{"meta":{"query_hash":"219c2f8d8a8c","filters":{"venue":"Black Camera"},"cohort_total":7,"direct_labels_cover":0,"predictions_cover":7,"exported":7,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/219c2f8d8a8c","api":"https://metacan.xera.ac/api/v1/cohort?venue=Black+Camera"},"results":[{"id":"W2986629239","doi":"10.2979/blackcamera.11.1.03","title":"The Practice of Curating the June Givanni Pan African Cinema Archive: A Conversation with the Founding Director","year":2019,"lang":"en","type":"article","venue":"Black Camera","topic":"African history and culture studies","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Conversation; Movie theater; Art; Visual arts; Art history; Media studies; Sociology; Communication","score_opus":0.010037525327537695,"score_gpt":0.2696525315469362,"score_spread":0.2596150062193985,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2986629239","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17964377,0.00096161495,0.00032379729,0.1191992,0.0010845509,0.0016241308,0.000012749051,0.000086354106,0.6970638],"genre_scores_gemma":[0.99371415,0.00006755405,0.000068245725,0.0002486628,0.00024851586,0.000020064213,8.400461e-7,0.000006600955,0.005625381],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99870646,0.00048822246,0.0001249558,0.00013050908,0.00035792604,0.00019192856],"domain_scores_gemma":[0.99755794,0.0017882271,0.00029433743,0.0001965461,0.00013858563,0.000024386709],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00089787523,0.000084552055,0.000114705115,0.000010644807,0.0014040412,0.000058721107,0.0002634064,0.000018710476,0.000034635457],"category_scores_gemma":[0.00063805614,0.00003523008,0.000045763532,0.00026527673,0.0010466494,0.00015876035,0.00003631866,0.00015634947,0.000028216404],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015689826,0.000034975477,0.0012661627,0.000015411824,0.00016946223,0.0000014588664,0.880029,0.000042019325,0.0005740854,0.08623558,0.029511914,0.0019630326],"study_design_scores_gemma":[0.00008710783,0.00004019967,0.0005378595,0.0000118175885,0.000036885318,5.1112585e-7,0.41374674,0.000018523791,0.000008741798,0.00011558159,0.58534503,0.00005098116],"about_ca_topic_score_codex":0.000799103,"about_ca_topic_score_gemma":0.002215331,"teacher_disagreement_score":0.81407034,"about_ca_system_score_codex":0.00005459427,"about_ca_system_score_gemma":0.0000938492,"threshold_uncertainty_score":0.999896},"labels":[],"label_agreement":null},{"id":"W3124653913","doi":"10.2979/blackcamera.12.1.04","title":"On Tracking World Cinema: African Cinema at Film Festivals","year":2020,"lang":"en","type":"article","venue":"Black Camera","topic":"African history and culture studies","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Movie theater; Film industry; National cinema; Distribution (mathematics); State (computer science); Incentive; Colonialism; Media studies; Political science; History; Sociology; Art history; Law; Economics","score_opus":0.042245706400269395,"score_gpt":0.28559958260896434,"score_spread":0.24335387620869495,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3124653913","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09299144,0.0003425751,0.000030510073,0.028097197,0.00028817207,0.00029901668,0.00001629453,0.00023812022,0.8776967],"genre_scores_gemma":[0.9628631,0.000027654422,0.000060461323,0.0030568454,0.0007681536,0.000013884977,0.000002859353,0.000016133272,0.03319092],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99854165,0.0001562985,0.00019076264,0.00034844005,0.00040004507,0.0003628084],"domain_scores_gemma":[0.999251,0.00019092522,0.00011355196,0.00013531558,0.00007536625,0.00023383963],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00018188042,0.00017105209,0.0002823663,0.000042244643,0.00090700557,0.000034825905,0.00023152062,0.000051141287,0.