{"meta":{"query_hash":"c07f28caff06","filters":{"venue":"Anais ABRACE"},"cohort_total":4,"direct_labels_cover":0,"predictions_cover":4,"exported":4,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/c07f28caff06","api":"https://metacan.xera.ac/api/v1/cohort?venue=Anais+ABRACE"},"results":[{"id":"W2964443671","doi":"","title":"De como cadeiras se movem: uma experiência a/r/tográfica no Canadá","year":2012,"lang":"pt","type":"article","venue":"Anais ABRACE","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Philosophy","score_opus":0.062189603536012675,"score_gpt":0.2916248252127487,"score_spread":0.22943522167673602,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2964443671","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.37171328,0.0046193064,0.0023891146,0.08327485,0.00094070873,0.00009527734,0.00029817372,0.0001014726,0.53656775],"genre_scores_gemma":[0.8449671,0.0031250068,0.0011204466,0.0055348794,0.000055570617,0.000026418544,0.00006635068,0.00009762792,0.14500655],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9970571,0.000597579,0.00003137133,0.00025467758,0.00077758357,0.0012817875],"domain_scores_gemma":[0.9979419,0.00036362265,0.000083639905,0.00009337997,0.0005985098,0.00091893715],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015822065,0.0003836014,0.00034820952,0.0011499741,0.051670406,0.0130980695,0.0015840093,0.0025206194,0.011853735],"category_scores_gemma":[0.0033342773,0.0002810924,0.00030394577,0.0029022924,0.021022905,0.0031134528,0.00508442,0.005090696,0.0007956321],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006224271,0.000059470458,0.0062441146,0.00011014665,0.000013779451,0.0015571346,0.73780483,0.00030288554,0.0011093039,0.13001402,0.074691765,0.04803034],"study_design_scores_gemma":[0.0000049687055,0.00001209752,0.0038255493,0.0001257711,0.000011520922,0.00020058182,0.4985569,0.00013485421,0.0003011726,0.002880221,0.49391082,0.0000355189],"about_ca_topic_score_codex":0.9807866,"about_ca_topic_score_gemma":0.9945979,"teacher_disagreement_score":0.06705107,"about_ca_system_score_codex":0.06705107,"about_ca_system_score_gemma":0.118784085,"threshold_uncertainty_score":0.4864918},"labels":[],"label_agreement":null},{"id":"W2966537527","doi":"","title":"Processo de criação cênica no teatro experimental do Québec","year":2007,"lang":"pt","type":"article","venue":"Anais ABRACE","topic":"History, Culture, and Society","field":"Health Professions","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.03352112926485874,"score_gpt":0.3940191372377051,"score_spread":0.36049800797284637,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2966537527","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8561194,0.00044234193,0.0014609854,0.003038631,0.00012850229,0.0005748924,0.000755247,0.000058885733,0.1374211],"genre_scores_gemma":[0.90866244,0.00030260594,0.0010765042,0.0003631787,0.000014051285,0.00036533436,0.00021476828,0.000030166239,0.08897082],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9985025,0.00060459157,0.000028621542,0.00023945789,0.00027542622,0.00034943374],"domain_scores_gemma":[0.9971781,0.0006781252,0.0001569661,0.0002740136,0.0009951501,0.0007176552],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023256284,0.00028593827,0.00034498223,0.0007283578,0.011798162,0.0036572479,0.0012919848,0.00077874097,0.028670212],"category_scores_gemma":[0.0051419814,0.00024799994,0.0001623008,0.0011926765,0.0056346906,0.0010976348,0.00259,0.001389706,0.0007978536],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0015503429,0.0024798887,0.07067672,0.00071595615,0.00007487462,0.0018580232,0.5416511,0.0011518545,0.03052616,0.12674673,0.049746543,0.17282185],"study_design_scores_gemma":[0.00019381625,0.0010959916,0.18256798,0.0004006731,0.00007218388,0.00012225282,0.38629597,0.0010237158,0.010140955,0.004987337,0.41295433,0.00014478173],"about_ca_topic_score_codex":0.8675928,"about_ca_topic_score_gemma":0.9693824,"teacher_disagreement_score":0.13240719,"about_ca_system_score_codex":0.042768,"about_ca_system_score_gemma":0.03091452,"threshold_uncertainty_score":0.310305},"labels":[],"label_agreement":null},{"id":"W2973393778","doi":"","title":"PROVOCAÇÕES