{"meta":{"query_hash":"1114a66c99a9","filters":{"venue":"Arion"},"cohort_total":9,"direct_labels_cover":0,"predictions_cover":9,"exported":9,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/1114a66c99a9","api":"https://metacan.xera.ac/api/v1/cohort?venue=Arion"},"results":[{"id":"W4205236278","doi":"10.1353/arn.2010.0026","title":"A Tragic Romp?","year":2010,"lang":"en","type":"article","venue":"Arion","topic":"Theater, Performance, and Music History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Drama; Comics; Art; Extant taxon; Literature; Barbarian; History; Ancient Greek; Classics; Art history; Ancient history","score_opus":0.00989754522976576,"score_gpt":0.16881778072583142,"score_spread":0.15892023549606565,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4205236278","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6745769,0.000023267809,0.0000027911215,0.00007784759,0.0018953355,0.000037774735,0.0000019628405,0.00005341032,0.3233307],"genre_scores_gemma":[0.9700817,0.0000040613577,0.000021916125,0.00028690867,0.00087272737,0.000008051951,0.000005818438,0.0000069212288,0.028711924],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99969393,0.000004083892,0.00007382262,0.000075332675,0.000052933803,0.00009989957],"domain_scores_gemma":[0.9998165,0.000005027334,0.000019831408,0.00011432277,0.000015537034,0.000028788616],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000058508012,0.000050709576,0.000053630312,0.000033879915,0.00017627118,0.000032777243,0.00006045051,0.000022669374,0.004388812],"category_scores_gemma":[0.0000021812905,0.00004070089,0.000029676103,0.000006249719,0.00008912451,0.00011189583,0.000007389578,0.00011571362,0.0006950593],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025492107,0.00012022227,0.00024754312,0.000026753767,0.000015014523,0.000007339746,0.12617458,8.647852e-7,0.0116860615,0.72355604,0.06843586,0.06970423],"study_design_scores_gemma":[0.00012381804,0.000026243224,0.00042387066,0.000003583046,0.0000049155115,0.0000024382036,0.00022394543,0.00002441426,0.00015673925,0.00064632966,0.99829984,0.00006385011],"about_ca_topic_score_codex":0.000251236,"about_ca_topic_score_gemma":0.0036691374,"teacher_disagreement_score":0.929864,"about_ca_system_score_codex":0.0000075804937,"about_ca_system_score_gemma":0.000013021731,"threshold_uncertainty_score":0.9965213},"labels":[],"label_agreement":null},{"id":"W4205709406","doi":"10.1353/arn.2010.0029","title":"Achilles As Earthwork","year":2010,"lang":"en","type":"article","venue":"Arion","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"HERO; Art history; Art; Shot (pellet); Quarter (Canadian coin); Law; Ancient history; History; Archaeology; Literature; Political science","score_opus":0.008882493389592934,"score_gpt":0.21310047009078947,"score_spread":0.20421797670119654,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4205709406","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6208931,0.000036925947,0.0000048417924,0.0007564312,0.0004380665,0.000018711053,0.000001915066,0.00003496365,0.377815],"genre_scores_gemma":[0.98058265,0.0000059327435,0.000024059747,0.0004782352,0.00067097874,0.000002433576,0.000007631033,0.0000051898414,0.01822289],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996516,0.000009061493,0.00007524308,0.0000863407,0.00007665539,0.00010107903],"domain_scores_gemma":[0.9997741,0.000019145844,0.000017282124,0.00012792696,0.000026800164,0.00003476538],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00007013934,0.00005084132,0.00006389431,0.000028225382,0.00023003964,0.000107021486,0.00006772895,0.000024423756,0.010213495],"category_scores_gemma":[0.000020437386,0.000040132847,0.000055117354,0.0000130966655,0.000076821256,0.00009808358,0.000014853921,0.00012930355,0.0012366591],