{"meta":{"query_hash":"48c6f1c278e6","filters":{"topic":"Utopian, Dystopian, and Speculative Fiction"},"cohort_total":650,"direct_labels_cover":1,"predictions_cover":650,"exported":650,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/48c6f1c278e6","api":"https://metacan.xera.ac/api/v1/cohort?topic=Utopian%2C+Dystopian%2C+and+Speculative+Fiction"},"results":[{"id":"W1012887315","doi":"","title":"Edging into the Future: Science Fiction and Contemporary Cultural Transformation ed. by Veronica Hollinger, Joan Gordon (review)","year":2003,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Transformation (genetics); Sociology; Anthropology; Art history; Biology","score_opus":0.011391567547699056,"score_gpt":0.20566943033285148,"score_spread":0.19427786278515244,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1012887315","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00005198508,0.9928197,0.000019628893,0.0053792656,0.00081063685,0.0000010299115,0.0000043187724,0.000002142887,0.0009112149],"genre_scores_gemma":[0.0014654263,0.99406105,0.000047057783,0.0016376912,0.0015167892,0.000005191224,0.000011507529,0.0000028517784,0.00125236],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987618,0.0005835864,0.000083126215,0.00010276245,0.0003773655,0.00009153656],"domain_scores_gemma":[0.9955721,0.003122779,0.0002965807,0.00009335815,0.00064802036,0.0002671168],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0028280497,0.0011484682,0.0018624406,0.004714255,0.002069239,0.007196591,0.0013775699,0.003971189,0.006327968],"category_scores_gemma":[0.007240568,0.0005375635,0.00052286906,0.0070225573,0.008792418,0.00879204,0.0028754852,0.003844556,0.002540688],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000063001266,0.00003247546,0.0002750772,0.00727326,0.000059612514,0.00026874605,0.0046489434,0.00027308063,0.00014187781,0.037104625,0.5861991,0.36366025],"study_design_scores_gemma":[0.000011184528,0.00001465928,0.00063302706,0.0055240905,0.000017548644,0.0003787983,0.0019169826,0.000029403389,0.00005324997,0.007001023,0.98440164,0.00001834895],"about_ca_topic_score_codex":0.015760008,"about_ca_topic_score_gemma":0.032209963,"teacher_disagreement_score":0.015760008,"about_ca_system_score_codex":0.004176231,"about_ca_system_score_gemma":0.0070400327,"threshold_uncertainty_score":0.031336546},"labels":[],"label_agreement":null},{"id":"W11806533","doi":"","title":"Connecting theory and fiction : Margaret Atwood's novels and second wave feminism","year":2004,"lang":"en","type":"dissertation","venue":"Durham e-Theses (Durham University)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"Durham University; University of Toronto; British Federation of Women Graduates","keywords":"Feminism; Gender studies; Variety (cybernetics); Narrative; Sociology; Femininity; Criticism; Human sexuality; Feminist theory; Aesthetics; Literature; Art","score_opus":0.020317738952207808,"score_gpt":0.2014152190953533,"score_spread":0.18109748014314547,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W11806533","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17475975,0.05114617,0.009374344,0.27739707,0.026713004,0.00010671855,0.00017781345,0.00021895429,0.46010622],"genre_scores_gemma":[0.86790174,0.012839537,0.0025171784,0.015980612,0.006261505,0.00013720972,0.00006969184,0.00026734345,0.0940252],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9961202,0.0026562074,0.000059897273,0.00029068184,0.0005310697,0.000342001],"domain_scores_gemma":[0.9936515,0.00488714,0.0004416811,0.00021484472,0.0003132078,0.0004916288],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0037379817,0.0007484176,0.00045315785,0.0015550827,0.013021985,0.009773455,0.0014376821,0.003224395,0.0038100171],"category_scores_gemma":[0.007383624,0.0003879797,0.00040621706,0.00103595,0.024143277,0.0070964484,0.004299964,0.0070638456,0.0006714509],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008861399,0.000068262896,0.00025090098,0.00021542926,0.0000081474545,0.001324768,0.25091267,0.00021849001,0.00038729983,0.6505994,0.084508136,0.011417928],"study_design_scores_gemma":[0.000012435083,0.00006578095,0.00024685002,0.00043438416,0.000006268646,0.00093085016,0.09381428,0.00019629166,0.0005926,0.058648344,0.84502304,0.000028873415],"about_ca_topic_score_codex":0.0027162419,"about_ca_topic_score_gemma":0.004692222,"teacher_disagreement_score":0.013021985,"about_ca_system_score_codex":0.0059091556,"about_ca_system_score_gemma":0.002305009,"threshold_uncertainty_score":0.042874157},"labels":[],"label_agreement":null},{"id":"W120175098","doi":"","title":"Engendering Genre: The Works of Margaret Atwood","year":2011,"lang":"en","type":"article","venue":"Canadian women's studies","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sociology; Art; History","score_opus":0.0749489400340088,"score_gpt":0.22576426400208288,"score_spread":0.15081532396807407,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W120175098","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02822969,0.08122404,0.0010668517,0.384857,0.009505253,0.00006693154,0.00023217127,0.0001355486,0.4946825],"genre_scores_gemma":[0.387935,0.046910588,0.0014986666,0.049654454,0.0033482867,0.000098729826,0.0000833079,0.00045482835,0.5100161],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980862,0.0005279417,0.000023093302,0.00015527733,0.00071738183,0.0004901478],"domain_scores_gemma":[0.9969304,0.0013343499,0.00010654585,0.000093875045,0.00066229963,0.0008725039],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022478194,0.00077502866,0.00051333616,0.002707362,0.05210241,0.012685878,0.0017280253,0.0038993945,0.009695868],"category_scores_gemma":[0.0042309407,0.00027396917,0.00024988042,0.003316999,0.022525972,0.0042890795,0.003709531,0.007299719,0.001129608],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035703146,0.000023358714,0.00039080883,0.00013472466,0.000004800493,0.00028869015,0.21692438,0.00006600077,0.00034598258,0.16324744,0.5914309,0.027107168],"study_design_scores_gemma":[0.000002684905,0.000003692463,0.00053025834,0.0001929438,0.0000036391605,0.000075552474,0.065401845,0.000017167366,0.00011729248,0.003848892,0.9297938,0.000012223719],"about_ca_topic_score_codex":0.8104933,"about_ca_topic_score_gemma":0.94532365,"teacher_disagreement_score":0.8104933,"about_ca_system_score_codex":0.03702585,"about_ca_system_score_gemma":0.035542894,"threshold_uncertainty_score":0.3812455},"labels":[],"label_agreement":null},{"id":"W1202572612","doi":"","title":"Le pornographe : L’irrésistible moralité du planFrance / Canada 2001, 108 minutesFrance / Canada 2001, 108 minutes","year":2001,"lang":"fr","type":"article","venue":"Séquences : La revue de cinéma","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Geography; Political science","score_opus":0.014749709006917126,"score_gpt":0.19881240017664237,"score_spread":0.18406269116972523,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1202572612","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009839751,0.05681101,0.0007297366,0.25450295,0.025086015,0.00011004301,0.0027546934,0.0003376716,0.6498282],"genre_scores_gemma":[0.03886947,0.0077834413,0.00039702625,0.0058022705,0.0014560921,0.00003436964,0.00040964273,0.00020899359,0.94503874],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991357,0.000101402984,0.000013244494,0.00009241656,0.00040506318,0.0002521792],"domain_scores_gemma":[0.9986584,0.00018291657,0.000040072646,0.00003928408,0.0007014002,0.0003778351],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008661275,0.00068127597,0.000290524,0.0011142222,0.013219488,0.006449517,0.00079561124,0.0035143076,0.10182379],"category_scores_gemma":[0.0026132206,0.00039506474,0.00024129076,0.0013883396,0.0028040197,0.0017089093,0.0014912452,0.004050239,0.008667152],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010206354,0.0000056777776,0.00015163954,0.0000323405,0.0000012721852,0.000055648354,0.0009955536,0.000033793338,0.000088436056,0.007351996,0.9838125,0.0074608754],"study_design_scores_gemma":[0.0000018040962,0.0000014505199,0.0010739382,0.00006132418,0.000001093887,0.000020220505,0.0011989551,0.00002018184,0.00006429121,0.00023334565,0.99731976,0.0000036633096],"about_ca_topic_score_codex":0.90298396,"about_ca_topic_score_gemma":0.9697455,"teacher_disagreement_score":0.10182379,"about_ca_system_score_codex":0.03015683,"about_ca_system_score_gemma":0.026858106,"threshold_uncertainty_score":0.34063452},"labels":[],"label_agreement":null},{"id":"W1430539974","doi":"","title":"Ransom, Amy. \"Science Fiction from Québec: A Postcolonial Study.\" McFarland, 2009. ISBN: 978-0-7864-3824-2","year":2011,"lang":"en","type":"article","venue":"","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ransom; Geology; Art history; Geography; History; Archaeology","score_opus":0.03982077081233495,"score_gpt":0.23031745771673587,"score_spread":0.1904966869044009,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1430539974","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.014524941,0.5838057,0.0011958635,0.07644315,0.003988737,0.00009239917,0.003078282,0.00021266192,0.31665823],"genre_scores_gemma":[0.16621782,0.28637806,0.0017184103,0.005035232,0.0005514516,0.00010967702,0.0013414522,0.00023277444,0.5384151],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.99927145,0.000100199475,0.000032577693,0.000049630915,0.00042725177,0.00011890883],"domain_scores_gemma":[0.9975236,0.00075622654,0.00014803332,0.000055227767,0.0012300309,0.0002868212],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00087250926,0.0006123722,0.00037153912,0.00423989,0.010615778,0.0049627135,0.001742569,0.002037368,0.046803772],"category_scores_gemma":[0.003624381,0.00036147097,0.00026528418,0.0074076755,0.0030159643,0.0035315494,0.0012558695,0.0018365644,0.007922272],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035907637,0.000019214402,0.001902734,0.00054653676,0.000008349727,0.00029201264,0.03026087,0.00007961422,0.00026391563,0.01506461,0.7617774,0.18974878],"study_design_scores_gemma":[0.0000031807158,0.000007079537,0.009729237,0.0008279206,0.0000075677594,0.00012165595,0.013853919,0.000026821901,0.00014689757,0.00079253723,0.97446907,0.000014103356],"about_ca_topic_score_codex":0.9176952,"about_ca_topic_score_gemma":0.9675606,"teacher_disagreement_score":0.082304776,"about_ca_system_score_codex":0.021612369,"about_ca_system_score_gemma":0.019818496,"threshold_uncertainty_score":0.1655789},"labels":[],"label_agreement":null},{"id":"W1467857179","doi":"10.18052/www.scipress.com/ilshs.55.154","title":"Female Body and Sexual Politics in Margaret Atwood's Selected Novels","year":2015,"lang":"en","type":"article","venue":"International Letters of Social and Humanistic Sciences","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Politics; Ideology; Human sexuality; Silence; Feminism; Gender studies; Symbol (formal); Human rights; Sociology; Dominance (genetics); Feeling; Literature; Law; Aesthetics; Art; Psychology; Philosophy; Political science; Social psychology","score_opus":0.0758186586516719,"score_gpt":0.2890114301675623,"score_spread":0.21319277151589042,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1467857179","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21864355,0.014441379,0.0010543551,0.074317366,0.006957062,0.00009410754,0.00029454427,0.00011975499,0.6840779],"genre_scores_gemma":[0.7187561,0.0046257623,0.00045094712,0.0061105504,0.0013894581,0.000063152576,0.00008348217,0.00015197153,0.26836866],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990339,0.0003095504,0.000013053505,0.00009051566,0.00025644674,0.00029652915],"domain_scores_gemma":[0.9990491,0.00036290943,0.00007944993,0.000025270658,0.00017937714,0.0003038441],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006981535,0.00052110135,0.00025852944,0.00085412466,0.018319348,0.006217058,0.00094311405,0.0018726082,0.0062340233],"category_scores_gemma":[0.0015539401,0.00024194294,0.00017455182,0.0006767197,0.010305819,0.0011819561,0.0018810405,0.0033192683,0.00066053844],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013925083,0.00012733758,0.00071071886,0.00019706204,0.000009422586,0.004176314,0.38423833,0.00020504094,0.0017238661,0.3047986,0.28809038,0.015583602],"study_design_scores_gemma":[0.0000045723136,0.000021068237,0.0010005194,0.00010988287,0.000003095494,0.00062231935,0.09061994,0.000054872715,0.00044652895,0.0022320913,0.9048657,0.000019439294],"about_ca_topic_score_codex":0.13988417,"about_ca_topic_score_gemma":0.30771923,"teacher_disagreement_score":0.13988417,"about_ca_system_score_codex":0.014782726,"about_ca_system_score_gemma":0.0044081206,"threshold_uncertainty_score":0.2781399},"labels":[],"label_agreement":null},{"id":"W1472064904","doi":"","title":"Cult Author versus Literary Celebrity: Commentary of and on Janet Frame and Margaret Atwood","year":2011,"lang":"en","type":"dissertation","venue":"ResearchSpace (University of Auckland)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Cult; Frame (networking); Performance art; Art history; History; Art; Media studies; Literature; Sociology; Engineering; Telecommunications; Ancient history","score_opus":0.05572922794549954,"score_gpt":0.2664188756033444,"score_spread":0.21068964765784484,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1472064904","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1190119,0.028567452,0.0010257785,0.7403716,0.021509726,0.00012173715,0.00017583142,0.000053258747,0.08916276],"genre_scores_gemma":[0.84936965,0.020130213,0.0012665209,0.0686868,0.008547965,0.0002799509,0.00008144582,0.00036435993,0.051273044],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99061626,0.005505029,0.00022203766,0.0005642856,0.0023119198,0.00078037195],"domain_scores_gemma":[0.9494647,0.038684517,0.0018442748,0.000560358,0.007506719,0.0019393648],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.009829786,0.00060215406,0.0008697026,0.0025645238,0.023839789,0.007683397,0.001953773,0.0058884467,0.0035655368],"category_scores_gemma":[0.04993321,0.00033881838,0.0004039045,0.002815988,0.017821066,0.004414344,0.0038734789,0.0073190155,0.00051762734],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011834253,0.000026565725,0.0007240666,0.00041535977,0.00001636119,0.0015867553,0.7795669,0.00008226676,0.0012274599,0.030669242,0.17683552,0.008731196],"study_design_scores_gemma":[0.000016429076,0.00003648675,0.0016559495,0.0013580793,0.000032095446,0.0004615193,0.50459445,0.000099627105,0.0011093875,0.0037814833,0.4868005,0.000054024393],"about_ca_topic_score_codex":0.17844991,"about_ca_topic_score_gemma":0.34821212,"teacher_disagreement_score":0.17844991,"about_ca_system_score_codex":0.026159192,"about_ca_system_score_gemma":0.022500899,"threshold_uncertainty_score":0.35482246},"labels":[],"label_agreement":null},{"id":"W1490554852","doi":"","title":"The Female Body in Margaret Atwood’s The Edible Woman and Lady Oracle","year":2008,"lang":"en","type":"article","venue":"Journal of international women's studies","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":9,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Femininity; Identity (music); Foregrounding; Relation (database); Power (physics); Feminism; Dualism; Sociology; Psychoanalysis; Aesthetics; Gender studies; Literature; Art; Psychology; Philosophy; Epistemology","score_opus":0.04005600467769898,"score_gpt":0.2735393262978873,"score_spread":0.2334833216201883,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1490554852","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18537204,0.04932758,0.0022138944,0.3253185,0.007445824,0.000056542238,0.00015145924,0.00012260188,0.4299916],"genre_scores_gemma":[0.8650501,0.00880864,0.0007254359,0.015141296,0.0013934461,0.000029457451,0.000023952436,0.000108074026,0.10871961],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99858665,0.00057919143,0.000018817538,0.00015954353,0.00038373595,0.00027198135],"domain_scores_gemma":[0.9983203,0.0009955387,0.00012056644,0.00005442446,0.0002165664,0.00029256142],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013811542,0.00045197795,0.00039741953,0.0011143597,0.01964731,0.005752139,0.0010070835,0.0032398568,0.0044854176],"category_scores_gemma":[0.0030049172,0.00026808024,0.00017192314,0.00079760654,0.028069252,0.002992691,0.0028094891,0.004978628,0.0004692106],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006257131,0.000034366385,0.00043691875,0.00011232629,0.000004993405,0.0019071973,0.5408088,0.000074019175,0.0005500413,0.33279216,0.10824491,0.014971648],"study_design_scores_gemma":[0.000004450447,0.000021628905,0.0006262307,0.00025597357,0.0000043407117,0.00088203483,0.17187123,0.00005000564,0.00033346313,0.0062784357,0.81964654,0.000025545572],"about_ca_topic_score_codex":0.18991469,"about_ca_topic_score_gemma":0.3566255,"teacher_disagreement_score":0.18991469,"about_ca_system_score_codex":0.014640372,"about_ca_system_score_gemma":0.0062020477,"threshold_uncertainty_score":0.37761855},"labels":[],"label_agreement":null},{"id":"W1491633081","doi":"","title":"Margaret Atwood’s Surfacing as a Critique of the Enlightenment Reason","year":2011,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Enlightenment; Rationalism; Ideology; Civilization; Power (physics); Ecofeminism; Aesthetics; Rationality; Age of Enlightenment; Sociology; Metaphor; Philosophy; Environmental ethics; Epistemology; Politics; Political science; Law","score_opus":0.033001146544551795,"score_gpt":0.2754431392052719,"score_spread":0.2424419926607201,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1491633081","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08161687,0.02786978,0.005481994,0.23959732,0.0038674676,0.000029370207,0.000054904693,0.00009346409,0.64138883],"genre_scores_gemma":[0.8899786,0.0051453747,0.0010164003,0.011595724,0.0010437127,0.00003652269,0.00001399965,0.000093327835,0.09107635],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987324,0.00078442734,0.000018024533,0.00010797047,0.00020168096,0.0001555948],"domain_scores_gemma":[0.9983234,0.0013130892,0.00010880521,0.000053343316,0.00007436568,0.00012706188],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011640236,0.0003870145,0.00021192132,0.0008971201,0.008303542,0.0073192753,0.0006613267,0.0035718018,0.0038543015],"category_scores_gemma":[0.002689457,0.00019626123,0.00019165539,0.0006943912,0.019249773,0.0046576164,0.0019186465,0.0041368096,0.0003869051],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002359194,0.000009500315,0.00012585577,0.00004850285,0.0000023643665,0.0004993297,0.06585369,0.000092892325,0.00025974077,0.8863604,0.042178344,0.004545684],"study_design_scores_gemma":[0.000009493073,0.000028427732,0.00030686872,0.0002024904,0.0000041910876,0.0004938595,0.04330101,0.00012459474,0.00046272916,0.12147128,0.8335805,0.0000145835365],"about_ca_topic_score_codex":0.005321036,"about_ca_topic_score_gemma":0.008505506,"teacher_disagreement_score":0.008303542,"about_ca_system_score_codex":0.0031465443,"about_ca_system_score_gemma":0.0016342002,"threshold_uncertainty_score":0.02282989},"labels":[],"label_agreement":null},{"id":"W1498611270","doi":"","title":"Offred’s Complicity and the Dystopian Tradition in Margaret Atwood’s The Handmaid’s Tale","year":2009,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":13,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Complicity; Dystopia; Literature; Art; History; Law; Political science","score_opus":0.03114058957362351,"score_gpt":0.2526058630957234,"score_spread":0.2214652735220999,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1498611270","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04590005,0.019297883,0.0012129067,0.18595563,0.0024545863,0.000034014505,0.000097920354,0.00006407483,0.74498296],"genre_scores_gemma":[0.84675145,0.005056009,0.0006637264,0.01761821,0.0006431349,0.000024974412,0.000025349225,0.00011979775,0.1290974],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99782807,0.0007094521,0.0000357501,0.00017279618,0.00049370516,0.0007600495],"domain_scores_gemma":[0.997623,0.001368508,0.00011806742,0.000113846516,0.00039650596,0.00037997798],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0024306607,0.0004817018,0.00039917292,0.0019273398,0.044122387,0.010081408,0.001625682,0.0038929065,0.0064082737],"category_scores_gemma":[0.0056513785,0.00026809072,0.0002779451,0.002220481,0.051174622,0.0040171463,0.0034176281,0.007792613,0.00041493037],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015062897,0.000009321626,0.00017499807,0.000026326386,0.00000242532,0.00021534042,0.098017596,0.00006451476,0.000047503738,0.8411055,0.056107394,0.0042139925],"study_design_scores_gemma":[0.000009950973,0.000007419115,0.00089336286,0.00025860494,0.000007835259,0.0002523996,0.116606876,0.000113633556,0.00018473664,0.06624998,0.8153868,0.00002830263],"about_ca_topic_score_codex":0.8172559,"about_ca_topic_score_gemma":0.9209091,"teacher_disagreement_score":0.18274409,"about_ca_system_score_codex":0.04642684,"about_ca_system_score_gemma":0.031051526,"threshold_uncertainty_score":0.36764055},"labels":[],"label_agreement":null},{"id":"W1501516534","doi":"","title":"The Sex-cited Body in Margaret Atwood","year":2002,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Reading (process); Oracle; Citation; Gender studies; Sociology; Aesthetics; Literature; Art; Philosophy; Political science; Engineering; Law; Linguistics","score_opus":0.037176115863969336,"score_gpt":0.2517184905700612,"score_spread":0.21454237470609183,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1501516534","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.077533185,0.009486631,0.0029118243,0.06260702,0.0025557904,0.000032410564,0.000088310924,0.00006331457,0.8447215],"genre_scores_gemma":[0.78830224,0.0026020522,0.0009894198,0.007876115,0.0004280742,0.000026333066,0.000033882407,0.000110522,0.19963141],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99911577,0.00032003576,0.000011091336,0.00009785061,0.00027348017,0.00018177078],"domain_scores_gemma":[0.99917895,0.00049198687,0.000053543423,0.000033598517,0.00012395812,0.00011789438],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007251785,0.0003611899,0.00018429733,0.0009658548,0.018661728,0.0046467814,0.00072100945,0.0021529498,0.005258136],"category_scores_gemma":[0.0024153914,0.00016582852,0.000185024,0.0009060658,0.025046565,0.0025543848,0.0024185772,0.003805116,0.00061359204],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002888511,0.000007232173,0.00026408478,0.000040250055,0.000001761808,0.00055680325,0.2035098,0.00003713076,0.00030220454,0.7465212,0.043718033,0.0050126296],"study_design_scores_gemma":[0.0000038983585,0.00001451217,0.0007901249,0.00017458979,0.0000054920483,0.0004582512,0.08986162,0.00006653994,0.00062633865,0.021344302,0.8866365,0.000017854958],"about_ca_topic_score_codex":0.18553112,"about_ca_topic_score_gemma":0.35352457,"teacher_disagreement_score":0.18553112,"about_ca_system_score_codex":0.008510349,"about_ca_system_score_gemma":0.004358174,"threshold_uncertainty_score":0.36890244},"labels":[],"label_agreement":null},{"id":"W1508599522","doi":"","title":"The Modern Proletariat","year":2013,"lang":"en","type":"article","venue":"","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Athabasca University","funders":"","keywords":"Proletariat; Political science; Law","score_opus":0.017428445988299325,"score_gpt":0.18297750518837488,"score_spread":0.16554905920007557,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1508599522","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.021747015,0.01735239,0.0028999262,0.038056333,0.0016196447,0.000021321848,0.00007360721,0.00005729,0.91817254],"genre_scores_gemma":[0.7661606,0.0062861717,0.0015037798,0.00912884,0.0020903058,0.00006337909,0.000065396016,0.000097189564,0.21460433],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9987388,0.00058997644,0.000034584085,0.00017699714,0.00022578856,0.00023389996],"domain_scores_gemma":[0.99905545,0.0004820834,0.00007472039,0.00019826677,0.00010359908,0.00008590476],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019495924,0.00037800745,0.00035832459,0.001192839,0.007261609,0.00697138,0.00054676953,0.0028104833,0.0077501256],"category_scores_gemma":[0.0037416683,0.00021853315,0.00021155288,0.00092947925,0.0337141,0.0045344606,0.0031830978,0.0064967894,0.0011465035],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005242573,0.00000240522,0.00003461019,0.000008266749,5.852102e-7,0.000016062495,0.0021051702,0.00001622843,0.000018709869,0.99234563,0.0036627026,0.0017843498],"study_design_scores_gemma":[0.000015446296,0.000015367805,0.0002762047,0.00013808002,0.0000033079039,0.000128264,0.0026822719,0.0001469951,0.00016175538,0.4978667,0.4985566,0.000009017861],"about_ca_topic_score_codex":0.0036874183,"about_ca_topic_score_gemma":0.0061757225,"teacher_disagreement_score":0.0077501256,"about_ca_system_score_codex":0.0048663365,"about_ca_system_score_gemma":0.0031551998,"threshold_uncertainty_score":0.035307884},"labels":[],"label_agreement":null},{"id":"W1521356099","doi":"","title":"Margaret Atwood’s The Edible Woman and the Commercialization of Literary Scholarship","year":2010,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Scholarship; Consumerism; Reputation; Commercialization; Theme (computing); Sociology; Literary criticism; Face (sociological concept); Privilege (computing); Consumption (sociology); Aesthetics; Literature; Political science; Law; Art; Social science","score_opus":0.030072045896103863,"score_gpt":0.2723455398536241,"score_spread":0.24227349395752024,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1521356099","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.061822157,0.026002558,0.0017872629,0.3836749,0.002025884,0.000018175406,0.0000503334,0.000067252884,0.52455145],"genre_scores_gemma":[0.88828665,0.00713047,0.0008179147,0.014136729,0.0007644539,0.0000151813765,0.000010829638,0.000067561676,0.08877022],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978642,0.00078273064,0.00003613896,0.00020921403,0.00064880436,0.00045890757],"domain_scores_gemma":[0.99619126,0.0018982746,0.00028055575,0.00026199722,0.0006761532,0.0006917205],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022343507,0.0002474864,0.00023149584,0.0017680067,0.020461136,0.012046989,0.0009531647,0.00320359,0.0034070895],"category_scores_gemma":[0.0054473137,0.00020814112,0.00015203534,0.0016617506,0.04191549,0.0061660754,0.00289719,0.0044819163,0.0004219265],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024611081,0.000013166028,0.0004488046,0.000033194858,0.0000021937458,0.00037817133,0.076897025,0.000045659344,0.00019976341,0.8405797,0.07229364,0.009084057],"study_design_scores_gemma":[0.0000065690906,0.000010443895,0.00081352063,0.0001961605,0.0000033065628,0.00043580148,0.05563134,0.00008619526,0.0003219489,0.058267303,0.8842062,0.00002118384],"about_ca_topic_score_codex":0.17270337,"about_ca_topic_score_gemma":0.33639485,"teacher_disagreement_score":0.17270337,"about_ca_system_score_codex":0.020754134,"about_ca_system_score_gemma":0.009506259,"threshold_uncertainty_score":0.3433963},"labels":[],"label_agreement":null},{"id":"W1521359375","doi":"","title":"Mornes étincelles. The Great Gatsby de Baz Luhrmann, États-Unis–Australie, 2013, 142 minThe Great Gatsby de Baz Luhrmann, États-Unis–Australie, 2013, 142 min","year":2013,"lang":"fr","type":"article","venue":"Ciné bulles","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.028035146463862713,"score_gpt":0.2443252836089234,"score_spread":0.21629013714506068,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1521359375","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004131349,0.2080151,0.00076363864,0.07129552,0.026997566,0.000058943224,0.0026771342,0.00040314242,0.6856576],"genre_scores_gemma":[0.016567929,0.019957144,0.00052361033,0.002371564,0.001859167,0.000041250394,0.00039388926,0.00024711742,0.9580383],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995745,0.0000945897,0.000017940154,0.00010550009,0.00012121848,0.00008622343],"domain_scores_gemma":[0.9996673,0.00007847905,0.000038931732,0.000024946597,0.00009007216,0.00010018469],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00059787446,0.000769235,0.0003501197,0.00076965115,0.002912465,0.0029909997,0.00051402824,0.0016048064,0.17082968],"category_scores_gemma":[0.0014134888,0.0003633441,0.00020610585,0.00095549383,0.00081198156,0.0021630586,0.0026546852,0.002455142,0.033899423],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000056723682,0.000011207776,0.00021990533,0.00014389116,0.000003989557,0.00008845613,0.0006004262,0.0000556759,0.00031394043,0.021379054,0.9302201,0.04690648],"study_design_scores_gemma":[0.0000017706354,0.00000198705,0.00073827367,0.000053756696,5.846057e-7,0.000029081208,0.00014710153,0.000008477283,0.000035629106,0.00034340826,0.9986382,0.0000016105622],"about_ca_topic_score_codex":0.02843004,"about_ca_topic_score_gemma":0.08566488,"teacher_disagreement_score":0.17082968,"about_ca_system_score_codex":0.0029117754,"about_ca_system_score_gemma":0.001698707,"threshold_uncertainty_score":0.5714822},"labels":[],"label_agreement":null},{"id":"W1527168617","doi":"","title":"Eco-Dystopia: Reproduction and Destruction in Margaret Atwood’s Oryx and Crake","year":2012,"lang":"en","type":"article","venue":"˜The œjournal of ecocriticism","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":15,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Oryx; Dystopia; Environmentalism; Environmental ethics; Reproduction; Sociology; Political science; Philosophy; Law; Ecology; Biology; Politics","score_opus":0.025645269271996524,"score_gpt":0.2336847425574115,"score_spread":0.20803947328541497,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1527168617","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10812508,0.017522587,0.0058014486,0.2152367,0.0018225887,0.000029667413,0.000032058826,0.000066381646,0.6513635],"genre_scores_gemma":[0.9246372,0.0027414178,0.000883908,0.009298065,0.00035652844,0.00002854708,0.0000066456573,0.000051015893,0.061996657],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991961,0.00040839086,0.000010547469,0.00010187633,0.00012687435,0.00015618528],"domain_scores_gemma":[0.99899536,0.00068084407,0.00007632458,0.000098622346,0.000058547103,0.00009019353],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014182006,0.00028226865,0.000245213,0.00054240075,0.009588147,0.006352629,0.0007446972,0.003602326,0.003933731],"category_scores_gemma":[0.0024251956,0.0002091322,0.00020013785,0.00048649,0.038948245,0.0047323406,0.0045545786,0.0058204783,0.00037529276],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015969239,0.000008974357,0.00007894795,0.000016548944,9.436433e-7,0.00020031547,0.025774546,0.000058499514,0.00012388623,0.95955366,0.011657625,0.0025101274],"study_design_scores_gemma":[0.000016092969,0.000025115449,0.00038421384,0.00020914589,0.0000049030305,0.00051485933,0.03352819,0.00024083728,0.0007873442,0.27133307,0.6929371,0.000019151505],"about_ca_topic_score_codex":0.00710846,"about_ca_topic_score_gemma":0.010712303,"teacher_disagreement_score":0.009588147,"about_ca_system_score_codex":0.003686667,"about_ca_system_score_gemma":0.001975194,"threshold_uncertainty_score":0.026748776},"labels":[],"label_agreement":null},{"id":"W1528357738","doi":"10.4000/belphegor.615","title":"The Poet of the Pulps : Ray Bradbury and the Struggle for Prestige in Postwar Science Fiction","year":2015,"lang":"fr","type":"article","venue":"Belphégor","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Prestige; Wonder; Art; Literature; Art history; History; Philosophy; Epistemology","score_opus":0.03561653703867877,"score_gpt":0.2556610686718179,"score_spread":0.22004453163313914,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1528357738","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03609464,0.04417044,0.0010023713,0.29566056,0.0054206783,0.000031220843,0.00006521693,0.00009148642,0.6174634],"genre_scores_gemma":[0.71976584,0.014312286,0.0006078647,0.024032628,0.0035762992,0.00005035184,0.000027091684,0.0001294384,0.2374983],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998071,0.0010170138,0.000022121354,0.00014751952,0.00038139525,0.0003609549],"domain_scores_gemma":[0.99519956,0.0033949858,0.00022776016,0.0001815535,0.0003906625,0.0006054745],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0032112277,0.0003919196,0.00037576712,0.0013169209,0.027109897,0.015721556,0.0008755865,0.0030240042,0.0103402715],"category_scores_gemma":[0.007986453,0.00035304273,0.00012894784,0.0012079478,0.04163262,0.009071281,0.0043241973,0.008268849,0.0013944635],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004508226,0.000026796439,0.00025874435,0.000065594926,0.000003070427,0.00035689338,0.15186103,0.000040664927,0.00020173662,0.6468388,0.18328415,0.01701747],"study_design_scores_gemma":[0.00001387605,0.000022666993,0.000730167,0.00030952456,0.000003940962,0.00019751987,0.061550476,0.000047630398,0.0003585841,0.048654146,0.8880864,0.000025139103],"about_ca_topic_score_codex":0.05912983,"about_ca_topic_score_gemma":0.1111019,"teacher_disagreement_score":0.05912983,"about_ca_system_score_codex":0.010595273,"about_ca_system_score_gemma":0.005645556,"threshold_uncertainty_score":0.117571294},"labels":[],"label_agreement":null},{"id":"W1557976594","doi":"","title":"Vulnerability in Margaret Atwood’s “Rape Fantasies”: A Game of Cards About Life","year":2000,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Silence; Vulnerability (computing); Irony; Mythology; Face (sociological concept); Psychology; Psychoanalysis; Criminology; Social psychology; Aesthetics; Sociology; Literature; Art; Computer security; Computer science","score_opus":0.03166939754673407,"score_gpt":0.28187372721203724,"score_spread":0.25020432966530315,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1557976594","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2787429,0.0032691846,0.008529394,0.078619674,0.0006732763,0.00012921862,0.00013649378,0.0001780792,0.62972176],"genre_scores_gemma":[0.95025396,0.00073032296,0.0017094237,0.0033341113,0.00006440442,0.00006275459,0.000028454593,0.00005516035,0.043761313],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99777263,0.0016079153,0.000020710486,0.000097993616,0.0002116194,0.0002891741],"domain_scores_gemma":[0.99834514,0.0010635807,0.000099348115,0.00005868732,0.00009411106,0.00033907863],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014782745,0.00071290106,0.00026016188,0.00086942123,0.017759366,0.00852153,0.0014165875,0.0027811353,0.0049943924],"category_scores_gemma":[0.0045307907,0.00032851004,0.00026223058,0.0005850772,0.03212894,0.0049203997,0.0040216777,0.004615273,0.0005226825],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000053621323,0.000021696174,0.00043861973,0.000047841575,0.000004074589,0.00075122836,0.6614491,0.00014349892,0.00043097022,0.31071255,0.020842442,0.005104435],"study_design_scores_gemma":[0.000018054016,0.000039247054,0.0015169716,0.0002017769,0.000009262998,0.00089718995,0.5520469,0.00045760724,0.00063638587,0.04013072,0.40398994,0.00005601128],"about_ca_topic_score_codex":0.16452937,"about_ca_topic_score_gemma":0.25720927,"teacher_disagreement_score":0.8354706,"about_ca_system_score_codex":0.012560725,"about_ca_system_score_gemma":0.0038043512,"threshold_uncertainty_score":0.32714343},"labels":[],"label_agreement":null},{"id":"W1563168483","doi":"10.1080/02722011.2012.679191","title":"Heide Slettedahl Macpherson.<i>The Cambridge Introduction to Margaret Atwood</i>(Cambridge Introductions to Literature)","year":2012,"lang":"en","type":"article","venue":"The American Review of Canadian Studies","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Canadian literature; History; Media studies; Art history; Sociology; Art; Literature","score_opus":0.03400728974565332,"score_gpt":0.27737709213621803,"score_spread":0.24336980239056472,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1563168483","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00040572323,0.5967544,0.00074410654,0.15881257,0.058259454,0.000053119213,0.00073783647,0.00041092173,0.18382184],"genre_scores_gemma":[0.0048974403,0.1161329,0.0006092377,0.043878067,0.0109544,0.000093971685,0.0003016358,0.00035920285,0.8227731],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99920124,0.00016189765,0.000032818312,0.00014581431,0.00035445028,0.000103723156],"domain_scores_gemma":[0.9980286,0.0005736884,0.00013917038,0.00006490177,0.00077562255,0.0004180303],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008941052,0.0010699644,0.0006603937,0.0027086213,0.0036169942,0.0037827592,0.0012518454,0.0024853034,0.1379666],"category_scores_gemma":[0.004170815,0.0005593851,0.00032109657,0.0028003997,0.0014642474,0.005185451,0.0025195493,0.0032975478,0.0670522],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000023926232,0.0000015656917,0.00001965947,0.0000510878,4.6948762e-7,0.000008468393,0.00014430736,0.0000032686883,0.000014656777,0.0022999118,0.98986924,0.0075849444],"study_design_scores_gemma":[8.257159e-7,0.0000011286683,0.00009668587,0.00014437016,4.4523688e-7,0.000023382549,0.0002606439,0.0000029474804,0.000012803149,0.0006208525,0.9988336,0.0000023569837],"about_ca_topic_score_codex":0.060069676,"about_ca_topic_score_gemma":0.15290603,"teacher_disagreement_score":0.9399303,"about_ca_system_score_codex":0.0042389156,"about_ca_system_score_gemma":0.0037844093,"threshold_uncertainty_score":0.46154428},"labels":[],"label_agreement":null},{"id":"W1571099580","doi":"","title":"“You saw me cross the bar”: Masculinity, Disability, and the Western in Guy Vanderhaeghe’s The Englishman’s Boy","year":2010,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Manitoba","funders":"","keywords":"Narrative; Masculinity; Meaning (existential); Literature; History; Psychology; Gender studies; Art; Aesthetics; Sociology","score_opus":0.02349775149960086,"score_gpt":0.28536118550580886,"score_spread":0.261863434006208,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1571099580","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.22471538,0.03669437,0.0012534678,0.16476074,0.0013567852,0.00003374031,0.000072766146,0.000040395502,0.57107246],"genre_scores_gemma":[0.9403217,0.0055590374,0.00031974845,0.007774792,0.0002668436,0.0000172512,0.000013845069,0.000033038086,0.045693602],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983839,0.00095396495,0.00001939853,0.00007501004,0.00020859165,0.00035913716],"domain_scores_gemma":[0.9990822,0.000512093,0.00008860371,0.000028668901,0.00010569521,0.00018276763],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016698899,0.0004573859,0.0002730898,0.0013298335,0.024432452,0.0065641813,0.0006660386,0.0018850842,0.0030178635],"category_scores_gemma":[0.0020848133,0.0002277404,0.00012553344,0.0013809608,0.03563859,0.0030217925,0.0028128494,0.0035089832,0.00028784582],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002090136,0.000015947644,0.00067288085,0.00003877235,0.0000027684796,0.0005894785,0.7167239,0.000036289868,0.00011393958,0.2493031,0.02666075,0.0058211274],"study_design_scores_gemma":[0.0000067137157,0.000017307826,0.0020601386,0.00030348948,0.0000060483653,0.0004687376,0.5116041,0.00006177952,0.00021321967,0.014987099,0.47024855,0.000022863156],"about_ca_topic_score_codex":0.37460634,"about_ca_topic_score_gemma":0.56695193,"teacher_disagreement_score":0.6253936,"about_ca_system_score_codex":0.011479901,"about_ca_system_score_gemma":0.005265753,"threshold_uncertainty_score":0.74485177},"labels":[],"label_agreement":null},{"id":"W1577512309","doi":"10.7202/1062362ar","title":"“A Whole New Take on Indigenous”: Margaret Atwood’s Oryx and Crake as Wild Animal Story","year":2019,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"York University","funders":"","keywords":"Oryx; Dystopia; Environmental ethics; History; Political science; Law; Philosophy; Ecology","score_opus":0.02207833294233109,"score_gpt":0.2511125333375687,"score_spread":0.22903420039523764,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1577512309","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.32836038,0.021924514,0.002286511,0.13197948,0.0034478528,0.000064966145,0.00026049596,0.00014025798,0.5115355],"genre_scores_gemma":[0.8676104,0.0051888516,0.00078514585,0.0076249647,0.00033930756,0.000026609667,0.000050086684,0.00008800301,0.11828661],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99916863,0.00028626612,0.0000073444207,0.00006851393,0.00017560285,0.00029365148],"domain_scores_gemma":[0.9992963,0.00023129715,0.000037994458,0.0000357665,0.00013584425,0.00026279083],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007865371,0.00044465877,0.00025767062,0.0007474782,0.021096464,0.0059242444,0.0012917412,0.0020637792,0.0045720716],"category_scores_gemma":[0.0016544667,0.0001739394,0.00018267639,0.00088993285,0.021938568,0.0029880833,0.0030587907,0.004618459,0.00043706913],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006200424,0.000028085022,0.0008010879,0.00009119251,0.000006151747,0.0014231534,0.6741072,0.00009707474,0.00067559286,0.21278116,0.098778106,0.011149212],"study_design_scores_gemma":[0.0000036846309,0.000017008615,0.0014209828,0.00014775615,0.000007725266,0.0005465354,0.3193841,0.000074602605,0.0002876877,0.004671209,0.67341447,0.000024184697],"about_ca_topic_score_codex":0.68691474,"about_ca_topic_score_gemma":0.89427406,"teacher_disagreement_score":0.31308526,"about_ca_system_score_codex":0.021948839,"about_ca_system_score_gemma":0.0112785045,"threshold_uncertainty_score":0.62985814},"labels":[],"label_agreement":null},{"id":"W1592080467","doi":"10.5539/res.v7n11p64","title":"Critical Review on the Idea of Dystopia","year":2015,"lang":"en","type":"article","venue":"Review of European Studies","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dystopia; Utopia; Dignity; Depiction; Aesthetics; Philosophy; Art history; Sociology; Literature; Psychoanalysis; Epistemology; History; Art; Psychology; Law; Political science","score_opus":0.25570135396054666,"score_gpt":0.35689446279417564,"score_spread":0.10119310883362898,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1592080467","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00005505987,0.98996323,0.00006632494,0.006820675,0.0020078532,0.0000043879118,0.000012618971,0.0000022410084,0.0010676547],"genre_scores_gemma":[0.0020466328,0.98842466,0.00015454135,0.0056396797,0.0032281484,0.000016609312,0.000024480203,0.000004755866,0.00046054577],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99795926,0.000893562,0.00029307237,0.00024766757,0.0005010596,0.00010539312],"domain_scores_gemma":[0.98418695,0.012156441,0.0009782321,0.00028286126,0.0021388317,0.0002566657],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004655731,0.0009351617,0.0016479172,0.0064144973,0.0011383932,0.0033703938,0.0015774972,0.0035693015,0.0058210357],"category_scores_gemma":[0.015422823,0.00037523193,0.000969335,0.005960575,0.004165807,0.0039844476,0.0018347471,0.00437433,0.0014205012],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017025146,0.000046750127,0.0003919013,0.08778089,0.00034615392,0.0010035648,0.0025512562,0.0002785525,0.00049170863,0.06641671,0.40448454,0.43603772],"study_design_scores_gemma":[0.000012942767,0.000033145963,0.0005937213,0.051946606,0.00016735382,0.0009378317,0.0009490575,0.000029654866,0.00012981614,0.008061848,0.93711436,0.000023644838],"about_ca_topic_score_codex":0.002514771,"about_ca_topic_score_gemma":0.0034252277,"teacher_disagreement_score":0.0064144973,"about_ca_system_score_codex":0.0030179983,"about_ca_system_score_gemma":0.007495646,"threshold_uncertainty_score":0.024622142},"labels":[],"label_agreement":null},{"id":"W1592473146","doi":"","title":"“From a Distance it Looks Like Peace”: Reading Beneath the Fascist Style of Gilead in Margaret Atwood’s The Handmaid’s Tale","year":2007,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Style (visual arts); Ideology; Reading (process); Aesthetics; Visual culture; History; Literature; Visual arts; Sociology; Art; Philosophy; Law; Politics; Linguistics; Political science","score_opus":0.027898637661834078,"score_gpt":0.26979495091649003,"score_spread":0.24189631325465594,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1592473146","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12807555,0.008445104,0.0034016392,0.11683056,0.0022322466,0.000035413235,0.00007548702,0.00014400721,0.7407599],"genre_scores_gemma":[0.91945124,0.001596302,0.00072996714,0.005821652,0.00029542658,0.000014379383,0.00001604797,0.00011034591,0.07196459],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99885714,0.0004700389,0.000009606147,0.00009231461,0.00022040324,0.0003505129],"domain_scores_gemma":[0.99923146,0.00038874923,0.00004821752,0.000043034805,0.000129895,0.00015873353],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010743891,0.00041224697,0.000195527,0.00074096624,0.017958572,0.0059488975,0.00075669383,0.001559841,0.003949406],"category_scores_gemma":[0.0022610237,0.0001849328,0.00019477359,0.0006053016,0.026975038,0.002717985,0.0019605584,0.0040601413,0.0004756031],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004596704,0.000025741047,0.0005383508,0.000065632084,0.0000066417615,0.00078829075,0.4379101,0.000109450106,0.0005920384,0.44795385,0.09935185,0.012611961],"study_design_scores_gemma":[0.0000089121995,0.000020726386,0.0014062492,0.00016670066,0.000011274826,0.00057243055,0.19415496,0.00015079278,0.0008476188,0.020170532,0.7824595,0.000030321266],"about_ca_topic_score_codex":0.31420037,"about_ca_topic_score_gemma":0.52256584,"teacher_disagreement_score":0.31420037,"about_ca_system_score_codex":0.01845979,"about_ca_system_score_gemma":0.0061729103,"threshold_uncertainty_score":0.62474304},"labels":[],"label_agreement":null},{"id":"W1596477638","doi":"10.20919/exs.4.2013.163","title":"Mythical Pasts, Speculative Futures: The plasticity of the post/pre-human body","year":2019,"lang":"en","type":"article","venue":"Excursions Journal","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Algonquin College","funders":"","keywords":"Narrative; Futures contract; Aesthetics; Indigenous; Consumption (sociology); Quality (philosophy); Mythology; History; Literature; Sociology; Philosophy; Epistemology; Art; Economics","score_opus":0.01307863580931994,"score_gpt":0.23752709065797867,"score_spread":0.22444845484865872,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1596477638","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.22846532,0.011854314,0.009984753,0.07902515,0.0011737166,0.000023770626,0.000048289716,0.00008581359,0.6693389],"genre_scores_gemma":[0.9766058,0.0011091183,0.00052128837,0.0011506737,0.00014279637,0.000011064053,0.000006361233,0.000025241092,0.02042772],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99922013,0.00046224153,0.000010502074,0.00007378136,0.00013263748,0.000100689074],"domain_scores_gemma":[0.9993105,0.00040032342,0.00007675361,0.00010209459,0.00004821301,0.000062143044],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012867048,0.00026689563,0.00013921557,0.0005877362,0.007576255,0.0054553645,0.0005762634,0.0013583688,0.0037541706],"category_scores_gemma":[0.002007179,0.00014018707,0.00015371945,0.00042038402,0.069394805,0.005893639,0.0041837455,0.0040150443,0.00033958527],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012688026,0.000004797623,0.00014318273,0.000020260757,0.0000011158314,0.00021850942,0.14488097,0.00006450692,0.00018217403,0.847994,0.003011635,0.003466202],"study_design_scores_gemma":[0.000013889855,0.0000395311,0.0014338018,0.0003107211,0.000007078403,0.00090514345,0.20629144,0.00040408876,0.0010591948,0.27924082,0.51026374,0.000030656764],"about_ca_topic_score_codex":0.0061913324,"about_ca_topic_score_gemma":0.008122146,"teacher_disagreement_score":0.007576255,"about_ca_system_score_codex":0.0038803734,"about_ca_system_score_gemma":0.0014671799,"threshold_uncertainty_score":0.028154135},"labels":[],"label_agreement":null},{"id":"W1599695846","doi":"","title":"Ravines and the Conscious Electrified Life of Houses: Margaret Atwood’s Suburban Künstlerromane","year":2011,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Liminality; Politics; Gender studies; CONTEST; Representation (politics); Space (punctuation); Wilderness; Aesthetics; Sociology; Unconscious mind; Meaning (existential); Trope (literature); Art; Psychoanalysis; Literature; Psychology; Epistemology; Political science; Philosophy; Linguistics; Law","score_opus":0.0527775398813615,"score_gpt":0.24227655326625955,"score_spread":0.18949901338489805,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1599695846","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.56372505,0.009479514,0.000960298,0.05072207,0.000925079,0.000068206624,0.00013888841,0.00009206986,0.37388873],"genre_scores_gemma":[0.94829005,0.0015593298,0.00020918848,0.0015500291,0.000068812864,0.000010938648,0.000017227136,0.00003902228,0.048255414],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99913883,0.00024704877,0.000007132698,0.00006918277,0.00015330598,0.0003845227],"domain_scores_gemma":[0.9993285,0.00021303048,0.000046363384,0.000026639746,0.000096780284,0.00028875406],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00076142995,0.0004967663,0.00026980307,0.00093181,0.03705848,0.0067244,0.0014125118,0.0018700485,0.0046814224],"category_scores_gemma":[0.0011737037,0.00030692908,0.00018041515,0.0008045607,0.023038505,0.002002931,0.0028221768,0.003429255,0.0004077686],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032760123,0.00002683219,0.00088967127,0.000039033606,0.000003624806,0.001271112,0.88490826,0.00009427095,0.0005584525,0.07439452,0.030767394,0.007014079],"study_design_scores_gemma":[0.000003110706,0.000016196482,0.0020806456,0.00007741019,0.0000043366626,0.00036269057,0.67622066,0.000044897,0.0002963864,0.0016593051,0.319216,0.00001837526],"about_ca_topic_score_codex":0.84149283,"about_ca_topic_score_gemma":0.9614183,"teacher_disagreement_score":0.15850717,"about_ca_system_score_codex":0.03623108,"about_ca_system_score_gemma":0.0134801855,"threshold_uncertainty_score":0.31888127},"labels":[],"label_agreement":null},{"id":"W1649487515","doi":"10.21083/irss.v37i0.1732","title":"The Auld Bollocks, or, James Kelman's Masculine Utopics","year":2012,"lang":"en","type":"article","venue":"International Review of Scottish Studies","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Loneliness; Scholarship; Human sexuality; Sociology; Psychoanalysis; Gender studies; Criticism; Psychology; Criminology; Social psychology; Literature; Political science; Law; Art","score_opus":0.07355787814796116,"score_gpt":0.34441333058327916,"score_spread":0.270855452435318,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1649487515","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.113568746,0.16186215,0.0038075799,0.2670517,0.007167736,0.000026024043,0.00010877365,0.00010401173,0.44630325],"genre_scores_gemma":[0.8955063,0.021280276,0.00090617186,0.01601298,0.0010595571,0.000012765106,0.000014098228,0.000037194113,0.06517062],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99905604,0.0005074321,0.000021116586,0.00007922243,0.00023227991,0.000103970604],"domain_scores_gemma":[0.99850035,0.0010819419,0.00014695531,0.00007500734,0.00010826189,0.00008734792],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013602602,0.00022456105,0.00019214944,0.0006302756,0.004280281,0.0031576094,0.00038638947,0.0011703979,0.0038743953],"category_scores_gemma":[0.0038607037,0.00009923729,0.000119299824,0.00054724916,0.016328061,0.0025201712,0.0015399547,0.0024279638,0.0004135106],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000052076626,0.000018690369,0.00077764073,0.00024193009,0.000006193681,0.0006585121,0.14840375,0.00009654881,0.00047909695,0.7208424,0.092026345,0.03639682],"study_design_scores_gemma":[0.0000045048414,0.000028554956,0.0011739596,0.00034622726,0.000004784771,0.0005572121,0.036514595,0.00006485558,0.0003435254,0.03538721,0.9255637,0.000010769124],"about_ca_topic_score_codex":0.017738085,"about_ca_topic_score_gemma":0.04048516,"teacher_disagreement_score":0.017738085,"about_ca_system_score_codex":0.002636141,"about_ca_system_score_gemma":0.0018616377,"threshold_uncertainty_score":0.035269678},"labels":[],"label_agreement":null},{"id":"W173994451","doi":"","title":"Just Visiting: P.K. Page's Planet Earth","year":2004,"lang":"en","type":"article","venue":"Essays on Canadian writing","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Planet; Earth (classical element); Astrobiology; Art; Biology; Astronomy; Physics","score_opus":0.03241118069457303,"score_gpt":0.2235291506835686,"score_spread":0.19111796998899558,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W173994451","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0036996189,0.017045604,0.0003590699,0.25489068,0.015371318,0.000045988254,0.0012427391,0.00036572092,0.7069792],"genre_scores_gemma":[0.019659173,0.0038460225,0.0002067764,0.012505967,0.00048682332,0.000010859487,0.00018986745,0.00014653892,0.9629479],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99956673,0.000046620098,0.0000087602,0.00004375929,0.00019242633,0.00014164172],"domain_scores_gemma":[0.9986897,0.00014499838,0.00003700399,0.00004254505,0.00060690875,0.00047880624],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003943855,0.00039120496,0.00033283458,0.00089734455,0.017357202,0.006103211,0.00063563907,0.0024107094,0.16828035],"category_scores_gemma":[0.0031238578,0.00023768106,0.00020994295,0.0016575435,0.0024431786,0.0032492296,0.0016264785,0.0033391295,0.034207672],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000664063,0.0000029533787,0.00010001586,0.000021966904,8.977496e-7,0.000054881053,0.0011988548,0.0000068080476,0.00005912839,0.004410978,0.98845196,0.0056849015],"study_design_scores_gemma":[0.0000012644745,0.0000012863177,0.00047623066,0.000036236852,0.0000011539607,0.000026542617,0.002688972,0.0000067442397,0.00003740564,0.0003997631,0.9963194,0.0000049623495],"about_ca_topic_score_codex":0.6998882,"about_ca_topic_score_gemma":0.90497744,"teacher_disagreement_score":0.30011177,"about_ca_system_score_codex":0.0089997705,"about_ca_system_score_gemma":0.014561755,"threshold_uncertainty_score":0.60375834},"labels":[],"label_agreement":null},{"id":"W1752057219","doi":"","title":"The Sunless Countries","year":2015,"lang":"en","type":"article","venue":"Journal of Mennonite studies","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Business","score_opus":0.15564970658364183,"score_gpt":0.3244187331438322,"score_spread":0.16876902656019035,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1752057219","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.036743652,0.01748435,0.00023873814,0.030559376,0.0012384366,0.000009916627,0.000044682507,0.000013185218,0.9136678],"genre_scores_gemma":[0.7347263,0.007846865,0.00024078041,0.008123384,0.000597629,0.000026732643,0.0000350367,0.00003876113,0.24836458],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991346,0.00046289383,0.00001615666,0.00009228241,0.000103845,0.00019020494],"domain_scores_gemma":[0.999302,0.00027654725,0.00006942767,0.00010907111,0.00006553557,0.00017732324],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011661623,0.00027716366,0.0002941021,0.0006970662,0.010352854,0.006436684,0.00042516558,0.0017891123,0.020958742],"category_scores_gemma":[0.0023990532,0.00013339076,0.0001436222,0.0011320156,0.013195884,0.0035405888,0.003852061,0.0036989793,0.001089138],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001688503,0.00001525153,0.0003228931,0.0000343516,0.0000017131599,0.00008849991,0.017804805,0.000021157355,0.000065971275,0.9526166,0.019637894,0.009374076],"study_design_scores_gemma":[0.000012949687,0.000020933676,0.0016609549,0.00026782995,0.0000034075852,0.00010389268,0.025694419,0.000034899596,0.00014258036,0.06160201,0.91044915,0.000006932327],"about_ca_topic_score_codex":0.008916321,"about_ca_topic_score_gemma":0.027247362,"teacher_disagreement_score":0.020958742,"about_ca_system_score_codex":0.0037226772,"about_ca_system_score_gemma":0.003914338,"threshold_uncertainty_score":0.07011402},"labels":[],"label_agreement":null},{"id":"W1756917762","doi":"10.25071/2369-7326.34736","title":"She’s Such a Tease: The Feminine as Burlesque Performance in Margaret Atwood’s _The Edible Woman_","year":2013,"lang":"en","type":"article","venue":"Pivot A Journal of Interdisciplinary Studies and Thought","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Femininity; Burlesque; Sociology; Commodification; Ideal (ethics); Gender studies; Art; Psychoanalysis; Aesthetics; Art history; Psychology; Philosophy; Epistemology","score_opus":0.027227522497578014,"score_gpt":0.28081949297828207,"score_spread":0.25359197048070403,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1756917762","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24752058,0.010984364,0.002813307,0.06046902,0.0019719494,0.000029033656,0.000042908305,0.000086538064,0.6760824],"genre_scores_gemma":[0.8786236,0.0014424423,0.00047516578,0.0026723004,0.00025166705,0.000019008923,0.000010119854,0.000076944736,0.11642879],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990171,0.00065219763,0.000008077854,0.00006814822,0.00011415193,0.00014023785],"domain_scores_gemma":[0.99961936,0.00017020968,0.00004810921,0.000025231702,0.0000359393,0.00010099806],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00093222864,0.00036960235,0.00016555662,0.00039426878,0.012331372,0.0048334524,0.0005735874,0.0015917927,0.0053311405],"category_scores_gemma":[0.0012782381,0.00021154866,0.00012471019,0.00026069276,0.013376068,0.002128665,0.0030948352,0.003456262,0.0008369783],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005598376,0.00003456791,0.0004626763,0.00007462832,0.0000040670925,0.0010166505,0.63693136,0.00006760876,0.00096154254,0.31183663,0.036146678,0.012407509],"study_design_scores_gemma":[0.000005188895,0.000042622425,0.0011078578,0.00019557387,0.0000049873333,0.00070256053,0.26032254,0.00007381117,0.0007207937,0.008229654,0.7285767,0.000017590037],"about_ca_topic_score_codex":0.008785252,"about_ca_topic_score_gemma":0.030417336,"teacher_disagreement_score":0.012331372,"about_ca_system_score_codex":0.0029173489,"about_ca_system_score_gemma":0.00112393,"threshold_uncertainty_score":0.02116692},"labels":[],"label_agreement":null},{"id":"W1833898810","doi":"10.1080/08935696.2015.1076966","title":"Dreaming Other Worlds: Commodity Culture, Mass Desire, and the Ideology of<i>Inception</i>","year":2015,"lang":"en","type":"article","venue":"Rethinking Marxism","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Ideology; Mainstream; Sociology; Aesthetics; Commodity; Politics; Silence; Epistemology; Appeal; Social order; Depiction; Environmental ethics; Law; Political science; Philosophy; Economics","score_opus":0.06208467737544266,"score_gpt":0.24463124227963526,"score_spread":0.1825465649041926,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1833898810","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20775448,0.008306145,0.0073212846,0.06440863,0.0010862045,0.000030844898,0.000040405932,0.00006580766,0.71098626],"genre_scores_gemma":[0.9820986,0.0009481637,0.00050351,0.0011029604,0.00013950022,0.000015717125,0.000006787538,0.000025871648,0.015158768],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99863344,0.0008414838,0.000025048394,0.00012824281,0.00018626844,0.00018545396],"domain_scores_gemma":[0.99864286,0.00090375845,0.00013400592,0.00011846063,0.00007673906,0.00012407915],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018199655,0.00045738983,0.00022838994,0.0009977624,0.007300448,0.008956897,0.0007947585,0.0017852996,0.0023313975],"category_scores_gemma":[0.0023081154,0.00021762097,0.00027026393,0.0006389602,0.047449823,0.0075798915,0.0045684897,0.00471207,0.00024330032],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013712847,0.0000098009905,0.00020685818,0.000026391728,0.0000021766346,0.00013620123,0.09678477,0.000034825953,0.00013974478,0.8972209,0.0024584553,0.0029662438],"study_design_scores_gemma":[0.00003457136,0.00006887325,0.0010768267,0.00034361403,0.000018692244,0.0006836658,0.20162575,0.0005249121,0.0018745364,0.37016258,0.4235445,0.000041496074],"about_ca_topic_score_codex":0.0035329978,"about_ca_topic_score_gemma":0.0044004763,"teacher_disagreement_score":0.008956897,"about_ca_system_score_codex":0.004798047,"about_ca_system_score_gemma":0.0017596654,"threshold_uncertainty_score":0.03481239},"labels":[],"label_agreement":null},{"id":"W1860019285","doi":"10.15210/interfaces.v3i1.6402","title":"A visão distópica de Atwood na literatura e no cinema.","year":2015,"lang":"pt","type":"article","venue":"LA Referencia (Red Federada de Repositorios Institucionales de Publicaciones Científicas)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Movie theater; Humanities; Art; Art history","score_opus":0.0335808230160168,"score_gpt":0.24904738358788336,"score_spread":0.21546656057186656,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1860019285","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1492911,0.0310118,0.008005547,0.015042874,0.0022550984,0.000050020426,0.00021318196,0.00010785119,0.7940227],"genre_scores_gemma":[0.8814989,0.010028101,0.002328453,0.0023438502,0.0005706152,0.00006281513,0.00014523105,0.00021844679,0.10280356],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.996932,0.001358498,0.00008220097,0.0005533983,0.00067145936,0.00040238627],"domain_scores_gemma":[0.9970613,0.0017785882,0.00024904514,0.00026879655,0.0003175678,0.00032469342],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017736076,0.0007551231,0.0003465809,0.002382082,0.007606035,0.015439933,0.0011676602,0.0020402672,0.018206375],"category_scores_gemma":[0.003836354,0.0002529672,0.00027400602,0.0028159972,0.010213738,0.010739645,0.0076568155,0.0033709784,0.0015371346],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012204282,0.000036414775,0.002608782,0.00065813714,0.000020237647,0.0012465693,0.45600164,0.000119540615,0.002764716,0.45404,0.02074301,0.061638862],"study_design_scores_gemma":[0.0000046669934,0.000046557754,0.003708653,0.0010198421,0.000027755923,0.0015039172,0.21002407,0.00015610555,0.001261207,0.020169001,0.7620498,0.00002842384],"about_ca_topic_score_codex":0.00792722,"about_ca_topic_score_gemma":0.023045486,"teacher_disagreement_score":0.018206375,"about_ca_system_score_codex":0.0040236646,"about_ca_system_score_gemma":0.0024271428,"threshold_uncertainty_score":0.06090641},"labels":[],"label_agreement":null},{"id":"W1900087159","doi":"","title":"Tracy's legacy","year":2015,"lang":"en","type":"article","venue":"","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Daughter; History; Aesthetics; Art history; Psychology; Art; Law; Political science","score_opus":0.11436204453469849,"score_gpt":0.25050583579663754,"score_spread":0.13614379126193904,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1900087159","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.021994933,0.021237738,0.0010693046,0.3752176,0.032297794,0.00006634137,0.00071575464,0.0005466377,0.5468539],"genre_scores_gemma":[0.080380194,0.009378134,0.0006580171,0.07326551,0.0031262608,0.000056992103,0.0001996975,0.00033534283,0.8325998],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99748296,0.00029381717,0.00007463181,0.0005863214,0.00088080997,0.0006815342],"domain_scores_gemma":[0.996207,0.00019643405,0.00017336915,0.00019166895,0.0009134714,0.0023179683],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013335128,0.00059119705,0.00048295234,0.0010047905,0.017434118,0.008199283,0.0014914435,0.0023853704,0.07355173],"category_scores_gemma":[0.007652798,0.0003997977,0.0003348355,0.0007857592,0.003049113,0.005004625,0.00735404,0.0104510365,0.015968215],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002855155,0.000032734824,0.0009231746,0.000068959176,0.000009737977,0.001747675,0.011503896,0.000018786093,0.00032777234,0.02460064,0.91335535,0.04738271],"study_design_scores_gemma":[0.0000010363133,0.0000084924095,0.0002990188,0.00006535654,0.0000026676896,0.0008493188,0.0021000062,0.0000074449017,0.000049339535,0.00050545664,0.9961028,0.000009008769],"about_ca_topic_score_codex":0.056952987,"about_ca_topic_score_gemma":0.11854407,"teacher_disagreement_score":0.07355173,"about_ca_system_score_codex":0.006299915,"about_ca_system_score_gemma":0.010872678,"threshold_uncertainty_score":0.24605507},"labels":[],"label_agreement":null},{"id":"W1918075186","doi":"10.18061/dsq.v33i3.3229","title":"Segregating the Chickenheads: Philip K. Dick's Do Androids Dream of Electric Sheep? and the Post/humanism of the American Eugenics Movement","year":2013,"lang":"en","type":"article","venue":"Disability Studies Quarterly","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Saskatchewan","funders":"","keywords":"Eugenics; Dream; Posthuman; Humanism; Movement (music); Posthumanism; Transhumanism; Philosophy; Art history; Literature; Art; Psychoanalysis; Environmental ethics; Psychology; Law; Theology; Aesthetics; Political science","score_opus":0.014418026160624415,"score_gpt":0.23646860930213712,"score_spread":0.22205058314151271,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1918075186","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16024335,0.024314646,0.0030986879,0.19327697,0.0026306235,0.000014039634,0.000041353265,0.000057350775,0.616323],"genre_scores_gemma":[0.9364002,0.0049995277,0.00042213153,0.0099893,0.00050873985,0.000011224606,0.000007592862,0.000020756313,0.047640588],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99961805,0.0002027906,0.000005679029,0.000039039045,0.000065204134,0.00006917801],"domain_scores_gemma":[0.99947745,0.00036726397,0.00004452461,0.000024414348,0.000041436087,0.000044912096],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00057853793,0.00022271219,0.00011067226,0.00044352468,0.0037273387,0.0033318962,0.00030935067,0.0014898983,0.0027696232],"category_scores_gemma":[0.0013946196,0.00009831236,0.00009585484,0.00032374714,0.014863914,0.0026440963,0.0016181575,0.002450657,0.00031570016],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018530514,0.000009208207,0.0002515224,0.000042080897,0.0000017206106,0.00022683511,0.059366763,0.000044755514,0.00029488737,0.9063396,0.025544483,0.007859679],"study_design_scores_gemma":[0.000010628107,0.000024125262,0.0008998945,0.00013849013,0.0000061658707,0.00045915612,0.06822587,0.00009233344,0.00036033802,0.10174418,0.82802314,0.000015608752],"about_ca_topic_score_codex":0.0056285863,"about_ca_topic_score_gemma":0.009328423,"teacher_disagreement_score":0.0056285863,"about_ca_system_score_codex":0.0019477792,"about_ca_system_score_gemma":0.00090145227,"threshold_uncertainty_score":0.014132142},"labels":[],"label_agreement":null},{"id":"W1929522810","doi":"10.3366/film.2010.0009","title":"Simulation, Simulacra and<i>Solaris</i>","year":2010,"lang":"en","type":"article","venue":"Film-Philosophy","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Computer science; Operating system","score_opus":0.025967159818118115,"score_gpt":0.23664709022017377,"score_spread":0.21067993040205565,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1929522810","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.038058687,0.01828678,0.039906707,0.040862903,0.0019638229,0.000035217934,0.00008051454,0.00018162964,0.86062366],"genre_scores_gemma":[0.9305433,0.0052791256,0.005364221,0.0028242697,0.0005319876,0.00006973634,0.000052600364,0.00010623954,0.055228546],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999099,0.00057032815,0.00003260912,0.00008518998,0.00013151667,0.000081373626],"domain_scores_gemma":[0.99826765,0.0012870091,0.00012884582,0.00012948783,0.00009601123,0.000090884096],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009781631,0.0003785767,0.00025437775,0.000871391,0.0027756724,0.004862438,0.0005448743,0.0013840523,0.0047221193],"category_scores_gemma":[0.0022988818,0.0001460694,0.00032007942,0.0008162226,0.014909537,0.0030768057,0.0025215226,0.0024282131,0.00057829067],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000708976,0.0000062788367,0.0000979502,0.000028341032,0.0000015824174,0.000027074659,0.0029140972,0.00022344606,0.00006221055,0.9901848,0.0028112931,0.0036359073],"study_design_scores_gemma":[0.000015926775,0.000044952525,0.00050796266,0.00027045544,0.000008001432,0.0002132577,0.005146132,0.0022158993,0.0014741778,0.39561096,0.594478,0.000014262137],"about_ca_topic_score_codex":0.004522333,"about_ca_topic_score_gemma":0.0046354705,"teacher_disagreement_score":0.004862438,"about_ca_system_score_codex":0.00314247,"about_ca_system_score_gemma":0.0015208401,"threshold_uncertainty_score":0.022800386},"labels":[],"label_agreement":null},{"id":"W1938698389","doi":"10.25071/1718-4657.36727","title":"OUR POSTHUMANTIES FUTURE: HEARING NIETSCHE ON THE PROBLEM OF SCIENCE","year":2008,"lang":"en","type":"article","venue":"Intersections conference journal","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Framing (construction); Nothing; Metaphysics; Epistemology; Value (mathematics); Philosophy; Sociology; Computer science; History","score_opus":0.1143371121460019,"score_gpt":0.2720679441251001,"score_spread":0.1577308319790982,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1938698389","genre_codex":"commentary","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":"commentary","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004614239,0.046226937,0.0015037624,0.9022232,0.007641803,0.000008117157,0.00003095299,0.000045051198,0.037705928],"genre_scores_gemma":[0.39293015,0.042588472,0.003610657,0.49154323,0.012672807,0.00012144445,0.00006602839,0.00031729921,0.056149952],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.98945224,0.0059374347,0.00025339614,0.0009836025,0.0021402056,0.0012331334],"domain_scores_gemma":[0.9815076,0.015291117,0.00048349422,0.0006125781,0.0010110658,0.001094211],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.018098094,0.0009313515,0.0009944495,0.001991772,0.019620873,0.014350082,0.0021718265,0.020119395,0.007830693],"category_scores_gemma":[0.028171467,0.0006274586,0.0006235098,0.0011299332,0.045549724,0.038970917,0.010691583,0.028002614,0.0014465565],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000050401835,0.000028536277,0.00016470287,0.00012053631,0.000012861903,0.00050159584,0.04028256,0.0001000454,0.0001914236,0.7620002,0.17642643,0.020120794],"study_design_scores_gemma":[0.00001555007,0.000011734539,0.00018445139,0.00033106585,0.0000043452387,0.00025601068,0.018832285,0.00011876334,0.00016163215,0.3295966,0.65043944,0.000048046957],"about_ca_topic_score_codex":0.01216907,"about_ca_topic_score_gemma":0.020678742,"teacher_disagreement_score":0.020119395,"about_ca_system_score_codex":0.009257276,"about_ca_system_score_gemma":0.00687268,"threshold_uncertainty_score":0.09571308},"labels":[],"label_agreement":null},{"id":"W1971622467","doi":"10.1353/esc.0.0070","title":"Turning the Pages: Rereading Atwood’s Novels","year":2007,"lang":"en","type":"article","venue":"English studies in Canada","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Appeal; Dismissal; Order (exchange); Plot (graphics); Literature; History; Art; Computer science; Law; Political science","score_opus":0.0707852648873052,"score_gpt":0.2649404107863445,"score_spread":0.19415514589903932,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1971622467","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09603041,0.028143324,0.002485121,0.14663163,0.014632274,0.00007117815,0.00032605525,0.0003220256,0.71135813],"genre_scores_gemma":[0.7298223,0.011349518,0.0013884888,0.014213785,0.0025862562,0.000038289265,0.00014022671,0.0004947621,0.2399663],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99810696,0.0006020606,0.00002828271,0.00015033539,0.0005482064,0.0005641926],"domain_scores_gemma":[0.9977386,0.0008150836,0.00012329723,0.00015025053,0.0006885156,0.00048417423],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018728774,0.00063583814,0.00038699456,0.0015774004,0.022914143,0.013469752,0.0016812619,0.002510022,0.0047198003],"category_scores_gemma":[0.0039338656,0.00022813444,0.00024274357,0.001665878,0.020270528,0.003947941,0.0025487696,0.0056436476,0.00075858075],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007271563,0.000027552138,0.0004595914,0.00011113047,0.000007970861,0.001352517,0.2995627,0.00022287744,0.00048646104,0.37566057,0.30111626,0.020919722],"study_design_scores_gemma":[0.0000044884387,0.0000060746474,0.00046615978,0.00014096871,0.000006018368,0.00015620369,0.0856029,0.000077090226,0.0003523673,0.008612661,0.904557,0.00001817577],"about_ca_topic_score_codex":0.7374292,"about_ca_topic_score_gemma":0.8655524,"teacher_disagreement_score":0.7374292,"about_ca_system_score_codex":0.045739476,"about_ca_system_score_gemma":0.027248437,"threshold_uncertainty_score":0.52823424},"labels":[],"label_agreement":null},{"id":"W1975885966","doi":"10.1353/crv.2012.0010","title":"\"It's Almost Like Being There\": Speculative Fiction, Slave Narrative, and the Crisis of Representation in Octavia Butler's Kindred","year":2012,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":10,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narrative; Representation (politics); Dialectic; Postmodernity; Literature; History; Sociology; Aesthetics; Epistemology; Philosophy; Postmodernism; Art; Political science; Law; Politics","score_opus":0.03799635676362841,"score_gpt":0.29989663100553826,"score_spread":0.26190027424190987,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1975885966","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.37345272,0.014578766,0.007021713,0.08575436,0.0010454557,0.00005452372,0.00004340676,0.000094914736,0.5179542],"genre_scores_gemma":[0.9729169,0.0014800142,0.0005333145,0.0017799406,0.00014666206,0.000020872081,0.000009125905,0.000040682095,0.023072455],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99694794,0.0022279434,0.00003300439,0.00017469317,0.0003320248,0.00028439536],"domain_scores_gemma":[0.9981002,0.0012653987,0.00019854853,0.000118098775,0.00012334602,0.00019432462],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0027934613,0.00038887898,0.00033480165,0.000900641,0.011977552,0.007398103,0.0008382625,0.0025416345,0.0022589604],"category_scores_gemma":[0.004452846,0.00026738874,0.00019816247,0.0007993832,0.034941606,0.0052799312,0.0049378728,0.003547629,0.00029218235],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002983585,0.000016324095,0.00026330608,0.000035199235,0.000002365114,0.0005432515,0.4815173,0.00005022664,0.00025546362,0.50534725,0.006589273,0.0053502456],"study_design_scores_gemma":[0.000028141865,0.00005664513,0.0007660093,0.00022699461,0.0000075859402,0.0013817074,0.290903,0.00028176143,0.00077639066,0.10040741,0.605128,0.000036324625],"about_ca_topic_score_codex":0.009158179,"about_ca_topic_score_gemma":0.012553257,"teacher_disagreement_score":0.011977552,"about_ca_system_score_codex":0.005717194,"about_ca_system_score_gemma":0.0019045232,"threshold_uncertainty_score":0.041481316},"labels":[],"label_agreement":null},{"id":"W1980821817","doi":"10.1353/esc.0.0065","title":"Secret Allies: Reconsidering Science and Gender in Cat’s Eye","year":2007,"lang":"en","type":"article","venue":"English studies in Canada","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Mount Allison University","funders":"","keywords":"Political science; Sociology","score_opus":0.10977808393971751,"score_gpt":0.2867371012324085,"score_spread":0.17695901729269098,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1980821817","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.074767075,0.0115167685,0.0064973007,0.30796143,0.004704091,0.000041956006,0.00009826305,0.000096914984,0.5943162],"genre_scores_gemma":[0.9176026,0.0021021722,0.00093648257,0.029430954,0.00066555326,0.000049655642,0.000026137453,0.00014031332,0.049046166],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99408215,0.0033224162,0.00010018346,0.0006417333,0.000832622,0.0010209244],"domain_scores_gemma":[0.9931049,0.0040336824,0.0005520388,0.0006502274,0.00075537915,0.0009036868],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.008544359,0.0004856974,0.0006464189,0.0012930224,0.017134298,0.01751722,0.0017892953,0.0069797565,0.008591255],"category_scores_gemma":[0.009068161,0.00042033632,0.00043031317,0.000826536,0.08115277,0.017086808,0.010324893,0.009241675,0.00093700615],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021591262,0.000008019599,0.00028394998,0.00003464465,0.000003934304,0.00020512783,0.18165454,0.000022411805,0.00013778488,0.8007331,0.013051222,0.0038436558],"study_design_scores_gemma":[0.000017686652,0.000027621116,0.00047132865,0.00034210779,0.000010441726,0.0005010162,0.17014046,0.00014676678,0.0005238161,0.2352035,0.5925816,0.00003363803],"about_ca_topic_score_codex":0.018206617,"about_ca_topic_score_gemma":0.023101592,"teacher_disagreement_score":0.9828657,"about_ca_system_score_codex":0.01009953,"about_ca_system_score_gemma":0.00760325,"threshold_uncertainty_score":0.07327759},"labels":[],"label_agreement":null},{"id":"W1980822442","doi":"10.1177/004724410203212410","title":"Book Reviews : Dystopian Fiction East and West, Universe of Terror and Trial. By Erika Gottlieb. Montreal and Kingston, London, Ithaca: McGill-Queen's University Press, 2001. Pp. 323","year":2002,"lang":"en","type":"article","venue":"Journal of European Studies","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Queen (butterfly); Dystopia; History; Media studies; Art history; Art; Sociology; Literature","score_opus":0.05162096912103991,"score_gpt":0.224169803520973,"score_spread":0.17254883439993307,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1980822442","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00015304632,0.9486077,0.00014337718,0.01387784,0.011234417,0.000012624624,0.00011882306,0.000037746817,0.025814356],"genre_scores_gemma":[0.00573946,0.8060214,0.00039747712,0.01292173,0.01973841,0.000061137725,0.0003510133,0.00007870224,0.15469073],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996092,0.00009565482,0.00002895659,0.00004736973,0.00017884193,0.000039968818],"domain_scores_gemma":[0.99825484,0.0010587542,0.00013726197,0.000050118477,0.00037440602,0.00012471771],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005698305,0.0021579857,0.0015207634,0.0037637437,0.002281371,0.0038251502,0.0014029993,0.002786695,0.036439463],"category_scores_gemma":[0.003070654,0.00072836445,0.00061608606,0.005049442,0.002966674,0.004154032,0.0011150552,0.0030932308,0.013951249],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008091303,0.0000052066102,0.000023718581,0.0002894747,0.0000045992756,0.000021842603,0.00018290103,0.00004244022,0.000022492331,0.002836184,0.97899425,0.017568903],"study_design_scores_gemma":[0.000009268367,0.000007511982,0.00048791096,0.0014147811,0.000011769013,0.0002006638,0.0003885042,0.000027229635,0.00003795054,0.004730793,0.9926724,0.000011337672],"about_ca_topic_score_codex":0.020234749,"about_ca_topic_score_gemma":0.05660765,"teacher_disagreement_score":0.036439463,"about_ca_system_score_codex":0.0033945502,"about_ca_system_score_gemma":0.003003065,"threshold_uncertainty_score":0.12190211},"labels":[],"label_agreement":null},{"id":"W1990554015","doi":"10.1353/esc.2014.0028","title":"Blast, Corrupt, Dismantle, Erase: Contemporary North American Dystopian Literature ed. by Brett Josef Grubisic, Gisèle M. Baxter, Tara Lee (review)","year":2014,"lang":"en","type":"article","venue":"English studies in Canada","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dystopia; Utopia; History; Wonder; Art history; Literature; Media studies; Art; Sociology; Philosophy","score_opus":0.019167156953056222,"score_gpt":0.23130024678942973,"score_spread":0.21213308983637352,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1990554015","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000061272585,0.9912949,0.000029734756,0.004371208,0.0021694528,0.000006485708,0.000026958816,0.0000070951296,0.0020328974],"genre_scores_gemma":[0.0007036668,0.9906501,0.00008540522,0.0032725483,0.0013059922,0.000031715357,0.00007331087,0.000010955402,0.0038662166],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99905103,0.00027700668,0.000087920576,0.00012050301,0.00037436959,0.000089276175],"domain_scores_gemma":[0.99804014,0.0007209487,0.00023687708,0.00004162021,0.0007422234,0.00021827572],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015608319,0.001300828,0.001958354,0.004483227,0.0016713955,0.0050307475,0.001490857,0.0019561704,0.022989137],"category_scores_gemma":[0.0048172907,0.00073190226,0.0008637366,0.009244509,0.0021400587,0.0047385837,0.0019243931,0.0046711466,0.011345679],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022410952,0.000017228098,0.00021648903,0.009000303,0.000035400233,0.00011449119,0.00078950636,0.00004662428,0.0001023781,0.0020518205,0.80530125,0.18230215],"study_design_scores_gemma":[0.000006717518,0.000011278741,0.0014212755,0.021957977,0.000035449757,0.00045144357,0.00096854655,0.000017266126,0.0000241271,0.0010640279,0.9740225,0.000019365049],"about_ca_topic_score_codex":0.015850315,"about_ca_topic_score_gemma":0.028924888,"teacher_disagreement_score":0.9841497,"about_ca_system_score_codex":0.0029106445,"about_ca_system_score_gemma":0.009681927,"threshold_uncertainty_score":0.076906264},"labels":[],"label_agreement":null},{"id":"W1994987161","doi":"10.1632/003081204x20622","title":"Circumstances and Stances","year":2004,"lang":"en","type":"article","venue":"PMLA/Publications of the Modern Language Association of America","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Expatriate; Politics; Luck; Presupposition; CLARITY; Sociology; Media studies; History; Political science; Aesthetics; Law; Art; Philosophy; Epistemology","score_opus":0.011066973254106735,"score_gpt":0.2254642326133293,"score_spread":0.21439725935922255,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1994987161","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.021968689,0.0024046607,0.0033013183,0.027195325,0.0017774095,0.00008006734,0.00011067336,0.00003747027,0.9431244],"genre_scores_gemma":[0.90655315,0.0024313796,0.0018021805,0.009686017,0.0011719461,0.0002020101,0.00016919203,0.00015310146,0.077831015],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9879816,0.006012755,0.0005798021,0.0013251433,0.002467931,0.0016327685],"domain_scores_gemma":[0.99491394,0.0017679438,0.0006750696,0.00037703148,0.0010044767,0.0012615215],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0076486827,0.00047884558,0.00039825105,0.002121086,0.010527611,0.014173625,0.001065735,0.0025345532,0.013585351],"category_scores_gemma":[0.01827864,0.00033418174,0.00029080614,0.0017634302,0.019566292,0.008850015,0.008458091,0.0041226274,0.0033094282],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016630847,0.000013784893,0.00079501985,0.000032440552,0.0000037867155,0.00017808915,0.02835704,0.000024940657,0.00012197753,0.9553724,0.009201378,0.005882527],"study_design_scores_gemma":[0.000027172733,0.00002902257,0.001531806,0.0004190367,0.000009689172,0.0003006017,0.05482862,0.00008274489,0.00027072697,0.31888652,0.6235873,0.000026774147],"about_ca_topic_score_codex":0.002203783,"about_ca_topic_score_gemma":0.0019608794,"teacher_disagreement_score":0.014173625,"about_ca_system_score_codex":0.005311742,"about_ca_system_score_gemma":0.0036980568,"threshold_uncertainty_score":0.04544753},"labels":[],"label_agreement":null},{"id":"W1995235124","doi":"10.4103/0971-4065.106053","title":"Story behind the wrinkle","year":2012,"lang":"en","type":"article","venue":"Indian Journal of Nephrology","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Canadian Institute of Steel Construction","keywords":"Medicine; Wrinkle; Dermatology; Data science; Gerontology; Computer science","score_opus":0.028841690306522234,"score_gpt":0.23525021083034756,"score_spread":0.20640852052382533,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1995235124","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008250662,0.017268186,0.00048922404,0.90298736,0.015161142,0.000012961668,0.00014872373,0.00006942154,0.055612363],"genre_scores_gemma":[0.30328685,0.017513618,0.00093603355,0.49013847,0.036574375,0.00006302168,0.00016497474,0.00032557704,0.15099718],"study_design_codex":"not_applicable","study_design_gemma":"case_report","domain_scores_codex":[0.99860615,0.0005558474,0.00004641735,0.00020574301,0.00028758383,0.0002982327],"domain_scores_gemma":[0.99648345,0.0018751224,0.00022445948,0.00021420073,0.00049070094,0.00071198976],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0025593585,0.0005466072,0.0006079224,0.00083982793,0.012154891,0.005424702,0.0009326493,0.010258604,0.010845159],"category_scores_gemma":[0.0118909115,0.0002910891,0.0005108777,0.00058543973,0.013350286,0.0064056567,0.0038102688,0.028073065,0.003350753],"study_design_candidate":"case_report","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013044775,0.00006340247,0.0008463972,0.00010614412,0.000021396507,0.00613181,0.026099218,0.00010195503,0.00021317373,0.22507517,0.7222983,0.018912626],"study_design_scores_gemma":[0.000024065484,0.000023588495,0.0004363756,0.00017310517,0.000009798354,0.0033929264,0.010807978,0.00008597962,0.00015027408,0.03749682,0.94736934,0.00002972589],"about_ca_topic_score_codex":0.006235524,"about_ca_topic_score_gemma":0.008535009,"teacher_disagreement_score":0.012154891,"about_ca_system_score_codex":0.0035503795,"about_ca_system_score_gemma":0.0028734924,"threshold_uncertainty_score":0.036280632},"labels":[],"label_agreement":null},{"id":"W1995345187","doi":"10.4000/resf.271","title":"Temporalités de la science-fiction","year":2013,"lang":"fr","type":"article","venue":"ReS Futurae","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":9,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ministère de l’Emploi et de la Solidarité Sociale (Québec)","funders":"","keywords":"Temporalities; Anticipation (artificial intelligence); Humanities; Philosophy; Theology; Computer science; Artificial intelligence","score_opus":0.015884218205597486,"score_gpt":0.26438173911096285,"score_spread":0.24849752090536537,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1995345187","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.031750668,0.0073462687,0.028217614,0.016971905,0.001345817,0.00004745777,0.00026948113,0.00022161395,0.91382915],"genre_scores_gemma":[0.8924923,0.002893814,0.0076443222,0.0012053563,0.0008097181,0.00010181834,0.00018423563,0.00023144782,0.09443702],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99668413,0.0015324147,0.00013330302,0.00045269696,0.00091656845,0.00028094443],"domain_scores_gemma":[0.9951763,0.0027113538,0.00043981228,0.00068063877,0.0007456259,0.00024627298],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0035011503,0.0004869853,0.000295875,0.0021039324,0.005901768,0.00882885,0.00082330336,0.00202726,0.015587678],"category_scores_gemma":[0.009961315,0.00029759508,0.00049431244,0.0017705864,0.019549437,0.007919424,0.0034291525,0.003911508,0.0016872791],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019405788,0.0000041629614,0.00012737294,0.000045886416,0.0000026544496,0.00011193565,0.009585483,0.00012275076,0.00020103696,0.9829132,0.0023771438,0.0044889315],"study_design_scores_gemma":[0.00002124054,0.000040954743,0.0012188102,0.0003168505,0.00001927966,0.00073547446,0.012545608,0.00067969336,0.0011975274,0.34359694,0.63958555,0.000042057192],"about_ca_topic_score_codex":0.0048912438,"about_ca_topic_score_gemma":0.0056129955,"teacher_disagreement_score":0.015587678,"about_ca_system_score_codex":0.006921885,"about_ca_system_score_gemma":0.0032463183,"threshold_uncertainty_score":0.052146018},"labels":[],"label_agreement":null},{"id":"W2002149261","doi":"10.3828/extr.2007.48.1.3","title":"Of Starship Troopers and Refuseniks: War and Militarism in U.S. Science Fiction, Part 2","year":2007,"lang":"en","type":"article","venue":"Extrapolation","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University; Royal Society of Canada","funders":"","keywords":"Militarism; History; Explosive material; Literature; Art; Political science; Law; Politics; Archaeology","score_opus":0.027247699353017036,"score_gpt":0.24782466692571087,"score_spread":0.22057696757269382,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2002149261","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14203838,0.025423521,0.0009312003,0.07063938,0.0015261697,0.000040740142,0.0001285901,0.000027946002,0.7592442],"genre_scores_gemma":[0.9563813,0.005284722,0.00022374264,0.005312172,0.0005953244,0.000030216494,0.000058595142,0.000025921687,0.032087952],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990914,0.00051590055,0.000031125277,0.00008027165,0.00013197867,0.00014936685],"domain_scores_gemma":[0.9974546,0.0018035171,0.00023071987,0.00012486862,0.00023479477,0.00015152986],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013902971,0.00041561777,0.00024749135,0.0015877223,0.012010733,0.0049149813,0.00051948975,0.0021194033,0.0063434406],"category_scores_gemma":[0.0054396414,0.00013982794,0.00017810972,0.0011456017,0.014097274,0.0046529584,0.0038842699,0.004276352,0.00046086765],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005245968,0.000043923883,0.0019539534,0.00015551815,0.0000051876673,0.00042664653,0.24259165,0.0001553308,0.00014790139,0.65444416,0.063857585,0.036165677],"study_design_scores_gemma":[0.000008200789,0.000040216764,0.004770042,0.0008373617,0.000007742862,0.00034273264,0.1897779,0.0001856861,0.0004573839,0.08225412,0.72130597,0.000012657674],"about_ca_topic_score_codex":0.011568309,"about_ca_topic_score_gemma":0.032349102,"teacher_disagreement_score":0.012010733,"about_ca_system_score_codex":0.004251035,"about_ca_system_score_gemma":0.0032343087,"threshold_uncertainty_score":0.030843556},"labels":[],"label_agreement":null},{"id":"W2002745322","doi":"10.4000/resf.167","title":"Tendances contemporaines en critique de science-fiction, 1980-1999","year":2012,"lang":"fr","type":"article","venue":"ReS Futurae","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Fields Institute for Research in Mathematical Sciences","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.020866428488625518,"score_gpt":0.2861917629952017,"score_spread":0.2653253345065762,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2002745322","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.113329604,0.18241526,0.0023053307,0.08779704,0.0027956236,0.000047016765,0.00023874284,0.000064765554,0.6110066],"genre_scores_gemma":[0.8613749,0.04053884,0.00078809273,0.0041357107,0.0027418144,0.00008044584,0.00011915129,0.00013317449,0.090087906],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9928772,0.0034923682,0.00030655004,0.0010158386,0.0017529851,0.0005550391],"domain_scores_gemma":[0.98293394,0.013720107,0.0009841677,0.0005184973,0.0014111904,0.0004321536],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0070155817,0.00067437947,0.0007918872,0.008155346,0.01656993,0.01398091,0.0010413278,0.004559924,0.007005212],"category_scores_gemma":[0.02064221,0.00036688708,0.00034785116,0.011396936,0.036707673,0.008545858,0.005106333,0.00568732,0.0007401187],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007527658,0.000019696432,0.00065355573,0.00028392265,0.000009876032,0.00034120074,0.27862436,0.000120526696,0.0002665592,0.6849837,0.013773021,0.020848462],"study_design_scores_gemma":[0.000016770353,0.000022655086,0.0021664237,0.0009043357,0.000010958356,0.00031836063,0.048087116,0.00011284415,0.0005257358,0.03892755,0.90888935,0.000017901937],"about_ca_topic_score_codex":0.046434417,"about_ca_topic_score_gemma":0.08105034,"teacher_disagreement_score":0.046434417,"about_ca_system_score_codex":0.040703885,"about_ca_system_score_gemma":0.0111638885,"threshold_uncertainty_score":0.29532874},"labels":[],"label_agreement":null},{"id":"W2004045650","doi":"10.1386/ejac.22.3.193/0","title":"Home truths: women writing science in the nuclear dawn","year":2003,"lang":"en","type":"article","venue":"European Journal of American Culture","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Criticism; Reading (process); Politics; Literature; History; Government (linguistics); Popular science; Cold war; Art history; Art; Political science; Law; Philosophy; Science education","score_opus":0.017643261207223045,"score_gpt":0.22040328036333112,"score_spread":0.20276001915610808,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2004045650","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2941263,0.016203076,0.0032527824,0.16583818,0.009787044,0.000066214016,0.00010439462,0.00014980015,0.5104721],"genre_scores_gemma":[0.8996818,0.0030634045,0.00056211685,0.010325733,0.0019035648,0.00004534206,0.00003188433,0.00019785005,0.08418838],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9945485,0.0035917521,0.00009418098,0.00039619504,0.0007775613,0.00059189554],"domain_scores_gemma":[0.9915639,0.0063999356,0.0004939062,0.00023785357,0.000511664,0.0007926698],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0067886813,0.00058576156,0.000553151,0.0019624897,0.028941445,0.015078723,0.000982782,0.003163957,0.0091243265],"category_scores_gemma":[0.010994774,0.00036992593,0.0002329854,0.0015241136,0.024680648,0.008435953,0.0069770906,0.0061679715,0.0011886299],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031221807,0.000020831914,0.00046568384,0.000043464956,0.000002510625,0.00050467113,0.89593166,0.000014538679,0.00025404958,0.078352064,0.015883408,0.00849581],"study_design_scores_gemma":[0.000010539978,0.000030893956,0.00039667662,0.00015756798,0.000004203239,0.00024603025,0.5699452,0.00004152525,0.00046749314,0.0077230297,0.42096666,0.000010143082],"about_ca_topic_score_codex":0.00695448,"about_ca_topic_score_gemma":0.014343358,"teacher_disagreement_score":0.97105855,"about_ca_system_score_codex":0.0067362585,"about_ca_system_score_gemma":0.003684067,"threshold_uncertainty_score":0.048875213},"labels":[],"label_agreement":null},{"id":"W2009305463","doi":"10.15353/cjds.v3i2.160","title":"Review of Allan, Kathryn (Ed.), Disability in Science Fiction: Representations of Technology as Cure","year":2014,"lang":"en","type":"article","venue":"Canadian Journal of Disability Studies","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Normative; Disability studies; Intersection (aeronautics); Cover (algebra); Sociology; Broad spectrum; Psychology; Aesthetics; Psychoanalysis; Epistemology; Gender studies; Philosophy; Cartography","score_opus":0.04095405378690197,"score_gpt":0.31946372820755625,"score_spread":0.2785096744206543,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2009305463","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00006021398,0.98279446,0.00004499122,0.010756012,0.004348361,0.000004032116,0.000025539326,0.0000037605935,0.0019626552],"genre_scores_gemma":[0.0009270842,0.9841069,0.00010508441,0.006936686,0.0047547123,0.000015493759,0.000056303554,0.000008555324,0.0030891194],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987249,0.00034264993,0.00016553146,0.00013229034,0.000549711,0.00008496364],"domain_scores_gemma":[0.9914125,0.0052795354,0.0004732895,0.00012662399,0.0022822977,0.00042572137],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0025623657,0.001047648,0.0020231178,0.008128306,0.0019741782,0.004686155,0.0018398557,0.0033851762,0.009269931],"category_scores_gemma":[0.010595454,0.00062410167,0.0005355758,0.012374871,0.0027830112,0.0068287523,0.0019726034,0.004470357,0.005516016],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024833826,0.000022616096,0.00012545023,0.0069178725,0.000027830532,0.00010966597,0.0013220863,0.0000792967,0.0000720576,0.006841317,0.8069377,0.17751926],"study_design_scores_gemma":[0.0000031189386,0.0000062603362,0.00038662076,0.006031026,0.000010873155,0.00017558443,0.0005079103,0.000009791556,0.000019090954,0.00064594985,0.9921942,0.000009581863],"about_ca_topic_score_codex":0.01565995,"about_ca_topic_score_gemma":0.033824693,"teacher_disagreement_score":0.01565995,"about_ca_system_score_codex":0.0038733336,"about_ca_system_score_gemma":0.0065842397,"threshold_uncertainty_score":0.031137586},"labels":[],"label_agreement":null},{"id":"W2013183088","doi":"10.1007/s10746-005-9017-y","title":"The Body as a Permanent but Mutable Address","year":2006,"lang":"en","type":"article","venue":"Human Studies","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Sociolinguistics; Political philosophy; Modern philosophy; Sociology; Linguistics; Philosophy; Political science; Epistemology; Politics; Law","score_opus":0.05570265698064286,"score_gpt":0.2920422811085262,"score_spread":0.23633962412788334,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2013183088","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.029169971,0.045875847,0.009795898,0.13176909,0.0034486228,0.00003093583,0.00010882986,0.00011862682,0.77968216],"genre_scores_gemma":[0.88188034,0.009539832,0.0040940098,0.015138855,0.0026507396,0.000075587326,0.000057165125,0.000104480656,0.086459056],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99845254,0.0008754409,0.000037866917,0.00019390367,0.00024232759,0.00019789407],"domain_scores_gemma":[0.99840456,0.0008474593,0.00012424513,0.00030576123,0.00012194163,0.00019599478],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020681373,0.00037361926,0.00048888987,0.0011059759,0.0070266984,0.009244806,0.00095548795,0.005853664,0.006443531],"category_scores_gemma":[0.0031280422,0.00020084268,0.00029250732,0.00070153864,0.08174848,0.008099731,0.0052004373,0.007112648,0.0008765933],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000062668782,0.0000032449284,0.000065695574,0.000022214452,0.0000015358012,0.00003374152,0.0054043066,0.000030053918,0.00007692431,0.98740476,0.003489998,0.0034611018],"study_design_scores_gemma":[0.000013452705,0.00002833609,0.00033309314,0.00028522528,0.000008093364,0.0002898355,0.009261831,0.00011284381,0.00024619236,0.64318925,0.3462171,0.000014641526],"about_ca_topic_score_codex":0.0020789346,"about_ca_topic_score_gemma":0.003100052,"teacher_disagreement_score":0.009244806,"about_ca_system_score_codex":0.0023435904,"about_ca_system_score_gemma":0.0030353896,"threshold_uncertainty_score":0.021555781},"labels":[],"label_agreement":null},{"id":"W2017412123","doi":"10.3828/bjcs.17.1.8","title":"GUILT AND INNOCENCE IN THE COMMUNITY AND THE SELF: AN EXAMINATION OF MUTUAL RESPONSIBILITY IN MARGARET ATWOOD'S <i>SURFACING</i>","year":2004,"lang":"en","type":"article","venue":"British Journal of Canadian Studies","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Innocence; Normative; Sociology; Politics; Theme (computing); Multiculturalism; Motif (music); Postmodernism; Law; Environmental ethics; Aesthetics; Epistemology; Political science; Philosophy","score_opus":0.04957868139473425,"score_gpt":0.2532117292380535,"score_spread":0.20363304784331926,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2017412123","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3008819,0.007358586,0.004859023,0.2190502,0.00132918,0.00006870511,0.000022176915,0.00004985601,0.4663804],"genre_scores_gemma":[0.98278195,0.000590518,0.000296554,0.0039824476,0.00011785095,0.000024283532,0.0000040689392,0.000027772441,0.012174557],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99051005,0.005597763,0.000092626404,0.00049048156,0.001639539,0.001669631],"domain_scores_gemma":[0.994121,0.0037060252,0.0003844056,0.00017062467,0.00065672037,0.0009611336],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005608026,0.00051744777,0.0005562156,0.0015609307,0.048287794,0.012636932,0.0024577992,0.0067527154,0.0024086747],"category_scores_gemma":[0.0070723286,0.000331797,0.0004694799,0.0012004662,0.10804426,0.00813591,0.010416564,0.009032947,0.00019842359],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011446898,0.00001729441,0.00028458756,0.000027699793,0.0000028091079,0.0005825766,0.73439837,0.000065193766,0.00010245587,0.25518686,0.006440629,0.0028800878],"study_design_scores_gemma":[0.000010052049,0.000019431456,0.00092600816,0.00019170076,0.000006406201,0.00051327626,0.7420451,0.0001601103,0.00019637917,0.0755434,0.18035628,0.000031892014],"about_ca_topic_score_codex":0.2150148,"about_ca_topic_score_gemma":0.23345734,"teacher_disagreement_score":0.7849852,"about_ca_system_score_codex":0.031275794,"about_ca_system_score_gemma":0.020942055,"threshold_uncertainty_score":0.4275266},"labels":[],"label_agreement":null},{"id":"W2019647689","doi":"10.1080/0013838x.2013.838402","title":"Engendering Genre: The Works of Margaret Atwood","year":2014,"lang":"en","type":"article","venue":"English Studies","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Literature; History; Art history","score_opus":0.047643663794045776,"score_gpt":0.24427295746042105,"score_spread":0.19662929366637527,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2019647689","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.033958502,0.12155679,0.0013060456,0.18977933,0.009145043,0.000045183984,0.0001263379,0.000110713714,0.643972],"genre_scores_gemma":[0.4709909,0.062435668,0.001953211,0.016177328,0.0037017986,0.000060283626,0.00006926663,0.00028772632,0.44432387],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989293,0.0003441679,0.000019597317,0.000077013974,0.0004625889,0.00016715693],"domain_scores_gemma":[0.9976972,0.0010484906,0.00015869807,0.00009627755,0.0004706427,0.0005288173],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001240015,0.00034699633,0.0002455183,0.0017672671,0.017154481,0.006583797,0.0007505385,0.0013769161,0.0061085215],"category_scores_gemma":[0.0033319218,0.00021692015,0.00016312169,0.0019297043,0.010076213,0.003113713,0.0027830987,0.0029842814,0.0011475628],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004130359,0.000027967828,0.000637137,0.00018034145,0.0000061214923,0.0005564216,0.15909214,0.00008066653,0.00059531105,0.18441583,0.60520947,0.04915734],"study_design_scores_gemma":[0.0000012321744,0.000003928987,0.0006335286,0.00022829583,0.0000029709045,0.00018001121,0.022183321,0.000011259931,0.00013164476,0.0034464197,0.97316915,0.000008254685],"about_ca_topic_score_codex":0.15699345,"about_ca_topic_score_gemma":0.40430912,"teacher_disagreement_score":0.15699345,"about_ca_system_score_codex":0.009219199,"about_ca_system_score_gemma":0.007921485,"threshold_uncertainty_score":0.3121593},"labels":[],"label_agreement":null},{"id":"W2023824667","doi":"10.1353/mos.2013.0021","title":"The Uses of Genre and the Classification of Speculative Fiction","year":2013,"lang":"en","type":"article","venue":"Mosaic","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":36,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Interpretation (philosophy); Affinities; Literature; Epistemology; History; Linguistics; Aesthetics; Philosophy; Art; Chemistry","score_opus":0.02702008750387231,"score_gpt":0.2158274036970841,"score_spread":0.1888073161932118,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2023824667","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16763912,0.017599666,0.03247951,0.01994741,0.0021564532,0.00014797196,0.0004635491,0.00019343811,0.75937283],"genre_scores_gemma":[0.9720916,0.0023436118,0.009962454,0.0007255762,0.0008690952,0.00009987644,0.00025633065,0.000099578094,0.013551858],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99305505,0.0041752593,0.000360736,0.00038322023,0.0015365898,0.00048918783],"domain_scores_gemma":[0.98999155,0.0052581634,0.001154852,0.0016416669,0.0013036462,0.0006501075],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.006268934,0.0006385479,0.00053783535,0.013543255,0.006373573,0.0141794635,0.0011760142,0.0017316352,0.003515283],"category_scores_gemma":[0.019028082,0.00024457325,0.000525793,0.006828552,0.03511653,0.009174338,0.0037455042,0.0026743792,0.0005340829],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002676407,0.0000055407245,0.002039226,0.00006046557,0.000004294454,0.00009279927,0.031071946,0.00010078004,0.00023055739,0.9523437,0.002002508,0.012021496],"study_design_scores_gemma":[0.000022658465,0.000056930414,0.0076625017,0.0007727347,0.000021292177,0.0011774777,0.04208492,0.0014802122,0.00042495382,0.75773823,0.1885031,0.000054951302],"about_ca_topic_score_codex":0.003990254,"about_ca_topic_score_gemma":0.0049280985,"teacher_disagreement_score":0.0141794635,"about_ca_system_score_codex":0.0052269,"about_ca_system_score_gemma":0.0017227706,"threshold_uncertainty_score":0.037923932},"labels":[],"label_agreement":null},{"id":"W2024403231","doi":"10.7202/024881ar","title":"Science-fiction et cognition","year":2007,"lang":"fr","type":"article","venue":"Cinémas Revue d études cinématographiques","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Sociology; Psychology","score_opus":0.03913957823844696,"score_gpt":0.28913990444197996,"score_spread":0.250000326203533,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2024403231","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1425454,0.04268084,0.008309448,0.03455056,0.00087769324,0.000040858333,0.00015667023,0.00009627094,0.77074224],"genre_scores_gemma":[0.97032934,0.010056651,0.001899293,0.0015392406,0.0003667931,0.000023334827,0.00007194855,0.000024669467,0.015688615],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989336,0.00055838027,0.000033915087,0.00013924266,0.00022980126,0.00010499618],"domain_scores_gemma":[0.99520314,0.0035930008,0.000430437,0.00020835346,0.0003843069,0.0001808348],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00135768,0.00032254134,0.00028349037,0.0018463219,0.001982733,0.007486131,0.0004975392,0.0016556358,0.008959742],"category_scores_gemma":[0.0061485353,0.00009407464,0.0002677788,0.0016789713,0.012849496,0.0042591062,0.0016797867,0.001615462,0.0005299147],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021806512,0.000032829183,0.0018918394,0.00032600225,0.000017075385,0.00013076758,0.038310103,0.00021712686,0.00048681878,0.9236133,0.0044521973,0.03050007],"study_design_scores_gemma":[0.00001977841,0.000050815634,0.010053626,0.00046621842,0.000026930902,0.00056452124,0.02957547,0.00052761927,0.0006984536,0.7060741,0.2519041,0.00003834412],"about_ca_topic_score_codex":0.00414975,"about_ca_topic_score_gemma":0.0034186712,"teacher_disagreement_score":0.008959742,"about_ca_system_score_codex":0.002937906,"about_ca_system_score_gemma":0.0016618376,"threshold_uncertainty_score":0.029973328},"labels":[],"label_agreement":null},{"id":"W2030034384","doi":"10.1353/mfs.2004.0024","title":"Dystopian Fiction East and West: Universe of Terror and Trial (review)","year":2004,"lang":"en","type":"article","venue":"Modern fiction studies","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dystopia; Literature; History; Politics; Art; Law; Political science","score_opus":0.09164500541254196,"score_gpt":0.27862693984838716,"score_spread":0.1869819344358452,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2030034384","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000041252413,0.99822253,0.00000894493,0.00089432683,0.00044243012,0.0000042170054,0.000016075177,0.0000018556568,0.00036843956],"genre_scores_gemma":[0.0009099105,0.9962806,0.00003245127,0.001812709,0.00047806662,0.000013357583,0.00003940371,0.000002218964,0.00043131455],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99930084,0.00018671565,0.00011554673,0.00009831138,0.00023842655,0.000060223912],"domain_scores_gemma":[0.9970885,0.0016575269,0.00065595575,0.000039025243,0.0004161998,0.00014275726],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008668734,0.0008820969,0.0016661087,0.0041580247,0.00056071876,0.0028670793,0.0011453863,0.0023821997,0.0096015725],"category_scores_gemma":[0.0058565093,0.0004483953,0.0009257433,0.0060109105,0.0012283718,0.002760871,0.0011000114,0.0027441646,0.0018663725],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001324888,0.000028590504,0.0005253223,0.11938438,0.00032005968,0.00032121895,0.00052743114,0.00015971676,0.00017694553,0.0029295487,0.39006156,0.48543274],"study_design_scores_gemma":[0.00006431916,0.00005952721,0.00447083,0.14199904,0.0006010373,0.0020916255,0.0009769718,0.0000456149,0.00011472748,0.0018152611,0.8477097,0.0000513563],"about_ca_topic_score_codex":0.0052280906,"about_ca_topic_score_gemma":0.010100975,"teacher_disagreement_score":0.0096015725,"about_ca_system_score_codex":0.0014268442,"about_ca_system_score_gemma":0.004333059,"threshold_uncertainty_score":0.032120407},"labels":[],"label_agreement":null},{"id":"W2030804018","doi":"10.5840/envirophil20118111","title":"What Is Posthumanism?","year":2011,"lang":"en","type":"article","venue":"Environmental Philosophy","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Posthumanism; Applied philosophy; Philosophy; Epistemology","score_opus":0.05180381671386521,"score_gpt":0.19667841181408718,"score_spread":0.14487459510022196,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2030804018","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04079703,0.046844527,0.010763936,0.32877305,0.0027848075,0.000016079814,0.00011236181,0.000063004205,0.56984526],"genre_scores_gemma":[0.9437575,0.014629401,0.0013943992,0.015927045,0.002550374,0.000039559076,0.000047138543,0.000059943737,0.021594655],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9984133,0.0009710996,0.000026371683,0.00019709978,0.00021954713,0.00017244469],"domain_scores_gemma":[0.9973195,0.0018275245,0.0001596727,0.00035939072,0.00018912966,0.00014475775],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0027900974,0.00030773837,0.00046171545,0.00076073187,0.0040146993,0.006034809,0.0009960097,0.0033281124,0.0060008387],"category_scores_gemma":[0.0037713642,0.00014874428,0.0002458711,0.0009118458,0.05554142,0.009119189,0.0025835312,0.0044660512,0.00056801504],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000031077304,0.000005161624,0.000076636024,0.000028478311,0.0000021267915,0.000021775624,0.0017929471,0.00003484653,0.000021827833,0.9926306,0.0026002764,0.0027821278],"study_design_scores_gemma":[0.0000031522347,0.000004649562,0.00017934243,0.00008705372,0.0000019171691,0.000042619384,0.0028365327,0.000052681444,0.00006800959,0.90390956,0.09281095,0.0000034233406],"about_ca_topic_score_codex":0.0022374708,"about_ca_topic_score_gemma":0.0029013448,"teacher_disagreement_score":0.006034809,"about_ca_system_score_codex":0.002558324,"about_ca_system_score_gemma":0.0023549139,"threshold_uncertainty_score":0.020074844},"labels":[],"label_agreement":null},{"id":"W2036139708","doi":"10.7202/1001191ar","title":"« Ce qui méritait le plus d’être puni était son pénis » : postsocialisme, distopie et la mort du héros","year":2011,"lang":"fr","type":"article","venue":"Cinémas Revue d études cinématographiques","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Physics","score_opus":0.03214222020869752,"score_gpt":0.2649908762880791,"score_spread":0.2328486560793816,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2036139708","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.55823886,0.00311247,0.0048276815,0.012915189,0.0003223991,0.000025154115,0.000034514123,0.000030843312,0.4204928],"genre_scores_gemma":[0.9844482,0.00038933667,0.00022763971,0.00019660467,0.000040393188,0.0000088213665,0.000005521818,0.00001155976,0.014671829],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991008,0.0005626996,0.000009930472,0.00006201143,0.00012392893,0.00014066335],"domain_scores_gemma":[0.99925226,0.00036084795,0.000120500394,0.000068374815,0.00009307465,0.00010485483],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013731107,0.00022763728,0.00012476419,0.00043774402,0.0059725055,0.0035472382,0.00040819487,0.0010691299,0.0024117106],"category_scores_gemma":[0.0020677545,0.00012721201,0.00012348639,0.00045614367,0.017872978,0.002661404,0.0021138056,0.0019949935,0.00022151628],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000050971816,0.00001451471,0.0015142125,0.000053031425,0.000004400463,0.00038325175,0.44052568,0.000054737575,0.0012580077,0.5444479,0.0033507096,0.008342601],"study_design_scores_gemma":[0.000025839632,0.00012140297,0.015116709,0.00026827527,0.000021621654,0.00095311727,0.41245636,0.0005831815,0.0025281096,0.07631529,0.49155763,0.000052488707],"about_ca_topic_score_codex":0.0068229213,"about_ca_topic_score_gemma":0.011071205,"teacher_disagreement_score":0.0068229213,"about_ca_system_score_codex":0.0021984233,"about_ca_system_score_gemma":0.0016439869,"threshold_uncertainty_score":0.015950799},"labels":[],"label_agreement":null},{"id":"W2039202184","doi":"10.3828/cfc.2010.12","title":"\"CONSTRUCTIONS OF THE FUTURE: SCIENCE-FICTIONAL VISIONS OF MONTRÉAL'S OLYMPIC STADIUM\"","year":2010,"lang":"en","type":"article","venue":"Contemporary French Civilization","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Vision; Stadium; Art history; Art; Sociology; Anthropology; Mathematics; Geometry","score_opus":0.014689803671810522,"score_gpt":0.20894517767152754,"score_spread":0.194255373999717,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2039202184","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.054380532,0.0051144003,0.0042440463,0.08423708,0.0007819713,0.000046916084,0.00030433922,0.0001467793,0.8507439],"genre_scores_gemma":[0.90714103,0.0012426093,0.000949307,0.002178034,0.00020552437,0.000040193863,0.00005012231,0.00006283341,0.088130325],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990338,0.00047747322,0.000009989673,0.000083227314,0.00012608967,0.00026933142],"domain_scores_gemma":[0.99930406,0.00024821193,0.000058770416,0.000049330054,0.00017245523,0.00016718217],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012977608,0.00072463276,0.00019056008,0.00155017,0.019535512,0.00967244,0.0015476996,0.00272412,0.010960203],"category_scores_gemma":[0.0026549024,0.00022513347,0.0003392269,0.0017444221,0.03186068,0.0033812018,0.0024344272,0.0031755131,0.00038900523],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000084618305,0.0000033090269,0.00013355736,0.000013213618,0.0000014731631,0.00007585783,0.023756929,0.00018663277,0.000062465464,0.96502197,0.009196503,0.0015396309],"study_design_scores_gemma":[0.000031123283,0.000021533953,0.0025893215,0.0001546841,0.000016960485,0.000104267085,0.05933498,0.00089468213,0.00040282682,0.12724763,0.8091512,0.000050687937],"about_ca_topic_score_codex":0.8462826,"about_ca_topic_score_gemma":0.88000953,"teacher_disagreement_score":0.1537174,"about_ca_system_score_codex":0.0560775,"about_ca_system_score_gemma":0.025134679,"threshold_uncertainty_score":0.40687263},"labels":[],"label_agreement":null},{"id":"W2040961040","doi":"10.1353/vpr.2013.0048","title":"Periodicity, Time Travel, and the Emergence of Science Fiction: H. G. Wells's Temporal Adventures in the Pages of the New Review","year":2013,"lang":"en","type":"article","venue":"Victorian periodicals review","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Adventure; Time travel; History; Art history; Geology; Computer science; Artificial intelligence","score_opus":0.015003215633350333,"score_gpt":0.2376007499434483,"score_spread":0.22259753431009796,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2040961040","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00304014,0.9565401,0.0002263153,0.0291726,0.002627023,0.000004268446,0.000009971415,0.0000057265656,0.008373955],"genre_scores_gemma":[0.0695667,0.907277,0.00034712272,0.008354787,0.0058138194,0.0000148745285,0.00001565262,0.000020951455,0.00858904],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990146,0.00043824656,0.000058845806,0.00009300265,0.0003312428,0.00006404139],"domain_scores_gemma":[0.99391323,0.0046210145,0.00055366853,0.00012312038,0.0006039151,0.00018498675],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0025324733,0.00019460724,0.0004005641,0.0025457635,0.00078102626,0.0033171254,0.00043850704,0.0011075652,0.001159068],"category_scores_gemma":[0.0079027815,0.0002453393,0.00021317822,0.0031624984,0.0034462367,0.0033490197,0.00089691195,0.0021028225,0.00035515308],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017100998,0.00005647965,0.0021681692,0.00874599,0.00011721911,0.0010771696,0.026973743,0.00052672566,0.0021408398,0.30986834,0.2961531,0.3520013],"study_design_scores_gemma":[0.000009347962,0.000031985597,0.003542895,0.0043688416,0.000043824657,0.0007269229,0.003906854,0.00008403271,0.0003615552,0.014997162,0.9719034,0.000023104898],"about_ca_topic_score_codex":0.010734625,"about_ca_topic_score_gemma":0.01993982,"teacher_disagreement_score":0.010734625,"about_ca_system_score_codex":0.0030266114,"about_ca_system_score_gemma":0.003430287,"threshold_uncertainty_score":0.021959662},"labels":[],"label_agreement":null},{"id":"W2041792029","doi":"10.1353/utq.2006.0259","title":"The Joyless Republic of Gilead: Reflections of a Political Scientist on the Operatic Production of Margaret Atwood's The Handmaid's Tale","year":2006,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Theocracy; Politics; History; Polity; Opposition (politics); Opera; Law; Sociology; Economic history; Aesthetics; Political economy; Political science; Philosophy; Art history","score_opus":0.017669639183660844,"score_gpt":0.21718399910058392,"score_spread":0.19951435991692307,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2041792029","genre_codex":"commentary","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":"commentary","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.036188863,0.023079542,0.00080740184,0.8018575,0.009498941,0.000024913426,0.000060570554,0.000047848906,0.12843432],"genre_scores_gemma":[0.67333734,0.011849294,0.00082962005,0.19855082,0.0075991345,0.00006502798,0.00004403615,0.00020904248,0.1075157],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99613357,0.0017255006,0.00003944282,0.0002986726,0.0007796778,0.0010231006],"domain_scores_gemma":[0.9960068,0.0020804668,0.00019692835,0.0001013071,0.000524973,0.001089579],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0043392805,0.00046537427,0.00048817953,0.0010769402,0.019582389,0.0117468145,0.0016024542,0.0053049717,0.004362045],"category_scores_gemma":[0.005599666,0.00032811068,0.00034427817,0.0010373609,0.027578238,0.0050584357,0.0049066045,0.013390885,0.0006775177],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000044470074,0.00006537014,0.00070956926,0.0000971855,0.000012761209,0.00091912574,0.2329179,0.00010779699,0.0005870305,0.19172513,0.5638835,0.008930228],"study_design_scores_gemma":[0.000014310614,0.000020992413,0.0007185076,0.00016539486,0.000006540539,0.0002283065,0.15547334,0.0000629113,0.0002511616,0.014193644,0.82883584,0.00002909176],"about_ca_topic_score_codex":0.10269875,"about_ca_topic_score_gemma":0.21212578,"teacher_disagreement_score":0.10269875,"about_ca_system_score_codex":0.017356202,"about_ca_system_score_gemma":0.009776012,"threshold_uncertainty_score":0.20420194},"labels":[],"label_agreement":null},{"id":"W2044978579","doi":"10.1215/00166928-2345560","title":"Battling Babylon: The “Military-Archaeology Complex” In<i>Stargate Sg-1</i>","year":2013,"lang":"en","type":"article","venue":"Genre","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Bishop's University","funders":"","keywords":"Mesopotamia; Adventure; Archaeology; Geopolitics; Representation (politics); History; Narrative; Politics; Perspective (graphical); Ancient history; Art; Literature; Art history; Visual arts; Law; Political science","score_opus":0.037858750773846,"score_gpt":0.21822432291905086,"score_spread":0.18036557214520488,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2044978579","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.53275156,0.0050708014,0.0013681047,0.036539134,0.0015747315,0.000045182,0.00022415111,0.00008589235,0.42234048],"genre_scores_gemma":[0.90778255,0.0017127657,0.00041623443,0.0015745877,0.00033006145,0.000027150201,0.000068752306,0.0001502088,0.0879376],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99951744,0.00022192056,0.000009270575,0.00005255435,0.00006837744,0.00013043734],"domain_scores_gemma":[0.99907684,0.0005323873,0.000097574695,0.000059609705,0.000060291317,0.00017336011],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013391995,0.00030747912,0.00018500829,0.0007933469,0.008321325,0.0043117595,0.00055206043,0.00083174143,0.009804654],"category_scores_gemma":[0.0016620267,0.00020048239,0.00009533634,0.0014135299,0.012241293,0.0019489467,0.003022472,0.002167728,0.0008630876],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008208548,0.000019924168,0.0025638752,0.00020136152,0.0000035913995,0.0009574182,0.81007326,0.00006275432,0.0015274795,0.09285865,0.071196176,0.020453349],"study_design_scores_gemma":[0.0000049875416,0.000029385874,0.006098394,0.0001542111,0.0000030230722,0.00034788565,0.2628889,0.00004520315,0.0006723672,0.0017611999,0.72798485,0.000009581172],"about_ca_topic_score_codex":0.016752893,"about_ca_topic_score_gemma":0.079561904,"teacher_disagreement_score":0.016752893,"about_ca_system_score_codex":0.004584967,"about_ca_system_score_gemma":0.002110205,"threshold_uncertainty_score":0.03331077},"labels":[],"label_agreement":null},{"id":"W2046388756","doi":"10.1177/0270467606295971","title":"Seeking New Civilizations: Race Normativity in the <i>Star Trek</i> Franchise","year":2007,"lang":"en","type":"article","venue":"Bulletin of Science Technology & Society","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":13,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Racism; Star trek; Humanity; Sociology; White privilege; Race (biology); Allegory; White (mutation); Normative; Humanism; White supremacy; Gender studies; Aesthetics; Law; Media studies; Art; Political science; Literature","score_opus":0.0164352479794862,"score_gpt":0.23737946702177587,"score_spread":0.22094421904228967,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2046388756","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6023559,0.0006407129,0.005058244,0.018721832,0.00045483402,0.000034457236,0.000034594737,0.00007886881,0.37262064],"genre_scores_gemma":[0.9871975,0.00007212014,0.00032605752,0.0004942721,0.000038689668,0.000009264848,0.000006515912,0.000023034589,0.011832582],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9979657,0.001243459,0.000027819824,0.00021040549,0.00019753499,0.00035518812],"domain_scores_gemma":[0.9986065,0.00074201945,0.00015991017,0.00015679868,0.00014181706,0.00019306662],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0024657722,0.0002721009,0.0002414088,0.00052769086,0.021473141,0.0055242903,0.0005026361,0.0017492989,0.0024646313],"category_scores_gemma":[0.003940635,0.00018987812,0.00019079662,0.00041947752,0.030558698,0.0035215486,0.0028503218,0.004368415,0.00026340102],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028872159,0.000022133041,0.000838354,0.000015069575,0.0000024452042,0.0004907923,0.49043065,0.00010374651,0.00058261905,0.4966911,0.0059200483,0.0048741316],"study_design_scores_gemma":[0.000021479154,0.00008374623,0.004459753,0.00009924134,0.000008700904,0.0010835547,0.38837412,0.000708404,0.0015728392,0.082276426,0.52124643,0.00006528735],"about_ca_topic_score_codex":0.019681422,"about_ca_topic_score_gemma":0.028694741,"teacher_disagreement_score":0.97852683,"about_ca_system_score_codex":0.006381278,"about_ca_system_score_gemma":0.0016935798,"threshold_uncertainty_score":0.046299577},"labels":[],"label_agreement":null},{"id":"W2060236487","doi":"10.3828/extr.2008.49.2.2","title":"Introduction: Mundane Science Fiction, Harm and Healing the World","year":2008,"lang":"en","type":"article","venue":"Extrapolation","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Harm; History; Aesthetics; Sociology; Environmental ethics; Psychology; Art; Philosophy; Social psychology","score_opus":0.04088458832371195,"score_gpt":0.2496780610086545,"score_spread":0.20879347268494255,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2060236487","genre_codex":"other","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005995487,0.109159105,0.0072320723,0.29691574,0.051667206,0.000099044664,0.0005042544,0.00023822348,0.52818894],"genre_scores_gemma":[0.24438517,0.07315475,0.009022803,0.19208962,0.108629696,0.00033203026,0.0007505817,0.00047182804,0.3711635],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998632,0.00062592066,0.00005102293,0.00020349465,0.00040457744,0.00008293537],"domain_scores_gemma":[0.9913999,0.0073906803,0.000207172,0.00025493721,0.0005328714,0.0002144546],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019221287,0.00062418403,0.00051714084,0.0016994964,0.0052721486,0.0068297293,0.0010626975,0.0052708006,0.02454814],"category_scores_gemma":[0.0072250986,0.00016627437,0.00031448776,0.0017909986,0.0129710585,0.006149864,0.0029354917,0.008595906,0.0038328294],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020048747,0.000019539357,0.00014103264,0.00036937254,0.0000034962181,0.00007008473,0.008940513,0.00006746876,0.00010725362,0.61260366,0.35422638,0.023431063],"study_design_scores_gemma":[0.000004066101,0.000011901029,0.00028823878,0.00046511256,0.0000027616873,0.00020161399,0.003342251,0.00009972462,0.00007091424,0.067182414,0.9283222,0.000008697883],"about_ca_topic_score_codex":0.002180352,"about_ca_topic_score_gemma":0.0035109862,"teacher_disagreement_score":0.02454814,"about_ca_system_score_codex":0.00196913,"about_ca_system_score_gemma":0.0016584079,"threshold_uncertainty_score":0.08212173},"labels":[],"label_agreement":null},{"id":"W2063489959","doi":"10.1353/nar.0.0035","title":"Hairball Speaks: Margaret Atwood and the Narrative Legacy of the Female Grotesque","year":2010,"lang":"en","type":"article","venue":"Narrative","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Adventure; Literature; History; Subject (documents); Art history; Art; Psychoanalysis; Psychology","score_opus":0.013872439280833542,"score_gpt":0.21787800460615753,"score_spread":0.204005565325324,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2063489959","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07814279,0.026600385,0.0008523089,0.6153805,0.016991511,0.00009321051,0.00014048337,0.00015054688,0.2616482],"genre_scores_gemma":[0.45975265,0.013612299,0.00062042096,0.19119549,0.0058735544,0.00021202455,0.00007767434,0.00038734305,0.32826868],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99822277,0.00073980575,0.000018907118,0.00016564825,0.00044111404,0.00041175407],"domain_scores_gemma":[0.99817336,0.00045034656,0.00014619008,0.00003117207,0.00033523227,0.00086369],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013352291,0.00079547975,0.00042444497,0.0009047747,0.025488453,0.00592329,0.0014657171,0.0036015627,0.01717691],"category_scores_gemma":[0.003973872,0.0003896243,0.00024336483,0.0007188356,0.0109966565,0.005071958,0.005507072,0.007860737,0.0025631713],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023214896,0.000039747018,0.00046739334,0.000087328895,0.000004484274,0.0017843653,0.41055825,0.000021652946,0.00031936148,0.021099607,0.5567521,0.008842499],"study_design_scores_gemma":[0.0000034939399,0.000021501872,0.0005862109,0.00023369073,0.000002752116,0.00086385914,0.3355283,0.000020276224,0.000082882834,0.0009694723,0.6616731,0.000014381946],"about_ca_topic_score_codex":0.0644525,"about_ca_topic_score_gemma":0.118475504,"teacher_disagreement_score":0.0644525,"about_ca_system_score_codex":0.006119344,"about_ca_system_score_gemma":0.004030119,"threshold_uncertainty_score":0.1281547},"labels":[],"label_agreement":null},{"id":"W2065048176","doi":"10.3828/extr.2009.50.2.8","title":"Possible Fictions: Blochian Hope in <i>The Scar</i>","year":2009,"lang":"en","type":"article","venue":"Extrapolation","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Brock University","funders":"","keywords":"Utopia; Aesthetics; SWORD; Materiality (auditing); Art; Dystopia; Emblem; Fantasy; TRACE (psycholinguistics); Negotiation; Literature; Philosophy; Art history; Sociology; Computer science","score_opus":0.026115658025207857,"score_gpt":0.24123189006005083,"score_spread":0.21511623203484298,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2065048176","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.058141403,0.010590769,0.004370222,0.13105923,0.004449686,0.00003759983,0.00008760819,0.00018921329,0.7910742],"genre_scores_gemma":[0.88570166,0.0015220572,0.0011105636,0.007398207,0.00070326065,0.000039941686,0.00003104977,0.00013357849,0.10335962],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99866307,0.0008072566,0.000015858992,0.00012312873,0.00021063126,0.00018015267],"domain_scores_gemma":[0.99874544,0.0007346115,0.00011075596,0.00010994562,0.00012918291,0.00017009494],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017312265,0.0004225782,0.00025590148,0.0007588208,0.011243384,0.008732137,0.0009382582,0.0021086773,0.008766744],"category_scores_gemma":[0.0052858,0.00021829618,0.00028158375,0.00053911365,0.02015432,0.0044187643,0.0034511646,0.0053083966,0.00085815985],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000053707947,0.000021061838,0.00022807543,0.00008132598,0.0000064930214,0.0008177847,0.14093864,0.00010084155,0.00029835486,0.7543486,0.09289159,0.010213661],"study_design_scores_gemma":[0.000016939963,0.00003416697,0.00039290424,0.0002320296,0.0000073387164,0.00090298924,0.07564319,0.00017072867,0.00040126845,0.05108465,0.87108594,0.000027876804],"about_ca_topic_score_codex":0.0098169055,"about_ca_topic_score_gemma":0.029508153,"teacher_disagreement_score":0.011243384,"about_ca_system_score_codex":0.0047556967,"about_ca_system_score_gemma":0.0017462241,"threshold_uncertainty_score":0.03450513},"labels":[],"label_agreement":null},{"id":"W2069595851","doi":"10.1353/bio.2007.0026","title":"For the Extended Family and the Universe: Judith Merril and Science Fiction Autobiography","year":2007,"lang":"en","type":"article","venue":"Biography","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Memoir; Biography; Life writing; History; Art history; Literature; Art","score_opus":0.019638317930949483,"score_gpt":0.22911091895237432,"score_spread":0.20947260102142484,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2069595851","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11909586,0.097003855,0.0025383935,0.37233195,0.0045206533,0.000032284843,0.00005010465,0.00012629508,0.40430063],"genre_scores_gemma":[0.91367656,0.012344405,0.0009187421,0.018258303,0.00225728,0.00003274946,0.00001525803,0.00010626259,0.052390426],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978955,0.0014765436,0.000027770922,0.00019219091,0.00023052003,0.0001774442],"domain_scores_gemma":[0.99680847,0.002260294,0.00025340458,0.0001736953,0.0001656333,0.0003384427],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020488962,0.00033507656,0.00023790868,0.0010841629,0.014318074,0.004992677,0.00069165457,0.0022761358,0.0037170895],"category_scores_gemma":[0.0049028923,0.00023478322,0.00011856051,0.0005877087,0.026538396,0.0068458198,0.0030467587,0.0043144505,0.00054713053],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003208526,0.0000319925,0.0008188513,0.0000837218,0.0000062198274,0.0010375781,0.6552258,0.000060218532,0.00013683361,0.23309949,0.091696955,0.017770214],"study_design_scores_gemma":[0.000012549861,0.000023720842,0.001000299,0.00030602037,0.0000056470935,0.0012519899,0.1488261,0.00009787167,0.00018306612,0.036122333,0.81215435,0.000016054764],"about_ca_topic_score_codex":0.00799013,"about_ca_topic_score_gemma":0.018266851,"teacher_disagreement_score":0.014318074,"about_ca_system_score_codex":0.004420298,"about_ca_system_score_gemma":0.0017172571,"threshold_uncertainty_score":0.03207165},"labels":[],"label_agreement":null},{"id":"W2073453152","doi":"10.3828/extr.2011.52.3.2","title":"Old and New Slavery, Old and New Racisms: Strategies of Science Fiction in Octavia Butler's <i>Parables</i> Series","year":2011,"lang":"en","type":"article","venue":"Extrapolation","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Manitoba","funders":"","keywords":"Art; Literature; Series (stratigraphy); Art history","score_opus":0.0626683444657634,"score_gpt":0.23988300549553646,"score_spread":0.17721466102977307,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2073453152","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.035867907,0.014615969,0.010056154,0.20850626,0.0032297878,0.000058585545,0.00003403309,0.00008157094,0.72754973],"genre_scores_gemma":[0.8409312,0.0046643647,0.0033703854,0.013769393,0.0018572978,0.00009884804,0.000021671542,0.00015851935,0.13512842],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99722725,0.0020861372,0.000039927385,0.00016904328,0.00027968697,0.00019787435],"domain_scores_gemma":[0.9926635,0.0062634773,0.00020339129,0.00029908217,0.00029262883,0.00027793957],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0037144474,0.00045157547,0.0003738687,0.0013520946,0.01535391,0.010882467,0.0011464875,0.0041094455,0.004910599],"category_scores_gemma":[0.009040403,0.00020774578,0.00027182527,0.0009075454,0.045864742,0.008586761,0.0062529994,0.008466889,0.00061540323],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000075928237,0.000008433869,0.000044943692,0.000020543037,0.000001027044,0.00005753805,0.03425517,0.000044395518,0.000033808712,0.94647074,0.015329328,0.0037264647],"study_design_scores_gemma":[0.000011207365,0.000014506175,0.00014947317,0.00019982939,0.0000042531706,0.00020866323,0.04206319,0.00038326991,0.00036727515,0.4796478,0.4769365,0.000014143111],"about_ca_topic_score_codex":0.0048538577,"about_ca_topic_score_gemma":0.011974438,"teacher_disagreement_score":0.01535391,"about_ca_system_score_codex":0.00466526,"about_ca_system_score_gemma":0.0026291183,"threshold_uncertainty_score":0.03384894},"labels":[],"label_agreement":null},{"id":"W2083589392","doi":"10.1353/utq.2005.0267","title":"Out on Highway 61: Existentialism in America","year":2005,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Existentialism; History; Archaeology; Political science; Law","score_opus":0.018094146658573205,"score_gpt":0.20427463482104652,"score_spread":0.18618048816247332,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2083589392","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15118693,0.01472259,0.002193832,0.06823538,0.0008589147,0.000013911598,0.00012624933,0.00005408468,0.76260805],"genre_scores_gemma":[0.9623622,0.0030506796,0.0002789716,0.004080468,0.00016663794,0.000015164695,0.0000265257,0.00002499699,0.029994367],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99944025,0.00028641114,0.000011031613,0.000058644662,0.000055088094,0.00014851334],"domain_scores_gemma":[0.99961793,0.00019591472,0.00004008132,0.00003098497,0.000056625366,0.0000585153],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010303628,0.00031138823,0.00016838602,0.0006791536,0.012167706,0.005182168,0.00041323103,0.0017301687,0.0042538154],"category_scores_gemma":[0.0012194965,0.00016116041,0.00016846246,0.0011469775,0.019641818,0.004202252,0.0035957494,0.0037368066,0.00022962643],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001432906,0.000009484515,0.0008164437,0.000031083702,0.000002918411,0.00021940257,0.16269505,0.00008335806,0.000091645095,0.8074536,0.022391744,0.006190878],"study_design_scores_gemma":[0.000008074947,0.000010264592,0.0021021843,0.00020913113,0.000006760403,0.00017238394,0.15947974,0.00010197809,0.00017969818,0.099909835,0.7378008,0.000019217332],"about_ca_topic_score_codex":0.06711252,"about_ca_topic_score_gemma":0.1158615,"teacher_disagreement_score":0.06711252,"about_ca_system_score_codex":0.006428733,"about_ca_system_score_gemma":0.002985644,"threshold_uncertainty_score":0.13344371},"labels":[],"label_agreement":null},{"id":"W2085398437","doi":"10.1353/utq.2006.0086","title":"Moving Targets: Writing with Intent, 1982-2004 (review)","year":2006,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sensibility; History; Passion; Reading (process); Art history; Literature; Art; Media studies; Sociology; Law; Psychology; Political science","score_opus":0.008936444868077494,"score_gpt":0.17992839565684765,"score_spread":0.17099195078877016,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2085398437","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000594885,0.98798615,0.000071234,0.005088552,0.0030659416,0.000031723837,0.00012941641,0.000022295937,0.0035452254],"genre_scores_gemma":[0.0009495955,0.9834268,0.00016759997,0.00733033,0.0022635579,0.0001132902,0.00030974607,0.00001932954,0.005419871],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99799675,0.0004729984,0.00047176043,0.0001682863,0.0007636177,0.00012657412],"domain_scores_gemma":[0.98992705,0.0040554944,0.0016911976,0.00020543006,0.0034035847,0.00071722],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0024582772,0.0010991833,0.0016723212,0.0028272658,0.0006167796,0.0038977892,0.0018799674,0.0021857272,0.02762372],"category_scores_gemma":[0.017184697,0.00070369034,0.0008361043,0.0043082666,0.0010577781,0.004471395,0.0015652701,0.0033064962,0.015707519],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006467488,0.000023108092,0.00011033205,0.026794273,0.00005525361,0.000060623133,0.00017434546,0.000032280084,0.00007898201,0.0005697874,0.6493552,0.32268116],"study_design_scores_gemma":[0.000072977076,0.00005729571,0.0013066818,0.03748838,0.000105755455,0.00040638374,0.0002658479,0.00001752173,0.000070412054,0.00029999396,0.95988524,0.000023615714],"about_ca_topic_score_codex":0.0037443493,"about_ca_topic_score_gemma":0.008258411,"teacher_disagreement_score":0.02762372,"about_ca_system_score_codex":0.0017725839,"about_ca_system_score_gemma":0.0053832196,"threshold_uncertainty_score":0.092410505},"labels":[],"label_agreement":null},{"id":"W2094380017","doi":"10.3828/extr.2011.52.2.6","title":"Stanley Weinbaum: We've Met The Aliens and They Are Us","year":2011,"lang":"en","type":"article","venue":"Extrapolation","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Royal Society of Canada; Royal Ottawa Mental Health Centre; McGill University","funders":"","keywords":"History; Psychoanalysis; Psychology","score_opus":0.07505692050419002,"score_gpt":0.2245939778216671,"score_spread":0.14953705731747707,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2094380017","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002742007,0.037009288,0.0011928866,0.9039034,0.007505627,0.000008429857,0.00006409279,0.00004134134,0.047532886],"genre_scores_gemma":[0.21205178,0.036382165,0.0022888528,0.5996747,0.01150202,0.00008894528,0.000082437014,0.00030359483,0.13762555],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99702305,0.0016437556,0.00011198823,0.00038955978,0.0006237457,0.0002079701],"domain_scores_gemma":[0.9919103,0.0059690187,0.00042555202,0.00033462187,0.00089041825,0.0004701415],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0046996255,0.0007465578,0.0006314887,0.0010666054,0.011157011,0.009384878,0.0013796642,0.008888029,0.006315573],"category_scores_gemma":[0.015863322,0.00038362533,0.00026532414,0.0013150746,0.02336269,0.019189496,0.0034843413,0.022224128,0.0015211203],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015826752,0.000011851191,0.00022579342,0.000059779744,0.0000072801695,0.000110609726,0.019358933,0.00006557762,0.00005693755,0.51913583,0.4543202,0.0066313925],"study_design_scores_gemma":[0.000014016664,0.0000065246722,0.00040947617,0.0003808776,0.000007708117,0.00020054683,0.028470691,0.00012316626,0.00020900377,0.25151667,0.7186268,0.000034596884],"about_ca_topic_score_codex":0.03118216,"about_ca_topic_score_gemma":0.05475323,"teacher_disagreement_score":0.03118216,"about_ca_system_score_codex":0.0038497655,"about_ca_system_score_gemma":0.0054881005,"threshold_uncertainty_score":0.062001348},"labels":[],"label_agreement":null},{"id":"W2095105744","doi":"10.3138/tjt.29.1.37","title":"Müntzer's “Theology of Revolution” and Literary Activism in Luther Blissett's <scp><i>Q</i></scp>","year":2013,"lang":"en","type":"article","venue":"Toronto Journal of Theology","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Mythology; HERO; Political radicalism; Intellect; Philosophy; Materialism; Authoritarianism; Theology; Power (physics); Order (exchange); Religious studies; Literature; Sociology; Art; Law; Democracy; Politics; Political science","score_opus":0.013264365042802777,"score_gpt":0.22286949467951292,"score_spread":0.20960512963671013,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2095105744","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.25987837,0.02653093,0.004288776,0.118312396,0.0024987143,0.000044653618,0.000071182694,0.00017352721,0.5882015],"genre_scores_gemma":[0.9755082,0.0011605521,0.0002247522,0.00208775,0.0005956659,0.000021961085,0.000009579523,0.000055664303,0.02033593],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99865365,0.0008981729,0.000016463762,0.00012527892,0.0001380508,0.00016829559],"domain_scores_gemma":[0.9993538,0.00042563377,0.00008376512,0.000042951873,0.00003777552,0.000056056517],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018392989,0.00040272277,0.00021530263,0.0008827965,0.0055841496,0.005000678,0.00057501195,0.001974368,0.0027466046],"category_scores_gemma":[0.0020687506,0.00017093356,0.00015388487,0.0006267351,0.02295234,0.0024818718,0.002164296,0.0022922799,0.00033394317],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009198508,0.000029909557,0.00034057585,0.000083046776,0.000006504602,0.00032388864,0.1603278,0.00017600898,0.0006892933,0.7966814,0.032486588,0.008763085],"study_design_scores_gemma":[0.000041643634,0.00007577944,0.0023256312,0.0004707365,0.000012356671,0.00044638748,0.061683774,0.0004278533,0.0017556376,0.087112054,0.8456213,0.000026898437],"about_ca_topic_score_codex":0.0038309311,"about_ca_topic_score_gemma":0.007320186,"teacher_disagreement_score":0.0055841496,"about_ca_system_score_codex":0.005240604,"about_ca_system_score_gemma":0.0013551067,"threshold_uncertainty_score":0.038023412},"labels":[],"label_agreement":null},{"id":"W2120785922","doi":"","title":"Margaret Atwood Bibliography 2007","year":2015,"lang":"en","type":"article","venue":"Lu Zone Ul (Laurentian University)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"Universitat de les Illes Balears","keywords":"Bibliography; History; Art; Computer science; Library science","score_opus":0.026296531630688114,"score_gpt":0.19950044909155565,"score_spread":0.17320391746086752,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2120785922","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0001613397,0.01871895,0.00034571716,0.017390272,0.038489584,0.000060590966,0.0011625969,0.0004893007,0.92318165],"genre_scores_gemma":[0.00051593117,0.007074806,0.00013306217,0.0032219635,0.002433279,0.00002940987,0.00050306966,0.00013742906,0.985951],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993661,0.000057344278,0.000034720215,0.00011195356,0.00035100905,0.00007897135],"domain_scores_gemma":[0.9986486,0.00017661981,0.00005119388,0.00009303297,0.0006848411,0.00034573785],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00051427673,0.0009284105,0.0006382795,0.0023523197,0.003062233,0.0057324558,0.0013337244,0.0024058886,0.5738443],"category_scores_gemma":[0.0029342445,0.0004470712,0.00038767306,0.0024093655,0.00058791746,0.003133121,0.0030695538,0.0024727772,0.5170621],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000001972492,0.0000039789693,0.000014239592,0.000029323262,2.6556035e-7,0.000010711461,0.000019348121,0.000005613483,0.000017093083,0.0010393456,0.98395824,0.014899913],"study_design_scores_gemma":[4.2851232e-7,8.781155e-7,0.000033664706,0.000047572838,2.3102224e-7,0.000011007405,0.000021046473,0.0000023340808,0.0000058738356,0.00010449104,0.99977154,9.421738e-7],"about_ca_topic_score_codex":0.007205738,"about_ca_topic_score_gemma":0.018350504,"teacher_disagreement_score":0.5738443,"about_ca_system_score_codex":0.0020893787,"about_ca_system_score_gemma":0.0028790021,"threshold_uncertainty_score":0.6078594},"labels":[],"label_agreement":null},{"id":"W2135343519","doi":"","title":"Green Speculations: Science Fiction and Transformative Environmentalism","year":2013,"lang":"en","type":"article","venue":"˜The œjournal of ecocriticism","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Environmentalism; Transformative learning; Philosophy; Environmental ethics; Literature; Aesthetics; Epistemology; Sociology; Art; Political science; Law","score_opus":0.018968373206839573,"score_gpt":0.21946533368865984,"score_spread":0.20049696048182025,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2135343519","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05074838,0.015610067,0.014575223,0.3180086,0.003551549,0.00003554585,0.00009609286,0.000098005876,0.5972765],"genre_scores_gemma":[0.95751905,0.0030604727,0.002335871,0.012018514,0.002188568,0.00004833736,0.000029601171,0.000091952665,0.022707611],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9970391,0.0019535732,0.00005249368,0.00024578025,0.00045268307,0.00025635603],"domain_scores_gemma":[0.98762333,0.0103565855,0.00044244048,0.0008871531,0.00046132406,0.0002292153],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00507915,0.0005286545,0.00049618917,0.0019805564,0.009283139,0.008518795,0.0012595729,0.0053422907,0.005979746],"category_scores_gemma":[0.012093239,0.00021382555,0.000418047,0.0021216988,0.08114054,0.009474528,0.00505307,0.008043184,0.0004728659],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000047277526,0.0000052052665,0.00003833231,0.000015361718,0.0000012829425,0.000044734476,0.005110906,0.000067838126,0.0000253785,0.9906226,0.0029729956,0.0010906387],"study_design_scores_gemma":[0.0000072730263,0.0000055497317,0.00007235306,0.00006787548,0.0000025172471,0.000047239075,0.00554911,0.00020045126,0.00013792576,0.9020653,0.09183864,0.0000058121486],"about_ca_topic_score_codex":0.0023107436,"about_ca_topic_score_gemma":0.0038678716,"teacher_disagreement_score":0.009283139,"about_ca_system_score_codex":0.004690621,"about_ca_system_score_gemma":0.0028843635,"threshold_uncertainty_score":0.03403294},"labels":[],"label_agreement":null},{"id":"W2135371122","doi":"10.7202/1121143ar","title":"Messing with Atwood: Power, Reception and Writing Politics","year":2006,"lang":"en","type":"article","venue":"Atlantis Critical Studies in Gender Culture & Social Justice","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Princess Margaret Cancer Centre","funders":"","keywords":"Politics; Power (physics); Political science; Law; Physics","score_opus":0.07322447061069425,"score_gpt":0.33902454683559086,"score_spread":0.2658000762248966,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2135371122","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07912738,0.0039099194,0.005316925,0.10095451,0.0021684477,0.000030343597,0.00003588289,0.0001366634,0.8083198],"genre_scores_gemma":[0.85429484,0.0007781421,0.0008899807,0.0069944146,0.0011645679,0.00003720481,0.000016244961,0.00035006792,0.13547452],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.992694,0.004693366,0.000138226,0.00048469464,0.0010540483,0.00093565905],"domain_scores_gemma":[0.98380923,0.012258101,0.00080584025,0.0007572262,0.0009248313,0.0014447224],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0064540775,0.00050972146,0.00051082147,0.0020769255,0.034479804,0.026590431,0.00196331,0.0046549444,0.013932023],"category_scores_gemma":[0.01688093,0.00040362158,0.00025786328,0.0019242412,0.040779512,0.012539428,0.007984523,0.010543473,0.0017904907],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000050386792,0.000031570307,0.00034817474,0.000059610476,0.000005006398,0.00046249144,0.3600251,0.00004455644,0.0004668248,0.58703446,0.035457347,0.016014464],"study_design_scores_gemma":[0.000017011631,0.000039214032,0.0006423188,0.00031051785,0.000009657605,0.00054013036,0.42619973,0.00023879482,0.001188902,0.12663892,0.4441389,0.000035940986],"about_ca_topic_score_codex":0.0045758816,"about_ca_topic_score_gemma":0.0095310025,"teacher_disagreement_score":0.034479804,"about_ca_system_score_codex":0.0041361065,"about_ca_system_score_gemma":0.0035434917,"threshold_uncertainty_score":0.046607256},"labels":[],"label_agreement":null},{"id":"W2140029865","doi":"10.1353/cli.2011.0023","title":"Moral Obligation, Disordered Care: The Ethics of Caregiving in Margaret Atwood's Moral Disorder","year":2011,"lang":"en","type":"article","venue":"Contemporary Literature","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McMaster University","funders":"","keywords":"Moral obligation; Obligation; Morality; Sociology; Nursing ethics; Moral responsibility; Normative ethics; Philosophy; Psychoanalysis; Psychology; Epistemology; Law; Political science","score_opus":0.0784767857095625,"score_gpt":0.24219279271203287,"score_spread":0.16371600700247035,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2140029865","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10629568,0.031046089,0.0033931015,0.74097955,0.003426226,0.000044125172,0.00003268149,0.000046989593,0.11473561],"genre_scores_gemma":[0.8756811,0.009079653,0.0014784369,0.0812454,0.0008335594,0.00007312779,0.000014871525,0.000067449866,0.031526394],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99760747,0.0016224035,0.00004213489,0.00011012817,0.00030040357,0.00031747826],"domain_scores_gemma":[0.9976382,0.0012811326,0.00016824942,0.000067298766,0.00017598722,0.00066903967],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0031062106,0.00037107506,0.00029640214,0.00060617016,0.011958241,0.004975639,0.0010128523,0.0042365915,0.0016098069],"category_scores_gemma":[0.004965406,0.00023225971,0.00020602508,0.00046042373,0.032851245,0.0054746303,0.005092785,0.009489997,0.0002723576],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000041841544,0.00006600948,0.0011849,0.00008565593,0.00000698693,0.0021443453,0.3898057,0.00023981347,0.0002775542,0.42927197,0.16232306,0.014552078],"study_design_scores_gemma":[0.000017039674,0.00003831233,0.001435343,0.00047299758,0.00000808749,0.0033426331,0.18724982,0.0003949249,0.00021665623,0.16929582,0.6374751,0.000053221796],"about_ca_topic_score_codex":0.020282084,"about_ca_topic_score_gemma":0.027582042,"teacher_disagreement_score":0.020282084,"about_ca_system_score_codex":0.0073780166,"about_ca_system_score_gemma":0.0046411166,"threshold_uncertainty_score":0.053531468},"labels":[],"label_agreement":null},{"id":"W2141942970","doi":"","title":"Afrofuturism: The World of Black Sci-Fi and Fantasy Culture (Ytasha L. Womack)","year":2013,"lang":"en","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":8,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Fantasy; Art; Literature","score_opus":0.20077618224145263,"score_gpt":0.4818109134396529,"score_spread":0.2810347311982002,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2141942970","genre_codex":"commentary","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02705452,0.24835825,0.0014922434,0.4374406,0.009689058,0.000041386622,0.00013544704,0.00008525943,0.27570325],"genre_scores_gemma":[0.47927475,0.18255213,0.0029723444,0.054250147,0.008457091,0.000161677,0.000092305636,0.00020105396,0.27203852],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994512,0.00029224745,0.000015611293,0.00004897009,0.00011315407,0.00007878804],"domain_scores_gemma":[0.99924386,0.00037916866,0.000074893294,0.000033063305,0.00008895216,0.00018002963],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016881067,0.00050443545,0.00030501984,0.0013821167,0.009181665,0.004838951,0.00044995383,0.0016946001,0.008162076],"category_scores_gemma":[0.002014972,0.00018149562,0.00018011265,0.00091335573,0.008248664,0.0049618306,0.0031375624,0.005166177,0.0010590728],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006755164,0.00006780904,0.00044760416,0.0004116839,0.000009720522,0.00031636716,0.06875409,0.00005825948,0.0007060422,0.49492028,0.28419238,0.15004821],"study_design_scores_gemma":[0.000009319581,0.000023983805,0.002276181,0.0005622564,0.000005019302,0.00047790082,0.027208813,0.00014547724,0.0002816825,0.060992483,0.90799344,0.000023420333],"about_ca_topic_score_codex":0.011824053,"about_ca_topic_score_gemma":0.030748954,"teacher_disagreement_score":0.011824053,"about_ca_system_score_codex":0.0029900342,"about_ca_system_score_gemma":0.0024340774,"threshold_uncertainty_score":0.027304888},"labels":[],"label_agreement":null},{"id":"W2143602552","doi":"10.4000/belphegor.576","title":"Natacha Vas-Deyres, Ces Français qui ont écrit demain. Utopie, anticipation et science-fiction au xxe siècle","year":2015,"lang":"fr","type":"article","venue":"Belphégor","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Dalhousie University","funders":"","keywords":"Humanities; Art","score_opus":0.06324173422721048,"score_gpt":0.2988405208648078,"score_spread":0.2355987866375973,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2143602552","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.030609004,0.057118487,0.0029477677,0.15991545,0.008755414,0.000043800203,0.00040858335,0.00015978205,0.7400417],"genre_scores_gemma":[0.3844559,0.012815851,0.001184598,0.019629471,0.0012193656,0.000052033996,0.0001247318,0.00014957212,0.5803684],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99875987,0.0005319289,0.000028405964,0.0002195538,0.00026933124,0.00019088994],"domain_scores_gemma":[0.9989531,0.00047837605,0.00013548146,0.000085590626,0.00021366692,0.00013377222],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013305076,0.00058515696,0.00025554188,0.0006181629,0.00923505,0.0056457003,0.00051078736,0.0022781845,0.014550887],"category_scores_gemma":[0.0034833993,0.00025189813,0.00027995944,0.000573598,0.0068221292,0.0041455547,0.0023218466,0.0043097413,0.003874804],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000747322,0.000021750819,0.0010050752,0.00012762945,0.000011905072,0.00039070443,0.026492378,0.00008175587,0.0004783344,0.77202475,0.17836778,0.02092318],"study_design_scores_gemma":[0.0000043459168,0.000009750582,0.0008881817,0.000082904524,0.0000029645084,0.00015396104,0.0039188187,0.00004772849,0.00025782833,0.0127558,0.98186696,0.000010736714],"about_ca_topic_score_codex":0.033159576,"about_ca_topic_score_gemma":0.077623956,"teacher_disagreement_score":0.033159576,"about_ca_system_score_codex":0.004058098,"about_ca_system_score_gemma":0.0026236512,"threshold_uncertainty_score":0.06593317},"labels":[],"label_agreement":null},{"id":"W2146432743","doi":"10.1525/anhu.2004.29.1.89","title":"Darwin's Reef (<i>The Time at Darwin's Reef: Poetic Explorations in Anthropology and History</i>, Ivan Brady)","year":2004,"lang":"en","type":"article","venue":"Anthropology & Humanism","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia; University of Victoria","funders":"","keywords":"Darwin (ADL); Reef; Poetry; History; Anthropology; Geography; Literature; Art; Oceanography; Sociology; Geology; Computer science","score_opus":0.03275018392214962,"score_gpt":0.245896567852591,"score_spread":0.21314638393044139,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2146432743","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0073713153,0.34682766,0.0013651032,0.38614887,0.06617352,0.000046047986,0.00027823547,0.00014365536,0.19164556],"genre_scores_gemma":[0.15834406,0.1265336,0.0020845549,0.08489168,0.023182899,0.00012615623,0.00016785519,0.00042900993,0.60424024],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994288,0.00023909422,0.0000182548,0.00007688792,0.0001553623,0.00008159277],"domain_scores_gemma":[0.99945265,0.00024730363,0.00006273056,0.000030563257,0.00007226341,0.00013437346],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010701112,0.00050070253,0.00032942425,0.00091938896,0.0056003616,0.0047155037,0.00067626615,0.002241767,0.005607537],"category_scores_gemma":[0.0017534065,0.00025470852,0.00019681406,0.0012867489,0.005810363,0.0032406885,0.002699422,0.0039930274,0.00096138916],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012060439,0.0000066330676,0.00018695944,0.00010299635,0.0000036523247,0.000072564704,0.0064844606,0.00002786361,0.0001140143,0.0733267,0.8961333,0.023528848],"study_design_scores_gemma":[0.000001650543,0.000003915968,0.00076613243,0.000119630815,0.0000019933952,0.000090411086,0.0034841294,0.00001567858,0.000067867935,0.003367744,0.9920763,0.000004555214],"about_ca_topic_score_codex":0.04259427,"about_ca_topic_score_gemma":0.14775668,"teacher_disagreement_score":0.04259427,"about_ca_system_score_codex":0.0023804756,"about_ca_system_score_gemma":0.0021629238,"threshold_uncertainty_score":0.08469266},"labels":[],"label_agreement":null},{"id":"W2151132137","doi":"10.1177/0021989415573558","title":"A “joke-filled romp” through end times: Radical environmentalism, deep ecology, and human extinction in Margaret Atwood’s eco-apocalyptic <i>MaddAddam</i> trilogy","year":2015,"lang":"en","type":"article","venue":"The Journal of Commonwealth Literature","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":36,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Environmentalism; Oryx; Joke; Environmental ethics; Trilogy; Humanity; Ecocriticism; Literature; History; Ecology; Philosophy; Art; Law; Political science; Theology; Biology; Politics","score_opus":0.024439754915996613,"score_gpt":0.254755393449995,"score_spread":0.23031563853399836,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2151132137","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07060475,0.056479026,0.0025912446,0.5517666,0.0066981986,0.000025586069,0.00010032562,0.000076043696,0.31165826],"genre_scores_gemma":[0.79452175,0.01125816,0.0014345462,0.09099366,0.0029434317,0.000050472194,0.00004621101,0.00021209015,0.09853975],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9989604,0.0005294033,0.000011991197,0.00009888126,0.00017874716,0.00022050488],"domain_scores_gemma":[0.9988096,0.00058324775,0.00009034874,0.00005728376,0.00015050005,0.0003089981],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016173058,0.00032725531,0.00025742358,0.00063045643,0.014051558,0.0074611767,0.0010170358,0.0024331629,0.0043621273],"category_scores_gemma":[0.0018630471,0.0001982239,0.0002126579,0.00051167695,0.027746351,0.0063889017,0.004183112,0.0062360703,0.00042363108],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000053717995,0.000050808565,0.0007039515,0.00007518005,0.000007300085,0.0004523291,0.19664685,0.00006837679,0.00029309833,0.57730025,0.21314009,0.011208019],"study_design_scores_gemma":[0.000010157213,0.000014638303,0.0010324002,0.00022034407,0.0000045161078,0.0002712712,0.09307273,0.000087743676,0.00021953047,0.07430007,0.8307358,0.00003081738],"about_ca_topic_score_codex":0.0698228,"about_ca_topic_score_gemma":0.21459374,"teacher_disagreement_score":0.0698228,"about_ca_system_score_codex":0.0073361807,"about_ca_system_score_gemma":0.0041441885,"threshold_uncertainty_score":0.13883275},"labels":[],"label_agreement":null},{"id":"W2154282238","doi":"10.18052/www.scipress.com/ilshs.50.86","title":"Politics, Violence, and Victimization in Margaret Atwood’s Selected Novels","year":2015,"lang":"en","type":"article","venue":"International Letters of Social and Humanistic Sciences","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Postmodernism; Politics; Harm; Autonomy; Sociology; Field (mathematics); Literature; Psychoanalysis; Gender studies; Law; Psychology; Political science; Art","score_opus":0.05049473131146869,"score_gpt":0.26757713044048115,"score_spread":0.21708239912901245,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2154282238","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7774895,0.006403888,0.0006403097,0.03348447,0.0019200123,0.00009578909,0.00034052672,0.000073662755,0.17955174],"genre_scores_gemma":[0.94605404,0.0024257707,0.00035690048,0.002080592,0.00040816297,0.00004118496,0.00007261523,0.000083428946,0.048477307],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99828005,0.0005842798,0.00003935415,0.00017184923,0.0004219019,0.0005025436],"domain_scores_gemma":[0.9978351,0.001013668,0.0002511223,0.00009392673,0.0002663686,0.0005398248],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014307833,0.0006490085,0.00045225272,0.0018902204,0.030824414,0.0076102903,0.0017267402,0.0023094753,0.004196686],"category_scores_gemma":[0.0035744556,0.00041324398,0.00028342902,0.0015689579,0.013944397,0.001672431,0.003345038,0.0035440712,0.00033226167],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009188519,0.00009060448,0.0017854851,0.00013213183,0.000015748965,0.0051713726,0.8553118,0.00015629543,0.0011564494,0.0659952,0.060325325,0.009767715],"study_design_scores_gemma":[0.000005511174,0.00003738,0.003894638,0.00014786926,0.000009807693,0.0016339618,0.6227474,0.00006921602,0.00078180403,0.0016866124,0.3689436,0.000042201696],"about_ca_topic_score_codex":0.2345026,"about_ca_topic_score_gemma":0.5379785,"teacher_disagreement_score":0.2345026,"about_ca_system_score_codex":0.017520372,"about_ca_system_score_gemma":0.0058152075,"threshold_uncertainty_score":0.46627533},"labels":[],"label_agreement":null},{"id":"W2156455789","doi":"10.1353/utq.0.0575","title":"Exis-tensions: Surviving the Red Shoes Syndrome in Margaret Atwood’s Lady Oracle","year":2009,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Identity (music); Empowerment; Harm; Face (sociological concept); Oracle; Psychoanalysis; Sociology; Art; Art history; History; Aesthetics; Psychology; Law; Political science; Social science","score_opus":0.019764649438357897,"score_gpt":0.2011960423813423,"score_spread":0.1814313929429844,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2156455789","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.83472615,0.0069596,0.0010941289,0.067094326,0.0018307379,0.00003643099,0.0000549126,0.00008520073,0.08811854],"genre_scores_gemma":[0.9643243,0.002230238,0.00056223886,0.0044404217,0.00029025716,0.000018941606,0.000020241803,0.00007812284,0.02803522],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993799,0.00020693235,0.00001602254,0.00005764681,0.00012971918,0.00020976693],"domain_scores_gemma":[0.99936074,0.00019194027,0.000090187365,0.000030979772,0.000036179666,0.00028999062],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00079826807,0.0005549772,0.0005099552,0.0009577432,0.010651994,0.003972628,0.0009782093,0.003190599,0.0037447568],"category_scores_gemma":[0.0027128186,0.0002814179,0.0003280753,0.00075889094,0.009735327,0.0024868594,0.0045874617,0.0048207915,0.00046417944],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013770939,0.00022195195,0.0059301513,0.00016271595,0.000030772862,0.20178299,0.6386639,0.00018040961,0.0025017601,0.07682073,0.04260898,0.030957913],"study_design_scores_gemma":[0.000029724622,0.00015495741,0.005608117,0.00045577929,0.000030253594,0.16149645,0.63500714,0.00032609564,0.0010671108,0.015109626,0.1806349,0.00007992401],"about_ca_topic_score_codex":0.011680034,"about_ca_topic_score_gemma":0.0369502,"teacher_disagreement_score":0.011680034,"about_ca_system_score_codex":0.0022268042,"about_ca_system_score_gemma":0.0012545903,"threshold_uncertainty_score":0.023224115},"labels":[],"label_agreement":null},{"id":"W21632687","doi":"10.3899/jrheum.110142","title":"Deleuze's Apocalypse","year":2014,"lang":"en","type":"article","venue":"The Journal of Rheumatology","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Epistemology; History; Aesthetics; Philosophy","score_opus":0.018074086206612237,"score_gpt":0.2171174952978512,"score_spread":0.19904340909123897,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W21632687","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04272028,0.022703845,0.06459325,0.10426796,0.0032894493,0.00009852685,0.00013554744,0.00026651655,0.7619247],"genre_scores_gemma":[0.9091308,0.0051792036,0.009323141,0.010278258,0.0009075813,0.000104058825,0.000035437508,0.00012110204,0.06492046],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9963475,0.0018409773,0.00012456064,0.0004948376,0.0008607172,0.00033143073],"domain_scores_gemma":[0.9967464,0.001929307,0.00033464615,0.00042373693,0.00043115008,0.00013471296],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0034141513,0.0005596245,0.00038767137,0.0012201065,0.0044537676,0.006650604,0.0007523811,0.0036663013,0.0030853183],"category_scores_gemma":[0.008320436,0.00021490105,0.00037410524,0.00075322576,0.04863441,0.0054913624,0.003138016,0.005787543,0.0007858834],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000032980013,0.0000025880731,0.000045577377,0.000011793578,9.4982516e-7,0.000028124592,0.0029689206,0.000019349907,0.000058489535,0.99361223,0.001682718,0.0015659971],"study_design_scores_gemma":[0.000016102626,0.000031297815,0.00027338183,0.0001772792,0.000006028248,0.00037320761,0.0026864149,0.00023372864,0.00064528943,0.7154639,0.28007185,0.000021566566],"about_ca_topic_score_codex":0.004783971,"about_ca_topic_score_gemma":0.0047202883,"teacher_disagreement_score":0.006650604,"about_ca_system_score_codex":0.004137244,"about_ca_system_score_gemma":0.0031590115,"threshold_uncertainty_score":0.030017972},"labels":[],"label_agreement":null},{"id":"W2201185406","doi":"10.7202/1121144ar","title":"Teaching Atwood's The Handmaid's Tale with Sidhwa's Cracking India as Introduction to Transnational Feminisms","year":2006,"lang":"en","type":"article","venue":"Atlantis Critical Studies in Gender Culture & Social Justice","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Saskatchewan","funders":"","keywords":"Context (archaeology); Gender studies; Feminism; Sociology; Work (physics); History; Engineering; Archaeology","score_opus":0.03756334058365273,"score_gpt":0.3162699831774056,"score_spread":0.2787066425937529,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2201185406","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0914152,0.0056906617,0.008184903,0.06236835,0.005086957,0.00009152462,0.000050955117,0.00014244956,0.82696897],"genre_scores_gemma":[0.7873716,0.002951317,0.0039329454,0.006426063,0.00051023666,0.000064699925,0.00002111739,0.000107605825,0.19861442],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999411,0.00029912769,0.000008074012,0.00006804504,0.00008570069,0.000128034],"domain_scores_gemma":[0.998941,0.000633222,0.000038483486,0.0000573789,0.00006516395,0.00026483776],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010943996,0.00046720423,0.00026396514,0.00062637293,0.009442188,0.006509911,0.0007067611,0.00190797,0.0052883527],"category_scores_gemma":[0.0016973402,0.00018914322,0.00025652588,0.00046828945,0.010028244,0.0036311855,0.0028224664,0.0056873444,0.0005958723],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000058357095,0.00009931107,0.00081407087,0.00011568807,0.0000059753097,0.0011976046,0.19260861,0.00028545363,0.0013670363,0.68463814,0.0894776,0.02933208],"study_design_scores_gemma":[0.00000854874,0.000068269,0.0010340499,0.00020331526,0.0000072969933,0.0009545571,0.13096692,0.00040767054,0.0013585668,0.053504486,0.8114611,0.000025234061],"about_ca_topic_score_codex":0.008990126,"about_ca_topic_score_gemma":0.030837223,"teacher_disagreement_score":0.009442188,"about_ca_system_score_codex":0.0036939092,"about_ca_system_score_gemma":0.0024666262,"threshold_uncertainty_score":0.026801288},"labels":[],"label_agreement":null},{"id":"W2219922026","doi":"10.3138/ecf.2015.28.2.384","title":"<i>Utopian Geographies and the Early English Novel</i> by Jason H. Pearl","year":2015,"lang":"en","type":"article","venue":"Eighteenth-Century Fiction","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Pearl; Sociology; Art; History; Archaeology","score_opus":0.016758434327791855,"score_gpt":0.1910556635870523,"score_spread":0.17429722925926044,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2219922026","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.020073868,0.09087837,0.0022949176,0.4287604,0.009676294,0.000020341755,0.00027158784,0.0001158842,0.4479083],"genre_scores_gemma":[0.59687316,0.056612838,0.0019490521,0.042713556,0.011377273,0.000076287586,0.00012498086,0.00023236652,0.29004046],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996301,0.0002147315,0.000012075715,0.000035837318,0.0000720626,0.000035165816],"domain_scores_gemma":[0.99827623,0.0013682357,0.000116292314,0.00005228131,0.00011411058,0.00007290585],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008537515,0.0003371893,0.00019748004,0.0008553874,0.0060958457,0.004428071,0.00057439134,0.0014379758,0.0054680505],"category_scores_gemma":[0.00281523,0.00017502313,0.00013079785,0.0009814211,0.0102180485,0.0055965846,0.0016351092,0.004097136,0.0007002138],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024036472,0.000012205955,0.00016733924,0.00009745761,0.0000036782114,0.00027171787,0.027790403,0.000090580266,0.0001107681,0.6821064,0.28084317,0.008482269],"study_design_scores_gemma":[0.000004903101,0.0000061783244,0.00032552268,0.00017768833,0.0000021808835,0.00015271672,0.0090166265,0.00007805149,0.00017002989,0.034347065,0.95571077,0.000008274327],"about_ca_topic_score_codex":0.0072498005,"about_ca_topic_score_gemma":0.015135512,"teacher_disagreement_score":0.0072498005,"about_ca_system_score_codex":0.0020730658,"about_ca_system_score_gemma":0.0013910825,"threshold_uncertainty_score":0.018292427},"labels":[],"label_agreement":null},{"id":"W2222719151","doi":"10.25071/1916-7210.30977","title":"Space