0.00003793711,0.00004321581,0.00011282278,0.00007457059],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003809077,0.00073274353,0.00045186875,0.0020726642,0.0028688072,0.005941168,0.00078687933,0.001429009,0.06590916],"category_scores_gemma":[0.001168793,0.00023025916,0.00050069205,0.0014801662,0.0023028848,0.0027482845,0.0028692712,0.0027243905,0.018277436],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006933719,0.00006491364,0.000927576,0.000436953,0.0000066781827,0.00053513376,0.007829013,0.00014732413,0.0005244962,0.35406536,0.42157945,0.21381377],"study_design_scores_gemma":[0.0000029354833,0.000004366647,0.00022314183,0.00015856964,0.0000015428366,0.0001248648,0.0006630521,0.000013332523,0.00004043967,0.0030483385,0.9957172,0.0000022369493],"about_ca_topic_score_codex":0.011026512,"about_ca_topic_score_gemma":0.016647927,"teacher_disagreement_score":0.06590916,"about_ca_system_score_codex":0.004389162,"about_ca_system_score_gemma":0.0024893628,"threshold_uncertainty_score":0.22048813},"labels":[],"label_agreement":null},{"id":"W2947125094","doi":"10.1353/hpn.2019.0026","title":"Intersections of Race, Class, Gender, and Nation in Fin-de-Siècle Spanish Literature and Culture ed. by Jennifer Smith and Lisa Nalbone","year":2019,"lang":"en","type":"article","venue":"Hispania","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Subjectivity; Race (biology); Sociology; Scholarship; Gender studies; Class (philosophy); Fin de siecle; Subject (documents); Field (mathematics); Representation (politics); Humanities; Anthropology; History; Art history; Art; Epistemology; Political science; Philosophy; Law; Library science","score_opus":0.008486868659593194,"score_gpt":0.20127015454018973,"score_spread":0.19278328588059654,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2947125094","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004232261,0.8031666,0.00034223398,0.09994645,0.016609589,0.000019368646,0.00009510226,0.000027118052,0.07556126],"genre_scores_gemma":[0.09137453,0.76704127,0.0006450919,0.017479781,0.018665953,0.00011537911,0.00028218728,0.00020274204,0.104193024],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986941,0.0005573445,0.00004763014,0.00016654925,0.00040407473,0.00013034197],"domain_scores_gemma":[0.998198,0.000781275,0.00014441636,0.000042970743,0.0006199964,0.00021333525],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018919405,0.0012105688,0.0010890461,0.0021877405,0.0035504538,0.009460679,0.001074314,0.0017919487,0.010450874],"category_scores_gemma":[0.0034373456,0.00045778873,0.00032638162,0.0036830364,0.005476495,0.0060572783,0.002874091,0.0037012906,0.0035488887],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004132634,0.000038254384,0.001633611,0.0012192463,0.000015492707,0.00019373007,0.025286006,0.00012307729,0.00019564448,0.04004043,0.831134,0.10007915],"study_design_scores_gemma":[0.00000555388,0.000007897691,0.0026698355,0.003179704,0.000007847957,0.00014278623,0.016654484,0.000036501526,0.000070531394,0.0073164096,0.9698892,0.000019132738],"about_ca_topic_score_codex":0.02850498,"about_ca_topic_score_gemma":0.039175753,"teacher_disagreement_score":0.02850498,"about_ca_system_score_codex":0.0052855187,"about_ca_system_score_gemma":0.0073336074,"threshold_uncertainty_score":0.056678116},"labels":[],"label_agreement":null},{"id":"W2947770339","doi":"","title":"Los espacios heterotópicos en la cuentística de Aurora Arias / Heterotopic spaces in Aurora Arias’ short stories","year":2018,"lang":"es","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Art","score_opus":0.16641940218028548,"score_gpt":0.5099139741952595,"score_spread":0.343494572014974,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2947770339","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5512296,0.0037339872,0.004795808,0.004107161,0.00027036315,0.00003229688,0.00021979403,0.0000781725,0.43553284],"genre_scores_gemma":[0.98711,0.0005023721,0.00041339608,0.00012765198,0.000039793103,0.000011595194,0.000038637383,0.000037068407,0.011719454],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991943,0.00048534444,0.000017355973,0.00008304326,0.0000951512,0.00012468909],"domain_scores_gemma":[0.9993699,0.0003419443,0.000077704324,0.00005736293,0.000063920146,0.000089155496],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006195135,0.00036690035,0.00021244673,0.0007676961,0.00442912,0.004095251,0.00045886854,0.00074541604,0.0060020876],"category_scores_gemma":[0.0015158145,0.00014395495,0.000184177,0.00089250074,0.0074022394,0.0027985373,0.002566719,0.0012968774,0.00047605395],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012747341,0.000023330866,0.0029217245,0.00015178404,0.000011246577,0.001774841,0.8119963,0.00019094699,0.0019421163,0.15607134,0.0061563044,0.018632513],"study_design_scores_gemma":[0.0000124393,0.000040184277,0.009953884,0.0002535127,0.000022536009,0.0013955983,0.5645209,0.0002646354,0.0010606536,0.012769576,0.40967667,0.000029428169],"about_ca_topic_score_codex":0.0096124895,"about_ca_topic_score_gemma":0.021466795,"teacher_disagreement_score":0.0096124895,"about_ca_system_score_codex":0.001867398,"about_ca_system_score_gemma":0.00066040904,"threshold_uncertainty_score":0.020079017},"labels":[],"label_agreement":null},{"id":"W2968396057","doi":"10.37677/sigloxix.v0i25.4","title":"Intertextos hacia la “archirrealidad\": La indeseada influencia de Benito Pérez Galdós y del realismo decimonónico en la obra literaria de Juan Benet","year":2019,"lang":"es","type":"article","venue":"SIGLO DIECINUEVE (Literatura hispánica)","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Winnipeg","funders":"","keywords":"Humanities; Philosophy","score_opus":0.005915794224233812,"score_gpt":0.24515952576950986,"score_spread":0.23924373154527606,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2968396057","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16499385,0.04710448,0.002568432,0.14600179,0.0012364656,0.000018323599,0.00006295653,0.000044666976,0.6379691],"genre_scores_gemma":[0.93577874,0.009443807,0.0005897991,0.004295379,0.00039825754,0.000016357812,0.00002362436,0.00004170104,0.04941227],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99891114,0.00066487485,0.00001668192,0.000108439446,0.00017769293,0.00012124251],"domain_scores_gemma":[0.99878997,0.00065280567,0.0001394947,0.0000777747,0.00019580136,0.00014415034],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018794709,0.00029593226,0.00021829076,0.0010065814,0.006631362,0.0060296687,0.00051429024,0.0013167327,0.0031597551],"category_scores_gemma":[0.0022256963,0.00014048118,0.00015062427,0.0012186639,0.01652762,0.0028956656,0.00263882,0.0026473124,0.00030688813],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034884157,0.000015982498,0.0019351315,0.000100751095,0.000006119894,0.00038667597,0.14603679,0.00010573982,0.00023998556,0.81502163,0.022604775,0.013511585],"study_design_scores_gemma":[0.000021517744,0.00002423693,0.0057284757,0.00054874807,0.00001690762,0.000364399,0.12290096,0.00019203356,0.00056297734,0.09930729,0.77030987,0.00002259102],"about_ca_topic_score_codex":0.030532716,"about_ca_topic_score_gemma":0.059691798,"teacher_disagreement_score":0.030532716,"about_ca_system_score_codex":0.005912148,"about_ca_system_score_gemma":0.0040235654,"threshold_uncertainty_score":0.060710013},"labels":[],"label_agreement":null},{"id":"W2982061252","doi":"10.1353/not.2019.0085","title":"The Life of Teresa Carreño (1853–1917), a Venezuelan Prodigy and Acclaimed Artist","year":2019,"lang":"en","type":"article","venue":"Notes","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Library and Archives Canada","funders":"","keywords":"Biography; Context (archaeology); Musical; Narrative; Wife; Art; Extant taxon; Period (music); Art history; Visual arts; Literature; History; Aesthetics; Law; Political science","score_opus":0.014231705857298143,"score_gpt":0.2101721437627512,"score_spread":0.19594043790545307,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2982061252","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24873196,0.15741855,0.0015563224,0.013064537,0.0041569173,0.00012526935,0.00051026663,0.00008790429,0.5743482],"genre_scores_gemma":[0.73795766,0.03730367,0.001066612,0.0012223205,0.0008405385,0.00007106756,0.00021764268,0.000059434748,0.221261],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99979013,0.000050505085,0.0000043824098,0.00003867281,0.00005662594,0.00005963804],"domain_scores_gemma":[0.99989665,0.000033893146,0.000017553508,0.000005599736,0.000019876432,0.00002645089],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000366903,0.00029571625,0.00019088415,0.000886891,0.005736825,0.0016808625,0.00039609423,0.0005731884,0.0048113074],"category_scores_gemma":[0.0007773945,0.00016277567,0.000096577554,0.0008236859,0.0032913634,0.0008536564,0.0010681449,0.0010412863,0.0005248244],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00028324503,0.00005178874,0.010892269,0.0008054385,0.000024507635,0.004180706,0.41622162,0.00023274517,0.0051164986,0.20092763,0.15560134,0.20566225],"study_design_scores_gemma":[0.000004430881,0.000030641673,0.01875525,0.00037722607,0.000007782818,0.00052920263,0.019388365,0.000021460646,0.00022542993,0.0011742566,0.95946807,0.000017814913],"about_ca_topic_score_codex":0.091574736,"about_ca_topic_score_gemma":0.25050905,"teacher_disagreement_score":0.091574736,"about_ca_system_score_codex":0.004217686,"about_ca_system_score_gemma":0.0021142552,"threshold_uncertainty_score":0.18208343},"labels":[],"label_agreement":null},{"id":"W298722533","doi":"","title":"Gossiping And Hysterical Manolo Infante: Traditional Gender Role Crossing As Political Metaphor In Galdós's La Incógnita","year":2007,"lang":"en","type":"article","venue":"Sound Ideas (University of Puget Sound)","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Gossip; Politics; Metaphor; Literature; Sociology; Aesthetics; Gender studies; Psychoanalysis; Art; History; Psychology; Philosophy; Law; Political science; Social psychology; Linguistics","score_opus":0.029064907477892227,"score_gpt":0.23085399158124878,"score_spread":0.20178908410335655,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W298722533","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.35084546,0.006275215,0.006305691,0.046869792,0.00095997186,0.000057880876,0.00005461441,0.00012533188,0.5885061],"genre_scores_gemma":[0.98174965,0.00080209476,0.00057848083,0.0020284958,0.0001693114,0.00003532084,0.000008313517,0.000033399985,0.014594916],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9985208,0.0010177856,0.0000146744815,0.000092543254,0.00018104028,0.0001731508],"domain_scores_gemma":[0.9992549,0.00041606062,0.00011584937,0.00005214132,0.000095289455,0.00006574581],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00161949,0.00054780446,0.00029194678,0.00072564307,0.0042358814,0.0044751493,0.00071851234,0.0015215846,0.001381818],"category_scores_gemma":[0.0028330376,0.000161116,0.00016379268,0.00033823715,0.022093868,0.0019479721,0.0026661924,0.002422598,0.00025571176],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009968254,0.000038722486,0.001342945,0.0000795584,0.00000603237,0.0016237267,0.3973966,0.00008562536,0.0010545783,0.57171136,0.013864852,0.012696302],"study_design_scores_gemma":[0.000056727946,0.000102792765,0.0029615653,0.00027614646,0.0000183074,0.001680428,0.28710213,0.00042586148,0.0015651583,0.050487187,0.6552834,0.000040315354],"about_ca_topic_score_codex":0.006048884,"about_ca_topic_score_gemma":0.006978947,"teacher_disagreement_score":0.006048884,"about_ca_system_score_codex":0.0039374693,"about_ca_system_score_gemma":0.0010478052,"threshold_uncertainty_score":0.028568447},"labels":[],"label_agreement":null},{"id":"W2989764896","doi":"10.1080/14636204.2019.1692923","title":"Disabled bodies in early modern Spanish literature: prostitutes, aging women and saints","year":2019,"lang":"en","type":"article","venue":"Journal of Spanish Cultural Studies","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Bishop's University","funders":"","keywords":"Reinterpretation; Gender studies; History; Sociology; Aesthetics; Art","score_opus":0.020020801370983752,"score_gpt":0.24757830119816426,"score_spread":0.22755749982718051,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2989764896","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.39254254,0.26049355,0.0008002308,0.12054357,0.003327461,0.000018589313,0.00010707832,0.00002898863,0.22213803],"genre_scores_gemma":[0.9242129,0.04315373,0.00022174939,0.006831447,0.0013627849,0.000013638482,0.000029299114,0.000027615308,0.0241469],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99915695,0.00048302222,0.000027790202,0.00004784045,0.00012286591,0.0001615723],"domain_scores_gemma":[0.99847895,0.0009262833,0.00017042882,0.000048817215,0.00020735756,0.00016815467],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002444547,0.00037530763,0.0003678558,0.0019734304,0.0067959386,0.0053928173,0.00050694874,0.0019099552,0.0031117154],"category_scores_gemma":[0.0024917994,0.00012672604,0.0001537511,0.002228624,0.01628526,0.0027402434,0.00319761,0.0017282219,0.0002875726],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005820298,0.000046580462,0.0037452052,0.0004159441,0.000008593492,0.0010070216,0.6841566,0.00007345305,0.00018628612,0.250378,0.026318165,0.033606008],"study_design_scores_gemma":[0.00001855984,0.00003274459,0.010946705,0.0017528187,0.000014325926,0.0007062273,0.42576525,0.000059075206,0.00018052963,0.013752414,0.5467495,0.000021901877],"about_ca_topic_score_codex":0.02670976,"about_ca_topic_score_gemma":0.044671986,"teacher_disagreement_score":0.02670976,"about_ca_system_score_codex":0.0052546603,"about_ca_system_score_gemma":0.0044455025,"threshold_uncertainty_score":0.053108573},"labels":[],"label_agreement":null},{"id":"W2994607222","doi":"10.33137/q.i..v35i2.23615","title":"Per l’edizione critica della rime di Baldassarre Castiglione e Cesare Gonzaga. Censimento e questioni attributive","year":2015,"lang":"it","type":"article","venue":"Quaderni d italianistica","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Hard rime; Literature","score_opus":0.04782790125024172,"score_gpt":0.27699354159911727,"score_spread":0.22916564034887554,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2994607222","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04183749,0.028291766,0.006362869,0.07862491,0.0027639081,0.00016453359,0.001110255,0.00018424462,0.84066015],"genre_scores_gemma":[0.5439275,0.0070726154,0.0036619077,0.018828511,0.0009588285,0.00028609665,0.00052702636,0.0003227983,0.42441472],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99770796,0.00083322625,0.000056927856,0.0004457183,0.00070270617,0.00025340548],"domain_scores_gemma":[0.99728334,0.0015681067,0.0001594595,0.00033347716,0.00054589444,0.0001097586],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013945717,0.0006620658,0.00032923243,0.0016284077,0.005216358,0.0045568105,0.0010408727,0.0027972108,0.01949587],"category_scores_gemma":[0.0063915118,0.00039229283,0.0003055056,0.001626999,0.0064188875,0.0028301144,0.0031931037,0.004305704,0.0033236376],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015523047,0.00002935928,0.0034680746,0.00054092275,0.000028816856,0.00058822084,0.036044497,0.00014330496,0.0015612135,0.6549734,0.23666495,0.065802045],"study_design_scores_gemma":[0.000013195613,0.000012930654,0.009028016,0.00039761415,0.000016705731,0.00026113677,0.004018402,0.0001238582,0.00070245046,0.017526152,0.9678728,0.000026696704],"about_ca_topic_score_codex":0.113614485,"about_ca_topic_score_gemma":0.27371913,"teacher_disagreement_score":0.113614485,"about_ca_system_score_codex":0.004815841,"about_ca_system_score_gemma":0.0030115342,"threshold_uncertainty_score":0.22590637},"labels":[],"label_agreement":null},{"id":"W2998433008","doi":"10.32621/acotaciones.2019.43.06","title":"LOS MATACHINES: EL PERSONAJE Y SUS ACCIONES","year":2019,"lang":"es","type":"article","venue":"Acotaciones Revista de Investigación y Creación Teatral","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.010941279133914603,"score_gpt":0.2521397072944834,"score_spread":0.24119842816056877,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2998433008","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.49303922,0.047576673,0.0026434374,0.06340572,0.0017629245,0.00005130625,0.00046702425,0.000080283,0.39097342],"genre_scores_gemma":[0.9437288,0.01202674,0.00047750937,0.0020341736,0.00038029472,0.00002909536,0.000070229136,0.00004295601,0.041210253],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9970697,0.0015369247,0.00010439189,0.00034444957,0.00055358454,0.00039100635],"domain_scores_gemma":[0.9983412,0.0007020325,0.00032573804,0.00012000045,0.00030453186,0.00020650134],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0029077276,0.0003711508,0.00036087615,0.0013317137,0.005451658,0.00719418,0.0006167737,0.001322227,0.010515394],"category_scores_gemma":[0.006207366,0.00020053802,0.00017816525,0.0023780728,0.00972341,0.0054948456,0.0032451737,0.0023823448,0.0010957704],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005675874,0.000027202408,0.009891616,0.00023109285,0.000012181598,0.001133081,0.7503926,0.00006322036,0.0004895521,0.17643996,0.020353023,0.04090972],"study_design_scores_gemma":[0.0000062074687,0.00003214447,0.011169846,0.0005942848,0.000008745523,0.00068371464,0.4802478,0.00006319842,0.00025204718,0.009868656,0.49704748,0.000025883008],"about_ca_topic_score_codex":0.018901847,"about_ca_topic_score_gemma":0.028516674,"teacher_disagreement_score":0.018901847,"about_ca_system_score_codex":0.003976874,"about_ca_system_score_gemma":0.0031819784,"threshold_uncertainty_score":0.03758365},"labels":[],"label_agreement":null},{"id":"W30023474","doi":"10.1021/acsomega.6b00055","title":"José Saramago: un ateo que clama al cielo","year":2009,"lang":"en","type":"article","venue":"Qué leer","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Canadian Institutes of Health Research; China Scholarship Council; Natural Sciences and Engineering Research Council of Canada; Government of Canada","keywords":"Humanities; Art","score_opus":0.01198552321921095,"score_gpt":0.21365805554602182,"score_spread":0.20167253232681087,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W30023474","genre_codex":"other","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.016653648,0.14593354,0.0072532888,0.07566291,0.04329006,0.00021121775,0.0018278676,0.0034931586,0.7056743],"genre_scores_gemma":[0.10117964,0.10049281,0.0075539495,0.00819481,0.014945149,0.00023957615,0.0011845118,0.0011568783,0.7650527],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.998453,0.00029551794,0.000063625754,0.00044930528,0.00052006275,0.00021849037],"domain_scores_gemma":[0.9976876,0.00048928894,0.00020623629,0.000225663,0.00081326504,0.0005779227],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017354921,0.0016642951,0.0014270955,0.0023371498,0.0019347952,0.0049408567,0.0013044234,0.004145027,0.16234662],"category_scores_gemma":[0.004386373,0.00034301766,0.00073688553,0.0011445693,0.001603922,0.0027785301,0.0028346735,0.0041556717,0.0578287],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00087065797,0.0002561429,0.0034115866,0.0014856902,0.000083991756,0.003721402,0.0015205832,0.00070647354,0.0041980483,0.055696562,0.3698962,0.5581527],"study_design_scores_gemma":[0.000012589568,0.000021556756,0.000630774,0.00026716714,0.000008883533,0.00090184656,0.00028003604,0.0001374422,0.00038273304,0.0012910042,0.9960504,0.000015683787],"about_ca_topic_score_codex":0.00588764,"about_ca_topic_score_gemma":0.004501227,"teacher_disagreement_score":0.16234662,"about_ca_system_score_codex":0.0028179865,"about_ca_system_score_gemma":0.003566162,"threshold_uncertainty_score":0.5431036},"labels":[],"label_agreement":null},{"id":"W3011346272","doi":"10.18778/8142-506-3.06","title":"Sobre las causas de la sustitución de cantare habeo por cantaré","year":2019,"lang":"en","type":"book-chapter","venue":"Wydawnictwo Uniwersytetu Łódzkiego eBooks","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Linguistic Association","funders":"","keywords":"Humanities; Art","score_opus":0.012481987672820466,"score_gpt":0.21594806706528924,"score_spread":0.20346607939246877,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3011346272","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.58724,0.0622684,0.002263504,0.046483528,0.0010838124,0.000036719313,0.0006252811,0.000079300786,0.29991946],"genre_scores_gemma":[0.9378324,0.028462423,0.0004586488,0.0012834782,0.00056216994,0.000016923508,0.00033489766,0.00004820517,0.031000854],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99943453,0.00018047831,0.000017021272,0.00008587362,0.00015122126,0.00013090529],"domain_scores_gemma":[0.9984658,0.00079567917,0.00036299007,0.000116060655,0.0001958842,0.000063581196],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015430974,0.0003237984,0.00022415482,0.0012163601,0.0017893941,0.0027994995,0.00077453064,0.0012768564,0.009031385],"category_scores_gemma":[0.0036629566,0.00013413001,0.00029647618,0.001999123,0.0040219584,0.001713748,0.0018631117,0.0019329957,0.0009975524],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00040473917,0.00013141066,0.12150374,0.0012783725,0.00011690158,0.019514756,0.20825982,0.00036133645,0.003884218,0.38138637,0.049728755,0.21342956],"study_design_scores_gemma":[0.000035086618,0.00010072123,0.109144434,0.0012317813,0.00015008893,0.008928792,0.18273582,0.00029946349,0.002298235,0.04017824,0.65483654,0.000060789996],"about_ca_topic_score_codex":0.040169973,"about_ca_topic_score_gemma":0.04102355,"teacher_disagreement_score":0.040169973,"about_ca_system_score_codex":0.002255847,"about_ca_system_score_gemma":0.0013750165,"threshold_uncertainty_score":0.07987231},"labels":[],"label_agreement":null},{"id":"W3014287687","doi":"10.3138/uram.37.1-2.40","title":"4.1 Lorca’s Conception of Ultimate Reality and Meaning: <i>Canciones (1924–1927)</i>","year":2020,"lang":"en","type":"article","venue":"Ultimate Reality and Meaning","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Meaning (existential); Art; Literature; Philosophy; Epistemology","score_opus":0.06313615136869978,"score_gpt":0.26334596580548125,"score_spread":0.20020981443678149,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3014287687","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.025064314,0.02816214,0.0027745145,0.017343583,0.000576231,0.00003960402,0.00025719992,0.000041708172,0.92574066],"genre_scores_gemma":[0.8832773,0.01004689,0.002862712,0.0037589862,0.001122203,0.00013438499,0.00019746514,0.0000747265,0.09852532],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989171,0.00047998244,0.000021314137,0.00014452438,0.00018802317,0.00024903606],"domain_scores_gemma":[0.99948955,0.00024965857,0.00006272355,0.000041131738,0.00012432288,0.000032704913],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014340312,0.0006506587,0.00033912197,0.0021582947,0.003134566,0.005945861,0.0008602025,0.0017940429,0.007516918],"category_scores_gemma":[0.002449374,0.00018635987,0.00046478357,0.0016703733,0.016402641,0.0037979612,0.0019913751,0.003549305,0.00080459594],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024666988,0.000010083825,0.00037619012,0.0000855265,0.0000035088844,0.00007764133,0.011633639,0.00012148015,0.00007908234,0.97011155,0.009414576,0.0080622025],"study_design_scores_gemma":[0.000024569845,0.000034720786,0.0027703375,0.0006022266,0.000013732539,0.00015885642,0.0093980115,0.00019806084,0.00026179332,0.18118757,0.80531406,0.000036132627],"about_ca_topic_score_codex":0.05531694,"about_ca_topic_score_gemma":0.047475755,"teacher_disagreement_score":0.05531694,"about_ca_system_score_codex":0.011200538,"about_ca_system_score_gemma":0.002496843,"threshold_uncertainty_score":0.10998988},"labels":[],"label_agreement":null},{"id":"W3015115322","doi":"","title":"Silvia Bermúdez/Roberta Johnson (Hg.): A New History of Iberian Feminisms. Toronto: Toronto University Press 2018, 544 S. (Toronto Iberic, 35)","year":2020,"lang":"de","type":"article","venue":"Romanische Forschungen","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Berm; Media studies; History; Gerontology; Sociology; Archaeology; Medicine","score_opus":0.021469514796824386,"score_gpt":0.2009503587507516,"score_spread":0.17948084395392722,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3015115322","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0022300389,0.8437662,0.00036007585,0.048627388,0.004630983,0.000008371985,0.00020744544,0.000049965267,0.100119494],"genre_scores_gemma":[0.15673637,0.47225586,0.0017584523,0.019342942,0.008948828,0.00008340831,0.00035627125,0.0004955936,0.34002224],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993912,0.00028823208,0.000021640159,0.00008218704,0.00010804385,0.000108573535],"domain_scores_gemma":[0.9996722,0.00011554404,0.0000525677,0.00002590074,0.00008241527,0.000051396903],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017762209,0.0014172164,0.0007558034,0.0025091807,0.0046924823,0.005373338,0.0009760886,0.002448597,0.025157854],"category_scores_gemma":[0.0012343897,0.0004762117,0.00029159235,0.0033282167,0.0036599315,0.0053115725,0.0025612547,0.0029593515,0.004257066],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016567283,0.000036883008,0.0006374426,0.0006781329,0.000019194564,0.00028290416,0.02226325,0.00015338094,0.00023239126,0.1243476,0.71733373,0.13384956],"study_design_scores_gemma":[0.000007848765,0.0000061133996,0.0015615701,0.0005415516,0.0000044540707,0.000089369365,0.0069929273,0.000026543905,0.0001157789,0.005402298,0.98524255,0.000008843105],"about_ca_topic_score_codex":0.058283508,"about_ca_topic_score_gemma":0.121509194,"teacher_disagreement_score":0.058283508,"about_ca_system_score_codex":0.0065364065,"about_ca_system_score_gemma":0.002639061,"threshold_uncertainty_score":0.115888536},"labels":[],"label_agreement":null},{"id":"W3017256550","doi":"10.7202/1068579ar","title":"Introduction: Special Issue, Women’s Authorial Agency and Print Culture","year":2020,"lang":"en","type":"article","venue":"Renaissance and Reformation","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université Laval","funders":"","keywords":"Print culture; Agency (philosophy); Media studies; Gender studies; Sociology; Social science","score_opus":0.012951603933335207,"score_gpt":0.2118299086698195,"score_spread":0.19887830473648427,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3017256550","genre_codex":"editorial","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":"editorial","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0005764716,0.05957504,0.00022553948,0.10323303,0.7534964,0.000092270384,0.0014528766,0.00015889782,0.08118939],"genre_scores_gemma":[0.004292252,0.0400417,0.00020843024,0.027942464,0.67590266,0.0001505077,0.0015621687,0.00021291767,0.24968684],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99872094,0.00015476855,0.000113960064,0.0002531403,0.000586673,0.00017042817],"domain_scores_gemma":[0.99561834,0.0015319625,0.00032442273,0.0002054587,0.0015775783,0.0007423639],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001497406,0.0017041302,0.0016386313,0.0036350437,0.003187814,0.0069067124,0.002112008,0.006452839,0.16485378],"category_scores_gemma":[0.0039037128,0.00054106885,0.0014019989,0.0033064412,0.0015853513,0.0057682097,0.0027699368,0.005677265,0.04325565],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000111231475,0.000019018586,0.000055093806,0.00014949265,0.0000025485783,0.000024192856,0.000043557524,0.000008321158,0.000057299585,0.00060709455,0.99221945,0.006802801],"study_design_scores_gemma":[0.000013043766,0.000029615154,0.0013251868,0.0005604576,0.00000751183,0.00009462273,0.00023836864,0.000019320614,0.00005649578,0.00091816904,0.9967265,0.00001076834],"about_ca_topic_score_codex":0.004871706,"about_ca_topic_score_gemma":0.008740516,"teacher_disagreement_score":0.16485378,"about_ca_system_score_codex":0.0027495148,"about_ca_system_score_gemma":0.00275441,"threshold_uncertainty_score":0.55149084},"labels":[],"label_agreement":null},{"id":"W3031083788","doi":"10.5206/entrehojas.v10i1.10261","title":"Las caras del andrógino.De Benito Pérez Galdós a Luis Landero","year":2020,"lang":"es","type":"article","venue":"Entrehojas Revista de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.017452056636024383,"score_gpt":0.23170783869164854,"score_spread":0.21425578205562415,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3031083788","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.037247747,0.039587468,0.0012683962,0.0670988,0.002560799,0.000022700862,0.000102485894,0.00006590574,0.8520456],"genre_scores_gemma":[0.6138779,0.016812835,0.00074064283,0.0063562472,0.0013207732,0.000027111102,0.000043429154,0.00014151994,0.36067957],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99896705,0.00050123705,0.000017585655,0.00014702821,0.0002396214,0.00012750858],"domain_scores_gemma":[0.9992687,0.00025917595,0.00013461137,0.00007167672,0.0001278924,0.00013792943],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010406134,0.00047768877,0.00018035446,0.00080266205,0.0055127237,0.004699605,0.000442201,0.001087272,0.016622826],"category_scores_gemma":[0.0024299545,0.0001817365,0.00019937598,0.00075831695,0.009902068,0.0027469168,0.0022391863,0.0031420803,0.0028442026],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000082961116,0.000034683682,0.0022397456,0.00022657124,0.000008162918,0.0006135928,0.1057833,0.000079518744,0.0006637969,0.7584463,0.08373778,0.048083544],"study_design_scores_gemma":[0.0000058611276,0.000013592796,0.0017151685,0.0002143745,0.0000034223863,0.00022279476,0.02392952,0.000023099381,0.00020911296,0.010269746,0.9633854,0.000007839391],"about_ca_topic_score_codex":0.0111292,"about_ca_topic_score_gemma":0.027960198,"teacher_disagreement_score":0.016622826,"about_ca_system_score_codex":0.0030416055,"about_ca_system_score_gemma":0.002405211,"threshold_uncertainty_score":0.05560887},"labels":[],"label_agreement":null},{"id":"W30318562","doi":"10.1007/s12264-018-0298-3","title":"Yecla: y las fiestas de San Isidro labrador","year":2007,"lang":"en","type":"article","venue":"Pasos de arte y cultura","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Geography; Archaeology","score_opus":0.014690365037687019,"score_gpt":0.23279573013430954,"score_spread":0.2181053650966225,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W30318562","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07016358,0.3105232,0.014929095,0.13377084,0.06489717,0.00041355996,0.005428015,0.0043841586,0.39549035],"genre_scores_gemma":[0.19751449,0.20340784,0.010969843,0.010219062,0.021613833,0.00033483116,0.0021581545,0.0007828776,0.55299896],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99922836,0.00017410933,0.000045334968,0.00019260259,0.00023583045,0.00012371977],"domain_scores_gemma":[0.9988801,0.00021985934,0.00015289662,0.00007391285,0.00043956688,0.00023376112],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015524568,0.0015167566,0.001087808,0.0018270714,0.0013439193,0.0020489497,0.0011885162,0.0025054,0.065425545],"category_scores_gemma":[0.002705443,0.000261519,0.00079806725,0.0007478423,0.0008027897,0.0013263375,0.00145411,0.0031292306,0.022123767],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0025956295,0.00045872858,0.009617167,0.0030077328,0.00019622581,0.009862531,0.0025430792,0.0011261023,0.010270316,0.029030837,0.32041305,0.61087865],"study_design_scores_gemma":[0.000065338936,0.00009407291,0.0047947797,0.00071443093,0.00006223885,0.0025641304,0.00052502647,0.000342126,0.0014024545,0.0018751413,0.9875235,0.00003672418],"about_ca_topic_score_codex":0.009736329,"about_ca_topic_score_gemma":0.009130787,"teacher_disagreement_score":0.065425545,"about_ca_system_score_codex":0.0021520518,"about_ca_system_score_gemma":0.0020330593,"threshold_uncertainty_score":0.21887022},"labels":[],"label_agreement":null},{"id":"W3041747100","doi":"10.18192/rceh.v43i2.4679","title":"INMA RIDAO CARLINI. Rich and Poor in Nineteenth-Century Spain. A Critique of Liberal Society in the Later Novels of Benito Pérez Galdós. Woodbridge: Tamesis, 2018. 214 pp.","year":2020,"lang":"en","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Art","score_opus":0.014312717097224906,"score_gpt":0.22027099684799809,"score_spread":0.2059582797507732,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3041747100","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0053803115,0.6669487,0.0003402776,0.2158147,0.0064224405,0.000014608068,0.00050763815,0.000039374816,0.104532026],"genre_scores_gemma":[0.23796163,0.46332857,0.001149807,0.03967532,0.010540607,0.00014133679,0.00062953954,0.00028628603,0.24628685],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99949026,0.00020628406,0.000015830901,0.00006209692,0.000105666906,0.00011976278],"domain_scores_gemma":[0.99898785,0.0004482537,0.00010586347,0.000041771684,0.00027844324,0.00013778603],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014887544,0.0008868753,0.00054837286,0.00204197,0.006064017,0.005092273,0.0014095877,0.0026481396,0.012073966],"category_scores_gemma":[0.0022154588,0.00034528528,0.00035243828,0.0028027429,0.0037858547,0.0047930605,0.0024624295,0.0033224642,0.002419668],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007910419,0.000030979358,0.0013545632,0.0003606769,0.000009948898,0.00019396126,0.022502873,0.00008505909,0.000077300116,0.08046846,0.84554595,0.049291097],"study_design_scores_gemma":[0.000016032838,0.0000071194563,0.0044020084,0.0010875403,0.000008997569,0.00008380961,0.020812323,0.00003537008,0.00011251314,0.012071439,0.9613505,0.0000124170965],"about_ca_topic_score_codex":0.09486692,"about_ca_topic_score_gemma":0.20383053,"teacher_disagreement_score":0.09486692,"about_ca_system_score_codex":0.006456576,"about_ca_system_score_gemma":0.0043009664,"threshold_uncertainty_score":0.18862951},"labels":[],"label_agreement":null},{"id":"W3087233070","doi":"","title":"Cantos de cisne","year":2020,"lang":"es","type":"article","venue":"Cinemanía","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy","score_opus":0.02234982778857218,"score_gpt":0.22776784858585514,"score_spread":0.20541802079728297,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3087233070","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15135138,0.0082278,0.0007232938,0.0045682173,0.001109997,0.00014169172,0.0012753351,0.00014452713,0.8324578],"genre_scores_gemma":[0.3034118,0.00463558,0.0008785249,0.00097608933,0.0001263277,0.00014076244,0.0008356048,0.00008004714,0.6889154],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992549,0.00009925919,0.000023707775,0.0001277,0.00020414793,0.00029032075],"domain_scores_gemma":[0.99908864,0.00012835696,0.0000781353,0.00006517407,0.00040736128,0.00023234199],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00064961705,0.00079748954,0.00036751878,0.0014190321,0.005587871,0.0029285776,0.00057423033,0.000787732,0.06651302],"category_scores_gemma":[0.0016002526,0.00025378424,0.00029033213,0.0017476702,0.001306651,0.00096709107,0.0029261366,0.002129212,0.0064060544],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0016296665,0.00026635334,0.053584613,0.0014481042,0.000102454665,0.008507226,0.08524105,0.00044094273,0.012715845,0.29488382,0.15207218,0.38910785],"study_design_scores_gemma":[0.000026940505,0.000050102044,0.027137605,0.00027657463,0.000016398251,0.0004613881,0.018488545,0.00006467124,0.0009875802,0.0017377576,0.9507346,0.000017822658],"about_ca_topic_score_codex":0.2509733,"about_ca_topic_score_gemma":0.53410214,"teacher_disagreement_score":0.2509733,"about_ca_system_score_codex":0.006956318,"about_ca_system_score_gemma":0.008138219,"threshold_uncertainty_score":0.499025},"labels":[],"label_agreement":null},{"id":"W3096950547","doi":"10.3138/md.63.3.br2","title":"Andrés Pérez-Simón,<i> Baroque Lorca: An Archaist Playwright for the New Stage</i>","year":2020,"lang":"en","type":"article","venue":"Modern Drama","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Baroque; Relation (database); Stage (stratigraphy); Art; Literature; History; Art history; Computer science; Geology","score_opus":0.040790957592330805,"score_gpt":0.2422233373571548,"score_spread":0.20143237976482398,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3096950547","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.012184729,0.23803708,0.0018114607,0.38242316,0.024845034,0.000052486834,0.00042410646,0.00023639378,0.33998558],"genre_scores_gemma":[0.32714823,0.13913499,0.0024353582,0.0823676,0.013918566,0.00014349162,0.00042567577,0.00080196623,0.4336241],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991123,0.00040511458,0.000016657237,0.000116920935,0.00024430125,0.00010468288],"domain_scores_gemma":[0.9990388,0.0003947041,0.00007573355,0.000028295675,0.0003315103,0.00013096395],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013312763,0.00092307554,0.00033681598,0.0010336904,0.0050123124,0.0052693957,0.0010632323,0.0021260423,0.009421975],"category_scores_gemma":[0.0035480794,0.000192454,0.0002663938,0.00095994584,0.003198788,0.0028931773,0.0015481056,0.00456539,0.002316673],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000686409,0.000030420315,0.0008756698,0.00033680102,0.000017538174,0.00023582994,0.02135487,0.00008225682,0.00025242055,0.12062354,0.83379465,0.022327319],"study_design_scores_gemma":[0.000010493907,0.0000092399505,0.0016342757,0.00031034282,0.0000066584735,0.00015323839,0.012643682,0.00005316712,0.00024174135,0.006251375,0.9786704,0.000015472295],"about_ca_topic_score_codex":0.0482843,"about_ca_topic_score_gemma":0.08198889,"teacher_disagreement_score":0.0482843,"about_ca_system_score_codex":0.004202236,"about_ca_system_score_gemma":0.0024183262,"threshold_uncertainty_score":0.09600651},"labels":[],"label_agreement":null},{"id":"W3096961809","doi":"10.1353/vcr.2020.0015","title":"\"Discoverers of the Hidden Land\": New Images of the Voice in the Late Nineteenth Century","year":2020,"lang":"en","type":"article","venue":"Victorian review","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Art","score_opus":0.020104645037629508,"score_gpt":0.22224893974013255,"score_spread":0.20214429470250303,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3096961809","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008357399,0.9290996,0.00022157218,0.017677557,0.0009962912,0.000006261581,0.000046403096,0.0000044408034,0.043590516],"genre_scores_gemma":[0.228148,0.7444472,0.00026729298,0.009913171,0.002203162,0.000022754293,0.00007866985,0.000028436953,0.014891377],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981608,0.000880578,0.00007010531,0.00017204942,0.0003839639,0.0003325343],"domain_scores_gemma":[0.99842864,0.0008396977,0.00019559225,0.00005036113,0.00036533098,0.00012047332],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003165776,0.00049948244,0.00076385005,0.0039523463,0.0036379357,0.008812162,0.0010996353,0.0028739353,0.0061013317],"category_scores_gemma":[0.0037406213,0.00027346864,0.00022814008,0.0057431357,0.015533977,0.0060219006,0.0037041598,0.0034800856,0.00048110663],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017997343,0.00004193994,0.0018590399,0.008683229,0.00005793864,0.0010164353,0.25821325,0.00015444602,0.00042771583,0.4360807,0.056990173,0.23629512],"study_design_scores_gemma":[0.00001648597,0.00001599679,0.005764578,0.011287475,0.000031158033,0.0004146682,0.070540905,0.000027352575,0.00010465693,0.013327944,0.89844805,0.000020666053],"about_ca_topic_score_codex":0.13633995,"about_ca_topic_score_gemma":0.2163717,"teacher_disagreement_score":0.13633995,"about_ca_system_score_codex":0.01407781,"about_ca_system_score_gemma":0.014715272,"threshold_uncertainty_score":0.27109277},"labels":[],"label_agreement":null},{"id":"W3106806385","doi":"10.18192/rceh.v43i3.4879","title":"Hailing Hunters: Leisure and Class Ideology in Amadís de Gaula","year":2020,"lang":"en","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Ideology; Meritocracy; Class (philosophy); Interpretation (philosophy); Sociology; Promotion (chess); Representation (politics); Identity (music); Function (biology); Social class; Aesthetics; Gender studies; Art; Epistemology; Philosophy; Political science; Law; Politics; Linguistics","score_opus":0.019167847805772697,"score_gpt":0.22111940429589416,"score_spread":0.20195155649012148,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3106806385","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7377063,0.006146564,0.00080455694,0.006628461,0.0002456974,0.000014528345,0.000029279156,0.000015015536,0.24840955],"genre_scores_gemma":[0.9916522,0.0005787911,0.00011949862,0.00026811476,0.00003199564,0.0000048219526,0.000006216792,0.000008851598,0.0073295496],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99951744,0.00022367135,0.000005125834,0.00006309385,0.000051666448,0.00013891645],"domain_scores_gemma":[0.9997589,0.00011625264,0.00004906062,0.000021687403,0.000023664286,0.000030393514],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010708796,0.0002992187,0.00024106335,0.0010936945,0.00615995,0.0031470428,0.00051778526,0.0009732512,0.0027394018],"category_scores_gemma":[0.000991334,0.00011889336,0.00013232003,0.0009714141,0.015594939,0.0012197044,0.002665921,0.0016163083,0.00021344771],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012792686,0.000061050545,0.006198006,0.000121197765,0.000013789104,0.0012138006,0.6296131,0.00010096867,0.0006103672,0.33549514,0.005285914,0.02115883],"study_design_scores_gemma":[0.000033934684,0.000054914224,0.02269909,0.00038649622,0.000022305843,0.0006980748,0.54971033,0.00014032537,0.0005048171,0.029779568,0.3959382,0.000032022264],"about_ca_topic_score_codex":0.022796394,"about_ca_topic_score_gemma":0.059475336,"teacher_disagreement_score":0.022796394,"about_ca_system_score_codex":0.004260152,"about_ca_system_score_gemma":0.0009483823,"threshold_uncertainty_score":0.045327425},"labels":[],"label_agreement":null},{"id":"W3107834121","doi":"10.3989/anacervantinos.2020.005","title":"Galleguismo y quijotismo: a propósito del tricentenario del Quijote","year":2020,"lang":"es","type":"article","venue":"Anales Cervantinos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Humanities; Art; Philosophy; Cartography; Geography","score_opus":0.02783034639088314,"score_gpt":0.22660483585753807,"score_spread":0.19877448946665494,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3107834121","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12766801,0.014031591,0.0028594348,0.017594054,0.0007651106,0.000044769626,0.00009619695,0.000048809507,0.836892],"genre_scores_gemma":[0.9203113,0.0045534293,0.0007074237,0.0012632725,0.00022913938,0.000030899613,0.000055126453,0.000046415993,0.07280286],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99902093,0.00041738836,0.000021698961,0.00014572921,0.00014697529,0.0002473246],"domain_scores_gemma":[0.99921346,0.0003233844,0.00014766063,0.0000664023,0.000120132216,0.000128806],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016479597,0.00042121237,0.0002814611,0.0023279442,0.0061885547,0.006916377,0.0008249827,0.0014315404,0.00603559],"category_scores_gemma":[0.002570554,0.00019446164,0.00021162853,0.0017991825,0.016475484,0.0029368722,0.004004627,0.0017408974,0.00052198546],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030812203,0.000011131741,0.0031324003,0.00010929491,0.00000408252,0.0003886193,0.18447627,0.00007027155,0.00016548965,0.7867633,0.00734031,0.017507887],"study_design_scores_gemma":[0.000011169179,0.00002784868,0.012328657,0.0006892001,0.000013523913,0.00029390785,0.127061,0.00011755076,0.00025707687,0.04170348,0.8174732,0.000023471033],"about_ca_topic_score_codex":0.042842586,"about_ca_topic_score_gemma":0.09749833,"teacher_disagreement_score":0.042842586,"about_ca_system_score_codex":0.007852129,"about_ca_system_score_gemma":0.004671437,"threshold_uncertainty_score":0.08518642},"labels":[],"label_agreement":null},{"id":"W3108710421","doi":"10.18192/rceh.v43i3.4878","title":"Rocambor, Malilla, and Matrimony: Gambling in Mercedes Cabello de Carbonera’s Naturalist Novels","year":2020,"lang":"en","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Naturalism; Representation (politics); Workforce; Inequality; Sociology; Aesthetics; Art; Philosophy; Epistemology; Political science; Mathematics; Law","score_opus":0.026274408908358964,"score_gpt":0.2337291536340635,"score_spread":0.20745474472570452,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3108710421","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.43886775,0.023271253,0.0011957542,0.088530876,0.0012165117,0.000029550747,0.00014288099,0.000048761205,0.44669658],"genre_scores_gemma":[0.9564498,0.005295365,0.00026833607,0.0027550976,0.00053764717,0.000034837096,0.000034277702,0.000029595705,0.034595083],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99971074,0.00017839213,0.0000034672437,0.000028411758,0.00003056695,0.00004850142],"domain_scores_gemma":[0.99960226,0.00022648777,0.000063406915,0.000021491367,0.00004110657,0.00004530732],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007527956,0.00031982257,0.00017957146,0.00048350284,0.0053959,0.0026998562,0.00042766263,0.00083173305,0.0038049459],"category_scores_gemma":[0.0013036248,0.00011001748,0.00013445065,0.0005195185,0.006626881,0.0011899762,0.001677748,0.0016107783,0.00020170376],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013152338,0.000107606196,0.0027221134,0.00027852476,0.00001817223,0.0025246937,0.50481945,0.00017103799,0.0007723773,0.39852962,0.0697864,0.020138495],"study_design_scores_gemma":[0.00001731943,0.00004302404,0.006507515,0.0003622081,0.000010241117,0.00071298215,0.17616768,0.000119844044,0.00043077316,0.012566085,0.8030496,0.000012708002],"about_ca_topic_score_codex":0.00933961,"about_ca_topic_score_gemma":0.019647282,"teacher_disagreement_score":0.00933961,"about_ca_system_score_codex":0.003020994,"about_ca_system_score_gemma":0.0007614009,"threshold_uncertainty_score":0.021918893},"labels":[],"label_agreement":null},{"id":"W3110694885","doi":"10.4000/belphegor.3077","title":"José Mallorquí, su influencia en la literatura popular","year":2020,"lang":"es","type":"article","venue":"Belphégor","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.015876004243879204,"score_gpt":0.2311508722835447,"score_spread":0.2152748680396655,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3110694885","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0114768045,0.38156605,0.0016333068,0.37465963,0.02180379,0.000014193243,0.00014440609,0.00009905066,0.20860282],"genre_scores_gemma":[0.45186436,0.21234307,0.0018742136,0.08759894,0.028910076,0.000054437496,0.00015421852,0.0003848335,0.21681584],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971974,0.0013675804,0.00008093923,0.00042717697,0.0006803476,0.00024660586],"domain_scores_gemma":[0.99471986,0.0033998766,0.00040533635,0.00018879828,0.00093750225,0.00034862958],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0030061372,0.0005973809,0.00051659,0.0022738392,0.005564695,0.009450121,0.0009128903,0.0027638173,0.0070636515],"category_scores_gemma":[0.006980722,0.00025847618,0.0002938826,0.0026128835,0.009210606,0.0064646443,0.0026996534,0.0047478895,0.0013836134],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007981069,0.000023228715,0.0015543145,0.000733335,0.000032599793,0.000415153,0.05084956,0.00010721201,0.0004929645,0.4726563,0.42706394,0.04599148],"study_design_scores_gemma":[0.000004027203,0.0000067971596,0.00058879744,0.00043638135,0.000007194145,0.000121202,0.0072094034,0.00003882703,0.00011724156,0.0063873385,0.9850743,0.000008533073],"about_ca_topic_score_codex":0.018281039,"about_ca_topic_score_gemma":0.028675623,"teacher_disagreement_score":0.018281039,"about_ca_system_score_codex":0.0064739734,"about_ca_system_score_gemma":0.004320938,"threshold_uncertainty_score":0.046972156},"labels":[],"label_agreement":null},{"id":"W3111188857","doi":"10.4000/belphegor.2883","title":"Introducción","year":2020,"lang":"es","type":"article","venue":"Belphégor","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Political