{"meta":{"query_hash":"692f5d5bea6a","filters":{"venue":"1895"},"cohort_total":32,"direct_labels_cover":0,"predictions_cover":32,"exported":32,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/692f5d5bea6a","api":"https://metacan.xera.ac/api/v1/cohort?venue=1895"},"results":[{"id":"W1492004471","doi":"10.4000/1895.3582","title":"Germain Lacasse, Le Bonimenteur de vues animées. Le Cinéma « muet » entre tradition et modernité","year":2003,"lang":"fr","type":"article","venue":"1895","topic":"French Historical and Cultural Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.030688904712822037,"score_gpt":0.21125602049847766,"score_spread":0.18056711578565562,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1492004471","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.095838636,0.16185184,0.00017492379,0.032170556,0.0019205346,0.00033079024,0.00027920242,0.00018658793,0.7072469],"genre_scores_gemma":[0.7232054,0.0020001864,0.000114458315,0.0008713667,0.0005306408,0.00003321986,0.000039097948,0.000020408912,0.27318522],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998612,0.00018725322,0.0002678195,0.00028901242,0.00019817865,0.0004457488],"domain_scores_gemma":[0.9995135,0.000053129952,0.000092986775,0.00012920763,0.00007540691,0.00013574857],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001556886,0.00026620584,0.0002751855,0.000033735854,0.0009300205,0.00019552685,0.00011159397,0.000100682664,0.0016641248],"category_scores_gemma":[0.000031542564,0.00023784263,0.00016791746,0.00005038378,0.000266974,0.00039064768,0.000023816896,0.00025624732,0.00021269305],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000090674475,0.00037204454,0.00004367798,0.000059153674,0.00006690614,0.00002803658,0.01431,0.000018064193,0.00019393225,0.7320561,0.25167644,0.0011665593],"study_design_scores_gemma":[0.00052330643,0.00013789344,0.00031896558,0.00006593645,0.000056562232,0.00001928918,0.0062405355,0.0001112916,0.00048335537,0.01775582,0.9739668,0.00032029234],"about_ca_topic_score_codex":0.003917079,"about_ca_topic_score_gemma":0.0024615163,"teacher_disagreement_score":0.7222903,"about_ca_system_score_codex":0.00017358814,"about_ca_system_score_gemma":0.00010788489,"threshold_uncertainty_score":0.9992485},"labels":[],"label_agreement":null},{"id":"W1498288817","doi":"10.4000/1895.2393","title":"Émile Cohl et les « histoires en images » : le corps au pied de la lettre","year":2007,"lang":"fr","type":"article","venue":"1895","topic":"Visual Culture and Art Theory","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Mile; Art; Visual arts; Computer graphics (images); Computer science; Geography; Geodesy","score_opus":0.016603054725285806,"score_gpt":0.27011182038717296,"score_spread":0.2535087656618872,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1498288817","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14714172,0.021503132,0.00036585014,0.00696847,0.0010773216,0.00015943169,0.00016110955,0.00016185436,0.8224611],"genre_scores_gemma":[0.6825352,0.0002031335,0.000104077706,0.0009817787,0.0016766429,0.0000052956316,0.000028550076,0.00003364731,0.3144317],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985587,0.00032584957,0.00024820204,0.00022711258,0.00015220497,0.0004879514],"domain_scores_gemma":[0.99904734,0.0004946815,0.00009089013,0.00018241182,0.00005929752,0.00012539887],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0010571835,0.0002361454,0.0002354834,0.00006329507,0.0009026472,0.00020739473,0.00019232073,0.00018417327,0.002151509],"category_scores_gemma":[0.00007341354,0.00021520974,0.0001508242,0.000031187876,0.0010148486,0.00023191841,0.00007233559,0.0003884449,0.00031248387],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040878596,0.00022094873,0.00025148116,0.00007154346,0.0000479591,0.00011760163,0.03453529,0.0000046274445,0.0024536098,0.7011129,0.25189131,0.009251807],"study_design_scores_gemma":[0.00038349268,0.000107612126,0.0014340184,0.00012283071,0.00005776025,0.00003358755,0.009680981,0.000006597595,0.0027197192,0.007397677,0.977766,0.00028976696],"about_ca_topic_score_codex":0.006870429,"about_ca_topic_score_gemma":0.0038177348,"teacher_disagreement_score":0.7258746,"about_ca_system_score_codex":0.0001240614,"about_ca_system_score_gemma":0.00015293423,"threshold_uncertainty_score":0.9997429},"labels":[],"label_agreement":null},{"id":"W1567443571","doi":"10.4000/1895.1482","title":"« Dis-moi ce que tu filmes, je te dirai qui tu es » : l’image du cinéma français en Belgique francophone dans l’immédiat après Seconde Guerre mondiale","year":2007,"lang":"fr","type":"article","venue":"1895","topic":"African history and culture studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Francophone University Association","funders":"","keywords":"Humanities; French; Art","score_opus":0.00885159253104231,"score_gpt":0.2304885695617166,"score_spread":0.22163697703067428,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1567443571","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.29416552,0.045105215,0.0012143594,0.006079742,0.007413503,0.0009047104,0.0005994838,0.00039308993,0.6441244],"genre_scores_gemma":[0.936654,0.0033021858,0.0005720741,0.00069947436,0.0035963396,0.000036448477,0.000033127795,0.00007705945,0.05502934],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9956998,0.0006222237,0.00070320786,0.0009267157,0.0006960433,0.0013519775],"domain_scores_gemma":[0.9977213,0.0006692113,0.00035017045,0.0005499186,0.00020647733,0.0005028916],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0013221262,0.0006663066,0.0008361686,0.00012917709,0.0021919247,0.0000808091,0.00083105615,0.0006733078,0.003374865],"category_scores_gemma":[0.00048002895,0.00067006703,0.0004694388,0.0013347425,0.0021806858,0.0007295567,0.0002308928,0.0008659125,0.0012041081],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000116886964,0.00067574263,0.015617189,0.00023588979,0.0003653605,0.0006675908,0.7645274,0.000019161638,0.0041126036,0.034147188,0.15057224,0.02894278],"study_design_scores_gemma":[0.0005929337,0.00015319782,0.037156332,0.00010976399,0.00010823497,0.000013167811,0.22819966,0.000009099966,0.00066797907,0.00071574375,0.7315056,0.00076828763],"about_ca_topic_score_codex":0.013422642,"about_ca_topic_score_gemma":0.07946222,"teacher_disagreement_score":0.6424884,"about_ca_system_score_codex":0.00047320384,"about_ca_system_score_gemma":0.00030759865,"threshold_uncertainty_score":0.9995751},"labels":[],"label_agreement":null},{"id":"W1576408213","doi":"10.4000/1895.2483","title":"Quand la Vache qui rit devançait Félix le chat et Mickey la souris","year":2007,"lang":"fr","type":"article","venue":"1895","topic":"Themes in Literature Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.020228009781621457,"score_gpt":0.25582919476810734,"score_spread":0.23560118498648588,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1576408213","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07234241,0.06084371,0.0011266153,0.011082615,0.0019584745,0.00022121242,0.00033579013,0.000178294,0.8519109],"genre_scores_gemma":[0.68331736,0.0005671183,0.0007829854,0.0014089693,0.0021887615,0.0000077662635,0.00006963128,0.00007851153,0.31157887],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978893,0.00032045212,0.00046806008,0.00041890048,0.00031215698,0.0005911457],"domain_scores_gemma":[0.9983713,0.0006635098,0.00016949422,0.00049513136,0.00013553133,0.00016502052],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0015208923,0.0003536233,0.00041368385,0.00020979784,0.00046471896,0.00077161356,0.00035603976,0.00032047197,0.0027797446],"category_scores_gemma":[0.000080979175,0.00034117443,0.00035282905,0.000133802,0.00063216453,0.0004437607,0.00013074324,0.0006263783,0.00073385634],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000050837607,0.00030521894,0.00051574834,0.00011436831,0.00036235192,0.0001368957,0.060728263,0.000007573488,0.000074477226,0.8413208,0.09055149,0.0058319946],"study_design_scores_gemma":[0.00053274655,0.000059215698,0.0003492278,0.0001645625,0.00027363317,0.000041860396,0.0065444186,0.00005381773,0.00028603486,0.008089691,0.98319536,0.00040940617],"about_ca_topic_score_codex":0.0026600698,"about_ca_topic_score_gemma":0.006542389,"teacher_disagreement_score":0.8926439,"about_ca_system_score_codex":0.000060894767,"about_ca_system_score_gemma":0.00008647829,"threshold_uncertainty_score":0.99990404},"labels":[],"label_agreement":null},{"id":"W1586823808","doi":"10.4000/1895.4104","title":"Cinéaste