{"meta":{"query_hash":"bc7381430ee6","filters":{"venue":"Bishop–Lowell Studies"},"cohort_total":7,"direct_labels_cover":0,"predictions_cover":7,"exported":7,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/bc7381430ee6","api":"https://metacan.xera.ac/api/v1/cohort?venue=Bishop%E2%80%93Lowell+Studies"},"results":[{"id":"W4210552334","doi":"10.5325/bishoplowellstud.1.0006","title":"Bishop’s Stevensian Architecture in Paris and After","year":2021,"lang":"en","type":"article","venue":"Bishop–Lowell Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Seneca Polytechnic","funders":"","keywords":"Poetics; Poetry; Scholarship; Realism; Architecture; Art history; Art; Literature; Visual arts","score_opus":0.02791149958062505,"score_gpt":0.2541907504076806,"score_spread":0.22627925082705552,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4210552334","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15339409,0.0023150689,0.0018811057,0.013699041,0.0004548559,0.000018477616,0.00004581177,0.00009457287,0.82809687],"genre_scores_gemma":[0.9346854,0.00039486753,0.00023174554,0.00067392836,0.00008083883,0.000006930081,0.0000100135785,0.000032717828,0.06388347],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991654,0.00041611047,0.000012195411,0.00008023221,0.00018996262,0.00013613758],"domain_scores_gemma":[0.99956125,0.00018123306,0.000044684595,0.000034357523,0.00011797762,0.0000604853],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007678604,0.0003895775,0.00009984221,0.0009115752,0.0067403275,0.004473741,0.0004173826,0.00081907003,0.007342538],"category_scores_gemma":[0.0019150256,0.00011585127,0.000112020796,0.0006876037,0.010392403,0.0012748325,0.001726912,0.0017125984,0.0005506394],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000044301698,0.000015131772,0.0008665299,0.000047844438,0.00000847034,0.0009215756,0.15112971,0.0005366982,0.00095845887,0.795937,0.028744705,0.020789564],"study_design_scores_gemma":[0.0000073370707,0.0000464629,0.0035154787,0.00016767347,0.000009546783,0.00029320014,0.098646425,0.00032459092,0.001184664,0.026704593,0.8690603,0.000039780884],"about_ca_topic_score_codex":0.052392915,"about_ca_topic_score_gemma":0.07781926,"teacher_disagreement_score":0.052392915,"about_ca_system_score_codex":0.0077973916,"about_ca_system_score_gemma":0.0015500151,"threshold_uncertainty_score":0.104175866},"labels":[],"label_agreement":null},{"id":"W4297838021","doi":"10.5325/bishoplowellstud.2.0125","title":"Dear Elizabeth: A Play in Letters from Elizabeth Bishop to Robert Lowell and Back Again","year":2022,"lang":"en","type":"article","venue":"Bishop–Lowell Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Seneca Polytechnic","funders":"","keywords":"History; Art history; Art","score_opus":0.039010080321017236,"score_gpt":0.25892756874486933,"score_spread":0.2199174884238521,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4297838021","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.040131614,0.0069868574,0.0020168351,0.21573143,0.024997111,0.00009704832,0.00014405487,0.00033110127,0.709564],"genre_scores_gemma":[0.15825644,0.001572311,0.0008522444,0.020944081,0.0020056823,0.000084448984,0.00005622715,0.00047164428,0.8157569],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99846715,0.00070149195,0.00002578791,0.0001205652,0.00036177135,0.00032317304],"domain_scores_gemma":[0.9976253,0.0007724843,0.00010390729,0.00009035478,0.00041580322,0.0009921453],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011351543,0.0005983091,0.00024726492,0.00042343687,0.019635545,0.005778986,0.0007763377,0.002183186,0.037413076],"category_scores_gemma":[0.0062032607,0.00030338904,0.00018293769,0.00035068023,0.0043342174,0.0028607436,0.0044214795,0.0061379555,0.01013188