science; Art","score_opus":0.02339101969629549,"score_gpt":0.23119110776039425,"score_spread":0.20780008806409878,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3111188857","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0035852022,0.046890795,0.0061574522,0.02118001,0.025137989,0.00023405679,0.0043632365,0.00063711096,0.8918141],"genre_scores_gemma":[0.049432427,0.046727046,0.009630483,0.009181989,0.0122333905,0.00040024714,0.0058325073,0.00081134227,0.86575055],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986094,0.0003370454,0.00009998995,0.0003475536,0.00046834795,0.0001375902],"domain_scores_gemma":[0.99833715,0.0005347883,0.00012581609,0.00021369611,0.0005772343,0.00021133303],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011628091,0.0010117636,0.00061297364,0.0020696297,0.0022232174,0.0046383906,0.0017335773,0.0021245698,0.2463573],"category_scores_gemma":[0.0043368274,0.00029325706,0.0004501514,0.0025920223,0.0016754575,0.002858166,0.0022663537,0.0023455236,0.08843639],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010670076,0.000060692215,0.0008376672,0.0010454875,0.000012262918,0.00029916878,0.003480312,0.00020617344,0.0006289533,0.104494534,0.64436096,0.24446715],"study_design_scores_gemma":[0.000002310688,0.000009729352,0.00027076944,0.0002506791,0.0000020035477,0.00008456834,0.00026843487,0.000016618542,0.000049171074,0.0030405736,0.9960018,0.0000034300087],"about_ca_topic_score_codex":0.004880308,"about_ca_topic_score_gemma":0.0052413447,"teacher_disagreement_score":0.2463573,"about_ca_system_score_codex":0.0023693994,"about_ca_system_score_gemma":0.0030436637,"threshold_uncertainty_score":0.8241473},"labels":[],"label_agreement":null},{"id":"W3111437168","doi":"10.4000/belphegor.3042","title":"Eduardo Zamacois: viajero, empresario, editor, periodista y escritor","year":2020,"lang":"es","type":"article","venue":"Belphégor","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.01748769245430912,"score_gpt":0.22956859272090305,"score_spread":0.21208090026659393,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3111437168","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0015605183,0.48047417,0.00073977653,0.22482547,0.20640443,0.000031093354,0.00013275756,0.00012935145,0.0857025],"genre_scores_gemma":[0.046231963,0.25998485,0.0010558552,0.06807476,0.23294897,0.000097971664,0.00017063967,0.00029099573,0.39114392],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99898905,0.00033531783,0.00006935504,0.000154271,0.0003569045,0.00009511614],"domain_scores_gemma":[0.9981219,0.000854271,0.00022079748,0.00011452201,0.0004912829,0.00019710335],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016277405,0.0010340072,0.0005687892,0.0022087798,0.003301895,0.009691589,0.0010594508,0.0026597437,0.010251156],"category_scores_gemma":[0.0052815094,0.00036499678,0.00026044232,0.0023375824,0.0030580827,0.004730392,0.0021747167,0.0039875144,0.0038031335],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015857766,0.0000063746306,0.00012151227,0.0002558523,0.0000031726993,0.00007049976,0.0021461511,0.00002889816,0.000104344734,0.018756032,0.9524502,0.026041076],"study_design_scores_gemma":[6.44519e-7,0.000001201531,0.00013515155,0.0001490911,0.0000013791289,0.000032806893,0.00058107876,0.0000076555425,0.000019421932,0.00058581744,0.9984841,0.0000017197372],"about_ca_topic_score_codex":0.008261711,"about_ca_topic_score_gemma":0.018761624,"teacher_disagreement_score":0.010251156,"about_ca_system_score_codex":0.0033228416,"about_ca_system_score_gemma":0.0036098163,"threshold_uncertainty_score":0.034293532},"labels":[],"label_agreement":null},{"id":"W3112471017","doi":"10.5944/epos.36.2020.29099","title":"Reseña de 'This Ghostly Poetry: History and Memory of Exiled Spanish Republican Poets'","year":2020,"lang":"es","type":"article","venue":"Epos Revista de filología","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Art; History; Literature; Humanities; Art history","score_opus":0.027076617093261264,"score_gpt":0.2340499697437381,"score_spread":0.20697335265047684,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3112471017","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.063902915,0.31909588,0.0014142698,0.10780075,0.015034177,0.000029808976,0.00044510694,0.00019333596,0.49208376],"genre_scores_gemma":[0.57251674,0.091783024,0.0012214585,0.0077035762,0.0064332555,0.000052936408,0.0003944759,0.00034295974,0.3195516],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995246,0.00022789752,0.000013453745,0.00004775288,0.00011625544,0.00007005917],"domain_scores_gemma":[0.99926597,0.00028740414,0.000096405034,0.000089926754,0.00018294374,0.00007734403],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015881222,0.0005485093,0.00040347115,0.0012463988,0.0027891754,0.005648359,0.0006191662,0.0012574525,0.012137286],"category_scores_gemma":[0.0034055326,0.00014536147,0.00019463358,0.0015104228,0.006444856,0.005608135,0.0023421627,0.002127792,0.0018857403],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001981111,0.0000413928,0.0012264686,0.0005712187,0.000015244749,0.00096078834,0.13960731,0.000108574204,0.0009015619,0.20725778,0.49286142,0.15625021],"study_design_scores_gemma":[0.0000092952905,0.000010701805,0.0016545951,0.00037748518,0.000004693674,0.00030819638,0.025215456,0.000029981853,0.00022186617,0.0061327345,0.9660254,0.0000095874475],"about_ca_topic_score_codex":0.011674235,"about_ca_topic_score_gemma":0.020775478,"teacher_disagreement_score":0.012137286,"about_ca_system_score_codex":0.0025281792,"about_ca_system_score_gemma":0.0018655716,"threshold_uncertainty_score":0.04060328},"labels":[],"label_agreement":null},{"id":"W3117152851","doi":"","title":"Redressing the Trickster: \"El burlador de Sevilla\" and critical transitions","year":2004,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Trickster; Art; Literature","score_opus":0.014705253156631681,"score_gpt":0.24970556137715022,"score_spread":0.23500030822051854,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3117152851","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.36069977,0.010822915,0.0022816516,0.17860614,0.0012101805,0.000044228433,0.00009216099,0.00006693604,0.44617608],"genre_scores_gemma":[0.98317856,0.00080236065,0.00022700123,0.004509289,0.000090739595,0.00003274913,0.00001659642,0.000040659896,0.01110212],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971168,0.0017828605,0.00004074471,0.00020949781,0.00016976397,0.0006803669],"domain_scores_gemma":[0.9975017,0.0013817053,0.0002956844,0.0002089813,0.0003198477,0.0002920955],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0047109965,0.0004868999,0.00040478408,0.0015162578,0.014111982,0.009242793,0.0014414547,0.0040395795,0.0045182006],"category_scores_gemma":[0.009467031,0.0002291407,0.00035922875,0.001609574,0.034034524,0.007830538,0.009753056,0.006958775,0.0002440338],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004483379,0.000020009213,0.00077916804,0.00006056029,0.0000036201727,0.00019587955,0.22616734,0.00004330865,0.00009011718,0.7561546,0.009556801,0.006883877],"study_design_scores_gemma":[0.000028762222,0.000019315605,0.0029305571,0.0005316571,0.0000220015,0.0001741961,0.6018266,0.00011169823,0.000313108,0.14257881,0.25143114,0.000032269625],"about_ca_topic_score_codex":0.049409244,"about_ca_topic_score_gemma":0.082523935,"teacher_disagreement_score":0.049409244,"about_ca_system_score_codex":0.00993899,"about_ca_system_score_gemma":0.011911974,"threshold_uncertainty_score":0.098243296},"labels":[],"label_agreement":null},{"id":"W3117414723","doi":"","title":"\"La boda de Juan Rana\" de Cáncer y Velasco: el travestismo y la identidad matrimonial-sexual","year":2004,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.010481737620334733,"score_gpt":0.24426790581499042,"score_spread":0.2337861681946557,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3117414723","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6035512,0.021196794,0.0007039273,0.0980055,0.0014472302,0.000060769802,0.00025403957,0.00003363762,0.2747468],"genre_scores_gemma":[0.9646722,0.005709958,0.00013032781,0.004279682,0.00011273555,0.000032056632,0.00006536679,0.000023763132,0.024973975],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987913,0.00057785725,0.000025985912,0.00008979767,0.0001351733,0.00037999492],"domain_scores_gemma":[0.99906,0.00033255655,0.00021442205,0.00007016431,0.00011349379,0.00020943058],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0021049017,0.00031601844,0.00028095357,0.0008441283,0.00957402,0.00460569,0.00083091354,0.0014404799,0.0059233094],"category_scores_gemma":[0.0051673,0.0001818386,0.00023888516,0.0014971073,0.01011676,0.0034463971,0.005506033,0.003548184,0.00032855765],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016486287,0.00008229826,0.030296855,0.00035628525,0.000023545885,0.0013619713,0.6359646,0.00010512094,0.0004358314,0.24800561,0.03370023,0.049502816],"study_design_scores_gemma":[0.000012355193,0.000023194902,0.015239186,0.000668147,0.000020183279,0.0003828183,0.7484281,0.000032450862,0.00025609822,0.00437397,0.23054953,0.000014010445],"about_ca_topic_score_codex":0.1147078,"about_ca_topic_score_gemma":0.20178434,"teacher_disagreement_score":0.1147078,"about_ca_system_score_codex":0.0059106625,"about_ca_system_score_gemma":0.009669682,"threshold_uncertainty_score":0.22808027},"labels":[],"label_agreement":null},{"id":"W3125259412","doi":"10.15304/qui.19.6044","title":"El toro por los cuernos. Símbolos de lo español en un videoclip de Rosalía","year":2021,"lang":"es","type":"article","venue":"Quintana revista do Departamento de Historia da Arte","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.009988458250194277,"score_gpt":0.2542660231706742,"score_spread":0.24427756492047992,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3125259412","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0929977,0.009967525,0.005637813,0.037770107,0.002374648,0.000071306014,0.00062656397,0.00031322418,0.850241],"genre_scores_gemma":[0.68601066,0.00556567,0.002418381,0.0034690176,0.0006894292,0.00007362079,0.00031244569,0.00046760892,0.3009933],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992124,0.00037086132,0.000014002195,0.000103089915,0.00017666326,0.00012289757],"domain_scores_gemma":[0.9993374,0.00021008914,0.00008539244,0.00006213695,0.00018571518,0.000119217126],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007205822,0.00059301115,0.00017892182,0.0008549201,0.006830363,0.004771713,0.00068408495,0.0014461549,0.017591346],"category_scores_gemma":[0.0021848464,0.0001749027,0.00020321934,0.00079438894,0.0060988283,0.0037563702,0.0030002594,0.002538269,0.003105521],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022917449,0.00003642372,0.003083633,0.0005191692,0.000018845376,0.0018495597,0.41483587,0.00019902493,0.003510902,0.29246718,0.18795727,0.09529293],"study_design_scores_gemma":[0.0000059759172,0.00001823921,0.0027886427,0.00035476458,0.000008451596,0.00044537714,0.09294275,0.000083379586,0.0006606258,0.004122685,0.89855194,0.000017210863],"about_ca_topic_score_codex":0.056187965,"about_ca_topic_score_gemma":0.109578595,"teacher_disagreement_score":0.056187965,"about_ca_system_score_codex":0.0040948195,"about_ca_system_score_gemma":0.002084572,"threshold_uncertainty_score":0.11172181},"labels":[],"label_agreement":null},{"id":"W3128243683","doi":"10.3986/dd.2020.2.10","title":"Knjižna ocena - Marcelo J. Borges in Sonia Cancian (ur.), Migrant Letters: Emotional Language, Mobile Identities, and Writing Practices in Historical Perspective","year":2020,"lang":"sl","type":"article","venue":"Two Homelands","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Perspective (graphical); Linguistics; Sociology; Psychology; Philosophy; Art; Visual arts","score_opus":0.021731928255507404,"score_gpt":0.2769787704233309,"score_spread":0.2552468421678235,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3128243683","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16749258,0.13734426,0.0011614907,0.40685797,0.00795655,0.00007881138,0.00030392248,0.00010635808,0.2786981],"genre_scores_gemma":[0.72199845,0.0504257,0.0015487879,0.024233738,0.0025977679,0.00010183837,0.000116038624,0.00014094633,0.19883679],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991487,0.0003730052,0.00003900442,0.00011762521,0.00016941359,0.00015232086],"domain_scores_gemma":[0.99844104,0.00047412774,0.00022405716,0.000043041047,0.0004300074,0.00038773907],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009729415,0.0004492743,0.00033347012,0.0012685293,0.009260897,0.006707227,0.0006612313,0.0014441492,0.0077585685],"category_scores_gemma":[0.0029709225,0.00019197291,0.00017462108,0.0015288775,0.005110887,0.0032635692,0.0020806678,0.0025755651,0.0011611616],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006897369,0.00006337783,0.015068572,0.0006710118,0.000015158143,0.0026175042,0.54428345,0.00011681795,0.0010047338,0.11065423,0.24551319,0.079922974],"study_design_scores_gemma":[0.0000041276,0.000018373647,0.013370027,0.0005524962,0.0000080032705,0.0007152649,0.19957593,0.00006823246,0.00019720799,0.0026460388,0.78282064,0.000023630802],"about_ca_topic_score_codex":0.1975761,"about_ca_topic_score_gemma":0.34122604,"teacher_disagreement_score":0.1975761,"about_ca_system_score_codex":0.0068577905,"about_ca_system_score_gemma":0.0067060892,"threshold_uncertainty_score":0.3928522},"labels":[],"label_agreement":null},{"id":"W3131193318","doi":"","title":"La reordenación del tiempo y la replicación cultural en el primer ciclo atlántico: la \"Loa para El divino Narciso\", de sor Juana","year":2004,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.013640503199616157,"score_gpt":0.2689576655938053,"score_spread":0.2553171623941891,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3131193318","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4436274,0.051674817,0.0015114524,0.31934342,0.004445622,0.00003857702,0.00022276072,0.000023634999,0.17911237],"genre_scores_gemma":[0.959097,0.015342389,0.00069516577,0.008115806,0.0006813372,0.000032101583,0.00007271694,0.00006693443,0.015896525],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99822086,0.0008991002,0.00005130751,0.00020113753,0.00037985563,0.0002477774],"domain_scores_gemma":[0.9947803,0.0025756778,0.00039105784,0.000554675,0.0012555493,0.0004427133],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0068725077,0.00038879988,0.0003939688,0.0019459819,0.007586021,0.009140615,0.0015200987,0.0020669864,0.003776904],"category_scores_gemma":[0.014318465,0.00020653292,0.00022359495,0.0026282906,0.0161777,0.0076029943,0.005342952,0.0041379356,0.00034100557],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001697834,0.00015974363,0.01938263,0.0003507615,0.00002773507,0.00045378497,0.45846793,0.00006837291,0.00058305543,0.3791248,0.049916875,0.091294445],"study_design_scores_gemma":[0.000040262323,0.000030397683,0.019894267,0.0022620826,0.0000728306,0.00018386391,0.63133717,0.0001870752,0.0008402869,0.03747829,0.3076457,0.000027726808],"about_ca_topic_score_codex":0.15771478,"about_ca_topic_score_gemma":0.23394284,"teacher_disagreement_score":0.15771478,"about_ca_system_score_codex":0.008090634,"about_ca_system_score_gemma":0.0152649265,"threshold_uncertainty_score":0.31359357},"labels":[],"label_agreement":null},{"id":"W3133711653","doi":"10.3138/utq.89.3.hr.09","title":"Silvia Bermúdez and Roberta Johnson, eds. <i>A New History of Iberian Feminisms</i>","year":2021,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"University of British Columbia","funders":"","keywords":"Berm; History; Sociology; Archaeology","score_opus":0.008570151670482386,"score_gpt":0.1641277268237141,"score_spread":0.1555575751532317,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3133711653","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0006722674,0.94450206,0.00022396744,0.025206229,0.004077115,0.0000050740655,0.000106448715,0.00001976991,0.02518715],"genre_scores_gemma":[0.020475492,0.9157848,0.0010764139,0.0054660197,0.005410766,0.000035528756,0.00019322464,0.00007453389,0.051483225],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992637,0.00029074526,0.000037655656,0.000110336994,0.00017766717,0.00012000508],"domain_scores_gemma":[0.9994018,0.00023128673,0.00010177843,0.000027856006,0.00015561699,0.00008169894],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017233291,0.0018851848,0.00096619996,0.0028277645,0.0032352004,0.006063025,0.0012003919,0.002071226,0.013288022],"category_scores_gemma":[0.0013322021,0.0006540415,0.00044296612,0.0041105384,0.0030505832,0.007391985,0.0018511509,0.0028775681,0.0041868854],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000102008264,0.00002960699,0.0009148917,0.0009844064,0.00002096189,0.000171891,0.008123116,0.0001728408,0.00019030465,0.046196792,0.7772054,0.16588774],"study_design_scores_gemma":[0.000005384105,0.0000043879077,0.0014807956,0.00088460086,0.00000717972,0.000076019234,0.0035923622,0.000018175497,0.00009048106,0.0053893374,0.98844355,0.00000771553],"about_ca_topic_score_codex":0.039309323,"about_ca_topic_score_gemma":0.08629165,"teacher_disagreement_score":0.039309323,"about_ca_system_score_codex":0.005028688,"about_ca_system_score_gemma":0.0038554608,"threshold_uncertainty_score":0.07816106},"labels":[],"label_agreement":null},{"id":"W3137254736","doi":"10.7202/1075879ar","title":"Mechaphony Amidst the Roaring Silence","year":2021,"lang":"en","type":"article","venue":"The Trumpeter","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Silence; Political science; Art; Aesthetics","score_opus":0.017944470401874548,"score_gpt":0.18567000024143449,"score_spread":0.16772552983955993,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3137254736","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.019696204,0.014477184,0.0013034976,0.61327714,0.010751985,0.000015864645,0.00009284196,0.00006358095,0.34032166],"genre_scores_gemma":[0.55031407,0.004130324,0.00070718647,0.18188415,0.009101344,0.000076347584,0.000061771054,0.00041850988,0.25330624],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99585825,0.0020021657,0.000077632394,0.0004724674,0.0007848935,0.0008045388],"domain_scores_gemma":[0.9960206,0.0019655742,0.00023574736,0.00043045197,0.00089443376,0.0004532675],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0047590514,0.00036595005,0.00059957214,0.00077082036,0.010057661,0.008793902,0.0010619876,0.0066294745,0.010897049],"category_scores_gemma":[0.012684456,0.0001954953,0.00033922595,0.0008603476,0.019845005,0.005184108,0.0040810923,0.012521102,0.002287025],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000048382703,0.0000121200865,0.00025472575,0.00005077233,0.0000068605623,0.00027540635,0.035681006,0.00004342005,0.0002955586,0.80588156,0.14726546,0.010184721],"study_design_scores_gemma":[0.000011982031,0.000009295757,0.00042965793,0.00014339061,0.0000046921455,0.000094184514,0.017869724,0.000047995174,0.00020199463,0.05541774,0.92575455,0.000014948686],"about_ca_topic_score_codex":0.023009436,"about_ca_topic_score_gemma":0.023214204,"teacher_disagreement_score":0.023009436,"about_ca_system_score_codex":0.0072775655,"about_ca_system_score_gemma":0.004748712,"threshold_uncertainty_score":0.052802682},"labels":[],"label_agreement":null},{"id":"W3138810614","doi":"10.35562/iris.1815","title":"Andalucía vista desde Quebec","year":2014,"lang":"es","type":"article","venue":"Iris","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.010573462579888743,"score_gpt":0.22705636369279505,"score_spread":0.2164829011129063,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3138810614","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10670963,0.024240647,0.0006731532,0.030759852,0.0016188937,0.00007043187,0.0033966426,0.00016809936,0.83236265],"genre_scores_gemma":[0.34067756,0.0085432455,0.0005075827,0.003144506,0.00014689052,0.00003630792,0.0006509441,0.00005675386,0.6462362],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996716,0.000033366407,0.000007819374,0.00005133026,0.00010234882,0.00013351794],"domain_scores_gemma":[0.99926406,0.000098753546,0.000056004035,0.00003494107,0.0004283751,0.00011791285],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00035555896,0.0002549347,0.00023719388,0.0008206457,0.00479679,0.00292643,0.00044804157,0.000647747,0.041797403],"category_scores_gemma":[0.0009802366,0.00010080393,0.00017289999,0.0016819126,0.0012994672,0.0006772191,0.00079295645,0.001228025,0.0014824698],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00026652712,0.00008259492,0.02821573,0.0007554501,0.00008484164,0.0026746506,0.015764127,0.0005234966,0.0024796298,0.21669853,0.4352879,0.29716656],"study_design_scores_gemma":[0.000014580765,0.000014470788,0.030093746,0.0002565388,0.000020239335,0.00014607621,0.0065220543,0.00008167747,0.00041323123,0.00079758675,0.9616244,0.000015357604],"about_ca_topic_score_codex":0.9642056,"about_ca_topic_score_gemma":0.98771673,"teacher_disagreement_score":0.041797403,"about_ca_system_score_codex":0.027824877,"about_ca_system_score_gemma":0.026058856,"threshold_uncertainty_score":0.20188457},"labels":[],"label_agreement":null},{"id":"W3153637193","doi":"10.16922/bloodlandpower","title":"Blood, Land and Power: The Rise and Fall of the Spanish Nobility and Lineages in the Early Modern Period","year":2021,"lang":"en","type":"book","venue":"University of Wales Press eBooks","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Centre for Global Health Research","funders":"Ministerio de Economía y Competitividad; Junta de Andalucía; European Commission; University of Leeds","keywords":"Nobility; Honour; Period (music); Chronology; Rivalry; History; Power (physics); Politics; Middle Ages; Genealogy; Estate; Ancient history; Geography; Archaeology; Political science; Law; Art; Aesthetics","score_opus":0.012915438822991693,"score_gpt":0.16651978957440292,"score_spread":0.1536043507514112,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3153637193","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7105805,0.025760947,0.00043395773,0.0051502064,0.00013456236,0.000014313157,0.00005080537,0.0000109659695,0.25786355],"genre_scores_gemma":[0.9696816,0.004104758,0.00016546609,0.00024318762,0.0000476133,0.0000065879117,0.000024843986,0.000011497151,0.02571442],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.999622,0.00016899138,0.000007860617,0.000043482734,0.00007372351,0.00008383547],"domain_scores_gemma":[0.9997402,0.000100972036,0.00004855959,0.000016604117,0.00004374018,0.00004996848],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006107029,0.00016124679,0.00021498509,0.0009228609,0.0028274164,0.0032335694,0.0005551256,0.0005170023,0.0017259193],"category_scores_gemma":[0.0011523366,0.000101728925,0.00007486007,0.0017302791,0.0084312195,0.0017892536,0.0013821252,0.0007905192,0.0001606953],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006639968,0.000038534145,0.01633949,0.00012850425,0.000008079623,0.0017715341,0.6400186,0.00014270784,0.00078279036,0.25568023,0.006122807,0.07890049],"study_design_scores_gemma":[0.00001517084,0.000080080266,0.106092446,0.00037622798,0.0000116304445,0.001274777,0.30318457,0.00015253366,0.0003105994,0.028480725,0.56000245,0.000018769717],"about_ca_topic_score_codex":0.038212933,"about_ca_topic_score_gemma":0.08883808,"teacher_disagreement_score":0.038212933,"about_ca_system_score_codex":0.0062183416,"about_ca_system_score_gemma":0.0017115086,"threshold_uncertainty_score":0.07598102},"labels":[],"label_agreement":null},{"id":"W3165132674","doi":"10.55422/bbmp.484","title":"De Prim a Cánovas. Historia y novela en los últimos Episodios nacionales de Galdós","year":2020,"lang":"es","type":"article","venue":"BOLETÍN DE LA BIBLIOTECA DE MENÉNDEZ PELAYO","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Novelis (Canada)","funders":"","keywords":"Humanities; Art","score_opus":0.012630419194253617,"score_gpt":0.24876786936051973,"score_spread":0.2361374501662661,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3165132674","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03212286,0.055857085,0.0016438666,0.033748746,0.0047847372,0.000040524068,0.0001821255,0.00008832626,0.8715317],"genre_scores_gemma":[0.5762333,0.03131139,0.0009641706,0.005478482,0.0021427954,0.000094628806,0.00014196041,0.00012890436,0.3835042],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99925965,0.00034433557,0.000020736843,0.00010867867,0.00014052095,0.00012602525],"domain_scores_gemma":[0.99934584,0.0002675658,0.00009034666,0.00008551998,0.00010206724,0.00010862153],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010475877,0.00045690307,0.00026756877,0.0013786895,0.004338508,0.00920385,0.0005437417,0.0014136699,0.00941918],"category_scores_gemma":[0.0022960694,0.00016414383,0.00020434415,0.0016844886,0.009596305,0.0034549912,0.0039856452,0.002679489,0.0010106676],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006402811,0.000019350613,0.0010627812,0.00016213878,0.0000065020117,0.00039902973,0.02966589,0.00009990834,0.00017868687,0.88539904,0.05514395,0.027798703],"study_design_scores_gemma":[0.000008117691,0.000013014113,0.001149334,0.0002188444,0.000005009059,0.000116454845,0.011674914,0.00003826699,0.00015289376,0.025858002,0.9607605,0.000004693224],"about_ca_topic_score_codex":0.016505303,"about_ca_topic_score_gemma":0.027626364,"teacher_disagreement_score":0.016505303,"about_ca_system_score_codex":0.006721111,"about_ca_system_score_gemma":0.003332875,"threshold_uncertainty_score":0.0487653},"labels":[],"label_agreement":null},{"id":"W3214781177","doi":"","title":"AKIKO TSUCHIYA. Marginal Subjects: Gender and Deviance in Fin-de-siècle Spain. Toronto: University of Toronto Press, 2011. 277 pp","year":2012,"lang":"en","type":"article","venue":"Anales galdosianos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Deviance (statistics); Humanities; Sociology; Gerontology; Art; Medicine; Mathematics; Statistics","score_opus":0.017699219984252827,"score_gpt":0.21339041162599368,"score_spread":0.19569119164174084,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3214781177","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0031389934,0.9336452,0.0007934007,0.04084192,0.0036196082,0.000013993627,0.00042150277,0.00008860335,0.017436815],"genre_scores_gemma":[0.055291425,0.87708193,0.0016858263,0.0051906286,0.0038346131,0.00008223594,0.00040683823,0.00014564629,0.05628091],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99967575,0.00009397067,0.000043309672,0.00004571164,0.000072482624,0.00006886801],"domain_scores_gemma":[0.9984596,0.00065339374,0.00016360349,0.000047787555,0.00046197232,0.000213607],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015384011,0.0016369559,0.0013463508,0.0032479726,0.0031127718,0.0025773162,0.001642062,0.002169221,0.014226772],"category_scores_gemma":[0.0016697557,0.0009460368,0.00061687303,0.004293578,0.00219144,0.0060610594,0.001964984,0.0026678715,0.004835549],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013339637,0.000087425426,0.0054669986,0.0027688297,0.000059699236,0.00068999187,0.029339692,0.00019027771,0.0005874341,0.03882565,0.74900424,0.17284632],"study_design_scores_gemma":[0.000060467406,0.00004121337,0.0678833,0.0031230217,0.00016747558,0.0007289934,0.056810085,0.00031698766,0.00063643116,0.03930941,0.8308342,0.000088485445],"about_ca_topic_score_codex":0.054026615,"about_ca_topic_score_gemma":0.1414624,"teacher_disagreement_score":0.054026615,"about_ca_system_score_codex":0.0029683853,"about_ca_system_score_gemma":0.0029248553,"threshold_uncertainty_score":0.10742426},"labels":[],"label_agreement":null},{"id":"W3215114559","doi":"","title":"Daniel Aguirre Oteiza: Ghostly Poetry: History and Memory of Exiled Spanish Republican Poets. Toronto: University of Toronto Press 2020. 369 páginas.","year":2021,"lang":"es","type":"article","venue":"Iberoamericana. América Latina, España, Portugal: Ensayos sobre letras, historia y sociedad. Notas. Reseñas iberoamericanas","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Art; History; Art history; Humanities; Literature","score_opus":0.015269558550979544,"score_gpt":0.22267898066156358,"score_spread":0.20740942211058402,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3215114559","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.003641837,0.8271546,0.000670352,0.06179968,0.0064095017,0.000017156608,0.0006002213,0.0001254683,0.099581234],"genre_scores_gemma":[0.14841266,0.54299575,0.0019037343,0.0121257305,0.007307175,0.000090572015,0.0006790272,0.00034862492,0.28613678],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993616,0.00027650365,0.000027022737,0.000063713414,0.0001817843,0.00008933442],"domain_scores_gemma":[0.9985202,0.0006079231,0.00014264425,0.000087237095,0.0004761733,0.00016589114],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015198078,0.001197051,0.00069040956,0.0030907365,0.003699429,0.0046899333,0.0014595649,0.0019335818,0.0146406125],"category_scores_gemma":[0.0031425909,0.00037454217,0.00026528418,0.0040330123,0.0048983605,0.0053713736,0.0018790808,0.0025933885,0.004126243],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008642029,0.000017024273,0.00049462053,0.0003975322,0.0000113236765,0.0002924428,0.018732812,0.00005043544,0.0001473877,0.040179152,0.8851731,0.054417875],"study_design_scores_gemma":[0.000013250566,0.000005727936,0.0031495164,0.00067308266,0.0000081583075,0.00015121521,0.007578408,0.000037277034,0.00014331563,0.0070587755,0.9811699,0.000011546322],"about_ca_topic_score_codex":0.08747607,"about_ca_topic_score_gemma":0.19074553,"teacher_disagreement_score":0.08747607,"about_ca_system_score_codex":0.004235461,"about_ca_system_score_gemma":0.0031679224,"threshold_uncertainty_score":0.1739338},"labels":[],"label_agreement":null},{"id":"W3215725274","doi":"10.18192/rceh.v44i2.6059","title":"Hispanidad y modernismo(s): “Clarín” crítico en la encrucijada nacionalista de fines del siglo XIX","year":2021,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.012846529557944813,"score_gpt":0.23248528510709704,"score_spread":0.21963875554915221,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3215725274","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26969096,0.0086862305,0.0015527239,0.037981667,0.00047302616,0.000016203865,0.000030605475,0.000022161792,0.6815464],"genre_scores_gemma":[0.95362014,0.0015614671,0.00031076992,0.0018888628,0.00010836973,0.000012021082,0.000011004916,0.000018473442,0.04246895],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99888533,0.0005574475,0.00001826364,0.00015624141,0.00019858971,0.00018417113],"domain_scores_gemma":[0.99909973,0.00040314044,0.00011847335,0.000085041254,0.00018617918,0.00010741347],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001872183,0.00022111471,0.00019837401,0.0006337738,0.006288683,0.004573636,0.00037176337,0.00092639105,0.0030869173],"category_scores_gemma":[0.0018367881,0.00009927989,0.00009611781,0.0007494175,0.017342698,0.0017300623,0.0022123156,0.0024473392,0.00017884694],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000308679,0.000012205155,0.0031638634,0.00006763099,0.0000046452337,0.00014183548,0.098201305,0.000103147955,0.00020366831,0.8766119,0.010024534,0.011434349],"study_design_scores_gemma":[0.000020426054,0.00004332567,0.015282825,0.00046859466,0.000015321535,0.00017165732,0.09756229,0.00021082138,0.00039643244,0.051764738,0.8340419,0.000021653572],"about_ca_topic_score_codex":0.062351506,"about_ca_topic_score_gemma":0.15328327,"teacher_disagreement_score":0.062351506,"about_ca_system_score_codex":0.0077939956,"about_ca_system_score_gemma":0.004948751,"threshold_uncertainty_score":0.123977125},"labels":[],"label_agreement":null},{"id":"W3215807354","doi":"10.18192/rceh.v44i2.6127","title":"JENNIFER SMITH, ED. Modern Spanish Women as Agents of Change: Essays in Honor of Maryellen Bieder. Lewisburg: Bucknell UP, 2019. 236 pp.","year":2021,"lang":"en","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Honor; History; Computer science","score_opus":0.029469165306986136,"score_gpt":0.23793853097189618,"score_spread":0.20846936566491003,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3215807354","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0006159426,0.91015583,0.00022829237,0.052570798,0.0070439624,0.000012472016,0.00015761965,0.000029815188,0.029185245],"genre_scores_gemma":[0.019163748,0.83823633,0.0008640867,0.012250582,0.005791361,0.000092606424,0.00021924885,0.00011647417,0.123265505],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99929655,0.00029001653,0.000036700472,0.00007001073,0.0002208005,0.00008584948],"domain_scores_gemma":[0.99833316,0.00065966905,0.0001310698,0.000046678295,0.0005997291,0.00022984037],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020396323,0.0015842287,0.0008901462,0.0017901337,0.0027798896,0.0031682656,0.0012211523,0.0019738164,0.012117726],"category_scores_gemma":[0.0038277332,0.0005890221,0.00040561226,0.0028598446,0.0023939777,0.005435103,0.0018362437,0.002728633,0.0061702607],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024103238,0.000015608983,0.00027609544,0.00043151886,0.000010017089,0.00008217347,0.0038760104,0.000040553048,0.0000804359,0.004189844,0.9437981,0.04717551],"study_design_scores_gemma":[0.000008608342,0.000005613261,0.0013796019,0.0015237551,0.000009551749,0.00009409085,0.0060816547,0.0000168024,0.000078602876,0.0033883385,0.98740387,0.000009524486],"about_ca_topic_score_codex":0.04342014,"about_ca_topic_score_gemma":0.08787539,"teacher_disagreement_score":0.04342014,"about_ca_system_score_codex":0.00302555,"about_ca_system_score_gemma":0.004586445,"threshold_uncertainty_score":0.086334825},"labels":[],"label_agreement":null},{"id":"W3215948962","doi":"10.18192/rceh.v44i2.6130","title":"Un católico en Nueva York: Lorca’s Tragic Vision of the United States","year":2021,"lang":"en","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Vitality; Modernity; Poetry; Irrationality; Materialism; Modernization theory; Resistance (ecology); Humanities; Philosophy; Art; Literature; Religious studies; Theology; Law; Political science; Rationality","score_opus":0.013142720213223167,"score_gpt":0.21820886882562915,"score_spread":0.205066148612406,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3215948962","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.32563353,0.026063383,0.0012752116,0.07966067,0.001640962,0.000022127131,0.00006540397,0.000048316408,0.56559044],"genre_scores_gemma":[0.9594044,0.0039555165,0.00022800945,0.0025831743,0.000113271635,0.000015286712,0.000018869388,0.00001793158,0.03366355],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997073,0.00014373037,0.000004251886,0.000024460824,0.00003258174,0.000087650966],"domain_scores_gemma":[0.99979645,0.000079950674,0.000021031929,0.0000139547465,0.000042373984,0.00004623538],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000780124,0.00019680259,0.00015538145,0.0005766428,0.0054796385,0.0048826267,0.00032165667,0.0009294926,0.0026958622],"category_scores_gemma":[0.0011164056,0.00007485536,0.0000999896,0.0005902349,0.0076115183,0.0022368152,0.0023888303,0.0029320354,0.00017228795],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009883595,0.000044620116,0.002318616,0.00007224224,0.000005570782,0.0003295707,0.1722087,0.00018405684,0.00034534332,0.74540585,0.04268852,0.03629814],"study_design_scores_gemma":[0.000022960598,0.00003982888,0.003865916,0.00033922968,0.0000098799965,0.00014572259,0.16541158,0.00021822003,0.00023842376,0.028519016,0.8011638,0.000025483507],"about_ca_topic_score_codex":0.08442839,"about_ca_topic_score_gemma":0.13401459,"teacher_disagreement_score":0.08442839,"about_ca_system_score_codex":0.0061713867,"about_ca_system_score_gemma":0.0030164202,"threshold_uncertainty_score":0.16787392},"labels":[],"label_agreement":null},{"id":"W3216197240","doi":"10.18192/rceh.v44i2.6124","title":"ENCARNACIÓN JUÁREZ-ALMENDROS. Disabled Bodies in Early Modern Spanish Literature: Prostitutes, Aging Women and Saints. Liverpool: Liverpool UP, 2017. viii + 201 pp.","year":2021,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Art; Gerontology; Humanities; Medicine","score_opus":0.011695318560259476,"score_gpt":0.22013732025899024,"score_spread":0.20844200169873076,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3216197240","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0025401397,0.9474098,0.00018054585,0.018588869,0.004929146,0.00001219036,0.00032007383,0.000051428382,0.025967808],"genre_scores_gemma":[0.05059531,0.87983966,0.00042342188,0.0034171802,0.005828343,0.000043647564,0.00036776692,0.00008019353,0.059404407],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99969983,0.00009028088,0.000019668138,0.000033644574,0.000100643796,0.000055898392],"domain_scores_gemma":[0.99863017,0.0004876258,0.00017342494,0.000037050475,0.00051107793,0.00016071417],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009307598,0.0009634028,0.00061262207,0.0036643075,0.0016129323,0.0027848433,0.0010055413,0.00124359,0.019224577],"category_scores_gemma":[0.0022278067,0.0002908067,0.0002756962,0.004659637,0.0015668357,0.0031080407,0.0018147634,0.0013364046,0.004264365],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010312932,0.000045286914,0.0022640834,0.0024991643,0.000017402343,0.0005459231,0.017177988,0.000087576904,0.00021943823,0.016366053,0.7869151,0.17375891],"study_design_scores_gemma":[0.00001363209,0.000021364163,0.012985374,0.005350733,0.000025302408,0.00047445617,0.018169614,0.00004059061,0.00018919904,0.0032668272,0.95944357,0.000019228251],"about_ca_topic_score_codex":0.05032537,"about_ca_topic_score_gemma":0.06670572,"teacher_disagreement_score":0.05032537,"about_ca_system_score_codex":0.0022704655,"about_ca_system_score_gemma":0.0028689557,"threshold_uncertainty_score":0.10006487},"labels":[],"label_agreement":null},{"id":"W3216877578","doi":"10.18192/rceh.v44i2.6131","title":"“Jugamos a la guerra”: Boys, Toys, and Military Masculinity in Galdós’s La desheredada","year":2021,"lang":"en","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Masculinity; Tragedy (event); Militarism; Problematization; Representation (politics); Gender studies; Storyboard; Humanities; Literature; History; Art; Sociology; Visual arts; Political science; Law","score_opus":0.013743290905172362,"score_gpt":0.21795781942782783,"score_spread":0.20421452852265545,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3216877578","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7561847,0.017403025,0.0002876761,0.011442224,0.00022243142,0.000010868737,0.000044954904,0.000007924477,0.21439613],"genre_scores_gemma":[0.9848298,0.0035054486,0.000070290494,0.00049435266,0.00004911492,0.000005658521,0.000011204407,0.000007862284,0.011026298],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994987,0.00028840444,0.000007737928,0.000051323634,0.00005920421,0.00009456286],"domain_scores_gemma":[0.9996408,0.00019602891,0.000060279457,0.000014930134,0.000040492647,0.00004741082],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001113481,0.00037779528,0.0002506674,0.00088997994,0.004822933,0.003885689,0.0006199001,0.0008864377,0.003979517],"category_scores_gemma":[0.0009797488,0.00016078298,0.00010283211,0.00083354407,0.011398409,0.0012711823,0.0019581367,0.001647551,0.00023420548],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005412731,0.00011427551,0.009593449,0.0001429361,0.000009978372,0.0012477196,0.77296305,0.00008886929,0.0004338934,0.18678494,0.008280638,0.020286115],"study_design_scores_gemma":[0.000011747112,0.000034560548,0.0147869885,0.00040826903,0.000009999887,0.0002717174,0.7953974,0.00004369254,0.00038121,0.004381969,0.18426138,0.000010976298],"about_ca_topic_score_codex":0.054844078,"about_ca_topic_score_gemma":0.11440599,"teacher_disagreement_score":0.054844078,"about_ca_system_score_codex":0.0049571902,"about_ca_system_score_gemma":0.0014733515,"threshold_uncertainty_score":0.10904968},"labels":[],"label_agreement":null},{"id":"W331120072","doi":"","title":"Noches de Mahler y otras satisfacciones: simetrías radiales","year":2014,"lang":"es","type":"article","venue":"Síneris: revista de musicología","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.015394790190234504,"score_gpt":0.23380842863194232,"score_spread":0.2184136384417078,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W331120072","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07524751,0.19964713,0.0042386507,0.33321038,0.010481881,0.00006870446,0.0002724467,0.00024420203,0.37658903],"genre_scores_gemma":[0.7949891,0.07102533,0.0022936834,0.02195927,0.0034574778,0.00012161352,0.00014393385,0.00035444164,0.10565524],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9946689,0.0030225485,0.00011367645,0.00045535475,0.0010184805,0.00072103983],"domain_scores_gemma":[0.9941453,0.0024410833,0.0005807187,0.00037982012,0.0017703278,0.0006827839],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.006747255,0.00095859775,0.0007614524,0.0016668742,0.0076998216,0.007907864,0.0017012787,0.0030642776,0.014397789],"category_scores_gemma":[0.020079434,0.0003324372,0.00047228302,0.0019926983,0.01754474,0.008193162,0.005679971,0.0075135706,0.0026817697],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00027561365,0.0001247586,0.0024751646,0.0006883632,0.00003639901,0.0020676455,0.22076373,0.00021889829,0.00047891962,0.35387272,0.2507003,0.16829744],"study_design_scores_gemma":[0.000027493852,0.000047368943,0.0029319616,0.0012836164,0.000020440268,0.001044666,0.19149391,0.00020344034,0.000381988,0.025745349,0.77676886,0.00005094533],"about_ca_topic_score_codex":0.06046046,"about_ca_topic_score_gemma":0.104926065,"teacher_disagreement_score":0.06046046,"about_ca_system_score_codex":0.010405457,"about_ca_system_score_gemma":0.008150179,"threshold_uncertainty_score":0.120217085},"labels":[],"label_agreement":null},{"id":"W33678135","doi":"10.1080/10934529.2021.1894041","title":"Génova: fantasmas en Génova","year":2009,"lang":"en","type":"article","venue":"Dirigido por ...: Revista de cine","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"Pamukkale Üniversitesi","keywords":"Nova (rocket); Nova scotia; Geography; Archaeology; Engineering; Aeronautics","score_opus":0.011915523155129034,"score_gpt":0.238524973121715,"score_spread":0.22660944996658597,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W33678135","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.016148526,0.18256254,0.0043205516,0.030785821,0.032541096,0.00009813074,0.0040293084,0.0013855727,0.72812843],"genre_scores_gemma":[0.14189602,0.084951475,0.010720929,0.008378826,0.007579766,0.00022827569,0.003041772,0.0017339349,0.74146897],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986999,0.0004050196,0.00006752412,0.00026053,0.00035910646,0.00020794016],"domain_scores_gemma":[0.99910396,0.00018609194,0.00008725048,0.00013166906,0.00026891037,0.00022207071],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017806744,0.0010592529,0.0009422666,0.0020105392,0.0022707754,0.005248602,0.0008103387,0.0014749953,0.10174982],"category_scores_gemma":[0.0023945703,0.00026417387,0.00061265944,0.0023774009,0.0024708938,0.0021412717,0.0037625942,0.002503063,0.033076186],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00041487187,0.00010138048,0.0042654215,0.0012400589,0.00005018286,0.0010921649,0.004872591,0.00035824612,0.0023230151,0.13193856,0.34304112,0.5103024],"study_design_scores_gemma":[0.0000046309283,0.000015828664,0.00082467496,0.00019221549,0.000004399915,0.0002780785,0.00040504045,0.0000187556,0.00015985833,0.0018066922,0.9962837,0.000006193925],"about_ca_topic_score_codex":0.004070134,"about_ca_topic_score_gemma":0.0061434526,"teacher_disagreement_score":0.10174982,"about_ca_system_score_codex":0.0023108984,"about_ca_system_score_gemma":0.0023986548,"threshold_uncertainty_score":0.34038705},"labels":[],"label_agreement":null},{"id":"W33898039","doi":"10.1016/j.amsu.2021.102313","title":"Talk, Small and Not to Small: The Power of Gossip in Clarín's \"La Regenta\"","year":2007,"lang":"en","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Gossip; Power (physics); Psychology; Social psychology; Physics","score_opus":0.01793420416790919,"score_gpt":0.22758727675266968,"score_spread":0.20965307258476049,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W33898039","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.36145073,0.036807615,0.00047082303,0.5374946,0.0048654308,0.000027531922,0.00007252741,0.0000277194,0.058783002],"genre_scores_gemma":[0.9505955,0.008534838,0.00019330675,0.033816967,0.0016366523,0.000018906567,0.000016151467,0.000025344747,0.0051623816],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977736,0.0016350722,0.000059694088,0.000117270814,0.0001541162,0.0002601305],"domain_scores_gemma":[0.99387604,0.0042359275,0.0008721478,0.0001673731,0.0002767285,0.00057171274],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004409571,0.0003268278,0.00038388927,0.0013162494,0.008731823,0.004010889,0.0007216753,0.0025904854,0.003237357],"category_scores_gemma":[0.010488037,0.00017348028,0.00016761375,0.001044877,0.018785607,0.004472176,0.003083012,0.0052871685,0.0002503132],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001561769,0.000060571983,0.007370549,0.00041659488,0.000033519813,0.007261028,0.8035222,0.00003535647,0.00037382558,0.08245181,0.062135745,0.036182564],"study_design_scores_gemma":[0.000029647159,0.00005090768,0.008638989,0.0010496262,0.000029369827,0.004242536,0.83497804,0.00005183773,0.00028094152,0.012010732,0.13860416,0.00003330314],"about_ca_topic_score_codex":0.012880603,"about_ca_topic_score_gemma":0.022016248,"teacher_disagreement_score":0.012880603,"about_ca_system_score_codex":0.0032208688,"about_ca_system_score_gemma":0.0029572377,"threshold_uncertainty_score":0.025611222},"labels":[],"label_agreement":null},{"id":"W33976139","doi":"10.1038/s41467-021-22859-w","title":"Bajo las leyes de vértigo y olvido","year":2007,"lang":"en","type":"article","venue":"República de las Letras: revista literaria de la Asociación Colegial de Escritores","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"National Institute of Diabetes and Digestive and Kidney Diseases; National Cancer Institute; National Institutes of Health; Government of Canada; U.S. Department of Health and Human Services; Eunice Kennedy Shriver National Institute of Child Health and Human Development; Howard Hughes Medical