ou propagandiste ? John Grierson et « l’idée documentaire »","year":2008,"lang":"fr","type":"article","venue":"1895","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Medicine; Art","score_opus":0.028653494409558267,"score_gpt":0.24989273396743117,"score_spread":0.2212392395578729,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1586823808","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21877252,0.054380525,0.000036400856,0.52419645,0.0037585597,0.00049169996,0.00019058459,0.00019222953,0.19798101],"genre_scores_gemma":[0.27649704,0.013579667,0.000039625866,0.0008319225,0.0014347491,0.000024067465,0.000034773984,0.000026029167,0.7075321],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981988,0.00011222015,0.00038731025,0.0003792206,0.0003894259,0.00053299614],"domain_scores_gemma":[0.99925125,0.00004511611,0.00015179196,0.00020663878,0.00014441449,0.00020076873],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00013005816,0.00032764138,0.00048131714,0.0000422042,0.0066070873,0.00014499333,0.00018559283,0.000115971925,0.0032501682],"category_scores_gemma":[0.000023303932,0.00024667446,0.0004329956,0.00011666619,0.00076485804,0.0003995395,0.00009927754,0.00032705066,0.0009637711],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003711409,0.0002926563,0.0005982329,0.00015401868,0.0004857212,0.00033173422,0.13652985,0.000010513701,0.000010546846,0.2937033,0.5639256,0.003920698],"study_design_scores_gemma":[0.00038267398,0.00018062328,0.0002939344,0.000063943815,0.0002231182,0.000025181174,0.007558752,0.000028339757,0.000007721284,0.0008367064,0.99001116,0.00038786785],"about_ca_topic_score_codex":0.005632039,"about_ca_topic_score_gemma":0.004188885,"teacher_disagreement_score":0.52336454,"about_ca_system_score_codex":0.0011146348,"about_ca_system_score_gemma":0.00003642223,"threshold_uncertainty_score":0.99999857},"labels":[],"label_agreement":null},{"id":"W1941272486","doi":"10.4000/1895.3985","title":"Philippe Gauthier, le Montage alterné avant Griffith. Le cas Pathé","year":2009,"lang":"fr","type":"article","venue":"1895","topic":"French Historical and Cultural Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.024140231596701908,"score_gpt":0.20986645628131761,"score_spread":0.1857262246846157,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1941272486","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.029501677,0.4393881,0.000024146542,0.040880404,0.0064777173,0.0003237424,0.00019457689,0.00021366753,0.48299596],"genre_scores_gemma":[0.39475366,0.0032742908,0.000036959573,0.0008451522,0.002306072,0.00001112854,0.000018764435,0.000015851363,0.59873813],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99838173,0.00005219246,0.00035764114,0.00038221054,0.00026075405,0.00056548225],"domain_scores_gemma":[0.999347,0.000030953226,0.00011012453,0.00023512669,0.000108759654,0.00016804173],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00008929316,0.00033414655,0.00039726702,0.000034356686,0.0013876599,0.00017540604,0.0002226254,0.000112045556,0.0021387646],"category_scores_gemma":[0.000023150253,0.00026705422,0.00023975977,0.00004427281,0.00039156424,0.0002941559,0.00005776687,0.00031445664,0.00104522],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022174949,0.00062744285,0.00001963409,0.00006283387,0.00007578554,0.00016294976,0.030864201,0.000005950594,0.0002058591,0.44102597,0.46306717,0.06386],"study_design_scores_gemma":[0.00047653296,0.00049791916,0.00097193226,0.00008620423,0.000051919505,0.000015448013,0.0021740366,0.000036372625,0.00012406778,0.008840242,0.98630744,0.00041789503],"about_ca_topic_score_codex":0.016851475,"about_ca_topic_score_gemma":0.007896907,"teacher_disagreement_score":0.52324027,"about_ca_system_score_codex":0.0001640752,"about_ca_system_score_gemma":0.000053933625,"threshold_uncertainty_score":0.9999782},"labels":[],"label_agreement":null},{"id":"W1944755774","doi":"10.4000/1895.1502","title":"Les traces des dispositifs cinématographiques légers et synchrones dans les archives techniques de l’ONF","year":2007,"lang":"fr","type":"article","venue":"1895","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.16089698626098628,"score_gpt":0.34417455039746514,"score_spread":0.18327756413647886,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1944755774","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.40585053,0.014549788,0.31331304,0.0025384722,0.00027896804,0.00028712652,0.00003255343,0.0006407336,0.26250878],"genre_scores_gemma":[0.95156986,0.002096762,0.038878318,0.00042615083,0.00022614951,0.000011113518,0.000010443125,0.0000318084,0.006749409],"study_design_codex":"design_other","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.99775016,0.00015924164,0.0004273969,0.00049955194,0.0002770733,0.0008865614],"domain_scores_gemma":[0.99853003,0.00041721106,0.00015807994,0.00038903338,0.000093531366,0.00041213149],"candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00041013423,0.00041937944,0.00032398003,0.00021790242,0.00048052875,0.0014994483,0.0006477029,0.00020053412,0.00003004764],"category_scores_gemma":[0.000075922275,0.0003266444,0.0002619379,0.00046160156,0.0013226484,0.0025426797,0.00021170724,0.0003112223,0.000011089574],"study_design_candidate":"design_other","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003491734,0.0003606733,0.0101632625,0.00018299888,0.0000802368,0.00040139543,0.043092713,0.000020665402,0.033488788,0.38840905,0.0012342015,0.5225311],"study_design_scores_gemma":[0.00033501995,0.0009727954,0.3745009,0.002197011,0.00010195036,0.0013714646,0.0030665286,0.0014422982,0.3948166,0.06658869,0.15310322,0.0015035248],"about_ca_topic_score_codex":0.01035562,"about_ca_topic_score_gemma":0.0076041953,"teacher_disagreement_score":0.5457193,"about_ca_system_score_codex":0.00009224303,"about_ca_system_score_gemma":0.000092705224,"threshold_uncertainty_score":0.9999186},"labels":[],"label_agreement":null},{"id":"W1964497293","doi":"10.4000/1895.3282","title":"Le Fascinateur et la Bonne Presse : des médias catholiques pour publics francophones","year":2003,"lang":"en","type":"article","venue":"1895","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Publics; MAGIC (telescope); Movie theater; Censorship; Destiny (ISS module); French; Political science; Sociology; Religious studies; Art; Media studies; Humanities; Law; Art history; Philosophy","score_opus":0.0323478057917322,"score_gpt":0.24469238198093532,"score_spread":0.2123445761892031,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1964497293","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7765606,0.0029582449,0.00006237583,0.015693469,0.00038757577,0.000104429215,0.000018706642,0.00017947698,0.20403512],"genre_scores_gemma":[0.93643665,0.0008245288,0.0001597187,0.00043831312,0.00017903985,0.00002078216,0.0000040698446,0.000013952607,0.06192296],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99918383,0.00015326194,0.00015353004,0.00016847439,0.00012850188,0.00021239252],"domain_scores_gemma":[0.99952865,0.00008427325,0.00005109474,0.000112252514,0.00015636512,0.00006734145],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00020932389,0.00013034476,0.00020862074,0.000030050192,0.0018413519,0.00018391595,0.00010420604,0.000044485318,0.00076631596],"category_scores_gemma":[0.000119809054,0.00009389847,0.00013784891,0.00005920373,0.00019878912,0.00020626155,0.00003081026,0.00014064118,0.00011792182],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000047892,0.00019690825,0.0004380501,0.00003792744,0.00009976573,0.00001495677,0.20702642,0.0000068609274,0.00005476925,0.72483736,0.06598076,0.0013014512],"study_design_scores_gemma":[0.00016357575,0.000026026313,0.0003658721,0.000008468916,0.000028395196,0.0000013045945,0.01030726,0.0000047612857,0.000066499764,0.014203734,0.9746517,0.00017240393],"about_ca_topic_score_codex":0.0025740596,"about_ca_topic_score_gemma":0.0052484316,"teacher_disagreement_score":0.90867096,"about_ca_system_score_codex":0.00009165239,"about_ca_system_score_gemma":0.0000324809,"threshold_uncertainty_score":0.99945813},"labels":[],"label_agreement":null},{"id":"W1966328464","doi":"10.4000/1895.218","title":"Sur