{"meta":{"query_hash":"6ebf3b79e6a2","filters":{"venue":"Études britanniques contemporaines"},"cohort_total":18,"direct_labels_cover":0,"predictions_cover":18,"exported":18,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/6ebf3b79e6a2","api":"https://metacan.xera.ac/api/v1/cohort?venue=%C3%89tudes+britanniques+contemporaines"},"results":[{"id":"W2166992599","doi":"10.4000/ebc.976","title":"Writing on the Borderline: Nathan Filer (The Shock of the Fall) and Marjorie Celona (Y)","year":2013,"lang":"fr","type":"article","venue":"Études britanniques contemporaines","topic":"Short Stories in Global Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.01575293445252226,"score_gpt":0.2207218569064992,"score_spread":0.20496892245397694,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2166992599","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03561234,0.038471606,0.0004461748,0.858803,0.014219414,0.000022555589,0.00008875425,0.00004802983,0.05228816],"genre_scores_gemma":[0.61233395,0.02982776,0.00083147053,0.22078182,0.005745014,0.0001003216,0.00008100849,0.00022951966,0.13006915],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99704933,0.0016542418,0.000074229916,0.00024424968,0.0005678542,0.00040999183],"domain_scores_gemma":[0.9964767,0.001195668,0.00041730964,0.00011527361,0.00076761795,0.0010273735],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0034909952,0.0007378043,0.00044286725,0.0011379345,0.019615782,0.008449042,0.001465606,0.0035127203,0.0068099243],"category_scores_gemma":[0.009302904,0.00039857844,0.00022864311,0.00096946594,0.023952425,0.006000842,0.0047268053,0.010725687,0.0014864433],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005807225,0.0000259959,0.0039782794,0.00022264945,0.000016977221,0.0017097391,0.3771919,0.000057225923,0.00025314966,0.087671645,0.5142592,0.014555106],"study_design_scores_gemma":[0.000010717126,0.000021560447,0.0040794327,0.00049907045,0.00000995061,0.0010061555,0.3294514,0.00006536984,0.000157853,0.00804698,0.6565901,0.00006137345],"about_ca_topic_score_codex":0.11064502,"about_ca_topic_score_gemma":0.16240579,"teacher_disagreement_score":0.11064502,"about_ca_system_score_codex":0.008499421,"about_ca_system_score_gemma":0.008061767,"threshold_uncertainty_score":0.220002},"labels":[],"label_agreement":null},{"id":"W2174492011","doi":"10.4000/ebc.2372","title":"« And in the sky, the dead and dancing sky, there are a million yesterdays » : l’horizon du passé dans City of the Mind de Penelope Lively","year":2011,"lang":"fr","type":"article","venue":"Études britanniques contemporaines","topic":"Historical Art and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.04873765102006245,"score_gpt":0.2202165755456281,"score_spread":0.17147892452556565,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2174492011","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20781204,0.0053243986,0.0025347492,0.044890612,0.0016704211,0.000044183333,0.00037381097,0.00014110419,0.73720866],"genre_scores_gemma":[0.69073766,0.0013263912,0.00047511945,0.0026988962,0.0003118698,0.000034645524,0.00011728514,0.00020740286,0.3040909],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993393,0.00025428378,0.0000095008345,0.000083368206,0.000094439005,0.00021908614],"domain_scores_gemma":[0.99961627,0.00009619505,0.00002965191,0.00003483887,0.000056665467,0.00016624691],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005878676,0.000347691,0.00025236784,0.0004856099,0.019173644,0.010038807,0.0007041435,0.0016023443,0.016554443],"category_scores_gemma":[0.00110405,0.00029454433,0.00022590409,0.0008722188,0.012659811,0.0042043533,0.0038948376,0.0046940395,0.0016887811],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007570633,0.00001899919,0.0013330785,0.00006640464,0.000006672588,0.00087593746,0.5994522,0.00008554069,0.0003782661,0.29071537,0.09442045,0.012571356],"study_design_scores_gemma":[0.0000062621534,0.000014817888,0.0023943807,0.000097710705,0.0000040048394,0.00016187082,0.18563688,0.000055010205,0.00021764905,0.0054201353,0.8059748,0.00001652068],"about_ca_topic_score_codex":0.11096188,"about_ca_topic_score_gemma":0.31087038,"teacher_disagreement_score":0.11096188,"about_ca_system_score_codex":0.008563102,"about_ca_system_score_gemma":0.0033100622,"threshold_uncertainty_score":0.22063202},"labels":[],"label_agreement":null},{"id":"W2322034632","doi":"10.4000/ebc.2350","title":"No ‘screaming and shrieking in the wind’: The Playfulness of Reticence in Graham Swift’s Last Orders, The Light of Day, and Tomorrow","year":2011,"lang":"en","type":"article","venue":"Études britanniques contemporaines","topic":"Language, Metaphor, and Cognition","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Novelis (Canada)","funders":"","keywords":"Swift; Humanities; Art; Silence; Philosophy; Physics; Astrophysics","score_opus":0.0324520701579889,"score_gpt":0.2708305080640886,"score_spread":0.2383784379060997,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2322034632","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7132677,0.004883637,0.004899795,0.019681929,0.001189441,0.000026964824,0.00005242729,0.0000685113,0.25592953],"genre_scores_gemma":[0.9868932,0.00051572215,0.00032302274,0.000889504,0.00007806832,0.00000849344,0.000010098894,0.000047822847,0.011233951],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99877626,0.0007151582,0.000023115705,0.000097058815,0.0002293574,0.00015910988],"domain_scores_gemma":[0.99866426,0.00081224117,0.00017335528,0.00009227944,0.00011456916,0.00014332295],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013856284,0.00034451982,0.00029289746,0.00046529487,0.0049261698,0.0041045365,0.0005858481,0.0018730093,0.0042537185],"category_scores_gemma":[0.0037794726,0.00023844915,0.00020484337,0.00038205093,0.019029642,0.0033160863,0.0024141208,0.0030307297,0.00048800968],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009329889,0.000024005762,0.0017566071,0.00012309724,0.000013008076,0.0007380982,0.87780553,0.00008815671,0.0027845441,0.10386786,0.0057577626,0.00694802],"study_design_scores_gemma":[0.000020236841,0.000081697784,0.014720789,0.00025781238,0.000023391813,0.0013962656,0.7170925,0.00036539132,0.0015928755,0.016991615,0.24735765,0.00009971386],"about_ca_topic_score_codex":0.006161299,"about_ca_topic_score_gemma":0.01454397,"teacher_disagreement_score":0.006161299,"about_ca_system_score_codex":0.0019180439,"about_ca_system_score_gemma":0.0007635516,"threshold_uncertainty_score":0.0142300725},"labels":[],"label_agreement":null},{"id":"W2461514454","doi":"10.4000/ebc.3213","title":"“Deafinitely Lodgean. . .”","year":2010,"lang":"fr","type":"article","venue":"Études britanniques contemporaines","topic":"Short Stories in Global Literature","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Quebec Rehabilitation Research Network","funders":"","keywords":"Art; Humanities","score_opus":0.016644243233798706,"score_gpt":0.2531238369767832,"score_spread":0.2364795937429845,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2461514454","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03176351,0.011916199,0.0021793104,0.08060155,0.004019006,0.000039358478,0.00028328184,0.00020678435,0.86899096],"genre_scores_gemma":[0.3175093,0.003592207,0.00081778446,0.025107417,0.0005656142,0.00006230458,0.00013609037,0.00018123444,0.652028],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989945,0.0004557482,0.000019754872,0.00012590665,0.00023492414,0.00016906338],"domain_scores_gemma":[0.99937755,0.00015249559,0.00007273183,0.000079303114,0.00018342749,0.00013454736],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010615475,0.00059660536,0.00023706953,0.0007553811,0.008347951,0.0056879725,0.0007060855,0.0019660785,0.029370422],"category_scores_gemma":[0.0028271396,0.00021526034,0.00017385668,0.0007394912,0.010940067,0.004106139,0.0031869097,0.004022618,0.009175543],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012228056,0.000036812155,0.0017187449,0.00024468114,0.000015536503,0.0007030193,0.20881787,0.00006306541,0.0014173036,0.42323408,0.3218197,0.04180678],"study_design_scores_gemma":[0.0000029132143,0.000009203868,0.00068720593,0.000078325895,0.000003030743,0.000120248405,0.019748336,0.000020418796,0.0001854079,0.0040295306,0.97510433,0.000011051701],"about_ca_topic_score_codex":0.021365145,"about_ca_topic_score_gemma":0.048606243,"teacher_disagreement_score":0.029370422,"about_ca_system_score_codex":0.003584277,"about_ca_system_score_gemma":0.0014796971,"threshold_uncertainty_score":0.098253846},"labels":[],"label_agreement":null},{"id":"W2484563791","doi":"10.4000/ebc.3209","title":"Voyage en Tasmanie ou l’hybridité éloquente dans English Passengers de Matthew Kneale","year":2010,"lang":"fr","type":"article","venue":"Études britanniques contemporaines","topic":"Travel Writing and Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.010309617262659797,"score_gpt":0.23215271302729376,"score_spread":0.22184309576463396,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2484563791","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.717045,0.0068512443,0.0015671516,0.010680708,0.00095031026,0.000023810797,0.00012949381,0.00006600739,0.2626861],"genre_scores_gemma":[0.9390722,0.0008439406,0.00023306356,0.00042239204,0.000100967314,0.000008307503,0.000027502681,0.000055475095,0.059236076],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994222,0.00024084015,0.000015097652,0.000083137325,0.00009604365,0.00014265007],"domain_scores_gemma":[0.99966836,0.00009723486,0.000056914523,0.000018231267,0.00007080128,0.000088481946],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006896487,0.00033898963,0.00021492975,0.0003936341,0.0068257716,0.0032375108,0.00033842179,0.0007613465,0.0055469335],"category_scores_gemma":[0.0012682847,0.00029797407,0.00011639974,0.00058136,0.005422053,0.002067177,0.0016979987,0.0022840751,0.0008607428],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006949888,0.000011685411,0.0024479863,0.00006325544,0.0000048074835,0.0009726743,0.8900326,0.00004352984,0.00093130505,0.086392656,0.0107197175,0.008310351],"study_design_scores_gemma":[0.000008698285,0.000060625818,0.0101843,0.00018110801,0.000012058189,0.0010830528,0.3436907,0.00013024134,0.0005655096,0.0022847303,0.6417694,0.000029561883],"about_ca_topic_score_codex":0.062407177,"about_ca_topic_score_gemma":0.14055529,"teacher_disagreement_score":0.062407177,"about_ca_system_score_codex":0.0033630435,"about_ca_system_score_gemma":0.0016053154,"threshold_uncertainty_score":0.12408781},"labels":[],"label_agreement":null},{"id":"W2503254195","doi":"10.4000/16cfl","title":"Maternal Ethics in A.S. Byatt’s Still Life","year":2003,"lang":"","type":"article","venue":"Études britanniques contemporaines","topic":"Hermeneutics and Narrative Identity","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.09196101885282001,"score_gpt":0.30293859402072726,"score_spread":0.21097757516790724,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2503254195","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1077773,0.029809205,0.0035799383,0.22260362,0.0024354118,0.000037251655,0.00005002624,0.00004415541,0.63366306],"genre_scores_gemma":[0.82430196,0.007449685,0.0007659323,0.009881359,0.00026082556,0.000035887726,0.000012834404,0.00004168603,0.15724982],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981516,0.001186967,0.000033592314,0.00013067854,0.00022086238,0.000276319],"domain_scores_gemma":[0.99836034,0.0009966445,0.00015602323,0.000080120255,0.00019326438,0.00021355745],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0024077513,0.00031254697,0.00020743997,0.0005156327,0.012870131,0.004920589,0.00044484044,0.0032442794,0.0049640345],"category_scores_gemma":[0.0025990077,0.00019725348,0.000116543335,0.0005925072,0.024985917,0.0025209829,0.0028270385,0.0034446206,0.0007480098],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013449275,0.0000057828615,0.00024009573,0.000025764566,8.644715e-7,0.00015611085,0.10612541,0.00003204844,0.00013387013,0.87664014,0.012055537,0.0045709726],"study_design_scores_gemma":[0.000006835283,0.00003459481,0.0010802068,0.00019018621,0.000005952323,0.00029317915,0.056190956,0.00009383348,0.0004615312,0.09174788,0.8498763,0.00001859251],"about_ca_topic_score_codex":0.032263383,"about_ca_topic_score_gemma":0.06580337,"teacher_disagreement_score":0.032263383,"about_ca_system_score_codex":0.008566604,"about_ca_system_score_gemma":0.0059752273,"threshold_uncertainty_score":0.06415123},"labels":[],"label_agreement":null},{"id":"W2507583637","doi":"10.4000/1204f","title":"Les Lieux du Temps : contours du moi dans l’autobiographie et le journal de Woolf","year":2005,"lang":"fr","type":"article","venue":"Études britanniques contemporaines","topic":"Evelyn Waugh and Hans Urs von Balthasar Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Saint Paul University","funders":"","keywords":"Humanities; Art; Topos theory; Philosophy; Literature","score_opus":0.036366464920358055,"score_gpt":0.26664153116822525,"score_spread":0.2302750662478672,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2507583637","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.37131038,0.039502908,0.0009481701,0.040377427,0.0021373548,0.000028614375,0.00014981085,0.00005414774,0.5454912],"genre_scores_gemma":[0.93907744,0.003997705,0.00019155457,0.0010378947,0.0003566634,0.000011635443,0.000020507645,0.000031700645,0.055274956],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985258,0.00075405126,0.00004014481,0.00013215982,0.0002797466,0.00026820606],"domain_scores_gemma":[0.99747986,0.0013568362,0.00029135434,0.0001415038,0.0002810336,0.0004495292],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001649516,0.0002793904,0.00019277814,0.0017307453,0.011534124,0.01040364,0.000498571,0.0013535518,0.009075285],"category_scores_gemma":[0.00325398,0.00024463717,0.00009469295,0.0019469489,0.021306574,0.0043834895,0.002009187,0.0022389637,0.0004471722],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000055854078,0.000022387603,0.0022643835,0.00011448977,0.0000048469997,0.00047647083,0.750312,0.000049368577,0.00047052716,0.21817291,0.013494374,0.014562417],"study_design_scores_gemma":[0.0000068794084,0.000031475403,0.014220115,0.00034002092,0.0000064458636,0.00031451834,0.29959437,0.00005485541,0.00028480342,0.008902048,0.67621475,0.000029730058],"about_ca_topic_score_codex":0.07298077,"about_ca_topic_score_gemma":0.17342378,"teacher_disagreement_score":0.07298077,"about_ca_system_score_codex":0.009420859,"about_ca_system_score_gemma":0.0038674816,"threshold_uncertainty_score":0.14511192},"labels":[],"label_agreement":null},{"id":"W2519124669","doi":"10.4000/ebc.3719","title":"Table