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000024009798,0.000026245167,0.00017918558,0.0000014946269,0.00001048903,0.0000027111532,0.0029435332,4.2409232e-7,0.0007121235,0.9876449,0.0028635105,0.0056129955],"study_design_scores_gemma":[0.000063815794,0.000021849164,0.0008260395,0.0000041494704,0.00001697569,0.0000022121687,0.0006276031,0.00003067834,0.0004288926,0.019814879,0.97808665,0.00007622647],"about_ca_topic_score_codex":0.00025758444,"about_ca_topic_score_gemma":0.0029142788,"teacher_disagreement_score":0.9752232,"about_ca_system_score_codex":0.0000015837566,"about_ca_system_score_gemma":0.0000071936047,"threshold_uncertainty_score":0.999541},"labels":[],"label_agreement":null},{"id":"W4205802570","doi":"10.1353/arn.2016.0043","title":"A Problem in Egypto-Canadian Cultural Relations","year":2016,"lang":"en","type":"article","venue":"Arion","topic":"Classical Antiquity Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Context (archaeology); Classics; History; Literature; Art; Archaeology","score_opus":0.032445470713690486,"score_gpt":0.30899787892814834,"score_spread":0.27655240821445787,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4205802570","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20709036,0.000056670957,0.000034089964,0.32434493,0.00014878904,0.00023813244,0.000004028637,0.00005396452,0.46802902],"genre_scores_gemma":[0.9705298,0.00007269447,0.00019590174,0.00012626387,0.00007271896,0.0000088693905,5.5495207e-7,0.0000018452577,0.028991383],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994844,0.000058534322,0.000067338355,0.00008311693,0.00010153449,0.00020503979],"domain_scores_gemma":[0.9997443,0.00007935385,0.000014788184,0.000040745927,0.00003540934,0.00008542541],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00019796702,0.000029900752,0.000044489647,0.000044167035,0.00036321895,0.000023403292,0.00006480205,0.000046744157,0.00017266345],"category_scores_gemma":[0.0003814432,0.000020331492,0.000018408275,0.0001553529,0.0001545147,0.00017548616,0.000015030381,0.000042589727,0.00028636312],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000003036252,0.000026486257,0.1547067,0.00000154842,0.0000059504523,0.0000055212986,0.03430085,6.5264754e-7,0.00018831836,0.7029785,0.031197913,0.076584525],"study_design_scores_gemma":[0.000101589394,0.000006498075,0.0719807,0.000028624583,0.0000016710987,6.731788e-8,0.0013352378,0.000001248241,0.00000538256,0.013876334,0.91261035,0.000052319745],"about_ca_topic_score_codex":0.21609698,"about_ca_topic_score_gemma":0.97726685,"teacher_disagreement_score":0.8814124,"about_ca_system_score_codex":0.00029520973,"about_ca_system_score_gemma":0.00016067032,"threshold_uncertainty_score":0.7891231},"labels":[],"label_agreement":null},{"id":"W4290374764","doi":"10.1353/arn.2022.0015","title":"The Rage and the Kill-Ease","year":2022,"lang":"en","type":"article","venue":"Arion","topic":"Classical Antiquity Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Rage (emotion); Poetry; Character (mathematics); Classics; Art; History; Performance art; Pandemic; Art history; Coronavirus disease 2019 (COVID-19); Literature; Psychology; Medicine","score_opus":0.014464892459800214,"score_gpt":0.2823722073196124,"score_spread":0.2679073148598122,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4290374764","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.49925378,0.0012110673,0.0000075888574,0.43242562,0.0005458454,0.0003075206,0.0000029628982,0.00005130474,0.0661943],"genre_scores_gemma":[0.988795,0.00021341654,0.0000020849618,0.000679834,0.00006767256,0.000019614363,2.5599223e-7,0.0000012733165,0.010220848],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999432,0.00021651329,0.00003836274,0.000054515116,0.00016717768,0.00009141256],"domain_scores_gemma":[0.9993227,0.0005784214,0.000017