la présence de la musique dans le cinéma dit muet","year":2002,"lang":"fr","type":"article","venue":"1895","topic":"French Literature and Poetry","field":"Arts and Humanities","cited_by":10,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Art","score_opus":0.010249538947753567,"score_gpt":0.19868611231318428,"score_spread":0.1884365733654307,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1966328464","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.030035421,0.021364504,0.000054739983,0.0040419092,0.0019349571,0.00010194516,0.00016460438,0.0000778811,0.942224],"genre_scores_gemma":[0.50734425,0.00062912685,0.00009784299,0.00086278794,0.0019039876,0.000009980365,0.000013811541,0.000024664841,0.48911354],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987501,0.00028729488,0.00020478269,0.00023425142,0.00013474358,0.00038883294],"domain_scores_gemma":[0.9991058,0.00037348896,0.000062302744,0.00027766038,0.00006081867,0.000119920296],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00022703304,0.00020971529,0.00018798039,0.00005248421,0.00035055532,0.0005130019,0.00020621956,0.000219906,0.005934292],"category_scores_gemma":[0.000058076912,0.00020251899,0.00011737371,0.000056367906,0.0006419491,0.00037700206,0.00004343763,0.00043912715,0.00040860553],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000002808115,0.0001919748,0.00029997498,0.00008992368,0.000025101757,0.00017316271,0.042509034,0.000005422969,0.00010659372,0.50821924,0.44543457,0.0029421991],"study_design_scores_gemma":[0.00027723212,0.000069933194,0.0008800314,0.0001971792,0.000030519215,0.00008467338,0.00050528743,0.00031445458,0.00030848922,0.0036064768,0.9934651,0.00026061307],"about_ca_topic_score_codex":0.0025966275,"about_ca_topic_score_gemma":0.0011726965,"teacher_disagreement_score":0.54803056,"about_ca_system_score_codex":0.000036543,"about_ca_system_score_gemma":0.000059478858,"threshold_uncertainty_score":0.99497443},"labels":[],"label_agreement":null},{"id":"W2021950352","doi":"10.4000/1895.318","title":"La Fleur de l’âge : chronique d’en France ou l’échec d’une coproduction internationale (Archives Pierre Braunberger)","year":2005,"lang":"fr","type":"article","venue":"1895","topic":"Aging, Elder Care, and Social Issues","field":"Health Professions","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Coproduction; Political science; Art","score_opus":0.02143988420103167,"score_gpt":0.3516495193673593,"score_spread":0.3302096351663276,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2021950352","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6553856,0.039497524,0.0084699895,0.124982014,0.006189124,0.001031413,0.00012159423,0.00040515576,0.16391759],"genre_scores_gemma":[0.6935297,0.0040269713,0.0025803742,0.0042411513,0.008693183,0.00010160282,0.000064321284,0.00007461547,0.2866881],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9967091,0.0012227651,0.000539678,0.0004968726,0.000301426,0.0007301302],"domain_scores_gemma":[0.99833155,0.000690494,0.00026844544,0.0003642885,0.00012413814,0.00022107347],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00076386344,0.00029180534,0.0003678697,0.00011453835,0.00070086645,0.000040770752,0.00033180995,0.0007328011,0.0014958467],"category_scores_gemma":[0.00035822738,0.0003299701,0.00015879031,0.00024278859,0.00032855355,0.00038924784,0.00013512024,0.0019478282,0.0006829917],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007837556,0.0005619265,0.028823873,0.0010114969,0.00019189608,0.000053018866,0.4936387,0.00027417077,0.0009070441,0.051386043,0.124770954,0.2983025],"study_design_scores_gemma":[0.00067507575,0.000058045276,0.035675194,0.00082862296,0.000057499212,0.000018286551,0.016035603,0.0012844059,0.00049911224,0.0068658832,0.9376293,0.00037299257],"about_ca_topic_score_codex":0.0031395636,"about_ca_topic_score_gemma":0.0023566242,"teacher_disagreement_score":0.81285834,"about_ca_system_score_codex":0.00049511413,"about_ca_system_score_gemma":0.0004933701,"threshold_uncertainty_score":0.99991524},"labels":[],"label_agreement":null},{"id":"W2079464284","doi":"10.4000/1895.2263","title":"Archives et histoire du cinéma : Émile Cohl, un cinéaste hors cadre ou de l’indépendance élevée au rang des beaux-arts","year":2007,"lang":"fr","type":"article","venue":"1895","topic":"French Historical and Cultural Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Library and Archives Canada","funders":"","keywords":"Political science; Humanities; Art","score_opus":0.025093964137952177,"score_gpt":0.22042602921840698,"score_spread":0.1953320650804548,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2079464284","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19005424,0.39099935,0.00045649716,0.014950885,0.0050178333,0.00043177485,0.00024592155,0.00023589286,0.39760762],"genre_scores_gemma":[0.60812736,0.005369097,0.0004722919,0.0010511628,0.0026078294,0.000031448377,0.0000366825,0.000052772375,0.38225138],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976441,0.00010385312,0.00048011856,0.00045960775,0.00030351002,0.0010087986],"domain_scores_gemma":[0.9989108,0.00025929886,0.00018092824,0.00023551061,0.000108582404,0.00030489216],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003231674,0.00045589177,0.00049247703,0.00007058795,0.0029665073,0.00012469874,0.00029389464,0.00012752115,0.002090662],"category_scores_gemma":[0.00008860947,0.00037889148,0.0002893705,0.00009577768,0.0020477793,0.00029538115,0.00013432598,0.00043730708,0.00023741841],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021462029,0.0007217694,0.005122023,0.0006092609,0.0003968954,0.0004890574,0.29050645,0.000046910733,0.00052661716,0.3072055,0.21067649,0.18348439],"study_design_scores_gemma":[0.0005915385,0.00023629706,0.02363774,0.00030327303,0.00012005506,0.00004385446,0.008112368,0.00002421352,0.0002700326,0.003506381,0.962626,0.00052827026],"about_ca_topic_score_codex":0.0073276246,"about_ca_topic_score_gemma":0.032230888,"teacher_disagreement_score":0.7519495,"about_ca_system_score_codex":0.00045076248,"about_ca_system_score_gemma":0.00007801406,"threshold_uncertainty_score":0.9998663},"labels":[],"label_agreement":null},{"id":"W2190813264","doi":"10.4000/1895.4633","title":"Viva Paci, La Comédie musicale et la double vie du cinéma","year":2013,"lang":"fr","type":"article","venue":"1895","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.022628296598893375,"score_gpt":0.22856350916849835,"score_spread":0.20593521256960498,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2190813264","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26438046,0.02198138,0.00017011109,0.03939088,0.0052192654,0.00039487,0.00012742946,0.000057157835,0.66827846],"genre_scores_gemma":[0.8249753,0.018734407,0.00043834513,0.0022650468,0.0014277045,0.00014608455,0.000025152513,0.00006132623,0.15192662],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984849,0.00004496666,0.00050335453,0.00042524087,0.000049779817,0.0004917404],"domain_scores_gemma":[0.99879146,0.00039475894,0.00020842734,0.00037842346,0.00006113071,0.00016581666],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0004841313,0.00024917012,0.0005956057,0.00012447323,0.00013885114,0.0001588904,0.00020408414,0.00023205172,0.0034616461],"category_scores_gemma":[0.00016302498,0.00028839454,0.00019496033,0.00021300232,0.00026471264,0.00028283257,0.00019381978,0.00033263973,0.0074759116],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026288797,0.0005527233,0.07524431,0.00020273961,0.0002536772,0.00005353964,0.005004943,0.000018292865,0.00004810553,0.33092964,0.56621635,0.021449363],"study_design_scores_gemma":[0.0015213729,0.0000882869,0.036136124,0.00006519782,0.000024294925,0.000019920739,0.0004628415,0.00026726126,0.000056977384,0.004918289,0.95610696,0.00033249325],"about_ca_topic_score_codex":0.0010388152,"about_ca_topic_score_gemma":0.00023704952,"teacher_disagreement_score":0.56059486,"about_ca_system_score_codex":0.000054759646,"about_ca_system_score_gemma":0.000030597414,"threshold_uncertainty_score":0.99995685},"labels":[],"label_agreement":null},{"id":"W2291233021","doi":"10.4000/1895.4194","title":"Colloque