ronde: Doris Lessing Introduction","year":2009,"lang":"fr","type":"article","venue":"Études britanniques contemporaines","topic":"Historical Linguistics and Language Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Workplace Health, Safety and Compensation Commission","funders":"","keywords":"Doris (gastropod); Table (database); Art; Art history; Computer science; Database","score_opus":0.026226950052633674,"score_gpt":0.26099696619591334,"score_spread":0.23477001614327966,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2519124669","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0018597611,0.06502148,0.000809954,0.11800489,0.15847397,0.000060307542,0.0010925373,0.00043852726,0.65423846],"genre_scores_gemma":[0.016645694,0.017432913,0.0003124153,0.010403039,0.018907703,0.0000551502,0.00025979942,0.00030990777,0.93567336],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994868,0.000108978755,0.000019138364,0.0001386729,0.000177824,0.00006858825],"domain_scores_gemma":[0.999298,0.00020230966,0.00004905606,0.000046866975,0.00021522818,0.00018851833],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005057616,0.00076655677,0.00054286805,0.0013627608,0.0031380784,0.0037598708,0.00069189124,0.0014499127,0.15245076],"category_scores_gemma":[0.0023999573,0.0002777157,0.00017725177,0.00094228645,0.0010428692,0.0023062814,0.0023427657,0.0027300348,0.052462555],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013581117,0.0000060126686,0.000048140195,0.000053979646,9.236012e-7,0.00005490547,0.00038031364,0.000020878058,0.00011385274,0.010192228,0.9737516,0.015363533],"study_design_scores_gemma":[5.572016e-7,0.0000017321005,0.00005902287,0.000047827773,2.6019282e-7,0.000031269836,0.000120923796,0.000004662688,0.000028756262,0.00034922338,0.9993542,0.0000016648935],"about_ca_topic_score_codex":0.0043203905,"about_ca_topic_score_gemma":0.008811188,"teacher_disagreement_score":0.15245076,"about_ca_system_score_codex":0.002325918,"about_ca_system_score_gemma":0.0012094595,"threshold_uncertainty_score":0.50999856},"labels":[],"label_agreement":null},{"id":"W2519250220","doi":"10.4000/14iou","title":"Nostalgia and Modernism: Sassoon’s Path[ology] back to the Present","year":2004,"lang":"en","type":"article","venue":"Études britanniques contemporaines","topic":"Nostalgia and Consumer Behavior","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Nipissing University","funders":"","keywords":"Humanities; Art; Modernism (music); Representation (politics); Art history; Politics; Political science","score_opus":0.04133741925969627,"score_gpt":0.3177058351770137,"score_spread":0.2763684159173174,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2519250220","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19677754,0.04485356,0.0022608181,0.11714746,0.0034064085,0.000021395677,0.0000819858,0.000084992695,0.6353658],"genre_scores_gemma":[0.9442592,0.008872837,0.00031917042,0.0045156023,0.00074093655,0.000009995535,0.000016337652,0.000041385596,0.04122443],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9995547,0.00018192938,0.000014500823,0.00005060841,0.00009384887,0.00010436721],"domain_scores_gemma":[0.999329,0.0002660179,0.000104666055,0.000064447595,0.00011351688,0.00012240343],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00065340317,0.00022845635,0.00017928644,0.00058943883,0.004649382,0.0040944656,0.0004993722,0.0010861037,0.0036552867],"category_scores_gemma":[0.001531232,0.00011244309,0.0001087394,0.0010230518,0.021350648,0.0025855852,0.0019599893,0.003492794,0.00034843897],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004372819,0.00003239843,0.00084394874,0.00009560993,0.0000052968085,0.00039246396,0.13624997,0.00006215669,0.00044937915,0.8374155,0.014238099,0.0101713715],"study_design_scores_gemma":[0.000009117245,0.000041822022,0.0020776787,0.000161324,0.000006656357,0.0007153431,0.052542083,0.00014609394,0.00030522264,0.104952976,0.8390191,0.000022507713],"about_ca_topic_score_codex":0.0123458,"about_ca_topic_score_gemma":0.025128271,"teacher_disagreement_score":0.0123458,"about_ca_system_score_codex":0.0038617784,"about_ca_system_score_gemma":0.0023699214,"threshold_uncertainty_score":0.028019369},"labels":[],"label_agreement":null},{"id":"W2536303826","doi":"10.4000/ebc.4130","title":"The Multiple Meanings of The Cleft (2007) by Doris