],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006003601,0.000039677292,0.0003470811,0.00006914882,0.0000038958487,0.0018045964,0.09295935,0.000033858716,0.0010380313,0.018796306,0.8624172,0.022430804],"study_design_scores_gemma":[0.0000026019843,0.000012892709,0.00037270284,0.000074154705,0.0000013578036,0.0003139272,0.043803386,0.000021097621,0.0001967476,0.000558544,0.9546323,0.000010283238],"about_ca_topic_score_codex":0.024248457,"about_ca_topic_score_gemma":0.07126058,"teacher_disagreement_score":0.037413076,"about_ca_system_score_codex":0.0031116356,"about_ca_system_score_gemma":0.0024808259,"threshold_uncertainty_score":0.12515926},"labels":[],"label_agreement":null},{"id":"W4389131734","doi":"10.5325/bishoplowellstud.3.0175","title":"Modern American Poetry and the Architectural Imagination by Jo Gill","year":2023,"lang":"en","type":"article","venue":"Bishop–Lowell Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Seneca Polytechnic","funders":"","keywords":"Poetry; Art; Aesthetics; Literature; Art history","score_opus":0.02286805348374489,"score_gpt":0.2690044732535441,"score_spread":0.24613641976979922,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4389131734","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.014577395,0.07305516,0.0037343993,0.3534493,0.03270358,0.0000401319,0.00010622873,0.00043027254,0.5219035],"genre_scores_gemma":[0.16206627,0.026694382,0.0045759664,0.10420075,0.013340266,0.0001164469,0.00013226381,0.00064723735,0.68822646],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995815,0.00015197802,0.000009291022,0.000051831787,0.00014648515,0.00005896872],"domain_scores_gemma":[0.99948597,0.00016175795,0.00004663848,0.000032918953,0.00014677669,0.00012595896],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00063957897,0.00045257248,0.00020289466,0.0006967441,0.0050871638,0.0056630247,0.00055818487,0.0014496248,0.009190667],"category_scores_gemma":[0.0014757322,0.00028815388,0.00019083337,0.00084116345,0.0058599166,0.004606556,0.002604191,0.0049980665,0.003400952],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007143729,0.000012404005,0.00023400289,0.00004599308,0.000002464873,0.000086941,0.0067432495,0.000021333786,0.00023268085,0.05105884,0.9226922,0.018862743],"study_design_scores_gemma":[7.4457137e-7,0.0000037926,0.0002697033,0.00008464863,8.98426e-7,0.00013624094,0.0027424106,0.00003048034,0.00004996442,0.003677483,0.9929992,0.000004501762],"about_ca_topic_score_codex":0.0064529,"about_ca_topic_score_gemma":0.021851024,"teacher_disagreement_score":0.009190667,"about_ca_system_score_codex":0.0014219534,"about_ca_system_score_gemma":0.0018524677,"threshold_uncertainty_score":0.030745864},"labels":[],"label_agreement":null},{"id":"W4389131743","doi":"10.5325/bishoplowellstud.3.0182","title":"Elizabeth Bishop: A Very Short Introduction by Jonathan Post","year":2023,"lang":"en","type":"article","venue":"Bishop–Lowell Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Seneca Polytechnic","funders":"","keywords":"Poetry; Literature; Fountain; Reading (process); Citation; Vignette; Art; History; Art history; Philosophy; Visual arts; Psychology; Computer science; Linguistics; Library science","score_opus":0.04216328876394396,"score_gpt":0.2740430312832812,"score_spread":0.23187974251933727,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4389131743","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0026087938,0.08333315,0.0044754953,0.104893014,0.111119285,0.0003049099,0.0011274181,0.0010703936,0.6910675],"genre_scores_gemma":[0.0071038716,0.02344129,0.0019327219,0.017200299,0.017463882,0.00019394177,0.00071201456,0.0011019192,0.9308501],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99955446,0.000082622115,0.000016989496,0.00007