{"meta":{"query_hash":"302ef03f024c","filters":{"topic":"Spanish Literature and Culture Studies"},"cohort_total":324,"direct_labels_cover":1,"predictions_cover":324,"exported":324,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/302ef03f024c","api":"https://metacan.xera.ac/api/v1/cohort?topic=Spanish+Literature+and+Culture+Studies"},"results":[{"id":"W1005304635","doi":"","title":"Commercial Sucess or Culinary Legacy: turn-of-the-century Spanish culinary nacionalization","year":2010,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Business","score_opus":0.014531870582681326,"score_gpt":0.24316158316024178,"score_spread":0.22862971257756046,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1005304635","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9801906,0.008885239,0.000009831682,0.001870096,0.005046744,0.0011323807,0.00068563287,0.000078814104,0.0021007007],"genre_scores_gemma":[0.9917591,0.0013529803,0.00009850078,0.0014202332,0.003173388,0.00008618467,0.00010400884,0.000095360716,0.0019102049],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9965259,0.00031490656,0.000980856,0.00069268525,0.0005971958,0.0008884869],"domain_scores_gemma":[0.9970783,0.00021317395,0.0006941576,0.000913814,0.0007872706,0.0003132943],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0004877433,0.00071464205,0.0009983914,0.00014294888,0.0019044407,0.0009302221,0.000842186,0.00036287552,0.00087517954],"category_scores_gemma":[0.00042102006,0.0005050836,0.0005373897,0.00033714846,0.00093540427,0.00045332237,0.00035702367,0.0011232464,0.000032682117],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024377354,0.00036451453,0.0047207414,0.00074252253,0.00040225696,0.0002341417,0.018179985,0.0000019976014,0.00036579586,0.9320803,0.040987577,0.0016763879],"study_design_scores_gemma":[0.00078832527,0.00028652156,0.011215451,0.0007940464,0.0006723822,0.00022732056,0.0030540675,0.00002666404,0.000056664117,0.000079986356,0.9821264,0.0006721318],"about_ca_topic_score_codex":0.0004364805,"about_ca_topic_score_gemma":0.025629371,"teacher_disagreement_score":0.94113886,"about_ca_system_score_codex":0.00024147963,"about_ca_system_score_gemma":0.0008458731,"threshold_uncertainty_score":0.99974006},"labels":[],"label_agreement":null},{"id":"W1013165340","doi":"","title":"Collected Short Stories of Isabella Valancy Crawford ed. by Len Early and Michael Peterman (review)","year":2013,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Art history; History","score_opus":0.0060532393079380875,"score_gpt":0.18072070580143954,"score_spread":0.17466746649350146,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1013165340","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.72514415,0.1025033,0.000015417418,0.00032327205,0.00045121985,0.00072649407,0.0002736994,0.00007748871,0.17048499],"genre_scores_gemma":[0.945397,0.005902299,0.00014271912,0.00012895094,0.00012543701,0.0000017943042,0.000045649987,0.000014008529,0.04824213],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993818,0.000032170137,0.00014777461,0.00016004605,0.00013144704,0.00014680997],"domain_scores_gemma":[0.99943113,0.000021085807,0.00008961377,0.00014361397,0.00026294752,0.000051580275],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00003516863,0.00013911484,0.0003240213,0.000014128395,0.0001998134,0.000027515518,0.00014710032,0.00004108618,0.0017605722],"category_scores_gemma":[0.0000025105624,0.00012813344,0.000079319085,0.000012509761,0.00025662503,0.00044287503,0.000022958056,0.00005378617,0.000009196271],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033443583,0.000100309044,0.0008726183,0.000409509,0.00025132822,0.0000031013162,0.22571279,6.043959e-9,0.0011030798,0.004304897,0.7613796,0.005829341],"study_design_scores_gemma":[0.0006263832,0.0014529411,0.01032901,0.000434485,0.00023730991,0.0000023448947,0.06955783,0.0000035290589,0.000047326466,0.0000936044,0.9168507,0.00036453392],"about_ca_topic_score_codex":0.018901622,"about_ca_topic_score_gemma":0.01964264,"teacher_disagreement_score":0.22025289,"about_ca_system_score_codex":0.000028673538,"about_ca_system_score_gemma":0.000011778446,"threshold_uncertainty_score":0.99915195},"labels":[],"label_agreement":null},{"id":"W1016989859","doi":"","title":"Emilia Pardo Bazán, gender, modernity and nationalism at the Paris World Exhibitions of 1889 and 1900","year":2008,"lang":"en","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Exhibition; Modernity; Nationalism; Art; Humanities; Art history; Sociology; Political science; Law; Politics","score_opus":0.029736770838847407,"score_gpt":0.22238032667676258,"score_spread":0.19264355583791518,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1016989859","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9700406,0.021462943,0.0000060694088,0.0008613476,0.000100688594,0.0002913345,0.00036275687,0.000029008275,0.006845233],"genre_scores_gemma":[0.9926759,0.0018355552,0.000029366263,0.0008494316,0.00025630867,0.0000540553,0.00002963488,0.000016826603,0.004252944],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989041,0.00008128107,0.00027568688,0.00027216712,0.00019287824,0.00027390145],"domain_scores_gemma":[0.99915034,0.00014607735,0.000118902215,0.00023170006,0.0002326365,0.000120365075],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00018946127,0.00020076419,0.0003115071,0.00006469023,0.0013093702,0.000071697126,0.00008922751,0.000038887665,0.0002529294],"category_scores_gemma":[0.00007633836,0.00014189912,0.000080334925,0.00007416978,0.0006609822,0.00009174046,0.000088780434,0.00016619133,0.000004659183],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012511734,0.000033401084,0.003337632,0.00007492531,0.00014578026,0.00002558683,0.033477254,0.0000012369587,0.00003168495,0.85452193,0.1081306,0.00020748252],"study_design_scores_gemma":[0.00031811194,0.000036290596,0.014019871,0.000055069206,0.00014122095,0.000115307754,0.0019025005,0.000031196778,0.000019466263,0.00041471643,0.98272526,0.0002210032],"about_ca_topic_score_codex":0.00045961593,"about_ca_topic_score_gemma":0.03916471,"teacher_disagreement_score":0.8745946,"about_ca_system_score_codex":0.000102082544,"about_ca_system_score_gemma":0.00008054968,"threshold_uncertainty_score":0.99999076},"labels":[],"label_agreement":null},{"id":"W10282183","doi":"","title":"Francisco Umbral's \"Lady\" Tourists: A fictional View of Early Female Visitors to Spain","year":2006,"lang":"en","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.010316569213022203,"score_gpt":0.21339881990903609,"score_spread":0.20308225069601388,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W10282183","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9834162,0.00527631,0.000044554556,0.0004031414,0.0004964956,0.00046517496,0.00024750727,0.00007623839,0.009574374],"genre_scores_gemma":[0.9940991,0.00004888534,0.00017256681,0.00073856534,0.0018708055,0.0000842788,0.000028864795,0.000037164846,0.002919792],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981607,0.00008388726,0.00051084254,0.0004020674,0.00031415556,0.00052833173],"domain_scores_gemma":[0.9989117,0.000074883275,0.0001626466,0.0003482984,0.0003258698,0.00017664999],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00026283058,0.00031400795,0.00055643526,0.0001346913,0.0004496669,0.00019872887,0.00023384894,0.00006977839,0.0005068873],"category_scores_gemma":[0.00007097827,0.00027313226,0.00019509536,0.00018004088,0.00015431491,0.00013648528,0.000056077068,0.000189704,0.000060720336],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037022,0.00009670273,0.0025186066,0.00014191736,0.00011890401,0.00007202104,0.011170584,0.0000101678625,0.00014347609,0.90118873,0.08350441,0.0009974404],"study_design_scores_gemma":[0.0002632676,0.00024654352,0.010466649,0.00022268544,0.00009156591,0.00001497086,0.0013225456,0.0000038256335,0.00003762194,0.00007888255,0.9869167,0.00033472327],"about_ca_topic_score_codex":0.0023018126,"about_ca_topic_score_gemma":0.023860196,"teacher_disagreement_score":0.9034123,"about_ca_system_score_codex":0.00018947596,"about_ca_system_score_gemma":0.000116938216,"threshold_uncertainty_score":0.9999721},"labels":[],"label_agreement":null},{"id":"W1034293277","doi":"","title":"From cross gender to generic clousure: Sor Juana Inés de la Cruz's \"Los empeños de una casa\"","year":2008,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.02447377785628391,"score_gpt":0.26567721844376413,"score_spread":0.24120344058748022,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1034293277","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9641961,0.028044356,0.00007095548,0.0004419229,0.00058409723,0.00082421536,0.0015301154,0.00017746892,0.0041307984],"genre_scores_gemma":[0.9838087,0.002335928,0.00043942188,0.0053043715,0.0047622337,0.00023032092,0.00008589135,0.00018997147,0.002843143],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99474764,0.00067884044,0.0008944452,0.0011724415,0.00055785663,0.0019487578],"domain_scores_gemma":[0.9967257,0.0003832372,0.00033343348,0.0010141389,0.00050592923,0.0010375921],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00065282587,0.0010291743,0.0012819464,0.00022992109,0.0024256064,0.0015494886,0.000730258,0.00046860648,0.00062334415],"category_scores_gemma":[0.00045984413,0.0009670009,0.00054450805,0.00032208464,0.00084728445,0.00023431696,0.0002598905,0.00092418276,0.00018279052],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023525514,0.0003874291,0.026773777,0.0005013123,0.0016440104,0.0055222656,0.16098508,0.00007452055,0.000924613,0.50335646,0.2985728,0.0010225001],"study_design_scores_gemma":[0.00091331796,0.00020842106,0.054753307,0.00043146408,0.0005793826,0.0005941217,0.003967315,0.000039417613,0.000109339555,0.00014786431,0.9370486,0.0012074325],"about_ca_topic_score_codex":0.0053702164,"about_ca_topic_score_gemma":0.007991969,"teacher_disagreement_score":0.63847584,"about_ca_system_score_codex":0.0013948823,"about_ca_system_score_gemma":0.0013122542,"threshold_uncertainty_score":0.999487},"labels":[],"label_agreement":null},{"id":"W1041758440","doi":"","title":"\"Duende\" and Apocalypse in Lorca's Theory and Poetics","year":2001,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Poetics; Persona; Philosophy; Poetry; Literature","score_opus":0.011061155561266005,"score_gpt":0.22343323533966314,"score_spread":0.21237207977839714,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1041758440","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9110517,0.08271506,0.00000765295,0.0007369493,0.0002037505,0.00043174592,0.00010490631,0.00003897442,0.004709262],"genre_scores_gemma":[0.9788732,0.017195718,0.000027581844,0.001436356,0.0005980197,0.000038885166,0.000012268659,0.000052315034,0.0017656446],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975546,0.00032067404,0.0005003767,0.0006259695,0.00019819124,0.00080019544],"domain_scores_gemma":[0.9987229,0.00029532777,0.00015064323,0.00036324936,0.00014507193,0.00032279687],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.000765795,0.00051354745,0.00074665726,0.00019666573,0.00059762533,0.00087814895,0.00016164083,0.00017603989,0.00016846255],"category_scores_gemma":[0.00028080321,0.0004486851,0.00009990376,0.00013961027,0.0006576881,0.00017455222,0.00014333274,0.00047043007,0.000014585306],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000121928395,0.000080359394,0.016504612,0.0002889377,0.00017816063,0.000705354,0.025742657,4.769278e-7,0.00002286692,0.9480026,0.0034642033,0.004887879],"study_design_scores_gemma":[0.0008247265,0.00022799704,0.017607816,0.0006090088,0.00030536635,0.0002820968,0.009931581,0.000018487866,0.0000031427435,0.0008444529,0.96876,0.0005852974],"about_ca_topic_score_codex":0.00032835093,"about_ca_topic_score_gemma":0.01162678,"teacher_disagreement_score":0.96529585,"about_ca_system_score_codex":0.00018763065,"about_ca_system_score_gemma":0.00011406674,"threshold_uncertainty_score":0.9997965},"labels":[],"label_agreement":null},{"id":"W111315621","doi":"","title":"Introducción: María Luisa Bemberg o las trampas de la clase","year":2002,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Political science; Geography; Art","score_opus":0.01222757318126365,"score_gpt":0.22226225149030523,"score_spread":0.21003467830904157,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W111315621","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8915053,0.06615871,0.000009549412,0.0034365135,0.0010218665,0.00084639626,0.0010203234,0.00024502169,0.03575634],"genre_scores_gemma":[0.97472304,0.0058856816,0.00011015677,0.0025439283,0.0045562955,0.00013188402,0.000039982937,0.00013744817,0.0118716005],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99556404,0.0006504072,0.0007942659,0.00096157327,0.00044587476,0.0015838222],"domain_scores_gemma":[0.9973372,0.00040511487,0.00032029144,0.000905981,0.0003695522,0.0006618151],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007616202,0.0008968554,0.0011268139,0.00022415562,0.001418187,0.0016876367,0.0005399759,0.00038165544,0.0033546824],"category_scores_gemma":[0.00049009745,0.0008206998,0.00052428414,0.0002367025,0.00086288777,0.0002741199,0.0001472315,0.0010428261,0.00037707007],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003484205,0.00024438996,0.0010697609,0.00031107964,0.00046146524,0.000709673,0.02709787,0.0000031847555,0.00004098034,0.6150302,0.3526373,0.0023592096],"study_design_scores_gemma":[0.0008955864,0.00029110056,0.0015834713,0.00048958807,0.0007780251,0.00034950275,0.0045718383,0.00007509476,0.000023674804,0.0000940352,0.98990923,0.0009388289],"about_ca_topic_score_codex":0.0005440978,"about_ca_topic_score_gemma":0.004887119,"teacher_disagreement_score":0.63727194,"about_ca_system_score_codex":0.00081326696,"about_ca_system_score_gemma":0.00022670427,"threshold_uncertainty_score":0.9998818},"labels":[],"label_agreement":null},{"id":"W11339716","doi":"10.1002/tox.1020","title":"Una travesía desde ciertas márgenes a la novela Duelo de miradas","year":2004,"lang":"en","type":"article","venue":"Espéculo: Revista de Estudios Literarios","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Psychology; Humanities; Art; Social psychology","score_opus":0.013146461343468233,"score_gpt":0.23981268353153404,"score_spread":0.2266662221880658,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W11339716","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7370154,0.045250542,0.0007955685,0.003646779,0.0012144886,0.001505221,0.0002892646,0.00087243615,0.2094103],"genre_scores_gemma":[0.9827662,0.0003238595,0.0018928165,0.003071639,0.0021282444,0.00017262257,0.000064545406,0.00009441647,0.009485638],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99728125,0.00017810753,0.00061245135,0.00064306235,0.0003953438,0.0008897826],"domain_scores_gemma":[0.998619,0.00014880102,0.00019774296,0.0005263542,0.0002552773,0.00025282268],"candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.000479033,0.00061346625,0.00067057443,0.0001428633,0.0008915824,0.0015949454,0.00047008248,0.00018431329,0.00045854886],"category_scores_gemma":[0.00018663246,0.0004976798,0.00040141272,0.0002072581,0.0003874134,0.00045426085,0.00012743831,0.00053567655,0.00014476493],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006581163,0.0003334045,0.001101053,0.0002495582,0.0004356298,0.00028178823,0.1413292,0.0000137007155,0.000835581,0.8431223,0.010628175,0.0016038044],"study_design_scores_gemma":[0.0012087259,0.00017561161,0.0022360005,0.000614544,0.00020802685,0.0001492277,0.0037129947,0.000004750299,0.0002777431,0.004617629,0.98608845,0.000706286],"about_ca_topic_score_codex":0.00013391746,"about_ca_topic_score_gemma":0.0003731128,"teacher_disagreement_score":0.9754603,"about_ca_system_score_codex":0.00023305288,"about_ca_system_score_gemma":0.00025155666,"threshold_uncertainty_score":0.99974746},"labels":[],"label_agreement":null},{"id":"W11955872","doi":"","title":"Fear and Loathing in Vetusta: Coding Class and Gender in Clarín's \"La Regenta\"","year":2001,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Class (philosophy); Coding (social sciences); Social psychology; Sociology; Psychology; Epistemology; Philosophy; Social science","score_opus":0.021678169665807292,"score_gpt":0.24113037584791874,"score_spread":0.21945220618211145,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W11955872","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9349285,0.058463883,0.0000027367767,0.0005525574,0.00016464519,0.0004560542,0.00005135275,0.000029785846,0.005350532],"genre_scores_gemma":[0.97968274,0.01837296,0.000033394685,0.0008289286,0.00039630063,0.000038665505,0.000010379382,0.00005144877,0.00058515946],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.997364,0.0003076949,0.00056751276,0.0006878352,0.00021617809,0.00085676566],"domain_scores_gemma":[0.99899215,0.00021555282,0.00016305341,0.00028664607,0.000098833516,0.00024378179],"candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00077447965,0.00048499374,0.00076904515,0.00030568664,0.00051054853,0.0010399348,0.00014935248,0.00022706424,0.00007259432],"category_scores_gemma":[0.00018596243,0.00046168582,0.00008636509,0.00019105003,0.0003710773,0.00028636138,0.00015437238,0.00073298544,0.0000053346134],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006606012,0.000073894655,0.05133896,0.0005162686,0.00011669896,0.0018593223,0.06784084,0.0000019038251,0.000054237047,0.87320495,0.0031952707,0.0017315827],"study_design_scores_gemma":[0.0012442227,0.00011109431,0.04155859,0.0010440961,0.0001586949,0.0003523054,0.015893364,0.00009390764,0.0000025841505,0.00017259036,0.9387552,0.00061334245],"about_ca_topic_score_codex":0.00084579195,"about_ca_topic_score_gemma":0.026006559,"teacher_disagreement_score":0.9355599,"about_ca_system_score_codex":0.00042260156,"about_ca_system_score_gemma":0.0001368718,"threshold_uncertainty_score":0.9999971},"labels":[],"label_agreement":null},{"id":"W12045282","doi":"10.1105/tpc.010471","title":"Algunas consideraciones fundamentales en torno a la génesis y desarrollo del romanticismo español","year":2007,"lang":"es","type":"article","venue":"Espéculo: Revista de Estudios Literarios","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Philosophy; Humanities; Art","score_opus":0.011609984337908903,"score_gpt":0.2571300997500395,"score_spread":0.24552011541213056,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W12045282","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.81251585,0.13302192,0.00035470093,0.002309838,0.0018719626,0.002114543,0.000484402,0.0006132546,0.046713527],"genre_scores_gemma":[0.97765595,0.0021102964,0.0009770846,0.0026514782,0.0036814827,0.00013374239,0.00012439872,0.00018834362,0.012477247],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99369496,0.00071849575,0.0016972849,0.0013139533,0.0009047426,0.0016705586],"domain_scores_gemma":[0.99571395,0.0015967671,0.0006503015,0.0009535551,0.00061378547,0.00047163857],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.0019413389,0.001429545,0.0016377016,0.00042603552,0.001972376,0.0057041883,0.0007062543,0.0005556746,0.0010264948],"category_scores_gemma":[0.00044881593,0.0012306189,0.0008987965,0.00031188584,0.0009230132,0.0009044118,0.000471409,0.0010571808,0.00042049168],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00037654222,0.0009079972,0.055118516,0.0011988167,0.0022603879,0.001537657,0.13797228,0.0000025095621,0.0007682299,0.76808,0.023421695,0.008355363],"study_design_scores_gemma":[0.0016049615,0.00034908662,0.02766599,0.0018830628,0.0011168718,0.00029490187,0.014476017,0.000016375678,0.0002074081,0.00077441277,0.9501074,0.001503498],"about_ca_topic_score_codex":0.00008591699,"about_ca_topic_score_gemma":0.00022671674,"teacher_disagreement_score":0.9266857,"about_ca_system_score_codex":0.0003538313,"about_ca_system_score_gemma":0.00022277773,"threshold_uncertainty_score":0.9998867},"labels":[],"label_agreement":null},{"id":"W127311085","doi":"","title":"\"Ponemos el espejo por delante\": Staging Race in Alejandro Tapia y Rivera's \"La cuarterona\"","year":2007,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Race (biology); Art; Mathematics; Sociology; Gender studies","score_opus":0.009825940786576441,"score_gpt":0.2373739477991098,"score_spread":0.22754800701253336,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W127311085","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9579517,0.025342844,0.00006689057,0.0009229869,0.00079299754,0.0009790575,0.00036928128,0.00012842439,0.01344577],"genre_scores_gemma":[0.9926258,0.0014685618,0.0001236736,0.0013878123,0.0014847467,0.000054065797,0.00006760998,0.00012380822,0.0026639258],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9949319,0.00034233445,0.0012021475,0.0010607672,0.00055575056,0.0019070961],"domain_scores_gemma":[0.9974919,0.00040229576,0.00045450006,0.0007473399,0.00037149625,0.0005324591],"candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0016389571,0.0009582823,0.0013235676,0.00047266885,0.0010134247,0.0012111062,0.0005424288,0.0003266372,0.00042359167],"category_scores_gemma":[0.00023621604,0.0009010439,0.00038518943,0.00032387816,0.00055164425,0.00038584677,0.00017950233,0.0010933253,0.00011313874],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022991523,0.00028223227,0.023576306,0.00048480052,0.00047766222,0.0038040024,0.061733264,0.0000036497865,0.00014747918,0.8756522,0.028356792,0.0052517164],"study_design_scores_gemma":[0.0015982549,0.00026369595,0.025396463,0.0013551108,0.00036010862,0.00022267958,0.018555978,0.000039749502,0.000027549288,0.00007233618,0.9510167,0.0010913259],"about_ca_topic_score_codex":0.00089750235,"about_ca_topic_score_gemma":0.020850731,"teacher_disagreement_score":0.92265993,"about_ca_system_score_codex":0.0007659663,"about_ca_system_score_gemma":0.0003831817,"threshold_uncertainty_score":0.9998257},"labels":[],"label_agreement":null},{"id":"W12943616","doi":"10.1016/s0022-0965(03)00105-x","title":"\"Isabel, la Reina: Las hijas de la luna roja\", de Ángeles de Irisarri","year":2001,"lang":"en","type":"article","venue":"Insula-revista De Letras Y Ciencias Humanas","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.014716353989662758,"score_gpt":0.25458108626282927,"score_spread":0.23986473227316651,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W12943616","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.47358721,0.0070536844,0.00023876793,0.0009424863,0.00020683068,0.00027060945,0.000046797515,0.00039854314,0.51725507],"genre_scores_gemma":[0.9753734,0.0006348221,0.00045426105,0.004491005,0.002027421,0.0000719105,0.000024718978,0.000082656385,0.01683979],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99668044,0.0004729166,0.0005243528,0.00060661294,0.0004642293,0.0012514491],"domain_scores_gemma":[0.9984062,0.00033252637,0.00020643235,0.00053514075,0.00023082267,0.00028888468],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0013319887,0.00054096576,0.00055176474,0.00020699804,0.0013481611,0.0016979033,0.0007253633,0.00029758562,0.0009855281],"category_scores_gemma":[0.00047089194,0.0004755661,0.00030266205,0.00026131977,0.0012491633,0.00043505628,0.0001324074,0.00078867265,0.00010366904],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000051456267,0.0003425979,0.007207415,0.00013757312,0.00021950188,0.00080750824,0.08254686,0.000024222585,0.002159999,0.7632793,0.14045797,0.002765594],"study_design_scores_gemma":[0.0005618152,0.00014431452,0.0109392535,0.00017209895,0.00016358781,0.00023297401,0.006148097,0.000041964457,0.00024521508,0.009560848,0.9711731,0.0006167096],"about_ca_topic_score_codex":0.00058894954,"about_ca_topic_score_gemma":0.0011090449,"teacher_disagreement_score":0.8307152,"about_ca_system_score_codex":0.0004853137,"about_ca_system_score_gemma":0.00029274,"threshold_uncertainty_score":0.99995196},"labels":[],"label_agreement":null},{"id":"W130735618","doi":"","title":"Note on Zola and Galdós: 1883-1887","year":2008,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.016283263495473717,"score_gpt":0.22534461183343765,"score_spread":0.20906134833796394,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W130735618","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9519695,0.031109067,0.000004267617,0.0011039673,0.0006389643,0.0006359093,0.00038529886,0.0001201162,0.014032893],"genre_scores_gemma":[0.982387,0.008073799,0.0000546446,0.0033474015,0.0019438938,0.00006444361,0.000029345996,0.00008770035,0.00401179],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9969911,0.00017810108,0.0005765046,0.00083320757,0.00040128815,0.0010197953],"domain_scores_gemma":[0.9982155,0.00021299701,0.00024719344,0.00062359957,0.00023788762,0.00046283263],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00027616209,0.0007307402,0.00095106056,0.00018653048,0.002130318,0.000705159,0.0002795456,0.00021524413,0.00029750264],"category_scores_gemma":[0.00021284378,0.0006258031,0.0002703245,0.00013246058,0.0007649023,0.00019450998,0.000121056546,0.00064423674,0.00014005134],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008260848,0.00012902112,0.001530977,0.0002781038,0.0002888285,0.0010856997,0.030123271,9.73933e-7,0.000042622272,0.8769228,0.088091984,0.0014231391],"study_design_scores_gemma":[0.00070779474,0.0005441074,0.0061880113,0.00067215675,0.00031328652,0.00038537098,0.0016004246,0.00001534727,0.000020383457,0.000038860817,0.98876244,0.000751847],"about_ca_topic_score_codex":0.0003940971,"about_ca_topic_score_gemma":0.0034421198,"teacher_disagreement_score":0.9006704,"about_ca_system_score_codex":0.0003324299,"about_ca_system_score_gemma":0.0002852986,"threshold_uncertainty_score":0.9996193},"labels":[],"label_agreement":null},{"id":"W130928408","doi":"","title":"Mirar o no mirar. La mujer como espectáculo en \"Garaje Olimpo\"","year":2012,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.012429542290533923,"score_gpt":0.23265610462290118,"score_spread":0.22022656233236726,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W130928408","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.85344964,0.07840224,0.000005355099,0.0010120994,0.002231102,0.0011161501,0.0007657352,0.00024641844,0.06277126],"genre_scores_gemma":[0.97717124,0.0036268686,0.00013140915,0.0023338294,0.0068315156,0.00014393934,0.00008672988,0.0001744362,0.0095000565],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9948667,0.0007216766,0.0009118399,0.0008154514,0.00056707766,0.0021172317],"domain_scores_gemma":[0.9967838,0.00045212224,0.00040507998,0.0009791077,0.00050654396,0.00087333104],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0010459891,0.0010872526,0.0013554761,0.0002285584,0.0014347875,0.0014661745,0.00062807,0.00042689402,0.001713623],"category_scores_gemma":[0.00042510874,0.0009444979,0.00063515035,0.00020612724,0.0006188899,0.00055650534,0.00026618637,0.0010251699,0.0013622246],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006550661,0.00032771137,0.0052129924,0.0005899828,0.00078967866,0.00018369236,0.04286035,3.4966135e-7,0.000096497664,0.78456324,0.164578,0.0007319895],"study_design_scores_gemma":[0.00081041415,0.0002513464,0.007653471,0.000735149,0.0008437046,0.00020252766,0.0043752613,0.0000074092336,0.000027606673,0.000029553144,0.98389804,0.0011654983],"about_ca_topic_score_codex":0.0005004174,"about_ca_topic_score_gemma":0.0024156952,"teacher_disagreement_score":0.8193201,"about_ca_system_score_codex":0.0006641413,"about_ca_system_score_gemma":0.0003085474,"threshold_uncertainty_score":0.99986523},"labels":[],"label_agreement":null},{"id":"W134609811","doi":"","title":"No Happy Endings: Carmen de Icaza's (Anti)Romance Novels","year":2011,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Romance; Art; Literature","score_opus":0.019445173678033136,"score_gpt":0.22011688531332524,"score_spread":0.2006717116352921,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W134609811","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8850545,0.020193877,0.000018311397,0.0002745479,0.0013554909,0.00095864956,0.0007276997,0.00022804795,0.09118883],"genre_scores_gemma":[0.98686916,0.0024541672,0.00034261376,0.0019344486,0.0023853525,0.00014931161,0.000028659755,0.00013313763,0.005703157],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99585646,0.00020177348,0.0008042698,0.0009735191,0.00040298793,0.001760981],"domain_scores_gemma":[0.99739325,0.00013670904,0.00044755748,0.0008469061,0.0005866889,0.00058889645],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00058350095,0.0008903115,0.0011918303,0.00019095508,0.0013844426,0.0009775076,0.0007052981,0.0002836501,0.0015560933],"category_scores_gemma":[0.0003456121,0.00081157143,0.00046361773,0.00018227617,0.00061244314,0.00032839944,0.00020585486,0.000701167,0.00044818805],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009125415,0.00021229328,0.005030572,0.0005179269,0.00074182503,0.00058599067,0.04987763,3.2546697e-7,0.00027895032,0.88751596,0.05457488,0.000572385],"study_design_scores_gemma":[0.00054471614,0.0004935676,0.009129073,0.0010936343,0.0006773005,0.00013855893,0.0034827038,0.00001445321,0.00009999288,0.00006930281,0.9832548,0.0010019309],"about_ca_topic_score_codex":0.0018588029,"about_ca_topic_score_gemma":0.003993694,"teacher_disagreement_score":0.9286799,"about_ca_system_score_codex":0.00069956377,"about_ca_system_score_gemma":0.00047818205,"threshold_uncertainty_score":0.9999156},"labels":[],"label_agreement":null},{"id":"W142134697","doi":"","title":"Similaridad y evolución en la rítmica del flamenco: una incursión de la matemática computacional","year":2005,"lang":"es","type":"article","venue":"idUS (Universidad de Sevilla)","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":8,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy","score_opus":0.005042202824006576,"score_gpt":0.2453927723220589,"score_spread":0.2403505694980523,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W142134697","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2414509,0.008561219,0.00016663238,0.011263251,0.0004451418,0.0003983269,0.00045819295,0.00037551566,0.73688084],"genre_scores_gemma":[0.9718908,0.0006861919,0.001234746,0.0016039049,0.0023524375,0.000008355021,0.00006645201,0.000077590485,0.022079522],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99698144,0.0005782942,0.000375887,0.00062859146,0.00051668315,0.00091910915],"domain_scores_gemma":[0.99817175,0.00061580405,0.00021464108,0.00040090826,0.00029127588,0.00030559622],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005283243,0.0006217584,0.0006452608,0.0002952316,0.0012114565,0.0012035602,0.00060300063,0.0005566465,0.0023472267],"category_scores_gemma":[0.00006502021,0.00061841315,0.0003805068,0.00020621248,0.0008561244,0.00058474654,0.00032572745,0.00089881057,0.00051763735],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013577417,0.00029178237,0.0013125958,0.00019379322,0.0007012228,0.00032992594,0.052793942,0.00022436124,0.0003805514,0.76799417,0.17198929,0.003652616],"study_design_scores_gemma":[0.001138376,0.00015859051,0.0068258788,0.00048769687,0.00038073055,0.00017869593,0.015930973,0.0009970779,0.00006467395,0.0024501784,0.9706217,0.0007654278],"about_ca_topic_score_codex":0.00012747264,"about_ca_topic_score_gemma":0.00016386597,"teacher_disagreement_score":0.7986324,"about_ca_system_score_codex":0.00051423855,"about_ca_system_score_gemma":0.00029516133,"threshold_uncertainty_score":0.9998333},"labels":[],"label_agreement":null},{"id":"W142438518","doi":"","title":"Gohic Machinery in the Región Novels","year":2005,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.015127358058200615,"score_gpt":0.2327748933683964,"score_spread":0.2176475353101958,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W142438518","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9140851,0.052513707,0.000004295395,0.01086264,0.00045273395,0.00090306153,0.00028418843,0.00006952733,0.020824783],"genre_scores_gemma":[0.9835348,0.001957959,0.00004594318,0.00841276,0.0035052216,0.00012474661,0.00003207092,0.00006153721,0.0023249274],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9967637,0.00038197954,0.0007153295,0.00063407765,0.00042785078,0.0010770329],"domain_scores_gemma":[0.9982946,0.00026519352,0.00025645035,0.0008115195,0.0001875334,0.0001847103],"candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0009765121,0.0006178413,0.00076012267,0.00018932548,0.00095054536,0.0013582731,0.00069640524,0.00017698058,0.00038758764],"category_scores_gemma":[0.00022563053,0.00042448685,0.00032178668,0.0002478275,0.00037593974,0.00026200557,0.00010295585,0.00088977796,0.000181496],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029907122,0.00017516637,0.001444618,0.00017412385,0.00015828245,0.00025472135,0.043835115,0.0000068880204,0.000019623389,0.86448485,0.08564657,0.0037701244],"study_design_scores_gemma":[0.0005744097,0.00013654375,0.0052746525,0.00048077328,0.0002466096,0.00013752865,0.005760093,0.000045992718,0.0000037082102,0.000051099098,0.98674583,0.0005427844],"about_ca_topic_score_codex":0.0006180925,"about_ca_topic_score_gemma":0.039485957,"teacher_disagreement_score":0.90109926,"about_ca_system_score_codex":0.00046380569,"about_ca_system_score_gemma":0.00024639536,"threshold_uncertainty_score":0.9998207},"labels":[],"label_agreement":null},{"id":"W147518070","doi":"","title":"The Deterritorialization of Knowledge in \"El zorro de ariiba y el zorro de abajo\"","year":2001,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Deterritorialization; Political science; Law","score_opus":0.013208937292167707,"score_gpt":0.24953885613001112,"score_spread":0.2363299188378434,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W147518070","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.93174464,0.059074175,0.00009049576,0.0005882454,0.0018975734,0.0007706252,0.00016444057,0.000060640177,0.005609143],"genre_scores_gemma":[0.98914105,0.0059898994,0.000033904544,0.00034280348,0.0032022875,0.00011885894,0.000028714327,0.00007195819,0.0010705448],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99661946,0.00047704187,0.00091047894,0.0005226173,0.00028563742,0.0011847758],"domain_scores_gemma":[0.99783343,0.00039873229,0.00040442197,0.00060750276,0.0004864068,0.00026952432],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0010895184,0.00054024876,0.00080606225,0.00018632064,0.0010988163,0.0006389728,0.0005131992,0.00025612916,0.00009096391],"category_scores_gemma":[0.0005522113,0.00043053925,0.00030030878,0.00030480864,0.00047263777,0.00018160524,0.00012108033,0.00050456857,0.000020858044],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012325944,0.00020865875,0.023520289,0.0003284076,0.00024214775,0.00016093724,0.047604047,0.000010049317,0.00013887149,0.9111484,0.013976539,0.0025383853],"study_design_scores_gemma":[0.0007966497,0.00022510857,0.012405144,0.0007436074,0.0003505691,0.00007699959,0.0066685104,0.00027581435,0.000046259913,0.00046231892,0.97743404,0.0005149605],"about_ca_topic_score_codex":0.0027346127,"about_ca_topic_score_gemma":0.12564453,"teacher_disagreement_score":0.9634575,"about_ca_system_score_codex":0.0010242369,"about_ca_system_score_gemma":0.00060902827,"threshold_uncertainty_score":0.9998146},"labels":[],"label_agreement":null},{"id":"W1486681244","doi":"","title":"Living the Postcolonial; Thinking it Neo-colonial; Calling it Cultural Cooperation Between Spain and the Philippines","year":2015,"lang":"en","type":"article","venue":"Postcolonial text","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Exhibition; Archipelago; Promotion (chess); Colonialism; The Imaginary; Power (physics); Sociology; Political science; Gender studies; History; Politics; Law; Psychology; Art history; Archaeology","score_opus":0.04019284596167195,"score_gpt":0.2691253992806782,"score_spread":0.22893255331900625,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1486681244","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6179849,0.006445285,0.000044868575,0.31161654,0.0033950415,0.0022793722,0.00009708462,0.0003407366,0.057796206],"genre_scores_gemma":[0.9798266,0.00010348571,0.000058232275,0.0080410745,0.006081979,0.00010032522,0.000031080344,0.000032225405,0.005724975],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977908,0.0004164752,0.000484098,0.00038554746,0.0004418211,0.0004812704],"domain_scores_gemma":[0.9980925,0.00077281607,0.00020168647,0.0002780583,0.00054872566,0.00010625049],"candidate_categories":["sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0014836539,0.0003761862,0.00046727236,0.000045490313,0.002877875,0.0017133842,0.00045438658,0.0001292444,0.00018263677],"category_scores_gemma":[0.00065235374,0.00018672232,0.00014256057,0.00012032196,0.0009335433,0.0005364615,0.00029023117,0.0004848974,0.00008530511],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022617611,0.0000447487,0.0014266719,0.000026195827,0.0002804866,0.000009987335,0.73544776,0.000021775657,0.00005927344,0.22323579,0.037305918,0.0019152089],"study_design_scores_gemma":[0.001591396,0.00031950482,0.0017233789,0.00017642531,0.00032829447,0.000027513053,0.029472787,0.00016885741,0.000022920538,0.002928514,0.96274203,0.00049838895],"about_ca_topic_score_codex":0.001335884,"about_ca_topic_score_gemma":0.010674078,"teacher_disagreement_score":0.9254361,"about_ca_system_score_codex":0.000068615795,"about_ca_system_score_gemma":0.0000835499,"threshold_uncertainty_score":0.99932295},"labels":[],"label_agreement":null},{"id":"W1503905117","doi":"","title":"Books between Europe and the Americas Connections and Communities, 1620-1860","year":2011,"lang":"en","type":"book","venue":"Palgrave Macmillan eBooks","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":23,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History; Latin Americans; Civility; Colonialism; Power (physics); Atlantic World; Classics; Humanities; Art; Ancient history; Archaeology; Political science; Law; Politics","score_opus":0.0382341499432763,"score_gpt":0.2270674303487822,"score_spread":0.1888332804055059,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1503905117","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00013135573,0.009864224,0.000003366092,0.00015350227,0.0003751742,0.00053041277,0.00039750032,0.00013577162,0.9884087],"genre_scores_gemma":[0.46355873,0.0010203125,0.000017909118,0.0014673078,0.0021257394,0.0000833638,0.00020813108,0.00010400006,0.5314145],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985196,0.00020019976,0.00040205903,0.00032786294,0.00020054363,0.00034975092],"domain_scores_gemma":[0.9984756,0.0003943082,0.00027032124,0.00051433046,0.00023663255,0.00010876941],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0002108554,0.0005732265,0.0008132349,0.00010865551,0.001456919,0.00046601184,0.00031055935,0.00015661056,0.0002855643],"category_scores_gemma":[0.000020348507,0.00035492514,0.00015107053,0.0000117723375,0.003553849,0.000006219668,0.00035928423,0.0007640501,0.000039784412],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033250675,9.395416e-7,0.00004566112,0.000064530985,0.0005072303,0.000008083298,0.09947268,3.1407161e-9,4.2429292e-7,0.88853204,0.007797877,0.0035372886],"study_design_scores_gemma":[0.0006079629,0.00011401398,0.00010421597,0.00013877542,0.00047570668,0.000022733197,0.006449232,4.2085583e-7,0.0000018315433,0.18105897,0.81059337,0.00043275696],"about_ca_topic_score_codex":0.00075229653,"about_ca_topic_score_gemma":0.0029918316,"teacher_disagreement_score":0.8027955,"about_ca_system_score_codex":0.000019760377,"about_ca_system_score_gemma":0.000054936416,"threshold_uncertainty_score":0.99989027},"labels":[],"label_agreement":null},{"id":"W1523215914","doi":"","title":"Las máscaras de la decadencia. Vila, María del Pilar, Rosario, Beatriz Viterbo Editora, 2006, 250 páginas.","year":2006,"lang":"es","type":"article","venue":"Dialnet (Universidad de la Rioja)","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Humanities; Art","score_opus":0.00443721240383226,"score_gpt":0.21517281000181743,"score_spread":0.21073559759798516,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1523215914","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2577672,0.023402398,0.00022680633,0.0017353473,0.003936519,0.0006742653,0.0014048585,0.0005005073,0.71035206],"genre_scores_gemma":[0.92710304,0.001178358,0.0005447831,0.0011097167,0.017998103,0.000031483294,0.00035142805,0.00014891668,0.051534157],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99614793,0.00062656787,0.00047202557,0.0008341776,0.0006559767,0.0012633429],"domain_scores_gemma":[0.99781585,0.000638261,0.0003467894,0.00055862416,0.00034094398,0.0002995257],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006171412,0.000850819,0.0008358012,0.0004279863,0.0016220396,0.0025831996,0.0007197685,0.00092212274,0.0013158341],"category_scores_gemma":[0.000079945195,0.0008673092,0.000562643,0.00032784496,0.0012367362,0.0008708473,0.0002745637,0.001109831,0.00029429665],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017743689,0.000390726,0.012645586,0.00015251721,0.00039104652,0.00085770607,0.017407732,0.00003354517,0.00091772777,0.3359596,0.63012755,0.0009388365],"study_design_scores_gemma":[0.0016698794,0.00020613591,0.033161577,0.00024353586,0.0006597796,0.00006792282,0.006019681,0.00004812026,0.00024508694,0.005114422,0.9515417,0.0010221276],"about_ca_topic_score_codex":0.004767872,"about_ca_topic_score_gemma":0.0023907537,"teacher_disagreement_score":0.66933584,"about_ca_system_score_codex":0.0004426061,"about_ca_system_score_gemma":0.0003348657,"threshold_uncertainty_score":0.9996777},"labels":[],"label_agreement":null},{"id":"W1526311238","doi":"","title":"Translations and Translators of English-language Literature in Catalan Literary Publications and Series between 1868 and 1910","year":2012,"lang":"en","type":"article","venue":"","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Catalan; TRACE (psycholinguistics); Quarter (Canadian coin); Period (music); Linguistics; History; Series (stratigraphy); Catalan number; Literature; Mathematics; Art; Philosophy; Archaeology","score_opus":0.012562831051858297,"score_gpt":0.21979524110436657,"score_spread":0.20723241005250828,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1526311238","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8910775,0.058326244,0.0000033034285,0.0008674431,0.00012538617,0.00022779536,0.00043454845,0.000063133906,0.048874635],"genre_scores_gemma":[0.9958857,0.00025940884,0.0001392008,0.00006804419,0.00046505794,0.00001704713,0.0001536531,0.000009571743,0.0030022715],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99938476,0.000026932335,0.00020436835,0.00014719227,0.000069583795,0.00016716719],"domain_scores_gemma":[0.9996436,0.000052548432,0.00003410806,0.00009638239,0.000098018645,0.00007529593],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00009307065,0.0001419904,0.00020686327,0.000101314516,0.00015901256,0.00023734842,0.000039342573,0.00006346942,0.000075127275],"category_scores_gemma":[0.000022056052,0.00010428266,0.000025159045,0.00009311779,0.00023082508,0.0012326445,0.000016442791,0.00013429808,3.2662723e-7],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000053710796,0.000024866758,0.06259724,0.00008241651,0.000034874087,2.83653e-7,0.7942686,5.425195e-9,0.000039087314,0.14080803,0.00033224467,0.0018069609],"study_design_scores_gemma":[0.0010570956,0.00013426163,0.18324688,0.00024574628,0.0001695447,0.0000121161265,0.098950565,0.0000019729828,0.00040798268,0.0025372985,0.7126618,0.0005747291],"about_ca_topic_score_codex":0.000038378024,"about_ca_topic_score_gemma":0.00078204006,"teacher_disagreement_score":0.71232957,"about_ca_system_score_codex":0.000002364343,"about_ca_system_score_gemma":0.0000057912443,"threshold_uncertainty_score":0.42525235},"labels":[],"label_agreement":null},{"id":"W154774702","doi":"","title":"Capitán Alfredo Miranda Labrador. Semblanza de un héroe de Krasny-Bor","year":2006,"lang":"es","type":"article","venue":"Revista española de historia militar","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Geography","score_opus":0.0051924600257339595,"score_gpt":0.2034478932735509,"score_spread":0.19825543324781694,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W154774702","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.34549296,0.5621082,0.0001425642,0.0030250775,0.003966778,0.0011232002,0.0014484264,0.0005988504,0.08209391],"genre_scores_gemma":[0.9084338,0.0037485133,0.0014805204,0.0021067136,0.015784713,0.00014749251,0.000329214,0.00025144045,0.06771763],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99553454,0.00049780513,0.0009947912,0.0009299907,0.0005508216,0.0014920644],"domain_scores_gemma":[0.99778324,0.00021460217,0.0003344776,0.00088261394,0.00043644803,0.00034860015],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008516454,0.00095023453,0.0011536304,0.00018927436,0.001565011,0.0010383977,0.0006376782,0.00048344416,0.0012324925],"category_scores_gemma":[0.00019035987,0.0008841539,0.0006752958,0.0001823334,0.00054620806,0.00034276317,0.0001202595,0.00081242906,0.00029286082],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020403073,0.00035520192,0.001974486,0.0010044106,0.000365968,0.00025534432,0.051958248,0.0000059025174,0.0017512852,0.4583489,0.48322985,0.00054637966],"study_design_scores_gemma":[0.0011989427,0.00022621315,0.002353844,0.0005492706,0.0007349796,0.000063151216,0.0026658725,0.00002552741,0.00021954221,0.0018212013,0.9891303,0.0010111084],"about_ca_topic_score_codex":0.009748734,"about_ca_topic_score_gemma":0.0022217785,"teacher_disagreement_score":0.5629408,"about_ca_system_score_codex":0.0016812814,"about_ca_system_score_gemma":0.0004057092,"threshold_uncertainty_score":0.9999986},"labels":[],"label_agreement":null},{"id":"W1553323140","doi":"","title":"A CRITICAL ANALYSIS OF SAMUEL MORENO AND ENRIQUE PEÑALOSA'S ADVERTISING CAMPAIGNS: AN APPROACH TOWARDS THEIR DISCOURSE STRATEGIES","year":2014,"lang":"en","type":"article","venue":"Lingüística y Literatura","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Critical discourse analysis; Advertising; Discourse analysis; Political science; Sociology; Business; Linguistics; Law; Philosophy; Ideology; Politics","score_opus":0.01567562954735937,"score_gpt":0.2725487017809194,"score_spread":0.25687307223356004,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1553323140","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.72280294,0.009046084,0.012856281,0.0008062079,0.0010666978,0.0005867053,0.0009629517,0.0004506653,0.25142148],"genre_scores_gemma":[0.9964417,0.000025722096,0.0017285611,0.00031980136,0.0008765962,0.000023320968,0.00023243242,0.000027016938,0.0003248345],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9982084,0.00016185516,0.0004665895,0.00051953277,0.0002557577,0.00038788383],"domain_scores_gemma":[0.9986908,0.00022042215,0.00010845318,0.00039287563,0.00043849685,0.00014897528],"candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00027061882,0.00037588165,0.00072847056,0.00024642222,0.0004099136,0.0017095493,0.00021330254,0.00011450065,0.00013735109],"category_scores_gemma":[0.00022479148,0.0002510462,0.0002120637,0.00024282116,0.0008054371,0.00082613394,0.00007439934,0.00031153037,0.00000121207],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004939858,0.00017571758,0.00015566252,0.00015589957,0.00059056317,0.0000037190264,0.16067788,0.000028806742,0.00037893458,0.8355494,0.00006954676,0.002164438],"study_design_scores_gemma":[0.0027363638,0.0028078314,0.0190823,0.0015724171,0.012931045,0.00007612177,0.6389326,0.070311755,0.00088379614,0.11256156,0.13309556,0.005008643],"about_ca_topic_score_codex":0.000064801156,"about_ca_topic_score_gemma":0.0000798206,"teacher_disagreement_score":0.7229879,"about_ca_system_score_codex":0.000012825669,"about_ca_system_score_gemma":0.000034804267,"threshold_uncertainty_score":0.99999416},"labels":[],"label_agreement":null},{"id":"W1555593680","doi":"","title":"El tercer cuerpo: estructuras en la construcción del sujeto masculino en las películas narrativas gays","year":2006,"lang":"es","type":"article","venue":"Archivos de la filmoteca: Revista de estudios históricos sobre la imagen","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Narrative; Movie theater; Representation (politics); Subject (documents); Art; Gaze; Subjectivity; Humanities; Literature; Psychoanalysis; Psychology; Philosophy; Politics; Political science","score_opus":0.004365652045580172,"score_gpt":0.22765936560527952,"score_spread":0.22329371355969935,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1555593680","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.34842876,0.021297678,0.0016780347,0.002664219,0.0008192107,0.0025181896,0.0016627864,0.0009723956,0.6199587],"genre_scores_gemma":[0.9771996,0.0030626375,0.0044948244,0.00076064287,0.0038853844,0.0002529444,0.00031946859,0.00032904453,0.009695414],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.98979807,0.0043804976,0.0015077488,0.0015781173,0.00094059954,0.0017949947],"domain_scores_gemma":[0.9949066,0.0023504093,0.00067433855,0.0012319608,0.00041167496,0.0004250303],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.0017881676,0.0017532699,0.0018675303,0.00032458326,0.0018465811,0.0035024465,0.0012850729,0.0007489415,0.0007293629],"category_scores_gemma":[0.00056448026,0.0015149784,0.0010983805,0.00036943282,0.0023606634,0.0005945634,0.00074647623,0.0021986738,0.00028735684],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019514447,0.0007601048,0.011717425,0.0015238278,0.001898228,0.002322465,0.07232589,0.000059334478,0.0041670273,0.780877,0.11108879,0.013064773],"study_design_scores_gemma":[0.0019981726,0.00024616893,0.043689057,0.0009445193,0.0012196351,0.0014864993,0.0058622556,0.0001285055,0.00021601847,0.006998684,0.9353722,0.0018382928],"about_ca_topic_score_codex":0.00063504046,"about_ca_topic_score_gemma":0.00017347375,"teacher_disagreement_score":0.8242834,"about_ca_system_score_codex":0.0005277084,"about_ca_system_score_gemma":0.00056445185,"threshold_uncertainty_score":0.9995213},"labels":[],"label_agreement":null},{"id":"W157007779","doi":"","title":"Entrevista a Tamara Rojo","year":2006,"lang":"es","type":"article","venue":"Temas para el debate","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ballet; Art; Humanities; Dance; Visual arts","score_opus":0.014413000759619803,"score_gpt":0.2451896447218908,"score_spread":0.23077664396227102,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W157007779","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08412236,0.0658671,0.000021479791,0.0063642343,0.0016789178,0.0007802932,0.000388602,0.00043570477,0.8403413],"genre_scores_gemma":[0.7849761,0.0004362181,0.00001947831,0.00072519743,0.004041954,0.000049215094,0.00013342228,0.000053222306,0.20956515],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99769664,0.000096615695,0.0006097806,0.0005433061,0.0003662102,0.00068745593],"domain_scores_gemma":[0.998912,0.000069883405,0.00024621811,0.00045317522,0.00022871037,0.00009001102],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00015197588,0.00056078774,0.0006477897,0.00009703821,0.0008624753,0.0017555403,0.00027989442,0.00015241155,0.002413853],"category_scores_gemma":[0.000020452719,0.00042623436,0.00032895867,0.000090098925,0.00033809454,0.000299496,0.0001088297,0.00030558638,0.0018565212],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004079216,0.00018843911,0.0011501207,0.00023846747,0.0002014825,0.00011866645,0.005657466,0.000002444206,0.0002209862,0.67649794,0.31536537,0.000317851],"study_design_scores_gemma":[0.0005517463,0.00011016111,0.00429273,0.0003472976,0.000272482,0.000017176524,0.000986693,0.000016458313,0.00016296534,0.0032593932,0.989396,0.00058692374],"about_ca_topic_score_codex":0.00054241525,"about_ca_topic_score_gemma":0.00035796384,"teacher_disagreement_score":0.70085377,"about_ca_system_score_codex":0.000046017783,"about_ca_system_score_gemma":0.000036307014,"threshold_uncertainty_score":0.9998189},"labels":[],"label_agreement":null},{"id":"W157076464","doi":"","title":"La popularidad de la \"Dama boba\" y su recepción americana en el siglo XX","year":2000,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.007227165109749524,"score_gpt":0.24210829986184693,"score_spread":0.2348811347520974,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W157076464","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9403441,0.025954556,0.000004920557,0.0011650063,0.00029191183,0.0005826431,0.0005617897,0.00018503198,0.030910019],"genre_scores_gemma":[0.98203313,0.006057074,0.0001308627,0.0024999974,0.0020397024,0.00012465051,0.00006797692,0.00015019633,0.0068964157],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9948761,0.0014183837,0.00079612865,0.00093449216,0.00046188972,0.0015129953],"domain_scores_gemma":[0.9974478,0.0005687734,0.00029222778,0.00083577464,0.00023682254,0.0006185909],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0011019758,0.00091419456,0.001235848,0.00018759424,0.0013047386,0.0019812877,0.0006320561,0.0004365709,0.0029281734],"category_scores_gemma":[0.00037117337,0.0008405802,0.0005218591,0.00028924097,0.0009730788,0.00024708814,0.00010772232,0.0011615391,0.00027747496],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000104180785,0.00022090726,0.004285684,0.0003037832,0.0006983557,0.0011752521,0.027695946,0.0000070503975,0.000058186113,0.8402962,0.10264184,0.022512617],"study_design_scores_gemma":[0.00068594294,0.0002835219,0.010757362,0.0006405118,0.0007170884,0.00034954827,0.004522819,0.000021449961,0.000007731772,0.00014060296,0.9808871,0.0009863235],"about_ca_topic_score_codex":0.0050508273,"about_ca_topic_score_gemma":0.0056330264,"teacher_disagreement_score":0.87824523,"about_ca_system_score_codex":0.0009072485,"about_ca_system_score_gemma":0.0005882254,"threshold_uncertainty_score":0.9999954},"labels":[],"label_agreement":null},{"id":"W1587865100","doi":"","title":"El Ejido, Feria y Fiestas de San Isidro Labrador","year":2011,"lang":"es","type":"article","venue":"","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Geography","score_opus":0.028581438847763666,"score_gpt":0.2378201758089542,"score_spread":0.20923873696119055,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1587865100","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07623645,0.004463155,0.000013138689,0.00050238776,0.0010632032,0.00019449595,0.00011297672,0.00019001952,0.91722417],"genre_scores_gemma":[0.89412504,0.00028841518,0.00031642916,0.0027730507,0.0019093693,0.00002349985,0.000023436382,0.000038822593,0.10050193],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998542,0.000061100334,0.00031851485,0.00035427415,0.00018081516,0.0005432986],"domain_scores_gemma":[0.99924266,0.000037783477,0.00009479529,0.0003319071,0.00016659182,0.0001262506],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00011874808,0.00037682275,0.0003719681,0.000062083316,0.00067431584,0.0007676331,0.00026827777,0.00015278738,0.042900454],"category_scores_gemma":[0.000028047361,0.00027211042,0.00019592278,0.000044909593,0.00029407573,0.00031070464,0.00011649596,0.0002599543,0.00078255584],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000041779047,0.00011517051,0.001375231,0.0000703004,0.00022748724,0.00003335639,0.11880546,1.8339987e-8,0.00008606057,0.7103719,0.16770434,0.00116886],"study_design_scores_gemma":[0.00033886702,0.00024983342,0.010420912,0.000100785364,0.00017313304,0.000011238802,0.02793704,0.000002417115,0.0006743523,0.0065024463,0.9531227,0.00046631298],"about_ca_topic_score_codex":0.0011130003,"about_ca_topic_score_gemma":0.0015567287,"teacher_disagreement_score":0.8178886,"about_ca_system_score_codex":0.000029681645,"about_ca_system_score_gemma":0.00004585042,"threshold_uncertainty_score":0.99999547},"labels":[],"label_agreement":null},{"id":"W161034911","doi":"","title":"A Woman's Place: the Home, the Brothel and the Department Store in Argentine Golden Age Cinema","year":2012,"lang":"en","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Movie theater; Art; Advertising; History; Media studies; Art history; Sociology; Business","score_opus":0.013169327893445666,"score_gpt":0.21340144691972132,"score_spread":0.20023211902627566,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W161034911","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.94915706,0.04178703,0.0000013350918,0.0043527274,0.0003467551,0.0011168787,0.000057777892,0.000031512907,0.0031488985],"genre_scores_gemma":[0.9919376,0.0006733512,0.0000065050076,0.0032918116,0.0009904766,0.00036249103,0.000009878764,0.000026581863,0.0027013246],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983546,0.0002751428,0.0003008116,0.00022764887,0.00021469203,0.0006270873],"domain_scores_gemma":[0.9989747,0.00027456196,0.00012430732,0.00044975034,0.00006682876,0.000109860164],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009711578,0.00027912873,0.0003723406,0.000040622137,0.0009773826,0.00031013312,0.0003093542,0.000041688432,0.00012548127],"category_scores_gemma":[0.00012147341,0.00011820663,0.00012154322,0.00010685604,0.00061773026,0.000107355074,0.00011969127,0.0003212237,0.0000157036],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000058430465,0.00004161085,0.002188359,0.000036645404,0.00014676542,0.000030614738,0.06938212,5.9563376e-7,0.000003061551,0.8626434,0.06518541,0.00028297715],"study_design_scores_gemma":[0.0008467598,0.00003365517,0.012384589,0.00006316116,0.00015617332,0.0000498726,0.009440264,0.0000081173785,0.0000015186403,0.00007362334,0.97675794,0.00018430596],"about_ca_topic_score_codex":0.00046592974,"about_ca_topic_score_gemma":0.041869428,"teacher_disagreement_score":0.9115725,"about_ca_system_score_codex":0.00012425211,"about_ca_system_score_gemma":0.000047218582,"threshold_uncertainty_score":0.97561395},"labels":[],"label_agreement":null},{"id":"W1641838171","doi":"","title":"Los tipos sociales en las novelas de Azorín. El ‘alma nacional’ de los pueblos abúlicos","year":2013,"lang":"es","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Soul; Semantics (computer science); Topos theory; Space (punctuation); Social space; Humanities; Sociology; Art; Linguistics; Philosophy; Literature; Theology","score_opus":0.17919506111619235,"score_gpt":0.49925420601157866,"score_spread":0.32005914489538634,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1641838171","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.71514946,0.10132979,0.0000643476,0.0027135003,0.0019478373,0.002037485,0.0011302305,0.00015816619,0.17546919],"genre_scores_gemma":[0.96581936,0.016445588,0.00015360852,0.0024189781,0.0045761727,0.00026020614,0.00006074739,0.0001655485,0.010099812],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9947226,0.0006379628,0.001471803,0.0007965956,0.0011382158,0.0012328215],"domain_scores_gemma":[0.9954395,0.0007307609,0.0013089912,0.00060687854,0.0013874978,0.00052632106],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0011575023,0.000978132,0.0016116708,0.0006679975,0.0017051212,0.010080175,0.003227596,0.00046280192,0.054772526],"category_scores_gemma":[0.0004812614,0.0008203332,0.00072120095,0.00038347207,0.0008389177,0.0039776377,0.0012228675,0.0012604323,0.0003475517],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00027581383,0.001553108,0.14463255,0.0009636228,0.0032249743,0.00014121417,0.020218227,0.000021468635,0.04650996,0.17460679,0.6025372,0.0053150766],"study_design_scores_gemma":[0.001122365,0.000051425875,0.28379977,0.0021388964,0.00068144937,0.0000617153,0.003673122,0.000034912133,0.004945678,0.03756404,0.664552,0.0013746821],"about_ca_topic_score_codex":0.001721187,"about_ca_topic_score_gemma":0.0005538902,"teacher_disagreement_score":0.25066987,"about_ca_system_score_codex":0.00039942766,"about_ca_system_score_gemma":0.00057768665,"threshold_uncertainty_score":0.9995945},"labels":[],"label_agreement":null},{"id":"W1651563570","doi":"","title":"EXPERTOS DE CANADÁ Y MÉXICO DIALOGAN SOBRE EL ARTE ACTUAL","year":2010,"lang":"es","type":"article","venue":"Gaceta UNAM (2010-2015)","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Political science","score_opus":0.014269166617113112,"score_gpt":0.24753600064124595,"score_spread":0.23326683402413284,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1651563570","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.43930447,0.016568307,0.000052100142,0.03736013,0.04055006,0.0020112114,0.0021781032,0.0009812402,0.46099436],"genre_scores_gemma":[0.8642945,0.0006359241,0.00010613799,0.0030271166,0.010112021,0.00010551539,0.00018683072,0.00013169994,0.12140023],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9962039,0.00014053062,0.0006678999,0.00090034277,0.0005785013,0.0015088225],"domain_scores_gemma":[0.9976118,0.0001388789,0.00030749047,0.00095019577,0.00043926062,0.0005523606],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00036677232,0.000928333,0.00090903416,0.00020180208,0.0016246032,0.0018771066,0.000702668,0.00060870685,0.0055920277],"category_scores_gemma":[0.00019221946,0.00074936816,0.00043080063,0.00011252682,0.00082906,0.00058233616,0.00025103486,0.0014689894,0.0009450149],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000093417715,0.00031155857,0.0011019906,0.00011822388,0.0005603387,0.00011133673,0.081431784,8.322794e-7,0.0066550034,0.12769902,0.7793441,0.0025723844],"study_design_scores_gemma":[0.00097400526,0.00016886242,0.004627781,0.00012141265,0.00031399349,0.00005833058,0.009501161,0.000022647251,0.00092320977,0.0012808902,0.9810008,0.0010069106],"about_ca_topic_score_codex":0.0027609798,"about_ca_topic_score_gemma":0.07542107,"teacher_disagreement_score":0.42499006,"about_ca_system_score_codex":0.00010254099,"about_ca_system_score_gemma":0.00037108667,"threshold_uncertainty_score":0.99983287},"labels":[],"label_agreement":null},{"id":"W16552233","doi":"10.1097/01.cco.0000219250.15041.f8","title":"Panchiku, un baserritarra de comienzos del siglo XX. Un acercamiento hacia la cosmovisión y la vida cotidiana del labrador guipuzcoano","year":2011,"lang":"en","type":"article","venue":"Sancho el sabio: Revista de cultura e investigación vasca","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.022442585989671894,"score_gpt":0.22718396431853705,"score_spread":0.20474137832886516,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W16552233","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.72222567,0.029787501,0.00017824232,0.001800711,0.00111701,0.0019171642,0.0011790929,0.001250405,0.24054421],"genre_scores_gemma":[0.9819315,0.00086512615,0.004258108,0.006062785,0.0014394633,0.00028380117,0.00031056372,0.0001719573,0.0046766847],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99498224,0.00077862834,0.001067113,0.001127512,0.0006243609,0.0014201403],"domain_scores_gemma":[0.9968512,0.0002726769,0.00047360835,0.000986215,0.0006358651,0.0007804323],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009626592,0.0011298468,0.0011029309,0.00017293288,0.0014761875,0.0013436436,0.0010743049,0.00046956443,0.0023848508],"category_scores_gemma":[0.00059411844,0.0008992306,0.0006135419,0.0003964496,0.0016241367,0.00088236714,0.00029136502,0.0010338374,0.0003145096],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001869623,0.0006788113,0.01672629,0.000626613,0.0012596856,0.00033024047,0.14404343,0.0000041328694,0.004950463,0.5521123,0.27421367,0.0048674317],"study_design_scores_gemma":[0.0017587588,0.000235862,0.017333493,0.00073056336,0.0006487056,0.00016076642,0.012273279,0.000034591863,0.0029665262,0.011783172,0.95040286,0.0016713982],"about_ca_topic_score_codex":0.0013343815,"about_ca_topic_score_gemma":0.0012717211,"teacher_disagreement_score":0.67618924,"about_ca_system_score_codex":0.00030081777,"about_ca_system_score_gemma":0.00025972805,"threshold_uncertainty_score":0.99982375},"labels":[],"label_agreement":null},{"id":"W165857266","doi":"10.24310/trans.2004.v0i8.2961","title":"Las tribulaciones de la Carmañola (y de la Marsellesa) en América Latina","year":2017,"lang":"es","type":"article","venue":"TRANS Revista de Traductología","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.013259013889729308,"score_gpt":0.28817181324272684,"score_spread":0.2749127993529975,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W165857266","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.35335258,0.018968374,0.0003401164,0.009344807,0.00057255797,0.0008330597,0.00076092547,0.00037828847,0.6154493],"genre_scores_gemma":[0.9731263,0.019048972,0.00039387678,0.00032511688,0.001455519,0.000050110604,0.00003690591,0.00007711073,0.0054861163],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99664426,0.0011867695,0.00050801557,0.00053493027,0.00025666333,0.00086933316],"domain_scores_gemma":[0.9980559,0.0006286255,0.00026999615,0.00071596535,0.00010858511,0.00022097788],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0010568525,0.0006048043,0.00086110237,0.000089928384,0.0020497271,0.003551211,0.0008203225,0.000479081,0.00030736672],"category_scores_gemma":[0.00023318516,0.0005077495,0.0004659108,0.0000455167,0.0016893599,0.0002910998,0.000051575174,0.000957537,0.000042357453],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002602403,0.00046326267,0.009276365,0.0011119541,0.00083543285,0.00068906386,0.12308542,0.000006323798,0.0026053765,0.815915,0.035687055,0.010064537],"study_design_scores_gemma":[0.0010952541,0.00014713815,0.02423788,0.0004139304,0.00060651667,0.00024434566,0.0033276826,0.000018022409,0.0003085333,0.0020326327,0.96696204,0.0006060194],"about_ca_topic_score_codex":0.00021304385,"about_ca_topic_score_gemma":0.00010747463,"teacher_disagreement_score":0.931275,"about_ca_system_score_codex":0.0001236319,"about_ca_system_score_gemma":0.00019200853,"threshold_uncertainty_score":0.9997374},"labels":[],"label_agreement":null},{"id":"W1700754033","doi":"","title":"Notions of Man and Manhood in Seventeenth-century Iberia: the Nobleman of \"La margarita del Tajo que dio nombre a Santaren\" of Ángela de Avezedo","year":2013,"lang":"es","type":"article","venue":"Moenia: Revista lucense de lingüistica & literatura","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Criticism; Decadence; Masculinity; Gender studies; Elite; Representation (politics); Sociology; History; Politics; Literature; Political science; Art; Law","score_opus":0.00514425836646303,"score_gpt":0.20991549236259296,"score_spread":0.20477123399612993,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1700754033","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9322874,0.04982706,0.000052970674,0.0013439666,0.00032664748,0.0013664224,0.0017603477,0.00004223725,0.01299298],"genre_scores_gemma":[0.99488044,0.0025848444,0.0008818542,0.0002872379,0.00035162896,0.00008281065,0.00014166841,0.00006387146,0.00072564534],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99642926,0.00047249193,0.0014846856,0.00056380394,0.0003727869,0.0006769911],"domain_scores_gemma":[0.9971618,0.00054714124,0.00069561263,0.0006912435,0.00074748066,0.00015670867],"candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0005616503,0.00063309,0.0012487657,0.00023720924,0.00033926844,0.001107127,0.00045169052,0.0003006328,0.00036895028],"category_scores_gemma":[0.00030206758,0.0004593311,0.00036331158,0.00026050958,0.00095007883,0.00027276576,0.00027981467,0.00083541445,0.000006817738],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005174748,0.0014068868,0.012450652,0.0069562136,0.0012023876,0.0001378804,0.14590284,0.000009344903,0.0068358616,0.81180567,0.0102061285,0.0025686736],"study_design_scores_gemma":[0.0059888787,0.0014679073,0.19454479,0.019505925,0.0035884327,0.0004761631,0.029891297,0.00094808196,0.0012613293,0.0070773773,0.73256826,0.0026815687],"about_ca_topic_score_codex":0.0005322218,"about_ca_topic_score_gemma":0.000091752125,"teacher_disagreement_score":0.80472827,"about_ca_system_score_codex":0.00008129185,"about_ca_system_score_gemma":0.00013379783,"threshold_uncertainty_score":0.99992985},"labels":[],"label_agreement":null},{"id":"W170528323","doi":"","title":"Las biografías de escritores de Ramón Gómez de la Serna y su poética encubierta: \"Los contemporáneos\"","year":2005,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.010308134460618944,"score_gpt":0.23898701963049082,"score_spread":0.22867888516987186,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W170528323","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8985294,0.08148962,0.00011158388,0.0036852725,0.00061394455,0.0011987771,0.0008683515,0.0003234747,0.013179561],"genre_scores_gemma":[0.9819665,0.0042595267,0.00085468846,0.0039127516,0.004690833,0.00020497244,0.000048693062,0.00016451029,0.0038975184],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9944194,0.0010089813,0.0009413992,0.0009326554,0.0004803467,0.0022172201],"domain_scores_gemma":[0.9966187,0.0007700225,0.00039184417,0.00081789907,0.00045542515,0.0009461186],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0015206977,0.001025075,0.0012721474,0.00029001286,0.0015877672,0.0027415713,0.00074729667,0.00051388744,0.00042996992],"category_scores_gemma":[0.0008409274,0.000939526,0.000631621,0.00024179973,0.0009913809,0.00033001203,0.00017826434,0.0010810633,0.00009355171],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001421043,0.0003289182,0.008758415,0.00042395457,0.0009852235,0.00096108805,0.036729533,0.000016498147,0.0004172821,0.7767648,0.17271984,0.0017523424],"study_design_scores_gemma":[0.0011069112,0.00033398502,0.0031918765,0.0011201617,0.000948673,0.00043431693,0.005788649,0.00017302539,0.00020374508,0.00020536673,0.9854143,0.0010789419],"about_ca_topic_score_codex":0.0031414737,"about_ca_topic_score_gemma":0.014948931,"teacher_disagreement_score":0.8126945,"about_ca_system_score_codex":0.0016255807,"about_ca_system_score_gemma":0.0013654586,"threshold_uncertainty_score":0.99971205},"labels":[],"label_agreement":null},{"id":"W172912578","doi":"10.38178/cep.vi100.600","title":"Un capítulo del Quijote: II, 13, o el saber de la tierra","year":2005,"lang":"es","type":"article","venue":"Estudios Públicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Medicine","score_opus":0.008594005490801224,"score_gpt":0.24383952897096073,"score_spread":0.2352455234801595,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W172912578","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4294458,0.048403632,0.000019239955,0.008653381,0.0012584262,0.0006430347,0.00019318028,0.00039178945,0.5109915],"genre_scores_gemma":[0.9573634,0.001531443,0.00027883277,0.0041692615,0.007943393,0.000114237846,0.00003430031,0.00009735909,0.02846776],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99704254,0.00022761014,0.0005886836,0.0006905192,0.00048763448,0.0009630219],"domain_scores_gemma":[0.9984859,0.00016927144,0.00021474718,0.0005700315,0.0003313484,0.00022867548],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004381922,0.0007289152,0.0007277349,0.00015885194,0.0022453803,0.0012703869,0.0004654696,0.00034619955,0.00303444],"category_scores_gemma":[0.00012831572,0.00059926853,0.00038755007,0.00015962815,0.00064565963,0.0005396011,0.00036605189,0.0007908495,0.0006455413],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000059365753,0.00091205485,0.0026136574,0.00009474218,0.00094162853,0.00008531368,0.09553258,0.000009249961,0.00028591987,0.46128103,0.4258395,0.012344935],"study_design_scores_gemma":[0.0011585832,0.000251824,0.0076097925,0.00018237437,0.00038241962,0.00007213683,0.005339081,0.000050299386,0.0003167987,0.0007902403,0.98307365,0.00077280676],"about_ca_topic_score_codex":0.00016638562,"about_ca_topic_score_gemma":0.00040344583,"teacher_disagreement_score":0.5572341,"about_ca_system_score_codex":0.00015717186,"about_ca_system_score_gemma":0.00011324818,"threshold_uncertainty_score":0.9997664},"labels":[],"label_agreement":null},{"id":"W175405748","doi":"","title":"Interarte vanguardista y algunas cuestiones teórico-críticas a considerar","year":2003,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Philosophy","score_opus":0.014121901690899379,"score_gpt":0.23884684442427692,"score_spread":0.22472494273337754,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W175405748","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.83609813,0.10854414,0.00008563701,0.0023722043,0.0027428311,0.0017584303,0.0009155517,0.0003727224,0.047110323],"genre_scores_gemma":[0.9889108,0.0018217346,0.00019675189,0.00268197,0.0012315763,0.00013972164,0.00005571602,0.00012897865,0.0048327306],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9954164,0.00059626385,0.0010123005,0.0010511059,0.00047812675,0.0014457789],"domain_scores_gemma":[0.99700254,0.00034521634,0.00040200414,0.0009646919,0.0006839949,0.0006015549],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00064354396,0.0009929091,0.0013139285,0.0002618478,0.0017157616,0.0021960256,0.0003764522,0.00025866975,0.00158918],"category_scores_gemma":[0.0010147032,0.000888376,0.0005601689,0.0002389836,0.0007502068,0.00032715764,0.00011101909,0.00074893364,0.00037624786],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003987267,0.00019555642,0.0012603945,0.00038302093,0.00078201434,0.000777725,0.019562379,0.0000016053083,0.000050859933,0.87546873,0.10043698,0.0010408864],"study_design_scores_gemma":[0.0008405312,0.00031378015,0.0007435168,0.000880249,0.00086900865,0.00043153958,0.0067153047,0.000012604165,0.000048507427,0.00049761194,0.9875491,0.0010982124],"about_ca_topic_score_codex":0.00025745854,"about_ca_topic_score_gemma":0.0034806957,"teacher_disagreement_score":0.88711214,"about_ca_system_score_codex":0.000545904,"about_ca_system_score_gemma":0.0005926584,"threshold_uncertainty_score":0.99958384},"labels":[],"label_agreement":null},{"id":"W175432870","doi":"","title":"Mezquinas preocupaciones coloniales: race, gender, affect, and the anticolonial intellectual in Alejandro Tapia y Rivera's \"La cuarterona\"","year":2012,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Race (biology); Humanities; Art; Political science; Gender studies; Sociology","score_opus":0.015237994183957953,"score_gpt":0.24098061595147774,"score_spread":0.22574262176751977,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W175432870","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9125538,0.08150962,0.000008566828,0.0011795799,0.00075690675,0.0013830893,0.00016348643,0.000053539145,0.0023914275],"genre_scores_gemma":[0.9899612,0.0066192197,0.000028279197,0.00069168786,0.0016622293,0.00021398092,0.000020859608,0.000069735856,0.0007328163],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9958387,0.0011831898,0.0006794335,0.0006105382,0.00036060056,0.0013275373],"domain_scores_gemma":[0.99737465,0.0013142404,0.00029070346,0.0004896665,0.00018364767,0.00034711533],"candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0014737288,0.00074421737,0.0012384165,0.00021465184,0.0012602536,0.0010761832,0.00035421996,0.00027010954,0.00024804007],"category_scores_gemma":[0.0006935468,0.0005275444,0.00028051808,0.0002045365,0.0018566791,0.0003782656,0.00023097766,0.0007961495,0.000050326944],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00049147435,0.00021695001,0.009748117,0.00037645275,0.0004706072,0.00011980198,0.21610214,7.645416e-7,0.000022635117,0.74497414,0.02668327,0.0007936706],"study_design_scores_gemma":[0.0033825121,0.0003175404,0.017480152,0.00053030916,0.0007665952,0.000327578,0.013224283,0.000046495337,0.000010896833,0.00007961037,0.96310544,0.0007285911],"about_ca_topic_score_codex":0.00036058135,"about_ca_topic_score_gemma":0.006750706,"teacher_disagreement_score":0.93642217,"about_ca_system_score_codex":0.00028619135,"about_ca_system_score_gemma":0.00023990423,"threshold_uncertainty_score":0.9999608},"labels":[],"label_agreement":null},{"id":"W176042391","doi":"","title":"\"La gran América Ibérica\": humanismo y utopía en los años veinte. El caso de Xul Solar","year":2012,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Geography; Art","score_opus":0.013682555748862702,"score_gpt":0.24444908371032603,"score_spread":0.23076652796146332,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W176042391","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9271,0.0418411,0.00008860003,0.00072582165,0.0013078353,0.0012413667,0.00081780617,0.00028385184,0.026593639],"genre_scores_gemma":[0.98626745,0.0033833885,0.00013789408,0.0025385418,0.004706191,0.00020119408,0.00005329723,0.00019714703,0.0025149237],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99410754,0.0008790065,0.00096966815,0.0008825048,0.000671133,0.002490135],"domain_scores_gemma":[0.99650353,0.0006293524,0.00046178108,0.0010206547,0.00038707367,0.000997614],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0013512971,0.0011445348,0.0014041255,0.00022463969,0.0019655589,0.0014009118,0.000759638,0.0004938185,0.00064210856],"category_scores_gemma":[0.00066108705,0.0010275294,0.0006937858,0.00024434458,0.0005605282,0.0005065727,0.0002943403,0.0013647381,0.00025859577],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007465351,0.00043094755,0.0060189613,0.0006629427,0.0008852738,0.0005327966,0.07071152,0.0000011343857,0.0001984309,0.8365419,0.07932473,0.0046167052],"study_design_scores_gemma":[0.0007017028,0.00041432248,0.010892099,0.00074468466,0.0011539479,0.00044892073,0.0097244615,0.000016325832,0.00009750057,0.00006858097,0.9745123,0.0012252012],"about_ca_topic_score_codex":0.0010007581,"about_ca_topic_score_gemma":0.005742992,"teacher_disagreement_score":0.8951875,"about_ca_system_score_codex":0.0012655661,"about_ca_system_score_gemma":0.00041017565,"threshold_uncertainty_score":0.99963576},"labels":[],"label_agreement":null},{"id":"W1780014010","doi":"","title":"El peso de la noche","year":2006,"lang":"es","type":"article","venue":"Dialnet (Universidad de la Rioja)","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Saskatchewan","funders":"","keywords":"Political science","score_opus":0.005903306060010438,"score_gpt":0.21929422350460986,"score_spread":0.21339091744459943,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1780014010","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20855504,0.0058338586,0.00004643341,0.00087014324,0.00035177692,0.00014727056,0.00016616005,0.00014913587,0.7838802],"genre_scores_gemma":[0.95627064,0.00044611964,0.00017672237,0.0006070772,0.0027688604,0.0000073700003,0.000077087396,0.000047773745,0.039598342],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99818367,0.00037250418,0.00019828235,0.000382995,0.00025590212,0.0006066305],"domain_scores_gemma":[0.99896485,0.00036537647,0.00014201534,0.00027834036,0.00012927254,0.000120161094],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000334656,0.0003847221,0.00039010614,0.00016713256,0.0009304898,0.0014497999,0.00032815913,0.0003825277,0.0013307148],"category_scores_gemma":[0.00003864879,0.00037393373,0.00028706098,0.00012344612,0.0008426038,0.00033571065,0.000116080846,0.0005357792,0.00018617696],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000049619037,0.00016608527,0.0025603988,0.0000654332,0.00016760617,0.0002916417,0.031942487,0.00001375457,0.0003916464,0.8093305,0.15431103,0.00070977997],"study_design_scores_gemma":[0.0008907522,0.00008322637,0.025758961,0.00010968795,0.0002831002,0.000030507552,0.0119488975,0.000030478815,0.000089202156,0.014374405,0.9459278,0.00047296126],"about_ca_topic_score_codex":0.0016449586,"about_ca_topic_score_gemma":0.00057347445,"teacher_disagreement_score":0.7949561,"about_ca_system_score_codex":0.0001547482,"about_ca_system_score_gemma":0.00013326253,"threshold_uncertainty_score":0.99987125},"labels":[],"label_agreement":null},{"id":"W179222601","doi":"","title":"Miracle de fortune. Octubre de Daniel et Diego Vega, Pérou–Vénézuela–Espagne, 2010, 83 minOctubre de Daniel et Diego Vega, Pérou–Vénézuela–Espagne, 2010, 83 min","year":2011,"lang":"fr","type":"article","venue":"Ciné bulles","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Vega; Humanities; Miracle; Art; Philosophy; Theology; Physics","score_opus":0.04086553326294584,"score_gpt":0.24987290150168903,"score_spread":0.2090073682387432,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W179222601","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07535165,0.35912782,0.00059769646,0.015264682,0.012825714,0.0023917896,0.002943573,0.00103855,0.5304585],"genre_scores_gemma":[0.20620199,0.014476656,0.0060574063,0.016401688,0.006164328,0.0006917689,0.00072844187,0.00071502535,0.7485627],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9907367,0.00090183935,0.0018295447,0.0019799643,0.0010150495,0.0035368926],"domain_scores_gemma":[0.99459594,0.0007010992,0.00091299,0.0018693113,0.0008036115,0.0011170637],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"category_scores_codex":[0.0016674274,0.002233923,0.0020538287,0.00045360008,0.002520369,0.0017070298,0.0017743765,0.0014990558,0.0067609004],"category_scores_gemma":[0.0004633506,0.0020817441,0.0011986581,0.00038182933,0.001610163,0.0015744857,0.00089181506,0.002344767,0.0009679895],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00042200348,0.0013079811,0.0024323908,0.000845084,0.00095326354,0.00069360045,0.09934429,0.000011075348,0.0008066107,0.1587186,0.732988,0.0014770897],"study_design_scores_gemma":[0.002504236,0.0011111773,0.012032454,0.0013799003,0.0013166567,0.0005232323,0.03551084,0.00009331612,0.0015743155,0.007906212,0.93358946,0.0024581968],"about_ca_topic_score_codex":0.01007769,"about_ca_topic_score_gemma":0.040829334,"teacher_disagreement_score":0.34465116,"about_ca_system_score_codex":0.0004364755,"about_ca_system_score_gemma":0.00080445386,"threshold_uncertainty_score":0.99995685},"labels":[],"label_agreement":null},{"id":"W1821166303","doi":"","title":"The Moradas of Angelina Muñiz Huberman, Esther Seligson and Teresa