Institute","keywords":"Humanities; Philosophy","score_opus":0.0062568468391142225,"score_gpt":0.2544297827514994,"score_spread":0.24817293591238518,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W33976139","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.30101025,0.032662693,0.058477107,0.03660259,0.006749887,0.00021280508,0.062402274,0.00696194,0.49492052],"genre_scores_gemma":[0.5127914,0.029415714,0.08598254,0.0070420746,0.0029498506,0.0004625121,0.047297623,0.0032260066,0.3108323],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994462,0.000085341664,0.000027940308,0.00016863296,0.00020895025,0.000062783016],"domain_scores_gemma":[0.999209,0.00023806021,0.00012823795,0.00013936144,0.00018947732,0.00009587904],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010699042,0.0004173848,0.0004491193,0.00136216,0.0011404853,0.0022107656,0.0004833846,0.00044327148,0.021532621],"category_scores_gemma":[0.002666674,0.0002310088,0.00035401795,0.0019332074,0.0011100476,0.001388799,0.0014435332,0.00088154187,0.004143321],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00077328493,0.00006331723,0.043276876,0.00087152707,0.00010076995,0.0017085102,0.008954557,0.0008476989,0.021904726,0.08866174,0.24033575,0.59250116],"study_design_scores_gemma":[0.000018623743,0.000021482827,0.032269556,0.00029802197,0.000032029013,0.0004458383,0.0016451832,0.00041402303,0.0032194662,0.011416083,0.95018303,0.000036752135],"about_ca_topic_score_codex":0.02241533,"about_ca_topic_score_gemma":0.056637093,"teacher_disagreement_score":0.02241533,"about_ca_system_score_codex":0.0013117277,"about_ca_system_score_gemma":0.0015249976,"threshold_uncertainty_score":0.07203382},"labels":[],"label_agreement":null},{"id":"W34975943","doi":"10.3389/fpls.2021.760859","title":"Sevilla, Capital de Europa","year":2009,"lang":"en","type":"article","venue":"Boletín de la Real academia Sevillana de Buenas Letras: Minervae Baeticae","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Horst; Humanities; Latin Americans; Art; Capital (architecture); Political science; Ancient history; History; Geology; Law; Geomorphology","score_opus":0.00651143269198201,"score_gpt":0.23679150664527715,"score_spread":0.23028007395329514,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W34975943","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06783513,0.08499547,0.005566613,0.010833654,0.0036251808,0.0002526601,0.06681899,0.0030432628,0.75702906],"genre_scores_gemma":[0.3176588,0.06131004,0.013185821,0.002286507,0.001168779,0.00039770594,0.042230222,0.001880286,0.5598817],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994568,0.0001067011,0.00004118829,0.00022091974,0.00009043919,0.00008389343],"domain_scores_gemma":[0.9996025,0.00009278179,0.00008754738,0.000051911433,0.00007565389,0.00008961539],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005086072,0.0013234641,0.0010568937,0.0014265223,0.00094931567,0.002470922,0.0009796475,0.0010256002,0.21884014],"category_scores_gemma":[0.0009279608,0.00024525114,0.00069304643,0.0016467402,0.00057824823,0.0007601325,0.0012941887,0.0009562119,0.05611762],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0017754311,0.00034363384,0.016336143,0.005109812,0.00040550242,0.0067784353,0.0007079109,0.0029410308,0.0052422965,0.05485417,0.2705021,0.6350035],"study_design_scores_gemma":[0.00009198689,0.000052929572,0.02162734,0.00068178086,0.00004904905,0.0017862616,0.00027521647,0.0005639627,0.00049723533,0.0028706703,0.97147435,0.000029446708],"about_ca_topic_score_codex":0.026931535,"about_ca_topic_score_gemma":0.018579606,"teacher_disagreement_score":0.21884014,"about_ca_system_score_codex":0.001798031,"about_ca_system_score_gemma":0.0018507015,"threshold_uncertainty_score":0.7320932},"labels":[],"label_agreement":null},{"id":"W35685639","doi":"10.3389/fphar.2022.795176","title":"Contemplación : Una misión. El mensaje de tibhirine diez anos después","year":2006,"lang":"en","type":"article","venue":"Cistercium: Revista cisterciense","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Canadian Institutes of Health Research","keywords":"Humanities; Art","score_opus":0.017500097546391195,"score_gpt":0.24723473914861163,"score_spread":0.22973464160222043,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W35685639","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002545539,0.3759809,0.0022434609,0.5126238,0.09418146,0.000020880287,0.00030036073,0.00021375419,0.011889826],"genre_scores_gemma":[0.04689503,0.42134923,0.0040584835,0.2832291,0.2118744,0.00008190406,0.0004529593,0.00029324793,0.031765614],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980884,0.00068445766,0.00026086858,0.00038830383,0.0004194201,0.00015846669],"domain_scores_gemma":[0.9908778,0.00496851,0.000872132,0.0005625865,0.0017016659,0.0010173551],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0031158228,0.0009418165,0.001151659,0.0014023768,0.0017986611,0.004614132,0.0019517692,0.007900049,0.010407244],"category_scores_gemma":[0.024288174,0.00044561902,0.0007219377,0.0011307718,0.0063890624,0.00796516,0.0028591582,0.010232189,0.008391353],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014378573,0.00005182648,0.0017671894,0.0015575489,0.00006729975,0.0042161983,0.0016489754,0.00013587755,0.00037052055,0.030073298,0.6430086,0.31695879],"study_design_scores_gemma":[0.000014450754,0.00003076225,0.00061232183,0.0023357905,0.000044174074,0.011473017,0.0016465471,0.00010565508,0.00022339553,0.02057134,0.96289283,0.000049624632],"about_ca_topic_score_codex":0.001823539,"about_ca_topic_score_gemma":0.0032545263,"teacher_disagreement_score":0.010407244,"about_ca_system_score_codex":0.0026977935,"about_ca_system_score_gemma":0.0028735062,"threshold_uncertainty_score":0.03481567},"labels":[],"label_agreement":null},{"id":"W36149405","doi":"10.1021/acs.chemrestox.2c00284","title":"\"Viaje a la luna\": Federico García Lorca y el problema de la expresión","year":2000,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"National Institute of Environmental Health Sciences","keywords":"Art; Philosophy; Humanities","score_opus":0.008324167270021955,"score_gpt":0.22923182372241638,"score_spread":0.22090765645239444,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W36149405","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04501352,0.11361833,0.001448686,0.5059436,0.0095531605,0.000031493426,0.00014582356,0.00007633445,0.324169],"genre_scores_gemma":[0.75372463,0.071423225,0.0008920027,0.038716894,0.006397759,0.00009523392,0.00009119666,0.0002733403,0.12838562],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974475,0.0016757512,0.00004085006,0.00018657566,0.00032231907,0.00032698302],"domain_scores_gemma":[0.99773204,0.0011795944,0.00025422318,0.0001279411,0.0005319072,0.00017426543],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004976231,0.0007360493,0.00062201056,0.001971144,0.010240586,0.011285605,0.0012127842,0.004184224,0.0064183064],"category_scores_gemma":[0.010022859,0.000325672,0.0004166613,0.002197666,0.01925055,0.008514874,0.005647023,0.006363827,0.0009989709],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000075059186,0.000043009284,0.0010619212,0.00024075495,0.000011562057,0.00027076175,0.14154859,0.00006509362,0.000111150235,0.6612559,0.16971308,0.025603034],"study_design_scores_gemma":[0.000017514958,0.000012392906,0.0014285058,0.0008411294,0.000021707974,0.00020454469,0.11860735,0.000053017953,0.00014443778,0.03394168,0.8447068,0.000021016225],"about_ca_topic_score_codex":0.06446667,"about_ca_topic_score_gemma":0.05875792,"teacher_disagreement_score":0.06446667,"about_ca_system_score_codex":0.00823331,"about_ca_system_score_gemma":0.0071944925,"threshold_uncertainty_score":0.12818283},"labels":[],"label_agreement":null},{"id":"W36288607","doi":"10.1139/cjm-2022-0179","title":"Los jardines de Gaudí","year":2001,"lang":"en","type":"article","venue":"Dialnet (Universidad de la Rioja)","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Chemistry","score_opus":0.011000967741896798,"score_gpt":0.22279396008021585,"score_spread":0.21179299233831905,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W36288607","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06200842,0.03994431,0.00487545,0.0069080163,0.0073550926,0.00025828206,0.007607389,0.001897941,0.8691451],"genre_scores_gemma":[0.18004447,0.025130117,0.008972048,0.0019446504,0.0015743334,0.00027626933,0.0047065145,0.00074401713,0.77660763],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992473,0.00013831888,0.000039279625,0.00021044519,0.00021904509,0.00014555386],"domain_scores_gemma":[0.9994092,0.00014061759,0.00008559737,0.00006850749,0.00018563928,0.00011058303],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007139246,0.0016993459,0.0009995559,0.0019723854,0.0028332758,0.0032275931,0.0010463728,0.0017394935,0.1016851],"category_scores_gemma":[0.001681041,0.00038393872,0.0009158576,0.0013557095,0.0008499277,0.0011352611,0.0019949195,0.0030027952,0.035727512],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0019367614,0.00038655184,0.013026489,0.0021770464,0.00017361023,0.0109488135,0.0039213262,0.0016400066,0.012605401,0.082861155,0.22387795,0.6464448],"study_design_scores_gemma":[0.0000367585,0.000045853136,0.006221529,0.0003392322,0.000016053133,0.0012115168,0.0006474134,0.00024029703,0.00070263236,0.0016467177,0.9888679,0.00002417618],"about_ca_topic_score_codex":0.05930113,"about_ca_topic_score_gemma":0.07368507,"teacher_disagreement_score":0.1016851,"about_ca_system_score_codex":0.003649134,"about_ca_system_score_gemma":0.0023238952,"threshold_uncertainty_score":0.34017056},"labels":[],"label_agreement":null},{"id":"W37304268","doi":"10.3389/fimmu.2023.1135859","title":"La aventura cristiana en \"Las Fundaciones\" de Santa Teresa.","year":2009,"lang":"en","type":"article","venue":"Monte Carmelo: Revista de Estudios Carmelitanos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Canadian Institutes of Health Research","keywords":"Humanities; Art","score_opus":0.011051174304956434,"score_gpt":0.23882404923244752,"score_spread":0.22777287492749107,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W37304268","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10703062,0.1859776,0.0119334925,0.048193064,0.023710875,0.00036331665,0.08670041,0.0085946545,0.5274959],"genre_scores_gemma":[0.32111195,0.1222249,0.038529042,0.0053235805,0.0084545305,0.0008404319,0.04818613,0.003114727,0.4522147],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985864,0.0002909897,0.00009226258,0.00028509184,0.0005376675,0.00020757654],"domain_scores_gemma":[0.9979091,0.00044529914,0.00039790972,0.00026975217,0.0007188693,0.00025901344],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0033055474,0.0015458601,0.0011633802,0.0035129956,0.0026826488,0.0044755023,0.001180725,0.001872881,0.04039717],"category_scores_gemma":[0.0052129054,0.00047883784,0.0009157678,0.004458851,0.0012263411,0.0020369291,0.00267463,0.0026751044,0.0086706765],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0017648845,0.00014443653,0.013283248,0.001989683,0.0001379425,0.001386192,0.004214982,0.00080334675,0.0031365668,0.040527124,0.45307347,0.47953817],"study_design_scores_gemma":[0.000060898852,0.000028416342,0.009574574,0.00043471114,0.000033904947,0.00036617485,0.00076421176,0.00011429376,0.00050147827,0.0017136029,0.9863862,0.00002148317],"about_ca_topic_score_codex":0.08890374,"about_ca_topic_score_gemma":0.078479975,"teacher_disagreement_score":0.08890374,"about_ca_system_score_codex":0.0049773646,"about_ca_system_score_gemma":0.0065055666,"threshold_uncertainty_score":0.17677248},"labels":[],"label_agreement":null},{"id":"W37529343","doi":"10.1016/j.heliyon.2023.e18476","title":"Fernando Ortiz frente al panhispanismo en \"El caballero encantado y la moza esquiva\"","year":2009,"lang":"en","type":"article","venue":"Isidora: revista de estudios galdosianos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.009812721765093528,"score_gpt":0.2516179479499551,"score_spread":0.24180522618486158,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W37529343","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.049879175,0.2428189,0.00847045,0.34804505,0.064168125,0.0001469886,0.0029037707,0.0016345882,0.28193304],"genre_scores_gemma":[0.23306789,0.14350085,0.0060856966,0.03899593,0.021319347,0.0001766213,0.0015861709,0.0009114209,0.55435616],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991528,0.00023988914,0.000024991275,0.00019433523,0.00025427196,0.000133713],"domain_scores_gemma":[0.99847275,0.00055164646,0.00021880225,0.00007690796,0.0005204253,0.00015954634],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011774175,0.0012566677,0.00068475516,0.0014863894,0.0020772922,0.0028796552,0.0008465125,0.0027157667,0.030682014],"category_scores_gemma":[0.005618502,0.0002683894,0.00059529074,0.0010662931,0.0013678689,0.00249645,0.0017573853,0.004165453,0.0071203834],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006441767,0.00013545535,0.010041115,0.00090066314,0.00006183674,0.0017927104,0.0060323062,0.00061988155,0.0011098582,0.08650361,0.69381,0.19834846],"study_design_scores_gemma":[0.000015048767,0.000020125648,0.0031262718,0.00055957434,0.00001974508,0.00041444204,0.0013537272,0.0002143716,0.00033296354,0.002663354,0.9912525,0.000027929385],"about_ca_topic_score_codex":0.03163722,"about_ca_topic_score_gemma":0.04053242,"teacher_disagreement_score":0.03163722,"about_ca_system_score_codex":0.0023036606,"about_ca_system_score_gemma":0.0018653274,"threshold_uncertainty_score":0.10264158},"labels":[],"label_agreement":null},{"id":"W38055691","doi":"10.1371/journal.pone.0295284","title":"El narrador masculino y la subversión de mitos en \"La reina\" de María Luisa Puga","year":2002,"lang":"en","type":"article","venue":"Revista de literatura mexicana contemporánea","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Kidney Foundation of Canada","keywords":"Art","score_opus":0.012608601147224618,"score_gpt":0.21956306301849082,"score_spread":0.2069544618712662,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W38055691","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26694906,0.35770547,0.010200648,0.21921398,0.02596684,0.00014285711,0.0007835472,0.0008283617,0.11820936],"genre_scores_gemma":[0.6946668,0.1430843,0.0037122134,0.028191244,0.012938605,0.00024497163,0.00042236774,0.00030336526,0.11643609],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996457,0.00015161237,0.000012342932,0.00008217144,0.00005026399,0.00005779741],"domain_scores_gemma":[0.99969625,0.000115281124,0.0000697031,0.000019321677,0.000044035754,0.0000554164],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008010379,0.00062353985,0.00042418487,0.0008129036,0.0010551397,0.0009475603,0.0005440968,0.0011520392,0.0064129448],"category_scores_gemma":[0.0018289158,0.0002480529,0.0006929867,0.00022539443,0.0017506067,0.0008996149,0.0013152588,0.0018338148,0.0017922096],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0038725408,0.00074306916,0.022596013,0.0026180118,0.00034473932,0.016176622,0.010606664,0.00040104004,0.02371655,0.07425755,0.2787008,0.5659665],"study_design_scores_gemma":[0.0001796478,0.00064112735,0.025800891,0.002726642,0.00038571947,0.024142025,0.004580552,0.0005326961,0.006368024,0.017135516,0.9173852,0.00012199454],"about_ca_topic_score_codex":0.0028775572,"about_ca_topic_score_gemma":0.0036369541,"teacher_disagreement_score":0.0064129448,"about_ca_system_score_codex":0.00085879915,"about_ca_system_score_gemma":0.0007033441,"threshold_uncertainty_score":0.02145344},"labels":[],"label_agreement":null},{"id":"W38071947","doi":"10.1016/j.puhe.2023.11.002","title":"Queer Arcadia: on cultural landscapes, violence, and power in Federico García Lorca's \"Poema doble del lago Eden\"","year":2010,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"National Institute for Health and Care Research","keywords":"Garcia; Arcadia; Power (physics); Humanities; Art; Art history","score_opus":0.007912432030467816,"score_gpt":0.22073985487097936,"score_spread":0.21282742284051154,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W38071947","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5731482,0.022592042,0.0009462542,0.06679509,0.00088299817,0.000043884982,0.00012310805,0.000027897333,0.33544052],"genre_scores_gemma":[0.9831459,0.0023288897,0.00009985585,0.0010758669,0.00006420083,0.0000124360395,0.000016757484,0.000013952377,0.013242099],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99883455,0.0006325688,0.000022504217,0.0000968037,0.000095940326,0.00031758577],"domain_scores_gemma":[0.99926716,0.0003661445,0.00010453768,0.000043113487,0.00008429483,0.00013466935],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014799098,0.00039246544,0.00032515518,0.0014082654,0.015896639,0.0062647117,0.00093229394,0.001689721,0.0038894005],"category_scores_gemma":[0.0027268585,0.00015125697,0.00018410414,0.00183534,0.020502513,0.004117738,0.005699486,0.0033631695,0.00019431817],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000042336884,0.00004399616,0.0032368388,0.0000695101,0.000004332771,0.0005600006,0.77845705,0.000039177776,0.00009943283,0.1931144,0.009054512,0.01527841],"study_design_scores_gemma":[0.000006075671,0.000010193988,0.0040501216,0.00020500104,0.0000063340417,0.00021132981,0.8480766,0.000022062042,0.00013746852,0.007852365,0.13941392,0.000008542875],"about_ca_topic_score_codex":0.09270649,"about_ca_topic_score_gemma":0.18639088,"teacher_disagreement_score":0.09270649,"about_ca_system_score_codex":0.007710584,"about_ca_system_score_gemma":0.004689341,"threshold_uncertainty_score":0.1843338},"labels":[],"label_agreement":null},{"id":"W38590337","doi":"10.3389/fpsyg.2024.1359720","title":"José Antonio del Cañizo: una vida haciéndose palabra","year":2005,"lang":"en","type":"article","venue":"Lazarillo: Revista de la Asociación de Amigos del Libro infantil y juvenil","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Gerontology; Philosophy; Medicine","score_opus":0.007541566462651501,"score_gpt":0.241468503480865,"score_spread":0.2339269370182135,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W38590337","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010204411,0.29342806,0.00269463,0.2808265,0.06314233,0.0000798672,0.0016006554,0.0015996053,0.34642398],"genre_scores_gemma":[0.11967394,0.24806343,0.006181099,0.027138747,0.033030767,0.00013600629,0.0012021237,0.0013198139,0.5632541],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984738,0.00038132037,0.000055208195,0.00035872107,0.000526557,0.00020431602],"domain_scores_gemma":[0.996911,0.0007638388,0.0002994247,0.00026789113,0.0011584893,0.0005993616],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023929884,0.0012789072,0.0011571738,0.0017786692,0.0025175868,0.004954079,0.0015691769,0.0038246068,0.10381752],"category_scores_gemma":[0.006234268,0.00037052733,0.0005784525,0.0015308419,0.0019062953,0.0026107635,0.0025375772,0.004824048,0.02779346],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00029276797,0.00012961515,0.0051076445,0.0010513039,0.000045289016,0.002450726,0.0019688015,0.00049034314,0.00094468496,0.03547276,0.7037585,0.24828757],"study_design_scores_gemma":[0.000008250574,0.000009916489,0.0012993366,0.00041246915,0.0000068677523,0.00054377667,0.00060308404,0.00009963464,0.000089699366,0.0013516032,0.99555737,0.000018026634],"about_ca_topic_score_codex":0.03262075,"about_ca_topic_score_gemma":0.04245987,"teacher_disagreement_score":0.10381752,"about_ca_system_score_codex":0.0035202375,"about_ca_system_score_gemma":0.0048070233,"threshold_uncertainty_score":0.34730422},"labels":[],"label_agreement":null},{"id":"W403336213","doi":"","title":"Review of: Masculinidades En Obras: El Drama De La Hombría En La España Imperial by Jose Reinaldo Cartagena Calderon","year":2009,"lang":"es","type":"article","venue":"Sound Ideas (University of Puget Sound)","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Drama; Literature","score_opus":0.005395659473255474,"score_gpt":0.23335724059944632,"score_spread":0.22796158112619086,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W403336213","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00015235381,0.98663354,0.000023710294,0.0049113906,0.004197289,0.0000031233792,0.000029427227,0.0000040688674,0.0040451502],"genre_scores_gemma":[0.0021504485,0.98188466,0.000048056692,0.0033518025,0.006050943,0.000010951252,0.000079769794,0.000009682953,0.0064136367],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99945015,0.00013854091,0.00005354682,0.000072625946,0.00021547105,0.00006974172],"domain_scores_gemma":[0.9978594,0.0009562617,0.00019116691,0.000041047228,0.00078375137,0.0001683604],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009042206,0.0010616148,0.0014135278,0.0033561955,0.0010298883,0.0029468646,0.0009353373,0.002547531,0.012678886],"category_scores_gemma":[0.002949951,0.00040744568,0.00033272352,0.0062897084,0.0013987143,0.0023788614,0.0014072807,0.0018839156,0.00397943],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004805909,0.000019384805,0.00034480006,0.009097775,0.00004592641,0.00016283304,0.00083048607,0.00010066727,0.00029300654,0.0036856448,0.7536225,0.23174892],"study_design_scores_gemma":[0.0000072254616,0.000015722595,0.0014243561,0.0056837075,0.000028188295,0.00028242153,0.0007794001,0.000010037282,0.000045752942,0.00043443887,0.9912805,0.000008198428],"about_ca_topic_score_codex":0.01452307,"about_ca_topic_score_gemma":0.0327988,"teacher_disagreement_score":0.01452307,"about_ca_system_score_codex":0.001836213,"about_ca_system_score_gemma":0.0036989104,"threshold_uncertainty_score":0.042415142},"labels":[],"label_agreement":null},{"id":"W40339623","doi":"","title":"Vistas del vecino en \"El hombre de al lado\"","year":2012,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Philosophy","score_opus":0.012830717696348798,"score_gpt":0.24368510923769632,"score_spread":0.23085439154134751,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W40339623","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.56525344,0.014544501,0.0010458394,0.0382338,0.002498183,0.000044721317,0.00030551682,0.00003237154,0.37804163],"genre_scores_gemma":[0.9522361,0.007140418,0.00021092959,0.004156622,0.0004900272,0.00004266459,0.00010061943,0.000040121668,0.035582423],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986318,0.000707477,0.000033956836,0.00012397108,0.00017542968,0.00032730226],"domain_scores_gemma":[0.9984687,0.0006398794,0.00028979476,0.00011978629,0.00031864358,0.00016310973],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002524764,0.0006468753,0.00041081096,0.0019091388,0.0095827235,0.006018302,0.0009276775,0.0024650383,0.00956645],"category_scores_gemma":[0.006695051,0.00017615629,0.00031885746,0.0024946064,0.011369012,0.0041425754,0.0058032665,0.0033098198,0.0009652688],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016251077,0.000116953706,0.017628446,0.0003808865,0.00002598241,0.001118572,0.7218309,0.0000398705,0.00048214223,0.19147223,0.025117528,0.04162399],"study_design_scores_gemma":[0.000009895894,0.00002223139,0.009732459,0.00077774806,0.000030281986,0.00039810388,0.795331,0.000021694315,0.00036869117,0.0054317997,0.18786353,0.00001266366],"about_ca_topic_score_codex":0.040258158,"about_ca_topic_score_gemma":0.049421515,"teacher_disagreement_score":0.040258158,"about_ca_system_score_codex":0.0030819674,"about_ca_system_score_gemma":0.003230621,"threshold_uncertainty_score":0.08004767},"labels":[],"label_agreement":null},{"id":"W41345768","doi":"","title":"Deseos argentinos: \"Miss Mary\"","year":2002,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.021191774161850516,"score_gpt":0.21905381806598662,"score_spread":0.1978620439041361,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W41345768","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09780419,0.04398427,0.001201623,0.49264225,0.03877649,0.000108992666,0.0020993685,0.00038977558,0.322993],"genre_scores_gemma":[0.22159465,0.011976034,0.00055863155,0.0701847,0.006029241,0.0001385967,0.0006309055,0.0003971212,0.6884901],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99960464,0.0001173512,0.000013975027,0.00006708877,0.000095282645,0.000101652986],"domain_scores_gemma":[0.9990609,0.00022567449,0.00013862358,0.000036701902,0.0003550749,0.00018308124],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00062344887,0.00073509425,0.0003930793,0.0012398657,0.009912926,0.002929306,0.0008204901,0.0028165488,0.04161717],"category_scores_gemma":[0.003505342,0.00025785368,0.00020203175,0.001448919,0.0013947464,0.0023891132,0.0028707844,0.0040993704,0.0070345215],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012374533,0.000026327836,0.0039029636,0.00025979587,0.00001325575,0.0017576121,0.051432256,0.000028521146,0.000638678,0.013117857,0.8965413,0.032157607],"study_design_scores_gemma":[0.000004033457,0.000008334134,0.0033462606,0.00021264458,0.000008717845,0.00064874155,0.0641167,0.000020876238,0.00028250302,0.0004351249,0.9309036,0.00001239689],"about_ca_topic_score_codex":0.07722128,"about_ca_topic_score_gemma":0.14194232,"teacher_disagreement_score":0.07722128,"about_ca_system_score_codex":0.0023888885,"about_ca_system_score_gemma":0.0016609242,"threshold_uncertainty_score":0.15354359},"labels":[],"label_agreement":null},{"id":"W41934407","doi":"","title":"Evil Women and Feminist Sentiment: Baroque Contradictions in María de Zayas's \"El prevenido engañado\" and \"Estragos que causa el vicio\"","year":2004,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Baroque; Humanities; Philosophy; Art; Art history","score_opus":0.007695807509150544,"score_gpt":0.22262957704671107,"score_spread":0.21493376953756052,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W41934407","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.37469646,0.013778594,0.002241071,0.19857347,0.0012706392,0.00004796959,0.0001461985,0.00003434341,0.40921116],"genre_scores_gemma":[0.97953963,0.0015799206,0.00019597413,0.007102317,0.00036004584,0.000036689737,0.00002073678,0.00006880789,0.011095848],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99569964,0.0028862646,0.0000772362,0.00030255117,0.00047364915,0.00056069053],"domain_scores_gemma":[0.99380517,0.0043260553,0.00074143754,0.00024946302,0.00056701066,0.00031088307],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.007936023,0.0006384,0.0005319856,0.0022784544,0.015788117,0.012265671,0.0012974254,0.0042878394,0.0048333122],"category_scores_gemma":[0.01108634,0.00035025892,0.00025925116,0.0026112387,0.04487843,0.006832864,0.007258227,0.0063539986,0.00035770016],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035013425,0.000028393053,0.0012044227,0.00007994005,0.000008922213,0.00018615373,0.5493299,0.000022596581,0.00013439015,0.43694285,0.0076637166,0.0043637916],"study_design_scores_gemma":[0.000031556145,0.000012224234,0.003292908,0.00040294448,0.000022395787,0.00012482828,0.7682994,0.00005098339,0.00037931695,0.05867371,0.16869415,0.000015525866],"about_ca_topic_score_codex":0.015684756,"about_ca_topic_score_gemma":0.02961616,"teacher_disagreement_score":0.015788117,"about_ca_system_score_codex":0.007529475,"about_ca_system_score_gemma":0.0044711214,"threshold_uncertainty_score":0.05463046},"labels":[],"label_agreement":null},{"id":"W4205569581","doi":"10.33676/emui_nomads.61.001","title":"La huella de Galdós en la novela social española contemporánea","year":2021,"lang":"es","type":"article","venue":"","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Novelis (Canada)","funders":"","keywords":"Humanities; Character (mathematics); Philosophy; Art","score_opus":0.013410675139626837,"score_gpt":0.24977484962860777,"score_spread":0.23636417448898092,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4205569581","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.40703326,0.019736312,0.0040179174,0.034451403,0.0020353068,0.000041074116,0.00022014501,0.00011579019,0.5323488],"genre_scores_gemma":[0.96522784,0.0026154951,0.0003492319,0.00079301925,0.0002525068,0.000019818346,0.000032662247,0.000035288293,0.030674111],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99885607,0.0006798272,0.000024770996,0.00013210233,0.00015635505,0.0001509449],"domain_scores_gemma":[0.9989207,0.0004451439,0.00016723698,0.000104567225,0.00024728753,0.000115124705],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016358007,0.00045493303,0.00024963397,0.0008541002,0.00413431,0.0065776743,0.0006149184,0.00097230775,0.0044809673],"category_scores_gemma":[0.0024219446,0.00015081858,0.00015943918,0.0010438353,0.011333287,0.0021110405,0.0041987174,0.001522671,0.00040870433],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016129093,0.000043762106,0.0067341207,0.00037919008,0.000026247611,0.0012698679,0.3416933,0.00024581983,0.0013694335,0.5852322,0.023228109,0.0396167],"study_design_scores_gemma":[0.000018522138,0.000026902739,0.005257655,0.00024442634,0.00001283773,0.0004271238,0.1280862,0.00013283757,0.0006032235,0.01642815,0.8487445,0.000017620412],"about_ca_topic_score_codex":0.018667296,"about_ca_topic_score_gemma":0.025295503,"teacher_disagreement_score":0.018667296,"about_ca_system_score_codex":0.0075796084,"about_ca_system_score_gemma":0.0023061442,"threshold_uncertainty_score":0.054994166},"labels":[],"label_agreement":null},{"id":"W4206102853","doi":"10.33676/emui_nomads.61.05","title":"La huella de Galdós en la novela social española contemporánea","year":2021,"lang":"es","type":"article","venue":"","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Novelis (Canada)","funders":"","keywords":"Humanities; Political science; Art","score_opus":0.013410675139626837,"score_gpt":0.24977484962860777,"score_spread":0.23636417448898092,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4206102853","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.30546615,0.029175254,0.0035641526,0.034793057,0.0030294387,0.000036261674,0.00016296969,0.00014087613,0.62363183],"genre_scores_gemma":[0.9390086,0.0050527924,0.0006107713,0.0014664376,0.0005189559,0.000024348117,0.000045359262,0.00006450738,0.053208217],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991116,0.0005272537,0.000013429001,0.00009546097,0.000121703735,0.0001304365],"domain_scores_gemma":[0.9993887,0.0002589113,0.00007917736,0.000062834144,0.00013209137,0.0000781663],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018792026,0.0006516147,0.00030322393,0.00085513026,0.0039635724,0.0059259627,0.0005135601,0.0013222175,0.005060961],"category_scores_gemma":[0.0021765137,0.00012867847,0.00022937196,0.00078594976,0.009302833,0.0016296206,0.003950918,0.001949311,0.0005872387],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00029841324,0.00007663695,0.004608442,0.00041205576,0.00003129022,0.0018469561,0.21821801,0.00036287578,0.0014252759,0.6872636,0.025558984,0.059897415],"study_design_scores_gemma":[0.000026379459,0.000027106202,0.0025752536,0.00029070186,0.000013000291,0.0004278609,0.06719826,0.00008562251,0.0004030088,0.013940451,0.9149995,0.000012791419],"about_ca_topic_score_codex":0.015069458,"about_ca_topic_score_gemma":0.021105928,"teacher_disagreement_score":0.015069458,"about_ca_system_score_codex":0.0057523926,"about_ca_system_score_gemma":0.0016866962,"threshold_uncertainty_score":0.04173678},"labels":[],"label_agreement":null},{"id":"W4206303391","doi":"10.5944/signa.vol31.2022.29411","title":"MORFOLOGÍA Y SIGNIFICADO DE LA CAMA EN MARCEL PRÉVOST. DEL LECHO CONYUGAL AL CAMASTRO DEL ADULTERIO","year":2022,"lang":"es","type":"article","venue":"Signa Revista de la Asociación Española de Semiótica","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Universidad de Valladolid; McGill University","keywords":"Humanities; Art; Bourgeoisie; Politics; Political science","score_opus":0.004773273479056877,"score_gpt":0.24301379994684433,"score_spread":0.23824052646778746,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4206303391","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.68417835,0.0035873463,0.0029263936,0.004649868,0.0002595435,0.00003064153,0.00008399164,0.000065293585,0.3042186],"genre_scores_gemma":[0.9720633,0.0004338772,0.00038147983,0.000108640736,0.000050501683,0.000008849236,0.000012566426,0.00002207461,0.026918707],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99949193,0.00024521424,0.000009710859,0.00006681094,0.000112498004,0.00007377257],"domain_scores_gemma":[0.99908626,0.00038227634,0.00019496883,0.00008252501,0.00013033646,0.00012364793],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00069527054,0.0002681917,0.00014238623,0.0006753494,0.0036871345,0.003056751,0.00029229044,0.0006847966,0.00483699],"category_scores_gemma":[0.0021370049,0.00013291184,0.00011826265,0.0004942017,0.009432417,0.0017120081,0.0025019525,0.0012058635,0.00046411104],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020671038,0.000025045338,0.010458095,0.000323514,0.0000074640006,0.003206126,0.7482494,0.000114973445,0.005492392,0.18986493,0.0068000318,0.03525129],"study_design_scores_gemma":[0.000014513849,0.00023521822,0.036910124,0.000667654,0.000028901146,0.004740364,0.3949283,0.0003996916,0.0050556986,0.016732022,0.5402392,0.000048220398],"about_ca_topic_score_codex":0.0037219347,"about_ca_topic_score_gemma":0.010070883,"teacher_disagreement_score":0.00483699,"about_ca_system_score_codex":0.0015582785,"about_ca_system_score_gemma":0.0011567815,"threshold_uncertainty_score":0.01618129},"labels":[],"label_agreement":null},{"id":"W4206827382","doi":"10.33676/emui_nomads.61.07","title":"Los condenados' di Benito Pérez Galdós: dell'onore e del riscatto","year":2021,"lang":"it","type":"article","venue":"","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canarie","funders":"","keywords":"Humanities; Art","score_opus":0.01902406756752315,"score_gpt":0.23216526173612878,"score_spread":0.21314119416860564,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4206827382","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.044289086,0.050204344,0.0027418458,0.23674321,0.0054411623,0.000024568972,0.0001651673,0.000107665895,0.6602829],"genre_scores_gemma":[0.72666055,0.022121554,0.0017581997,0.019622082,0.0025255892,0.00007244856,0.00010075825,0.0003316758,0.22680706],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99808156,0.0011847594,0.000030224142,0.0001785933,0.00029891386,0.00022599143],"domain_scores_gemma":[0.9976221,0.00110921,0.00023883209,0.00021105561,0.0005506232,0.0002681722],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002859767,0.0005448818,0.000454974,0.0011152778,0.0055942633,0.010849635,0.000802269,0.0020656707,0.007979418],"category_scores_gemma":[0.006146918,0.00019713407,0.0003185825,0.001392331,0.01275595,0.004813367,0.0032354726,0.0046258434,0.0015575635],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008867963,0.000035695914,0.0013254086,0.00015985932,0.000012096131,0.00036831075,0.067302704,0.000074990756,0.00025178248,0.79331225,0.115321055,0.021747267],"study_design_scores_gemma":[0.000021272212,0.0000123241925,0.0016334255,0.00038464984,0.000010739545,0.0001396985,0.043262772,0.00008991022,0.00024296976,0.050742064,0.9034456,0.000014631265],"about_ca_topic_score_codex":0.023592774,"about_ca_topic_score_gemma":0.049196266,"teacher_disagreement_score":0.023592774,"about_ca_system_score_codex":0.006231764,"about_ca_system_score_gemma":0.00475736,"threshold_uncertainty_score":0.046910882},"labels":[],"label_agreement":null},{"id":"W4211048992","doi":"10.15645/alabe.2015.12.9","title":"Relaciones peligrosas. Un epistolario","year":2015,"lang":"es","type":"article","venue":"Alabe Revista de Investigación sobre Lectura y Escritura","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McMaster University","funders":"","keywords":"Alchemy; Theme (computing); Literal and figurative language; Literature; Poetry; Criticism; Art; Philosophy; Art history; Humanities; Computer science; Linguistics","score_opus":0.029084518432700792,"score_gpt":0.24283073772228508,"score_spread":0.2137462192895843,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4211048992","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.016578164,0.04894707,0.0022288705,0.015332563,0.012480178,0.00015182096,0.0007854956,0.00029934678,0.90319645],"genre_scores_gemma":[0.33548194,0.045085307,0.0023335677,0.0055639385,0.012364509,0.00035491172,0.0012157523,0.00037982588,0.59722024],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99945015,0.00019538257,0.000020922695,0.000102366655,0.0001476856,0.000083405284],"domain_scores_gemma":[0.99949133,0.000118735756,0.000077216566,0.00005622883,0.00017452693,0.00008195514],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007807029,0.0010762167,0.00046875395,0.0014872943,0.004185578,0.00503885,0.0006989397,0.0011262429,0.03848364],"category_scores_gemma":[0.0018108842,0.00023283972,0.00040796338,0.001728389,0.002796651,0.002068349,0.0030884922,0.0033268204,0.005505009],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000302653,0.00016544557,0.0017712356,0.0007909936,0.000025368294,0.0027723769,0.025454292,0.0001269453,0.0012708661,0.43688345,0.31879693,0.21163945],"study_design_scores_gemma":[0.0000075033704,0.000011509014,0.00067475106,0.000105155515,0.000004010975,0.00035822004,0.0022736816,0.000022083455,0.00008768436,0.0026998394,0.99375147,0.000004079691],"about_ca_topic_score_codex":0.010607187,"about_ca_topic_score_gemma":0.010812984,"teacher_disagreement_score":0.03848364,"about_ca_system_score_codex":0.0029092305,"about_ca_system_score_gemma":0.0014441994,"threshold_uncertainty_score":0.12874061},"labels":[],"label_agreement":null},{"id":"W4213348265","doi":"10.4000/cher.11641","title":"« Los hombres también llevamos nuestra Bernarda clavada en el alma » : des emprunts à La casa de Bernarda Alba à l’empreinte de la dramaturgie lorquienne dans Pepe el Romano de Ernesto Caballero","year":2012,"lang":"fr","type":"article","venue":"Recherches","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Bombardier (Canada)","funders":"","keywords":"Art; Humanities","score_opus":0.039859100202468835,"score_gpt":0.326367035619417,"score_spread":0.28650793541694813,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4213348265","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.57893205,0.008904946,0.0011710121,0.021434242,0.00069839414,0.000030092106,0.000039715105,0.000034963694,0.38875458],"genre_scores_gemma":[0.92658067,0.0018022535,0.00023640286,0.00067581545,0.00011849924,0.000013171342,0.000013794709,0.000029525892,0.07052994],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.999153,0.000491391,0.000010509302,0.00008313436,0.00010230509,0.00015964589],"domain_scores_gemma":[0.99938285,0.00030333028,0.00008287496,0.00004046568,0.000092033646,0.00009830258],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013769437,0.00042301224,0.00023927062,0.00065395515,0.010036011,0.003902495,0.00041384384,0.0013007201,0.005752872],"category_scores_gemma":[0.0025200155,0.00016585254,0.00012146367,0.00065555546,0.010871724,0.0021963385,0.0027882857,0.0028601775,0.00071547955],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008869384,0.000026496988,0.002797487,0.000093034156,0.000004101185,0.0014548299,0.7855211,0.000054433967,0.00083694333,0.18075539,0.0103132995,0.018054077],"study_design_scores_gemma":[0.000010963322,0.00003298972,0.006281759,0.00024483926,0.000007876014,0.00070485537,0.3497153,0.00007668767,0.00048719693,0.0057862303,0.6366321,0.000019147014],"about_ca_topic_score_codex":0.03333225,"about_ca_topic_score_gemma":0.057646565,"teacher_disagreement_score":0.03333225,"about_ca_system_score_codex":0.004392931,"about_ca_system_score_gemma":0.0016740862,"threshold_uncertainty_score":0.06627649},"labels":[],"label_agreement":null},{"id":"W4214948776","doi":"10.22201/fesa.26832917e.2022.3.2.202","title":"Un fantasma republicano: Poesía y exilio de Antonio Machado a Tomás Segovia","year":2022,"lang":"en","type":"article","venue":"FIGURAS REVISTA ACADÉMICA DE INVESTIGACIÓN","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Humanities; Poetry; Art; Historiography; Character (mathematics); Literature; History","score_opus":0.015575290868873005,"score_gpt":0.22048685099778842,"score_spread":0.20491156012891543,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4214948776","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15774071,0.12143062,0.0022432697,0.17127356,0.006096493,0.000023041002,0.00010425212,0.00009067432,0.5409974],"genre_scores_gemma":[0.8909285,0.024842147,0.00056384975,0.00496856,0.0013750992,0.000022672299,0.00003645795,0.00008762204,0.07717508],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99964345,0.00021004009,0.0000047809754,0.000034412715,0.000060076683,0.00004732218],"domain_scores_gemma":[0.9996604,0.0001561479,0.000036010904,0.000032823373,0.00006508847,0.000049658756],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011179205,0.00027064787,0.00025130226,0.00045059703,0.0034954257,0.0030951148,0.00039893406,0.0007805482,0.0027999324],"category_scores_gemma":[0.002095407,0.000095378804,0.0001348551,0.00067281816,0.007313689,0.0019830726,0.0016647658,0.0023205313,0.00037515472],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015740367,0.0000382325,0.0017363086,0.00022657095,0.000009968531,0.0009811992,0.22196685,0.00017830408,0.00070484326,0.5953929,0.13337766,0.04522972],"study_design_scores_gemma":[0.000010290152,0.000017437194,0.0020843146,0.00026989577,0.0000059623935,0.000378851,0.050834015,0.0001012817,0.00024421897,0.015414488,0.9306284,0.000010778641],"about_ca_topic_score_codex":0.015454257,"about_ca_topic_score_gemma":0.027845439,"teacher_disagreement_score":0.015454257,"about_ca_system_score_codex":0.003478049,"about_ca_system_score_gemma":0.0019481956,"threshold_uncertainty_score":0.030728638},"labels":[],"label_agreement":null},{"id":"W4223637997","doi":"10.1177/00961442221080404","title":"Who Killed Granada? From “the Beautiful” to “the Wounded” City of Falla and Lorca","year":2022,"lang":"en","type":"article","venue":"Journal of Urban History","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Art; Dream; Romance; Mythology; Punk; Musical; Quarter (Canadian coin); Singing; Art history; Painting; Humanities; Visual arts; Literature; History; Archaeology","score_opus":0.02050737319024049,"score_gpt":0.1785841114452092,"score_spread":0.1580767382549687,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4223637997","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3515,0.060528964,0.0006585516,0.15427437,0.0050425576,0.000034997513,0.00030296823,0.00015911464,0.4274985],"genre_scores_gemma":[0.92722046,0.0063932124,0.00017078343,0.0073289936,0.00038234037,0.000023934748,0.00011058854,0.00009580576,0.058273822],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992285,0.00032286445,0.000010941722,0.000107389824,0.000057179604,0.0002730838],"domain_scores_gemma":[0.99979776,0.00003815524,0.000033247932,0.000018954892,0.00004122093,0.00007063899],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009447447,0.0006257843,0.00043084985,0.0011433548,0.013443576,0.012132914,0.0012176434,0.002276331,0.006229387],"category_scores_gemma":[0.0010403354,0.0002540975,0.00021966563,0.0012652659,0.019812336,0.0042632297,0.0054436387,0.0045130155,0.0008466569],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000542586,0.000110271474,0.006319002,0.00035715947,0.000034101005,0.0027831476,0.54789877,0.0001912564,0.00051761355,0.20797634,0.1688797,0.06439005],"study_design_scores_gemma":[0.00003635373,0.000019721629,0.004434008,0.0003244197,0.000010201185,0.0003347764,0.35673308,0.000017264652,0.0000912232,0.005275512,0.63269764,0.000025717316],"about_ca_topic_score_codex":0.19668786,"about_ca_topic_score_gemma":0.30643865,"teacher_disagreement_score":0.19668786,"about_ca_system_score_codex":0.016172117,"about_ca_system_score_gemma":0.0043957387,"threshold_uncertainty_score":0.39108604},"labels":[],"label_agreement":null},{"id":"W4236493798","doi":"10.1353/mdr.2001.0022","title":"Transvestism and Sexual Transgression in García Lorca's The Public","year":2001,"lang":"en","type":"article","venue":"Modern Drama","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.029439615153252437,"score_gpt":0.22779766709951907,"score_spread":0.19835805194626663,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4236493798","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24842945,0.0073276586,0.00046527752,0.042637307,0.0010270644,0.000020394022,0.000062631014,0.00003675418,0.6999935],"genre_scores_gemma":[0.9554747,0.0010293657,0.00006451637,0.0015658726,0.0002466798,0.000010368229,0.000014224198,0.00002584069,0.041568413],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9989858,0.00049918,0.000010762386,0.000054516917,0.00008759523,0.00036207697],"domain_scores_gemma":[0.9993869,0.00032189145,0.000074722935,0.000052741583,0.000054049655,0.000109692715],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013922409,0.00050680764,0.0003632121,0.0010295155,0.014173006,0.0081535755,0.00066724006,0.0032296649,0.007796536],"category_scores_gemma":[0.002601627,0.0001661015,0.00024508516,0.001220769,0.0155229755,0.0025302977,0.0047467467,0.004592924,0.0003883992],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011187475,0.000109868066,0.0012040064,0.000094946234,0.000008661916,0.0005347892,0.3022689,0.00012686891,0.0002190228,0.65059805,0.029927013,0.014796036],"study_design_scores_gemma":[0.00003910785,0.00004875557,0.0055056405,0.00028342145,0.000022506183,0.00034510536,0.32692298,0.00012645293,0.00036015938,0.030548545,0.63576776,0.000029511346],"about_ca_topic_score_codex":0.026230548,"about_ca_topic_score_gemma":0.050180204,"teacher_disagreement_score":0.026230548,"about_ca_system_score_codex":0.008695743,"about_ca_system_score_gemma":0.0027106933,"threshold_uncertainty_score":0.06309229},"labels":[],"label_agreement":null},{"id":"W4237729665","doi":"10.4324/9781135000356-rem650-1","title":"Generation of ‘27","year":2018,"lang":"en","type":"book-chapter","venue":"","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Dictatorship; Baroque; Art; Humanities; Film director; Painting; Garcia; Art history; Cartography; Geography; Movie theater; Politics; Political science; Law","score_opus":0.07832379309419606,"score_gpt":0.23015907015000311,"score_spread":0.15183527705580707,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4237729665","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05073115,0.0006661263,0.0039561526,0.006478095,0.0043538916,0.0003787428,0.0020352122,0.00031142743,0.93108916],"genre_scores_gemma":[0.27454332,0.00066380977,0.00251933,0.0061101466,0.00081719254,0.00037283485,0.0025034747,0.0007061368,0.7117638],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99811953,0.00032043306,0.00007548886,0.00027529485,0.00042477695,0.0007844911],"domain_scores_gemma":[0.99747306,0.00032062182,0.00019968596,0.00036158285,0.0009761713,0.000668943],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017056479,0.0005634508,0.00034684516,0.0010507702,0.0035498363,0.0035685878,0.0008545357,0.00086890825,0.0747809],"category_scores_gemma":[0.0046974737,0.00026116343,0.0005738485,0.00081529183,0.0014801226,0.0018441008,0.004063828,0.0022652508,0.027274903],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00027577975,0.00012440792,0.010729204,0.00019175386,0.000026542315,0.001873369,0.023266405,0.00012616908,0.0020407676,0.26236823,0.55189055,0.14708681],"study_design_scores_gemma":[0.00000928261,0.000042461474,0.0027427466,0.00003532798,0.0000025784104,0.0003895074,0.0015671548,0.000031447675,0.00022792684,0.0028634204,0.9920706,0.0000174332],"about_ca_topic_score_codex":0.0048244623,"about_ca_topic_score_gemma":0.008589143,"teacher_disagreement_score":0.0747809,"about_ca_system_score_codex":0.0017538179,"about_ca_system_score_gemma":0.0025077595,"threshold_uncertainty_score":0.250167},"labels":[],"label_agreement":null},{"id":"W4243486083","doi":"10.1353/mdr.2007.0022","title":"A Politics of the Body: José Antonio Primo de Rivera's Fascism and Federico García Lorca's Benjaminian Response","year":2007,"lang":"en","type":"article","venue":"Modern Drama","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Garcia; Politics; Humanities; Dictatorship; Glory; Doctrine; Art; Ideology; Art history; History; Philosophy; Democracy; Law; Theology; Political