{"meta":{"query_hash":"7b7223ac0c4a","filters":{"venue":"Canadian Journal of Film and Media Studies"},"cohort_total":19,"direct_labels_cover":0,"predictions_cover":19,"exported":19,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/7b7223ac0c4a","api":"https://metacan.xera.ac/api/v1/cohort?venue=Canadian+Journal+of+Film+and+Media+Studies"},"results":[{"id":"W7161681295","doi":"10.3138/cjfms-2024-0060","title":"The Oxford Handbook of Film Theory. Edited by Kyle Stevens","year":2025,"lang":"en","type":"article","venue":"Canadian Journal of Film and Media Studies","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Exposition (narrative); Work (physics); George (robot)","score_opus":0.0215767203311276,"score_gpt":0.23418088315297136,"score_spread":0.21260416282184377,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7161681295","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00036258812,0.85074824,0.00161831,0.0061648563,0.004638077,0.000027547012,0.0012838067,0.00017099298,0.1349856],"genre_scores_gemma":[0.018214034,0.7218747,0.0024951661,0.0016996798,0.0027350099,0.00010771893,0.0013042135,0.000308111,0.25126126],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99933976,0.00016456694,0.00008581865,0.000113846385,0.00024068114,0.00005537498],"domain_scores_gemma":[0.998692,0.00060031237,0.00009877497,0.00010591229,0.0003844836,0.00011840015],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00079228234,0.0020901305,0.0020029987,0.004162422,0.0022597935,0.0054858266,0.0013025451,0.001847389,0.06214849],"category_scores_gemma":[0.0027478049,0.0019216742,0.00062079256,0.006896558,0.002508998,0.006210906,0.0017270664,0.0027040914,0.018867427],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005038379,0.00004843653,0.000336312,0.0015785146,0.000029767063,0.000060536826,0.001528277,0.00021946793,0.00022886529,0.042188007,0.78276265,0.17096883],"study_design_scores_gemma":[0.0000076133156,0.0000118541075,0.0009920616,0.0014305084,0.0000137613815,0.00015399508,0.00086072774,0.00007787668,0.000082718354,0.015561399,0.98079324,0.000014194139],"about_ca_topic_score_codex":0.027961416,"about_ca_topic_score_gemma":0.059293773,"teacher_disagreement_score":0.06214849,"about_ca_system_score_codex":0.0031931521,"about_ca_system_score_gemma":0.0035265188,"threshold_uncertainty_score":0.20790738},"labels":[],"label_agreement":null},{"id":"W7161682582","doi":"10.3138/cjfms-2025-0018","title":"Creating “a definite desire to go there”: Crawley Films and Tourism Promotion, 1937–1963","year":2025,"lang":"en","type":"article","venue":"Canadian Journal of Film and Media Studies","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Memorial University of Newfoundland","funders":"","keywords":"Tourism; Amateur; Wife; Beauty; Ideology; Promotion (chess); Theme park","score_opus":0.029935571941132985,"score_gpt":0.2700547131345777,"score_spread":0.24011914119344469,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7161682582","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.45608243,0.021913396,0.00056755845,0.026688596,0.00079014973,0.00009308335,0.00040016844,0.000053906842,0.49341062],"genre_scores_gemma":[0.9271893,0.007399285,0.00031170098,0.0013392454,0.00012274712,0.000024259109,0.00008073071,0.000054864868,0.06347787],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99949586,0.00014665877,0.00000977376,0.000053713713,0.00013591377,0.00015796992],"domain_scores_gemma":[0.99916196,0.00033186874,0.00006790416,0.000029649462,0.00021505874,0.00019354575],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00080026814,0.00040097022,0.00015433837,0.001504059,0.017135294,0.00606456,0.00052139495,0.0011133458,0.0055635287],"category_scores_gemma":[0.0023582065,0.00036094032,0.00009587678,0.002203155,0.011960545,0.0022525566,0.0019498569,0.0026378278,0.00031003417],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000057614492,0.00003718084,0.0039811046,0.00014045383,0.000010689541,0.0008655586