of Avila: Exile as Spiritual Experience","year":2009,"lang":"en","type":"article","venue":"Women in Judaism A Multidisciplinary e-Journal","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Mysticism; Theme (computing); Identity (music); Judaism; The Void; Spirituality; Art; Sociology; Religious studies; Art history; Theology; Aesthetics; Literature; Philosophy; Epistemology","score_opus":0.012685958226160306,"score_gpt":0.2626779696695186,"score_spread":0.2499920114433583,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1821166303","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9795829,0.005070971,0.0000012403112,0.00075833575,0.00040283476,0.00016284313,0.0000149051575,0.000013553808,0.013992401],"genre_scores_gemma":[0.9959033,0.00059782044,0.00009897775,0.00007823934,0.00053365267,0.000016859669,0.0000022787042,0.000014302495,0.002754574],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.998256,0.00009051524,0.00063861074,0.00021071306,0.00034267228,0.00046146748],"domain_scores_gemma":[0.9990294,0.00007692041,0.00034113822,0.00021232638,0.0002167508,0.00012344311],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005341481,0.00023612635,0.00039734162,0.00011396866,0.0007905215,0.00020824105,0.0003225831,0.000067434456,0.00018842626],"category_scores_gemma":[0.000047009125,0.0001457333,0.00009957398,0.0000748342,0.00058147585,0.00042580828,0.00011638748,0.00040511173,0.000005069627],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00037019624,0.0003718885,0.0052411864,0.000034427692,0.00007168218,0.00013865918,0.970609,0.0000063630537,0.0017063555,0.011921703,0.0031310157,0.0063975],"study_design_scores_gemma":[0.003921809,0.0040221075,0.08716926,0.0008512738,0.000079758574,0.00097273896,0.6639926,0.000066458015,0.0015616028,0.041479986,0.19492823,0.00095418474],"about_ca_topic_score_codex":0.000027355467,"about_ca_topic_score_gemma":0.00011568181,"teacher_disagreement_score":0.30661643,"about_ca_system_score_codex":0.000052345975,"about_ca_system_score_gemma":0.000053261203,"threshold_uncertainty_score":0.6080132},"labels":[],"label_agreement":null},{"id":"W1828176894","doi":"","title":"Spanish Colonialism and the Production of Knowledge. A Review of Christopher Schmidt-Nowara's The Conquest of History: Spanish Colonialism and National Histories in the Nineteenth Century (Pittsburgh: U of Pittsburgh P, 2007)","year":2007,"lang":"en","type":"review","venue":"A Contracorriente: Revista de Historia Social y Literatura en América Latina","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Colonialism; History; Expansive; CONQUEST; Latin Americans; Historiography; Classics; Ancient history; Anthropology; Sociology; Law; Archaeology; Political science","score_opus":0.024794823770671034,"score_gpt":0.28422459230209757,"score_spread":0.2594297685314265,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1828176894","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000048405567,0.98288083,0.0000020060663,0.00052200496,0.0029429565,0.00240703,0.00019362544,0.000019517953,0.010983636],"genre_scores_gemma":[0.007219877,0.9878705,0.000022564014,0.00030094886,0.002640606,0.00028125852,0.00012123127,0.000053923297,0.0014890691],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9945725,0.0014890358,0.0021597387,0.00056136044,0.00080102286,0.00041631825],"domain_scores_gemma":[0.9931177,0.0013895168,0.003078393,0.00046756124,0.0018885657,0.00005826618],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0033217086,0.0006778327,0.0029458886,0.0001767651,0.0004713367,0.00011826861,0.00062611763,0.00033579904,0.000060660597],"category_scores_gemma":[0.0016348946,0.000386561,0.00057906134,0.00041857985,0.0030902636,0.00021965246,0.00014757743,0.000921,5.186361e-7],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002764999,0.0002601297,0.000012075012,0.029059874,0.00041117714,0.000007329627,0.17458041,2.3512259e-8,0.0000073566102,0.6009222,0.18051814,0.013944767],"study_design_scores_gemma":[0.00066824205,0.0001430219,0.000054214008,0.015256379,0.0014004096,0.000025397709,0.0014565052,2.635273e-7,2.633332e-7,0.00033369815,0.98032665,0.00033497266],"about_ca_topic_score_codex":0.00036343967,"about_ca_topic_score_gemma":0.000101650374,"teacher_disagreement_score":0.7998085,"about_ca_system_score_codex":0.0007816121,"about_ca_system_score_gemma":0.0006664395,"threshold_uncertainty_score":0.9998586},"labels":[],"label_agreement":null},{"id":"W18283507","doi":"10.5206/entrehojas.v3i1.6134","title":"Masculinización y virilización de la escritura de la mujer de vanguardia: el caso de Estación. Ida y Vuelta y El Personaje Presentido","year":2013,"lang":"es","type":"article","venue":"Entrehojas Revista de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.0072484965921223036,"score_gpt":0.25870798307465864,"score_spread":0.25145948648253635,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W18283507","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.86766446,0.087303296,0.00042536014,0.0023327954,0.0008080393,0.0020356004,0.00044407716,0.0005689564,0.038417406],"genre_scores_gemma":[0.973879,0.008479034,0.0011459161,0.0021703776,0.0046245246,0.00056559825,0.00010050223,0.00028757314,0.008747499],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9914908,0.0024263368,0.0011725682,0.0013879976,0.0008451047,0.0026772234],"domain_scores_gemma":[0.9954123,0.0014080362,0.0005293346,0.0012171463,0.0005615569,0.00087165664],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.0018592539,0.0015226655,0.0016735228,0.0002912629,0.0018450561,0.0053473213,0.0011418757,0.000914756,0.003181387],"category_scores_gemma":[0.0013072056,0.001366629,0.001219007,0.00033422367,0.0014862458,0.000822177,0.00057227956,0.002021986,0.0006655858],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015321288,0.001256045,0.0731771,0.0013970494,0.0025079446,0.0013163501,0.12574719,0.000041904674,0.0017019225,0.5189352,0.27096614,0.0027999405],"study_design_scores_gemma":[0.0021168434,0.0002571973,0.033953656,0.001201594,0.0016798312,0.0006256651,0.024711953,0.0002691253,0.00030210317,0.001648362,0.93155193,0.0016817328],"about_ca_topic_score_codex":0.0009002841,"about_ca_topic_score_gemma":0.00013362322,"teacher_disagreement_score":0.6605858,"about_ca_system_score_codex":0.0011160391,"about_ca_system_score_gemma":0.00080531434,"threshold_uncertainty_score":0.9997522},"labels":[],"label_agreement":null},{"id":"W1835296873","doi":"10.19130/iifl.litmex.3.1.1992.137","title":"Genaro Estrada y España","year":2011,"lang":"es","type":"article","venue":"Literatura Mexicana","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Art; Humanities","score_opus":0.030668715200242228,"score_gpt":0.21379417788816385,"score_spread":0.18312546268792163,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1835296873","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07620484,0.036469676,0.0000058069377,0.0007727124,0.0041251397,0.00044985514,0.00057393825,0.00027661806,0.8811214],"genre_scores_gemma":[0.94652086,0.0004035425,0.00032664754,0.0022315995,0.0036779018,0.00003760534,0.0001146622,0.0000688914,0.04661831],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.997388,0.00011351087,0.0006064798,0.0007056094,0.00038558192,0.0008008336],"domain_scores_gemma":[0.9985044,0.00004740446,0.00022199623,0.0006369696,0.00032468143,0.00026454547],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00014306403,0.0006824135,0.0006275944,0.00015006044,0.00083787355,0.0023257642,0.0004920275,0.00024348107,0.004823865],"category_scores_gemma":[0.000030854484,0.00051945035,0.00037083312,0.00015585443,0.00048013427,0.00062919635,0.00012397423,0.0006383227,0.00048184913],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009909249,0.00018979418,0.0009768602,0.00014982033,0.0004202434,0.00018355402,0.13079692,3.905984e-8,0.00009552673,0.8197977,0.044258673,0.0030317768],"study_design_scores_gemma":[0.0003932888,0.00032475876,0.0038083342,0.0003462411,0.00024326763,0.000029767203,0.0051537286,0.000004231264,0.00030684916,0.003515979,0.98511857,0.00075501256],"about_ca_topic_score_codex":0.00051015656,"about_ca_topic_score_gemma":0.000118504526,"teacher_disagreement_score":0.94085985,"about_ca_system_score_codex":0.000043508568,"about_ca_system_score_gemma":0.00006517204,"threshold_uncertainty_score":0.9997257},"labels":[],"label_agreement":null},{"id":"W184207302","doi":"","title":"Espacios sonoros y escalas de silencio en la poesía de Luis de Góngora y sor Juana Inés de la Cruz","year":2000,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.007008149335063677,"score_gpt":0.22722768845460678,"score_spread":0.2202195391195431,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W184207302","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9566751,0.020181926,0.000041964006,0.0013772473,0.00019025963,0.0007650188,0.00055613753,0.00023998455,0.019972324],"genre_scores_gemma":[0.9778488,0.008062676,0.0004426095,0.0034331682,0.0023733906,0.00028187834,0.000041392763,0.00017666457,0.0073393844],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99362314,0.0015614328,0.00087105203,0.0009913376,0.0004524999,0.0025005692],"domain_scores_gemma":[0.9966524,0.0008573828,0.00031380588,0.0008729835,0.00027870235,0.0010246846],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0016973953,0.0010880169,0.0012977155,0.00020721767,0.001636264,0.0021725409,0.00077873765,0.0006764687,0.0016504123],"category_scores_gemma":[0.0006496883,0.0010371902,0.0006510409,0.0002603231,0.00086394796,0.00031106864,0.00014648668,0.0014017074,0.00017944729],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019076196,0.00043759044,0.009482428,0.0007629572,0.0010215109,0.002142792,0.12826976,0.000057847283,0.0005506658,0.74491495,0.10239886,0.0097698625],"study_design_scores_gemma":[0.0010189263,0.0002986632,0.012822113,0.0009779251,0.0010412049,0.0007813974,0.008302291,0.0002514359,0.000111344096,0.00029939803,0.9729032,0.0011921122],"about_ca_topic_score_codex":0.0035503863,"about_ca_topic_score_gemma":0.009862107,"teacher_disagreement_score":0.8705043,"about_ca_system_score_codex":0.002288393,"about_ca_system_score_gemma":0.00197385,"threshold_uncertainty_score":0.9996635},"labels":[],"label_agreement":null},{"id":"W189409820","doi":"","title":"Women Writers and \"modernismo\": strategies of expression in the Cuban poet Nieves Xenes","year":2002,"lang":"en","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.0246589174159435,"score_gpt":0.21689801131850367,"score_spread":0.19223909390256017,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W189409820","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9851004,0.009497014,0.000002580927,0.0003792433,0.0000914434,0.00021846597,0.0000434888,0.00002065245,0.004646751],"genre_scores_gemma":[0.9983054,0.0006832354,0.00002626368,0.00037415672,0.00017993075,0.000071736315,0.00000426268,0.000014719605,0.00034031118],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99880064,0.00012558345,0.0002844618,0.0002386528,0.00017079816,0.00037987984],"domain_scores_gemma":[0.9993919,0.00011343077,0.00010577604,0.00024571054,0.00007284902,0.00007031974],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00025370572,0.0002072436,0.00033795167,0.000082120896,0.00029026793,0.00026845155,0.00019432111,0.000045535748,0.00018150307],"category_scores_gemma":[0.000051496456,0.00013403295,0.00005656037,0.00006905621,0.0002812377,0.00020359935,0.000038457147,0.0001662588,0.0000030545364],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013605318,0.00006821126,0.00066319184,0.00013603657,0.000042124142,0.000048678765,0.35719135,0.0000016596031,0.00024930103,0.6295941,0.0108299665,0.0011618146],"study_design_scores_gemma":[0.00047934905,0.00021534874,0.0034551702,0.00026945805,0.000047624282,0.000033447253,0.21178585,0.000031211333,0.00003588955,0.000373557,0.7829804,0.00029272697],"about_ca_topic_score_codex":0.00014711586,"about_ca_topic_score_gemma":0.004842866,"teacher_disagreement_score":0.7721504,"about_ca_system_score_codex":0.000063033214,"about_ca_system_score_gemma":0.000026156345,"threshold_uncertainty_score":0.5465705},"labels":[],"label_agreement":null},{"id":"W1896276560","doi":"","title":"LA IMAGEN DE AMÉRICA EN LA PRENSA DEL NORTE DE TENERIFE A FINALES DEL XIX THE IDEA OF AMÉRICA IN THE NORTHERN TENERIFE PRESS, IN THE LAST QUARTER OF NINETEENTH CENTURY","year":2015,"lang":"es","type":"article","venue":"Anuario de estudios atlánticos/Anuario de estudios atlánticos/Auario de estudios atlánticos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Quarter (Canadian coin); Battle; Emigration; Front (military); Humanities; Period (music); History; Ethnology; Political science; Ancient history; Geography; Art; Archaeology","score_opus":0.01718727623806901,"score_gpt":0.24315038909229264,"score_spread":0.22596311285422363,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1896276560","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9521311,0.023622174,0.00086081866,0.008669399,0.00082983635,0.0056636846,0.00035457805,0.0003002517,0.0075681424],"genre_scores_gemma":[0.9799218,0.010313715,0.0017850157,0.003137241,0.0020460787,0.0018959935,0.00012301863,0.000422185,0.00035492805],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.97696275,0.007560131,0.004564018,0.0026676964,0.0033343204,0.0049111093],"domain_scores_gemma":[0.9850509,0.005876048,0.0027302324,0.003668457,0.0018627546,0.0008115698],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","open_science","research_integrity"],"consensus_categories":["metaepi_narrow","sts","research_integrity"],"category_scores_codex":[0.010715415,0.0033769507,0.0044368636,0.0008623207,0.001966927,0.0024156873,0.0058726766,0.0017001446,0.00003633378],"category_scores_gemma":[0.0032147232,0.002251822,0.0019631016,0.0021116014,0.0035205043,0.0010904793,0.0017556379,0.0055013294,0.00006931972],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0012500806,0.007942438,0.5949193,0.0015716258,0.0043498133,0.0026820165,0.27361038,0.0022292205,0.00069906714,0.068077914,0.03954292,0.0031251814],"study_design_scores_gemma":[0.008843438,0.002786564,0.70689136,0.0027847162,0.006261136,0.0022376608,0.07213694,0.002053581,0.00030831035,0.0020356579,0.18984531,0.0038153247],"about_ca_topic_score_codex":0.014330558,"about_ca_topic_score_gemma":0.045816526,"teacher_disagreement_score":0.20147343,"about_ca_system_score_codex":0.0017276765,"about_ca_system_score_gemma":0.003388673,"threshold_uncertainty_score":0.9995959},"labels":[],"label_agreement":null},{"id":"W1896554","doi":"10.1097/00006534-199110000-00045","title":"From Magasin to Magazine: au bonheur des Dames and Galdós' Tormento","year":2004,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.012217157170931366,"score_gpt":0.22771308151657266,"score_spread":0.2154959243456413,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1896554","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9652139,0.027462171,0.000021360027,0.002065687,0.0005401549,0.0007286363,0.0008304969,0.00009769588,0.003039914],"genre_scores_gemma":[0.9905484,0.0016719222,0.00043231552,0.0023748388,0.0024486643,0.00009418426,0.000057899448,0.00009260172,0.0022792032],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9968035,0.00011751071,0.00061399845,0.0009140906,0.00035057293,0.0012003196],"domain_scores_gemma":[0.9980769,0.000099981495,0.0001865081,0.0005940732,0.00029226748,0.000750258],"candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00027933743,0.0007497979,0.0009206168,0.00017524019,0.0012918042,0.0017163261,0.00033116929,0.00016554304,0.00028297107],"category_scores_gemma":[0.00023078728,0.0006670901,0.00021625767,0.00016755005,0.0005612225,0.0003005979,0.00022653744,0.00036006124,0.0002226587],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010913309,0.0001717273,0.0038220435,0.00038408776,0.00056415447,0.0005557845,0.12810798,0.0000054035463,0.00045704618,0.82778174,0.034888126,0.0031527898],"study_design_scores_gemma":[0.000994527,0.00047386825,0.020893084,0.0013182426,0.00051961467,0.00007205837,0.009589796,0.0000013367933,0.00007133761,0.00054433953,0.96469146,0.0008303552],"about_ca_topic_score_codex":0.006306016,"about_ca_topic_score_gemma":0.069835305,"teacher_disagreement_score":0.9298033,"about_ca_system_score_codex":0.0011511034,"about_ca_system_score_gemma":0.0004453476,"threshold_uncertainty_score":0.99957806},"labels":[],"label_agreement":null},{"id":"W192581268","doi":"","title":"La Brígida de José Zorrilla y su celestinaje","year":2007,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy","score_opus":0.012190108202906946,"score_gpt":0.2336238285138566,"score_spread":0.22143372031094966,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W192581268","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9286003,0.028620195,0.00005943153,0.00053485046,0.00070139475,0.00059299497,0.0002685172,0.0001899685,0.040432364],"genre_scores_gemma":[0.9893681,0.0014521782,0.00018856156,0.0018494062,0.0030333712,0.000038819107,0.000039020368,0.00013043858,0.0039001368],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9956454,0.00033663173,0.0008513491,0.0008126544,0.00045137564,0.0019026002],"domain_scores_gemma":[0.99718606,0.0005627417,0.00037017354,0.0007227293,0.0004285781,0.00072970305],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0017960699,0.0008265662,0.0010104419,0.00024320952,0.0014118713,0.0017660708,0.000505764,0.00037903435,0.000463802],"category_scores_gemma":[0.00051899126,0.0007570748,0.0004528456,0.0002441766,0.00068536476,0.00019068821,0.00016301547,0.00092477753,0.00014922222],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008388027,0.00014006824,0.007593067,0.0005164333,0.0003965373,0.0019405789,0.027568208,0.0000015857577,0.00013398736,0.90041924,0.055784307,0.00542209],"study_design_scores_gemma":[0.0006334537,0.0002548307,0.012652859,0.00080729864,0.0005305337,0.00051927334,0.008322697,0.000009193004,0.000044579818,0.000080612044,0.97525567,0.0008890228],"about_ca_topic_score_codex":0.0011101234,"about_ca_topic_score_gemma":0.018691352,"teacher_disagreement_score":0.9194713,"about_ca_system_score_codex":0.0009060625,"about_ca_system_score_gemma":0.0005052844,"threshold_uncertainty_score":0.9998882},"labels":[],"label_agreement":null},{"id":"W19528616","doi":"10.3168/jds.2009-2111","title":"El primer año de la vida de Josemaría Escrivá","year":2002,"lang":"en","type":"article","venue":"Anuario de Historia de la Iglesia","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Agriculture and Agri-Food Canada","keywords":"Philosophy; Humanities; Art; Political science","score_opus":0.010895091130309214,"score_gpt":0.21973380159681316,"score_spread":0.20883871046650396,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W19528616","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.053047508,0.015007759,0.00016574649,0.0009520418,0.0014767069,0.00021731098,0.00003000739,0.00035133603,0.9287516],"genre_scores_gemma":[0.9072336,0.00033251694,0.0013705948,0.0029960624,0.0039058686,0.000073599214,0.000014774177,0.00006877284,0.08400422],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99832225,0.0002754452,0.00025925427,0.00031469946,0.00021686785,0.000611492],"domain_scores_gemma":[0.99913484,0.00018117274,0.00010318731,0.00030938117,0.00010575795,0.00016567632],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00043737644,0.00030597442,0.00032018678,0.00007989283,0.0006436609,0.00038580786,0.00028053953,0.00026318437,0.0012733185],"category_scores_gemma":[0.00010759038,0.000275272,0.00019109435,0.000062386236,0.00037807378,0.00020378044,0.000046981644,0.0005089362,0.00015836472],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024015917,0.00015624613,0.0023127617,0.000033778186,0.000116293515,0.00010568343,0.12506714,0.0000016297572,0.0013682935,0.28939644,0.580758,0.00065976684],"study_design_scores_gemma":[0.0004466438,0.0000653109,0.002088446,0.000043617307,0.00014995098,0.00006177325,0.0010954854,0.000023802664,0.00019110744,0.0083544515,0.98712367,0.00035576703],"about_ca_topic_score_codex":0.0017097975,"about_ca_topic_score_gemma":0.0008698799,"teacher_disagreement_score":0.85418606,"about_ca_system_score_codex":0.00059564284,"about_ca_system_score_gemma":0.000100160665,"threshold_uncertainty_score":0.99996996},"labels":[],"label_agreement":null},{"id":"W19699862","doi":"10.1016/j.ahj.2009.06.010","title":"José María Pérez \"Peridis\"","year":2007,"lang":"en","type":"article","venue":"Sesenta y más","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.017168901746308293,"score_gpt":0.23370123063971396,"score_spread":0.21653232889340568,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W19699862","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06187438,0.0015760916,0.000013790236,0.0007635408,0.0017950946,0.000117876174,0.00002375386,0.0001401466,0.9336953],"genre_scores_gemma":[0.91338485,0.00002309157,0.000046634956,0.0015488195,0.0030347724,0.00000572679,0.000029647941,0.000017700564,0.08190877],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991278,0.00001214662,0.00017768441,0.00019050692,0.00018008315,0.0003117904],"domain_scores_gemma":[0.99960434,0.00003034301,0.0000410704,0.00017239571,0.00008745298,0.000064393695],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00011998052,0.00015147697,0.00015240556,0.00004314159,0.00036792102,0.00019121185,0.00012331009,0.00003872012,0.0033056773],"category_scores_gemma":[0.000015394457,0.00011087713,0.00009633303,0.000043256707,0.00015628844,0.00016377149,0.00005021044,0.00012919944,0.00046310126],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040800027,0.000103365135,0.0013066423,0.000026378097,0.00011860524,0.00006842005,0.06993805,1.5885036e-7,0.0005477997,0.56581867,0.35838836,0.0036427495],"study_design_scores_gemma":[0.00017877022,0.00005118895,0.0011410967,0.00001464676,0.00002140816,0.0000063973584,0.018266097,5.853535e-7,0.00042894084,0.0009982673,0.97872573,0.00016686456],"about_ca_topic_score_codex":0.000116677176,"about_ca_topic_score_gemma":0.0017415135,"teacher_disagreement_score":0.85178655,"about_ca_system_score_codex":0.000019107118,"about_ca_system_score_gemma":0.000008600517,"threshold_uncertainty_score":0.99760544},"labels":[],"label_agreement":null},{"id":"W199572752","doi":"10.3138/cervantes.24.1.119","title":"Fashioning Identities in “El licenciado Vidriera”","year":2004,"lang":"es","type":"article","venue":"Cervantes Bulletin of the Cervantes Society of America","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.008872707200889837,"score_gpt":0.21903570345522494,"score_spread":0.2101629962543351,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W199572752","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6177514,0.11164687,0.00024295662,0.11696022,0.0054364293,0.0027687622,0.0014427985,0.00034583625,0.14340469],"genre_scores_gemma":[0.98123825,0.008023325,0.0015922138,0.002834874,0.00065215415,0.00002862994,0.000019551237,0.00007805416,0.0055329804],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9967627,0.00013986875,0.0011662653,0.0005486641,0.0006848896,0.0006976372],"domain_scores_gemma":[0.9973766,0.000297317,0.0010862714,0.0006542195,0.0005086653,0.000076883334],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00028805045,0.00061475666,0.001174351,0.00007801227,0.00070403767,0.00028010696,0.0010375561,0.00020586295,0.0014428613],"category_scores_gemma":[0.00018804353,0.00045507913,0.001372255,0.0002845444,0.0032995844,0.00016787201,0.00061089476,0.00068055774,0.000062405605],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003162409,0.002253762,0.025175318,0.005371149,0.002604309,0.000022669958,0.6290132,0.0006970743,0.0056097764,0.14141923,0.18402211,0.0034951905],"study_design_scores_gemma":[0.0020412845,0.0005743757,0.011416016,0.0063450546,0.000419158,0.000013779497,0.18180862,0.000033335524,0.003420297,0.0052521513,0.7877299,0.0009459884],"about_ca_topic_score_codex":0.0016420094,"about_ca_topic_score_gemma":0.000063948006,"teacher_disagreement_score":0.60370785,"about_ca_system_score_codex":0.00014637553,"about_ca_system_score_gemma":0.00014705434,"threshold_uncertainty_score":0.9997901},"labels":[],"label_agreement":null},{"id":"W1998379294","doi":"10.1353/utq.2007.0245","title":"The Wisdom of Eccentric Old Men: A Study of Type and Secondary Character in Galdós's Social Novels, 1870-1897 (review)","year":2007,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Character (mathematics); Psyche; Literature; Narrative; Consciousness; Soul; Performative utterance; Philosophy; Genius; Aesthetics; Art; Epistemology","score_opus":0.009937135632473818,"score_gpt":0.20551842059242612,"score_spread":0.1955812849599523,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1998379294","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.88804704,0.022575488,0.0000013526972,0.00020196919,0.00023553193,0.00050025847,0.000045903795,0.000012717327,0.08837974],"genre_scores_gemma":[0.9965751,0.0006943422,0.000006810834,0.000046513844,0.00008080712,1.5485033e-7,0.0000037306606,0.0000038540834,0.0025886563],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9993854,0.000039185918,0.00019679539,0.0001150387,0.00013779955,0.00012576283],"domain_scores_gemma":[0.9994522,0.00004160402,0.00017204067,0.00010144625,0.00021279047,0.000019931886],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00019682565,0.00009376777,0.00027378285,0.000022761678,0.00016862455,0.000009335115,0.00013505953,0.00003082497,0.0003537372],"category_scores_gemma":[0.000004314341,0.00007277606,0.000048387392,0.00003126309,0.00018364728,0.00018902276,0.000024169349,0.00007505867,0.0000010966988],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00038336718,0.0006630334,0.0018420165,0.0003230491,0.00030590827,0.000019244722,0.9375808,1.6839422e-8,0.00015484517,0.018065663,0.022004373,0.018657671],"study_design_scores_gemma":[0.0020346143,0.0018167923,0.11563659,0.00019371488,0.00018181329,0.0000013984727,0.6094038,0.0000011927135,0.000010993225,0.000051275576,0.27047348,0.00019438595],"about_ca_topic_score_codex":0.00544072,"about_ca_topic_score_gemma":0.07741466,"teacher_disagreement_score":0.32817703,"about_ca_system_score_codex":0.0000315485,"about_ca_system_score_gemma":0.000017133554,"threshold_uncertainty_score":0.9394201},"labels":[],"label_agreement":null},{"id":"W1998987333","doi":"10.4000/criticon.591","title":"Los umbrales del Ramillete poético, de Tafalla y Negrete","year":2013,"lang":"es","type":"article","venue":"Criticón","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.013145833663389825,"score_gpt":0.23329121480586684,"score_spread":0.220145381142477,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1998987333","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24728425,0.05031554,0.000051528925,0.010374676,0.002365776,0.00091990933,0.00044853965,0.00036304595,0.68787676],"genre_scores_gemma":[0.9515842,0.00074306055,0.00022659208,0.006030396,0.0032984877,0.00010883461,0.00004335222,0.0000694563,0.03789557],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978714,0.00010508418,0.0004345759,0.00045402622,0.00027226208,0.000862643],"domain_scores_gemma":[0.9986509,0.0001424859,0.00008544258,0.00039696824,0.0005012366,0.00022297178],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000107696746,0.00048013488,0.0004976068,0.000086337066,0.00091507396,0.002952273,0.00033416552,0.00019985951,0.006609729],"category_scores_gemma":[0.00014450903,0.00039477347,0.00028001756,0.00005145886,0.0006550654,0.0004941568,0.00013751975,0.00039559376,0.00194828],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013039552,0.0001142231,0.0006133174,0.00046577275,0.00026742925,0.000051981173,0.019640056,7.998488e-7,0.00084850326,0.6149325,0.3598767,0.0031757168],"study_design_scores_gemma":[0.00047166282,0.00017837295,0.0030667903,0.00046471847,0.0002716083,0.00002438427,0.011169345,0.000110808185,0.00018305208,0.009634167,0.9737597,0.00066535297],"about_ca_topic_score_codex":0.00041002952,"about_ca_topic_score_gemma":0.00011609612,"teacher_disagreement_score":0.7043,"about_ca_system_score_codex":0.0000572127,"about_ca_system_score_gemma":0.00005754728,"threshold_uncertainty_score":0.9998504},"labels":[],"label_agreement":null},{"id":"W2018024963","doi":"10.3138/md.44.2.188","title":"Transvestism and Sexual Transgression in Garda Lorca's <i>The Public</i>","year":2001,"lang":"en","type":"article","venue":"Modern Drama","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Subject (documents); Subject matter; History; Literature; Art; Law; Political science; Library science; Computer science","score_opus":0.023784327057022832,"score_gpt":0.22087924312900023,"score_spread":0.1970949160719774,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2018024963","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8007304,0.010988448,0.00038232998,0.023150224,0.0005862554,0.00036337113,0.000029178795,0.00014077443,0.16362901],"genre_scores_gemma":[0.98804784,0.000117177544,0.000012580384,0.001087046,0.00039811,0.000024617286,0.000008961158,0.000013914637,0.010289732],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992073,0.000039181545,0.00015413355,0.00020846174,0.0001470083,0.00024389243],"domain_scores_gemma":[0.99972826,0.000029737008,0.000024248684,0.00013251262,0.000039813367,0.000045450437],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0000980895,0.00014674141,0.00015155075,0.00003714291,0.00034065792,0.0003453929,0.00011389208,0.0000490933,0.00022481711],"category_scores_gemma":[0.0000062846602,0.00008801053,0.000031952455,0.00003895818,0.0002093635,0.00023512372,0.000017162116,0.00018970412,0.000010630219],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012240266,0.00025766634,0.0026893409,0.00006791571,0.00009584793,0.00015791893,0.6189793,0.0000067360443,0.0011882565,0.19346766,0.025569119,0.15739784],"study_design_scores_gemma":[0.0006069879,0.00006764863,0.0007912364,0.000036013833,0.000019201716,0.000026833546,0.0069133225,0.0002374493,0.000024497618,0.0073997956,0.98368216,0.00019487702],"about_ca_topic_score_codex":0.00007040149,"about_ca_topic_score_gemma":0.005640404,"teacher_disagreement_score":0.958113,"about_ca_system_score_codex":0.000008950952,"about_ca_system_score_gemma":0.000009256936,"threshold_uncertainty_score":0.35889652},"labels":[],"label_agreement":null},{"id":"W2025441691","doi":"10.4000/ahrf.1751","title":"Paleobiografía del « Pobrecito Holgazán » Sebastián de Miñano","year":2004,"lang":"fr","type":"article","venue":"Annales historiques de la Révolution française","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Institut d'Histoire de l'Amérique Française","funders":"","keywords":"Art; Humanities","score_opus":0.011293582599579896,"score_gpt":0.22781403425401092,"score_spread":0.216520451654431,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2025441691","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0353116,0.80294436,0.0013097881,0.0049731927,0.003552355,0.00033349585,0.0003703853,0.00042661882,0.15077823],"genre_scores_gemma":[0.690706,0.02556802,0.0027239644,0.0034349426,0.0087845,0.00015480758,0.00018142724,0.00014954788,0.26829678],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971519,0.00030772138,0.0005719818,0.0005973296,0.00036808013,0.00100299],"domain_scores_gemma":[0.9983747,0.00012767808,0.00023291435,0.00041666153,0.00050382206,0.00034425306],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.000493262,0.0006288015,0.0005374738,0.00022617032,0.0013932585,0.00039128642,0.00035967762,0.0005928306,0.00074153783],"category_scores_gemma":[0.000115977564,0.0006434578,0.000537898,0.00020720916,0.001561018,0.00062504853,0.000078833094,0.00078169897,0.0003124029],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011884246,0.0006060443,0.0008985504,0.00026475452,0.0002558734,0.0002432227,0.124017544,0.0000958082,0.00035263906,0.110978276,0.759976,0.0021924172],"study_design_scores_gemma":[0.00091950805,0.0002622728,0.0018349955,0.00056597084,0.00027941717,0.00015468027,0.0020434312,0.000015947193,0.00020777404,0.0063017965,0.9866809,0.0007332771],"about_ca_topic_score_codex":0.005110207,"about_ca_topic_score_gemma":0.005930654,"teacher_disagreement_score":0.7773763,"about_ca_system_score_codex":0.0011549195,"about_ca_system_score_gemma":0.00036843144,"threshold_uncertainty_score":0.9999068},"labels":[],"label_agreement":null},{"id":"W2027749615","doi":"10.1353/hir.2013.0005","title":"Marginal Subjects: Gender and Deviance in Fin-de-siècle Spain (review)","year":2012,"lang":"en","type":"article","venue":"Hispanic Review","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Deviance (statistics); Subjectivity; Gender studies; Human sexuality; Agency (philosophy); Fin de siecle; Sociology; Witch; Humanities; Art; Philosophy; Social science","score_opus":0.03873907503629388,"score_gpt":0.2632618760201263,"score_spread":0.22452280098383243,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2027749615","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0005323636,0.9287917,0.0000037062262,0.0013919766,0.00028114626,0.00039154317,0.000007541367,0.000029903924,0.068570115],"genre_scores_gemma":[0.04481456,0.92855597,0.00010871789,0.02262102,0.00080230547,0.000127853,0.000013416988,0.000021720887,0.002934418],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987907,0.00012554218,0.00033296167,0.00020361917,0.00014061385,0.00040660385],"domain_scores_gemma":[0.99950373,0.000041436313,0.00009980259,0.00021354499,0.000054073123,0.00008739064],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006730822,0.00021000917,0.00049492833,0.000025525418,0.00014218033,0.00003569931,0.00011935315,0.000033585668,0.0021691823],"category_scores_gemma":[0.00010032371,0.00015148218,0.000095963034,0.00007901596,0.000098281766,0.00025370624,0.000048841288,0.00018719347,0.00018355806],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009274873,0.00017820699,0.0025388873,0.034836046,0.00009548946,0.000022809303,0.019988533,2.4055304e-8,0.000023111692,0.3395834,0.55989563,0.04282858],"study_design_scores_gemma":[0.000116186195,0.00002046511,0.0034954743,0.008770256,0.00009678168,0.000024062474,0.0002473721,4.1863998e-7,0.0000014287642,0.00009712131,0.9869293,0.0002011238],"about_ca_topic_score_codex":0.000019606468,"about_ca_topic_score_gemma":0.000077697456,"teacher_disagreement_score":0.42703366,"about_ca_system_score_codex":0.000039535975,"about_ca_system_score_gemma":0.000023544158,"threshold_uncertainty_score":0.998743},"labels":[],"label_agreement":null},{"id":"W2027881403","doi":"10.4000/ahrf.1744","title":"Manuel Godoy y su tiempo. Congreso Internacional Manuel Godoy (1767-1851)","year":2004,"lang":"es","type":"article","venue":"Annales historiques de la Révolution française","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Institut d'Histoire de l'Amérique Française","funders":"","keywords":"Humanities; Art","score_opus":0.013140423543981247,"score_gpt":0.24209505780789234,"score_spread":0.2289546342639111,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2027881403","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17754127,0.57947266,0.0007923802,0.0042599817,0.0062941425,0.00091236265,0.001109224,0.00093838753,0.22867958],"genre_scores_gemma":[0.897301,0.00530608,0.00026840533,0.0019237504,0.0027433203,0.000100898375,0.00027301494,0.00012416535,0.09195932],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9963552,0.0003020557,0.00086842093,0.00087075384,0.0006726883,0.00093093305],"domain_scores_gemma":[0.99779546,0.00015126984,0.00044213564,0.0005951868,0.0006870472,0.0003289152],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0004743542,0.0008783415,0.00081114774,0.0003142536,0.0016380015,0.0015698922,0.0006219633,0.00058248255,0.0011409809],"category_scores_gemma":[0.00011873594,0.0008402117,0.00065349403,0.00013215632,0.0019440991,0.0008716542,0.00020494522,0.0010160863,0.0008018764],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003673128,0.00062878244,0.0010717853,0.0003691586,0.00045320645,0.00029444898,0.10536784,0.000033539203,0.000305309,0.22757618,0.6628578,0.0006746777],"study_design_scores_gemma":[0.0014447737,0.00035133335,0.0019223882,0.0007661768,0.00024657944,0.000098629425,0.0021218369,0.000017323291,0.00017048896,0.004651789,0.98725075,0.00095794717],"about_ca_topic_score_codex":0.0015869197,"about_ca_topic_score_gemma":0.0020365804,"teacher_disagreement_score":0.71975976,"about_ca_system_score_codex":0.0010041099,"about_ca_system_score_gemma":0.00029366874,"threshold_uncertainty_score":0.9999761},"labels":[],"label_agreement":null},{"id":"W2037633435","doi":"10.3989/anacervantinos.2014.014","title":"Cervantes: estatua en Madrid, monumento de la nación","year":2014,"lang":"es","type":"article","venue":"Anales Cervantinos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Art; Humanities","score_opus":0.0054451003227305094,"score_gpt":0.23642926896709895,"score_spread":0.23098416864436844,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2037633435","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.37846223,0.010358477,0.00015517263,0.0024486885,0.0011625477,0.00044393525,0.00028126888,0.00033186228,0.60635585],"genre_scores_gemma":[0.9665415,0.0024258117,0.00026884399,0.0017425043,0.0031100707,0.00002816514,0.00009075986,0.00007836912,0.025713919],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99714535,0.0005374032,0.0005393261,0.0005892687,0.0003842888,0.0008043411],"domain_scores_gemma":[0.99818325,0.0007003319,0.00024739053,0.00048262332,0.00019945785,0.00018691877],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00057912397,0.00058639195,0.0006513444,0.00013910534,0.000838313,0.0018034475,0.00046989214,0.0002644934,0.0012864628],"category_scores_gemma":[0.00023512794,0.0004848281,0.00038845174,0.00009279429,0.00055692636,0.00039236285,0.00019474611,0.00053763523,0.00059811707],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000064075786,0.00030359966,0.03313685,0.00042826592,0.00062736915,0.00007071986,0.06714024,0.000005175544,0.00064103847,0.804461,0.08661341,0.006508249],"study_design_scores_gemma":[0.0006068959,0.00022338648,0.016339997,0.00043211016,0.00035144406,0.000021564101,0.010385088,0.00010499137,0.00035558493,0.0025211005,0.96803707,0.0006207905],"about_ca_topic_score_codex":0.00038585308,"about_ca_topic_score_gemma":0.00029201704,"teacher_disagreement_score":0.88142365,"about_ca_system_score_codex":0.00005552948,"about_ca_system_score_gemma":0.00005907823,"threshold_uncertainty_score":0.9997603},"labels":[],"label_agreement":null},{"id":"W2038675314","doi":"10.3828/bhs.2011.12","title":"Una zarzuela de Venezuela: el <i>Alma llanera</i> y la construcción de un mito nacional","year":2011,"lang":"es","type":"article","venue":"Bulletin of Hispanic Studies","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Art; Humanities","score_opus":0.02291189256364753,"score_gpt":0.2527666484878378,"score_spread":0.22985475592419027,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2038675314","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2935592,0.28022733,0.000011642362,0.0040789274,0.0026719696,0.0006256968,0.0006470335,0.00025176723,0.41792643],"genre_scores_gemma":[0.96806616,0.013828909,0.0010305413,0.0014893207,0.0015078135,0.000088500245,0.000016238868,0.00008216138,0.0138903735],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9969968,0.00032559023,0.00079053146,0.0005962889,0.00043450904,0.0008562791],"domain_scores_gemma":[0.9979386,0.00045080687,0.00046278734,0.00041121134,0.0005866044,0.00015004135],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005360458,0.00069575344,0.0011366755,0.00009493345,0.0009036744,0.00014817565,0.0004573492,0.0002809933,0.0034562922],"category_scores_gemma":[0.00029107102,0.00057713676,0.00044613102,0.00007381713,0.0018946545,0.000059626156,0.0003588199,0.000519118,0.00021796748],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022736733,0.00036773563,0.0033312556,0.0006496633,0.0026890405,0.00016164494,0.09991994,4.81655e-7,0.0002202056,0.64754605,0.24406186,0.0008247534],"study_design_scores_gemma":[0.0010727375,0.00046546833,0.002591459,0.00095657085,0.00062220974,0.00013815513,0.035595663,7.757035e-7,0.00078632997,0.0051424555,0.9519935,0.0006346526],"about_ca_topic_score_codex":0.00018255343,"about_ca_topic_score_gemma":0.0000730466,"teacher_disagreement_score":0.70793164,"about_ca_system_score_codex":0.000118708,"about_ca_system_score_gemma":0.00014747062,"threshold_uncertainty_score":0.999668},"labels":[],"label_agreement":null},{"id":"W204126101","doi":"","title":"La mujer mediadora en \"Siervo libre de amor\", \"Cárcel de amor\" y \"Amadís de Gaula\"","year":2007,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.009484172979371751,"score_gpt":0.2326597504529272,"score_spread":0.22317557747355543,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W204126101","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.95004314,0.030031621,0.00016094171,0.0013213031,0.000619654,0.00077285804,0.00044909134,0.0002511123,0.016350262],"genre_scores_gemma":[0.98227304,0.0034924664,0.0006071281,0.004256454,0.004324796,0.00011045807,0.00007530074,0.00020950264,0.0046508606],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9938595,0.00072486856,0.0010298193,0.0009886981,0.0005819666,0.002815117],"domain_scores_gemma":[0.9961425,0.0008328376,0.0004418058,0.0009114346,0.00042712406,0.0012442693],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0027720907,0.001072908,0.0012965892,0.0003216134,0.0013532587,0.0015311386,0.0008452576,0.000671787,0.0006223463],"category_scores_gemma":[0.00082041335,0.0010016899,0.00062296336,0.00031417096,0.0007841234,0.00032942978,0.00026441802,0.0014697919,0.00011909733],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018095646,0.0002950238,0.012866453,0.0009496632,0.0009361184,0.004364635,0.10368123,0.000007713112,0.00051854434,0.7648408,0.104221575,0.0071373233],"study_design_scores_gemma":[0.0010135667,0.00026856668,0.02778534,0.0010333799,0.000943641,0.0006198611,0.013959315,0.000041796327,0.00015074236,0.0001829139,0.95285386,0.0011470104],"about_ca_topic_score_codex":0.001907303,"about_ca_topic_score_gemma":0.026918765,"teacher_disagreement_score":0.8486323,"about_ca_system_score_codex":0.0019730676,"about_ca_system_score_gemma":0.0013129096,"threshold_uncertainty_score":0.99994683},"labels":[],"label_agreement":null},{"id":"W2058760016","doi":"10.3828/bhs.2015.13","title":"Exilio espiritual en <i>Tierra adentro</i> de Muñiz-Huberman","year":2015,"lang":"es","type":"article","venue":"Bulletin of Hispanic Studies","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Athabasca University","funders":"","keywords":"Humanities; Context (archaeology); Art; Judaism; Philosophy; Theology; History","score_opus":0.04127756992083826,"score_gpt":0.2892207290505756,"score_spread":0.24794315912973736,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2058760016","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11354122,0.51976466,0.00000954404,0.028216276,0.005368999,0.0010099133,0.0003572106,0.00035087852,0.3313813],"genre_scores_gemma":[0.88345635,0.010014211,0.00035543393,0.002752688,0.0046861838,0.00012044016,0.00002486105,0.000107032865,0.09848282],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9966612,0.00030793052,0.00088070094,0.000619368,0.00068686716,0.00084394857],"domain_scores_gemma":[0.9976151,0.00029516805,0.000430977,0.00049214734,0.0009424547,0.00022416192],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000683213,0.00070526794,0.0012771596,0.00014624147,0.0005733877,0.00030265574,0.00051832397,0.00022421818,0.0011386576],"category_scores_gemma":[0.000647857,0.0005719623,0.00040210952,0.00008547345,0.0011869577,0.00011080803,0.0005312707,0.0004784375,0.0005644607],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014135469,0.00024138394,0.0004236817,0.0003988153,0.0012878632,0.000049120255,0.16610517,0.0000017106455,0.00005577777,0.19278514,0.6380675,0.00044248503],"study_design_scores_gemma":[0.0012912332,0.0007698229,0.00019622491,0.00053611567,0.00053237675,0.000025811116,0.112614706,0.0000013110428,0.00015721448,0.0007901988,0.8825346,0.00055037445],"about_ca_topic_score_codex":0.00019766133,"about_ca_topic_score_gemma":0.00011798582,"teacher_disagreement_score":0.7699151,"about_ca_system_score_codex":0.00021350788,"about_ca_system_score_gemma":0.00014045622,"threshold_uncertainty_score":0.99977446},"labels":[],"label_agreement":null},{"id":"W2058866164","doi":"10.1353/mdr.0.0071","title":"Love, Desire and Identity in the Theatre of Federico García Lorca (review)","year":2008,"lang":"en","type":"article","venue":"Modern Drama","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Garcia; Queer; Identity (music); Art; Humanities; Literature; Art history; Sociology; Gender studies; Aesthetics","score_opus":0.03126744283819676,"score_gpt":0.250695589497475,"score_spread":0.21942814665927823,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2058866164","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2677074,0.18900017,0.00004781613,0.0021130731,0.00018002212,0.00045530582,0.00002604304,0.000030052797,0.5404401],"genre_scores_gemma":[0.9900183,0.0051810546,0.000016054611,0.0015089632,0.0001494544,0.00000827658,0.000004440286,0.0000069656458,0.0031064842],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993689,0.000045218865,0.00016521406,0.00012933451,0.00016411277,0.00012718485],"domain_scores_gemma":[0.99970055,0.000029611543,0.000048798778,0.0001491068,0.000056756922,0.000015159787],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000104098464,0.0001087329,0.00020166337,0.00001991967,0.00017537418,0.000056049143,0.00013724032,0.000024064531,0.00016596285],"category_scores_gemma":[0.000011501448,0.00006205363,0.000057360485,0.00003983835,0.00021274449,0.00019661432,0.000037441925,0.000105730076,0.000016385009],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005727468,0.00040129587,0.004370031,0.0011054041,0.0001454796,0.000110447785,0.6841754,0.0000023640391,0.000105344516,0.2165233,0.07751985,0.015483813],"study_design_scores_gemma":[0.0013207314,0.00035785427,0.02391804,0.0014634093,0.00020255317,0.00014351435,0.040429275,0.00012317108,0.000112427966,0.057830222,0.87333137,0.0007674249],"about_ca_topic_score_codex":0.000074570264,"about_ca_topic_score_gemma":0.0009276077,"teacher_disagreement_score":0.79581153,"about_ca_system_score_codex":0.000005805361,"about_ca_system_score_gemma":0.000008861529,"threshold_uncertainty_score":0.25304735},"labels":[],"label_agreement":null},{"id":"W2063406980","doi":"10.1353/ecf.2010.0036","title":"Women Writing Music in Late Eighteenth-Century England: Social Harmony in Literature and Performance (review)","year":2010,"lang":"en","type":"article","venue":"Eighteenth-Century Fiction","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Musical; Publishing; Entertainment; Literature; Art; History; Performing arts; Harmony (color); Piano; Popular music; Art history; Classics; Visual arts","score_opus":0.011645095030922958,"score_gpt":0.20548365002953461,"score_spread":0.19383855499861166,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2063406980","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8840904,0.08931892,2.3553795e-7,0.00043458215,0.0021318526,0.0004851823,0.000056687113,0.00010048209,0.023381623],"genre_scores_gemma":[0.8629574,0.13342378,0.00002105816,0.0009252108,0.0020060719,0.0001447482,0.00016998278,0.000032134718,0.00031958587],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978395,0.00010036517,0.00058777194,0.00053787336,0.0003057679,0.0006286943],"domain_scores_gemma":[0.99934584,0.000041661908,0.00018368385,0.00019699881,0.00013877095,0.000093060284],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00043838727,0.00040580073,0.0004845308,0.00024479622,0.00054511486,0.0003104392,0.00017027654,0.00020254462,0.00082644384],"category_scores_gemma":[0.000026292666,0.00033288685,0.000100297984,0.0002492795,0.00015383058,0.0008105945,0.00008939131,0.0011132025,0.000027166801],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006475105,0.0013608233,0.022771705,0.0037584933,0.0002482039,0.00016625799,0.6435593,0.0000019233166,0.0029606407,0.061605692,0.15035345,0.112565994],"study_design_scores_gemma":[0.0016486546,0.00011609997,0.024760488,0.0010472786,0.000036351143,0.0000110582,0.0021196005,0.000057410118,0.000037755406,0.00007365983,0.96958035,0.00051127543],"about_ca_topic_score_codex":0.000023628025,"about_ca_topic_score_gemma":0.00032552663,"teacher_disagreement_score":0.8192269,"about_ca_system_score_codex":0.000093439645,"about_ca_system_score_gemma":0.000020994332,"threshold_uncertainty_score":0.9999123},"labels":[],"label_agreement":null},{"id":"W2067164037","doi":"10.3138/md.48.1.71","title":"“¡Silencio, he dicho!” Space, Language, and Characterization as Agents of Social Protest in Lorca’s Rural Tragedies","year":2005,"lang":"en","type":"article","venue":"Modern Drama","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Silence; Aesthetics; Meaning (existential); Foregrounding; Art; Social space; Sociology; Space (punctuation); Literature; Epistemology; Linguistics; Philosophy","score_opus":0.01200126221062482,"score_gpt":0.23447789415673992,"score_spread":0.2224766319461151,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2067164037","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97591275,0.00058139744,0.00001266524,0.0014626632,0.000091232985,0.0002150705,0.00004478802,0.000034143693,0.021645265],"genre_scores_gemma":[0.988073,0.000028690105,0.000018498924,0.00029629286,0.0006787769,0.000030437484,0.00005586067,0.000012497262,0.010805983],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993643,0.000028969243,0.0001782903,0.00013002251,0.00013970751,0.00015870178],"domain_scores_gemma":[0.99977547,0.000008208673,0.00007442781,0.00006426903,0.000055953235,0.000021674146],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00006192187,0.00013027292,0.00019001907,0.000052702664,0.00016702081,0.00010995899,0.00006047052,0.000041948213,0.00027181598],"category_scores_gemma":[0.000012325454,0.0001041046,0.00003813281,0.000027983178,0.0001243315,0.00025376087,0.0000311514,0.00011026248,0.00001300424],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007076267,0.00017141923,0.0012056824,0.00010205027,0.00007264643,0.000011244646,0.93185323,0.0000018004562,0.01742806,0.026697174,0.0024871908,0.01989874],"study_design_scores_gemma":[0.0044846195,0.00055232795,0.20162383,0.00048779495,0.00020251282,0.000013256438,0.1528676,0.0011569442,0.006492704,0.003403717,0.6273059,0.0014087834],"about_ca_topic_score_codex":0.00007857017,"about_ca_topic_score_gemma":0.00076878053,"teacher_disagreement_score":0.7789856,"about_ca_system_score_codex":0.000015205854,"about_ca_system_score_gemma":0.000009445391,"threshold_uncertainty_score":0.42452624},"labels":[],"label_agreement":null},{"id":"W2079215237","doi":"10.5195/reviberoamer.2012.6915","title":"Sirena Pellarolo. <i>Sainetes, cabaret, minas y tangos. Una antología</i>","year":2012,"lang":"es","type":"article","venue":"Revista Iberoamericana","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Art","score_opus":0.013476703390948766,"score_gpt":0.2427282478573256,"score_spread":0.22925154446637686,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2079215237","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12080854,0.4184183,0.00001350211,0.002496039,0.0016306697,0.00087538187,0.00086940237,0.00032721067,0.45456097],"genre_scores_gemma":[0.9629543,0.004091367,0.0001270773,0.0028816937,0.00531321,0.000047012494,0.00022481233,0.000112824695,0.024247708],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9962456,0.00025766212,0.0007715767,0.00067407585,0.00054483645,0.0015062072],"domain_scores_gemma":[0.99775815,0.00018613317,0.0005069704,0.00081354193,0.000281891,0.0004533038],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00032264204,0.0008829362,0.0012405978,0.00013427106,0.00092646515,0.0011617162,0.0004928644,0.00020788249,0.002530504],"category_scores_gemma":[0.00012539438,0.00070616143,0.0004820312,0.00027162165,0.0011721781,0.0004986743,0.00019918152,0.00057543913,0.00073231116],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007000276,0.0004929412,0.013574053,0.00080943597,0.0009555822,0.00007298884,0.033332713,4.8367696e-7,0.00034329214,0.4753349,0.45599428,0.019019298],"study_design_scores_gemma":[0.00032069394,0.00025394076,0.002305654,0.00041649744,0.0005323248,0.000041326897,0.006217633,0.0000032796245,0.00008234663,0.000051410516,0.9888493,0.00092558126],"about_ca_topic_score_codex":0.0009807745,"about_ca_topic_score_gemma":0.0001047252,"teacher_disagreement_score":0.84214574,"about_ca_system_score_codex":0.00013971025,"about_ca_system_score_gemma":0.00008421343,"threshold_uncertainty_score":0.9998752},"labels":[],"label_agreement":null},{"id":"W2085671849","doi":"10.3828/bhs.2010.4","title":"Política cursi y modernidad: los despachos de Ramón Gómez de la Serna","year":2010,"lang":"es","type":"article","venue":"Bulletin of Hispanic Studies","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Humanities; Art; The Renaissance; Spanish literature; Art history","score_opus":0.012052480507617905,"score_gpt":0.28697744024662486,"score_spread":0.27492495973900694,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2085671849","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4018634,0.2466168,0.00021612806,0.042996243,0.005874065,0.0020755702,0.00082601164,0.00068572216,0.29884607],"genre_scores_gemma":[0.95477843,0.0072967377,0.0018940688,0.0012921141,0.00236647,0.00011029615,0.00000662575,0.000102731494,0.03215252],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9970491,0.00034214152,0.00065222575,0.00058521156,0.00045023073,0.0009211154],"domain_scores_gemma":[0.99747074,0.0008530542,0.00039780102,0.0005444467,0.0005633722,0.00017060069],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008436712,0.0006853006,0.0010509503,0.00013044791,0.00097544625,0.00045422613,0.00053677324,0.00034441857,0.0022645714],"category_scores_gemma":[0.0008713963,0.0005580112,0.0004046942,0.000063516025,0.0019656776,0.00007958565,0.0003669519,0.0010237116,0.00018747538],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019171019,0.00047147978,0.0009459991,0.0006901513,0.0019421361,0.00007042973,0.08972176,0.000007888497,0.00243639,0.50156945,0.4010579,0.0008947272],"study_design_scores_gemma":[0.000879727,0.00034848746,0.00083197525,0.0005477057,0.0006540618,0.000051266612,0.019674357,0.000018332117,0.00073920144,0.005306037,0.97034514,0.0006037337],"about_ca_topic_score_codex":0.00023063915,"about_ca_topic_score_gemma":0.00014522929,"teacher_disagreement_score":0.5692872,"about_ca_system_score_codex":0.00010110031,"about_ca_system_score_gemma":0.00014082647,"threshold_uncertainty_score":0.99968714},"labels":[],"label_agreement":null},{"id":"W2088993831","doi":"10.2307/1261633","title":": <i>Discourses of Poverty: Social Reform and the Picaresque Novel in Early Modern Spain</i>","year":2003,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poverty; Social reform; Media studies; Political science; Sociology; Humanities; Economic history; History; Art; Law; Politics","score_opus":0.014425115116687667,"score_gpt":0.22269361265857499,"score_spread":0.2082684975418873,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2088993831","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.36981604,0.0077046975,0.0000919189,0.004600867,0.0006966301,0.00059204997,0.00009514656,0.00006809445,0.61633456],"genre_scores_gemma":[0.99754703,0.000014267232,0.000022931476,0.00044147007,0.00036793476,0.000029309107,0.000002438548,0.000012177545,0.0015624298],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991648,0.000052150084,0.00023818506,0.0001799412,0.00015519047,0.00020971878],"domain_scores_gemma":[0.9996249,0.000037057776,0.0001000902,0.00013593766,0.00008059012,0.000021425578],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00017524723,0.00015225413,0.0002900854,0.000032187687,0.00025503256,0.000118812895,0.00010354809,0.000045414603,0.000029353427],"category_scores_gemma":[0.000011891277,0.00008786927,0.000075962824,0.000047817462,0.00052823377,0.00022171975,0.0000075982675,0.00015188294,0.0000024788294],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000070713984,0.00005012667,0.0001910641,0.000024966188,0.000037753056,0.0000017282837,0.2568254,1.3998813e-7,0.00012934767,0.73907876,0.002310888,0.0012791492],"study_design_scores_gemma":[0.008870261,0.0009896329,0.008802922,0.0003824143,0.00016025893,0.000018245519,0.20339486,0.000045728677,0.00030662093,0.059293482,0.71676236,0.0009732132],"about_ca_topic_score_codex":0.0004206392,"about_ca_topic_score_gemma":0.0030647286,"teacher_disagreement_score":0.7144515,"about_ca_system_score_codex":0.00002137567,"about_ca_system_score_gemma":0.000018644821,"threshold_uncertainty_score":0.3583205},"labels":[],"label_agreement":null},{"id":"W2108130065","doi":"10.1525/ae.2001.28.3.681","title":"Carnival and Culture: Sex, Symbol, and Status in Spain; Carnival Song and Society: Gossip, Sexuality, and Creativity in Andalusia","year":2001,"lang":"en","type":"article","venue":"American Ethnologist","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Gossip; Symbol (formal); Human sexuality; Creativity; Index (typography); Sociology; Gender studies; Psychology; Social psychology; Philosophy; Linguistics","score_opus":0.02191034782243449,"score_gpt":0.277763889704554,"score_spread":0.2558535418821195,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2108130065","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98053956,0.00815266,0.0000040716513,0.0013877441,0.000050996827,0.00018320783,0.000051042636,0.00006395099,0.00956675],"genre_scores_gemma":[0.99284965,0.0046962225,0.000103212355,0.00051392184,0.00014497142,0.000017913451,0.000014313894,0.000015024197,0.0016447983],"study_design_codex":"observational","study_design_gemma":"qualitative","domain_scores_codex":[0.9985379,0.00013311487,0.00022463806,0.00050929387,0.0001331061,0.0004619768],"domain_scores_gemma":[0.9995056,0.00011464192,0.00010495326,0.00013371237,0.000042969277,0.000098148754],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00025860916,0.0002855106,0.00051928463,0.000062890394,0.00034774275,0.00028856064,0.000060756065,0.00009533036,0.000015118713],"category_scores_gemma":[0.000072092334,0.00022210281,0.000030227975,0.00013054046,0.0035619454,0.00024306626,0.00019501724,0.00041616109,4.3250964e-7],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007262279,0.000096966935,0.5796123,0.0000729155,0.00009862198,0.000073271374,0.3659227,6.462289e-7,0.00013624837,0.008519562,0.0012364702,0.044157706],"study_design_scores_gemma":[0.0016207496,0.0006743749,0.37042004,0.0000746681,0.00007138178,0.000054532833,0.51774925,0.00006711854,0.000022649545,0.0017278692,0.10685206,0.00066531874],"about_ca_topic_score_codex":0.009258669,"about_ca_topic_score_gemma":0.028378002,"teacher_disagreement_score":0.20919226,"about_ca_system_score_codex":0.000039188053,"about_ca_system_score_gemma":0.000021990569,"threshold_uncertainty_score":0.9991498},"labels":[],"label_agreement":null},{"id":"W2118511669","doi":"10.3138/md.0663","title":"Aesthetic Radicalism: Langston Hughes’s Lost Translation of Federico García Lorca’s <i>Bodas de sangre / Blood Wedding</i>","year":2014,"lang":"en","type":"article","venue":"Modern Drama","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Political radicalism; Oppression; Politics; Vernacular; Style (visual arts); Reading (process); Literature; Art; Art history; Philosophy; Law; Political science","score_opus":0.015062225128831692,"score_gpt":0.21473569954434635,"score_spread":0.19967347441551467,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2118511669","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.325097,0.007220886,0.0024138866,0.0059805284,0.00067599304,0.00049300067,0.00008398543,0.0002913572,0.6577434],"genre_scores_gemma":[0.9913716,0.000037325404,0.00023612901,0.00088557904,0.00054505025,0.000012561643,0.000037918326,0.00003107033,0.0068428083],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989416,0.00006431909,0.00024595045,0.00023489019,0.00022911304,0.0002841371],"domain_scores_gemma":[0.9994982,0.00002877852,0.00010114644,0.00020466694,0.00010066499,0.00006655003],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00014030501,0.00019953237,0.0002888565,0.00005016311,0.00025101335,0.00017558165,0.00015797104,0.00008991025,0.00042627138],"category_scores_gemma":[0.000015839174,0.00016030279,0.00013799965,0.000030153638,0.00020449838,0.00014067402,0.000020634321,0.0001614836,0.00005189056],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017653983,0.00078959425,0.0009955167,0.00042748798,0.00025888914,0.00003083079,0.50021917,0.00006689853,0.007234312,0.37261048,0.055321034,0.061869245],"study_design_scores_gemma":[0.0013261422,0.00030734827,0.00016195122,0.00018672388,0.000257947,0.00003304171,0.0025328235,0.0010393733,0.0017328983,0.016854167,0.9751153,0.0004522934],"about_ca_topic_score_codex":0.00010278394,"about_ca_topic_score_gemma":0.00051872106,"teacher_disagreement_score":0.91979426,"about_ca_system_score_codex":0.000014704127,"about_ca_system_score_gemma":0.000018334336,"threshold_uncertainty_score":0.6536958},"labels":[],"label_agreement":null},{"id":"W2126776407","doi":"","title":"HOMENAJE EN LA ESCUELA DE CANADÁ A JUAN SORIANO","year":2007,"lang":"es","type":"article","venue":"Gaceta UNAM (2000-2009)","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.0077907682613001334,"score_gpt":0.22927528552034337,"score_spread":0.22148451725904325,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2126776407","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09331456,0.03714547,0.000058593032,0.0027846945,0.00329009,0.0007124502,0.00073536363,0.00036506227,0.8615937],"genre_scores_gemma":[0.81317306,0.001127693,0.00019087593,0.0023392942,0.006997416,0.000034092947,0.0001048532,0.00012542002,0.1759073],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99595255,0.00024504753,0.0007486489,0.0007692656,0.00059566676,0.0016888382],"domain_scores_gemma":[0.9980617,0.00025732708,0.00025248592,0.0006565576,0.0003251363,0.00044680294],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0011199616,0.00081167126,0.00082971173,0.00026764008,0.0011509561,0.0015606706,0.0005558982,0.00048146848,0.0022340126],"category_scores_gemma":[0.00012200458,0.00068778417,0.00037890603,0.000233472,0.0004936716,0.00038641636,0.00016338796,0.0009019721,0.00050107396],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002481492,0.00049720233,0.0021608542,0.00035502992,0.0011456908,0.00066382193,0.21377951,0.0000072557787,0.00052449235,0.46556073,0.30278766,0.012269598],"study_design_scores_gemma":[0.0010512655,0.0002308507,0.007074743,0.00028770577,0.00037141814,0.00007146688,0.014168473,0.000007899794,0.00018959842,0.0013448333,0.97431225,0.0008894943],"about_ca_topic_score_codex":0.0031802782,"about_ca_topic_score_gemma":0.016188882,"teacher_disagreement_score":0.7198585,"about_ca_system_score_codex":0.0004817826,"about_ca_system_score_gemma":0.0006288956,"threshold_uncertainty_score":0.9995573},"labels":[],"label_agreement":null},{"id":"W2127261664","doi":"","title":"De héroe a santo: Masculinidad y españolidad en La vida nueva de Pedrito de Andía, de Sánchez Mazas","year":2012,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.010733550019665009,"score_gpt":0.24317392443486768,"score_spread":0.23244037441520268,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2127261664","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9323495,0.05509713,0.00010677355,0.0017220615,0.00066967774,0.00075695675,0.0005039567,0.00019839407,0.0085955765],"genre_scores_gemma":[0.98040134,0.00529319,0.00064868055,0.0032799565,0.005763621,0.0002522395,0.000049049602,0.0001890807,0.004122849],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99340725,0.0012070619,0.0008470905,0.0007967607,0.0004771146,0.003264714],"domain_scores_gemma":[0.9964007,0.00061847595,0.00039007823,0.0008705582,0.00032447543,0.001395686],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.002417995,0.0010516376,0.001297493,0.00023389969,0.0013837193,0.0018945682,0.00070914533,0.0005959911,0.0006331513],"category_scores_gemma":[0.0008350817,0.0009915729,0.00066949526,0.0002339114,0.00050946727,0.00041573952,0.00024237968,0.0012268835,0.00013429628],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012950123,0.00038605233,0.053271573,0.00090392644,0.0010129898,0.00077608065,0.1452826,0.000006057578,0.00045212245,0.6957076,0.10018138,0.0018901039],"study_design_scores_gemma":[0.0009816365,0.00020823849,0.02412582,0.00093718193,0.0013698878,0.0009229343,0.011721722,0.00005540857,0.00013357995,0.00013058486,0.95827746,0.0011355227],"about_ca_topic_score_codex":0.0020545775,"about_ca_topic_score_gemma":0.01096567,"teacher_disagreement_score":0.8580961,"about_ca_system_score_codex":0.0022197112,"about_ca_system_score_gemma":0.0013880668,"threshold_uncertainty_score":0.9999163},"labels":[],"label_agreement":null},{"id":"W2129674986","doi":"10.14198/aleua.2005.18.09","title":"Un tema costumbrista: las horas de la ciudad","year":2005,"lang":"es","type":"article","venue":"Anales de Literatura Española","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Humanities; Art; Sociology; Philosophy","score_opus":0.005152141028095967,"score_gpt":0.2354682060915168,"score_spread":0.23031606506342084,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2129674986","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.32757717,0.18764578,0.00004445555,0.008424766,0.0008326999,0.0005747785,0.000761536,0.00046277913,0.47367606],"genre_scores_gemma":[0.9607217,0.002590358,0.000731392,0.0044986918,0.006165671,0.000051464405,0.00017211196,0.00009801996,0.024970593],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9965628,0.0005453517,0.0006839784,0.00071310875,0.00041746043,0.0010773484],"domain_scores_gemma":[0.99801576,0.0003736943,0.00028584863,0.00061063026,0.00040455378,0.0003094968],"candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0004912628,0.0007888858,0.0007515655,0.00021969197,0.0011450467,0.008756096,0.0005641143,0.00045430128,0.00081746915],"category_scores_gemma":[0.0001371904,0.000662292,0.00048329213,0.00023022389,0.00067331234,0.0007375198,0.00017142437,0.0010742536,0.00035666535],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015403464,0.00040478294,0.005682159,0.00029483187,0.00080561015,0.00046260282,0.07471265,0.0000045869247,0.00065134745,0.74666685,0.16125816,0.00890237],"study_design_scores_gemma":[0.00075343833,0.0001715477,0.004758941,0.0006443707,0.0003764075,0.00021934671,0.0038259327,0.000053662014,0.00044459285,0.002386015,0.98554206,0.000823686],"about_ca_topic_score_codex":0.00008318431,"about_ca_topic_score_gemma":0.00023745329,"teacher_disagreement_score":0.8242839,"about_ca_system_score_codex":0.00021925646,"about_ca_system_score_gemma":0.0001413525,"threshold_uncertainty_score":0.9995828},"labels":[],"label_agreement":null},{"id":"W21303667","doi":"10.1016/j.brainres.2011.01.116","title":"Los republicanos del ochocientos y la memoria de su tiempo","year":2005,"lang":"en","type":"article","venue":"Ayer","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Natural Sciences and Engineering Research Council of Canada; Canadian Institutes of Health Research; Michael Smith Health Research BC; University of Victoria","keywords":"Humanities; Art; Political science","score_opus":0.01453745558178702,"score_gpt":0.23685123836660393,"score_spread":0.22231378278481692,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W21303667","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.072300464,0.00092567026,0.0000073738815,0.0021830727,0.0004143735,0.00010902929,0.000026653166,0.00013494513,0.9238984],"genre_scores_gemma":[0.8523696,0.000017800345,0.00016366754,0.0038671957,0.00278479,0.000026160322,0.0000143492925,0.000016359225,0.1407401],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992609,0.000030485355,0.00013984997,0.00017903431,0.00014470344,0.00024502308],"domain_scores_gemma":[0.99957556,0.000032594467,0.000040204446,0.00017627103,0.00011559091,0.000059786613],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00012128886,0.0001242408,0.00012630044,0.000034453846,0.00025540308,0.00034667403,0.00012837148,0.000051265048,0.0032644721],"category_scores_gemma":[0.000030310397,0.000091239584,0.00008133313,0.00003420818,0.00010350426,0.00023406747,0.000038821257,0.0001358263,0.00021330206],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000068002823,0.000055345397,0.00022195838,0.000006664648,0.000052374184,0.000005068501,0.04541396,4.3540794e-7,0.00020761957,0.37206396,0.5808124,0.0011534059],"study_design_scores_gemma":[0.00020859174,0.000022123593,0.00030197782,0.000012027933,0.000025037416,0.0000060232665,0.002748969,0.0000051439774,0.0002662209,0.0008575485,0.9954102,0.00013614722],"about_ca_topic_score_codex":0.000037928727,"about_ca_topic_score_gemma":0.00045673238,"teacher_disagreement_score":0.7831583,"about_ca_system_score_codex":0.000027679052,"about_ca_system_score_gemma":0.000025294958,"threshold_uncertainty_score":0.9976467},"labels":[],"label_agreement":null},{"id":"W2131982580","doi":"","title":"El escultimo tarifeño dentro del marco campogibraltareño. Los scout tarifeños 1917-1929","year":2007,"lang":"es","type":"article","venue":"Aljaranda: revista de estudios tarifeños","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.012408278913978282,"score_gpt":0.25678751357377216,"score_spread":0.2443792346597939,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2131982580","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.72995925,0.13792257,0.0018194553,0.003021906,0.006540547,0.0068502296,0.002245407,0.0014036106,0.110237055],"genre_scores_gemma":[0.970372,0.0031666814,0.00087408564,0.005062872,0.010411448,0.00025360784,0.0005253725,0.00039009075,0.00894381],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.98848075,0.00054943893,0.0029803533,0.0023924895,0.0019457713,0.0036511782],"domain_scores_gemma":[0.9935187,0.0007692884,0.001273113,0.0019031952,0.0014397651,0.0010959567],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.00277152,0.002524354,0.0029904786,0.000590897,0.003575517,0.0042522554,0.001721146,0.0010992271,0.0032421704],"category_scores_gemma":[0.0007435998,0.0021652367,0.0016234898,0.0006382296,0.001640524,0.0012625817,0.00073763,0.002724465,0.0011691628],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0020024397,0.0020403042,0.06580777,0.0024527612,0.005684718,0.0019191911,0.055430517,0.000016567996,0.0020613011,0.6665404,0.19159125,0.0044528157],"study_design_scores_gemma":[0.0046679494,0.0006987925,0.019121125,0.0017747276,0.0020007952,0.00020500697,0.008437923,0.00005304314,0.0006441954,0.0003636155,0.959249,0.0027837981],"about_ca_topic_score_codex":0.0016538913,"about_ca_topic_score_gemma":0.0030672436,"teacher_disagreement_score":0.76765776,"about_ca_system_score_codex":0.0007572134,"about_ca_system_score_gemma":0.000775137,"threshold_uncertainty_score":0.9996085},"labels":[],"label_agreement":null},{"id":"W2165239413","doi":"10.7440/histcrit21.2001.06","title":"El joven Arciniegas a través de su correspondencia con Carlos Pellicer","year":2001,"lang":"es","type":"article","venue":"Historia Crítica","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Humanities; Art","score_opus":0.018613864966963288,"score_gpt":0.2483498592755295,"score_spread":0.2297359943085662,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2165239413","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.120610625,0.036247514,0.00003024449,0.0024010104,0.011754535,0.0006513987,0.00024626256,0.0002833148,0.8277751],"genre_scores_gemma":[0.8344615,0.0007763597,0.000046288827,0.0012526212,0.00889058,0.000051885265,0.000036324247,0.00007775951,0.1544067],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9973671,0.00016056137,0.0005399011,0.0005965393,0.00049999333,0.00083591335],"domain_scores_gemma":[0.99843895,0.00017554096,0.00021280878,0.00051665667,0.00039511157,0.00026090682],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00026833007,0.00055718067,0.0006702141,0.00015110255,0.0010047078,0.00087609544,0.00036932883,0.00029610112,0.005791433],"category_scores_gemma":[0.00014502881,0.00049210596,0.00034386484,0.00011262593,0.00046173812,0.00026524422,0.00007372244,0.0005774484,0.00080767646],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00049518625,0.0003188877,0.0013133656,0.00013534253,0.00030013762,0.00030824187,0.15976079,9.81149e-7,0.00096143497,0.5220874,0.31371814,0.00060011406],"study_design_scores_gemma":[0.00081051496,0.00032650644,0.0014402729,0.00019192671,0.0005165561,0.000054514963,0.006665772,0.00001636674,0.000046031073,0.0014246771,0.98788553,0.0006213327],"about_ca_topic_score_codex":0.0006592971,"about_ca_topic_score_gemma":0.0006938153,"teacher_disagreement_score":0.71385086,"about_ca_system_score_codex":0.000487327,"about_ca_system_score_gemma":0.00022875835,"threshold_uncertainty_score":0.9999703},"labels":[],"label_agreement":null},{"id":"W21659348","doi":"10.1136/jmg.2011.089144","title":"Tradurre la palabra hablada: La diseredata di Galdós","year":2012,"lang":"en","type":"article","venue":"Isidora: revista de estudios galdosianos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Canadian Institutes of Health Research","keywords":"Art; Humanities","score_opus":0.017301754618315037,"score_gpt":0.23726682076639,"score_spread":0.21996506614807496,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W21659348","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11385053,0.07722929,0.00020309846,0.004662848,0.0026498681,0.0017923815,0.000811508,0.0010953255,0.7977052],"genre_scores_gemma":[0.98823637,0.0005072428,0.00012833472,0.0008844762,0.0034538934,0.00015248852,0.00008249166,0.00008335215,0.0064713783],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9973252,0.0003305924,0.0005206337,0.00049434224,0.00042930138,0.00089996133],"domain_scores_gemma":[0.9984335,0.000254971,0.00019825328,0.0006664837,0.00015716763,0.00028964906],"candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00055118155,0.0005587024,0.0006693052,0.00008650145,0.00072606106,0.0010377622,0.0004933326,0.00017578507,0.00081758096],"category_scores_gemma":[0.00019348982,0.000431394,0.000301187,0.00015159983,0.00049050036,0.0010045067,0.00020038037,0.0005764591,0.00031084826],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004058187,0.00040029848,0.013382338,0.00020044262,0.0003479975,0.00007619246,0.034201078,2.943486e-7,0.00012849066,0.71600145,0.23269202,0.0025288402],"study_design_scores_gemma":[0.00055243314,0.00007108423,0.015384385,0.0002465129,0.00027218537,0.00007208258,0.0047724787,0.0000021208914,0.000053326294,0.00023291001,0.9777718,0.00056868006],"about_ca_topic_score_codex":0.000035971178,"about_ca_topic_score_gemma":0.00009545226,"teacher_disagreement_score":0.87438583,"about_ca_system_score_codex":0.000078737474,"about_ca_system_score_gemma":0.000069177455,"threshold_uncertainty_score":0.9999993},"labels":[],"label_agreement":null},{"id":"W2202388108","doi":"","title":"Dictionnaire biographique des cardinaux du XIXe siècle. [Reseña]","year":2008,"lang":"fr","type":"article","venue":"Deposito Adademico Digital Universidad De Navarra (University of Navarra)","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.012701002835788892,"score_gpt":0.18223722045643678,"score_spread":0.16953621762064788,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2202388108","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7502762,0.016701205,0.0011998364,0.0033833098,0.0012869354,0.00045894887,0.0012630936,0.0003485048,0.22508197],"genre_scores_gemma":[0.94473976,0.0058245063,0.0002746602,0.00014041047,0.00080782594,6.962472e-7,0.00013262138,0.00006099207,0.048018523],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9970667,0.00016058417,0.00039462576,0.00078517286,0.00060704525,0.0009858895],"domain_scores_gemma":[0.99758965,0.00014997141,0.00039810064,0.000488552,0.0008530117,0.00052070105],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.00013833959,0.000684895,0.0008424759,0.0005748978,0.004059839,0.00028926638,0.0008714207,0.00065202377,0.0003417402],"category_scores_gemma":[0.000060915187,0.0008473768,0.0009967401,0.0007418557,0.005087204,0.0031493078,0.00037267548,0.0008303561,0.00011573159],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0016639766,0.002127248,0.19781758,0.0012040765,0.0053131706,0.008578582,0.28575346,0.0001659945,0.0017395417,0.19663958,0.2885225,0.010474298],"study_design_scores_gemma":[0.0026191643,0.00086403015,0.047618955,0.0010134263,0.00083251967,0.0013856001,0.107695416,0.00010423269,0.00022459491,0.0011899185,0.835029,0.0014231375],"about_ca_topic_score_codex":0.005155935,"about_ca_topic_score_gemma":0.0009907093,"teacher_disagreement_score":0.5465065,"about_ca_system_score_codex":0.0005623208,"about_ca_system_score_gemma":0.00027997536,"threshold_uncertainty_score":0.9993977},"labels":[],"label_agreement":null},{"id":"W2205383945","doi":"10.3989/aearte.2015.09","title":"“Que las riquezas del mundo parecian estar alli cifradas: los festejos de boda de Catalina de Braganza en el contexto de la Restauración portuguesa (1661-1662)","year":2015,"lang":"es","type":"article","venue":"Archivo Español de Arte","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"European Social Fund; Fundação para a Ciência e a Tecnologia; Federation for the Humanities and Social Sciences","keywords":"Portuguese; Context (archaeology); Humanities; Political science; Art; Sociology; Geography; Philosophy; Archaeology","score_opus":0.025831969416852965,"score_gpt":0.3169952387630358,"score_spread":0.29116326934618286,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2205383945","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.86046153,0.0113012735,0.0010728891,0.0046155173,0.00056651916,0.0010928414,0.0009993359,0.0004930616,0.11939704],"genre_scores_gemma":[0.9769917,0.0018106761,0.0019020137,0.0061631724,0.0030655828,0.00020810246,0.00025781247,0.00021312082,0.009387793],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9935863,0.0017371587,0.00094049907,0.00093244057,0.0005941791,0.0022094445],"domain_scores_gemma":[0.9960083,0.0010940601,0.0004269999,0.0009542055,0.00034389805,0.0011725798],"candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0020363247,0.0010280894,0.0009995701,0.00025775938,0.0010786237,0.0014387511,0.0009495885,0.00050229236,0.00013213772],"category_scores_gemma":[0.0008256318,0.00096152106,0.00047110542,0.00014835598,0.0010363177,0.00064945006,0.0003571308,0.0015367925,0.00012601417],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0007725181,0.00088125776,0.06155913,0.00049142377,0.0011961467,0.0031780773,0.48005462,0.0001231846,0.0019774172,0.34191838,0.10312696,0.0047208993],"study_design_scores_gemma":[0.002225395,0.0005583557,0.033843074,0.0009578704,0.0005378625,0.0008462851,0.030699795,0.00044575095,0.0007634046,0.047860064,0.8798864,0.0013757705],"about_ca_topic_score_codex":0.006455605,"about_ca_topic_score_gemma":0.017067688,"teacher_disagreement_score":0.7767594,"about_ca_system_score_codex":0.0006789268,"about_ca_system_score_gemma":0.0016090883,"threshold_uncertainty_score":0.99959785},"labels":[],"label_agreement":null},{"id":"W2227282740","doi":"","title":"CARDIM, Pedro, HERZOG, Tamar, RUIZ IBÁÑEZ, José Javier, and SABATINI, Gaetano (eds.): Polycentric Monarchies: How did Early Modern Spain and Portugal Achieve and Maintain a Global Hegemony? Eastbourne, UK; Portland, Oregon; Vaughan, Ontario: Sussex Academic Press, 2012, VIII+241 págs., ISBN: 978-1-84519-544-1","year":2015,"lang":"en","type":"article","venue":"Hispania-revista Espanola De Historia","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Hegemony; Monarchy; Archaeology; Geography; Political science; Law; Politics","score_opus":0.017383085427566825,"score_gpt":0.21484213381773534,"score_spread":0.1974590483901685,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2227282740","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.60652727,0.35635647,0.00031448485,0.0045389663,0.0035043787,0.0025432764,0.0013753504,0.00055045774,0.024289353],"genre_scores_gemma":[0.9380246,0.0039846776,0.0005197668,0.00068029074,0.0027082714,0.00017025511,0.00021862137,0.00017021778,0.05352333],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99433047,0.00042808012,0.0010282499,0.0015585214,0.0010549338,0.0015997328],"domain_scores_gemma":[0.99663764,0.00014515441,0.00074668316,0.00080880255,0.00049391435,0.0011678208],"candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.00092602463,0.0013558022,0.001666606,0.00023822552,0.0011377431,0.0013969586,0.0005896266,0.0005948999,0.00018260819],"category_scores_gemma":[0.00024100565,0.0011877809,0.0003091795,0.0002339064,0.0010099013,0.0011356233,0.00056320213,0.001412323,0.000017282551],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0036614917,0.0005729851,0.13689479,0.00093596935,0.0018160162,0.001114594,0.15461816,0.0000063590965,0.0006554102,0.23157158,0.45807818,0.010074459],"study_design_scores_gemma":[0.00310716,0.0007016062,0.014937606,0.00030587654,0.0007639214,0.00044225928,0.0036686987,0.000054972308,0.000006290427,0.0028688505,0.9716409,0.0015018831],"about_ca_topic_score_codex":0.012788302,"about_ca_topic_score_gemma":0.037624806,"teacher_disagreement_score":0.5135627,"about_ca_system_score_codex":0.001086234,"about_ca_system_score_gemma":0.00060676504,"threshold_uncertainty_score":0.9999193},"labels":[],"label_agreement":null},{"id":"W2231310926","doi":"","title":"TRIBUTO AL HUMANISMO DE NORMAN