{"meta":{"query_hash":"f70b3d54c24b","filters":{"venue":"Australian Journal of French Studies"},"cohort_total":14,"direct_labels_cover":0,"predictions_cover":14,"exported":14,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/f70b3d54c24b","api":"https://metacan.xera.ac/api/v1/cohort?venue=Australian+Journal+of+French+Studies"},"results":[{"id":"W1964149385","doi":"10.3828/ajfs.43.2.195","title":"Être de langage, être de désir: fantasme, parole et identité dans <i>Gouttes d'eau sur pierres brûlantes</i> de François Ozon","year":2006,"lang":"fr","type":"article","venue":"Australian Journal of French Studies","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Chicoutimi; Université du Québec à Montréal","funders":"","keywords":"Art; Humanities","score_opus":0.03092770749169699,"score_gpt":0.280425109408694,"score_spread":0.24949740191699699,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1964149385","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.579781,0.023965348,0.0027603183,0.055802498,0.0016394837,0.000042499265,0.00015227354,0.000113443835,0.33574313],"genre_scores_gemma":[0.9360827,0.001929002,0.0002980646,0.0009652381,0.00018246041,0.000015987414,0.00001957325,0.00007780123,0.06042916],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99734914,0.0017065485,0.00003260943,0.00020342774,0.00031665107,0.00039165342],"domain_scores_gemma":[0.99820864,0.001076272,0.00016307765,0.000059549726,0.00024615633,0.0002462648],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0025966207,0.0009258594,0.00051019684,0.0009338969,0.016531983,0.009544373,0.000666668,0.0036049148,0.0064774863],"category_scores_gemma":[0.004920591,0.00045610496,0.00037455183,0.0009017753,0.014862657,0.005049528,0.002585991,0.007276488,0.000826003],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013250348,0.000023533528,0.0013986098,0.000053178774,0.000009589873,0.0009946015,0.8151052,0.000068130816,0.0005689474,0.16259703,0.0073692,0.011679416],"study_design_scores_gemma":[0.000022115386,0.00005717954,0.006979127,0.00019407894,0.000015384909,0.0017951344,0.5632561,0.00010603355,0.00076049566,0.006738955,0.42000207,0.00007328176],"about_ca_topic_score_codex":0.17022163,"about_ca_topic_score_gemma":0.17239217,"teacher_disagreement_score":0.17022163,"about_ca_system_score_codex":0.009628477,"about_ca_system_score_gemma":0.004182504,"threshold_uncertainty_score":0.33846164},"labels":[],"label_agreement":null},{"id":"W1982986946","doi":"10.3828/ajfs.2012.7","title":"Une poétique de l'hybride: Madame de Sévigné, épistolière ou diariste?","year":2012,"lang":"fr","type":"article","venue":"Australian Journal of French Studies","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Dalhousie University","funders":"","keywords":"Humanities; Art","score_opus":0.06694350448939484,"score_gpt":0.3511118598640883,"score_spread":0.2841683553746935,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1982986946","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.22756505,0.02260881,0.00530227,0.07609844,0.002504916,0.00002364953,0.00008870337,0.00023410154,0.665574],"genre_scores_gemma":[0.9265397,0.0010802929,0.00077700673,0.0020755855,0.00038586932,0.000017357306,0.000019856761,0.00008760913,0.06901657],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989681,0.0006101641,0.000010243439,0.0001206982,0.00016090061,0.00012985643],"domain_scores_gemma":[0.99958676,0.00017404377,0.000049318183,0.000059686787,0.00005543982,0.00007482489],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011716104,0.00039976265,0.00025651415,0.0005287661,0.0049851,0.005883712,0.0005062886,0.0015078355,0.005601985],"category_scores_gemma":[0.002426353,0.00014929559,0.00018846849,0.0005039969,0.008916709,0.0026033327,0.0022428967,0.0023610587,0.0008054521],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012071754,0.000022750875,0.001470893,0.00007683877,0.00001563309,0.0008472882,0.16860142,0.00006304655,0.0012490441,0.7411322,0.044764236,0.041635938],"study_design_scores_gemma":[0.00001656047,0.00006254943,0.0028510694,0.00012140854,0.000007643231,0.0012344394,0.0426267,0.00017298538,0.00039682337,0.01932157,0.93316144,0.000026660382],"about_ca_topic_score_codex":0.014430373,"about_ca_topic_score_gemma":0.022910396,"teacher_disagreement_score":0.014430373,"about_ca_system_score_codex":0.0031707832,"about_ca_system_score_gemma":0.0009917954,"threshold_uncertainty_score":0.028692782},"labels":[],"label_agreement":null},{"id":"W2000572441","doi":"10.3828/ajfs.2012.21","title":"Rape, Silence