and Nonspace: The Future of Mobility in Global Capitalism","year":2010,"lang":"en","type":"article","venue":"Strategies of Critique","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Trent University","funders":"","keywords":"Cyberspace; Sophistication; Capitalism; Taste; Space (punctuation); Sociology; Aesthetics; Media studies; Focus (optics); Political science; Social science; The Internet; Art; Computer science; World Wide Web; Law; Physics; Psychology","score_opus":0.00809585696354558,"score_gpt":0.25782984114077523,"score_spread":0.24973398417722964,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2222719151","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04897299,0.044528853,0.011736643,0.38378784,0.002946406,0.000024843426,0.000085689186,0.00008018104,0.5078365],"genre_scores_gemma":[0.9649293,0.008822568,0.0010993306,0.0061098766,0.0014728047,0.000045254914,0.000019957151,0.000042022333,0.017458785],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9983444,0.0010741557,0.00002446431,0.00015520409,0.00016550436,0.00023617728],"domain_scores_gemma":[0.9981345,0.0012723906,0.00012548767,0.00019949373,0.00012177445,0.00014632707],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0027536533,0.00047941995,0.00036690387,0.001566269,0.006625183,0.010817861,0.0010349941,0.0049071773,0.0046049273],"category_scores_gemma":[0.0039011214,0.00014628546,0.00038677678,0.0015505945,0.05719508,0.01662656,0.004850565,0.0045046876,0.00042503534],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000031074453,0.0000013107518,0.00002793641,0.000010039225,5.872334e-7,0.000024586643,0.004075396,0.00009106073,0.000009939503,0.9927147,0.0015596768,0.0014815424],"study_design_scores_gemma":[0.0000051655034,0.0000063225243,0.00014864396,0.0001388979,0.0000018599181,0.000055535926,0.009717624,0.0003722809,0.000055734417,0.8857817,0.10370809,0.000008138693],"about_ca_topic_score_codex":0.0058773286,"about_ca_topic_score_gemma":0.0056054657,"teacher_disagreement_score":0.010817861,"about_ca_system_score_codex":0.0092627,"about_ca_system_score_gemma":0.0033308864,"threshold_uncertainty_score":0.067205906},"labels":[],"label_agreement":null},{"id":"W2224262792","doi":"","title":"Imaginaries and Realities, Utopia and Dystopia","year":2012,"lang":"en","type":"article","venue":"Alternate routes","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Wilfrid Laurier University","funders":"","keywords":"Dystopia; Utopia; Aesthetics; Sociology; Philosophy; Environmental ethics; Art history; Art; Literature","score_opus":0.025000700166500373,"score_gpt":0.23304318008805033,"score_spread":0.20804247992154995,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2224262792","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.034640525,0.069114916,0.008856771,0.055442635,0.0011817123,0.000027336466,0.00009808311,0.00006245498,0.83057547],"genre_scores_gemma":[0.9572698,0.009440108,0.002032952,0.0021388435,0.0008767749,0.00004779303,0.000039489405,0.000041026393,0.028113255],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9980932,0.0012809164,0.000057241585,0.00014168941,0.00026045516,0.00016654447],"domain_scores_gemma":[0.9973061,0.0019496037,0.00019106618,0.00027439243,0.00013929901,0.0001395221],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019188173,0.0006157074,0.00045282085,0.001798209,0.006358655,0.0107339425,0.000888465,0.0039952523,0.007623738],"category_scores_gemma":[0.005964788,0.00022932318,0.0003004473,0.0018411872,0.055078432,0.009149452,0.0041315462,0.0055012438,0.00053812587],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000037611057,0.0000022161234,0.000025804567,0.000016147838,4.420731e-7,0.00001733326,0.0030207406,0.000023213404,0.0000141630435,0.994827,0.001041611,0.0010075349],"study_design_scores_gemma":[0.000012840084,0.00001138289,0.00028048974,0.00015743026,0.0000034002142,0.00019993691,0.011258272,0.00020694565,0.00009042123,0.88762957,0.100141205,0.000007967269],"about_ca_topic_score_codex":0.003965301,"about_ca_topic_score_gemma":0.0048183925,"teacher_disagreement_score":0.0107339425,"about_ca_system_score_codex":0.003563078,"about_ca_system_score_gemma":0.0022022077,"threshold_uncertainty_score":0.025852025},"labels":[],"label_agreement":null},{"id":"W2239164843","doi":"10.1016/s1701-2163(15)31027-6","title":"Life on a Half-Shell","year":2013,"lang":"en","type":"article","venue":"Journal of Obstetrics and Gynaecology Canada","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Painting; Art history; Sphinx; Art; Visual arts","score_opus":0.01829158404617822,"score_gpt":0.1944535443361223,"score_spread":0.17616196028994408,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2239164843","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0094111385,0.01040739,0.0020658725,0.15474246,0.025173014,0.000060125738,0.00036511343,0.00030997387,0.79746485],"genre_scores_gemma":[0.06781918,0.0031157674,0.0011562263,0.029960593,0.0028466925,0.000026383472,0.00013611423,0.00033356814,0.8946056],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989467,0.00023702918,0.000026130127,0.00012871342,0.00037601715,0.0002854192],"domain_scores_gemma":[0.9983929,0.00018858968,0.000049096863,0.00021187517,0.0005866758,0.000570846],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001352195,0.0005457134,0.00047696647,0.00093346543,0.015911035,0.0067388806,0.0008233042,0.0034701219,0.047907334],"category_scores_gemma":[0.0051643737,0.00030626496,0.00038798526,0.00058689516,0.014658054,0.0049911467,0.0050943415,0.008940494,0.011293519],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000075836506,0.000030841868,0.0003521031,0.000047541267,0.0000075934468,0.00027753814,0.012772065,0.00009313589,0.0003315557,0.3357346,0.61502916,0.035247974],"study_design_scores_gemma":[0.0000037304583,0.000008522053,0.000110164925,0.00006707167,0.0000014320881,0.000057259524,0.0022847797,0.00002004837,0.000050884322,0.006665542,0.99072415,0.000006305041],"about_ca_topic_score_codex":0.08513815,"about_ca_topic_score_gemma":0.1760461,"teacher_disagreement_score":0.08513815,"about_ca_system_score_codex":0.008451187,"about_ca_system_score_gemma":0.008860432,"threshold_uncertainty_score":0.16928518},"labels":[],"label_agreement":null},{"id":"W2244566352","doi":"10.3138/tric.35.3.378","title":"Words…Words…Words: The Novel, the Play, the Production","year":2014,"lang":"en","type":"article","venue":"Theatre Research in Canada","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Montenegro; Production (economics); Set (abstract data type); History; Linguistics; Visual arts; Art; Computer science; Economics; Philosophy; Ancient history","score_opus":0.086581280857393,"score_gpt":0.29322259730944034,"score_spread":0.20664131645204734,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2244566352","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.054685514,0.0148775615,0.0031559872,0.04660907,0.0043564043,0.000046453464,0.0002742717,0.0001324701,0.87586224],"genre_scores_gemma":[0.8216493,0.0036688854,0.0014898492,0.0031862839,0.0009695307,0.000068496105,0.00011942731,0.00035121763,0.168497],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99871063,0.0006102477,0.0000201019,0.00015188006,0.00026129643,0.00024584972],"domain_scores_gemma":[0.9994843,0.00017340154,0.000057748694,0.000063058076,0.00006460198,0.0001568997],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009798898,0.0008445035,0.00034227155,0.0005388586,0.009951831,0.010399021,0.00069934886,0.0015038355,0.0076542613],"category_scores_gemma":[0.0019336315,0.0003269637,0.00015986696,0.00077829475,0.023127472,0.0036741288,0.0028792338,0.004258811,0.0011358919],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001854773,0.00003944944,0.0005959117,0.00023810941,0.000009400127,0.0009242111,0.26078552,0.00017984177,0.0010589067,0.5967111,0.11368154,0.025590437],"study_design_scores_gemma":[0.00001263544,0.000027629623,0.0013810934,0.00020718979,0.000005319366,0.0003966726,0.08913452,0.000059656715,0.00045289515,0.011755269,0.896544,0.000023179395],"about_ca_topic_score_codex":0.06634448,"about_ca_topic_score_gemma":0.15336762,"teacher_disagreement_score":0.9336555,"about_ca_system_score_codex":0.0105881225,"about_ca_system_score_gemma":0.0039072502,"threshold_uncertainty_score":0.13191658},"labels":[],"label_agreement":null},{"id":"W2253799501","doi":"","title":"Utopia in Action: Mapping an Ideal Humanist World","year":2001,"lang":"en","type":"article","venue":"Canadian women's studies","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Utopia; Action (physics); Humanism; Ideal (ethics); Philosophy; Aesthetics; Art; Epistemology; Art history; Theology; Physics","score_opus":0.09680079679734525,"score_gpt":0.2839102556093862,"score_spread":0.18710945881204094,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2253799501","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.074227184,0.005748442,0.013810175,0.023975613,0.00021675917,0.00007575511,0.00019235983,0.00010555136,0.8816482],"genre_scores_gemma":[0.972761,0.0023658026,0.004349416,0.000532218,0.00002991761,0.000049097718,0.000052617524,0.00006900039,0.019790864],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985795,0.0006281672,0.000020182122,0.00012598222,0.00024453917,0.00040163245],"domain_scores_gemma":[0.99911016,0.00039481587,0.00008130581,0.00013085819,0.00013966697,0.00014304767],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001962511,0.000624564,0.00040859546,0.0038950024,0.018471248,0.016336925,0.0017799989,0.0020679357,0.007838195],"category_scores_gemma":[0.0036682126,0.0002465039,0.00033089228,0.0042917174,0.08681754,0.005011649,0.004779058,0.0028910323,0.00042373224],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008201217,0.000003451062,0.00025000257,0.00003584861,0.0000013308836,0.00004356425,0.043000977,0.00028196123,0.00005743707,0.9476622,0.0021943252,0.006460663],"study_design_scores_gemma":[0.000016216389,0.000015395772,0.002933646,0.00031111305,0.000012064726,0.00014055043,0.22003713,0.001386724,0.00035504383,0.5066214,0.26814306,0.000027724469],"about_ca_topic_score_codex":0.6499393,"about_ca_topic_score_gemma":0.75029093,"teacher_disagreement_score":0.6499393,"about_ca_system_score_codex":0.035882656,"about_ca_system_score_gemma":0.038557846,"threshold_uncertainty_score":0.70424455},"labels":[],"label_agreement":null},{"id":"W2261818526","doi":"","title":"Fokkema on Utopian Fiction","year":2012,"lang":"en","type":"article","venue":"Canadian review of comparative literature","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Literature; Dystopia; Philosophy","score_opus":0.047245281322204354,"score_gpt":0.2801195690463458,"score_spread":0.23287428772414143,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2261818526","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0027714518,0.7952787,0.00060625875,0.029818924,0.0055807354,0.000012824342,0.00006341892,0.00002471075,0.16584292],"genre_scores_gemma":[0.10662677,0.7399702,0.0011414724,0.010836921,0.005910334,0.000058222,0.00016227516,0.0000888646,0.13520496],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9992449,0.00021372731,0.000036251004,0.00008296782,0.00032207696,0.0001001309],"domain_scores_gemma":[0.99856746,0.0011057861,0.00007608728,0.000053219246,0.00014205286,0.00005542831],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00094761816,0.00044901783,0.0004910467,0.002802747,0.0034354825,0.004702524,0.00062635867,0.0025679304,0.015227155],"category_scores_gemma":[0.003998335,0.0002080425,0.00020537472,0.004223039,0.008479505,0.005932273,0.0021554038,0.0024846464,0.0021168292],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029754967,0.000026866559,0.00027624142,0.0018159357,0.000012147252,0.00045420715,0.01531465,0.0001366338,0.00030683732,0.4214532,0.34744167,0.21273181],"study_design_scores_gemma":[0.0000027012,0.0000041272565,0.00058308133,0.00154408,0.0000037706614,0.00029815905,0.0016541904,0.000023889568,0.00012221622,0.017177992,0.97857887,0.000007023928],"about_ca_topic_score_codex":0.018645074,"about_ca_topic_score_gemma":0.030604627,"teacher_disagreement_score":0.018645074,"about_ca_system_score_codex":0.003667885,"about_ca_system_score_gemma":0.004589533,"threshold_uncertainty_score":0.050939977},"labels":[],"label_agreement":null},{"id":"W2265632199","doi":"10.20361/g2vc7v","title":"The Never Weres by F. Smyth","year":2011,"lang":"en","type":"article","venue":"The Deakin Review of Children s Literature","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Cartoonist; Dystopia; Adventure; Humanity; Girl; Art history; Fantasy; Style (visual arts); Narrative; Art; Sociology; History; Media studies; Visual arts; Psychology; Literature; Law; Political science","score_opus":0.015497141564973178,"score_gpt":0.2167520702410277,"score_spread":0.20125492867605452,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2265632199","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0018139983,0.3978132,0.0014369355,0.14320956,0.036092054,0.000037558824,0.0006843115,0.0005490251,0.4183634],"genre_scores_gemma":[0.018377239,0.072555475,0.0010694916,0.01675457,0.0036058119,0.00003916032,0.0003114869,0.00035139004,0.8869355],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99961084,0.00008074184,0.000014540136,0.00007652652,0.00015668778,0.000060674334],"domain_scores_gemma":[0.9995553,0.00013860333,0.0000328203,0.00003165561,0.00011465487,0.00012708336],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00053478207,0.0009908723,0.00034168424,0.0010927473,0.003845878,0.004111202,0.0006632674,0.0021847736,0.06633365],"category_scores_gemma":[0.0015853626,0.0005712482,0.00036599697,0.0011006088,0.0019695715,0.0039578276,0.0015987533,0.0039059138,0.02480177],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000051861043,0.000002703066,0.00004557685,0.00005269892,9.951187e-7,0.000055698587,0.0008485378,0.000012934577,0.000046004105,0.0049407096,0.9739508,0.02003827],"study_design_scores_gemma":[6.0879813e-7,0.0000018117657,0.00012138416,0.00007479802,5.4857475e-7,0.000078151694,0.0002932407,0.000004985547,0.000013719301,0.00038881568,0.9990201,0.0000019344131],"about_ca_topic_score_codex":0.044501513,"about_ca_topic_score_gemma":0.112486914,"teacher_disagreement_score":0.06633365,"about_ca_system_score_codex":0.0035296737,"about_ca_system_score_gemma":0.0024494508,"threshold_uncertainty_score":0.22190815},"labels":[],"label_agreement":null},{"id":"W2266778496","doi":"","title":"Engendering genre: The works of Margaret Atwood [Book Review]","year":2011,"lang":"en","type":"article","venue":"Commonwealth Essays and Studies","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Art history; Media studies; Sociology","score_opus":0.16009563130833976,"score_gpt":0.2929399857343423,"score_spread":0.13284435442600256,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2266778496","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0001468207,0.970586,0.00011499937,0.010906327,0.0033837333,0.000007138638,0.000019936972,0.000013864396,0.01482115],"genre_scores_gemma":[0.0024827837,0.9481532,0.0002600022,0.009489726,0.004001318,0.000031555002,0.00005360187,0.000042518055,0.035485297],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992015,0.00023060128,0.000040355597,0.00007400323,0.00038584464,0.00006778663],"domain_scores_gemma":[0.99810153,0.000987114,0.00017344276,0.00006450732,0.00048955553,0.00018373114],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010897721,0.00092961965,0.0010561353,0.0031893025,0.002016051,0.0052722306,0.0013237761,0.0025279713,0.011987805],"category_scores_gemma":[0.0031591302,0.00046496722,0.00043476064,0.005402719,0.0032076444,0.006390797,0.0018553892,0.004068982,0.007232469],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017648885,0.000012365225,0.00006337468,0.0018742617,0.000011381834,0.00006324216,0.00094171555,0.000033301745,0.000103151455,0.006344441,0.8468098,0.14372534],"study_design_scores_gemma":[0.000002640542,0.0000074747213,0.00030901583,0.0024573614,0.000010238942,0.0002291674,0.00041614877,0.0000060251077,0.000040483177,0.0012401801,0.9952734,0.00000783368],"about_ca_topic_score_codex":0.0136035625,"about_ca_topic_score_gemma":0.03248011,"teacher_disagreement_score":0.0136035625,"about_ca_system_score_codex":0.002452663,"about_ca_system_score_gemma":0.0047677024,"threshold_uncertainty_score":0.040103197},"labels":[],"label_agreement":null},{"id":"W2268739268","doi":"10.7202/1062368ar","title":"“You Are Turning into a Hive Mind”: Storytelling, Ecological Thought, and the Problem of Form in Generation A","year":2019,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Wilfrid Laurier University","funders":"","keywords":"Agency (philosophy); Scale (ratio); Storytelling; Subject (documents); Ecology; Sociology; Cognitive science; Psychology; Computer science; Social science; Geography; Literature; Art; Narrative; Biology","score_opus":0.025211352108686812,"score_gpt":0.24888548907865038,"score_spread":0.22367413696996358,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2268739268","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.53700197,0.004767172,0.014715851,0.043883055,0.00060276204,0.0000723212,0.00012417529,0.00018941099,0.39864326],"genre_scores_gemma":[0.99010986,0.0005258124,0.0010135295,0.00056688103,0.000048571645,0.000015440859,0.000013966586,0.000032625696,0.0076732174],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99792767,0.0012901585,0.000035873178,0.00014805768,0.00032102165,0.00027711113],"domain_scores_gemma":[0.99652916,0.0023189478,0.00029165132,0.00028880878,0.0002536459,0.0003178654],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022465482,0.000530507,0.00020208936,0.0017059839,0.012263053,0.009240257,0.0010481363,0.0015818139,0.0033108143],"category_scores_gemma":[0.0075125364,0.00022454801,0.00022232327,0.0010601055,0.050756555,0.0070120543,0.004962163,0.0030226505,0.00022903453],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002868372,0.000008457031,0.000934523,0.00003423246,0.0000034782468,0.0004600324,0.7404593,0.00010071165,0.0004558753,0.24674797,0.0030676285,0.0076990873],"study_design_scores_gemma":[0.000014914188,0.000040400246,0.0027649456,0.00022072507,0.000013485906,0.0010012607,0.6220912,0.00044008694,0.00094426126,0.09079184,0.2816249,0.000052028587],"about_ca_topic_score_codex":0.10389486,"about_ca_topic_score_gemma":0.10831537,"teacher_disagreement_score":0.8961052,"about_ca_system_score_codex":0.008711216,"about_ca_system_score_gemma":0.004021059,"threshold_uncertainty_score":0.20658022},"labels":[],"label_agreement":null},{"id":"W2271139646","doi":"","title":"Venus envy: The depiction of the femine sublime in Gayla Reid's All the Seas of the World","year":2001,"lang":"en","type":"article","venue":"Essays on Canadian writing","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Depiction; Sublime; Venus; Art; Art history; Literature; Astrobiology; Physics","score_opus":0.032967951692353274,"score_gpt":0.22670279091884837,"score_spread":0.1937348392264951,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2271139646","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.048915345,0.0047057825,0.001210803,0.07925967,0.0016621472,0.000032187636,0.00015791421,0.00011894734,0.86393726],"genre_scores_gemma":[0.7617808,0.0016131687,0.00047370233,0.011739417,0.00046322332,0.00004086916,0.00004142421,0.0002500688,0.22359745],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99843997,0.0006231519,0.0000149236075,0.00012825197,0.0003340569,0.00045966046],"domain_scores_gemma":[0.99885535,0.00062070653,0.0000708814,0.000061443265,0.00016753873,0.00022407512],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015146226,0.00063254515,0.00045140658,0.0014191138,0.03745137,0.009153849,0.0015341962,0.0053523136,0.008954232],"category_scores_gemma":[0.0038373345,0.00031723588,0.00034779447,0.0016211115,0.04340822,0.0043317797,0.0049255854,0.008684963,0.000761938],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037901435,0.0000071659833,0.00018699025,0.000054121945,0.0000047079284,0.0005372016,0.40601572,0.00011499103,0.00023231686,0.5254863,0.06412,0.003202541],"study_design_scores_gemma":[0.000011584098,0.000010525425,0.0006643838,0.00020966462,0.000010630084,0.00024434837,0.28208914,0.0001167428,0.0002894191,0.025589833,0.69073373,0.000029938401],"about_ca_topic_score_codex":0.6612648,"about_ca_topic_score_gemma":0.8259458,"teacher_disagreement_score":0.33873522,"about_ca_system_score_codex":0.024088053,"about_ca_system_score_gemma":0.017691918,"threshold_uncertainty_score":0.6814602},"labels":[],"label_agreement":null},{"id":"W227993857","doi":"","title":"Margaret Atwood’s Canadian hunger artist: Postcolonial appetites in the edible woman","year":2006,"lang":"en","type":"article","venue":"Research Online (University of Wollongong)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"University of Toronto","keywords":"Art; Art history; Canadian literature; History; Aesthetics; Literature","score_opus":0.0465197343482832,"score_gpt":0.26505568201856605,"score_spread":0.21853594767028284,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W227993857","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.099398814,0.014671775,0.0016489751,0.15180895,0.0048303623,0.00003677966,0.00025895511,0.00010869046,0.7272367],"genre_scores_gemma":[0.8000579,0.0053022364,0.000853951,0.010188,0.0006164043,0.000022893222,0.000051789728,0.0001303052,0.1827765],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991935,0.00021947449,0.000007069166,0.000079024976,0.00024334398,0.00025763796],"domain_scores_gemma":[0.99922884,0.00023598444,0.0000448826,0.000039757484,0.00017684214,0.00027365226],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009624729,0.0005444646,0.00024230813,0.00086415646,0.025462983,0.00611972,0.0010701311,0.0022988557,0.0081420615],"category_scores_gemma":[0.0019207278,0.00021283538,0.00021526731,0.0010897659,0.018577855,0.0022348047,0.0020591014,0.0044029965,0.00066496583],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011831724,0.00003994502,0.00090590626,0.0000791765,0.000008828217,0.0014002257,0.3400342,0.00014075433,0.0010145224,0.33648765,0.29711926,0.02265121],"study_design_scores_gemma":[0.00000466401,0.000010069776,0.0015672274,0.00010260324,0.000003992449,0.00031838988,0.1210122,0.000056746387,0.00039948866,0.004727878,0.8717747,0.000022061133],"about_ca_topic_score_codex":0.7008538,"about_ca_topic_score_gemma":0.88485056,"teacher_disagreement_score":0.29914618,"about_ca_system_score_codex":0.020217659,"about_ca_system_score_gemma":0.013057033,"threshold_uncertainty_score":0.6018158},"labels":[],"label_agreement":null},{"id":"W2282198945","doi":"10.5840/symposium200610110","title":"Quasi-Cause in Deleuze","year":2006,"lang":"en","type":"article","venue":"Symposium","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Materials science","score_opus":0.020101471372209155,"score_gpt":0.22061813177887848,"score_spread":0.20051666040666932,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2282198945","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.049591564,0.024243534,0.08188821,0.056523915,0.0016482135,0.00007817132,0.000121962265,0.00020220617,0.7857022],"genre_scores_gemma":[0.9576534,0.0035012148,0.006569967,0.004306925,0.00037142236,0.00010463987,0.000040278253,0.0001225591,0.027329627],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9952573,0.0026272258,0.00012690599,0.00058246707,0.000964244,0.0004418177],"domain_scores_gemma":[0.9984092,0.000879281,0.000104283106,0.0002618069,0.0002522103,0.000093222734],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004431857,0.0005242462,0.00047929198,0.0016144918,0.0049301563,0.006668875,0.0007873144,0.0026009937,0.0043897205],"category_scores_gemma":[0.0045012697,0.00034703236,0.00069042173,0.0009653819,0.04454141,0.007827838,0.0046869917,0.0041546477,0.00064873236],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000001247079,0.0000012218089,0.000028547844,0.0000050180033,7.923508e-7,0.000012794396,0.0016725132,0.000019338555,0.000018841281,0.99737996,0.00030165174,0.0005579648],"study_design_scores_gemma":[0.000008228796,0.00000915242,0.0001602289,0.00004411584,0.0000042789197,0.000103077124,0.0015964464,0.00010677913,0.00015267992,0.90281385,0.09499013,0.000010990416],"about_ca_topic_score_codex":0.005467291,"about_ca_topic_score_gemma":0.004272829,"teacher_disagreement_score":0.006668875,"about_ca_system_score_codex":0.0058512697,"about_ca_system_score_gemma":0.0032613676,"threshold_uncertainty_score":0.042454123},"labels":[],"label_agreement":null},{"id":"W2285345014","doi":"","title":"Reading Margaret Atwood's Lady Oracle : cultural aspects : 1950s to 70s Canada","year":2011,"lang":"ja","type":"article","venue":"大阪樟蔭女子大学研究紀要","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Reading (process); History; Oracle; Media studies; Art history; Sociology; Political science; Computer science; Law","score_opus":0.04436664210902055,"score_gpt":0.22458429308082234,"score_spread":0.18021765097180178,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2285345014","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11180578,0.08834584,0.00029562655,0.189962,0.004192048,0.000086300606,0.0026361926,0.00008124041,0.602595],"genre_scores_gemma":[0.5941007,0.042959765,0.00036658364,0.020081688,0.0008027298,0.000055849185,0.00059759157,0.00020793578,0.34082714],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99867034,0.000116798015,0.000030883442,0.00012415134,0.0003569043,0.00070092315],"domain_scores_gemma":[0.9976954,0.0005239568,0.000100371326,0.000046131616,0.00075622444,0.00087790354],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001023996,0.00038914764,0.00047567108,0.0033245066,0.029408855,0.009959679,0.0010774645,0.0025902106,0.016719975],"category_scores_gemma":[0.004149683,0.0002790438,0.00022969498,0.0064479588,0.008459419,0.003428066,0.0031611805,0.0052344897,0.0009719117],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009854825,0.00006017324,0.007485957,0.0002927305,0.00002071355,0.0012028223,0.2605875,0.0002059851,0.00035582972,0.24552186,0.42125005,0.06291788],"study_design_scores_gemma":[0.000006076469,0.000004691499,0.011864338,0.000333262,0.000006687247,0.000077561184,0.07041374,0.000018086917,0.00010594424,0.002441968,0.91470695,0.00002066562],"about_ca_topic_score_codex":0.99239725,"about_ca_topic_score_gemma":0.99785256,"teacher_disagreement_score":0.10962716,"about_ca_system_score_codex":0.10962716,"about_ca_system_score_gemma":0.11780488,"threshold_uncertainty_score":0.79540443},"labels":[],"label_agreement":null},{"id":"W2288838346","doi":"10.1353/mlt.2015.0006","title":"Death and the “Paradice within” in Paradise Lost and Margaret Atwood’s Oryx and Crake","year":2015,"lang":"en","type":"article","venue":"Milton Studies","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Fantasy; Paradise; Oryx; Mythology; Literature; Dystopia; Art; Art history; History","score_opus":0.11428104639951091,"score_gpt":0.28302516384142734,"score_spread":0.16874411744191642,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2288838346","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13390653,0.021145465,0.0019411482,0.17887719,0.008936476,0.000049340164,0.00008265176,0.00012595835,0.65493524],"genre_scores_gemma":[0.6498099,0.0048954673,0.0005972195,0.015405591,0.0015228734,0.00005275414,0.00004208756,0.00013077512,0.32754335],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989944,0.00048008346,0.000016667631,0.00011141695,0.00017384859,0.00022360036],"domain_scores_gemma":[0.99925953,0.00027747673,0.00006881905,0.000054518954,0.0000700464,0.00026956084],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010640565,0.00039687773,0.00021326279,0.00048474417,0.014708311,0.005101754,0.0009968916,0.0025769216,0.010484173],"category_scores_gemma":[0.0020563058,0.00024137889,0.0002453021,0.0003099529,0.0129868435,0.0040156026,0.0052995095,0.0058322116,0.001152857],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012789645,0.00008782996,0.00089868676,0.00013066598,0.000008461081,0.0014023561,0.21853386,0.00010426347,0.00046857857,0.36424547,0.3857223,0.028269634],"study_design_scores_gemma":[0.000007004944,0.000028473863,0.0010873387,0.00015823635,0.000003467636,0.00048424245,0.0532126,0.00003675025,0.00020523876,0.0071518705,0.93760806,0.000016731628],"about_ca_topic_score_codex":0.013615737,"about_ca_topic_score_gemma":0.041913986,"teacher_disagreement_score":0.014708311,"about_ca_system_score_codex":0.0046479567,"about_ca_system_score_gemma":0.0014749203,"threshold_uncertainty_score":0.035072982},"labels":[],"label_agreement":null},{"id":"W2291843620","doi":"","title":"\"A Chorus Line\": Margaret Atwood's Penelopiad at the Crossroads of Narrative, Poetic and Dramatic Genres*","year":2014,"lang":"en","type":"article","venue":"Connotations","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":8,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Literature; Narrative; Idyll; Chorus; Ballad; Drama; Art; History","score_opus":0.025385394755193014,"score_gpt":0.24553761432898155,"score_spread":0.22015221957378853,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2291843620","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13706549,0.013976338,0.0024747758,0.06145971,0.004795134,0.000076046315,0.00011305179,0.00025908137,0.77978045],"genre_scores_gemma":[0.5283884,0.003511366,0.0011804856,0.012083469,0.0007199409,0.00005372469,0.00007431123,0.00025587654,0.45373237],"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9994616,0.00023855864,0.0000063134116,0.00007154377,0.00010688524,0.000115081086],"domain_scores_gemma":[0.99968016,0.00006676996,0.000025952075,0.000014807,0.000035481622,0.00017675859],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004312011,0.00057956285,0.0001812827,0.00056255277,0.010439366,0.0049062693,0.000631075,0.0014494323,0.011101144],"category_scores_gemma":[0.000848795,0.00022787225,0.00013028811,0.00046798133,0.0050429325,0.0031177578,0.0032247151,0.0037811066,0.002333014],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012562441,0.00010762311,0.0008555178,0.00014245324,0.000005827908,0.0029212593,0.36822084,0.00006965629,0.0015279753,0.15770517,0.42784387,0.04047412],"study_design_scores_gemma":[0.0000041381395,0.000029410805,0.0006838566,0.00012362294,0.000002497147,0.0011902839,0.077645354,0.000044980403,0.0004538811,0.002262114,0.91754967,0.000010174587],"about_ca_topic_score_codex":0.011521587,"about_ca_topic_score_gemma":0.045303203,"teacher_disagreement_score":0.011521587,"about_ca_system_score_codex":0.0029282838,"about_ca_system_score_gemma":0.001090178,"threshold_uncertainty_score":0.03713709},"labels":[],"label_agreement":null},{"id":"W2295630878","doi":"","title":"Deauthorizing Anthropologies and “Authenticating” Landscapes in Margaret Atwood’s The Handmaid’s Tale and Diamela Eltit’s El cuarto mundo","year":2011,"lang":"en","type":"article","venue":"Canadian review of comparative literature","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Indigenous; CONQUEST; History; Gaze; Literature; Sociology; Genealogy; Anthropology; Art; Psychoanalysis; Ancient history; Psychology","score_opus":0.04562676964448916,"score_gpt":0.273657453922792,"score_spread":0.22803068427830284,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2295630878","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.031059394,0.12585625,0.0067062625,0.14998469,0.0050881724,0.000060698105,0.000053007152,0.00005563489,0.68113583],"genre_scores_gemma":[0.78707814,0.059309088,0.0048209983,0.020509988,0.0035290185,0.00021906357,0.00006560453,0.00016592415,0.124302104],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99672925,0.0023264016,0.00005361813,0.00018141013,0.00044956463,0.00025971924],"domain_scores_gemma":[0.9959998,0.0029548386,0.0002613717,0.00019538663,0.0003169521,0.00027177605],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003708308,0.00054435414,0.00041983934,0.0041905018,0.01624954,0.010305041,0.0014656278,0.003015448,0.0046077087],"category_scores_gemma":[0.0051893387,0.00029614876,0.0002052412,0.0029954324,0.058659777,0.008709952,0.0059252046,0.0046041342,0.00044171544],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011530441,0.000015197526,0.00022200203,0.00014146624,0.0000026084642,0.00028683848,0.17042425,0.00005068157,0.00010876922,0.78094107,0.035535853,0.012259824],"study_design_scores_gemma":[0.000005300546,0.000007591414,0.00050519715,0.0005332046,0.000004056499,0.000305665,0.111290924,0.000039204333,0.00013083189,0.05839994,0.82876796,0.000010167913],"about_ca_topic_score_codex":0.0423516,"about_ca_topic_score_gemma":0.15964137,"teacher_disagreement_score":0.9576484,"about_ca_system_score_codex":0.011629556,"about_ca_system_score_gemma":0.007923756,"threshold_uncertainty_score":0.08437872},"labels":[],"label_agreement":null},{"id":"W2311990486","doi":"10.3138/jrpc.23.1.82","title":"The Ends of Sacrifice","year":2011,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sacrifice; Christianity; Passion; Typology; Colonialism; Judaism; Philosophy; Theology; Agency (philosophy); History; Epistemology; Archaeology; Psychology; Social psychology","score_opus":0.0312621767626342,"score_gpt":0.23243036503340575,"score_spread":0.20116818827077154,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2311990486","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.052650508,0.006893268,0.0062336684,0.036249664,0.00125614,0.000017736133,0.000039764105,0.000052483414,0.89660674],"genre_scores_gemma":[0.93450654,0.0014657924,0.0011446084,0.0032467563,0.00039117647,0.000024195126,0.000019358962,0.000068431524,0.059133213],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99801034,0.0010201005,0.00003595846,0.00020409113,0.00041831477,0.00031131934],"domain_scores_gemma":[0.99883574,0.00049763685,0.00010907637,0.00024521453,0.00017088819,0.00014146311],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001977043,0.0003552523,0.0002479886,0.0006395787,0.006961215,0.005852507,0.000552649,0.0018307196,0.003789252],"category_scores_gemma":[0.0037600852,0.00019371233,0.00020021303,0.00040778337,0.03909219,0.0058358787,0.004907543,0.0061227665,0.00072639756],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001527005,0.000005116201,0.00014681568,0.000013572632,0.0000018263163,0.00009986785,0.020399082,0.000033406206,0.00011870191,0.97218597,0.003874293,0.003105992],"study_design_scores_gemma":[0.000010409124,0.000033887987,0.00069781253,0.00017346209,0.0000049532887,0.00031700626,0.016633071,0.000116436044,0.0005528223,0.37887964,0.6025653,0.000015195562],"about_ca_topic_score_codex":0.002429068,"about_ca_topic_score_gemma":0.0041290536,"teacher_disagreement_score":0.006961215,"about_ca_system_score_codex":0.0031154482,"about_ca_system_score_gemma":0.0015886031,"threshold_uncertainty_score":0.022604227},"labels":[],"label_agreement":null},{"id":"W2313674229","doi":"10.5840/envirophil20107220","title":"The Pursuit of Ecotopia","year":2010,"lang":"en","type":"article","venue":"Environmental Philosophy","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"University of North Texas","keywords":"General interest; Contemporary philosophy; Applied philosophy; Philosophy; Epistemology","score_opus":0.009828439368313137,"score_gpt":0.1783688374624865,"score_spread":0.16854039809417337,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2313674229","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.016787775,0.013039884,0.010961626,0.11096796,0.0015951216,0.000014661141,0.000033459848,0.000051874962,0.8465478],"genre_scores_gemma":[0.8871361,0.0058853365,0.0033245555,0.02011573,0.0017715422,0.00006845116,0.000024043287,0.00009363359,0.08158067],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980804,0.0012218143,0.000030654664,0.00021508691,0.00026729912,0.00018464362],"domain_scores_gemma":[0.99751115,0.0014966511,0.00013008779,0.00041841506,0.00026701958,0.00017664104],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0032647732,0.0003897051,0.00037382843,0.0010874082,0.006445512,0.0069980677,0.0008439389,0.0040238444,0.0049341186],"category_scores_gemma":[0.004149998,0.00015152027,0.00030074365,0.0009223673,0.049122322,0.0073256698,0.0047020796,0.0070369965,0.0006911449],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000014426497,0.000001953199,0.000018963807,0.0000050897243,3.5585603e-7,0.000008892447,0.00063231535,0.000022071405,0.000013972624,0.9970651,0.0013926337,0.00083720335],"study_design_scores_gemma":[0.000005387708,0.0000076208757,0.00010914085,0.00008605991,0.0000019878082,0.00004612007,0.002313656,0.00015338488,0.000116819225,0.814956,0.18219979,0.0000040557898],"about_ca_topic_score_codex":0.0021717842,"about_ca_topic_score_gemma":0.0038189958,"teacher_disagreement_score":0.0069980677,"about_ca_system_score_codex":0.0032334602,"about_ca_system_score_gemma":0.0032568956,"threshold_uncertainty_score":0.023460507},"labels":[],"label_agreement":null},{"id":"W2330579161","doi":"10.5840/envirophil20063220","title":"Deleuze and Environmental Damage","year":2006,"lang":"en","type":"article","venue":"Environmental Philosophy","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":11,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Applied philosophy; General interest; Philosophy; Contemporary philosophy; Epistemology","score_opus":0.009354192964848544,"score_gpt":0.15785538398432084,"score_spread":0.1485011910194723,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2330579161","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05271809,0.018241568,0.014345056,0.10620687,0.0006505852,0.000031577656,0.00005432132,0.000039585047,0.80771226],"genre_scores_gemma":[0.9477213,0.0032568115,0.0013352634,0.0050714314,0.00028308356,0.000039540064,0.00001164272,0.000027067448,0.04225376],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99834037,0.00092295324,0.000038974278,0.00022033734,0.00026639216,0.00021105412],"domain_scores_gemma":[0.99853957,0.00090535864,0.00009600424,0.00023668911,0.00016303513,0.000059199196],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0024457474,0.00038319643,0.00041809824,0.00079549337,0.00522996,0.0041961744,0.0008377431,0.004256149,0.004949951],"category_scores_gemma":[0.0034280429,0.00018058073,0.00035663202,0.0005990118,0.046664037,0.0045652315,0.0040744175,0.005804117,0.00035367202],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000001303315,0.0000022170727,0.000024075223,0.000005150637,6.0272635e-7,0.000012023368,0.00052752206,0.000054962195,0.0000142232775,0.9983388,0.00046533576,0.0005536929],"study_design_scores_gemma":[0.0000058103187,0.0000063574053,0.000109551045,0.00003829044,0.0000023096518,0.000043640277,0.0010080349,0.00010288473,0.00008631501,0.9582162,0.040376708,0.000003886412],"about_ca_topic_score_codex":0.0038961656,"about_ca_topic_score_gemma":0.0061171083,"teacher_disagreement_score":0.00522996,"about_ca_system_score_codex":0.0037758725,"about_ca_system_score_gemma":0.0024456321,"threshold_uncertainty_score":0.027396083},"labels":[],"label_agreement":null},{"id":"W2335328045","doi":"10.1177/0090591716642496","title":"Catching Up with Wells: The Political Theory of H. G. Wells’s Science Fiction","year":2016,"lang":"en","type":"article","venue":"Political Theory","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"Faculty of Education, Victoria University of Wellington; American Political Science Association","keywords":"Politics; Faith; The Imaginary; Institution; Identity (music); Narrative; Declaration; Environmental ethics; Law; Human rights; Sociology; Philosophy; History; Political science; Aesthetics; Literature; Epistemology; Psychoanalysis; Art","score_opus":0.031932886003333126,"score_gpt":0.2504189024739024,"score_spread":0.21848601647056928,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2335328045","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011273746,0.02841409,0.008795108,0.60999614,0.0041318075,0.000027661312,0.00006747084,0.0000560081,0.33723804],"genre_scores_gemma":[0.7813245,0.014911341,0.0032445942,0.094940566,0.00494096,0.00014800667,0.00003405806,0.00013083722,0.10032509],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99781764,0.0014090671,0.000027481437,0.0002020354,0.00036252965,0.00018119873],"domain_scores_gemma":[0.99504673,0.004063741,0.00023747292,0.00014761167,0.0003010669,0.00020339951],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0024525565,0.00042200612,0.00031278812,0.0012353219,0.0077755013,0.0065229754,0.00075181486,0.0047075725,0.0038520868],"category_scores_gemma":[0.007139341,0.00025440345,0.00024221807,0.00090802973,0.03606522,0.00771914,0.0016264227,0.0062123425,0.0005709991],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000003598073,0.0000037702157,0.0000215126,0.000010882017,6.7832406e-7,0.000035043264,0.0027023973,0.000054942466,0.000018392842,0.973544,0.022548191,0.0010566488],"study_design_scores_gemma":[0.000010814613,0.000009012151,0.00010620992,0.00014797246,0.000002635214,0.000067754874,0.0034559402,0.0003033697,0.00014234254,0.621854,0.37388656,0.000013408615],"about_ca_topic_score_codex":0.009918702,"about_ca_topic_score_gemma":0.010170177,"teacher_disagreement_score":0.009918702,"about_ca_system_score_codex":0.0068548773,"about_ca_system_score_gemma":0.003258984,"threshold_uncertainty_score":0.049735844},"labels":[],"label_agreement":null},{"id":"W2336986663","doi":"","title":"Dysfunction in Canadian society in the selected novels of Margaret Atwood a Gandhian critique","year":2010,"lang":"en","type":"dissertation","venue":"Shodhganga","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Psychoanalysis; Sociology; Political science; Environmental ethics; Media studies; Economic history; History; Psychology; Philosophy","score_opus":0.014272100879525667,"score_gpt":0.24248292267707358,"score_spread":0.22821082179754792,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2336986663","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.081792474,0.017231716,0.0005735393,0.25910574,0.0028014332,0.00005160876,0.0002206303,0.00006569674,0.63815725],"genre_scores_gemma":[0.8322883,0.006828392,0.0005161803,0.018793438,0.0005822817,0.000043316875,0.0000509805,0.000102568534,0.1407946],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9977774,0.0005690308,0.000032624175,0.00017685645,0.0003923402,0.0010517488],"domain_scores_gemma":[0.99807334,0.00067631813,0.00010253671,0.000100717014,0.0005103241,0.0005367833],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022394645,0.0007284873,0.00048813137,0.0012496142,0.05175359,0.01047086,0.0017839448,0.0046076975,0.0074002882],"category_scores_gemma":[0.004329187,0.00030190768,0.0003054124,0.0022921383,0.037975922,0.0028828417,0.003802895,0.007589036,0.0004955749],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000041725787,0.00001684049,0.0003817929,0.00005883802,0.0000071189625,0.00063393044,0.1559189,0.00022197256,0.00022004297,0.7239611,0.11136528,0.007172455],"study_design_scores_gemma":[0.000014598227,0.000006755642,0.0015725835,0.00014075126,0.000011012502,0.00024782657,0.14014499,0.0001226566,0.00026009872,0.03192711,0.82550156,0.000050133884],"about_ca_topic_score_codex":0.94631284,"about_ca_topic_score_gemma":0.9771712,"teacher_disagreement_score":0.0988463,"about_ca_system_score_codex":0.0988463,"about_ca_system_score_gemma":0.08117746,"threshold_uncertainty_score":0.7171835},"labels":[],"label_agreement":null},{"id":"W2345920566","doi":"","title":"Bluebeards and bodies: Margaret Atwood’s men","year":2002,"lang":"en","type":"article","venue":"Americanae (AECID Library)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Alien; Art; Art history; History; Sociology; Demography","score_opus":0.019733200991894247,"score_gpt":0.18298822678033158,"score_spread":0.16325502578843734,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2345920566","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.041099433,0.024452874,0.0010666723,0.2929778,0.006374815,0.000048570626,0.000059344202,0.000074435935,0.6338461],"genre_scores_gemma":[0.43935084,0.006788966,0.0006224216,0.04831857,0.000989971,0.000046195088,0.000015692942,0.00014673208,0.50372064],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99761873,0.000721934,0.000019202138,0.000186502,0.0006712942,0.0007823176],"domain_scores_gemma":[0.9988807,0.000365891,0.00006700943,0.000031252817,0.00023504325,0.00042003655],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020618152,0.00044943814,0.0003740314,0.0012393921,0.04865339,0.007647227,0.0013283949,0.004469918,0.007839568],"category_scores_gemma":[0.0027615724,0.00039795597,0.00023796994,0.001229752,0.025563527,0.003889646,0.0040383367,0.007841645,0.0010221393],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027485718,0.000027549908,0.0004270358,0.00003933672,0.0000030527192,0.00057842524,0.32045636,0.000053240958,0.00023163614,0.3841267,0.28225332,0.011775927],"study_design_scores_gemma":[0.0000028390743,0.000008494077,0.0003850187,0.00010436187,0.000002564183,0.00014892271,0.100072525,0.000024277257,0.000118112315,0.0057375743,0.89338356,0.000011860236],"about_ca_topic_score_codex":0.6483569,"about_ca_topic_score_gemma":0.85524315,"teacher_disagreement_score":0.6483569,"about_ca_system_score_codex":0.020746442,"about_ca_system_score_gemma":0.019226875,"threshold_uncertainty_score":0.707428},"labels":[],"label_agreement":null},{"id":"W2349192671","doi":"","title":"Exploring Women's Philosophy of Survival-a Critical Reading of Margaret Atwood's Alias Grace","year":2010,"lang":"en","type":"article","venue":"Journal of Shangluo University","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Alias; Subjectivity; Perspective (graphical); Embodied cognition; Reading (process); Sociology; Order (exchange); Gender studies; Feminism; Epistemology; Philosophy; Art; Linguistics","score_opus":0.10118246635883343,"score_gpt":0.2363783699921721,"score_spread":0.13519590363333867,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2349192671","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19967356,0.018919302,0.004154512,0.13017106,0.0021267924,0.000111477784,0.00014701138,0.000115672956,0.6445807],"genre_scores_gemma":[0.9481129,0.0027646862,0.0005904334,0.0041608014,0.00019248939,0.00003811786,0.000023087881,0.00004653661,0.04407095],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99847776,0.0006659765,0.000016047547,0.000097015654,0.00025047726,0.0004927765],"domain_scores_gemma":[0.99886143,0.0005421687,0.00007912358,0.000039840015,0.0002198047,0.0002576784],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019003483,0.00077769277,0.0004020555,0.0013245248,0.028398946,0.008431307,0.0015895935,0.0028828774,0.0025859785],"category_scores_gemma":[0.0020580296,0.00021848334,0.00027448608,0.0012948606,0.05352008,0.0027281372,0.0032404189,0.0045109615,0.00025141393],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031378368,0.000014281806,0.00024505024,0.00007369983,0.000003959743,0.00083781127,0.6301935,0.00012739911,0.00056177384,0.34369168,0.018896239,0.0053232037],"study_design_scores_gemma":[0.000007697487,0.000022037282,0.0007860805,0.00021346862,0.000007240339,0.0002883864,0.5731463,0.00009868732,0.0003987429,0.02554572,0.39946076,0.000024885236],"about_ca_topic_score_codex":0.5587632,"about_ca_topic_score_gemma":0.7093632,"teacher_disagreement_score":0.4412368,"about_ca_system_score_codex":0.038171727,"about_ca_system_score_gemma":0.022730783,"threshold_uncertainty_score":0.88767064},"labels":[],"label_agreement":null},{"id":"W2352083914","doi":"","title":"The Consumerism in The Edible Women","year":2008,"lang":"en","type":"article","venue":"Jiefangjun Waiyu Xueyuan xuebao","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Consumerism; Ecofeminism; Feminism; Harmony (color); Alienation; Mythology; Criticism; Sociology; Consumption (sociology); Creatures; Identification (biology); Environmental ethics; Aesthetics; Gender studies; Social science; Art; History; Ecology; Law; Political science; Natural (archaeology); Literature; Philosophy; Visual arts; Biology","score_opus":0.03859191430811708,"score_gpt":0.2119158649929222,"score_spread":0.1733239506848051,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2352083914","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.37338436,0.011737644,0.0014545359,0.08449008,0.00058377074,0.000033038625,0.00005570743,0.000037088026,0.5282238],"genre_scores_gemma":[0.9473871,0.0015883269,0.00031769718,0.0023740462,0.000066081775,0.000011937249,0.000005187191,0.000020603266,0.048228987],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99911124,0.00037473685,0.000010750443,0.00007440641,0.00019255136,0.00023627553],"domain_scores_gemma":[0.99961436,0.00019280383,0.000041469673,0.000022624647,0.0000567402,0.000071967654],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000990799,0.00032366227,0.00018734779,0.0009003712,0.015484845,0.0058205724,0.0004346798,0.0016971334,0.0036273818],"category_scores_gemma":[0.0009838013,0.00022928274,0.00014021888,0.00096329994,0.02959996,0.0022965807,0.0027026462,0.001990471,0.00018734297],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003321029,0.00001852663,0.0011317285,0.000049919923,0.000003338346,0.0010725341,0.47352907,0.0000323301,0.00083923497,0.5040607,0.010053463,0.0091759795],"study_design_scores_gemma":[0.000009889225,0.000026770262,0.003332795,0.00018633832,0.000007787626,0.00075188867,0.40363866,0.000095065894,0.00069906365,0.035299573,0.5559225,0.000029771141],"about_ca_topic_score_codex":0.13299865,"about_ca_topic_score_gemma":0.214229,"teacher_disagreement_score":0.13299865,"about_ca_system_score_codex":0.009391055,"about_ca_system_score_gemma":0.0041695554,"threshold_uncertainty_score":0.264449},"labels":[],"label_agreement":null},{"id":"W2353734598","doi":"","title":"The Politics of \"Boundaries\"——On the Handmaid's Tale","year":2007,"lang":"en","type":"article","venue":"Journal of Harbin Institute of Technology","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dystopia; Subversion; Politics; Variety (cybernetics); Aesthetics; Empire; Sociology; Literature; History; Political science; Law; Philosophy; Art; Computer science","score_opus":0.02195858701966219,"score_gpt":0.2423560715810849,"score_spread":0.22039748456142272,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2353734598","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.029789083,0.007177317,0.0030317307,0.081607126,0.0031544785,0.000029845189,0.000055251952,0.00010521608,0.87505],"genre_scores_gemma":[0.8439997,0.0020901505,0.0010701084,0.007902745,0.0005525509,0.00003187997,0.000025108955,0.00009110263,0.14423671],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998492,0.0004710763,0.000016197333,0.000116208794,0.00047722957,0.000427333],"domain_scores_gemma":[0.9990984,0.00031352494,0.00006102602,0.00009152882,0.00016990307,0.00026564702],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012448794,0.00034016446,0.00025338287,0.00069531525,0.02151457,0.012365253,0.0010265782,0.0020020972,0.0055561685],"category_scores_gemma":[0.003001562,0.00019153027,0.00017878744,0.0006216819,0.03927073,0.0039278646,0.0047417847,0.0046172007,0.0006970725],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014403368,0.0000042549805,0.000060567734,0.000013612406,0.0000010902919,0.00010942722,0.01683645,0.00006299152,0.000110292414,0.9378447,0.038956895,0.0059853024],"study_design_scores_gemma":[0.0000072711773,0.000008868085,0.00034871325,0.00010994621,0.0000030948866,0.00016966749,0.031631745,0.00016566982,0.00030245143,0.09791756,0.8693151,0.000019863503],"about_ca_topic_score_codex":0.23373519,"about_ca_topic_score_gemma":0.2784166,"teacher_disagreement_score":0.23373519,"about_ca_system_score_codex":0.022514693,"about_ca_system_score_gemma":0.013570483,"threshold_uncertainty_score":0.46474946},"labels":[],"label_agreement":null},{"id":"W2361981170","doi":"","title":"Self-Growing in Dilemma——A Brief Analysis of Atwood′s The Edible Woman","year":2005,"lang":"en","type":"article","venue":"Journal of Xuzhou Education College","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dilemma; Face (sociological concept); Social dilemma; Aesthetics; Sociology; Social psychology; Psychology; Epistemology; Philosophy; Social science","score_opus":0.016500547350749607,"score_gpt":0.25617469698971357,"score_spread":0.23967414963896397,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2361981170","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06512047,0.0144723,0.004299907,0.051965937,0.0016198889,0.0001062663,0.00005477967,0.000047727717,0.8623127],"genre_scores_gemma":[0.8326486,0.008951695,0.0022712534,0.008531911,0.00076664315,0.00011699369,0.00004846103,0.00009216745,0.14657226],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9982982,0.00092957815,0.000024708548,0.000092946066,0.0002480692,0.00040643002],"domain_scores_gemma":[0.99925774,0.0004072014,0.000050462593,0.000021880633,0.00011239155,0.00015016033],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013653206,0.00050228165,0.00030447045,0.0012481831,0.016332451,0.008081711,0.0012041338,0.0033544337,0.0033954133],"category_scores_gemma":[0.0017537544,0.00022648124,0.0002298192,0.001214166,0.018639782,0.0046373536,0.0027974758,0.0053054392,0.0006420311],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019866437,0.000017981682,0.00015950309,0.000047094607,0.0000017399805,0.0010202505,0.096797146,0.00006176222,0.00015604332,0.8807247,0.014734024,0.0062599233],"study_design_scores_gemma":[0.0000052639302,0.00003221118,0.00054277276,0.00025203513,0.0000040286045,0.0012673171,0.15791132,0.00022944974,0.00029766563,0.07322307,0.76621354,0.000021300162],"about_ca_topic_score_codex":0.04175646,"about_ca_topic_score_gemma":0.05170516,"teacher_disagreement_score":0.04175646,"about_ca_system_score_codex":0.009878821,"about_ca_system_score_gemma":0.0055542877,"threshold_uncertainty_score":0.08302683},"labels":[],"label_agreement":null},{"id":"W2362811368","doi":"","title":"The Polyphony of Margaret Atwood's Alias Grace","year":2009,"lang":"en","type":"article","venue":"Wai-yu yu wai-yu jiaoxue","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Polyphony; Narrative; Consciousness; Alias; Literature; Dominance (genetics); Aesthetics; Art; Sociology; History; Philosophy; Epistemology; Computer science","score_opus":0.019716301874425104,"score_gpt":0.22233210310453544,"score_spread":0.20261580123011033,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2362811368","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3090768,0.009936014,0.0069942,0.072817415,0.004619059,0.00005607128,0.00015895447,0.00020989134,0.5961317],"genre_scores_gemma":[0.8856448,0.001714631,0.00092944386,0.0026279902,0.0003549684,0.00002003909,0.000025265748,0.00010559541,0.10857729],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995265,0.00017723811,0.000007998845,0.00005199374,0.00013956535,0.00009674436],"domain_scores_gemma":[0.99937135,0.00025486588,0.00006201568,0.000043178476,0.00009426856,0.00017429805],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006413378,0.00026700099,0.00015203869,0.00040718514,0.009457333,0.0033537485,0.0003529145,0.00068117335,0.0023768751],"category_scores_gemma":[0.0013649754,0.0001409703,0.00013037847,0.0005037659,0.005638873,0.0013091554,0.0014306259,0.002248214,0.00028703845],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017347651,0.000032386968,0.0020480142,0.00019977015,0.000018829962,0.0031260964,0.43320712,0.0001814522,0.0048053665,0.40754494,0.11788233,0.030780174],"study_design_scores_gemma":[0.000005743464,0.0000321057,0.0023157855,0.00009546103,0.00001040515,0.0010350113,0.07943529,0.00019891195,0.0018977787,0.008759145,0.9061857,0.0000286981],"about_ca_topic_score_codex":0.029842373,"about_ca_topic_score_gemma":0.111806154,"teacher_disagreement_score":0.029842373,"about_ca_system_score_codex":0.0029710296,"about_ca_system_score_gemma":0.0023491504,"threshold_uncertainty_score":0.059337378},"labels":[],"label_agreement":null},{"id":"W2368139890","doi":"","title":"The Death and Rebirth of the Author: \"Death of the Author\" in Margaret Atwood's Works","year":2012,"lang":"en","type":"article","venue":"Guowai wenxue","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Literature; History; Psychoanalysis; Art; Psychology","score_opus":0.04446179770033627,"score_gpt":0.24971804844262,"score_spread":0.2052562507422837,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2368139890","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.22590043,0.029548604,0.0069549023,0.22318111,0.016852884,0.00005027102,0.00010683223,0.00022669007,0.49717823],"genre_scores_gemma":[0.87265635,0.0040326207,0.00076208194,0.012355374,0.0015090266,0.000030788044,0.000029525505,0.00017716215,0.10844702],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9974523,0.0015128463,0.000042312266,0.00017771266,0.00046085226,0.0003539436],"domain_scores_gemma":[0.9970818,0.0014693189,0.0003206826,0.00022240398,0.00045935967,0.00044635157],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0025120955,0.00048076376,0.0003515886,0.000855815,0.022576004,0.006429467,0.0010054747,0.0023737112,0.0022905816],"category_scores_gemma":[0.005962233,0.00022869935,0.00022065768,0.00071703346,0.028946137,0.004261902,0.0052406583,0.0074000503,0.0005058909],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040110554,0.000012115821,0.00036823773,0.000057350608,0.0000045154034,0.0011990931,0.628211,0.00003878276,0.00026356534,0.2962712,0.066126406,0.0074076382],"study_design_scores_gemma":[0.000008524408,0.000023864126,0.0006344694,0.0003490402,0.000011627363,0.0013169298,0.22384669,0.000084221436,0.0010308983,0.024987245,0.74767154,0.000034934477],"about_ca_topic_score_codex":0.015801845,"about_ca_topic_score_gemma":0.03904773,"teacher_disagreement_score":0.022576004,"about_ca_system_score_codex":0.006610312,"about_ca_system_score_gemma":0.004265062,"threshold_uncertainty_score":0.047961473},"labels":[],"label_agreement":null},{"id":"W2370356737","doi":"","title":"Confrontation of Marginalized Women——Reading of The Handmaid'Tale from the Perspective of Eco-feminism","year":2011,"lang":"en","type":"article","venue":"Journal of Xinyu University","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Oppression; Feminism; Consciousness; Perspective (graphical); Reading (process); Sociology; Gender studies; Harmonious Society; Environmental ethics; Political science; Philosophy; Law; China; Art; Epistemology; Politics","score_opus":0.03573755864536708,"score_gpt":0.19647771794857855,"score_spread":0.16074015930321145,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2370356737","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.067206405,0.017352084,0.0038393273,0.21816586,0.0063773156,0.000050750314,0.00006159204,0.00012593808,0.6868208],"genre_scores_gemma":[0.8710014,0.0024771555,0.00083093886,0.02332099,0.0007728954,0.000048526625,0.0000193627,0.00007124944,0.101457484],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99867237,0.00063117757,0.0000136873605,0.000108539425,0.00021344051,0.00036078473],"domain_scores_gemma":[0.99935836,0.00030899132,0.000045268538,0.000037175818,0.00011492071,0.00013524074],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014812428,0.00063924596,0.00040962506,0.0009666451,0.02384663,0.007521405,0.0012437435,0.0035298145,0.005131389],"category_scores_gemma":[0.0024802785,0.00019502595,0.0002906775,0.0005810216,0.034136895,0.003944434,0.0053440896,0.0062974887,0.00045427735],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000043110496,0.000016960532,0.00032239626,0.00007566208,0.0000064687924,0.0010421769,0.36836216,0.000067693225,0.00044059305,0.564127,0.05310643,0.012389264],"study_design_scores_gemma":[0.000006322376,0.00001843873,0.00066233106,0.00028415592,0.000005848965,0.0004575317,0.27437615,0.0001054063,0.0004037459,0.042971034,0.6806907,0.000018404104],"about_ca_topic_score_codex":0.12525263,"about_ca_topic_score_gemma":0.15554383,"teacher_disagreement_score":0.12525263,"about_ca_system_score_codex":0.0132508995,"about_ca_system_score_gemma":0.006215838,"threshold_uncertainty_score":0.24904716},"labels":[],"label_agreement":null},{"id":"W2370423468","doi":"","title":"The Penelopiad: Rewriting the Myth of Women","year":2007,"lang":"en","type":"article","venue":"Journal of Huaiyin Teachers College","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Patriarchy; Mythology; Narrative; Rewriting; Narratology; Construct (python library); Perspective (graphical); Literature; Sociology; Gender studies; Art; Computer science; Visual arts","score_opus":0.01964370234952002,"score_gpt":0.24002269286589317,"score_spread":0.22037899051637316,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2370423468","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10596428,0.012432774,0.0076644076,0.04141872,0.002934907,0.000044214692,0.00006535828,0.00009069817,0.8293847],"genre_scores_gemma":[0.9159167,0.0024614031,0.0010229014,0.002231707,0.00036525336,0.000030614825,0.000016671172,0.00005423273,0.07790059],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991197,0.00049768476,0.000012019536,0.00008781282,0.00013919584,0.00014355674],"domain_scores_gemma":[0.99956244,0.00020408617,0.000048261558,0.000043285443,0.00007760227,0.00006437382],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011531804,0.00056317647,0.0002570633,0.00076985947,0.0085013695,0.0066625723,0.00066394306,0.0010788394,0.0028248418],"category_scores_gemma":[0.0020945987,0.0001258652,0.00012897034,0.0006047549,0.022433309,0.0030750392,0.0022577215,0.0024318208,0.00029064232],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025831952,0.000009594691,0.00023782726,0.000043689284,0.0000023572118,0.0003166259,0.15325016,0.000080920516,0.00027061132,0.82679605,0.009472846,0.009493547],"study_design_scores_gemma":[0.000009172736,0.00003652929,0.00047310322,0.00022960092,0.000006612232,0.0004168235,0.12217038,0.00026703352,0.0010567082,0.0730671,0.8022498,0.000017153196],"about_ca_topic_score_codex":0.024092263,"about_ca_topic_score_gemma":0.03653826,"teacher_disagreement_score":0.024092263,"about_ca_system_score_codex":0.008276085,"about_ca_system_score_gemma":0.004455897,"threshold_uncertainty_score":0.060047507},"labels":[],"label_agreement":null},{"id":"W2373499324","doi":"","title":"An Interpretation of Parody in Oryx and Crake","year":2007,"lang":"en","type":"article","venue":"Journal of Honghe University","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Oryx; Interpretation (philosophy); Stern; Civilization; Literature; Art; History; Art history; Philosophy; Archaeology; Ecology; Ancient history; Linguistics","score_opus":0.01065573283650881,"score_gpt":0.2115020431125212,"score_spread":0.20084631027601238,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2373499324","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.093054794,0.004960123,0.0047442103,0.029788624,0.0005111236,0.0000329391,0.0000958551,0.00009473917,0.8667175],"genre_scores_gemma":[0.9502998,0.00093950017,0.00070482976,0.0017630823,0.00007817839,0.000023775963,0.00001687802,0.00006220935,0.04611164],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99842477,0.00067695347,0.000022238848,0.00014780757,0.00028672078,0.0004415224],"domain_scores_gemma":[0.99929357,0.0003892518,0.000056717607,0.000070668306,0.00011157304,0.00007816318],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011959381,0.00031856453,0.00029636538,0.00078931183,0.0151679,0.0051216315,0.0007744045,0.002120073,0.005871709],"category_scores_gemma":[0.0024381715,0.00028307337,0.00015679462,0.0010878915,0.03424774,0.0031683787,0.0034264438,0.004009501,0.00032333966],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019809839,0.0000020359598,0.00015927,0.000017674083,7.4176216e-7,0.00015862667,0.06820898,0.000026994514,0.00015025935,0.9245831,0.004724348,0.0019482715],"study_design_scores_gemma":[0.000024959569,0.00001964358,0.001936179,0.00027480663,0.000011440082,0.00044094847,0.13927977,0.00031014395,0.0009054896,0.10201249,0.75474465,0.000039391893],"about_ca_topic_score_codex":0.2588116,"about_ca_topic_score_gemma":0.4083644,"teacher_disagreement_score":0.2588116,"about_ca_system_score_codex":0.0140074985,"about_ca_system_score_gemma":0.009107817,"threshold_uncertainty_score":0.5146103},"labels":[],"label_agreement":null},{"id":"W2373951014","doi":"","title":"In-and-out-grouped Women——An Analysis of Atwood’s Women Images in Her Four Novels","year":2012,"lang":"en","type":"article","venue":"Ha'erbin Shi-Zhuan xuebao","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Patriarchy; Feminism; Categorization; Identity (music); Gender studies; Order (exchange); Sociology; Psychology; Art; Aesthetics; Philosophy; Epistemology","score_opus":0.04234264564471177,"score_gpt":0.2632316843342706,"score_spread":0.2208890386895588,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2373951014","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7837509,0.0014442566,0.0010956536,0.0058084824,0.00041774876,0.000058015674,0.00016739959,0.00004134009,0.20721614],"genre_scores_gemma":[0.9712839,0.0004768379,0.00035694614,0.00041477004,0.00006640619,0.000028514623,0.000062351784,0.00007080743,0.02723943],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9987797,0.00056610594,0.00002168007,0.00008749343,0.00026294964,0.00028208605],"domain_scores_gemma":[0.9989863,0.0003902206,0.00016787069,0.000048882932,0.00014439608,0.0002622427],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010258573,0.00063406257,0.00027868408,0.0015059054,0.013801452,0.0065063285,0.00077189546,0.00090177875,0.0044256356],"category_scores_gemma":[0.0019463467,0.00025190678,0.00022259861,0.0014671931,0.009030625,0.002065764,0.0025798304,0.0016988759,0.00036000734],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009716071,0.000035639172,0.0021369213,0.00008388999,0.000009605618,0.0014000572,0.94426453,0.00004597226,0.0011443276,0.031723324,0.0104620075,0.008596654],"study_design_scores_gemma":[0.0000032768833,0.000022374861,0.0042745695,0.000071182614,0.00000764657,0.00043017275,0.85558075,0.000050336428,0.00061463134,0.0009468377,0.13798374,0.000014480366],"about_ca_topic_score_codex":0.035414584,"about_ca_topic_score_gemma":0.08081855,"teacher_disagreement_score":0.9645854,"about_ca_system_score_codex":0.0060446076,"about_ca_system_score_gemma":0.0026855806,"threshold_uncertainty_score":0.07041687},"labels":[],"label_agreement":null},{"id":"W2376190514","doi":"","title":"An Art Analysis of Black Humor in Oryx and Crake","year":2007,"lang":"en","type":"article","venue":"Journal of Kunming University","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Oryx; Narrative; Art; Civilization; Literature; Aesthetics; History; Ecology; Archaeology","score_opus":0.018732113541434146,"score_gpt":0.22661349264340275,"score_spread":0.2078813791019686,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2376190514","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3384819,0.0031924807,0.0055078217,0.0076165693,0.0003330183,0.000060178856,0.00010279137,0.000111864945,0.6445933],"genre_scores_gemma":[0.93869305,0.0008189959,0.0016534156,0.0004167135,0.000049369824,0.000017829447,0.00002253097,0.00007860534,0.058249455],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99930525,0.00030213775,0.00000721314,0.00005377978,0.00016503432,0.00016657602],"domain_scores_gemma":[0.9994332,0.00031412783,0.000047350957,0.000047030662,0.00008057381,0.000077811426],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00062823767,0.00052497524,0.00022101711,0.001554356,0.013412472,0.0050643645,0.0005156175,0.0008483305,0.0057107243],"category_scores_gemma":[0.0014421613,0.00015973758,0.00013708601,0.0011376955,0.020164201,0.0014828814,0.0022860167,0.0018139145,0.00024535123],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009934261,0.000013779425,0.0007308029,0.00011027035,0.000008029943,0.0010716742,0.56613874,0.00025775452,0.001644487,0.39192158,0.01833542,0.019668065],"study_design_scores_gemma":[0.0000092519,0.0000263095,0.0048935884,0.00034776647,0.000015414667,0.0008905259,0.39243838,0.00055699365,0.0021455504,0.018039094,0.5806029,0.000034171935],"about_ca_topic_score_codex":0.13000442,"about_ca_topic_score_gemma":0.33246914,"teacher_disagreement_score":0.13000442,"about_ca_system_score_codex":0.006766145,"about_ca_system_score_gemma":0.003741156,"threshold_uncertainty_score":0.2584954},"labels":[],"label_agreement":null},{"id":"W2378394490","doi":"","title":"Intertextuality and the Post-modernist Conception of the Real:On Margaret Atwood's Alias Grace","year":2007,"lang":"en","type":"article","venue":"Guowai wenxue","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Intertextuality; Narrative; Subjectivity; Dialogic; Literature; Psychoanalytic theory; Subject (documents); Identity (music); Relation (database); Style (visual arts); Art; History; Aesthetics; Philosophy; Epistemology; Psychoanalysis; Computer science; Psychology","score_opus":0.027561395430544044,"score_gpt":0.2509475646420061,"score_spread":0.2233861692114621,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2378394490","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11879003,0.017212402,0.006872884,0.05621855,0.0010021081,0.000041514963,0.00007039595,0.00011494228,0.79967725],"genre_scores_gemma":[0.9460215,0.0027155194,0.0008399412,0.0013298421,0.0001691773,0.000019390993,0.000016621243,0.000054141256,0.048834015],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99861634,0.00059101224,0.000020648447,0.00012009914,0.00035758273,0.00029427954],"domain_scores_gemma":[0.99880207,0.0005907161,0.00013313594,0.00011169346,0.00017330301,0.00018901906],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018201943,0.00046888556,0.00028131114,0.0016010734,0.02068203,0.009388198,0.0011554857,0.0018834342,0.0036248665],"category_scores_gemma":[0.0026633549,0.0002382878,0.0002055132,0.0015789361,0.07737123,0.0057340404,0.0039811507,0.0039039538,0.0003020378],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012641387,0.0000052310493,0.00013242106,0.000029174336,0.0000017642515,0.0002449096,0.19558942,0.000072906536,0.00014042076,0.79627234,0.0035310786,0.0039677005],"study_design_scores_gemma":[0.000010071316,0.00001912261,0.0007455248,0.00021920638,0.0000102346385,0.00042750878,0.16354433,0.00021383908,0.00059711165,0.12208259,0.71209353,0.000036964026],"about_ca_topic_score_codex":0.26182896,"about_ca_topic_score_gemma":0.39457902,"teacher_disagreement_score":0.26182896,"about_ca_system_score_codex":0.027423786,"about_ca_system_score_gemma":0.012166182,"threshold_uncertainty_score":0.52060986},"labels":[],"label_agreement":null},{"id":"W2378710546","doi":"","title":"On the Destructive Power Relations Among Women in Margaret Atwood's Cat's Eye","year":2015,"lang":"en","type":"article","venue":"Journal of Hefei University","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Power (physics); Stereotype (UML); Gender studies; Garcia; Michel foucault; Sociology; Binary opposition; Femininity; Psychology; Psychoanalysis; Social psychology; Art; Literature; Political science; Humanities; Law; Politics","score_opus":0.022008430799537584,"score_gpt":0.1916624175574163,"score_spread":0.16965398675787874,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2378710546","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.25220552,0.02300416,0.0030038839,0.18561834,0.0023595097,0.000072148134,0.00007606247,0.000063688414,0.53359675],"genre_scores_gemma":[0.89935905,0.004964111,0.0005342684,0.012074714,0.00041580776,0.000046486683,0.000011524754,0.00005909468,0.08253493],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988758,0.0006824527,0.0000108143495,0.00007028383,0.00014177333,0.00021878183],"domain_scores_gemma":[0.99849963,0.0011136957,0.00011659555,0.000031172767,0.00011055692,0.00012830489],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012963772,0.00042589632,0.00029285057,0.0010086952,0.018669497,0.0046175364,0.00078529917,0.0023094139,0.0031688819],"category_scores_gemma":[0.001938037,0.00028129076,0.00021470731,0.0009074052,0.019044146,0.0032965764,0.0029556465,0.0038009048,0.00037504884],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033682772,0.000024382865,0.0005500796,0.00006998335,0.000003829331,0.0014208851,0.5554183,0.00006933001,0.00037183493,0.39180115,0.04240452,0.007832118],"study_design_scores_gemma":[0.000013068622,0.000053097745,0.0014614894,0.00037412893,0.0000107622445,0.0009635432,0.42112496,0.00015994528,0.0005995161,0.041962046,0.5332439,0.00003355716],"about_ca_topic_score_codex":0.05347837,"about_ca_topic_score_gemma":0.11708965,"teacher_disagreement_score":0.05347837,"about_ca_system_score_codex":0.0057220426,"about_ca_system_score_gemma":0.0028511158,"threshold_uncertainty_score":0.10633415},"labels":[],"label_agreement":null},{"id":"W2379448621","doi":"","title":"Review and Reflection on Margaret Atwood and Feminism","year":2007,"lang":"en","type":"article","venue":"Journal of China Women's University","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Feminism; Perspective (graphical); Criticism; Sociology; Gender studies; Relation (database); Psychoanalysis; Art; Literature; Psychology; Visual arts; Computer science","score_opus":0.017627988080305895,"score_gpt":0.22588889699426173,"score_spread":0.20826090891395585,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2379448621","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00016852377,0.9375764,0.00004606726,0.0483455,0.009640411,0.0000023463817,0.0000132653595,0.000003037089,0.00420443],"genre_scores_gemma":[0.005125453,0.94049144,0.00009196901,0.032864403,0.015874403,0.000015382335,0.00002534663,0.000013979794,0.0054976474],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974251,0.00094468927,0.00016204648,0.00028217697,0.0009664728,0.00021963123],"domain_scores_gemma":[0.9841576,0.010704416,0.00090129254,0.00029448894,0.0031818233,0.00076036266],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0033477163,0.00067184964,0.0014182249,0.0047160923,0.0031019566,0.0048169703,0.001960621,0.0053257807,0.0065289545],"category_scores_gemma":[0.011330397,0.0004663408,0.00040504755,0.013001551,0.008120763,0.004324918,0.0022631858,0.005757058,0.0022377593],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000357346,0.000017345921,0.0001646096,0.0052424073,0.00002232381,0.00026195793,0.0031996388,0.000067436755,0.00017203919,0.030342821,0.87011135,0.09036235],"study_design_scores_gemma":[0.0000019816407,0.0000040393325,0.0003766751,0.005202582,0.0000070312503,0.00017570365,0.0014513675,0.0000059585695,0.0000265606,0.0016584307,0.99108374,0.000006057982],"about_ca_topic_score_codex":0.031648602,"about_ca_topic_score_gemma":0.06759682,"teacher_disagreement_score":0.031648602,"about_ca_system_score_codex":0.007861689,"about_ca_system_score_gemma":0.012871731,"threshold_uncertainty_score":0.062928796},"labels":[],"label_agreement":null},{"id":"W2380225973","doi":"","title":"An Ecocriticism Interpretation of Atwood's Surfacing","year":2006,"lang":"en","type":"article","venue":"Journal of Xuzhou Education College","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ecocriticism; Interpretation (philosophy); Civilization; Criticism; Speculation; Literature; History; Aesthetics; Sociology; Philosophy; Art; Archaeology; Linguistics","score_opus":0.010750247798712562,"score_gpt":0.25507852770053957,"score_spread":0.244328279901827,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2380225973","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.042285495,0.0031930974,0.0053954665,0.021415602,0.00086448895,0.000023217275,0.000037744343,0.00006751051,0.9267174],"genre_scores_gemma":[0.8958335,0.0012006115,0.0012265417,0.0036960582,0.00035267865,0.000031185802,0.000028295626,0.00009562834,0.09753561],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99886394,0.00049794704,0.000017510878,0.00012911497,0.00026425146,0.0002273207],"domain_scores_gemma":[0.9989318,0.0005436365,0.00008234409,0.00008468627,0.00024345408,0.00011409898],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001210653,0.0005460316,0.00019855757,0.0020204585,0.010567297,0.007274442,0.0010451763,0.0030248598,0.005933538],"category_scores_gemma":[0.0022114653,0.00016563636,0.00021135106,0.0014925643,0.027601425,0.0038188668,0.0026369046,0.0037861553,0.00040410127],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011216282,0.000006301119,0.00011569087,0.000020361455,0.0000011189833,0.00031307098,0.053272743,0.00004136478,0.0001330998,0.9353917,0.0076818787,0.0030112965],"study_design_scores_gemma":[0.000016779875,0.000032151904,0.0008507992,0.0002955422,0.000009479265,0.0007063817,0.092817426,0.00038367708,0.0005780156,0.19793728,0.70634747,0.000024973962],"about_ca_topic_score_codex":0.033069853,"about_ca_topic_score_gemma":0.057201054,"teacher_disagreement_score":0.033069853,"about_ca_system_score_codex":0.0063410695,"about_ca_system_score_gemma":0.0025316302,"threshold_uncertainty_score":0.06575471},"labels":[],"label_agreement":null},{"id":"W2382372337","doi":"","title":"Spiritual Wondering Through the Purgatory of Reality——On the Nature of Reality in Atwood's Novels","year":2009,"lang":"en","type":"article","venue":"Wai-yu yu wai-yu jiaoxue","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Purgatory; Postmodernism; Ideology; Realism; Perspective (graphical); Aesthetics; Literature; China; Philosophy; Sociology; Art; History; Law; Politics; Political science; Visual arts; Archaeology","score_opus":0.06112832553072157,"score_gpt":0.27952682085978003,"score_spread":0.21839849532905847,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2382372337","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.28659767,0.0071375226,0.0075744926,0.042661037,0.0017775325,0.000045690467,0.000059593935,0.000092422975,0.6540541],"genre_scores_gemma":[0.9710296,0.00061746786,0.00056590023,0.0009934009,0.00014543593,0.000011033671,0.000008736064,0.000030471743,0.026598062],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999143,0.00054665614,0.000011584209,0.000053434174,0.00011952359,0.00012581082],"domain_scores_gemma":[0.9991309,0.00046963312,0.00007781735,0.00007948054,0.00009375604,0.000148478],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012856673,0.00029620892,0.00018425341,0.0005150906,0.011514053,0.005608294,0.00052746735,0.00079349545,0.0021573748],"category_scores_gemma":[0.0014797259,0.0001387959,0.00017320144,0.00041816416,0.028304553,0.0027379834,0.0024473974,0.0029828076,0.00017346987],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000046237357,0.000016717388,0.00029277586,0.000057491543,0.000004206566,0.00045927335,0.15993938,0.00014826577,0.0006015316,0.8203828,0.012583814,0.0054675746],"study_design_scores_gemma":[0.000016323964,0.000058727976,0.0015849554,0.00022456575,0.000013639586,0.00078152376,0.172523,0.0005938855,0.0019923972,0.14243646,0.6797244,0.000050169652],"about_ca_topic_score_codex":0.008058354,"about_ca_topic_score_gemma":0.021562278,"teacher_disagreement_score":0.011514053,"about_ca_system_score_codex":0.0038327146,"about_ca_system_score_gemma":0.00198743,"threshold_uncertainty_score":0.027808428},"labels":[],"label_agreement":null},{"id":"W238802284","doi":"","title":"Margaret Atwood: The Robber Bride, The Blind Assassin, Oryx and Crake ed. by J. Brooks Bouson (review)","year":2013,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Oryx; Bride; Art; Art history; Biology; Ecology","score_opus":0.009630823318104985,"score_gpt":0.18429406772141482,"score_spread":0.17466324440330983,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W238802284","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000016334203,0.99474007,0.0000099988865,0.0035192594,0.0008936068,9.764864e-7,0.000008403085,0.0000023522293,0.00080904213],"genre_scores_gemma":[0.0006246752,0.9891782,0.000034179564,0.0033252542,0.0013092669,0.000008008869,0.000023311375,0.0000052901273,0.005491792],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99929905,0.00020836334,0.000057345074,0.0000775265,0.00027142628,0.000086372645],"domain_scores_gemma":[0.9985241,0.0006788085,0.00018660736,0.000046089775,0.00033225364,0.0002321518],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016172925,0.0013200954,0.0022055462,0.003848864,0.0022905532,0.0049610515,0.0018989253,0.004945078,0.02184419],"category_scores_gemma":[0.005873666,0.00095818087,0.00066810986,0.005293786,0.003675499,0.0067947702,0.0025666594,0.004499653,0.010135687],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034169734,0.000011052695,0.000103682585,0.0027232722,0.000023252185,0.00012745042,0.0006278728,0.000036997415,0.000035109686,0.003973129,0.86418575,0.12811825],"study_design_scores_gemma":[0.0000074819177,0.0000063760845,0.00043461967,0.005027757,0.000014419202,0.000373471,0.0005593465,0.000005996298,0.000019515282,0.0013147673,0.9922275,0.000008824896],"about_ca_topic_score_codex":0.04761914,"about_ca_topic_score_gemma":0.12125106,"teacher_disagreement_score":0.04761914,"about_ca_system_score_codex":0.004045481,"about_ca_system_score_gemma":0.0088023385,"threshold_uncertainty_score":0.094683945},"labels":[],"label_agreement":null},{"id":"W2388078482","doi":"","title":"On the Ecofeminist Beliefs in Atwood's Surfacing","year":2006,"lang":"en","type":"article","venue":"Journal of Jiangxi Normal University","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ecofeminism; Perspective (graphical); Politics; Sociology; Environmental ethics; Feminism; Gender studies; Aesthetics; Political science; Art; Philosophy; Law; Visual arts","score_opus":0.01206591362625798,"score_gpt":0.1618268675682835,"score_spread":0.14976095394202552,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2388078482","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.36958453,0.004947116,0.0025056258,0.041629016,0.00071861286,0.000025226225,0.000055223656,0.00006430375,0.5804703],"genre_scores_gemma":[0.9559775,0.00106496,0.0002834875,0.0016083039,0.00007210984,0.0000066188527,0.0000075758976,0.000044415116,0.04093504],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99869734,0.00056753575,0.000014413799,0.00012544915,0.0002832051,0.0003120957],"domain_scores_gemma":[0.99869674,0.0007229378,0.00011795599,0.00006667025,0.00017593284,0.00021973178],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001288029,0.00045997716,0.0002467694,0.00092592026,0.023325277,0.008509992,0.00083668844,0.002190118,0.0050212643],"category_scores_gemma":[0.0018676459,0.00022453279,0.00015448309,0.001270818,0.028600613,0.0043696887,0.0030755992,0.0033755184,0.00028552147],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000320613,0.000016780003,0.0007031726,0.000047650443,0.0000035518062,0.0009791838,0.68153864,0.000066568464,0.00063003495,0.28453934,0.023612797,0.0078302035],"study_design_scores_gemma":[0.0000043460855,0.000028428714,0.0013252051,0.00017345119,0.000005469584,0.00057079963,0.5634005,0.0000928404,0.0004101222,0.015476423,0.41848612,0.000026198351],"about_ca_topic_score_codex":0.083085954,"about_ca_topic_score_gemma":0.17146312,"teacher_disagreement_score":0.083085954,"about_ca_system_score_codex":0.0071315197,"about_ca_system_score_gemma":0.0037455324,"threshold_uncertainty_score":0.1652047},"labels":[],"label_agreement":null},{"id":"W2389411993","doi":"","title":"Escape From Dissimulated Space","year":2006,"lang":"en","type":"article","venue":"Journal of Chongqing University of Arts and Sciences","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Motif (music); Oryx; Space (punctuation); Politics; Living space; Sociology; Utopia; Genealogy; Art history; Art; Aesthetics; History; Political science; Philosophy; Law; Linguistics; Ecology; Demography","score_opus":0.02123179855565581,"score_gpt":0.1865181862728969,"score_spread":0.16528638771724108,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2389411993","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.37861836,0.0011342453,0.019296408,0.007852751,0.00023678996,0.0000380486,0.00007479996,0.000095645795,0.59265286],"genre_scores_gemma":[0.9888732,0.00010090636,0.0007721637,0.00019288211,0.000016756057,0.000010848175,0.00001583856,0.000031675016,0.0099857915],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99874204,0.0005044557,0.000019231058,0.00013647511,0.0002652374,0.00033246056],"domain_scores_gemma":[0.9994062,0.00018691245,0.00007342431,0.000107371845,0.000095246374,0.00013087687],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010395948,0.00037981503,0.0002559293,0.0010990446,0.007982819,0.0053328755,0.0008021329,0.0010004019,0.0051586246],"category_scores_gemma":[0.0020794135,0.00011739189,0.00026893604,0.0009478348,0.032652266,0.0042613717,0.0066826036,0.0025285268,0.00036656318],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026052605,0.000005591801,0.00040008445,0.000016656108,0.000002899594,0.00020407692,0.07699441,0.00011693799,0.00023777962,0.91706246,0.0011966851,0.003736274],"study_design_scores_gemma":[0.000030501586,0.000048487884,0.0030013733,0.00013274189,0.000012374313,0.000560679,0.23629528,0.0012115015,0.00088840735,0.5074253,0.25035697,0.000036404726],"about_ca_topic_score_codex":0.015373192,"about_ca_topic_score_gemma":0.026506035,"teacher_disagreement_score":0.015373192,"about_ca_system_score_codex":0.004805776,"about_ca_system_score_gemma":0.0026873744,"threshold_uncertainty_score":0.03486848},"labels":[],"label_agreement":null},{"id":"W2391607756","doi":"","title":"On Margaret Atwood's Ecological Writing","year":2011,"lang":"en","type":"article","venue":"Overseas English","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ecological crisis; Environmental crisis; Ecology; Environmental ethics; History; Sociology; Philosophy; Biology","score_opus":0.05059892275731825,"score_gpt":0.21169875038868188,"score_spread":0.16109982763136363,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2391607756","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.031394124,0.017865513,0.000982699,0.32486713,0.008871319,0.00003382007,0.00021879039,0.00010409777,0.61566246],"genre_scores_gemma":[0.47294018,0.010540499,0.0011717057,0.060394835,0.0020020436,0.00003662724,0.00010842268,0.00021097633,0.4525946],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991379,0.00017343024,0.000012328922,0.00010171353,0.00037670686,0.0001977802],"domain_scores_gemma":[0.99843854,0.00055929384,0.00006886587,0.000045071007,0.0005869085,0.00030132575],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008029814,0.00038291377,0.00020227268,0.0010165403,0.022111814,0.005839856,0.001086248,0.0014878184,0.0062196683],"category_scores_gemma":[0.003152031,0.00016914685,0.00014777617,0.0012608207,0.012520812,0.0018356248,0.0017132888,0.0039720605,0.00076694036],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003297574,0.000013730099,0.00045415453,0.00007775791,0.0000042295856,0.00078532327,0.10095235,0.00010186928,0.00036427757,0.25171807,0.6320095,0.013485683],"study_design_scores_gemma":[0.0000012620768,0.0000027076978,0.00034889596,0.00007301444,0.0000020056052,0.00014125119,0.02731631,0.000027833961,0.00010069547,0.003300843,0.9686774,0.000007916218],"about_ca_topic_score_codex":0.70141965,"about_ca_topic_score_gemma":0.85960937,"teacher_disagreement_score":0.70141965,"about_ca_system_score_codex":0.021628931,"about_ca_system_score_gemma":0.017744226,"threshold_uncertainty_score":0.6006775},"labels":[],"label_agreement":null},{"id":"W2391764748","doi":"","title":"A Woman's Life Track:Feminism of Moral Disorder","year":2013,"lang":"en","type":"article","venue":"Journal of Dongguan University of Technology","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Perspective (graphical); Theme (computing); Construct (python library); Metaphor; Feminism; Narrative structure; Psychoanalysis; Style (visual arts); Gender studies; Sociology; Psychology; Aesthetics; Literature; Philosophy; Art; Computer science; Visual arts; Linguistics","score_opus":0.01381972910369992,"score_gpt":0.17860650649986987,"score_spread":0.16478677739616995,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2391764748","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.201609,0.0066954913,0.00670218,0.06195621,0.0017926156,0.000039136514,0.00008681556,0.000103261045,0.7210153],"genre_scores_gemma":[0.97209126,0.000682178,0.00042480862,0.0011469735,0.00011071083,0.000013073451,0.000011299118,0.000021123991,0.025498578],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9992731,0.0004848271,0.000011830427,0.000048556165,0.00006870627,0.00011299481],"domain_scores_gemma":[0.9995603,0.00021515823,0.00005067428,0.00003413335,0.00004081913,0.00009887867],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009049286,0.00028786832,0.00012436937,0.0005749588,0.008066691,0.0034330508,0.00039550842,0.0010458082,0.0030928336],"category_scores_gemma":[0.0015310643,0.00009493906,0.000101296704,0.0003404548,0.0177263,0.0024488461,0.0026965444,0.002173741,0.00024178703],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020896206,0.000011492163,0.0006134572,0.00003395621,0.0000018078218,0.00083482114,0.31045467,0.000065472224,0.00037869465,0.6658343,0.0123040965,0.009446334],"study_design_scores_gemma":[0.0000092311675,0.000034841054,0.0012218494,0.00017800358,0.0000048690094,0.0015155259,0.31831062,0.00035028977,0.0008094004,0.0716015,0.60594743,0.000016423568],"about_ca_topic_score_codex":0.006188214,"about_ca_topic_score_gemma":0.0100091705,"teacher_disagreement_score":0.008066691,"about_ca_system_score_codex":0.0035511625,"about_ca_system_score_gemma":0.0012408597,"threshold_uncertainty_score":0.025765538},"labels":[],"label_agreement":null},{"id":"W2406332667","doi":"","title":"First Words: Speech and Silence in Maxine Hong Kingston’s The Woman Warrior and Margaret Atwood’s The Handmaid’s Tale","year":2010,"lang":"en","type":"article","venue":"Scholarship@Western (Western University)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Silence; History; Art; Aesthetics","score_opus":0.05265334242187071,"score_gpt":0.2578513951006207,"score_spread":0.20519805267875002,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2406332667","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.033875786,0.064597994,0.002249999,0.2763455,0.03287604,0.00008701164,0.0002259749,0.00015872018,0.58958304],"genre_scores_gemma":[0.3754066,0.016806051,0.000667246,0.0353875,0.007994996,0.00009911671,0.00008736189,0.00023772373,0.56331336],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993432,0.00031591492,0.000019407802,0.00006722247,0.00015771038,0.00009649159],"domain_scores_gemma":[0.9988617,0.0006314221,0.00008165168,0.000040218485,0.00015179615,0.0002331859],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006675304,0.00056136906,0.00034547594,0.0007005322,0.008372235,0.0038144488,0.00080994266,0.002534247,0.010252976],"category_scores_gemma":[0.0023863963,0.00022391495,0.00015287982,0.0005578931,0.00825115,0.0029094047,0.00235766,0.0040125716,0.0023367174],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000084441,0.000025044885,0.0006848138,0.0003105989,0.000010743191,0.0010597742,0.23188125,0.00009631205,0.0006999754,0.14177783,0.6022321,0.021137107],"study_design_scores_gemma":[0.0000031788222,0.000012861933,0.0006359075,0.00020911562,0.0000025890486,0.000324053,0.04346332,0.000035409048,0.00023767377,0.002540893,0.95252526,0.000009760304],"about_ca_topic_score_codex":0.03522448,"about_ca_topic_score_gemma":0.0764817,"teacher_disagreement_score":0.03522448,"about_ca_system_score_codex":0.0041188174,"about_ca_system_score_gemma":0.0019579383,"threshold_uncertainty_score":0.070038855},"labels":[],"label_agreement":null},{"id":"W2461381131","doi":"","title":"Experimentation with Form: Perspective, Language and Intertextuality in Short Stories by Margaret Atwood","year":2002,"lang":"en","type":"dissertation","venue":"Duo Research Archive (University of Oslo)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Intertextuality; Perspective (graphical); Literature; Linguistics; Art; Philosophy; Visual arts","score_opus":0.0394459329671202,"score_gpt":0.29653665191200995,"score_spread":0.2570907189448898,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2461381131","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.79605305,0.003049296,0.005983684,0.024565516,0.0003189541,0.00018631725,0.00022185032,0.00007022623,0.1695512],"genre_scores_gemma":[0.96276444,0.0015571702,0.0024773343,0.0011513914,0.00004843447,0.00009048698,0.00006958446,0.000112501664,0.0317288],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9920975,0.005475445,0.00009331542,0.00038439,0.0014530584,0.0004962947],"domain_scores_gemma":[0.98650753,0.010817664,0.0005959105,0.00039107067,0.0010519733,0.00063593494],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004631982,0.00050487247,0.00037000809,0.001262482,0.018369164,0.007474444,0.0014152277,0.0018585861,0.005741979],"category_scores_gemma":[0.015125507,0.00045075084,0.00021400097,0.002000639,0.028378658,0.006137124,0.0050627985,0.003174846,0.0005557267],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036636422,0.000015784894,0.0005712795,0.000045300036,0.0000025665026,0.00035830517,0.9648125,0.000053970824,0.0007153147,0.024903558,0.0029843973,0.0055004004],"study_design_scores_gemma":[0.000008551562,0.00004691873,0.0014123899,0.00018168197,0.000009750511,0.0004367486,0.78909624,0.00014642325,0.0016939258,0.004089941,0.2028406,0.00003688929],"about_ca_topic_score_codex":0.21808693,"about_ca_topic_score_gemma":0.38091773,"teacher_disagreement_score":0.21808693,"about_ca_system_score_codex":0.016222859,"about_ca_system_score_gemma":0.007365111,"threshold_uncertainty_score":0.43363506},"labels":[],"label_agreement":null},{"id":"W2461723948","doi":"","title":"Margaret Atwood’s MaddAddam Trilogy: Postmodernism, Apocalypse, and Rapture","year":2014,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Trilogy; Narrative; Postmodernism; Literature; Oryx; Art; History","score_opus":0.03176176287403157,"score_gpt":0.2630010279848376,"score_spread":0.23123926511080603,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2461723948","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11720518,0.015422489,0.007883364,0.16255265,0.0054568467,0.000047056794,0.00008925587,0.00023718383,0.691106],"genre_scores_gemma":[0.81950986,0.0023147033,0.0015151283,0.009949834,0.0012031253,0.00007310604,0.000030400879,0.00031121873,0.16509272],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99818146,0.0010536356,0.000029693392,0.00019660837,0.00031742654,0.00022113541],"domain_scores_gemma":[0.99776256,0.0011907439,0.0002065695,0.00020459286,0.00026154227,0.0003739713],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017356524,0.000513814,0.00022996715,0.00084589963,0.011643667,0.009830984,0.0010725724,0.0022770686,0.008727129],"category_scores_gemma":[0.0044292063,0.00022895986,0.0001505565,0.0006171948,0.019463671,0.006914992,0.003819482,0.00670642,0.001656951],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000057157067,0.000037848546,0.00032814988,0.00007162214,0.000003538117,0.00067865767,0.20751254,0.00004637925,0.0004892829,0.68365026,0.09498544,0.01213922],"study_design_scores_gemma":[0.000013286046,0.000033234108,0.0005896772,0.0002453068,0.0000046024725,0.0007908747,0.08419248,0.000250956,0.00073331525,0.07087162,0.8422497,0.00002497504],"about_ca_topic_score_codex":0.0055387435,"about_ca_topic_score_gemma":0.012151806,"teacher_disagreement_score":0.99446124,"about_ca_system_score_codex":0.0051352633,"about_ca_system_score_gemma":0.0021272486,"threshold_uncertainty_score":0.03725916},"labels":[],"label_agreement":null},{"id":"W2461826303","doi":"10.4000/resf.809","title":"Le grotesque en science-fiction","year":2016,"lang":"fr","type":"article","venue":"ReS Futurae","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec en Outaouais","funders":"","keywords":"Humanities; Philosophy; Art; Art history","score_opus":0.013048449358492491,"score_gpt":0.226305863294291,"score_spread":0.2132574139357985,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2461826303","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.031799626,0.017995365,0.0116911,0.052272256,0.0023520077,0.00004243934,0.00019835368,0.00018809378,0.8834607],"genre_scores_gemma":[0.7912767,0.008080713,0.004410588,0.010511733,0.0021170639,0.000099916506,0.00016557523,0.0002338611,0.18310377],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974023,0.0013613033,0.0000732374,0.00035398122,0.00058404455,0.00022512372],"domain_scores_gemma":[0.9970289,0.0018426792,0.0002591186,0.00034217228,0.00038532456,0.00014191055],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0021078014,0.0006274188,0.00038399766,0.0016155189,0.0067790137,0.0075370795,0.0007880004,0.0028708868,0.010156409],"category_scores_gemma":[0.0057635326,0.00019446739,0.00034220633,0.0016633874,0.028059317,0.0065754033,0.003270493,0.004829944,0.0019484542],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009859371,0.000003474504,0.00011971684,0.000053792748,0.0000018495922,0.00007610775,0.014160086,0.00004912129,0.00010821964,0.9715413,0.007253795,0.006622688],"study_design_scores_gemma":[0.000008950493,0.000021649716,0.00058432855,0.00026708766,0.000006006532,0.00031797824,0.007617851,0.00018510292,0.00046320216,0.28938463,0.7011245,0.000018749242],"about_ca_topic_score_codex":0.004325604,"about_ca_topic_score_gemma":0.007131429,"teacher_disagreement_score":0.010156409,"about_ca_system_score_codex":0.0047680167,"about_ca_system_score_gemma":0.0032572001,"threshold_uncertainty_score":0.034594536},"labels":[],"label_agreement":null},{"id":"W2473186360","doi":"10.1057/9780230583863_3","title":"The Incandescent Home: Margaret Atwood’s The Blind Assassin","year":2008,"lang":"en","type":"book-chapter","venue":"Palgrave Macmillan UK eBooks","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Apartment; Art; Casual; Performance art; History; Art history; Sociology; Criminology; Law; Political science","score_opus":0.03823732864719349,"score_gpt":0.22174115778186124,"score_spread":0.18350382913466776,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2473186360","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13412026,0.032167725,0.0013609577,0.23699743,0.017710933,0.000061637664,0.00014536284,0.00021269263,0.5772229],"genre_scores_gemma":[0.50892085,0.0070314268,0.000525162,0.035635278,0.0017339895,0.000043629007,0.000036269023,0.00020573997,0.44586763],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994598,0.00023506943,0.000008430203,0.00005432475,0.00010056466,0.00014180983],"domain_scores_gemma":[0.9995059,0.00014593042,0.000045771965,0.0000235458,0.00005126036,0.00022768296],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004628905,0.00046446425,0.00018360767,0.000541108,0.015365774,0.0031294536,0.000578114,0.0017944648,0.010429376],"category_scores_gemma":[0.0014989625,0.0002098883,0.00013021869,0.00045333238,0.004613013,0.002629072,0.0030019518,0.0038986336,0.0019733938],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005288499,0.000047856953,0.000836992,0.00009193158,0.0000041800995,0.0030765033,0.31823036,0.000028120294,0.00052557705,0.065976806,0.5830736,0.028055232],"study_design_scores_gemma":[0.00000288703,0.000017347356,0.00057932496,0.000098970406,0.0000020150162,0.0012093073,0.072371505,0.000013168284,0.00020980608,0.0012881617,0.92420006,0.0000074861937],"about_ca_topic_score_codex":0.020570194,"about_ca_topic_score_gemma":0.07161049,"teacher_disagreement_score":0.020570194,"about_ca_system_score_codex":0.0033907145,"about_ca_system_score_gemma":0.0014631241,"threshold_uncertainty_score":0.040900886},"labels":[],"label_agreement":null},{"id":"W2475863724","doi":"10.5749/minnesota/9780816665075.003.0005","title":"Shape-shifters and Disciplined Bodies: Feminist Tactics, Science Fiction, and Fantasy","year":2010,"lang":"en","type":"book-chapter","venue":"University of Minnesota Press eBooks","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Fantasy; Art; Aesthetics; Literature; Sociology","score_opus":0.029901774665616387,"score_gpt":0.2043038510659994,"score_spread":0.17440207640038302,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2475863724","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09295637,0.0065505644,0.005115345,0.019104613,0.0008326881,0.000056015277,0.000054628366,0.00007741256,0.8752523],"genre_scores_gemma":[0.88387406,0.0026529774,0.0025961297,0.002060256,0.00028416552,0.00009046358,0.00004107417,0.000093878865,0.108307],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990989,0.0005473155,0.000012074455,0.0000900024,0.00015701982,0.000094748226],"domain_scores_gemma":[0.9986992,0.0009959802,0.00007019303,0.000083562925,0.00006761351,0.00008342485],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016378001,0.000591542,0.00024222062,0.0009173654,0.007818618,0.0053296466,0.00082333945,0.0012006093,0.006739922],"category_scores_gemma":[0.0016999237,0.00017269485,0.00017785685,0.00062990416,0.035971694,0.0032029187,0.0026536437,0.003073084,0.0004864872],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033808916,0.000037779566,0.00026652284,0.00013794568,0.0000033712338,0.0006422695,0.27199438,0.00014942564,0.00081601687,0.69128567,0.019695455,0.01493729],"study_design_scores_gemma":[0.000019190804,0.00005119593,0.00070233777,0.00044284607,0.0000061402516,0.00086620875,0.1762172,0.00032721926,0.0014609204,0.04802753,0.7718577,0.00002146519],"about_ca_topic_score_codex":0.00483156,"about_ca_topic_score_gemma":0.011026049,"teacher_disagreement_score":0.007818618,"about_ca_system_score_codex":0.0045181983,"about_ca_system_score_gemma":0.0016707582,"threshold_uncertainty_score":0.03278196},"labels":[],"label_agreement":null},{"id":"W2477427094","doi":"10.1017/ccol0521839661.008","title":"Home and nation in Margaret Atwood’s later fiction","year":2006,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":16,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History; Performance art; Art; Media studies; Art history; Literature; Sociology","score_opus":0.025961050530880953,"score_gpt":0.17551938349601914,"score_spread":0.14955833296513818,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2477427094","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.045684196,0.008825427,0.001064975,0.044251226,0.0025301506,0.000021436666,0.00010891058,0.00008312358,0.89743054],"genre_scores_gemma":[0.69199395,0.0029325518,0.0005698951,0.008357927,0.00046098526,0.00003550805,0.00006077507,0.00012627582,0.2954622],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99929667,0.0002484083,0.000009570934,0.00007356119,0.00014601555,0.00022580588],"domain_scores_gemma":[0.99967027,0.00010994379,0.00002162171,0.000015714177,0.00008244121,0.00010008701],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003810697,0.00042304513,0.0002186626,0.0006053287,0.01611747,0.0051499107,0.000745933,0.0016128102,0.0059563825],"category_scores_gemma":[0.0010898422,0.00012459538,0.00016219515,0.00053707184,0.013032157,0.0020371976,0.002271628,0.003252428,0.00088925567],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040342915,0.000025472147,0.00043638737,0.00006211685,0.000003170424,0.001180698,0.21775904,0.000069978996,0.000250522,0.62337095,0.1480016,0.00879969],"study_design_scores_gemma":[0.000002391068,0.000006424891,0.00052321196,0.00010484536,0.000002711358,0.00032889625,0.049726356,0.00004494454,0.00020912268,0.005586881,0.9434524,0.00001176402],"about_ca_topic_score_codex":0.28425145,"about_ca_topic_score_gemma":0.47065338,"teacher_disagreement_score":0.28425145,"about_ca_system_score_codex":0.015411422,"about_ca_system_score_gemma":0.004276947,"threshold_uncertainty_score":0.5651939},"labels":[],"label_agreement":null},{"id":"W2485917614","doi":"10.1093/acprof:oso/9780195157468.001.0001","title":"Fantasies of Flight","year":2004,"lang":"en","type":"book","venue":"","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":8,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Aeronautics; Astrobiology; Environmental science; Engineering; Physics","score_opus":0.024105324056526357,"score_gpt":0.19549909420295203,"score_spread":0.17139377014642568,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2485917614","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23269995,0.019863525,0.014812654,0.061375245,0.009554119,0.00013270855,0.0009905285,0.000385427,0.6601859],"genre_scores_gemma":[0.9083949,0.0032173814,0.002353945,0.0049904305,0.0006718808,0.00004871402,0.00037938682,0.00007001772,0.079873316],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988102,0.0006473452,0.00003707037,0.00009108121,0.0002887937,0.0001256978],"domain_scores_gemma":[0.99863917,0.00050508464,0.00016828433,0.00014054381,0.00020520759,0.00034165848],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001111549,0.0008164848,0.0002872709,0.0007228684,0.002181126,0.0034548878,0.00054661295,0.0020658653,0.01075835],"category_scores_gemma":[0.00530153,0.00021785474,0.0005084104,0.000372401,0.007591371,0.0033226537,0.0025448943,0.0041028974,0.0016242701],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012711741,0.0000890878,0.005834144,0.00033561766,0.000055905555,0.004123369,0.26581421,0.0005895888,0.004128335,0.4829419,0.17889161,0.05706914],"study_design_scores_gemma":[0.00001434247,0.00015711892,0.0039172145,0.00032719315,0.000007872805,0.009647754,0.06975399,0.0005059841,0.00044200534,0.03900702,0.876129,0.00009055087],"about_ca_topic_score_codex":0.0017305962,"about_ca_topic_score_gemma":0.001967385,"teacher_disagreement_score":0.01075835,"about_ca_system_score_codex":0.0012142244,"about_ca_system_score_gemma":0.0004043722,"threshold_uncertainty_score":0.03599024},"labels":[],"label_agreement":null},{"id":"W2486929507","doi":"10.1057/9780230356054_1","title":"Introduction: Elephant-Shaped Holes","year":2011,"lang":"en","type":"book-chapter","venue":"Palgrave Macmillan UK eBooks","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Conversation; History; Art history; Art; Sociology; Communication","score_opus":0.03752201990448311,"score_gpt":0.21351400803643356,"score_spread":0.17599198813195044,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2486929507","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002686987,0.017348584,0.0034671482,0.00899918,0.0052210274,0.00006710881,0.00023101273,0.00021987414,0.9617591],"genre_scores_gemma":[0.0400276,0.008912223,0.0020078241,0.0034539376,0.0013222498,0.00005900102,0.00019835439,0.00017823717,0.9438405],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996847,0.00007621426,0.000013699289,0.00007439063,0.00009839756,0.000052630607],"domain_scores_gemma":[0.99972004,0.00014169424,0.000016879765,0.000036831407,0.000050534687,0.00003397916],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003635275,0.00071265484,0.00026619932,0.0011017197,0.0039203595,0.003255532,0.0008403795,0.002099752,0.07209355],"category_scores_gemma":[0.0014261792,0.0002988036,0.0003676772,0.0010477069,0.004267803,0.0051590996,0.0022179086,0.0029099945,0.016829766],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000053728494,0.000024480956,0.00018915802,0.00024432663,0.0000021006927,0.0003673401,0.006948218,0.00017702702,0.0002523566,0.5200076,0.40133706,0.0703966],"study_design_scores_gemma":[0.0000020370726,0.00000895561,0.00010041105,0.00016635159,7.269241e-7,0.00022719122,0.0006746334,0.00004034318,0.00008935992,0.010439823,0.98824745,0.000002698364],"about_ca_topic_score_codex":0.0029527773,"about_ca_topic_score_gemma":0.007582941,"teacher_disagreement_score":0.07209355,"about_ca_system_score_codex":0.0017649763,"about_ca_system_score_gemma":0.0011402387,"threshold_uncertainty_score":0.24117696},"labels":[],"label_agreement":null},{"id":"W2503536709","doi":"","title":"Margaret Atwood's The Year of the Flood : An Eco Critical Perspective","year":2015,"lang":"en","type":"article","venue":"","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Perspective (graphical); Flood myth; Environmental ethics; History; Sociology; Art; Philosophy; Visual arts; Archaeology","score_opus":0.06173752433575834,"score_gpt":0.27599485747330704,"score_spread":0.2142573331375487,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2503536709","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.057601266,0.030930836,0.0036027834,0.24587394,0.0081933085,0.00004584275,0.00009213564,0.00007704251,0.65358275],"genre_scores_gemma":[0.82584757,0.0116782915,0.0014721696,0.021748863,0.0022874842,0.000050434624,0.00003436618,0.00013923216,0.13674161],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99866915,0.00075822184,0.000014589845,0.00008622244,0.00023476456,0.00023695584],"domain_scores_gemma":[0.997617,0.0016396387,0.00011999543,0.00007892784,0.00024707883,0.00029735346],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015432575,0.0004116526,0.00022468784,0.0014241616,0.018285207,0.008833555,0.00097616616,0.003069354,0.0045439457],"category_scores_gemma":[0.0032843922,0.00017164272,0.00017566113,0.0011685621,0.026572034,0.0050581526,0.0030435983,0.0056225155,0.00058661494],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002659333,0.000017639688,0.00025462112,0.00008588584,0.0000025210147,0.0006468333,0.15531594,0.00009478803,0.00021898736,0.73166245,0.1042226,0.0074511464],"study_design_scores_gemma":[0.0000022465515,0.000009297818,0.00030638356,0.00018899358,0.0000023736163,0.00031496742,0.06852811,0.000061873034,0.00021244642,0.032399625,0.89796156,0.000012179247],"about_ca_topic_score_codex":0.03273628,"about_ca_topic_score_gemma":0.08142803,"teacher_disagreement_score":0.03273628,"about_ca_system_score_codex":0.010080004,"about_ca_system_score_gemma":0.0042138407,"threshold_uncertainty_score":0.07313591},"labels":[],"label_agreement":null},{"id":"W2504822650","doi":"10.1017/ccol0521839661.006","title":"Margaret Atwood and environmentalism","year":2006,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":22,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Subtext; Environmentalism; Environmental ethics; Media studies; Literature; History; Art history; Aesthetics; Sociology; Art; Law; Political science; Philosophy; Politics","score_opus":0.02056850847123957,"score_gpt":0.16349150145834598,"score_spread":0.14292299298710642,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2504822650","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0063012373,0.056814123,0.0015652453,0.17772098,0.0027945202,0.000012450009,0.000037300495,0.00004069766,0.7547135],"genre_scores_gemma":[0.40641907,0.038249165,0.0016645895,0.05318027,0.0022587068,0.00008139526,0.000043542652,0.00015759151,0.49794573],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99908006,0.00054639496,0.000010353768,0.00010471515,0.00015959906,0.00009883918],"domain_scores_gemma":[0.9996363,0.0002125854,0.000021805394,0.000023462811,0.000045007957,0.00006074501],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00071909017,0.00034677074,0.0002018546,0.0006066672,0.0061286483,0.003966838,0.00046033488,0.0016876053,0.0071159014],"category_scores_gemma":[0.0010307889,0.00017567187,0.0001459839,0.0006755289,0.012346951,0.004937573,0.0024911584,0.003658195,0.0011558766],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000094601255,0.000012430274,0.0001157408,0.000048574588,0.0000015129863,0.00008915858,0.010473707,0.000055148827,0.000081875995,0.8568086,0.120468475,0.011835295],"study_design_scores_gemma":[0.0000014276328,0.000004215049,0.00014937969,0.0001247789,0.0000011202968,0.000085245985,0.006415465,0.000028069056,0.00007081085,0.08458221,0.9085335,0.0000037778407],"about_ca_topic_score_codex":0.0063837096,"about_ca_topic_score_gemma":0.01618786,"teacher_disagreement_score":0.0071159014,"about_ca_system_score_codex":0.0031116386,"about_ca_system_score_gemma":0.0019995149,"threshold_uncertainty_score":0.023805082},"labels":[],"label_agreement":null},{"id":"W2520944257","doi":"10.14288/cl.v0i226.187498","title":"Reasonably Insane: Affect and Crake in Margaret Atwood’s Oryx and Crake","year":2015,"lang":"en","type":"article","venue":"Open Collections","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Oryx; Affect (linguistics); Sociology; Psychology; Ecology; Biology","score_opus":0.058956201545116896,"score_gpt":0.2623883591974633,"score_spread":0.2034321576523464,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2520944257","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3606875,0.011581705,0.002460051,0.07038752,0.0013082577,0.00003692847,0.000045760633,0.00009143364,0.5534008],"genre_scores_gemma":[0.94684273,0.0012302976,0.00035855023,0.00268683,0.00016939169,0.000013478762,0.0000067981327,0.00005158366,0.04864035],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99938774,0.00031638064,0.00000608464,0.00005927616,0.000104689774,0.00012573622],"domain_scores_gemma":[0.99954945,0.00023491481,0.00005012603,0.000025213967,0.00003751006,0.00010271628],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00050632574,0.0003365876,0.00020531793,0.00048840593,0.013320435,0.005067448,0.00044517854,0.0017436054,0.0029957371],"category_scores_gemma":[0.0013429513,0.00018425955,0.00011149265,0.0003618095,0.019672299,0.0025673308,0.002388652,0.004360272,0.00037779618],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009713274,0.000034180044,0.000732002,0.00005559637,0.0000067085402,0.0011662828,0.54428786,0.000104244195,0.0007211666,0.3971947,0.046574254,0.009025868],"study_design_scores_gemma":[0.0000149086545,0.000038209164,0.0036067786,0.00019214046,0.000011467111,0.001037386,0.2652079,0.00021282803,0.0007496464,0.02513956,0.7037507,0.000038488794],"about_ca_topic_score_codex":0.026217481,"about_ca_topic_score_gemma":0.064276665,"teacher_disagreement_score":0.026217481,"about_ca_system_score_codex":0.0039294325,"about_ca_system_score_gemma":0.0010042508,"threshold_uncertainty_score":0.052129805},"labels":[],"label_agreement":null},{"id":"W2527203486","doi":"","title":"The Spiral Dance of Ideology and Utopia: Appropriating Humanity and Technology in Science Fiction","year":2013,"lang":"en","type":"article","venue":"Canadian review of comparative literature","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"University of Toronto","funders":"","keywords":"Utopia; Humanity; Cyberspace; Civilization; Ideology; Construct (python library); Sociology; Aesthetics; Fiction theory; Philosophy; Art history; Literature; Art; Politics; Literary fiction; Political science; The Internet; Theology; Law; Literary criticism","score_opus":0.017531056115697975,"score_gpt":0.2505355701215594,"score_spread":0.23300451400586145,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2527203486","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.31566772,0.03719643,0.026347548,0.022860935,0.0007776822,0.00008386644,0.00004476073,0.00008115215,0.5969399],"genre_scores_gemma":[0.98909247,0.004305971,0.0017180989,0.0004071909,0.00009957742,0.000029287745,0.000010810784,0.000019771998,0.004316784],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99696225,0.0022244721,0.00006131506,0.00013280073,0.0003985168,0.00022058807],"domain_scores_gemma":[0.99399734,0.005051069,0.00033391017,0.0003170028,0.0001998412,0.00010077745],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0033140557,0.00040353098,0.00037126738,0.004756103,0.0070494884,0.0102138305,0.0007296535,0.0017528957,0.003013985],"category_scores_gemma":[0.007794766,0.00019189733,0.00027041236,0.0031968318,0.05463766,0.007559416,0.0056061517,0.0019083711,0.00021138672],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016823136,0.000010645927,0.0006988125,0.00022051313,0.0000056750614,0.0003468454,0.21032442,0.00018864582,0.0002134836,0.77336127,0.0008278368,0.013785102],"study_design_scores_gemma":[0.000028560109,0.00006584112,0.0041107424,0.0015472329,0.000023907032,0.0014301788,0.2637743,0.00082319276,0.0011658916,0.3905321,0.336462,0.00003601165],"about_ca_topic_score_codex":0.0057526487,"about_ca_topic_score_gemma":0.008485215,"teacher_disagreement_score":0.0102138305,"about_ca_system_score_codex":0.005601908,"about_ca_system_score_gemma":0.0033167845,"threshold_uncertainty_score":0.040644884},"labels":[],"label_agreement":null},{"id":"W2552787790","doi":"","title":"UNSETTLING HOPE: SETTLER COLONIALISM AND UTOPIANISM","year":2015,"lang":"en","type":"dissertation","venue":"QSpace (Queen's University Library)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":12,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Colonialism; Aesthetics; History; Sociology; Gender studies; Art; Archaeology","score_opus":0.013139699442038555,"score_gpt":0.20103014202513647,"score_spread":0.18789044258309792,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2552787790","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16793008,0.014882677,0.0048185284,0.063865304,0.0007996901,0.000028165176,0.00003061187,0.000050769555,0.7475942],"genre_scores_gemma":[0.97898865,0.0021025978,0.00034674775,0.0013915187,0.0001251909,0.000011268587,0.0000055585097,0.000019189822,0.017009236],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9979906,0.0013319248,0.000027669434,0.000116160074,0.0002660582,0.00026762398],"domain_scores_gemma":[0.9983216,0.0010229765,0.00015115533,0.00016118414,0.00014430883,0.00019872822],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00268159,0.00024492352,0.00025412804,0.00072930736,0.010441099,0.0076481826,0.00058943854,0.0013324465,0.0037225734],"category_scores_gemma":[0.003959471,0.00013510867,0.00019020699,0.0008931112,0.054095805,0.00433679,0.005276914,0.004395678,0.0002512299],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010300211,0.000007386067,0.00020255432,0.000027482452,0.0000016782336,0.0001729099,0.10975861,0.00004794639,0.000056144672,0.8829641,0.002910343,0.0038405356],"study_design_scores_gemma":[0.000028567549,0.000032807187,0.0012433752,0.00042116287,0.000008985629,0.00040845232,0.20486349,0.00027546365,0.00044938116,0.38256186,0.40968537,0.000021096997],"about_ca_topic_score_codex":0.01752804,"about_ca_topic_score_gemma":0.03928301,"teacher_disagreement_score":0.98247194,"about_ca_system_score_codex":0.0073141386,"about_ca_system_score_gemma":0.0045318124,"threshold_uncertainty_score":0.0530681},"labels":[],"label_agreement":null},{"id":"W2554291904","doi":"10.1080/02560046.2016.1240963","title":"<i>Wild seed</i>: Africa and its many diasporas","year":2016,"lang":"en","type":"article","venue":"Critical Arts","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"York University","funders":"","keywords":"Diaspora; Media studies; Political science; Anthropology; Sociology; Gender studies","score_opus":0.05219492368180101,"score_gpt":0.2499498613736841,"score_spread":0.1977549376918831,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2554291904","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.62384635,0.009453924,0.009990582,0.025980782,0.00076143997,0.000052619256,0.000063236155,0.00006621805,0.32978475],"genre_scores_gemma":[0.97752404,0.0017698164,0.0011120278,0.000816816,0.000056103378,0.000025480931,0.000010658929,0.00003248919,0.018652642],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996582,0.00022364824,0.000005086243,0.000031521282,0.000028679167,0.00005272351],"domain_scores_gemma":[0.99962723,0.00022571371,0.000040294402,0.000026502588,0.000022813698,0.000057436497],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00067148,0.0003346118,0.00015378337,0.0004909011,0.007532879,0.0034372285,0.0003522075,0.0006952036,0.002659067],"category_scores_gemma":[0.0011100523,0.00011515124,0.000115411116,0.0006407712,0.010901962,0.0029912286,0.0025023571,0.0013995371,0.00021389652],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000046459343,0.000017318222,0.0013429682,0.00010345133,0.0000037988052,0.0011177913,0.6187315,0.000082673105,0.0017023935,0.35361063,0.0059834053,0.017257597],"study_design_scores_gemma":[0.0000061027317,0.00004475428,0.0017249165,0.00033458232,0.0000075134926,0.00095189735,0.46465284,0.00021841201,0.0016081578,0.028649442,0.5017877,0.00001360139],"about_ca_topic_score_codex":0.0072528897,"about_ca_topic_score_gemma":0.017803855,"teacher_disagreement_score":0.007532879,"about_ca_system_score_codex":0.0020482654,"about_ca_system_score_gemma":0.0011570558,"threshold_uncertainty_score":0.014861286},"labels":[],"label_agreement":null},{"id":"W2565849236","doi":"","title":"THE VOICE OF SUBALTERN IN MARGARET ATWOOD’S SURFACING: AN ANTICOLONIALIST APPROACH TO THE NOVEL","year":2015,"lang":"en","type":"article","venue":"Journal of Research in Gender Studies","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Oppression; Subaltern; Ideology; Sociology; Gender studies; Essentialism; Feminism; Colonialism; Subject (documents); Aesthetics; Politics; Law; Political science; Philosophy","score_opus":0.5964334548434945,"score_gpt":0.4566226529862153,"score_spread":0.13981080185727923,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2565849236","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.191992,0.016288003,0.007496369,0.15367922,0.005706168,0.000092468435,0.00009200699,0.00013497415,0.6245188],"genre_scores_gemma":[0.92399144,0.0025191891,0.0013216619,0.0078109414,0.0010549187,0.000081336744,0.000023638919,0.00015135869,0.06304554],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99794525,0.001288458,0.000028704002,0.00017601451,0.0002626681,0.00029895626],"domain_scores_gemma":[0.99839514,0.000950397,0.00014641165,0.00008509936,0.00017252115,0.00025039254],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015791894,0.0005847396,0.00038969712,0.0011048444,0.013814424,0.010549519,0.0015409045,0.0030879783,0.0030150397],"category_scores_gemma":[0.0029436997,0.0002745439,0.00026790317,0.00085409614,0.02966405,0.004159124,0.003763513,0.006240254,0.00047952918],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000060266564,0.000028814222,0.00024354085,0.000095042014,0.0000049485475,0.0007832731,0.24626577,0.00008677433,0.0005047097,0.71889496,0.027341941,0.0056899646],"study_design_scores_gemma":[0.000010845649,0.000035849145,0.00046409742,0.0003539986,0.0000110698065,0.0007897353,0.14193603,0.00021810301,0.00055053993,0.058160003,0.79744136,0.000028372802],"about_ca_topic_score_codex":0.013919268,"about_ca_topic_score_gemma":0.025225606,"teacher_disagreement_score":0.013919268,"about_ca_system_score_codex":0.008499348,"about_ca_system_score_gemma":0.00347207,"threshold_uncertainty_score":0.061667442},"labels":[],"label_agreement":null},{"id":"W2569158202","doi":"10.33776/candb.v3i1-2.3044","title":"Extinctathon: Margaret Atwood’s Urge for an Immanent Episteme in Oryx and Crake and The Year of the Flood","year":2013,"lang":"en","type":"article","venue":"Canada and Beyond A Journal of Canadian Literary and Cultural Studies","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Episteme; Trilogy; Dystopia; Capitalism; Epistemology; Philosophy; Sociology; Aesthetics; Literature; Law; Art; Political science","score_opus":0.022097143781289318,"score_gpt":0.20625657568335234,"score_spread":0.18415943190206302,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2569158202","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15047635,0.03732414,0.0026041672,0.3120861,0.0073634726,0.000055443805,0.00022033241,0.00014258313,0.48972738],"genre_scores_gemma":[0.8632234,0.0052083805,0.0009922419,0.0119120255,0.000776829,0.00003879943,0.000040315175,0.00023014763,0.11757785],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988908,0.0004056386,0.000013922016,0.00015702262,0.000244992,0.00028763866],"domain_scores_gemma":[0.99860364,0.00072977843,0.00007850921,0.00009922525,0.00019495495,0.00029374953],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012916088,0.00040637102,0.00033598806,0.00076771225,0.018465703,0.009602089,0.0010000169,0.002606802,0.0045783953],"category_scores_gemma":[0.003596233,0.0002842048,0.00019375852,0.00098687,0.02543422,0.0038413447,0.00308338,0.0066284384,0.00036858048],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000097891316,0.000022188633,0.00039866724,0.00009141354,0.0000058848887,0.0006534685,0.23865156,0.000115580675,0.0004941128,0.60943705,0.13991675,0.010115415],"study_design_scores_gemma":[0.000008217102,0.000011023394,0.0008118404,0.0002441763,0.0000058737633,0.0002844525,0.09405755,0.000075416625,0.00030873079,0.020886414,0.8832786,0.000027774617],"about_ca_topic_score_codex":0.2878326,"about_ca_topic_score_gemma":0.5017376,"teacher_disagreement_score":0.7121674,"about_ca_system_score_codex":0.017906062,"about_ca_system_score_gemma":0.009397227,"threshold_uncertainty_score":0.57231444},"labels":[],"label_agreement":null},{"id":"W2578960611","doi":"","title":"Bluebeards and bodies: Margaret Atwood’s men Bluebeards and bodies: Margaret Atwood’s men","year":2008,"lang":"pt","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Art history; Psychoanalysis; Psychology","score_opus":0.20276253113589396,"score_gpt":0.4562837550686042,"score_spread":0.25352122393271026,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2578960611","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06690313,0.026804566,0.00079830404,0.34429458,0.006168348,0.000043021344,0.000067379195,0.000075765856,0.5548449],"genre_scores_gemma":[0.49391246,0.0068261414,0.0004844574,0.04057298,0.0009398104,0.000039157556,0.000016287533,0.00014388488,0.4570648],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99768484,0.00069336675,0.000022236147,0.00018520997,0.00060038717,0.00081393594],"domain_scores_gemma":[0.99842477,0.00043088486,0.000089247194,0.00004201967,0.00028508727,0.0007279681],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018707792,0.00038776602,0.00036450144,0.001022393,0.04469398,0.0077472297,0.0012845368,0.004435843,0.0106031895],"category_scores_gemma":[0.0024588162,0.00038129845,0.00022758347,0.0013225293,0.026538655,0.0037572747,0.005107641,0.0071161813,0.0011554038],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031809785,0.00003140937,0.0006710542,0.000056282566,0.0000037965033,0.00069188443,0.39452654,0.000053125856,0.0003156001,0.32532692,0.26718968,0.011101938],"study_design_scores_gemma":[0.000003329041,0.000010214055,0.0006977587,0.000117293785,0.00000318485,0.0001862697,0.13214454,0.000019155847,0.00012309961,0.0050284644,0.8616521,0.000014590924],"about_ca_topic_score_codex":0.5974303,"about_ca_topic_score_gemma":0.79249465,"teacher_disagreement_score":0.5974303,"about_ca_system_score_codex":0.021413706,"about_ca_system_score_gemma":0.01615291,"threshold_uncertainty_score":0.80988103},"labels":[],"label_agreement":null},{"id":"W2586368508","doi":"","title":"Becoming the “Other”: How “Bloodchild” by Octavia Butler Helps Readers Frame Human Colonization of the Environment","year":2016,"lang":"en","type":"article","venue":"Sound Ideas (University of Puget Sound)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Frame (networking); Colonization; Sociology; Computer science; Biology; Ecology; Telecommunications","score_opus":0.023111375466458316,"score_gpt":0.18824440038665435,"score_spread":0.16513302492019605,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2586368508","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14161162,0.013057833,0.017042384,0.23087528,0.0037120713,0.00008700586,0.000066805966,0.00021950736,0.5933274],"genre_scores_gemma":[0.94024277,0.003006744,0.002828745,0.010298796,0.00050202705,0.000058181562,0.000020482674,0.00016276422,0.042879518],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99586356,0.0033381975,0.00003176372,0.00023027849,0.00025465572,0.00028150075],"domain_scores_gemma":[0.9976261,0.0016632865,0.00016414537,0.00010733302,0.00016497147,0.0002742421],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0025279797,0.0007137049,0.00032828492,0.0010954745,0.016721684,0.011330199,0.0010472658,0.0039729415,0.004512257],"category_scores_gemma":[0.00591727,0.0003547264,0.0003150471,0.000678753,0.04513255,0.010711631,0.006679914,0.0072191358,0.00093736144],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028067663,0.000018028812,0.000427174,0.00005271126,0.0000042556944,0.000710803,0.71376044,0.000074930955,0.0003081212,0.25850073,0.020527823,0.005586949],"study_design_scores_gemma":[0.000011068241,0.000029001269,0.00030994252,0.0002645931,0.000010824824,0.0010916631,0.40043595,0.00019607929,0.00070990395,0.04335152,0.5535632,0.000026219685],"about_ca_topic_score_codex":0.011739498,"about_ca_topic_score_gemma":0.021360917,"teacher_disagreement_score":0.016721684,"about_ca_system_score_codex":0.003815621,"about_ca_system_score_gemma":0.0019743699,"threshold_uncertainty_score":0.02768439},"labels":[],"label_agreement":null},{"id":"W2587125679","doi":"10.1386/macp.12.3.305_1","title":"Elysium as a critical dystopia","year":2016,"lang":"en","type":"article","venue":"International Journal of Media and Cultural Politics","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":10,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ontario Tech University","funders":"","keywords":"Dystopia; Capitalism; Hollywood; Fantasy; Politics; Sociology; Aesthetics; Media studies; History; Literature; Political science; Law; Art; Art history","score_opus":0.03120118074837947,"score_gpt":0.29537349502154236,"score_spread":0.2641723142731629,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2587125679","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2426375,0.0074693244,0.017754653,0.0752325,0.003088678,0.00010520494,0.00012955989,0.00023418327,0.6533484],"genre_scores_gemma":[0.9648711,0.0010322036,0.0016209178,0.002971693,0.0004949517,0.000048603262,0.000016727861,0.00007200559,0.028871663],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99792236,0.0014739996,0.00004034789,0.00013693808,0.00018070881,0.00024567326],"domain_scores_gemma":[0.99651045,0.0027277626,0.00023509658,0.0002028032,0.0001412516,0.00018268423],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0030142989,0.0005127955,0.00030930908,0.0010230049,0.0057828394,0.008616253,0.0005662479,0.0019170219,0.0059671975],"category_scores_gemma":[0.0047618346,0.00020347296,0.00015631305,0.00066386716,0.02476254,0.007173614,0.0056422004,0.00445584,0.0004572303],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006756596,0.000021949456,0.0003325266,0.00014568731,0.0000038123524,0.00042240572,0.11182212,0.00015160009,0.0007977378,0.86470634,0.012829278,0.008698881],"study_design_scores_gemma":[0.000038071623,0.000087571374,0.0011365702,0.00089022855,0.000020039006,0.0006207132,0.11506919,0.001034633,0.004071814,0.15484735,0.7221461,0.000037643906],"about_ca_topic_score_codex":0.0010784139,"about_ca_topic_score_gemma":0.0013268574,"teacher_disagreement_score":0.008616253,"about_ca_system_score_codex":0.003842602,"about_ca_system_score_gemma":0.0013473982,"threshold_uncertainty_score":0.027880192},"labels":[],"label_agreement":null},{"id":"W2588390605","doi":"10.25071/2369-7326.40261","title":"Afro-Surreal and Afro-Futuristic Visual Technologies in Junot Díaz’s The Brief Wondrous Life of Oscar Wao and Colson Whitehead’s Zone One","year":2016,"lang":"en","type":"article","venue":"Pivot A Journal of Interdisciplinary Studies and Thought","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Futurist; Narrative; Art history; Storytelling; Literature; Art","score_opus":0.032821984843614496,"score_gpt":0.28949017506147756,"score_spread":0.2566681902178631,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2588390605","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.059389226,0.058078315,0.0018219408,0.1740495,0.010670264,0.000033030814,0.000098852935,0.00011662561,0.6957423],"genre_scores_gemma":[0.585194,0.025196189,0.0012210867,0.017796036,0.0028121164,0.00007544447,0.000051966384,0.00024404109,0.3674092],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991672,0.00035248275,0.000011109174,0.000091637325,0.00023519546,0.00014235088],"domain_scores_gemma":[0.9993393,0.00032611162,0.000045932407,0.000027718797,0.00007877517,0.00018214535],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00090273307,0.0004835148,0.00021424412,0.0007426681,0.008445016,0.0072751963,0.00054115936,0.0025010554,0.0055975267],"category_scores_gemma":[0.0018982277,0.00021076223,0.0001342435,0.00047259644,0.0093407435,0.0038775008,0.0032423937,0.0037877134,0.0010643242],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000115777424,0.0000544285,0.0004308027,0.00024713553,0.0000066269486,0.0014002592,0.20399913,0.00011923361,0.0017402499,0.47581446,0.2825786,0.033493236],"study_design_scores_gemma":[0.0000024078329,0.000007734824,0.00021134804,0.00009867809,0.0000013446685,0.0001987752,0.018415803,0.000020502252,0.0001584845,0.003309407,0.9775689,0.0000065219774],"about_ca_topic_score_codex":0.010342296,"about_ca_topic_score_gemma":0.025571492,"teacher_disagreement_score":0.010342296,"about_ca_system_score_codex":0.0066976273,"about_ca_system_score_gemma":0.0014680716,"threshold_uncertainty_score":0.048594892},"labels":[],"label_agreement":null},{"id":"W2589212221","doi":"10.1353/esc.2016.0017","title":"Mechanized Bodies, Human and Heavenly: Melancholia and Thinking Extinction","year":2016,"lang":"en","type":"article","venue":"English studies in Canada","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dialectic; Melancholia; Metaphor; Psychoanalysis; Context (archaeology); Aesthetics; Literature; Philosophy; Art; Art history; Psychology; History; Epistemology; Theology; Social psychology","score_opus":0.040310662010132996,"score_gpt":0.24671726233982805,"score_spread":0.20640660032969504,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2589212221","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.33083385,0.097781435,0.0040685623,0.34313774,0.0037582326,0.000082273014,0.000086690685,0.0001117225,0.22013955],"genre_scores_gemma":[0.927979,0.02142849,0.00078390905,0.0273414,0.0008261037,0.00006499537,0.000020409654,0.000044587032,0.021511164],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99954444,0.00025261097,0.00001468947,0.000045604935,0.00006495802,0.000077679506],"domain_scores_gemma":[0.9993703,0.00035766023,0.00009887939,0.00003178314,0.000056893536,0.000084489126],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00090523,0.00033152473,0.00020303323,0.00072228,0.004880151,0.004077373,0.00038793348,0.0017801403,0.0023802288],"category_scores_gemma":[0.0019273474,0.00022099414,0.00023683274,0.00035061786,0.01961507,0.005770182,0.0029749095,0.006261714,0.00025364463],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000077577526,0.0000808305,0.0027948346,0.00021687601,0.000034287896,0.0018444932,0.49232814,0.00011994537,0.0015827981,0.40151352,0.06747669,0.031929918],"study_design_scores_gemma":[0.00006170048,0.00010764973,0.010202369,0.0009642149,0.00003772671,0.0037447065,0.31578082,0.00029487925,0.0007609113,0.17097113,0.4970101,0.00006386337],"about_ca_topic_score_codex":0.007809612,"about_ca_topic_score_gemma":0.0102161635,"teacher_disagreement_score":0.007809612,"about_ca_system_score_codex":0.0025381178,"about_ca_system_score_gemma":0.000969551,"threshold_uncertainty_score":0.018415391},"labels":[],"label_agreement":null},{"id":"W2595181608","doi":"","title":"The Routledge Companion to Science Fiction","year":2014,"lang":"en","type":"article","venue":"Extrapolation","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Frontier; History; Encyclopedia; Fantasy; Art history; Storytelling; Empire; Literature; Classics; Sociology; Narrative; Law; Art","score_opus":0.02474830707298253,"score_gpt":0.2450737608111103,"score_spread":0.22032545373812776,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2595181608","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00028772032,0.11557624,0.005597376,0.06148611,0.013535203,0.00023615034,0.0070822975,0.0021717348,0.79402715],"genre_scores_gemma":[0.0061906893,0.09418956,0.0064433175,0.014998659,0.004744869,0.0011804764,0.0077017047,0.0027382255,0.8618126],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9951709,0.001285145,0.0006537056,0.0008276044,0.0017764564,0.00028623428],"domain_scores_gemma":[0.9828135,0.008957193,0.0015424261,0.0028246897,0.0031305656,0.0007316333],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0032805607,0.0022872144,0.0026302924,0.0056055053,0.0043023955,0.0175904,0.0032994638,0.011034631,0.39733037],"category_scores_gemma":[0.024917698,0.0016938386,0.0010101079,0.015357379,0.006502785,0.016668698,0.0068632513,0.008743462,0.34586653],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000111776135,0.0000127035655,0.000039720817,0.0008491528,0.000006671136,0.0001492993,0.00090849353,0.00006414563,0.00011670757,0.02629602,0.85949963,0.11204621],"study_design_scores_gemma":[0.0000017418162,0.0000018873188,0.000033024196,0.00048419723,9.107679e-7,0.00005310862,0.0001369865,0.000010178549,0.00002068532,0.004439567,0.9948139,0.000003815173],"about_ca_topic_score_codex":0.009405478,"about_ca_topic_score_gemma":0.009585462,"teacher_disagreement_score":0.39733037,"about_ca_system_score_codex":0.007873413,"about_ca_system_score_gemma":0.012708778,"threshold_uncertainty_score":0.85963506},"labels":[],"label_agreement":null},{"id":"W2595458691","doi":"","title":"A Response to \"The Return of the Dead in Margaret Atwood's Surfacing and Alias Grace\"*","year":2009,"lang":"en","type":"article","venue":"Connotations","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Character (mathematics); Literature; Narrative; Art; History; Art history; Criticism","score_opus":0.03032806977128119,"score_gpt":0.24879957018170698,"score_spread":0.2184715004104258,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2595458691","genre_codex":"commentary","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":"commentary","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004530779,0.005499563,0.00042465323,0.93601024,0.02675412,0.000054674303,0.000113117545,0.000111791785,0.026501052],"genre_scores_gemma":[0.047579225,0.003128908,0.00057054136,0.7728497,0.009975383,0.00016797351,0.000099776946,0.00035721617,0.16527125],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9970784,0.0013326377,0.00011093453,0.0003794824,0.0005302927,0.00056839496],"domain_scores_gemma":[0.99573743,0.0021743623,0.00034863828,0.00011493,0.00062031345,0.001004368],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023851627,0.0014240647,0.0006570892,0.000618783,0.015120755,0.0056508314,0.0023651628,0.018771488,0.020895228],"category_scores_gemma":[0.009861951,0.0005548365,0.00049216714,0.0008802938,0.0057670344,0.0046050106,0.0058844625,0.02104939,0.0042188056],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020539444,0.000008488228,0.000096012336,0.000055953158,0.0000020928028,0.00039109818,0.015186659,0.000010896856,0.0001582597,0.007262576,0.9747338,0.0020735888],"study_design_scores_gemma":[0.0000058352803,0.000015494097,0.00037398326,0.00019254975,0.0000024476835,0.00027109645,0.027913349,0.000020738393,0.000107751875,0.00077752257,0.9703031,0.00001608291],"about_ca_topic_score_codex":0.021158358,"about_ca_topic_score_gemma":0.06057052,"teacher_disagreement_score":0.021158358,"about_ca_system_score_codex":0.0055142874,"about_ca_system_score_gemma":0.0037225927,"threshold_uncertainty_score":0.06990147},"labels":[],"label_agreement":null},{"id":"W2597950461","doi":"10.5958/2231-4555.2017.00006.7","title":"(II)legitimacy of Knowledge and Exclusion: A Study of Margaret Atwood's Select Novels","year":2017,"lang":"en","type":"article","venue":"Journal of Exclusion Studies","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Legitimacy; Sociology; Management; Media studies; Political science; Law; Economics","score_opus":0.10269247582333899,"score_gpt":0.3462471831237224,"score_spread":0.2435547073003834,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2597950461","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.79216874,0.0015559561,0.0017816019,0.02415698,0.00031641027,0.00009638425,0.00012236639,0.000040066167,0.17976151],"genre_scores_gemma":[0.98157966,0.00047773193,0.0002867757,0.0009526242,0.00005858898,0.000039713137,0.00002362973,0.000042137563,0.0165392],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99461645,0.0025619832,0.000109594395,0.00048520922,0.0012480167,0.0009787102],"domain_scores_gemma":[0.98513144,0.010458967,0.0013743117,0.0004901168,0.0011691005,0.0013760448],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004866639,0.00061102316,0.00060725183,0.0026056303,0.048740283,0.013447701,0.002604711,0.0036132073,0.0045392676],"category_scores_gemma":[0.014632208,0.00040894267,0.0002605578,0.0025243966,0.055726547,0.0054371627,0.0072201504,0.0056595546,0.0004196591],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024207353,0.000018346811,0.0005185681,0.00004125309,0.0000016647746,0.0006620489,0.9358825,0.000032044492,0.00023103632,0.057915404,0.0028341077,0.0018387974],"study_design_scores_gemma":[0.000006537516,0.00001623312,0.0008506321,0.00012143705,0.000004357999,0.00042272444,0.8306315,0.00007393764,0.0004166454,0.0051331418,0.16230373,0.000019068351],"about_ca_topic_score_codex":0.19448026,"about_ca_topic_score_gemma":0.3085023,"teacher_disagreement_score":0.19448026,"about_ca_system_score_codex":0.027841251,"about_ca_system_score_gemma":0.015031062,"threshold_uncertainty_score":0.38669646},"labels":[],"label_agreement":null},{"id":"W2600066499","doi":"","title":"Cultural Constructions of the Female Body : Narrative as Resistance in Margaret Atwood's The Edible Woman, Adele Wiseman's Crackpot and Gabrielle Roy's La Rivière sans repos","year":2008,"lang":"en","type":"article","venue":"Knowledge UdeS (Institutional Deposit of the University of Sherbrooke)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Resistance (ecology); Art; Sociology; Gender studies; Literature","score_opus":0.014547690388237918,"score_gpt":0.19861912466320947,"score_spread":0.18407143427497155,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2600066499","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.63498896,0.0067890747,0.0028602418,0.027551368,0.0006665503,0.000083281644,0.00014138705,0.0000821876,0.3268369],"genre_scores_gemma":[0.96764284,0.0014365822,0.00051710254,0.0012830588,0.00006985792,0.000036194735,0.00003248007,0.000078297024,0.028903646],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99651694,0.0018209812,0.000038738675,0.0003113368,0.000726916,0.0005850429],"domain_scores_gemma":[0.99718314,0.0014844385,0.00034366,0.00010027943,0.0003448541,0.00054362445],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0027162535,0.00095619325,0.00053894747,0.0017462864,0.031193538,0.012675496,0.0018830174,0.0037326936,0.004620959],"category_scores_gemma":[0.0043714796,0.0005001225,0.00031599737,0.0015814406,0.05688916,0.0043175365,0.005385321,0.0046276026,0.00043710417],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001778144,0.00000814019,0.00033478657,0.000031919564,0.0000023035736,0.0005194747,0.96248496,0.00004393388,0.0003914005,0.031930733,0.0023728323,0.0018618421],"study_design_scores_gemma":[0.000005369989,0.000017605702,0.0010646409,0.00015747291,0.0000057006446,0.0003595002,0.84394556,0.000055970337,0.00037792523,0.0017495471,0.15223439,0.000026235546],"about_ca_topic_score_codex":0.48322144,"about_ca_topic_score_gemma":0.62461823,"teacher_disagreement_score":0.48322144,"about_ca_system_score_codex":0.032981977,"about_ca_system_score_gemma":0.014441003,"threshold_uncertainty_score":0.9608176},"labels":[],"label_agreement":null},{"id":"W2604351850","doi":"","title":"Ghosts, Knowledge and Truth in Atwood: A Reader's Guide to Six Responses*","year":2009,"lang":"en","type":"article","venue":"Connotations","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Contradiction; Ambivalence; Argument (complex analysis); Alias; Reading (process); Psychoanalysis; Rhetorical question; Innocence; Paraphrase; Literature; Psychology; Philosophy; Epistemology; Art; Linguistics; Computer science","score_opus":0.03976288580529783,"score_gpt":0.3088147168767078,"score_spread":0.26905183107140995,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2604351850","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06602729,0.15431485,0.026948648,0.4179773,0.049893968,0.002198967,0.0014991369,0.0011681409,0.27997163],"genre_scores_gemma":[0.25128168,0.12323746,0.029038718,0.13949849,0.011577497,0.004120803,0.0017545401,0.0024850853,0.43700567],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99445736,0.004159256,0.00025319264,0.0001901902,0.00056821416,0.00037170338],"domain_scores_gemma":[0.9883847,0.008858567,0.0005814496,0.00026699263,0.0010362148,0.00087192404],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005039314,0.0023895192,0.00089263514,0.0033920812,0.0096398555,0.008069023,0.0025127323,0.0053932928,0.00989763],"category_scores_gemma":[0.015123006,0.0006303107,0.000633711,0.0028670973,0.008604436,0.006649889,0.007484944,0.008138558,0.0036731563],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014040635,0.00020084745,0.00086799293,0.0011573576,0.000012635377,0.0020919547,0.5073566,0.0001410819,0.0014573303,0.075304806,0.36192185,0.04934728],"study_design_scores_gemma":[0.0000053467056,0.0000551061,0.0004494859,0.00096061704,0.000003416788,0.00068200374,0.136683,0.00006645378,0.00023835173,0.0044083074,0.8564199,0.000028018501],"about_ca_topic_score_codex":0.004449947,"about_ca_topic_score_gemma":0.007578837,"teacher_disagreement_score":0.00989763,"about_ca_system_score_codex":0.0043570376,"about_ca_system_score_gemma":0.003521999,"threshold_uncertainty_score":0.033110857},"labels":[],"label_agreement":null},{"id":"W2606194798","doi":"10.5325/utopianstudies.28.1.0072","title":"Utopian Science Fiction from Quebec, from National Allegories to Cultural Accommodation: Joël Champetier's <i>RESET—Le Voile de lumière</i> (2011)","year":2017,"lang":"en","type":"article","venue":"Utopian Studies","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Alien; Legitimacy; Sociology; Aesthetics; Ambivalence; Reset (finance); Population; Political science; Law; Philosophy; Politics; Psychoanalysis; Psychology","score_opus":0.08387330077759378,"score_gpt":0.330107049940916,"score_spread":0.24623374916332222,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2606194798","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18693143,0.08715904,0.0035825034,0.19206356,0.0090230135,0.00008367762,0.0009590014,0.00021603744,0.5199817],"genre_scores_gemma":[0.8413845,0.011962983,0.0009083411,0.009920105,0.00071009377,0.000044089862,0.00015573628,0.00011641461,0.13479775],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994103,0.00020686704,0.000008830085,0.00007107454,0.000169674,0.0001333286],"domain_scores_gemma":[0.9991104,0.00037401143,0.00006150317,0.000037804515,0.00030066737,0.00011565987],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007822362,0.0005092223,0.00027370942,0.0012227318,0.021878885,0.0057210983,0.00085256866,0.0016925466,0.0074112103],"category_scores_gemma":[0.0021917224,0.0001623135,0.00020090204,0.0016291048,0.017750693,0.0016924702,0.0012987674,0.0028375147,0.00044383426],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000098692995,0.000037361948,0.0027368118,0.00025989322,0.000021323327,0.0018985992,0.27413964,0.00062896835,0.0009685838,0.31637445,0.35322484,0.049610797],"study_design_scores_gemma":[0.000005096378,0.000010873299,0.0029616938,0.00018972298,0.0000048631186,0.00028484597,0.044146005,0.00009931331,0.0002973006,0.0034451329,0.94853145,0.000023652547],"about_ca_topic_score_codex":0.93312323,"about_ca_topic_score_gemma":0.97678655,"teacher_disagreement_score":0.06687677,"about_ca_system_score_codex":0.06205008,"about_ca_system_score_gemma":0.025878295,"threshold_uncertainty_score":0.45020694},"labels":[],"label_agreement":null},{"id":"W2612268815","doi":"","title":"Deconstructing Necrophilia: An Ecofeminist Contribution to Growth","year":2014,"lang":"en","type":"article","venue":"Canadian women's studies","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Dominance (genetics); Ethnology; Philosophy; Sociology; Biology","score_opus":0.023010658416549756,"score_gpt":0.23960528624373287,"score_spread":0.2165946278271831,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2612268815","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26191399,0.014589415,0.011356175,0.05881444,0.00029158074,0.000053876527,0.00007924602,0.00003821551,0.652863],"genre_scores_gemma":[0.9839929,0.0031304462,0.000983307,0.00079796236,0.00006845995,0.000016364382,0.000013763931,0.000015783135,0.010981075],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99748635,0.0013140374,0.000037058893,0.00016114302,0.0004555869,0.00054582907],"domain_scores_gemma":[0.9947094,0.0031315393,0.0005895472,0.00049337075,0.00067467365,0.00040145122],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0047224085,0.0005136913,0.00035610134,0.0028246508,0.012715457,0.008647297,0.0011498086,0.0017544751,0.0034268168],"category_scores_gemma":[0.0059349164,0.00016708764,0.00021470156,0.002780539,0.0909294,0.0053588515,0.0063882815,0.0028521179,0.00021530037],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006674971,0.0000047986446,0.00072108593,0.000026652639,0.0000014087699,0.00013568762,0.06087716,0.00010334942,0.000082703904,0.93238705,0.00079599157,0.0048573976],"study_design_scores_gemma":[0.000013540207,0.000022163526,0.0054171365,0.00044003918,0.000011195889,0.0004094132,0.18976554,0.0005148997,0.00063612795,0.5221961,0.28055128,0.000022522901],"about_ca_topic_score_codex":0.16388513,"about_ca_topic_score_gemma":0.29225102,"teacher_disagreement_score":0.8361149,"about_ca_system_score_codex":0.025686707,"about_ca_system_score_gemma":0.025980763,"threshold_uncertainty_score":0.3258624},"labels":[],"label_agreement":null},{"id":"W2613558290","doi":"","title":"Bridging Critical Race Theory and Lockean Social Contract Theory: Derrick Bell’s “The Space Traders” as Proto-Racial Contract Theory","year":2017,"lang":"en","type":"article","venue":"Verso: An Undergraduate Journal of Literary Criticism","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Dalhousie University","funders":"","keywords":"Diaspora; Critical race theory; Politics; Sociology; Context (archaeology); Negotiation; Critical theory; Trope (literature); Racism; Art history; Law; History; Literature; Gender studies; Art; Political science; Social science","score_opus":0.02928335068588161,"score_gpt":0.30231542969477326,"score_spread":0.27303207900889165,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2613558290","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.052890386,0.011249647,0.047612693,0.19111225,0.0015200116,0.00009315808,0.00005383325,0.000063703505,0.69540423],"genre_scores_gemma":[0.94141465,0.0022225075,0.0066487626,0.009333769,0.00057349645,0.00021212797,0.000017244834,0.000082039376,0.03949547],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9948704,0.0038282322,0.00006640854,0.00036262348,0.00055707485,0.0003153076],"domain_scores_gemma":[0.9939765,0.004599592,0.00029276614,0.00039619874,0.00038924522,0.00034566544],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0074094357,0.0005050539,0.0003951278,0.0024826922,0.011120413,0.009402453,0.0017700867,0.004712083,0.0053893095],"category_scores_gemma":[0.008060321,0.00025842641,0.00032471897,0.0016626164,0.056347523,0.01162686,0.0054065203,0.0054796697,0.0005651394],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000021353703,0.0000037421312,0.000029180304,0.0000059527842,4.002374e-7,0.000016091091,0.0049879025,0.000032258893,0.000009248746,0.9927462,0.0013523051,0.0008145649],"study_design_scores_gemma":[0.000008071415,0.0000072709176,0.00011109841,0.000117638105,0.0000017984788,0.000049851074,0.007553272,0.00055241294,0.00008698577,0.91014993,0.08135385,0.000007827831],"about_ca_topic_score_codex":0.006584549,"about_ca_topic_score_gemma":0.005599356,"teacher_disagreement_score":0.011552882,"about_ca_system_score_codex":0.011552882,"about_ca_system_score_gemma":0.0041967803,"threshold_uncertainty_score":0.08382243},"labels":[],"label_agreement":null},{"id":"W2616046386","doi":"","title":"In Post-Human Praise of the Humanities","year":2009,"lang":"fr","type":"article","venue":"Revue de littérature comparée","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanity; Praise; Power (physics); Curse; Creatures; Mythology; Art; Sociology; Aesthetics; Humanities; Art history; Literature; Philosophy; History; Anthropology; Theology; Natural (archaeology)","score_opus":0.02293104624985887,"score_gpt":0.24914955484802231,"score_spread":0.22621850859816345,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2616046386","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.017903281,0.038565066,0.0020024453,0.18449129,0.0048850058,0.000021757263,0.00005559272,0.000090264984,0.7519853],"genre_scores_gemma":[0.7335022,0.012975803,0.0011542551,0.03349095,0.0026854915,0.000046398367,0.000037523296,0.00015248284,0.21595486],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9958354,0.0023006676,0.000059390248,0.00031893936,0.0008984468,0.00058717874],"domain_scores_gemma":[0.9966714,0.001925359,0.0002123336,0.0004006678,0.00046787717,0.00032237836],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0029692873,0.00036809663,0.00029972746,0.00084616325,0.018149763,0.010960099,0.001101418,0.003998884,0.008101325],"category_scores_gemma":[0.008688963,0.00018950933,0.00019014518,0.0011356869,0.056134112,0.00744358,0.003936804,0.008815174,0.0009154912],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020731628,0.0000118262315,0.0001255792,0.00005247031,0.0000032701996,0.00024055979,0.08713153,0.00003220134,0.00012817075,0.839861,0.062614545,0.009778057],"study_design_scores_gemma":[0.0000032068185,0.0000069945163,0.00021991871,0.00014598867,0.0000017157807,0.00013013335,0.0213441,0.000020074905,0.00011247956,0.02519951,0.95280826,0.0000075798143],"about_ca_topic_score_codex":0.079524584,"about_ca_topic_score_gemma":0.14553577,"teacher_disagreement_score":0.079524584,"about_ca_system_score_codex":0.012106109,"about_ca_system_score_gemma":0.010991975,"threshold_uncertainty_score":0.15812337},"labels":[],"label_agreement":null},{"id":"W2621415212","doi":"","title":"Making It (In)Visible: The Politics of Absence in Margaret Atwood’s Bodily Harm","year":2016,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Harm; Politics; Psychoanalysis; Sociology; Political science; Psychology; Social psychology; Law","score_opus":0.0669206609548767,"score_gpt":0.30836746660208314,"score_spread":0.24144680564720644,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2621415212","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05642161,0.007363446,0.0026653593,0.25826135,0.0012834064,0.000027570399,0.00006227417,0.000048219048,0.67386675],"genre_scores_gemma":[0.90401536,0.0015549244,0.0005525915,0.021572217,0.00022650903,0.000019683528,0.000013311709,0.00009342892,0.071952],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9953477,0.0015369327,0.000092414884,0.00044265646,0.0009510756,0.0016292515],"domain_scores_gemma":[0.9951984,0.0027825595,0.00025735312,0.0002582589,0.0008366734,0.0006667705],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004849352,0.00042466595,0.00045188534,0.0010638002,0.05321684,0.012215524,0.0022991868,0.009421847,0.00713903],"category_scores_gemma":[0.009885444,0.0003695012,0.00041528605,0.0012159992,0.09700445,0.0058763428,0.005791366,0.016642777,0.0006368194],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014523056,0.000008084562,0.00020064088,0.00002743661,0.0000030514818,0.00020369985,0.14818583,0.000065257875,0.00010554362,0.8281262,0.019070486,0.0039892653],"study_design_scores_gemma":[0.000015076239,0.000013643895,0.0011252426,0.0004257257,0.000023679064,0.0003211898,0.21626921,0.00012755631,0.00051948114,0.13531813,0.64578015,0.00006098812],"about_ca_topic_score_codex":0.8079122,"about_ca_topic_score_gemma":0.8925365,"teacher_disagreement_score":0.19208783,"about_ca_system_score_codex":0.050031044,"about_ca_system_score_gemma":0.047961194,"threshold_uncertainty_score":0.38643813},"labels":[],"label_agreement":null},{"id":"W2725846160","doi":"10.12783/dtssehs/icesd2017/11649","title":"The Nightmarish World of Gilead—An Analysis of the Dystopian World in The Handmaid’s Tale","year":2017,"lang":"en","type":"article","venue":"DEStech Transactions on Social Science Education and Human Science","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dystopia; Perspective (graphical); Power (physics); Aesthetics; Literature; History; Art; Visual arts","score_opus":0.056625110061418696,"score_gpt":0.34325467086611566,"score_spread":0.286629560804697,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2725846160","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17001733,0.0034831916,0.0016675101,0.0351915,0.0007572221,0.00003030151,0.00011815229,0.000110763074,0.7886239],"genre_scores_gemma":[0.9383368,0.0007684822,0.00033621813,0.0018538535,0.00014504885,0.00001484647,0.000029230769,0.00007921626,0.058436293],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985973,0.00042174666,0.000011562445,0.00008646524,0.0003200561,0.00056284317],"domain_scores_gemma":[0.9991289,0.00035972323,0.000086082895,0.00006967556,0.000113481816,0.00024212385],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001160859,0.00032900742,0.00025312306,0.0011931765,0.02498511,0.008242656,0.00094736315,0.0017642768,0.0066950577],"category_scores_gemma":[0.0024922688,0.00014888334,0.00021676674,0.0010099717,0.03263925,0.0031081352,0.004354738,0.0035499225,0.00044796016],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000048169706,0.000019608719,0.00061016524,0.00004589815,0.0000055295004,0.0010298484,0.31549552,0.0001049946,0.00028289558,0.6331367,0.040678397,0.008542276],"study_design_scores_gemma":[0.000009520987,0.000020191292,0.0022544914,0.00013783894,0.000009607354,0.00057833357,0.29356536,0.00016539756,0.000521731,0.03960055,0.6631023,0.000034584515],"about_ca_topic_score_codex":0.18932274,"about_ca_topic_score_gemma":0.3687858,"teacher_disagreement_score":0.18932274,"about_ca_system_score_codex":0.0166639,"about_ca_system_score_gemma":0.0077832714,"threshold_uncertainty_score":0.37644154},"labels":[],"label_agreement":null},{"id":"W2728987556","doi":"10.24193/ekphrasis.17.6","title":"“You bet she can fuck” – Trends in Female AI Narratives within Mainstream Cinema: Ex Machina and Her","year":2017,"lang":"en","type":"article","venue":"Ekphrasis","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":13,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Movie theater; Mainstream; Narrative; Agency (philosophy); Aesthetics; Power (physics); Sociology; Pleasure; Art; Media studies; Gender studies; Art history; Literature; Psychology; Philosophy; Social science; Theology","score_opus":0.03204940341923376,"score_gpt":0.2724847533147663,"score_spread":0.24043534989553253,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2728987556","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8153627,0.0044197035,0.0015775652,0.017997677,0.00032966456,0.000035985962,0.00010330451,0.000044278015,0.16012913],"genre_scores_gemma":[0.986672,0.00097595225,0.0002560545,0.00091404474,0.00008799231,0.00003639357,0.000028358374,0.000034497905,0.010994861],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.998353,0.0009165617,0.000042280983,0.00021028411,0.00020110105,0.00027683165],"domain_scores_gemma":[0.9978369,0.001419025,0.00027157663,0.00007344218,0.00014441658,0.00025464498],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002261707,0.00050692045,0.00033279587,0.001417973,0.012936885,0.008657227,0.0008178221,0.0017521714,0.0045187585],"category_scores_gemma":[0.0058535673,0.00029187385,0.0001635311,0.0010509053,0.011749267,0.007000477,0.004037577,0.0031294029,0.00047922277],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021837672,0.000009780504,0.0010097224,0.000044252192,0.0000016321621,0.0002439587,0.9791542,0.000005759562,0.00038858198,0.013753914,0.0012382548,0.0041280575],"study_design_scores_gemma":[0.0000024723843,0.000014905778,0.0024617782,0.00013874205,0.0000033906085,0.00035716925,0.9265831,0.000040082585,0.00040768483,0.001431881,0.06854879,0.000009928357],"about_ca_topic_score_codex":0.0058630058,"about_ca_topic_score_gemma":0.0110238185,"teacher_disagreement_score":0.012936885,"about_ca_system_score_codex":0.00324205,"about_ca_system_score_gemma":0.0011067669,"threshold_uncertainty_score":0.023522794},"labels":[],"label_agreement":null},{"id":"W2733805982","doi":"10.1057/978-1-349-95168-0_7","title":"Neither Indian Reservation Nor Baboon Patriarchy","year":2017,"lang":"en","type":"book-chapter","venue":"Palgrave Macmillan US eBooks","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Regina","funders":"","keywords":"Highbrow; Patriarchy; Phenomenon; History; Literature; Art; Sociology; Gender studies; Epistemology; Philosophy","score_opus":0.04947890384531884,"score_gpt":0.24640630176191217,"score_spread":0.19692739791659333,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2733805982","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0046878215,0.0066054845,0.00042706536,0.008481778,0.00073308824,0.0000062663403,0.000025122605,0.000045765,0.9789876],"genre_scores_gemma":[0.4172383,0.008944615,0.00074740156,0.009472513,0.0010254611,0.00004858761,0.00009597191,0.00017518645,0.5622519],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99937195,0.00022050696,0.000012980645,0.00008723686,0.00016710522,0.000140155],"domain_scores_gemma":[0.9995726,0.00015708093,0.000035073834,0.00007696126,0.00006920456,0.000089150366],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00053904223,0.00029834703,0.0002214394,0.00059255434,0.0062331813,0.007026835,0.0006489723,0.0011932605,0.013951184],"category_scores_gemma":[0.0016028907,0.00017066077,0.00015675725,0.00084652787,0.012845009,0.0033070305,0.0026827138,0.004178008,0.004364661],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013830846,0.000008867652,0.0001291008,0.000054631833,0.0000017371765,0.000070973256,0.019939734,0.000021653857,0.00016157157,0.92794716,0.03990158,0.011749092],"study_design_scores_gemma":[0.0000025765976,0.000007152215,0.0002241221,0.0001476995,0.0000028559202,0.000102085745,0.006007831,0.000028150496,0.00013734295,0.020612927,0.97272134,0.0000059050726],"about_ca_topic_score_codex":0.015581271,"about_ca_topic_score_gemma":0.027077265,"teacher_disagreement_score":0.015581271,"about_ca_system_score_codex":0.0030385398,"about_ca_system_score_gemma":0.0030177687,"threshold_uncertainty_score":0.04667133},"labels":[],"label_agreement":null},{"id":"W2743466416","doi":"10.17851/1982-0739.10.0.16-21","title":"One Story and a Thousand and One Threads: Rediscovering History, Creating Stories in Margaret Atwood’s Alias Grace","year":2012,"lang":"en","type":"article","venue":"Em Tese","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Alias; Order (exchange); Character (mathematics); History; Literature; Art history; Art; Computer science; Mathematics","score_opus":0.056941181974874425,"score_gpt":0.2397107329223384,"score_spread":0.182769550947464,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2743466416","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3372048,0.0054355417,0.014081184,0.052691933,0.0012917644,0.00018628604,0.0001395283,0.00037722941,0.5885917],"genre_scores_gemma":[0.9015362,0.0013423819,0.0061224494,0.002255752,0.00012991567,0.000074358744,0.000048844315,0.0002620455,0.08822798],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99757,0.0012613734,0.000031024454,0.00016486894,0.00042802055,0.0005447702],"domain_scores_gemma":[0.9981275,0.00085174217,0.00012766414,0.00016417744,0.00017095327,0.0005578948],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0026973612,0.00064032373,0.00024649498,0.001563211,0.029291302,0.009629076,0.0015719366,0.0024403678,0.0057455236],"category_scores_gemma":[0.004336638,0.0003642727,0.00029654233,0.0011213409,0.03061573,0.006064568,0.007886009,0.003619642,0.00089500955],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002605171,0.000019186844,0.0005729871,0.00004635043,0.000003465848,0.0006654343,0.818334,0.00008371849,0.0006828299,0.15383738,0.01309291,0.012635723],"study_design_scores_gemma":[0.0000055448895,0.00001755041,0.00056570495,0.00013662156,0.000009845921,0.0004842657,0.39415854,0.0001288899,0.00093862676,0.013719922,0.5898119,0.000022477909],"about_ca_topic_score_codex":0.17617387,"about_ca_topic_score_gemma":0.47805005,"teacher_disagreement_score":0.82382613,"about_ca_system_score_codex":0.014237629,"about_ca_system_score_gemma":0.011951195,"threshold_uncertainty_score":0.35029685},"labels":[],"label_agreement":null},{"id":"W2756370118","doi":"10.1177/0148333117715252","title":"Ecological Endings and Eschatology: Margaret Atwood’s Post-Apocalyptic Fiction","year":2017,"lang":"en","type":"article","venue":"Christianity & Literature","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Redeemer University","funders":"","keywords":"Eschatology; Trilogy; Narrative; Literature; Space (punctuation); Philosophy; Aesthetics; History; Environmental ethics; Sociology; Art","score_opus":0.01893306034242895,"score_gpt":0.23671485069111908,"score_spread":0.21778179034869014,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2756370118","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.092498206,0.021495692,0.005081903,0.19137064,0.007082112,0.000031184525,0.0000849752,0.000106850755,0.68224835],"genre_scores_gemma":[0.87856203,0.003963149,0.0011077671,0.0124611035,0.001741773,0.0000430583,0.00002779772,0.000114170914,0.101979084],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99896574,0.00064172543,0.00001356702,0.00007785741,0.0001633812,0.00013767606],"domain_scores_gemma":[0.9988992,0.0007136662,0.00009188679,0.000070899456,0.00009573448,0.00012847221],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001317191,0.00042226026,0.00021269136,0.0008212427,0.008626548,0.0048229564,0.0007850047,0.0021446173,0.0037351134],"category_scores_gemma":[0.003035436,0.00018679965,0.0001792324,0.00049993803,0.016965138,0.0030906587,0.0030110332,0.0057610767,0.00061129953],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003528014,0.000029722576,0.00016866178,0.00005660453,0.0000032128648,0.00073222193,0.078355625,0.00009585711,0.00022865077,0.854836,0.05984245,0.0056157154],"study_design_scores_gemma":[0.0000090681,0.00002556813,0.0003230586,0.00022427556,0.000004657408,0.0006951388,0.030780276,0.00017159076,0.00059356395,0.05223652,0.91492224,0.0000139983185],"about_ca_topic_score_codex":0.0024691748,"about_ca_topic_score_gemma":0.0057411944,"teacher_disagreement_score":0.008626548,"about_ca_system_score_codex":0.0029883091,"about_ca_system_score_gemma":0.00087947387,"threshold_uncertainty_score":0.021681786},"labels":[],"label_agreement":null},{"id":"W2765541526","doi":"","title":"Institutions and Interpellations of the Dubject, the Doubled and Spaced Self","year":2016,"lang":"en","type":"book-chapter","venue":"AUSpace (Athabasca University)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Political science","score_opus":0.02617759625895568,"score_gpt":0.18572926961651676,"score_spread":0.15955167335756107,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2765541526","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11528434,0.0038103897,0.042056814,0.008112436,0.0002145059,0.00004526784,0.000037836115,0.00009684955,0.83034164],"genre_scores_gemma":[0.98331004,0.00045318174,0.0016105601,0.00020067174,0.000045245604,0.000031584048,0.000009428568,0.000033173623,0.014306243],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9954841,0.0026410774,0.0001293358,0.00053516845,0.00074685505,0.00046351575],"domain_scores_gemma":[0.9972367,0.0011963302,0.00023085257,0.0008690432,0.00023611443,0.00023095871],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0033062245,0.0003276049,0.00031156788,0.0017081479,0.00846099,0.012153488,0.0009422133,0.0017902572,0.0033333472],"category_scores_gemma":[0.005088086,0.0002949158,0.0002965562,0.0013098564,0.08204526,0.010895496,0.008252715,0.0032060854,0.000423224],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000002353834,0.0000016069566,0.000060195627,0.0000040766595,5.326993e-7,0.0000149609305,0.0061384435,0.000026075608,0.000025370813,0.9926514,0.00010536699,0.0009696541],"study_design_scores_gemma":[0.000011457721,0.000016481818,0.00049115747,0.00010604428,0.000005762155,0.00016679415,0.019668082,0.0004002035,0.0003867429,0.8861635,0.09256943,0.000014293428],"about_ca_topic_score_codex":0.0070588645,"about_ca_topic_score_gemma":0.0057885777,"teacher_disagreement_score":0.012153488,"about_ca_system_score_codex":0.007102243,"about_ca_system_score_gemma":0.00450027,"threshold_uncertainty_score":0.0515306},"labels":[],"label_agreement":null},{"id":"W2771643938","doi":"","title":"Shakespeare