BETHUNE","year":2009,"lang":"es","type":"article","venue":"Gaceta UNAM (2000-2009)","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Almeria","score_opus":0.012700924027793698,"score_gpt":0.245245318122354,"score_spread":0.23254439409456032,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2231310926","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11733143,0.06934152,0.0000565508,0.015308624,0.0036302782,0.0013007711,0.0015465496,0.000870373,0.7906139],"genre_scores_gemma":[0.8717284,0.0012353482,0.0002095431,0.021506384,0.0067527886,0.000041919182,0.0003489363,0.00010897205,0.098067686],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9956831,0.0001867154,0.0009016106,0.00090426026,0.000682326,0.0016419908],"domain_scores_gemma":[0.99798846,0.0000707173,0.00034260206,0.0008066025,0.00043470794,0.00035689998],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00048790892,0.0009698631,0.0010423424,0.00022606409,0.0018514135,0.0021502296,0.000677802,0.0004028143,0.003218831],"category_scores_gemma":[0.000070019836,0.0008345092,0.0005440718,0.00020753464,0.00044235532,0.0006317592,0.00012813525,0.0009673013,0.0010612888],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021998315,0.0008012323,0.0005406834,0.00011805103,0.00055005285,0.0001958585,0.07711686,0.0000062417103,0.00090166414,0.33773425,0.5715707,0.010244435],"study_design_scores_gemma":[0.0014729681,0.00088229595,0.0069124377,0.0002690878,0.00043683784,0.000043077747,0.0034715175,0.000022785742,0.00030720254,0.0034714951,0.9816441,0.001066193],"about_ca_topic_score_codex":0.00019874402,"about_ca_topic_score_gemma":0.00040280173,"teacher_disagreement_score":0.754397,"about_ca_system_score_codex":0.00030374803,"about_ca_system_score_gemma":0.00030217375,"threshold_uncertainty_score":0.9997165},"labels":[],"label_agreement":null},{"id":"W2234775830","doi":"10.18192/rceh.v39i2.1626","title":"The Gypsy’s Curse: Race and Impurity of Blood in Pardo Bazán","year":2015,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Humanities; Art","score_opus":0.015336937775328146,"score_gpt":0.23398407047512929,"score_spread":0.21864713269980113,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2234775830","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.84646463,0.14894204,3.4348815e-7,0.0011529688,0.00038149912,0.00047846738,0.00012397955,0.000021141856,0.0024349208],"genre_scores_gemma":[0.9889023,0.009291485,0.000020095618,0.00024590554,0.00055149046,0.000037135593,0.000008771692,0.000035573965,0.0009072445],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975489,0.00029472794,0.00065895903,0.0004521589,0.00032162582,0.00072367775],"domain_scores_gemma":[0.9980794,0.00025787365,0.00030770665,0.0005187815,0.0005180625,0.0003181308],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0010341775,0.00041805606,0.0008002331,0.00009312767,0.0005820696,0.000611218,0.00031181547,0.00013901792,0.000025593781],"category_scores_gemma":[0.00061173906,0.00029688547,0.00013292176,0.00017405004,0.000760731,0.00014688239,0.00016062937,0.000447026,0.000008186841],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000092645,0.00013077454,0.010802574,0.00024832744,0.00034757075,0.00014855625,0.030059956,0.0000010422245,0.00002466196,0.9306847,0.026106255,0.0013529676],"study_design_scores_gemma":[0.0010042185,0.00037543912,0.005360824,0.00044816,0.00043864196,0.00006948917,0.014575024,0.00001331205,0.000020077936,0.00015714952,0.9771686,0.00036904594],"about_ca_topic_score_codex":0.00094364036,"about_ca_topic_score_gemma":0.024136376,"teacher_disagreement_score":0.9510624,"about_ca_system_score_codex":0.00014478575,"about_ca_system_score_gemma":0.00042409456,"threshold_uncertainty_score":0.9999483},"labels":[],"label_agreement":null},{"id":"W2241326272","doi":"10.18192/rceh.v39i2.1620","title":"Prosas profanas: Performance y secularización","year":2015,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.019638784034954598,"score_gpt":0.22878028100807074,"score_spread":0.20914149697311615,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2241326272","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.95367354,0.02742149,0.0000074679933,0.0013395665,0.0010773032,0.0012338681,0.00026368847,0.00018088112,0.014802214],"genre_scores_gemma":[0.9901225,0.00093120546,0.00009598673,0.0013636794,0.0022914663,0.00020595921,0.00007554528,0.00010603946,0.0048076017],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99636346,0.000218883,0.0007082427,0.0008164462,0.0006013639,0.0012916226],"domain_scores_gemma":[0.9971864,0.000049534894,0.00033352344,0.00079351943,0.0008853687,0.0007516424],"candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00073076243,0.0007695143,0.00095731654,0.00017584585,0.0010347285,0.0015622401,0.00049620646,0.00023848351,0.00018274091],"category_scores_gemma":[0.00028655565,0.00065642165,0.00029151753,0.00022442701,0.00047988974,0.00040349909,0.00018919594,0.0006568662,0.00032059458],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000085450636,0.00014655142,0.006510621,0.000711739,0.00045540204,0.0002827176,0.036076654,0.000004321124,0.0000214995,0.8588941,0.09514087,0.0016700974],"study_design_scores_gemma":[0.00086117163,0.00060565426,0.0016053948,0.00077465904,0.00048809365,0.000129969,0.006146594,0.00009719387,0.000036414902,0.000041517225,0.9883461,0.000867214],"about_ca_topic_score_codex":0.00026501194,"about_ca_topic_score_gemma":0.0018673305,"teacher_disagreement_score":0.8932053,"about_ca_system_score_codex":0.00070728076,"about_ca_system_score_gemma":0.00090199726,"threshold_uncertainty_score":0.9995887},"labels":[],"label_agreement":null},{"id":"W2246237395","doi":"10.55422/ppsmp.17","title":"Menéndez Pelayo y Pardo Bazán","year":2018,"lang":"es","type":"book","venue":"","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Novelis (Canada)","funders":"","keywords":"Humanities; Philosophy","score_opus":0.017377089293494574,"score_gpt":0.22139816560650705,"score_spread":0.20402107631301247,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2246237395","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000438086,0.0061132917,0.000006357879,0.0006906014,0.0037507417,0.00042028146,0.00034998177,0.00024082656,0.9883841],"genre_scores_gemma":[0.0041243336,0.0009990775,0.00007289589,0.0025081038,0.020831373,0.00004521284,0.0003804677,0.00010535078,0.9709332],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9972022,0.00007308156,0.00063906796,0.0008324016,0.00056556595,0.00068766886],"domain_scores_gemma":[0.9981243,0.00010336946,0.00029396324,0.0006374026,0.00068563106,0.0001553539],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00019703845,0.0009672105,0.0010011416,0.00013375294,0.0014132423,0.0019884626,0.00048875454,0.0005335523,0.058416504],"category_scores_gemma":[0.000030358926,0.000664766,0.0005531371,0.000027974886,0.0010633651,0.00026674953,0.0002670757,0.0006211194,0.008535598],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015876314,0.0000374986,0.000009776936,0.000103566075,0.00045978415,0.00001615878,0.012169639,1.2386164e-8,0.0000013843755,0.47267848,0.5140873,0.00042046895],"study_design_scores_gemma":[0.00031028668,0.0003144248,0.000027918551,0.00042548348,0.00048411905,0.000009952174,0.0052477363,8.4267543e-7,0.000017434995,0.007819408,0.9843887,0.00095370464],"about_ca_topic_score_codex":0.00006237944,"about_ca_topic_score_gemma":0.00067208824,"teacher_disagreement_score":0.47030133,"about_ca_system_score_codex":0.00009237647,"about_ca_system_score_gemma":0.00015638531,"threshold_uncertainty_score":0.9998868},"labels":[],"label_agreement":null},{"id":"W2258096200","doi":"","title":"MÚSICA DE CHOPIN Y HAYDN, CON MARC-ANDRÉ HAMELIN","year":2007,"lang":"es","type":"article","venue":"Gaceta UNAM (2000-2009)","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.013970868614180678,"score_gpt":0.24453714395182155,"score_spread":0.23056627533764087,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2258096200","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.084334515,0.12252259,0.0003209953,0.0066693444,0.0056473725,0.0014274201,0.0011365248,0.00066939346,0.77727187],"genre_scores_gemma":[0.79362255,0.0030729547,0.00041968495,0.006165729,0.009294076,0.000052585965,0.00023370214,0.00016741651,0.18697129],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9953873,0.00017200901,0.0010229602,0.00094584376,0.0006678677,0.0018039976],"domain_scores_gemma":[0.9976899,0.00020000781,0.00037908246,0.00079852255,0.00050317054,0.00042934035],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0009215095,0.0009335173,0.0010294131,0.00027812837,0.0013399931,0.0017238582,0.0005877854,0.00050944317,0.0055917925],"category_scores_gemma":[0.00016140049,0.00079060136,0.00050456676,0.00023709837,0.0007350487,0.00043324547,0.00019037316,0.001016948,0.0014072846],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006281199,0.0008638893,0.0036765048,0.0004921026,0.0011890696,0.00046875805,0.10339804,0.000009598429,0.0010951447,0.23314176,0.6284419,0.026595151],"study_design_scores_gemma":[0.0014004858,0.00037554046,0.0063227247,0.0004631575,0.00033322297,0.000053596086,0.006601102,0.000018679699,0.0006342143,0.0011913851,0.981588,0.0010178973],"about_ca_topic_score_codex":0.0005042545,"about_ca_topic_score_gemma":0.0014959312,"teacher_disagreement_score":0.70928806,"about_ca_system_score_codex":0.0003205486,"about_ca_system_score_gemma":0.00034830222,"threshold_uncertainty_score":0.9999601},"labels":[],"label_agreement":null},{"id":"W2270798011","doi":"","title":"José Labrador, C. Ángel Zorita y Ralph A. Difran, Cancionero de poesías varias. Biblioteca de Palacio, Ms. nº 617 (Siglos XV y XVI) . Cleveland—Denver, Cleveland State University— University of Denver, 1984","year":2013,"lang":"es","type":"article","venue":"Anuario de Letras. Lingüística y Filología","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities; State (computer science); Mathematics","score_opus":0.008536670154976294,"score_gpt":0.1862166532255053,"score_spread":0.17767998307052899,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2270798011","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9385972,0.0070006307,0.005258791,0.006713899,0.0017984388,0.001536637,0.0026667973,0.00052670634,0.035900883],"genre_scores_gemma":[0.95871264,0.0063616997,0.0024691848,0.0018455322,0.00089754944,0.0000053410045,0.00018443305,0.000101291946,0.029422324],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99515593,0.00055906276,0.00073891383,0.0010862441,0.00062649185,0.001833351],"domain_scores_gemma":[0.9963978,0.000714032,0.0005722723,0.0007984032,0.00084415684,0.00067331473],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006315648,0.0009751413,0.0012633952,0.0009091338,0.0017355158,0.0007773637,0.0011628295,0.0009036709,0.0031045396],"category_scores_gemma":[0.00033778042,0.000989558,0.00052000687,0.00077722274,0.0013941629,0.0008496304,0.00046495243,0.0016029085,0.00044465333],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0018755797,0.0018574537,0.09682786,0.0015026185,0.004699207,0.002555984,0.1270157,0.000114463146,0.0046763425,0.24145159,0.51271814,0.004705081],"study_design_scores_gemma":[0.004853029,0.0012604293,0.14380085,0.00075526704,0.0018624669,0.00012767634,0.015217113,0.0004408819,0.000853443,0.01146214,0.8172255,0.0021411797],"about_ca_topic_score_codex":0.05436491,"about_ca_topic_score_gemma":0.0070667076,"teacher_disagreement_score":0.3045074,"about_ca_system_score_codex":0.0005079299,"about_ca_system_score_gemma":0.0008624289,"threshold_uncertainty_score":0.9995641},"labels":[],"label_agreement":null},{"id":"W2271464584","doi":"10.14288/1.0093920","title":"La Historia de la Frontera y el Romancero Fronterizo","year":2010,"lang":"en","type":"article","venue":"Open Collections","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Art; History","score_opus":0.009305858828503892,"score_gpt":0.25100260115538614,"score_spread":0.24169674232688224,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2271464584","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001523156,0.00014256604,0.00002145024,0.00022510142,0.0026174546,0.00017092207,0.00005376404,0.000064413056,0.99518114],"genre_scores_gemma":[0.21656732,0.000015061002,0.00044971757,0.0003011451,0.0014318528,0.00019524795,0.000010430933,0.000018159282,0.78101104],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99942005,0.00006810032,0.00011853078,0.0001710089,0.00006828535,0.00015402869],"domain_scores_gemma":[0.99960214,0.00006725871,0.000042167787,0.00016412624,0.00007734789,0.000046950725],"candidate_categories":["sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00013725126,0.000116770265,0.00015008637,0.000025713374,0.0026987437,0.002817815,0.00024498065,0.0000734736,0.0069359867],"category_scores_gemma":[0.000035776535,0.00009692074,0.00006524859,0.000058366095,0.00018201747,0.0002642465,0.000083301275,0.00032989465,0.00003104922],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022606657,0.00007591174,0.000024216859,0.000003152477,0.000060685583,0.000005083618,0.024214502,1.4990214e-7,0.00027698796,0.05045109,0.92459714,0.00026845522],"study_design_scores_gemma":[0.00035814,0.00003991219,0.00012589741,0.000013918845,0.000032433654,0.000015892438,0.0032467283,0.0000041645035,0.000035715788,0.004185847,0.9918106,0.00013071169],"about_ca_topic_score_codex":0.005123547,"about_ca_topic_score_gemma":0.04408748,"teacher_disagreement_score":0.21504416,"about_ca_system_score_codex":0.000052633794,"about_ca_system_score_gemma":0.00006381748,"threshold_uncertainty_score":0.9985996},"labels":[],"label_agreement":null},{"id":"W2280067345","doi":"","title":"\"Aghardi\", de Enric Sió: una odisea contracultural en la España del tardofranquismo","year":2013,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.008162649954277987,"score_gpt":0.2195762879918346,"score_spread":0.2114136380375566,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2280067345","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9474873,0.036878373,0.000019471508,0.0019256134,0.00057095813,0.0014596,0.00065220817,0.00022017094,0.010786301],"genre_scores_gemma":[0.982898,0.002822944,0.000123776,0.003177873,0.0026690315,0.0004161848,0.00010844407,0.00013205792,0.007651713],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99509174,0.0007176463,0.00089330756,0.0009481392,0.00050619815,0.0018429556],"domain_scores_gemma":[0.9967811,0.0004954429,0.00037701294,0.0007470806,0.0007575431,0.00084182183],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00065062183,0.0009826664,0.0013424439,0.00016361805,0.0015180295,0.003634098,0.0006777184,0.00042298122,0.0018866593],"category_scores_gemma":[0.00049899786,0.0008584742,0.00068415696,0.00020082794,0.00066244556,0.00052211597,0.00019416978,0.0009797127,0.00052391377],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004027113,0.00017625811,0.004969362,0.00054926897,0.0010435538,0.0004354432,0.033457357,0.0000041447884,0.00026507195,0.7415912,0.21433774,0.0031303165],"study_design_scores_gemma":[0.0010531207,0.00021973293,0.029891865,0.00072077627,0.0008626467,0.0001978645,0.008126933,0.000073599535,0.000014122614,0.00017029252,0.9575573,0.0011117075],"about_ca_topic_score_codex":0.00545801,"about_ca_topic_score_gemma":0.007111198,"teacher_disagreement_score":0.7432196,"about_ca_system_score_codex":0.00085412554,"about_ca_system_score_gemma":0.00054722244,"threshold_uncertainty_score":0.99978185},"labels":[],"label_agreement":null},{"id":"W2281203072","doi":"10.33137/q.i..v21i1.9421","title":"\"Or udirete, che Dio vi conduca\". Considerazioni sulla &lt;i&gt;Spagna&lt;/i&gt; in rima","year":2000,"lang":"it","type":"article","venue":"Quaderni d italianistica","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.028986972308838933,"score_gpt":0.2516779064365459,"score_spread":0.222690934127707,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2281203072","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.047601584,0.020340122,0.000004945159,0.003988948,0.0021760692,0.0011848618,0.0014875379,0.00034856168,0.92286736],"genre_scores_gemma":[0.66762954,0.0012905227,0.00013440585,0.0023964567,0.0022323064,0.00012402033,0.00021378395,0.00014284515,0.32583612],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9936286,0.00047402002,0.0016294192,0.0015332485,0.0009406885,0.0017939833],"domain_scores_gemma":[0.9969899,0.0007116139,0.00035577506,0.0010113779,0.0004430498,0.00048825168],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.0005317736,0.0013697101,0.0016908677,0.00023160258,0.0028228464,0.0015527556,0.000687656,0.00063212094,0.18501548],"category_scores_gemma":[0.0004989554,0.001131217,0.00052537315,0.0003417137,0.0017956401,0.000607007,0.00021948353,0.0011448158,0.0082934685],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00082757795,0.001338046,0.00018465059,0.00059765176,0.0010060569,0.0018672232,0.10456327,0.0000073153374,0.0015447773,0.47528496,0.4085414,0.0042370376],"study_design_scores_gemma":[0.001644567,0.0007074342,0.0010749532,0.0007369785,0.00047957525,0.00011460231,0.005949583,0.000060216604,0.00014965891,0.0022985034,0.9851572,0.0016267397],"about_ca_topic_score_codex":0.0001950111,"about_ca_topic_score_gemma":0.004479311,"teacher_disagreement_score":0.62002796,"about_ca_system_score_codex":0.00026869267,"about_ca_system_score_gemma":0.00038506844,"threshold_uncertainty_score":0.99990535},"labels":[],"label_agreement":null},{"id":"W2284917906","doi":"","title":"\"Dad vigor a mi lengua\": Orality and \"Costumbrismo\" in Gutiérrez Solana's Madrid","year":2011,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Orality; Economics; Economic growth; Literacy","score_opus":0.023577764220308727,"score_gpt":0.22920987091750702,"score_spread":0.2056321066971983,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2284917906","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9496736,0.038874973,0.000003629746,0.00053843035,0.00055071583,0.0007869757,0.0003996501,0.000084176034,0.0090878615],"genre_scores_gemma":[0.9931466,0.0035042164,0.00010509607,0.0013996512,0.00073128357,0.00011206946,0.000031521653,0.00007952136,0.000890016],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99625534,0.0003373457,0.0008668238,0.00096542086,0.0003137328,0.0012613459],"domain_scores_gemma":[0.9981567,0.00010960831,0.0003175612,0.0006961962,0.0002726094,0.00044730655],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00070809067,0.0007595393,0.0011408421,0.00025317926,0.0007884136,0.0007783185,0.00039027407,0.0002599086,0.00059590937],"category_scores_gemma":[0.00022325905,0.00069636706,0.00025531242,0.0002046572,0.000626853,0.00030964965,0.00022483515,0.0007402864,0.0000643614],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001344618,0.0002526292,0.02076809,0.00061389856,0.00037718826,0.0009173365,0.068554774,1.1713815e-7,0.000029641174,0.88184243,0.023681358,0.0028280632],"study_design_scores_gemma":[0.0010770548,0.00036045007,0.058838975,0.00087055826,0.00044647724,0.00012056149,0.009350711,0.000013598707,0.000027724998,0.00023106184,0.9276998,0.00096303405],"about_ca_topic_score_codex":0.0057721008,"about_ca_topic_score_gemma":0.053727515,"teacher_disagreement_score":0.90401846,"about_ca_system_score_codex":0.0003626025,"about_ca_system_score_gemma":0.00028101317,"threshold_uncertainty_score":0.99954873},"labels":[],"label_agreement":null},{"id":"W22942260","doi":"10.3899/jrheum.120504","title":"Recordando a Francisco Crespín Cuesta","year":2001,"lang":"en","type":"article","venue":"The Journal of Rheumatology","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Geology","score_opus":0.017549311577814697,"score_gpt":0.2289991389894778,"score_spread":0.2114498274116631,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W22942260","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.88497734,0.008370549,0.00011190488,0.005234393,0.0024909696,0.000075904274,0.0000033026258,0.000023122791,0.09871251],"genre_scores_gemma":[0.99268585,0.0020102682,0.000036081576,0.00057282957,0.0001856612,0.0000012682625,5.8106656e-7,0.0000098331375,0.0044976478],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99915004,0.00011583086,0.00036811217,0.00005463803,0.00012963224,0.00018172004],"domain_scores_gemma":[0.9991447,0.00017386588,0.00027534316,0.0001300169,0.00023961352,0.000036459056],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00033785112,0.000107663815,0.0003066217,0.000056905188,0.00028983998,0.00005632594,0.00025984232,0.000034514662,0.0013113432],"category_scores_gemma":[0.00008623632,0.00005358823,0.00008315677,0.000037396185,0.00023899776,0.00014293582,0.000030133173,0.00025944458,0.00006260176],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0009937695,0.00014737184,0.020551583,0.00003371904,0.00059321546,0.00010101789,0.18659417,0.000004562844,0.00011952102,0.31149182,0.4730915,0.0062777344],"study_design_scores_gemma":[0.00046192465,0.00024343774,0.0002044014,0.00005795561,0.000059765647,0.0050548087,0.008429987,0.0000020993768,0.000010138805,0.0067292596,0.97866213,0.00008407495],"about_ca_topic_score_codex":0.000093907576,"about_ca_topic_score_gemma":0.000964053,"teacher_disagreement_score":0.50557065,"about_ca_system_score_codex":0.000008670786,"about_ca_system_score_gemma":0.000022457987,"threshold_uncertainty_score":0.9996016},"labels":[],"label_agreement":null},{"id":"W2301020229","doi":"","title":"Éveil modéré. La Nina Santa de Lucrecia Martel La Nina Santa de Lucrecia Martel","year":2005,"lang":"fr","type":"article","venue":"Ciné bulles","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.007897177657665391,"score_gpt":0.23080337962474062,"score_spread":0.22290620196707522,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2301020229","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.063648716,0.28147718,0.00005651635,0.0055527436,0.0014786114,0.0003991329,0.00047255066,0.00025234514,0.6466622],"genre_scores_gemma":[0.45910355,0.030347222,0.0015395882,0.0041055605,0.0148415305,0.00014336992,0.00015118466,0.00022812917,0.48953986],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99606466,0.0004853881,0.0007166352,0.00081061036,0.00045769822,0.0014650231],"domain_scores_gemma":[0.9980367,0.00045668098,0.0002614878,0.000617368,0.0002672228,0.00036053688],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00066323194,0.0008912536,0.00087371893,0.00016797561,0.0014576683,0.0011236866,0.0006113573,0.00058563077,0.005505844],"category_scores_gemma":[0.00013359159,0.0008168715,0.0004952599,0.00015823872,0.0010831362,0.00046844612,0.00025853724,0.0010144258,0.0008000541],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015103827,0.0004762715,0.0022172336,0.00022735995,0.00045415803,0.00024792485,0.039749015,0.000014151679,0.00021783909,0.13204415,0.8068197,0.017381173],"study_design_scores_gemma":[0.0011193936,0.00016102228,0.0066340733,0.00063272205,0.00046168276,0.00034352113,0.01574037,0.000100211255,0.00036054206,0.0024576867,0.97100824,0.0009805348],"about_ca_topic_score_codex":0.0011252912,"about_ca_topic_score_gemma":0.0040291566,"teacher_disagreement_score":0.39545482,"about_ca_system_score_codex":0.00026072917,"about_ca_system_score_gemma":0.00027575687,"threshold_uncertainty_score":0.99997795},"labels":[],"label_agreement":null},{"id":"W2304171410","doi":"","title":"Politiques culturelles des sexes: Erotisme feminin et nationalisme chez Rafael Luis Sanchez, Raphael Confiant, et Patrick Chamoiseau","year":2011,"lang":"fr","type":"article","venue":"Canadian review of comparative literature","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Sociology","score_opus":0.07449114530060484,"score_gpt":0.3118963213598008,"score_spread":0.23740517605919592,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2304171410","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001277087,0.6899666,0.0000052705955,0.0058920877,0.0007819958,0.0009446082,0.00628787,0.0000427041,0.29480174],"genre_scores_gemma":[0.33243826,0.5375499,0.0014220064,0.043197814,0.0022510232,0.00034548173,0.0033584852,0.00012443317,0.079312555],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9957375,0.0010015863,0.0011420008,0.0007368218,0.00046624325,0.0009158678],"domain_scores_gemma":[0.9956809,0.0001731015,0.00063137885,0.00051051396,0.0022904726,0.000713583],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007206751,0.0009912916,0.0017099296,0.00033807053,0.0007175478,0.00051842554,0.0005791641,0.00041891958,0.0039951866],"category_scores_gemma":[0.00012387418,0.00079944695,0.00065790565,0.0005609575,0.0015555131,0.0009936009,0.00007006658,0.0010664617,0.00007161835],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015591111,0.00009012619,0.00017123943,0.0045214114,0.0003760718,0.000054091193,0.24988492,1.11901635e-7,0.000008238836,0.52432275,0.2203111,0.0002443205],"study_design_scores_gemma":[0.00047070876,0.00026232898,0.0026793561,0.033919834,0.00035422677,0.00007751007,0.012783474,0.0000016693955,0.00016715263,0.0075067566,0.94093055,0.000846454],"about_ca_topic_score_codex":0.017677614,"about_ca_topic_score_gemma":0.104156926,"teacher_disagreement_score":0.72061944,"about_ca_system_score_codex":0.00022977972,"about_ca_system_score_gemma":0.0009265628,"threshold_uncertainty_score":0.9994456},"labels":[],"label_agreement":null},{"id":"W2313073931","doi":"10.1212/wnl.0000000000002575","title":"Flamenco dancer posture","year":2016,"lang":"en","type":"article","venue":"Neurology","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Western Hospital","funders":"National Institute of Mental Health","keywords":"Deep brain stimulation; Neurology; Levodopa; Dystonia; Medicine; Physical medicine and rehabilitation; Parkinson's disease; Complication; Physical therapy; Anesthesia; Psychology; Disease; Surgery; Internal medicine; Psychiatry","score_opus":0.012531962090030291,"score_gpt":0.2024252591801588,"score_spread":0.1898932970901285,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2313073931","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.28535968,0.001055443,0.000008586621,0.034270514,0.0031242233,0.0001159017,0.000033395183,0.00018106871,0.67585117],"genre_scores_gemma":[0.9691593,0.000039446164,0.0000048997194,0.010895844,0.001610014,0.0000141654,0.000001663554,0.000009638783,0.018264998],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994984,0.00002486401,0.00008154306,0.00016591803,0.000058200403,0.000171066],"domain_scores_gemma":[0.99973994,0.000036041896,0.000026727776,0.00012061251,0.000054232656,0.00002241053],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00002287637,0.00008882262,0.00010485796,0.000019838018,0.0001344578,0.000029015326,0.00008994661,0.000043066226,0.0023962057],"category_scores_gemma":[0.000014210984,0.000044275053,0.000039270144,0.000011140474,0.0001714308,0.000082600614,0.00003108575,0.000079597485,0.00034473502],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013601655,0.000033049728,0.0010710973,0.0000051371085,0.00005048243,0.000042734697,0.014674627,4.183833e-8,0.00395512,0.7573426,0.21589616,0.0067929686],"study_design_scores_gemma":[0.00019014247,0.0002602099,0.0014760018,0.000003059938,0.000008270754,0.000008126174,0.00005662744,7.925207e-8,0.00007200436,0.0034262391,0.99443084,0.0000684244],"about_ca_topic_score_codex":0.000011513154,"about_ca_topic_score_gemma":0.0005083541,"teacher_disagreement_score":0.77853465,"about_ca_system_score_codex":0.000002531395,"about_ca_system_score_gemma":0.000005094225,"threshold_uncertainty_score":0.9985157},"labels":[],"label_agreement":null},{"id":"W2315286167","doi":"10.1353/ecf.2008.0015","title":"Zayde: A Spanish Romance (review)","year":2007,"lang":"en","type":"article","venue":"Eighteenth-Century Fiction","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Romance; Audience measurement; Art; Nothing; Classics; Art history; History; Literature; Humanities; Philosophy; Law; Political science","score_opus":0.01205683556623984,"score_gpt":0.2263849908138522,"score_spread":0.21432815524761234,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2315286167","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005093643,0.26723418,0.00009811739,0.0005562633,0.0055300915,0.00049442734,0.000034664256,0.00036251542,0.7205961],"genre_scores_gemma":[0.82773185,0.14123483,0.00019768035,0.0054105935,0.00792679,0.00006772633,0.00028507563,0.000067312845,0.017078137],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986037,0.000026694926,0.00035901804,0.0003253567,0.00030637637,0.00037886624],"domain_scores_gemma":[0.9993254,0.000028175711,0.00013988621,0.00024056747,0.00018583797,0.00008012832],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002487332,0.00023886868,0.0002519964,0.00006031649,0.00051223696,0.00011062402,0.00014289841,0.00006433122,0.002514497],"category_scores_gemma":[0.00002204748,0.00018635884,0.00016109047,0.00009163528,0.00010604601,0.0003399779,0.000037283247,0.00022136525,0.0003293246],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036134825,0.00016458328,0.00014454598,0.00018646875,0.00008240902,0.000018009134,0.006319882,1.2962361e-7,0.00013726411,0.17750455,0.80766475,0.0077412897],"study_design_scores_gemma":[0.00023856532,0.00007890716,0.0012308735,0.00032977163,0.000076364246,0.00000910134,0.0013558678,0.0000015606103,0.00014731579,0.00007218647,0.9962197,0.00023976261],"about_ca_topic_score_codex":0.00002452632,"about_ca_topic_score_gemma":0.0001785377,"teacher_disagreement_score":0.8226382,"about_ca_system_score_codex":0.000057440382,"about_ca_system_score_gemma":0.000010313691,"threshold_uncertainty_score":0.99839735},"labels":[],"label_agreement":null},{"id":"W2318382584","doi":"10.1080/08831150009600334","title":"Playing Games of Identity: Benjamín Prado's<i>Alguien se acerca</i>","year":2000,"lang":"en","type":"article","venue":"Romance Quarterly","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Identity (music); Psychology; Humanities; Psychoanalysis; Art; Aesthetics","score_opus":0.014881493350322234,"score_gpt":0.236309019493467,"score_spread":0.22142752614314476,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2318382584","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.76854795,0.0023600224,0.000007688645,0.0003061804,0.00042049625,0.00017596474,0.000055126784,0.00011939785,0.22800714],"genre_scores_gemma":[0.97897124,0.000056180095,0.00011057998,0.00035587492,0.00077121524,0.00002418179,0.00001818059,0.000020794432,0.019671742],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99880207,0.000031124433,0.0003312645,0.00027243403,0.0002716847,0.00029142818],"domain_scores_gemma":[0.9994372,0.000024813698,0.00010941238,0.00027044083,0.000109441986,0.00004865807],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00009311301,0.00020583838,0.00031667712,0.0000463801,0.000350685,0.00023626952,0.00023452326,0.000053754397,0.00319387],"category_scores_gemma":[0.000004438972,0.00016784588,0.0001310883,0.00006695499,0.00018010601,0.00089253555,0.000009870372,0.00014171857,0.000238146],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000117398675,0.0002911317,0.0014019787,0.00022148972,0.00031962438,0.000041716805,0.68895787,0.0000030588108,0.0011690019,0.20349918,0.04226364,0.06171391],"study_design_scores_gemma":[0.0010493353,0.0010982782,0.010472771,0.0003560553,0.00015509654,0.000017414515,0.030409785,0.000030292102,0.00026306094,0.0065817293,0.9488656,0.0007006058],"about_ca_topic_score_codex":0.00018456687,"about_ca_topic_score_gemma":0.0013858504,"teacher_disagreement_score":0.90660197,"about_ca_system_score_codex":0.000015662243,"about_ca_system_score_gemma":0.000014480497,"threshold_uncertainty_score":0.9977173},"labels":[],"label_agreement":null},{"id":"W2396400154","doi":"","title":"Vida de Isidro labrador 1592","year":2015,"lang":"es","type":"article","venue":"Lemir: Revista de Literatura Española Medieval y del Renacimiento","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Geography","score_opus":0.020927160334027736,"score_gpt":0.26446393684380504,"score_spread":0.2435367765097773,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2396400154","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.42212236,0.36102784,0.00025254372,0.013804759,0.008242521,0.0029814446,0.0037789028,0.0014071506,0.18638247],"genre_scores_gemma":[0.9213141,0.0016804845,0.0011533805,0.008748594,0.012140666,0.00021304192,0.0011444078,0.00028794238,0.053317357],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9924559,0.00078593235,0.0015252489,0.0014700504,0.0015117028,0.0022511848],"domain_scores_gemma":[0.99463433,0.00032085698,0.00064764696,0.0013369614,0.0015982859,0.0014619256],"candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.0017857669,0.0014844346,0.0015769069,0.00039956172,0.0009964962,0.011153131,0.0011891884,0.0006954058,0.0007682956],"category_scores_gemma":[0.0011357075,0.0012067104,0.00078756164,0.0005161272,0.00072628085,0.0012267878,0.00047649074,0.0017332465,0.00073443854],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0007560379,0.0003565132,0.003178205,0.0012304895,0.00081501476,0.0006797309,0.18527648,0.000005953067,0.0006964957,0.42823356,0.375054,0.0037174958],"study_design_scores_gemma":[0.0019923376,0.00057200436,0.00034058563,0.002359006,0.0006802957,0.00023982623,0.010269479,0.00014481261,0.0001762859,0.0017025219,0.9800858,0.0014370796],"about_ca_topic_score_codex":0.00018665049,"about_ca_topic_score_gemma":0.00007979273,"teacher_disagreement_score":0.6050317,"about_ca_system_score_codex":0.00082751346,"about_ca_system_score_gemma":0.0005844481,"threshold_uncertainty_score":0.9997905},"labels":[],"label_agreement":null},{"id":"W24773303","doi":"10.1111/anae.12661","title":"Walter de María. La Medición del mundo","year":2009,"lang":"en","type":"article","venue":"Arte y parte: revista de arte - España, Portugal y América","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Canadian Institutes of Health Research","keywords":"Humanities; Art","score_opus":0.014689878901244553,"score_gpt":0.24497378822085097,"score_spread":0.23028390931960643,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W24773303","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.034517806,0.0082411375,0.0006481818,0.014720834,0.0007727224,0.0008684204,0.0001572489,0.00084330176,0.9392303],"genre_scores_gemma":[0.9687479,0.00080646964,0.0003063635,0.010757032,0.0021377443,0.00006718663,0.000108325505,0.00006174577,0.017007241],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99666345,0.00023753737,0.00077846786,0.0006640818,0.00051901786,0.0011374694],"domain_scores_gemma":[0.9981973,0.00013970262,0.00028725324,0.00068739854,0.00025535995,0.00043298575],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006973108,0.0005960149,0.00072871917,0.0001368671,0.00076382223,0.00079062424,0.00046573475,0.00017970407,0.0013321073],"category_scores_gemma":[0.00012690535,0.0004801812,0.00037113286,0.00016777214,0.00041007687,0.00050210964,0.00007641673,0.0005980048,0.0004655011],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000116281175,0.00039617912,0.0013661323,0.00006571208,0.0002681295,0.0004945253,0.03827413,0.000005430512,0.00051146734,0.43376425,0.50863117,0.016106617],"study_design_scores_gemma":[0.0007014427,0.00034447253,0.003970553,0.00015472235,0.00021208245,0.0001356053,0.0024855537,0.0001248163,0.000035530382,0.004229375,0.9869861,0.00061975076],"about_ca_topic_score_codex":0.00007234011,"about_ca_topic_score_gemma":0.00019582249,"teacher_disagreement_score":0.9342301,"about_ca_system_score_codex":0.00010528175,"about_ca_system_score_gemma":0.00014263524,"threshold_uncertainty_score":0.999765},"labels":[],"label_agreement":null},{"id":"W2478785","doi":"10.30827/arenal.v8i2.16553","title":"Del precio de la novia a la dote en la Europa mediterránea","year":2002,"lang":"es","type":"article","venue":"Arenal Revista de historia de las mujeres","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Humanities; Political science; Philosophy","score_opus":0.011132140072457868,"score_gpt":0.23161305995736314,"score_spread":0.22048091988490529,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2478785","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.053988513,0.1469877,0.00017697432,0.0014334805,0.0023684613,0.00056878536,0.0005262725,0.00044504015,0.7935048],"genre_scores_gemma":[0.9433998,0.004069796,0.00054075266,0.0010431077,0.008056377,0.00008970155,0.00004411538,0.00014252379,0.042613864],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9959673,0.0014689458,0.0006184598,0.00061684026,0.0004929471,0.0008354748],"domain_scores_gemma":[0.99720305,0.0014156415,0.00031499882,0.0005068763,0.00024527908,0.0003141577],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0010048649,0.0006618489,0.0007159252,0.00016354262,0.0007952674,0.0022689246,0.00058933836,0.000417641,0.0018192282],"category_scores_gemma":[0.00096638,0.0005673808,0.00040059557,0.00012215282,0.00073806674,0.00031331117,0.00016498873,0.0010419998,0.00024486092],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009909566,0.00025327312,0.0010573373,0.0003577845,0.00036103843,0.00064261997,0.08286622,0.0000031958934,0.00050753646,0.46952078,0.44175723,0.0025738787],"study_design_scores_gemma":[0.0007417771,0.00017141765,0.0011983421,0.0008374711,0.0005010214,0.00023910849,0.0011085265,0.00006325493,0.000036488647,0.0015481585,0.99290204,0.0006523759],"about_ca_topic_score_codex":0.0002721547,"about_ca_topic_score_gemma":0.0001824791,"teacher_disagreement_score":0.8894113,"about_ca_system_score_codex":0.0005656896,"about_ca_system_score_gemma":0.00015521381,"threshold_uncertainty_score":0.9996778},"labels":[],"label_agreement":null},{"id":"W2496463028","doi":"","title":"Melancolía y desencanto en \"Pedro Páramo\"","year":2006,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.009116504700923513,"score_gpt":0.21938507784685704,"score_spread":0.21026857314593353,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2496463028","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9132917,0.046183202,0.000019433492,0.0017697322,0.0012424291,0.0010331402,0.0007729749,0.00023891995,0.03544847],"genre_scores_gemma":[0.98050106,0.0011432354,0.00011317512,0.0010969586,0.0053535006,0.00013510439,0.00010522525,0.000118261865,0.011433504],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9959627,0.00032455943,0.00087056187,0.00088510173,0.0005019244,0.001455154],"domain_scores_gemma":[0.99783075,0.0002451371,0.00035451775,0.0007638489,0.00044489463,0.00036087172],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0005495871,0.00085188803,0.0011219963,0.00021443795,0.0013988324,0.0017391542,0.00052563666,0.00029702854,0.00078219327],"category_scores_gemma":[0.00018334771,0.0007539563,0.00046746607,0.00021866887,0.0004593318,0.000266504,0.00015879275,0.0006494268,0.0003024442],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036421123,0.00014882548,0.0026826246,0.00032450195,0.000310791,0.00054876,0.0074792868,0.0000040947134,0.000095235984,0.7909999,0.19643082,0.0009387574],"study_design_scores_gemma":[0.00063114107,0.00023391451,0.0055311634,0.00057874265,0.0005951412,0.000120334,0.0031905186,0.00002392891,0.000032578955,0.00022767531,0.98790365,0.0009312228],"about_ca_topic_score_codex":0.0032516683,"about_ca_topic_score_gemma":0.041222654,"teacher_disagreement_score":0.7914728,"about_ca_system_score_codex":0.00080860034,"about_ca_system_score_gemma":0.000435889,"threshold_uncertainty_score":0.99990124},"labels":[],"label_agreement":null},{"id":"W2499213798","doi":"10.1017/ccol9780521801928.003","title":"Flamenco guitar: history, style, status","year":2003,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Guitar; Sophistication; Style (visual arts); Art; Literature; Visual arts; Dance; Aesthetics; Acoustics","score_opus":0.028185414185140804,"score_gpt":0.1744376300428239,"score_spread":0.14625221585768308,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2499213798","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000108445165,0.004344836,0.0000048528154,0.00002243864,0.0016628167,0.00032346093,0.00054287806,0.0001839218,0.99290395],"genre_scores_gemma":[0.00018577291,0.0003212798,0.000025556543,0.000567132,0.0007130645,0.000001424621,0.00012465027,0.0000641286,0.997997],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984579,0.00003332578,0.00022070733,0.0005472797,0.0003045716,0.00043618903],"domain_scores_gemma":[0.9987336,0.000029239096,0.00023665318,0.0004885501,0.0003409183,0.00017107069],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00005275696,0.0005405648,0.00053125474,0.00014108645,0.00042725774,0.00010850374,0.0003413761,0.000260842,0.00036952662],"category_scores_gemma":[0.000006880577,0.0005481675,0.00032024854,0.0000021292844,0.00062966737,0.00013961474,0.00017138587,0.0005467848,0.00006735287],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002197808,0.000005891502,2.39849e-7,0.000035609963,0.00018147334,0.00010645687,0.002865745,2.9312082e-8,0.000002060222,0.52986854,0.4667994,0.000112580696],"study_design_scores_gemma":[0.00041183524,0.000076994926,8.7802624e-7,0.00011270608,0.00036766418,0.0000048334236,0.0010789232,5.162387e-7,0.000007076859,0.000030614254,0.9972743,0.0006336525],"about_ca_topic_score_codex":0.00026779293,"about_ca_topic_score_gemma":0.000099854085,"teacher_disagreement_score":0.5304749,"about_ca_system_score_codex":0.0005838874,"about_ca_system_score_gemma":0.00009885045,"threshold_uncertainty_score":0.99969697},"labels":[],"label_agreement":null},{"id":"W2511225852","doi":"10.1353/rvs.2016.0033","title":"Spanish Female Writers and the Freethinking Press 1879-1926 by Christine Arkinstall","year":2016,"lang":"en","type":"article","venue":"Revista de estudios hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Political science","score_opus":0.014830862095331557,"score_gpt":0.21196594152248027,"score_spread":0.19713507942714872,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2511225852","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6187256,0.2424945,0.0007092085,0.01580473,0.0017493629,0.0031253388,0.0007137565,0.00086477766,0.11581273],"genre_scores_gemma":[0.98840886,0.0021863517,0.000059397826,0.001435584,0.0010167327,0.000113270195,0.000010724949,0.0000395613,0.006729513],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983726,0.00015580191,0.00036611586,0.0004108588,0.000268306,0.0004262871],"domain_scores_gemma":[0.9988957,0.00030944124,0.0001851128,0.00038118358,0.00014080964,0.00008772537],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004982871,0.00032369277,0.00050523574,0.000027356225,0.0007892995,0.0006131933,0.00031441156,0.00007087967,0.00020062782],"category_scores_gemma":[0.00019050518,0.00016098013,0.00014787215,0.000041304582,0.00085360097,0.00022200301,0.00018145944,0.00021819025,0.000026420663],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008698675,0.00005791414,0.0006353341,0.000100252364,0.00025389701,0.000016291107,0.021598132,6.0177896e-8,0.00024890926,0.8401277,0.13059711,0.006277428],"study_design_scores_gemma":[0.0014975575,0.00007350242,0.0002196036,0.0003039462,0.00016475235,0.000016582677,0.0017252102,0.0000036004417,0.000048856662,0.0003602785,0.99529517,0.00029095088],"about_ca_topic_score_codex":0.000057793146,"about_ca_topic_score_gemma":0.00018539553,"teacher_disagreement_score":0.86469805,"about_ca_system_score_codex":0.000053652777,"about_ca_system_score_gemma":0.000020689844,"threshold_uncertainty_score":0.6564579},"labels":[],"label_agreement":null},{"id":"W2514442499","doi":"","title":"Informes sobre uninédito de Goya. San Isidro Labrador en oración","year":2012,"lang":"es","type":"article","venue":"Carmelus: Comentarii ab Instituto Carmelitano editi","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Geography","score_opus":0.011001302336990402,"score_gpt":0.24722177875295956,"score_spread":0.23622047641596916,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2514442499","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.35839346,0.038350027,0.000057390956,0.0030481138,0.042281557,0.0020051547,0.0045282682,0.0008611869,0.5504749],"genre_scores_gemma":[0.939158,0.0025381425,0.00025702102,0.0057513122,0.037409123,0.00022358609,0.0010238942,0.0001688075,0.013470101],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9937158,0.0003144406,0.0013380824,0.0008872848,0.0011699199,0.0025744603],"domain_scores_gemma":[0.996528,0.00037864575,0.00048460095,0.0010518589,0.0006339454,0.0009229369],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.00083652826,0.0014965008,0.0014504682,0.00042004455,0.002422679,0.0020830997,0.0010412616,0.0006630517,0.0037019914],"category_scores_gemma":[0.00023154628,0.0013342857,0.00072563195,0.0003323735,0.0014601614,0.0030901965,0.0006793319,0.0014021213,0.0009818422],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014803626,0.00048588417,0.02165191,0.0006927766,0.0014034786,0.00010868628,0.13333349,0.000009647222,0.00022204478,0.42080516,0.4166707,0.004468172],"study_design_scores_gemma":[0.001516316,0.00037387287,0.005912883,0.0006459016,0.00084636634,0.000089415975,0.0686851,0.000006561963,0.0005910318,0.00033162688,0.9194595,0.0015414174],"about_ca_topic_score_codex":0.0018862921,"about_ca_topic_score_gemma":0.0017433349,"teacher_disagreement_score":0.5807646,"about_ca_system_score_codex":0.0014889806,"about_ca_system_score_gemma":0.0007704704,"threshold_uncertainty_score":0.99979603},"labels":[],"label_agreement":null},{"id":"W2516158303","doi":"10.18192/rceh.v39i3.1637","title":"How to Interpret Galdós’s Tormento? What the Galley Proofs Tell Us.","year":2015,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Humanities; Art","score_opus":0.019794345578171325,"score_gpt":0.23084378840704942,"score_spread":0.21104944282887808,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2516158303","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.82971084,0.12726317,0.000029538933,0.026103977,0.0037140264,0.0032518734,0.00035435025,0.00020436323,0.009367841],"genre_scores_gemma":[0.9758358,0.0026617558,0.000043672946,0.007882971,0.0029550716,0.00031706298,0.000032415108,0.000105586696,0.010165692],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9961733,0.00034520304,0.0005987,0.00087860547,0.00067042984,0.001333769],"domain_scores_gemma":[0.996782,0.00015976561,0.00022568779,0.001091918,0.0008493525,0.0008912589],"candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0008176056,0.00083848566,0.00094144983,0.00015479133,0.001059915,0.009563176,0.0008820235,0.00018559005,0.0001662175],"category_scores_gemma":[0.0006371056,0.00056422036,0.00036745987,0.00022423077,0.00042075387,0.0008168864,0.00037701183,0.0006267717,0.00019941661],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009237334,0.000105201434,0.0005739301,0.00018246094,0.00047942446,0.00018633771,0.09890475,0.0000026497307,0.000019964189,0.52731764,0.3695034,0.0026318184],"study_design_scores_gemma":[0.00048163073,0.00064627646,0.0004940649,0.001156797,0.0004218681,0.00008851394,0.041836653,0.000011571957,0.00002863399,0.00004604971,0.95405364,0.0007342853],"about_ca_topic_score_codex":0.00040792834,"about_ca_topic_score_gemma":0.016780205,"teacher_disagreement_score":0.58455026,"about_ca_system_score_codex":0.0008685753,"about_ca_system_score_gemma":0.00054609147,"threshold_uncertainty_score":0.99968094},"labels":[],"label_agreement":null},{"id":"W2522111042","doi":"10.18192/rceh.v39i2.1659","title":"RENÉE M. SILVERMAN. Mapping the Landscape, Remapping the Text: Spanish Poetry from Antonio Machado’s Campos de Castilla to the First Avant-‐Garde (1909-1925). Chapel Hill: University of North Carolina Press, 2014. 271 pp.","year":2015,"lang":"en","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Chapel; Poetry; Art; Humanities; Cartography; Art history; Geography; Literature","score_opus":0.022151685383271696,"score_gpt":0.19472388440424657,"score_spread":0.17257219902097487,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2522111042","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9437382,0.036202535,0.00007036155,0.007992474,0.0011579128,0.0018618093,0.001327642,0.00014485932,0.0075041996],"genre_scores_gemma":[0.9935835,0.0016636347,0.0000459053,0.001860696,0.0012246943,0.000021723787,0.00004554359,0.000044639666,0.0015096373],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99757266,0.0002961178,0.00042144614,0.00052589347,0.00042421647,0.00075965404],"domain_scores_gemma":[0.9976931,0.00029287252,0.00033468744,0.00093016133,0.00046701616,0.00028216201],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00078688347,0.00042625066,0.0005732256,0.000054109918,0.0017041095,0.00025276493,0.00096200005,0.000092773436,0.00009757226],"category_scores_gemma":[0.00024332266,0.00025267925,0.00023093351,0.000111349786,0.00038598364,0.00012836757,0.00033345504,0.00051642995,0.000053021355],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001090263,0.000061073006,0.016627736,0.00012395855,0.00059310906,0.00021607969,0.25925136,0.0001911605,0.000011943535,0.039725248,0.68178695,0.0013023798],"study_design_scores_gemma":[0.00040040512,0.000085487445,0.023555042,0.00019318191,0.00029805923,0.00005559061,0.017130787,0.00022230895,0.0000034607174,0.00001863957,0.95769715,0.0003398611],"about_ca_topic_score_codex":0.015465936,"about_ca_topic_score_gemma":0.51612127,"teacher_disagreement_score":0.50065535,"about_ca_system_score_codex":0.00030783226,"about_ca_system_score_gemma":0.00030595533,"threshold_uncertainty_score":0.99999255},"labels":[],"label_agreement":null},{"id":"W2529910716","doi":"","title":"Miracles in the Construction of Twentieth-Century Spanishness: Ramn Menndez Pidal, Luis Buuel's Viridiana and Isidro el labrador","year":2005,"lang":"en","type":"article","venue":"","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Geography; Archaeology; History; Ancient history","score_opus":0.011317761972455386,"score_gpt":0.22006071534709307,"score_spread":0.2087429533746377,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2529910716","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.75835377,0.01757698,0.000015664673,0.007033614,0.0011258598,0.0005939628,0.00008182314,0.00010432854,0.21511397],"genre_scores_gemma":[0.9948441,0.0009818054,0.00034832308,0.0013767752,0.0006865953,0.000019003804,0.00001265754,0.000011713107,0.0017190388],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990361,0.000059227328,0.0002978568,0.00020957823,0.00019567927,0.00020160359],"domain_scores_gemma":[0.9995453,0.00006361324,0.000097016054,0.00017105897,0.00009482633,0.000028203438],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00017274801,0.00017493193,0.00023913318,0.000069386486,0.00024327377,0.00020926169,0.00012549953,0.000059629303,0.0008330781],"category_scores_gemma":[0.00001861281,0.00010533151,0.00006833068,0.000068558096,0.00041053243,0.0003634565,0.00004087549,0.00015759397,0.000015949265],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000042079304,0.00017523338,0.0009566734,0.000074471434,0.000107041466,0.0000052089495,0.12974839,9.0569176e-7,0.0004649332,0.8173146,0.031863082,0.019247353],"study_design_scores_gemma":[0.00054714654,0.00006912908,0.0020470703,0.00004523125,0.000053233336,0.000013400214,0.10900797,0.0000117266945,0.00038137505,0.0024594297,0.88517344,0.00019086001],"about_ca_topic_score_codex":0.0003421738,"about_ca_topic_score_gemma":0.0044167954,"teacher_disagreement_score":0.85331035,"about_ca_system_score_codex":0.000012114734,"about_ca_system_score_gemma":0.00001260175,"threshold_uncertainty_score":0.91216207},"labels":[],"label_agreement":null},{"id":"W25510387","doi":"10.1016/j.vaccine.2014.12.004","title":"Generaciones del cuento español","year":2013,"lang":"en","type":"article","venue":"Quimera: Revista de literatura","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.011243339293450417,"score_gpt":0.21047357287225843,"score_spread":0.199230233578808,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W25510387","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.37736624,0.12151589,0.00015061827,0.009594752,0.003331713,0.0021064833,0.0002351922,0.0011009219,0.4845982],"genre_scores_gemma":[0.9192299,0.00018331851,0.0007184707,0.006414479,0.003862299,0.00023633038,0.00016568971,0.000057945374,0.069131516],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99831915,0.000088068846,0.00041598952,0.00040777292,0.00023920975,0.000529813],"domain_scores_gemma":[0.9988196,0.000058990077,0.00012479942,0.0003949472,0.00045229786,0.00014935024],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00012049738,0.00037002636,0.00037368492,0.00009232168,0.0005749277,0.0039403373,0.00027781207,0.000090369904,0.0046054586],"category_scores_gemma":[0.00005110263,0.00026642808,0.00020543522,0.00010736341,0.00016373537,0.00080880255,0.00007420337,0.00028915837,0.0010602495],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015493084,0.00007255833,0.0003047196,0.000102055055,0.00016201004,0.000018454668,0.045494456,5.635164e-7,0.001846198,0.656716,0.29059684,0.0046706474],"study_design_scores_gemma":[0.0002294824,0.00006106947,0.00025071265,0.00013688987,0.000055807086,0.00001981919,0.0018091182,0.000025464615,0.00010435502,0.0015927412,0.9953223,0.00039223215],"about_ca_topic_score_codex":0.00011714037,"about_ca_topic_score_gemma":0.000031897107,"teacher_disagreement_score":0.70472544,"about_ca_system_score_codex":0.00004629715,"about_ca_system_score_gemma":0.000032443557,"threshold_uncertainty_score":0.9999788},"labels":[],"label_agreement":null},{"id":"W2551134565","doi":"","title":"El dialoguismo femenino en el Diálogo entre el Viejo, el Amor y la Mujer hermosa","year":2015,"lang":"es","type":"article","venue":"","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Art; Fifteenth; Biography; Humanities; Literature; Classics","score_opus":0.019699557197166536,"score_gpt":0.2640538545060461,"score_spread":0.2443542973088796,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2551134565","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.048877724,0.009422409,0.000015544274,0.003344751,0.0029340447,0.00059170683,0.00038054903,0.00033865042,0.9340946],"genre_scores_gemma":[0.8674896,0.000581977,0.00008215897,0.002799277,0.0068030665,0.000085222586,0.00023072265,0.0000888412,0.12183915],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9966147,0.00029869098,0.00071381486,0.0007987038,0.00066365616,0.00091042183],"domain_scores_gemma":[0.998058,0.00020057442,0.0002374643,0.00058373593,0.000561362,0.00035884613],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00040264713,0.00084901036,0.00089228014,0.00012261038,0.0007399453,0.001560492,0.0005129951,0.00038933897,0.00352449],"category_scores_gemma":[0.00014671637,0.0006002057,0.00041059245,0.000103114064,0.00054270646,0.0005214182,0.00037396548,0.00061425724,0.0012422551],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008344282,0.00038813904,0.0023323202,0.0000934421,0.00053057604,0.00009741009,0.09596907,9.746443e-7,0.000110086556,0.5902057,0.3089045,0.0012843185],"study_design_scores_gemma":[0.0014523593,0.00034092835,0.0024379839,0.00015802479,0.00037789528,0.000019244895,0.030424347,0.000011266482,0.00015065723,0.007553474,0.9561964,0.0008773713],"about_ca_topic_score_codex":0.000624313,"about_ca_topic_score_gemma":0.0010235494,"teacher_disagreement_score":0.81861186,"about_ca_system_score_codex":0.000098290955,"about_ca_system_score_gemma":0.00014985318,"threshold_uncertainty_score":0.99964494},"labels":[],"label_agreement":null},{"id":"W2555137535","doi":"10.18192/rceh.v39i2.1643","title":"BENJAMIN FRASER. Understanding Juan Benet. New Perspectives. Colección Understanding Modern European and Latin American Literature. Columbia: University of South Carolina Press, 2013. xix + 162 pp.","year":2015,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Latin Americans; Humanities; History; Art; Political science; Law","score_opus":0.037979941139722764,"score_gpt":0.21546788820611054,"score_spread":0.17748794706638776,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2555137535","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8646686,0.11785169,0.00089851953,0.0009363505,0.00042515705,0.0013714435,0.001908759,0.00017768568,0.011761808],"genre_scores_gemma":[0.98973423,0.0074719233,0.00015016522,0.00013951346,0.00070984405,0.0000024399867,0.000062686224,0.00010228328,0.0016269152],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9966072,0.00048464886,0.00053232734,0.0009735385,0.00048110823,0.000921218],"domain_scores_gemma":[0.9973231,0.00013581394,0.00067636784,0.00057749206,0.00044725213,0.00083995675],"candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00051318476,0.00065929914,0.0011758407,0.0001513375,0.001230087,0.0012982889,0.00040255327,0.0001602207,0.000052011812],"category_scores_gemma":[0.00014541348,0.00076205854,0.00026126206,0.0003142336,0.001176036,0.00032962358,0.0002795846,0.00066777243,0.000005828784],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018730824,0.00009965647,0.0065084607,0.0003513026,0.00079595397,0.00036184385,0.24832879,0.000031837782,0.000015612155,0.6632884,0.07979896,0.0002318549],"study_design_scores_gemma":[0.0032780115,0.0010581849,0.00617489,0.0020917628,0.0015703916,0.000035549583,0.46410862,0.00044619173,0.0000024214644,0.0007721176,0.51898617,0.0014756839],"about_ca_topic_score_codex":0.011661047,"about_ca_topic_score_gemma":0.114007205,"teacher_disagreement_score":0.6625163,"about_ca_system_score_codex":0.0018455447,"about_ca_system_score_gemma":0.0005507464,"threshold_uncertainty_score":0.99973845},"labels":[],"label_agreement":null},{"id":"W2557890702","doi":"10.18192/rceh.v39i3.1631","title":"“La vengadora de los licenciados de Cuba”: patriarcado y colonialismo en La desheredada","year":2015,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Humanities; Art","score_opus":0.017038792425435392,"score_gpt":0.25212245761061847,"score_spread":0.2350836651851831,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2557890702","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9527205,0.031876218,0.00003623168,0.0010636726,0.0005997845,0.00096623314,0.00073234783,0.00018974651,0.011815216],"genre_scores_gemma":[0.99134845,0.0019827727,0.00026233774,0.0017254945,0.0028326225,0.00020404329,0.000049910243,0.00014726366,0.0014471242],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99444246,0.0018847107,0.00076786336,0.00078277156,0.0005284633,0.0015937178],"domain_scores_gemma":[0.9965372,0.0007172546,0.00038776165,0.00071518944,0.0005853545,0.0010572323],"candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.002473607,0.0008414812,0.0011378046,0.00020055898,0.000929468,0.0017263924,0.00067627145,0.0005956487,0.00021652888],"category_scores_gemma":[0.0013129681,0.00079086097,0.00042638113,0.00024164324,0.000610021,0.00027522663,0.00022493472,0.0013114352,0.00009099809],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018047438,0.00023641711,0.006313895,0.0005515977,0.0006152208,0.0021655613,0.10354192,0.000007867794,0.000063810796,0.7593229,0.124412596,0.0025877804],"study_design_scores_gemma":[0.001397316,0.00038595253,0.0023501613,0.00096586376,0.0009064664,0.0005210145,0.016129728,0.000074969044,0.000023236651,0.00021111264,0.97613454,0.0008996604],"about_ca_topic_score_codex":0.0021386053,"about_ca_topic_score_gemma":0.010978277,"teacher_disagreement_score":0.85172194,"about_ca_system_score_codex":0.0020866839,"about_ca_system_score_gemma":0.0025210942,"threshold_uncertainty_score":0.99945426},"labels":[],"label_agreement":null},{"id":"W2557976071","doi":"10.1080/14753820.2016.1253172","title":"<i>Para usted soy siempre yo</i>: A Picaresque Double Act in Ángeles Vicente’s <i>Zezé</i> (1909)","year":2016,"lang":"es","type":"article","venue":"Bulletin of Spanish Studies","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Queen's University; Queen's University Belfast","keywords":"Novella; Depiction; Narrative; Art; Literature; Presentation (obstetrics); Philosophy; Art history","score_opus":0.03724259860019373,"score_gpt":0.27263173651544964,"score_spread":0.2353891379152559,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2557976071","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.33949903,0.20350263,0.0000058933097,0.058748983,0.004504961,0.0032963755,0.0016297003,0.00059121725,0.38822123],"genre_scores_gemma":[0.93596005,0.027404858,0.00011330648,0.0015223966,0.0017351113,0.000233971,0.00002309393,0.00011189476,0.032895338],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9954927,0.0001894991,0.0014003557,0.0010725306,0.00071711594,0.0011278054],"domain_scores_gemma":[0.99700296,0.00046534988,0.0006668294,0.0006758365,0.0010396334,0.00014936853],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004285333,0.0010402993,0.0018838687,0.00023112333,0.00072253885,0.00042774936,0.00062670675,0.00031100158,0.0013435087],"category_scores_gemma":[0.00022706811,0.0006782218,0.00049374317,0.00017892566,0.0014721272,0.00020629796,0.00066438323,0.00045053006,0.0004159625],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0017242079,0.0013499063,0.009679704,0.0021100694,0.0033733756,0.00021262643,0.07412725,0.0000026665507,0.0036818488,0.18509504,0.71543705,0.0032062607],"study_design_scores_gemma":[0.003970111,0.0005100189,0.0023671815,0.003790313,0.0003524562,0.000009229836,0.029905854,2.0860931e-7,0.0021381516,0.00038930692,0.95567244,0.00089470035],"about_ca_topic_score_codex":0.0006197479,"about_ca_topic_score_gemma":0.0022647313,"teacher_disagreement_score":0.596461,"about_ca_system_score_codex":0.00015361427,"about_ca_system_score_gemma":0.000090393885,"threshold_uncertainty_score":0.9995694},"labels":[],"label_agreement":null},{"id":"W2558556251","doi":"","title":"TORRALBO CABALLERO, Juan de Dios (Granada: 2014). The Poetry of Bruce Meyer. The Inaugural Poet Laureate of the city of Barrie","year":2015,"lang":"en","type":"article","venue":"Alfinge Revista de Filología","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Art; Art history; Literature; Humanities","score_opus":0.032995571072160015,"score_gpt":0.23385348427408612,"score_spread":0.20085791320192609,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2558556251","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8181821,0.029880732,0.0000179893,0.008064308,0.0010168324,0.0008172701,0.00040746984,0.000053083448,0.1415602],"genre_scores_gemma":[0.99550676,0.0001536717,0.000025236654,0.0006707019,0.00034194748,0.00001603088,0.0000094395955,0.000015801874,0.003260396],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985014,0.00028973728,0.00043009836,0.000175872,0.0003062152,0.00029666524],"domain_scores_gemma":[0.9984066,0.00024393846,0.00038044038,0.00058467954,0.00032889016,0.00005545149],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007033685,0.00021270082,0.00043057482,0.000022699549,0.00037830215,0.00007176957,0.0006990837,0.00007984692,0.0002616228],"category_scores_gemma":[0.00038636365,0.00009414338,0.00024385107,0.00009368033,0.0009979674,0.000088668254,0.00018260659,0.0002837543,0.000003987322],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015169542,0.000119479664,0.021732341,0.00023349053,0.0006549287,0.000006876103,0.12066124,0.000005917134,0.0010851341,0.36448547,0.49021262,0.0006507863],"study_design_scores_gemma":[0.00057154655,0.00023841564,0.023847247,0.00028186876,0.00039570144,0.000020783815,0.018869765,0.000011585324,0.0015630329,0.0031088623,0.95081323,0.0002779475],"about_ca_topic_score_codex":0.0024537374,"about_ca_topic_score_gemma":0.00320817,"teacher_disagreement_score":0.4606006,"about_ca_system_score_codex":0.00004349063,"about_ca_system_score_gemma":0.00014031764,"threshold_uncertainty_score":0.38390556},"labels":[],"label_agreement":null},{"id":"W2563584751","doi":"10.15581/008.32.2985","title":"Orringer, Nelson R. Lorca in Tune with Falla: Literary and Musical Interludes. Toronto-Buffalo-London: University of Toronto Press, 2013. 300 pp. (ISBN: 9-781442-647299)","year":2015,"lang":"es","type":"article","venue":"Rilce Revista de Filología Hispánica","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Musical; Art; Media studies; Art history; Sociology; Literature","score_opus":0.016444169321486055,"score_gpt":0.21730750740481425,"score_spread":0.20086333808332818,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2563584751","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10329045,0.8185849,0.000022823611,0.0011839948,0.00055933546,0.0010073622,0.0005890872,0.00015590205,0.0746061],"genre_scores_gemma":[0.91509676,0.07403682,0.00066087424,0.00036251597,0.0011856842,0.00001669432,0.00014494329,0.00008786982,0.00840782],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99695665,0.0003566306,0.0006574329,0.00088332227,0.00040054863,0.0007454209],"domain_scores_gemma":[0.99792385,0.00016677594,0.00042077128,0.0007123544,0.00040513268,0.00037114354],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00045153164,0.0006797838,0.0012914543,0.000030231982,0.0002838605,0.0005484299,0.00056808424,0.00037690607,0.0011721026],"category_scores_gemma":[0.00008902748,0.0005655232,0.0002086278,0.000054508637,0.0008789163,0.0010207163,0.00047320998,0.0005098067,0.000017241331],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0038101494,0.0012275226,0.008611069,0.0021640318,0.0011317027,0.00074165314,0.17340611,0.0000051235384,0.00015442258,0.23772655,0.5579945,0.013027186],"study_design_scores_gemma":[0.0018654235,0.0012145882,0.0045799604,0.0015956606,0.00032154296,0.00004682417,0.005625614,0.00005137757,0.000008129861,0.00009938368,0.9839266,0.0006649049],"about_ca_topic_score_codex":0.022079375,"about_ca_topic_score_gemma":0.045857493,"teacher_disagreement_score":0.8118063,"about_ca_system_score_codex":0.0005668971,"about_ca_system_score_gemma":0.00020786501,"threshold_uncertainty_score":0.99974096},"labels":[],"label_agreement":null},{"id":"W2566028278","doi":"10.25115/raudem.v3i0.625","title":"Locuras detectivescas en La detective miope de Rosa Ribás","year":2017,"lang":"es","type":"article","venue":"RAUDEM Revista de Estudios de las Mujeres","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Humanities; Art; Detective fiction; Cartography; Art history; Geography","score_opus":0.013081247835797649,"score_gpt":0.26935552109221467,"score_spread":0.256274273256417,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2566028278","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.83345526,0.056202475,0.00025880203,0.0020856718,0.00080670096,0.001218212,0.00045111994,0.0003633861,0.10515836],"genre_scores_gemma":[0.98611844,0.003480055,0.0003485845,0.0006508447,0.0038557828,0.00017799935,0.000010822904,0.0001353942,0.0052220826],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9956757,0.0009156745,0.0006473978,0.0009409865,0.00045381757,0.001366424],"domain_scores_gemma":[0.9965178,0.0007881594,0.00069616595,0.00121505,0.00044094902,0.00034192766],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0012245713,0.00094336615,0.001195463,0.00013437012,0.0039658495,0.0073000286,0.0012474883,0.0005068155,0.00030086585],"category_scores_gemma":[0.0019060947,0.00080094923,0.0006133171,0.00007504086,0.0012600351,0.00066309166,0.0006263469,0.0012341236,0.00018864535],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000558131,0.000580051,0.05896673,0.0012990526,0.0036440045,0.0012441415,0.15082893,0.000013426984,0.0017799571,0.72077805,0.04386206,0.016445452],"study_design_scores_gemma":[0.0011585545,0.00040029016,0.105414495,0.0013310978,0.00092022185,0.0001813531,0.009797716,0.000037897316,0.001222383,0.002407434,0.8760657,0.0010628665],"about_ca_topic_score_codex":0.0003175126,"about_ca_topic_score_gemma":0.0012676286,"teacher_disagreement_score":0.8322036,"about_ca_system_score_codex":0.0005191829,"about_ca_system_score_gemma":0.00029450707,"threshold_uncertainty_score":0.9994441},"labels":[],"label_agreement":null},{"id":"W2575297761","doi":"10.3138/md.0831","title":"Dramatizing Queer Visibility in <i>El público</i>: Federico García Lorca in Search of a Modern Theatre","year":2017,"lang":"en","type":"article","venue":"Modern Drama","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":11,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Queer; Drama; Garcia; Visibility; Poetry; Art; Representation (politics); Closet; Literature; Reading (process); History; Art history; Sociology; Humanities; Gender studies; Political science; Law; Politics; Geography","score_opus":0.03328339303877855,"score_gpt":0.27706314676377597,"score_spread":0.2437797537249974,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2575297761","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7614865,0.0015267336,0.00013870315,0.001135833,0.00021495577,0.00038814143,0.000036896243,0.00004781832,0.23502445],"genre_scores_gemma":[0.9972923,0.000028045542,0.000068788686,0.00019442978,0.00024240995,0.000034876386,0.000008779714,0.000028131153,0.0021022323],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.998254,0.00008387447,0.0004421824,0.00043693773,0.0003360148,0.0004469813],"domain_scores_gemma":[0.99887735,0.000056129276,0.0001382902,0.0007097908,0.0001618819,0.00005656875],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00038056495,0.00025673214,0.0004885606,0.00012691987,0.0005141182,0.00066492124,0.00046855042,0.00010473141,0.0001557262],"category_scores_gemma":[0.000055181783,0.00020421275,0.00012875031,0.000043360465,0.0003893785,0.0005510565,0.00023281646,0.0003753004,0.000017261893],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00028083444,0.000750865,0.056691807,0.00044402562,0.00012637295,0.00007696768,0.7735386,0.00016958722,0.00256798,0.11463139,0.00083898637,0.04988258],"study_design_scores_gemma":[0.009763692,0.0007591596,0.14234675,0.002545619,0.00014721633,0.000021897136,0.06049222,0.04804634,0.0039156345,0.67454696,0.054270387,0.0031441161],"about_ca_topic_score_codex":0.0018335319,"about_ca_topic_score_gemma":0.01796423,"teacher_disagreement_score":0.7130464,"about_ca_system_score_codex":0.000061368104,"about_ca_system_score_gemma":0.000048451337,"threshold_uncertainty_score":0.99995536},"labels":[],"label_agreement":null},{"id":"W2595105659","doi":"10.18192/rceh.v40i3.1956","title":"Arquitectura rural, espacio doméstico y masculinidad en varios poemas de Francisco de Quevedo","year":2016,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Humanities; Art","score_opus":0.008500033281525776,"score_gpt":0.22206650425132451,"score_spread":0.21356647096979875,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2595105659","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96263975,0.025506552,0.00060926715,0.0049266145,0.00094348576,0.0010798235,0.000852254,0.00027111554,0.0031711126],"genre_scores_gemma":[0.9836057,0.004616296,0.00032733512,0.0027877078,0.0036836432,0.00021669269,0.000026791804,0.00017160855,0.004564257],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9944434,0.0006664848,0.0010163693,0.000978016,0.00055316015,0.0023425566],"domain_scores_gemma":[0.99624705,0.00077773887,0.00046748738,0.0011136996,0.0005287528,0.0008652903],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0011650802,0.0011471844,0.0014684502,0.00026962548,0.0014003612,0.0014386683,0.00077946647,0.00050354504,0.0013309126],"category_scores_gemma":[0.0011519112,0.00080807746,0.0006361049,0.00022561783,0.00066295906,0.00035307524,0.00023616731,0.0007936341,0.00035275696],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015754967,0.00017095158,0.0039835637,0.00055866974,0.0012046704,0.0007710668,0.04677052,0.0000042421607,0.0019053607,0.89800733,0.04015524,0.00631085],"study_design_scores_gemma":[0.0015044666,0.00049007643,0.0069043115,0.0021577815,0.0011430568,0.000374292,0.005570942,0.000016068394,0.0001376614,0.0003578572,0.9800197,0.0013237827],"about_ca_topic_score_codex":0.0012674803,"about_ca_topic_score_gemma":0.009767557,"teacher_disagreement_score":0.93986446,"about_ca_system_score_codex":0.00170257,"about_ca_system_score_gemma":0.0010249357,"threshold_uncertainty_score":0.9998997},"labels":[],"label_agreement":null},{"id":"W2607121070","doi":"","title":"Review of Ian Watson and colleagues, Negotiating Cultures: Eugenio Barba and the Intercultural Debate (Manchester, 2002)","year":2004,"lang":"en","type":"article","venue":"Modern Drama","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Watson; Negotiation; Psychoanalysis; Sociology; Psychology; Media studies; History; Social science; Computer science","score_opus":0.014688024672882348,"score_gpt":0.22916078077374435,"score_spread":0.214472756100862,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2607121070","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07177486,0.8750772,0.000057212957,0.008039268,0.0004969506,0.00092102133,0.00006333162,0.00008914795,0.043481],"genre_scores_gemma":[0.9623099,0.026492616,0.00011345263,0.0049143354,0.00060855685,0.000051021772,0.000024484578,0.00002429069,0.0054613645],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99911493,0.000053454547,0.00029063068,0.00022074109,0.00013259044,0.00018763357],"domain_scores_gemma":[0.9994961,0.00003034009,0.00012388105,0.00014931838,0.0001577867,0.000042598193],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00015714427,0.00020236972,0.0003671848,0.000016596778,0.00039749782,0.0002723123,0.000115499184,0.000043718934,0.000050560422],"category_scores_gemma":[0.000055088174,0.000101985795,0.000081825376,0.000027544578,0.00042738763,0.00021110565,0.00008662873,0.00016171818,0.000004383004],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010811095,0.0000726385,0.000049467002,0.0027629337,0.00034947504,0.000009695108,0.71821105,0.000010063616,0.00018657405,0.23701595,0.035161693,0.006062331],"study_design_scores_gemma":[0.0047898623,0.0002251913,0.0002334774,0.011189191,0.00052614644,0.00009087375,0.036850803,0.00017183535,0.00018146196,0.014966748,0.9300366,0.00073779514],"about_ca_topic_score_codex":0.00014762284,"about_ca_topic_score_gemma":0.00039683213,"teacher_disagreement_score":0.89487493,"about_ca_system_score_codex":0.00001507492,"about_ca_system_score_gemma":0.000010762598,"threshold_uncertainty_score":0.415886},"labels":[],"label_agreement":null},{"id":"W261858404","doi":"10.5206/entrehojas.v4i1.6153","title":"Reseña: Mercedes Blanco, Góngora heroico. Las Soledades y la tradición épica.","year":2014,"lang":"es","type":"article","venue":"Entrehojas Revista de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Cartography; Geography","score_opus":0.01242633234833593,"score_gpt":0.23999101177141488,"score_spread":0.22756467942307895,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W261858404","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5019233,0.14529485,0.0003298508,0.011865553,0.0029823445,0.0028537652,0.0005614036,0.0013454526,0.33284348],"genre_scores_gemma":[0.97812355,0.0043175076,0.00017845882,0.001557666,0.005958615,0.00014841587,0.000076515804,0.00017906321,0.009460227],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9941804,0.0011321019,0.001158761,0.0012256457,0.0008531216,0.0014500024],"domain_scores_gemma":[0.9967336,0.0008431742,0.0005162444,0.0011003524,0.00037031196,0.00043630585],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0010832159,0.0012029936,0.001681987,0.00024543688,0.0016844062,0.003536586,0.00089917367,0.0004416698,0.0019404283],"category_scores_gemma":[0.0006477164,0.0009908433,0.00075452036,0.000249643,0.0011416165,0.00043367318,0.0003222978,0.0011546896,0.0010031712],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000105667226,0.00046883555,0.003148182,0.0006160535,0.00085661665,0.00008979158,0.02516339,0.0000053158205,0.0002426839,0.8028683,0.16164869,0.0047864853],"study_design_scores_gemma":[0.0014404779,0.0005222953,0.0046191574,0.0016062793,0.00076952524,0.00005060121,0.0062782085,0.000063750624,0.00012438906,0.00071457645,0.9826774,0.0011333101],"about_ca_topic_score_codex":0.00006169479,"about_ca_topic_score_gemma":0.00014300359,"teacher_disagreement_score":0.8210287,"about_ca_system_score_codex":0.0002457516,"about_ca_system_score_gemma":0.00014570152,"threshold_uncertainty_score":0.99977463},"labels":[],"label_agreement":null},{"id":"W26504628","doi":"10.1364/boe.6.003765","title":"Vino viejo en odres nuevos","year":2011,"lang":"en","type":"article","venue":"Revista de libros","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"National Cancer Institute; Canadian Institutes of Health Research; National Institutes of Health","keywords":"Geology","score_opus":0.02788062106000433,"score_gpt":0.2078022843303065,"score_spread":0.17992166327030218,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W26504628","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.029110828,0.007564296,0.000027713786,0.00022739358,0.00035215198,0.00024643552,0.000047981208,0.00024785,0.96217537],"genre_scores_gemma":[0.95481193,0.00016244421,0.0003858211,0.0013421361,0.0018266827,0.000038041275,0.000016743941,0.000032882635,0.041383326],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992717,0.000046017223,0.00017034622,0.00017441172,0.000100123136,0.00023742046],"domain_scores_gemma":[0.99960464,0.000024481033,0.000053902597,0.00020268957,0.000056328274,0.00005797032],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00007638242,0.00015185672,0.0001926634,0.000029652056,0.00021844385,0.0003036997,0.00018002588,0.000046093224,0.003638888],"category_scores_gemma":[0.00002712105,0.00011060157,0.000104142644,0.000028872539,0.00010457204,0.0002220283,0.000051323732,0.00013114144,0.0003293049],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018014995,0.00004575066,0.00052739214,0.00006919504,0.00006339138,0.000015425765,0.1207686,1.3027532e-8,0.00021704572,0.78601617,0.090983,0.0012760177],"study_design_scores_gemma":[0.00010700996,0.00006254213,0.0008477561,0.00007244345,0.00004017933,0.0000055341666,0.003252039,9.61224e-7,0.0002321444,0.0016256344,0.9935869,0.00016684813],"about_ca_topic_score_codex":0.000039114104,"about_ca_topic_score_gemma":0.000033905646,"teacher_disagreement_score":0.9257011,"about_ca_system_score_codex":0.000015389422,"about_ca_system_score_gemma":0.00001562918,"threshold_uncertainty_score":0.9972719},"labels":[],"label_agreement":null},{"id":"W26998739","doi":"10.1111/ajt.13796","title":"La palabra viva de Carmen Martín de Gaite","year":2001,"lang":"en","type":"article","venue":"Insula-revista De Letras Y Ciencias Humanas","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.017408128437704777,"score_gpt":0.2391947652029366,"score_spread":0.2217866367652318,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W26998739","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5693689,0.0029855296,0.00012856188,0.0006202709,0.00020575938,0.0002200395,0.00003840865,0.00025126262,0.42618126],"genre_scores_gemma":[0.97819203,0.0002156778,0.0001732356,0.005228406,0.0016445104,0.000050200317,0.000023529183,0.000051538886,0.014420842],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99757516,0.00020262468,0.0004040089,0.00047136674,0.0003832529,0.00096360076],"domain_scores_gemma":[0.99889296,0.00012525551,0.00014065788,0.00042425113,0.0001972278,0.00021964694],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00069861155,0.0003953332,0.000400317,0.00015865987,0.00095758017,0.0011831548,0.00052514236,0.00016128879,0.001709079],"category_scores_gemma":[0.00016140116,0.00033996042,0.00023233269,0.00019300793,0.0005054656,0.00033666258,0.00009960853,0.00050257647,0.00013645148],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000050050596,0.00029073464,0.014762453,0.00013166726,0.00022978902,0.00079858664,0.15371135,0.000012207239,0.0026127177,0.7234596,0.09926453,0.004676334],"study_design_scores_gemma":[0.00040200003,0.00010523106,0.015526373,0.00009836035,0.00009699928,0.00010868774,0.006572554,0.000022872904,0.00011137419,0.002541891,0.97395456,0.00045910897],"about_ca_topic_score_codex":0.0003581923,"about_ca_topic_score_gemma":0.0008593312,"teacher_disagreement_score":0.87469,"about_ca_system_score_codex":0.0002904615,"about_ca_system_score_gemma":0.00014687466,"threshold_uncertainty_score":0.9999052},"labels":[],"label_agreement":null},{"id":"W2737151657","doi":"10.26443/fo.v12i.193","title":"“To go abroad from Scotland...” The South American Travel Diary of Thomas Wilson","year":2010,"lang":"fr","type":"article","venue":"Fontanus","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"TypeScript; Latin Americans; Art; History; Art history; Humanities; Library science; Political science; Law; Computer science","score_opus":0.009519642987438903,"score_gpt":0.23017415366929256,"score_spread":0.22065451068185366,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2737151657","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.50640863,0.019610716,0.00006887924,0.010102112,0.008669755,0.00063796114,0.0026238528,0.00006981107,0.45180827],"genre_scores_gemma":[0.9202552,0.00013041814,0.00022746966,0.0013374528,0.0047465595,0.000034013043,0.000046140714,0.000038126967,0.0731846],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984589,0.000094931216,0.0003628378,0.00035799705,0.00029607659,0.00042926442],"domain_scores_gemma":[0.99885446,0.0001642384,0.00020537582,0.00048292047,0.00016313857,0.00012984984],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00017936328,0.00033872822,0.000500214,0.0000446681,0.00054247933,0.00024614428,0.00038423337,0.000103068756,0.0010555112],"category_scores_gemma":[0.000067488305,0.00021420898,0.00023752486,0.000110541645,0.0010089237,0.00013227403,0.000097726865,0.00057558663,0.00026746604],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020572632,0.0002847692,0.004602765,0.00005870837,0.00061711314,0.00005297747,0.5089467,9.1621496e-7,0.00299575,0.23007458,0.22399533,0.028164633],"study_design_scores_gemma":[0.0003043316,0.0002632611,0.030146366,0.00012430227,0.00023694274,0.000006221178,0.02914141,0.0000051945526,0.000653822,0.0013727226,0.93742824,0.0003172018],"about_ca_topic_score_codex":0.0074969935,"about_ca_topic_score_gemma":0.033481285,"teacher_disagreement_score":0.7134329,"about_ca_system_score_codex":0.000018891604,"about_ca_system_score_gemma":0.000045029614,"threshold_uncertainty_score":0.99985766},"labels":[],"label_agreement":null},{"id":"W2749758748","doi":"10.5206/entrehojas.v7i1.6172","title":"El