001831124],"category_scores_gemma":[0.0005215691,0.00014923312,0.00011654158,0.0005903936,0.0004686253,0.00009510661,0.0000609458,0.00018419814,0.00064658857],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011852477,0.00007587037,0.0013572979,0.000025773621,0.000061103994,0.000055845754,0.19010825,0.00012569013,0.00044027108,0.048910268,0.7566383,0.0020828336],"study_design_scores_gemma":[0.0003017038,0.0001267632,0.0018403868,0.0000336803,0.000037653008,4.1085343e-7,0.032257203,0.000012976676,0.000111278074,0.00045243566,0.9645245,0.00030101667],"about_ca_topic_score_codex":0.00016589747,"about_ca_topic_score_gemma":0.0019962923,"teacher_disagreement_score":0.8698717,"about_ca_system_score_codex":0.00016789454,"about_ca_system_score_gemma":0.00006183619,"threshold_uncertainty_score":0.9990813},"labels":[],"label_agreement":null},{"id":"W3167893912","doi":"10.2979/blackcamera.12.2.12","title":"The Six Decades of African Film","year":2021,"lang":"en","type":"article","venue":"Black Camera","topic":"African history and culture studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Independence (probability theory); Colonialism; Nationalism; Portuguese; War of independence; History; White (mutation); Economic history; French; Unrest; Poetry; Ancient history; Political science; Law; Art; Politics; Literature; Archaeology","score_opus":0.018178857720814356,"score_gpt":0.27814877923399167,"score_spread":0.2599699215131773,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3167893912","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09050424,0.0033993314,0.000021903583,0.007944517,0.00031515452,0.00009272598,0.000008899775,0.000037516453,0.8976757],"genre_scores_gemma":[0.9772267,0.00037253828,0.00006821668,0.00012000919,0.00014858745,0.000005022004,5.780527e-7,0.0000032380697,0.022055138],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99931675,0.00013201106,0.00009900785,0.00009857008,0.00019721493,0.00015645094],"domain_scores_gemma":[0.9994962,0.00016222916,0.00005703926,0.00011694457,0.0001274526,0.00004009009],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00019508728,0.000048152215,0.00009585862,0.000007167007,0.0011418398,0.000014249534,0.00014360037,0.000029206765,0.00016821033],"category_scores_gemma":[0.00033971935,0.000033255772,0.00006214289,0.00023662054,0.0008619066,0.000036422643,0.000049257484,0.000063082305,0.000027431732],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020520272,0.000076615965,0.0025223538,0.000012595072,0.00010581307,0.000015580648,0.38310266,0.00001341401,0.0006370469,0.44824293,0.1592971,0.005953378],"study_design_scores_gemma":[0.00003973883,0.000009382766,0.00073317136,0.0000042933752,0.0000102412405,1.9752328e-7,0.11216846,8.4612634e-7,0.00022503558,0.0009008865,0.8858611,0.000046650242],"about_ca_topic_score_codex":0.00018179831,"about_ca_topic_score_gemma":0.002744362,"teacher_disagreement_score":0.88672245,"about_ca_system_score_codex":0.00003341827,"about_ca_system_score_gemma":0.00013197682,"threshold_uncertainty_score":0.8782224},"labels":[],"label_agreement":null},{"id":"W3170559541","doi":"10.2979/blackcamera.12.2.11","title":"The FEPACI and Its Artistic Legacies","year":2021,"lang":"en","type":"article","venue":"Black Camera","topic":"African history and culture studies","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Movie theater; Colonialism; Modernity; Context (archaeology); Aesthetics; Politics; Nationalism; Film studies; History; Sociology; Art; Literature; Political