{"meta":{"query_hash":"db33ad7b63f1","filters":{"venue":"Borrowers and Lenders The Journal of Shakespeare Appropriations"},"cohort_total":42,"direct_labels_cover":0,"predictions_cover":42,"exported":42,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/db33ad7b63f1","api":"https://metacan.xera.ac/api/v1/cohort?venue=Borrowers+and+Lenders+The+Journal+of+Shakespeare+Appropriations"},"results":[{"id":"W2189253497","doi":"","title":"Jazz, Shakespeare, and Hybridity: A Script Excerpt from Swingin' the Dream","year":2005,"lang":"en","type":"article","venue":"Borrowers and Lenders The Journal of Shakespeare Appropriations","topic":"Theater, Performance, and Music History","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Dream; Swing; Jazz; Sociology; Population; Aesthetics; Art; Visual arts; Psychology","score_opus":0.017055526063275185,"score_gpt":0.18779803169830792,"score_spread":0.17074250563503274,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2189253497","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.91201866,0.017266722,0.0007330961,0.019920066,0.0023120076,0.00063946523,0.00017684494,0.000081415725,0.046851743],"genre_scores_gemma":[0.9925712,0.0008132324,0.00014547812,0.001475934,0.0020331389,0.000006064425,0.0000066912485,0.000025719793,0.0029225457],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99871767,0.00010871083,0.00045255333,0.000151054,0.00032047948,0.0002495324],"domain_scores_gemma":[0.99900514,0.00014096191,0.00032415675,0.00025826748,0.00015612802,0.00011535706],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007375648,0.00019628313,0.00024429898,0.00011573558,0.0011169146,0.0002505131,0.0002899586,0.000050195424,0.0006199548],"category_scores_gemma":[0.000041767315,0.000110389105,0.00011061996,0.000052572308,0.00051595015,0.00052661594,0.00005233628,0.00042606346,0.000020086625],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00036786628,0.00030023258,0.00049940083,0.000056172114,0.0006047979,0.000017877648,0.57117385,0.00018400367,0.00088446867,0.035012893,0.3029948,0.08790365],"study_design_scores_gemma":[0.00070873025,0.00011635112,0.0016244968,0.000062012725,0.00020770609,0.00006492961,0.040604085,0.00032866476,0.000034635144,0.0007124576,0.9553503,0.00018567679],"about_ca_topic_score_codex":0.00033113567,"about_ca_topic_score_gemma":0.0010058687,"teacher_disagreement_score":0.65235543,"about_ca_system_score_codex":0.00004974111,"about_ca_system_score_gemma":0.00010107079,"threshold_uncertainty_score":0.85905164},"labels":[],"label_agreement":null},{"id":"W2733141885","doi":"10.18274/fnla2194","title":"Haunting Emotions: Visualizing Hamlet's Melancholy for Students in Two Recent Graphic Novel Adaptations","year":2023,"lang":"en","type":"article","venue":"Borrowers and Lenders The Journal of Shakespeare Appropriations","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"HAMLET (protein complex); Psychology; Art; Visual arts; Cognitive psychology; Computer graphics (images); Computer science; Literature","score_opus":0.077032811144916,"score_gpt":0.34390259072108664,"score_spread":0.26686977957617064,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2733141885","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9697476,0.001682426,0.0072421115,0.016969841,0.0012836003,0.0009812666,0.000121574536,0.000058838214,0.001912746],"genre_scores_gemma":[0.9978737,0.0010063783,0.000322296,0.00016264862,0.00026848674,0.000017754424,0.0000146129805,0.000019492574,0.00031463237],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9988201,0.00007008256,0.0004917938,0.00012238513,0.00028067318,0.00021494944],"domain_scores_gemma":[0.99887043,0.0003275685,0.00032956456,0.00011555708,0.00030172008,0.000055154418],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012750998,0.00012601317,0.00019534928,0.00048364882,0.0007531887,0.00023758473,0.00021660735,0.000026027272,0.000041055784],"category_scores_gemma":[0.0001844698,0.00009188107,0.0001111383,0.00032466464,0.00013601675,0.0002999493,0.00003865091,0.00023894764,0.0000015984073],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00026542536,0.000717712,0.009861485,0.00010229039,0.00064598693,0.000009281302,0.4702405,0.0025704745,0.0017267095,0.48985812,0.011811656,0.012190373],"study_design_scores_gemma":[0.007306909,0.00048650947,0.06466447,0.0005541747,0.00035210853,0.00003727256,0.7375712,0.008466552,0.000032464224,0.03751183,0.14233471,0.00068182306],"about_ca_topic_score_codex":0.000085933534,"about_ca_topic_score_gemma":0.0020555623,"teacher_disagreement_score":0.4523463,"about_ca_system_score_codex":0.000029213037,"about_ca_system_score_gemma":0.00006792699,"threshold_uncertainty_score":0.57929945},"labels":[],"label_agreement":null},{"id":"W3111212760","doi":"10.18274/ncja8417","title":"A Theory of Adaptation, by Linda Hutcheon","year":2023,"lang":"en","type":"article","venue":"Borrowers and Lenders The Journal of Shakespeare Appropriations","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Adaptation (eye); Cognitive science; Computer science; Psychology; Neuroscience","score_opus":0.03208933742626521,"score_gpt":0.2169457917639399,"score_spread":0.1848564543376747,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3111212760","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.84007645,0.013154759,0.009384036,0.0422925,0.0031123233,0.0013673244,0.0006665653,0.00025332798,0.08969271],"genre_scores_gemma":[0.994916,0.00015622732,0.00005406244,0.00015615585,0.00025223597,0.0000021698756,0.000012621641,0.00001295794,0.0044375765],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99915653,0.00009609381,0.00032449525,0.00006610253,0.000233482,0.00012331292],"domain_scores_gemma":[0.9991362,0.000140584,0.0003171142,0.00010686407,0.00024659856,0.00005263835],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006261426,0.00009317648,0.00015513491,0.000092617505,0.00027954672,0.000052522086,0.00014815194,0.00004078859,0.00032900352],"category_scores_gemma":[0.0001042046,0.000055841312,0.000087567314,0.00011451369,0.0001862985,0.00015818387,0.00001541119,0.00017813747,0.00001007455],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019383473,0.00009425716,0.00020781229,0.00006383654,0.00028139472,0.0000049004443,0.6667595,0.00018864952,0.00066452066,0.13292804,0.1872101,0.011403178],"study_design_scores_gemma":[0.0008770795,0.00023768953,0.0008002598,0.00007904685,0.00022640162,0.000020721203,0.85204864,0.0002271552,0.00012368162,0.014477803,0.13070951,0.00017203098],"about_ca_topic_score_codex":0.000017626071,"about_ca_topic_score_gemma":0.00004604821,"teacher_disagreement_score":0.18528914,"about_ca_system_score_codex":0.000009696656,"about_ca_system_score_gemma":0.000059843645,"threshold_uncertainty_score":0.36023578},"labels":[],"label_agreement":null},{"id":"W3111428381","doi":"10.18274/diec9840","title":"Rohinton Mistry's Family Shakespeare","year":2023,"lang":"en","type":"article","venue":"Borrowers and Lenders The Journal of Shakespeare Appropriations","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"York University","funders":"","keywords":"Genealogy; History; Psychology","score_opus":0.04439714451653107,"score_gpt":0.23440856018198247,"score_spread":0.1900114156654514,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3111428381","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7512702,0.008454773,0.001969372,0.041050907,0.005442526,0.0011628657,0.00058184634,0.0005112008,0.18955636],"genre_scores_gemma":[0.98546493,0.00049417006,0.00012906345,0.0007121006,0.0012427601,0.000006426338,0.000054410324,0.000045832145,0.011850324],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981066,0.00016601037,0.00063414534,0.00018925067,0.0005424035,0.00036161082],"domain_scores_gemma":[0.9984369,0.00030264352,0.00033985893,0.00027486743,0.0004842538,0.00016147787],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00091885123,0.0002358168,0.0002944045,0.00029038245,0.0009125229,0.00037657833,0.00037109398,0.00007665462,0.00062993873],"category_scores_gemma":[0.00016516972,0.00016295395,0.00018544741,0.00023991836,0.00036325492,0.00062025076,0.0000460891,0.00040199255,0.00007003275],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00031870097,0.0002370273,0.00076656207,0.0001911177,0.0005194629,0.00012172946,0.42896542,0.00043339003,0.0005336635,0.26241338,0.28280708,0.022692485],"study_design_scores_gemma":[0.0012713044,0.00033300073,0.006623521,0.00016694704,0.00026965138,0.00011766553,0.3498574,0.0015117608,0.000041265175,0.008349664,0.6309808,0.00047701874],"about_ca_topic_score_codex":0.00014544281,"about_ca_topic_score_gemma":0.0002878103,"teacher_disagreement_score":0.34817374,"about_ca_system_score_codex":0.000060907816,"about_ca_system_score_gemma":0.00014496806,"threshold_uncertainty_score":0.7018481},"labels":[],"label_agreement":null},{"id":"W3125483430","doi":"10.18274/hhup1453","title":"Sarah Bernhardt's Ophelia","year":2023,"lang":"en","type":"article","venue":"Borrowers and Lenders The Journal of Shakespeare Appropriations","topic":"Cultural Studies and Interdisciplinary Research","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Acadia University","funders":"","keywords":"Psychoanalysis; Philosophy; Art; Psychology","score_opus":0.06048700994043441,"score_gpt":0.2692435820576461,"score_spread":0.2087565721172117,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3125483430","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.74171734,0.0062450967,0.00015284313,0.10534063,0.0026597835,0.00071287225,0.00013893681,0.00013601722,0.14289649],"genre_scores_gemma":[0.98194224,0.0011042494,0.000022615033,0.00015298979,0.00079039164,0.0000036597698,0.000005872673,0.00001373638,0.015964251],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990843,0.000055445016,0.00027233115,0.00008018228,0.0003018195,0.00020591599],"domain_scores_gemma":[0.99932766,0.00010463414,0.00014251938,0.00010692881,0.0002490051,0.00006924131],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005350086,0.000099143224,0.0001519784,0.00009436407,0.00092519214,0.00016942537,0.000208526,0.000024399438,0.0008144259],"category_scores_gemma":[0.000057315545,0.00005329688,0.00010926449,0.00011433334,0.00024463082,0.00024390144,0.000113118025,0.0002403221,0.00007008252],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016710756,0.00007348573,0.00038988315,0.000046276004,0.00034639565,0.000024719377,0.17053303,0.00012827164,0.0002986829,0.036759596,0.78088963,0.010342907],"study_design_scores_gemma":[0.0006081492,0.00042391187,0.0050343405,0.00006732737,0.00009840809,0.00005532514,0.3264146,0.00042961704,0.000021738753,0.0032988489,0.66335094,0.00019677178],"about_ca_topic_score_codex":0.000059244023,"about_ca_topic_score_gemma":0.00018658736,"teacher_disagreement_score":0.2402249,"about_ca_system_score_codex":0.000022292852,"about_ca_system_score_gemma":0.000031649415,"threshold_uncertainty_score":0.89173925},"labels":[],"label_agreement":null},{"id":"W3133541207","doi":"","title":"King Lear and Incest, 1969-2016: In Media Res","year":2020,"lang":"en","type":"article","venue":"Borrowers and Lenders The Journal of Shakespeare