debate realista español: apuntes de Galdós, Clarín y Bazán sobre la fórmula para reproducir la realidad","year":2017,"lang":"es","type":"article","venue":"Entrehojas Revista de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.020885908489113734,"score_gpt":0.28350740599350993,"score_spread":0.2626214975043962,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2749758748","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2686056,0.115264945,0.00020190244,0.02507576,0.0028038323,0.004235486,0.0024701168,0.0015200602,0.5798223],"genre_scores_gemma":[0.9574698,0.019208329,0.00029609315,0.001159257,0.00505442,0.00023971628,0.00018513863,0.0002499031,0.016137296],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9929338,0.0012057554,0.0013274425,0.0019469335,0.0008279304,0.0017581566],"domain_scores_gemma":[0.9932844,0.000630452,0.0013657702,0.0035999336,0.0006075934,0.00051185227],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.0021345916,0.0014277727,0.0017936052,0.00019617898,0.004484643,0.0105818035,0.0018265452,0.0006489247,0.0006237296],"category_scores_gemma":[0.002061733,0.0012327338,0.0008982993,0.00012093026,0.0016265158,0.0008097225,0.00088281516,0.0015201492,0.00033752806],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002083814,0.00057613064,0.008389483,0.000810883,0.0011626328,0.0012588263,0.022198314,0.00000370717,0.0003402581,0.7642162,0.19571777,0.0051174327],"study_design_scores_gemma":[0.0015035872,0.0002227422,0.020280039,0.0023179748,0.0010435738,0.00028037382,0.002973452,0.000026155833,0.00022580897,0.001223986,0.9685254,0.0013768659],"about_ca_topic_score_codex":0.00046223684,"about_ca_topic_score_gemma":0.00043078393,"teacher_disagreement_score":0.77280766,"about_ca_system_score_codex":0.0003730894,"about_ca_system_score_gemma":0.0004026515,"threshold_uncertainty_score":0.99984723},"labels":[],"label_agreement":null},{"id":"W2773840127","doi":"10.24888/2410-4205-2017-13-4-37-43","title":"\"SLOVO I DELO GOSUDARY\" AS THE DISPLAY OF THE DAUGHTERNITY OF THE SERVICE PEOPLE OF SOUTHERN FRONTIER IN THE SECOND QUARTER XVII B","year":2017,"lang":"en","type":"article","venue":"History Facts and Symbols","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Quarter (Canadian coin); Frontier; Service (business); Geography; Business; Marketing; Archaeology","score_opus":0.017385316085124457,"score_gpt":0.19981670554728276,"score_spread":0.1824313894621583,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2773840127","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.92448556,0.0019027811,3.008868e-7,0.0014748294,0.0006016496,0.00026563468,0.00018026796,0.0000029977773,0.071085975],"genre_scores_gemma":[0.98540026,0.000010191667,9.3893203e-7,0.00084678427,0.00012613398,0.00000919138,0.000002170209,0.000007835816,0.013596518],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99914736,0.0001240739,0.00025095485,0.00013178846,0.00021686837,0.0001289835],"domain_scores_gemma":[0.9987831,0.000070541115,0.0003403217,0.0006711815,0.000120295124,0.000014573302],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00024188223,0.00014230855,0.0002575964,0.000013240439,0.00062993483,0.00006311765,0.00064726884,0.000046557736,0.00052002555],"category_scores_gemma":[0.000029874749,0.000051736635,0.00012468743,0.000017624992,0.0005333404,0.000115004805,0.0001095154,0.00019280791,0.000005412916],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003265497,0.0000653313,0.009322901,0.00012987613,0.00007814309,5.3288994e-7,0.9407481,3.2085896e-7,0.00048753322,0.016837656,0.032182813,0.00011413566],"study_design_scores_gemma":[0.00037032657,0.00005082372,0.09850181,0.00011488545,0.00009158031,0.0000027405779,0.12772778,0.0000035327653,0.00019175539,0.0012041143,0.77160907,0.00013160337],"about_ca_topic_score_codex":0.0013468845,"about_ca_topic_score_gemma":0.041540265,"teacher_disagreement_score":0.81302035,"about_ca_system_score_codex":0.000015981741,"about_ca_system_score_gemma":0.00003694351,"threshold_uncertainty_score":0.9759491},"labels":[],"label_agreement":null},{"id":"W2780474260","doi":"10.18192/rceh.v41i2.2159","title":"Imagining Andalusia: Race, Translation, and the Early Critical Reception of Federico García Lorca in the U.S.","year":2017,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Garcia; Humanities; Art; Arabic; Poetry; Literature; Philosophy; Linguistics","score_opus":0.020626682810402093,"score_gpt":0.26148468064350144,"score_spread":0.24085799783309936,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2780474260","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9228015,0.047484923,0.000020581037,0.019180954,0.00038332512,0.0009145735,0.0001376374,0.000017845963,0.009058637],"genre_scores_gemma":[0.99547523,0.0030172197,0.000041675103,0.0006182486,0.0006212369,0.0000686596,0.000007008982,0.000025113874,0.00012560816],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978657,0.00044196539,0.00054168643,0.0003699848,0.00030205213,0.000478657],"domain_scores_gemma":[0.9981175,0.00057576434,0.0003046538,0.0006305452,0.0002871555,0.00008436304],"candidate_categories":["sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0013575335,0.00032426525,0.0006508446,0.00007252288,0.0025448182,0.0022366843,0.0004608129,0.00010021826,0.000064117536],"category_scores_gemma":[0.00071478373,0.00019173627,0.00017100887,0.00006345639,0.0021729125,0.00033349474,0.00007620381,0.0004883116,0.0000045735055],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015465776,0.000047921792,0.0043165125,0.00023496304,0.000106098865,0.00004554658,0.11923226,3.0950815e-7,0.0000141482105,0.8681876,0.002445894,0.005214099],"study_design_scores_gemma":[0.002545999,0.00024638095,0.07945707,0.0010302574,0.0006678843,0.000083442916,0.022568759,0.00012965179,0.000004436534,0.0006531178,0.89215666,0.00045634198],"about_ca_topic_score_codex":0.0013602643,"about_ca_topic_score_gemma":0.010271162,"teacher_disagreement_score":0.8897108,"about_ca_system_score_codex":0.00006412365,"about_ca_system_score_gemma":0.000111656525,"threshold_uncertainty_score":0.9987991},"labels":[],"label_agreement":null},{"id":"W2801506446","doi":"","title":"Angelina y Octavio","year":2017,"lang":"fr","type":"article","venue":"XYZ. La revue de la nouvelle","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Philosophy","score_opus":0.012956726578931396,"score_gpt":0.24696138647417754,"score_spread":0.23400465989524613,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2801506446","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.012944396,0.024421655,0.000012948333,0.013759709,0.0028387879,0.00017976796,0.0002282909,0.00007370272,0.9455407],"genre_scores_gemma":[0.3207334,0.0034270503,0.0003375253,0.00060859957,0.0075339186,0.000034334844,0.000023697263,0.000053362182,0.66724813],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985263,0.00016960711,0.00027376134,0.00037681207,0.00014348228,0.00051009096],"domain_scores_gemma":[0.9986124,0.00016899992,0.00022654164,0.00070345873,0.00015566332,0.00013292287],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00038599636,0.00033772254,0.00039847987,0.000039590326,0.0026224726,0.0017573045,0.0005137046,0.00033753447,0.004566872],"category_scores_gemma":[0.00016405365,0.00030768025,0.00025799294,0.000023397279,0.0010918826,0.0003417014,0.00023464336,0.0005444844,0.0005043811],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031118103,0.00021409376,0.0012189775,0.0002836473,0.0001803743,0.00036823176,0.073087715,0.0000012990581,0.00006132443,0.5934292,0.31888053,0.01224346],"study_design_scores_gemma":[0.0004743862,0.000085171814,0.0055551454,0.00045193627,0.0001829958,0.00009926508,0.007901757,0.000021248696,0.00006471284,0.0032117483,0.9815528,0.0003988344],"about_ca_topic_score_codex":0.0007848633,"about_ca_topic_score_gemma":0.0017644865,"teacher_disagreement_score":0.6626723,"about_ca_system_score_codex":0.00005588856,"about_ca_system_score_gemma":0.00006349385,"threshold_uncertainty_score":0.99993753},"labels":[],"label_agreement":null},{"id":"W2809747994","doi":"10.18192/rceh.v41i3.2359","title":"\"La Noche de San Daniel\", entre la ficción literaria y el compromiso político","year":2017,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Art; Humanities","score_opus":0.013728531610254151,"score_gpt":0.2532364712142026,"score_spread":0.23950793960394848,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2809747994","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.88532615,0.024692696,0.000016997195,0.002177435,0.0009354953,0.0009075435,0.0009551107,0.00016813901,0.08482041],"genre_scores_gemma":[0.988745,0.0015725043,0.00014001035,0.0011666061,0.002396775,0.000091178255,0.00006220649,0.00012316773,0.00570258],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9959247,0.00057260843,0.0007432472,0.000933583,0.00040545728,0.00142042],"domain_scores_gemma":[0.9963405,0.0003776536,0.0006546415,0.0016160209,0.0003857059,0.0006254586],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0008752907,0.00091352366,0.0011932357,0.00015165147,0.0036337683,0.00679713,0.0011547282,0.00043799024,0.00062131387],"category_scores_gemma":[0.00065670133,0.0008168745,0.00052538246,0.00006820728,0.0010408502,0.00042451973,0.00038485197,0.001063229,0.00010201383],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007863617,0.0002102387,0.005775637,0.0005246224,0.00072443485,0.0011304762,0.04518997,6.671608e-7,0.00016037888,0.85680825,0.085383005,0.004013698],"study_design_scores_gemma":[0.0011574259,0.0001893176,0.016596962,0.0014007473,0.0007928259,0.0002872424,0.0039866203,0.000050368995,0.00003145722,0.00024969154,0.974323,0.0009343753],"about_ca_topic_score_codex":0.0011223344,"about_ca_topic_score_gemma":0.0067305397,"teacher_disagreement_score":0.88894,"about_ca_system_score_codex":0.0005528193,"about_ca_system_score_gemma":0.0006382645,"threshold_uncertainty_score":0.9994282},"labels":[],"label_agreement":null},{"id":"W2810284451","doi":"10.18192/rceh.v42i2.3116","title":"Death as Volition: Suicide in the Early Azorín","year":2018,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Volition (linguistics); Art; Philosophy","score_opus":0.02109139485806664,"score_gpt":0.25106820185076245,"score_spread":0.22997680699269582,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2810284451","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9545097,0.011511852,0.0000026479656,0.0020210382,0.00056350906,0.00074534066,0.00018336841,0.000056684385,0.030405857],"genre_scores_gemma":[0.98706,0.0005587458,0.000019642826,0.0056906217,0.004246617,0.00012952078,0.00002834769,0.000055461867,0.0022110362],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9967415,0.00040334003,0.00062971516,0.00064342015,0.00045014633,0.0011318902],"domain_scores_gemma":[0.99810463,0.00021690078,0.00022272374,0.0007722523,0.00046351115,0.00022000987],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00079003786,0.00056720286,0.00066779787,0.00017076472,0.0014098033,0.0016440022,0.00062063895,0.000174648,0.00071369886],"category_scores_gemma":[0.00028086267,0.00040357394,0.00027232242,0.00024335322,0.0006549928,0.00024015542,0.00010080552,0.000594967,0.00050768116],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000053986572,0.00010321747,0.00771004,0.00010849119,0.0001675789,0.00044707762,0.06136158,1.1944417e-7,0.000008435617,0.9020099,0.027458426,0.00057114044],"study_design_scores_gemma":[0.00047630543,0.00067260273,0.0425505,0.0006179939,0.0002760874,0.00019147884,0.00714436,0.0000045903757,0.000010482117,0.0005073028,0.94703656,0.0005117107],"about_ca_topic_score_codex":0.0040983376,"about_ca_topic_score_gemma":0.029094577,"teacher_disagreement_score":0.91957814,"about_ca_system_score_codex":0.00036388173,"about_ca_system_score_gemma":0.0003155023,"threshold_uncertainty_score":0.9998902},"labels":[],"label_agreement":null},{"id":"W2811344709","doi":"","title":"Review: Marginal Subjects. Gender and Deviance in Fin-de-Siècle Spain by AKIKO TSUCHIYA","year":2012,"lang":"en","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Deviance (statistics); Humanities; Art; Mathematics; Statistics","score_opus":0.01799475861117425,"score_gpt":0.2300718299837443,"score_spread":0.21207707137257006,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2811344709","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.470661,0.5198233,0.000011341036,0.00071466295,0.00029196107,0.0005651862,0.000117035815,0.000058432164,0.0077570514],"genre_scores_gemma":[0.97444415,0.016679997,0.00008726246,0.0070616566,0.00072216574,0.00011101924,0.000026288002,0.000037885868,0.00082958525],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980454,0.00018342992,0.0003647391,0.00034584504,0.00016056921,0.0009000422],"domain_scores_gemma":[0.9991215,0.00008558579,0.00012382118,0.00028931964,0.000092839,0.00028695064],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0007445906,0.0003286944,0.0005319663,0.000069886584,0.00037797802,0.00013397113,0.0001667586,0.000070377806,0.00026833726],"category_scores_gemma":[0.00019478826,0.000284938,0.00009639844,0.00012025379,0.00020540817,0.00023158475,0.000058468162,0.00031577743,0.000030800267],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018725568,0.000093134,0.01023187,0.0010479492,0.000085777996,0.000052111227,0.0175759,1.2912771e-7,0.000052447987,0.6325456,0.3353069,0.0029894805],"study_design_scores_gemma":[0.0002943554,0.00004565475,0.0074685444,0.0007462795,0.00010168084,0.00006460007,0.0013884892,0.000003956573,0.0000074443187,0.000027592303,0.98948675,0.00036465336],"about_ca_topic_score_codex":0.00034704685,"about_ca_topic_score_gemma":0.0054305755,"teacher_disagreement_score":0.6541799,"about_ca_system_score_codex":0.00026392442,"about_ca_system_score_gemma":0.000104477265,"threshold_uncertainty_score":0.9999603},"labels":[],"label_agreement":null},{"id":"W28753363","doi":"10.1103/physrevlett.119.021301","title":"José Sanz Gracia, \"El Chato\"","year":2006,"lang":"en","type":"article","venue":"Rujiar: miscelánea del Centro de Estudios Bajo Martín","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Natural Sciences and Engineering Research Council of Canada","keywords":"Art","score_opus":0.0074219805917755295,"score_gpt":0.19849140690085645,"score_spread":0.19106942630908091,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W28753363","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18454787,0.03002075,0.00016706131,0.005161702,0.004373618,0.0013075008,0.0004025393,0.0010937988,0.77292514],"genre_scores_gemma":[0.9561169,0.00020616663,0.00026006153,0.0019340138,0.0056852913,0.0001141142,0.00016455607,0.000091993315,0.035426885],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99681085,0.000120834746,0.00062539877,0.0006925158,0.0005525652,0.0011978181],"domain_scores_gemma":[0.9986263,0.00009641097,0.00022398037,0.00052567257,0.00033130602,0.00019635975],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002950115,0.0006310747,0.00065710844,0.0001291411,0.0012192479,0.0005918107,0.00040966825,0.0001744978,0.0019993158],"category_scores_gemma":[0.00006154214,0.00052514573,0.00040800206,0.00013472898,0.00036683952,0.00028764913,0.00016285008,0.0004638406,0.0006492621],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006616366,0.00041292643,0.0056065815,0.000076971104,0.00026092306,0.00013716095,0.011005243,0.00000994663,0.00027226834,0.517051,0.46423426,0.0008666032],"study_design_scores_gemma":[0.0011306151,0.00010086401,0.0056547206,0.00007174752,0.00021385525,0.00004059662,0.0032935007,0.00004790016,0.00033855322,0.005651218,0.9827465,0.00070995686],"about_ca_topic_score_codex":0.0004895282,"about_ca_topic_score_gemma":0.0033352778,"teacher_disagreement_score":0.7715691,"about_ca_system_score_codex":0.00015381338,"about_ca_system_score_gemma":0.0000710901,"threshold_uncertainty_score":0.99972004},"labels":[],"label_agreement":null},{"id":"W2899774718","doi":"","title":"Festivales: Venecia, Toronto, Locarno","year":2018,"lang":"es","type":"article","venue":"Cinemanía","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Geography","score_opus":0.014063398532060942,"score_gpt":0.2519437123806499,"score_spread":0.23788031384858893,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2899774718","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.022593427,0.048821647,0.00003579592,0.0009768324,0.004442892,0.00028529353,0.000072176066,0.00020704861,0.92256486],"genre_scores_gemma":[0.8633732,0.0005953168,0.00006046912,0.0014698816,0.020457992,0.000021533688,0.00003078404,0.000054487064,0.11393634],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99834234,0.000053453874,0.0003511054,0.00046815927,0.00027607477,0.00050884404],"domain_scores_gemma":[0.99879295,0.00004858315,0.00013449496,0.0004464115,0.00045773754,0.000119846656],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000116154675,0.00040942914,0.0004450554,0.000034501387,0.0009995331,0.0008286308,0.00028269333,0.00014717813,0.010786289],"category_scores_gemma":[0.000055729874,0.0003231061,0.00019062073,0.000042538035,0.0007573177,0.00035428477,0.00013092093,0.00018152989,0.0017390151],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000059293066,0.00014508535,0.0007802847,0.0001784148,0.00032813684,0.000021101865,0.061696608,1.9186812e-7,0.00013837828,0.470554,0.45693353,0.009165],"study_design_scores_gemma":[0.00039647584,0.000511879,0.0021607426,0.0004002248,0.00018130311,0.00000832215,0.012374163,0.0000067033498,0.00014640126,0.0005741816,0.9828089,0.00043073395],"about_ca_topic_score_codex":0.00062134606,"about_ca_topic_score_gemma":0.0036744797,"teacher_disagreement_score":0.8407798,"about_ca_system_score_codex":0.00007753264,"about_ca_system_score_gemma":0.000045023648,"threshold_uncertainty_score":0.9999221},"labels":[],"label_agreement":null},{"id":"W2903548408","doi":"10.1163/17683084-01502017","title":"Manuela Marujo, Aida Baptista &amp; Rosana Barbosa (eds), The voice and choice of Portuguese immigrant women/A vez e a voz da mulher imigrante portuguesa, Toronto, University of Toronto, 2005, 208 p., ISBN : 0-9690025-1-3","year":2008,"lang":"en","type":"article","venue":"Lusotopie","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Portuguese; Immigration; Sociology; Humanities; Naturalization; Art; Gerontology; Medicine; Political science; Demography; Philosophy; Alien; Population","score_opus":0.017340778201153786,"score_gpt":0.2100448498700783,"score_spread":0.1927040716689245,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2903548408","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.50389653,0.26413652,0.000020664584,0.0012349269,0.0015387633,0.0013130395,0.0011413264,0.0001784494,0.22653979],"genre_scores_gemma":[0.7816146,0.024094174,0.0002370345,0.0005508456,0.0009918441,0.000022774,0.00009883895,0.000058987236,0.19233093],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981039,0.0000815929,0.00044079297,0.00044331673,0.00040461848,0.000525786],"domain_scores_gemma":[0.99833155,0.0001308357,0.0003839592,0.0007453857,0.0002588661,0.00014940913],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00023783726,0.00038441268,0.0006534413,0.000021794292,0.00078229577,0.00007359603,0.000510539,0.00012596617,0.003865354],"category_scores_gemma":[0.000056417153,0.00029048635,0.00022591921,0.000028329216,0.000949853,0.0006507808,0.0002142596,0.00020811048,0.000015320144],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0009447312,0.00092622644,0.009595398,0.0010307566,0.002323162,0.00032409083,0.49295366,0.0000018263565,0.003053091,0.029939545,0.44665754,0.012249967],"study_design_scores_gemma":[0.00089313573,0.00012207328,0.033749282,0.00012264265,0.00013892012,0.000022657956,0.015441878,0.000009184085,0.000021341288,0.00008891682,0.9490372,0.0003527893],"about_ca_topic_score_codex":0.09686919,"about_ca_topic_score_gemma":0.38077387,"teacher_disagreement_score":0.50237966,"about_ca_system_score_codex":0.000116507006,"about_ca_system_score_gemma":0.00006259548,"threshold_uncertainty_score":0.9999547},"labels":[],"label_agreement":null},{"id":"W2905240834","doi":"10.5294/978-958-12-0489-2","title":"El Hijo de María","year":2018,"lang":"es","type":"book","venue":"","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Centre hospitalier de l'Université Laval","funders":"","keywords":"History","score_opus":0.014826857509805847,"score_gpt":0.23336524916026388,"score_spread":0.21853839165045805,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2905240834","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00009029968,0.005056664,0.000008088456,0.0005558567,0.0019860507,0.00024038559,0.00020621803,0.00017229446,0.99168414],"genre_scores_gemma":[0.0027164477,0.00078073423,0.00011499794,0.0035622306,0.01921562,0.000029213232,0.00018007432,0.00007223046,0.9733285],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99819183,0.000050436563,0.00038643435,0.00050198106,0.00029587338,0.0005734701],"domain_scores_gemma":[0.99883777,0.00007296989,0.00017079774,0.0004021059,0.0004007073,0.000115662646],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00015706405,0.0006206214,0.00061733625,0.00009176629,0.0009467708,0.0012825334,0.00034582196,0.00040375348,0.033330914],"category_scores_gemma":[0.00002754555,0.0004345747,0.00036437798,0.000016797667,0.00071464095,0.00015961978,0.00016760943,0.0004553669,0.0036391148],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001176373,0.000025271434,0.000016896389,0.00009524334,0.00025819015,0.000013362653,0.012297264,6.7023973e-9,0.000003100028,0.48161831,0.5053264,0.00033416963],"study_design_scores_gemma":[0.00020413281,0.00021878467,0.00006338859,0.0003667859,0.00029492835,0.000011220142,0.0029544362,9.34835e-7,0.000017166612,0.018380836,0.9768754,0.0006119801],"about_ca_topic_score_codex":0.00009356712,"about_ca_topic_score_gemma":0.00061062776,"teacher_disagreement_score":0.47154897,"about_ca_system_score_codex":0.00010936863,"about_ca_system_score_gemma":0.00017430376,"threshold_uncertainty_score":0.9998106},"labels":[],"label_agreement":null},{"id":"W2915285463","doi":"10.26530/oapen_393075","title":"Los Invisibles","year":2007,"lang":"en","type":"book","venue":"BiblioBoard Library Catalog (Open Research Library)","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":39,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Homosexuality; Femininity; License; Politics; Quarter (Canadian coin); Gender studies; Sociology; History; Political science; Law","score_opus":0.11686708273188338,"score_gpt":0.334063864907929,"score_spread":0.2171967821760456,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2915285463","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000022368115,0.022170579,8.724344e-7,0.0045062485,0.0011876798,0.002290319,0.0031652485,0.00081111165,0.9658456],"genre_scores_gemma":[0.00011787727,0.00529352,0.0004048196,0.006098955,0.009548419,0.0002730628,0.01419595,0.0005688142,0.9634986],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99240285,0.0004799002,0.0011972698,0.0018196637,0.0020923824,0.0020079114],"domain_scores_gemma":[0.9958294,0.00079426466,0.00037786626,0.0019030857,0.000323972,0.00077140325],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","open_science","research_integrity","insufficient_payload"],"consensus_categories":["sts","scholarly_communication","insufficient_payload"],"category_scores_codex":[0.0009173737,0.001206456,0.0014681066,0.009762193,0.0018268418,0.016602674,0.0062175463,0.0008844807,0.05601109],"category_scores_gemma":[0.00007915124,0.0009572866,0.000548542,0.002875339,0.002731567,0.017948113,0.0072035207,0.0035225735,0.005007047],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016987555,0.00009767679,0.000041864085,0.00030152514,0.00024722822,0.00036512673,0.0016488635,3.690867e-8,0.000001765431,0.44387978,0.55186534,0.0013809303],"study_design_scores_gemma":[0.00047279487,0.00039775445,0.000060554874,0.00096999784,0.000058025744,0.00001193651,0.0007522235,4.295343e-7,0.00017426902,0.087202996,0.908793,0.0011060564],"about_ca_topic_score_codex":0.00010121833,"about_ca_topic_score_gemma":0.00021151961,"teacher_disagreement_score":0.35692766,"about_ca_system_score_codex":0.000066098095,"about_ca_system_score_gemma":0.0020306318,"threshold_uncertainty_score":0.9999824},"labels":[],"label_agreement":null},{"id":"W2947125094","doi":"10.1353/hpn.2019.0026","title":"Intersections of Race, Class, Gender, and Nation in Fin-de-Siècle Spanish Literature and Culture ed. by Jennifer Smith and Lisa Nalbone","year":2019,"lang":"en","type":"article","venue":"Hispania","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Subjectivity; Race (biology); Sociology; Scholarship; Gender studies; Class (philosophy); Fin de siecle; Subject (documents); Field (mathematics); Representation (politics); Humanities; Anthropology; History; Art history; Art; Epistemology; Political science; Philosophy; Law; Library science","score_opus":0.008486868659593194,"score_gpt":0.20127015454018973,"score_spread":0.19278328588059654,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2947125094","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.91575354,0.048155826,0.000005603779,0.0004627677,0.00043252105,0.0003065386,0.00015783183,0.000040537827,0.03468483],"genre_scores_gemma":[0.98208433,0.0024419702,0.00008382123,0.00035057002,0.0002370503,0.000013516503,0.00004186802,0.00001581331,0.014731052],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99921554,0.000036399393,0.00018947042,0.00027149668,0.00010986281,0.00017724955],"domain_scores_gemma":[0.99962103,0.00002899506,0.00007837999,0.00010507938,0.000115127725,0.00005139426],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00009275283,0.00018079644,0.00025221374,0.00007492156,0.00016654584,0.00022670724,0.000049640694,0.00011519422,0.00017102795],"category_scores_gemma":[0.00002081165,0.00014165962,0.00003110446,0.000067726796,0.00016272886,0.0003178037,0.00005527788,0.0002471326,0.000004044672],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012882704,0.00018858962,0.016153801,0.00056813215,0.00018558794,0.000010367386,0.39416286,8.5594553e-7,0.013227273,0.1177233,0.45662472,0.001025681],"study_design_scores_gemma":[0.0013678576,0.00028109926,0.017274175,0.00038540913,0.00007497092,0.00004238386,0.018739723,0.00005591434,0.00034784942,0.0014739502,0.9595738,0.00038288743],"about_ca_topic_score_codex":0.00007631422,"about_ca_topic_score_gemma":0.00047163575,"teacher_disagreement_score":0.50294906,"about_ca_system_score_codex":0.00002140881,"about_ca_system_score_gemma":0.000014310555,"threshold_uncertainty_score":0.5776712},"labels":[],"label_agreement":null},{"id":"W2947770339","doi":"","title":"Los espacios heterotópicos en la cuentística de Aurora Arias / Heterotopic spaces in Aurora Arias’ short stories","year":2018,"lang":"es","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Art","score_opus":0.16641940218028548,"score_gpt":0.5099139741952595,"score_spread":0.343494572014974,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2947770339","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9168549,0.026263261,0.000078032856,0.00072355906,0.0028517942,0.0014891372,0.00031272814,0.000100557096,0.05132601],"genre_scores_gemma":[0.9861081,0.0065727914,0.00014611213,0.00059941114,0.003394379,0.00018275833,0.000023466931,0.00012604726,0.0028469246],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.99438286,0.0010504854,0.0015014542,0.0009674818,0.000990374,0.0011073237],"domain_scores_gemma":[0.99658215,0.0006306425,0.0008088612,0.00082090223,0.00076305197,0.00039439675],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0014990512,0.0010108121,0.0017724514,0.0009513204,0.0010625821,0.011461716,0.002861201,0.00042178074,0.010767524],"category_scores_gemma":[0.00053647807,0.00085083523,0.00044744767,0.00049707264,0.0012139151,0.0032127572,0.0014284692,0.0012537716,0.000058851663],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0013750776,0.0018810302,0.6921539,0.0011652536,0.0023737913,0.0006971208,0.11273494,0.000029363482,0.017239973,0.05311969,0.10788597,0.009343916],"study_design_scores_gemma":[0.0009626284,0.00015731956,0.24245675,0.0024285608,0.00045150518,0.00004102921,0.0054894667,0.00002930682,0.004243081,0.005321883,0.7371753,0.0012431936],"about_ca_topic_score_codex":0.0011682047,"about_ca_topic_score_gemma":0.0017013222,"teacher_disagreement_score":0.6292893,"about_ca_system_score_codex":0.00026314452,"about_ca_system_score_gemma":0.0002438997,"threshold_uncertainty_score":0.99939424},"labels":[],"label_agreement":null},{"id":"W2968396057","doi":"10.37677/sigloxix.v0i25.4","title":"Intertextos hacia la “archirrealidad\": La indeseada influencia de Benito Pérez Galdós y del realismo decimonónico en la obra literaria de Juan Benet","year":2019,"lang":"es","type":"article","venue":"SIGLO DIECINUEVE (Literatura hispánica)","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Winnipeg","funders":"","keywords":"Humanities; Philosophy","score_opus":0.005915794224233812,"score_gpt":0.24515952576950986,"score_spread":0.23924373154527606,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2968396057","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6391479,0.019702809,0.00002882651,0.0009734328,0.0019305042,0.0014951957,0.0029245834,0.00048665443,0.33331013],"genre_scores_gemma":[0.95405746,0.0012215647,0.00059626636,0.0029708561,0.002716589,0.00022065554,0.0007234447,0.00028155933,0.03721163],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9914043,0.002013763,0.0016467263,0.0018007538,0.0010372222,0.0020972365],"domain_scores_gemma":[0.99350995,0.002537771,0.00070345926,0.0016943929,0.00083585543,0.0007185802],"candidate_categories":["metaepi_narrow","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","research_integrity"],"category_scores_codex":[0.0017069175,0.0017652102,0.0018038164,0.0005450699,0.0008958102,0.009256904,0.001729899,0.001379239,0.0014968179],"category_scores_gemma":[0.00060592615,0.0015368738,0.0009460914,0.00045438219,0.0009316368,0.0013976245,0.0008307502,0.0029940628,0.00059985404],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000730232,0.000518687,0.009803476,0.00072683266,0.0012453984,0.000605378,0.1715604,0.000014201723,0.0029891904,0.69263256,0.113797314,0.0053763557],"study_design_scores_gemma":[0.0023289688,0.0004912366,0.01763888,0.0031329081,0.00051069324,0.00031052958,0.0034971074,0.00011977685,0.00020781766,0.008966626,0.9609813,0.0018141284],"about_ca_topic_score_codex":0.0005352041,"about_ca_topic_score_gemma":0.0004998134,"teacher_disagreement_score":0.847184,"about_ca_system_score_codex":0.00051146885,"about_ca_system_score_gemma":0.00067225733,"threshold_uncertainty_score":0.9999172},"labels":[],"label_agreement":null},{"id":"W2982061252","doi":"10.1353/not.2019.0085","title":"The Life of Teresa Carreño (1853–1917), a Venezuelan Prodigy and Acclaimed Artist","year":2019,"lang":"en","type":"article","venue":"Notes","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Library and Archives Canada","funders":"","keywords":"Biography; Context (archaeology); Musical; Narrative; Wife; Art; Extant taxon; Period (music); Art history; Visual arts; Literature; History; Aesthetics; Law; Political science","score_opus":0.014231705857298143,"score_gpt":0.2101721437627512,"score_spread":0.19594043790545307,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2982061252","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8733312,0.011601667,0.0000011570605,0.0024644097,0.0007913063,0.0003687884,0.000038960075,0.000054651508,0.11134789],"genre_scores_gemma":[0.99474025,0.00006695731,0.000013790002,0.00027501298,0.00037341975,0.000013210081,0.000005447331,0.000008656272,0.004503283],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99944985,0.000021831307,0.00014160706,0.0001311921,0.00010880025,0.0001467294],"domain_scores_gemma":[0.9995201,0.00013387676,0.00006457749,0.00016058974,0.0000896333,0.000031221785],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000075746444,0.0000999708,0.00015623421,0.000014954063,0.00027647155,0.0001566145,0.000090314796,0.00002831681,0.00015853504],"category_scores_gemma":[0.0000858143,0.00005522694,0.00004231426,0.000018965151,0.00020091122,0.00007693386,0.00004391964,0.00008269077,0.000034889526],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018022978,0.00010415728,0.028663656,0.00026723204,0.0005166391,0.000005319304,0.21733262,0.0000010567801,0.0048023453,0.6971949,0.03165594,0.019275906],"study_design_scores_gemma":[0.00030489799,0.00011761729,0.008045842,0.000060220842,0.000045569952,0.000001724621,0.0060291663,0.000004543233,0.0013725982,0.0019480134,0.9819216,0.00014820468],"about_ca_topic_score_codex":0.00008557941,"about_ca_topic_score_gemma":0.0008825175,"teacher_disagreement_score":0.95026565,"about_ca_system_score_codex":0.0000033252168,"about_ca_system_score_gemma":0.000015277401,"threshold_uncertainty_score":0.22520892},"labels":[],"label_agreement":null},{"id":"W298722533","doi":"","title":"Gossiping And Hysterical Manolo Infante: Traditional Gender Role Crossing As Political Metaphor In Galdós's La Incógnita","year":2007,"lang":"en","type":"article","venue":"Sound Ideas (University of Puget Sound)","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Gossip; Politics; Metaphor; Literature; Sociology; Aesthetics; Gender studies; Psychoanalysis; Art; History; Psychology; Philosophy; Law; Political science; Social psychology; Linguistics","score_opus":0.029064907477892227,"score_gpt":0.23085399158124878,"score_spread":0.20178908410335655,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W298722533","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8492348,0.0007165695,0.00022679783,0.00018036274,0.0001239241,0.00008886195,0.000042157542,0.000040794464,0.14934568],"genre_scores_gemma":[0.99787056,0.000008916146,0.00024605746,0.00024059277,0.00024457322,3.8678405e-7,0.000025465903,0.000011692465,0.0013517486],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9988166,0.000063277716,0.0001880341,0.0002776869,0.00025217817,0.00040218403],"domain_scores_gemma":[0.99940103,0.0001630022,0.00008095267,0.000117211086,0.00011556228,0.00012225173],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00029240135,0.00018094572,0.00030065235,0.00018002705,0.00076129514,0.00030401893,0.00014627837,0.00011346925,0.00041061168],"category_scores_gemma":[0.00004079729,0.00018774778,0.00011418191,0.00009136534,0.0012494333,0.0005127573,0.00010201711,0.00026201585,0.000020158028],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007231507,0.00007825224,0.0031023046,0.000034860717,0.00009514477,0.000069601,0.0653342,2.518355e-7,0.00002700657,0.93085486,0.00028567144,0.00004553596],"study_design_scores_gemma":[0.00059710146,0.000059300437,0.019566068,0.000035846984,0.00005298202,0.00004313043,0.12681112,0.000008420348,0.0000017592041,0.8343489,0.018267022,0.00020835456],"about_ca_topic_score_codex":0.00046532866,"about_ca_topic_score_gemma":0.0019419701,"teacher_disagreement_score":0.14863572,"about_ca_system_score_codex":0.00007162584,"about_ca_system_score_gemma":0.00004913553,"threshold_uncertainty_score":0.76561326},"labels":[],"label_agreement":null},{"id":"W2989764896","doi":"10.1080/14636204.2019.1692923","title":"Disabled bodies in early modern Spanish literature: prostitutes, aging women and saints","year":2019,"lang":"en","type":"article","venue":"Journal of Spanish Cultural Studies","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Bishop's University","funders":"","keywords":"Reinterpretation; Gender studies; History; Sociology; Aesthetics; Art","score_opus":0.020020801370983752,"score_gpt":0.24757830119816426,"score_spread":0.22755749982718051,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2989764896","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.93264705,0.05740175,4.3938223e-7,0.0010052705,0.0012170188,0.00028442766,0.00002069413,0.00003366095,0.0073897177],"genre_scores_gemma":[0.983914,0.0052125384,0.00011053517,0.00039024392,0.0011595498,0.000019011979,0.0000040823134,0.000022824797,0.009167175],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99798477,0.00006130449,0.00069514767,0.00031286792,0.00042041458,0.00052548986],"domain_scores_gemma":[0.9984304,0.00007406722,0.00040975402,0.00013821894,0.00084292,0.00010464518],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0003518227,0.00040440354,0.00091631623,0.0001247216,0.0003870803,0.0008577327,0.00022359574,0.000078223224,0.0000671676],"category_scores_gemma":[0.00014595411,0.00024710892,0.00015314433,0.00010448474,0.00036047856,0.0016487763,0.00017889088,0.00053335057,0.000018728191],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018598113,0.00011517602,0.01955483,0.0003790951,0.0009373143,0.00013512898,0.945397,0.0000076740325,0.00082642515,0.021641187,0.0093066385,0.0015135494],"study_design_scores_gemma":[0.0060037686,0.0019492245,0.042198535,0.005165316,0.00029703006,0.0003745892,0.4232875,0.000016106565,0.00029584684,0.03914892,0.47939983,0.0018633098],"about_ca_topic_score_codex":0.000024501025,"about_ca_topic_score_gemma":0.0004058784,"teacher_disagreement_score":0.5221095,"about_ca_system_score_codex":0.00017330087,"about_ca_system_score_gemma":0.000023593959,"threshold_uncertainty_score":0.9999981},"labels":[],"label_agreement":null},{"id":"W2994607222","doi":"10.33137/q.i..v35i2.23615","title":"Per l’edizione critica della rime di Baldassarre Castiglione e Cesare Gonzaga. Censimento e questioni attributive","year":2015,"lang":"it","type":"article","venue":"Quaderni d italianistica","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Hard rime; Literature","score_opus":0.04782790125024172,"score_gpt":0.27699354159911727,"score_spread":0.22916564034887554,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2994607222","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005140435,0.03708186,0.00083661714,0.012741429,0.009318086,0.001730204,0.006717923,0.00077354105,0.9256599],"genre_scores_gemma":[0.91037506,0.0001995706,0.000264143,0.0017846664,0.005704178,0.00008248444,0.00088033034,0.00015626209,0.080553286],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99428123,0.00042197414,0.001129324,0.0013337082,0.0012815229,0.0015522639],"domain_scores_gemma":[0.99574804,0.0002778532,0.00034252554,0.0008097037,0.0019711603,0.00085072167],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00049397536,0.0011993255,0.0012249559,0.00017325369,0.0016940874,0.0014469872,0.0005709637,0.0005297372,0.0067543723],"category_scores_gemma":[0.0006756168,0.0010699013,0.00042016045,0.00023623065,0.0014429955,0.0006508649,0.00026705035,0.0009616271,0.009382265],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00029636707,0.0008837793,0.0004798692,0.00023684023,0.0007299379,0.0005464023,0.053866208,0.000004198365,0.00017831955,0.5220997,0.42048687,0.00019155204],"study_design_scores_gemma":[0.0011189244,0.0009071382,0.00038235993,0.00057867996,0.001021628,0.00010947519,0.051211786,0.0001098978,0.00035269992,0.002956496,0.9398183,0.0014326227],"about_ca_topic_score_codex":0.0007644971,"about_ca_topic_score_gemma":0.0006991888,"teacher_disagreement_score":0.90523463,"about_ca_system_score_codex":0.00048114295,"about_ca_system_score_gemma":0.00038867403,"threshold_uncertainty_score":0.9996056},"labels":[],"label_agreement":null},{"id":"W2998433008","doi":"10.32621/acotaciones.2019.43.06","title":"LOS MATACHINES: EL PERSONAJE Y SUS ACCIONES","year":2019,"lang":"es","type":"article","venue":"Acotaciones Revista de Investigación y Creación Teatral","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.010941279133914603,"score_gpt":0.2521397072944834,"score_spread":0.24119842816056877,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2998433008","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.89701337,0.028693646,0.000013746802,0.003903664,0.0023913535,0.0015674712,0.00089152984,0.00062534463,0.0648999],"genre_scores_gemma":[0.95193887,0.0013846259,0.0002602325,0.0027739962,0.004523069,0.000118056734,0.0005151273,0.00022840853,0.03825759],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9941356,0.00043027455,0.001322335,0.0014888658,0.00090972043,0.0017131814],"domain_scores_gemma":[0.9966174,0.00028738868,0.00061277254,0.0013133958,0.0005160871,0.00065295113],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.0006002436,0.0015488456,0.0016782961,0.00039309435,0.0013020148,0.004156263,0.0010896242,0.0006034691,0.0054471707],"category_scores_gemma":[0.0002520798,0.0012870313,0.00095936464,0.0003190267,0.0010018295,0.001492481,0.00037116345,0.0013247046,0.0026176102],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021401266,0.00034772148,0.05265646,0.0019856482,0.0009149037,0.0001316573,0.025966935,0.000009655616,0.0033365951,0.8565128,0.057059035,0.000864597],"study_design_scores_gemma":[0.0013932479,0.0005098377,0.009639228,0.0016116137,0.00083334773,0.00019672027,0.012947507,0.00010387485,0.00022409677,0.0028039012,0.9678781,0.0018584996],"about_ca_topic_score_codex":0.0003081736,"about_ca_topic_score_gemma":0.00009871179,"teacher_disagreement_score":0.9108191,"about_ca_system_score_codex":0.00025398232,"about_ca_system_score_gemma":0.00029846805,"threshold_uncertainty_score":0.99999815},"labels":[],"label_agreement":null},{"id":"W30023474","doi":"10.1021/acsomega.6b00055","title":"José Saramago: un ateo que clama al cielo","year":2009,"lang":"en","type":"article","venue":"Qué leer","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Canadian Institutes of Health Research; China Scholarship Council; Natural Sciences and Engineering Research Council of Canada; Government of Canada","keywords":"Humanities; Art","score_opus":0.01198552321921095,"score_gpt":0.21365805554602182,"score_spread":0.20167253232681087,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W30023474","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05918233,0.0025875696,0.000009675717,0.011855209,0.000915028,0.00013574274,0.000023194836,0.00019927742,0.925092],"genre_scores_gemma":[0.9042884,0.000038516613,0.00007063105,0.015516386,0.0014307484,0.000011718441,0.000023926406,0.0000128862675,0.07860675],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99921614,0.0000207643,0.0001570672,0.00019779743,0.00015288508,0.00025536696],"domain_scores_gemma":[0.9996126,0.000013767305,0.000039664024,0.00017665133,0.00010973802,0.000047562415],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00006060644,0.00016767267,0.00017486565,0.000030286541,0.0003552205,0.0002637515,0.00012774499,0.000053100455,0.0026296605],"category_scores_gemma":[0.000012561867,0.00011909312,0.000099663346,0.00003547838,0.00009223297,0.00017876459,0.000019748592,0.0001787884,0.00036953736],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001875308,0.000056812696,0.000071843904,0.00000392297,0.000049285736,0.000017477414,0.03129553,3.9360603e-7,0.00016114564,0.4501937,0.513046,0.005085083],"study_design_scores_gemma":[0.000228708,0.00012856392,0.0015797388,0.000016400221,0.000023269919,0.0000042181673,0.0020319629,0.0000023827174,0.00018359127,0.004753249,0.9908585,0.00018943941],"about_ca_topic_score_codex":0.000082236584,"about_ca_topic_score_gemma":0.0003652276,"teacher_disagreement_score":0.8464852,"about_ca_system_score_codex":0.000014825876,"about_ca_system_score_gemma":0.000015720792,"threshold_uncertainty_score":0.9982821},"labels":[],"label_agreement":null},{"id":"W3011346272","doi":"10.18778/8142-506-3.06","title":"Sobre las causas de la sustitución de cantare habeo por cantaré","year":2019,"lang":"en","type":"book-chapter","venue":"Wydawnictwo Uniwersytetu Łódzkiego eBooks","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Linguistic Association","funders":"","keywords":"Humanities; Art","score_opus":0.012481987672820466,"score_gpt":0.21594806706528924,"score_spread":0.20346607939246877,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3011346272","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0004085303,0.003101714,0.000006830818,0.00027490561,0.001833121,0.00075220724,0.00094576314,0.00040760863,0.99226934],"genre_scores_gemma":[0.051918976,0.0003012753,0.00008340596,0.002584674,0.0037306773,0.00004996286,0.00035343276,0.00030818902,0.9406694],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9960607,0.00012833599,0.0007666521,0.0010162519,0.00063934905,0.0013886848],"domain_scores_gemma":[0.99731326,0.0002778624,0.00048438067,0.0010399373,0.0004639517,0.0004205811],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.00047144093,0.0013352927,0.001306961,0.0003264128,0.0009746463,0.00079063553,0.0008264337,0.000930467,0.0033796611],"category_scores_gemma":[0.00005119077,0.0011771577,0.000698638,0.000020734158,0.0012107083,0.00017201004,0.00031683507,0.0018698155,0.00051242637],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008764093,0.000027321163,0.000055037766,0.00023254003,0.0007587049,0.0005051523,0.039698564,0.0000034741429,0.000031198295,0.75982994,0.19805245,0.0007179441],"study_design_scores_gemma":[0.00085547287,0.0001906449,0.000028301294,0.0007464831,0.0007669253,0.00015128942,0.004275987,0.0000041184453,0.000060685637,0.021545682,0.9699962,0.001378181],"about_ca_topic_score_codex":0.0026919367,"about_ca_topic_score_gemma":0.036065612,"teacher_disagreement_score":0.77194375,"about_ca_system_score_codex":0.00068206585,"about_ca_system_score_gemma":0.0015049628,"threshold_uncertainty_score":0.9999398},"labels":[],"label_agreement":null},{"id":"W3014287687","doi":"10.3138/uram.37.1-2.40","title":"4.1 Lorca’s Conception of Ultimate Reality and Meaning: <i>Canciones (1924–1927)</i>","year":2020,"lang":"en","type":"article","venue":"Ultimate Reality and Meaning","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Meaning (existential); Art; Literature; Philosophy; Epistemology","score_opus":0.06313615136869978,"score_gpt":0.26334596580548125,"score_spread":0.20020981443678149,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3014287687","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1537305,0.0050781113,0.0006064346,0.011052756,0.0010300714,0.001193276,0.0010981407,0.00080132246,0.8254094],"genre_scores_gemma":[0.9969761,0.00072709244,0.00029226826,0.0009894043,0.000615184,0.000012846823,0.00009414757,0.00002254456,0.00027041443],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99842274,0.00009712523,0.00048254157,0.00043941964,0.00024541438,0.00031276658],"domain_scores_gemma":[0.99910975,0.00008075243,0.0002571504,0.00016496405,0.00022934595,0.00015805793],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003290289,0.00029071336,0.00054096547,0.000033707485,0.0005419281,0.00019852383,0.00010281454,0.00009179032,0.00012514372],"category_scores_gemma":[0.00011635707,0.00023450186,0.000086888926,0.00006281103,0.00044358592,0.00039385492,0.000108122156,0.00021273592,0.0000067028495],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002110118,0.00006260027,0.0008789086,0.00096339156,0.00020050752,0.000013048035,0.30293262,0.000015605945,0.005281347,0.6761169,0.008157823,0.005166287],"study_design_scores_gemma":[0.004328624,0.00089219736,0.003261781,0.0011972387,0.00085095735,0.000051257386,0.10502654,0.0029298447,0.0073863342,0.028433794,0.8436883,0.0019530997],"about_ca_topic_score_codex":0.0006907373,"about_ca_topic_score_gemma":0.00076644734,"teacher_disagreement_score":0.8432456,"about_ca_system_score_codex":0.000017977352,"about_ca_system_score_gemma":0.000017968208,"threshold_uncertainty_score":0.9562708},"labels":[],"label_agreement":null},{"id":"W3015115322","doi":"","title":"Silvia Bermúdez/Roberta Johnson (Hg.): A New History of Iberian Feminisms. Toronto: Toronto University Press 2018, 544 S. (Toronto Iberic, 35)","year":2020,"lang":"de","type":"article","venue":"Romanische Forschungen","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Berm; Media studies; History; Gerontology; Sociology; Archaeology; Medicine","score_opus":0.021469514796824386,"score_gpt":0.2009503587507516,"score_spread":0.17948084395392722,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3015115322","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00057062245,0.45491114,0.000020509584,0.00058164616,0.0041275998,0.00082841504,0.0004652767,0.00021085651,0.53828394],"genre_scores_gemma":[0.11440629,0.059215233,0.002236725,0.003563781,0.021943051,0.00004079948,0.0008922697,0.0005315348,0.79717034],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9953179,0.00026940453,0.0010760257,0.0013482634,0.000853047,0.0011353747],"domain_scores_gemma":[0.9967675,0.00011366388,0.0008623876,0.001013333,0.00033571778,0.0009073755],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00021481919,0.0011944701,0.0016145961,0.000019610125,0.0006296975,0.00027412229,0.0013142735,0.0006137624,0.013389839],"category_scores_gemma":[0.00006391311,0.0011729138,0.0008519727,0.000057815276,0.00044724037,0.00237773,0.00067423197,0.00044757946,0.00016839529],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000628887,0.00030155986,0.000045696284,0.0005105293,0.0020524687,0.000061534556,0.18487285,0.0000019269698,0.00095719896,0.056481216,0.7531417,0.0009444384],"study_design_scores_gemma":[0.0016951137,0.0012364304,0.00022834007,0.00024106522,0.0020327324,0.000003957933,0.023688026,0.000046491037,0.00028571655,0.000031391904,0.969242,0.0012687702],"about_ca_topic_score_codex":0.0924965,"about_ca_topic_score_gemma":0.15902151,"teacher_disagreement_score":0.39569592,"about_ca_system_score_codex":0.0025203328,"about_ca_system_score_gemma":0.00058205356,"threshold_uncertainty_score":0.9990721},"labels":[],"label_agreement":null},{"id":"W3017256550","doi":"10.7202/1068579ar","title":"Introduction: Special Issue, Women’s Authorial Agency and Print Culture","year":2020,"lang":"en","type":"article","venue":"Renaissance and Reformation","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université Laval","funders":"","keywords":"Print culture; Agency (philosophy); Media studies; Gender studies; Sociology; Social science","score_opus":0.012951603933335207,"score_gpt":0.2118299086698195,"score_spread":0.19887830473648427,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3017256550","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2205403,0.007786361,0.00006382355,0.058117025,0.008132822,0.0008095088,0.00006048711,0.0003943514,0.7040953],"genre_scores_gemma":[0.8620266,0.0009790484,0.00008129954,0.0011385012,0.12768808,0.00003503046,0.000047591337,0.000011066299,0.007992825],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99945456,0.000014379011,0.00015287784,0.00015365382,0.00010064484,0.00012389272],"domain_scores_gemma":[0.99975437,0.0000019792178,0.000062174564,0.000053433727,0.00006612525,0.00006194736],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000053503012,0.00010790046,0.00013184978,0.000016166758,0.0003885882,0.00018214573,0.00003424839,0.000043184555,0.0008034247],"category_scores_gemma":[0.000017821338,0.00006750335,0.00001953977,0.00003274386,0.000105624196,0.00048648447,0.000029230068,0.000115062074,0.00004302328],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005671888,0.000010300466,0.000016773243,0.0001006005,0.0000288236,0.0000011408665,0.46751967,4.1855458e-7,0.00013804222,0.08433409,0.4360202,0.011773245],"study_design_scores_gemma":[0.00021014488,0.000119079334,0.00021769952,0.000012739281,0.000010003912,0.00000375854,0.011790052,0.000007831972,0.000095945055,0.0007544842,0.98667115,0.00010713105],"about_ca_topic_score_codex":0.0000027891786,"about_ca_topic_score_gemma":0.000010377602,"teacher_disagreement_score":0.6961025,"about_ca_system_score_codex":0.000016377511,"about_ca_system_score_gemma":0.0000048722695,"threshold_uncertainty_score":0.8796937},"labels":[],"label_agreement":null},{"id":"W3031083788","doi":"10.5206/entrehojas.v10i1.10261","title":"Las caras del andrógino.De Benito Pérez Galdós a Luis Landero","year":2020,"lang":"es","type":"article","venue":"Entrehojas Revista de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.017452056636024383,"score_gpt":0.23170783869164854,"score_spread":0.21425578205562415,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3031083788","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6822642,0.22040597,0.00026272883,0.031568583,0.0018469888,0.002798928,0.0014157349,0.0011101903,0.058326658],"genre_scores_gemma":[0.97812015,0.0042320527,0.00015253035,0.007086606,0.006671062,0.0001188367,0.000112463844,0.00014095883,0.003365354],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9956787,0.00036620715,0.0009023117,0.0010670469,0.0006491927,0.0013365253],"domain_scores_gemma":[0.99775946,0.0002189111,0.00039100862,0.0006192459,0.00037117637,0.0006402074],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00029580574,0.0010174386,0.0013630086,0.00011494479,0.0012236948,0.0023164973,0.00068135164,0.000310872,0.0024382514],"category_scores_gemma":[0.0003727764,0.00087960326,0.0006726421,0.00024846705,0.0004095647,0.0003377783,0.00036137755,0.0009786916,0.0008422554],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019834093,0.0003278157,0.017357806,0.00081479514,0.001187837,0.00054656493,0.07187231,0.000008651952,0.00027971278,0.48380473,0.4225644,0.0010370364],"study_design_scores_gemma":[0.0015583984,0.00046360135,0.0030724641,0.00056174904,0.0009597338,0.000052827327,0.0074820244,0.0000793685,0.00013124535,0.00011184896,0.9845119,0.0010148415],"about_ca_topic_score_codex":0.000083496256,"about_ca_topic_score_gemma":0.00013243342,"teacher_disagreement_score":0.5619475,"about_ca_system_score_codex":0.00027475445,"about_ca_system_score_gemma":0.00025105602,"threshold_uncertainty_score":0.9999357},"labels":[],"label_agreement":null},{"id":"W30318562","doi":"10.1007/s12264-018-0298-3","title":"Yecla: y las fiestas de San Isidro labrador","year":2007,"lang":"en","type":"article","venue":"Pasos de arte y cultura","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Geography; Archaeology","score_opus":0.014690365037687019,"score_gpt":0.23279573013430954,"score_spread":0.2181053650966225,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W30318562","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2664016,0.0021528068,0.00010213438,0.0020419646,0.000852218,0.0002484558,0.00006117393,0.00036515613,0.7277745],"genre_scores_gemma":[0.9504219,0.000052296058,0.00033942852,0.004172235,0.002280538,0.000019393357,0.000039082483,0.000023849523,0.04265122],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987227,0.00003260883,0.00023985095,0.00024413162,0.0001858187,0.00057489803],"domain_scores_gemma":[0.9993806,0.00006907683,0.00007246752,0.00019666221,0.00015217258,0.00012903522],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000245211,0.00023079202,0.00021456635,0.00004203776,0.0005618917,0.00036842938,0.00018306944,0.00008573514,0.0020616883],"category_scores_gemma":[0.000053869793,0.0001630249,0.00012966023,0.000068754896,0.0001735365,0.00025585777,0.000045130477,0.00025215832,0.0003399175],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000046318553,0.00009632202,0.0014731825,0.000043366465,0.00019420456,0.00012106155,0.24909918,0.0000012866358,0.0022658778,0.33620685,0.40550372,0.0049485983],"study_design_scores_gemma":[0.00030464033,0.00005859019,0.0046403944,0.000033160202,0.00005313935,0.000032946646,0.02699094,0.0000043999216,0.0009679776,0.0021696943,0.9644712,0.0002728978],"about_ca_topic_score_codex":0.00013008225,"about_ca_topic_score_gemma":0.002824487,"teacher_disagreement_score":0.68512326,"about_ca_system_score_codex":0.00006684666,"about_ca_system_score_gemma":0.000022493874,"threshold_uncertainty_score":0.9988506},"labels":[],"label_agreement":null},{"id":"W3041747100","doi":"10.18192/rceh.v43i2.4679","title":"INMA RIDAO CARLINI. Rich and Poor in Nineteenth-Century Spain. A Critique of Liberal Society in the Later Novels of Benito Pérez Galdós. Woodbridge: Tamesis, 2018. 214 pp.","year":2020,"lang":"en","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Art","score_opus":0.014312717097224906,"score_gpt":0.22027099684799809,"score_spread":0.2059582797507732,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3041747100","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97334594,0.021322144,0.0000023701273,0.0036933552,0.00008675504,0.00059225556,0.00031463456,0.000018811448,0.00062372145],"genre_scores_gemma":[0.99161756,0.002205921,0.00006864227,0.0055338526,0.00042338757,0.000055221757,0.000022975357,0.000029197481,0.00004324024],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99801916,0.00019347444,0.000653364,0.0004030687,0.00025244546,0.00047846927],"domain_scores_gemma":[0.9990791,0.00016064785,0.00020859537,0.00022956052,0.00018281685,0.00013928153],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00040279134,0.00032457084,0.0007334092,0.00005017962,0.00013344428,0.00010653282,0.00027908813,0.00011093401,0.00006468183],"category_scores_gemma":[0.000154137,0.00024049084,0.00018919744,0.00022742788,0.00028535086,0.00016042193,0.000098737415,0.00042694164,0.0000019099807],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020941606,0.0003474272,0.026365425,0.0017291714,0.00043426178,0.00021727926,0.42207223,0.000008556616,0.0006370838,0.32982188,0.21741694,0.00074034213],"study_design_scores_gemma":[0.0026053786,0.00070305687,0.026839737,0.0007174934,0.0003294318,0.00003309287,0.041697375,0.00015412367,0.00018977476,0.00004182487,0.92588156,0.0008071362],"about_ca_topic_score_codex":0.0006775171,"about_ca_topic_score_gemma":0.0077944305,"teacher_disagreement_score":0.7084646,"about_ca_system_score_codex":0.00007404779,"about_ca_system_score_gemma":0.00012407458,"threshold_uncertainty_score":0.98069316},"labels":[],"label_agreement":null},{"id":"W3087233070","doi":"","title":"Cantos de cisne","year":2020,"lang":"es","type":"article","venue":"Cinemanía","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy","score_opus":0.02234982778857218,"score_gpt":0.22776784858585514,"score_spread":0.20541802079728297,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3087233070","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06050828,0.023853341,0.000040327282,0.04247147,0.0011059371,0.0003907086,0.00031573483,0.0003051704,0.87100905],"genre_scores_gemma":[0.9654677,0.00038237,0.00004798669,0.012583443,0.007366103,0.000015403995,0.000030159226,0.000035337725,0.014071518],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988748,0.00003586635,0.00023841103,0.00030522537,0.00016610562,0.00037963485],"domain_scores_gemma":[0.9994252,0.000029462202,0.000078168356,0.00016395604,0.00012040791,0.00018282149],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000054872962,0.0002669867,0.00034321254,0.0000260542,0.00042699726,0.0006456213,0.00019711496,0.00008539579,0.0037634524],"category_scores_gemma":[0.000061879866,0.00021277322,0.00014715131,0.000053864955,0.00015516758,0.00012463398,0.00008233469,0.00026322852,0.00044363455],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040752962,0.000046425463,0.0009777506,0.00028518293,0.00019509158,0.00007919859,0.11845345,0.0000018486837,0.00040060433,0.4019972,0.47664946,0.00087301526],"study_design_scores_gemma":[0.00036880124,0.00018850928,0.0008156847,0.0001098767,0.00014704716,0.000004881636,0.010261084,0.00003537477,0.00018708095,0.00031067207,0.9872864,0.0002845803],"about_ca_topic_score_codex":0.00008171214,"about_ca_topic_score_gemma":0.00010148883,"teacher_disagreement_score":0.9049594,"about_ca_system_score_codex":0.00001926918,"about_ca_system_score_gemma":0.000045362765,"threshold_uncertainty_score":0.99714726},"labels":[],"label_agreement":null},{"id":"W3096950547","doi":"10.3138/md.63.3.br2","title":"Andrés Pérez-Simón,<i> Baroque Lorca: An Archaist Playwright for the New Stage</i>","year":2020,"lang":"en","type":"article","venue":"Modern Drama","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Baroque; Relation (database); Stage (stratigraphy); Art; Literature; History; Art history; Computer science; Geology","score_opus":0.040790957592330805,"score_gpt":0.2422233373571548,"score_spread":0.20143237976482398,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3096950547","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.035059858,0.03721223,0.10497543,0.22566806,0.0067011123,0.006884588,0.0030035388,0.0024161527,0.57807904],"genre_scores_gemma":[0.9242358,0.000043287484,0.00020839722,0.012732159,0.006070617,0.000080111466,0.00008804956,0.0000527354,0.05648882],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988591,0.000025646634,0.00020533006,0.0003525434,0.000195068,0.00036228215],"domain_scores_gemma":[0.9993157,0.00008177568,0.000063894586,0.00026529699,0.000116982585,0.00015638233],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00007735958,0.00024043735,0.0002434879,0.00001545596,0.00089217187,0.00060400873,0.00033492906,0.000055921573,0.0006723852],"category_scores_gemma":[0.000029625633,0.00014189543,0.0001394215,0.000033356853,0.00017602881,0.00028004195,0.0000769816,0.00020262721,0.000049708808],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018616518,0.00005714705,0.000024603363,0.0000576245,0.00018698443,0.000010206507,0.31094193,0.000069133,0.0002921221,0.38397646,0.29569364,0.008503993],"study_design_scores_gemma":[0.0005713035,0.00021513774,0.000016568227,0.000012265268,0.00005974767,0.0000012499404,0.0062470906,0.00160068,0.0003113568,0.0062246104,0.9845081,0.00023190441],"about_ca_topic_score_codex":0.0001118897,"about_ca_topic_score_gemma":0.0018466364,"teacher_disagreement_score":0.88917595,"about_ca_system_score_codex":0.000012217388,"about_ca_system_score_gemma":0.000045064102,"threshold_uncertainty_score":0.73621464},"labels":[],"label_agreement":null},{"id":"W3096961809","doi":"10.1353/vcr.2020.0015","title":"\"Discoverers of the Hidden Land\": New Images of the Voice in the Late Nineteenth Century","year":2020,"lang":"en","type":"article","venue":"Victorian review","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Art","score_opus":0.020104645037629508,"score_gpt":0.22224893974013255,"score_spread":0.20214429470250303,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3096961809","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.007917938,0.70232594,8.3582285e-7,0.0893832,0.0029471312,0.0018903016,0.00024402318,0.000032969725,0.19525766],"genre_scores_gemma":[0.8997309,0.067917176,0.000014539588,0.022478776,0.0032404047,0.00003178944,0.000015189304,0.000030140183,0.0065410347],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991633,0.00013766946,0.00027365936,0.00010091048,0.00021390048,0.00011053259],"domain_scores_gemma":[0.9994369,0.000046391062,0.00017551908,0.0002692503,0.000052350788,0.00001955128],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00012243766,0.00012114906,0.00027470684,0.000006349148,0.00009891571,0.000042636013,0.00047963916,0.000019537898,0.00023955974],"category_scores_gemma":[0.000086292894,0.00004421007,0.00019066733,0.00014154718,0.0001069037,0.0000732316,0.000085883665,0.00015985071,0.000010845725],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025114638,0.00008111548,0.0057472964,0.004113399,0.00024643628,0.0000026701007,0.26298958,9.911585e-7,0.00019813271,0.14493844,0.5780816,0.003575236],"study_design_scores_gemma":[0.00012484819,0.000021560436,0.001988556,0.0012672871,0.0001019763,3.9225398e-7,0.0012351671,1.1303643e-7,0.000038435657,0.00017422887,0.9949869,0.000060517235],"about_ca_topic_score_codex":0.00009335626,"about_ca_topic_score_gemma":0.00031206317,"teacher_disagreement_score":0.89181304,"about_ca_system_score_codex":0.00000591689,"about_ca_system_score_gemma":0.00003156915,"threshold_uncertainty_score":0.26230112},"labels":[],"label_agreement":null},{"id":"W3106806385","doi":"10.18192/rceh.v43i3.4879","title":"Hailing Hunters: Leisure and Class Ideology in Amadís de Gaula","year":2020,"lang":"en","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Ideology; Meritocracy; Class (philosophy); Interpretation (philosophy); Sociology; Promotion (chess); Representation (politics); Identity (music); Function (biology); Social class; Aesthetics; Gender studies; Art; Epistemology; Philosophy; Political science; Law; Politics; Linguistics","score_opus":0.019167847805772697,"score_gpt":0.22111940429589416,"score_spread":0.20195155649012148,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3106806385","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9833216,0.007991316,0.000018234672,0.0040371628,0.00014182823,0.00026525796,0.000042778964,0.00006903364,0.004112805],"genre_scores_gemma":[0.9942929,0.00027254882,0.000101916106,0.004411738,0.0006293407,0.00003593111,0.000010150914,0.000027526949,0.00021792496],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985547,0.00011143503,0.00030290792,0.00038858526,0.00010302442,0.00053933566],"domain_scores_gemma":[0.99935985,0.00008019224,0.000083730774,0.00016087155,0.00008558896,0.00022978347],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00020764334,0.00024653663,0.00047463182,0.000066690765,0.00026372468,0.00019188582,0.00015179122,0.00008423114,0.00011658687],"category_scores_gemma":[0.00018054518,0.0002219272,0.00008202954,0.00008814681,0.00021829289,0.000118800905,0.000072219176,0.00033575555,0.000014022139],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004148813,0.000022787686,0.0119199315,0.00015933494,0.00009047276,0.00037281908,0.07323555,0.0000051101974,0.00015796364,0.8974985,0.015593834,0.0009022174],"study_design_scores_gemma":[0.0005379032,0.00015676375,0.002387301,0.00013622148,0.00008008747,0.000051546725,0.012738626,0.00017001125,0.000015662898,0.00009420293,0.98331785,0.0003138006],"about_ca_topic_score_codex":0.00035366285,"about_ca_topic_score_gemma":0.03814716,"teacher_disagreement_score":0.967724,"about_ca_system_score_codex":0.00014296641,"about_ca_system_score_gemma":0.00010815597,"threshold_uncertainty_score":0.97940415},"labels":[],"label_agreement":null},{"id":"W3107834121","doi":"10.3989/anacervantinos.2020.005","title":"Galleguismo y quijotismo: a propósito del tricentenario del Quijote","year":2020,"lang":"es","type":"article","venue":"Anales Cervantinos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Humanities; Art; Philosophy; Cartography; Geography","score_opus":0.02783034639088314,"score_gpt":0.22660483585753807,"score_spread":0.19877448946665494,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3107834121","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21123084,0.12508973,0.00029495012,0.09694255,0.005484718,0.003766093,0.0015235543,0.0015282684,0.55413926],"genre_scores_gemma":[0.9609237,0.0030060466,0.00028073453,0.013952189,0.006096429,0.0000429163,0.00015400759,0.00011424931,0.01542975],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9962604,0.00015182806,0.00092722726,0.0010392057,0.0006541304,0.00096720585],"domain_scores_gemma":[0.9978528,0.00008985529,0.0004303096,0.0006266383,0.00060640846,0.0003940061],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0001500155,0.00083240453,0.0010273947,0.00012830511,0.001139615,0.0017025025,0.0008955301,0.00025734407,0.001104776],"category_scores_gemma":[0.00015076679,0.0006684696,0.0006375632,0.00024822736,0.00055684434,0.00058528734,0.0005348624,0.0007025019,0.0013887833],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004832626,0.0005910027,0.023004333,0.0013268866,0.0019319801,0.00062992657,0.09410538,0.0000048154598,0.00047734805,0.35043687,0.5190855,0.0079226745],"study_design_scores_gemma":[0.0011698817,0.0005166894,0.0051161423,0.0003521886,0.0006575127,0.000014970901,0.009458885,0.00034361443,0.00010760899,0.00015507804,0.9811991,0.000908344],"about_ca_topic_score_codex":0.00044680838,"about_ca_topic_score_gemma":0.00041192325,"teacher_disagreement_score":0.7496928,"about_ca_system_score_codex":0.000040354673,"about_ca_system_score_gemma":0.00013354028,"threshold_uncertainty_score":0.9998084},"labels":[],"label_agreement":null},{"id":"W3108710421","doi":"10.18192/rceh.v43i3.4878","title":"Rocambor, Malilla, and Matrimony: Gambling in Mercedes Cabello de Carbonera’s Naturalist Novels","year":2020,"lang":"en","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Naturalism; Representation (politics); Workforce; Inequality; Sociology; Aesthetics; Art; Philosophy; Epistemology; Political science; Mathematics; Law","score_opus":0.026274408908358964,"score_gpt":0.2337291536340635,"score_spread":0.20745474472570452,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3108710421","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9775673,0.0145669235,0.0000054178063,0.002793398,0.00017409382,0.0003374001,0.000095950025,0.000084313986,0.0043752138],"genre_scores_gemma":[0.99315196,0.00048716046,0.00013543823,0.004837819,0.000761624,0.00003866837,0.000017075517,0.000041907842,0.00052831724],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99821174,0.00009855232,0.0003814929,0.0004873052,0.00017977945,0.00064115337],"domain_scores_gemma":[0.99916965,0.00007755346,0.0001132114,0.00020453117,0.00012752048,0.0003075265],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00025835048,0.00033854466,0.0005535254,0.00009512771,0.00037551217,0.00038362114,0.00018741866,0.000093657094,0.00012406138],"category_scores_gemma":[0.00021541634,0.00029801964,0.00010364998,0.00015483118,0.0001831872,0.00015510879,0.000084692256,0.00038972034,0.000015094628],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005628074,0.00003208047,0.003828852,0.00029303395,0.00014930301,0.00040266264,0.087068304,0.0000087808485,0.0008490577,0.88384324,0.022748686,0.00071973464],"study_design_scores_gemma":[0.0007257356,0.00010574461,0.0024543984,0.0002131692,0.00015244873,0.00006095265,0.010080545,0.00022712801,0.00007126836,0.00006078008,0.9852701,0.0005777252],"about_ca_topic_score_codex":0.0018971544,"about_ca_topic_score_gemma":0.039151065,"teacher_disagreement_score":0.96252143,"about_ca_system_score_codex":0.00023664082,"about_ca_system_score_gemma":0.00014304952,"threshold_uncertainty_score":0.9999472},"labels":[],"label_agreement":null},{"id":"W3110694885","doi":"10.4000/belphegor.3077","title":"José Mallorquí, su influencia en la literatura popular","year":2020,"lang":"es","type":"article","venue":"Belphégor","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.015876004243879204,"score_gpt":0.2311508722835447,"score_spread":0.2152748680396655,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3110694885","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.38660818,0.089662984,0.00002193587,0.03823302,0.003226251,0.0015899997,0.001733357,0.0010127883,0.47791147],"genre_scores_gemma":[0.9705398,0.00034227074,0.00013039625,0.009661017,0.006365106,0.000040406612,0.00013729351,0.0000796831,0.0127040455],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976927,0.00019200942,0.0005301046,0.0006166109,0.00040943964,0.0005591163],"domain_scores_gemma":[0.9989042,0.000088834575,0.00016924574,0.00032090364,0.00027002522,0.0002467806],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00015640647,0.0005741874,0.0006140664,0.00007080001,0.00064534484,0.004064804,0.00043763363,0.00028192368,0.0015613051],"category_scores_gemma":[0.00017284321,0.0004573639,0.00033056026,0.00014188584,0.00024975525,0.0005329526,0.00023882592,0.0006851236,0.0008727233],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000108997294,0.00010532731,0.0015050798,0.00042442244,0.00035083838,0.00024141154,0.1687004,0.0000016008341,0.0007918289,0.7109579,0.11522826,0.0015839703],"study_design_scores_gemma":[0.00056098046,0.00026585697,0.0022830977,0.00020632002,0.00023442382,0.000013547396,0.006225387,0.000012023789,0.00007660639,0.0004114724,0.98911035,0.0005999435],"about_ca_topic_score_codex":0.00005322966,"about_ca_topic_score_gemma":0.00002558849,"teacher_disagreement_score":0.87388206,"about_ca_system_score_codex":0.00003352261,"about_ca_system_score_gemma":0.000057824996,"threshold_uncertainty_score":0.9999052},"labels":[],"label_agreement":null},{"id":"W3111188857","doi":"10.4000/belphegor.2883","title":"Introducción","year":2020,"lang":"es","type":"article","venue":"Belphégor","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Political science; Art","score_opus":0.02339101969629549,"score_gpt":0.23119110776039425,"score_spread":0.20780008806409878,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3111188857","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02771916,0.038553644,0.000023147066,0.14471106,0.003310149,0.000638941,0.0004867163,0.0004958517,0.7840613],"genre_scores_gemma":[0.96050197,0.00021798993,0.00006121129,0.011837866,0.015295945,0.000016594013,0.00003827254,0.00003921197,0.011990926],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987162,0.00003855617,0.0002753971,0.0004100083,0.00022366707,0.00033616676],"domain_scores_gemma":[0.9993802,0.00002847233,0.00008857919,0.0001936267,0.00015466777,0.00015449975],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000051816838,0.00029111395,0.00035045482,0.000026245907,0.00050270685,0.0009474033,0.0002267354,0.000084735984,0.004554175],"category_scores_gemma":[0.000082067476,0.00022749107,0.00017191861,0.0000632613,0.00019374069,0.00017839935,0.00012147046,0.00028147522,0.0020747862],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040760628,0.0000467336,0.00024106256,0.00013468578,0.00013063652,0.000021237076,0.057629485,3.144378e-7,0.0001992707,0.5258065,0.41374066,0.0020086723],"study_design_scores_gemma":[0.0003209517,0.00024331803,0.0003866866,0.000039816303,0.00013041483,0.0000020036166,0.0054268274,0.0000091153515,0.00015264051,0.00025403706,0.99272656,0.00030765025],"about_ca_topic_score_codex":0.000018486035,"about_ca_topic_score_gemma":0.000015594798,"teacher_disagreement_score":0.9327828,"about_ca_system_score_codex":0.000012367833,"about_ca_system_score_gemma":0.000028447696,"threshold_uncertainty_score":0.9987022},"labels":[],"label_agreement":null},{"id":"W3111437168","doi":"10.4000/belphegor.3042","title":"Eduardo Zamacois: viajero, empresario, editor, periodista y escritor","year":2020,"lang":"es","type":"article","venue":"Belphégor","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.01748769245430912,"score_gpt":0.22956859272090305,"score_spread":0.21208090026659393,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3111437168","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.028820382,0.10157989,0.000062841806,0.09288407,0.084128834,0.0026306368,0.0050715106,0.0016314023,0.6831904],"genre_scores_gemma":[0.806798,0.0003651979,0.000106009524,0.008773849,0.16008508,0.00009038397,0.00017254622,0.000121871264,0.023487091],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9970682,0.00009694191,0.00061865477,0.0008505617,0.0006175962,0.00074799877],"domain_scores_gemma":[0.998521,0.000068648296,0.00020673967,0.00042739278,0.00038565794,0.00039058266],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000096476906,0.0007045958,0.00076424633,0.00006133842,0.0013281466,0.0028387504,0.0005655335,0.00026658928,0.005858576],"category_scores_gemma":[0.00013914474,0.00058255764,0.00045438195,0.00011292009,0.00050054205,0.0004730161,0.00031113054,0.0006572145,0.0016500158],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012321587,0.00015548231,0.00032371815,0.00034043603,0.0003208681,0.000052179115,0.07256484,3.996292e-7,0.00043404734,0.060382325,0.8644211,0.00088133937],"study_design_scores_gemma":[0.0007051868,0.00048754492,0.00061941246,0.0001553588,0.000337484,0.0000037515504,0.0155297825,0.000027460737,0.0001829228,0.00011554759,0.981081,0.0007545527],"about_ca_topic_score_codex":0.00017216752,"about_ca_topic_score_gemma":0.00009433373,"teacher_disagreement_score":0.7779776,"about_ca_system_score_codex":0.000049514005,"about_ca_system_score_gemma":0.000116458585,"threshold_uncertainty_score":0.999972},"labels":[],"label_agreement":null},{"id":"W3112471017","doi":"10.5944/epos.36.2020.29099","title":"Reseña de 'This Ghostly Poetry: History and Memory of Exiled Spanish Republican Poets'","year":2020,"lang":"es","type":"article","venue":"Epos Revista de filología","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Art; History; Literature; Humanities; Art history","score_opus":0.027076617093261264,"score_gpt":0.2340499697437381,"score_spread":0.20697335265047684,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3112471017","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23703586,0.17758168,0.000019346322,0.017184533,0.00077099394,0.0011137531,0.0007791455,0.0003737697,0.5651409],"genre_scores_gemma":[0.9573224,0.0019001714,0.00035694367,0.007544515,0.0020666288,0.000040183222,0.000090751826,0.00008455325,0.030593852],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99726516,0.0003491926,0.00074174185,0.00068922533,0.00032927372,0.0006254136],"domain_scores_gemma":[0.99818474,0.0001717998,0.00049010274,0.00048184197,0.000335163,0.00033635562],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00046134793,0.00048370607,0.00097185245,0.0001073551,0.0003632178,0.0005449256,0.00041600654,0.00027985874,0.0052867774],"category_scores_gemma":[0.00083024934,0.00043096484,0.0002780314,0.000108220614,0.00094714575,0.00025445817,0.00027129293,0.0006595374,0.00003090827],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002582896,0.00012018673,0.0026885401,0.0012286224,0.00045503347,0.00016558659,0.10359139,3.0290187e-7,0.0025380098,0.2041058,0.68381953,0.0010286819],"study_design_scores_gemma":[0.00056186115,0.0006394153,0.0032831635,0.0003537194,0.00032422016,0.00003775886,0.00533619,0.00001839737,0.00018662987,0.00016120041,0.98863107,0.0004663466],"about_ca_topic_score_codex":0.00028052862,"about_ca_topic_score_gemma":0.000026318949,"teacher_disagreement_score":0.72028655,"about_ca_system_score_codex":0.00022967042,"about_ca_system_score_gemma":0.00027471047,"threshold_uncertainty_score":0.9998142},"labels":[],"label_agreement":null},{"id":"W3117152851","doi":"","title":"Redressing the Trickster: \"El burlador de Sevilla\" and critical transitions","year":2004,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Trickster; Art; Literature","score_opus":0.014705253156631681,"score_gpt":0.24970556137715022,"score_spread":0.23500030822051854,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3117152851","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9112493,0.0670097,0.0001262075,0.016854301,0.00041456232,0.00065019185,0.00038078486,0.0001134422,0.0032014984],"genre_scores_gemma":[0.99257135,0.00270299,0.000101939506,0.0026930864,0.0014610512,0.000082437575,0.000016055517,0.00005968436,0.00031140877],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99744356,0.00026912446,0.00050314685,0.0005431252,0.00026871247,0.0009723363],"domain_scores_gemma":[0.9985516,0.0002778417,0.00011753237,0.00039697476,0.0002878767,0.00036816677],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00047776764,0.0004969242,0.0006210695,0.00010619782,0.002925015,0.0017915976,0.00024382175,0.00016990578,0.000114591865],"category_scores_gemma":[0.0003364472,0.00036097146,0.0002625738,0.00015093775,0.0010228965,0.00020441554,0.00007059471,0.0006862456,0.000017535109],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003426284,0.000095728254,0.00018954258,0.00036648868,0.00023838104,0.00033620562,0.057060666,0.0000060675643,0.000081810795,0.9362522,0.0037335393,0.0016051257],"study_design_scores_gemma":[0.00087776326,0.0003196438,0.0024302816,0.0012511269,0.0010960455,0.0006066215,0.017789995,0.00002689856,0.000020209198,0.0008854417,0.97408146,0.00061448663],"about_ca_topic_score_codex":0.00046784713,"about_ca_topic_score_gemma":0.0038228044,"teacher_disagreement_score":0.97034794,"about_ca_system_score_codex":0.0004101343,"about_ca_system_score_gemma":0.00038720784,"threshold_uncertainty_score":0.99988425},"labels":[],"label_agreement":null},{"id":"W3117414723","doi":"","title":"\"La boda de Juan Rana\" de Cáncer y Velasco: el travestismo y la identidad matrimonial-sexual","year":2004,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.010481737620334733,"score_gpt":0.24426790581499042,"score_spread":0.2337861681946557,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3117414723","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9625858,0.026099086,0.000132759,0.0010316389,0.0004938916,0.0007331151,0.00050201785,0.00018515969,0.008236553],"genre_scores_gemma":[0.9913785,0.002654543,0.00024075108,0.001471471,0.0021178408,0.0001453042,0.00004636926,0.00016711323,0.0017781104],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9952542,0.0006051169,0.0008792049,0.00095128693,0.0005194944,0.0017906567],"domain_scores_gemma":[0.99753445,0.00030659285,0.0003922783,0.0007353519,0.00029640232,0.0007349404],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0011152859,0.0009625956,0.0011832652,0.00025077432,0.0014548777,0.0023563176,0.0006400872,0.00048566438,0.00024380686],"category_scores_gemma":[0.00037023285,0.00091952964,0.0004578637,0.00024157572,0.00088641053,0.00033928832,0.00015752878,0.0011423748,0.00012186503],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010006188,0.00025314154,0.0018274969,0.00059428357,0.00081908633,0.0022115777,0.052463908,0.00002920906,0.00031636012,0.92275196,0.016291248,0.002341638],"study_design_scores_gemma":[0.0021347746,0.00039148374,0.014108256,0.0011991773,0.0013326217,0.000848989,0.009315152,0.000012176691,0.0000756681,0.0009655944,0.96842575,0.001190343],"about_ca_topic_score_codex":0.0044419523,"about_ca_topic_score_gemma":0.01847622,"teacher_disagreement_score":0.9521345,"about_ca_system_score_codex":0.0015728733,"about_ca_system_score_gemma":0.0017216007,"threshold_uncertainty_score":0.9998451},"labels":[],"label_agreement":null},{"id":"W3125259412","doi":"10.15304/qui.19.6044","title":"El