and Disembodiment in Anne Hébert's <i>Les Fous de Bassan</i>","year":2012,"lang":"en","type":"article","venue":"Australian Journal of French Studies","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Silence; Narrative; Inscribed figure; Sociology; Sexual violence; Psychoanalysis; Aesthetics; Literature; Psychology; Philosophy; Art; Criminology","score_opus":0.0728198480923155,"score_gpt":0.30247203218305846,"score_spread":0.22965218409074295,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2000572441","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5368065,0.02348081,0.0026789636,0.052104536,0.00044382148,0.00004255005,0.00009458967,0.00006364735,0.3842846],"genre_scores_gemma":[0.9789419,0.0019417403,0.00022591745,0.0010565581,0.000033323908,0.000011084471,0.000010197101,0.00001694381,0.017762229],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99811375,0.0013213806,0.00002348927,0.00008977717,0.00025516906,0.0001964069],"domain_scores_gemma":[0.998359,0.0010288318,0.00022897753,0.00005207813,0.00019691492,0.00013415936],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014947476,0.00038397586,0.0002600426,0.0010638108,0.018153854,0.007477795,0.0007201569,0.0024906916,0.0022863029],"category_scores_gemma":[0.003141923,0.00019757025,0.00017492271,0.0008075732,0.022717487,0.0027881346,0.0019446496,0.0025795703,0.00028145144],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029358567,0.0000113279575,0.000619373,0.00004677208,0.000003237134,0.0006452295,0.844379,0.000096565076,0.000298117,0.14501211,0.0037151694,0.005143776],"study_design_scores_gemma":[0.000008281187,0.00003104964,0.0029312228,0.00035018267,0.000009188354,0.001056239,0.6557738,0.00016940026,0.00081676093,0.01277128,0.32603952,0.00004314801],"about_ca_topic_score_codex":0.38464186,"about_ca_topic_score_gemma":0.4132648,"teacher_disagreement_score":0.38464186,"about_ca_system_score_codex":0.019305216,"about_ca_system_score_gemma":0.006402914,"threshold_uncertainty_score":0.764806},"labels":[],"label_agreement":null},{"id":"W2014848359","doi":"10.3828/ajfs.42.2.159","title":"Reading <i>À rebours</i> à rebours: a Revisionist View of a Minor Classic","year":2005,"lang":"en","type":"article","venue":"Australian Journal of French Studies","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Minor (academic); Reading (process); Literature; Art; History; Philosophy; Humanities; Linguistics","score_opus":0.06608517456121919,"score_gpt":0.35623430912376924,"score_spread":0.29014913456255004,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2014848359","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.068642385,0.025446363,0.0059154816,0.1459443,0.008896342,0.00007129855,0.00011259417,0.0002536323,0.7447176],"genre_scores_gemma":[0.77316916,0.0035304804,0.0018351156,0.009188793,0.003427017,0.000033630553,0.000037624046,0.00028721412,0.20849083],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99900025,0.0005913105,0.00003207138,0.00013168126,0.00012221307,0.00012260741],"domain_scores_gemma":[0.99843806,0.0007943947,0.00010582479,0.00012631045,0.00039869777,0.00013668662],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017233947,0.00047693963,0.00043997902,0.0018841405,0.007868387,0.0078013735,0.0009288415,0.002217763,0.004892054],"category_scores_gemma":[0.003947555,0.0002226954,0.00037073722,0.0009177025,0.010840141,0.0049858447,0.001640429,0.004728876,0.00057769107],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000887594,0.00001570893,0.000318895,0.000109101085,0.000008235811,0.00038756573,0.068320714,0.00008855302,0.0006316061,0.852731,0.06582883,0.011470914],"study_design_scores_gemma":[0.000013409769,0.00005099864,0.0009636807,0.00018049544,0.000017045431,0.00053526124,0.016612297,0.00023449845,0.00046759393,0.07541936,0.905477,0.00002834439],"about_ca_topic_score_codex":0.03016287,"about_ca_topic_score_gemma":0.045387816,"teacher_disagreement_score":0.03016287,"about_ca_system_score_codex":0.008405097,"about_ca_system_score_gemma":0.0023017665,"threshold_uncertainty_score":0.0609836},"labels":[],"label_agreement":null},{"id":"W2047185311","doi":"10.3828/ajfs.44.1.60","title":"Le