our contemporary in 2016: Margaret Atwood's rewriting of \"The Tempest\" in \"Hag-Seed\"","year":2017,"lang":"en","type":"article","venue":"SEDERI: yearbook of the Spanish and Portuguese Society for English Renaissance Studies","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Tempest; MAGIC (telescope); Literature; Art; Prison; Rewriting; History; Art history; Archaeology","score_opus":0.06747900360806895,"score_gpt":0.2869056704677617,"score_spread":0.21942666685969275,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2771643938","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.098077424,0.046344772,0.0017661721,0.052645266,0.017354745,0.000036185033,0.00025624564,0.00018136206,0.78333783],"genre_scores_gemma":[0.55387324,0.007237287,0.0007278599,0.0047722654,0.0015085196,0.00002593192,0.00011462856,0.00032462593,0.43141562],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995845,0.00015383183,0.000008198095,0.000052743104,0.00012748351,0.00007316686],"domain_scores_gemma":[0.9996731,0.00011893892,0.000020543386,0.00002955095,0.00007313226,0.000084712505],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007067258,0.00040879377,0.00018687268,0.0005809715,0.0070934957,0.004698274,0.00047059936,0.0009969572,0.0074283904],"category_scores_gemma":[0.0014775856,0.00012661684,0.00013808887,0.0004768885,0.0061329654,0.0019887583,0.0016835548,0.0029023243,0.0011975687],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000805446,0.000032260687,0.0007949403,0.00019959958,0.000007992553,0.0010511461,0.22608666,0.00010392793,0.0010570646,0.342216,0.39301136,0.035358448],"study_design_scores_gemma":[0.0000016488206,0.0000057964635,0.00047221035,0.0000903823,0.000001984543,0.00015251571,0.01898047,0.0000141943165,0.00027823358,0.0019890924,0.978009,0.000004515582],"about_ca_topic_score_codex":0.031605482,"about_ca_topic_score_gemma":0.1178982,"teacher_disagreement_score":0.031605482,"about_ca_system_score_codex":0.0045649675,"about_ca_system_score_gemma":0.0024968453,"threshold_uncertainty_score":0.062843025},"labels":[],"label_agreement":null},{"id":"W2774504838","doi":"10.4000/imagesrevues.4051","title":"Kapwani Kiwanga’s Alien Speculations","year":2017,"lang":"en","type":"article","venue":"Images re-vues","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Oppression; Alien; Focus (optics); Humanism; Space (punctuation); Pessimism; Style (visual arts); Aesthetics; Realism; Sociology; Work (physics); Extraterrestrial life; Epistemology; History; Philosophy; Visual arts; Art; Politics; Law; Political science; Engineering","score_opus":0.0571281150844993,"score_gpt":0.2923330685579578,"score_spread":0.23520495347345852,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2774504838","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14422825,0.016813587,0.006693721,0.06662216,0.0019825995,0.00004031617,0.00012215355,0.0001941602,0.763303],"genre_scores_gemma":[0.90191525,0.0046128705,0.0017409482,0.0023137275,0.00024744772,0.000027804406,0.00002805489,0.00010230588,0.08901169],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990159,0.00041928934,0.000016922484,0.00011497526,0.0001935555,0.0002393974],"domain_scores_gemma":[0.99901843,0.00056271924,0.00007486112,0.00008199217,0.00011619369,0.00014566047],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016072814,0.0006567282,0.00022695486,0.0016165052,0.012878699,0.006733301,0.00066819874,0.0017498254,0.0064677815],"category_scores_gemma":[0.0028289224,0.00022607432,0.0001863492,0.0015696521,0.022141442,0.004581895,0.0042927344,0.0038906643,0.00096594356],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000046573434,0.00001162433,0.0004370734,0.00006226861,0.0000047285366,0.00072216394,0.16109785,0.00020837283,0.00051837316,0.7973877,0.025673972,0.013829289],"study_design_scores_gemma":[0.000006908497,0.000013852452,0.0005737514,0.00023132339,0.0000068829813,0.0005461757,0.0787123,0.00031678702,0.00082095613,0.060941312,0.85780317,0.000026682668],"about_ca_topic_score_codex":0.025787639,"about_ca_topic_score_gemma":0.05150497,"teacher_disagreement_score":0.025787639,"about_ca_system_score_codex":0.008298965,"about_ca_system_score_gemma":0.0037909767,"threshold_uncertainty_score":0.060213447},"labels":[],"label_agreement":null},{"id":"W2778254559","doi":"","title":"The Psychoanalytic Theme in Margaret Atwood's Fiction: A Response to Burkhard Niederhoff*1","year":2009,"lang":"en","type":"article","venue":"Connotations","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Oryx; Psychoanalysis; Dystopia; Literature; Art; Sociology; History; Psychology","score_opus":0.03199666402383871,"score_gpt":0.2737558327859337,"score_spread":0.24175916876209497,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2778254559","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0060273563,0.044110034,0.0008499201,0.85711616,0.033912003,0.000025403102,0.00003648657,0.00006542683,0.057857208],"genre_scores_gemma":[0.25337297,0.027736016,0.001380673,0.57146,0.038054198,0.00024536683,0.000068717316,0.0003425654,0.1073394],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99542737,0.002924801,0.00004769548,0.00031236967,0.00075912377,0.00052861194],"domain_scores_gemma":[0.99679416,0.0021131197,0.00019200976,0.000087774184,0.00031623684,0.0004967163],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0029654738,0.0012798809,0.00085057656,0.0013696372,0.021093197,0.0073489984,0.0028264392,0.011015357,0.0043041916],"category_scores_gemma":[0.009382821,0.00042103874,0.000536598,0.0010947745,0.029915005,0.006743853,0.007848448,0.022028128,0.0011185362],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028033532,0.00003003045,0.00011484698,0.00010758852,0.0000057152774,0.0013616862,0.0813646,0.00005741119,0.00011922919,0.1359859,0.7761664,0.0046586855],"study_design_scores_gemma":[0.000006309847,0.000014174252,0.00015490044,0.000368298,0.000002537092,0.0011129834,0.04408743,0.00007547589,0.000076661316,0.010993645,0.9430908,0.000016720362],"about_ca_topic_score_codex":0.016576054,"about_ca_topic_score_gemma":0.02262687,"teacher_disagreement_score":0.021093197,"about_ca_system_score_codex":0.00947797,"about_ca_system_score_gemma":0.0036541147,"threshold_uncertainty_score":0.068767846},"labels":[],"label_agreement":null},{"id":"W2783087107","doi":"10.25904/1912/78","title":"Contending With Feminism: Women's Health Issues in Margaret Atwood's Early Fiction","year":2006,"lang":"en","type":"other","venue":"Griffith Research Online (Griffith University, Queensland, Australia)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Feminism; Gender studies; Sociology; History; Art","score_opus":0.11929768622717178,"score_gpt":0.34265579009850533,"score_spread":0.22335810387133354,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2783087107","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05539721,0.04042051,0.0016807584,0.25382164,0.004855678,0.00003078296,0.000039799655,0.000063475694,0.64369017],"genre_scores_gemma":[0.7139595,0.01220566,0.0009979856,0.033545855,0.002829668,0.00006821555,0.000022282356,0.00008011247,0.23629072],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982685,0.0011600609,0.000014706074,0.000077721044,0.00025632262,0.00022257146],"domain_scores_gemma":[0.9973571,0.0021822767,0.00009743674,0.000052465868,0.00013199719,0.00017867178],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017691726,0.000376175,0.0002359857,0.0010419709,0.016126743,0.005307921,0.00078308536,0.0031673126,0.0045325006],"category_scores_gemma":[0.0031226494,0.00014808452,0.0001597289,0.0007601221,0.020715052,0.0025103001,0.0026537068,0.0041645155,0.00043237893],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024009958,0.000027526083,0.0002393738,0.00012013558,0.0000028029353,0.0009881352,0.2837383,0.000118876334,0.00023770901,0.5565165,0.13770592,0.02028068],"study_design_scores_gemma":[0.00000382765,0.000015385554,0.00031598343,0.00025211836,0.0000026935654,0.0005373216,0.05644113,0.00005932941,0.00026130123,0.020578276,0.9215221,0.000010678281],"about_ca_topic_score_codex":0.01979138,"about_ca_topic_score_gemma":0.036477193,"teacher_disagreement_score":0.01979138,"about_ca_system_score_codex":0.0068001463,"about_ca_system_score_gemma":0.0025262272,"threshold_uncertainty_score":0.049338758},"labels":[],"label_agreement":null},{"id":"W2785375803","doi":"10.1353/vcr.2017.0007","title":"Museum Catalogue Record: William Morris’s News From Nowhere","year":2017,"lang":"en","type":"article","venue":"Victorian review","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narrative; History; Artifact (error); Period (music); Literature; Storytelling; Romance; Art history; Art; Genealogy; Computer science; Aesthetics","score_opus":0.04962305871165905,"score_gpt":0.2711434173789523,"score_spread":0.22152035866729325,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2785375803","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0010059783,0.0076224436,0.00023237476,0.0062079136,0.0042314166,0.00010814585,0.019726373,0.00083180063,0.96003366],"genre_scores_gemma":[0.0025904009,0.0038854182,0.00014787773,0.00095566735,0.0006543484,0.00006121251,0.0049781655,0.00048479202,0.98624206],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991248,0.00005529764,0.000060444247,0.00010573853,0.0005316783,0.00012212613],"domain_scores_gemma":[0.99786794,0.00026299892,0.00023094694,0.00039007008,0.0008663381,0.00038167712],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005528521,0.0007910169,0.0006055962,0.0017737378,0.0018737476,0.0074161896,0.0010035755,0.0018084773,0.57857496],"category_scores_gemma":[0.003646162,0.00060345884,0.00022551737,0.0061727646,0.00082934817,0.0035738337,0.002624169,0.0019369592,0.44923604],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011595811,0.000005537993,0.000108178734,0.0000935702,0.0000012628452,0.000041534193,0.000106049956,0.000011479574,0.00007822721,0.0006652592,0.982532,0.016345177],"study_design_scores_gemma":[0.0000014619719,0.0000010790313,0.00030718173,0.000048725215,5.216228e-7,0.000010238911,0.000043452113,0.0000022560089,0.000022671566,0.00002362313,0.9995365,0.00000225232],"about_ca_topic_score_codex":0.07894253,"about_ca_topic_score_gemma":0.15371507,"teacher_disagreement_score":0.57857496,"about_ca_system_score_codex":0.0025556048,"about_ca_system_score_gemma":0.0037093898,"threshold_uncertainty_score":0.60111165},"labels":[],"label_agreement":null},{"id":"W2787002261","doi":"","title":"Blood, Soil and Zombies: Afrofuturist Collaboration and (Re-)Appropriation in Nalo Hopkinson’s Brown Girl in the Ring","year":2018,"lang":"en","type":"article","venue":"","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"McMaster University","funders":"","keywords":"Zombie; Appropriation; Modernity; Sociology; Gender studies; Ideology; Population; Politics; History; Political science; Law","score_opus":0.01871321086777868,"score_gpt":0.22529221854753803,"score_spread":0.20657900767975934,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2787002261","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5900038,0.009535594,0.0035605687,0.094428964,0.001418838,0.00006979903,0.000059864597,0.000081558755,0.30084097],"genre_scores_gemma":[0.9406065,0.0011104236,0.0008481995,0.003540321,0.00009723969,0.000029056568,0.000009686053,0.000073997646,0.053684562],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99784005,0.0013975805,0.000022711225,0.00014621486,0.00017103807,0.00042233654],"domain_scores_gemma":[0.9991654,0.00036546812,0.00008809011,0.00004875067,0.00006876357,0.0002635253],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0024975736,0.0004197017,0.0003363018,0.00069157017,0.025988832,0.0071149343,0.0008781287,0.002685144,0.006662304],"category_scores_gemma":[0.0031722712,0.0003497592,0.00016936133,0.00049960555,0.025338128,0.0037848065,0.008143505,0.0049322927,0.0004809471],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003546297,0.0000223547,0.00057128543,0.000036272457,0.0000028458348,0.0008430086,0.879465,0.000029952487,0.0004834541,0.10588591,0.0075823613,0.005042043],"study_design_scores_gemma":[0.000011130873,0.000036433823,0.0010768154,0.00017962161,0.00000472563,0.0005601991,0.58872396,0.00008956051,0.00042794968,0.01009271,0.3987751,0.00002174225],"about_ca_topic_score_codex":0.028806435,"about_ca_topic_score_gemma":0.07956481,"teacher_disagreement_score":0.028806435,"about_ca_system_score_codex":0.005692505,"about_ca_system_score_gemma":0.003638116,"threshold_uncertainty_score":0.05727756},"labels":[],"label_agreement":null},{"id":"W2788274802","doi":"10.24908/jcri.v5i1.7170","title":"BOOK REVIEW: Afro-Atlantic Flight: Speculative Returns and the Black Fantastic, by Michelle D. Commander (2017). Durham, NC: Duke University Press.","year":2018,"lang":"en","type":"article","venue":"Journal of Critical Race Inquiry","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"History; Art history","score_opus":0.026518005570599478,"score_gpt":0.2738588364256012,"score_spread":0.24734083085500175,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2788274802","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00014326806,0.8596376,0.00017062898,0.08039406,0.02857423,0.00001353227,0.00016723141,0.000042748106,0.030856697],"genre_scores_gemma":[0.0047497507,0.7405064,0.00032485413,0.04780318,0.043111067,0.00006181753,0.00034509413,0.000106618456,0.16299115],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99932945,0.00013758545,0.00003417471,0.00007521208,0.0003690436,0.00005449865],"domain_scores_gemma":[0.9960756,0.0021158054,0.00030448497,0.00007639215,0.0010726543,0.00035502447],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001050592,0.0009254373,0.0008350215,0.0026694783,0.0016809952,0.0043075955,0.0012708972,0.0027091843,0.03560894],"category_scores_gemma":[0.0073540714,0.00037584253,0.0003053635,0.0036061502,0.0024114512,0.0051080366,0.0014563702,0.004205104,0.014760332],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000029216994,0.0000016926214,0.000013577302,0.00013038183,0.0000012204827,0.000011365788,0.00006176558,0.00000953735,0.00001131417,0.0013084626,0.9860264,0.012421405],"study_design_scores_gemma":[0.0000033597219,0.0000043018813,0.00018432368,0.0005901517,0.000003143577,0.00009700271,0.00016947834,0.000011205473,0.000017603683,0.0010259862,0.9978877,0.0000058084897],"about_ca_topic_score_codex":0.014256032,"about_ca_topic_score_gemma":0.038137656,"teacher_disagreement_score":0.03560894,"about_ca_system_score_codex":0.0036235165,"about_ca_system_score_gemma":0.005814433,"threshold_uncertainty_score":0.11912382},"labels":[],"label_agreement":null},{"id":"W2788282474","doi":"","title":"Utopia, Limited: Romanticism and Adjustment","year":2017,"lang":"en","type":"article","venue":"Canadian parliamentary review","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":13,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Romanticism; Utopia; Keynesian economics; Economics; Art; Literature; Art history","score_opus":0.04794127359792916,"score_gpt":0.2559803486619045,"score_spread":0.20803907506397534,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2788282474","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0034507117,0.82235634,0.00028542,0.072315104,0.0032952381,0.000032948767,0.0002992517,0.000028936489,0.097936],"genre_scores_gemma":[0.18550622,0.7600167,0.0008025985,0.032485083,0.0024569659,0.00008318651,0.000453524,0.00009983961,0.01809592],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9883532,0.0025943175,0.00065826235,0.0005884396,0.0060825893,0.0017231602],"domain_scores_gemma":[0.9833261,0.005668664,0.0011221739,0.0008370913,0.007821707,0.001224338],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.014283659,0.00055046525,0.0013330544,0.0074876226,0.0068254615,0.0108902715,0.0027722719,0.0028235996,0.011671027],"category_scores_gemma":[0.039755486,0.0003523546,0.00053685764,0.013355387,0.018594667,0.004227091,0.0035616152,0.0052149063,0.00086269365],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001064656,0.000038138416,0.0014316399,0.006280746,0.00012831087,0.00025080348,0.006573499,0.0003347772,0.00016872145,0.36495578,0.26507607,0.354655],"study_design_scores_gemma":[0.000024066163,0.000010407056,0.0054065664,0.005760663,0.000061627,0.00013399468,0.00379891,0.00004318462,0.000082701765,0.013452053,0.97119564,0.000030219833],"about_ca_topic_score_codex":0.74332404,"about_ca_topic_score_gemma":0.86171377,"teacher_disagreement_score":0.74332404,"about_ca_system_score_codex":0.053114954,"about_ca_system_score_gemma":0.15356293,"threshold_uncertainty_score":0.5163751},"labels":[],"label_agreement":null},{"id":"W2789330914","doi":"","title":"Ecological Immunity and Kim Stanley Robinson’s 2312","year":2018,"lang":"en","type":"article","venue":"˜The œjournal of ecocriticism","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Anthropocene; Biosphere; Environmental ethics; Ecology; Organism; Epistemology; Order (exchange); History; Sociology; Philosophy; Biology","score_opus":0.033429008907941975,"score_gpt":0.2522492640816123,"score_spread":0.21882025517367032,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2789330914","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013301058,0.018963678,0.004201069,0.42915186,0.0057206727,0.000036445294,0.00006289158,0.00005835461,0.52850395],"genre_scores_gemma":[0.71598345,0.008949045,0.0049430015,0.1454621,0.0043602954,0.00012907662,0.000045391473,0.00010981441,0.12001789],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99847335,0.00078740733,0.00003986307,0.00026555298,0.00030166522,0.00013220191],"domain_scores_gemma":[0.9986651,0.00080983946,0.00011762324,0.00010724864,0.00018499438,0.000115203526],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022597162,0.00044109393,0.0003002354,0.0007581677,0.004849506,0.004539759,0.0009027679,0.0035401713,0.0041377074],"category_scores_gemma":[0.004283955,0.00020687467,0.00031569836,0.00046373912,0.027603619,0.0066489377,0.0024978942,0.0071584294,0.0011894142],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000058184405,0.000006672682,0.000043972806,0.000014431286,8.701759e-7,0.00009053189,0.003017704,0.00003923111,0.00004228759,0.97613424,0.01904701,0.0015573072],"study_design_scores_gemma":[0.000013108976,0.0000176676,0.00012774138,0.00008493504,0.0000029961607,0.00031329415,0.0026371311,0.00013927784,0.00021078896,0.3944947,0.6019455,0.000012788149],"about_ca_topic_score_codex":0.0033996077,"about_ca_topic_score_gemma":0.004539959,"teacher_disagreement_score":0.004849506,"about_ca_system_score_codex":0.004101345,"about_ca_system_score_gemma":0.0027232985,"threshold_uncertainty_score":0.0297575},"labels":[],"label_agreement":null},{"id":"W2791162594","doi":"","title":"Crow / Francis Bacon’s / The Blind Birdwatcher / Don’t Bend Over / Dornen / Fun and Games / What's Left / Bindi / The Second Coming / Intimates","year":2018,"lang":"en","type":"article","venue":"Ars Medica","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Capilano University","funders":"","keywords":"Philosophy; Mathematical economics; Mathematics","score_opus":0.01938899476254537,"score_gpt":0.2367595340269779,"score_spread":0.21737053926443253,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2791162594","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0019881355,0.015143261,0.00027106426,0.0751077,0.0096524665,0.00001624578,0.000116347495,0.00008012881,0.8976246],"genre_scores_gemma":[0.044262324,0.0058952104,0.0002973303,0.02296183,0.0023154647,0.000019761628,0.00006011225,0.00017881129,0.92400914],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994355,0.0002045454,0.000015193529,0.000053703963,0.00016685626,0.00012417123],"domain_scores_gemma":[0.9991571,0.0003035328,0.00005278369,0.000057186757,0.00017982988,0.0002496424],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007092259,0.00048227588,0.0002485375,0.0011494325,0.010549886,0.0053896825,0.00047523013,0.0025205356,0.07984108],"category_scores_gemma":[0.0033956375,0.00017050008,0.00021666054,0.00067523157,0.0052785114,0.004182395,0.0021647792,0.0054184366,0.01516592],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018258062,0.00001265645,0.00013851172,0.000046130543,0.0000017522165,0.000096477626,0.0051599676,0.000011258233,0.00012469818,0.09968575,0.87539905,0.01930547],"study_design_scores_gemma":[0.0000015212681,0.0000025199383,0.00026899486,0.000076186436,6.680217e-7,0.000045908084,0.0032602982,0.000005168093,0.000050204726,0.0018096658,0.9944758,0.0000031099285],"about_ca_topic_score_codex":0.048312914,"about_ca_topic_score_gemma":0.13414636,"teacher_disagreement_score":0.07984108,"about_ca_system_score_codex":0.0032592148,"about_ca_system_score_gemma":0.0018582959,"threshold_uncertainty_score":0.26709503},"labels":[],"label_agreement":null},{"id":"W2793529814","doi":"10.18192/cjcs.v0i5.2466","title":"Cartesian Auto Body","year":2018,"lang":"en","type":"article","venue":"Conversations The Journal of Cavellian Studies","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Cartesian coordinate system; Unit (ring theory); Operations management; Engineering; Mathematics; Geometry; Mathematics education","score_opus":0.06419143113192519,"score_gpt":0.2913578107255226,"score_spread":0.2271663795935974,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2793529814","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0038395433,0.0023388744,0.007737023,0.0044857226,0.00086559367,0.00002165518,0.0001324614,0.00019108232,0.98038805],"genre_scores_gemma":[0.38041636,0.0027344555,0.005962629,0.0036865915,0.00084911525,0.000093673545,0.00040110605,0.0004058638,0.6054501],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989323,0.00035611825,0.000036796773,0.0003106613,0.00023033434,0.0001338164],"domain_scores_gemma":[0.9995435,0.00008922431,0.00003629543,0.000135576,0.00014977444,0.000045607754],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00086002296,0.00062801887,0.00025182945,0.0007364264,0.0038936462,0.0045304806,0.00044826005,0.0013695622,0.030914746],"category_scores_gemma":[0.0016558053,0.00027963452,0.00032185204,0.0005379992,0.011524722,0.004335189,0.0029140827,0.0028243822,0.008653643],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001095985,0.0000026358132,0.00009477912,0.000018929739,0.0000015554057,0.000029584262,0.0030384776,0.000021460066,0.00010347235,0.973781,0.017755417,0.005141683],"study_design_scores_gemma":[0.000008079989,0.000017859398,0.00045331847,0.00006652089,0.000004871428,0.00031201693,0.0018468198,0.00011565262,0.0003540239,0.13850747,0.85830414,0.000009257561],"about_ca_topic_score_codex":0.0073442794,"about_ca_topic_score_gemma":0.0075941486,"teacher_disagreement_score":0.030914746,"about_ca_system_score_codex":0.0028241621,"about_ca_system_score_gemma":0.0016702422,"threshold_uncertainty_score":0.10342014},"labels":[],"label_agreement":null},{"id":"W2797380457","doi":"","title":"Margaret Atwood’s Historical Lives in Context: Notes on a Postcolonial Pedagogy for Historical Fiction","year":2004,"lang":"en","type":"book-chapter","venue":"OpenEdition (OpenEdition)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); History; Literature; Sociology; Art history; Art; Archaeology","score_opus":0.04266953488425246,"score_gpt":0.25648398854574544,"score_spread":0.213814453661493,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2797380457","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.029318035,0.0556444,0.004225549,0.08283147,0.0036793065,0.000048106314,0.000035056375,0.00007035788,0.8241477],"genre_scores_gemma":[0.6648295,0.024947735,0.0020897533,0.017968472,0.0014833387,0.00014596795,0.000034974888,0.00022059827,0.28827974],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977958,0.0016084933,0.000023902146,0.00011746695,0.000254393,0.00019993907],"domain_scores_gemma":[0.99775165,0.0017605717,0.00008650884,0.000091882546,0.00010963152,0.00019976821],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002871531,0.00060103537,0.00037632353,0.001575704,0.017562348,0.008724023,0.0014205112,0.003465223,0.006902148],"category_scores_gemma":[0.003785285,0.00029567422,0.00020184825,0.0017325224,0.0279021,0.007265597,0.00456224,0.0080125965,0.0011168997],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000144899195,0.000023433086,0.000097477925,0.000064268745,0.0000015696718,0.00037578886,0.233815,0.000053333275,0.00013621518,0.7020236,0.051381774,0.012013128],"study_design_scores_gemma":[0.0000044124617,0.00001275745,0.00022429014,0.00030672972,0.0000023284747,0.00023254415,0.05435792,0.00004049452,0.0001871398,0.032607626,0.91201717,0.0000065704685],"about_ca_topic_score_codex":0.017326737,"about_ca_topic_score_gemma":0.049878567,"teacher_disagreement_score":0.017562348,"about_ca_system_score_codex":0.010459715,"about_ca_system_score_gemma":0.004161904,"threshold_uncertainty_score":0.07589096},"labels":[],"label_agreement":null},{"id":"W2799041664","doi":"","title":"'utopian Generations': The Political Horizon Of Twentieth-century Literature","year":2007,"lang":"en","type":"article","venue":"Sound Ideas (University of Puget Sound)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Politics; Horizon; History; Political science; Political economy; Economics; Law; Mathematics","score_opus":0.018201535034091783,"score_gpt":0.21842208979580396,"score_spread":0.2002205547617122,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2799041664","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02051941,0.6524024,0.0012532002,0.07998021,0.0052235704,0.000011943884,0.000041055555,0.000032676762,0.24053551],"genre_scores_gemma":[0.4348125,0.45852378,0.0012561135,0.022109397,0.013216495,0.000055595614,0.00007158607,0.00006181931,0.06989273],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9991166,0.0004066375,0.000024508347,0.0000587269,0.00023787776,0.0001556747],"domain_scores_gemma":[0.9981158,0.0014369951,0.0001610185,0.000050001796,0.0001260529,0.00011030509],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012164859,0.0002953173,0.00025454367,0.0024720116,0.005050494,0.0075221774,0.0005693951,0.00174411,0.00420886],"category_scores_gemma":[0.002920731,0.00015072254,0.00013718185,0.0030895434,0.011541045,0.007262207,0.0022493363,0.002134375,0.00046154775],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012159989,0.000016814362,0.000377938,0.00029687575,0.000005203305,0.00019994826,0.029098926,0.00009202854,0.000096607924,0.8763539,0.05055729,0.042892333],"study_design_scores_gemma":[0.0000045511756,0.000006601473,0.0010721177,0.0009923424,0.0000032188261,0.00017389521,0.01375921,0.000049677867,0.00006668116,0.10733934,0.8765226,0.000009669377],"about_ca_topic_score_codex":0.0074391845,"about_ca_topic_score_gemma":0.018059947,"teacher_disagreement_score":0.0075221774,"about_ca_system_score_codex":0.004616033,"about_ca_system_score_gemma":0.0030864256,"threshold_uncertainty_score":0.03349185},"labels":[],"label_agreement":null},{"id":"W2802531182","doi":"10.24193/cechinox.2018.34.23","title":"The Canadian Tempest Margaret Atwood and Shakespeare Retold as Hag-Seed","year":2018,"lang":"en","type":"article","venue":"Caietele Echinox","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Tempest; Appropriation; Rewriting; Dystopia; Literature; Style (visual arts); Plot (graphics); Adaptation (eye); Art; History; Philosophy; Computer science; Linguistics; Psychology","score_opus":0.0183725987212476,"score_gpt":0.2152207935601125,"score_spread":0.1968481948388649,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2802531182","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.112250976,0.01321682,0.0023887441,0.03532899,0.002225443,0.000042141386,0.00025535934,0.00018703757,0.8341045],"genre_scores_gemma":[0.696078,0.0037470418,0.0013831357,0.0028399327,0.00012948769,0.000016503272,0.000071400595,0.00018388631,0.29555067],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990381,0.00013713015,0.000008526465,0.00011427077,0.00045532713,0.00024667376],"domain_scores_gemma":[0.99934906,0.00016231123,0.00003064791,0.000047801623,0.00023986098,0.00017045047],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00078885426,0.00040904773,0.0001928116,0.000954357,0.025234183,0.0060494486,0.00091979594,0.0014366918,0.00899753],"category_scores_gemma":[0.002049967,0.00019504862,0.0001644504,0.0014222634,0.017027581,0.001866194,0.0021919361,0.0028273612,0.00074996764],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007670671,0.000016305485,0.0018867763,0.00009518078,0.000011203561,0.0012147094,0.23975508,0.0002402353,0.0011163017,0.5277887,0.18857513,0.039223716],"study_design_scores_gemma":[0.0000030065105,0.0000070035517,0.0019869376,0.00008698055,0.000006468905,0.00026267403,0.056025267,0.00008099812,0.0005120948,0.0051149717,0.9358862,0.000027469508],"about_ca_topic_score_codex":0.9316683,"about_ca_topic_score_gemma":0.98400384,"teacher_disagreement_score":0.06833172,"about_ca_system_score_codex":0.0385544,"about_ca_system_score_gemma":0.02992769,"threshold_uncertainty_score":0.27973306},"labels":[],"label_agreement":null},{"id":"W2805816221","doi":"","title":"\"Mino-Bimaadiziwin in Atwood's Speculative Fiction.\"","year":2018,"lang":"en","type":"article","venue":"Archive ouverte UNIGE (University of Geneva)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Trilogy; Metis; Indigenous; Narrative; History; Context (archaeology); Colonialism; Sociology; Identity (music); American studies; Anthropology; Literature; Aesthetics; Art history; Philosophy; Art; Archaeology","score_opus":0.020730141460842236,"score_gpt":0.18975880617058646,"score_spread":0.16902866470974423,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2805816221","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06995482,0.041110784,0.0059525254,0.14288822,0.014758281,0.00009763737,0.00020898864,0.00015553692,0.7248733],"genre_scores_gemma":[0.70701885,0.0057901903,0.002481661,0.015884016,0.0012416467,0.00016507109,0.000061709805,0.0001882338,0.26716864],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994242,0.00029002814,0.0000110339715,0.00007335032,0.00009231585,0.000109049695],"domain_scores_gemma":[0.99958485,0.00020744788,0.00005486651,0.000030028204,0.00004669249,0.000076175405],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009939389,0.0006019079,0.00018514099,0.0006514194,0.008904682,0.0041265446,0.00055960234,0.0015186477,0.0049408],"category_scores_gemma":[0.002341325,0.00018254023,0.00017128632,0.0005956599,0.010255303,0.0032029143,0.0025265696,0.003838275,0.0007919974],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000684723,0.000018326225,0.00042670814,0.00011269382,0.0000042320216,0.00054160034,0.14717178,0.000040132163,0.00039689074,0.7030417,0.1297316,0.0184459],"study_design_scores_gemma":[0.000004826067,0.000009562003,0.0004157252,0.00017326436,0.000003369912,0.0003111026,0.037264142,0.000058977443,0.00030778005,0.015841786,0.9456027,0.0000067360356],"about_ca_topic_score_codex":0.0061138268,"about_ca_topic_score_gemma":0.020207403,"teacher_disagreement_score":0.008904682,"about_ca_system_score_codex":0.0030434409,"about_ca_system_score_gemma":0.0012877402,"threshold_uncertainty_score":0.022081852},"labels":[],"label_agreement":null},{"id":"W2806684000","doi":"","title":"Medium and Author:Margaret Atwood on the Writer’s Place in the Network of Literature","year":2017,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Performance art; Art; Literature; Sociology; Art history","score_opus":0.05896872412952439,"score_gpt":0.2958904814102698,"score_spread":0.2369217572807454,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2806684000","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.006552204,0.029148268,0.0005317638,0.70843256,0.049680844,0.00005181737,0.00026850405,0.00014667306,0.20518735],"genre_scores_gemma":[0.23731403,0.024541803,0.0008339785,0.08361879,0.01668753,0.0000683111,0.000119635595,0.0003564707,0.63645947],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99831885,0.00034092405,0.000041626987,0.00022462384,0.0007643233,0.00030958856],"domain_scores_gemma":[0.98865485,0.0028305287,0.000523928,0.0001616247,0.004923863,0.0029052317],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019943349,0.00049278204,0.00058681093,0.00287935,0.023985565,0.00944764,0.0016047277,0.0018433111,0.021837013],"category_scores_gemma":[0.011585775,0.00021073653,0.00016773654,0.0024599277,0.009105102,0.0038371196,0.0026089721,0.0056083156,0.003136413],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016187105,0.000005273096,0.00034180548,0.00007234853,0.0000029380255,0.0001781588,0.023884984,0.00003084316,0.00011385092,0.04826654,0.9205057,0.0065812985],"study_design_scores_gemma":[0.0000028095924,0.0000026744608,0.000604479,0.00020285972,0.0000044125786,0.00013056005,0.032070633,0.000025411024,0.00007218817,0.0019811636,0.9648891,0.000013872626],"about_ca_topic_score_codex":0.6828141,"about_ca_topic_score_gemma":0.86393565,"teacher_disagreement_score":0.31718588,"about_ca_system_score_codex":0.025474746,"about_ca_system_score_gemma":0.029332412,"threshold_uncertainty_score":0.63810766},"labels":[],"label_agreement":null},{"id":"W2885512621","doi":"","title":"Canada’s Mutant Body: Nationalism and (Super)Multiculturalism in Alpha Flight vs. the X-Men","year":2015,"lang":"en","type":"article","venue":"Journal of the fantastic in the arts","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Multiculturalism; Nationalism; Alpha (finance); Mutant; Political science; Gender studies; Sociology; Genetics; Biology; Law; Politics; Gene","score_opus":0.027403457374421288,"score_gpt":0.22552882723235404,"score_spread":0.19812536985793275,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2885512621","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.75131893,0.0008266924,0.0003752351,0.016210461,0.00020217123,0.000020069923,0.00016720034,0.000015633976,0.23086369],"genre_scores_gemma":[0.9915069,0.00013053906,0.0000489713,0.00054077903,0.0000060116213,0.000003648306,0.00001979646,0.000009175322,0.007734229],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9991685,0.00012833123,0.000014228761,0.000066058885,0.00023902445,0.00038391486],"domain_scores_gemma":[0.998159,0.00053507107,0.00018403721,0.00011468551,0.0004642952,0.00054282515],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012866644,0.00020317071,0.0003061561,0.0007712591,0.014107119,0.004830627,0.00085407414,0.0010345229,0.010465401],"category_scores_gemma":[0.003379425,0.00012563079,0.00025405828,0.0012793776,0.012742842,0.0018847496,0.002598046,0.0028129446,0.00027686337],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00030725234,0.00012096368,0.04560727,0.00005095819,0.000029878429,0.0007478888,0.31024894,0.00024655793,0.0006156484,0.5856076,0.024321672,0.03209539],"study_design_scores_gemma":[0.000094429095,0.00006401957,0.09488709,0.00019119348,0.0000813727,0.00059392705,0.75748533,0.0006526335,0.0009414545,0.035758466,0.10916287,0.00008717486],"about_ca_topic_score_codex":0.9366551,"about_ca_topic_score_gemma":0.9570417,"teacher_disagreement_score":0.063344896,"about_ca_system_score_codex":0.017392019,"about_ca_system_score_gemma":0.038348462,"threshold_uncertainty_score":0.12743586},"labels":[],"label_agreement":null},{"id":"W2886737531","doi":"10.3138/jrpc.2016-0012.r1","title":"“Watch the Blood-Soaked Old General in Action”: Blochian Atheism, Exodus, and Utopia in <i>Doctor Who</i>","year":2018,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Atheism; Philosophy; Christianity; Theism; Marxist philosophy; Materialism; Narrative; Religious studies; Polity; Messianism; Theology; Law","score_opus":0.02172535020598447,"score_gpt":0.25224497188206046,"score_spread":0.23051962167607598,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2886737531","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2496896,0.019138472,0.0044010035,0.08904553,0.003808179,0.00006350865,0.00008212595,0.00016844501,0.6336032],"genre_scores_gemma":[0.8667094,0.0028093662,0.0009380786,0.0062474255,0.00044124018,0.000024677149,0.000025515832,0.000085681764,0.12271866],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99945515,0.00029306192,0.000006969868,0.000054911103,0.000078576755,0.000111325135],"domain_scores_gemma":[0.9997421,0.000107324384,0.000035257814,0.00001935026,0.000027598164,0.000068274065],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00088731904,0.00023351316,0.00013756251,0.0004257687,0.005332071,0.002723152,0.00036519466,0.0012719211,0.0040150387],"category_scores_gemma":[0.0011916817,0.00012234772,0.00012667988,0.0002635824,0.014673558,0.0020461094,0.0021325317,0.0023627058,0.00058491883],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006306313,0.00002885099,0.0014051261,0.00012840792,0.0000055077994,0.0003963716,0.38687745,0.00005611364,0.00083059125,0.52316296,0.06448252,0.022563037],"study_design_scores_gemma":[0.000008584181,0.00003765491,0.002582037,0.00021304232,0.0000068662243,0.00034767843,0.098452166,0.00008180953,0.0005128572,0.01883013,0.87890965,0.000017648032],"about_ca_topic_score_codex":0.011506137,"about_ca_topic_score_gemma":0.04225275,"teacher_disagreement_score":0.011506137,"about_ca_system_score_codex":0.0028817605,"about_ca_system_score_gemma":0.0013949522,"threshold_uncertainty_score":0.022878349},"labels":[{"model":"gemma","categories":[],"domain":null,"study_design":"not_applicable","genre":"other","about_ca_system":false,"about_ca_topic":false,"confidence":"low"},{"model":"gpt","categories":[],"domain":null,"study_design":"theoretical_or_conceptual","genre":"empirical","about_ca_system":false,"about_ca_topic":false,"confidence":"low"}],"label_agreement":"split"},{"id":"W2888191555","doi":"10.15584/sar.2018.15.1.7","title":"Garden Politics in Margaret Atwood’s Selected Speculative Fiction Novels","year":2018,"lang":"en","type":"article","venue":"Studia Anglica Resoviensia","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ideology; Politics; Dystopia; Literature; Representation (politics); Environmentalism; Literary fiction; Ecocriticism; History; Perspective (graphical); Sociology; Aesthetics; Literary criticism; Art; Law; Political science; Visual arts","score_opus":0.025744570866474695,"score_gpt":0.2466425138875324,"score_spread":0.2208979430210577,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2888191555","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.52019197,0.01016134,0.0014504441,0.043212384,0.0026123659,0.00006714394,0.0002613583,0.000113386865,0.4219297],"genre_scores_gemma":[0.91769916,0.0018620865,0.0004303415,0.0018845842,0.0004535007,0.00002952853,0.00006123264,0.00013047039,0.077449195],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988166,0.00046619136,0.000019815086,0.00014700818,0.00024169157,0.00030871722],"domain_scores_gemma":[0.9977406,0.0013475529,0.00018632122,0.00010044483,0.00024038907,0.00038459955],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013651502,0.00039537443,0.00028616056,0.0010988252,0.021163672,0.008376828,0.0009916036,0.0020680842,0.0044612377],"category_scores_gemma":[0.0025708533,0.00025681488,0.0002007278,0.001282926,0.013833271,0.0023618708,0.0026050666,0.0030171673,0.0004591689],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001228589,0.000052211588,0.0007518035,0.00012246514,0.000006821495,0.0032886115,0.7038514,0.00016599202,0.0015045078,0.22835484,0.05241102,0.009367413],"study_design_scores_gemma":[0.0000072219623,0.000022221506,0.0014091341,0.00011917779,0.0000041808516,0.0006108881,0.20135503,0.000065666514,0.0007611883,0.002990536,0.79263204,0.000022664453],"about_ca_topic_score_codex":0.080806926,"about_ca_topic_score_gemma":0.27488583,"teacher_disagreement_score":0.080806926,"about_ca_system_score_codex":0.015196775,"about_ca_system_score_gemma":0.004242598,"threshold_uncertainty_score":0.16067314},"labels":[],"label_agreement":null},{"id":"W2894958060","doi":"10.3138/topia.39.02","title":"Black Mecha Is Built for This: Black Masculine Identity in <i>Firedance</i> and <i>Afro Samurai</i>","year":2018,"lang":"en","type":"article","venue":"TOPIA Canadian Journal of Cultural Studies","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Motif (music); Identity (music); CONTEST; Literature; Conversation; Gender studies; Sociology; Art; Aesthetics; Philosophy; Communication; Theology","score_opus":0.0728770211041854,"score_gpt":0.30651126218105706,"score_spread":0.23363424107687167,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2894958060","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.77889705,0.0042772936,0.0023267618,0.023407925,0.00053912465,0.00002921961,0.000023258808,0.000026223332,0.19047323],"genre_scores_gemma":[0.98864204,0.00048547096,0.00032030835,0.0008819134,0.00003460082,0.000013903917,0.000005018396,0.000014393895,0.009602403],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99900204,0.0005468203,0.000011454829,0.00008763367,0.00009677959,0.00025530264],"domain_scores_gemma":[0.99937916,0.0002736822,0.00009847298,0.000042379892,0.00006894415,0.00013730535],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018666711,0.0006043726,0.0003625989,0.0011067521,0.027206665,0.0049779904,0.00066172867,0.0020608166,0.0030515306],"category_scores_gemma":[0.0017928043,0.00026566128,0.00021063005,0.00074380846,0.037563495,0.0036625357,0.0042437343,0.0035276785,0.00026296466],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014215644,0.0000073833608,0.00047981713,0.000016102784,0.0000013361833,0.00023510853,0.90394676,0.000012190541,0.00030496632,0.09073812,0.0011886711,0.0030553546],"study_design_scores_gemma":[0.0000058703513,0.00004061245,0.0029044652,0.00011951653,0.0000072473194,0.00045445788,0.86885077,0.00006902339,0.00045165027,0.011476323,0.11559615,0.000023901846],"about_ca_topic_score_codex":0.06677144,"about_ca_topic_score_gemma":0.1247309,"teacher_disagreement_score":0.06677144,"about_ca_system_score_codex":0.0075040045,"about_ca_system_score_gemma":0.0035376912,"threshold_uncertainty_score":0.13276559},"labels":[],"label_agreement":null},{"id":"W2895225162","doi":"10.3138/topia.39.04","title":"Reading Black Resistance through Afrofuturism: Notes on post-Apocalyptic Blackness and Black Rebel Cyborgs in Canada","year":2018,"lang":"en","type":"article","venue":"TOPIA Canadian Journal of Cultural Studies","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":21,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Resistance (ecology); Modernity; Narrative; Diaspora; Liminality; Sociology; Gender studies; Subversion; History; Racism; Aesthetics; Art; Anthropology; Law; Literature; Political science; Politics","score_opus":0.042890727970653006,"score_gpt":0.25695728478194074,"score_spread":0.21406655681128772,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2895225162","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5633716,0.0075299707,0.0012718634,0.03716864,0.0006564409,0.000072666626,0.00018080608,0.000061373314,0.3896866],"genre_scores_gemma":[0.9555768,0.0021971513,0.00026262962,0.0015943814,0.000036814,0.000019052297,0.000027696802,0.000054467368,0.040230952],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99843603,0.00032695112,0.000014107386,0.00011545555,0.00029963403,0.00080782466],"domain_scores_gemma":[0.99881136,0.00040316652,0.000090969676,0.00003540328,0.00028238894,0.00037673462],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001410147,0.00061556045,0.0004537487,0.0021155726,0.05244231,0.009114946,0.0016536562,0.0028413802,0.0067394525],"category_scores_gemma":[0.0028692274,0.00029749918,0.00023450982,0.0026239268,0.029048348,0.0030277197,0.005449766,0.0054999604,0.00029813946],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004079501,0.000019125124,0.0013052612,0.00005760732,0.0000047689764,0.0012047701,0.82155687,0.00012276722,0.00040388468,0.15904717,0.009196275,0.007040761],"study_design_scores_gemma":[0.000005318177,0.000013310787,0.003578096,0.00023743973,0.000011537711,0.0002156428,0.6946198,0.00014361125,0.0004297283,0.005893679,0.2948123,0.000039516795],"about_ca_topic_score_codex":0.9753651,"about_ca_topic_score_gemma":0.99128175,"teacher_disagreement_score":0.116445385,"about_ca_system_score_codex":0.116445385,"about_ca_system_score_gemma":0.0892523,"threshold_uncertainty_score":0.8448744},"labels":[],"label_agreement":null},{"id":"W2895495377","doi":"10.3138/topia.39.05","title":"The Grapevine Telegraph \"Jes Grew\": Sonic Materialism, Afrofuturism and Information Theory in Ishmael Reed's Mumbo Jumbo","year":2018,"lang":"en","type":"article","venue":"TOPIA Canadian Journal of Cultural Studies","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Materialism; Trope (literature); CONTEST; Politics; Sociology; Literature; Aesthetics; History; Art; Philosophy; Epistemology; Law","score_opus":0.024752197287494646,"score_gpt":0.2420600475683778,"score_spread":0.21730785028088315,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2895495377","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4728683,0.014278629,0.006574447,0.030963548,0.000725595,0.00006859605,0.00007925964,0.000051236228,0.47439042],"genre_scores_gemma":[0.9727069,0.0010360893,0.00082298607,0.0006123687,0.00008186568,0.000033502612,0.000011479877,0.00001891703,0.024675978],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994991,0.0002700637,0.000007912159,0.000055028642,0.000065364526,0.000102518614],"domain_scores_gemma":[0.9995925,0.00027398902,0.00003549648,0.00002659007,0.00002994413,0.00004154196],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009909973,0.00026753612,0.00021463404,0.0006343778,0.0072011277,0.0054550045,0.00050054456,0.0013640898,0.0031359056],"category_scores_gemma":[0.0012385548,0.00021778994,0.000109749446,0.00047660654,0.016395995,0.0026770362,0.0024913324,0.0020294848,0.00025830668],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006902119,0.000023915016,0.00042059773,0.00011279284,0.0000031392983,0.0006019357,0.2808382,0.00014111104,0.0015553186,0.699772,0.0043095686,0.012152336],"study_design_scores_gemma":[0.000031174815,0.000102236896,0.0063736513,0.0006914018,0.00001489157,0.00071937375,0.28817904,0.0008508257,0.0014624961,0.12716253,0.574351,0.00006134556],"about_ca_topic_score_codex":0.013507055,"about_ca_topic_score_gemma":0.019194469,"teacher_disagreement_score":0.013507055,"about_ca_system_score_codex":0.005648697,"about_ca_system_score_gemma":0.0011970635,"threshold_uncertainty_score":0.040984392},"labels":[],"label_agreement":null},{"id":"W2898812746","doi":"10.3138/ctr.176.004","title":"<i>Choreo Glyph</i> | Steel Trees, Fish Skins, and Futurity Cyphers","year":2018,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Indigenous; Glyph (data visualization); Ecofeminism; Aesthetics; Art; Visual arts; Fish <Actinopterygii>; Autoethnography; Art history; Sociology; Environmental ethics; Engineering; Gender studies; Philosophy; Mechanical engineering; Ecology; Fishery","score_opus":0.021644847302675182,"score_gpt":0.22641271313730718,"score_spread":0.204767865834632,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2898812746","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.015648121,0.5627254,0.0005868157,0.05791008,0.006262981,0.000071437535,0.00032621616,0.000049242117,0.35641965],"genre_scores_gemma":[0.2775534,0.4993742,0.0009236955,0.011326719,0.0025756643,0.00009489759,0.00025778523,0.00010377938,0.2077898],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993512,0.0002324733,0.000018583742,0.00005086842,0.0002192729,0.00012749084],"domain_scores_gemma":[0.99921775,0.0003740498,0.0000651326,0.000032695956,0.0001876122,0.00012269717],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011096838,0.00041494856,0.00024898007,0.001340646,0.0063320776,0.0038487785,0.00071533874,0.0011864179,0.012384204],"category_scores_gemma":[0.001565654,0.00014410753,0.00016014326,0.0021360058,0.007256485,0.0015732364,0.001275803,0.001822136,0.0011670836],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007941956,0.000035211477,0.0008904698,0.0032326372,0.000019536783,0.0009310203,0.11444148,0.00016429472,0.00092387595,0.24286893,0.5371287,0.09928448],"study_design_scores_gemma":[0.0000017924372,0.000008122027,0.0014473633,0.0008577355,0.0000047425992,0.00017652758,0.019730665,0.000009465485,0.00012352486,0.00091913977,0.97671515,0.0000056879935],"about_ca_topic_score_codex":0.59903216,"about_ca_topic_score_gemma":0.8224843,"teacher_disagreement_score":0.59903216,"about_ca_system_score_codex":0.014670079,"about_ca_system_score_gemma":0.01790084,"threshold_uncertainty_score":0.80665845},"labels":[],"label_agreement":null},{"id":"W2900576260","doi":"10.1353/mos.2018.0037","title":"Subjectal Scale and Micro-biopolitics at the End of the Anthropocene: Margaret Atwood's MaddAddam Trilogy","year":2018,"lang":"en","type":"article","venue":"Mosaic","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Trilogy; Anthropocene; Biopower; Scale (ratio); Ecstasy; Politics; Art history; History; Environmental ethics; Art; Literature; Philosophy; Geography; Sociology; Anthropology; Cartography; Political science; Law","score_opus":0.014966552806615772,"score_gpt":0.22353197767883487,"score_spread":0.2085654248722191,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2900576260","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17911972,0.024561992,0.0015397709,0.41546038,0.0022697828,0.00003153387,0.00005845022,0.00009971556,0.37685868],"genre_scores_gemma":[0.9073495,0.0048129437,0.0007106547,0.01568895,0.001086635,0.000052659187,0.000020625253,0.00010025097,0.07017774],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988919,0.0006161971,0.000015337855,0.00008851141,0.0001705315,0.00021758415],"domain_scores_gemma":[0.99816054,0.00095214474,0.0001250477,0.00010949732,0.000115940784,0.0005368374],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018215585,0.00018817258,0.00022558018,0.0009897612,0.021162368,0.009209992,0.0006659333,0.0019254797,0.0063603725],"category_scores_gemma":[0.002684973,0.00020676937,0.0001147529,0.0008178182,0.025295628,0.0066391886,0.0070946314,0.0065808594,0.00046952738],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036092522,0.000036647056,0.00097407866,0.00004483454,0.0000027718118,0.00052154536,0.43514442,0.00003924137,0.00030677445,0.42631122,0.11410844,0.022473967],"study_design_scores_gemma":[0.000006889145,0.00001809695,0.001776384,0.00017942484,0.000003169567,0.00034374988,0.17704722,0.000043331336,0.00021086785,0.038711052,0.7816464,0.0000134409975],"about_ca_topic_score_codex":0.014191852,"about_ca_topic_score_gemma":0.06293085,"teacher_disagreement_score":0.021162368,"about_ca_system_score_codex":0.004855152,"about_ca_system_score_gemma":0.0028799362,"threshold_uncertainty_score":0.035226762},"labels":[],"label_agreement":null},{"id":"W2901402226","doi":"10.14236/ewic/evac18.26","title":"COSMIC SLOP: Possibilities of Alien Futures (From the Past)","year":2018,"lang":"en","type":"article","venue":"Electronic workshops in computing","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Alienation; Context (archaeology); Speculation; Futures contract; Temporalities; Aesthetics; Monopoly; Politics; Sociology; Disconnection; Power (physics); Epistemology; Political economy; History; Political science; Economics; Law; Market economy; Art; Philosophy","score_opus":0.01673010618128242,"score_gpt":0.24208293061276873,"score_spread":0.2253528244314863,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2901402226","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15215378,0.0038002008,0.018384827,0.019745326,0.00064322,0.00003630358,0.000089437075,0.000115184666,0.8050318],"genre_scores_gemma":[0.97988665,0.00078542856,0.0015066027,0.00065326603,0.0001057009,0.000027347198,0.000027409862,0.000059548176,0.01694809],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981365,0.0010429883,0.000033372886,0.00018026936,0.00028974644,0.00031720888],"domain_scores_gemma":[0.99831116,0.00086861284,0.00014520435,0.00032124703,0.000116685995,0.0002371668],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0032300393,0.00045046606,0.00030764216,0.00158409,0.009865448,0.01123463,0.0008000634,0.0018727945,0.0069917315],"category_scores_gemma":[0.0045254473,0.0002072334,0.00045032866,0.0011478607,0.049992323,0.010847185,0.008393449,0.0034102546,0.0006463141],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001492676,0.0000044661624,0.00017023167,0.000020954325,0.0000018248652,0.00016474073,0.05544674,0.00008901567,0.00011510281,0.9402101,0.001164338,0.0025975495],"study_design_scores_gemma":[0.0000143205,0.00003176415,0.00079936784,0.00023973624,0.000009262646,0.0005749729,0.08613563,0.00045243994,0.00048574607,0.63883024,0.27239555,0.000031007774],"about_ca_topic_score_codex":0.002587236,"about_ca_topic_score_gemma":0.0036925743,"teacher_disagreement_score":0.01123463,"about_ca_system_score_codex":0.0042128945,"about_ca_system_score_gemma":0.0021816813,"threshold_uncertainty_score":0.030566871},"labels":[],"label_agreement":null},{"id":"W2902896092","doi":"10.15353/cjds.v7i3.454","title":"Review of \"The Fantasy of Disability: Images of Loss in Popular Culture\"","year":2018,"lang":"en","type":"article","venue":"Canadian Journal of Disability Studies","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Fantasy; Mainstream; Popular culture; Narrative; Psychology; Sociology; Psychoanalysis; Aesthetics; Gender studies; Media studies; Literature; Art; Political science; Law","score_opus":0.05142091169161374,"score_gpt":0.29787300304224457,"score_spread":0.24645209135063084,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2902896092","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00093834853,0.93588877,0.00016592574,0.035702568,0.011039712,0.000015869773,0.000059245922,0.000014704895,0.016174806],"genre_scores_gemma":[0.008649165,0.9587039,0.00023384078,0.014696591,0.007013722,0.000037161968,0.00009904332,0.00003256864,0.010534056],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99868995,0.0004803069,0.00007962371,0.00007120561,0.00056094315,0.000117915486],"domain_scores_gemma":[0.99520206,0.0023218514,0.00031671848,0.00008828914,0.0017697279,0.00030129746],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015942628,0.0007807524,0.0009816422,0.0044266884,0.002545966,0.004474946,0.001364091,0.0027106882,0.00640763],"category_scores_gemma":[0.0063003153,0.00042997077,0.00039532126,0.0065517793,0.004631004,0.0048738006,0.00207629,0.003402171,0.0019039197],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028584398,0.0000319495,0.00032914907,0.0062464145,0.000024344385,0.00020486144,0.0075039905,0.00008061973,0.00021078934,0.018560315,0.7580389,0.20874022],"study_design_scores_gemma":[0.0000033055978,0.000016738659,0.0015141206,0.0077055944,0.00001483863,0.0004248441,0.0046400474,0.000022001588,0.000059048845,0.0007628052,0.9848232,0.000013469917],"about_ca_topic_score_codex":0.021411125,"about_ca_topic_score_gemma":0.05478516,"teacher_disagreement_score":0.021411125,"about_ca_system_score_codex":0.0039736736,"about_ca_system_score_gemma":0.0057547027,"threshold_uncertainty_score":0.042572975},"labels":[],"label_agreement":null},{"id":"W2904504544","doi":"","title":"Intertekstinis Margaretos Atwood romano Tarnaitės pasakojimas skaitymas | An Intertextual Reading of Margaret Atwood’s The Handmaid’s Tale","year":2004,"lang":"en","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Reading (process); Art; Literature; Intertextuality; Philosophy; Linguistics","score_opus":0.22537974537923486,"score_gpt":0.48060387051561054,"score_spread":0.2552241251363757,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2904504544","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09138249,0.011284517,0.002881352,0.010155852,0.0014040386,0.00003271099,0.000059497077,0.000112923364,0.8826866],"genre_scores_gemma":[0.90430224,0.0027639386,0.00074340403,0.00062011124,0.00023185526,0.00002223853,0.000028702465,0.00009927156,0.09118819],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993774,0.00024526168,0.000008981228,0.00007959088,0.00015578947,0.00013302777],"domain_scores_gemma":[0.99973863,0.00010492747,0.000022749578,0.000024127174,0.000056178524,0.00005342454],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005209027,0.0003630714,0.00022197676,0.0008544539,0.00788232,0.005315696,0.0005612585,0.00081882766,0.005468538],"category_scores_gemma":[0.0011049417,0.00016316338,0.0001342992,0.00063909276,0.009667622,0.0019721123,0.002204899,0.00218867,0.00084632175],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000060267423,0.000037483183,0.00059420464,0.00010928622,0.00000625546,0.0008496877,0.18140973,0.00014031398,0.0009193914,0.7712234,0.021653125,0.022996884],"study_design_scores_gemma":[0.0000073308465,0.00003098884,0.0018191705,0.00027133865,0.000009232603,0.00064094824,0.06928936,0.00023236085,0.00075993943,0.04061169,0.88631105,0.00001665969],"about_ca_topic_score_codex":0.030518966,"about_ca_topic_score_gemma":0.07050309,"teacher_disagreement_score":0.030518966,"about_ca_system_score_codex":0.005922113,"about_ca_system_score_gemma":0.0033727733,"threshold_uncertainty_score":0.060682654},"labels":[],"label_agreement":null},{"id":"W2907085414","doi":"10.31973/aj.v1i124.113","title":"The Narrator's Search for Her Own Identity in Margaret Atwood's Surfacing","year":2018,"lang":"ar","type":"article","venue":"Al-Adab Journal","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Portrait; Identity (music); Canadian literature; Art history; History; Pseudonym; Art; Literature; Law; Political science; Aesthetics","score_opus":0.04100081049517148,"score_gpt":0.30640540497722296,"score_spread":0.2654045944820515,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2907085414","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3522389,0.009622675,0.003329375,0.12340377,0.005200499,0.00006982336,0.00009123522,0.00020689146,0.5058368],"genre_scores_gemma":[0.82702255,0.002376674,0.0005958395,0.0073456937,0.00056932616,0.000042163178,0.000037678765,0.00028332125,0.16172667],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99704677,0.0019253092,0.000051749383,0.0002428522,0.0003353579,0.0003979742],"domain_scores_gemma":[0.9975103,0.0013678842,0.00020448887,0.00010793012,0.00018173401,0.000627576],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020825397,0.00073763664,0.00046950002,0.0008382058,0.022751987,0.008829806,0.0016634008,0.005867288,0.011158999],"category_scores_gemma":[0.0073449467,0.0004777327,0.00038092438,0.00075269194,0.013538094,0.00605481,0.007813534,0.00912822,0.0019980825],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040870073,0.000017696733,0.0004596349,0.00005983845,0.0000040704617,0.003651606,0.92339176,0.00004915174,0.00026177397,0.035607982,0.032944318,0.0035113245],"study_design_scores_gemma":[0.0000064148194,0.000024326753,0.00055703,0.0002576613,0.0000059983963,0.0018876126,0.6819941,0.000083142804,0.00022542458,0.0034721156,0.31146607,0.000020173049],"about_ca_topic_score_codex":0.017035924,"about_ca_topic_score_gemma":0.033540096,"teacher_disagreement_score":0.022751987,"about_ca_system_score_codex":0.005176686,"about_ca_system_score_gemma":0.002171187,"threshold_uncertainty_score":0.037559688},"labels":[],"label_agreement":null},{"id":"W2908165301","doi":"10.31973/aj.v1i127.196","title":"The Narrator's Search for her Identity in Margaret Atwood's Surfacing","year":2018,"lang":"en","type":"article","venue":"Al-Adab Journal","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Identity (music); Portrait; Canadian literature; Art history; Art; Literature; Pseudonym; History; Philosophy; Aesthetics; Theology","score_opus":0.04446216858813391,"score_gpt":0.29951938053634825,"score_spread":0.25505721194821435,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2908165301","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.30977187,0.021927632,0.003888574,0.10662337,0.0045697326,0.00005954856,0.00011730724,0.00015007214,0.5528919],"genre_scores_gemma":[0.88496745,0.0043276562,0.0008246989,0.0075163306,0.00056271476,0.00003939126,0.000038856968,0.00015857126,0.10156431],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979247,0.0014155644,0.000027074955,0.00014835561,0.000237461,0.00024675252],"domain_scores_gemma":[0.9985518,0.0008407208,0.00012287655,0.000058838683,0.00013847911,0.00028732914],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014262701,0.0006318992,0.00034933368,0.00077813043,0.018237477,0.0073839985,0.0010000251,0.0029653104,0.0048857583],"category_scores_gemma":[0.0042409934,0.00032396545,0.00024219403,0.0006965977,0.016050437,0.0040650438,0.0045534265,0.005567844,0.0010712174],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000046052173,0.000018281098,0.00044367995,0.00006980108,0.0000041583785,0.003006544,0.86667866,0.000050429735,0.000382243,0.077487946,0.046794526,0.0050176894],"study_design_scores_gemma":[0.0000058627543,0.000026608326,0.00059407565,0.0002734042,0.00000737198,0.0025211112,0.48225594,0.00007389433,0.00039245037,0.004712471,0.5091195,0.000017348897],"about_ca_topic_score_codex":0.015065409,"about_ca_topic_score_gemma":0.03210667,"teacher_disagreement_score":0.018237477,"about_ca_system_score_codex":0.004633266,"about_ca_system_score_gemma":0.0017303185,"threshold_uncertainty_score":0.03361684},"labels":[],"label_agreement":null},{"id":"W2909922585","doi":"10.1525/aft.2013.40.6.23","title":"Review: My Name is Legion, For we are Many","year":2013,"lang":"en","type":"article","venue":"Afterimage","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Icon; Citation; Download; Computer science; Library science; World Wide Web","score_opus":0.03457947824847065,"score_gpt":0.24680814405106377,"score_spread":0.2122286658025931,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2909922585","genre_codex":"editorial","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0003348854,0.28084552,0.0042460784,0.11848683,0.34590772,0.00210565,0.0039765574,0.003994662,0.24010204],"genre_scores_gemma":[0.0041855415,0.19523253,0.0033789268,0.070263624,0.09260072,0.0020343196,0.005403749,0.0020225535,0.6248781],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9906707,0.0013065613,0.0009964845,0.00082434487,0.005807224,0.00039475758],"domain_scores_gemma":[0.9406824,0.0063697235,0.0036212618,0.0029462122,0.04199019,0.004390122],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004700154,0.0015264418,0.0031452284,0.006316588,0.0013837841,0.00997494,0.0034321605,0.0046051806,0.27855992],"category_scores_gemma":[0.048553042,0.0010574944,0.0018341332,0.0043866434,0.0020876315,0.0063029905,0.002572134,0.005480774,0.38143963],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000053562635,0.0000025936347,0.000010491256,0.00036732297,0.0000063643247,0.000016732189,0.0000065548625,0.000005707196,0.000051425257,0.00009614551,0.9842912,0.015140166],"study_design_scores_gemma":[0.000009568779,0.000008970282,0.0000743363,0.0009925477,0.000012734966,0.00013053534,0.000019352487,0.000012194058,0.000069405905,0.00020093897,0.99845636,0.000012883778],"about_ca_topic_score_codex":0.0019704574,"about_ca_topic_score_gemma":0.00417855,"teacher_disagreement_score":0.27855992,"about_ca_system_score_codex":0.0041609104,"about_ca_system_score_gemma":0.0057087485,"threshold_uncertainty_score":0.93187577},"labels":[],"label_agreement":null},{"id":"W2910693348","doi":"","title":"O feminino como excesso obsceno em o conto da Aia, de Margeret Atwood","year":2018,"lang":"pt","type":"article","venue":"LA Referencia (Red Federada de Repositorios Institucionales de Publicaciones Científicas)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dystopia; Ideology; Liberalism; Capitalism; Subject (documents); Population; Scapegoat; Narrative; Fundamentalism; Democracy; Sociology; Humanities; Political science; Gender studies; Philosophy; Politics; Law; Literature; Art","score_opus":0.037054509481713106,"score_gpt":0.2578000143669289,"score_spread":0.2207455048852158,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2910693348","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.047553748,0.09627165,0.0028915862,0.24761981,0.006533944,0.000036453923,0.00012718175,0.000069182606,0.59889644],"genre_scores_gemma":[0.6784868,0.021160578,0.0014653936,0.048675537,0.003106448,0.000058958627,0.00006015624,0.00013272601,0.24685347],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99896383,0.0004662903,0.000013773442,0.00015615611,0.0002421977,0.00015771847],"domain_scores_gemma":[0.99955064,0.0002330474,0.00004370087,0.000028813089,0.00006696995,0.0000767673],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00087147194,0.0004434139,0.00019304486,0.0007984807,0.0109254755,0.006697246,0.00052685535,0.0019404913,0.0054315315],"category_scores_gemma":[0.0022206043,0.00019078169,0.00014839577,0.0005192259,0.011824726,0.0054188087,0.00301152,0.0039015566,0.0008660718],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000537339,0.000021619982,0.0007062255,0.00010193053,0.000005315797,0.0003880079,0.11867688,0.000052432173,0.00046700478,0.73707205,0.12134605,0.021108717],"study_design_scores_gemma":[0.0000029633404,0.000007696112,0.00042311812,0.00013352073,0.0000026382047,0.00022844262,0.018440276,0.000033329383,0.00015641419,0.016574727,0.9639893,0.0000074684745],"about_ca_topic_score_codex":0.022802137,"about_ca_topic_score_gemma":0.047508996,"teacher_disagreement_score":0.9771979,"about_ca_system_score_codex":0.0048305676,"about_ca_system_score_gemma":0.0022083435,"threshold_uncertainty_score":0.04533887},"labels":[],"label_agreement":null},{"id":"W2911567262","doi":"10.5622/illinois/9780252041754.003.0008","title":"Laurent McAllister","year":2018,"lang":"en","type":"book-chapter","venue":"University of Illinois Press eBooks","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Fantasy; Posthuman; Context (archaeology); Sci-Fi; Art; Literature; Pseudonym; Art history; Transhumanism; Sociology; Epistemology; Aesthetics; Philosophy; History","score_opus":0.051109150369250324,"score_gpt":0.19456230839780853,"score_spread":0.1434531580285582,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2911567262","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0014226071,0.08665228,0.001698133,0.047057305,0.011911831,0.00003432515,0.00027379201,0.00039438438,0.85055536],"genre_scores_gemma":[0.017702578,0.019482661,0.0009872749,0.0048116418,0.0011991891,0.000024881043,0.000086970846,0.00023446973,0.95547044],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989786,0.00014048596,0.000019935089,0.00021323492,0.0005342577,0.000113523194],"domain_scores_gemma":[0.99913114,0.00023374628,0.0000360834,0.00005439791,0.00036683885,0.0001778187],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006724528,0.0006573175,0.00032805905,0.0018982638,0.0053844326,0.004685897,0.0007127373,0.0013737391,0.051026948],"category_scores_gemma":[0.0025864462,0.0002181187,0.00022151331,0.0013013093,0.0028127667,0.0035911074,0.0017311703,0.0028559163,0.018985242],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011960804,0.000011458208,0.00011494199,0.000105350824,0.0000015768721,0.00012998885,0.0026542202,0.00007164235,0.00019074662,0.14654517,0.8001321,0.05003085],"study_design_scores_gemma":[3.0694588e-7,8.010335e-7,0.00002366713,0.000034303604,2.4852991e-7,0.000039746756,0.0001029036,0.000007623186,0.00003744996,0.0009953302,0.9987563,0.0000013396275],"about_ca_topic_score_codex":0.07483325,"about_ca_topic_score_gemma":0.13792719,"teacher_disagreement_score":0.07483325,"about_ca_system_score_codex":0.008151721,"about_ca_system_score_gemma":0.0077466727,"threshold_uncertainty_score":0.1707021},"labels":[],"label_agreement":null},{"id":"W2911643506","doi":"10.1017/9781787443297.021","title":"‘And who can turn away?’ Witnessing a Shared Dystopia","year":2018,"lang":"en","type":"book-chapter","venue":"","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dystopia; Turn (biochemistry); Computer science; Artificial intelligence; Physics","score_opus":0.039407198204807606,"score_gpt":0.21636986918829373,"score_spread":0.17696267098348611,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2911643506","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12556854,0.009782786,0.0092100855,0.60678613,0.017435685,0.00014276896,0.00024221794,0.0003693999,0.23046242],"genre_scores_gemma":[0.81351566,0.002576652,0.001835594,0.11280775,0.0017573317,0.00014049653,0.00009490763,0.00063996983,0.06663165],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.98687047,0.008262743,0.00023158711,0.0010339177,0.0012745085,0.0023266429],"domain_scores_gemma":[0.9913947,0.002887026,0.00082573714,0.00078251946,0.0010074943,0.003102518],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0075202733,0.0011399726,0.0009678823,0.001110468,0.03369228,0.011650385,0.0024212557,0.009225051,0.013512495],"category_scores_gemma":[0.023113983,0.00095555716,0.0010546045,0.0006851299,0.040105473,0.017279524,0.023715544,0.033382583,0.0027256024],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003820471,0.00002734292,0.0008931199,0.00006521439,0.000025340792,0.005652265,0.7936029,0.00007035324,0.00045845282,0.051187538,0.14160743,0.0063717933],"study_design_scores_gemma":[0.000014239694,0.000026626347,0.00043272797,0.00030038334,0.0000092209,0.004012136,0.56170833,0.00014477716,0.0001656164,0.017347557,0.41577718,0.00006125693],"about_ca_topic_score_codex":0.013632679,"about_ca_topic_score_gemma":0.0239083,"teacher_disagreement_score":0.03369228,"about_ca_system_score_codex":0.006283581,"about_ca_system_score_gemma":0.004374041,"threshold_uncertainty_score":0.04559076},"labels":[],"label_agreement":null},{"id":"W2911718519","doi":"10.3138/seminar.55.1.004","title":"The Darkening of Europe: Afrofuturist Ambitions and Afropessimist Fears in Damir Lukacevic’s Dystopian Film <i>Transfer</i> (2010)","year":2019,"lang":"en","type":"article","venue":"Seminar A Journal of Germanic Studies","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dystopia; German; Context (archaeology); Racism; Order (exchange); White (mutation); Nationality; Race (biology); History; Literature; Sociology; Aesthetics; Gender studies; Art; Political science; Law; Immigration","score_opus":0.02414552466627992,"score_gpt":0.24666576816676195,"score_spread":0.22252024350048202,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2911718519","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6384214,0.013045687,0.0016577377,0.07584739,0.0027769958,0.00003121373,0.0000609309,0.00007257514,0.268086],"genre_scores_gemma":[0.9829693,0.0015468205,0.00014504002,0.003686848,0.00023956722,0.000007577011,0.000011507651,0.000031399188,0.011361995],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99901986,0.00055366044,0.000017090495,0.00006984865,0.0001190745,0.00022032378],"domain_scores_gemma":[0.99948066,0.00029365945,0.000076422344,0.000029284267,0.000035695808,0.00008426372],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013493636,0.00045151374,0.00019923726,0.00071153406,0.010041689,0.0065824967,0.00040673726,0.0023776996,0.003163721],"category_scores_gemma":[0.0021904255,0.0001811108,0.00020623853,0.0005290315,0.015502578,0.004037782,0.0038087617,0.0046239644,0.00029776705],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012525346,0.00006565763,0.0017773953,0.00014149921,0.000019194376,0.0020123222,0.67605215,0.00016599846,0.0017373193,0.25618792,0.043685026,0.018030243],"study_design_scores_gemma":[0.000025301284,0.00007938449,0.0039275885,0.00035295845,0.000015889744,0.001380521,0.46475098,0.00023331576,0.0013177935,0.011716937,0.5161581,0.000041194227],"about_ca_topic_score_codex":0.006716051,"about_ca_topic_score_gemma":0.011350965,"teacher_disagreement_score":0.010041689,"about_ca_system_score_codex":0.0038399128,"about_ca_system_score_gemma":0.00070644025,"threshold_uncertainty_score":0.027860641},"labels":[],"label_agreement":null},{"id":"W2912339268","doi":"10.5949/liverpool/9781781382608.003.0005","title":"The Second Interlude: Other Worlds","year":2016,"lang":"en","type":"book-chapter","venue":"Liverpool University Press eBooks","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Range (aeronautics); History; Media studies; Geography; Genealogy; Sociology; Engineering","score_opus":0.029870079619660726,"score_gpt":0.18386550554167258,"score_spread":0.15399542592201185,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2912339268","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0036301776,0.0036589915,0.0007483205,0.002060893,0.00066753995,0.000008215479,0.000018959601,0.00003555973,0.9891713],"genre_scores_gemma":[0.20796958,0.0057915053,0.0011390754,0.0022178285,0.00055692,0.00007697163,0.000087248816,0.00020013361,0.7819607],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99941885,0.00024066828,0.000012506996,0.000068195775,0.00013982915,0.0001198837],"domain_scores_gemma":[0.9996666,0.00012025181,0.000018782815,0.00005332662,0.000060914157,0.000080108795],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00064341293,0.0006976687,0.00033067373,0.0012751197,0.0059360056,0.009682974,0.00052203145,0.0012418139,0.022419075],"category_scores_gemma":[0.00089346356,0.00019254246,0.00037031702,0.000905099,0.006508739,0.007229183,0.003805268,0.003346528,0.004585966],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017622038,0.000018110695,0.00016764317,0.000051201663,0.0000026645748,0.00020163278,0.039579414,0.000032121894,0.00022181298,0.89170766,0.042046312,0.025953745],"study_design_scores_gemma":[0.0000028308118,0.000010001863,0.0001348351,0.0001743133,0.0000020406787,0.0001615468,0.011182062,0.00004005185,0.00016047624,0.020750407,0.96737635,0.000005087949],"about_ca_topic_score_codex":0.0049735117,"about_ca_topic_score_gemma":0.0113327475,"teacher_disagreement_score":0.022419075,"about_ca_system_score_codex":0.0029291804,"about_ca_system_score_gemma":0.0020840862,"threshold_uncertainty_score":0.07499927},"labels":[],"label_agreement":null},{"id":"W2912430146","doi":"10.15695/amqst.v3i1.51","title":"The Psychology of the Handmaid: Margaret Atwood’s Novel Parables of the Possessed Canadian Character","year":2006,"lang":"en","type":"article","venue":"AmeriQuests","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Possession (linguistics); Multiculturalism; Relation (database); Power (physics); Character (mathematics); History; Literature; Homeland; Gender studies; Psychoanalysis; Sociology; Law; Philosophy; Art; Psychology; Political science; Politics","score_opus":0.014655798590022771,"score_gpt":0.22263068335033412,"score_spread":0.20797488476031134,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2912430146","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20140816,0.016042165,0.001512987,0.13072722,0.008330095,0.00006830813,0.00028282928,0.00018703289,0.64144117],"genre_scores_gemma":[0.86623144,0.0036117777,0.0004754584,0.012508718,0.0007619902,0.000028783548,0.00006108506,0.00014822558,0.116172545],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984847,0.00043850314,0.000012209321,0.00015265474,0.00044605977,0.00046590398],"domain_scores_gemma":[0.9983047,0.00038922246,0.00010016499,0.00006123705,0.00043444798,0.00071008346],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010652493,0.0006965293,0.00027046396,0.0008273835,0.034269225,0.009175811,0.0015348187,0.0023712544,0.0052326946],"category_scores_gemma":[0.0027367442,0.000311015,0.00022791528,0.0006005229,0.02243666,0.0025939397,0.002583487,0.005681396,0.00061725744],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010867713,0.00006931947,0.001281276,0.00012402491,0.000018989278,0.0023586957,0.4583294,0.00016741567,0.0012477625,0.18885031,0.33101776,0.01642635],"study_design_scores_gemma":[0.0000069020016,0.000023144987,0.0017087362,0.00015930916,0.000010912094,0.0008617339,0.30069888,0.0000845599,0.00036491032,0.00385654,0.69217753,0.000046919376],"about_ca_topic_score_codex":0.74185044,"about_ca_topic_score_gemma":0.88955307,"teacher_disagreement_score":0.25814956,"about_ca_system_score_codex":0.031544298,"about_ca_system_score_gemma":0.018478071,"threshold_uncertainty_score":0.5193397},"labels":[],"label_agreement":null},{"id":"W2918527882","doi":"10.59391/inscriptions.v2i1.27","title":"The prism of petrol: drive, desire and the energy unconscious in Anna Kavan’s Ice","year":2019,"lang":"en","type":"article","venue":"Inscriptions","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"University of Alberta","keywords":"Subjectivity; Unconscious mind; Framing (construction); Narrative; Psychoanalytic theory; Alienation; Aesthetics; Psychoanalysis; Sociology; Psychology; History; Literature; Epistemology; Art; Political science; Philosophy; Law; Archaeology","score_opus":0.013605870664293784,"score_gpt":0.19678206235824866,"score_spread":0.18317619169395488,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2918527882","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2374366,0.00614881,0.0054387096,0.03577081,0.00049944705,0.000024790848,0.00005498559,0.000061715335,0.71456414],"genre_scores_gemma":[0.9797948,0.0009159485,0.0004329402,0.001009699,0.000045087636,0.000017226634,0.000008081054,0.000027138049,0.017749092],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9992674,0.0003708874,0.000012180998,0.0000612681,0.00017114001,0.000117108495],"domain_scores_gemma":[0.9993956,0.00044647354,0.00005090596,0.000041199277,0.00003729325,0.000028513205],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008219347,0.00023446423,0.00019534976,0.0007791618,0.0060482873,0.0052515874,0.00058734417,0.0017736879,0.0022470057],"category_scores_gemma":[0.0020708977,0.00025995658,0.00017646291,0.0006771084,0.035995632,0.0058289054,0.003913933,0.0031503907,0.00033361476],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016117252,0.0000075578514,0.00020993943,0.000030426612,0.0000018186475,0.00023058082,0.105700225,0.00012834783,0.00020401929,0.8878298,0.0025389243,0.0031023307],"study_design_scores_gemma":[0.000011095848,0.000022729582,0.0008386832,0.0002160472,0.0000061061364,0.00070123206,0.14444499,0.0003953465,0.0013435507,0.35128036,0.50069827,0.000041591717],"about_ca_topic_score_codex":0.004400558,"about_ca_topic_score_gemma":0.0074385856,"teacher_disagreement_score":0.0060482873,"about_ca_system_score_codex":0.0036029404,"about_ca_system_score_gemma":0.0019990506,"threshold_uncertainty_score":0.026141286},"labels":[],"label_agreement":null},{"id":"W2922012674","doi":"10.4000/books.pub.3725","title":"X Comme Xénophobe/Xénophobie","year":2012,"lang":"fr","type":"book-chapter","venue":"Presses Universitaires de Bordeaux eBooks","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Francophone University Association","funders":"","keywords":"Art; Materials science","score_opus":0.04509700446147709,"score_gpt":0.2288229288696429,"score_spread":0.18372592440816582,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2922012674","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0039539333,0.054241545,0.002677089,0.0070615797,0.002919507,0.000038071066,0.0003410399,0.00008257362,0.92868465],"genre_scores_gemma":[0.08383033,0.045822676,0.002850326,0.008907393,0.0022201908,0.000092686816,0.00049444824,0.0003866841,0.85539526],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99924314,0.00024120863,0.000033167245,0.0001476101,0.00021810367,0.000116794814],"domain_scores_gemma":[0.99982893,0.000044976077,0.00003143051,0.000029557981,0.00004506985,0.00001996395],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003990107,0.00079634204,0.00032194445,0.0010867671,0.0023819187,0.0049855825,0.0006257637,0.0013344688,0.03605997],"category_scores_gemma":[0.0005558266,0.0002028635,0.00035277862,0.0016511369,0.0055735763,0.0044173445,0.0026340343,0.0024906336,0.012148394],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005807482,0.00001679437,0.0003183848,0.00034353387,0.0000074615814,0.00024857605,0.0039296024,0.00006740138,0.0014752496,0.8362632,0.112512514,0.044759236],"study_design_scores_gemma":[0.0000016024403,0.000008109957,0.00017651185,0.00012631454,0.0000017280404,0.00017511452,0.0004866717,0.0000119501055,0.00025623364,0.011075534,0.98767674,0.0000035394046],"about_ca_topic_score_codex":0.005991006,"about_ca_topic_score_gemma":0.008061663,"teacher_disagreement_score":0.03605997,"about_ca_system_score_codex":0.002128737,"about_ca_system_score_gemma":0.0016868279,"threshold_uncertainty_score":0.12063265},"labels":[],"label_agreement":null},{"id":"W2924537565","doi":"","title":"Jeanne Dielmann Was My Star Wars","year":2016,"lang":"en","type":"article","venue":"Dalhousie review","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Star (game theory); Astronomy; Astrophysics; Physics","score_opus":0.03844747239233746,"score_gpt":0.25068056797042243,"score_spread":0.21223309557808498,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2924537565","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0013165892,0.63801676,0.00070364523,0.2589036,0.043827835,0.00002583594,0.00019197399,0.00009178453,0.056921966],"genre_scores_gemma":[0.030856859,0.4261339,0.0017224918,0.15065709,0.0131081045,0.00008114425,0.00024563525,0.00015020193,0.37704462],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99898726,0.00025316386,0.000054312844,0.00019493072,0.00035517523,0.00015516797],"domain_scores_gemma":[0.99782073,0.00062859803,0.00010677624,0.000119485456,0.0008589041,0.0004654042],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022482772,0.0006082101,0.000837886,0.0017224917,0.0031011575,0.0041946503,0.0010570165,0.0036362647,0.024809245],"category_scores_gemma":[0.0067303935,0.00027771146,0.0003130614,0.0009336522,0.0033391565,0.003313339,0.0028365895,0.0056267986,0.007526312],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010674963,0.000022017543,0.00036343903,0.0007644423,0.00003380284,0.00032362985,0.00072794984,0.00006187222,0.000339652,0.041404415,0.8342844,0.12156779],"study_design_scores_gemma":[0.0000047081658,0.000006008734,0.00015005226,0.00032715374,0.000005466487,0.000103313294,0.00021042491,0.000005593656,0.000109157845,0.0010134428,0.99805874,0.000005944067],"about_ca_topic_score_codex":0.013779234,"about_ca_topic_score_gemma":0.031351004,"teacher_disagreement_score":0.024809245,"about_ca_system_score_codex":0.0046848343,"about_ca_system_score_gemma":0.007504204,"threshold_uncertainty_score":0.08299518},"labels":[],"label_agreement":null},{"id":"W2926304387","doi":"10.1353/esc.2002.0063","title":"“Acts of self-exposure”: Closeted ‘Desire in Margeret Atwood’s Cat’s Eye","year":2002,"lang":"en","type":"article","venue":"English studies in Canada","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Lesbian; Psychoanalysis; Gender studies; Art; Heterosexuality; Transgender; Representation (politics); Sociology; Aesthetics; Psychology; Homosexuality; Law; Political science","score_opus":0.05122718832870004,"score_gpt":0.23127083043367164,"score_spread":0.1800436421049716,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2926304387","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.22134691,0.008664986,0.004450652,0.0784385,0.0010884014,0.00004534435,0.00009828739,0.00008513247,0.68578184],"genre_scores_gemma":[0.9544978,0.0009901419,0.00042267714,0.003506239,0.000088672576,0.000015854055,0.000011767037,0.000044755943,0.04042218],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984882,0.00074563426,0.000017762624,0.00012787674,0.00030011416,0.00032049304],"domain_scores_gemma":[0.9989807,0.000497519,0.000084156854,0.000054033142,0.00019001447,0.00019344791],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010685709,0.00035221473,0.00021336427,0.0006895113,0.01705932,0.0056247897,0.00086937816,0.002404454,0.0031955221],"category_scores_gemma":[0.0026964287,0.00020725235,0.00018602044,0.0006817803,0.031932313,0.0027482912,0.0028874977,0.0040626526,0.00028730294],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016520662,0.000009691215,0.000429328,0.000030007119,0.0000027975295,0.0006785966,0.68707955,0.000040874955,0.0002764778,0.28981495,0.01780224,0.0038189504],"study_design_scores_gemma":[0.0000097379,0.000016517055,0.0019113327,0.00017071661,0.0000079631,0.0007483352,0.43862203,0.00013335829,0.0006316367,0.01650183,0.54121363,0.00003294481],"about_ca_topic_score_codex":0.5407421,"about_ca_topic_score_gemma":0.7257257,"teacher_disagreement_score":0.5407421,"about_ca_system_score_codex":0.020192515,"about_ca_system_score_gemma":0.008219456,"threshold_uncertainty_score":0.9239251},"labels":[],"label_agreement":null},{"id":"W2937054924","doi":"10.24193/subbphilo.2019.1.19","title":"DYSTOPIC RECONFIGURATIONS OF CORPORATE AMERICA: MARGARET ATWOOD’S “THE HEART GOES LAST”","year":2019,"lang":"ro","type":"article","venue":"Studia Universitatis Babeș-Bolyai Philologia","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History; Art history; Media studies; Art; Sociology","score_opus":0.03029682275942643,"score_gpt":0.2157347260390477,"score_spread":0.18543790327962126,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2937054924","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18534678,0.013050711,0.0019595039,0.13585635,0.0032942675,0.00002157198,0.0000626964,0.00007630948,0.66033185],"genre_scores_gemma":[0.8913514,0.0020779625,0.0003704904,0.011828615,0.0007053284,0.000022325174,0.000021111324,0.00009414671,0.09352865],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99892646,0.00055841065,0.000010444041,0.0001227501,0.00017578997,0.0002061508],"domain_scores_gemma":[0.99924964,0.00031724724,0.00007776212,0.00005272599,0.00008421757,0.00021834421],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00078075426,0.00029156596,0.00014716982,0.00047834194,0.009585159,0.0067339996,0.0006154751,0.0018458052,0.0038540673],"category_scores_gemma":[0.001328815,0.00016902367,0.00015043466,0.00044400818,0.01383329,0.0037309597,0.0022692906,0.0041074962,0.00050245953],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005392046,0.00003261726,0.00060612295,0.000048527516,0.000005700208,0.00075897353,0.22640567,0.00011635474,0.0006426987,0.63236076,0.13065222,0.008316478],"study_design_scores_gemma":[0.000006326257,0.00002021038,0.0013451666,0.00013150726,0.000005127221,0.00041133247,0.09132384,0.00013651176,0.00045501077,0.024982084,0.8811586,0.000024163526],"about_ca_topic_score_codex":0.012229087,"about_ca_topic_score_gemma":0.033589914,"teacher_disagreement_score":0.012229087,"about_ca_system_score_codex":0.0048946175,"about_ca_system_score_gemma":0.0014375801,"threshold_uncertainty_score":0.035513103},"labels":[],"label_agreement":null},{"id":"W2941103129","doi":"10.5325/utopianstudies.30.1.0001","title":"Introduction: Articulating Race and Utopia","year":2019,"lang":"en","type":"article","venue":"Utopian Studies","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Utopia; Race (biology); Sociology; Art; Aesthetics; Art history; Gender studies","score_opus":0.030032238174850005,"score_gpt":0.2518707298943671,"score_spread":0.22183849171951708,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2941103129","genre_codex":"other","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0058467668,0.058785014,0.00819252,0.1232897,0.016415147,0.0000799311,0.0005487275,0.00015346135,0.7866887],"genre_scores_gemma":[0.41771898,0.06773107,0.010475026,0.07558875,0.034729667,0.00037968415,0.0009259809,0.0008387027,0.39161214],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989955,0.000575267,0.00003025,0.00014236306,0.00014929683,0.0001072784],"domain_scores_gemma":[0.99885297,0.0007224481,0.00007473203,0.00006042532,0.00014607952,0.00014331052],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010599783,0.00083814235,0.0004189642,0.0015056302,0.005057505,0.0069302684,0.0012229774,0.0035289775,0.029169202],"category_scores_gemma":[0.0028446743,0.00028149114,0.00035777228,0.0013647253,0.007922849,0.00877399,0.00313788,0.0058166934,0.0037671006],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017067285,0.000021696374,0.00043245323,0.00020331373,0.0000034781265,0.00014033096,0.0167659,0.00007307973,0.00013086534,0.77914757,0.18812004,0.014944223],"study_design_scores_gemma":[0.000003554006,0.000012761453,0.00071444607,0.0008824397,0.0000039569723,0.00019209288,0.006898586,0.00015757803,0.00010790807,0.06725067,0.9237679,0.000008043399],"about_ca_topic_score_codex":0.00842849,"about_ca_topic_score_gemma":0.011465074,"teacher_disagreement_score":0.029169202,"about_ca_system_score_codex":0.0032969648,"about_ca_system_score_gemma":0.0018196503,"threshold_uncertainty_score":0.09758073},"labels":[],"label_agreement":null},{"id":"W2943433764","doi":"10.15353/cjds.v8i2.493","title":"Gimp Sue Gets the Girl: Disability in Twilight Fanfiction","year":2019,"lang":"en","type":"article","venue":"Canadian Journal of Disability Studies","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Twilight; Girl; Scholarship; Human sexuality; Intellectual disability; Coping (psychology); Gender studies; Disability studies; Psychoanalysis; Psychology; Sociology; Media studies; Law; Political science; Developmental psychology; Psychiatry","score_opus":0.04518933481459856,"score_gpt":0.26445846415799784,"score_spread":0.2192691293433993,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2943433764","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.34669417,0.016480634,0.0015033453,0.16481815,0.0051960647,0.00006185606,0.000097731485,0.00008531692,0.46506277],"genre_scores_gemma":[0.92351407,0.0030650494,0.0003276062,0.006665897,0.0006975135,0.000028808825,0.000023362738,0.00006832905,0.06560933],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99839336,0.000860853,0.000018146871,0.00009689289,0.00027477465,0.00035598074],"domain_scores_gemma":[0.9977302,0.0012592244,0.00015814959,0.000078230165,0.00026881328,0.000505415],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020960306,0.00053354126,0.00032398212,0.0017020297,0.02093323,0.0059676752,0.00078575243,0.0023209366,0.006474802],"category_scores_gemma":[0.0048563434,0.00017691712,0.00020862254,0.0008027427,0.023628037,0.0033792034,0.003541287,0.0051312475,0.00052394846],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028630677,0.000051372157,0.002203786,0.000097272976,0.0000050238027,0.001662784,0.76132685,0.000031938456,0.00013957956,0.12880728,0.088521086,0.017124405],"study_design_scores_gemma":[0.00001062489,0.000034410794,0.002586706,0.00052233564,0.000007667439,0.0013257879,0.47008446,0.00008803729,0.00025504036,0.010467941,0.5145936,0.000023391582],"about_ca_topic_score_codex":0.039425287,"about_ca_topic_score_gemma":0.09642332,"teacher_disagreement_score":0.039425287,"about_ca_system_score_codex":0.006137641,"about_ca_system_score_gemma":0.0031884552,"threshold_uncertainty_score":0.07839161},"labels":[],"label_agreement":null},{"id":"W2949453596","doi":"10.31142/ijtsrd21365","title":"Socio – Cultural Concern in Margaret Atwood’s Novels","year":2019,"lang":"en","type":"article","venue":"International Journal of Trend in Scientific Research and Development","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sociology; Psychoanalysis; Art; Art history; Psychology","score_opus":0.1763098105355867,"score_gpt":0.38166437750766874,"score_spread":0.20535456697208204,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2949453596","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.37819314,0.016348295,0.0009148054,0.13157727,0.005584526,0.00008417674,0.00025538396,0.00012458218,0.4669178],"genre_scores_gemma":[0.921264,0.004029791,0.00034589195,0.009569758,0.0010221612,0.000049959915,0.000060682367,0.00014288654,0.06351491],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.997232,0.00097646326,0.000046656744,0.00025393398,0.0006519695,0.0008390045],"domain_scores_gemma":[0.99709094,0.00097209687,0.00032780576,0.00011105607,0.00050412246,0.0009939732],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0024538378,0.00057149545,0.0004480819,0.0015931118,0.040061,0.012552808,0.0016961124,0.0029100592,0.0042278757],"category_scores_gemma":[0.0042997226,0.00029347494,0.0002623121,0.0018045477,0.02916681,0.002977928,0.004476637,0.0043762075,0.00047596724],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003023353,0.000035838755,0.0006791917,0.00008592156,0.0000058812393,0.0020235532,0.83751625,0.000048167207,0.00049115653,0.10768765,0.045993593,0.0054025883],"study_design_scores_gemma":[0.0000025826223,0.00001150046,0.00136019,0.00012827519,0.0000039345337,0.00054286106,0.37778535,0.000022795703,0.00018540652,0.0028292588,0.61710864,0.000019170313],"about_ca_topic_score_codex":0.38342005,"about_ca_topic_score_gemma":0.5855137,"teacher_disagreement_score":0.38342005,"about_ca_system_score_codex":0.036165234,"about_ca_system_score_gemma":0.017278602,"threshold_uncertainty_score":0.7623766},"labels":[],"label_agreement":null},{"id":"W2952887534","doi":"","title":"\"Icarus, From the Breakfast Nook\" and \"The Death Sentence\"","year":2015,"lang":"en","type":"article","venue":"Dalhousie review","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"ICARUS; Sentence; Art; Aesthetics; Linguistics; Philosophy; Astronomy; Physics","score_opus":0.07341196553301312,"score_gpt":0.2552810887564562,"score_spread":0.18186912322344312,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2952887534","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00041715647,0.8927038,0.000104775405,0.054361023,0.011757494,0.0000052784435,0.0000732565,0.00002719657,0.040549994],"genre_scores_gemma":[0.015328876,0.86679965,0.00025911882,0.06944697,0.0071810945,0.000026948243,0.00012690159,0.000058104986,0.040772304],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989278,0.00036663236,0.000065783606,0.0001106938,0.00033108133,0.00019811047],"domain_scores_gemma":[0.9987368,0.0005646208,0.00012544515,0.000067798406,0.00036252566,0.00014277484],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020453162,0.00073169585,0.00087856426,0.0024324467,0.0040654205,0.0066277413,0.0013870813,0.004328618,0.011322772],"category_scores_gemma":[0.004966247,0.00022409008,0.00037472826,0.002825923,0.009119947,0.004712528,0.002824091,0.0070751486,0.0025722734],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005041094,0.000009629799,0.00013220137,0.0019800102,0.000017462242,0.0002210412,0.0017006735,0.000058210637,0.00009631604,0.10760507,0.791178,0.096950874],"study_design_scores_gemma":[0.0000039342785,0.0000035922865,0.00034285666,0.0015277027,0.000008754414,0.000077092605,0.0007495041,0.0000052345877,0.00003237615,0.0018182815,0.995424,0.0000067900614],"about_ca_topic_score_codex":0.08063909,"about_ca_topic_score_gemma":0.13792,"teacher_disagreement_score":0.08063909,"about_ca_system_score_codex":0.008055977,"about_ca_system_score_gemma":0.020485407,"threshold_uncertainty_score":0.16033942},"labels":[],"label_agreement":null},{"id":"W2955618314","doi":"10.1007/978-3-030-17057-8_7","title":"Beyond the Garrison: Global Education and Teaching (Canadian) Literature in the EFL Classroom","year":2019,"lang":"en","type":"book-chapter","venue":"Second language learning and teaching","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Semiotics; Ecocriticism; Materialism; Pedagogy; Sociology; Language education; Psychology; Linguistics; Aesthetics; Epistemology; Literature; Art; Philosophy","score_opus":0.006769253191425878,"score_gpt":0.22854904415173613,"score_spread":0.22177979096031025,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2955618314","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013617676,0.0359028,0.0008031208,0.038808998,0.00065314927,0.000027825303,0.00017586217,0.00011280936,0.9098977],"genre_scores_gemma":[0.56869227,0.035538856,0.002070676,0.00668172,0.00038690763,0.00006239283,0.00018443522,0.00026427643,0.38611856],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982805,0.00033768555,0.000032267613,0.00017946832,0.00041733068,0.00075275253],"domain_scores_gemma":[0.998252,0.0005613494,0.000075734686,0.000105358806,0.0004517439,0.00055385916],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017244985,0.0008359759,0.00059699046,0.0036657245,0.031040922,0.018037202,0.0018961736,0.003102207,0.018574117],"category_scores_gemma":[0.0036301923,0.00032661072,0.00027391486,0.0082380185,0.034641154,0.0077697104,0.004918203,0.0057987757,0.0012346096],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020385225,0.000029448516,0.0005444099,0.00016326533,0.0000025459801,0.00032559517,0.062426694,0.00013698991,0.000113075825,0.81420314,0.05845611,0.06357828],"study_design_scores_gemma":[0.000008476022,0.000010501204,0.001791849,0.00055370195,0.000006368373,0.0001583775,0.06008214,0.00009627798,0.00013985898,0.06451957,0.87261087,0.000022138678],"about_ca_topic_score_codex":0.9646327,"about_ca_topic_score_gemma":0.9867865,"teacher_disagreement_score":0.11540992,"about_ca_system_score_codex":0.11540992,"about_ca_system_score_gemma":0.16905254,"threshold_uncertainty_score":0.83736145},"labels":[],"label_agreement":null},{"id":"W2966250967","doi":"10.24195/2616-5317-2019-28-7","title":"STYLISTIC MEANS OF EXPRESSING TRANSHUMANISM IN “SPRAWL” TRILOGY BY WILLIAM GIBSON","year":2019,"lang":"en","type":"article","venue":"Naukovy Visnyk of South Ukrainian National Pedagogical University named after K D Ushynsky Linguistic Sciences","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Transhumanism; Trilogy; Epithet; Posthuman; Civilization; Intertextuality; Literature; Subtext; Dichotomy; Posthumanism; Aesthetics; Sociology; Philosophy; Epistemology; History; Art","score_opus":0.0821028395037151,"score_gpt":0.28976571103211995,"score_spread":0.20766287152840485,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2966250967","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.048968926,0.026079444,0.025231797,0.084589,0.0068992265,0.000089588306,0.00011163895,0.00034808737,0.80768216],"genre_scores_gemma":[0.9076305,0.0073739276,0.0082602,0.0067396765,0.0012126843,0.0000742105,0.000050221857,0.00028486125,0.06837361],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9984486,0.0010019072,0.00003563678,0.000116764066,0.0003115345,0.00008560273],"domain_scores_gemma":[0.99894434,0.0007150204,0.0001009057,0.00007127486,0.00012272806,0.000045688],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001047656,0.00041642424,0.00018874543,0.0014845175,0.0036465172,0.0040131514,0.00045573557,0.0011890868,0.0017550179],"category_scores_gemma":[0.0028575964,0.00019650409,0.000113429334,0.0011026501,0.017733226,0.003088724,0.0021019252,0.0025317518,0.00046269578],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012930701,0.000006197713,0.00015006909,0.000044439435,0.00000231676,0.00019806116,0.022789579,0.000103340746,0.00034710663,0.93801206,0.032623366,0.005710693],"study_design_scores_gemma":[0.0000042570505,0.000013997095,0.00034969425,0.00010422219,0.000004834482,0.00040522282,0.008235538,0.00036769887,0.0005608169,0.11483145,0.8751016,0.000020631636],"about_ca_topic_score_codex":0.009590686,"about_ca_topic_score_gemma":0.017370854,"teacher_disagreement_score":0.009590686,"about_ca_system_score_codex":0.0034550305,"about_ca_system_score_gemma":0.001357201,"threshold_uncertainty_score":0.025068104},"labels":[],"label_agreement":null},{"id":"W2969265061","doi":"","title":"21세기 기술과학적 곤경과 탈인간중심주의적 세계관의 요청: 루스 오제키의 『시간존재를 위한 이야기』","year":2017,"lang":"ko","type":"article","venue":"영미문화","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Posthumanism; Humanism; Anthropocentrism; Narrative; Buddhism; Transhumanism; Posthuman; Literature; Aesthetics; Sociology; Philosophy; Epistemology; Art; Environmental ethics; Theology","score_opus":0.053368770929272454,"score_gpt":0.2729409759094817,"score_spread":0.21957220498020924,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2969265061","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16928641,0.0543956,0.013853318,0.2588863,0.04687188,0.0002242326,0.0012651611,0.00069627544,0.45452082],"genre_scores_gemma":[0.6704771,0.011212427,0.0041758367,0.024326596,0.004337698,0.00020403753,0.00035546956,0.000468761,0.28444195],"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99958926,0.00010086854,0.000018631332,0.00009517991,0.000085314816,0.00011074482],"domain_scores_gemma":[0.99963593,0.0000640585,0.000067165194,0.0000156283,0.00011930017,0.000097862896],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010197763,0.000816647,0.0003757779,0.0003707812,0.0064211898,0.0048912717,0.0007219586,0.0016193852,0.007953322],"category_scores_gemma":[0.0013961557,0.00030182538,0.00034992996,0.00033115642,0.0039318013,0.004004186,0.001968287,0.0036457616,0.002492424],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006488894,0.00016594476,0.0038405615,0.0014148848,0.000058680198,0.005218087,0.18895529,0.00024303066,0.005851513,0.18888548,0.536222,0.068495765],"study_design_scores_gemma":[0.000010866369,0.00004782981,0.0025689895,0.00014861669,0.000017957127,0.0011909244,0.047125522,0.00011935163,0.0011627246,0.0035710824,0.9439926,0.00004353185],"about_ca_topic_score_codex":0.005447706,"about_ca_topic_score_gemma":0.012036643,"teacher_disagreement_score":0.007953322,"about_ca_system_score_codex":0.002135209,"about_ca_system_score_gemma":0.0013272674,"threshold_uncertainty_score":0.0266065},"labels":[],"label_agreement":null},{"id":"W2969752132","doi":"10.5539/ells.v9n3p1","title":"Utopia: Marge Piercy as a Social Critic in Woman on the Edge of Time","year":2019,"lang":"en","type":"article","venue":"English Language and Literature Studies","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Race (biology); Politics; Class (philosophy); Utopia; Sociology; Gender studies; Art; Political science; Art history; Law; Philosophy; Epistemology","score_opus":0.010481772604770862,"score_gpt":0.24120610158115657,"score_spread":0.2307243289763857,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2969752132","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.039611023,0.029841619,0.0029480217,0.52039677,0.009004125,0.00004924245,0.000031246782,0.00009100468,0.398027],"genre_scores_gemma":[0.68137896,0.0134456465,0.0015787187,0.10280864,0.005392634,0.00022134183,0.000022781318,0.00029654225,0.19485474],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99665207,0.0023721666,0.000026378591,0.00019716383,0.00039262834,0.00035962625],"domain_scores_gemma":[0.9983352,0.0010879087,0.00011944746,0.000057562058,0.00018403144,0.00021589345],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0024697823,0.00074175897,0.00037372066,0.0010488464,0.018846888,0.008879383,0.0009991565,0.00455022,0.003879485],"category_scores_gemma":[0.006659607,0.0003059279,0.0002474371,0.0009922624,0.027178176,0.0062271617,0.004862581,0.009926479,0.0006333704],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003074283,0.000020396674,0.00027108635,0.00006666664,0.0000035286632,0.0010647718,0.21665207,0.00006273338,0.00014480141,0.61887974,0.15483303,0.007970484],"study_design_scores_gemma":[0.000007759567,0.000021911874,0.00025950652,0.0002532732,0.0000043572077,0.0006108246,0.091036394,0.00010312322,0.00022098803,0.024399089,0.8830681,0.000014759432],"about_ca_topic_score_codex":0.010259775,"about_ca_topic_score_gemma":0.014920794,"teacher_disagreement_score":0.018846888,"about_ca_system_score_codex":0.0050527416,"about_ca_system_score_gemma":0.002900724,"threshold_uncertainty_score":0.036660433},"labels":[],"label_agreement":null},{"id":"W2972534140","doi":"10.16995/olh.150","title":"Neuromancer: The Cultural Logic of Late Fossil Capital?","year":2019,"lang":"en","type":"article","venue":"Open Library of Humanities","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Trent University","funders":"","keywords":"Postmodernism; Capital (architecture); Period (music); Shock (circulatory); Late capitalism; History; Literature; Sociology; Philosophy; Aesthetics; Law; Art; Political science; Ancient history; Politics","score_opus":0.051281201132380966,"score_gpt":0.2345233712803914,"score_spread":0.18324217014801045,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2972534140","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18084477,0.015225183,0.012076969,0.090972334,0.0013115408,0.000020727115,0.00006111893,0.00007394749,0.69941354],"genre_scores_gemma":[0.98328066,0.0013301823,0.00065949676,0.0019091481,0.00016161338,0.0000115362545,0.00000743725,0.000025731451,0.012614252],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99930835,0.0003839122,0.00001207466,0.00006830624,0.00010479693,0.0001225857],"domain_scores_gemma":[0.9994203,0.0003346982,0.00006726376,0.00007575496,0.00005328187,0.00004866494],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011570085,0.00032003457,0.00016373458,0.0007596282,0.003809936,0.0047562784,0.0006634924,0.0013580117,0.0025255436],"category_scores_gemma":[0.0026214535,0.00009593806,0.00011427462,0.00073081045,0.035187148,0.006734331,0.0028086607,0.0025087413,0.00024215477],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011164579,0.0000033037575,0.00013255973,0.000012918351,6.0971155e-7,0.000062935396,0.023594541,0.000031220028,0.000058499718,0.9714774,0.0012002173,0.00341456],"study_design_scores_gemma":[0.000013671461,0.00003616703,0.0010870156,0.00024202274,0.0000057465895,0.00038218783,0.061733376,0.00038204683,0.00087777845,0.62709785,0.30812106,0.000021173704],"about_ca_topic_score_codex":0.0056467205,"about_ca_topic_score_gemma":0.007528969,"teacher_disagreement_score":0.0056467205,"about_ca_system_score_codex":0.004203052,"about_ca_system_score_gemma":0.0014517461,"threshold_uncertainty_score":0.030495405},"labels":[],"label_agreement":null},{"id":"W2972655442","doi":"10.1017/9781108626651.008","title":"Margaret Atwood and History","year":2021,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Literature; Narrative; Mythology; Dystopia; History of literature; Poetry; History; Art; Biography; Art history","score_opus":0.03886175834738496,"score_gpt":0.17266006387835575,"score_spread":0.1337983055309708,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2972655442","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0051883915,0.045887306,0.0005353898,0.03502415,0.001743418,0.0000122879865,0.00004035817,0.000048694754,0.91152006],"genre_scores_gemma":[0.14402,0.024512742,0.00073680305,0.009036859,0.0008339949,0.000028599321,0.000041183102,0.000115362716,0.8206745],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99950993,0.00014349424,0.0000077292525,0.00006337114,0.00016560502,0.000109787965],"domain_scores_gemma":[0.9995579,0.00016690727,0.000020185103,0.000026837437,0.00009047215,0.00013773759],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00035116178,0.00026869922,0.00013903128,0.000988384,0.011618458,0.005670607,0.0006357781,0.001333088,0.019726016],"category_scores_gemma":[0.00092726346,0.00016571976,0.00009620841,0.001295955,0.0073515275,0.0034921716,0.0019670161,0.00258491,0.0023389382],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014763061,0.000011790315,0.0002055386,0.00009103324,0.0000015803379,0.00022580267,0.018031847,0.0000504686,0.000109928376,0.6969605,0.25447246,0.029824188],"study_design_scores_gemma":[6.383035e-7,0.0000019639954,0.00010010304,0.0000797461,6.825222e-7,0.00009833843,0.0036719819,0.000012825082,0.00003899732,0.009336033,0.9866564,0.0000023691525],"about_ca_topic_score_codex":0.09687189,"about_ca_topic_score_gemma":0.2691508,"teacher_disagreement_score":0.09687189,"about_ca_system_score_codex":0.00830125,"about_ca_system_score_gemma":0.0072118253,"threshold_uncertainty_score":0.19261605},"labels":[],"label_agreement":null},{"id":"W2974846285","doi":"10.3968/11212","title":"Flight, Anorexia and Madness Coexistence of Body and Spirit","year":2019,"lang":"en","type":"article","venue":"Higher education of social science","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Politics; Anorexia; State (computer science); Sociology; Abnormality; Aesthetics; Psychology; Psychoanalysis; Gender studies; Social psychology; Law; Political science; Philosophy; Medicine; Computer science","score_opus":0.023103319742692148,"score_gpt":0.2786153181377803,"score_spread":0.25551199839508815,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2974846285","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08281703,0.040526357,0.00198814,0.12099178,0.005151912,0.000043339493,0.00016116569,0.00018047464,0.74813986],"genre_scores_gemma":[0.8540901,0.008222535,0.0013716694,0.011008548,0.0009657377,0.000018618026,0.000034511446,0.000067579924,0.12422081],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99916327,0.00019953087,0.000013661335,0.000058860685,0.00030953265,0.00025506105],"domain_scores_gemma":[0.9995115,0.00016468724,0.00004689165,0.000023139186,0.000118451666,0.0001352723],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00054990937,0.0005491237,0.00022908825,0.001078324,0.010557096,0.004976281,0.000513153,0.0012590572,0.0028836273],"category_scores_gemma":[0.0017572783,0.0001321425,0.00019426574,0.0006097807,0.033217195,0.0013156227,0.0019438158,0.002904975,0.0003132041],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009645456,0.00001883624,0.002350104,0.00021596874,0.0000144287,0.0018410168,0.2214197,0.0001885264,0.0017328168,0.6007558,0.13349526,0.037871074],"study_design_scores_gemma":[0.00000643491,0.000026580497,0.0048680194,0.00027360732,0.000012650401,0.0010308635,0.09051744,0.00011025067,0.000593593,0.017192796,0.8853335,0.00003434023],"about_ca_topic_score_codex":0.5999783,"about_ca_topic_score_gemma":0.7712664,"teacher_disagreement_score":0.5999783,"about_ca_system_score_codex":0.016258864,"about_ca_system_score_gemma":0.0119646145,"threshold_uncertainty_score":0.804755},"labels":[],"label_agreement":null},{"id":"W2974983322","doi":"10.47925/73.656","title":"With Humanism Like This, Who Needs Posthumanism?","year":2017,"lang":"en","type":"article","venue":"Philosophy of education","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Posthumanism; Humanism; Epistemology; Philosophy; Theology","score_opus":0.04524932034543878,"score_gpt":0.2627885878883547,"score_spread":0.21753926754291592,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2974983322","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.026679514,0.025237443,0.023455955,0.49324465,0.004560142,0.00003792448,0.000068349924,0.0001510764,0.426565],"genre_scores_gemma":[0.8721841,0.008548716,0.0055656154,0.057069402,0.0030666506,0.00007419805,0.000038053942,0.00011611194,0.053337153],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9983866,0.0010417453,0.00002314228,0.00018601473,0.00019189714,0.00017070664],"domain_scores_gemma":[0.99800223,0.0012031483,0.00014617115,0.0002560761,0.00016274814,0.00022958501],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0027425743,0.00036945456,0.00028889882,0.0005642258,0.0047873524,0.007512362,0.000668459,0.003957431,0.006524693],"category_scores_gemma":[0.00321809,0.00013115755,0.00024661346,0.0004557758,0.05174511,0.011611428,0.0028906653,0.005373096,0.0009039405],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010324309,0.000012066508,0.00016417158,0.000045578672,0.0000029048297,0.00007939364,0.011656729,0.00004141477,0.000099788616,0.9652744,0.015540118,0.0070730774],"study_design_scores_gemma":[0.000009183819,0.000022788208,0.00030081827,0.00016620591,0.0000039611677,0.00023432936,0.014889838,0.00010613456,0.00023062866,0.58610684,0.39791608,0.0000131162415],"about_ca_topic_score_codex":0.0026534104,"about_ca_topic_score_gemma":0.0035703683,"teacher_disagreement_score":0.007512362,"about_ca_system_score_codex":0.0027928783,"about_ca_system_score_gemma":0.0021851095,"threshold_uncertainty_score":0.02182722},"labels":[],"label_agreement":null},{"id":"W2978047586","doi":"10.15353/kinema.vi.997","title":"The Mechanics of Engenderneering","year":2002,"lang":"en","type":"article","venue":"Kinema A Journal for Film and Audiovisual Media","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Femininity; Narrative; Value (mathematics); Aesthetics; Identity (music); Sociology; Psychology; Gender studies; Epistemology; Literature; Art; Philosophy; Mathematics","score_opus":0.059591260616104536,"score_gpt":0.2511006458005355,"score_spread":0.19150938518443095,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2978047586","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18820962,0.003988548,0.029712351,0.0223454,0.00053932075,0.00008150877,0.0000969881,0.00016947353,0.75485677],"genre_scores_gemma":[0.96992314,0.0008872512,0.0029118385,0.00040546063,0.000106292704,0.000048463018,0.0000208322,0.000057519766,0.025639297],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99863523,0.0006587821,0.00003178673,0.00016228564,0.00028052853,0.00023143088],"domain_scores_gemma":[0.9978115,0.0014129305,0.00021089386,0.00028103055,0.00014967499,0.00013406572],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019192365,0.00034875184,0.00023858833,0.0011749285,0.005668521,0.008952247,0.00085606624,0.0026918512,0.009756271],"category_scores_gemma":[0.0055544716,0.00047131162,0.00033189123,0.00058644614,0.027609877,0.0152636,0.0056473846,0.0025849876,0.000793088],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001219047,0.0000066975854,0.00027307184,0.00002243634,0.0000020237196,0.00028089792,0.017202055,0.00019969427,0.00028050787,0.9772465,0.0012205059,0.003253379],"study_design_scores_gemma":[0.00002970496,0.000049168095,0.0016728371,0.0001894259,0.000014856395,0.0008984662,0.039892454,0.0022643784,0.0017579189,0.77187663,0.18130155,0.000052637602],"about_ca_topic_score_codex":0.0018321535,"about_ca_topic_score_gemma":0.0016349395,"teacher_disagreement_score":0.009756271,"about_ca_system_score_codex":0.002705056,"about_ca_system_score_gemma":0.00095327065,"threshold_uncertainty_score":0.032637954},"labels":[],"label_agreement":null},{"id":"W2981808507","doi":"10.17561/grove.v26.a5","title":"Gender and Victimization in Margaret Atwood's Surfacing","year":2019,"lang":"en","type":"article","venue":"The Grove - Working Papers on English Studies","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Patriarchy; Feminism; Gender studies; Reading (process); Relation (database); Sociology; Close reading; Psychoanalysis; Psychology; Literature; Art; Political science; Law; Computer science","score_opus":0.04453709640896285,"score_gpt":0.23386345355103744,"score_spread":0.18932635714207458,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2981808507","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.39471066,0.025078524,0.001806078,0.11425154,0.0022178032,0.00004400922,0.00009067731,0.00007526911,0.46172547],"genre_scores_gemma":[0.93986994,0.00392073,0.00025854714,0.004601457,0.0003059634,0.000016288033,0.000011056174,0.000056853907,0.05095917],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9985814,0.0007741591,0.000019468835,0.000115433824,0.0002444289,0.00026511966],"domain_scores_gemma":[0.9985511,0.00095900154,0.00012969716,0.000049850158,0.00012215124,0.00018822441],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011982636,0.0003989325,0.00031499245,0.0010059573,0.016583743,0.0066695283,0.0007884398,0.0029169244,0.003820026],"category_scores_gemma":[0.0024818094,0.00030668106,0.00018886244,0.0010029443,0.017434828,0.0033031004,0.002837176,0.0038391156,0.00034454872],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000042627304,0.0000271343,0.0010530947,0.00007945653,0.0000070593937,0.0023909004,0.6849451,0.0000634844,0.00046579898,0.2500931,0.051189613,0.009642669],"study_design_scores_gemma":[0.000006367275,0.0000465733,0.0024388102,0.0003680829,0.000010507788,0.00211137,0.45804602,0.000071228984,0.00050663075,0.017721511,0.51863855,0.000034377335],"about_ca_topic_score_codex":0.061390225,"about_ca_topic_score_gemma":0.098893985,"teacher_disagreement_score":0.061390225,"about_ca_system_score_codex":0.0048304508,"about_ca_system_score_gemma":0.0021094389,"threshold_uncertainty_score":0.12206578},"labels":[],"label_agreement":null},{"id":"W2987117109","doi":"","title":"Second Light: Boom!","year":2014,"lang":"en","type":"article","venue":"Journal of the Royal Astronomical Society of Canada","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Boom; Astronomy; Geology; Oceanography; Physics","score_opus":0.0060402138769166695,"score_gpt":0.15811257609895574,"score_spread":0.15207236222203907,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2987117109","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002765152,0.018317297,0.0014574621,0.22852653,0.03708289,0.000033806085,0.00058812794,0.00071271166,0.71051604],"genre_scores_gemma":[0.04789296,0.005539098,0.0012709702,0.03316049,0.0064258426,0.000026286345,0.00029166744,0.0010349789,0.9043576],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988778,0.00015498977,0.000026364938,0.00013574178,0.00048205213,0.0003230976],"domain_scores_gemma":[0.9976465,0.00026694758,0.00006801488,0.00029796976,0.0009248617,0.00079565664],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015370116,0.0007722839,0.00059518067,0.0019601302,0.016114218,0.0147794355,0.0010850892,0.0049784486,0.124612376],"category_scores_gemma":[0.006201636,0.00040051903,0.0005673087,0.0014669102,0.0103058005,0.009370225,0.0053334977,0.010191021,0.031922318],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033731427,0.000011639096,0.00020945889,0.000046518126,0.0000045230995,0.000072568495,0.0023103594,0.000019284123,0.00011193322,0.09209202,0.88369155,0.021396438],"study_design_scores_gemma":[0.000002697851,0.0000025296565,0.00015447209,0.000049365888,0.0000015464025,0.00003555878,0.0011519453,0.000009490044,0.000036718444,0.0048368704,0.9937126,0.000006233976],"about_ca_topic_score_codex":0.19588232,"about_ca_topic_score_gemma":0.36457917,"teacher_disagreement_score":0.19588232,"about_ca_system_score_codex":0.010184981,"about_ca_system_score_gemma":0.009617452,"threshold_uncertainty_score":0.41686994},"labels":[],"label_agreement":null},{"id":"W2993200073","doi":"10.5281/zenodo.3311557","title":"O poetyce gatunku science fiction","year":2019,"lang":"en","type":"article","venue":"CeON Repository (Centre for Evaluation in Education and Science)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Art; Computer science","score_opus":0.021369914695575462,"score_gpt":0.2918256862734905,"score_spread":0.270455771577915,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2993200073","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11567535,0.03990937,0.022369152,0.0211569,0.010587602,0.00033431136,0.001282422,0.00074935885,0.7879355],"genre_scores_gemma":[0.71980405,0.020111905,0.007346388,0.002811442,0.0016207237,0.00027057453,0.0010140466,0.00054631295,0.24647453],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996573,0.000081584265,0.000027162288,0.000066703506,0.0001174063,0.000049845974],"domain_scores_gemma":[0.99968743,0.00014935124,0.000034003824,0.00003901838,0.00006445608,0.00002583901],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004128684,0.00061744277,0.00048248444,0.0018806708,0.0019291101,0.005103219,0.00031855848,0.0009287565,0.010910048],"category_scores_gemma":[0.0023009793,0.0001853162,0.00024848085,0.0019084847,0.0032421288,0.004052294,0.0019408284,0.0023115175,0.0029140273],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020790652,0.000048383918,0.00082557695,0.0010603733,0.00001941321,0.0008691664,0.014478622,0.00028569147,0.002001874,0.7882074,0.051129024,0.14086662],"study_design_scores_gemma":[0.000011981779,0.000034700726,0.0017730288,0.00027808608,0.000011905134,0.0005339968,0.0024647766,0.000255082,0.0015763412,0.03703823,0.9560078,0.000014174351],"about_ca_topic_score_codex":0.0010627498,"about_ca_topic_score_gemma":0.0015894731,"teacher_disagreement_score":0.010910048,"about_ca_system_score_codex":0.0017815517,"about_ca_system_score_gemma":0.0011169934,"threshold_uncertainty_score":0.036497712},"labels":[],"label_agreement":null},{"id":"W2993864404","doi":"10.1353/mos.2012.a479200","title":"Secular Apocalypses: Darwinian Criticism and Atwoodian Floods","year":2012,"lang":"en","type":"article","venue":"Mosaic","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":10,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dystopia; Criticism; Darwinism; Power (physics); Literary criticism; Literature; Sociology; Philosophy; Epistemology; Art","score_opus":0.026916471237329622,"score_gpt":0.22769872288053722,"score_spread":0.2007822516432076,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2993864404","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13995743,0.008662154,0.010986621,0.11319355,0.0020793453,0.000023691942,0.00004621763,0.0000973562,0.72495353],"genre_scores_gemma":[0.96836513,0.001048316,0.00061524974,0.002880723,0.00048143914,0.000017576318,0.000008643406,0.00008244862,0.0265004],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99782735,0.0013007072,0.00004087801,0.00018660577,0.00042281838,0.00022154216],"domain_scores_gemma":[0.99591005,0.0028859149,0.0002759131,0.00037452264,0.00035726823,0.00019640585],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0038227565,0.0003187292,0.00030097138,0.0011882472,0.008679825,0.0065724794,0.001101161,0.0035098803,0.004623012],"category_scores_gemma":[0.008840768,0.00019580926,0.00020550989,0.0008593914,0.036423497,0.0065650023,0.004853581,0.005053756,0.00039441258],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000086516,0.0000038186436,0.00010938938,0.000013005576,0.000001504177,0.00009722828,0.033133943,0.000053410753,0.00005414062,0.9594053,0.005070362,0.0020492582],"study_design_scores_gemma":[0.000020871881,0.000016445674,0.00040961985,0.00016278146,0.0000065070676,0.00030162744,0.03810456,0.00039699406,0.00034438196,0.640922,0.3193002,0.000013983055],"about_ca_topic_score_codex":0.002796316,"about_ca_topic_score_gemma":0.0050142007,"teacher_disagreement_score":0.008679825,"about_ca_system_score_codex":0.0043487074,"about_ca_system_score_gemma":0.0014254989,"threshold_uncertainty_score":0.031552255},"labels":[],"label_agreement":null},{"id":"W2995786234","doi":"","title":"Trashed Future: Waste Objects and Identity Politics in Margaret Atwood's Oryx and Crake and The Year of the Flood","year":2019,"lang":"en","type":"article","venue":"International journal of Žižek studies","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Capitalism; Ideology; Sociology; Reflexivity; Politics; Subject (documents); Identity (music); Aesthetics; Capital (architecture); Social reality; Social science; Political science; History; Law; Philosophy; Archaeology; Computer science","score_opus":0.015423810825901633,"score_gpt":0.25935045878672064,"score_spread":0.243926647960819,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2995786234","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.81665003,0.0051523987,0.0015168769,0.028594501,0.00048691174,0.00002814818,0.00004222163,0.000026493275,0.14750235],"genre_scores_gemma":[0.9712487,0.00091303984,0.0002873266,0.0011522577,0.00006256527,0.000017439086,0.000014914507,0.00004093828,0.02626288],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984596,0.0007896314,0.000020490485,0.00013321446,0.0002092245,0.00038792178],"domain_scores_gemma":[0.9992173,0.00039899407,0.00010800383,0.00003865146,0.000049403967,0.00018763322],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016921278,0.00042067666,0.00042059665,0.0009918205,0.027543174,0.009600529,0.0010528634,0.0031944714,0.004230603],"category_scores_gemma":[0.0013360394,0.00034150676,0.00024387003,0.001253206,0.029052218,0.006657254,0.0059622587,0.0047601536,0.0003154234],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029907373,0.000023223216,0.0006404341,0.000026623873,0.0000022487461,0.00062040746,0.8907925,0.00002972828,0.00024098462,0.100915074,0.0036778648,0.0030011018],"study_design_scores_gemma":[0.0000052296177,0.00001803517,0.0017152615,0.00009175758,0.0000047028443,0.00026218544,0.84618574,0.000040730578,0.0002478918,0.007019977,0.14439061,0.000017871489],"about_ca_topic_score_codex":0.050684176,"about_ca_topic_score_gemma":0.12597375,"teacher_disagreement_score":0.050684176,"about_ca_system_score_codex":0.009251242,"about_ca_system_score_gemma":0.0028929284,"threshold_uncertainty_score":0.10077834},"labels":[],"label_agreement":null},{"id":"W2996013972","doi":"10.29333/ejecs/301","title":"The Underground Railroad As Afrofuturism: Enslaved Blacks Who Imagined A Future And Used Technology To Reach The “Outer Spaces of Slavery”","year":2019,"lang":"en","type":"article","venue":"Journal of Ethnic and Cultural Studies","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":38,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Underground Railroad; Race (biology); Tact; Realism; Institution; Magic realism; White (mutation); History; Aesthetics; Sociology; Art; Law; Art history; Gender studies; Visual arts; Political science; Social science; Psychology","score_opus":0.03239640594143876,"score_gpt":0.30766730091044653,"score_spread":0.27527089496900775,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2996013972","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6896165,0.0020791343,0.0070229373,0.016611556,0.00042291748,0.000029266937,0.000020710422,0.000056805766,0.2841402],"genre_scores_gemma":[0.9789882,0.0005194487,0.0006004752,0.0004911231,0.00006141601,0.000013358782,0.0000043636296,0.000024374329,0.01929721],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988544,0.000701669,0.00001368872,0.000103924045,0.00011399171,0.00021241102],"domain_scores_gemma":[0.99932337,0.0003195703,0.000108145374,0.00006682218,0.0000598281,0.00012230285],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001543387,0.00044278204,0.00023100352,0.0009253254,0.016426483,0.006701314,0.0005362539,0.0022243634,0.004657415],"category_scores_gemma":[0.0024446447,0.00020215622,0.00019929616,0.00044608163,0.024856519,0.00573658,0.0050282134,0.004037,0.00048106906],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020209207,0.00001897916,0.000637801,0.000025011528,0.0000018638351,0.00032252716,0.7380367,0.00004764054,0.00058190443,0.25187036,0.0015288536,0.006908188],"study_design_scores_gemma":[0.000010796775,0.00012634687,0.0014118043,0.00026794444,0.000011409259,0.0008686295,0.62209076,0.00037199605,0.0012563354,0.043912604,0.32963857,0.000032818316],"about_ca_topic_score_codex":0.0048562954,"about_ca_topic_score_gemma":0.008942826,"teacher_disagreement_score":0.016426483,"about_ca_system_score_codex":0.0021983688,"about_ca_system_score_gemma":0.0013707399,"threshold_uncertainty_score":0.015950382},"labels":[],"label_agreement":null},{"id":"W2996173344","doi":"","title":"The handmaid's myth: Feminist futurism, political fantasy","year":2019,"lang":"en","type":"article","venue":"Quadrant","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dystopia; Oppression; Utopia; Mythology; Futurist; Fantasy; Politics; Sci-Fi; Face (sociological concept); Sociology; Literature; Art; Aesthetics; Gender studies; Art history; Political science; Law; Social science","score_opus":0.014738402011552547,"score_gpt":0.22070775893138073,"score_spread":0.20596935691982818,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2996173344","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.025128787,0.0111601455,0.0026317504,0.12660962,0.002168435,0.000027148742,0.00006706946,0.00006629584,0.83214086],"genre_scores_gemma":[0.76756215,0.0026182327,0.0012879824,0.016978603,0.0005017291,0.000058570335,0.000021787362,0.00007561516,0.2108954],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984895,0.00070246763,0.000012835824,0.00013617231,0.00033290597,0.0003260662],"domain_scores_gemma":[0.99922156,0.00047222906,0.000044262273,0.000053176762,0.000078960984,0.00012968353],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017961484,0.00043559552,0.0002633563,0.0009357121,0.017565655,0.008523364,0.00082068954,0.003208166,0.007782027],"category_scores_gemma":[0.0031810151,0.00019881598,0.00018072197,0.00060497137,0.040739793,0.004249709,0.003431086,0.0042005344,0.0005792721],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011781719,0.0000042511497,0.00006141471,0.00001616645,9.3086703e-7,0.00014574567,0.032079007,0.000047714188,0.00009861956,0.93227804,0.030648014,0.0046083853],"study_design_scores_gemma":[0.000010786905,0.000010976991,0.00024533115,0.00022296219,0.0000018921631,0.00029542367,0.042566232,0.00016691422,0.00026836467,0.15302198,0.80317324,0.000015930751],"about_ca_topic_score_codex":0.10595909,"about_ca_topic_score_gemma":0.15322231,"teacher_disagreement_score":0.10595909,"about_ca_system_score_codex":0.015597442,"about_ca_system_score_gemma":0.007968852,"threshold_uncertainty_score":0.21068466},"labels":[],"label_agreement":null},{"id":"W2996305506","doi":"","title":"The Uncanny History and Unrepresentability of Subject formation in Margaret Atwood's The Handmaid's Tale","year":2018,"lang":"en","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Uncanny; Subject (documents); Art; Psychoanalysis; Literature; History; Art history; Psychology; Computer science; Library science","score_opus":0.2448359205805016,"score_gpt":0.47181181295449587,"score_spread":0.22697589237399426,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2996305506","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.059141155,0.027412994,0.0049568275,0.11986839,0.004311773,0.000040175884,0.00007246481,0.00010323203,0.784093],"genre_scores_gemma":[0.8214811,0.0044813524,0.001148284,0.010592834,0.00143575,0.00005046683,0.00003270528,0.00013609654,0.16064134],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99860305,0.0007435686,0.000018812068,0.00018446003,0.00026626262,0.00018385798],"domain_scores_gemma":[0.99889463,0.00068855786,0.000062592255,0.0000686227,0.00015206865,0.00013355982],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013501091,0.0004005639,0.00023140029,0.0009277058,0.013105172,0.00736411,0.0009453781,0.002003341,0.003914818],"category_scores_gemma":[0.003297451,0.00026579204,0.00017342868,0.00058745197,0.026674164,0.004532666,0.0025589531,0.0037890053,0.0004891178],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000041543408,0.00001925051,0.00028550962,0.00007401761,0.000005021379,0.00045496612,0.109928384,0.00010587247,0.00024831283,0.80473286,0.068573445,0.015530753],"study_design_scores_gemma":[0.000009910046,0.00001910951,0.000700301,0.00024756268,0.0000080518785,0.00036829963,0.035118908,0.00011494984,0.0005364918,0.14026983,0.82258046,0.00002610496],"about_ca_topic_score_codex":0.058796596,"about_ca_topic_score_gemma":0.103369705,"teacher_disagreement_score":0.058796596,"about_ca_system_score_codex":0.009819214,"about_ca_system_score_gemma":0.0047579017,"threshold_uncertainty_score":0.11690873},"labels":[],"label_agreement":null},{"id":"W2996755006","doi":"10.3138/cras.2018.021","title":"Labour Imaginaries in Samuel R. Delany’s <i>Nova</i>","year":2019,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Mainstream; Empire; Colonialism; Afterlife; Order (exchange); Opera; Space (punctuation); Literature; Sociology; History; Art; Philosophy; Ancient history; Archaeology; Linguistics; Theology","score_opus":0.03431706410995386,"score_gpt":0.28332928394699575,"score_spread":0.2490122198370419,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2996755006","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1051879,0.074199654,0.0016266471,0.1370211,0.0027925463,0.000029672969,0.000060958584,0.000031980082,0.6790495],"genre_scores_gemma":[0.9159423,0.018713338,0.00055662805,0.009488567,0.00084827375,0.00003896271,0.000023721494,0.00004805131,0.05434009],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99852365,0.0008450958,0.00003111762,0.0001815221,0.00021029558,0.00020838522],"domain_scores_gemma":[0.9985884,0.0010571558,0.000112429756,0.000056190573,0.00007157635,0.00011434456],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0021656014,0.0002918861,0.00031024616,0.00144345,0.011030141,0.008434414,0.0006997715,0.0024222317,0.0032764145],"category_scores_gemma":[0.002326879,0.00022602259,0.00015678968,0.0009889723,0.04045127,0.005967051,0.0045245257,0.005120395,0.00034293023],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002595861,0.000013593965,0.0002541457,0.00008762267,0.0000020854438,0.00033200413,0.12157029,0.000044372966,0.0001412555,0.8518827,0.016329944,0.009316007],"study_design_scores_gemma":[0.000006093641,0.00001302107,0.00058305654,0.00042284478,0.000001500317,0.0002509266,0.06709462,0.00004008088,0.00023712251,0.049234662,0.88210464,0.000011455756],"about_ca_topic_score_codex":0.021061227,"about_ca_topic_score_gemma":0.056642015,"teacher_disagreement_score":0.021061227,"about_ca_system_score_codex":0.011652719,"about_ca_system_score_gemma":0.005107234,"threshold_uncertainty_score":0.084546804},"labels":[],"label_agreement":null},{"id":"W2997550410","doi":"10.17742/image.oi.10.2.5","title":"Dis/Corporatization: The Biopolitics of Prosthetic Lives and Posthuman Trauma in Ghost in the Shell Films","year":2019,"lang":"en","type":"article","venue":"Imaginations Journal of Cross-Cultural Image Studies","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Biopower; Posthuman; Commodification; Corporatization; Objectification; Innocence; Representation (politics); Aesthetics; Power (physics); Sociology; Politics; Art; Epistemology; Political science; Philosophy; Law","score_opus":0.038953097417990315,"score_gpt":0.3497238938362092,"score_spread":0.3107707964182189,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2997550410","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.68941176,0.003419142,0.0066939215,0.011328201,0.00072008796,0.000056202385,0.00005536536,0.00005306059,0.28826216],"genre_scores_gemma":[0.98731357,0.00054141623,0.0006294498,0.00055981,0.000055446944,0.000017812712,0.000014023769,0.000028019425,0.010840522],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990374,0.00051828945,0.000030264024,0.00008210524,0.0001647192,0.00016733276],"domain_scores_gemma":[0.9989491,0.00057962956,0.00016805489,0.00014084886,0.000060824477,0.00010154226],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016308934,0.00039415096,0.0002752542,0.0007335879,0.007890723,0.00507254,0.00063078036,0.0016339374,0.002827411],"category_scores_gemma":[0.0029473088,0.00027736166,0.00018982979,0.0006349615,0.038337782,0.0062746163,0.0075346646,0.003878367,0.00017077618],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000050176684,0.000021667709,0.0008455244,0.000114801245,0.0000046410114,0.0009463719,0.76212907,0.000065021566,0.0015000657,0.22696263,0.0021646095,0.005195427],"study_design_scores_gemma":[0.000022742199,0.000094262985,0.005427025,0.00042218715,0.000017457614,0.0027446814,0.7380423,0.00029934867,0.0031581165,0.041548442,0.2081769,0.000046526206],"about_ca_topic_score_codex":0.0025592295,"about_ca_topic_score_gemma":0.005078439,"teacher_disagreement_score":0.007890723,"about_ca_system_score_codex":0.0025074482,"about_ca_system_score_gemma":0.0013018957,"threshold_uncertainty_score":0.018192887},"labels":[],"label_agreement":null},{"id":"W3002942381","doi":"10.3968/11366","title":"An Ecological Alarm Bell: Liu Cixin’s Science Fiction The Wandering Earth","year":2019,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Consciousness; Ecocriticism; Environmental ethics; Humanism; Natural (archaeology); History; Criticism; Milestone; Ecology; Sociology; Aesthetics; Philosophy; Literature; Art; Epistemology; Law; Political science; Archaeology","score_opus":0.02152215527484903,"score_gpt":0.2900433016070602,"score_spread":0.2685211463322112,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3002942381","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08547733,0.042142548,0.0048117815,0.44647858,0.02884857,0.00007718408,0.00017929524,0.00026150586,0.39172328],"genre_scores_gemma":[0.74957013,0.009708329,0.002023676,0.0342744,0.007834657,0.0001091749,0.000100006975,0.00013107524,0.19624858],"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99957997,0.00020920513,0.000009878725,0.000052035313,0.00008686007,0.000062067855],"domain_scores_gemma":[0.9993793,0.00036448325,0.00004306831,0.000034129775,0.000086928805,0.00009196654],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009145008,0.0005158399,0.00027951138,0.0009884174,0.0065930006,0.0028912576,0.00048016972,0.0016964944,0.0029814467],"category_scores_gemma":[0.0025353888,0.0001614317,0.00023472031,0.00094787456,0.0063193175,0.0024090447,0.0014636395,0.0048781275,0.0003770406],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006364819,0.000030768806,0.0010213619,0.00022038928,0.000014161083,0.0016143788,0.07888836,0.00027641005,0.00084148446,0.36414504,0.5242274,0.02865661],"study_design_scores_gemma":[0.0000065268864,0.000029900808,0.00089240936,0.00012406513,0.000007808978,0.00033815668,0.011206363,0.00032304457,0.00036918328,0.009753594,0.9769305,0.000018453811],"about_ca_topic_score_codex":0.005146533,"about_ca_topic_score_gemma":0.010346305,"teacher_disagreement_score":0.0065930006,"about_ca_system_score_codex":0.004140282,"about_ca_system_score_gemma":0.0012493078,"threshold_uncertainty_score":0.030040026},"labels":[],"label_agreement":null},{"id":"W3008553307","doi":"","title":"Victimization in Margaret Atwood's The Blind Assassin","year":2016,"lang":"en","type":"dissertation","venue":"Digital Repository (National Repository of Grey Literature)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Criminology; Psychology","score_opus":0.012258317552470973,"score_gpt":0.2294271608702224,"score_spread":0.21716884331775144,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3008553307","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.33739078,0.023499608,0.0016938829,0.27399564,0.005058363,0.000060011822,0.00008378846,0.00008887877,0.35812908],"genre_scores_gemma":[0.915291,0.0059950696,0.000456749,0.016197203,0.00054655736,0.000039111852,0.000013265615,0.00008763284,0.061373383],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99747556,0.0013105723,0.00004266554,0.0001833008,0.0004675343,0.00052033755],"domain_scores_gemma":[0.9983541,0.0006842495,0.00026048647,0.00006911756,0.00014854192,0.00048350292],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019496982,0.00042950665,0.00049010396,0.0012181284,0.029625926,0.007444919,0.0013343341,0.004221551,0.0054182564],"category_scores_gemma":[0.0044787005,0.00042286934,0.00029264428,0.0009328515,0.026851982,0.0049547516,0.0063304603,0.007495965,0.00084838347],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000047731883,0.000053263237,0.0010274315,0.0000915167,0.00000864995,0.0035310262,0.62574655,0.00007602819,0.00038630614,0.27547067,0.08577818,0.007782666],"study_design_scores_gemma":[0.0000073701444,0.000038191145,0.0012317846,0.00043383782,0.00000915231,0.0032195614,0.37918365,0.00005744428,0.00039427332,0.01506352,0.600322,0.000039241946],"about_ca_topic_score_codex":0.04877497,"about_ca_topic_score_gemma":0.08713725,"teacher_disagreement_score":0.04877497,"about_ca_system_score_codex":0.008795311,"about_ca_system_score_gemma":0.004826525,"threshold_uncertainty_score":0.09698212},"labels":[],"label_agreement":null},{"id":"W3015820680","doi":"","title":"An Analysis of Gender Relationship in Margaret Atwood The Edible Woman","year":2020,"lang":"en","type":"article","venue":"Studies in Indian Place Names","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Assertion; Canadian literature; British literature; Sociology; Gender studies; History; English literature; Literature; Art","score_opus":0.10683547582732733,"score_gpt":0.31380493566570405,"score_spread":0.20696945983837672,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3015820680","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.76923716,0.0042205174,0.00045145207,0.014582777,0.00026892548,0.0000590069,0.000178956,0.000022276947,0.21097885],"genre_scores_gemma":[0.9563471,0.001471968,0.00024558688,0.0013134248,0.000040768075,0.000024565728,0.00003591983,0.000026816153,0.040493883],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982551,0.00058352074,0.000025097499,0.000121756406,0.0004694533,0.0005450861],"domain_scores_gemma":[0.9977817,0.0010770072,0.00020653624,0.000038199934,0.0004858138,0.00041086506],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014022927,0.00034447448,0.00034954323,0.0024966837,0.026305478,0.004986827,0.0008738576,0.0010787098,0.0070810574],"category_scores_gemma":[0.003365304,0.00019801798,0.00014335688,0.0037539885,0.012779017,0.0014428708,0.0023257844,0.0015796722,0.00049304473],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003192794,0.000016036716,0.003726137,0.0000447676,0.0000024558226,0.0010868375,0.9609634,0.000015520242,0.00042830416,0.022017635,0.0049719983,0.0066950554],"study_design_scores_gemma":[0.0000010538662,0.000010840347,0.008270291,0.00008240962,0.0000036858478,0.00023562963,0.931034,0.000013028643,0.00014312257,0.00044672305,0.059746232,0.000013082005],"about_ca_topic_score_codex":0.68065935,"about_ca_topic_score_gemma":0.8452364,"teacher_disagreement_score":0.68065935,"about_ca_system_score_codex":0.023404626,"about_ca_system_score_gemma":0.015566774,"threshold_uncertainty_score":0.6424426},"labels":[],"label_agreement":null},{"id":"W3016325333","doi":"10.5539/ells.v10n2p53","title":"A Post-Colonial Approach to The Man Who Ended History: A Documentary","year":2020,"lang":"en","type":"article","venue":"English Language and Literature Studies","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Ethnocentrism; Colonialism; Criticism; Hegemony; Unilateralism; Sociology; History; Feminism; Literature; Aesthetics; Gender studies; Anthropology; Art; Law; Political science","score_opus":0.019466925507381185,"score_gpt":0.2261580019164274,"score_spread":0.20669107640904621,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3016325333","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12533458,0.04906466,0.0065283533,0.13606429,0.0058659636,0.00008279513,0.00010051927,0.00009646482,0.67686236],"genre_scores_gemma":[0.92250985,0.009385525,0.0014550921,0.0047592074,0.0015785757,0.00005267773,0.00003226107,0.00006290561,0.060163885],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99832565,0.0010872469,0.000040384875,0.00011073653,0.00026003155,0.00017603325],"domain_scores_gemma":[0.99739945,0.0017361266,0.0002475844,0.00020376984,0.00023921824,0.00017387902],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002436275,0.00038873721,0.00025099886,0.0017791349,0.012728572,0.0061779674,0.0010214843,0.002467511,0.0023232398],"category_scores_gemma":[0.0043512313,0.0001676617,0.00016901754,0.0018662694,0.035674583,0.005021107,0.0025810932,0.004528408,0.00029144285],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015339401,0.000010747404,0.00020854732,0.00006143994,0.000002066631,0.00044901815,0.2040536,0.00004958959,0.00019075116,0.7771338,0.0105022015,0.007322823],"study_design_scores_gemma":[0.00000687142,0.000028794448,0.00092781073,0.00041181422,0.0000069345124,0.00046403724,0.05235551,0.00019900252,0.000709426,0.043426324,0.90144354,0.00001996215],"about_ca_topic_score_codex":0.013338333,"about_ca_topic_score_gemma":0.02141716,"teacher_disagreement_score":0.013338333,"about_ca_system_score_codex":0.009836643,"about_ca_system_score_gemma":0.004997756,"threshold_uncertainty_score":0.071370184},"labels":[],"label_agreement":null},{"id":"W3022256609","doi":"10.1017/cbo9780511770401","title":"Darwin's Plots","year":2009,"lang":"en","type":"book","venue":"Cambridge University Press eBooks","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":274,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Darwin (ADL); Charles darwin; George (robot); Origin of species; Criticism; Quarter (Canadian coin); History; Subject (documents); Consciousness; Art history; Literature; Classics; Philosophy; Art; Epistemology; Darwinism; Archaeology","score_opus":0.030536359431087293,"score_gpt":0.18816313433261994,"score_spread":0.15762677490153265,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3022256609","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0022063833,0.033037577,0.0021387285,0.029286586,0.005320394,0.000030704603,0.0001019031,0.00010388928,0.9277739],"genre_scores_gemma":[0.07672475,0.019632336,0.0017988532,0.008325954,0.0023798237,0.00006217772,0.00007932821,0.0002569244,0.8907399],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986771,0.0003473251,0.00003292056,0.00015912474,0.0006441443,0.0001393392],"domain_scores_gemma":[0.99908173,0.00041780947,0.000054567514,0.000090338544,0.00024214752,0.00011346737],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010504108,0.0004287997,0.00030826812,0.001548239,0.004032926,0.006050584,0.00061855186,0.00167658,0.013176241],"category_scores_gemma":[0.0037804977,0.00020373172,0.00024278455,0.0012802088,0.009192938,0.003426434,0.002416829,0.0030221173,0.0037337702],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010762775,0.0000061771248,0.00007736004,0.000057459114,0.0000018533794,0.00006297783,0.0036011736,0.00006439744,0.000120531455,0.7371962,0.23277126,0.026029838],"study_design_scores_gemma":[0.000001485873,0.0000024769663,0.00008817235,0.00007435876,6.730149e-7,0.00004897698,0.0003617863,0.000026973703,0.000043546992,0.032833215,0.9665158,0.0000025548309],"about_ca_topic_score_codex":0.008041479,"about_ca_topic_score_gemma":0.012682564,"teacher_disagreement_score":0.013176241,"about_ca_system_score_codex":0.0064753843,"about_ca_system_score_gemma":0.004719836,"threshold_uncertainty_score":0.046982467},"labels":[],"label_agreement":null},{"id":"W3038212273","doi":"10.4312/elope.17.1.9-11","title":"Introduction: Atwood at 80","year":2020,"lang":"en","type":"article","venue":"ELOPE English Language Overseas Perspectives and Enquiries","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Feeling; Event (particle physics); Performance art; History; Art history; Range (aeronautics); Art; Visual arts; Literature; Psychoanalysis; Psychology; Engineering; Physics; Social psychology; Astrophysics","score_opus":0.013759248175904567,"score_gpt":0.21063093271740146,"score_spread":0.1968716845414969,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3038212273","genre_codex":"other","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0010277872,0.016215613,0.00051294983,0.10412166,0.1287731,0.000107567,0.0014304565,0.0006951047,0.74711573],"genre_scores_gemma":[0.0036241654,0.0034533038,0.00012736018,0.01815046,0.012158469,0.000053217645,0.00035473745,0.00035344006,0.9617248],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993436,0.00009909444,0.00002734889,0.00013072709,0.00028529196,0.00011388298],"domain_scores_gemma":[0.99861,0.00022879604,0.00006141324,0.00007892846,0.0005086175,0.0005121205],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00064166373,0.00088913104,0.00049126416,0.0013402489,0.0042563044,0.0056443433,0.00097492075,0.0032163588,0.43136466],"category_scores_gemma":[0.003085456,0.00031127426,0.00035318296,0.0009982169,0.00093322404,0.0041963556,0.003674057,0.0043761223,0.23745772],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000039957727,0.000004621098,0.000022971071,0.000018799145,2.379943e-7,0.00001976368,0.00010260692,0.000002251447,0.000026299618,0.0015148817,0.99280435,0.005479205],"study_design_scores_gemma":[7.977034e-7,0.0000027902631,0.000111681824,0.00005350392,2.6208284e-7,0.000030908133,0.00013977171,0.000002873479,0.000012584447,0.00030417443,0.99933916,0.0000014925805],"about_ca_topic_score_codex":0.0060433303,"about_ca_topic_score_gemma":0.017157795,"teacher_disagreement_score":0.43136466,"about_ca_system_score_codex":0.002005178,"about_ca_system_score_gemma":0.0016704879,"threshold_uncertainty_score":0.8110893},"labels":[],"label_agreement":null},{"id":"W3038518070","doi":"10.4312/elope.17.1.15-28","title":"Atwood’s Reinventions: So Many Atwoods","year":2020,"lang":"en","type":"article","venue":"ELOPE English Language Overseas Perspectives and Enquiries","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dystopia; Audience measurement; Narrative; Literature; Reading (process); Art; Popular fiction; Literary fiction; Popular culture; History; Art history; Media studies; Literary criticism; Sociology; Law; Political science","score_opus":0.020617604657584693,"score_gpt":0.2326874727918162,"score_spread":0.2120698681342315,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3038518070","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0038176337,0.8376678,0.00035038326,0.10444005,0.008874525,0.000007240948,0.00004096967,0.000025439569,0.044775866],"genre_scores_gemma":[0.14356656,0.6599554,0.0006578947,0.12368316,0.014733211,0.00006585476,0.00020294194,0.00023043336,0.056904506],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.994003,0.0030636324,0.00025162197,0.00052043196,0.0014479859,0.00071336183],"domain_scores_gemma":[0.99138266,0.0051261373,0.00056307897,0.00051005307,0.0016375614,0.0007805037],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0055180723,0.000687062,0.0006926734,0.0029760257,0.006382125,0.014144452,0.0015848384,0.0042620418,0.007922201],"category_scores_gemma":[0.010613359,0.00032652263,0.00054381636,0.0043657343,0.011299746,0.012931972,0.004749451,0.007102422,0.001973513],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009312017,0.000032476804,0.00053935783,0.0028169164,0.00003223624,0.0004736503,0.03277854,0.00006788736,0.00024893435,0.31546676,0.4422068,0.2052432],"study_design_scores_gemma":[0.0000038605885,0.000009037018,0.0003455356,0.0021790904,0.000007721968,0.00018535642,0.0049954606,0.000008301277,0.00006548005,0.005365758,0.986827,0.0000074478476],"about_ca_topic_score_codex":0.017587105,"about_ca_topic_score_gemma":0.03415315,"teacher_disagreement_score":0.017587105,"about_ca_system_score_codex":0.0069712023,"about_ca_system_score_gemma":0.009890678,"threshold_uncertainty_score":0.050579786},"labels":[],"label_agreement":null},{"id":"W3045667063","doi":"10.12957/abusoes.2020.47720","title":"O GÓTICO E O DISTÓPICO SE ENTRELAÇAM: SEXUALIDADE E O CONTROLE DO CORPO FEMININO EM O CONTO DA AIA E OS TESTAMENTOS DE MARGARET ATWOOD","year":2020,"lang":"pt","type":"article","venue":"Abusões","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Intertek (Canada)","funders":"","keywords":"Art; Humanities","score_opus":0.05109524619187555,"score_gpt":0.2592038863222006,"score_spread":0.20810864013032504,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3045667063","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.58372176,0.009425531,0.0009446034,0.047211327,0.00075452763,0.000055138462,0.00012252384,0.000032864227,0.35773176],"genre_scores_gemma":[0.8806836,0.0019051583,0.00030702542,0.0021090475,0.000121385,0.000024670033,0.000023210254,0.00002487678,0.11480101],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994112,0.0002739205,0.000010180283,0.000056121044,0.00011479983,0.00013376327],"domain_scores_gemma":[0.99916565,0.00037782444,0.000104872335,0.000030653482,0.000084686864,0.00023636232],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007887408,0.00021852108,0.00015039723,0.00051213556,0.00792108,0.0035742754,0.00054456096,0.0013913262,0.008350518],"category_scores_gemma":[0.001145318,0.00015408969,0.000125487,0.00056364044,0.00798069,0.0016300535,0.0022795117,0.0028389639,0.0006977558],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012782567,0.00009749441,0.0100135645,0.00023265209,0.00000946288,0.002495562,0.7269493,0.00010501244,0.001769913,0.17964317,0.049958613,0.028597482],"study_design_scores_gemma":[0.000009053903,0.000085445456,0.021911232,0.0003652689,0.000012939024,0.0011183849,0.3408202,0.00008498265,0.0008170562,0.008652996,0.6260859,0.000036464062],"about_ca_topic_score_codex":0.022037448,"about_ca_topic_score_gemma":0.06837533,"teacher_disagreement_score":0.022037448,"about_ca_system_score_codex":0.003075301,"about_ca_system_score_gemma":0.0015763028,"threshold_uncertainty_score":0.043818355},"labels":[],"label_agreement":null},{"id":"W3047359166","doi":"","title":"Victimisation and Survival as a Journey from ‘Wilderness’ to ‘Cultured’ in Margaret Atwood’s Surfacing","year":2019,"lang":"en","type":"article","venue":"SMART MOVES JOURNAL IJELLH","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Wilderness; Civilization; Existentialism; Identity (music); Criticism; Alienation; Environmental ethics; Natural (archaeology); Interpretation (philosophy); Sociology; Colonialism; Gender studies; History; Political science; Aesthetics; Law; Art; Archaeology; Ecology; Philosophy","score_opus":0.021034240775103692,"score_gpt":0.2350239490502557,"score_spread":0.213989708275152,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3047359166","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26202112,0.025284363,0.0050800084,0.367453,0.006512001,0.0000931999,0.00007660802,0.00023029215,0.33324945],"genre_scores_gemma":[0.8767686,0.0061429525,0.0011067246,0.026265217,0.00072890916,0.00006315764,0.00002960766,0.00017165177,0.08872326],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9970393,0.0015554917,0.000038535152,0.00020208777,0.00043657867,0.00072811113],"domain_scores_gemma":[0.9981376,0.0008222949,0.00017688992,0.00010407145,0.00025995504,0.0004991453],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002598135,0.00071358244,0.00054484414,0.0010478093,0.03598317,0.012247037,0.0018907036,0.005948579,0.005677139],"category_scores_gemma":[0.005607169,0.00036844297,0.00042193735,0.0010680814,0.047391824,0.008251895,0.008584227,0.00936372,0.00089003163],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016877904,0.000015240908,0.00033287288,0.000039547485,0.0000047214767,0.0014122261,0.8908027,0.000035284356,0.00020935509,0.07215004,0.028443508,0.0065375315],"study_design_scores_gemma":[0.0000031607412,0.00002884979,0.0003942697,0.00016641886,0.000004512294,0.0010221056,0.7137833,0.000031779775,0.00016343585,0.013363469,0.2710168,0.000021821746],"about_ca_topic_score_codex":0.07885528,"about_ca_topic_score_gemma":0.10806001,"teacher_disagreement_score":0.07885528,"about_ca_system_score_codex":0.008373466,"about_ca_system_score_gemma":0.006338702,"threshold_uncertainty_score":0.15679258},"labels":[],"label_agreement":null},{"id":"W3049372169","doi":"10.20361/dr29482","title":"My Life as an Ice Cream Sandwich by I. Zoboi","year":2020,"lang":"en","type":"article","venue":"The Deakin Review of Children s Literature","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Adventure; Pride; Enthusiasm; Narrative; History; Art history; Art; Visual arts; Aesthetics; Literature; Psychology; Philosophy; Social psychology; Theology","score_opus":0.015231856415716668,"score_gpt":0.2459967633006923,"score_spread":0.23076490688497564,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3049372169","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0043933247,0.083901264,0.0007147304,0.05977874,0.021643529,0.00007696313,0.0013435094,0.0004610487,0.827687],"genre_scores_gemma":[0.0074133133,0.007809895,0.00027867468,0.002854638,0.00052935863,0.00002025087,0.00026700387,0.00016540887,0.9806614],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9998677,0.000019114643,0.0000035269388,0.000025068759,0.000044612778,0.00003992654],"domain_scores_gemma":[0.99979883,0.00001353532,0.000012236542,0.00000757667,0.000059025933,0.000108859545],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00025717926,0.0006597809,0.00028466474,0.00044970238,0.004405399,0.0029781784,0.00045747223,0.00076160266,0.24901234],"category_scores_gemma":[0.00065053994,0.000272892,0.0001752165,0.0004857773,0.0006984274,0.002452301,0.0017489417,0.0020674733,0.09823402],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013407349,0.000006411003,0.00016581298,0.000041696687,0.0000011179585,0.000052255495,0.00078430126,0.000007232302,0.00013590195,0.0015710929,0.974362,0.02285873],"study_design_scores_gemma":[7.2331665e-7,0.000002509761,0.0003010312,0.00003697597,4.9693057e-7,0.000037034977,0.0009052464,0.000003928049,0.000028792218,0.00008150691,0.99859995,0.0000017963226],"about_ca_topic_score_codex":0.024197401,"about_ca_topic_score_gemma":0.08634423,"teacher_disagreement_score":0.24901234,"about_ca_system_score_codex":0.0015280916,"about_ca_system_score_gemma":0.0008853429,"threshold_uncertainty_score":0.83302927},"labels":[],"label_agreement":null},{"id":"W3085072421","doi":"","title":"Pen and Pixel: Elephant Trunk / Dumbbell Nebula / Soul Nebula / Milky Way Galaxy","year":2017,"lang":"en","type":"article","venue":"Journal of the Royal Astronomical Society of Canada","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Nebula; Milky Way; Dumbbell; Galaxy; Soul; Astronomy; Physics; Emission nebula; Astrophysics; Stars; Philosophy; Biology; Theology","score_opus":0.011728059445603716,"score_gpt":0.19251765202763896,"score_spread":0.18078959258203525,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3085072421","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09465423,0.015651478,0.010021269,0.016380591,0.007170944,0.0002482614,0.088094346,0.012877293,0.7549015],"genre_scores_gemma":[0.6377595,0.0070307516,0.017481405,0.003584425,0.002415132,0.00008644121,0.055746242,0.003936176,0.27195996],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9999093,0.0000064380342,0.000003027572,0.000025473095,0.000031656225,0.000024151159],"domain_scores_gemma":[0.99975973,0.000025042731,0.000022997538,0.00002776804,0.00006592679,0.000098576646],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00014796694,0.0004216812,0.00028600398,0.0019212131,0.001251272,0.0027866396,0.00062319555,0.000783895,0.092235714],"category_scores_gemma":[0.0007811729,0.00017466488,0.0002328171,0.003068744,0.0007982559,0.0019204225,0.001283465,0.0008050941,0.017308366],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014254228,0.000035069606,0.024165759,0.0002594221,0.00002711655,0.00086075225,0.00055960193,0.0009984405,0.0013654018,0.04438662,0.81409854,0.11310074],"study_design_scores_gemma":[0.000027775879,0.000010803419,0.10017923,0.0001420865,0.000019908388,0.0010896119,0.0016115287,0.001615015,0.00052910636,0.011820301,0.8829305,0.00002414626],"about_ca_topic_score_codex":0.117837876,"about_ca_topic_score_gemma":0.11888792,"teacher_disagreement_score":0.117837876,"about_ca_system_score_codex":0.00085716246,"about_ca_system_score_gemma":0.0012665808,"threshold_uncertainty_score":0.30855918},"labels":[],"label_agreement":null},{"id":"W3087374591","doi":"","title":"Gizmos: The Twinning of Venus","year":2010,"lang":"en","type":"article","venue":"Journal of the Royal Astronomical Society of Canada","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Venus; Crystal twinning; Astrobiology; Geology; Materials science; Physics; Metallurgy","score_opus":0.007466280622758023,"score_gpt":0.17192890628212498,"score_spread":0.16446262565936695,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3087374591","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08654258,0.010256457,0.0036153188,0.021069353,0.0019264522,0.00002175681,0.0003376315,0.00028238754,0.875948],"genre_scores_gemma":[0.940718,0.0019897742,0.0013874636,0.0013372266,0.00043996595,0.00001496315,0.00012863851,0.00024555015,0.05373853],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99958307,0.00012906999,0.000008430414,0.00007344143,0.00010731427,0.00009863586],"domain_scores_gemma":[0.99967396,0.00007660351,0.00003137452,0.000070955655,0.000051423765,0.00009568181],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005029157,0.0002146279,0.00025171592,0.0011991262,0.0046320767,0.0049512694,0.0005460001,0.0010647096,0.012237078],"category_scores_gemma":[0.0026374275,0.00015083037,0.00015285096,0.0010433253,0.009932244,0.0027219935,0.0041928403,0.0022146082,0.00088151],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007467873,0.0000029263758,0.0006737977,0.00006156693,0.000007772572,0.0003055856,0.011379226,0.00027547553,0.000280595,0.95127213,0.020133043,0.01553311],"study_design_scores_gemma":[0.000012582762,0.000014231023,0.0029210928,0.00020690472,0.000009990693,0.0005253106,0.009870439,0.00029985406,0.00025277204,0.18607002,0.7997982,0.000018597804],"about_ca_topic_score_codex":0.02792249,"about_ca_topic_score_gemma":0.05557639,"teacher_disagreement_score":0.02792249,"about_ca_system_score_codex":0.0031942027,"about_ca_system_score_gemma":0.0024631629,"threshold_uncertainty_score":0.05551994},"labels":[],"label_agreement":null},{"id":"W3087444000","doi":"","title":"The Haloed Moon/And Leo's Capture","year":2006,"lang":"en","type":"article","venue":"Journal of the Royal Astronomical Society of Canada","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Astrobiology; Geography; Geology; Biology","score_opus":0.004603769639709418,"score_gpt":0.1512074013322422,"score_spread":0.14660363169253277,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3087444000","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09982093,0.007447105,0.00035240746,0.034367092,0.00083313114,0.000012749294,0.00012981331,0.00002148699,0.8570153],"genre_scores_gemma":[0.90210176,0.0015590858,0.00008794581,0.0033676107,0.0003128252,0.0000050213844,0.000043148204,0.000029896699,0.092492685],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997129,0.00005859178,0.0000056144268,0.00003045615,0.000046971825,0.00014554503],"domain_scores_gemma":[0.9997657,0.00006836638,0.000028277886,0.00003073496,0.000036843212,0.00007015845],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00048160632,0.00014673376,0.00016199714,0.00050422706,0.0060917325,0.004229683,0.00038964456,0.001584301,0.011821022],"category_scores_gemma":[0.00116451,0.000099839446,0.00013130998,0.00056626386,0.010777951,0.002103221,0.0023746882,0.0025530597,0.00058362493],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010049996,0.0000218583,0.0023819145,0.000060517254,0.000010531597,0.00067680905,0.06021411,0.0001245132,0.00028098392,0.8696487,0.05023141,0.016248139],"study_design_scores_gemma":[0.000018389032,0.000019344528,0.009006416,0.00015904373,0.000009232143,0.0004192041,0.07515296,0.00013920346,0.00021125766,0.06750785,0.8473327,0.000024284473],"about_ca_topic_score_codex":0.15670343,"about_ca_topic_score_gemma":0.31990048,"teacher_disagreement_score":0.15670343,"about_ca_system_score_codex":0.005527325,"about_ca_system_score_gemma":0.0021157425,"threshold_uncertainty_score":0.31158257},"labels":[],"label_agreement":null},{"id":"W3090265564","doi":"10.29228/ijlet.45476","title":"Küresel Romanda Üstopya Söylemine Bir Örnek: Margaret Atwood’un Antilop ve Flurya Adlı Eseri","year":2020,"lang":"tr","type":"article","venue":"International Journal of Languages Education","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.01934670441849605,"score_gpt":0.2884694738711127,"score_spread":0.26912276945261665,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3090265564","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1311281,0.029383302,0.0022915222,0.06742362,0.00864819,0.000040482522,0.00011695968,0.00018458093,0.7607832],"genre_scores_gemma":[0.653062,0.0071996576,0.0011578012,0.005287466,0.00054798333,0.000023734197,0.00006190948,0.00022553958,0.33243388],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99969995,0.00008868885,0.000007018378,0.00004833135,0.00008389767,0.000072151815],"domain_scores_gemma":[0.9998247,0.000033671313,0.000020134516,0.000009808485,0.00005959519,0.000052066967],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005586785,0.00045700587,0.00019647111,0.00043392382,0.006369546,0.0037201408,0.00034481866,0.0009561659,0.007615064],"category_scores_gemma":[0.0006995084,0.00013309866,0.00017019326,0.0003112155,0.003452229,0.0021584139,0.0014107683,0.001955252,0.0021845875],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023176307,0.00012335884,0.001687577,0.00032933606,0.000018434119,0.0035662346,0.13030253,0.00029392788,0.0022972897,0.42082882,0.36215317,0.07816756],"study_design_scores_gemma":[0.0000029027183,0.000019393994,0.0008431389,0.0001277655,0.000005124539,0.00068775594,0.027069567,0.00008479776,0.00077460066,0.002807385,0.96756613,0.000011391338],"about_ca_topic_score_codex":0.008466557,"about_ca_topic_score_gemma":0.023820804,"teacher_disagreement_score":0.008466557,"about_ca_system_score_codex":0.0029613557,"about_ca_system_score_gemma":0.0015523718,"threshold_uncertainty_score":0.025474906},"labels":[],"label_agreement":null},{"id":"W3090323208","doi":"10.1080/14927713.2020.1815566","title":"Rethinking Utopia: the search for ‘topias’ in the Paris catacombs","year":2020,"lang":"en","type":"article","venue":"Leisure/Loisir","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Utopia; Heterotopia (medicine); Aesthetics; Argument (complex analysis); Narrative; Sociology; Feeling; Epistemology; Philosophy; Art; Art history; Literature","score_opus":0.10750056008777505,"score_gpt":0.2767247448103769,"score_spread":0.16922418472260187,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3090323208","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.45013633,0.014345429,0.0026162842,0.03693908,0.00063374394,0.000034523473,0.00005359506,0.00010055919,0.49514043],"genre_scores_gemma":[0.9710062,0.0013811048,0.00039821744,0.0006404757,0.00007611664,0.000011282363,0.000009422614,0.000034270462,0.02644288],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99863106,0.0008871886,0.0000101699015,0.00010176601,0.00012827224,0.00024146399],"domain_scores_gemma":[0.9994542,0.00027705586,0.00006411994,0.00006171567,0.000039697792,0.00010324928],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013975918,0.0004370487,0.0002873243,0.0014123572,0.013124125,0.008137495,0.00071097043,0.0016120932,0.006671203],"category_scores_gemma":[0.0017652401,0.00020555143,0.00015587262,0.0012805606,0.034939397,0.0037939276,0.0056973193,0.0026115458,0.00043024222],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000060694267,0.000016309767,0.000855906,0.00009116416,0.000005589464,0.0013289601,0.466134,0.00022954575,0.00030092453,0.5070539,0.010036554,0.013886447],"study_design_scores_gemma":[0.00001421628,0.000048500955,0.003937659,0.000283288,0.000008146527,0.0006387079,0.3837399,0.0002880656,0.00046443596,0.031738725,0.57880837,0.000029957126],"about_ca_topic_score_codex":0.046221375,"about_ca_topic_score_gemma":0.09586475,"teacher_disagreement_score":0.046221375,"about_ca_system_score_codex":0.00984642,"about_ca_system_score_gemma":0.0024470482,"threshold_uncertainty_score":0.0919047},"labels":[],"label_agreement":null},{"id":"W3093232320","doi":"10.21900/j.jams.v1.231","title":"Desiring Futures","year":2020,"lang":"en","type":"article","venue":"The Journal of Anime and Manga Studies","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Dystopia; Subversion; Depiction; Utopia; Sociology; Aesthetics; Narrative; Politics; Variety (cybernetics); Futures contract; Criticism; Epistemology; Literature; Philosophy; Art; Law; Political science; Computer science","score_opus":0.16724371914317462,"score_gpt":0.27284327168605077,"score_spread":0.10559955254287615,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3093232320","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.030348292,0.0041859737,0.014805316,0.03568796,0.001473519,0.000061298946,0.000089800626,0.00008743025,0.9132604],"genre_scores_gemma":[0.8252023,0.0030080283,0.0076853107,0.003526392,0.00048853364,0.00008729797,0.000079827776,0.00011099512,0.15981126],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9985215,0.00075353985,0.000032285992,0.00022305013,0.00026228523,0.00020742354],"domain_scores_gemma":[0.99872345,0.0004959107,0.00012342117,0.0001731554,0.00016394554,0.00032008067],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0028452817,0.00052271114,0.00026642275,0.0007641008,0.007977788,0.006135003,0.00070656557,0.002541105,0.0202002],"category_scores_gemma":[0.0036863883,0.00020203965,0.00043919164,0.00046389253,0.015462101,0.008832364,0.006449563,0.0038244494,0.0025514013],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009105529,0.0000087332155,0.00015361668,0.000031147247,0.0000019092852,0.00018131775,0.021153705,0.00006722181,0.00018832982,0.9670429,0.0057416656,0.005420244],"study_design_scores_gemma":[0.0000063450484,0.000029162407,0.00018567088,0.00016251297,0.0000040700274,0.00034781898,0.027642015,0.00015236165,0.0002898801,0.2979692,0.6731985,0.000012528261],"about_ca_topic_score_codex":0.0010972321,"about_ca_topic_score_gemma":0.0028095667,"teacher_disagreement_score":0.0202002,"about_ca_system_score_codex":0.0028804536,"about_ca_system_score_gemma":0.0023180665,"threshold_uncertainty_score":0.06757635},"labels":[],"label_agreement":null},{"id":"W3094699176","doi":"","title":"The Change of DiscursiveRegisters at Margaret