{"meta":{"query_hash":"a08505678381","filters":{"venue":"Camera Obscura Feminism Culture and Media Studies"},"cohort_total":9,"direct_labels_cover":0,"predictions_cover":9,"exported":9,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/a08505678381","api":"https://metacan.xera.ac/api/v1/cohort?venue=Camera+Obscura+Feminism+Culture+and+Media+Studies"},"results":[{"id":"W1981631265","doi":"10.1215/02705346-20-3_60-57","title":"Naruse Mikio's Silent Films: Gender and the Discourse of Everyday Life in Interwar Japan","year":2005,"lang":"en","type":"article","venue":"Camera Obscura Feminism Culture and Media Studies","topic":"Asian Culture and Media Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Movie theater; Narrative; Ethnography; Art; Closure (psychology); Art history; Everyday life; Media studies; Sociology; History; Gender studies; Humanities; Literature; Political science; Anthropology; Law","score_opus":0.03719111830309108,"score_gpt":0.3341070964051098,"score_spread":0.29691597810201875,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1981631265","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5498939,0.38054553,0.000014305199,0.026586942,0.0015581177,0.0015213107,0.00005016067,0.00009159244,0.03973813],"genre_scores_gemma":[0.9181158,0.078236006,0.00020564138,0.0011565507,0.00063391053,0.00010305906,0.0000049273963,0.000010542573,0.0015335834],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9982571,0.00019495937,0.00041569723,0.00033803034,0.0003825145,0.00041167985],"domain_scores_gemma":[0.9987395,0.0005792992,0.00017761065,0.00016366481,0.00015257875,0.00018734629],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0006257466,0.00027223825,0.00069718796,0.000059418693,0.00045146182,0.00003174683,0.00018477936,0.00013756467,0.00001991371],"category_scores_gemma":[0.001512336,0.00014887739,0.00010358239,0.00021995069,0.0031169485,0.00021560676,0.00017173281,0.00029062017,0.0000038024384],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000053356238,0.0000534298,0.0026557948,0.000053114854,0.00024742313,0.000005604268,0.9473992,9.4494135e-7,0.000040739178,0.006077737,0.036390778,0.0070218993],"study_design_scores_gemma":[0.001472802,0.000038622704,0.002860269,0.00011693755,0.00016655771,0.0000034977356,0.8966226,0.0000039269294,0.00006756186,0.00039307468,0.098036654,0.00021750998],"about_ca_topic_score_codex":0.00011243856,"about_ca_topic_score_gemma":0.0013722773,"teacher_disagreement_score":0.36822188,"about_ca_system_score_codex":0.00003614093,"about_ca_system_score_gemma":0.0000839345,"threshold_uncertainty_score":0.999596},"labels":[],"label_agreement":null},{"id":"W1987709822","doi":"10.1215/02705346-15-3_45-1","title":"Martha Wilson: Not Taking It at Face Value","year":2001,"lang":"en","type":"article","venue":"Camera Obscura Feminism Culture and Media Studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Face (sociological concept); Face value; Value (mathematics); Art; Aesthetics; Sociology; History; Mathematics; Statistics; Social science; Archaeology","score_opus":0.10824392646571264,"score_gpt":0.30803106518287776,"score_spread":0.19978713871716514,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1987709822","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2521261,0.06009235,0.000050743038,0.014480856,0.005850413,0.0009122666,0.0003800226,0.00050078775,0.6656065],"genre_scores_gemma":[0.8255702,0.014598712,0.000082014616,0.0065617394,0.0026297448,0.000053297248,0.000058898433,0.00003397841,0.15041137],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982396,0.000045715195,0.0003550329,0.00044919172,0.00031440466,0.00059608783],"domain_scores_gemma":[0.99898046,0.00020358984,0.00018729432,0.0002495243,0.00017529752,0.00020383131],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00014284914,0.0003969204,0.00054089335,0.000056254114,0.0011066305,0.00012007162,0.0001531302,0.00011096461,0.00029408114],"category_scores_gemma":[0.00018264606,0.0002863508,0.00013726119,0.0000071700933,0.00096416747,0.00024197527,0.00020774361,0.00025114088,0.00010871013],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025370144,0.00003516