Appropriations","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Taboo; Telos; Ideology; Politics; Art; Literature; Television series; Sociology; History; Psychoanalysis; Media studies; Psychology; Law; Philosophy; Political science","score_opus":0.05178074327429154,"score_gpt":0.22043416454333822,"score_spread":0.1686534212690467,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3133541207","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9033366,0.015438976,0.0008652843,0.05066467,0.0010577106,0.00054432364,0.00008705467,0.000068956775,0.027936457],"genre_scores_gemma":[0.9969592,0.0006041507,0.0002502817,0.0011386559,0.00078412343,0.0000017484285,0.0000047959857,0.000017360506,0.00023965999],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99885565,0.00013465933,0.0004418699,0.00012904331,0.0002600511,0.00017872674],"domain_scores_gemma":[0.99913526,0.00029525798,0.00020929171,0.00008901393,0.00014578154,0.0001254229],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00049408944,0.0001361906,0.00021564882,0.00013283765,0.00033361343,0.00020827673,0.00016196247,0.000043304553,0.00020727953],"category_scores_gemma":[0.00022092111,0.000093935814,0.000053615382,0.0000917769,0.00026840216,0.0005534202,0.000030512674,0.0003280225,0.0000037951436],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022117658,0.00007227319,0.00219709,0.00008342547,0.000087106826,0.000035426732,0.89786017,0.00011269333,0.00017026169,0.083159335,0.008120289,0.00788073],"study_design_scores_gemma":[0.0028244238,0.000571886,0.017997097,0.00037540068,0.00024550798,0.00010652581,0.5408725,0.0021086445,0.00004187583,0.011150983,0.42311752,0.00058761804],"about_ca_topic_score_codex":0.00016603123,"about_ca_topic_score_gemma":0.0005184466,"teacher_disagreement_score":0.41499722,"about_ca_system_score_codex":0.000018484412,"about_ca_system_score_gemma":0.00009154945,"threshold_uncertainty_score":0.38305914},"labels":[],"label_agreement":null},{"id":"W3140680800","doi":"10.18274/qnms1875","title":"Re-imagining Ethics, Rethinking Rights, and Canadian Adaptations of Shakespeare: Daniel David Moses's Brébeuf's Ghost and the Specters of the Human","year":2023,"lang":"en","type":"article","venue":"Borrowers and Lenders The Journal of Shakespeare Appropriations","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"McMaster University","funders":"","keywords":"Human rights; Environmental ethics; Philosophy; Sociology; Art; Art history; Law; Political science","score_opus":0.05155376207190809,"score_gpt":0.2553631826607945,"score_spread":0.2038094205888864,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3140680800","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7844547,0.0095083965,0.00045556886,0.13050495,0.002151725,0.0018489902,0.0006720869,0.00009332705,0.07031023],"genre_scores_gemma":[0.9966723,0.0003797135,0.00014558028,0.00054967776,0.0002628296,0.0000043069917,0.000014831159,0.000025759084,0.0019450447],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99784875,0.00044542243,0.0007314933,0.0001839192,0.0005097044,0.0002806964],"domain_scores_gemma":[0.9974025,0.0010524344,0.00057622365,0.00031979365,0.0005182468,0.00013082703],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0021235708,0.00020852913,0.00034453857,0.00027673657,0.0020436978,0.00025754172,0.0003810447,0.00009234054,0.000102325765],"category_scores_gemma":[0.00039154038,0.00011779767,0.00013529716,0.00025387705,0.0017045675,0.0004459817,0.000070154354,0.00075707363,8.884377e-7],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000053954613,0.00002327473,0.0005077128,0.00006694741,0.0001832607,0.0000057345965,0.7365253,0.00009757132,0.000109675784,0.2585759,0.0033846253,0.00046608117],"study_design_scores_gemma":[0.0035546075,0.00026600028,0.020075044,0.0008585342,0.0009103455,0.00010537206,0.7936829,0.0019887497,0.00009960315,0.082652226,0.095262446,0.0005441919],"about_ca_topic_score_codex":0.024162225,"about_ca_topic_score_gemma":0.08863368,"teacher_disagreement_score":0.21221752,"about_ca_system_score_codex":0.000041740284,"about_ca_system_score_gemma":0.00030475523,"threshold_uncertainty_score":0.9992555},"labels":[],"label_agreement":null},{"id":"W3149786595","doi":"","title":"Serial Shakespeare: Intermedial Performance and the Outrageous Fortunes of Slings & Arrows","year":2011,"lang":"en","type":"article","venue":"Borrowers and Lenders The Journal of Shakespeare Appropriations","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Immediacy; Theatrical production; Aesthetics; KISS (TNC); Visual arts; Literature; Computer science; Drama","score_opus":0.03503958467600594,"score_gpt":0.1932543765337676,"score_spread":0.15821479185776166,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3149786595","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97770923,0.0018512765,0.00039926867,0.0020230063,0.0013129786,0.00043170288,0.000048516016,0.000023578816,0.016200418],"genre_scores_gemma":[0.9973563,0.00052297267,0.00019170337,0.0002670371,0.0007113748,0.0000057896364,0.000004612961,0.000022040416,0.00091817527],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9984778,0.00015988856,0.0006799375,0.00013326459,0.0003259018,0.00022320653],"domain_scores_gemma":[0.998566,0.00026718614,0.00050561794,0.00020005704,0.00037087398,0.00009027196],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010434468,0.00019328178,0.00033333933,0.00013303722,0.0005496577,0.00013450439,0.00030193213,0.000059025493,0.0003553748],"category_scores_gemma":[0.00013783213,0.000107345826,0.00013880452,0.00006792808,0.001160468,0.0005824337,0.000044517983,0.00032268866,0.0000022457627],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0018597313,0.00013920055,0.0008606694,0.00013065703,0.00027151548,0.000009553982,0.8879174,0.000021223035,0.000114868584,0.0969793,0.0027185455,0.008977321],"study_design_scores_gemma":[0.017196931,0.003121283,0.026299303,0.00087507855,0.00218386,0.00080863625,0.75590485,0.0035007792,0.00073781126,0.031729247,0.15617728,0.0014649574],"about_ca_topic_score_codex":0.00018637582,"about_ca_topic_score_gemma":0.00025984817,"teacher_disagreement_score":0.15345874,"about_ca_system_score_codex":0.0000145358745,"about_ca_system_score_gemma":0.00009488144,"threshold_uncertainty_score":0.43774357},"labels":[],"label_agreement":null},{"id":"W3157024999","doi":"10.18274/wcsi6531","title":"Five Kings: Adapting Welles Adapting Shakespeare in Québec","year":2023,"lang":"en","type":"article","venue":"Borrowers and Lenders The Journal of Shakespeare Appropriations","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"McGill University","funders":"","keywords":"History","score_opus":0.034398847316354265,"score_gpt":0.2339619084440829,"score_spread":0.19956306112772865,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3157024999","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9248763,0.0073242537,0.0005883957,0.02546444,0.0017079306,0.00082686584,0.00011871619,0.00024539448,0.03884774],"genre_scores_gemma":[0.99341697,0.00034776895,0.00021642812,0.00040559156,0.0008163095,0.000007923605,0.000015990574,0.000045143337,0.004727884],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99780935,0.00023572719,0.0008270748,0.00021900731,0.00048305874,0.000425808],"domain_scores_gemma":[0.99819213,0.0006787288,0.00044825723,0.00021566851,0.00034286408,0.00012232632],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014608299,0.00024964084,0.00034325794,0.00048757094,0.00085168215,0.00031249138,0.00034116377,0.00007643103,0.0004236128],"category_scores_gemma":[0.00038911912,0.00018401253,0.00015904197,0.0003152444,0.00029142227,0.0007426178,0.000062301995,0.00052561675,0.000032189968],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000224569,0.00014779188,0.0022041914,0.00013685304,0.00021773094,0.000111658985,0.8939047,0.0026051402,0.00017380396,0.06306659,0.02384323,0.013363752],"study_design_scores_gemma":[0.0015434395,0.0002885595,0.0072162966,0.00051479397,0.00016709193,0.0000987439,0.7453004,0.0058522914,0.000020363996,0.0033965001,0.23508272,0.0005187909],"about_ca_topic_score_codex":0.003486307,"about_ca_topic_score_gemma":0.0142552685,"teacher_disagreement_score":0.21123947,"about_ca_system_score_codex":0.00009316846,"about_ca_system_score_gemma":0.00028334747,"threshold_uncertainty_score":0.79547745},"labels":[],"label_agreement":null},{"id":"W3157512379","doi":"10.18274/orrx2043","title":"Flipping the Coin on Colorblind Casting? Richard Rose on Directing The Merchant of Venice","year":2023,"lang":"en","type":"article","venue":"Borrowers and Lenders The Journal of Shakespeare Appropriations","topic":"Historical Art and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Memorial University of Newfoundland","funders":"","keywords":"Rose (mathematics); Casting; Art; Mathematics; Visual arts","score_opus":0.059240685191757785,"score_gpt":0.24844075589373282,"score_spread":0.18920007070197503,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3157512379","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7642153,0.0051004523,0.00016347926,0.09729103,0.0043158615,0.0012803713,0.00010146676,0.00011911076,0.12741295],"genre_scores_gemma":[0.9969852,0.00023467201,0.000008630367,0.00035580547,0.0005977329,0.0000047640992,0.0000012500059,0.000011570507,0.0018003958],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99894005,0.00015114096,0.00031861686,0.000084261745,0.0003382457,0.0001676949],"domain_scores_gemma":[0.9985847,0.0007030276,0.0003442401,0.00013394479,0.00020008389,0.0000339943],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0010707746,0.00011594565,0.00018842926,0.00006872816,0.0017062181,0.00006358231,0.00021087762,0.000026051242,0.00005541154],"category_scores_gemma":[0.0003194929,0.000048328842,0.00011506705,0.00016138164,0.00026032326,0.000071044786,0.000041818363,0.00037136985,0.000012061333],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00034326967,0.00016724752,0.0001217404,0.000048635513,0.00048357228,0.000011141633,0.81641877,0.0009941697,0.0005982424,0.056927446,0.11817518,0.0057105604],"study_design_scores_gemma":[0.00068747666,0.00078568654,0.0015269917,0.00022883012,0.00030822583,0.000022926359,0.4301553,0.0006301363,0.00011837264,0.0013661919,0.5639479,0.0002219418],"about_ca_topic_score_codex":0.000054323613,"about_ca_topic_score_gemma":0.00036467877,"teacher_disagreement_score":0.44577274,"about_ca_system_score_codex":0.000039678293,"about_ca_system_score_gemma":0.000036272715,"threshold_uncertainty_score":0.99959344},"labels":[],"label_agreement":null},{"id":"W3158057204","doi":"10.18274/ocaq3106","title":"Bardomania: Adapting Shakespeare within a Canadian Political Context","year":2023,"lang":"en","type":"article","venue":"Borrowers and Lenders The Journal of Shakespeare Appropriations","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Canadore College","funders":"","keywords":"Politics; Context (archaeology); Political