Atwood","year":2019,"lang":"en","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.3272690510245598,"score_gpt":0.49640481170484,"score_spread":0.16913576068028024,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3094699176","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.146155,0.0076617408,0.0028672349,0.2214012,0.004487598,0.000047420177,0.00008991408,0.00014149505,0.6171484],"genre_scores_gemma":[0.72983086,0.0015929381,0.00064610166,0.0147190485,0.000605061,0.00003177418,0.0000243924,0.00020266986,0.25234708],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9964701,0.001603923,0.000040517476,0.000369127,0.00082553667,0.000690738],"domain_scores_gemma":[0.99662244,0.0013207011,0.00032297094,0.00022563136,0.00056400197,0.0009443144],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002460109,0.0002935253,0.00020247839,0.00064647465,0.036486574,0.008514583,0.0013070824,0.00363912,0.008955899],"category_scores_gemma":[0.006222404,0.00028260658,0.00020441996,0.00078606885,0.019252198,0.0043113423,0.0039775786,0.006857962,0.0013211042],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000062900814,0.000028998615,0.00092918176,0.00006791044,0.000004989685,0.0016520896,0.46290106,0.00007634837,0.0015201906,0.34479105,0.16794151,0.020023696],"study_design_scores_gemma":[0.000001988779,0.000011589349,0.00063949934,0.000065902415,0.0000025200316,0.00032876892,0.08768171,0.00003938025,0.0005673482,0.0044740727,0.9061723,0.000014963257],"about_ca_topic_score_codex":0.09355066,"about_ca_topic_score_gemma":0.1947064,"teacher_disagreement_score":0.09355066,"about_ca_system_score_codex":0.016623098,"about_ca_system_score_gemma":0.0076278197,"threshold_uncertainty_score":0.18601227},"labels":[],"label_agreement":null},{"id":"W3102935299","doi":"10.3968/11885","title":"An Analysis of Narrative Time in Margaret Atwood’s The Handmaid’s Tale","year":2020,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narrative; Sight; Literature; Order (exchange); History; Set (abstract data type); Psychoanalysis; Aesthetics; Philosophy; Art; Psychology; Computer science","score_opus":0.02068698964424109,"score_gpt":0.28126299805505695,"score_spread":0.26057600841081585,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3102935299","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2214776,0.0069141733,0.018576361,0.017265897,0.00096751977,0.000074000614,0.00014284995,0.000103028244,0.7344786],"genre_scores_gemma":[0.9541401,0.001311037,0.0024420856,0.00068519125,0.00014804104,0.000051998428,0.00005090319,0.00007479359,0.041095797],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99879754,0.00079196994,0.00001608999,0.00009088482,0.00017965959,0.00012379541],"domain_scores_gemma":[0.9982388,0.0013372726,0.00011102286,0.000058897484,0.00011784693,0.00013621175],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012805857,0.0003656911,0.00021751768,0.0018360628,0.008404652,0.0055858125,0.0008223679,0.0011441578,0.0048393477],"category_scores_gemma":[0.0033219291,0.00020063347,0.00018084832,0.0012389625,0.015203477,0.0050374707,0.0031317153,0.0018085781,0.00043606787],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034845212,0.000011141426,0.00030785255,0.0000656095,0.0000033812696,0.0007837306,0.3036617,0.00016715798,0.00035197884,0.6796685,0.0072464775,0.0076976134],"study_design_scores_gemma":[0.000008894401,0.00003581949,0.0011075154,0.00036175718,0.000009538688,0.0009295704,0.25274768,0.00057220366,0.0009099024,0.10481384,0.6384773,0.000025989122],"about_ca_topic_score_codex":0.007281811,"about_ca_topic_score_gemma":0.012994564,"teacher_disagreement_score":0.008404652,"about_ca_system_score_codex":0.0042149113,"about_ca_system_score_gemma":0.0012498444,"threshold_uncertainty_score":0.030581474},"labels":[],"label_agreement":null},{"id":"W3108093494","doi":"10.1007/978-3-476-05728-0_7906-1","title":"Atwood, Margaret: Cat's Eye","year":2020,"lang":"sv","type":"book-chapter","venue":"J.B. Metzler eBooks","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.04636102560328434,"score_gpt":0.23559468523678798,"score_spread":0.18923365963350364,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3108093494","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0007695465,0.050049946,0.000317106,0.009745557,0.0028517283,0.000018322318,0.00058481505,0.00017810559,0.93548477],"genre_scores_gemma":[0.0036725928,0.010188011,0.00016027792,0.0015677008,0.00019588822,0.000015259418,0.00014058274,0.00010439752,0.9839553],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99985075,0.000023026561,0.0000072782896,0.00003278951,0.000059395144,0.00002682099],"domain_scores_gemma":[0.9997031,0.00006775026,0.000014877775,0.000026115395,0.00010028196,0.00008792109],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00019976284,0.00069722504,0.00034304464,0.0010176993,0.0044985805,0.0050962027,0.0009175023,0.002447848,0.3276075],"category_scores_gemma":[0.00073550554,0.00051845616,0.00025896163,0.0020480403,0.0011503209,0.003830547,0.0017698472,0.0028127185,0.09110749],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016507716,0.0000065064305,0.0001316605,0.00017624997,0.0000019173633,0.00021564614,0.001449248,0.000038320475,0.0002138005,0.02371831,0.9279675,0.046064347],"study_design_scores_gemma":[9.543227e-7,0.0000010836233,0.00017882514,0.00006952572,6.09319e-7,0.000048453203,0.00043051137,0.00000568194,0.000015955513,0.00050456304,0.99874264,0.0000012378446],"about_ca_topic_score_codex":0.09622226,"about_ca_topic_score_gemma":0.4089569,"teacher_disagreement_score":0.3276075,"about_ca_system_score_codex":0.0035823646,"about_ca_system_score_gemma":0.0031174037,"threshold_uncertainty_score":0.9590863},"labels":[],"label_agreement":null},{"id":"W3108273215","doi":"10.3167/screen.2020.050210","title":"Queer Sinofuturism","year":2020,"lang":"en","type":"article","venue":"Screen Bodies","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Queer; Buddhism; Aesthetics; Posthumanism; Ambiguity; Affect (linguistics); Queer theory; Sociology; Art; Philosophy; Art history; Gender studies; Communication; Theology","score_opus":0.05608163256102422,"score_gpt":0.2278238493576019,"score_spread":0.17174221679657767,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3108273215","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10674403,0.011367666,0.005990553,0.07930064,0.0017669336,0.000029749033,0.00007283875,0.00015762307,0.7945699],"genre_scores_gemma":[0.94063836,0.0020737029,0.00071082235,0.0028877533,0.00034392547,0.000014478436,0.000019265213,0.000060547452,0.05325116],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99926573,0.00034690334,0.000011775926,0.000097560755,0.00013496989,0.00014302997],"domain_scores_gemma":[0.9994405,0.0002636886,0.00007281498,0.00007538389,0.00007638867,0.00007124635],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014005243,0.00037299862,0.0001962979,0.00060339156,0.008207465,0.003992644,0.0003506055,0.0014221403,0.0069523593],"category_scores_gemma":[0.0020117317,0.00012272244,0.00017260332,0.0005487765,0.04391242,0.0044105803,0.0024912793,0.0035900597,0.0005888377],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008382912,0.0000031979232,0.00014299802,0.000015257224,9.580685e-7,0.00012057705,0.04498465,0.000028493132,0.000119958386,0.9474806,0.0045372774,0.0025575496],"study_design_scores_gemma":[0.000017773351,0.000035733417,0.0009025257,0.00019870224,0.000009222003,0.00054319773,0.05488805,0.00031079017,0.0005907578,0.26813567,0.67434543,0.000022214783],"about_ca_topic_score_codex":0.011775428,"about_ca_topic_score_gemma":0.021287018,"teacher_disagreement_score":0.011775428,"about_ca_system_score_codex":0.0050653955,"about_ca_system_score_gemma":0.0018223693,"threshold_uncertainty_score":0.036752224},"labels":[],"label_agreement":null},{"id":"W3111966571","doi":"10.3138/cras-2020-003","title":"Imagining Imperial Futures: Colonization as the Solution for Urban Uncertainty in <i>Battlestar Galactica</i>","year":2020,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Futures contract; Narrative; Humanity; Survivability; Colonialism; Colonization; Series (stratigraphy); History; Sociology; Economics; Literature; Political science; Archaeology; Computer science; Law; Art; Financial economics; Geology; Paleontology","score_opus":0.04023633112155549,"score_gpt":0.2885694703743341,"score_spread":0.2483331392527786,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3111966571","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15878908,0.06641369,0.005016174,0.10175256,0.0020466368,0.00002280665,0.000031982254,0.000042482567,0.66588455],"genre_scores_gemma":[0.9760174,0.010636535,0.00041322084,0.0022191065,0.00037810853,0.000013659743,0.000010579901,0.000020971733,0.010290478],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99894077,0.00073220476,0.000013401248,0.00007333128,0.00009900057,0.00014132546],"domain_scores_gemma":[0.9988696,0.0007965379,0.00011026234,0.000052676995,0.00006575369,0.000105224906],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015010886,0.00031281647,0.00018763436,0.00085054344,0.009087338,0.008999949,0.00068758574,0.0019751696,0.0028824895],"category_scores_gemma":[0.0018850404,0.00013655724,0.00014083514,0.0013577414,0.038169395,0.006399354,0.0037003306,0.0038756412,0.00023274784],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007416201,0.0000049464966,0.00024186217,0.00006378339,0.0000016682371,0.00022026213,0.1265344,0.000086471344,0.00006425754,0.8612521,0.0064214016,0.005101516],"study_design_scores_gemma":[0.000006067061,0.000013734134,0.0009867668,0.00038706942,0.000005124324,0.00034897533,0.22414823,0.00020286752,0.00023607943,0.13415904,0.63949054,0.000015495547],"about_ca_topic_score_codex":0.01482852,"about_ca_topic_score_gemma":0.0319422,"teacher_disagreement_score":0.01482852,"about_ca_system_score_codex":0.0072672144,"about_ca_system_score_gemma":0.003477406,"threshold_uncertainty_score":0.05272764},"labels":[],"label_agreement":null},{"id":"W3112071721","doi":"10.4000/belphegor.3431","title":"Clint Jones, Apocalyptic Ecology in the Graphic Novel: Life and the Environment after Societal Collapse","year":2020,"lang":"en","type":"article","venue":"Belphégor","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Comics; Reading (process); Perspective (graphical); Popular culture; Order (exchange); Ecology; Sociology; Aesthetics; History; Literature; Art; Visual arts; Philosophy; Biology; Linguistics","score_opus":0.03189182908462363,"score_gpt":0.21346332416113387,"score_spread":0.18157149507651024,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3112071721","genre_codex":"commentary","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008855285,0.04156459,0.0011161957,0.5781519,0.009176162,0.00003904959,0.0002245373,0.000073310424,0.36079895],"genre_scores_gemma":[0.38533837,0.028006755,0.0014623895,0.23835643,0.007665558,0.00015602913,0.0001405797,0.00041226132,0.3384617],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991192,0.00042557684,0.000020707368,0.000111291534,0.00019066838,0.00013250372],"domain_scores_gemma":[0.99870586,0.00079476205,0.000101542224,0.000054072552,0.0001666154,0.00017722708],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009893648,0.0005114319,0.00028589874,0.00076504,0.012672846,0.011016698,0.0013524946,0.0080299545,0.009488975],"category_scores_gemma":[0.003377726,0.00028644907,0.00026652083,0.00091092143,0.013329775,0.008355853,0.0022148455,0.008578751,0.0015067726],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030545765,0.0000288537,0.00028785938,0.00010772658,0.0000071103264,0.00030065732,0.02195899,0.0000984202,0.000121878846,0.41317567,0.5580048,0.0058775754],"study_design_scores_gemma":[0.000015312053,0.000013926965,0.0011203489,0.00022588574,0.000004489525,0.00021364071,0.029673032,0.0000921555,0.0002565156,0.058892794,0.9094664,0.000025409629],"about_ca_topic_score_codex":0.039260603,"about_ca_topic_score_gemma":0.097475715,"teacher_disagreement_score":0.039260603,"about_ca_system_score_codex":0.005305638,"about_ca_system_score_gemma":0.0030678746,"threshold_uncertainty_score":0.07806414},"labels":[],"label_agreement":null},{"id":"W3113347140","doi":"10.3968/11460","title":"Postmodern Humanism in English Dystopian Novels: From Animal Farm to Fahrenheit 451","year":2020,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dystopia; Postmodernism; Humanism; Oppression; Aesthetics; Criticism; Sociology; Literature; Philosophy; Law; Art; Political science; Politics; Theology","score_opus":0.04027042778749207,"score_gpt":0.28009811678675134,"score_spread":0.23982768899925927,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3113347140","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.27749768,0.021591874,0.0075930874,0.07528424,0.0030093256,0.00006642363,0.00013447239,0.00012777142,0.6146951],"genre_scores_gemma":[0.9710578,0.0023378853,0.00066512305,0.0018723222,0.00051348424,0.000034655575,0.000014637669,0.000051824813,0.02345231],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977604,0.0016492124,0.000044784512,0.00012015009,0.00022320962,0.00020211226],"domain_scores_gemma":[0.9960757,0.0030933602,0.0003151109,0.00018172825,0.00018904264,0.00014502948],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0030430444,0.00043630446,0.0003056061,0.0014465565,0.011526759,0.0068874033,0.00069950515,0.0019808495,0.0038014392],"category_scores_gemma":[0.004264165,0.00022126509,0.00017067576,0.001135157,0.043340407,0.004701591,0.0031410346,0.0028003731,0.0003573527],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036333382,0.000015873455,0.00016167531,0.00008856246,0.0000018636205,0.0005453171,0.28071377,0.000085232416,0.00026244545,0.70604867,0.0086996155,0.003340641],"study_design_scores_gemma":[0.000021360189,0.00004504899,0.0009304491,0.0004758464,0.0000062491526,0.00079399947,0.22311218,0.00039838275,0.0009579641,0.09754656,0.67568535,0.000026666748],"about_ca_topic_score_codex":0.004830432,"about_ca_topic_score_gemma":0.0092368955,"teacher_disagreement_score":0.011526759,"about_ca_system_score_codex":0.0072878147,"about_ca_system_score_gemma":0.0021489032,"threshold_uncertainty_score":0.05287707},"labels":[],"label_agreement":null},{"id":"W3118511171","doi":"10.22215/etd/2016-11645","title":"This is Not the Apocalypse: Dissecting the End of the World, Sincerity, and the Canadian Zeitgeist in Two Novels by Douglas Coupland","year":2016,"lang":"en","type":"dissertation","venue":"","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Carleton University","funders":"","keywords":"Postmodernism; Sincerity; Subversion; Narrative; Zeitgeist; Literature; Aesthetics; History; Art; Philosophy; Political science; Epistemology; Law","score_opus":0.015673922420859732,"score_gpt":0.2538162124398246,"score_spread":0.23814229001896486,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3118511171","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.36321363,0.028867073,0.003453709,0.1852204,0.0030222428,0.00008569176,0.00024985158,0.00011257215,0.4157749],"genre_scores_gemma":[0.95236653,0.004620364,0.0007593202,0.0032306444,0.00021731466,0.000024385006,0.000035369903,0.00008756524,0.038658563],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975048,0.00096720975,0.000025595082,0.00019845997,0.00059574994,0.0007082678],"domain_scores_gemma":[0.99737024,0.0011107399,0.00020456685,0.00013195703,0.0005901172,0.0005922889],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0030811264,0.0006632007,0.0004019992,0.0015191458,0.040094588,0.009400979,0.0013375602,0.0022777272,0.004028617],"category_scores_gemma":[0.0060851253,0.00032655997,0.00024423838,0.0017131062,0.04614162,0.0044231466,0.003992246,0.00472289,0.0003197311],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006101834,0.000018487397,0.000884072,0.00006254588,0.0000049311316,0.00081655686,0.57815987,0.00013653956,0.00040285548,0.3793086,0.03260921,0.0075353556],"study_design_scores_gemma":[0.000009369505,0.0000156796,0.0016702942,0.00020869273,0.000009103513,0.000374506,0.3994386,0.00014174372,0.0005090232,0.016350523,0.58121,0.00006254769],"about_ca_topic_score_codex":0.8635657,"about_ca_topic_score_gemma":0.9380717,"teacher_disagreement_score":0.13643432,"about_ca_system_score_codex":0.062352855,"about_ca_system_score_gemma":0.04147414,"threshold_uncertainty_score":0.45240372},"labels":[],"label_agreement":null},{"id":"W3123702551","doi":"","title":"Turning the Pages: Rereading Atwood's Novels","year":2009,"lang":"en","type":"article","venue":"Project Muse (Johns Hopkins University)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Appeal; Dismissal; Plot (graphics); Literature; Art; History; Art history; Law; Political science","score_opus":0.0375237508445253,"score_gpt":0.21893933661803983,"score_spread":0.18141558577351452,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3123702551","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.086943984,0.0264108,0.0054413346,0.1182594,0.02229188,0.00005421232,0.00013707041,0.00030428692,0.74015707],"genre_scores_gemma":[0.73488,0.01012486,0.0024806538,0.01812339,0.0077026095,0.00007912672,0.00010928406,0.00064022373,0.22585987],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99780446,0.0013243996,0.000036754598,0.00015066855,0.00037950982,0.00030410552],"domain_scores_gemma":[0.9973278,0.0017970414,0.0001690052,0.00017617659,0.00023066327,0.00029927946],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0028366998,0.00066088664,0.00040301832,0.0018424691,0.012510004,0.013795073,0.0015200098,0.003372629,0.006305347],"category_scores_gemma":[0.0056101773,0.00029397788,0.0002854556,0.0010853296,0.018397639,0.008060676,0.0045373784,0.007534804,0.0013022065],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006358241,0.000034540983,0.00015249297,0.00010677591,0.0000061466562,0.001339498,0.2152907,0.00017540288,0.0003583199,0.5990455,0.16787648,0.015550557],"study_design_scores_gemma":[0.000007204869,0.000015874182,0.00017257371,0.00031745824,0.000005543549,0.00045898,0.07076868,0.0001328645,0.00044897935,0.03756304,0.8900914,0.000017306525],"about_ca_topic_score_codex":0.0057095066,"about_ca_topic_score_gemma":0.01425478,"teacher_disagreement_score":0.013795073,"about_ca_system_score_codex":0.005444246,"about_ca_system_score_gemma":0.0019455734,"threshold_uncertainty_score":0.03950095},"labels":[],"label_agreement":null},{"id":"W3128097505","doi":"10.24113/ijellh.v9i1.10882","title":"Identify and Self-Search in Margaret Atwood’s The Handmaid’s Tale","year":2021,"lang":"en","type":"article","venue":"SMART MOVES JOURNAL IJELLH","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dystopia; Fantasy; Power (physics); Identity (music); Sociology; Literature; History; Aesthetics; Psychoanalysis; Art; Psychology","score_opus":0.027587922102810896,"score_gpt":0.2564812121496409,"score_spread":0.22889329004683004,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3128097505","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.064867206,0.005850658,0.004042274,0.062476862,0.0025711,0.0000386689,0.000054382836,0.00012900282,0.8599698],"genre_scores_gemma":[0.7268805,0.0015613525,0.0017725934,0.007955751,0.0005152562,0.00003055572,0.00003249539,0.00015934152,0.26109213],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99880075,0.0004575946,0.000010458594,0.00012279177,0.00033577843,0.00027259233],"domain_scores_gemma":[0.99934274,0.00027224078,0.00005067122,0.00003890143,0.000113069946,0.00018241857],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00097145437,0.000512286,0.00020641461,0.0011440973,0.018517718,0.008231453,0.000820272,0.0019513562,0.006249901],"category_scores_gemma":[0.0021840294,0.00018123517,0.00018210475,0.0005502451,0.026549207,0.0032932782,0.0036410552,0.0035260797,0.0009805715],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025679781,0.000017759607,0.00031262529,0.000038529295,0.000002771367,0.00053778104,0.22580877,0.00007632155,0.000358035,0.68480927,0.077924676,0.010087703],"study_design_scores_gemma":[0.0000038693165,0.000011524753,0.0003530877,0.000089705616,0.0000030789688,0.00041723097,0.10124153,0.00012599507,0.00038418098,0.02895274,0.8683995,0.00001759448],"about_ca_topic_score_codex":0.110300966,"about_ca_topic_score_gemma":0.21893527,"teacher_disagreement_score":0.110300966,"about_ca_system_score_codex":0.010995194,"about_ca_system_score_gemma":0.0053014266,"threshold_uncertainty_score":0.21931785},"labels":[],"label_agreement":null},{"id":"W3133097144","doi":"10.11606/t.8.2020.tde-19022021-191326","title":"O Ambíguo Objeto do Desejo: a figuração da utopia em &gt;i&lt;The Dispossessed&gt;/i&lt;, de Ursula K. Le Guin","year":2020,"lang":"pt","type":"dissertation","venue":"","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Utopia; Dystopia; Neoliberalism (international relations); Narrative; Philosophy; Art history; Literature; Art; Sociology; Social science","score_opus":0.02936395686382127,"score_gpt":0.2633767304392514,"score_spread":0.23401277357543016,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3133097144","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06735439,0.07361455,0.012470737,0.15406874,0.0037373693,0.000033821427,0.00008956091,0.000109243556,0.6885216],"genre_scores_gemma":[0.88646793,0.013639811,0.0025819512,0.008935001,0.0010389711,0.000056274926,0.000043264048,0.00017664,0.08706009],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9961766,0.0026594806,0.000056027013,0.00036819992,0.0004148879,0.0003247579],"domain_scores_gemma":[0.9982528,0.0010672599,0.00016032436,0.0001627134,0.00019530249,0.00016161494],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003371507,0.0005148503,0.00036816206,0.0010327012,0.011256411,0.012253394,0.0012300519,0.0034732313,0.004768234],"category_scores_gemma":[0.0039213574,0.00034233084,0.0003720772,0.0012183901,0.03546645,0.011504407,0.0067061493,0.0060151885,0.0006327418],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029373394,0.000007401176,0.0002641106,0.000058334695,0.0000030862434,0.00024460553,0.07520694,0.000095269876,0.00014312877,0.8986615,0.016117806,0.009168435],"study_design_scores_gemma":[0.000012787464,0.000020410918,0.0006693133,0.00039026054,0.000007449599,0.00033513622,0.038316727,0.00034175516,0.0005249016,0.16835976,0.79099333,0.000028138014],"about_ca_topic_score_codex":0.014379301,"about_ca_topic_score_gemma":0.023737807,"teacher_disagreement_score":0.014379301,"about_ca_system_score_codex":0.009820856,"about_ca_system_score_gemma":0.0040318477,"threshold_uncertainty_score":0.071255684},"labels":[],"label_agreement":null},{"id":"W3135245613","doi":"10.1177/1464700121995019","title":"‘She – nature, woman, Goddess’: mythic, ethical and poetic feminist discourse in Margaret Atwood’s ‘Marsh Languages’ and Luce Irigaray’s <i>In the Beginning She Was</i>","year":2021,"lang":"en","type":"article","venue":"Feminist Theory","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Saint Mary's University","funders":"","keywords":"Poetry; Literature; Western thought; Philosophy; Poetics; Ecocriticism; Art; Theology","score_opus":0.01300911485502056,"score_gpt":0.28178870328856,"score_spread":0.26877958843353944,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3135245613","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.22744584,0.019673513,0.008844499,0.3107749,0.0033177854,0.00007128075,0.00005712813,0.00011550219,0.42969954],"genre_scores_gemma":[0.92762053,0.0019552882,0.0014596307,0.016873362,0.0005940341,0.000099256766,0.000015804073,0.00015435788,0.051227625],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9944983,0.00421901,0.000047052945,0.0002976888,0.0005717503,0.00036616658],"domain_scores_gemma":[0.99553007,0.0034518847,0.0002372267,0.00012849444,0.00022188386,0.00043046506],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0062466646,0.0004920388,0.00045095928,0.00079616683,0.012391683,0.008789376,0.0013680351,0.0037589814,0.0031311382],"category_scores_gemma":[0.0065455567,0.00033855395,0.00018204121,0.0006556151,0.04341213,0.0055564265,0.004646464,0.0086902,0.00061449915],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024156192,0.000024356055,0.00015023164,0.000041932693,0.0000021103137,0.0002651219,0.49631518,0.000030875177,0.00035186493,0.48521233,0.013908053,0.0036738391],"study_design_scores_gemma":[0.000011731604,0.000047136327,0.0005397735,0.00033592415,0.000004491669,0.00039089072,0.32039532,0.0001684095,0.00048212757,0.05016859,0.627432,0.000023602095],"about_ca_topic_score_codex":0.0046571516,"about_ca_topic_score_gemma":0.008512659,"teacher_disagreement_score":0.012391683,"about_ca_system_score_codex":0.0066467393,"about_ca_system_score_gemma":0.0025824304,"threshold_uncertainty_score":0.0482257},"labels":[],"label_agreement":null},{"id":"W3137910869","doi":"10.7311/pjas.14/1/2020.07","title":"Epic Fail: The Failure of the Anthropostory in Douglas Coupland’s Post-Millennial Prose","year":2020,"lang":"en","type":"article","venue":"Polish Journal for American Studies.","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Humanity; EPIC; Anthropocene; Agency (philosophy); History; CONQUEST; Literature; Power (physics); Conceptualization; Environmental ethics; Aesthetics; Sociology; Philosophy; Art; Political science; Law; Linguistics; Social science; Ancient history","score_opus":0.059146059557898006,"score_gpt":0.3003827746330837,"score_spread":0.2412367150751857,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3137910869","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06289361,0.02388642,0.008485098,0.36952582,0.0036023722,0.000030072793,0.00009664487,0.00010608827,0.53137386],"genre_scores_gemma":[0.9192339,0.0037772905,0.0019927288,0.018011315,0.0008807093,0.00006122062,0.00002637454,0.0001493023,0.05586716],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9954743,0.0029326563,0.00006870956,0.00036822233,0.0005946467,0.0005614758],"domain_scores_gemma":[0.9953869,0.0028067913,0.00038939161,0.00027336105,0.00053576136,0.0006078213],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0071338434,0.0005920155,0.00029591817,0.0010019132,0.017786121,0.009785673,0.0013810713,0.0033104727,0.0033447582],"category_scores_gemma":[0.010573218,0.0002929064,0.00017858724,0.0007944651,0.0374232,0.00882201,0.005436802,0.006929563,0.0004886369],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033117132,0.00000880177,0.0002236685,0.000028140583,0.0000027676615,0.0001978055,0.13900197,0.00006578025,0.000096101794,0.8311226,0.02539084,0.0038284406],"study_design_scores_gemma":[0.000008101538,0.00001638703,0.0004279626,0.00019303751,0.000005766565,0.00029253325,0.056867275,0.00012867905,0.00023127683,0.08341144,0.8583858,0.000031680982],"about_ca_topic_score_codex":0.058282405,"about_ca_topic_score_gemma":0.10885537,"teacher_disagreement_score":0.058282405,"about_ca_system_score_codex":0.008914719,"about_ca_system_score_gemma":0.004914781,"threshold_uncertainty_score":0.11588633},"labels":[],"label_agreement":null},{"id":"W3139478518","doi":"10.4324/9781003152989-5","title":"Margaret Atwood’s Ecodystopic SF","year":2021,"lang":"en","type":"book-chapter","venue":"","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; History","score_opus":0.04690837517415078,"score_gpt":0.2111122453203337,"score_spread":0.16420387014618293,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3139478518","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09751698,0.010003635,0.002214061,0.09457654,0.0049358304,0.000053259428,0.00018122207,0.00014710773,0.79037154],"genre_scores_gemma":[0.5783511,0.0037742706,0.0011663756,0.011229178,0.000607913,0.00004912751,0.000059438058,0.00019719322,0.40456545],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993932,0.0001781045,0.000008911358,0.0000896333,0.00017269049,0.00015734388],"domain_scores_gemma":[0.99943286,0.00019442529,0.000034965946,0.000034666653,0.00013715711,0.00016594479],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00055156474,0.00030427545,0.00017091563,0.00065551297,0.010889465,0.004606311,0.0005286532,0.0013464174,0.0076332],"category_scores_gemma":[0.0016096552,0.00014251404,0.00012397036,0.00061834906,0.008128941,0.0025805212,0.0020943335,0.0031333773,0.0009379994],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007204472,0.000022534467,0.000647919,0.00008736012,0.0000032845871,0.00077774766,0.16200706,0.00007802732,0.0009570338,0.61382,0.20290928,0.018617721],"study_design_scores_gemma":[0.0000015185161,0.000010501551,0.0003455346,0.000058011534,0.0000012740215,0.0002689516,0.025572844,0.000036174646,0.00020713419,0.004437886,0.96905375,0.0000065290365],"about_ca_topic_score_codex":0.10991794,"about_ca_topic_score_gemma":0.23178443,"teacher_disagreement_score":0.10991794,"about_ca_system_score_codex":0.010354149,"about_ca_system_score_gemma":0.0046578194,"threshold_uncertainty_score":0.21855628},"labels":[],"label_agreement":null},{"id":"W314402691","doi":"","title":"A Heart of Kindness: Nalo Hopkinson's Brown Girl in the Ring","year":2012,"lang":"en","type":"article","venue":"The Journal of Haitian Studies","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Magic realism; Narrative; History; Girl; Literature; Context (archaeology); Sociology; Art history; Art; Psychology; Archaeology","score_opus":0.09621953243826296,"score_gpt":0.30043538305399997,"score_spread":0.204215850615737,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W314402691","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2082213,0.011602595,0.0014813936,0.23368014,0.005525279,0.00006356446,0.00008775301,0.00015510428,0.53918284],"genre_scores_gemma":[0.7298554,0.0021954875,0.0005577666,0.01689076,0.0005243784,0.00005136226,0.000018999182,0.00016595301,0.24973986],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990637,0.0005116654,0.000009103688,0.000085512795,0.00014957937,0.0001805821],"domain_scores_gemma":[0.9991192,0.00030769574,0.00006687309,0.00003078259,0.00010697475,0.00036846873],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010072528,0.00032150824,0.00020733003,0.00055948395,0.016825024,0.005340907,0.00065035926,0.0015987821,0.005769528],"category_scores_gemma":[0.002068089,0.0002007565,0.00011825047,0.00037165833,0.008495672,0.0027000655,0.0034453098,0.0032972314,0.0009266832],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009083288,0.00005407295,0.0014187266,0.00008600992,0.000006326994,0.002912654,0.5077355,0.00007498806,0.0007728006,0.20962551,0.25852084,0.018701803],"study_design_scores_gemma":[0.000005386064,0.000028306456,0.0009677259,0.00012910378,0.000003703366,0.0006945836,0.20778194,0.00006538862,0.00039451278,0.006141849,0.7837684,0.000019089266],"about_ca_topic_score_codex":0.022102593,"about_ca_topic_score_gemma":0.073503874,"teacher_disagreement_score":0.022102593,"about_ca_system_score_codex":0.005056435,"about_ca_system_score_gemma":0.002249983,"threshold_uncertainty_score":0.043947875},"labels":[],"label_agreement":null},{"id":"W3158579507","doi":"10.31542/muse.v5i1.2005","title":"Intersectionality and Empathy in Afrofuturist Feminist Dystopian Narratives","year":2021,"lang":"en","type":"article","venue":"MacEwan University Student eJournal","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dystopia; Narrative; Gender studies; Intersectionality; Patriarchy; Sociology; Psychoanalysis; Psychology; Literature; Art","score_opus":0.018805967883440692,"score_gpt":0.23022578247250228,"score_spread":0.2114198145890616,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3158579507","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.57026774,0.007361444,0.011382157,0.040981907,0.0005253955,0.00004713418,0.00006621545,0.00008024809,0.36928764],"genre_scores_gemma":[0.9882658,0.0006336464,0.0006398232,0.0008734923,0.00006986825,0.00003508897,0.000013868358,0.000030333948,0.009437991],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.98992807,0.0076334975,0.000101883576,0.0005089539,0.000861802,0.00096584],"domain_scores_gemma":[0.9970632,0.002049761,0.00030742382,0.00016231909,0.00015297698,0.00026435632],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0059096934,0.0007139042,0.0005641822,0.002333177,0.021576604,0.010384447,0.0013437675,0.0037548803,0.0039571207],"category_scores_gemma":[0.005970383,0.00037814278,0.0002847391,0.001317582,0.06864594,0.0090227565,0.014944354,0.00447526,0.0003167481],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015650878,0.000006819011,0.00025396651,0.00003133764,0.0000026382913,0.00037342843,0.7443795,0.00005411195,0.00018348309,0.25091153,0.0012095532,0.0025779058],"study_design_scores_gemma":[0.000014518967,0.000028144761,0.0007591473,0.00031899964,0.000009154448,0.0010190398,0.6894032,0.00037521461,0.00060143624,0.07662896,0.23081626,0.00002598768],"about_ca_topic_score_codex":0.0064433445,"about_ca_topic_score_gemma":0.00818791,"teacher_disagreement_score":0.021576604,"about_ca_system_score_codex":0.009131771,"about_ca_system_score_gemma":0.0028037867,"threshold_uncertainty_score":0.06625599},"labels":[],"label_agreement":null},{"id":"W3163511272","doi":"10.3968/11880","title":"Human Being Ecology in Richard Powers’ Generosity","year":2021,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Generosity; Environmental ethics; Happiness; Ecology; Human ecology; Sociology; Property (philosophy); Epistemology; Law; Philosophy; Political science","score_opus":0.024606859978057397,"score_gpt":0.2921234552787538,"score_spread":0.2675165953006964,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3163511272","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08782755,0.0357429,0.007702783,0.25779492,0.002752845,0.000033986285,0.000027097032,0.000070775095,0.60804707],"genre_scores_gemma":[0.9522625,0.0068833306,0.0013704995,0.011893703,0.0011429825,0.000030419826,0.000008717852,0.000057047942,0.026350733],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9966504,0.002442012,0.000049326612,0.00017190477,0.00046390414,0.00022246364],"domain_scores_gemma":[0.9960204,0.003170421,0.00024234137,0.000123495,0.00025159583,0.00019178934],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0026584247,0.0003239719,0.00023237156,0.0012842091,0.0062487815,0.005980253,0.0005698161,0.0020625326,0.0022032922],"category_scores_gemma":[0.0057015615,0.00020887693,0.00015268169,0.0007678223,0.036771484,0.0061551766,0.003098265,0.003677623,0.00044323027],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007484862,0.000010028602,0.00016218875,0.000034942957,0.0000024745784,0.00025449382,0.07760424,0.0000603279,0.00006766651,0.8992983,0.016401624,0.006096143],"study_design_scores_gemma":[0.00001071694,0.000026599306,0.00051528605,0.00024039869,0.000005797151,0.0008587131,0.041437704,0.00021326159,0.0003266285,0.30573893,0.650603,0.000022990447],"about_ca_topic_score_codex":0.0015712924,"about_ca_topic_score_gemma":0.0017338803,"teacher_disagreement_score":0.0062487815,"about_ca_system_score_codex":0.0022855883,"about_ca_system_score_gemma":0.0009535767,"threshold_uncertainty_score":0.016583145},"labels":[],"label_agreement":null},{"id":"W3164949992","doi":"10.30853/phil210252","title":"Motif of Blindness in Margaret Atwood’s Novel “The Blind Assassin”","year":2021,"lang":"en","type":"article","venue":"Philology Theory & Practice","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Motif (music); Blindness; Mythology; Novelty; Embodied cognition; Art; Literature; Psychology; Aesthetics; Computer science; Optometry; Medicine; Artificial intelligence; Social psychology","score_opus":0.05982032490476987,"score_gpt":0.29405390368305306,"score_spread":0.23423357877828319,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3164949992","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.45085794,0.0065498874,0.006168099,0.046194088,0.0016921032,0.00008076446,0.00020218911,0.00016102467,0.48809394],"genre_scores_gemma":[0.9802674,0.0006858647,0.0008883908,0.0013928015,0.000101767895,0.000018430343,0.000019635638,0.000053041458,0.016572675],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983683,0.0007284715,0.000031973854,0.00014808011,0.00045180434,0.00027138172],"domain_scores_gemma":[0.99884075,0.0005131533,0.00016011525,0.0000610953,0.00023121419,0.00019358413],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014174174,0.00040842607,0.00031154085,0.0013494015,0.01678346,0.005369519,0.00081340765,0.0018555155,0.0034612466],"category_scores_gemma":[0.0031842752,0.00018460829,0.00018163548,0.0010199798,0.03454249,0.0024524808,0.0028543063,0.0031158836,0.0003168209],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000088429195,0.000020655909,0.00058990874,0.00010376499,0.0000062355607,0.0010217945,0.54754573,0.00011155388,0.0012833719,0.43249768,0.010105761,0.006625119],"study_design_scores_gemma":[0.000016657,0.00004952294,0.0035763707,0.00035252047,0.000018076556,0.002158518,0.36310214,0.00026371196,0.0019577318,0.044457868,0.5839639,0.0000829524],"about_ca_topic_score_codex":0.1591466,"about_ca_topic_score_gemma":0.30401778,"teacher_disagreement_score":0.1591466,"about_ca_system_score_codex":0.015523217,"about_ca_system_score_gemma":0.009332078,"threshold_uncertainty_score":0.31644052},"labels":[],"label_agreement":null},{"id":"W316708075","doi":"","title":"Negotiating with the Dead: A Writer on Writing by Margaret Atwood (review)","year":2003,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Negotiation; Literature; History; Art; Sociology; Social science","score_opus":0.010667793791968078,"score_gpt":0.18443384899181786,"score_spread":0.17376605519984978,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W316708075","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00011890285,0.8984818,0.000032593893,0.094074756,0.0061859633,0.00000521866,0.000020450261,0.000004333565,0.0010759531],"genre_scores_gemma":[0.0035632707,0.902706,0.00014609039,0.08050586,0.00991663,0.00004590568,0.00003763217,0.00001851327,0.003059986],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9954075,0.0020521693,0.0004532231,0.00030248493,0.0013722839,0.00041225174],"domain_scores_gemma":[0.9733095,0.017705522,0.002027293,0.00045238945,0.004214717,0.0022905797],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.008991575,0.00090238394,0.0022492455,0.00369226,0.00422198,0.008008466,0.0021231098,0.008541435,0.0034134458],"category_scores_gemma":[0.026622508,0.00078164315,0.0006910889,0.007281481,0.006922977,0.0053206724,0.004461523,0.009149754,0.001498291],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000341097,0.000007647346,0.00010416676,0.003324116,0.00004800528,0.00012228967,0.0023004669,0.00004435463,0.00005119164,0.0037596216,0.9376401,0.052563913],"study_design_scores_gemma":[0.000019984116,0.000020074063,0.0006291706,0.009269026,0.000075889024,0.00024627,0.002132738,0.000009882934,0.000034271627,0.0009783531,0.9865615,0.000022794167],"about_ca_topic_score_codex":0.052475743,"about_ca_topic_score_gemma":0.15485309,"teacher_disagreement_score":0.052475743,"about_ca_system_score_codex":0.008509182,"about_ca_system_score_gemma":0.02684242,"threshold_uncertainty_score":0.10434061},"labels":[],"label_agreement":null},{"id":"W3167204322","doi":"10.33919/esnbu.21.1.3","title":"Margaret Atwood’s \"Oryx and Crake\" as a Critique of Technological Utopianism","year":2021,"lang":"en","type":"article","venue":"English Studies at NBU","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dystopia; Oryx; Trilogy; Narrative; Aesthetics; Objectivity (philosophy); Sociology; Environmental ethics; Art; Philosophy; Literature; Epistemology","score_opus":0.03189730788565856,"score_gpt":0.2676489790710281,"score_spread":0.23575167118536952,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3167204322","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07651615,0.019100636,0.008743883,0.20311294,0.001820175,0.000042499545,0.000120095,0.00016216683,0.69038147],"genre_scores_gemma":[0.93249,0.0038926736,0.0021059013,0.0071558175,0.00025650577,0.000036296282,0.000021644997,0.00008843442,0.053952754],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99886084,0.0005032397,0.0000144501855,0.00012118253,0.0003045878,0.0001957262],"domain_scores_gemma":[0.9986808,0.0007925112,0.000077231976,0.0000879232,0.00021400955,0.00014742759],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011402799,0.00039021717,0.00022967679,0.0013614908,0.013012937,0.006867664,0.001081673,0.002904471,0.0031889402],"category_scores_gemma":[0.0033317935,0.00013437579,0.00017786653,0.0011497659,0.039014686,0.003473715,0.0021304747,0.0039504995,0.00028612535],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013520193,0.0000038775734,0.000094197094,0.000035628334,0.0000010346937,0.000115358445,0.03505791,0.00009361971,0.00013015734,0.94303805,0.01862459,0.0027921537],"study_design_scores_gemma":[0.000010099207,0.000011293655,0.0005354381,0.00023395763,0.0000063321945,0.00025711593,0.04145919,0.0003555988,0.00065173255,0.15415588,0.80229914,0.000024283274],"about_ca_topic_score_codex":0.21494992,"about_ca_topic_score_gemma":0.3309326,"teacher_disagreement_score":0.21494992,"about_ca_system_score_codex":0.01739867,"about_ca_system_score_gemma":0.009772163,"threshold_uncertainty_score":0.4273975},"labels":[],"label_agreement":null},{"id":"W3168604876","doi":"10.18192/rceh.v44i1.5900","title":"Álvaro Menen Desleal’s Speculative Planetary Imagination","year":2021,"lang":"en","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sensationalism; Aesthetics; Reading (process); Literature; Dystopia; Art; Sociology; Media studies; Law; Political science","score_opus":0.02190745207540722,"score_gpt":0.22636523829594224,"score_spread":0.204457786220535,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3168604876","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13099284,0.022290511,0.0048062126,0.18836161,0.0033792383,0.000034961522,0.000119408476,0.00018674806,0.64982843],"genre_scores_gemma":[0.9198224,0.005168837,0.0011560025,0.006910701,0.001103405,0.000034260564,0.000040414146,0.00009838426,0.06566565],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99942833,0.0003362811,0.000009021363,0.00007836608,0.000091611975,0.000056261277],"domain_scores_gemma":[0.99842846,0.0010351556,0.00012699046,0.00009355799,0.000211228,0.00010459906],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013295657,0.0003817531,0.00018336938,0.00084383355,0.0049709356,0.0042229244,0.0004850127,0.0009061905,0.0032255612],"category_scores_gemma":[0.0035730053,0.000078057645,0.00014696957,0.00051573344,0.012274438,0.0022960126,0.0017827725,0.0022307234,0.0005048816],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000054663593,0.000016271475,0.0015951948,0.00011972853,0.000007587787,0.00039797428,0.15022625,0.00011551576,0.0006304352,0.77290183,0.056020275,0.01791431],"study_design_scores_gemma":[0.0000068852314,0.000014566724,0.00093526964,0.00021669433,0.000006461621,0.00025732844,0.03896457,0.00020375097,0.0006693451,0.0376263,0.921089,0.000009835597],"about_ca_topic_score_codex":0.0070894337,"about_ca_topic_score_gemma":0.01229053,"teacher_disagreement_score":0.0070894337,"about_ca_system_score_codex":0.0034543837,"about_ca_system_score_gemma":0.0016200715,"threshold_uncertainty_score":0.025063455},"labels":[],"label_agreement":null},{"id":"W3168845710","doi":"10.52497/kairos.533","title":"« On vit dans une utopie ; ce n’est juste pas la nôtre. » De More à Miéville : activisme, spatialité et métamorphose du registre utopique","year":2021,"lang":"en","type":"article","venue":"K iros","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Utopia; Fantasy; Praise; Philosophy; Criticism; Sociology; Humanities; Art history; Literature; History; Art","score_opus":0.02367852233696907,"score_gpt":0.2461593965554884,"score_spread":0.22248087421851934,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3168845710","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13864154,0.01373217,0.009566589,0.07768594,0.0011978239,0.00008272839,0.000097673,0.00017791876,0.7588176],"genre_scores_gemma":[0.87590486,0.0014516239,0.0016296371,0.0021474103,0.00022176403,0.00006167839,0.000038645307,0.000107570144,0.11843687],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9978625,0.0010297367,0.000032723743,0.00031643873,0.00043869863,0.00031994205],"domain_scores_gemma":[0.9983637,0.0007331404,0.00017471466,0.00022849193,0.00024759222,0.00025242812],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0024466838,0.000280741,0.00018157644,0.0006099458,0.006148197,0.0053599672,0.00090313057,0.0013627425,0.009530076],"category_scores_gemma":[0.00395961,0.00017632483,0.0002212944,0.00077207346,0.010719633,0.0031375086,0.004176227,0.003883283,0.00074576173],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000616751,0.000033629847,0.002397993,0.000109157074,0.000007838088,0.00029238715,0.12624021,0.00019842642,0.0015078121,0.77865076,0.0381731,0.05232698],"study_design_scores_gemma":[0.000012134827,0.000047037207,0.008127006,0.00027896397,0.0000067726633,0.00023825944,0.03368711,0.0002735824,0.0010365323,0.015824122,0.9404389,0.000029619718],"about_ca_topic_score_codex":0.047910925,"about_ca_topic_score_gemma":0.074391656,"teacher_disagreement_score":0.047910925,"about_ca_system_score_codex":0.005997183,"about_ca_system_score_gemma":0.0042987,"threshold_uncertainty_score":0.09526414},"labels":[],"label_agreement":null},{"id":"W3170946311","doi":"10.18485/philologia.2011.9.9.11","title":"Margaret Atwood’s <i>Surfacing</i>: Quest for the Other, Finding the Self","year":2011,"lang":"en","type":"article","venue":"Philologia","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Intersubjectivity; Hegelianism; Relation (database); Character (mathematics); Psychoanalysis; Symbol (formal); Identity (music); Philosophy; Duality (order theory); Literature; Epistemology; Sociology; Aesthetics; Psychology; Art; Linguistics; Computer science","score_opus":0.13967589074661926,"score_gpt":0.25551835160359126,"score_spread":0.115842460856972,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3170946311","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19809186,0.015144541,0.00628966,0.15332586,0.0046362537,0.00008313664,0.00025635722,0.00024037076,0.6219319],"genre_scores_gemma":[0.85882276,0.0035566955,0.0016437856,0.007155251,0.00028322195,0.000023918568,0.000044537795,0.00017847684,0.12829128],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986506,0.00033882316,0.000014691499,0.00020622522,0.000392502,0.00039727436],"domain_scores_gemma":[0.99890566,0.00032226002,0.00007768318,0.000051334773,0.00020241199,0.00044070286],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001009964,0.00056245655,0.00032816382,0.0011353424,0.02731397,0.009682719,0.0013448232,0.0025564423,0.0051289867],"category_scores_gemma":[0.0022858721,0.00026321723,0.00031170514,0.0011694406,0.023611119,0.0038208012,0.0026996378,0.0049463077,0.0005598406],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006746111,0.00001860008,0.0008144013,0.00011398298,0.00000970295,0.001446287,0.45725688,0.00014768877,0.00127826,0.4092627,0.116243675,0.013340437],"study_design_scores_gemma":[0.0000032627322,0.000014929994,0.0007858163,0.0001312326,0.000008508874,0.0008584882,0.22445337,0.00010655338,0.000721694,0.009464852,0.76341736,0.00003397252],"about_ca_topic_score_codex":0.61412776,"about_ca_topic_score_gemma":0.7736799,"teacher_disagreement_score":0.61412776,"about_ca_system_score_codex":0.022580054,"about_ca_system_score_gemma":0.016257254,"threshold_uncertainty_score":0.77628946},"labels":[],"label_agreement":null},{"id":"W3177345718","doi":"","title":"창조적인 비희생자-되기: 애트우드의 『떠오르기』에 나타난 생존의 전략","year":2013,"lang":"ko","type":"article","venue":"현대영미소설","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Uncanny; Posthuman; Anguish; Psychoanalysis; Wilderness; Aesthetics; Alien; Coercion (linguistics); Sociology; History; Psychology; Philosophy; Epistemology; Law; Political science; Politics","score_opus":0.022951493181677714,"score_gpt":0.21271183078317904,"score_spread":0.18976033760150132,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3177345718","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.27945837,0.008630393,0.019670399,0.021580812,0.002387112,0.00015077999,0.00012229625,0.0002401568,0.6677596],"genre_scores_gemma":[0.8686389,0.0023914464,0.0029548337,0.0021393457,0.00030169266,0.00006540841,0.00007256011,0.00012029208,0.12331554],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991703,0.00044336193,0.000013371451,0.000084011794,0.00014846274,0.00014059308],"domain_scores_gemma":[0.99951065,0.00016131396,0.00006537369,0.000027268889,0.00015350759,0.00008188062],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00090595655,0.00052294857,0.00025382754,0.0005105421,0.006316944,0.00562331,0.000767871,0.0011407797,0.00731435],"category_scores_gemma":[0.001622386,0.00013954956,0.00020770499,0.0004078551,0.006998876,0.0032364798,0.0022400348,0.0019684143,0.0023474153],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007117704,0.00007834374,0.0048013083,0.00034243302,0.000014068258,0.0034315481,0.65142244,0.00020929954,0.00408668,0.26750746,0.02377823,0.044257026],"study_design_scores_gemma":[0.0000056409745,0.000087429835,0.0039351797,0.000357066,0.000014864398,0.0034696474,0.32230937,0.00047644044,0.002343336,0.009372611,0.6575917,0.000036767426],"about_ca_topic_score_codex":0.009823848,"about_ca_topic_score_gemma":0.0132378815,"teacher_disagreement_score":0.009823848,"about_ca_system_score_codex":0.0030880813,"about_ca_system_score_gemma":0.0017778482,"threshold_uncertainty_score":0.024468958},"labels":[],"label_agreement":null},{"id":"W3178861772","doi":"10.4000/eccs.4568","title":"Embracing the maternal: the importance of intergenerational transmission in Margaret Atwood’s Surfacing","year":2021,"lang":"en","type":"article","venue":"Études canadiennes / Canadian Studies","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Journal of Administrative Sciences","funders":"","keywords":"Objectification; Psychoanalysis; Identity (music); Transmission (telecommunications); Gender studies; Sociology; Psychology; History; Aesthetics; Art; Philosophy; Epistemology; Engineering; Telecommunications","score_opus":0.04246984389691582,"score_gpt":0.2423686036778463,"score_spread":0.19989875978093047,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3178861772","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.22869417,0.012811042,0.009319738,0.20383683,0.0015986579,0.00006976787,0.0000830133,0.00009192696,0.5434948],"genre_scores_gemma":[0.95563424,0.0018500362,0.0010482158,0.004490911,0.00014105075,0.000016231183,0.000007498264,0.000043198612,0.03676862],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986236,0.0007417435,0.000013137672,0.000107139516,0.00021135897,0.00030306802],"domain_scores_gemma":[0.9985347,0.0009773542,0.000092504655,0.00008640063,0.00014867228,0.00016042072],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022779289,0.0003631157,0.00021612574,0.00066599454,0.013914655,0.005853453,0.0010331874,0.0022835927,0.0025402592],"category_scores_gemma":[0.0035332446,0.000183952,0.00020443594,0.0006614415,0.03708393,0.0033703535,0.0023972576,0.0043532853,0.00017959028],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021874404,0.000007827727,0.00040834342,0.000025532538,0.0000030637102,0.0010378043,0.4296049,0.00009869356,0.00031913668,0.5520023,0.0104567865,0.006013673],"study_design_scores_gemma":[0.000012212984,0.000026385858,0.0011139314,0.0002703662,0.000012638637,0.0013264861,0.36058992,0.00019748598,0.00084993686,0.087527856,0.54803234,0.000040424315],"about_ca_topic_score_codex":0.31563014,"about_ca_topic_score_gemma":0.41183093,"teacher_disagreement_score":0.68436986,"about_ca_system_score_codex":0.01435015,"about_ca_system_score_gemma":0.010044234,"threshold_uncertainty_score":0.6275859},"labels":[],"label_agreement":null},{"id":"W3181428127","doi":"10.2478/aa-2021-0004","title":"A postcolonial feminist dystopia: Margaret Atwood’s<i>The Handmaid’s Tale</i>","year":2021,"lang":"en","type":"article","venue":"Ars Aeterna","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dystopia; Narrative; Literature; Postcolonialism (international relations); Criticism; Subaltern; Identity (music); Colonialism; Interpretation (philosophy); Agency (philosophy); Literary criticism; History; Sociology; Aesthetics; Gender studies; Philosophy; Art; Law; Politics","score_opus":0.01932669588743589,"score_gpt":0.2243575059103215,"score_spread":0.20503081002288562,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3181428127","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15311407,0.01073045,0.005375122,0.18855114,0.004801744,0.000057212168,0.00009801462,0.00023379401,0.63703847],"genre_scores_gemma":[0.8915155,0.001359805,0.00078171975,0.0080998745,0.0006990077,0.000042999916,0.000020367626,0.0001427473,0.09733806],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981488,0.0011518367,0.000017730781,0.0001366779,0.00030051067,0.0002443896],"domain_scores_gemma":[0.9978509,0.0013992168,0.00014914213,0.00009333709,0.00026610162,0.00024134232],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019731366,0.0005082466,0.00027086237,0.0011193969,0.014958688,0.0060999147,0.0011207284,0.002822649,0.004721017],"category_scores_gemma":[0.0028918174,0.00021122415,0.00016925109,0.0005242474,0.021061214,0.0027505637,0.0028401387,0.004721375,0.00063105667],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000043661254,0.000029775982,0.0003399055,0.00006885762,0.0000052687756,0.001574683,0.48395306,0.00012258398,0.0009204559,0.4141689,0.08778844,0.010984387],"study_design_scores_gemma":[0.000005553298,0.00002233949,0.00059162406,0.00023766239,0.000004330299,0.00095075066,0.14138626,0.00021756862,0.000892306,0.018278219,0.8373936,0.000019681636],"about_ca_topic_score_codex":0.025753008,"about_ca_topic_score_gemma":0.046299804,"teacher_disagreement_score":0.025753008,"about_ca_system_score_codex":0.009153775,"about_ca_system_score_gemma":0.0023503655,"threshold_uncertainty_score":0.06641555},"labels":[],"label_agreement":null},{"id":"W3184467538","doi":"","title":"Second Light: Spin Me Up","year":2008,"lang":"en","type":"article","venue":"Journal of the Royal Astronomical Society of Canada","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Spin (aerodynamics); Astronomy; Physics; Astrophysics; Thermodynamics","score_opus":0.012082595067567373,"score_gpt":0.17727992306851809,"score_spread":0.16519732800095072,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3184467538","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0066155903,0.011081957,0.004188016,0.24785906,0.02881548,0.000040575578,0.00025454213,0.000536043,0.70060873],"genre_scores_gemma":[0.1716121,0.0061184075,0.0033782742,0.055488214,0.0091879945,0.00005129032,0.00019041513,0.0015891654,0.7523841],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99875987,0.00026731327,0.000027161052,0.000153852,0.00046991787,0.0003219209],"domain_scores_gemma":[0.9969633,0.0005568205,0.000110081,0.0005315177,0.0010153558,0.00082301255],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001963847,0.0006899833,0.00050557003,0.0018552319,0.017541807,0.012839659,0.0010247412,0.0044260244,0.068657085],"category_scores_gemma":[0.009542358,0.00037881426,0.0005614041,0.0010424813,0.015940187,0.010711448,0.005798784,0.01017319,0.016172746],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005647618,0.000022748909,0.00042336335,0.000064129206,0.000009918426,0.00017275021,0.008797264,0.000052192594,0.00027287906,0.4063574,0.5493314,0.034439445],"study_design_scores_gemma":[0.000007945129,0.000007911281,0.00022227498,0.00009612669,0.000005169226,0.000108108245,0.004305036,0.000043414097,0.00016642816,0.060190875,0.93483114,0.000015488546],"about_ca_topic_score_codex":0.040263887,"about_ca_topic_score_gemma":0.08636356,"teacher_disagreement_score":0.068657085,"about_ca_system_score_codex":0.0075387773,"about_ca_system_score_gemma":0.0059786723,"threshold_uncertainty_score":0.22968084},"labels":[],"label_agreement":null},{"id":"W3185640326","doi":"10.31261/10.31261/ps_p.2021.27.08","title":"A Journey to the City of Hope: Immigration, Diaspora and Identity in Larissa Lai’s Salt Fish Girl","year":2021,"lang":"en","type":"article","venue":"Postscriptum Polonistyczne","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Diaspora; Motif (music); Narrative; Sociology; Identity (music); Postcolonial literature; Literature; Aesthetics; Colonialism; Gender studies; History; Art","score_opus":0.0369242707156687,"score_gpt":0.2770637361333074,"score_spread":0.24013946541763873,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3185640326","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9657021,0.0012929152,0.00028000493,0.00986569,0.00014765159,0.00003454239,0.000032815708,0.000018284456,0.022625927],"genre_scores_gemma":[0.99126875,0.00066143234,0.0001582922,0.0006817956,0.000028737724,0.000021802085,0.000011372467,0.000014017086,0.0071537914],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99870586,0.0007110446,0.000021982212,0.000104469786,0.00011637321,0.00034029823],"domain_scores_gemma":[0.9989692,0.00027984811,0.000113601185,0.000030491627,0.00006825149,0.000538599],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013471898,0.00038172962,0.00046541932,0.00071758585,0.01967255,0.0056836135,0.0012366793,0.0019053473,0.0036600218],"category_scores_gemma":[0.0020962849,0.00032345593,0.00025274252,0.0006485429,0.013234444,0.0023943628,0.008369852,0.004070654,0.000393642],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020559557,0.000029299406,0.0021368202,0.000029294293,0.000002435128,0.0030879627,0.98682505,0.000009548325,0.00030535314,0.0042802566,0.00092081237,0.0023526384],"study_design_scores_gemma":[0.0000011984109,0.000018935141,0.0013707378,0.00004007056,0.0000016725628,0.0004828615,0.98251903,0.000011541597,0.000066583336,0.00022738654,0.015253321,0.0000066357757],"about_ca_topic_score_codex":0.062046755,"about_ca_topic_score_gemma":0.15562278,"teacher_disagreement_score":0.062046755,"about_ca_system_score_codex":0.005900638,"about_ca_system_score_gemma":0.0046223425,"threshold_uncertainty_score":0.12337124},"labels":[],"label_agreement":null},{"id":"W3187069372","doi":"","title":"The Creative Word in Atwood’s The Robber Bride: Towards New Female Identities","year":2013,"lang":"en","type":"article","venue":"Le Simplegadi","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Identity (music); Mythology; Power (physics); Art; Gender studies; Art history; Sociology; Literature; History; Humanities; Aesthetics","score_opus":0.03142779000811567,"score_gpt":0.2374651712019184,"score_spread":0.20603738119380272,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3187069372","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16581036,0.047820043,0.0038256897,0.110705286,0.0049696374,0.00007598459,0.00010362277,0.00009596269,0.6665934],"genre_scores_gemma":[0.68374866,0.012282347,0.002147271,0.012226439,0.001001348,0.00015007141,0.000074217016,0.00027145125,0.28809825],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.998038,0.0013590449,0.000029755964,0.00011898152,0.0002698719,0.00018437888],"domain_scores_gemma":[0.99856216,0.00065921625,0.0001654756,0.00009076035,0.00016665674,0.00035578027],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00222528,0.00050199806,0.00036937653,0.0010095143,0.013196667,0.009768107,0.00095814344,0.0022541431,0.011269165],"category_scores_gemma":[0.0033955937,0.00032081598,0.00019600167,0.00087996124,0.01403006,0.0059178704,0.0059287725,0.0040149963,0.0020583714],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000540091,0.000028198407,0.00042711291,0.00018104151,0.000004107528,0.0013226187,0.6320438,0.000028970007,0.000589345,0.24682711,0.095316544,0.023177277],"study_design_scores_gemma":[0.000004628517,0.000015659594,0.00032794787,0.00027471036,0.0000023467146,0.00052978,0.21832733,0.000025562233,0.00023363222,0.0072428295,0.77300525,0.000010337072],"about_ca_topic_score_codex":0.008071256,"about_ca_topic_score_gemma":0.019132316,"teacher_disagreement_score":0.013196667,"about_ca_system_score_codex":0.0038766095,"about_ca_system_score_gemma":0.0022865434,"threshold_uncertainty_score":0.037699044},"labels":[],"label_agreement":null},{"id":"W3188668443","doi":"10.1386/stic_00035_1","title":"‘She’s practically normal!’: Disability, gender and image in Doom Patrol","year":2020,"lang":"en","type":"article","venue":"Studies in Comics","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Comics; Character (mathematics); Mainstream; Power (physics); Spectacle; Reading (process); Psychology; Sociology; Disabled people; Gender studies; Aesthetics; Literature; Art; Philosophy; Linguistics; Political science; Law; Applied psychology","score_opus":0.15307600133640387,"score_gpt":0.3312002327788925,"score_spread":0.17812423144248862,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3188668443","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5411615,0.007945642,0.0013616043,0.04187682,0.0007852064,0.00003256142,0.000050586114,0.00003411038,0.40675196],"genre_scores_gemma":[0.9893143,0.00066746015,0.000082437655,0.0011769518,0.0000805936,0.000011530334,0.000008577962,0.000024594103,0.008633548],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99613047,0.0025940263,0.000048370188,0.00019862989,0.00041610794,0.0006124171],"domain_scores_gemma":[0.99799466,0.0009222387,0.00027334006,0.000100973535,0.00017016364,0.00053861056],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022818747,0.0004997734,0.00036772378,0.001429045,0.016196465,0.011465964,0.001001752,0.0028792117,0.005622011],"category_scores_gemma":[0.0048362142,0.0003165489,0.00020706649,0.00093628495,0.049343765,0.009343982,0.007329381,0.005207589,0.00057602866],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002772526,0.000042768763,0.0019193789,0.000030154497,0.0000030048122,0.00036067312,0.87682706,0.000016444714,0.0001207933,0.10930173,0.0057671163,0.0055830344],"study_design_scores_gemma":[0.000009987992,0.000037414684,0.0037174665,0.00018990402,0.0000039703277,0.0006955335,0.87035,0.00005813271,0.00013669743,0.014142945,0.11063651,0.000021546943],"about_ca_topic_score_codex":0.02151885,"about_ca_topic_score_gemma":0.026119083,"teacher_disagreement_score":0.02151885,"about_ca_system_score_codex":0.004979604,"about_ca_system_score_gemma":0.0016115975,"threshold_uncertainty_score":0.042787194},"labels":[],"label_agreement":null},{"id":"W3190347138","doi":"10.3968/12188","title":"Post-Ethnic Humanistic Care in Chinese American Science Fictions","year":2021,"lang":"en","type":"article","venue":"Cross-cultural communication","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanism; Ethnic group; Harmony (color); Alienation; Chinese americans; Sociology; Humanity; Social science; Aesthetics; Environmental ethics; Political science; Law; Philosophy; Anthropology; Art","score_opus":0.03578719171786436,"score_gpt":0.35234780915303254,"score_spread":0.31656061743516817,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3190347138","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.77387834,0.0041253706,0.0013569181,0.024590386,0.0008327599,0.00005867199,0.000028925657,0.00004191395,0.1950868],"genre_scores_gemma":[0.9920596,0.00036412544,0.00012490533,0.0009297715,0.00008961194,0.000011155358,0.000008179917,0.0000066063435,0.006406066],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99766004,0.0011910453,0.00008490203,0.00018700985,0.00043130215,0.00044559574],"domain_scores_gemma":[0.99711704,0.0015131233,0.00042745387,0.0002444033,0.0003438426,0.00035410654],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0031372043,0.00044863325,0.0003202366,0.0016509522,0.021515403,0.0050921063,0.00083853974,0.0018100172,0.0029549748],"category_scores_gemma":[0.006776378,0.00017271363,0.0002226593,0.0016616152,0.028882273,0.0021957085,0.0054896805,0.003960953,0.00018333127],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020947453,0.000020805757,0.0018346105,0.00005783049,0.0000048609463,0.0013118181,0.8489208,0.000041578332,0.00033964697,0.13693105,0.0033928796,0.0071231327],"study_design_scores_gemma":[0.000032831504,0.00008811061,0.016413499,0.0003736448,0.000040695668,0.0022673376,0.55784935,0.0007182842,0.0019072567,0.044529144,0.37571082,0.00006906608],"about_ca_topic_score_codex":0.023052143,"about_ca_topic_score_gemma":0.026736412,"teacher_disagreement_score":0.023052143,"about_ca_system_score_codex":0.009978123,"about_ca_system_score_gemma":0.0055585005,"threshold_uncertainty_score":0.072396755},"labels":[],"label_agreement":null},{"id":"W3191788251","doi":"","title":"Review of the Cambridge Companion to Margaret Atwood Edited by Coral Ann Howells","year":2007,"lang":"en","type":"article","venue":"SSRN Electronic Journal","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Dystopia; Literature; Identity (music); Historiography; History; Romance; Politics; Conversation; Art; Art history; Aesthetics; Sociology; Law; Political science","score_opus":0.012718757498745287,"score_gpt":0.23576214917523017,"score_spread":0.22304339167648488,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3191788251","genre_codex":"review","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00017353818,0.8795454,0.00017765438,0.03159261,0.06577281,0.000015597376,0.000167658,0.000030185736,0.022524562],"genre_scores_gemma":[0.003648937,0.75235623,0.00035009804,0.025729252,0.042243823,0.00007226683,0.00060822663,0.0001662799,0.1748248],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989291,0.00020669351,0.00008256586,0.00018791069,0.00050219503,0.000091644055],"domain_scores_gemma":[0.9963857,0.0010658518,0.00018569115,0.00013029156,0.0017645706,0.0004679472],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012548041,0.0009781249,0.0014835853,0.004446057,0.0017467195,0.0044860416,0.0015519527,0.0028921198,0.054223496],"category_scores_gemma":[0.007225813,0.00070855906,0.00044223008,0.0061277566,0.001820216,0.0037704057,0.0021135502,0.0033603006,0.026710933],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000073345313,0.0000052170562,0.000025593756,0.00047459596,0.0000025091272,0.000029594265,0.000101698235,0.000015318625,0.000030999974,0.0013176559,0.97191286,0.026076501],"study_design_scores_gemma":[0.0000012860763,0.0000028197153,0.0001687489,0.000602162,0.0000016415178,0.000066871486,0.00007654784,0.0000040941486,0.000010248515,0.00013422527,0.99892753,0.000003705824],"about_ca_topic_score_codex":0.020541858,"about_ca_topic_score_gemma":0.03669915,"teacher_disagreement_score":0.054223496,"about_ca_system_score_codex":0.0048172264,"about_ca_system_score_gemma":0.004393252,"threshold_uncertainty_score":0.18139565},"labels":[],"label_agreement":null},{"id":"W3193356530","doi":"","title":"Reed’s Flight to Canada as a Manifestation of Afrofuturism","year":2021,"lang":"en","type":"article","venue":"Review of International Geographical Education Online","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Oppression; Dehumanization; White supremacy; Status quo; White (mutation); Racism; Politics; Hegemony; Sociology; Narrative; Gender studies; Middle Passage; Colonialism; History; Aesthetics; Political science; Law; Art; Literature","score_opus":0.010803576862129077,"score_gpt":0.2832477615112505,"score_spread":0.2724441846491214,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3193356530","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4392753,0.002120691,0.0015817676,0.03242525,0.00083230523,0.00004236581,0.00013922939,0.000123189,0.52346],"genre_scores_gemma":[0.9411164,0.00046085462,0.00043603178,0.0018407684,0.000044919274,0.0000097604425,0.000021038068,0.00004645606,0.05602378],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.998298,0.0003382268,0.00001842851,0.00018741912,0.0005178703,0.0006399817],"domain_scores_gemma":[0.9991873,0.00018263684,0.0000816213,0.000043058764,0.0001840726,0.00032140512],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008578532,0.00044635579,0.00021486357,0.0007253841,0.025511255,0.005662128,0.0010942332,0.0024110419,0.004154588],"category_scores_gemma":[0.0022391363,0.00016849716,0.00017741192,0.00089801126,0.020032778,0.0015581383,0.0039668777,0.0046325293,0.0003203627],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000068552625,0.000025050256,0.0021396135,0.00006450065,0.0000073097694,0.0036640181,0.53010166,0.0002411326,0.001925205,0.4149595,0.03223975,0.014563753],"study_design_scores_gemma":[0.000009721691,0.000026627313,0.003461639,0.00013802934,0.000008645093,0.0015150098,0.2894173,0.00040069333,0.0010713419,0.0084924195,0.69539493,0.0000637269],"about_ca_topic_score_codex":0.86123,"about_ca_topic_score_gemma":0.9498237,"teacher_disagreement_score":0.13876998,"about_ca_system_score_codex":0.036491018,"about_ca_system_score_gemma":0.027449936,"threshold_uncertainty_score":0.2791744},"labels":[],"label_agreement":null},{"id":"W3197566725","doi":"10.7560/tsll63303","title":"“The Surface on Which You Work”: Self-Alienation and the Culture of Narcissism in <i>The Edible Woman</i>","year":2021,"lang":"en","type":"article","venue":"Texas Studies in Literature & Language","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Alienation; Narcissism; Agency (philosophy); Sociology; Identity (music); Individualism; Reading (process); Consumption (sociology); Psychoanalysis; Commodity; Gender studies; Aesthetics; Art; Psychology; Social science; Political science; Law; Economics","score_opus":0.01665746956305368,"score_gpt":0.2684817253191959,"score_spread":0.2518242557561422,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3197566725","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.50426006,0.00831511,0.0036761027,0.16474113,0.0015048156,0.00003884942,0.000030707517,0.00008623626,0.31734705],"genre_scores_gemma":[0.9830535,0.0008002902,0.0002573114,0.0035324588,0.00010176334,0.000021215197,0.0000049851674,0.000040249965,0.012188238],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99382126,0.0048275925,0.00006493057,0.00029942702,0.00054488564,0.00044186908],"domain_scores_gemma":[0.9962054,0.0023565767,0.00045279483,0.00028298408,0.00026661105,0.0004356313],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0048922603,0.0005626407,0.00039172595,0.0010007656,0.024570927,0.009824988,0.0015415692,0.0028167672,0.0019094178],"category_scores_gemma":[0.0067516724,0.0003574837,0.00025902386,0.00075492996,0.10166268,0.0054631256,0.007120333,0.008900794,0.00044618864],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007708349,0.000007766488,0.000229942,0.000014770312,0.0000020862788,0.00034051758,0.91900665,0.000016120568,0.00014949446,0.07619087,0.0028082952,0.001225723],"study_design_scores_gemma":[0.0000075351772,0.000021101128,0.00075116946,0.00016902803,0.000004845832,0.00049851387,0.8886849,0.00007937643,0.00032713483,0.015553366,0.093884684,0.00001830766],"about_ca_topic_score_codex":0.025716158,"about_ca_topic_score_gemma":0.037696604,"teacher_disagreement_score":0.025716158,"about_ca_system_score_codex":0.0072907615,"about_ca_system_score_gemma":0.0041495664,"threshold_uncertainty_score":0.052898467},"labels":[],"label_agreement":null},{"id":"W3202347784","doi":"10.3138/cras-2021-002","title":"Revisiting Auburn Avenue: The Construction of an Afrofuturist Counterpublic Space","year":2021,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Representation (politics); Sociology; CONTEST; Hegemony; Deliberation; Space (punctuation); Epistemology; White (mutation); Gender studies; Political science; Law; Politics; Linguistics; Philosophy","score_opus":0.030647218555069983,"score_gpt":0.2796315714273496,"score_spread":0.24898435287227963,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3202347784","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.22901414,0.059062537,0.005836248,0.06917766,0.0016702613,0.000049115115,0.000046768502,0.000058308404,0.635085],"genre_scores_gemma":[0.96061987,0.013413091,0.0012628805,0.002436354,0.00016506558,0.000025899963,0.0000104211595,0.000031500764,0.022035072],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974202,0.0016147244,0.0000490933,0.00023213943,0.00035540864,0.0003284755],"domain_scores_gemma":[0.99736434,0.0018086726,0.00023995993,0.0001671633,0.00023971475,0.00018017749],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0035463786,0.0002673821,0.0002863876,0.0021026605,0.014438615,0.011861903,0.0011745644,0.003377943,0.004264274],"category_scores_gemma":[0.003527546,0.00024910187,0.0001998823,0.002204663,0.043614242,0.009918206,0.0064838966,0.0051598703,0.00029431077],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000078140265,0.000008255547,0.00028130657,0.000109013505,0.0000012600642,0.00022141513,0.14707404,0.000034045577,0.00009753184,0.83762556,0.002999772,0.011539972],"study_design_scores_gemma":[0.000006042314,0.00001636032,0.0025346295,0.001321591,0.000009938633,0.00030796762,0.23271929,0.00014065646,0.00034944064,0.05032208,0.71224976,0.000022135533],"about_ca_topic_score_codex":0.06444826,"about_ca_topic_score_gemma":0.15378378,"teacher_disagreement_score":0.06444826,"about_ca_system_score_codex":0.012607888,"about_ca_system_score_gemma":0.015095957,"threshold_uncertainty_score":0.12814629},"labels":[],"label_agreement":null},{"id":"W3206162579","doi":"","title":"Ecofeminism in Atwood's Surfacing","year":2018,"lang":"en","type":"article","venue":"International journal of research in social sciences","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ecofeminism; Natural (archaeology); Environmentalism; Feminism; Femininity; Mindset; Power (physics); Demotion; Environmental ethics; Sociology; Literature; Gender studies; History; Philosophy; Epistemology; Art; Political science; Law; Archaeology","score_opus":0.3207793151662258,"score_gpt":0.49525023812000973,"score_spread":0.1744709229537839,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3206162579","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.36831295,0.0061767427,0.0023527949,0.031942848,0.0014819857,0.00004196707,0.00008031229,0.00011357723,0.5894969],"genre_scores_gemma":[0.8791154,0.0014658364,0.0003569283,0.002488985,0.00016668743,0.000017872184,0.000017065813,0.00009168986,0.11627937],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.999032,0.00041771398,0.000012237376,0.00010927774,0.00016396398,0.00026474474],"domain_scores_gemma":[0.99912006,0.00039094727,0.00011920871,0.000047332058,0.00011270363,0.0002097652],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00078639813,0.0005704867,0.00024346045,0.0008461617,0.019133503,0.0073639606,0.000819963,0.0026088234,0.0066937455],"category_scores_gemma":[0.0014526997,0.00022666571,0.00016274789,0.0009248331,0.01687589,0.003295035,0.0030601462,0.0028373313,0.00065794896],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004629151,0.00003027481,0.0009505365,0.00006918542,0.000003705184,0.0046169013,0.71787405,0.00007782466,0.00065562665,0.2214129,0.043647822,0.010614924],"study_design_scores_gemma":[0.000004675554,0.000034624652,0.0014162957,0.00016643261,0.0000043907353,0.0020499253,0.3891535,0.00008327056,0.00040308372,0.007990483,0.59867483,0.000018483182],"about_ca_topic_score_codex":0.03646704,"about_ca_topic_score_gemma":0.09198955,"teacher_disagreement_score":0.03646704,"about_ca_system_score_codex":0.0054136585,"about_ca_system_score_gemma":0.0020062823,"threshold_uncertainty_score":0.07250959},"labels":[],"label_agreement":null},{"id":"W3208116545","doi":"10.31178/ubr.10.1.2","title":"Framing of Identity and Personal History through Multiperspective Narratives in Margaret Atwood’s The Blind Assassin","year":2021,"lang":"en","type":"article","venue":"University of Bucharest Review Literary and Cultural Studies Series","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Narrative; Memoir; Historiography; Framing (construction); Identity (music); Literature; Postmodernism; History; Aesthetics; Sociology; Art","score_opus":0.07174789429658153,"score_gpt":0.2672427798962616,"score_spread":0.1954948855996801,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3208116545","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7703617,0.032614958,0.0026172567,0.049452744,0.0008169822,0.00006988309,0.00008654951,0.000042981064,0.14393695],"genre_scores_gemma":[0.983585,0.0049155634,0.000430496,0.0014441052,0.00011863347,0.000032713277,0.0000118691805,0.000029441233,0.009432168],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9969471,0.0023396749,0.00004910906,0.00017271262,0.00026230657,0.00022917832],"domain_scores_gemma":[0.99632096,0.0026681863,0.00038606802,0.00013416464,0.00010951128,0.00038101693],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0047966214,0.00053409766,0.00041602348,0.0016585428,0.014918566,0.0111042475,0.0012377099,0.0028488124,0.0026984978],"category_scores_gemma":[0.0050221123,0.0005340366,0.00019159217,0.0018059553,0.032075018,0.008396462,0.006291762,0.004605113,0.00030312335],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016903665,0.000011307315,0.00021731401,0.000062531726,0.0000033993645,0.0006309546,0.95176995,0.0000289297,0.00013551676,0.041242756,0.0028857714,0.0029947264],"study_design_scores_gemma":[0.000007495639,0.000026566744,0.0010739843,0.00051479146,0.000009356378,0.00077954616,0.84829915,0.000054505956,0.00036769165,0.00913583,0.13970952,0.000021583577],"about_ca_topic_score_codex":0.0140219405,"about_ca_topic_score_gemma":0.035671487,"teacher_disagreement_score":0.014918566,"about_ca_system_score_codex":0.0069852686,"about_ca_system_score_gemma":0.003800822,"threshold_uncertainty_score":0.05068189},"labels":[],"label_agreement":null},{"id":"W3209337840","doi":"10.1386/sfs_00057_1","title":"African science fiction cinema: Wanuri Kahiu’s 21-minute film Pumzi (2009)","year":2021,"lang":"en","type":"article","venue":"Short Film Studies","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Movie theater; Topos theory; Context (archaeology); Auteur theory; Techne; Logos Bible Software; Ideology; Visual arts; Art; Film studies; Literature; Sociology; History; Philosophy; Epistemology; Political science; Politics; Theology","score_opus":0.06315832901371617,"score_gpt":0.2854652786936129,"score_spread":0.22230694967989673,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3209337840","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.590236,0.021766052,0.0013703182,0.027363213,0.0056319307,0.00027449397,0.00064698985,0.000064690284,0.3526463],"genre_scores_gemma":[0.9263047,0.009141321,0.0013499396,0.0021176152,0.00071971933,0.00008834511,0.00028043584,0.000058180656,0.05993965],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9998704,0.000045868943,0.000003887892,0.00001513681,0.000020602498,0.000043950527],"domain_scores_gemma":[0.9997522,0.00013309048,0.000023065475,0.000010495527,0.000028365908,0.000052674186],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00045407974,0.00030756416,0.0001466448,0.00056717615,0.0067536267,0.002009973,0.00025352667,0.0010140192,0.007981823],"category_scores_gemma":[0.0013132441,0.00015622856,0.00012364215,0.0007451398,0.0017914438,0.0018918179,0.0010933325,0.0018224126,0.00049546536],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00042054558,0.00014239599,0.0051305084,0.0014676469,0.000030466836,0.0065912134,0.6633287,0.00023698491,0.015177427,0.07857259,0.14385234,0.08504909],"study_design_scores_gemma":[0.000010337807,0.00007976962,0.0113179255,0.0004919655,0.00001241724,0.0011490999,0.12950599,0.00009273527,0.0021184583,0.0011599639,0.8540422,0.000019156469],"about_ca_topic_score_codex":0.0063878214,"about_ca_topic_score_gemma":0.030431733,"teacher_disagreement_score":0.007981823,"about_ca_system_score_codex":0.00165382,"about_ca_system_score_gemma":0.0007701739,"threshold_uncertainty_score":0.026701927},"labels":[],"label_agreement":null},{"id":"W3210390346","doi":"10.5281/zenodo.3700296","title":"\"If you look long enough, eventually you will see me\": The Power of the Elusive in Atwood's Alias Grace","year":2020,"lang":"en","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Alias; Power (physics); History; Computer science; Physics; Data mining","score_opus":0.03358921098744207,"score_gpt":0.22461339453834825,"score_spread":0.19102418355090617,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3210390346","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11011088,0.008669509,0.0036795633,0.06907465,0.0031874625,0.00004046111,0.00006792135,0.00017026367,0.8049993],"genre_scores_gemma":[0.77227837,0.00248619,0.0012540742,0.007047299,0.0005400237,0.000036690995,0.00003064969,0.0003289385,0.21599776],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984571,0.00072774116,0.000016340075,0.0001445193,0.00031979426,0.0003345032],"domain_scores_gemma":[0.99881136,0.0004710771,0.00008561513,0.00008969763,0.00015985542,0.00038239537],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013984513,0.00059612223,0.0002603125,0.00069807866,0.021011014,0.008284046,0.0011417326,0.0020362767,0.0052111917],"category_scores_gemma":[0.0022074936,0.00025676764,0.00021762117,0.00047253113,0.025990412,0.003649661,0.004138747,0.006994225,0.0012341146],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005310186,0.000025374718,0.00032281235,0.00005433035,0.000003968611,0.0011837507,0.53001696,0.000049397677,0.00054206676,0.3713011,0.0855574,0.010889684],"study_design_scores_gemma":[0.0000054920774,0.000021993383,0.00049744424,0.00016214173,0.000006066302,0.0011119099,0.19989221,0.00010021457,0.0005146406,0.011556336,0.78610516,0.000026511681],"about_ca_topic_score_codex":0.047268618,"about_ca_topic_score_gemma":0.112944946,"teacher_disagreement_score":0.047268618,"about_ca_system_score_codex":0.0053981068,"about_ca_system_score_gemma":0.0034720402,"threshold_uncertainty_score":0.09398699},"labels":[],"label_agreement":null},{"id":"W321052047","doi":"","title":"The Pleasures and Dangers of Storytelling in Margaret Atwood's the Robber Bride","year":2007,"lang":"en","type":"article","venue":"Notes on Contemporary Literature","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Subjectivity; Narrative; Metaphor; Literature; Identity (music); Drama; History; Art; Aesthetics; Sociology; Philosophy; Theology","score_opus":0.03319718334610075,"score_gpt":0.23711770742244856,"score_spread":0.2039205240763478,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W321052047","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26826948,0.026027838,0.003209497,0.07756073,0.0017286238,0.00009043676,0.00023753554,0.00018024907,0.62269557],"genre_scores_gemma":[0.8404909,0.0044671665,0.0010956385,0.004472433,0.00027446396,0.00007979142,0.00006104748,0.00016656722,0.14889213],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982615,0.00115723,0.000026520907,0.000077496836,0.00023856663,0.00023862647],"domain_scores_gemma":[0.9985476,0.0008543281,0.0001086118,0.000064177475,0.00011824167,0.00030707865],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011913781,0.0005889194,0.00030541967,0.00086597155,0.020860331,0.010206795,0.0012080767,0.0027110465,0.008020147],"category_scores_gemma":[0.00367556,0.00041630655,0.00019190427,0.0011547941,0.01420249,0.003224637,0.005000232,0.0041984883,0.0012293134],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000047797766,0.000021881451,0.0005816048,0.00011117331,0.0000062073996,0.0021528243,0.8485535,0.000070606235,0.0004511731,0.077074304,0.06067891,0.010250003],"study_design_scores_gemma":[0.000004553497,0.000023016824,0.0010618869,0.00024280477,0.0000060191696,0.0011086278,0.44093293,0.00006089033,0.00037693846,0.002971364,0.5531881,0.000022859125],"about_ca_topic_score_codex":0.09587384,"about_ca_topic_score_gemma":0.23352852,"teacher_disagreement_score":0.09587384,"about_ca_system_score_codex":0.008737679,"about_ca_system_score_gemma":0.0024620208,"threshold_uncertainty_score":0.19063157},"labels":[],"label_agreement":null},{"id":"W3211010292","doi":"10.5206/tba.v1i1.7936","title":"“Apt Invention” in the Anthropocene: Hyperobjects, Marek Hłasko, and Zero K","year":2020,"lang":"en","type":"article","venue":"tba Journal of Art Media and Visual Culture","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Anthropocene; History; The Holocaust; Dystopia; Environmental ethics; Aesthetics; Art history; Literature; Philosophy; Art; Political science; Law","score_opus":0.03879791634085989,"score_gpt":0.2648007274441924,"score_spread":0.22600281110333253,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3211010292","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03320312,0.083495885,0.004783069,0.4368568,0.012579821,0.000038867514,0.00006757605,0.00012497709,0.42885002],"genre_scores_gemma":[0.7476679,0.028311256,0.0027001475,0.06156471,0.0065349774,0.000109957386,0.00004326162,0.00026711047,0.15280075],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9984806,0.0007732004,0.000037793376,0.00017463417,0.00026231376,0.00027134913],"domain_scores_gemma":[0.9989281,0.0005362942,0.000104284576,0.00009486738,0.000104948245,0.0002314162],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022818998,0.00039261417,0.00032112474,0.0009847727,0.009081956,0.008307057,0.00056741736,0.0019377908,0.0036402685],"category_scores_gemma":[0.0030437026,0.00025970364,0.00019163456,0.00063475064,0.026236473,0.009324375,0.004598779,0.0062814374,0.00069933117],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029193981,0.000016502325,0.00027758666,0.000036261223,0.0000030315666,0.00018221443,0.034785606,0.000028107112,0.000091616705,0.86897874,0.085643,0.009928156],"study_design_scores_gemma":[0.0000069741964,0.0000099445615,0.00036753854,0.0001494067,0.000002953773,0.00019550919,0.012150682,0.0000523427,0.000115322815,0.1289956,0.8579396,0.00001409915],"about_ca_topic_score_codex":0.0050304397,"about_ca_topic_score_gemma":0.008972559,"teacher_disagreement_score":0.009081956,"about_ca_system_score_codex":0.0049579856,"about_ca_system_score_gemma":0.002293566,"threshold_uncertainty_score":0.035972893},"labels":[],"label_agreement":null},{"id":"W3215857574","doi":"","title":"Re -framing the Diasporic Subject The Supernatural and the Black Female Body in Nalo Hopkinson's The Salt Roads","year":2020,"lang":"en","type":"article","venue":"Canadian literature","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Framing (construction); History; Archaeology","score_opus":0.013885519840584266,"score_gpt":0.19355443074637735,"score_spread":0.1796689109057931,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3215857574","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.106039144,0.014399341,0.002123432,0.1315036,0.0024237374,0.00006897003,0.00016259738,0.0000698231,0.74320936],"genre_scores_gemma":[0.87140507,0.0028566152,0.000649331,0.008396274,0.0003637286,0.000027774324,0.00002875063,0.00011618349,0.11615625],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980477,0.00085997005,0.000028642684,0.00016811618,0.00028133334,0.0006141019],"domain_scores_gemma":[0.9986324,0.00068831927,0.00008447216,0.000100597324,0.00022463825,0.0002694975],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0030353363,0.0006033059,0.00049946003,0.0015375057,0.034780066,0.009659952,0.0014956995,0.0041438816,0.005729122],"category_scores_gemma":[0.0034683908,0.0002947924,0.0002021435,0.0014075877,0.07828953,0.003849658,0.0057348097,0.008688988,0.0004659296],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016558775,0.000006526692,0.00013613168,0.000028083392,0.0000020438029,0.0001142184,0.17582664,0.000055101245,0.000083067374,0.8051597,0.014909445,0.0036624048],"study_design_scores_gemma":[0.00001528587,0.000011826489,0.00092258595,0.00030745033,0.00001258892,0.00017004997,0.21717288,0.00009653977,0.00032011437,0.072529405,0.7084076,0.00003360876],"about_ca_topic_score_codex":0.75605285,"about_ca_topic_score_gemma":0.90837187,"teacher_disagreement_score":0.75605285,"about_ca_system_score_codex":0.03819924,"about_ca_system_score_gemma":0.03937301,"threshold_uncertainty_score":0.4907676},"labels":[],"label_agreement":null},{"id":"W3217796684","doi":"10.5206/tba.v2i1.10737","title":"Technological Dominance, \"Discarnate Men,\" and the Vestiges of Humanity in William Gibson's Neuromancer and Philip K. Dick's Do Androids Dream of Electric Sheep?","year":2020,"lang":"en","type":"article","venue":"tba Journal of Art Media and Visual Culture","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Humanity; Dream; Dystopia; Dominance (genetics); Art; Art history; Transhumanism; Philosophy; Sociology; Literature; Psychology; Environmental ethics; Theology","score_opus":0.016844497241548496,"score_gpt":0.23668585400250963,"score_spread":0.21984135676096114,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3217796684","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18474163,0.014368203,0.008364043,0.057838477,0.0012879046,0.000054493146,0.000030996092,0.00012732818,0.733187],"genre_scores_gemma":[0.9417072,0.002146413,0.0010361469,0.0021515922,0.0002105458,0.000029166711,0.000008348581,0.00006050208,0.052650057],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983777,0.0009277063,0.000028745757,0.00016588486,0.00032013835,0.00017978028],"domain_scores_gemma":[0.9988642,0.0007415254,0.00009994014,0.00010926709,0.0000628732,0.0001222715],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001700422,0.0005777761,0.00026228407,0.0007807267,0.0070198877,0.010627569,0.0006539234,0.0020084793,0.002357612],"category_scores_gemma":[0.0029699367,0.00030008974,0.00019047015,0.0004651423,0.050329413,0.00654939,0.004066745,0.0037509669,0.0003984202],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024703542,0.000008280981,0.00017420201,0.000043033273,0.0000017067891,0.00022518191,0.24592562,0.000037353104,0.0003419973,0.74353856,0.004316176,0.005363168],"study_design_scores_gemma":[0.000021250995,0.0000782782,0.00085554126,0.00017101332,0.000011395686,0.0009888537,0.20037596,0.00023049672,0.0011955362,0.12443145,0.67160064,0.00003950923],"about_ca_topic_score_codex":0.0045721885,"about_ca_topic_score_gemma":0.007565342,"teacher_disagreement_score":0.010627569,"about_ca_system_score_codex":0.0023994688,"about_ca_system_score_gemma":0.00096265314,"threshold_uncertainty_score":0.017409503},"labels":[],"label_agreement":null},{"id":"W322390463","doi":"","title":"The Capitalist and Cultural Work of Apocalypse and Dystopia Films","year":2015,"lang":"en","type":"article","venue":"Cineaction!","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dystopia; Utopia; Capitalism; Ideology; Postmodernism; Aesthetics; Vision; Narrative; Representation (politics); Sociology; Politics; Literature; History; Philosophy; Art; Art history; Anthropology; Law; Political science","score_opus":0.04750134061738618,"score_gpt":0.23859026951758808,"score_spread":0.1910889289002019,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W322390463","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04556367,0.017939854,0.0012134555,0.07130018,0.0031594904,0.000044609016,0.00010105481,0.00008613813,0.8605916],"genre_scores_gemma":[0.87235665,0.008494085,0.0007834208,0.0061735134,0.0019528607,0.0000749483,0.000056545683,0.00011705034,0.10999088],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9988595,0.00070031453,0.000018514964,0.000108686865,0.0001378777,0.00017510695],"domain_scores_gemma":[0.99876,0.0007470174,0.00012461004,0.000100942125,0.00011943208,0.00014794197],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011617717,0.00068500446,0.00022670634,0.0014396714,0.011045272,0.008545554,0.000913754,0.0022470881,0.009201489],"category_scores_gemma":[0.003910512,0.00022903671,0.00016838987,0.0015013918,0.022435023,0.006021569,0.004280675,0.0033658654,0.0006270108],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007195291,0.000025843556,0.00037884715,0.000142981,0.0000057952607,0.000829567,0.17628486,0.000058879185,0.000412166,0.7037038,0.10243403,0.01565122],"study_design_scores_gemma":[0.00003106284,0.000028100882,0.0019820791,0.0005201895,0.000008078364,0.0009184636,0.08883435,0.00016665974,0.00039701437,0.038441118,0.868652,0.000020901372],"about_ca_topic_score_codex":0.023570254,"about_ca_topic_score_gemma":0.032890614,"teacher_disagreement_score":0.023570254,"about_ca_system_score_codex":0.0055469675,"about_ca_system_score_gemma":0.002060242,"threshold_uncertainty_score":0.04686612},"labels":[],"label_agreement":null},{"id":"W325984709","doi":"10.11575/prism/34724","title":"The Bob Gibson Collection of Speculative Fiction, University of Calgary","year":2010,"lang":"en","type":"article","venue":"PRISM (University of Calgary)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.011475014379325119,"score_gpt":0.1771749241669072,"score_spread":0.1656999097875821,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W325984709","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.006595921,0.20417129,0.0015445985,0.06557436,0.022813385,0.0001415864,0.0053275316,0.00042529666,0.69340605],"genre_scores_gemma":[0.05769308,0.08379974,0.0033211948,0.005071066,0.008586431,0.00010839272,0.0022499082,0.00076480524,0.8384054],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985154,0.00034372034,0.000069077985,0.0001631469,0.00073722395,0.00017150087],"domain_scores_gemma":[0.99625754,0.0013588975,0.00022268092,0.0004868597,0.0010966605,0.00057741],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018867879,0.0010187291,0.00078977115,0.0091988295,0.011013316,0.009967149,0.00095979625,0.0017988048,0.041502874],"category_scores_gemma":[0.009339878,0.000517747,0.00033070557,0.00908989,0.0055589513,0.0018784952,0.0040633013,0.004154468,0.0067158765],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028918801,0.0000119616325,0.00023139865,0.00018901305,0.0000067302544,0.00012852317,0.002707567,0.00012987085,0.0000934442,0.045088716,0.9053108,0.046073165],"study_design_scores_gemma":[0.0000020477078,0.0000017857103,0.0006272467,0.00016237848,0.0000022688355,0.00003586432,0.00059808616,0.000014551385,0.000061137085,0.0025323983,0.9959577,0.000004625494],"about_ca_topic_score_codex":0.15720262,"about_ca_topic_score_gemma":0.41254312,"teacher_disagreement_score":0.8427974,"about_ca_system_score_codex":0.017284537,"about_ca_system_score_gemma":0.01156041,"threshold_uncertainty_score":0.31257516},"labels":[],"label_agreement":null},{"id":"W330276444","doi":"","title":"(In) Habitation: Musical Settings of Margaret Atwood Poetry by American Women Composers","year":2011,"lang":"en","type":"article","venue":"Journal of Singing","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Musical; Piano; Art; Literature; Lyrics; Visual arts; Art history; Choir; History","score_opus":0.018337433750124258,"score_gpt":0.21745289300499185,"score_spread":0.1991154592548676,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W330276444","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02254751,0.08182906,0.000950503,0.049837764,0.057394125,0.00011130808,0.00056371,0.0004501151,0.7863159],"genre_scores_gemma":[0.101148255,0.025574774,0.00075870665,0.010483731,0.0124949915,0.00014776035,0.0002220961,0.0005868654,0.84858286],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99958843,0.000115490744,0.000014848827,0.00005785333,0.00014339855,0.000080019396],"domain_scores_gemma":[0.9995888,0.000073262556,0.00003156993,0.000018834267,0.00011342139,0.000174072],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004916152,0.0008869408,0.00031516847,0.0012089447,0.007393983,0.0035564322,0.00051740214,0.0009328515,0.054471944],"category_scores_gemma":[0.0010207556,0.000253974,0.00017694008,0.0018660554,0.001701286,0.001692491,0.0023862864,0.0015418408,0.011305004],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032364784,0.000018302555,0.00038666726,0.000100241494,0.0000025625309,0.00022378242,0.01467004,0.000013872106,0.00079980027,0.0033905732,0.93544585,0.044915974],"study_design_scores_gemma":[0.0000013965633,0.0000068085883,0.0012773551,0.000075244956,0.0000014388037,0.00016541226,0.008754553,0.000005707683,0.000077677694,0.00010353249,0.9895265,0.0000043054574],"about_ca_topic_score_codex":0.018507035,"about_ca_topic_score_gemma":0.085830465,"teacher_disagreement_score":0.054471944,"about_ca_system_score_codex":0.0012180998,"about_ca_system_score_gemma":0.0009928643,"threshold_uncertainty_score":0.18222678},"labels":[],"label_agreement":null},{"id":"W374693296","doi":"","title":"From Starship Captains to Galactic Rebels: Leaders in Science Fiction Television by Kimberly Yost (review)","year":2015,"lang":"en","type":"article","venue":"Science Fiction Film & Television","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The Imaginary; Narrative; Politics; Normative; Media studies; Sociology; Human rights; Law; Political science; Literature; Art; Psychology; Psychoanalysis","score_opus":0.06656514818650923,"score_gpt":0.3024693547138617,"score_spread":0.2359042065273525,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W374693296","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000052329422,0.9866192,0.00002127475,0.00983223,0.0026614387,0.000009595017,0.000021507105,0.0000052935334,0.0007772243],"genre_scores_gemma":[0.0010888265,0.9789787,0.000053577332,0.013577947,0.0038415836,0.000054195756,0.000053422125,0.000009149408,0.002342637],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99894613,0.00046752125,0.00009447075,0.00011237547,0.00028874847,0.00009076564],"domain_scores_gemma":[0.9960097,0.0023103363,0.0005699645,0.000042709256,0.0007350031,0.0003323513],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020223612,0.00088660495,0.0010286787,0.0022191901,0.0006548657,0.0032320605,0.0014156286,0.0027532002,0.0123458],"category_scores_gemma":[0.008045908,0.0004953166,0.0007551123,0.002539155,0.0011439552,0.0038829048,0.0017127785,0.0042162165,0.005063187],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004938193,0.000021476395,0.00012941047,0.013449209,0.00005699588,0.00004610872,0.000390728,0.00005252049,0.00005719686,0.0013020082,0.77234674,0.2120981],"study_design_scores_gemma":[0.000046257992,0.00005618685,0.0009478833,0.032023266,0.00009529127,0.0002466694,0.0005434081,0.000032040298,0.000051361632,0.00058502244,0.96534806,0.000024629882],"about_ca_topic_score_codex":0.0070527606,"about_ca_topic_score_gemma":0.012987661,"teacher_disagreement_score":0.0123458,"about_ca_system_score_codex":0.0019681782,"about_ca_system_score_gemma":0.002794301,"threshold_uncertainty_score":0.041300774},"labels":[],"label_agreement":null},{"id":"W413718829","doi":"","title":"Margaret Atwood Revisited by Karen F. Stein (review)","year":2000,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Art history; Psychoanalysis; Psychology","score_opus":0.009294518593555458,"score_gpt":0.18647471929090667,"score_spread":0.17718020069735121,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W413718829","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000033761316,0.86657023,0.000018686778,0.12176077,0.010787468,0.0000023748107,0.000028088909,0.0000045977104,0.0007939852],"genre_scores_gemma":[0.0012914016,0.869232,0.000061436825,0.105279125,0.019482156,0.000021072736,0.000042153817,0.000012455856,0.0045781652],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984919,0.00041956286,0.00015010292,0.00024107672,0.00054809626,0.00014926711],"domain_scores_gemma":[0.99036306,0.005276282,0.00071947335,0.00022451338,0.0023027163,0.0011139287],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0048421985,0.0010655868,0.0022423333,0.0037582994,0.002006226,0.00473449,0.0021406626,0.008344569,0.009139562],"category_scores_gemma":[0.017273203,0.0009028306,0.0007270839,0.0061840275,0.004626634,0.0070585296,0.0031195425,0.009126211,0.005123921],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017048658,0.0000029476928,0.0000523018,0.0008201736,0.000013687047,0.00004954438,0.000097720076,0.00002081188,0.0000109201355,0.0022927984,0.9750981,0.021523966],"study_design_scores_gemma":[0.000021542808,0.0000082327515,0.00048870844,0.0031318143,0.00002245312,0.0002750716,0.00016219786,0.000011685821,0.00001512787,0.001945942,0.99390334,0.000013847457],"about_ca_topic_score_codex":0.040653706,"about_ca_topic_score_gemma":0.08489826,"teacher_disagreement_score":0.040653706,"about_ca_system_score_codex":0.006871131,"about_ca_system_score_gemma":0.014483854,"threshold_uncertainty_score":0.08083415},"labels":[],"label_agreement":null},{"id":"W418995284","doi":"","title":"L'Empire du pseudo: modernités de la science-fiction by Richard Saint-Gelais (review)","year":2000,"lang":"fr","type":"article","venue":"University of Toronto Quarterly","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; SAINT; Empire; Philosophy; Art history; History; Ancient history","score_opus":0.008354093199802957,"score_gpt":0.21046116285716715,"score_spread":0.2021070696573642,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W418995284","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000048567228,0.9777404,0.000035042332,0.020010049,0.0012821467,7.0534816e-7,0.000004617476,0.0000018907625,0.0008765573],"genre_scores_gemma":[0.003511308,0.9782639,0.00011321131,0.009773751,0.006588508,0.000009157947,0.000016123913,0.000008025591,0.0017158792],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99760395,0.001324945,0.00013326872,0.00017163053,0.00061669684,0.00014944476],"domain_scores_gemma":[0.989,0.008663496,0.0005966526,0.00023804854,0.0011642985,0.000337534],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004495287,0.00088977686,0.002095469,0.0047822343,0.002397399,0.007529379,0.0012791003,0.0060695917,0.0038515015],"category_scores_gemma":[0.011680056,0.00059973705,0.00048998906,0.0067643733,0.01363742,0.009143324,0.0029598835,0.0067551564,0.0013778395],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000065087246,0.000021647724,0.00023288929,0.0053129653,0.00006039585,0.00013061998,0.0028912385,0.00016187974,0.0000737979,0.114994474,0.7072017,0.16885339],"study_design_scores_gemma":[0.00001473475,0.000010473883,0.0005096404,0.0038087047,0.000017954751,0.00022360857,0.00060332095,0.000029821842,0.000025938663,0.0101381885,0.98460305,0.000014662447],"about_ca_topic_score_codex":0.021616487,"about_ca_topic_score_gemma":0.040325806,"teacher_disagreement_score":0.021616487,"about_ca_system_score_codex":0.00531526,"about_ca_system_score_gemma":0.010571721,"threshold_uncertainty_score":0.042981327},"labels":[],"label_agreement":null},{"id":"W4200111815","doi":"10.31743/ql.13322","title":"Habiter les interstices et leurs possibilités : les discours utopiques et méta-utopiques dans Les Furtifs, « C@PTCH@ » et « Hyphe…? » d’Alain Damasio","year":2021,"lang":"fr","type":"article","venue":"Quêtes littéraires","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Philosophy","score_opus":0.09800436544766354,"score_gpt":0.3208576881796695,"score_spread":0.22285332273200592,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4200111815","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10847972,0.016076036,0.02744046,0.070863366,0.00093365024,0.00005590981,0.00006667425,0.00011962479,0.7759646],"genre_scores_gemma":[0.9245255,0.004554739,0.0028279738,0.004465725,0.00032991494,0.00008925122,0.000026887035,0.00014183133,0.06303832],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9964233,0.0020271344,0.000081254206,0.00040357138,0.00073121185,0.0003335488],"domain_scores_gemma":[0.99795413,0.001145441,0.00028688426,0.00024476784,0.00022342015,0.0001454161],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0026958429,0.0004658856,0.00035245324,0.0008026375,0.007478924,0.0070035397,0.0008142111,0.0028414973,0.0050844685],"category_scores_gemma":[0.004658823,0.00029235092,0.00030031873,0.0008873872,0.0377299,0.0071098027,0.0047342563,0.00621676,0.00093353615],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000068692616,0.000005686829,0.0002372643,0.000035714445,0.0000022163158,0.00010021102,0.04625328,0.000041981562,0.00014676095,0.9466822,0.0022947362,0.0041930852],"study_design_scores_gemma":[0.000018063787,0.000029585099,0.0016864736,0.0003789974,0.00001210311,0.0005279189,0.051772315,0.00034743783,0.0006614467,0.4036135,0.5409134,0.000038829432],"about_ca_topic_score_codex":0.008154166,"about_ca_topic_score_gemma":0.01057191,"teacher_disagreement_score":0.008154166,"about_ca_system_score_codex":0.0045255204,"about_ca_system_score_gemma":0.0039870106,"threshold_uncertainty_score":0.032835126},"labels":[],"label_agreement":null},{"id":"W4205300177","doi":"10.1353/sfs.2020.0080","title":"New MA in SF and Film Studies","year":2020,"lang":"en","type":"article","venue":"Science Fiction Studies","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Scholarship; Pilgrim; Fantasy; Art history; Theme (computing); History; Media studies; Library science; Art; Sociology; Literature; Political science; Law; Archaeology","score_opus":0.17715712029718308,"score_gpt":0.3293378989539669,"score_spread":0.15218077865678384,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4205300177","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0030644506,0.24820481,0.0003620311,0.09366584,0.010130144,0.000020666366,0.00018289081,0.00005807213,0.6443111],"genre_scores_gemma":[0.18812394,0.21248622,0.00091745,0.015107799,0.018514752,0.00015504673,0.00038004405,0.00019618744,0.56411856],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99788207,0.0010365979,0.00008876834,0.0002498775,0.00041491783,0.00032778375],"domain_scores_gemma":[0.9974954,0.0008053529,0.00017531631,0.0002724301,0.00031354028,0.00093797874],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019107405,0.00067132385,0.0005743691,0.0035453765,0.007849205,0.013537745,0.0010252021,0.003204435,0.094588675],"category_scores_gemma":[0.0056288373,0.00026866415,0.00029387587,0.0046664868,0.0075528575,0.009098118,0.005368414,0.0038395987,0.008585136],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032720272,0.00004398134,0.0010057703,0.00032934835,0.000006999299,0.00020078932,0.021085814,0.000032715838,0.000118783486,0.33724517,0.51126415,0.12863386],"study_design_scores_gemma":[0.000001557224,0.000004522793,0.00075266004,0.00047538284,0.0000015868112,0.00006967293,0.0052321968,0.000012671369,0.000016675558,0.006445764,0.9869844,0.0000030115946],"about_ca_topic_score_codex":0.01847367,"about_ca_topic_score_gemma":0.034214422,"teacher_disagreement_score":0.094588675,"about_ca_system_score_codex":0.009316291,"about_ca_system_score_gemma":0.004110437,"threshold_uncertainty_score":0.31643063},"labels":[],"label_agreement":null},{"id":"W4205373205","doi":"10.1353/sfs.2019.0057","title":"Excavating the Future: Archaeology and Geopolitics in Contemporary North American Science Fiction Film and Television by Shawn Malley","year":2019,"lang":"en","type":"article","venue":"Science Fiction Studies","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Queer; Temporalities; Argument (complex analysis); Aesthetics; History; Art; Literature; Art history; Sociology; Philosophy; Gender studies","score_opus":0.03836500873845911,"score_gpt":0.28463469232816707,"score_spread":0.24626968358970797,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4205373205","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.28889537,0.06495001,0.0018390337,0.14171669,0.001411269,0.000060330818,0.00042559038,0.00013696827,0.5005648],"genre_scores_gemma":[0.8165412,0.023460068,0.0017408754,0.0065945336,0.0006118766,0.00007979858,0.00016843714,0.00017020936,0.15063296],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991228,0.0004850594,0.000015492602,0.00010416712,0.00016009632,0.000112438014],"domain_scores_gemma":[0.99893266,0.0006521895,0.00008759048,0.00006549148,0.00014836887,0.000113580245],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012035874,0.00034018763,0.00022845723,0.0019934315,0.018308364,0.006044903,0.0010408955,0.002379638,0.008344908],"category_scores_gemma":[0.0019592443,0.00038139572,0.00015823935,0.0028951108,0.013041741,0.0058153206,0.0038441357,0.0027545544,0.0006672159],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028660284,0.000026257501,0.0017141434,0.00012500273,0.000006039991,0.0008443573,0.81663793,0.000055486602,0.00030167846,0.073388495,0.07676698,0.030104928],"study_design_scores_gemma":[0.000002718928,0.000012239547,0.006179002,0.0004669002,0.0000075554303,0.00039959027,0.43433586,0.00008445609,0.00017695794,0.005058836,0.55325747,0.000018436065],"about_ca_topic_score_codex":0.19676133,"about_ca_topic_score_gemma":0.56086946,"teacher_disagreement_score":0.19676133,"about_ca_system_score_codex":0.007988838,"about_ca_system_score_gemma":0.0037470576,"threshold_uncertainty_score":0.39123207},"labels":[],"label_agreement":null},{"id":"W4205535008","doi":"10.4000/resf.10505","title":"Cartographier la science-fiction au théâtre","year":2021,"lang":"fr","type":"article","venue":"ReS Futurae","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Domain (mathematical analysis); Medium term; Gender relations","score_opus":0.015377451985760376,"score_gpt":0.24670886236936615,"score_spread":0.23133141038360577,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4205535008","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.034934666,0.01372643,0.010851689,0.027097281,0.002326682,0.00008779353,0.0009531466,0.00032334097,0.90969896],"genre_scores_gemma":[0.67925096,0.014267286,0.011034423,0.0026355367,0.0018799475,0.00015787121,0.0007597399,0.00051462883,0.28949964],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993406,0.0003016788,0.000016092015,0.00007439879,0.00016703115,0.00010016522],"domain_scores_gemma":[0.9986332,0.0009116178,0.00009921333,0.00013111168,0.00016415803,0.000060756036],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008216673,0.0006277927,0.00022795136,0.004376322,0.005983954,0.0072593126,0.0005258168,0.0014864312,0.022417111],"category_scores_gemma":[0.002131143,0.0001877106,0.0002801821,0.004736198,0.01136451,0.0042627235,0.0016476569,0.0024403445,0.0023805697],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018512166,0.000005410718,0.00035941656,0.000118701064,0.0000032595522,0.00021870414,0.044590782,0.00017409048,0.00036466005,0.91416293,0.02501973,0.014963707],"study_design_scores_gemma":[0.000003991114,0.000009420289,0.0010498929,0.00017492584,0.0000040003556,0.00020287107,0.0105299195,0.00021088154,0.00039895394,0.032393266,0.95501184,0.000010077207],"about_ca_topic_score_codex":0.03196766,"about_ca_topic_score_gemma":0.043642703,"teacher_disagreement_score":0.03196766,"about_ca_system_score_codex":0.006565637,"about_ca_system_score_gemma":0.0031311275,"threshold_uncertainty_score":0.07499266},"labels":[],"label_agreement":null},{"id":"W4205929325","doi":"10.1007/978-3-030-73686-6_5","title":"Atwood’s Protean Poetics: Adaptation in the Service of Survival","year":2021,"lang":"en","type":"book-chapter","venue":"Palgrave studies in adaptation and visual culture","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Sherbrooke","funders":"","keywords":"Trilogy; Monster; Literature; Theme (computing); Performative utterance; Art; Aesthetics; Poetics; Civilization; History; Posthuman; Poetry; Art history","score_opus":0.16638832084719257,"score_gpt":0.33221868150414785,"score_spread":0.16583036065695528,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4205929325","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.016590593,0.00503222,0.0028066987,0.03821193,0.000956471,0.000022046559,0.000024103558,0.000040130875,0.9363157],"genre_scores_gemma":[0.7628055,0.0016649059,0.0010360621,0.0061046835,0.00026408487,0.00005580058,0.00001760058,0.00010070278,0.22795068],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987801,0.0007807606,0.000015219809,0.000091366936,0.00011749024,0.00021503087],"domain_scores_gemma":[0.99938047,0.00032203062,0.00002956372,0.00008026387,0.000054936125,0.00013278583],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015767787,0.00043380552,0.00023596523,0.00053862156,0.010190443,0.006744258,0.00089358183,0.0025693425,0.0075343796],"category_scores_gemma":[0.0026449075,0.00014054925,0.00015162463,0.0006982213,0.033199508,0.005095156,0.003913145,0.005720138,0.00091305125],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000094826055,0.000006479483,0.000037227655,0.000010482433,5.776681e-7,0.000035047266,0.014081899,0.000040559888,0.000043353528,0.96310323,0.018731155,0.003900657],"study_design_scores_gemma":[0.0000074162826,0.000016322723,0.00038998577,0.00016001557,0.0000020760804,0.0001359827,0.03005063,0.00016854289,0.00023542084,0.30863175,0.66019034,0.000011504378],"about_ca_topic_score_codex":0.0071209697,"about_ca_topic_score_gemma":0.019468045,"teacher_disagreement_score":0.010190443,"about_ca_system_score_codex":0.0033574365,"about_ca_system_score_gemma":0.0029110333,"threshold_uncertainty_score":0.025205016},"labels":[],"label_agreement":null},{"id":"W4210456651","doi":"10.53789/j.1653-0465.2021.0104.007","title":"Thoughts on the Social Form and Individuals’ Flowing: Margaret Atwood’s The Testaments","year":2022,"lang":"en","type":"article","venue":"Asia-Pacific Journal of Humanities and Social Sciences","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ideology; Consciousness; Subjectivity; Sociology; Social consciousness; Dimension (graph theory); Epistemology; Foundation (evidence); Environmental ethics; Aesthetics; Law; Philosophy; Political science; Politics","score_opus":0.07888348210376525,"score_gpt":0.26431879564768734,"score_spread":0.1854353135439221,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4210456651","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.037007384,0.018144682,0.00233668,0.5451999,0.010223169,0.000046842808,0.00012589303,0.00011122265,0.38680428],"genre_scores_gemma":[0.73997974,0.005203141,0.001149613,0.04786666,0.0024953363,0.000058856047,0.00005154729,0.00023314542,0.20296185],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979755,0.00081130525,0.000022460259,0.00021175186,0.0004924195,0.000486536],"domain_scores_gemma":[0.998259,0.0006542204,0.00010997763,0.000094186806,0.00043268985,0.0004499181],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002447862,0.00061032234,0.00044606274,0.0012103566,0.023525955,0.0118388925,0.0020040008,0.0037297371,0.005138936],"category_scores_gemma":[0.0038383189,0.0002722745,0.00034463184,0.0010260688,0.048446078,0.005630882,0.0032584686,0.009193403,0.0006746134],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030003828,0.00002110073,0.0002396033,0.00004621085,0.000005073553,0.00037883985,0.14147618,0.000096216936,0.00018690387,0.64665055,0.20441227,0.006457036],"study_design_scores_gemma":[0.00000768227,0.000010139262,0.00052525674,0.00015998809,0.0000055470896,0.00017757619,0.091045305,0.000117979966,0.00017499427,0.042355347,0.8653855,0.000034649118],"about_ca_topic_score_codex":0.47216594,"about_ca_topic_score_gemma":0.60033053,"teacher_disagreement_score":0.47216594,"about_ca_system_score_codex":0.03094717,"about_ca_system_score_gemma":0.011590248,"threshold_uncertainty_score":0.93883526},"labels":[],"label_agreement":null},{"id":"W4220794989","doi":"10.3138/cras-2022-002","title":"Jennifer Haley’s <i>The Nether</i>: Transhumanism in the Post-Internet World","year":2022,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Transhumanism; Virtuality (gaming); Digitization; The Internet; Sociology; Art; Art history; Philosophy; Epistemology; Computer science; World Wide Web; Artificial intelligence","score_opus":0.042961930955775905,"score_gpt":0.27048572979556246,"score_spread":0.22752379883978655,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4220794989","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.024522603,0.48177087,0.0009939646,0.30343598,0.0047464687,0.000023513872,0.000038201524,0.00003047202,0.18443787],"genre_scores_gemma":[0.45354664,0.41243258,0.0010914488,0.05400779,0.0025169437,0.00006424048,0.00003136889,0.000049399063,0.07625966],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9987129,0.00074566976,0.000026105405,0.00011116482,0.00028112138,0.00012311469],"domain_scores_gemma":[0.9971951,0.002004669,0.00017976781,0.00005631396,0.00036194743,0.0002021926],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017133475,0.00025479766,0.00026029188,0.0015620957,0.007575971,0.0050657946,0.00075559854,0.0022649535,0.00336239],"category_scores_gemma":[0.003035332,0.00013873306,0.00010623156,0.0016170663,0.01608267,0.0065437583,0.0018080263,0.0038419308,0.0003719933],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003590719,0.000047421458,0.0011992401,0.0008741081,0.000010894409,0.0006862897,0.14306432,0.00008965945,0.00032796158,0.46594104,0.3125286,0.07519447],"study_design_scores_gemma":[0.000003359035,0.000010268172,0.0013924767,0.000963353,0.000004928495,0.00034736202,0.051622167,0.000029299157,0.00016592378,0.01266828,0.9327804,0.000012171335],"about_ca_topic_score_codex":0.09616337,"about_ca_topic_score_gemma":0.17951699,"teacher_disagreement_score":0.09616337,"about_ca_system_score_codex":0.0065552006,"about_ca_system_score_gemma":0.00802686,"threshold_uncertainty_score":0.19120723},"labels":[],"label_agreement":null},{"id":"W4220851202","doi":"10.34293/english.v10i2.4310","title":"Nature as a Heuristic Presence: An Ecofeminist Reading of Margaret Atwood’s Surfacing","year":2022,"lang":"en","type":"article","venue":"Shanlax International Journal of English","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sustenance; Anthropocentrism; Reading (process); Wilderness; Heuristic; Environmental ethics; Sociology; Ecocriticism; Aesthetics; Literature; Art; Epistemology; Philosophy; Political science; Law; Ecology; Biology","score_opus":0.015018174964982426,"score_gpt":0.2668546802022387,"score_spread":0.25183650523725626,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4220851202","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12327634,0.0036282367,0.0036124962,0.03429343,0.0010694101,0.000028482893,0.00007676049,0.00006246776,0.8339524],"genre_scores_gemma":[0.93066555,0.0010946775,0.0007375637,0.0022897576,0.00015671787,0.000015316846,0.000027129532,0.00007395615,0.0649393],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991454,0.00036624706,0.00000997861,0.00008259099,0.00019617613,0.00019958953],"domain_scores_gemma":[0.99926466,0.000362995,0.000050448598,0.000044987963,0.000165378,0.00011151534],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00092373276,0.0005344615,0.00024386332,0.0013523612,0.014469914,0.0074049835,0.0009970883,0.0019510095,0.0046426966],"category_scores_gemma":[0.0016293692,0.00018293053,0.00017472467,0.0008944921,0.03149797,0.0028752212,0.0020500284,0.0028493174,0.0003311116],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035072746,0.00001631837,0.00038124496,0.00005674834,0.0000035660257,0.00094952877,0.38074598,0.00014293155,0.00062755356,0.5938896,0.017697446,0.005454038],"study_design_scores_gemma":[0.000007877073,0.000021579588,0.0011605418,0.00025539187,0.000007737516,0.0005407358,0.40159133,0.00021864937,0.00057937833,0.03256132,0.563031,0.000024433202],"about_ca_topic_score_codex":0.2662408,"about_ca_topic_score_gemma":0.4368609,"teacher_disagreement_score":0.2662408,"about_ca_system_score_codex":0.01232538,"about_ca_system_score_gemma":0.0058535305,"threshold_uncertainty_score":0.5293822},"labels":[],"label_agreement":null},{"id":"W4221006469","doi":"10.1515/9783110761030","title":"The Black Border and Fugitive Narration in Black American Literature","year":2022,"lang":"en","type":"book","venue":"","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"Universität Bremen","keywords":"Narrative; History; Art; Literature","score_opus":0.011874673445609205,"score_gpt":0.23280946954470222,"score_spread":0.220934796099093,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4221006469","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.31644174,0.029867321,0.0022434816,0.057146806,0.0013660805,0.000037334758,0.00006712595,0.00006980221,0.5927604],"genre_scores_gemma":[0.9595263,0.004125151,0.0003371422,0.004029571,0.00021628555,0.000057953508,0.000017200304,0.000059601516,0.03163068],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99737966,0.0019089768,0.000022682569,0.00013456041,0.00017757945,0.00037648104],"domain_scores_gemma":[0.998168,0.0011147804,0.0002095885,0.00008017666,0.00021512342,0.00021232011],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0025490653,0.0007981129,0.0003683745,0.002146167,0.033414647,0.0079557495,0.0010285724,0.002771195,0.0056538843],"category_scores_gemma":[0.0038880243,0.00028764666,0.00017453385,0.002364201,0.041611236,0.00555772,0.0049762125,0.0040065846,0.00045388652],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023018487,0.00001596527,0.00028286787,0.000050554325,0.0000023365337,0.00021275297,0.76176375,0.000027829112,0.0001541531,0.22031663,0.011870964,0.005279139],"study_design_scores_gemma":[0.0000058432965,0.000014243376,0.0012201209,0.00046844556,0.000009134958,0.00015049221,0.6069481,0.00010294055,0.0002782434,0.024474032,0.3663087,0.000019771236],"about_ca_topic_score_codex":0.06696841,"about_ca_topic_score_gemma":0.108309574,"teacher_disagreement_score":0.06696841,"about_ca_system_score_codex":0.012684111,"about_ca_system_score_gemma":0.004182296,"threshold_uncertainty_score":0.1331572},"labels":[],"label_agreement":null},{"id":"W4229079511","doi":"10.16995/olh.8771","title":"Modern Indian Utopian Art and Literature: An Introduction","year":2022,"lang":"en","type":"article","venue":"Open Library of Humanities","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Jadavpur University; Universiteit Utrecht; McGill University; Georgetown University","keywords":"Dystopia; Utopia; Vernacular; Independence (probability theory); Sociology; Literature; History; Art history; Art","score_opus":0.02779870208740111,"score_gpt":0.21659631280140285,"score_spread":0.18879761071400175,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4229079511","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009180334,0.44121528,0.003672118,0.022710314,0.034080386,0.00023726968,0.0014284059,0.00051695603,0.48695895],"genre_scores_gemma":[0.10443392,0.6322115,0.008644899,0.013953068,0.068931215,0.0006082315,0.002571131,0.0006927567,0.16795328],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991341,0.00020676746,0.00009696784,0.000118059994,0.00030482863,0.0001393676],"domain_scores_gemma":[0.9984517,0.0007608978,0.00011572116,0.00008649073,0.000350514,0.00023466846],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00077887124,0.0010724278,0.00074023224,0.0138490405,0.00532116,0.009311803,0.0010088197,0.00139657,0.012939771],"category_scores_gemma":[0.0021763647,0.00048135343,0.000528566,0.012569605,0.003991201,0.0042906804,0.0036106366,0.0035127185,0.004018268],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007272106,0.00018021892,0.0016283419,0.0031889942,0.00002098563,0.0008256947,0.03218964,0.0005063203,0.0012746894,0.27767697,0.42507,0.25736547],"study_design_scores_gemma":[9.570223e-7,0.000012277206,0.0011604967,0.0006583753,0.0000041733897,0.00031128793,0.002526568,0.000039632476,0.000056323363,0.0068470915,0.98836833,0.000014403805],"about_ca_topic_score_codex":0.008044409,"about_ca_topic_score_gemma":0.010996777,"teacher_disagreement_score":0.0138490405,"about_ca_system_score_codex":0.0031816622,"about_ca_system_score_gemma":0.004681669,"threshold_uncertainty_score":0.043287873},"labels":[],"label_agreement":null},{"id":"W4229954361","doi":"10.1093/obo/9780199827251-0203","title":"William Gibson","year":2019,"lang":"en","type":"reference-entry","venue":"American Literature","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Trilogy; Art history; Art; Performance art; History; Literature","score_opus":0.015987177276044907,"score_gpt":0.23426394452602847,"score_spread":0.21827676724998357,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4229954361","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0007224025,0.017736379,0.0010899311,0.050663963,0.025377512,0.00007746505,0.0010524878,0.00037417677,0.9029056],"genre_scores_gemma":[0.0049078325,0.006544628,0.0005664876,0.0073028537,0.0016034524,0.000025828112,0.0003241869,0.00021808322,0.9785066],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99785787,0.00019289207,0.00007964428,0.0005230876,0.0009780576,0.00036840263],"domain_scores_gemma":[0.99730873,0.00021916394,0.0000821777,0.00019432687,0.0013455887,0.00085001375],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010579212,0.0011658481,0.0006412342,0.001970841,0.008464715,0.008533193,0.0011473486,0.0028214066,0.2390394],"category_scores_gemma":[0.004754171,0.0003608853,0.00035412225,0.001851128,0.0029926866,0.0036991322,0.0028596774,0.0041415053,0.104814544],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007818424,0.000005212849,0.000097696706,0.000027283777,0.0000010436252,0.00006802161,0.00027917625,0.00001689129,0.000048789574,0.018179353,0.9558132,0.025455572],"study_design_scores_gemma":[4.1966643e-7,7.857123e-7,0.000043334006,0.00001792863,2.596622e-7,0.000029192517,0.000068321315,0.000003752029,0.000010424371,0.00036524664,0.9994584,0.0000020402927],"about_ca_topic_score_codex":0.22902118,"about_ca_topic_score_gemma":0.39836624,"teacher_disagreement_score":0.2390394,"about_ca_system_score_codex":0.012874615,"about_ca_system_score_gemma":0.01691654,"threshold_uncertainty_score":0.79966646},"labels":[],"label_agreement":null},{"id":"W4230563200","doi":"10.1093/oxfordhb/9780199826162.013.007","title":"Virtual Dystopia","year":2013,"lang":"en","type":"book","venue":"Oxford University Press eBooks","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Dystopia; Sublime; Vision; Aesthetics; Transcendence (philosophy); Pleasure; Utopia; Art; Philosophy; Art history; Epistemology; Literature; Psychology","score_opus":0.028127384087823917,"score_gpt":0.18224766823915475,"score_spread":0.15412028415133083,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4230563200","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0040824995,0.013353063,0.0044952747,0.0029469056,0.001555575,0.00002340146,0.00004930894,0.00014794707,0.97334605],"genre_scores_gemma":[0.36976093,0.020257264,0.0044083134,0.004376117,0.0014562433,0.00015527381,0.0002036552,0.0002868134,0.59909546],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994758,0.0001763381,0.00001697585,0.000075121796,0.00017797419,0.00007790756],"domain_scores_gemma":[0.99967253,0.00014541722,0.000021544676,0.00006211855,0.00004752731,0.000050814364],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003829711,0.0005681604,0.0003325193,0.0013245014,0.0030827776,0.0064981035,0.00069930684,0.0013574492,0.030185623],"category_scores_gemma":[0.0014773,0.0001907988,0.00033601306,0.000799221,0.007688717,0.004994634,0.0042542014,0.0028320288,0.004166735],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014336964,0.000008604784,0.00004624438,0.00009882765,0.000002184466,0.000113466165,0.0031157795,0.00019385124,0.00026265017,0.9384161,0.029467475,0.028260436],"study_design_scores_gemma":[0.0000058826345,0.000013713439,0.000119035234,0.00030468818,0.0000031124523,0.00044562735,0.0011857296,0.00023038928,0.00028833258,0.09998496,0.8974103,0.000008200782],"about_ca_topic_score_codex":0.0017461816,"about_ca_topic_score_gemma":0.0016340486,"teacher_disagreement_score":0.030185623,"about_ca_system_score_codex":0.0026907774,"about_ca_system_score_gemma":0.0013878709,"threshold_uncertainty_score":0.10098094},"labels":[],"label_agreement":null},{"id":"W4232752166","doi":"10.21608/shak.2020.140503","title":"Interpretation of the Metaphors of Light/dark In Selected Poems by Margaret Atwood - A Feminist Study","year":2020,"lang":"ar","type":"article","venue":"Mağallaẗ Al-Dirāsāt Al-Insāniyyah wal-Adabiyyah /Mağallaẗ Al-Dirāsāt Al-Insāni yyaẗ wa Al-Adabiyyaẗ","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Interpretation (philosophy); Poetry; Literature; Philosophy; Epistemology; Art; Linguistics","score_opus":0.019864948919041645,"score_gpt":0.2405223737126182,"score_spread":0.22065742479357656,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4232752166","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.60078067,0.020948084,0.006442577,0.06615014,0.0018593166,0.00016855334,0.00010677029,0.00010658971,0.30343732],"genre_scores_gemma":[0.9548514,0.003352745,0.0012270674,0.0033536623,0.00031185115,0.0000923002,0.00002098362,0.00010645381,0.036683492],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980544,0.0013721042,0.000021931199,0.00010634591,0.00026093502,0.0001843826],"domain_scores_gemma":[0.99680567,0.0024526182,0.0001991514,0.00006175509,0.00023617358,0.00024456542],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020425909,0.0005487242,0.00037005838,0.0015540954,0.016725998,0.0058232797,0.0011240162,0.0016208752,0.0029631387],"category_scores_gemma":[0.003212608,0.00028599036,0.00020508529,0.0014337766,0.02056697,0.0038899027,0.003203811,0.0037363237,0.00037130667],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003759097,0.000027396538,0.0003327675,0.00010202393,0.0000031622678,0.0010014354,0.8987591,0.000048580212,0.0010582805,0.08134418,0.010718837,0.006566572],"study_design_scores_gemma":[0.0000061066485,0.000039270875,0.0013205428,0.0003239262,0.00000655549,0.0009900869,0.597877,0.00011566626,0.0007742295,0.006911143,0.3916083,0.000027165714],"about_ca_topic_score_codex":0.013355966,"about_ca_topic_score_gemma":0.031127326,"teacher_disagreement_score":0.016725998,"about_ca_system_score_codex":0.005422418,"about_ca_system_score_gemma":0.0016875628,"threshold_uncertainty_score":0.039342523},"labels":[],"label_agreement":null},{"id":"W4232808152","doi":"10.1002/9781444337822.wbetcfv3f001","title":"Fantasy, Science Fiction, and Speculative Fiction","year":2010,"lang":"en","type":"other","venue":"The Encyclopedia of Twentieth-Century Fiction","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Fantasy; Magic realism; MAGIC (telescope); Literature; Techno-thriller; Literary fiction; Sci-Fi; Realism; History; Fiction theory; Art; Literary criticism; Astronomy","score_opus":0.012346471553785321,"score_gpt":0.23063229044965816,"score_spread":0.21828581889587284,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4232808152","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0075811897,0.02848972,0.00087686704,0.005704134,0.00085339975,0.000021296704,0.000106364474,0.000045992547,0.956321],"genre_scores_gemma":[0.52468574,0.04933318,0.003138969,0.0053358446,0.0034049065,0.00017475465,0.00052542693,0.00020103782,0.41320026],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988367,0.000541245,0.000059751477,0.000106741936,0.0003211395,0.00013442071],"domain_scores_gemma":[0.99655735,0.0023990017,0.0002489653,0.0003148249,0.0002246093,0.0002552527],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009338747,0.0005558989,0.00025497653,0.0036331841,0.0040377057,0.010466019,0.00069724093,0.001808382,0.015913142],"category_scores_gemma":[0.004913573,0.0001410277,0.00016011333,0.004683647,0.015005322,0.0060713673,0.003470232,0.0021242495,0.0020369396],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019911256,0.00002161293,0.00036503174,0.00040765243,0.0000026262378,0.0002555297,0.023590911,0.00007506937,0.00013772337,0.8851834,0.046586234,0.043354236],"study_design_scores_gemma":[0.0000057068096,0.000010447565,0.0011202222,0.00061521295,0.0000023524253,0.0005646578,0.009192042,0.000088603796,0.00016166596,0.051311832,0.9369171,0.000010035037],"about_ca_topic_score_codex":0.004260514,"about_ca_topic_score_gemma":0.0058808546,"teacher_disagreement_score":0.015913142,"about_ca_system_score_codex":0.0040034694,"about_ca_system_score_gemma":0.0020225479,"threshold_uncertainty_score":0.053234696},"labels":[],"label_agreement":null},{"id":"W4233435916","doi":"10.1163/9789004392311_010","title":"Victimization in Academic Mystery Fiction","year":2019,"lang":"en","type":"book-chapter","venue":"","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Alien; Feminism; Reading (process); Element (criminal law); Art history; Sociology; Art; Literature; Media studies; Gender studies; History; Political science; Law; Politics","score_opus":0.0495340595519302,"score_gpt":0.23570119070821796,"score_spread":0.18616713115628775,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4233435916","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09825543,0.047423977,0.0034277136,0.058065444,0.0033778274,0.00008137982,0.00009297927,0.00013271258,0.7891426],"genre_scores_gemma":[0.9174371,0.012716845,0.000705102,0.006143722,0.00092509604,0.00006721579,0.0000644206,0.00008322283,0.061857242],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975908,0.0012825287,0.000039612638,0.00017168374,0.0005078542,0.0004076464],"domain_scores_gemma":[0.99749786,0.0015212207,0.00022262712,0.00017189317,0.00030358156,0.0002828469],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001732125,0.00057024177,0.00040401306,0.0021850856,0.013949399,0.009045799,0.0020122477,0.0025870488,0.0041763796],"category_scores_gemma":[0.00511669,0.00018510639,0.00021687754,0.0021581962,0.030982014,0.0044307266,0.004557595,0.0044177216,0.0005772697],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009987839,0.000025664021,0.00048338264,0.00008297177,0.000003901124,0.0005523262,0.21602042,0.00009262139,0.000082642226,0.7133623,0.055236828,0.01404695],"study_design_scores_gemma":[0.0000045313413,0.000015560074,0.0010717955,0.00035954788,0.000005372866,0.0007111486,0.12625508,0.00011391678,0.00028054405,0.036969688,0.8341957,0.00001711373],"about_ca_topic_score_codex":0.051718306,"about_ca_topic_score_gemma":0.0741387,"teacher_disagreement_score":0.051718306,"about_ca_system_score_codex":0.014058617,"about_ca_system_score_gemma":0.006437965,"threshold_uncertainty_score":0.10283452},"labels":[],"label_agreement":null},{"id":"W4233467549","doi":"10.3138/utq.75.3.833","title":"The Joyless Republic of Gilead: Reflections of a Political Scientist on the Operatic Production of Margaret Atwood's <i>The Handmaid's Tale</i>","year":2006,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Politics; Literature; History; Production (economics); Philosophy; Political science; Art; Law; Economics","score_opus":0.015952451589148223,"score_gpt":0.21368582216475096,"score_spread":0.19773337057560275,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4233467549","genre_codex":"commentary","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":"commentary","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013095077,0.021160232,0.00053915725,0.859042,0.0073468257,0.000014807587,0.000053516636,0.000030086781,0.098718196],"genre_scores_gemma":[0.52333605,0.014564684,0.0005960356,0.30716407,0.009679317,0.00007836007,0.00003259103,0.00033850953,0.14421035],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99509287,0.0028016558,0.00007007042,0.00031683358,0.00066102465,0.0010575432],"domain_scores_gemma":[0.98869646,0.008890709,0.00037791813,0.00024242878,0.0006061445,0.0011863157],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0074520116,0.0005488147,0.00072837766,0.0013119564,0.03531122,0.015692001,0.0021098445,0.014425429,0.0068925093],"category_scores_gemma":[0.013507994,0.00052119297,0.00039679738,0.0019065684,0.05237016,0.008025581,0.0061758664,0.026027817,0.0006094536],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028356022,0.000022329521,0.0001517355,0.000060354712,0.000006927755,0.0003696096,0.12149086,0.000081297054,0.0000954929,0.45509246,0.41919142,0.003409164],"study_design_scores_gemma":[0.000016519865,0.000010133004,0.00039422154,0.00025922572,0.000007308936,0.00009251365,0.093680985,0.000067869034,0.00021487537,0.036891982,0.86833906,0.000025348401],"about_ca_topic_score_codex":0.15455134,"about_ca_topic_score_gemma":0.32424048,"teacher_disagreement_score":0.15455134,"about_ca_system_score_codex":0.021032138,"about_ca_system_score_gemma":0.013634309,"threshold_uncertainty_score":0.3073035},"labels":[],"label_agreement":null},{"id":"W4236319849","doi":"10.1007/978-3-476-05728-0_7902-1","title":"Atwood, Margaret","year":2020,"lang":"sv","type":"book-chapter","venue":"J.B. Metzler eBooks","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Amnesty; Art; Humanities; Political science; Law","score_opus":0.0554828894626964,"score_gpt":0.22853860435510873,"score_spread":0.17305571489241234,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4236319849","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0008807322,0.03242964,0.00039528613,0.012643483,0.0051162927,0.000033244633,0.0006274923,0.00019338836,0.9476805],"genre_scores_gemma":[0.0019763007,0.003157356,0.00010550421,0.0009255838,0.00011957166,0.00001017322,0.00008371236,0.00005475152,0.99356693],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997209,0.000038085163,0.000011222718,0.00007986591,0.00009971127,0.000050147344],"domain_scores_gemma":[0.9996563,0.000054777993,0.000020470563,0.000034170702,0.00012178275,0.000112387286],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003252916,0.00065969006,0.0003364772,0.0010110621,0.00416189,0.00452555,0.00093905185,0.0020899384,0.4086044],"category_scores_gemma":[0.0012032017,0.00043592261,0.00028061896,0.0013635372,0.0009453843,0.0033336466,0.0024409692,0.0025289091,0.17197189],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001659766,0.0000096162275,0.00012482912,0.0000808433,0.000001527919,0.00015754843,0.0012064138,0.000029591663,0.00012427536,0.02759039,0.91305095,0.0576074],"study_design_scores_gemma":[6.016737e-7,0.0000011019936,0.00008928583,0.000038833048,3.0778264e-7,0.000027070182,0.0002366192,0.0000029788123,0.000010242514,0.00046912144,0.9991228,8.826101e-7],"about_ca_topic_score_codex":0.023972077,"about_ca_topic_score_gemma":0.1028755,"teacher_disagreement_score":0.4086044,"about_ca_system_score_codex":0.0028029773,"about_ca_system_score_gemma":0.002857481,"threshold_uncertainty_score":0.843554},"labels":[],"label_agreement":null},{"id":"W4236391357","doi":"10.3138/utq.78.3.902","title":"Exis-tensions: Surviving the <i>Red Shoes</i> Syndrome in Margaret Atwood's <i>Lady Oracle</i>","year":2009,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Curse; Identity (music); Face (sociological concept); History; Character (mathematics); Hoax; Literature; Psychoanalysis; Sociology; Art; Art history; Aesthetics; Psychology","score_opus":0.0164415292482394,"score_gpt":0.19487009354108206,"score_spread":0.17842856429284265,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4236391357","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6799325,0.019811112,0.0015991782,0.117982365,0.0032597417,0.00006119523,0.00011094453,0.00016679383,0.17707619],"genre_scores_gemma":[0.9372417,0.00659329,0.00074541307,0.010130016,0.00042507812,0.00005827873,0.00005345214,0.0001325934,0.044620205],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99930906,0.00023798893,0.000019542347,0.00006160604,0.00013679921,0.00023506804],"domain_scores_gemma":[0.9992797,0.00014658972,0.000107367676,0.000031041964,0.00006314421,0.00037228962],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00095685216,0.0004928192,0.0004828608,0.00081603567,0.01139004,0.004399814,0.00091747206,0.002581771,0.0036971397],"category_scores_gemma":[0.0023046054,0.00025471798,0.00030602855,0.0008588077,0.012668157,0.002859816,0.005131496,0.004647518,0.00046010673],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006936088,0.00012966739,0.0060109193,0.00024182444,0.000025184892,0.07557107,0.73320377,0.00011565666,0.0019025374,0.07210476,0.072343685,0.038281452],"study_design_scores_gemma":[0.000025363492,0.00008868894,0.009191254,0.00083262887,0.00003138647,0.082800984,0.6700042,0.0001484545,0.0006516357,0.013556056,0.22259499,0.00007435737],"about_ca_topic_score_codex":0.03876505,"about_ca_topic_score_gemma":0.08820264,"teacher_disagreement_score":0.03876505,"about_ca_system_score_codex":0.004003922,"about_ca_system_score_gemma":0.0031897922,"threshold_uncertainty_score":0.07707882},"labels":[],"label_agreement":null},{"id":"W4236578343","doi":"10.20431/2347-3134.0507011","title":"The Protagonists Break the Tyranny of Silence- A Comparative Study on Margaret Atwood’s The Handmaid’s Tale and Shashi Deshpande’s That Long Silence","year":2017,"lang":"en","type":"article","venue":"International Journal on Studies in English Language and Literature","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Silence; Sociology; Law; Philosophy; Political science; Aesthetics","score_opus":0.05654633647082626,"score_gpt":0.34147708254960674,"score_spread":0.2849307460787805,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4236578343","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.51808083,0.0066741607,0.0010886674,0.12180102,0.0014074952,0.00005990586,0.00006392368,0.000029172377,0.3507948],"genre_scores_gemma":[0.9670232,0.0011040979,0.00011685846,0.008129296,0.0001207577,0.000037206402,0.000016387867,0.000046528723,0.023405619],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9945287,0.0034690911,0.0000707792,0.00031808374,0.00065720687,0.00095611636],"domain_scores_gemma":[0.9947408,0.0030092583,0.0003990802,0.00019901803,0.0006165176,0.001035428],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0034769517,0.0003242528,0.00054109306,0.0010754813,0.043034248,0.009643443,0.0016491619,0.0039131395,0.006642308],"category_scores_gemma":[0.0090811625,0.0003711216,0.00030526103,0.001557967,0.027033014,0.006412453,0.007547455,0.009505454,0.0010808026],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002040956,0.00001914823,0.00068283814,0.000029809858,0.0000030193232,0.0006452081,0.9338875,0.000009062666,0.00017620479,0.05075027,0.01050427,0.0032722119],"study_design_scores_gemma":[0.0000030720448,0.000013828348,0.0012807355,0.00011190387,0.000003190749,0.00020210043,0.84933317,0.000013676945,0.0001226733,0.0022743586,0.14663142,0.000009873481],"about_ca_topic_score_codex":0.04090409,"about_ca_topic_score_gemma":0.08242915,"teacher_disagreement_score":0.043034248,"about_ca_system_score_codex":0.0071116914,"about_ca_system_score_gemma":0.0053516156,"threshold_uncertainty_score":0.08133203},"labels":[],"label_agreement":null},{"id":"W4237170466","doi":"10.17742/image.oi.10.2.2","title":"Terraformings","year":2019,"lang":"en","type":"article","venue":"Imaginations Journal of Cross-Cultural Image Studies","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Business","score_opus":0.04763140866422223,"score_gpt":0.3820108192761546,"score_spread":0.3343794106119324,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4237170466","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.020156505,0.00229203,0.0012980622,0.0056133675,0.0017115443,0.000030343015,0.0005624087,0.0004239908,0.9679118],"genre_scores_gemma":[0.29149914,0.0034135594,0.002342779,0.001163684,0.000837031,0.000035919544,0.00062690844,0.0004648975,0.6996162],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997055,0.00005360057,0.000014153221,0.000047485293,0.00013133022,0.000047829257],"domain_scores_gemma":[0.99943775,0.00018687645,0.000049393715,0.00013591144,0.000099964534,0.00009006943],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005145327,0.00032114555,0.00010414579,0.00070903363,0.0030985374,0.0022678345,0.00041928224,0.0005973689,0.08164257],"category_scores_gemma":[0.002421023,0.00008210992,0.00013878559,0.000826432,0.002370652,0.0017976818,0.00139327,0.0010872968,0.006997272],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000073404146,0.000029453606,0.0012379871,0.00025951833,0.000006417525,0.0007914617,0.03537961,0.00011685933,0.0017321075,0.29460546,0.44585863,0.21990904],"study_design_scores_gemma":[0.0000011305885,0.000006225702,0.00039584824,0.00004899206,7.3093105e-7,0.00012011833,0.0018234146,0.00001488784,0.00016399936,0.0014941714,0.9959282,0.0000022976649],"about_ca_topic_score_codex":0.00598472,"about_ca_topic_score_gemma":0.017907908,"teacher_disagreement_score":0.08164257,"about_ca_system_score_codex":0.0010321744,"about_ca_system_score_gemma":0.000775254,"threshold_uncertainty_score":0.2731216},"labels":[],"label_agreement":null},{"id":"W4241948953","doi":"10.32920/ryerson.14649084","title":"Hybrids of Mind and Body: The Forms and Freedoms of the Cyborg in Posthumanist Science Fiction","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Humanity; State of exception; Posthuman; Philosophy; Power (physics); Realm; Embodied cognition; Utopia; Original sin; Literature; Art; Aesthetics; Law; Epistemology; Art history; Theology; Politics; Political science","score_opus":0.020465319596984416,"score_gpt":0.22901883683101162,"score_spread":0.2085535172340272,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4241948953","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0633403,0.019390704,0.008688964,0.029572226,0.0012960619,0.000037692003,0.00008589847,0.000114653296,0.8774736],"genre_scores_gemma":[0.9226132,0.0042254403,0.0015437347,0.0018196346,0.00072124525,0.00006775947,0.000039187908,0.00007495864,0.068894796],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99915874,0.00058867404,0.000011892869,0.00007602133,0.00009830856,0.00006634866],"domain_scores_gemma":[0.99898356,0.0008044534,0.00004618435,0.00008163112,0.000044427976,0.000039666233],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011758971,0.00043082418,0.00022658143,0.0009915861,0.004304537,0.0060691894,0.00045938935,0.0017517012,0.005985381],"category_scores_gemma":[0.0021731765,0.000116641175,0.00013397407,0.00085024844,0.029515173,0.0039888686,0.0028986065,0.0028460016,0.000491589],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010944728,0.0000036003598,0.00003546856,0.000029529185,9.5155076e-7,0.00007188068,0.028268676,0.00006518921,0.000061356695,0.96372384,0.004636365,0.0030921765],"study_design_scores_gemma":[0.000013073171,0.0000280719,0.0005689137,0.00031489387,0.000005396331,0.00043523184,0.019568538,0.00035342327,0.0006168296,0.31985596,0.65822715,0.000012600206],"about_ca_topic_score_codex":0.002561291,"about_ca_topic_score_gemma":0.002454139,"teacher_disagreement_score":0.0060691894,"about_ca_system_score_codex":0.0028903424,"about_ca_system_score_gemma":0.0008426347,"threshold_uncertainty_score":0.02097106},"labels":[],"label_agreement":null},{"id":"W4242269756","doi":"10.4000/belphegor.263","title":"Mike Ashley. Out of This World: Science Fiction, But Not As You Know It","year":2013,"lang":"en","type":"article","venue":"Belphégor","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Need to know; Art; Art history; Computer science","score_opus":0.036757124706715334,"score_gpt":0.2618422895847643,"score_spread":0.22508516487804897,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4242269756","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002262858,0.15376209,0.0015968974,0.43495944,0.03937857,0.00003666716,0.00035065282,0.0006099682,0.36704278],"genre_scores_gemma":[0.027135042,0.03404852,0.0018456425,0.072654895,0.0071477424,0.000045255343,0.00021244613,0.00044248407,0.85646796],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995247,0.000115810166,0.0000158787,0.00006643895,0.0002244951,0.000052740703],"domain_scores_gemma":[0.9986712,0.00042497768,0.000089590234,0.000072492694,0.00031014177,0.00043158655],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00064658927,0.00044376153,0.00023961512,0.0010734525,0.004931668,0.005116755,0.00064439396,0.0022027486,0.06353826],"category_scores_gemma":[0.0033874258,0.0003509118,0.000158727,0.0008887067,0.0019353965,0.0070011066,0.0024865817,0.0036405534,0.035002816],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000051503976,0.00000370167,0.000048106507,0.00003650941,5.9575956e-7,0.00003011732,0.0009094856,0.0000029964976,0.000063363936,0.003401051,0.9829868,0.012512043],"study_design_scores_gemma":[8.744929e-7,0.000002346193,0.00014713652,0.000045114233,4.174314e-7,0.000100780984,0.00088391185,0.000004873015,0.000050426283,0.00083569536,0.99792564,0.0000027806625],"about_ca_topic_score_codex":0.0069472976,"about_ca_topic_score_gemma":0.030300068,"teacher_disagreement_score":0.06353826,"about_ca_system_score_codex":0.0017023019,"about_ca_system_score_gemma":0.00081028964,"threshold_uncertainty_score":0.21255666},"labels":[],"label_agreement":null},{"id":"W4244067962","doi":"10.1017/ccol9780521888622.009","title":"Reading <i>Utopia</i>","year":2011,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":35,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Utopia; Theme (computing); Reading (process); Adventure; Literature; Humanism; Philosophy; Art history; Art; History; Classics; Theology; Computer science","score_opus":0.044457939909828714,"score_gpt":0.1837456682837168,"score_spread":0.1392877283738881,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4244067962","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0064523304,0.020473022,0.002986767,0.05478817,0.011287949,0.000020231082,0.0001040505,0.00027821175,0.9036093],"genre_scores_gemma":[0.34606603,0.010351711,0.0024962022,0.05225802,0.011215003,0.00007970139,0.00021143607,0.0007539556,0.576568],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989303,0.00045599364,0.00003301878,0.00014206477,0.00026353437,0.0001751028],"domain_scores_gemma":[0.9988373,0.0004193343,0.00012737523,0.0001967856,0.00025620344,0.00016301284],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009247586,0.0005559837,0.0003515182,0.0010242366,0.005385137,0.009509178,0.0008681324,0.001811579,0.019079132],"category_scores_gemma":[0.0025521163,0.00018785652,0.00028239624,0.0008120799,0.012645109,0.0050715148,0.0028622944,0.0044536744,0.0039340467],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000038123497,0.00002516015,0.0004031437,0.00019426236,0.000008902383,0.00025243274,0.024089461,0.00006827769,0.00063912186,0.49122614,0.45320272,0.029852156],"study_design_scores_gemma":[0.0000023904904,0.000015300182,0.0005912432,0.00027305624,0.0000025564489,0.00017463136,0.0045891465,0.00004068338,0.00019393172,0.02153531,0.97257376,0.000007988122],"about_ca_topic_score_codex":0.00945305,"about_ca_topic_score_gemma":0.02005619,"teacher_disagreement_score":0.019079132,"about_ca_system_score_codex":0.003536839,"about_ca_system_score_gemma":0.0021269408,"threshold_uncertainty_score":0.063826025},"labels":[],"label_agreement":null},{"id":"W4244621628","doi":"10.33137/incite.2.32821","title":"Imagine","year":2019,"lang":"en","type":"article","venue":"in cite journal","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Event (particle physics); Anthropocene; Storm; History; Materialism; Immigration; Hurricane katrina; Sociology; Aesthetics; Environmental ethics; Natural disaster; Meteorology; Art; Geography; Epistemology; Archaeology","score_opus":0.012867766094567716,"score_gpt":0.20490668426213307,"score_spread":0.19203891816756535,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4244621628","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0073636062,0.00092723395,0.008951763,0.012846626,0.0015529734,0.000045672772,0.0002181777,0.0003154401,0.96777844],"genre_scores_gemma":[0.38669932,0.0015544969,0.0071665645,0.0062938603,0.00056692114,0.00015469138,0.00046753982,0.00049992074,0.5965968],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99935204,0.00031862786,0.000013497182,0.00010143171,0.00010378908,0.00011073257],"domain_scores_gemma":[0.9995104,0.00011326982,0.0000341227,0.00012987686,0.00010157286,0.0001109074],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008362158,0.00072773965,0.0002012339,0.00060293137,0.0066628316,0.004953929,0.0007496322,0.0022610712,0.07149213],"category_scores_gemma":[0.0019692462,0.00020425337,0.0004543618,0.0003125598,0.007580681,0.0056854086,0.003719515,0.0030982606,0.0155372955],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029366754,0.000013035197,0.00013643669,0.0000370337,0.0000029243267,0.0002983034,0.015480966,0.00014997591,0.00013515666,0.88903916,0.08666506,0.008012545],"study_design_scores_gemma":[0.0000058374803,0.000015732456,0.00007011129,0.000061000243,0.000002030919,0.00032029583,0.0066264607,0.00012296774,0.0001019696,0.03351468,0.9591509,0.000008027134],"about_ca_topic_score_codex":0.0029402913,"about_ca_topic_score_gemma":0.0040951404,"teacher_disagreement_score":0.07149213,"about_ca_system_score_codex":0.0015554923,"about_ca_system_score_gemma":0.0007355658,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W4244873533","doi":"10.1353/mdr.2004.0018","title":"Death and Desire, Apocalypse and Utopia: Feminist Gestus and the Utopian Performative in the Plays of Naomi Wallace","year":2004,"lang":"en","type":"article","venue":"Modern Drama","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.02647388933822798,"score_gpt":0.22482539307693744,"score_spread":0.19835150373870947,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4244873533","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08622371,0.019773394,0.0043832506,0.06894568,0.0010084625,0.000024138015,0.00004515565,0.000036595684,0.8195597],"genre_scores_gemma":[0.9321905,0.002604186,0.00062554196,0.0026587306,0.00025834976,0.000026513862,0.000007448896,0.000044592984,0.061584122],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99881136,0.0008583538,0.000016170728,0.00007170966,0.000098587065,0.00014381619],"domain_scores_gemma":[0.9989304,0.0008493385,0.00006203752,0.000054307886,0.000039267725,0.00006456871],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016429956,0.0004635747,0.00029123676,0.00055057014,0.009060785,0.005945236,0.00052982604,0.0026545373,0.0035999527],"category_scores_gemma":[0.0028959601,0.00019218022,0.00016608139,0.00048989797,0.031593416,0.005133656,0.0032264614,0.0047576874,0.00029474686],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021764223,0.000008267309,0.00008712408,0.000024837347,0.000001913883,0.00009286833,0.04776316,0.000063643725,0.00009779988,0.9421044,0.006747581,0.0029866574],"study_design_scores_gemma":[0.000025696818,0.000034615307,0.0005520735,0.00036193107,0.000008117928,0.00037971983,0.09797079,0.0003910517,0.00073031284,0.3736251,0.5258956,0.000025039482],"about_ca_topic_score_codex":0.0044926074,"about_ca_topic_score_gemma":0.010852471,"teacher_disagreement_score":0.009060785,"about_ca_system_score_codex":0.0026980538,"about_ca_system_score_gemma":0.0013023162,"threshold_uncertainty_score":0.019575834},"labels":[],"label_agreement":null},{"id":"W4247736181","doi":"10.7551/mitpress/9142.001.0001","title":"Ecstatic Worlds","year":2017,"lang":"en","type":"book","venue":"The MIT Press eBooks","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Ministry of Minority Affairs; York University; Pierre Elliott Trudeau Foundation","keywords":"Art","score_opus":0.07802750910431927,"score_gpt":0.2538454110463606,"score_spread":0.17581790194204133,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4247736181","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0023194624,0.0025757528,0.0044037662,0.0068320823,0.00089128525,0.000018487735,0.000034157918,0.00008117415,0.98284376],"genre_scores_gemma":[0.28053173,0.0052940007,0.006758485,0.0062975134,0.0011259201,0.00018213171,0.00013479977,0.00046921975,0.6992062],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989599,0.00046344055,0.00002841767,0.00011223479,0.00028573483,0.00015028818],"domain_scores_gemma":[0.9993149,0.0002835549,0.0000317585,0.0001828177,0.00007790795,0.00010899826],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00114733,0.00076822634,0.00036304508,0.0014474274,0.006983506,0.012225124,0.001089167,0.0030680087,0.05784754],"category_scores_gemma":[0.0031677536,0.0003147544,0.00037455827,0.00095463067,0.018444866,0.013722565,0.00884845,0.0067760795,0.0071862754],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000036902525,0.0000067007286,0.000013409376,0.0000111735535,7.954789e-7,0.000021843047,0.0017952475,0.000023831572,0.000038364706,0.98125845,0.011625835,0.0052007292],"study_design_scores_gemma":[0.0000075375883,0.0000073013557,0.00006452098,0.00011436938,0.000002632482,0.000098362194,0.0033760278,0.00011590341,0.00014001755,0.31047523,0.6855914,0.000006650218],"about_ca_topic_score_codex":0.0016966228,"about_ca_topic_score_gemma":0.004585581,"teacher_disagreement_score":0.05784754,"about_ca_system_score_codex":0.0024061485,"about_ca_system_score_gemma":0.0019735713,"threshold_uncertainty_score":0.1935193},"labels":[],"label_agreement":null},{"id":"W4248806389","doi":"10.5622/illinois/9780252041754.001.0001","title":"Lingua Cosmica","year":2018,"lang":"en","type":"book","venue":"University of Illinois Press eBooks","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Lingua franca; History; China; French; Literature; Media studies; Sociology; Classics; Humanities; Art history; Art","score_opus":0.03792676406750947,"score_gpt":0.19165916344802564,"score_spread":0.15373239938051617,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4248806389","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0035014723,0.02278652,0.00066709256,0.023178605,0.005638103,0.00002187187,0.00087375584,0.00027303502,0.94305956],"genre_scores_gemma":[0.13350978,0.0268002,0.0017814825,0.01642779,0.0052379686,0.00019793607,0.0016736692,0.0011058912,0.8132653],"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.998845,0.00030641086,0.000063115534,0.00027684605,0.00034094695,0.00016777412],"domain_scores_gemma":[0.9992932,0.00019797798,0.000070933915,0.00012940695,0.00019195164,0.00011664884],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006186403,0.00064119516,0.0004826438,0.0017517387,0.0043188054,0.010990187,0.0005587403,0.0019184648,0.05896388],"category_scores_gemma":[0.0017858435,0.00025104146,0.0002568095,0.0031320355,0.0037132616,0.0035726419,0.0034377493,0.0034912757,0.025378173],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037146696,0.000017274917,0.001018369,0.00024018489,0.000009763754,0.00018429977,0.007404336,0.0000805069,0.000495655,0.39747778,0.5176082,0.075426556],"study_design_scores_gemma":[5.968595e-7,0.0000011502002,0.00020285144,0.000051643146,6.386291e-7,0.00004417125,0.00030747626,0.000008319692,0.000019183282,0.0014818166,0.9978802,0.0000018848797],"about_ca_topic_score_codex":0.011498996,"about_ca_topic_score_gemma":0.012986812,"teacher_disagreement_score":0.05896388,"about_ca_system_score_codex":0.004816817,"about_ca_system_score_gemma":0.0028274392,"threshold_uncertainty_score":0.19725382},"labels":[],"label_agreement":null},{"id":"W4249386889","doi":"10.1017/9781108626651.003","title":"Margaret Atwood in Her Canadian Context","year":2021,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dystopia; Trilogy; Context (archaeology); Poetry; Persona; Environmentalism; Canadian literature; History; Literature; Art history; Media studies; Political science; Art; Law; Sociology; Humanities; Politics; Archaeology","score_opus":0.03192033846570257,"score_gpt":0.1798753375821705,"score_spread":0.14795499911646792,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4249386889","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.01545953,0.035706963,0.000826414,0.107074,0.004046702,0.000035697456,0.0002140112,0.00011460221,0.8365222],"genre_scores_gemma":[0.21449947,0.022093866,0.0012621547,0.023405964,0.000481933,0.00004654018,0.00010137534,0.00025447944,0.73785424],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981565,0.0002948875,0.000015863136,0.00019949091,0.0005840961,0.00074913073],"domain_scores_gemma":[0.9986504,0.00022154606,0.000037627553,0.000030310806,0.00048664268,0.00057347596],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010337442,0.0006016209,0.00034071895,0.001611483,0.04854927,0.009344327,0.0015195322,0.003106695,0.021282941],"category_scores_gemma":[0.0019609008,0.00030655594,0.00020998497,0.003279663,0.014458354,0.0033168476,0.0032479775,0.005030244,0.0026715547],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025812516,0.000016019107,0.00051557727,0.00009944208,0.000003437041,0.0007908482,0.075615704,0.00010292339,0.0002918469,0.37236664,0.5290167,0.021155033],"study_design_scores_gemma":[8.190726e-7,0.0000017262731,0.00016679216,0.000069526795,0.000001508295,0.00011980797,0.020103717,0.000015362586,0.000047881775,0.002134854,0.97732973,0.000008254853],"about_ca_topic_score_codex":0.9434885,"about_ca_topic_score_gemma":0.98477757,"teacher_disagreement_score":0.06730302,"about_ca_system_score_codex":0.06730302,"about_ca_system_score_gemma":0.08886356,"threshold_uncertainty_score":0.48831987},"labels":[],"label_agreement":null},{"id":"W4249537739","doi":"10.15242/icehm.ed1116008","title":"Enforced Alienation and Unheard Female Voice under Patriarchy in Atwood‟s Bodily Harm","year":2016,"lang":"en","type":"article","venue":"","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Patriarchy; Alienation; Harm; Sociology; Gender studies; Criminology; Psychology; Social psychology; Political science; Law","score_opus":0.04378916529803606,"score_gpt":0.2505530778680172,"score_spread":0.20676391256998117,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4249537739","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26493928,0.011466434,0.0044196234,0.12642686,0.005154778,0.000053634132,0.00005803465,0.00017777327,0.5873035],"genre_scores_gemma":[0.86567223,0.0021527652,0.0007837151,0.009851594,0.0006884953,0.000026707294,0.000014040816,0.00013293128,0.120677486],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9980118,0.0010027651,0.00002738218,0.0001370758,0.00041076157,0.0004101241],"domain_scores_gemma":[0.99838674,0.00096187345,0.00013514534,0.00010023056,0.00015881154,0.00025719285],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013516827,0.00039206963,0.00027993272,0.00069201196,0.017164204,0.008905982,0.0007931352,0.0033469114,0.003561013],"category_scores_gemma":[0.002363369,0.0002951605,0.00021835716,0.00035290123,0.03115553,0.0034001023,0.0038050131,0.008078695,0.0005587781],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000819218,0.000044865,0.0005339059,0.000102078724,0.0000057401576,0.0023348024,0.57679063,0.00009236427,0.0009907156,0.34539875,0.05971408,0.013910179],"study_design_scores_gemma":[0.000011847461,0.00005851647,0.00094331295,0.0003030683,0.000009853264,0.0027547658,0.24107152,0.00018241467,0.0021083315,0.024610506,0.7279078,0.000038065777],"about_ca_topic_score_codex":0.011765867,"about_ca_topic_score_gemma":0.026501238,"teacher_disagreement_score":0.017164204,"about_ca_system_score_codex":0.0045183077,"about_ca_system_score_gemma":0.0025308174,"threshold_uncertainty_score":0.032782853},"labels":[],"label_agreement":null},{"id":"W4251051529","doi":"10.4000/belphegor.834","title":"A Companion to the Companions","year":2017,"lang":"fr","type":"article","venue":"Belphégor","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Psychology","score_opus":0.06732234034151043,"score_gpt":0.2911060758183643,"score_spread":0.22378373547685387,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4251051529","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0114891995,0.032261856,0.009780681,0.16044933,0.011834523,0.00005474971,0.00013408596,0.0002976673,0.773698],"genre_scores_gemma":[0.46151698,0.022054104,0.004714833,0.037554022,0.009496109,0.00010824107,0.00023984624,0.00049798156,0.46381792],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9963987,0.0022179924,0.00009211068,0.00038311924,0.00057658355,0.00033156032],"domain_scores_gemma":[0.99550396,0.0016219219,0.0003942035,0.00054146774,0.00084778556,0.0010905941],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023524964,0.00045415526,0.0004753411,0.001128432,0.0060238726,0.010729953,0.00084415206,0.0038374567,0.028062299],"category_scores_gemma":[0.012071207,0.00024103069,0.00032076307,0.0011175926,0.013395787,0.017495388,0.007190652,0.005274019,0.008411995],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025743564,0.00002039049,0.00035523088,0.0001886392,0.000005603787,0.00038532447,0.025495097,0.000036851732,0.00020989265,0.8069382,0.13328843,0.033050634],"study_design_scores_gemma":[0.000002765537,0.0000103444845,0.00016566587,0.00021837134,0.0000019874726,0.0003462943,0.005106312,0.000029469085,0.00006885188,0.03833566,0.9557096,0.0000047000894],"about_ca_topic_score_codex":0.0015561974,"about_ca_topic_score_gemma":0.0019661298,"teacher_disagreement_score":0.028062299,"about_ca_system_score_codex":0.003038482,"about_ca_system_score_gemma":0.0027356618,"threshold_uncertainty_score":0.09387779},"labels":[],"label_agreement":null},{"id":"W4252759651","doi":"10.28984/ct.v2i1.288","title":"Posthumanism","year":2018,"lang":"fr","type":"article","venue":"Con Texte","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Posthumanism; Philosophy; Epistemology","score_opus":0.027768171736898366,"score_gpt":0.2517192614051033,"score_spread":0.22395108966820496,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4252759651","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.016697008,0.026735786,0.012555498,0.04633998,0.0020186498,0.00002924126,0.000113507165,0.000081351005,0.895429],"genre_scores_gemma":[0.81105477,0.017385399,0.005319072,0.014560539,0.0024857353,0.00011419807,0.00012949978,0.00013120283,0.14881948],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9987078,0.0006301458,0.0000314618,0.00024086109,0.00025288068,0.00013690595],"domain_scores_gemma":[0.9988632,0.000546149,0.00010465,0.00024742616,0.00015888551,0.00007975623],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016801249,0.00039766132,0.00023119785,0.0007414229,0.0031950925,0.0046433047,0.0005783841,0.002063961,0.01081247],"category_scores_gemma":[0.0022862365,0.00009106496,0.00017953619,0.00060097896,0.027786007,0.005337324,0.0027334834,0.0029233205,0.0012218893],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000030042982,0.0000032310693,0.00005284263,0.000023868155,0.0000011079549,0.00002175661,0.0018315365,0.000027656826,0.00006772147,0.98866546,0.0044313194,0.004870453],"study_design_scores_gemma":[0.0000025611519,0.000014906868,0.0002863831,0.00014919037,0.0000022653403,0.000127049,0.00196622,0.00007953246,0.00029000905,0.5194665,0.47761005,0.0000053786875],"about_ca_topic_score_codex":0.0015670193,"about_ca_topic_score_gemma":0.0020210596,"teacher_disagreement_score":0.01081247,"about_ca_system_score_codex":0.0031952246,"about_ca_system_score_gemma":0.0020482147,"threshold_uncertainty_score":0.036171257},"labels":[],"label_agreement":null},{"id":"W4252949376","doi":"10.7588/worllitetoda.86.5.0076","title":"","year":2012,"lang":"","type":"article","venue":"World Literature Today","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.019398029995781097,"score_gpt":0.236954605494733,"score_spread":0.21755657549895188,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4252949376","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00046906166,0.1370417,0.0003868445,0.057679035,0.022086253,0.000049292838,0.001089163,0.00019151316,0.78100723],"genre_scores_gemma":[0.011284605,0.11785402,0.00059910794,0.033513464,0.012637284,0.0001376682,0.0019891688,0.00041216475,0.82157254],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99787295,0.00041129353,0.00016023064,0.0003788627,0.00087596296,0.00030067554],"domain_scores_gemma":[0.99565244,0.0010966781,0.00034528328,0.0005570307,0.0015500769,0.00079846766],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001605135,0.0008604771,0.00092146656,0.005582678,0.0037779592,0.015394275,0.0014660953,0.004176931,0.27922896],"category_scores_gemma":[0.008111048,0.0004937883,0.00056059536,0.008302526,0.0032687772,0.00889278,0.0041177124,0.0043465775,0.19163945],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005708078,0.000012896247,0.000108608736,0.00037439313,0.000002990903,0.000056941677,0.0006765084,0.000011301705,0.00005206832,0.02468217,0.9268667,0.047149666],"study_design_scores_gemma":[6.2024975e-7,0.0000011559999,0.0001257964,0.0005880531,8.127288e-7,0.000030213316,0.0003099558,0.0000024470698,0.000006591091,0.0007973015,0.9981352,0.0000019350252],"about_ca_topic_score_codex":0.0073849205,"about_ca_topic_score_gemma":0.01091167,"teacher_disagreement_score":0.7207711,"about_ca_system_score_codex":0.0053202114,"about_ca_system_score_gemma":0.008626335,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W4253417069","doi":"10.1353/asa.2020.0035","title":"Dear Suzy","year":2020,"lang":"en","type":"article","venue":"ASAP/journal","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Courtesy; Wonder; Art; Art history; Visual arts; Philosophy; Epistemology; Linguistics","score_opus":0.06775443242965798,"score_gpt":0.2094333439644906,"score_spread":0.1416789115348326,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4253417069","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0034546638,0.0044815145,0.0021593648,0.043991886,0.045169882,0.00012078579,0.001380416,0.0023014636,0.89694],"genre_scores_gemma":[0.005990756,0.0011617825,0.0005261877,0.0049862377,0.0015610624,0.00003403206,0.00033545523,0.00044750338,0.98495704],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994869,0.000071352755,0.000013087402,0.000101824095,0.00019310234,0.0001336395],"domain_scores_gemma":[0.99893624,0.00005383585,0.000044234697,0.00005699479,0.00038798872,0.0005208074],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00048770997,0.00083853776,0.00042973887,0.0007579611,0.005154779,0.004297602,0.00073929393,0.001787672,0.56088364],"category_scores_gemma":[0.0026015516,0.0004167471,0.00042184262,0.0006230316,0.00066946115,0.002858727,0.003512673,0.0037607425,0.36399522],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010379559,0.0000059132376,0.00013865439,0.000023192408,0.000001144042,0.00007911885,0.000274319,0.000004788809,0.000120776625,0.00090913166,0.98297447,0.015458134],"study_design_scores_gemma":[0.000001332289,0.000004226792,0.00024270437,0.000026303498,9.5043845e-7,0.00013469477,0.00050920906,0.0000067342885,0.000060738093,0.00010713711,0.9989022,0.000003842128],"about_ca_topic_score_codex":0.0063045523,"about_ca_topic_score_gemma":0.020927878,"teacher_disagreement_score":0.56088364,"about_ca_system_score_codex":0.0011252579,"about_ca_system_score_gemma":0.0010579887,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W4254071834","doi":"10.3138/9781442664937-fm","title":"Frontmatter","year":2013,"lang":"en","type":"book-chapter","venue":"University of Toronto Press eBooks","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McMaster University; ECW Press (Canada)","funders":"University of Toronto; Social Sciences and Humanities Research Council of Canada; Government of Canada","keywords":"Computer science","score_opus":0.03129733793367771,"score_gpt":0.18260193583972395,"score_spread":0.15130459790604622,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4254071834","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00029337985,0.0006839202,0.0005128267,0.0008514825,0.0016378036,0.000036792237,0.0007308568,0.0011079496,0.994145],"genre_scores_gemma":[0.00059983466,0.00013890743,0.0000993347,0.0002578129,0.00009437291,0.000007529365,0.00016439884,0.00018547673,0.9984522],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99972886,0.000021855842,0.000009027038,0.000062522704,0.00013168748,0.00004600903],"domain_scores_gemma":[0.99953306,0.000055483917,0.000020379028,0.000057814,0.00017777117,0.00015553818],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00021091703,0.0006845174,0.0005299662,0.0011244311,0.0018524756,0.004038622,0.0009406601,0.0015006526,0.89527905],"category_scores_gemma":[0.0011414172,0.00034124427,0.00036650378,0.0010265865,0.00036308003,0.0028514126,0.0029205852,0.0016958273,0.80091804],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015535088,0.000017861772,0.000073283154,0.000047956928,8.173346e-7,0.00005896092,0.00010070401,0.000017536438,0.00017628333,0.0039021964,0.91893405,0.07665477],"study_design_scores_gemma":[0.0000015373402,0.0000040176674,0.00009213557,0.0000174419,3.5333002e-7,0.000049716404,0.000047009176,0.000013525015,0.000033681692,0.00025430255,0.99948454,0.0000016303775],"about_ca_topic_score_codex":0.0021573522,"about_ca_topic_score_gemma":0.007300632,"teacher_disagreement_score":0.10472095,"about_ca_system_score_codex":0.0007424453,"about_ca_system_score_gemma":0.0006351876,"threshold_uncertainty_score":0.14937162},"labels":[],"label_agreement":null},{"id":"W4255983993","doi":"10.32920/ryerson.14643813","title":"Fetishizing the Fembot: Sex, Technology and the Perfect Woman","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Centre for Social Innovation; Toronto Metropolitan University; Queen's University; York University","funders":"","keywords":"Archetype; Fetishism; Dismemberment; Comedy; Metaphor; Shadow (psychology); Gender studies; Sociology; Aesthetics; Psychology; Literature; Art; Psychoanalysis; Political science; Philosophy; Anthropology; Linguistics; Law","score_opus":0.02273316567023269,"score_gpt":0.22039819949358314,"score_spread":0.19766503382335043,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4255983993","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2795118,0.010312059,0.009858597,0.015798412,0.0005318162,0.000016851713,0.000033055658,0.000046665853,0.6838908],"genre_scores_gemma":[0.96301216,0.0016699948,0.00052906695,0.0006409414,0.00008699573,0.000008069577,0.0000059692866,0.00001881763,0.034027956],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99943835,0.00035223394,0.0000066079965,0.00005693063,0.00008549536,0.000060362854],"domain_scores_gemma":[0.99958736,0.0002838465,0.00004152428,0.000036713045,0.000019228548,0.000031454005],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0009032742,0.00026383405,0.00016134998,0.0005118718,0.0039337906,0.0044800336,0.00021112288,0.0009230641,0.004235127],"category_scores_gemma":[0.0013388168,0.00012616899,0.0000988216,0.00038786675,0.02204082,0.0043439614,0.002051572,0.0009951115,0.00037825658],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024533034,0.000008710919,0.0007479706,0.00003546445,0.0000018720089,0.0002993873,0.1115602,0.00006169386,0.00048605417,0.8722596,0.0022483899,0.012266121],"study_design_scores_gemma":[0.000012313415,0.00009406033,0.0028739823,0.00036514946,0.000011374383,0.0014277316,0.17167118,0.00038868046,0.0017648335,0.17707594,0.64428604,0.000028685328],"about_ca_topic_score_codex":0.0014032245,"about_ca_topic_score_gemma":0.0021784822,"teacher_disagreement_score":0.9960662,"about_ca_system_score_codex":0.0011653601,"about_ca_system_score_gemma":0.00048840384,"threshold_uncertainty_score":0.014167905},"labels":[],"label_agreement":null},{"id":"W4256217699","doi":"10.1386/ijfs_00026_4","title":"Afrofuture ecosystems","year":2020,"lang":"en","type":"article","venue":"International Journal of Francophone Studies","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Regina; University of Waterloo","funders":"","keywords":"Precarity; Urban agglomeration; Urbanism; Movie theater; Climate change; Architecture; Sociology; Focus (optics); Work (physics); Sustainability; Geography; Economic geography; Political science; History; Gender studies; Ecology; Archaeology; Art history; Engineering","score_opus":0.06120144460824007,"score_gpt":0.2817361105066462,"score_spread":0.22053466589840615,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4256217699","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0073701497,0.0028816953,0.0012637081,0.012768534,0.0012560688,0.00003218779,0.00017337211,0.00022631016,0.9740278],"genre_scores_gemma":[0.15982267,0.004284715,0.0027936797,0.0062171295,0.0007231056,0.0000881085,0.00025907918,0.00022756828,0.82558393],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990237,0.00025886786,0.000021708542,0.000098015946,0.0002399803,0.00035777636],"domain_scores_gemma":[0.9989635,0.00011413862,0.00005965856,0.00017354554,0.00016251836,0.00052660017],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014378293,0.00053015165,0.00020779193,0.0015133821,0.010421338,0.010102663,0.00086621,0.002449113,0.22602357],"category_scores_gemma":[0.0016878761,0.00014101977,0.00037143345,0.0010567543,0.0033148683,0.0052229194,0.008886037,0.001987901,0.040876962],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000065928856,0.0001579221,0.0025468892,0.00029449843,0.000010544965,0.0008924642,0.011496679,0.00012613663,0.0014770307,0.37240827,0.32368138,0.2868423],"study_design_scores_gemma":[0.0000014609378,0.0000120321465,0.0004392842,0.0000964111,0.0000010976137,0.00015373119,0.0018203007,0.000019762332,0.00009014605,0.0053829006,0.9919795,0.0000033483643],"about_ca_topic_score_codex":0.004067481,"about_ca_topic_score_gemma":0.015516914,"teacher_disagreement_score":0.22602357,"about_ca_system_score_codex":0.0022929017,"about_ca_system_score_gemma":0.0031389093,"threshold_uncertainty_score":0.75612414},"labels":[],"label_agreement":null},{"id":"W4256488320","doi":"10.5325/utopianstudies.24.1.0153","title":"L'Atlas des Utopies. 