Refus de la métaphore: Pierre Perrault et la métaphore du refus","year":2007,"lang":"fr","type":"article","venue":"Australian Journal of French Studies","topic":"Psychoanalysis and Psychopathology Research","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Manitoba","funders":"","keywords":"Art","score_opus":0.05307875421985652,"score_gpt":0.449974763381613,"score_spread":0.3968960091617565,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2047185311","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.053988382,0.2832637,0.020876415,0.3645267,0.010068176,0.000050134502,0.00013334122,0.00027386754,0.26681927],"genre_scores_gemma":[0.84974474,0.036655128,0.005912823,0.013794485,0.0047178306,0.00009452106,0.00003604309,0.00028420225,0.08876019],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9968432,0.0024533588,0.00003008261,0.0001746883,0.00034212816,0.00015660095],"domain_scores_gemma":[0.9978436,0.0016547279,0.00009911324,0.000048176687,0.00021218858,0.00014213899],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002710126,0.0014307915,0.00077755086,0.0019155124,0.005358183,0.005509376,0.0010349419,0.0061227004,0.003892731],"category_scores_gemma":[0.005264637,0.000501277,0.00047248948,0.0015899636,0.015203315,0.008637487,0.0016961318,0.007830627,0.0010650961],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000121427816,0.0000375084,0.00017840121,0.00023442302,0.000025109619,0.00082750566,0.06569037,0.00041659706,0.000411499,0.85990673,0.054117795,0.018032532],"study_design_scores_gemma":[0.000062139494,0.000078711775,0.0013305168,0.00031551562,0.000032471922,0.003154962,0.022950273,0.0011772728,0.00078294583,0.2695576,0.7004358,0.00012164511],"about_ca_topic_score_codex":0.021157535,"about_ca_topic_score_gemma":0.013144528,"teacher_disagreement_score":0.021157535,"about_ca_system_score_codex":0.004745488,"about_ca_system_score_gemma":0.002175346,"threshold_uncertainty_score":0.04206878},"labels":[],"label_agreement":null},{"id":"W2227523659","doi":"","title":"Obituaries: JAMES R. LAWLER (1929-2013)","year":2013,"lang":"en","type":"article","venue":"Australian Journal of French Studies","topic":"Australian Indigenous Culture and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Simplicity; Fountain; Beauty; Literature; Paragraph; Variety (cybernetics); Paradise; Craft; Openness to experience; Reading (process); Art history; Art; History; Philosophy; Aesthetics; Visual arts; Psychology; Law; Linguistics; Computer science","score_opus":0.06753810112351932,"score_gpt":0.3342982538006503,"score_spread":0.266760152677131,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2227523659","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0016396332,0.16197741,0.0014446797,0.13285021,0.27244017,0.00013778835,0.0025759186,0.0013887779,0.4255454],"genre_scores_gemma":[0.004842815,0.017647155,0.00031761316,0.012447404,0.01819846,0.00006580335,0.00041694095,0.0005552425,0.9455085],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993362,0.00009093567,0.000040593928,0.00016337415,0.00029835032,0.00007054547],"domain_scores_gemma":[0.9990489,0.00018033075,0.00009260385,0.00004534922,0.0003984238,0.0002343757],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007499498,0.0011250752,0.00067878055,0.0021171686,0.0028047147,0.004292661,0.00085457845,0.001784523,0.16420087],"category_scores_gemma":[0.004599239,0.0003747681,0.0003617588,0.001212011,0.00088067923,0.0038947894,0.0033241461,0.0029843424,0.11440543],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006528639,0.0000051125207,0.00005284737,0.000051143666,7.858412e-7,0.00006378878,0.00018539418,0.000006650577,0.00004496271,0.0011747703,0.98283225,0.015575782],"study_design_scores_gemma":[7.560812e-7,0.0000033911522,0.00013801122,0.00011508353,4.9414456e-7,0.00006979649,0.000099356286,0.000005924848,0.000033608572,0.00012930049,0.9994018,0.0000024224519],"about_ca_topic_score_codex":0.007161934,"about_ca_topic_score_gemma":0.014334828,"teacher_disagreement_score":0.16420087,"about_ca_system_score_codex":0.002124393,"about_ca_system_score_gemma":0.0013168468,"threshold_uncertainty_score":0.54930663},"labels":[],"label_agreement":null},{"id":"W2269997883","doi":"10.3828/ajfs.2015.21","title":"Le