Lessing","year":2009,"lang":"en","type":"article","venue":"Études britanniques contemporaines","topic":"Caribbean and African Literature and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Workplace Health, Safety and Compensation Commission","funders":"","keywords":"Narrative; Rewriting; Presentation (obstetrics); History; Literature; Art; Psychoanalysis; Aesthetics; Psychology; Medicine; Computer science","score_opus":0.01469000747438197,"score_gpt":0.2129814301924537,"score_spread":0.1982914227180717,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2536303826","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.033744205,0.17856473,0.004044591,0.3187923,0.008354083,0.000035369787,0.0001590544,0.000095721356,0.45620996],"genre_scores_gemma":[0.7394168,0.06150425,0.002851676,0.027209034,0.0032748673,0.00009859297,0.00008825806,0.00024746804,0.16530915],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987803,0.0007370761,0.000031429692,0.00014166614,0.0002127265,0.000096698976],"domain_scores_gemma":[0.9990183,0.00059506425,0.000085063526,0.00006008597,0.00014945696,0.00009206019],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016691064,0.00053005666,0.00024258462,0.00092768896,0.007502432,0.0073905545,0.00078210357,0.001975571,0.0051489724],"category_scores_gemma":[0.0033443086,0.00028416282,0.00013016854,0.0008905631,0.013230576,0.0079182815,0.003851132,0.004146612,0.0011164955],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037226713,0.000019265173,0.00047211518,0.00015441628,0.0000052690257,0.00030145445,0.1180428,0.00006688467,0.00016647982,0.6593873,0.1888448,0.03250201],"study_design_scores_gemma":[0.000007063258,0.000008682606,0.00047056878,0.0005524082,0.0000062359795,0.0004936959,0.051705047,0.00010983429,0.00025094178,0.06183831,0.8845405,0.000016662505],"about_ca_topic_score_codex":0.014519428,"about_ca_topic_score_gemma":0.027517667,"teacher_disagreement_score":0.014519428,"about_ca_system_score_codex":0.0035805881,"about_ca_system_score_gemma":0.0028577226,"threshold_uncertainty_score":0.028869808},"labels":[],"label_agreement":null},{"id":"W2771968547","doi":"10.4000/ebc.3851","title":"Baring Lives in ‘A Tale Told by Moonlight’ (1921): An Ambiguous Story of Vulnerability and Dispossession","year":2017,"lang":"en","type":"article","venue":"Études britanniques contemporaines","topic":"Postcolonial and Cultural Literary Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Hatch (Canada)","funders":"","keywords":"Moonlight; Possession (linguistics); Humanities; Art; Exposition (narrative); Narrative; Philosophy; Literature; Physics","score_opus":0.03722682030007138,"score_gpt":0.28279098757772586,"score_spread":0.24556416727765448,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2771968547","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.67095166,0.007134482,0.0019811022,0.034076154,0.00085930334,0.00004732327,0.000107365806,0.00006572693,0.28477696],"genre_scores_gemma":[0.9663454,0.0010062492,0.00026758757,0.0014638705,0.00009277843,0.0000201944,0.000017398252,0.000055964374,0.030730488],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99840385,0.00092206214,0.000021676336,0.000108136584,0.00021846357,0.0003257843],"domain_scores_gemma":[0.99890196,0.0006781897,0.00010246283,0.000052893047,0.00008324745,0.00018127043],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017643372,0.00051569386,0.00035878413,0.0014052894,0.023171607,0.006230485,0.00089509354,0.0028057508,0.004666635],"category_scores_gemma":[0.00353851,0.00036326444,0.00021737047,0.0012509438,0.029085593,0.0044155307,0.0055474257,0.0043586744,0.00044897763],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028009494,0.000008267849,0.0004614573,0.000038417642,0.0000034810723,0.0007299428,0.95016795,0.000029996258,0.0002905149,0.03989975,0.0052431156,0.0030991328],"study_design_scores_gemma":[0.000006124693,0.000030824292,0.0032699406,0.00021460261,0.000008395416,0.00065292907,0.7098488,0.000069346584,0.0004153433,0.0067168195,0.2787311,0.000035776146],"about_ca_topic_score_codex":0.061198637,"about_ca_topic_score_gemma":0.13482206,"teacher_disagreement_score":0.061198637,"about_ca_system_score_codex":0.007366293,"about_ca_system_score_gemma":0.0021340887,"threshold_uncertainty_score":0.12168485},"labels":[],"label_agreement":null},{"id":"W2904979023","doi":"10.4000/ebc.4663","title":"Lyme Regis Revisited: The Geological Landscape in Joan Thomas’s Curiosity, A Love Story","year":2018,"lang":"fr","type":"article","venue":"Études britanniques contemporaines","topic":"Short Stories in Global Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy; Art