365,0.00027966505,0.00006958897,0.00022848103,0.00007324624,0.856572,0.0000012755452,0.0000947817,0.029319264,0.109724395,0.003576806],"study_design_scores_gemma":[0.00049514166,0.000082084305,0.00022936137,0.00008525411,0.00014226155,0.00004161445,0.13394172,0.000014195607,0.00020567286,0.0010927044,0.86329544,0.00037453565],"about_ca_topic_score_codex":0.0000830565,"about_ca_topic_score_gemma":0.002086141,"teacher_disagreement_score":0.75357103,"about_ca_system_score_codex":0.00006717975,"about_ca_system_score_gemma":0.00002680755,"threshold_uncertainty_score":0.9999589},"labels":[],"label_agreement":null},{"id":"W2055121443","doi":"10.1215/02705346-1415434","title":"From This Body to Yours: Porn, Affect, and Performance Art Documentation","year":2011,"lang":"en","type":"article","venue":"Camera Obscura Feminism Culture and Media Studies","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":9,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Pleasure; Documentation; Affect (linguistics); Performance studies; Visual arts; Aesthetics; Relation (database); Pornography; Work of art; Art; Affect theory; Sociology; Psychology; Psychoanalysis; Social psychology; Computer science; Communication; Feeling","score_opus":0.04299127393502216,"score_gpt":0.26778628249472164,"score_spread":0.22479500855969947,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2055121443","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8784112,0.018143637,0.0000017023092,0.00054046465,0.0013764438,0.0003411325,0.000095281655,0.00009978933,0.10099038],"genre_scores_gemma":[0.97005576,0.016664244,0.00018190753,0.0009155394,0.0014003908,0.00010242791,0.00005079894,0.00001767832,0.010611251],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989591,0.000022740769,0.00023027255,0.00033229348,0.00016566746,0.0002899047],"domain_scores_gemma":[0.9994483,0.000085289656,0.00008127997,0.00014655267,0.000120797435,0.00011780565],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00010422329,0.0002917883,0.00039773626,0.000065507316,0.00059128914,0.00008725742,0.00008467213,0.000051806066,0.00037523982],"category_scores_gemma":[0.000032446962,0.00019507216,0.00004708117,0.000042848176,0.00042879602,0.00044154137,0.00011526521,0.00015043127,0.00013684678],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006543871,0.000026754718,0.0029370452,0.00006613988,0.00027859627,0.000006109602,0.8723381,2.4688681e-8,0.00009368926,0.0020833446,0.10932344,0.0127813015],"study_design_scores_gemma":[0.0008038306,0.0007490289,0.012071701,0.0002626246,0.00036104984,0.000008877571,0.3613215,0.0000027946658,0.0015023936,0.0010829795,0.6212146,0.00061857176],"about_ca_topic_score_codex":0.000097431184,"about_ca_topic_score_gemma":0.00026711726,"teacher_disagreement_score":0.5118912,"about_ca_system_score_codex":0.00001633815,"about_ca_system_score_gemma":0.000010004572,"threshold_uncertainty_score":0.7954812},"labels":[],"label_agreement":null},{"id":"W2083990456","doi":"10.1215/02705346-20-1_58-149","title":"Of Red Queens and Garden Clubs: The Manchurian Candidate, Cold War Paranoia, and the Historicity of the Homosexual","year":2005,"lang":"en","type":"article","venue":"Camera Obscura Feminism Culture and Media Studies","topic":"European history and politics","field":"Social Sciences","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Paranoia; Innocence; Performance art; Art; Aestheticism; Historicity (philosophy); Art history; Cold war; History; Psychoanalysis; Law; Psychology; Politics; Political science","score_opus":0.022389529924189022,"score_gpt":0.2742718788619273,"score_spread":0.25188234893773825,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2083990456","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7429455,0.18463783,0.0000012923275,0.01911253,0.0013431244,0.0009618831,0.0001136449,0.000033864748,0.050850317],"genre_scores_gemma":[0.9683304,0.025003213,0.000027785849,0.00054502446,0.00043541077,0.000013587245,0.000001170302,0.000006372226,0.0056370324],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.998826,0.00034233986,0.00023887356,0.00016330228,0.000232413,0.00019706755],"domain_scores_gemma":[0.99888575,0.0005480481,0.00018401946,0.00019256091,0.00012235185,0.000067286106],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00061461225,0.00013609754,0.0003193413,0.000013411107,0.00088905153,0.0000122114325,0.00019347279,0.000066663146,0.000004387717],"category_scores_gemma":[0.00047958174,0.00006152959,0.0000518023,0.00009747512,0.0037386278,0.00005732999,0.000106316715,0.00018684258,4.414041e-7],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000043953987,0.000024765068,0.0017671782,0.00006414867,0.00014749337,0.0000017680679,0.9016165,5.1349673e-7,0.00015530313,0.03580312,0.05939467,0.0009805537],"study_design_scores_gemma":[0.0006542619,0.000038989703,0.0029710399,0.000036904257,0.00017996477,0.0000032223422,0.109998256,8.5119564e-7,0.00018869677,0.00033988798,0.88548064,0.00010729466],"about_ca_topic_score_codex":0.00019552249,"about_ca_topic_score_gemma":0.0016158953,"teacher_disagreement_score":0.826086,"about_ca_system_score_codex":0.00003993182,"about_ca_system_score_gemma":0.000055953966,"threshold_uncertainty_score":0.99897265},"labels":[],"label_agreement":null},{"id":"W2095161908","doi":"10.1215/02705346-18-3_54-41","title":"What Is That and between Arab Women and Video? The Case of Beirut","year":2003,"lang":"en","type":"article","venue":"Camera Obscura Feminism Culture and Media Studies","topic":"Literary Analysis and Cultural Studies","field":"Arts and Humanities","cited_by":13,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Gender studies; Political science; Sociology","score_opus":0.047359068790209465,"score_gpt":0.2650308823733406,"score_spread":0.21767181358313115,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2095161908","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.78812647,0.20676066,2.6201167e-7,0.001354386,0.0002626141,0.00016454578,0.0000615567,0.000015487603,0.0032539994],"genre_scores_gemma":[0.93184966,0.06254233,0.000012917752,0.0008593365,0.00028845906,0.0000479209,0.0000069764674,0.000008562026,0.0043838304],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9989383,0.00007506999,0.0002751083,0.00031323495,0.00013344461,0.00026483682],"domain_scores_gemma":[0.99914914,0.00031460915,0.00014388838,0.0001467844,0.0001458045,0.00009977628],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00023203774,0.00028137135,0.0006011285,0.000031289732,0.000927261,0.0002646579,0.00006343859,0.0000542113,0.00006409505],"category_scores_gemma":[0.00006890551,0.00013598849,0.00007202789,0.0000516903,0.001248474,0.00050298887,0.00010471869,0.00015391244,0.0000015425384],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000066858506,0.000014144896,0.0016149833,0.00011460156,0.0009163548,0.000039794577,0.95847374,1.5541518e-8,0.000014106408,0.019518426,0.007266334,0.012020806],"study_design_scores_gemma":[0.0003070873,0.00008493943,0.00040038404,0.00006968749,0.0002683684,0.00006021246,0.6629671,3.519221e-7,0.00015274063,0.004175237,0.33131763,0.0001962657],"about_ca_topic_score_codex":0.00002561621,"about_ca_topic_score_gemma":0.00009291624,"teacher_disagreement_score":0.3240513,"about_ca_system_score_codex":0.000010903192,"about_ca_system_score_gemma":0.0000064161213,"threshold_uncertainty_score":0.7131836},"labels":[],"label_agreement":null},{"id":"W2320055835","doi":"10.1215/02705346-1597231","title":"Queer/Palestinian Cinema: A Critical Conversation on Palestinian Queer and Women's Filmmaking","year":2012,"lang":"en","type":"article","venue":"Camera Obscura Feminism Culture and Media Studies","topic":"Jewish and Middle Eastern Studies","field":"Social Sciences","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Queer; Filmmaking; Movie theater; Mainstream; Gender studies; Lesbian; Politics; Narrative; Conversation; Media studies; Resistance (ecology); Sociology; Political science; Art; Visual