{"meta":{"query_hash":"06d3da3f9724","filters":{"venue":"成功大學外國語文學系學位論文"},"cohort_total":3,"direct_labels_cover":0,"predictions_cover":3,"exported":3,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/06d3da3f9724","api":"https://metacan.xera.ac/api/v1/cohort?venue=%E6%88%90%E5%8A%9F%E5%A4%A7%E5%AD%B8%E5%A4%96%E5%9C%8B%E8%AA%9E%E6%96%87%E5%AD%B8%E7%B3%BB%E5%AD%B8%E4%BD%8D%E8%AB%96%E6%96%87"},"results":[{"id":"W1452307361","doi":"","title":"旅遊女性：伊莎貝拉‧露西‧博德與《日本冒險之旅》","year":2006,"lang":"zh","type":"dissertation","venue":"成功大學外國語文學系學位論文","topic":"Travel Writing and Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Colonialism; Narrative; Viewpoints; Subject (documents); Femininity; Context (archaeology); History; China; Travel writing; Literature; Gender studies; Sociology; Art; Visual arts; Archaeology","score_opus":0.010238067859789868,"score_gpt":0.22142158645330018,"score_spread":0.2111835185935103,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1452307361","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3102636,0.021224309,0.0064899186,0.035572965,0.0021655075,0.00011237259,0.0004128738,0.00012785062,0.6236306],"genre_scores_gemma":[0.8943164,0.004181989,0.0011604452,0.0011479941,0.0003863466,0.000049662533,0.00009864902,0.00006772054,0.098590806],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99942124,0.00029194512,0.000014784797,0.00009187923,0.000107574866,0.00007259171],"domain_scores_gemma":[0.9984652,0.00078483694,0.0001322615,0.00006005528,0.00037101435,0.0001867329],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00093425065,0.00024015854,0.00016648934,0.0006040651,0.0044927117,0.004310529,0.00031073458,0.00048125043,0.012024825],"category_scores_gemma":[0.0020021782,0.00011268246,0.00011539373,0.00067300064,0.004632413,0.0018724923,0.0011286094,0.0016022857,0.0014090723],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013635414,0.000087438755,0.009275849,0.00070675643,0.000016781245,0.0010091285,0.49783498,0.0003039594,0.004070587,0.2809166,0.10065704,0.10498456],"study_design_scores_gemma":[0.000004810841,0.00005383631,0.007690966,0.00081845,0.0000063344446,0.00031399343,0.14456205,0.00021489656,0.0013720766,0.0075927097,0.8373507,0.000019203619],"about_ca_topic_score_codex":0.014892484,"about_ca_topic_score_gemma":0.014737452,"teacher_disagreement_score":0.014892484,"about_ca_system_score_codex":0.0044501666,"about_ca_system_score_gemma":0.0015196392,"threshold_uncertainty_score":0.040227056},"labels":[],"label_agreement":null},{"id":"W2245358227","doi":"10.6844/ncku.2012.01587","title":"重拾自己的房間:談瑪格麗特‧愛特伍的《可食用的女人》之自我成長和空間經驗","year":2012,"lang":"zh","type":"dissertation","venue":"成功大學外國語文學系學位論文","topic":"Short Stories in Global Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Appropriation; Femininity; Gender studies; Masculinity; Context (archaeology); Public space; Identity (music); Criticism; Sociology; Interpretation (philosophy); Agency (philosophy); Aesthetics; Art; History; Literature; Social science; Epistemology; Philosophy","score_opus":0.014940672313467317,"score_gpt":0.25412828492186323,"score_spread":0.2391876126083959,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2245358227","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14130828,0.008811704,0.014838754,0.051844243,0.0011526617,0.000056661593,0.00011155537,0.000095077274,0.781781],"genre_scores_gemma":[0.88262403,0.0033700916,0.002815539,0.002166405,0.0001891653,0.00006693894,0.000045781537,0.00008663683,0.10863549],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990195,0.00048068858,0.000020372774,0.00015934897,0.00017975608,0.00014034323],"domain_scores_gemma":[0.9994374,0.0002158243,0.000080538346,0.000046771704,0.00012356146,0.00009589227],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011285895,0.00038426332,0.00021254377,0.0005818864,0.007546227,0.007065809,0.00063645805,0.0015159372,0.00684345],"category_scores_gemma":[0.0013619044,0.00017497393,0.00020815761,0.00071719615,0.02476702,0.0050352775,0.0027205984,0.0025231612,0.0013171379],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003515014,0.000028613895,0.002256093,0.00015193399,0.0000075635908,0.00065968867,0.3724331,0.0001696502,0.00169749,0.57756704,0.014233846,0.03075986],"study_design_scores_gemma":[0.000006159337,0.00004024935,0.003360268,0.0003102649,0.0000080861555,0.00082959293,0.22455068,0.00023235685,0.0013979083,0.06387528,0.7053548,0.000034290126],"about_ca_topic_score_codex":0.015135825,"about_ca_topic_score_gemma":0.02354925,"teacher_disagreement_score":0.015135825,"about_ca_system_score_codex":0.0043284064,"about_ca_system_score_gemma":0.0030249215,"threshold_uncertainty_score":0.031404912},"labels":[],"label_agreement":null},{"id":"W2249130963","doi":"","title":"協商加拿大華裔身份認同：黎熹年《鹹魚妹》中的記憶與他者","year":2014,"lang":"zh","type":"dissertation","venue":"成功大學外國語文學系學位論文","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Hybridity; Narrative; Identity (music); Essentialism; Mythology; Embodied cognition; Style (visual arts); Literature; Aesthetics; Sociology; Art; Gender studies; Philosophy; Epistemology","score_opus":0.0077522304643696405,"score_gpt":0.24485456258788857,"score_spread":0.23710233212351892,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2249130963","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20512536,0.0037694382,0.003964235,0.03134106,0.0009854303,0.00008124619,0.00030188693,0.000139853,0.75429153],"genre_scores_gemma":[0.7950907,0.0018288259,0.0016442608,0.0016012926,0.00007429662,0.000026062717,0.000071495015,0.00007709082,0.19958597],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99930084,0.00015703823,0.000013008893,0.00008132381,0.00022943433,0.00021841266],"domain_scores_gemma":[0.99911433,0.0002234541,0.000053983298,0.000047529596,0.00030404943,0.00025669613],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00087434147,0.00045784787,0.00018622949,0.0008827376,0.017404614,0.0069286404,0.00072304654,0.0011531716,0.00687959],"category_scores_gemma":[0.0018076744,0.00014475605,0.00023161109,0.0011658447,0.011850395,0.002082949,0.0016598919,0.0023830794,0.00080008205],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006739003,0.000027337312,0.005665628,0.00014070036,0.00001158554,0.00097252044,0.58546025,0.00017500209,0.0022271674,0.30914152,0.055802703,0.04030823],"study_design_scores_gemma":[0.0000049785,0.000023786004,0.007508649,0.00018081421,0.0000139196045,0.0005406802,0.33572835,0.00018425827,0.0015358276,0.0062113767,0.6480214,0.00004588791],"about_ca_topic_score_codex":0.79493636,"about_ca_topic_score_gemma":0.91613704,"teacher_disagreement_score":0.20506364,"about_ca_system_score_codex":0.024752416,"about_ca_system_score_gemma":0.020367255,"threshold_uncertainty_score":0.41254258},"labels":[],"label_agreement":null}]}