history","score_opus":0.025576881679347248,"score_gpt":0.26780024572242,"score_spread":0.24222336404307276,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2904979023","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.36109206,0.035256144,0.00056255906,0.23017278,0.0013354752,0.00001885507,0.000092273796,0.000053818825,0.37141603],"genre_scores_gemma":[0.9525866,0.004878768,0.00006767216,0.0073760203,0.00024359854,0.000015506474,0.00001272381,0.000045516117,0.03477362],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99814796,0.0011872809,0.00002046921,0.000098343604,0.00018448486,0.00036155773],"domain_scores_gemma":[0.99845624,0.0008602646,0.00014374159,0.00007117151,0.00010304138,0.00036540572],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016965372,0.00043682053,0.00030814175,0.0014299857,0.021358032,0.00907372,0.00088671944,0.00317879,0.005275991],"category_scores_gemma":[0.0028698263,0.0003131387,0.00014908193,0.001894081,0.0431739,0.0046961405,0.004519352,0.0058361804,0.0005538371],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020148878,0.000010753429,0.00066980213,0.0000490731,0.0000042225483,0.0009131562,0.80640507,0.000054783854,0.00013236995,0.16723734,0.021716606,0.0027866722],"study_design_scores_gemma":[0.000005523206,0.000011392895,0.0017786177,0.00018000015,0.0000059528916,0.00042690104,0.55933595,0.000039337792,0.00014544751,0.0121585075,0.42589137,0.000021051725],"about_ca_topic_score_codex":0.08476158,"about_ca_topic_score_gemma":0.19397959,"teacher_disagreement_score":0.08476158,"about_ca_system_score_codex":0.011709729,"about_ca_system_score_gemma":0.0040053083,"threshold_uncertainty_score":0.16853642},"labels":[],"label_agreement":null},{"id":"W2990952593","doi":"10.4000/ebc.7454","title":"A Far Cry from Emma Bovary: A Critique of Rancière—and a Tribute to Rebecca","year":2019,"lang":"fr","type":"article","venue":"Études britanniques contemporaines","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"ECW Press (Canada)","funders":"","keywords":"Humanities; Philosophy; Art history; Art","score_opus":0.02425937350672066,"score_gpt":0.2788669058357089,"score_spread":0.25460753232898825,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2990952593","genre_codex":"other","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.020024229,0.05072936,0.0011212974,0.20944472,0.0020587854,0.000046554826,0.0001080889,0.000059526417,0.7164075],"genre_scores_gemma":[0.432871,0.014402653,0.0015456809,0.068569,0.0006476328,0.00015468687,0.00007593082,0.00022691833,0.4815065],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99796885,0.00076482876,0.000029398652,0.00028981935,0.0004584933,0.000488649],"domain_scores_gemma":[0.9989116,0.00035670228,0.00005722016,0.00007629307,0.00040280554,0.00019532573],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020079538,0.00066920754,0.00062683964,0.0015607346,0.019355636,0.007564068,0.002707443,0.0043944013,0.012507467],"category_scores_gemma":[0.0033553552,0.0003331609,0.00031512132,0.0014681974,0.015761191,0.004213859,0.0024320255,0.0082689505,0.0011036169],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003499338,0.00001673808,0.0005866893,0.00011523365,0.000008126631,0.00028171856,0.025311342,0.00014934546,0.00015912773,0.7905987,0.16652212,0.016215859],"study_design_scores_gemma":[0.00001182005,0.000009666832,0.0019820163,0.0006206005,0.000012482424,0.00011728753,0.016739042,0.00024042508,0.0001299326,0.024757689,0.955326,0.000053038086],"about_ca_topic_score_codex":0.89709634,"about_ca_topic_score_gemma":0.95311606,"teacher_disagreement_score":0.89709634,"about_ca_system_score_codex":0.046539783,"about_ca_system_score_gemma":0.023480933,"threshold_uncertainty_score":0.33767134},"labels":[],"label_agreement":null},{"id":"W3092950491","doi":"10.4000/ebc.9793","title":"The Scrambled Script: Contingency and Necessity in Iris Murdoch’s The Green Knight","year":2020,"lang":"en","type":"article","venue":"Études britanniques contemporaines","topic":"Philosophy and Literary Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"St. Peter's Hospital","funders":"","keywords":"Humanities; Philosophy; Knight; Art; Physics","score_opus":0.04652909254433258,"score_gpt":0.2299576308483132,"score_spread":0.18342853830398062,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3092950491","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15045397,0.003858555,0.010426504,0.012666215,0.0006620884,0.000050545652,0.00007185685,0.00010772177,0.8217025],"genre_scores_gemma":[0.93062156,0.00039281568,0.0015507524,0.0006745135,0.00008164466,0.000020555291,0.000017986718,0.000053990036,0.066586144],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989625,0.0005288357,0.00003694272,0.00018441876,0.00015822024,0.00012899896],"domain_scores_gemma":[0.9990345,0.0005664467,0.00009331297,0.00012957124,0.00010359444,0.000072461065],