science; Sociology; Literature; Linguistics; History; Art; Philosophy; Law; Archaeology","score_opus":0.04458518139332847,"score_gpt":0.23140887554909614,"score_spread":0.18682369415576766,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3158057204","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7088708,0.004961213,0.0009254266,0.09136614,0.0062553664,0.0016750906,0.00085235405,0.00045467334,0.1846389],"genre_scores_gemma":[0.9936882,0.000050903833,0.0001150058,0.0015521575,0.0010462438,0.000006070039,0.000027661226,0.000043510216,0.0034701996],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9977108,0.00021426733,0.00071013207,0.00019539964,0.00047921189,0.0006901928],"domain_scores_gemma":[0.9980602,0.00038368945,0.00027283301,0.00023741984,0.0005283716,0.0005174449],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001382629,0.00024129446,0.0003170698,0.0004668935,0.0012360401,0.00040985696,0.0003359454,0.00009006356,0.00067517476],"category_scores_gemma":[0.0003865135,0.00017375629,0.00016408929,0.00022626041,0.00041132793,0.0005863018,0.000035121186,0.00049709406,0.00006852791],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000076286065,0.000044777917,0.00054183503,0.00004813168,0.0001962136,0.000092370115,0.23845349,0.00011630838,0.000037030317,0.7283044,0.029987574,0.0021015927],"study_design_scores_gemma":[0.0012551167,0.00032436673,0.0036867359,0.00021178066,0.0002732037,0.00026340093,0.6511388,0.0019182557,0.000020302832,0.011062766,0.32935473,0.0004905337],"about_ca_topic_score_codex":0.0110868,"about_ca_topic_score_gemma":0.0695367,"teacher_disagreement_score":0.71724164,"about_ca_system_score_codex":0.00013865046,"about_ca_system_score_gemma":0.00060361275,"threshold_uncertainty_score":0.9954985},"labels":[],"label_agreement":null},{"id":"W3158083620","doi":"10.18274/wslq3438","title":"The Art of Curation: Searching for Global Shakespeares in the Digital Archives","year":2023,"lang":"en","type":"article","venue":"Borrowers and Lenders The Journal of Shakespeare Appropriations","topic":"Digital and Traditional Archives Management","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Digital curation; Data curation; Computer science; World Wide Web; Art; History","score_opus":0.038381864806757746,"score_gpt":0.24919211877559705,"score_spread":0.2108102539688393,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3158083620","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1647558,0.0011587568,0.00831193,0.14738593,0.0012726125,0.0024798082,0.0011197639,0.00007513612,0.6734403],"genre_scores_gemma":[0.99813765,0.00014381783,0.000037825375,0.000114418006,0.00022158543,0.000011055271,0.000024221921,0.000006314398,0.0013030795],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99906844,0.00006988749,0.0003296069,0.000071455084,0.0002978415,0.00016276175],"domain_scores_gemma":[0.99874794,0.00086944026,0.00018880969,0.000109861,0.000054997927,0.000028934377],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000551218,0.00008643156,0.00010589975,0.000070306225,0.0005893818,0.0003897667,0.00031808382,0.000007533595,0.000006504064],"category_scores_gemma":[0.000100841906,0.00004021958,0.00011487922,0.00010617436,0.00041090758,0.00038330277,0.000042038973,0.00012890332,0.0000034730306],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012791375,0.00007266059,0.00012092985,0.0000322787,0.00009720718,0.000003807056,0.031102762,0.00037381152,0.0000039254005,0.9248268,0.012355327,0.030882582],"study_design_scores_gemma":[0.0008361873,0.00045439453,0.025626007,0.00012234403,0.000080520906,0.00004035575,0.13655186,0.0018291711,0.0000029772918,0.44956997,0.38471314,0.00017306376],"about_ca_topic_score_codex":0.000006452924,"about_ca_topic_score_gemma":0.000103871775,"teacher_disagreement_score":0.8333819,"about_ca_system_score_codex":0.000009577155,"about_ca_system_score_gemma":0.000048553447,"threshold_uncertainty_score":0.4533108},"labels":[],"label_agreement":null},{"id":"W3158438440","doi":"10.18274/hmai5306","title":"Hermione Sessions: Dancing, The Winter's Tale, and the Kinaesthetic Imagination","year":2023,"lang":"en","type":"article","venue":"Borrowers and Lenders The Journal of Shakespeare Appropriations","topic":"Digital Games and Media","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Northern British Columbia","funders":"","keywords":"Psychology; Psychoanalysis; Art","score_opus":0.01537731884195851,"score_gpt":0.2800668104614671,"score_spread":0.26468949161950855,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3158438440","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4032587,0.009921812,0.0019070535,0.50139284,0.0019393244,0.0014776487,0.000019553161,0.000109986664,0.07997305],"genre_scores_gemma":[0.9910402,0.0033658482,0.000041870866,0.0005265055,0.00020915385,0.00000639881,0.0000013986814,0.000009244954,0.0047993604],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988365,0.0002844056,0.00023145483,0.00007792434,0.00039084244,0.0001788567],"domain_scores_gemma":[0.9989426,0.00045915495,0.00023718197,0.00012881093,0.00015391127,0.00007833718],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0024556255,0.00008104837,0.0001214019,0.00006430793,0.0006605857,0.00020111985,0.0002511757,0.00003748684,0.000019082754],"category_scores_gemma":[0.0005607705,0.000035750323,0.000071626964,0.0003619396,0.0008355916,0.00030741066,0.000052010506,0.00023106908,0.0000046683635],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023535622,0.00010759124,0.0016204644,0.000032075888,0.00018831075,0.000020083235,0.44400427,0.00024188327,0.00012260974,0.10413969,0.049789507,0.39949816],"study_design_scores_gemma":[0.0018277987,0.000120524484,0.017857034,0.00016711377,0.00021977437,0.00009517026,0.46473294,0.000703013,0.00001194771,0.01916854,0.4948978,0.00019834022],"about_ca_topic_score_codex":0.00008616389,"about_ca_topic_score_gemma":0.00022676752,"teacher_disagreement_score":0.5877815,"about_ca_system_score_codex":0.000029243236,"about_ca_system_score_gemma":0.0001332382,"threshold_uncertainty_score":0.5080758},"labels":[],"label_agreement":null},{"id":"W3158529900","doi":"10.18274/yqdt2582","title":"\"Playing the Men\": Ellen Tree, Fanny Kemble, and Theatrical Constructions of Gender","year":2023,"lang":"en","type":"article","venue":"Borrowers and Lenders The Journal of Shakespeare Appropriations","topic":"Theater, Performance, and Music History","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Wilfrid Laurier University","funders":"","keywords":"Tree (set theory); Gender studies; Sociology; Art; Visual arts; Mathematics","score_opus":0.034456404149379574,"score_gpt":0.22060112454535066,"score_spread":0.18614472039597107,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3158529900","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8359712,0.0053041102,0.00059129414,0.0061167493,0.0015850989,0.0006060406,0.000094150775,0.000073250274,0.14965813],"genre_scores_gemma":[0.9968794,0.0011289022,0.000063339554,0.000099693505,0.0003569967,0.000004607706,0.0000025403233,0.000013700651,0.0014508291],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9990302,0.00009187672,0.00038521423,0.000088218796,0.00023405936,0.00017044821],"domain_scores_gemma":[0.9991979,0.0001894705,0.0002625173,0.00015168068,0.0001361698,0.00006229023],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006688556,0.000115623625,0.00018948306,0.00017174019,0.0010790676,0.000062818894,0.0001631897,0.000041161984,0.00013108575],"category_scores_gemma":[0.000031452233,0.0000622263,0.00008877524,0.000111563095,0.00060553366,0.00019356451,0.000038554717,0.00025529382,0.0000045630227],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00029771577,0.00015039506,0.00259275,0.00016746826,0.0007362044,0.000011997148,0.6663928,0.00034409785,0.0013496871,0.17068152,0.12822932,0.029046036],"study_design_scores_gemma":[0.0021271615,0.0003687555,0.0143267745,0.000108301676,0.0007349752,0.00032609477,0.52883995,0.0019526131,0.0000698115,0.0049319775,0.44580022,0.0004133582],"about_ca_topic_score_codex":0.00006690046,"about_ca_topic_score_gemma":0.00009795715,"teacher_disagreement_score":0.3175709,"about_ca_system_score_codex":0.000024322455,"about_ca_system_score_gemma":0.000098492565,"threshold_uncertainty_score":0.82994246},"labels":[],"label_agreement":null},{"id":"W3158554597","doi":"10.18274/njsk3764","title":"\"Thou Art Translated\": Peter Sellars's Midsummer Chamber Play","year":2023,"lang":"en","type":"article","venue":"Borrowers and Lenders The Journal of Shakespeare Appropriations","topic":"Folklore, Mythology, and Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Thou; Art; Art history; Philosophy; Theology","score_opus":0.02909258554419426,"score_gpt":0.24369230591466484,"score_spread":0.2145997203704706,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3158554597","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5696663,0.023554333,0.0009261908,0.08446169,0.008950528,0.0014871691,0.0004774933,0.00046572104,0.31001055],"genre_scores_gemma":[0.9806108,0.0009569031,0.00012999267,0.0010426855,0.001162686,0.000006285771,0.00002230574,0.00003891414,0.016029464],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99875915,0.00012585551,0.00040632224,0.0001462496,0.00027549066,0.0002869334],"domain_scores_gemma":[0.9991568,0.00016052174,0.00020838366,0.00017182415,0.00022254331,0.00007995307],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00076683704,0.00018955795,0.00026591364,0.00020236155,0.00068192,0.00016532087,0.00016058363,0.00007435066,0.0003919138],"category_scores_gemma":[0.00004655181,0.00011452287,0.00016290847,0.00014175319,0.00038874234,0.000267299,0.00002904975,0.00040981127,0.00007043657],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017895235,0.000089801084,0.00042012456,0.000060973864,0.00058941846,0.00007375426,0.45480615,0.000102830876,0.0002221322,0.02169364,0.51998526,0.0017769422],"study_design_scores_gemma":[0.0006885496,0.00018500166,0.0026824612,0.00006173544,0.00021905535,0.00011668487,0.040168166,0.00006626172,0.000016730226,0.0013070308,0.95427,0.00021831856],"about_ca_topic_score_codex":0.0000112213975,"about_ca_topic_score_gemma":0.00017049671,"teacher_disagreement_score":0.43428472,"about_ca_system_score_codex":0.000015110072,"about_ca_system_score_gemma":0.00004313896,"threshold_uncertainty_score":0.52448463},"labels":[],"label_agreement":null},{"id":"W3158861236","doi":"10.18274/qido8128","title":"\"To Skip or Not to Skip\": Shakespearean Romanticism and Curricular Genderpellation in Canadian Popular Culture","year":2023,"lang":"en","type":"article","venue":"Borrowers and Lenders The Journal of Shakespeare Appropriations","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Western University","funders":"","keywords":"Romanticism; Popular culture; Harry