{"meta":{"query_hash":"c39256eada46","filters":{"venue":"Aspects of Historical Musicology"},"cohort_total":8,"direct_labels_cover":0,"predictions_cover":8,"exported":8,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/c39256eada46","api":"https://metacan.xera.ac/api/v1/cohort?venue=Aspects+of+Historical+Musicology"},"results":[{"id":"W2945205630","doi":"10.34064/khnum2-15.08","title":"Laughter as a direction of Marc-André Hamelin’s composer searches.","year":2019,"lang":"en","type":"article","venue":"Aspects of Historical Musicology","topic":"Digital Media and Visual Art","field":"Computer Science","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Laughter; Art; Humanities; Art history; Literature","score_opus":0.021991722027759668,"score_gpt":0.25886827808293095,"score_spread":0.23687655605517127,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2945205630","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.78686416,0.00033818674,0.0041129533,0.0039978274,0.004623119,0.0003886402,0.0000018316405,0.0001188917,0.19955438],"genre_scores_gemma":[0.99554056,0.0000102383665,0.0012158136,0.0004764446,0.00007540516,0.000007812462,0.000001348188,0.000008418929,0.0026639584],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987728,0.000071602735,0.00029838894,0.00031918575,0.00029112858,0.00024690197],"domain_scores_gemma":[0.99895304,0.00029182123,0.00013696932,0.00037820006,0.00013545773,0.00010449959],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00014747992,0.00011329175,0.00037438778,0.00015728993,0.000023168466,0.000012460658,0.00047774473,0.0000949789,0.0001603849],"category_scores_gemma":[0.000087546345,0.000100223326,0.00010581772,0.0003120521,0.00008316589,0.00023728743,0.00017951665,0.00014087082,0.00031311595],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024445128,0.0023069943,0.0070170606,0.00021097262,0.000126772,0.000097040946,0.0022014754,0.000022136403,0.08585008,0.7923525,0.052051134,0.05751941],"study_design_scores_gemma":[0.0019577437,0.0066833026,0.025490802,0.00006469517,0.000028078055,0.00008199923,0.000027434611,0.0015635854,0.0331301,0.06681303,0.86359626,0.00056295237],"about_ca_topic_score_codex":0.0001945045,"about_ca_topic_score_gemma":0.000019142319,"teacher_disagreement_score":0.81154513,"about_ca_system_score_codex":0.00021211321,"about_ca_system_score_gemma":0.00009375304,"threshold_uncertainty_score":0.40869886},"labels":[],"label_agreement":null},{"id":"W2965048054","doi":"10.34064/khnum2-14.12","title":"M.-A. Hamelin’s composing and performing style in the context of postmodern aesthetics","year":2018,"lang":"en","type":"article","venue":"Aspects of Historical Musicology","topic":"Central Asia Education and Culture","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Postmodernism; Aesthetics; Style (visual arts); Context (archaeology); Art; Sociology; Visual arts; Literature; History","score_opus":0.02403837372865361,"score_gpt":0.28785798244146454,"score_spread":0.26381960871281096,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2965048054","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9506053,0.0004298689,0.000010555843,0.016233958,0.00047059357,0.00013376627,5.7637135e-7,0.0000067739584,0.03210862],"genre_scores_gemma":[0.99856436,0.000030545518,0.00012700171,0.0010016196,0.0001466041,0.0000020374723,5.5340354e-7,0.0000026583318,0.00012459353],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993324,0.00012232018,0.00016543522,0.000098236655,0.00013602398,0.00014554028],"domain_scores_gemma":[0.9995686,0.00012002699,0.0000916903,0.000079085024,0.000103007565,0.00003758132],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002485809,0.00004814614,0.0001431009,0.000034121294,0.00015208023,0.0000066242674,0.00014197583,0.000073954274,0.00008985612],"category_scores_gemma":[0.00012898723,0.000035985504,0.00002589068,0.00014607584,0.0004390539,0.00004026176,0.000017243918,0.00009612236,0.00000293534],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000059094684,0.0005525111,0.0073642335,0.000017118564,0.000009826895,0.0000045084407,0.4990027,4.600272e-7,0.0027801068,0.4512103,0.008982712,0.030016432],"study_design_scores_gemma":[0.000596785,0.0006995039,0.02005804,0.000024445922,0.000028566166,0.000011382121,0.05956663,0.00005259355,0.00035641374,0.007081983,0.9113641,0.00015958419],"about_ca_topic_score_codex":0.0020670914,"about_ca_topic_score_gemma":0.0045260587,"teacher_disagreement_score":0.90238136,"about_ca_system_score_codex":0.00018692303,"about_ca_system_score_gemma":0.00010066322,"threshold_uncertainty_score":0.31248376},"labels":[],"label_agreement":null},{"id":"W3034144473","doi":"10.34064/khnum2-18.04","title":"The