DAS NOVAS TECNOLOGIAS DE IMAGEM À CRIAÇÃO DO ATOR","year":2008,"lang":"pt","type":"article","venue":"Anais ABRACE","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.04155441835003739,"score_gpt":0.275658456965944,"score_spread":0.2341040386159066,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2973393778","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.38154337,0.005431194,0.029130582,0.014425536,0.00045431915,0.00019951342,0.00026060533,0.00025365915,0.5683013],"genre_scores_gemma":[0.9405178,0.003549346,0.0103802355,0.00040213933,0.000102515936,0.00007145792,0.00009076547,0.000091755195,0.04479402],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9947817,0.0019189066,0.000210012,0.00057464023,0.0020658548,0.00044885612],"domain_scores_gemma":[0.9890176,0.0046614534,0.0014671775,0.0016925193,0.0024284231,0.00073285145],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.007649435,0.0006400986,0.0003476408,0.002994803,0.0055013634,0.013191024,0.0014931841,0.00176532,0.011574651],"category_scores_gemma":[0.018520076,0.0004453727,0.00061125756,0.0032383385,0.015640778,0.0054242876,0.0056058327,0.0023989526,0.0014514579],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016259162,0.000117481395,0.041832536,0.0014480761,0.00006174644,0.0011775942,0.39708957,0.00078986457,0.009645722,0.25042835,0.010823767,0.28642273],"study_design_scores_gemma":[0.000027056558,0.00022487424,0.116548024,0.0015891114,0.00011029599,0.002180851,0.39770448,0.0015540054,0.010078138,0.05932013,0.41050053,0.00016243801],"about_ca_topic_score_codex":0.02375704,"about_ca_topic_score_gemma":0.051377743,"teacher_disagreement_score":0.02375704,"about_ca_system_score_codex":0.007937213,"about_ca_system_score_gemma":0.007144883,"threshold_uncertainty_score":0.057588756},"labels":[],"label_agreement":null},{"id":"W3036822061","doi":"","title":"Corpos antropofágicos em Liquidação Total","year":2007,"lang":"pt","type":"article","venue":"Anais ABRACE","topic":"Urban and sociocultural dynamics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.025361061715584943,"score_gpt":0.3079011457747809,"score_spread":0.28254008405919595,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3036822061","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9723546,0.004297274,0.002131586,0.0009093157,0.00006527792,0.00012140181,0.00084265583,0.000053513395,0.019224359],"genre_scores_gemma":[0.9824309,0.0032248748,0.0016429374,0.00015586714,0.000042977994,0.00006469518,0.0004483012,0.00002020331,0.011969244],"study_design_codex":"observational","study_design_gemma":"qualitative","domain_scores_codex":[0.99909353,0.00014376533,0.000049515198,0.0001684865,0.00038562567,0.0001590759],"domain_scores_gemma":[0.99768984,0.00067026925,0.0007352227,0.00014279719,0.00055751624,0.0002043128],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011432862,0.0003642116,0.0005540285,0.0029813105,0.0014229884,0.0024931321,0.0006373652,0.0006724368,0.0095598325],"category_scores_gemma":[0.0040277466,0.00037556712,0.00047666446,0.0028619652,0.0016674655,0.0011925498,0.0015288128,0.0005813631,0.00085008726],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0023576722,0.00037934392,0.6156389,0.0013557817,0.00030688496,0.011940914,0.028086014,0.0015500238,0.045875795,0.008319296,0.007191907,0.27699745],"study_design_scores_gemma":[0.00005966624,0.0016738449,0.8449906,0.00033832673,0.000408112,0.008219925,0.034034476,0.001797366,0.023467207,0.0038823714,0.081007995,0.00012006483],"about_ca_topic_score_codex":0.05331213,"about_ca_topic_score_gemma":0.056608543,"teacher_disagreement_score":0.05331213,"about_ca_system_score_codex":0.0023536808,"about_ca_system_score_gemma":0.0013303326,"threshold_uncertainty_score":0.10600364},"labels":[],"label_agreement":null}]}