international « fixe/animé : croisements de la photographie et du cinéma au xxe siècle », Université de Lausanne, 10-12 mai 2007","year":2007,"lang":"fr","type":"article","venue":"1895","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.011228149825819801,"score_gpt":0.2574374553328489,"score_spread":0.2462093055070291,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2291233021","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.47654888,0.0012931676,0.000109268825,0.0011139056,0.0013088961,0.00023254032,0.000663892,0.00009204287,0.5186374],"genre_scores_gemma":[0.84402436,0.0012068348,0.00013337185,0.0017394078,0.0012574799,0.000010243756,0.00012945534,0.000041870328,0.151457],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981368,0.00017333418,0.0003027811,0.00033889172,0.00032151217,0.00072665774],"domain_scores_gemma":[0.9990136,0.0001720612,0.00016189158,0.0001958352,0.00015526006,0.00030133707],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00087594637,0.0003177363,0.00022683002,0.00026820682,0.00100641,0.00023283955,0.0004021749,0.00028561015,0.019153912],"category_scores_gemma":[0.00003890727,0.00034021342,0.00031330387,0.00016047922,0.0007048521,0.00033010443,0.00016206621,0.00035720214,0.00015922241],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0008488977,0.0015197347,0.044753388,0.00013329934,0.0008143651,0.0006728137,0.046033744,0.000016052476,0.007185339,0.32663062,0.5704804,0.00091133924],"study_design_scores_gemma":[0.001322111,0.00020341534,0.04502159,0.00017650824,0.00012190823,0.000051024945,0.0045970306,0.000051256106,0.0050246664,0.0007172543,0.94233084,0.0003824239],"about_ca_topic_score_codex":0.007367456,"about_ca_topic_score_gemma":0.01663261,"teacher_disagreement_score":0.3718504,"about_ca_system_score_codex":0.00039243774,"about_ca_system_score_gemma":0.00013602224,"threshold_uncertainty_score":0.999905},"labels":[],"label_agreement":null},{"id":"W2557098738","doi":"10.4000/1895.5115","title":"Jean Epstein dans le fonds Blaise Cendrars de la Bibliothèque Nationale suisse","year":2016,"lang":"fr","type":"article","venue":"1895","topic":"French Literature and Poetry","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Art","score_opus":0.008582164354350257,"score_gpt":0.21617444626023338,"score_spread":0.20759228190588314,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2557098738","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.034703482,0.047956336,0.00033399806,0.01904214,0.0019239685,0.00014535182,0.0007269774,0.00010777191,0.89505994],"genre_scores_gemma":[0.35978594,0.0010121212,0.00014648361,0.0004697724,0.0017717542,0.00001215748,0.000025259185,0.000031594733,0.6367449],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986381,0.0002176674,0.00025628335,0.00026076863,0.00019890872,0.00042826807],"domain_scores_gemma":[0.9986466,0.0007153478,0.000083177576,0.00027874758,0.00011071524,0.00016537488],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00033920034,0.00022124292,0.00018318405,0.00041332908,0.0004197392,0.000551995,0.00023884853,0.00019590545,0.008748183],"category_scores_gemma":[0.000117631665,0.00017144564,0.00014784858,0.00020668597,0.00063630583,0.0006946142,0.000048270875,0.00020231439,0.0006306117],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000102224685,0.00013877235,0.0006102269,0.00005402718,0.000038887563,0.000053818938,0.0055785608,0.0000018196237,0.0011633245,0.7140774,0.27565542,0.0026174798],"study_design_scores_gemma":[0.0005735817,0.00007827587,0.0009343426,0.0002849196,0.000028658149,0.000026380803,0.00035306843,0.0000217992,0.001973395,0.01999804,0.97545314,0.00027437843],"about_ca_topic_score_codex":0.0016790181,"about_ca_topic_score_gemma":0.0015414673,"teacher_disagreement_score":0.69979775,"about_ca_system_score_codex":0.00010400417,"about_ca_system_score_gemma":0.00031451246,"threshold_uncertainty_score":0.99215794},"labels":[],"label_agreement":null},{"id":"W2882988756","doi":"10.4000/1895.5368","title":"Les appareils cinématographiques Lumière","year":2017,"lang":"fr","type":"article","venue":"1895","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Institut d'Histoire de l'Amérique Française; Musée de la Civilisation","funders":"","keywords":"Humanities; Art","score_opus":0.049637480195419394,"score_gpt":0.26815584212352467,"score_spread":0.21851836192810528,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2882988756","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1869557,0.05845752,0.000021712634,0.32988706,0.0032085949,0.00020299229,0.00013576189,0.00014464486,0.420986],"genre_scores_gemma":[0.5999458,0.014149099,0.000043976255,0.00019101068,0.0024568653,0.000016679454,0.000008414797,0.000018000888,0.3831702],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988407,0.00004680588,0.00025791948,0.0002724206,0.00020324157,0.00037890906],"domain_scores_gemma":[0.9990364,0.000037168866,0.00021339263,0.0004091583,0.00017635337,0.00012758019],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00010916438,0.0002330511,0.00039345957,0.000032450065,0.018070484,0.00071983703,0.00040828928,0.00012774687,0.0045016063],"category_scores_gemma":[0.000051796713,0.00017894493,0.00044989784,0.000022662949,0.0011978315,0.0002773915,0.0001474431,0.00021665264,0.00037513574],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007703718,0.0001326838,0.003307931,0.00012864744,0.00045246576,0.000034470813,0.041712016,8.333543e-7,0.0000035901653,0.7076642,0.18842594,0.05812954],"study_design_scores_gemma":[0.00013350951,0.00005212643,0.002429973,0.00007748474,0.0002111943,0.0000011095643,0.0032453246,0.000017287512,0.0000047225367,0.004623962,0.9889211,0.00028222284],"about_ca_topic_score_codex":0.055834103,"about_ca_topic_score_gemma":0.02450476,"teacher_disagreement_score":0.80049515,"about_ca_system_score_codex":0.00039955243,"about_ca_system_score_gemma":0.000008336262,"threshold_uncertainty_score":0.9964084},"labels":[],"label_agreement":null},{"id":"W2884239168","doi":"10.4000/1895.5538","title":"Gilles Groulx. Années 60. Six films","year":2017,"lang":"fr","type":"article","venue":"1895","topic":"French Historical and Cultural Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Materials science; Art","score_opus":0.05590698489664977,"score_gpt":0.2344586455830838,"score_spread":0.17855166068643402,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2884239168","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.018103987,0.19410819,0.0000014252818,0.024633212,0.009200597,0.00013805556,0.00018507964,0.00008184052,0.7535476],"genre_scores_gemma":[0.34655035,0.0039369897,0.000046242563,0.00023384855,0.0026576633,0.000016256097,0.000008853864,0.0000143532725,0.64653546],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989397,0.000023276913,0.00020602149,0.00026112868,0.00018667558,0.0003831952],"domain_scores_gemma":[0.9992358,0.000037966707,0.00015250011,0.00035629375,0.00011171144,0.000105735526],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00006081435,0.00023480957,0.00028413362,0.00001605629,0.0050855256,0.00038991912,0.0003825128,0.00008825506,0.008594899],"category_scores_gemma":[0.00008686979,0.00017237774,0.00018193222,0.000010748372,0.0013620813,0.00038611062,0.00016521584,0.00017792171,0.0017770204],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006605056,0.00009501941,0.00021945586,0.0000736995,0.000071461305,0.000038882346,0.00552446,7.876361e-7,0.000015751973,0.39439926,0.58601177,0.01354284],"study_design_scores_gemma":[0.00019590333,0.0001269328,0.0043043597,0.00010156367,0.000061123705,0.0000032368455,0.0017480613,0.00001711208,0.000030423924,0.0026495578,0.9904695,0.0002922103],"about_ca_topic_score_codex":0.0075147003,"about_ca_topic_score_gemma":0.0053551868,"teacher_disagreement_score":0.40445772,"about_ca_system_score_codex":0.000050026938,"about_ca_system_score_gemma":0.000012706613,"threshold_uncertainty_score":0.99909437},"labels":[],"label_agreement":null},{"id":"W2893595590","doi":"10.4000/1895.6035","title":"Traduire