200 Cartes. 25 Siècles d'Histoire","year":2013,"lang":"fr","type":"article","venue":"Utopian Studies","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Atlas (anatomy); Art; History; Geology","score_opus":0.048030192822231976,"score_gpt":0.25824766073580574,"score_spread":0.21021746791357376,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4256488320","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0015858717,0.051092513,0.0011859129,0.006706964,0.007986115,0.000059212034,0.003395838,0.0005827584,0.92740476],"genre_scores_gemma":[0.0151824895,0.018808814,0.0012234641,0.0012953703,0.0015964585,0.00010811912,0.0024072558,0.00051760854,0.95886046],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99933845,0.00018793088,0.00003394355,0.00007972116,0.00026387122,0.000096095704],"domain_scores_gemma":[0.9995314,0.00011274594,0.00004424839,0.000083412066,0.00016047705,0.00006775956],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00049077946,0.0012749437,0.00042756824,0.0042598224,0.0039328714,0.007588656,0.0007281364,0.0014669661,0.18885107],"category_scores_gemma":[0.0012161876,0.0004491741,0.0003601218,0.005347158,0.0018882935,0.0034613835,0.002198127,0.0026929101,0.064799204],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004854731,0.000026456055,0.00034551267,0.00035193993,0.000005375776,0.00019612201,0.0027118812,0.00017260236,0.00048014196,0.09995467,0.8004787,0.09522798],"study_design_scores_gemma":[6.4570906e-7,9.813172e-7,0.00017474263,0.00005023592,2.5381888e-7,0.000038457605,0.00015897061,0.0000074209147,0.000022943748,0.0005565472,0.9989874,0.0000014427056],"about_ca_topic_score_codex":0.024881918,"about_ca_topic_score_gemma":0.044202004,"teacher_disagreement_score":0.18885107,"about_ca_system_score_codex":0.005083745,"about_ca_system_score_gemma":0.0026539338,"threshold_uncertainty_score":0.6317698},"labels":[],"label_agreement":null},{"id":"W4283385636","doi":"10.3917/dio.273.0124","title":"L’atmosphère, le parfum et la politique de l’utopie : Lucien, Nietzsche, et Illich","year":2022,"lang":"fr","type":"article","venue":"Diogène","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université Laval","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.01834213321256546,"score_gpt":0.2674726940698158,"score_spread":0.24913056085725033,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4283385636","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04814353,0.016096633,0.055466745,0.06017743,0.00053953606,0.00005633816,0.000120516794,0.0002705813,0.81912875],"genre_scores_gemma":[0.9103936,0.005344699,0.0066102888,0.003459805,0.00032382002,0.0001544886,0.0000486183,0.0003404655,0.07332413],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99703884,0.0014258961,0.00006445658,0.00047766932,0.0005300753,0.00046311342],"domain_scores_gemma":[0.9989944,0.00055937504,0.0000915302,0.00017241493,0.00009043891,0.0000917759],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0021088948,0.0006471497,0.00041498986,0.0010878806,0.0064294613,0.009984028,0.0009833543,0.0027339177,0.008528821],"category_scores_gemma":[0.00331478,0.0004832411,0.0005378638,0.0016279628,0.038069304,0.015105297,0.006581374,0.005888545,0.0011707023],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000004643296,0.0000017684828,0.0000599787,0.0000118124,9.091717e-7,0.000013911958,0.0038727233,0.000054070148,0.00004435524,0.9934095,0.0008295687,0.0016968566],"study_design_scores_gemma":[0.000013837069,0.000014622317,0.0005107907,0.0001691091,0.000008457157,0.00011510143,0.008862353,0.00053996756,0.00034932248,0.7513568,0.23803605,0.000023554443],"about_ca_topic_score_codex":0.018086739,"about_ca_topic_score_gemma":0.017585112,"teacher_disagreement_score":0.018086739,"about_ca_system_score_codex":0.00993473,"about_ca_system_score_gemma":0.0048868037,"threshold_uncertainty_score":0.072081804},"labels":[],"label_agreement":null},{"id":"W4283659866","doi":"10.46726/h.2022.2.2","title":"Literary Afrofuturism in the 21st century Canadian literature (On example of “Dominoes at the Crossroads” by K. Kellough)","year":2022,"lang":"en","type":"article","venue":"Ivanovo state university bulletin Series The Humanities","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Literature; History; Art","score_opus":0.013517396889151446,"score_gpt":0.16524200713185255,"score_spread":0.15172461024270112,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4283659866","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.021514362,0.36365405,0.0005171336,0.16957134,0.005111744,0.000039789957,0.00024615662,0.000078860874,0.43926653],"genre_scores_gemma":[0.59229994,0.114715144,0.0008412556,0.015837507,0.0032441923,0.000052874468,0.00014877612,0.00016294856,0.27269736],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989361,0.00030139688,0.00002154273,0.00008240644,0.00031348565,0.00034503115],"domain_scores_gemma":[0.99894506,0.00036161,0.000078613535,0.000038938833,0.00036416246,0.00021166689],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013903402,0.0007456455,0.00033453075,0.002733872,0.023044676,0.007464885,0.0010539979,0.002306131,0.0045956825],"category_scores_gemma":[0.0023254459,0.00029334877,0.00020191466,0.004560495,0.020565731,0.003141338,0.0021563885,0.002583574,0.00051640416],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003536195,0.000022338647,0.00087462674,0.00021432638,0.000007549203,0.00036745283,0.11013944,0.00009740626,0.00020276578,0.47494492,0.38182276,0.031271167],"study_design_scores_gemma":[0.0000049200207,0.000005837105,0.004141552,0.00040491144,0.000005980163,0.00014733398,0.030277006,0.0000723378,0.000109208384,0.012200086,0.9526108,0.000019954345],"about_ca_topic_score_codex":0.9485147,"about_ca_topic_score_gemma":0.986014,"teacher_disagreement_score":0.05367268,"about_ca_system_score_codex":0.05367268,"about_ca_system_score_gemma":0.045177497,"threshold_uncertainty_score":0.38942438},"labels":[],"label_agreement":null},{"id":"W4285207207","doi":"10.34293/english.v10is1-jan2022.4725","title":"The Serfdom of Women Portrayed by Margaret Atwoodin The Handmaid’s Tale","year":2022,"lang":"en","type":"article","venue":"Shanlax International Journal of English","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Oppression; Dystopia; Power (physics); Gender studies; Politics; Feminism; Theme (computing); Sociology; Identity (music); Literature; Psychoanalysis; Aesthetics; Law; Psychology; Political science; Art","score_opus":0.009825373326254628,"score_gpt":0.21185288575947725,"score_spread":0.20202751243322262,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4285207207","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24419497,0.02242679,0.002799268,0.15410858,0.010170481,0.00007987813,0.00019533031,0.0002640773,0.5657607],"genre_scores_gemma":[0.74188215,0.0035323563,0.0008942633,0.014434444,0.0010655603,0.000060018043,0.000039999515,0.00020744778,0.23788385],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99896467,0.00034882416,0.000009003722,0.00012554102,0.00027218266,0.00027966543],"domain_scores_gemma":[0.9992901,0.0002732708,0.000055760345,0.00003316169,0.00011064022,0.00023700553],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00081596366,0.0005434593,0.00035329408,0.0008103757,0.022421228,0.0064575486,0.00077588175,0.00220605,0.0070094024],"category_scores_gemma":[0.0018746332,0.0003145897,0.00021555816,0.00056738436,0.010215807,0.0026882244,0.0031115855,0.004145988,0.0008125698],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015916013,0.000059937884,0.0010321203,0.00013917209,0.000012576382,0.0025315892,0.45169044,0.00016600288,0.0024037072,0.23351128,0.28433675,0.02395731],"study_design_scores_gemma":[0.0000036767524,0.00003154823,0.00082828774,0.0001493748,0.000005387987,0.0009297062,0.12720959,0.00009677908,0.00049610774,0.004798359,0.8654242,0.000026892245],"about_ca_topic_score_codex":0.08415397,"about_ca_topic_score_gemma":0.15837774,"teacher_disagreement_score":0.08415397,"about_ca_system_score_codex":0.009180715,"about_ca_system_score_gemma":0.0033158564,"threshold_uncertainty_score":0.1673283},"labels":[],"label_agreement":null},{"id":"W4285480316","doi":"10.1017/9781108626651","title":"The Cambridge Companion to Margaret Atwood","year":2021,"lang":"en","type":"book","venue":"Cambridge University Press eBooks","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":13,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dystopia; Context (archaeology); Canadian literature; Identity (music); Performance art; Media studies; History; Sociology; Art history; Literature; Art; Aesthetics","score_opus":0.029205090568326715,"score_gpt":0.19636550248676887,"score_spread":0.16716041191844216,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4285480316","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002328835,0.07197224,0.00085107534,0.027628994,0.015567058,0.000032221775,0.00016553284,0.000212023,0.88124204],"genre_scores_gemma":[0.0068197455,0.008080714,0.00029576058,0.0024198755,0.0012030313,0.00002032588,0.00004556106,0.000107647444,0.9810073],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995104,0.0001049986,0.000010511418,0.00006425976,0.00025284124,0.00005695059],"domain_scores_gemma":[0.99932206,0.00020893883,0.000030126828,0.00004342676,0.00022619465,0.00016924708],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00039543494,0.0005630235,0.00033074658,0.0013728092,0.004900385,0.004276239,0.00068644155,0.0013883685,0.09457443],"category_scores_gemma":[0.0015738372,0.0002699343,0.00015901179,0.0016262563,0.0017150269,0.0028524066,0.002153456,0.0020503064,0.032080725],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007733013,0.000009551247,0.000050489343,0.000055405497,7.1414166e-7,0.000096257405,0.0018106917,0.000016336307,0.00019716617,0.020842053,0.9505619,0.026351564],"study_design_scores_gemma":[3.3795882e-7,0.0000018684742,0.000068189926,0.000049189748,3.1102797e-7,0.000056770605,0.00045149127,0.000005428081,0.000023405084,0.00063067867,0.9987109,0.0000014991637],"about_ca_topic_score_codex":0.01689187,"about_ca_topic_score_gemma":0.060953494,"teacher_disagreement_score":0.09457443,"about_ca_system_score_codex":0.0033713148,"about_ca_system_score_gemma":0.0021756338,"threshold_uncertainty_score":0.31638294},"labels":[],"label_agreement":null},{"id":"W4286500088","doi":"10.2458/tbtr.4771","title":"An Angel, a Thief, and a Mothership: Imaginative Considerations of Black Being","year":2022,"lang":"en","type":"article","venue":"the Black Theatre Review","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Blues; Narrative; Musical; Storytelling; Art; Politics; White (mutation); Literature; Aesthetics; Power (physics); Sociology; Art history; Visual arts; Law","score_opus":0.03524627623330645,"score_gpt":0.26820109535460485,"score_spread":0.2329548191212984,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4286500088","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23184338,0.006103291,0.008765294,0.033666458,0.0010131021,0.00006410331,0.000028480254,0.000056385583,0.7184595],"genre_scores_gemma":[0.9720434,0.0012053972,0.0010253041,0.0011014293,0.00012788603,0.000029565399,0.000006827965,0.000045094923,0.024415063],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99651057,0.002665638,0.000028032027,0.00015986394,0.00029917798,0.0003367647],"domain_scores_gemma":[0.9982497,0.0012232867,0.00012996318,0.000098175486,0.00009272146,0.00020614812],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005260144,0.00092001463,0.00037303986,0.0016028907,0.015347763,0.00966991,0.0010308557,0.0023429173,0.0042110067],"category_scores_gemma":[0.004008726,0.00029422969,0.00029772872,0.0006704237,0.05041301,0.008275002,0.005422583,0.004707003,0.000443427],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018187502,0.000011666507,0.00017950284,0.000029527931,0.0000018736625,0.0002704917,0.5181331,0.000044547513,0.00027671337,0.4760044,0.001805299,0.0032246055],"study_design_scores_gemma":[0.000013237802,0.000041632615,0.00035245047,0.000280816,0.0000115483745,0.00039939967,0.66480154,0.0002484397,0.0006312238,0.10157864,0.23162499,0.0000160924],"about_ca_topic_score_codex":0.004991062,"about_ca_topic_score_gemma":0.0093946485,"teacher_disagreement_score":0.015347763,"about_ca_system_score_codex":0.0051529477,"about_ca_system_score_gemma":0.0025082415,"threshold_uncertainty_score":0.03738737},"labels":[],"label_agreement":null},{"id":"W4287369286","doi":"10.5281/zenodo.4464382","title":"Ver PG (Psycho Goreman) (2021) Online Pelicula Español Completa HD ips","year":2021,"lang":"es","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Psychology; Psychoanalysis; Humanities; Art","score_opus":0.060874504256268,"score_gpt":0.26258665375363377,"score_spread":0.20171214949736577,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4287369286","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00044428272,0.00053555035,0.0006145012,0.0005162582,0.000972508,0.00007143164,0.008378144,0.0054376703,0.98302966],"genre_scores_gemma":[0.0020330483,0.0005014776,0.00050430105,0.00026412762,0.00016799575,0.00004784191,0.0053477176,0.004032352,0.9871011],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9998512,0.000012080598,0.000004563309,0.000026600861,0.00006750996,0.000038018712],"domain_scores_gemma":[0.99957687,0.000048199792,0.00001338548,0.00007856834,0.0001513959,0.0001315447],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00021160695,0.0007845201,0.00046691168,0.0009085126,0.0009848563,0.0038895593,0.0007764594,0.00093851157,0.9192253],"category_scores_gemma":[0.0008348858,0.00036188887,0.00042772686,0.000977045,0.00028507158,0.002803644,0.0024191088,0.0012611744,0.8513832],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031127303,0.00001120756,0.0000437887,0.00008555711,0.0000013879346,0.000035459783,0.00004625617,0.000021329839,0.00032588062,0.0012318534,0.96412593,0.034040354],"study_design_scores_gemma":[0.000004634977,0.0000040138175,0.00019900959,0.000028031052,8.880444e-7,0.000026569478,0.0000370334,0.000011925848,0.00009941103,0.00018229223,0.99940336,0.0000028490797],"about_ca_topic_score_codex":0.0034185948,"about_ca_topic_score_gemma":0.008417485,"teacher_disagreement_score":0.080774724,"about_ca_system_score_codex":0.00062759646,"about_ca_system_score_gemma":0.00044721866,"threshold_uncertainty_score":0.11521536},"labels":[],"label_agreement":null},{"id":"W4289240138","doi":"10.1007/978-3-031-07029-7_2","title":"Black Market Dreams: From Cyberpunk to the Avant-Pulp","year":2022,"lang":"en","type":"book-chapter","venue":"Palgrave science fiction and fantasy","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Noon; Multinational corporation; Art; Aesthetics; Visual arts; Literature; Political science; Law","score_opus":0.02760353091809959,"score_gpt":0.2302558149823129,"score_spread":0.20265228406421332,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4289240138","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.015302584,0.004335122,0.0015588083,0.022104336,0.00078838214,0.000014522555,0.000043829692,0.0000689924,0.9557834],"genre_scores_gemma":[0.48094827,0.003008656,0.00087409245,0.006635561,0.00043084493,0.00005250883,0.00004479337,0.00025361762,0.5077517],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993025,0.00030930957,0.000008577024,0.00007402123,0.0001413695,0.00016421871],"domain_scores_gemma":[0.9993337,0.00033189444,0.000043579526,0.00008252497,0.000058770198,0.00014948247],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012918852,0.000593116,0.00030874283,0.0008545243,0.011550481,0.0141314715,0.0008437423,0.0033196043,0.028247204],"category_scores_gemma":[0.0026835573,0.00030356093,0.00021383086,0.0010524291,0.018597148,0.014893779,0.0044522774,0.006166668,0.002846762],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017974631,0.000011968114,0.0000660255,0.00001601975,0.0000014284417,0.00008771317,0.011919825,0.00004184771,0.000040524,0.9413294,0.03749031,0.008976874],"study_design_scores_gemma":[0.0000102394515,0.000014228114,0.0002598685,0.00019433057,0.0000035522994,0.0001562132,0.029710015,0.00023002356,0.00033805973,0.30171207,0.6673563,0.000015044275],"about_ca_topic_score_codex":0.008932964,"about_ca_topic_score_gemma":0.017684635,"teacher_disagreement_score":0.028247204,"about_ca_system_score_codex":0.004038854,"about_ca_system_score_gemma":0.003184472,"threshold_uncertainty_score":0.09449631},"labels":[],"label_agreement":null},{"id":"W4293059497","doi":"10.1177/00084298221105660","title":"Book Review: The Dreamer and the Dream: Afrofuturism and Black Religious Thought, Roger A Sneed","year":2022,"lang":"en","type":"article","venue":"Studies in Religion/Sciences Religieuses","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dream; Psychoanalysis; Art; History; Philosophy; Psychology; Psychotherapist","score_opus":0.034373530696259674,"score_gpt":0.2977356455154595,"score_spread":0.2633621148191998,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4293059497","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00008134099,0.85750914,0.00005549646,0.0830235,0.051996518,0.000011297479,0.000067335925,0.000014459581,0.007240852],"genre_scores_gemma":[0.0019868326,0.7706581,0.00021193812,0.08111271,0.08713414,0.00004631483,0.00013550476,0.000038633516,0.05867579],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999366,0.00017050329,0.000049533846,0.00008444865,0.00028244228,0.000047109377],"domain_scores_gemma":[0.99582446,0.0023275914,0.0002369016,0.00008371857,0.0012053985,0.00032186063],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012229559,0.0008521021,0.0014149493,0.0027830615,0.0014800923,0.0034915528,0.0016762185,0.005550838,0.019175865],"category_scores_gemma":[0.007102556,0.00045330907,0.00045993485,0.0037472749,0.0020323668,0.0036556378,0.0012944044,0.0053933063,0.0078047444],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000065712784,0.0000052437736,0.00002161771,0.00032718014,0.0000035187745,0.000017090044,0.000033606222,0.000010217269,0.000013983743,0.001037202,0.98390055,0.01462321],"study_design_scores_gemma":[0.000012645822,0.000009201496,0.00024976378,0.0010771618,0.000009130439,0.00014928746,0.000123997,0.0000130571025,0.000018361421,0.0010527449,0.99727756,0.0000070644314],"about_ca_topic_score_codex":0.013798258,"about_ca_topic_score_gemma":0.047190983,"teacher_disagreement_score":0.019175865,"about_ca_system_score_codex":0.0029576481,"about_ca_system_score_gemma":0.004454256,"threshold_uncertainty_score":0.06414962},"labels":[],"label_agreement":null},{"id":"W4295867029","doi":"10.1353/mos.2021.0018","title":"Certain Assistances: The Utilities of Speculative Fiction in Shaping the Future","year":2021,"lang":"en","type":"article","venue":"Mosaic","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Fantasy; Argument (complex analysis); Extension (predicate logic); Epistemology; Value (mathematics); Power (physics); Quality (philosophy); Aesthetics; The Imaginary; Fiction theory; Sci-Fi; sort; Speculation; Literary fiction; Philosophy; Sociology; Literature; Psychology; Literary criticism; Psychoanalysis; Computer science; Art; Economics; Physics; Chemistry","score_opus":0.0444527235059521,"score_gpt":0.2433303378613453,"score_spread":0.1988776143553932,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4295867029","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.014101323,0.014704479,0.013121929,0.4115216,0.0042589153,0.000057764468,0.0000704764,0.00018167964,0.54198194],"genre_scores_gemma":[0.799296,0.014121859,0.007842533,0.032371137,0.0077258884,0.00014107556,0.00007214063,0.00036965095,0.13805969],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99439234,0.0041597453,0.00010439851,0.00028479475,0.00079734117,0.00026137102],"domain_scores_gemma":[0.9687491,0.025373612,0.0012270538,0.0016541113,0.0021658074,0.00083035126],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.008007198,0.00052134675,0.00022743357,0.0012743464,0.0077735856,0.009959849,0.0009338818,0.0035005384,0.006907295],"category_scores_gemma":[0.030812645,0.00028274997,0.0003101971,0.0009837651,0.036801998,0.011568702,0.003913881,0.005911355,0.001407705],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020813704,0.00000932378,0.00023850003,0.000087395274,0.0000033592478,0.00016433439,0.024705349,0.00015443694,0.00012414741,0.89287627,0.06850394,0.013112119],"study_design_scores_gemma":[0.000011508045,0.000018638933,0.00031130982,0.00040249425,0.0000067441524,0.0002666867,0.013412051,0.00040188152,0.00042075958,0.24162848,0.7430951,0.000024422501],"about_ca_topic_score_codex":0.0026895248,"about_ca_topic_score_gemma":0.003960987,"teacher_disagreement_score":0.009959849,"about_ca_system_score_codex":0.0046289274,"about_ca_system_score_gemma":0.0025028237,"threshold_uncertainty_score":0.042346597},"labels":[],"label_agreement":null},{"id":"W4296110247","doi":"10.3726/b19573","title":"Rethinking Utopia and Utopianism","year":2022,"lang":"en","type":"book","venue":"Peter Lang Verlag eBooks","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":12,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Utopia; Dystopia; Subject (documents); Conscience; Politics; Sociology; Environmental ethics; Art history; Philosophy; Aesthetics; Epistemology; History; Political science; Literature; Art; Law; Library science; Computer science","score_opus":0.03620713621538113,"score_gpt":0.21209105877397727,"score_spread":0.17588392255859614,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4296110247","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.022533063,0.11805153,0.010314153,0.51838064,0.014209782,0.000028146793,0.00007190895,0.00016602546,0.31624472],"genre_scores_gemma":[0.77503353,0.047882374,0.005167643,0.07527487,0.018536238,0.000120706136,0.00005786255,0.00035267245,0.07757413],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9942676,0.0035687333,0.00014718134,0.0004688214,0.0010567319,0.00049088575],"domain_scores_gemma":[0.98839533,0.00922297,0.0006406212,0.0005808744,0.00079320435,0.00036705896],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0070064426,0.00071103143,0.00082600536,0.0035650895,0.009784736,0.014125628,0.0015636323,0.0049771094,0.0032826865],"category_scores_gemma":[0.011217523,0.0002914623,0.0005298137,0.002159855,0.06872017,0.01793882,0.008223002,0.011020762,0.0006584357],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000075140238,0.0000044670096,0.00009332934,0.000071626295,0.000003102439,0.000060069524,0.020477088,0.000051147184,0.00004121732,0.9530308,0.018893579,0.0072660227],"study_design_scores_gemma":[0.000010783411,0.00001433051,0.00034743478,0.000634195,0.000006521062,0.0001290579,0.015125653,0.00020598389,0.00029346015,0.4692914,0.51392025,0.0000209645],"about_ca_topic_score_codex":0.0068814536,"about_ca_topic_score_gemma":0.010016932,"teacher_disagreement_score":0.014125628,"about_ca_system_score_codex":0.00783368,"about_ca_system_score_gemma":0.005602585,"threshold_uncertainty_score":0.05683756},"labels":[],"label_agreement":null},{"id":"W4300591322","doi":"","title":"\"Music is a plane of wisdom\"—Transmissions from the Offworlds of Afrofuturism","year":2013,"lang":"en","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Plane (geometry); Art; Mathematics; Geometry","score_opus":0.27882235886853535,"score_gpt":0.47494108296708876,"score_spread":0.1961187240985534,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4300591322","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1119143,0.013211527,0.0030462923,0.12545076,0.0032867123,0.000025222214,0.00014692674,0.000104186365,0.7428141],"genre_scores_gemma":[0.9635575,0.0024125096,0.0004761624,0.007154291,0.0015468115,0.000018441886,0.00003750373,0.000118864584,0.024677973],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9969022,0.0018745933,0.00006353529,0.00021220685,0.0005398131,0.00040764723],"domain_scores_gemma":[0.9953335,0.0029834183,0.00038924228,0.00047043554,0.00035423765,0.00046922304],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0035090097,0.00056037016,0.00038778447,0.0021471698,0.023348888,0.015898488,0.00087512,0.0035782633,0.0075957444],"category_scores_gemma":[0.012793662,0.00024882366,0.00021029635,0.0022058873,0.042082787,0.009513917,0.006345358,0.010059546,0.0008674283],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000066389846,0.000016740532,0.00063222984,0.00006126464,0.000008021318,0.00020366952,0.27302876,0.000036912243,0.00018141884,0.68843216,0.023086784,0.014245573],"study_design_scores_gemma":[0.00003121775,0.000034817815,0.0023407142,0.00059427496,0.000015625488,0.0005177127,0.27840298,0.00020741088,0.0003418659,0.15801138,0.55946475,0.000037296326],"about_ca_topic_score_codex":0.0084857,"about_ca_topic_score_gemma":0.014485727,"teacher_disagreement_score":0.023348888,"about_ca_system_score_codex":0.0043980307,"about_ca_system_score_gemma":0.002829299,"threshold_uncertainty_score":0.03191012},"labels":[],"label_agreement":null},{"id":"W4300950322","doi":"10.3138/jeunesse.7.1.18","title":"Zygmunt Bauman, Postmodern Ethics, and Utopia as Process in Suzanne Collins’s <i>The Hunger Games</i>: “It’s the First Gift That’s Always the Hardest to Pay Back”","year":2015,"lang":"en","type":"article","venue":"Jeunesse Young People Texts Cultures","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Postmodernism; Existentialism; Criticism; Sociology; Trilogy; Utopia; Ideology; Aesthetics; Argument (complex analysis); Psychoanalysis; Subject (documents); Epistemology; Philosophy; Psychology; Law; Art history; Art; Politics; Literature; Political science","score_opus":0.051831042160150366,"score_gpt":0.2875932461920517,"score_spread":0.23576220403190132,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4300950322","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1928813,0.045007266,0.010131709,0.17228453,0.0017125073,0.00006996315,0.00008049031,0.00009625338,0.5777361],"genre_scores_gemma":[0.9641463,0.003147234,0.0013967578,0.0036509545,0.00017818478,0.00005193109,0.0000090689255,0.000040829964,0.027378818],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.998539,0.0010949712,0.000017607616,0.000085700085,0.00014392514,0.00011886915],"domain_scores_gemma":[0.99889344,0.0007817575,0.000096051175,0.000058745543,0.000072862764,0.00009705511],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015450956,0.00037858973,0.00016204843,0.0007045577,0.007365637,0.004917326,0.0006458609,0.0016138762,0.0021907298],"category_scores_gemma":[0.0029442376,0.00018387589,0.000102087215,0.0005769952,0.027180938,0.00401885,0.0022131063,0.0023940816,0.0003498579],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016542177,0.00001096552,0.000321683,0.000043535605,0.000001413953,0.00018346838,0.10301724,0.000087856395,0.00013879435,0.87833464,0.012133836,0.0057100626],"study_design_scores_gemma":[0.000012526947,0.000026607502,0.0011660743,0.00034132175,0.000005157883,0.00043038474,0.12858436,0.00026080216,0.00079799525,0.37624568,0.4920986,0.000030392286],"about_ca_topic_score_codex":0.016572298,"about_ca_topic_score_gemma":0.028715026,"teacher_disagreement_score":0.016572298,"about_ca_system_score_codex":0.004840152,"about_ca_system_score_gemma":0.0027385787,"threshold_uncertainty_score":0.035117924},"labels":[],"label_agreement":null},{"id":"W4301134914","doi":"10.7146/ageculturehumanities.v3i.130153","title":"Beyond Prosthetic Memory","year":2018,"lang":"en","type":"article","venue":"Age Culture Humanities An Interdisciplinary Journal","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"University of Toronto; University of Leeds; Ohio State University; Ohio State University Press","keywords":"Posthuman; Embodied cognition; Exceptionalism; Aesthetics; Posthumanism; Sociology; Perspective (graphical); Illusion; Psychology; Epistemology; Art; Political science; Law; Philosophy; Visual arts; Cognitive psychology","score_opus":0.03807490261852501,"score_gpt":0.29176752039563075,"score_spread":0.2536926177771057,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4301134914","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.012647693,0.037294183,0.013451541,0.027842732,0.002951063,0.000028527535,0.00024219354,0.00025457592,0.90528756],"genre_scores_gemma":[0.6253593,0.029851615,0.008753407,0.008308594,0.0029476983,0.000086887456,0.00044090307,0.00035654206,0.32389504],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99948347,0.00018784114,0.000031200958,0.00010171204,0.00011387318,0.000081803395],"domain_scores_gemma":[0.99868125,0.00047910842,0.00007231004,0.00040321378,0.00021206212,0.00015211811],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009518593,0.00048707624,0.00032680322,0.00093723426,0.0029056321,0.010115523,0.0011297539,0.0022285096,0.04158366],"category_scores_gemma":[0.004903386,0.00018498782,0.000258524,0.0006894417,0.010189025,0.011106726,0.0038614338,0.0020943754,0.0070299734],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006428551,0.000021126694,0.00030370394,0.00019715067,0.0000070035103,0.00028659304,0.010050102,0.00018733439,0.00035033302,0.8755788,0.034982022,0.077971525],"study_design_scores_gemma":[0.00001013251,0.000032239703,0.00035631776,0.0005189765,0.000008165682,0.00063149136,0.0047529293,0.00024950493,0.0003865934,0.21968615,0.77335215,0.000015422027],"about_ca_topic_score_codex":0.0023576343,"about_ca_topic_score_gemma":0.002868682,"teacher_disagreement_score":0.04158366,"about_ca_system_score_codex":0.0018602923,"about_ca_system_score_gemma":0.0016758466,"threshold_uncertainty_score":0.13911122},"labels":[],"label_agreement":null},{"id":"W4301493546","doi":"10.21603/2078-8975-2014-1-173-177","title":"ACTUALIZATION OF THE CONCEPT OF TIME IN MARGARET ATWOOD’S WORLDVIEW","year":2016,"lang":"en","type":"article","venue":"Bulletin of Kemerovo State University","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Psychoanalysis; Sociology; Psychology; Epistemology; Philosophy","score_opus":0.01101714239780179,"score_gpt":0.1695391615705365,"score_spread":0.1585220191727347,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4301493546","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19364308,0.0044572987,0.007546851,0.027172599,0.0005085918,0.000039333532,0.00011104636,0.00004497946,0.7664762],"genre_scores_gemma":[0.9690002,0.000964505,0.0012474018,0.00061280926,0.000050362472,0.00001289522,0.000016384374,0.0000279269,0.028067427],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991173,0.00034571975,0.000016314478,0.00008320023,0.00022963516,0.00020784284],"domain_scores_gemma":[0.9988728,0.00040903146,0.000095019765,0.00006537592,0.00035231808,0.00020543578],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014689757,0.0002545119,0.00015023096,0.001470128,0.012983768,0.0058029806,0.0008404652,0.0010287405,0.0026531755],"category_scores_gemma":[0.0016693448,0.00013367139,0.00013610692,0.0011782326,0.03717229,0.002655147,0.0018578847,0.0020753972,0.00015772837],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010006995,0.0000035912599,0.00033296787,0.000010971652,0.0000012487997,0.00011218505,0.13296646,0.00009359093,0.00031718006,0.8600166,0.0028815803,0.0032536965],"study_design_scores_gemma":[0.0000065948393,0.000018986879,0.00328612,0.0001543897,0.000009407024,0.00039693253,0.2607923,0.00044057806,0.0008689868,0.1166661,0.6173013,0.000058311336],"about_ca_topic_score_codex":0.6185194,"about_ca_topic_score_gemma":0.75638473,"teacher_disagreement_score":0.6185194,"about_ca_system_score_codex":0.024227688,"about_ca_system_score_gemma":0.017800305,"threshold_uncertainty_score":0.7674544},"labels":[],"label_agreement":null},{"id":"W4302013709","doi":"","title":"Afrofuturism Unbound: tobias c. van Veen in conversation with Paul D. Miller","year":2013,"lang":"en","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Conversation; Miller; Philosophy; Sociology; Psychology; Linguistics; Ecology; Biology","score_opus":0.22084773767477323,"score_gpt":0.47185763902867983,"score_spread":0.2510099013539066,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4302013709","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0008404731,0.04836229,0.00022197315,0.9208464,0.013284495,0.0000058375535,0.00002855599,0.000016017604,0.016393894],"genre_scores_gemma":[0.070371486,0.063421294,0.00085138134,0.7245471,0.023952914,0.000112125774,0.00005487328,0.0002675612,0.11642115],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99658847,0.0022671658,0.00008046839,0.00029528807,0.00048540963,0.00028328333],"domain_scores_gemma":[0.9947642,0.0040839813,0.00019624947,0.0000702796,0.00039135016,0.0004939163],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004118131,0.00082368514,0.00094655785,0.0010523144,0.01694581,0.0073420373,0.0013316035,0.010258682,0.0106764985],"category_scores_gemma":[0.013903837,0.00045865838,0.00038553672,0.0013163666,0.0085125705,0.013563624,0.0033419458,0.021409966,0.0025710796],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017209466,0.00002085752,0.00009464729,0.00010344535,0.0000050716417,0.00019858108,0.017534306,0.000030989184,0.000053888147,0.0552686,0.9160584,0.010613822],"study_design_scores_gemma":[0.000007026166,0.000007174823,0.00018865654,0.00052211346,0.0000042930105,0.00023793265,0.014645757,0.000052902946,0.00008947295,0.013534,0.97069126,0.000019456655],"about_ca_topic_score_codex":0.024188582,"about_ca_topic_score_gemma":0.044536877,"teacher_disagreement_score":0.024188582,"about_ca_system_score_codex":0.004375545,"about_ca_system_score_gemma":0.0035821316,"threshold_uncertainty_score":0.048095584},"labels":[],"label_agreement":null},{"id":"W4307167866","doi":"10.14201/candb.v11i133-147","title":"It’s All About the Body: Zombification and the Male Gaze in Oryx and Crake and Brown Girl in the Ring","year":2022,"lang":"en","type":"article","venue":"Canada and Beyond A Journal of Canadian Literary and Cultural Studies","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Oryx; Girl; Dystopia; Gaze; Opposition (politics); Gender studies; Sociology; Aesthetics; Political science; Art; Law; Psychology; Politics; Psychoanalysis; Ecology; Biology","score_opus":0.02982330238706228,"score_gpt":0.22255544898738897,"score_spread":0.19273214660032667,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4307167866","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.40865627,0.008303054,0.0018468103,0.05116839,0.00074974686,0.00005005016,0.00017709243,0.00008204544,0.5289665],"genre_scores_gemma":[0.9602949,0.0012953635,0.00031505743,0.0014578504,0.000054701122,0.000010511223,0.000020530928,0.00006590945,0.03648509],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99801815,0.00049329794,0.000017486711,0.00017664186,0.00049517147,0.0007992272],"domain_scores_gemma":[0.9989568,0.00034614187,0.000108951936,0.000052818123,0.00020341373,0.00033185503],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012361776,0.0005953903,0.00041191466,0.001295417,0.03290532,0.01009781,0.0014050618,0.0023716898,0.0055583525],"category_scores_gemma":[0.0024540771,0.0003081388,0.00024973988,0.0012782387,0.054170944,0.0029342168,0.0044486397,0.0043945704,0.000351988],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005853473,0.000012801941,0.001101358,0.000061247294,0.0000069962057,0.00076021464,0.77541345,0.00009295265,0.0006876982,0.20452553,0.011928694,0.005350533],"study_design_scores_gemma":[0.000009033729,0.000016212787,0.0036025548,0.00019611086,0.000013984402,0.00048219739,0.69739157,0.0001097609,0.00067375164,0.005350797,0.292106,0.0000480699],"about_ca_topic_score_codex":0.9199457,"about_ca_topic_score_gemma":0.96295905,"teacher_disagreement_score":0.08005428,"about_ca_system_score_codex":0.048494264,"about_ca_system_score_gemma":0.026811317,"threshold_uncertainty_score":0.35185218},"labels":[],"label_agreement":null},{"id":"W4308604929","doi":"10.5430/wjel.v12n8p420","title":"Children and Adolescents' Voices and Experiences in Climate Fiction","year":2022,"lang":"en","type":"article","venue":"World Journal of English Language","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Climate change; Politics; Representation (politics); Language change; History; Psychology; Political science; Gender studies; Sociology; Literature; Law; Art","score_opus":0.00759549635857683,"score_gpt":0.21562696387566502,"score_spread":0.20803146751708818,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4308604929","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9440312,0.003798762,0.0004923134,0.004058574,0.00015209604,0.000032048447,0.00008287097,0.00003172353,0.04732038],"genre_scores_gemma":[0.9937078,0.0016860927,0.00017273822,0.00046554042,0.00003356888,0.000034728302,0.00002994569,0.0000217639,0.0038479553],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99817836,0.000927063,0.00006173013,0.00011639585,0.00028482865,0.0004315896],"domain_scores_gemma":[0.99833053,0.00094336754,0.00033555506,0.00006384989,0.00011780191,0.00020888746],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0025009247,0.0003526332,0.00050480873,0.0013182103,0.005890376,0.0067403433,0.000718259,0.0016745827,0.0034851911],"category_scores_gemma":[0.004513022,0.00037817436,0.00032627367,0.0008926853,0.009141483,0.0034168698,0.005303628,0.0029519969,0.00041094923],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013188378,0.000015227418,0.0031736547,0.000039705803,0.0000035081796,0.00094563264,0.9851221,0.000014370166,0.0003136069,0.00670798,0.0006904377,0.0029605874],"study_design_scores_gemma":[0.000005647879,0.000034679273,0.005767142,0.00019921994,0.000013107651,0.00215258,0.93363625,0.000030714495,0.0003141834,0.001265579,0.05656545,0.000015401787],"about_ca_topic_score_codex":0.004021454,"about_ca_topic_score_gemma":0.0063608517,"teacher_disagreement_score":0.0067403433,"about_ca_system_score_codex":0.0020388674,"about_ca_system_score_gemma":0.0011622122,"threshold_uncertainty_score":0.014793098},"labels":[],"label_agreement":null},{"id":"W4309831460","doi":"10.5539/ells.v12n4p59","title":"Analysis of The Story of Your Life From the Perspective of Deconstruction","year":2022,"lang":"en","type":"article","venue":"English Language and Literature Studies","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Deconstruction (building); Perspective (graphical); Depiction; Sociology; Art; Aesthetics; Literature; Visual arts; Engineering","score_opus":0.014381020589777043,"score_gpt":0.24253818255469392,"score_spread":0.22815716196491687,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4309831460","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.36054114,0.007980839,0.008480798,0.042284146,0.0007223998,0.00007127328,0.00015603962,0.00006183478,0.5797015],"genre_scores_gemma":[0.9852872,0.0013665013,0.00052144576,0.0007617067,0.00011038901,0.00003603863,0.000038870923,0.000021742566,0.011856201],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980393,0.0013976244,0.000029893497,0.000101929145,0.00022578452,0.0002055378],"domain_scores_gemma":[0.9973908,0.0017662217,0.00020664974,0.00021154687,0.00023999147,0.00018484681],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017867873,0.00043784064,0.0002799274,0.0017064267,0.008504948,0.0066167437,0.000778,0.0012182721,0.0022934536],"category_scores_gemma":[0.0036308996,0.0001639805,0.0002217557,0.0015973443,0.0401132,0.005523994,0.0039091622,0.0031632623,0.00024406913],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018425879,0.000012595508,0.00061419245,0.00004939733,0.000003460506,0.00062973157,0.3219262,0.000105882136,0.00022985927,0.6684097,0.0035874147,0.004413092],"study_design_scores_gemma":[0.000007478758,0.000028334573,0.0024800587,0.00028094495,0.000010105007,0.0007203317,0.4647391,0.00069746596,0.0010970598,0.15014136,0.379775,0.000022876686],"about_ca_topic_score_codex":0.006628071,"about_ca_topic_score_gemma":0.0076725483,"teacher_disagreement_score":0.008504948,"about_ca_system_score_codex":0.0069976924,"about_ca_system_score_gemma":0.0028413124,"threshold_uncertainty_score":0.05077201},"labels":[],"label_agreement":null},{"id":"W4312063803","doi":"10.29000/rumelide.1222304","title":"From the cocoon into a butterfly: Wyndham’s theocratic dystopia as a bildungsroman","year":2022,"lang":"en","type":"article","venue":"RumeliDE Dil ve Edebiyat Araştırmaları Dergisi :/RumeliDe Dil ve Edebiyat Araştırmaları Dergisi","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dystopia; Narrative; Literature; Criticism; Context (archaeology); Art; History; Philosophy; Aesthetics","score_opus":0.013539751117658457,"score_gpt":0.22549714610794158,"score_spread":0.21195739499028313,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4312063803","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.41166753,0.0156986,0.0059320196,0.034597345,0.0014472302,0.000076418495,0.00014097651,0.000083665014,0.5303562],"genre_scores_gemma":[0.9645739,0.0019318704,0.00064476824,0.0011682741,0.00009498703,0.000023263303,0.000015861682,0.000041412826,0.03150575],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99905306,0.00057468936,0.000015894353,0.000090599795,0.000108242195,0.00015749762],"domain_scores_gemma":[0.9994816,0.00032954384,0.000051534043,0.000039209597,0.00003285508,0.00006523217],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000818688,0.00034270243,0.00018152296,0.0006578734,0.00817482,0.0060349354,0.00047746568,0.0014356265,0.002139571],"category_scores_gemma":[0.0019340005,0.00024951476,0.000121186946,0.00058197486,0.023711609,0.004888272,0.0030818456,0.003009196,0.00030441297],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000050650786,0.00001256558,0.00040675397,0.00006622293,0.000003839924,0.00085680175,0.42845666,0.000083517305,0.0005948506,0.552099,0.010674628,0.006694552],"study_design_scores_gemma":[0.000017694854,0.00005074916,0.0013537783,0.00021259903,0.0000111544705,0.0012372936,0.33440834,0.00028586385,0.001059977,0.058303643,0.6030224,0.000036594618],"about_ca_topic_score_codex":0.018831452,"about_ca_topic_score_gemma":0.043687563,"teacher_disagreement_score":0.018831452,"about_ca_system_score_codex":0.004363047,"about_ca_system_score_gemma":0.0014853143,"threshold_uncertainty_score":0.037443697},"labels":[],"label_agreement":null},{"id":"W4312642312","doi":"10.1386/ejac_00080_1","title":"On the politics of speculative fiction: A conversation with Drew Hayden Taylor","year":2022,"lang":"en","type":"article","venue":"European Journal of American Culture","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Trent University","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Conversation; Futures contract; Politics; PARRY; Indigenous; Decolonization; CLARITY; History; Narrative; Literature; Sociology; Media studies; Political science; Art; Law","score_opus":0.019837756105382683,"score_gpt":0.2057085786291955,"score_spread":0.18587082252381282,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4312642312","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.104028046,0.029446738,0.0045347856,0.6902512,0.0064353636,0.000107194435,0.000082564344,0.00008617308,0.165028],"genre_scores_gemma":[0.84643966,0.013891108,0.0035404847,0.06763388,0.002220266,0.00015472314,0.000040689258,0.00017922524,0.065899976],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.98748386,0.009317972,0.00015238728,0.0006177043,0.0015771752,0.0008509212],"domain_scores_gemma":[0.98339427,0.013781722,0.00038791934,0.0002934484,0.0012747322,0.0008678439],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.010919165,0.0006491319,0.0008855783,0.001374667,0.039746895,0.011209709,0.0021894283,0.007495394,0.0028956048],"category_scores_gemma":[0.022276666,0.0006267184,0.00040906097,0.002027665,0.038812388,0.010876776,0.0045879125,0.018275982,0.00060717977],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002230716,0.000023000192,0.0001775966,0.00004936234,0.0000043493515,0.0011674152,0.8111008,0.00010821902,0.00033577724,0.13621934,0.046450526,0.0043412913],"study_design_scores_gemma":[0.000008874271,0.00002231434,0.00021334732,0.00034980918,0.000005946392,0.00056373235,0.4194137,0.00023197524,0.00030406122,0.015697164,0.5631428,0.000046351575],"about_ca_topic_score_codex":0.08467014,"about_ca_topic_score_gemma":0.10638757,"teacher_disagreement_score":0.9153299,"about_ca_system_score_codex":0.020774193,"about_ca_system_score_gemma":0.009600648,"threshold_uncertainty_score":0.16835457},"labels":[],"label_agreement":null},{"id":"W4312992808","doi":"10.5406/2327753x.40.1.27","title":"Review Essay: “Beyond Metaphor”: The Uncanny Precariousness of Being","year":2022,"lang":"en","type":"article","venue":"Italian Americana","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Uncanny; Metaphor; Uncanny valley; Aesthetics; Sociology; Psychoanalysis; Art; Philosophy; Epistemology; Psychology; Linguistics","score_opus":0.018294473388773196,"score_gpt":0.2334983774413015,"score_spread":0.21520390405252832,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4312992808","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00016015474,0.8567416,0.0001945637,0.061098374,0.067666896,0.000016911525,0.00010239702,0.000024974193,0.013994025],"genre_scores_gemma":[0.00397396,0.79230183,0.00013876421,0.054169763,0.13161506,0.00005520691,0.00018677716,0.00005135099,0.017507203],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991511,0.00021433139,0.00006710631,0.00019745904,0.0002919628,0.00007814145],"domain_scores_gemma":[0.99653256,0.0019431337,0.00027029205,0.00010656164,0.0008460926,0.00030137214],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011355759,0.001028081,0.0013728243,0.0016403494,0.0012219708,0.005145056,0.0018939989,0.0064988793,0.021616276],"category_scores_gemma":[0.0062722764,0.00044114547,0.00054264226,0.002422083,0.003501781,0.004149545,0.0016216256,0.0056720185,0.01526209],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016809268,0.000013414585,0.000047659625,0.0020395895,0.000014764376,0.00005394629,0.00013326302,0.000034115805,0.0000929815,0.0034976671,0.9440596,0.049996223],"study_design_scores_gemma":[0.000007381762,0.000011676741,0.0002314615,0.0018950865,0.000011974688,0.00022886657,0.00016880682,0.000015572648,0.000029649793,0.0014982306,0.995893,0.000008224096],"about_ca_topic_score_codex":0.00238497,"about_ca_topic_score_gemma":0.0032799356,"teacher_disagreement_score":0.021616276,"about_ca_system_score_codex":0.0022583297,"about_ca_system_score_gemma":0.002859857,"threshold_uncertainty_score":0.07231367},"labels":[],"label_agreement":null},{"id":"W4313142189","doi":"10.22364/bjellc.07.2017.03","title":"Canada as a Superpower in Elizabeth Bear’s Science Fiction: The Jenny Casey Trilogy","year":2017,"lang":"en","type":"article","venue":"Baltic Journal of English Language Literature and Culture","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Trilogy; Depiction; History; Literature; Art history; Art","score_opus":0.0075179762765163315,"score_gpt":0.23177882490718155,"score_spread":0.22426084863066523,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4313142189","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13613892,0.011290021,0.002981833,0.29585403,0.0077273743,0.00006035477,0.00017654462,0.00013696868,0.54563403],"genre_scores_gemma":[0.87514526,0.0048333793,0.0012158451,0.020622825,0.0009915261,0.000038445967,0.00004969393,0.00012144428,0.09698154],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9986105,0.00044928637,0.000019682433,0.00013173022,0.00046647934,0.00032228004],"domain_scores_gemma":[0.99786985,0.0010845659,0.00012474334,0.00008484225,0.00041489414,0.0004210008],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012229985,0.00031350943,0.00022261556,0.0012282728,0.027522651,0.008299868,0.0009812766,0.0026070843,0.0033836062],"category_scores_gemma":[0.0046396214,0.00019903675,0.00017587196,0.0014433579,0.021920016,0.0028530848,0.0027731974,0.0052928096,0.00038232616],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000041797375,0.000023416995,0.0017136914,0.00007443865,0.0000066123457,0.00250073,0.3565927,0.00016218398,0.00053700374,0.3633633,0.26172158,0.013262593],"study_design_scores_gemma":[0.0000027683948,0.0000071790887,0.00085324835,0.000103383056,0.000004278403,0.0005184576,0.10073268,0.00010648073,0.0002719444,0.0057817753,0.89160126,0.000016487802],"about_ca_topic_score_codex":0.59494805,"about_ca_topic_score_gemma":0.8032032,"teacher_disagreement_score":0.40505195,"about_ca_system_score_codex":0.028413272,"about_ca_system_score_gemma":0.018420693,"threshold_uncertainty_score":0.81487477},"labels":[],"label_agreement":null},{"id":"W4313409899","doi":"10.26843/dp.v18itematico.3793","title":"(ENTRE) LINHAS E GRADES: o espaço da prisão em Hag seed, de Margaret Atwood","year":2022,"lang":"pt","type":"article","venue":"Diálogos Pertinentes","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Winnipeg","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.028127703630906768,"score_gpt":0.23846850055419294,"score_spread":0.21034079692328617,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4313409899","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.46245524,0.013922341,0.004680107,0.07667419,0.0031106633,0.00006839899,0.00026573616,0.00016562505,0.43865776],"genre_scores_gemma":[0.8460358,0.0024863535,0.0009229,0.0034936531,0.00019174235,0.000025356438,0.0000475043,0.00013559354,0.14666109],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993518,0.00032960286,0.000015409014,0.000089709196,0.00013619778,0.00007730349],"domain_scores_gemma":[0.9989643,0.0005041959,0.000093337294,0.00006778838,0.00016018607,0.00021018383],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000929768,0.00030859717,0.00018218342,0.00093556184,0.009273825,0.0058774315,0.000554165,0.001221008,0.0081599215],"category_scores_gemma":[0.003301534,0.00017539955,0.000164916,0.0010694478,0.007357327,0.0044452385,0.0035245034,0.0027089808,0.0010273448],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000063572086,0.000024896779,0.0034939735,0.00011942717,0.000007539971,0.00084506837,0.79914504,0.00004235622,0.0010877105,0.11760042,0.04611016,0.031459935],"study_design_scores_gemma":[0.000004538748,0.000037530437,0.0054912153,0.00021088266,0.0000103923785,0.00048945815,0.31776413,0.000076769225,0.00059111253,0.010315715,0.6649814,0.00002688136],"about_ca_topic_score_codex":0.02733378,"about_ca_topic_score_gemma":0.09419595,"teacher_disagreement_score":0.02733378,"about_ca_system_score_codex":0.0038750225,"about_ca_system_score_gemma":0.0022165647,"threshold_uncertainty_score":0.054349303},"labels":[],"label_agreement":null},{"id":"W4313506847","doi":"10.53032/tcl.2020.5.2.13","title":"Quest for the Self in Margaret Atwood’s Surfacing: An Eco feminist Approach","year":2020,"lang":"en","type":"article","venue":"The Creative Launcher","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ecofeminism; Patriarchy; Creatures; Natural (archaeology); Power (physics); Wife; Sociology; Gender studies; Environmental ethics; History; Philosophy; Law; Political science; Archaeology","score_opus":0.0789483839958248,"score_gpt":0.25880230374737717,"score_spread":0.17985391975155238,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4313506847","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.25695416,0.011146322,0.0068250103,0.07232808,0.0013360371,0.000083810024,0.00010404625,0.00009281862,0.6511298],"genre_scores_gemma":[0.912631,0.0022983055,0.0010873356,0.004514549,0.00028951283,0.000055282,0.000023179507,0.000084823674,0.07901618],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99873525,0.00081962167,0.000012112484,0.0000934616,0.00011124515,0.00022837672],"domain_scores_gemma":[0.99857855,0.0009313101,0.00011206907,0.00005362016,0.00010797762,0.00021649664],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016107293,0.0007574979,0.00030469664,0.0017575368,0.016293028,0.010724351,0.0013596617,0.003862714,0.00495199],"category_scores_gemma":[0.0016262262,0.00028060022,0.00020958192,0.0010789077,0.038049463,0.0049572797,0.003354628,0.0038307852,0.00049590453],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003286014,0.000028103233,0.00036799393,0.00007287534,0.0000031677405,0.0013852263,0.51601803,0.000105937674,0.0005363187,0.4640837,0.01226321,0.0051025525],"study_design_scores_gemma":[0.0000052362557,0.000030976153,0.0006332871,0.0002686222,0.0000039532274,0.0009115804,0.49374628,0.000147376,0.0005685301,0.03207863,0.47158796,0.000017592442],"about_ca_topic_score_codex":0.028868198,"about_ca_topic_score_gemma":0.055449206,"teacher_disagreement_score":0.028868198,"about_ca_system_score_codex":0.008701968,"about_ca_system_score_gemma":0.0033867578,"threshold_uncertainty_score":0.06313747},"labels":[],"label_agreement":null},{"id":"W4316259288","doi":"10.1353/pan.2023.0000","title":"“Who Knows What We’d Make of It, If We Ever Got Our Hands on It?” The Bible and Margaret Atwood ed. by Rhiannon Graybill and Peter J. Sabo","year":2023,"lang":"en","type":"article","venue":"Partial Answers Journal of Literature and the History of Ideas","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Philosophy; Literature; Hegemony; Dystopia; Object (grammar); History; Theology; Art; Law; Politics; Political science; Linguistics","score_opus":0.018348564354172838,"score_gpt":0.22486240655974274,"score_spread":0.2065138422055699,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4316259288","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0029418175,0.48805997,0.0016421024,0.124865994,0.024668466,0.000046335666,0.0003605117,0.00011508068,0.35729975],"genre_scores_gemma":[0.059853896,0.19493593,0.0015754349,0.021636352,0.011459987,0.000090033755,0.0005720717,0.0003121699,0.7095641],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99909234,0.00035294375,0.000028642711,0.00011221338,0.0003173416,0.00009665117],"domain_scores_gemma":[0.999426,0.00022813989,0.0000434694,0.00002918119,0.0001367346,0.00013643879],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008416437,0.000819545,0.00047007456,0.00075837295,0.002763196,0.005395355,0.00067028886,0.0015383888,0.02757527],"category_scores_gemma":[0.0021177218,0.00034425815,0.00021351589,0.0011239204,0.004166155,0.005168025,0.0015482473,0.003380405,0.016319333],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015746069,0.0000070616215,0.00015376334,0.00017173986,0.0000027494034,0.000046540346,0.0033378778,0.000037047885,0.00012220968,0.028764438,0.9035404,0.06380047],"study_design_scores_gemma":[0.0000013517634,0.0000053779563,0.00044225674,0.0004139115,0.0000013542797,0.00005541667,0.0019899323,0.000019895188,0.000044472185,0.003181532,0.9938398,0.0000048020383],"about_ca_topic_score_codex":0.011684202,"about_ca_topic_score_gemma":0.021207264,"teacher_disagreement_score":0.02757527,"about_ca_system_score_codex":0.0025332926,"about_ca_system_score_gemma":0.0032916572,"threshold_uncertainty_score":0.0922485},"labels":[],"label_agreement":null},{"id":"W4318752903","doi":"","title":"Why Do The Heavens Beckon Us? Revisiting Constructions of Home and Identity in Ray Bradbury’s The Martian Chronicles","year":2015,"lang":"en","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Martian; Astrobiology; Identity (music); Art; Astronomy; Physics; Mars Exploration Program; Aesthetics","score_opus":0.2407871417931513,"score_gpt":0.4906430131413844,"score_spread":0.24985587134823312,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4318752903","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5403936,0.007529791,0.0026048766,0.055916477,0.00087478483,0.00006176521,0.00012713128,0.000059023452,0.3924326],"genre_scores_gemma":[0.97004324,0.0008176212,0.00042712048,0.0011274712,0.000115073366,0.000021148877,0.000018104884,0.00003279609,0.027397407],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99858654,0.00076539774,0.000023599823,0.00010994479,0.00017417365,0.0003403877],"domain_scores_gemma":[0.9988765,0.00047936436,0.0001440246,0.000074336596,0.000108512344,0.00031720343],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017046316,0.00046729777,0.00034031432,0.0012495797,0.02246901,0.010356573,0.00081100996,0.0018344398,0.0055966615],"category_scores_gemma":[0.0030682117,0.00026565167,0.0001532916,0.0008829185,0.03617762,0.0046687797,0.0052397684,0.0035568634,0.0003507456],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026594867,0.000016803671,0.0007455013,0.00003267075,0.00000237122,0.00044724552,0.71470094,0.000041992098,0.0002462051,0.26890147,0.008976385,0.005861753],"study_design_scores_gemma":[0.000011471764,0.000023948825,0.0025104461,0.00022533325,0.0000053575186,0.00022420016,0.5906711,0.000083849896,0.00034470906,0.023071276,0.3827996,0.000028648588],"about_ca_topic_score_codex":0.16107829,"about_ca_topic_score_gemma":0.2627898,"teacher_disagreement_score":0.16107829,"about_ca_system_score_codex":0.011748492,"about_ca_system_score_gemma":0.004766788,"threshold_uncertainty_score":0.3202814},"labels":[],"label_agreement":null},{"id":"W4320069069","doi":"10.1344/452f.2022.27.12","title":"On Sight, Technology, and Science Fiction: Transhumanist Visions in Contemporary Canadian Dystopia","year":2022,"lang":"en","type":"article","venue":"452ºF Revista de Teoría de la literatura y Literatura Comparada","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"Universidad de Salamanca","keywords":"Dystopia; Transhumanism; Aesthetics; Vision; Context (archaeology); Agency (philosophy); Hubris; Sociology; Politics; Environmental ethics; Epistemology; Philosophy; Political science; Social science; History; Law; Anthropology","score_opus":0.016708410153075563,"score_gpt":0.2476679227870623,"score_spread":0.23095951263398673,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4320069069","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15433505,0.1408666,0.006047239,0.085970946,0.0025852153,0.000052139723,0.00030828416,0.00019307631,0.60964155],"genre_scores_gemma":[0.9393229,0.037401736,0.0014225553,0.0030340885,0.0004289046,0.000019989688,0.00007023645,0.000063117295,0.018236535],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9973786,0.00066835294,0.00007443905,0.0003322981,0.0009953786,0.0005509189],"domain_scores_gemma":[0.99572706,0.002720253,0.00028062807,0.00021488797,0.00080055883,0.0002566636],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0027148086,0.0006800882,0.0006159574,0.008730754,0.022089303,0.014130928,0.0016533257,0.0028374514,0.00653315],"category_scores_gemma":[0.0067538316,0.00025729355,0.0003279374,0.011976487,0.06702069,0.0069067287,0.004845536,0.004879197,0.00031779226],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021975033,0.000007947164,0.0005883244,0.0003133209,0.000006696773,0.00060080097,0.29365292,0.00014282302,0.00021177254,0.66952455,0.0075448826,0.027383858],"study_design_scores_gemma":[0.00000887678,0.000019632,0.0040164106,0.002592731,0.00003188461,0.00086686196,0.3199705,0.00038458442,0.0006183068,0.07836112,0.59303826,0.00009079113],"about_ca_topic_score_codex":0.84485745,"about_ca_topic_score_gemma":0.8738015,"teacher_disagreement_score":0.15514255,"about_ca_system_score_codex":0.06625976,"about_ca_system_score_gemma":0.049789857,"threshold_uncertainty_score":0.48075044},"labels":[],"label_agreement":null},{"id":"W4323838276","doi":"10.3138/utq.92.1.04","title":"Margaret Atwood’s <i>Hag-Seed:</i> The Aesthetics of Retelling Shakespeare’s <i>The Tempest</i>","year":2023,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Tempest; Rhetoric; Politics; Literature; Character (mathematics); Art; Subversion; Aesthetics; Painting; Political rhetoric; Sociology; Philosophy; Art history; Law; Theology; Political science","score_opus":0.018570439634182742,"score_gpt":0.19141964067510236,"score_spread":0.1728492010409196,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4323838276","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17570888,0.0130790165,0.0039983313,0.04626131,0.0031312604,0.000029608937,0.000067552,0.00012687073,0.7575972],"genre_scores_gemma":[0.91294223,0.0013773515,0.00071691885,0.0019909646,0.00031414005,0.000017358456,0.0000155735,0.00013967528,0.082485765],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990722,0.0005224992,0.000009519779,0.00008557439,0.0001784369,0.00013182318],"domain_scores_gemma":[0.99937266,0.00035858856,0.00005860665,0.000045460234,0.000055614913,0.000109019944],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012255674,0.00039447728,0.00020287106,0.0006956934,0.011113033,0.006528775,0.0005342654,0.0013974573,0.0038649936],"category_scores_gemma":[0.0017829395,0.00017303736,0.00015191492,0.0005300612,0.021826353,0.0022843827,0.0026229837,0.0030611064,0.00056128425],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004741934,0.000014110102,0.0004494643,0.00009196161,0.000005592361,0.00064510654,0.43159238,0.000082383405,0.0007921054,0.50316817,0.05319581,0.009915529],"study_design_scores_gemma":[0.000006059369,0.000025909792,0.001030556,0.00016434348,0.0000070036313,0.0005537318,0.15649855,0.00012001677,0.0008998318,0.01730126,0.823374,0.000018848534],"about_ca_topic_score_codex":0.024782043,"about_ca_topic_score_gemma":0.07590137,"teacher_disagreement_score":0.024782043,"about_ca_system_score_codex":0.0054037673,"about_ca_system_score_gemma":0.0018296065,"threshold_uncertainty_score":0.049275577},"labels":[],"label_agreement":null},{"id":"W4362511889","doi":"10.51990/jaa.13.44.1.18","title":"Environmental Themes in Science Fiction: Dune and - A Door into Ocean as Examples","year":2021,"lang":"en","type":"article","venue":"مجلة آداب الفراهيدي","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ecocriticism; Criticism; Quarter (Canadian coin); Field (mathematics); History; Literature; Sociology; Aesthetics; Environmental ethics; Art; Philosophy; Archaeology","score_opus":0.018310183151513188,"score_gpt":0.22271342278250522,"score_spread":0.20440323963099202,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4362511889","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2868466,0.061296042,0.018604642,0.09142893,0.007909967,0.00015685613,0.00017104953,0.00019156914,0.53339434],"genre_scores_gemma":[0.95451325,0.011524732,0.0039368127,0.0032285452,0.0013799252,0.000107880194,0.000055539007,0.00011035007,0.02514301],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9964563,0.0027439862,0.000056850586,0.00014351554,0.0003696131,0.0002295711],"domain_scores_gemma":[0.9935713,0.005451574,0.00031680832,0.00021572497,0.0002345812,0.00020999144],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0028063222,0.0007059856,0.00045140527,0.0023687547,0.011890447,0.0076617585,0.0010152415,0.0031307407,0.0027952285],"category_scores_gemma":[0.00680466,0.00021904006,0.00033415973,0.002623116,0.028679622,0.005379021,0.0051240744,0.004073479,0.0003587934],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006127864,0.00003240068,0.00069536106,0.00039508377,0.000008695338,0.0023849595,0.4985303,0.00028108407,0.00045933085,0.4682631,0.017785784,0.011102744],"study_design_scores_gemma":[0.0000101248315,0.00004267326,0.0007643539,0.000624832,0.000008926429,0.0016152834,0.2191041,0.000324436,0.00067400077,0.041008987,0.73579943,0.000022878718],"about_ca_topic_score_codex":0.0020195558,"about_ca_topic_score_gemma":0.0056787864,"teacher_disagreement_score":0.011890447,"about_ca_system_score_codex":0.0042225956,"about_ca_system_score_gemma":0.0012253387,"threshold_uncertainty_score":0.030637264},"labels":[],"label_agreement":null},{"id":"W4376625237","doi":"10.4000/oltreoceano.488","title":"Utopias of Self in Imaginary Homelands","year":2022,"lang":"it","type":"article","venue":"Oltreoceano","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The Imaginary; Sociology; Aesthetics; Epistemology; Psychoanalysis; Philosophy; Psychology","score_opus":0.014734373279894698,"score_gpt":0.21764226052665203,"score_spread":0.20290788724675735,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4376625237","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.090757735,0.0032560446,0.012931429,0.018693449,0.00046412196,0.000028220345,0.00006390822,0.000092225695,0.8737128],"genre_scores_gemma":[0.9788795,0.0005548533,0.0017478884,0.0005335209,0.000050537627,0.000018527133,0.000014552018,0.000045745808,0.018154878],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99761885,0.0013336011,0.000040087813,0.00017964296,0.0003652896,0.00046241868],"domain_scores_gemma":[0.99867165,0.00065856177,0.00011120742,0.00022917749,0.00016406499,0.00016536168],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0025522583,0.0004917685,0.00031166803,0.001105683,0.014002415,0.010656899,0.00092027895,0.0018061118,0.0044463445],"category_scores_gemma":[0.0032851931,0.00022368836,0.00031669225,0.000959734,0.09195758,0.007001312,0.005377101,0.003710629,0.00038574907],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000004264581,0.0000016583323,0.000047741167,0.000008502341,7.0535935e-7,0.000056945737,0.029821517,0.000054428867,0.000039813567,0.9685006,0.0007410448,0.00072287413],"study_design_scores_gemma":[0.000020868762,0.000011732389,0.00050933607,0.0001727622,0.000007173541,0.0002719603,0.10561891,0.00053598225,0.00044237918,0.6784423,0.21394189,0.000024707224],"about_ca_topic_score_codex":0.07089763,"about_ca_topic_score_gemma":0.10624502,"teacher_disagreement_score":0.07089763,"about_ca_system_score_codex":0.011413825,"about_ca_system_score_gemma":0.006993085,"threshold_uncertainty_score":0.14096993},"labels":[],"label_agreement":null},{"id":"W4378804315","doi":"10.35516/hum.v50i2.4934","title":"Bearing Witness: Gender, Fundamentalism, and the Construction of History in Margaret Atwood’s Handmaid’s Tale and Azar Nafisi’s Reading Lolita in Tehran","year":2023,"lang":"en","type":"article","venue":"Dirasat Human and Social Sciences","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Testimonial; Patriarchy; Dystopia; Fundamentalism; Depiction; Oppression; Sociology; Narrative; Literature; Gender studies; Witness; Politics; Art; Law; Political science","score_opus":0.08562460727594011,"score_gpt":0.27640627362413833,"score_spread":0.1907816663481982,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4378804315","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.35637304,0.00878993,0.0028238066,0.050905395,0.0016964787,0.00006640247,0.000081126964,0.00006942996,0.5791943],"genre_scores_gemma":[0.9815217,0.0006583804,0.0002464605,0.0007602929,0.00012214649,0.000009842374,0.000012485955,0.000016220169,0.01665252],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986994,0.00064859266,0.0000144334035,0.00010796948,0.0002753345,0.00025419708],"domain_scores_gemma":[0.9983485,0.0010903486,0.00016898564,0.00007379719,0.00015556734,0.00016283675],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0021645392,0.0005029313,0.00029024165,0.0016284853,0.014986411,0.0054969927,0.001094883,0.001874925,0.0041148723],"category_scores_gemma":[0.0044099563,0.00021166526,0.0001898964,0.0010491832,0.033651862,0.0033762595,0.0033395328,0.003926056,0.00021647305],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033558015,0.00001666469,0.0009334282,0.0000548171,0.0000053478498,0.0006466417,0.69065005,0.000081024,0.00039246934,0.2821334,0.012571871,0.012480795],"study_design_scores_gemma":[0.000016521375,0.000055211076,0.0040858737,0.00029132326,0.000014136225,0.00050808024,0.57278323,0.00015266585,0.00066010514,0.034116972,0.38729092,0.00002502354],"about_ca_topic_score_codex":0.062988885,"about_ca_topic_score_gemma":0.121285446,"teacher_disagreement_score":0.062988885,"about_ca_system_score_codex":0.012644133,"about_ca_system_score_gemma":0.0054894667,"threshold_uncertainty_score":0.1252445},"labels":[],"label_agreement":null},{"id":"W4380609526","doi":"10.1080/03626784.2023.2216505","title":"Creating space amidst violence","year":2023,"lang":"en","type":"article","venue":"Curriculum Inquiry","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Institute for Christian Studies","funders":"","keywords":"Space (punctuation); Sociology; Political science; Epistemology; Computer science; Philosophy","score_opus":0.05356005081476243,"score_gpt":0.28202972341993776,"score_spread":0.22846967260517534,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4380609526","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07830541,0.002843633,0.028971445,0.05501528,0.0008450715,0.00007107232,0.000050187646,0.00011488242,0.833783],"genre_scores_gemma":[0.9627482,0.00069040834,0.0033034098,0.001566541,0.00012418126,0.00006133621,0.000020756574,0.00006472825,0.03142044],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9940304,0.0040986626,0.00008997863,0.00038642588,0.00061542797,0.0007790563],"domain_scores_gemma":[0.99466103,0.0033619674,0.0003442303,0.0005934454,0.00034619175,0.00069309474],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005290864,0.00043110704,0.00039160755,0.0014017065,0.016991394,0.013429512,0.0019536929,0.0035986104,0.01338718],"category_scores_gemma":[0.010720215,0.00025277457,0.00034981227,0.0009959409,0.06963838,0.010594623,0.015122183,0.0065962183,0.00092695246],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000041684525,0.000009658836,0.00014235225,0.000024891575,0.0000013003428,0.000037911308,0.02841955,0.0001308612,0.000037396057,0.96411914,0.0023875388,0.0046851244],"study_design_scores_gemma":[0.000009583459,0.000025956455,0.00033284293,0.00022396605,0.0000065557506,0.000097418946,0.0774113,0.00039425094,0.00038888538,0.63629097,0.28480718,0.00001117351],"about_ca_topic_score_codex":0.003843438,"about_ca_topic_score_gemma":0.007945286,"teacher_disagreement_score":0.016991394,"about_ca_system_score_codex":0.0067143654,"about_ca_system_score_gemma":0.009277085,"threshold_uncertainty_score":0.048716307},"labels":[],"label_agreement":null},{"id":"W4380627805","doi":"10.55529/jlls.33.39.42","title":"Study of Margaret Atwood’s Writing Study in Effect on Feminist","year":2023,"lang":"en","type":"article","venue":"Journal of Language and Linguistics in Society","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Portrait; Feminism; Theme (computing); Humanity; Gender studies; Courage; Patriotism; Literature; New Woman; Identity (music); Humility; Femininity; Multiculturalism; Persona; Sociology; History; Art; Aesthetics; Art history; Political science; Law; Humanities","score_opus":0.03660844220668605,"score_gpt":0.31891092646777325,"score_spread":0.28230248426108717,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4380627805","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.58355546,0.011447898,0.0013195333,0.08813874,0.0031174165,0.00013497962,0.00022437263,0.000089479385,0.31197214],"genre_scores_gemma":[0.74955624,0.0044305664,0.0007994213,0.0160533,0.0010125012,0.00015837714,0.00008827854,0.00023375571,0.2276676],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9974355,0.0013238727,0.00005174646,0.0002611107,0.0005942778,0.00033355536],"domain_scores_gemma":[0.99448097,0.0029813205,0.00051807804,0.00013793522,0.0008205343,0.0010611924],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002143908,0.00056377606,0.0005422116,0.001709307,0.030006278,0.005540009,0.0013926851,0.0025766324,0.0070017893],"category_scores_gemma":[0.008227378,0.00042747878,0.00021060997,0.0019017328,0.007416646,0.0029518087,0.0028459125,0.005490001,0.0012206575],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024256291,0.00008452546,0.0008419786,0.000117029784,0.0000034980578,0.0015859465,0.921588,0.000016124523,0.0009987903,0.014918877,0.05259735,0.0072236443],"study_design_scores_gemma":[0.000003201955,0.00004129178,0.0021650137,0.00027829444,0.0000041879857,0.0007882836,0.4836234,0.000026805217,0.0005107059,0.0008122239,0.5117333,0.000013314571],"about_ca_topic_score_codex":0.036925927,"about_ca_topic_score_gemma":0.112418436,"teacher_disagreement_score":0.036925927,"about_ca_system_score_codex":0.008755273,"about_ca_system_score_gemma":0.0056610922,"threshold_uncertainty_score":0.073421955},"labels":[],"label_agreement":null},{"id":"W4380926104","doi":"10.3138/ctr.116.009","title":"The Asylum of the Universe (A Fool’s Ode to History)","year":2003,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Chai; Law; Copyright law; History; Political science; Media studies; Sociology; Philosophy; Intellectual property; Theology","score_opus":0.028724703574565847,"score_gpt":0.2042242643919321,"score_spread":0.17549956081736623,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4380926104","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0051614447,0.14742415,0.001641449,0.1612434,0.011685608,0.000048886097,0.00026155205,0.0001623001,0.67237127],"genre_scores_gemma":[0.2301009,0.06525782,0.0015261398,0.025872791,0.003703035,0.00005898735,0.0001696623,0.00018949358,0.6731212],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992938,0.00022551409,0.000016201668,0.000067485904,0.00026552117,0.00013139939],"domain_scores_gemma":[0.9992889,0.00020121434,0.000045939516,0.000085295935,0.00025599508,0.00012252151],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009506969,0.00030529537,0.0002213288,0.0009923948,0.007281056,0.0051111463,0.0006390699,0.0016406392,0.01823908],"category_scores_gemma":[0.003153957,0.00018175573,0.00016543493,0.0010890746,0.008312527,0.002708723,0.0016561451,0.003077123,0.0027739794],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017729288,0.0000038120047,0.00014327953,0.00012570407,0.000002592033,0.00013762458,0.008783613,0.000039591527,0.00012005718,0.39696863,0.5604854,0.033171885],"study_design_scores_gemma":[0.0000011661815,0.0000025471843,0.00027995897,0.00012967321,0.0000011365138,0.000057926227,0.0018227958,0.000014176209,0.00003990433,0.006723759,0.9909242,0.0000027620908],"about_ca_topic_score_codex":0.39848417,"about_ca_topic_score_gemma":0.5493373,"teacher_disagreement_score":0.39848417,"about_ca_system_score_codex":0.0087389415,"about_ca_system_score_gemma":0.010874047,"threshold_uncertainty_score":0.7923295},"labels":[],"label_agreement":null},{"id":"W4381513140","doi":"10.55529/jlls.34.12.14","title":"Analysis and Study of Margaret Atwood’s Influence on the Canadian Society","year":2023,"lang":"en","type":"article","venue":"Journal of Language and Linguistics in Society","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Human sexuality; Pornography; Oryx; Oppression; Gender studies; Sexual desire; Sociology; Psychology; Criminology; Psychoanalysis; Political science; Law","score_opus":0.026951792631851584,"score_gpt":0.2733713755117717,"score_spread":0.24641958287992013,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4381513140","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.64546144,0.0018379699,0.00031275355,0.011864271,0.00015691285,0.00008605441,0.00033312323,0.000026966813,0.33992058],"genre_scores_gemma":[0.92930245,0.001454049,0.00025578137,0.00076170266,0.000024697247,0.00002720052,0.000093079056,0.000029638139,0.06805137],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9981536,0.0002633782,0.00002150706,0.00014396085,0.0006870858,0.00073047046],"domain_scores_gemma":[0.9974437,0.0005304116,0.00015365952,0.000057749952,0.001055507,0.0007589869],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010114459,0.00037266433,0.0003105862,0.0038741245,0.037776593,0.003720305,0.0016130889,0.0009916382,0.010465767],"category_scores_gemma":[0.003912197,0.00026400996,0.00017023172,0.0051920125,0.009784527,0.0012909687,0.0028392193,0.0017344821,0.0005233086],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000044678232,0.000060714836,0.019321056,0.00010967353,0.000011542057,0.0014848872,0.7763933,0.00017594679,0.00077441905,0.11963884,0.042368706,0.039616298],"study_design_scores_gemma":[0.0000034267832,0.000017623433,0.052349545,0.00010395185,0.000009142831,0.00017905088,0.5923101,0.00014948066,0.00025851672,0.0014494134,0.3531307,0.00003903492],"about_ca_topic_score_codex":0.9922954,"about_ca_topic_score_gemma":0.9976349,"teacher_disagreement_score":0.12382282,"about_ca_system_score_codex":0.12382282,"about_ca_system_score_gemma":0.08610751,"threshold_uncertainty_score":0.8984017},"labels":[],"label_agreement":null},{"id":"W4381557819","doi":"10.4000/belphegor.5246","title":"Un genre encore fécond ? Devenirs de l’anticipation en France","year":2023,"lang":"fr","type":"article","venue":"Belphégor","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.031833963817280174,"score_gpt":0.26497993101075473,"score_spread":0.23314596719347455,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4381557819","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18066718,0.013867345,0.0053690993,0.066174895,0.0021587568,0.000026333211,0.00015665343,0.00015992088,0.7314197],"genre_scores_gemma":[0.8503573,0.002235777,0.00062589656,0.0031727229,0.00066837244,0.000015927715,0.000051400926,0.00013833244,0.14273429],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99689037,0.001326181,0.00006481978,0.000565359,0.00064120686,0.0005120349],"domain_scores_gemma":[0.99763656,0.0009564435,0.00033795112,0.00021321038,0.00058120623,0.00027456894],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0028343755,0.00044946064,0.00027770404,0.0012635768,0.011841315,0.010731528,0.00060030806,0.0025321674,0.011873943],"category_scores_gemma":[0.0049184505,0.00019683038,0.00031652112,0.0012534054,0.013814698,0.0060525686,0.0022358787,0.003980778,0.0017694404],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005792521,0.000009597331,0.0013526091,0.00005375086,0.0000054298507,0.00041771607,0.1370131,0.00008385591,0.00042648584,0.82702595,0.0150713315,0.018482264],"study_design_scores_gemma":[0.000005868872,0.000032113636,0.0027574156,0.00013713447,0.0000049404034,0.0002403826,0.03061704,0.00007704499,0.00024673328,0.015343561,0.95051366,0.000024125677],"about_ca_topic_score_codex":0.08068935,"about_ca_topic_score_gemma":0.08371915,"teacher_disagreement_score":0.08068935,"about_ca_system_score_codex":0.015002199,"about_ca_system_score_gemma":0.0049875346,"threshold_uncertainty_score":0.16043937},"labels":[],"label_agreement":null},{"id":"W4382298946","doi":"10.4000/belphegor.5170","title":"États du futurisme dans l’anticipation et la science-fiction (et leurs fins du monde)","year":2023,"lang":"fr","type":"article","venue":"Belphégor","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.08819282552020347,"score_gpt":0.30942458082178254,"score_spread":0.22123175530157907,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4382298946","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14777802,0.07318381,0.027403556,0.1244893,0.0039674477,0.000042866563,0.00022755221,0.00015938317,0.622748],"genre_scores_gemma":[0.9571903,0.0071318685,0.001447367,0.0018403296,0.00087783235,0.000024898765,0.00004072098,0.00005467893,0.031392038],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9975362,0.0013409362,0.000065859385,0.0002834824,0.0003943488,0.0003792191],"domain_scores_gemma":[0.9962,0.0025424655,0.0003710216,0.0002992805,0.00034714182,0.0002400513],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0036971713,0.00042758844,0.00037324158,0.0013208701,0.005657311,0.009977328,0.00065966207,0.0023978632,0.0071352622],"category_scores_gemma":[0.0062919916,0.0002482928,0.00040982093,0.0012106183,0.025629167,0.007215944,0.0026880417,0.0043370975,0.00081234303],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034645946,0.0000045448105,0.00041291388,0.00008415493,0.0000038652056,0.00010030368,0.028287422,0.00013318668,0.000185409,0.95904803,0.003554179,0.008151366],"study_design_scores_gemma":[0.000015114019,0.000051194278,0.0024254783,0.00051194575,0.000014310159,0.00042911276,0.024344247,0.00034640462,0.0008761075,0.32204178,0.64889556,0.00004867688],"about_ca_topic_score_codex":0.0074187173,"about_ca_topic_score_gemma":0.009326626,"teacher_disagreement_score":0.009977328,"about_ca_system_score_codex":0.008247283,"about_ca_system_score_gemma":0.0038408611,"threshold_uncertainty_score":0.059838533},"labels":[],"label_agreement":null},{"id":"W4382365238","doi":"10.1386/fict_00070_1","title":"Reading the ‘wordless unease’ in Margaret Atwood’s ‘Death by Landscape’","year":2023,"lang":"en","type":"article","venue":"Short Fiction in Theory and Practice","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Wilderness; Narrative; Adventure; Reading (process); Aesthetics; Performative utterance; The Imaginary; Literature; Sociology; Representation (politics); Art; History; Visual arts; Art history; Politics; Psychoanalysis; Psychology; Law; Political science","score_opus":0.032460913525620576,"score_gpt":0.294844151388933,"score_spread":0.2623832378633124,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4382365238","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24175094,0.013093062,0.008094431,0.11757467,0.005329518,0.00006590856,0.0001798661,0.00015938566,0.6137522],"genre_scores_gemma":[0.8735628,0.0028660176,0.0012046573,0.00749186,0.00058367255,0.000033278346,0.00006917841,0.00017724693,0.11401125],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99870884,0.00060380116,0.00001486865,0.00012622283,0.0002936804,0.0002525734],"domain_scores_gemma":[0.99869066,0.0007419553,0.00007852878,0.00006189135,0.00017749924,0.00024945164],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010467252,0.00051953015,0.0002432391,0.000834225,0.017624918,0.0057826694,0.001065058,0.0024113767,0.0044728494],"category_scores_gemma":[0.0031377564,0.00019731536,0.00018566071,0.0005984617,0.025265148,0.0032899196,0.0029156543,0.0048947334,0.0006618223],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000059915736,0.000021860666,0.0006731693,0.00008446395,0.0000046199893,0.0012200879,0.60111827,0.00014293195,0.0011102037,0.3044553,0.07811263,0.012996624],"study_design_scores_gemma":[0.000003837463,0.000024764675,0.0009544738,0.00013313416,0.0000039171337,0.0006739066,0.22763032,0.0001004249,0.00074038265,0.007644068,0.7620707,0.00002000824],"about_ca_topic_score_codex":0.16116975,"about_ca_topic_score_gemma":0.34927326,"teacher_disagreement_score":0.16116975,"about_ca_system_score_codex":0.010558736,"about_ca_system_score_gemma":0.003710324,"threshold_uncertainty_score":0.3204633},"labels":[],"label_agreement":null},{"id":"W4383313375","doi":"10.33137/q.i..v43i3.41353","title":"The Living Landscape of Il grande ritratto","year":2023,"lang":"en","type":"article","venue":"Quaderni d italianistica","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Agency (philosophy); Perspective (graphical); Representation (politics); Dimension (graph theory); Identification (biology); Sociology; Aesthetics; Epistemology; Environmental ethics; Art; Philosophy; Social science; Visual arts; Ecology; Political science; Law; Biology","score_opus":0.03631631742039209,"score_gpt":0.24864340220218104,"score_spread":0.21232708478178894,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4383313375","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06296526,0.007386717,0.004055823,0.039535135,0.001216928,0.000028509161,0.00005437243,0.0001140509,0.8846433],"genre_scores_gemma":[0.92333394,0.0021665632,0.0010822377,0.0036346088,0.000770053,0.000046993835,0.000036290337,0.00012852099,0.06880073],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989165,0.0005915875,0.000013052046,0.00014447994,0.00016926779,0.0001651061],"domain_scores_gemma":[0.9995389,0.00024180408,0.0000500942,0.00006871203,0.000035250177,0.00006524474],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009757004,0.00039574076,0.00025315976,0.0007873136,0.0064472686,0.006030086,0.0006620163,0.0019590643,0.0042446596],"category_scores_gemma":[0.0016002145,0.00020187539,0.0002743278,0.0006149093,0.018679792,0.002942951,0.0041449424,0.0031551549,0.0007710176],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026799973,0.000012653532,0.00035329306,0.00005458853,0.0000025247716,0.0004021971,0.08437175,0.000096706564,0.00050794886,0.88980913,0.017352998,0.007009433],"study_design_scores_gemma":[0.0000073704314,0.000024258177,0.00089277455,0.00015454716,0.0000042687184,0.00042974338,0.018748522,0.00012918972,0.000285297,0.038952835,0.94035774,0.0000135017335],"about_ca_topic_score_codex":0.0038348492,"about_ca_topic_score_gemma":0.007374934,"teacher_disagreement_score":0.0064472686,"about_ca_system_score_codex":0.0037284228,"about_ca_system_score_gemma":0.0009619013,"threshold_uncertainty_score":0.027051687},"labels":[],"label_agreement":null},{"id":"W4384821530","doi":"10.59682/kriterium.52","title":"Populating the Future: Families and Reproduction in Speculative Fiction","year":2023,"lang":"en","type":"book","venue":"","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Connaught Fund; University of Cambridge; University of Pennsylvania; Princeton University","keywords":"Reproduction; Agency (philosophy); Scholarship; Power (physics); Politics; Sociology; Social science; Environmental ethics; Media studies; Political science; Law","score_opus":0.033250990967566674,"score_gpt":0.23142144895446637,"score_spread":0.1981704579868997,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4384821530","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.115675,0.014924208,0.041420892,0.060778443,0.0021486226,0.0001559256,0.00009671259,0.00016562507,0.7646345],"genre_scores_gemma":[0.953572,0.0033522013,0.0045080073,0.0019081442,0.00033597913,0.000082238934,0.000041623603,0.000065769134,0.036134064],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9959209,0.0034386932,0.000037834317,0.00015134017,0.00024990638,0.00020120952],"domain_scores_gemma":[0.9935917,0.0053069633,0.00031781042,0.0004060216,0.00018224784,0.00019517148],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003473238,0.00056117965,0.00033107464,0.00087115896,0.009840081,0.0076774615,0.001020202,0.0027059012,0.005107508],"category_scores_gemma":[0.008117019,0.00022063307,0.0004188045,0.0008398396,0.04454545,0.008500614,0.0043223477,0.0038771622,0.0005866077],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015887537,0.000008766797,0.00022103389,0.000055604305,0.0000024655806,0.00055889715,0.13175975,0.00021092127,0.0001247355,0.8532116,0.006685172,0.0071451976],"study_design_scores_gemma":[0.000014466109,0.00004566109,0.00055807095,0.00054275466,0.000009204518,0.0016198903,0.10689003,0.00089628523,0.0006171218,0.31250727,0.5762704,0.000028836455],"about_ca_topic_score_codex":0.002554815,"about_ca_topic_score_gemma":0.0029630163,"teacher_disagreement_score":0.009840081,"about_ca_system_score_codex":0.0046764794,"about_ca_system_score_gemma":0.002078524,"threshold_uncertainty_score":0.03393036},"labels":[],"label_agreement":null},{"id":"W4385396421","doi":"10.18733/cpi29677","title":"Little Boy Leon","year":2023,"lang":"en","type":"article","venue":"Cultural and Pedagogical Inquiry","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Geology","score_opus":0.7671594587955582,"score_gpt":0.4535731915149769,"score_spread":0.31358626728058137,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385396421","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005528639,0.002348876,0.00042280072,0.0038528156,0.0016247226,0.000026646856,0.00026327686,0.00021483544,0.9857173],"genre_scores_gemma":[0.017042445,0.00081368105,0.00036370917,0.00064890593,0.00010433602,0.0000063340385,0.000106835236,0.00008574773,0.9808281],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9998865,0.000011878774,0.000002096822,0.000026353131,0.000044051278,0.00002902042],"domain_scores_gemma":[0.99982256,0.000019901854,0.0000054916177,0.000014548709,0.00006471056,0.000072856994],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00010895602,0.0003069206,0.00017678998,0.00067986106,0.0035989403,0.0014528953,0.0002682523,0.0007252275,0.27137414],"category_scores_gemma":[0.0004891936,0.00021825497,0.0001977018,0.00035743462,0.00053037633,0.00096208556,0.0011244011,0.0014874218,0.04995899],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000060855047,0.00002253379,0.00052213814,0.000077159355,0.000003151855,0.0013051948,0.0016705823,0.000060596005,0.0016011319,0.011924446,0.8963859,0.08636625],"study_design_scores_gemma":[0.0000015905819,0.000008782491,0.0007299299,0.000046969024,0.0000010214605,0.00040199477,0.00081571407,0.000025867268,0.00016765721,0.00027703546,0.997521,0.0000024322317],"about_ca_topic_score_codex":0.017488373,"about_ca_topic_score_gemma":0.06021422,"teacher_disagreement_score":0.27137414,"about_ca_system_score_codex":0.00059333624,"about_ca_system_score_gemma":0.0005651639,"threshold_uncertainty_score":0.9078369},"labels":[],"label_agreement":null},{"id":"W4385397734","doi":"10.18733/cpi29692","title":"The Kiss","year":2023,"lang":"en","type":"article","venue":"Cultural and Pedagogical Inquiry","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"KISS (TNC); Anticipation (artificial intelligence); Art; Sculpture; Computer graphics (images); Art history; Computer science; Artificial intelligence; Operating system","score_opus":0.7526114041735129,"score_gpt":0.45360316295435904,"score_spread":0.29900824121915387,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385397734","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.023437131,0.0025889091,0.002108286,0.03991596,0.0060945326,0.000025195919,0.00018301712,0.0002445492,0.9254025],"genre_scores_gemma":[0.321,0.0017947498,0.0012554168,0.010441612,0.0017154407,0.000032796084,0.000115230054,0.0003697008,0.663275],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99986386,0.00004562016,0.0000017941745,0.000017214608,0.000038080118,0.000033531058],"domain_scores_gemma":[0.9997061,0.00009503221,0.000015713975,0.000021172484,0.00005035161,0.000111479945],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00021051381,0.00031934027,0.0001358612,0.000426749,0.0062392894,0.003663613,0.00033962948,0.0013905837,0.04600382],"category_scores_gemma":[0.0013779295,0.0001643178,0.00020855055,0.00023349801,0.0038982783,0.0031389107,0.003052742,0.003828057,0.0059406445],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021219863,0.00003260235,0.00048645254,0.00010784474,0.000009997725,0.0019879474,0.0891473,0.00018770968,0.0014234848,0.23584424,0.64638114,0.024179136],"study_design_scores_gemma":[0.0000065061913,0.000022846994,0.00048107136,0.00012250892,0.0000039715565,0.00071981136,0.032371875,0.00014079592,0.00031670535,0.005632356,0.9601707,0.000010935931],"about_ca_topic_score_codex":0.004591143,"about_ca_topic_score_gemma":0.012818649,"teacher_disagreement_score":0.04600382,"about_ca_system_score_codex":0.0009574682,"about_ca_system_score_gemma":0.00075006444,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W4385512528","doi":"10.1515/9780773555365-007","title":"“What a Caring Act”: Geographies of Care and the Posthuman in Canadian Dystopian Fiction","year":2018,"lang":"en","type":"book-chapter","venue":"McGill-Queen's University Press eBooks","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dystopia; Posthuman; Sociology; Aesthetics; Psychoanalysis; Art; Gender studies; Literature; Psychology","score_opus":0.013835904569900411,"score_gpt":0.18576495846670885,"score_spread":0.17192905389680843,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385512528","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.018599533,0.024280097,0.0015812685,0.049476538,0.0013550379,0.00003901104,0.00012625568,0.000059034268,0.9044833],"genre_scores_gemma":[0.74970466,0.014890281,0.0014607275,0.006941543,0.0003495527,0.000045745026,0.000084354586,0.00013395514,0.22638917],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989957,0.00031467227,0.000016480919,0.00007844437,0.00026498086,0.00032971648],"domain_scores_gemma":[0.99921155,0.00036161422,0.00004231133,0.00004477418,0.00020258833,0.00013709694],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010929462,0.0006464438,0.00038439542,0.0018385394,0.021192823,0.008012505,0.001437244,0.0026319807,0.0091868555],"category_scores_gemma":[0.0027172717,0.00021093112,0.00025304634,0.003245476,0.04681251,0.0029756494,0.0027212894,0.00510808,0.00056815066],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007996525,0.0000044642543,0.000111894224,0.00003719689,0.0000014839418,0.00008513998,0.07993004,0.00010531267,0.00004248476,0.8752988,0.03613217,0.00824295],"study_design_scores_gemma":[0.0000038287285,0.000004390161,0.0009785172,0.00031226443,0.000006039397,0.00009680929,0.057943586,0.0001337206,0.000100666606,0.05470965,0.88569146,0.000019019697],"about_ca_topic_score_codex":0.95217365,"about_ca_topic_score_gemma":0.9762874,"teacher_disagreement_score":0.08488878,"about_ca_system_score_codex":0.08488878,"about_ca_system_score_gemma":0.07679615,"threshold_uncertainty_score":0.6159141},"labels":[],"label_agreement":null},{"id":"W4385741274","doi":"10.3390/philosophies8040073","title":"A Solarpunk Manifesto: Turning Imaginary into Reality","year":2023,"lang":"en","type":"article","venue":"Philosophies","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":10,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Wilfrid Laurier University; Balsillie School of International Affairs","funders":"","keywords":"Dystopia; Humanity; The Imaginary; Sociology; Manifesto; Sustainability; Environmental ethics; Harmony (color); Utopia; Postmodernism; Aesthetics; Social science; Law; Political science; Epistemology; Ecology; Psychoanalysis; Philosophy; Art","score_opus":0.07799131763591244,"score_gpt":0.28785164948403935,"score_spread":0.2098603318481269,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385741274","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.031749472,0.007101079,0.005630551,0.050882358,0.002505954,0.000025758707,0.00017546097,0.00020182478,0.9017276],"genre_scores_gemma":[0.84794396,0.0046178205,0.0022564551,0.0053938082,0.001179226,0.00007562821,0.00016690961,0.00034752136,0.13801865],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9984156,0.000868372,0.000047423844,0.00013026946,0.00037342924,0.00016487544],"domain_scores_gemma":[0.997561,0.0016924369,0.000115917996,0.00035411693,0.00012625367,0.00015021976],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003075304,0.00040991997,0.00024427284,0.0010474379,0.008752558,0.017060688,0.00080604595,0.0026205,0.012606939],"category_scores_gemma":[0.0055842716,0.0002227092,0.00021928392,0.0015129254,0.025545929,0.012065117,0.007327477,0.004746587,0.0014795829],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010720255,0.000007448415,0.00006642531,0.00004049438,9.16054e-7,0.00006831944,0.012820945,0.00010205336,0.000110156936,0.96723425,0.01278506,0.006753091],"study_design_scores_gemma":[0.000008962503,0.0000115034945,0.00019096398,0.00020592869,0.0000024998799,0.00008954648,0.010542082,0.00027306474,0.00036329983,0.16953279,0.81876713,0.000012119756],"about_ca_topic_score_codex":0.002486351,"about_ca_topic_score_gemma":0.0045303022,"teacher_disagreement_score":0.017060688,"about_ca_system_score_codex":0.0062575317,"about_ca_system_score_gemma":0.0028948933,"threshold_uncertainty_score":0.04540181},"labels":[],"label_agreement":null},{"id":"W4385876238","doi":"10.5430/wjel.v13n7p376","title":"From Gilead to Syria: A Comparative Study of Patriarchal Oppression and Resistance in Margaret Atwood's “The Handmaid's Tale” and Nagham Haider’s “Winter Festivals”","year":2023,"lang":"en","type":"article","venue":"World Journal of English Language","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"Prince Sattam bin Abdulaziz University","keywords":"Dystopia; Oppression; Sociology; Gender studies; Resistance (ecology); Scholarship; Feminism; Power (physics); Literature; Law; Political science; Art; Politics","score_opus":0.03197992725288394,"score_gpt":0.27997355541618957,"score_spread":0.2479936281633056,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385876238","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9624864,0.0014204447,0.00009832945,0.0023324222,0.00017420894,0.000030791733,0.000023561715,0.000008928617,0.033424914],"genre_scores_gemma":[0.98989534,0.0009853648,0.00006334471,0.0007396539,0.00006318168,0.000045708926,0.000020127594,0.00002007955,0.008167283],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9966813,0.0017951478,0.000053852866,0.00018188868,0.00031035286,0.0009775372],"domain_scores_gemma":[0.9974504,0.0014279874,0.00029692496,0.000114942755,0.0002236072,0.00048608944],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0032313,0.0008547625,0.0013037099,0.0021995846,0.035438683,0.008977479,0.0014013755,0.003056971,0.008871268],"category_scores_gemma":[0.0051177265,0.00066495634,0.00035946,0.0027937428,0.021329854,0.0042247134,0.0076380414,0.0061310013,0.0006392085],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002471587,0.000035880155,0.0005984684,0.000033043947,0.000002679664,0.0005196297,0.99412525,0.0000055791024,0.00020433129,0.0020861437,0.00075002114,0.0016142369],"study_design_scores_gemma":[0.0000033274782,0.000035093413,0.0030080709,0.00005982819,0.0000032050502,0.000118468066,0.9804701,0.000010446143,0.00009338924,0.00010267126,0.016089192,0.000006276644],"about_ca_topic_score_codex":0.04472637,"about_ca_topic_score_gemma":0.13083272,"teacher_disagreement_score":0.04472637,"about_ca_system_score_codex":0.00929454,"about_ca_system_score_gemma":0.0048047546,"threshold_uncertainty_score":0.0889321},"labels":[],"label_agreement":null},{"id":"W4386765330","doi":"10.26443/arc.v39i.442","title":"Apocalyptic Eschatology and The Transcendence of Death in William Gibson's Neuromancer","year":2011,"lang":"en","type":"article","venue":"Arc The Journal of the School of Religious Studies","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Eschatology; Transcendence (philosophy); Philosophy; Theology; Psychoanalysis; Art; Psychology","score_opus":0.04697956804772621,"score_gpt":0.24921093461748114,"score_spread":0.20223136656975493,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386765330","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.056535017,0.017974708,0.005477664,0.1322521,0.0029611813,0.00004500495,0.00003189719,0.00006528764,0.7846572],"genre_scores_gemma":[0.9005693,0.0020052167,0.0010018297,0.011057088,0.0006100722,0.000029235665,0.000008080101,0.000068972295,0.08465016],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987847,0.00070778077,0.000025068895,0.000102272155,0.00016469874,0.00021547817],"domain_scores_gemma":[0.99901354,0.0005819671,0.00006612243,0.00010388838,0.000106485284,0.00012806071],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0026544377,0.0002762256,0.00030550646,0.0007534738,0.007568744,0.0046577197,0.0006426221,0.003479884,0.0025151966],"category_scores_gemma":[0.0041530617,0.00018986761,0.00016379719,0.00045475806,0.04515736,0.0038489702,0.0037575888,0.0070791934,0.0003450765],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007344757,0.0000041427174,0.000049948965,0.0000080536165,7.366373e-7,0.000049521565,0.014641947,0.000024039071,0.000024483455,0.9780784,0.0051633324,0.0019479941],"study_design_scores_gemma":[0.000016546437,0.00001664834,0.0002912652,0.0000987277,0.000004620322,0.00021328946,0.012569144,0.0001103793,0.00016155411,0.6451965,0.34130275,0.00001864428],"about_ca_topic_score_codex":0.018841894,"about_ca_topic_score_gemma":0.04632112,"teacher_disagreement_score":0.018841894,"about_ca_system_score_codex":0.00463882,"about_ca_system_score_gemma":0.0027130714,"threshold_uncertainty_score":0.03746444},"labels":[],"label_agreement":null},{"id":"W4387304920","doi":"10.4000/transtexts.2190","title":"Cinematic Im/mobilities in the Planetary Now","year":2022,"lang":"zh","type":"article","venue":"Transtext(e)s Transcultures 跨文本跨文化","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal; Global Affairs Canada","funders":"","keywords":"Mobilities; Astrobiology; Sociology; Physics; Anthropology","score_opus":0.025316693729442907,"score_gpt":0.2195609230133917,"score_spread":0.1942442292839488,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387304920","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04998219,0.004561642,0.0028700626,0.012253,0.0008169348,0.00001327042,0.00006238371,0.000087119515,0.9293534],"genre_scores_gemma":[0.9186447,0.0012838303,0.00087011984,0.00079382927,0.00046964787,0.000017624337,0.000035879526,0.000089928486,0.07779439],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99934596,0.00041100988,0.000014335917,0.00006806969,0.000055313518,0.00010537373],"domain_scores_gemma":[0.99905306,0.00045297912,0.0000752768,0.00013517597,0.000059420083,0.00022403806],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010747218,0.00037817543,0.00016609833,0.0009511214,0.0060467822,0.008110683,0.00048313726,0.0010586325,0.024265831],"category_scores_gemma":[0.0017563074,0.00015653095,0.0001465215,0.000752834,0.011953835,0.0072454633,0.0050020018,0.0028953708,0.001187777],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003682618,0.000019184243,0.00035868603,0.00009940831,0.0000029741445,0.00019688366,0.09372648,0.000070144946,0.00055360305,0.87362695,0.016879013,0.014429897],"study_design_scores_gemma":[0.00001108509,0.000034663855,0.001331753,0.00019539794,0.000008878547,0.0003834721,0.09592953,0.00024194925,0.00067717995,0.07090638,0.83026713,0.000012546555],"about_ca_topic_score_codex":0.0020978614,"about_ca_topic_score_gemma":0.0038848731,"teacher_disagreement_score":0.024265831,"about_ca_system_score_codex":0.0018970419,"about_ca_system_score_gemma":0.00076072715,"threshold_uncertainty_score":0.081177294},"labels":[],"label_agreement":null},{"id":"W4387338204","doi":"10.26522/ssj.v17i3.4385","title":"Speculative Fictions for Decolonial Futures","year":2023,"lang":"en","type":"article","venue":"Studies in Social Justice","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Futures contract; Economics; Law and economics; Sociology; Philosophy; Financial economics","score_opus":0.19624937314450336,"score_gpt":0.4138166947057627,"score_spread":0.21756732156125935,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387338204","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.058143415,0.010194233,0.010521972,0.30288303,0.003346975,0.000055360604,0.000117946045,0.0000663406,0.6146708],"genre_scores_gemma":[0.9574012,0.0013528063,0.0015313757,0.008328145,0.0013772764,0.00005307904,0.000021918064,0.000054412023,0.029879779],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9960372,0.0026032412,0.000093189294,0.00034202676,0.00050699076,0.00041740932],"domain_scores_gemma":[0.98426914,0.012812831,0.0006802099,0.0012512549,0.00063069887,0.0003559152],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.006962744,0.0004414109,0.0004629772,0.0013666247,0.01394498,0.008209294,0.001510402,0.0066181356,0.009232109],"category_scores_gemma":[0.020010838,0.00021601099,0.00035667588,0.0011908783,0.08051011,0.008555835,0.0046043135,0.011572802,0.00052208296],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000035301948,0.0000028218271,0.000025622596,0.000009245914,6.561617e-7,0.000025530393,0.0057621547,0.000027046779,0.000010525826,0.99020433,0.0033031336,0.0006254309],"study_design_scores_gemma":[0.000013716961,0.000009831345,0.00016244037,0.00014512122,0.000004035811,0.00008300068,0.013925601,0.00031122658,0.00018037752,0.801292,0.18386169,0.000010946779],"about_ca_topic_score_codex":0.004290652,"about_ca_topic_score_gemma":0.008579749,"teacher_disagreement_score":0.01394498,"about_ca_system_score_codex":0.006835958,"about_ca_system_score_gemma":0.0036344668,"threshold_uncertainty_score":0.049598515},"labels":[],"label_agreement":null},{"id":"W4387397902","doi":"10.1353/nin.2023.a903313","title":"The Sovereign's Orb: Baseball as Metaphor in Star Trek: Deep Space Nine","year":2023,"lang":"en","type":"article","venue":"Nine","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sovereignty; League; Worship; Law; History; Political science; Media studies; Ancient history; Sociology; Politics; Astronomy","score_opus":0.024528122075964894,"score_gpt":0.2375358597067773,"score_spread":0.2130077376308124,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387397902","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02991785,0.04284789,0.0050621624,0.06669047,0.009361814,0.000028559434,0.00010448021,0.00014297199,0.84584373],"genre_scores_gemma":[0.7254759,0.016493686,0.0021523454,0.013203186,0.0019048596,0.000056319244,0.000108559114,0.0003669742,0.24023812],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992873,0.00041814637,0.0000153434,0.00005229889,0.00010866893,0.00011829405],"domain_scores_gemma":[0.9997451,0.00006126443,0.000016867269,0.000008892674,0.000028286662,0.0001395606],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008296232,0.0006013741,0.00021609855,0.0007043905,0.0067406273,0.00880439,0.00062615745,0.0015491187,0.011838379],"category_scores_gemma":[0.0008363692,0.0001878997,0.00018755494,0.0007034047,0.011204241,0.0047327043,0.003973995,0.004560006,0.0017705281],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007328647,0.000038872367,0.00048299236,0.00011394115,0.000006420333,0.00046705577,0.10559274,0.000121517696,0.00061698916,0.6199939,0.24322729,0.02926498],"study_design_scores_gemma":[0.0000141423625,0.00002412909,0.00062802865,0.00025589624,0.0000030614356,0.00044012652,0.08023296,0.00011970418,0.00011546308,0.021942971,0.89621145,0.0000121032035],"about_ca_topic_score_codex":0.01590236,"about_ca_topic_score_gemma":0.036980465,"teacher_disagreement_score":0.01590236,"about_ca_system_score_codex":0.004011604,"about_ca_system_score_gemma":0.0014469346,"threshold_uncertainty_score":0.039603293},"labels":[],"label_agreement":null},{"id":"W4387414051","doi":"10.54513/joell.2023.10303","title":"SENSE OF ALIENATION AND EMOTIONAL ESTRANGEMENT –A COMPARATIVE STUDY OF ANITA DESAI AND MARGARET ATWOOD’S HEROINE","year":2023,"lang":"en","type":"article","venue":"Journal of English Language and Literature","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Alienation; Psychoanalysis; Psychology; Sociology; Art; Political science; Law","score_opus":0.020116391736482223,"score_gpt":0.253648559479282,"score_spread":0.23353216774279978,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387414051","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9652363,0.0015427807,0.00023604026,0.0034540338,0.00018552116,0.000022729324,0.000024547777,0.000010229454,0.029287849],"genre_scores_gemma":[0.9877666,0.0011983996,0.00014703213,0.00069660787,0.00007538555,0.000044626267,0.000016979366,0.000022719536,0.0100316275],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99615085,0.0025431558,0.0000689006,0.00022393114,0.00048261374,0.00053057476],"domain_scores_gemma":[0.99616027,0.002075688,0.0005161834,0.000112258145,0.0003776678,0.00075794774],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0031557996,0.0006984713,0.0007823462,0.0013297797,0.022826895,0.0060823145,0.0015933379,0.0019120979,0.0039772554],"category_scores_gemma":[0.005217373,0.0005283789,0.0002946176,0.0011414493,0.012972921,0.004251328,0.006128718,0.004455468,0.0005045194],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017653827,0.000027026574,0.00061852677,0.000036758345,0.0000029972562,0.0007181546,0.99494714,0.0000047763556,0.00028365574,0.0016743129,0.00053011184,0.0011388997],"study_design_scores_gemma":[0.0000017795677,0.000029110079,0.0018032866,0.000036917536,0.0000026764867,0.00044001336,0.97903,0.000010089614,0.00010294861,0.00014419586,0.01839139,0.000007654866],"about_ca_topic_score_codex":0.015333401,"about_ca_topic_score_gemma":0.04789969,"teacher_disagreement_score":0.022826895,"about_ca_system_score_codex":0.0054722894,"about_ca_system_score_gemma":0.0026358715,"threshold_uncertainty_score":0.039704382},"labels":[],"label_agreement":null},{"id":"W4387686615","doi":"","title":"\"Ser testigo es necesario\": la poética política de Margaret Atwood / «Witness is What You Must Bear»: Margaret Atwood’s Poetic Politics","year":2007,"lang":"es","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Witness; Poetry; Politics; Philosophy; Humanities; Art; Literature; Law; Political science; Linguistics","score_opus":0.15181844447695164,"score_gpt":0.47498963142294187,"score_spread":0.32317118694599023,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387686615","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.066185735,0.019201322,0.0015462877,0.29379106,0.0026168202,0.000046676076,0.00006362177,0.000052067993,0.6164964],"genre_scores_gemma":[0.6548802,0.0058576884,0.0005169293,0.023435805,0.0005572403,0.00004955231,0.000018726965,0.00010491675,0.31457892],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99808633,0.00097644643,0.000026985037,0.00021435878,0.00030242754,0.0003933779],"domain_scores_gemma":[0.9980014,0.0009945238,0.00013931745,0.00006972289,0.00026904535,0.0005260454],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019379762,0.0003168224,0.00020114605,0.0008484506,0.025683196,0.00955073,0.0009318899,0.0032937746,0.009966829],"category_scores_gemma":[0.0023955065,0.00032061143,0.0001401721,0.0012241137,0.028408198,0.0045863516,0.0038680332,0.0067517622,0.0012340241],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023238448,0.000022600396,0.0005404562,0.000049972707,0.0000025121612,0.00029420631,0.13643323,0.000061532526,0.00016952465,0.72793686,0.12837976,0.006086151],"study_design_scores_gemma":[0.0000036863412,0.000011331311,0.0009124576,0.0001481687,0.0000044636095,0.0001413721,0.0671033,0.000058681017,0.0001654307,0.019998295,0.9114319,0.000020831416],"about_ca_topic_score_codex":0.14429963,"about_ca_topic_score_gemma":0.23672904,"teacher_disagreement_score":0.14429963,"about_ca_system_score_codex":0.018328214,"about_ca_system_score_gemma":0.008289595,"threshold_uncertainty_score":0.28691941},"labels":[],"label_agreement":null},{"id":"W4388128142","doi":"10.24043/001c.89379","title":"Island, Identity, and Trauma: The Three Ecologies of Wu Ming-Yi’s ‘the Man With the Compound Eyes’","year":2023,"lang":"en","type":"article","venue":"Island Studies Journal","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanity; Ecology; Identity (music); The Imaginary; Geography; Perspective (graphical); History; Sociology; Aesthetics; Art; Psychoanalysis; Psychology; Philosophy; Visual arts; Biology","score_opus":0.0923350306133267,"score_gpt":0.2996642196547354,"score_spread":0.20732918904140868,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388128142","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.46414563,0.010850531,0.007996297,0.09108008,0.0014168241,0.0000853897,0.000070399925,0.000085273576,0.4242695],"genre_scores_gemma":[0.9808442,0.0014592821,0.00073980715,0.0021935005,0.00018829142,0.000039875722,0.000017815795,0.000027911456,0.01448937],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991227,0.0005547,0.000014924003,0.000064373846,0.00009331719,0.0001500875],"domain_scores_gemma":[0.9993455,0.00035712513,0.00008447268,0.00007148274,0.00003489214,0.00010654301],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008519056,0.00036866273,0.0002582848,0.0008387499,0.00947319,0.0064539644,0.00074372627,0.0022113738,0.0022816816],"category_scores_gemma":[0.0020367992,0.00021495046,0.00019170108,0.00090657134,0.040838055,0.005327521,0.005067705,0.005590964,0.00019943567],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014155346,0.000022468605,0.00096364826,0.00004107705,0.0000041897506,0.0008200315,0.38100636,0.0001414596,0.00021046016,0.603045,0.008219345,0.005511675],"study_design_scores_gemma":[0.000016381777,0.00007541852,0.0041315653,0.00025376116,0.000010576034,0.0019132926,0.4151777,0.0007438311,0.0006030257,0.1986219,0.378404,0.000048576967],"about_ca_topic_score_codex":0.0062777656,"about_ca_topic_score_gemma":0.01167496,"teacher_disagreement_score":0.00947319,"about_ca_system_score_codex":0.0045837504,"about_ca_system_score_gemma":0.002061101,"threshold_uncertainty_score":0.033257544},"labels":[],"label_agreement":null},{"id":"W4388856417","doi":"10.47749/t/unicamp.2021.1165292","title":"A mulher entre gerar e narrar","year":2021,"lang":"pt","type":"dissertation","venue":"","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Silence; Theme (computing); Literature; Reading (process); History; Revelation; History of literature; Art; Sociology; Aesthetics; Philosophy; Linguistics","score_opus":0.021906774550725906,"score_gpt":0.24436687241081873,"score_spread":0.22246009786009283,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388856417","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.024437876,0.0063552028,0.008177895,0.064520575,0.008179108,0.00006471145,0.00018455209,0.00043660094,0.88764346],"genre_scores_gemma":[0.35789648,0.002683929,0.003260801,0.007895977,0.0016976232,0.00005692785,0.00010040139,0.00043173556,0.625976],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99865687,0.0006397254,0.00002283979,0.00020694442,0.00028905246,0.00018456465],"domain_scores_gemma":[0.9986135,0.00055942894,0.000115173614,0.00017952459,0.00023135435,0.0003011082],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013584619,0.0005682985,0.00041064082,0.00066498073,0.008606885,0.006507561,0.0006083075,0.0018856513,0.028836342],"category_scores_gemma":[0.0041351384,0.00027603918,0.00029035067,0.00053733884,0.008218702,0.0066428054,0.004586079,0.0047006984,0.008557788],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008970133,0.000053640913,0.0008814611,0.0001587015,0.0000137062,0.0012448999,0.1396791,0.0000708687,0.0016588237,0.6521961,0.16356787,0.04038505],"study_design_scores_gemma":[0.0000032247237,0.000025274328,0.00034853883,0.00009675841,0.000004925231,0.000648995,0.027967367,0.000043557862,0.000579255,0.013618696,0.95665467,0.000008823673],"about_ca_topic_score_codex":0.0021157325,"about_ca_topic_score_gemma":0.003965111,"teacher_disagreement_score":0.028836342,"about_ca_system_score_codex":0.0015954677,"about_ca_system_score_gemma":0.0012434289,"threshold_uncertainty_score":0.09646714},"labels":[],"label_agreement":null},{"id":"W4388977787","doi":"10.35869/afial.v0i32.4516","title":"Women’s Sexuality and Reproductive Rights through Animalistic and Mechanistic Images in Margaret Atwood’s Surfacing (1972)","year":2023,"lang":"en","type":"article","venue":"Babel – AFIAL Aspectos de Filoloxía Inglesa e Alemá","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Human sexuality; Abortion; Gender studies; Reproductive rights; Birth control; Sociology; Political science; Pregnancy; Family planning; Demography; Research methodology; Population; Biology","score_opus":0.03958860329771725,"score_gpt":0.2533536108422316,"score_spread":0.21376500754451438,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388977787","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11377488,0.07000246,0.003714128,0.23226048,0.003320948,0.000070361144,0.00010403366,0.000043188178,0.5767095],"genre_scores_gemma":[0.8438967,0.014394446,0.0016542401,0.029579837,0.0010482154,0.00006416929,0.000025265303,0.0000695976,0.10926751],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99913627,0.00054649054,0.000009328034,0.000060824852,0.0001288731,0.0001182984],"domain_scores_gemma":[0.9994271,0.0004189258,0.000029835679,0.000016187334,0.00005639545,0.000051655763],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012342299,0.00041085933,0.0001732059,0.0008195743,0.010893451,0.0041085654,0.0005026909,0.002683806,0.0022215883],"category_scores_gemma":[0.0011622228,0.00015666669,0.00016959969,0.00075374916,0.02469975,0.0030912713,0.0015555315,0.0039671585,0.00021938747],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004205424,0.000025065363,0.0006106098,0.00009565527,0.000005006021,0.0008132567,0.37804756,0.00010326056,0.0006683755,0.5344734,0.07065229,0.014463513],"study_design_scores_gemma":[0.000008695882,0.000027306798,0.0012610911,0.00033877254,0.000005566277,0.0006003158,0.12862189,0.00006247621,0.00048309212,0.0448545,0.82371855,0.00001778381],"about_ca_topic_score_codex":0.06082211,"about_ca_topic_score_gemma":0.11265369,"teacher_disagreement_score":0.06082211,"about_ca_system_score_codex":0.004768164,"about_ca_system_score_gemma":0.0027636557,"threshold_uncertainty_score":0.120936155},"labels":[],"label_agreement":null},{"id":"W4389155223","doi":"10.1017/9781108560740.021","title":"Networks","year":2023,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Metaphor; Ambivalence; Narrative; Politics; Sociology; Aesthetics; Visual arts; Media studies; Computer science; Political science; Art; Psychology; Literature; Law; Social psychology; Philosophy; Linguistics","score_opus":0.04589346019662783,"score_gpt":0.1877406611032243,"score_spread":0.14184720090659647,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4389155223","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001109922,0.006254471,0.009573493,0.007544367,0.0021265177,0.000059444897,0.0012526603,0.0007163619,0.9713628],"genre_scores_gemma":[0.029125562,0.017680231,0.0075937626,0.003962953,0.0013589176,0.00023643875,0.0023723722,0.000550163,0.93711954],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989747,0.00022547731,0.000048594142,0.00023326368,0.0004058677,0.000112194604],"domain_scores_gemma":[0.99915564,0.0002477756,0.000076365504,0.00019851599,0.0002062392,0.0001154348],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000727732,0.0005502921,0.00034263905,0.0014278737,0.0020373506,0.0060804375,0.0011978158,0.0016221877,0.20865162],"category_scores_gemma":[0.0031013712,0.00026220706,0.0003181642,0.0023453871,0.0012741067,0.007632857,0.003139942,0.0015895284,0.07155775],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018236033,0.000014569777,0.00024828254,0.00022753568,0.0000055652413,0.00009397993,0.0009020335,0.00033124408,0.00034443292,0.52828294,0.3261811,0.14335017],"study_design_scores_gemma":[6.077649e-7,0.0000019339445,0.00004614839,0.000047853657,6.628904e-7,0.000054793578,0.00010933991,0.000050768555,0.000039733222,0.010170288,0.9894756,0.0000022220115],"about_ca_topic_score_codex":0.0022148853,"about_ca_topic_score_gemma":0.0047096014,"teacher_disagreement_score":0.20865162,"about_ca_system_score_codex":0.0018927737,"about_ca_system_score_gemma":0.001516174,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W4389472846","doi":"10.24043/001c.90560","title":"Distant Country, Paradise, Wilderness, or Mysterious World: The Changing Image of the South Sea (Nan’yō) Islands in Japanese Science Fiction","year":2023,"lang":"en","type":"article","venue":"Island Studies Journal","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"Guangdong University of Foreign Studies","keywords":"Civilization; Paradise; Wilderness; Fantasy; History; Destiny (ISS module); Ambivalence; Politics; Dystopia; Geography; Ethnology; Literature; Art; Political science; Art history; Archaeology","score_opus":0.03931513854868661,"score_gpt":0.28631034536276173,"score_spread":0.2469952068140751,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4389472846","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8575778,0.010160869,0.0008114447,0.012987735,0.0008452839,0.00002543606,0.000074226286,0.00003467591,0.11748265],"genre_scores_gemma":[0.97813547,0.0034862272,0.0005768786,0.0012935709,0.00028664345,0.000027224905,0.000052928423,0.0000420216,0.016099142],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997191,0.00011528618,0.000014962762,0.000037037677,0.000058156635,0.000055407203],"domain_scores_gemma":[0.99936527,0.00029773623,0.00008434958,0.00004559993,0.00010203867,0.00010498537],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00096989237,0.0005699519,0.00032617975,0.0009622263,0.007710926,0.0044205436,0.00039766094,0.0013288764,0.0015616176],"category_scores_gemma":[0.0010949402,0.00023042869,0.00022771761,0.0011281843,0.011661373,0.0028950928,0.002666266,0.0019080153,0.00022016447],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000038832968,0.000011208988,0.0023139636,0.00026664897,0.000009269353,0.0018976809,0.96482277,0.00005393193,0.002464809,0.018575255,0.004183417,0.005362291],"study_design_scores_gemma":[0.000009213834,0.00009427501,0.01767832,0.00035215722,0.000065454275,0.0014049542,0.6887134,0.00018087644,0.0009838425,0.0028392891,0.2876313,0.00004697969],"about_ca_topic_score_codex":0.018763352,"about_ca_topic_score_gemma":0.048208673,"teacher_disagreement_score":0.018763352,"about_ca_system_score_codex":0.0032978144,"about_ca_system_score_gemma":0.0016016702,"threshold_uncertainty_score":0.037308276},"labels":[],"label_agreement":null},{"id":"W4389514310","doi":"","title":"Interpellation by the Force: Biopolitical Cultural Apparatuses in The Force Awakens","year":2017,"lang":"en","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Use of force; Political science; Law","score_opus":0.3515991233317428,"score_gpt":0.5514060332842307,"score_spread":0.19980690995248784,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4389514310","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19211572,0.005500318,0.012225342,0.038627636,0.0011842435,0.00004108143,0.000042945485,0.00010405339,0.75015867],"genre_scores_gemma":[0.97568727,0.0009161804,0.00082046026,0.0014122784,0.0002732413,0.000020703226,0.000014146151,0.00004770635,0.020808019],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99867886,0.0007252171,0.000022088794,0.00014148459,0.00019526326,0.00023703591],"domain_scores_gemma":[0.99859875,0.00079105754,0.00013434755,0.00019787397,0.00012110199,0.0001567961],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0024719117,0.00044505272,0.00023947626,0.0011526742,0.011301035,0.009303427,0.00076263834,0.0020520145,0.0039723283],"category_scores_gemma":[0.003356129,0.00021220985,0.00027139438,0.0007683365,0.045622606,0.009108437,0.0049977107,0.0051365644,0.0004153617],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020021367,0.000013887017,0.00038062403,0.00002135976,0.0000030011536,0.00020540452,0.15464471,0.000058470425,0.00023240804,0.8339629,0.0036290595,0.0068280906],"study_design_scores_gemma":[0.000031819563,0.00007454042,0.0018922584,0.00024092825,0.000012856976,0.00046184016,0.16623741,0.00045605446,0.0010034714,0.34831378,0.48123938,0.000035646623],"about_ca_topic_score_codex":0.0036039096,"about_ca_topic_score_gemma":0.005091935,"teacher_disagreement_score":0.011301035,"about_ca_system_score_codex":0.0040429384,"about_ca_system_score_gemma":0.0016534178,"threshold_uncertainty_score":0.02933371},"labels":[],"label_agreement":null},{"id":"W4389763236","doi":"10.4000/resf.12401","title":"Enjeux textuels d’une lecture féministe de la science-fiction","year":2023,"lang":"fr","type":"article","venue":"ReS Futurae","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université Laval","funders":"","keywords":"Humanities; Philosophy","score_opus":0.022022429859070845,"score_gpt":0.2894442754321982,"score_spread":0.26742184557312737,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4389763236","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.030243115,0.03592067,0.033558227,0.26726988,0.019681418,0.000102417245,0.00015050154,0.0002067329,0.61286694],"genre_scores_gemma":[0.6645718,0.01618511,0.010625652,0.023732485,0.010598523,0.00027106522,0.00010638112,0.00034408428,0.27356473],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9925322,0.005251819,0.00013433286,0.00047290578,0.0011369819,0.00047183858],"domain_scores_gemma":[0.98925436,0.008341267,0.0005452604,0.0006214027,0.00083538203,0.0004022803],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0071510854,0.00070491264,0.00038014556,0.0014699539,0.0059874803,0.0078053465,0.0008974334,0.0028657657,0.013389932],"category_scores_gemma":[0.016282478,0.00023626057,0.0006784051,0.00089213817,0.018448185,0.007091686,0.003545009,0.0077703977,0.0021179162],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025524232,0.000018440394,0.00015303356,0.0000955544,0.000004862631,0.00010553914,0.022389835,0.00010699136,0.0002895936,0.9446901,0.018415336,0.013705228],"study_design_scores_gemma":[0.000009037482,0.00003386751,0.00036195864,0.00032605944,0.00000799022,0.00017787561,0.009022611,0.00032977175,0.0008462748,0.097730264,0.8911336,0.000020599711],"about_ca_topic_score_codex":0.003980411,"about_ca_topic_score_gemma":0.006398847,"teacher_disagreement_score":0.013389932,"about_ca_system_score_codex":0.0071505643,"about_ca_system_score_gemma":0.0038561712,"threshold_uncertainty_score":0.051881194},"labels":[],"label_agreement":null},{"id":"W4390075877","doi":"10.5840/cpsem20226","title":"The Use of Science in Zamyatin’s Dystopian Novel We to Expose Communist Intentionality and Design","year":2022,"lang":"en","type":"book-chapter","venue":"Semiotics","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dystopia; Intentionality; EXPOSE; Aesthetics; Communism; Epistemology; Sociology; Computer science; Philosophy; Political science; Artificial intelligence; Astrobiology; Law","score_opus":0.19758660640279146,"score_gpt":0.271049207234818,"score_spread":0.07346260083202655,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390075877","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06274337,0.0066766962,0.03889468,0.03211119,0.00074327603,0.000066558816,0.00013292766,0.00014577725,0.8584855],"genre_scores_gemma":[0.94082403,0.00076875405,0.005409126,0.0013605474,0.00010034282,0.00010246203,0.000029389616,0.0001098226,0.0512955],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99876106,0.00082715735,0.000022230475,0.00010518438,0.0001154971,0.00016881847],"domain_scores_gemma":[0.99942976,0.00034450868,0.000045640943,0.00011158782,0.000039926603,0.000028620294],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015590547,0.00042722683,0.00036632022,0.0009899918,0.0070871552,0.0051761023,0.00064575695,0.0019165676,0.003072079],"category_scores_gemma":[0.0020889202,0.00024515833,0.0003675424,0.00087153673,0.03167488,0.0049534566,0.003106172,0.0038319011,0.00043222445],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000040920663,0.0000015244167,0.000022567385,0.0000053064623,5.363238e-7,0.000010744792,0.0039719096,0.00005030965,0.00003926356,0.9943023,0.0010102066,0.0005812878],"study_design_scores_gemma":[0.000011132463,0.000009803811,0.00021475571,0.00006060936,0.0000043878067,0.00010034622,0.005962724,0.0005323902,0.00038117165,0.8301703,0.16254377,0.000008739354],"about_ca_topic_score_codex":0.006237563,"about_ca_topic_score_gemma":0.011133011,"teacher_disagreement_score":0.0070871552,"about_ca_system_score_codex":0.005336843,"about_ca_system_score_gemma":0.0022648554,"threshold_uncertainty_score":0.03872162},"labels":[],"label_agreement":null},{"id":"W4390141394","doi":"10.5325/utopianstudies.34.3.viii","title":"Editors’ Message","year":2023,"lang":"de","type":"article","venue":"Utopian Studies","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dystopia; Miller; Utopia; Prison; Sociology; Imprisonment; Genius; Media studies; Art history; Aesthetics; Law; History; Art; Political science; Criminology","score_opus":0.07212119461322491,"score_gpt":0.3004209089828006,"score_spread":0.2282997143695757,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390141394","genre_codex":"editorial","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":"editorial","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00016561434,0.0015680359,0.00031631874,0.2414758,0.7103015,0.00008580765,0.00043141842,0.0006984817,0.044956975],"genre_scores_gemma":[0.0029641604,0.0020647885,0.0009269779,0.34085375,0.29200557,0.00024400452,0.00048168417,0.0005488636,0.3599102],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9935448,0.00055574614,0.00044807748,0.0010992069,0.0037211939,0.00063101796],"domain_scores_gemma":[0.9730672,0.0036693728,0.0013009874,0.0014640959,0.016535413,0.0039629447],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005562667,0.0014757583,0.0013641313,0.0019773196,0.0034600827,0.0117879985,0.0042998777,0.016797006,0.22152351],"category_scores_gemma":[0.0414284,0.0006929309,0.0016730952,0.0012824727,0.0016588357,0.007655957,0.003324867,0.014474996,0.17992714],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006750074,0.000005270019,0.000020952244,0.000030996405,0.0000013186851,0.000022161365,0.000015271953,0.0000050525355,0.000024583229,0.0004082489,0.9954131,0.0040462264],"study_design_scores_gemma":[0.000010781864,0.000009100366,0.00008007471,0.00007047306,0.0000028055879,0.000036440957,0.000057194895,0.000026410218,0.000058382117,0.00043650856,0.9992059,0.000006002631],"about_ca_topic_score_codex":0.0012633975,"about_ca_topic_score_gemma":0.0023085352,"teacher_disagreement_score":0.22152351,"about_ca_system_score_codex":0.0024321931,"about_ca_system_score_gemma":0.005654922,"threshold_uncertainty_score":0.74107},"labels":[],"label_agreement":null},{"id":"W4390421977","doi":"10.18485/bells.2023.15.15","title":"Zenia as a Canadian Monster in Margaret Atwood’s <i>The Robber Bride</i>","year":2023,"lang":"en","type":"article","venue":"Belgrade English Language and Literature Studies","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Monster; Bride; Art; Art history","score_opus":0.015638548397682542,"score_gpt":0.24308531424488156,"score_spread":0.22744676584719903,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390421977","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.38121012,0.013804791,0.0014005079,0.049756706,0.0013229552,0.000038594582,0.00023641244,0.0001256434,0.5521043],"genre_scores_gemma":[0.9443487,0.0019362576,0.00036967202,0.0023839283,0.000074963464,0.000009284243,0.00002746107,0.00006730212,0.05078239],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988167,0.00038630492,0.000012804031,0.000107501706,0.0002255892,0.00045100055],"domain_scores_gemma":[0.9993117,0.00022782375,0.000069475034,0.00003154168,0.00014231622,0.00021712326],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010306303,0.00037995572,0.00033171696,0.0014126168,0.026947504,0.008904897,0.0009736096,0.00180705,0.0055953297],"category_scores_gemma":[0.0020404293,0.00024208831,0.00019439546,0.0017001025,0.025495347,0.0018623255,0.0027670497,0.0035522357,0.0005231375],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008922563,0.000020262294,0.0014052459,0.00011635684,0.00001233505,0.0020109206,0.6045283,0.00017444059,0.0008538814,0.34013006,0.040670462,0.009988476],"study_design_scores_gemma":[0.000005910526,0.000012061578,0.0022159908,0.0001658759,0.000011240772,0.0005899269,0.40071845,0.00007804414,0.00043636048,0.0035666185,0.5921577,0.00004179035],"about_ca_topic_score_codex":0.87405497,"about_ca_topic_score_gemma":0.9534975,"teacher_disagreement_score":0.12594503,"about_ca_system_score_codex":0.042506102,"about_ca_system_score_gemma":0.019077508,"threshold_uncertainty_score":0.3084048},"labels":[],"label_agreement":null},{"id":"W4390661936","doi":"10.1162/pajj_a_00698","title":"Reckoning with Wreckage: The Work of Nancy Tam","year":2024,"lang":"en","type":"article","venue":"PAJ A Journal of Performance and Art","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Work (physics); Art; Sociology; History; Engineering","score_opus":0.015188798778710648,"score_gpt":0.19826699332188763,"score_spread":0.18307819454317698,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390661936","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0039448203,0.06341582,0.0016205668,0.77074116,0.021631284,0.000026069369,0.000037596532,0.00018989787,0.13839276],"genre_scores_gemma":[0.20510007,0.06408254,0.004139433,0.34440437,0.013786698,0.00033622715,0.000106494066,0.001635039,0.3664091],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9956905,0.0026262673,0.00007126404,0.00055904215,0.00068943645,0.00036354313],"domain_scores_gemma":[0.99627614,0.0020402037,0.00014328612,0.00019726716,0.00056073745,0.00078252493],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005209657,0.00116307,0.0008376808,0.0011530498,0.016160566,0.009769413,0.0017418484,0.004507719,0.011318359],"category_scores_gemma":[0.011632856,0.00031581122,0.0003247057,0.0009584616,0.01738638,0.014058464,0.0064314874,0.011838859,0.004487258],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004272048,0.000025344789,0.00034531954,0.00009071325,0.000008182346,0.00039956908,0.04216236,0.0001040098,0.00007270596,0.13134333,0.7880569,0.037348844],"study_design_scores_gemma":[0.000006445254,0.000012568641,0.00019657213,0.00034977897,0.0000035882306,0.00019911776,0.011459945,0.00013992006,0.000066944434,0.027537009,0.96000457,0.000023534669],"about_ca_topic_score_codex":0.012431363,"about_ca_topic_score_gemma":0.01853139,"teacher_disagreement_score":0.016160566,"about_ca_system_score_codex":0.0068129697,"about_ca_system_score_gemma":0.0068231826,"threshold_uncertainty_score":0.0494318},"labels":[],"label_agreement":null},{"id":"W4390806703","doi":"10.55905/revconv.17n.1-111","title":"Recepções significativas da distopia \"O conto da aia\" no século 21","year":2024,"lang":"pt","type":"article","venue":"Contribuciones a las Ciencias Sociales","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Dalsa Corporation","funders":"","keywords":"Humanities; Romance; Philosophy; Art; Literature","score_opus":0.07640090204148448,"score_gpt":0.29277228234782965,"score_spread":0.21637138030634517,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390806703","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3648559,0.019031549,0.001083521,0.033698212,0.0023346795,0.000051796782,0.0004257407,0.00006178257,0.5784569],"genre_scores_gemma":[0.92911226,0.0062492047,0.00038482354,0.0022484516,0.00049571093,0.000045215846,0.00014043243,0.00006220915,0.06126167],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.997308,0.001343927,0.00007058818,0.00024802037,0.00047297092,0.00055654126],"domain_scores_gemma":[0.99563676,0.0022774402,0.00058294233,0.00019447159,0.00066934363,0.0006390794],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002467597,0.00041454725,0.00030829897,0.0014390231,0.008573893,0.009764496,0.00068317907,0.0011224984,0.015902584],"category_scores_gemma":[0.009176084,0.00017858826,0.00027065715,0.0018848691,0.009487393,0.004619351,0.0062803454,0.0034245327,0.0014711056],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014300387,0.0000439968,0.011090582,0.00039538217,0.000017647366,0.0009837187,0.66864717,0.000056742574,0.00050905714,0.24436273,0.032758493,0.040991466],"study_design_scores_gemma":[0.000006976119,0.000050065213,0.022770615,0.00065284176,0.00001819563,0.0003844741,0.3890108,0.00005725987,0.00046393744,0.011153794,0.5754021,0.000028867044],"about_ca_topic_score_codex":0.018592749,"about_ca_topic_score_gemma":0.037247345,"teacher_disagreement_score":0.018592749,"about_ca_system_score_codex":0.004910126,"about_ca_system_score_gemma":0.0039229468,"threshold_uncertainty_score":0.05319941},"labels":[],"label_agreement":null},{"id":"W4391027426","doi":"10.5430/wjel.v14n2p244","title":"Virtual Reality and Alternate Realities in Neal Stephenson’s “Snow Crash”","year":2024,"lang":"en","type":"article","venue":"World Journal of English Language","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":14,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"Ajman University","keywords":"Postmodernism; Sociology; Transformative learning; Ideology; Aesthetics; Environmental ethics; Epistemology; Political science; Law; Politics; Philosophy","score_opus":0.01986513743812515,"score_gpt":0.2568533587320634,"score_spread":0.23698822129393823,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391027426","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.31760135,0.015435844,0.007825463,0.09255566,0.0022830197,0.000053253883,0.00013171755,0.00012196528,0.5639917],"genre_scores_gemma":[0.96143293,0.002918214,0.0010572221,0.002773411,0.00017800608,0.0000304466,0.000024329862,0.000053842734,0.031531606],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99880266,0.0008644397,0.00002531488,0.00008680386,0.00014190038,0.000078798665],"domain_scores_gemma":[0.99821055,0.0013593589,0.00012705734,0.00007700679,0.00013344492,0.00009257557],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010944558,0.00038085433,0.00019050266,0.0008533896,0.0080758035,0.0052748453,0.00057105767,0.0016579073,0.0031004513],"category_scores_gemma":[0.0033167389,0.00017945985,0.00016763771,0.0006414072,0.016138602,0.0050420905,0.0026415598,0.0025170578,0.0003689331],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030012032,0.0000113504975,0.00062165444,0.00010100248,0.0000029032497,0.0010836363,0.34871778,0.00014505767,0.000291984,0.612008,0.026661737,0.010324847],"study_design_scores_gemma":[0.000006556699,0.00003271254,0.0014281432,0.00044335416,0.000006596041,0.001372484,0.23886254,0.00043202244,0.00057038385,0.040430296,0.7163909,0.000023923742],"about_ca_topic_score_codex":0.015142642,"about_ca_topic_score_gemma":0.03621263,"teacher_disagreement_score":0.015142642,"about_ca_system_score_codex":0.0038542172,"about_ca_system_score_gemma":0.0017221605,"threshold_uncertainty_score":0.030109048},"labels":[],"label_agreement":null},{"id":"W4391119564","doi":"10.3366/edinburgh/9781399505086.003.0013","title":"Gender and Surveillance in Margaret Atwood’s Novels, from Bodily Harm (1981) to The Testaments (2019)","year":2023,"lang":"en","type":"book-chapter","venue":"Edinburgh University Press eBooks","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Trilogy; Subversion; Resistance (ecology); Foregrounding; Irony; Metis; Harm; History; Sociology; Power (physics); Psychoanalysis; Literature; Gender studies; Art; Psychology; Law; Political science; Social psychology","score_opus":0.06381536074700168,"score_gpt":0.2133998716917522,"score_spread":0.1495845109447505,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391119564","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.094779015,0.039037284,0.0035032504,0.16259114,0.00807431,0.00005270049,0.00013750348,0.00010436827,0.69172037],"genre_scores_gemma":[0.8165311,0.0046922443,0.0005948215,0.015781153,0.002584541,0.000074094496,0.00004878878,0.000110514775,0.15958275],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99806935,0.0011220186,0.000039945786,0.0001882167,0.0002885853,0.00029176578],"domain_scores_gemma":[0.9985316,0.0010239818,0.000171965,0.00006208554,0.000076205746,0.00013411898],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011866671,0.00062109943,0.00027370523,0.0008829289,0.011691522,0.0077039716,0.0007688983,0.0031895784,0.0031118472],"category_scores_gemma":[0.0034865872,0.00025164222,0.00023943423,0.0006962386,0.020613251,0.0035083648,0.0027218098,0.004388895,0.0007131042],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005526905,0.000029016399,0.00047524646,0.000101977625,0.0000055290643,0.0007992877,0.27968252,0.00009511235,0.00027115745,0.569068,0.13544263,0.013974279],"study_design_scores_gemma":[0.000004695769,0.000023512053,0.0008238841,0.0002402556,0.0000027173035,0.00039484122,0.038788434,0.00005251652,0.00029646108,0.018504214,0.9408546,0.0000138011055],"about_ca_topic_score_codex":0.0091576595,"about_ca_topic_score_gemma":0.014811937,"teacher_disagreement_score":0.011691522,"about_ca_system_score_codex":0.0057638227,"about_ca_system_score_gemma":0.0012693421,"threshold_uncertainty_score":0.04181969},"labels":[],"label_agreement":null},{"id":"W4391213406","doi":"10.5117/9789463721196_ch21","title":"The Earth’s Prognosis: Doom and Transformation in Game Design","year":2023,"lang":"en","type":"book-chapter","venue":"Amsterdam University Press eBooks","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Transformation (genetics); Earth (classical element); Astrobiology; Geology; Mathematics; Physics; Chemistry; Mathematical physics","score_opus":0.0629703697644275,"score_gpt":0.1974726002723596,"score_spread":0.13450223050793209,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391213406","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.086845,0.010354458,0.11100958,0.014908721,0.0006859905,0.00031346158,0.00007900737,0.00027431155,0.7755295],"genre_scores_gemma":[0.8622082,0.0049543716,0.0426991,0.001884831,0.00008483204,0.0005703738,0.00006790673,0.00016000167,0.08737049],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99817777,0.0014138866,0.000036117202,0.00007164169,0.00019011469,0.00011043509],"domain_scores_gemma":[0.9987092,0.0010315215,0.000038949136,0.000058091075,0.000051177318,0.000111033245],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001738285,0.0005474714,0.00020875069,0.00065749604,0.00207116,0.0068522682,0.00095067424,0.0010654188,0.006554139],"category_scores_gemma":[0.0029688468,0.00021095606,0.0002067524,0.0005221034,0.009584121,0.0034484959,0.0027334199,0.001555182,0.0006138761],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004664351,0.000070496986,0.0006615961,0.00034282557,0.00000920208,0.00020943559,0.0700633,0.0016304104,0.0009407599,0.84315634,0.011542882,0.07132613],"study_design_scores_gemma":[0.000035046218,0.00016844594,0.0010498535,0.0009532248,0.000013943174,0.00059310196,0.06513806,0.004214745,0.0014811408,0.26234755,0.6639635,0.00004142513],"about_ca_topic_score_codex":0.0017744241,"about_ca_topic_score_gemma":0.004044655,"teacher_disagreement_score":0.0068522682,"about_ca_system_score_codex":0.002325812,"about_ca_system_score_gemma":0.0014605994,"threshold_uncertainty_score":0.021925747},"labels":[],"label_agreement":null},{"id":"W4391946894","doi":"10.1093/owc/9780198848882.001.0001","title":"The Wendigo and Other Stories","year":2023,"lang":"en","type":"book","venue":"Oxford University Press eBooks","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Novella; Context (archaeology); Alien; Literature; Relation (database); History; Art; Desert (philosophy); Philosophy; Archaeology; Population; Sociology","score_opus":0.04400512546554444,"score_gpt":0.20692169733251106,"score_spread":0.16291657186696662,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391946894","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013808381,0.008155998,0.00033372667,0.005506157,0.001619848,0.00002474625,0.00012693185,0.0000647429,0.97035956],"genre_scores_gemma":[0.11732561,0.004392092,0.00029943752,0.0026110797,0.0003888162,0.000036563277,0.00012873072,0.000082360326,0.8747353],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99966276,0.000101669175,0.000005995876,0.000034411543,0.00011047741,0.00008472254],"domain_scores_gemma":[0.9997719,0.000092228096,0.000016120408,0.000021406333,0.00003261664,0.00006570096],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00030395476,0.0005000505,0.00017207272,0.0011632505,0.0056129633,0.004348569,0.00056528026,0.0008455423,0.026204564],"category_scores_gemma":[0.0011747233,0.00012819532,0.00013738385,0.0016635474,0.0026509194,0.0025098526,0.0026438888,0.0012208115,0.0034327754],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000742276,0.000056931873,0.00080080575,0.00017538645,0.000005281781,0.0018456626,0.102681935,0.0000769256,0.00063832925,0.23885044,0.5732393,0.081554726],"study_design_scores_gemma":[0.0000012556911,0.0000024773906,0.00018905915,0.000047294092,6.409909e-7,0.00018012214,0.0064333435,0.000008815446,0.000071222195,0.0015894268,0.99147403,0.0000022255908],"about_ca_topic_score_codex":0.012573495,"about_ca_topic_score_gemma":0.044394054,"teacher_disagreement_score":0.026204564,"about_ca_system_score_codex":0.002761089,"about_ca_system_score_gemma":0.0011029661,"threshold_uncertainty_score":0.087662995},"labels":[],"label_agreement":null},{"id":"W4392169172","doi":"10.18357/jcs21779","title":"Games in the Sand: Serious Play with Scrabble: A Chadian Childhood","year":2024,"lang":"en","type":"article","venue":"Journal of Childhood Studies","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Psychology; Geology","score_opus":0.02030762549330192,"score_gpt":0.2520995714212098,"score_spread":0.2317919459279079,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392169172","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6670382,0.0024782254,0.0036537081,0.013850373,0.00071037974,0.00014921642,0.000146986,0.00022433333,0.3117485],"genre_scores_gemma":[0.95741296,0.00092602597,0.0020631086,0.0015063438,0.000029051642,0.00006053479,0.000063012056,0.00011731764,0.037821624],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99738234,0.0013623806,0.000044384564,0.00022875068,0.00031308166,0.0006690914],"domain_scores_gemma":[0.99811816,0.00071365,0.0001005884,0.00015399471,0.00013854812,0.0007752081],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022936622,0.00084997347,0.0007573972,0.0014215228,0.022312738,0.011814846,0.001414814,0.0030522284,0.00857736],"category_scores_gemma":[0.004761898,0.00045637527,0.00045317732,0.00091366685,0.016757686,0.0042605926,0.008959035,0.006256236,0.0011463615],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000881786,0.00023575866,0.0034506863,0.00011638712,0.000010000023,0.0015753071,0.8537523,0.000088637935,0.0008110177,0.10765466,0.015569705,0.016647492],"study_design_scores_gemma":[0.000014482356,0.00008769183,0.004388719,0.00029447002,0.000012974684,0.0012232023,0.7716765,0.00016804291,0.0006349389,0.009704292,0.21175529,0.000039420513],"about_ca_topic_score_codex":0.039699864,"about_ca_topic_score_gemma":0.15955602,"teacher_disagreement_score":0.039699864,"about_ca_system_score_codex":0.005725961,"about_ca_system_score_gemma":0.0052294666,"threshold_uncertainty_score":0.07893753},"labels":[],"label_agreement":null},{"id":"W4392459493","doi":"10.1353/chq.2023.a921316","title":"Disability in Wonderland: Health and Normativity in Speculative Utopias by Amanda Martin Sandino (review)","year":2023,"lang":"en","type":"article","venue":"Children's Literature Association quarterly","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Psychoanalysis; Psychology; Sociology","score_opus":0.007378358955834806,"score_gpt":0.2334125909875894,"score_spread":0.2260342320317546,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392459493","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000046540943,0.9951108,0.000016474543,0.0033763845,0.0008418897,0.0000024861624,0.0000058952137,0.0000013639464,0.0005981589],"genre_scores_gemma":[0.0013911837,0.99256927,0.00004559871,0.003172508,0.0016823236,0.000019375699,0.00002575018,0.0000029038074,0.0010909783],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994166,0.00021471982,0.000056703062,0.00006662401,0.00019127925,0.000054025848],"domain_scores_gemma":[0.9980895,0.0011553975,0.0002527191,0.000028779037,0.00034514777,0.00012842292],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011378147,0.0008229476,0.00105489,0.0027151676,0.0008245721,0.0025778138,0.0009258973,0.0021546981,0.005809347],"category_scores_gemma":[0.0042475043,0.0003457016,0.0005873484,0.0031275873,0.0018672504,0.0036921778,0.0021185814,0.0029874328,0.0013089628],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006917418,0.00003234167,0.00041094734,0.02493084,0.00008439771,0.00023236047,0.001616649,0.00014215756,0.00015264796,0.010734351,0.5905395,0.37105456],"study_design_scores_gemma":[0.000012862333,0.000022151246,0.0016884129,0.029161124,0.00005042319,0.0006073972,0.0009811705,0.00002650032,0.000039996972,0.001438375,0.9659466,0.000024872132],"about_ca_topic_score_codex":0.0071649556,"about_ca_topic_score_gemma":0.010245985,"teacher_disagreement_score":0.0071649556,"about_ca_system_score_codex":0.0016576619,"about_ca_system_score_gemma":0.0037353525,"threshold_uncertainty_score":0.019434154},"labels":[],"label_agreement":null},{"id":"W4392470278","doi":"10.14201/candb.v13i143-157","title":"“Hope, but also Danger”: A Conversation with Larissa Lai on not Going Back and the ‘Re’ of Recuperation","year":2024,"lang":"en","type":"article","venue":"Canada and Beyond A Journal of Canadian Literary and Cultural Studies","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"Ministerio de Ciencia e Innovación","keywords":"Conversation; Environmental science; Psychology; Hydrology (agriculture); Engineering; Communication; Geotechnical engineering","score_opus":0.024880441822041317,"score_gpt":0.2130160680934804,"score_spread":0.18813562627143907,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392470278","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.37341246,0.022265494,0.0020666148,0.4725578,0.0038517248,0.00019905595,0.00009812217,0.0001381894,0.12541068],"genre_scores_gemma":[0.91172457,0.004927678,0.0007340433,0.048275366,0.0004579734,0.000107791915,0.00002651195,0.000082931794,0.033663053],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.993361,0.0041124118,0.00008991126,0.00036856637,0.0007151877,0.0013528214],"domain_scores_gemma":[0.9923638,0.0038469476,0.00034080277,0.00013804092,0.0012338987,0.0020765893],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0057674083,0.00062664854,0.0009264166,0.0012077746,0.051454715,0.009066602,0.0022240449,0.0077492017,0.003280394],"category_scores_gemma":[0.015481988,0.0005674828,0.00044753935,0.0013738908,0.02526469,0.0051251706,0.0046550855,0.016398594,0.00053756294],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026372913,0.000029117557,0.0004465569,0.000044133267,0.000004486331,0.001756325,0.95797133,0.000034990153,0.00034266082,0.01069137,0.024917196,0.0037354627],"study_design_scores_gemma":[0.0000034538791,0.000014374787,0.00030710973,0.00014511445,0.0000029820508,0.00035553076,0.9046241,0.00003394129,0.00011758901,0.0006740071,0.09370348,0.000018374974],"about_ca_topic_score_codex":0.43854684,"about_ca_topic_score_gemma":0.540431,"teacher_disagreement_score":0.56145316,"about_ca_system_score_codex":0.031002728,"about_ca_system_score_gemma":0.022620011,"threshold_uncertainty_score":0.8719884},"labels":[],"label_agreement":null},{"id":"W4392791306","doi":"10.1093/english/efae003","title":"The politics of death in Nnedi Okorafor’s Africanfuturist Novels","year":2023,"lang":"en","type":"article","venue":"English Journal of the English Association","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Winnipeg","funders":"","keywords":"Politics; Art; Political science; Literature; History; Law","score_opus":0.018107580193871372,"score_gpt":0.22574768848096555,"score_spread":0.20764010828709417,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392791306","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3935896,0.007149831,0.0008441763,0.027501473,0.0010535195,0.000030556548,0.000050200913,0.000023513847,0.56975716],"genre_scores_gemma":[0.9563751,0.00092565315,0.00015024812,0.0011481924,0.000107124026,0.000018288629,0.000008428666,0.000016082624,0.04125081],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993049,0.00024172764,0.000016961783,0.00006376268,0.00007156516,0.0003011584],"domain_scores_gemma":[0.9995043,0.0002474129,0.000081040635,0.000029042738,0.000049023998,0.000089274785],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015237377,0.00032119697,0.00027544267,0.0006493658,0.016793361,0.0068529565,0.00047147583,0.0021387842,0.005667879],"category_scores_gemma":[0.001729346,0.00018730438,0.00012715915,0.00038715766,0.018848775,0.004195461,0.004157977,0.0032008304,0.00030167177],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012541535,0.000035283145,0.00044895362,0.00012832938,0.000004082872,0.0013273899,0.20611194,0.00013830097,0.0008332037,0.7715506,0.011688024,0.007608542],"study_design_scores_gemma":[0.000016601043,0.000044258773,0.001503956,0.00039749863,0.000010208877,0.0005868848,0.21874192,0.00009933079,0.001113046,0.041310504,0.7361414,0.00003442941],"about_ca_topic_score_codex":0.005189839,"about_ca_topic_score_gemma":0.015207319,"teacher_disagreement_score":0.016793361,"about_ca_system_score_codex":0.0074811685,"about_ca_system_score_gemma":0.0018387608,"threshold_uncertainty_score":0.054279983},"labels":[],"label_agreement":null},{"id":"W4393986045","doi":"10.4314/sisa.v36i1.9","title":"“To the elements be free”: Carnivalising the legacy of Shakespeare in Margaret Atwood’s &lt;i&gt;Hag-Seed&lt;/i&gt;","year":2024,"lang":"en","type":"article","venue":"Shakespeare in Southern Africa","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Art history; Theology; Philosophy","score_opus":0.03380481553210757,"score_gpt":0.24205238682004257,"score_spread":0.208247571287935,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4393986045","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.39592746,0.009879881,0.0038130896,0.045719374,0.002053542,0.000047568345,0.00005994571,0.00014086552,0.54235834],"genre_scores_gemma":[0.9289186,0.00094736577,0.0004696897,0.0018317149,0.00011936629,0.000016157182,0.000013906383,0.000116013514,0.06756715],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986186,0.0007561299,0.000014930478,0.000118446,0.00022667221,0.0002652474],"domain_scores_gemma":[0.9990969,0.00037869732,0.000060160997,0.00008474228,0.00013562894,0.00024393802],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014598999,0.00044018752,0.00021643755,0.00048017548,0.018196575,0.005964265,0.0008475807,0.0013857523,0.0040469123],"category_scores_gemma":[0.0022042906,0.00023404388,0.00013767643,0.00037749502,0.024091646,0.0029348682,0.0037295104,0.0034255222,0.0006523675],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000056501343,0.000025507547,0.0004895119,0.00007573243,0.0000054520638,0.0007615231,0.7946401,0.000054520562,0.00083192426,0.15941253,0.032336973,0.011309756],"study_design_scores_gemma":[0.000006407269,0.000036670353,0.0012545986,0.00020506614,0.000010165678,0.00053584034,0.3639304,0.00010243031,0.0013314774,0.007998672,0.6245577,0.000030584983],"about_ca_topic_score_codex":0.066809095,"about_ca_topic_score_gemma":0.20082098,"teacher_disagreement_score":0.066809095,"about_ca_system_score_codex":0.0064622615,"about_ca_system_score_gemma":0.0037281767,"threshold_uncertainty_score":0.13284045},"labels":[],"label_agreement":null},{"id":"W4394201033","doi":"10.11647/obp.0373.09","title":"Black Panther and an Afrofuturist Vision for Mining","year":2024,"lang":"en","type":"book-chapter","venue":"Open Book Publishers","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Environment and Climate Change Canada; Western University","funders":"","keywords":"Computer science; Geography","score_opus":0.051900561826365765,"score_gpt":0.2872063982675835,"score_spread":0.23530583644121772,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4394201033","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07592151,0.007872691,0.0016332372,0.047659855,0.0011722867,0.000023791294,0.00003497497,0.0000888145,0.86559284],"genre_scores_gemma":[0.5319867,0.0038942879,0.0019415079,0.004866716,0.00025571106,0.00004394336,0.00002547558,0.00007761293,0.45690805],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997327,0.0001044061,0.0000023583452,0.000028076412,0.000060527527,0.000071929375],"domain_scores_gemma":[0.99988663,0.00003507964,0.000012978886,0.000008844687,0.000020992904,0.00003546212],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00040480492,0.0003224768,0.00015288798,0.00046058264,0.010250261,0.0031044967,0.00029257147,0.0014799336,0.011522902],"category_scores_gemma":[0.00052019267,0.00013035945,0.00010429993,0.00046760633,0.009296564,0.0024402274,0.0021676577,0.0022578419,0.0010275787],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000059752372,0.000029931041,0.0005313333,0.0001275515,0.0000039790507,0.0005670786,0.12251849,0.000072419345,0.001211347,0.6935418,0.1344223,0.046914015],"study_design_scores_gemma":[0.0000053534895,0.000038165774,0.0018747239,0.00016579863,0.0000037389568,0.00046489266,0.03918778,0.00009375533,0.00016085409,0.021441942,0.9365544,0.000008649671],"about_ca_topic_score_codex":0.0131116435,"about_ca_topic_score_gemma":0.05644221,"teacher_disagreement_score":0.0131116435,"about_ca_system_score_codex":0.0023429093,"about_ca_system_score_gemma":0.0018514944,"threshold_uncertainty_score":0.038547933},"labels":[],"label_agreement":null},{"id":"W4394582880","doi":"10.7256/2454-0749.2024.3.70207","title":"Mythological heroes, historical figures and characters of world literature in the works of Margaret Atwood","year":2024,"lang":"en","type":"article","venue":"Филология научные исследования","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Mythology; Literature; History; Art","score_opus":0.02771614220426509,"score_gpt":0.23037620792777586,"score_spread":0.20266006572351075,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4394582880","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3120486,0.037841134,0.0027895616,0.036950827,0.0018406438,0.000091569986,0.00019728045,0.00010956043,0.60813075],"genre_scores_gemma":[0.92450625,0.006534592,0.0010322881,0.001876099,0.00019886014,0.000039883962,0.000035356232,0.000100999576,0.065675706],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99828124,0.0006043962,0.00002206419,0.00015104072,0.00047251364,0.0004688106],"domain_scores_gemma":[0.9985428,0.0005405792,0.00013432938,0.000079408754,0.00033407952,0.00036883168],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016395319,0.00058188697,0.00030739265,0.0024341596,0.030250786,0.011413926,0.0011472737,0.0013100941,0.002828043],"category_scores_gemma":[0.0026958135,0.00032158033,0.00017787653,0.0025302651,0.02815315,0.003210654,0.0034094949,0.002810899,0.00043213402],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030117355,0.00001588107,0.0010790399,0.00007222443,0.0000050978906,0.0006138804,0.6994027,0.00006948001,0.0003306131,0.26181704,0.025613649,0.010950282],"study_design_scores_gemma":[0.0000022882514,0.000009431304,0.0028949652,0.0002376287,0.00000852044,0.00043079088,0.36660436,0.000060316066,0.00025028895,0.0069319536,0.6225422,0.000027220125],"about_ca_topic_score_codex":0.65001386,"about_ca_topic_score_gemma":0.8815205,"teacher_disagreement_score":0.65001386,"about_ca_system_score_codex":0.031984285,"about_ca_system_score_gemma":0.02152062,"threshold_uncertainty_score":0.7040945},"labels":[],"label_agreement":null},{"id":"W4395680270","doi":"10.1007/978-3-031-54849-9_3","title":"The Figure of the Child","year":2024,"lang":"en","type":"book-chapter","venue":"","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Psychology","score_opus":0.01922450944680881,"score_gpt":0.19199217988970188,"score_spread":0.17276767044289307,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4395680270","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0010775969,0.0037356573,0.00081162713,0.0080528995,0.00063739007,0.000015901694,0.000043429947,0.000032770862,0.98559266],"genre_scores_gemma":[0.16389869,0.0060195327,0.0017942741,0.007962541,0.0005462833,0.0000910575,0.000086960295,0.00015529619,0.81944543],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9991881,0.0003388181,0.000014472079,0.00012988651,0.00015408086,0.00017457668],"domain_scores_gemma":[0.9996612,0.00012223597,0.000023929391,0.000054642293,0.00007003962,0.00006790609],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00097180286,0.00044415527,0.00036589388,0.0005921453,0.0072257477,0.0051398356,0.0007484808,0.002264418,0.032633122],"category_scores_gemma":[0.0024856853,0.00026657674,0.00022262406,0.0006408946,0.016140057,0.0046812133,0.0031179774,0.005217145,0.0070976415],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005645661,0.000004201533,0.000045615845,0.000013222747,5.073666e-7,0.000045173532,0.0038751548,0.00001836786,0.000032239182,0.9464976,0.042599376,0.006862885],"study_design_scores_gemma":[0.0000029344271,0.000006616884,0.0001235515,0.000116454714,0.0000014633407,0.00010385857,0.002468906,0.000023061079,0.0000548282,0.062235683,0.93485886,0.0000037781988],"about_ca_topic_score_codex":0.020128079,"about_ca_topic_score_gemma":0.035198998,"teacher_disagreement_score":0.032633122,"about_ca_system_score_codex":0.004489653,"about_ca_system_score_gemma":0.0053132637,"threshold_uncertainty_score":0.10916871},"labels":[],"label_agreement":null},{"id":"W4396721649","doi":"10.3167/hrrh.2024.500208","title":"Far from Tranquility Base","year":2024,"lang":"en","type":"article","venue":"Historical Reflections/Réflexions Historiques","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Base (topology); Mathematics","score_opus":0.08184904541366429,"score_gpt":0.2971341533518864,"score_spread":0.21528510793822214,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4396721649","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.057527926,0.0028912246,0.005391357,0.02992012,0.0017452502,0.00003102436,0.000155995,0.0001939855,0.9021432],"genre_scores_gemma":[0.863652,0.0010145052,0.0009977646,0.0036817284,0.00040082898,0.00003131151,0.000079878395,0.00019676458,0.12994516],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991339,0.0004168508,0.000017866543,0.00013867735,0.000156678,0.00013616198],"domain_scores_gemma":[0.9991844,0.00038024256,0.000052907,0.00015024842,0.000115462564,0.00011678483],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010285798,0.000528102,0.00028813357,0.000782505,0.0096639935,0.00697246,0.00064226176,0.0014377664,0.039614204],"category_scores_gemma":[0.0026328156,0.00016183658,0.00017978904,0.0005621961,0.01793306,0.005549912,0.004820533,0.004636526,0.0034259243],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000054037417,0.000022636643,0.0006081004,0.00007397409,0.0000051004895,0.0003816125,0.09634402,0.000151615,0.0006912931,0.8408474,0.039381165,0.021439048],"study_design_scores_gemma":[0.000009306542,0.000046390694,0.0004969011,0.00025103413,0.000004350945,0.00032929264,0.05841739,0.00020323528,0.0005434627,0.06505196,0.87463623,0.000010555332],"about_ca_topic_score_codex":0.004793661,"about_ca_topic_score_gemma":0.005250131,"teacher_disagreement_score":0.039614204,"about_ca_system_score_codex":0.0033635425,"about_ca_system_score_gemma":0.0013129008,"threshold_uncertainty_score":0.1325227},"labels":[],"label_agreement":null},{"id":"W4396881226","doi":"10.32873/uno.dc.jrf.20.03.15","title":"Arrival","year":2016,"lang":"en","type":"article","venue":"Journal of Religion & Film","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Environmental