arts; Law; Literature","score_opus":0.05682159635860308,"score_gpt":0.34065225905251495,"score_spread":0.2838306626939119,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2320055835","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8696264,0.09459696,0.000024072848,0.0060172514,0.0027459646,0.0006019014,0.000044137578,0.00022649553,0.026116837],"genre_scores_gemma":[0.9900567,0.0061975177,0.00024925187,0.0011420345,0.0014337994,0.0001125572,0.000006405853,0.00001617224,0.0007855938],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99807954,0.00014289134,0.00026424436,0.00035816265,0.00039190892,0.00076326414],"domain_scores_gemma":[0.9984129,0.0007435812,0.00010142325,0.00012255252,0.00020676028,0.00041279563],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000587933,0.0002956567,0.00046151926,0.000068430454,0.0008185475,0.00007738695,0.00008634935,0.00016900846,0.00001094418],"category_scores_gemma":[0.0031207677,0.00022753564,0.000049711867,0.0001679102,0.001294023,0.00030928265,0.00009709985,0.0002651931,0.000022396152],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000274815,0.000056155044,0.055522222,0.00013119495,0.00014963593,0.000016916134,0.87203735,6.6150335e-8,0.00005792829,0.036507677,0.0020076653,0.033485692],"study_design_scores_gemma":[0.0007662053,0.0001938173,0.045205127,0.00026660657,0.00015294904,0.000015233749,0.85614413,0.0000018237445,0.00003883979,0.0014223272,0.09528716,0.0005057893],"about_ca_topic_score_codex":0.0000374461,"about_ca_topic_score_gemma":0.00017997935,"teacher_disagreement_score":0.12043029,"about_ca_system_score_codex":0.000085315914,"about_ca_system_score_gemma":0.000045472923,"threshold_uncertainty_score":0.9278634},"labels":[],"label_agreement":null},{"id":"W2560086469","doi":"10.1215/02705346-3662066","title":"Arnait Video Productions: Inuit Women's Collective Filmmaking, Coalitional Politics, and a Globalized Arctic","year":2016,"lang":"en","type":"article","venue":"Camera Obscura Feminism Culture and Media Studies","topic":"Indigenous Studies and Ecology","field":"Health Professions","cited_by":21,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Filmmaking; Indigenous; Narrative; Politics; Representation (politics); Gender studies; Media studies; Sociology; Art; Aesthetics; Visual arts; Political science; Literature; Movie theater","score_opus":0.04293935698853892,"score_gpt":0.36053119161022323,"score_spread":0.31759183462168433,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2560086469","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.94056183,0.024822617,0.000020752343,0.01739839,0.0045798104,0.0029304044,0.0007758488,0.00022534152,0.008685024],"genre_scores_gemma":[0.9496902,0.017902406,0.00030276808,0.0033214637,0.0013955896,0.0017493914,0.000017167571,0.000028430242,0.025592564],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99731904,0.00023938154,0.00048669626,0.00054614746,0.00021162974,0.0011971003],"domain_scores_gemma":[0.99743897,0.0010982405,0.0002464332,0.00018983227,0.0008044543,0.00022205274],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00046621673,0.00032335473,0.0006960377,0.00008204115,0.0042589917,0.00001298147,0.00008719897,0.0002244326,0.00018987975],"category_scores_gemma":[0.0024271668,0.00019378659,0.000055213168,0.0001816703,0.0007967468,0.00012001466,0.00032283706,0.00034032995,0.00004442811],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009575008,0.00006708076,0.010716135,0.00034505484,0.00076994626,0.00001952983,0.896956,5.3809707e-8,0.0001542332,0.018063549,0.07188374,0.0009289269],"study_design_scores_gemma":[0.0026650487,0.00037687615,0.011709748,0.0004227104,0.00016980522,0.000047849346,0.6141003,3.400114e-7,0.00001990884,0.022383822,0.34768507,0.00041856014],"about_ca_topic_score_codex":0.00015106249,"about_ca_topic_score_gemma":0.0018999388,"teacher_disagreement_score":0.28285572,"about_ca_system_score_codex":0.0009949708,"about_ca_system_score_gemma":0.00047416793,"threshold_uncertainty_score":0.99703735},"labels":[],"label_agreement":null},{"id":"W2560558435","doi":"10.1215/02705346-3661991","title":"Big Affect: The Ephemeral Archive of Second-Wave Feminist Video Collectives in Canada","year":2016,"lang":"en","type":"article","venue":"Camera Obscura Feminism Culture and Media Studies","topic":"Oral History, Memory, Narrative Analysis","field":"Arts and Humanities","cited_by":12,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Feeling; Collective memory; Forgetting; Media