Champ de la poésie en France au XVI <sup>e</sup> siècle: constantes et mutations","year":2015,"lang":"fr","type":"article","venue":"Australian Journal of French Studies","topic":"Renaissance Literature and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Humanities; Art; The Renaissance; Poetry; Poetics; Philosophy; Art history; Literature","score_opus":0.04048821654680598,"score_gpt":0.30932074329935394,"score_spread":0.268832526752548,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2269997883","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.60323757,0.017489068,0.0019251908,0.020744104,0.00043600507,0.000038578008,0.0001460047,0.000084983185,0.35589853],"genre_scores_gemma":[0.9159944,0.002036332,0.00049223576,0.00028368994,0.00006561191,0.00001756136,0.000028151864,0.000029888097,0.08105214],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99917465,0.00027560638,0.0000140686425,0.0001046008,0.00023799302,0.00019308254],"domain_scores_gemma":[0.9992617,0.00021194106,0.00010203052,0.000042711457,0.00023934054,0.00014230245],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013512475,0.0002973659,0.00030058454,0.0015572403,0.006133983,0.0052723284,0.0005084206,0.0009001447,0.008635033],"category_scores_gemma":[0.002092878,0.00018477612,0.00014208216,0.0017008999,0.007870423,0.0018450402,0.0015072325,0.0014565671,0.00064094557],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006489358,0.000039439077,0.0073847813,0.000105412866,0.000011848954,0.0007895801,0.17420192,0.00024066231,0.0009580983,0.72521734,0.010758964,0.08022707],"study_design_scores_gemma":[0.000021603608,0.00007495747,0.0403188,0.00027961854,0.000015658057,0.00077538635,0.037715543,0.00034383516,0.0009967942,0.019330792,0.90008533,0.00004169903],"about_ca_topic_score_codex":0.10479541,"about_ca_topic_score_gemma":0.13467196,"teacher_disagreement_score":0.10479541,"about_ca_system_score_codex":0.01377799,"about_ca_system_score_gemma":0.0053164074,"threshold_uncertainty_score":0.20837086},"labels":[],"label_agreement":null},{"id":"W2339071913","doi":"10.3828/ajfs.2016.07","title":"Writing Up Close and From a Distance: French and North-American Representations of Belleville (Paris) in Contemporary <i>Roman Noir</i>","year":2016,"lang":"en","type":"article","venue":"Australian Journal of French Studies","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; History; Genealogy","score_opus":0.10261462357351438,"score_gpt":0.32222446710372094,"score_spread":0.21960984353020657,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2339071913","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.81043345,0.005448225,0.000603054,0.01793659,0.0002668378,0.000011899716,0.000045780576,0.000038677343,0.16521546],"genre_scores_gemma":[0.9910114,0.0004367876,0.00007186536,0.0005940122,0.00003530235,0.0000037391987,0.0000091588845,0.000016008347,0.007821688],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976788,0.0015828003,0.00002296502,0.00016938115,0.00020685101,0.0003392157],"domain_scores_gemma":[0.99829835,0.001084605,0.00020781135,0.0000682428,0.0001684282,0.00017269092],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002501077,0.0006112084,0.0003281601,0.001620677,0.017356819,0.009106879,0.00089306006,0.0024141336,0.0056466293],"category_scores_gemma":[0.0034343794,0.00022892252,0.00018925435,0.0011421519,0.016117182,0.0033371656,0.0026994413,0.0032172594,0.00033434236],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032230382,0.000010605083,0.00092689844,0.000023252207,0.0000043542436,0.00048596,0.9634319,0.00003723603,0.0001968569,0.027366752,0.0028046903,0.004679283],"study_design_scores_gemma":[0.0000056939552,0.00004176111,0.007452875,0.00012962052,0.000009438555,0.00054103974,0.8290511,0.00012330919,0.00026638975,0.0013244614,0.16101883,0.00003542371],"about_ca_topic_score_codex":0.17878857,"about_ca_topic_score_gemma":0.25164634,"teacher_disagreement_score":0.17878857,"about_ca_system_score_codex":0.01153589,"about_ca_system_score_gemma":0.0018065949,"threshold_uncertainty_score":0.3554958},"labels":[],"label_agreement":null},{"id":"W2605556054","doi":"10.3828/ajfs.2017.08","title":"A <i>Nouveau Roman de la route</i> : Marc Séguin’s <i>La foi du braconnier</i> and the Challenge of Rewriting","year":2017,"lang":"fr","type":"article","venue":"Australian Journal of French Studies","topic":"French Literature and Poetry","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Rewriting; Art; Humanities; Computer science; Programming language","score_opus":0.028817954917802598,"score_gpt":0.2859146814794029,"score_spread":0.2570967265616003,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2605556054","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09969141,0.027821222,0.0031477448,0.15000682,0.00404747,0.00003071627,0.00013233985,0.00016803581,0.7149544],"genre_scores_gemma":[0.8539535,0.0033135011,0.00075094483,0.0053373943,0.0006476946,0.0000184892,0.000027255232,0.00013854832,0.13581279],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998978,0.00058415777,0.00001059167,0.000102597354,0.00015972299,0.00016501016],"domain_scores_gemma":[0.99920076,0.00023548122,0.00006428293,0.000072237344,0.00022886068,0.00019843449],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011487993,0.00044285084,0.00022919924,0.0005784511,0.011216254,0.007825801,0.00066395925,0.0017254362,0.005410368],"category_scores_gemma":[0.0025288141,0.00014970344,0.00018074799,0.00052798016,0.014545384,0.0024468224,0.0012198734,0.0030876833,0.00084038475],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000060655686,0.000021350346,0.00076690275,0.000051816587,0.0000099405615,0.0009433754,0.15458666,0.00025673563,0.0006947531,0.6180462,0.20523755,0.01932402],"study_design_scores_gemma":[0.000004886366,0.000011098681,0.0009310194,0.0000986302,0.0000031859295,0.00034804485,0.03151592,0.00016164179,0.00026808676,0.010138386,0.9564967,0.000022415546],"about_ca_topic_score_codex":0.4138975,"about_ca_topic_score_gemma":0.5233772,"teacher_disagreement_score":0.4138975,"about_ca_system_score_codex":0.016893217,"about_ca_system_score_gemma":0.004368486,"threshold_uncertainty_score":0.8229767},"labels":[],"label_agreement":null},{"id":"W2904300405","doi":"10.3828/ajfs.2018.26","title":"Robert Challe, adepte d’une anglomanie coloniale","year":2018,"lang":"en","type":"article","venue":"Australian Journal of French Studies","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Dalhousie University","funders":"","keywords":"Art; Philosophy","score_opus":0.05951527520596817,"score_gpt":0.2807000999288973,"score_spread":0.2211848247229291,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2904300405","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.022507546,0.19317318,0.0023330147,0.49240842,0.025789902,0.000037203186,0.00015971674,0.00013565575,0.26345536],"genre_scores_gemma":[0.2970904,0.06435241,0.0018423651,0.05455469,0.008093421,0.00008684083,0.00006900319,0.00037541566,0.5735354],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974267,0.0014698101,0.00006603548,0.00028101003,0.00041781345,0.0003386081],"domain_scores_gemma":[0.9976615,0.0011877267,0.00017618915,0.00012500142,0.00040920943,0.00044044008],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0021743877,0.0005801716,0.00033873378,0.0006221137,0.0062129963,0.005278504,0.00046446535,0.0019291056,0.011183441],"category_scores_gemma":[0.005694675,0.00029369045,0.00016500942,0.0006251703,0.006089239,0.004537417,0.002213141,0.0046825823,0.0025187368],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000117284755,0.000042721113,0.0019216198,0.0002805421,0.000017551514,0.0015065306,0.04407548,0.00019163007,0.0009516692,0.23401819,0.65689796,0.0599789],"study_design_scores_gemma":[0.0000020182836,0.0000052842756,0.000293078,0.000079688165,0.0000013357786,0.00016798767,0.001893577,0.00001886915,0.000091067086,0.0018151132,0.9956256,0.000006298424],"about_ca_topic_score_codex":0.031054424,"about_ca_topic_score_gemma":0.036187038,"teacher_disagreement_score":0.031054424,"about_ca_system_score_codex":0.0050230273,"about_ca_system_score_gemma":0.0034247653,"threshold_uncertainty_score":0.061747372},"labels":[],"label_agreement":null},{"id":"W3129560559","doi":"10.3828/ajfs.2020.26","title":"Écrire