,0.85498124,0.000058424088,0.0007681222,0.05562882,0.05191101,0.031559754],"study_design_scores_gemma":[0.0000070099827,0.000015071979,0.014185006,0.00024177892,0.000012927055,0.00026272013,0.25188094,0.00003510856,0.00054746645,0.0007697187,0.73201716,0.000025020874],"about_ca_topic_score_codex":0.808733,"about_ca_topic_score_gemma":0.9551971,"teacher_disagreement_score":0.19126701,"about_ca_system_score_codex":0.035496328,"about_ca_system_score_gemma":0.01583346,"threshold_uncertainty_score":0.38478678},"labels":[],"label_agreement":null},{"id":"W7161683303","doi":"10.3138/cjfms-2024-0051","title":"An Octopus Takes a Turn with the Camera: Spontaneous Animal Videos as Multispecies Collaborations","year":2025,"lang":"en","type":"article","venue":"Canadian Journal of Film and Media Studies","topic":"Geographies of human-animal interactions","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Newfoundland and Labrador Centre for Applied Health Research; Community Sector Council Newfoundland and Labrador","funders":"","keywords":"octopus (software); Politics; Resistance (ecology); Solidarity; Space (punctuation); Variety (cybernetics); Disgust; Filmmaking","score_opus":0.023209444026503184,"score_gpt":0.31511961951572526,"score_spread":0.29191017548922205,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7161683303","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7472702,0.0018381922,0.015519108,0.0069581065,0.0006097956,0.00019045758,0.00026872297,0.00016798639,0.22717749],"genre_scores_gemma":[0.98466927,0.000664716,0.0029209622,0.0005041844,0.00015754877,0.00006451696,0.00010420272,0.00007975782,0.010834915],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99825436,0.0012992333,0.000025606205,0.000112593516,0.00016069965,0.00014753155],"domain_scores_gemma":[0.9973767,0.001712416,0.00024409186,0.0002287987,0.00010394006,0.0003341505],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013729394,0.00045556226,0.0001653225,0.00084522204,0.003921862,0.0055801664,0.0008737456,0.001525394,0.0041929735],"category_scores_gemma":[0.003904165,0.000239627,0.00025133218,0.0005357818,0.0073159668,0.0053138635,0.004953459,0.0017060547,0.00044877545],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019451012,0.000115430004,0.0060238168,0.00035026288,0.000034005723,0.005337905,0.78624606,0.0007412562,0.010257163,0.14934221,0.010285246,0.031072175],"study_design_scores_gemma":[0.0000476959,0.00027456757,0.01105611,0.00064858416,0.00005850499,0.0046629566,0.45374078,0.002506499,0.0040921783,0.024611456,0.49819604,0.000104595434],"about_ca_topic_score_codex":0.0021632668,"about_ca_topic_score_gemma":0.006229136,"teacher_disagreement_score":0.0055801664,"about_ca_system_score_codex":0.0012098138,"about_ca_system_score_gemma":0.000527759,"threshold_uncertainty_score":0.01402688},"labels":[],"label_agreement":null},{"id":"W7161685198","doi":"10.3138/cjfms-2025-0021","title":"“Prospectors With Vision”: Montreal and Crawley Films’ <i>Expo 67</i> (1965)","year":2025,"lang":"en","type":"article","venue":"Canadian Journal of Film and Media Studies","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Brock University","funders":"","keywords":"Corporation; Focus (optics); Government (linguistics)","score_opus":0.01579976916887329,"score_gpt":0.2182870428705214,"score_spread":0.2024872737016481,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7161685198","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1207542,0.018415187,0.00090195955,0.08235997,0.0015433226,0.000054955355,0.000460811,0.00005335806,0.77545625],"genre_scores_gemma":[0.8830044,0.0071526864,0.00034577525,0.0031931566,0.0004930077,0.000018958905,0.00009226628,0.00004158902,0.10565815],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993074,0.00027041134,0.0000070087744,0.000048851427,0.00017964678,0.00018666008],"domain_scores_gemma":[0.9987336,0.00042147047,0.00014442236,0.00005139176,0.00022716535,0.00042202897],