science","score_opus":0.011269558597007954,"score_gpt":0.22476963543424588,"score_spread":0.21350007683723793,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4243486083","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.040513545,0.012766063,0.0013702171,0.36712486,0.0049667307,0.00001715912,0.000041010127,0.000041463598,0.573159],"genre_scores_gemma":[0.7840861,0.00313129,0.00028909298,0.042643934,0.0024988225,0.000050007315,0.000018541868,0.00011983472,0.16716236],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979152,0.0010690278,0.000018343362,0.00020711008,0.0003235558,0.00046677294],"domain_scores_gemma":[0.9992347,0.00030212736,0.000090185626,0.00004715523,0.00012769,0.0001982426],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020441338,0.00035541863,0.00023570348,0.00036987796,0.00954115,0.00671372,0.0008277885,0.004017182,0.004303297],"category_scores_gemma":[0.002628782,0.00014531062,0.00024912064,0.0003838344,0.023829805,0.0024431844,0.0035738389,0.005431192,0.0006583096],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000345702,0.00002257413,0.00027316067,0.000027937047,0.0000035221844,0.00036708984,0.07911716,0.00007191278,0.00018027083,0.7943883,0.120456755,0.0050567584],"study_design_scores_gemma":[0.000015892314,0.000012127765,0.00070725864,0.00014601956,0.0000029436483,0.00020007828,0.045772444,0.000066140725,0.00014680666,0.03800542,0.91490436,0.000020423891],"about_ca_topic_score_codex":0.04076497,"about_ca_topic_score_gemma":0.04926461,"teacher_disagreement_score":0.04076497,"about_ca_system_score_codex":0.012276853,"about_ca_system_score_gemma":0.003387946,"threshold_uncertainty_score":0.08907527},"labels":[],"label_agreement":null},{"id":"W4248598965","doi":"10.4000/belphegor.2867","title":"Roman Populaire Espagnol - Roman historique, 1900-1950","year":2020,"lang":"fr","type":"paratext","venue":"Belphégor","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.021386583808722173,"score_gpt":0.23856926122477307,"score_spread":0.2171826774160509,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4248598965","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09208433,0.09598467,0.00036090036,0.00786901,0.0015764915,0.00003762745,0.0021153465,0.00006473142,0.79990685],"genre_scores_gemma":[0.51643825,0.050276835,0.0009626286,0.0013011186,0.0010145156,0.00009792416,0.0016665758,0.000120860255,0.4281213],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997782,0.00005923856,0.000010224953,0.000046976817,0.00004026238,0.00006509291],"domain_scores_gemma":[0.9998282,0.000059179405,0.000030025978,0.000015253504,0.000046555684,0.000020688201],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005535508,0.00046147915,0.00033124452,0.0018538965,0.001479582,0.002397319,0.00041643475,0.0009134463,0.018314308],"category_scores_gemma":[0.0013193645,0.00016413318,0.00016638206,0.0036463835,0.0013405329,0.0011953902,0.0014856948,0.001168123,0.0021220057],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005073415,0.00019823077,0.009825297,0.001359446,0.00004035391,0.0013884483,0.025741002,0.00052493275,0.0007345063,0.53465766,0.18438286,0.24063987],"study_design_scores_gemma":[0.000016427775,0.00001757587,0.017131314,0.00040793172,0.000007933573,0.00016717178,0.002104337,0.000030974847,0.00017830066,0.0021193181,0.9778144,0.0000043522336],"about_ca_topic_score_codex":0.043533493,"about_ca_topic_score_gemma":0.06687668,"teacher_disagreement_score":0.043533493,"about_ca_system_score_codex":0.0060329787,"about_ca_system_score_gemma":0.0025010672,"threshold_uncertainty_score":0.08656025},"labels":[],"label_agreement":null},{"id":"W4248756090","doi":"10.33137/q.i..v28i2.8519","title":"Beatrice","year":2007,"lang":"it","type":"article","venue":"Quaderni d italianistica","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.02376255989913507,"score_gpt":0.254758255372499,"score_spread":0.23099569547336396,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4248756090","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008060703,0.0045237755,0.00065161224,0.017377676,0.004125801,0.000040034192,0.0003384891,0.00016949321,0.96471244],"genre_scores_gemma":[0.06832169,0.0028138922,0.0005186632,0.008099636,0.0014675696,0.00003722703,0.00024783218,0.000210326,0.9182832],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985135,0.00030616025,0.00004073219,0.0002481509,0.00046263877,0.0004287849],"domain_scores_gemma":[0.9987161,0.00015741956,0.00012539135,0.00013932204,0.00039369293,0.00046806934],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011019559,0.00076167955,0.00043249957,0.0013993717,0.004727965,0.0046078726,0.00069650443,0.0011746633,0.1408066],"category_scores_gemma":[0.0031073713,0.0001832832,0.00043346846,0.0013208117,0.0021840078,0.001785666,0.002856196,0.0022801026,0.05129497],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000085371095,0.000044227727,0.0028077273,0.0002563023,0.000013256366,0.00055787945,0.01483976,0.0000571897,0.00055405824,0.14938684,0.7277804,0.103617035],"study_design_scores_gemma":[0.000003309609,0.000013726219,0.001194472,0.00005574764,0.0000021537908,0.00013948833,0.001130865,0.00001239623,0.000050931674,0.0011116763,0.9962805,0.000004697407],"about_ca_topic_score_codex":0.012782224,"about_ca_topic_score_gemma":0.028770797,"teacher_disagreement_score":0.1408066,"about_ca_system_score_codex":0.0030548584,"about_ca_system_score_gemma":0.0022158942,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W4251443508","doi":"10.4324/9781135000356-rem718-1","title":"Flamenco and Modernism","year":2018,"lang":"en","type":"book-chapter","venue":"","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Hollywood; Modernism (music); Art; Popular culture; Art history; Period (music); Literature; Aesthetics","score_opus":0.028840137166063505,"score_gpt":0.19971758220818775,"score_spread":0.17087744504212424,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4251443508","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013865889,0.020076863,0.00032257778,0.0043250457,0.00026133534,0.0000068029444,0.000011989528,0.000014585444,0.961115],"genre_scores_gemma":[0.8186109,0.016760051,0.000615222,0.0020785737,0.00086497824,0.000028469005,0.00003404919,0.000056775745,0.16095102],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99942774,0.00023466186,0.0000112284615,0.00008371301,0.000108508975,0.00013411547],"domain_scores_gemma":[0.9997769,0.000085417945,0.000030793602,0.000042171705,0.000033698776,0.000031049472],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007272963,0.00031386354,0.0002182916,0.00087526126,0.0044159857,0.0048748115,0.0005413355,0.00094025244,0.0076566697],"category_scores_gemma":[0.0008004134,0.00012561654,0.00018780028,0.00088591035,0.02037117,0.0023640718,0.00282368,0.0023566308,0.0005856524],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011462802,0.000011002306,0.00015543382,0.00004762082,0.0000017132404,0.000059099464,0.014511942,0.000034409582,0.00006563374,0.96571654,0.0069597554,0.012425329],"study_design_scores_gemma":[0.00001193211,0.000016452608,0.00086069957,0.0002840459,0.0000042379465,0.00014095058,0.0084531335,0.00004674605,0.00010214483,0.11979963,0.8702726,0.000007503873],"about_ca_topic_score_codex":0.00894759,"about_ca_topic_score_gemma":0.012704315,"teacher_disagreement_score":0.00894759,"about_ca_system_score_codex":0.006657541,"about_ca_system_score_gemma":0.002092015,"threshold_uncertainty_score":0.04830408},"labels":[],"label_agreement":null},{"id":"W4255554720","doi":"10.4000/belphegor.166","title":"Santa, Àngels, La literatura popular francesa: folletines y melodramas","year":2013,"lang":"ca","type":"article","venue":"Belphégor","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.010551429688293902,"score_gpt":0.21802678176903856,"score_spread":0.20747535208074466,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4255554720","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.034062427,0.09375537,0.0009273177,0.14038134,0.0034185715,0.000017969718,0.0001719009,0.00007895509,0.72718614],"genre_scores_gemma":[0.70341426,0.02935499,0.0005263578,0.009845603,0.002597938,0.00003357214,0.00008745202,0.00012958412,0.25401023],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99913436,0.000459461,0.00002073705,0.00009656531,0.00017340961,0.000115481],"domain_scores_gemma":[0.99900204,0.00047567737,0.00013676344,0.00006511624,0.00020504012,0.000115407805],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012493173,0.00041934938,0.00027554642,0.0015384855,0.0072156535,0.0070345574,0.00044776057,0.0019032148,0.009681858],"category_scores_gemma":[0.002082712,0.00017017947,0.00015354688,0.0015890404,0.010584772,0.004222259,0.0014751055,0.0024868005,0.0014911061],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005371619,0.000024376677,0.001765004,0.00023728536,0.000007669935,0.00030730254,0.09610049,0.000041147512,0.00020296864,0.7192418,0.15239018,0.029628048],"study_design_scores_gemma":[0.000007705408,0.000012516085,0.0020635282,0.00030547398,0.0000053072304,0.00016467978,0.023138095,0.0000325093,0.00010518249,0.010576231,0.9635819,0.000006920455],"about_ca_topic_score_codex":0.02764652,"about_ca_topic_score_gemma":0.07083263,"teacher_disagreement_score":0.02764652,"about_ca_system_score_codex":0.0053139795,"about_ca_system_score_gemma":0.0027670707,"threshold_uncertainty_score":0.05497116},"labels":[],"label_agreement":null},{"id":"W4281672578","doi":"10.18192/rceh.v44i3.6362","title":"Care and Cultural Exclusion in Restoration Spain: Transgressive Caregiving in Galdós’s Misericordia","year":2022,"lang":"en","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Deviance (statistics); Psychology; Transgressive; Sociology; Humanities; Gender studies; Art","score_opus":0.014094022718092838,"score_gpt":0.2234902456615669,"score_spread":0.20939622294347404,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4281672578","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8800893,0.013444096,0.00031826436,0.014093556,0.0003124251,0.000014612832,0.000030270003,0.000005947259,0.091691524],"genre_scores_gemma":[0.99381626,0.001857497,0.000052646443,0.00065268076,0.000055292887,0.000005801598,0.00001018284,0.0000041453213,0.0035454838],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.999186,0.00039258398,0.000017810738,0.000066652865,0.000065954904,0.00027096883],"domain_scores_gemma":[0.9995865,0.00014835218,0.00008945079,0.000031041756,0.000057547266,0.00008709679],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016529851,0.00036503733,0.00046440467,0.0010115914,0.00722437,0.004824829,0.00089584355,0.0011885726,0.0021039976],"category_scores_gemma":[0.0014260061,0.00013888183,0.00019809691,0.0011712444,0.017450977,0.0015263822,0.0054525523,0.0022511403,0.00013510686],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016771698,0.00015606754,0.010707162,0.00015563116,0.0000155809,0.002109055,0.77564245,0.00013544688,0.0003418025,0.17830709,0.0051016165,0.027160404],"study_design_scores_gemma":[0.000049896436,0.000057647747,0.027711514,0.0007185128,0.000018859751,0.00057413394,0.7471987,0.00011983845,0.00027696026,0.015630616,0.20761462,0.000028729428],"about_ca_topic_score_codex":0.07185624,"about_ca_topic_score_gemma":0.107083455,"teacher_disagreement_score":0.07185624,"about_ca_system_score_codex":0.012919286,"about_ca_system_score_gemma":0.003942271,"threshold_uncertainty_score":0.14287597},"labels":[],"label_agreement":null},{"id":"W4285774663","doi":"10.55335/rp.213","title":"Poemas de Carmen Pérez García","year":2019,"lang":"es","type":"article","venue":"Penélope evolución histórica y literaria desde la antigüedad","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"ASTER","funders":"","keywords":"Garcia; Humanities; Art","score_opus":0.005692719024818424,"score_gpt":0.2216259433509824,"score_spread":0.21593322432616396,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4285774663","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0031884105,0.10770108,0.0008969873,0.510254,0.12120075,0.00005073721,0.00048289396,0.00023373439,0.2559913],"genre_scores_gemma":[0.025897011,0.029069854,0.0007241538,0.08532508,0.019785626,0.000061031733,0.0001852578,0.0002992217,0.8386529],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.997988,0.0007179676,0.000049465456,0.00030212532,0.0006415805,0.00030082377],"domain_scores_gemma":[0.9966324,0.0008067245,0.00018069134,0.00017357605,0.0014910705,0.0007156022],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0029866572,0.001015748,0.00064189953,0.0010613115,0.0049354997,0.006250953,0.0010228072,0.0033878058,0.04239332],"category_scores_gemma":[0.007997001,0.00029154817,0.00038705528,0.0006677757,0.002257483,0.0037148478,0.0030604606,0.005932942,0.015527668],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036484005,0.000020569943,0.00014828026,0.00007916037,0.0000056077915,0.00010500917,0.0009705057,0.000031444008,0.000114358314,0.038567577,0.94562584,0.014295246],"study_design_scores_gemma":[0.0000025633774,0.0000031540396,0.00011870602,0.00006245378,0.0000017151978,0.00003070272,0.0005787491,0.000010312989,0.00004089589,0.0012622598,0.9978849,0.0000035406601],"about_ca_topic_score_codex":0.018404584,"about_ca_topic_score_gemma":0.027208203,"teacher_disagreement_score":0.04239332,"about_ca_system_score_codex":0.0037445647,"about_ca_system_score_gemma":0.00353285,"threshold_uncertainty_score":0.14181983},"labels":[],"label_agreement":null},{"id":"W4288870373","doi":"10.32870/argos.v6.n17.2a19","title":"Emilia Pardo Bazán. Algo más en torno a su naturalismo y feminismo","year":2019,"lang":"es","type":"article","venue":"Argos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Intertek (Canada)","funders":"","keywords":"Humanities; Art; Physics","score_opus":0.006690036379636255,"score_gpt":0.2194212918487591,"score_spread":0.21273125546912286,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4288870373","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.040898137,0.044731736,0.0068389657,0.08425214,0.007038704,0.00007806121,0.0007860644,0.00022124461,0.81515497],"genre_scores_gemma":[0.47726434,0.036376275,0.0072005643,0.014009682,0.0041754083,0.00014020568,0.0006284314,0.00041552703,0.45978957],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99831593,0.0006960045,0.000045204586,0.0003116586,0.00047771455,0.00015345415],"domain_scores_gemma":[0.99762964,0.0010933143,0.00028698004,0.00015165505,0.00067711755,0.00016127547],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020818096,0.00065812643,0.0004122004,0.001718518,0.003434619,0.006451956,0.00068552466,0.0016408828,0.025108282],"category_scores_gemma":[0.006085399,0.00019356352,0.0003870759,0.0017323078,0.0032414757,0.00367556,0.0021554723,0.003109746,0.005045376],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023580124,0.00007281551,0.0075416397,0.0008877168,0.00004841173,0.0006974218,0.031165486,0.00027466373,0.0013133651,0.65344846,0.19560015,0.10871402],"study_design_scores_gemma":[0.000008799756,0.000027172062,0.0054581724,0.0005762269,0.000020039148,0.00025737783,0.011993531,0.000121443285,0.00054560305,0.018572586,0.96240413,0.000014951469],"about_ca_topic_score_codex":0.011875839,"about_ca_topic_score_gemma":0.021859668,"teacher_disagreement_score":0.025108282,"about_ca_system_score_codex":0.0037431454,"about_ca_system_score_gemma":0.0024508634,"threshold_uncertainty_score":0.08399558},"labels":[],"label_agreement":null},{"id":"W4289032828","doi":"","title":"Maria Luisa Femenías: Affirmation identitaire, localisation et féminisme métis (présentation et traduction Michèle Soriano)","year":2019,"lang":"fr","type":"book-chapter","venue":"Americanae (AECID Library)","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.015902919217004916,"score_gpt":0.2332479642044514,"score_spread":0.2173450449874465,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4289032828","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.029391922,0.13470383,0.0019157053,0.2822288,0.007430759,0.000065095104,0.000104403014,0.000084242856,0.54407525],"genre_scores_gemma":[0.5483465,0.044540666,0.0010914957,0.044545405,0.004103648,0.00029481485,0.000052065836,0.00012267071,0.35690275],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987676,0.0006895742,0.000017688435,0.0001788958,0.00016231753,0.00018389232],"domain_scores_gemma":[0.99953055,0.00025155093,0.000059310925,0.000023159142,0.00005775588,0.00007760734],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0021128152,0.000688405,0.00043833148,0.000909341,0.011103851,0.0072098286,0.0007807725,0.0036323057,0.007938287],"category_scores_gemma":[0.002231475,0.00030402723,0.0002974552,0.0008895412,0.011708934,0.003528267,0.0055867718,0.0048740134,0.0018442438],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000042431264,0.00002564893,0.00057922845,0.0002758735,0.000005669486,0.0005483831,0.19127432,0.00008760568,0.00071153016,0.654132,0.12733307,0.024984276],"study_design_scores_gemma":[0.0000048701613,0.000022144233,0.0009993276,0.00060844695,0.00000386568,0.00027208237,0.041534286,0.000054084067,0.00021700657,0.026156953,0.9301084,0.00001848421],"about_ca_topic_score_codex":0.01791471,"about_ca_topic_score_gemma":0.029143395,"teacher_disagreement_score":0.01791471,"about_ca_system_score_codex":0.008482163,"about_ca_system_score_gemma":0.003894806,"threshold_uncertainty_score":0.06154263},"labels":[],"label_agreement":null},{"id":"W4289221019","doi":"","title":"A New History of Iberian Feminisms: editado por Silvia Bermúdez e Roberta Johnson. Toronto: University of Toronto Press, 2018, 544 pp.","year":2018,"lang":"pt","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Berm; Humanities; Art; Media studies; Sociology; History; Archaeology","score_opus":0.1271160045008116,"score_gpt":0.4179148700569436,"score_spread":0.290798865556132,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4289221019","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0028746263,0.90531343,0.00024273274,0.023583509,0.009208582,0.000006639682,0.00017043288,0.000032641077,0.05856732],"genre_scores_gemma":[0.16411951,0.63012046,0.0018227373,0.009872626,0.020491347,0.00008712486,0.0003389921,0.00035556027,0.17279164],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992112,0.0003973084,0.000039133323,0.0000873631,0.00014527928,0.000119606324],"domain_scores_gemma":[0.9995158,0.00019799714,0.00007962953,0.000040851774,0.00011179832,0.000054031367],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019252157,0.001302576,0.00086399267,0.0030875306,0.00399199,0.0050751492,0.0007266028,0.0016680752,0.012625341],"category_scores_gemma":[0.0015844919,0.00048572334,0.00027040826,0.0034855786,0.005956214,0.004000453,0.0023589637,0.0027020602,0.0019578189],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019198675,0.000038907474,0.000834036,0.0016914351,0.000028852264,0.0005441023,0.056548964,0.00019088706,0.0005011578,0.1287353,0.51194257,0.2987518],"study_design_scores_gemma":[0.0000026841205,0.0000056289728,0.0014033059,0.00071675325,0.0000028712907,0.00014502465,0.0057003275,0.000010376228,0.00008208855,0.0021911385,0.9897334,0.0000063923035],"about_ca_topic_score_codex":0.032129698,"about_ca_topic_score_gemma":0.06638872,"teacher_disagreement_score":0.032129698,"about_ca_system_score_codex":0.006297396,"about_ca_system_score_gemma":0.0037051418,"threshold_uncertainty_score":0.06388539},"labels":[],"label_agreement":null},{"id":"W4302388957","doi":"","title":"Recueil de chansons de Sebastián de Horozco Édition de José J. Labrador Herraiz, Ralph A. DiFranco et Ramón Morillo Velarde-Pérez. Tolède, ministère de l'Éducation, des Sciences et de la Culture de Castilla-La Mancha, 2010. 902 p. (ISBN: 978-84-7788-561-0.)","year":2011,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Geography","score_opus":0.030048466541798626,"score_gpt":0.27306228290563295,"score_spread":0.24301381636383432,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4302388957","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0038221825,0.6976413,0.0018643717,0.09171108,0.1147875,0.00005549576,0.0011452088,0.00020455224,0.088768326],"genre_scores_gemma":[0.052638657,0.36279124,0.0028400738,0.019857489,0.046958297,0.00014536428,0.001635958,0.0010650841,0.51206774],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984977,0.00041809338,0.000079168945,0.00033280868,0.0005540914,0.00011817105],"domain_scores_gemma":[0.9975902,0.00060189975,0.00012979622,0.00012679987,0.0012845685,0.0002668091],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0021517498,0.0016976544,0.0013561583,0.004620163,0.0025554348,0.004721604,0.0008484764,0.0018551897,0.028201476],"category_scores_gemma":[0.004918831,0.0005201324,0.0006400235,0.003453151,0.0021727867,0.00332027,0.0023339354,0.0031437639,0.009812124],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006555894,0.000029467417,0.00031138628,0.00047421837,0.000017743785,0.00014572655,0.0017926153,0.000073681156,0.00035180742,0.01329563,0.9273455,0.056096576],"study_design_scores_gemma":[0.0000032670632,0.0000056481454,0.0005852053,0.0003904836,0.0000048125644,0.00012007066,0.00046265786,0.00002670947,0.00013469248,0.0007307417,0.99752873,0.0000068989684],"about_ca_topic_score_codex":0.02334574,"about_ca_topic_score_gemma":0.032141592,"teacher_disagreement_score":0.028201476,"about_ca_system_score_codex":0.004429,"about_ca_system_score_gemma":0.0039055874,"threshold_uncertainty_score":0.094343364},"labels":[],"label_agreement":null},{"id":"W4312454033","doi":"10.55422/bbmp.488","title":"Galdós poeta","year":2020,"lang":"es","type":"article","venue":"BOLETÍN DE LA BIBLIOTECA DE MENÉNDEZ PELAYO","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Novelis (Canada)","funders":"","keywords":"Humanities; Art","score_opus":0.01565483740802776,"score_gpt":0.2503273425071841,"score_spread":0.23467250509915633,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4312454033","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.047511116,0.012425399,0.0016135508,0.02727959,0.0036506613,0.00006194912,0.0003657268,0.00020803191,0.9068841],"genre_scores_gemma":[0.37230548,0.0073737833,0.0013215946,0.004722974,0.00097161485,0.00010705733,0.00020807865,0.00017287942,0.6128165],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99949336,0.00016862612,0.000014127079,0.00010944712,0.00011516719,0.00009909435],"domain_scores_gemma":[0.99959606,0.00011383888,0.000044947163,0.000055357497,0.00011389296,0.00007592256],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007103298,0.0006440028,0.00035878792,0.0011821081,0.004113356,0.004645604,0.0005127464,0.0014253727,0.021992594],"category_scores_gemma":[0.0017435786,0.00018890819,0.00030096105,0.00081396627,0.0038255244,0.0019742965,0.0037682394,0.0026058806,0.003690936],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00033017804,0.00005437562,0.003347981,0.00039528124,0.000023801982,0.0008916619,0.045185357,0.00013766094,0.0017452256,0.70899177,0.1399558,0.09894093],"study_design_scores_gemma":[0.000013064224,0.000013225748,0.0012952647,0.00011859923,0.0000049901814,0.00010881284,0.0047389725,0.000027200487,0.0002542702,0.0073077255,0.9861128,0.0000051655056],"about_ca_topic_score_codex":0.00977166,"about_ca_topic_score_gemma":0.023623452,"teacher_disagreement_score":0.021992594,"about_ca_system_score_codex":0.00456707,"about_ca_system_score_gemma":0.0015541991,"threshold_uncertainty_score":0.073572576},"labels":[],"label_agreement":null},{"id":"W4312942250","doi":"10.15581/008.18.26743","title":"El \"antiarte poética\" de José Joaquín de Virués (1832)","year":2018,"lang":"es","type":"article","venue":"Rilce Revista de Filología Hispánica","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Prince Albert Grand Council","funders":"","keywords":"Art; Humanities","score_opus":0.014507944060256486,"score_gpt":0.27127780620512726,"score_spread":0.2567698621448708,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4312942250","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.046851832,0.03401019,0.0038017174,0.028387574,0.0035986253,0.000038115955,0.00009825065,0.000083926585,0.8831297],"genre_scores_gemma":[0.744971,0.012958135,0.0012755004,0.004186327,0.0008584691,0.00004562022,0.00005356472,0.00010770285,0.23554358],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992142,0.00036072102,0.000013509536,0.00009319527,0.00018312539,0.00013535284],"domain_scores_gemma":[0.99958426,0.00016861428,0.000050595092,0.00004072356,0.00010306024,0.000052673073],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010333242,0.00047796094,0.00022088314,0.0010118767,0.0049020364,0.0033880875,0.00043212448,0.0012507138,0.0053143525],"category_scores_gemma":[0.0026044683,0.00014909373,0.00018890675,0.0008402738,0.011477753,0.0019060042,0.0025098526,0.0026794139,0.00065254746],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000039932656,0.000008896424,0.0006327839,0.000076749515,0.0000039722436,0.00017864037,0.046048384,0.00006647542,0.00033913343,0.9054558,0.028775103,0.01837423],"study_design_scores_gemma":[0.000007100899,0.000014807649,0.0014596769,0.00018980379,0.000004005314,0.00014336052,0.008252824,0.00004107877,0.0003227009,0.022764595,0.9667909,0.000009139534],"about_ca_topic_score_codex":0.03024453,"about_ca_topic_score_gemma":0.0646315,"teacher_disagreement_score":0.03024453,"about_ca_system_score_codex":0.004895193,"about_ca_system_score_gemma":0.0037237832,"threshold_uncertainty_score":0.060136974},"labels":[],"label_agreement":null},{"id":"W4316663552","doi":"10.5944/signa.vol32.2023.36119","title":"PRESENTACIÓN: LA NOVELA DE LA ARTISTA","year":2023,"lang":"es","type":"article","venue":"Signa Revista de la Asociación Española de Semiótica","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"University of Toronto; Ohio State University; Ohio State University Press","keywords":"Humanities; Art","score_opus":0.008175154322822413,"score_gpt":0.27753708940179905,"score_spread":0.26936193507897666,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4316663552","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.020576986,0.017665174,0.0033779715,0.032142367,0.006388656,0.000025213316,0.00014686846,0.00010893748,0.9195679],"genre_scores_gemma":[0.48935953,0.011065133,0.0017795023,0.0050335852,0.005342676,0.00006419798,0.00013860113,0.00029099503,0.48692572],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998044,0.0009501642,0.000044038003,0.00023176109,0.0005302768,0.00019975739],"domain_scores_gemma":[0.9984634,0.0005641465,0.00012674734,0.00023019503,0.00040019985,0.00021532546],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019778155,0.00064503326,0.00041322157,0.0011930384,0.008050666,0.014917451,0.0008147458,0.0017993023,0.019434804],"category_scores_gemma":[0.0039256588,0.00018270095,0.0004374793,0.0014395687,0.011619744,0.0039615436,0.003229278,0.0036386014,0.0043869806],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000091386,0.000035448273,0.0007762937,0.00027677094,0.000015724316,0.0008540949,0.06223096,0.0002200787,0.00094908435,0.7592296,0.1434782,0.031842325],"study_design_scores_gemma":[0.000007221268,0.000019578329,0.00044443022,0.00020922362,0.000006104252,0.00040084316,0.012559011,0.00010627629,0.00034672106,0.018480614,0.9674086,0.000011362666],"about_ca_topic_score_codex":0.007885685,"about_ca_topic_score_gemma":0.013943164,"teacher_disagreement_score":0.019434804,"about_ca_system_score_codex":0.0055470592,"about_ca_system_score_gemma":0.0039500287,"threshold_uncertainty_score":0.06501591},"labels":[],"label_agreement":null},{"id":"W4319348807","doi":"10.7203/puv-esp67-16-brugueras","title":"L’aspirina i la nació. Unes notes sobre Joan Fuster i la ideologia del progrés","year":2023,"lang":"ca","type":"report","venue":"","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Adidas (Canada)","funders":"","keywords":"Humanities; Political science; Philosophy","score_opus":0.0991089048568773,"score_gpt":0.3260339003918283,"score_spread":0.226924995534951,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4319348807","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00597629,0.1312635,0.00047984513,0.32527104,0.006871789,0.00002049213,0.0003715382,0.00006838911,0.5296771],"genre_scores_gemma":[0.20875876,0.061971646,0.0008940829,0.027092807,0.003982752,0.00008324995,0.00025960046,0.00025425834,0.69670284],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99858826,0.0005546202,0.000046626057,0.00016214157,0.00038525058,0.0002630628],"domain_scores_gemma":[0.99814796,0.0006776386,0.00018484147,0.0001557323,0.0005854502,0.0002484578],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0021712284,0.0005032444,0.00029571285,0.0013542682,0.0058061644,0.006981995,0.0005081761,0.0018765955,0.021198353],"category_scores_gemma":[0.0050493125,0.0002976166,0.0002499879,0.0019110953,0.006031652,0.004204773,0.0022852253,0.0030968073,0.0035021505],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030056459,0.00001617878,0.00074590964,0.0001231004,0.0000037855475,0.00017473548,0.011341032,0.000036581096,0.00012293896,0.19648889,0.7562647,0.034652058],"study_design_scores_gemma":[0.000002705009,0.0000025519669,0.0008302837,0.00012879248,0.0000012825586,0.000031838605,0.0027376597,0.000008287896,0.000031516716,0.003202751,0.9930195,0.0000026898674],"about_ca_topic_score_codex":0.112916045,"about_ca_topic_score_gemma":0.19390108,"teacher_disagreement_score":0.112916045,"about_ca_system_score_codex":0.008699435,"about_ca_system_score_gemma":0.0075027263,"threshold_uncertainty_score":0.22451764},"labels":[],"label_agreement":null},{"id":"W4319778801","doi":"10.55422/bbmp.541","title":"Cómo llegar a ser una intelectual. La autoconstrucción de Emilia Pardo Bazán","year":2021,"lang":"es","type":"article","venue":"BOLETÍN DE LA BIBLIOTECA DE MENÉNDEZ PELAYO","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Novelis (Canada)","funders":"","keywords":"Humanities; Art","score_opus":0.006812585000452865,"score_gpt":0.26155627983553587,"score_spread":0.254743694835083,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4319778801","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.028572729,0.014555332,0.004070747,0.03702614,0.0016890592,0.000048939775,0.00014697139,0.000079261765,0.91381085],"genre_scores_gemma":[0.6482391,0.0071782772,0.0022873243,0.007853655,0.001025262,0.000074772826,0.00010730251,0.00015263348,0.33308163],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99794954,0.000910042,0.00006053169,0.00037279425,0.00038927767,0.00031780283],"domain_scores_gemma":[0.9988984,0.00027770337,0.00016553352,0.00016810742,0.00034752136,0.00014278335],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020384989,0.00046253123,0.00028924827,0.0010622198,0.0056403945,0.006437294,0.00057513744,0.0019872796,0.010462212],"category_scores_gemma":[0.0030663568,0.00021506546,0.0002643999,0.0011266271,0.012275519,0.0038285078,0.003461729,0.003204941,0.0017518738],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003181576,0.000012937377,0.0009465025,0.000103243634,0.000007309082,0.0001481302,0.03251394,0.00006639656,0.00026528706,0.9107607,0.029066896,0.026076842],"study_design_scores_gemma":[0.000008144929,0.000013941727,0.002427749,0.00016743201,0.000008246371,0.000110368375,0.008977646,0.000053773507,0.00026569812,0.032267097,0.9556892,0.000010588995],"about_ca_topic_score_codex":0.021650681,"about_ca_topic_score_gemma":0.045169543,"teacher_disagreement_score":0.021650681,"about_ca_system_score_codex":0.008267367,"about_ca_system_score_gemma":0.0051845727,"threshold_uncertainty_score":0.059984267},"labels":[],"label_agreement":null},{"id":"W4319782259","doi":"10.55422/bbmp.538","title":"«Yo soy aficionada a leer causas célebres, por mis gustos de novelista». Los artículos sobre crímenes violentos de Emilia Pardo Bazán en La Ilustración Artística","year":2021,"lang":"es","type":"article","venue":"BOLETÍN DE LA BIBLIOTECA DE MENÉNDEZ PELAYO","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Novelis (Canada)","funders":"","keywords":"Humanities; Art","score_opus":0.007952752890726637,"score_gpt":0.2580632798947766,"score_spread":0.25011052700405,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4319782259","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06812328,0.033599395,0.002905781,0.060789935,0.0039552245,0.000050886734,0.00023102689,0.00013659749,0.83020794],"genre_scores_gemma":[0.62382907,0.017685102,0.0014505378,0.010077245,0.001866182,0.000059150756,0.00013768632,0.00018493985,0.34471002],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988526,0.0005139316,0.000030748968,0.000142658,0.00025258595,0.00020750915],"domain_scores_gemma":[0.99860436,0.00041500558,0.0003230806,0.00012777872,0.0002884015,0.00024135508],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017471926,0.00049244775,0.0003712656,0.0011573816,0.008286699,0.00801801,0.0005919611,0.0015423836,0.0143493675],"category_scores_gemma":[0.0028907189,0.00021171976,0.00027388535,0.0011699921,0.009114679,0.0037790881,0.0035826082,0.003204647,0.0023657817],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014552467,0.000053719028,0.0066919164,0.00089454564,0.00003948761,0.00093939237,0.20469728,0.00011774543,0.0012851444,0.56705725,0.1468523,0.07122574],"study_design_scores_gemma":[0.00000785042,0.000025195766,0.006523156,0.00042749863,0.000012472203,0.00029492352,0.051255357,0.000042503772,0.0003318974,0.007450314,0.9336134,0.000015498137],"about_ca_topic_score_codex":0.015447017,"about_ca_topic_score_gemma":0.043605056,"teacher_disagreement_score":0.015447017,"about_ca_system_score_codex":0.003059662,"about_ca_system_score_gemma":0.003154714,"threshold_uncertainty_score":0.048003435},"labels":[],"label_agreement":null},{"id":"W4324006007","doi":"10.1353/rht.2011.0006","title":"Oral Traditions and Gender in Early Modern Literary Texts ed. by Mary Ellen Lamb, Karen Bamford","year":2011,"lang":"en","type":"article","venue":"Rhetorica","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Studio; Visual arts","score_opus":0.047087792243111916,"score_gpt":0.21934211728596925,"score_spread":0.17225432504285734,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4324006007","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.012514875,0.65036666,0.00080973207,0.07283941,0.0043815235,0.000021437812,0.00009349473,0.000044989334,0.25892785],"genre_scores_gemma":[0.2960956,0.27693057,0.0010000435,0.009302276,0.0065730447,0.00010588288,0.00010032804,0.00022852879,0.40966377],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993198,0.0003624759,0.000028956547,0.0000827478,0.00014086673,0.000065198605],"domain_scores_gemma":[0.99877983,0.0008340386,0.00011328951,0.00004376368,0.000121922225,0.000107067404],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011506584,0.00067592954,0.0005608259,0.0016940758,0.004510912,0.006016914,0.00054132286,0.0019939828,0.010962834],"category_scores_gemma":[0.0023731717,0.0004931293,0.00018826894,0.0018619027,0.007641783,0.005554851,0.0019753068,0.0031314832,0.0028432289],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000119355755,0.000056458386,0.0016053914,0.00090176414,0.00002106475,0.00050381746,0.20289929,0.00010666533,0.0006157226,0.31237006,0.3622674,0.11853308],"study_design_scores_gemma":[0.000010197929,0.000023715553,0.0044585564,0.0016305915,0.000008448319,0.00033938792,0.029225027,0.00005039353,0.00013700812,0.026597552,0.9375017,0.000017370834],"about_ca_topic_score_codex":0.010616108,"about_ca_topic_score_gemma":0.025243485,"teacher_disagreement_score":0.010962834,"about_ca_system_score_codex":0.002719795,"about_ca_system_score_gemma":0.0015535487,"threshold_uncertainty_score":0.03667438},"labels":[],"label_agreement":null},{"id":"W43589420","doi":"","title":"Colin M. Coates and Cecilia Morgan — Heroines and History: Representations of Madeleine de Verchères and Laura Secord","year":2003,"lang":"en","type":"article","venue":"Histoire sociale","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Art history","score_opus":0.017537390815127084,"score_gpt":0.21148466571598623,"score_spread":0.19394727490085914,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W43589420","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.018042928,0.18767066,0.00085868104,0.6397602,0.0064998604,0.000024630066,0.00009403962,0.00003061028,0.14701843],"genre_scores_gemma":[0.5633634,0.14512363,0.0013816335,0.08502223,0.006535755,0.000094781986,0.00006599927,0.00028180738,0.19813076],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989398,0.0006354393,0.00002339197,0.00009180161,0.00019630174,0.00011336321],"domain_scores_gemma":[0.9962974,0.0022484462,0.0003010707,0.00011229844,0.0005798299,0.00046093148],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020685152,0.00071648776,0.00046467723,0.0015539962,0.011374522,0.0070769987,0.0011029742,0.0039040004,0.005442784],"category_scores_gemma":[0.005453543,0.000305037,0.00016442486,0.0016474961,0.012594392,0.0065240352,0.0028524515,0.0063282917,0.0005944018],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006282168,0.000021848798,0.0008796762,0.00019883896,0.000013650923,0.0006404896,0.09409666,0.00013836443,0.00018808035,0.28707728,0.59996694,0.016715456],"study_design_scores_gemma":[0.0000101327205,0.000009981945,0.0013688575,0.00044730798,0.000005589398,0.00028664697,0.07430666,0.00005400452,0.00018332708,0.019856246,0.9034522,0.000019041841],"about_ca_topic_score_codex":0.07287205,"about_ca_topic_score_gemma":0.19442143,"teacher_disagreement_score":0.92712796,"about_ca_system_score_codex":0.006068214,"about_ca_system_score_gemma":0.0036642116,"threshold_uncertainty_score":0.14489573},"labels":[],"label_agreement":null},{"id":"W4365385409","doi":"10.1007/978-3-031-14816-3_4","title":"Elena Ferrante’s Women Intellectuals: Writing and the Paradoxical Relationship to the Mother","year":2023,"lang":"en","type":"book-chapter","venue":"Italian and Italian American studies","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Waterloo; St. Jerome's University","funders":"","keywords":"Psychology; Gender studies; Sociology","score_opus":0.06126191116231033,"score_gpt":0.27147986247798306,"score_spread":0.21021795131567272,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4365385409","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.018901454,0.028880078,0.00046649532,0.09994233,0.0023835772,0.000016711572,0.000034821776,0.000035563273,0.84933895],"genre_scores_gemma":[0.66931194,0.013324656,0.00054292876,0.016644688,0.0033695544,0.00006271505,0.000038731883,0.00014159847,0.29656318],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99896014,0.0006736726,0.000013505793,0.00009472405,0.00013037396,0.00012761804],"domain_scores_gemma":[0.99844813,0.0010964766,0.00011334698,0.000079931386,0.000118579475,0.00014356796],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015054833,0.00046749448,0.00026674147,0.0009439195,0.0058137826,0.0046521174,0.00077513984,0.0018194745,0.0057998206],"category_scores_gemma":[0.0038580857,0.00019138532,0.00013609343,0.0008286629,0.0120858075,0.0033390997,0.0017585761,0.0034962161,0.0009285587],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000392223,0.000041478554,0.0005177618,0.00008164945,0.000004333424,0.0005915493,0.13447772,0.000034068347,0.00012523815,0.67494404,0.16744108,0.021701863],"study_design_scores_gemma":[0.000017631413,0.000017784683,0.0012838246,0.00028651336,0.000004545198,0.0006149201,0.038391374,0.0000509961,0.00018156457,0.06059737,0.89854515,0.000008372273],"about_ca_topic_score_codex":0.010487017,"about_ca_topic_score_gemma":0.017874569,"teacher_disagreement_score":0.010487017,"about_ca_system_score_codex":0.004013902,"about_ca_system_score_gemma":0.0025154324,"threshold_uncertainty_score":0.029123008},"labels":[],"label_agreement":null},{"id":"W4366707769","doi":"10.4000/books.eurorbem.2807","title":"L’Espagne ou la corrida","year":2018,"lang":"fr","type":"book-chapter","venue":"","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Historical Association","funders":"","keywords":"Art","score_opus":0.026503919228953027,"score_gpt":0.22491909218774164,"score_spread":0.1984151729587886,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4366707769","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.024635104,0.024160998,0.0017650453,0.0071347984,0.0005373441,0.000011346331,0.00015145043,0.000051056086,0.9415529],"genre_scores_gemma":[0.44003934,0.023392621,0.0012413741,0.002206867,0.00039118825,0.000044179706,0.00019709831,0.00012273382,0.53236455],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9997656,0.00007512007,0.000005083259,0.000053714422,0.00003218484,0.000068268055],"domain_scores_gemma":[0.9998988,0.000029014134,0.0000135745895,0.00001427436,0.000018595398,0.000025721627],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00022279458,0.00036425324,0.00013387931,0.00043434845,0.0017970112,0.0023681498,0.00035067738,0.0006494976,0.016183827],"category_scores_gemma":[0.00038024285,0.00011950054,0.00019247418,0.0010247437,0.0033266528,0.002162073,0.0013497504,0.0013331884,0.0018090128],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000069555375,0.000010677818,0.0014147755,0.00018595532,0.000008653001,0.0002977955,0.020851457,0.00024101429,0.00068495545,0.8600059,0.034300897,0.081928365],"study_design_scores_gemma":[0.00000595031,0.000015270189,0.0016612902,0.0002561692,0.0000031772715,0.00016524896,0.0064167785,0.00005149537,0.00009615328,0.014847969,0.9764747,0.0000057853617],"about_ca_topic_score_codex":0.04498171,"about_ca_topic_score_gemma":0.078178555,"teacher_disagreement_score":0.04498171,"about_ca_system_score_codex":0.0021711828,"about_ca_system_score_gemma":0.0022159226,"threshold_uncertainty_score":0.08943981},"labels":[],"label_agreement":null},{"id":"W4379532344","doi":"10.1353/hpn.2011.a461887","title":"Jazz Age Barcelona (review)","year":2011,"lang":"en","type":"article","venue":"Hispania","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Jazz; History; Politics; Style (visual arts); Art history; Media studies; Sociology; Literature; Art; Law; Political science","score_opus":0.06450008057666602,"score_gpt":0.20944815537642092,"score_spread":0.1449480747997549,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379532344","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000057232326,0.99632084,0.000016509905,0.00075271487,0.0010419502,0.00000896044,0.00012107305,0.000011047543,0.0016696405],"genre_scores_gemma":[0.0010734549,0.99264824,0.00007502719,0.0021884115,0.0012672422,0.000033132554,0.00037091467,0.000009377096,0.0023342408],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992499,0.00014885468,0.00014807467,0.00013950982,0.0002255932,0.00008804717],"domain_scores_gemma":[0.9984201,0.0004415696,0.00041331214,0.000051826642,0.0004622709,0.0002108147],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00095174415,0.0012233771,0.0028415988,0.0035314031,0.00063407136,0.0034492135,0.0021429881,0.0016437693,0.048604187],"category_scores_gemma":[0.0033840018,0.0004993299,0.0011652125,0.0049566515,0.000527445,0.0017192406,0.0014482733,0.0026772297,0.012337157],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019898172,0.00003827721,0.00031522554,0.09239316,0.00031099646,0.00028077493,0.00015013928,0.000091772876,0.00022554358,0.00083982095,0.50298333,0.40217197],"study_design_scores_gemma":[0.000063423904,0.000045065735,0.001968859,0.03502359,0.000369536,0.000877355,0.00012404553,0.000015782385,0.000071298804,0.00023846889,0.9611815,0.000020941909],"about_ca_topic_score_codex":0.0049990295,"about_ca_topic_score_gemma":0.006802546,"teacher_disagreement_score":0.048604187,"about_ca_system_score_codex":0.0017457353,"about_ca_system_score_gemma":0.004063847,"threshold_uncertainty_score":0.16259724},"labels":[],"label_agreement":null},{"id":"W4379645042","doi":"10.18192/rceh.v45i2.6711","title":"NATALIA FERNÁNDEZ RODRÍGUEZ. Ojos creadores, ojos creados. Mirada y visualidad en la lírica castellana de tradición petrarquista. Kassel: Edition Reichenberger, 2019. 