science","score_opus":0.01944346152283235,"score_gpt":0.2218935233722781,"score_spread":0.20245006184944575,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4396881226","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0012571716,0.00029356123,0.0012440132,0.0023382432,0.0022938137,0.00029870527,0.013248338,0.0034093456,0.9756168],"genre_scores_gemma":[0.0037883318,0.00023228707,0.0008363511,0.00076611695,0.00024604463,0.000100745085,0.005566668,0.0012393377,0.987224],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997856,0.000024507175,0.000009288019,0.00004393331,0.00006916684,0.000067569425],"domain_scores_gemma":[0.9992681,0.00004592012,0.000021083073,0.000060068738,0.0002684016,0.00033644403],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00034335157,0.00063802104,0.00040476903,0.00066101644,0.0022257545,0.0030434104,0.0008342695,0.0016356714,0.8646577],"category_scores_gemma":[0.0014664445,0.000343201,0.00040193443,0.00049540796,0.0003214194,0.0027000126,0.002740113,0.0017874696,0.75996965],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037528866,0.000018937873,0.00017407256,0.000059545586,0.0000012483772,0.00006607345,0.00021075238,0.000017498525,0.0001604384,0.0015144043,0.9705967,0.027142935],"study_design_scores_gemma":[0.0000060490875,0.000010102626,0.0004413161,0.000041442298,8.9276637e-7,0.000039017297,0.00021403002,0.000030812724,0.00008343836,0.00031563875,0.9988134,0.000003888863],"about_ca_topic_score_codex":0.008748675,"about_ca_topic_score_gemma":0.023804128,"teacher_disagreement_score":0.8646577,"about_ca_system_score_codex":0.0007776153,"about_ca_system_score_gemma":0.001014382,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W4396893706","doi":"10.7202/1111123ar","title":"Vers le futur par le passé ? Singularités contemporaines du cinéma de science-fiction brésilien","year":2024,"lang":"fr","type":"article","venue":"Cinémas Revue d études cinématographiques","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Art history","score_opus":0.021930146122152876,"score_gpt":0.2439060525438139,"score_spread":0.221975906421661,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4396893706","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3350213,0.02920005,0.0072707506,0.04503448,0.0016482907,0.00004054727,0.00012497467,0.00012235671,0.5815373],"genre_scores_gemma":[0.95543104,0.004989549,0.00066986145,0.00095240196,0.00032829688,0.000019036006,0.00004202956,0.00006515025,0.037502736],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9980628,0.0009838553,0.00005172422,0.0002921233,0.0003621225,0.00024728448],"domain_scores_gemma":[0.99740535,0.0017036282,0.00019944193,0.00017033942,0.00033210331,0.0001891988],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002749236,0.00048538318,0.00038562383,0.0022375102,0.008292273,0.010867592,0.0006453109,0.002004657,0.0074336026],"category_scores_gemma":[0.0064141783,0.0003056941,0.00026399284,0.0016799091,0.014823373,0.0057038977,0.0032202993,0.004586393,0.0005689462],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004994376,0.000010514004,0.00077668205,0.00010718038,0.000012184473,0.00044133217,0.3563334,0.000107806016,0.0008168462,0.6211538,0.005489517,0.014700897],"study_design_scores_gemma":[0.000015650478,0.000057202313,0.005407789,0.00080820546,0.00003876468,0.0006290887,0.1448895,0.00038492092,0.0015554058,0.042764857,0.8034107,0.000037864313],"about_ca_topic_score_codex":0.020377519,"about_ca_topic_score_gemma":0.028659828,"teacher_disagreement_score":0.020377519,"about_ca_system_score_codex":0.008081324,"about_ca_system_score_gemma":0.0029410184,"threshold_uncertainty_score":0.05863446},"labels":[],"label_agreement":null},{"id":"W4398190929","doi":"10.18293/mirage","title":"10.18293/MIRAGE","year":2000,"lang":"en","type":"paratext","venue":"Time to knit","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art history; Art; Computer science; History","score_opus":0.01591979116373742,"score_gpt":0.1909035529354427,"score_spread":0.17498376177170527,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4398190929","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00017171526,0.00033529857,0.00017638941,0.00042336746,0.00032457584,0.000012123407,0.0003302712,0.0005237327,0.99770254],"genre_scores_gemma":[0.001669789,0.0002490111,0.00013392107,0.00023552033,0.00010790631,0.000014740784,0.0001813814,0.000296124,0.99711144],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996629,0.00006486908,0.000021549604,0.000069343936,0.00013270776,0.00004862544],"domain_scores_gemma":[0.9992092,0.00019041589,0.00005377954,0.00016791615,0.00014560703,0.00023314984],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0005580058,0.00084524305,0.00049896206,0.0023489401,0.0027112206,0.006747901,0.00083159946,0.0027124444,0.94279575],"category_scores_gemma":[0.0020930695,0.0003854059,0.00037343125,0.0018287488,0.0016429159,0.005256689,0.004770821,0.0015413491,0.9289825],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006286114,0.00003927111,0.00028158576,0.00020511018,0.0000029819112,0.000098388155,0.000309016,0.000044605968,0.0004098641,0.026321307,0.8040654,0.16815953],"study_design_scores_gemma":[0.000005688871,0.000006846127,0.00017718095,0.00008217957,0.0000011516889,0.00006329866,0.00010118416,0.000024053339,0.00007894703,0.0010732245,0.99838305,0.0000031374536],"about_ca_topic_score_codex":0.0015149825,"about_ca_topic_score_gemma":0.0032902856,"teacher_disagreement_score":0.057204247,"about_ca_system_score_codex":0.0009916093,"about_ca_system_score_gemma":0.00065206725,"threshold_uncertainty_score":0.081594825},"labels":[],"label_agreement":null},{"id":"W4399089486","doi":"10.5810/kentucky/9780813197944.003.0015","title":"Volker Schlöndorff and Margaret Atwood","year":2024,"lang":"en","type":"book-chapter","venue":"University Press of Kentucky eBooks","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Psychoanalysis; History; Psychology","score_opus":0.02232074873994176,"score_gpt":0.1729953162321485,"score_spread":0.15067456749220676,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399089486","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.015718805,0.039038748,0.0007826581,0.081246115,0.002845488,0.00003935645,0.00010686833,0.00010744162,0.8601145],"genre_scores_gemma":[0.13553233,0.012175134,0.00063385465,0.019878315,0.00043969223,0.00006452474,0.00007518002,0.00016007782,0.831041],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99935204,0.000171522,0.000010421392,0.00009741931,0.0002267377,0.00014198344],"domain_scores_gemma":[0.99967563,0.00013074322,0.000024512541,0.0000123436075,0.00007346876,0.00008327316],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00052273826,0.00039346248,0.000165746,0.0008568162,0.00989476,0.0043896264,0.00057047635,0.0017847304,0.022940094],"category_scores_gemma":[0.0011814057,0.00024090252,0.00008664842,0.0009520747,0.004278436,0.003315672,0.0014427567,0.0024114891,0.0052699335],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000151953745,0.000020739844,0.0002537802,0.00009402422,0.000001737954,0.00034320905,0.028792005,0.000054896846,0.00033919988,0.24469136,0.69804406,0.027349725],"study_design_scores_gemma":[8.145233e-7,0.0000024842561,0.00015502227,0.000052164454,6.025446e-7,0.00009833642,0.005522,0.000012315337,0.00007850529,0.0016071093,0.99246734,0.000003275093],"about_ca_topic_score_codex":0.06694881,"about_ca_topic_score_gemma":0.17083451,"teacher_disagreement_score":0.06694881,"about_ca_system_score_codex":0.008711162,"about_ca_system_score_gemma":0.0042574545,"threshold_uncertainty_score":0.13311821},"labels":[],"label_agreement":null},{"id":"W4399194183","doi":"10.1515/9781478093732","title":"Bodyminds Reimagined","year":2018,"lang":"en","type":"book","venue":"","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":12,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Strong; Temple University; Johns Hopkins University; Ohio State University; College of Engineering, Michigan State University; American Association of University Women; Modern Language Association; York University; Michigan State University; University of Pennsylvania; Ohio State University Press","keywords":"Computer science","score_opus":0.029278458974186558,"score_gpt":0.20971437719100616,"score_spread":0.1804359182168196,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399194183","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.024235776,0.019173825,0.007882505,0.11523028,0.0049457555,0.000028764653,0.00005876692,0.00008013312,0.8283642],"genre_scores_gemma":[0.5568297,0.010427256,0.0030787643,0.016367389,0.0018379557,0.00010076565,0.000049801096,0.00022521896,0.4110831],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99843925,0.00087479455,0.00002628153,0.00016020253,0.00032167914,0.00017773657],"domain_scores_gemma":[0.9986093,0.0009054094,0.00007759336,0.00012049442,0.00014932427,0.00013787864],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0026168285,0.00065141846,0.0003689382,0.0014861596,0.008162261,0.0075323903,0.0009693173,0.0032625098,0.009382302],"category_scores_gemma":[0.0028164403,0.00020173377,0.0003612391,0.00068904593,0.037835293,0.007673779,0.0057662986,0.00665263,0.001471488],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010290762,0.0000064698343,0.000068847025,0.00004218138,0.0000010409171,0.00007715187,0.028149355,0.00003318384,0.00010545008,0.95054865,0.013257697,0.0076997364],"study_design_scores_gemma":[0.0000053148856,0.000015679601,0.00013012718,0.00034364674,0.000003632701,0.00015931342,0.019037522,0.000098156896,0.0005029092,0.1540931,0.82560295,0.000007671894],"about_ca_topic_score_codex":0.007266749,"about_ca_topic_score_gemma":0.012693704,"teacher_disagreement_score":0.009382302,"about_ca_system_score_codex":0.006065316,"about_ca_system_score_gemma":0.0036102077,"threshold_uncertainty_score":0.044007123},"labels":[],"label_agreement":null},{"id":"W4399397710","doi":"10.1386/tear_00126_1","title":"Nalo Hopkinson’s Midnight Robber: Blending technology and fantasy in a dystopian narrative","year":2024,"lang":"en","type":"article","venue":"Technoetic Arts","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Midnight; Dystopia; Fantasy; Narrative; Art; Literature; Astronomy; Physics","score_opus":0.016504049744954615,"score_gpt":0.2401674465018981,"score_spread":0.2236633967569435,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399397710","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21256994,0.010374586,0.007067216,0.08218248,0.0015087033,0.00005339714,0.00010952037,0.00014269417,0.68599147],"genre_scores_gemma":[0.88366777,0.0022152513,0.0017780323,0.0056305397,0.00020323337,0.000031536667,0.000021875916,0.0000971219,0.10635464],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.999014,0.00048328275,0.000012173926,0.00011559358,0.00022175719,0.0001531477],"domain_scores_gemma":[0.9988446,0.00070908025,0.00008638056,0.000056040943,0.00012520791,0.00017864602],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010286964,0.00041599074,0.00020599249,0.0009884537,0.013482456,0.0069452487,0.0006878662,0.0017193396,0.0029962442],"category_scores_gemma":[0.0023970432,0.00017362939,0.00010973836,0.0005415079,0.021152364,0.0037402483,0.0027937535,0.0024045648,0.00034280404],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000057800422,0.000015987685,0.001013842,0.000084896725,0.000003386451,0.0012936313,0.6436885,0.00011037185,0.001096638,0.29831797,0.038511615,0.015805371],"study_design_scores_gemma":[0.0000065365616,0.000020576925,0.0011663038,0.00020831247,0.0000052130913,0.00085751707,0.2131192,0.0002041334,0.0009958991,0.016171405,0.76721936,0.00002556467],"about_ca_topic_score_codex":0.079741575,"about_ca_topic_score_gemma":0.22140725,"teacher_disagreement_score":0.079741575,"about_ca_system_score_codex":0.009717805,"about_ca_system_score_gemma":0.0045553157,"threshold_uncertainty_score":0.15855485},"labels":[],"label_agreement":null},{"id":"W4399479679","doi":"10.5406/23260947.10.2.09","title":"Contributing Authors","year":2022,"lang":"en","type":"article","venue":"Women Gender and Families of Color","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.02404943564637761,"score_gpt":0.2090759599555439,"score_spread":0.1850265243091663,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399479679","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0012482977,0.00545317,0.0031131539,0.023144823,0.05629452,0.0004560089,0.005230277,0.001831453,0.90322846],"genre_scores_gemma":[0.008624008,0.0062144184,0.002872033,0.008797108,0.008074139,0.0003024932,0.006417476,0.0013843107,0.95731395],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99647874,0.00058954477,0.00028966798,0.0006150419,0.0015799785,0.00044707477],"domain_scores_gemma":[0.9910194,0.0006376848,0.00027621142,0.0010643,0.0049180714,0.0020842128],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0027706402,0.00094109494,0.00079870404,0.0027946318,0.0026451643,0.010127338,0.0026437014,0.0028546955,0.6511777],"category_scores_gemma":[0.013468898,0.00039706504,0.0007617137,0.0027274587,0.000714874,0.004735333,0.0053598275,0.0025134473,0.53312767],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031946292,0.000024869882,0.0003088368,0.0002674611,0.000006531986,0.00012677247,0.0001711875,0.00003701949,0.000182866,0.007335468,0.8971258,0.09438114],"study_design_scores_gemma":[0.0000035312046,0.000005754693,0.00013419134,0.000102788916,0.0000023940906,0.000080234146,0.00014565457,0.000013869968,0.000049106013,0.00079582515,0.99866366,0.0000030975984],"about_ca_topic_score_codex":0.0016024946,"about_ca_topic_score_gemma":0.0023966625,"teacher_disagreement_score":0.6511777,"about_ca_system_score_codex":0.002255658,"about_ca_system_score_gemma":0.0068571474,"threshold_uncertainty_score":0.49755263},"labels":[],"label_agreement":null},{"id":"W4399618771","doi":"10.4000/11tfh","title":"Les machines pleurent aussi… Larmes et émotions artificielles dans L’Ève future (1886) de Villiers de l’Isle-Adam et Blade Runner (1982) de Ridley Scott","year":2024,"lang":"fr","type":"article","venue":"Belphégor","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.0287489501565925,"score_gpt":0.29009564422015593,"score_spread":0.2613466940635634,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399618771","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19034702,0.025195174,0.011195936,0.06248355,0.0020064544,0.000031906082,0.00015464549,0.000070685746,0.7085146],"genre_scores_gemma":[0.85784256,0.004463334,0.0011356478,0.0018113502,0.00028322774,0.000025689782,0.000036457255,0.000047303314,0.13435444],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993309,0.0003881246,0.00001247866,0.00007821502,0.000120183,0.000070135626],"domain_scores_gemma":[0.9995092,0.00030875372,0.000047385867,0.0000327083,0.00005578576,0.00004614255],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011052738,0.00039961384,0.00018767372,0.0004464209,0.0033001315,0.0032356663,0.00028279095,0.0012285028,0.0046733906],"category_scores_gemma":[0.0017323154,0.00019889277,0.00014663753,0.00028865517,0.011342032,0.0036943303,0.0012165972,0.0026200511,0.00070190144],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006520544,0.000012071323,0.00096120086,0.00007787698,0.0000042421834,0.0004041193,0.18329443,0.00023367273,0.00082346477,0.76832414,0.027214682,0.018584915],"study_design_scores_gemma":[0.000008465277,0.000030013387,0.0032685408,0.00018633275,0.0000043472987,0.00033871137,0.034991756,0.0002182364,0.0009028187,0.030950515,0.92908067,0.00001969924],"about_ca_topic_score_codex":0.00846524,"about_ca_topic_score_gemma":0.012237176,"teacher_disagreement_score":0.00846524,"about_ca_system_score_codex":0.0028346854,"about_ca_system_score_gemma":0.0007835437,"threshold_uncertainty_score":0.020567238},"labels":[],"label_agreement":null},{"id":"W4400165553","doi":"10.1007/978-3-031-56627-1_2","title":"The Posthuman Problematic: Gender Coding the Cyborg","year":2024,"lang":"en","type":"book-chapter","venue":"Palgrave science fiction and fantasy","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Seneca Polytechnic","funders":"","keywords":"Posthuman; Posthumanism; Sociology; Psychology; Psychoanalysis; Art; Aesthetics","score_opus":0.04678861635279481,"score_gpt":0.25052379747552445,"score_spread":0.20373518112272965,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4400165553","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.037716202,0.00403216,0.01458189,0.008237939,0.00053117034,0.00002949195,0.000067467714,0.0000559287,0.9347477],"genre_scores_gemma":[0.91468847,0.0017237305,0.0032813074,0.0012678648,0.00025697018,0.00008800062,0.000056577454,0.00018858648,0.07844839],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99829394,0.0012002791,0.000021943537,0.00013841125,0.00015498814,0.00019053814],"domain_scores_gemma":[0.998971,0.0007091635,0.00005786376,0.00012359145,0.00008632396,0.000052066287],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018408807,0.0006435816,0.00034418923,0.001389659,0.00565891,0.008090289,0.0009832152,0.0022937537,0.009181436],"category_scores_gemma":[0.0038999727,0.00018849294,0.00018642722,0.0015063774,0.039492305,0.0068968455,0.0035966584,0.0033416885,0.00083886215],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000065456225,0.0000024829174,0.00006547586,0.000010481003,6.1796806e-7,0.000050667142,0.021686692,0.000028128608,0.000057745998,0.972628,0.0017938489,0.0036693255],"study_design_scores_gemma":[0.000006790391,0.000017029024,0.0006503317,0.00023862536,0.0000053157473,0.00035109688,0.07062516,0.00028297034,0.00057753234,0.6498489,0.27738214,0.00001414799],"about_ca_topic_score_codex":0.006887022,"about_ca_topic_score_gemma":0.008352409,"teacher_disagreement_score":0.009181436,"about_ca_system_score_codex":0.0030218484,"about_ca_system_score_gemma":0.0022270384,"threshold_uncertainty_score":0.030714989},"labels":[],"label_agreement":null},{"id":"W4400165595","doi":"10.1007/978-3-031-56627-1_1","title":"Introduction: Strolling Through the Sprawl","year":2024,"lang":"en","type":"book-chapter","venue":"Palgrave science fiction and fantasy","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Seneca Polytechnic","funders":"","keywords":"Urban sprawl; Geography; History; Engineering; Civil engineering; Urban planning","score_opus":0.03215361854282361,"score_gpt":0.24511978686572186,"score_spread":0.21296616832289825,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4400165595","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0009904252,0.022032296,0.0031580194,0.016703507,0.007975393,0.00006886042,0.0003492756,0.00024996322,0.9484722],"genre_scores_gemma":[0.014373233,0.009612982,0.0018749546,0.0048238263,0.002333886,0.000064360574,0.00024525262,0.00027528038,0.9663962],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99967647,0.00009188806,0.000011847579,0.000064342494,0.000118145705,0.000037385747],"domain_scores_gemma":[0.99956053,0.000224634,0.000014658583,0.00003312808,0.00011068113,0.00005637577],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00049607496,0.0006474914,0.00037086182,0.0011646416,0.003168401,0.0042269044,0.0008623066,0.0022117,0.117514536],"category_scores_gemma":[0.0017758707,0.00028843232,0.00031229111,0.001111514,0.0032924647,0.004615019,0.0016612207,0.0038433087,0.034335267],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022568849,0.000022879745,0.000052759668,0.00020465515,0.0000014369492,0.00009028711,0.0042470293,0.000068824775,0.0001921987,0.26007724,0.66714966,0.0678705],"study_design_scores_gemma":[0.0000012986668,0.000004069195,0.00006343755,0.00011673983,4.382259e-7,0.00007684865,0.0004644387,0.000017623111,0.000043114724,0.009155922,0.99005365,0.0000024478945],"about_ca_topic_score_codex":0.0038308292,"about_ca_topic_score_gemma":0.009232049,"teacher_disagreement_score":0.117514536,"about_ca_system_score_codex":0.0017905053,"about_ca_system_score_gemma":0.0014444524,"threshold_uncertainty_score":0.3931253},"labels":[],"label_agreement":null},{"id":"W4400165662","doi":"10.1007/978-3-031-56627-1_5","title":"Things Are Things: The Resigned Pessimism of the Pseudo-Dystopia","year":2024,"lang":"en","type":"book-chapter","venue":"Palgrave science fiction and fantasy","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Seneca Polytechnic","funders":"","keywords":"Dystopia; Pessimism; Psychology; Aesthetics; Psychoanalysis; Philosophy; Literature; Art; Epistemology","score_opus":0.025137712140103907,"score_gpt":0.22540654478010524,"score_spread":0.20026883264000134,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4400165662","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.024549004,0.019802354,0.0047664642,0.1770013,0.003292416,0.000025999401,0.00007909895,0.00008905828,0.7703943],"genre_scores_gemma":[0.8554416,0.005142293,0.002140693,0.027814304,0.00151118,0.00008091929,0.000042636755,0.00015684447,0.10766952],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99722326,0.0018779584,0.000047915,0.00021019303,0.000411052,0.00022965623],"domain_scores_gemma":[0.9975169,0.0015553985,0.00013900806,0.000335307,0.00025148553,0.00020188495],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0038302923,0.0004831359,0.0004174323,0.0012233059,0.007755243,0.007940011,0.0009060036,0.0040648663,0.0052707735],"category_scores_gemma":[0.008358446,0.0002541249,0.00029710008,0.00084965443,0.063976385,0.009954298,0.0050909542,0.009535168,0.00091837824],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009175802,0.0000034414345,0.000039671442,0.000010989455,0.0000012466962,0.00005793459,0.01002333,0.000045252575,0.00002950702,0.97336936,0.013656191,0.002753849],"study_design_scores_gemma":[0.000018629027,0.000009799503,0.00018797649,0.00013541634,0.0000033184772,0.00030576318,0.01155463,0.00028160517,0.00011765254,0.7841021,0.20326714,0.000015986794],"about_ca_topic_score_codex":0.005673466,"about_ca_topic_score_gemma":0.00690898,"teacher_disagreement_score":0.007940011,"about_ca_system_score_codex":0.005026751,"about_ca_system_score_gemma":0.0037301586,"threshold_uncertainty_score":0.036471844},"labels":[],"label_agreement":null},{"id":"W4400170062","doi":"10.4000/11wpp","title":"Christina Lord, Reimagining the Human in Modern French Science Fiction","year":2024,"lang":"en","type":"article","venue":"ReS Futurae","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Future Earth","funders":"","keywords":"Art; Art history; History; Literature","score_opus":0.030674446844188928,"score_gpt":0.27344032107078553,"score_spread":0.2427658742265966,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4400170062","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.024387179,0.18616684,0.0032337797,0.49506167,0.0039372733,0.00004193603,0.00019719494,0.00014456791,0.2868296],"genre_scores_gemma":[0.722262,0.052139778,0.0025545273,0.07662904,0.00278259,0.00011729484,0.0001016629,0.00021039044,0.14320281],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9955668,0.002713473,0.000077714096,0.000337726,0.0008142271,0.0004900528],"domain_scores_gemma":[0.99497235,0.0036321287,0.00032227507,0.00015955721,0.0006936854,0.00022001745],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0030457985,0.0006664225,0.0005149451,0.002060341,0.01777666,0.008988644,0.0012217363,0.006908505,0.0059005623],"category_scores_gemma":[0.008350257,0.0003038334,0.00036315518,0.0014534862,0.026831605,0.008931001,0.0024837023,0.0054630763,0.0010554886],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005597135,0.000013025717,0.00054968626,0.00029866662,0.000013652995,0.0005305645,0.13277441,0.00017996166,0.00021540378,0.66092426,0.18744911,0.016995357],"study_design_scores_gemma":[0.000013487282,0.000020577616,0.0014045502,0.00053082017,0.000011452273,0.00053330645,0.042786673,0.00015197058,0.00055518065,0.059642326,0.8942825,0.00006716863],"about_ca_topic_score_codex":0.1444884,"about_ca_topic_score_gemma":0.17733735,"teacher_disagreement_score":0.1444884,"about_ca_system_score_codex":0.015270841,"about_ca_system_score_gemma":0.006146196,"threshold_uncertainty_score":0.28729475},"labels":[],"label_agreement":null},{"id":"W4400401035","doi":"10.1080/13569783.2024.2312193","title":"Harnessing speculative fiction to reimagine and rewrite our relationships to the climate crisis and the future of our local environments","year":2024,"lang":"en","type":"article","venue":"Research in Drama Education The Journal of Applied Theatre and Performance","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Institute for Christian Studies; University of Toronto","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"History; Economic geography; Business; Political science; Geography","score_opus":0.0392448287854453,"score_gpt":0.31575564008297236,"score_spread":0.2765108112975271,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4400401035","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26159322,0.0083914185,0.075048074,0.054910485,0.0055666342,0.00015583263,0.0001400658,0.00044651187,0.59374774],"genre_scores_gemma":[0.96219397,0.0014918669,0.0066052238,0.0015797088,0.0005460023,0.00007134056,0.000046467496,0.00017367121,0.027291676],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99772614,0.0016638181,0.000034259956,0.00013491766,0.00025077612,0.00019009646],"domain_scores_gemma":[0.9956916,0.0031181574,0.00023917422,0.0004914074,0.00017670331,0.0002829064],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0033605671,0.0007579435,0.00024570848,0.0009966433,0.007937363,0.007096869,0.001217041,0.0015393837,0.0070723826],"category_scores_gemma":[0.007915128,0.0001922451,0.00033444146,0.00057079236,0.030714732,0.0049990267,0.0075648557,0.0048995554,0.00072409806],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000048532558,0.000026866512,0.0008096417,0.00033190317,0.000011421088,0.00069530134,0.40953928,0.0009279685,0.0016671794,0.5477237,0.016382484,0.02183573],"study_design_scores_gemma":[0.000014019511,0.00006822312,0.00083520147,0.00058126793,0.000015694593,0.0008258608,0.19799277,0.0012839256,0.0019830086,0.075718194,0.720639,0.00004285472],"about_ca_topic_score_codex":0.0011809855,"about_ca_topic_score_gemma":0.0036423875,"teacher_disagreement_score":0.007937363,"about_ca_system_score_codex":0.0024031366,"about_ca_system_score_gemma":0.0014137371,"threshold_uncertainty_score":0.023659527},"labels":[],"label_agreement":null},{"id":"W4400505074","doi":"10.5430/wjel.v14n6p153","title":"Unravelling Dystopia in Dreams of Resurrection: Searching for Meaning Amid Chaos","year":2024,"lang":"en","type":"article","venue":"World Journal of English Language","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dystopia; CHAOS (operating system); Meaning (existential); Philosophy; Epistemology; Computer science; Literature; Art; Artificial intelligence; Computer security","score_opus":0.024391254624041608,"score_gpt":0.27086354669623364,"score_spread":0.24647229207219204,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4400505074","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.46362555,0.041796368,0.020306664,0.08285294,0.0026489985,0.00011838166,0.00019818237,0.00020446694,0.38824838],"genre_scores_gemma":[0.9813944,0.0053987214,0.0021002754,0.0016447828,0.00028283068,0.000033531876,0.000026863569,0.000074964606,0.009043524],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977882,0.0015990413,0.00006553108,0.00012501741,0.00024672892,0.00017547834],"domain_scores_gemma":[0.9967524,0.002049421,0.00042444075,0.00023581144,0.00029814933,0.00023980721],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0031877127,0.00067997637,0.0004652073,0.0021144343,0.0100141475,0.01049162,0.0010761516,0.0017855153,0.0028283577],"category_scores_gemma":[0.005940343,0.00022226138,0.00030408232,0.0015382298,0.034413613,0.009435496,0.0059164283,0.0036771514,0.00047093327],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034909433,0.0000127348685,0.00087204913,0.00030148408,0.000008252416,0.0014440162,0.73419696,0.00012538994,0.00040983927,0.24237476,0.0067362986,0.013483203],"study_design_scores_gemma":[0.000008681993,0.000020445292,0.001372189,0.00075304933,0.000010903812,0.0014435524,0.7165898,0.00040162532,0.00057021173,0.055160783,0.22364287,0.000025837433],"about_ca_topic_score_codex":0.00395955,"about_ca_topic_score_gemma":0.00703671,"teacher_disagreement_score":0.01049162,"about_ca_system_score_codex":0.0053210915,"about_ca_system_score_gemma":0.00391606,"threshold_uncertainty_score":0.03860736},"labels":[],"label_agreement":null},{"id":"W4400779244","doi":"10.5430/wjel.v14n5p663","title":"Understanding the Future Posthumanities: An Analytical Study of William Gibson’s Spook Country","year":2024,"lang":"en","type":"article","venue":"World Journal of English Language","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science; Linguistics; Philosophy","score_opus":0.043684694443808396,"score_gpt":0.27126208388245704,"score_spread":0.22757738943864864,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4400779244","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4791461,0.007942206,0.010899532,0.03465684,0.00066641415,0.000114889204,0.000058401358,0.00006657475,0.46644908],"genre_scores_gemma":[0.98085004,0.00223483,0.0014880607,0.0011494362,0.00006850649,0.00004025357,0.000020631323,0.000066969784,0.014081233],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975973,0.0016078742,0.000031878244,0.0001543989,0.0002386324,0.00036986766],"domain_scores_gemma":[0.99718684,0.0019763852,0.0002393564,0.00014449135,0.00019556764,0.00025734084],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003245155,0.00052525755,0.0004058691,0.0027636979,0.019317767,0.010727462,0.0013235386,0.003388767,0.0028356723],"category_scores_gemma":[0.0045690727,0.00046280425,0.00028108753,0.002561498,0.05126749,0.010703231,0.0059917555,0.004289674,0.00031447725],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012708761,0.000018929804,0.0004543981,0.00003342866,0.0000022041445,0.0006827295,0.5609771,0.0000707535,0.00011330491,0.42839527,0.005483579,0.0037555336],"study_design_scores_gemma":[0.00000704658,0.000026524696,0.0012623502,0.00026324217,0.0000072132584,0.0006331248,0.58528656,0.00024395251,0.0002707899,0.06262583,0.3493464,0.00002699322],"about_ca_topic_score_codex":0.019109998,"about_ca_topic_score_gemma":0.035885323,"teacher_disagreement_score":0.019317767,"about_ca_system_score_codex":0.007038103,"about_ca_system_score_gemma":0.0028984603,"threshold_uncertainty_score":0.051065266},"labels":[],"label_agreement":null},{"id":"W4401074660","doi":"10.5325/ecumenica.17.1.0115","title":"Octavia E. Butler’s <i>Parable of the Sower</i>","year":2024,"lang":"he","type":"article","venue":"Ecumenica","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Philosophy","score_opus":0.013441170351661336,"score_gpt":0.22034600906866192,"score_spread":0.20690483871700058,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4401074660","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0029390876,0.072599985,0.0019877597,0.11800669,0.04152074,0.000034123022,0.00021543924,0.00039978654,0.7622963],"genre_scores_gemma":[0.016644975,0.015323525,0.0007838598,0.018455902,0.0046262443,0.000023955716,0.0001001601,0.0004714239,0.9435699],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996006,0.00009035961,0.000010905329,0.00005941427,0.00019049991,0.00004810023],"domain_scores_gemma":[0.9993862,0.00020161965,0.00003799425,0.000030016568,0.00021050172,0.00013368788],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003627607,0.0005678504,0.0002675481,0.0006927028,0.0029185724,0.0040693725,0.00044943174,0.0009168325,0.030401442],"category_scores_gemma":[0.0017217385,0.00027988284,0.00018382401,0.00048654518,0.001638587,0.003456195,0.001365331,0.0035378474,0.01419617],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000864173,0.0000073216734,0.000056182074,0.000035875073,9.004382e-7,0.00005522587,0.0007534239,0.000010246368,0.00013519099,0.012048093,0.9725992,0.01428967],"study_design_scores_gemma":[6.373411e-7,0.0000029788464,0.000072180206,0.000056307144,4.5029992e-7,0.00008577082,0.0003135676,0.000010433052,0.000058473495,0.00071462634,0.9986828,0.0000018298035],"about_ca_topic_score_codex":0.0046442216,"about_ca_topic_score_gemma":0.015312724,"teacher_disagreement_score":0.030401442,"about_ca_system_score_codex":0.0013713039,"about_ca_system_score_gemma":0.0011856514,"threshold_uncertainty_score":0.10170293},"labels":[],"label_agreement":null},{"id":"W4401108742","doi":"10.4000/123z8","title":"Heritage, Pseudo-Heritage and Survival in a Spurious Wor(l)d: Oryx and Crake by Margaret Atwood","year":2004,"lang":"en","type":"article","venue":"Commonwealth Essays and Studies","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Novelis (Canada)","funders":"","keywords":"Oryx; Spurious relationship; Genealogy; History; Biology; Ecology; Statistics; Mathematics","score_opus":0.04289760673440991,"score_gpt":0.2733628757587323,"score_spread":0.2304652690243224,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4401108742","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1070601,0.03541107,0.0019988918,0.16972429,0.0028296926,0.000024713143,0.00011026413,0.000057624682,0.6827835],"genre_scores_gemma":[0.8855398,0.0054089176,0.00046332015,0.004947714,0.0004348061,0.00001133107,0.000019728332,0.000036715013,0.10313762],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99955374,0.00014362841,0.000005430036,0.000042589127,0.0000847065,0.00016982527],"domain_scores_gemma":[0.9994172,0.00025434897,0.00004412354,0.00004019529,0.00008810173,0.00015620478],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00068010343,0.00028410892,0.0001680362,0.00051173667,0.014540217,0.0056883823,0.00065469416,0.001689898,0.004198903],"category_scores_gemma":[0.0014824112,0.000105015584,0.00012092988,0.000775473,0.027085407,0.002238397,0.0025227906,0.0027023416,0.00024607257],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030971547,0.000011269422,0.0007834958,0.000049935585,0.000003380872,0.00029570356,0.09174579,0.0000983631,0.00015167797,0.7795773,0.112359695,0.0148924105],"study_design_scores_gemma":[0.000010418556,0.000013712105,0.0025589985,0.00018113112,0.000007162324,0.0003075323,0.10212782,0.00011824899,0.0002650864,0.046202216,0.8481888,0.000018650471],"about_ca_topic_score_codex":0.4959424,"about_ca_topic_score_gemma":0.788423,"teacher_disagreement_score":0.4959424,"about_ca_system_score_codex":0.012720204,"about_ca_system_score_gemma":0.008632707,"threshold_uncertainty_score":0.9861114},"labels":[],"label_agreement":null},{"id":"W4402444838","doi":"10.56062/gtrs.2024.3.6.616","title":"Ecofeminism in Margaret Atwood’s Novel Surfacing","year":2024,"lang":"en","type":"article","venue":"Creative Saplings","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ecofeminism; Sociology; Environmental ethics; Philosophy","score_opus":0.039832321704610325,"score_gpt":0.2582632600463622,"score_spread":0.21843093834175187,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4402444838","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.22683549,0.01022889,0.0017616866,0.10077171,0.005505814,0.000050364848,0.00013150509,0.00015165954,0.6545629],"genre_scores_gemma":[0.8195217,0.0022435337,0.00066296884,0.008861492,0.00082239107,0.000033073982,0.000032809712,0.00017083294,0.16765116],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99893075,0.00040199794,0.000010932788,0.00012730809,0.0002529058,0.0002760641],"domain_scores_gemma":[0.9990557,0.00040361355,0.00006793184,0.000038950162,0.00017063884,0.00026322607],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00086458965,0.00043988592,0.00024129375,0.00083071133,0.019172138,0.006646548,0.0009430741,0.0023072031,0.005874889],"category_scores_gemma":[0.0017120024,0.00021692057,0.00017242879,0.0007162283,0.01555145,0.0018087658,0.0022172483,0.0033045795,0.0005354556],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008699112,0.00005692679,0.0006637039,0.00010308445,0.000007827558,0.003010791,0.45928797,0.00014974801,0.0016129749,0.3373876,0.1840143,0.013618134],"study_design_scores_gemma":[0.0000036309598,0.000020627738,0.0007389308,0.000100084304,0.0000036809079,0.0008627161,0.12377524,0.00006658824,0.0004891049,0.004772811,0.8691473,0.000019332208],"about_ca_topic_score_codex":0.1178021,"about_ca_topic_score_gemma":0.29663458,"teacher_disagreement_score":0.1178021,"about_ca_system_score_codex":0.01138538,"about_ca_system_score_gemma":0.0047343173,"threshold_uncertainty_score":0.23423278},"labels":[],"label_agreement":null},{"id":"W4402516491","doi":"10.59982/18294359-23.14.2-mp-14","title":"ՄԱՐԴԿԱՅԻՆ ՓՈԽՀԱՐԱԲԵՐՈՒԹՅՈՒՆՆԵՐԻ ԸՆԿԱԼՈՒՄՆԵՐԸ ՄԱՐԳԱՐԵԹ ԱԹՎՈՒԴԻ ՍՏԵՂԾԱԳՈՐԾՈՒԹՅՈՒՆՆԵՐՈՒՄ / PERCEPTIONS OF HUMAN RELATIONSHIPS IN MARGARETATWOOD’S WORKS","year":2023,"lang":"en","type":"article","venue":"Evropakan akademia. Gitakan hodvatsneri zhoghovatsu.","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Perception; Sociology; Psychoanalysis; Psychology; Epistemology; Philosophy","score_opus":0.07094869479554183,"score_gpt":0.2849055500709171,"score_spread":0.21395685527537528,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4402516491","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5773747,0.011592445,0.00089231506,0.034840923,0.0007404695,0.000058970407,0.00008594902,0.00005358605,0.37436068],"genre_scores_gemma":[0.9664266,0.0017985441,0.00019181908,0.001409303,0.000053291387,0.000012573091,0.000011921709,0.000026273789,0.030069733],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975563,0.000905952,0.000029992827,0.00013669426,0.00074875675,0.00062233856],"domain_scores_gemma":[0.9983956,0.00051641295,0.00017480225,0.00005296272,0.00026568607,0.00059452374],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019487276,0.00035210917,0.0003303451,0.0015424635,0.040414505,0.00927068,0.0009035338,0.001876882,0.0047611566],"category_scores_gemma":[0.0022227755,0.0002766876,0.00019214192,0.0014914391,0.02693678,0.0023351337,0.0035947345,0.0034035586,0.00028985005],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011970904,0.000016818783,0.0008595574,0.00003368204,0.0000030174153,0.00044325436,0.93990165,0.000029437033,0.00022973551,0.045302626,0.008190813,0.0049775466],"study_design_scores_gemma":[0.0000015887217,0.000011005367,0.0030030373,0.00010523285,0.0000038882927,0.00024176254,0.79143655,0.000028744242,0.00014430052,0.0019627686,0.20303975,0.000021317479],"about_ca_topic_score_codex":0.69864184,"about_ca_topic_score_gemma":0.81498146,"teacher_disagreement_score":0.69864184,"about_ca_system_score_codex":0.030932434,"about_ca_system_score_gemma":0.017901208,"threshold_uncertainty_score":0.6062658},"labels":[],"label_agreement":null},{"id":"W4402846112","doi":"10.34293/sijash.v11is5.7671","title":"Recount Restriction and Identity in Margaret Atwood’s Surfacing","year":2024,"lang":"en","type":"article","venue":"Shanlax International Journal of Arts Science and Humanities","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Identity (music); Psychoanalysis; Sociology; Art; Psychology; Aesthetics","score_opus":0.05065830782845566,"score_gpt":0.3047765072145513,"score_spread":0.25411819938609564,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4402846112","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2547025,0.012026426,0.004923161,0.09398347,0.0022154965,0.000069448826,0.0001497423,0.0002086912,0.631721],"genre_scores_gemma":[0.8971676,0.0019609735,0.0009373102,0.0046495167,0.00019236997,0.000029941608,0.000029947323,0.00015546166,0.09487679],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977823,0.0010119443,0.000031679872,0.00021283035,0.00048117916,0.00048013404],"domain_scores_gemma":[0.9979978,0.000947432,0.00012777104,0.00011164259,0.00045127756,0.000364041],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015125328,0.0006163721,0.00038200774,0.0014684874,0.033453934,0.0094709,0.001363437,0.0029695977,0.0049778726],"category_scores_gemma":[0.0040231277,0.0003691111,0.00026221783,0.0014428186,0.028494703,0.00425388,0.0033849187,0.0046638604,0.0006260548],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031499556,0.000012264413,0.0005169569,0.000052656986,0.0000051170996,0.0012088784,0.7347367,0.000087274086,0.00047500743,0.2172334,0.040024966,0.005615272],"study_design_scores_gemma":[0.0000038074531,0.000014697003,0.0008685717,0.00018503895,0.000008688126,0.00090776646,0.41562444,0.00012439335,0.00048528015,0.0108617395,0.5708782,0.000037428676],"about_ca_topic_score_codex":0.4476232,"about_ca_topic_score_gemma":0.5972605,"teacher_disagreement_score":0.4476232,"about_ca_system_score_codex":0.017027773,"about_ca_system_score_gemma":0.008499019,"threshold_uncertainty_score":0.89003545},"labels":[],"label_agreement":null},{"id":"W4403037503","doi":"10.21276/ierj24895896971752","title":"METAMORPHOSIS: REACTIVATION IN DEVELOPMENT OF UNNAMED NARRATOR IN MARGARET ATWOOD'S SURFACING","year":2024,"lang":"en","type":"article","venue":"International Education and Research Journal","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Metamorphosis; Psychoanalysis; Psychology; Biology; Ecology; Larva","score_opus":0.10978576507286858,"score_gpt":0.39670779412991247,"score_spread":0.2869220290570439,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4403037503","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.72941667,0.0037774604,0.012589319,0.017253397,0.0013731262,0.00010464763,0.00012449753,0.0002903399,0.23507062],"genre_scores_gemma":[0.9542503,0.0007766227,0.0013639748,0.0011357995,0.00012430821,0.00004987657,0.0000411332,0.00022850918,0.042029515],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99684525,0.0022912081,0.00005190399,0.0002620165,0.00030616653,0.00024354685],"domain_scores_gemma":[0.99794346,0.0011452321,0.00022773216,0.00014353098,0.00021509269,0.00032493297],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018492662,0.00060870737,0.0004957788,0.00076208287,0.008954841,0.0071589104,0.0010575539,0.0020615326,0.0044477526],"category_scores_gemma":[0.005688679,0.00043576947,0.00028883794,0.00055398146,0.014294989,0.0057313577,0.007466737,0.004172033,0.0011971457],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000054789405,0.000016155549,0.0005142256,0.00006527186,0.0000036207975,0.002228693,0.9497273,0.000042666736,0.0015239085,0.037382454,0.0041301735,0.0043107932],"study_design_scores_gemma":[0.000007984702,0.00008856894,0.0011397157,0.00031503735,0.000013806094,0.004576671,0.71499276,0.00027071303,0.0027049603,0.0074240984,0.2684191,0.000046643854],"about_ca_topic_score_codex":0.0017510375,"about_ca_topic_score_gemma":0.0035037633,"teacher_disagreement_score":0.008954841,"about_ca_system_score_codex":0.0023727394,"about_ca_system_score_gemma":0.0011887867,"threshold_uncertainty_score":0.01721555},"labels":[],"label_agreement":null},{"id":"W4403194597","doi":"10.5744/florida/9781683404071.003.0002","title":"Necrontology","year":2024,"lang":"en","type":"book-chapter","venue":"University Press of Florida eBooks","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Environmental science; Geology","score_opus":0.031405900827172276,"score_gpt":0.18419122940266022,"score_spread":0.15278532857548793,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4403194597","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0018603768,0.0070757107,0.0015839759,0.001781588,0.0018846503,0.000055789296,0.00009758466,0.000099782075,0.9855605],"genre_scores_gemma":[0.02026089,0.008819519,0.0012893596,0.0011047046,0.0009223465,0.00006078593,0.0001805146,0.00013727826,0.96722466],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99953043,0.00014340882,0.000028313,0.000087031214,0.00015490907,0.00005593638],"domain_scores_gemma":[0.9994766,0.00014342996,0.00004472937,0.00012237097,0.00013663646,0.000076302524],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004936918,0.0005480805,0.00023208084,0.0015402092,0.0043292837,0.0038762528,0.00092196144,0.00096442085,0.06931946],"category_scores_gemma":[0.0013672275,0.00020319919,0.00020211458,0.0012783873,0.0043940092,0.0031423892,0.0023897293,0.0015991041,0.017233068],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002614569,0.000034002533,0.00043191627,0.00033641202,0.0000024641408,0.0006288043,0.012115251,0.00010010784,0.0010486377,0.44653147,0.40785775,0.13088703],"study_design_scores_gemma":[4.2341708e-7,0.000003588116,0.00017527636,0.000090619746,4.4190148e-7,0.00018052904,0.00074039353,0.000012311944,0.00008267918,0.0028914108,0.99582076,0.0000015833585],"about_ca_topic_score_codex":0.00632584,"about_ca_topic_score_gemma":0.019488974,"teacher_disagreement_score":0.06931946,"about_ca_system_score_codex":0.0033993009,"about_ca_system_score_gemma":0.0022495738,"threshold_uncertainty_score":0.2318967},"labels":[],"label_agreement":null},{"id":"W4403776772","doi":"10.12797/9788383681696.13","title":"Women in the Post-Apocalypse: Resistance and Survival in The Marrow Thieves","year":2024,"lang":"en","type":"book-chapter","venue":"Ksiegarnia Akademicka Publishing eBooks","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Resistance (ecology); Demography; Internal medicine; Medicine; Biology; Sociology; Ecology","score_opus":0.02992365003939813,"score_gpt":0.21694172363756692,"score_spread":0.1870180735981688,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4403776772","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7745995,0.00780141,0.0012189976,0.032270458,0.0013072375,0.000061940416,0.000058894584,0.00005318278,0.18262841],"genre_scores_gemma":[0.9603168,0.0012884676,0.000175086,0.0011644737,0.00014299358,0.000028256878,0.000012204398,0.000030711686,0.036841013],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99809986,0.00116009,0.000019093442,0.000121074976,0.00018851653,0.0004114443],"domain_scores_gemma":[0.99912375,0.0004158277,0.000108929205,0.000052740317,0.00007229869,0.0002263949],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023368986,0.00045000724,0.00047877073,0.0005012235,0.018735014,0.006790852,0.00096913223,0.0023819946,0.004547018],"category_scores_gemma":[0.003374107,0.0002513775,0.00015150107,0.0004603362,0.02927024,0.003647314,0.0060376874,0.0048273755,0.00050902815],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000051057435,0.000025226089,0.00041387236,0.00004174537,0.0000028793647,0.0011268224,0.9325608,0.00003145548,0.00054558547,0.055877626,0.00477563,0.00454727],"study_design_scores_gemma":[0.000013409714,0.00008051593,0.0011216156,0.00013072042,0.0000040604987,0.00082478515,0.73015743,0.000045027464,0.00044812288,0.00480864,0.2623501,0.000015583975],"about_ca_topic_score_codex":0.010752744,"about_ca_topic_score_gemma":0.016194163,"teacher_disagreement_score":0.018735014,"about_ca_system_score_codex":0.0041772127,"about_ca_system_score_gemma":0.0031720842,"threshold_uncertainty_score":0.030307949},"labels":[],"label_agreement":null},{"id":"W4404109118","doi":"10.69564/able.es.23014.solve","title":"Soluciones para (x)futurismos","year":2023,"lang":"es","type":"article","venue":".able.","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Humboldt-Universität zu Berlin; Universidad Nacional Autónoma de México; Universidad de Buenos Aires; Fondation de France; Concordia University; Universidad Complutense de Madrid; Universiteit Maastricht; Royal College of Art; York University","keywords":"Political science","score_opus":0.056052961370720036,"score_gpt":0.26792017412929275,"score_spread":0.21186721275857273,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404109118","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.28281382,0.0073161623,0.00905547,0.06282205,0.0025653567,0.00050406734,0.0011881517,0.00046479702,0.6332702],"genre_scores_gemma":[0.92758894,0.002789067,0.005053938,0.008970334,0.00060070044,0.00061142555,0.00043715478,0.00019898548,0.053749528],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9928935,0.003953103,0.00019827748,0.00091644644,0.0010626768,0.0009760556],"domain_scores_gemma":[0.9816559,0.01057307,0.0020027275,0.0022820185,0.00191359,0.0015726958],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.011711478,0.000600705,0.00053323596,0.0009381755,0.0064416323,0.0081506,0.0016325745,0.003151926,0.05497398],"category_scores_gemma":[0.0320017,0.0003569424,0.00090579863,0.0014648499,0.004263525,0.007094332,0.004575595,0.004214297,0.0036398822],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0015655707,0.0017877341,0.027076088,0.0014103245,0.00016335172,0.0005880009,0.041437898,0.0017663696,0.0024146,0.61675334,0.09524057,0.20979616],"study_design_scores_gemma":[0.0005352063,0.0011916514,0.024706734,0.0013778682,0.00025441943,0.00014724513,0.035181653,0.0023637787,0.0028096396,0.16196777,0.7693438,0.000120198034],"about_ca_topic_score_codex":0.012500031,"about_ca_topic_score_gemma":0.022227816,"teacher_disagreement_score":0.05497398,"about_ca_system_score_codex":0.004759002,"about_ca_system_score_gemma":0.0062958533,"threshold_uncertainty_score":0.18390626},"labels":[],"label_agreement":null},{"id":"W4404385373","doi":"10.21275/sr22920182245","title":"Women as a Lonely Bird in Margaret Atwood's The Handmaid's Tale","year":2022,"lang":"en","type":"article","venue":"International Journal of Science and Research (IJSR)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History; Art; Genealogy; Literature","score_opus":0.07756625213569858,"score_gpt":0.3488225753539264,"score_spread":0.27125632321822785,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404385373","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.073513314,0.025296716,0.0017547649,0.1725009,0.008172234,0.000048356163,0.00012707656,0.00011415059,0.7184725],"genre_scores_gemma":[0.6416082,0.005195672,0.00083967776,0.018251698,0.00088289997,0.0000332086,0.00003331229,0.00014280205,0.33301258],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99921787,0.00035083469,0.0000060983075,0.00007049804,0.00016719295,0.00018743947],"domain_scores_gemma":[0.9994272,0.00031916582,0.000035356257,0.00002483769,0.000063669366,0.00012985368],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00078175555,0.0004434338,0.0002537581,0.00065877,0.022807917,0.005126805,0.0007194178,0.0022475629,0.0055284966],"category_scores_gemma":[0.0016718355,0.0002253813,0.00018668285,0.0005473626,0.018391237,0.002956719,0.002061267,0.0045648827,0.0006263428],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000066361405,0.000021043372,0.0004989961,0.00009876483,0.000005758092,0.0008894373,0.3044837,0.0001266907,0.00047380678,0.45563236,0.22557995,0.01212313],"study_design_scores_gemma":[0.0000026673786,0.00000953563,0.00042082786,0.00011342749,0.000002436789,0.00025944927,0.0885241,0.00004636367,0.00018571256,0.0066151586,0.90380836,0.000011929535],"about_ca_topic_score_codex":0.16754907,"about_ca_topic_score_gemma":0.4388887,"teacher_disagreement_score":0.16754907,"about_ca_system_score_codex":0.010047198,"about_ca_system_score_gemma":0.0041077365,"threshold_uncertainty_score":0.33314764},"labels":[],"label_agreement":null},{"id":"W4404447305","doi":"10.59350/6b5qv-7ns34","title":"CfP: conference \"Adaptation and the Protean Poetics of Margaret Atwood\". Feb 01, 2019 @ Université de Bourgogne-Franche Comté, Dijon (FR). Deadline: Sept 30, 2018.","year":2018,"lang":"en","type":"preprint","venue":"","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetics; Adaptation (eye); Art; Psychology; Psychoanalysis; Art history; Literature; Neuroscience","score_opus":0.034212269925618675,"score_gpt":0.2223394034319886,"score_spread":0.18812713350636992,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404447305","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005821807,0.07611794,0.0010490322,0.11549505,0.057205178,0.0001384813,0.007408631,0.0006972916,0.7360666],"genre_scores_gemma":[0.037792087,0.007578696,0.00051053194,0.003192925,0.005752905,0.00008298206,0.0024272103,0.00042802482,0.9422347],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994425,0.00011202161,0.0000131002325,0.0001007674,0.00017461763,0.00015692589],"domain_scores_gemma":[0.99907935,0.00018912111,0.000039052706,0.0000545318,0.00025927986,0.00037869683],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009650619,0.00076859834,0.00042114107,0.0013218776,0.004392585,0.0055894298,0.0009080985,0.002202172,0.2807601],"category_scores_gemma":[0.0025887943,0.00019210784,0.00031333492,0.0016897082,0.0012533517,0.0025878316,0.002440851,0.0019634108,0.0408838],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000275314,0.0000064251158,0.000060975504,0.00004905045,0.0000013982572,0.000037583657,0.00021793581,0.00001581161,0.000052555795,0.0042930827,0.98729056,0.007947071],"study_design_scores_gemma":[0.000003632116,0.0000036968363,0.0009786215,0.00010759998,0.0000011845708,0.000037633792,0.00042142483,0.000018093677,0.000059907543,0.0007921779,0.9975727,0.0000033232761],"about_ca_topic_score_codex":0.092230946,"about_ca_topic_score_gemma":0.17768745,"teacher_disagreement_score":0.7192399,"about_ca_system_score_codex":0.008053096,"about_ca_system_score_gemma":0.004726424,"threshold_uncertainty_score":0.93923616},"labels":[],"label_agreement":null},{"id":"W4404531388","doi":"","title":"Of Cats and Backpack: Utopian Possibilities in Cyberpunk Worlds","year":2023,"lang":"en","type":"article","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal; Université de Montréal","funders":"","keywords":"Backpack; Computer science; Engineering; Structural engineering","score_opus":0.019554199463180908,"score_gpt":0.22115084891467648,"score_spread":0.20159664945149558,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404531388","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.066918574,0.0046118866,0.01823054,0.020515328,0.00071172614,0.00003300424,0.00009495086,0.00013554234,0.8887484],"genre_scores_gemma":[0.9697328,0.0007842675,0.002484344,0.00084094255,0.00011232158,0.000043703603,0.0000298002,0.00008828269,0.025883434],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986671,0.00083763734,0.000025233836,0.00013256558,0.0001712912,0.00016610998],"domain_scores_gemma":[0.99829954,0.0010094617,0.00010492603,0.00033519857,0.000085585634,0.00016525925],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019362109,0.00058533513,0.00041564452,0.0016024649,0.012521421,0.01583309,0.0009167407,0.0036983043,0.012595536],"category_scores_gemma":[0.0042319773,0.00034047753,0.00036856259,0.0012090679,0.051219836,0.015985593,0.007388172,0.0056698006,0.0009209956],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010181342,0.000002532616,0.00003289864,0.0000103706325,8.9902613e-7,0.00004383288,0.01244301,0.000052310315,0.000030266543,0.9850219,0.0011208496,0.0012309935],"study_design_scores_gemma":[0.000019827497,0.000016829497,0.00023023353,0.00016303363,0.0000065707695,0.00031774666,0.029445974,0.0006546988,0.00022487766,0.81978875,0.14911295,0.000018581057],"about_ca_topic_score_codex":0.003345092,"about_ca_topic_score_gemma":0.0049328473,"teacher_disagreement_score":0.01583309,"about_ca_system_score_codex":0.0035453497,"about_ca_system_score_gemma":0.0018017483,"threshold_uncertainty_score":0.042136252},"labels":[],"label_agreement":null},{"id":"W4404739079","doi":"10.3138/utq.93.03.69","title":"Margaret Atwood. <i>Burning Questions: Essays and Occasional Pieces 2004–2021</i>","year":2024,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"History; Classics; Art history","score_opus":0.010828129011679882,"score_gpt":0.19740017949968625,"score_spread":0.18657205048800637,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404739079","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0013069598,0.076621175,0.00027714632,0.6634686,0.06810501,0.00006113813,0.00083685113,0.00018378973,0.18913935],"genre_scores_gemma":[0.015171421,0.014365377,0.00025486728,0.15736122,0.013132651,0.00012554732,0.00030268807,0.00025206764,0.79903424],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99853075,0.00036651146,0.000050010563,0.00020096697,0.00053861825,0.00031314578],"domain_scores_gemma":[0.9955362,0.0019213026,0.0002662224,0.000143688,0.0011709873,0.0009616302],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015753597,0.0007597665,0.00048444857,0.002212619,0.012230901,0.0063206926,0.0023211322,0.008212396,0.04855095],"category_scores_gemma":[0.007803016,0.00048047423,0.00038524612,0.0025872434,0.0037957034,0.0049999068,0.003352513,0.0064365654,0.015312271],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000045145903,0.0000018956802,0.000019538897,0.000025619936,6.0407143e-7,0.000011050611,0.00048465608,0.0000028259994,0.000013772788,0.0021091315,0.9960758,0.0012505263],"study_design_scores_gemma":[0.0000020874115,0.0000015227413,0.0002935497,0.00009885562,0.0000013255443,0.000008901919,0.001379095,0.000003497944,0.000030450848,0.00048588513,0.9976913,0.0000036008396],"about_ca_topic_score_codex":0.13642372,"about_ca_topic_score_gemma":0.35049832,"teacher_disagreement_score":0.13642372,"about_ca_system_score_codex":0.010973644,"about_ca_system_score_gemma":0.0057702586,"threshold_uncertainty_score":0.27125925},"labels":[],"label_agreement":null},{"id":"W4404800288","doi":"10.17576/gema-2024-2404-19","title":"Deterritorialization and ecoGothic Space in Margaret Atwood’s Oryx and Crake: A Capitalocenic Approach","year":2024,"lang":"en","type":"article","venue":"GEMA Online Journal of Language Studies","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Oryx; Deterritorialization; Space (punctuation); Computer science; Epistemology; Philosophy; Ecology; Biology","score_opus":0.031246233270855767,"score_gpt":0.29247766926620583,"score_spread":0.26123143599535004,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404800288","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5789474,0.006097834,0.0034215862,0.018006148,0.0005911508,0.000081591876,0.00008205586,0.000056186804,0.39271605],"genre_scores_gemma":[0.9812583,0.00066815165,0.0004934958,0.00042049133,0.00003613787,0.000013034011,0.000011506918,0.000021871328,0.017077105],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99911827,0.00030604197,0.000013391145,0.00010962506,0.00016171172,0.00029094814],"domain_scores_gemma":[0.99939346,0.0002093437,0.00008534107,0.000045924477,0.00008632135,0.00017962353],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006256078,0.00056755205,0.00025548608,0.001092879,0.016868629,0.009061586,0.0012497993,0.0021020162,0.0030012939],"category_scores_gemma":[0.0012933539,0.0002213786,0.00014655967,0.0010084382,0.036577214,0.0028561049,0.003805801,0.0033361777,0.00021414344],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007731105,0.000028866116,0.0008896391,0.000080013626,0.000004827901,0.0014508824,0.57443506,0.0001454164,0.00093365106,0.41127023,0.0048186835,0.0058654225],"study_design_scores_gemma":[0.000012270742,0.000039811086,0.0032788583,0.00017734943,0.000011555231,0.0013383316,0.5813665,0.0002559371,0.0010325968,0.021063479,0.3913726,0.00005074836],"about_ca_topic_score_codex":0.27837935,"about_ca_topic_score_gemma":0.5060474,"teacher_disagreement_score":0.27837935,"about_ca_system_score_codex":0.018639242,"about_ca_system_score_gemma":0.009273864,"threshold_uncertainty_score":0.553518},"labels":[],"label_agreement":null},{"id":"W4405170689","doi":"","title":"The Morals of the Northern Bush in Atwood's Short Fiction","year":2009,"lang":"fr","type":"book-chapter","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History; Art; Literature","score_opus":0.021075178302697103,"score_gpt":0.20951961036519365,"score_spread":0.18844443206249656,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405170689","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02565225,0.0116285365,0.0017151447,0.032287348,0.002842271,0.00002593236,0.000078977726,0.000029851153,0.9257398],"genre_scores_gemma":[0.6119426,0.0041146553,0.00094406976,0.004241426,0.0006213572,0.00005344603,0.000050949995,0.0000981103,0.37793338],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995999,0.00023150316,0.000006393811,0.00003366342,0.00006677669,0.00006180483],"domain_scores_gemma":[0.9996092,0.00023459482,0.000024168883,0.00003471485,0.00005173909,0.000045632423],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005557537,0.00025109437,0.00017388038,0.00037837992,0.007152927,0.0027649284,0.0003968921,0.0011931225,0.008049224],"category_scores_gemma":[0.0014584257,0.00010336712,0.00011488406,0.00055063237,0.009200676,0.0021338195,0.0009864287,0.0030800472,0.00074426614],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036480695,0.000008823126,0.000118703305,0.000048131653,0.0000016526483,0.00012709489,0.03227502,0.000072506395,0.00015314526,0.8743691,0.08417104,0.008618276],"study_design_scores_gemma":[0.0000045010443,0.000007909416,0.000601365,0.0001712206,0.0000024383066,0.00016698858,0.018080145,0.00009090509,0.00020283813,0.043436546,0.9372288,0.000006450948],"about_ca_topic_score_codex":0.03261861,"about_ca_topic_score_gemma":0.09363825,"teacher_disagreement_score":0.9673814,"about_ca_system_score_codex":0.00533901,"about_ca_system_score_gemma":0.0020798154,"threshold_uncertainty_score":0.06485748},"labels":[],"label_agreement":null},{"id":"W4405261086","doi":"10.1007/978-3-031-69910-8_11","title":"Alien Rhythms: Sounding Black Futures from the Ocean Floor","year":2024,"lang":"en","type":"book-chapter","venue":"Palgrave studies in animals and literature","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Futures contract; Alien; Rhythm; Depth sounding; Oceanography; Geography; Geology; Business; Acoustics; Sociology; Physics; Finance; Demography","score_opus":0.05432082179972634,"score_gpt":0.2781398418422174,"score_spread":0.22381902004249107,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405261086","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.015180777,0.0057683312,0.0036245247,0.027229602,0.00177187,0.000012772101,0.000038000522,0.00006140901,0.9463127],"genre_scores_gemma":[0.53389126,0.0050582043,0.002790144,0.0076691182,0.0009617674,0.000050904717,0.000036768764,0.00034908613,0.4491928],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994159,0.0003122306,0.000007428694,0.000046239642,0.00009984259,0.000118482465],"domain_scores_gemma":[0.99945384,0.0002702589,0.000035301437,0.0000514695,0.00005399515,0.0001352489],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011566702,0.00039542923,0.00022771217,0.0006063204,0.008461014,0.008014067,0.0005374728,0.0016181676,0.019469993],"category_scores_gemma":[0.0023182847,0.00018004759,0.00020125424,0.0007128535,0.021378571,0.0060691196,0.0046284744,0.0042975447,0.0020285985],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000039520477,0.0000073413353,0.00014267079,0.000034841923,0.0000019075737,0.00008996547,0.05590643,0.000064177555,0.0001843275,0.8900033,0.037841912,0.015683616],"study_design_scores_gemma":[0.0000118884445,0.00001799469,0.00034469762,0.00019155876,0.0000041013373,0.00006681688,0.047307894,0.000105294705,0.00019928138,0.12859757,0.82313967,0.000013291983],"about_ca_topic_score_codex":0.007475354,"about_ca_topic_score_gemma":0.02344656,"teacher_disagreement_score":0.019469993,"about_ca_system_score_codex":0.002302784,"about_ca_system_score_gemma":0.0019420887,"threshold_uncertainty_score":0.06513363},"labels":[],"label_agreement":null},{"id":"W4405332343","doi":"10.1007/978-3-031-72178-6_10","title":"Attitudes Toward Technology: American and Asian Science Fiction in Conversation","year":2024,"lang":"en","type":"book-chapter","venue":"","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université Laval","funders":"","keywords":"Conversation; Psychology; Sociology; Media studies; Communication","score_opus":0.02756899234009694,"score_gpt":0.24799309836854383,"score_spread":0.2204241060284469,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405332343","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4041728,0.0046132607,0.0011366238,0.0270441,0.0006467578,0.000027903629,0.00005092707,0.000044412893,0.5622633],"genre_scores_gemma":[0.9760375,0.0015002888,0.00013171208,0.0023426649,0.00016050124,0.000027818176,0.000022122602,0.000029563618,0.019747837],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976718,0.001489954,0.000047946796,0.00012647593,0.0003557391,0.0003081112],"domain_scores_gemma":[0.9938164,0.0048476206,0.00031856814,0.00012224578,0.00035922258,0.00053595315],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0040303357,0.00031049267,0.00025839635,0.0015299143,0.010103355,0.01077666,0.0006616972,0.0026154995,0.007427624],"category_scores_gemma":[0.007856907,0.0001750218,0.00021759089,0.0019894843,0.011463717,0.0071877483,0.0042564557,0.0053158095,0.0009068128],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000045180033,0.000047952744,0.0019087706,0.00004138266,0.0000047060316,0.00022542995,0.9101917,0.000024252442,0.00034943238,0.07115305,0.0061785984,0.0098295575],"study_design_scores_gemma":[0.000012142209,0.00004972431,0.007834963,0.00023045127,0.000021758644,0.000433273,0.85841227,0.0002458366,0.0006294029,0.010970938,0.12113506,0.000024158535],"about_ca_topic_score_codex":0.007476681,"about_ca_topic_score_gemma":0.007049529,"teacher_disagreement_score":0.01077666,"about_ca_system_score_codex":0.0029446098,"about_ca_system_score_gemma":0.0017255265,"threshold_uncertainty_score":0.024847925},"labels":[],"label_agreement":null},{"id":"W4405563227","doi":"","title":"When They Appeared Falcon Lake 1967: The inside story of a close encounter Stan Michalak &amp; Chris Rutkowski Plus the original story My Encounter With The UFO By Stephen Michalak","year":2019,"lang":"en","type":"article","venue":"SHILAP Revista de lepidopterología","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Falcon; Art; Art history; History; Computer science","score_opus":0.013683924715042043,"score_gpt":0.217628296488001,"score_spread":0.20394437177295896,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405563227","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18441375,0.019974226,0.00057720597,0.55215675,0.008847308,0.000077352095,0.00030606362,0.00016671428,0.23348059],"genre_scores_gemma":[0.5728075,0.015796838,0.0005994589,0.084155604,0.0028723688,0.00009687558,0.00020928257,0.00030470072,0.3231573],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99921703,0.00026949204,0.000013838441,0.00006312038,0.00018271666,0.0002537527],"domain_scores_gemma":[0.99926466,0.00017437291,0.00006672686,0.000024777204,0.00012977142,0.0003397361],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007791897,0.0009507336,0.0004179924,0.00073587464,0.03894688,0.0048776087,0.0008888948,0.0049447003,0.009980842],"category_scores_gemma":[0.003173307,0.00061207055,0.00027360843,0.0010029213,0.008080518,0.0038010278,0.003619081,0.012467864,0.0015470005],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006970833,0.00004514344,0.0027973677,0.00008879717,0.000017986538,0.015569544,0.3043867,0.00007307726,0.0005574053,0.013779413,0.6523834,0.010231501],"study_design_scores_gemma":[0.0000060221614,0.000027230957,0.0030358115,0.00028801314,0.000007653286,0.0039829137,0.34439233,0.00004586111,0.00018794433,0.00068745215,0.6473052,0.0000335315],"about_ca_topic_score_codex":0.30572823,"about_ca_topic_score_gemma":0.62230873,"teacher_disagreement_score":0.30572823,"about_ca_system_score_codex":0.00856884,"about_ca_system_score_gemma":0.0038011072,"threshold_uncertainty_score":0.6078974},"labels":[],"label_agreement":null},{"id":"W4405613435","doi":"10.3138/cras-2024-007","title":"Boot Camp Baby: Military Science Fiction’s Incubator","year":2024,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Incubator; Adoration; Popularity; Focus (optics); Literature; Classics; History; Art; Sociology; Law; Political science","score_opus":0.03575301467948552,"score_gpt":0.2957606478869766,"score_spread":0.2600076332074911,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405613435","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.024824,0.04101906,0.0020866261,0.13072237,0.009227193,0.00004935425,0.00013509626,0.00012695126,0.7918094],"genre_scores_gemma":[0.68118966,0.04033177,0.0031311852,0.034661215,0.0075143497,0.00015858475,0.0002678565,0.00037481863,0.23237053],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99735284,0.0016389193,0.00004023962,0.00012455037,0.00056394533,0.00027964913],"domain_scores_gemma":[0.9921199,0.0062876656,0.00028561126,0.00038878893,0.0006165339,0.00030143617],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003359162,0.0003364222,0.0002788704,0.0026903423,0.008951913,0.006910776,0.0009985141,0.0021382836,0.016552191],"category_scores_gemma":[0.0103383735,0.000191552,0.00022894087,0.002459702,0.017302195,0.0051606414,0.0037159051,0.0041237883,0.0025772722],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034037213,0.000025430241,0.0002784964,0.00022706793,0.0000027932733,0.0004553521,0.071184576,0.000071285045,0.0002097871,0.6706793,0.21578339,0.04104854],"study_design_scores_gemma":[0.0000030033207,0.000006302574,0.00022379465,0.00022028806,0.0000011644123,0.00009538651,0.010933886,0.000023112634,0.00010294736,0.0060520037,0.98233354,0.0000044863436],"about_ca_topic_score_codex":0.012236755,"about_ca_topic_score_gemma":0.02457834,"teacher_disagreement_score":0.016552191,"about_ca_system_score_codex":0.0057704197,"about_ca_system_score_gemma":0.0047435625,"threshold_uncertainty_score":0.055372536},"labels":[],"label_agreement":null},{"id":"W4405887479","doi":"10.2478/rjes-2024-0008","title":"A Postmodernist Rewriting Of Homer’s Penelope: Margaret Atwood’s <i>The Penelopiad</i>","year":2024,"lang":"en","type":"article","venue":"Romanian Journal of English Studies","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Reinterpretation; Character (mathematics); Literature; Silence; Representation (politics); Wife; Feeling; Art; History; Philosophy; Aesthetics; Theology","score_opus":0.04774729355800505,"score_gpt":0.2763630363072291,"score_spread":0.22861574274922403,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405887479","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.37200588,0.004304231,0.004363054,0.017830499,0.0014548264,0.000051328694,0.000120310484,0.00012094157,0.59974897],"genre_scores_gemma":[0.9415444,0.0005564743,0.00044439256,0.0007479633,0.00012201441,0.000009812519,0.000017714963,0.00007676647,0.056480467],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988445,0.00065031444,0.000014154308,0.000104182116,0.0002018025,0.0001849754],"domain_scores_gemma":[0.99923,0.0003538893,0.000057321435,0.00006892401,0.00014959188,0.00014021141],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011713348,0.00033196565,0.00022698406,0.00056983595,0.0076061036,0.0047169565,0.0007431503,0.00091595715,0.0047964505],"category_scores_gemma":[0.0018724317,0.00014502947,0.000111258574,0.00040975274,0.013036137,0.0017290589,0.0022255343,0.0021961504,0.00044702642],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006681755,0.000021502601,0.00049339246,0.00007454918,0.0000045375655,0.001932229,0.6659491,0.000112077134,0.0014433836,0.303928,0.017078552,0.008895954],"study_design_scores_gemma":[0.00000836758,0.000035543922,0.0013755057,0.0002050122,0.0000066793464,0.001132342,0.30731237,0.00024127768,0.0024988225,0.006418569,0.6807362,0.000029343277],"about_ca_topic_score_codex":0.07207838,"about_ca_topic_score_gemma":0.17131197,"teacher_disagreement_score":0.07207838,"about_ca_system_score_codex":0.00793855,"about_ca_system_score_gemma":0.0037812951,"threshold_uncertainty_score":0.14331764},"labels":[],"label_agreement":null},{"id":"W4406431429","doi":"10.1016/s0197-2510(09)70053-1","title":"10.1016/s0197-2510(09)70053-1","year":2000,"lang":"en","type":"article","venue":"Time to knit","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Political science","score_opus":0.011882020632402065,"score_gpt":0.16673352428515553,"score_spread":0.15485150365275346,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4406431429","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00023085359,0.00028538491,0.00034595013,0.00027494007,0.00017915174,0.00006402465,0.00046078896,0.0006314973,0.9975274],"genre_scores_gemma":[0.0003937373,0.00014732812,0.00023585236,0.00017931806,0.000041700387,0.00004516866,0.00026658855,0.00011678245,0.9985734],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99932396,0.000049054528,0.000055342538,0.00024036631,0.00018814766,0.00014318475],"domain_scores_gemma":[0.99796766,0.00051930745,0.00013628375,0.0002355603,0.00040254736,0.00073857914],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0009817604,0.0025489805,0.0017932182,0.002958353,0.0029768052,0.0044063423,0.0033322035,0.0067303553,0.990404],"category_scores_gemma":[0.002086386,0.00093259866,0.0015015911,0.0024180573,0.0019713598,0.0057963682,0.0039463458,0.0028878835,0.99271905],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024887102,0.0001978472,0.0008364944,0.0005476497,0.000027246168,0.0002666477,0.00014531906,0.0002995303,0.0012047322,0.008471957,0.38995543,0.5977983],"study_design_scores_gemma":[0.000039119765,0.00007478876,0.0005698994,0.0003108757,0.0000101409105,0.0002842339,0.00014041763,0.00013588603,0.00019077226,0.00073826074,0.9974866,0.000018844554],"about_ca_topic_score_codex":0.005031182,"about_ca_topic_score_gemma":0.004843008,"teacher_disagreement_score":0.00959599,"about_ca_system_score_codex":0.0013489774,"about_ca_system_score_gemma":0.0016845071,"threshold_uncertainty_score":0.013687432},"labels":[],"label_agreement":null},{"id":"W4406678687","doi":"10.1080/17449855.2025.2453018","title":"Contemporary Pakistani speculative fiction and the global imaginary: Democratizing human futures","year":2025,"lang":"en","type":"article","venue":"Journal of Postcolonial Writing","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Wilfrid Laurier University","funders":"","keywords":"The Imaginary; Futures contract; History; Literature; Economics; Art; Financial economics; Psychoanalysis; Psychology","score_opus":0.016058000830660703,"score_gpt":0.2859050835185595,"score_spread":0.26984708268789875,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4406678687","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0720952,0.027565613,0.003118995,0.071862034,0.0022628547,0.00002959272,0.00006620738,0.00004506356,0.8229544],"genre_scores_gemma":[0.94978034,0.0114471605,0.0007685564,0.0033720303,0.0010587417,0.00002809843,0.000029223345,0.000027454442,0.033488426],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994056,0.00027355898,0.00001175576,0.000050869057,0.000105470805,0.00015268396],"domain_scores_gemma":[0.9987203,0.0009434412,0.00009777409,0.000075324104,0.00008319762,0.00007995073],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011657397,0.00049029506,0.00021220278,0.0008838586,0.009169124,0.0076911584,0.00046672457,0.0022845294,0.0050291177],"category_scores_gemma":[0.0019132994,0.000130106,0.00014769193,0.0016554428,0.027849032,0.0050787115,0.0023484689,0.0037991775,0.00044087786],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012895056,0.0000061255982,0.00022467462,0.00005933752,0.0000016763391,0.00035959695,0.061880313,0.00013383014,0.000092470276,0.9148158,0.01390706,0.008506292],"study_design_scores_gemma":[0.000009063826,0.000033181586,0.0010838502,0.00032727505,0.000005015688,0.00049586163,0.108521655,0.00026968436,0.00033685015,0.15693447,0.7319675,0.000015598967],"about_ca_topic_score_codex":0.007261279,"about_ca_topic_score_gemma":0.016841976,"teacher_disagreement_score":0.009169124,"about_ca_system_score_codex":0.0053423867,"about_ca_system_score_gemma":0.0024043256,"threshold_uncertainty_score":0.038761854},"labels":[],"label_agreement":null},{"id":"W4406780180","doi":"10.5325/utopianstudies.35.2-3.0582","title":"Light In the Interstices between Dystopia and Utopia, or, Why I Love Hopepunk","year":2024,"lang":"en","type":"article","venue":"Utopian Studies","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dystopia; Utopia; Aesthetics; Art history; Sociology; Art; Philosophy; Literature","score_opus":0.09024769918637217,"score_gpt":0.3119261948918938,"score_spread":0.22167849570552167,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4406780180","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.062735304,0.049756348,0.014380379,0.32789773,0.010683892,0.00007253046,0.00013277933,0.0003711085,0.53396994],"genre_scores_gemma":[0.89962333,0.006788206,0.0033349325,0.033838287,0.0025907108,0.00008885412,0.00003675657,0.00029152987,0.053407308],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99723935,0.0015718233,0.00006443131,0.0003085244,0.00045608828,0.00035974276],"domain_scores_gemma":[0.99696904,0.0016389145,0.00033171976,0.00034190665,0.00025723092,0.00046129696],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0024203819,0.00052515895,0.00041088928,0.0011933765,0.008740239,0.009723465,0.00066979876,0.002649069,0.004836258],"category_scores_gemma":[0.0077760825,0.00025510177,0.0004560637,0.00072359765,0.047429882,0.010752764,0.006502181,0.008928798,0.0008057549],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000511132,0.000022159693,0.0005524926,0.00012487166,0.00000929205,0.00063226745,0.07970707,0.000051139137,0.00026697046,0.8673184,0.03846743,0.012796807],"study_design_scores_gemma":[0.000027066872,0.000042907544,0.001181827,0.0006462916,0.000012295387,0.00198452,0.06748194,0.00023321435,0.00033504394,0.40371642,0.5242934,0.000045022935],"about_ca_topic_score_codex":0.003840575,"about_ca_topic_score_gemma":0.005338339,"teacher_disagreement_score":0.009723465,"about_ca_system_score_codex":0.0032402384,"about_ca_system_score_gemma":0.0022463098,"threshold_uncertainty_score":0.02350974},"labels":[],"label_agreement":null},{"id":"W4406780312","doi":"10.5325/utopianstudies.35.2-3.xi","title":"Editors’ Message","year":2024,"lang":"de","type":"article","venue":"Utopian Studies","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science; Sociology; Mathematics education; Psychology","score_opus":0.05153993257528769,"score_gpt":0.2961060034239382,"score_spread":0.24456607084865054,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4406780312","genre_codex":"editorial","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":"editorial","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00013443075,0.0012505971,0.00027502343,0.26010913,0.71607584,0.000067104666,0.00037958098,0.00048784388,0.021220569],"genre_scores_gemma":[0.0024495565,0.0020338346,0.0010669786,0.41793612,0.40272972,0.0003080066,0.00044402445,0.0004163142,0.17261551],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9915705,0.0007174969,0.0006530218,0.0016061019,0.004732487,0.00072036806],"domain_scores_gemma":[0.96618414,0.006367386,0.0020712796,0.0019636678,0.01928959,0.0041240044],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0072253956,0.0016710191,0.0015939303,0.002207145,0.0031601065,0.011959413,0.005264177,0.018465843,0.1566609],"category_scores_gemma":[0.062189713,0.00073565525,0.0019189834,0.0015312678,0.002416274,0.008598263,0.0031670372,0.01731678,0.13369125],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000069042003,0.000005411608,0.000025345405,0.000036645713,0.000001751403,0.0000241679,0.000013988734,0.0000072654793,0.000018655497,0.00043834423,0.9957769,0.0036445698],"study_design_scores_gemma":[0.000012917322,0.000010502009,0.00009729797,0.000109107685,0.000003788877,0.00006281184,0.00005185178,0.00003803425,0.000070156,0.0006894424,0.9988463,0.00000793283],"about_ca_topic_score_codex":0.0009764619,"about_ca_topic_score_gemma":0.0016490694,"teacher_disagreement_score":0.1566609,"about_ca_system_score_codex":0.002700719,"about_ca_system_score_gemma":0.0064416444,"threshold_uncertainty_score":0.5240829},"labels":[],"label_agreement":null},{"id":"W4407809860","doi":"10.33178/aigne.vol10.3","title":"“Far From Their Original Homeland”","year":2024,"lang":"en","type":"article","venue":"Aigne Journal","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Homeland; Computer science; Political science; Law; Politics","score_opus":0.027011612082720234,"score_gpt":0.23043159102940058,"score_spread":0.20341997894668035,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4407809860","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17888339,0.008165883,0.0063830167,0.06979415,0.003075263,0.00005943815,0.00032898935,0.00022097518,0.7330889],"genre_scores_gemma":[0.8527503,0.0020354432,0.0012582102,0.0041083707,0.00020662756,0.000022051288,0.00009423092,0.00014735549,0.13937742],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989833,0.00037776952,0.000018149043,0.0001398134,0.00023733191,0.00024365247],"domain_scores_gemma":[0.9993426,0.00018988112,0.000051219984,0.00009369921,0.00017631025,0.00014628262],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012117374,0.0004213993,0.00030262265,0.0005654379,0.015055648,0.0050201565,0.0007905783,0.0010618566,0.008145805],"category_scores_gemma":[0.002833187,0.00013267974,0.00019294753,0.0006801627,0.026497528,0.003602848,0.0028634528,0.003457862,0.0010117438],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000047410504,0.000010406057,0.000968242,0.00008684755,0.0000095213545,0.0006565999,0.46447572,0.000082197854,0.00078117335,0.4651533,0.04823156,0.019497082],"study_design_scores_gemma":[0.000004764776,0.00001600879,0.0011454766,0.000118850694,0.000006823665,0.00029861744,0.13821225,0.00006466874,0.00038608126,0.013137633,0.84659296,0.0000159227],"about_ca_topic_score_codex":0.19889654,"about_ca_topic_score_gemma":0.3896859,"teacher_disagreement_score":0.19889654,"about_ca_system_score_codex":0.011752633,"about_ca_system_score_gemma":0.006897048,"threshold_uncertainty_score":0.39547765},"labels":[],"label_agreement":null},{"id":"W4408154307","doi":"10.25136/2409-8698.2025.2.73003","title":"The theme of death in prose by Margaret Atwood","year":2025,"lang":"en","type":"article","venue":"Litera","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Theme (computing); Literature; Linguistics; Art; History; Philosophy; Computer science","score_opus":0.0131829192278208,"score_gpt":0.23150093936688737,"score_spread":0.21831802013906657,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4408154307","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19721226,0.17648974,0.0030305178,0.21156786,0.016872091,0.00010546763,0.0003513088,0.00015151953,0.39421925],"genre_scores_gemma":[0.8167356,0.04142348,0.0012763701,0.014035199,0.0029362673,0.00007851786,0.0001062898,0.00012716226,0.12328119],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99914825,0.00039985764,0.000012631601,0.0000755122,0.0002487139,0.0001150314],"domain_scores_gemma":[0.9991886,0.00032579887,0.000077217184,0.000023059598,0.00023537508,0.00015002112],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001002037,0.00047675055,0.00023032812,0.00075493497,0.010927274,0.0037043074,0.0007936531,0.00090192445,0.0016642039],"category_scores_gemma":[0.0018552939,0.00015674379,0.00011737712,0.00095841876,0.008560499,0.0023303519,0.0014603769,0.002409409,0.00056485535],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012356785,0.000046763547,0.0013828897,0.0005259761,0.000013382746,0.0018215816,0.46148935,0.00015299639,0.0018080005,0.18885306,0.29459572,0.04918675],"study_design_scores_gemma":[0.0000023130635,0.000023860614,0.0016100287,0.0002474517,0.0000066649936,0.000755772,0.094310194,0.000032673706,0.00056654477,0.003817143,0.8986064,0.00002083171],"about_ca_topic_score_codex":0.17466272,"about_ca_topic_score_gemma":0.32337415,"teacher_disagreement_score":0.17466272,"about_ca_system_score_codex":0.008254662,"about_ca_system_score_gemma":0.007992931,"threshold_uncertainty_score":0.34729213},"labels":[],"label_agreement":null},{"id":"W4408295993","doi":"10.4324/9781003450559-4","title":"Atwood's Graphic Novels","year":2025,"lang":"en","type":"book-chapter","venue":"","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Computer science; Computer graphics (images)","score_opus":0.032458965561758424,"score_gpt":0.20751615084316422,"score_spread":0.1750571852814058,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4408295993","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013630354,0.003289307,0.0006545977,0.0053896704,0.0018277091,0.000014346817,0.00008611999,0.00008685241,0.975021],"genre_scores_gemma":[0.20784397,0.004950323,0.0009686477,0.0017923678,0.0008251707,0.000038853435,0.0001338057,0.00024343176,0.7832035],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996309,0.000104891355,0.000005877733,0.00003999745,0.0001232678,0.00009508208],"domain_scores_gemma":[0.99959093,0.0001911381,0.000021610369,0.000033534023,0.000048654085,0.00011423732],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000338497,0.000477036,0.00014515262,0.0010236582,0.009241727,0.006396686,0.0006229355,0.00094858103,0.027120877],"category_scores_gemma":[0.0008902776,0.00016820742,0.00017391802,0.0011201997,0.005156988,0.0018005369,0.0018032016,0.0022046387,0.0025224378],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000052877924,0.000039880946,0.00018796726,0.00014011355,0.0000030984681,0.0010046517,0.04067443,0.00018990459,0.0007845759,0.59772784,0.32476518,0.034429558],"study_design_scores_gemma":[0.0000016068049,0.0000059329755,0.00011041429,0.000043378586,0.0000010929268,0.00021380866,0.0055064783,0.000029675688,0.00016608345,0.0031412137,0.9907769,0.0000033669107],"about_ca_topic_score_codex":0.015504266,"about_ca_topic_score_gemma":0.056344204,"teacher_disagreement_score":0.027120877,"about_ca_system_score_codex":0.004223462,"about_ca_system_score_gemma":0.0019838759,"threshold_uncertainty_score":0.0907284},"labels":[],"label_agreement":null},{"id":"W4408327795","doi":"10.59467/wjasr.2020-21.10-11.51","title":"Atwoods The Handmaid Tale: Dystopian and Science Fiction","year":2021,"lang":"en","type":"article","venue":"WORLD JOURNAL OF APPLIED SCIENCE AND RESEARCH","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dystopia; Sci-Fi; Literature; Art; Philosophy; Fantasy","score_opus":0.06408452718745375,"score_gpt":0.33018868281052655,"score_spread":0.26610415562307277,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4408327795","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.021841781,0.020380592,0.0043613976,0.08695002,0.003252543,0.000039645056,0.00009992749,0.00013786746,0.8629362],"genre_scores_gemma":[0.78943074,0.00733629,0.0021702428,0.012041496,0.0016483134,0.000051285766,0.00005775724,0.0001273987,0.18713652],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987601,0.0005835201,0.000019004889,0.00011258902,0.00034285992,0.00018179795],"domain_scores_gemma":[0.99747485,0.0018127075,0.00013060938,0.00016055549,0.00022087857,0.00020037784],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013357048,0.0004934208,0.00026876995,0.0024914595,0.013068233,0.008575673,0.00068162795,0.0023588852,0.007418875],"category_scores_gemma":[0.004671967,0.00015779065,0.00021191001,0.0014062109,0.047076885,0.0052289185,0.00315586,0.003993454,0.0007339589],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019683459,0.0000064741002,0.00019737381,0.00004629437,0.0000025187594,0.00023461644,0.03946938,0.000076255514,0.00012244504,0.9004174,0.048122883,0.0112847295],"study_design_scores_gemma":[0.000008151284,0.000014650849,0.0006021683,0.00029606812,0.000004961423,0.00045612158,0.032083336,0.00020633689,0.00033574805,0.16926157,0.79671454,0.000016486192],"about_ca_topic_score_codex":0.05552545,"about_ca_topic_score_gemma":0.07353805,"teacher_disagreement_score":0.05552545,"about_ca_system_score_codex":0.012621852,"about_ca_system_score_gemma":0.0044562314,"threshold_uncertainty_score":0.11040449},"labels":[],"label_agreement":null},{"id":"W4408328198","doi":"10.59467/wjasr.2021.10-11.51","title":"Atwoods The Handmaid Tale: Dystopian and Science Fiction","year":2021,"lang":"en","type":"article","venue":"WORLD JOURNAL OF APPLIED SCIENCE AND RESEARCH","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dystopia; Literature; Sci-Fi; Art; Philosophy; Aesthetics; History; Fantasy","score_opus":0.06408452718745375,"score_gpt":0.33018868281052655,"score_spread":0.26610415562307277,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4408328198","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.021841781,0.020380592,0.0043613976,0.08695002,0.003252543,0.000039645056,0.00009992749,0.00013786746,0.8629362],"genre_scores_gemma":[0.78943074,0.00733629,0.0021702428,0.012041496,0.0016483134,0.000051285766,0.00005775724,0.0001273987,0.18713652],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987601,0.0005835201,0.000019004889,0.00011258902,0.00034285992,0.00018179795],"domain_scores_gemma":[0.99747485,0.0018127075,0.00013060938,0.00016055549,0.00022087857,0.00020037784],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013357048,0.0004934208,0.00026876995,0.0024914595,0.013068233,0.008575673,0.00068162795,0.0023588852,0.007418875],"category_scores_gemma":[0.004671967,0.00015779065,0.00021191001,0.0014062109,0.047076885,0.0052289185,0.00315586,0.003993454,0.0007339589],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019683459,0.0000064741002,0.00019737381,0.00004629437,0.0000025187594,0.00023461644,0.03946938,0.000076255514,0.00012244504,0.9004174,0.048122883,0.0112847295],"study_design_scores_gemma":[0.000008151284,0.000014650849,0.0006021683,0.00029606812,0.000004961423,0.00045612158,0.032083336,0.00020633689,0.00033574805,0.16926157,0.79671454,0.000016486192],"about_ca_topic_score_codex":0.05552545,"about_ca_topic_score_gemma":0.07353805,"teacher_disagreement_score":0.05552545,"about_ca_system_score_codex":0.012621852,"about_ca_system_score_gemma":0.0044562314,"threshold_uncertainty_score":0.11040449},"labels":[],"label_agreement":null},{"id":"W4408359959","doi":"10.3828/bjcs.2025.4","title":"Age discrimination, youth culture, and midlife in Richard B. Wright’s <i>In the Middle of a Life</i>","year":2025,"lang":"en","type":"article","venue":"British Journal of Canadian Studies","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Wright; History; Sociology; Gender studies; Gerontology; Demography; Genealogy; Art history; Medicine","score_opus":0.070175677627557,"score_gpt":0.24356062232317183,"score_spread":0.17338494469561483,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4408359959","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.25132272,0.042149022,0.0011281809,0.37715182,0.0049412865,0.00004661824,0.00013298448,0.00006868493,0.3230586],"genre_scores_gemma":[0.9475668,0.0062620956,0.00030819792,0.01684518,0.00045530393,0.000026255722,0.000018083452,0.00006210312,0.028455997],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976252,0.0010292827,0.000029078761,0.00014803736,0.00038461082,0.0007837355],"domain_scores_gemma":[0.9982412,0.00052515685,0.0001480936,0.000057397076,0.00033083424,0.00069743005],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022952186,0.00039469165,0.00032695313,0.0010414202,0.042774413,0.010844632,0.0013049684,0.0027870345,0.0020973964],"category_scores_gemma":[0.002775403,0.00027625903,0.0002505797,0.0011636125,0.04093548,0.003560079,0.003807034,0.006478693,0.00026383658],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024738603,0.000031375228,0.0012093944,0.000029903182,0.0000029458993,0.00057396205,0.71093017,0.00003375728,0.0001401361,0.23280784,0.0483621,0.005853659],"study_design_scores_gemma":[0.000005972104,0.000009995766,0.002062521,0.00017969719,0.0000045538914,0.00034462707,0.44014046,0.000032353713,0.00021569585,0.012986979,0.54399073,0.000026463384],"about_ca_topic_score_codex":0.76537234,"about_ca_topic_score_gemma":0.834,"teacher_disagreement_score":0.23462766,"about_ca_system_score_codex":0.044219572,"about_ca_system_score_gemma":0.031106213,"threshold_uncertainty_score":0.47201884},"labels":[],"label_agreement":null},{"id":"W4408607866","doi":"10.1525/sfs.37.1.0138","title":"Review: <i>The Essential Science Fiction Television Reader</i>, edited by J.P. Telotte","year":2010,"lang":"en","type":"article","venue":"Science Fiction Studies","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Dalhousie University","funders":"","keywords":"Art; Literature; Media studies; Art history; Sociology","score_opus":0.032821327474717596,"score_gpt":0.3070681660549883,"score_spread":0.2742468385802707,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4408607866","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000042425687,0.9742897,0.000052501768,0.007410142,0.016169433,0.000009757972,0.00005653649,0.000013276602,0.001956281],"genre_scores_gemma":[0.00063742866,0.97145444,0.0001003757,0.007628094,0.015353894,0.000022506363,0.000120213626,0.0000108263275,0.004672311],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992403,0.00015201628,0.00008027528,0.00012597603,0.00033489714,0.000066618035],"domain_scores_gemma":[0.99552155,0.0021363094,0.00041824373,0.00010363341,0.0014026475,0.00041771276],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013639599,0.0019509661,0.0027175753,0.0044713975,0.0010750655,0.00389301,0.0023873684,0.0038737622,0.014873022],"category_scores_gemma":[0.0054331496,0.0006607748,0.00091193046,0.006816094,0.0018472413,0.004174544,0.0017311218,0.0036906116,0.012433564],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026348134,0.000008282874,0.00003760895,0.0067219175,0.00003092321,0.00004395158,0.000063115476,0.000044549088,0.00013935704,0.00069473684,0.88698834,0.105200745],"study_design_scores_gemma":[0.000008881185,0.000015367046,0.0003183359,0.003230802,0.000033022978,0.0001892272,0.00008654369,0.00001725876,0.000069136964,0.00045902334,0.9955611,0.000011298469],"about_ca_topic_score_codex":0.0046168156,"about_ca_topic_score_gemma":0.011505057,"teacher_disagreement_score":0.014873022,"about_ca_system_score_codex":0.0022772125,"about_ca_system_score_gemma":0.003939424,"threshold_uncertainty_score":0.049755216},"labels":[],"label_agreement":null},{"id":"W4408657775","doi":"10.1525/sfs.37.2.0320","title":"Review: <i>Futurescapes: Space in Utopian and Science Fiction Discourses</i>, edited by Ralph Pordzik","year":2010,"lang":"en","type":"article","venue":"Science Fiction Studies","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Space (punctuation); Art history; Art; Sociology; Philosophy; Linguistics","score_opus":0.02398629432198007,"score_gpt":0.3040265382228427,"score_spread":0.28004024390086263,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4408657775","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000045139233,0.9826257,0.000039013634,0.009383105,0.0064168945,0.0000059821814,0.00004092081,0.00000616854,0.0014369928],"genre_scores_gemma":[0.0013589439,0.98245,0.00009840383,0.0075014737,0.0065189535,0.000026552023,0.00007814836,0.000009078272,0.0019583167],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987872,0.00036661676,0.00011995176,0.00019051398,0.00044235837,0.00009340222],"domain_scores_gemma":[0.9900906,0.0067681214,0.000688377,0.00016603775,0.0018740593,0.0004128348],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00253866,0.0016337383,0.0029130674,0.005660708,0.0017901865,0.006382851,0.0018945399,0.0051136417,0.0096115945],"category_scores_gemma":[0.010033103,0.0006378094,0.0007508858,0.012328614,0.0038479595,0.0063388734,0.0023821453,0.0039904583,0.0046009314],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037955644,0.000013165619,0.000073305986,0.014894898,0.00006164982,0.000059943173,0.0004469539,0.00005915302,0.00015269656,0.005192847,0.8233413,0.15566607],"study_design_scores_gemma":[0.0000142772815,0.000016896549,0.00050443667,0.009366254,0.00006087955,0.0001693048,0.0005645754,0.000019520052,0.00007034458,0.0016813047,0.98751336,0.000018840083],"about_ca_topic_score_codex":0.010759441,"about_ca_topic_score_gemma":0.028924169,"teacher_disagreement_score":0.010759441,"about_ca_system_score_codex":0.002905689,"about_ca_system_score_gemma":0.007774675,"threshold_uncertainty_score":0.032154024},"labels":[],"label_agreement":null},{"id":"W4408657785","doi":"10.1525/sfs.37.2.0322","title":"Review: <i>Science Fiction from Québec: A Postcolonial Study</i>, by Amy J. Ransom","year":2010,"lang":"en","type":"article","venue":"Science Fiction Studies","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ransom; Art; Art history; History; Archaeology","score_opus":0.03240080386789908,"score_gpt":0.3072953211982928,"score_spread":0.2748945173303937,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4408657785","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00043970527,0.96693355,0.000018788438,0.023154197,0.004764844,0.000018271421,0.00021964432,0.000008627943,0.004442188],"genre_scores_gemma":[0.0062438613,0.9706899,0.000054934633,0.013902194,0.0027822186,0.000033538265,0.00021245572,0.000008759716,0.0060721133],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987851,0.00018822974,0.00009468289,0.000095359996,0.00069796643,0.00013869452],"domain_scores_gemma":[0.9848199,0.0059698024,0.0011918064,0.00025112493,0.006888755,0.00087859185],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0021078736,0.0009083637,0.0017059937,0.006716624,0.0032979571,0.0053115427,0.0019967584,0.002976944,0.011003478],"category_scores_gemma":[0.012397753,0.00030940672,0.00055674196,0.015553524,0.0039167674,0.002353403,0.0013950027,0.0022562353,0.002121178],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000057787514,0.0000119002025,0.0005771129,0.0127337435,0.000078821904,0.00017106158,0.0012656375,0.000054098895,0.00012418273,0.00168157,0.8812655,0.10197864],"study_design_scores_gemma":[0.000020044554,0.000023570912,0.008639753,0.021697374,0.00011856909,0.0003004277,0.0021528513,0.000022266726,0.000088029745,0.00033097877,0.9665763,0.000029827816],"about_ca_topic_score_codex":0.646375,"about_ca_topic_score_gemma":0.8308446,"teacher_disagreement_score":0.353625,"about_ca_system_score_codex":0.018657533,"about_ca_system_score_gemma":0.037838,"threshold_uncertainty_score":0.7114151},"labels":[],"label_agreement":null},{"id":"W4408764023","doi":"10.1111/oli.12480","title":"A genealogy of fish women and other imagined identities: “The mechanics of fluids” in Larissa Lai's <i>Salt Fish Girl</i>","year":2025,"lang":"en","type":"article","venue":"Orbis Litterarum","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Fish <Actinopterygii>; Girl; Salt lake; Literature; Philosophy; Art; Fishery; Psychology; Geology; Geomorphology; Biology; Developmental psychology","score_opus":0.012109894566563452,"score_gpt":0.22320955297383085,"score_spread":0.2110996584072674,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4408764023","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7999011,0.00070173887,0.0018372876,0.010444064,0.00012702154,0.000032223146,0.0000870601,0.000053643587,0.18681578],"genre_scores_gemma":[0.9904164,0.00009625174,0.0001576468,0.00018387997,0.000010138137,0.0000070427172,0.000012462751,0.000016959995,0.009099212],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99908507,0.00045893103,0.000010733444,0.000095961455,0.00014209654,0.0002072307],"domain_scores_gemma":[0.99914265,0.00027059764,0.000117019306,0.00006136945,0.00010949672,0.0002989803],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001125297,0.0004246927,0.00024425515,0.0011925788,0.02367278,0.0059424243,0.0010680183,0.0013622085,0.005605032],"category_scores_gemma":[0.0017871761,0.0002653044,0.00015273207,0.00071822444,0.031249259,0.0034694918,0.0038496046,0.0024861903,0.00031084218],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019670671,0.000009773461,0.0020908304,0.000012704677,0.0000025785723,0.00082584866,0.92615527,0.000043802367,0.0003110336,0.0665085,0.0017638361,0.0022560947],"study_design_scores_gemma":[0.0000062824565,0.00002235272,0.0036168492,0.00007602125,0.000008733656,0.00057030946,0.8718416,0.00031625232,0.0004506677,0.006201896,0.1168555,0.0000335412],"about_ca_topic_score_codex":0.255465,"about_ca_topic_score_gemma":0.39880025,"teacher_disagreement_score":0.255465,"about_ca_system_score_codex":0.015168676,"about_ca_system_score_gemma":0.006711898,"threshold_uncertainty_score":0.507956},"labels":[],"label_agreement":null},{"id":"W4408958403","doi":"10.1525/sfs.32.2.355","title":"Review: <i>Worlds of Wonder: Readings in Canadian Science Fiction and Fantasy Literature</i>, edited by Jean-François Leroux and Camille R. La Bossière","year":2005,"lang":"en","type":"article","venue":"Science Fiction Studies","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Wonder; Fantasy; Art; Art history; Philosophy; Literature; Epistemology","score_opus":0.018042453323569806,"score_gpt":0.2768525843375343,"score_spread":0.2588101310139645,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4408958403","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00006154336,0.98988134,0.000023092232,0.005293056,0.003317499,0.0000072630232,0.00005728364,0.000005744812,0.0013530445],"genre_scores_gemma":[0.0009451392,0.99199593,0.00004787618,0.0029808274,0.002130283,0.000015745216,0.000075578115,0.0000043852338,0.0018042461],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991047,0.00015046657,0.00009333198,0.000112308124,0.00044801232,0.000091072965],"domain_scores_gemma":[0.99335927,0.0030833862,0.0006217818,0.00011207912,0.0022779836,0.00054551556],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015388773,0.0017643126,0.0032279247,0.008005743,0.0019056294,0.0059562107,0.0023440109,0.0032543608,0.012447461],"category_scores_gemma":[0.0071847555,0.0005483655,0.0007521069,0.020462122,0.0029902759,0.00393818,0.0020285742,0.0026784241,0.0050109145],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000047257116,0.000012399254,0.00011545781,0.02283908,0.00007794584,0.00008718987,0.00049347075,0.0000829582,0.00016761631,0.0021832555,0.8062316,0.1676618],"study_design_scores_gemma":[0.000012344558,0.000019468689,0.001317337,0.017465083,0.00009107661,0.00021357484,0.0006587907,0.000017388407,0.000062210864,0.00069331843,0.9794288,0.000020582007],"about_ca_topic_score_codex":0.04928985,"about_ca_topic_score_gemma":0.14439423,"teacher_disagreement_score":0.9507102,"about_ca_system_score_codex":0.0058905687,"about_ca_system_score_gemma":0.014604623,"threshold_uncertainty_score":0.09800589},"labels":[],"label_agreement":null},{"id":"W4408989543","doi":"10.22161/ijeel.4.2.7","title":"Voices of the Nonhuman: Posthuman Ecologies in Atwood’s Surfacing","year":2025,"lang":"en","type":"article","venue":"International Journal of English Language Education and Literature Studies (IJEEL)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Posthuman; Sociology; Posthumanism; Aesthetics; Art","score_opus":0.009206700139327083,"score_gpt":0.2970383846210808,"score_spread":0.2878316844817537,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4408989543","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.59137404,0.0055742683,0.005027515,0.037301533,0.0014190823,0.000046712692,0.000090724774,0.00016494367,0.35900122],"genre_scores_gemma":[0.9202069,0.0011321235,0.0009931425,0.0022136045,0.00011157696,0.000018908038,0.00002721283,0.00016891539,0.07512758],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980154,0.0008415925,0.000028170722,0.00022547659,0.00032702507,0.000562314],"domain_scores_gemma":[0.99816364,0.00089824345,0.0001058074,0.0001105273,0.00021569441,0.00050608325],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016757159,0.00065823836,0.0003296577,0.0012185618,0.024935907,0.010233228,0.0015550576,0.0035953324,0.008107765],"category_scores_gemma":[0.0026922787,0.00037245566,0.0002674522,0.0009824248,0.022935979,0.006868063,0.0063688187,0.004343419,0.00055827876],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031023505,0.000011906044,0.00044935622,0.000046240933,0.0000033993992,0.0013957036,0.89946204,0.00004864274,0.0009216838,0.08067405,0.011233981,0.0057218904],"study_design_scores_gemma":[0.000002499454,0.000017454435,0.0006127358,0.00012634887,0.0000048595152,0.00063578534,0.6970266,0.000071789575,0.00038326078,0.0062340405,0.2948608,0.000023792833],"about_ca_topic_score_codex":0.06603817,"about_ca_topic_score_gemma":0.1848877,"teacher_disagreement_score":0.06603817,"about_ca_system_score_codex":0.0073894104,"about_ca_system_score_gemma":0.0038734989,"threshold_uncertainty_score":0.13130754},"labels":[],"label_agreement":null},{"id":"W4409150084","doi":"10.1080/14775700.2025.2488103","title":"“Seeing What Might Lie Beyond”: Hope and Indigenous Futurisms in Cherie Dimaline’s <i>The Marrow Thieves</i>","year":2025,"lang":"en","type":"article","venue":"Comparative American Studies An International Journal","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Indigenous; Psychology; Psychoanalysis; Sociology; Criminology; Biology; Ecology","score_opus":0.051673879283671606,"score_gpt":0.33593272282595094,"score_spread":0.2842588435422793,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4409150084","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.53395545,0.018012626,0.0036440855,0.13389893,0.001302044,0.000043873948,0.000034787343,0.0000563938,0.30905172],"genre_scores_gemma":[0.9881052,0.0011829232,0.00030596595,0.0021142731,0.00008495776,0.000011452794,0.0000030269882,0.000011295554,0.00818097],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99876356,0.0007312278,0.000010853303,0.00008461614,0.00017837633,0.00023142001],"domain_scores_gemma":[0.99905497,0.00056164473,0.00007684683,0.00003937208,0.000077921344,0.00018932043],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00191996,0.00022342446,0.00023448412,0.0003987848,0.01355734,0.0058091544,0.0006563522,0.0018340207,0.0018730797],"category_scores_gemma":[0.0022092273,0.0001472195,0.00015859099,0.0003526833,0.031620845,0.0041041914,0.004679221,0.004625905,0.00014522155],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001912739,0.000019155175,0.0004571866,0.000054143722,0.0000034777138,0.0005244433,0.663018,0.000069903464,0.00032400468,0.32046184,0.008497003,0.006551835],"study_design_scores_gemma":[0.000009075565,0.000039308103,0.0017062632,0.0001996868,0.000007842383,0.0005935094,0.6046141,0.00020556,0.0004077229,0.08012204,0.31205726,0.000037721133],"about_ca_topic_score_codex":0.017374834,"about_ca_topic_score_gemma":0.04414389,"teacher_disagreement_score":0.017374834,"about_ca_system_score_codex":0.00464959,"about_ca_system_score_gemma":0.0029187056,"threshold_uncertainty_score":0.03454745},"labels":[],"label_agreement":null},{"id":"W4409210101","doi":"10.24043/001c.133250","title":"Homeland Consciousness in Chinese Maritime Island Science Fiction","year":2025,"lang":"en","type":"article","venue":"Island Studies Journal","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"National Social Science Fund of China","keywords":"Homeland; Consciousness; History; Geography; Political science; Philosophy; Epistemology; Law; Politics","score_opus":0.019003944520040686,"score_gpt":0.2918647594869069,"score_spread":0.2728608149668662,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4409210101","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6992653,0.005284541,0.0050253076,0.009568237,0.0011035193,0.0001251479,0.00024295282,0.00013903299,0.27924597],"genre_scores_gemma":[0.98824084,0.00070336973,0.00048685982,0.0004623904,0.00020395724,0.00003453728,0.00009348019,0.000018403407,0.009756228],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99959177,0.00016793238,0.000020422269,0.00004275483,0.00011571062,0.000061522354],"domain_scores_gemma":[0.9986327,0.000855895,0.00012798309,0.000088519344,0.00018083175,0.00011397718],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007587742,0.0004306706,0.00023537,0.0018371239,0.0057251877,0.004114675,0.0004706779,0.00092085835,0.0062855254],"category_scores_gemma":[0.002405592,0.00009466559,0.00025711503,0.0016061822,0.0059638754,0.0023992974,0.0021937557,0.0012420943,0.00028887982],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010127972,0.00006331326,0.006553704,0.00080954767,0.000033611406,0.0043214206,0.58329535,0.00054434466,0.0032426205,0.31621525,0.027017048,0.057802532],"study_design_scores_gemma":[0.000031458494,0.00011734464,0.026717603,0.0005946207,0.00008433209,0.002356301,0.18781279,0.0027612941,0.004223626,0.03676377,0.7384423,0.00009459296],"about_ca_topic_score_codex":0.005077849,"about_ca_topic_score_gemma":0.007440544,"teacher_disagreement_score":0.0062855254,"about_ca_system_score_codex":0.0045735645,"about_ca_system_score_gemma":0.0016650447,"threshold_uncertainty_score":0.033183694},"labels":[],"label_agreement":null},{"id":"W4409478886","doi":"10.14321/qed.11.1.0097","title":"Utopia, Apocalypse, and Queer Effacement on <i>The Last of Us</i>","year":2024,"lang":"en","type":"article","venue":"QED A Journal in GLBTQ Worldmaking","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Queer; Utopia; Art; Queer theory; Art history; Sociology; Gender studies","score_opus":0.029956337532496973,"score_gpt":0.2491298210943907,"score_spread":0.21917348356189373,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4409478886","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.023077026,0.013763895,0.00684682,0.10766524,0.006434326,0.000027750517,0.000112915164,0.00032699364,0.84174496],"genre_scores_gemma":[0.7387569,0.0064028283,0.0022231268,0.0206125,0.0035441308,0.00008301963,0.000083435145,0.0005779342,0.22771613],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982514,0.0010002949,0.00002740323,0.00018022116,0.0002681838,0.00027254294],"domain_scores_gemma":[0.9981553,0.00084651314,0.00018105099,0.00025427263,0.00025302006,0.0003097853],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017791002,0.00077167037,0.00033860476,0.0010932414,0.012692025,0.011800058,0.0008738213,0.0022144564,0.013935751],"category_scores_gemma":[0.0038916236,0.00020621848,0.00030922238,0.0007892558,0.04317431,0.010029258,0.00541896,0.0076434175,0.0020204624],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027615142,0.000009460442,0.00017256288,0.000041137344,0.0000024711917,0.00013646162,0.046105806,0.000045243138,0.00022281561,0.89578956,0.04903585,0.008410943],"study_design_scores_gemma":[0.0000074037016,0.000024516088,0.00036409657,0.00020543148,0.000004492658,0.00024660712,0.027076414,0.00017289037,0.00039445361,0.08967853,0.8818041,0.000020980344],"about_ca_topic_score_codex":0.011893379,"about_ca_topic_score_gemma":0.016908841,"teacher_disagreement_score":0.013935751,"about_ca_system_score_codex":0.0052294,"about_ca_system_score_gemma":0.0024066668,"threshold_uncertainty_score":0.046619713},"labels":[],"label_agreement":null},{"id":"W4409503968","doi":"10.22364/bjellc.15.2025.05","title":"Ecology of Self: woman’s self-discovery in Margaret Atwood’s &lt;i&gt;Surfacing&lt;/i&gt;","year":2025,"lang":"en","type":"article","venue":"Baltic Journal of English Language Literature and Culture","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ecology; Environmental ethics; Art; Philosophy; Biology","score_opus":0.0037607959188309006,"score_gpt":0.20252037651314134,"score_spread":0.19875958059431043,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4409503968","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.51009864,0.008137635,0.005740404,0.059930157,0.0018341817,0.000067484725,0.00006860375,0.00014316727,0.41397977],"genre_scores_gemma":[0.93345344,0.0010817775,0.0009071241,0.0027350252,0.0001784175,0.000031337157,0.00001694432,0.00011271865,0.06148334],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978289,0.0013098692,0.000029257932,0.00023081769,0.00034013318,0.00026107446],"domain_scores_gemma":[0.9985317,0.00084536016,0.00013625054,0.00008024153,0.00012694269,0.0002795293],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017661286,0.00044509218,0.0003238169,0.0008599923,0.013455769,0.0077198227,0.0009112287,0.0029865864,0.002782842],"category_scores_gemma":[0.0026182549,0.00034643538,0.00025209875,0.0006189694,0.0241732,0.0044189426,0.004494924,0.004064459,0.0005435821],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000388475,0.000026125836,0.00028657616,0.000056620105,0.00000337449,0.0026001432,0.8441298,0.000052034888,0.0009807767,0.1355582,0.01067026,0.005597317],"study_design_scores_gemma":[0.0000076036577,0.00006819273,0.000710367,0.00021658339,0.0000070707943,0.0029921562,0.5084137,0.00015949659,0.0017274377,0.01638573,0.46927127,0.00004040867],"about_ca_topic_score_codex":0.007428482,"about_ca_topic_score_gemma":0.013857307,"teacher_disagreement_score":0.013455769,"about_ca_system_score_codex":0.0043344353,"about_ca_system_score_gemma":0.002284099,"threshold_uncertainty_score":0.031448662},"labels":[],"label_agreement":null},{"id":"W4410242966","doi":"10.25071/1918-6215.39773","title":"Mapping Out the Monstrosity of Disabled Bodies in Hunt-Kennedy’s Between Fitness and Death (2020) and Nicholas’ Canadian Carnival Freaks and the Extraordinary Body (2018)","year":2025,"lang":"en","type":"article","venue":"Critical Disability Discourses","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Demon; Art history; Gerontology; Medicine; Literature","score_opus":0.02780453240648244,"score_gpt":0.2872994570654211,"score_spread":0.25949492465893864,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410242966","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.086707406,0.3726998,0.0009364736,0.025478726,0.0018713162,0.00003278773,0.00014396214,0.000027233435,0.51210225],"genre_scores_gemma":[0.7196677,0.17246537,0.00057532487,0.0040437547,0.00089262094,0.000036583457,0.00013180694,0.000056480352,0.10213039],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989629,0.0002871559,0.000023315404,0.00009508471,0.0004067677,0.00022471324],"domain_scores_gemma":[0.99906605,0.0006684078,0.000062891486,0.000023005066,0.00011226405,0.0000673302],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014116446,0.0003938839,0.00031468028,0.0023151967,0.0062129875,0.006573367,0.000875112,0.0018711595,0.0050973003],"category_scores_gemma":[0.001617362,0.00013717715,0.00016491236,0.002646206,0.026869979,0.0032724894,0.0019836542,0.002192418,0.0003247255],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000039935603,0.000011732641,0.0006186059,0.0009905183,0.000010108267,0.0008204166,0.26182282,0.00014477111,0.00045915812,0.6434776,0.030582465,0.06102183],"study_design_scores_gemma":[0.0000038632884,0.000015972406,0.0035252315,0.0024780687,0.000009106447,0.0004759001,0.105785646,0.000027403663,0.00035689736,0.012497715,0.8748025,0.00002167895],"about_ca_topic_score_codex":0.2880413,"about_ca_topic_score_gemma":0.49617216,"teacher_disagreement_score":0.7119587,"about_ca_system_score_codex":0.019136202,"about_ca_system_score_gemma":0.014403311,"threshold_uncertainty_score":0.5727294},"labels":[],"label_agreement":null},{"id":"W4410361992","doi":"10.1080/00083968.2025.2477906","title":"Africanfuturist/Afrofuturist dialogues and the limits of representation","year":2025,"lang":"fr","type":"article","venue":"Canadian Journal of African Studies / Revue canadienne des études africaines","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Representation (politics); Linguistics; Computer science; Natural language processing; Political science; Philosophy; Law; Politics","score_opus":0.05459943365807269,"score_gpt":0.2583717296152174,"score_spread":0.20377229595714474,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410361992","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19641042,0.020366339,0.008996203,0.17084563,0.00095403055,0.000043894044,0.00006399801,0.00006640774,0.6022531],"genre_scores_gemma":[0.98738384,0.001196751,0.0007060165,0.0018470318,0.0001388546,0.00002015791,0.000006548561,0.000023763176,0.008676978],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99117494,0.0067573395,0.00012611551,0.00033878832,0.0006424807,0.00096034654],"domain_scores_gemma":[0.99214196,0.0062557906,0.00049116334,0.0004179057,0.00027612873,0.0004170163],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.010094655,0.00043252695,0.00050334376,0.002305959,0.026777398,0.01306974,0.0011431053,0.005077719,0.007897452],"category_scores_gemma":[0.013717101,0.00025798034,0.00024911255,0.0019566026,0.06893225,0.011503626,0.008651459,0.00606162,0.00045895163],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013511116,0.0000049250875,0.00010299806,0.000027528624,0.000001063719,0.00011923864,0.1280128,0.000031373027,0.000076144795,0.86661893,0.0017249102,0.003266508],"study_design_scores_gemma":[0.000024146453,0.000029221419,0.0007115875,0.00059021404,0.000008200786,0.0004954467,0.18890317,0.00041183093,0.0005381368,0.4259923,0.3822702,0.000025597428],"about_ca_topic_score_codex":0.011954568,"about_ca_topic_score_gemma":0.01753204,"teacher_disagreement_score":0.026777398,"about_ca_system_score_codex":0.010879485,"about_ca_system_score_gemma":0.0058686566,"threshold_uncertainty_score":0.07893658},"labels":[],"label_agreement":null},{"id":"W4410478701","doi":"10.53555/kuey.v29i1.10055","title":"Resonance of Resistance: Ecofeminist Re-readings of Ecoempathy to Nature as Female Resistance in Margaret Atwood’s Surfacing","year":2023,"lang":"en","type":"article","venue":"","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Resistance (ecology); Art; Biology; Ecology","score_opus":0.022327110537354856,"score_gpt":0.2631771577540079,"score_spread":0.24085004721665304,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410478701","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.63741165,0.004310547,0.00640261,0.030829847,0.00082657475,0.000048806316,0.00007021718,0.0001216044,0.3199782],"genre_scores_gemma":[0.97222227,0.00072092726,0.00049626373,0.0013732495,0.00011189333,0.000022271019,0.000017224093,0.00009512669,0.024940731],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983121,0.000965298,0.000025248934,0.00016429237,0.00030365353,0.00022938968],"domain_scores_gemma":[0.99802846,0.0013843769,0.00014429714,0.000099201396,0.00017386228,0.00016982408],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012668358,0.0006016105,0.0003831513,0.0013009264,0.009831805,0.0070884437,0.0011318469,0.0029987467,0.0031669273],"category_scores_gemma":[0.0040785642,0.0003054022,0.00026881762,0.00094343803,0.021123832,0.0048780995,0.0038940664,0.0033957427,0.0003199842],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023692259,0.000009668783,0.00049711927,0.000053081483,0.000003700156,0.0013027339,0.918182,0.000059449176,0.00092642877,0.070895866,0.004410858,0.0036353795],"study_design_scores_gemma":[0.000004843685,0.000038776077,0.0015998887,0.00022799119,0.000008691246,0.0012905454,0.7155354,0.00017229778,0.00093935354,0.011550197,0.268602,0.000029994679],"about_ca_topic_score_codex":0.016339125,"about_ca_topic_score_gemma":0.027615465,"teacher_disagreement_score":0.016339125,"about_ca_system_score_codex":0.0044672517,"about_ca_system_score_gemma":0.0014239182,"threshold_uncertainty_score":0.032488048},"labels":[],"label_agreement":null},{"id":"W4410535259","doi":"10.1017/s0008423924000556","title":"Review of Sarah Marie Wiebe's <i>Hot Mess: Mothering Through a Code Red Climate Emergency</i>","year":2025,"lang":"en","type":"article","venue":"Canadian Journal of Political Science","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"McGill University","funders":"","keywords":"Sociology; Art; Art history; Genealogy; History","score_opus":0.03627506768635477,"score_gpt":0.29198540244236193,"score_spread":0.25571033475600713,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410535259","genre_codex":"review","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00012114837,0.9114462,0.000061886094,0.06358885,0.02186863,0.000010246505,0.000042336647,0.000006965447,0.0028537544],"genre_scores_gemma":[0.0020259542,0.92429477,0.00009801865,0.052427832,0.016996708,0.000041446747,0.0000747572,0.000023251427,0.0040173135],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99816954,0.0006585876,0.00023594637,0.0001619302,0.00062412483,0.00014991072],"domain_scores_gemma":[0.98281646,0.011347548,0.0009760989,0.00019694727,0.0037938238,0.00086915353],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0034487136,0.0006885815,0.0015596932,0.0034510824,0.0020207383,0.003362778,0.0019029586,0.0053950404,0.00635256],"category_scores_gemma":[0.017418541,0.0006656985,0.00061700714,0.0054763085,0.0030022543,0.0034543623,0.0019483337,0.0063837245,0.002305734],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021669784,0.00000920166,0.00006612375,0.005629494,0.000016529833,0.00013571157,0.000918994,0.000033717806,0.000041651343,0.0030513532,0.94110423,0.048971303],"study_design_scores_gemma":[0.000004099808,0.000010155041,0.00034939317,0.008450535,0.000010779842,0.00025657803,0.0005546763,0.0000072549137,0.000017064674,0.0003115616,0.9900187,0.000009157585],"about_ca_topic_score_codex":0.02622188,"about_ca_topic_score_gemma":0.05396632,"teacher_disagreement_score":0.02622188,"about_ca_system_score_codex":0.004983629,"about_ca_system_score_gemma":0.008513661,"threshold_uncertainty_score":0.052138507},"labels":[],"label_agreement":null},{"id":"W4411066788","doi":"10.3126/djci.v3i1.79651","title":"Migrating Vulnerability Marks Homo Sacer Harvest in Bala’s The Boat People","year":2025,"lang":"en","type":"article","venue":"Dhaulagiri Journal of Contemporary Issues","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Vulnerability (computing); History; Geography; Computer security; Computer science","score_opus":0.028983552718860005,"score_gpt":0.2829925840598783,"score_spread":0.2540090313410183,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4411066788","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96604395,0.00050591206,0.00012853641,0.0025564667,0.000070579736,0.000014887999,0.00002691165,0.000011806536,0.030640904],"genre_scores_gemma":[0.9909285,0.00024052832,0.00008751001,0.00058636104,0.0000109764815,0.000011422468,0.000016112532,0.00001119812,0.008107421],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992774,0.0002297795,0.000009600313,0.00006218313,0.00007830353,0.0003427174],"domain_scores_gemma":[0.9996625,0.00007366044,0.000047006248,0.000025456708,0.000050873157,0.00014056069],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006557497,0.00039480912,0.0003218726,0.0010832333,0.024705714,0.0044804444,0.0006927995,0.0017164202,0.005699518],"category_scores_gemma":[0.0007906247,0.00023825825,0.00015128654,0.0010240683,0.011528828,0.0025971949,0.0056239576,0.002818978,0.00040220332],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027818116,0.000028466402,0.0050968016,0.000023226443,0.000004936172,0.0015196298,0.9717316,0.000014524663,0.0006394135,0.0122326035,0.0025507023,0.0061302995],"study_design_scores_gemma":[0.0000015636916,0.000020232364,0.0071445415,0.0000585055,0.0000034230861,0.00040027205,0.9683081,0.000023767227,0.000100305304,0.0010300882,0.022897603,0.000011641651],"about_ca_topic_score_codex":0.12183737,"about_ca_topic_score_gemma":0.32529,"teacher_disagreement_score":0.12183737,"about_ca_system_score_codex":0.004050162,"about_ca_system_score_gemma":0.0038543143,"threshold_uncertainty_score":0.2422564},"labels":[],"label_agreement":null},{"id":"W4411110724","doi":"10.1163/15692108-bja10052","title":"Impermanent Nature of Environmental Advocacy in the Works of Margaret Atwood","year":2025,"lang":"en","type":"article","venue":"African and Asian Studies","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Asian studies; African studies; Sociology; Environmental ethics; Political science; Gender studies; Philosophy; Law; China","score_opus":0.011546181171617579,"score_gpt":0.24084449832673518,"score_spread":0.22929831715511761,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4411110724","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.49729165,0.0053306436,0.0027407084,0.044453025,0.0011016435,0.00004932306,0.00006125149,0.00009771174,0.4488741],"genre_scores_gemma":[0.9760237,0.0007315821,0.00040078108,0.0008146866,0.00008645893,0.000014147413,0.0000061743435,0.00005033749,0.021872144],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981267,0.000954002,0.000024989526,0.00016483874,0.00038276296,0.00034673122],"domain_scores_gemma":[0.99674594,0.002079113,0.00022190013,0.0001497973,0.00033993777,0.00046326045],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020456938,0.00048035584,0.00032170696,0.0013170694,0.030879863,0.008104571,0.001249485,0.0016856751,0.0041563897],"category_scores_gemma":[0.0035733993,0.0002254604,0.00015849485,0.0011726164,0.03528631,0.002457259,0.0038144707,0.0038578587,0.00029963063],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030257434,0.000020866531,0.00042754857,0.00006258446,0.000004289682,0.00084341026,0.84356725,0.00008814695,0.0006625918,0.13989517,0.00992088,0.004477121],"study_design_scores_gemma":[0.000003989453,0.000023700504,0.0010467176,0.00029313163,0.000009229044,0.0006842284,0.5892835,0.00016040597,0.0009754732,0.010586485,0.3969079,0.000025182471],"about_ca_topic_score_codex":0.10061811,"about_ca_topic_score_gemma":0.22430493,"teacher_disagreement_score":0.10061811,"about_ca_system_score_codex":0.01277381,"about_ca_system_score_gemma":0.008604428,"threshold_uncertainty_score":0.2000649},"labels":[],"label_agreement":null},{"id":"W4411445808","doi":"10.3138/topia-2024-0031","title":"Hope for a Generation: Speculative Fiction as a Tool for Racial Justice and Systems Change","year":2025,"lang":"en","type":"article","venue":"TOPIA Canadian Journal of Cultural Studies","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"McMaster University","funders":"","keywords":"Transformative learning; Dance; Social justice; Sociology; Economic Justice; Aesthetics; Environmental ethics; Visual arts; Art; Social science; Political science; Law; Pedagogy; Philosophy","score_opus":0.13936449331952414,"score_gpt":0.32238469406135334,"score_spread":0.1830202007418292,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4411445808","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.076058835,0.013523047,0.04309976,0.2160757,0.0040814457,0.0001657663,0.00008278791,0.00026963564,0.6466429],"genre_scores_gemma":[0.96308744,0.0024043315,0.0064286757,0.0042227926,0.000665985,0.000105619605,0.000019721569,0.00008266336,0.022982787],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99608314,0.0030786297,0.00004359506,0.00016654767,0.00033615268,0.00029186517],"domain_scores_gemma":[0.98953897,0.008502788,0.00039490964,0.0009109797,0.00026257063,0.00038972968],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.006754951,0.0005815238,0.00030659977,0.0020308904,0.014273967,0.011815481,0.001307454,0.0032211076,0.00691345],"category_scores_gemma":[0.012478977,0.00021278833,0.0005120219,0.0015164092,0.076948375,0.010084992,0.006950204,0.005114435,0.00044610436],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010556491,0.000009233669,0.00010608866,0.000036082183,0.000002219401,0.00012271984,0.055918504,0.0001232374,0.00005039482,0.9309629,0.006408224,0.006249861],"study_design_scores_gemma":[0.000017666818,0.000027537433,0.00023733331,0.00029312228,0.0000070893225,0.00024010021,0.07046243,0.00057785877,0.00039330477,0.6143663,0.31335112,0.000026191838],"about_ca_topic_score_codex":0.00521524,"about_ca_topic_score_gemma":0.010243099,"teacher_disagreement_score":0.014273967,"about_ca_system_score_codex":0.0073495717,"about_ca_system_score_gemma":0.0054020993,"threshold_uncertainty_score":0.053325057},"labels":[],"label_agreement":null},{"id":"W4411494754","doi":"10.1017/aee.2025.10051","title":"Reading Climate Fiction (and Nonfiction) through First Nations Cultural Genre Theory","year":2025,"lang":"en","type":"article","venue":"Australian Journal of Environmental Education","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Indigenous; Reading (process); Context (archaeology); Colonialism; Project commissioning; Literature; Climate change; Sociology; History; Publishing; Media studies; Art; Political science; Archaeology; Ecology; Law","score_opus":0.01755417040192855,"score_gpt":0.26535151735964907,"score_spread":0.24779734695772052,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4411494754","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19352604,0.006682302,0.02392553,0.032402273,0.00094547565,0.00012958737,0.00016830445,0.00010164641,0.74211884],"genre_scores_gemma":[0.9797989,0.0016230101,0.0035323738,0.00090365484,0.00024355589,0.00007095083,0.000074771546,0.000046166562,0.013706608],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99734735,0.0018994737,0.000066505345,0.00016753744,0.00034658526,0.00017262419],"domain_scores_gemma":[0.9805235,0.016957328,0.0006256681,0.00084474456,0.0006607871,0.0003879438],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0049397005,0.00041265646,0.0002900513,0.0040561636,0.005909399,0.008963711,0.0010017935,0.0018217944,0.0072271065],"category_scores_gemma":[0.015405809,0.00018282207,0.0002908502,0.0020425266,0.033693288,0.011082555,0.004537975,0.003578855,0.0003355993],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011388023,0.000017530521,0.00094238314,0.00014774792,0.0000034797617,0.0002419031,0.29414517,0.00011636739,0.00016199799,0.6843602,0.0035376695,0.016314207],"study_design_scores_gemma":[0.000009691086,0.00003903136,0.0036273487,0.0011869239,0.000013481868,0.0006128306,0.23515137,0.0010380276,0.0007091212,0.38875937,0.36882702,0.000025748923],"about_ca_topic_score_codex":0.004757737,"about_ca_topic_score_gemma":0.005314199,"teacher_disagreement_score":0.008963711,"about_ca_system_score_codex":0.0051858495,"about_ca_system_score_gemma":0.001981832,"threshold_uncertainty_score":0.037626088},"labels":[],"label_agreement":null},{"id":"W4411707756","doi":"10.1177/09593543251347548","title":"Afrofuturism and postapocalyptic subjectivity","year":2025,"lang":"en","type":"article","venue":"Theory & Psychology","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Subjectivity; Epistemology; Sociology; Psychology; Philosophy","score_opus":0.014475792619864574,"score_gpt":0.28474839180617845,"score_spread":0.27027259918631386,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4411707756","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5523987,0.004584074,0.028147748,0.030195978,0.0007924476,0.00008667042,0.00005423345,0.00010058798,0.38363954],"genre_scores_gemma":[0.98786527,0.000419969,0.0014775748,0.0007587769,0.00005813105,0.00003188908,0.000009566059,0.000029418814,0.009349459],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9957926,0.0027733662,0.00008958633,0.00034968922,0.00044528203,0.0005494028],"domain_scores_gemma":[0.9972355,0.0013841141,0.0004176561,0.00037585123,0.00024731288,0.00033963993],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0059616026,0.0005155985,0.0003858351,0.0013019305,0.013165977,0.0071459385,0.0009125568,0.002346558,0.004803915],"category_scores_gemma":[0.00590155,0.00021183425,0.00034804223,0.00080073765,0.057751864,0.008448711,0.010060036,0.005047777,0.0004784042],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030323681,0.00001880052,0.0008355069,0.000058922396,0.0000047324506,0.00034438248,0.3110336,0.00005171521,0.00061278365,0.67793864,0.0010103002,0.00806023],"study_design_scores_gemma":[0.00002006682,0.00010510122,0.0026025965,0.0005757221,0.000014376219,0.001234794,0.3540086,0.00059765513,0.001908974,0.40333152,0.23554325,0.000057361485],"about_ca_topic_score_codex":0.0038240766,"about_ca_topic_score_gemma":0.003882901,"teacher_disagreement_score":0.013165977,"about_ca_system_score_codex":0.0042006597,"about_ca_system_score_gemma":0.0031219444,"threshold_uncertainty_score":0.031528294},"labels":[],"label_agreement":null},{"id":"W4411839952","doi":"10.54692/jelle.2025.0702285","title":"Resilience and Reclamation: A Comparative Study of Female Identity in Lauren Groff’s The Vaster Wilds and Margaret Atwood’s Surfacing","year":2025,"lang":"en","type":"article","venue":"Journal of English Language Literature and Education","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Resilience (materials science); Identity (music); Land reclamation; Sociology; Gender studies; History; Archaeology; Art; Aesthetics; Physics","score_opus":0.01318113354271201,"score_gpt":0.2851988136023001,"score_spread":0.2720176800595881,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4411839952","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97027975,0.0012351776,0.0002186102,0.0037396767,0.00012928803,0.000032319665,0.000033915134,0.000007936228,0.024323337],"genre_scores_gemma":[0.9828172,0.0009295151,0.00017472502,0.00096609903,0.000050873536,0.00006329979,0.000027368887,0.000025687064,0.014945251],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99669904,0.001946361,0.00005770519,0.00026325913,0.00043683025,0.0005966618],"domain_scores_gemma":[0.9974419,0.0013152509,0.0003270816,0.00009930566,0.0003079274,0.00050854124],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0032282714,0.00063992833,0.000915431,0.0025016181,0.021473402,0.0054127527,0.0017310608,0.0026348447,0.00680855],"category_scores_gemma":[0.005786174,0.00047682054,0.0002771724,0.0020499406,0.01280479,0.0047510965,0.005338557,0.003136238,0.0006154012],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009525255,0.000017294144,0.00060957734,0.00001989756,0.0000010814376,0.0005135859,0.9952171,0.0000034127079,0.00015030293,0.0011578214,0.000532444,0.0017680246],"study_design_scores_gemma":[8.2239245e-7,0.00001680256,0.001320308,0.000044712022,0.000001056136,0.00016283295,0.98907125,0.0000046179684,0.000046440986,0.00011284144,0.009214066,0.000004286984],"about_ca_topic_score_codex":0.05001859,"about_ca_topic_score_gemma":0.12714536,"teacher_disagreement_score":0.05001859,"about_ca_system_score_codex":0.006017353,"about_ca_system_score_gemma":0.0036636163,"threshold_uncertainty_score":0.09945488},"labels":[],"label_agreement":null},{"id":"W4411985656","doi":"10.15353/cjds.v12i2.1018","title":"Review of Disability and the Posthuman: Bodies, Technology, and Cultural Futures","year":2023,"lang":"en","type":"article","venue":"Canadian Journal of Disability Studies","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Posthuman; Futures contract; Sociology; Gender studies; Aesthetics; Philosophy; Business","score_opus":0.05212426664066811,"score_gpt":0.29572933876743973,"score_spread":0.24360507212677163,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4411985656","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000062181054,0.9972905,0.000025546473,0.0011129733,0.00045456813,0.0000013219625,0.000008683166,0.000001128399,0.0010431119],"genre_scores_gemma":[0.00083923613,0.9975805,0.00004461332,0.0005809156,0.00036233466,0.0000035286803,0.0000134709435,0.0000015217928,0.00057372334],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99918705,0.0002630075,0.00013243339,0.0000849323,0.0002623917,0.000070173366],"domain_scores_gemma":[0.99617827,0.0024083497,0.00029279775,0.00007286527,0.00087215495,0.00017549354],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013897569,0.0007504645,0.0016739969,0.0060358876,0.00102659,0.0029817089,0.0012419175,0.0021881808,0.0055875136],"category_scores_gemma":[0.003927033,0.00041344887,0.00058699225,0.011011951,0.0022803806,0.003666383,0.0012303132,0.0020573922,0.0013082399],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007776959,0.000052961215,0.00048582224,0.05418746,0.00017950994,0.00034002517,0.0019033646,0.00032416917,0.0004274359,0.03588796,0.34011394,0.5660196],"study_design_scores_gemma":[0.0000050011267,0.00002373481,0.0016353874,0.032420404,0.000061920415,0.00042150816,0.0009145678,0.000024133724,0.00005383393,0.0023784344,0.96204424,0.000016744752],"about_ca_topic_score_codex":0.023208752,"about_ca_topic_score_gemma":0.055460434,"teacher_disagreement_score":0.023208752,"about_ca_system_score_codex":0.0038133147,"about_ca_system_score_gemma":0.00861811,"threshold_uncertainty_score":0.046147287},"labels":[],"label_agreement":null},{"id":"W4412057001","doi":"10.33470/2836-3140.1067","title":"The Extraction Unconscious: Solar-Powered Utopias in Catching the Sun (2015) and In the Name of Lithium (2021)","year":2025,"lang":"en","type":"article","venue":"Critical Humanities","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Lithium (medication); Unconscious mind; Extraction (chemistry); Utopia; Art; Psychoanalysis; Art history; Psychology; Chemistry; Psychiatry","score_opus":0.02945483873734409,"score_gpt":0.29861709599692854,"score_spread":0.2691622572595844,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4412057001","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.30625072,0.0050715525,0.009396552,0.023810528,0.00046391308,0.0000203376,0.000095473755,0.00009890844,0.654792],"genre_scores_gemma":[0.9892347,0.0007263393,0.00042966125,0.00033625215,0.000050703657,0.000010528935,0.000014254455,0.00003507336,0.009162576],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99933165,0.00040374484,0.00000957136,0.000046293284,0.00011799204,0.000090757385],"domain_scores_gemma":[0.9995628,0.0002868317,0.00005541249,0.000040344825,0.000025050362,0.000029567027],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011159808,0.0002877306,0.00016460085,0.00070118444,0.006218498,0.004598901,0.00028989124,0.0010112609,0.003022268],"category_scores_gemma":[0.001692275,0.000105684536,0.00020900083,0.00074817444,0.022801714,0.004876445,0.002886424,0.0023185627,0.00018007796],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032692365,0.000006193867,0.00040433623,0.000029383713,0.0000020860061,0.00016882525,0.19541034,0.00014448364,0.00042695805,0.7959371,0.0026276207,0.004810102],"study_design_scores_gemma":[0.000025070382,0.000042824624,0.0036714077,0.0003244672,0.000012307337,0.00061173935,0.26566225,0.0009162519,0.0018143588,0.23766601,0.48920703,0.000046278412],"about_ca_topic_score_codex":0.007189995,"about_ca_topic_score_gemma":0.014225876,"teacher_disagreement_score":0.007189995,"about_ca_system_score_codex":0.0043317447,"about_ca_system_score_gemma":0.0012090501,"threshold_uncertainty_score":0.031429112},"labels":[],"label_agreement":null},{"id":"W4412202913","doi":"10.5325/jspecphil.39.3.0252","title":"A Democracy (Never) to Come: Fugitivity and Metaphysics in Afropessimism","year":2025,"lang":"en","type":"article","venue":"The Journal of Speculative Philosophy","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Metaphysics; Democracy; Philosophy; Epistemology; Political science; Law; Politics","score_opus":0.027557136388524677,"score_gpt":0.25878027905449735,"score_spread":0.2312231426659727,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4412202913","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16513196,0.0074646864,0.032214276,0.06403441,0.0007912631,0.00004021235,0.000051427724,0.00007278211,0.73019904],"genre_scores_gemma":[0.99096256,0.0004552818,0.0011977211,0.00085073774,0.0001084265,0.000020655427,0.000008051885,0.00001648422,0.0063800253],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99782676,0.0015240533,0.00004398175,0.00021915004,0.00021928469,0.00016678179],"domain_scores_gemma":[0.9985947,0.0008925996,0.00010320398,0.00022236769,0.00010529933,0.000081785154],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0027864699,0.00027108277,0.00030344664,0.0008896688,0.004410082,0.0045828135,0.0006194884,0.0018403421,0.0026738974],"category_scores_gemma":[0.0030603295,0.0001234553,0.00025403284,0.00047943273,0.045038845,0.00534874,0.0034532824,0.003532029,0.0002899916],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000034561483,0.0000024483418,0.0000475106,0.000005167317,5.4473713e-7,0.000018564475,0.0039787977,0.000041994666,0.000028380238,0.99497896,0.0003240345,0.00057007367],"study_design_scores_gemma":[0.0000054121197,0.0000087671615,0.00016711085,0.000052194653,0.0000016360269,0.00005450743,0.005086704,0.00036203364,0.0001278298,0.9652184,0.028909676,0.0000057971884],"about_ca_topic_score_codex":0.002297257,"about_ca_topic_score_gemma":0.0017562297,"teacher_disagreement_score":0.0045828135,"about_ca_system_score_codex":0.0034374716,"about_ca_system_score_gemma":0.0012478045,"threshold_uncertainty_score":0.02494073},"labels":[],"label_agreement":null},{"id":"W4412844599","doi":"10.25071/28169344.140","title":"An Analysis and Comparison of Capitalist Realism - and its Potential Alternative, Afrofuturism, Through an Exploration of Music and Art","year":2025,"lang":"en","type":"article","venue":"YU-WRITE Journal of Graduate Student Research in Education","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Realism; Art; Aesthetics; Literature","score_opus":0.2611553213607768,"score_gpt":0.47122777740413185,"score_spread":0.21007245604335506,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4412844599","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15648544,0.014336872,0.015241849,0.011849756,0.0005256149,0.00012879635,0.00007578338,0.000043129898,0.80131274],"genre_scores_gemma":[0.9568146,0.0067136744,0.0051539927,0.0015383861,0.00030090063,0.0001260146,0.000064339925,0.000109034816,0.029179092],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99743015,0.0015709767,0.000045086024,0.00015043646,0.0005563223,0.0002470349],"domain_scores_gemma":[0.9975781,0.0018516915,0.0001943056,0.00011985568,0.00014689773,0.00010924886],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0026523592,0.0006503267,0.00033714256,0.0035921908,0.0055413283,0.01048631,0.00070335215,0.001987221,0.0038261337],"category_scores_gemma":[0.0037799983,0.00018890855,0.00039370114,0.0025736096,0.016814293,0.008400564,0.004429034,0.0027490598,0.0004906048],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026752325,0.000027396298,0.0006421366,0.00009171523,0.000004505388,0.00022072605,0.07711047,0.00007481889,0.00028932243,0.9057156,0.0026401093,0.013156546],"study_design_scores_gemma":[0.000021781803,0.000121735364,0.009918043,0.0014805221,0.000032719105,0.0013647913,0.27654767,0.0019142248,0.0014386196,0.3263262,0.38078317,0.00005057755],"about_ca_topic_score_codex":0.003635028,"about_ca_topic_score_gemma":0.0067572007,"teacher_disagreement_score":0.01048631,"about_ca_system_score_codex":0.0058092563,"about_ca_system_score_gemma":0.0019288512,"threshold_uncertainty_score":0.042149365},"labels":[],"label_agreement":null},{"id":"W4412897347","doi":"10.2139/ssrn.5343891","title":"The Future in the Past: Science Fiction in Latin America in the First Quarter of the 21st Century as a Mirror of Times","year":2025,"lang":"en","type":"preprint","venue":"SSRN Electronic Journal","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Quarter (Canadian coin); Latin Americans; History; Political science; Archaeology","score_opus":0.008537677301422315,"score_gpt":0.23226385606136207,"score_spread":0.22372617875993975,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4412897347","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14577945,0.047621205,0.00080358854,0.16787647,0.0016913952,0.00002101888,0.00020052216,0.000051326253,0.63595504],"genre_scores_gemma":[0.96491,0.0073793177,0.00026469346,0.003469125,0.00081642973,0.000017458724,0.00006276058,0.000056997094,0.023023168],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99886835,0.00064504845,0.00003232383,0.00010831397,0.00016483007,0.00018122354],"domain_scores_gemma":[0.9966755,0.0020860333,0.00038799824,0.00023389961,0.00030383765,0.00031275064],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0025935634,0.00030822933,0.0003868197,0.0020772535,0.011299831,0.014417932,0.00059615093,0.002570945,0.006866883],"category_scores_gemma":[0.007317221,0.0001310193,0.0002081997,0.0037391183,0.018482894,0.0076666363,0.004793761,0.004960621,0.00031180086],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000048020436,0.000022431275,0.0013808482,0.00012592597,0.0000059369218,0.00033957596,0.27526882,0.00007917685,0.00018613847,0.6955727,0.01699743,0.009972981],"study_design_scores_gemma":[0.000021409345,0.000019344167,0.0050877146,0.0006003363,0.000013706006,0.00027362752,0.18198466,0.00022224727,0.00026985304,0.07823523,0.73325104,0.000020891131],"about_ca_topic_score_codex":0.025761608,"about_ca_topic_score_gemma":0.036303673,"teacher_disagreement_score":0.025761608,"about_ca_system_score_codex":0.012876033,"about_ca_system_score_gemma":0.005395757,"threshold_uncertainty_score":0.09342259},"labels":[],"label_agreement":null},{"id":"W4412901620","doi":"10.1353/mos.2023.a966652","title":"Ecoprecarious (Inter)dependencies in Dystopian Narratives of Pandemics","year":2023,"lang":"en","type":"article","venue":"Mosaic","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dystopia; Narrative; Pandemic; Coronavirus disease 2019 (COVID-19); History; Computer science; Literature; Art; Artificial intelligence; Medicine","score_opus":0.0396561862863295,"score_gpt":0.24883007430204324,"score_spread":0.20917388801571374,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4412901620","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.34560812,0.005193612,0.013034442,0.0677373,0.0008128183,0.00006464011,0.00011670938,0.00010047582,0.56733185],"genre_scores_gemma":[0.9928396,0.0005409076,0.0004598846,0.00080856256,0.00008241963,0.00002865399,0.00001475738,0.00002328389,0.005201913],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99670464,0.0025202367,0.000043188327,0.00014176434,0.00028573998,0.00030448847],"domain_scores_gemma":[0.9956241,0.0033843273,0.0003569944,0.00026606902,0.00018585949,0.00018261402],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004419704,0.00045465212,0.00024839226,0.0013480822,0.011405713,0.0062313597,0.0011186278,0.0025947639,0.004108456],"category_scores_gemma":[0.0072965547,0.00024216219,0.00018510994,0.0012250289,0.04516357,0.008280666,0.007843838,0.004106071,0.00021817777],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015802932,0.000007107367,0.00024403098,0.000027708627,0.0000020290797,0.0003175271,0.2641468,0.0001289057,0.00013667582,0.7299361,0.0029230649,0.0021141057],"study_design_scores_gemma":[0.000023645936,0.000024493287,0.000812847,0.00035216135,0.000007933444,0.00074236555,0.42849377,0.0007625985,0.00058604963,0.22684082,0.34132808,0.000025198757],"about_ca_topic_score_codex":0.0043780277,"about_ca_topic_score_gemma":0.005779501,"teacher_disagreement_score":0.011405713,"about_ca_system_score_codex":0.0054819826,"about_ca_system_score_gemma":0.0023462991,"threshold_uncertainty_score":0.039774776},"labels":[],"label_agreement":null},{"id":"W4413017393","doi":"10.22215/etd/2025-16503","title":"The Chinese Expression and the Representation of Environmentalism in New Chinese Science Fiction","year":2025,"lang":"en","type":"dissertation","venue":"","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Environmentalism; Expression (computer science); Representation (politics); Literature; Political science; Computer science; Art","score_opus":0.011461788957755117,"score_gpt":0.2657919115348736,"score_spread":0.25433012257711846,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4413017393","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.68926144,0.00190515,0.0020429415,0.008606328,0.0004494008,0.000038657014,0.00007976348,0.000037240345,0.29757917],"genre_scores_gemma":[0.9897323,0.0003766876,0.00016085421,0.00017827908,0.000064778484,0.0000106654825,0.0000151494005,0.0000107264605,0.0094504515],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9995365,0.00022307425,0.000013836636,0.000051443283,0.00008808066,0.000087083215],"domain_scores_gemma":[0.9994128,0.00037353602,0.000059252667,0.000056232024,0.000056872195,0.000041457042],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010187139,0.0004271189,0.0002008281,0.0009867648,0.0053393776,0.0039416663,0.0004068354,0.00071537937,0.0031511607],"category_scores_gemma":[0.0013854291,0.00014268333,0.00016733477,0.0014542568,0.012678432,0.0021586542,0.0020844154,0.0014723578,0.00011635922],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005651958,0.000014823107,0.0019283794,0.00016933584,0.000010807061,0.0012737074,0.73262775,0.00019017525,0.0022341933,0.24507825,0.0036851517,0.012731007],"study_design_scores_gemma":[0.000039941875,0.00011757945,0.02500272,0.00035031143,0.0000815706,0.0012486142,0.46243817,0.0019576713,0.0052195727,0.033936825,0.46954373,0.000063386484],"about_ca_topic_score_codex":0.0140382275,"about_ca_topic_score_gemma":0.021281248,"teacher_disagreement_score":0.0140382275,"about_ca_system_score_codex":0.0055632177,"about_ca_system_score_gemma":0.0016607922,"threshold_uncertainty_score":0.040364146},"labels":[],"label_agreement":null},{"id":"W4413735287","doi":"10.5539/ells.v15n3p65","title":"Reconstructing Legitimation on Metanarrative Ruins: Postmodern Paralogical Writings in Atwood’s “Happy Endings”","year":2025,"lang":"en","type":"article","venue":"English Language and Literature Studies","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Metanarrative; Legitimation; Postmodernism; Literature; Philosophy; Art; Aesthetics; Narrative; Political science; Law; Politics","score_opus":0.020601807446116133,"score_gpt":0.27811489991841953,"score_spread":0.2575130924723034,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4413735287","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.44179142,0.0053502037,0.02390695,0.059532396,0.0030143817,0.00011591253,0.00011107669,0.00018537648,0.4659923],"genre_scores_gemma":[0.96661425,0.000704,0.0014519315,0.0014950845,0.00032131877,0.00004303369,0.000020896761,0.00013736653,0.02921204],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99716574,0.0019876047,0.000052709795,0.00020777185,0.0003575823,0.0002286975],"domain_scores_gemma":[0.9891884,0.008854845,0.0004959166,0.000535841,0.0005211647,0.00040375697],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0050156047,0.0006134242,0.00040245167,0.0015690866,0.010880337,0.009198352,0.0012394341,0.0024054125,0.0036177402],"category_scores_gemma":[0.009560514,0.00033931652,0.00024628988,0.0010058365,0.040547617,0.0083362665,0.0046866867,0.006902492,0.00040964928],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030596835,0.000018316314,0.00020384813,0.00005250292,0.0000022367913,0.00068005425,0.5255283,0.000079808735,0.0004238782,0.46277484,0.0054671494,0.0047384854],"study_design_scores_gemma":[0.000013136434,0.000048158894,0.0007105937,0.00038230955,0.0000075276225,0.00089358987,0.5068435,0.0007140508,0.0021873158,0.07971693,0.40844667,0.00003618435],"about_ca_topic_score_codex":0.0026666222,"about_ca_topic_score_gemma":0.008073344,"teacher_disagreement_score":0.010880337,"about_ca_system_score_codex":0.005307858,"about_ca_system_score_gemma":0.0023323905,"threshold_uncertainty_score":0.038511336},"labels":[],"label_agreement":null},{"id":"W4413937241","doi":"10.9744/kata.27.1.67-79","title":"Cross-Cultural Imagination: Survival and Harmony in Nalo Hopkinson's Brown Girl in the Ring","year":2025,"lang":"en","type":"article","venue":"K@ta","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Girl; Harmony (color); Art; Aesthetics; Art history; Literature; Psychology; Visual arts; Developmental psychology","score_opus":0.031610781588852555,"score_gpt":0.2952143674060857,"score_spread":0.26360358581723314,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4413937241","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.55424553,0.003900954,0.0040391474,0.038705483,0.001140356,0.00004448249,0.000041524527,0.00007948987,0.39780304],"genre_scores_gemma":[0.97255003,0.0005498102,0.00056733773,0.0008551794,0.00007324366,0.000013167932,0.000008503907,0.000051586114,0.025331037],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9982973,0.0011265255,0.000015357753,0.0001338251,0.00017543347,0.00025165395],"domain_scores_gemma":[0.9989993,0.00044589423,0.000117445,0.000049619386,0.00007332599,0.00031442233],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015297296,0.00038537415,0.00025347518,0.0006566031,0.01698051,0.0060813976,0.0009148102,0.001631315,0.0035460433],"category_scores_gemma":[0.002374853,0.00018436184,0.00019358272,0.0003797044,0.026656292,0.0033971258,0.0064375596,0.003675239,0.00038675705],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004535179,0.00002101579,0.0005931631,0.00003809833,0.000003298392,0.0014874131,0.8756448,0.00007130613,0.0005800364,0.109837934,0.0074653686,0.0042121587],"study_design_scores_gemma":[0.000006358236,0.00003704324,0.0007704572,0.00009194496,0.000004568211,0.00090933027,0.79842514,0.000121178135,0.0005219415,0.008647292,0.19044828,0.000016462545],"about_ca_topic_score_codex":0.021704355,"about_ca_topic_score_gemma":0.047836687,"teacher_disagreement_score":0.021704355,"about_ca_system_score_codex":0.0051287534,"about_ca_system_score_gemma":0.0024189937,"threshold_uncertainty_score":0.043156028},"labels":[],"label_agreement":null},{"id":"W4414069485","doi":"10.37134/ajelp.vol12.2.12.2024","title":"Empowering the Subalterns: Margaret Atwood's Quest for Historical Voices in The Testament","year":2024,"lang":"en","type":"article","venue":"AJELP The Asian Journal of English Language and Pedagogy","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Subaltern; Narrative; Aunt; Perspective (graphical); Government (linguistics); Power (physics)","score_opus":0.026057414553113546,"score_gpt":0.30635629605788395,"score_spread":0.2802988815047704,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4414069485","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.31096217,0.011821938,0.0042995005,0.17684998,0.0033185582,0.000062228726,0.000040235092,0.00014964685,0.4924957],"genre_scores_gemma":[0.9291456,0.0014995926,0.0007798696,0.006683575,0.00025746264,0.00002411244,0.000008321266,0.00008921573,0.061512325],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983699,0.0008304991,0.000015673766,0.00011049817,0.00023853884,0.00043489505],"domain_scores_gemma":[0.99845755,0.000775176,0.00008656228,0.000066834094,0.00012786685,0.0004860826],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002116357,0.00035731128,0.0003148312,0.00084258855,0.022485008,0.009659459,0.0011416499,0.0023476856,0.0032560567],"category_scores_gemma":[0.0023794465,0.00024208923,0.0001962863,0.00049265946,0.027633341,0.0049888506,0.00555762,0.006190622,0.0004719385],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000038280094,0.00003433628,0.0004591095,0.00005126347,0.000003793569,0.0012956752,0.6174222,0.00007181879,0.0005057179,0.34004286,0.02924027,0.010834623],"study_design_scores_gemma":[0.000005870147,0.000030644005,0.0004169141,0.00015019932,0.00000765651,0.00089586683,0.39762655,0.00013210358,0.00063283154,0.02417418,0.57590395,0.000023187276],"about_ca_topic_score_codex":0.04607774,"about_ca_topic_score_gemma":0.12816262,"teacher_disagreement_score":0.04607774,"about_ca_system_score_codex":0.008781296,"about_ca_system_score_gemma":0.0060898713,"threshold_uncertainty_score":0.091619074},"labels":[],"label_agreement":null},{"id":"W4414273205","doi":"10.1525/sfs.2019.0000a","title":"Call for Essays (Edited Collection): SF Television and the Politics of Space","year":2019,"lang":"en","type":"article","venue":"Science Fiction Studies","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Camosun College; Brock University; University of Victoria","funders":"","keywords":"Politics; Space (punctuation); Television studies; Reality tv","score_opus":0.04295762204099038,"score_gpt":0.2874484554224413,"score_spread":0.24449083338145092,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4414273205","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0011582572,0.097447015,0.00080418034,0.33376506,0.28016707,0.000116497315,0.0013536735,0.00021619815,0.28497216],"genre_scores_gemma":[0.01710684,0.032954447,0.0008874036,0.056030583,0.12194301,0.00023777713,0.00079485826,0.00032376137,0.7697213],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988431,0.00035054408,0.000064407046,0.00013379526,0.00047711286,0.00013099937],"domain_scores_gemma":[0.99446553,0.00331937,0.00023696512,0.00024496915,0.0012928192,0.0004403893],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018800003,0.00082696136,0.0006833773,0.003868007,0.0053738146,0.0059577725,0.0012970138,0.00533997,0.06533945],"category_scores_gemma":[0.010649325,0.0003466607,0.0006229316,0.003769455,0.0031536135,0.0053993464,0.0028621284,0.004257026,0.014448823],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000059567437,0.0000059437034,0.000016666558,0.000059208956,0.0000014793158,0.000015649344,0.0003262408,0.000008214091,0.00003265993,0.004991599,0.98880625,0.005730108],"study_design_scores_gemma":[0.000004196834,0.0000031061477,0.00024206696,0.00019033985,0.000002867642,0.000015379046,0.0006475154,0.000008168038,0.000044922243,0.002257423,0.99657816,0.0000057772386],"about_ca_topic_score_codex":0.015285167,"about_ca_topic_score_gemma":0.047960445,"teacher_disagreement_score":0.06533945,"about_ca_system_score_codex":0.004628167,"about_ca_system_score_gemma":0.003367933,"threshold_uncertainty_score":0.21858221},"labels":[],"label_agreement":null},{"id":"W4414703011","doi":"10.56062/gtrs.2025.4.08.947","title":"Exploring Mindscape and Landscape in Margaret Atwood’s Surfacing","year":2025,"lang":"en","type":"article","venue":"Creative Saplings","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Rationalism; Consumerism; Ideology; Theme (computing); Metaphor; Ecofeminism; Capitalism","score_opus":0.07831282902280075,"score_gpt":0.2474044741517014,"score_spread":0.16909164512890063,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4414703011","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19708228,0.0067955516,0.003395887,0.07120173,0.0019538114,0.000038952938,0.00008012787,0.00013563792,0.71931607],"genre_scores_gemma":[0.9097762,0.0015001738,0.0007198126,0.003844613,0.00030040724,0.000019795818,0.000022021495,0.00013546074,0.08368152],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989741,0.00040146965,0.000010572243,0.00011037046,0.00022562109,0.00027780916],"domain_scores_gemma":[0.9988933,0.0005546153,0.000066160275,0.00005022137,0.00014747359,0.00028828997],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011203063,0.00047851933,0.0002669819,0.0012675523,0.021619702,0.012114547,0.001103538,0.0027859188,0.005265129],"category_scores_gemma":[0.0019218734,0.00026089192,0.0002462474,0.0009037081,0.03673817,0.003897908,0.0037076806,0.004179705,0.00046531553],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040285326,0.000023061051,0.00040773946,0.00005726579,0.000004500674,0.0017032484,0.50419575,0.00015428974,0.00063657574,0.43570966,0.04901224,0.00805548],"study_design_scores_gemma":[0.0000073615474,0.000024447883,0.0008418263,0.00016770151,0.000004920947,0.0010567666,0.33532503,0.00015288994,0.00045443838,0.026637299,0.635297,0.000030222292],"about_ca_topic_score_codex":0.12688431,"about_ca_topic_score_gemma":0.27401572,"teacher_disagreement_score":0.12688431,"about_ca_system_score_codex":0.011148375,"about_ca_system_score_gemma":0.004487867,"threshold_uncertainty_score":0.2522915},"labels":[],"label_agreement":null},{"id":"W4414916102","doi":"10.64731/jsel.v20i2.279765","title":"Exploring the Ecofeminist Landscape: A Comparative Analysis of Margaret Atwood’s Surfacing and Gita Hariharan’s The Thousand Faces of Night","year":2025,"lang":"en","type":"article","venue":"Journal of Studies in the English Language","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ecofeminism; Oppression; Mythology; Parallels; Politics; Feminism; Criticism; Natural (archaeology)","score_opus":0.10638089271071503,"score_gpt":0.3192648129381265,"score_spread":0.21288392022741143,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4414916102","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.885905,0.0034991098,0.00064742984,0.005060714,0.00023726863,0.00007026314,0.00010275774,0.000023333507,0.10445397],"genre_scores_gemma":[0.9773753,0.00188757,0.00042663494,0.00081708474,0.00007366429,0.000042374806,0.00006297326,0.00009285851,0.019221649],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99682814,0.0014891634,0.000059296737,0.00026428342,0.0007166273,0.00064247247],"domain_scores_gemma":[0.99534553,0.00279266,0.0004060035,0.00016522044,0.0006629364,0.00062764],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0028525572,0.0008598619,0.00092744024,0.0056635644,0.04063921,0.010022177,0.0020679692,0.0028646202,0.00567901],"category_scores_gemma":[0.005414536,0.0004931575,0.00033313138,0.0074913516,0.026241016,0.004374257,0.0043819393,0.0039056651,0.000428548],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013181856,0.0000075730322,0.00034736935,0.000049413135,0.0000021444198,0.00070687174,0.991595,0.000009091087,0.00025703188,0.0039210836,0.0009629261,0.0021282851],"study_design_scores_gemma":[0.0000010535921,0.000009270129,0.0015163358,0.00009264831,0.0000032261598,0.00017532635,0.97174376,0.000011695241,0.000095753974,0.00020903224,0.026134403,0.0000074295817],"about_ca_topic_score_codex":0.40691784,"about_ca_topic_score_gemma":0.7542226,"teacher_disagreement_score":0.40691784,"about_ca_system_score_codex":0.025302412,"about_ca_system_score_gemma":0.01536944,"threshold_uncertainty_score":0.8090986},"labels":[],"label_agreement":null},{"id":"W4415197995","doi":"10.56238/sevened2025.030-076","title":"FEMALE REPRESENTATION IN ART AND MYTHOLOGY IN MARGARET ATWOOD'S THE PENELOPE ODYSSEY (2005)","year":2025,"lang":"en","type":"book-chapter","venue":"Seven Editora eBooks","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Representation (politics); Mythology; Context (archaeology); Garcia; The arts; Character (mathematics); Comics","score_opus":0.02741905180911212,"score_gpt":0.2454941897654168,"score_spread":0.21807513795630468,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4415197995","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24259558,0.06393444,0.001756261,0.056554522,0.0023837928,0.000051589555,0.00013602528,0.000046927868,0.6325408],"genre_scores_gemma":[0.8953138,0.007955449,0.0005051168,0.0037905537,0.00029601884,0.000026647262,0.000022286245,0.000052392992,0.09203778],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99909496,0.00038964942,0.000015481151,0.00011900284,0.00020156705,0.00017941683],"domain_scores_gemma":[0.9996228,0.00017099839,0.000039216444,0.000012841573,0.000071726245,0.00008231443],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009300387,0.0003737582,0.00023891247,0.0012206023,0.013695847,0.005927803,0.0005223032,0.0012056251,0.0025288537],"category_scores_gemma":[0.0009945798,0.00015866647,0.0001168674,0.0014057872,0.016468322,0.0021385194,0.0019609483,0.002157192,0.00022852585],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002676851,0.000026753196,0.0006930796,0.00010321012,0.0000032557643,0.0005378558,0.5753347,0.000067121815,0.00031688553,0.37625727,0.03265688,0.013976183],"study_design_scores_gemma":[0.000003062988,0.000020123049,0.002519047,0.0004245362,0.000004589713,0.00043866184,0.2087598,0.000055723045,0.00029312994,0.010573449,0.7768853,0.000022577857],"about_ca_topic_score_codex":0.33737558,"about_ca_topic_score_gemma":0.5352394,"teacher_disagreement_score":0.33737558,"about_ca_system_score_codex":0.015026952,"about_ca_system_score_gemma":0.007097689,"threshold_uncertainty_score":0.6708237},"labels":[],"label_agreement":null},{"id":"W4415401731","doi":"10.3828/bjcs.2025.11","title":"A material thought surfaces in Margaret Atwood’s <i>Surfacing</i>","year":2025,"lang":"en","type":"article","venue":"British Journal of Canadian Studies","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Opposition (politics); Materialism; Politics; Femininity; Humanism; Binary opposition; Democracy","score_opus":0.029876596767394358,"score_gpt":0.24348315379226232,"score_spread":0.21360655702486797,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4415401731","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.048459638,0.01635307,0.011579365,0.27985424,0.0060705305,0.000049128917,0.000075067925,0.00016003818,0.637399],"genre_scores_gemma":[0.7705408,0.0049820924,0.004500125,0.033003643,0.0018654448,0.00007640005,0.000043796812,0.00028494254,0.18470278],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99808985,0.0008834425,0.000025801111,0.00023891171,0.00042986314,0.0003320705],"domain_scores_gemma":[0.9982449,0.0009673968,0.00010777758,0.00010978116,0.0002639993,0.00030620978],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001699739,0.00066883204,0.00031342576,0.0014095341,0.018922847,0.00981154,0.0013580918,0.0040537585,0.005825801],"category_scores_gemma":[0.0030333975,0.00028739966,0.00031893075,0.0010527455,0.04277461,0.0060150516,0.0044646566,0.0063960133,0.00070874346],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018676661,0.00001210026,0.00018731717,0.00004537388,0.000002137404,0.0004987875,0.11323232,0.00005214917,0.00032487747,0.8248708,0.054234367,0.0065211277],"study_design_scores_gemma":[0.0000049208857,0.000015250991,0.0002992509,0.00018315167,0.000003315765,0.00040962762,0.07448344,0.00008486314,0.00026901584,0.048098817,0.8761297,0.000018539466],"about_ca_topic_score_codex":0.052600883,"about_ca_topic_score_gemma":0.094368994,"teacher_disagreement_score":0.94739914,"about_ca_system_score_codex":0.009802052,"about_ca_system_score_gemma":0.0056978916,"threshold_uncertainty_score":0.10458946},"labels":[],"label_agreement":null},{"id":"W4415673121","doi":"10.47475/2587-8077-2025-29-2-113-116","title":"TRENDS IN THE LATEST CHINESE LITERATURE ON THE EXAMPLE OF MO YAN’S NOVEL “TIRED OF BEING BORN AND DYING” (2005)","year":2025,"lang":"","type":"article","venue":"Евразийский журнал региональных и политических исследований","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Quarter (Canadian coin); Chinese literature; China; World literature; Chinese people","score_opus":0.025709830860231934,"score_gpt":0.24889460134054378,"score_spread":0.22318477048031185,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4415673121","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8135821,0.041116625,0.0005495013,0.008956967,0.00063847785,0.000020195917,0.00021018635,0.000038411286,0.13488752],"genre_scores_gemma":[0.98006904,0.010420981,0.00023598192,0.00029397622,0.00021256214,0.000014761421,0.00007910814,0.000014289288,0.008659291],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99963343,0.00010386148,0.00003313473,0.000059192425,0.00009515208,0.00007527328],"domain_scores_gemma":[0.9995295,0.00020549282,0.00011559665,0.000030465784,0.00007448357,0.00004448037],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009104979,0.00027984736,0.00024888155,0.0031615968,0.003965284,0.003700246,0.00029873784,0.0005530374,0.0015812486],"category_scores_gemma":[0.0010422808,0.000105969615,0.00018615244,0.0045744483,0.0033939243,0.0017076228,0.0011034701,0.0008434344,0.00017063637],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010979825,0.000024409725,0.012065991,0.0010143485,0.000035539757,0.0031217746,0.7410069,0.00016492401,0.0043517444,0.17141668,0.0105417585,0.05614617],"study_design_scores_gemma":[0.000011657613,0.00009819405,0.114504,0.0011801133,0.00010806476,0.002200439,0.28997007,0.00026030562,0.0028330758,0.008736913,0.5800272,0.00006993954],"about_ca_topic_score_codex":0.009746527,"about_ca_topic_score_gemma":0.020934278,"teacher_disagreement_score":0.009746527,"about_ca_system_score_codex":0.0035964618,"about_ca_system_score_gemma":0.002125837,"threshold_uncertainty_score":0.026094258},"labels":[],"label_agreement":null},{"id":"W4415848862","doi":"","title":"Precariedade e exclusão na ficção contemporânea do Brasil e do Quebec","year":2023,"lang":"pt","type":"book-chapter","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Government (linguistics); Field (mathematics); Subject (documents); Context (archaeology); Focus (optics)","score_opus":0.03398678909832021,"score_gpt":0.228902896495443,"score_spread":0.19491610739712278,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4415848862","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16063468,0.009681858,0.0004131302,0.009278288,0.00029320866,0.000042805445,0.00035583766,0.00004951805,0.81925064],"genre_scores_gemma":[0.78960276,0.004225312,0.00041367856,0.0008306983,0.000052664327,0.000024242587,0.00008779719,0.000041062805,0.20472173],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99928206,0.00011948802,0.00001530214,0.00009238912,0.00018449572,0.00030632253],"domain_scores_gemma":[0.9991478,0.00021902953,0.00007892451,0.00006419963,0.00033154673,0.00015845617],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00078946794,0.00026125208,0.00031540534,0.0020061305,0.014945022,0.0046608048,0.0005148619,0.001018896,0.012745044],"category_scores_gemma":[0.0019528926,0.00020084095,0.00013099519,0.0035296318,0.008332086,0.0010517191,0.0015766623,0.0016288992,0.0005306628],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007812422,0.00002689293,0.012183694,0.0002340815,0.000014136131,0.0013001614,0.2576151,0.00017703623,0.0011679021,0.5907484,0.041879676,0.0945748],"study_design_scores_gemma":[0.000004977118,0.00001262871,0.030441692,0.00040348907,0.000022167207,0.0003060773,0.058258265,0.00015118271,0.00035061975,0.005546177,0.9044778,0.000024932175],"about_ca_topic_score_codex":0.9348154,"about_ca_topic_score_gemma":0.9826218,"teacher_disagreement_score":0.06518459,"about_ca_system_score_codex":0.027805494,"about_ca_system_score_gemma":0.044963628,"threshold_uncertainty_score":0.2017439},"labels":[],"label_agreement":null},{"id":"W4415957902","doi":"10.1558/post.33809","title":"‘Imago