l’avant-garde : Léon Moussinac, Juan Piqueras et la pédagogie critique de cinéma","year":2018,"lang":"fr","type":"article","venue":"1895","topic":"French Historical and Cultural Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Humanities; Art; Philosophy; Political science","score_opus":0.04273026207678222,"score_gpt":0.28647527257791766,"score_spread":0.24374501050113545,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2893595590","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.015500726,0.055379257,0.00008523766,0.060528535,0.0033724569,0.00023025367,0.0001490352,0.00025879286,0.8644957],"genre_scores_gemma":[0.31567085,0.0047130655,0.00016597155,0.002260923,0.003767528,0.000034476107,0.000013626055,0.000038685575,0.6733349],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99813503,0.00025146478,0.0003277129,0.0003889635,0.00023100249,0.00066584704],"domain_scores_gemma":[0.99913675,0.00013672815,0.00008825828,0.00022333938,0.00021768145,0.00019722251],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00024997216,0.00036686644,0.00038734046,0.000041224528,0.001139667,0.0002658042,0.00024006337,0.00020149015,0.005512279],"category_scores_gemma":[0.00009534734,0.00029453574,0.00021338694,0.000025402484,0.0013191181,0.00027927867,0.00008070068,0.00040936397,0.00082196016],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029895145,0.00027848745,0.00004374379,0.0001504716,0.00008644536,0.00008140591,0.07172896,7.9573886e-7,0.00019918107,0.3293583,0.5739797,0.024062617],"study_design_scores_gemma":[0.00031594088,0.0004957599,0.0010547477,0.00020692286,0.00008729266,0.000034708202,0.0028776804,0.000034735833,0.0003413648,0.007107137,0.9869978,0.0004459412],"about_ca_topic_score_codex":0.003501694,"about_ca_topic_score_gemma":0.015581466,"teacher_disagreement_score":0.41301808,"about_ca_system_score_codex":0.00021887674,"about_ca_system_score_gemma":0.0000895803,"threshold_uncertainty_score":0.999956},"labels":[],"label_agreement":null},{"id":"W2904277408","doi":"10.4000/1895.6255","title":"Guillaume Debrulle, Charlie Chaplin. Les Lumières de la ville ; Laurent Jullier, Jean-Marc Leveratto, Analyse d’une œuvre : les Lumières de la ville (City Lights) Charlie Chaplin, 1931","year":2018,"lang":"fr","type":"article","venue":"1895","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"SNC-Lavalin (Canada)","funders":"","keywords":"Humanities; Art; Movie theater; Art history; Philosophy","score_opus":0.02371017478544637,"score_gpt":0.25583567142482627,"score_spread":0.2321254966393799,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2904277408","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7880272,0.13516939,0.0013387079,0.017729852,0.004422379,0.0007844815,0.00083458395,0.00023783388,0.05145552],"genre_scores_gemma":[0.8858632,0.078334995,0.0015938947,0.00075291545,0.0053587584,0.00018903273,0.00010271709,0.0001839658,0.027620552],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.994435,0.0002895384,0.0015580505,0.0015870837,0.0002636658,0.0018666303],"domain_scores_gemma":[0.9957614,0.0012093822,0.00088546926,0.0012237645,0.00029630226,0.0006236626],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0020852333,0.0010207773,0.0017805304,0.0006633833,0.0014920993,0.00038737527,0.0009951306,0.0010190252,0.006124154],"category_scores_gemma":[0.0013625898,0.0011226361,0.00075442425,0.0007538467,0.0020532901,0.00036037114,0.00066033244,0.00083833723,0.001983588],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005064475,0.0026487391,0.43680915,0.0011178341,0.0030680236,0.00034377945,0.04352573,0.0004531263,0.0010243759,0.070276156,0.39292538,0.047301233],"study_design_scores_gemma":[0.0020538387,0.00040514846,0.053408444,0.00034244187,0.00025375947,0.00005505767,0.0037554528,0.004129907,0.0014394334,0.0033062308,0.9294765,0.0013737696],"about_ca_topic_score_codex":0.013651457,"about_ca_topic_score_gemma":0.01089291,"teacher_disagreement_score":0.5365511,"about_ca_system_score_codex":0.0006198719,"about_ca_system_score_gemma":0.00023820365,"threshold_uncertainty_score":0.99980783},"labels":[],"label_agreement":null},{"id":"W2911305747","doi":"10.4000/1895.6494","title":"Les affiches de cinéma polonaises de Roman Cieślewicz","year":2018,"lang":"fr","type":"article","venue":"1895","topic":"French Historical and Cultural Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Art","score_opus":0.04669227036777322,"score_gpt":0.2417551224901339,"score_spread":0.19506285212236069,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2911305747","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14380747,0.17908493,0.00002851182,0.019771304,0.0025278062,0.00011506115,0.000069947346,0.00017156184,0.6544234],"genre_scores_gemma":[0.6211219,0.00093130575,0.00015163686,0.00042306038,0.004645895,0.000011801793,0.000004027042,0.000015319634,0.3726951],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99883634,0.00005762861,0.00018610437,0.0002266149,0.00013930575,0.0005539826],"domain_scores_gemma":[0.9994804,0.00006375202,0.00006448175,0.00013405981,0.000119172844,0.00013808793],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0000980621,0.0002167927,0.00022092744,0.00002797656,0.0015239125,0.00013392729,0.00018722424,0.00010616227,0.007958437],"category_scores_gemma":[0.00006095581,0.00017232225,0.00013249759,0.000050615476,0.0013710025,0.00011385617,0.0000715609,0.0001578411,0.00076738774],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014583622,0.00014507843,0.0006121674,0.00007081201,0.0000916723,0.000018388317,0.03051131,8.0810537e-7,0.0001355619,0.377416,0.5685095,0.022474054],"study_design_scores_gemma":[0.00014638536,0.0003377345,0.0059717693,0.00008396648,0.00008241741,0.000012305517,0.0029138622,0.000028089124,0.00023169238,0.0026728935,0.98725814,0.00026077434],"about_ca_topic_score_codex":0.012683916,"about_ca_topic_score_gemma":0.010620554,"teacher_disagreement_score":0.47731438,"about_ca_system_score_codex":0.00024360085,"about_ca_system_score_gemma":0.000039785013,"threshold_uncertainty_score":0.99977595},"labels":[],"label_agreement":null},{"id":"W2920748761","doi":"10.4000/1895.6558","title":"« Truquer, créer, innover. Les effets spéciaux français »","year":2018,"lang":"fr","type":"article","venue":"1895","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Movie theater; Art history","score_opus":0.23707486575718015,"score_gpt":0.3295875883167993,"score_spread":0.09251272255961915,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2920748761","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14780863,0.017609458,0.015161321,0.011902187,0.011581611,0.00037934247,0.00006880225,0.0003698237,0.7951188],"genre_scores_gemma":[0.8871259,0.00015571676,0.0022508954,0.0030761596,0.0023286392,0.000004827352,0.000009328997,0.000027258906,0.10502126],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.997844,0.00007346024,0.00037043766,0.00056921307,0.00040871158,0.0007342239],"domain_scores_gemma":[0.99832404,0.00011103281,0.00012808104,0.0006712761,0.00039912068,0.0003664745],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00016698272,0.0003517653,0.00031798956,0.00008426735,0.0003892271,0.0016234415,0.00072126643,0.00024401362,0.0007625639],"category_scores_gemma":[0.0001899445,0.00027327402,0.0001575242,0.0007496474,0.00060716737,0.0030053512,0.00046360336,0.00024927763,0.004646727],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032541895,0.00032348663,0.00040519657,0.00006241608,0.000057064786,0.00026893234,0.0057618306,0.0000032969963,0.0008829303,0.32538745,0.36124542,0.30556944],"study_design_scores_gemma":[0.00065868377,0.00071940914,0.012545036,0.0001948038,0.000019517796,0.00024803742,0.000034412114,0.0016902118,0.005852986,0.016677031,0.960854,0.0005058526],"about_ca_topic_score_codex":0.005048532,"about_ca_topic_score_gemma":0.0009973554,"teacher_disagreement_score":0.7393173,"about_ca_system_score_codex":0.000066872664,"about_ca_system_score_gemma":0.0001297193,"threshold_uncertainty_score":0.9999719},"labels":[],"label_agreement":null},{"id":"W2985245527","doi":"10.4000/1895.7037","title":"Aux