276 pp.","year":2023,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.01384830351060979,"score_gpt":0.2525065245730517,"score_spread":0.23865822106244194,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379645042","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0008045475,0.9365777,0.00023229403,0.026368584,0.005306359,0.000009929853,0.00024490204,0.000037663474,0.03041799],"genre_scores_gemma":[0.036564056,0.79378843,0.000837532,0.0054786177,0.00455761,0.00005588413,0.0004124705,0.0001365016,0.15816881],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996486,0.000096223026,0.000021081247,0.00004700976,0.00013008274,0.000056946188],"domain_scores_gemma":[0.99905545,0.00026099136,0.00011197684,0.000027721075,0.00043925768,0.00010462812],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009276797,0.0013950212,0.0006760065,0.0029101933,0.0022559843,0.0031070285,0.0013491997,0.0014302875,0.017495634],"category_scores_gemma":[0.0018748795,0.0004905959,0.0003325856,0.004324585,0.0015509932,0.0031949526,0.00136459,0.0027188188,0.005781036],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000048542657,0.000026930877,0.00080229365,0.00097335386,0.000010284368,0.00019149567,0.0074737254,0.00006723553,0.00015805995,0.017232487,0.85758233,0.11543317],"study_design_scores_gemma":[0.0000049664477,0.0000058572655,0.002426435,0.0016649873,0.000008681842,0.00016332345,0.006394435,0.000020460307,0.00010443573,0.002321735,0.9868758,0.000008814324],"about_ca_topic_score_codex":0.13156655,"about_ca_topic_score_gemma":0.23375186,"teacher_disagreement_score":0.13156655,"about_ca_system_score_codex":0.0033874484,"about_ca_system_score_gemma":0.003788314,"threshold_uncertainty_score":0.2616015},"labels":[],"label_agreement":null},{"id":"W4379743460","doi":"10.18192/rceh.v45i2.6690","title":"Reflecting on the Self: Introspective Construction of the Feminine in Nineteenth-Century Poets Carolina Valencia and Carolina Coronado","year":2023,"lang":"en","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Subjectivity; Reading (process); Introspection; Poetry; Femininity; South carolina; Art; Art history; Literature; History; Sociology; Philosophy; Gender studies; Linguistics; Epistemology","score_opus":0.022434560521298594,"score_gpt":0.24711984428987424,"score_spread":0.22468528376857566,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379743460","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.42020494,0.0042963466,0.0045933933,0.010734095,0.00049797056,0.000030444598,0.00004204493,0.000049310303,0.5595515],"genre_scores_gemma":[0.9803828,0.0006048225,0.00038086696,0.00053489313,0.00008249581,0.000013784711,0.000013359938,0.000042527496,0.01794442],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989869,0.00063784386,0.000014803253,0.00009375719,0.000142022,0.00012460435],"domain_scores_gemma":[0.9987393,0.0007558477,0.00010821182,0.00009202624,0.00020134202,0.00010327367],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020843837,0.00036883866,0.0002483153,0.0013398208,0.0053952145,0.0051813424,0.00059949845,0.0008007865,0.0016140429],"category_scores_gemma":[0.0023970227,0.00011485383,0.00016909621,0.00055362016,0.032751292,0.0023638536,0.0035957033,0.0020664523,0.00015688733],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032997297,0.000016560482,0.0012187004,0.00004705465,0.0000046116534,0.00054649386,0.62522227,0.00010146025,0.0007313256,0.35937303,0.0035499148,0.009155525],"study_design_scores_gemma":[0.00002238285,0.000031308668,0.003341036,0.00037258564,0.000010328106,0.00048533428,0.5652527,0.00019975471,0.0010839496,0.061002668,0.36816964,0.000028188244],"about_ca_topic_score_codex":0.015107411,"about_ca_topic_score_gemma":0.020404393,"teacher_disagreement_score":0.015107411,"about_ca_system_score_codex":0.004903153,"about_ca_system_score_gemma":0.0017780521,"threshold_uncertainty_score":0.035575032},"labels":[],"label_agreement":null},{"id":"W4381233291","doi":"10.32766/tribuna.17.338","title":"nota geográfica para Apuntes de un viaje. De España a Ginebra[1873], de Emilia Pardo Bazán","year":2022,"lang":"es","type":"article","venue":"La Tribuna Cadernos de Estudos da Casa-Museo Emilia Pardo Bazán","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Quest University Canada","funders":"","keywords":"Humanities; Art","score_opus":0.015387093334518147,"score_gpt":0.24790980560627035,"score_spread":0.2325227122717522,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4381233291","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12713929,0.049109228,0.0016905514,0.019839883,0.0013330361,0.000042578144,0.00027914162,0.000056913395,0.80050933],"genre_scores_gemma":[0.89045274,0.009564867,0.0005233053,0.0014213246,0.00031715687,0.00003756864,0.00011956185,0.00003783961,0.09752566],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989888,0.00042351283,0.000047777652,0.0001663547,0.0001941318,0.00017946879],"domain_scores_gemma":[0.9992642,0.00028580576,0.00013657929,0.000088738154,0.00015763566,0.000067097775],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012142626,0.00037907943,0.00028316677,0.0022834854,0.006324737,0.0048007728,0.0006350753,0.0015262084,0.008371783],"category_scores_gemma":[0.0032679325,0.00016728754,0.00016335688,0.0032949755,0.011928969,0.0025004975,0.003706177,0.0016709022,0.0006647219],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007077964,0.000013688129,0.005366625,0.00032858594,0.0000122461115,0.00068721233,0.23034427,0.000073583746,0.0005080645,0.65813154,0.027926285,0.07653713],"study_design_scores_gemma":[0.000007231544,0.000019485286,0.014613394,0.00056898105,0.000011563624,0.0002838172,0.051697288,0.000024385892,0.0001906695,0.010817589,0.9217538,0.000011763235],"about_ca_topic_score_codex":0.037559178,"about_ca_topic_score_gemma":0.08549078,"teacher_disagreement_score":0.037559178,"about_ca_system_score_codex":0.005008673,"about_ca_system_score_gemma":0.003164097,"threshold_uncertainty_score":0.0746811},"labels":[],"label_agreement":null},{"id":"W4381233346","doi":"10.32766/tribuna.17.333","title":"Bucólica: novela, ley y violencia","year":2022,"lang":"es","type":"article","venue":"La Tribuna Cadernos de Estudos da Casa-Museo Emilia Pardo Bazán","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Novelis (Canada)","funders":"","keywords":"Humanities; Art","score_opus":0.016613764192339002,"score_gpt":0.2448503899295943,"score_spread":0.22823662573725528,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4381233346","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11891697,0.026732165,0.0005529328,0.019382104,0.002034251,0.00002962529,0.00020383905,0.000087224915,0.8320609],"genre_scores_gemma":[0.75886893,0.010131228,0.00029156683,0.0012533558,0.0008410881,0.00006860301,0.00013707556,0.000094280855,0.22831386],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993001,0.00024263092,0.000019526897,0.000085525375,0.00017544533,0.00017672627],"domain_scores_gemma":[0.99961865,0.00010882955,0.00006295623,0.000052492345,0.000087152934,0.0000700333],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00083542336,0.00045577096,0.0004045129,0.0015056016,0.010250702,0.0069414712,0.0007426543,0.0009890792,0.00918778],"category_scores_gemma":[0.002004615,0.00014403801,0.00018700317,0.0025679816,0.0070044124,0.0019473558,0.0035702698,0.0022455566,0.0010743841],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002090034,0.000060694412,0.003206154,0.0004309668,0.000024986977,0.0014726523,0.23500095,0.00011074213,0.0009260925,0.5807409,0.098812014,0.07900482],"study_design_scores_gemma":[0.000005283739,0.000012160965,0.0036359224,0.00017459768,0.000007360896,0.00019125853,0.031637076,0.000025225392,0.00019380427,0.0038367559,0.9602724,0.00000820275],"about_ca_topic_score_codex":0.044224463,"about_ca_topic_score_gemma":0.10838881,"teacher_disagreement_score":0.044224463,"about_ca_system_score_codex":0.006721684,"about_ca_system_score_gemma":0.0035413762,"threshold_uncertainty_score":0.08793414},"labels":[],"label_agreement":null},{"id":"W4384074341","doi":"10.1080/10609164.2023.2205334","title":"Materiality: making Spanish America <b>Materiality: making Spanish America</b> , edited by Jorge Rivas, Denver: Denver Art Museum, 2020, vii + 164 pp., illus. (ISBN 9781945483042)","year":2023,"lang":"en","type":"article","venue":"Colonial Latin American Review","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Materiality (auditing); Art; Art history; Humanities; Aesthetics","score_opus":0.02023260507004661,"score_gpt":0.269230473440694,"score_spread":0.24899786837064738,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4384074341","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0012598993,0.83521193,0.0005629328,0.023004508,0.008093587,0.000012484791,0.0003269163,0.00010020496,0.13142753],"genre_scores_gemma":[0.027617706,0.7649992,0.0020716505,0.006974715,0.005256766,0.00005995911,0.000873013,0.00039837926,0.19174857],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99962795,0.00013874049,0.00001678484,0.000045211018,0.00011569275,0.000055590775],"domain_scores_gemma":[0.99945897,0.00016248706,0.0000579801,0.00002901006,0.00020432305,0.00008717667],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009900621,0.0010421849,0.0005652905,0.0019861308,0.0015939341,0.00809456,0.00077625044,0.00089730433,0.035687216],"category_scores_gemma":[0.0015133887,0.00038192293,0.00038296744,0.0031679433,0.0017190555,0.0038924075,0.0016336069,0.001957341,0.010748276],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022494954,0.000019419364,0.0004069057,0.0015878559,0.0000143203215,0.000092650786,0.0037219704,0.000055396642,0.0002826211,0.024127819,0.77972347,0.189945],"study_design_scores_gemma":[0.000001925427,0.0000030133235,0.00055738335,0.00096256484,0.0000035504172,0.000041782805,0.0013924615,0.0000056059926,0.00003146553,0.0018764181,0.99512094,0.0000028616037],"about_ca_topic_score_codex":0.030830743,"about_ca_topic_score_gemma":0.05209969,"teacher_disagreement_score":0.035687216,"about_ca_system_score_codex":0.0030345703,"about_ca_system_score_gemma":0.0063798395,"threshold_uncertainty_score":0.1193856},"labels":[],"label_agreement":null},{"id":"W4385451601","doi":"10.1080/08831157.2023.2224800","title":"The Battle of the Widows: <i>La Montálvez</i> versus <i>Clemencia</i>","year":2023,"lang":"jbo","type":"article","venue":"Romance Quarterly","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Battle; History; Art; Ancient history; Humanities","score_opus":0.01193584146411178,"score_gpt":0.22720536587406054,"score_spread":0.21526952440994876,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385451601","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.59282625,0.018692061,0.0012830194,0.051885393,0.001717823,0.000019380888,0.000058691272,0.000052770665,0.33346465],"genre_scores_gemma":[0.98146653,0.0018484804,0.00012321187,0.0019393193,0.00027477907,0.0000081376,0.000013279624,0.000021667138,0.014304562],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995869,0.00021635531,0.0000057960287,0.000039064456,0.000045374636,0.00010644767],"domain_scores_gemma":[0.9997063,0.00013324781,0.000054858574,0.00002578458,0.000032499873,0.00004724773],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012095488,0.00028620963,0.0002303907,0.00039591134,0.005013563,0.0053264573,0.00048914086,0.0010992792,0.0020095378],"category_scores_gemma":[0.0016021233,0.00010051271,0.00013056335,0.00038296598,0.010883678,0.0017235711,0.0023692031,0.0021592192,0.00018204573],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00033929344,0.000065935,0.0037053209,0.000137397,0.000016029939,0.0011856485,0.42757925,0.000091398964,0.00087753887,0.4967514,0.035886206,0.03336462],"study_design_scores_gemma":[0.00003738333,0.00006725145,0.0070833317,0.0003571185,0.000018605313,0.000700161,0.3957791,0.00010817927,0.0010542203,0.014004224,0.58076537,0.000025056512],"about_ca_topic_score_codex":0.014099481,"about_ca_topic_score_gemma":0.016627839,"teacher_disagreement_score":0.014099481,"about_ca_system_score_codex":0.003216027,"about_ca_system_score_gemma":0.0009309727,"threshold_uncertainty_score":0.028034806},"labels":[],"label_agreement":null},{"id":"W4387305858","doi":"10.5117/9789463725750_ch08","title":"Food and Drink Make Relationships","year":2023,"lang":"en","type":"book-chapter","venue":"Amsterdam University Press eBooks","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Consumption (sociology); Sociology; Power (physics); Social power; Aesthetics; Gender studies; Humanities; Art; Social science; Political science; Politics; Law","score_opus":0.059793060980782076,"score_gpt":0.19013958647695592,"score_spread":0.13034652549617384,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387305858","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03021689,0.0030554014,0.0010692163,0.0061617964,0.000215182,0.000018113116,0.000100426005,0.000028078368,0.9591349],"genre_scores_gemma":[0.68618256,0.0038719096,0.00084975513,0.0013216948,0.00019734904,0.000047571142,0.00013243184,0.000077570825,0.3073191],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99958926,0.0001759734,0.00000661501,0.000061007926,0.000093077804,0.00007408279],"domain_scores_gemma":[0.99979836,0.00008186461,0.000018917393,0.000023836754,0.000030337433,0.000046592584],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00044133916,0.00031795347,0.00022301497,0.000679206,0.0035408929,0.005598734,0.00043145157,0.001017125,0.029338773],"category_scores_gemma":[0.0008812702,0.00014089518,0.00014551291,0.0010631516,0.0067501827,0.0034505464,0.0032693662,0.0010316122,0.0023610159],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000039652015,0.000054350105,0.0015278717,0.000117967254,0.00001614941,0.0006024859,0.06139833,0.00010565585,0.0007955089,0.8572216,0.024426222,0.053694155],"study_design_scores_gemma":[0.0000057805787,0.0000150281085,0.0018811295,0.00010749046,0.000007215738,0.00016527587,0.031738024,0.000045062898,0.00021130439,0.06422721,0.90159047,0.0000059935464],"about_ca_topic_score_codex":0.0055670575,"about_ca_topic_score_gemma":0.00920482,"teacher_disagreement_score":0.029338773,"about_ca_system_score_codex":0.00234113,"about_ca_system_score_gemma":0.001341459,"threshold_uncertainty_score":0.09814799},"labels":[],"label_agreement":null},{"id":"W4387478082","doi":"10.1515/9780887553028","title":"Families, Lovers, and their Letters","year":2010,"lang":"en","type":"book","venue":"University of Manitoba Press eBooks","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":32,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Psychology; Art","score_opus":0.015509969975774642,"score_gpt":0.14979358496354078,"score_spread":0.13428361498776614,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387478082","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.055827342,0.028436381,0.00059223996,0.024961011,0.001338394,0.000038212565,0.00013136578,0.00007220583,0.88860285],"genre_scores_gemma":[0.43919995,0.012894711,0.00041781244,0.00380665,0.00062974513,0.000051221556,0.000088769695,0.00004929275,0.54286194],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990959,0.0005657354,0.00001608499,0.00005192611,0.00013083486,0.0001394757],"domain_scores_gemma":[0.9994648,0.0001576007,0.00005927191,0.000048785325,0.000117740776,0.0001519294],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000601497,0.0002615746,0.00019376757,0.00054445607,0.007217444,0.004370346,0.00043758837,0.00070384133,0.011939297],"category_scores_gemma":[0.0017031442,0.00016354483,0.000098381846,0.00091650884,0.00405183,0.002537191,0.0011491008,0.0011467678,0.002848834],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000066120156,0.00007631519,0.004046083,0.00014405449,0.000008185773,0.0014388623,0.23154072,0.000117379015,0.00033206062,0.20241039,0.3881622,0.17165765],"study_design_scores_gemma":[0.000003865141,0.0000133883,0.0019748677,0.00011751199,0.0000016939357,0.00037220572,0.046086855,0.000016328677,0.000051676263,0.0035256187,0.94782996,0.0000060221846],"about_ca_topic_score_codex":0.017146766,"about_ca_topic_score_gemma":0.030167473,"teacher_disagreement_score":0.017146766,"about_ca_system_score_codex":0.0035661554,"about_ca_system_score_gemma":0.0029230982,"threshold_uncertainty_score":0.039940894},"labels":[],"label_agreement":null},{"id":"W4388025784","doi":"10.1007/978-3-031-38267-3_8","title":"Ambles End in Tears","year":2023,"lang":"en","type":"book-chapter","venue":"The New Middle Ages","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Meaning (existential); Tears; Literature; Art; Psychoanalysis; Philosophy; Art history; Psychology; Medicine; Epistemology; Surgery","score_opus":0.06297093774594464,"score_gpt":0.21946678998871058,"score_spread":0.15649585224276594,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388025784","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0014164401,0.0070478385,0.0008635665,0.026706932,0.011332354,0.000043696422,0.00018873066,0.0002880306,0.9521124],"genre_scores_gemma":[0.0022667,0.00042540726,0.00010808654,0.0028132577,0.00027469356,0.000011354611,0.00002163653,0.00008933257,0.9939896],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996804,0.00006814282,0.0000079062165,0.00005238766,0.00011086471,0.00008041241],"domain_scores_gemma":[0.9996302,0.0000629764,0.000015135397,0.00003067352,0.00015002918,0.00011096893],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004861713,0.0007837658,0.00043877072,0.00096127973,0.007965016,0.0061421394,0.00082107756,0.0023419298,0.19257258],"category_scores_gemma":[0.001639169,0.00030093006,0.00030431314,0.0005747328,0.0018394032,0.0040088384,0.0035572639,0.0047537494,0.092832804],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020654714,0.000015240946,0.00007222141,0.000025420177,0.0000013605447,0.00008420314,0.0019808896,0.000013513306,0.00009465291,0.051548913,0.91514707,0.030995868],"study_design_scores_gemma":[0.0000011111052,0.0000022420854,0.00004992084,0.000021054782,5.125359e-7,0.00001838695,0.0010423724,0.000005262682,0.00003050977,0.001686605,0.9971405,0.0000015319806],"about_ca_topic_score_codex":0.016707523,"about_ca_topic_score_gemma":0.05108608,"teacher_disagreement_score":0.19257258,"about_ca_system_score_codex":0.0018913776,"about_ca_system_score_gemma":0.0014513037,"threshold_uncertainty_score":0.64421946},"labels":[],"label_agreement":null},{"id":"W4388547857","doi":"10.1515/9781552385050-005","title":"Desire and Violence in Ana María Shua’s <i>La muerte como efecto secundario</i>","year":2010,"lang":"es","type":"book-chapter","venue":"University of Calgary Press eBooks","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Humanities; Psychology; Art; Psychoanalysis","score_opus":0.013820088639856407,"score_gpt":0.1772519902596282,"score_spread":0.1634319016197718,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388547857","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.079701245,0.109564565,0.0006832922,0.13266826,0.0035164284,0.00004322788,0.00008086034,0.0000348803,0.6737072],"genre_scores_gemma":[0.7487441,0.020589296,0.0002899966,0.013648423,0.0006735846,0.00006797778,0.000037321217,0.000080136444,0.21586922],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99921095,0.00036450822,0.000021180977,0.0000617395,0.00011468962,0.0002269155],"domain_scores_gemma":[0.9996014,0.00016198598,0.00006576221,0.00002278608,0.000050087776,0.00009798596],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011172466,0.0005156354,0.00049873575,0.0006594377,0.010389937,0.0053110486,0.00076230767,0.0028575708,0.0040441616],"category_scores_gemma":[0.001476954,0.00039208066,0.00025626455,0.00088998885,0.017790962,0.0031719273,0.0035848867,0.007049559,0.00058199157],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028735694,0.000045565466,0.0008498113,0.00008352239,0.000008304366,0.00055398274,0.30885246,0.00005708511,0.00015868245,0.6174929,0.055772595,0.016096277],"study_design_scores_gemma":[0.000011257534,0.000018874212,0.0029733845,0.0005446961,0.000009148707,0.00059687026,0.18867826,0.000042366377,0.00018826136,0.039418742,0.7674928,0.000025256319],"about_ca_topic_score_codex":0.07741738,"about_ca_topic_score_gemma":0.17691453,"teacher_disagreement_score":0.07741738,"about_ca_system_score_codex":0.009408624,"about_ca_system_score_gemma":0.0067175683,"threshold_uncertainty_score":0.15393353},"labels":[],"label_agreement":null},{"id":"W4391079198","doi":"10.37002/salve.ficha.21864","title":"Ficha de Phantasmarana lutzae","year":2023,"lang":"es","type":"dataset","venue":"Datasets - Sistema SALVE - ICMBio","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Impact","funders":"","keywords":"Computer science","score_opus":0.025085953244482893,"score_gpt":0.2769157003849515,"score_spread":0.25182974714046863,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391079198","genre_codex":"dataset","genre_gemma":"dataset","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"dataset","genre_consensus":"dataset","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00083400257,0.0003050634,0.00005722135,0.00017293777,0.00007423136,0.000020780464,0.99515176,0.00024362841,0.0031404346],"genre_scores_gemma":[0.0012506867,0.00015875205,0.00026763987,0.000049943166,0.00003424144,0.000114672635,0.99552405,0.00005592953,0.0025441311],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99942124,0.00012498233,0.000056844805,0.0001486389,0.00014305837,0.000105254105],"domain_scores_gemma":[0.9983783,0.00056125416,0.0001490257,0.00027950873,0.0004522162,0.00017967772],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00068113866,0.0021454755,0.0011453759,0.006050653,0.0011497402,0.002672889,0.0020429397,0.0021596784,0.06659942],"category_scores_gemma":[0.004246111,0.00033482304,0.0011969245,0.0059028286,0.0005245861,0.00094818306,0.0015780975,0.0015630985,0.053250547],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000827183,0.000031804884,0.0008850735,0.000819262,0.000024604913,0.000035458113,0.00006665245,0.00020018013,0.00008859361,0.00079851056,0.99234444,0.004622756],"study_design_scores_gemma":[0.0001589376,0.000012367234,0.007308199,0.0004618734,0.000039106217,0.000050995175,0.00027183877,0.0004091792,0.00023165967,0.00092318666,0.9901129,0.000019649426],"about_ca_topic_score_codex":0.04514562,"about_ca_topic_score_gemma":0.08801992,"teacher_disagreement_score":0.06659942,"about_ca_system_score_codex":0.0016229772,"about_ca_system_score_gemma":0.0019278546,"threshold_uncertainty_score":0.22279727},"labels":[],"label_agreement":null},{"id":"W4391332636","doi":"10.33137/rr.v42i4.33712","title":"Introduction: Special Issue, Women’s Authorial Agency and Print Culture","year":2020,"lang":"en","type":"article","venue":"Renaissance and Reformation","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université Laval","funders":"","keywords":"Agency (philosophy); Print culture; Sociology; Gender studies; Art; Media studies; Social science","score_opus":0.012951603933335207,"score_gpt":0.2118299086698195,"score_spread":0.19887830473648427,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391332636","genre_codex":"review","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0018300251,0.47328204,0.0007901238,0.0646662,0.39885825,0.000107925,0.0010238213,0.00022042876,0.059221152],"genre_scores_gemma":[0.013144953,0.43354005,0.0005961132,0.018282052,0.41948852,0.0001839854,0.0009714086,0.00035549272,0.11343748],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984243,0.00031365122,0.00013824964,0.0002901173,0.00070330256,0.00013038405],"domain_scores_gemma":[0.9901529,0.004787495,0.0007041435,0.0004413767,0.003111301,0.000802756],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018341735,0.0007759697,0.0012841179,0.0037098392,0.0017459498,0.00746147,0.0012703999,0.002680936,0.050928004],"category_scores_gemma":[0.008478282,0.0004686016,0.00072755694,0.004299774,0.0018693951,0.005194644,0.002242472,0.0032869484,0.011140541],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021999167,0.000025581374,0.00035463084,0.0018553393,0.000014838368,0.0000634565,0.000329834,0.000037303264,0.00017608794,0.0034071598,0.9429806,0.050733197],"study_design_scores_gemma":[0.0000036320682,0.000025387657,0.0012613531,0.0016363539,0.000014056556,0.00014134086,0.00030695886,0.000026177317,0.00006522574,0.00090908934,0.9956027,0.000007617292],"about_ca_topic_score_codex":0.002136696,"about_ca_topic_score_gemma":0.003965695,"teacher_disagreement_score":0.050928004,"about_ca_system_score_codex":0.0020436125,"about_ca_system_score_gemma":0.0036815389,"threshold_uncertainty_score":0.17037112},"labels":[],"label_agreement":null},{"id":"W4392115922","doi":"10.1017/9789048553754.009","title":"Food and Drink Make Relationships: Female Alliances and Commensality in Celestina and La Lozana andaluza","year":2023,"lang":"en","type":"other","venue":"","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Art","score_opus":0.052538976040893984,"score_gpt":0.24989958253651515,"score_spread":0.19736060649562115,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392115922","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.80090815,0.0117379,0.0006165541,0.006782464,0.00047008833,0.000024081264,0.000044134144,0.000025752426,0.17939083],"genre_scores_gemma":[0.9881125,0.0014408148,0.00009996054,0.00027606572,0.0000895299,0.000012945573,0.000017380878,0.000012188805,0.00993858],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.999597,0.00019366365,0.000009192602,0.000044902736,0.000058164675,0.000097061245],"domain_scores_gemma":[0.9997025,0.00013458676,0.00006652496,0.000020963094,0.000028978577,0.000046483205],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00082082296,0.00041302643,0.00044448438,0.0011519031,0.0065342984,0.004731736,0.0006212501,0.001098932,0.0027150838],"category_scores_gemma":[0.0015010221,0.0001941341,0.000149096,0.0011326656,0.009616239,0.0013956286,0.0035064933,0.0019505686,0.00022656588],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014447486,0.00005883779,0.0041206013,0.0001394984,0.000007364385,0.0018155146,0.92360896,0.00004706906,0.00077653996,0.04447133,0.0030126814,0.021797149],"study_design_scores_gemma":[0.00003779371,0.00007969751,0.024972623,0.0003964201,0.000018037446,0.0012327376,0.6598241,0.000103627426,0.0005069519,0.003029074,0.30977663,0.00002230835],"about_ca_topic_score_codex":0.015204371,"about_ca_topic_score_gemma":0.030464277,"teacher_disagreement_score":0.015204371,"about_ca_system_score_codex":0.00441031,"about_ca_system_score_gemma":0.0009485693,"threshold_uncertainty_score":0.03199917},"labels":[],"label_agreement":null},{"id":"W4392335991","doi":"10.1515/9781846159411","title":"Mujeres épicas españolas","year":2011,"lang":"fr","type":"book","venue":"Boydell and Brewer eBooks","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.03210966837829102,"score_gpt":0.20478654907270966,"score_spread":0.17267688069441864,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392335991","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20731367,0.014326556,0.0023946988,0.0153216105,0.0017193275,0.000030963496,0.00025989237,0.00016806915,0.75846523],"genre_scores_gemma":[0.72727895,0.0066371164,0.00059335167,0.002206218,0.00051309355,0.00003362148,0.00019435334,0.00009321814,0.26245007],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999203,0.0003581376,0.00002503614,0.00008650431,0.00017375691,0.00015356884],"domain_scores_gemma":[0.99944323,0.00012298084,0.00006892498,0.00008452607,0.00020173003,0.00007858781],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010282927,0.00038978702,0.00018690477,0.0007301035,0.0042605707,0.0036911953,0.00040213182,0.00077716826,0.014195916],"category_scores_gemma":[0.0018981402,0.0001247284,0.00020561022,0.0010348675,0.0035759043,0.002268659,0.0036251817,0.0017313475,0.0015632398],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013608093,0.000060479197,0.006391868,0.00038431463,0.00003421418,0.003076083,0.31538725,0.00021938242,0.0018079247,0.46993214,0.09397921,0.10859108],"study_design_scores_gemma":[0.000006415031,0.000022452798,0.0056861597,0.00020988242,0.000010525382,0.00070299424,0.049544137,0.000056013578,0.00028316744,0.005771819,0.9376951,0.00001135303],"about_ca_topic_score_codex":0.014478887,"about_ca_topic_score_gemma":0.02261197,"teacher_disagreement_score":0.014478887,"about_ca_system_score_codex":0.0020803756,"about_ca_system_score_gemma":0.001557387,"threshold_uncertainty_score":0.04749006},"labels":[],"label_agreement":null},{"id":"W4392822715","doi":"10.1007/978-3-031-40494-8_40","title":"Liturgicization and the Satire of Politics in Emilia Pardo Bazán’s La Tribuna (1883)","year":2024,"lang":"en","type":"book-chapter","venue":"","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Politics; Humanities; Art; Political science; Law","score_opus":0.011036201262574761,"score_gpt":0.2031528196424234,"score_spread":0.19211661837984864,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392822715","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03868428,0.017810885,0.0004961644,0.01984534,0.00131588,0.000059487422,0.000087589906,0.000028250715,0.9216722],"genre_scores_gemma":[0.45935598,0.002904203,0.00038071175,0.0050905356,0.00050249684,0.0000794497,0.000054931374,0.00007685386,0.5315548],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992725,0.00030392944,0.000014890498,0.000079317404,0.00007196616,0.00025737614],"domain_scores_gemma":[0.999884,0.000041338615,0.00001136322,0.000008849997,0.000024999335,0.000029390167],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010140549,0.0005307768,0.00043924924,0.0007173281,0.011955093,0.004760671,0.000685296,0.002486246,0.009069455],"category_scores_gemma":[0.0010227379,0.00028890983,0.00019167952,0.0008112844,0.012156643,0.001643242,0.003025241,0.0048225946,0.0010701785],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008004527,0.000052830106,0.00041919303,0.00007757868,0.00000574652,0.0004800562,0.060476344,0.0001027052,0.00027126807,0.85663956,0.06041293,0.02098175],"study_design_scores_gemma":[0.000027142169,0.000023658878,0.0018122965,0.00015914183,0.0000045757006,0.00012811758,0.01584042,0.000036014364,0.00020595288,0.019440878,0.9623067,0.000015151851],"about_ca_topic_score_codex":0.07916787,"about_ca_topic_score_gemma":0.2353935,"teacher_disagreement_score":0.07916787,"about_ca_system_score_codex":0.011000007,"about_ca_system_score_gemma":0.0040180846,"threshold_uncertainty_score":0.15741414},"labels":[],"label_agreement":null},{"id":"W4392829533","doi":"10.62451/rep.v1i1.12","title":"Social speech on women in the Bimestre Cubana Magazine (1910-1923)","year":2023,"lang":"en","type":"article","venue":"Revista Científica Episteme & Praxis","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Humanities; National identity; Art; History; Sociology; Political science; Politics","score_opus":0.03549569012338766,"score_gpt":0.2736456317333498,"score_spread":0.23814994160996217,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392829533","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.88295317,0.011195392,0.000096163356,0.010653529,0.0011321086,0.000029602847,0.00035093806,0.000023636652,0.09356546],"genre_scores_gemma":[0.9542964,0.0039152303,0.00006345995,0.0009516425,0.00043291802,0.00003192656,0.00011582841,0.000030797524,0.040161707],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9993331,0.00027547765,0.000017696526,0.000059466784,0.00011413566,0.00020005813],"domain_scores_gemma":[0.998965,0.0005126085,0.00018037789,0.00003232184,0.00015128651,0.00015843686],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001402716,0.00051279605,0.00032261055,0.002031537,0.010424878,0.0054432107,0.00049710943,0.0012944809,0.004666593],"category_scores_gemma":[0.0021817435,0.0002609312,0.00010160803,0.0026982683,0.0049316958,0.0017118475,0.0020212028,0.0013652628,0.000563068],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001016185,0.000032567244,0.0056748535,0.00014277207,0.000005800916,0.0014013438,0.96142787,0.000018398583,0.0015454601,0.0070179515,0.009700741,0.012930665],"study_design_scores_gemma":[0.0000044061253,0.000043903565,0.028434029,0.00034485073,0.0000096086205,0.00039927772,0.69260776,0.000025669679,0.00083899207,0.00023847155,0.27703357,0.000019550338],"about_ca_topic_score_codex":0.08425296,"about_ca_topic_score_gemma":0.12996583,"teacher_disagreement_score":0.08425296,"about_ca_system_score_codex":0.008389826,"about_ca_system_score_gemma":0.002153295,"threshold_uncertainty_score":0.16752511},"labels":[],"label_agreement":null},{"id":"W4393017587","doi":"10.7202/1106570ar","title":"« J’AI RÊVÉ CETTE NUIT LE PLUS BEAU POÈME DU MONDE »","year":2023,"lang":"fr","type":"article","venue":"Voix et Images","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Humanities; Philosophy","score_opus":0.01568011041344498,"score_gpt":0.24937352059671994,"score_spread":0.23369341018327497,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4393017587","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06349764,0.013103807,0.011482122,0.04756697,0.0022828055,0.000035693884,0.00009269474,0.000074403935,0.86186385],"genre_scores_gemma":[0.8403605,0.005238633,0.0030231099,0.0039659617,0.00070269033,0.00004212223,0.00005088728,0.00014703955,0.14646909],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99835336,0.0008326829,0.000035765614,0.00020933157,0.0003146211,0.00025414003],"domain_scores_gemma":[0.99863666,0.0005935395,0.00015075869,0.00017048662,0.00029823335,0.00015034547],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019437799,0.000399885,0.00040320968,0.0010272347,0.006043218,0.0076505174,0.00072872057,0.0017645521,0.014963466],"category_scores_gemma":[0.0043589976,0.00018120199,0.00034638602,0.00089852395,0.01234876,0.004905196,0.0031525583,0.0028924015,0.0019641435],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004349559,0.00001207716,0.0012929752,0.00016149464,0.000007854404,0.00015829856,0.04787554,0.00005374611,0.0004382049,0.92067975,0.011005176,0.01827143],"study_design_scores_gemma":[0.000013768421,0.0000493924,0.0027160216,0.00039058542,0.0000127360745,0.0003166883,0.05790238,0.00014439525,0.00054242,0.08215354,0.8557349,0.000023219556],"about_ca_topic_score_codex":0.012900644,"about_ca_topic_score_gemma":0.027990917,"teacher_disagreement_score":0.014963466,"about_ca_system_score_codex":0.0040214737,"about_ca_system_score_gemma":0.0026581062,"threshold_uncertainty_score":0.05005783},"labels":[],"label_agreement":null},{"id":"W4394682948","doi":"10.25071/far4fm29","title":"Visions of India in Portuguese literature of the Renaissance: Brief sketches","year":2019,"lang":"en","type":"article","venue":"Canada Watch","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Vision; Portuguese; The Renaissance; Art; Art history; Visual arts; History; Sociology; Philosophy; Anthropology; Linguistics","score_opus":0.005563959966093534,"score_gpt":0.17730983092688776,"score_spread":0.17174587096079422,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4394682948","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02974141,0.049491595,0.0011596883,0.01735875,0.00089412264,0.0001238605,0.00020086185,0.00004200675,0.9009877],"genre_scores_gemma":[0.7995129,0.07256225,0.002406576,0.0042142775,0.0015034684,0.00020765093,0.00021337548,0.00013716449,0.11924225],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99882466,0.00054541277,0.000045330657,0.0000824735,0.00018036508,0.00032171435],"domain_scores_gemma":[0.99864584,0.00083158945,0.00012042624,0.00007120321,0.00020137444,0.00012946354],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017012578,0.0006572705,0.00032042016,0.004844032,0.0081986515,0.011916212,0.0010068829,0.0018210956,0.008240745],"category_scores_gemma":[0.0026112974,0.00028717233,0.00041672203,0.0067281304,0.015359867,0.0040116534,0.0023002548,0.0027443967,0.0006195752],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021377062,0.000022560425,0.00026848246,0.00036757058,0.0000062377853,0.00061913504,0.07277669,0.0001074796,0.00018389092,0.9055492,0.008456106,0.011621299],"study_design_scores_gemma":[0.000007689742,0.000020577148,0.004122638,0.0011909675,0.00002592134,0.00065209676,0.12089544,0.00011644959,0.00035098157,0.049707424,0.8228781,0.000031607025],"about_ca_topic_score_codex":0.092945166,"about_ca_topic_score_gemma":0.15169533,"teacher_disagreement_score":0.092945166,"about_ca_system_score_codex":0.014664591,"about_ca_system_score_gemma":0.008983943,"threshold_uncertainty_score":0.18480831},"labels":[],"label_agreement":null},{"id":"W4396214914","doi":"10.25071/2818-2618.5","title":"A Small Silver Lining","year":2024,"lang":"en","type":"article","venue":"Skrib.","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Toronto","funders":"","keywords":"Political science","score_opus":0.042252219600731285,"score_gpt":0.22861341336484112,"score_spread":0.18636119376410984,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4396214914","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00768277,0.005359222,0.016092295,0.0724346,0.03648237,0.00035864545,0.00051519653,0.0020633298,0.8590116],"genre_scores_gemma":[0.040360197,0.0031861335,0.010712662,0.023458065,0.0046455865,0.00024904512,0.00047363134,0.0013872816,0.91552746],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9972398,0.0005830106,0.00015028588,0.00053306785,0.0010292943,0.00046458087],"domain_scores_gemma":[0.99395615,0.0010016833,0.00030385217,0.0011792791,0.0015530881,0.002006031],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0024780594,0.0010492152,0.0005736169,0.001578643,0.007416088,0.010852389,0.0024181297,0.0048264456,0.24446446],"category_scores_gemma":[0.010644629,0.0005510936,0.0008512618,0.0010537308,0.0037004836,0.010039897,0.012076451,0.0046262518,0.13106886],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010568916,0.00009514471,0.0007688556,0.0002778949,0.000011514876,0.0009830447,0.0031176927,0.00013593581,0.0011209087,0.08945064,0.726128,0.17780475],"study_design_scores_gemma":[0.0000051920656,0.000021973638,0.000121187404,0.00009961648,0.0000027116243,0.00025201996,0.0011790959,0.000043641077,0.00014481704,0.0044633048,0.9936592,0.0000072684024],"about_ca_topic_score_codex":0.002527892,"about_ca_topic_score_gemma":0.00357152,"teacher_disagreement_score":0.24446446,"about_ca_system_score_codex":0.0018200835,"about_ca_system_score_gemma":0.00455686,"threshold_uncertainty_score":0.81781507},"labels":[],"label_agreement":null},{"id":"W4396916242","doi":"10.32873/uno.dc.jrf.21.02.10","title":"Verónica","year":2017,"lang":"en","type":"article","venue":"Journal of Religion & Film","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Geology","score_opus":0.0209778753982663,"score_gpt":0.2513597732839613,"score_spread":0.23038189788569502,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4396916242","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005346711,0.029768864,0.0012815839,0.0074465675,0.0077261943,0.00014464161,0.006540146,0.0019755869,0.9397697],"genre_scores_gemma":[0.028265728,0.018115468,0.0018052135,0.0018486681,0.0020360597,0.00016378284,0.0036432876,0.0007266468,0.94339514],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995864,0.000050579903,0.000019123814,0.00012197217,0.00014142165,0.000080528545],"domain_scores_gemma":[0.9993697,0.00008063633,0.00005798504,0.00009345027,0.00024977198,0.00014846165],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005081437,0.0015591327,0.0008370625,0.0022193866,0.001642722,0.003771122,0.0014094488,0.0020889929,0.54519904],"category_scores_gemma":[0.0015967869,0.00031731813,0.0005712479,0.001427867,0.00060642353,0.0020842478,0.0022422299,0.0023990213,0.26116204],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00051622576,0.00016995134,0.0010886958,0.0010780252,0.000026378277,0.00092121796,0.0006074588,0.00014957857,0.0021855624,0.017389353,0.49492782,0.48093975],"study_design_scores_gemma":[0.000023053817,0.000019373978,0.0014435265,0.00024907265,0.00001075385,0.00019658318,0.00028063558,0.000050807645,0.00024530425,0.0010707108,0.99640155,0.000008508813],"about_ca_topic_score_codex":0.010273673,"about_ca_topic_score_gemma":0.015231288,"teacher_disagreement_score":0.54519904,"about_ca_system_score_codex":0.0012642461,"about_ca_system_score_gemma":0.0010999208,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W4396920773","doi":"10.32873/10.32873/uno.dc.jrf.21.02.10","title":"Verónica","year":2017,"lang":"en","type":"article","venue":"Journal of Religion & Film","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Psychology","score_opus":0.0209778753982663,"score_gpt":0.2513597732839613,"score_spread":0.23038189788569502,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4396920773","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005346711,0.029768864,0.0012815839,0.0074465675,0.0077261943,0.00014464161,0.006540146,0.0019755869,0.9397697],"genre_scores_gemma":[0.028265728,0.018115468,0.0018052135,0.0018486681,0.0020360597,0.00016378284,0.0036432876,0.0007266468,0.94339514],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995864,0.000050579903,0.000019123814,0.00012197217,0.00014142165,0.000080528545],"domain_scores_gemma":[0.9993697,0.00008063633,0.00005798504,0.00009345027,0.00024977198,0.00014846165],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005081437,0.0015591327,0.0008370625,0.0022193866,0.001642722,0.003771122,0.0014094488,0.0020889929,0.54519904],"category_scores_gemma":[0.0015967869,0.00031731813,0.0005712479,0.001427867,0.00060642353,0.0020842478,0.0022422299,0.0023990213,0.26116204],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00051622576,0.00016995134,0.0010886958,0.0010780252,0.000026378277,0.00092121796,0.0006074588,0.00014957857,0.0021855624,0.017389353,0.49492782,0.48093975],"study_design_scores_gemma":[0.000023053817,0.000019373978,0.0014435265,0.00024907265,0.00001075385,0.00019658318,0.00028063558,0.000050807645,0.00024530425,0.0010707108,0.99640155,0.000008508813],"about_ca_topic_score_codex":0.010273673,"about_ca_topic_score_gemma":0.015231288,"teacher_disagreement_score":0.54519904,"about_ca_system_score_codex":0.0012642461,"about_ca_system_score_gemma":0.0010999208,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W4396977522","doi":"10.33137/ic.v38i1.43413","title":"Circelli, Carmela. Love and Rain.","year":2024,"lang":"en","type":"article","venue":"Italian Canadiana","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Computer science; Art","score_opus":0.01126619772145555,"score_gpt":0.19624897820792858,"score_spread":0.18498278048647304,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4396977522","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001316484,0.621676,0.00031116747,0.06480046,0.009266267,0.000034376073,0.0026274105,0.0002611006,0.2997066],"genre_scores_gemma":[0.06975969,0.49305913,0.0010594304,0.012178475,0.008057589,0.0001565188,0.0018384586,0.0004599606,0.4134308],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996908,0.000063315776,0.000016674638,0.00004873994,0.00012567577,0.000054795135],"domain_scores_gemma":[0.9986941,0.00026438452,0.00008252321,0.00008272391,0.00065006124,0.00022630293],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00065939274,0.0010636572,0.0007052083,0.004907857,0.005554293,0.0037736022,0.0011273973,0.00247164,0.10116357],"category_scores_gemma":[0.0018348825,0.00046690126,0.00031428572,0.0063574654,0.0021006295,0.0031272958,0.0016647389,0.002854055,0.0284961],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025761337,0.000016316928,0.0006448662,0.0005540029,0.000007695306,0.00012285699,0.0031563665,0.000025859968,0.000052049607,0.0145883085,0.8957998,0.08500616],"study_design_scores_gemma":[0.0000063957827,0.000004181843,0.002569354,0.0005070692,0.000007983925,0.00009514283,0.0021445728,0.000013279963,0.000026414164,0.0016691926,0.99295217,0.000004231848],"about_ca_topic_score_codex":0.18267447,"about_ca_topic_score_gemma":0.35203427,"teacher_disagreement_score":0.18267447,"about_ca_system_score_codex":0.0033333818,"about_ca_system_score_gemma":0.003612881,"threshold_uncertainty_score":0.36322236},"labels":[],"label_agreement":null},{"id":"W4397033251","doi":"10.18192/rceh.v45i3.6807","title":"Breaking with the Past: The Renegotiation of Emilia Pardo Bazán’s Legacy and Gonzalo Suárez’s Los pazos de Ulloa","year":2024,"lang":"en","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.009771759201302223,"score_gpt":0.20960715685294298,"score_spread":0.19983539765164077,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4397033251","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5943791,0.0132378405,0.0011452652,0.05818045,0.0012065298,0.0000178025,0.000044728946,0.00003606948,0.33175218],"genre_scores_gemma":[0.98145306,0.0014997438,0.00011021898,0.0014635862,0.00013257822,0.000007216624,0.000009068644,0.000021742184,0.015302762],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99865687,0.00082925125,0.000013036912,0.00013268818,0.00012020553,0.00024783623],"domain_scores_gemma":[0.9988349,0.0005277721,0.00018398417,0.0001240875,0.00016270306,0.00016666918],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0026113482,0.00036512452,0.0002882363,0.0006130171,0.010100589,0.006553956,0.00079432037,0.0015134383,0.0022678885],"category_scores_gemma":[0.0034874408,0.00017408626,0.00015316726,0.0006457849,0.015806926,0.0028292185,0.0030131927,0.00314129,0.00028937572],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011002105,0.000056042813,0.0037916794,0.00006611554,0.000012725712,0.001335579,0.75492513,0.00011783875,0.0005826905,0.19767514,0.021687677,0.019639306],"study_design_scores_gemma":[0.00002140565,0.000032374905,0.0060722386,0.00027000028,0.000015019963,0.00039143802,0.47738612,0.0000933258,0.0004132267,0.009808391,0.50547034,0.000026133024],"about_ca_topic_score_codex":0.05635811,"about_ca_topic_score_gemma":0.08311215,"teacher_disagreement_score":0.05635811,"about_ca_system_score_codex":0.0074398885,"about_ca_system_score_gemma":0.0022857364,"threshold_uncertainty_score":0.11206013},"labels":[],"label_agreement":null},{"id":"W4397033580","doi":"10.18192/rceh.v45i3.6803","title":"Espectacularidad y gestualidad: anverso y reverso de la masculinidad en los cuentos de Rafael F. Muñoz","year":2024,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.008899879923353157,"score_gpt":0.24825004842084997,"score_spread":0.2393501684974968,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4397033580","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.42899835,0.075445674,0.0015041437,0.14849068,0.0019079633,0.000029606908,0.00017816978,0.00003007934,0.3434154],"genre_scores_gemma":[0.9492739,0.016367314,0.00021444913,0.0024965634,0.00029033842,0.000012500448,0.000021050384,0.000016191814,0.031307742],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99952054,0.00024333288,0.000007783659,0.000054078482,0.0000863819,0.00008796861],"domain_scores_gemma":[0.9994512,0.00024329976,0.00010204979,0.000023142467,0.00012263903,0.00005765301],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011295242,0.00030183143,0.00022035556,0.0007013836,0.0049751736,0.003426364,0.00039409596,0.00084243965,0.0051014684],"category_scores_gemma":[0.0017167504,0.00013316619,0.00014248537,0.0006972739,0.0061297608,0.0018922079,0.0017197438,0.001888032,0.00026862085],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002532462,0.000097328455,0.02560789,0.0005966266,0.000032758617,0.001851607,0.38384914,0.0003095041,0.0011870475,0.39349395,0.09082813,0.10189275],"study_design_scores_gemma":[0.0000118181315,0.000046357047,0.028644897,0.0010275756,0.000031552132,0.0006650544,0.33290356,0.00013440388,0.00081148965,0.010671032,0.625016,0.000036339385],"about_ca_topic_score_codex":0.053144116,"about_ca_topic_score_gemma":0.11597233,"teacher_disagreement_score":0.053144116,"about_ca_system_score_codex":0.004809467,"about_ca_system_score_gemma":0.002561961,"threshold_uncertainty_score":0.10566956},"labels":[],"label_agreement":null},{"id":"W4398191118","doi":"10.7202/1111016ar","title":"De la lecture au dialogue : García Lorca dans <i>Un habit de lumière</i>","year":2014,"lang":"fr","type":"article","venue":"Les Cahiers Anne Hébert","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.003776734232755153,"score_gpt":0.1887138701825051,"score_spread":0.18493713594974995,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4398191118","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07231283,0.10166556,0.0040214728,0.33697206,0.0137616815,0.000051817577,0.00010848744,0.00017507072,0.47093105],"genre_scores_gemma":[0.6827952,0.032302372,0.0011458623,0.027131313,0.0039411657,0.000048948776,0.000041871946,0.00025027894,0.25234288],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99865484,0.0008355742,0.0000148239,0.000110916604,0.00019052633,0.0001932952],"domain_scores_gemma":[0.9991928,0.00042945382,0.00008172986,0.000028923114,0.00015679559,0.000110390625],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015701065,0.00037520085,0.00030739472,0.0005712215,0.0060313293,0.004889972,0.00048478507,0.0014352957,0.0050206017],"category_scores_gemma":[0.0029710187,0.00018452223,0.00018974871,0.0006052168,0.0058823097,0.0021893273,0.0016696834,0.0032325964,0.0009612582],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015972408,0.000053757823,0.0021085523,0.00033251458,0.000017287883,0.0012175447,0.15759994,0.00035583565,0.001100315,0.42976457,0.35310546,0.054184526],"study_design_scores_gemma":[0.000005346363,0.000014889639,0.0012107698,0.00019251993,0.000005559805,0.00019530773,0.025694529,0.00006585688,0.0003666381,0.0062878667,0.96594495,0.000015726353],"about_ca_topic_score_codex":0.036197234,"about_ca_topic_score_gemma":0.051361967,"teacher_disagreement_score":0.036197234,"about_ca_system_score_codex":0.006918913,"about_ca_system_score_gemma":0.0033786045,"threshold_uncertainty_score":0.071973085},"labels":[],"label_agreement":null},{"id":"W4399020888","doi":"10.1017/9781108694131.045","title":"15 November 1748. Extract of a Letter from Sebastião José de Carvalho e Melo to Marco António de Azevedo Coutinho","year":2024,"lang":"en","type":"other","venue":"","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Humanities; Art","score_opus":0.015094599808069792,"score_gpt":0.23495423748152622,"score_spread":0.21985963767345643,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399020888","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0020106984,0.01105993,0.0003007163,0.04981718,0.04420195,0.00020381683,0.014594143,0.0003639181,0.8774477],"genre_scores_gemma":[0.0021372598,0.0010501783,0.000045352084,0.003747468,0.0018172938,0.000035083867,0.0010831701,0.00008217882,0.9900019],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99969614,0.000033684457,0.000017779432,0.000039111335,0.00015193949,0.00006138775],"domain_scores_gemma":[0.9991928,0.00022247116,0.00004798963,0.000033880136,0.00039069582,0.000112184855],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004798014,0.000647318,0.00040556776,0.0010302431,0.0020730214,0.0021922428,0.0004981891,0.0020330912,0.24624363],"category_scores_gemma":[0.0033561797,0.00027255606,0.00024423373,0.0012036315,0.00036029622,0.00092198077,0.0010769987,0.0021634167,0.16291514],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003331419,0.000004091844,0.00006909169,0.00004600551,0.0000012072948,0.000073890114,0.00005364829,0.0000075768526,0.00010280398,0.0008373821,0.99485046,0.003920507],"study_design_scores_gemma":[0.0000062637687,0.000004928417,0.0009733177,0.000054252232,0.0000013201869,0.000025496254,0.000087662316,0.000009236307,0.000052297208,0.00024025695,0.9985417,0.0000032663474],"about_ca_topic_score_codex":0.021782953,"about_ca_topic_score_gemma":0.04524259,"teacher_disagreement_score":0.24624363,"about_ca_system_score_codex":0.0021523342,"about_ca_system_score_gemma":0.0011274096,"threshold_uncertainty_score":0.823767},"labels":[],"label_agreement":null},{"id":"W4399370093","doi":"10.3138/ctr.197.027","title":"Festival