Dei’ in Sheri S. Tepper’s ‘The Companions’","year":2025,"lang":"","type":"article","venue":"Postscripts The Journal of Sacred Texts Cultural Histories and Contemporary Contexts","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ambrose University","funders":"","keywords":"Humanity; Intellect; Empathy; Kinship; Imago; Value (mathematics); Performative utterance; Introspection","score_opus":0.027718652488869424,"score_gpt":0.25376129341031844,"score_spread":0.22604264092144902,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4415957902","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.020305842,0.020097952,0.010744007,0.19938838,0.015511181,0.000059273443,0.00010815996,0.00017711583,0.733608],"genre_scores_gemma":[0.64240617,0.009279581,0.006023562,0.05284936,0.0093427375,0.00017477467,0.00009569203,0.00031721607,0.2795109],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989926,0.0005525214,0.000026016172,0.0001592069,0.00017225389,0.00009752897],"domain_scores_gemma":[0.99804497,0.0015001191,0.00010919434,0.00013925697,0.00013688284,0.000069462585],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013426137,0.00059079827,0.00023146298,0.0006729987,0.0043327115,0.004355156,0.00067980855,0.0025721937,0.0044616186],"category_scores_gemma":[0.0047400654,0.00022094484,0.00021363971,0.00058454263,0.023123814,0.0049629705,0.0022420667,0.0069623156,0.0011629288],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018088438,0.000010830797,0.000113570044,0.00004085302,0.0000014115753,0.00013524038,0.024961947,0.000033450502,0.0001299731,0.8962857,0.07184542,0.006423474],"study_design_scores_gemma":[0.000005361818,0.000018355673,0.00023472552,0.0001328094,0.000002602239,0.00027971301,0.007367749,0.00014295774,0.00031572938,0.082965255,0.90852594,0.000008817948],"about_ca_topic_score_codex":0.0021507556,"about_ca_topic_score_gemma":0.0044033434,"teacher_disagreement_score":0.0044616186,"about_ca_system_score_codex":0.0020915302,"about_ca_system_score_gemma":0.0011943409,"threshold_uncertainty_score":0.015175164},"labels":[],"label_agreement":null},{"id":"W4416221057","doi":"","title":"Perdre le monde, ouvrir les possibles. Prémices des usages de la science-fiction dans les sciences humaines et sociales","year":2023,"lang":"fr","type":"article","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Context (archaeology); Work (physics); Order (exchange); Theme (computing); Narrative","score_opus":0.05836020213167377,"score_gpt":0.2921360527052936,"score_spread":0.23377585057361983,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4416221057","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04444434,0.15955938,0.009109415,0.11037428,0.014289252,0.000055280114,0.0004092848,0.00029231916,0.66146636],"genre_scores_gemma":[0.6687192,0.037438072,0.0067819254,0.0071053873,0.0053731008,0.00009446869,0.00020013713,0.00044523593,0.27384254],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9971052,0.0018386756,0.00008394376,0.00023117504,0.0005698673,0.00017125538],"domain_scores_gemma":[0.9964804,0.0019814747,0.00022854623,0.00046473782,0.0006273054,0.00021753238],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0031892357,0.00053850963,0.00038331244,0.001666687,0.007137198,0.007442174,0.00048869493,0.0021876395,0.01239794],"category_scores_gemma":[0.009958956,0.0002601609,0.00044005114,0.0012877426,0.012132758,0.0062913657,0.0027396544,0.0044330205,0.0027819858],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008564396,0.000014205278,0.0009436873,0.0003387074,0.00001872402,0.0004252021,0.0894458,0.00010921806,0.0011818758,0.7714786,0.07583629,0.0601221],"study_design_scores_gemma":[0.000003816632,0.000013913476,0.0007123958,0.00024839566,0.000004799856,0.00033443494,0.009123215,0.00005216959,0.00026883296,0.014735853,0.97449017,0.000012131106],"about_ca_topic_score_codex":0.006761023,"about_ca_topic_score_gemma":0.01374587,"teacher_disagreement_score":0.9928628,"about_ca_system_score_codex":0.0040269126,"about_ca_system_score_gemma":0.0022058338,"threshold_uncertainty_score":0.041475236},"labels":[],"label_agreement":null},{"id":"W4416221068","doi":"","title":"Des objets hybrides en terres académiques. Pour une étude des usages de la science-fiction par les sciences sociales","year":2025,"lang":"fr","type":"article","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Context (archaeology); Narrative; Eurocentrism; Government (linguistics); Identity (music)","score_opus":0.040900710096616714,"score_gpt":0.28865369702917126,"score_spread":0.24775298693255454,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4416221068","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11653261,0.008400725,0.027220123,0.007991045,0.00064172724,0.000045316694,0.00025310623,0.00029395518,0.8386214],"genre_scores_gemma":[0.89750445,0.0036502802,0.013563108,0.00053976534,0.00032070256,0.00009050259,0.00020149985,0.00028162275,0.08384814],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9938113,0.003696924,0.00014001303,0.00038336925,0.0016919981,0.00027635708],"domain_scores_gemma":[0.99235725,0.005346648,0.00031394235,0.0010157643,0.00070162263,0.00026479617],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.004240202,0.0005727002,0.00036950948,0.0027206256,0.0050328793,0.010175875,0.0006722122,0.0018100637,0.0137660345],"category_scores_gemma":[0.012422884,0.0002793827,0.00058938854,0.0037423545,0.010248017,0.007021444,0.0042740363,0.003465511,0.001948368],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000058726677,0.000025382435,0.0019338743,0.00023792089,0.000041679683,0.00047456037,0.081221744,0.00045202614,0.0012137708,0.855065,0.0036986722,0.055576615],"study_design_scores_gemma":[0.00003631495,0.00006989716,0.006799949,0.00048115547,0.000050495833,0.0013504246,0.04185775,0.0009575196,0.0018733453,0.09788024,0.84859985,0.00004300748],"about_ca_topic_score_codex":0.0073177577,"about_ca_topic_score_gemma":0.012562434,"teacher_disagreement_score":0.9949671,"about_ca_system_score_codex":0.004046336,"about_ca_system_score_gemma":0.0019446736,"threshold_uncertainty_score":0.04605192},"labels":[],"label_agreement":null},{"id":"W4416221083","doi":"","title":"La science-fiction comme recours face à la crise des temporalités. Usages universitaires de la SF dans l’Anthropocène.","year":2021,"lang":"fr","type":"article","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Face (sociological concept); Context (archaeology); Identification (biology); Subject (documents); Agency (philosophy)","score_opus":0.03862770233521985,"score_gpt":0.26604286091583235,"score_spread":0.2274151585806125,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4416221083","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12716635,0.09114842,0.0051149824,0.08341875,0.0025325841,0.000031193573,0.0004749614,0.00019921824,0.6899135],"genre_scores_gemma":[0.9384739,0.0078497855,0.0011018148,0.0010787493,0.00046621214,0.00002066555,0.00005965301,0.00006927676,0.050880004],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99786454,0.0013682612,0.00008824988,0.00017865121,0.00026338256,0.00023689459],"domain_scores_gemma":[0.9967982,0.0021818536,0.00025800022,0.00023042232,0.00028055967,0.00025094944],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0026203815,0.00038915692,0.00030546365,0.0019253879,0.010218869,0.0051615275,0.00033290882,0.0021020032,0.0113069285],"category_scores_gemma":[0.005789146,0.00021205736,0.00022130136,0.0032769765,0.019459499,0.005134618,0.0020776896,0.0027802575,0.0014382647],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000051501025,0.000011638737,0.0011130058,0.00018652694,0.0000036875601,0.00036049596,0.18544757,0.00007324073,0.00038478448,0.75437057,0.018295309,0.039701726],"study_design_scores_gemma":[0.0000067045785,0.000027313454,0.004753649,0.0005580376,0.000007396364,0.00093624176,0.049080838,0.00013025176,0.00061297725,0.040765993,0.9031042,0.000016402699],"about_ca_topic_score_codex":0.026577663,"about_ca_topic_score_gemma":0.046764106,"teacher_disagreement_score":0.026577663,"about_ca_system_score_codex":0.008777934,"about_ca_system_score_gemma":0.0037318124,"threshold_uncertainty_score":0.063688636},"labels":[],"label_agreement":null},{"id":"W4416405274","doi":"10.1080/14775700.2025.2576952","title":"Contemporary Crises, Historical Antecedents: Refusing Vulnerability in Indigenous Speculative Fictions","year":2025,"lang":"en","type":"article","venue":"Comparative American Studies An International Journal","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Indigenous; Vulnerability (computing); Context (archaeology); Subject (documents); Agency (philosophy)","score_opus":0.19919171383308035,"score_gpt":0.41389279029778064,"score_spread":0.2147010764647003,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4416405274","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.49266228,0.017446812,0.013932515,0.15022138,0.0027252224,0.00011183618,0.00014673597,0.0001712269,0.32258198],"genre_scores_gemma":[0.9900344,0.0015975402,0.00085019105,0.001886367,0.00030653644,0.00002847054,0.0000183827,0.00006363536,0.0052145724],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9964122,0.0024702179,0.000073507894,0.0002541517,0.00036748967,0.00042236212],"domain_scores_gemma":[0.992159,0.0058436445,0.0005349096,0.000522565,0.0005216133,0.00041820973],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0050059194,0.0007821509,0.0004697794,0.0020982947,0.017637705,0.0126580885,0.0021045504,0.0041016215,0.0029167677],"category_scores_gemma":[0.012665264,0.00043307382,0.00034809485,0.001493347,0.0661046,0.012164319,0.008216891,0.007966316,0.00031143663],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000135080345,0.000007879753,0.0004655625,0.000066804125,0.0000052727883,0.0008487677,0.7987894,0.000073712086,0.00016478926,0.1944151,0.002904501,0.0022447498],"study_design_scores_gemma":[0.000006557729,0.000015792202,0.00066170114,0.00042339988,0.000012459631,0.0008699851,0.7692739,0.00036349357,0.0004968069,0.061961338,0.1658864,0.000028157532],"about_ca_topic_score_codex":0.018732231,"about_ca_topic_score_gemma":0.029664671,"teacher_disagreement_score":0.018732231,"about_ca_system_score_codex":0.009933755,"about_ca_system_score_gemma":0.0031290818,"threshold_uncertainty_score":0.07207477},"labels":[],"label_agreement":null},{"id":"W4416553497","doi":"","title":"Le futur est-il fluide ?Approche linguistique du genre en science-fiction","year":2025,"lang":"fr","type":"article","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal; Université du Québec à Trois-Rivières","funders":"","keywords":"Context (archaeology); Narrative; Relation (database); Pragmatics","score_opus":0.00977950890686714,"score_gpt":0.2278543401913312,"score_spread":0.21807483128446406,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4416553497","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.044592317,0.037292533,0.07002809,0.15249753,0.0033834805,0.00008356491,0.00020927552,0.00018271219,0.69173056],"genre_scores_gemma":[0.9573864,0.008994103,0.008357713,0.004329248,0.0024939722,0.00015012981,0.00012091489,0.00021445465,0.017953055],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.992576,0.0051467055,0.00022715997,0.00055825664,0.0010072998,0.00048456056],"domain_scores_gemma":[0.9840506,0.012144166,0.00062571495,0.0010093699,0.0017175184,0.00045263837],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00948329,0.000884209,0.0013227824,0.009104582,0.011118768,0.020190615,0.0023665247,0.007274001,0.0076416745],"category_scores_gemma":[0.018411903,0.0005237398,0.0006416799,0.0056853434,0.04926809,0.023151482,0.0053961305,0.008271531,0.0012419659],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006539419,0.000004025412,0.00012303186,0.000053467556,0.000003839969,0.000037905353,0.01658745,0.000055297165,0.00003426933,0.97840685,0.0012641838,0.0034230563],"study_design_scores_gemma":[0.000015207516,0.000010792777,0.00050882774,0.0006485067,0.000020629781,0.00019467607,0.02703106,0.0009300727,0.00017337999,0.8382727,0.13216725,0.000026950656],"about_ca_topic_score_codex":0.01569173,"about_ca_topic_score_gemma":0.013468446,"teacher_disagreement_score":0.020190615,"about_ca_system_score_codex":0.01269931,"about_ca_system_score_gemma":0.0065122764,"threshold_uncertainty_score":0.09214032},"labels":[],"label_agreement":null},{"id":"W4416653492","doi":"","title":"L’essai dystopique, terreau d’une philosophie des possibles. Cybernanthrope et science-fiction chez Henri Lefebvre","year":2025,"lang":"fr","type":"article","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Perspective (graphical); Subject (documents); Relation (database); Interpretation (philosophy); Criticism","score_opus":0.020021752504154923,"score_gpt":0.25190799052195517,"score_spread":0.23188623801780026,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4416653492","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.036144204,0.12978259,0.01090883,0.27800035,0.006258044,0.000028859677,0.00014514096,0.00013312636,0.5385989],"genre_scores_gemma":[0.8193679,0.028918361,0.0030732446,0.0145904785,0.005436744,0.00007525103,0.000048561906,0.00017730221,0.12831217],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9985135,0.00094328815,0.000027152775,0.00015985653,0.00021935525,0.00013681015],"domain_scores_gemma":[0.99821234,0.0013652239,0.000097833006,0.00013499653,0.000113867485,0.000075769975],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019040122,0.0005577801,0.00040373125,0.0013855294,0.005400944,0.0059951786,0.000555097,0.0039925757,0.005054377],"category_scores_gemma":[0.0033963446,0.00026916384,0.0003119617,0.0010525981,0.030368568,0.007074295,0.0024542874,0.0072189514,0.00071187626],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009806665,0.00000283829,0.000055992798,0.000030549727,0.000001737754,0.00008426166,0.00954658,0.00007607659,0.0001152464,0.9740699,0.01264863,0.003358474],"study_design_scores_gemma":[0.000018472047,0.000016230802,0.0006565961,0.00020343716,0.000005102692,0.00060242816,0.007802147,0.0005699956,0.00035638572,0.31337982,0.6763649,0.000024561152],"about_ca_topic_score_codex":0.012925034,"about_ca_topic_score_gemma":0.011818309,"teacher_disagreement_score":0.012925034,"about_ca_system_score_codex":0.0051562125,"about_ca_system_score_gemma":0.0023480353,"threshold_uncertainty_score":0.037411153},"labels":[],"label_agreement":null},{"id":"W4416716321","doi":"10.5539/elt.v18n12p101","title":"Author’s Intrusion: Narrative Intervention Strategies in Margaret Atwood’s Murder in the Dark","year":2025,"lang":"","type":"article","venue":"English Language Teaching","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narrative; Storytelling; Ideology; CONTEST; Intrusion; Postmodernism; Reading (process); Intervention (counseling); Great Rift","score_opus":0.012932795483414342,"score_gpt":0.28904946899582923,"score_spread":0.27611667351241487,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4416716321","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.79495245,0.002833533,0.015518727,0.029354895,0.0007899805,0.000105326624,0.000022813698,0.00022578152,0.1561965],"genre_scores_gemma":[0.9775514,0.0003723892,0.0018512922,0.0018742706,0.00006998266,0.000039512688,0.0000075870503,0.000074614254,0.018159049],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99498653,0.0037469494,0.00007486537,0.00026385504,0.00050899957,0.0004188937],"domain_scores_gemma":[0.9924344,0.0054682544,0.00068867597,0.00039866686,0.00036080444,0.00064915884],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0032762417,0.00056964805,0.000376899,0.00088056223,0.0107059125,0.0059279692,0.0015533454,0.0034331556,0.0039064577],"category_scores_gemma":[0.012892619,0.00036036616,0.00022108646,0.00036380868,0.020065267,0.0056109834,0.008634177,0.0051877634,0.0006017043],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000063986154,0.00006118974,0.0008942824,0.000103490696,0.0000051225184,0.001617984,0.9153314,0.00008374557,0.0023466863,0.06199881,0.004110681,0.013382618],"study_design_scores_gemma":[0.000019945272,0.00020766472,0.0010271863,0.0004092865,0.000018281962,0.0029841159,0.6267808,0.0004951649,0.0053425767,0.022960635,0.33970127,0.00005312929],"about_ca_topic_score_codex":0.0016403189,"about_ca_topic_score_gemma":0.0045923484,"teacher_disagreement_score":0.0107059125,"about_ca_system_score_codex":0.0028477707,"about_ca_system_score_gemma":0.0015564308,"threshold_uncertainty_score":0.020662129},"labels":[],"label_agreement":null},{"id":"W4416773567","doi":"10.3138/9781487567590-008","title":"Posthuman Girlhoods in Canadian Young Adult Science Fiction","year":2025,"lang":"","type":"book-chapter","venue":"University of Toronto Press eBooks","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Posthuman","score_opus":0.017006163331839495,"score_gpt":0.20292077654688595,"score_spread":0.18591461321504646,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4416773567","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04483791,0.008808427,0.0005861751,0.024680173,0.0007299723,0.000039456227,0.00026411397,0.00006399347,0.9199897],"genre_scores_gemma":[0.73662156,0.008223089,0.000840853,0.003192573,0.0001607236,0.00005201545,0.00012210578,0.00013915678,0.25064802],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99931896,0.00018552676,0.000012020398,0.00006697729,0.00016578921,0.00025066294],"domain_scores_gemma":[0.99909794,0.00041685803,0.00004750566,0.000038765593,0.00021198839,0.00018691467],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000977873,0.00044252462,0.0003282214,0.0014723024,0.028949998,0.006027094,0.000849622,0.0019213622,0.019468203],"category_scores_gemma":[0.0022491342,0.00021438247,0.0001650881,0.0019198594,0.015919676,0.0014881797,0.0024412374,0.003313799,0.0011415303],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000038823553,0.000015345344,0.00053350074,0.00007838566,0.0000025791214,0.00056149304,0.30207402,0.00009384918,0.00027565664,0.58462715,0.088530324,0.023168923],"study_design_scores_gemma":[0.000002632892,0.0000065242493,0.0010959785,0.00012553814,0.0000033214383,0.00010946822,0.053765837,0.00003667807,0.0001497878,0.0039197835,0.9407756,0.000008758773],"about_ca_topic_score_codex":0.9319937,"about_ca_topic_score_gemma":0.98127717,"teacher_disagreement_score":0.06800628,"about_ca_system_score_codex":0.0635795,"about_ca_system_score_gemma":0.047220677,"threshold_uncertainty_score":0.4613037},"labels":[],"label_agreement":null},{"id":"W4416930641","doi":"10.1525/jrpc.15.1.006c","title":"Review: Re-viewing the Passion: Mel Gibson’s Film and Its Critics, edited by S. Brent Plate","year":2007,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Line (geometry); Ridiculous; Gloom","score_opus":0.024185506628251304,"score_gpt":0.2681333750940499,"score_spread":0.24394786846579858,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4416930641","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00004383414,0.92172354,0.000034451943,0.051162884,0.026212627,0.000007367766,0.00004081196,0.000008596393,0.00076580653],"genre_scores_gemma":[0.0011770275,0.91269976,0.00010973001,0.05123993,0.03173139,0.000025666799,0.000071858114,0.000018566468,0.002926019],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99813807,0.0005528754,0.0002735215,0.0002726152,0.00063002907,0.00013288713],"domain_scores_gemma":[0.98854804,0.0051144254,0.000922129,0.00026325276,0.0041678064,0.0009843577],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004182353,0.0017731587,0.0034437843,0.003859211,0.0016122458,0.0059063104,0.0032266947,0.0075721336,0.007665751],"category_scores_gemma":[0.018280042,0.0009894557,0.0011590486,0.005811873,0.0036429241,0.0052066357,0.0021773558,0.008740834,0.0054127346],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004309491,0.0000053308854,0.000041138006,0.0036195577,0.00005279062,0.000049947368,0.000089960755,0.000019728144,0.000052422074,0.000771622,0.95657414,0.038680132],"study_design_scores_gemma":[0.000033912715,0.00002115985,0.00046025479,0.007051764,0.00009404176,0.00027652143,0.00026410155,0.00001825301,0.000053941258,0.0009246748,0.9907787,0.000022724404],"about_ca_topic_score_codex":0.010466883,"about_ca_topic_score_gemma":0.02720176,"teacher_disagreement_score":0.010466883,"about_ca_system_score_codex":0.0041735824,"about_ca_system_score_gemma":0.0066318554,"threshold_uncertainty_score":0.030281544},"labels":[],"label_agreement":null},{"id":"W4416930676","doi":"10.1525/jrpc.17.1.007d","title":"Review: The Truth is Out There: Christian Faith and the Classics of TV Science Fiction, by Thomas Bertonneau and Kim Paffenroth","year":2007,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Christian faith; Faith; Christianity; Early Christianity","score_opus":0.015259560866800866,"score_gpt":0.25291011187818746,"score_spread":0.2376505510113866,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4416930676","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00007476065,0.93514305,0.000018669676,0.03743589,0.026511647,0.000006745426,0.000024883298,0.0000049222976,0.0007794355],"genre_scores_gemma":[0.0024501416,0.8571068,0.00007259062,0.059483774,0.07549441,0.00002816415,0.000058655252,0.000016942096,0.005288512],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984268,0.0005832344,0.00018790345,0.00023054777,0.00045796848,0.00011351796],"domain_scores_gemma":[0.9885811,0.0068258904,0.0008677915,0.00022003187,0.002782348,0.0007227624],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0031253286,0.0013280021,0.0029150208,0.004380949,0.0023744113,0.006832421,0.002145931,0.008780242,0.0064600576],"category_scores_gemma":[0.015500876,0.0007800229,0.00074423425,0.0065433336,0.0040106094,0.0057488866,0.0021105162,0.0058565256,0.0037445414],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005610144,0.000009517805,0.00006215842,0.0031282878,0.000031454034,0.000059397673,0.00022483311,0.0000194962,0.000050965573,0.0010062152,0.965173,0.030178634],"study_design_scores_gemma":[0.000039437495,0.000026982745,0.0006657808,0.0066943634,0.000066701396,0.0003138161,0.00054141117,0.000025392073,0.00004395423,0.0012206914,0.99034274,0.000018834153],"about_ca_topic_score_codex":0.011231696,"about_ca_topic_score_gemma":0.029085897,"teacher_disagreement_score":0.011231696,"about_ca_system_score_codex":0.0032953483,"about_ca_system_score_gemma":0.0051886127,"threshold_uncertainty_score":0.02390951},"labels":[],"label_agreement":null},{"id":"W4417077185","doi":"10.63878/cjssr.v3i4.1608","title":"Post-Truth Ecologies and Manufactured Realities: The Collapse of Knowledge, Media Myths, and Environmental Justice in Margaret Atwood’s Oryx and Crake","year":2025,"lang":"","type":"article","venue":"Contemporary Journal of Social Science Review","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Oryx; Environmental justice; Indigenous; Environmental degradation; Ecocriticism; Narrative; Meaning (existential); Economic Justice","score_opus":0.026717190021836965,"score_gpt":0.2818858555426793,"score_spread":0.25516866552084233,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4417077185","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3298454,0.015828053,0.0055662515,0.2867464,0.0011287483,0.00005856692,0.00018826127,0.000108940745,0.36052942],"genre_scores_gemma":[0.9707407,0.002685314,0.00086469064,0.005910666,0.00011256524,0.00001593638,0.000017605882,0.00007293678,0.019579565],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975526,0.0008269854,0.000029494566,0.00023999583,0.0007187893,0.00063218485],"domain_scores_gemma":[0.9954631,0.002587281,0.00028269988,0.00020456099,0.0008277084,0.0006347011],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023631577,0.00045173478,0.0003245825,0.0016312383,0.029592503,0.01818673,0.0016292273,0.0042617302,0.004106888],"category_scores_gemma":[0.0053127822,0.00032232248,0.00024424633,0.0018159678,0.06503969,0.008170839,0.004858367,0.006722792,0.00025859944],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004476874,0.000036416935,0.0013415319,0.00006284546,0.000007468384,0.00047072826,0.42975825,0.0002027533,0.0003949737,0.5395622,0.018427156,0.00969095],"study_design_scores_gemma":[0.000016715243,0.000025466055,0.0031884953,0.0005096326,0.00002477542,0.0002814641,0.4937257,0.0005903939,0.0012247569,0.104838654,0.39548287,0.00009109836],"about_ca_topic_score_codex":0.8215413,"about_ca_topic_score_gemma":0.89467204,"teacher_disagreement_score":0.8215413,"about_ca_system_score_codex":0.06134842,"about_ca_system_score_gemma":0.032470208,"threshold_uncertainty_score":0.44511604},"labels":[],"label_agreement":null},{"id":"W46740152","doi":"","title":"Hysteria and Traumatic Testimony: Margaret Atwood's Alias Grace","year":2004,"lang":"en","type":"article","venue":"Essays on Canadian writing","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Alias; Hysteria; Psychoanalysis; Literature; History; Philosophy; Art; Psychology; Computer science","score_opus":0.03570063731843873,"score_gpt":0.22678802835672748,"score_spread":0.19108739103828876,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W46740152","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.007996752,0.029308539,0.00029367767,0.86385655,0.015295873,0.00003926045,0.000049701,0.000030115727,0.083129555],"genre_scores_gemma":[0.2574179,0.03079707,0.0007166999,0.5495987,0.012928508,0.000103472004,0.000028924132,0.00013868605,0.14827001],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9960598,0.001289156,0.000111080124,0.0003364358,0.00095569255,0.001247952],"domain_scores_gemma":[0.99190205,0.0051466334,0.00033014524,0.00020660671,0.0011115349,0.001303084],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004346204,0.00065323355,0.0006688633,0.0014278548,0.043662198,0.008227825,0.0028764985,0.021847136,0.0041555455],"category_scores_gemma":[0.019235995,0.0004376109,0.0005590333,0.0013825439,0.02263038,0.0036148503,0.005602606,0.029200938,0.0006346521],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019318748,0.00002424612,0.0002323603,0.00009163741,0.000014002245,0.0026765582,0.058707166,0.00007129736,0.00014182094,0.11230469,0.81621945,0.009497402],"study_design_scores_gemma":[0.000010206265,0.000010795499,0.0005270386,0.0005395282,0.00001891755,0.0015184996,0.08053136,0.000047399873,0.00018720323,0.014288279,0.9022823,0.000038499864],"about_ca_topic_score_codex":0.41607293,"about_ca_topic_score_gemma":0.70688134,"teacher_disagreement_score":0.58392704,"about_ca_system_score_codex":0.023662454,"about_ca_system_score_gemma":0.034418598,"threshold_uncertainty_score":0.8273022},"labels":[],"label_agreement":null},{"id":"W52385095","doi":"","title":"The dystopian future : the influence of Christian fundamentalisms in representative feminist dystopian speculative fiction, 1970 - 2000","year":2007,"lang":"en","type":"article","venue":"University Library - University of Saskatchewan (University of Saskatchewan)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Dystopia; Aesthetics; Philosophy; Literature; Art","score_opus":0.008393894594073064,"score_gpt":0.17950212248872485,"score_spread":0.1711082278946518,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W52385095","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23008041,0.040837497,0.0036112417,0.1377574,0.003910974,0.000079519894,0.0001476697,0.00005537852,0.5835199],"genre_scores_gemma":[0.9587021,0.005400882,0.00037864383,0.0042916895,0.0011767996,0.000043626693,0.00003221285,0.00004386671,0.029930195],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985862,0.00074889883,0.000028652536,0.00020218079,0.0002449016,0.0001891964],"domain_scores_gemma":[0.99548006,0.00375781,0.0002967193,0.00013520192,0.00019470448,0.00013545409],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0032313599,0.00044307756,0.00024535684,0.0014472558,0.012736383,0.00603243,0.00067094335,0.0029059253,0.002687845],"category_scores_gemma":[0.0075544836,0.00027907733,0.0001835324,0.0014369272,0.028882412,0.004917496,0.0035235223,0.006510987,0.0002791066],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003836032,0.000015974329,0.00041592558,0.00006325006,0.0000025867114,0.00041656135,0.23274778,0.00007299377,0.00020409228,0.74408334,0.013653538,0.008285655],"study_design_scores_gemma":[0.000024214918,0.000039634426,0.0024066174,0.0007197963,0.00000854388,0.0004677621,0.09336908,0.00037503638,0.0008615897,0.08722521,0.81447524,0.000027218373],"about_ca_topic_score_codex":0.01376709,"about_ca_topic_score_gemma":0.021207348,"teacher_disagreement_score":0.01376709,"about_ca_system_score_codex":0.013023806,"about_ca_system_score_gemma":0.0029336782,"threshold_uncertainty_score":0.09449476},"labels":[],"label_agreement":null},{"id":"W569106785","doi":"10.71781/9371","title":"Le mythe des origines, le mythe de Frankenstein et le mythe de la conquête de l'Ouest dans Planet of the Apes et 2001, A space Odyssey","year":2007,"lang":"fr","type":"dissertation","venue":"Papyrus : Institutional Repository (Université de Montréal)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.006501471954191108,"score_gpt":0.1950251821770861,"score_spread":0.188523710222895,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W569106785","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.079147965,0.17238462,0.0020663196,0.19066328,0.0017643578,0.000023612327,0.00034084817,0.000055103195,0.55355394],"genre_scores_gemma":[0.8089659,0.035211064,0.000803427,0.0052125813,0.00079927495,0.00002408578,0.00007538484,0.00009211757,0.14881606],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995035,0.00018997869,0.000011426268,0.0000643235,0.00009395591,0.00013672683],"domain_scores_gemma":[0.99929476,0.00031538337,0.000097140604,0.000065059015,0.000100932055,0.00012685035],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001243962,0.00032795648,0.00022753161,0.0009417734,0.0067109764,0.005511793,0.00050589594,0.0016598729,0.0050493535],"category_scores_gemma":[0.0035270532,0.00020990951,0.0001164558,0.0012537637,0.02034358,0.0050761728,0.0018215368,0.0028770291,0.0004090524],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024258801,0.000008112115,0.0006253141,0.000047995523,0.0000030237982,0.00014891599,0.06336914,0.000048896338,0.00007676951,0.88105804,0.0397853,0.014804261],"study_design_scores_gemma":[0.000017665327,0.000012690313,0.005459444,0.00038979398,0.0000074186464,0.0002831108,0.036084775,0.000068096386,0.00021181368,0.0906408,0.86680895,0.000015371732],"about_ca_topic_score_codex":0.28330463,"about_ca_topic_score_gemma":0.41736424,"teacher_disagreement_score":0.28330463,"about_ca_system_score_codex":0.010706074,"about_ca_system_score_gemma":0.01153962,"threshold_uncertainty_score":0.5633112},"labels":[],"label_agreement":null},{"id":"W578989478","doi":"","title":"Othering America? : \"Canada\" in Margaret Atwood's Surfacing","year":2006,"lang":"en","type":"article","venue":"敬和学園大学研究紀要","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History; Media studies; Political science; Sociology","score_opus":0.010002254949188464,"score_gpt":0.16930352297468654,"score_spread":0.15930126802549807,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W578989478","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0036101076,0.031395804,0.00032005965,0.84334105,0.017134987,0.000027857574,0.00008413374,0.00003140456,0.1040547],"genre_scores_gemma":[0.10448614,0.031032618,0.00071150996,0.5854869,0.004921968,0.00009500406,0.000068058805,0.00029828472,0.2728996],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99683845,0.0008177843,0.000058314323,0.0002981412,0.00062870316,0.0013585765],"domain_scores_gemma":[0.9965765,0.0012282636,0.000093350514,0.00007721242,0.00076362555,0.0012609871],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0029470564,0.00084121194,0.000937407,0.0016896992,0.05981348,0.014072874,0.0031537977,0.017671468,0.011425753],"category_scores_gemma":[0.0077379066,0.0005183519,0.0006689557,0.0031943044,0.021837931,0.009098281,0.007731864,0.03122805,0.0011899661],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017767494,0.000018508037,0.00024868347,0.00008716208,0.000008319249,0.0003959348,0.029221313,0.00007851941,0.00005979307,0.16213818,0.7954461,0.01227964],"study_design_scores_gemma":[0.000004936093,0.0000028447828,0.00024084236,0.00023085195,0.00000624205,0.000098234435,0.035229668,0.000029367224,0.000037828388,0.009201724,0.9548927,0.000024734309],"about_ca_topic_score_codex":0.939971,"about_ca_topic_score_gemma":0.9834589,"teacher_disagreement_score":0.06002897,"about_ca_system_score_codex":0.057268318,"about_ca_system_score_gemma":0.09404611,"threshold_uncertainty_score":0.41551268},"labels":[],"label_agreement":null},{"id":"W600114266","doi":"","title":"The handmaid's tale : the handmaid's by Margaret Atwood","year":2010,"lang":"en","type":"book","venue":"Salem Press eBooks","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dystopia; Context (archaeology); Literature; History; Politics; Literary criticism; Art history; Art; Classics; Law; Political science","score_opus":0.021252975580429656,"score_gpt":0.20596981686884236,"score_spread":0.1847168412884127,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W600114266","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.020508623,0.10355556,0.0020082034,0.26127785,0.071181044,0.000080448044,0.00013384006,0.00020785499,0.5410466],"genre_scores_gemma":[0.18398851,0.021930853,0.0013082413,0.043516997,0.010415106,0.00010211861,0.00007579799,0.0003478368,0.73831457],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99926084,0.0002591939,0.00001183703,0.00009699012,0.00024633307,0.00012479839],"domain_scores_gemma":[0.9989354,0.0004999301,0.00006842318,0.000049507216,0.00018214938,0.00026443502],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009409268,0.0005165844,0.00027985268,0.00077900814,0.010635649,0.0071372353,0.000730824,0.0021804795,0.01112972],"category_scores_gemma":[0.00296427,0.00029039942,0.00020831327,0.0006224956,0.0043816646,0.0033702576,0.0026402725,0.004324608,0.001969682],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037289945,0.000029770823,0.00020099935,0.00009969528,0.0000042270544,0.00029555106,0.015453829,0.00004145333,0.0003421525,0.08789899,0.8694866,0.026109526],"study_design_scores_gemma":[0.0000017909464,0.000009920477,0.00020501878,0.00013857336,0.0000016418919,0.00013520964,0.006109146,0.000020466763,0.00014562819,0.0028863505,0.99033934,0.000006827633],"about_ca_topic_score_codex":0.010658483,"about_ca_topic_score_gemma":0.022906078,"teacher_disagreement_score":0.01112972,"about_ca_system_score_codex":0.0045224363,"about_ca_system_score_gemma":0.0029215936,"threshold_uncertainty_score":0.037232578},"labels":[],"label_agreement":null},{"id":"W601566498","doi":"10.1353/book6623","title":"Worlds of Wonder: Readings in Canadian Science Fiction and Fantasy Literature","year":2004,"lang":"en","type":"book","venue":"University of Ottawa Press eBooks","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Wonder; Fantasy; Art; Sci-Fi; Literature; Art history; Aesthetics; Philosophy; Epistemology","score_opus":0.014555375897658538,"score_gpt":0.18887945654228067,"score_spread":0.17432408064462213,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W601566498","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.034426127,0.022564469,0.0009802595,0.042019837,0.0012700002,0.00003322703,0.00018976232,0.00011840746,0.8983979],"genre_scores_gemma":[0.7668275,0.020244254,0.0016854267,0.0055278614,0.00029452657,0.0000659283,0.00022199829,0.00022251841,0.20490995],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99815696,0.00039571006,0.000032457334,0.00011126368,0.0007608179,0.00054276787],"domain_scores_gemma":[0.9975204,0.0011185337,0.000099145414,0.00012408016,0.00066789926,0.0004698909],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017701025,0.0006501188,0.00055896404,0.00537211,0.039349496,0.014475403,0.0021866197,0.0030803941,0.010392384],"category_scores_gemma":[0.005817124,0.00039117067,0.00040216342,0.009048571,0.040154275,0.004254569,0.0047686165,0.004262598,0.0006309851],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002256381,0.000009249648,0.00037853947,0.00010724312,0.0000028098596,0.00045635828,0.21927418,0.0000929984,0.00013099251,0.6854109,0.075369425,0.018744765],"study_design_scores_gemma":[0.000006824854,0.0000069239645,0.0023306755,0.0003417936,0.00000860275,0.00030196132,0.12417046,0.00015738266,0.00015288712,0.028459316,0.84402514,0.000038010145],"about_ca_topic_score_codex":0.94967675,"about_ca_topic_score_gemma":0.98180044,"teacher_disagreement_score":0.13561217,"about_ca_system_score_codex":0.13561217,"about_ca_system_score_gemma":0.0811437,"threshold_uncertainty_score":0.9839398},"labels":[],"label_agreement":null},{"id":"W602950507","doi":"","title":"The Quest for Postcolonial Utopia: A Comparative Introduction to the Utopian Novel in the New English Literatures by Ralph Pordzik (review)","year":2002,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Utopia; Epistemology; History; Philosophy; Literature; Art history; Art","score_opus":0.01683007870198624,"score_gpt":0.2181776842373888,"score_spread":0.20134760553540257,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W602950507","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0016076859,0.9644273,0.00016527112,0.020479219,0.0009282654,0.000005081318,0.000027826747,0.000003773437,0.012355614],"genre_scores_gemma":[0.053555306,0.9312862,0.00038444265,0.0054815765,0.0016820728,0.000039059225,0.00003701165,0.000013955809,0.0075203963],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99903536,0.0005639805,0.000044671946,0.00006536866,0.0001823122,0.00010827311],"domain_scores_gemma":[0.99708587,0.0023504186,0.0001851537,0.00005423926,0.00021573332,0.0001085947],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002331514,0.0006257521,0.0009752152,0.0054571005,0.0046284962,0.0070493147,0.0007845534,0.0025822548,0.0043211435],"category_scores_gemma":[0.0034499774,0.0002937389,0.0002943972,0.010527194,0.015649738,0.006993224,0.004279513,0.0028968733,0.00054930587],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008029535,0.000064204316,0.0008623241,0.005928796,0.000043474312,0.0011864593,0.07322409,0.0002956587,0.00039118205,0.54736847,0.24063502,0.12992002],"study_design_scores_gemma":[0.000008942152,0.000021074498,0.0023839485,0.0038601684,0.0000150593105,0.0006217644,0.034467753,0.00003343585,0.00011779626,0.013909302,0.94453776,0.000023061924],"about_ca_topic_score_codex":0.03795712,"about_ca_topic_score_gemma":0.09232713,"teacher_disagreement_score":0.03795712,"about_ca_system_score_codex":0.0073518786,"about_ca_system_score_gemma":0.006118616,"threshold_uncertainty_score":0.075472414},"labels":[],"label_agreement":null},{"id":"W609543702","doi":"10.1017/ccol0521839661","title":"The Cambridge Companion to Margaret Atwood","year":2006,"lang":"en","type":"book","venue":"Cambridge University Press eBooks","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":101,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Criticism; Context (archaeology); Scholarship; Politics; Media studies; Performing arts; Performance art; History; Sociology; Literature; Art history; Art; Political science; Law","score_opus":0.023448320423607297,"score_gpt":0.18978938190453748,"score_spread":0.1663410614809302,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W609543702","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001797418,0.10451325,0.00078164926,0.06342267,0.022240179,0.000029548855,0.00029592498,0.00032352132,0.80659586],"genre_scores_gemma":[0.0076278853,0.011715733,0.00027256605,0.0045182416,0.0016220306,0.000013447477,0.00007179545,0.00014768523,0.9740105],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993524,0.00011129733,0.0000126082905,0.00009783309,0.0003178083,0.000108007],"domain_scores_gemma":[0.9988657,0.000204506,0.000037354715,0.000057738274,0.00052532833,0.00030935934],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00064848695,0.0006888637,0.00040507014,0.0017278288,0.008374376,0.0050425185,0.0009019072,0.0016831765,0.09260714],"category_scores_gemma":[0.0019135481,0.0003383426,0.00021727949,0.0021818525,0.002468652,0.0028991369,0.002138314,0.0027951263,0.029151365],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000046604227,0.0000050860513,0.00003269379,0.00002974885,5.360189e-7,0.000050907365,0.0010670342,0.00000930851,0.000069279056,0.009712191,0.9758518,0.013166844],"study_design_scores_gemma":[2.9280457e-7,0.0000010089958,0.000049081573,0.000034068307,3.2139587e-7,0.000038331364,0.00038441626,0.000003042661,0.000014933332,0.0003100362,0.9991629,0.000001575561],"about_ca_topic_score_codex":0.12368715,"about_ca_topic_score_gemma":0.3175675,"teacher_disagreement_score":0.87631285,"about_ca_system_score_codex":0.008090197,"about_ca_system_score_gemma":0.0053525977,"threshold_uncertainty_score":0.30980176},"labels":[],"label_agreement":null},{"id":"W612544543","doi":"10.20361/g2f012","title":"The Rule of Three by E. Walters","year":2015,"lang":"en","type":"article","venue":"The Deakin Review of Children s Literature","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dystopia; Creatures; Fantasy; Power (physics); Law; Face (sociological concept); Energy (signal processing); History; Sociology; Event (particle physics); Aesthetics; Environmental ethics; Art; Literature; Political science; Philosophy; Natural (archaeology); Social science","score_opus":0.019172639738830526,"score_gpt":0.23836127080801772,"score_spread":0.2191886310691872,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W612544543","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0006213137,0.42199984,0.0024731834,0.1780804,0.12667567,0.00005813868,0.0005511134,0.00060397875,0.26893637],"genre_scores_gemma":[0.013758616,0.158346,0.0028147101,0.053031895,0.018232822,0.000108409105,0.00038364498,0.00085871696,0.7524651],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988568,0.0002467196,0.0000768815,0.00026740987,0.00044197383,0.0001101323],"domain_scores_gemma":[0.9984987,0.00048216243,0.00011218597,0.00009169223,0.00047588654,0.0003394948],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013686717,0.001296234,0.0006344513,0.0017306488,0.002465323,0.0047106566,0.0011480001,0.0025771519,0.040870048],"category_scores_gemma":[0.0044659968,0.000625883,0.0004761386,0.0011269667,0.0024733325,0.0058540055,0.002635128,0.006642692,0.04120034],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005577193,0.000003925535,0.000033295873,0.00007128677,0.0000013391085,0.00004158834,0.0002753803,0.000019712654,0.000026674526,0.0063788346,0.9730209,0.02012143],"study_design_scores_gemma":[7.6933384e-7,0.0000018988951,0.000037862977,0.000129475,5.757046e-7,0.0000683614,0.00014278412,0.0000066167745,0.000011592772,0.0007537032,0.9988438,0.0000025442034],"about_ca_topic_score_codex":0.014445564,"about_ca_topic_score_gemma":0.02404078,"teacher_disagreement_score":0.040870048,"about_ca_system_score_codex":0.0022190602,"about_ca_system_score_gemma":0.0030523443,"threshold_uncertainty_score":0.13672394},"labels":[],"label_agreement":null},{"id":"W617498702","doi":"10.1057/9780230356054","title":"Postcolonialism and Science Fiction","year":2011,"lang":"en","type":"book","venue":"Palgrave Macmillan UK eBooks","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":206,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"London Metropolitan University; University of Toronto","keywords":"Deconstruction (building); Postcolonialism (international relations); Race (biology); Thematic map; Literature; Art; Art history; Sociology; Aesthetics; Gender studies; Geography; Engineering; Cartography","score_opus":0.030652326039912227,"score_gpt":0.2279484129997933,"score_spread":0.19729608695988107,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W617498702","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07243444,0.02168676,0.0025522865,0.026806166,0.0007494851,0.00003955125,0.000051861723,0.00004885418,0.87563056],"genre_scores_gemma":[0.9284054,0.00404263,0.0005252608,0.0025294486,0.00044956675,0.000070311195,0.000060099643,0.000043031963,0.06387431],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974849,0.0014209358,0.000056545614,0.00025025182,0.00040021015,0.0003870181],"domain_scores_gemma":[0.9948179,0.003976306,0.00030237844,0.0003540908,0.0003594046,0.00018988573],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0026536486,0.00055869715,0.00040217786,0.0037778837,0.012112076,0.010123796,0.0012558893,0.003945371,0.005006834],"category_scores_gemma":[0.0055153696,0.00019469224,0.00026047064,0.004551849,0.08553335,0.0061623855,0.0051751914,0.006677585,0.0005869315],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000004949233,0.000007197878,0.00005185399,0.000025625046,8.6570105e-7,0.000074193376,0.049341246,0.000023661196,0.000035831137,0.9465085,0.0017576568,0.0021683155],"study_design_scores_gemma":[0.000020442589,0.00004345513,0.0011465613,0.0003748782,0.000005661866,0.00031635765,0.040998865,0.00019060032,0.00040810657,0.34731847,0.6091564,0.000020176449],"about_ca_topic_score_codex":0.0098305475,"about_ca_topic_score_gemma":0.014522076,"teacher_disagreement_score":0.016193055,"about_ca_system_score_codex":0.016193055,"about_ca_system_score_gemma":0.0059107104,"threshold_uncertainty_score":0.1174894},"labels":[],"label_agreement":null},{"id":"W630231706","doi":"10.1515/9780773572942","title":"Rewriting Apocalypse in Canadian Fiction","year":2005,"lang":"en","type":"book","venue":"McGill-Queen's University Press eBooks","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":88,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Rewriting; Art; Literature; Computer science; History; Programming language","score_opus":0.01988202959009562,"score_gpt":0.1961124918431867,"score_spread":0.17623046225309108,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W630231706","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.026142303,0.012005681,0.0011334334,0.013819442,0.0016530238,0.000029053883,0.000094727155,0.00009369269,0.9450286],"genre_scores_gemma":[0.6225423,0.0096553,0.0018642297,0.0034260792,0.00043995318,0.000031722135,0.00011715268,0.00017551682,0.36174777],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99908483,0.00015036447,0.000013614613,0.00007835118,0.00045595938,0.00021691546],"domain_scores_gemma":[0.99928755,0.0002447422,0.000030204785,0.0000513121,0.00029798577,0.00008818394],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00077864784,0.0005154585,0.00025709835,0.0022548812,0.015874388,0.0075722337,0.0010957719,0.0017911198,0.006606362],"category_scores_gemma":[0.0029490844,0.0001653766,0.00021485434,0.0028313433,0.017912496,0.0016247513,0.0022273117,0.002969321,0.0007682245],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022075243,0.000009188159,0.00021561803,0.00007244803,0.0000030735562,0.00043078332,0.053282708,0.0002769882,0.00031488753,0.8301782,0.09208163,0.023112396],"study_design_scores_gemma":[0.0000039767174,0.000004984678,0.0006774904,0.00012862828,0.000004696568,0.00022502251,0.011509715,0.0001887143,0.00037948802,0.014962217,0.9718963,0.000018757108],"about_ca_topic_score_codex":0.8907781,"about_ca_topic_score_gemma":0.9515726,"teacher_disagreement_score":0.109221876,"about_ca_system_score_codex":0.07004775,"about_ca_system_score_gemma":0.039573345,"threshold_uncertainty_score":0.5082344},"labels":[],"label_agreement":null},{"id":"W639992634","doi":"","title":"Conversations with William Gibson","year":2014,"lang":"en","type":"book","venue":"Project Muse (Johns Hopkins University)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Futurist; Cyberspace; Media studies; Reading (process); Newspaper; Alienation; Variety (cybernetics); Social media; History; Literature; Sociology; Art; Art history; The Internet; Political science; Law; World Wide Web","score_opus":0.023344116972582225,"score_gpt":0.19555592859583626,"score_spread":0.17221181162325402,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W639992634","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0227307,0.033879668,0.0013004851,0.7512902,0.024507424,0.00007102944,0.0002078204,0.00024951054,0.16576315],"genre_scores_gemma":[0.26207724,0.028320482,0.002991185,0.2926929,0.0090225665,0.0002823525,0.00026000963,0.000795858,0.40355748],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9959021,0.0020319915,0.000105213694,0.0005920243,0.0008297612,0.00053892995],"domain_scores_gemma":[0.99515754,0.0021359029,0.00027993417,0.00020779546,0.00076351775,0.0014552638],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004114546,0.00085246266,0.00073984504,0.0015856775,0.01640465,0.00806568,0.0011808095,0.0041310205,0.011927203],"category_scores_gemma":[0.015616071,0.0005154634,0.00029820568,0.0018991331,0.008457995,0.0060139797,0.0049105543,0.007928086,0.004171179],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031383268,0.00002951178,0.00052798324,0.000062122934,0.0000046938057,0.0007956336,0.0772499,0.000024504609,0.00029753416,0.027574077,0.87435955,0.01904315],"study_design_scores_gemma":[0.000001944273,0.000008547625,0.00024191885,0.00008348676,0.0000015264645,0.00023857132,0.025501529,0.000011958887,0.0000631216,0.0019985354,0.971836,0.000012853588],"about_ca_topic_score_codex":0.03227839,"about_ca_topic_score_gemma":0.044253495,"teacher_disagreement_score":0.03227839,"about_ca_system_score_codex":0.0065257414,"about_ca_system_score_gemma":0.0049211956,"threshold_uncertainty_score":0.06418103},"labels":[],"label_agreement":null},{"id":"W6891618863","doi":"10.4224/23002244","title":"Red Sun, red Moon","year":2017,"lang":"en","type":"article","venue":"NPARC","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Herzberg Institute of Astrophysics","funders":"","keywords":"","score_opus":0.05281633940169261,"score_gpt":0.2547731168673175,"score_spread":0.2019567774656249,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6891618863","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002499956,0.0025713078,0.0012164847,0.042276282,0.15656494,0.00087146263,0.0022262302,0.0014221773,0.79035115],"genre_scores_gemma":[0.0051358305,0.00084332377,0.00048838754,0.0024084612,0.007389205,0.00011898171,0.00072693225,0.0005698378,0.98231906],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9942536,0.0008648193,0.00023025948,0.0006380719,0.0032791656,0.0007340437],"domain_scores_gemma":[0.96183527,0.0016217963,0.0006447207,0.0036757314,0.025964288,0.006258235],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0039563766,0.0006204087,0.0013029657,0.002104288,0.0045118523,0.008928566,0.0016840975,0.004007605,0.61785805],"category_scores_gemma":[0.031990692,0.00070548255,0.0007775764,0.00089916575,0.001912967,0.0033788083,0.004155557,0.0043855836,0.52228487],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037217273,0.000023834004,0.00017319835,0.0001561574,0.00000647775,0.00010461251,0.000072030074,0.000022172346,0.0003171588,0.0016296054,0.97191995,0.025537495],"study_design_scores_gemma":[0.000013064831,0.000009113523,0.0004969041,0.00010181818,0.000003874529,0.00007688535,0.00012652796,0.000048082296,0.00022760614,0.0005333431,0.99835336,0.000009416691],"about_ca_topic_score_codex":0.0023772325,"about_ca_topic_score_gemma":0.008648204,"teacher_disagreement_score":0.61785805,"about_ca_system_score_codex":0.0019521855,"about_ca_system_score_gemma":0.0055235755,"threshold_uncertainty_score":0.5450791},"labels":[],"label_agreement":null},{"id":"W6892700210","doi":"10.5281/zenodo.11104073","title":"Representation of the Dystopian Nature of Technology in Literature","year":2024,"lang":"en","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dystopia; Depiction; Representation (politics); Element (criminal law); Headline; Dehumanization; Wonder; Shadow (psychology)","score_opus":0.023010107432275,"score_gpt":0.24499746608384368,"score_spread":0.22198735865156868,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6892700210","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10030434,0.039838143,0.036768597,0.0579653,0.0020813472,0.00006981507,0.00026364697,0.00023720793,0.7624715],"genre_scores_gemma":[0.969247,0.006753714,0.0043282732,0.0014203113,0.00077381026,0.000065821805,0.00008002401,0.0000773264,0.017253704],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99784994,0.0013866747,0.00006366767,0.00017515864,0.00038021745,0.00014447812],"domain_scores_gemma":[0.9967013,0.002049313,0.00037210892,0.00043694917,0.00029820626,0.00014211268],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022242735,0.0004441843,0.0003151252,0.0059067723,0.0072083646,0.01250818,0.0007527116,0.0015871986,0.0038593214],"category_scores_gemma":[0.0041635446,0.00018948727,0.00023272188,0.0059540514,0.034813784,0.0089338925,0.004765832,0.002315698,0.0005505379],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000070273554,0.000002770863,0.00012633369,0.000044818134,0.0000019318022,0.00014171837,0.04300539,0.00010532408,0.00017348418,0.9505607,0.0023916957,0.0034388364],"study_design_scores_gemma":[0.000010952672,0.000019576428,0.0010796294,0.0006558205,0.0000127214225,0.0009897911,0.065878615,0.0010146649,0.00040744615,0.48517287,0.44473436,0.000023570954],"about_ca_topic_score_codex":0.0031048774,"about_ca_topic_score_gemma":0.0040150974,"teacher_disagreement_score":0.01250818,"about_ca_system_score_codex":0.006075396,"about_ca_system_score_gemma":0.0023943365,"threshold_uncertainty_score":0.044080317},"labels":[],"label_agreement":null},{"id":"W6901862558","doi":"10.60692/2dk26-0em09","title":"Los verdaderos héroes","year":2015,"lang":"es","type":"article","venue":"Greater South Information System","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Star (game theory); Context (archaeology); Orion Nebula","score_opus":0.07458849984938988,"score_gpt":0.22170621832595858,"score_spread":0.14711771847656868,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6901862558","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010896317,0.083382666,0.0013596665,0.06966848,0.16180058,0.000057784255,0.0010239945,0.00043090427,0.67137957],"genre_scores_gemma":[0.06487512,0.0305157,0.0006331576,0.007360397,0.055280145,0.000040479074,0.000695379,0.00032513088,0.84027445],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992434,0.00018900845,0.00002861894,0.00013983539,0.00030544284,0.000093812756],"domain_scores_gemma":[0.9986332,0.00033457563,0.00012470061,0.00010172548,0.0005039992,0.00030176964],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00070542004,0.00054898683,0.00027231788,0.0010882361,0.0024818564,0.0038223276,0.0004883231,0.00093087874,0.048998434],"category_scores_gemma":[0.0026342985,0.00018865654,0.00017727444,0.00070206466,0.0013924397,0.0016470976,0.0017167929,0.0018682611,0.012322659],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000050754592,0.000011228661,0.00039030972,0.00022619023,0.000004520874,0.0002719851,0.00185729,0.000031905798,0.00043751943,0.015788164,0.93251187,0.048418216],"study_design_scores_gemma":[0.0000011303956,0.0000038155476,0.0002888472,0.000058746366,0.0000010433632,0.000066468,0.00037027203,0.000010106227,0.000057865436,0.0002864174,0.9988532,0.000002030411],"about_ca_topic_score_codex":0.004370336,"about_ca_topic_score_gemma":0.010093383,"teacher_disagreement_score":0.048998434,"about_ca_system_score_codex":0.0015820377,"about_ca_system_score_gemma":0.0014147244,"threshold_uncertainty_score":0.16391605},"labels":[],"label_agreement":null},{"id":"W6907723256","doi":"10.22103/jcl.2022.18495.3377","title":"The Comparative Study of Fariba Vafi’s Dream of Tibet and Margaret Atwood’s The Robber Bride in Feministic Aspect","year":2022,"lang":"en","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dream; Civilization; Presentation (obstetrics); Orientalism; Power (physics); Sensibility; Racism","score_opus":0.3123359865141978,"score_gpt":0.5084393760088969,"score_spread":0.19610338949469908,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6907723256","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97951686,0.0011311846,0.00011412036,0.0011087196,0.00008556632,0.00002269759,0.00005381696,0.000003058849,0.017963938],"genre_scores_gemma":[0.993001,0.0005965578,0.00009396433,0.00014943132,0.000021961176,0.000018972802,0.000033215965,0.0000046584237,0.00608017],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.999151,0.00040813917,0.000022994782,0.0000625106,0.00015444144,0.00020089801],"domain_scores_gemma":[0.9989629,0.00049826864,0.00016067972,0.00004437912,0.00015282577,0.00018098834],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017216023,0.0003558689,0.00034859296,0.0022431305,0.009822405,0.0030972841,0.00089220103,0.0010515879,0.0056291465],"category_scores_gemma":[0.0028000213,0.00029470472,0.00018239775,0.002532914,0.0057220394,0.0017568944,0.001869607,0.0017419369,0.00027775305],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030865533,0.00002244113,0.0034733582,0.000066212015,0.0000027636054,0.0010467024,0.9853894,0.000009333451,0.00042697802,0.00420173,0.0008879331,0.0044423],"study_design_scores_gemma":[8.687052e-7,0.00001749036,0.0068202564,0.000065220745,0.0000014736726,0.00027109202,0.98260605,0.000009916976,0.0000996593,0.00008746598,0.010015179,0.0000053220224],"about_ca_topic_score_codex":0.049256656,"about_ca_topic_score_gemma":0.119912684,"teacher_disagreement_score":0.049256656,"about_ca_system_score_codex":0.0059160246,"about_ca_system_score_gemma":0.0029442387,"threshold_uncertainty_score":0.09793991},"labels":[],"label_agreement":null},{"id":"W6910868945","doi":"10.5167/uzh-215914","title":"Review: Brodman, Barbara/Doan, James E. (eds): Utopia and Dystopia in the Age of Trump. Images from Literature and Visual Arts. Vancouver/Madison/Teaneck/Wroxton 2019","year":2021,"lang":"en","type":"article","venue":"Zurich Open Repository and Archive (University of Zurich)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dystopia; Utopia; Shadow (psychology); Ridiculous","score_opus":0.011053989508513879,"score_gpt":0.21344204243797488,"score_spread":0.202388052929461,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6910868945","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000030348574,0.99497116,0.000023823166,0.0023584834,0.0020387715,0.000012863281,0.000084267835,0.0000078803205,0.00047241157],"genre_scores_gemma":[0.0003055402,0.99648845,0.000046530764,0.0013740604,0.0009662542,0.000021709156,0.00007918404,0.0000024409364,0.0007157186],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.998976,0.00019104636,0.00017417746,0.00013917928,0.00042235525,0.000097194476],"domain_scores_gemma":[0.9964126,0.0019775957,0.0004517349,0.00006807603,0.0008523872,0.0002377032],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017631425,0.0021571028,0.004796601,0.0074891993,0.0010491972,0.0046420335,0.0027878003,0.004012558,0.019960232],"category_scores_gemma":[0.0077804695,0.001002458,0.0014490306,0.012500366,0.0011267639,0.005091775,0.0018277742,0.003774095,0.007869325],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007678941,0.000018142697,0.00022751621,0.06675123,0.00025362702,0.0001681123,0.00026862885,0.000174207,0.0000890489,0.0013588778,0.7209283,0.20968555],"study_design_scores_gemma":[0.000051067076,0.000028119952,0.0011403967,0.051925246,0.00057438575,0.0007126486,0.00036258253,0.00004312045,0.00006799953,0.00088413985,0.9441693,0.000041026076],"about_ca_topic_score_codex":0.012277536,"about_ca_topic_score_gemma":0.026125357,"teacher_disagreement_score":0.019960232,"about_ca_system_score_codex":0.002436305,"about_ca_system_score_gemma":0.0066115176,"threshold_uncertainty_score":0.06677359},"labels":[],"label_agreement":null},{"id":"W6912038988","doi":"10.5281/zenodo.15806290","title":"Survival, Identity, and Power Dynamics: A Comparative Analysis of The Marrow Thieves and Babel","year":2025,"lang":"en","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Colonialism; Indigenous; Power (physics); Identity (music); Sovereignty; Narrative","score_opus":0.04812852151117034,"score_gpt":0.26921324638273103,"score_spread":0.2210847248715607,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6912038988","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9388745,0.0017392971,0.0007844147,0.0022978128,0.00010775616,0.000022481809,0.00002498242,0.000011280635,0.056137398],"genre_scores_gemma":[0.99068964,0.0005975785,0.00019060832,0.0001652626,0.000021451904,0.000016350094,0.000014952381,0.000019616296,0.008284414],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99754447,0.0016292229,0.000035387082,0.00015899538,0.0002033537,0.0004284572],"domain_scores_gemma":[0.9973297,0.0018817176,0.00023720493,0.00010079258,0.00014402307,0.00030665993],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0029150113,0.0004643456,0.000758768,0.0019417797,0.019602774,0.007903458,0.0011048228,0.0018229426,0.006719125],"category_scores_gemma":[0.0070546735,0.00037807648,0.00016352955,0.0018087692,0.027876154,0.0047155707,0.007150344,0.0038427808,0.0004248767],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025400082,0.000010899059,0.000489261,0.000026605785,0.0000017128133,0.00041561274,0.9784378,0.000017076407,0.00011464737,0.01712299,0.00040135146,0.0029366398],"study_design_scores_gemma":[0.000004445732,0.000028655568,0.0017591371,0.00008514771,0.0000033042031,0.00027094723,0.9567786,0.000043162574,0.00016915117,0.0022462176,0.03860217,0.000009036244],"about_ca_topic_score_codex":0.013518693,"about_ca_topic_score_gemma":0.031424556,"teacher_disagreement_score":0.019602774,"about_ca_system_score_codex":0.004503856,"about_ca_system_score_gemma":0.002373158,"threshold_uncertainty_score":0.03267795},"labels":[],"label_agreement":null},{"id":"W6912442734","doi":"10.5281/zenodo.4079121","title":"Watch.!!Anti-Life (2021) HD 720p Full Movie Watch Online mcj","year":2020,"lang":"en","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Entertainment; Action (physics); Crew; Full moon; Cyberspace; Download; Alien","score_opus":0.08144231749848413,"score_gpt":0.2379134118318914,"score_spread":0.15647109433340728,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6912442734","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0003295633,0.00020735385,0.0005992805,0.00037206092,0.00075666053,0.00008629578,0.0034860612,0.0038249614,0.9903377],"genre_scores_gemma":[0.0016193849,0.00024371302,0.00052663573,0.0003619171,0.00015940603,0.000051383853,0.0026019753,0.0021590355,0.9922765],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99984586,0.000007802211,0.0000039787824,0.000026887701,0.00008005809,0.00003542265],"domain_scores_gemma":[0.99934727,0.00004771391,0.000016287884,0.0000664067,0.00030044853,0.00022178123],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00020376765,0.0008399188,0.00037358172,0.0009173881,0.0017616543,0.0032722077,0.0008939225,0.0012407115,0.9301258],"category_scores_gemma":[0.0010881511,0.00044411825,0.00046414934,0.00059948955,0.00029194955,0.002571341,0.0020299552,0.0013159598,0.8615556],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016610416,0.000010378535,0.000038131246,0.000055593457,0.0000011288814,0.000018092705,0.00002773417,0.0000096136555,0.00028165267,0.0006138878,0.9837947,0.0151324775],"study_design_scores_gemma":[0.000006893302,0.00000831713,0.00026464308,0.000028357299,0.0000018897358,0.000044825658,0.000044231405,0.000031610816,0.00025085002,0.00015016142,0.9991629,0.0000052791775],"about_ca_topic_score_codex":0.0057582697,"about_ca_topic_score_gemma":0.016154941,"teacher_disagreement_score":0.06987423,"about_ca_system_score_codex":0.0006284898,"about_ca_system_score_gemma":0.00046302358,"threshold_uncertainty_score":0.09966713},"labels":[],"label_agreement":null},{"id":"W6912664581","doi":"10.5281/zenodo.6454256","title":"THE FEMINIST NATURE OF THE WORKS OF M. ATWOOD (BASED ON THE NOVEL \"THE HANDMAID'S TALE\")","year":2022,"lang":"en","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Identity (music); Action (physics); Power (physics); Character (mathematics); Element (criminal law); State (computer science); Function (biology)","score_opus":0.03211346840515178,"score_gpt":0.216945977099881,"score_spread":0.18483250869472923,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6912664581","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.024409847,0.055999648,0.0055332673,0.087149344,0.02087204,0.00009317606,0.00031607383,0.00019793378,0.8054287],"genre_scores_gemma":[0.5130735,0.01976909,0.0047549107,0.014472495,0.0077292044,0.00012557881,0.00013062861,0.00030116644,0.43964347],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993975,0.00016291336,0.000011497042,0.00011235615,0.00021111972,0.00010459081],"domain_scores_gemma":[0.99935824,0.00038930037,0.000067646135,0.000033593587,0.00007629837,0.000074996],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00061868393,0.00054294075,0.00022629062,0.0008558134,0.006549483,0.004893793,0.0005621963,0.0012273145,0.005174327],"category_scores_gemma":[0.00165909,0.00020185557,0.00016221678,0.0005047413,0.010081084,0.0015059457,0.0014261323,0.0028779896,0.000787173],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000060504066,0.000025975169,0.0002191696,0.00018835434,0.000005610885,0.00035553638,0.048098978,0.00019408074,0.0011546601,0.6402852,0.2766454,0.03276667],"study_design_scores_gemma":[0.0000015256193,0.000010355518,0.00039841013,0.00010670272,0.000001839155,0.0002465205,0.0037292899,0.000047616217,0.00037308037,0.0060393964,0.9890381,0.0000071261475],"about_ca_topic_score_codex":0.037073076,"about_ca_topic_score_gemma":0.097144775,"teacher_disagreement_score":0.037073076,"about_ca_system_score_codex":0.005358163,"about_ca_system_score_gemma":0.002516306,"threshold_uncertainty_score":0.073714554},"labels":[],"label_agreement":null},{"id":"W6924770979","doi":"10.15468/dl.mtub4g","title":"Occurrence Download","year":2023,"lang":"en","type":"dataset","venue":"Global Biodiversity Information Facility","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Geodetic datum; Coordinate system; Matching (statistics); Download; Range (aeronautics); Geographic coordinate conversion","score_opus":0.03174375605415136,"score_gpt":0.2196628649796402,"score_spread":0.18791910892548883,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6924770979","genre_codex":"dataset","genre_gemma":"dataset","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"dataset","genre_consensus":"dataset","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00004245002,0.00002948506,0.00006277004,0.00004504149,0.000015240862,0.0000059922354,0.9982653,0.00061005185,0.00092373573],"genre_scores_gemma":[0.0001566603,0.000036683574,0.00024732138,0.00004743935,0.0000041477865,0.00004228149,0.9986192,0.00019556895,0.0006506314],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99891734,0.00014267674,0.00013524038,0.00036962598,0.0002490632,0.00018598266],"domain_scores_gemma":[0.9975152,0.00066214893,0.00020346355,0.0006694981,0.000684539,0.00026509733],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009704632,0.0019079254,0.0014859515,0.0048266244,0.0010847176,0.0029922258,0.0027487564,0.001957971,0.16604279],"category_scores_gemma":[0.006412605,0.00083389797,0.0012532884,0.009885085,0.00044095,0.0024615056,0.0026664203,0.0020208652,0.26881495],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025105775,0.000009308239,0.00036324403,0.0004191615,0.000011363557,0.000014810669,0.000025979758,0.00011677224,0.000090868016,0.00042143377,0.9967327,0.0017692208],"study_design_scores_gemma":[0.000043275504,0.0000055662927,0.0013506538,0.00014425373,0.0000090040185,0.000028924002,0.000072747804,0.00014740686,0.00015324733,0.0007660086,0.9972651,0.000013775392],"about_ca_topic_score_codex":0.024678314,"about_ca_topic_score_gemma":0.040613137,"teacher_disagreement_score":0.8339572,"about_ca_system_score_codex":0.0016746585,"about_ca_system_score_gemma":0.0026142993,"threshold_uncertainty_score":0.55546844},"labels":[],"label_agreement":null},{"id":"W6925848629","doi":"10.20019070/foo.bar","title":"[epub] download Faking It as the Maid by Emily James PDF Download","year":2024,"lang":"en","type":"other","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Popularity; Download; Plot (graphics); Canadian literature; Performance art","score_opus":0.028983097782780055,"score_gpt":0.2365048179006847,"score_spread":0.20752172011790465,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6925848629","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0015044989,0.0019859832,0.0008762385,0.0027433306,0.0026958352,0.00004050669,0.0003227186,0.0008015168,0.9890294],"genre_scores_gemma":[0.0081082545,0.00092780025,0.0004112992,0.00095190125,0.00039156305,0.000015758937,0.00018949817,0.00039429482,0.98860955],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997385,0.00003812912,0.00000762277,0.000031335996,0.00015441338,0.000029926407],"domain_scores_gemma":[0.9996617,0.0000922313,0.000028480188,0.000051202926,0.00009407659,0.00007240173],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00033595716,0.00045114246,0.0002557098,0.00066034077,0.0020304567,0.0043627173,0.0004362005,0.0012007578,0.3479852],"category_scores_gemma":[0.0017309521,0.00021958543,0.00021394833,0.00048672679,0.00081221224,0.0031629317,0.0016297216,0.0016526388,0.16418482],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017105709,0.000012140295,0.0001060607,0.00007769696,0.0000023450682,0.00024293702,0.00072061905,0.000027178934,0.0002899269,0.009245682,0.95086724,0.038391117],"study_design_scores_gemma":[0.000001678599,0.00000896504,0.0002636328,0.000045918714,0.0000010885489,0.00024481025,0.000276328,0.00002976509,0.00014181183,0.00042375206,0.99855834,0.000003921043],"about_ca_topic_score_codex":0.0013080013,"about_ca_topic_score_gemma":0.0039957627,"teacher_disagreement_score":0.6520148,"about_ca_system_score_codex":0.0008199477,"about_ca_system_score_gemma":0.0003892113,"threshold_uncertainty_score":0.93002},"labels":[],"label_agreement":null},{"id":"W6931090250","doi":"10.5281/zenodo.16886622","title":"Le codex 97.1.128 : Mémoires d'un monde caché (compilation de trois nouvelles de science-fiction)","year":2025,"lang":"fr","type":"book","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"MAGIC (telescope); Descendant; Bronze","score_opus":0.03545588494946372,"score_gpt":0.23404944876901432,"score_spread":0.1985935638195506,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6931090250","genre_codex":"methods","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013128062,0.004145613,0.33826414,0.007906078,0.007035315,0.0006753121,0.09378444,0.29123914,0.24382195],"genre_scores_gemma":[0.0880802,0.0037335996,0.2080364,0.003434787,0.0020824815,0.0014986425,0.10185602,0.25138155,0.33989632],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99864763,0.0002538227,0.00013442988,0.000244159,0.00059231336,0.00012777075],"domain_scores_gemma":[0.99497366,0.0015726591,0.0001979713,0.0014477911,0.0015770446,0.00023092782],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015335951,0.001194086,0.0008923235,0.0029347704,0.0022291096,0.006558748,0.0015810777,0.0013914097,0.16020712],"category_scores_gemma":[0.013314545,0.0013948946,0.001442749,0.0028449327,0.0019236909,0.00616941,0.004342452,0.0029102392,0.097197294],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00026559632,0.000028331526,0.0011986328,0.0009579164,0.000040935833,0.00027210082,0.0024267733,0.0011949578,0.0030765769,0.101331994,0.7585831,0.13062301],"study_design_scores_gemma":[0.00001917509,0.0000107996875,0.00033272043,0.0001739781,0.0000093572935,0.0001289492,0.00013998104,0.00095928856,0.0027487958,0.009953224,0.98549116,0.000032545617],"about_ca_topic_score_codex":0.011145853,"about_ca_topic_score_gemma":0.0097798575,"teacher_disagreement_score":0.16020712,"about_ca_system_score_codex":0.0024969403,"about_ca_system_score_gemma":0.003975994,"threshold_uncertainty_score":0.53594625},"labels":[],"label_agreement":null},{"id":"W6938938037","doi":"10.6068/dp14ba7c5107197","title":"Trend 2006 - 2013. Statistics Canada. CANSIM: Labor - Employment and Unemployment | Country: Canada | Table: Labour force survey estimates (LFS), by immigrant status, country of birth, sex and age group | Variable: 15 years and over, Africa, Employment rate, Both sexes, Immigrants, landed 5 or less years earlier | Units: , 2006-2013. Data-Planet™ Statistical Ready Reference by Conquest Systems, Inc. Dataset-ID: 075-001-136.","year":2015,"lang":"en","type":"other","venue":"Data Planet","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Unemployment; Census; Official statistics; Economic statistics; Immigration; Socioeconomic status; Summary statistics; General Social Survey; Statistical analysis; Discouraged worker","score_opus":0.024466204676287226,"score_gpt":0.2312053883874158,"score_spread":0.2067391837111286,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6938938037","genre_codex":"dataset","genre_gemma":"dataset","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"dataset","genre_consensus":"dataset","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000059556616,0.000057490543,0.000029513973,0.00013998042,0.000033362383,0.000018774632,0.9986193,0.00006992853,0.0009720779],"genre_scores_gemma":[0.00097044307,0.00037264815,0.0005375235,0.0002203224,0.000022994122,0.00016482559,0.9919958,0.00015665719,0.005558842],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9954491,0.000350728,0.00051704835,0.00053375965,0.0020347158,0.0011147399],"domain_scores_gemma":[0.9667387,0.0012371999,0.0010315517,0.0009257737,0.028253473,0.0018133256],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023974914,0.0023397305,0.0027265018,0.007705536,0.0035259924,0.005025022,0.0053464244,0.0014483299,0.09607062],"category_scores_gemma":[0.01892117,0.0019287136,0.0022637083,0.03738295,0.0006112631,0.002502006,0.0025080529,0.003119482,0.054496706],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027281234,0.0000071709455,0.0009926624,0.0002469288,0.000021523394,0.000006451817,0.000025483701,0.000096497875,0.000008837472,0.0003598648,0.9963915,0.0018157855],"study_design_scores_gemma":[0.00019315114,0.000016029684,0.03009776,0.001118297,0.00008696918,0.00003285635,0.0006241284,0.000539721,0.00019802144,0.00073680904,0.9662456,0.00011070833],"about_ca_topic_score_codex":0.9955972,"about_ca_topic_score_gemma":0.9939073,"teacher_disagreement_score":0.09607062,"about_ca_system_score_codex":0.051718127,"about_ca_system_score_gemma":0.14101018,"threshold_uncertainty_score":0.37524307},"labels":[],"label_agreement":null},{"id":"W6943364347","doi":"10.15468/dl.p3gc8y","title":"Occurrence Download","year":2023,"lang":"en","type":"dataset","venue":"Global Biodiversity Information Facility","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Download; Matching (statistics); Range (aeronautics); Data set; Set (abstract data type)","score_opus":0.03174375605415136,"score_gpt":0.2196628649796402,"score_spread":0.18791910892548883,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6943364347","genre_codex":"dataset","genre_gemma":"dataset","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"dataset","genre_consensus":"dataset","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00005112764,0.000032946613,0.00005432796,0.000042923988,0.000013475048,0.0000056985596,0.9984785,0.000465118,0.00085598073],"genre_scores_gemma":[0.00015241222,0.000035205034,0.00021038624,0.00003861733,0.0000034551495,0.00003835183,0.9988512,0.00014163215,0.0005286613],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990907,0.0001272731,0.000110566245,0.0002924152,0.000226814,0.00015235603],"domain_scores_gemma":[0.99786013,0.0005967539,0.00019452017,0.0005579896,0.00053034414,0.00026029948],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009014029,0.001967213,0.0014458253,0.0049468004,0.0009882861,0.0025319757,0.002684895,0.0020284874,0.13531448],"category_scores_gemma":[0.0054257545,0.00079954165,0.0010496171,0.009947604,0.00048516924,0.0021656107,0.0026049118,0.0021307403,0.20823693],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023507135,0.00001117044,0.00033326217,0.0004305638,0.000010945498,0.000015223691,0.000028935703,0.000121053934,0.000094310715,0.0004283804,0.99697614,0.0015265883],"study_design_scores_gemma":[0.000051292925,0.0000059038434,0.0014963109,0.0001588545,0.000009092278,0.000033584132,0.00008080105,0.00014300512,0.0001535597,0.00066834496,0.9971855,0.000013657068],"about_ca_topic_score_codex":0.024964321,"about_ca_topic_score_gemma":0.045602817,"teacher_disagreement_score":0.86468554,"about_ca_system_score_codex":0.0017225344,"about_ca_system_score_gemma":0.002347343,"threshold_uncertainty_score":0.452672},"labels":[],"label_agreement":null},{"id":"W6943538746","doi":"10.15468/dl.yamd2g","title":"Occurrence Download","year":2022,"lang":"en","type":"dataset","venue":"Global Biodiversity Information Facility","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Download; Matching (statistics); Range (aeronautics); Work (physics); Base (topology)","score_opus":0.025374841116396114,"score_gpt":0.20964838180238146,"score_spread":0.18427354068598534,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6943538746","genre_codex":"dataset","genre_gemma":"dataset","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"dataset","genre_consensus":"dataset","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000068462665,0.00006046104,0.00010512883,0.00006987113,0.00003187477,0.000009927048,0.9966156,0.0014530645,0.0015856497],"genre_scores_gemma":[0.00025056192,0.00006425555,0.00047784546,0.00009747549,0.000008822732,0.00004603942,0.997532,0.00036097676,0.0011620402],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988073,0.00013267955,0.00015446122,0.00043809318,0.00027517945,0.00019234544],"domain_scores_gemma":[0.99755496,0.0005933369,0.00018420775,0.00071982306,0.00064444303,0.00030332748],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00082904164,0.0021693448,0.0017267287,0.0050331037,0.0013266363,0.0036973136,0.00295279,0.00251979,0.22756992],"category_scores_gemma":[0.0058653103,0.00093908544,0.0014763267,0.008251626,0.00041072012,0.004003625,0.0037022333,0.002350107,0.3197157],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034795663,0.000015251691,0.00038906466,0.0005379859,0.000013229698,0.0000194489,0.000025649178,0.000098837314,0.00010194121,0.00044667505,0.99543494,0.002882102],"study_design_scores_gemma":[0.000048557045,0.000010045898,0.0012132671,0.00016944115,0.0000112384,0.000043885586,0.00008584837,0.00021244858,0.00017543223,0.00089823647,0.99711406,0.00001752878],"about_ca_topic_score_codex":0.016015984,"about_ca_topic_score_gemma":0.03502446,"teacher_disagreement_score":0.77243006,"about_ca_system_score_codex":0.0016337935,"about_ca_system_score_gemma":0.0022443861,"threshold_uncertainty_score":0.7612972},"labels":[],"label_agreement":null},{"id":"W6943688077","doi":"10.15468/dl.ymqa9b","title":"Occurrence Download","year":2022,"lang":"en","type":"dataset","venue":"Global Biodiversity Information Facility","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Download; Matching (statistics); Range (aeronautics); Data set; Set (abstract data type)","score_opus":0.025374841116396114,"score_gpt":0.20964838180238146,"score_spread":0.18427354068598534,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6943688077","genre_codex":"dataset","genre_gemma":"dataset","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"dataset","genre_consensus":"dataset","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00003927912,0.000028160219,0.000045125646,0.00003930179,0.000010981459,0.000004800886,0.99867517,0.00035702772,0.00080008636],"genre_scores_gemma":[0.00013611885,0.000034615212,0.00018365524,0.00003731816,0.000003303374,0.000035986683,0.9988955,0.00013202909,0.000541439],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99897265,0.0001411593,0.00012886699,0.00032329472,0.00026385914,0.00017020715],"domain_scores_gemma":[0.99748045,0.0007336894,0.00023712747,0.00061892153,0.0006270365,0.00030288222],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001009967,0.0019426441,0.0014737605,0.0056784065,0.001050644,0.0028093797,0.0027515735,0.002033187,0.15071411],"category_scores_gemma":[0.0060223653,0.000824655,0.000998032,0.011170434,0.000495775,0.0021945867,0.0026569762,0.0020822969,0.22037566],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022282247,0.000009422183,0.00032181913,0.000427306,0.000010442344,0.000016234473,0.000027850896,0.00009917431,0.000082970066,0.00045326652,0.99717474,0.0013545487],"study_design_scores_gemma":[0.00004776371,0.000005141277,0.001434559,0.00016253351,0.000008862404,0.000033334938,0.00007533237,0.0001113577,0.00013313138,0.0006590437,0.99731547,0.000013450344],"about_ca_topic_score_codex":0.025734741,"about_ca_topic_score_gemma":0.04729042,"teacher_disagreement_score":0.8492859,"about_ca_system_score_codex":0.001807449,"about_ca_system_score_gemma":0.002627126,"threshold_uncertainty_score":0.50418895},"labels":[],"label_agreement":null},{"id":"W6943706503","doi":"10.15468/dl.y4j4cj","title":"Occurrence Download","year":2022,"lang":"en","type":"dataset","venue":"Global Biodiversity Information Facility","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Download; Matching (statistics); Range (aeronautics); Identification (biology); Set (abstract data type)","score_opus":0.025374841116396114,"score_gpt":0.20964838180238146,"score_spread":0.18427354068598534,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6943706503","genre_codex":"dataset","genre_gemma":"dataset","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"dataset","genre_consensus":"dataset","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00004219179,0.000032444572,0.000050778748,0.000043823056,0.00001273984,0.000005140532,0.9985575,0.0003851535,0.0008702224],"genre_scores_gemma":[0.00014203507,0.000036371086,0.00020132252,0.00004025843,0.0000036177034,0.0000385746,0.99880826,0.00013448458,0.00059507415],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989818,0.00014370088,0.00012094792,0.00033096224,0.0002587156,0.00016389601],"domain_scores_gemma":[0.9976223,0.0006971851,0.00021735879,0.0005914135,0.00058657443,0.00028517892],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001009046,0.0019500804,0.0014505176,0.0052704336,0.0011110848,0.0028053708,0.0028174757,0.002113151,0.15055579],"category_scores_gemma":[0.005955697,0.000801718,0.0010033814,0.010241644,0.00051247695,0.0022358394,0.0026126339,0.00217719,0.22569244],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021389418,0.000009511358,0.0002977273,0.0004035981,0.0000099857825,0.000014665079,0.00002599444,0.00009901965,0.00008296868,0.00044386458,0.99721897,0.0013722472],"study_design_scores_gemma":[0.000046821042,0.0000052587193,0.0013542635,0.0001580245,0.000008664335,0.00003268162,0.00007283259,0.000117331525,0.0001372319,0.0006885668,0.9973652,0.000013198675],"about_ca_topic_score_codex":0.02483754,"about_ca_topic_score_gemma":0.04661162,"teacher_disagreement_score":0.8494442,"about_ca_system_score_codex":0.0018285451,"about_ca_system_score_gemma":0.002596784,"threshold_uncertainty_score":0.50365925},"labels":[],"label_agreement":null},{"id":"W6943986015","doi":"10.17600/7410130","title":"ARCADINO AOUT 2007 cruise,Cote D'Aquitaine R/V","year":2007,"lang":"fr","type":"other","venue":"Open MIND","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Plateau (mathematics); Protozoal disease; Quarter (Canadian coin)","score_opus":0.059941610647542075,"score_gpt":0.3041320079745114,"score_spread":0.24419039732696932,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6943986015","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9424063,0.0009069503,0.0018743549,0.00028240288,0.000069421236,0.00018506238,0.004415861,0.00037870012,0.049480963],"genre_scores_gemma":[0.89624083,0.000750897,0.006847857,0.00029229632,0.000025092493,0.0002392374,0.0046407157,0.00013776099,0.09082528],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997402,0.000010432711,0.000007238999,0.00011234495,0.00008656187,0.0000431858],"domain_scores_gemma":[0.99965215,0.00003355908,0.000071463706,0.00002302998,0.00016365913,0.000056101817],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00019186072,0.0003949405,0.00033331403,0.0011208865,0.0018339037,0.0009067847,0.0004329768,0.000420062,0.008546257],"category_scores_gemma":[0.00033494498,0.0003170853,0.00034286547,0.0012693579,0.00043186382,0.00052934396,0.00079038326,0.0007460358,0.0013163615],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.001349275,0.00018931422,0.5486211,0.0010965735,0.0002172874,0.002941285,0.009236709,0.0024801146,0.27706078,0.0020948274,0.0069187013,0.1477939],"study_design_scores_gemma":[0.000016642869,0.00022784637,0.9349576,0.000076078075,0.00003574737,0.00035493498,0.0021355636,0.00042215988,0.007874144,0.00017016265,0.0537031,0.000026025153],"about_ca_topic_score_codex":0.24978867,"about_ca_topic_score_gemma":0.4970509,"teacher_disagreement_score":0.24978867,"about_ca_system_score_codex":0.0030130567,"about_ca_system_score_gemma":0.0022508253,"threshold_uncertainty_score":0.49666947},"labels":[],"label_agreement":null},{"id":"W6944175148","doi":"10.17605/osf.io/a2t8n","title":"Party Leadership framing of Election results","year":2022,"lang":"en","type":"other","venue":"Open Science Framework","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Framing (construction); Victory; Primary election; Politics; General election; Federal election; Split-ticket voting; National election","score_opus":0.11558063594912259,"score_gpt":0.3149488262949107,"score_spread":0.19936819034578812,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6944175148","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.73269093,0.00020951891,0.0049966318,0.0014836154,0.00007003556,0.00010665592,0.00022943266,0.00002947903,0.26018375],"genre_scores_gemma":[0.9974354,0.000055000928,0.0007683272,0.00008267041,0.000017041351,0.000037114263,0.000056354656,0.000012113909,0.0015360352],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9829054,0.011915883,0.00038529997,0.0009480335,0.0030427764,0.00080264435],"domain_scores_gemma":[0.94470084,0.03699604,0.009123875,0.0044051562,0.0036056093,0.0011683811],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.013839353,0.00040628738,0.00034459634,0.0017041018,0.001663426,0.004948312,0.00044557927,0.0006679543,0.010121172],"category_scores_gemma":[0.056396022,0.00020188079,0.0003309112,0.0011770289,0.0046229656,0.0023537457,0.0018089991,0.0012768528,0.0005306891],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0030229238,0.0022235115,0.27601153,0.00072618533,0.00034717505,0.0004411824,0.07172373,0.003212477,0.011228174,0.46691307,0.0063745016,0.15777557],"study_design_scores_gemma":[0.00033667413,0.0015467488,0.698896,0.00056856015,0.00033868168,0.00020800426,0.054228686,0.008460957,0.0112478975,0.18049431,0.043442234,0.00023129987],"about_ca_topic_score_codex":0.005119526,"about_ca_topic_score_gemma":0.0076298914,"teacher_disagreement_score":0.013839353,"about_ca_system_score_codex":0.0030681444,"about_ca_system_score_gemma":0.0011501532,"threshold_uncertainty_score":0.07319033},"labels":[],"label_agreement":null},{"id":"W6944368689","doi":"10.18130/v3-cjpp-8t19","title":"De la contre-utopie: (essai sur le roman de la decadence depuis l'attentat contre Charlie Hebdo)","year":2019,"lang":"fr","type":"article","venue":"Libra","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Decadence; Identity (music)","score_opus":0.010243297391380914,"score_gpt":0.22242545791895968,"score_spread":0.21218216052757877,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6944368689","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05141133,0.018922834,0.007827305,0.028411115,0.0011636881,0.000026571168,0.00011822248,0.00005793496,0.892061],"genre_scores_gemma":[0.80974185,0.005273564,0.0016260515,0.004116269,0.0005679676,0.000037624177,0.00005542513,0.00015939416,0.17842194],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985985,0.0007547379,0.00002565508,0.00021180687,0.00020624415,0.00020294673],"domain_scores_gemma":[0.9992416,0.000342032,0.000099628865,0.00010579952,0.00012069198,0.00009040695],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012877415,0.00051659055,0.00023496192,0.0009017427,0.00615786,0.007989616,0.0005593171,0.0020609049,0.010585271],"category_scores_gemma":[0.0023446453,0.000217715,0.00028408697,0.00091317826,0.018644301,0.007072781,0.00268625,0.00429909,0.0019034196],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001720074,0.00000417201,0.000380737,0.000030873376,0.0000020171578,0.00009835494,0.040613227,0.000029813353,0.00010760627,0.9468316,0.0069294563,0.004954959],"study_design_scores_gemma":[0.000010774065,0.000023005241,0.0014837601,0.00027308866,0.0000068459176,0.00041777483,0.02856923,0.00016445237,0.00037209116,0.1239229,0.8447349,0.00002121411],"about_ca_topic_score_codex":0.0137781575,"about_ca_topic_score_gemma":0.023388822,"teacher_disagreement_score":0.0137781575,"about_ca_system_score_codex":0.005257068,"about_ca_system_score_gemma":0.0025259892,"threshold_uncertainty_score":0.03814292},"labels":[],"label_agreement":null},{"id":"W6949555273","doi":"10.5281/zenodo.3700295","title":"\"If you look long enough, eventually you will see me\": The Power of the Elusive in Atwood's Alias Grace","year":2020,"lang":"en","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Alias; Depiction; Power (physics); Servant; Immortality; Wilderness; Character (mathematics); Girl","score_opus":0.03358921098744207,"score_gpt":0.22461339453834825,"score_spread":0.19102418355090617,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6949555273","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11011088,0.008669509,0.0036795633,0.06907465,0.0031874625,0.00004046111,0.00006792135,0.00017026367,0.8049993],"genre_scores_gemma":[0.77227837,0.00248619,0.0012540742,0.007047299,0.0005400237,0.000036690995,0.00003064969,0.0003289385,0.21599776],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984571,0.00072774116,0.000016340075,0.0001445193,0.00031979426,0.0003345032],"domain_scores_gemma":[0.99881136,0.0004710771,0.00008561513,0.00008969763,0.00015985542,0.00038239537],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013984513,0.00059612223,0.0002603125,0.00069807866,0.021011014,0.008284046,0.0011417326,0.0020362767,0.0052111917],"category_scores_gemma":[0.0022074936,0.00025676764,0.00021762117,0.00047253113,0.025990412,0.003649661,0.004138747,0.006994225,0.0012341146],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005310186,0.000025374718,0.00032281235,0.00005433035,0.000003968611,0.0011837507,0.53001696,0.000049397677,0.00054206676,0.3713011,0.0855574,0.010889684],"study_design_scores_gemma":[0.0000054920774,0.000021993383,0.00049744424,0.00016214173,0.000006066302,0.0011119099,0.19989221,0.00010021457,0.0005146406,0.011556336,0.78610516,0.000026511681],"about_ca_topic_score_codex":0.047268618,"about_ca_topic_score_gemma":0.112944946,"teacher_disagreement_score":0.047268618,"about_ca_system_score_codex":0.0053981068,"about_ca_system_score_gemma":0.0034720402,"threshold_uncertainty_score":0.09398699},"labels":[],"label_agreement":null},{"id":"W6949814950","doi":"10.5281/zenodo.4492675","title":"Vederlo Streaming Breach (2020) Online Film Completo Italiano Gratuito bqu","year":2021,"lang":"it","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Space (punctuation); Live streaming; Variety (cybernetics); The Internet; EXPOSE","score_opus":0.051086059220699635,"score_gpt":0.2488244009906434,"score_spread":0.19773834176994376,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6949814950","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00046270798,0.0004965564,0.00040704323,0.00086575706,0.0014282766,0.00011384775,0.0059523955,0.0022489133,0.98802453],"genre_scores_gemma":[0.0023228547,0.00038013668,0.0004452255,0.00034249108,0.00029879098,0.00005475788,0.0035558715,0.0013755368,0.9912243],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99976355,0.000018704874,0.000005644175,0.000043895692,0.00011147785,0.000056822802],"domain_scores_gemma":[0.9994326,0.00004911426,0.000019582243,0.00006680017,0.00021716072,0.00021472776],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00032563755,0.0007785414,0.00038079554,0.0012229215,0.0015904669,0.004892743,0.0007445964,0.0010241298,0.8786334],"category_scores_gemma":[0.0011794807,0.00039745666,0.00043233155,0.001086691,0.00031337913,0.002523723,0.0024226648,0.0014776264,0.7231008],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002424294,0.000008831286,0.000038458136,0.0000563194,0.0000010979949,0.000020303874,0.000042460655,0.000012331515,0.00020496664,0.0008850481,0.9820716,0.016634455],"study_design_scores_gemma":[0.0000062707395,0.00000701303,0.00040138396,0.00005352506,0.0000012497827,0.000026236623,0.000059760456,0.000024340212,0.000096609176,0.00015162404,0.99916875,0.0000031849559],"about_ca_topic_score_codex":0.0072455187,"about_ca_topic_score_gemma":0.024693135,"teacher_disagreement_score":0.12136662,"about_ca_system_score_codex":0.001063453,"about_ca_system_score_gemma":0.0005686629,"threshold_uncertainty_score":0.17311466},"labels":[],"label_agreement":null},{"id":"W6958702957","doi":"10.6093/2035-8504/8540","title":"“Those who suffer the ecstasy of the animals”","year":2021,"lang":"en","type":"article","venue":"Università degli Studi di Napoli Federico II","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Trilogy; Narrative; Reading (process); Ecstasy; Wilderness; Blueprint; Point (geometry); Human animal","score_opus":0.029722955836075978,"score_gpt":0.21876226608520893,"score_spread":0.18903931024913295,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6958702957","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18948601,0.02153261,0.007911911,0.18124074,0.007023295,0.00007395946,0.00017997852,0.00015697707,0.5923946],"genre_scores_gemma":[0.8193174,0.0074998587,0.001634489,0.04683473,0.0009530209,0.000045959925,0.00007728821,0.00014647044,0.12349079],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99829966,0.00073940423,0.000026625088,0.00015612016,0.00037580513,0.00040239026],"domain_scores_gemma":[0.99880743,0.00044673428,0.00016563309,0.0000857134,0.00020653867,0.00028795414],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00096544175,0.00047981468,0.0002583604,0.00062205025,0.011426749,0.004798527,0.000873044,0.0023567877,0.0077737286],"category_scores_gemma":[0.0025517715,0.0001705557,0.00025945666,0.0005741461,0.020655913,0.0046311556,0.0032261868,0.0062280763,0.0016193374],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040726733,0.000034740468,0.0019954634,0.00018298082,0.000020702206,0.0015165457,0.56182426,0.000054789536,0.0012805943,0.25448325,0.15371735,0.024848616],"study_design_scores_gemma":[0.000003895704,0.000024746842,0.0012703366,0.00022185498,0.000010607208,0.0018147688,0.27711254,0.0000467788,0.000339595,0.010587385,0.70854574,0.000021708589],"about_ca_topic_score_codex":0.040164888,"about_ca_topic_score_gemma":0.07796288,"teacher_disagreement_score":0.040164888,"about_ca_system_score_codex":0.0031524384,"about_ca_system_score_gemma":0.002123255,"threshold_uncertainty_score":0.07986218},"labels":[],"label_agreement":null},{"id":"W6964396456","doi":"10.25439/rmt.27346953.v1","title":"2112- Imagining the Future","year":2024,"lang":"en","type":"other","venue":"Figshare","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dystopia; Exhibition; Theme (computing); Vision; Narrative; Relation (database); The arts; Perspective (graphical)","score_opus":0.03659301823200798,"score_gpt":0.23973840945434424,"score_spread":0.20314539122233627,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6964396456","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07169746,0.016712036,0.0025042407,0.028683338,0.0015033772,0.00004804486,0.000110225476,0.00005173915,0.8786895],"genre_scores_gemma":[0.7949564,0.00840665,0.0015872044,0.004648812,0.0006428932,0.000072985255,0.00007915814,0.0000824936,0.1895234],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987109,0.0006387205,0.00002449622,0.0002010266,0.00026354508,0.00016131344],"domain_scores_gemma":[0.9992105,0.00045668194,0.00004604398,0.00007110033,0.00008816444,0.00012749198],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015805073,0.0004207669,0.0001920289,0.00070614915,0.005940205,0.007050403,0.0006206958,0.0016267828,0.01682916],"category_scores_gemma":[0.0018797204,0.00020796359,0.00027662195,0.00061841804,0.012100539,0.0040890463,0.0032456964,0.003059278,0.0017219016],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040353007,0.00004750114,0.0010952683,0.00030674526,0.0000066166485,0.00062477106,0.18589835,0.0002974319,0.0012787539,0.7153858,0.05708789,0.03793053],"study_design_scores_gemma":[0.0000034567613,0.000035554556,0.0024081944,0.0005726884,0.0000034140269,0.00055049727,0.04325131,0.00015105579,0.00043922968,0.03682733,0.9157456,0.0000116772335],"about_ca_topic_score_codex":0.012274032,"about_ca_topic_score_gemma":0.015446422,"teacher_disagreement_score":0.01682916,"about_ca_system_score_codex":0.0056306575,"about_ca_system_score_gemma":0.0020402088,"threshold_uncertainty_score":0.05629915},"labels":[],"label_agreement":null},{"id":"W6966435443","doi":"10.48336/7230-5562","title":"The end of times, the end of signs? Cyberpunk novels, nuclear war, and virtual realities","year":2022,"lang":"en","type":"article","venue":"Memorial University Research Repository (Memorial University)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Memorial University of Newfoundland","funders":"","keywords":"Impossibility; Depiction; Framing (construction); Virtual reality; Simulated reality; Nothing; Nuclear weapon; Event (particle physics)","score_opus":0.030906172093680497,"score_gpt":0.22416023424231596,"score_spread":0.19325406214863547,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6966435443","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.34789816,0.013291518,0.0060380544,0.035192564,0.0020927375,0.000018724832,0.00010503784,0.00012799005,0.5952352],"genre_scores_gemma":[0.9801845,0.0011545181,0.0003401476,0.00059664436,0.0001857,0.000010605431,0.000023300208,0.000056370245,0.017448355],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99912995,0.00049217365,0.000020660684,0.00010353796,0.00013557628,0.00011820393],"domain_scores_gemma":[0.9986267,0.0007900423,0.00018875513,0.00017072116,0.00008659403,0.00013716391],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010251958,0.0002803256,0.00020469596,0.00072408357,0.0052213836,0.009137739,0.00054223667,0.001167554,0.0054790922],"category_scores_gemma":[0.002670338,0.00015480646,0.00015328999,0.0005998582,0.022870515,0.009171525,0.002824933,0.002224627,0.0004801899],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000043550226,0.000014246998,0.00051949406,0.000055051223,0.0000037051345,0.00035877645,0.10983199,0.00012930679,0.0002503806,0.87406063,0.0069168154,0.007816142],"study_design_scores_gemma":[0.000018942574,0.000047095462,0.0016567007,0.0003508709,0.0000066230273,0.0006678156,0.18159597,0.00029893205,0.00093913684,0.11825983,0.6961282,0.00002984351],"about_ca_topic_score_codex":0.003079971,"about_ca_topic_score_gemma":0.0052935826,"teacher_disagreement_score":0.009137739,"about_ca_system_score_codex":0.003929182,"about_ca_system_score_gemma":0.0011877256,"threshold_uncertainty_score":0.028508365},"labels":[],"label_agreement":null},{"id":"W6969025383","doi":"10.5281/zenodo.4464374","title":"[OnLine~123MovieS] PG (Psycho Goreman) (2021) | Watch Full Movie For Free Streaming dmw","year":2021,"lang":"en","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Paraphernalia; Headline; Pretext; Staring; The Internet; Action (physics)","score_opus":0.05362304886055491,"score_gpt":0.2484998588693654,"score_spread":0.1948768100088105,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6969025383","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0003412748,0.00019292999,0.0004889951,0.00061236386,0.0009543535,0.000097796874,0.004188411,0.0046521607,0.98847175],"genre_scores_gemma":[0.0020318688,0.00024373423,0.00055676646,0.000412586,0.00017662492,0.000050871033,0.0032430051,0.002531125,0.99075353],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9998573,0.000010654325,0.0000045772495,0.000023195851,0.00007149399,0.000032809934],"domain_scores_gemma":[0.9994106,0.000064602275,0.000017423787,0.00009097236,0.00021728086,0.00019912209],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00017579166,0.0007521778,0.0003546983,0.00076843466,0.0012173592,0.0032073257,0.0008076778,0.0010356875,0.93503034],"category_scores_gemma":[0.001223866,0.00044647622,0.00043218778,0.00075642124,0.00030429836,0.0032254725,0.0022788611,0.0015117329,0.8455507],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015131555,0.000009471064,0.000028006547,0.000054835255,9.781445e-7,0.000026095388,0.000031052852,0.000012227339,0.00022708344,0.0007118842,0.97634614,0.022537028],"study_design_scores_gemma":[0.000007408486,0.0000091172,0.00044381025,0.000041556552,0.0000013113232,0.000066839675,0.000064635984,0.00004013646,0.00015868722,0.00031439675,0.99884665,0.000005437275],"about_ca_topic_score_codex":0.004372399,"about_ca_topic_score_gemma":0.012008516,"teacher_disagreement_score":0.06496966,"about_ca_system_score_codex":0.000635839,"about_ca_system_score_gemma":0.00043109118,"threshold_uncertainty_score":0.092671275},"labels":[],"label_agreement":null},{"id":"W6976529878","doi":"10.6068/dp15df28cd0cb58","title":"Trend 1980 - 2015. Energy Information Administration. International Energy Statistics: Electricity | Country: Canada | Category: Generation | Series: Nuclear Electricity Net Generation | Units: Btu, 1980-2015. Data-Planet™ Statistical Ready Reference by Conquest Systems, Inc. Dataset-ID: 004-015-003.","year":2017,"lang":"en","type":"other","venue":"Data Planet","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Electricity generation; Electricity; Renewable energy; Energy policy; Energy (signal processing); Production (economics); Energy subsidies; Agency (philosophy); Administration (probate law)","score_opus":0.03484745918463035,"score_gpt":0.24581436956166924,"score_spread":0.2109669103770389,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6976529878","genre_codex":"dataset","genre_gemma":"dataset","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"dataset","genre_consensus":"dataset","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00003676367,0.000026219494,0.000014757302,0.00005438487,0.000020350399,0.0000063435937,0.9992575,0.000046374065,0.0005372894],"genre_scores_gemma":[0.000269717,0.000072905976,0.00010151971,0.000036178088,0.000008780341,0.000037667116,0.9982493,0.0000427472,0.001181328],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976978,0.00014806367,0.0002397496,0.00035728718,0.0010798528,0.00047730264],"domain_scores_gemma":[0.98247045,0.00076651806,0.0006927281,0.000915202,0.014455723,0.00069931336],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013235713,0.0018515281,0.0021077062,0.0063370024,0.0018330056,0.0043274057,0.0034695975,0.0012952659,0.062475663],"category_scores_gemma":[0.012427132,0.0012551079,0.0013134562,0.0296376,0.0006056795,0.0029070901,0.0017707701,0.0030887006,0.066257365],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014821203,0.0000059046383,0.0005446481,0.00013965329,0.000012999283,0.000004030817,0.00000915779,0.00010076601,0.000009770969,0.00032947832,0.9978963,0.0009324884],"study_design_scores_gemma":[0.00008651916,0.00000716199,0.01036063,0.0004183666,0.000027065335,0.000012509747,0.00019308156,0.0003040791,0.00017754562,0.00064805243,0.98772496,0.000039931598],"about_ca_topic_score_codex":0.91880953,"about_ca_topic_score_gemma":0.90912074,"teacher_disagreement_score":0.08119047,"about_ca_system_score_codex":0.01715219,"about_ca_system_score_gemma":0.03800839,"threshold_uncertainty_score":0.2090019},"labels":[],"label_agreement":null},{"id":"W6977934581","doi":"10.6084/m9.figshare.c.5323680.v1","title":"Gene co-expression analysis of tomato seed maturation reveals tissue-specific regulatory networks and hubs associated with the acquisition of desiccation tolerance and seed vigour","year":2021,"lang":"en","type":"other","venue":"Figshare","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Endosperm; Transcriptome; Desiccation; Gene; Desiccation tolerance; Embryo; Dormancy; Gene regulatory network","score_opus":0.025283786840861695,"score_gpt":0.23071247009304477,"score_spread":0.20542868325218308,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6977934581","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99384475,0.0006196926,0.0013868784,0.000024641195,0.0000055413643,0.000014148155,0.0033822292,0.000055515382,0.00066655065],"genre_scores_gemma":[0.9915735,0.0001949791,0.0017319514,0.00003919346,0.0000048586257,0.000045809127,0.0049511953,0.000026820253,0.0014316139],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.99989176,0.0000048394427,0.000003872588,0.00006293236,0.000016477148,0.000020239502],"domain_scores_gemma":[0.99988854,0.000022054046,0.000034410128,0.0000062878735,0.000023962604,0.000024724344],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0000851367,0.00016629737,0.00027217536,0.00048733217,0.00014831826,0.00021344873,0.00010087384,0.00013579852,0.0010233461],"category_scores_gemma":[0.00013541215,0.00011656,0.00025950046,0.0004999378,0.00010964882,0.00012942741,0.00020075268,0.00020060841,0.00023667856],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001698766,0.000014218372,0.02443435,0.00009295669,0.000037113077,0.000094921175,0.00009724281,0.00027685202,0.9710882,0.00009751388,0.00017156855,0.0034252668],"study_design_scores_gemma":[0.000014317386,0.00017604382,0.92871624,0.000013291582,0.00006271626,0.00026452597,0.0001650794,0.0057063634,0.06279137,0.0001397192,0.0019337091,0.000016722062],"about_ca_topic_score_codex":0.0012252704,"about_ca_topic_score_gemma":0.0019560459,"teacher_disagreement_score":0.0012252704,"about_ca_system_score_codex":0.0002051373,"about_ca_system_score_gemma":0.00016196394,"threshold_uncertainty_score":0.0034234524},"labels":[],"label_agreement":null},{"id":"W6980173260","doi":"","title":"Avioliittoon pakottamisen kriminalisointi Suomessa","year":2020,"lang":"fi","type":"other","venue":"Osuva (University of Vaasa)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Value (mathematics); Quarter (Canadian coin); Population","score_opus":0.03251771578648743,"score_gpt":0.19807371482866187,"score_spread":0.16555599904217444,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6980173260","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15528241,0.031740606,0.034680877,0.011533175,0.006138325,0.00063432736,0.0025422699,0.0021891359,0.75525886],"genre_scores_gemma":[0.24134499,0.015273207,0.024198757,0.0029981104,0.00041558186,0.00030335004,0.0018274253,0.0007818436,0.7128568],"study_design_codex":"bench_or_experimental","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995147,0.00007196075,0.00003071842,0.000099205026,0.00018320195,0.000100177516],"domain_scores_gemma":[0.999556,0.00006994334,0.000048693095,0.00005046081,0.00018623544,0.00008854687],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006642529,0.00083139667,0.00046972747,0.0004327866,0.001242973,0.002355792,0.0006423922,0.00079575606,0.054635767],"category_scores_gemma":[0.0006557782,0.00038450776,0.0005468884,0.00027249136,0.0009250975,0.001456208,0.0020141657,0.0019582524,0.022430848],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0029381616,0.00054851087,0.0022743882,0.0018745799,0.00011234589,0.0012547998,0.00330213,0.0003789064,0.58084863,0.034556247,0.04882383,0.32308748],"study_design_scores_gemma":[0.000047544137,0.000676012,0.0032220713,0.000227097,0.00004713448,0.00058551354,0.0012238346,0.00036295777,0.1661115,0.0026848288,0.82475,0.00006154053],"about_ca_topic_score_codex":0.0039246087,"about_ca_topic_score_gemma":0.009505595,"teacher_disagreement_score":0.054635767,"about_ca_system_score_codex":0.0014710894,"about_ca_system_score_gemma":0.0020399818,"threshold_uncertainty_score":0.18277484},"labels":[],"label_agreement":null},{"id":"W6986059153","doi":"","title":"Oklahoma Firefighter (Oklahoma City, Okla.), Vol. 35, No. 9, Ed. 1 Thursday, November 1, 2018","year":2018,"lang":"en","type":"other","venue":"The Gateway to Oklahoma History","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"State (computer science); Information system; Government (linguistics); Quarter (Canadian coin)","score_opus":0.03069997959108569,"score_gpt":0.21529997214961835,"score_spread":0.18459999255853266,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6986059153","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0012832726,0.013295685,0.0002948805,0.0040768497,0.0022526032,0.00006507956,0.005525159,0.0006202913,0.9725863],"genre_scores_gemma":[0.0031185606,0.0067744255,0.00019820414,0.00034136293,0.00023978724,0.00003513048,0.00091657974,0.00018201473,0.98819387],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99984825,0.000018565665,0.000010785082,0.000026226991,0.000057071255,0.000039130977],"domain_scores_gemma":[0.99955624,0.000059927595,0.000056777437,0.000055255292,0.00015855618,0.00011318636],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00029650642,0.001097915,0.00035616907,0.0022913076,0.004035641,0.0046190005,0.00045139279,0.0010855477,0.43797186],"category_scores_gemma":[0.0011551006,0.00044551113,0.00020867548,0.0030605244,0.0007956719,0.0028170298,0.0017477818,0.0014861178,0.29649875],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015331952,0.000014665304,0.00026711836,0.00008030075,0.0000010748552,0.000052590745,0.00019706668,0.00002814883,0.000097649376,0.0016439249,0.9537516,0.043850545],"study_design_scores_gemma":[0.0000020957661,0.00000272505,0.00094546686,0.00012270763,0.000001150142,0.000023717328,0.0003367864,0.0000100888265,0.00005509702,0.00028500357,0.99821234,0.000002949737],"about_ca_topic_score_codex":0.09941566,"about_ca_topic_score_gemma":0.30260885,"teacher_disagreement_score":0.56202817,"about_ca_system_score_codex":0.0031666865,"about_ca_system_score_gemma":0.005353445,"threshold_uncertainty_score":0.80166495},"labels":[],"label_agreement":null},{"id":"W6988007689","doi":"","title":"Voyage au centre de la conscience. CARON, André, Visions robotiques et extraterrestres, Montréal, L’instant même, coll. L’instant ciné, 2024, 164 p.","year":2024,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Vision; Center (category theory); Perspective (graphical); Conscience","score_opus":0.007513209741049027,"score_gpt":0.19915369417829723,"score_spread":0.1916404844372482,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6988007689","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0005130897,0.8742501,0.0006413047,0.053559083,0.008906679,0.000012106158,0.00020496684,0.00009345181,0.061819207],"genre_scores_gemma":[0.049668785,0.5920353,0.0016181422,0.013480815,0.01672508,0.000071523355,0.0003288932,0.0003873299,0.32568413],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99905545,0.00026043417,0.000028651979,0.00014535655,0.00036704904,0.00014305115],"domain_scores_gemma":[0.99851066,0.0005198751,0.00010998426,0.000060414466,0.00057377154,0.0002253629],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010972066,0.0016057992,0.0006355146,0.0029282004,0.0052501927,0.0051342766,0.0015099102,0.003289876,0.032419052],"category_scores_gemma":[0.0026173152,0.00089973223,0.00047387125,0.004425541,0.0047071013,0.0051299115,0.0017442377,0.0044076894,0.006032027],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026591486,0.0000062408462,0.00016956317,0.00027271835,0.000008117821,0.00011414492,0.0030505862,0.000049216258,0.0001359029,0.028099505,0.93382,0.034247354],"study_design_scores_gemma":[0.000005078463,0.000003980976,0.0012837328,0.00042121854,0.000006426002,0.00012372175,0.0017451708,0.000027533513,0.000086455766,0.0025012188,0.99378455,0.000010968789],"about_ca_topic_score_codex":0.42385626,"about_ca_topic_score_gemma":0.6277751,"teacher_disagreement_score":0.57614374,"about_ca_system_score_codex":0.014735895,"about_ca_system_score_gemma":0.008874631,"threshold_uncertainty_score":0.84277827},"labels":[],"label_agreement":null},{"id":"W6988049892","doi":"","title":"A visão distópica de Atwood na literatura e no cinema.","year":2015,"lang":"pt","type":"article","venue":"Portuguese National Funding Agency for Science, Research and Technology (RCAAP Project by FCT)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Romance; Reading (process); Movie theater; Narrative; Statute; Power (physics)","score_opus":0.09685985697632148,"score_gpt":0.3737247126903755,"score_spread":0.276864855714054,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6988049892","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1492911,0.0310118,0.008005547,0.015042874,0.0022550984,0.000050020426,0.00021318196,0.00010785119,0.7940227],"genre_scores_gemma":[0.8814989,0.010028101,0.002328453,0.0023438502,0.0005706152,0.00006281513,0.00014523105,0.00021844679,0.10280356],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.996932,0.001358498,0.00008220097,0.0005533983,0.00067145936,0.00040238627],"domain_scores_gemma":[0.9970613,0.0017785882,0.00024904514,0.00026879655,0.0003175678,0.00032469342],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017736076,0.0007551231,0.0003465809,0.002382082,0.007606035,0.015439933,0.0011676602,0.0020402672,0.018206375],"category_scores_gemma":[0.003836354,0.0002529672,0.00027400602,0.0028159972,0.010213738,0.010739645,0.0076568155,0.0033709784,0.0015371346],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012204282,0.000036414775,0.002608782,0.00065813714,0.000020237647,0.0012465693,0.45600164,0.000119540615,0.002764716,0.45404,0.02074301,0.061638862],"study_design_scores_gemma":[0.0000046669934,0.000046557754,0.003708653,0.0010198421,0.000027755923,0.0015039172,0.21002407,0.00015610555,0.001261207,0.020169001,0.7620498,0.00002842384],"about_ca_topic_score_codex":0.00792722,"about_ca_topic_score_gemma":0.023045486,"teacher_disagreement_score":0.018206375,"about_ca_system_score_codex":0.0040236646,"about_ca_system_score_gemma":0.0024271428,"threshold_uncertainty_score":0.06090641},"labels":[],"label_agreement":null},{"id":"W6989106222","doi":"","title":"Afro-Future Females: Black Writer's Chart Science Fiction's Newest New-Wave Trajectory","year":2008,"lang":"en","type":"article","venue":"","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"York University; Johns Hopkins University; University of Minnesota; Harvard University","keywords":"Trajectory; Chart; Black box; Calibration; Key (lock)","score_opus":0.08399268649651546,"score_gpt":0.2361836609486591,"score_spread":0.15219097445214363,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6989106222","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.060076762,0.00445735,0.0006963882,0.15648356,0.004262121,0.000019895584,0.00013030552,0.00007333503,0.7738002],"genre_scores_gemma":[0.5248149,0.002905936,0.00043051908,0.020964047,0.0016118613,0.00003644582,0.000077925004,0.00013940739,0.44901893],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99935967,0.00021609088,0.0000057075063,0.000050631934,0.00016269201,0.00020519884],"domain_scores_gemma":[0.9991966,0.00028755883,0.00006249598,0.00003681739,0.00011404044,0.0003025394],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011803702,0.00032845742,0.00021415386,0.0007887231,0.022125604,0.0053186268,0.00041862385,0.0021995876,0.015674356],"category_scores_gemma":[0.0024580492,0.0001466915,0.00017212062,0.00053673715,0.0061789635,0.0025784331,0.0024561405,0.006232812,0.001897674],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000074715615,0.000044143468,0.0009756321,0.000033283824,0.0000037792834,0.00086937746,0.14607827,0.00007892332,0.00025294995,0.30951747,0.50551414,0.03655732],"study_design_scores_gemma":[0.0000056900813,0.000015702894,0.00073653145,0.00007908832,0.0000024442156,0.0002723983,0.033813044,0.000058073158,0.00015569932,0.0046084393,0.96024364,0.000009216038],"about_ca_topic_score_codex":0.041845374,"about_ca_topic_score_gemma":0.10361031,"teacher_disagreement_score":0.041845374,"about_ca_system_score_codex":0.0039545544,"about_ca_system_score_gemma":0.002220897,"threshold_uncertainty_score":0.083203614},"labels":[],"label_agreement":null},{"id":"W6989576032","doi":"","title":"A bout of time: decolonization and futurity in Indigenous speculative fiction","year":2024,"lang":"en","type":"dissertation","venue":"Mspace (University of Manitoba)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Social Sciences and Humanities Research Council of Canada; Government of Canada","keywords":"Nucleofection; Fusible alloy; Circumstantial evidence; Proteogenomics; Liquation; TSG101","score_opus":0.01013540036879212,"score_gpt":0.19648015103754568,"score_spread":0.18634475066875356,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6989576032","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5551639,0.0081173945,0.0065658474,0.024943735,0.0011645759,0.00004547574,0.0000621722,0.00009481448,0.4038421],"genre_scores_gemma":[0.9852401,0.0009348779,0.00052191707,0.0004352645,0.00012806556,0.000016020802,0.0000105628405,0.000027695409,0.012685567],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991709,0.0005271859,0.00001555719,0.000060528313,0.00010208743,0.00012375739],"domain_scores_gemma":[0.9978205,0.001599475,0.00015705284,0.00018296347,0.00012404722,0.000115956995],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017228764,0.00038919848,0.00023627724,0.00085435784,0.011262186,0.005624683,0.00080296415,0.0014715447,0.0028037664],"category_scores_gemma":[0.0033218563,0.00014456721,0.0001954871,0.0010244079,0.035228707,0.0033250484,0.0033009052,0.0029572519,0.00021820836],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027353646,0.000010391853,0.0005714568,0.00007473504,0.0000027904657,0.0007719638,0.6352677,0.000107171196,0.00039618777,0.35540563,0.0025814765,0.0047831526],"study_design_scores_gemma":[0.000016912883,0.0000520052,0.0023399822,0.00048173335,0.00001863196,0.0012164642,0.47184768,0.00062708306,0.0015499044,0.05080782,0.47100806,0.000033788318],"about_ca_topic_score_codex":0.013695686,"about_ca_topic_score_gemma":0.024334542,"teacher_disagreement_score":0.013695686,"about_ca_system_score_codex":0.0074387267,"about_ca_system_score_gemma":0.0024776622,"threshold_uncertainty_score":0.053972065},"labels":[],"label_agreement":null},{"id":"W6990018749","doi":"","title":"Colonialismo e impatti ambientali in The Marrow Thieves di Cherie Dimaline: Traduzione e Analisi","year":2025,"lang":"it","type":"article","venue":"Electronic Theses and Dissertations Repository (University of Pisa)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Colonialism; Indigenous; Comics; Colonial period; Nahuatl","score_opus":0.008900782689678529,"score_gpt":0.2206801912423444,"score_spread":0.21177940855266586,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6990018749","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8079053,0.004551524,0.0009275385,0.009585373,0.00031856252,0.00004726647,0.00030093963,0.00003288303,0.17633054],"genre_scores_gemma":[0.9818841,0.0013055243,0.00020895978,0.000272264,0.0000325419,0.000010530334,0.000039102706,0.000022703458,0.01622431],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9989887,0.00020677858,0.000017163133,0.000118118485,0.000357787,0.00031148578],"domain_scores_gemma":[0.9991072,0.00032872122,0.0001019666,0.00006158631,0.00025112444,0.00014947723],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000906165,0.00035586362,0.000355503,0.0009900691,0.01649434,0.0086436225,0.0007687107,0.00077478937,0.0032197621],"category_scores_gemma":[0.0021833864,0.0001525164,0.00013172821,0.002227708,0.02140075,0.001256006,0.0030790223,0.002116101,0.0001551314],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000054461147,0.000012253589,0.0038086548,0.00013834953,0.0000096248705,0.0012178795,0.8702022,0.00016348624,0.0010899337,0.10081562,0.0070521496,0.015435406],"study_design_scores_gemma":[0.000005132172,0.00001579559,0.0153282825,0.00021680974,0.000016021277,0.00054133293,0.6892642,0.00016806983,0.001073483,0.0034773506,0.2898545,0.000039087674],"about_ca_topic_score_codex":0.8082349,"about_ca_topic_score_gemma":0.91269886,"teacher_disagreement_score":0.8082349,"about_ca_system_score_codex":0.03811499,"about_ca_system_score_gemma":0.033033982,"threshold_uncertainty_score":0.38578892},"labels":[],"label_agreement":null},{"id":"W6990621694","doi":"","title":"Duality of victim/victimizer in personal and national context in Margaret Atwood’s Surfacing","year":2022,"lang":"en","type":"dissertation","venue":"DSpace repository (University of Tartu)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Duality (order theory); Proposition; Key (lock)","score_opus":0.016156775346153136,"score_gpt":0.20911993783505597,"score_spread":0.19296316248890283,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6990621694","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.45751548,0.0117991865,0.0034462146,0.036143266,0.0014780236,0.00005997661,0.00013887633,0.000103270104,0.4893157],"genre_scores_gemma":[0.9661746,0.0019872861,0.0005767049,0.0014029978,0.0000845721,0.000016386593,0.000022167042,0.00008243426,0.029652862],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99644345,0.0016545197,0.000066177694,0.00032654204,0.0008459725,0.0006633804],"domain_scores_gemma":[0.99754864,0.0013203925,0.00020566669,0.000105247826,0.0004602818,0.00035975382],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022309208,0.000485237,0.0005110479,0.0017281069,0.027555527,0.011769893,0.0011540767,0.002267922,0.0038593686],"category_scores_gemma":[0.004332065,0.00031732753,0.00022807854,0.0024771034,0.030427484,0.003950644,0.0037688888,0.0038388,0.00034535278],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029554907,0.000010874552,0.0007400166,0.00008443307,0.0000059263402,0.0009997005,0.79501724,0.00005319721,0.00034511578,0.18756233,0.010050677,0.005100858],"study_design_scores_gemma":[0.0000034866812,0.000015910655,0.0013499337,0.0003086583,0.00001426192,0.00095326477,0.73642164,0.00008886548,0.00053621863,0.007718165,0.25255752,0.000032001186],"about_ca_topic_score_codex":0.33967927,"about_ca_topic_score_gemma":0.51505446,"teacher_disagreement_score":0.33967927,"about_ca_system_score_codex":0.026859583,"about_ca_system_score_gemma":0.015976947,"threshold_uncertainty_score":0.6754042},"labels":[],"label_agreement":null},{"id":"W6997505347","doi":"","title":"Žena obětí muže \"lovce\" a \"konzumenta\" v románech Margaret Atwoodové - Žena k nakousnutí a Z hlubin","year":2011,"lang":"en","type":"dissertation","venue":"Digital Repository (National Repository of Grey Literature)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Object (grammar); Parallels; Objectification; Subject (documents); Gaze; Photography; Front (military); Denotation (semiotics)","score_opus":0.01547193473944835,"score_gpt":0.22035527529924626,"score_spread":0.2048833405597979,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6997505347","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.053555194,0.069952786,0.0023472728,0.020829668,0.0027794866,0.000069152265,0.00013645116,0.00018272616,0.8501472],"genre_scores_gemma":[0.5585559,0.027312564,0.0012886104,0.0032994747,0.00061556324,0.00006528702,0.00012080498,0.00019781136,0.40854388],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9994624,0.00015919445,0.000016199567,0.000086197,0.00016187697,0.00011402575],"domain_scores_gemma":[0.99982566,0.000035883288,0.000022241886,0.000017013646,0.0000533693,0.000045802593],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00056773383,0.00029583016,0.00035150597,0.00055650243,0.004339979,0.0046954765,0.00033390752,0.00074772973,0.014071444],"category_scores_gemma":[0.0008235933,0.00018864864,0.00014869422,0.0005124242,0.0035435606,0.0017307148,0.0022626442,0.002017896,0.003905951],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000115940355,0.00007623972,0.0019943248,0.00044783796,0.00001170649,0.00076788926,0.030317118,0.00016680975,0.0019040835,0.7139699,0.15311892,0.097109206],"study_design_scores_gemma":[0.000003358106,0.000015888103,0.0015498499,0.0002593706,0.0000041060725,0.00029186415,0.0057729725,0.000068488924,0.0004650288,0.0046438198,0.9869163,0.000009004086],"about_ca_topic_score_codex":0.012315643,"about_ca_topic_score_gemma":0.017048242,"teacher_disagreement_score":0.014071444,"about_ca_system_score_codex":0.0043252837,"about_ca_system_score_gemma":0.0025608598,"threshold_uncertainty_score":0.047073662},"labels":[],"label_agreement":null},{"id":"W6997851071","doi":"","title":"Эвалюцыя вобраза галоўнага героя ў раманах Маргарэт Этвуд","year":2007,"lang":"ru","type":"article","venue":"Digital Library of the Belarusian State University (Belarusian State University)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Subject (documents); Period (music); Government (linguistics); Exposition (narrative)","score_opus":0.009181990278041324,"score_gpt":0.1576800840343414,"score_spread":0.14849809375630008,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6997851071","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.073714525,0.010240359,0.034162447,0.018402858,0.00084883336,0.000112293055,0.0003442721,0.00026693553,0.8619076],"genre_scores_gemma":[0.8812794,0.0037770434,0.01883587,0.00046304826,0.0002356654,0.00009092835,0.000119085365,0.00013109451,0.09506794],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998738,0.00044244417,0.000042563297,0.00018211425,0.00046396282,0.00013094662],"domain_scores_gemma":[0.99883574,0.00046745373,0.00018914769,0.00017717746,0.00022784452,0.000102518985],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016084219,0.00020176051,0.00015647858,0.00090617454,0.0035622718,0.00512697,0.00040352962,0.0007894965,0.011578105],"category_scores_gemma":[0.0027653435,0.00035437013,0.00019041605,0.0010010464,0.0069640204,0.001986507,0.0011593822,0.0017481387,0.0026649397],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027933342,0.000010581029,0.0008363213,0.000071691946,0.00000578749,0.00023443149,0.006328066,0.00023897679,0.0010330682,0.95726347,0.006702497,0.027247265],"study_design_scores_gemma":[0.0000133456315,0.000034483117,0.0049696714,0.00012231589,0.00001642695,0.0007389823,0.005284699,0.00042632205,0.0019422242,0.18683094,0.7995919,0.000028787581],"about_ca_topic_score_codex":0.011217154,"about_ca_topic_score_gemma":0.025330245,"teacher_disagreement_score":0.011578105,"about_ca_system_score_codex":0.0032622819,"about_ca_system_score_gemma":0.003447416,"threshold_uncertainty_score":0.038732648},"labels":[],"label_agreement":null},{"id":"W6998510692","doi":"","title":"Adams never takes off in 'Arrival' (Moview Review)","year":2016,"lang":"en","type":"other","venue":"Internet Archive (Internet Archive)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Staring; Nothing; Alien; Action (physics); Indignation; Notice; Accident (philosophy)","score_opus":0.02360290734180719,"score_gpt":0.24908758933804379,"score_spread":0.22548468199623659,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6998510692","genre_codex":"review","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0008490359,0.5397957,0.00060534466,0.08694255,0.14516029,0.00047995007,0.0057169497,0.0009871341,0.21946304],"genre_scores_gemma":[0.0056330953,0.3938443,0.000571726,0.08727701,0.033869404,0.00046696435,0.0046177283,0.0004116649,0.47330815],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990758,0.0001301972,0.00012658341,0.00012470747,0.00042182562,0.000120907745],"domain_scores_gemma":[0.9946026,0.000537147,0.00042427727,0.00015314385,0.0034647796,0.0008181197],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011750897,0.0007362111,0.00126735,0.0015449534,0.0012259458,0.0045062853,0.0014149946,0.0031630984,0.15069936],"category_scores_gemma":[0.0074013113,0.0004955766,0.0006339034,0.0024762743,0.00067701744,0.0030547322,0.0010515427,0.0025451535,0.10976904],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013387381,0.000004815001,0.000029240757,0.0006649614,0.0000044701333,0.00003349692,0.000011391917,0.0000032088772,0.00004716072,0.000086402426,0.9719473,0.02715428],"study_design_scores_gemma":[0.000008627433,0.000010961697,0.0006833984,0.0007944274,0.000008154233,0.000098444,0.000043612534,0.0000045536626,0.000033740132,0.000033860593,0.99827445,0.0000057909806],"about_ca_topic_score_codex":0.0140750045,"about_ca_topic_score_gemma":0.03768448,"teacher_disagreement_score":0.15069936,"about_ca_system_score_codex":0.0016408353,"about_ca_system_score_gemma":0.0034535318,"threshold_uncertainty_score":0.5041396},"labels":[],"label_agreement":null},{"id":"W6999506737","doi":"","title":"A critical analysis of the representations of the posthuman in contemporary canadian SFF","year":2023,"lang":"es","type":"dissertation","venue":"Gredos (University of Salamanca)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Posthuman; Michel foucault; Ideal (ethics); Ridiculous; Embodied cognition","score_opus":0.0394783620517369,"score_gpt":0.2564587005871566,"score_spread":0.21698033853541968,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6999506737","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23782924,0.005321038,0.0050615654,0.041790903,0.000430358,0.000110132394,0.00038014,0.000084942854,0.7089916],"genre_scores_gemma":[0.9708474,0.0010998849,0.0009242067,0.0010985577,0.000047840284,0.00003978111,0.000052087165,0.00006557163,0.025824692],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99778855,0.0007287529,0.000038959053,0.00021201828,0.00039976445,0.00083181745],"domain_scores_gemma":[0.9967878,0.0015022758,0.00016693209,0.00020419757,0.001060741,0.00027804522],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00395037,0.0006560667,0.00037318768,0.0045244545,0.03390332,0.013048604,0.002144565,0.0030804265,0.011190181],"category_scores_gemma":[0.0075414707,0.0003071554,0.00033831532,0.0048640487,0.051443826,0.0056657777,0.004011143,0.0050454023,0.00027775276],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018737162,0.000007541192,0.00036988247,0.000038792066,0.0000024460426,0.00023372196,0.33062258,0.00009480028,0.0001720622,0.6561667,0.005549785,0.0067230393],"study_design_scores_gemma":[0.0000064229534,0.0000099522795,0.002794727,0.00029898612,0.000017699724,0.00019080951,0.58242595,0.0003038315,0.00050087227,0.04392781,0.36948514,0.000037869217],"about_ca_topic_score_codex":0.93914115,"about_ca_topic_score_gemma":0.9512902,"teacher_disagreement_score":0.10768176,"about_ca_system_score_codex":0.10768176,"about_ca_system_score_gemma":0.073812105,"threshold_uncertainty_score":0.7812895},"labels":[],"label_agreement":null},{"id":"W7000017660","doi":"","title":"Dystopies et eutopies féminines : L. Bersianik, E. Vonarburg, E. Rochon","year":2002,"lang":"en","type":"other","venue":"Library and Archives Canada (Government of Canada)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dystopia; Perspective (graphical); Silence; Exploit; Social transformation; Subject (documents)","score_opus":0.00715030491943897,"score_gpt":0.14095140734682102,"score_spread":0.13380110242738205,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7000017660","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10642671,0.16145468,0.0015522781,0.08983296,0.0041820495,0.000049038477,0.0005865889,0.00020809626,0.6357076],"genre_scores_gemma":[0.59434605,0.029331585,0.0006376857,0.0034085838,0.0007073532,0.000052153813,0.00020137934,0.00020453929,0.37111068],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99932575,0.00023088962,0.00001632129,0.00007632012,0.00023708948,0.0001136943],"domain_scores_gemma":[0.9993217,0.00024266346,0.000090329144,0.000034815854,0.00021949218,0.000091160015],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009406844,0.0005818293,0.000258779,0.0014211134,0.0077059437,0.0056547364,0.000494463,0.00092227285,0.0113290185],"category_scores_gemma":[0.0015084055,0.0001907959,0.000096277974,0.0019539879,0.0067535923,0.0016164206,0.0012862796,0.0014496234,0.0011853448],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011058985,0.00006284967,0.0039593424,0.0006040371,0.000019522355,0.00074079074,0.20805652,0.00021461479,0.0012467275,0.23137121,0.43506318,0.11855067],"study_design_scores_gemma":[0.0000044635317,0.000005626924,0.0060320213,0.00027850276,0.0000056437248,0.00022934261,0.030813338,0.000061721374,0.000408031,0.0023027023,0.9598438,0.000014851434],"about_ca_topic_score_codex":0.6419636,"about_ca_topic_score_gemma":0.8317856,"teacher_disagreement_score":0.3580364,"about_ca_system_score_codex":0.017970249,"about_ca_system_score_gemma":0.010915422,"threshold_uncertainty_score":0.7202899},"labels":[],"label_agreement":null},{"id":"W7008456073","doi":"","title":"Brokerages Anticipate Canadian Solar Inc. (NASDAQ:CSIQ) Will Announce Quarterly Sales of $1.32 Billion","year":2021,"lang":"en","type":"other","venue":"","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Purchasing; Government (linguistics); Work (physics); Investment (military)","score_opus":0.025893464289888257,"score_gpt":0.22866560781046757,"score_spread":0.20277214352057932,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7008456073","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0007716797,0.00038665647,0.00034151468,0.00609933,0.0011850432,0.0000873692,0.0053123124,0.0010531618,0.98476285],"genre_scores_gemma":[0.0019146637,0.00019553694,0.00016154653,0.0007871321,0.00007902072,0.000012523537,0.0016691021,0.00014228681,0.99503833],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990069,0.000020285603,0.000013056241,0.00006334244,0.0006910253,0.00020524635],"domain_scores_gemma":[0.99787796,0.00008413637,0.000037611397,0.00006720462,0.0014381065,0.0004950174],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000734295,0.0006860688,0.00032725374,0.0013459425,0.003957869,0.0053403014,0.00065713114,0.002715794,0.49002022],"category_scores_gemma":[0.0024894397,0.00034791618,0.0004249567,0.001497518,0.00075965497,0.001870594,0.0010818719,0.0025427311,0.2621254],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014071479,0.000010577798,0.00012262372,0.000010818445,7.18959e-7,0.00002222243,0.000018897777,0.000019407793,0.00013645539,0.0033548952,0.9878357,0.008453701],"study_design_scores_gemma":[0.000005777324,0.0000042930646,0.0005324913,0.000011035195,0.0000012430563,0.000011007048,0.00005984608,0.000081615144,0.00014797828,0.000376933,0.9987632,0.000004627602],"about_ca_topic_score_codex":0.5502991,"about_ca_topic_score_gemma":0.75454295,"teacher_disagreement_score":0.5502991,"about_ca_system_score_codex":0.0065105646,"about_ca_system_score_gemma":0.014306463,"threshold_uncertainty_score":0.90469855},"labels":[],"label_agreement":null},{"id":"W7009405237","doi":"","title":"Dystopic urbanites: civilian cyborgs in transcanadian speculative fictions","year":2014,"lang":"en","type":"book-chapter","venue":"Investigo Institutional repository of UVigo (Universidade de Vigo)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Postmodernism; Ideology; Dystopia; Globalization; Futures contract; Girl; Conflation","score_opus":0.021057368999191795,"score_gpt":0.18918264726970735,"score_spread":0.16812527827051554,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7009405237","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1120937,0.0067103207,0.004875321,0.014882714,0.001098517,0.000051291718,0.000080491445,0.00013605939,0.8600716],"genre_scores_gemma":[0.9099619,0.0036807775,0.0011617773,0.0009142514,0.00018519205,0.000050534483,0.000050133858,0.00013420227,0.08386131],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99920696,0.00038154688,0.000011997887,0.00006974536,0.00013663869,0.00019313867],"domain_scores_gemma":[0.99910766,0.00059798075,0.000060662125,0.000087773755,0.00006303341,0.00008293404],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010967416,0.0007340729,0.00026284409,0.0013750532,0.01335349,0.008735287,0.000821157,0.0015409976,0.005222979],"category_scores_gemma":[0.00216317,0.00023839323,0.0002481539,0.0016362726,0.033530958,0.0035960793,0.003956416,0.0041931528,0.0005327376],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023727669,0.000007110057,0.00015386363,0.000047836267,0.0000019790157,0.00040303794,0.1619734,0.00015022772,0.00019692448,0.8253419,0.0071645826,0.0045355093],"study_design_scores_gemma":[0.000011442539,0.000019034896,0.000467433,0.0001911613,0.0000074629074,0.00050733174,0.14847292,0.00032003058,0.00071294594,0.05613691,0.79313445,0.00001884718],"about_ca_topic_score_codex":0.04838738,"about_ca_topic_score_gemma":0.11798196,"teacher_disagreement_score":0.9516126,"about_ca_system_score_codex":0.012341934,"about_ca_system_score_gemma":0.0050411955,"threshold_uncertainty_score":0.09621149},"labels":[],"label_agreement":null},{"id":"W7010299382","doi":"","title":"Hope, But Not for Us: Ecological Science Fiction and the End of the World in Margaret Atwood's <em>Oryx and Crake</em> and <em>The Year of the Flood</em>","year":2012,"lang":"en","type":"article","venue":"e-Publications@Marquette (Marquette University)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nothing; Modernity; Witness; Capitalism; End of history; Ideology; Repetition (rhetorical device); Faith","score_opus":0.02083436325337066,"score_gpt":0.20350760323664777,"score_spread":0.1826732399832771,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7010299382","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.020020306,0.054010455,0.0016430651,0.6418023,0.012647306,0.000025097526,0.00005210972,0.0000456422,0.26975363],"genre_scores_gemma":[0.6448088,0.023068981,0.0017667556,0.18096496,0.011673823,0.00015087661,0.0000715004,0.00011233797,0.13738197],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99842215,0.0009575737,0.000023292629,0.00012774653,0.0003286854,0.00014053418],"domain_scores_gemma":[0.99632144,0.0029554926,0.00013779661,0.00008143074,0.00030927247,0.00019457212],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003052523,0.0006583952,0.0003594533,0.0014283864,0.014279611,0.008124951,0.00077039894,0.0042846403,0.0023019144],"category_scores_gemma":[0.0054308516,0.00023960439,0.00033418936,0.0011167359,0.026286187,0.0070045614,0.0023145843,0.00807344,0.00035526446],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028066996,0.000023899769,0.00020447538,0.00007099132,0.0000051590255,0.00036901797,0.074156635,0.000086311484,0.00011102777,0.70168346,0.21515355,0.00810739],"study_design_scores_gemma":[0.0000088639035,0.000020340767,0.00045683153,0.00029405332,0.0000042404126,0.00014899467,0.037375435,0.00010981966,0.00016568507,0.113124356,0.84827447,0.000016882686],"about_ca_topic_score_codex":0.02113072,"about_ca_topic_score_gemma":0.043460384,"teacher_disagreement_score":0.02113072,"about_ca_system_score_codex":0.010020304,"about_ca_system_score_gemma":0.003912981,"threshold_uncertainty_score":0.072702706},"labels":[],"label_agreement":null},{"id":"W7010954610","doi":"","title":"La Toronto di Margaret Atwood","year":2003,"lang":"it","type":"book-chapter","venue":"Institutional Research Information System (Università degli Studi di Trento)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Subject (documents); Exposition (narrative); Context (archaeology); George (robot)","score_opus":0.08713168311949286,"score_gpt":0.2886831543115426,"score_spread":0.20155147119204975,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7010954610","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00085647346,0.077817924,0.0011438039,0.027240919,0.004755911,0.000027957305,0.0011348432,0.0003868647,0.88663536],"genre_scores_gemma":[0.0025845487,0.010588001,0.00035649835,0.0009149564,0.00017350075,0.000011060067,0.00015701806,0.0000972123,0.9851172],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99952257,0.000059636583,0.00001585553,0.00011471182,0.00020015103,0.000087091226],"domain_scores_gemma":[0.99927133,0.00011788886,0.000048214202,0.00005885268,0.00030428957,0.0001994018],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00056010636,0.00085298636,0.00044360012,0.0016232436,0.0042886967,0.006295242,0.0006966455,0.0020342923,0.17422456],"category_scores_gemma":[0.0012605751,0.00059324317,0.00025629316,0.002374694,0.00113493,0.0030382455,0.0015951184,0.0028119737,0.07171323],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017610908,0.000008644713,0.00014076808,0.00006202553,0.0000013417459,0.000053319436,0.00054805813,0.00003581029,0.00008386165,0.0447105,0.89890504,0.055433072],"study_design_scores_gemma":[8.8230286e-7,8.7104956e-7,0.00013582519,0.000031593605,5.859752e-7,0.00001619857,0.00012088795,0.000007969442,0.00002364287,0.00060684833,0.9990532,0.0000015054248],"about_ca_topic_score_codex":0.19477895,"about_ca_topic_score_gemma":0.5295155,"teacher_disagreement_score":0.8052211,"about_ca_system_score_codex":0.009263592,"about_ca_system_score_gemma":0.007698065,"threshold_uncertainty_score":0.5828392},"labels":[],"label_agreement":null},{"id":"W7013949347","doi":"","title":"Editorial","year":2010,"lang":"en","type":"article","venue":"Murdoch Research Repository (Murdoch University)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"George (robot); Dystopia; Quarter (Canadian coin); Gloom; Natural (archaeology)","score_opus":0.04514079170414274,"score_gpt":0.26746543232801034,"score_spread":0.22232464062386761,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7013949347","genre_codex":"editorial","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":"editorial","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00005993566,0.0029754692,0.00008989467,0.0361914,0.9423964,0.000036953086,0.00022757334,0.00011713923,0.017905151],"genre_scores_gemma":[0.0013278823,0.004180079,0.00014241681,0.046396896,0.8449918,0.00005520396,0.00024624745,0.000115249975,0.10254428],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971096,0.00034337325,0.00023769375,0.0005161449,0.0015088365,0.0002843026],"domain_scores_gemma":[0.98479617,0.004124092,0.0009008914,0.00091251096,0.0071654213,0.0021009129],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0029310794,0.0014708828,0.0014080644,0.0023425638,0.0027045915,0.0055338265,0.0021403611,0.007635187,0.099411696],"category_scores_gemma":[0.020475114,0.0006485528,0.0013922806,0.001026789,0.0016532384,0.0025877885,0.0012227631,0.008897194,0.07249714],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011313541,0.0000039835795,0.000011615084,0.0000542329,0.0000018933763,0.000040264742,0.0000051741276,0.000005448539,0.000027049904,0.00021387779,0.9964216,0.0032034926],"study_design_scores_gemma":[0.000013513597,0.000008900701,0.00012401029,0.00016009648,0.0000048829993,0.00008339014,0.000018929128,0.00001923483,0.000058193717,0.00028911067,0.99921525,0.0000044145872],"about_ca_topic_score_codex":0.0018401378,"about_ca_topic_score_gemma":0.0033582647,"teacher_disagreement_score":0.9005883,"about_ca_system_score_codex":0.0019862764,"about_ca_system_score_gemma":0.0024021857,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W7014881263","doi":"","title":"Re-Inscription of Female Images and Subjectivities in Margaret Atwood’s The Robber Bride","year":2012,"lang":"en","type":"book-chapter","venue":"Nova Science Publishers (Nova Science Publishers, Inc.)