science; Law","score_opus":0.02066866950329995,"score_gpt":0.27548388923618516,"score_spread":0.25481521973288523,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3170559541","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15278044,0.022588495,0.000030409585,0.020678628,0.000596739,0.00015513464,0.000009286488,0.00008692542,0.80307394],"genre_scores_gemma":[0.9481315,0.0010366774,0.000015080907,0.00021509675,0.00017322981,0.000005401497,4.2588007e-7,0.0000026881205,0.050419927],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994619,0.000094629795,0.000059154034,0.00010245683,0.00013077284,0.0001510723],"domain_scores_gemma":[0.9996824,0.00010569566,0.000023441002,0.000062713145,0.00008011784,0.00004559577],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00013617147,0.000046899506,0.00006791649,0.000004492525,0.0013772842,0.00006478448,0.000058988604,0.000022864939,0.00007427891],"category_scores_gemma":[0.00035930064,0.000032693573,0.000023569004,0.000108631866,0.00048905046,0.00005933101,0.000029907738,0.000058050664,0.00007210368],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000068019754,0.000018863808,0.0004069387,0.000008481592,0.000039758368,0.000030019133,0.09234426,0.0000013292948,0.00031871707,0.8351838,0.06767397,0.0039670654],"study_design_scores_gemma":[0.000039640574,0.0000070615984,0.0007584936,0.0000037353948,0.00001088886,0.0000011082881,0.045531604,0.0000025775585,0.000047750676,0.0015350566,0.9520048,0.000057292888],"about_ca_topic_score_codex":0.000040001865,"about_ca_topic_score_gemma":0.0017283001,"teacher_disagreement_score":0.8843308,"about_ca_system_score_codex":0.000025573616,"about_ca_system_score_gemma":0.000068189125,"threshold_uncertainty_score":0.9999228},"labels":[],"label_agreement":null},{"id":"W4365807574","doi":"10.2979/blackcamera.11.2.12","title":"Martin Botha, South African Cinema 1896-2010","year":2020,"lang":"en","type":"article","venue":"Black Camera","topic":"African history and culture studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Movie theater; Subject (documents); Art history; Modernity; Art; History; Media studies; Sociology; Political science; Law; Library science","score_opus":0.03157566962479805,"score_gpt":0.2570021055105258,"score_spread":0.22542643588572778,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4365807574","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08591858,0.00052993855,0.00025064472,0.0460247,0.00051996723,0.0003640225,0.000024988025,0.00035966336,0.8660075],"genre_scores_gemma":[0.9831538,0.000018483983,0.00020728513,0.0020451383,0.0009128182,0.000011107922,0.000001631738,0.000011975299,0.013637732],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988497,0.00012881034,0.00015197574,0.0002615733,0.00028981114,0.0003181509],"domain_scores_gemma":[0.99947023,0.00003146885,0.000088320034,0.00011956951,0.00006128447,0.00022911435],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00017752752,0.000120793746,0.00019987105,0.000018189445,0.0005649858,0.000035307046,0.00022653467,0.00006116777,0.0010718656],"category_scores_gemma":[0.00029270875,0.00010846316,0.00009270119,0.0003411828,0.0005742572,0.000083384824,0.000051772415,0.0001550713,0.0008383703],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000043904198,0.000036803125,0.0042763418,0.000015714297,0.000042309402,0.000021833443,0.6058754,0.000008373003,0.00025086393,0.01940067,0.36896956,0.001058247],"study_design_scores_gemma":[0.00015767572,0.00005644222,0.0011731158,0.000004832692,0.000024049037,1.6745601e-7,0.10700658,0.000008975472,0.000020148258,0.00022243598,0.89113975,0.00018582678],"about_ca_topic_score_codex":0.00025049745,"about_ca_topic_score_gemma":0.0003554128,"teacher_disagreement_score":0.8972352,"about_ca_system_score_codex":0.000048476446,"about_ca_system_score_gemma":0.00008900825,"threshold_uncertainty_score":0.9999396},"labels":[],"label_agreement":null},{"id":"W4395472171","doi":"10.2979/blackcamera.15.1.21","title":"Film Review: Atlantis (2021)","year":2023,"lang":"en","type":"article","venue":"Black Camera","topic":"South African History and