image of Oksana in the opera by N. Rimsky Korsakov “Christmas Eve”: a composer plan and a performing embodiment","year":2019,"lang":"en","type":"article","venue":"Aspects of Historical Musicology","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Opera; Performing arts; Singing; Musical; Argument (complex analysis); Art; Choir; Repertoire; Visual arts; Literature; Aesthetics; History","score_opus":0.032965820397355725,"score_gpt":0.20565589327282574,"score_spread":0.17269007287547,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3034144473","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7684743,0.0016626015,5.9782394e-7,0.0034984106,0.0005170615,0.0003765998,0.000007962458,0.000012106313,0.22545038],"genre_scores_gemma":[0.99747103,0.00006244016,0.000020348589,0.0008989384,0.00009008268,0.000027389839,0.0000022827612,0.000008176319,0.0014192866],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987772,0.00013842469,0.00035393424,0.00022678472,0.0002235117,0.00028015333],"domain_scores_gemma":[0.9987217,0.0007910557,0.00016594472,0.00021227522,0.000075610515,0.000033397446],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00034251856,0.00015286969,0.0004108167,0.00005167751,0.00028798415,0.00004886514,0.0003459601,0.000057457946,0.00067690224],"category_scores_gemma":[0.00007108017,0.00008282633,0.00007150063,0.00005463672,0.00063900766,0.00007627611,0.0001586199,0.00022135583,0.00002921709],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001978038,0.00065871124,0.0018450901,0.000062407955,0.00010673843,0.000025605203,0.03222982,0.0000019160232,0.0018789083,0.837598,0.12400646,0.0013885435],"study_design_scores_gemma":[0.0008765748,0.0010963947,0.0030817778,0.000016037133,0.00004586845,0.000004044839,0.006002595,0.000023955366,0.00007089696,0.003498737,0.9851152,0.00016796506],"about_ca_topic_score_codex":0.0011437471,"about_ca_topic_score_gemma":0.0005359894,"teacher_disagreement_score":0.8611087,"about_ca_system_score_codex":0.00018771614,"about_ca_system_score_gemma":0.000023746088,"threshold_uncertainty_score":0.7411605},"labels":[],"label_agreement":null},{"id":"W4380990799","doi":"10.34064/khnum2-30.06","title":"Spiritual choral compositions of the Ukrainian composers of the first third of the 20th century: genre-stylistic and performance principles","year":2023,"lang":"en","type":"article","venue":"Aspects of Historical Musicology","topic":"Innovative Educational Techniques","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Choir; Ukrainian; Context (archaeology); Style (visual arts); Period (music); Literature; Novelty; Quarter (Canadian coin); Art; Relevance (law); History; Visual arts; Classics; Aesthetics; Theology; Philosophy; Linguistics; Law; Political science","score_opus":0.044562029085393445,"score_gpt":0.2960511332132591,"score_spread":0.2514891041278656,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4380990799","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9622255,0.00006508683,0.0000018314223,0.012809457,0.0009070927,0.00038336072,0.000020986894,0.00001872447,0.02356798],"genre_scores_gemma":[0.999292,0.000025929052,0.00013359779,0.0002512523,0.00007768101,0.000013846495,0.0000013744573,0.0000060445045,0.00019827878],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.9988024,0.00019350438,0.0003468244,0.00013501417,0.00034777448,0.000174437],"domain_scores_gemma":[0.9986044,0.00040189503,0.00042356466,0.0002698115,0.00027575402,0.00002456054],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00039907303,0.000083647035,0.00023557263,0.00006931254,0.0004285414,0.0000032766577,0.0006078726,0.00008717834,0.000022281889],"category_scores_gemma":[0.00045892017,0.00005068498,0.00008880447,0.0009403606,0.0018454804,0.00004390428,0.00023519662,0.0001832759,7.558134e-7],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000045102646,0.00040202716,0.09041956,0.00012554954,0.000053619944,4.467994e-7,0.030825794,0.000034732406,0.0058270455,0.8634582,0.008564743,0.0002431673],"study_design_scores_gemma":[0.00014076248,0.00017135822,0.8824768,0.00005650471,0.000030575004,0.0000011192474,0.0007612698,0.000028779392,0.0018692553,0.0017272527,0.112660535,0.00007576541],"about_ca_topic_score_codex":0.0010881592,"about_ca_topic_score_gemma":0.0011351425,"teacher_disagreement_score":0.86173093,"about_ca_system_score_codex":0.00032560373,"about_ca_system_score_gemma":0.0003462489,"threshold_uncertainty_score":0.679975},"labels":[],"label_agreement":null},{"id":"W4385659788","doi":"10.34064/khnum2-31.03","title":"Modern