sur l’être vulnérable : déconstruire le cliché de la « bulle » autistique chez Laurent Demoulin et Élisabeth de Fontenay","year":2020,"lang":"fr","type":"article","venue":"Australian Journal of French Studies","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Waterloo","funders":"","keywords":"Humanities; Art","score_opus":0.27434090990926463,"score_gpt":0.36468025846256097,"score_spread":0.09033934855329634,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3129560559","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.42965773,0.031086529,0.009849659,0.19630043,0.0033602256,0.0000638859,0.00012875901,0.00009994757,0.3294528],"genre_scores_gemma":[0.9394791,0.004776285,0.0010663727,0.010126802,0.0005227036,0.000040931664,0.000027909431,0.00008988163,0.04386999],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975777,0.0015649955,0.000031823798,0.00020282804,0.00035877823,0.00026385963],"domain_scores_gemma":[0.9982078,0.0009119676,0.00022871305,0.00007481493,0.0002830636,0.00029360421],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002024738,0.00065777777,0.00042992076,0.00089462794,0.015925338,0.006539234,0.0009479717,0.0031968958,0.0042541586],"category_scores_gemma":[0.0043060356,0.00024121141,0.00036362247,0.00055344816,0.019457202,0.0062933154,0.0062724818,0.007580286,0.0007470143],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035824665,0.00001841962,0.0013271925,0.00007287026,0.0000066666985,0.0014526374,0.8120735,0.00005361962,0.00046529924,0.15925188,0.016956713,0.008285404],"study_design_scores_gemma":[0.000008218432,0.000043536496,0.003462045,0.000484882,0.000013403479,0.0021736561,0.50619537,0.00018039923,0.000688011,0.025695601,0.4610071,0.00004782092],"about_ca_topic_score_codex":0.029651383,"about_ca_topic_score_gemma":0.04087602,"teacher_disagreement_score":0.029651383,"about_ca_system_score_codex":0.00643827,"about_ca_system_score_gemma":0.0031954176,"threshold_uncertainty_score":0.058957577},"labels":[],"label_agreement":null},{"id":"W4226028051","doi":"10.3828/ajfs.2022.08","title":"Un exemple de transgression : l’intrusion de l’Italien dans <i>Candide</i> de Voltaire","year":2022,"lang":"fr","type":"article","venue":"Australian Journal of French Studies","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Winnipeg","funders":"","keywords":"Marine transgression; Humanities; Intrusion; Art; Philosophy; Geology; Geomorphology; Structural basin","score_opus":0.03502592178364519,"score_gpt":0.2781601867862578,"score_spread":0.24313426500261262,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4226028051","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17279439,0.0079506,0.011760007,0.04293653,0.0021229885,0.00003948415,0.0001390208,0.00022559451,0.76203144],"genre_scores_gemma":[0.94273216,0.0014920825,0.0010771087,0.003347658,0.00064559845,0.00003258846,0.000048225033,0.00020686837,0.05041764],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978846,0.0011931136,0.000029524115,0.00021627029,0.00038882677,0.0002876664],"domain_scores_gemma":[0.99913687,0.00046261863,0.00010166978,0.0001196903,0.00008391138,0.00009513348],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012916181,0.0006579533,0.0003452471,0.00093267823,0.008806242,0.006183585,0.00064724527,0.0027307514,0.0041766674],"category_scores_gemma":[0.0036761872,0.00025325464,0.0003519142,0.0010810492,0.016669603,0.0036997506,0.0042903298,0.005240524,0.0009078624],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006751256,0.000012085224,0.0011043735,0.00008881048,0.000010954959,0.0016371062,0.3812753,0.00009521752,0.0015396931,0.583541,0.020608284,0.010019686],"study_design_scores_gemma":[0.000014722274,0.000028567782,0.002214208,0.00020823156,0.000017425706,0.0014839951,0.05931694,0.00027334664,0.0010388988,0.01968304,0.915691,0.000029589757],"about_ca_topic_score_codex":0.011237289,"about_ca_topic_score_gemma":0.01776167,"teacher_disagreement_score":0.011237289,"about_ca_system_score_codex":0.0049035926,"about_ca_system_score_gemma":0.001256396,"threshold_uncertainty_score":0.03557825},"labels":[],"label_agreement":null},{"id":"W4281712254","doi":"10.3828/ajfs.2022.12","title":"Was