potter; Art; Literature","score_opus":0.03837332611894305,"score_gpt":0.2680642489087869,"score_spread":0.22969092278984382,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3158861236","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9703002,0.0009026367,0.0004233044,0.020532735,0.00095013843,0.0011010759,0.00019754628,0.00007581348,0.0055165594],"genre_scores_gemma":[0.993261,0.00021659322,0.00030536737,0.0017207942,0.0004949208,0.00000795004,0.000033029526,0.000038825554,0.003921562],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980333,0.00016013932,0.0006007149,0.00025816358,0.00044094957,0.0005067366],"domain_scores_gemma":[0.99872637,0.00009984759,0.00016063546,0.00022264372,0.00030000063,0.00049048016],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009913923,0.00025086856,0.00031709872,0.0008072299,0.0006796554,0.00037717182,0.00025358488,0.000092386654,0.00021861473],"category_scores_gemma":[0.00027539337,0.00017294637,0.00008530583,0.00046703222,0.00010773893,0.00048292326,0.000042905955,0.0003263488,0.000039606253],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00034468732,0.0001058147,0.0035339475,0.00010585062,0.00017422381,0.00023310007,0.8587464,0.0018241463,0.00028608306,0.07940943,0.048015453,0.0072208378],"study_design_scores_gemma":[0.0016125723,0.00069529645,0.060342412,0.00041216338,0.00024346453,0.00020521237,0.27189845,0.002375595,0.000028776418,0.0033270048,0.6580304,0.00082868576],"about_ca_topic_score_codex":0.01084977,"about_ca_topic_score_gemma":0.11730349,"teacher_disagreement_score":0.6100149,"about_ca_system_score_codex":0.00011767763,"about_ca_system_score_gemma":0.00022562027,"threshold_uncertainty_score":0.9957371},"labels":[],"label_agreement":null},{"id":"W3159171516","doi":"","title":"Prospero's Girls","year":2014,"lang":"en","type":"article","venue":"Borrowers and Lenders The Journal of Shakespeare Appropriations","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Girl; Dream; Power (physics); Literature; Art; History; Psychology","score_opus":0.018838589102188254,"score_gpt":0.20089342688695172,"score_spread":0.18205483778476347,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3159171516","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6165247,0.006883459,0.019661177,0.03874903,0.005333005,0.001388485,0.00012328438,0.00021554796,0.3111213],"genre_scores_gemma":[0.99387157,0.00010194227,0.00037124107,0.00080755167,0.001124914,0.0000032812668,0.000005601103,0.000021817192,0.0036920866],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987298,0.0001552906,0.00046041593,0.00011495647,0.00033017996,0.00020930413],"domain_scores_gemma":[0.9988633,0.00019130466,0.0002857613,0.0001919429,0.00036201373,0.00010568645],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00085937977,0.00015285455,0.00021430611,0.00012853394,0.0006280481,0.000259427,0.00023170351,0.000043723776,0.00054019777],"category_scores_gemma":[0.00015594471,0.00009710098,0.000110079214,0.00006393472,0.00030023084,0.0005209041,0.000020858322,0.00026168535,0.00001531108],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013422694,0.0001763193,0.0008979706,0.000070457376,0.0001836476,0.000005902751,0.25240287,0.00011905813,0.00023103399,0.6991459,0.031319503,0.015313116],"study_design_scores_gemma":[0.0013359619,0.0005031772,0.004326756,0.000103413535,0.00025514874,0.00011601388,0.05848779,0.0008455543,0.000056233832,0.016248308,0.91736287,0.00035876263],"about_ca_topic_score_codex":0.00005369977,"about_ca_topic_score_gemma":0.00012680452,"teacher_disagreement_score":0.88604337,"about_ca_system_score_codex":0.000022650427,"about_ca_system_score_gemma":0.00006721573,"threshold_uncertainty_score":0.59147865},"labels":[],"label_agreement":null},{"id":"W3159208110","doi":"10.18274/havk1043","title":"Nationalizing Shakespeare in Québec: Theorizing Post-/Neo-/Colonial Adaptation","year":2023,"lang":"en","type":"article","venue":"Borrowers and Lenders The Journal of Shakespeare Appropriations","topic":"Historical Art and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Colonialism; Adaptation (eye); Sociology; History; Art; Psychology; Archaeology","score_opus":0.031757477783669594,"score_gpt":0.22540060018016572,"score_spread":0.19364312239649611,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3159208110","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7340079,0.011391422,0.0011251618,0.16126189,0.004662452,0.001359641,0.00015404513,0.00031140822,0.08572607],"genre_scores_gemma":[0.9967073,0.00018905957,0.000067313355,0.00027266642,0.0005816731,0.000006695356,0.0000105262325,0.000014860444,0.0021499048],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988796,0.0001028494,0.00039288276,0.00010503379,0.000327556,0.00019204538],"domain_scores_gemma":[0.9990645,0.00022730707,0.00022827955,0.00007979029,0.00034902844,0.000051095783],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000669287,0.00012565574,0.00018517105,0.00020608041,0.00077402056,0.00009577596,0.00015363202,0.000039880786,0.00019318017],"category_scores_gemma":[0.00024055516,0.000081036094,0.00009230688,0.00019472222,0.0001735777,0.00032834648,0.000034338686,0.00026856436,0.000025924965],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001574554,0.00009062597,0.00060277834,0.00003807745,0.00014415629,0.000019849447,0.81197923,0.0007898771,0.00024635452,0.15795681,0.020837357,0.007137435],"study_design_scores_gemma":[0.0011308372,0.00033015807,0.007594374,0.00013868514,0.00013982566,0.00003116147,0.40820834,0.0011458616,0.000011837183,0.0072591393,0.5736517,0.00035810904],"about_ca_topic_score_codex":0.0012739606,"about_ca_topic_score_gemma":0.025241166,"teacher_disagreement_score":0.5528143,"about_ca_system_score_codex":0.0001069139,"about_ca_system_score_gemma":0.00015182546,"threshold_uncertainty_score":0.99254566},"labels":[],"label_agreement":null},{"id":"W3159345471","doi":"10.18274/stwc5490","title":"Francisco and Bernardo do Hamlet","year":2023,"lang":"en","type":"article","venue":"Borrowers and Lenders The Journal of Shakespeare Appropriations","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McMaster University","funders":"","keywords":"HAMLET (protein complex); Art; Literature","score_opus":0.029117701942802863,"score_gpt":0.22808859387616814,"score_spread":0.19897089193336528,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3159345471","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.91859484,0.0102216005,0.0010676052,0.02453776,0.0022805128,0.00057882763,0.00018427787,0.00015685885,0.042377748],"genre_scores_gemma":[0.994056,0.0008878348,0.00012803356,0.00048150797,0.00075845484,0.0000036032009,0.000010140597,0.000024946956,0.0036494646],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.998821,0.000100441815,0.00039963503,0.0001285199,0.0003274466,0.00022292185],"domain_scores_gemma":[0.99902916,0.00025682102,0.00020791391,0.00015576882,0.00023971897,0.000110590794],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007399919,0.00015005998,0.0002059323,0.00021282006,0.0007040363,0.00031424008,0.00016684273,0.000046777768,0.00036966283],"category_scores_gemma":[0.00010214716,0.00010036674,0.00007209496,0.00012206862,0.00031663725,0.00048530812,0.000033959426,0.00025434414,0.00001931013],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017603087,0.00011054467,0.0016109479,0.000116795534,0.0003350102,0.000058077876,0.59470713,0.00014568478,0.00023231063,0.27854747,0.10649315,0.017466843],"study_design_scores_gemma":[0.001396524,0.0003709067,0.011305886,0.00014492912,0.0002485006,0.00017056205,0.24424636,0.0006322221,0.00002031229,0.018739883,0.7223407,0.00038319448],"about_ca_topic_score_codex":0.00006472271,"about_ca_topic_score_gemma":0.000104072904,"teacher_disagreement_score":0.6158476,"about_ca_system_score_codex":0.000016122993,"about_ca_system_score_gemma":0.000061629886,"threshold_uncertainty_score":0.54149497},"labels":[],"label_agreement":null},{"id":"W3159887495","doi":"","title":"Rachel and Juliet","year":2009,"lang":"en","type":"article","venue":"Borrowers and Lenders The Journal of Shakespeare Appropriations","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McMaster University","funders":"","keywords":"Tribute; Art; Performance art; Art history; Sociology","score_opus":0.022317539092039197,"score_gpt":0.21781534419603088,"score_spread":0.19549780510399167,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3159887495","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.73266405,0.025942924,0.004604962,0.07715809,0.0021186615,0.000987821,0.00013133076,0.00014568257,0.15624648],"genre_scores_gemma":[0.9949604,0.00042540475,0.00033921073,0.0013829883,0.0005902771,9.408273e-7,0.000004701104,0.000011157606,0.0022848626],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99903476,0.00008716872,0.0003650657,0.0001030632,0.0002389061,0.00017104998],"domain_scores_gemma":[0.99920267,0.00013739483,0.00020842813,0.00012734791,0.00022214047,0.00010203852],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004993133,0.0001357801,0.00018299912,0.00011782311,0.00054848485,0.00024501962,0.00013831155,0.00004047711,0.00022357017],"category_scores_gemma":[0.00007300351,0.00008882434,0.00006930971,0.000052377436,0.00022446232,0.0005262833,0.000012109959,0.00023879827,0.000004236069],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023471628,0.0002383083,0.00035518155,0.0000461878,0.00018107526,0.000023479903,0.45148918,0.000051367257,0.0003229619,0.46182126,0.041603792,0.043632492],"study_design_scores_gemma":[0.0025070624,0.0011779163,0.018990297,0.00016598952,0.000493486,0.00041788776,0.21369687,0.0006627103,0.00005679849,0.048808858,0.7124156,0.00060653803],"about_ca_topic_score_codex":0.000027673012,"about_ca_topic_score_gemma":0.00005045205,"teacher_disagreement_score":0.6708118,"about_ca_system_score_codex":0.000015719113,"about_ca_system_score_gemma":0.00005646988,"threshold_uncertainty_score":0.42185575},"labels":[],"label_agreement":null},{"id":"W3160435092","doi":"10.18274/pywe7015","title":"The Cult of Shakespeare in Soviet Russia and the Vilified Ophelia","year":2023,"lang":"en","type":"article","venue":"Borrowers and Lenders The Journal of Shakespeare Appropriations","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Cult; History; Ancient history; Literature; Political science; Art","score_opus":0.021050163498068288,"score_gpt":0.22269313082961506,"score_spread":0.20164296733154677,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3160435092","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.72252995,0.029187836,0.000431294,0.16097848,0.0033770134,0.002650083,0.00037172178,0.00015087666,0.080322765],"genre_scores_gemma":[0.99428135,0.0023803138,0.00003948359,0.00033753418,0.00035222998,0.000010992229,0.000009081953,0.000023004022,0.0025660319],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9980561,0.00035274582,0.0007335162,0.00014497635,0.00043235987,0.000280297],"domain_scores_gemma":[0.9979592,0.0010139473,0.00039765149,0.00026587214,0.00028827778,0.00007503125],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002152539,0.00018432124,0.00030796463,0.00016909021,0.0010001125,0.0002959113,0.00037007008,0.000058095597,0.00017950356],"category_scores_gemma":[0.0003151751,0.00008832247,0.00013886552,0.00023371437,0.0010255947,0.0003588178,0.00005878193,0.0003940755,0.000006870293],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0007166603,0.00008179144,0.00053958094,0.00009144775,0.0002316452,0.000014788464,0.4132573,0.00021352696,0.00008478117,0.55047965,0.0272802,0.0070086396],"study_design_scores_gemma":[0.005067834,0.00028954627,0.015455692,0.0003056509,0.00031484338,0.00008788355,0.74477726,0.0029954296,0.000032484506,0.04161107,0.18866421,0.0003981198],"about_ca_topic_score_codex":0.00020068107,"about_ca_topic_score_gemma":0.0009310516,"teacher_disagreement_score":0.5088686,"about_ca_system_score_codex":0.000016277032,"about_ca_system_score_gemma":0.00012174014,"threshold_uncertainty_score":0.76921576},"labels":[],"label_agreement":null},{"id":"W3161500661","doi":"10.18274/fbjy4717","title":"\"I