toro por los cuernos. Símbolos de lo español en un videoclip de Rosalía","year":2021,"lang":"es","type":"article","venue":"Quintana revista do Departamento de Historia da Arte","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.009988458250194277,"score_gpt":0.2542660231706742,"score_spread":0.24427756492047992,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3125259412","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4161209,0.36773476,0.00079370075,0.009790775,0.014723963,0.00289294,0.0030020084,0.001217652,0.1837233],"genre_scores_gemma":[0.9268728,0.004005886,0.0009664165,0.004542973,0.013167832,0.0003130174,0.00047005923,0.00029657644,0.04936445],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9941281,0.0008059293,0.001255996,0.0013056098,0.000812218,0.0016921124],"domain_scores_gemma":[0.9965941,0.00028925852,0.0005872668,0.0012839801,0.00059479574,0.000650632],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009191546,0.0010878762,0.0014029889,0.0001665227,0.0013685945,0.005061904,0.0007255973,0.00047144922,0.00450641],"category_scores_gemma":[0.00044011997,0.00107826,0.00077433046,0.0002309422,0.00043918207,0.0005582558,0.0003157041,0.0009745623,0.0004749756],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00025088058,0.0006041194,0.0057039764,0.0007625531,0.0012163331,0.0017110792,0.05392541,0.0000038436065,0.0048376173,0.55879045,0.37067142,0.0015223299],"study_design_scores_gemma":[0.0011910514,0.00028563628,0.00060278474,0.0008315861,0.0012776667,0.00019282446,0.0057165497,0.000028904662,0.0006162802,0.002427712,0.985625,0.0012039746],"about_ca_topic_score_codex":0.0004810248,"about_ca_topic_score_gemma":0.00078112003,"teacher_disagreement_score":0.61495364,"about_ca_system_score_codex":0.0030874969,"about_ca_system_score_gemma":0.0007653251,"threshold_uncertainty_score":0.9999315},"labels":[],"label_agreement":null},{"id":"W3128243683","doi":"10.3986/dd.2020.2.10","title":"Knjižna ocena - Marcelo J. Borges in Sonia Cancian (ur.), Migrant Letters: Emotional Language, Mobile Identities, and Writing Practices in Historical Perspective","year":2020,"lang":"sl","type":"article","venue":"Two Homelands","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Perspective (graphical); Linguistics; Sociology; Psychology; Philosophy; Art; Visual arts","score_opus":0.021731928255507404,"score_gpt":0.2769787704233309,"score_spread":0.2552468421678235,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3128243683","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.89503896,0.08502521,0.0000020831617,0.008856177,0.00046846297,0.00033202182,0.00023415899,0.00005668759,0.009986227],"genre_scores_gemma":[0.99237984,0.0010642553,0.000036761667,0.0014140325,0.0026741691,0.000053831554,0.00006616821,0.000035381436,0.002275559],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99790156,0.0001456416,0.00048108055,0.0006037745,0.0003594305,0.0005084873],"domain_scores_gemma":[0.9991384,0.00015006097,0.00030281986,0.0001357834,0.00014168915,0.00013120554],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0002445547,0.0003744121,0.0006040565,0.00018386515,0.00032999748,0.00053280586,0.00017935703,0.00010030748,0.00046405604],"category_scores_gemma":[0.00015841173,0.00033779023,0.00009560258,0.00026454803,0.0001743889,0.00046874728,0.00012897147,0.00068336027,0.000015049146],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022026035,0.00027716684,0.08657193,0.00038789844,0.00019409838,0.0007827073,0.86792547,0.0000071938034,0.00023010657,0.014132075,0.027916564,0.0013545366],"study_design_scores_gemma":[0.0035758743,0.00053578155,0.081652984,0.0007594172,0.00019448207,0.000048127462,0.73594487,0.00016112703,0.000018977606,0.00033260102,0.17568606,0.0010896868],"about_ca_topic_score_codex":0.013442177,"about_ca_topic_score_gemma":0.04486828,"teacher_disagreement_score":0.1477695,"about_ca_system_score_codex":0.00047610272,"about_ca_system_score_gemma":0.000085774605,"threshold_uncertainty_score":0.99990743},"labels":[],"label_agreement":null},{"id":"W3131193318","doi":"","title":"La reordenación del tiempo y la replicación cultural en el primer ciclo atlántico: la \"Loa para El divino Narciso\", de sor Juana","year":2004,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.013640503199616157,"score_gpt":0.2689576655938053,"score_spread":0.2553171623941891,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3131193318","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9624167,0.021187818,0.000035608224,0.0025019671,0.00036180753,0.0010383812,0.000417281,0.00028340507,0.0117570115],"genre_scores_gemma":[0.98938936,0.0036706657,0.00033331415,0.0017492021,0.0016163667,0.00026291143,0.0000960073,0.00019073475,0.0026914375],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9940303,0.0010337597,0.0011018559,0.0013824097,0.0006382675,0.0018133835],"domain_scores_gemma":[0.99638236,0.00056739757,0.000516792,0.0012360532,0.00055407255,0.00074334664],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0013659382,0.001247749,0.0014961038,0.00023459157,0.0016014588,0.0017661666,0.0008603986,0.0006756857,0.00019713634],"category_scores_gemma":[0.0008975146,0.0010638104,0.0007526022,0.00031014165,0.0011396807,0.00046188044,0.00035704413,0.0015095571,0.00014635244],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014574172,0.0004106506,0.0046557602,0.00059644337,0.00092010805,0.001463216,0.050379273,0.000011298164,0.00045025244,0.9143291,0.025100676,0.0015374485],"study_design_scores_gemma":[0.0017818899,0.00031828054,0.01621619,0.0013199939,0.0012150175,0.0009574042,0.0059947926,0.000014626431,0.00009223729,0.0006750094,0.9699869,0.0014276196],"about_ca_topic_score_codex":0.0026585702,"about_ca_topic_score_gemma":0.0067690085,"teacher_disagreement_score":0.94488627,"about_ca_system_score_codex":0.0011527177,"about_ca_system_score_gemma":0.0010985024,"threshold_uncertainty_score":0.99969834},"labels":[],"label_agreement":null},{"id":"W3133711653","doi":"10.3138/utq.89.3.hr.09","title":"Silvia Bermúdez and Roberta Johnson, eds. <i>A New History of Iberian Feminisms</i>","year":2021,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"University of British Columbia","funders":"","keywords":"Berm; History; Sociology; Archaeology","score_opus":0.008570151670482386,"score_gpt":0.1641277268237141,"score_spread":0.1555575751532317,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3133711653","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.018242758,0.07619697,0.000046621066,0.00073244615,0.0013638661,0.00013927704,0.00007550993,0.000057661542,0.9031449],"genre_scores_gemma":[0.19124506,0.0007954445,0.0013897975,0.00032717138,0.0006406879,1.279437e-7,0.000047562073,0.000018145955,0.805536],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994126,0.000025602814,0.00012612228,0.00018979442,0.000119190154,0.00012671365],"domain_scores_gemma":[0.99945563,0.000023484925,0.000108016924,0.00017505341,0.00014449295,0.000093300194],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000029052055,0.00012254018,0.00026484832,0.00001442011,0.00009361637,0.000019511986,0.000117273594,0.000053807038,0.004082883],"category_scores_gemma":[0.0000043481887,0.00012939711,0.000096849595,0.000008925578,0.00018566374,0.0003119828,0.0000260074,0.000056013374,0.000005543424],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004417848,0.00005410327,0.00006106931,0.00003950478,0.0001287097,0.000018198522,0.4310135,5.3471624e-8,0.0009967326,0.031481754,0.5233461,0.012816071],"study_design_scores_gemma":[0.0005142007,0.00024406699,0.0005070466,0.000042557047,0.0000933809,0.0000027613341,0.043931153,7.6578e-7,0.000058109188,0.0002682668,0.95420355,0.00013416557],"about_ca_topic_score_codex":0.029262844,"about_ca_topic_score_gemma":0.16288915,"teacher_disagreement_score":0.43085742,"about_ca_system_score_codex":0.000091148424,"about_ca_system_score_gemma":0.0001558568,"threshold_uncertainty_score":0.99682754},"labels":[],"label_agreement":null},{"id":"W3137254736","doi":"10.7202/1075879ar","title":"Mechaphony Amidst the Roaring Silence","year":2021,"lang":"en","type":"article","venue":"The Trumpeter","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Silence; Political science; Art; Aesthetics","score_opus":0.017944470401874548,"score_gpt":0.18567000024143449,"score_spread":0.16772552983955993,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3137254736","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.107948154,0.005564723,0.00001651071,0.017077327,0.0020334164,0.00016814243,0.00002038044,0.00016218552,0.86700916],"genre_scores_gemma":[0.9434314,0.000047652382,0.000012042104,0.0053887707,0.001117273,0.000019452755,0.000003645362,0.000009951964,0.049969845],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994087,0.000044577562,0.000104141865,0.00013476366,0.00013324547,0.00017453724],"domain_scores_gemma":[0.9995156,0.00006573078,0.000029839655,0.0002969705,0.00007689327,0.000014986709],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00009667564,0.0001055213,0.00009629227,0.0000071185955,0.00072859443,0.0003219428,0.00021370078,0.000017302411,0.0020582604],"category_scores_gemma":[0.000018735316,0.000044503173,0.00008651957,0.000032404387,0.0001936162,0.000089909154,0.00010034357,0.00016341859,0.00020778066],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009668736,0.00002213309,0.00006111114,0.000010684619,0.00012238002,0.000017938333,0.19356893,0.0000012186392,0.00080725574,0.7554179,0.0475095,0.0024513179],"study_design_scores_gemma":[0.00009553021,0.00001606011,0.00045688904,0.000025829535,0.000044500084,0.000012679815,0.031511202,0.000008065811,0.00175301,0.008904362,0.9570568,0.000115078976],"about_ca_topic_score_codex":0.000028864539,"about_ca_topic_score_gemma":0.0006468865,"teacher_disagreement_score":0.90954727,"about_ca_system_score_codex":0.000007682829,"about_ca_system_score_gemma":0.000009769026,"threshold_uncertainty_score":0.998854},"labels":[],"label_agreement":null},{"id":"W3138810614","doi":"10.35562/iris.1815","title":"Andalucía vista desde Quebec","year":2014,"lang":"es","type":"article","venue":"Iris","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.010573462579888743,"score_gpt":0.22705636369279505,"score_spread":0.2164829011129063,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3138810614","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09437084,0.010713396,0.00007006129,0.0038751746,0.0021429742,0.0002426494,0.00015534063,0.0002148641,0.8882147],"genre_scores_gemma":[0.8703924,0.00012882387,0.000050625586,0.001734868,0.003983692,0.000013283607,0.000031370022,0.000030228635,0.12363471],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987929,0.000076068165,0.00025057432,0.00031455338,0.00021229187,0.00035362106],"domain_scores_gemma":[0.9992815,0.00006600269,0.00009692712,0.0002995156,0.00017266492,0.00008334759],"candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00013468998,0.00028608297,0.000334431,0.000050132203,0.0006705231,0.0015682619,0.00018351898,0.000107034466,0.0020591074],"category_scores_gemma":[0.000050769366,0.00021598756,0.00016082935,0.000035357414,0.0002927856,0.00019798605,0.000072771196,0.00021050574,0.0005964486],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002282917,0.000068466354,0.0006606672,0.000097558375,0.00013789396,0.0000066028583,0.028595563,3.4009744e-7,0.00012017674,0.62478185,0.33784753,0.007660508],"study_design_scores_gemma":[0.0003029445,0.00012799603,0.0021782801,0.00012445256,0.0001133752,0.0000023290631,0.0026614678,0.00000963431,0.00008927309,0.0013583609,0.9927162,0.00031568232],"about_ca_topic_score_codex":0.0019938222,"about_ca_topic_score_gemma":0.0047630793,"teacher_disagreement_score":0.77602154,"about_ca_system_score_codex":0.000030421656,"about_ca_system_score_gemma":0.000025607065,"threshold_uncertainty_score":0.9994682},"labels":[],"label_agreement":null},{"id":"W3153637193","doi":"10.16922/bloodlandpower","title":"Blood, Land and Power: The Rise and Fall of the Spanish Nobility and Lineages in the Early Modern Period","year":2021,"lang":"en","type":"book","venue":"University of Wales Press eBooks","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Centre for Global Health Research","funders":"Ministerio de Economía y Competitividad; Junta de Andalucía; European Commission; University of Leeds","keywords":"Nobility; Honour; Period (music); Chronology; Rivalry; History; Power (physics); Politics; Middle Ages; Genealogy; Estate; Ancient history; Geography; Archaeology; Political science; Law; Art; Aesthetics","score_opus":0.012915438822991693,"score_gpt":0.16651978957440292,"score_spread":0.1536043507514112,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3153637193","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.42301744,0.022540482,4.9991144e-7,0.00021925817,0.00007730116,0.00046839155,0.00038341395,0.000010897889,0.5532823],"genre_scores_gemma":[0.6504022,0.0007291831,0.000009634674,0.00005500485,0.00009629796,7.9197895e-7,0.0000057686343,0.000010629073,0.3486905],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993043,0.00010510756,0.000121011995,0.00021464065,0.00015354235,0.00010142885],"domain_scores_gemma":[0.99937224,0.00010284208,0.00013293099,0.0002643319,0.00010912728,0.000018528537],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00012548543,0.00017047327,0.00029406187,0.000020223299,0.0003644234,0.000111275775,0.0002520022,0.00009895692,0.0000098061955],"category_scores_gemma":[0.000010058441,0.00009288233,0.00007781502,0.0000044995336,0.0014325154,0.000048994203,0.0003118673,0.0002915561,5.9933434e-8],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009687066,0.000067686306,0.0031495166,0.00054596737,0.00048274422,0.00004464594,0.91489816,4.107453e-7,0.00002137394,0.07605306,0.003791625,0.0008479407],"study_design_scores_gemma":[0.0009488998,0.0001519267,0.008841363,0.0005049058,0.00076151994,0.000020504283,0.037668783,0.0000060485936,0.000022312075,0.0027530517,0.94802153,0.0002991448],"about_ca_topic_score_codex":0.000944237,"about_ca_topic_score_gemma":0.010813341,"teacher_disagreement_score":0.9442299,"about_ca_system_score_codex":0.0000054267343,"about_ca_system_score_gemma":0.000034643195,"threshold_uncertainty_score":0.60340977},"labels":[],"label_agreement":null},{"id":"W3165132674","doi":"10.55422/bbmp.484","title":"De Prim a Cánovas. Historia y novela en los últimos Episodios nacionales de Galdós","year":2020,"lang":"es","type":"article","venue":"BOLETÍN DE LA BIBLIOTECA DE MENÉNDEZ PELAYO","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Novelis (Canada)","funders":"","keywords":"Humanities; Art","score_opus":0.012630419194253617,"score_gpt":0.24876786936051973,"score_spread":0.2361374501662661,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3165132674","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18491769,0.13317928,0.0044744792,0.060798757,0.0025923462,0.0027342536,0.0024912222,0.0019525022,0.6068595],"genre_scores_gemma":[0.95494556,0.0043820078,0.0033281764,0.01444163,0.009244806,0.00020453597,0.000098380355,0.0002503593,0.013104552],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9951184,0.00074441044,0.00079503894,0.000977012,0.0007837833,0.0015813654],"domain_scores_gemma":[0.9974513,0.00055021426,0.00038014553,0.0005640913,0.0003429916,0.0007112533],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0011513598,0.0009777194,0.0010133735,0.0011157913,0.0010338032,0.0026944329,0.0009290489,0.00091719546,0.0025447193],"category_scores_gemma":[0.0005402091,0.0009140062,0.00060425536,0.0012788709,0.0006274939,0.0004908241,0.0003677739,0.0016979296,0.00030076536],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00040555475,0.00046581583,0.0033082948,0.0008065974,0.0010337197,0.000716341,0.08863925,0.000053644355,0.0114001185,0.34873644,0.5430232,0.0014109849],"study_design_scores_gemma":[0.0015236556,0.00037239093,0.0031320483,0.000455423,0.00060622266,0.00024068473,0.00435419,0.0003112772,0.0012469239,0.0024631596,0.98419744,0.0010965671],"about_ca_topic_score_codex":0.00032585114,"about_ca_topic_score_gemma":0.00017079324,"teacher_disagreement_score":0.7700279,"about_ca_system_score_codex":0.0008101956,"about_ca_system_score_gemma":0.0009047251,"threshold_uncertainty_score":0.99933106},"labels":[],"label_agreement":null},{"id":"W3214781177","doi":"","title":"AKIKO TSUCHIYA. Marginal Subjects: Gender and Deviance in Fin-de-siècle Spain. Toronto: University of Toronto Press, 2011. 277 pp","year":2012,"lang":"en","type":"article","venue":"Anales galdosianos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Deviance (statistics); Humanities; Sociology; Gerontology; Art; Medicine; Mathematics; Statistics","score_opus":0.017699219984252827,"score_gpt":0.21339041162599368,"score_spread":0.19569119164174084,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3214781177","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.116600424,0.37527943,0.00002591631,0.00023509172,0.0005479418,0.0003928165,0.000115759874,0.00007524526,0.5067274],"genre_scores_gemma":[0.98741007,0.0064966814,0.0002029279,0.00018657581,0.0005254903,0.000003490587,0.000012429421,0.000013240946,0.005149114],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99907756,0.000069255926,0.00016434141,0.00019995839,0.00013395985,0.0003548988],"domain_scores_gemma":[0.9995403,0.000035402678,0.00008866405,0.00017610127,0.000071043825,0.00008847902],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001407852,0.00017770423,0.0002603399,0.0000066526054,0.00020896953,0.000046261557,0.00014148408,0.00007034306,0.0022046336],"category_scores_gemma":[0.000010674798,0.0001620468,0.00007240579,0.0000100452,0.00021140101,0.0007142777,0.00006455014,0.000097059245,0.00001636726],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002686432,0.00055471476,0.08562059,0.00048454627,0.00038503658,0.000040141203,0.29021806,0.0000014830424,0.0006143267,0.41737667,0.1991067,0.0053290906],"study_design_scores_gemma":[0.000456641,0.00006737649,0.15281782,0.00007097341,0.00007058,0.000005217433,0.019984173,0.000008320131,0.00006682958,0.00012146562,0.82607603,0.00025460578],"about_ca_topic_score_codex":0.019252371,"about_ca_topic_score_gemma":0.12768315,"teacher_disagreement_score":0.8708096,"about_ca_system_score_codex":0.00009992343,"about_ca_system_score_gemma":0.000027174707,"threshold_uncertainty_score":0.9987075},"labels":[],"label_agreement":null},{"id":"W3215114559","doi":"","title":"Daniel Aguirre Oteiza: Ghostly Poetry: History and Memory of Exiled Spanish Republican Poets. Toronto: University of Toronto Press 2020. 369 páginas.","year":2021,"lang":"es","type":"article","venue":"Iberoamericana. América Latina, España, Portugal: Ensayos sobre letras, historia y sociedad. Notas. Reseñas iberoamericanas","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Art; History; Art history; Humanities; Literature","score_opus":0.015269558550979544,"score_gpt":0.22267898066156358,"score_spread":0.20740942211058402,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3215114559","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0111821955,0.27866516,0.000079231475,0.0035580893,0.006290183,0.0020596837,0.003105435,0.0006341237,0.6944259],"genre_scores_gemma":[0.55049515,0.23925652,0.007277048,0.003614025,0.0062533976,0.00015971891,0.0016100788,0.0011842815,0.19014977],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9870658,0.0014085417,0.0027700104,0.0032664896,0.0031531258,0.0023360676],"domain_scores_gemma":[0.9865147,0.00085549295,0.0044209734,0.003023989,0.0038618967,0.0013229728],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.0011618534,0.0022818868,0.0047020093,0.00014189535,0.0013687075,0.00035873955,0.0018089669,0.0009805465,0.0039674137],"category_scores_gemma":[0.0009095438,0.002556058,0.0015722589,0.00067083444,0.006175811,0.0016746221,0.0011336511,0.0016234857,0.000013263658],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00069104275,0.0016608442,0.0006999871,0.00097537076,0.00460622,0.00079078187,0.08636733,0.0000220674,0.0026803385,0.0228311,0.84188163,0.03679329],"study_design_scores_gemma":[0.002290212,0.0013089856,0.0037508162,0.0004884233,0.0024085913,0.000086532134,0.06431032,0.00005964025,0.00017196724,0.000078937235,0.92268085,0.0023647407],"about_ca_topic_score_codex":0.2800153,"about_ca_topic_score_gemma":0.06353946,"teacher_disagreement_score":0.53931296,"about_ca_system_score_codex":0.006274113,"about_ca_system_score_gemma":0.00288153,"threshold_uncertainty_score":0.9999314},"labels":[],"label_agreement":null},{"id":"W3215725274","doi":"10.18192/rceh.v44i2.6059","title":"Hispanidad y modernismo(s): “Clarín” crítico en la encrucijada nacionalista de fines del siglo XIX","year":2021,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.012846529557944813,"score_gpt":0.23248528510709704,"score_spread":0.21963875554915221,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3215725274","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.89796215,0.08461388,0.00016065194,0.004036864,0.00087764044,0.0006539787,0.0014797758,0.00021712322,0.009997906],"genre_scores_gemma":[0.97868115,0.005123208,0.00055346097,0.0039034833,0.0024586825,0.00016293966,0.00020424348,0.00016849396,0.00874435],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9945049,0.00093752303,0.0009952652,0.0012418663,0.00067233754,0.0016480598],"domain_scores_gemma":[0.99616045,0.0007471573,0.0003872535,0.0010444949,0.0010005644,0.0006600946],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008075387,0.0010647496,0.0013947397,0.00018880845,0.0015855995,0.002302327,0.00064833206,0.00048387024,0.0011913808],"category_scores_gemma":[0.0009569143,0.0010208396,0.0006812349,0.0002569086,0.0005241111,0.0003328799,0.0003541357,0.0010437642,0.00012372622],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006348931,0.00027886932,0.0018288044,0.00075427856,0.0009276836,0.0027752165,0.025461886,0.000022850636,0.00078252604,0.88510835,0.08063947,0.001356565],"study_design_scores_gemma":[0.0008654334,0.00015332918,0.0026697277,0.0010191414,0.001007501,0.00066603103,0.0058523254,0.00019243037,0.0001749107,0.00053006626,0.985671,0.0011981376],"about_ca_topic_score_codex":0.0009412956,"about_ca_topic_score_gemma":0.0146824345,"teacher_disagreement_score":0.9050315,"about_ca_system_score_codex":0.001005533,"about_ca_system_score_gemma":0.0018361899,"threshold_uncertainty_score":0.99972165},"labels":[],"label_agreement":null},{"id":"W3215807354","doi":"10.18192/rceh.v44i2.6127","title":"JENNIFER SMITH, ED. Modern Spanish Women as Agents of Change: Essays in Honor of Maryellen Bieder. Lewisburg: Bucknell UP, 2019. 236 pp.","year":2021,"lang":"en","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Honor; History; Computer science","score_opus":0.029469165306986136,"score_gpt":0.23793853097189618,"score_spread":0.20846936566491003,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3215807354","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9476144,0.039775357,0.0000039081565,0.00038283676,0.0006095278,0.0006047415,0.00038394958,0.00004009892,0.010585226],"genre_scores_gemma":[0.9856293,0.0057356576,0.00003776645,0.00082185125,0.00051897066,0.00015164842,0.00005318018,0.00006210291,0.0069895196],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9972722,0.00017278259,0.00076660747,0.00058921246,0.00037151764,0.00082769524],"domain_scores_gemma":[0.99817795,0.00009622058,0.00034054444,0.0006159065,0.0005311233,0.00023826324],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00039097117,0.00043508134,0.0010516498,0.000145119,0.00022854208,0.00012415479,0.00033716112,0.00014399411,0.001214477],"category_scores_gemma":[0.00016644027,0.00040255015,0.00023763104,0.0002305189,0.00027273112,0.0002195005,0.00018624651,0.00032261136,0.0000336648],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018739309,0.0005490039,0.0041683936,0.0012474506,0.00080312765,0.00071730535,0.17971715,0.000008473601,0.0006182867,0.6311747,0.1759696,0.004839108],"study_design_scores_gemma":[0.0014517902,0.00028935974,0.0031825083,0.0007870304,0.00021760359,0.000056874742,0.018399669,0.00003963071,0.00031792885,0.0007249278,0.97382724,0.0007054319],"about_ca_topic_score_codex":0.0012510751,"about_ca_topic_score_gemma":0.009879813,"teacher_disagreement_score":0.79785764,"about_ca_system_score_codex":0.00032551988,"about_ca_system_score_gemma":0.00038170707,"threshold_uncertainty_score":0.99984264},"labels":[],"label_agreement":null},{"id":"W3215948962","doi":"10.18192/rceh.v44i2.6130","title":"Un católico en Nueva York: Lorca’s Tragic Vision of the United States","year":2021,"lang":"en","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Vitality; Modernity; Poetry; Irrationality; Materialism; Modernization theory; Resistance (ecology); Humanities; Philosophy; Art; Literature; Religious studies; Theology; Law; Political science; Rationality","score_opus":0.013142720213223167,"score_gpt":0.21820886882562915,"score_spread":0.205066148612406,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3215948962","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9859549,0.007840836,0.0000052757277,0.0021131427,0.00045808114,0.000278522,0.00020691837,0.000048536094,0.0030937812],"genre_scores_gemma":[0.9951106,0.0004947599,0.00003293588,0.0016860823,0.00036644665,0.00002510236,0.00009037891,0.000032346597,0.0021613645],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982972,0.0002605733,0.0004014576,0.0003344955,0.00026624845,0.00044003286],"domain_scores_gemma":[0.99860036,0.00014232511,0.0001781501,0.0005268899,0.00043008145,0.00012216228],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002574893,0.0002710824,0.00042809185,0.0000770152,0.00056214695,0.00018242271,0.00030179502,0.00007251591,0.00045940702],"category_scores_gemma":[0.00018072662,0.00018364924,0.0002278401,0.000294004,0.0002644582,0.00007322851,0.00010960934,0.0002855479,0.000014776722],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016046873,0.00009941117,0.00049490924,0.0001302112,0.0002279786,0.00007979991,0.059265308,0.000013323415,0.00021062251,0.8913136,0.047232654,0.0009161417],"study_design_scores_gemma":[0.00032857078,0.0000738931,0.0021990724,0.0002271751,0.00019711055,0.00004305817,0.013134227,0.00002902898,0.0003882998,0.00015263636,0.9829883,0.00023863994],"about_ca_topic_score_codex":0.0007445454,"about_ca_topic_score_gemma":0.019995516,"teacher_disagreement_score":0.9357556,"about_ca_system_score_codex":0.00016239281,"about_ca_system_score_gemma":0.00020064047,"threshold_uncertainty_score":0.997887},"labels":[],"label_agreement":null},{"id":"W3216197240","doi":"10.18192/rceh.v44i2.6124","title":"ENCARNACIÓN JUÁREZ-ALMENDROS. Disabled Bodies in Early Modern Spanish Literature: Prostitutes, Aging Women and Saints. Liverpool: Liverpool UP, 2017. viii + 201 pp.","year":2021,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Art; Gerontology; Humanities; Medicine","score_opus":0.011695318560259476,"score_gpt":0.22013732025899024,"score_spread":0.20844200169873076,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3216197240","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.80452853,0.19025825,0.0000034319776,0.0005130095,0.00091642153,0.0009725122,0.0010272706,0.000115119874,0.0016654507],"genre_scores_gemma":[0.95356435,0.037334774,0.00008002602,0.0010344317,0.001216853,0.00031619624,0.00020929826,0.00013275852,0.00611129],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99390656,0.00047679702,0.0011202031,0.0017327296,0.00061617506,0.002147544],"domain_scores_gemma":[0.99679494,0.000274847,0.00046472557,0.0009949494,0.0007538623,0.0007166944],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0007121181,0.0012686462,0.0018663836,0.00026997534,0.0015674263,0.0041920072,0.00050486095,0.0004123194,0.0002522386],"category_scores_gemma":[0.00047481715,0.0012146698,0.0003495851,0.00036153928,0.00064794853,0.00096656353,0.0005590003,0.001313587,0.00005440868],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021476902,0.00034449672,0.019558193,0.0020947948,0.0011830748,0.0054151616,0.31378183,0.0000043681807,0.00020770181,0.63156635,0.022661151,0.0029681053],"study_design_scores_gemma":[0.0025538832,0.0005189389,0.0384925,0.0056817424,0.0006502915,0.00065602304,0.010824821,0.00012247864,0.000040997,0.0009951711,0.9371736,0.0022895243],"about_ca_topic_score_codex":0.001610009,"about_ca_topic_score_gemma":0.019121023,"teacher_disagreement_score":0.91451246,"about_ca_system_score_codex":0.0012922331,"about_ca_system_score_gemma":0.0005950971,"threshold_uncertainty_score":0.9997324},"labels":[],"label_agreement":null},{"id":"W3216877578","doi":"10.18192/rceh.v44i2.6131","title":"“Jugamos a la guerra”: Boys, Toys, and Military Masculinity in Galdós’s La desheredada","year":2021,"lang":"en","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Masculinity; Tragedy (event); Militarism; Problematization; Representation (politics); Gender studies; Storyboard; Humanities; Literature; History; Art; Sociology; Visual arts; Political science; Law","score_opus":0.013743290905172362,"score_gpt":0.21795781942782783,"score_spread":0.20421452852265545,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3216877578","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.94386834,0.03513918,0.0000033650679,0.0007570236,0.0002150782,0.0002784928,0.00011823408,0.00006563293,0.019554649],"genre_scores_gemma":[0.99424434,0.0020660642,0.00017559908,0.0011627718,0.0003612477,0.00007165616,0.000034049066,0.000035805562,0.0018484645],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.997965,0.00038578224,0.00039985075,0.00052024855,0.00019484558,0.00053430645],"domain_scores_gemma":[0.9989206,0.00022980661,0.00006579177,0.00037404156,0.00019771207,0.00021204026],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0005032159,0.00033136192,0.00055436726,0.00008171124,0.00036218506,0.00023220808,0.00014998608,0.00012586605,0.00030314276],"category_scores_gemma":[0.00034700264,0.00029853755,0.00014135327,0.00013958146,0.00030814938,0.0001680144,0.00011559817,0.00045118478,0.000013302752],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035624296,0.00014598384,0.0044952966,0.00028288589,0.00020356991,0.0024268366,0.05104224,0.0000015981661,0.00005555074,0.889418,0.049220722,0.0026716723],"study_design_scores_gemma":[0.0006200439,0.00005437912,0.006849256,0.00025434716,0.000107447144,0.00027223447,0.013763196,0.0000136865165,0.000011587666,0.00022765427,0.9774489,0.00037726838],"about_ca_topic_score_codex":0.0012567026,"about_ca_topic_score_gemma":0.15997578,"teacher_disagreement_score":0.9282282,"about_ca_system_score_codex":0.0001670321,"about_ca_system_score_gemma":0.00029500385,"threshold_uncertainty_score":0.99994665},"labels":[],"label_agreement":null},{"id":"W331120072","doi":"","title":"Noches de Mahler y otras satisfacciones: simetrías radiales","year":2014,"lang":"es","type":"article","venue":"Síneris: revista de musicología","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.015394790190234504,"score_gpt":0.23380842863194232,"score_spread":0.2184136384417078,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W331120072","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.67042977,0.07378407,0.0004262304,0.015165352,0.0036055897,0.0016227781,0.0005005537,0.00082643563,0.23363924],"genre_scores_gemma":[0.9702526,0.001125444,0.00061098626,0.009200364,0.0065328702,0.00011937883,0.00009264594,0.00011251388,0.011953213],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9965799,0.00051019766,0.00071935804,0.0007421625,0.0003460239,0.0011023503],"domain_scores_gemma":[0.9981016,0.0003602154,0.00036438854,0.0006378047,0.0002612431,0.00027477552],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007645745,0.00073689414,0.0009961277,0.00017986249,0.0011804495,0.0031110987,0.0005112313,0.00041075723,0.0028745208],"category_scores_gemma":[0.00047276783,0.0006088932,0.0004439177,0.00015832938,0.00052048825,0.00028521148,0.00019095259,0.0006236173,0.00039770713],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000075712764,0.00019817527,0.009540953,0.00054766977,0.00054000964,0.00004195319,0.02870764,0.0000061757137,0.0008267038,0.6559577,0.29157355,0.011983746],"study_design_scores_gemma":[0.0006227944,0.0003672499,0.01122104,0.00036926378,0.0005100012,0.000024936373,0.0037380836,0.000032061133,0.0001261687,0.0024441425,0.9797601,0.0007841554],"about_ca_topic_score_codex":0.00025570355,"about_ca_topic_score_gemma":0.00050192187,"teacher_disagreement_score":0.6881866,"about_ca_system_score_codex":0.00034891858,"about_ca_system_score_gemma":0.0001950501,"threshold_uncertainty_score":0.99963623},"labels":[],"label_agreement":null},{"id":"W33678135","doi":"10.1080/10934529.2021.1894041","title":"Génova: fantasmas en Génova","year":2009,"lang":"en","type":"article","venue":"Dirigido por ...: Revista de cine","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"Pamukkale Üniversitesi","keywords":"Nova (rocket); Nova scotia; Geography; Archaeology; Engineering; Aeronautics","score_opus":0.011915523155129034,"score_gpt":0.238524973121715,"score_spread":0.22660944996658597,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W33678135","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06480549,0.017498206,0.000059033584,0.009291271,0.0007306933,0.0005079041,0.0001382321,0.0004940075,0.9064752],"genre_scores_gemma":[0.9512019,0.00021712396,0.0001620762,0.005158897,0.0029788918,0.0000138872465,0.00013132615,0.000028925437,0.04010696],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985575,0.00004809168,0.0003753557,0.00034751504,0.00022537136,0.00044615887],"domain_scores_gemma":[0.9991861,0.000040135976,0.00011850798,0.00036049463,0.0001887088,0.00010606298],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00022829104,0.00030987724,0.00043683202,0.000079216494,0.0003440783,0.00047802358,0.00024644297,0.00007567462,0.0017657465],"category_scores_gemma":[0.00007175159,0.0002284288,0.00017546599,0.00010225617,0.00013781719,0.00022649593,0.000034897,0.0002644187,0.0002322097],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035317054,0.000097226424,0.00031917176,0.00004200959,0.00008419759,0.000071273535,0.012534855,3.2461696e-7,0.0005140093,0.7399703,0.24191055,0.0044207177],"study_design_scores_gemma":[0.00041990814,0.0001628637,0.0016364626,0.00010805013,0.000088038876,0.000025071793,0.0015496865,0.0000026911466,0.00016725612,0.0023291018,0.99319154,0.00031932304],"about_ca_topic_score_codex":0.000028085486,"about_ca_topic_score_gemma":0.000054128865,"teacher_disagreement_score":0.8863964,"about_ca_system_score_codex":0.000052137504,"about_ca_system_score_gemma":0.000030215662,"threshold_uncertainty_score":0.99914676},"labels":[],"label_agreement":null},{"id":"W33898039","doi":"10.1016/j.amsu.2021.102313","title":"Talk, Small and Not to Small: The Power of Gossip in Clarín's \"La Regenta\"","year":2007,"lang":"en","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Gossip; Power (physics); Psychology; Social psychology; Physics","score_opus":0.01793420416790919,"score_gpt":0.22758727675266968,"score_spread":0.20965307258476049,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W33898039","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98768824,0.00387831,0.000011058485,0.00067991024,0.00016392305,0.00041710483,0.00004305373,0.000021936572,0.0070964308],"genre_scores_gemma":[0.9964626,0.00012623826,0.00007850821,0.0020312772,0.00019751475,0.000023096523,0.000003570458,0.000024360053,0.0010528646],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99860954,0.000086420274,0.00038795016,0.00030125846,0.00014083233,0.00047399066],"domain_scores_gemma":[0.99906206,0.00020392115,0.00011013463,0.00032115873,0.00014507108,0.00015765351],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008500472,0.00023180633,0.00037413058,0.00011653215,0.0002614355,0.00013960568,0.00021280766,0.00006929525,0.00006764272],"category_scores_gemma":[0.00017914265,0.00016049537,0.00009122739,0.00013516354,0.0002531323,0.000046923262,0.00008856707,0.00025340216,0.0000056457234],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007778955,0.000044067303,0.0016563064,0.0000719932,0.000083654384,0.00023681749,0.071219824,6.2665225e-7,0.0002297326,0.9196794,0.0045572473,0.002142527],"study_design_scores_gemma":[0.00032896575,0.00014339072,0.022966014,0.00017198933,0.00006045465,0.000059372735,0.013907433,9.250435e-7,0.0001289314,0.000048275586,0.96194047,0.00024378985],"about_ca_topic_score_codex":0.0007897164,"about_ca_topic_score_gemma":0.14116344,"teacher_disagreement_score":0.9573832,"about_ca_system_score_codex":0.00011111752,"about_ca_system_score_gemma":0.00006528804,"threshold_uncertainty_score":0.8745081},"labels":[],"label_agreement":null},{"id":"W33976139","doi":"10.1038/s41467-021-22859-w","title":"Bajo las leyes de vértigo y olvido","year":2007,"lang":"en","type":"article","venue":"República de las Letras: revista literaria de la Asociación Colegial de Escritores","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"National Institute of Diabetes and Digestive and Kidney Diseases; National Cancer Institute; National Institutes of Health; Government of Canada; U.S. Department of Health and Human Services; Eunice Kennedy Shriver National Institute of Child Health and Human Development; Howard Hughes Medical Institute","keywords":"Humanities; Philosophy","score_opus":0.0062568468391142225,"score_gpt":0.2544297827514994,"score_spread":0.24817293591238518,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W33976139","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.35468695,0.03418853,0.002321691,0.00792188,0.0037792816,0.0017668281,0.0006842976,0.0021426494,0.5925079],"genre_scores_gemma":[0.962569,0.00031824957,0.002645389,0.0049736104,0.015945857,0.00012666079,0.00009508857,0.0001427528,0.013183368],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9953331,0.00068844063,0.0008975428,0.0007681639,0.0006193504,0.0016934203],"domain_scores_gemma":[0.9971842,0.00095157727,0.00031895115,0.00061936345,0.00042401135,0.0005018684],"candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.002418636,0.00069052406,0.00083326205,0.00020394761,0.0011627944,0.003920736,0.0007131595,0.00058286724,0.0007907379],"category_scores_gemma":[0.0009153993,0.00063451985,0.00059351686,0.000336042,0.0009443068,0.0006360767,0.00015462488,0.001144483,0.000051590505],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020885616,0.00029750165,0.017872497,0.0002509156,0.00036847507,0.00034370561,0.04892353,0.0000014911934,0.0022325339,0.69902647,0.22789696,0.0025770438],"study_design_scores_gemma":[0.00073725457,0.0001640429,0.013086233,0.00037760971,0.00023064892,0.000103914266,0.003154466,0.000018409077,0.0004970684,0.0061151744,0.97476923,0.00074591534],"about_ca_topic_score_codex":0.0005432457,"about_ca_topic_score_gemma":0.00050342234,"teacher_disagreement_score":0.7468723,"about_ca_system_score_codex":0.0007488793,"about_ca_system_score_gemma":0.00035835197,"threshold_uncertainty_score":0.9996106},"labels":[],"label_agreement":null},{"id":"W34975943","doi":"10.3389/fpls.2021.760859","title":"Sevilla, Capital de Europa","year":2009,"lang":"en","type":"article","venue":"Boletín de la Real academia Sevillana de Buenas Letras: Minervae Baeticae","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Horst; Humanities; Latin Americans; Art; Capital (architecture); Political science; Ancient history; History; Geology; Law; Geomorphology","score_opus":0.00651143269198201,"score_gpt":0.23679150664527715,"score_spread":0.23028007395329514,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W34975943","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2660079,0.005188575,0.000046083074,0.010107363,0.00021735631,0.00032274178,0.00009527611,0.0004955678,0.71751916],"genre_scores_gemma":[0.9675848,0.001682924,0.000700061,0.013470242,0.0038116532,0.000037023012,0.00005541679,0.0000874127,0.012570477],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99653494,0.0003513246,0.0006183183,0.00066427566,0.00047973607,0.0013514038],"domain_scores_gemma":[0.9984502,0.00027646593,0.0001902276,0.00042653925,0.00018663406,0.00046989924],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0007590149,0.00063679443,0.00066187145,0.0001560718,0.0005156548,0.0005297218,0.00062353327,0.000760308,0.000650045],"category_scores_gemma":[0.00030491495,0.0005255499,0.00034107623,0.00017792311,0.00054427533,0.00023095217,0.00008665479,0.0017034567,0.00017931167],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013491983,0.00023611142,0.004186762,0.00013648668,0.00027748803,0.0006379173,0.04190772,0.000020754233,0.015455883,0.54758763,0.3802849,0.0091334125],"study_design_scores_gemma":[0.00075713656,0.00026490373,0.021304552,0.00016028917,0.00020421634,0.00030439324,0.0036312446,0.000052296735,0.0005535403,0.006212877,0.9657317,0.0008228922],"about_ca_topic_score_codex":0.00029537705,"about_ca_topic_score_gemma":0.00025970393,"teacher_disagreement_score":0.70494866,"about_ca_system_score_codex":0.00023415031,"about_ca_system_score_gemma":0.00015860073,"threshold_uncertainty_score":0.9997196},"labels":[],"label_agreement":null},{"id":"W35685639","doi":"10.3389/fphar.2022.795176","title":"Contemplación : Una misión. El mensaje de tibhirine diez anos después","year":2006,"lang":"en","type":"article","venue":"Cistercium: Revista cisterciense","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Canadian Institutes of Health Research","keywords":"Humanities; Art","score_opus":0.017500097546391195,"score_gpt":0.24723473914861163,"score_spread":0.22973464160222043,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W35685639","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.48135123,0.012536797,0.00039769884,0.0014279761,0.0014505339,0.001152632,0.00033991315,0.00067300414,0.5006702],"genre_scores_gemma":[0.9319623,0.00005940977,0.00020796452,0.0019802973,0.0019933723,0.000081633676,0.00013191205,0.00007938611,0.06350373],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99678254,0.00016471435,0.0008670632,0.00078197947,0.00045914284,0.0009445353],"domain_scores_gemma":[0.9981581,0.000119767385,0.00028236164,0.0007948468,0.00044138994,0.00020354764],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004714687,0.0006366595,0.0007909299,0.00015511595,0.0008704304,0.001295751,0.00048671066,0.00015015574,0.00092336914],"category_scores_gemma":[0.00007492296,0.0005182958,0.00038994753,0.00015827423,0.00064323115,0.00040242437,0.00016285373,0.00036562688,0.00037737447],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003830133,0.00056591205,0.0035460666,0.00083598355,0.0001898655,0.0004868869,0.024232324,0.0000036403667,0.002991673,0.6804669,0.28429475,0.0020030136],"study_design_scores_gemma":[0.0010236914,0.00022324799,0.0020421867,0.00040571837,0.00015834488,0.000086482636,0.002019382,0.000022137527,0.00038888401,0.0020301118,0.9908114,0.0007883877],"about_ca_topic_score_codex":0.00019829345,"about_ca_topic_score_gemma":0.0006026904,"teacher_disagreement_score":0.7065167,"about_ca_system_score_codex":0.00017657349,"about_ca_system_score_gemma":0.00006922322,"threshold_uncertainty_score":0.9999899},"labels":[],"label_agreement":null},{"id":"W36149405","doi":"10.1021/acs.chemrestox.2c00284","title":"\"Viaje a la luna\": Federico García Lorca y el problema de la expresión","year":2000,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"National Institute of Environmental Health Sciences","keywords":"Art; Philosophy; Humanities","score_opus":0.008324167270021955,"score_gpt":0.22923182372241638,"score_spread":0.22090765645239444,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W36149405","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8516732,0.030046083,0.00000902923,0.0009413073,0.00024541543,0.0010326041,0.00039633946,0.0002462177,0.11540983],"genre_scores_gemma":[0.9766739,0.005833094,0.000154822,0.0018462025,0.0018230487,0.00028301583,0.000046271907,0.00015918432,0.013180468],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9951973,0.00090810045,0.0008225846,0.0009770853,0.00047384386,0.0016210844],"domain_scores_gemma":[0.99754673,0.00047368123,0.00027762845,0.0008167009,0.00027852322,0.00060671376],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00093285897,0.00095174834,0.0011542263,0.000173536,0.0017819877,0.0029126513,0.0006019075,0.00040858958,0.0032212648],"category_scores_gemma":[0.00022343209,0.0008528047,0.0005163967,0.00022694064,0.0009146439,0.00029578691,0.00012368998,0.00093566556,0.0002726539],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013209048,0.00031270084,0.0012627627,0.00071850576,0.0006041786,0.0010559022,0.04421302,0.000009342549,0.00013831415,0.8293472,0.11673246,0.0054735458],"study_design_scores_gemma":[0.00093689724,0.00028579566,0.0030903553,0.0011993115,0.00058054563,0.00041364037,0.0036577166,0.000032210395,0.000027338712,0.00029737563,0.98847,0.0010088211],"about_ca_topic_score_codex":0.0008865032,"about_ca_topic_score_gemma":0.002969062,"teacher_disagreement_score":0.87173754,"about_ca_system_score_codex":0.0006219329,"about_ca_system_score_gemma":0.00069559657,"threshold_uncertainty_score":0.99951756},"labels":[],"label_agreement":null},{"id":"W36288607","doi":"10.1139/cjm-2022-0179","title":"Los jardines de Gaudí","year":2001,"lang":"en","type":"article","venue":"Dialnet (Universidad de la Rioja)","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Chemistry","score_opus":0.011000967741896798,"score_gpt":0.22279396008021585,"score_spread":0.21179299233831905,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W36288607","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16170865,0.0007421597,0.000050512546,0.0009080596,0.00029493606,0.00008372958,0.000032232565,0.00014548944,0.83603424],"genre_scores_gemma":[0.93666613,0.00021306046,0.00012288528,0.0010937129,0.001387016,0.0000061126384,0.000024047156,0.000020353813,0.06046666],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991883,0.00007309681,0.00008764843,0.00018725531,0.00012912256,0.00033455505],"domain_scores_gemma":[0.9995446,0.00007801162,0.00004801118,0.00015700937,0.00008396871,0.00008839139],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00012150342,0.00016213764,0.00018205652,0.000090470574,0.0004319474,0.0002577485,0.00017926554,0.00008854452,0.0023252876],"category_scores_gemma":[0.00002745702,0.00014601822,0.00012262267,0.000082475075,0.00023923683,0.00026351656,0.00004814253,0.00017261048,0.00012346178],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000616705,0.000077975674,0.0027288059,0.000020312063,0.00014711752,0.0003379524,0.069477625,0.000005626006,0.00032608878,0.6562195,0.26790774,0.0026895944],"study_design_scores_gemma":[0.00040946773,0.00004228275,0.0043048444,0.000025628502,0.000063532374,0.000030016336,0.012760269,0.000014926986,0.00003131751,0.0045883805,0.97752154,0.00020776918],"about_ca_topic_score_codex":0.00024015162,"about_ca_topic_score_gemma":0.0010306824,"teacher_disagreement_score":0.7755676,"about_ca_system_score_codex":0.000058726222,"about_ca_system_score_gemma":0.000037760496,"threshold_uncertainty_score":0.9985867},"labels":[],"label_agreement":null},{"id":"W37304268","doi":"10.3389/fimmu.2023.1135859","title":"La aventura cristiana en \"Las Fundaciones\" de Santa Teresa.","year":2009,"lang":"en","type":"article","venue":"Monte Carmelo: Revista de Estudios Carmelitanos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Canadian Institutes of Health Research","keywords":"Humanities; Art","score_opus":0.011051174304956434,"score_gpt":0.23882404923244752,"score_spread":0.22777287492749107,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W37304268","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6188112,0.12232664,0.00019663144,0.008996507,0.0016705573,0.0017865568,0.00048084892,0.0010824797,0.24464859],"genre_scores_gemma":[0.98689723,0.001925252,0.00016216216,0.0024866492,0.0020908862,0.00007787379,0.000036337682,0.00005894068,0.0062646708],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.997005,0.00039824148,0.0006188943,0.0006474247,0.0004302594,0.0009001828],"domain_scores_gemma":[0.99844927,0.00021530678,0.00018806627,0.0005774364,0.00032045378,0.00024948796],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00054466707,0.0006129758,0.0007759526,0.0001285084,0.0007500852,0.00083722343,0.00048825183,0.00020779867,0.00026634196],"category_scores_gemma":[0.00023978161,0.0005025152,0.00045313113,0.00015013995,0.00027846915,0.0002892642,0.00010542975,0.0006738986,0.00008167541],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021731654,0.00039631905,0.00277604,0.0003434798,0.0006909124,0.001077813,0.19503853,0.0000069653724,0.0016317834,0.3929648,0.3859409,0.018915094],"study_design_scores_gemma":[0.00070810656,0.0002727929,0.004247562,0.00034865274,0.00031114306,0.00011815093,0.028068267,0.000011861101,0.000115211646,0.0009906965,0.9641465,0.00066108274],"about_ca_topic_score_codex":0.00008771329,"about_ca_topic_score_gemma":0.00022388558,"teacher_disagreement_score":0.5782055,"about_ca_system_score_codex":0.0003842932,"about_ca_system_score_gemma":0.00011829933,"threshold_uncertainty_score":0.9997426},"labels":[],"label_agreement":null},{"id":"W37529343","doi":"10.1016/j.heliyon.2023.e18476","title":"Fernando Ortiz frente al panhispanismo en \"El caballero encantado y la moza esquiva\"","year":2009,"lang":"en","type":"article","venue":"Isidora: revista de estudios galdosianos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.009812721765093528,"score_gpt":0.2516179479499551,"score_spread":0.24180522618486158,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W37529343","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.27093107,0.04289754,0.00031372195,0.017896947,0.0022773037,0.0027258124,0.00043461984,0.0015199867,0.661003],"genre_scores_gemma":[0.9832904,0.0011197155,0.00017151181,0.004806334,0.0019489106,0.00008265459,0.00004988014,0.000066367844,0.00846424],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9967868,0.00026195118,0.00071624434,0.0007695133,0.00058540533,0.00088013295],"domain_scores_gemma":[0.998444,0.00014664944,0.0002788157,0.0006128595,0.00027486077,0.00024280882],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0004226875,0.00069156516,0.0008700466,0.00012523083,0.0008202247,0.0010200128,0.000589647,0.0001923328,0.00058839825],"category_scores_gemma":[0.00016654687,0.0005494379,0.00042118935,0.00016359768,0.00029782654,0.0005162913,0.00013886424,0.0006965561,0.00020328302],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011741667,0.00040368616,0.002381926,0.00007308727,0.00042837643,0.00038592773,0.041304838,0.000002378308,0.0010075361,0.6174336,0.33072636,0.0057348623],"study_design_scores_gemma":[0.0012842725,0.00036823424,0.012524154,0.00034227746,0.0002576027,0.00008709528,0.004782243,0.000011023086,0.0001561931,0.0011938685,0.97821164,0.0007814222],"about_ca_topic_score_codex":0.00019140598,"about_ca_topic_score_gemma":0.00027543373,"teacher_disagreement_score":0.7123593,"about_ca_system_score_codex":0.00015211996,"about_ca_system_score_gemma":0.00011030802,"threshold_uncertainty_score":0.9996957},"labels":[],"label_agreement":null},{"id":"W38055691","doi":"10.1371/journal.pone.0295284","title":"El narrador masculino y la subversión de mitos en \"La reina\" de María Luisa Puga","year":2002,"lang":"en","type":"article","venue":"Revista de literatura mexicana contemporánea","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Kidney Foundation of Canada","keywords":"Art","score_opus":0.012608601147224618,"score_gpt":0.21956306301849082,"score_spread":0.2069544618712662,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W38055691","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10984522,0.07859613,0.00008356158,0.0073011806,0.0008369697,0.0010029335,0.00045625356,0.0005993732,0.80127835],"genre_scores_gemma":[0.9413021,0.0008178654,0.0003709032,0.0028932232,0.0022129028,0.000088887435,0.00008009051,0.00007205512,0.052161966],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9969099,0.0006887578,0.0005904927,0.00059689436,0.00035468183,0.0008592302],"domain_scores_gemma":[0.99828,0.00035907543,0.00021914941,0.00056877406,0.0002325986,0.0003403902],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007609865,0.0005581475,0.0006810834,0.00014328788,0.00058518647,0.0021862728,0.0005187704,0.00028265265,0.0013746825],"category_scores_gemma":[0.0002613076,0.00046260277,0.00045307202,0.00017231597,0.00036021209,0.00041568305,0.0000922604,0.00079052313,0.000080953796],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011348971,0.00018971108,0.001986008,0.00039242988,0.00050233596,0.0008223638,0.14884333,7.6893747e-7,0.00080515177,0.5658557,0.27760994,0.0028787835],"study_design_scores_gemma":[0.0007523505,0.00010525347,0.00045357057,0.0004619492,0.00015179432,0.00019279262,0.004850918,0.00008270132,0.00008027138,0.00072402693,0.9915592,0.00058515754],"about_ca_topic_score_codex":0.0003003879,"about_ca_topic_score_gemma":0.0001075943,"teacher_disagreement_score":0.8314569,"about_ca_system_score_codex":0.00025580105,"about_ca_system_score_gemma":0.00010840249,"threshold_uncertainty_score":0.99978256},"labels":[],"label_agreement":null},{"id":"W38071947","doi":"10.1016/j.puhe.2023.11.002","title":"Queer Arcadia: on cultural landscapes, violence, and power in Federico García Lorca's \"Poema doble del lago Eden\"","year":2010,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"National Institute for Health and Care Research","keywords":"Garcia; Arcadia; Power (physics); Humanities; Art; Art history","score_opus":0.007912432030467816,"score_gpt":0.22073985487097936,"score_spread":0.21282742284051154,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W38071947","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9655148,0.019606352,6.635679e-7,0.0011329097,0.00095683924,0.000700922,0.00025184947,0.00007725248,0.011758407],"genre_scores_gemma":[0.9905148,0.00476079,0.00004499438,0.0018264499,0.0012309643,0.00011732505,0.000044530098,0.00008018192,0.001379925],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99650687,0.00016679785,0.00069740484,0.0009671677,0.00040704868,0.0012547342],"domain_scores_gemma":[0.99813414,0.00018422373,0.0002608981,0.00059431366,0.00033911766,0.00048733296],"candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0004548989,0.00083100505,0.0010425532,0.0002651615,0.0010038175,0.0016253729,0.00038130657,0.0003553621,0.00056820584],"category_scores_gemma":[0.00024505978,0.00065886456,0.00024379874,0.00020397666,0.0004492719,0.00029568147,0.00015240909,0.0013484006,0.0001007905],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012546353,0.00020088228,0.014755516,0.00027034123,0.00024186223,0.00052385766,0.01859794,0.0000019962529,0.00021134815,0.9328928,0.029696528,0.002481485],"study_design_scores_gemma":[0.0011381633,0.00040513184,0.027025374,0.0016636881,0.0001939761,0.00014804018,0.0061897174,0.000026216878,0.000021981334,0.00010560994,0.96212834,0.0009537711],"about_ca_topic_score_codex":0.00097652536,"about_ca_topic_score_gemma":0.07414868,"teacher_disagreement_score":0.9327872,"about_ca_system_score_codex":0.00022599664,"about_ca_system_score_gemma":0.00022499815,"threshold_uncertainty_score":0.9995863},"labels":[],"label_agreement":null},{"id":"W38590337","doi":"10.3389/fpsyg.2024.1359720","title":"José Antonio del Cañizo: una vida haciéndose palabra","year":2005,"lang":"en","type":"article","venue":"Lazarillo: Revista de la Asociación de Amigos del Libro infantil y juvenil","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Gerontology; Philosophy; Medicine","score_opus":0.007541566462651501,"score_gpt":0.241468503480865,"score_spread":0.2339269370182135,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W38590337","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.47670656,0.03297251,0.00022222481,0.0048196297,0.0009749929,0.0012473153,0.000738514,0.0016858588,0.4806324],"genre_scores_gemma":[0.9661607,0.0010955727,0.0015542493,0.006285833,0.0035760184,0.00013814836,0.00015812762,0.00017776611,0.020853598],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9957389,0.00043270036,0.0009829135,0.00082859246,0.00064074993,0.0013760988],"domain_scores_gemma":[0.997688,0.00030527794,0.00046451663,0.00082389126,0.000354341,0.00036396104],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00077431067,0.0008434205,0.0010559814,0.00014159137,0.0012388915,0.002243778,0.00079623976,0.00047901357,0.001439454],"category_scores_gemma":[0.00023898414,0.0007427341,0.0006529457,0.00030329416,0.0010084388,0.0010907799,0.00029029595,0.0010155063,0.00032064167],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016308352,0.0004234209,0.017875452,0.00033963958,0.0007989485,0.00017773271,0.05211116,0.000037335692,0.0011725705,0.72510314,0.1874793,0.014318234],"study_design_scores_gemma":[0.0011235515,0.00010265964,0.0033847224,0.0003319988,0.00028151806,0.00008103802,0.0027043442,0.00018373078,0.00038818782,0.0018566776,0.9885686,0.0009929641],"about_ca_topic_score_codex":0.00054390944,"about_ca_topic_score_gemma":0.0010010707,"teacher_disagreement_score":0.8010893,"about_ca_system_score_codex":0.0003366152,"about_ca_system_score_gemma":0.00025112674,"threshold_uncertainty_score":0.99950236},"labels":[],"label_agreement":null},{"id":"W403336213","doi":"","title":"Review of: Masculinidades En Obras: El Drama De La Hombría En La España Imperial by Jose Reinaldo Cartagena Calderon","year":2009,"lang":"es","type":"article","venue":"Sound Ideas (University of Puget Sound)","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Drama; Literature","score_opus":0.005395659473255474,"score_gpt":0.23335724059944632,"score_spread":0.22796158112619086,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W403336213","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7968783,0.14256886,0.000106721454,0.001762172,0.00037305392,0.0005060292,0.0005301066,0.00010115787,0.057173595],"genre_scores_gemma":[0.95354867,0.03818772,0.00018196016,0.0006741294,0.0007423661,0.0000010911243,0.0001314996,0.0000311283,0.0065014167],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99727154,0.0008550046,0.00043993836,0.0005080537,0.00042694673,0.0004985043],"domain_scores_gemma":[0.9981558,0.00040837395,0.0004674597,0.00045137297,0.00034493482,0.00017207477],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008945861,0.00048615708,0.0010354748,0.00013300989,0.0007511704,0.00039813312,0.0005907315,0.00040838437,0.0009660837],"category_scores_gemma":[0.00021370384,0.0004976741,0.0006436541,0.00014565019,0.0009799731,0.00055510475,0.0001623339,0.00054679404,0.000040532483],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015318413,0.00023066353,0.0005003142,0.0026529084,0.0005766754,0.00006077239,0.09940999,0.0000010405521,0.00021493966,0.83118135,0.064794175,0.0002239672],"study_design_scores_gemma":[0.0012119394,0.00048767083,0.0013854029,0.0030409591,0.0009830083,0.000027377262,0.03801614,0.0000028463332,0.000009232745,0.43783733,0.5164209,0.0005772065],"about_ca_topic_score_codex":0.0006654902,"about_ca_topic_score_gemma":0.0002236793,"teacher_disagreement_score":0.45162672,"about_ca_system_score_codex":0.00013799756,"about_ca_system_score_gemma":0.00017220946,"threshold_uncertainty_score":0.9999472},"labels":[],"label_agreement":null},{"id":"W40339623","doi":"","title":"Vistas del vecino en \"El hombre de al lado\"","year":2012,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Philosophy","score_opus":0.012830717696348798,"score_gpt":0.24368510923769632,"score_spread":0.23085439154134751,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W40339623","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9211589,0.066855595,0.000021393913,0.0015333804,0.0011746299,0.00063986104,0.0006536994,0.00015472798,0.0078078],"genre_scores_gemma":[0.98500663,0.0023323637,0.00012446677,0.004968292,0.0047183186,0.000118978256,0.00008356498,0.00013779615,0.0025095865],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99552524,0.0004242583,0.00073849864,0.00066801434,0.00045948496,0.0021845298],"domain_scores_gemma":[0.99739987,0.00026069334,0.00033130942,0.00076583034,0.00035279882,0.0008895162],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00094056694,0.0008683521,0.0010577599,0.00018637745,0.001397944,0.0010311825,0.00050962844,0.0002954334,0.0006072099],"category_scores_gemma":[0.00033437158,0.00077997317,0.00048035616,0.00017376208,0.00040032895,0.00044001642,0.00020944756,0.0008228495,0.00027197273],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005411156,0.0002382992,0.015721044,0.00036048956,0.0006202048,0.00021010695,0.04901973,9.3346375e-7,0.00014989615,0.78094494,0.15139675,0.0012834774],"study_design_scores_gemma":[0.00062039105,0.00020310731,0.026263148,0.0005053907,0.0007990291,0.00024587492,0.0077199177,0.000012297218,0.0000295642,0.000033535984,0.96264076,0.0009269698],"about_ca_topic_score_codex":0.00092509616,"about_ca_topic_score_gemma":0.0030912226,"teacher_disagreement_score":0.811244,"about_ca_system_score_codex":0.0010910907,"about_ca_system_score_gemma":0.00049082906,"threshold_uncertainty_score":0.9999021},"labels":[],"label_agreement":null},{"id":"W41345768","doi":"","title":"Deseos argentinos: \"Miss Mary\"","year":2002,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.021191774161850516,"score_gpt":0.21905381806598662,"score_spread":0.1978620439041361,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W41345768","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8246658,0.12349228,0.000010173786,0.0021864017,0.0015269726,0.0011134397,0.00074217794,0.00025804312,0.046004705],"genre_scores_gemma":[0.97170657,0.005755595,0.00007200273,0.002321096,0.002807514,0.000108017324,0.00004437588,0.00011970397,0.017065102],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99604803,0.0002422222,0.0008040429,0.0009042556,0.0004857821,0.0015156645],"domain_scores_gemma":[0.99763405,0.00013594911,0.00034250415,0.0008627603,0.00043417417,0.00059054163],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003583394,0.00083946605,0.0010340817,0.0002075484,0.0016541246,0.00180648,0.0005534448,0.0002454485,0.0065155397],"category_scores_gemma":[0.00025546952,0.00075520365,0.00052756944,0.00021636831,0.0004694893,0.00029135752,0.00016817957,0.0006697057,0.0010322855],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017899745,0.00019306729,0.0016277973,0.0003935455,0.000516817,0.00050242717,0.014792039,7.404046e-7,0.000037146638,0.7141373,0.26504505,0.0027361193],"study_design_scores_gemma":[0.00060302316,0.00022879054,0.0015025982,0.0006022379,0.000618866,0.00013159214,0.0026323004,0.000075369826,0.000015494299,0.00004045713,0.9926364,0.0009128961],"about_ca_topic_score_codex":0.00026079032,"about_ca_topic_score_gemma":0.002443065,"teacher_disagreement_score":0.72759134,"about_ca_system_score_codex":0.00044993663,"about_ca_system_score_gemma":0.00010940562,"threshold_uncertainty_score":0.99974555},"labels":[],"label_agreement":null},{"id":"W41934407","doi":"","title":"Evil Women and Feminist Sentiment: Baroque Contradictions in María de Zayas's \"El prevenido engañado\" and \"Estragos que causa el vicio\"","year":2004,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Baroque; Humanities; Philosophy; Art; Art history","score_opus":0.007695807509150544,"score_gpt":0.22262957704671107,"score_spread":0.21493376953756052,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W41934407","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9626724,0.03131444,0.000007002874,0.0011325334,0.00025824623,0.0010253094,0.00055385416,0.00006956332,0.0029666224],"genre_scores_gemma":[0.9900712,0.0064853467,0.00006158666,0.001464816,0.0007129224,0.0003052199,0.000030343695,0.00007649124,0.00079212204],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9965408,0.00026153552,0.00076527253,0.0008451272,0.00025736276,0.0013299031],"domain_scores_gemma":[0.9983392,0.00017666661,0.00025675585,0.00043891036,0.00015185228,0.00063665916],"candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00065853936,0.0007265524,0.0010319179,0.00023989688,0.0012307529,0.0010533107,0.00021269119,0.00026894727,0.00012115954],"category_scores_gemma":[0.00016732399,0.0007027341,0.00014539689,0.00017587347,0.00065865554,0.00024077824,0.00012213014,0.00076294824,0.000012201044],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007946776,0.00025097327,0.015082582,0.0006385327,0.00054160156,0.00066995446,0.110541165,0.000008092183,0.00015662287,0.86954355,0.0017693449,0.0007181192],"study_design_scores_gemma":[0.0030340604,0.0005818699,0.040466834,0.0017378883,0.0005278761,0.00066764344,0.018687133,0.000027465094,0.00002704501,0.0009929998,0.93213403,0.0011151582],"about_ca_topic_score_codex":0.0022429174,"about_ca_topic_score_gemma":0.02799744,"teacher_disagreement_score":0.93036467,"about_ca_system_score_codex":0.0013357584,"about_ca_system_score_gemma":0.0006537875,"threshold_uncertainty_score":0.99998367},"labels":[],"label_agreement":null},{"id":"W4205569581","doi":"10.33676/emui_nomads.61.001","title":"La huella de Galdós en la novela social española contemporánea","year":2021,"lang":"es","type":"article","venue":"","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Novelis (Canada)","funders":"","keywords":"Humanities; Character (mathematics); Philosophy; Art","score_opus":0.013410675139626837,"score_gpt":0.24977484962860777,"score_spread":0.23636417448898092,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4205569581","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.018185064,0.006836526,0.000022813436,0.0043711066,0.0005346507,0.00011213846,0.00014748209,0.0001246267,0.9696656],"genre_scores_gemma":[0.8037244,0.00043211042,0.000097508506,0.0021971508,0.0029884994,0.000017396002,0.000051087944,0.00004083621,0.19045101],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998044,0.00046689046,0.00035169843,0.0004097906,0.00027179642,0.00045580618],"domain_scores_gemma":[0.998924,0.0003605558,0.000103421946,0.00018986157,0.0003323782,0.00008978069],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003685788,0.00037947707,0.00049150956,0.00004361846,0.0008249356,0.0021699113,0.00018487344,0.0003511354,0.004029316],"category_scores_gemma":[0.00009575351,0.00030873079,0.00033244267,0.00006414063,0.00039894084,0.00018508,0.00016831799,0.00055597647,0.000202899],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024163124,0.00018389775,0.00043321273,0.0001175067,0.00038645294,0.00027962768,0.094960734,8.68151e-8,0.00057401246,0.7460272,0.15606952,0.0009435913],"study_design_scores_gemma":[0.0006596803,0.00004431701,0.001370935,0.000114772796,0.00017106853,0.00006482445,0.05112238,0.000002618297,0.00052876526,0.0015001729,0.9440126,0.00040786632],"about_ca_topic_score_codex":0.000106008556,"about_ca_topic_score_gemma":0.00055243744,"teacher_disagreement_score":0.78794307,"about_ca_system_score_codex":0.000050477272,"about_ca_system_score_gemma":0.00020461927,"threshold_uncertainty_score":0.99993646},"labels":[],"label_agreement":null},{"id":"W4206102853","doi":"10.33676/emui_nomads.61.05","title":"La huella de Galdós en la novela social española contemporánea","year":2021,"lang":"es","type":"article","venue":"","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Novelis (Canada)","funders":"","keywords":"Humanities; Political science; Art","score_opus":0.013410675139626837,"score_gpt":0.24977484962860777,"score_spread":0.23636417448898092,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4206102853","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.018185064,0.006836526,0.000022813436,0.0043711066,0.0005346507,0.00011213846,0.00014748209,0.0001246267,0.9696656],"genre_scores_gemma":[0.8037244,0.00043211042,0.000097508506,0.0021971508,0.0029884994,0.000017396002,0.000051087944,0.00004083621,0.19045101],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998044,0.00046689046,0.00035169843,0.0004097906,0.00027179642,0.00045580618],"domain_scores_gemma":[0.998924,0.0003605558,0.000103421946,0.00018986157,0.0003323782,0.00008978069],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003685788,0.00037947707,0.00049150956,0.00004361846,0.0008249356,0.0021699113,0.00018487344,0.0003511354,0.004029316],"category_scores_gemma":[0.00009575351,0.00030873079,0.00033244267,0.00006414063,0.00039894084,0.00018508,0.00016831799,0.00055597647,0.000202899],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024163124,0.00018389775,0.00043321273,0.0001175067,0.00038645294,0.00027962768,0.094960734,8.68151e-8,0.00057401246,0.7460272,0.15606952,0.0009435913],"study_design_scores_gemma":[0.0006596803,0.00004431701,0.001370935,0.000114772796,0.00017106853,0.00006482445,0.05112238,0.000002618297,0.00052876526,0.0015001729,0.9440126,0.00040786632],"about_ca_topic_score_codex":0.000106008556,"about_ca_topic_score_gemma":0.00055243744,"teacher_disagreement_score":0.78794307,"about_ca_system_score_codex":0.000050477272,"about_ca_system_score_gemma":0.00020461927,"threshold_uncertainty_score":0.99993646},"labels":[],"label_agreement":null},{"id":"W4206303391","doi":"10.5944/signa.vol31.2022.29411","title":"MORFOLOGÍA Y SIGNIFICADO DE LA CAMA EN MARCEL PRÉVOST. DEL LECHO CONYUGAL AL CAMASTRO DEL ADULTERIO","year":2022,"lang":"es","type":"article","venue":"Signa Revista de la Asociación Española de Semiótica","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Universidad de Valladolid; McGill University","keywords":"Humanities; Art; Bourgeoisie; Politics; Political science","score_opus":0.004773273479056877,"score_gpt":0.24301379994684433,"score_spread":0.23824052646778746,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4206303391","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.70015585,0.067023784,0.0013291084,0.010693796,0.0014944712,0.0035526403,0.006174011,0.0013500985,0.20822622],"genre_scores_gemma":[0.9787388,0.0010707476,0.0008970807,0.0046884757,0.0019584065,0.0005371126,0.00028212904,0.0002479976,0.01157924],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9899765,0.0047354363,0.0010822285,0.0012162016,0.0009650091,0.0020246198],"domain_scores_gemma":[0.9956863,0.0021160564,0.0005862214,0.0007536165,0.0003374251,0.00052040635],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0030248915,0.0011627135,0.0013740401,0.0001907034,0.003034001,0.0034503185,0.0011833361,0.00065185456,0.0037703267],"category_scores_gemma":[0.0006695333,0.0011698471,0.0008373506,0.00030121885,0.0018244546,0.00031971876,0.0007719823,0.0030685395,0.00009728609],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00067647564,0.0010578332,0.022536054,0.0007330327,0.001795245,0.0013379485,0.084235005,0.000094881485,0.022563726,0.5871323,0.27546498,0.0023725515],"study_design_scores_gemma":[0.001625707,0.00060304254,0.0056725754,0.00038086265,0.0010062432,0.00031204466,0.026426153,0.0002664786,0.00024242647,0.0015770937,0.9605068,0.0013805625],"about_ca_topic_score_codex":0.0004065661,"about_ca_topic_score_gemma":0.000035433306,"teacher_disagreement_score":0.68504184,"about_ca_system_score_codex":0.0014218779,"about_ca_system_score_gemma":0.0008221736,"threshold_uncertainty_score":0.9992314},"labels":[],"label_agreement":null},{"id":"W4206827382","doi":"10.33676/emui_nomads.61.07","title":"Los condenados' di Benito Pérez Galdós: dell'onore e del riscatto","year":2021,"lang":"it","type":"article","venue":"","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canarie","funders":"","keywords":"Humanities; Art","score_opus":0.01902406756752315,"score_gpt":0.23216526173612878,"score_spread":0.21314119416860564,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4206827382","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.016412744,0.05164982,0.000083410356,0.0035505844,0.0031975368,0.00040204337,0.00057342945,0.00023310736,0.9238973],"genre_scores_gemma":[0.5389228,0.0011551931,0.00012188112,0.0038616015,0.0035798645,0.000039074377,0.00023650577,0.00006475584,0.45201835],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9969452,0.0001313067,0.0007096478,0.00087364035,0.00049430405,0.000845898],"domain_scores_gemma":[0.99772865,0.0001211868,0.00017595974,0.00068134995,0.0010388491,0.00025400883],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00012489417,0.00070137175,0.000777166,0.000080327736,0.0013887351,0.0016330297,0.00035333863,0.00028652538,0.026697813],"category_scores_gemma":[0.00007154362,0.000549348,0.0004980983,0.0001732494,0.00042806132,0.00046662515,0.00032967678,0.00059917243,0.0015127771],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000043843524,0.00041226327,0.0011212121,0.00020861562,0.0009597114,0.00040289861,0.03677009,0.0000033622166,0.00030778232,0.44097635,0.51757365,0.0012202227],"study_design_scores_gemma":[0.0007609733,0.00011903808,0.00061434455,0.00024039019,0.00046248685,0.000055171113,0.060676463,0.00002468997,0.0011748808,0.0018986639,0.9331668,0.00080612436],"about_ca_topic_score_codex":0.00030308947,"about_ca_topic_score_gemma":0.007227865,"teacher_disagreement_score":0.52251,"about_ca_system_score_codex":0.00006434025,"about_ca_system_score_gemma":0.00017171231,"threshold_uncertainty_score":0.9999113},"labels":[],"label_agreement":null},{"id":"W4211048992","doi":"10.15645/alabe.2015.12.9","title":"Relaciones peligrosas. Un epistolario","year":2015,"lang":"es","type":"article","venue":"Alabe Revista de Investigación sobre Lectura y Escritura","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McMaster University","funders":"","keywords":"Alchemy; Theme (computing); Literal and figurative language; Literature; Poetry; Criticism; Art; Philosophy; Art history; Humanities; Computer science; Linguistics","score_opus":0.029084518432700792,"score_gpt":0.24283073772228508,"score_spread":0.2137462192895843,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4211048992","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21959889,0.3780904,0.00021973348,0.060411617,0.007074175,0.0027657484,0.0009259109,0.0018871833,0.3290263],"genre_scores_gemma":[0.96472514,0.0022625553,0.0012397228,0.01210355,0.005961672,0.00011613712,0.0003824686,0.00023604013,0.012972723],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99422044,0.00063427613,0.0013288045,0.0012746012,0.0009952766,0.0015465883],"domain_scores_gemma":[0.99565667,0.00024975347,0.00057019846,0.0011532581,0.0013082854,0.0010618119],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.00094192,0.0013861256,0.001501786,0.0002750221,0.0015052032,0.006569183,0.00094148953,0.000632516,0.00045518018],"category_scores_gemma":[0.0012229795,0.0011369876,0.00059246895,0.0004370902,0.0016402267,0.0010529235,0.00036451654,0.0016775738,0.0009946903],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010545676,0.00015188135,0.0017376456,0.00054698344,0.0006417854,0.00028104885,0.052801076,0.0000038450685,0.00043079417,0.7130864,0.22660387,0.0036091658],"study_design_scores_gemma":[0.0012036586,0.00038774827,0.00050582184,0.0011257209,0.00080567686,0.00032002866,0.005323361,0.000032876294,0.00042429325,0.01747125,0.97088885,0.0015107081],"about_ca_topic_score_codex":0.0005046865,"about_ca_topic_score_gemma":0.00011870673,"teacher_disagreement_score":0.74512625,"about_ca_system_score_codex":0.00047007512,"about_ca_system_score_gemma":0.0006791216,"threshold_uncertainty_score":0.9998889},"labels":[],"label_agreement":null},{"id":"W4213348265","doi":"10.4000/cher.11641","title":"« Los hombres también llevamos nuestra Bernarda clavada en el alma » : des emprunts à La casa de Bernarda Alba à l’empreinte de la dramaturgie lorquienne dans Pepe el Romano de Ernesto Caballero","year":2012,"lang":"fr","type":"article","venue":"Recherches","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Bombardier (Canada)","funders":"","keywords":"Art; Humanities","score_opus":0.039859100202468835,"score_gpt":0.326367035619417,"score_spread":0.28650793541694813,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4213348265","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.70437855,0.05413588,0.00015019886,0.001528633,0.001047878,0.00045753145,0.00031437425,0.00024870373,0.23773827],"genre_scores_gemma":[0.8785038,0.010413604,0.002726286,0.0006506741,0.005019664,0.00017278243,0.000068430905,0.00022213148,0.10222265],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99323803,0.002482916,0.0007484559,0.00074455584,0.00051547313,0.0022705728],"domain_scores_gemma":[0.9960406,0.001941884,0.00033279642,0.0006687597,0.0003066711,0.0007092857],"candidate_categories":["metaepi_narrow","research_integrity"],"consensus_categories":[],"category_scores_codex":[0.002941022,0.0010774194,0.0009710095,0.00014009973,0.0011918197,0.00094683835,0.00080940477,0.0013484976,0.0006337962],"category_scores_gemma":[0.00091038353,0.0009916921,0.00059929426,0.0001939849,0.0018388603,0.001030502,0.00033259843,0.0020548042,0.00016512995],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00035288685,0.0017932147,0.052939627,0.0012210544,0.0024191036,0.0010240239,0.703663,0.000059426933,0.008978108,0.15712014,0.06142116,0.009008229],"study_design_scores_gemma":[0.0012898184,0.0003333476,0.09765869,0.0014462677,0.0009286969,0.0014710843,0.053324066,0.00005837015,0.004828621,0.020581672,0.8164414,0.0016379568],"about_ca_topic_score_codex":0.018163363,"about_ca_topic_score_gemma":0.006851269,"teacher_disagreement_score":0.75502026,"about_ca_system_score_codex":0.001744267,"about_ca_system_score_gemma":0.00057085254,"threshold_uncertainty_score":0.99994797},"labels":[],"label_agreement":null},{"id":"W4214948776","doi":"10.22201/fesa.26832917e.2022.3.2.202","title":"Un fantasma republicano: Poesía y exilio de Antonio Machado a Tomás Segovia","year":2022,"lang":"en","type":"article","venue":"FIGURAS REVISTA ACADÉMICA DE INVESTIGACIÓN","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Humanities; Poetry; Art; Historiography; Character (mathematics); Literature; History","score_opus":0.015575290868873005,"score_gpt":0.22048685099778842,"score_spread":0.20491156012891543,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4214948776","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.49788475,0.01843954,0.00004614116,0.028858284,0.0014932898,0.0015511524,0.0023599796,0.0015257825,0.44784108],"genre_scores_gemma":[0.93866134,0.00015246682,0.0005247812,0.01765042,0.0017857257,0.00047292182,0.00044072227,0.00010820452,0.04020345],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9968292,0.00037070713,0.0006196166,0.0007000755,0.0005602695,0.00092013256],"domain_scores_gemma":[0.99845356,0.00010239169,0.00029173214,0.0006267905,0.00017098359,0.0003545154],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000603283,0.0004833726,0.00056272646,0.00019132852,0.0018005029,0.0009335007,0.0008149258,0.00011704752,0.01189884],"category_scores_gemma":[0.00026953066,0.0004351286,0.00028625934,0.0003285949,0.00049938535,0.00037275796,0.00039473298,0.0010524972,0.00010585118],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005395454,0.00010518539,0.0014093894,0.000118086595,0.0001896047,0.0001367277,0.02893832,0.0000045601664,0.003025687,0.57109106,0.39384928,0.0010781487],"study_design_scores_gemma":[0.0004039852,0.00018001576,0.00092307705,0.00006929817,0.000106809726,0.00018870717,0.0045839935,0.000043049255,0.0007166777,0.0056134765,0.9865958,0.00057511765],"about_ca_topic_score_codex":0.00016610426,"about_ca_topic_score_gemma":0.000041544656,"teacher_disagreement_score":0.5927465,"about_ca_system_score_codex":0.00032713448,"about_ca_system_score_gemma":0.00026164413,"threshold_uncertainty_score":0.99981004},"labels":[],"label_agreement":null},{"id":"W4223637997","doi":"10.1177/00961442221080404","title":"Who Killed Granada? From “the Beautiful” to “the Wounded” City of Falla and Lorca","year":2022,"lang":"en","type":"article","venue":"Journal of Urban History","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Art; Dream; Romance; Mythology; Punk; Musical; Quarter (Canadian coin); Singing; Art history; Painting; Humanities; Visual arts; Literature; History; Archaeology","score_opus":0.02050737319024049,"score_gpt":0.1785841114452092,"score_spread":0.1580767382549687,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4223637997","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.44976336,0.26722038,0.000018534342,0.027603779,0.015432648,0.00059769023,0.000323763,0.00003439679,0.23900543],"genre_scores_gemma":[0.96128523,0.000078404504,0.000022441516,0.0049165753,0.0017112126,0.0000073099777,0.0000028061936,0.000012999067,0.031963002],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990387,0.00009000427,0.000314989,0.000092015245,0.00035335403,0.000110953275],"domain_scores_gemma":[0.9992653,0.00009241069,0.00028222942,0.00014770402,0.00016363019,0.000048709324],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00030673266,0.000104206534,0.0002545867,0.000046435038,0.0007116694,0.000039374143,0.0002796527,0.000016922295,0.0015898369],"category_scores_gemma":[0.000040805957,0.00005842278,0.00013048595,0.000031173244,0.00021989594,0.00008393107,0.00008452204,0.00034834148,0.0000017732799],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006948952,0.000028748856,0.00041673073,0.0000041791623,0.00012277062,0.000008700179,0.14992614,0.0000016039534,0.000045535788,0.009041933,0.8401268,0.00020736414],"study_design_scores_gemma":[0.00025232215,0.00017783306,0.0018626495,0.00001884524,0.00008332724,0.000010210795,0.010536117,6.3838803e-7,0.000003793514,0.00042662254,0.9865519,0.00007577767],"about_ca_topic_score_codex":0.00036267133,"about_ca_topic_score_gemma":0.0029136806,"teacher_disagreement_score":0.5115219,"about_ca_system_score_codex":0.00019455302,"about_ca_system_score_gemma":0.000068450805,"threshold_uncertainty_score":0.99932283},"labels":[],"label_agreement":null},{"id":"W4236493798","doi":"10.1353/mdr.2001.0022","title":"Transvestism