origines de la Cinémathèque québécoise","year":2018,"lang":"fr","type":"article","venue":"1895","topic":"French Historical and Cultural Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Concordia University; Canadian Institute for International Peace and Security","funders":"","keywords":"Humanities; Political science; Philosophy","score_opus":0.024062264908475173,"score_gpt":0.24447271178156268,"score_spread":0.2204104468730875,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2985245527","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.017530812,0.09314058,0.000014520569,0.006729955,0.003379743,0.00007624341,0.000034373526,0.00010593759,0.87898785],"genre_scores_gemma":[0.096499525,0.0022987074,0.000090224894,0.00073498243,0.0077507184,0.000016285741,0.0000028473344,0.000016118356,0.8925906],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99916106,0.00005897353,0.00016079034,0.00017807941,0.00011307401,0.0003280007],"domain_scores_gemma":[0.99950296,0.00008175903,0.000046318153,0.00011943502,0.00014952794,0.0000999784],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00009091825,0.00017644376,0.00018548926,0.000020293759,0.0008847976,0.00015927124,0.00013338524,0.000084204585,0.008076548],"category_scores_gemma":[0.000051086605,0.00013129957,0.00010087638,0.000043789765,0.0014152348,0.00014520038,0.00004381197,0.00014002548,0.0018087788],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005586541,0.000065548316,0.000046086632,0.0000361979,0.000031630803,0.0000121553,0.007759274,1.8496526e-7,0.000024253539,0.56224537,0.4254763,0.004297387],"study_design_scores_gemma":[0.00014244337,0.00016194923,0.0003024082,0.00006813782,0.000053080174,0.000011659497,0.00050297676,0.000025439647,0.000054053493,0.006238191,0.9922325,0.00020716127],"about_ca_topic_score_codex":0.02339044,"about_ca_topic_score_gemma":0.013449875,"teacher_disagreement_score":0.5667562,"about_ca_system_score_codex":0.00009780594,"about_ca_system_score_gemma":0.00009479331,"threshold_uncertainty_score":0.9989684},"labels":[],"label_agreement":null},{"id":"W2985906569","doi":"10.4000/1895.7010","title":"Dream World : parcours et discours d’un duo d’exploitants français aux États-Unis (1897-1910)","year":2018,"lang":"fr","type":"article","venue":"1895","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Political science; Art","score_opus":0.027463577942427195,"score_gpt":0.2591042905852115,"score_spread":0.2316407126427843,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2985906569","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.37539688,0.02288749,0.00007367434,0.5155,0.005334837,0.0003804784,0.0004875258,0.00025049943,0.079688646],"genre_scores_gemma":[0.716124,0.0043681436,0.000116739735,0.002433932,0.0039922656,0.00003823279,0.000032279786,0.00005966581,0.27283472],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99680376,0.00021576551,0.00063196634,0.0006707677,0.0006516509,0.0010260744],"domain_scores_gemma":[0.9982605,0.00018533017,0.00023351016,0.00046336764,0.00047139145,0.00038587686],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts","insufficient_payload"],"category_scores_codex":[0.000309939,0.0005741532,0.00081243966,0.00012778652,0.012343758,0.0004165461,0.00048043867,0.0001458868,0.015236874],"category_scores_gemma":[0.00007623635,0.00044888814,0.00063873397,0.00035777446,0.0029278987,0.00050193677,0.00023275641,0.00051834295,0.0029304854],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000048191047,0.000584768,0.00080086937,0.0000716446,0.0009698486,0.00009415471,0.33634052,0.0000037751315,0.000014449352,0.20830676,0.43229163,0.020473404],"study_design_scores_gemma":[0.00045639052,0.00028660626,0.0007280262,0.00013790873,0.0006043527,0.0000029377106,0.023053642,0.00007824814,0.000019638625,0.01770253,0.95620894,0.0007207662],"about_ca_topic_score_codex":0.020709213,"about_ca_topic_score_gemma":0.051967967,"teacher_disagreement_score":0.5239173,"about_ca_system_score_codex":0.00085603853,"about_ca_system_score_gemma":0.00006809271,"threshold_uncertainty_score":0.9997963},"labels":[],"label_agreement":null},{"id":"W2997797936","doi":"10.4000/1895.7173","title":"Viva Paci et Stéfany Boisvert (dir.), Une télévision allumée. Les arts dans le noir et blanc du tube cathodique","year":2018,"lang":"fr","type":"article","venue":"1895","topic":"French Historical and Cultural Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Art; Humanities; Political science","score_opus":0.028536759265283408,"score_gpt":0.24092159164198781,"score_spread":0.2123848323767044,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2997797936","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07691169,0.11213594,0.00084954506,0.081870995,0.0062338724,0.00056505075,0.00044147938,0.00039721612,0.7205942],"genre_scores_gemma":[0.57002014,0.005068395,0.00026870283,0.0021118368,0.0034944166,0.000041052015,0.000077704215,0.000055641758,0.4188621],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978943,0.00021735577,0.00043186496,0.00052456954,0.00035359288,0.0005783139],"domain_scores_gemma":[0.9989357,0.00012011181,0.00014297443,0.00032392133,0.0002919322,0.00018538444],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00030612908,0.0004474663,0.00048568935,0.00004588245,0.0018435329,0.0002441019,0.00027209581,0.00019782117,0.0023486107],"category_scores_gemma":[0.00008545619,0.0003455956,0.00023519255,0.00010805515,0.0012759769,0.00040425872,0.00019127544,0.00037848222,0.00090107776],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036988393,0.00041839408,0.00017787766,0.000088881025,0.00010108869,0.000049226244,0.044426266,0.000004294329,0.00088982505,0.3710836,0.5724618,0.010261776],"study_design_scores_gemma":[0.00043355484,0.0005309884,0.0030033868,0.00019187789,0.00006856898,0.000019119761,0.004000047,0.00007759474,0.00042120912,0.0024875004,0.988242,0.0005241655],"about_ca_topic_score_codex":0.037882436,"about_ca_topic_score_gemma":0.08090029,"teacher_disagreement_score":0.49310845,"about_ca_system_score_codex":0.00020028705,"about_ca_system_score_gemma":0.000078873105,"threshold_uncertainty_score":0.9998996},"labels":[],"label_agreement":null},{"id":"W4210967612","doi":"10.4000/1895.8565","title":"Le point sur l’animation : d’Alexéïeff à Orwell","year":2021,"lang":"fr","type":"article","venue":"1895","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Hatch (Canada)","funders":"","keywords":"Art; Humanities; Art history","score_opus":0.02750936787415775,"score_gpt":0.21155434478300444,"score_spread":0.1840449769088467,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4210967612","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010380786,0.03097648,0.00022689135,0.020904565,0.0022829599,0.00006346498,0.00010492074,0.00006571767,0.9349942],"genre_scores_gemma":[0.31285027,0.00025825883,0.00010352821,0.00071514014,0.0014203225,0.0000041471408,0.00007296652,0.000015206274,0.6845602],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99896574,0.000120347795,0.0002765085,0.00024083594,0.00015216078,0.00024442322],"domain_scores_gemma":[0.9993654,0.0000862209,0.000066669796,0.00020315514,0.00017863858,0.00009993211],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00010062669,0.00014121259,0.000209886,0.000040907937,0.00045466344,0.00021249408,0.000084595034,0.00007034582,0.02911718],"category_scores_gemma":[0.000049330152,0.00014345498,0.0001780183,0.00008161959,0.00012914932,0.0005671898,0.000043180233,0.00015672493,0.001800704],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007909646,0.00031053787,0.000027179867,0.00013429413,0.000052835323,0.00011988306,0.009280026,0.000010476379,0.00013593379,0.8346581,0.14780943,0.007453431],"study_design_scores_gemma":[0.00019548737,0.000046177647,0.00013312178,0.00008680981,0.00005959933,0.000014355886,0.00093703065,0.00025942217,0.00047589646,0.0040618307,0.993536,0.00019426321],"about_ca_topic_score_codex":0.0028963594,"about_ca_topic_score_gemma":0.0011761427,"teacher_disagreement_score":0.84572655,"about_ca_system_score_codex":0.00005310298,"about_ca_system_score_gemma":0.0001555294,"threshold_uncertainty_score":0.9989765},"labels":[],"label_agreement":null},{"id":"W4236797359","doi":"10.4000/1895.5128","title":"Le