instrumental and orchestral art of the Bukovyna region","year":2023,"lang":"en","type":"article","venue":"Aspects of Historical Musicology","topic":"Central Asia Education and Culture","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Originality; Ukrainian; Musical; Novelty; Psychology; Aesthetics; Sociology; History; Visual arts; Creativity; Art; Linguistics; Social psychology","score_opus":0.032437662782353514,"score_gpt":0.2713805817199011,"score_spread":0.23894291893754757,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385659788","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.91035146,0.0000734686,0.000003291765,0.028019214,0.0011246748,0.00013142846,8.738985e-7,0.000027755848,0.060267847],"genre_scores_gemma":[0.9945173,0.00003580033,0.000016441412,0.00021571279,0.000106578475,0.0000036307247,0.0000011252869,0.0000028712127,0.005100521],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99941826,0.000074923046,0.00011794445,0.00010472549,0.00014105,0.00014312298],"domain_scores_gemma":[0.9997009,0.00005158782,0.00007785405,0.00008123346,0.000033581287,0.00005484774],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000081856495,0.000043974724,0.00010995935,0.000029090794,0.00012492809,0.0000035188423,0.00012720098,0.00007821015,0.000072668096],"category_scores_gemma":[0.00012102507,0.000032673095,0.00004556614,0.0002912119,0.00027099717,0.000038085418,0.00003603286,0.000079325386,0.000007925313],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037209284,0.0003182569,0.020121824,0.000029380193,0.000027906315,0.0000071613717,0.03953994,0.00000416254,0.005227085,0.62957823,0.29125345,0.01385538],"study_design_scores_gemma":[0.00046310408,0.00017986656,0.1627608,0.000015169057,0.000033429988,0.000007885294,0.0048514833,0.000023714403,0.0004624714,0.04744316,0.7836084,0.00015053565],"about_ca_topic_score_codex":0.0004095718,"about_ca_topic_score_gemma":0.000745282,"teacher_disagreement_score":0.5821351,"about_ca_system_score_codex":0.00023644663,"about_ca_system_score_gemma":0.00012441866,"threshold_uncertainty_score":0.133237},"labels":[],"label_agreement":null},{"id":"W4387091838","doi":"10.34064/khnum2-29.12","title":"China’s conservatories are the highest national level piano education: historiography of the issue","year":2022,"lang":"en","type":"article","venue":"Aspects of Historical Musicology","topic":"International Science and Diplomacy","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Piano; Piano pedagogy; China; Professionalization; Creativity; Music education; Historiography; Pedagogy; Sociology; Political science; Social science; History; Art history; Law","score_opus":0.03754977573021825,"score_gpt":0.3044072445818413,"score_spread":0.2668574688516231,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387091838","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21760276,0.0010890409,0.000008270225,0.3030284,0.015860124,0.00043770802,0.000037111153,0.000033963406,0.46190262],"genre_scores_gemma":[0.98731285,0.0000064157402,0.000040788113,0.0031037803,0.00052574556,0.00005684693,0.0000017764245,0.0000044821786,0.008947325],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99818724,0.00028354648,0.00024907562,0.0001757173,0.0009350843,0.00016934327],"domain_scores_gemma":[0.9987912,0.00024420046,0.00036319686,0.0001736695,0.00038244316,0.00004526782],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005441906,0.000074470016,0.00015325371,0.00009679814,0.0011534919,0.00000830021,0.0008843831,0.00004495872,0.0009520168],"category_scores_gemma":[0.00065630896,0.00005274808,0.00013315467,0.0008610482,0.0007273037,0.00009362765,0.00015981054,0.00018388711,0.000006342973],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012567543,0.00024641436,0.013392318,0.0000031844595,0.000012058144,7.4551275e-7,0.003471418,0.000009510332,0.0001464281,0.7438399,0.23871398,0.0001514312],"study_design_scores_gemma":[0.00007255611,0.000057934172,0.17342441,0.0000021545886,0.000009522344,0.0000018799765,0.0011219357,7.8855106e-7,0.00003323632,0.03131974,0.79390216,0.000053693664],"about_ca_topic_score_codex":0.014147129,"about_ca_topic_score_gemma":0.0019027082,"teacher_disagreement_score":0.76971006,"about_ca_system_score_codex":0.0014001017,"about_ca_system_score_gemma":0.001662591,"threshold_uncertainty_score":0.99996126},"labels":[],"label_agreement":null},{"id":"W4401843932","doi":"10.34064/khnum2-35.12","title":"Trends