{"meta":{"query_hash":"b77ea0b7d1a5","filters":{"venue":"Arte y Ciudad"},"cohort_total":3,"direct_labels_cover":0,"predictions_cover":3,"exported":3,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/b77ea0b7d1a5","api":"https://metacan.xera.ac/api/v1/cohort?venue=Arte+y+Ciudad"},"results":[{"id":"W2113024577","doi":"10.22530/ayc.2013.n3.1.281","title":"Una breve historia del escaparate madrileño moderno","year":2013,"lang":"es","type":"article","venue":"Arte y Ciudad","topic":"Urbanism, Landscape, and Tourism Studies","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Humanities; Art","score_opus":0.013574390180410068,"score_gpt":0.2633890540798042,"score_spread":0.2498146638993941,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2113024577","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.70852846,0.008272296,0.00024046327,0.009328905,0.006233188,0.0010947128,0.000051392133,0.00036113706,0.26588947],"genre_scores_gemma":[0.9357273,0.0022279704,0.00016012504,0.0005427517,0.0022873224,0.00008278526,0.000008940412,0.000048558268,0.058914218],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9969574,0.0002428884,0.00048958074,0.00064369553,0.00067028124,0.0009961356],"domain_scores_gemma":[0.9984626,0.00017196721,0.00026274726,0.0005024616,0.00025126027,0.00034896907],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00035527596,0.00043208568,0.00056130404,0.000110053625,0.0010824355,0.00036735096,0.0005445738,0.0002859208,0.0015316125],"category_scores_gemma":[0.00007727821,0.00039648783,0.00025251645,0.00035825395,0.0004498381,0.00060367165,0.00015538867,0.00029269277,0.0074945046],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004127936,0.00043546516,0.021503264,0.000092346076,0.00047925982,0.000042926546,0.09893847,0.000013103033,0.00082444015,0.030881273,0.83860874,0.008139407],"study_design_scores_gemma":[0.0017455945,0.00028217546,0.06423611,0.0001788803,0.00031212126,0.000005113636,0.005119177,0.0020254713,0.00009819624,0.034880668,0.8896866,0.0014299148],"about_ca_topic_score_codex":0.012693264,"about_ca_topic_score_gemma":0.0009312195,"teacher_disagreement_score":0.22719888,"about_ca_system_score_codex":0.0001929086,"about_ca_system_score_gemma":0.00017003939,"threshold_uncertainty_score":0.9998487},"labels":[],"label_agreement":null},{"id":"W4387720705","doi":"10.22530/ayc.2023.23.635","title":"La diversidad y los usos mixtos en los entornos culturales y creativos como impulsores de la participación ciudadana y la sostenibilidad: análisis del St. George’s Cultural Quarter (Leicester, Reino Unido)","year":2023,"lang":"es","type":"article","venue":"Arte y Ciudad","topic":"Cultural Industries and Urban Development","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Creative city; Quarter (Canadian coin); Creative Cities; Sociology; Phoenix; George (robot); Promotion (chess); Humanities; Geography; Creativity; Political science; Art; Metropolitan area; Art history; Archaeology","score_opus":0.0261258252429208,"score_gpt":0.33545779508779905,"score_spread":0.30933196984487826,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387720705","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96940166,0.0007454035,0.000011186542,0.012032293,0.0004707908,0.001174773,0.00056471536,0.0005543909,0.015044779],"genre_scores_gemma":[0.95183724,0.0023300785,0.00013496145,0.00047285558,0.0007174368,0.00016719945,0.00034688757,0.00008175704,0.043911587],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99079746,0.0034359612,0.0011177083,0.0012485938,0.0013988035,0.002001501],"domain_scores_gemma":[0.9951222,0.002310946,0.000559392,0.00070788444,0.00042019924,0.0008793654],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0021226716,0.0010213827,0.0010056765,0.00027652096,0.0016197163,0.0019438752,0.0012410588,0.0011335207,0.0011369445],"category_scores_gemma":[0.00069545035,0.0008234805,0.00060824666,0.0017104564,0.0017859855,0.0014227646,0.0006289457,0.0011362935,0.00076425326],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00027328645,0.00062502525,0.18415622,0.00029610525,0.0011176144,0.00074341625,0.1233099,0.00011540135,0.0034561744,0.0057253074,0.6692207,0.010960877],"study_design_scores_gemma":[0.002225823,0.00028009375,0.1737049,0.00073680806,0.0005636881,0.00006303194,0.13144645,0.00044183657,0.0014039612,0.0005027165,0.6870274,0.0016032939],"about_ca_topic_score_codex":0.006333661,"about_ca_topic_score_gemma":0.0026393477,"teacher_disagreement_score":0.028866809,"about_ca_system_score_codex":0.0006921637,"about_ca_system_score_gemma":0.00047032625,"threshold_uncertainty_score":0.9997761},"labels":[],"label_agreement":null},{"id":"W7127987082","doi":"10.22530/ayc.2025.28.771","title":"Autoproducción audiovisual y asentamientos indígenas americanos","year":2025,"lang":"","type":"article","venue":"Arte y Ciudad","topic":"Cinema History and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Denunciation; Identity (music); Indigenous; Natural (archaeology); Metis; National identity; Visibility","score_opus":0.00776101805581576,"score_gpt":0.2594034510020878,"score_spread":0.25164243294627203,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7127987082","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.33076558,0.007623932,0.00021007094,0.008218902,0.0112533625,0.0010001526,0.00018612093,0.0003669921,0.6403749],"genre_scores_gemma":[0.7494296,0.00014818396,0.00001822611,0.0044317185,0.0013718016,0.000058692112,0.00003295113,0.000041684496,0.24446717],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.996426,0.00022537237,0.00091307843,0.0010206536,0.00046828715,0.00094662],"domain_scores_gemma":[0.998089,0.0001686845,0.00022655181,0.0010139833,0.00026268966,0.00023908445],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00032371306,0.0006015376,0.0007360593,0.00049045624,0.0017498938,0.0004397179,0.0005234715,0.00017090293,0.013509019],"category_scores_gemma":[0.00012451806,0.00063993846,0.00043499435,0.00034110365,0.0013780079,0.000421483,0.00022587548,0.00060579303,0.00197623],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015565149,0.0011990191,0.0009822153,0.0003777833,0.00049434154,0.00014292786,0.03027137,0.000007133192,0.0012278005,0.60601556,0.31871143,0.040414736],"study_design_scores_gemma":[0.001142201,0.0003324002,0.0023371878,0.00028592913,0.00043741043,0.00000956742,0.009323643,0.00018707849,0.0010274281,0.002413571,0.98182213,0.00068148057],"about_ca_topic_score_codex":0.00055640185,"about_ca_topic_score_gemma":0.0005696347,"teacher_disagreement_score":0.6631107,"about_ca_system_score_codex":0.00025297047,"about_ca_system_score_gemma":0.00039798772,"threshold_uncertainty_score":0.9996052},"labels":[],"label_agreement":null}]}