{"meta":{"query_hash":"6a09b88ff147","filters":{"venue":"هرمس"},"cohort_total":2,"direct_labels_cover":0,"predictions_cover":2,"exported":2,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/6a09b88ff147","api":"https://metacan.xera.ac/api/v1/cohort?venue=%D9%87%D8%B1%D9%85%D8%B3"},"results":[{"id":"W4405164012","doi":"10.21608/herms.2016.395109","title":"La photographie, entre l'objectif et le subjectif","year":2016,"lang":"fr","type":"article","venue":"هرمس","topic":"Diverse Cultural and Historical Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Art; Humanities","score_opus":0.022717409566404265,"score_gpt":0.2570880236066134,"score_spread":0.23437061404020915,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405164012","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14062534,0.015997166,0.03108866,0.061654206,0.0020169471,0.00006494054,0.0001365971,0.00010690304,0.7483092],"genre_scores_gemma":[0.9675286,0.0028374256,0.0028810133,0.0014876061,0.00043712498,0.000039920367,0.000030502117,0.00007534644,0.024682483],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99484396,0.00317629,0.00016243143,0.00055987004,0.0009410107,0.00031627892],"domain_scores_gemma":[0.99443144,0.0038817606,0.000568607,0.0004401823,0.0005291324,0.00014873882],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005090901,0.00047115167,0.00041068153,0.0014950908,0.0048394077,0.009221843,0.00074838306,0.0014502918,0.005199002],"category_scores_gemma":[0.009736601,0.0003187034,0.00031040655,0.0014498865,0.044230733,0.011445137,0.0031815276,0.004013708,0.00058819994],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002346128,0.000009995293,0.0006602515,0.000091475405,0.0000057605703,0.00017622933,0.13831006,0.000028699425,0.0007338457,0.85013986,0.0015777913,0.008242478],"study_design_scores_gemma":[0.00003076457,0.00007844494,0.0067820977,0.0010996767,0.000031340725,0.000854083,0.25854236,0.00016312636,0.0023306303,0.27321568,0.45680803,0.00006375528],"about_ca_topic_score_codex":0.012465557,"about_ca_topic_score_gemma":0.010088815,"teacher_disagreement_score":0.012465557,"about_ca_system_score_codex":0.0041170046,"about_ca_system_score_gemma":0.0032941175,"threshold_uncertainty_score":0.029871047},"labels":[],"label_agreement":null},{"id":"W4405672399","doi":"10.21608/herms.2016.395901","title":"La Photographie au lieu de la description","year":2016,"lang":"fr","type":"article","venue":"هرمس","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Art","score_opus":0.1846323862769847,"score_gpt":0.3036147332561536,"score_spread":0.11898234697916893,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405672399","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.017627414,0.018989984,0.015296543,0.09267127,0.0122026745,0.000075562966,0.00024045876,0.0002339177,0.8426622],"genre_scores_gemma":[0.40747324,0.0136103695,0.005531468,0.013482782,0.0024745348,0.00011061205,0.00016781769,0.00041863098,0.55673057],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9987458,0.00062971417,0.000024031462,0.00012837962,0.00035410328,0.00011796955],"domain_scores_gemma":[0.9990522,0.00047711222,0.000060907034,0.00013319774,0.00019724247,0.000079401994],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010803271,0.0005119218,0.00017750396,0.00084884797,0.0046788817,0.0051900744,0.00054221496,0.0013700958,0.016681716],"category_scores_gemma":[0.003157389,0.00022001966,0.00026790623,0.00084427017,0.0073298602,0.0047857394,0.002107288,0.0042759357,0.0030209753],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005063843,0.000012129116,0.0003132033,0.00016978446,0.00000495973,0.0003314922,0.039495915,0.00012534494,0.0012625849,0.7698647,0.1700666,0.018302666],"study_design_scores_gemma":[0.000002266023,0.000008496247,0.00027580382,0.00009688034,0.0000022752502,0.00019091566,0.008559405,0.00007564292,0.0006842374,0.012265677,0.97782964,0.000008734594],"about_ca_topic_score_codex":0.012956024,"about_ca_topic_score_gemma":0.0343473,"teacher_disagreement_score":0.016681716,"about_ca_system_score_codex":0.00326922,"about_ca_system_score_gemma":0.0015964655,"threshold_uncertainty_score":0.055805862},"labels":[],"label_agreement":null}]}