954497,0.00005778257,0.0000074283757,0.000015705335],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00074893195,0.000021089729,0.00003517615,0.0000035123016,0.003362373,0.000042763044,0.00010720724,0.0000059064223,0.00004281568],"category_scores_gemma":[0.00031890746,0.000010434182,0.00002019296,0.000075221455,0.00038338496,0.000021058428,0.00014245593,0.00007919043,0.00000555541],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004438561,0.000016962375,0.0021246674,9.3535357e-7,0.0000130549315,0.000002253763,0.0246688,0.000001909203,0.000008781001,0.9006597,0.026115084,0.046343457],"study_design_scores_gemma":[0.00015714308,0.000009000913,0.0069025354,5.248689e-7,0.000005154428,2.511716e-7,0.010083516,0.00003204478,0.0000013640928,0.018349417,0.9644353,0.00002374737],"about_ca_topic_score_codex":0.0023025689,"about_ca_topic_score_gemma":0.0069652917,"teacher_disagreement_score":0.9383202,"about_ca_system_score_codex":0.00002193403,"about_ca_system_score_gemma":0.000012741491,"threshold_uncertainty_score":0.9979351},"labels":[],"label_agreement":null},{"id":"W4290374784","doi":"10.1353/arn.2022.0024","title":"From the Canzoniere","year":2022,"lang":"en","type":"article","venue":"Arion","topic":"Classical Antiquity Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Courage; Art; HERO; Face (sociological concept); Art history; Literature; Philosophy; Theology","score_opus":0.03526544902153622,"score_gpt":0.3080301911693454,"score_spread":0.27276474214780916,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4290374784","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6687959,0.0002764627,0.000012399242,0.25988176,0.0007305906,0.000112676884,0.00002057757,0.00006141121,0.07010824],"genre_scores_gemma":[0.9898265,0.000018351408,0.0000109228295,0.0010290897,0.0002776256,0.000011364333,0.0000022689205,0.0000015851034,0.0088222725],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99950475,0.00011185574,0.000033520668,0.000064628846,0.00019761552,0.00008765704],"domain_scores_gemma":[0.9997214,0.00017884451,0.000014712817,0.000062336745,0.000008100021,0.000014589923],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00018581649,0.000020004927,0.00003087048,0.0000032632133,0.0014202023,0.000018486771,0.00014737145,0.000007593263,0.000785862],"category_scores_gemma":[0.00009380384,0.000014165404,0.00002095437,0.000093983006,0.00009363894,0.000021883678,0.00015138794,0.00008405827,0.000035969013],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010660527,0.00005598228,0.022027535,5.115655e-7,0.000027081016,0.000006092726,0.13616177,0.000010773463,0.000103017526,0.1429988,0.6174295,0.08116828],"study_design_scores_gemma":[0.000028238424,0.000006778377,0.014779611,5.3164126e-7,0.000003282369,3.7022517e-8,0.016882727,0.000005021078,0.0000039999663,0.009058296,0.9592082,0.000023267621],"about_ca_topic_score_codex":0.04182105,"about_ca_topic_score_gemma":0.055718932,"teacher_disagreement_score":0.34177873,"about_ca_system_score_codex":0.000060565388,"about_ca_system_score_gemma":0.00003768266,"threshold_uncertainty_score":0.99987984},"labels":[],"label_agreement":null},{"id":"W4290374855","doi":"10.1353/arn.2022.0025","title":"Cupid's Laugh (Amores 1.1)","year":2022,"lang":"en","type":"article","venue":"Arion","topic":"Classical Antiquity Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Apollo; Nothing; Literature; Poetry; Art