Santiago a Mil","year":2024,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Visual arts; Art; Aesthetics; Geography","score_opus":0.021645146815159704,"score_gpt":0.2394910194929995,"score_spread":0.2178458726778398,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399370093","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.031669095,0.10832437,0.00037229876,0.0246248,0.016761962,0.00012805926,0.0063655586,0.0002399138,0.811514],"genre_scores_gemma":[0.30431283,0.11721543,0.0016043438,0.0061806114,0.0027539313,0.00010972633,0.0062458976,0.00024970368,0.5613276],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995295,0.000060574293,0.000013726167,0.000045852386,0.00013751317,0.00021295347],"domain_scores_gemma":[0.9992054,0.00012181992,0.00004592718,0.00003716605,0.00033090595,0.0002587291],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007887561,0.00055276416,0.00037887713,0.002408575,0.005522975,0.0040585627,0.00071979803,0.0010602645,0.08212352],"category_scores_gemma":[0.0016418846,0.00016671652,0.00048074333,0.002777081,0.0011390098,0.00096721767,0.0021526734,0.0014601655,0.005022048],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004465562,0.00006160475,0.0027121592,0.0030261704,0.00004931083,0.0009047771,0.0035314325,0.0001763975,0.000962147,0.03031629,0.8073657,0.15044735],"study_design_scores_gemma":[0.000013110731,0.0000117730915,0.0070986543,0.0008004473,0.000013500014,0.000112878784,0.005557535,0.000013673928,0.00009766591,0.00032822278,0.9859446,0.0000079340625],"about_ca_topic_score_codex":0.45684555,"about_ca_topic_score_gemma":0.7293721,"teacher_disagreement_score":0.45684555,"about_ca_system_score_codex":0.009749901,"about_ca_system_score_gemma":0.02130988,"threshold_uncertainty_score":0.9083728},"labels":[],"label_agreement":null},{"id":"W4401678450","doi":"10.1515/9782760648142-007","title":"LE REGARD DE SATURNE. LA TERREUR DE LA FILIATION DANS DON QUICHOTTE DE LA DÉMANCHE","year":2023,"lang":"fr","type":"book-chapter","venue":"Les Presses de l'Université de Montréal eBooks","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Philosophy","score_opus":0.008335415915219033,"score_gpt":0.18265872031326863,"score_spread":0.1743233043980496,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4401678450","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.033208676,0.004943748,0.0018754737,0.019006668,0.0013345128,0.00003304761,0.0001324974,0.00004878655,0.9394166],"genre_scores_gemma":[0.31490615,0.0018818603,0.00058065844,0.0022298829,0.0002237145,0.0000303525,0.000051900293,0.000079561665,0.6800159],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992223,0.00024659667,0.000015033303,0.00017853758,0.00013577346,0.00020179761],"domain_scores_gemma":[0.9993888,0.00010741453,0.000059379086,0.00006620546,0.00017384908,0.00020439916],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008110026,0.00037935888,0.00022475769,0.00066909374,0.011277994,0.0056317844,0.00037665278,0.0013338088,0.025367148],"category_scores_gemma":[0.0019755776,0.00018176196,0.00017009283,0.00074348215,0.0107569955,0.00313435,0.0033969323,0.004019663,0.0025033487],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036228164,0.000010652096,0.0012432613,0.00004152336,0.0000028941583,0.00018612674,0.045943633,0.00004130786,0.00035434935,0.9202404,0.018522168,0.013377413],"study_design_scores_gemma":[0.0000050587037,0.00001378069,0.0015762189,0.00007695178,0.0000019277459,0.00010229866,0.008697517,0.0000342002,0.00018795929,0.01431574,0.97498065,0.000007691234],"about_ca_topic_score_codex":0.18165696,"about_ca_topic_score_gemma":0.38330898,"teacher_disagreement_score":0.18165696,"about_ca_system_score_codex":0.013858812,"about_ca_system_score_gemma":0.010535581,"threshold_uncertainty_score":0.3611992},"labels":[],"label_agreement":null},{"id":"W4403489247","doi":"10.1558/jwpm.26150","title":"Performing Gender in Late Spanish Folk Revival","year":2024,"lang":"en","type":"article","venue":"Journal of World Popular Music","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Queen's University; Queen's University Belfast","keywords":"History; Art; Psychology","score_opus":0.045803148642446,"score_gpt":0.2531848221230707,"score_spread":0.2073816734806247,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4403489247","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.68465894,0.0093363905,0.00095012365,0.0036515552,0.00054010074,0.000038878163,0.00006143355,0.000032787688,0.30072978],"genre_scores_gemma":[0.96636593,0.0011420371,0.00015795427,0.00042847454,0.00009958118,0.000016921527,0.000022563576,0.00003777074,0.031728823],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99819225,0.0008561851,0.000034551776,0.00019665627,0.000255259,0.00046514743],"domain_scores_gemma":[0.9992136,0.00032716675,0.00009258856,0.000068887326,0.00014655961,0.00015131722],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0034855555,0.00053319684,0.00045037243,0.0013679196,0.0062056105,0.006692217,0.0007716295,0.001436417,0.006407885],"category_scores_gemma":[0.0025295059,0.00015869536,0.0002131386,0.0011228021,0.0100994585,0.001974806,0.003803061,0.0013720001,0.0006907228],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019085406,0.00012429383,0.00821124,0.00017709387,0.000010333307,0.0014416467,0.8505612,0.0000417359,0.0013965846,0.08317997,0.0046642073,0.050000824],"study_design_scores_gemma":[0.000013799753,0.000091702765,0.016754163,0.0002999732,0.000007710009,0.00044020856,0.76619524,0.00003897282,0.0004046803,0.0036434114,0.21209198,0.000018154682],"about_ca_topic_score_codex":0.018157901,"about_ca_topic_score_gemma":0.03953352,"teacher_disagreement_score":0.018157901,"about_ca_system_score_codex":0.0053532957,"about_ca_system_score_gemma":0.0020998,"threshold_uncertainty_score":0.03884113},"labels":[],"label_agreement":null},{"id":"W4404819964","doi":"10.15210/rps.v8i01.22580","title":"ENTREGADORES CANTANDO DE GALO","year":2022,"lang":"pt","type":"article","venue":"Perspectivas Sociais","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.014726973659798756,"score_gpt":0.23557142664714367,"score_spread":0.22084445298734492,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404819964","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.31950268,0.0053992034,0.0052810516,0.02629389,0.001058678,0.00016480536,0.0002362221,0.00036162787,0.64170176],"genre_scores_gemma":[0.86950034,0.0018610281,0.0020284627,0.0022266847,0.00011725615,0.00007734777,0.00009040354,0.00010874621,0.12398976],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.996548,0.0013975276,0.00007219894,0.000588831,0.0006807376,0.0007126895],"domain_scores_gemma":[0.9960951,0.0010431856,0.0003849765,0.00061172433,0.00084069924,0.0010242633],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0028931843,0.00050573563,0.00035705796,0.0020279544,0.011416946,0.008671328,0.0013765686,0.0020391915,0.02331224],"category_scores_gemma":[0.0060111578,0.00036029983,0.00039378105,0.0023269441,0.007374889,0.00451697,0.008241938,0.0021265794,0.0023004024],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015819263,0.000088291556,0.022651715,0.00041234423,0.000041962987,0.0026656988,0.4051445,0.00020357298,0.00241656,0.38383487,0.048270654,0.13411158],"study_design_scores_gemma":[0.000010637234,0.00004628375,0.011042197,0.00030542497,0.000031102816,0.00037960903,0.107932635,0.00017479117,0.0004332932,0.010665698,0.86894923,0.000029163275],"about_ca_topic_score_codex":0.06253095,"about_ca_topic_score_gemma":0.10909376,"teacher_disagreement_score":0.06253095,"about_ca_system_score_codex":0.0069646067,"about_ca_system_score_gemma":0.007402247,"threshold_uncertainty_score":0.12433392},"labels":[],"label_agreement":null},{"id":"W4404918982","doi":"10.7202/1114511ar","title":"Beyond First Impressions: Looking Anew at the Art of Georgina de Albuquerque","year":2024,"lang":"fr","type":"article","venue":"RACAR Revue d art canadienne","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Art history","score_opus":0.007370582071806351,"score_gpt":0.20102682329256302,"score_spread":0.19365624122075667,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404918982","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.40493613,0.04653773,0.0008377983,0.041190833,0.0015824626,0.000025036701,0.00015776098,0.000056590015,0.5046756],"genre_scores_gemma":[0.8734369,0.0061243917,0.00046212334,0.0018392442,0.00047706085,0.00001216283,0.000040894,0.000067140354,0.11754008],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995338,0.0001785178,0.0000044723206,0.000041937845,0.00009013514,0.00015119577],"domain_scores_gemma":[0.9997185,0.00012442906,0.0000364175,0.00002143205,0.00005028405,0.000048862625],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007350802,0.00036625893,0.00018260638,0.001801185,0.0067084464,0.0052238787,0.0004457605,0.00085834425,0.012340719],"category_scores_gemma":[0.0009481288,0.00013447668,0.00018345787,0.0008136809,0.0055660596,0.0019480222,0.0015297637,0.0018980922,0.0008602295],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002552678,0.00006756303,0.008500201,0.00022223796,0.000019079813,0.001860041,0.58917737,0.00014275023,0.0022174995,0.18804426,0.06765742,0.14183632],"study_design_scores_gemma":[0.000010534939,0.000047725513,0.021853086,0.00043912977,0.000013284202,0.0004806308,0.21478717,0.00007854902,0.00076260534,0.0045424476,0.7569621,0.000022735165],"about_ca_topic_score_codex":0.11948462,"about_ca_topic_score_gemma":0.35526448,"teacher_disagreement_score":0.11948462,"about_ca_system_score_codex":0.008297866,"about_ca_system_score_gemma":0.0019872114,"threshold_uncertainty_score":0.23757827},"labels":[],"label_agreement":null},{"id":"W4405659441","doi":"10.18192/rceh.v46i2.4732","title":"Negro sobre blanco: Esclavitud y blancura en Cervantes y Zayas","year":2024,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Philosophy; History; Art","score_opus":0.011160038195779565,"score_gpt":0.236421600625893,"score_spread":0.22526156243011344,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405659441","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.80316615,0.021585494,0.000763004,0.012190206,0.00037283587,0.000026342621,0.00006724631,0.00001922073,0.16180946],"genre_scores_gemma":[0.9705018,0.009108801,0.00020494696,0.0007368391,0.0000841676,0.000016506921,0.000020877531,0.0000168464,0.019309126],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987847,0.0006096589,0.000037037447,0.000118399854,0.00021859111,0.00023162407],"domain_scores_gemma":[0.998919,0.0005065718,0.00023173963,0.00006250585,0.00013937108,0.00014089997],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020824405,0.00036760498,0.0004256703,0.001040776,0.008667308,0.006629129,0.00054266833,0.0012558588,0.006071105],"category_scores_gemma":[0.0029153395,0.00020715634,0.00015493346,0.0014341589,0.014525999,0.003265012,0.004797092,0.0024077902,0.00046993862],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037228823,0.000020860585,0.007561392,0.0001604713,0.0000068272952,0.00081325223,0.9006804,0.00003850698,0.00076411717,0.073509246,0.0025780594,0.013829628],"study_design_scores_gemma":[0.000004480068,0.000032309938,0.01130783,0.00065170624,0.0000089775895,0.0005321725,0.787118,0.00003508127,0.00034239003,0.0030968743,0.19685452,0.000015667425],"about_ca_topic_score_codex":0.037288457,"about_ca_topic_score_gemma":0.06721615,"teacher_disagreement_score":0.037288457,"about_ca_system_score_codex":0.0041196547,"about_ca_system_score_gemma":0.0037476097,"threshold_uncertainty_score":0.07414281},"labels":[],"label_agreement":null},{"id":"W4406242663","doi":"10.3138/md-67-4-rev4","title":"May Summer Farnsworth. <i>Feminist Rehearsals: Gender at the Theatre in Early Twentieth-Century Argentina and Mexico</i>","year":2024,"lang":"en","type":"article","venue":"Modern Drama","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Latin Americans; Reading (process); Gender studies; History; Art; Sociology; Political science; Law","score_opus":0.027467315426961108,"score_gpt":0.24606616402971596,"score_spread":0.21859884860275486,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4406242663","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0029984883,0.03931077,0.00061991,0.09616556,0.024938183,0.000075771044,0.0019545981,0.0007084839,0.8332282],"genre_scores_gemma":[0.005318473,0.0043321573,0.00015556217,0.0032522476,0.0013886376,0.00002024256,0.0002923622,0.0001933919,0.98504674],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99979836,0.000031683456,0.0000067224714,0.00003929821,0.000078786106,0.000045274475],"domain_scores_gemma":[0.99947244,0.00008507314,0.000022722166,0.00003293886,0.00020454456,0.00018222837],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004527386,0.0007506977,0.00027903556,0.00070551515,0.004222688,0.0033384315,0.00076130475,0.0018633,0.4250294],"category_scores_gemma":[0.001070079,0.0003151297,0.00024385864,0.00067381444,0.0006950327,0.002987491,0.0020706465,0.0021120121,0.098262936],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019540228,0.000010411124,0.00009457101,0.000030844876,7.4684294e-7,0.00004086929,0.0003815334,0.000009335445,0.000101353704,0.0016580605,0.9838991,0.013753653],"study_design_scores_gemma":[0.0000017537948,0.0000033296635,0.00046527787,0.000053572563,5.4568005e-7,0.000016733255,0.00087747764,0.0000056538083,0.000026094844,0.00026254065,0.9982851,0.0000018063282],"about_ca_topic_score_codex":0.029020127,"about_ca_topic_score_gemma":0.16195476,"teacher_disagreement_score":0.4250294,"about_ca_system_score_codex":0.0019042613,"about_ca_system_score_gemma":0.0012862565,"threshold_uncertainty_score":0.82012576},"labels":[],"label_agreement":null},{"id":"W4408369307","doi":"10.5771/9781611483598","title":"Mother and Myth in Spanish Novels","year":2011,"lang":"en","type":"book","venue":"Lexington Books","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Mythology; Art; History; Literature","score_opus":0.02970573207748891,"score_gpt":0.19873409688212973,"score_spread":0.1690283648046408,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4408369307","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.31814203,0.027614165,0.0020740407,0.038691867,0.0048982054,0.00006354258,0.00038275134,0.0001543267,0.60797906],"genre_scores_gemma":[0.9360577,0.007922718,0.000590882,0.0033352901,0.0010312597,0.00006498943,0.00021673308,0.00019029544,0.05059015],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987388,0.00077669724,0.000029005527,0.00012474605,0.00015607792,0.00017466933],"domain_scores_gemma":[0.9980532,0.0010200305,0.00033403834,0.00010302778,0.00030917194,0.00018039688],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019366412,0.0004888211,0.00036266458,0.001143924,0.0049159587,0.006810921,0.00071480323,0.0011595235,0.0053431494],"category_scores_gemma":[0.0043781404,0.0002067942,0.00021091745,0.0009278043,0.0059068874,0.002769867,0.0024542348,0.0016449748,0.00084671215],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016030403,0.00009361801,0.0035742563,0.00044754497,0.0000251748,0.0040669553,0.7011867,0.00011917545,0.00071748346,0.18097717,0.08283923,0.025792375],"study_design_scores_gemma":[0.000020507192,0.00002892866,0.002991803,0.0004909524,0.000009832011,0.0011538889,0.2637304,0.000097939825,0.00032629928,0.0039196787,0.72721386,0.000015939064],"about_ca_topic_score_codex":0.0069914297,"about_ca_topic_score_gemma":0.00966018,"teacher_disagreement_score":0.0069914297,"about_ca_system_score_codex":0.006732734,"about_ca_system_score_gemma":0.001966404,"threshold_uncertainty_score":0.048849642},"labels":[],"label_agreement":null},{"id":"W4408846982","doi":"10.7202/1116728ar","title":"De la scène au virtuel. Les redéfinitions du flamenco à travers ses différents supports de production et de diffusion","year":2024,"lang":"fr","type":"article","venue":"Revue musicale OICRM","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.01325006352614541,"score_gpt":0.2481704953973909,"score_spread":0.23492043187124548,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4408846982","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04146584,0.0037910272,0.0068210876,0.010847775,0.00065338804,0.0000521266,0.000057532896,0.00006840258,0.9362429],"genre_scores_gemma":[0.7011737,0.002962506,0.004876625,0.0017664769,0.00043463657,0.00009844361,0.000056011988,0.00019956678,0.2884321],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978809,0.0007591393,0.00005116858,0.00029485414,0.00074437243,0.00026952877],"domain_scores_gemma":[0.99861956,0.00039315326,0.00014725317,0.0002772586,0.00036024512,0.00020249069],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0021518213,0.00042570333,0.0002762037,0.001686509,0.0068732076,0.009857095,0.0007795681,0.001999952,0.012505695],"category_scores_gemma":[0.004344811,0.00021145467,0.00031706292,0.0015900878,0.013842087,0.0050431504,0.0050174706,0.0030826733,0.00166761],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000049688,0.000021705318,0.001272102,0.000111384674,0.0000046152027,0.0002824803,0.07199131,0.000080470425,0.0008728911,0.8715196,0.009556583,0.044237163],"study_design_scores_gemma":[0.000012471968,0.000025486941,0.003215275,0.0003114007,0.0000065889594,0.00026684967,0.034743804,0.00014544523,0.00044954746,0.029632552,0.93117106,0.000019516132],"about_ca_topic_score_codex":0.025257835,"about_ca_topic_score_gemma":0.04225691,"teacher_disagreement_score":0.025257835,"about_ca_system_score_codex":0.0061621107,"about_ca_system_score_gemma":0.004905615,"threshold_uncertainty_score":0.050221622},"labels":[],"label_agreement":null},{"id":"W4409087342","doi":"10.18192/rceh.v46i3.7075","title":"Modelos y referentes literarios de El doctor Centeno de Pérez Galdós","year":2025,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.013902620709205032,"score_gpt":0.2454214527859225,"score_spread":0.23151883207671747,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4409087342","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5346329,0.0031680102,0.014706349,0.014065261,0.00017205703,0.00010748524,0.00054831774,0.00009772243,0.43250188],"genre_scores_gemma":[0.982778,0.0009161506,0.0016394962,0.00019231105,0.000024532803,0.000046772606,0.00012912495,0.00001803021,0.014255558],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989243,0.0006313581,0.00003148901,0.00015142698,0.00013226693,0.00012908535],"domain_scores_gemma":[0.99768424,0.001251026,0.00025864286,0.00020458577,0.00035456163,0.0002469763],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0024537586,0.00036852589,0.00033480037,0.0013539367,0.0021624537,0.0070937914,0.0010310638,0.0011326494,0.012045259],"category_scores_gemma":[0.0055811848,0.0002664944,0.000430764,0.0016124586,0.0041999877,0.0041590533,0.002860825,0.0012373055,0.00076475897],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010954247,0.000120663564,0.020215875,0.0001337064,0.000027901177,0.00070529216,0.11883532,0.0019862768,0.00019931831,0.8387011,0.0030925418,0.01587252],"study_design_scores_gemma":[0.00015997757,0.00019644838,0.038762502,0.0011177724,0.00018624033,0.00069826737,0.32307804,0.018276986,0.00058788597,0.3438952,0.27294835,0.00009239289],"about_ca_topic_score_codex":0.04192379,"about_ca_topic_score_gemma":0.028514443,"teacher_disagreement_score":0.04192379,"about_ca_system_score_codex":0.0059102764,"about_ca_system_score_gemma":0.00373536,"threshold_uncertainty_score":0.08335954},"labels":[],"label_agreement":null},{"id":"W4409087372","doi":"10.18192/rceh.v46i3.7083","title":"La poétique de la nouvelle dans les Novelas amorosas y ejemplares de María de Zayas : de la novelle au roman","year":2025,"lang":"fr","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.00783870805393743,"score_gpt":0.23580417908944537,"score_spread":0.22796547103550793,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4409087372","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.49565762,0.026109502,0.0033288142,0.03366109,0.0017548244,0.00006807249,0.0001510116,0.000038818882,0.4392302],"genre_scores_gemma":[0.94890416,0.0038972702,0.0006746095,0.00076740957,0.00018660285,0.000032471704,0.000026706472,0.000032896296,0.045477763],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993728,0.00031354468,0.000019299017,0.000067085224,0.00009560511,0.00013175298],"domain_scores_gemma":[0.9995739,0.00018181356,0.000099698605,0.00003805419,0.00006561231,0.000040791627],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013659266,0.00037109433,0.00032747627,0.0005661155,0.0046795546,0.0042979736,0.0003511198,0.00075281743,0.003938036],"category_scores_gemma":[0.0019854808,0.00020056308,0.00019656912,0.000633567,0.0074562626,0.002029931,0.001796143,0.0023803033,0.0005043879],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000209511,0.000034782,0.0029607422,0.00036427577,0.000016742788,0.0010101016,0.35503387,0.00015754702,0.0021954775,0.6000686,0.012484415,0.025463851],"study_design_scores_gemma":[0.00003172935,0.00006115274,0.009589456,0.00052563974,0.000021430305,0.0006033183,0.15871955,0.00011327834,0.0011817547,0.017087057,0.8120414,0.000024158313],"about_ca_topic_score_codex":0.0097078765,"about_ca_topic_score_gemma":0.027637104,"teacher_disagreement_score":0.0097078765,"about_ca_system_score_codex":0.00441582,"about_ca_system_score_gemma":0.002562423,"threshold_uncertainty_score":0.032039225},"labels":[],"label_agreement":null},{"id":"W4410862338","doi":"10.18192/rceh.v47i1.4717","title":"Las celebridades y las estrellas en novelas populares españolas de los años 1920: Un signo ambivalente de la modernidad","year":2025,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.0075615057320770175,"score_gpt":0.24173389043868493,"score_spread":0.23417238470660792,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410862338","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.79329926,0.008699198,0.00051149266,0.0073744413,0.00039423653,0.000023317012,0.00020491838,0.000016694426,0.18947643],"genre_scores_gemma":[0.97411954,0.0024402991,0.00013808605,0.00033018552,0.00016313475,0.00001511595,0.00005402966,0.000014916881,0.022724627],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9991098,0.00040392112,0.000036351375,0.00010033931,0.00016906773,0.00018041176],"domain_scores_gemma":[0.9982729,0.00082161534,0.00029526578,0.00012746471,0.00029680866,0.00018599069],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023417526,0.00028622738,0.00023462343,0.0012497534,0.0050394693,0.0058003017,0.00042861418,0.00073971495,0.007722106],"category_scores_gemma":[0.0035600252,0.00014855519,0.00015238003,0.0018846627,0.006645156,0.0025730124,0.0026009341,0.0013592073,0.0005354658],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024550126,0.00007755141,0.0199418,0.00047115053,0.000029512048,0.0020430374,0.78049886,0.00015739436,0.0020379717,0.13738802,0.009762661,0.047346596],"study_design_scores_gemma":[0.000016381324,0.00006173958,0.037233446,0.00035975335,0.000015516849,0.00061972206,0.49833533,0.000059483868,0.00079752575,0.003544376,0.4589317,0.000025038853],"about_ca_topic_score_codex":0.0121633625,"about_ca_topic_score_gemma":0.028734978,"teacher_disagreement_score":0.0121633625,"about_ca_system_score_codex":0.0032744312,"about_ca_system_score_gemma":0.0019188146,"threshold_uncertainty_score":0.02583301},"labels":[],"label_agreement":null},{"id":"W4410862372","doi":"10.18192/rceh.v47i1.4849","title":"“Sinfonía en Gris Mayor” de Rubén Darío. Sinestesia americana y miradas anticipatorias.","year":2025,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Psychology; Art","score_opus":0.010727677861881032,"score_gpt":0.24759501174830703,"score_spread":0.236867333886426,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410862372","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16138007,0.021219391,0.003317241,0.05246218,0.0013920839,0.00003517493,0.00008262527,0.00004268223,0.76006854],"genre_scores_gemma":[0.9166108,0.006024175,0.0006709623,0.0037707794,0.00029733608,0.000024177665,0.000028161887,0.000044015964,0.07252968],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99899286,0.0004634695,0.000020637724,0.00013637329,0.00023928961,0.00014749743],"domain_scores_gemma":[0.99900395,0.00041683234,0.00019981056,0.00007760345,0.00020300667,0.00009876268],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015081284,0.00027195385,0.00015226704,0.00063279213,0.0036736296,0.0035671485,0.00046998385,0.0010962982,0.0071953884],"category_scores_gemma":[0.0029046435,0.00011787052,0.00016425515,0.0007791919,0.0106419325,0.002731276,0.002082955,0.002928068,0.0006029983],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000050010134,0.000032005937,0.0029860167,0.00020656535,0.000006853326,0.00043908032,0.26450506,0.00005993597,0.0007343975,0.66900676,0.021036318,0.04093704],"study_design_scores_gemma":[0.000008955846,0.000028136687,0.0075491746,0.0005878454,0.000011149994,0.00042998316,0.17683335,0.00008655055,0.000648103,0.04369344,0.7701051,0.000018125345],"about_ca_topic_score_codex":0.018638946,"about_ca_topic_score_gemma":0.046874072,"teacher_disagreement_score":0.018638946,"about_ca_system_score_codex":0.0030937747,"about_ca_system_score_gemma":0.0030364678,"threshold_uncertainty_score":0.037060916},"labels":[],"label_agreement":null},{"id":"W4410862430","doi":"10.18192/rceh.v47i1.4853","title":"Dionysian Embodiment: Abject Queerness in Federico García Lorca’s “Ode to Walt Whitman”","year":2025,"lang":"en","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Ode; Art; Garcia; Art history; Humanities; Literature","score_opus":0.011347774134934645,"score_gpt":0.23402671210579257,"score_spread":0.22267893797085792,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410862430","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5989751,0.0037692762,0.0033879161,0.013271019,0.00031657596,0.000020121111,0.000032497017,0.000024675532,0.3802027],"genre_scores_gemma":[0.99226964,0.00050142175,0.00011103081,0.00029270974,0.00003246201,0.0000047861326,0.0000037690952,0.0000083174455,0.006775918],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99946064,0.00034487515,0.000007037231,0.00003954087,0.00007639924,0.0000715156],"domain_scores_gemma":[0.9996076,0.00022663591,0.000060975428,0.000030622177,0.000040525683,0.000033654793],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011040363,0.00025661002,0.0001815657,0.0005106255,0.004353839,0.0036174806,0.00031131844,0.0008156621,0.0017187233],"category_scores_gemma":[0.001683958,0.00008468966,0.00012896248,0.00039639734,0.019920874,0.0018759096,0.0026263213,0.0017647882,0.00012269014],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000044823886,0.00002541807,0.0011921951,0.000049002276,0.0000049013984,0.00072099577,0.612288,0.00006516167,0.00074708683,0.37371647,0.0030189878,0.008126898],"study_design_scores_gemma":[0.000023643977,0.000041938558,0.005392974,0.00031841386,0.000017469325,0.001043785,0.7231161,0.00023743999,0.0011221687,0.035924777,0.23273347,0.000027778655],"about_ca_topic_score_codex":0.016214026,"about_ca_topic_score_gemma":0.0217807,"teacher_disagreement_score":0.016214026,"about_ca_system_score_codex":0.002652995,"about_ca_system_score_gemma":0.0010951927,"threshold_uncertainty_score":0.03223926},"labels":[],"label_agreement":null},{"id":"W4413162567","doi":"10.1080/08263663.2025.2542755","title":"Los años de Leguía (1919–1930)","year":2025,"lang":"fr","type":"article","venue":"Canadian Journal of Latin American and Caribbean Studies / Revue canadienne des études latino-américaines et caraïbes","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Art","score_opus":0.03065143721742809,"score_gpt":0.2644971457306125,"score_spread":0.23384570851318442,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4413162567","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13721949,0.04117311,0.00091684336,0.02721657,0.004673157,0.000104055376,0.0017279647,0.00016198649,0.7868068],"genre_scores_gemma":[0.4990728,0.014935058,0.0005669455,0.0060053123,0.0020801052,0.00013771419,0.000937983,0.00010717543,0.47615692],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997495,0.000056289016,0.0000049246,0.0000425787,0.00003462991,0.00011213673],"domain_scores_gemma":[0.9998796,0.000022190348,0.000024432768,0.000006862734,0.000029028302,0.00003777767],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00047570872,0.00037294297,0.00015543243,0.00072995183,0.0035113783,0.0019009986,0.0003246639,0.0012757697,0.0143159],"category_scores_gemma":[0.0008033235,0.00019890528,0.00019693794,0.0007284259,0.001613417,0.0010502527,0.0019867367,0.0021678035,0.0026442762],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0012622229,0.00021038248,0.019937698,0.0010803861,0.00006460026,0.0068797385,0.06879214,0.00031897103,0.0039040954,0.27438396,0.44612482,0.17704098],"study_design_scores_gemma":[0.000016148048,0.000030834748,0.011447533,0.00014650403,0.0000052143323,0.00019595731,0.0012764763,0.000013793678,0.00025132805,0.0012404778,0.9853674,0.000008410631],"about_ca_topic_score_codex":0.034806978,"about_ca_topic_score_gemma":0.070881866,"teacher_disagreement_score":0.034806978,"about_ca_system_score_codex":0.0038852366,"about_ca_system_score_gemma":0.0013671513,"threshold_uncertainty_score":0.06920874},"labels":[],"label_agreement":null},{"id":"W4415764096","doi":"10.18192/rceh.v47i2.5973","title":"Los ejes de la autoridad y del amor en El sí de las niñas, de Leandro Fernández de Moratín, y El trovador, de Antonio García Gutiérrez","year":2025,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Modernity; Order (exchange); Theme (computing); Power (physics)","score_opus":0.007650104042890275,"score_gpt":0.25872902158470773,"score_spread":0.25107891754181744,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4415764096","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23796225,0.050939545,0.0030383435,0.09610182,0.002968713,0.000073699666,0.00030348406,0.0000609992,0.60855114],"genre_scores_gemma":[0.84953016,0.028540445,0.0012405092,0.0066764206,0.00058097875,0.000075177595,0.00009554301,0.000053940737,0.11320673],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99870646,0.000683448,0.000036059253,0.0001209184,0.0002463324,0.00020674797],"domain_scores_gemma":[0.99841654,0.0007242222,0.00026394177,0.000076837074,0.0003137269,0.00020467347],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020554184,0.0004984577,0.00032708593,0.0016655695,0.006903943,0.0057741553,0.00070293003,0.0013260432,0.010256227],"category_scores_gemma":[0.003330932,0.00023894073,0.0003350938,0.0016348134,0.009364026,0.0026634308,0.0029994182,0.0033016566,0.0012252856],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009204967,0.0000778523,0.01979748,0.0004943851,0.000031602147,0.0011013405,0.42215702,0.00016090933,0.0005837208,0.43885037,0.056967326,0.059685964],"study_design_scores_gemma":[0.000013190879,0.000045065568,0.020231342,0.00146024,0.000029256455,0.00059116044,0.35036492,0.0000973511,0.0005413392,0.017918728,0.6086694,0.000037956397],"about_ca_topic_score_codex":0.05830688,"about_ca_topic_score_gemma":0.118595034,"teacher_disagreement_score":0.05830688,"about_ca_system_score_codex":0.0055511883,"about_ca_system_score_gemma":0.008067511,"threshold_uncertainty_score":0.11593497},"labels":[],"label_agreement":null},{"id":"W4415764110","doi":"10.18192/rceh.v47i2.6322","title":"“Fíchenlo, si pueden”: disemi-nación e infancia travesti en Virgilio Piñera","year":2025,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Order (exchange); Perspective (graphical); Field (mathematics); Context (archaeology); Identity (music)","score_opus":0.008108162503940598,"score_gpt":0.2327503041832773,"score_spread":0.22464214167933672,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4415764110","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.25051585,0.038987834,0.001234193,0.10257267,0.0007376368,0.000025616397,0.000107814405,0.000033964476,0.6057845],"genre_scores_gemma":[0.9355717,0.012072813,0.00027952,0.006461464,0.00024964137,0.000024065532,0.000027897553,0.00003964233,0.04527333],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987153,0.00062546856,0.00002280232,0.00013989085,0.00024327531,0.0002533417],"domain_scores_gemma":[0.9984503,0.00080696377,0.00021945832,0.000099643345,0.00023131675,0.00019238985],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020434104,0.00030824108,0.00028335094,0.0013406932,0.008971521,0.008050137,0.00078698137,0.0014115161,0.0055828607],"category_scores_gemma":[0.0038244564,0.00014111516,0.00016954505,0.001975855,0.019281575,0.00377501,0.004280106,0.0036807708,0.0005025465],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023206338,0.000026328848,0.004518731,0.00014029544,0.000007915523,0.00050810014,0.39591303,0.00006584732,0.00017689499,0.56214356,0.017998682,0.018477337],"study_design_scores_gemma":[0.000010350598,0.000026111464,0.0070717153,0.0007067653,0.000014916081,0.00032724752,0.47842413,0.000075509786,0.00033645995,0.03258864,0.4803963,0.00002191671],"about_ca_topic_score_codex":0.07384623,"about_ca_topic_score_gemma":0.1406125,"teacher_disagreement_score":0.07384623,"about_ca_system_score_codex":0.007360733,"about_ca_system_score_gemma":0.008150688,"threshold_uncertainty_score":0.14683276},"labels":[],"label_agreement":null},{"id":"W4415764484","doi":"10.18192/rceh.v47i2.7660","title":"ANDREW A. ANDERSON. Configurations of a Cultural Scene. Young Writers and Artists in Madrid, 1918-1930. Montreal: McGill-Queen’s UP, 2023. 403 pp.","year":2025,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Key (lock); Narrative; Cultural identity; Identity (music)","score_opus":0.012222640841479024,"score_gpt":0.23823286419567014,"score_spread":0.2260102233541911,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4415764484","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0007772968,0.9562356,0.00016885907,0.017340213,0.0036972454,0.00001577875,0.00083030737,0.000044559794,0.020890314],"genre_scores_gemma":[0.021766715,0.89228857,0.00067608204,0.0025734606,0.0026110767,0.000062949395,0.0005656419,0.00009460346,0.07936096],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99932635,0.0001576599,0.000056196608,0.00007133816,0.00028444652,0.0001040027],"domain_scores_gemma":[0.9978052,0.00059857307,0.0002459705,0.000050849096,0.0009639479,0.0003354375],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001468675,0.002273865,0.0008151528,0.007358675,0.0044198553,0.003001806,0.0018661532,0.0019781261,0.022091435],"category_scores_gemma":[0.0026379968,0.0008424168,0.00053483964,0.01163386,0.001675723,0.005848397,0.0018411233,0.0022729135,0.009636123],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000043862554,0.000018623565,0.001136287,0.00065922743,0.000010872326,0.0001620186,0.0046076323,0.000053271506,0.000076406504,0.0042674267,0.92157006,0.06739433],"study_design_scores_gemma":[0.000011084388,0.0000087256285,0.0081832195,0.0015405014,0.000014057915,0.00015455193,0.006622415,0.000018374538,0.00008668421,0.0020543037,0.98129094,0.000015108575],"about_ca_topic_score_codex":0.24044934,"about_ca_topic_score_gemma":0.4426326,"teacher_disagreement_score":0.24044934,"about_ca_system_score_codex":0.0064458423,"about_ca_system_score_gemma":0.0050877985,"threshold_uncertainty_score":0.47809952},"labels":[],"label_agreement":null},{"id":"W4416992191","doi":"10.18192/rceh.v47i3.4465","title":"Gender, Religion, and Indefinability in La burladora de Toledo","year":2025,"lang":"en","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narrative; Value (mathematics); Identity (music); Recreation; Subjectivity","score_opus":0.011790492506423257,"score_gpt":0.2298747812321173,"score_spread":0.21808428872569405,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4416992191","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7625661,0.020977492,0.0005875429,0.021526214,0.0009159414,0.000018191293,0.00007336421,0.000012815442,0.19332238],"genre_scores_gemma":[0.9864786,0.0019806842,0.00009016352,0.0007534274,0.00009377337,0.000008157835,0.000014938177,0.00000883314,0.010571426],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99951637,0.00025032304,0.000010208032,0.0000549893,0.00005825085,0.00010977443],"domain_scores_gemma":[0.99950755,0.00023623629,0.000112618814,0.00003284027,0.00004243691,0.00006836085],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011768709,0.00023725224,0.00024190282,0.00038987806,0.004170425,0.0057252035,0.000516527,0.0009344954,0.002273291],"category_scores_gemma":[0.0016518955,0.00012958892,0.00011025683,0.00045911156,0.012178887,0.0018535499,0.0029172504,0.0017338862,0.00016577808],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00026139806,0.00011832271,0.006586103,0.00018886414,0.000012293392,0.001475967,0.7009046,0.000117328374,0.0006942185,0.2517947,0.013858125,0.023988115],"study_design_scores_gemma":[0.000056198816,0.000051345192,0.010459026,0.0006444864,0.000018132958,0.00046006904,0.59919035,0.0000746801,0.0004543913,0.012717275,0.3758507,0.000023301705],"about_ca_topic_score_codex":0.023088053,"about_ca_topic_score_gemma":0.040602226,"teacher_disagreement_score":0.023088053,"about_ca_system_score_codex":0.005655362,"about_ca_system_score_gemma":0.0020764917,"threshold_uncertainty_score":0.04590732},"labels":[],"label_agreement":null},{"id":"W4416992276","doi":"10.18192/rceh.v47i3.7709","title":"LORETO BUSQUETS. De estética y poéticas en España (1830-1930). Pisa-Roma: Fabrizio Serra Editore, 2022. 268 pp.","year":2025,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Scale (ratio); Perspective (graphical); Line drawings","score_opus":0.00788119178529933,"score_gpt":0.2348766381761745,"score_spread":0.22699544639087516,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4416992276","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02023307,0.9297295,0.00006107359,0.012645024,0.0026715193,0.000008128612,0.0007473482,0.000017560866,0.033886813],"genre_scores_gemma":[0.18785758,0.7057661,0.00027963967,0.0022436457,0.0024394365,0.000034664172,0.0009601675,0.000031818614,0.10038699],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9998425,0.000029855228,0.0000133473995,0.000023844514,0.000044882207,0.00004543834],"domain_scores_gemma":[0.9996619,0.00008976563,0.00007567484,0.00000987652,0.00011269508,0.000050041537],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008147132,0.00075877015,0.00038595265,0.0033732157,0.001404205,0.0014546245,0.000632465,0.0010234929,0.01208455],"category_scores_gemma":[0.0009397491,0.0002746549,0.00023946323,0.0053579616,0.0013597762,0.001460598,0.0012889777,0.0008223225,0.0016356404],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00036519472,0.000057085846,0.015082016,0.0035329163,0.00005630016,0.001995189,0.06337657,0.00020522515,0.0009327553,0.015870364,0.3797348,0.5187916],"study_design_scores_gemma":[0.00000982699,0.000029111301,0.06967523,0.003072454,0.000022267108,0.00037686425,0.031722717,0.000012374379,0.00013516966,0.0009317745,0.8940009,0.000011368947],"about_ca_topic_score_codex":0.14027116,"about_ca_topic_score_gemma":0.26603097,"teacher_disagreement_score":0.14027116,"about_ca_system_score_codex":0.0035189763,"about_ca_system_score_gemma":0.0024381392,"threshold_uncertainty_score":0.2789094},"labels":[],"label_agreement":null},{"id":"W4416992354","doi":"10.18192/rceh.v47i3.7720","title":"SAAD MOHAMED SAAD. Lorca, dramaturgo universal. Estudios en torno a la traducción de su teatro con motivo del CXX aniversario de su nacimiento. Granada: Editorial Comares, 2019. xiv+ 208 pp.","year":2025,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Insignificance; Interpretation (philosophy)","score_opus":0.005746099464687844,"score_gpt":0.210679702242374,"score_spread":0.20493360277768616,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4416992354","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00011282388,0.89940256,0.000058674836,0.06140879,0.035499956,0.000006108043,0.00009252802,0.000016007325,0.0034025025],"genre_scores_gemma":[0.0074019576,0.8850937,0.00020971562,0.022275947,0.060865972,0.000051478175,0.00017463439,0.00005231273,0.023874309],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99838305,0.0005022998,0.00017431629,0.00014919478,0.0006599596,0.00013119404],"domain_scores_gemma":[0.9930958,0.002489786,0.00059250393,0.00015643596,0.0031930513,0.00047246486],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0028366824,0.0016456172,0.0014650214,0.004408646,0.0021525586,0.0040321737,0.0018121318,0.0049902494,0.018621422],"category_scores_gemma":[0.009686335,0.00075096707,0.000852351,0.0044639446,0.002442744,0.005853234,0.002129517,0.0062087695,0.006950243],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000437431,0.000007958115,0.00021384793,0.0011711996,0.000018747585,0.00007453964,0.0007270133,0.00002178671,0.000052530282,0.0026003483,0.94345826,0.051610038],"study_design_scores_gemma":[0.000019608686,0.000014816836,0.0019203132,0.0036031706,0.000030992873,0.00021594636,0.0019788714,0.00002293883,0.000072294075,0.0020292746,0.99007493,0.000016970356],"about_ca_topic_score_codex":0.030000385,"about_ca_topic_score_gemma":0.048637096,"teacher_disagreement_score":0.030000385,"about_ca_system_score_codex":0.0039508934,"about_ca_system_score_gemma":0.0053212806,"threshold_uncertainty_score":0.06229484},"labels":[],"label_agreement":null},{"id":"W4416992643","doi":"10.18192/rceh.v47i3.7707","title":"ÁLVARO A. AYO. Conquistando la leyenda negra: imperio, fraternidad universal y el individuo moderno en Pardo Bazán y Blasco Ibáñez (1898-1914). Newark, Delaware: Juan de la Cuesta, 2022.","year":2025,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Order (exchange); Relation (database); Power (physics)","score_opus":0.005731109774804907,"score_gpt":0.23616958682631659,"score_spread":0.2304384770515117,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4416992643","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0100238025,0.8099448,0.00048330464,0.07700972,0.0072026877,0.000034765388,0.0013897134,0.00003726973,0.09387386],"genre_scores_gemma":[0.24582577,0.6064991,0.0020420216,0.013069474,0.005802656,0.00019949266,0.00091071334,0.00016242366,0.12548837],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99966,0.00012476112,0.000025295492,0.000045179062,0.00009232715,0.000052396437],"domain_scores_gemma":[0.99843746,0.0005888205,0.00019940818,0.000044562945,0.00056226755,0.00016753719],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014741697,0.0007635808,0.00043836475,0.0028970907,0.004337548,0.0018448917,0.0010787464,0.0014808761,0.009026249],"category_scores_gemma":[0.00315411,0.00037340526,0.00029753492,0.0030214924,0.0031625256,0.005072446,0.0015366984,0.002949919,0.001284748],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016525135,0.00006901188,0.009743389,0.0009241308,0.00003233057,0.00051709777,0.06905906,0.00008915058,0.00030156752,0.0662212,0.71607405,0.13680373],"study_design_scores_gemma":[0.00001760558,0.00001546635,0.022508005,0.0017562491,0.000028311708,0.00012502007,0.02963893,0.000013570717,0.00015128672,0.005518994,0.9402086,0.000018004615],"about_ca_topic_score_codex":0.24725096,"about_ca_topic_score_gemma":0.48883688,"teacher_disagreement_score":0.24725096,"about_ca_system_score_codex":0.0035918953,"about_ca_system_score_gemma":0.0042043575,"threshold_uncertainty_score":0.49162364},"labels":[],"label_agreement":null},{"id":"W4417525735","doi":"10.18192/rceh.v48i1.7743","title":"Mujeres y finanzas en la España del siglo XIX: prestamistas y especuladoras en las novelas de Benito Pérez Galdós","year":2025,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Latin Americans","score_opus":0.0075434583904029325,"score_gpt":0.2326772492850372,"score_spread":0.22513379089463426,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4417525735","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9078482,0.007874214,0.00017991941,0.009307856,0.00020104065,0.000011343734,0.00003831465,0.0000058768073,0.07453319],"genre_scores_gemma":[0.97368616,0.004432563,0.00007410146,0.00066548976,0.000055142522,0.000009012524,0.000014324389,0.000008259512,0.02105493],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99949825,0.00022425613,0.000010878723,0.000049466664,0.00005969004,0.00015748113],"domain_scores_gemma":[0.99951804,0.00019408728,0.00008416663,0.00002264461,0.00007712583,0.000104013234],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012166122,0.00036404168,0.00025809303,0.0008423168,0.008428175,0.004948751,0.0004594178,0.0012320956,0.0054665445],"category_scores_gemma":[0.0011735187,0.00016712715,0.00011065655,0.0013160444,0.008408058,0.0018663966,0.0029611262,0.0016662285,0.00032353488],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005539629,0.000036102614,0.00855288,0.000101371705,0.0000075656717,0.0010887681,0.94405794,0.000032599575,0.0004867485,0.029795436,0.0035171818,0.012268008],"study_design_scores_gemma":[0.0000046427494,0.000021310057,0.0113864485,0.00017515615,0.0000060658294,0.0001692697,0.90296054,0.000026216192,0.00018739345,0.0012370745,0.08381801,0.000007966147],"about_ca_topic_score_codex":0.083573356,"about_ca_topic_score_gemma":0.16498241,"teacher_disagreement_score":0.083573356,"about_ca_system_score_codex":0.0048923907,"about_ca_system_score_gemma":0.0030199671,"threshold_uncertainty_score":0.16617376},"labels":[],"label_agreement":null},{"id":"W44586799","doi":"","title":"Reminiscencias del matricidio mítico en \"La familia de Pascual Duarte\", de Camilo José Cela","year":2011,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.015784323772378324,"score_gpt":0.21845070403776076,"score_spread":0.20266638026538245,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W44586799","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5587297,0.07215545,0.0006720945,0.25236803,0.01613172,0.000101103025,0.00034423845,0.00007378144,0.09942384],"genre_scores_gemma":[0.91684645,0.020701531,0.0002256738,0.017197372,0.00206396,0.000070389346,0.000068674504,0.00010431603,0.04272168],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984895,0.0009942044,0.000028211747,0.00010392176,0.00015538986,0.00022878544],"domain_scores_gemma":[0.9981565,0.0007658284,0.00020441576,0.000064153064,0.0003413502,0.00046777312],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0024514487,0.0007727859,0.0006042194,0.0012658198,0.013674318,0.004425196,0.0009901512,0.0016656806,0.0027711594],"category_scores_gemma":[0.008181175,0.00025366398,0.00034890632,0.00084327406,0.0053239926,0.002985191,0.0041272677,0.0058036824,0.00042973005],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000055107095,0.00008401195,0.002823296,0.00014353087,0.000015229792,0.0015707813,0.89926475,0.000017782504,0.0002530895,0.013147363,0.06738297,0.015242077],"study_design_scores_gemma":[0.000004901297,0.000016898344,0.0035656085,0.00024197325,0.000012137551,0.0006470034,0.8339994,0.000013041029,0.00018903846,0.0006185518,0.16067778,0.000013615338],"about_ca_topic_score_codex":0.06395389,"about_ca_topic_score_gemma":0.09657722,"teacher_disagreement_score":0.06395389,"about_ca_system_score_codex":0.004122379,"about_ca_system_score_gemma":0.004969561,"threshold_uncertainty_score":0.12716323},"labels":[],"label_agreement":null},{"id":"W50895342","doi":"","title":"La Transgresión en las Jarchas Romances","year":2012,"lang":"es","type":"article","venue":"Boletín de la Real academia Sevillana de Buenas Letras: Minervae