and Sexual Transgression in García Lorca's The Public","year":2001,"lang":"en","type":"article","venue":"Modern Drama","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.029439615153252437,"score_gpt":0.22779766709951907,"score_spread":0.19835805194626663,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4236493798","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8683028,0.009033542,0.0002512386,0.019141924,0.00035541112,0.00026989734,0.000016776736,0.00009546919,0.10253292],"genre_scores_gemma":[0.9898743,0.0001087385,0.000009263633,0.0007028166,0.00032874214,0.000022666252,0.0000073267192,0.000011860902,0.008934258],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99928546,0.000038764192,0.00013451456,0.00018578715,0.00013273823,0.00022273882],"domain_scores_gemma":[0.9997547,0.000029189861,0.000020952559,0.00012256215,0.000034153072,0.00003844419],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00009040278,0.00013049362,0.00013193775,0.000038047263,0.00033754794,0.00032311512,0.000108143686,0.000043304448,0.00025876745],"category_scores_gemma":[0.0000061330593,0.00007428324,0.000027655877,0.000036626418,0.00020677787,0.00022012737,0.000015934063,0.00017701613,0.000009413833],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000075779,0.00018530294,0.0021960372,0.000044980872,0.00007257159,0.000101632235,0.61007804,0.0000041242665,0.00070109335,0.22032541,0.008512723,0.15770231],"study_design_scores_gemma":[0.0007032978,0.00008959336,0.0024026756,0.000044866207,0.000022688762,0.000030605144,0.011931241,0.0004770783,0.000021257014,0.014298311,0.96974695,0.00023140962],"about_ca_topic_score_codex":0.00006528249,"about_ca_topic_score_gemma":0.0053468733,"teacher_disagreement_score":0.9612343,"about_ca_system_score_codex":0.000008127616,"about_ca_system_score_gemma":0.00000838988,"threshold_uncertainty_score":0.31158066},"labels":[],"label_agreement":null},{"id":"W4237729665","doi":"10.4324/9781135000356-rem650-1","title":"Generation of ‘27","year":2018,"lang":"en","type":"book-chapter","venue":"","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Dictatorship; Baroque; Art; Humanities; Film director; Painting; Garcia; Art history; Cartography; Geography; Movie theater; Politics; Political science; Law","score_opus":0.07832379309419606,"score_gpt":0.23015907015000311,"score_spread":0.15183527705580707,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4237729665","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000008790462,0.0012218851,0.0000034956574,0.00006571445,0.0010524781,0.00006917658,0.00004373192,0.000027951719,0.9975068],"genre_scores_gemma":[0.0011052907,0.000073363546,0.000041278632,0.00029671716,0.0054914798,0.0000015106864,0.000087552566,0.00001627031,0.99288654],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995357,0.000001991678,0.00016598456,0.00012610636,0.000110232584,0.000060030365],"domain_scores_gemma":[0.9995086,0.0000049752025,0.00009078687,0.00012444184,0.00025838843,0.000012770594],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000024686491,0.00014014835,0.00019216744,0.000032743214,0.0000845383,0.000054382712,0.000057337296,0.00008032265,0.055364307],"category_scores_gemma":[0.000002311541,0.00009385363,0.00009296208,0.0000015248742,0.00017969488,0.000047728226,0.000021648955,0.000066809895,0.0004307021],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000010192673,0.000001918701,6.805444e-8,0.000008411816,0.000048244277,3.317579e-7,0.006196031,3.5828531e-9,0.0000115658295,0.58296025,0.41062462,0.00014752557],"study_design_scores_gemma":[0.000038568138,0.00006358545,1.2820506e-7,0.00003521581,0.000049088754,4.1722697e-7,0.00025455686,4.4501002e-7,0.000087749744,0.016016612,0.98333675,0.00011685739],"about_ca_topic_score_codex":0.0000070921456,"about_ca_topic_score_gemma":0.0008609016,"teacher_disagreement_score":0.5727122,"about_ca_system_score_codex":0.0000056675517,"about_ca_system_score_gemma":0.000009028601,"threshold_uncertainty_score":0.94549924},"labels":[],"label_agreement":null},{"id":"W4243486083","doi":"10.1353/mdr.2007.0022","title":"A Politics of the Body: José Antonio Primo de Rivera's Fascism and Federico García Lorca's Benjaminian Response","year":2007,"lang":"en","type":"article","venue":"Modern Drama","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Garcia; Politics; Humanities; Dictatorship; Glory; Doctrine; Art; Ideology; Art history; History; Philosophy; Democracy; Law; Theology; Political science","score_opus":0.011269558597007954,"score_gpt":0.22476963543424588,"score_spread":0.21350007683723793,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4243486083","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9445372,0.0013632736,0.00017285364,0.0015673377,0.00028998507,0.00018715666,0.000048411148,0.000048795602,0.051784966],"genre_scores_gemma":[0.9824862,0.000019884486,0.00011359192,0.0009792802,0.00041679674,0.000004534532,0.0000027336837,0.00001953899,0.015957436],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989013,0.000068268055,0.00023003075,0.00020496489,0.00021884366,0.00037655953],"domain_scores_gemma":[0.9993089,0.00011552353,0.00009423286,0.00025948122,0.00014569504,0.00007621024],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00033285673,0.00017818036,0.00021434363,0.00005058356,0.0006567025,0.00021762782,0.0001823876,0.000075109965,0.000058202873],"category_scores_gemma":[0.00007822137,0.000117145864,0.000090967515,0.000041806597,0.00044840074,0.000109327324,0.000114615985,0.00018133708,0.000003991566],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00044469754,0.00021100472,0.004031244,0.00009641593,0.00021071514,0.000044932633,0.59224427,0.000002256927,0.006437815,0.38648033,0.006129123,0.0036671876],"study_design_scores_gemma":[0.0011517849,0.00031491535,0.073881716,0.00017066252,0.00014099473,0.000047482798,0.022666657,0.00016825135,0.0047518397,0.027632456,0.86854565,0.00052758935],"about_ca_topic_score_codex":0.000105440646,"about_ca_topic_score_gemma":0.00059466186,"teacher_disagreement_score":0.8624165,"about_ca_system_score_codex":0.00004245713,"about_ca_system_score_gemma":0.000052245636,"threshold_uncertainty_score":0.5050891},"labels":[],"label_agreement":null},{"id":"W4248598965","doi":"10.4000/belphegor.2867","title":"Roman Populaire Espagnol - Roman historique, 1900-1950","year":2020,"lang":"fr","type":"paratext","venue":"Belphégor","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.021386583808722173,"score_gpt":0.23856926122477307,"score_spread":0.2171826774160509,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4248598965","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0006701936,0.13391173,0.000010390865,0.015421746,0.018710857,0.0010746667,0.0019075817,0.00034791758,0.82794493],"genre_scores_gemma":[0.023283225,0.0021033061,0.00016688576,0.0042942,0.029548246,0.00030059429,0.0021731092,0.0002822142,0.9378482],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99498063,0.00022472553,0.0011986087,0.0015576538,0.0007870573,0.0012513278],"domain_scores_gemma":[0.99744856,0.00009399965,0.00067565806,0.0008546885,0.00043546312,0.00049164385],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.00013154223,0.001644019,0.0018455386,0.0002029586,0.002653487,0.0011485488,0.0009909914,0.0009357592,0.032314204],"category_scores_gemma":[0.00008515235,0.0014696978,0.00097231474,0.00022867788,0.00080724055,0.0004603242,0.0003982808,0.0017078588,0.023462767],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000707205,0.00021435585,0.0000368092,0.0007563049,0.0005336626,0.00026534768,0.035590805,0.0000014416021,0.000034962384,0.21379767,0.74753416,0.0011637458],"study_design_scores_gemma":[0.0007003545,0.0006980171,0.00023660365,0.0006762238,0.00072020566,0.000041254556,0.004502728,0.0000082784745,0.000034327222,0.000489942,0.99015,0.0017420659],"about_ca_topic_score_codex":0.0025263382,"about_ca_topic_score_gemma":0.007428802,"teacher_disagreement_score":0.24261582,"about_ca_system_score_codex":0.000626867,"about_ca_system_score_gemma":0.00026731673,"threshold_uncertainty_score":0.99988836},"labels":[],"label_agreement":null},{"id":"W4248756090","doi":"10.33137/q.i..v28i2.8519","title":"Beatrice","year":2007,"lang":"it","type":"article","venue":"Quaderni d italianistica","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.02376255989913507,"score_gpt":0.254758255372499,"score_spread":0.23099569547336396,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4248756090","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0011931964,0.007958899,0.00044046962,0.001194646,0.003278274,0.00032870696,0.00031211777,0.0002133552,0.98508036],"genre_scores_gemma":[0.755162,0.00011463257,0.00020917562,0.0015057245,0.0062531433,0.000007674416,0.000072883624,0.00006740295,0.23660739],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.997002,0.000052325962,0.00072117493,0.000629027,0.00055983244,0.0010356129],"domain_scores_gemma":[0.9984259,0.00025162435,0.0002114295,0.00046579522,0.00035429158,0.0002909644],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0004772371,0.0005661007,0.0005365668,0.00012982656,0.001304739,0.0009149198,0.00038192864,0.00025579432,0.028707601],"category_scores_gemma":[0.00017094614,0.00048450098,0.00030152613,0.00015741853,0.0006032313,0.00024877617,0.000114510294,0.0005379528,0.0089827785],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000872914,0.0002616361,0.00018781259,0.00013423557,0.00033014247,0.00030429364,0.031287502,1.7037179e-7,0.0000639529,0.79008347,0.1750595,0.002199999],"study_design_scores_gemma":[0.00028219307,0.00030212736,0.00082906755,0.00011198338,0.00035736617,0.000027110851,0.025621785,0.000004551101,0.00011900326,0.0019258456,0.96975666,0.00066231977],"about_ca_topic_score_codex":0.00015709428,"about_ca_topic_score_gemma":0.0003496577,"teacher_disagreement_score":0.79469717,"about_ca_system_score_codex":0.00009768632,"about_ca_system_score_gemma":0.00005429119,"threshold_uncertainty_score":0.9999954},"labels":[],"label_agreement":null},{"id":"W4251443508","doi":"10.4324/9781135000356-rem718-1","title":"Flamenco and Modernism","year":2018,"lang":"en","type":"book-chapter","venue":"","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Hollywood; Modernism (music); Art; Popular culture; Art history; Period (music); Literature; Aesthetics","score_opus":0.028840137166063505,"score_gpt":0.19971758220818775,"score_spread":0.17087744504212424,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4251443508","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000006493097,0.0028119287,0.0000037174448,0.00018073172,0.00045488158,0.00008763831,0.000035332214,0.00007971412,0.99633956],"genre_scores_gemma":[0.0007859763,0.00023273568,0.00005060028,0.0009198394,0.002881496,0.000004046088,0.000022948276,0.000027229764,0.9950751],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994306,0.0000018927042,0.00012467874,0.00022379828,0.000108693814,0.00011036034],"domain_scores_gemma":[0.9996639,0.000009648922,0.00004919027,0.00013159525,0.00011181071,0.00003387543],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000024342973,0.00022653764,0.00022342973,0.00003248251,0.00023572241,0.00022432987,0.000062826046,0.000105449035,0.028814578],"category_scores_gemma":[0.0000016951184,0.00015057293,0.00006306721,9.257496e-7,0.00034434508,0.0000694399,0.000060687034,0.00013480349,0.00059627404],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000020711109,0.0000015173011,9.559214e-8,0.000011762394,0.00006974647,0.000002603615,0.017989853,7.683807e-10,7.926808e-7,0.76884145,0.21259697,0.00048312446],"study_design_scores_gemma":[0.000051779563,0.0000488323,2.6299125e-7,0.000046924364,0.00004774946,0.0000023624252,0.00055590237,5.6910886e-7,0.000001825087,0.16519228,0.8338674,0.00018411626],"about_ca_topic_score_codex":0.000006899152,"about_ca_topic_score_gemma":0.00058399665,"teacher_disagreement_score":0.6212704,"about_ca_system_score_codex":0.000006534714,"about_ca_system_score_gemma":0.0000072144885,"threshold_uncertainty_score":0.9720732},"labels":[],"label_agreement":null},{"id":"W4255554720","doi":"10.4000/belphegor.166","title":"Santa, Àngels, La literatura popular francesa: folletines y melodramas","year":2013,"lang":"ca","type":"article","venue":"Belphégor","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.010551429688293902,"score_gpt":0.21802678176903856,"score_spread":0.20747535208074466,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4255554720","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08099291,0.24690436,0.000016221979,0.010379513,0.008217402,0.0020501271,0.0006206975,0.00055067847,0.6502681],"genre_scores_gemma":[0.8209614,0.0012988144,0.0002810083,0.0030000177,0.0068010124,0.00023934699,0.00017361334,0.00010535284,0.16713944],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99686956,0.00019000962,0.00074436807,0.00077892165,0.0005299376,0.00088721805],"domain_scores_gemma":[0.99818695,0.00011802345,0.00026434672,0.00059564016,0.0006222908,0.00021274982],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000201363,0.0008020478,0.00084868,0.00014061849,0.0013201431,0.004240995,0.0004932632,0.00036367713,0.010068744],"category_scores_gemma":[0.00008901699,0.0005950516,0.00046222543,0.0002057832,0.00048011792,0.00092264736,0.00019795529,0.0006805994,0.0030154164],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000461992,0.00027389673,0.000615441,0.00033675085,0.0004962051,0.00009768789,0.056928243,4.8866116e-7,0.00034843356,0.1989744,0.7347941,0.007088155],"study_design_scores_gemma":[0.00079226494,0.00018823086,0.0018120063,0.00034545027,0.0002331693,0.00002911399,0.009334763,0.000010864041,0.00007713554,0.0032885547,0.98306,0.00082843006],"about_ca_topic_score_codex":0.000676424,"about_ca_topic_score_gemma":0.00024619466,"teacher_disagreement_score":0.7399685,"about_ca_system_score_codex":0.0000382945,"about_ca_system_score_gemma":0.00005118628,"threshold_uncertainty_score":0.99998},"labels":[],"label_agreement":null},{"id":"W4281672578","doi":"10.18192/rceh.v44i3.6362","title":"Care and Cultural Exclusion in Restoration Spain: Transgressive Caregiving in Galdós’s Misericordia","year":2022,"lang":"en","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Deviance (statistics); Psychology; Transgressive; Sociology; Humanities; Gender studies; Art","score_opus":0.014094022718092838,"score_gpt":0.2234902456615669,"score_spread":0.20939622294347404,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4281672578","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9780869,0.018986573,8.904701e-7,0.00034952813,0.00024090278,0.000422927,0.00007495344,0.000029333565,0.0018079913],"genre_scores_gemma":[0.99861765,0.00029808955,0.000020859494,0.00038151216,0.00020122397,0.00018761742,0.000053305375,0.000020864933,0.00021887846],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99855566,0.00020787261,0.00028923067,0.00036325998,0.00019933328,0.00038465505],"domain_scores_gemma":[0.9995004,0.00004684873,0.00009534985,0.00016771558,0.00010460247,0.00008508714],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00019970756,0.0002196475,0.00033822996,0.00015843278,0.0007138289,0.0001542627,0.00013045949,0.000037658247,0.00011992474],"category_scores_gemma":[0.000061362865,0.00020206145,0.00006569567,0.0001656581,0.00009952704,0.00017990099,0.00008835605,0.00034923907,0.0000012601174],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000105888386,0.000059518887,0.012234203,0.00025457222,0.000034757984,0.00069841446,0.6519503,0.00006821515,0.0001703401,0.32374892,0.006433596,0.004241277],"study_design_scores_gemma":[0.0008026786,0.0002156447,0.009157351,0.00021213223,0.00003931074,0.00004496223,0.19979805,0.000045077744,0.0000042816932,0.00002374244,0.7892822,0.00037457357],"about_ca_topic_score_codex":0.0019556668,"about_ca_topic_score_gemma":0.17939542,"teacher_disagreement_score":0.7828486,"about_ca_system_score_codex":0.00071286125,"about_ca_system_score_gemma":0.00010502914,"threshold_uncertainty_score":0.8355785},"labels":[],"label_agreement":null},{"id":"W4285774663","doi":"10.55335/rp.213","title":"Poemas de Carmen Pérez García","year":2019,"lang":"es","type":"article","venue":"Penélope evolución histórica y literaria desde la antigüedad","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"ASTER","funders":"","keywords":"Garcia; Humanities; Art","score_opus":0.005692719024818424,"score_gpt":0.2216259433509824,"score_spread":0.21593322432616396,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4285774663","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15846431,0.041738193,0.000036147972,0.0021642917,0.0042715664,0.0013240078,0.0005285936,0.00049976964,0.7909731],"genre_scores_gemma":[0.813688,0.0011605438,0.0008574789,0.0016739336,0.0030813336,0.00008220912,0.0001912675,0.00019477007,0.17907052],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99406946,0.00059403374,0.0012082902,0.0015309193,0.0008760409,0.0017212745],"domain_scores_gemma":[0.9965355,0.00045133184,0.0005409141,0.0013833244,0.00064233306,0.0004466067],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000759508,0.0012625889,0.0015195156,0.00040181226,0.0011115042,0.0042599957,0.0010863822,0.0006131251,0.009101178],"category_scores_gemma":[0.00014407693,0.0011077118,0.0007568345,0.00037272455,0.00062435627,0.001168585,0.00046324937,0.0012849439,0.003574046],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00031786485,0.00053911755,0.041898046,0.00086937234,0.0009602508,0.00027603313,0.07703591,0.0000049587165,0.0015606813,0.70889264,0.16583157,0.0018135405],"study_design_scores_gemma":[0.0014811723,0.00042165854,0.022156086,0.00089469436,0.000483803,0.000104994266,0.0017998051,0.00012654754,0.00007656747,0.0027320154,0.96825683,0.0014658269],"about_ca_topic_score_codex":0.00052386755,"about_ca_topic_score_gemma":0.00009072375,"teacher_disagreement_score":0.80242527,"about_ca_system_score_codex":0.0003442428,"about_ca_system_score_gemma":0.0003658232,"threshold_uncertainty_score":0.9991373},"labels":[],"label_agreement":null},{"id":"W4288870373","doi":"10.32870/argos.v6.n17.2a19","title":"Emilia Pardo Bazán. Algo más en torno a su naturalismo y feminismo","year":2019,"lang":"es","type":"article","venue":"Argos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Intertek (Canada)","funders":"","keywords":"Humanities; Art; Physics","score_opus":0.006690036379636255,"score_gpt":0.2194212918487591,"score_spread":0.21273125546912286,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4288870373","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4951395,0.026142426,4.279158e-7,0.0028566257,0.0054507293,0.000748349,0.00033184042,0.00020648468,0.4691236],"genre_scores_gemma":[0.88563764,0.0007916923,0.000034112134,0.0030294862,0.0028062803,0.00003934228,0.000111309244,0.000059598722,0.10749053],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99760306,0.00011538265,0.00048024507,0.0006614625,0.00044391223,0.0006959277],"domain_scores_gemma":[0.9987201,0.00016903615,0.00018520631,0.00059503934,0.00019862314,0.00013196145],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00019673332,0.0005769716,0.00067021186,0.00008349482,0.0005345388,0.0013755332,0.0004414963,0.00017362225,0.005528424],"category_scores_gemma":[0.000051641942,0.0004366578,0.0003423259,0.00007556818,0.0002097591,0.0004028616,0.00020663979,0.00062007416,0.0035394472],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007906524,0.00016863807,0.0057060462,0.00032224742,0.00068762945,0.00010700866,0.093427695,8.31592e-7,0.00044581507,0.59604084,0.30068374,0.002330419],"study_design_scores_gemma":[0.0006850918,0.00022514477,0.003482411,0.0003249138,0.00018035104,0.000022892129,0.013185835,0.0000050655603,0.00033783377,0.0008319057,0.98006827,0.0006502735],"about_ca_topic_score_codex":0.00014454135,"about_ca_topic_score_gemma":0.00007446712,"teacher_disagreement_score":0.6793845,"about_ca_system_score_codex":0.00006126438,"about_ca_system_score_gemma":0.000047965448,"threshold_uncertainty_score":0.99980855},"labels":[],"label_agreement":null},{"id":"W4289032828","doi":"","title":"Maria Luisa Femenías: Affirmation identitaire, localisation et féminisme métis (présentation et traduction Michèle Soriano)","year":2019,"lang":"fr","type":"book-chapter","venue":"Americanae (AECID Library)","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.015902919217004916,"score_gpt":0.2332479642044514,"score_spread":0.2173450449874465,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4289032828","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010335136,0.006420899,0.0013519352,0.035084743,0.015871141,0.0021395516,0.0013276268,0.00062741764,0.92684156],"genre_scores_gemma":[0.33540544,0.007946089,0.0016721328,0.012022178,0.008149675,0.00015016885,0.010961363,0.0004387975,0.6232542],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9961915,0.0003216571,0.001143206,0.0009810522,0.00075288035,0.0006096894],"domain_scores_gemma":[0.9976443,0.00018606942,0.0011712793,0.00059426756,0.00023383611,0.00017024131],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00023753007,0.0009987745,0.0009765959,0.00041946763,0.00080464815,0.0008570124,0.00037906138,0.0004373459,0.009881235],"category_scores_gemma":[0.000031881224,0.000993505,0.00050530274,0.00015764905,0.00079410255,0.0049866545,0.00017119209,0.00078042457,0.0014101807],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009158235,0.000095354655,0.0007687445,0.00020900798,0.00055627985,0.000018947323,0.012995236,0.000031920677,0.00006987699,0.8589978,0.1198912,0.006274025],"study_design_scores_gemma":[0.00075365906,0.00063602085,0.009886554,0.0005521051,0.00065600843,0.000021765718,0.01069692,0.000084403386,0.00013735358,0.012799463,0.96245617,0.0013195807],"about_ca_topic_score_codex":0.0064921486,"about_ca_topic_score_gemma":0.0008616136,"teacher_disagreement_score":0.8461984,"about_ca_system_score_codex":0.00014460504,"about_ca_system_score_gemma":0.00023685563,"threshold_uncertainty_score":0.99936736},"labels":[],"label_agreement":null},{"id":"W4289221019","doi":"","title":"A New History of Iberian Feminisms: editado por Silvia Bermúdez e Roberta Johnson. Toronto: University of Toronto Press, 2018, 544 pp.","year":2018,"lang":"pt","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Berm; Humanities; Art; Media studies; Sociology; History; Archaeology","score_opus":0.1271160045008116,"score_gpt":0.4179148700569436,"score_spread":0.290798865556132,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4289221019","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0047354097,0.6575239,0.000027870185,0.00013969331,0.0076382374,0.0007183811,0.00047507268,0.00004101911,0.32870042],"genre_scores_gemma":[0.30352077,0.31112897,0.00055550947,0.000606051,0.009670194,0.000013943971,0.00010878272,0.0002594777,0.37413627],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99540895,0.00037117687,0.0015253485,0.0008512411,0.0011020311,0.00074127305],"domain_scores_gemma":[0.99393886,0.00024431263,0.0026882463,0.0010735926,0.0015373327,0.0005176526],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007641725,0.00083722605,0.0020959212,0.000092713475,0.00064120244,0.00071753573,0.003670092,0.00038577578,0.14292513],"category_scores_gemma":[0.00015432807,0.0007857213,0.0006946919,0.00011820518,0.0011641082,0.005219334,0.0014985411,0.0004517787,0.00002369575],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0009306385,0.0005516481,0.0025428813,0.00036974845,0.0015046025,0.00003215216,0.059001837,0.0000013056977,0.0050524874,0.0024645587,0.92329234,0.0042557945],"study_design_scores_gemma":[0.0012086314,0.00018795601,0.020816026,0.001400021,0.0008995621,0.000007666123,0.0080951955,0.000005765686,0.0012312774,0.0003982605,0.9649188,0.0008308512],"about_ca_topic_score_codex":0.20744723,"about_ca_topic_score_gemma":0.13336752,"teacher_disagreement_score":0.3463949,"about_ca_system_score_codex":0.0009854283,"about_ca_system_score_gemma":0.00076650135,"threshold_uncertainty_score":0.9994594},"labels":[],"label_agreement":null},{"id":"W4302388957","doi":"","title":"Recueil de chansons de Sebastián de Horozco Édition de José J. Labrador Herraiz, Ralph A. DiFranco et Ramón Morillo Velarde-Pérez. Tolède, ministère de l'Éducation, des Sciences et de la Culture de Castilla-La Mancha, 2010. 902 p. (ISBN: 978-84-7788-561-0.)","year":2011,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Geography","score_opus":0.030048466541798626,"score_gpt":0.27306228290563295,"score_spread":0.24301381636383432,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4302388957","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.28334278,0.046107203,0.065154545,0.05121261,0.0023736926,0.0019791191,0.00203549,0.0009792369,0.54681534],"genre_scores_gemma":[0.7338918,0.020702286,0.1017018,0.0034930587,0.0010348492,0.0008038169,0.0012570408,0.00023754637,0.13687782],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9838127,0.011784369,0.00087733887,0.0012681193,0.0005892701,0.0016681997],"domain_scores_gemma":[0.9932706,0.0017483351,0.00086246093,0.0013926552,0.0020673645,0.0006586314],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["sts"],"category_scores_codex":[0.012366111,0.000991122,0.0008404217,0.00028307206,0.0035500738,0.0024719897,0.0017956318,0.0010611296,0.00083388895],"category_scores_gemma":[0.0026322808,0.0009784198,0.00053321326,0.00046146667,0.003302777,0.0006292057,0.00072943635,0.002005519,0.000062724015],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006316884,0.0010800267,0.0045838985,0.0005176256,0.00032899267,0.00005250064,0.48588562,0.00015316113,0.0022326314,0.4045617,0.09715393,0.003386729],"study_design_scores_gemma":[0.0011605409,0.000019968682,0.038808826,0.005500305,0.0005453258,0.00075082446,0.023235058,0.0014495717,0.008739203,0.048433255,0.86975175,0.001605376],"about_ca_topic_score_codex":0.015088926,"about_ca_topic_score_gemma":0.030009931,"teacher_disagreement_score":0.7725978,"about_ca_system_score_codex":0.0014709193,"about_ca_system_score_gemma":0.0034291558,"threshold_uncertainty_score":0.9994097},"labels":[],"label_agreement":null},{"id":"W4312454033","doi":"10.55422/bbmp.488","title":"Galdós poeta","year":2020,"lang":"es","type":"article","venue":"BOLETÍN DE LA BIBLIOTECA DE MENÉNDEZ PELAYO","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Novelis (Canada)","funders":"","keywords":"Humanities; Art","score_opus":0.01565483740802776,"score_gpt":0.2503273425071841,"score_spread":0.23467250509915633,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4312454033","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.036977615,0.043776102,0.0002571306,0.038403153,0.0007396924,0.0005810949,0.00044540453,0.0006612559,0.87815857],"genre_scores_gemma":[0.960072,0.0042084293,0.00046410784,0.017029637,0.0060500037,0.000048891332,0.000041577303,0.00013684767,0.011948543],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9966258,0.000431031,0.00055186305,0.00075207977,0.00057165703,0.001067571],"domain_scores_gemma":[0.9983363,0.00021588265,0.00023298792,0.0004566351,0.00022543322,0.00053274666],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00053662184,0.000702138,0.0007300906,0.00077826704,0.00088656717,0.0044073015,0.0006693899,0.0005301345,0.004426251],"category_scores_gemma":[0.00019954247,0.00061567675,0.0004291396,0.0011981141,0.00060066395,0.0004365189,0.0003048665,0.0011705478,0.0007736324],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015450073,0.00017588177,0.0013644287,0.00033710906,0.0004967443,0.0003896305,0.048443813,0.000010795086,0.0025128967,0.36120945,0.5831531,0.0017516172],"study_design_scores_gemma":[0.0009075346,0.0003532562,0.0020346593,0.0002139586,0.00036406177,0.00006597642,0.005789033,0.00013822565,0.00067944085,0.0018000924,0.98688567,0.00076812255],"about_ca_topic_score_codex":0.00016214041,"about_ca_topic_score_gemma":0.000045097288,"teacher_disagreement_score":0.92309433,"about_ca_system_score_codex":0.00009983022,"about_ca_system_score_gemma":0.00022929614,"threshold_uncertainty_score":0.99962944},"labels":[],"label_agreement":null},{"id":"W4312942250","doi":"10.15581/008.18.26743","title":"El \"antiarte poética\" de José Joaquín de Virués (1832)","year":2018,"lang":"es","type":"article","venue":"Rilce Revista de Filología Hispánica","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Prince Albert Grand Council","funders":"","keywords":"Art; Humanities","score_opus":0.014507944060256486,"score_gpt":0.27127780620512726,"score_spread":0.2567698621448708,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4312942250","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26250944,0.07161779,0.0006478059,0.0113176955,0.0021961,0.0013958034,0.0014112216,0.0009213076,0.64798284],"genre_scores_gemma":[0.964033,0.0032488282,0.0010345294,0.0061808536,0.00867165,0.00006750905,0.000087732435,0.00013773263,0.016538143],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9954776,0.00052770023,0.00088831736,0.0009195675,0.000405508,0.001781279],"domain_scores_gemma":[0.9973067,0.00028705542,0.00042953264,0.0010289914,0.0005064464,0.00044124355],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00094187586,0.00081555836,0.0010694664,0.0001669974,0.00174716,0.0022923884,0.0008693661,0.0005431919,0.005802152],"category_scores_gemma":[0.0005648009,0.0006976111,0.0005679083,0.00018438556,0.0017315439,0.00031857917,0.00033422475,0.0009198057,0.0015814011],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015604617,0.0002341653,0.001982377,0.00035225836,0.0005336996,0.00013032569,0.017615017,3.2974128e-7,0.0015886041,0.6668969,0.3084322,0.0020780955],"study_design_scores_gemma":[0.00055118836,0.0006708588,0.0051914,0.00072950276,0.00067519443,0.00012954244,0.0014915343,0.000055504257,0.00036456448,0.0026433563,0.98663425,0.0008630902],"about_ca_topic_score_codex":0.0001490617,"about_ca_topic_score_gemma":0.00019170437,"teacher_disagreement_score":0.7015236,"about_ca_system_score_codex":0.00033095985,"about_ca_system_score_gemma":0.00041203172,"threshold_uncertainty_score":0.9995524},"labels":[],"label_agreement":null},{"id":"W4316663552","doi":"10.5944/signa.vol32.2023.36119","title":"PRESENTACIÓN: LA NOVELA DE LA ARTISTA","year":2023,"lang":"es","type":"article","venue":"Signa Revista de la Asociación Española de Semiótica","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"University of Toronto; Ohio State University; Ohio State University Press","keywords":"Humanities; Art","score_opus":0.008175154322822413,"score_gpt":0.27753708940179905,"score_spread":0.26936193507897666,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4316663552","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12585916,0.02457881,0.00026393007,0.005479187,0.00065602193,0.0012536853,0.0014203204,0.0016164565,0.83887243],"genre_scores_gemma":[0.9606921,0.0031560853,0.00026593302,0.0013108857,0.0031450086,0.00018018429,0.00015571556,0.00021818034,0.03087589],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9933617,0.002539438,0.00079253723,0.00088438834,0.00069989415,0.001722035],"domain_scores_gemma":[0.99503785,0.003203102,0.0003571033,0.0007007074,0.0002511803,0.0004500718],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0029056557,0.0008873155,0.0010482046,0.00018376842,0.0014281281,0.0064814696,0.0007570518,0.00089539995,0.001178619],"category_scores_gemma":[0.001008364,0.0008325071,0.0006937702,0.0004895387,0.0020884788,0.00035679995,0.00040243473,0.001623531,0.00056832796],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000084916166,0.00028946955,0.007913487,0.0006767661,0.00074511714,0.00070020155,0.03330964,0.000008991333,0.0035735308,0.7148628,0.23652844,0.0013065843],"study_design_scores_gemma":[0.00085183594,0.00013032976,0.009433949,0.0009183836,0.0006943683,0.0001084539,0.009323961,0.00013294218,0.00026574754,0.009408544,0.96776277,0.000968725],"about_ca_topic_score_codex":0.00014394945,"about_ca_topic_score_gemma":0.000026011598,"teacher_disagreement_score":0.83483297,"about_ca_system_score_codex":0.0004349726,"about_ca_system_score_gemma":0.00041839085,"threshold_uncertainty_score":0.99987185},"labels":[],"label_agreement":null},{"id":"W4319348807","doi":"10.7203/puv-esp67-16-brugueras","title":"L’aspirina i la nació. Unes notes sobre Joan Fuster i la ideologia del progrés","year":2023,"lang":"ca","type":"report","venue":"","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Adidas (Canada)","funders":"","keywords":"Humanities; Political science; Philosophy","score_opus":0.0991089048568773,"score_gpt":0.3260339003918283,"score_spread":0.226924995534951,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4319348807","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0011810148,0.012567332,0.000011846649,0.0025646596,0.0044048,0.0009773386,0.00036075665,0.001021586,0.97691065],"genre_scores_gemma":[0.08821202,0.006371551,0.00015623313,0.0010381114,0.009070685,0.00044376828,0.0008259759,0.00029087506,0.8935908],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99469,0.00029525853,0.0013152974,0.0013852548,0.0010949608,0.0012191983],"domain_scores_gemma":[0.9961826,0.0008191633,0.00063199125,0.0008059009,0.0013453368,0.0002150022],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.0009353764,0.0015597778,0.0017996118,0.0003234819,0.0013915584,0.0020851875,0.0005843483,0.0013281388,0.0029806334],"category_scores_gemma":[0.0004584044,0.0010144109,0.001045656,0.00025636185,0.0013433987,0.00039417602,0.00068678317,0.0015955057,0.0014010972],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000065292144,0.00032838905,0.0018043299,0.0019119092,0.0024319137,0.0013898435,0.028768398,0.0000014163721,0.000015879225,0.2986492,0.65072894,0.013904481],"study_design_scores_gemma":[0.0004248628,0.0003396074,0.0015161501,0.0009733148,0.00084066275,0.00025763514,0.015862418,0.0000027845194,0.000028285811,0.001901515,0.9764603,0.0013924802],"about_ca_topic_score_codex":0.00071184186,"about_ca_topic_score_gemma":0.0054857745,"teacher_disagreement_score":0.3257313,"about_ca_system_score_codex":0.000104381426,"about_ca_system_score_gemma":0.00045580073,"threshold_uncertainty_score":0.99996835},"labels":[],"label_agreement":null},{"id":"W4319778801","doi":"10.55422/bbmp.541","title":"Cómo llegar a ser una intelectual. La autoconstrucción de Emilia Pardo Bazán","year":2021,"lang":"es","type":"article","venue":"BOLETÍN DE LA BIBLIOTECA DE MENÉNDEZ PELAYO","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Novelis (Canada)","funders":"","keywords":"Humanities; Art","score_opus":0.006812585000452865,"score_gpt":0.26155627983553587,"score_spread":0.254743694835083,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4319778801","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.120949954,0.04314453,0.0006036199,0.005183545,0.0009637835,0.000740975,0.0005277403,0.00065320556,0.82723266],"genre_scores_gemma":[0.9425504,0.007118801,0.0015242578,0.004705825,0.0028498252,0.00019688785,0.000070920025,0.00019731186,0.04078576],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9948221,0.001206862,0.00076902966,0.0010006,0.000635535,0.0015659046],"domain_scores_gemma":[0.9971754,0.0007234467,0.00027511475,0.00080529234,0.0005656512,0.00045508303],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0012295742,0.0009337572,0.0009927109,0.0013073798,0.0011058317,0.0049956464,0.00062851503,0.0009872757,0.0070503694],"category_scores_gemma":[0.0005243567,0.0008599687,0.00059823156,0.0017422561,0.0009506172,0.00045199913,0.00043037807,0.0018316325,0.0002770348],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017914096,0.0005031833,0.003494548,0.00056142063,0.0012859685,0.0018698605,0.031453654,0.000026938185,0.0045774784,0.42808375,0.5230921,0.0048719593],"study_design_scores_gemma":[0.0012753037,0.00019051426,0.0029808378,0.0009195116,0.00045492116,0.0009456112,0.010339521,0.0001564571,0.003509295,0.006045164,0.9721406,0.0010422834],"about_ca_topic_score_codex":0.00022458748,"about_ca_topic_score_gemma":0.0003362699,"teacher_disagreement_score":0.82160044,"about_ca_system_score_codex":0.00031316406,"about_ca_system_score_gemma":0.0011813446,"threshold_uncertainty_score":0.9993851},"labels":[],"label_agreement":null},{"id":"W4319782259","doi":"10.55422/bbmp.538","title":"«Yo soy aficionada a leer causas célebres, por mis gustos de novelista». Los artículos sobre crímenes violentos de Emilia Pardo Bazán en La Ilustración Artística","year":2021,"lang":"es","type":"article","venue":"BOLETÍN DE LA BIBLIOTECA DE MENÉNDEZ PELAYO","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Novelis (Canada)","funders":"","keywords":"Humanities; Art","score_opus":0.007952752890726637,"score_gpt":0.2580632798947766,"score_spread":0.25011052700405,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4319782259","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2699455,0.09932283,0.0024566383,0.023595046,0.002267025,0.0025850516,0.007925121,0.0014146286,0.59048814],"genre_scores_gemma":[0.9279564,0.009330084,0.0026356548,0.0054818373,0.0046616653,0.00035508614,0.0003882847,0.00033806555,0.048852894],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9926752,0.0013718061,0.0011364085,0.0013902973,0.0011301896,0.002296115],"domain_scores_gemma":[0.99592507,0.0010568697,0.0004288558,0.0010765264,0.00072548864,0.0007871809],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.0015324845,0.0013804538,0.0013026756,0.001196958,0.0016276089,0.0048218756,0.0008257103,0.0014191008,0.00466676],"category_scores_gemma":[0.00060758967,0.0013015436,0.0007585493,0.0013636898,0.00085954356,0.00055153196,0.00041624805,0.0020460875,0.00017615544],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006908459,0.0020260725,0.0037583604,0.0018958263,0.0025137903,0.006357914,0.043832418,0.00023781756,0.020588659,0.15427949,0.75869876,0.0051200786],"study_design_scores_gemma":[0.0018177826,0.0002582075,0.0054390407,0.0014786121,0.0011801594,0.0011309113,0.016822856,0.0002886555,0.0047562644,0.0035054868,0.96175146,0.0015705656],"about_ca_topic_score_codex":0.0013453758,"about_ca_topic_score_gemma":0.00218091,"teacher_disagreement_score":0.6580109,"about_ca_system_score_codex":0.0006127142,"about_ca_system_score_gemma":0.0017514963,"threshold_uncertainty_score":0.9998946},"labels":[],"label_agreement":null},{"id":"W4324006007","doi":"10.1353/rht.2011.0006","title":"Oral Traditions and Gender in Early Modern Literary Texts ed. by Mary Ellen Lamb, Karen Bamford","year":2011,"lang":"en","type":"article","venue":"Rhetorica","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Studio; Visual arts","score_opus":0.047087792243111916,"score_gpt":0.21934211728596925,"score_spread":0.17225432504285734,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4324006007","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26735926,0.028158277,0.00003226616,0.0002936351,0.00085557235,0.00034935126,0.00036264688,0.0001847779,0.7024042],"genre_scores_gemma":[0.9861814,0.00054257957,0.00014263623,0.00035477013,0.00041739966,0.00004311427,0.00005596853,0.000021593403,0.012240533],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991853,0.000032886972,0.00018323158,0.0002420406,0.00011489992,0.00024161357],"domain_scores_gemma":[0.9996942,0.00002055295,0.00003796579,0.00013835712,0.00004270538,0.000066187895],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000049589322,0.00017300187,0.00019670167,0.000059342514,0.00022934181,0.00013230678,0.00010030326,0.000061187944,0.0006869558],"category_scores_gemma":[0.0000038528847,0.00013628764,0.000053392363,0.0000418206,0.00009202967,0.00037385715,0.000030322783,0.00016722153,0.0000358017],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004413943,0.0002223553,0.0023915193,0.000036895293,0.000102374965,0.000023954392,0.5007869,4.1790017e-8,0.000043502783,0.062425423,0.42969477,0.004228147],"study_design_scores_gemma":[0.0005082482,0.00016799441,0.0085664885,0.00003604984,0.00004766644,0.0000065071454,0.0013852104,0.000011806025,0.000020008782,0.049148895,0.9397202,0.00038089036],"about_ca_topic_score_codex":0.00009974288,"about_ca_topic_score_gemma":0.00012238322,"teacher_disagreement_score":0.7188222,"about_ca_system_score_codex":0.000021016649,"about_ca_system_score_gemma":0.000009606081,"threshold_uncertainty_score":0.7521685},"labels":[],"label_agreement":null},{"id":"W43589420","doi":"","title":"Colin M. Coates and Cecilia Morgan — Heroines and History: Representations of Madeleine de Verchères and Laura Secord","year":2003,"lang":"en","type":"article","venue":"Histoire sociale","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Art history","score_opus":0.017537390815127084,"score_gpt":0.21148466571598623,"score_spread":0.19394727490085914,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W43589420","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.80573887,0.07350296,0.0000035665319,0.0011283009,0.00055229414,0.000210402,0.00007397734,0.000060986782,0.11872865],"genre_scores_gemma":[0.9657426,0.000456299,0.00013815379,0.00020860555,0.00018120426,0.000012618708,0.000010159742,0.000013176711,0.033237208],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99949527,0.000038878443,0.00013405952,0.00014798944,0.00006851622,0.00011529388],"domain_scores_gemma":[0.9996807,0.000044517874,0.00006667512,0.000065611996,0.00010367198,0.000038811544],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00006718284,0.00010270099,0.00018820053,0.000030934647,0.00043416567,0.00003835428,0.00002756479,0.000040889976,0.0002241889],"category_scores_gemma":[0.000067546396,0.000092564806,0.000024277955,0.000021358152,0.0007151414,0.00010336652,0.000018691977,0.00007002146,7.627979e-7],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031726817,0.000080745835,0.009642416,0.00018937221,0.00010629921,0.000008799911,0.23456448,1.167678e-7,0.0031308173,0.49007186,0.26077408,0.0013992784],"study_design_scores_gemma":[0.0003994307,0.00006944767,0.0029825596,0.000026009087,0.00006528954,0.0000073130154,0.02222526,0.0000019568065,0.00014660749,0.003850566,0.9700781,0.0001474489],"about_ca_topic_score_codex":0.0004796658,"about_ca_topic_score_gemma":0.004025145,"teacher_disagreement_score":0.70930403,"about_ca_system_score_codex":0.00005018415,"about_ca_system_score_gemma":0.000037860013,"threshold_uncertainty_score":0.37746832},"labels":[],"label_agreement":null},{"id":"W4365385409","doi":"10.1007/978-3-031-14816-3_4","title":"Elena Ferrante’s Women Intellectuals: Writing and the Paradoxical Relationship to the Mother","year":2023,"lang":"en","type":"book-chapter","venue":"Italian and Italian American studies","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Waterloo; St. Jerome's University","funders":"","keywords":"Psychology; Gender studies; Sociology","score_opus":0.06126191116231033,"score_gpt":0.27147986247798306,"score_spread":0.21021795131567272,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4365385409","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0019049331,0.025251798,0.000002883725,0.026353769,0.00074938504,0.0010107453,0.0003171995,0.00022486922,0.9441844],"genre_scores_gemma":[0.20165847,0.002479578,0.000010439402,0.003854501,0.0013608304,0.00018187573,0.000012824956,0.00008955903,0.7903519],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99817276,0.00008006747,0.00047406953,0.0005263399,0.0003044936,0.00044224015],"domain_scores_gemma":[0.9985169,0.00066285627,0.00021708167,0.00033090267,0.0001639355,0.00010831067],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0004646972,0.00054576684,0.00088831567,0.00011233125,0.0014865212,0.0005142493,0.00023059704,0.00006973339,0.0001531563],"category_scores_gemma":[0.00022106014,0.0002751857,0.00016829498,0.000071798764,0.0042389855,0.00009603425,0.00028428453,0.00047786863,0.00023795082],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010744188,0.0000054440206,0.000027059816,0.00004445387,0.0008079628,0.000007933988,0.2635097,9.435678e-8,1.5045339e-7,0.6143006,0.11757572,0.003613423],"study_design_scores_gemma":[0.00032344222,0.00016420546,0.00012025234,0.00023389483,0.000148091,0.000009574732,0.22212842,0.0000011546177,1.718852e-7,0.016804015,0.759696,0.00037077378],"about_ca_topic_score_codex":0.000043667835,"about_ca_topic_score_gemma":0.00076293567,"teacher_disagreement_score":0.6421203,"about_ca_system_score_codex":0.00004894771,"about_ca_system_score_gemma":0.000015657337,"threshold_uncertainty_score":0.99997},"labels":[],"label_agreement":null},{"id":"W4366707769","doi":"10.4000/books.eurorbem.2807","title":"L’Espagne ou la corrida","year":2018,"lang":"fr","type":"book-chapter","venue":"","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Historical Association","funders":"","keywords":"Art","score_opus":0.026503919228953027,"score_gpt":0.22491909218774164,"score_spread":0.1984151729587886,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4366707769","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000038284943,0.010100144,0.00001524595,0.0016501335,0.0038241707,0.0002473345,0.00031294744,0.00015481493,0.98365694],"genre_scores_gemma":[0.0072400533,0.00144208,0.00012917841,0.0018709875,0.010464385,0.000015130369,0.000109331726,0.000091562186,0.9786373],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998202,0.000032140244,0.00045816205,0.0005600534,0.00032031618,0.0004272886],"domain_scores_gemma":[0.99864316,0.00012438348,0.00019613997,0.00041100357,0.0004966287,0.00012870446],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00013839477,0.0007356021,0.0006558336,0.00008391798,0.0010147571,0.000691567,0.00027657524,0.0004854077,0.17566977],"category_scores_gemma":[0.000020446869,0.0005425497,0.00040463966,0.0000119382485,0.0019796104,0.0001826955,0.00016646986,0.0005411149,0.00877171],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016287808,0.00002680515,0.000004347184,0.000064916596,0.00030680004,0.00004752115,0.006530678,2.4651737e-8,0.0000029596308,0.7051004,0.2864854,0.0014138593],"study_design_scores_gemma":[0.0002439189,0.0003000879,0.000016625349,0.00039050952,0.00032586808,0.000035189223,0.0018608602,0.0000011621294,0.00001394355,0.03386249,0.9622365,0.00071284187],"about_ca_topic_score_codex":0.00012217984,"about_ca_topic_score_gemma":0.0018900608,"teacher_disagreement_score":0.6757511,"about_ca_system_score_codex":0.00003831855,"about_ca_system_score_gemma":0.0000371255,"threshold_uncertainty_score":0.99970263},"labels":[],"label_agreement":null},{"id":"W4379532344","doi":"10.1353/hpn.2011.a461887","title":"Jazz Age Barcelona (review)","year":2011,"lang":"en","type":"article","venue":"Hispania","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Jazz; History; Politics; Style (visual arts); Art history; Media studies; Sociology; Literature; Art; Law; Political science","score_opus":0.06450008057666602,"score_gpt":0.20944815537642092,"score_spread":0.1449480747997549,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379532344","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0013079154,0.04064773,0.0000027549775,0.0002273556,0.0007135193,0.00014900116,0.000015243184,0.0001318017,0.9568047],"genre_scores_gemma":[0.7488071,0.0069923606,0.00042862762,0.01733062,0.002395213,0.00012291473,0.00006906322,0.00006638699,0.22378775],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99930567,0.00002069606,0.00016447567,0.00017916897,0.00012393549,0.00020607536],"domain_scores_gemma":[0.99961174,0.000008267069,0.00004648731,0.00019847412,0.00008440186,0.00005062543],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00006580401,0.00015023722,0.00020524113,0.000023683315,0.00022568155,0.00003827979,0.00015192438,0.000027231785,0.014571052],"category_scores_gemma":[0.000015182072,0.000106071595,0.00009641571,0.000028076709,0.00013182647,0.00011996405,0.00004146642,0.00011000674,0.0011332578],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005765796,0.00004531557,0.000045518296,0.00011709865,0.000043443473,0.00004388254,0.043831315,1.7612208e-9,0.0000393733,0.4091396,0.5452073,0.0014813356],"study_design_scores_gemma":[0.00009087857,0.000046097666,0.0006846164,0.0001761254,0.000052737425,0.000004078598,0.00097153324,1.2316099e-7,0.00004542963,0.0013088866,0.9964547,0.00016480396],"about_ca_topic_score_codex":0.0000735985,"about_ca_topic_score_gemma":0.0005158608,"teacher_disagreement_score":0.74749917,"about_ca_system_score_codex":0.000009605519,"about_ca_system_score_gemma":0.0000076158144,"threshold_uncertainty_score":0.99964446},"labels":[],"label_agreement":null},{"id":"W4379645042","doi":"10.18192/rceh.v45i2.6711","title":"NATALIA FERNÁNDEZ RODRÍGUEZ. Ojos creadores, ojos creados. Mirada y visualidad en la lírica castellana de tradición petrarquista. Kassel: Edition Reichenberger, 2019. 276 pp.","year":2023,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.01384830351060979,"score_gpt":0.2525065245730517,"score_spread":0.23865822106244194,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379645042","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8692597,0.096812986,0.000039381437,0.0031038318,0.0036517256,0.0025789712,0.0059383824,0.001236807,0.017378194],"genre_scores_gemma":[0.9630089,0.01620396,0.000080830614,0.0012621643,0.0057336222,0.00027993272,0.0012958137,0.0003406577,0.011794138],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.992098,0.001144412,0.0014876397,0.0016441859,0.0010940216,0.0025317434],"domain_scores_gemma":[0.99546933,0.00100368,0.00067703775,0.0012374897,0.0006030602,0.0010094068],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.0017479705,0.0015066826,0.0018467716,0.00055313273,0.0019951996,0.0023270992,0.00094642857,0.00070564845,0.00083267386],"category_scores_gemma":[0.0007930115,0.0014389982,0.000788688,0.0008370301,0.00076276367,0.00046281161,0.00026058484,0.0014592989,0.0005821778],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012020038,0.00022216843,0.0010677882,0.00091220543,0.00088889245,0.0024541172,0.017424421,0.0000056851636,0.00019048853,0.4933108,0.48253,0.0008732294],"study_design_scores_gemma":[0.0011636135,0.0004963181,0.0070679933,0.0015237589,0.0012301414,0.00041959985,0.008222024,0.00013980272,0.00009582899,0.00017933242,0.9778288,0.0016327706],"about_ca_topic_score_codex":0.0056918375,"about_ca_topic_score_gemma":0.010490998,"teacher_disagreement_score":0.49529883,"about_ca_system_score_codex":0.0014870521,"about_ca_system_score_gemma":0.0010656063,"threshold_uncertainty_score":0.9997682},"labels":[],"label_agreement":null},{"id":"W4379743460","doi":"10.18192/rceh.v45i2.6690","title":"Reflecting on the Self: Introspective Construction of the Feminine in Nineteenth-Century Poets Carolina Valencia and Carolina Coronado","year":2023,"lang":"en","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Subjectivity; Reading (process); Introspection; Poetry; Femininity; South carolina; Art; Art history; Literature; History; Sociology; Philosophy; Gender studies; Linguistics; Epistemology","score_opus":0.022434560521298594,"score_gpt":0.24711984428987424,"score_spread":0.22468528376857566,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379743460","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99304104,0.0017032786,1.3502391e-7,0.0010814023,0.00043521938,0.0004620928,0.000059594197,0.000054333006,0.0031628914],"genre_scores_gemma":[0.99833,0.00064076635,0.000012268871,0.00040869697,0.00036522208,0.000053683034,0.000005000465,0.00002085501,0.0001635016],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986425,0.00015197176,0.00031833394,0.00030243868,0.00020833271,0.0003764271],"domain_scores_gemma":[0.9990962,0.00020530773,0.00018868991,0.00028669572,0.0001645067,0.00005855882],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00038489152,0.00022429298,0.0003419832,0.000093616596,0.0005900488,0.00006548854,0.00017423138,0.000057625177,0.00003010779],"category_scores_gemma":[0.00027126784,0.00013543764,0.00009392014,0.00027820136,0.00026905272,0.000056046076,0.00009020996,0.00034834116,0.0000043441946],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003250929,0.000028664099,0.019888759,0.000093543145,0.0001247415,0.00002693072,0.075448155,0.000003455294,0.00007168908,0.89728725,0.006207209,0.00078707386],"study_design_scores_gemma":[0.0016103218,0.0005977893,0.30266747,0.0011904779,0.00042461517,0.0001763943,0.11280092,0.00014971924,0.0002287298,0.00079522276,0.5785383,0.00082005706],"about_ca_topic_score_codex":0.00041466262,"about_ca_topic_score_gemma":0.012126522,"teacher_disagreement_score":0.89649206,"about_ca_system_score_codex":0.00025194063,"about_ca_system_score_gemma":0.00010608434,"threshold_uncertainty_score":0.67668843},"labels":[],"label_agreement":null},{"id":"W4381233291","doi":"10.32766/tribuna.17.338","title":"nota geográfica para Apuntes de un viaje. De España a Ginebra[1873], de Emilia Pardo Bazán","year":2022,"lang":"es","type":"article","venue":"La Tribuna Cadernos de Estudos da Casa-Museo Emilia Pardo Bazán","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Quest University Canada","funders":"","keywords":"Humanities; Art","score_opus":0.015387093334518147,"score_gpt":0.24790980560627035,"score_spread":0.2325227122717522,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4381233291","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.906279,0.05013263,0.00036911888,0.008771732,0.002640726,0.0030331225,0.005814737,0.0014986371,0.021460297],"genre_scores_gemma":[0.9726937,0.003353304,0.000700748,0.007121959,0.0038543704,0.0019234682,0.00060356635,0.00046417685,0.00928472],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.98702085,0.0023102192,0.0020691724,0.0023962362,0.0018558293,0.004347687],"domain_scores_gemma":[0.99367493,0.0016658823,0.0009407987,0.001912099,0.0005728168,0.0012334868],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.0028128554,0.0023392276,0.0024848387,0.00053010596,0.0048158737,0.0027531004,0.002386002,0.0010921343,0.004314347],"category_scores_gemma":[0.000981488,0.0023083333,0.0015120744,0.00079535955,0.0011213224,0.0005900998,0.001623347,0.004421162,0.00032363174],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0018508716,0.0041408697,0.3650218,0.0016904873,0.0052156267,0.0067151566,0.21319863,0.00093702716,0.0036755672,0.10666806,0.28716877,0.0037171422],"study_design_scores_gemma":[0.0041416404,0.0008817226,0.06647913,0.0005356824,0.00219021,0.0013654467,0.02863373,0.0006693496,0.0012563295,0.002348947,0.88868725,0.0028105543],"about_ca_topic_score_codex":0.002274385,"about_ca_topic_score_gemma":0.0006706695,"teacher_disagreement_score":0.6015185,"about_ca_system_score_codex":0.0017723249,"about_ca_system_score_gemma":0.0013209265,"threshold_uncertainty_score":0.9989346},"labels":[],"label_agreement":null},{"id":"W4381233346","doi":"10.32766/tribuna.17.333","title":"Bucólica: novela, ley y violencia","year":2022,"lang":"es","type":"article","venue":"La Tribuna Cadernos de Estudos da Casa-Museo Emilia Pardo Bazán","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Novelis (Canada)","funders":"","keywords":"Humanities; Art","score_opus":0.016613764192339002,"score_gpt":0.2448503899295943,"score_spread":0.22823662573725528,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4381233346","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.78052735,0.05320911,0.00006416499,0.0066628014,0.007234495,0.003268199,0.0076482976,0.001265307,0.14012025],"genre_scores_gemma":[0.9737419,0.0014009174,0.000075815144,0.0039690053,0.0037343265,0.0009611653,0.0004894113,0.0002500218,0.015377442],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9920921,0.0010057692,0.0014446332,0.0017197002,0.0016659282,0.0020719075],"domain_scores_gemma":[0.9963215,0.000671326,0.00065383577,0.0012956702,0.0005251756,0.000532516],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.0012519564,0.0014678674,0.0016596,0.00035890713,0.004305339,0.0021153882,0.0015087851,0.00055954716,0.0053132363],"category_scores_gemma":[0.00035402479,0.0014082746,0.00095210766,0.0005166584,0.0008586075,0.00048324675,0.0014110388,0.0031592369,0.00049328466],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00068485,0.0029257752,0.046222556,0.00062710675,0.002438045,0.0023237327,0.1331167,0.00015314782,0.0012255108,0.42242655,0.38473368,0.0031223425],"study_design_scores_gemma":[0.0024257784,0.0006909934,0.01311509,0.0002753233,0.00093040743,0.00047302627,0.024447937,0.000054555312,0.00024138777,0.0010525915,0.9546185,0.0016744046],"about_ca_topic_score_codex":0.0007699932,"about_ca_topic_score_gemma":0.00026118528,"teacher_disagreement_score":0.56988484,"about_ca_system_score_codex":0.00075647316,"about_ca_system_score_gemma":0.0005002051,"threshold_uncertainty_score":0.99980706},"labels":[],"label_agreement":null},{"id":"W4384074341","doi":"10.1080/10609164.2023.2205334","title":"Materiality: making Spanish America <b>Materiality: making Spanish America</b> , edited by Jorge Rivas, Denver: Denver Art Museum, 2020, vii + 164 pp., illus. (ISBN 9781945483042)","year":2023,"lang":"en","type":"article","venue":"Colonial Latin American Review","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Materiality (auditing); Art; Art history; Humanities; Aesthetics","score_opus":0.02023260507004661,"score_gpt":0.269230473440694,"score_spread":0.24899786837064738,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4384074341","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14164183,0.27378592,0.00059004105,0.14394495,0.07153566,0.025118455,0.019424444,0.018219057,0.30573964],"genre_scores_gemma":[0.5236937,0.25515497,0.0036483146,0.1158215,0.030189075,0.0033421381,0.0078873,0.0015867723,0.058676284],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99290997,0.0008036042,0.0018786875,0.0016051468,0.0011139294,0.0016886927],"domain_scores_gemma":[0.99608296,0.00023804452,0.0016854128,0.0012165762,0.00046762635,0.0003093523],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00065203884,0.0012718828,0.0028326348,0.00015732895,0.0014321178,0.0014462704,0.0010409129,0.00018354243,0.00755131],"category_scores_gemma":[0.000397638,0.0011205042,0.0006751375,0.0014292155,0.0019601134,0.0005654908,0.0007968976,0.00064731244,0.0032465323],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013712773,0.00016956772,0.0002637638,0.00162433,0.000495008,0.00018122284,0.008227982,0.0000015883653,0.0010403072,0.0027113094,0.9656909,0.019456876],"study_design_scores_gemma":[0.0004770743,0.0004036383,0.0004785819,0.0026885495,0.00062676665,0.000022047258,0.0019144844,0.0000253507,0.000046788984,0.00015196446,0.9917741,0.0013906683],"about_ca_topic_score_codex":0.0016268295,"about_ca_topic_score_gemma":0.00051825214,"teacher_disagreement_score":0.38205183,"about_ca_system_score_codex":0.0002558529,"about_ca_system_score_gemma":0.00014896775,"threshold_uncertainty_score":0.99986786},"labels":[],"label_agreement":null},{"id":"W4385451601","doi":"10.1080/08831157.2023.2224800","title":"The Battle of the Widows: <i>La Montálvez</i> versus <i>Clemencia</i>","year":2023,"lang":"jbo","type":"article","venue":"Romance Quarterly","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Battle; History; Art; Ancient history; Humanities","score_opus":0.01193584146411178,"score_gpt":0.22720536587406054,"score_spread":0.21526952440994876,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385451601","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.307925,0.029599614,0.0000051858633,0.017380174,0.039759044,0.0014770611,0.00087759976,0.0005027398,0.60247356],"genre_scores_gemma":[0.96985066,0.0005509004,0.000005297065,0.0002452207,0.0017937982,0.00008285003,0.000014034515,0.000044433727,0.027412778],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977499,0.00019849409,0.000531596,0.00037097879,0.0005442641,0.00060474046],"domain_scores_gemma":[0.9977108,0.0009353287,0.00030992762,0.00077498273,0.00021314029,0.000055826375],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00038817956,0.00036143637,0.00036859157,0.000035053283,0.0018562849,0.00052945496,0.0007863406,0.00011699089,0.000118787284],"category_scores_gemma":[0.00006815325,0.00019539885,0.00037141054,0.0003172074,0.0008640909,0.00024277881,0.0000882542,0.0003816587,0.00033895095],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022465829,0.000102568556,0.00014937545,0.00012889698,0.00050604297,0.000013624111,0.17095783,0.0000036831618,0.00036785047,0.24556881,0.5701768,0.011799901],"study_design_scores_gemma":[0.0009005622,0.00063392136,0.0021023748,0.00020732233,0.00015581591,0.0000018559674,0.06448298,0.00002467023,0.00012507489,0.0014836629,0.92960787,0.00027387886],"about_ca_topic_score_codex":0.00012924407,"about_ca_topic_score_gemma":0.002283072,"teacher_disagreement_score":0.6619257,"about_ca_system_score_codex":0.000031719122,"about_ca_system_score_gemma":0.00006676642,"threshold_uncertainty_score":0.9994432},"labels":[],"label_agreement":null},{"id":"W4387305858","doi":"10.5117/9789463725750_ch08","title":"Food and Drink Make Relationships","year":2023,"lang":"en","type":"book-chapter","venue":"Amsterdam University Press eBooks","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Consumption (sociology); Sociology; Power (physics); Social power; Aesthetics; Gender studies; Humanities; Art; Social science; Political science; Politics; Law","score_opus":0.059793060980782076,"score_gpt":0.19013958647695592,"score_spread":0.13034652549617384,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387305858","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000044337772,0.00024072619,0.000002008223,0.00008403674,0.00042010666,0.00022411635,0.00026946017,0.00023900329,0.9984762],"genre_scores_gemma":[0.0045741056,0.00010434711,0.000012859364,0.00008146131,0.00045794787,0.0000010740907,0.000057858404,0.00004320802,0.9946671],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999139,0.000024997613,0.00013815383,0.00035028416,0.00016622694,0.00018131224],"domain_scores_gemma":[0.99936616,0.00007621344,0.00011943747,0.00024716847,0.00012038985,0.00007065387],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00005662844,0.00029050565,0.0002895729,0.00011009834,0.00073930755,0.00018383806,0.00017385112,0.00020462024,0.000053348696],"category_scores_gemma":[0.000005001872,0.00025185474,0.00012184099,0.0000027218207,0.00035592625,0.00008395321,0.00027575184,0.00048297914,0.00003766712],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022149017,0.000003562036,0.0000022014513,0.000051283037,0.00027606313,0.000045599154,0.01681653,5.1029332e-8,3.182546e-7,0.9692986,0.012507584,0.00097603764],"study_design_scores_gemma":[0.00029241957,0.00010639824,0.000013365108,0.00016113599,0.00024131007,0.0000036063573,0.0019708893,5.9681184e-7,0.0000015020213,0.0077009634,0.9891867,0.0003210994],"about_ca_topic_score_codex":0.000035040437,"about_ca_topic_score_gemma":0.0016056892,"teacher_disagreement_score":0.97667915,"about_ca_system_score_codex":0.000027156244,"about_ca_system_score_gemma":0.0000145812855,"threshold_uncertainty_score":0.9999934},"labels":[],"label_agreement":null},{"id":"W4387478082","doi":"10.1515/9780887553028","title":"Families, Lovers, and their Letters","year":2010,"lang":"en","type":"book","venue":"University of Manitoba Press eBooks","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":32,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Psychology; Art","score_opus":0.015509969975774642,"score_gpt":0.14979358496354078,"score_spread":0.13428361498776614,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387478082","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0007268086,0.0009414913,0.00000428236,0.000038851183,0.0004953118,0.00020085256,0.0003582457,0.00006283209,0.99717134],"genre_scores_gemma":[0.0017141335,0.00021533642,0.000036535286,0.00021914292,0.00071431714,2.6772662e-7,0.000070674,0.000026284994,0.9970033],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992682,0.000020571384,0.00011569798,0.00028447955,0.00013837164,0.00017270308],"domain_scores_gemma":[0.99935085,0.000047401398,0.000171242,0.0002537805,0.00012452244,0.0000522141],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.000042760905,0.00030010528,0.0003928571,0.00007924187,0.00033330877,0.00008297897,0.0002887295,0.00019201299,0.00010902944],"category_scores_gemma":[0.0000029673859,0.0002685381,0.00014264954,0.000002001029,0.0009421643,0.00008270481,0.00022140585,0.0004655999,0.000007857567],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004831833,0.000018079047,0.0000049775103,0.00025441608,0.0004981137,0.00003934835,0.085149184,9.513103e-8,0.00014549776,0.38760582,0.52238894,0.0038472065],"study_design_scores_gemma":[0.00027443655,0.00003281974,0.000007598856,0.00012632746,0.00014367803,0.0000026248924,0.010449353,4.154901e-7,0.00003943155,0.0006614391,0.98798436,0.00027754257],"about_ca_topic_score_codex":0.0013636103,"about_ca_topic_score_gemma":0.021989768,"teacher_disagreement_score":0.46559536,"about_ca_system_score_codex":0.000029677116,"about_ca_system_score_gemma":0.000036344463,"threshold_uncertainty_score":0.9999767},"labels":[],"label_agreement":null},{"id":"W4388025784","doi":"10.1007/978-3-031-38267-3_8","title":"Ambles End in Tears","year":2023,"lang":"en","type":"book-chapter","venue":"The New Middle Ages","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Meaning (existential); Tears; Literature; Art; Psychoanalysis; Philosophy; Art history; Psychology; Medicine; Epistemology; Surgery","score_opus":0.06297093774594464,"score_gpt":0.21946678998871058,"score_spread":0.15649585224276594,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388025784","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000057476125,0.0075688013,8.4178495e-8,0.0018929008,0.0008790001,0.00018001735,0.000064340165,0.00012857013,0.9892288],"genre_scores_gemma":[0.002709092,0.0009481302,0.0000040859813,0.00060734863,0.0028465125,0.00001051621,0.000039957155,0.000059429665,0.9927749],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999106,0.0000127634,0.00021714183,0.00023925334,0.00020383275,0.00022102843],"domain_scores_gemma":[0.9994653,0.00009631773,0.00008860877,0.0002709953,0.000045750305,0.000033054195],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00009761219,0.00028664505,0.00032068204,0.000083125204,0.00022978785,0.00021454433,0.00027177567,0.000113030415,0.002318608],"category_scores_gemma":[0.000015081907,0.00016972359,0.00014282175,0.000013870741,0.00023725396,0.000066954875,0.000106446285,0.00039519125,0.0011465403],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000059778126,0.0000034980092,8.266416e-7,0.00002097789,0.000082384046,0.00002601605,0.031715706,3.0371694e-7,0.000002819707,0.73190695,0.23325743,0.0029770883],"study_design_scores_gemma":[0.00010452568,0.000026593692,0.00003290208,0.00028621434,0.000051700797,0.0000015747479,0.0019066646,1.1658991e-7,0.0000036964964,0.12315653,0.87423116,0.00019830829],"about_ca_topic_score_codex":0.00037078522,"about_ca_topic_score_gemma":0.01630377,"teacher_disagreement_score":0.64097375,"about_ca_system_score_codex":0.00002111967,"about_ca_system_score_gemma":0.000028090542,"threshold_uncertainty_score":0.99963117},"labels":[],"label_agreement":null},{"id":"W4388547857","doi":"10.1515/9781552385050-005","title":"Desire and Violence in Ana María Shua’s <i>La muerte como efecto secundario</i>","year":2010,"lang":"es","type":"book-chapter","venue":"University of Calgary Press eBooks","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Humanities; Psychology; Art; Psychoanalysis","score_opus":0.013820088639856407,"score_gpt":0.1772519902596282,"score_spread":0.1634319016197718,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388547857","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0055128164,0.002599424,0.000014107422,0.000013488218,0.00025322472,0.0004246225,0.00021624695,0.000047318415,0.99091876],"genre_scores_gemma":[0.34386423,0.0070618293,0.00050962804,0.00042212993,0.00047597228,0.0000023227085,0.00014177615,0.00011836791,0.6474038],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984828,0.00007837031,0.00028452865,0.0005557724,0.00028214738,0.00031634193],"domain_scores_gemma":[0.9989599,0.00012239344,0.00026838982,0.00036015053,0.00016253981,0.00012662623],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00013884447,0.000525609,0.00077015976,0.00016061228,0.0005975053,0.0002096287,0.00037993657,0.0005603683,0.0002210319],"category_scores_gemma":[0.000006799384,0.0005360899,0.000219081,0.0000049835035,0.002100523,0.00015619514,0.00042090358,0.0010310314,0.0000054786096],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002515521,0.00003583136,0.00008125578,0.00041678338,0.00024181175,0.00033041017,0.01580614,1.1784189e-7,0.000083473664,0.97158945,0.00016646758,0.0109967245],"study_design_scores_gemma":[0.0009821824,0.00016575828,0.0004611643,0.001896276,0.00035002598,0.000018172348,0.0010560354,0.000009689072,0.00008974172,0.005068921,0.98929423,0.0006077848],"about_ca_topic_score_codex":0.0027006634,"about_ca_topic_score_gemma":0.0118175745,"teacher_disagreement_score":0.98912776,"about_ca_system_score_codex":0.000028153154,"about_ca_system_score_gemma":0.000055413144,"threshold_uncertainty_score":0.99970907},"labels":[],"label_agreement":null},{"id":"W4391079198","doi":"10.37002/salve.ficha.21864","title":"Ficha de Phantasmarana lutzae","year":2023,"lang":"es","type":"dataset","venue":"Datasets - Sistema SALVE - ICMBio","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Impact","funders":"","keywords":"Computer science","score_opus":0.025085953244482893,"score_gpt":0.2769157003849515,"score_spread":0.25182974714046863,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391079198","genre_codex":"dataset","genre_gemma":"dataset","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"dataset","genre_consensus":"dataset","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00007656904,0.008572332,0.0000013672596,0.000704237,0.004723339,0.0010715687,0.97937727,0.0003889264,0.005084397],"genre_scores_gemma":[0.0002453662,0.004110701,0.000030497205,0.0025357967,0.006757835,0.00030178315,0.9755825,0.00018513134,0.010250384],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99286145,0.00045837826,0.001633348,0.0019725114,0.0011607729,0.0019135615],"domain_scores_gemma":[0.99494714,0.00050174096,0.0009214552,0.0028431995,0.00029119896,0.000495295],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.0009157451,0.0018995462,0.0021280309,0.00049096,0.0023091093,0.0035833667,0.0021565377,0.0009173316,0.0026234528],"category_scores_gemma":[0.00034891753,0.0016066284,0.0009403446,0.00032860602,0.0009851761,0.0006425293,0.0011964778,0.0011839962,0.032601975],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018167,0.00044439523,0.000015074236,0.0033180555,0.0022897983,0.00083789334,0.0026286133,5.934919e-7,0.000020773512,0.009830036,0.9802203,0.00021279416],"study_design_scores_gemma":[0.0009674264,0.00032322726,0.00011556555,0.001675047,0.002344729,0.000078233235,0.003941749,0.0000047700455,0.000031612017,0.00023768416,0.9883802,0.0018997663],"about_ca_topic_score_codex":0.0036404636,"about_ca_topic_score_gemma":0.01273759,"teacher_disagreement_score":0.029978521,"about_ca_system_score_codex":0.00024515967,"about_ca_system_score_gemma":0.00023346735,"threshold_uncertainty_score":0.99937487},"labels":[],"label_agreement":null},{"id":"W4391332636","doi":"10.33137/rr.v42i4.33712","title":"Introduction: Special Issue, Women’s Authorial Agency and Print Culture","year":2020,"lang":"en","type":"article","venue":"Renaissance and Reformation","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université Laval","funders":"","keywords":"Agency (philosophy); Print culture; Sociology; Gender studies; Art; Media studies; Social science","score_opus":0.012951603933335207,"score_gpt":0.2118299086698195,"score_spread":0.19887830473648427,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391332636","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2205403,0.007786361,0.00006382355,0.058117025,0.008132822,0.0008095088,0.00006048711,0.0003943514,0.7040953],"genre_scores_gemma":[0.8620266,0.0009790484,0.00008129954,0.0011385012,0.12768808,0.00003503046,0.000047591337,0.000011066299,0.007992825],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99945456,0.000014379011,0.00015287784,0.00015365382,0.00010064484,0.00012389272],"domain_scores_gemma":[0.99975437,0.0000019792178,0.000062174564,0.000053433727,0.00006612525,0.00006194736],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000053503012,0.00010790046,0.00013184978,0.000016166758,0.0003885882,0.00018214573,0.00003424839,0.000043184555,0.0008034247],"category_scores_gemma":[0.000017821338,0.00006750335,0.00001953977,0.00003274386,0.000105624196,0.00048648447,0.000029230068,0.000115062074,0.00004302328],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005671888,0.000010300466,0.000016773243,0.0001006005,0.0000288236,0.0000011408665,0.46751967,4.1855458e-7,0.00013804222,0.08433409,0.4360202,0.011773245],"study_design_scores_gemma":[0.00021014488,0.000119079334,0.00021769952,0.000012739281,0.000010003912,0.00000375854,0.011790052,0.000007831972,0.000095945055,0.0007544842,0.98667115,0.00010713105],"about_ca_topic_score_codex":0.0000027891786,"about_ca_topic_score_gemma":0.000010377602,"teacher_disagreement_score":0.6961025,"about_ca_system_score_codex":0.000016377511,"about_ca_system_score_gemma":0.0000048722695,"threshold_uncertainty_score":0.8796937},"labels":[],"label_agreement":null},{"id":"W4392115922","doi":"10.1017/9789048553754.009","title":"Food and Drink Make Relationships: Female Alliances and Commensality in Celestina and La Lozana andaluza","year":2023,"lang":"en","type":"other","venue":"","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Art","score_opus":0.052538976040893984,"score_gpt":0.24989958253651515,"score_spread":0.19736060649562115,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392115922","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0020688884,0.011004493,9.042941e-7,0.0007085436,0.00014553254,0.00022672958,0.000112397356,0.00021756192,0.98551494],"genre_scores_gemma":[0.100142024,0.0031708076,0.00012394803,0.00026798548,0.00046531213,0.00003753169,0.00002820334,0.00018502664,0.89557916],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992566,0.000065908556,0.0001553598,0.00029058557,0.00008400309,0.00014751859],"domain_scores_gemma":[0.99961966,0.00014764928,0.000067171255,0.000102456215,0.000021244698,0.00004178741],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00015750028,0.00021594726,0.00029730189,0.00007772136,0.00019416392,0.00026203977,0.000040499024,0.00013480283,0.00024154187],"category_scores_gemma":[0.00003152424,0.00014350865,0.000019088757,0.000033406777,0.00033869996,0.00005728365,0.00006717019,0.00024005766,0.0000056472895],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017162683,0.000048544847,0.034269534,0.00047659472,0.00021411882,0.000025243178,0.045926504,3.9578357e-8,4.345162e-7,0.46053013,0.45440596,0.004085729],"study_design_scores_gemma":[0.00031011997,0.000070314476,0.009401324,0.00029590243,0.000034474895,0.0000037334582,0.009422278,0.000001171074,3.1491018e-7,0.0021212855,0.97811466,0.00022440772],"about_ca_topic_score_codex":0.00041407716,"about_ca_topic_score_gemma":0.15607208,"teacher_disagreement_score":0.5237087,"about_ca_system_score_codex":0.0000054472844,"about_ca_system_score_gemma":0.000006554413,"threshold_uncertainty_score":0.85932744},"labels":[],"label_agreement":null},{"id":"W4392335991","doi":"10.1515/9781846159411","title":"Mujeres épicas españolas","year":2011,"lang":"fr","type":"book","venue":"Boydell and Brewer eBooks","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.03210966837829102,"score_gpt":0.20478654907270966,"score_spread":0.17267688069441864,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392335991","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0005930394,0.024678715,0.00001086257,0.00019359746,0.0024539835,0.00044256123,0.0002995796,0.00012626099,0.9712014],"genre_scores_gemma":[0.019405995,0.0005367941,0.00012530216,0.001783188,0.0061533935,0.000032221058,0.00008217718,0.00010698185,0.9717739],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9973449,0.00007095463,0.00066060096,0.00081421545,0.00034538648,0.0007639237],"domain_scores_gemma":[0.9985005,0.00010904332,0.00029191602,0.00044893433,0.00038273798,0.00026681772],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00022757273,0.00094730017,0.0008833761,0.00015786126,0.0013323275,0.00058245956,0.00031134367,0.0006492118,0.0020863928],"category_scores_gemma":[0.000015165218,0.0007331511,0.0003770781,0.000014994865,0.0018416727,0.00013840316,0.0002943608,0.00086633366,0.0005382435],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009087253,0.00006289428,0.000031396678,0.00035271328,0.0004976753,0.00013197384,0.02706114,1.4032083e-8,0.000017454278,0.8396075,0.116759434,0.015386958],"study_design_scores_gemma":[0.00045958476,0.00034257697,0.0001446972,0.0005908553,0.00054554694,0.000067756984,0.002510274,8.6054024e-7,0.00009326292,0.0203541,0.973928,0.00096250256],"about_ca_topic_score_codex":0.00044673658,"about_ca_topic_score_gemma":0.0019411095,"teacher_disagreement_score":0.85716856,"about_ca_system_score_codex":0.000054737102,"about_ca_system_score_gemma":0.00012929094,"threshold_uncertainty_score":0.9999678},"labels":[],"label_agreement":null},{"id":"W4392822715","doi":"10.1007/978-3-031-40494-8_40","title":"Liturgicization and the Satire of Politics in Emilia Pardo Bazán’s La Tribuna (1883)","year":2024,"lang":"en","type":"book-chapter","venue":"","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Politics; Humanities; Art; Political science; Law","score_opus":0.011036201262574761,"score_gpt":0.2031528196424234,"score_spread":0.19211661837984864,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392822715","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00002889509,0.013709672,6.262939e-7,0.0011651658,0.00029628756,0.00020609138,0.000118452226,0.000029888144,0.9844449],"genre_scores_gemma":[0.117543586,0.0011127698,0.0000046005744,0.00032432692,0.00059747085,0.000010137063,0.000054337146,0.000023575252,0.8803292],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99922305,0.000016895172,0.00031195572,0.00018451744,0.000149573,0.00011398671],"domain_scores_gemma":[0.99953985,0.00012585365,0.00007950431,0.0001381064,0.00009758244,0.000019122625],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00013347338,0.00022158709,0.00038319587,0.00007111248,0.00009945859,0.00016064837,0.00007680375,0.00013879946,0.00081965706],"category_scores_gemma":[0.000016196946,0.00011664597,0.00011012265,0.0000103072625,0.00054023915,0.000038473387,0.00006375577,0.00026674537,0.000016312817],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012203253,0.000004326672,0.0000037622458,0.00012599096,0.00009678013,0.000005082419,0.029696641,9.651926e-8,2.2890653e-7,0.95473933,0.015082123,0.00023343042],"study_design_scores_gemma":[0.0002669889,0.00001802882,0.000009316835,0.00024664658,0.000108003194,0.000002249721,0.0021947925,0.000003843301,0.0000019018598,0.22349305,0.773539,0.000116141586],"about_ca_topic_score_codex":0.00009081099,"about_ca_topic_score_gemma":0.0011990329,"teacher_disagreement_score":0.7584569,"about_ca_system_score_codex":0.000015902437,"about_ca_system_score_gemma":0.000019791949,"threshold_uncertainty_score":0.89746696},"labels":[],"label_agreement":null},{"id":"W4392829533","doi":"10.62451/rep.v1i1.12","title":"Social speech on women in the Bimestre Cubana Magazine (1910-1923)","year":2023,"lang":"en","type":"article","venue":"Revista Científica Episteme & Praxis","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Humanities; National identity; Art; History; Sociology; Political science; Politics","score_opus":0.03549569012338766,"score_gpt":0.2736456317333498,"score_spread":0.23814994160996217,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392829533","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24493062,0.0010076698,6.030856e-7,0.013866975,0.00062889815,0.0009518336,0.0001797374,0.00036054678,0.7380731],"genre_scores_gemma":[0.92101675,0.000095753574,0.0000047869266,0.0016015081,0.001577469,0.00017029564,0.000106926906,0.000033878285,0.07539265],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977439,0.00020097366,0.0004314652,0.00044476727,0.0005004557,0.0006784066],"domain_scores_gemma":[0.99919724,0.00012157233,0.00013374054,0.00038102275,0.000102182996,0.000064214415],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009369363,0.00029183543,0.00041083337,0.00016846764,0.00075505726,0.00065681833,0.0004512446,0.00006886336,0.0007981476],"category_scores_gemma":[0.000112846676,0.00018518869,0.0001780371,0.0005301699,0.00024493475,0.0001489054,0.00008550196,0.0003211302,0.0015412519],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003563225,0.00013958008,0.00020935992,0.0001453717,0.000053071904,0.000115232804,0.10489332,3.7740222e-7,0.000028089995,0.5331232,0.35833764,0.0029191298],"study_design_scores_gemma":[0.00028249098,0.00014720192,0.0030556847,0.000083093364,0.000019964908,0.0000042989154,0.013094489,0.0000034874186,0.0000034386815,0.0009974014,0.9820747,0.00023379122],"about_ca_topic_score_codex":0.000014157744,"about_ca_topic_score_gemma":0.00024063776,"teacher_disagreement_score":0.6760861,"about_ca_system_score_codex":0.00011668776,"about_ca_system_score_gemma":0.000036268277,"threshold_uncertainty_score":0.99923617},"labels":[],"label_agreement":null},{"id":"W4393017587","doi":"10.7202/1106570ar","title":"« J’AI