Culture","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.021435360918483075,"score_gpt":0.2894398273736126,"score_spread":0.26800446645512954,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4395472171","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07164,0.012142611,0.0000126481245,0.021199271,0.002433148,0.00077811343,0.00005843604,0.00081777066,0.890918],"genre_scores_gemma":[0.36302316,0.027425656,0.00007451299,0.007777781,0.0020851032,0.00007639498,0.00008641233,0.000035364636,0.5994156],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990951,0.00011757756,0.0001064322,0.00016643933,0.00025982593,0.00025464426],"domain_scores_gemma":[0.99959564,0.00004603475,0.00004448163,0.00015768995,0.000049431408,0.00010674774],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00035261657,0.000068114496,0.00012932236,0.00002854986,0.00031603046,0.000019966847,0.0001879396,0.00005733579,0.0034464756],"category_scores_gemma":[0.00026254615,0.00006207651,0.00007887438,0.0006982708,0.00018941583,0.000068157184,0.000022388449,0.00009596964,0.009120665],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000013948471,0.0000060259877,0.0004902363,0.000034334218,0.00000581273,0.000017915763,0.015756093,0.0000018947363,0.000014909791,0.0033997751,0.97887665,0.0013949461],"study_design_scores_gemma":[0.000048757018,0.000007243981,0.00046237418,0.00009016573,0.000012165122,2.9557188e-7,0.006065253,0.000003969075,0.000003469556,0.00012067428,0.99309146,0.00009419028],"about_ca_topic_score_codex":0.00013331142,"about_ca_topic_score_gemma":0.00011059321,"teacher_disagreement_score":0.2915024,"about_ca_system_score_codex":0.000039028626,"about_ca_system_score_gemma":0.00008145407,"threshold_uncertainty_score":0.99746454},"labels":[],"label_agreement":null},{"id":"W7117272256","doi":"10.2979/blc.00087","title":"Reviving Gestures and Insect Life in the Films of Sara Gómez: Ethical and Aesthetic Issues of Digital Restoration","year":2025,"lang":"en","type":"article","venue":"Black Camera","topic":"Cinema History and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Gesture; Ethical issues; Digital media; Process (computing)","score_opus":0.029464782097159657,"score_gpt":0.26320933294775306,"score_spread":0.2337445508505934,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7117272256","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9787365,0.0032025347,0.0000031417917,0.0047873277,0.00004777542,0.00010397528,0.0000089958885,0.00000667975,0.013103049],"genre_scores_gemma":[0.9982784,0.00011777157,0.0000087262915,0.0006927691,0.000033355922,0.0000034512811,0.0000028397576,0.0000033042754,0.00085940806],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995137,0.00006082512,0.00018491533,0.00008830898,0.000092888324,0.00005939059],"domain_scores_gemma":[0.99969137,0.00011070391,0.000042691554,0.00010080708,0.00004147538,0.000012983617],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00017737143,0.00006192567,0.00014945006,0.000060179264,0.00006552746,0.00005383508,0.000053644933,0.00004979538,0.00003800139],"category_scores_gemma":[0.00013731407,0.000044696983,0.000021247593,0.000029569377,0.00047084354,0.000085207146,0.00002032718,0.00016384569,8.806469e-7],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000081505845,0.00012260169,0.003147831,0.0005749001,0.000016322141,0.0000062968593,0.20198064,0.000009261733,0.00028918832,0.7505724,0.040542863,0.0026562286],"study_design_scores_gemma":[0.0021922193,0.0010770869,0.053408958,0.0022229364,0.00021302716,0.000022615322,0.107286975,0.00048036818,0.00031514003,0.041240305,0.7908709,0.0006694686],"about_ca_topic_score_codex":0.00020301837,"about_ca_topic_score_gemma":0.00033170302,"teacher_disagreement_score":0.75032806,"about_ca_system_score_codex":0.0000038310127,"about_ca_system_score_gemma":0.000020296206,"threshold_uncertainty_score":0.182269},"labels":[],"label_agreement":null}]}