465283,0.00022759092,0.00004364989],"domain_scores_gemma":[0.9990834,0.0001968033,0.000049504164,0.00004639111,0.0003668612,0.00025705027],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00049503625,0.0010218921,0.0004883859,0.0011861484,0.0024743762,0.0050507933,0.0010111227,0.0014201507,0.09331802],"category_scores_gemma":[0.0021627953,0.00055885373,0.0003315674,0.0013300311,0.00117248,0.005035067,0.0023345537,0.00464741,0.06243362],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000004627358,0.00000931463,0.00003322845,0.0000407421,6.0332246e-7,0.000021165448,0.00024177888,0.000010646889,0.00014749939,0.0015977098,0.98635834,0.011534248],"study_design_scores_gemma":[6.950271e-7,0.0000060705725,0.00019165807,0.00010856207,4.2468167e-7,0.000055726126,0.0001902669,0.0000108433715,0.000036036152,0.00034872186,0.99904746,0.0000034509342],"about_ca_topic_score_codex":0.0048245266,"about_ca_topic_score_gemma":0.010665318,"teacher_disagreement_score":0.09331802,"about_ca_system_score_codex":0.0019363814,"about_ca_system_score_gemma":0.0014579277,"threshold_uncertainty_score":0.31217986},"labels":[],"label_agreement":null},{"id":"W4404494201","doi":"10.5325/bishoplowellstud.4.0173","title":"Becoming Kathrine Talbot: A Jewish Refugee and the Novelist She Invented by Christoph Ribbat","year":2024,"lang":"en","type":"article","venue":"Bishop–Lowell Studies","topic":"German Colonialism and Identity Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Seneca Polytechnic","funders":"","keywords":"Judaism; Refugee; Art history; Art; History; Sociology; Archaeology","score_opus":0.03413020424110348,"score_gpt":0.2642967297663209,"score_spread":0.23016652552521744,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404494201","genre_codex":"commentary","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06447282,0.08750922,0.0019028435,0.4628148,0.06061658,0.00009594143,0.0001609382,0.00035365202,0.32207325],"genre_scores_gemma":[0.32710898,0.017913003,0.0015503893,0.104708254,0.008502646,0.00010588301,0.00008665457,0.00039922388,0.53962505],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99912184,0.0003956754,0.000019714063,0.00009600297,0.00015445078,0.00021226333],"domain_scores_gemma":[0.9993376,0.000102488746,0.000050743787,0.00003110778,0.0001290506,0.00034897338],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015654385,0.0007224449,0.0003897796,0.00074862124,0.016605632,0.008983362,0.0010002648,0.0028254555,0.010882565],"category_scores_gemma":[0.0020694397,0.00033827196,0.00026195394,0.0004188987,0.0072248285,0.0053998376,0.0037510116,0.005695469,0.0029764345],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005348911,0.00005302206,0.0008402052,0.00015899878,0.00000829229,0.002000819,0.11692449,0.000024083694,0.00062423776,0.06690506,0.7838188,0.028588548],"study_design_scores_gemma":[0.0000030465956,0.000022057411,0.0004802263,0.00021453742,0.0000027691806,0.0012327988,0.06912361,0.000031989814,0.00015539564,0.0014297353,0.9272881,0.000015780777],"about_ca_topic_score_codex":0.019190036,"about_ca_topic_score_gemma":0.049467683,"teacher_disagreement_score":0.019190036,"about_ca_system_score_codex":0.004382,"about_ca_system_score_gemma":0.0027510358,"threshold_uncertainty_score":0.03815669},"labels":[],"label_agreement":null},{"id":"W4416952820","doi":"10.5325/bishoplowellstud.5.0176","title":"Difficult Ornaments: Florida and the Poets by Ange Mlinko","year":2025,"lang":"en","type":"article","venue":"Bishop–Lowell Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Seneca Polytechnic","funders":"","keywords":"Poetry; Fell; White (mutation); Representation (politics); Presentation (obstetrics); Spell","score_opus":0.015846319078944304,"score_gpt":0.25781869991456524,"score_spread":0.24197238083562095,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4416952820","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.048598483,0.05353039,0.0032558637,0.2090724,0.0073590903,0.000049841507,0.0003981406,0.0002460044,0.67748976],"genre_scores_gemma":[0.45930493,0.013143887,0.0019077783,0.019339569,0.0021195586,0.00007173151,0.00015288324,0.0003044889,0.50365525],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997862,0.00007427016,0.000003943824,0.000032828128,0.000047083,0.000055668177],"domain_scores_gemma":[0.999821,0.000055268767,0.00002056909,0.000010357099,0.00004374292,0.000049085666],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00033750595,0.00041457862,0.00010221561,0.0006470248,0.0043544136,0.0034370583,0.00028625087,0.0006697343,0.0123477485],"category_scores_gemma":[0.0013718995,0.00010753562,0.00010880433,0.0005166277,0.0032730105,0.0046144254,0.0017437398,0.0023414833,0.0016141958],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006945323,0.00002108093,0.0007882818,0.00010289543,0.000005111067,0.000264444,0.05554359,0.000052788877,0.0015220902,0.20133555,0.68953377,0.05076099],"study_design_scores_gemma":[0.0000022089343,0.0000080452155,0.0009875651,0.00010718813,0.0000020175337,0.000104264596,0.010877289,0.00003673663,0.00016410022,0.004359796,0.9833418,0.00000889085],"about_ca_topic_score_codex":0.036503248,"about_ca_topic_score_gemma":0.09741347,"teacher_disagreement_score":0.036503248,"about_ca_system_score_codex":0.0022895532,"about_ca_system_score_gemma":0.0009942988,"threshold_uncertainty_score":0.07258159},"labels":[],"label_agreement":null},{"id":"W4416952832","doi":"10.5325/bishoplowellstud.5.0146","title":"Family and Poetic Affinities of Bulmer, Burns, and Cleghorn","year":2025,"lang":"en","type":"article","venue":"Bishop–Lowell Studies","topic":"Scottish History and National Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Seneca Polytechnic","funders":"","keywords":"Poetry; Brother; Ballad; Ancestor; Adventure; Queen (butterfly); Family tree; Biography","score_opus":0.054856548770087214,"score_gpt":0.27909457245312097,"score_spread":0.22423802368303375,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4416952832","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7673619,0.004412357,0.00073336606,0.015692804,0.0003541041,0.000026717415,0.000035547324,0.000048999333,0.21133421],"genre_scores_gemma":[0.9813793,0.0006210059,0.0001147831,0.0008749456,0.000017762508,0.0000080015025,0.000008226583,0.000024257846,0.01695178],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99846065,0.0008323075,0.000024091643,0.00012591691,0.00017949214,0.00037761958],"domain_scores_gemma":[0.99889755,0.0004012052,0.00009860893,0.000055093216,0.00017009878,0.0003775232],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011093762,0.00024302305,0.00025319232,0.0011456088,0.020378927,0.0050803577,0.00055084995,0.00074595393,0.0072472063],"category_scores_gemma":[0.0031393555,0.000223628,0.000081253434,0.0010030393,0.017758578,0.0024329233,0.0030897846,0.0018860158,0.00036924556],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000831342,0.00004266285,0.0034852633,0.000034647623,0.0000065502577,0.0013109109,0.8806687,0.00006209741,0.00037148033,0.07727341,0.021322042,0.015339131],"study_design_scores_gemma":[0.000003939673,0.000015427033,0.0038056073,0.00013740396,0.000003260197,0.00065953773,0.8383244,0.0000764002,0.000159091,0.0029409432,0.1538549,0.00001898142],"about_ca_topic_score_codex":0.16975889,"about_ca_topic_score_gemma":0.28755575,"teacher_disagreement_score":0.16975889,"about_ca_system_score_codex":0.008434301,"about_ca_system_score_gemma":0.002917145,"threshold_uncertainty_score":0.33754158},"labels":[],"label_agreement":null}]}