Baeticae","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.008441690834055202,"score_gpt":0.270681551350874,"score_spread":0.2622398605168188,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W50895342","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.022722064,0.010075537,0.004226965,0.05652276,0.00552353,0.000045476365,0.000099168516,0.00017014724,0.9006143],"genre_scores_gemma":[0.33211973,0.006216899,0.00186489,0.010352342,0.0014060023,0.00006482134,0.00008187943,0.00030890192,0.6475845],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9956241,0.002065533,0.00011754588,0.0005070614,0.001035171,0.0006506608],"domain_scores_gemma":[0.9975902,0.000517625,0.0002613642,0.00035202128,0.00069159945,0.000587193],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0028494464,0.0007503751,0.0006363413,0.0009656068,0.013740997,0.013590593,0.001164174,0.0025515119,0.023472836],"category_scores_gemma":[0.006292796,0.00035239544,0.00048349221,0.0015310292,0.017322134,0.005766468,0.006626762,0.008234509,0.007313072],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003738812,0.00002510888,0.00085863407,0.00007486768,0.000009618202,0.0003776115,0.038555615,0.00005900894,0.0002616872,0.8663082,0.07155615,0.021876216],"study_design_scores_gemma":[0.0000063050734,0.000013219864,0.0006184378,0.0001151729,0.0000039489005,0.00020731853,0.014765812,0.000053363976,0.0001770118,0.017485833,0.9665403,0.000013264912],"about_ca_topic_score_codex":0.018110007,"about_ca_topic_score_gemma":0.05068895,"teacher_disagreement_score":0.023472836,"about_ca_system_score_codex":0.0065594995,"about_ca_system_score_gemma":0.009080767,"threshold_uncertainty_score":0.07852447},"labels":[{"model":"gemma","categories":[],"domain":null,"study_design":"not_applicable","genre":"empirical","about_ca_system":false,"about_ca_topic":false,"confidence":"low"},{"model":"gpt","categories":[],"domain":null,"study_design":"theoretical_or_conceptual","genre":"other","about_ca_system":false,"about_ca_topic":false,"confidence":"medium"}],"label_agreement":"split"},{"id":"W52440981","doi":"","title":"Una galería de mujeres: lecturas y lectoras en Venezuela a finales del siglo XIX y principios del XX","year":2003,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.014779575570441437,"score_gpt":0.23886843087311901,"score_spread":0.22408885530267758,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W52440981","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9072332,0.026443925,0.00021156011,0.006545844,0.0004300386,0.000033267603,0.00026808665,0.000022559308,0.058811523],"genre_scores_gemma":[0.9707709,0.007586584,0.00021426103,0.0004950442,0.000097884746,0.00002579858,0.00012544221,0.000014167591,0.020669946],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99967384,0.00006861286,0.000010800389,0.000033593715,0.000029526407,0.00018353788],"domain_scores_gemma":[0.9996081,0.0001199088,0.00008249412,0.0000352543,0.00007080904,0.000083576146],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00086738204,0.00041235427,0.0002825492,0.0017120643,0.006157405,0.0036245137,0.00065407605,0.0008028846,0.0059782015],"category_scores_gemma":[0.00205806,0.0002606172,0.00018123552,0.0031819814,0.0034300196,0.002004989,0.00339222,0.0020237542,0.0002754587],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00048907124,0.00011652698,0.056989565,0.001227353,0.000035630044,0.0026111612,0.71310717,0.00016140244,0.004602455,0.08394013,0.012272833,0.12444659],"study_design_scores_gemma":[0.000037075388,0.00008145753,0.29175493,0.0010026827,0.000056297296,0.00053648785,0.46826768,0.00005014793,0.0008319035,0.0023975025,0.23495562,0.000028258588],"about_ca_topic_score_codex":0.18180098,"about_ca_topic_score_gemma":0.44582972,"teacher_disagreement_score":0.18180098,"about_ca_system_score_codex":0.0059823147,"about_ca_system_score_gemma":0.004350973,"threshold_uncertainty_score":0.36148554},"labels":[],"label_agreement":null},{"id":"W52988315","doi":"","title":"De culebras y colores en \"El hombre\", de Juan Rulfo","year":2002,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.01385811908899722,"score_gpt":0.22934795822462098,"score_spread":0.21548983913562375,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W52988315","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23500651,0.31593147,0.0005426805,0.2737868,0.014768428,0.00004567383,0.00032121353,0.000037072554,0.15956011],"genre_scores_gemma":[0.72041905,0.13869683,0.00043413189,0.036463685,0.005255161,0.00008299257,0.00019276267,0.00011329662,0.0983421],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99938893,0.0003304921,0.000012952621,0.00007676798,0.000055970348,0.00013476053],"domain_scores_gemma":[0.99939144,0.00028853497,0.00007779563,0.00003033356,0.00010926285,0.000102626895],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018872799,0.00092975557,0.0005677614,0.0013434292,0.011523885,0.0046257973,0.0010047063,0.0031593165,0.003989564],"category_scores_gemma":[0.0029682287,0.00023825007,0.00030437062,0.0020628073,0.0064111887,0.0039123124,0.0035505872,0.004354594,0.0004253754],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019629886,0.00017609294,0.009925499,0.0006950737,0.00004884071,0.0020285135,0.612698,0.00005825578,0.00045073385,0.09743348,0.21409771,0.062191505],"study_design_scores_gemma":[0.000012187843,0.00001633373,0.008484191,0.0010203185,0.000028734908,0.00058003503,0.46015164,0.00002231313,0.0002246729,0.0029514423,0.5264946,0.000013471968],"about_ca_topic_score_codex":0.14408778,"about_ca_topic_score_gemma":0.21226385,"teacher_disagreement_score":0.14408778,"about_ca_system_score_codex":0.0032664929,"about_ca_system_score_gemma":0.0034958888,"threshold_uncertainty_score":0.2864982},"labels":[],"label_agreement":null},{"id":"W53097000","doi":"","title":"\"Don Quijote de la Mancha\" y la verdad de Dulcinea del Toboso","year":2000,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Philosophy","score_opus":0.0078355024430279,"score_gpt":0.22508960810019493,"score_spread":0.21725410565716702,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W53097000","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.51998097,0.021234574,0.0009698766,0.06000131,0.0014400581,0.000054426942,0.0003172338,0.000043821703,0.3959578],"genre_scores_gemma":[0.9633831,0.005252681,0.00021369201,0.0017018054,0.0001251709,0.000027355209,0.00006194216,0.000031632528,0.029202696],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.999015,0.0004126798,0.000025053758,0.00008318766,0.00011695248,0.00034713198],"domain_scores_gemma":[0.99919826,0.0002810478,0.00017333371,0.00005167828,0.0001654197,0.00013026831],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014605096,0.00041418622,0.00047478525,0.0012309491,0.007849461,0.005436771,0.0007506186,0.0014434074,0.009205477],"category_scores_gemma":[0.00425777,0.00017518226,0.00024028336,0.0017909015,0.010199119,0.003352768,0.0043190555,0.0025252937,0.00044696912],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023095512,0.000086968954,0.016776701,0.00048536962,0.000016205826,0.0013939926,0.41388506,0.000075780335,0.0006890215,0.5081649,0.019144896,0.03905012],"study_design_scores_gemma":[0.00003735952,0.000033553082,0.020337505,0.0014004719,0.000040173407,0.0004171631,0.57021976,0.000051049803,0.00036210057,0.013116926,0.39396238,0.00002152125],"about_ca_topic_score_codex":0.16202833,"about_ca_topic_score_gemma":0.32314563,"teacher_disagreement_score":0.16202833,"about_ca_system_score_codex":0.01012092,"about_ca_system_score_gemma":0.0085257245,"threshold_uncertainty_score":0.32217038},"labels":[],"label_agreement":null},{"id":"W573557637","doi":"","title":"Le nouveau réalisme et Picasso Carmen/Sol y Sombra","year":2007,"lang":"fr","type":"article","venue":"Vie des arts","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.022685890439752877,"score_gpt":0.2540725510034462,"score_spread":0.23138666056369334,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W573557637","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.030059397,0.045326028,0.0016820605,0.068074025,0.004768682,0.000026511252,0.00019519361,0.0001232638,0.84974486],"genre_scores_gemma":[0.60584646,0.018195583,0.0011478029,0.006690808,0.0034024254,0.000078280114,0.00022633199,0.00042603328,0.36398628],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99750704,0.0013872983,0.000038522063,0.0002549172,0.00045202498,0.0003603019],"domain_scores_gemma":[0.99886286,0.0004581307,0.0000953958,0.0001508921,0.00030208207,0.00013060714],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0031933705,0.0014329643,0.0010429726,0.0021830187,0.00777232,0.010068738,0.0009860684,0.00404861,0.022597603],"category_scores_gemma":[0.0042518526,0.00042339874,0.00071472995,0.0019991943,0.011081014,0.0041440274,0.004205869,0.006208858,0.0031797378],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015931002,0.00006407352,0.00066765025,0.0001766756,0.000017745142,0.000252221,0.014159845,0.00014174369,0.0002422569,0.90746254,0.05269612,0.023959806],"study_design_scores_gemma":[0.000042106563,0.000021074604,0.0013204273,0.00027139584,0.000013014047,0.00013851354,0.010255367,0.000095669406,0.00020485152,0.02975207,0.9578701,0.000015286842],"about_ca_topic_score_codex":0.051941983,"about_ca_topic_score_gemma":0.055965774,"teacher_disagreement_score":0.051941983,"about_ca_system_score_codex":0.013648141,"about_ca_system_score_gemma":0.004855597,"threshold_uncertainty_score":0.10327929},"labels":[],"label_agreement":null},{"id":"W57766709","doi":"","title":"La vieja beata en \"La Quijotita\", de Fernández de Lizardi: una celestina a lo divino","year":2007,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.01121123651755312,"score_gpt":0.24328113759031816,"score_spread":0.23206990107276504,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W57766709","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11691527,0.2691972,0.001115775,0.32450292,0.014771362,0.000051230258,0.00018966752,0.000091812915,0.27316478],"genre_scores_gemma":[0.69877374,0.104229175,0.0010712086,0.046411622,0.0069782464,0.00009454822,0.00016411293,0.00028288862,0.14199449],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99890375,0.0006473435,0.000023335824,0.00012743521,0.00013783672,0.0001601788],"domain_scores_gemma":[0.99900454,0.0005024445,0.00010463916,0.000061727325,0.00019300492,0.00013354444],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002826829,0.00071137847,0.00066719076,0.0019844377,0.011363027,0.0071158945,0.0011817282,0.0030879695,0.0062271734],"category_scores_gemma":[0.004686215,0.00024872643,0.0002697475,0.0021014053,0.008621826,0.0048494306,0.0041531464,0.0045847064,0.00070967176],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015493874,0.000098018005,0.0047668563,0.0006711516,0.000021934857,0.0009997832,0.3672477,0.000045682915,0.000439099,0.32012725,0.24114735,0.06428022],"study_design_scores_gemma":[0.000011824448,0.00001591369,0.0046693734,0.001431077,0.000024191262,0.0004885341,0.13886337,0.000031094616,0.00029082067,0.0058231405,0.8483325,0.000018128927],"about_ca_topic_score_codex":0.06741726,"about_ca_topic_score_gemma":0.10342242,"teacher_disagreement_score":0.06741726,"about_ca_system_score_codex":0.005645328,"about_ca_system_score_gemma":0.0042080022,"threshold_uncertainty_score":0.13404971},"labels":[],"label_agreement":null},{"id":"W61505562","doi":"","title":"Colonial Fetishm in René Marqués","year":2009,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Colonialism; Political science; History; Art","score_opus":0.010902002720430605,"score_gpt":0.2288406550474591,"score_spread":0.2179386523270285,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W61505562","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7549999,0.00793972,0.0001670742,0.009193776,0.00039090746,0.000023473489,0.00008257674,0.000014098655,0.22718854],"genre_scores_gemma":[0.96858895,0.0018709891,0.00006160513,0.00073558214,0.00014935758,0.00000851905,0.00002469815,0.000017618566,0.028542692],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991247,0.00038785694,0.00001657207,0.00008680561,0.00006726471,0.00031680212],"domain_scores_gemma":[0.99936503,0.00025240312,0.00011755972,0.000055613797,0.00008616107,0.00012330273],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012478213,0.00030857156,0.00045446056,0.0007494475,0.010949157,0.003732795,0.0007271102,0.001423521,0.007891342],"category_scores_gemma":[0.00278742,0.00018234,0.00012326075,0.0012049868,0.0070574307,0.0017649544,0.0032004656,0.002723345,0.000459827],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018692677,0.000095282296,0.0063874437,0.00020678104,0.000013791036,0.0058658402,0.7678993,0.00006626033,0.00076082285,0.17574756,0.009800112,0.032969948],"study_design_scores_gemma":[0.000015855701,0.00007926928,0.024137326,0.00037799808,0.00001758147,0.0013491473,0.43426815,0.000042994183,0.00056096306,0.0038946017,0.5352337,0.000022450313],"about_ca_topic_score_codex":0.0567529,"about_ca_topic_score_gemma":0.14708002,"teacher_disagreement_score":0.0567529,"about_ca_system_score_codex":0.004940425,"about_ca_system_score_gemma":0.0024211477,"threshold_uncertainty_score":0.11284512},"labels":[],"label_agreement":null},{"id":"W653084844","doi":"","title":"Cucendo la Vela: A Polyphonic Journey through Spanish Literary Time","year":2011,"lang":"en","type":"article","venue":"Canadian review of comparative literature","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Vela; Polyphony; Art; Literature; Astronomy; Physics; Pulsar","score_opus":0.05072398931736812,"score_gpt":0.2608581440061663,"score_spread":0.21013415468879817,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W653084844","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1214413,0.3504271,0.0007485072,0.04287981,0.002653128,0.00003634773,0.0004096751,0.00004340403,0.4813608],"genre_scores_gemma":[0.8291557,0.10901321,0.00056330493,0.0040116436,0.0010471796,0.00005389406,0.0002441483,0.00015234992,0.055758663],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99823964,0.0007766512,0.00005067687,0.00015339194,0.00032609436,0.00045353535],"domain_scores_gemma":[0.9968454,0.0013895073,0.00027703115,0.00011007312,0.00093219115,0.00044567627],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0027395475,0.00062577834,0.00091325736,0.008580202,0.018249936,0.014288004,0.0014531064,0.002390383,0.011646894],"category_scores_gemma":[0.006007125,0.0002577104,0.00033839067,0.016165813,0.01684639,0.007334677,0.0045476854,0.0030103906,0.0007961478],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018388289,0.000043016596,0.0018130115,0.0011574731,0.000023827879,0.0016138658,0.60709846,0.0000635103,0.00041558343,0.2708508,0.043369412,0.07336714],"study_design_scores_gemma":[0.000007970602,0.000013593408,0.006041201,0.0015517352,0.000018568968,0.000318994,0.4085435,0.000021496075,0.00013133453,0.004252977,0.57908106,0.000017613118],"about_ca_topic_score_codex":0.5922517,"about_ca_topic_score_gemma":0.7128215,"teacher_disagreement_score":0.5922517,"about_ca_system_score_codex":0.035673566,"about_ca_system_score_gemma":0.03174594,"threshold_uncertainty_score":0.82029915},"labels":[],"label_agreement":null},{"id":"W653475016","doi":"10.33137/rr.v36i2.8618","title":"Female and Male Voices in Early Modern England: An Anthology of Renaissance Writing","year":2000,"lang":"en","type":"article","venue":"Renaissance and Reformation","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":26,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Montreal Police Service; Brock University","funders":"","keywords":"The Renaissance; Art; Performance art; Art history; History; Literature; Visual arts","score_opus":0.015993008647728575,"score_gpt":0.23466997366397468,"score_spread":0.21867696501624612,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W653475016","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17759015,0.29758596,0.001501147,0.10114378,0.009561707,0.000059193964,0.0001666867,0.000061401304,0.41233],"genre_scores_gemma":[0.8505849,0.025020529,0.00044714715,0.004996243,0.00348337,0.000051508225,0.000031215586,0.0000783626,0.115306616],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99795014,0.0012822323,0.00005627002,0.0001530052,0.00029544745,0.00026296015],"domain_scores_gemma":[0.9973189,0.0019729,0.00018483702,0.00007300047,0.0002711076,0.0001792134],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002427921,0.00049370265,0.0005493255,0.0011573529,0.007855963,0.0060014417,0.00091384316,0.0021793926,0.0060310205],"category_scores_gemma":[0.0044734613,0.0002408304,0.00016724224,0.0013330246,0.011185512,0.003328541,0.0029430462,0.0031389273,0.00053162314],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000063515865,0.000015413027,0.0004960134,0.00039314295,0.0000071519225,0.0007230537,0.79306537,0.000042310003,0.00042436467,0.14672156,0.040461257,0.01758681],"study_design_scores_gemma":[0.000010189622,0.000028291794,0.0034045933,0.0005961143,0.0000061187516,0.00034424628,0.15774474,0.000026731675,0.000190664,0.0044512386,0.8331823,0.000014847687],"about_ca_topic_score_codex":0.04091522,"about_ca_topic_score_gemma":0.10738444,"teacher_disagreement_score":0.04091522,"about_ca_system_score_codex":0.008948957,"about_ca_system_score_gemma":0.0030563255,"threshold_uncertainty_score":0.08135414},"labels":[],"label_agreement":null},{"id":"W66102027","doi":"","title":"\"Tis Pity She's a Corpse: Modernism, Remembering, and Dismemberment in Valle-Inclán's Sonatas","year":2000,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Dandy; Literature","score_opus":0.0124539400189677,"score_gpt":0.22727595209594492,"score_spread":0.2148220120769772,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W66102027","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3450941,0.01936816,0.001677206,0.036097083,0.0009475284,0.00001976258,0.000051118073,0.000063997555,0.59668106],"genre_scores_gemma":[0.9315791,0.001776753,0.00019585936,0.0007641249,0.00020556094,0.000010616419,0.000012661071,0.000021530472,0.065433785],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992095,0.0004721351,0.000013224054,0.00007950271,0.0000798591,0.00014582551],"domain_scores_gemma":[0.99909925,0.00038099528,0.00012936135,0.00009064685,0.000118578755,0.00018120321],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012651864,0.0002622906,0.00022716375,0.00071521744,0.01019587,0.0067355023,0.0006662643,0.0013311781,0.0050933897],"category_scores_gemma":[0.0021611082,0.00017065054,0.000115807314,0.00055632874,0.019460192,0.0046898467,0.002944943,0.0022284926,0.00040685595],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000044588156,0.000018043442,0.0014870553,0.00004226912,0.0000028017037,0.00041581885,0.591227,0.00003353618,0.00013972449,0.3762381,0.016391676,0.013959311],"study_design_scores_gemma":[0.000011141022,0.000040765688,0.002841225,0.00027947652,0.0000083262585,0.0004980868,0.2944139,0.00011811885,0.00023302395,0.039455775,0.6620815,0.000018737013],"about_ca_topic_score_codex":0.028270567,"about_ca_topic_score_gemma":0.065245286,"teacher_disagreement_score":0.028270567,"about_ca_system_score_codex":0.0046050455,"about_ca_system_score_gemma":0.0023195634,"threshold_uncertainty_score":0.056212068},"labels":[],"label_agreement":null},{"id":"W6987025167","doi":"","title":"Salamanca’s theater and musical activity in the first quarter of twentieth century through the local press","year":2011,"lang":"en","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Quarter (Canadian coin); Musical; Period (music); Center (category theory)","score_opus":0.2114541346078784,"score_gpt":0.4386341256272513,"score_spread":0.2271799910193729,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6987025167","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6760259,0.032261964,0.00012095055,0.010680738,0.00021978522,0.000016825816,0.0008254803,0.00006126238,0.2797871],"genre_scores_gemma":[0.94116706,0.007908081,0.000056238565,0.00039306047,0.00011671319,0.000011116185,0.00019084939,0.000020345506,0.05013658],"study_design_codex":"design_other","study_design_gemma":"qualitative","domain_scores_codex":[0.99984217,0.000027365926,0.000004583431,0.000024654539,0.000025264128,0.000076031974],"domain_scores_gemma":[0.99986625,0.0000268681,0.000032927303,0.0000063901985,0.00003456064,0.00003298089],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00031263818,0.0001415684,0.00015975525,0.0011664662,0.0017047769,0.0028035212,0.00047099835,0.00032666523,0.013863055],"category_scores_gemma":[0.00067114504,0.00009001682,0.00008871582,0.0018768099,0.0010840204,0.0008098654,0.0012541041,0.0006440225,0.0007492854],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0009622733,0.00019470503,0.043420736,0.0018225192,0.00014933693,0.00435663,0.27361885,0.00055814715,0.007911267,0.20030777,0.116568856,0.3501289],"study_design_scores_gemma":[0.000029525949,0.000055724424,0.15472008,0.00048783282,0.00003356764,0.00029581742,0.06443743,0.00006768581,0.0005659653,0.0011193254,0.7781591,0.000027931317],"about_ca_topic_score_codex":0.1655968,"about_ca_topic_score_gemma":0.31197518,"teacher_disagreement_score":0.1655968,"about_ca_system_score_codex":0.0055648005,"about_ca_system_score_gemma":0.0015450072,"threshold_uncertainty_score":0.32926583},"labels":[],"label_agreement":null},{"id":"W6991223535","doi":"","title":"Fons Manuel Serra i Moret: 1939-1963: cartes, articles de premsa i documents","year":2006,"lang":"ca","type":"article","venue":"Dipòsit Digital de la Universitat de Barcelona (Universitat de Barcelona)","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Unit (ring theory); Pilgrim; Nova scotia; Period (music)","score_opus":0.00414320920902068,"score_gpt":0.19008159812346453,"score_spread":0.18593838891444386,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6991223535","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.015401843,0.14490226,0.0006480305,0.10855543,0.012929333,0.00006790491,0.0022242127,0.00016464356,0.7151065],"genre_scores_gemma":[0.13974744,0.043653272,0.0007099442,0.012239101,0.0036914693,0.00007963185,0.0006294833,0.00035846245,0.7988912],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991466,0.00020133519,0.00003457396,0.00017832684,0.00029929643,0.0001399016],"domain_scores_gemma":[0.9991456,0.0003239331,0.000117535375,0.000060968752,0.00022739696,0.00012452627],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009853353,0.00054915977,0.00026293707,0.0019077647,0.0075379172,0.006198507,0.0005616548,0.0018639864,0.03426888],"category_scores_gemma":[0.0025295492,0.00033434012,0.00022739996,0.0036816401,0.003654014,0.0041957023,0.0017552085,0.0029171172,0.0074152844],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005309876,0.000031414944,0.001010617,0.00017643468,0.0000071590075,0.00032167413,0.037950512,0.00003350331,0.0002482965,0.13325067,0.78483284,0.04208381],"study_design_scores_gemma":[0.0000011750583,0.0000020044974,0.0009024852,0.00010374968,0.0000010096834,0.000038087157,0.0014609585,0.0000031782204,0.00005327573,0.00046099446,0.9969702,0.0000027151852],"about_ca_topic_score_codex":0.08811438,"about_ca_topic_score_gemma":0.16543084,"teacher_disagreement_score":0.08811438,"about_ca_system_score_codex":0.009776542,"about_ca_system_score_gemma":0.0053328,"threshold_uncertainty_score":0.17520303},"labels":[],"label_agreement":null},{"id":"W6992579294","doi":"","title":"Los fantasmas del exilio español","year":2020,"lang":"es","type":"article","venue":"Dialnet (Universidad de la Rioja)","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Field (mathematics); Identity (music)","score_opus":0.013739859758461398,"score_gpt":0.22568941527815045,"score_spread":0.21194955551968905,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6992579294","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24059851,0.055666547,0.0019128639,0.12190912,0.00351953,0.000017146604,0.00020149884,0.000100609584,0.57607424],"genre_scores_gemma":[0.87152857,0.010194521,0.0003139774,0.0047536413,0.00044182222,0.000010602363,0.000050750063,0.000067618326,0.11263846],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996038,0.00022497324,0.0000058193787,0.000032008844,0.00006400355,0.0000694373],"domain_scores_gemma":[0.99964654,0.00016710444,0.000034802866,0.000032693206,0.00006597946,0.000052837357],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012659283,0.00031223724,0.00015056282,0.00039564987,0.0028097364,0.0032976717,0.0003332454,0.0010262511,0.0049007107],"category_scores_gemma":[0.0017552611,0.00009795983,0.00013010475,0.00050389796,0.0051354705,0.002799159,0.0015288861,0.0025398978,0.00056808133],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020420515,0.00003687256,0.0045126956,0.00015178422,0.000017772734,0.0013870967,0.38826233,0.00011844337,0.0012140416,0.39054614,0.16151914,0.05202949],"study_design_scores_gemma":[0.000014318863,0.00002632931,0.0033281292,0.00020408882,0.0000062667145,0.0006361988,0.1524124,0.0000721921,0.00048422697,0.012470383,0.83032894,0.000016551536],"about_ca_topic_score_codex":0.009395097,"about_ca_topic_score_gemma":0.02051815,"teacher_disagreement_score":0.009395097,"about_ca_system_score_codex":0.0015810108,"about_ca_system_score_gemma":0.0006987643,"threshold_uncertainty_score":0.01868081},"labels":[],"label_agreement":null},{"id":"W6995684501","doi":"","title":"The Palimpsest of The Magic Mountain by Thomas Mann in the Literary Works of Juan Benet","year":2017,"lang":"en","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Winnipeg","funders":"","keywords":"MAGIC (telescope); Dialectic; Narrative; Relativism; Palimpsest","score_opus":0.17322218980897888,"score_gpt":0.4869791384383711,"score_spread":0.3137569486293922,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6995684501","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.39556426,0.021523684,0.0010925645,0.022954626,0.001190106,0.000012233173,0.000051246894,0.000046068024,0.5575652],"genre_scores_gemma":[0.96859854,0.0018898364,0.00019133509,0.00058011856,0.00020382767,0.0000072755806,0.000014759722,0.000030329322,0.028483925],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99962425,0.00019866195,0.0000038081719,0.000031694857,0.000072572955,0.000068939764],"domain_scores_gemma":[0.99977034,0.00011131193,0.000037795733,0.000012054326,0.0000325741,0.000035933936],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00065713364,0.0003186405,0.0001889118,0.00050169934,0.0050775264,0.002317136,0.00034754502,0.0005615376,0.0012417372],"category_scores_gemma":[0.0011839404,0.0000777231,0.000094059214,0.00050526,0.008935779,0.0009241306,0.0016774038,0.0013253607,0.00015208797],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001692155,0.00001493882,0.0012403997,0.00009155746,0.000009668159,0.0014997991,0.44728705,0.0003738641,0.0008532059,0.49813417,0.0324351,0.017891018],"study_design_scores_gemma":[0.000010408318,0.000039960927,0.0034236736,0.0002929205,0.0000094372335,0.00069614674,0.14332254,0.00014328625,0.000522076,0.01815733,0.83335954,0.000022581627],"about_ca_topic_score_codex":0.019707073,"about_ca_topic_score_gemma":0.03867066,"teacher_disagreement_score":0.019707073,"about_ca_system_score_codex":0.004246262,"about_ca_system_score_gemma":0.0014259436,"threshold_uncertainty_score":0.03918475},"labels":[],"label_agreement":null},{"id":"W6996458620","doi":"","title":"Sexo, sexualidad y el ideal masculino en Higiene sexual del soltero (1902) de Ciro Bayo","year":2008,"lang":"es","type":"article","venue":"Sound Ideas (University of Puget Sound)","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Ideal (ethics); Order (exchange); Subject (documents)","score_opus":0.0197834841205193,"score_gpt":0.2256025204647895,"score_spread":0.2058190363442702,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6996458620","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.30232725,0.08315619,0.0009236426,0.015064319,0.0020054884,0.00006547386,0.00019327707,0.000025755928,0.59623855],"genre_scores_gemma":[0.9304452,0.014358125,0.0003975868,0.0009312453,0.0004988791,0.000036582984,0.00006688387,0.00002027649,0.05324512],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9997621,0.00010568345,0.0000073744923,0.000031367348,0.00003330841,0.00006016834],"domain_scores_gemma":[0.9998173,0.00008852957,0.000032913576,0.000008580821,0.000027549462,0.000025159608],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00063373696,0.0004495048,0.00026069622,0.00078720634,0.0028477465,0.0013635299,0.00033342847,0.00091659965,0.002735269],"category_scores_gemma":[0.0007151023,0.00014248457,0.00014192413,0.00092545146,0.0051498786,0.0012289141,0.001107138,0.002000422,0.00018839592],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002965746,0.00014057574,0.008843024,0.00028059684,0.000013065782,0.0013082853,0.27235314,0.00012204559,0.0013486064,0.5968837,0.019260993,0.09914932],"study_design_scores_gemma":[0.000038918155,0.000109287714,0.026825344,0.00052102265,0.000017330689,0.000997622,0.0701263,0.000060329432,0.00065838784,0.02567328,0.8749399,0.000032211923],"about_ca_topic_score_codex":0.033408344,"about_ca_topic_score_gemma":0.049334537,"teacher_disagreement_score":0.033408344,"about_ca_system_score_codex":0.0022614885,"about_ca_system_score_gemma":0.0016437443,"threshold_uncertainty_score":0.06642777},"labels":[],"label_agreement":null},{"id":"W6999926068","doi":"","title":"D'un temps, d'un país : Elvira Augusta Lewi","year":2006,"lang":"ca","type":"article","venue":"Dipòsit Digital de Documents de la UAB (Universitat Autònoma de Barcelona)","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Subject (documents); Theme (computing); Quarter (Canadian coin); Craft","score_opus":0.002763084306766395,"score_gpt":0.18667852375537122,"score_spread":0.18391543944860483,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6999926068","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11191077,0.027197357,0.002022817,0.14657791,0.0034213162,0.00003698779,0.00015150047,0.00014154484,0.7085398],"genre_scores_gemma":[0.45888674,0.009126487,0.0006669806,0.011055702,0.0005604188,0.000047951595,0.000072413655,0.00021005636,0.51937324],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99924845,0.0003186939,0.000010024721,0.00008683921,0.00016098015,0.00017504151],"domain_scores_gemma":[0.9995141,0.00016809335,0.00004330746,0.00004591535,0.00012671434,0.00010193869],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012412965,0.0004030291,0.00020594713,0.0006390876,0.00772348,0.006538209,0.0005175082,0.0011806738,0.010269102],"category_scores_gemma":[0.0017123903,0.00025958507,0.0001464081,0.0008963707,0.0058689094,0.0027200046,0.0029364594,0.0032917135,0.0016373963],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013650705,0.000040627474,0.0025677355,0.00019716578,0.00001233082,0.0011829981,0.23942551,0.00010592364,0.0008973737,0.34395888,0.3395097,0.07196525],"study_design_scores_gemma":[0.0000051716943,0.0000078368375,0.0017318382,0.00010780993,0.000003147975,0.000117809854,0.031606175,0.000025009955,0.00015224937,0.0032020544,0.963033,0.0000079185],"about_ca_topic_score_codex":0.068028025,"about_ca_topic_score_gemma":0.1535023,"teacher_disagreement_score":0.068028025,"about_ca_system_score_codex":0.007684065,"about_ca_system_score_gemma":0.0033359255,"threshold_uncertainty_score":0.13526416},"labels":[],"label_agreement":null},{"id":"W7006179778","doi":"","title":"Sur. El ballet de Montreal abre en el Cervantes su gira española","year":2002,"lang":"es","type":"other","venue":"Centro de Documentación de las Artes Escénicas de Andalucía","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Theme (computing); White (mutation)","score_opus":0.007469196197608803,"score_gpt":0.24591473448838488,"score_spread":0.23844553829077608,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7006179778","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.016322948,0.035708793,0.0003784908,0.014828999,0.0032871016,0.000091091504,0.005913161,0.00026924838,0.92320013],"genre_scores_gemma":[0.03467213,0.0054492527,0.00024331098,0.0010268481,0.00019775688,0.000030420184,0.0007795165,0.00008510302,0.95751554],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99969447,0.000036453697,0.0000072979597,0.00006379368,0.00008873599,0.00010927941],"domain_scores_gemma":[0.9997303,0.000043981094,0.00002347648,0.000016996682,0.000117678195,0.0000675867],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00036858983,0.0007106304,0.00027626508,0.0010677421,0.0061027487,0.0032329333,0.00093280664,0.001990454,0.19372143],"category_scores_gemma":[0.0008763265,0.0002831063,0.00027183254,0.0020739182,0.0010753481,0.0012664577,0.0020331037,0.0016308624,0.016856527],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003067873,0.000051423256,0.004634829,0.0005049705,0.000024499124,0.0019493399,0.007069842,0.00020411759,0.0010270155,0.03185853,0.75207144,0.20029709],"study_design_scores_gemma":[0.0000058642167,0.0000047655744,0.0069497623,0.000087172535,0.0000045058664,0.00006966172,0.0015390146,0.000010595549,0.00012182553,0.00021839041,0.9909827,0.0000057223006],"about_ca_topic_score_codex":0.7065714,"about_ca_topic_score_gemma":0.89142966,"teacher_disagreement_score":0.2934286,"about_ca_system_score_codex":0.0065641007,"about_ca_system_score_gemma":0.00548986,"threshold_uncertainty_score":0.6480627},"labels":[],"label_agreement":null},{"id":"W7010573681","doi":"","title":"Joaquín Rodrigo's Con Antonio Machado : a performer's guide to the work, focusing on the analysis of songcyclic features","year":2009,"lang":"en","type":"other","venue":"cIRcle (University of British Columbia)","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Pontificia Universidad Javeriana; University of British Columbia","keywords":"Poetry; Coherence (philosophical gambling strategy); Performance art; Point (geometry); Style (visual arts); Criticism; Theme (computing); Subject (documents); Narrative","score_opus":0.009147083919285003,"score_gpt":0.18267686533960314,"score_spread":0.17352978142031814,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7010573681","genre_codex":"other","genre_gemma":"methods","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"methods","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011311139,0.30284923,0.03292173,0.112154946,0.021495651,0.00055771164,0.000696881,0.00075833366,0.5172544],"genre_scores_gemma":[0.12357307,0.25640866,0.042266626,0.034450904,0.0100413,0.0008977885,0.00065584213,0.002368583,0.5293373],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99874,0.0005922467,0.00004138807,0.00015567214,0.00037911627,0.000091540154],"domain_scores_gemma":[0.9987802,0.0006483591,0.0000958698,0.000043335378,0.00029366306,0.00013864916],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019801983,0.0008872506,0.00054592744,0.0014015697,0.003490992,0.0041239723,0.0008525984,0.0011686846,0.008940794],"category_scores_gemma":[0.0038414998,0.00032388946,0.00034894707,0.0012349384,0.003272528,0.0023091808,0.001545974,0.003767908,0.0052576642],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000067553476,0.00010134926,0.0017494414,0.0009967352,0.00001881755,0.00085697125,0.04965161,0.00031558416,0.0026930717,0.11282754,0.65330136,0.17742006],"study_design_scores_gemma":[0.0000018868274,0.000008957089,0.0005867059,0.00035255103,0.0000015191174,0.00020112086,0.0032445383,0.000041097832,0.000073580035,0.0024507905,0.99303097,0.0000063906687],"about_ca_topic_score_codex":0.015460903,"about_ca_topic_score_gemma":0.037682522,"teacher_disagreement_score":0.015460903,"about_ca_system_score_codex":0.0030121845,"about_ca_system_score_gemma":0.0035930357,"threshold_uncertainty_score":0.03074181},"labels":[],"label_agreement":null},{"id":"W7011303445","doi":"","title":"Lo popular en el teatro de Miguel Hernández","year":2015,"lang":"es","type":"article","venue":"Dialnet (Universidad de la Rioja)","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Relation (database); Popular culture; Latin American literature; Sequence (biology)","score_opus":0.012308112550509951,"score_gpt":0.2439585652362542,"score_spread":0.23165045268574425,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7011303445","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.059847802,0.038649425,0.0016677268,0.053566277,0.0060237204,0.000027625663,0.00023131505,0.0003444264,0.83964175],"genre_scores_gemma":[0.61936015,0.021029029,0.0007912735,0.005702978,0.0022535985,0.00005032116,0.00018321321,0.00029485172,0.35033464],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99957305,0.0001867081,0.0000059543463,0.000074954914,0.000090771166,0.000068475274],"domain_scores_gemma":[0.99953127,0.00016258808,0.000059473925,0.000050123544,0.00013577762,0.000060697865],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009662874,0.00049287017,0.0003633193,0.00089368667,0.0022209773,0.0036073374,0.00047550997,0.0011392002,0.011058891],"category_scores_gemma":[0.0018147574,0.00014223317,0.00022789463,0.00055916916,0.0023254592,0.0015238523,0.0016201702,0.0017851162,0.0018208451],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00042190767,0.00013638302,0.0038260052,0.00044913418,0.000031325733,0.0024559882,0.03777142,0.0003694553,0.0014243512,0.5914226,0.26467532,0.09701615],"study_design_scores_gemma":[0.000021107324,0.000017439812,0.002392024,0.00038849146,0.00001019169,0.0003520539,0.0079574995,0.0000914173,0.00021303985,0.007842551,0.980702,0.000012094232],"about_ca_topic_score_codex":0.017035477,"about_ca_topic_score_gemma":0.026846636,"teacher_disagreement_score":0.017035477,"about_ca_system_score_codex":0.0037503468,"about_ca_system_score_gemma":0.0013753067,"threshold_uncertainty_score":0.03699571},"labels":[],"label_agreement":null},{"id":"W7016154663","doi":"","title":"Without care in the world: Máire Mhac an tSaoi in Spain (1949-1951)","year":2022,"lang":"ga","type":"other","venue":"Research Portal (Queen's University Belfast)","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Queen's University; Queen's University Belfast","keywords":"Population; Immigration","score_opus":0.023092005917649667,"score_gpt":0.2829039429328114,"score_spread":0.25981193701516175,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7016154663","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8952604,0.014599073,0.00012591103,0.0137410825,0.000641895,0.000026390677,0.002116415,0.0000183037,0.07347036],"genre_scores_gemma":[0.9236013,0.0057499427,0.00010544718,0.0020394952,0.00011198363,0.000024893308,0.0011110968,0.000019025952,0.06723689],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.99972445,0.000037875834,0.0000063462967,0.0000213463,0.000024516965,0.00018539207],"domain_scores_gemma":[0.99968743,0.000036789137,0.000059538783,0.00001438311,0.00005282168,0.00014903494],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00050258794,0.00014097017,0.00021632531,0.0003910985,0.002328573,0.0016140989,0.0006063351,0.000768561,0.006712642],"category_scores_gemma":[0.0007126158,0.00015649185,0.00016903882,0.0010179912,0.001108199,0.00075724965,0.0017535749,0.0015501671,0.000775895],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0010987963,0.00032950984,0.33670807,0.00079109106,0.00008043413,0.0074049383,0.26164588,0.00036690346,0.0011434366,0.026424352,0.18213217,0.18187442],"study_design_scores_gemma":[0.000028458067,0.00007666953,0.47677037,0.00039108342,0.000017528295,0.0005727481,0.20296158,0.000046448793,0.0001936548,0.0006658608,0.31825078,0.000024847315],"about_ca_topic_score_codex":0.38785216,"about_ca_topic_score_gemma":0.6655817,"teacher_disagreement_score":0.38785216,"about_ca_system_score_codex":0.0071245786,"about_ca_system_score_gemma":0.0040846197,"threshold_uncertainty_score":0.7711892},"labels":[],"label_agreement":null},{"id":"W7020126097","doi":"","title":"Labrador y el usía, El","year":2014,"lang":"ca","type":"book","venue":"Repository of Digital Objects for Teaching Research and Culture (University of Valencia)","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Field (mathematics); Population","score_opus":0.028485756488943467,"score_gpt":0.2715626492873325,"score_spread":0.243076892798389,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7020126097","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0016895878,0.0977023,0.00084665825,0.032486495,0.008865112,0.000026347494,0.000288349,0.00025615736,0.85783905],"genre_scores_gemma":[0.023263399,0.02522404,0.00058356085,0.006715925,0.0018649594,0.000048190443,0.00018298978,0.00030438253,0.9418125],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99909663,0.0002437589,0.000033378903,0.00015061181,0.0003069309,0.00016873627],"domain_scores_gemma":[0.9995136,0.00013342353,0.0000447527,0.000083980005,0.00017303873,0.000051208815],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010610844,0.0011533552,0.0006785835,0.0020697233,0.0036775896,0.008658315,0.00092149776,0.0025783607,0.04026478],"category_scores_gemma":[0.0029300775,0.00042555973,0.00052187894,0.0018062304,0.0041986057,0.0053846724,0.0027808193,0.004533628,0.013336614],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005390573,0.000031172993,0.00023813422,0.00015760078,0.000005721424,0.000108888315,0.0036884516,0.00005920844,0.00014334531,0.33738646,0.5739123,0.08421483],"study_design_scores_gemma":[0.000004716468,0.000002456345,0.00014926675,0.00009458169,0.0000028195002,0.00003686449,0.000554364,0.000012043108,0.000043795706,0.0032799486,0.9958163,0.0000029001478],"about_ca_topic_score_codex":0.053218283,"about_ca_topic_score_gemma":0.080906235,"teacher_disagreement_score":0.053218283,"about_ca_system_score_codex":0.0063673104,"about_ca_system_score_gemma":0.0044720196,"threshold_uncertainty_score":0.1346991},"labels":[],"label_agreement":null},{"id":"W7023390391","doi":"","title":"Nova York 1990","year":2016,"lang":"es","type":"book","venue":"RUA, Repositorio Institucional de la Universidad de Alicante (Universidad de Alicante)","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nova scotia; Context (archaeology); Misfortune","score_opus":0.011476836273593355,"score_gpt":0.23580055150990165,"score_spread":0.22432371523630829,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7023390391","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0007559433,0.04841333,0.0005366241,0.002597927,0.002361752,0.000040895302,0.0028174117,0.00016952104,0.9423066],"genre_scores_gemma":[0.0022839757,0.010378605,0.0002266205,0.00026954283,0.00011853343,0.000034091492,0.0009193961,0.00008132059,0.98568785],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996642,0.000024531719,0.000028474176,0.00010620887,0.00012872371,0.000047867386],"domain_scores_gemma":[0.9995864,0.000061907165,0.00003472373,0.00005978954,0.00019284294,0.000064385305],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002663481,0.0012619224,0.0006777337,0.0019569993,0.0021516012,0.004179633,0.0007529204,0.001466596,0.28459665],"category_scores_gemma":[0.0011774848,0.00057797635,0.00026827582,0.004383733,0.0013687876,0.004114442,0.0017794203,0.0024292045,0.18554841],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037187136,0.000015551674,0.0003670858,0.00036387015,0.00000460373,0.0001640789,0.00082341576,0.00015158589,0.00039494492,0.04737326,0.8079618,0.14234261],"study_design_scores_gemma":[0.0000012527588,0.0000021932362,0.0004017641,0.00013165978,7.5888505e-7,0.000041009742,0.00008733357,0.000008863516,0.000030947453,0.0007634751,0.9985286,0.0000020740779],"about_ca_topic_score_codex":0.058663007,"about_ca_topic_score_gemma":0.20283088,"teacher_disagreement_score":0.28459665,"about_ca_system_score_codex":0.004379976,"about_ca_system_score_gemma":0.0033999714,"threshold_uncertainty_score":0.95207065},"labels":[],"label_agreement":null},{"id":"W7023722098","doi":"","title":"\" Panchiku\", un baserritarra de comienzos del siglo XX. Un acercamiento hacia la cosmovisión y la vida cotidiana del labrador guipuzcoano","year":2011,"lang":"es","type":"article","venue":"Dialnet (Universidad de la Rioja)","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Diafiltration; Liquation; Emperipolesis; Triacetin; Fusible alloy","score_opus":0.011828527938526987,"score_gpt":0.2163591447525526,"score_spread":0.20453061681402562,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7023722098","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1365294,0.04219644,0.0026971977,0.039340243,0.0034103126,0.0000905611,0.00040792453,0.00033265614,0.7749953],"genre_scores_gemma":[0.66959894,0.019235827,0.0030384178,0.0034898315,0.0009668429,0.00013000048,0.00029880455,0.00025491288,0.30298647],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99948126,0.00018191221,0.000015334761,0.00007863233,0.00013922935,0.00010353359],"domain_scores_gemma":[0.9995819,0.00011303199,0.00006788891,0.00007903165,0.00008978908,0.00006835694],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00087841606,0.00046189944,0.00020954318,0.00068977725,0.0039162706,0.00394417,0.00054445607,0.00084032543,0.0072412463],"category_scores_gemma":[0.0016303206,0.00016836707,0.0001208796,0.0010903546,0.0041907006,0.0023988397,0.0030519643,0.0019036633,0.0008799055],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00033624136,0.0000383257,0.004597023,0.0006354219,0.000015096183,0.0011485886,0.11537572,0.00010584689,0.003907652,0.5602723,0.1411294,0.17243838],"study_design_scores_gemma":[0.0000116889605,0.000032606145,0.006945538,0.00015190992,0.000008851321,0.00022619062,0.012289494,0.000025834648,0.00048164665,0.0041505946,0.97566867,0.000006940608],"about_ca_topic_score_codex":0.0141619835,"about_ca_topic_score_gemma":0.033667844,"teacher_disagreement_score":0.0141619835,"about_ca_system_score_codex":0.0028646705,"about_ca_system_score_gemma":0.0028556962,"threshold_uncertainty_score":0.028159082},"labels":[],"label_agreement":null},{"id":"W7024310044","doi":"","title":"Reseña del libro de Pedro Ruiz Pérez y Víctor Infantes, Dos obras de la primera literatura áurea: Cartas y coplas para requerir nuevos amores y Cómo un rústico labrador astucioso con consejo de su mujer engañó a unos mercaderes","year":2014,"lang":"es","type":"review","venue":"Repositorio Institucional de la Universidad de Huelva (Universidad de Huelva)","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Sign (mathematics); Representation (politics)","score_opus":0.01327319660989024,"score_gpt":0.2787679235899573,"score_spread":0.26549472698006704,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7024310044","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00093219813,0.95954037,0.0002683429,0.02901563,0.0049126795,0.000012715122,0.000107289525,0.000013858215,0.0051969406],"genre_scores_gemma":[0.0141513115,0.94411755,0.000711742,0.022349492,0.0039329245,0.000052881347,0.00015991906,0.000032646778,0.014491503],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99904543,0.00042661472,0.00007247146,0.00015242587,0.00024004963,0.00006293183],"domain_scores_gemma":[0.9971723,0.0013545814,0.00027767196,0.0000520385,0.00095084927,0.00019259217],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022796798,0.0006476534,0.001183362,0.004929518,0.0011756143,0.0040530195,0.00088623376,0.0020925924,0.0070115863],"category_scores_gemma":[0.010031299,0.00028338662,0.0004952722,0.004386254,0.001207142,0.0032350174,0.001621228,0.0025665017,0.001384117],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019429195,0.00007282856,0.0018068234,0.024283454,0.00015678129,0.0008739436,0.006592995,0.0001557747,0.00078492315,0.023207095,0.56908643,0.37278473],"study_design_scores_gemma":[0.00001677675,0.000017610579,0.0013201663,0.010080157,0.00010411989,0.00045366137,0.0025598742,0.000018411936,0.00022507018,0.0013407512,0.9838425,0.000021000977],"about_ca_topic_score_codex":0.01819604,"about_ca_topic_score_gemma":0.03280563,"teacher_disagreement_score":0.01819604,"about_ca_system_score_codex":0.0020089603,"about_ca_system_score_gemma":0.0060042017,"threshold_uncertainty_score":0.036180258},"labels":[],"label_agreement":null},{"id":"W7028420979","doi":"","title":"Exit, Voice and Disloyalty in Open Casebooks","year":2023,"lang":"en","type":"article","venue":"eYLS (Yale Law