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009544002,0.0003351753,0.0001048003,0.001056947,0.007997878,0.0077294796,0.00052745827,0.0012720798,0.011460388],"category_scores_gemma":[0.003981875,0.00025993478,0.00012303013,0.0021640891,0.007149512,0.0036365998,0.0014417507,0.0021560641,0.00046232628],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009922058,0.00005516404,0.005761182,0.00010653935,0.000011497638,0.0007991842,0.16153318,0.00017365148,0.0003694682,0.5185723,0.2738634,0.038655214],"study_design_scores_gemma":[0.000012199054,0.000015591568,0.016860696,0.00016297452,0.000007796338,0.00015081264,0.05650763,0.00010524575,0.00019010565,0.0061506126,0.91980666,0.000029714927],"about_ca_topic_score_codex":0.7350894,"about_ca_topic_score_gemma":0.8885634,"teacher_disagreement_score":0.26491058,"about_ca_system_score_codex":0.022855159,"about_ca_system_score_gemma":0.008621019,"threshold_uncertainty_score":0.53294134},"labels":[],"label_agreement":null},{"id":"W7161692522","doi":"10.3138/cjfms-2025-0014","title":"The Synchronized Society: Time and Control from Broadcasting to the Internet. By Randall Patnode","year":2025,"lang":"en","type":"article","venue":"Canadian Journal of Film and Media Studies","topic":"Diverse Historical and Scientific Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Broadcasting (networking); Control (management); Radio broadcasting; Synchronization (alternating current); Control system","score_opus":0.01689752219752536,"score_gpt":0.19619146922234318,"score_spread":0.17929394702481782,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7161692522","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0042705867,0.49333388,0.0014708751,0.35528702,0.009798599,0.000017955881,0.00019435881,0.00013370642,0.13549311],"genre_scores_gemma":[0.17033482,0.47603354,0.0024245542,0.03885295,0.018069768,0.00008216873,0.00020356716,0.00034007893,0.29365855],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992556,0.00034623552,0.00003512597,0.00010604484,0.00019853642,0.000058415153],"domain_scores_gemma":[0.9976192,0.0016609171,0.00019483111,0.00009718863,0.00022651016,0.00020126683],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012339678,0.00053019763,0.0003075099,0.0017569745,0.002543509,0.005714552,0.0008455862,0.001933029,0.0114920065],"category_scores_gemma":[0.004979103,0.00048694393,0.00019814074,0.0028411448,0.0059904973,0.010485241,0.0020783937,0.0031390048,0.0018679757],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000054008768,0.000022083585,0.0004314634,0.000314197,0.000012980437,0.000114725306,0.013613759,0.00018106561,0.00023492448,0.20713831,0.65912193,0.11876057],"study_design_scores_gemma":[0.000006709603,0.000010904115,0.00080406276,0.0004033844,0.000008290067,0.000088366345,0.00585655,0.00009259725,0.00011825332,0.02206366,0.97053593,0.000011169535],"about_ca_topic_score_codex":0.04205789,"about_ca_topic_score_gemma":0.07014639,"teacher_disagreement_score":0.04205789,"about_ca_system_score_codex":0.003034133,"about_ca_system_score_gemma":0.002940772,"threshold_uncertainty_score":0.08362621},"labels":[],"label_agreement":null},{"id":"W7161694418","doi":"10.3138/cjfms-2025-0030","title":"Tales of Sales: Graeme Fraser, Crawley Films, and <i>Career in Retail Selling</i> (1946)","year":2025,"lang":"en","type":"article","venue":"Canadian Journal of Film and Media Studies","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Saint Paul University","funders":"","keywords":"Consumption (sociology); Box office; Power (physics); First world war; World War II; Fashion