{"meta":{"query_hash":"7404a41b05ba","filters":{"venue":"Bulletin of the Russian Medieval Art Department"},"cohort_total":3,"direct_labels_cover":0,"predictions_cover":3,"exported":3,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/7404a41b05ba","api":"https://metacan.xera.ac/api/v1/cohort?venue=Bulletin+of+the+Russian+Medieval+Art+Department"},"results":[{"id":"W4405541154","doi":"10.51678/2658-543x-2024-1-88-102","title":"Sculpture “St. Nicolas (“Mozhaisky”)” of the second quarter of the 16th century from the Collection of the State Historical Museum","year":2024,"lang":"en","type":"article","venue":"Bulletin of the Russian Medieval Art Department","topic":"Central European and Russian historical studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sculpture; Quarter (Canadian coin); State (computer science); Art; Visual arts; Art history; Archaeology; History; Computer science","score_opus":0.00854120720120964,"score_gpt":0.21692078833242406,"score_spread":0.20837958113121444,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405541154","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6706172,0.020980764,0.0010776144,0.0013336197,0.00046672358,0.00007503496,0.0032432463,0.000098523946,0.30210721],"genre_scores_gemma":[0.88491493,0.008021616,0.0010542064,0.00007925217,0.0001369207,0.000026601601,0.0021055082,0.00006468422,0.10359618],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99991465,0.00001370661,0.0000061081787,0.000016971,0.000033597327,0.000014981912],"domain_scores_gemma":[0.9999628,0.0000053725917,0.000008762226,0.0000089079385,0.000007098831,0.000006969007],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00013784417,0.00023185172,0.00015916697,0.0014268041,0.0015323368,0.00080435263,0.00019171297,0.00011121626,0.006888353],"category_scores_gemma":[0.00018700138,0.000126749,0.00011435027,0.001628866,0.0009353845,0.00031532714,0.00083601504,0.00045890504,0.0004955409],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00047435457,0.00006692557,0.0942524,0.0022683886,0.00018934859,0.003683326,0.12573905,0.001502865,0.0192218,0.19747673,0.07718305,0.47794175],"study_design_scores_gemma":[0.00000424572,0.000027435037,0.2054245,0.00014513674,0.000015838104,0.0011990385,0.005061472,0.00007425595,0.0016116988,0.0012262608,0.7851974,0.000012790505],"about_ca_topic_score_codex":0.029508997,"about_ca_topic_score_gemma":0.1552121,"teacher_disagreement_score":0.029508997,"about_ca_system_score_codex":0.0019781347,"about_ca_system_score_gemma":0.0012576255,"threshold_uncertainty_score":0.058674514},"labels":[],"label_agreement":null},{"id":"W4405576594","doi":"10.51678/2658-543x-2024-2-10-25","title":"The origin of the icon of the Mother of God of Tenderness of the second quarter of the 13th century and the history of its existence in Belozersk","year":2024,"lang":"en","type":"article","venue":"Bulletin of the Russian Medieval Art Department","topic":"Historical and Religious Studies of Rome","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Icon; Quarter (Canadian coin); Honor; Painting; Inheritance (genetic algorithm); Style (visual arts); History; Period (music); State (computer science); Martyr; Ancient history; Art; Classics; Literature; Art history; Aesthetics; Archaeology","score_opus":0.010135745279885349,"score_gpt":0.19460879970195244,"score_spread":0.1844730544220671,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405576594","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.72806597,0.021530727,0.0014112599,0.0045603933,0.0005440575,0.000035800633,0.00023335329,0.000056769346,0.24356166],"genre_scores_gemma":[0.9823628,0.0016596605,0.00021365579,0.00017056265,0.000050012506,0.0000062172485,0.00004513288,0.000032051135,0.015459945],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994247,0.00015495946,0.000018189368,0.000105604566,0.00011559379,0.00018093461],"domain_scores_gemma":[0.99985456,0.000035689856,0.00004017754,0.000011262519,0.000024889481,0.000033357617],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00093820674,0.00027990123,0.00039759043,0.0010156619,0.005045651,0.0029568821,0.0003713656,0.0006153173,0.0033758678],"category_scores_gemma":[0.0007527669,0.00041733705,0.00016048155,0.0009092786,0.008644199,0.0013464681,0.0025282346,0.001838568,0.00048206997],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004102187,0.00006655888,0.009976989,0.00047385177,0.000034624998,0.0025972205,0.37346977,0.000285755,0.004195023,0.55239916,0.009812783,0.04627795],"study_design_scores_gemma":[0.000029807781,0.00016875926,0.10590812,0.00064633635,0.000036335052,0.0021979625,0.051393036,0.00016117224,0.0017424647,0.008849384,0.82878655,0.00008003463],"about_ca_topic_score_codex":0.028352216,"about_ca_topic_score_gemma":0.05863796,"teacher_disagreement_score":0.028352216,"about_ca_system_score_codex":0.0072194706,"about_ca_system_score_gemma":0.0021985518,"threshold_uncertainty_score":0.05637437},"labels":[],"label_agreement":null},{"id":"W4417156301","doi":"10.51678/2658-543x-2024-1-93-111","title":"The wall painting of the altar of the Nativity Cathedral at the Savvino-Storozhevsky Monastery: the reflection of the ancient program in the painting of the 19th century","year":2025,"lang":"","type":"article","venue":"Bulletin of the Russian Medieval Art Department","topic":"Vladimir Nabokov Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Altar; Painting; SAINT; Praise; Fresco; Quarter (Canadian coin)","score_opus":0.010707690466800649,"score_gpt":0.27420296571391306,"score_spread":0.2634952752471124,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4417156301","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.33461598,0.008780768,0.001620078,0.0020147702,0.0011269747,0.000032712585,0.00029651448,0.000055488756,0.65145665],"genre_scores_gemma":[0.9162152,0.0016736402,0.0005402509,0.00014254445,0.000101212565,0.000009261291,0.00008340625,0.00009480107,0.08113969],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99978656,0.00006801487,0.000004353153,0.00003549501,0.000053953565,0.000051600327],"domain_scores_gemma":[0.99996126,0.0000087583185,0.000005371707,0.0000073318756,0.000006331887,0.000010974127],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002579742,0.0003169348,0.00014048253,0.0006400302,0.0034288138,0.0020959359,0.00020035112,0.00030087814,0.0069849975],"category_scores_gemma":[0.00030030726,0.000116397736,0.00018796994,0.00072921737,0.0033210514,0.0005617555,0.0012987129,0.0007607928,0.0006090057],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005429778,0.00006228433,0.010124198,0.0005060038,0.000053600463,0.003527238,0.2787331,0.0009779792,0.013068727,0.5413464,0.063754894,0.087302625],"study_design_scores_gemma":[0.000012117049,0.000042134405,0.020671492,0.00026852574,0.000015509919,0.0009676986,0.02741238,0.000118735144,0.0014010681,0.003714377,0.9453582,0.000017740336],"about_ca_topic_score_codex":0.021205194,"about_ca_topic_score_gemma":0.101802655,"teacher_disagreement_score":0.021205194,"about_ca_system_score_codex":0.003200423,"about_ca_system_score_gemma":0.0010944053,"threshold_uncertainty_score":0.04216349},"labels":[],"label_agreement":null}]}