in the development of the foreign instrumental concerto at the turn of the 20th – the first quarter of the 21st century","year":2024,"lang":"en","type":"article","venue":"Aspects of Historical Musicology","topic":"Central Asia Education and Culture","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Concerto; Piano; Violin concerto; Style (visual arts); Art; Quarter (Canadian coin); Art history; Literature; Humanities; History","score_opus":0.0187379523884359,"score_gpt":0.2619620417104553,"score_spread":0.2432240893220194,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4401843932","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.70509034,0.0017031075,4.8921316e-7,0.12754011,0.0042527793,0.0006772381,0.000014776639,0.00001001322,0.16071115],"genre_scores_gemma":[0.9975576,0.000031666816,0.0000045160386,0.0010695801,0.00014472133,0.000027935914,0.0000012483557,0.000005508473,0.0011572206],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998295,0.00040415608,0.00040262623,0.00016802654,0.0004958695,0.0002343152],"domain_scores_gemma":[0.99892944,0.0003602213,0.00025946496,0.00036769305,0.000057770187,0.000025428568],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00044954888,0.00011675682,0.00019535002,0.000028106273,0.0005205816,0.000013202103,0.001153076,0.00010538769,0.00058583467],"category_scores_gemma":[0.00010131922,0.00003859817,0.00022952614,0.0008347304,0.0010043631,0.000039354334,0.00017246224,0.0002818103,0.000002865178],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004891341,0.0005081872,0.010646055,0.00004208744,0.00010497507,8.094647e-7,0.369348,0.0000070302763,0.00082678534,0.45583165,0.150068,0.012567532],"study_design_scores_gemma":[0.00020892604,0.000057337737,0.11093514,0.00003825314,0.000051499035,0.000003664602,0.048778795,0.0000033590125,0.0007496938,0.0018207462,0.8372767,0.00007589967],"about_ca_topic_score_codex":0.0009587746,"about_ca_topic_score_gemma":0.024061088,"teacher_disagreement_score":0.6872087,"about_ca_system_score_codex":0.00078714255,"about_ca_system_score_gemma":0.00039935735,"threshold_uncertainty_score":0.99374723},"labels":[],"label_agreement":null},{"id":"W7130395508","doi":"10.34064/khnum2-41.07","title":"Richard Wagner and rock culture","year":2025,"lang":"","type":"article","venue":"Aspects of Historical Musicology","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ukrainian; Postmodernism; Cultural heritage; Musical; Quarter (Canadian coin); Cultural studies; Subject (documents)","score_opus":0.014262453043018502,"score_gpt":0.223609424034611,"score_spread":0.2093469709915925,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7130395508","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.045911912,0.03705593,0.00044102487,0.029793384,0.010489069,0.000642385,0.00004008328,0.00010613243,0.8755201],"genre_scores_gemma":[0.87762755,0.00057931687,0.000055386736,0.0074814125,0.00095511304,0.000032824588,0.0000089659015,0.000019633673,0.11323977],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99707955,0.0002642903,0.00093275204,0.000849164,0.00023340159,0.00064084644],"domain_scores_gemma":[0.9980552,0.00047556483,0.00037872215,0.00047951934,0.00039922562,0.00021176174],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00021931365,0.00047997752,0.0014099635,0.0005048902,0.000779934,0.00006380413,0.0004124547,0.0006716562,0.008848282],"category_scores_gemma":[0.00033867627,0.00041257354,0.00040354236,0.0003786251,0.00060453726,0.00014852846,0.00039877582,0.00073480303,0.000106260646],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014112424,0.00070912106,0.00016422338,0.00020163684,0.0004961228,0.000042365675,0.0035488475,0.0000040880004,0.00048825477,0.66448075,0.32735622,0.0023672397],"study_design_scores_gemma":[0.0009560838,0.0009626356,0.0009925955,0.000055238863,0.0012401423,0.000006020802,0.00039471607,0.00013107172,0.00007750088,0.04429811,0.95051074,0.00037515888],"about_ca_topic_score_codex":0.00070257974,"about_ca_topic_score_gemma":0.0012704406,"teacher_disagreement_score":0.83171564,"about_ca_system_score_codex":0.0005401101,"about_ca_system_score_gemma":0.0002170306,"threshold_uncertainty_score":0.99983263},"labels":[],"label_agreement":null}]}