history; Philosophy","score_opus":0.03358208361349851,"score_gpt":0.32267654554592046,"score_spread":0.28909446193242194,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4290374855","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5599765,0.00035204127,0.00003497194,0.107144564,0.0011181948,0.00021690197,0.000009254201,0.00024407404,0.33090347],"genre_scores_gemma":[0.9777265,0.000038346116,0.000043985197,0.0005736506,0.00015535286,0.00001799936,0.0000018254121,0.0000031411041,0.021439156],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993067,0.00010456138,0.00005677507,0.000099903955,0.00028136,0.00015069357],"domain_scores_gemma":[0.9997852,0.000082383194,0.000022543407,0.00006362689,0.000015299915,0.000030947882],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00027631954,0.000032786327,0.000056451652,0.000018853923,0.0011787966,0.000020047297,0.00013096997,0.000012452962,0.00092507066],"category_scores_gemma":[0.00013418506,0.0000319658,0.00003420699,0.00016285921,0.00011920542,0.000053879976,0.00018472329,0.000092634444,0.00007055681],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002131052,0.00016852509,0.019777486,0.0000042825295,0.000023284214,0.000018009552,0.035289418,0.000026012736,0.00030909642,0.5487598,0.34376863,0.051834136],"study_design_scores_gemma":[0.00005319248,0.000023170383,0.006652273,9.1126515e-7,0.0000033440701,2.0835182e-7,0.004391862,0.000008775763,0.000021983664,0.0069313096,0.9818645,0.000048453316],"about_ca_topic_score_codex":0.0021376687,"about_ca_topic_score_gemma":0.005494592,"teacher_disagreement_score":0.6380959,"about_ca_system_score_codex":0.00007527821,"about_ca_system_score_gemma":0.000035706395,"threshold_uncertainty_score":0.9999882},"labels":[],"label_agreement":null},{"id":"W4300984356","doi":"10.1353/arn.2014.0038","title":"Towards a Poetics of Suffering: Reading Inside and Outside Virgil's Garden","year":2014,"lang":"en","type":"article","venue":"Arion","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetics; Girl; Art; Memoir; Fell; Art history; History; Literature; Psychology; Cartography; Poetry; Geography","score_opus":0.021848986844186385,"score_gpt":0.2271333215129815,"score_spread":0.20528433466879512,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4300984356","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.67265356,0.00016514638,0.00034691757,0.00056708,0.00015797986,0.000046313602,0.0000048663537,0.00003594439,0.32602218],"genre_scores_gemma":[0.99750406,0.00004267498,0.00008385169,0.00017210846,0.00017198852,0.0000016530244,0.000004005639,0.000008359512,0.0020113324],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99947715,0.000029733708,0.00016498263,0.000111538524,0.00010329815,0.00011328279],"domain_scores_gemma":[0.99969596,0.00003938978,0.000049448074,0.00012696988,0.00004757992,0.000040661285],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00016839444,0.00007391394,0.00016439139,0.00005807933,0.00009875504,0.00006382668,0.000057414803,0.00002708254,0.00021064433],"category_scores_gemma":[0.000057213343,0.00006328135,0.000047394184,0.00001561285,0.00009972761,0.00008357261,0.000040300823,0.00006151865,0.000012390257],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016087199,0.00005143783,0.0010590347,0.00010020334,0.000060544156,0.0000036646022,0.024058944,0.000011737836,0.0017014222,0.95617926,0.00090040686,0.015857244],"study_design_scores_gemma":[0.00076894305,0.00042051857,0.009713391,0.00021680714,0.0003014712,0.000011011738,0.008022964,0.0038262254,0.0070761372,0.046647094,0.9224785,0.0005169641],"about_ca_topic_score_codex":0.00027682164,"about_ca_topic_score_gemma":0.00030578882,"teacher_disagreement_score":0.92157805,"about_ca_system_score_codex":0.000007739607,"about_ca_system_score_gemma":0.000007081446,"threshold_uncertainty_score":0.25805387},"labels":[],"label_agreement":null},{"id":"W4312258823","doi":"10.1353/arn.2022.0035","title":"Lesbia’s Sparrow (Catullus 2)","year":2022,"lang":"en","type":"article","venue":"Arion","topic":"Discourse Analysis and Cultural Communication","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sparrow; Art; EPIC; Passer; Trilogy; Poetry; Humanities; Girl; Art