industry","score_opus":0.03068385425835353,"score_gpt":0.25692466072776143,"score_spread":0.22624080646940792,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7161694418","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.040939763,0.095488004,0.00015574745,0.451295,0.0057362006,0.00001943744,0.00015291036,0.000042339634,0.4061706],"genre_scores_gemma":[0.46981627,0.07793975,0.00057043484,0.04022923,0.003891256,0.00003231399,0.000095478674,0.00014068828,0.40728462],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99945694,0.00014625597,0.000008201615,0.000060079114,0.0001703543,0.00015812519],"domain_scores_gemma":[0.998877,0.000305684,0.0000905814,0.00003055416,0.00026984027,0.00042628273],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010001151,0.00046440514,0.00016671397,0.0014747938,0.021798654,0.0071844156,0.0006754227,0.0022224751,0.011494802],"category_scores_gemma":[0.0025457856,0.00035283025,0.00011135814,0.0018105272,0.0077817696,0.004622143,0.0014826886,0.0046355138,0.0011841621],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015119034,0.000036864993,0.0011615584,0.00004381251,0.000004084061,0.0002799689,0.051718015,0.000021347543,0.000084456224,0.049928546,0.8769581,0.019748082],"study_design_scores_gemma":[0.0000027686622,0.000007186625,0.002939909,0.0001468493,0.0000028688617,0.00020726991,0.042444486,0.000012224779,0.00006973721,0.0016863022,0.95246977,0.000010603189],"about_ca_topic_score_codex":0.34945253,"about_ca_topic_score_gemma":0.6480907,"teacher_disagreement_score":0.6505475,"about_ca_system_score_codex":0.010872611,"about_ca_system_score_gemma":0.0065133288,"threshold_uncertainty_score":0.694837},"labels":[],"label_agreement":null},{"id":"W7161694879","doi":"10.3138/cjfms-2023-0041","title":"Contemporary Latinx-Canadian and Latinx-Québecois Cinemas: A Diasporic Gaze","year":2025,"lang":"en","type":"article","venue":"Canadian Journal of Film and Media Studies","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Université de Montréal","funders":"","keywords":"Liminality; Gaze; Latin Americans; Perspective (graphical); Space (punctuation); Diaspora","score_opus":0.04877824748759402,"score_gpt":0.23533255872013506,"score_spread":0.18655431123254104,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7161694879","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.60825753,0.018177059,0.0016692141,0.028048296,0.00076718663,0.00010719546,0.0006651187,0.00011546496,0.34219298],"genre_scores_gemma":[0.9504891,0.0057926946,0.00063187454,0.0011762053,0.00006644233,0.0000368781,0.00012563984,0.00004709113,0.041634165],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990852,0.00026369595,0.000014217333,0.00010531208,0.00017252157,0.0003590556],"domain_scores_gemma":[0.99856704,0.00029544125,0.000085099564,0.000039369632,0.0005708677,0.00044220142],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013767108,0.0006085963,0.00026592484,0.0019034024,0.02197329,0.008388593,0.0009893007,0.0011638353,0.008232562],"category_scores_gemma":[0.0026920442,0.00017397258,0.00019248646,0.003254754,0.009949952,0.0014200053,0.0025090028,0.0013407979,0.00023998161],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001224697,0.000036098518,0.011971762,0.00022546045,0.000025266401,0.0013121971,0.8361497,0.00020695452,0.0017423596,0.07336797,0.03546865,0.03937116],"study_design_scores_gemma":[0.0000036501135,0.000011867878,0.014167092,0.00026253937,0.000018131836,0.00022939168,0.66877997,0.00010968004,0.00025376334,0.0008059078,0.31533208,0.000025940573],"about_ca_topic_score_codex":0.98316956,"about_ca_topic_score_gemma":0.99355,"teacher_disagreement_score":0.07700309,"about_ca_system_score_codex":0.07700309,"about_ca_system_score_gemma":0.042171758,"threshold_uncertainty_score":0.55869913},"labels":[],"label_agreement":null},{"id":"W7161711846","doi":"10.3138/cjfms-2024-0040","title":"Dressing the Wounds: Medical Internationalism and Embodied Realism in <i>Dr. Bethune</i>","year":2025,"lang":"en","type":"article","venue":"Canadian Journal of Film and Media Studies","topic":"Historical Psychiatry and Medical Practices","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Internationalism (politics); Ideology; Politics; China; Realism; Geopolitics; Battlefield","score_opus":0.04270998141657441,"score_gpt":0.3761193750733645,"score_spread":0.3334093936567901,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7161711846","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2800929,0.02345134,0.0027490533,0.25222343,0.005188716,0.00006827329,0.00006842693,0.00008996687,0.43606788],"genre_scores_gemma":[0.94662815,0.004950402,0.0006690299,0.012150389,0.0008434721,0.000022722797,0.00001379517,0.000037857808,0.034684204],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993331,0.00033473157,0.000011348936,0.00005946724,0.00013754949,0.00012378077],"domain_scores_gemma":[0.99935955,0.00033552136,0.0000637049,0.000026176274,0.00007732613,0.00013774505],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012449003,0.0002836364,0.00014531381,0.00063218566,0.0067187557,0.004488907,0.00042360826,0.0011491118,0.0027672576],"category_scores_gemma":[0.0020815984,0.00014567368,0.00012238645,0.00043125646,0.012738932,0.0026132206,0.001933027,0.0028702412,0.00014841488],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006687808,0.000039857565,0.0011188479,0.00023438329,0.000011796218,0.0009519625,0.5911344,0.00014633352,0.0030062248,0.31129315,0.06565583,0.026340261],"study_design_scores_gemma":[0.000014337971,0.000048242746,0.0028802282,0.00043445185,0.000019542664,0.00072343316,0.22728175,0.00033110162,0.0016181364,0.008169344,0.75843614,0.000043359854],"about_ca_topic_score_codex":0.06195456,"about_ca_topic_score_gemma":0.08194691,"teacher_disagreement_score":0.06195456,"about_ca_system_score_codex":0.006205451,"about_ca_system_score_gemma":0.0028507295,"threshold_uncertainty_score":0.1231879},"labels":[],"label_agreement":null},{"id":"W7161714712","doi":"10.3138/cjfms-2025-0017","title":"Kartemquin Films: Documentaries on the Frontlines of Democracy. By Patricia Aufderheide","year":2025,"lang":"en","type":"article","venue":"Canadian Journal of Film and Media Studies","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Brock University","funders":"","keywords":"Narrative; Government (linguistics); Perspective (graphical); Agency (philosophy)","score_opus":0.02572954328028195,"score_gpt":0.23102036331066253,"score_spread":0.20529082003038057,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7161714712","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0034504656,0.34388304,0.00094176823,0.20733526,0.059510916,0.00007920235,0.0027811285,0.000353983,0.3816642],"genre_scores_gemma":[0.065293975,0.13940129,0.0013238767,0.010144282,0.023224091,0.00010431862,0.0013186241,0.0007957446,0.75839376],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99942905,0.00014131042,0.000030836276,0.000084981875,0.00024799615,0.00006569496],"domain_scores_gemma":[0.9986933,0.0007133517,0.00013742236,0.000081683706,0.00022693576,0.00014739373],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009671551,0.0008441979,0.00040981,0.0018160794,0.0022114094,0.0042091273,0.00051174936,0.0014134801,0.048664007],"category_scores_gemma":[0.003591363,0.0005885126,0.00018069026,0.0017893203,0.0013327479,0.0024632365,0.0019257317,0.0032267373,0.011460604],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000148812705,0.0000047143003,0.000051721363,0.0001188085,0.0000021849871,0.00004404005,0.0009577797,0.00004605224,0.00011611234,0.011806142,0.959987,0.02685065],"study_design_scores_gemma":[0.000002349029,0.0000020079071,0.00046441567,0.00019840208,8.1401294e-7,0.000036263362,0.00029511852,0.000019913292,0.00006288033,0.0005958577,0.99831945,0.0000025024344],"about_ca_topic_score_codex":0.014033681,"about_ca_topic_score_gemma":0.030687649,"teacher_disagreement_score":0.048664007,"about_ca_system_score_codex":0.0018744816,"about_ca_system_score_gemma":0.0014106097,"threshold_uncertainty_score":0.16279733},"labels":[],"label_agreement":null},{"id":"W7161720227","doi":"10.3138/cjfms-2025-0027","title":"Textbook Cases: Postwar Adolescent Development in Crawley Films’ McGraw–Hill Film–Text Series","year":2025,"lang":"en","type":"article","venue":"Canadian Journal of Film and Media Studies","topic":"Historical