Cannot Heave My Heart into My Mouth\"","year":2023,"lang":"en","type":"article","venue":"Borrowers and Lenders The Journal of Shakespeare Appropriations","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Guelph","funders":"","keywords":"Cardiology; Medicine","score_opus":0.03521516454179257,"score_gpt":0.24770525508935953,"score_spread":0.21249009054756696,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3161500661","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8658231,0.0060350904,0.00191648,0.07967544,0.004941307,0.0011668935,0.00026324627,0.00036907944,0.03980939],"genre_scores_gemma":[0.98852104,0.00020009527,0.00023576288,0.001099769,0.0011380666,0.0000071732943,0.000025722327,0.000036528225,0.008735824],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99833983,0.00016505769,0.00056347606,0.0001639986,0.00045378107,0.00031385288],"domain_scores_gemma":[0.99869996,0.00027556546,0.00024000969,0.00022927199,0.00040108737,0.0001541087],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00090096105,0.00019888443,0.00027477185,0.0003017984,0.0009728058,0.0004568135,0.00025467016,0.0000617607,0.00040091935],"category_scores_gemma":[0.00013530393,0.000138254,0.00015837283,0.00020582454,0.00034304295,0.0007737125,0.000039590457,0.00035269815,0.000049128623],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018352394,0.00013485571,0.00047530275,0.00009740221,0.00027079496,0.000034385415,0.69796056,0.00035753756,0.00037630607,0.14715007,0.14748305,0.0054762326],"study_design_scores_gemma":[0.0009937552,0.0002567579,0.0032555556,0.00010598143,0.00018202858,0.00008938485,0.2773108,0.0005435113,0.000046244888,0.011571875,0.70530057,0.00034355168],"about_ca_topic_score_codex":0.00041557095,"about_ca_topic_score_gemma":0.00047445396,"teacher_disagreement_score":0.5578175,"about_ca_system_score_codex":0.000049516486,"about_ca_system_score_gemma":0.0001804156,"threshold_uncertainty_score":0.7482134},"labels":[],"label_agreement":null},{"id":"W3161558640","doi":"10.18274/lgtd8297","title":"Waves and Wills: Van Thiessen's Shakespeare's Will","year":2023,"lang":"en","type":"article","venue":"Borrowers and Lenders The Journal of Shakespeare Appropriations","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Guelph","funders":"","keywords":"History","score_opus":0.027400832779830492,"score_gpt":0.22897600615391525,"score_spread":0.20157517337408476,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3161558640","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8612155,0.012270426,0.0014641111,0.04841471,0.0034668192,0.0012387953,0.00037602428,0.00043668714,0.07111697],"genre_scores_gemma":[0.98908824,0.0015460044,0.00017755579,0.00064881146,0.0009968935,0.0000055773808,0.000023704551,0.000044920504,0.007468284],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99823505,0.00017828372,0.00057492894,0.00020540082,0.0004573715,0.00034897443],"domain_scores_gemma":[0.998469,0.00043713636,0.00031488034,0.00023616946,0.0003734451,0.00016935443],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009462159,0.00024509753,0.00031366356,0.00033470016,0.0010011666,0.00043388954,0.0002592459,0.00007584059,0.00051082997],"category_scores_gemma":[0.00019374248,0.00016670367,0.0001232949,0.00020642059,0.00055710465,0.0010694122,0.00006036953,0.00037420358,0.000023018882],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022825487,0.00016330206,0.0009580847,0.00019374986,0.0004780001,0.00008091099,0.5833855,0.00020211175,0.00033294843,0.33461788,0.06362168,0.015737567],"study_design_scores_gemma":[0.0015017377,0.00045012077,0.0065971655,0.00023738254,0.00034931002,0.00021787322,0.32026878,0.0010011973,0.000034849738,0.031227864,0.63755184,0.0005618987],"about_ca_topic_score_codex":0.000067508285,"about_ca_topic_score_gemma":0.00016240253,"teacher_disagreement_score":0.57393014,"about_ca_system_score_codex":0.000027942167,"about_ca_system_score_gemma":0.000103641236,"threshold_uncertainty_score":0.77002656},"labels":[],"label_agreement":null},{"id":"W3161971829","doi":"","title":"From Cultural Tourists to Shakespeare Fans: The Stratford Festival and the Construction of Audience","year":2019,"lang":"en","type":"article","venue":"Borrowers and Lenders The Journal of Shakespeare Appropriations","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Fandom; Media studies; Music festival; Appeal; Subject (documents); Advertising; Tourism; Musical; Sociology; Visual arts; Art; History; Political science; Business","score_opus":0.01642788255171482,"score_gpt":0.2207440537455684,"score_spread":0.2043161711938536,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3161971829","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97515005,0.0020003985,0.0005057495,0.0137408925,0.00089234556,0.0005792926,0.00011670806,0.000015080767,0.0069994563],"genre_scores_gemma":[0.9973528,0.00022036885,0.000361261,0.0004405665,0.0005951171,0.0000048634734,0.00000690196,0.00001323605,0.0010049165],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99853957,0.00020785577,0.0005157673,0.00015301336,0.00039476855,0.00018900822],"domain_scores_gemma":[0.9983168,0.0005646502,0.00038310676,0.0002352523,0.00042077363,0.000079383],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00069581263,0.00017359585,0.0002766565,0.00007457346,0.0006150953,0.0002917867,0.0003158899,0.000044633376,0.00032413483],"category_scores_gemma":[0.00015325137,0.00008065334,0.00011439788,0.00010145094,0.0008721299,0.000528414,0.0000450875,0.00031104314,0.000005733699],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0008163644,0.00006914291,0.0012884878,0.000056084566,0.00032882008,0.000004268318,0.70605767,0.00022756433,0.00037176782,0.2747722,0.00706001,0.008947631],"study_design_scores_gemma":[0.002879856,0.00046204403,0.013221899,0.00028848145,0.0004182242,0.0001464579,0.87917465,0.00066137617,0.00009363958,0.02007856,0.08221347,0.00036132312],"about_ca_topic_score_codex":0.00047079497,"about_ca_topic_score_gemma":0.00032908167,"teacher_disagreement_score":0.25469363,"about_ca_system_score_codex":0.000022791171,"about_ca_system_score_gemma":0.00008744429,"threshold_uncertainty_score":0.47308782},"labels":[],"label_agreement":null},{"id":"W3162403347","doi":"10.18274/dqvh8224","title":"Shakespeare and the Eighteenth-Century Actress","year":2023,"lang":"en","type":"article","venue":"Borrowers and Lenders The Journal of Shakespeare Appropriations","topic":"Historical Art and Culture Studies","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"TRACE (psycholinguistics); Presentation (obstetrics); Art; Ornaments; Art history; Visual arts; Literature; History; Philosophy; Style (visual arts)","score_opus":0.017396070383559715,"score_gpt":0.20061282231025884,"score_spread":0.18321675192669912,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3162403347","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.22444801,0.124714136,0.0004474544,0.27245614,0.00813124,0.0024770088,0.00024111487,0.0004275259,0.36665735],"genre_scores_gemma":[0.9875939,0.007724928,0.000019246794,0.00040245382,0.0008034922,0.000006703105,0.0000043675464,0.00001568704,0.0034292375],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989968,0.00012101701,0.0002994138,0.00009809783,0.00029256524,0.00019212709],"domain_scores_gemma":[0.9991709,0.00024389723,0.00020753713,0.00012743034,0.0001816119,0.0000685966],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00063260185,0.00013580723,0.00022077785,0.000074893855,0.0013836459,0.00015496732,0.00018971476,0.00003356076,0.00016013703],"category_scores_gemma":[0.0001015278,0.0000607902,0.00010870718,0.00011305179,0.000665968,0.00019501636,0.00006761614,0.00028586274,0.000017819317],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00029352668,0.00006429563,0.00017998181,0.000047399033,0.0003895619,0.000012711981,0.38459665,0.000019389925,0.000037307513,0.34847668,0.25825784,0.0076246723],"study_design_scores_gemma":[0.0009314175,0.000070519345,0.00067038194,0.00003369345,0.00017042551,0.000020223797,0.12513821,0.00007476173,0.000002632842,0.0014358177,0.8713339,0.00011802729],"about_ca_topic_score_codex":0.00003884553,"about_ca_topic_score_gemma":0.00020808891,"teacher_disagreement_score":0.76314586,"about_ca_system_score_codex":0.000016587494,"about_ca_system_score_gemma":0.000028645427,"threshold_uncertainty_score":0.99991643},"labels":[],"label_agreement":null},{"id":"W3162655415","doi":"10.18274/xlrq3534","title":"Indigenizing Macbeth: Vishal Bhardwaj's Maqbool","year":2023,"lang":"en","type":"article","venue":"Borrowers and Lenders The Journal of Shakespeare Appropriations","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Art","score_opus":0.04477627587532054,"score_gpt":0.23507060375017141,"score_spread":0.19029432787485087,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3162655415","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8907191,0.004775258,0.0019705736,0.021277335,0.004721326,0.001013017,0.00029609347,0.00036281382,0.07486447],"genre_scores_gemma":[0.9921862,0.0003559459,0.00016726393,0.0005536633,0.0012292097,0.0000052601686,0.00002516223,0.0000365506,0.005440732],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983982,0.00015128002,0.0005373978,0.00014619008,0.00044541227,0.00032152445],"domain_scores_gemma":[0.9987431,0.00030382807,0.00030097735,0.00019260777,0.00033367463,0.0001257991],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00096445705,0.00018380983,0.00023631979,0.0003201596,0.00093483616,0.00034313192,0.00028497557,0.00005997715,0.0006590564],"category_scores_gemma":[0.00013597314,0.00012803217,0.00014789177,0.00019566077,0.00025990722,0.0006308581,0.000041396117,0.00036300725,0.00005818405],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002115009,0.00014508318,0.0009527033,0.000119851786,0.00045223293,0.00008349479,0.73522854,0.0003189245,0.00047057908,0.16055204,0.08619892,0.015266153],"study_design_scores_gemma":[0.0015537973,0.00036437562,0.0070415847,0.00017398337,0.00034887317,0.00018090643,0.34537446,0.0009876912,0.0000882275,0.012580232,0.6307679,0.0005380085],"about_ca_topic_score_codex":0.00008046518,"about_ca_topic_score_gemma":0.00014659794,"teacher_disagreement_score":0.54456896,"about_ca_system_score_codex":0.00003772271,"about_ca_system_score_gemma":0.00013206445,"threshold_uncertainty_score":0.72162056},"labels":[],"label_agreement":null},{"id":"W3162894956","doi":"","title":"Giving Shakespeare Meaning, Canadian Style: Canadian(?) Shakespeares","year":2007,"lang":"en","type":"article","venue":"Borrowers and Lenders The Journal of Shakespeare Appropriations","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Guelph","funders":"","keywords":"Meaning (existential); Style (visual arts); Identity (music); Sociology; Aesthetics; Linguistics; History; Literature; Art; Epistemology; Philosophy","score_opus":0.023814299084341052,"score_gpt":0.2185082032607064,"score_spread":0.19469390417636537,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3162894956","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.28091455,0.014525363,0.0028103613,0.031011404,0.006883695,0.0019849648,0.0010210784,0.00024567413,0.6606029],"genre_scores_gemma":[0.99012774,0.00015796567,0.0003514655,0.001792528,0.0014504106,0.0000032153491,0.000030270201,0.00006564175,0.0060207816],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99707377,0.00017720736,0.00092485995,0.00027663828,0.00063413446,0.0009133964],"domain_scores_gemma":[0.99700946,0.00038313633,0.00040993857,0.00036418447,0.0008736387,0.00095965154],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0022914424,0.00036570337,0.0003880824,0.0009345644,0.001949888,0.0006318325,0.0005734143,0.00014869786,0.002641659],"category_scores_gemma":[0.00036181806,0.00028011322,0.00020237394,0.00026456927,0.000453972,0.0009389117,0.000031824704,0.0007147587,0.000039740997],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018290385,0.000125872,0.0032097627,0.000116467505,0.00052664336,0.00040813247,0.57782924,0.00016538134,0.000099194636,0.3224149,0.077046275,0.017875236],"study_design_scores_gemma":[0.0007432914,0.00021376942,0.0062230513,0.0001558959,0.00018710489,0.00029581046,0.18076096,0.00021079993,0.000019984192,0.0021636395,0.8085241,0.0005016265],"about_ca_topic_score_codex":0.27691928,"about_ca_topic_score_gemma":0.9244905,"teacher_disagreement_score":0.7314778,"about_ca_system_score_codex":0.00036390722,"about_ca_system_score_gemma":0.0011575086,"threshold_uncertainty_score":0.99996513},"labels":[],"label_agreement":null},{"id":"W4395053930","doi":"10.18274/bl.v15i2.368","title":"Brevity is the Soul of Fic Microfiction, Microfic, and Shakespearean Abridgement in Online Fan Fiction","year":2024,"lang":"en","type":"article","venue":"Borrowers and Lenders The Journal of Shakespeare Appropriations","topic":"Digital Games and Media","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Memorial University of Newfoundland","funders":"","keywords":"Soul; Art; Fandom; Literature; Theology; Philosophy","score_opus":0.020471407233350506,"score_gpt":0.28840812158501905,"score_spread":0.26793671435166855,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4395053930","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8996028,0.022586579,0.0023244107,0.05957327,0.0011440056,0.0007647832,0.0001585417,0.000034743185,0.013810892],"genre_scores_gemma":[0.99160564,0.005443031,0.00012325928,0.00025858788,0.0002265037,0.0000018925837,0.0000047019257,0.000010335263,0.002326024],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99886936,0.00013614727,0.00038601583,0.00011883975,0.00030565102,0.00018397754],"domain_scores_gemma":[0.9992966,0.00019210626,0.00018410911,0.000113988855,0.00013862329,0.00007455827],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014606805,0.00009963303,0.00015988002,0.00012812621,0.00021773683,0.00014239318,0.00016692319,0.000060913095,0.00004832493],"category_scores_gemma":[0.000110726345,0.000060405153,0.00008875794,0.000356083,0.00029641736,0.00031842504,0.00003602096,0.00026921488,0.0000010402276],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021684488,0.0005006821,0.009265815,0.00026822014,0.00043437412,0.000021829519,0.41704565,0.00015488744,0.0038925312,0.010773261,0.1408277,0.4165982],"study_design_scores_gemma":[0.0006062319,0.00020243121,0.04355035,0.00039832716,0.00021282458,0.000052829117,0.22752662,0.00031345527,0.0001681362,0.00085542817,0.725903,0.00021038165],"about_ca_topic_score_codex":0.00029575708,"about_ca_topic_score_gemma":0.0007484118,"teacher_disagreement_score":0.58507526,"about_ca_system_score_codex":0.00006451772,"about_ca_system_score_gemma":0.00017609863,"threshold_uncertainty_score":0.24632506},"labels":[],"label_agreement":null},{"id":"W4400238379","doi":"10.18274/bl.v14i2.351","title":"The Tempest as Trans Archive: An Interview with Scholar Mary Ann S. Saunders","year":2023,"lang":"en","type":"article","venue":"Borrowers and Lenders The Journal of Shakespeare Appropriations","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Tempest; Interpretation (philosophy); Alice (programming language); Art history; Reading (process); Art; Literature; Philosophy; Linguistics","score_opus":0.03799108253314684,"score_gpt":0.24823273137651808,"score_spread":0.21024164884337124,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4400238379","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7341092,0.015509227,0.008822833,0.14459527,0.003609295,0.0026469654,0.0005298656,0.0005328373,0.089644514],"genre_scores_gemma":[0.9930742,0.0016245887,0.00017831488,0.0011366048,0.00058490894,0.000010725755,0.00003981064,0.000046177276,0.003304691],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99816954,0.0004233108,0.0004798229,0.00016534708,0.0004526508,0.00030934607],"domain_scores_gemma":[0.998622,0.0004049073,0.00024742945,0.0002848886,0.0002861306,0.00015466173],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0016577926,0.00020377294,0.00021640652,0.00017478969,0.0020294138,0.00062876253,0.00041726034,0.000041581225,0.00020950784],"category_scores_gemma":[0.0000840106,0.000107665655,0.00012120692,0.00017738322,0.00056913384,0.00093447056,0.000024061253,0.0005434965,0.000017837532],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00072173594,0.00030044556,0.00041855386,0.00017528463,0.000813794,0.00010263765,0.7490344,0.0005828632,0.00017815999,0.15780613,0.04706131,0.04280468],"study_design_scores_gemma":[0.0009066771,0.0007350155,0.0042755427,0.00017683655,0.00023565354,0.00016539436,0.37801453,0.00046360548,0.000008645871,0.011351254,0.60339445,0.00027238863],"about_ca_topic_score_codex":0.00010434677,"about_ca_topic_score_gemma":0.0010947289,"teacher_disagreement_score":0.5563331,"about_ca_system_score_codex":0.00002752212,"about_ca_system_score_gemma":0.00018378977,"threshold_uncertainty_score":0.9992698},"labels":[],"label_agreement":null},{"id":"W4400239097","doi":"10.18274/bl.v14i2.332","title":"“The Winter of Our Discontent”: An Interview with Playwright Terri Power","year":2023,"lang":"en","type":"article","venue":"Borrowers and Lenders The Journal of Shakespeare Appropriations","topic":"Foucault, Power, and Ethics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Stantec (Canada)","funders":"","keywords":"Queer; Transgender; Narrative; Power (physics); Gender studies; Masculinity; Lesbian; Sociology; Framing (construction); Subversion; Representation (politics); Psychoanalysis; Aesthetics; Psychology; Art; History; Literature; Political science; Law; Politics","score_opus":0.05218458945261551,"score_gpt":0.3279763386774983,"score_spread":0.2757917492248828,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4400239097","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5559731,0.0033926482,0.0039327946,0.40406737,0.003588125,0.001215828,0.00007267514,0.00012892926,0.027628498],"genre_scores_gemma":[0.9961285,0.0011106962,0.000099592165,0.0002554432,0.00017591013,0.0000025026022,0.0000021216422,0.0000146627945,0.0022105668],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.998285,0.0004275977,0.00038479362,0.00010336741,0.0005360293,0.0002631925],"domain_scores_gemma":[0.9987407,0.00021463782,0.00038543338,0.00020774479,0.00032010587,0.00013140988],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0026934072,0.00011488852,0.00018824218,0.00009304872,0.0008558007,0.00012535816,0.00045022895,0.00007794694,0.000031924057],"category_scores_gemma":[0.00020979233,0.000056319714,0.000104336905,0.00032994893,0.0004218093,0.00038308086,0.000039581366,0.00037783137,0.0000054551197],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000797366,0.00039066796,0.005849809,0.00009540456,0.0008804667,0.000047028167,0.8169215,0.0002693037,0.0004266764,0.057662148,0.09780705,0.018852618],"study_design_scores_gemma":[0.00071486173,0.0005625754,0.008011028,0.00023672488,0.00014802247,0.0000332381,0.7667915,0.000079641024,0.00003850591,0.0022564246,0.22092153,0.0002059299],"about_ca_topic_score_codex":0.0001786153,"about_ca_topic_score_gemma":0.0031311358,"teacher_disagreement_score":0.44015536,"about_ca_system_score_codex":0.000038620386,"about_ca_system_score_gemma":0.00024511022,"threshold_uncertainty_score":0.65822136},"labels":[],"label_agreement":null},{"id":"W4400239392","doi":"10.18274/bl.v14i2.331","title":"Identities in Drag: An Interview with King Sammy Silver on August 20, 2020","year":2023,"lang":"en","type":"article","venue":"Borrowers and Lenders The Journal of Shakespeare Appropriations","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Stantec (Canada)","funders":"","keywords":"Masculinity; Nothing; Drag; Power (physics); Viola; Art; Sociology; Art history; Psychoanalysis; Psychology; Gender studies; Philosophy; Engineering","score_opus":0.04762135271839852,"score_gpt":0.25114324068597077,"score_spread":0.20352188796757226,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4400239392","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.947809,0.0019329346,0.00043355513,0.012196358,0.0013236773,0.00059500866,0.000105211846,0.00012585707,0.03547844],"genre_scores_gemma":[0.9933899,0.0003414029,0.00007578448,0.00074428867,0.00056408515,0.0000063682933,0.000025917821,0.000032121177,0.0048201326],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99855274,0.00021014783,0.00045763384,0.00015241822,0.0003811593,0.00024592434],"domain_scores_gemma":[0.9990935,0.00020207216,0.00022797288,0.00018237354,0.00020356887,0.000090520254],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000850995,0.0001761147,0.00023834567,0.00031547784,0.00043165952,0.00034880286,0.00024057647,0.00004241509,0.0005892874],"category_scores_gemma":[0.000051555315,0.00011406777,0.000079101046,0.00020339564,0.00022016841,0.0009152769,0.000024437146,0.0003365217,0.000017509901],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00056904973,0.0004471571,0.0025010733,0.00027326334,0.0003672801,0.00026127204,0.76698357,0.002668064,0.00014038163,0.15424606,0.060294505,0.011248307],"study_design_scores_gemma":[0.0030330636,0.0017653911,0.02456357,0.0011608246,0.0003181815,0.00019771532,0.70072466,0.0016620236,0.00003477152,0.013942661,0.2518092,0.0007879201],"about_ca_topic_score_codex":0.00012522796,"about_ca_topic_score_gemma":0.0018572927,"teacher_disagreement_score":0.19151472,"about_ca_system_score_codex":0.000042440388,"about_ca_system_score_gemma":0.000088541434,"threshold_uncertainty_score":0.6452284},"labels":[],"label_agreement":null},{"id":"W4404688203","doi":"10.18274/edss9779","title":"From Cultural Tourists to Shakespeare Fans: The Stratford Festival and the Construction of Audience Authors","year":2023,"lang":"en","type":"article","venue":"Borrowers and Lenders The Journal of Shakespeare Appropriations","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Advertising; Art; Visual arts; Tourism; Media