cinéma néo-réaliste exposé au Museo Nazionale del Cinema de Turin","year":2016,"lang":"fr","type":"article","venue":"1895","topic":"Italian Fascism and Post-war Society","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Movie theater; Art; Humanities; Art history","score_opus":0.017757476506003015,"score_gpt":0.2577492247968146,"score_spread":0.2399917482908116,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4236797359","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.63873637,0.005258564,0.0007406382,0.12572345,0.004783359,0.00041036293,0.00032554517,0.00018316548,0.22383857],"genre_scores_gemma":[0.7552479,0.0006798894,0.00055324635,0.0017748205,0.0020927466,0.000020290103,0.000009348056,0.000036266007,0.23958552],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99732244,0.00035354003,0.0003419963,0.00044837347,0.0005060963,0.0010275828],"domain_scores_gemma":[0.9985789,0.0003165899,0.00014789683,0.00040163661,0.00013098668,0.00042399805],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0009383664,0.00026136558,0.00028520206,0.00004085717,0.00082725735,0.00007730355,0.0005403869,0.00037785052,0.0016346576],"category_scores_gemma":[0.00019030561,0.00022506177,0.0003310012,0.00037410625,0.0009286988,0.00047721816,0.00013228985,0.00017894548,0.002233406],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000042660886,0.00036746878,0.014386681,0.0001258867,0.00013234209,0.00008686612,0.07324758,0.000005176006,0.00300932,0.46360517,0.41311806,0.03187277],"study_design_scores_gemma":[0.00093255565,0.00009423663,0.0107421465,0.00021247145,0.000050453582,0.000018729288,0.0060640504,0.0000130728895,0.0014382814,0.005206351,0.9747674,0.00046028654],"about_ca_topic_score_codex":0.011812195,"about_ca_topic_score_gemma":0.0067468877,"teacher_disagreement_score":0.5616493,"about_ca_system_score_codex":0.00037410914,"about_ca_system_score_gemma":0.0014311827,"threshold_uncertainty_score":0.999278},"labels":[],"label_agreement":null},{"id":"W4244916946","doi":"10.4000/1895.3805","title":"Comptes rendus","year":2010,"lang":"fr","type":"article","venue":"1895","topic":"Multiculturalism, Politics, Migration, Gender","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Political science","score_opus":0.15390770318921856,"score_gpt":0.4159498756461061,"score_spread":0.26204217245688755,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4244916946","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.84030175,0.0023766067,0.000017462266,0.05592348,0.011309997,0.00022867005,0.000056090237,0.0001224637,0.08966346],"genre_scores_gemma":[0.7030229,0.00022577673,0.0011820105,0.0046129287,0.0028094973,0.00000628501,0.000021007436,0.00001799003,0.28810158],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99851936,0.00014877385,0.00023665586,0.0002490878,0.00033698368,0.0005091228],"domain_scores_gemma":[0.999076,0.00013367229,0.0000986233,0.0002632644,0.00017941158,0.00024900012],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003107731,0.00015386734,0.00015613633,0.000029132483,0.00039451747,0.00012747689,0.00028097373,0.0002687755,0.013714135],"category_scores_gemma":[0.00022357405,0.00014738573,0.000095312935,0.0001380682,0.0013438049,0.00026023225,0.00004400293,0.00036466584,0.005408816],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000020811083,0.00011903527,0.01379138,0.000021581667,0.000034764584,0.0000066116017,0.053424794,0.000006179903,0.0020949964,0.32099983,0.60579175,0.0037070112],"study_design_scores_gemma":[0.00015083683,0.000012559364,0.024299009,0.000012782584,0.00002734751,0.0000048702145,0.0060474644,0.00019184934,0.00060688984,0.0007023489,0.96773535,0.00020867976],"about_ca_topic_score_codex":0.014690701,"about_ca_topic_score_gemma":0.015105326,"teacher_disagreement_score":0.36194363,"about_ca_system_score_codex":0.00023921173,"about_ca_system_score_gemma":0.0003384731,"threshold_uncertainty_score":0.99536556},"labels":[],"label_agreement":null},{"id":"W4312372052","doi":"10.4000/1895.8666","title":"Le Sud-Ouest, trois hommes et des grottes pour la première adaptation française de Nanook of the North devenu Nanouk l’Esquimau, l’homme des temps primitifs (1922)","year":2021,"lang":"fr","type":"article","venue":"1895","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.035748072484239085,"score_gpt":0.23079587485500758,"score_spread":0.1950478023707685,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4312372052","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.95689756,0.017661197,0.000106165564,0.0033480113,0.00043585573,0.00025764038,0.0003032467,0.00005474013,0.020935591],"genre_scores_gemma":[0.9189563,0.0014309903,0.0008536651,0.00024779205,0.00042831482,0.00003107534,0.000057531426,0.00004229472,0.07795204],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99807054,0.0004625789,0.0004343283,0.00031040938,0.0002764299,0.00044570107],"domain_scores_gemma":[0.9986531,0.00025686144,0.000216065,0.0003140819,0.000459329,0.00010056472],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0002869527,0.00028865,0.00035514004,0.000047918955,0.0011213771,0.00044973815,0.00031489343,0.00015794998,0.0006360967],"category_scores_gemma":[0.00023349794,0.0002470751,0.00032259632,0.00014256191,0.0010493418,0.0008061713,0.0001723423,0.00031489576,0.00006590052],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000065255896,0.0010527918,0.03769038,0.001813628,0.00030265906,0.0001148708,0.3336853,0.00023616364,0.0048455806,0.6004373,0.012791766,0.006964303],"study_design_scores_gemma":[0.0014106806,0.00013679084,0.11064035,0.0019251492,0.00046130264,0.00014589944,0.06402047,0.00021113045,0.009988283,0.022381674,0.78792864,0.00074964145],"about_ca_topic_score_codex":0.021917341,"about_ca_topic_score_gemma":0.26805723,"teacher_disagreement_score":0.7751369,"about_ca_system_score_codex":0.000094944044,"about_ca_system_score_gemma":0.00057171757,"threshold_uncertainty_score":0.99999815},"labels":[],"label_agreement":null},{"id":"W4407175881","doi":"10.4000/1395e","title":"Chloé Huvet, Composer pour l’image à l’ère numérique. Star Wars, d’une trilogie à l’autre","year":2022,"lang":"fr","type":"article","venue":"1895","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Star (game theory); Physics; Astrophysics","score_opus":0.20593372180084135,"score_gpt":0.3059639118354082,"score_spread":0.10003019003456687,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4407175881","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1637355,0.037601132,0.0075313137,0.26451778,0.0122060245,0.0016680898,0.0011278191,0.0012955915,0.5103167],"genre_scores_gemma":[0.64886934,0.0004350018,0.0038102623,0.0055974093,0.0008539883,0.000045878587,0.00012653906,0.00007283259,0.34018877],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99643534,0.00023696212,0.00056137965,0.00086454663,0.00078500214,0.0011167433],"domain_scores_gemma":[0.99789375,0.00018510173,0.0002445548,0.00094674464,0.00021530096,0.0005145379],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00032245152,0.0005098735,0.0005295128,0.00012419619,0.0008286216,0.0015889935,0.0014120863,0.00013607515,0.002226053],"category_scores_gemma":[0.00006669912,0.00044297476,0.00033868966,0.0011159971,0.0002326887,0.0030501361,0.0013484145,0.0007476517,0.0008560679],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008485783,0.0011615802,0.00007490246,0.000104003855,0.00011139636,0.0032146878,0.010060804,0.00056364655,0.0053837122,0.17553891,0.78556335,0.018138126],"study_design_scores_gemma":[0.0010765368,0.0007623879,0.001171971,0.000066020075,0.000020041065,0.0007411907,0.0015112333,0.011612752,0.0017011657,0.026429133,0.9541417,0.0007658957],"about_ca_topic_score_codex":0.0020452861,"about_ca_topic_score_gemma":0.00021403962,"teacher_disagreement_score":0.48513383,"about_ca_system_score_codex":0.00030673877,"about_ca_system_score_gemma":0.00034007634,"threshold_uncertainty_score":0.99992186},"labels":[],"label_agreement":null},{"id":"W4407724229","doi":"10.4000/13ccs","title":"L’Assassinat