studies; Alienation; Sociology; Ephemeral key; Politics; Affect (linguistics); Embodied cognition; Social media; Gender studies; Aesthetics; Political science; Law; Social psychology; Psychology; Art","score_opus":0.04208655650916212,"score_gpt":0.23707594985101962,"score_spread":0.1949893933418575,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2560558435","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8547635,0.04498895,0.000004528466,0.0038356546,0.0028330314,0.00092068664,0.0010645607,0.0000447266,0.09154433],"genre_scores_gemma":[0.98592216,0.0015587406,0.000019258927,0.0005649435,0.00053635496,0.00009385644,0.000009528962,0.000017102318,0.011278041],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9984538,0.00014638159,0.00041002687,0.00036124603,0.0002935906,0.00033493052],"domain_scores_gemma":[0.99831676,0.00092738954,0.00023896863,0.0002314119,0.00019381274,0.00009164867],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00016561955,0.0003108144,0.0006777538,0.000104397746,0.000438575,0.000024796662,0.00016018284,0.000042006846,0.0002687373],"category_scores_gemma":[0.00032479016,0.00015284264,0.0001188317,0.00012799879,0.0015829129,0.00009354071,0.000084309126,0.00019951025,0.000004119645],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007691235,0.00005651878,0.0021038076,0.00011151741,0.00068527955,0.000050795006,0.79144174,2.2801731e-7,0.0016460187,0.0074002906,0.189132,0.007294906],"study_design_scores_gemma":[0.001042834,0.00021912849,0.0032773516,0.00022067178,0.00019205437,0.000007150462,0.51212007,0.0000017895401,0.001967184,0.0017180414,0.4788101,0.00042362884],"about_ca_topic_score_codex":0.0379754,"about_ca_topic_score_gemma":0.9277729,"teacher_disagreement_score":0.88979745,"about_ca_system_score_codex":0.00024185276,"about_ca_system_score_gemma":0.00035548105,"threshold_uncertainty_score":0.9684308},"labels":[],"label_agreement":null},{"id":"W4297341495","doi":"10.1215/02705346-9787056","title":"“All Your Faves Are Problematic”: The Performative Spectatorship of Drunk Feminist Films","year":2022,"lang":"en","type":"article","venue":"Camera Obscura Feminism Culture and Media Studies","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Performative utterance; Mainstream; Narrative; Hollywood; Media studies; Craft; Pleasure; Sociology; Mythology; Aesthetics; Visual arts; Art; Political science; Psychology; Literature; Art history","score_opus":0.06736690956939631,"score_gpt":0.2664858420246826,"score_spread":0.1991189324552863,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4297341495","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.74618316,0.1899372,0.000016036236,0.011408869,0.0030978117,0.0016230372,0.0014959561,0.0001137179,0.046124227],"genre_scores_gemma":[0.9881718,0.008302435,0.00023128212,0.00089349895,0.000209781,0.000410949,0.000031301613,0.000022933698,0.0017259917],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9982359,0.000057600333,0.0007682433,0.00040158923,0.00014827498,0.00038840953],"domain_scores_gemma":[0.9983248,0.00043834103,0.00074901053,0.00030152593,0.00009078672,0.000095520394],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00067154615,0.00032029382,0.0009541235,0.000113890674,0.0008291975,0.00003227196,0.00028663376,0.000059706173,0.000117467964],"category_scores_gemma":[0.0007368512,0.00022234266,0.00017138223,0.00030573245,0.00054167776,0.00010440395,0.00040710208,0.00049312314,0.000021528745],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000044070905,0.00013645992,0.027596602,0.0004940917,0.0009334094,0.000018481034,0.8436132,0.000007991918,0.000060028215,0.04686712,0.07980746,0.00042109637],"study_design_scores_gemma":[0.0009946431,0.00024613852,0.0115893595,0.00008231282,0.00012670443,0.000042442243,0.81385267,0.00003243774,0.00020939072,0.010996878,0.16138013,0.00044690655],"about_ca_topic_score_codex":0.000016887143,"about_ca_topic_score_gemma":0.000016116468,"teacher_disagreement_score":0.24198867,"about_ca_system_score_codex":0.00005735914,"about_ca_system_score_gemma":0.000022783692,"threshold_uncertainty_score":0.906687},"labels":[],"label_agreement":null}]}