Studies on Reproduction, Gender, Health, and Societal Changes","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Brock University","funders":"","keywords":"Negotiation; Mental hygiene; Key (lock); Point (geometry); Adolescent development; Life course approach","score_opus":0.0651712252693939,"score_gpt":0.2665577098330526,"score_spread":0.2013864845636587,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7161720227","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4598558,0.007669297,0.00079847267,0.018386494,0.0011149618,0.00019637648,0.0003446498,0.000068465786,0.5115655],"genre_scores_gemma":[0.8395111,0.011041496,0.0014540441,0.0028892807,0.00022958142,0.00014932141,0.0003598946,0.00009019488,0.14427513],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99942553,0.00022341224,0.000026545198,0.000046986184,0.00014996514,0.00012757209],"domain_scores_gemma":[0.9993718,0.00025106716,0.000097294775,0.000057776673,0.000106087326,0.00011596208],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007117426,0.00026472175,0.00013347359,0.0014364853,0.004906954,0.0027127618,0.0008376381,0.0011932787,0.008588823],"category_scores_gemma":[0.0031519607,0.00026565875,0.00014572994,0.0020545002,0.0028976668,0.0014953293,0.0016305527,0.0024144517,0.0007661183],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000057069283,0.0002362176,0.010263384,0.00032380657,0.000014021835,0.030104944,0.5693866,0.0001494127,0.001348843,0.14585643,0.15536223,0.08689705],"study_design_scores_gemma":[0.000008755488,0.00002948157,0.015924025,0.00052072917,0.000009026881,0.0063581015,0.15347895,0.00006358274,0.00086372794,0.0021551899,0.82057214,0.00001629699],"about_ca_topic_score_codex":0.07245553,"about_ca_topic_score_gemma":0.21384373,"teacher_disagreement_score":0.07245553,"about_ca_system_score_codex":0.0044154283,"about_ca_system_score_gemma":0.0025787656,"threshold_uncertainty_score":0.14406759},"labels":[],"label_agreement":null},{"id":"W7161721530","doi":"10.3138/cjfms-2025-0031","title":"Getting Credit: Judith Crawley, Camerawoman","year":2025,"lang":"en","type":"article","venue":"Canadian Journal of Film and Media Studies","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Alberta","funders":"","keywords":"Amateur; Professionalization; Film director; Casual; Order (exchange); Screenwriting; State (computer science); Craft","score_opus":0.0320288796989707,"score_gpt":0.24063475093339406,"score_spread":0.20860587123442337,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7161721530","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013174709,0.03588835,0.003065662,0.48225546,0.038822792,0.000191361,0.0011331241,0.0009455983,0.42452303],"genre_scores_gemma":[0.07071813,0.015215125,0.0025969644,0.041347302,0.0049602976,0.000080738544,0.00040045055,0.00060619315,0.86407465],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99864787,0.00024221925,0.00004591359,0.00024302029,0.00063633587,0.0001845894],"domain_scores_gemma":[0.9943039,0.0009779315,0.00029010474,0.00023239234,0.0022313728,0.0019643048],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010477643,0.00042811417,0.000356396,0.001947833,0.0076263906,0.00601009,0.00077206094,0.0019351201,0.12014904],"category_scores_gemma":[0.013890487,0.00031109832,0.00013178098,0.001717567,0.0020618192,0.004377479,0.001954955,0.002510884,0.020616274],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000074504883,0.000005888719,0.0005843924,0.00003271066,0.0000012082285,0.00016819766,0.0016086157,0.000007789035,0.00011984785,0.0029097588,0.9708642,0.023690082],"study_design_scores_gemma":[0.0000034175396,0.000004386931,0.001174258,0.0001078219,0.0000024148876,0.0002873603,0.0046850042,0.000036280067,0.00011530309,0.000533749,0.99303883,0.0000112741],"about_ca_topic_score_codex":0.13916875,"about_ca_topic_score_gemma":0.287733,"teacher_disagreement_score":0.13916875,"about_ca_system_score_codex":0.005325232,"about_ca_system_score_gemma":0.00512282,"threshold_uncertainty_score":0.40193862},"labels":[],"label_agreement":null},{"id":"W7161730674","doi":"10.3138/cjfms-2025-0033","title":"At