du duc de Guise. Nouveau scénario (Henri Lavedan)","year":2023,"lang":"fr","type":"article","venue":"1895","topic":"Historical and Scientific Studies","field":"Medicine","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Art; Philosophy; Humanities","score_opus":0.03945280114977095,"score_gpt":0.27439798959639927,"score_spread":0.23494518844662832,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4407724229","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09806255,0.10207721,0.0007275897,0.16893218,0.07294888,0.0008033531,0.00015339037,0.0010318613,0.555263],"genre_scores_gemma":[0.22446392,0.0021857182,0.0005318004,0.0011092729,0.004278973,0.00003348968,0.000029658095,0.000049820614,0.76731735],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974352,0.00011029039,0.0003579216,0.00049626123,0.00053185725,0.0010684751],"domain_scores_gemma":[0.99857664,0.00028390528,0.00007236475,0.00044321286,0.00016070354,0.00046317064],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0009988885,0.0002484601,0.00048155803,0.00016993203,0.00049777,0.000050400104,0.00022910017,0.00019734804,0.0018609501],"category_scores_gemma":[0.0009604092,0.0002205672,0.00022284668,0.0011150782,0.00043303578,0.000076060656,0.00020370274,0.00034110813,0.018087972],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020473835,0.00019964017,0.009311277,0.0001534206,0.000106853724,0.00089258724,0.0057979445,0.00001393456,0.00088120176,0.008561608,0.95270425,0.021356793],"study_design_scores_gemma":[0.00068306003,0.00014059135,0.018261276,0.00028825222,0.00017734009,0.00005403896,0.0011193294,0.0012996023,0.00018957623,0.0008988075,0.97664815,0.00023998562],"about_ca_topic_score_codex":0.0008547426,"about_ca_topic_score_gemma":0.0001466163,"teacher_disagreement_score":0.21205436,"about_ca_system_score_codex":0.0007368721,"about_ca_system_score_gemma":0.00032523365,"threshold_uncertainty_score":0.9990515},"labels":[],"label_agreement":null},{"id":"W4414989160","doi":"10.4000/14vtw","title":"Sylvain Garel, le FLQ dans la cinématographie québécoise, le Front de libération du Québec en 250 œuvres","year":2024,"lang":"fr","type":"article","venue":"1895","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Deformation (meteorology); Front (military); Mode (computer interface); Identification (biology)","score_opus":0.004027354907426951,"score_gpt":0.1947204290367627,"score_spread":0.19069307412933575,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4414989160","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1032002,0.1073501,0.0016631774,0.12941195,0.005106983,0.00038119825,0.00016306684,0.00042540257,0.6522979],"genre_scores_gemma":[0.7426766,0.004458102,0.0001701597,0.0005123606,0.0014539105,0.0000398738,0.000016200598,0.000046292156,0.2506265],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99847203,0.0003744685,0.00022033438,0.00031116954,0.00024809485,0.000373896],"domain_scores_gemma":[0.9992795,0.00020245179,0.000049493054,0.00018735309,0.00003625218,0.0002449389],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0005711442,0.00013811215,0.00017078173,0.0003555598,0.0010053895,0.00071731524,0.00027671066,0.00023824985,0.0009768906],"category_scores_gemma":[0.000112291484,0.00019234922,0.0001968029,0.00044018344,0.001232776,0.00047030183,0.000033548567,0.00026213744,0.00090548454],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000048070024,0.000079585225,0.00053275726,0.00011266848,0.000057521953,0.00011624492,0.092718504,0.00003571417,0.0001912365,0.46725175,0.4264149,0.012484296],"study_design_scores_gemma":[0.00010241662,0.000025079513,0.0036638246,0.00013334649,0.000060163842,0.0000127525345,0.007181054,0.00033550913,0.000017157956,0.003195359,0.98505896,0.00021436883],"about_ca_topic_score_codex":0.996537,"about_ca_topic_score_gemma":0.999635,"teacher_disagreement_score":0.6394764,"about_ca_system_score_codex":0.0013153403,"about_ca_system_score_gemma":0.010389158,"threshold_uncertainty_score":0.99993634},"labels":[],"label_agreement":null},{"id":"W7152555998","doi":"10.4000/161ez","title":"Du Ballet en Amérique. Fernand Léger et son film aux États-Unis","year":2024,"lang":"fr","type":"article","venue":"1895","topic":"Contemporary art, education, critique","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ballet; Exoticism; Context (archaeology); Alterity","score_opus":0.026228529501841114,"score_gpt":0.32879895391595726,"score_spread":0.30257042441411613,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7152555998","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10798317,0.016513731,0.00030867168,0.680209,0.0074782306,0.0003879508,0.00009051688,0.0002618948,0.18676688],"genre_scores_gemma":[0.5255652,0.0062095593,0.00025088957,0.0018611628,0.0019270993,0.000037922862,0.000028016197,0.00003908922,0.46408105],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9968696,0.0013417471,0.00035374204,0.0005171778,0.00041557112,0.0005021634],"domain_scores_gemma":[0.99857634,0.00064240454,0.00006600617,0.0003046469,0.00014474947,0.00026586477],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0020354395,0.00024998648,0.0002446096,0.00009903304,0.0006789417,0.00049606705,0.00040414458,0.00023501768,0.00681382],"category_scores_gemma":[0.0003093707,0.00027259512,0.00017518149,0.0005036027,0.0005492443,0.0021540388,0.00007708782,0.0004386177,0.001871843],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006033695,0.00010575237,0.0012437704,0.0000968749,0.000043253847,0.00008649156,0.12299355,0.0000046582686,0.00005568525,0.18241015,0.686618,0.0063357875],"study_design_scores_gemma":[0.00012012742,0.00005855239,0.0021406163,0.00028728778,0.000030104651,0.000013263465,0.010297884,0.0004056229,0.00008021325,0.03159161,0.9546676,0.00030708715],"about_ca_topic_score_codex":0.011783454,"about_ca_topic_score_gemma":0.008972069,"teacher_disagreement_score":0.6783478,"about_ca_system_score_codex":0.00031267788,"about_ca_system_score_gemma":0.002821289,"threshold_uncertainty_score":0.99997264},"labels":[],"label_agreement":null},{"id":"W7152653200","doi":"10.4000/161f8","title":"Claire Demoulin, Émigration et Jazz à Hollywood","year":2024,"lang":"fr","type":"article","venue":"1895","topic":"North African History and Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nova scotia; ESPACE; Cultural environment","score_opus":0.01238743445047877,"score_gpt":0.2393191696245142,"score_spread":0.22693173517403542,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7152653200","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.026044503,0.3344989,0.00012051687,0.024004942,0.016680118,0.00030392394,0.0009275407,0.00042997327,0.5969896],"genre_scores_gemma":[0.4620401,0.0004053432,0.000069084505,0.0014168225,0.0033586097,0.0000145998965,0.00013436096,0.00003475746,0.5325263],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99887323,0.00011191963,0.00024355514,0.0003199116,0.00017377037,0.00027762156],"domain_scores_gemma":[0.99950594,0.00007279161,0.000041397638,0.00020780883,0.00006810267,0.00010393239],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00019020947,0.00021886581,0.00017207846,0.00010762811,0.00043358628,0.00073072105,0.00011388619,0.00016183642,0.006626469],"category_scores_gemma":[0.000016048247,0.00020464532,0.00017532043,0.000096101176,0.00023618092,0.0005752032,0.000022916069,0.0005161069,0.001732176],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009887711,0.000043641565,0.000024507128,0.00023178525,0.000041472773,0.0001119588,0.042698555,0.000006301677,0.00001574943,0.6276203,0.32161304,0.0075828065],"study_design_scores_gemma":[0.00010495149,0.00011670753,0.000084201136,0.00038562765,0.00009392365,0.000023617573,0.001198552,0.00021877016,0.000014432285,0.0031171802,0.9943854,0.00025659252],"about_ca_topic_score_codex":0.00020483397,"about_ca_topic_score_gemma":0.0017615231,"teacher_disagreement_score":0.6727724,"about_ca_system_score_codex":0.000086960295,"about_ca_system_score_gemma":0.0001528883,"threshold_uncertainty_score":0.9990451},"labels":[],"label_agreement":null}]}