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009672951,0.00027966837,0.00020436382,0.0003982666,0.0056577725,0.0034541946,0.0004597858,0.0008812013,0.005223093],"category_scores_gemma":[0.0030372317,0.00022672709,0.00011984745,0.00037457506,0.016377525,0.0024429348,0.0022330245,0.0024101462,0.0006591339],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031170555,0.0000065431686,0.0003710286,0.000034161756,0.0000021860467,0.00027850192,0.09121317,0.00009406914,0.00037543688,0.8926995,0.0051399134,0.009754382],"study_design_scores_gemma":[0.000027013122,0.000052917785,0.003967506,0.0002234597,0.000014929592,0.0004899795,0.038094047,0.00054258294,0.0012958696,0.1485343,0.80669844,0.000058971254],"about_ca_topic_score_codex":0.0278608,"about_ca_topic_score_gemma":0.061899964,"teacher_disagreement_score":0.0278608,"about_ca_system_score_codex":0.0054470035,"about_ca_system_score_gemma":0.0022000829,"threshold_uncertainty_score":0.055397272},"labels":[],"label_agreement":null},{"id":"W4224107288","doi":"10.4000/ebc.11793","title":"Renaissances, Resurrections and Rewritings: A Neo-Victorian Poetics of Exhumation","year":2022,"lang":"fr","type":"article","venue":"Études britanniques contemporaines","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Nexen (Canada)","funders":"","keywords":"Poetics; Art; Literature; History; Poetry","score_opus":0.02583646849145139,"score_gpt":0.2447052116705268,"score_spread":0.21886874317907543,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4224107288","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12855057,0.01592439,0.02517958,0.02014866,0.0019628066,0.00007123538,0.000053387343,0.00017264193,0.8079367],"genre_scores_gemma":[0.9034451,0.0017935024,0.002424432,0.0008714215,0.00024990583,0.000041523705,0.000013991366,0.00015736102,0.0910028],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99634165,0.0025123165,0.000062887026,0.00026838132,0.0004587384,0.0003560772],"domain_scores_gemma":[0.9986778,0.0006630298,0.00014321312,0.00024221542,0.00016690094,0.000106844105],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0034121806,0.0005123507,0.0003491449,0.0008511762,0.007807381,0.007315676,0.0012953534,0.0019156311,0.00349965],"category_scores_gemma":[0.0045674103,0.00029674766,0.00028893683,0.000705914,0.034685474,0.007122211,0.0047576535,0.0034534629,0.00057894445],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021277612,0.000009836028,0.00010472129,0.000044633427,0.0000026172222,0.00023489218,0.104385585,0.000067572924,0.0002919828,0.8868,0.0021848108,0.0058520897],"study_design_scores_gemma":[0.000019329418,0.000040410025,0.00044146267,0.00022719902,0.000009734564,0.0008773746,0.073766604,0.00041488768,0.0012553304,0.18462783,0.7382851,0.000034706693],"about_ca_topic_score_codex":0.004964529,"about_ca_topic_score_gemma":0.008832035,"teacher_disagreement_score":0.007807381,"about_ca_system_score_codex":0.004194495,"about_ca_system_score_gemma":0.002025663,"threshold_uncertainty_score":0.030433357},"labels":[],"label_agreement":null},{"id":"W4236975647","doi":"10.4000/ebc.2326","title":"Areti, Dragas, The Return of the Storyteller in Contemporary Fiction","year":2015,"lang":"fr","type":"article","venue":"Études britanniques contemporaines","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Institut Universitaire en Santé Mentale de Québec","funders":"","keywords":"Art; Literature; History; Art history","score_opus":0.10319025877336659,"score_gpt":0.2699079580200617,"score_spread":0.1667176992466951,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4236975647","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13420643,0.07182764,0.0012785502,0.045548018,0.0043329815,0.00004082552,0.00008783782,0.00010403183,0.7425737],"genre_scores_gemma":[0.90351665,0.011644034,0.00053137436,0.0023719906,0.0009063726,0.00003567993,0.00004099675,0.000088340676,0.080864556],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99894756,0.0006397297,0.000016550845,0.000115072915,0.0001425509,0.00013860654],"domain_scores_gemma":[0.999042,0.00057625066,0.00009137068,0.0000761771,0.0001126585,0.00010155276],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001229509,0.0006953666,0.00024642568,0.0018668497,0.013093108,0.009387583,0.000725013,0.0019307138,0.0025895012],"category_scores_gemma":[0.0022570214,0.00023814471,0.000140132,0.0014338011,0.017630361,0.0041125026,0.002375174,0.003177565,0.00068045285],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007028038,0.000031916377,0.00114039,0.00017360853,0.0000084389185,0.000754549,0.40470326,0.00008472461,0.0004882451,0.53021896,0.04297219,0.019353407],"study_design_scores_gemma":[0.000008853417,0.000024165667,0.0023823108,0.00027615053,0.000012965306,0.00084981386,0.07615122,0.000097765085,0.0005875086,0.024629643,0.89495707,0.000022613793],"about_ca_topic_score_codex":0.014214854,"about_ca_topic_score_gemma":0.028704211,"teacher_disagreement_score":0.014214854,"about_ca_system_score_codex":0.004916455,"about_ca_system_score_gemma":0.002117201,"threshold_uncertainty_score":0.03567159},"labels":[],"label_agreement":null},{"id":"W4310999326","doi":"10.4000/ebc.13024","title":"Speaking