history; Literature; Psychology; Zoology","score_opus":0.0350874589667439,"score_gpt":0.33225609924447497,"score_spread":0.29716864027773104,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4312258823","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.33374453,0.00059398025,0.000025161171,0.017795837,0.00022883019,0.00010235826,0.0000022537636,0.00007111273,0.64743596],"genre_scores_gemma":[0.9844029,0.00008290254,0.00003457855,0.0002814837,0.000050640738,0.000014950377,0.000022144424,0.0000022131176,0.01510819],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993544,0.00018132402,0.00006225629,0.000073142866,0.00023301567,0.0000958166],"domain_scores_gemma":[0.9997512,0.000012741355,0.00004012862,0.00014660394,0.00002085379,0.0000284748],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00039445976,0.00002725457,0.000043442153,0.000018698223,0.0010403884,0.000039246395,0.00023578416,0.000011910984,0.002031747],"category_scores_gemma":[0.000020600834,0.000025970885,0.000043547472,0.00018781141,0.00003769193,0.00009900446,0.00007525546,0.00008484744,0.00006908148],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013270001,0.00017865686,0.0034969656,0.0000015007936,0.000035576017,0.0000030507538,0.03273446,0.00034676085,0.001296882,0.82336974,0.057320442,0.0812027],"study_design_scores_gemma":[0.00004669108,0.000013993989,0.0015778603,9.2835563e-7,0.0000121900175,2.5902278e-7,0.015807858,0.00007243938,0.000019511024,0.0033345812,0.9790577,0.00005595298],"about_ca_topic_score_codex":0.005013085,"about_ca_topic_score_gemma":0.006538785,"teacher_disagreement_score":0.9217373,"about_ca_system_score_codex":0.00007495883,"about_ca_system_score_gemma":0.000043049604,"threshold_uncertainty_score":0.9988805},"labels":[],"label_agreement":null},{"id":"W4386335675","doi":"10.1353/arn.2023.a905660","title":"Four Epigrams","year":2023,"lang":"en","type":"article","venue":"Arion","topic":"Scottish History and National Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Wife; Art; Art history; Bachelor; Theology; Philosophy; History; Archaeology","score_opus":0.0958696799099228,"score_gpt":0.23495249502902293,"score_spread":0.13908281511910014,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386335675","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6710139,0.00006910261,0.00001222298,0.0007948145,0.0021429402,0.00006230368,0.000007371112,0.00031373417,0.32558364],"genre_scores_gemma":[0.90117204,0.000009027554,0.000006055038,0.00015168893,0.0003579048,0.000004376967,0.00002145136,0.0000037175623,0.09827371],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997322,0.000009310413,0.000049559367,0.000059760867,0.0000867,0.000062497995],"domain_scores_gemma":[0.99986947,0.000022786784,0.0000146300235,0.000050409748,0.000027799852,0.000014936244],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000092348084,0.000026607038,0.000030658834,0.00005346118,0.00019056689,0.000039620692,0.00004368517,0.000010736205,0.0017482913],"category_scores_gemma":[0.000020949941,0.00002553411,0.000025957104,0.000030214389,0.000034571603,0.00012881758,0.000011877371,0.000032010306,0.0043295706],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000003529653,0.000012307494,0.00043954424,0.0000049671917,0.00000689406,0.000010322856,0.003667311,0.0000043741784,0.00005408753,0.7842399,0.20696497,0.0045917863],"study_design_scores_gemma":[0.00005657348,0.000009753413,0.0048751426,0.0000033826004,0.0000030052063,5.620287e-7,0.0001309085,0.00004776079,0.000023662918,0.01752695,0.97728115,0.00004112934],"about_ca_topic_score_codex":0.0002460483,"about_ca_topic_score_gemma":0.0018445173,"teacher_disagreement_score":0.7703162,"about_ca_system_score_codex":0.000012244666,"about_ca_system_score_gemma":0.000006787914,"threshold_uncertainty_score":0.9991642},"labels":[],"label_agreement":null}]}