School)","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Casebook; Legal education; Intellectual property; Common law; Open university; Open education; Fair use","score_opus":0.03208974825055697,"score_gpt":0.26514809644627413,"score_spread":0.23305834819571716,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7028420979","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8716006,0.000864938,0.005508824,0.0028413923,0.000075560114,0.00017661975,0.00018697312,0.000038379487,0.118706755],"genre_scores_gemma":[0.99355906,0.00018892916,0.00086749747,0.00016974745,0.000016340846,0.000087238615,0.000091054,0.000025325422,0.00499483],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9631057,0.019286789,0.0022298861,0.0027336774,0.009690933,0.0029530432],"domain_scores_gemma":[0.74513215,0.2062633,0.020218767,0.0105020655,0.011665728,0.0062180976],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.04068642,0.00034365186,0.00053392025,0.0060755177,0.010178936,0.019482583,0.0021379436,0.0017440435,0.009644327],"category_scores_gemma":[0.19958116,0.00044724383,0.00030259666,0.0041751424,0.029242925,0.013135086,0.013442375,0.0036609317,0.0005359108],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001605119,0.00019692999,0.06551942,0.00019281589,0.000018651723,0.0013448985,0.75803626,0.0002964964,0.00041413403,0.118974276,0.0026385125,0.052207083],"study_design_scores_gemma":[0.000027703787,0.00008282284,0.064140335,0.0009048605,0.000028589988,0.0007171042,0.81985205,0.0006140489,0.0010659342,0.051430773,0.061045952,0.00008985388],"about_ca_topic_score_codex":0.030004349,"about_ca_topic_score_gemma":0.0631159,"teacher_disagreement_score":0.04068642,"about_ca_system_score_codex":0.011728688,"about_ca_system_score_gemma":0.007959717,"threshold_uncertainty_score":0.21517289},"labels":[],"label_agreement":null},{"id":"W7029733176","doi":"","title":"Linguistic Distance : A Quantitative Measure of the Distance Between English and Other Languages","year":2004,"lang":"en","type":"other","venue":"Econstor (Econstor)","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Measure (data warehouse); Distance measures; English language; Language proficiency; Theoretical linguistics","score_opus":0.015639769325296725,"score_gpt":0.23635110901307485,"score_spread":0.22071133968777812,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7029733176","genre_codex":"empirical","genre_gemma":"methods","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"methods","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.610777,0.0047690086,0.17616895,0.0017027468,0.0004611615,0.00032833713,0.008379619,0.00058370543,0.19682936],"genre_scores_gemma":[0.95964706,0.0009723447,0.027506227,0.00018149486,0.00011002353,0.00019399733,0.002716001,0.000086358785,0.008586425],"study_design_codex":"observational","study_design_gemma":"simulation_or_modeling","domain_scores_codex":[0.99720687,0.00077994796,0.0003384234,0.00032956986,0.0011958282,0.0001494072],"domain_scores_gemma":[0.9912096,0.0036384282,0.0018764887,0.0007233239,0.0020317447,0.0005202737],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020507425,0.0003873631,0.00045008233,0.005178784,0.0007338235,0.0019077692,0.000726048,0.00057363877,0.0061498373],"category_scores_gemma":[0.016308611,0.0001338867,0.00038709308,0.0044461396,0.0012170062,0.0023782663,0.0018766177,0.00064558216,0.001551398],"study_design_candidate":"simulation_or_modeling","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00048676992,0.0004798145,0.4132154,0.0018774134,0.0008024062,0.0005840492,0.016381707,0.006214347,0.0080378195,0.14514884,0.024294931,0.3824765],"study_design_scores_gemma":[0.000043719345,0.0007108953,0.6907785,0.000648227,0.00027152456,0.001802321,0.021146115,0.011461735,0.0061613657,0.09977807,0.16689584,0.00030178204],"about_ca_topic_score_codex":0.0041570333,"about_ca_topic_score_gemma":0.004748455,"teacher_disagreement_score":0.0061498373,"about_ca_system_score_codex":0.0009122178,"about_ca_system_score_gemma":0.00087977434,"threshold_uncertainty_score":0.020573199},"labels":[],"label_agreement":null},{"id":"W7033325619","doi":"","title":"Practical recommendations for the teachers on optimization process of the students majoring in Tourism","year":2015,"lang":"en","type":"other","venue":"zvestiya of the National Academy of Sciences of Belarus (National Academy of Sciences of Belarus)","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Retraining; Vocational education; Process (computing); Training (meteorology); Tourism; Professional development","score_opus":0.11396792281344309,"score_gpt":0.394150063943188,"score_spread":0.28018214112974493,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7033325619","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03662857,0.029510856,0.020672271,0.65046275,0.011156312,0.0028607845,0.0014864551,0.0015091602,0.24571283],"genre_scores_gemma":[0.29597828,0.055423,0.13564152,0.048638165,0.0022305294,0.004433396,0.0026228237,0.0004123421,0.45461988],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981229,0.0009271485,0.000097806136,0.00012219927,0.00035625376,0.00037377645],"domain_scores_gemma":[0.99049044,0.00093071687,0.00032271913,0.00023608161,0.0038551544,0.004164901],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0033606696,0.0006978319,0.00030729888,0.0017049408,0.00483209,0.0030699202,0.0015095221,0.0033341823,0.035217762],"category_scores_gemma":[0.0064145494,0.00024088942,0.00045015055,0.0011646892,0.001191932,0.0033279797,0.002290199,0.00289355,0.007102758],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000056784702,0.0008159964,0.0060000396,0.0009894648,0.00000777204,0.0005173346,0.011422994,0.0002871813,0.0006595982,0.011807638,0.72735775,0.24007756],"study_design_scores_gemma":[0.00004700796,0.00009642694,0.01752641,0.0031786466,0.000032539607,0.0004000187,0.08515481,0.00034768946,0.0007000549,0.011133869,0.8813087,0.000073709845],"about_ca_topic_score_codex":0.036281336,"about_ca_topic_score_gemma":0.114861734,"teacher_disagreement_score":0.036281336,"about_ca_system_score_codex":0.004377124,"about_ca_system_score_gemma":0.029381355,"threshold_uncertainty_score":0.11781514},"labels":[],"label_agreement":null},{"id":"W7039334160","doi":"","title":"A la Sombra de la Revolucion","year":2004,"lang":"en","type":"other","venue":"OhioLink ETD Center (Ohio Library and Information Network)","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Queen (butterfly); Throne; Shadow (psychology); Classicism; Industrial Revolution","score_opus":0.005891249525677038,"score_gpt":0.18926136232231858,"score_spread":0.18337011279664153,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7039334160","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0071537932,0.0058872867,0.0004790807,0.0061592734,0.0009817666,0.000021737618,0.00015018594,0.00014379894,0.97902316],"genre_scores_gemma":[0.11313359,0.003932104,0.0005689036,0.0014008272,0.00048348776,0.000031298576,0.00016608421,0.00017645513,0.8801073],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996915,0.00008183845,0.0000046867162,0.00005667816,0.00009470873,0.00007065412],"domain_scores_gemma":[0.9998042,0.00002547309,0.000016998458,0.00003238251,0.000052589836,0.00006831081],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00047049936,0.00049596664,0.00018854794,0.0008261419,0.004010594,0.0038829548,0.00036683044,0.0007056802,0.046692494],"category_scores_gemma":[0.00094341923,0.000104684244,0.00022347474,0.0009046363,0.0032725532,0.0009083036,0.001733792,0.0017201124,0.008856308],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010394212,0.000045378212,0.0014929394,0.00018462981,0.00000869924,0.00036185444,0.014992172,0.000118590426,0.0009442036,0.32743388,0.51403785,0.14027584],"study_design_scores_gemma":[0.0000034335792,0.000004283799,0.00066306314,0.000048760176,8.5310154e-7,0.000030853564,0.0012744532,0.000007243677,0.00007586724,0.0013514437,0.9965384,0.0000013392952],"about_ca_topic_score_codex":0.041545175,"about_ca_topic_score_gemma":0.07022315,"teacher_disagreement_score":0.046692494,"about_ca_system_score_codex":0.0052841427,"about_ca_system_score_gemma":0.0036140415,"threshold_uncertainty_score":0.15620196},"labels":[],"label_agreement":null},{"id":"W7044420870","doi":"","title":"Voces de España: Antología literaria","year":2005,"lang":"es","type":"article","venue":"Sound Ideas (University of Puget Sound)","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Focus (optics); Product (mathematics); Natural (archaeology)","score_opus":0.012224438900047199,"score_gpt":0.212911975285158,"score_spread":0.2006875363851108,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7044420870","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05668066,0.1603732,0.0014675154,0.037015706,0.0073399474,0.00004805872,0.0005782233,0.00043720446,0.7360595],"genre_scores_gemma":[0.5522221,0.09306184,0.003114204,0.0062359916,0.0036368808,0.00012623331,0.0010422356,0.000333348,0.34022725],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993728,0.00024864837,0.00003488434,0.00007926804,0.00014191761,0.00012253622],"domain_scores_gemma":[0.9993569,0.00021997897,0.000060665283,0.000062689345,0.00020455623,0.000095236406],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014680716,0.0010804156,0.000799983,0.002049021,0.0037614198,0.0084620025,0.0009286197,0.00346919,0.02222074],"category_scores_gemma":[0.0014553262,0.0002912262,0.00034223602,0.002582449,0.0024253444,0.0035966877,0.0035299573,0.0042471434,0.0031250075],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005763609,0.00034123712,0.0018706552,0.0021792976,0.00005928573,0.0027195145,0.05720168,0.00032032543,0.0054007284,0.4190807,0.18981226,0.3204379],"study_design_scores_gemma":[0.000029234887,0.000025725521,0.002958431,0.00043290146,0.000022064301,0.00032660048,0.012198641,0.000053913984,0.00030605964,0.0063812193,0.977253,0.000012118638],"about_ca_topic_score_codex":0.02943748,"about_ca_topic_score_gemma":0.02831744,"teacher_disagreement_score":0.02943748,"about_ca_system_score_codex":0.005352336,"about_ca_system_score_gemma":0.0040427116,"threshold_uncertainty_score":0.074335754},"labels":[],"label_agreement":null},{"id":"W7070856140","doi":"","title":"The reception of Canigó, by Jacint Verdaguer, in Madrid (1886-1902)","year":2014,"lang":"ca","type":"article","venue":"Dialnet (Universidad de la Rioja)","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Quarter (Canadian coin); Gray (unit)","score_opus":0.006098428233982358,"score_gpt":0.21272224656247604,"score_spread":0.2066238183284937,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7070856140","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09501459,0.13435033,0.0005683527,0.08901339,0.0071809767,0.000054622637,0.0004925245,0.0000837593,0.6732414],"genre_scores_gemma":[0.5840418,0.018803587,0.00034369374,0.007737395,0.0018727245,0.000036630816,0.0001753515,0.00014500387,0.38684386],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994271,0.00018724534,0.000009439197,0.00008679131,0.00013575636,0.00015380981],"domain_scores_gemma":[0.9996793,0.000108796085,0.00004791968,0.000015730482,0.00006920125,0.000078986915],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012334771,0.0007035124,0.00026662246,0.0010718615,0.005379981,0.003601734,0.0007934936,0.0016355001,0.0064347843],"category_scores_gemma":[0.0020458153,0.00019404083,0.00017116418,0.00096202234,0.007055703,0.0012277459,0.002325977,0.002445183,0.00091359596],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00043019137,0.000044319444,0.0029758557,0.00045563214,0.00002434987,0.0028454857,0.27613044,0.00022813349,0.0008564418,0.21256109,0.4508157,0.05263239],"study_design_scores_gemma":[0.00001158159,0.000012624586,0.0033640433,0.0001656126,0.0000036897507,0.00012427942,0.012524436,0.0000098360415,0.00012911495,0.0010328449,0.98261386,0.000007979108],"about_ca_topic_score_codex":0.09064911,"about_ca_topic_score_gemma":0.2022361,"teacher_disagreement_score":0.09064911,"about_ca_system_score_codex":0.010104981,"about_ca_system_score_gemma":0.0029206143,"threshold_uncertainty_score":0.18024296},"labels":[],"label_agreement":null},{"id":"W7071319514","doi":"","title":"Tadeo Sagra, 1852. Labrador y vecino de Aldeahermosa","year":2015,"lang":"es","type":"article","venue":"Dialnet (Universidad de la Rioja)","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Natural (archaeology); Context (archaeology); Identification (biology); Table (database)","score_opus":0.013660214436955174,"score_gpt":0.23116585184669847,"score_spread":0.2175056374097433,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7071319514","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.014565103,0.2879871,0.0019128941,0.02072362,0.009936796,0.00006322081,0.0018656964,0.00018461325,0.6627609],"genre_scores_gemma":[0.3784745,0.15409842,0.002866704,0.004236734,0.0077750506,0.00015752022,0.0014919967,0.0003644445,0.45053464],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995714,0.00018810702,0.000022980337,0.00007549103,0.000088725494,0.000053207048],"domain_scores_gemma":[0.99967253,0.00010810004,0.00004626493,0.0000333,0.00010866523,0.000031212752],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00067723944,0.00082759594,0.00047399907,0.0019594007,0.0023031915,0.0020317275,0.00050391693,0.00096586166,0.013235987],"category_scores_gemma":[0.0015564767,0.0002330445,0.00026820935,0.0017972959,0.002490598,0.0021470166,0.0011414972,0.0016238627,0.003725039],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002511622,0.00005023883,0.0024691457,0.0008004531,0.0000289537,0.00059660233,0.029775321,0.00015912436,0.0005280039,0.37903827,0.32222545,0.26407734],"study_design_scores_gemma":[0.0000065290446,0.000009765019,0.0012851413,0.00024249869,0.000004968191,0.00012486275,0.0011037752,0.000011353729,0.000069713584,0.0046224184,0.9925143,0.0000046598807],"about_ca_topic_score_codex":0.017110793,"about_ca_topic_score_gemma":0.03461139,"teacher_disagreement_score":0.017110793,"about_ca_system_score_codex":0.0024292713,"about_ca_system_score_gemma":0.0015018735,"threshold_uncertainty_score":0.0442788},"labels":[],"label_agreement":null},{"id":"W7071441797","doi":"","title":"Romance nuevo, que declara un horroroso asesinato en un honrado labrador por su misma esposa y el querido de esta, en la ciudad de Cazorla, provincia de Jaen, el dia 4 de Noviembre de 1866","year":2016,"lang":"es","type":"article","venue":"Deposito de Investigacion Universidad de Sevilla (University of Seville)","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Identity (music); Context (archaeology); Romance; Power (physics)","score_opus":0.004478950362179212,"score_gpt":0.1969534454777894,"score_spread":0.19247449511561018,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7071441797","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.28737924,0.028148407,0.0010637705,0.00864211,0.0021767875,0.00006924364,0.00044988713,0.00007472962,0.6719958],"genre_scores_gemma":[0.71190655,0.006857982,0.00076424604,0.0015830941,0.0003136916,0.000042981075,0.00022506838,0.00006252367,0.27824387],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995453,0.00014227144,0.00001980622,0.00008281843,0.000081164304,0.00012864398],"domain_scores_gemma":[0.9997899,0.000043669745,0.000044189735,0.000026292624,0.00005490771,0.000041054143],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006089258,0.0003500578,0.00026396866,0.00085802574,0.0051630065,0.001811828,0.00045265595,0.0006484879,0.007525083],"category_scores_gemma":[0.001302684,0.00017311476,0.00015756932,0.0014402164,0.0039969548,0.00093073986,0.00172692,0.0016980973,0.00085944496],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00032681192,0.0000684679,0.020102257,0.00075121876,0.000050443774,0.004915807,0.34769484,0.00018131058,0.0030781014,0.40285504,0.07335319,0.1466225],"study_design_scores_gemma":[0.00000948107,0.000028161681,0.01820201,0.0002762,0.000013162773,0.00046963515,0.030103622,0.000019162153,0.00038236874,0.0013533789,0.9491318,0.000010894603],"about_ca_topic_score_codex":0.0367464,"about_ca_topic_score_gemma":0.16528422,"teacher_disagreement_score":0.0367464,"about_ca_system_score_codex":0.0021892334,"about_ca_system_score_gemma":0.0027120395,"threshold_uncertainty_score":0.07306504},"labels":[],"label_agreement":null},{"id":"W7100317797","doi":"","title":"theCommonColdinHealthyAdults:ASystematicReview","year":2009,"lang":"en","type":"article","venue":"","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Common cold; Ginseng; Placebo; Incidence (geometry); Upper respiratory infections; Clinical trial","score_opus":0.02609734883713816,"score_gpt":0.2456317442203952,"score_spread":0.21953439538325703,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7100317797","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0011042856,0.5972665,0.0025349236,0.10161751,0.13379306,0.00054024276,0.003245891,0.0009130431,0.15898451],"genre_scores_gemma":[0.02314214,0.80686533,0.005522735,0.03457278,0.03840342,0.0006475419,0.0046053836,0.0007643382,0.085476354],"study_design_codex":"not_applicable","study_design_gemma":"systematic_review","domain_scores_codex":[0.9936963,0.001880043,0.00087886566,0.00049507053,0.0025349427,0.0005148209],"domain_scores_gemma":[0.976208,0.0063015404,0.00273384,0.002627697,0.010684748,0.0014441891],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00766519,0.0009780932,0.0010199206,0.005059295,0.0010569119,0.0043703318,0.0019518473,0.0031096912,0.11925049],"category_scores_gemma":[0.029995814,0.00062146864,0.0012546112,0.0033300552,0.0016456501,0.0038679852,0.0033082017,0.002772186,0.03252781],"study_design_candidate":"systematic_review","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035716974,0.000035360936,0.00062714034,0.008693768,0.00009651081,0.0001658144,0.00030800223,0.000042633706,0.00023748033,0.007331521,0.74573314,0.23669285],"study_design_scores_gemma":[0.00000704045,0.0000066080715,0.00047463254,0.0046340735,0.000031214393,0.00015726547,0.000093014765,0.000010116507,0.00006749186,0.0010880134,0.99342304,0.000007521004],"about_ca_topic_score_codex":0.0029692901,"about_ca_topic_score_gemma":0.0040803966,"teacher_disagreement_score":0.11925049,"about_ca_system_score_codex":0.0020952667,"about_ca_system_score_gemma":0.010104715,"threshold_uncertainty_score":0.39893264},"labels":[],"label_agreement":null},{"id":"W7116588706","doi":"","title":"Varia garcilasiana: un documento inédito. Los Zúñiga, otros parientes y un detalle de su casa natal","year":2021,"lang":"","type":"article","venue":"Repository of Digital Objects for Teaching Research and Culture (University of Valencia)","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Residence; Graduation (instrument); Nova scotia; EPIC","score_opus":0.02014653320779227,"score_gpt":0.2566249617874937,"score_spread":0.23647842857970144,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7116588706","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.048703704,0.38694066,0.00085512333,0.04374497,0.024459004,0.000057795984,0.0021970654,0.00026976533,0.49277192],"genre_scores_gemma":[0.39704776,0.18460916,0.0017074518,0.005733629,0.008350835,0.0001085209,0.0021225903,0.0004011008,0.39991894],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995521,0.00011456968,0.000022365935,0.00009020644,0.00014734233,0.00007330137],"domain_scores_gemma":[0.99957985,0.00013074143,0.00006982917,0.00006333714,0.00008801889,0.000068189205],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005412455,0.00051403756,0.0002886227,0.0014954859,0.0035483725,0.002915362,0.00066877756,0.0011612324,0.011402907],"category_scores_gemma":[0.0014774731,0.000264321,0.00014989128,0.0020462663,0.0027078334,0.0013955388,0.002005827,0.0016464839,0.0024109476],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024942672,0.000055146626,0.009813517,0.0015207346,0.00003698008,0.0036616968,0.07199652,0.00013181461,0.0022157165,0.15327029,0.5373146,0.2197335],"study_design_scores_gemma":[0.000001033141,0.0000037311152,0.0022465547,0.00019626919,0.00000289344,0.00024389249,0.0030423463,0.0000050818567,0.000096207455,0.00031412847,0.9938438,0.0000041790736],"about_ca_topic_score_codex":0.07687068,"about_ca_topic_score_gemma":0.14040779,"teacher_disagreement_score":0.07687068,"about_ca_system_score_codex":0.0045636673,"about_ca_system_score_gemma":0.003398868,"threshold_uncertainty_score":0.15284652},"labels":[],"label_agreement":null},{"id":"W7117120143","doi":"10.25115/raudem.v13i1.10725","title":"&lt;i&gt;EL CUENTO SEMANAL&lt;/i&gt; COMO ARCHIVO DE ALTERIDADES: ETNOGRAFÍA, GÉNERO Y VIOLENCIA EN LA VENGANZA DE MANUEL CIGES APARICIO","year":2025,"lang":"","type":"article","venue":"RAUDEM Revista de Estudios de las Mujeres","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Power (physics); Perspective (graphical); Order (exchange); Work (physics)","score_opus":0.008990593439585807,"score_gpt":0.2548551854100557,"score_spread":0.2458645919704699,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7117120143","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07508051,0.024070546,0.003689476,0.04973795,0.0016913282,0.00004535878,0.0002909514,0.00006414195,0.8453297],"genre_scores_gemma":[0.850639,0.011001332,0.0012023097,0.0053243674,0.0008159013,0.000066753775,0.0001281799,0.00012901064,0.13069312],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9990132,0.00048192486,0.000032806063,0.00016688777,0.00015356249,0.0001517319],"domain_scores_gemma":[0.9990896,0.00038184022,0.00015858028,0.00009830635,0.00018876197,0.000082961174],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001019093,0.00041880226,0.00023115972,0.0017472019,0.004695882,0.006968912,0.00075745315,0.0015600758,0.0103027895],"category_scores_gemma":[0.0019212461,0.00015452641,0.00026160353,0.0018842088,0.0133135235,0.0038517998,0.0028282325,0.0024960437,0.0011900851],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000469802,0.000032672964,0.005474981,0.00025489484,0.000014066532,0.00062542845,0.124180324,0.00014139261,0.00058174774,0.7713852,0.057647698,0.03961474],"study_design_scores_gemma":[0.0000081180115,0.000023215225,0.007889497,0.00041173366,0.000016494967,0.00031194979,0.08113423,0.0001487939,0.0006380255,0.0419841,0.86741245,0.0000214017],"about_ca_topic_score_codex":0.038866647,"about_ca_topic_score_gemma":0.059188835,"teacher_disagreement_score":0.038866647,"about_ca_system_score_codex":0.0064162146,"about_ca_system_score_gemma":0.0030126541,"threshold_uncertainty_score":0.07728082},"labels":[],"label_agreement":null},{"id":"W7124532349","doi":"10.5281/zenodo.18281878","title":"El disparate o la obra de los locos (1815), Los Locos. Edición crítica","year":2000,"lang":"es","type":"book","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Prince Albert Grand Council","funders":"","keywords":"Context (archaeology); LOCOS; Independence (probability theory)","score_opus":0.022369466643009088,"score_gpt":0.2505505116475644,"score_spread":0.22818104500455533,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7124532349","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008386822,0.038609482,0.0010586175,0.0168957,0.0015072718,0.000012424802,0.00018443902,0.00004144758,0.9333039],"genre_scores_gemma":[0.28344896,0.015678534,0.00071184774,0.0039457944,0.0010476289,0.000047931066,0.00021609718,0.00012227985,0.6947809],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99916255,0.00025284413,0.000026419428,0.00016599533,0.0002693132,0.0001228202],"domain_scores_gemma":[0.9996319,0.00009571758,0.000047225698,0.000050042894,0.00013132018,0.000043780383],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007965732,0.0004794055,0.00020976065,0.0016307288,0.0042711147,0.005436328,0.0005819554,0.0018900486,0.009161823],"category_scores_gemma":[0.0015357967,0.00017291449,0.00016989735,0.0024350875,0.01513306,0.003224234,0.0024750906,0.002652338,0.0022468935],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000315055,0.000006595993,0.000502368,0.00008329617,0.0000027514552,0.00015268702,0.022931641,0.000109367706,0.00012322639,0.8273677,0.118649706,0.030039102],"study_design_scores_gemma":[0.0000036760002,0.0000054403877,0.0012336368,0.00021467601,0.0000029729665,0.00007584561,0.005364805,0.000020307067,0.00007885304,0.015781118,0.9772134,0.000005138276],"about_ca_topic_score_codex":0.06944029,"about_ca_topic_score_gemma":0.0944327,"teacher_disagreement_score":0.06944029,"about_ca_system_score_codex":0.010088901,"about_ca_system_score_gemma":0.0045655505,"threshold_uncertainty_score":0.13807225},"labels":[],"label_agreement":null},{"id":"W7124576760","doi":"10.5281/zenodo.18281879","title":"El disparate o la obra de los locos (1815), Los Locos. Edición crítica","year":2000,"lang":"es","type":"book","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Prince Albert Grand Council","funders":"","keywords":"Context (archaeology); LOCOS; Independence (probability theory)","score_opus":0.022369466643009088,"score_gpt":0.2505505116475644,"score_spread":0.22818104500455533,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7124576760","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008386822,0.038609482,0.0010586175,0.0168957,0.0015072718,0.000012424802,0.00018443902,0.00004144758,0.9333039],"genre_scores_gemma":[0.28344896,0.015678534,0.00071184774,0.0039457944,0.0010476289,0.000047931066,0.00021609718,0.00012227985,0.6947809],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99916255,0.00025284413,0.000026419428,0.00016599533,0.0002693132,0.0001228202],"domain_scores_gemma":[0.9996319,0.00009571758,0.000047225698,0.000050042894,0.00013132018,0.000043780383],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007965732,0.0004794055,0.00020976065,0.0016307288,0.0042711147,0.005436328,0.0005819554,0.0018900486,0.009161823],"category_scores_gemma":[0.0015357967,0.00017291449,0.00016989735,0.0024350875,0.01513306,0.003224234,0.0024750906,0.002652338,0.0022468935],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000315055,0.000006595993,0.000502368,0.00008329617,0.0000027514552,0.00015268702,0.022931641,0.000109367706,0.00012322639,0.8273677,0.118649706,0.030039102],"study_design_scores_gemma":[0.0000036760002,0.0000054403877,0.0012336368,0.00021467601,0.0000029729665,0.00007584561,0.005364805,0.000020307067,0.00007885304,0.015781118,0.9772134,0.000005138276],"about_ca_topic_score_codex":0.06944029,"about_ca_topic_score_gemma":0.0944327,"teacher_disagreement_score":0.06944029,"about_ca_system_score_codex":0.010088901,"about_ca_system_score_gemma":0.0045655505,"threshold_uncertainty_score":0.13807225},"labels":[],"label_agreement":null},{"id":"W7144006294","doi":"10.70675/370bae30z4e11z44bazae1ez0b2757fe2771","title":"Les Amériques caribéennes et hispano-américaines dans les narrations de Gertrudis Gómez de Avellaneda : de la vision romantique aux regards postcoloniaux","year":2013,"lang":"","type":"dissertation","venue":"","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Identity (music); National identity; Taste; Ethnic nationalism","score_opus":0.01563158975978192,"score_gpt":0.3150002447891364,"score_spread":0.2993686550293545,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7144006294","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7788381,0.015841821,0.0015975141,0.013305985,0.0006357057,0.00003565416,0.00022820436,0.000027251772,0.18948984],"genre_scores_gemma":[0.97150654,0.0036376568,0.00032254186,0.0006436151,0.000075226635,0.000030628868,0.00006655818,0.000044123994,0.023673067],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9994711,0.00033487933,0.00000789699,0.00005046037,0.000054085198,0.00008156806],"domain_scores_gemma":[0.99952805,0.00028537863,0.00005331293,0.00002183514,0.000058814156,0.000052664887],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008807816,0.0004929418,0.00022765572,0.0005365392,0.004295397,0.003663648,0.0004741087,0.00087606435,0.0027438814],"category_scores_gemma":[0.0014976242,0.00018253693,0.00010858832,0.00094211404,0.0066248477,0.0019022695,0.0020516075,0.0019188912,0.0002750105],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000560134,0.000010699015,0.0014991665,0.000099412944,0.000003670281,0.00069852785,0.9488531,0.000048730166,0.00092318654,0.03720741,0.003653247,0.0069469367],"study_design_scores_gemma":[0.000006306717,0.00001525605,0.0062447404,0.00036165712,0.000008482708,0.00049759477,0.54454255,0.0000678958,0.00051712757,0.002708027,0.4450146,0.000015835274],"about_ca_topic_score_codex":0.06967422,"about_ca_topic_score_gemma":0.14244258,"teacher_disagreement_score":0.06967422,"about_ca_system_score_codex":0.005107086,"about_ca_system_score_gemma":0.0018290133,"threshold_uncertainty_score":0.13853735},"labels":[],"label_agreement":null},{"id":"W7160919085","doi":"10.5206/entrehojas.v11i5.13931","title":"La destrucción del idilio familiar en La tía Tula de Unamuno y Familia de Ba Jin, un estudio comparatista","year":2022,"lang":"","type":"article","venue":"Entrehojas Revista de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Linguistic analysis; Honor; French","score_opus":0.010209315640932486,"score_gpt":0.23358493325874213,"score_spread":0.22337561761780964,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7160919085","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.83609027,0.012917431,0.000968309,0.0030525895,0.0001944268,0.000024076293,0.0000748949,0.00001121525,0.14666682],"genre_scores_gemma":[0.9834856,0.0051842425,0.000296248,0.00032593188,0.000023514833,0.000012874526,0.00002808579,0.000006669096,0.010636772],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99952865,0.00021095219,0.000014574493,0.00006900105,0.00007773734,0.000099218516],"domain_scores_gemma":[0.9993629,0.00024161907,0.00014612092,0.000063577536,0.00010652831,0.00007929802],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001322911,0.00026449014,0.00021480948,0.0009378729,0.004144031,0.0029580493,0.00045919273,0.00041139429,0.0046849716],"category_scores_gemma":[0.0013177809,0.00012887789,0.00014549556,0.0015803056,0.003762474,0.0021012712,0.0014676438,0.00093785324,0.00031737957],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012221618,0.000108369066,0.08336523,0.0009541622,0.000035954596,0.0020352392,0.6559354,0.00009706731,0.002696668,0.15829256,0.0053061214,0.09105091],"study_design_scores_gemma":[0.000012028334,0.00006614738,0.13072498,0.00096809695,0.00006302943,0.0011060396,0.598137,0.00011343177,0.0013874683,0.006412967,0.2609775,0.000031341908],"about_ca_topic_score_codex":0.02860394,"about_ca_topic_score_gemma":0.091362245,"teacher_disagreement_score":0.02860394,"about_ca_system_score_codex":0.0036435004,"about_ca_system_score_gemma":0.0042402158,"threshold_uncertainty_score":0.05687487},"labels":[],"label_agreement":null},{"id":"W71958180","doi":"","title":"Melancolía y desencanto en \"Pedro Páramo\"","year":2006,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Geography","score_opus":0.009116504700923513,"score_gpt":0.21938507784685704,"score_spread":0.21026857314593353,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W71958180","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06978176,0.12993649,0.0029080338,0.5821776,0.029532265,0.00012626381,0.0007916465,0.00026419983,0.1844818],"genre_scores_gemma":[0.42055458,0.1164746,0.0026759913,0.09700398,0.012546254,0.00034637382,0.00047917134,0.00059641653,0.34932262],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99902916,0.0004343368,0.00002720021,0.00012649281,0.00022372587,0.00015903653],"domain_scores_gemma":[0.99804306,0.0006903184,0.00021347066,0.000109098575,0.0006867391,0.00025731162],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0024127318,0.0010415199,0.00056483404,0.0019050973,0.00622185,0.0057095955,0.0012990272,0.0026767028,0.012022769],"category_scores_gemma":[0.0076621175,0.00026419453,0.000496179,0.0022506164,0.003236428,0.004397659,0.004552411,0.004346338,0.0021202657],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00026208663,0.00016415984,0.008532984,0.000824411,0.000040044906,0.001100061,0.06458585,0.00009353679,0.00074511656,0.17722149,0.64260125,0.10382901],"study_design_scores_gemma":[0.000018419478,0.000013371412,0.0051601734,0.0007102557,0.0000294578,0.0003157672,0.04263187,0.00004600662,0.00047428452,0.0056525897,0.944927,0.000020723937],"about_ca_topic_score_codex":0.04729669,"about_ca_topic_score_gemma":0.055644915,"teacher_disagreement_score":0.04729669,"about_ca_system_score_codex":0.0038266426,"about_ca_system_score_gemma":0.004268477,"threshold_uncertainty_score":0.09404284},"labels":[],"label_agreement":null},{"id":"W77023831","doi":"","title":"Jane Eyre Goes to Argentina: Cultural Imperialism In María Luisa Bemberg's \"Miss Mary\"","year":2002,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Political science; Art","score_opus":0.017213617123241043,"score_gpt":0.23167108453726992,"score_spread":0.21445746741402888,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W77023831","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10445208,0.01940918,0.0003082894,0.1343823,0.0012902397,0.000026331103,0.000050067254,0.000036553214,0.740045],"genre_scores_gemma":[0.65431654,0.006016225,0.00019136879,0.014992783,0.00055615196,0.000056257435,0.000034880235,0.000093270675,0.32374245],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9989759,0.0004585224,0.000015576688,0.00010210129,0.00013325793,0.00031463333],"domain_scores_gemma":[0.99948955,0.00011612206,0.000073083764,0.000019427016,0.00006413676,0.00023770933],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00063909456,0.00033490572,0.0003069563,0.0003866264,0.022343861,0.0053610504,0.0005070633,0.0027498847,0.008339145],"category_scores_gemma":[0.0017193885,0.00027818687,0.000118080105,0.0004350224,0.008704696,0.0022965828,0.003679269,0.0057449136,0.0008027691],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006475834,0.0000382538,0.002508695,0.00013534847,0.0000067901988,0.0023990336,0.44879606,0.00006321244,0.00057826244,0.33742285,0.19237275,0.015613928],"study_design_scores_gemma":[0.0000058498167,0.00001589246,0.00333503,0.00027467398,0.0000034400878,0.00043415304,0.07736871,0.00004130939,0.0001152661,0.005043678,0.91334707,0.000015022247],"about_ca_topic_score_codex":0.1364612,"about_ca_topic_score_gemma":0.33330885,"teacher_disagreement_score":0.1364612,"about_ca_system_score_codex":0.008943726,"about_ca_system_score_gemma":0.0034343484,"threshold_uncertainty_score":0.2713338},"labels":[],"label_agreement":null},{"id":"W93443425","doi":"","title":"Las relaciones interartísticas de vanguardia ante lo político: un estudio sobre \"La Gaceta Literaria\" (1927-1932)","year":2010,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.008919190097682881,"score_gpt":0.23338453611829718,"score_spread":0.2244653460206143,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W93443425","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8787131,0.0047838488,0.00021223088,0.010022993,0.0001237023,0.000015621094,0.00015226981,0.000006538861,0.10596959],"genre_scores_gemma":[0.9899968,0.0014464874,0.000053114654,0.00035834018,0.00004341314,0.000009308759,0.00004160946,0.000009006103,0.008041868],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987649,0.00044528462,0.000035611065,0.000108151646,0.00016345854,0.0004826453],"domain_scores_gemma":[0.9975073,0.0013166937,0.00042026184,0.00010703811,0.000351489,0.00029723314],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0032991013,0.00016003441,0.00022639812,0.0016592076,0.0050434396,0.005254879,0.0006144031,0.00092401885,0.0066239657],"category_scores_gemma":[0.0065438673,0.00018809222,0.00016608882,0.0032983206,0.007252289,0.0025488217,0.003685947,0.0025379418,0.00031306437],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023787706,0.00015298708,0.13001567,0.0001613094,0.000027296222,0.00094508,0.55244535,0.00014913206,0.0004472748,0.24271093,0.010078388,0.06262871],"study_design_scores_gemma":[0.000021798163,0.00007530842,0.26465365,0.00060434587,0.00005326621,0.00022544301,0.5079825,0.0001002009,0.000662094,0.0065007457,0.21909283,0.000027832592],"about_ca_topic_score_codex":0.11104992,"about_ca_topic_score_gemma":0.18759921,"teacher_disagreement_score":0.11104992,"about_ca_system_score_codex":0.008996306,"about_ca_system_score_gemma":0.007668505,"threshold_uncertainty_score":0.22080708},"labels":[],"label_agreement":null},{"id":"W948064023","doi":"10.37677/sigloxix.vi14.206","title":"JOSÉ MARÍA DE CARNERERO Y SU DEFENSA CALDERONIANA EN CORREO LITERARIO Y MERCANTIL Y CARTAS ESPAÑOLAS","year":2008,"lang":"es","type":"article","venue":"SIGLO DIECINUEVE (Literatura hispánica)","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Humanities; Art","score_opus":0.01416340936214804,"score_gpt":0.22240434026431694,"score_spread":0.20824093090216889,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W948064023","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.027134012,0.210566,0.002896584,0.39587483,0.016205214,0.000047863723,0.00064418337,0.0003020854,0.3463293],"genre_scores_gemma":[0.31034744,0.15796573,0.0034111717,0.04435508,0.008511115,0.000088455854,0.0006602873,0.00048390665,0.47417688],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985258,0.0006031714,0.00003772774,0.00024121736,0.00041609936,0.00017600626],"domain_scores_gemma":[0.99712616,0.0011041585,0.00027740636,0.00021191148,0.0009828834,0.00029738434],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0029509177,0.00089551497,0.0005021239,0.0015499361,0.0041100755,0.0060028187,0.0009522616,0.002710621,0.014189165],"category_scores_gemma":[0.008176943,0.0002767082,0.0004151634,0.0017255725,0.0031100905,0.005166263,0.0029945313,0.0046219216,0.0027046301],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024074606,0.00007595326,0.0051871105,0.00070083514,0.000045052733,0.0010093971,0.03694786,0.00013914709,0.0006432841,0.24395542,0.61768186,0.09337325],"study_design_scores_gemma":[0.000013859929,0.000009581121,0.0022073428,0.0004943735,0.000014341519,0.0002567627,0.00963217,0.000054511747,0.00028951757,0.0072473893,0.9797661,0.000014108809],"about_ca_topic_score_codex":0.055272754,"about_ca_topic_score_gemma":0.07875455,"teacher_disagreement_score":0.055272754,"about_ca_system_score_codex":0.004163962,"about_ca_system_score_gemma":0.0046895947,"threshold_uncertainty_score":0.109902084},"labels":[],"label_agreement":null},{"id":"W953742656","doi":"","title":"Cervantes en \"Cecilia Valdés\": realismo y ciencias sociales","year":2007,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Philosophy","score_opus":0.02375107532722025,"score_gpt":0.25337717655615155,"score_spread":0.2296261012289313,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W953742656","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19099781,0.07735532,0.0021029392,0.16893402,0.0050624507,0.00005550896,0.0001759434,0.00006948541,0.5552465],"genre_scores_gemma":[0.90870655,0.022674771,0.0006040916,0.0087652495,0.0014951156,0.000069242175,0.000078473415,0.00009861205,0.057507895],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9973611,0.0016664189,0.000040550225,0.00020254744,0.0004047709,0.0003246155],"domain_scores_gemma":[0.9973525,0.0015460905,0.00024222225,0.00024966776,0.00036998486,0.0002395245],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004560573,0.00094384624,0.00071807497,0.0021143106,0.009791931,0.01129271,0.0011897756,0.0035722672,0.007672319],"category_scores_gemma":[0.008028679,0.00025119373,0.00049695384,0.0027186791,0.021235406,0.0057315673,0.0080438,0.006434511,0.00062779087],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009700817,0.00007673187,0.0019631418,0.00021024684,0.000014590653,0.0002946487,0.112960875,0.0000918087,0.00019764918,0.8367303,0.029443141,0.017919898],"study_design_scores_gemma":[0.000047054553,0.000029035675,0.004213742,0.0011318857,0.000034620887,0.0003311303,0.23224567,0.00008803221,0.00042313573,0.07162935,0.689801,0.00002536242],"about_ca_topic_score_codex":0.027425338,"about_ca_topic_score_gemma":0.033062916,"teacher_disagreement_score":0.027425338,"about_ca_system_score_codex":0.0081890905,"about_ca_system_score_gemma":0.0057267183,"threshold_uncertainty_score":0.059416354},"labels":[],"label_agreement":null},{"id":"W9679259","doi":"","title":"Entre la lámpara y el espejo: la imaginación modernista de Manuel Gutiérrez Nájera","year":2008,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.013811711890648861,"score_gpt":0.23869985248489908,"score_spread":0.22488814059425022,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W9679259","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.089902885,0.17089288,0.0014754782,0.4869065,0.0050322968,0.000016490101,0.00010425942,0.00004628567,0.24562293],"genre_scores_gemma":[0.8064225,0.077185504,0.00085606077,0.026841687,0.0046432097,0.000042944634,0.00006231323,0.00016490786,0.083780885],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99859506,0.0009311617,0.00002073412,0.000106207146,0.00016298107,0.0001838311],"domain_scores_gemma":[0.9985227,0.0007767173,0.00012365139,0.00008190671,0.00031743452,0.00017755183],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004327504,0.0005495088,0.0006184422,0.0014160945,0.006978158,0.008414151,0.000927506,0.0028047746,0.0038610024],"category_scores_gemma":[0.0032293622,0.00023211936,0.00024079894,0.0017263218,0.014240192,0.008113058,0.0037281231,0.0057751923,0.00045412173],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008606661,0.000050085335,0.0009605283,0.00017897613,0.000012639316,0.00023739923,0.12154203,0.000060934926,0.00022374044,0.79194504,0.06274771,0.021954771],"study_design_scores_gemma":[0.00001595904,0.000016839618,0.0010922684,0.000537922,0.000012291235,0.00018375304,0.10764497,0.000063674976,0.0001695648,0.05693356,0.8333138,0.00001541934],"about_ca_topic_score_codex":0.01908675,"about_ca_topic_score_gemma":0.024891349,"teacher_disagreement_score":0.01908675,"about_ca_system_score_codex":0.005793418,"about_ca_system_score_gemma":0.0046457713,"threshold_uncertainty_score":0.042034447},"labels":[],"label_agreement":null},{"id":"W97868482","doi":"","title":"Challenging global masculinities in Jaime Bayly's \"El cojo y el loco\"","year":2013,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Political science; History; Art","score_opus":0.013241560080686528,"score_gpt":0.2315753721765088,"score_spread":0.21833381209582228,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W97868482","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6444354,0.007874371,0.0006713185,0.089391835,0.0011649395,0.000030860952,0.00007909472,0.000015418069,0.25633678],"genre_scores_gemma":[0.9707342,0.0015620767,0.00014618292,0.0047791796,0.00013274474,0.000018447092,0.000014648652,0.00003331105,0.02257924],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99792045,0.0011098868,0.000044174798,0.00019210081,0.00028249083,0.00045096598],"domain_scores_gemma":[0.9970632,0.0014432361,0.00041450027,0.00012422052,0.0004421515,0.0005126725],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0039850585,0.00047629268,0.0003589807,0.0014598124,0.021902943,0.009896367,0.001012087,0.0022221284,0.0058820555],"category_scores_gemma":[0.0052938284,0.00025489193,0.00018457977,0.0016290147,0.02154045,0.004904798,0.00955665,0.005793313,0.00048494316],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031064003,0.000033833396,0.0034933523,0.00006135668,0.0000048070506,0.00040725464,0.8482953,0.000017276847,0.00018377248,0.123894796,0.013214943,0.0103621995],"study_design_scores_gemma":[0.0000032976818,0.000008658192,0.0026407293,0.00012036752,0.0000043965297,0.00009700799,0.91980594,0.000010166433,0.00016445544,0.0030360452,0.074102,0.000006978303],"about_ca_topic_score_codex":0.066392474,"about_ca_topic_score_gemma":0.17500833,"teacher_disagreement_score":0.066392474,"about_ca_system_score_codex":0.0068902187,"about_ca_system_score_gemma":0.0066312766,"threshold_uncertainty_score":0.13201207},"labels":[],"label_agreement":null},{"id":"W980920147","doi":"","title":"\"If these beds could talk\": Narrating Lesbian Sex Acts in Early Modern Spain","year":2010,"lang":"en","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Lesbian; Gender studies; History; Sociology","score_opus":0.015314887516186988,"score_gpt":0.22358275090981483,"score_spread":0.20826786339362785,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W980920147","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.92166543,0.0031159052,0.0013439719,0.010591835,0.0006500604,0.00002558103,0.00012767434,0.00004099299,0.06243848],"genre_scores_gemma":[0.98771787,0.00067776645,0.00022268498,0.0007988346,0.000093089904,0.000017532073,0.000043426702,0.00005787883,0.010370846],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99904674,0.0006551254,0.00001844008,0.000053782693,0.000080145604,0.0001457263],"domain_scores_gemma":[0.9985537,0.0008003805,0.00019120086,0.00006705186,0.00017905,0.00020866434],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016822009,0.00076760247,0.000498286,0.0010918815,0.008541577,0.0063143615,0.0010620053,0.0032402757,0.0031027852],"category_scores_gemma":[0.0052060504,0.0003279668,0.00023690367,0.00093405665,0.0068310713,0.002521218,0.0049193376,0.004875975,0.0006066317],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000055615958,0.000012459974,0.0013868605,0.00003329879,0.0000037365805,0.0005818958,0.9914874,0.000020745196,0.00030435197,0.002977409,0.0012345467,0.0019017155],"study_design_scores_gemma":[0.0000045222914,0.000009261908,0.0021438033,0.00011110269,0.0000074218747,0.0002104064,0.9729416,0.000033362798,0.0001577626,0.00032958723,0.024042767,0.000008389098],"about_ca_topic_score_codex":0.027281035,"about_ca_topic_score_gemma":0.037677724,"teacher_disagreement_score":0.027281035,"about_ca_system_score_codex":0.004194027,"about_ca_system_score_gemma":0.0015532026,"threshold_uncertainty_score":0.05424452},"labels":[],"label_agreement":null},{"id":"W98914657","doi":"","title":"Formas y funciones del loco festivo: el \"Auto de la Culpa y Cautividad\"","year":2000,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy","score_opus":0.010010497342801229,"score_gpt":0.23152670300596231,"score_spread":0.22151620566316108,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W98914657","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.80202353,0.0035975452,0.00079813926,0.0069871047,0.00027939677,0.00002856674,0.00028902857,0.000048590882,0.18594812],"genre_scores_gemma":[0.9890182,0.0005040243,0.000149435,0.00019232552,0.00005456888,0.000010745957,0.00004752398,0.00002584189,0.009997281],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986279,0.0006808111,0.000032362434,0.00014894757,0.0001737071,0.00033627308],"domain_scores_gemma":[0.9968346,0.0011647281,0.00048505742,0.00030207823,0.0005328779,0.000680761],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0026369032,0.0003619151,0.00025771582,0.0017415938,0.0055049076,0.007335837,0.0012226508,0.0009669366,0.008341436],"category_scores_gemma":[0.0060161715,0.00021052666,0.00024052108,0.0018023504,0.007256073,0.003285977,0.0042818584,0.001207391,0.00050051213],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003350499,0.0001675489,0.1472071,0.0003081699,0.000041800075,0.00074937765,0.56808764,0.00019765616,0.00093580596,0.1801829,0.01597405,0.08581289],"study_design_scores_gemma":[0.000021666117,0.00006435758,0.15673105,0.00047322764,0.000042810963,0.00023468987,0.6755574,0.00016331632,0.0004136936,0.005782435,0.16048123,0.00003412198],"about_ca_topic_score_codex":0.090067565,"about_ca_topic_score_gemma":0.12410329,"teacher_disagreement_score":0.090067565,"about_ca_system_score_codex":0.0065162512,"about_ca_system_score_gemma":0.0044519478,"threshold_uncertainty_score":0.17908663},"labels":[],"label_agreement":null}]}