the City, Disrupting Its Discourses: How Poets like Suhaiymah Manzoor-Khan and Leeds Young Authors Are Reclaiming Britain’s Multicultural Cities","year":2022,"lang":"en","type":"article","venue":"Études britanniques contemporaines","topic":"Postcolonial and Cultural Literary Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Association for Canadian and Québec Literatures","funders":"","keywords":"Plural; Poetry; Multiculturalism; The Internet; Media studies; Sociology; Art; Literature; Linguistics; World Wide Web; Philosophy; Computer science","score_opus":0.054359252893401606,"score_gpt":0.25823232173787264,"score_spread":0.20387306884447104,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4310999326","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.72275054,0.0047790343,0.00106655,0.0288589,0.00082995143,0.0000295484,0.00005328155,0.00011376013,0.24151844],"genre_scores_gemma":[0.9663394,0.0008279837,0.00018089336,0.0012640689,0.00006811604,0.000011425543,0.000016641672,0.00010530327,0.031186111],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9978397,0.0013509184,0.00003773977,0.00014582965,0.00027219034,0.000353625],"domain_scores_gemma":[0.99812883,0.000830899,0.00018874562,0.0001511962,0.0002505424,0.0004497792],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023861136,0.0005339096,0.00033176693,0.0010457658,0.02413283,0.015439202,0.0010913975,0.002024707,0.0051114494],"category_scores_gemma":[0.003929925,0.0003784223,0.00019894853,0.0017809971,0.034040574,0.0050256206,0.00655295,0.003404681,0.0010598591],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001962204,0.0000072198186,0.0006818529,0.000026039317,0.000002449383,0.0004718598,0.9757342,0.000023725128,0.00026610965,0.014497564,0.0047343923,0.0035349042],"study_design_scores_gemma":[0.000005165176,0.000014022875,0.0012983006,0.000064146356,0.0000052817177,0.00020168257,0.8653745,0.00005135967,0.0002023677,0.0017810167,0.13098478,0.000017369908],"about_ca_topic_score_codex":0.103309415,"about_ca_topic_score_gemma":0.2069162,"teacher_disagreement_score":0.103309415,"about_ca_system_score_codex":0.008474294,"about_ca_system_score_gemma":0.00536057,"threshold_uncertainty_score":0.2054162},"labels":[],"label_agreement":null},{"id":"W4410942746","doi":"10.4000/141gi","title":"Opposition de classe et cycle de vie dans l’œuvre d’Alan Sillitoe et ses adaptations au cinéma","year":2025,"lang":"fr","type":"article","venue":"Études britanniques contemporaines","topic":"Political and Economic history of UK and US","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ministère de l’Emploi et de la Solidarité Sociale (Québec)","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.03160009233257444,"score_gpt":0.3225802251989212,"score_spread":0.2909801328663468,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410942746","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3569448,0.0066650636,0.0023631393,0.03537616,0.0011626165,0.000040048504,0.00007413518,0.000039192102,0.59733486],"genre_scores_gemma":[0.95983624,0.00124902,0.00024128205,0.00091935706,0.00010448175,0.000018867588,0.000011684222,0.000019895539,0.037599068],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999003,0.000501225,0.000019797213,0.00007303245,0.00015803573,0.00024492442],"domain_scores_gemma":[0.9990783,0.0005189851,0.00010643573,0.000043097447,0.00010760515,0.00014557947],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013136701,0.0003645315,0.00016700003,0.0007548738,0.0072491486,0.0053031696,0.0004986371,0.001224049,0.005233842],"category_scores_gemma":[0.0016709547,0.0001856586,0.00012873714,0.00060807186,0.015893789,0.0021555861,0.0018652503,0.0025968417,0.0003498269],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006992707,0.000012715492,0.0015362375,0.000090771355,0.000004439969,0.0002715945,0.43426308,0.00009817982,0.00077718165,0.5500262,0.0054779686,0.007371634],"study_design_scores_gemma":[0.000011996601,0.00003894557,0.013785747,0.00026513892,0.000018031267,0.0002658185,0.18132278,0.00026727095,0.00078086014,0.020306587,0.78287387,0.00006298635],"about_ca_topic_score_codex":0.06383994,"about_ca_topic_score_gemma":0.18922648,"teacher_disagreement_score":0.06383994,"about_ca_system_score_codex":0.009974063,"about_ca_system_score_gemma":0.0022136413,"threshold_uncertainty_score":0.12693673},"labels":[],"label_agreement":null}]}