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Creed; Identity (music); Reductionism; Agency (philosophy); Feminism; Reflexivity","score_opus":0.06100066236253488,"score_gpt":0.25698993432933787,"score_spread":0.195989271966803,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7014881263","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13581386,0.0063186586,0.0016840857,0.014381839,0.0008288708,0.000026729775,0.00007022834,0.00005340419,0.84082246],"genre_scores_gemma":[0.81960356,0.001576954,0.0005690662,0.001463545,0.00016818164,0.00002544217,0.000028916354,0.00011097347,0.17645343],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991891,0.00039941588,0.000009958663,0.000059561335,0.00018971672,0.00015222143],"domain_scores_gemma":[0.9995839,0.00021191845,0.000037977854,0.00003386106,0.000055522843,0.00007681687],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000695658,0.00037183787,0.0002266869,0.0009883218,0.011491693,0.00534592,0.0006246676,0.0016140714,0.0064714067],"category_scores_gemma":[0.0013244597,0.00021356397,0.00013833572,0.0007405977,0.018030869,0.0022851925,0.0026995596,0.0035689014,0.00063016237],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026340766,0.000012035256,0.00028884475,0.000046011588,0.0000021305468,0.00066607195,0.46755165,0.000044760003,0.0005529593,0.50320715,0.018590577,0.009011485],"study_design_scores_gemma":[0.000004587966,0.00001612222,0.0011602802,0.00019687353,0.0000043142145,0.0006843307,0.20725788,0.00007673603,0.00066715665,0.012546686,0.7773654,0.000019665651],"about_ca_topic_score_codex":0.115175806,"about_ca_topic_score_gemma":0.25438026,"teacher_disagreement_score":0.115175806,"about_ca_system_score_codex":0.0061402274,"about_ca_system_score_gemma":0.0033084499,"threshold_uncertainty_score":0.22901082},"labels":[],"label_agreement":null},{"id":"W7015452890","doi":"","title":"\"Sufficient to Have Stood but Free to Fall\": The Impact of Deceptive Truths on Charmaine's Identity Quest in Margaret Atwood's The Heart Goes Last","year":2017,"lang":"en","type":"dissertation","venue":"DIAL (Catholic University of Leuven)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Identity (music); Reading (process); Dystopia; Set (abstract data type); Order (exchange); Illusion; Close reading","score_opus":0.027802659769996563,"score_gpt":0.2772024377153164,"score_spread":0.2493997779453198,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7015452890","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5523894,0.0031527276,0.00346722,0.025564037,0.0006748409,0.000023294868,0.000044729066,0.000050505372,0.41463324],"genre_scores_gemma":[0.98072964,0.0003289956,0.0002263229,0.0006273544,0.000037560494,0.000004190661,0.000007105627,0.00003263953,0.018006235],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986002,0.0008141126,0.000017098098,0.0001227697,0.00024705875,0.00019877931],"domain_scores_gemma":[0.9982198,0.0010091697,0.0002093265,0.00014133286,0.00021205247,0.00020828306],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020728912,0.00021968971,0.00020244672,0.00040481013,0.008699258,0.005698937,0.00058002427,0.001359353,0.002843725],"category_scores_gemma":[0.0043537566,0.00015612997,0.000119745324,0.00036901468,0.022286538,0.00330441,0.002978994,0.0043593906,0.000375587],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006140833,0.000021557813,0.00082277687,0.000051079118,0.000004895458,0.00061551784,0.6313786,0.0000985613,0.00043802577,0.3511248,0.007264645,0.008118054],"study_design_scores_gemma":[0.0000177556,0.00007520413,0.004122761,0.00041579027,0.000017743649,0.0010532674,0.5394466,0.00045167818,0.0015065973,0.05345229,0.39938802,0.00005236778],"about_ca_topic_score_codex":0.012759151,"about_ca_topic_score_gemma":0.028777324,"teacher_disagreement_score":0.012759151,"about_ca_system_score_codex":0.005393055,"about_ca_system_score_gemma":0.0024609508,"threshold_uncertainty_score":0.039129555},"labels":[],"label_agreement":null},{"id":"W7020401935","doi":"","title":"Localisation of groundwater sources by combining delta O-18, delta D and Rare Earths studies","year":2008,"lang":"en","type":"article","venue":"Publication Database GFZ (GFZ German Research Centre for Geosciences)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Delta; Groundwater; Hydrology (agriculture); River delta","score_opus":0.12780154898775295,"score_gpt":0.34624904322400524,"score_spread":0.2184474942362523,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7020401935","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.89616287,0.010862251,0.0040171384,0.0010966056,0.00007115551,0.00012574418,0.012657605,0.00009355143,0.07491302],"genre_scores_gemma":[0.9810586,0.005964573,0.006911495,0.00006287413,0.00003693192,0.000038807328,0.0026982904,0.000017705837,0.00321079],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99942183,0.0001149519,0.00007501229,0.00006567725,0.00025064332,0.00007178709],"domain_scores_gemma":[0.99703705,0.0012130443,0.00068233616,0.00011041139,0.00078905735,0.00016806659],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00078574196,0.00024749772,0.0003118787,0.014432597,0.0003655928,0.0017864166,0.0002953373,0.00027651121,0.0039285924],"category_scores_gemma":[0.0036293955,0.00012263167,0.0002903017,0.023135133,0.000415277,0.00076028355,0.0017538547,0.00019962821,0.0004199883],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003328634,0.00002610086,0.85700357,0.00080354797,0.00015598003,0.0006757833,0.0029622135,0.0006968608,0.0037468497,0.0029345371,0.0036986975,0.12696306],"study_design_scores_gemma":[0.000035288314,0.00011311165,0.92997086,0.0006611933,0.0002875616,0.000870916,0.011985282,0.0010252899,0.0026233443,0.0027322087,0.04965568,0.000039163737],"about_ca_topic_score_codex":0.04295062,"about_ca_topic_score_gemma":0.108003825,"teacher_disagreement_score":0.04295062,"about_ca_system_score_codex":0.0008166961,"about_ca_system_score_gemma":0.0016800305,"threshold_uncertainty_score":0.08540124},"labels":[],"label_agreement":null},{"id":"W7020527344","doi":"","title":"Les aléas de l'utopie canadienne : figures et représentations dans la littérature et le cinéma","year":2010,"lang":"fr","type":"article","venue":"","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Identity (music); Order (exchange); Point (geometry); Subject (documents)","score_opus":0.017712536837359204,"score_gpt":0.27496090599127665,"score_spread":0.25724836915391747,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7020527344","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.087894045,0.026066452,0.0053979275,0.014277696,0.0020774605,0.00006130969,0.00033366727,0.00017025665,0.8637212],"genre_scores_gemma":[0.7399892,0.024942305,0.0028959312,0.0012231352,0.0007549458,0.00012088247,0.0003206566,0.00027253357,0.22948046],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991418,0.00035681512,0.000025557749,0.00009619497,0.00022322594,0.00015631419],"domain_scores_gemma":[0.99859303,0.0008003208,0.00014054388,0.00016967661,0.00015742794,0.00013899992],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010276448,0.00075520296,0.0003598426,0.0032327687,0.008466712,0.012092607,0.00078576664,0.0015980949,0.019800454],"category_scores_gemma":[0.00363796,0.00023595082,0.00026770096,0.0053468333,0.007918487,0.0043831626,0.003674668,0.003776549,0.0018651258],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000056839606,0.000030023348,0.002236332,0.00038829487,0.000014408574,0.001082298,0.31808463,0.0002531939,0.00072729227,0.5924764,0.034268145,0.050382104],"study_design_scores_gemma":[0.0000025318373,0.0000083180985,0.0018670877,0.00040025098,0.0000101504975,0.00044204967,0.041376665,0.000085497486,0.0003124229,0.006568155,0.94891244,0.000014575985],"about_ca_topic_score_codex":0.03058485,"about_ca_topic_score_gemma":0.07719228,"teacher_disagreement_score":0.9694151,"about_ca_system_score_codex":0.004536007,"about_ca_system_score_gemma":0.003751441,"threshold_uncertainty_score":0.06623912},"labels":[],"label_agreement":null},{"id":"W7023706260","doi":"","title":"Parallel Romantic Fantasies: Barrie's <i>Peter Pan</i> and Spielberg's <i>E.T.: The Extraterrestrial</i>","year":2009,"lang":"en","type":"article","venue":"Project Muse (Johns Hopkins University)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Romance; Focus (optics); Narrative","score_opus":0.023243621835733124,"score_gpt":0.20912868671559315,"score_spread":0.18588506487986003,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7023706260","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.059115853,0.013704765,0.0041154777,0.073518,0.0016571668,0.00003340627,0.00013366321,0.000069746806,0.8476518],"genre_scores_gemma":[0.9261194,0.0025960258,0.0012589798,0.0059538526,0.00025380807,0.0000485879,0.00005872232,0.000090628215,0.06362002],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981839,0.0012478243,0.000028594624,0.0001242114,0.00023345544,0.00018201773],"domain_scores_gemma":[0.998708,0.00071674725,0.000114913186,0.00011224501,0.00013914565,0.00020893016],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019711468,0.00052010117,0.00027452246,0.0011284803,0.01171654,0.007458147,0.0008251867,0.0033961586,0.009135775],"category_scores_gemma":[0.004583481,0.00028392073,0.0002915079,0.0010207604,0.025084341,0.008158483,0.004805664,0.0070190337,0.00086977007],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023371633,0.000014001378,0.00022078502,0.000026930666,0.000003556088,0.00026607083,0.15574539,0.000038042635,0.00011045355,0.81023157,0.029088585,0.004231217],"study_design_scores_gemma":[0.000029898249,0.000021395555,0.0012629398,0.00025788395,0.000010831134,0.0010294965,0.21261798,0.00024413329,0.0005423162,0.16122973,0.6227155,0.000037949147],"about_ca_topic_score_codex":0.008298777,"about_ca_topic_score_gemma":0.021640724,"teacher_disagreement_score":0.01171654,"about_ca_system_score_codex":0.0035553155,"about_ca_system_score_gemma":0.0014149103,"threshold_uncertainty_score":0.030562222},"labels":[],"label_agreement":null},{"id":"W7024530530","doi":"","title":"Salvaging Hope: A Novel","year":2023,"lang":"en","type":"dissertation","venue":"University Library (University of Saskatchewan)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dystopia; Reign; Adventure; Power (physics); Storytelling; Negotiation","score_opus":0.016011625540328162,"score_gpt":0.17501954094965752,"score_spread":0.15900791540932935,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7024530530","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11397905,0.012916234,0.008116607,0.094924554,0.010989318,0.00018447888,0.00016589828,0.00040262085,0.75832117],"genre_scores_gemma":[0.74024224,0.0060017332,0.002565878,0.01259261,0.002206786,0.00019960308,0.00007579728,0.00016051978,0.23595478],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982516,0.0011174141,0.000028327033,0.00010075767,0.00023527481,0.00026664347],"domain_scores_gemma":[0.998591,0.00060988835,0.000094374955,0.000114428956,0.00010730769,0.00048301107],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019381883,0.00062979915,0.0002623979,0.00066158175,0.015808936,0.0066910163,0.0010716057,0.0021302346,0.0056540607],"category_scores_gemma":[0.003442765,0.00017292076,0.0003652958,0.0004023314,0.01628554,0.0044769365,0.005680709,0.00607101,0.0014839642],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007136003,0.0001072166,0.0003254458,0.0001302047,0.000008301558,0.002466493,0.21935146,0.00015276339,0.00058752846,0.62264615,0.13467322,0.019479869],"study_design_scores_gemma":[0.000010160326,0.00004441447,0.00015782469,0.0001626564,0.000005576656,0.0015336706,0.06517267,0.00012587442,0.0006373022,0.022138054,0.9099937,0.000018073984],"about_ca_topic_score_codex":0.0023068585,"about_ca_topic_score_gemma":0.00686137,"teacher_disagreement_score":0.015808936,"about_ca_system_score_codex":0.0045697065,"about_ca_system_score_gemma":0.0026989935,"threshold_uncertainty_score":0.03315574},"labels":[],"label_agreement":null},{"id":"W7025072809","doi":"","title":"Tradurre Stone Mattress: terza età e ironia nei racconti \"perfidi\" di Margaret Atwood","year":2019,"lang":"it","type":"article","venue":"Electronic Theses and Dissertations Repository (University of Pisa)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Stepping stone; EPIC; Poetry; Italian studies","score_opus":0.007561686540580009,"score_gpt":0.19101066509708495,"score_spread":0.18344897855650494,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7025072809","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2138429,0.005642031,0.0055283126,0.04122706,0.0022704154,0.00006246564,0.00023064937,0.00016081818,0.7310354],"genre_scores_gemma":[0.61859006,0.0014031657,0.0014756917,0.0032866949,0.0002659397,0.000029960647,0.00008415792,0.00028500927,0.37457934],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993482,0.00022104642,0.000011372619,0.00009708357,0.00016770903,0.0001545801],"domain_scores_gemma":[0.9993356,0.0002330097,0.000048738566,0.000056060842,0.00015362685,0.00017287827],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00066492334,0.00044313673,0.00016362501,0.0006317562,0.009985328,0.00583225,0.00063951226,0.0014427747,0.014989016],"category_scores_gemma":[0.0015039408,0.0001860742,0.00018556621,0.00067552377,0.008453725,0.003172986,0.0025794941,0.0032871047,0.0020431643],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015513827,0.0000390838,0.002716218,0.00020264782,0.000011910112,0.0013729613,0.3832876,0.00014102389,0.0021498462,0.42797714,0.1450372,0.036909204],"study_design_scores_gemma":[0.0000036891752,0.00003343498,0.0025467463,0.00012739179,0.0000072206294,0.00037581616,0.093603745,0.00008800631,0.0008831677,0.0068537653,0.89545554,0.000021438236],"about_ca_topic_score_codex":0.030604217,"about_ca_topic_score_gemma":0.14113292,"teacher_disagreement_score":0.030604217,"about_ca_system_score_codex":0.0049954797,"about_ca_system_score_gemma":0.002009158,"threshold_uncertainty_score":0.06085217},"labels":[],"label_agreement":null},{"id":"W7025457511","doi":"","title":"From Zero Hour to Kudzucene: Reading Margaret Atwood’s Post-Millennial Novels under the Auspices of Anthropocene Thought","year":2021,"lang":"en","type":"dissertation","venue":"Adelaide Research & Scholarship (AR&S) (University of Adelaide)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Anthropocene; Reading (process); Close reading; Deep time; Key (lock); Enlightenment","score_opus":0.07656478137326098,"score_gpt":0.32631397348641256,"score_spread":0.24974919211315158,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7025457511","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.47976542,0.027012847,0.0034914091,0.0646692,0.006930206,0.0000927294,0.00030849344,0.00016096905,0.4175687],"genre_scores_gemma":[0.9303719,0.0038477832,0.00093100325,0.002798598,0.00043554502,0.000029773157,0.00007748766,0.00016658747,0.061341338],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.998858,0.00049038697,0.000022679264,0.00012920781,0.00024605842,0.00025381517],"domain_scores_gemma":[0.9978065,0.0011733033,0.00015869745,0.00009581781,0.0003914838,0.00037431566],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018443493,0.00053600606,0.0003017425,0.0009748673,0.014470194,0.008463928,0.0011895422,0.0014454171,0.00395873],"category_scores_gemma":[0.0041120904,0.00023618851,0.00022902405,0.00083066063,0.01610066,0.004230316,0.002740341,0.0035631016,0.00046390275],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007293049,0.000025827454,0.0007074142,0.00012218335,0.000007344058,0.0013262542,0.83655274,0.00011568826,0.00078966725,0.11412145,0.03485868,0.011299887],"study_design_scores_gemma":[0.0000032845073,0.000018904624,0.0013929867,0.00024399043,0.0000065113986,0.00036595078,0.4143613,0.0000529028,0.00051854324,0.004724658,0.5782885,0.000022417555],"about_ca_topic_score_codex":0.19134167,"about_ca_topic_score_gemma":0.43667996,"teacher_disagreement_score":0.19134167,"about_ca_system_score_codex":0.0159389,"about_ca_system_score_gemma":0.006357245,"threshold_uncertainty_score":0.38045585},"labels":[],"label_agreement":null},{"id":"W7027046795","doi":"","title":"Canada Pension Plan Investment Board Has $47.11 Million Stake in Waste Management, Inc. (WM)","year":2017,"lang":"en","type":"other","venue":"","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Pension plan; Plan (archaeology); Investment (military); Pension; Government (linguistics)","score_opus":0.057118175714534,"score_gpt":0.2192219628532927,"score_spread":0.1621037871387587,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7027046795","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0016955876,0.0011525316,0.0003908821,0.009712248,0.00065387564,0.00012654759,0.007941237,0.00055852934,0.97776854],"genre_scores_gemma":[0.0060810153,0.00069089636,0.00031406758,0.0009862261,0.00006217521,0.000021062417,0.0020500766,0.00014092597,0.9896535],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99748343,0.000048898477,0.000035167926,0.0001209867,0.001784993,0.00052659283],"domain_scores_gemma":[0.9949846,0.00021163814,0.00006211662,0.00013775732,0.003570803,0.0010330589],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012454606,0.00071751984,0.000510281,0.0026839785,0.009628504,0.0063183177,0.0011760219,0.0034829343,0.23243183],"category_scores_gemma":[0.0042722896,0.0006006987,0.00059318525,0.0024346842,0.0013965128,0.0015462715,0.001608135,0.0034350713,0.05760195],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023446406,0.00003337858,0.0005411264,0.00003642446,0.0000032250666,0.000045873672,0.00007961222,0.000079714635,0.00011498945,0.013953298,0.9593219,0.025766963],"study_design_scores_gemma":[0.0000066282587,0.0000051311517,0.0011866147,0.00004962791,0.000003659603,0.000018119918,0.00014532635,0.00012056553,0.00017204475,0.0006652631,0.997617,0.000010044803],"about_ca_topic_score_codex":0.9255138,"about_ca_topic_score_gemma":0.9783337,"teacher_disagreement_score":0.9255138,"about_ca_system_score_codex":0.025745774,"about_ca_system_score_gemma":0.09933422,"threshold_uncertainty_score":0.7775619},"labels":[],"label_agreement":null},{"id":"W7029977152","doi":"","title":"Margaret Atwood e la questione ambientale: la sensibilizzazione dei bambini attraverso la letteratura","year":2023,"lang":"it","type":"article","venue":"Electronic Theses and Dissertations Repository (University of Pisa)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Wilderness; Context (archaeology); Italian studies","score_opus":0.008880483547497106,"score_gpt":0.20844053467895707,"score_spread":0.19956005113145997,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7029977152","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3739265,0.057523206,0.0087829735,0.2550078,0.0053698667,0.00014728996,0.00039643745,0.0001509254,0.29869503],"genre_scores_gemma":[0.72638994,0.013642488,0.003742363,0.040301204,0.0010878923,0.0000775764,0.000092861934,0.00014194433,0.21452378],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99847335,0.00057784515,0.000029660127,0.0003150724,0.00038420578,0.00021991994],"domain_scores_gemma":[0.9978648,0.00093797804,0.00019888635,0.000118673845,0.000595728,0.00028400883],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014855094,0.00042844302,0.00031715693,0.00042590307,0.005903766,0.004074847,0.000822015,0.0024139222,0.023025172],"category_scores_gemma":[0.0030170928,0.00021544802,0.00021581234,0.0006148044,0.004617598,0.0030209967,0.0019181299,0.0024829523,0.002610705],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00035663779,0.00020994947,0.06681631,0.0025353266,0.00009070336,0.004514266,0.26429158,0.00027125972,0.027629316,0.0876401,0.31558013,0.2300645],"study_design_scores_gemma":[0.0000035117566,0.000079343416,0.028631588,0.00041564376,0.000025028448,0.0010935308,0.064220205,0.00009603576,0.0015858639,0.006446073,0.8973571,0.000045939585],"about_ca_topic_score_codex":0.057775296,"about_ca_topic_score_gemma":0.22980659,"teacher_disagreement_score":0.9422247,"about_ca_system_score_codex":0.0033250866,"about_ca_system_score_gemma":0.0025674773,"threshold_uncertainty_score":0.114878},"labels":[],"label_agreement":null},{"id":"W7031146137","doi":"","title":"Avertissement","year":2020,"lang":"fr","type":"book-chapter","venue":"Industrias Culturais (Universidade de Coimbra)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Identification (biology); Context (archaeology); Subject (documents); French","score_opus":0.05546290949702088,"score_gpt":0.23308219925416598,"score_spread":0.1776192897571451,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7031146137","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0036262558,0.028548203,0.0016998715,0.04077186,0.015893193,0.000044810044,0.0003328617,0.00028285081,0.90880007],"genre_scores_gemma":[0.024427837,0.006482499,0.00064444914,0.0072380877,0.0018976906,0.000042794203,0.00015877899,0.00023145495,0.9588764],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99821895,0.00039311172,0.000042093623,0.0003231078,0.0007548713,0.00026781543],"domain_scores_gemma":[0.9981445,0.0004345301,0.000075243064,0.0002122376,0.000824201,0.00030934502],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001434775,0.00081689726,0.0004741071,0.0022330573,0.00862289,0.0073718005,0.001185885,0.0023675044,0.0862917],"category_scores_gemma":[0.00456308,0.0002884367,0.00047881916,0.0014380908,0.005527978,0.004184749,0.0043759146,0.0038969524,0.028137246],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000042967207,0.000020888363,0.0003934612,0.0001626233,0.0000052846103,0.0002726206,0.010500887,0.00006156506,0.000385014,0.27480975,0.644783,0.06856183],"study_design_scores_gemma":[8.0902873e-7,0.0000021153046,0.000074263815,0.000054910408,7.5286613e-7,0.000051998046,0.00046801878,0.000008183354,0.000044325287,0.0015483274,0.99774444,0.0000018910126],"about_ca_topic_score_codex":0.033779435,"about_ca_topic_score_gemma":0.06628175,"teacher_disagreement_score":0.9137083,"about_ca_system_score_codex":0.010190578,"about_ca_system_score_gemma":0.0072278213,"threshold_uncertainty_score":0.28867447},"labels":[],"label_agreement":null},{"id":"W7033861364","doi":"","title":"SHORT CUTS #188 - The Paunch Resistance","year":2018,"lang":"en","type":"other","venue":"Bulletin of Miscellaneous Information (Royal Gardens Kew)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Champion; Cover (algebra); Resistance (ecology); Insecticide resistance","score_opus":0.010963779325374522,"score_gpt":0.18480184455282642,"score_spread":0.1738380652274519,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7033861364","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00071801426,0.0018458067,0.0002539332,0.06961016,0.012125554,0.00004922259,0.0011180249,0.0005371297,0.9137421],"genre_scores_gemma":[0.0021338856,0.00024379713,0.000061930994,0.009711749,0.00053788756,0.000016519853,0.0001996661,0.00021265761,0.9868819],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980476,0.00017874877,0.00005139448,0.00019053965,0.0011035779,0.00042811013],"domain_scores_gemma":[0.9969695,0.0005769367,0.000077219585,0.00024939008,0.0014856366,0.0006413703],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0011401002,0.0004758838,0.00038981653,0.0010655503,0.0062265894,0.010462114,0.0010323245,0.007175316,0.35982227],"category_scores_gemma":[0.008199147,0.00045852765,0.00034902408,0.0009690703,0.0014436542,0.0044980724,0.0031878308,0.006411642,0.26497427],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000004298366,0.000002589488,0.000023178894,0.000009807459,2.452406e-7,0.00001573402,0.000051876512,0.000003014425,0.000036940466,0.0051110587,0.99102217,0.0037191196],"study_design_scores_gemma":[8.5599436e-7,0.0000015561493,0.000102840095,0.00001498743,2.8457094e-7,0.000014338142,0.00008553644,0.0000056559193,0.00002526852,0.00036029983,0.99938667,0.0000017019698],"about_ca_topic_score_codex":0.053946067,"about_ca_topic_score_gemma":0.11020405,"teacher_disagreement_score":0.35982227,"about_ca_system_score_codex":0.003613243,"about_ca_system_score_gemma":0.0047993967,"threshold_uncertainty_score":0.9131358},"labels":[],"label_agreement":null},{"id":"W7034228224","doi":"","title":"Sustainable Marine delivers first floating tidal power to Nova Scotia grid","year":2022,"lang":"en","type":"other","venue":"","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nova scotia; Tidal power; Power (physics); Power grid; Grid","score_opus":0.014099877365449282,"score_gpt":0.20941918247703434,"score_spread":0.19531930511158505,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7034228224","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004659408,0.00065894146,0.0003419262,0.0066077802,0.0011660906,0.00006502883,0.00319676,0.0001900681,0.983114],"genre_scores_gemma":[0.016069723,0.00037349883,0.0002549322,0.0013602754,0.000076713135,0.000020139536,0.00041978946,0.00007648435,0.98134834],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997999,0.00000933341,0.0000036415618,0.000015888496,0.00010050758,0.00007078035],"domain_scores_gemma":[0.99936074,0.00005337573,0.000017195302,0.00005267395,0.00036325795,0.00015282832],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00027329897,0.0002859448,0.0001116302,0.0006080403,0.0030793855,0.0032001825,0.00041670736,0.001391749,0.082662076],"category_scores_gemma":[0.001456511,0.00016189954,0.00019768067,0.0005158463,0.00062731927,0.0005759397,0.0012545228,0.0014345188,0.012468187],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000052337346,0.000018829212,0.0013488758,0.00007348819,0.0000036649674,0.0003572843,0.0002826399,0.00035901138,0.0008304103,0.037492562,0.92222345,0.036957536],"study_design_scores_gemma":[0.000009030893,0.000007932738,0.0033248113,0.00006696923,0.0000021775475,0.00003640064,0.0003342905,0.00024277573,0.00034370273,0.0015461425,0.9940785,0.0000071980717],"about_ca_topic_score_codex":0.7577315,"about_ca_topic_score_gemma":0.92572653,"teacher_disagreement_score":0.2422685,"about_ca_system_score_codex":0.007260942,"about_ca_system_score_gemma":0.014045563,"threshold_uncertainty_score":0.48739052},"labels":[],"label_agreement":null},{"id":"W7036472848","doi":"","title":"Building Momentum: GE Delivers Improved Profitability and Cash Performance In Third Quarter","year":2020,"lang":"en","type":"other","venue":"","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Profitability index; Cash; Quarter (Canadian coin); Productivity; Cash flow","score_opus":0.017293249217900774,"score_gpt":0.2146443624276857,"score_spread":0.19735111320978493,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7036472848","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.027469207,0.0018804558,0.0023812314,0.026603047,0.0009276402,0.000032868793,0.0026346392,0.0016339271,0.93643695],"genre_scores_gemma":[0.30390018,0.0043731113,0.0038640099,0.004842911,0.0005106669,0.00005361365,0.0036195964,0.00102595,0.67781],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996062,0.000046441153,0.000006793432,0.00004020117,0.00018397722,0.000116426476],"domain_scores_gemma":[0.9993919,0.000081346574,0.00005121196,0.00005108026,0.00024228345,0.00018215044],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008624052,0.00048479988,0.00018358018,0.0007325547,0.0010872425,0.006394141,0.00047416385,0.0016874084,0.07204513],"category_scores_gemma":[0.0029262768,0.00011795012,0.00023969782,0.0008014433,0.0010407001,0.0037132562,0.0020067242,0.0018126519,0.018365344],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021355554,0.00009486317,0.0019064684,0.00009927553,0.000009515026,0.00016384729,0.000255498,0.0009159198,0.0013018361,0.28248873,0.5576081,0.15494229],"study_design_scores_gemma":[0.000040454266,0.000106347645,0.0072667976,0.00023932854,0.000016017735,0.00015180532,0.00086947635,0.002131091,0.0029274488,0.06145017,0.92476857,0.000032524338],"about_ca_topic_score_codex":0.022185149,"about_ca_topic_score_gemma":0.028720442,"teacher_disagreement_score":0.07204513,"about_ca_system_score_codex":0.0039169625,"about_ca_system_score_gemma":0.0047770515,"threshold_uncertainty_score":0.24101496},"labels":[],"label_agreement":null},{"id":"W7037771628","doi":"","title":"Examining the Structure and Stability of Rare Earth Clathrates by Multi-Temperature PXRD and Rietveld Refinement","year":2018,"lang":"en","type":"article","venue":"","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"iNano Medical (Canada)","funders":"","keywords":"Rietveld refinement; Rare earth; Powder diffraction; Crystal structure; X-ray crystallography; Structural stability; Isostructural","score_opus":0.0389279316766391,"score_gpt":0.23056318167702775,"score_spread":0.19163525000038864,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7037771628","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97001857,0.0011245732,0.02140127,0.00024106607,0.000074340984,0.000084398984,0.0028694726,0.0006436545,0.003542579],"genre_scores_gemma":[0.94266415,0.0014762799,0.04747871,0.00007053322,0.000010762054,0.00016211915,0.0060376627,0.000486672,0.0016131848],"study_design_codex":"bench_or_experimental","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.9993845,0.00009664082,0.000052298492,0.000113619375,0.00026677788,0.000086092194],"domain_scores_gemma":[0.99934417,0.00018197193,0.00007193681,0.00016365942,0.00021046378,0.000027751415],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017312949,0.0007184086,0.0009957729,0.0007467189,0.001410139,0.0007713542,0.0026805382,0.00067876565,0.0026156204],"category_scores_gemma":[0.0028045254,0.00080943416,0.0007526758,0.0011274257,0.0007580799,0.0009758766,0.0006640944,0.001863879,0.00028076454],"study_design_candidate":"bench_or_experimental","study_design_consensus":"bench_or_experimental","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0008892961,0.00017179461,0.008833486,0.0014213041,0.000473733,0.0009867927,0.0030451787,0.084251076,0.8306369,0.026967837,0.0055459845,0.036776606],"study_design_scores_gemma":[0.00025931635,0.00046580224,0.023702683,0.00018201128,0.00024320916,0.0007123359,0.0019064717,0.36277086,0.57327485,0.0048445263,0.03127286,0.00036513497],"about_ca_topic_score_codex":0.032570347,"about_ca_topic_score_gemma":0.03564863,"teacher_disagreement_score":0.032570347,"about_ca_system_score_codex":0.0012754397,"about_ca_system_score_gemma":0.0026204477,"threshold_uncertainty_score":0.06476158},"labels":[],"label_agreement":null},{"id":"W7042720464","doi":"","title":"Replay: a novel with critical commentary","year":2023,"lang":"en","type":"article","venue":"Figshare","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dystopia; Sci-Fi; Subject (documents); Utopia; Value (mathematics); Fiction theory; Set (abstract data type); Literary fiction","score_opus":0.10466890556705703,"score_gpt":0.27630968713933113,"score_spread":0.17164078157227408,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7042720464","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008503118,0.007068704,0.005986463,0.76335275,0.097278155,0.0002311247,0.00036626984,0.0003178677,0.116895534],"genre_scores_gemma":[0.38081154,0.007249291,0.0059056715,0.32888636,0.06808096,0.0012564125,0.00031674045,0.0012162508,0.20627674],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9884836,0.006151965,0.00036532126,0.0015451874,0.0024440142,0.0010099092],"domain_scores_gemma":[0.97686756,0.014510979,0.0015111221,0.0013167113,0.0047479537,0.0010457359],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0072945934,0.0014393678,0.0008213855,0.0025279135,0.02162877,0.011771651,0.0039642937,0.013988065,0.014064461],"category_scores_gemma":[0.04651901,0.00054927,0.0011893967,0.0018548833,0.02057459,0.0083880015,0.0059975064,0.019295495,0.0042462745],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008057425,0.000024413845,0.00010392496,0.00036020108,0.000012859758,0.0021135262,0.109079294,0.00014367777,0.0005652375,0.26243716,0.6167695,0.008309614],"study_design_scores_gemma":[0.000008063353,0.000013629227,0.000056902674,0.00040813975,0.000008711839,0.00047222813,0.028471058,0.00012866715,0.0003455025,0.011396403,0.9586614,0.000029400804],"about_ca_topic_score_codex":0.009661283,"about_ca_topic_score_gemma":0.009710856,"teacher_disagreement_score":0.02162877,"about_ca_system_score_codex":0.013889657,"about_ca_system_score_gemma":0.008103352,"threshold_uncertainty_score":0.10077697},"labels":[],"label_agreement":null},{"id":"W7043242770","doi":"","title":"Spectrality in Margaret Atwood’s “Death by Landscape” (1990)","year":2018,"lang":"en","type":"article","venue":"Dialnet (Universidad de la Rioja)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Trope (literature); Appropriation; The Imaginary; Narrative; Natural (archaeology); Key (lock); The Symbolic; Dislocation","score_opus":0.016490780603394883,"score_gpt":0.2352617947369318,"score_spread":0.21877101413353692,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7043242770","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3017615,0.025012368,0.004825004,0.13878417,0.0044272104,0.00006334955,0.00014208279,0.00018647882,0.5247978],"genre_scores_gemma":[0.85536855,0.004238601,0.00088268484,0.012436401,0.0005935729,0.000042418982,0.00004143374,0.000155169,0.12624109],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990477,0.0004413363,0.000014004239,0.000091606606,0.00017631134,0.00022897711],"domain_scores_gemma":[0.9994373,0.00028384285,0.00004796074,0.000024054616,0.00007650478,0.00013036036],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00080502086,0.00045986712,0.0002254243,0.00074649695,0.015118922,0.003845951,0.00069732603,0.0020929507,0.0020527127],"category_scores_gemma":[0.0017903749,0.00021493588,0.00015888932,0.000497691,0.01506502,0.0029338093,0.0030276766,0.0044894754,0.00040242117],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007185797,0.00001993706,0.0005333682,0.000077798795,0.000004829349,0.0012034662,0.5411023,0.00011295319,0.0006439971,0.33681473,0.10978282,0.009631982],"study_design_scores_gemma":[0.0000046465602,0.000026215277,0.0008567142,0.00011904199,0.0000038472067,0.0008856571,0.1178495,0.00006617362,0.00041958728,0.007104927,0.87264436,0.000019347897],"about_ca_topic_score_codex":0.05950144,"about_ca_topic_score_gemma":0.15368441,"teacher_disagreement_score":0.05950144,"about_ca_system_score_codex":0.0067267222,"about_ca_system_score_gemma":0.0021488962,"threshold_uncertainty_score":0.11831021},"labels":[],"label_agreement":null},{"id":"W7043692219","doi":"","title":"Subterranean Worlds: A Critical Anthology","year":2006,"lang":"en","type":"article","venue":"eCite Digital Repository (University of Tasmania)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Theme (computing); Hobby; Movie theater; Performance art; Key (lock)","score_opus":0.015326312914665274,"score_gpt":0.18417869095568182,"score_spread":0.16885237804101655,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7043692219","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.047447786,0.08576749,0.004101996,0.07554725,0.013218915,0.00019317407,0.00023422038,0.00010308238,0.77338606],"genre_scores_gemma":[0.660024,0.046805862,0.0028765642,0.009540588,0.0066869752,0.00049408356,0.00022385932,0.00027097337,0.27307722],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990054,0.00058859546,0.000023300723,0.00008864329,0.00013388913,0.00016023696],"domain_scores_gemma":[0.9989716,0.00065278925,0.000070816466,0.000040598006,0.00010822532,0.00015588995],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015249134,0.0008326811,0.00039664286,0.0017254715,0.013773325,0.007408987,0.001006411,0.0020330776,0.0066535245],"category_scores_gemma":[0.002441974,0.00034738192,0.00028879527,0.0020411934,0.011790526,0.0040525724,0.0035010155,0.0044790306,0.0007691581],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005567247,0.000037017166,0.00023176144,0.0002941823,0.0000065021914,0.0009340272,0.25084043,0.00009915873,0.000574456,0.56146383,0.1724493,0.013013643],"study_design_scores_gemma":[0.000004346599,0.000012678654,0.0002851409,0.00035542654,0.0000026989903,0.00018825468,0.056201316,0.000053921365,0.00015550078,0.010849589,0.9318849,0.0000062485874],"about_ca_topic_score_codex":0.010572339,"about_ca_topic_score_gemma":0.022847533,"teacher_disagreement_score":0.013773325,"about_ca_system_score_codex":0.0076358262,"about_ca_system_score_gemma":0.0036783707,"threshold_uncertainty_score":0.0554021},"labels":[],"label_agreement":null},{"id":"W7044565977","doi":"","title":"نقش ایدئولوژی آموزشی در حفظ نظام سرمایهداری در رمانهایآریکس و کریک و سال سیل اثر مارگارت آتوود","year":2014,"lang":"en","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dystopia; Power (physics); Ideology; Oryx; Flood myth; Headline","score_opus":0.32216985163921685,"score_gpt":0.5246579230069224,"score_spread":0.20248807136770552,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7044565977","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.067869596,0.013685679,0.03256596,0.029944476,0.010367245,0.000297784,0.0010300276,0.00062165456,0.8436176],"genre_scores_gemma":[0.28117996,0.016805977,0.03291547,0.0048811403,0.0021663315,0.0004775236,0.0010079092,0.0016178652,0.65894777],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982445,0.00022597272,0.00011097862,0.00017128601,0.0010594355,0.00018775505],"domain_scores_gemma":[0.99818784,0.00036662904,0.00025658534,0.00012891799,0.000919788,0.0001401995],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013547074,0.00055317424,0.00022925716,0.0013169961,0.0029066785,0.0048544584,0.0004281154,0.0013805894,0.06489513],"category_scores_gemma":[0.0044428627,0.0005229785,0.00034592315,0.0013910016,0.0030585364,0.00241261,0.0016795853,0.0043115797,0.039391607],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00089085824,0.00014155655,0.0023939027,0.0009654316,0.00005679565,0.0043000104,0.026605567,0.00045900684,0.061837126,0.4331823,0.13295712,0.33621037],"study_design_scores_gemma":[0.000014141009,0.000036806116,0.0035919095,0.00024696544,0.00001231903,0.0008291835,0.007485129,0.000112530935,0.0095207,0.012861515,0.96524465,0.000044105545],"about_ca_topic_score_codex":0.010197189,"about_ca_topic_score_gemma":0.015821688,"teacher_disagreement_score":0.06489513,"about_ca_system_score_codex":0.0030287693,"about_ca_system_score_gemma":0.0029709986,"threshold_uncertainty_score":0.21709579},"labels":[],"label_agreement":null},{"id":"W7065866119","doi":"","title":"Ethical Futures and Global Science Fiction","year":2020,"lang":"en","type":"article","venue":"Figshare","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Futures contract; Vision; Ethical issues; Futures studies; Global challenges; Global citizenship","score_opus":0.07634351090222674,"score_gpt":0.2729759321759703,"score_spread":0.19663242127374359,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7065866119","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06488676,0.024717718,0.0071505853,0.11185136,0.001793021,0.00004360418,0.00005650361,0.00006445522,0.7894359],"genre_scores_gemma":[0.95891273,0.0051034545,0.0017463162,0.0052004717,0.00058324594,0.000049180104,0.00003650495,0.00004059981,0.028327499],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99483216,0.0038596913,0.0000952898,0.0002595126,0.0005384523,0.00041485918],"domain_scores_gemma":[0.9929739,0.0054778783,0.00045870236,0.0005384978,0.00035018852,0.00020087048],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005410176,0.0004806416,0.00033382096,0.0014445797,0.0077472553,0.010490205,0.00068628887,0.0039197896,0.004965919],"category_scores_gemma":[0.008025956,0.00014314025,0.0003005046,0.0017116333,0.0539002,0.007429016,0.004706147,0.005075412,0.00048053052],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000004405871,0.000004563163,0.00009633881,0.000036737394,0.0000015553004,0.00012570355,0.03546382,0.00012337713,0.00005099787,0.95539814,0.0038164093,0.0048779133],"study_design_scores_gemma":[0.0000066515117,0.000019590942,0.00041793985,0.00048464164,0.0000057360667,0.0004433352,0.032976054,0.00023144775,0.0002522889,0.43235537,0.5327941,0.000012843421],"about_ca_topic_score_codex":0.0016638087,"about_ca_topic_score_gemma":0.0020252098,"teacher_disagreement_score":0.010490205,"about_ca_system_score_codex":0.0077529284,"about_ca_system_score_gemma":0.0027450756,"threshold_uncertainty_score":0.056251645},"labels":[],"label_agreement":null},{"id":"W7067188362","doi":"","title":"L'animal transformé dans la science-fiction d'un point de vue philosophique","year":2007,"lang":"fr","type":"article","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Point (geometry); Relation (database); Perspective (graphical)","score_opus":0.01586331806410859,"score_gpt":0.23002878935102486,"score_spread":0.21416547128691626,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7067188362","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.041528285,0.026863165,0.025914181,0.18537901,0.0031038634,0.000056255045,0.00013789187,0.00022996237,0.71678734],"genre_scores_gemma":[0.90299726,0.0041216756,0.004466269,0.008465704,0.0011313107,0.00010196781,0.000045465385,0.00018287062,0.07848739],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9970324,0.002095758,0.00004258221,0.00024189938,0.00034872832,0.00023869367],"domain_scores_gemma":[0.99667287,0.0024061631,0.0001614064,0.00038701366,0.00022392781,0.00014863966],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004775823,0.0006065756,0.00051931845,0.0016046735,0.010351989,0.01152085,0.00089033105,0.0041376743,0.0054923943],"category_scores_gemma":[0.005165565,0.00024392585,0.00043892776,0.0011755577,0.073263496,0.0066567273,0.0040069367,0.008221229,0.0005641456],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000036340712,0.0000019355298,0.000026222244,0.000011410772,0.0000011282784,0.000011671336,0.008675801,0.000027958857,0.000037878403,0.98865044,0.0018368114,0.0007151037],"study_design_scores_gemma":[0.00002353566,0.000020403488,0.0003503362,0.0001676145,0.000011637903,0.00012662516,0.014852194,0.00025760653,0.0003378381,0.47331285,0.5105236,0.000015616812],"about_ca_topic_score_codex":0.01884312,"about_ca_topic_score_gemma":0.024846585,"teacher_disagreement_score":0.01884312,"about_ca_system_score_codex":0.008146687,"about_ca_system_score_gemma":0.005998177,"threshold_uncertainty_score":0.059108615},"labels":[],"label_agreement":null},{"id":"W7070634068","doi":"","title":"Quand les chercheurs se font écrivains de science-fiction","year":2024,"lang":"fr","type":"article","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Font; Noise (video); Focus (optics); Photography","score_opus":0.056740419043901424,"score_gpt":0.26669127859278097,"score_spread":0.20995085954887954,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7070634068","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.038409844,0.019673591,0.008051843,0.16315827,0.014491774,0.00005369588,0.0002165329,0.00029379074,0.75565064],"genre_scores_gemma":[0.5764995,0.0072093294,0.0033319916,0.013890827,0.008129852,0.00008196897,0.00014624218,0.0003781639,0.3903321],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9939856,0.0032112002,0.00012763317,0.00061282824,0.0014883876,0.00057439884],"domain_scores_gemma":[0.9921495,0.004373979,0.00047398158,0.0008286046,0.0017261873,0.00044767102],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.006101629,0.00082397234,0.00063938514,0.0015606559,0.01165417,0.015821183,0.0008702899,0.006666348,0.0284783],"category_scores_gemma":[0.021144507,0.0002935572,0.00063508895,0.0012477117,0.01669122,0.011244826,0.003308549,0.010140889,0.0060369004],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005564729,0.000014804032,0.0002888942,0.0000759256,0.000013727866,0.0002268744,0.01789417,0.00008418975,0.0004693569,0.939107,0.030135874,0.011633458],"study_design_scores_gemma":[0.000020662688,0.00002499816,0.00065072876,0.00018910956,0.000011731238,0.0004736889,0.009331799,0.0002480238,0.0008452697,0.07626123,0.9119121,0.00003071441],"about_ca_topic_score_codex":0.0072855516,"about_ca_topic_score_gemma":0.0092458725,"teacher_disagreement_score":0.0284783,"about_ca_system_score_codex":0.0056708357,"about_ca_system_score_gemma":0.0037476236,"threshold_uncertainty_score":0.09526938},"labels":[],"label_agreement":null},{"id":"W7070856629","doi":"","title":"The politics of death in the selected Afrofuturist works of Nalo Hopkinson, Nnedi Okorafor, and Wanuri Kahiu","year":2023,"lang":"en","type":"dissertation","venue":"Mspace (University of Manitoba)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Manitoba","funders":"University of Manitoba","keywords":"Politics; Black feminism; Sustenance; Colonialism; Girl; White (mutation); Racism; Democracy","score_opus":0.018188487780911256,"score_gpt":0.20582878262877,"score_spread":0.18764029484785874,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7070856629","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.79995173,0.006286415,0.0004781946,0.009101497,0.00037719944,0.000038807135,0.000035584268,0.000012963764,0.18371762],"genre_scores_gemma":[0.9660347,0.0018129946,0.00022620091,0.0009842901,0.00008262884,0.00003339376,0.000014223362,0.000023464298,0.030787976],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99888057,0.0005120516,0.00002498928,0.00007860276,0.00013185045,0.00037201037],"domain_scores_gemma":[0.9989869,0.00046908518,0.00018307885,0.00005313376,0.0000921077,0.00021576858],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019832812,0.0004997479,0.0003817253,0.0010413885,0.03394054,0.0063260524,0.0006918503,0.0020632285,0.0043490627],"category_scores_gemma":[0.0017482253,0.00026310282,0.00018663604,0.0010777956,0.01805656,0.003413423,0.0061293165,0.0029704366,0.00035549927],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005514689,0.000017467737,0.0013943705,0.00009185703,0.0000036898157,0.00067850895,0.93198293,0.000026133652,0.0007342786,0.055132817,0.0029758387,0.0069069443],"study_design_scores_gemma":[0.0000038057085,0.0000296139,0.003188036,0.00021525707,0.0000059446797,0.0003107741,0.8132319,0.000018940462,0.00039165895,0.0023194626,0.1802678,0.000016811491],"about_ca_topic_score_codex":0.015735574,"about_ca_topic_score_gemma":0.049538877,"teacher_disagreement_score":0.03394054,"about_ca_system_score_codex":0.008104778,"about_ca_system_score_gemma":0.0036035723,"threshold_uncertainty_score":0.058804512},"labels":[],"label_agreement":null},{"id":"W7071022597","doi":"","title":"Review of Oryx and Crake and The Year of the Flood by Margaret Atwood Toronto: McClelland &amp; Stewart, 2003. $24.96 ISBN: 978-0771008689 London: Bloomsbury, 2009. $15.53 ISBN: 978-0771008689","year":2012,"lang":"en","type":"article","venue":"ScholarWorks @ UTRGV (The University of Texas Rio Grande Valley)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Oryx; Flood myth","score_opus":0.0131008196192709,"score_gpt":0.19612285482197006,"score_spread":0.18302203520269916,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7071022597","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000032210704,0.99357915,0.000016621245,0.0028348234,0.0016815534,0.0000017382579,0.000036923804,0.0000033175058,0.0018136227],"genre_scores_gemma":[0.0011553423,0.9859167,0.000052333275,0.0023193404,0.001929553,0.0000069468347,0.000081634316,0.000009963387,0.0085281655],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99951196,0.00011840101,0.000059852973,0.000069269816,0.00017827742,0.000062351195],"domain_scores_gemma":[0.9985759,0.0005687069,0.00016231067,0.000053986067,0.00048410872,0.00015488753],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009549332,0.0010850525,0.0016092499,0.0049074544,0.0014391863,0.003411621,0.0012403156,0.0018256119,0.027495403],"category_scores_gemma":[0.0033503615,0.0005924219,0.0004391745,0.0096188,0.0022182402,0.0043615582,0.0017940574,0.0025095935,0.0076303757],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002830741,0.0000064220026,0.00009210994,0.0039043801,0.000015591178,0.00009647673,0.00049204536,0.00004791099,0.00004015716,0.0045637363,0.86542255,0.1252903],"study_design_scores_gemma":[0.0000019800198,0.0000030470483,0.00037593386,0.0026705873,0.0000070745464,0.00012105408,0.00025525485,0.0000034910267,0.000011242229,0.000578932,0.99596715,0.0000042544807],"about_ca_topic_score_codex":0.06831137,"about_ca_topic_score_gemma":0.1510195,"teacher_disagreement_score":0.9316886,"about_ca_system_score_codex":0.0045071323,"about_ca_system_score_gemma":0.008971762,"threshold_uncertainty_score":0.13582748},"labels":[],"label_agreement":null},{"id":"W7071275649","doi":"","title":"Reproducción y violencia sistémica en la ciencia ficción británica contemporánea: Intrusion (2012), The Growing Season (2017) y The Birth of Love (2010)","year":2024,"lang":"es","type":"article","venue":"Zaguan (University of Zaragoza Repository)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Intrusion; Human sexuality; Birth control; Nova scotia; Abortion; Reproduction","score_opus":0.012663503215047485,"score_gpt":0.2043874492563302,"score_spread":0.19172394604128273,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7071275649","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.51576024,0.021013463,0.0011856122,0.02024418,0.001090201,0.00004268411,0.000106886226,0.000048542108,0.44050813],"genre_scores_gemma":[0.95975804,0.0027224887,0.00024728355,0.0008766277,0.000080250524,0.000018094108,0.000022463937,0.000019959823,0.036254734],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99873024,0.0005556623,0.00003319426,0.00012746158,0.00029428556,0.00025909164],"domain_scores_gemma":[0.9986755,0.00058015564,0.00017621506,0.00011939545,0.00020620893,0.0002424862],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00157997,0.00043665207,0.00023793295,0.0012561872,0.013203561,0.006297092,0.0008500488,0.0016260851,0.005854516],"category_scores_gemma":[0.0022121263,0.00028967328,0.00013540918,0.0019637183,0.03918053,0.0017478508,0.0032950775,0.0034388604,0.00044598663],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000947115,0.000029668561,0.0035527602,0.00017969399,0.000011064963,0.0011831595,0.7002877,0.00020834315,0.001349146,0.26195264,0.007688401,0.0234626],"study_design_scores_gemma":[0.000010980454,0.00007264052,0.027600437,0.00034831025,0.000023619454,0.0012348577,0.2269218,0.0002097902,0.00092292635,0.013328899,0.72920537,0.00012041977],"about_ca_topic_score_codex":0.17018004,"about_ca_topic_score_gemma":0.3077621,"teacher_disagreement_score":0.17018004,"about_ca_system_score_codex":0.0138571635,"about_ca_system_score_gemma":0.00711283,"threshold_uncertainty_score":0.3383789},"labels":[],"label_agreement":null},{"id":"W7093521136","doi":"","title":"9781552386675.pdf","year":2022,"lang":"en","type":"other","venue":"OAPEN (The OAPEN Foundation)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Star trek; Dialectic; Honour; Ideology; Star (game theory); Sociocultural evolution; Subject (documents)","score_opus":0.024146126629192934,"score_gpt":0.22707877118091935,"score_spread":0.2029326445517264,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7093521136","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0001245673,0.00035397938,0.00023065225,0.00031102487,0.0003287434,0.000015419631,0.00077685394,0.00031795335,0.99754083],"genre_scores_gemma":[0.00094583246,0.00056006905,0.00022062927,0.0001937592,0.00010230268,0.000024556362,0.0006959043,0.00028053919,0.9969764],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99954456,0.000061984625,0.000027640406,0.00008333747,0.00021990281,0.00006247531],"domain_scores_gemma":[0.99886763,0.00027805942,0.00005755773,0.00017620073,0.0003406326,0.00027998412],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0006773553,0.0007243838,0.0004978879,0.002033793,0.0017613155,0.009297592,0.001054688,0.0018113022,0.92313194],"category_scores_gemma":[0.0026855844,0.00035280082,0.00043161836,0.0038315463,0.0008311103,0.0047824746,0.003805027,0.0015316404,0.9016225],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021485723,0.000024383648,0.00016364732,0.00019770343,0.0000024321623,0.000059366765,0.00016349288,0.000041479718,0.000243459,0.009300751,0.76751775,0.22226402],"study_design_scores_gemma":[0.0000019029798,0.000003421782,0.0001686812,0.000090229834,6.1382997e-7,0.000037901456,0.00008189151,0.00001269507,0.000042507934,0.0004679065,0.9990897,0.0000024662254],"about_ca_topic_score_codex":0.0027080663,"about_ca_topic_score_gemma":0.0044484725,"teacher_disagreement_score":0.07686806,"about_ca_system_score_codex":0.0009911729,"about_ca_system_score_gemma":0.0011503844,"threshold_uncertainty_score":0.10964286},"labels":[],"label_agreement":null},{"id":"W7093542464","doi":"","title":"The epic in the everyday: television and Doctor Who, ‘The Chase’","year":2023,"lang":"en","type":"article","venue":"CentAUR (University of Reading)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"EPIC; Seriousness; Popularity; Everyday life; Quarter (Canadian coin); Television series; Hollywood; Time travel","score_opus":0.02324489750788206,"score_gpt":0.20177800689022013,"score_spread":0.17853310938233807,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7093542464","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0959869,0.0549893,0.00094038196,0.05334315,0.0036155535,0.00002585864,0.00012742425,0.00005215839,0.79091924],"genre_scores_gemma":[0.8107231,0.020472793,0.00045468568,0.009890347,0.001719206,0.000024906558,0.00008714941,0.00008799693,0.1565398],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99883944,0.00065239955,0.000021637145,0.00008429025,0.00015782025,0.00024443722],"domain_scores_gemma":[0.9991266,0.00050035276,0.00006174453,0.000044968576,0.00007768732,0.00018876446],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009149589,0.00028223475,0.00021093636,0.0009575156,0.007753387,0.0076667373,0.00034988695,0.0021290367,0.009550018],"category_scores_gemma":[0.0022610733,0.000313551,0.00012619329,0.0012119152,0.01568393,0.0038496503,0.0021624896,0.0034718635,0.0009499893],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010196634,0.000042494627,0.002334545,0.00019031718,0.0000065994054,0.00085909484,0.45715567,0.00006258941,0.0004770715,0.35667038,0.14197092,0.040128373],"study_design_scores_gemma":[0.00001213902,0.000032781234,0.003217332,0.00031424896,0.000005226996,0.00056753337,0.0802407,0.000022388973,0.00014539644,0.00446081,0.9109696,0.000011778195],"about_ca_topic_score_codex":0.03267272,"about_ca_topic_score_gemma":0.0589297,"teacher_disagreement_score":0.03267272,"about_ca_system_score_codex":0.0068954807,"about_ca_system_score_gemma":0.0017993349,"threshold_uncertainty_score":0.06496507},"labels":[],"label_agreement":null},{"id":"W7097759815","doi":"","title":"1 Copyright © Canadian Academy of Oriental and Occidental Culture Method and Myth in L. P. Hartley’s The Go-Between","year":2012,"lang":"en","type":"article","venue":"","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Mythology; Government (linguistics)","score_opus":0.03664928166826212,"score_gpt":0.28313738791571424,"score_spread":0.24648810624745213,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7097759815","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0026746676,0.013634484,0.0006923439,0.041220162,0.004849261,0.000029952802,0.00020519565,0.0000522279,0.9366418],"genre_scores_gemma":[0.18113504,0.018792415,0.003205617,0.014273419,0.0018382696,0.00008455347,0.0002454694,0.00021813311,0.78020704],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99919564,0.0002233144,0.000031838405,0.000117231604,0.00030015467,0.00013186298],"domain_scores_gemma":[0.9991721,0.0002436711,0.000047609556,0.00011191154,0.00029745448,0.00012729586],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010923528,0.0005012866,0.0003033185,0.0014489086,0.007872475,0.008622417,0.00078632386,0.0020235183,0.040009044],"category_scores_gemma":[0.0021853081,0.00020272737,0.00021412343,0.0019344995,0.01566151,0.0024967277,0.0021732615,0.0026641188,0.005298252],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020053829,0.00001224827,0.0003933967,0.00008494367,0.000003853674,0.0001349472,0.006784582,0.000051723666,0.00013287202,0.5816187,0.37846667,0.032295905],"study_design_scores_gemma":[0.000002402519,0.000002163605,0.00066439895,0.000112344445,0.000001892208,0.00006519458,0.0020162067,0.000025477371,0.000042379128,0.009279929,0.9877813,0.0000064129217],"about_ca_topic_score_codex":0.5266932,"about_ca_topic_score_gemma":0.6826833,"teacher_disagreement_score":0.5266932,"about_ca_system_score_codex":0.017854432,"about_ca_system_score_gemma":0.014635839,"threshold_uncertainty_score":0.9521884},"labels":[],"label_agreement":null},{"id":"W7099755140","doi":"","title":"Dispatches from Cascadia","year":2024,"lang":"","type":"article","venue":"","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Set (abstract data type); Grounded theory; Ask price; Protocol (science); Work (physics); Path (computing)","score_opus":0.023639409921098777,"score_gpt":0.23251394156477123,"score_spread":0.20887453164367245,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7099755140","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0022477508,0.0056892238,0.0007602386,0.045317866,0.022396374,0.00007432798,0.0018696188,0.00072998914,0.9209146],"genre_scores_gemma":[0.012518768,0.001816558,0.00031097757,0.003513633,0.0013916184,0.000037670674,0.00055689027,0.0005135838,0.9793403],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99917287,0.0001295714,0.000028580267,0.00021054654,0.00029992266,0.00015845455],"domain_scores_gemma":[0.9987172,0.00018438298,0.000041537536,0.00016923064,0.00051485375,0.0003729245],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008828435,0.0007171958,0.0004189043,0.0011997969,0.006042153,0.004247571,0.00094816,0.001993072,0.30666536],"category_scores_gemma":[0.0035871475,0.00031636542,0.00044272232,0.00089712866,0.0011950925,0.0018633938,0.0031927836,0.003215144,0.07543816],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000039723756,0.000007248301,0.0001774791,0.000071241055,0.0000027489966,0.00023803067,0.0005956215,0.000061425344,0.00018187043,0.018110719,0.9668386,0.013675335],"study_design_scores_gemma":[0.0000011756812,0.0000017228588,0.00013582665,0.00002306578,4.9910295e-7,0.000021681233,0.0001636037,0.000008902307,0.000021797481,0.0003377451,0.99928206,0.0000020584928],"about_ca_topic_score_codex":0.048813954,"about_ca_topic_score_gemma":0.08809762,"teacher_disagreement_score":0.30666536,"about_ca_system_score_codex":0.004529541,"about_ca_system_score_gemma":0.0031284124,"threshold_uncertainty_score":0.9889577},"labels":[],"label_agreement":null},{"id":"W7103424374","doi":"","title":"The Female Body in Margaret Atwood’s <em>The Edible Woman</em> and <em>Lady Oracle</em>","year":2013,"lang":"","type":"article","venue":"Journal of international women's studies","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Foregrounding; Femininity; Dualism; Relation (database); Identity (music); Power (physics); Meaning (existential)","score_opus":0.024360145028648566,"score_gpt":0.26925442753100565,"score_spread":0.2448942825023571,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7103424374","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24899977,0.037172414,0.004350385,0.25094736,0.0061653857,0.000070998954,0.00012200446,0.00014339763,0.45202833],"genre_scores_gemma":[0.8664405,0.0058870283,0.0012724053,0.014191824,0.00092046324,0.000032203694,0.000025207371,0.000121019504,0.111109324],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99879754,0.0004821251,0.0000120535815,0.00011640498,0.00033362693,0.0002582846],"domain_scores_gemma":[0.99916005,0.00041577264,0.000064051754,0.000030274985,0.00013135713,0.00019844779],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010070816,0.0004736933,0.0002938535,0.0007752166,0.018623605,0.005196317,0.0008713786,0.0024607996,0.002628832],"category_scores_gemma":[0.0018282623,0.00023995302,0.0002015296,0.0005796026,0.025433013,0.002620476,0.0025670682,0.004335864,0.00034151084],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000062471176,0.00002751366,0.00050579,0.00010412999,0.000004766298,0.001454563,0.5397384,0.00009978544,0.0009554872,0.37420884,0.07068459,0.012153637],"study_design_scores_gemma":[0.000005634777,0.000024671572,0.0009852657,0.00020500665,0.0000064311107,0.0010530505,0.18347137,0.000089986104,0.00077005505,0.00994127,0.80341053,0.00003676029],"about_ca_topic_score_codex":0.24804567,"about_ca_topic_score_gemma":0.45094302,"teacher_disagreement_score":0.24804567,"about_ca_system_score_codex":0.012300114,"about_ca_system_score_gemma":0.005937311,"threshold_uncertainty_score":0.49320382},"labels":[],"label_agreement":null},{"id":"W7103888393","doi":"10.5281/zenodo.17516521","title":"MARGARET ETVUDNING \"OQSOCH ERTAGI\" DISTOPIK ASARIDA BOLALIK VA IJTIMOIY TARBIYA MASALALARI","year":2025,"lang":"","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ideology; Dystopia; Context (archaeology); Politics; Social control","score_opus":0.033019293379162575,"score_gpt":0.24412379962510777,"score_spread":0.2111045062459452,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7103888393","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12162125,0.026074741,0.0034374502,0.07611508,0.0056109154,0.00006539218,0.0001686312,0.00034044535,0.766566],"genre_scores_gemma":[0.5324888,0.007196469,0.0019662122,0.0044736443,0.00053722505,0.000026028536,0.00006731275,0.00020507675,0.45303923],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996063,0.00008487034,0.000008895561,0.000043460037,0.00011390043,0.00014252757],"domain_scores_gemma":[0.9998228,0.000054394986,0.000021716669,0.000009893469,0.000042935037,0.000048368925],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00056097994,0.00029821935,0.00021566321,0.00047554757,0.007721558,0.0028303408,0.00032712801,0.0007038893,0.011734698],"category_scores_gemma":[0.0007904725,0.00011476801,0.00015557966,0.00036082097,0.003742429,0.0012394122,0.0018083603,0.0022202611,0.0020305908],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00029570062,0.00008532615,0.004206685,0.00046673193,0.000016029066,0.0015426695,0.13531272,0.00025760185,0.0036727907,0.4922379,0.22958945,0.13231637],"study_design_scores_gemma":[0.000004617895,0.00001924387,0.001947699,0.00013591924,0.00000686071,0.00029703605,0.02369615,0.00008132054,0.00095172727,0.0036885089,0.9691579,0.000013098923],"about_ca_topic_score_codex":0.04233707,"about_ca_topic_score_gemma":0.11537126,"teacher_disagreement_score":0.04233707,"about_ca_system_score_codex":0.0037868565,"about_ca_system_score_gemma":0.0034461874,"threshold_uncertainty_score":0.08418125},"labels":[],"label_agreement":null},{"id":"W7105750086","doi":"10.48341/v4mv-6t23","title":"Hope after the Bombs: Apocalypse, Utopia, and Transcultural Imaginaries in Classic Fallout Mods from the Former Eastern Bloc","year":2025,"lang":"","type":"book-chapter","venue":"DOOR","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Eastern Bloc; Work (physics); Face (sociological concept); Context (archaeology)","score_opus":0.01808604270670286,"score_gpt":0.2192411878421745,"score_spread":0.20115514513547164,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7105750086","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.027743932,0.024845231,0.0013297349,0.030621203,0.0020794512,0.000044095217,0.000040432493,0.00005892455,0.91323704],"genre_scores_gemma":[0.7066659,0.0056058476,0.0007937399,0.0049603307,0.0007379056,0.00005257793,0.000026866577,0.00008824632,0.2810687],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995223,0.00021732275,0.0000082605,0.000046874902,0.00008204026,0.00012321258],"domain_scores_gemma":[0.99966,0.00017468477,0.00002523102,0.000034531375,0.000034301225,0.00007122016],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00092885905,0.0005244234,0.00031206076,0.000581095,0.010700262,0.0057328036,0.00058197515,0.0017773024,0.006383746],"category_scores_gemma":[0.001687712,0.00015283056,0.00019638853,0.00070752465,0.024898624,0.004314544,0.003356347,0.0058864625,0.00052603864],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001578301,0.00001292226,0.00006030096,0.000018849192,0.0000010313499,0.00006986954,0.036946397,0.000030070783,0.00003826268,0.92749625,0.02941591,0.0058943545],"study_design_scores_gemma":[0.000020152282,0.00002314577,0.0006046896,0.00023037697,0.000004316072,0.0001930869,0.05046854,0.0001397319,0.00019723951,0.25287032,0.695237,0.000011396676],"about_ca_topic_score_codex":0.017649027,"about_ca_topic_score_gemma":0.047135353,"teacher_disagreement_score":0.017649027,"about_ca_system_score_codex":0.005355206,"about_ca_system_score_gemma":0.004335211,"threshold_uncertainty_score":0.038854957},"labels":[],"label_agreement":null},{"id":"W7107866358","doi":"10.17192/z2025.0226","title":"The Order of Dystopias and the Chaos of Crossings: A Cross-Cultural of Novels from Canada, South Africa, and Egypt","year":2025,"lang":"en","type":"article","venue":"data_UMR","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dystopia; Utopia; Realm; Narrative; Transformative learning; Order (exchange); Rigour","score_opus":0.019832848541106243,"score_gpt":0.24374202107299558,"score_spread":0.22390917253188936,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7107866358","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.95811343,0.0025255359,0.0009675133,0.0047153127,0.00023195487,0.000092715556,0.00013591976,0.000029467597,0.033188123],"genre_scores_gemma":[0.98945004,0.0014136477,0.00050725095,0.00042517678,0.000031178934,0.000030388723,0.00006168491,0.000070059396,0.008010723],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99683064,0.0011833642,0.00007645209,0.0003013686,0.000547858,0.0010603723],"domain_scores_gemma":[0.99583226,0.0021379525,0.00038948303,0.00019341343,0.0006482219,0.00079868996],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0031457923,0.0018182165,0.0009424318,0.0048738746,0.04387711,0.014242704,0.0026768441,0.0021867796,0.0032230052],"category_scores_gemma":[0.006368574,0.00065785175,0.00040490972,0.0059944997,0.034500208,0.0037169782,0.008149971,0.004293694,0.00024947218],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027253664,0.0000104578585,0.00068519264,0.000051197156,0.000005087575,0.0011760173,0.988889,0.000052410607,0.0002908341,0.004916195,0.001056632,0.002839721],"study_design_scores_gemma":[0.0000020254404,0.000005059882,0.0010157807,0.00009393464,0.0000050177728,0.00026947822,0.9769159,0.00004715724,0.0002483693,0.00030889758,0.021074727,0.000013717847],"about_ca_topic_score_codex":0.7199161,"about_ca_topic_score_gemma":0.8521386,"teacher_disagreement_score":0.2800839,"about_ca_system_score_codex":0.047666546,"about_ca_system_score_gemma":0.029254124,"threshold_uncertainty_score":0.56346667},"labels":[],"label_agreement":null},{"id":"W7109787770","doi":"10.59350/qwv03-xzh93","title":"CfP: conference \"20/20 Vision Speculating in Literature and Film in Canada\". Aug 20-22, 2020 @ University of Saskatchewan (CAN). Deadline: Feb 10, 2020.","year":2019,"lang":"","type":"article","venue":"","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Politics; Ask price; Television series; Period (music)","score_opus":0.0070943227059310264,"score_gpt":0.18412310097267526,"score_spread":0.17702877826674424,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7109787770","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002306335,0.012781247,0.00058718165,0.048437342,0.028160349,0.00069854216,0.03876313,0.0016290657,0.8666369],"genre_scores_gemma":[0.0064934446,0.0017590843,0.00023594683,0.0021056824,0.00081497006,0.00008269916,0.0053431885,0.0002858256,0.9828791],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99892104,0.000048869766,0.000019076122,0.00006867178,0.0005230513,0.00041936224],"domain_scores_gemma":[0.995576,0.0001284418,0.000053728596,0.000089825684,0.0022166609,0.0019353394],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0015718469,0.0012731064,0.00052872126,0.002178587,0.0067729615,0.0067687635,0.0017542562,0.0037242272,0.47243991],"category_scores_gemma":[0.0028394298,0.00045303436,0.00057452027,0.0022717488,0.0012757678,0.0021064298,0.0028455309,0.0022642382,0.1500693],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008120238,0.0000047027806,0.000053665997,0.00002147804,4.1780572e-7,0.000010638131,0.000030112567,0.0000065879835,0.000026514632,0.00026659627,0.996554,0.003017213],"study_design_scores_gemma":[0.0000066180946,0.0000052819128,0.0023987757,0.000085206004,0.0000014665161,0.000012013881,0.00040784857,0.000024635397,0.00006437038,0.00012805559,0.99685884,0.000006795259],"about_ca_topic_score_codex":0.8548851,"about_ca_topic_score_gemma":0.9377454,"teacher_disagreement_score":0.47243991,"about_ca_system_score_codex":0.01906379,"about_ca_system_score_gemma":0.037449747,"threshold_uncertainty_score":0.7525004},"labels":[],"label_agreement":null},{"id":"W7110599685","doi":"","title":"New Scholarship on Early SF in France and Québec. [Review of <em>C'était demain: anticiper la science-fiction en France et au Québec (1880-1950) [It Was Tomorrow: Anticipating Science Fiction in France and Quebec, 1880-1950]</em>, eds. Natacha Vas-Deyres, Patrick Bergeron, and Patrick Guay. Bordeaux, France: Presses universitaires de Bordeaux, 2018]","year":2019,"lang":"","type":"article","venue":"Scholarly and Creative Works from DePauw University (DePauw University)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Scholarship; Kingdom; Period (music)","score_opus":0.00958329570643253,"score_gpt":0.22281412687896657,"score_spread":0.21323083117253405,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7110599685","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.017568074,0.7362733,0.0005121707,0.09192597,0.002751063,0.00002210368,0.0007299953,0.000044100932,0.1501732],"genre_scores_gemma":[0.58185565,0.3268536,0.00083076156,0.0135005405,0.00144325,0.00006656187,0.00073115213,0.00007401715,0.07464447],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99829453,0.0004033818,0.0000677014,0.000156394,0.00064178463,0.0004361668],"domain_scores_gemma":[0.9943246,0.0022345127,0.00035582122,0.00018137055,0.002256403,0.0006472319],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0029287725,0.00058828964,0.000565805,0.005356595,0.011919519,0.009192604,0.0016669781,0.0026919586,0.0146702295],"category_scores_gemma":[0.008276337,0.00025216676,0.0004054526,0.009665145,0.012550266,0.004096181,0.002274537,0.003425327,0.00053224474],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000120819124,0.000039132163,0.0057344986,0.0021200697,0.000057619105,0.0008220069,0.15044796,0.00058804394,0.00020607882,0.3168222,0.29485843,0.2281831],"study_design_scores_gemma":[0.000009625764,0.000010891994,0.018028516,0.0032556737,0.000026989093,0.0001804563,0.030392509,0.00011326372,0.00009991066,0.0066560823,0.94119316,0.00003295056],"about_ca_topic_score_codex":0.9873554,"about_ca_topic_score_gemma":0.9927912,"teacher_disagreement_score":0.13092725,"about_ca_system_score_codex":0.13092725,"about_ca_system_score_gemma":0.13961728,"threshold_uncertainty_score":0.94994813},"labels":[],"label_agreement":null},{"id":"W7111576392","doi":"","title":"För Sent för Snowman : Transhumanistiska Ideal i Margaret Atwoods Oryx and Crake","year":2016,"lang":"en","type":"article","venue":"KTH Publication Database DiVA (KTH Royal Institute of Technology)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Transhumanism; Posthuman; Posthumanism; Humanity; Ideal (ethics); Order (exchange); Metis; Drone","score_opus":0.02962903214061436,"score_gpt":0.2460567190424408,"score_spread":0.21642768690182645,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7111576392","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.012346033,0.052370954,0.0022245506,0.46132112,0.02420997,0.000043117947,0.00028690923,0.00018989501,0.4470075],"genre_scores_gemma":[0.26498777,0.0403917,0.0023755636,0.045448247,0.009056757,0.00008362782,0.00017486174,0.0004488134,0.6370327],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994048,0.00023433981,0.000021194503,0.00010884435,0.00014142982,0.00008941218],"domain_scores_gemma":[0.99907136,0.000473823,0.00007451265,0.0000636018,0.000173078,0.00014353023],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010135846,0.00037629803,0.0003281444,0.0008795174,0.0073601934,0.0054060486,0.00043235836,0.0015889845,0.016892472],"category_scores_gemma":[0.003239789,0.00027119444,0.00022538647,0.0007344528,0.007263816,0.005760517,0.0024997352,0.0054019485,0.003951708],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000046943165,0.000016736936,0.00024151681,0.00008945502,0.000004962281,0.00023641794,0.015824977,0.000048445683,0.00015122804,0.3060186,0.6612717,0.016049068],"study_design_scores_gemma":[0.0000020419432,0.0000050609956,0.00014436954,0.00009250953,0.0000018899084,0.00013107754,0.0050366805,0.000030342817,0.00008918752,0.0129891895,0.9814719,0.000005772964],"about_ca_topic_score_codex":0.00897817,"about_ca_topic_score_gemma":0.02025066,"teacher_disagreement_score":0.016892472,"about_ca_system_score_codex":0.002560905,"about_ca_system_score_gemma":0.002109184,"threshold_uncertainty_score":0.056510925},"labels":[],"label_agreement":null},{"id":"W7111795757","doi":"","title":"Sex-Bots Revisited: Bioethics and Parody in Margaret Atwood’s The Heart Goes Last (2015)","year":2025,"lang":"en","type":"article","venue":"Open MIND","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dystopia; Posthuman; Ideal (ethics); Human enhancement; Bioethics; Utopia; Posthumanism; Transhumanism","score_opus":0.06972619044265875,"score_gpt":0.32959951051649267,"score_spread":0.2598733200738339,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7111795757","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21298409,0.024400206,0.005002178,0.43152058,0.0034137317,0.00007253813,0.00008037996,0.000075089316,0.3224512],"genre_scores_gemma":[0.90499717,0.0034079088,0.0010391771,0.042778376,0.00042959565,0.00007273311,0.00001664845,0.00009783633,0.047160514],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99564004,0.0028272416,0.000052848085,0.00037633008,0.0005418848,0.0005616454],"domain_scores_gemma":[0.99641824,0.0024879635,0.00017385944,0.00014719898,0.00026012573,0.00051261595],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0047169025,0.00033731232,0.00037197256,0.00057753135,0.031183062,0.009385291,0.0014090986,0.009675259,0.003913541],"category_scores_gemma":[0.0056226244,0.00044352908,0.00029422072,0.00054406724,0.04378399,0.0054243547,0.00536381,0.010667265,0.00045278887],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031900017,0.000015861173,0.00025981033,0.000053188833,0.0000033188978,0.0010853279,0.4169043,0.000046520297,0.00035649593,0.5438967,0.03167421,0.005672356],"study_design_scores_gemma":[0.000013275052,0.000032928467,0.00066843565,0.00044207234,0.00000861989,0.0007988756,0.29441124,0.00014538673,0.00060529757,0.04265545,0.66016954,0.000048766957],"about_ca_topic_score_codex":0.073748514,"about_ca_topic_score_gemma":0.1440977,"teacher_disagreement_score":0.073748514,"about_ca_system_score_codex":0.012635861,"about_ca_system_score_gemma":0.00801132,"threshold_uncertainty_score":0.14663851},"labels":[],"label_agreement":null},{"id":"W7112383605","doi":"","title":"Through Our Eyes : A comparative literary analysis of Margaret Atwood’s The Handmaid’s Tale and Octavia E. Butler’s Kindred, based on the research field of cultural memory studies","year":2018,"lang":"sv","type":"article","venue":"KTH Publication Database DiVA (KTH Royal Institute of Technology)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Field (mathematics); Cultural studies; Perspective (graphical); Cultural memory; Literary criticism; Canadian literature; Life writing","score_opus":0.16632435284558206,"score_gpt":0.3924141139175769,"score_spread":0.22608976107199485,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7112383605","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5609885,0.02058983,0.0022844458,0.0153962355,0.001740592,0.00012399652,0.00025230998,0.00006563511,0.39855844],"genre_scores_gemma":[0.9527825,0.005335287,0.0007218595,0.0022276673,0.00041410586,0.00012577446,0.000106874904,0.00024554905,0.038040377],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9957235,0.0027784135,0.000090199384,0.00034181803,0.00068197714,0.00038415488],"domain_scores_gemma":[0.99426866,0.0041982746,0.00040511906,0.00020833916,0.00054845837,0.00037113312],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0025728778,0.000829044,0.00086944737,0.004626085,0.020425223,0.011488866,0.001518307,0.0032449686,0.0066666035],"category_scores_gemma":[0.011057828,0.00048116694,0.0003840888,0.0038748076,0.021766322,0.0073792078,0.0069602025,0.0047874837,0.0008627586],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027944912,0.000019938216,0.00022111507,0.00012276499,0.0000047769367,0.00089018705,0.97200555,0.000011815638,0.0003020112,0.017650556,0.0046031787,0.0041400664],"study_design_scores_gemma":[0.000005909586,0.000022428088,0.0012410318,0.00048719207,0.0000086293,0.00070763705,0.8713392,0.00002630916,0.00025275673,0.0025669043,0.12332845,0.0000135433365],"about_ca_topic_score_codex":0.014830611,"about_ca_topic_score_gemma":0.046178676,"teacher_disagreement_score":0.020425223,"about_ca_system_score_codex":0.0073844353,"about_ca_system_score_gemma":0.002652526,"threshold_uncertainty_score":0.05357808},"labels":[],"label_agreement":null},{"id":"W7112519745","doi":"","title":"«So I’ll spin a thread of my own»: il mito ricreato in The Penelopiad di Margaret Atwood.","year":2024,"lang":"it","type":"book-chapter","venue":"CINECA IRIS Institutial research information system (University of Pisa)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Chorus; Thread (computing); Symbol (formal); Subaltern; Focus (optics)","score_opus":0.08430442445011942,"score_gpt":0.28584279922159994,"score_spread":0.2015383747714805,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7112519745","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09035433,0.028517136,0.0010154283,0.03490264,0.0019248762,0.00005611347,0.00008171028,0.000086199776,0.8430615],"genre_scores_gemma":[0.59746253,0.008202787,0.0006499333,0.0053878184,0.0004964386,0.0000397323,0.00005334627,0.00012699903,0.38758042],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99948573,0.00018081353,0.0000040557607,0.00005312522,0.000121085584,0.0001551924],"domain_scores_gemma":[0.99977416,0.00007673418,0.000019758263,0.000011119038,0.000033235927,0.000084960804],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00048161644,0.00040798535,0.00018946867,0.00046160762,0.009629158,0.0038640606,0.0006540412,0.0011825192,0.004691516],"category_scores_gemma":[0.0008632849,0.00014495538,0.000100256744,0.0006021994,0.0070846085,0.0020400446,0.0016968312,0.0025952614,0.000853349],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000752876,0.000054657048,0.00069546653,0.00017051758,0.0000052471137,0.001472217,0.48039994,0.00008141709,0.0007315222,0.30038095,0.17498481,0.040947985],"study_design_scores_gemma":[0.000002675423,0.000015353373,0.0011507747,0.00014567611,0.0000037194732,0.00044787387,0.08944158,0.000041178846,0.0002840744,0.0020926867,0.9063656,0.000008872082],"about_ca_topic_score_codex":0.1721972,"about_ca_topic_score_gemma":0.40027627,"teacher_disagreement_score":0.1721972,"about_ca_system_score_codex":0.008641837,"about_ca_system_score_gemma":0.0041766516,"threshold_uncertainty_score":0.34238976},"labels":[],"label_agreement":null},{"id":"W7112834480","doi":"","title":"Zenia’s function as the freudian Id in Margaret Atwood’s The Robber Bride","year":2025,"lang":"en","type":"dissertation","venue":"DSpace repository (University of Tartu)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Freudian slip; Scholarship; Psychoanalytic theory; Function (biology); Freudian theory; Empirical research","score_opus":0.01022570173431945,"score_gpt":0.18199859067936877,"score_spread":0.17177288894504933,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7112834480","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.31174484,0.024271602,0.0018958894,0.052071225,0.0012221367,0.00006318199,0.00025955882,0.00008496498,0.60838664],"genre_scores_gemma":[0.94387054,0.005010951,0.00048678368,0.001951736,0.00007431493,0.000021313606,0.000036180812,0.000057626366,0.048490603],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99812514,0.0007347961,0.000033029628,0.00019671583,0.00046318534,0.00044703175],"domain_scores_gemma":[0.99884146,0.00059352483,0.00011438204,0.00006111981,0.00021817551,0.0001713226],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017849886,0.0003728418,0.0004173838,0.0016258468,0.025445128,0.008802637,0.0011700965,0.0022006826,0.0051594614],"category_scores_gemma":[0.003841093,0.00031907094,0.00016153055,0.0024466712,0.039406728,0.002688387,0.003184499,0.003642664,0.0004078273],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004436128,0.000012756033,0.0007898007,0.0001336894,0.000005509739,0.0006020699,0.46469575,0.00008480644,0.00046362955,0.49854293,0.022692733,0.0119318925],"study_design_scores_gemma":[0.000006037852,0.000014580582,0.0035825276,0.00057314313,0.0000126050445,0.0004956232,0.36388406,0.00009147405,0.00058359106,0.01211341,0.61858106,0.000061880986],"about_ca_topic_score_codex":0.82875496,"about_ca_topic_score_gemma":0.9079989,"teacher_disagreement_score":0.82875496,"about_ca_system_score_codex":0.055667248,"about_ca_system_score_gemma":0.033402655,"threshold_uncertainty_score":0.4038961},"labels":[],"label_agreement":null},{"id":"W7117146954","doi":"10.58079/15etn","title":"Appel (Colloque) – Star Trek, dynamiques d’une fabrique de mondes","year":2025,"lang":"","type":"article","venue":"Industrias Culturais (Universidade de Coimbra)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Duration (music); Lightness; Star (game theory); Work (physics)","score_opus":0.029050914311586174,"score_gpt":0.24608798435242293,"score_spread":0.21703707004083675,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7117146954","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0045109866,0.10178951,0.0022646352,0.14387703,0.02184495,0.000089870184,0.0023234414,0.00021842007,0.7230811],"genre_scores_gemma":[0.07747696,0.02397066,0.0010839996,0.011269109,0.00484676,0.00012738896,0.00057258626,0.00031250226,0.88034016],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99932575,0.00018301907,0.000040916293,0.0001668545,0.00019230273,0.00009127364],"domain_scores_gemma":[0.9992797,0.00024950283,0.00006643305,0.00007502459,0.00023545849,0.00009381705],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00092991156,0.0009945304,0.00029693614,0.0013564696,0.006675277,0.0068079676,0.0010098713,0.0036384284,0.05316584],"category_scores_gemma":[0.002189343,0.0004012094,0.00047256134,0.0022194171,0.0043408875,0.0049771145,0.001952242,0.0038736574,0.01252661],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000048084137,0.000010785763,0.00036644956,0.00011470818,0.000008247309,0.00009552991,0.003515105,0.00013795999,0.00019102659,0.21759303,0.76270974,0.015209279],"study_design_scores_gemma":[0.0000045025886,0.000004064531,0.0007840793,0.000071028015,0.0000017523727,0.000047352685,0.0006887052,0.00004867157,0.00009035346,0.0057770596,0.9924751,0.000007343803],"about_ca_topic_score_codex":0.13887517,"about_ca_topic_score_gemma":0.1980486,"teacher_disagreement_score":0.13887517,"about_ca_system_score_codex":0.009793397,"about_ca_system_score_gemma":0.003023376,"threshold_uncertainty_score":0.27613366},"labels":[],"label_agreement":null},{"id":"W7117238560","doi":"10.36948/ijfmr.2025.v07i06.64285","title":"Seeds of Survival: Indian Ecological Wisdom and Dystopian Futures in Margaret Atwood’s MaddAddam Trilogy","year":2025,"lang":"","type":"article","venue":"International Journal For Multidisciplinary Research","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Trilogy; Dystopia; Context (archaeology); Parallels; Futures contract; Ecocriticism; Narrative","score_opus":0.1009155463552359,"score_gpt":0.43749531077619974,"score_spread":0.3365797644209638,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7117238560","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11504984,0.00872582,0.004774111,0.2646687,0.003847979,0.000046504185,0.00009499836,0.00016745045,0.60262454],"genre_scores_gemma":[0.9408617,0.0019511294,0.0013660834,0.010598056,0.00063639693,0.000036233956,0.000020720006,0.00009118934,0.044438515],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998801,0.0006101696,0.000020850443,0.000118480966,0.00019698385,0.00025258737],"domain_scores_gemma":[0.9974485,0.0016309986,0.00014589263,0.00020769148,0.0002515285,0.00031535054],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022891164,0.00036342494,0.00028149813,0.0010253467,0.017410683,0.008779583,0.0011653806,0.0023549674,0.0038303563],"category_scores_gemma":[0.0034154868,0.00019443216,0.0002307112,0.001056634,0.04176743,0.005368633,0.004624818,0.007939158,0.0005604663],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022077093,0.00001710702,0.00018637667,0.00003649713,0.0000020409514,0.00040888708,0.16592178,0.00009066708,0.00020706812,0.80164826,0.027271127,0.0041880384],"study_design_scores_gemma":[0.000008387524,0.000022646745,0.0004022989,0.00019190162,0.000008474319,0.0005543534,0.1541804,0.0003344171,0.0005140341,0.15141678,0.692328,0.000038357637],"about_ca_topic_score_codex":0.016930286,"about_ca_topic_score_gemma":0.037575915,"teacher_disagreement_score":0.017410683,"about_ca_system_score_codex":0.006924406,"about_ca_system_score_gemma":0.004669546,"threshold_uncertainty_score":0.050240338},"labels":[],"label_agreement":null},{"id":"W7117245427","doi":"10.17742/image29736","title":"Notes on a Research Proposal","year":2025,"lang":"en","type":"article","venue":"Imaginations Journal of Cross-Cultural Image Studies","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Ephemera; Metadata; Representation (politics); Work (physics); Face (sociological concept); Space (punctuation); Publishing; Typography; Architecture","score_opus":0.1335620548478191,"score_gpt":0.48833302954431124,"score_spread":0.3547709746964921,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7117245427","genre_codex":"other","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0022919264,0.005006492,0.010112771,0.355373,0.044048686,0.0012776969,0.0011484143,0.00035771637,0.5803833],"genre_scores_gemma":[0.035412993,0.0046577654,0.012835409,0.13816217,0.0073658996,0.0025412354,0.00077333924,0.00047640118,0.79777485],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.987323,0.0049748486,0.000797953,0.0021175006,0.0032385467,0.0015480691],"domain_scores_gemma":[0.9847248,0.0063033737,0.0004260996,0.0022365106,0.0046001384,0.0017090063],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.016031245,0.0007356896,0.00061462633,0.0027531728,0.011223332,0.016413422,0.0037386282,0.012654436,0.14183378],"category_scores_gemma":[0.037714504,0.0005382605,0.0015025138,0.0032647806,0.008124605,0.01409591,0.009045432,0.013297029,0.043544404],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000038453585,0.000047346824,0.00012526968,0.00016145606,0.000004500808,0.00040388794,0.0038152519,0.00008580118,0.00019908871,0.5730257,0.39808083,0.024012433],"study_design_scores_gemma":[0.0000071518684,0.000012512885,0.000072893694,0.00022089947,0.0000026353546,0.0000674386,0.0024138722,0.000035260186,0.00006801844,0.019953579,0.97713506,0.000010593168],"about_ca_topic_score_codex":0.011530623,"about_ca_topic_score_gemma":0.012993244,"teacher_disagreement_score":0.14183378,"about_ca_system_score_codex":0.011783028,"about_ca_system_score_gemma":0.02186263,"threshold_uncertainty_score":0.47448128},"labels":[],"label_agreement":null},{"id":"W7117254498","doi":"10.24908/encounters.v26i0.20015","title":"Afrofuturism and Indigenous Futurism are Democracy: STEM Possibilities for Humanizing Pedagogy in Education","year":2025,"lang":"en","type":"article","venue":"Encounters in Theory and History of Education","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Indigenous; Cognitive reframing; Democracy; Curriculum; Citizenship; Emancipation; Indigenous education; Colonialism; Education theory","score_opus":0.01490495670761213,"score_gpt":0.28395494155966877,"score_spread":0.26904998485205667,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7117254498","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.22505179,0.01517022,0.023474803,0.07730797,0.0009698368,0.000049364757,0.000030280196,0.000103763145,0.65784204],"genre_scores_gemma":[0.98557615,0.0024185965,0.0019986627,0.0013661117,0.00015709002,0.000025384688,0.000006500218,0.000013208571,0.008438258],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9981908,0.0011637788,0.000035524034,0.00014157657,0.00019594011,0.00027227963],"domain_scores_gemma":[0.9982126,0.0011126925,0.00016063101,0.00016166591,0.0001258622,0.00022657962],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0024872003,0.0002610315,0.00023801123,0.000697565,0.005990764,0.0059425533,0.00043317088,0.0017192609,0.0044617094],"category_scores_gemma":[0.0025808515,0.00010070017,0.00027476493,0.000560214,0.03166828,0.006233246,0.004612262,0.002861783,0.00035624907],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012865004,0.00002244953,0.00078687404,0.000059181282,0.0000033728368,0.000104767096,0.03865918,0.000110311456,0.00022395953,0.9402986,0.0012253557,0.018493148],"study_design_scores_gemma":[0.000013086601,0.000088967245,0.0039800303,0.0005542442,0.000015037669,0.00035542907,0.07696141,0.00066703674,0.0007705692,0.6659859,0.25058058,0.000027701955],"about_ca_topic_score_codex":0.0028533577,"about_ca_topic_score_gemma":0.0066255373,"teacher_disagreement_score":0.005990764,"about_ca_system_score_codex":0.0032059937,"about_ca_system_score_gemma":0.0035648746,"threshold_uncertainty_score":0.023261249},"labels":[],"label_agreement":null},{"id":"W7119484920","doi":"10.17951/nh.2025.10.314-326","title":"Exploring Relational Dynamics of Grace Marks in Margaret Atwood’s Alias Grace Through Relational-Cultural Theory","year":2025,"lang":"en","type":"article","venue":"New Horizons in English Studies","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Alias; Narrative; Empathy; Ideal (ethics); Isolation (microbiology); Transformative learning; Self; Mirroring","score_opus":0.11067877017647743,"score_gpt":0.2933172014281565,"score_spread":0.18263843125167906,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7119484920","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.60544634,0.0036916982,0.003826726,0.052782286,0.0006999435,0.00009634719,0.0001019291,0.00011863935,0.33323613],"genre_scores_gemma":[0.96333504,0.00075953896,0.0006623369,0.001523646,0.00006912156,0.000021044667,0.000014334925,0.00005251525,0.033562515],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984962,0.00061917165,0.000020460382,0.00017282533,0.00038774792,0.00030355286],"domain_scores_gemma":[0.9983854,0.0005559573,0.0002455038,0.00009754744,0.00021655223,0.00049890083],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014847564,0.00041028904,0.00025261918,0.001090296,0.021520404,0.0063281,0.0011285385,0.0017719168,0.0039643105],"category_scores_gemma":[0.003266634,0.0002382242,0.00021696133,0.0007433029,0.028561564,0.0035483323,0.005263952,0.0040177815,0.00045750733],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003672167,0.00003468197,0.0014856932,0.000044000655,0.000006741827,0.0018478521,0.7759861,0.00013682012,0.0007321166,0.1993287,0.01261201,0.0077485526],"study_design_scores_gemma":[0.0000062690165,0.00003230047,0.0018671819,0.00014526062,0.0000100683155,0.0010001346,0.5740205,0.00017469667,0.00058639655,0.018139312,0.40397844,0.00003938722],"about_ca_topic_score_codex":0.16290493,"about_ca_topic_score_gemma":0.34721807,"teacher_disagreement_score":0.16290493,"about_ca_system_score_codex":0.0182932,"about_ca_system_score_gemma":0.009282219,"threshold_uncertainty_score":0.3239134},"labels":[],"label_agreement":null},{"id":"W7120311542","doi":"","title":"Review of Animals and Science Fiction","year":2025,"lang":"sv","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Memorial University of Newfoundland","funders":"","keywords":"Sci-Fi","score_opus":0.2524757089455721,"score_gpt":0.5426886909117984,"score_spread":0.2902129819662263,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7120311542","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000052897096,0.99226165,0.000036940768,0.0026019637,0.0024196205,0.000001690039,0.000015957803,0.0000036255526,0.0026055702],"genre_scores_gemma":[0.0018789795,0.98730135,0.00011843591,0.0026458225,0.0043935706,0.000009179084,0.00006239879,0.000007986731,0.003582299],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99898154,0.00035582684,0.00009792156,0.00010152802,0.00039174224,0.00007144397],"domain_scores_gemma":[0.99504024,0.003397589,0.00034905763,0.00014846143,0.0008712762,0.00019333352],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020323987,0.00085753616,0.0013231535,0.0064151506,0.001075923,0.0032720587,0.0013634189,0.002263299,0.012392366],"category_scores_gemma":[0.0065091555,0.00041564353,0.0004372963,0.0060991836,0.0029455435,0.0032745649,0.0015319852,0.0025049248,0.004270738],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000047142024,0.000019669833,0.00010855138,0.009813631,0.00005316429,0.00015622516,0.00074119034,0.0001261829,0.00017701973,0.022833353,0.62525874,0.34066513],"study_design_scores_gemma":[0.0000020269317,0.000007769298,0.00024224288,0.0042071217,0.000012076687,0.0001573787,0.00012897055,0.0000068019335,0.000024005682,0.0016425014,0.9935649,0.0000041538524],"about_ca_topic_score_codex":0.0040362524,"about_ca_topic_score_gemma":0.0088121705,"teacher_disagreement_score":0.012392366,"about_ca_system_score_codex":0.0019190557,"about_ca_system_score_gemma":0.003424868,"threshold_uncertainty_score":0.04145664},"labels":[],"label_agreement":null},{"id":"W7120657319","doi":"","title":"Review of Chinese Science Fiction: Concepts, Forms, and Histories","year":2025,"lang":"sv","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Chinese science; China; History of science; Chinese people","score_opus":0.1717370866190564,"score_gpt":0.5321869074870856,"score_spread":0.36044982086802924,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7120657319","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00031564615,0.9920935,0.00007706098,0.0035531905,0.0013104378,0.0000052797895,0.000036022095,0.0000059679464,0.002602854],"genre_scores_gemma":[0.0056250645,0.9882306,0.00015765033,0.0013279977,0.0022294414,0.000015180447,0.00011179061,0.0000064305714,0.0022958997],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990845,0.00021750036,0.000099333076,0.00008044268,0.0004416717,0.00007658762],"domain_scores_gemma":[0.9946497,0.0032613785,0.0004019953,0.00014983295,0.0012607486,0.00027635242],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002762556,0.0008331267,0.001480188,0.011570735,0.0013525125,0.0037361798,0.0014800542,0.0013747802,0.009180338],"category_scores_gemma":[0.008124897,0.00038615338,0.00044116715,0.015806392,0.002940062,0.004391538,0.0018607288,0.001554783,0.0014762544],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030557236,0.000015202493,0.00046132418,0.014353317,0.00006665377,0.00023995963,0.0023540044,0.00021839388,0.00015161642,0.020475276,0.2828876,0.67874616],"study_design_scores_gemma":[0.0000054168268,0.000019832116,0.0028068088,0.008012006,0.000057069647,0.00041869478,0.00079267856,0.00007322731,0.000097339325,0.003528441,0.984169,0.000019551535],"about_ca_topic_score_codex":0.012163402,"about_ca_topic_score_gemma":0.02292521,"teacher_disagreement_score":0.012163402,"about_ca_system_score_codex":0.0039019089,"about_ca_system_score_gemma":0.009626145,"threshold_uncertainty_score":0.030711293},"labels":[],"label_agreement":null},{"id":"W7122595275","doi":"10.17851/1982-0739.10..16-21","title":"One Story and a Thousand and One Threads","year":2012,"lang":"","type":"article","venue":"Em Tese","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Alias; Order (exchange); Work (physics); Power (physics)","score_opus":0.04999185742909888,"score_gpt":0.24182066869242602,"score_spread":0.19182881126332713,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7122595275","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12616941,0.008035526,0.023391914,0.08617624,0.0033029066,0.00025907767,0.0005872654,0.00043301572,0.7516446],"genre_scores_gemma":[0.75313777,0.0030862845,0.0073516667,0.003914615,0.0007727066,0.00022556269,0.00034938933,0.00043427417,0.2307277],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99772304,0.0010605943,0.00007907133,0.00030041253,0.0005032375,0.00033365187],"domain_scores_gemma":[0.9980519,0.0007181519,0.00015430467,0.0002612444,0.00024067078,0.000573698],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019244445,0.00059259223,0.00037596136,0.001637868,0.013834856,0.012155755,0.0012942934,0.0025090578,0.016485306],"category_scores_gemma":[0.005351382,0.000376495,0.00033654427,0.0019773515,0.018850747,0.01530213,0.0074655744,0.004350335,0.001950563],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000436833,0.000021535605,0.00084594626,0.00007879561,0.000010945349,0.0005941059,0.17623143,0.00007426685,0.00036897088,0.77836794,0.028030077,0.015332374],"study_design_scores_gemma":[0.0000074292498,0.000018948489,0.00057486485,0.00027745622,0.000009714513,0.00043358037,0.13156341,0.00018606064,0.0002315761,0.114527546,0.75215185,0.000017628461],"about_ca_topic_score_codex":0.010898399,"about_ca_topic_score_gemma":0.027198635,"teacher_disagreement_score":0.016485306,"about_ca_system_score_codex":0.0066667995,"about_ca_system_score_gemma":0.004806353,"threshold_uncertainty_score":0.05514884},"labels":[],"label_agreement":null},{"id":"W7124464003","doi":"10.47743/lincu-2025-2-0420","title":"Blurring the Line Between Fiction and Reality","year":2025,"lang":"en","type":"article","venue":"Linguaculture","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dystopia; Politics; Mirroring; Censorship; Power (physics); Narrative; Eugenics; State of exception","score_opus":0.038988701607062214,"score_gpt":0.2810181927535736,"score_spread":0.24202949114651137,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7124464003","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.019169519,0.030638414,0.02631673,0.28990686,0.0389209,0.00008800999,0.00014607976,0.00043938024,0.5943741],"genre_scores_gemma":[0.68264,0.01364056,0.013289385,0.06821829,0.028661568,0.00033335778,0.00024786117,0.0013980496,0.19157095],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99456316,0.0037503338,0.00010214258,0.00046942098,0.00075945567,0.00035541746],"domain_scores_gemma":[0.9880006,0.009802833,0.000396223,0.0007336942,0.0006742829,0.00039242304],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0042157862,0.0011505213,0.00075499894,0.0023877113,0.0101073235,0.014270292,0.0021082568,0.0039084954,0.009172734],"category_scores_gemma":[0.017075278,0.00038637785,0.00050601165,0.0012147045,0.04374786,0.014029935,0.0062014977,0.010879269,0.0024641755],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003483817,0.000016041437,0.00009930217,0.00015113683,0.0000051165953,0.00034535638,0.051860012,0.00012900066,0.00029975854,0.84096116,0.09248153,0.013616756],"study_design_scores_gemma":[0.000007559619,0.000020906185,0.000085231004,0.0003281889,0.0000039176284,0.0003398312,0.012171843,0.00024240097,0.00027904997,0.076034,0.9104718,0.000015326963],"about_ca_topic_score_codex":0.0021671134,"about_ca_topic_score_gemma":0.0025833715,"teacher_disagreement_score":0.014270292,"about_ca_system_score_codex":0.004749769,"about_ca_system_score_gemma":0.0016569006,"threshold_uncertainty_score":0.034462214},"labels":[],"label_agreement":null},{"id":"W7125784287","doi":"10.3917/lhs.154.0227a","title":"Sandy Torres , Les temps recomposés du film de science-fiction , Paris/Québec, L’Harmattan/Les Presses de l’Université Laval, 2004, 383 p.","year":2004,"lang":"fr","type":"article","venue":"L Homme et la société","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Perspective (graphical); Context (archaeology); Feature (linguistics)","score_opus":0.02073861809531062,"score_gpt":0.2665004096102758,"score_spread":0.2457617915149652,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7125784287","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0027570035,0.7459136,0.0006217383,0.15223087,0.008864914,0.000042881617,0.00061038946,0.00016323353,0.08879535],"genre_scores_gemma":[0.1396918,0.44258255,0.0020591912,0.039575815,0.008107515,0.00016353978,0.00062883465,0.00056131324,0.36662942],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991497,0.0003069308,0.0000276933,0.00007341176,0.00031780227,0.00012445447],"domain_scores_gemma":[0.9981071,0.00077686505,0.000105062085,0.000072233255,0.0007234152,0.0002153367],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015357945,0.001610151,0.00065254746,0.0030878345,0.013655796,0.008462723,0.001722709,0.004134188,0.01810279],"category_scores_gemma":[0.003479834,0.0007172942,0.0004139196,0.0042063682,0.008573556,0.006694589,0.0013359167,0.0048083332,0.003247198],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000039596714,0.00001176429,0.00025289977,0.0002305843,0.000013518706,0.00016502502,0.010655944,0.00010941253,0.00010666549,0.020075731,0.9449977,0.023341192],"study_design_scores_gemma":[0.000010299566,0.0000045604597,0.0029464294,0.0005980069,0.000007673179,0.000079797006,0.011508454,0.00004756171,0.00013202782,0.0021938067,0.982451,0.00002036164],"about_ca_topic_score_codex":0.8344499,"about_ca_topic_score_gemma":0.9347095,"teacher_disagreement_score":0.8344499,"about_ca_system_score_codex":0.03752451,"about_ca_system_score_gemma":0.015897729,"threshold_uncertainty_score":0.33305013},"labels":[],"label_agreement":null},{"id":"W7125928176","doi":"10.1525/jrpc.24.1.174","title":"Review: Star Trek as Myth: Essays on Symbol and Archetype at the Final Frontier, by Matthew Wilhelm Kapell","year":2012,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Symbol (formal); Archetype; Star trek; Star (game theory); Key (lock)","score_opus":0.024662642832403082,"score_gpt":0.25367363990661357,"score_spread":0.2290109970742105,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7125928176","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00008424427,0.81181216,0.000048290298,0.13557523,0.05111477,0.000012431946,0.000058531205,0.000010013489,0.001284293],"genre_scores_gemma":[0.0027245462,0.7212909,0.00013646207,0.15768792,0.112255864,0.00007901796,0.00011054301,0.000025072191,0.0056896955],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99839646,0.00048951455,0.00017688044,0.00030381768,0.00048119578,0.0001521229],"domain_scores_gemma":[0.9860445,0.008628072,0.0008621323,0.00026135237,0.0031611866,0.0010428742],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00419857,0.0015591341,0.0028423083,0.0032576509,0.0026846372,0.006696127,0.002722096,0.010000311,0.0056002345],"category_scores_gemma":[0.0232463,0.00092436833,0.00081039424,0.005039448,0.0053555,0.006054221,0.0030039046,0.009681204,0.0041589523],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023097396,0.0000045324423,0.000025220188,0.0011273974,0.000013472977,0.000025990632,0.00010116758,0.00001382622,0.00001899574,0.00088312075,0.98441964,0.013343625],"study_design_scores_gemma":[0.0000428607,0.000019655125,0.0005548413,0.005197408,0.00004549459,0.00018616635,0.00041839122,0.000027274078,0.000032549287,0.0018868058,0.99156636,0.000022142816],"about_ca_topic_score_codex":0.007255905,"about_ca_topic_score_gemma":0.016452627,"teacher_disagreement_score":0.010000311,"about_ca_system_score_codex":0.003840575,"about_ca_system_score_gemma":0.0074181138,"threshold_uncertainty_score":0.02786547},"labels":[],"label_agreement":null},{"id":"W7127105767","doi":"10.7202/1122967ar","title":"Seeds of Change","year":2025,"lang":"en","type":"article","venue":"Atlantis Critical Studies in Gender Culture & Social Justice","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Humanity; Colonialism; White (mutation); Vision; Hegemony; Action (physics); Futures contract; Dehumanization; Outer space","score_opus":0.2297297143412028,"score_gpt":0.3976392151698465,"score_spread":0.16790950082864373,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7127105767","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010556957,0.004954793,0.013845463,0.066460125,0.0028815116,0.00017736384,0.00021700838,0.00022902995,0.90067786],"genre_scores_gemma":[0.6829784,0.0051509333,0.011267004,0.01966743,0.0013877823,0.00051538786,0.00042914864,0.0005643686,0.2780395],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9937856,0.0024237828,0.00020596525,0.0014583194,0.0012489773,0.0008772531],"domain_scores_gemma":[0.9955336,0.0011376718,0.00028022163,0.0013083325,0.00078135874,0.00095886213],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005277465,0.0007606445,0.00075820927,0.0017880831,0.009537635,0.014721993,0.0020495162,0.0048027164,0.044651195],"category_scores_gemma":[0.0119376555,0.00037129395,0.00067880604,0.0014146463,0.031199522,0.013753473,0.015377076,0.007006466,0.0077246465],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015939726,0.000019261079,0.0003416241,0.00005599371,0.0000069650514,0.0001409596,0.0058514043,0.00011737564,0.00014353458,0.96341795,0.014227371,0.015661724],"study_design_scores_gemma":[0.000009321477,0.000018186784,0.0003135511,0.00019610302,0.0000046787236,0.00012189652,0.005489425,0.00016443754,0.00012453445,0.32216072,0.6713853,0.00001186128],"about_ca_topic_score_codex":0.0029377607,"about_ca_topic_score_gemma":0.0039303564,"teacher_disagreement_score":0.044651195,"about_ca_system_score_codex":0.009101317,"about_ca_system_score_gemma":0.008991948,"threshold_uncertainty_score":0.14937305},"labels":[],"label_agreement":null},{"id":"W7127156285","doi":"10.7202/1122957ar","title":"Liveable Futures","year":2025,"lang":"en","type":"article","venue":"Atlantis Critical Studies in Gender Culture & Social Justice","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Mount Saint Vincent University; Mount Allison University","funders":"","keywords":"Futures contract; Political radicalism; Politics","score_opus":0.10392009530904472,"score_gpt":0.37989974206546967,"score_spread":0.27597964675642495,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7127156285","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0046059703,0.02195791,0.00811184,0.0816781,0.004035754,0.00004068243,0.00014552232,0.00011687673,0.8793073],"genre_scores_gemma":[0.4797142,0.0189209,0.007927689,0.027672555,0.0035008902,0.00019315304,0.00028554338,0.00037319597,0.4614119],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99742717,0.0013152495,0.00006984205,0.0003128644,0.0005469618,0.00032792726],"domain_scores_gemma":[0.9981579,0.0007103035,0.00015165405,0.00037338058,0.00030124222,0.00030536723],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0028429395,0.0006303597,0.00029258875,0.0009545557,0.005317156,0.009214597,0.0009580257,0.0041958196,0.030763775],"category_scores_gemma":[0.005234202,0.00018740479,0.00045983444,0.0007456008,0.021475531,0.011917745,0.006311358,0.005654597,0.0049436796],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000086123855,0.0000064409123,0.00004491838,0.000038846636,0.0000013501362,0.00003749551,0.003924232,0.000024450734,0.00007475164,0.96023214,0.02654867,0.009058139],"study_design_scores_gemma":[0.000004727933,0.000009072642,0.00012035844,0.00016227787,0.0000021386568,0.00010893188,0.004453522,0.00004720862,0.0002146354,0.2789158,0.7159541,0.0000073099973],"about_ca_topic_score_codex":0.0028154172,"about_ca_topic_score_gemma":0.004861072,"teacher_disagreement_score":0.030763775,"about_ca_system_score_codex":0.0041347104,"about_ca_system_score_gemma":0.0031248382,"threshold_uncertainty_score":0.10291511},"labels":[],"label_agreement":null},{"id":"W7127430166","doi":"10.3917/rphi.044.0469zr","title":"Anne Staquet, L’Utopie ou les fictions subversives, Zurich/Québec, Éditions du Grand Midi, 2003, 22 × 15 cm, 182 p.","year":2004,"lang":"fr","type":"article","venue":"Revue philosophique de la France et de l étranger","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Theme (computing); Focus (optics); Perspective (graphical); Meaning (existential); Identity (music)","score_opus":0.025329699933290914,"score_gpt":0.255407680588882,"score_spread":0.2300779806555911,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7127430166","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0043556797,0.56494075,0.0020148498,0.03353114,0.008006975,0.00008051501,0.0060314755,0.0005157378,0.38052285],"genre_scores_gemma":[0.04374237,0.11422594,0.0016238014,0.0020246373,0.0010110862,0.00009034868,0.002113451,0.0006545043,0.83451384],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992605,0.00010385561,0.000034868346,0.000113041126,0.00034992304,0.00013777132],"domain_scores_gemma":[0.99885404,0.00017377858,0.00006845507,0.00008823886,0.0006535661,0.00016182983],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00083086605,0.001839461,0.00093913503,0.0036845533,0.0078078946,0.006257905,0.0014262478,0.0014858687,0.10799073],"category_scores_gemma":[0.0026834996,0.0006832793,0.00050859334,0.0075000636,0.0053465515,0.004486987,0.0015015855,0.002743366,0.018284952],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000408263,0.0000113869955,0.0005182808,0.00042456583,0.000010895254,0.000106020365,0.0072655366,0.00013311939,0.0002842346,0.03233591,0.881876,0.07699323],"study_design_scores_gemma":[0.000002608341,0.0000029305843,0.0024923594,0.0003462667,0.0000036826043,0.00005682378,0.0016077087,0.000029877965,0.00006373868,0.0010742219,0.99431145,0.00000824002],"about_ca_topic_score_codex":0.9114781,"about_ca_topic_score_gemma":0.96504086,"teacher_disagreement_score":0.9114781,"about_ca_system_score_codex":0.04944074,"about_ca_system_score_gemma":0.040822845,"threshold_uncertainty_score":0.36126494},"labels":[],"label_agreement":null},{"id":"W7128124864","doi":"","title":"Exploring Thresholds : liminality in Margaret Atwood’s Early Fiction","year":2025,"lang":"fr","type":"article","venue":"","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"ESPACE; Face (sociological concept); Liminality; TRACE (psycholinguistics)","score_opus":0.13532663102050585,"score_gpt":0.27089290834992236,"score_spread":0.1355662773294165,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7128124864","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.36239606,0.0086398935,0.008333934,0.010990365,0.0005327782,0.00004398259,0.00009344972,0.00013939833,0.6088301],"genre_scores_gemma":[0.9520055,0.0011790677,0.00086557947,0.00050043844,0.00007659579,0.000017063536,0.000030993808,0.0000966151,0.045228135],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992975,0.00033289046,0.000016635826,0.000077621364,0.00015729235,0.00011809191],"domain_scores_gemma":[0.99897444,0.0006804001,0.00007929147,0.000056403518,0.00010211605,0.00010740174],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007353759,0.0003402264,0.00023433861,0.0011602273,0.0059891604,0.0058327396,0.00063079054,0.0011693013,0.0064000026],"category_scores_gemma":[0.0031136805,0.00017190332,0.00016325316,0.0010067977,0.007912377,0.003921475,0.002718227,0.0022352322,0.00088851876],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011054561,0.000025679481,0.0016693305,0.00020982813,0.000006067434,0.0017606358,0.5435197,0.0001780457,0.0018242036,0.4119254,0.0101735545,0.028597036],"study_design_scores_gemma":[0.000011824319,0.00006615012,0.006398394,0.00043392464,0.000019794283,0.0018811976,0.22533044,0.0004604774,0.0029291718,0.047282998,0.71514225,0.000043308228],"about_ca_topic_score_codex":0.009580388,"about_ca_topic_score_gemma":0.028414756,"teacher_disagreement_score":0.009580388,"about_ca_system_score_codex":0.004050335,"about_ca_system_score_gemma":0.0011114648,"threshold_uncertainty_score":0.029387355},"labels":[],"label_agreement":null},{"id":"W7128442981","doi":"10.7202/1122184ar","title":"Saltations 1999. Greg Bear, Greg Egan, David Cronenberg et le mutant « évolutif »","year":2025,"lang":"fr","type":"article","venue":"Études littéraires","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanity; Order (exchange); Context (archaeology)","score_opus":0.023153088624087974,"score_gpt":0.2633769173442687,"score_spread":0.24022382872018075,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7128442981","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.015067578,0.11687304,0.0014017008,0.5417277,0.018078174,0.000036358666,0.00019972875,0.0000792395,0.30653644],"genre_scores_gemma":[0.17891185,0.029836537,0.0008699608,0.058783676,0.0049172505,0.00006817336,0.000091807306,0.000173733,0.7263471],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99923027,0.00022871797,0.000023896866,0.00016516836,0.00026526005,0.00008659681],"domain_scores_gemma":[0.99907184,0.000490555,0.000111873436,0.000051109208,0.00016100098,0.000113601374],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00096483156,0.0006960582,0.00029762115,0.0008158032,0.0060445964,0.0042289505,0.000741584,0.003983095,0.012573393],"category_scores_gemma":[0.003563745,0.00021910608,0.000289962,0.0007780151,0.0070114,0.0036888747,0.0024760775,0.0064096274,0.0019801662],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000056703742,0.000026184049,0.0006572463,0.000073150215,0.000010938374,0.00017731998,0.009045524,0.000067551286,0.0004262306,0.5119475,0.45136353,0.026148086],"study_design_scores_gemma":[0.0000067607925,0.000010326443,0.00069417316,0.00010818093,0.0000032246662,0.000121608355,0.0022470062,0.000034135894,0.00029652927,0.018478252,0.97799176,0.000008097785],"about_ca_topic_score_codex":0.02885278,"about_ca_topic_score_gemma":0.068832144,"teacher_disagreement_score":0.02885278,"about_ca_system_score_codex":0.0056410977,"about_ca_system_score_gemma":0.0023889758,"threshold_uncertainty_score":0.05736971},"labels":[],"label_agreement":null},{"id":"W7128604380","doi":"10.21618/fil2532505g","title":"A COMMEMORATION OF WOUNDS ENDURED: WRITING AS RESISTANCE IN MARGARET ATWOOD’S THE BLIND ASSASSIN","year":2025,"lang":"sr","type":"article","venue":"Филолог – часопис за језик књижевност и културу","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Trope (literature); Resistance (ecology); Cult; Male gaze; Biography; Agency (philosophy); Mode (computer interface)","score_opus":0.02617836165517682,"score_gpt":0.27971567765820965,"score_spread":0.2535373160030328,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7128604380","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4717668,0.008933506,0.00313981,0.12521678,0.0047945837,0.00009800614,0.00009189333,0.00017041579,0.3857882],"genre_scores_gemma":[0.90728587,0.0014092859,0.00077760796,0.00577298,0.0004928454,0.000036522437,0.000014029317,0.00014014987,0.08407076],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99644923,0.0022938226,0.00006418262,0.0001877231,0.0005685758,0.0004363902],"domain_scores_gemma":[0.99601436,0.0025284723,0.00032539072,0.0001624579,0.00028947004,0.00067998713],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0029723477,0.00060961366,0.00041785036,0.0010510165,0.02947994,0.009836257,0.0011579627,0.004684585,0.0042097773],"category_scores_gemma":[0.009205194,0.00040313092,0.0002712495,0.0006241939,0.027711423,0.003651631,0.005183889,0.00855095,0.00084022735],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031621898,0.000022125847,0.00020286311,0.000058765276,0.0000032630455,0.0013287269,0.934899,0.00004941232,0.0008223873,0.041127488,0.015739098,0.005715268],"study_design_scores_gemma":[0.0000067698456,0.000050272025,0.0006064664,0.00031790193,0.000005843724,0.0013795603,0.62844783,0.00012153382,0.0012066115,0.0041384287,0.36368838,0.000030451334],"about_ca_topic_score_codex":0.020319497,"about_ca_topic_score_gemma":0.045651484,"teacher_disagreement_score":0.02947994,"about_ca_system_score_codex":0.006457408,"about_ca_system_score_gemma":0.003335927,"threshold_uncertainty_score":0.046851933},"labels":[],"label_agreement":null},{"id":"W7128685096","doi":"10.1525/jrpc.7.1.006f","title":"Review: Pink Beams of Light from the God in the Gutter: The Science-Fictional Religion of Philip K. Dick, by Gabriel McKee","year":2004,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Christianity; Atheism; Field (mathematics); Adoration","score_opus":0.015770699898452544,"score_gpt":0.24206421554019114,"score_spread":0.2262935156417386,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7128685096","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00009589768,0.9650873,0.000044166747,0.01460773,0.01897223,0.000013681582,0.000032775708,0.000009435272,0.0011368339],"genre_scores_gemma":[0.0012283734,0.9642024,0.00008075542,0.013106142,0.017179292,0.00002089398,0.0000470067,0.000008772151,0.0041263695],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994512,0.00014112017,0.00007511959,0.00009313918,0.00019296272,0.00004645995],"domain_scores_gemma":[0.997006,0.0014388225,0.00026228352,0.00006169227,0.00096849236,0.00026267554],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013336455,0.0016097755,0.0026972175,0.0022779796,0.0011051006,0.0032616123,0.002215073,0.0045403,0.008446789],"category_scores_gemma":[0.0041608866,0.00059583364,0.00066311914,0.0037880675,0.0019703535,0.003876897,0.001310318,0.0038681193,0.0066739838],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000869424,0.000014847915,0.00006250359,0.0067495927,0.000040411924,0.00012239172,0.000119243145,0.000033884746,0.00017828723,0.00087693473,0.8982579,0.093457006],"study_design_scores_gemma":[0.000033906137,0.000037807324,0.0005368085,0.0027118523,0.0000534234,0.0005494482,0.00021412404,0.000017346405,0.00012404041,0.0006069718,0.99509925,0.000015099014],"about_ca_topic_score_codex":0.0034624098,"about_ca_topic_score_gemma":0.007150269,"teacher_disagreement_score":0.008446789,"about_ca_system_score_codex":0.0014792532,"about_ca_system_score_gemma":0.002048939,"threshold_uncertainty_score":0.02825731},"labels":[],"label_agreement":null},{"id":"W7128808523","doi":"10.1093/alh/ajaf118","title":"Jordan S. Carroll, <i>Speculative Whiteness: Science Fiction and the Alt-Right</i>","year":2025,"lang":"en","type":"article","venue":"American Literary History","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Trent University","funders":"","keywords":"Fiction theory; Literary fiction; Techno-thriller; Non-fiction","score_opus":0.007120812570901677,"score_gpt":0.2046736580831294,"score_spread":0.19755284551222774,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7128808523","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0029316521,0.22129603,0.0005850457,0.58820474,0.021240104,0.00006568609,0.00036232517,0.00011776131,0.16519664],"genre_scores_gemma":[0.0947847,0.21589254,0.0013518209,0.36376157,0.026718395,0.00032495163,0.0003547619,0.00042245854,0.29638883],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99782383,0.0008550492,0.00012701283,0.0002331343,0.00077214267,0.00018881592],"domain_scores_gemma":[0.99268806,0.0050868313,0.00039124876,0.00013706424,0.001265327,0.00043151822],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023950497,0.0011724215,0.000576284,0.0023642068,0.014884526,0.012321143,0.0022957767,0.009710347,0.0091307955],"category_scores_gemma":[0.011310923,0.0005416426,0.0003856386,0.003262118,0.007389194,0.010096595,0.002850594,0.0091713555,0.0039924467],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017179822,0.000017782562,0.00021537876,0.00015042702,0.000005991902,0.000118348864,0.005819549,0.000025723597,0.000056707875,0.05060301,0.9358507,0.0071192053],"study_design_scores_gemma":[0.000012607439,0.00000849132,0.0013078925,0.00053408876,0.000007861789,0.00012752737,0.011722883,0.000051719988,0.00020885,0.01222317,0.9737674,0.000027499178],"about_ca_topic_score_codex":0.08428772,"about_ca_topic_score_gemma":0.1998008,"teacher_disagreement_score":0.08428772,"about_ca_system_score_codex":0.005583483,"about_ca_system_score_gemma":0.006472765,"threshold_uncertainty_score":0.1675942},"labels":[],"label_agreement":null},{"id":"W7128959701","doi":"10.13137/2283-6438/37761","title":"Sex-Bots Revisited: Bioethics and Parody in Margaret Atwood’s The Heart Goes Last (2015)","year":2025,"lang":"en","type":"article","venue":"OpenstarTs (Univeristy of Trieste https://www.units.it/)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dystopia; Posthuman; Ideal (ethics); Human enhancement; Bioethics; Utopia; Posthumanism; Sensationalism","score_opus":0.05400713655161813,"score_gpt":0.2784963716695218,"score_spread":0.22448923511790367,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7128959701","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2154077,0.023295728,0.0049628434,0.40517107,0.0034373957,0.000073900956,0.000083324754,0.0000778627,0.34749013],"genre_scores_gemma":[0.9027544,0.0032506965,0.0010025597,0.0395526,0.0004391773,0.00007152033,0.000017427425,0.00010024802,0.05281141],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9958937,0.002617573,0.000048788243,0.00035474356,0.00052846206,0.0005567052],"domain_scores_gemma":[0.9966041,0.0023317887,0.00016321552,0.0001403081,0.00026097143,0.0004995672],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0043462017,0.0003288522,0.00035717915,0.0005760303,0.031316858,0.009422309,0.0013632858,0.009167392,0.00428234],"category_scores_gemma":[0.005286707,0.00042220732,0.00028468537,0.0005381684,0.04106907,0.0052492316,0.0052442593,0.010207426,0.00047345945],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031766882,0.00001628378,0.00026187144,0.00005244441,0.0000032065916,0.0011290907,0.40947673,0.000046131496,0.00036798554,0.54989487,0.032800853,0.0059187803],"study_design_scores_gemma":[0.000012154048,0.000032195087,0.0006777074,0.00041545086,0.0000081764565,0.0007633466,0.29577467,0.00014278604,0.00059853337,0.039589893,0.66193867,0.00004633569],"about_ca_topic_score_codex":0.0732967,"about_ca_topic_score_gemma":0.14625536,"teacher_disagreement_score":0.0732967,"about_ca_system_score_codex":0.0124738,"about_ca_system_score_gemma":0.007868353,"threshold_uncertainty_score":0.14574015},"labels":[],"label_agreement":null},{"id":"W7132349969","doi":"","title":"Küresel Romanda Üstopya Söylemine Bir Örnek: Margaret Atwood’un Antilop ve Flurya Adlı Eseri","year":2020,"lang":"tr","type":"article","venue":"Van Yüzüncü Yıl University Academic Data Management System","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dystopia; Aside; Utopia; Globalization; Humanity; Narrative; Criticism; Atmosphere (unit)","score_opus":0.062072377572297374,"score_gpt":0.22563623723170986,"score_spread":0.1635638596594125,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7132349969","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10423096,0.03494106,0.0021048463,0.08860387,0.009271898,0.000042449068,0.00011616484,0.00017339159,0.7605154],"genre_scores_gemma":[0.5476788,0.008471236,0.0010536708,0.006650278,0.00060274114,0.000025704363,0.00006564853,0.00023972185,0.43521228],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99961627,0.00011153299,0.000008507917,0.000059975446,0.000108605855,0.00009515526],"domain_scores_gemma":[0.9997992,0.00003619482,0.000022452172,0.000011058415,0.00006819403,0.00006302539],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006223162,0.0005058137,0.00021162834,0.0004591203,0.0075600995,0.004126815,0.0003863139,0.0011672325,0.010125641],"category_scores_gemma":[0.0008015025,0.00016997886,0.00017877568,0.0003445589,0.003555665,0.0025553799,0.0016201887,0.0023709936,0.0025178564],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002270792,0.00013200546,0.0017215847,0.00030852627,0.000016585947,0.0033077016,0.12458138,0.0002454462,0.0020466875,0.39787552,0.39815718,0.07138039],"study_design_scores_gemma":[0.0000023968212,0.000015470903,0.000734659,0.00011686836,0.0000041085436,0.0005386344,0.020438135,0.00006704308,0.00057694933,0.0024342805,0.9750602,0.000011179091],"about_ca_topic_score_codex":0.013156884,"about_ca_topic_score_gemma":0.04100917,"teacher_disagreement_score":0.013156884,"about_ca_system_score_codex":0.0035698393,"about_ca_system_score_gemma":0.0018000853,"threshold_uncertainty_score":0.033873618},"labels":[],"label_agreement":null},{"id":"W7132860783","doi":"","title":"Reading (in) Speculative Fiction","year":2022,"lang":"","type":"dissertation","venue":"TSpace","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"International Centre for Comparative Criminology","funders":"","keywords":"Reading (process); Fantasy; Literary fiction; Relation (database); Interpretation (philosophy); Fiction theory; Virtue; Techno-thriller","score_opus":0.032308082829678175,"score_gpt":0.32304499566727557,"score_spread":0.2907369128375974,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7132860783","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21122952,0.013000492,0.034145888,0.057520065,0.0048775407,0.00011348865,0.00015745434,0.00036278513,0.67859274],"genre_scores_gemma":[0.9492392,0.0020672842,0.0026875657,0.002591651,0.0010975065,0.00003798044,0.00007269958,0.00019003284,0.042016093],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99470276,0.0034859052,0.00013397676,0.0005455451,0.00084191817,0.00028988175],"domain_scores_gemma":[0.9790662,0.015851578,0.0013461472,0.001832035,0.0015763418,0.0003276017],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.006019101,0.0006356903,0.00045046347,0.0017285922,0.006041686,0.008491247,0.0012772572,0.0029579124,0.008566257],"category_scores_gemma":[0.020445827,0.00023113286,0.0004159997,0.0012870192,0.032505855,0.0071607917,0.004222277,0.0042256764,0.0013030868],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000038490794,0.000016563796,0.0010357169,0.00020964687,0.000009496751,0.00078861293,0.31074056,0.00014728514,0.00056547165,0.6563035,0.011993331,0.018151248],"study_design_scores_gemma":[0.000019824452,0.00006332763,0.001195445,0.00082719425,0.000023968289,0.0011067546,0.086852655,0.0004905857,0.0014302684,0.1488843,0.75907046,0.000035322944],"about_ca_topic_score_codex":0.0026412911,"about_ca_topic_score_gemma":0.0036524846,"teacher_disagreement_score":0.008566257,"about_ca_system_score_codex":0.0044847894,"about_ca_system_score_gemma":0.0021885326,"threshold_uncertainty_score":0.032539546},"labels":[],"label_agreement":null},{"id":"W7132944073","doi":"","title":"Utopia and Ideology in French-Canadian and Québécois Science Fiction","year":2010,"lang":"fr","type":"dissertation","venue":"TSpace","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Toronto","funders":"","keywords":"Utopia; Ideology; Nous; Vision; Taste","score_opus":0.014198224640240594,"score_gpt":0.2718615032967934,"score_spread":0.2576632786565528,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7132944073","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5739816,0.009234519,0.0011805443,0.023381278,0.00046495468,0.000046080437,0.00044413787,0.000049845454,0.39121717],"genre_scores_gemma":[0.9593028,0.0011726045,0.00022391175,0.0005920735,0.00002817734,0.000013999408,0.00006336377,0.000021912809,0.038581282],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9983683,0.0003829827,0.000031839114,0.00016246011,0.0003626917,0.00069176214],"domain_scores_gemma":[0.9974074,0.00088450155,0.00020230179,0.000105368694,0.00091414916,0.0004863891],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020737476,0.00044265226,0.00035525163,0.0028536292,0.03017595,0.009498109,0.0010487979,0.0017002521,0.009673743],"category_scores_gemma":[0.0035929296,0.00020438235,0.00028435767,0.004152105,0.02165881,0.0021029506,0.0022586852,0.0027949295,0.00039439494],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000642381,0.00002213095,0.006635728,0.00010848986,0.000014527899,0.0007145188,0.6487451,0.00024967198,0.00052535895,0.30737874,0.017781349,0.017760115],"study_design_scores_gemma":[0.000012312766,0.00002126589,0.024568768,0.00030514933,0.000022241577,0.0003056519,0.343052,0.0003671245,0.00059053535,0.0068287104,0.6238603,0.000066026434],"about_ca_topic_score_codex":0.9872514,"about_ca_topic_score_gemma":0.9938845,"teacher_disagreement_score":0.12914279,"about_ca_system_score_codex":0.12914279,"about_ca_system_score_gemma":0.07386986,"threshold_uncertainty_score":0.93700093},"labels":[],"label_agreement":null},{"id":"W7133000352","doi":"","title":"Kratke priče Margaret Atwood: Prijevod i analiza u kontekstu feminizma:","year":2019,"lang":"en","type":"dissertation","venue":"University of Zadar Institutional Repository","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Feminism; Theme (computing); Dream; Narrative; Order (exchange); Point (geometry)","score_opus":0.013356419825347072,"score_gpt":0.1867931789170753,"score_spread":0.17343675909172823,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7133000352","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16656744,0.1120841,0.004204608,0.12455648,0.0066381437,0.000110608504,0.00045055096,0.000114779825,0.5852734],"genre_scores_gemma":[0.70577127,0.037579697,0.0016961275,0.0061990903,0.00095679937,0.000060595696,0.00017820582,0.0002355107,0.24732272],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99911577,0.00033005973,0.00002117084,0.00008677735,0.0003054423,0.00014072009],"domain_scores_gemma":[0.99936956,0.00028664447,0.00005445699,0.00002119052,0.00015990497,0.0001082798],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00093327556,0.00023541285,0.00017100137,0.0008796691,0.0065428843,0.0047086338,0.00044549475,0.0010080189,0.0088136075],"category_scores_gemma":[0.0021719774,0.000193479,0.00009744806,0.001231142,0.004109293,0.002899468,0.0014825707,0.0020085196,0.0014122414],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011179674,0.000066386245,0.0023863588,0.0005207239,0.000009844754,0.0009991331,0.23795636,0.00018870874,0.0012120669,0.4060236,0.24708764,0.103437334],"study_design_scores_gemma":[0.0000016702448,0.0000113944325,0.0015361075,0.00028494344,0.0000030324172,0.00024085409,0.0438327,0.000036524652,0.00043795782,0.0035086013,0.95009834,0.000007896126],"about_ca_topic_score_codex":0.03706843,"about_ca_topic_score_gemma":0.06818935,"teacher_disagreement_score":0.03706843,"about_ca_system_score_codex":0.0041668834,"about_ca_system_score_gemma":0.0033718997,"threshold_uncertainty_score":0.073705316},"labels":[],"label_agreement":null},{"id":"W7133170181","doi":"","title":"Istraživanje ženske traume i sjećanja u Sluškinjinoj priči","year":2025,"lang":"en","type":"dissertation","venue":"University of Zadar Institutional Repository","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dystopia; Dehumanization; Depiction; Power (physics); Narrative; Subjectivity; Compromise; Oppression; Resistance (ecology)","score_opus":0.014816385774200455,"score_gpt":0.18664689559342434,"score_spread":0.17183050981922388,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7133170181","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13551004,0.020682551,0.0072052306,0.02236478,0.0029647055,0.000090004156,0.0002626764,0.00039592694,0.81052405],"genre_scores_gemma":[0.8895662,0.006401303,0.0016691514,0.0016578431,0.00035683482,0.000051720937,0.0001361269,0.00020788034,0.09995291],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99867815,0.00046660728,0.00005141401,0.00014533062,0.00032006158,0.0003385008],"domain_scores_gemma":[0.9995003,0.00021131427,0.000062526175,0.000050444043,0.0000751561,0.00010021267],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010536867,0.00053912157,0.0005255836,0.0014359553,0.009790396,0.011239526,0.00091686565,0.0014485008,0.010334861],"category_scores_gemma":[0.0019155783,0.0003090612,0.0003019883,0.0011004589,0.022774294,0.0045177354,0.0064944196,0.004124431,0.0014655029],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011057293,0.00005154374,0.0010942589,0.00045301468,0.000018568473,0.0021515377,0.25611475,0.0003634825,0.001037784,0.67234445,0.02558206,0.04067808],"study_design_scores_gemma":[0.000016941176,0.0000430294,0.001193988,0.00045947733,0.000015247153,0.0012652231,0.14849421,0.00016965663,0.0007671899,0.033160046,0.8143772,0.000037802078],"about_ca_topic_score_codex":0.025099983,"about_ca_topic_score_gemma":0.046224084,"teacher_disagreement_score":0.025099983,"about_ca_system_score_codex":0.0072251256,"about_ca_system_score_gemma":0.00846835,"threshold_uncertainty_score":0.052422225},"labels":[],"label_agreement":null},{"id":"W7133172313","doi":"","title":"Feminizam u romanu The Testaments Margaret Atwood","year":2020,"lang":"en","type":"dissertation","venue":"University of Zadar Institutional Repository","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Feminism; Translation studies; Field (mathematics); Feminist theory","score_opus":0.01605159765182717,"score_gpt":0.1816226323238697,"score_spread":0.1655710346720425,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7133172313","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03083621,0.010082991,0.0010061727,0.020459857,0.002923608,0.000032641092,0.00009509465,0.000055539516,0.93450785],"genre_scores_gemma":[0.61665386,0.0064815944,0.0010926082,0.0033633655,0.0005586359,0.00004008324,0.000075899996,0.00016777548,0.37156615],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99886465,0.0004413817,0.000018198758,0.000121126846,0.00036139786,0.00019320125],"domain_scores_gemma":[0.99965644,0.00010458578,0.000038610957,0.000030207408,0.00010813036,0.00006211495],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001080062,0.00027860785,0.00026684473,0.00058111077,0.007708807,0.00505744,0.00035673013,0.0008134949,0.008528463],"category_scores_gemma":[0.001698323,0.0001688658,0.00014268102,0.0006254459,0.008148665,0.001178818,0.001704526,0.0037311371,0.0016223242],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007091021,0.000050557534,0.0006627102,0.00010896136,0.000005642868,0.00035910626,0.031325765,0.00018864937,0.00057451276,0.80223185,0.1173136,0.04710772],"study_design_scores_gemma":[0.000003076489,0.000013262899,0.0008833446,0.00015367879,0.0000019574647,0.00012454728,0.007446859,0.00004983732,0.00038769413,0.0045986483,0.9863304,0.0000065606673],"about_ca_topic_score_codex":0.02899052,"about_ca_topic_score_gemma":0.04249119,"teacher_disagreement_score":0.02899052,"about_ca_system_score_codex":0.0065763444,"about_ca_system_score_gemma":0.004057549,"threshold_uncertainty_score":0.057643533},"labels":[],"label_agreement":null},{"id":"W7133454891","doi":"","title":"MaddAddam","year":2016,"lang":"en","type":"review","venue":"RUNE (Research UNE)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Trilogy; Oryx; Genius; Comics; Metis","score_opus":0.4342828717637106,"score_gpt":0.4630116712310548,"score_spread":0.02872879946734419,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7133454891","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0015084774,0.8634638,0.00067114155,0.0114413705,0.007285305,0.00003848384,0.00036509454,0.00013010151,0.11509611],"genre_scores_gemma":[0.033590473,0.74782616,0.001476204,0.016003108,0.0024838746,0.000091262074,0.0005310996,0.00007544377,0.1979224],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997379,0.000047013695,0.000022315802,0.00006103702,0.0000979629,0.00003371543],"domain_scores_gemma":[0.99968183,0.000096745745,0.00004579155,0.000024760615,0.00010112553,0.000049702463],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00041643597,0.0006450179,0.00051872013,0.002052161,0.0017393611,0.0026048361,0.000887358,0.001535268,0.055891693],"category_scores_gemma":[0.0014528725,0.00022027973,0.0003309289,0.0020505474,0.0007142489,0.0022698143,0.0017674001,0.001842299,0.0141649395],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000095516145,0.00006873743,0.00052370806,0.006393156,0.000040050887,0.00045720534,0.0011831637,0.00008486053,0.0012702158,0.033594713,0.33420414,0.6220846],"study_design_scores_gemma":[0.0000019143904,0.000009343247,0.00030456774,0.00047615747,0.0000092884675,0.00023977009,0.00012663536,0.0000074270683,0.00011986933,0.00048210713,0.9982199,0.000003113194],"about_ca_topic_score_codex":0.0030204526,"about_ca_topic_score_gemma":0.0074185417,"teacher_disagreement_score":0.055891693,"about_ca_system_score_codex":0.0010530069,"about_ca_system_score_gemma":0.002507075,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W7134098000","doi":"","title":"Who owns time? Patriarchal time and feminist contretemps : anglophone post-apocalyptic feminist dystopias in the 21st century","year":2025,"lang":"fr","type":"article","venue":"theses.fr (ABES)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dystopia; Narrative; Feminism; Identity (music); Enlightenment","score_opus":0.011543106889600757,"score_gpt":0.2310376468927864,"score_spread":0.21949454000318566,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7134098000","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1926568,0.024669386,0.0015139583,0.065547004,0.00064859993,0.000018068975,0.000058574136,0.00002892794,0.7148587],"genre_scores_gemma":[0.9476373,0.002680722,0.00016153089,0.0015788681,0.00019088524,0.000017036342,0.00001051777,0.00002805659,0.047694974],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982634,0.0008917211,0.000031760686,0.00019127548,0.00019128369,0.00043063427],"domain_scores_gemma":[0.99876344,0.0006745951,0.00018371678,0.000106551255,0.00009827013,0.00017343287],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002737412,0.00023590155,0.0002563232,0.0010880148,0.009281648,0.009230204,0.0006290669,0.0020461495,0.006027246],"category_scores_gemma":[0.0024573572,0.0002078282,0.00017194412,0.0010250243,0.040860143,0.008191404,0.0042089117,0.0030012738,0.0004652494],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020234238,0.000007685208,0.00035788416,0.000016727423,0.0000012269754,0.00014367538,0.15656504,0.00002743997,0.00006755973,0.83441305,0.0032074763,0.005172018],"study_design_scores_gemma":[0.000024918496,0.000030909672,0.0025145677,0.0002867315,0.0000061072797,0.0003647594,0.21612053,0.00017132642,0.0004254113,0.16687891,0.6131491,0.00002669148],"about_ca_topic_score_codex":0.02074867,"about_ca_topic_score_gemma":0.03429541,"teacher_disagreement_score":0.02074867,"about_ca_system_score_codex":0.009950408,"about_ca_system_score_gemma":0.003025629,"threshold_uncertainty_score":0.07219565},"labels":[],"label_agreement":null},{"id":"W7134105853","doi":"","title":"Qui a le temps ? Temps patriarcal et contre-temps féministes : les dystopies féministes post-apocalyptiques du XXIe siècle","year":2025,"lang":"fr","type":"dissertation","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dystopia; The Imaginary; Utopia; Historicity (philosophy); Vision; Context (archaeology); Feminism; Narrative; Fantasy","score_opus":0.014262693600810724,"score_gpt":0.23515681673428665,"score_spread":0.22089412313347592,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7134105853","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.45789945,0.033318415,0.0030316245,0.058989182,0.0018697605,0.00003860701,0.00017631678,0.00008494405,0.44459167],"genre_scores_gemma":[0.9404127,0.0049883835,0.00039661664,0.0010882153,0.00033759337,0.000031147705,0.000025173165,0.000062609324,0.05265778],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9986218,0.00066993025,0.000027523316,0.00016643811,0.00026911253,0.00024517652],"domain_scores_gemma":[0.99925345,0.00044025842,0.00010346587,0.000059897673,0.000068268884,0.00007457401],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0021433197,0.00033812574,0.00030879403,0.0007237921,0.00958352,0.0072141993,0.00044937263,0.0016094322,0.004072346],"category_scores_gemma":[0.0032870392,0.0002862861,0.00015449413,0.0007379966,0.018975444,0.004111657,0.002813933,0.004029744,0.00043497828],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006751146,0.000016662072,0.0012782566,0.000052896234,0.0000037268487,0.0006670438,0.38052458,0.0000875175,0.00039096992,0.5909349,0.0076100947,0.018365884],"study_design_scores_gemma":[0.000014784883,0.000043056578,0.0042332998,0.00028316624,0.000004750149,0.0006528939,0.100864656,0.00011646704,0.0009144808,0.02105656,0.8717974,0.000018447192],"about_ca_topic_score_codex":0.021694181,"about_ca_topic_score_gemma":0.026832769,"teacher_disagreement_score":0.021694181,"about_ca_system_score_codex":0.010140324,"about_ca_system_score_gemma":0.0034776027,"threshold_uncertainty_score":0.07357359},"labels":[],"label_agreement":null},{"id":"W7134366817","doi":"","title":"Review of Oryx and Crake and The Year of the Flood by Margaret Atwood Toronto: McClelland & Stewart, 2003. $24.96 ISBN: 978-0771008689 London: Bloomsbury, 2009. $15.53 ISBN: 978-0771008689","year":2012,"lang":"","type":"article","venue":"ScholarWorks @ UTRGV (The University of Texas Rio Grande Valley)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Oryx; Flood myth","score_opus":0.010457189232432865,"score_gpt":0.19278603268261318,"score_spread":0.18232884345018033,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7134366817","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000365414,0.99334586,0.000018803408,0.002936901,0.0015660657,0.0000018811793,0.00004986103,0.0000041672233,0.0020398397],"genre_scores_gemma":[0.001327461,0.9845212,0.00005416836,0.0021528632,0.0016937423,0.000007201175,0.00010286675,0.000011323875,0.010129184],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995309,0.00011031756,0.00005844284,0.00006719343,0.00016945398,0.0000637343],"domain_scores_gemma":[0.99870956,0.0005037598,0.00015754094,0.000050608265,0.0004395386,0.00013904757],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008541812,0.0011906599,0.0016371094,0.005023294,0.0015426412,0.0034470193,0.0012045123,0.0018014482,0.029337872],"category_scores_gemma":[0.0031126149,0.00064401055,0.0004334536,0.0101445215,0.0023392732,0.004465424,0.001845547,0.002421219,0.00793891],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027502745,0.0000057786556,0.00010224729,0.0037410867,0.000015242743,0.00009913522,0.00055272883,0.000052222706,0.0000383197,0.0043177274,0.871694,0.119354025],"study_design_scores_gemma":[0.0000020346426,0.0000029573032,0.0004477572,0.0026534162,0.000007697108,0.0001260877,0.00032560635,0.0000040666023,0.000011794934,0.00066381606,0.99574995,0.0000047982503],"about_ca_topic_score_codex":0.08976914,"about_ca_topic_score_gemma":0.19454639,"teacher_disagreement_score":0.08976914,"about_ca_system_score_codex":0.005191013,"about_ca_system_score_gemma":0.0091933245,"threshold_uncertainty_score":0.1784932},"labels":[],"label_agreement":null},{"id":"W7135021649","doi":"10.5281/zenodo.18972518","title":"Afrofuturism as a Lens to Illuminate African Futures in Côte d'Ivoire","year":2012,"lang":"en","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Institute on Governance","funders":"","keywords":"Futures contract; Transformative learning; Narrative; Through-the-lens metering; Futures studies; Sustainable development; Plan (archaeology); Key (lock)","score_opus":0.04582419091321838,"score_gpt":0.23921459855334354,"score_spread":0.19339040764012516,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7135021649","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.61958593,0.025377229,0.012845091,0.023919335,0.0007181727,0.00016251869,0.00011115104,0.00004465544,0.31723595],"genre_scores_gemma":[0.9857997,0.002502698,0.0018838525,0.00037654434,0.000039703766,0.000052603755,0.000012789089,0.000022134582,0.0093099605],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99767774,0.0017619134,0.00002747127,0.00009562618,0.00008263311,0.00035456594],"domain_scores_gemma":[0.99866164,0.000972785,0.00010866803,0.00006260535,0.000059320715,0.00013499473],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0033429642,0.00065239915,0.00039346737,0.0032065883,0.014850975,0.005905801,0.0007903392,0.0018311737,0.0051732226],"category_scores_gemma":[0.0028217165,0.000287974,0.00021483141,0.002657555,0.02452635,0.005094474,0.0063697575,0.0022537562,0.00019152349],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024381481,0.000011845654,0.00072626845,0.00014373755,0.0000025562088,0.0012764328,0.7402724,0.00013271446,0.0005800564,0.24602385,0.001392551,0.009413229],"study_design_scores_gemma":[0.0000054819575,0.000028151566,0.0021185328,0.0009193268,0.0000046475807,0.0009021182,0.75674224,0.0001826616,0.00042060736,0.026198898,0.21246389,0.000013433288],"about_ca_topic_score_codex":0.02000428,"about_ca_topic_score_gemma":0.038123243,"teacher_disagreement_score":0.02000428,"about_ca_system_score_codex":0.008340545,"about_ca_system_score_gemma":0.0040623653,"threshold_uncertainty_score":0.060515225},"labels":[],"label_agreement":null},{"id":"W7135076624","doi":"10.5281/zenodo.18972519","title":"Afrofuturism as a Lens to Illuminate African Futures in Côte d'Ivoire","year":2012,"lang":"en","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Institute on Governance","funders":"","keywords":"Futures contract; Transformative learning; Narrative; Through-the-lens metering; Futures studies; Sustainable development; Plan (archaeology); Key (lock)","score_opus":0.04582419091321838,"score_gpt":0.23921459855334354,"score_spread":0.19339040764012516,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7135076624","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.61958593,0.025377229,0.012845091,0.023919335,0.0007181727,0.00016251869,0.00011115104,0.00004465544,0.31723595],"genre_scores_gemma":[0.9857997,0.002502698,0.0018838525,0.00037654434,0.000039703766,0.000052603755,0.000012789089,0.000022134582,0.0093099605],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99767774,0.0017619134,0.00002747127,0.00009562618,0.00008263311,0.00035456594],"domain_scores_gemma":[0.99866164,0.000972785,0.00010866803,0.00006260535,0.000059320715,0.00013499473],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0033429642,0.00065239915,0.00039346737,0.0032065883,0.014850975,0.005905801,0.0007903392,0.0018311737,0.0051732226],"category_scores_gemma":[0.0028217165,0.000287974,0.00021483141,0.002657555,0.02452635,0.005094474,0.0063697575,0.0022537562,0.00019152349],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024381481,0.000011845654,0.00072626845,0.00014373755,0.0000025562088,0.0012764328,0.7402724,0.00013271446,0.0005800564,0.24602385,0.001392551,0.009413229],"study_design_scores_gemma":[0.0000054819575,0.000028151566,0.0021185328,0.0009193268,0.0000046475807,0.0009021182,0.75674224,0.0001826616,0.00042060736,0.026198898,0.21246389,0.000013433288],"about_ca_topic_score_codex":0.02000428,"about_ca_topic_score_gemma":0.038123243,"teacher_disagreement_score":0.02000428,"about_ca_system_score_codex":0.008340545,"about_ca_system_score_gemma":0.0040623653,"threshold_uncertainty_score":0.060515225},"labels":[],"label_agreement":null},{"id":"W7135875073","doi":"","title":"Capturing femininity in the selection of Atwood's novels","year":2020,"lang":"cs","type":"dissertation","venue":"Digital Repository (National Repository of Grey Literature)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Femininity; Novella; Beauty; Focus (optics); Power (physics); Selection (genetic algorithm); Mythology","score_opus":0.01861701716642961,"score_gpt":0.23957147446592758,"score_spread":0.22095445729949797,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7135875073","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3828763,0.0062232474,0.002711069,0.011988092,0.0017803414,0.00020007306,0.0005216852,0.00008215235,0.593617],"genre_scores_gemma":[0.89260715,0.0019308676,0.0012859186,0.0009001751,0.00021856853,0.00012642381,0.00014532973,0.00020471297,0.10258077],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99731207,0.0012795978,0.000055274482,0.00029005678,0.0006412286,0.00042175272],"domain_scores_gemma":[0.9968829,0.0017473485,0.0002718101,0.00017417026,0.00049132673,0.00043252917],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002319826,0.00051411596,0.00038572017,0.00317371,0.01592276,0.010245584,0.00092010363,0.0009051998,0.008210986],"category_scores_gemma":[0.005194735,0.0002691438,0.00021749984,0.003251448,0.013830076,0.0031254217,0.003261938,0.0024760705,0.00056988315],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010835879,0.000040684452,0.001304686,0.00020271618,0.000006397887,0.0009832652,0.6513348,0.00007360479,0.0008322249,0.29988554,0.02397105,0.021256685],"study_design_scores_gemma":[0.000006713931,0.000030432333,0.0032842483,0.00028039204,0.0000061503,0.00044726234,0.4054676,0.00007570004,0.0009085187,0.00835289,0.5811147,0.00002532598],"about_ca_topic_score_codex":0.055280127,"about_ca_topic_score_gemma":0.19662267,"teacher_disagreement_score":0.055280127,"about_ca_system_score_codex":0.015501953,"about_ca_system_score_gemma":0.0053617703,"threshold_uncertainty_score":0.1124751},"labels":[],"label_agreement":null},{"id":"W7135878018","doi":"","title":"Tesseracts Nine, New Canadian Speculative Fiction","year":2005,"lang":"en","type":"article","venue":"Research Explorer (The University of Manchester)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"","score_opus":0.13110761174142715,"score_gpt":0.2739789865390332,"score_spread":0.14287137479760603,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7135878018","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.022236161,0.012403237,0.0012325007,0.09172148,0.011471475,0.000049683586,0.00071074755,0.00020650917,0.8599682],"genre_scores_gemma":[0.26825625,0.0048194258,0.0012100147,0.011511429,0.0013885692,0.00003712398,0.00020135114,0.000190586,0.71238536],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99882525,0.0002228222,0.000024164696,0.00012887723,0.00047871232,0.00032024673],"domain_scores_gemma":[0.9985366,0.0006618254,0.00006258784,0.00010337469,0.00040380488,0.0002317941],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012001352,0.00070789526,0.00032732487,0.0021467581,0.03016889,0.008449042,0.001032409,0.0035473222,0.024391126],"category_scores_gemma":[0.006375011,0.00026515723,0.00031231612,0.0020188803,0.013728904,0.002156796,0.0022563245,0.007053198,0.0016827583],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000083990526,0.00001116853,0.00043438803,0.00008221093,0.0000070581127,0.0005672311,0.029439049,0.00017369085,0.00022040866,0.55992144,0.39123592,0.01782342],"study_design_scores_gemma":[0.0000030929887,0.0000036854638,0.000399571,0.000056714583,0.0000036824356,0.000077106306,0.0057789017,0.000046083132,0.0001194706,0.0038278515,0.98967206,0.000011774605],"about_ca_topic_score_codex":0.7898033,"about_ca_topic_score_gemma":0.9446172,"teacher_disagreement_score":0.21019667,"about_ca_system_score_codex":0.03477188,"about_ca_system_score_gemma":0.025420608,"threshold_uncertainty_score":0.4228691},"labels":[],"label_agreement":null},{"id":"W7135955834","doi":"","title":"Commented translation: Rebecca Mead, Margaret Atwood, the Prophet of Dystopia. New Yorker, April 17, 2019","year":2020,"lang":"cs","type":"dissertation","venue":"Digital Repository (National Repository of Grey Literature)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Bachelor; Dystopia; Key (lock); Politics; Translation studies","score_opus":0.02078795593286778,"score_gpt":0.2344634460814964,"score_spread":0.21367549014862863,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7135955834","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0026734096,0.027071895,0.0008992057,0.5408271,0.21245389,0.0002394059,0.0023692325,0.0005714072,0.21289445],"genre_scores_gemma":[0.021825694,0.016353332,0.00094504544,0.053609375,0.018364523,0.00023806922,0.00093808107,0.00088163983,0.88684434],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99855,0.0003067729,0.00007337832,0.00018376093,0.00072071736,0.00016538508],"domain_scores_gemma":[0.99460816,0.0011593803,0.0003026178,0.00013100996,0.0031651154,0.00063367543],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016259312,0.0007124765,0.00059214985,0.0015039037,0.0048645725,0.0035574583,0.000873843,0.0020850245,0.1224735],"category_scores_gemma":[0.014184737,0.0002547158,0.00024409081,0.0015200706,0.0023071999,0.0021738354,0.0022074864,0.0047994764,0.044707075],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000078008525,0.0000021301992,0.000026128175,0.000056179793,6.5104103e-7,0.00004171485,0.0013260278,0.0000041358003,0.00008073011,0.0015268667,0.99307245,0.0038551947],"study_design_scores_gemma":[0.0000026552414,0.000003218282,0.00020662679,0.00015210023,9.413589e-7,0.00003981603,0.0015931928,0.0000081265025,0.000059456554,0.0001687565,0.9977604,0.0000047202984],"about_ca_topic_score_codex":0.07997128,"about_ca_topic_score_gemma":0.17563255,"teacher_disagreement_score":0.1224735,"about_ca_system_score_codex":0.0074774697,"about_ca_system_score_gemma":0.008587685,"threshold_uncertainty_score":0.4097147},"labels":[],"label_agreement":null},{"id":"W7151859850","doi":"10.70675/fa79f146z8167z40c8z90f2z90b7af53dfc4","title":"Qui a le temps ? Temps patriarcal et contre-temps féministes : les dystopies féministes post-apocalyptiques du XXIe siècle","year":2025,"lang":"","type":"dissertation","venue":"","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Identity (music); Narrative; Cultural environment; Context (archaeology)","score_opus":0.019825787521883787,"score_gpt":0.26230984645488936,"score_spread":0.24248405893300556,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7151859850","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.31044924,0.018948026,0.0024263745,0.04094872,0.0009252724,0.000037984966,0.00021766624,0.000046064673,0.62600064],"genre_scores_gemma":[0.9159861,0.0035417476,0.00032888138,0.0015127086,0.00017461379,0.000034804456,0.00004762135,0.00006851532,0.07830501],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99890816,0.00048027257,0.000020931022,0.0001442257,0.00019767668,0.00024870632],"domain_scores_gemma":[0.99929774,0.00036655186,0.00011690194,0.000060502465,0.00008313213,0.000075180295],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015164056,0.00025637136,0.00024034022,0.0007416631,0.006649958,0.005190358,0.00043929068,0.0012792685,0.0057263197],"category_scores_gemma":[0.002341687,0.0002205748,0.00012845204,0.00093223044,0.020318396,0.0038976357,0.0028516133,0.0038878692,0.0005040935],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000048058566,0.000009585716,0.0010351206,0.00004811869,0.0000028059476,0.0004133081,0.260848,0.00006233979,0.00030028156,0.7178991,0.008051486,0.011281842],"study_design_scores_gemma":[0.000025289759,0.000040566145,0.010338213,0.00038107001,0.0000073914275,0.00055634294,0.1357694,0.00012362382,0.0008513748,0.045122635,0.80675656,0.000027594355],"about_ca_topic_score_codex":0.039398797,"about_ca_topic_score_gemma":0.04959537,"teacher_disagreement_score":0.039398797,"about_ca_system_score_codex":0.007995344,"about_ca_system_score_gemma":0.0031271353,"threshold_uncertainty_score":0.07833892},"labels":[],"label_agreement":null},{"id":"W7152753678","doi":"10.70675/571d2966zfb33z47b8z9a74z934fde116b47","title":"Explorer les seuils : la liminalité dans les premiers romans de Margaret Atwood","year":2025,"lang":"","type":"dissertation","venue":"","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"ESPACE; TRACE (psycholinguistics); Face (sociological concept)","score_opus":0.03834692316607607,"score_gpt":0.2618848509376899,"score_spread":0.2235379277716138,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7152753678","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5063245,0.018525146,0.0037137931,0.02356638,0.0009404315,0.00005143499,0.000106397034,0.00007700481,0.44669482],"genre_scores_gemma":[0.8778869,0.004130946,0.0006906517,0.001376449,0.00014454345,0.000024411394,0.000033390228,0.00012988091,0.11558274],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992167,0.0004150692,0.000013839836,0.00007923427,0.00013097453,0.00014414811],"domain_scores_gemma":[0.99943596,0.00027907785,0.00006898951,0.000030759184,0.000071611285,0.00011357635],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00087396166,0.00036075868,0.0002757832,0.00067656784,0.008292347,0.0049464437,0.00052881695,0.0010150109,0.0071521653],"category_scores_gemma":[0.001450731,0.00024934043,0.00017420997,0.00085590035,0.007226251,0.002804908,0.0025007057,0.002914346,0.0012850239],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010356867,0.000035740395,0.0023742935,0.0001745655,0.000007706577,0.001914334,0.7242261,0.000070903116,0.001399231,0.22699787,0.017711278,0.024984427],"study_design_scores_gemma":[0.0000073764686,0.000052991174,0.003950978,0.00023579219,0.000010690824,0.0012631668,0.23666146,0.00008542841,0.0012082356,0.007043622,0.7494573,0.000022934446],"about_ca_topic_score_codex":0.010758701,"about_ca_topic_score_gemma":0.036317408,"teacher_disagreement_score":0.9892413,"about_ca_system_score_codex":0.002991476,"about_ca_system_score_gemma":0.0013652164,"threshold_uncertainty_score":0.023926377},"labels":[],"label_agreement":null},{"id":"W7155262197","doi":"","title":"Liberando a Metis: escritoras españolas de ciencia ficción en el siglo XXI","year":2022,"lang":"es","type":"article","venue":"e_Buah","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Relation (database); Perspective (graphical)","score_opus":0.013665222568444144,"score_gpt":0.2523772823599789,"score_spread":0.23871205979153476,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7155262197","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.032640357,0.09838906,0.0013769747,0.11372955,0.017691804,0.00004663946,0.00021466165,0.00014197812,0.73576903],"genre_scores_gemma":[0.43027753,0.03494145,0.00096055935,0.012777635,0.007755373,0.000098254764,0.0002504995,0.00029213354,0.5126466],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99888104,0.00048721483,0.000031249816,0.00011626837,0.00024791458,0.0002363529],"domain_scores_gemma":[0.9989285,0.00060896674,0.00007547774,0.00007985506,0.00017938987,0.00012782082],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020142116,0.0006453352,0.00037543537,0.001552779,0.008779938,0.011135279,0.0007830532,0.0031065207,0.017888656],"category_scores_gemma":[0.0044674426,0.00017261304,0.0002461542,0.0021435583,0.0069554746,0.004194925,0.0043730303,0.0062263417,0.002317986],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008650466,0.000036321264,0.00063944625,0.0003011763,0.00000765287,0.00040067386,0.075928025,0.0000654142,0.00028282858,0.6894242,0.18895811,0.04386962],"study_design_scores_gemma":[0.0000063811017,0.000006108246,0.00059600093,0.00019500648,0.0000034793648,0.00009328368,0.013879876,0.00003246177,0.000121095785,0.0067140018,0.9783472,0.000005107506],"about_ca_topic_score_codex":0.02125791,"about_ca_topic_score_gemma":0.04096685,"teacher_disagreement_score":0.02125791,"about_ca_system_score_codex":0.0070790257,"about_ca_system_score_gemma":0.00391197,"threshold_uncertainty_score":0.05984354},"labels":[],"label_agreement":null},{"id":"W7160674479","doi":"","title":"&quot;It’s some cannibal thing&quot;: Canada and Brazil in Margaret Atwood’s MaddAddam Trilogy","year":2017,"lang":"en","type":"article","venue":"Repositorio Institucional de la Universidad de Huelva","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Trilogy; Posthuman; Indigenous; Manifesto; Craft; Situated; Exceptionalism; Ambivalence; Nexus (standard)","score_opus":0.011972265351613246,"score_gpt":0.24363131438274196,"score_spread":0.23165904903112872,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7160674479","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13888763,0.027957259,0.0034277893,0.28727046,0.0020219367,0.000079802914,0.00040074094,0.000116224335,0.5398382],"genre_scores_gemma":[0.88503057,0.00949131,0.0015894938,0.009650058,0.00014005558,0.000039770497,0.000073809875,0.00013208752,0.093852945],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999326,0.0001515217,0.00001116294,0.00008297979,0.0001836897,0.00024462584],"domain_scores_gemma":[0.9992459,0.0002473914,0.000048013608,0.000036059024,0.0002693128,0.00015333058],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00081995985,0.0004578446,0.0002686813,0.0009353217,0.018892221,0.006981158,0.00090264314,0.0017324185,0.0045608394],"category_scores_gemma":[0.0033962154,0.00019345687,0.00019731047,0.0020346679,0.014288601,0.002359434,0.0019144864,0.002876731,0.00027142183],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000053596425,0.000018969055,0.0021264008,0.00018580274,0.0000099484005,0.0008138984,0.20512933,0.00030058937,0.0006915936,0.68551934,0.07276165,0.03238891],"study_design_scores_gemma":[0.000008243294,0.000009780578,0.0038097894,0.0003725456,0.000018627767,0.00027551397,0.12790681,0.0003364515,0.0005370315,0.024990166,0.84168667,0.000048380287],"about_ca_topic_score_codex":0.9713634,"about_ca_topic_score_gemma":0.99034685,"teacher_disagreement_score":0.055922877,"about_ca_system_score_codex":0.055922877,"about_ca_system_score_gemma":0.05183312,"threshold_uncertainty_score":0.4057508},"labels":[],"label_agreement":null},{"id":"W7162468573","doi":"10.32628/ijsrst24116523","title":"Artificial Life and the Loss of Biodiversity: Ecological Consequences of Genetic Experiments in Oryx and Crake","year":2024,"lang":"","type":"article","venue":"International Journal of Scientific Research in Science and Technology","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Hubris; Dystopia; Oryx; Wonder; Depiction; Pride; Natural (archaeology); Ecocriticism; Posthumanism","score_opus":0.13087669894807333,"score_gpt":0.3847551315827327,"score_spread":0.25387843263465937,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7162468573","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.38521373,0.017621871,0.0102981245,0.16711304,0.0008249619,0.00007820478,0.000096954536,0.00017213216,0.41858092],"genre_scores_gemma":[0.9628817,0.0034595157,0.003903665,0.0046161357,0.00006611674,0.000034799436,0.000012781502,0.000054385633,0.02497089],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9982387,0.0010420192,0.000029595973,0.00021127448,0.0002858691,0.0001925495],"domain_scores_gemma":[0.9974063,0.0018169417,0.0001610399,0.00034472047,0.00014241623,0.00012855233],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0031653875,0.00031316408,0.0003008225,0.0006063548,0.008502005,0.00535388,0.0010333586,0.0028433166,0.0026148169],"category_scores_gemma":[0.0046335035,0.00019569467,0.00018079074,0.0006127085,0.058694422,0.0028687187,0.002655079,0.0044472646,0.00016467212],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001714435,0.000035443936,0.00069140183,0.00010837531,0.000010362119,0.00063163176,0.053044427,0.0004359683,0.0020561325,0.9188604,0.008226683,0.01572774],"study_design_scores_gemma":[0.00007871024,0.0001672098,0.0046004523,0.00045281916,0.00004619742,0.0011854356,0.054934848,0.0009248105,0.0065815593,0.33006316,0.60087484,0.000089884765],"about_ca_topic_score_codex":0.067081995,"about_ca_topic_score_gemma":0.1316976,"teacher_disagreement_score":0.067081995,"about_ca_system_score_codex":0.00943777,"about_ca_system_score_gemma":0.0060586967,"threshold_uncertainty_score":0.13338304},"labels":[],"label_agreement":null},{"id":"W7163371482","doi":"10.1353/crc.2023.a992067","title":"Divergence and Convergence in Science Fiction of the Cyborg and Technological Utopia","year":2023,"lang":"en","type":"article","venue":"Canadian review of comparative literature","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Utopia; Convergence (economics); Divergence (linguistics); Dystopia; Fiction theory","score_opus":0.03171935311383755,"score_gpt":0.26708914299663183,"score_spread":0.23536978988279428,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7163371482","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14790685,0.33517706,0.0029407486,0.036161635,0.001006121,0.000058195175,0.00021115434,0.00003131951,0.47650698],"genre_scores_gemma":[0.9286933,0.06176515,0.0009420526,0.0015253351,0.00046452106,0.000044740966,0.00011803929,0.000037880596,0.0064090095],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9907036,0.0048281807,0.00043354594,0.0007626953,0.002387552,0.0008844838],"domain_scores_gemma":[0.96462494,0.027797995,0.00154665,0.00094978145,0.0043279147,0.00075264496],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.009967083,0.00047570418,0.0013293497,0.022076972,0.012797542,0.020548945,0.0016395608,0.003218255,0.009282864],"category_scores_gemma":[0.04148995,0.00025099382,0.00035048035,0.0260754,0.05545856,0.013533964,0.008528382,0.0047876863,0.0003723394],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007801242,0.000023161152,0.0020430312,0.0011772353,0.000024641939,0.00032859432,0.16671865,0.0001417301,0.00010756704,0.7675215,0.0027142223,0.059121687],"study_design_scores_gemma":[0.00003996052,0.00007053783,0.030525997,0.010727173,0.00007596144,0.0010834972,0.3126263,0.0004657902,0.0003814423,0.3551276,0.28879744,0.000078342826],"about_ca_topic_score_codex":0.085890844,"about_ca_topic_score_gemma":0.08830489,"teacher_disagreement_score":0.085890844,"about_ca_system_score_codex":0.02035269,"about_ca_system_score_gemma":0.021062704,"threshold_uncertainty_score":0.17078179},"labels":[],"label_agreement":null},{"id":"W7163477831","doi":"","title":"Standing Rooted in \"Canada\" : Margaret Atwood, Life Before Man","year":2006,"lang":"ja","type":"article","venue":"Institutional Repositories DataBase (IRDB)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Perspective (graphical); Key (lock); Government (linguistics); Subject (documents)","score_opus":0.015587718646705663,"score_gpt":0.20986677953283403,"score_spread":0.19427906088612837,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7163477831","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0009292359,0.050069492,0.00028153093,0.9160034,0.012449449,0.000011089597,0.0002757914,0.00008427969,0.01989568],"genre_scores_gemma":[0.03779965,0.10787097,0.00141537,0.623172,0.011833261,0.00006563302,0.00055761554,0.00056544197,0.21672013],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.997514,0.00047113575,0.00010732402,0.00029869005,0.0011723667,0.0004363812],"domain_scores_gemma":[0.9908794,0.0027280487,0.0003060599,0.00018190555,0.0034748388,0.0024297368],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0032983455,0.00053744874,0.0008008349,0.0034412274,0.026852705,0.01059171,0.002147831,0.006915359,0.012144207],"category_scores_gemma":[0.017390408,0.00049053115,0.00027979558,0.0056328257,0.0068443837,0.009626413,0.00328354,0.010830467,0.003788325],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000027782128,0.0000032475734,0.00012559653,0.000020988447,0.0000019773076,0.000047089274,0.0014663426,0.000012499282,0.000009684365,0.0038469157,0.98794204,0.0065207616],"study_design_scores_gemma":[0.0000026690786,0.0000015131424,0.00042422843,0.0002482487,0.000006323168,0.00012881294,0.007926326,0.000025231404,0.000033518336,0.0020789832,0.9891053,0.000018849696],"about_ca_topic_score_codex":0.7838146,"about_ca_topic_score_gemma":0.92319536,"teacher_disagreement_score":0.21618539,"about_ca_system_score_codex":0.020464588,"about_ca_system_score_gemma":0.055358633,"threshold_uncertainty_score":0.4349171},"labels":[],"label_agreement":null},{"id":"W7164885544","doi":"10.1080/17153379.2016.12557479","title":"Visions of Dystopia in China’s New Historical Novels.","year":2016,"lang":"en","type":"article","venue":"Pacific Affairs","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Dystopia; Vision; Utopia","score_opus":0.02240991238610295,"score_gpt":0.2136126989373322,"score_spread":0.19120278655122924,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7164885544","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18769692,0.026322275,0.0014271332,0.06837078,0.0026355311,0.00006405083,0.00014406229,0.00009401296,0.7132452],"genre_scores_gemma":[0.92898715,0.0036531778,0.00035486135,0.0030741517,0.0006894851,0.00004005152,0.000034407247,0.000029586461,0.063137144],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994917,0.00020021433,0.000015492558,0.00004394151,0.00008843704,0.00016028224],"domain_scores_gemma":[0.99955016,0.00018334427,0.00005004644,0.00006681554,0.00004184425,0.00010781892],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013430165,0.000421555,0.0002276388,0.0013751115,0.015714193,0.0056304466,0.0006813406,0.0017987406,0.005569962],"category_scores_gemma":[0.0018064986,0.0001727403,0.00020959912,0.0017064372,0.02402519,0.003546411,0.0026194856,0.004079986,0.00023788917],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025780173,0.000013250629,0.0005185212,0.00007085179,0.0000044376175,0.000616481,0.11299868,0.00016876984,0.00015909394,0.85122275,0.026135417,0.00806585],"study_design_scores_gemma":[0.000025478645,0.000037602495,0.005077041,0.00023573052,0.000015771828,0.00048989913,0.060038242,0.0004885485,0.00051115867,0.09442509,0.8386193,0.00003611957],"about_ca_topic_score_codex":0.027183546,"about_ca_topic_score_gemma":0.071350195,"teacher_disagreement_score":0.027183546,"about_ca_system_score_codex":0.007613053,"about_ca_system_score_gemma":0.005764899,"threshold_uncertainty_score":0.055236816},"labels":[],"label_agreement":null},{"id":"W7165006726","doi":"10.4324/9781003091189-24","title":"Misha [Nogha/Chocholak] (1955–)","year":2022,"lang":"en","type":"book-chapter","venue":"","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dystopia; Trickster; Indigenous; Posthuman; Politics; White (mutation); Girl; Cultural studies; Perspective (graphical)","score_opus":0.05058295546943405,"score_gpt":0.21095525780234572,"score_spread":0.16037230233291166,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7165006726","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08870078,0.018502576,0.002106677,0.008351081,0.007035307,0.00018640971,0.00073124334,0.0002358355,0.87415],"genre_scores_gemma":[0.2868912,0.006002094,0.002188211,0.0023748581,0.000429665,0.000095377756,0.0002580831,0.00022372528,0.7015367],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99981123,0.00003060882,0.0000132452105,0.00004341517,0.000051437793,0.0000500262],"domain_scores_gemma":[0.9998118,0.000047562866,0.000029349898,0.000015300326,0.000062862186,0.00003318682],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002587659,0.00045614346,0.00017629525,0.00086529396,0.0057952553,0.0016715466,0.0003807353,0.0007565831,0.02177202],"category_scores_gemma":[0.0007262266,0.0002706832,0.00012791117,0.0006304525,0.001968063,0.0015137915,0.0013896445,0.0015652701,0.0049887747],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00033466626,0.00011527678,0.0044998783,0.0010337537,0.000031487096,0.0033990375,0.0981161,0.00022352368,0.0097774975,0.25801915,0.3462102,0.2782395],"study_design_scores_gemma":[0.0000033560052,0.000017287539,0.002080271,0.00007757068,0.0000044194708,0.00042183395,0.0051180855,0.000023964089,0.0005641412,0.0010077892,0.9906674,0.00001389632],"about_ca_topic_score_codex":0.016124541,"about_ca_topic_score_gemma":0.060860217,"teacher_disagreement_score":0.02177202,"about_ca_system_score_codex":0.0017187758,"about_ca_system_score_gemma":0.0015687116,"threshold_uncertainty_score":0.07283467},"labels":[],"label_agreement":null},{"id":"W7165855560","doi":"10.66121/9e8db662","title":"Intertextuality in Margaret Atwood’s The Robber Bride","year":2022,"lang":"","type":"article","venue":"","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Intertextuality; Mythology; Power (physics); Identity (music); Politics; Patriarchy; Male gaze","score_opus":0.03132731884217393,"score_gpt":0.2305971979608262,"score_spread":0.19926987911865227,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7165855560","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.41156685,0.0057143588,0.00178408,0.016350824,0.00058513327,0.00005500449,0.00009654749,0.000061892424,0.5637854],"genre_scores_gemma":[0.9319326,0.0009937006,0.00036215378,0.0012093456,0.000083898914,0.000027101207,0.000025361544,0.00008135718,0.06528443],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99811965,0.0010566536,0.000029941213,0.00015148,0.00030950934,0.00033277913],"domain_scores_gemma":[0.99918944,0.00031657107,0.00009409916,0.000060659866,0.00011340603,0.0002258202],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00093595014,0.00041250134,0.00033472152,0.0011261383,0.025263822,0.008236593,0.0008734339,0.0017703259,0.008650212],"category_scores_gemma":[0.0023520598,0.00037928548,0.00017457613,0.0011954249,0.022098359,0.0026256272,0.00587546,0.0037906507,0.000746444],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000046166875,0.000032416785,0.00068888563,0.00007026589,0.0000060258485,0.0021562472,0.788653,0.000053106185,0.00065442594,0.18981755,0.011532951,0.006288916],"study_design_scores_gemma":[0.000007048764,0.000031805543,0.0017915708,0.0002391023,0.000009303534,0.0012205084,0.51383346,0.00006539306,0.0005681347,0.004967141,0.47723222,0.000034301647],"about_ca_topic_score_codex":0.1517921,"about_ca_topic_score_gemma":0.2826198,"teacher_disagreement_score":0.1517921,"about_ca_system_score_codex":0.00973194,"about_ca_system_score_gemma":0.0039056744,"threshold_uncertainty_score":0.30181718},"labels":[],"label_agreement":null},{"id":"W72447597","doi":"","title":"\"That Is What I Told Dr. Jordan...\": Public Constructions and Private Disruptions in Margaret Atwood's Alias Grace","year":2004,"lang":"en","type":"article","venue":"Essays on Canadian writing","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":9,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Alias; Sociology; History; Genealogy; Computer science; Database","score_opus":0.04415058332012267,"score_gpt":0.24263088787234172,"score_spread":0.19848030455221904,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W72447597","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0142121175,0.0070694075,0.0007297081,0.7416934,0.003509527,0.00002206381,0.00010725599,0.00009207601,0.23256448],"genre_scores_gemma":[0.48727387,0.005373186,0.0007539034,0.17789017,0.001870852,0.000055030363,0.00006457539,0.00032775768,0.32639065],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9973694,0.0007815755,0.000036440506,0.00018895524,0.0008539706,0.00076962565],"domain_scores_gemma":[0.99690443,0.0012775679,0.00019545111,0.00012984671,0.00069009466,0.0008025406],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0025961464,0.00045310642,0.00030617215,0.00080868555,0.048897944,0.0100187,0.001263637,0.006407105,0.0075847604],"category_scores_gemma":[0.008294461,0.00028134976,0.00025819393,0.00143641,0.034746602,0.004754523,0.0030929497,0.011490739,0.0012400723],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022227721,0.000011723221,0.00029174855,0.000036230347,0.0000038560875,0.0003498406,0.14493737,0.00007148279,0.00015183401,0.27995616,0.56832254,0.00584496],"study_design_scores_gemma":[0.0000065713157,0.0000037694817,0.00065982126,0.000111184825,0.0000042930264,0.00013522,0.107523255,0.00005689997,0.00017936871,0.018588196,0.87270653,0.000024852498],"about_ca_topic_score_codex":0.71981794,"about_ca_topic_score_gemma":0.8362894,"teacher_disagreement_score":0.28018206,"about_ca_system_score_codex":0.03479708,"about_ca_system_score_gemma":0.030073,"threshold_uncertainty_score":0.5636642},"labels":[],"label_agreement":null},{"id":"W763168535","doi":"","title":"Facets of the Apocalypse in J. G. Ballard's Early Novels","year":2014,"lang":"en","type":"article","venue":"Linguistic and Philosophical Investigations","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Civilization; History; Literature; Atmosphere (unit); Character (mathematics); Art history; Art; Geography; Archaeology; Meteorology","score_opus":0.03992440321435136,"score_gpt":0.2316387820531548,"score_spread":0.19171437883880343,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W763168535","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12718056,0.04193043,0.0035200103,0.15489356,0.01349527,0.0000700133,0.00013743216,0.0002161526,0.6585566],"genre_scores_gemma":[0.83221567,0.009175427,0.0009921829,0.00771168,0.0031283845,0.000060984687,0.000041639654,0.00025283574,0.14642113],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99780077,0.001190794,0.000041491545,0.00020564963,0.00047788667,0.00028336266],"domain_scores_gemma":[0.997743,0.0012775663,0.00024520268,0.00012937574,0.0002954264,0.0003093436],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022886961,0.00055177795,0.0003781107,0.0012353831,0.012711004,0.008052372,0.0008630357,0.0018572984,0.0058881096],"category_scores_gemma":[0.0052574794,0.00034489908,0.00019051992,0.0011546534,0.02075805,0.0035406542,0.003329038,0.0043279645,0.0007679584],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008355739,0.000041961353,0.000318381,0.0002077636,0.000009173392,0.0016971376,0.335057,0.00011803287,0.0006532075,0.48998284,0.15897782,0.012853266],"study_design_scores_gemma":[0.000008296344,0.000014398946,0.00050478417,0.00013184574,0.0000021017372,0.00065495406,0.022569858,0.000060548165,0.00017398727,0.00854971,0.9673163,0.0000130829],"about_ca_topic_score_codex":0.020890277,"about_ca_topic_score_gemma":0.039600704,"teacher_disagreement_score":0.020890277,"about_ca_system_score_codex":0.008796151,"about_ca_system_score_gemma":0.0022219191,"threshold_uncertainty_score":0.0638209},"labels":[],"label_agreement":null},{"id":"W765701697","doi":"","title":"Margaret Atwood, Maddaddam, Bloomsbury, 2013","year":2014,"lang":"en","type":"article","venue":"TRANSNATIONAL LITERATURE","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dystopia; Trilogy; Literature; Comics; Art; Adventure; History; MAGIC (telescope); Timeline; Art history; Aesthetics; Visual arts","score_opus":0.010757356201461914,"score_gpt":0.1998265132030593,"score_spread":0.18906915700159738,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W765701697","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0020330625,0.061478846,0.00063211285,0.089532316,0.012977168,0.000057194662,0.0014731332,0.00054835685,0.83126783],"genre_scores_gemma":[0.0025529577,0.007150329,0.00020839705,0.0032137795,0.00029043894,0.000012922395,0.00011868535,0.00010722021,0.98634523],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99948007,0.000042690983,0.000016230408,0.00009492287,0.00027611005,0.00009007203],"domain_scores_gemma":[0.9992849,0.00007009984,0.000024475543,0.000038978054,0.00028020606,0.00030147712],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005265102,0.00050465716,0.00028946152,0.0008678405,0.0064459033,0.004242308,0.0008929461,0.0016842267,0.20980884],"category_scores_gemma":[0.0016246848,0.000433623,0.00019067932,0.0012995012,0.0013821061,0.0025537543,0.002233187,0.0027845306,0.06087654],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006092546,0.000005909515,0.00007623295,0.00003501848,6.5161663e-7,0.000046282086,0.00039214798,0.000012429433,0.00008555307,0.0065884837,0.970959,0.021792259],"study_design_scores_gemma":[2.8636953e-7,7.8948904e-7,0.00013406001,0.000027689897,2.7006394e-7,0.000016301074,0.00017986597,0.0000032063992,0.000018418412,0.00012687696,0.999491,0.0000012813523],"about_ca_topic_score_codex":0.25308415,"about_ca_topic_score_gemma":0.61627114,"teacher_disagreement_score":0.25308415,"about_ca_system_score_codex":0.010624781,"about_ca_system_score_gemma":0.008679493,"threshold_uncertainty_score":0.70188046},"labels":[],"label_agreement":null},{"id":"W810509088","doi":"","title":"Generations of Canadian Women Alone Together in Margaret Atwood's the Blind Assassin","year":2010,"lang":"en","type":"article","venue":"Notes on Contemporary Literature","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Wife; Grandparent; Femininity; Portrait; Taste; Poetry; Decorum; Sociology; Gender studies; Art; Patriarchy; Literature; Art history; Psychology; Law; Political science","score_opus":0.03918121999930971,"score_gpt":0.2342228570942469,"score_spread":0.1950416370949372,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W810509088","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.66429627,0.017924886,0.00082938926,0.0747694,0.0030767035,0.0002321617,0.0009579042,0.00019359507,0.23771964],"genre_scores_gemma":[0.7903044,0.0078055635,0.0011387639,0.020054555,0.00024073916,0.000072769304,0.0003237736,0.00018557216,0.1798738],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982236,0.00025068928,0.000021154056,0.00014128503,0.00039907102,0.0009640923],"domain_scores_gemma":[0.9986313,0.00009770619,0.000067621295,0.00003251208,0.00041776945,0.0007531319],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00117557,0.0013341252,0.00081343594,0.0021359134,0.0988607,0.006561175,0.002444012,0.0039624716,0.01425756],"category_scores_gemma":[0.0021769332,0.00076428574,0.00063882937,0.0032802285,0.010884972,0.0027414123,0.006683762,0.005526444,0.0014081729],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007474547,0.00007840724,0.004578534,0.00007077548,0.000016112926,0.0043122256,0.88455117,0.000047170066,0.00050149416,0.009779973,0.07230973,0.023679692],"study_design_scores_gemma":[0.00000630054,0.000027045578,0.003918736,0.000114904855,0.000019744895,0.0010733717,0.72521317,0.00002742667,0.00017722308,0.00052595837,0.26883897,0.00005714083],"about_ca_topic_score_codex":0.98485816,"about_ca_topic_score_gemma":0.99588555,"teacher_disagreement_score":0.0988607,"about_ca_system_score_codex":0.07125963,"about_ca_system_score_gemma":0.060495347,"threshold_uncertainty_score":0.51702726},"labels":[],"label_agreement":null},{"id":"W831308579","doi":"","title":"Postcolonialism and Science Fiction by Jessica Langer (review)","year":2015,"lang":"en","type":"article","venue":"Science Fiction Film & Television","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Postcolonialism (international relations); Context (archaeology); Empire; Cultural studies; Colonialism; Field (mathematics); Media studies; Literary criticism; Narrative; Sci-Fi; History; Sociology; Literature; Art; Aesthetics; Art history; Social science; Fantasy; Anthropology","score_opus":0.03219448673678892,"score_gpt":0.27664725550363656,"score_spread":0.24445276876684763,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W831308579","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000028228387,0.9971156,0.0000073180986,0.0016171628,0.0009695114,0.0000012784363,0.0000031121529,0.0000013778536,0.00025635885],"genre_scores_gemma":[0.00069520465,0.99261206,0.000034613407,0.0030976154,0.0027587465,0.000007703405,0.000018421582,0.000002155243,0.0007735554],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994425,0.00015211216,0.000065467684,0.000101127254,0.00018266746,0.00005622662],"domain_scores_gemma":[0.9970709,0.0019410265,0.0003632883,0.000045235964,0.0003623456,0.00021712309],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012865921,0.00086553267,0.0010243728,0.0036847796,0.0006579583,0.0023161606,0.0012609187,0.0026259793,0.0043010474],"category_scores_gemma":[0.004176949,0.0003745854,0.00054694933,0.0047927783,0.00182718,0.003387561,0.0016512171,0.0038696926,0.0019348356],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000055217453,0.000041025283,0.0003058713,0.022975974,0.00008172643,0.0002475222,0.00068562356,0.0001120666,0.00016887374,0.004759078,0.53004164,0.44052538],"study_design_scores_gemma":[0.000015239357,0.000037166275,0.0014775768,0.0173302,0.00006028829,0.0010561991,0.00028380202,0.000034545392,0.00006651556,0.0014979211,0.97811764,0.000022911308],"about_ca_topic_score_codex":0.0040488965,"about_ca_topic_score_gemma":0.0064513506,"teacher_disagreement_score":0.0043010474,"about_ca_system_score_codex":0.0017614856,"about_ca_system_score_gemma":0.0027960432,"threshold_uncertainty_score":0.014388442},"labels":[],"label_agreement":null},{"id":"W850223982","doi":"","title":"'Many kinds of strong voices' : transnational encounters and literary ambassadorship in the fiction of Margaret Atwood and Hanan Al-Shaykh","year":2008,"lang":"en","type":"dissertation","venue":"UPT. Syiah Kuala University Library (Syiah Kuala University)","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Literature; History; Art","score_opus":0.012647208785115133,"score_gpt":0.17853423597622986,"score_spread":0.16588702719111473,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W850223982","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7676729,0.007917407,0.001838773,0.043203346,0.0020677166,0.000072700925,0.000047430498,0.000085101434,0.17709462],"genre_scores_gemma":[0.9781597,0.0009382534,0.00034858566,0.0016444866,0.00023237037,0.000034980618,0.000012269798,0.000061344785,0.018567989],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9958568,0.0027253574,0.000059746806,0.0002729614,0.0005151158,0.00057002157],"domain_scores_gemma":[0.9971794,0.001533402,0.00031249804,0.00011024764,0.00030673773,0.00055781426],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0035365452,0.001098234,0.0006330989,0.0014660436,0.03158133,0.0114481,0.001396562,0.0029848705,0.0030980795],"category_scores_gemma":[0.0054588555,0.00041252963,0.00036024285,0.00095633074,0.025217475,0.0054187393,0.006517526,0.004991393,0.00039846048],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025163286,0.000012103255,0.0004123785,0.000031716532,0.000004725517,0.0011898988,0.97223616,0.000018704244,0.00031711438,0.020332472,0.0030702676,0.0023493203],"study_design_scores_gemma":[0.000004546374,0.000023998879,0.00052490376,0.00011476226,0.0000056626413,0.0007241445,0.9077682,0.000054077664,0.00030930983,0.0017380263,0.0887192,0.000013163914],"about_ca_topic_score_codex":0.02083716,"about_ca_topic_score_gemma":0.037340984,"teacher_disagreement_score":0.03158133,"about_ca_system_score_codex":0.0067462036,"about_ca_system_score_gemma":0.0032647543,"threshold_uncertainty_score":0.048947334},"labels":[],"label_agreement":null},{"id":"W894879677","doi":"","title":"Brett Josef Grubisic, Gisele M. Baxter, and Tara Lee, Eds. Blast, Corrupt, Dismantle, Erase: Contemporary North American Dystopian Literature","year":2014,"lang":"en","type":"article","venue":"English studies in Canada","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dystopia; Utopia; Wonder; History; Irony; Defamiliarization; Literature; Art history; Aesthetics; Media studies; Sociology; Art; Philosophy","score_opus":0.0222019558894949,"score_gpt":0.2214709195957242,"score_spread":0.19926896370622932,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W894879677","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0012007545,0.8416724,0.00055949925,0.044195313,0.005284124,0.000015679874,0.00015420662,0.000130852,0.10678723],"genre_scores_gemma":[0.016434796,0.679118,0.0011944965,0.0084878,0.0029386643,0.00007544455,0.00031548121,0.00027430063,0.291161],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99930274,0.00017053542,0.000026461159,0.000094746414,0.00032542893,0.000080091784],"domain_scores_gemma":[0.9991037,0.0003259452,0.00008711527,0.00003920479,0.00028618178,0.00015785058],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008843283,0.0011725806,0.00089062925,0.0024032383,0.0040752226,0.0064949524,0.0012859164,0.0025915008,0.043043517],"category_scores_gemma":[0.0018020398,0.00089032773,0.00036891305,0.004962926,0.0030458565,0.00754195,0.0016243482,0.003967326,0.024502454],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012381755,0.000017615721,0.00021543533,0.00036244784,0.0000032592766,0.000061023067,0.003218718,0.000050257233,0.000091766226,0.014402859,0.91823936,0.06332489],"study_design_scores_gemma":[0.0000020153934,0.0000031613865,0.00075657206,0.0010442676,0.000004684246,0.00009021929,0.002885026,0.000025633242,0.000039876093,0.0042284126,0.99091256,0.000007573914],"about_ca_topic_score_codex":0.042353466,"about_ca_topic_score_gemma":0.092014305,"teacher_disagreement_score":0.043043517,"about_ca_system_score_codex":0.0047975634,"about_ca_system_score_gemma":0.0074336412,"threshold_uncertainty_score":0.14399493},"labels":[],"label_agreement":null},{"id":"W90962416","doi":"","title":"Identity, Complicity, and Resistance in The Handmaid's Tale*","year":2016,"lang":"en","type":"article","venue":"Utopian Studies","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":24,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dystopia; Complicity; Utopia; Politics; Feminism; Literature; Aesthetics; Sociology; Identity (music); History; Gender studies; Law; Philosophy; Art; Art history; Political science","score_opus":0.07789914293765975,"score_gpt":0.29642363832074314,"score_spread":0.21852449538308338,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W90962416","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08830397,0.033823695,0.0024360658,0.09783711,0.010168179,0.00007798428,0.000069632326,0.00010524892,0.7671781],"genre_scores_gemma":[0.8213937,0.004822934,0.00077096693,0.0140277585,0.002217233,0.00008738953,0.00004039235,0.00013253377,0.15650705],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981845,0.001126272,0.000019000674,0.00013421384,0.00030652026,0.00022940499],"domain_scores_gemma":[0.99876106,0.00078266306,0.00007094591,0.000042409258,0.00010083794,0.00024205225],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012706654,0.00055540475,0.00027514558,0.0008561547,0.014731846,0.008828963,0.0007345512,0.0016569628,0.0042413473],"category_scores_gemma":[0.003150094,0.00022107613,0.00015546058,0.00046002583,0.015651472,0.004189491,0.0037731938,0.004047157,0.00052778894],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000770391,0.00005968515,0.0007790423,0.00013308536,0.000007680563,0.0012459803,0.38981923,0.00010630727,0.00035862505,0.36055684,0.22403267,0.022823848],"study_design_scores_gemma":[0.0000067823644,0.000034039746,0.000826729,0.00023880722,0.0000039266642,0.0008027365,0.14650677,0.000103594764,0.0002449448,0.018325247,0.8328895,0.000016940612],"about_ca_topic_score_codex":0.009374364,"about_ca_topic_score_gemma":0.021212362,"teacher_disagreement_score":0.014731846,"about_ca_system_score_codex":0.0040202015,"about_ca_system_score_gemma":0.0018564962,"threshold_uncertainty_score":0.029168725},"labels":[],"label_agreement":null},{"id":"W912932241","doi":"","title":"Chapter Nine: Quests and Questions of Consciousness: Margaret Atwood's Post-Human Futures","year":2014,"lang":"en","type":"article","venue":"","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Consciousness; Sociology; Aesthetics; Oppression; Opposition (politics); Population; Epistemology; Politics; Political science; Art; Law; Philosophy","score_opus":0.012215740201999531,"score_gpt":0.2267184150181627,"score_spread":0.21450267481616317,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W912932241","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03404217,0.12187166,0.002025468,0.4669412,0.0144928135,0.000058626887,0.000049967166,0.00006483707,0.3604533],"genre_scores_gemma":[0.51329565,0.046621908,0.0016944829,0.06210664,0.00599483,0.000150451,0.000035960435,0.00020428989,0.36989582],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984469,0.00089377357,0.000029736942,0.00013627224,0.0003049402,0.00018844724],"domain_scores_gemma":[0.998097,0.00134802,0.000093458184,0.00006664539,0.00012996858,0.00026496855],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0030435594,0.0005757245,0.00045430532,0.0013590746,0.017098784,0.0105200345,0.0014313324,0.005579139,0.005844068],"category_scores_gemma":[0.0030958992,0.00032025127,0.0003801041,0.001156674,0.02370954,0.011192966,0.004470826,0.011067442,0.0011322475],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021194253,0.000045851248,0.00016093881,0.0001347409,0.0000028193938,0.0005602318,0.20768422,0.000048007307,0.000148832,0.66503745,0.11354916,0.012606538],"study_design_scores_gemma":[0.000004770847,0.000019656422,0.00031097626,0.0005508484,0.0000024386816,0.0004811458,0.08155243,0.000041849522,0.00015989986,0.06537104,0.8514894,0.000015576492],"about_ca_topic_score_codex":0.008621561,"about_ca_topic_score_gemma":0.02485182,"teacher_disagreement_score":0.017098784,"about_ca_system_score_codex":0.007844413,"about_ca_system_score_gemma":0.0031841407,"threshold_uncertainty_score":0.05691552},"labels":[],"label_agreement":null},{"id":"W976551925","doi":"","title":"Margaret Atwood: A Biography by Nathalie Cooke, and: The Red Shoes: Margaret Atwood Starting Out by Rosemary Sullivan (review)","year":2000,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Biography; Art; Art history; History","score_opus":0.008287232101920065,"score_gpt":0.18329386349479895,"score_spread":0.1750066313928789,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W976551925","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00009825882,0.82833743,0.00005041119,0.15087302,0.017003836,0.000007822055,0.000046244957,0.000008440486,0.0035745013],"genre_scores_gemma":[0.0029607941,0.73533684,0.00019093075,0.16115685,0.026054814,0.000066863075,0.0001129984,0.00004596295,0.07407394],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981579,0.00047369508,0.0000958448,0.00027457756,0.00078766164,0.00021030377],"domain_scores_gemma":[0.9950112,0.0019505222,0.00044457926,0.000098587625,0.0013017925,0.0011933785],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0027959584,0.0013488715,0.0012644081,0.0038265188,0.0048255296,0.0055480776,0.0020767832,0.007501477,0.019233877],"category_scores_gemma":[0.009350425,0.0007529305,0.0006295014,0.006710888,0.0034881583,0.007861295,0.0047910637,0.0074057267,0.00863683],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000053723784,0.0000045659876,0.000056665456,0.00029003568,0.0000034753896,0.000026407532,0.0003424349,0.000007014109,0.000012699167,0.0007289883,0.9876744,0.010847998],"study_design_scores_gemma":[0.0000043885243,0.0000041725625,0.00045639309,0.0009387917,0.000007510498,0.00012275351,0.00060807716,0.000003828637,0.000013651082,0.000517486,0.9973132,0.000009603435],"about_ca_topic_score_codex":0.07473385,"about_ca_topic_score_gemma":0.20039433,"teacher_disagreement_score":0.07473385,"about_ca_system_score_codex":0.006143921,"about_ca_system_score_gemma":0.00957501,"threshold_uncertainty_score":0.14859772},"labels":[],"label_agreement":null}]}