the Defeat Undone? The Two English Translations of Alain Finkielkraut’s <i>La Défaite de la pensée</i>","year":2022,"lang":"en","type":"article","venue":"Australian Journal of French Studies","topic":"Philosophy, Ethics, and Existentialism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Saskatchewan","funders":"","keywords":"Philosophy; Humanities; Art","score_opus":0.08556605072817064,"score_gpt":0.3151966449087541,"score_spread":0.22963059418058346,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4281712254","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20571242,0.052843884,0.005916633,0.10324924,0.0038460977,0.000031548,0.0003265984,0.00010864009,0.6279649],"genre_scores_gemma":[0.95505357,0.0030087188,0.00070949784,0.004103565,0.00030264416,0.00002111873,0.000059281614,0.0000784915,0.036663212],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985239,0.0007953371,0.000036928224,0.00015971373,0.0002559421,0.00022823959],"domain_scores_gemma":[0.9988186,0.0006015353,0.00013281868,0.00008403301,0.00026645523,0.00009665013],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001405223,0.00034879107,0.00023172464,0.00077516644,0.00486119,0.005477843,0.00035042522,0.0017088287,0.0024713837],"category_scores_gemma":[0.0032133656,0.00018273981,0.0001534952,0.00065953034,0.011418706,0.0035678367,0.0013780954,0.0029981507,0.00047966608],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010344515,0.000020031393,0.0009423882,0.000084803825,0.00001043569,0.0006844395,0.19948933,0.00007727015,0.00060737296,0.7447523,0.03441638,0.018811882],"study_design_scores_gemma":[0.00001627281,0.000031908054,0.0052479855,0.00037249914,0.000008139567,0.0006517997,0.052019637,0.00011628694,0.0009805332,0.030195823,0.9103154,0.000043778902],"about_ca_topic_score_codex":0.03807256,"about_ca_topic_score_gemma":0.05080576,"teacher_disagreement_score":0.03807256,"about_ca_system_score_codex":0.007911756,"about_ca_system_score_gemma":0.0023127494,"threshold_uncertainty_score":0.07570189},"labels":[],"label_agreement":null},{"id":"W4413314977","doi":"10.3828/ajfs.2025.22","title":"Pistage écosensible et danse située : jalons d’une approche et récit de pratique","year":2025,"lang":"en","type":"article","venue":"Australian Journal of French Studies","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Art","score_opus":0.07418187065277047,"score_gpt":0.3798639772218725,"score_spread":0.305682106569102,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4413314977","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.22607462,0.019956078,0.1793734,0.18296257,0.005334388,0.00040213787,0.0001931209,0.0007588178,0.3849449],"genre_scores_gemma":[0.923539,0.005077754,0.024391588,0.0036511882,0.0006263827,0.00035190387,0.00007416456,0.00026334953,0.042024706],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9881197,0.009433411,0.0002851115,0.00081477896,0.0008613462,0.0004857395],"domain_scores_gemma":[0.9891466,0.0072693946,0.0005903594,0.00092525856,0.0012964017,0.0007720024],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.012875766,0.0013129602,0.00069905363,0.002536916,0.01127515,0.018728526,0.0026959237,0.004791939,0.0055555254],"category_scores_gemma":[0.018944154,0.00057119614,0.0006816468,0.0019999964,0.04205103,0.014765555,0.008626889,0.008932583,0.0010243133],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005377196,0.000044915214,0.00093780004,0.00023990253,0.00001016934,0.0007570402,0.76711476,0.00019406437,0.00089035794,0.20359518,0.0034368003,0.022725215],"study_design_scores_gemma":[0.000014792608,0.00008385012,0.0011705356,0.0008929354,0.000016683487,0.0010906553,0.5306914,0.00080715545,0.0008710477,0.040587597,0.42371884,0.00005448016],"about_ca_topic_score_codex":0.016905773,"about_ca_topic_score_gemma":0.024725955,"teacher_disagreement_score":0.018728526,"about_ca_system_score_codex":0.008955412,"about_ca_system_score_gemma":0.0054200576,"threshold_uncertainty_score":0.06809437},"labels":[],"label_agreement":null}]}