studies; History; Sociology; Archaeology; Business","score_opus":0.03376491061190194,"score_gpt":0.2521351137845501,"score_spread":0.21837020317264816,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404688203","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9594947,0.0015938447,0.0007290729,0.03177769,0.0012775996,0.0006046374,0.00021809831,0.0000454756,0.0042588976],"genre_scores_gemma":[0.9970543,0.0003499948,0.0002836293,0.00031560165,0.00076870597,0.000008465553,0.000012922867,0.000015978736,0.001190434],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99837196,0.00025328444,0.00055427087,0.0001592057,0.00043616348,0.00022512997],"domain_scores_gemma":[0.99824387,0.00067642436,0.000357968,0.00021589128,0.0004068502,0.00009898398],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010253111,0.00017914195,0.00026696463,0.00011989236,0.0010124661,0.00032204014,0.00032648054,0.00005016941,0.00015102887],"category_scores_gemma":[0.00030851812,0.00008525494,0.00012072569,0.0002129507,0.0011328771,0.00047113554,0.000055574772,0.00033212558,0.00000543859],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004993523,0.00004241546,0.00043503285,0.000041384665,0.00027725595,0.000009296266,0.7704034,0.00029414942,0.00019320678,0.1969173,0.020484515,0.0104026925],"study_design_scores_gemma":[0.0017658758,0.000278293,0.013209799,0.00021720424,0.00037852064,0.00010114755,0.88290673,0.0010278053,0.000058895144,0.028060932,0.071696214,0.00029857655],"about_ca_topic_score_codex":0.000468246,"about_ca_topic_score_gemma":0.00042388556,"teacher_disagreement_score":0.16885637,"about_ca_system_score_codex":0.000022180202,"about_ca_system_score_gemma":0.00009058044,"threshold_uncertainty_score":0.77871734},"labels":[],"label_agreement":null},{"id":"W4404706404","doi":"10.18274/hcdo2695","title":"King Lear and Incest, 1969-2016","year":2023,"lang":"en","type":"article","venue":"Borrowers and Lenders The Journal of Shakespeare Appropriations","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Psychology; Psychoanalysis","score_opus":0.0397463547333088,"score_gpt":0.23414358566833465,"score_spread":0.19439723093502587,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404706404","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9031549,0.008446061,0.0010058916,0.024908138,0.0023432225,0.00063485437,0.00011982886,0.00021694927,0.05917014],"genre_scores_gemma":[0.9924564,0.00091708807,0.00013404105,0.00043486155,0.0007716125,0.000002885064,0.000008747023,0.000023956474,0.0052504176],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988796,0.0001102508,0.00038341057,0.000121626814,0.0002861871,0.00021888434],"domain_scores_gemma":[0.99906605,0.00027920897,0.00021637825,0.00013107457,0.00020882467,0.00009845436],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007575297,0.00013987729,0.00018720224,0.00022237918,0.0007672063,0.000277902,0.00015952764,0.000042793916,0.00021828811],"category_scores_gemma":[0.00010441673,0.000092657545,0.00007058023,0.00012218617,0.0003105788,0.0005482114,0.000036121186,0.00024671393,0.00001702686],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018072459,0.00011217828,0.001637602,0.00014657702,0.0003278383,0.000054038057,0.62540483,0.00019317199,0.0003471821,0.28569195,0.06050941,0.025394503],"study_design_scores_gemma":[0.0012746805,0.00033750228,0.009234435,0.00023070391,0.0002443545,0.00014551161,0.2533348,0.0012244742,0.000023009856,0.014933101,0.7186212,0.0003962683],"about_ca_topic_score_codex":0.00011943635,"about_ca_topic_score_gemma":0.00016661901,"teacher_disagreement_score":0.65811175,"about_ca_system_score_codex":0.000018752178,"about_ca_system_score_gemma":0.00008751712,"threshold_uncertainty_score":0.59008086},"labels":[],"label_agreement":null},{"id":"W4404742549","doi":"10.18274/zarb5225","title":"Staging Shakespeare in Social Games: Towards a Theory of Theatrical Game Design Authors","year":2023,"lang":"en","type":"article","venue":"Borrowers and Lenders The Journal of Shakespeare Appropriations","topic":"Digital Games and Media","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Waterloo","funders":"","keywords":"Game design; Video game design; Game theory; Game mechanics; Sociology; Psychology; Computer science; Aesthetics; Art; Multimedia; Mathematical economics; Mathematics","score_opus":0.07142696020190449,"score_gpt":0.3230918465434368,"score_spread":0.25166488634153233,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404742549","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.74238,0.004260825,0.039053455,0.065777235,0.0024338034,0.0026355793,0.00014836788,0.00027345467,0.14303724],"genre_scores_gemma":[0.99643123,0.00066824397,0.000289541,0.00009725851,0.00027213158,0.000004215212,0.0000020186578,0.000017554943,0.0022177754],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99776465,0.0006254828,0.00048733747,0.00012660793,0.00064197456,0.0003539297],"domain_scores_gemma":[0.9987061,0.0005273666,0.00033136888,0.0001073301,0.0001893719,0.00013848915],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00454853,0.00012667452,0.00028744977,0.0003157093,0.00020294114,0.0000860349,0.00033696802,0.000115835704,0.000059372418],"category_scores_gemma":[0.0008145739,0.00008888873,0.00014575353,0.0010067843,0.0004058869,0.00030340394,0.000051885945,0.0003538047,0.000003683995],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00050742994,0.00023960696,0.0020688057,0.00006856271,0.00019303864,0.000054483946,0.6064755,0.0009967219,0.0002671909,0.044980492,0.01143782,0.3327104],"study_design_scores_gemma":[0.0019566973,0.00040174343,0.04160883,0.00025200305,0.00022285244,0.000019734005,0.8426406,0.0006155667,0.00007441903,0.037405983,0.07434167,0.00045991509],"about_ca_topic_score_codex":0.000064260326,"about_ca_topic_score_gemma":0.00006345448,"teacher_disagreement_score":0.33225048,"about_ca_system_score_codex":0.00009149253,"about_ca_system_score_gemma":0.0005562176,"threshold_uncertainty_score":0.36247772},"labels":[],"label_agreement":null},{"id":"W4405205395","doi":"10.18274/hrla2420","title":"Dedication","year":2023,"lang":"en","type":"article","venue":"Borrowers and Lenders The Journal of Shakespeare Appropriations","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Chemistry","score_opus":0.04033753466655802,"score_gpt":0.23435686676231576,"score_spread":0.19401933209575775,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405205395","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.78941447,0.006272607,0.0059840665,0.07089157,0.0055227717,0.0011359915,0.0001891018,0.00044361787,0.12014582],"genre_scores_gemma":[0.9932636,0.00041340225,0.000121777724,0.0004691037,0.0008458583,0.000003976137,0.000019090057,0.000018955288,0.0048442204],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989343,0.00009911145,0.00037924777,0.00009007015,0.0003194115,0.00017780704],"domain_scores_gemma":[0.999028,0.00022210702,0.00022809424,0.00014621006,0.00029473472,0.000080806385],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00076205976,0.0001079867,0.00013949582,0.00021628564,0.0005909197,0.00016482208,0.00018815347,0.000036029836,0.0003946194],"category_scores_gemma":[0.0001280393,0.00007144888,0.000081264385,0.00015016356,0.00022359671,0.00045551473,0.00001985136,0.00019574181,0.000043444088],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010891017,0.00011182193,0.00053668895,0.00006941252,0.00021547444,0.000019579302,0.4535058,0.00021578281,0.00025675463,0.38424823,0.14172162,0.018989898],"study_design_scores_gemma":[0.000879537,0.00022691584,0.0066902163,0.00008374477,0.00020571046,0.00007684903,0.19756475,0.0011237134,0.000034891887,0.016359176,0.7764923,0.0002621814],"about_ca_topic_score_codex":0.0000453216,"about_ca_topic_score_gemma":0.000092160175,"teacher_disagreement_score":0.6347707,"about_ca_system_score_codex":0.000020949294,"about_ca_system_score_gemma":0.000084529565,"threshold_uncertainty_score":0.4544936},"labels":[],"label_agreement":null},{"id":"W4405205397","doi":"10.18274/gtcx6071","title":"Introduction","year":2023,"lang":"en","type":"article","venue":"Borrowers and Lenders The Journal of Shakespeare Appropriations","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Computer science","score_opus":0.029848635521911117,"score_gpt":0.22529357171889874,"score_spread":0.19544493619698763,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405205397","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7132103,0.0051533803,0.0037892975,0.18725562,0.011487616,0.0010994895,0.0001679932,0.0004786682,0.07735765],"genre_scores_gemma":[0.9844871,0.00038857848,0.00012262743,0.0003884324,0.0038628972,0.000003597864,0.000021047306,0.000023402263,0.010702293],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989638,0.00010206213,0.00036611737,0.00010152805,0.0002856057,0.00018088878],"domain_scores_gemma":[0.99912995,0.00015167819,0.00020118042,0.00014985364,0.0002986084,0.00006870485],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00075375696,0.00011175186,0.00014735082,0.0002205806,0.00059185334,0.00018249564,0.00015538158,0.00003318775,0.0007194544],"category_scores_gemma":[0.0001271375,0.00007389495,0.00008408868,0.00015440058,0.00021624895,0.00050610886,0.000019120076,0.00021509513,0.000050962473],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011805356,0.000083828054,0.00016661784,0.00005045911,0.00018217547,0.000014727238,0.30382228,0.0003389058,0.00028214813,0.30830508,0.376244,0.010391701],"study_design_scores_gemma":[0.0004593993,0.00015619626,0.0017730976,0.000025952313,0.00011536798,0.00006674626,0.12608081,0.00040903754,0.000026679669,0.0070191454,0.8637144,0.00015314715],"about_ca_topic_score_codex":0.000036737027,"about_ca_topic_score_gemma":0.00007502486,"teacher_disagreement_score":0.48747042,"about_ca_system_score_codex":0.000022489643,"about_ca_system_score_gemma":0.000062418796,"threshold_uncertainty_score":0.7877521},"labels":[],"label_agreement":null},{"id":"W4405205431","doi":"10.18274/fyut9489","title":"Prospero's Girls","year":2023,"lang":"en","type":"article","venue":"Borrowers and Lenders The Journal of Shakespeare Appropriations","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Psychology","score_opus":0.02546968433693751,"score_gpt":0.21354308376586653,"score_spread":0.18807339942892903,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405205431","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.87321323,0.0044042487,0.0010713311,0.04774312,0.0032133018,0.0010196015,0.00017418413,0.0003052742,0.068855695],"genre_scores_gemma":[0.99141806,0.0001885513,0.000112807924,0.00034041255,0.0006875095,0.000003159631,0.000006673907,0.000021938284,0.0072208857],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99902785,0.00006965617,0.0003100284,0.00009139819,0.0003059136,0.00019513488],"domain_scores_gemma":[0.999195,0.00008568856,0.00023154,0.00016163451,0.00025356084,0.00007257098],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006205932,0.00011701355,0.00015937793,0.00014046,0.00048100395,0.00028861043,0.00021283617,0.00004607746,0.00026427818],"category_scores_gemma":[0.000076839984,0.000071107,0.000089783374,0.000118550866,0.0001882768,0.00039514323,0.00003745091,0.0003246895,0.000034855915],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015373052,0.00013286062,0.0020300671,0.0000894632,0.00035926208,0.000044953835,0.44871637,0.00027365086,0.0011520553,0.28077334,0.25889835,0.0073758755],"study_design_scores_gemma":[0.0015940724,0.0005143722,0.011819699,0.00018798797,0.00030829015,0.00016118372,0.1200556,0.0008537124,0.0001009006,0.01621007,0.847669,0.00052510935],"about_ca_topic_score_codex":0.000023374329,"about_ca_topic_score_gemma":0.00009213011,"teacher_disagreement_score":0.5887706,"about_ca_system_score_codex":0.000020164445,"about_ca_system_score_gemma":0.00006628961,"threshold_uncertainty_score":0.3699542},"labels":[],"label_agreement":null},{"id":"W4405230585","doi":"10.18274/uegh1308","title":"Rachel