RÊVÉ CETTE NUIT LE PLUS BEAU POÈME DU MONDE »","year":2023,"lang":"fr","type":"article","venue":"Voix et Images","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Humanities; Philosophy","score_opus":0.01568011041344498,"score_gpt":0.24937352059671994,"score_spread":0.23369341018327497,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4393017587","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0059037176,0.07769593,0.000037153735,0.4907482,0.007171423,0.00051743706,0.005348994,0.0009244721,0.41165268],"genre_scores_gemma":[0.107343055,0.0051443875,0.000069411464,0.008860971,0.005440065,0.000072302566,0.00022600491,0.000095373194,0.87274843],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99794304,0.00012778239,0.00036583704,0.00048729635,0.000337636,0.0007383805],"domain_scores_gemma":[0.9990233,0.00012500433,0.00011869477,0.0003486436,0.0002642678,0.000120053905],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00028303885,0.00044855755,0.0004660759,0.00013841751,0.0011897858,0.0011531336,0.00030022417,0.0001638772,0.0010855991],"category_scores_gemma":[0.00008402809,0.00039037952,0.00028514728,0.00021284401,0.0006019597,0.000760783,0.00023787045,0.0005080061,0.0021837584],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013908311,0.00006382447,0.000059029422,0.00011541989,0.00019009324,0.00015062286,0.03915991,0.000011800866,0.00023953537,0.29097462,0.6679408,0.0010804492],"study_design_scores_gemma":[0.0005897038,0.00010243043,0.0013909185,0.00019270532,0.00013445392,0.00001940845,0.011580889,0.000042752865,0.0003566835,0.0084780045,0.97662103,0.00049099146],"about_ca_topic_score_codex":0.0020723864,"about_ca_topic_score_gemma":0.0012937112,"teacher_disagreement_score":0.48188722,"about_ca_system_score_codex":0.000059614416,"about_ca_system_score_gemma":0.00011975711,"threshold_uncertainty_score":0.9998838},"labels":[],"label_agreement":null},{"id":"W4394682948","doi":"10.25071/far4fm29","title":"Visions of India in Portuguese literature of the Renaissance: Brief sketches","year":2019,"lang":"en","type":"article","venue":"Canada Watch","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Vision; Portuguese; The Renaissance; Art; Art history; Visual arts; History; Sociology; Philosophy; Anthropology; Linguistics","score_opus":0.005563959966093534,"score_gpt":0.17730983092688776,"score_spread":0.17174587096079422,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4394682948","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.80344474,0.008950926,5.6692784e-8,0.004985358,0.0014441586,0.00031738338,0.00026551532,0.000010304795,0.18058158],"genre_scores_gemma":[0.9855849,0.000040226492,0.000004340566,0.00042384534,0.000119858996,0.0000046051728,0.000014467457,0.000007342499,0.0138003705],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992898,0.000019492316,0.00021850286,0.00012472451,0.00020797117,0.00013951036],"domain_scores_gemma":[0.99945116,0.000029043535,0.00010021151,0.0002480319,0.00014767781,0.000023861825],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000059834125,0.00010206267,0.00021397216,0.000019012452,0.000055200915,0.000020238871,0.0001859001,0.000040363033,0.00032971188],"category_scores_gemma":[0.000025157926,0.000059145616,0.000057333364,0.00011211934,0.000098956036,0.00007753355,0.00004598461,0.00016382844,8.846316e-7],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025477117,0.000058414073,0.03643965,0.00023957176,0.0000804339,0.000014685862,0.09834166,0.00000396433,0.0007689593,0.0771321,0.7862761,0.00061899505],"study_design_scores_gemma":[0.00024022872,0.000028896291,0.050546218,0.00039876602,0.000012908668,0.0000015030575,0.0069584795,8.624028e-7,0.0013850994,0.0006953731,0.939613,0.0001186718],"about_ca_topic_score_codex":0.06783167,"about_ca_topic_score_gemma":0.61612463,"teacher_disagreement_score":0.548293,"about_ca_system_score_codex":0.000024652318,"about_ca_system_score_gemma":0.00014346944,"threshold_uncertainty_score":0.9383757},"labels":[],"label_agreement":null},{"id":"W4396214914","doi":"10.25071/2818-2618.5","title":"A Small Silver Lining","year":2024,"lang":"en","type":"article","venue":"Skrib.","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Toronto","funders":"","keywords":"Political science","score_opus":0.042252219600731285,"score_gpt":0.22861341336484112,"score_spread":0.18636119376410984,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4396214914","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011959333,0.011130775,0.000008638687,0.0010608023,0.002295498,0.000061456725,0.000019583273,0.00033914216,0.97312474],"genre_scores_gemma":[0.84397745,0.0000347315,0.000076769786,0.00093742734,0.003251329,0.000015745076,0.000013381954,0.000017099697,0.15167606],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99956316,0.0000075325443,0.0000859112,0.00014224942,0.00006437687,0.00013678441],"domain_scores_gemma":[0.9998297,0.000025248735,0.000008464979,0.000076342396,0.00003781277,0.00002242754],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00004870487,0.00008763088,0.00008374174,0.000029753408,0.00016516968,0.00042056764,0.000057756504,0.000023385346,0.0018154902],"category_scores_gemma":[0.000009846791,0.000059388414,0.00007083274,0.000027170976,0.00005933974,0.00009704384,0.000024753206,0.00011646739,0.00062700757],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000026347884,0.000008773358,0.000022078098,0.00003870844,0.000071404495,0.000033332693,0.08670585,1.7843693e-7,0.00006143015,0.7716866,0.13412507,0.007243953],"study_design_scores_gemma":[0.000038679522,0.000025002766,0.000023733772,0.000072303286,0.000023508454,0.0000025278712,0.00387001,0.0000107916,0.00004076665,0.003388731,0.99240994,0.000094028124],"about_ca_topic_score_codex":0.000022666522,"about_ca_topic_score_gemma":0.00034700983,"teacher_disagreement_score":0.85828483,"about_ca_system_score_codex":0.0000074755826,"about_ca_system_score_gemma":0.000010778739,"threshold_uncertainty_score":0.999097},"labels":[],"label_agreement":null},{"id":"W4396916242","doi":"10.32873/uno.dc.jrf.21.02.10","title":"Verónica","year":2017,"lang":"en","type":"article","venue":"Journal of Religion & Film","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Geology","score_opus":0.0209778753982663,"score_gpt":0.2513597732839613,"score_spread":0.23038189788569502,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4396916242","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.057280123,0.0058085676,0.0000087490225,0.006212253,0.0041068667,0.00005683688,0.000008328238,0.000019104044,0.9264992],"genre_scores_gemma":[0.96963316,0.0008505862,0.00007974848,0.0006463769,0.0029845815,7.1872677e-7,7.510876e-7,0.0000079387955,0.025796123],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99944043,0.0000107177975,0.00021982499,0.00005684069,0.00017241454,0.000099740624],"domain_scores_gemma":[0.999057,0.000015319143,0.00041466675,0.00018313497,0.00028641583,0.00004346047],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00011658439,0.000077611476,0.00017175451,0.000033144428,0.0005916554,0.0004910514,0.0002615939,0.00002900006,0.00026569804],"category_scores_gemma":[0.000092803355,0.000048682617,0.000151353,0.0000052127443,0.00011453803,0.00035734178,0.00003548024,0.00016785481,0.000057519337],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036760885,0.000024633882,0.00017217705,0.000006775708,0.00006921424,0.00004260134,0.007998656,4.5020298e-7,0.00007608028,0.10943903,0.8810516,0.0010820328],"study_design_scores_gemma":[0.0002743831,0.00013697332,0.0005338698,0.000069915295,0.000035191515,0.000031715543,0.0006698304,8.187234e-7,0.00007764047,0.0034644858,0.99463916,0.00006602391],"about_ca_topic_score_codex":0.000027219881,"about_ca_topic_score_gemma":0.00009162677,"teacher_disagreement_score":0.91235304,"about_ca_system_score_codex":0.0000098435885,"about_ca_system_score_gemma":0.000018848643,"threshold_uncertainty_score":0.473522},"labels":[],"label_agreement":null},{"id":"W4396920773","doi":"10.32873/10.32873/uno.dc.jrf.21.02.10","title":"Verónica","year":2017,"lang":"en","type":"article","venue":"Journal of Religion & Film","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Psychology","score_opus":0.0209778753982663,"score_gpt":0.2513597732839613,"score_spread":0.23038189788569502,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4396920773","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.057280123,0.0058085676,0.0000087490225,0.006212253,0.0041068667,0.00005683688,0.000008328238,0.000019104044,0.9264992],"genre_scores_gemma":[0.96963316,0.0008505862,0.00007974848,0.0006463769,0.0029845815,7.1872677e-7,7.510876e-7,0.0000079387955,0.025796123],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99944043,0.0000107177975,0.00021982499,0.00005684069,0.00017241454,0.000099740624],"domain_scores_gemma":[0.999057,0.000015319143,0.00041466675,0.00018313497,0.00028641583,0.00004346047],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00011658439,0.000077611476,0.00017175451,0.000033144428,0.0005916554,0.0004910514,0.0002615939,0.00002900006,0.00026569804],"category_scores_gemma":[0.000092803355,0.000048682617,0.000151353,0.0000052127443,0.00011453803,0.00035734178,0.00003548024,0.00016785481,0.000057519337],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036760885,0.000024633882,0.00017217705,0.000006775708,0.00006921424,0.00004260134,0.007998656,4.5020298e-7,0.00007608028,0.10943903,0.8810516,0.0010820328],"study_design_scores_gemma":[0.0002743831,0.00013697332,0.0005338698,0.000069915295,0.000035191515,0.000031715543,0.0006698304,8.187234e-7,0.00007764047,0.0034644858,0.99463916,0.00006602391],"about_ca_topic_score_codex":0.000027219881,"about_ca_topic_score_gemma":0.00009162677,"teacher_disagreement_score":0.91235304,"about_ca_system_score_codex":0.0000098435885,"about_ca_system_score_gemma":0.000018848643,"threshold_uncertainty_score":0.473522},"labels":[],"label_agreement":null},{"id":"W4396977522","doi":"10.33137/ic.v38i1.43413","title":"Circelli, Carmela. Love and Rain.","year":2024,"lang":"en","type":"article","venue":"Italian Canadiana","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Computer science; Art","score_opus":0.01126619772145555,"score_gpt":0.19624897820792858,"score_spread":0.18498278048647304,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4396977522","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.006033205,0.029174192,0.0000010307996,0.004251833,0.0014142987,0.00009257467,0.00021243768,0.00006769406,0.95875275],"genre_scores_gemma":[0.83479875,0.000043818283,0.0000052269256,0.0014545744,0.0011896556,0.000002940118,0.000016197144,0.000017659551,0.16247118],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993871,0.000008574433,0.00009487019,0.00020498729,0.00008152965,0.00022294805],"domain_scores_gemma":[0.99971,0.000018415734,0.000009695657,0.00009648186,0.00003370287,0.00013170698],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000038187623,0.00012364972,0.000112881426,0.00006988212,0.000121327306,0.0005710627,0.000059553488,0.000034049684,0.0022452266],"category_scores_gemma":[0.0000069924777,0.00010020199,0.000048784914,0.000041357176,0.00015211651,0.00014553711,0.000012249797,0.000104519706,0.000500176],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[8.074637e-7,0.0000021271753,0.0000148464815,0.00004019644,0.000070760325,0.00012313061,0.060353797,6.928369e-8,0.00001249092,0.40702388,0.5301911,0.002166787],"study_design_scores_gemma":[0.000043624266,0.000022106251,0.00005708271,0.000047021316,0.00003176782,0.000010568201,0.008153768,0.00000670372,0.000011411539,0.0023700597,0.9890982,0.00014769066],"about_ca_topic_score_codex":0.005292374,"about_ca_topic_score_gemma":0.121152736,"teacher_disagreement_score":0.8287656,"about_ca_system_score_codex":0.000044089986,"about_ca_system_score_gemma":0.00004782168,"threshold_uncertainty_score":0.9986669},"labels":[],"label_agreement":null},{"id":"W4397033251","doi":"10.18192/rceh.v45i3.6807","title":"Breaking with the Past: The Renegotiation of Emilia Pardo Bazán’s Legacy and Gonzalo Suárez’s Los pazos de Ulloa","year":2024,"lang":"en","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.009771759201302223,"score_gpt":0.20960715685294298,"score_spread":0.19983539765164077,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4397033251","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96562433,0.024773164,0.00006107717,0.0046230895,0.0002479398,0.0005723062,0.00010496569,0.00008210086,0.003911012],"genre_scores_gemma":[0.99708796,0.0002998706,0.000020630727,0.00096466974,0.0007536617,0.00007754321,0.000010214754,0.000032693533,0.0007527475],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987057,0.00012923285,0.00025924674,0.0003041207,0.00020969553,0.00039202007],"domain_scores_gemma":[0.99909705,0.0002234513,0.000108838234,0.00032716533,0.00016393125,0.00007955055],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004515887,0.0002510785,0.00029128545,0.000054816373,0.0006687291,0.0007085947,0.00019983387,0.000048779053,0.00007318726],"category_scores_gemma":[0.00006194229,0.0001268253,0.00010169738,0.00012602998,0.00037094837,0.00017697536,0.000052648596,0.00027631692,0.000004225073],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003431459,0.000016132015,0.0011083088,0.00024376936,0.000295442,0.00006497349,0.054415062,0.000004122328,0.00006639295,0.8967979,0.04481804,0.0021355653],"study_design_scores_gemma":[0.00017101757,0.00014417747,0.0029983402,0.0004163522,0.00039835146,0.000112874615,0.011381728,0.000073650306,0.000020494585,0.00009318901,0.98397654,0.0002132645],"about_ca_topic_score_codex":0.0005904017,"about_ca_topic_score_gemma":0.027779134,"teacher_disagreement_score":0.9391585,"about_ca_system_score_codex":0.00013828752,"about_ca_system_score_gemma":0.00015918919,"threshold_uncertainty_score":0.9899614},"labels":[],"label_agreement":null},{"id":"W4397033580","doi":"10.18192/rceh.v45i3.6803","title":"Espectacularidad y gestualidad: anverso y reverso de la masculinidad en los cuentos de Rafael F. Muñoz","year":2024,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.008899879923353157,"score_gpt":0.24825004842084997,"score_spread":0.2393501684974968,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4397033580","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.86771494,0.11200926,0.00008877792,0.0020684036,0.0011825472,0.0011713979,0.00106771,0.00053117285,0.014165784],"genre_scores_gemma":[0.97733253,0.007803651,0.00029449392,0.002010327,0.004016255,0.00019132382,0.000077511824,0.00022772141,0.008046166],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9941775,0.0011521258,0.0008839392,0.0012835938,0.00061608385,0.0018867492],"domain_scores_gemma":[0.99704945,0.00079850486,0.00022671078,0.0008872678,0.00028885755,0.00074922707],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0019064518,0.0011083026,0.0012476211,0.0003941732,0.0012451706,0.004738595,0.0007137475,0.0005885686,0.00096512196],"category_scores_gemma":[0.0006288612,0.0010195804,0.0009253407,0.00038188577,0.0007408076,0.0003943188,0.00025002152,0.001591219,0.00031283274],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006582702,0.00016163537,0.0016884354,0.0017105272,0.0016794559,0.0044178143,0.06829889,0.000007686129,0.00033446212,0.7256908,0.1943655,0.0015789679],"study_design_scores_gemma":[0.00076022575,0.00025710708,0.0023716227,0.0024611966,0.001825969,0.0007165282,0.009731439,0.00024870574,0.000059973216,0.0001401882,0.9802498,0.0011772235],"about_ca_topic_score_codex":0.0014182538,"about_ca_topic_score_gemma":0.003131241,"teacher_disagreement_score":0.7858843,"about_ca_system_score_codex":0.0021031955,"about_ca_system_score_gemma":0.0015485934,"threshold_uncertainty_score":0.99994814},"labels":[],"label_agreement":null},{"id":"W4398191118","doi":"10.7202/1111016ar","title":"De la lecture au dialogue : García Lorca dans <i>Un habit de lumière</i>","year":2014,"lang":"fr","type":"article","venue":"Les Cahiers Anne Hébert","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.003776734232755153,"score_gpt":0.1887138701825051,"score_spread":0.18493713594974995,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4398191118","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09755699,0.04223085,0.0037749403,0.011478028,0.003146038,0.00037795262,0.00032534252,0.00025341418,0.84085643],"genre_scores_gemma":[0.84234273,0.00073792133,0.0005934825,0.007481986,0.0075435825,0.000056553246,0.00011360995,0.00010315357,0.141027],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99729395,0.00048744396,0.00036221178,0.0005155069,0.0002482296,0.0010926762],"domain_scores_gemma":[0.99869734,0.00033420432,0.00014082385,0.0003969976,0.00014457873,0.0002860589],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00052159245,0.0005647476,0.00054737425,0.000069723275,0.0020351792,0.00068319694,0.00036681938,0.00064847,0.0006452761],"category_scores_gemma":[0.0002009893,0.00048798707,0.00037272603,0.00011179714,0.0023533634,0.00021997033,0.000074518764,0.0010790348,0.00009913262],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000055791395,0.00019355101,0.0031197052,0.00021375861,0.00037048978,0.00009147165,0.25686336,0.000039807866,0.00041984013,0.5831572,0.1367678,0.01870726],"study_design_scores_gemma":[0.00056707766,0.0002365009,0.0031269134,0.00021002008,0.0003137906,0.000100637764,0.0072060013,0.000046275673,0.0006391058,0.0147160115,0.9722198,0.00061785924],"about_ca_topic_score_codex":0.004941998,"about_ca_topic_score_gemma":0.008824047,"teacher_disagreement_score":0.835452,"about_ca_system_score_codex":0.00035195283,"about_ca_system_score_gemma":0.00012185506,"threshold_uncertainty_score":0.9997572},"labels":[],"label_agreement":null},{"id":"W4399020888","doi":"10.1017/9781108694131.045","title":"15 November 1748. Extract of a Letter from Sebastião José de Carvalho e Melo to Marco António de Azevedo Coutinho","year":2024,"lang":"en","type":"other","venue":"","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Humanities; Art","score_opus":0.015094599808069792,"score_gpt":0.23495423748152622,"score_spread":0.21985963767345643,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399020888","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00020392629,0.006160539,0.000085863874,0.0011679978,0.0013022758,0.0003015093,0.0012281258,0.00025594648,0.9892938],"genre_scores_gemma":[0.0069835884,0.000050749084,0.00088576454,0.008362153,0.0056306967,0.000047681326,0.000105635525,0.00040801745,0.9775257],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99831575,0.000044292126,0.00034649903,0.0005117662,0.00030836434,0.00047330532],"domain_scores_gemma":[0.9992455,0.00004698569,0.00012599814,0.0003707808,0.00009376836,0.0001169323],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00012048393,0.0005060315,0.0006569067,0.00015946207,0.00007745911,0.0003128494,0.00026842556,0.00026629027,0.06623519],"category_scores_gemma":[0.000020810041,0.00035880515,0.00026933863,0.00005837983,0.00015560057,0.0000604611,0.00013228855,0.00040326043,0.0012051964],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015630116,0.000039578237,0.00006966307,0.0001611537,0.00062448083,0.00005740935,0.028700883,1.5780138e-7,0.00028470994,0.013145461,0.9566391,0.00026177464],"study_design_scores_gemma":[0.00017898003,0.000049148555,0.000056382392,0.0006844782,0.00029449162,0.0000036267702,0.0027395387,0.000001859645,0.00014541953,0.0006535095,0.9947223,0.0004702603],"about_ca_topic_score_codex":0.004884493,"about_ca_topic_score_gemma":0.028189909,"teacher_disagreement_score":0.06502999,"about_ca_system_score_codex":0.000057032696,"about_ca_system_score_gemma":0.00006860421,"threshold_uncertainty_score":0.9998864},"labels":[],"label_agreement":null},{"id":"W4399370093","doi":"10.3138/ctr.197.027","title":"Festival Santiago a Mil","year":2024,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Visual arts; Art; Aesthetics; Geography","score_opus":0.021645146815159704,"score_gpt":0.2394910194929995,"score_spread":0.2178458726778398,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399370093","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000018580657,0.53245187,2.7519437e-7,0.0058457674,0.00059021614,0.0001162729,0.00006191867,0.000055635173,0.46085945],"genre_scores_gemma":[0.33668134,0.40403652,0.000075273485,0.052909996,0.011383743,0.00026196527,0.0002930418,0.00017479043,0.1941833],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993082,0.000026550546,0.00014371831,0.00018948746,0.000080774844,0.00025123905],"domain_scores_gemma":[0.99960184,0.00002003581,0.000011539717,0.00015500611,0.000043997086,0.00016758851],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00009271035,0.00014503533,0.00021983073,0.000055029075,0.00022141215,0.0002450664,0.00011078206,0.000025059277,0.005700479],"category_scores_gemma":[0.0000103494485,0.00009631529,0.000143191,0.000074254305,0.00007990454,0.000105021,0.0000094289135,0.00013404382,0.0011421199],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[2.5878396e-7,0.0000021116002,0.0000039680585,0.0014158037,0.00006198241,0.000097369266,0.0027850978,6.1349965e-9,8.1472155e-7,0.17991444,0.7287157,0.08700242],"study_design_scores_gemma":[0.00001783804,0.000012624308,0.000004954304,0.00484314,0.00011438868,0.000022744158,0.00030588568,6.3189543e-7,9.978954e-7,0.00062268233,0.9939182,0.0001359059],"about_ca_topic_score_codex":0.007841997,"about_ca_topic_score_gemma":0.21053495,"teacher_disagreement_score":0.33666277,"about_ca_system_score_codex":0.000052057945,"about_ca_system_score_gemma":0.00017722935,"threshold_uncertainty_score":0.9996356},"labels":[],"label_agreement":null},{"id":"W4401678450","doi":"10.1515/9782760648142-007","title":"LE REGARD DE SATURNE. LA TERREUR DE LA FILIATION DANS DON QUICHOTTE DE LA DÉMANCHE","year":2023,"lang":"fr","type":"book-chapter","venue":"Les Presses de l'Université de Montréal eBooks","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Philosophy","score_opus":0.008335415915219033,"score_gpt":0.18265872031326863,"score_spread":0.1743233043980496,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4401678450","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.014020293,0.009119977,0.00032009862,0.00076904806,0.0002244362,0.00032779694,0.0004163413,0.00034752904,0.97445446],"genre_scores_gemma":[0.34790543,0.0056898356,0.00066634105,0.00090953865,0.0015524463,0.00004500803,0.00021027867,0.00023549655,0.64278567],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99729156,0.0005791699,0.00036119524,0.00061053515,0.00031791307,0.0008396314],"domain_scores_gemma":[0.99802315,0.0007919319,0.00033122415,0.0004482331,0.00015324495,0.0002522381],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00049868284,0.00072255824,0.0006003189,0.00017176468,0.0017420511,0.0006458871,0.0005767905,0.001115539,0.0003558913],"category_scores_gemma":[0.000081384205,0.0007536354,0.0004796328,0.00002484565,0.001018257,0.00017805083,0.00043365377,0.0013202636,0.00004734096],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004340742,0.00007730503,0.0015607214,0.00044851555,0.0011168798,0.0023780356,0.122746795,0.00018557768,0.0023625137,0.7993355,0.060857296,0.008496799],"study_design_scores_gemma":[0.0009649901,0.00011456725,0.0036339338,0.00078620174,0.0008619895,0.0002669328,0.010848986,0.00009123454,0.0007888118,0.01823636,0.9626639,0.00074210495],"about_ca_topic_score_codex":0.018753983,"about_ca_topic_score_gemma":0.06436339,"teacher_disagreement_score":0.9018066,"about_ca_system_score_codex":0.0008725172,"about_ca_system_score_gemma":0.00028472292,"threshold_uncertainty_score":0.99955755},"labels":[],"label_agreement":null},{"id":"W4403489247","doi":"10.1558/jwpm.26150","title":"Performing Gender in Late Spanish Folk Revival","year":2024,"lang":"en","type":"article","venue":"Journal of World Popular Music","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Queen's University; Queen's University Belfast","keywords":"History; Art; Psychology","score_opus":0.045803148642446,"score_gpt":0.2531848221230707,"score_spread":0.2073816734806247,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4403489247","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6855181,0.07385678,0.000010208497,0.0025257408,0.010093206,0.00020751756,0.000013458397,0.0000754088,0.22769958],"genre_scores_gemma":[0.97384334,0.00015000383,0.00008823969,0.0005705207,0.0039610704,0.0000019487513,0.000002684241,0.000022317248,0.021359896],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99890554,0.000036206904,0.00046558573,0.0001244614,0.0002541278,0.00021407568],"domain_scores_gemma":[0.9996226,0.000019719473,0.00011134273,0.000092436436,0.00010449472,0.00004945227],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00034168025,0.00015004593,0.00028841212,0.00028551402,0.00013737741,0.00039143892,0.00013358261,0.000027156106,0.0013630412],"category_scores_gemma":[0.00002156877,0.000102861966,0.000218682,0.00013734479,0.000046043682,0.0004543609,0.0000327102,0.00046364884,0.00003981712],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006802891,0.00012178708,0.0017611755,0.00045624448,0.0005263968,0.00186009,0.29844865,0.000024538487,0.0003828882,0.43593293,0.24260686,0.017810412],"study_design_scores_gemma":[0.00019276649,0.00005033645,0.0004774071,0.0005398686,0.00009649386,0.000044637043,0.0026876745,0.000024277417,0.000015895179,0.0067028226,0.9890185,0.00014929246],"about_ca_topic_score_codex":0.000015124681,"about_ca_topic_score_gemma":0.001018653,"teacher_disagreement_score":0.7464117,"about_ca_system_score_codex":0.000050479248,"about_ca_system_score_gemma":0.00003214703,"threshold_uncertainty_score":0.99954987},"labels":[],"label_agreement":null},{"id":"W4404819964","doi":"10.15210/rps.v8i01.22580","title":"ENTREGADORES CANTANDO DE GALO","year":2022,"lang":"pt","type":"article","venue":"Perspectivas Sociais","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.014726973659798756,"score_gpt":0.23557142664714367,"score_spread":0.22084445298734492,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404819964","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.051517338,0.07888422,0.000009132336,0.017820941,0.0042144754,0.000689363,0.0014454544,0.00040104234,0.845018],"genre_scores_gemma":[0.84973246,0.0003465638,0.000008794141,0.0014360028,0.0027573116,0.00012958366,0.000035110672,0.000052820247,0.14550136],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976793,0.00024798943,0.0002707137,0.0005138505,0.0005511159,0.0007370653],"domain_scores_gemma":[0.99910784,0.00008931254,0.00015847181,0.00026913415,0.00025189016,0.00012335351],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00025438782,0.00037750768,0.0004461865,0.00009567292,0.0048490376,0.00051533757,0.00035052124,0.00007592925,0.02718004],"category_scores_gemma":[0.000077600314,0.0003606262,0.0003694986,0.00020447203,0.00030537744,0.00015817233,0.000324857,0.0007758355,0.00009811641],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000048060094,0.00020691648,0.001179057,0.00002345881,0.00041616918,0.00006215004,0.4349861,0.0000036535957,0.000045366705,0.19801597,0.36485335,0.00015974768],"study_design_scores_gemma":[0.00046176574,0.00014678201,0.0006115933,0.000016264428,0.00016033162,0.000020168696,0.40450317,0.0000068294,0.000029352956,0.001931081,0.5917892,0.00032346297],"about_ca_topic_score_codex":0.0026697956,"about_ca_topic_score_gemma":0.0017826515,"teacher_disagreement_score":0.7982151,"about_ca_system_score_codex":0.0010363626,"about_ca_system_score_gemma":0.00024897553,"threshold_uncertainty_score":0.99988455},"labels":[],"label_agreement":null},{"id":"W4404918982","doi":"10.7202/1114511ar","title":"Beyond First Impressions: Looking Anew at the Art of Georgina de Albuquerque","year":2024,"lang":"fr","type":"article","venue":"RACAR Revue d art canadienne","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Art history","score_opus":0.007370582071806351,"score_gpt":0.20102682329256302,"score_spread":0.19365624122075667,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404918982","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09072219,0.35315123,0.000018666155,0.069781244,0.009577435,0.00074940943,0.0017301063,0.00013822569,0.4741315],"genre_scores_gemma":[0.21963489,0.0036548749,0.000047036276,0.0010822914,0.004068639,0.0000648893,0.00013668126,0.00006830828,0.7712424],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980826,0.00008891226,0.00043916886,0.00043724367,0.00014010567,0.0008119804],"domain_scores_gemma":[0.9987703,0.0002952624,0.00012328858,0.00044099163,0.0001516745,0.00021848106],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00039075245,0.0003546077,0.0004150777,0.000092704024,0.001220498,0.00031175683,0.00028060886,0.00016824937,0.004517806],"category_scores_gemma":[0.00009239492,0.00025782333,0.0002986807,0.00014834177,0.0006011062,0.00026395416,0.00016724195,0.00049802556,0.00042231864],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013216391,0.000027526778,0.00006151316,0.00071903516,0.0002780075,0.0002619163,0.047057968,0.000029289922,0.00014169684,0.5110932,0.43522194,0.0050947205],"study_design_scores_gemma":[0.00012919938,0.00010140843,0.00008115223,0.0021314481,0.00033784713,0.00025934455,0.004567804,0.00019324511,0.0001834778,0.003908584,0.98780024,0.00030624113],"about_ca_topic_score_codex":0.0051477677,"about_ca_topic_score_gemma":0.32660064,"teacher_disagreement_score":0.55257833,"about_ca_system_score_codex":0.00038218807,"about_ca_system_score_gemma":0.00013100822,"threshold_uncertainty_score":0.9999874},"labels":[],"label_agreement":null},{"id":"W4405659441","doi":"10.18192/rceh.v46i2.4732","title":"Negro sobre blanco: Esclavitud y blancura en Cervantes y Zayas","year":2024,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Philosophy; History; Art","score_opus":0.011160038195779565,"score_gpt":0.236421600625893,"score_spread":0.22526156243011344,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405659441","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.707399,0.25105378,0.000037473987,0.00616071,0.005050188,0.0015360028,0.0022644196,0.00087863475,0.025619788],"genre_scores_gemma":[0.9735951,0.009653576,0.00006264246,0.0017063305,0.006509162,0.0001394477,0.00012172902,0.00019251245,0.008019535],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9954767,0.00030618778,0.0009037018,0.0012331926,0.0005393348,0.0015408584],"domain_scores_gemma":[0.9976601,0.0004600803,0.00020135396,0.00082738075,0.00035771352,0.000493375],"candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0005845378,0.001074476,0.0012737163,0.00031814366,0.0011936869,0.0043782685,0.0006125262,0.00034320293,0.0009049427],"category_scores_gemma":[0.00024639096,0.00089264655,0.0006858543,0.00034040058,0.00050632743,0.00044550415,0.00023054243,0.001081634,0.000707828],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003549817,0.000091353526,0.00050868554,0.0016608029,0.001108905,0.0016341518,0.031094095,0.0000019261195,0.00012257039,0.7858506,0.17218237,0.0057090535],"study_design_scores_gemma":[0.00039902492,0.00031163704,0.001230409,0.0029982582,0.0010805286,0.00025758104,0.005791026,0.00013344178,0.00002621084,0.0002090997,0.98648095,0.0010818138],"about_ca_topic_score_codex":0.00051296083,"about_ca_topic_score_gemma":0.0057188454,"teacher_disagreement_score":0.81429857,"about_ca_system_score_codex":0.00077321456,"about_ca_system_score_gemma":0.0006601549,"threshold_uncertainty_score":0.9993524},"labels":[],"label_agreement":null},{"id":"W4406242663","doi":"10.3138/md-67-4-rev4","title":"May Summer Farnsworth. <i>Feminist Rehearsals: Gender at the Theatre in Early Twentieth-Century Argentina and Mexico</i>","year":2024,"lang":"en","type":"article","venue":"Modern Drama","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Latin Americans; Reading (process); Gender studies; History; Art; Sociology; Political science; Law","score_opus":0.027467315426961108,"score_gpt":0.24606616402971596,"score_spread":0.21859884860275486,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4406242663","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4919197,0.114600234,0.000011960163,0.003544084,0.0021995907,0.00047330794,0.00016081544,0.00021622618,0.38687408],"genre_scores_gemma":[0.96548367,0.000490674,0.000008302952,0.0011684923,0.0005829158,0.000045036042,0.000025729421,0.000038740236,0.032156453],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99863815,0.00006449216,0.00025387714,0.00042562734,0.0002457939,0.0003720856],"domain_scores_gemma":[0.9995458,0.00006324397,0.000036375208,0.00026191212,0.0000397388,0.00005291821],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00018706244,0.00025525273,0.00022502801,0.000056359837,0.00047426045,0.00088581804,0.0001468701,0.00007628154,0.00047882536],"category_scores_gemma":[0.0000055836117,0.00015179538,0.0001260952,0.000067490524,0.00030127607,0.0001812399,0.00016271988,0.00031637066,0.00012025384],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000082993414,0.00013162938,0.015427067,0.00024087892,0.0003984293,0.0001632327,0.6224543,0.0000037014113,0.00027387525,0.18310335,0.16315968,0.014560895],"study_design_scores_gemma":[0.00018862674,0.000029949646,0.001130665,0.000085395564,0.00006232556,0.000012371046,0.0066971285,0.000061148094,0.00004790603,0.0037084476,0.98775285,0.00022317714],"about_ca_topic_score_codex":0.00012920979,"about_ca_topic_score_gemma":0.001335756,"teacher_disagreement_score":0.8245932,"about_ca_system_score_codex":0.000033396558,"about_ca_system_score_gemma":0.000016536771,"threshold_uncertainty_score":0.85419637},"labels":[],"label_agreement":null},{"id":"W4408369307","doi":"10.5771/9781611483598","title":"Mother and Myth in Spanish Novels","year":2011,"lang":"en","type":"book","venue":"Lexington Books","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Mythology; Art; History; Literature","score_opus":0.02970573207748891,"score_gpt":0.19873409688212973,"score_spread":0.1690283648046408,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4408369307","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00006277545,0.003973673,0.0000010395701,0.00011917535,0.0005386084,0.00023799733,0.000055323308,0.00008201318,0.9949294],"genre_scores_gemma":[0.0024006611,0.000082878076,0.000032023043,0.0018558913,0.0015982635,0.000023872313,0.000031147956,0.00007434664,0.9939009],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988464,0.00001642983,0.00028736866,0.0004041743,0.00015768436,0.0002879403],"domain_scores_gemma":[0.9995005,0.000024086798,0.00013755025,0.00023196758,0.00005499638,0.00005085762],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0000823483,0.00038691342,0.0004718119,0.000114258895,0.00016516469,0.00024335568,0.00015241868,0.00022555472,0.0016611316],"category_scores_gemma":[0.00000631424,0.00031290442,0.00009886934,0.000008220447,0.00030980675,0.00011905843,0.000090274974,0.00047709432,0.00011219806],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013740519,0.00001783455,0.000012436564,0.000079318954,0.000076945544,0.00002257441,0.05578393,2.0845588e-8,0.0000026354319,0.8044969,0.13809897,0.0013947075],"study_design_scores_gemma":[0.00023205634,0.00006464726,0.000028191149,0.00033388517,0.000042360534,0.0000035382604,0.00062502705,3.087361e-7,0.000010319799,0.0451437,0.95314246,0.0003734884],"about_ca_topic_score_codex":0.000106013256,"about_ca_topic_score_gemma":0.0025051539,"teacher_disagreement_score":0.8150435,"about_ca_system_score_codex":0.000049284572,"about_ca_system_score_gemma":0.00005325021,"threshold_uncertainty_score":0.9999323},"labels":[],"label_agreement":null},{"id":"W4408846982","doi":"10.7202/1116728ar","title":"De la scène au virtuel. Les redéfinitions du flamenco à travers ses différents supports de production et de diffusion","year":2024,"lang":"fr","type":"article","venue":"Revue musicale OICRM","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.01325006352614541,"score_gpt":0.2481704953973909,"score_spread":0.23492043187124548,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4408846982","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.58692414,0.015456424,0.00038514222,0.031459205,0.020416353,0.000569059,0.0005445803,0.00045321145,0.34379187],"genre_scores_gemma":[0.848643,0.00456465,0.0002760751,0.00064640964,0.027283316,0.00011152744,0.0001424381,0.0000732157,0.11825938],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979475,0.00033944083,0.0003778327,0.0005272636,0.00020142236,0.0006065324],"domain_scores_gemma":[0.9991256,0.0002488871,0.00008879445,0.00024631116,0.00010500068,0.00018540795],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005810529,0.00035433876,0.00036771633,0.0001177651,0.0009790893,0.00082286785,0.00014370738,0.0002616716,0.001339801],"category_scores_gemma":[0.00025593454,0.00032107672,0.0003014893,0.00014389056,0.0006426314,0.00033319741,0.00008610072,0.0006361511,0.000070401264],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005056981,0.0010885415,0.0010854154,0.0016532644,0.00034504317,0.00061676407,0.23573306,0.000034453158,0.006168635,0.489209,0.24697715,0.017038113],"study_design_scores_gemma":[0.00020798061,0.00016406726,0.0028320365,0.0019802426,0.00040972116,0.00033143055,0.008512199,0.000115854265,0.00043585923,0.0050234245,0.9796171,0.00037005928],"about_ca_topic_score_codex":0.0008295718,"about_ca_topic_score_gemma":0.0012247437,"teacher_disagreement_score":0.73263997,"about_ca_system_score_codex":0.00039336484,"about_ca_system_score_gemma":0.00030355275,"threshold_uncertainty_score":0.9999241},"labels":[],"label_agreement":null},{"id":"W4409087342","doi":"10.18192/rceh.v46i3.7075","title":"Modelos y referentes literarios de El doctor Centeno de Pérez Galdós","year":2025,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.013902620709205032,"score_gpt":0.2454214527859225,"score_spread":0.23151883207671747,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4409087342","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.91161716,0.05912974,0.00014642719,0.002715187,0.001012333,0.0012082424,0.0011490902,0.00027143565,0.022750374],"genre_scores_gemma":[0.9748126,0.0041103926,0.00020958632,0.0051724687,0.0014466181,0.00021961448,0.000100194055,0.000096545955,0.01383194],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9954076,0.00039003303,0.0009405121,0.0009907022,0.00036543637,0.0019057203],"domain_scores_gemma":[0.99730873,0.0002324343,0.00030558952,0.00093924365,0.0006671278,0.0005468702],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00056890317,0.0009517952,0.001219724,0.00035251645,0.0015543549,0.0021209414,0.00071290304,0.0003476026,0.0004891674],"category_scores_gemma":[0.00040842587,0.00086306897,0.0005596076,0.00029064884,0.0003959294,0.00028936937,0.0002591184,0.00093400676,0.00007860982],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012547862,0.0002530075,0.0068292017,0.0010262197,0.0009958927,0.00032608077,0.024033094,0.000008146513,0.0001913449,0.8504632,0.11440008,0.0013482183],"study_design_scores_gemma":[0.00092667155,0.00019593707,0.004278195,0.0024213323,0.0009978556,0.00007189062,0.0033697311,0.00032620787,0.00005942841,0.00057802885,0.985928,0.0008466982],"about_ca_topic_score_codex":0.0016977459,"about_ca_topic_score_gemma":0.011822609,"teacher_disagreement_score":0.8715279,"about_ca_system_score_codex":0.0016337208,"about_ca_system_score_gemma":0.001231597,"threshold_uncertainty_score":0.9997455},"labels":[],"label_agreement":null},{"id":"W4409087372","doi":"10.18192/rceh.v46i3.7083","title":"La poétique de la nouvelle dans les Novelas amorosas y ejemplares de María de Zayas : de la novelle au roman","year":2025,"lang":"fr","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.00783870805393743,"score_gpt":0.23580417908944537,"score_spread":0.22796547103550793,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4409087372","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8560303,0.036036666,0.00073324546,0.0023828228,0.00048401396,0.0005778601,0.00073259725,0.00016183668,0.102860674],"genre_scores_gemma":[0.955984,0.0029592684,0.00088009407,0.0020053207,0.0011905982,0.00018610503,0.000047023215,0.000120784185,0.036626834],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99468535,0.001603358,0.0007099646,0.0008012303,0.00027898664,0.001921098],"domain_scores_gemma":[0.9968232,0.0013953662,0.00026810495,0.0006601639,0.00027727606,0.0005759188],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0020371117,0.000859721,0.0009620486,0.00023494907,0.0023186964,0.0011216466,0.0006625837,0.0007816369,0.00035987925],"category_scores_gemma":[0.0009124452,0.000859806,0.00049313466,0.00031592112,0.001674169,0.00018430142,0.00023316628,0.0013876897,0.000022786224],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007977988,0.00036781188,0.015850471,0.0007793529,0.00074952847,0.0012435834,0.10331393,0.000035181118,0.0009184934,0.7740027,0.10071579,0.0019434256],"study_design_scores_gemma":[0.00095248676,0.00016928639,0.033103935,0.0014280229,0.0008639599,0.0007531928,0.028572623,0.00012263999,0.00022779896,0.0005018201,0.9325008,0.0008034275],"about_ca_topic_score_codex":0.03133544,"about_ca_topic_score_gemma":0.19972014,"teacher_disagreement_score":0.831785,"about_ca_system_score_codex":0.0036937173,"about_ca_system_score_gemma":0.0036795621,"threshold_uncertainty_score":0.9999153},"labels":[],"label_agreement":null},{"id":"W4410862338","doi":"10.18192/rceh.v47i1.4717","title":"Las celebridades y las estrellas en novelas populares españolas de los años 1920: Un signo ambivalente de la modernidad","year":2025,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.0075615057320770175,"score_gpt":0.24173389043868493,"score_spread":0.23417238470660792,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410862338","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.93120307,0.04884962,0.000235345,0.0013026885,0.000663326,0.0011030388,0.0010978209,0.00028698923,0.0152581185],"genre_scores_gemma":[0.9792501,0.0049952245,0.00031787832,0.0025002074,0.0014566343,0.00021513678,0.00007664074,0.00016668375,0.011021522],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.993962,0.0011171005,0.001072034,0.0012564153,0.00054034253,0.0020521316],"domain_scores_gemma":[0.9965738,0.000854565,0.00043691025,0.0010265121,0.0005022774,0.00060591265],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0010719607,0.0012667163,0.0015043755,0.00044790495,0.0018164234,0.0026161305,0.00093541585,0.0006232469,0.00039307826],"category_scores_gemma":[0.0009079077,0.0012126557,0.00073063833,0.0003589226,0.0008169497,0.00027143775,0.00037936025,0.0014290368,0.00008901081],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017403906,0.0004368001,0.016252367,0.0012596209,0.0017293015,0.0009950688,0.01907092,0.000060526196,0.0009797959,0.8990592,0.058428526,0.0015538422],"study_design_scores_gemma":[0.0014118528,0.0002883288,0.009195205,0.0024060516,0.0015881445,0.00018110426,0.0050157183,0.00023272683,0.00072698755,0.0009527632,0.9767469,0.0012542249],"about_ca_topic_score_codex":0.0021003017,"about_ca_topic_score_gemma":0.008159562,"teacher_disagreement_score":0.9183184,"about_ca_system_score_codex":0.0014859247,"about_ca_system_score_gemma":0.0012885293,"threshold_uncertainty_score":0.99948305},"labels":[],"label_agreement":null},{"id":"W4410862372","doi":"10.18192/rceh.v47i1.4849","title":"“Sinfonía en Gris Mayor” de Rubén Darío. Sinestesia americana y miradas anticipatorias.","year":2025,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Psychology; Art","score_opus":0.010727677861881032,"score_gpt":0.24759501174830703,"score_spread":0.236867333886426,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410862372","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9300182,0.043959744,0.000059707963,0.004090992,0.002108755,0.0011464998,0.0006404048,0.0002562661,0.017719429],"genre_scores_gemma":[0.98313147,0.002921673,0.00018079774,0.0046570324,0.002254123,0.00014409082,0.00007002912,0.00010487164,0.006535925],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9953005,0.00047130312,0.0010232116,0.0010060017,0.00045244518,0.0017465923],"domain_scores_gemma":[0.9970306,0.00041717457,0.0004208419,0.0010400866,0.00059663656,0.00049461564],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0006878657,0.001007519,0.0015264314,0.00038634212,0.0015597309,0.001670972,0.00074041344,0.00033073788,0.00037333605],"category_scores_gemma":[0.00065691286,0.00092991104,0.00052029965,0.00056122197,0.00069924345,0.0002651786,0.0002464497,0.00083182764,0.000100279765],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007191844,0.00017558549,0.009525542,0.000786008,0.0010166742,0.000514038,0.019149406,0.0000029892635,0.00010184203,0.8061634,0.16013487,0.002357755],"study_design_scores_gemma":[0.0007423094,0.00022434756,0.015916845,0.0013476902,0.0013958941,0.0000646174,0.007673082,0.000043253403,0.000036102814,0.00013203041,0.9714884,0.0009353931],"about_ca_topic_score_codex":0.0033468506,"about_ca_topic_score_gemma":0.008556839,"teacher_disagreement_score":0.81135356,"about_ca_system_score_codex":0.0012945138,"about_ca_system_score_gemma":0.0013860336,"threshold_uncertainty_score":0.9997401},"labels":[],"label_agreement":null},{"id":"W4410862430","doi":"10.18192/rceh.v47i1.4853","title":"Dionysian Embodiment: Abject Queerness in Federico García Lorca’s “Ode to Walt Whitman”","year":2025,"lang":"en","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Ode; Art; Garcia; Art history; Humanities; Literature","score_opus":0.011347774134934645,"score_gpt":0.23402671210579257,"score_spread":0.22267893797085792,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410862430","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.876532,0.01238032,0.00012090963,0.0046638385,0.0014743527,0.0016577378,0.00010510259,0.00024384656,0.10282185],"genre_scores_gemma":[0.9855003,0.00016823773,0.00006625378,0.0045453236,0.00042448615,0.00026494265,0.000023232516,0.000038431484,0.008968811],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976044,0.000131755,0.0005307989,0.0006362771,0.00024374409,0.0008529863],"domain_scores_gemma":[0.99886554,0.00006891471,0.00009968905,0.0005107192,0.00022091673,0.00023424094],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00033851736,0.00043402307,0.0006885911,0.00033393851,0.0006277246,0.0005016368,0.00038226836,0.00009193723,0.00019770628],"category_scores_gemma":[0.00015154597,0.00038156155,0.00017355738,0.00037265793,0.0001355562,0.00015400295,0.00013914723,0.00032933254,0.00008285382],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000048855494,0.00008445018,0.0014677055,0.00020115882,0.000151283,0.00015592865,0.030602789,0.000011377522,0.000035025467,0.8873347,0.076956645,0.0029500949],"study_design_scores_gemma":[0.000528818,0.000100861704,0.0035647394,0.00062388927,0.0001045401,0.000010081256,0.0061403965,0.000019699257,0.000033200045,0.0002399091,0.98816675,0.00046708956],"about_ca_topic_score_codex":0.0015872357,"about_ca_topic_score_gemma":0.1647179,"teacher_disagreement_score":0.9112101,"about_ca_system_score_codex":0.00067434896,"about_ca_system_score_gemma":0.0002690867,"threshold_uncertainty_score":0.9998636},"labels":[],"label_agreement":null},{"id":"W4413162567","doi":"10.1080/08263663.2025.2542755","title":"Los años de Leguía (1919–1930)","year":2025,"lang":"fr","type":"article","venue":"Canadian Journal of Latin American and Caribbean Studies / Revue canadienne des études latino-américaines et caraïbes","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Art","score_opus":0.03065143721742809,"score_gpt":0.2644971457306125,"score_spread":0.23384570851318442,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4413162567","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6458783,0.20695214,0.000042795215,0.0203554,0.0044016275,0.0005249962,0.0011891521,0.0000485,0.12060708],"genre_scores_gemma":[0.9493205,0.010048563,0.0009134101,0.0041053114,0.002066092,0.000030595224,0.000024655961,0.000083136205,0.033407733],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9956898,0.00040567524,0.0013612151,0.00061872444,0.00019695685,0.0017276166],"domain_scores_gemma":[0.99454325,0.00074907526,0.0009115562,0.00043130055,0.0020078723,0.0013569255],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0008606752,0.0008994413,0.001911016,0.00082436175,0.0018426346,0.0006589219,0.00056474534,0.0001942604,0.00010853005],"category_scores_gemma":[0.0013020615,0.00082044915,0.0005293481,0.0008349886,0.0057331175,0.00046755403,0.00013207695,0.0010113061,0.00000564356],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008238655,0.00009815206,0.03021799,0.0016753857,0.004673427,0.0015778875,0.2733035,0.00012400183,0.00005376182,0.58361566,0.06754158,0.03703626],"study_design_scores_gemma":[0.0006544192,0.0007589922,0.01910053,0.0024242022,0.001052879,0.0003488032,0.21354672,0.000030648836,0.000010985964,0.0031479974,0.7581495,0.0007743408],"about_ca_topic_score_codex":0.097008534,"about_ca_topic_score_gemma":0.8650671,"teacher_disagreement_score":0.7680586,"about_ca_system_score_codex":0.0014208353,"about_ca_system_score_gemma":0.0015523492,"threshold_uncertainty_score":0.9994568},"labels":[],"label_agreement":null},{"id":"W4415764096","doi":"10.18192/rceh.v47i2.5973","title":"Los ejes de la autoridad y del amor en El sí de las niñas, de Leandro Fernández de Moratín, y El trovador, de Antonio García Gutiérrez","year":2025,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Modernity; Order (exchange); Theme (computing); Power (physics)","score_opus":0.007650104042890275,"score_gpt":0.25872902158470773,"score_spread":0.25107891754181744,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4415764096","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9272448,0.05527159,0.00060094433,0.0016890486,0.0006839644,0.001037362,0.00090460456,0.00034211576,0.012225563],"genre_scores_gemma":[0.97764075,0.0049295137,0.00075830094,0.0047237016,0.002338043,0.0003026309,0.000069347756,0.00017349607,0.009064214],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9931635,0.0012187258,0.0010632745,0.0011627545,0.0004783023,0.0029134215],"domain_scores_gemma":[0.99631304,0.00083700067,0.00042467035,0.0010200184,0.0005161393,0.00088912854],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0020889745,0.0012390882,0.001578294,0.00040999375,0.0020492903,0.0021075918,0.0010139376,0.0006883322,0.00021410242],"category_scores_gemma":[0.0012362443,0.0011988331,0.0006977074,0.00041259915,0.0008529254,0.00031043487,0.00030011684,0.0015466231,0.000037298825],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020661304,0.0003697467,0.03402126,0.0011966352,0.0013716383,0.0015380639,0.034443844,0.000043402757,0.00091032026,0.77980775,0.14457093,0.0015198177],"study_design_scores_gemma":[0.00166912,0.00030984718,0.037220817,0.0019632133,0.0018288747,0.00049459876,0.007552869,0.0004987983,0.00033103107,0.0013527707,0.945463,0.0013150348],"about_ca_topic_score_codex":0.006389026,"about_ca_topic_score_gemma":0.023604002,"teacher_disagreement_score":0.8008921,"about_ca_system_score_codex":0.004227412,"about_ca_system_score_gemma":0.004461254,"threshold_uncertainty_score":0.99959517},"labels":[],"label_agreement":null},{"id":"W4415764110","doi":"10.18192/rceh.v47i2.6322","title":"“Fíchenlo, si pueden”: disemi-nación e infancia travesti en Virgilio Piñera","year":2025,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Order (exchange); Perspective (graphical); Field (mathematics); Context (archaeology); Identity (music)","score_opus":0.008108162503940598,"score_gpt":0.2327503041832773,"score_spread":0.22464214167933672,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4415764110","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8909415,0.064893134,0.00004363569,0.003296628,0.0026588475,0.0015355337,0.00097179564,0.00029091677,0.035368033],"genre_scores_gemma":[0.9686252,0.0028609254,0.000067189045,0.0042200577,0.0021027697,0.00022673915,0.00009654904,0.00010380963,0.021696782],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9950815,0.00043635763,0.0011662346,0.0012139714,0.00051650027,0.0015854439],"domain_scores_gemma":[0.9969767,0.00044388595,0.00036490345,0.0011187404,0.0005765872,0.0005192349],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0007079329,0.0011331786,0.0015555292,0.0004211761,0.0018376582,0.0019444131,0.0008042806,0.0004213873,0.0006330691],"category_scores_gemma":[0.00074027106,0.0010250376,0.0006336068,0.00047526116,0.0007294717,0.00034821065,0.00029670223,0.0010951569,0.00016596244],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000087351276,0.00018219126,0.003242871,0.0009141652,0.0010078332,0.00033387955,0.021856917,0.0000034754032,0.00015335613,0.8487992,0.1204313,0.0029874225],"study_design_scores_gemma":[0.0009021996,0.00022331078,0.010165731,0.0017390399,0.0012842312,0.000041185835,0.0047341613,0.000030179835,0.000052090094,0.00026428598,0.9795163,0.0010472294],"about_ca_topic_score_codex":0.0006559892,"about_ca_topic_score_gemma":0.011906038,"teacher_disagreement_score":0.8590851,"about_ca_system_score_codex":0.0009814949,"about_ca_system_score_gemma":0.00095722557,"threshold_uncertainty_score":0.9994618},"labels":[],"label_agreement":null},{"id":"W4415764484","doi":"10.18192/rceh.v47i2.7660","title":"ANDREW A. ANDERSON. Configurations of a Cultural Scene. Young Writers and Artists in Madrid, 1918-1930. Montreal: McGill-Queen’s UP, 2023. 403 pp.","year":2025,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Key (lock); Narrative; Cultural identity; Identity (music)","score_opus":0.012222640841479024,"score_gpt":0.23823286419567014,"score_spread":0.2260102233541911,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4415764484","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9274661,0.05327004,0.000007203557,0.002191446,0.0009910311,0.0014797782,0.0020638937,0.00007723722,0.012453276],"genre_scores_gemma":[0.98431987,0.010693954,0.00002882051,0.0006540126,0.00023089597,0.00012191603,0.000101354475,0.00003720157,0.0038119664],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9969933,0.00023165904,0.0009368328,0.00074375403,0.00027157125,0.00082286453],"domain_scores_gemma":[0.9983552,0.00015687055,0.0003323826,0.00044376156,0.0004701584,0.0002415887],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00030279133,0.00062347617,0.0011467984,0.00027596974,0.00084815634,0.00063549855,0.00024359193,0.00022197189,0.000098138735],"category_scores_gemma":[0.00021573881,0.00055728795,0.00023779007,0.00033144047,0.00058087474,0.00026449605,0.00011405422,0.00047852486,0.0000072088355],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001434623,0.0001431432,0.0047746673,0.0010658945,0.00066321145,0.00021506254,0.024468623,0.0000047935137,0.0002538815,0.8993566,0.06611853,0.0027921265],"study_design_scores_gemma":[0.0022716448,0.00024784246,0.03399979,0.0030342985,0.00084261544,0.0000765081,0.028296912,0.00014726752,0.00007589442,0.00011720588,0.9300324,0.00085764594],"about_ca_topic_score_codex":0.008326364,"about_ca_topic_score_gemma":0.07303639,"teacher_disagreement_score":0.8992394,"about_ca_system_score_codex":0.00041296927,"about_ca_system_score_gemma":0.00023586785,"threshold_uncertainty_score":0.99968785},"labels":[],"label_agreement":null},{"id":"W4416992191","doi":"10.18192/rceh.v47i3.4465","title":"Gender, Religion, and Indefinability in La burladora de Toledo","year":2025,"lang":"en","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narrative; Value (mathematics); Identity (music); Recreation; Subjectivity","score_opus":0.011790492506423257,"score_gpt":0.2298747812321173,"score_spread":0.21808428872569405,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4416992191","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96453387,0.012878635,0.000013023273,0.00064000644,0.00013283994,0.0002834777,0.000024946869,0.000052746396,0.02144046],"genre_scores_gemma":[0.9967049,0.0007101426,0.000059048194,0.0013968543,0.00012564598,0.00007189665,0.000005591916,0.000013735502,0.0009122148],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99866515,0.0001512218,0.0002991127,0.00035869118,0.000095511634,0.00043032985],"domain_scores_gemma":[0.999313,0.00012823638,0.00005763812,0.00027219532,0.0001270004,0.00010193278],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00048639698,0.00021741063,0.00036440187,0.00012808091,0.00030509217,0.00022681158,0.00013393958,0.00009074693,0.000035623154],"category_scores_gemma":[0.00027008724,0.00019287033,0.00007236587,0.00013667933,0.00024413531,0.00008539127,0.00007425463,0.00028583934,0.0000038397097],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020366806,0.00004655164,0.02032358,0.00017505688,0.000053798143,0.00008460367,0.017704433,8.1935013e-7,0.000011579454,0.933847,0.026589297,0.0011428922],"study_design_scores_gemma":[0.00039937906,0.000034401415,0.027773878,0.00016373415,0.00007057401,0.000023294177,0.0029877971,0.000011449717,0.0000052202,0.002332073,0.9659833,0.00021494983],"about_ca_topic_score_codex":0.001128714,"about_ca_topic_score_gemma":0.034757897,"teacher_disagreement_score":0.93939394,"about_ca_system_score_codex":0.0002957955,"about_ca_system_score_gemma":0.00027207116,"threshold_uncertainty_score":0.98285526},"labels":[],"label_agreement":null},{"id":"W4416992276","doi":"10.18192/rceh.v47i3.7709","title":"LORETO BUSQUETS. De estética y poéticas en España (1830-1930). Pisa-Roma: Fabrizio Serra Editore, 2022. 268 pp.","year":2025,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Scale (ratio); Perspective (graphical); Line drawings","score_opus":0.00788119178529933,"score_gpt":0.2348766381761745,"score_spread":0.22699544639087516,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4416992276","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.823385,0.12503713,0.000079774676,0.0072741224,0.009556162,0.0025199698,0.0021296768,0.00057298224,0.029445188],"genre_scores_gemma":[0.96765596,0.0064837863,0.00018567343,0.0046998183,0.009242167,0.0003166312,0.0001776284,0.0001783651,0.011059979],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9934357,0.0006417291,0.0013156286,0.0015258025,0.0007222631,0.0023589218],"domain_scores_gemma":[0.99584913,0.0006549312,0.00043730257,0.0014321392,0.00084433804,0.0007821512],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.0010234655,0.0013934188,0.001844588,0.00038089868,0.0020244678,0.0025878758,0.0010856693,0.0006564567,0.00083194417],"category_scores_gemma":[0.0010836457,0.0012948898,0.00074116146,0.0005632957,0.00089465576,0.00037949948,0.00047542984,0.001525103,0.00022259873],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009761741,0.00021410928,0.002034154,0.0008063387,0.0009981067,0.0007246521,0.013077011,0.0000033713025,0.00008361027,0.60558057,0.37570864,0.00067183963],"study_design_scores_gemma":[0.0010383244,0.00033726275,0.0062047346,0.0015869034,0.0017114811,0.00013527149,0.005936623,0.000100637495,0.000051164723,0.00050857646,0.9810998,0.0012892305],"about_ca_topic_score_codex":0.001636484,"about_ca_topic_score_gemma":0.01113125,"teacher_disagreement_score":0.60539114,"about_ca_system_score_codex":0.0018395324,"about_ca_system_score_gemma":0.0016974227,"threshold_uncertainty_score":0.9998816},"labels":[],"label_agreement":null},{"id":"W4416992354","doi":"10.18192/rceh.v47i3.7720","title":"SAAD MOHAMED SAAD. Lorca, dramaturgo universal. Estudios en torno a la traducción de su teatro con motivo del CXX aniversario de su nacimiento. Granada: Editorial Comares, 2019. xiv+ 208 pp.","year":2025,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Insignificance; Interpretation (philosophy)","score_opus":0.005746099464687844,"score_gpt":0.210679702242374,"score_spread":0.20493360277768616,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4416992354","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.88231206,0.07747198,0.000116837946,0.0032586714,0.021228809,0.0030501108,0.0030198477,0.00050011865,0.009041554],"genre_scores_gemma":[0.96550494,0.0074281753,0.00017992109,0.0013676188,0.016750738,0.00013992545,0.00025546912,0.00018654001,0.00818666],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99262166,0.0012120333,0.0011869139,0.001567894,0.0009284882,0.0024830098],"domain_scores_gemma":[0.9952917,0.00108614,0.0005844259,0.0011575108,0.0009923627,0.0008878313],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.0013154676,0.0015474114,0.0021188934,0.00046121769,0.0027113399,0.002151305,0.0012020093,0.0009067818,0.00025402487],"category_scores_gemma":[0.0008081606,0.0015284097,0.0008750708,0.00057333277,0.0011561763,0.0005326897,0.00038727754,0.0018912052,0.000055750246],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00042895068,0.00029149372,0.0033035844,0.00048253374,0.0016730428,0.0008719831,0.017468741,0.000013452401,0.00016819971,0.45791063,0.5169406,0.0004467882],"study_design_scores_gemma":[0.0034200582,0.00039357666,0.006152379,0.0014597869,0.002384145,0.000115102324,0.01091342,0.00006895602,0.00003374973,0.00011796355,0.9735331,0.0014077642],"about_ca_topic_score_codex":0.013940663,"about_ca_topic_score_gemma":0.040210392,"teacher_disagreement_score":0.45779267,"about_ca_system_score_codex":0.0047139963,"about_ca_system_score_gemma":0.0035107145,"threshold_uncertainty_score":0.9997274},"labels":[],"label_agreement":null},{"id":"W4416992643","doi":"10.18192/rceh.v47i3.7707","title":"ÁLVARO A. AYO. Conquistando la leyenda negra: imperio, fraternidad universal y el individuo moderno en Pardo Bazán y Blasco Ibáñez (1898-1914). Newark, Delaware: Juan de la Cuesta, 2022.","year":2025,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Order (exchange); Relation (database); Power (physics)","score_opus":0.005731109774804907,"score_gpt":0.23616958682631659,"score_spread":0.2304384770515117,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4416992643","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9185382,0.04861694,0.00026300122,0.0011149242,0.0012063936,0.001825531,0.0023925828,0.00033218952,0.025710246],"genre_scores_gemma":[0.9797269,0.007386901,0.000084588704,0.0017438416,0.0013012935,0.0002542872,0.00020565436,0.00017275203,0.009123762],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9932157,0.0015447442,0.0011530786,0.0014583918,0.0006598583,0.0019682657],"domain_scores_gemma":[0.9960642,0.0009785746,0.0005105139,0.0011285386,0.00062801334,0.0006901991],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.0013471355,0.0014232307,0.0018048459,0.00047522574,0.0020020127,0.0030844295,0.0010832286,0.00078123686,0.0005147458],"category_scores_gemma":[0.0004799088,0.0013600499,0.0006822153,0.00043493538,0.0014311369,0.0004653664,0.0005069462,0.0017093528,0.000074476266],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00029591486,0.0002470976,0.009792427,0.0008287256,0.0019822181,0.001529868,0.03883989,0.000026471169,0.00017551902,0.8437865,0.09951755,0.002977874],"study_design_scores_gemma":[0.0023482023,0.00032106912,0.004750601,0.0014850397,0.0016733246,0.00016820767,0.011693621,0.00023738363,0.00005194207,0.00029626722,0.9756361,0.0013382297],"about_ca_topic_score_codex":0.0039359923,"about_ca_topic_score_gemma":0.013031898,"teacher_disagreement_score":0.87611854,"about_ca_system_score_codex":0.0016881638,"about_ca_system_score_gemma":0.0023292173,"threshold_uncertainty_score":0.99985176},"labels":[],"label_agreement":null},{"id":"W4417525735","doi":"10.18192/rceh.v48i1.7743","title":"Mujeres y finanzas en la España del siglo XIX: prestamistas y especuladoras en las novelas de Benito Pérez Galdós","year":2025,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Latin Americans","score_opus":0.0075434583904029325,"score_gpt":0.2326772492850372,"score_spread":0.22513379089463426,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4417525735","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.90567505,0.048851237,0.00013171388,0.0035269076,0.001042726,0.0015413171,0.0012223806,0.00030650262,0.037702154],"genre_scores_gemma":[0.97328687,0.0033830677,0.0003595881,0.0022658186,0.0017076972,0.00025973588,0.000096494194,0.00014602886,0.018494688],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9943045,0.0009630402,0.0011078232,0.0012850121,0.0005383458,0.0018012762],"domain_scores_gemma":[0.99625623,0.0010152338,0.00040397717,0.0011403669,0.0006715965,0.0005125678],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0010253637,0.001237311,0.0014987999,0.0004134083,0.0015979293,0.002375206,0.0009811164,0.00059995573,0.0004926646],"category_scores_gemma":[0.0012487929,0.0011612555,0.0006593175,0.00041191475,0.0006807979,0.00030911595,0.00044582062,0.0012585305,0.00011386492],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014354632,0.00030718712,0.004039029,0.001077538,0.0012303832,0.00092836405,0.02206681,0.000014928075,0.00030439172,0.8121529,0.15616466,0.0015702193],"study_design_scores_gemma":[0.0011742603,0.0002633106,0.014798178,0.0018237046,0.001431446,0.0001225061,0.0068239756,0.00006225759,0.00014340704,0.00040670045,0.97180235,0.0011479228],"about_ca_topic_score_codex":0.0019418192,"about_ca_topic_score_gemma":0.019288825,"teacher_disagreement_score":0.81563765,"about_ca_system_score_codex":0.0013596729,"about_ca_system_score_gemma":0.00153947,"threshold_uncertainty_score":0.99970186},"labels":[],"label_agreement":null},{"id":"W44586799","doi":"","title":"Reminiscencias del matricidio mítico en \"La familia de Pascual Duarte\", de Camilo José Cela","year":2011,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.015784323772378324,"score_gpt":0.21845070403776076,"score_spread":0.20266638026538245,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W44586799","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9402058,0.024923094,0.00005899031,0.00047001336,0.0007259035,0.0008767402,0.00055067264,0.0002271884,0.031961564],"genre_scores_gemma":[0.98615694,0.0041622566,0.00044834104,0.0015179026,0.0020623594,0.00015808936,0.000038292335,0.00016863683,0.0052871997],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9945888,0.00081758853,0.0010137423,0.0010003427,0.00050049886,0.0020790196],"domain_scores_gemma":[0.99696517,0.00038146495,0.0004314061,0.00094856316,0.00047114206,0.0008022302],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0013392462,0.0010397355,0.0012807308,0.00027634102,0.0013530289,0.00087385986,0.00077016465,0.00053019385,0.00055812096],"category_scores_gemma":[0.00052685785,0.00095102884,0.00060590624,0.0002514869,0.00061609637,0.00026325238,0.00022560975,0.0010993845,0.00018113897],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011204124,0.00027386704,0.012193026,0.0004967042,0.0007151821,0.001693163,0.12828942,9.566462e-7,0.00015328992,0.75889516,0.09591293,0.0012642563],"study_design_scores_gemma":[0.0008547861,0.0005049342,0.023505762,0.0007186786,0.0014756061,0.0005628853,0.023313988,0.0000364349,0.00010149555,0.00020578972,0.9474924,0.0012271951],"about_ca_topic_score_codex":0.002707098,"about_ca_topic_score_gemma":0.009277971,"teacher_disagreement_score":0.8515795,"about_ca_system_score_codex":0.0011896202,"about_ca_system_score_gemma":0.0011776407,"threshold_uncertainty_score":0.9999471},"labels":[],"label_agreement":null},{"id":"W50895342","doi":"","title":"La Transgresión en las Jarchas Romances","year":2012,"lang":"es","type":"article","venue":"Boletín de la Real academia Sevillana de Buenas Letras: Minervae Baeticae","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.008441690834055202,"score_gpt":0.270681551350874,"score_spread":0.2622398605168188,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W50895342","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.30219275,0.04631809,0.000034898032,0.010417808,0.0005523887,0.0005922847,0.0003992545,0.00040215004,0.63909036],"genre_scores_gemma":[0.9587113,0.01825839,0.0005285,0.0026911623,0.008786354,0.00013570082,0.00008813719,0.00019497369,0.010605474],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99342966,0.0015264073,0.0010503269,0.00085390906,0.0008432544,0.002296452],"domain_scores_gemma":[0.99642855,0.0016721197,0.00034255048,0.0005667224,0.0001730938,0.0008169641],"candidate_categories":["metaepi_narrow","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["research_integrity"],"category_scores_codex":[0.0021868406,0.0011610583,0.0012403489,0.0002598435,0.00078421383,0.001102843,0.00095443695,0.0024326718,0.00096895185],"category_scores_gemma":[0.0003582787,0.0009489612,0.0006325164,0.00024848388,0.0016619794,0.0005516221,0.0002075088,0.0035805418,0.00028010688],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002508029,0.00048441874,0.033572838,0.001144382,0.0010709102,0.00024369836,0.08165893,0.000008957324,0.00507347,0.72267634,0.14453626,0.009279001],"study_design_scores_gemma":[0.0010103493,0.00018806064,0.06343134,0.0007339351,0.00070529827,0.00026858103,0.007643282,0.000021705144,0.0004722776,0.0011616701,0.92320895,0.0011545244],"about_ca_topic_score_codex":0.00058534293,"about_ca_topic_score_gemma":0.00023677846,"teacher_disagreement_score":0.77867275,"about_ca_system_score_codex":0.00027744542,"about_ca_system_score_gemma":0.00019769177,"threshold_uncertainty_score":0.99994427},"labels":[{"model":"gemma","categories":[],"domain":null,"study_design":"not_applicable","genre":"empirical","about_ca_system":false,"about_ca_topic":false,"confidence":"low"},{"model":"gpt","categories":[],"domain":null,"study_design":"theoretical_or_conceptual","genre":"other","about_ca_system":false,"about_ca_topic":false,"confidence":"medium"}],"label_agreement":"split"},{"id":"W52440981","doi":"","title":"Una galería de mujeres: lecturas y lectoras en Venezuela a finales del siglo XIX y principios del XX","year":2003,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.014779575570441437,"score_gpt":0.23886843087311901,"score_spread":0.22408885530267758,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W52440981","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.88946307,0.100805104,0.000089624955,0.0005017167,0.00060810806,0.0011080146,0.00038057,0.00019400907,0.0068497844],"genre_scores_gemma":[0.9869677,0.0045048445,0.00038917628,0.0019439732,0.001482873,0.00022986345,0.000057374957,0.00018708665,0.004237142],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9941404,0.0008975812,0.0010397185,0.0012096777,0.0005823309,0.0021303005],"domain_scores_gemma":[0.99660295,0.00055008597,0.000473182,0.0009997734,0.0006434506,0.0007305449],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00091946934,0.0012345873,0.0014116826,0.00030185052,0.0019053844,0.0014940115,0.0006796418,0.0004433386,0.0010110859],"category_scores_gemma":[0.0011962604,0.0011251686,0.00063146185,0.0003493161,0.0005502578,0.0002922652,0.0001503228,0.001063034,0.00023906832],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010242753,0.0002807101,0.007377232,0.0009832513,0.001094481,0.00087552954,0.029799832,0.000035899386,0.00066202664,0.91100603,0.046297606,0.0014849602],"study_design_scores_gemma":[0.0009660645,0.00042747217,0.003595922,0.0013398833,0.00086347095,0.00037291774,0.004045515,0.00004297069,0.00027804484,0.00020057747,0.98651105,0.0013561316],"about_ca_topic_score_codex":0.0009626551,"about_ca_topic_score_gemma":0.013462543,"teacher_disagreement_score":0.94021344,"about_ca_system_score_codex":0.0015748575,"about_ca_system_score_gemma":0.0016507399,"threshold_uncertainty_score":0.9999021},"labels":[],"label_agreement":null},{"id":"W52988315","doi":"","title":"De culebras y colores en \"El hombre\", de Juan Rulfo","year":2002,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.01385811908899722,"score_gpt":0.22934795822462098,"score_spread":0.21548983913562375,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W52988315","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.92286354,0.054335587,0.000014239643,0.0024094598,0.0005729295,0.00073654443,0.0005311636,0.00020045695,0.018336086],"genre_scores_gemma":[0.97922355,0.0062247156,0.00012566205,0.003986606,0.00291146,0.00016116827,0.000035873953,0.00012969653,0.0072012674],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9957181,0.00046701188,0.0007325919,0.00081787404,0.00041024922,0.0018541493],"domain_scores_gemma":[0.9976218,0.00029838266,0.00032766876,0.0007345488,0.0003405414,0.0006770661],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00064759783,0.00084072974,0.0010834029,0.00021078948,0.0015739608,0.0017391754,0.00061733567,0.00035141973,0.0016969793],"category_scores_gemma":[0.0004752556,0.0007732633,0.000492707,0.00020272787,0.00054489437,0.00025934624,0.00017263326,0.00082021847,0.00026308408],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031489228,0.00020064112,0.004546143,0.00037454645,0.0005701846,0.0006836515,0.054770805,0.0000042648935,0.00010990852,0.7340483,0.20305327,0.0016067883],"study_design_scores_gemma":[0.0006901756,0.00035918612,0.0075430973,0.00064518856,0.00073720404,0.0002719774,0.0057908203,0.00017065076,0.000034264624,0.00017226525,0.9826543,0.0009309143],"about_ca_topic_score_codex":0.0011847499,"about_ca_topic_score_gemma":0.007957771,"teacher_disagreement_score":0.779601,"about_ca_system_score_codex":0.0012830183,"about_ca_system_score_gemma":0.0003514673,"threshold_uncertainty_score":0.9997259},"labels":[],"label_agreement":null},{"id":"W53097000","doi":"","title":"\"Don Quijote de la Mancha\" y la verdad de Dulcinea del Toboso","year":2000,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Philosophy","score_opus":0.0078355024430279,"score_gpt":0.22508960810019493,"score_spread":0.21725410565716702,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W53097000","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9237384,0.029641299,0.000015641972,0.00086000236,0.00025063546,0.000506412,0.00036164784,0.00017070821,0.044455215],"genre_scores_gemma":[0.9765468,0.008290898,0.00017381573,0.002671342,0.002151564,0.0001076158,0.000042331634,0.00013153198,0.009884105],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9959648,0.0007267435,0.000651991,0.0007723029,0.00035777022,0.0015263766],"domain_scores_gemma":[0.99789923,0.00039032902,0.00021205419,0.00071251584,0.00022354544,0.0005623346],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009553,0.0007986854,0.0009624685,0.00015674355,0.001292371,0.0015761553,0.0005067401,0.00039592024,0.002176653],"category_scores_gemma":[0.00019895237,0.00074360956,0.0004453532,0.00018323408,0.00066277885,0.00023180548,0.000095903684,0.0008779945,0.00019075374],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014319725,0.00020811877,0.002741889,0.00046990518,0.0005758254,0.0014298792,0.03238423,0.0000209924,0.00010314196,0.854531,0.09806761,0.009324241],"study_design_scores_gemma":[0.0009345247,0.00023594388,0.0071136286,0.0008273362,0.00067959307,0.0004677422,0.0029169344,0.00008708744,0.000027101272,0.00016470747,0.98569614,0.0008492904],"about_ca_topic_score_codex":0.0019635425,"about_ca_topic_score_gemma":0.0063236854,"teacher_disagreement_score":0.8876285,"about_ca_system_score_codex":0.00085616595,"about_ca_system_score_gemma":0.00061971525,"threshold_uncertainty_score":0.99950147},"labels":[],"label_agreement":null},{"id":"W573557637","doi":"","title":"Le nouveau réalisme et Picasso Carmen/Sol y Sombra","year":2007,"lang":"fr","type":"article","venue":"Vie des arts","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.022685890439752877,"score_gpt":0.2540725510034462,"score_spread":0.23138666056369334,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W573557637","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02359574,0.060696702,0.0001200049,0.016479189,0.0039601554,0.00032467296,0.00018489338,0.00015579656,0.89448285],"genre_scores_gemma":[0.87212974,0.0013719794,0.0003102466,0.0044386243,0.003918725,0.000019859099,0.00005765993,0.00006129175,0.11769189],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980107,0.00006462409,0.0004366774,0.00041008473,0.0002797923,0.000798139],"domain_scores_gemma":[0.9990535,0.000100739664,0.00013218613,0.00031083132,0.00022203712,0.00018071341],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00040342874,0.00039022355,0.00040480876,0.00008657303,0.0013699604,0.0006042795,0.00018515241,0.00016993035,0.0008973211],"category_scores_gemma":[0.00003947731,0.0003461056,0.0002477195,0.00007607777,0.0007660014,0.0005205238,0.00011305013,0.00036373158,0.00045593022],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027287642,0.00024269603,0.0001137778,0.00012273119,0.00018472764,0.00015584486,0.10317734,0.0000015293107,0.00023136339,0.80877733,0.08291036,0.0040550074],"study_design_scores_gemma":[0.00044711985,0.0001574612,0.0008205583,0.00023482335,0.00011640043,0.000040315077,0.0139763,0.0000025413467,0.00047789622,0.008992581,0.974296,0.00043801888],"about_ca_topic_score_codex":0.00095723174,"about_ca_topic_score_gemma":0.016649213,"teacher_disagreement_score":0.8913856,"about_ca_system_score_codex":0.00006436028,"about_ca_system_score_gemma":0.000095316216,"threshold_uncertainty_score":0.99993014},"labels":[],"label_agreement":null},{"id":"W57766709","doi":"","title":"La vieja beata en \"La Quijotita\", de Fernández de Lizardi: una celestina a lo divino","year":2007,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.01121123651755312,"score_gpt":0.24328113759031816,"score_spread":0.23206990107276504,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W57766709","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.92848253,0.029729964,0.00026444052,0.00065481383,0.0004113444,0.0007780545,0.0005429827,0.00023656688,0.038899317],"genre_scores_gemma":[0.98985183,0.0023356832,0.00030097648,0.0015838637,0.0025411495,0.00007516379,0.000063615174,0.00016287272,0.0030848666],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9947656,0.00078388234,0.00087492994,0.0009386497,0.00050268584,0.0021342705],"domain_scores_gemma":[0.9964354,0.0011080336,0.00035692094,0.0008587794,0.00040795223,0.0008329044],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0026015074,0.0009644669,0.0011782286,0.00027218426,0.001337416,0.0019211903,0.0007368081,0.0005121166,0.00029692307],"category_scores_gemma":[0.00088532857,0.00089762046,0.0005304789,0.0002598976,0.0007256795,0.0002467731,0.0002993514,0.0011962168,0.0001001288],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000098670964,0.00025924994,0.011015146,0.00082353986,0.00066276395,0.0032274132,0.04406797,0.0000034123755,0.0001699741,0.89205146,0.043015443,0.0046049836],"study_design_scores_gemma":[0.00077775243,0.0002973364,0.022413459,0.0017599062,0.00083655154,0.0008240788,0.008717912,0.000017302735,0.00005235443,0.00016362134,0.963113,0.0010266996],"about_ca_topic_score_codex":0.0016647298,"about_ca_topic_score_gemma":0.0153104495,"teacher_disagreement_score":0.9200976,"about_ca_system_score_codex":0.0014828756,"about_ca_system_score_gemma":0.0009368488,"threshold_uncertainty_score":0.9999627},"labels":[],"label_agreement":null},{"id":"W61505562","doi":"","title":"Colonial Fetishm in René Marqués","year":2009,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Colonialism; Political science; History; Art","score_opus":0.010902002720430605,"score_gpt":0.2288406550474591,"score_spread":0.2179386523270285,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W61505562","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.95499176,0.026786301,0.0000023859118,0.00463951,0.000731621,0.00082911144,0.00028104614,0.000101370206,0.011636903],"genre_scores_gemma":[0.9904849,0.0020364197,0.00006195987,0.003107629,0.0018887736,0.00005323319,0.000043361666,0.000051134037,0.0022725747],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9965325,0.0002471266,0.0007984736,0.00078149006,0.00036439463,0.0012760158],"domain_scores_gemma":[0.998425,0.00011042192,0.00026550965,0.0005931453,0.00026129762,0.00034464817],"candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.000498479,0.0006636909,0.0010493137,0.0002591483,0.000746925,0.0012249479,0.00042653267,0.00025991976,0.00049577263],"category_scores_gemma":[0.00023677901,0.0006261022,0.00030347693,0.00025595102,0.00028754564,0.00023151019,0.000076248376,0.0007207731,0.00009839589],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011233002,0.0002202747,0.0023694963,0.00014300804,0.00013092316,0.0010516725,0.018823987,0.0000021747062,0.00006469558,0.8977654,0.07465167,0.0046643764],"study_design_scores_gemma":[0.0009689288,0.00059242354,0.02360452,0.00081012346,0.00022235677,0.00008594429,0.0014673832,0.000020989311,0.0000108629165,0.0001977813,0.97128254,0.00073613913],"about_ca_topic_score_codex":0.00094255595,"about_ca_topic_score_gemma":0.02704472,"teacher_disagreement_score":0.89756763,"about_ca_system_score_codex":0.00072546856,"about_ca_system_score_gemma":0.00043514563,"threshold_uncertainty_score":0.9998119},"labels":[],"label_agreement":null},{"id":"W653084844","doi":"","title":"Cucendo la Vela: A Polyphonic Journey through Spanish Literary Time","year":2011,"lang":"en","type":"article","venue":"Canadian review of comparative literature","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Vela; Polyphony; Art; Literature; Astronomy; Physics; Pulsar","score_opus":0.05072398931736812,"score_gpt":0.2608581440061663,"score_spread":0.21013415468879817,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W653084844","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00072086626,0.41852084,0.0000011583713,0.00045429796,0.00034823728,0.00036598783,0.0005435208,0.000034577777,0.57901055],"genre_scores_gemma":[0.7763236,0.057225786,0.0018657827,0.042185497,0.0036016651,0.00027103737,0.0014350717,0.00016284494,0.11692872],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981091,0.00025659005,0.0005760941,0.00036845368,0.00022472473,0.00046502886],"domain_scores_gemma":[0.99834806,0.000060417333,0.00025967145,0.00041990125,0.00063684984,0.0002750875],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00019641317,0.000433677,0.000925731,0.00012789766,0.00032228828,0.0002658003,0.0004181367,0.000120263794,0.0064016217],"category_scores_gemma":[0.00003180452,0.00031865676,0.0003301878,0.00025910322,0.00036726822,0.00069208466,0.000040211726,0.0005426253,0.00027038917],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017714738,0.00005244119,0.000033353346,0.0013816319,0.00023390443,0.00009225888,0.24291816,1.1567661e-8,0.000019327996,0.37311965,0.38175774,0.00037380186],"study_design_scores_gemma":[0.00021410629,0.000111503236,0.00019801482,0.0113323415,0.000113059104,0.000055407738,0.0009339398,6.941785e-7,0.000088019326,0.0043244534,0.9822676,0.00036085772],"about_ca_topic_score_codex":0.0009114226,"about_ca_topic_score_gemma":0.0062537575,"teacher_disagreement_score":0.77560276,"about_ca_system_score_codex":0.000059705308,"about_ca_system_score_gemma":0.0002638897,"threshold_uncertainty_score":0.99992657},"labels":[],"label_agreement":null},{"id":"W653475016","doi":"10.33137/rr.v36i2.8618","title":"Female and Male Voices in Early Modern England: An Anthology of Renaissance Writing","year":2000,"lang":"en","type":"article","venue":"Renaissance and Reformation","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":26,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Montreal Police Service; Brock University","funders":"","keywords":"The Renaissance; Art; Performance art; Art history; History; Literature; Visual arts","score_opus":0.015993008647728575,"score_gpt":0.23466997366397468,"score_spread":0.21867696501624612,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W653475016","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9434477,0.0044291704,0.0000032677563,0.0000833252,0.000039136226,0.0000832772,0.0000112993375,0.000020225287,0.0518826],"genre_scores_gemma":[0.9981031,0.00076476723,0.00006053828,0.00006571815,0.00018073335,0.000009530461,0.000016044953,0.0000058598393,0.00079370156],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99938405,0.00003142379,0.0002311973,0.00014043164,0.000074101605,0.00013882281],"domain_scores_gemma":[0.9997539,0.000012173246,0.00007709157,0.00008628898,0.000045021352,0.000025516292],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00012828199,0.00009763423,0.00017670737,0.00005213481,0.00018779418,0.00006858361,0.00004451885,0.00004988848,0.00009004784],"category_scores_gemma":[0.0000046220557,0.000069941256,0.000015451353,0.000033820474,0.00019137657,0.0008036743,0.000011792863,0.00008892483,0.0000029861892],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023751306,0.00013162469,0.050879963,0.0005022727,0.00004310133,0.000015230901,0.7839781,0.000024885105,0.0012570798,0.03246983,0.000462115,0.12999827],"study_design_scores_gemma":[0.0068492973,0.0017934326,0.3971608,0.00240947,0.00012794741,0.0002765996,0.07284569,0.0027555558,0.0036482061,0.010292084,0.49997205,0.0018688923],"about_ca_topic_score_codex":0.00011986061,"about_ca_topic_score_gemma":0.00074481894,"teacher_disagreement_score":0.7111324,"about_ca_system_score_codex":0.000004882367,"about_ca_system_score_gemma":0.000003413916,"threshold_uncertainty_score":0.28521216},"labels":[],"label_agreement":null},{"id":"W66102027","doi":"","title":"\"Tis Pity She's a Corpse: Modernism, Remembering, and Dismemberment in Valle-Inclán's Sonatas","year":2000,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Dandy; Literature","score_opus":0.0124539400189677,"score_gpt":0.22727595209594492,"score_spread":0.2148220120769772,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W66102027","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9571187,0.031202711,0.0000034704203,0.001024874,0.0002526616,0.0008917375,0.0004388982,0.00009057323,0.008976401],"genre_scores_gemma":[0.9830147,0.010662358,0.00007645811,0.001139279,0.0007504429,0.00014927973,0.000060286708,0.00009212134,0.0040550907],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9961569,0.0002514383,0.0008227195,0.001056798,0.000440725,0.0012714473],"domain_scores_gemma":[0.9983791,0.000109598695,0.00021900317,0.0006669337,0.00015900335,0.00046632593],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00050293125,0.0008201583,0.0011386321,0.0001724797,0.0010096834,0.0014248145,0.00035950157,0.00023622262,0.0020331717],"category_scores_gemma":[0.00007432268,0.0007631117,0.000238043,0.00015050461,0.00048243577,0.0003799903,0.00018629279,0.00070055964,0.00007835308],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017546478,0.00032882328,0.0044191894,0.0008155046,0.00046926524,0.001163775,0.047290936,0.000019411891,0.00003419813,0.90563077,0.020615889,0.0190368],"study_design_scores_gemma":[0.0011270064,0.00027309242,0.01287798,0.0010550593,0.00033545337,0.00015632586,0.0025169407,0.0002532229,0.000006251722,0.00015077024,0.9803303,0.0009176372],"about_ca_topic_score_codex":0.002137511,"about_ca_topic_score_gemma":0.040769592,"teacher_disagreement_score":0.95971435,"about_ca_system_score_codex":0.0006226331,"about_ca_system_score_gemma":0.0002388359,"threshold_uncertainty_score":0.9996118},"labels":[],"label_agreement":null},{"id":"W6987025167","doi":"","title":"Salamanca’s theater and musical activity in the first quarter of twentieth century through the local press","year":2011,"lang":"en","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Quarter (Canadian coin); Musical; Period (music); Center (category theory)","score_opus":0.2114541346078784,"score_gpt":0.4386341256272513,"score_spread":0.2271799910193729,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6987025167","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.786921,0.025866292,0.000034681332,0.0010801987,0.0012154517,0.0008335868,0.00006614901,0.000021111271,0.18396151],"genre_scores_gemma":[0.996011,0.0026645986,0.000008127963,0.0007067009,0.00032191313,0.000043517623,0.0000020606342,0.000017273871,0.00022476203],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.99840254,0.0002417731,0.00043113125,0.0002634586,0.00039031668,0.00027079484],"domain_scores_gemma":[0.9989252,0.0001854697,0.00033695102,0.00036158954,0.00015237134,0.000038409496],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005506914,0.00024965795,0.00048355982,0.00007576687,0.00042274053,0.0008521444,0.0012118529,0.000066041226,0.003269606],"category_scores_gemma":[0.000023500706,0.00012035019,0.0001442413,0.00011007105,0.0007021555,0.0015027741,0.000407052,0.00042465108,0.0000024904818],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0008160217,0.0011954353,0.07347633,0.00028306723,0.0006896384,0.000045448855,0.59298843,0.0000036027116,0.0006821046,0.037017368,0.28617218,0.006630374],"study_design_scores_gemma":[0.00061397377,0.000046553705,0.52784246,0.0003443508,0.00017021915,0.000010823323,0.020086301,0.0000067860424,0.001535407,0.0109472135,0.43803927,0.00035663653],"about_ca_topic_score_codex":0.0024021384,"about_ca_topic_score_gemma":0.0022237198,"teacher_disagreement_score":0.57290214,"about_ca_system_score_codex":0.00001404734,"about_ca_system_score_gemma":0.00001677624,"threshold_uncertainty_score":0.99764156},"labels":[],"label_agreement":null},{"id":"W6991223535","doi":"","title":"Fons Manuel Serra i Moret: 1939-1963: cartes, articles de premsa i documents","year":2006,"lang":"ca","type":"article","venue":"Dipòsit Digital de la Universitat de Barcelona (Universitat de Barcelona)","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Unit (ring theory); Pilgrim; Nova scotia; Period (music)","score_opus":0.00414320920902068,"score_gpt":0.19008159812346453,"score_spread":0.18593838891444386,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6991223535","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.45806113,0.005270673,0.0004964215,0.0019247347,0.0003701528,0.00069186947,0.0021389604,0.0004515101,0.5305945],"genre_scores_gemma":[0.8988807,0.0004045995,0.0006223551,0.00089671765,0.00049765146,0.000015185831,0.0007355074,0.00017286203,0.0977744],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9935926,0.00060420344,0.0005822031,0.0013589484,0.0011214128,0.0027406414],"domain_scores_gemma":[0.9967373,0.00067900185,0.00039954943,0.00082651956,0.00043955146,0.000918053],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.0005642084,0.0012809866,0.0010181624,0.0007412875,0.003386982,0.0025208686,0.001514627,0.00058882416,0.0032332642],"category_scores_gemma":[0.000078525794,0.0015310711,0.00097525073,0.0006984364,0.0016791031,0.0034091552,0.0009861883,0.001316401,0.00026155394],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0013618727,0.0019565348,0.042765416,0.0004862655,0.0025499703,0.01110646,0.1312787,0.00067859236,0.0016874946,0.52355623,0.27941582,0.0031566548],"study_design_scores_gemma":[0.0049522542,0.0006714606,0.033146754,0.00031573296,0.0014781397,0.00052944495,0.14271536,0.00055611745,0.00019067037,0.03358966,0.77956015,0.0022942629],"about_ca_topic_score_codex":0.0024308714,"about_ca_topic_score_gemma":0.0010607082,"teacher_disagreement_score":0.5001443,"about_ca_system_score_codex":0.0031387603,"about_ca_system_score_gemma":0.00079027226,"threshold_uncertainty_score":0.9999942},"labels":[],"label_agreement":null},{"id":"W6992579294","doi":"","title":"Los fantasmas del exilio español","year":2020,"lang":"es","type":"article","venue":"Dialnet (Universidad de la Rioja)","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Field (mathematics); Identity (music)","score_opus":0.013739859758461398,"score_gpt":0.22568941527815045,"score_spread":0.21194955551968905,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6992579294","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17957187,0.011681098,0.00010326048,0.008217732,0.0007936922,0.0004021632,0.00076566584,0.0003116396,0.79815286],"genre_scores_gemma":[0.97901136,0.0009521692,0.00018113884,0.00500795,0.0028093231,0.000007535641,0.00014703802,0.00006294802,0.011820526],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979932,0.00025393217,0.0002502055,0.0005784378,0.00034024168,0.00058402907],"domain_scores_gemma":[0.99882346,0.00017523904,0.00016293154,0.0002931866,0.00021728326,0.0003278792],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00012211764,0.00046430394,0.0005633228,0.000110073306,0.00081330474,0.0013683054,0.00040666448,0.0003035459,0.0034392555],"category_scores_gemma":[0.000082564984,0.00046071727,0.00035952934,0.00020594955,0.00053915044,0.00046666074,0.00023100174,0.00058531214,0.00036983867],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014261821,0.00013280238,0.0012721149,0.00021475305,0.0005214891,0.0008294726,0.11344524,0.000008524626,0.00070296467,0.6946706,0.18647593,0.0015834753],"study_design_scores_gemma":[0.0010521286,0.00018639307,0.0026233976,0.0001495093,0.00037669286,0.000016059432,0.036044456,0.00009178284,0.00018104877,0.00054346694,0.9581445,0.00059054844],"about_ca_topic_score_codex":0.00015720626,"about_ca_topic_score_gemma":0.00020141157,"teacher_disagreement_score":0.7994395,"about_ca_system_score_codex":0.000080685735,"about_ca_system_score_gemma":0.00015411105,"threshold_uncertainty_score":0.99978447},"labels":[],"label_agreement":null},{"id":"W6995684501","doi":"","title":"The Palimpsest of The Magic Mountain by Thomas Mann in the Literary Works of Juan Benet","year":2017,"lang":"en","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Winnipeg","funders":"","keywords":"MAGIC (telescope); Dialectic; Narrative; Relativism; Palimpsest","score_opus":0.17322218980897888,"score_gpt":0.4869791384383711,"score_spread":0.3137569486293922,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6995684501","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6538286,0.14902481,0.0000024570982,0.0037966901,0.0014428374,0.00094820035,0.0002814081,0.000013852625,0.19066113],"genre_scores_gemma":[0.9878841,0.006963665,0.0000052750524,0.00056750374,0.00038105928,0.000031089658,0.000008687581,0.000023189144,0.004135455],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977763,0.0003492465,0.00074908463,0.0002350035,0.00058629696,0.00030401273],"domain_scores_gemma":[0.99709386,0.00036487676,0.0012369024,0.0009722129,0.00028654162,0.000045634217],"candidate_categories":["sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0012467675,0.00027444825,0.0005445326,0.00010026813,0.0013991299,0.0037908277,0.0049815928,0.00007232313,0.0011448425],"category_scores_gemma":[0.0001660434,0.00012407315,0.0002451469,0.00014411825,0.00085556495,0.0014972093,0.0008159122,0.0004957266,0.000002446544],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00032495504,0.00049760315,0.27723956,0.00017077108,0.0005945405,0.000021656355,0.05679284,0.000007026476,0.0038713831,0.045092575,0.60234946,0.013037627],"study_design_scores_gemma":[0.00051532115,0.000020121033,0.40682563,0.0010561167,0.00013146452,0.0000065606996,0.007429542,0.0000053757817,0.0017881277,0.03406313,0.54785144,0.00030713138],"about_ca_topic_score_codex":0.0009845675,"about_ca_topic_score_gemma":0.0022027325,"teacher_disagreement_score":0.33405548,"about_ca_system_score_codex":0.000020542333,"about_ca_system_score_gemma":0.000043237033,"threshold_uncertainty_score":0.99990094},"labels":[],"label_agreement":null},{"id":"W6996458620","doi":"","title":"Sexo, sexualidad y el ideal masculino en Higiene sexual del soltero (1902) de Ciro Bayo","year":2008,"lang":"es","type":"article","venue":"Sound Ideas (University of Puget Sound)","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Ideal (ethics); Order (exchange); Subject (documents)","score_opus":0.0197834841205193,"score_gpt":0.2256025204647895,"score_spread":0.2058190363442702,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6996458620","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96316516,0.004467081,0.0008599772,0.00065617653,0.00089272845,0.0003568216,0.0005436849,0.00022100104,0.028837344],"genre_scores_gemma":[0.9590906,0.00058387895,0.00051029894,0.00045624698,0.0016979381,0.0000017852083,0.00018752684,0.00006715722,0.037404556],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99649686,0.00030332652,0.00048478274,0.0008917685,0.00077147945,0.0010518108],"domain_scores_gemma":[0.9978101,0.00021118889,0.00044143404,0.0006773518,0.0005169467,0.00034295625],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00041152944,0.00072883634,0.001032345,0.00030328307,0.0028912206,0.00044752203,0.00084979215,0.00046929935,0.0015895227],"category_scores_gemma":[0.000056775505,0.0008094212,0.0004996554,0.00020640106,0.0016030887,0.0009913408,0.0004851876,0.0007148227,0.00029025733],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022029976,0.00038532968,0.014527799,0.00035673977,0.0012137472,0.00037675575,0.19825777,0.000033320815,0.00007998719,0.75742996,0.027040103,0.00007820366],"study_design_scores_gemma":[0.0026483359,0.0007913836,0.015551232,0.00014733138,0.00089085265,0.000199585,0.20655073,0.00008019798,0.0000048438496,0.5554396,0.21627149,0.0014244382],"about_ca_topic_score_codex":0.0023770342,"about_ca_topic_score_gemma":0.0023255947,"teacher_disagreement_score":0.20199037,"about_ca_system_score_codex":0.00027709638,"about_ca_system_score_gemma":0.00026210252,"threshold_uncertainty_score":0.99943566},"labels":[],"label_agreement":null},{"id":"W6999926068","doi":"","title":"D'un temps, d'un país : Elvira Augusta Lewi","year":2006,"lang":"ca","type":"article","venue":"Dipòsit Digital de Documents de la UAB (Universitat Autònoma de Barcelona)","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Subject (documents); Theme (computing); Quarter (Canadian coin); Craft","score_opus":0.002763084306766395,"score_gpt":0.18667852375537122,"score_spread":0.18391543944860483,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6999926068","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.38826364,0.005896581,0.00019191611,0.0014368052,0.0004386237,0.00050175725,0.0010517498,0.0003945415,0.6018244],"genre_scores_gemma":[0.88240236,0.00023383302,0.0003929722,0.0008771734,0.0009092128,0.000020202408,0.00063471333,0.000137172,0.11439235],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9953172,0.0003151934,0.00059173664,0.0010686613,0.00076757726,0.0019396063],"domain_scores_gemma":[0.99785775,0.00030887342,0.00036246053,0.0006861071,0.00028528494,0.00049953756],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00038573967,0.0010724308,0.00085765927,0.0003978396,0.0019159805,0.005137179,0.001059333,0.0005651938,0.003199297],"category_scores_gemma":[0.000059548693,0.001142113,0.0007139935,0.00039713265,0.000953694,0.0031064784,0.00065213593,0.000906643,0.0005169161],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004278619,0.0012983663,0.016949093,0.00028727078,0.002050337,0.004376395,0.04330875,0.000023131863,0.00039496666,0.707474,0.20771918,0.015690641],"study_design_scores_gemma":[0.0028845968,0.00037930673,0.029213134,0.00026234385,0.0007260188,0.00024254581,0.030394712,0.000056839253,0.0002528449,0.049065243,0.8849336,0.0015887985],"about_ca_topic_score_codex":0.0005040789,"about_ca_topic_score_gemma":0.00012753795,"teacher_disagreement_score":0.67721444,"about_ca_system_score_codex":0.0010237907,"about_ca_system_score_gemma":0.0002566012,"threshold_uncertainty_score":0.9993834},"labels":[],"label_agreement":null},{"id":"W7006179778","doi":"","title":"Sur. El ballet de Montreal abre en el Cervantes su gira española","year":2002,"lang":"es","type":"other","venue":"Centro de Documentación de las Artes Escénicas de Andalucía","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Theme (computing); White (mutation)","score_opus":0.007469196197608803,"score_gpt":0.24591473448838488,"score_spread":0.23844553829077608,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7006179778","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.035305496,0.08619131,0.00013547175,0.0065535503,0.0022047516,0.002116196,0.0032301361,0.00091494137,0.8633481],"genre_scores_gemma":[0.36538625,0.029806824,0.0007775588,0.008049384,0.01230122,0.00035066405,0.00092883164,0.0009649384,0.5814343],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99285513,0.0007019407,0.0011513588,0.0014385832,0.0007941232,0.0030588422],"domain_scores_gemma":[0.99656045,0.0005276805,0.0007035339,0.001101816,0.0003213788,0.00078515423],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.00066883577,0.0017849214,0.0018280697,0.0003354731,0.0012240971,0.0038155073,0.001206861,0.0011094309,0.024440156],"category_scores_gemma":[0.0002254651,0.0015820361,0.0011069174,0.0001708126,0.00070627587,0.00067468954,0.00039576547,0.001550557,0.000897005],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00034951846,0.0009998733,0.022218361,0.00060005405,0.002564251,0.00091823126,0.051527943,0.000023996272,0.00037630674,0.098978385,0.8179927,0.0034504018],"study_design_scores_gemma":[0.0030509697,0.0004427971,0.0037356701,0.0011380034,0.0012851559,0.0002460813,0.005135122,0.00025193972,0.00022406192,0.003875697,0.9789166,0.001697902],"about_ca_topic_score_codex":0.002298876,"about_ca_topic_score_gemma":0.0031391066,"teacher_disagreement_score":0.33008075,"about_ca_system_score_codex":0.0010358242,"about_ca_system_score_gemma":0.0003224166,"threshold_uncertainty_score":0.9998809},"labels":[],"label_agreement":null},{"id":"W7010573681","doi":"","title":"Joaquín Rodrigo's Con Antonio Machado : a performer's guide to the work, focusing on the analysis of songcyclic features","year":2009,"lang":"en","type":"other","venue":"cIRcle (University of British Columbia)","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Pontificia Universidad Javeriana; University of British Columbia","keywords":"Poetry; Coherence (philosophical gambling strategy); Performance art; Point (geometry); Style (visual arts); Criticism; Theme (computing); Subject (documents); Narrative","score_opus":0.009147083919285003,"score_gpt":0.18267686533960314,"score_spread":0.17352978142031814,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7010573681","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.027256295,0.004233261,0.000013425967,0.0019177933,0.00039695975,0.0006523388,0.0008965351,0.000090602436,0.9645428],"genre_scores_gemma":[0.32230106,0.00040504517,0.00004211551,0.0006906024,0.00047615854,0.0000016474058,0.000067521934,0.00006692887,0.6759489],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99864167,0.00008547289,0.00017443742,0.00041618999,0.00039664167,0.00028556053],"domain_scores_gemma":[0.9988493,0.00006303124,0.00031754593,0.00051307393,0.00019772699,0.000059368078],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00017827985,0.00013839829,0.0006615628,0.00017374556,0.0006500682,0.00033867068,0.000614794,0.00016005347,0.0034212095],"category_scores_gemma":[0.000024983347,0.00021875596,0.00047577368,0.00041816468,0.00056011835,0.00007411673,0.000114712944,0.0003016605,0.00002681985],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001428648,0.000064157764,0.00015905724,0.00002895548,0.0015922346,0.00002197629,0.0084716035,0.0000030299075,0.0000026337477,0.0003613748,0.89805657,0.09122413],"study_design_scores_gemma":[0.00021447189,0.000086206644,0.14567563,0.00061120884,0.0013555832,0.0000030328692,0.013174981,0.0000018225165,2.4984658e-7,0.000040115032,0.8385691,0.00026759328],"about_ca_topic_score_codex":0.07151552,"about_ca_topic_score_gemma":0.80714935,"teacher_disagreement_score":0.73563385,"about_ca_system_score_codex":0.000042525073,"about_ca_system_score_gemma":0.000033888336,"threshold_uncertainty_score":0.9974898},"labels":[],"label_agreement":null},{"id":"W7011303445","doi":"","title":"Lo popular en el teatro de Miguel Hernández","year":2015,"lang":"es","type":"article","venue":"Dialnet (Universidad de la Rioja)","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Relation (database); Popular culture; Latin American literature; Sequence (biology)","score_opus":0.012308112550509951,"score_gpt":0.2439585652362542,"score_spread":0.23165045268574425,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7011303445","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3931364,0.01158453,0.000070623355,0.0027178251,0.0011942288,0.00033353464,0.0002864302,0.00025793683,0.59041846],"genre_scores_gemma":[0.9566644,0.00043713636,0.00029570825,0.001102054,0.0030609157,0.000009422547,0.00009840518,0.000065588916,0.03826638],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99773884,0.00043062604,0.00023237178,0.00045901779,0.00039409494,0.0007450254],"domain_scores_gemma":[0.9987154,0.00012901145,0.00015644466,0.0003876678,0.00023340422,0.00037807968],"candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00047996623,0.00046157086,0.0005125688,0.00019180866,0.00061710476,0.0012541631,0.00047608392,0.00040124718,0.00039940362],"category_scores_gemma":[0.00011366237,0.0004461633,0.00030196327,0.00012947,0.0004553629,0.000509913,0.00019366531,0.0005785446,0.00029032328],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013806067,0.0001810483,0.008759578,0.00008324379,0.00042689842,0.0004940474,0.16677324,0.0000128735865,0.00012100181,0.6185105,0.20337652,0.0011229767],"study_design_scores_gemma":[0.001346153,0.00021644535,0.005249692,0.0001338617,0.0003703593,0.000037525468,0.061554328,0.000036835863,0.000028081302,0.0067328513,0.9237382,0.0005556931],"about_ca_topic_score_codex":0.0015134203,"about_ca_topic_score_gemma":0.00059141853,"teacher_disagreement_score":0.72036165,"about_ca_system_score_codex":0.00035323523,"about_ca_system_score_gemma":0.00025033485,"threshold_uncertainty_score":0.999799},"labels":[],"label_agreement":null},{"id":"W7016154663","doi":"","title":"Without care in the world: Máire Mhac an tSaoi in Spain (1949-1951)","year":2022,"lang":"ga","type":"other","venue":"Research Portal (Queen's University Belfast)","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Queen's University; Queen's University Belfast","keywords":"Population; Immigration","score_opus":0.023092005917649667,"score_gpt":0.2829039429328114,"score_spread":0.25981193701516175,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7016154663","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.01519291,0.0014582662,2.3330541e-7,0.0031160605,0.00038370892,0.0017693685,0.00068576256,0.000092352,0.97730136],"genre_scores_gemma":[0.31022373,0.0006353228,0.00001660208,0.0002442024,0.0010003058,0.000026095218,0.00082548364,0.00015352438,0.68687475],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9919337,0.0026819033,0.00046738153,0.0012993654,0.0020428814,0.0015747924],"domain_scores_gemma":[0.9977332,0.0002759359,0.00023428154,0.0010799754,0.00041739357,0.00025923937],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0016877827,0.00076246867,0.00094536756,0.0023287407,0.0024369308,0.0006247979,0.001948544,0.0003693094,0.04314959],"category_scores_gemma":[0.00008010806,0.0006416308,0.00034121866,0.001583731,0.0011870085,0.0005607144,0.0009533963,0.0042003724,0.00019697034],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006860719,0.001186228,0.030581571,0.00067287317,0.0004920753,0.010963709,0.25585476,0.000013845205,0.0000028426607,0.34424144,0.3536422,0.0016624046],"study_design_scores_gemma":[0.0008462438,0.00041058604,0.004151101,0.00030611764,0.000052377927,0.0000038797903,0.32336578,0.000001410806,7.998402e-7,0.000103061466,0.67026687,0.0004917493],"about_ca_topic_score_codex":0.013360381,"about_ca_topic_score_gemma":0.21667227,"teacher_disagreement_score":0.34413835,"about_ca_system_score_codex":0.0007464238,"about_ca_system_score_gemma":0.0005764762,"threshold_uncertainty_score":0.9996035},"labels":[],"label_agreement":null},{"id":"W7020126097","doi":"","title":"Labrador y el usía, El","year":2014,"lang":"ca","type":"book","venue":"Repository of Digital Objects for Teaching Research and Culture (University of Valencia)","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Field (mathematics); Population","score_opus":0.028485756488943467,"score_gpt":0.2715626492873325,"score_spread":0.243076892798389,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7020126097","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04766801,0.010662511,0.00006077782,0.0002663785,0.00066976284,0.001330581,0.0014504541,0.00008957903,0.93780196],"genre_scores_gemma":[0.49147815,0.00024918653,0.00010261659,0.000013466832,0.001051226,0.0000020055927,0.00020793636,0.00004051873,0.5068549],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.996474,0.00020396704,0.0004792918,0.0008932017,0.0011954637,0.0007540608],"domain_scores_gemma":[0.9963275,0.0004817387,0.0006167636,0.0005245943,0.0017427751,0.00030658382],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.00075588905,0.0005878253,0.0012138631,0.00037093816,0.0034655367,0.00048008806,0.0007777643,0.0005948038,0.00003559346],"category_scores_gemma":[0.00024916677,0.0005563202,0.0006967749,0.000095488525,0.0030484637,0.0009792122,0.0004311389,0.0015469728,0.000011532799],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0012876305,0.0012089929,0.00035652964,0.010073397,0.0027977217,0.0001398047,0.42497543,0.0000013816817,0.002624997,0.29530546,0.25172973,0.009498925],"study_design_scores_gemma":[0.0014129891,0.0044044494,0.0002085571,0.0026713237,0.00047172458,0.000042786753,0.1055232,0.000014199882,0.00018925664,0.01263948,0.8716245,0.00079749926],"about_ca_topic_score_codex":0.00020710938,"about_ca_topic_score_gemma":0.00032826487,"teacher_disagreement_score":0.6198948,"about_ca_system_score_codex":0.00016935827,"about_ca_system_score_gemma":0.00030950693,"threshold_uncertainty_score":0.9996888},"labels":[],"label_agreement":null},{"id":"W7023390391","doi":"","title":"Nova York 1990","year":2016,"lang":"es","type":"book","venue":"RUA, Repositorio Institucional de la Universidad de Alicante (Universidad de Alicante)","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nova scotia; Context (archaeology); Misfortune","score_opus":0.011476836273593355,"score_gpt":0.23580055150990165,"score_spread":0.22432371523630829,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7023390391","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0136648035,0.0039020383,0.00045359417,0.0037391512,0.0037731184,0.0009370184,0.0019929162,0.0006300865,0.9709073],"genre_scores_gemma":[0.36283803,0.0037105798,0.00079783844,0.002471845,0.016330533,0.00003305048,0.0005497472,0.0003975983,0.61287075],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9918823,0.0008399863,0.0011053183,0.002156246,0.0015668028,0.0024493493],"domain_scores_gemma":[0.9937232,0.0010687304,0.0013392494,0.0015664416,0.0010688106,0.0012335575],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity"],"category_scores_codex":[0.00083437725,0.0020679403,0.0020419464,0.0012745862,0.0032211125,0.001968414,0.0023675335,0.0020835765,0.0022309606],"category_scores_gemma":[0.00014382854,0.0019997244,0.0017069766,0.00051388313,0.0031152987,0.001234338,0.00083447515,0.0024558166,0.00051189936],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00076075573,0.00026240008,0.00076665956,0.00029763277,0.0029138904,0.0048015187,0.018274413,0.000014490937,0.0028825458,0.74395925,0.22411244,0.0009540073],"study_design_scores_gemma":[0.0027903372,0.00045268238,0.0010637054,0.0030231718,0.0019537455,0.0015035837,0.010185199,0.000032206335,0.0003047034,0.002297919,0.97400033,0.0023924161],"about_ca_topic_score_codex":0.004800276,"about_ca_topic_score_gemma":0.0012607006,"teacher_disagreement_score":0.7498879,"about_ca_system_score_codex":0.005375477,"about_ca_system_score_gemma":0.004149715,"threshold_uncertainty_score":0.99984556},"labels":[],"label_agreement":null},{"id":"W7023722098","doi":"","title":"\" Panchiku\", un baserritarra de comienzos del siglo XX. Un acercamiento hacia la cosmovisión y la vida cotidiana del labrador guipuzcoano","year":2011,"lang":"es","type":"article","venue":"Dialnet (Universidad de la Rioja)","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Diafiltration; Liquation; Emperipolesis; Triacetin; Fusible alloy","score_opus":0.011828527938526987,"score_gpt":0.2163591447525526,"score_spread":0.20453061681402562,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7023722098","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5886694,0.0069790357,0.0001735859,0.00085228,0.00075008714,0.0006599735,0.001123769,0.0003825813,0.40040925],"genre_scores_gemma":[0.9852975,0.0012840497,0.0014430367,0.0019459943,0.0008680856,0.000034996436,0.00018342977,0.00014778871,0.0087951375],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99550605,0.0011743981,0.0005326395,0.0009350494,0.0005507132,0.0013011287],"domain_scores_gemma":[0.9971582,0.000735375,0.00039591108,0.000763284,0.0003943455,0.0005528598],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008104794,0.0009588742,0.0009655071,0.00039495752,0.0016639922,0.0012665818,0.0009934502,0.0007560569,0.0037587252],"category_scores_gemma":[0.0001624525,0.00096547545,0.0005654072,0.00035146327,0.0013216113,0.0008360938,0.00039661987,0.0010472296,0.00030538568],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00049382856,0.00091270835,0.01305696,0.00028018086,0.0014493896,0.00178579,0.18563288,0.000008266337,0.00069821655,0.69364333,0.09583367,0.0062047443],"study_design_scores_gemma":[0.0035229942,0.00038950806,0.070956215,0.00044858304,0.0011318978,0.00010665023,0.039410137,0.00012475533,0.00066756585,0.00824898,0.87342167,0.0015710236],"about_ca_topic_score_codex":0.003717324,"about_ca_topic_score_gemma":0.0024673229,"teacher_disagreement_score":0.777588,"about_ca_system_score_codex":0.00030363508,"about_ca_system_score_gemma":0.0003505089,"threshold_uncertainty_score":0.9997702},"labels":[],"label_agreement":null},{"id":"W7024310044","doi":"","title":"Reseña del libro de Pedro Ruiz Pérez y Víctor Infantes, Dos obras de la primera literatura áurea: Cartas y coplas para requerir nuevos amores y Cómo un rústico labrador astucioso con consejo de su mujer engañó a unos mercaderes","year":2014,"lang":"es","type":"review","venue":"Repositorio Institucional de la Universidad de Huelva (Universidad de Huelva)","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Sign (mathematics); Representation (politics)","score_opus":0.01327319660989024,"score_gpt":0.2787679235899573,"score_spread":0.26549472698006704,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7024310044","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14768118,0.6581966,0.0010757088,0.0018996611,0.004146926,0.005617997,0.0037634983,0.0018337505,0.17578466],"genre_scores_gemma":[0.68476355,0.26688942,0.006841311,0.0024690742,0.009857662,0.00033141242,0.0016212219,0.0008443741,0.026381977],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9855655,0.005352369,0.0018602996,0.002435722,0.0015917214,0.0031944094],"domain_scores_gemma":[0.9875099,0.0055807577,0.0020106102,0.001666461,0.0014919561,0.0017403065],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity"],"consensus_categories":["metaepi_narrow","sts","research_integrity"],"category_scores_codex":[0.0021943154,0.0029033355,0.0041994364,0.0015157156,0.0042996155,0.005379552,0.002447741,0.003535006,0.00056731974],"category_scores_gemma":[0.0015669395,0.0029246437,0.0022018633,0.0010166178,0.003196523,0.0019664937,0.0008819289,0.005319688,0.00012715643],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0017915699,0.0010512293,0.004770107,0.019548234,0.0075425985,0.0151329,0.07217086,0.00020408089,0.0027616203,0.82939535,0.04377996,0.0018514949],"study_design_scores_gemma":[0.0038286853,0.0006410299,0.0023729946,0.020671532,0.005866134,0.0046101566,0.013639707,0.00018196894,0.00039113883,0.0013076551,0.94337946,0.0031095077],"about_ca_topic_score_codex":0.0030749033,"about_ca_topic_score_gemma":0.0006147172,"teacher_disagreement_score":0.89959955,"about_ca_system_score_codex":0.0038033028,"about_ca_system_score_gemma":0.0072058323,"threshold_uncertainty_score":0.9995162},"labels":[],"label_agreement":null},{"id":"W7028420979","doi":"","title":"Exit, Voice and Disloyalty in Open Casebooks","year":2023,"lang":"en","type":"article","venue":"eYLS (Yale Law School)","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Casebook; Legal education; Intellectual property; Common law; Open university; Open education; Fair use","score_opus":0.03208974825055697,"score_gpt":0.26514809644627413,"score_spread":0.23305834819571716,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7028420979","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17830603,0.0012372868,3.1776653e-7,0.0010560869,0.0005807067,0.00038779475,0.00007932676,0.00016648883,0.818186],"genre_scores_gemma":[0.90254045,0.00010941232,0.000033107353,0.002168611,0.0008048089,0.000110753375,0.000043280976,0.000025658703,0.0941639],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990399,0.000043766984,0.00019660682,0.0002989166,0.00012758568,0.00029324705],"domain_scores_gemma":[0.9995664,0.0000518135,0.00003983764,0.00020267408,0.00005039938,0.0000889236],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00019790769,0.00016425415,0.00023302554,0.000074406445,0.0004489305,0.00076643727,0.00023439966,0.000047470334,0.00060871],"category_scores_gemma":[0.000035701396,0.00012796726,0.000038902977,0.000102794766,0.00017597062,0.00037864395,0.0002858994,0.00021175209,0.00052795303],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002936582,0.000033197495,0.0017561226,0.0000427866,0.000041846662,0.00011511988,0.022983078,6.6842443e-7,0.00005279016,0.82080203,0.15359531,0.0005477016],"study_design_scores_gemma":[0.0004704507,0.000046455578,0.0028252562,0.000070437985,0.0000136368935,0.000004087291,0.0068241907,0.000004004361,0.00003952501,0.009213848,0.9802815,0.00020664204],"about_ca_topic_score_codex":0.0033181699,"about_ca_topic_score_gemma":0.0702823,"teacher_disagreement_score":0.82668614,"about_ca_system_score_codex":0.000013698284,"about_ca_system_score_gemma":0.000013717975,"threshold_uncertainty_score":0.94668263},"labels":[],"label_agreement":null},{"id":"W7029733176","doi":"","title":"Linguistic Distance : A Quantitative Measure of the Distance Between English and Other Languages","year":2004,"lang":"en","type":"other","venue":"Econstor (Econstor)","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Measure (data warehouse); Distance measures; English language; Language proficiency; Theoretical linguistics","score_opus":0.015639769325296725,"score_gpt":0.23635110901307485,"score_spread":0.22071133968777812,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7029733176","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0014859131,0.04006158,0.000021281756,0.000062176856,0.0018761418,0.00042019412,0.0027774316,0.00013962953,0.95315564],"genre_scores_gemma":[0.40531528,0.000121746176,0.00019017584,0.00033321697,0.004998929,0.000065348315,0.00004435924,0.000363785,0.5885672],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99857616,0.00007913823,0.00037338253,0.00045068352,0.00023360369,0.00028703196],"domain_scores_gemma":[0.9986967,0.00013981055,0.0005013987,0.00041782003,0.00017940039,0.00006491489],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00012570071,0.00045447127,0.0007303914,0.00008864937,0.00026674985,0.00012416785,0.00030885634,0.00018928929,0.0018646219],"category_scores_gemma":[0.0002671409,0.000309047,0.00020109629,0.00005827608,0.0015596163,0.000057599387,0.0000677398,0.0003767106,0.000028143586],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001984282,0.000059357542,0.1012183,0.00044275142,0.00078907877,0.000009090607,0.119852684,1.4116993e-7,0.0000018596368,0.5959883,0.18146913,0.00014948263],"study_design_scores_gemma":[0.00036480644,0.000044533823,0.0012619903,0.001311904,0.00020223444,0.0000013670532,0.006113542,9.7376116e-8,0.000007914786,0.00055774255,0.98972857,0.00040530314],"about_ca_topic_score_codex":0.00029769784,"about_ca_topic_score_gemma":0.01519646,"teacher_disagreement_score":0.8082594,"about_ca_system_score_codex":0.00006485289,"about_ca_system_score_gemma":0.00011196961,"threshold_uncertainty_score":0.99993616},"labels":[],"label_agreement":null},{"id":"W7033325619","doi":"","title":"Practical recommendations for the teachers on optimization process of the students majoring in Tourism","year":2015,"lang":"en","type":"other","venue":"zvestiya of the National Academy of Sciences of Belarus (National Academy of Sciences of Belarus)","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Retraining; Vocational education; Process (computing); Training (meteorology); Tourism; Professional development","score_opus":0.11396792281344309,"score_gpt":0.394150063943188,"score_spread":0.28018214112974493,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7033325619","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.026036352,0.013108141,0.00016031167,0.17716901,0.0021188299,0.009803976,0.007705637,0.00009960267,0.7637981],"genre_scores_gemma":[0.97441584,0.00042116342,0.0055295764,0.0009098664,0.0006889528,0.00011240935,0.000013782163,0.000056926954,0.017851507],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9936108,0.00016184198,0.0012143656,0.00045765674,0.004289885,0.00026542624],"domain_scores_gemma":[0.99513054,0.001104604,0.0029235715,0.00005801142,0.00073884154,0.00004443882],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0042371117,0.00029194378,0.0005815229,0.00053782115,0.00051130087,0.000042195625,0.002562371,0.0002976638,0.000119791024],"category_scores_gemma":[0.0018105286,0.00016006934,0.00024636235,0.0009746083,0.005874851,0.0005577461,0.00030634736,0.00056632556,6.605693e-7],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012423935,0.0011448007,0.0015054235,0.0005801143,0.0005457303,3.8648174e-8,0.013517611,0.03823359,0.00058338395,0.74626523,0.1967727,0.00072713976],"study_design_scores_gemma":[0.0073380903,0.00245787,0.03694857,0.016847916,0.0015835651,0.000032192413,0.044316124,0.011036507,0.028374098,0.3704378,0.477933,0.0026942722],"about_ca_topic_score_codex":0.000095602314,"about_ca_topic_score_gemma":0.000026998294,"teacher_disagreement_score":0.94837946,"about_ca_system_score_codex":0.00007068307,"about_ca_system_score_gemma":0.0004066543,"threshold_uncertainty_score":0.9968306},"labels":[],"label_agreement":null},{"id":"W7039334160","doi":"","title":"A la Sombra de la Revolucion","year":2004,"lang":"en","type":"other","venue":"OhioLink ETD Center (Ohio Library and Information Network)","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Queen (butterfly); Throne; Shadow (psychology); Classicism; Industrial Revolution","score_opus":0.005891249525677038,"score_gpt":0.18926136232231858,"score_spread":0.18337011279664153,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7039334160","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000003861027,0.004159067,0.000038925937,0.0003126558,0.00067981245,0.00023984235,0.00017948504,0.00040511272,0.99398124],"genre_scores_gemma":[0.013220234,0.01892399,0.00076151907,0.013917739,0.012821604,0.00010554824,0.0033446534,0.0003648468,0.9365399],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99890214,0.0001252831,0.00033939272,0.00016865664,0.00013182785,0.00033269473],"domain_scores_gemma":[0.99939936,0.00004751897,0.00025234814,0.00019047329,0.000014181248,0.00009609837],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00010696406,0.00034678506,0.00031952778,0.00013667502,0.00024461994,0.0008199754,0.00016969739,0.00037794607,0.0047656544],"category_scores_gemma":[0.000005433212,0.00027451367,0.000117295196,0.00006215019,0.00024024358,0.003087686,0.00011347397,0.00047696737,0.0001026615],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013814278,0.000014193611,0.000009671997,0.00012546741,0.000055992117,0.0000026610471,0.003914765,0.000002509006,3.5608114e-8,0.5292205,0.46527666,0.0013637297],"study_design_scores_gemma":[0.00056790863,0.000036212972,0.00005812058,0.0009994414,0.00003688583,0.000019449028,0.00013508588,0.000009713732,8.0850106e-7,0.0027320732,0.99508387,0.0003204314],"about_ca_topic_score_codex":4.5594206e-7,"about_ca_topic_score_gemma":0.000008245702,"teacher_disagreement_score":0.5298072,"about_ca_system_score_codex":0.000011338118,"about_ca_system_score_gemma":0.000051645868,"threshold_uncertainty_score":0.99997073},"labels":[],"label_agreement":null},{"id":"W7044420870","doi":"","title":"Voces de España: Antología literaria","year":2005,"lang":"es","type":"article","venue":"Sound Ideas (University of Puget Sound)","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Focus (optics); Product (mathematics); Natural (archaeology)","score_opus":0.012224438900047199,"score_gpt":0.212911975285158,"score_spread":0.2006875363851108,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7044420870","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8566978,0.012303199,0.00024112455,0.0023420276,0.00055095117,0.00021097048,0.00028839626,0.00014146068,0.12722409],"genre_scores_gemma":[0.9601274,0.0005976404,0.0006127867,0.00044743123,0.0014615348,5.275987e-7,0.000059603786,0.000027557175,0.036665533],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9980991,0.00013573887,0.0002843592,0.0004992064,0.000347615,0.0006339754],"domain_scores_gemma":[0.9986148,0.00011253739,0.00032106065,0.0003938788,0.00038317035,0.00017457393],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002566168,0.00041974173,0.00063536764,0.00020836854,0.0015253967,0.00069517293,0.00056395866,0.00027522372,0.0026118036],"category_scores_gemma":[0.000046255234,0.00044760434,0.0004198299,0.00013544975,0.0010701024,0.0010032234,0.00022077575,0.0004045212,0.00032708593],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010183641,0.00018899748,0.0057435427,0.00016288727,0.0004941627,0.000037609847,0.11850526,0.0000068374393,0.000011279399,0.85506654,0.01947888,0.00020219186],"study_design_scores_gemma":[0.0006162967,0.0001428579,0.002697099,0.00011377452,0.00030144758,0.000013058706,0.036022026,0.000030836003,0.0000012936742,0.5251665,0.43453002,0.00036479923],"about_ca_topic_score_codex":0.00050147355,"about_ca_topic_score_gemma":0.0030913977,"teacher_disagreement_score":0.41505113,"about_ca_system_score_codex":0.00013709276,"about_ca_system_score_gemma":0.00010197638,"threshold_uncertainty_score":0.9997976},"labels":[],"label_agreement":null},{"id":"W7070856140","doi":"","title":"The reception of Canigó, by Jacint Verdaguer, in Madrid (1886-1902)","year":2014,"lang":"ca","type":"article","venue":"Dialnet (Universidad de la Rioja)","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Quarter (Canadian coin); Gray (unit)","score_opus":0.006098428233982358,"score_gpt":0.21272224656247604,"score_spread":0.2066238183284937,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7070856140","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.35891834,0.009808103,0.00006448377,0.0032137425,0.001911938,0.00048868987,0.00029444878,0.000076411205,0.6252239],"genre_scores_gemma":[0.97934383,0.0019669172,0.00002093088,0.00034485955,0.0006294873,0.000008569769,0.000067274865,0.000029658286,0.017588494],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99807316,0.00046252384,0.00032280604,0.00034300127,0.0003059523,0.0004925795],"domain_scores_gemma":[0.9987375,0.00040465128,0.00024582088,0.00035343826,0.00016420061,0.0000943475],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0006109732,0.00030820712,0.0004227377,0.00012818951,0.00073413266,0.00032887474,0.00037769033,0.00023873406,0.0005609462],"category_scores_gemma":[0.000079962774,0.00025026218,0.00018855165,0.00018778478,0.0006940173,0.00026565228,0.00011222363,0.0004685873,0.00006216765],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00026135336,0.00018072988,0.0010320756,0.00010450146,0.00022117102,0.00002106721,0.087682374,0.000015989886,0.0011747464,0.6182504,0.28034225,0.010713311],"study_design_scores_gemma":[0.0010610711,0.00023954762,0.0033798972,0.00015239007,0.000111999485,0.0000034655163,0.03190918,0.00010251952,0.00018925728,0.0027802044,0.95975083,0.00031963998],"about_ca_topic_score_codex":0.0023294413,"about_ca_topic_score_gemma":0.01051988,"teacher_disagreement_score":0.67940855,"about_ca_system_score_codex":0.00017065246,"about_ca_system_score_gemma":0.00008676834,"threshold_uncertainty_score":0.99999493},"labels":[],"label_agreement":null},{"id":"W7071319514","doi":"","title":"Tadeo Sagra, 1852. Labrador y vecino de Aldeahermosa","year":2015,"lang":"es","type":"article","venue":"Dialnet (Universidad de la Rioja)","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Natural (archaeology); Context (archaeology); Identification (biology); Table (database)","score_opus":0.013660214436955174,"score_gpt":0.23116585184669847,"score_spread":0.2175056374097433,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7071319514","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.36429676,0.00974342,0.000049118633,0.0030727505,0.0011521282,0.00035599447,0.00039682278,0.00029139698,0.6206416],"genre_scores_gemma":[0.9483344,0.00048976677,0.00029113863,0.0016736707,0.0028641385,0.000012074242,0.00010934176,0.00007279736,0.046152674],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975514,0.00038781067,0.00026448016,0.0005151571,0.00042859733,0.00085254794],"domain_scores_gemma":[0.9984094,0.00020582578,0.00019689786,0.00042802587,0.00029644227,0.0004633884],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00045531557,0.0005115167,0.0005629466,0.0002033849,0.00075571483,0.0015304832,0.0005001199,0.0004168095,0.0012606183],"category_scores_gemma":[0.000112845504,0.0004966349,0.00029392025,0.00019046875,0.00073289376,0.00059092214,0.00019920079,0.00062575046,0.0004706785],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014872618,0.00018424877,0.0015470689,0.000078682584,0.00039553214,0.00049936346,0.15708531,0.00000859107,0.00023667216,0.5149043,0.32157135,0.0033401186],"study_design_scores_gemma":[0.0015920177,0.0002473382,0.005039264,0.00015484661,0.00036055892,0.000042526528,0.04355071,0.0000396923,0.000116037954,0.0036606505,0.94456685,0.00062950194],"about_ca_topic_score_codex":0.0013105139,"about_ca_topic_score_gemma":0.0006832825,"teacher_disagreement_score":0.6229955,"about_ca_system_score_codex":0.00030024414,"about_ca_system_score_gemma":0.00034967292,"threshold_uncertainty_score":0.9997485},"labels":[],"label_agreement":null},{"id":"W7071441797","doi":"","title":"Romance nuevo, que declara un horroroso asesinato en un honrado labrador por su misma esposa y el querido de esta, en la ciudad de Cazorla, provincia de Jaen, el dia 4 de Noviembre de 1866","year":2016,"lang":"es","type":"article","venue":"Deposito de Investigacion Universidad de Sevilla (University of Seville)","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Identity (music); Context (archaeology); Romance; Power (physics)","score_opus":0.004478950362179212,"score_gpt":0.1969534454777894,"score_spread":0.19247449511561018,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7071441797","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97160697,0.004422329,0.0022328564,0.005574404,0.00019897422,0.00072504673,0.0005692497,0.00035624977,0.014313937],"genre_scores_gemma":[0.98139197,0.003164108,0.007382705,0.001540459,0.00057138526,0.0000060082193,0.000065854554,0.00014954037,0.0057279808],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9938854,0.001722608,0.0005776935,0.0011637011,0.0006403534,0.002010234],"domain_scores_gemma":[0.9958462,0.00073581893,0.00074881,0.0008592493,0.0005507407,0.0012591443],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0011020226,0.0011196219,0.001206361,0.0005897299,0.0019628324,0.00054718344,0.0014865975,0.0012274199,0.00026370477],"category_scores_gemma":[0.0003313736,0.0011790851,0.00071168743,0.0004634724,0.0014679627,0.0012515843,0.00054685806,0.0010706804,0.000053435866],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.002276698,0.0012135076,0.12531061,0.0023681973,0.0028837966,0.011218937,0.32789105,0.00018386528,0.13771948,0.35418674,0.018077709,0.016669404],"study_design_scores_gemma":[0.008919514,0.001453878,0.22286545,0.0055142543,0.0037611902,0.002879129,0.14445844,0.0008183115,0.031301633,0.004522902,0.5690167,0.0044886144],"about_ca_topic_score_codex":0.009156214,"about_ca_topic_score_gemma":0.0070596016,"teacher_disagreement_score":0.55093896,"about_ca_system_score_codex":0.0031077457,"about_ca_system_score_gemma":0.002736088,"threshold_uncertainty_score":0.9993365},"labels":[],"label_agreement":null},{"id":"W7100317797","doi":"","title":"theCommonColdinHealthyAdults:ASystematicReview","year":2009,"lang":"en","type":"article","venue":"","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Common cold; Ginseng; Placebo; Incidence (geometry); Upper respiratory infections; Clinical trial","score_opus":0.02609734883713816,"score_gpt":0.2456317442203952,"score_spread":0.21953439538325703,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7100317797","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00022794589,0.008257638,0.000012608564,0.007776447,0.00030202215,0.00022848538,0.0000026591201,0.00014187716,0.98305035],"genre_scores_gemma":[0.89421856,0.0005313147,0.0002978114,0.016335184,0.001810941,0.000021155065,0.0000069747716,0.0000075322805,0.08677051],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99941003,0.000036489142,0.00019347518,0.00009698812,0.00010410979,0.00015890649],"domain_scores_gemma":[0.999654,0.00001960612,0.000043658427,0.00013451531,0.00010220974,0.000046019137],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00014419739,0.00009056103,0.00018927021,0.000021213767,0.00036237866,0.00019581587,0.00009215496,0.000018553821,0.0025820986],"category_scores_gemma":[0.000023786122,0.000055025816,0.00006681994,0.000020142992,0.000036659632,0.00013489154,0.0000058506325,0.00006115835,0.00028254683],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000015736313,0.000022034576,0.0000032814792,0.00003816691,0.000007669987,0.0000012768508,0.01904029,1.0642633e-8,0.0000010514815,0.85492796,0.118904896,0.007051766],"study_design_scores_gemma":[0.00008318745,0.00006423899,0.00003765768,0.00011465869,0.000012251147,0.0000013982072,0.005010375,5.471504e-7,0.0000034180405,0.0047235433,0.9898643,0.00008444884],"about_ca_topic_score_codex":0.00002762473,"about_ca_topic_score_gemma":0.00059218315,"teacher_disagreement_score":0.8962798,"about_ca_system_score_codex":0.000013641159,"about_ca_system_score_gemma":0.000011577972,"threshold_uncertainty_score":0.9983297},"labels":[],"label_agreement":null},{"id":"W7116588706","doi":"","title":"Varia garcilasiana: un documento inédito. Los Zúñiga, otros parientes y un detalle de su casa natal","year":2021,"lang":"","type":"article","venue":"Repository of Digital Objects for Teaching Research and Culture (University of Valencia)","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Residence; Graduation (instrument); Nova scotia; EPIC","score_opus":0.02014653320779227,"score_gpt":0.2566249617874937,"score_spread":0.23647842857970144,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7116588706","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.81532466,0.02654939,0.00020495172,0.0005806709,0.0006416349,0.0010036076,0.0012857665,0.00007769932,0.15433162],"genre_scores_gemma":[0.95045793,0.00045784577,0.00051116536,0.000018989787,0.00056662643,0.0000033815652,0.00014643482,0.000032082102,0.047805566],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9964588,0.00032397636,0.00044540773,0.000853267,0.0010214209,0.0008970903],"domain_scores_gemma":[0.99675155,0.0003304135,0.00034954728,0.00045099296,0.0017394603,0.00037806298],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00067357876,0.00044687162,0.0007750423,0.0001999075,0.004093635,0.000983955,0.00053453044,0.00032575201,0.00009512539],"category_scores_gemma":[0.00041947627,0.0004497144,0.00052085967,0.00022346269,0.0018449131,0.0014821984,0.0005747899,0.0010740948,0.0000035963333],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0017625007,0.0041993544,0.0064346385,0.0053479546,0.0051094783,0.0019112971,0.77756816,0.000005767861,0.027884558,0.12636046,0.03477167,0.008644158],"study_design_scores_gemma":[0.004323567,0.0045638643,0.0020984912,0.0022035565,0.0009284682,0.00053357787,0.73081076,0.00007740456,0.014654724,0.014428313,0.22408476,0.0012925231],"about_ca_topic_score_codex":0.00022640699,"about_ca_topic_score_gemma":0.00035381925,"teacher_disagreement_score":0.1893131,"about_ca_system_score_codex":0.00018017311,"about_ca_system_score_gemma":0.0004047225,"threshold_uncertainty_score":0.99979544},"labels":[],"label_agreement":null},{"id":"W7117120143","doi":"10.25115/raudem.v13i1.10725","title":"&lt;i&gt;EL CUENTO SEMANAL&lt;/i&gt; COMO ARCHIVO DE ALTERIDADES: ETNOGRAFÍA, GÉNERO Y VIOLENCIA EN LA VENGANZA DE MANUEL CIGES APARICIO","year":2025,"lang":"","type":"article","venue":"RAUDEM Revista de Estudios de las Mujeres","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Power (physics); Perspective (graphical); Order (exchange); Work (physics)","score_opus":0.008990593439585807,"score_gpt":0.2548551854100557,"score_spread":0.2458645919704699,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7117120143","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5969573,0.2931383,0.0018989743,0.0035569111,0.00131459,0.0021247016,0.00053505285,0.00067334244,0.099800825],"genre_scores_gemma":[0.9539727,0.024405062,0.0007347348,0.0043067546,0.0024806263,0.00045352505,0.00009584328,0.00019062676,0.013360155],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99105555,0.0021101523,0.0017237368,0.0015623899,0.0008379106,0.0027102327],"domain_scores_gemma":[0.99526983,0.0015381336,0.0007128138,0.0013469302,0.00053097424,0.00060132047],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.0022477855,0.001695813,0.002210195,0.00055920496,0.002784196,0.0032832555,0.001723136,0.00071637466,0.0004760635],"category_scores_gemma":[0.0009281897,0.0015769965,0.0011714784,0.0006109744,0.0013392247,0.00048479027,0.0009265979,0.0018682964,0.00013575387],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00038985518,0.0011275676,0.0112757655,0.002968277,0.0039570676,0.00074935926,0.0950582,0.00011729282,0.005420952,0.7115031,0.16223378,0.005198801],"study_design_scores_gemma":[0.001644817,0.00040584872,0.028216587,0.0058628484,0.0024417469,0.00016775358,0.008858817,0.0003092299,0.0006071345,0.007712145,0.94216084,0.0016122186],"about_ca_topic_score_codex":0.00012301709,"about_ca_topic_score_gemma":0.0019138423,"teacher_disagreement_score":0.7799271,"about_ca_system_score_codex":0.0009700707,"about_ca_system_score_gemma":0.00079771935,"threshold_uncertainty_score":0.99957883},"labels":[],"label_agreement":null},{"id":"W7124532349","doi":"10.5281/zenodo.18281878","title":"El disparate o la obra de los locos (1815), Los Locos. Edición crítica","year":2000,"lang":"es","type":"book","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Prince Albert Grand Council","funders":"","keywords":"Context (archaeology); LOCOS; Independence (probability theory)","score_opus":0.022369466643009088,"score_gpt":0.2505505116475644,"score_spread":0.22818104500455533,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7124532349","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00026623704,0.0025992473,0.00009521084,0.00070282683,0.00038613507,0.0011316764,0.0036392806,0.0009196794,0.9902597],"genre_scores_gemma":[0.047680043,0.004997698,0.00006063446,0.0020573025,0.0073899296,0.000001058382,0.010648796,0.006206292,0.9209582],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99526495,0.0007791684,0.0007847566,0.0011288726,0.00089102756,0.0011512351],"domain_scores_gemma":[0.9969729,0.00010472591,0.00037605676,0.00091662596,0.0011777595,0.00045191371],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0007066791,0.0008475958,0.0008018674,0.0004157558,0.0062861047,0.006422537,0.0017953336,0.000449263,0.15462333],"category_scores_gemma":[0.00032271873,0.0007815811,0.0003259317,0.0002320723,0.0015063365,0.00051759515,0.0012506078,0.0015340755,0.038540535],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017966973,0.00026153962,0.0000010121557,0.0005036647,0.000421932,0.00014718606,0.00974557,0.000008751038,0.00010886569,0.22842954,0.75051934,0.009672923],"study_design_scores_gemma":[0.0008524388,0.00048128414,0.000053183805,0.0008895552,0.00030193155,0.00017856972,0.0012024847,0.00003784461,0.00004823868,0.0018820527,0.9932084,0.00086399005],"about_ca_topic_score_codex":0.00003060806,"about_ca_topic_score_gemma":0.0000034757702,"teacher_disagreement_score":0.24268909,"about_ca_system_score_codex":0.0003782435,"about_ca_system_score_gemma":0.000043250966,"threshold_uncertainty_score":0.9994635},"labels":[],"label_agreement":null},{"id":"W7124576760","doi":"10.5281/zenodo.18281879","title":"El disparate o la obra de los locos (1815), Los Locos. Edición crítica","year":2000,"lang":"es","type":"book","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Prince Albert Grand Council","funders":"","keywords":"Context (archaeology); LOCOS; Independence (probability theory)","score_opus":0.022369466643009088,"score_gpt":0.2505505116475644,"score_spread":0.22818104500455533,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7124576760","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00026623704,0.0025992473,0.00009521084,0.00070282683,0.00038613507,0.0011316764,0.0036392806,0.0009196794,0.9902597],"genre_scores_gemma":[0.047680043,0.004997698,0.00006063446,0.0020573025,0.0073899296,0.000001058382,0.010648796,0.006206292,0.9209582],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99526495,0.0007791684,0.0007847566,0.0011288726,0.00089102756,0.0011512351],"domain_scores_gemma":[0.9969729,0.00010472591,0.00037605676,0.00091662596,0.0011777595,0.00045191371],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0007066791,0.0008475958,0.0008018674,0.0004157558,0.0062861047,0.006422537,0.0017953336,0.000449263,0.15462333],"category_scores_gemma":[0.00032271873,0.0007815811,0.0003259317,0.0002320723,0.0015063365,0.00051759515,0.0012506078,0.0015340755,0.038540535],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017966973,0.00026153962,0.0000010121557,0.0005036647,0.000421932,0.00014718606,0.00974557,0.000008751038,0.00010886569,0.22842954,0.75051934,0.009672923],"study_design_scores_gemma":[0.0008524388,0.00048128414,0.000053183805,0.0008895552,0.00030193155,0.00017856972,0.0012024847,0.00003784461,0.00004823868,0.0018820527,0.9932084,0.00086399005],"about_ca_topic_score_codex":0.00003060806,"about_ca_topic_score_gemma":0.0000034757702,"teacher_disagreement_score":0.24268909,"about_ca_system_score_codex":0.0003782435,"about_ca_system_score_gemma":0.000043250966,"threshold_uncertainty_score":0.9994635},"labels":[],"label_agreement":null},{"id":"W7144006294","doi":"10.70675/370bae30z4e11z44bazae1ez0b2757fe2771","title":"Les Amériques caribéennes et hispano-américaines dans les narrations de Gertrudis Gómez de Avellaneda : de la vision romantique aux regards postcoloniaux","year":2013,"lang":"","type":"dissertation","venue":"","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Identity (music); National identity; Taste; Ethnic nationalism","score_opus":0.01563158975978192,"score_gpt":0.3150002447891364,"score_spread":0.2993686550293545,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7144006294","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.53957886,0.0058253226,0.0004876978,0.004030951,0.0007968037,0.0011460752,0.00033533145,0.0005158076,0.44728318],"genre_scores_gemma":[0.8265363,0.006788441,0.001255472,0.0008394897,0.0013261293,0.00052027346,0.0015437597,0.00019233715,0.16099778],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99447685,0.0011998318,0.0012565425,0.0011741524,0.0005869509,0.001305682],"domain_scores_gemma":[0.9958285,0.0008582514,0.0007086158,0.00064516504,0.0016147825,0.00034467338],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.0007959385,0.0015179627,0.0013197872,0.00039618346,0.0042817644,0.0032937005,0.0007301303,0.001563735,0.0026785561],"category_scores_gemma":[0.0005206591,0.0012193114,0.00077785883,0.00019918065,0.0007532706,0.00076325156,0.00015942869,0.0014729472,0.000050240535],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014340765,0.00046130345,0.0037911893,0.0005778918,0.0008057137,0.000081048405,0.53148514,0.000041320716,0.010840683,0.3793365,0.07113173,0.0013040677],"study_design_scores_gemma":[0.00080863293,0.0010182046,0.055838063,0.0017382669,0.0009012709,0.00018349977,0.4676489,0.0004652713,0.004944589,0.00795654,0.4559661,0.0025307084],"about_ca_topic_score_codex":0.044370458,"about_ca_topic_score_gemma":0.33915827,"teacher_disagreement_score":0.38483435,"about_ca_system_score_codex":0.00052241154,"about_ca_system_score_gemma":0.0010666761,"threshold_uncertainty_score":0.99975693},"labels":[],"label_agreement":null},{"id":"W7160919085","doi":"10.5206/entrehojas.v11i5.13931","title":"La destrucción del idilio familiar en La tía Tula de Unamuno y Familia de Ba Jin, un estudio comparatista","year":2022,"lang":"","type":"article","venue":"Entrehojas Revista de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Linguistic analysis; Honor; French","score_opus":0.010209315640932486,"score_gpt":0.23358493325874213,"score_spread":0.22337561761780964,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7160919085","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7945816,0.14227468,0.0008717917,0.0016299204,0.0023042394,0.0032810736,0.0024377059,0.0007777261,0.05184128],"genre_scores_gemma":[0.97786933,0.008859621,0.0010147725,0.0020304641,0.0019966906,0.00077933475,0.0002587001,0.0002886452,0.0069024623],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.98703897,0.0051118587,0.0019752197,0.0018675469,0.0014380938,0.0025682892],"domain_scores_gemma":[0.994804,0.0016270394,0.00087513606,0.0015449043,0.00043903894,0.0007098473],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.0027078094,0.0018573016,0.0023524472,0.00038425604,0.005455818,0.0019092875,0.0019509717,0.0005016538,0.0031548254],"category_scores_gemma":[0.00054346834,0.0019041785,0.001156119,0.0007575754,0.0012827693,0.00046006378,0.0017856437,0.0034004927,0.00020215687],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003898565,0.001698036,0.012734082,0.00048825936,0.0024929713,0.0020197288,0.1466013,0.00034197618,0.00038969013,0.66377956,0.16386478,0.0051997486],"study_design_scores_gemma":[0.0029292298,0.0006935011,0.013593474,0.00047943916,0.0017472081,0.00081291,0.047783345,0.00038833235,0.00008587293,0.0011723746,0.92837304,0.0019412737],"about_ca_topic_score_codex":0.00034283855,"about_ca_topic_score_gemma":0.0003089483,"teacher_disagreement_score":0.76450825,"about_ca_system_score_codex":0.0022660699,"about_ca_system_score_gemma":0.0011506798,"threshold_uncertainty_score":0.9994171},"labels":[],"label_agreement":null},{"id":"W71958180","doi":"","title":"Melancolía y desencanto en \"Pedro Páramo\"","year":2006,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Geography","score_opus":0.009116504700923513,"score_gpt":0.21938507784685704,"score_spread":0.21026857314593353,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W71958180","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9132917,0.046183202,0.000019433492,0.0017697322,0.0012424291,0.0010331402,0.0007729749,0.00023891995,0.03544847],"genre_scores_gemma":[0.98050106,0.0011432354,0.00011317512,0.0010969586,0.0053535006,0.00013510439,0.00010522525,0.000118261865,0.011433504],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9959627,0.00032455943,0.00087056187,0.00088510173,0.0005019244,0.001455154],"domain_scores_gemma":[0.99783075,0.0002451371,0.00035451775,0.0007638489,0.00044489463,0.00036087172],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0005495871,0.00085188803,0.0011219963,0.00021443795,0.0013988324,0.0017391542,0.00052563666,0.00029702854,0.00078219327],"category_scores_gemma":[0.00018334771,0.0007539563,0.00046746607,0.00021866887,0.0004593318,0.000266504,0.00015879275,0.0006494268,0.0003024442],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036421123,0.00014882548,0.0026826246,0.00032450195,0.000310791,0.00054876,0.0074792868,0.0000040947134,0.000095235984,0.7909999,0.19643082,0.0009387574],"study_design_scores_gemma":[0.00063114107,0.00023391451,0.0055311634,0.00057874265,0.0005951412,0.000120334,0.0031905186,0.00002392891,0.000032578955,0.00022767531,0.98790365,0.0009312228],"about_ca_topic_score_codex":0.0032516683,"about_ca_topic_score_gemma":0.041222654,"teacher_disagreement_score":0.7914728,"about_ca_system_score_codex":0.00080860034,"about_ca_system_score_gemma":0.000435889,"threshold_uncertainty_score":0.99990124},"labels":[],"label_agreement":null},{"id":"W77023831","doi":"","title":"Jane Eyre Goes to Argentina: Cultural Imperialism In María Luisa Bemberg's \"Miss Mary\"","year":2002,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Political science; Art","score_opus":0.017213617123241043,"score_gpt":0.23167108453726992,"score_spread":0.21445746741402888,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W77023831","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9382399,0.042531334,9.350492e-7,0.0033943274,0.001666892,0.0012582153,0.0006950849,0.000120083045,0.0120932255],"genre_scores_gemma":[0.97342163,0.003989305,0.00007681911,0.0026440124,0.0032372794,0.00023056444,0.0000829415,0.00012145133,0.016195975],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99507487,0.0003113174,0.0011070775,0.0011649567,0.00051874237,0.0018230166],"domain_scores_gemma":[0.99759436,0.000116406576,0.0003035542,0.0008160122,0.00045496572,0.0007147293],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00043072467,0.0010466261,0.0014426406,0.00032180446,0.0010794293,0.0018548074,0.00063479,0.0003025903,0.0035672178],"category_scores_gemma":[0.00036217592,0.00090356,0.00047183532,0.00041294622,0.00033858474,0.00038042004,0.00027862357,0.00070181343,0.0005499979],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000077248056,0.0002491516,0.0023566973,0.0004354908,0.0003691648,0.00097018917,0.05041029,0.0000037637715,0.00023275022,0.6275554,0.31525517,0.002084724],"study_design_scores_gemma":[0.000945088,0.00029725535,0.0046303305,0.00092561025,0.00033736037,0.00012427109,0.0072293477,0.000028097102,0.000026975727,0.000023800321,0.984265,0.0011668436],"about_ca_topic_score_codex":0.0015495806,"about_ca_topic_score_gemma":0.024031663,"teacher_disagreement_score":0.66900986,"about_ca_system_score_codex":0.00080008124,"about_ca_system_score_gemma":0.00010878249,"threshold_uncertainty_score":0.9993415},"labels":[],"label_agreement":null},{"id":"W93443425","doi":"","title":"Las relaciones interartísticas de vanguardia ante lo político: un estudio sobre \"La Gaceta Literaria\" (1927-1932)","year":2010,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.008919190097682881,"score_gpt":0.23338453611829718,"score_spread":0.2244653460206143,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W93443425","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9570508,0.01823219,0.000051290805,0.002626505,0.003263273,0.0011297368,0.00096641213,0.00032942538,0.016350366],"genre_scores_gemma":[0.98636657,0.0028531444,0.00045083513,0.0023368772,0.004421756,0.00016527426,0.00008963002,0.00021503569,0.003100871],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.994132,0.0006398871,0.0012350616,0.0013604495,0.0005939331,0.0020387045],"domain_scores_gemma":[0.9956529,0.00070268905,0.00055487856,0.0014266698,0.00074745185,0.0009153735],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.001198773,0.0013534562,0.0017093876,0.0003690295,0.0019494446,0.003676546,0.0008922605,0.00061570725,0.00079682097],"category_scores_gemma":[0.0011320678,0.0012022293,0.0008105919,0.00033150965,0.0010765925,0.0005021692,0.00041239517,0.0022856584,0.00030248196],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014217476,0.0003545171,0.0031639899,0.00055659906,0.0013458002,0.001691034,0.0523715,0.0000013117889,0.00073310087,0.89453906,0.03976768,0.0053332336],"study_design_scores_gemma":[0.0012093718,0.00036060778,0.005138998,0.0011259512,0.0015404786,0.0009543585,0.0045766756,0.000057914593,0.000097599994,0.0004274104,0.983114,0.001396635],"about_ca_topic_score_codex":0.00046964647,"about_ca_topic_score_gemma":0.006797283,"teacher_disagreement_score":0.9433463,"about_ca_system_score_codex":0.00042030425,"about_ca_system_score_gemma":0.0007188906,"threshold_uncertainty_score":0.9999216},"labels":[],"label_agreement":null},{"id":"W948064023","doi":"10.37677/sigloxix.vi14.206","title":"JOSÉ MARÍA DE CARNERERO Y SU DEFENSA CALDERONIANA EN CORREO LITERARIO Y MERCANTIL Y CARTAS ESPAÑOLAS","year":2008,"lang":"es","type":"article","venue":"SIGLO DIECINUEVE (Literatura hispánica)","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Humanities; Art","score_opus":0.01416340936214804,"score_gpt":0.22240434026431694,"score_spread":0.20824093090216889,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W948064023","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7659602,0.12175987,0.000024144018,0.0029885485,0.0070454148,0.0015986767,0.0030115338,0.0007125812,0.096899025],"genre_scores_gemma":[0.91860604,0.0028609014,0.0003637288,0.0033122082,0.006170184,0.00014845768,0.0006577197,0.00026396353,0.06761677],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9915943,0.0008685424,0.0017288924,0.0020253942,0.001247497,0.0025353339],"domain_scores_gemma":[0.9948682,0.00066724414,0.0006801137,0.001724378,0.0012528601,0.00080718694],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.0006111276,0.0019957102,0.0021275028,0.00046352137,0.0029989076,0.005006873,0.0012943333,0.00097621133,0.002027857],"category_scores_gemma":[0.00039314036,0.0017160017,0.0012350664,0.0005122259,0.0014676597,0.0012585352,0.00054065697,0.00241737,0.0008058603],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00058336876,0.00063534867,0.013717999,0.00064463896,0.0016721288,0.0021338842,0.3394912,0.000011375516,0.0011561409,0.25342304,0.38334176,0.003189128],"study_design_scores_gemma":[0.0018061963,0.0005667937,0.008880393,0.0012477847,0.0006941862,0.0005381195,0.0035620758,0.000057689147,0.00021436943,0.00043892153,0.9799324,0.002061072],"about_ca_topic_score_codex":0.00075482886,"about_ca_topic_score_gemma":0.0009473321,"teacher_disagreement_score":0.59659064,"about_ca_system_score_codex":0.0006699012,"about_ca_system_score_gemma":0.0006725967,"threshold_uncertainty_score":0.9999721},"labels":[],"label_agreement":null},{"id":"W953742656","doi":"","title":"Cervantes en \"Cecilia Valdés\": realismo y ciencias sociales","year":2007,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Philosophy","score_opus":0.02375107532722025,"score_gpt":0.25337717655615155,"score_spread":0.2296261012289313,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W953742656","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.93258876,0.03589275,0.000057576653,0.0017055536,0.0015841711,0.0009584803,0.0008079479,0.00024976724,0.02615498],"genre_scores_gemma":[0.9863104,0.0025193822,0.00014677746,0.002229515,0.0046368097,0.00003868501,0.00007342424,0.0001109607,0.003934033],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99519837,0.00031463147,0.0010456108,0.0009506465,0.00066069246,0.0018300291],"domain_scores_gemma":[0.99693924,0.0005902833,0.00045960155,0.0007287945,0.00071958394,0.0005624894],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0019515684,0.0008740261,0.0011741193,0.00028527895,0.0021009743,0.0013519658,0.00065429625,0.0003603175,0.0005517479],"category_scores_gemma":[0.0007345569,0.00078058575,0.00056760333,0.0003078454,0.0009880569,0.0003037895,0.00020774784,0.00075983955,0.00016863985],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006443512,0.00013821121,0.0027550634,0.00036444393,0.0004614837,0.0006041896,0.049242534,5.7778243e-7,0.00014019669,0.87775046,0.06522851,0.0032498718],"study_design_scores_gemma":[0.0005208625,0.00025923195,0.016672675,0.00060508936,0.0005879015,0.000086210835,0.016715022,0.0000051835723,0.00005793644,0.0002730138,0.9632918,0.0009250558],"about_ca_topic_score_codex":0.001552585,"about_ca_topic_score_gemma":0.030316893,"teacher_disagreement_score":0.8980633,"about_ca_system_score_codex":0.0011821759,"about_ca_system_score_gemma":0.0006841418,"threshold_uncertainty_score":0.99968475},"labels":[],"label_agreement":null},{"id":"W9679259","doi":"","title":"Entre la lámpara y el espejo: la imaginación modernista de Manuel Gutiérrez Nájera","year":2008,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.013811711890648861,"score_gpt":0.23869985248489908,"score_spread":0.22488814059425022,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W9679259","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.87743586,0.04675746,0.00006925622,0.0016320582,0.00053413596,0.00086000556,0.000955747,0.0002713914,0.07148411],"genre_scores_gemma":[0.9793208,0.008247433,0.0001565458,0.0016333514,0.0013138355,0.00012914455,0.00008070093,0.00015580408,0.008962356],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9951815,0.0006377532,0.00083657907,0.0010587323,0.00056524057,0.0017201887],"domain_scores_gemma":[0.9971458,0.00036539632,0.00038919982,0.00095451943,0.0004685956,0.0006765366],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00062288344,0.0010636576,0.0012921509,0.00019513202,0.0020679384,0.0015597879,0.00068901933,0.00035696328,0.00058283744],"category_scores_gemma":[0.00023905454,0.0009933793,0.00059634936,0.00018628365,0.0013078868,0.0003660294,0.00022904722,0.0010914357,0.00022729818],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009577649,0.00028344546,0.004370777,0.0004440227,0.00061858277,0.0035507013,0.049883615,0.000007587347,0.00007330301,0.8076921,0.13218652,0.0007935308],"study_design_scores_gemma":[0.0010754648,0.00016642659,0.0049429005,0.00063151773,0.0006494232,0.0015481571,0.004778249,0.00014158478,0.000023478166,0.00024473737,0.9846761,0.0011219286],"about_ca_topic_score_codex":0.00073488645,"about_ca_topic_score_gemma":0.002474023,"teacher_disagreement_score":0.8524896,"about_ca_system_score_codex":0.0008127762,"about_ca_system_score_gemma":0.00096536556,"threshold_uncertainty_score":0.9994767},"labels":[],"label_agreement":null},{"id":"W97868482","doi":"","title":"Challenging global masculinities in Jaime Bayly's \"El cojo y el loco\"","year":2013,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Political science; History; Art","score_opus":0.013241560080686528,"score_gpt":0.2315753721765088,"score_spread":0.21833381209582228,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W97868482","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.91419977,0.056465723,0.000010414572,0.0023408965,0.00097448146,0.0014812889,0.00046056046,0.00015644204,0.02391041],"genre_scores_gemma":[0.99035156,0.004238685,0.00004727942,0.001634661,0.0018545209,0.0003503681,0.000055221535,0.000088665496,0.0013790246],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9954749,0.00028738938,0.0010494461,0.00095573784,0.00049677026,0.0017357593],"domain_scores_gemma":[0.99774873,0.00016787795,0.00033527595,0.0007505591,0.000520282,0.0004772714],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004698059,0.0009592163,0.0013525533,0.00022573562,0.0010272617,0.0017892633,0.0005660863,0.00031196052,0.0013068877],"category_scores_gemma":[0.00021577057,0.0008753573,0.00044963963,0.00027207076,0.00054404617,0.0005267475,0.00023055704,0.000720456,0.00055208826],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029183866,0.00017456079,0.00579691,0.0005982616,0.0004473914,0.0004680249,0.02979763,0.000009467186,0.0000094217785,0.93346494,0.026941814,0.0022623613],"study_design_scores_gemma":[0.0011803329,0.00026312633,0.01976601,0.0015129662,0.00033847656,0.00013255839,0.033506352,0.00014593711,0.0000038555477,0.00067288656,0.9412253,0.0012522083],"about_ca_topic_score_codex":0.0048217243,"about_ca_topic_score_gemma":0.018829567,"teacher_disagreement_score":0.93279207,"about_ca_system_score_codex":0.0010676278,"about_ca_system_score_gemma":0.0003473335,"threshold_uncertainty_score":0.9996061},"labels":[],"label_agreement":null},{"id":"W980920147","doi":"","title":"\"If these beds could talk\": Narrating Lesbian Sex Acts in Early Modern Spain","year":2010,"lang":"en","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Lesbian; Gender studies; History; Sociology","score_opus":0.015314887516186988,"score_gpt":0.22358275090981483,"score_spread":0.20826786339362785,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W980920147","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98766595,0.0010556913,0.0000066605244,0.0005397233,0.0004730158,0.00044232304,0.00007437975,0.00010378953,0.009638449],"genre_scores_gemma":[0.9948794,0.000044404926,0.000086169675,0.0010138251,0.0012236566,0.00009078328,0.00002020023,0.000060714658,0.0025808453],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977841,0.00012115369,0.00046249625,0.00051775156,0.00028260928,0.00083192723],"domain_scores_gemma":[0.99877554,0.00011118022,0.0001660892,0.0005022374,0.00018589043,0.00025907526],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00059506134,0.00041244808,0.00056045584,0.00015228556,0.0005450758,0.0005301693,0.00034252164,0.00015781903,0.00026624798],"category_scores_gemma":[0.00027652236,0.00035346032,0.000158052,0.00013292865,0.00025911964,0.00026126494,0.000081416874,0.0008840276,0.00003070089],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002293089,0.000091699214,0.0047742897,0.000085467254,0.00010815657,0.00037175592,0.23075557,0.000004129191,0.0010243458,0.75434834,0.0048644366,0.0035488687],"study_design_scores_gemma":[0.0005108299,0.00012641957,0.0028182692,0.00018091562,0.00005543882,0.000046500158,0.011405268,0.00017211126,0.00004509161,0.0002243403,0.98382443,0.0005903693],"about_ca_topic_score_codex":0.0013801276,"about_ca_topic_score_gemma":0.21692908,"teacher_disagreement_score":0.97896004,"about_ca_system_score_codex":0.00017006129,"about_ca_system_score_gemma":0.00018021767,"threshold_uncertainty_score":0.99989176},"labels":[],"label_agreement":null},{"id":"W98914657","doi":"","title":"Formas y funciones del loco festivo: el \"Auto de la Culpa y Cautividad\"","year":2000,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy","score_opus":0.010010497342801229,"score_gpt":0.23152670300596231,"score_spread":0.22151620566316108,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W98914657","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.91981214,0.039676473,0.000024763182,0.0010435033,0.00040642417,0.00085806375,0.00063191715,0.00023969622,0.037307028],"genre_scores_gemma":[0.9790566,0.004937076,0.00010291502,0.0022807461,0.0020410924,0.00019404107,0.00006924612,0.00013287262,0.011185406],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9956384,0.00051175884,0.0008187119,0.0008653058,0.00048766303,0.0016781648],"domain_scores_gemma":[0.99763536,0.00034755885,0.00027267443,0.0007675427,0.00036553323,0.0006113041],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008676229,0.0009541661,0.0011081822,0.00018216476,0.0019811084,0.0017417565,0.0005246233,0.00038426684,0.0022620847],"category_scores_gemma":[0.00022786451,0.00084682717,0.0005182295,0.00023616091,0.00081318256,0.00039411488,0.0001133065,0.0008655783,0.00038932016],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011907225,0.0002416831,0.0027725548,0.0004616581,0.000614591,0.000749235,0.032983016,0.000017068285,0.000055611083,0.871975,0.078603745,0.011406787],"study_design_scores_gemma":[0.00086831127,0.00028112237,0.009310335,0.0008215072,0.0007747483,0.0003696409,0.0034021246,0.00011025409,0.000018683599,0.0002118659,0.98280674,0.0010246427],"about_ca_topic_score_codex":0.0012870583,"about_ca_topic_score_gemma":0.0061438493,"teacher_disagreement_score":0.904203,"about_ca_system_score_codex":0.0008676143,"about_ca_system_score_gemma":0.00073007063,"threshold_uncertainty_score":0.99939823},"labels":[],"label_agreement":null}]}