and Juliet","year":2023,"lang":"en","type":"article","venue":"Borrowers and Lenders The Journal of Shakespeare Appropriations","topic":"Literature: history, themes, analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McMaster University","funders":"","keywords":"Art","score_opus":0.025173849848525116,"score_gpt":0.2158120627561978,"score_spread":0.1906382129076727,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405230585","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.697994,0.047911298,0.0023112753,0.10508446,0.0056845,0.0013600079,0.00038522336,0.00046162258,0.13880764],"genre_scores_gemma":[0.98811394,0.0007298508,0.00011871056,0.0005313643,0.0006425293,0.0000025124225,0.000010224051,0.000021867801,0.009828975],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991077,0.00008685455,0.00029861106,0.0001004574,0.00024725412,0.00015911803],"domain_scores_gemma":[0.9992168,0.00012981564,0.00024364585,0.00015179031,0.00017625063,0.00008169364],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006886567,0.0001177885,0.00018877612,0.00021251045,0.0005784638,0.0001935685,0.00015418963,0.000042156575,0.00022231565],"category_scores_gemma":[0.00007977632,0.00007500885,0.00009435966,0.00012401039,0.0002623655,0.00029573136,0.000034643996,0.00025475514,0.00001589044],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014247779,0.000108904256,0.00057978305,0.00009273057,0.0007489295,0.000030498895,0.4926893,0.00013990168,0.00045525937,0.087826416,0.40771824,0.009467544],"study_design_scores_gemma":[0.0007674202,0.00015437823,0.0014839998,0.00005417539,0.00048386166,0.000058876005,0.10102864,0.00065149117,0.00001662077,0.0054666745,0.88957906,0.0002548009],"about_ca_topic_score_codex":0.00004183103,"about_ca_topic_score_gemma":0.00015322473,"teacher_disagreement_score":0.48186082,"about_ca_system_score_codex":0.000026678494,"about_ca_system_score_gemma":0.000048772075,"threshold_uncertainty_score":0.44491342},"labels":[],"label_agreement":null},{"id":"W4405234145","doi":"10.18274/bild7270","title":"Serial Shakespeare: Intermedial Performance and the Outrageous Fortunes of Slings &amp; Arrows","year":2023,"lang":"en","type":"article","venue":"Borrowers and Lenders The Journal of Shakespeare Appropriations","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.03174076049412626,"score_gpt":0.22368283530711994,"score_spread":0.1919420748129937,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405234145","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98624676,0.0010598942,0.00021831249,0.006178015,0.0013295627,0.00038168408,0.00006932941,0.000041550764,0.004474866],"genre_scores_gemma":[0.9951167,0.0008666355,0.00008261071,0.00026048283,0.0009868386,0.0000076611705,0.000017477363,0.000025798166,0.002635775],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.998348,0.00016894231,0.0006772843,0.00014305177,0.00040512637,0.00025761547],"domain_scores_gemma":[0.99839634,0.0005111021,0.00044163113,0.00021155496,0.0003501754,0.0000891964],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013744775,0.00019288767,0.00034118828,0.0002000067,0.00067873765,0.00021459618,0.00029028062,0.00006067919,0.0001985077],"category_scores_gemma":[0.00023843718,0.00010989392,0.00014604496,0.00014300257,0.0009848535,0.0005002978,0.00005624294,0.000332317,0.000007784138],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0018296,0.000116587755,0.0009710536,0.00027928723,0.00040723835,0.00001380187,0.8829705,0.00034939262,0.00035171935,0.077519126,0.022017226,0.013174432],"study_design_scores_gemma":[0.012197131,0.0011896051,0.015159456,0.00071028265,0.0012236868,0.00042662295,0.4209411,0.0055982675,0.00017085565,0.019443464,0.5218584,0.0010811213],"about_ca_topic_score_codex":0.000103837105,"about_ca_topic_score_gemma":0.00036693132,"teacher_disagreement_score":0.49984118,"about_ca_system_score_codex":0.000016441933,"about_ca_system_score_gemma":0.00010104205,"threshold_uncertainty_score":0.52203697},"labels":[],"label_agreement":null},{"id":"W4405428883","doi":"10.18274/mvqj3559","title":"Giving Shakespeare Meaning, Canadian Style","year":2023,"lang":"en","type":"article","venue":"Borrowers and Lenders The Journal of Shakespeare Appropriations","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Guelph","funders":"","keywords":"Style (visual arts); Meaning (existential); Linguistics; Art; Literature; Philosophy; Epistemology","score_opus":0.035779359888300444,"score_gpt":0.22485641669489967,"score_spread":0.18907705680659923,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405428883","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5285381,0.006770879,0.0010858653,0.0580809,0.007152139,0.0016936302,0.00085900474,0.0005625095,0.39525694],"genre_scores_gemma":[0.98725706,0.00024355836,0.0001166754,0.00072060904,0.0009779257,0.0000048656034,0.000028379234,0.000042932934,0.010607966],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99822634,0.00015935657,0.00054315955,0.00017359643,0.00044792492,0.00044961754],"domain_scores_gemma":[0.9984952,0.0002640892,0.00027104034,0.00024004298,0.00044430944,0.00028530633],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0010545654,0.00021311901,0.00025650824,0.00050917105,0.0013005233,0.000427284,0.00034993913,0.00007044152,0.0013956946],"category_scores_gemma":[0.00022003856,0.0001548749,0.00014470433,0.0002550384,0.00026701664,0.00066887744,0.000033976656,0.00039394095,0.00007133811],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000686829,0.00006713145,0.0010229392,0.00009362521,0.0003029063,0.000095772266,0.6215992,0.0003578208,0.00009787338,0.23118588,0.13722815,0.007880017],"study_design_scores_gemma":[0.0006242907,0.00016642417,0.003408238,0.000121965204,0.00013819881,0.00008746963,0.23242335,0.0009785816,0.000010933034,0.0045787194,0.7571388,0.00032303686],"about_ca_topic_score_codex":0.006815991,"about_ca_topic_score_gemma":0.05343094,"teacher_disagreement_score":0.61991066,"about_ca_system_score_codex":0.00008752318,"about_ca_system_score_gemma":0.0003362271,"threshold_uncertainty_score":0.99999964},"labels":[],"label_agreement":null},{"id":"W4405428886","doi":"10.18274/hkww5437","title":"Wild Adaptation","year":2023,"lang":"en","type":"article","venue":"Borrowers and Lenders The Journal of Shakespeare Appropriations","topic":"Demographic Trends and Gender Preferences","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Guelph","funders":"","keywords":"Adaptation (eye); Biology; Neuroscience","score_opus":0.05818239862992338,"score_gpt":0.30229509302417223,"score_spread":0.24411269439424885,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405428886","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.72170085,0.005822654,0.016732264,0.1615208,0.003361468,0.00086921337,0.000048856058,0.00035236077,0.08959152],"genre_scores_gemma":[0.99645156,0.0020570483,0.00026074215,0.00011471585,0.00019323062,0.0000017107747,0.0000022656982,0.000005880981,0.0009128196],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99892855,0.00020332202,0.00022281539,0.000071412534,0.00039650052,0.00017739253],"domain_scores_gemma":[0.99928385,0.00019761699,0.00019980442,0.0000837462,0.00014504536,0.00008996268],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015898354,0.00006593581,0.00010025222,0.00017827027,0.0006918676,0.00008041937,0.00019785852,0.000053817912,0.000055923494],"category_scores_gemma":[0.00015977703,0.000043625736,0.000067740315,0.00065909995,0.00019975986,0.00025215876,0.00001854893,0.00016575673,0.000008105521],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000107894884,0.00010751351,0.009038483,0.000025312176,0.00030379472,0.000015793847,0.575845,0.0013751826,0.00014633492,0.08675814,0.091875546,0.23440099],"study_design_scores_gemma":[0.0007062269,0.00018041542,0.06973151,0.000053302574,0.00016554301,0.000018093397,0.7033024,0.000771521,0.000009316748,0.029158128,0.19565877,0.00024478117],"about_ca_topic_score_codex":0.0002666812,"about_ca_topic_score_gemma":0.001175532,"teacher_disagreement_score":0.2747507,"about_ca_system_score_codex":0.00001615532,"about_ca_system_score_gemma":0.00016466664,"threshold_uncertainty_score":0.5321356},"labels":[],"label_agreement":null},{"id":"W4415672043","doi":"10.18274/b2m74g30","title":"Shakespeare Is Strange: Queer/Adaptation, The Tempest, and Life Is Strange: Before the Storm","year":2025,"lang":"","type":"article","venue":"Borrowers and Lenders The Journal of Shakespeare Appropriations","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Medicine Hat College","funders":"","keywords":"Queer; Tempest; Resistance (ecology); Storm","score_opus":0.02596575896425382,"score_gpt":0.24625588094447104,"score_spread":0.22029012198021722,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4415672043","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3155436,0.15758784,0.0057890955,0.48924372,0.00556125,0.0045386865,0.0023004962,0.0001340826,0.019301262],"genre_scores_gemma":[0.9751244,0.0046993946,0.000109818124,0.008716462,0.0015905696,0.000023252767,0.000019170293,0.00007219953,0.009644703],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9952922,0.0007030253,0.0016849791,0.00050601905,0.0011132599,0.0007005154],"domain_scores_gemma":[0.9955609,0.0008822606,0.0010294154,0.00081152684,0.0014088571,0.00030705688],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0022713447,0.0007098828,0.00070754177,0.00036904574,0.0049831853,0.0019300156,0.0010384294,0.00027543586,0.0013860998],"category_scores_gemma":[0.0003125077,0.00039115796,0.00044766848,0.000514671,0.0018656543,0.0012437353,0.00012798552,0.001529372,0.000011914645],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00032623913,0.00020916636,0.0011870062,0.00031818755,0.0013635602,0.000013053488,0.79699695,0.00014743533,0.000012827417,0.0964371,0.089299984,0.013688506],"study_design_scores_gemma":[0.0018325401,0.00049253757,0.014862008,0.0005220392,0.0017663843,0.00008738273,0.60086524,0.001895179,0.0000133253225,0.009767172,0.3674245,0.00047169786],"about_ca_topic_score_codex":0.00087339344,"about_ca_topic_score_gemma":0.0032624116,"teacher_disagreement_score":0.6595808,"about_ca_system_score_codex":0.000121310906,"about_ca_system_score_gemma":0.0009941929,"threshold_uncertainty_score":0.999854},"labels":[],"label_agreement":null}]}