the Survey Frontier: Mineral Exploration Film and the “Orderly Development of Newfoundland”","year":2025,"lang":"en","type":"article","venue":"Canadian Journal of Film and Media Studies","topic":"History of Science and Natural History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Concordia University","funders":"","keywords":"Mineral exploration; Frontier; Geological survey; Corporation; Natural (archaeology); Prospectivity mapping; Politics","score_opus":0.053819642596015335,"score_gpt":0.24027002090520616,"score_spread":0.1864503783091908,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7161730674","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.33282992,0.01481666,0.00061590655,0.087911144,0.0011098944,0.000031877145,0.0008323886,0.00009077309,0.56176144],"genre_scores_gemma":[0.8896232,0.0051683676,0.00036416014,0.0031130966,0.00017313109,0.00001779117,0.00018367806,0.000048998212,0.10130741],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99940825,0.00014257694,0.000011306393,0.000051530064,0.000098266646,0.00028809602],"domain_scores_gemma":[0.9988951,0.00042849433,0.00012090664,0.00006440021,0.00019246052,0.0002987458],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0006704048,0.0002558649,0.0001225614,0.0011884102,0.013813386,0.006470119,0.00051915017,0.000817715,0.0082575865],"category_scores_gemma":[0.0018950694,0.00019648291,0.00008795156,0.0016760988,0.00918065,0.0037706227,0.002603875,0.0020570457,0.00038953067],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014120812,0.000038122285,0.008369166,0.00020073263,0.000018682817,0.0019819462,0.45658407,0.0002026369,0.0012538171,0.14066146,0.32871684,0.06183136],"study_design_scores_gemma":[0.000007951188,0.000017140876,0.03349842,0.0002588632,0.00001167313,0.00031718562,0.2184226,0.000082526174,0.00037020637,0.0017911752,0.7451867,0.000035536064],"about_ca_topic_score_codex":0.83402777,"about_ca_topic_score_gemma":0.9583663,"teacher_disagreement_score":0.9861866,"about_ca_system_score_codex":0.0316758,"about_ca_system_score_gemma":0.010132856,"threshold_uncertainty_score":0.33389932},"labels":[],"label_agreement":null},{"id":"W7161731759","doi":"10.3138/cjfms-2025-0034","title":"Crawley Films and the Mid-century Industry and Imagination of Canadian Sponsored Media","year":2025,"lang":"en","type":"article","venue":"Canadian Journal of Film and Media Studies","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Alberta; Concordia University; Concordia University of Edmonton","funders":"","keywords":"Government (linguistics); Narrative; Power (physics)","score_opus":0.02795857304852896,"score_gpt":0.2353700672032419,"score_spread":0.20741149415471294,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7161731759","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08719629,0.020681549,0.00057270017,0.06993646,0.0007271865,0.00003129235,0.00016894302,0.000058054455,0.8206276],"genre_scores_gemma":[0.90230393,0.006532961,0.00030561883,0.003328315,0.00018346707,0.00002120596,0.000048017286,0.00008423865,0.08719217],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9967539,0.00074004626,0.00006521004,0.0002800265,0.0010655824,0.0010951661],"domain_scores_gemma":[0.99395144,0.0024073576,0.00029095708,0.00021686094,0.0019343412,0.0011990112],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0035914518,0.00073357916,0.0003734683,0.006774052,0.041601576,0.03166982,0.0021602497,0.005700921,0.014934924],"category_scores_gemma":[0.009529391,0.000466187,0.00024374008,0.007293278,0.03979005,0.0072129453,0.0055531575,0.0054912637,0.0006968171],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000039786082,0.000019407282,0.0008404343,0.00007246873,0.000006103139,0.00033938437,0.31151402,0.00007303934,0.00023603978,0.63333625,0.03807854,0.015444566],"study_design_scores_gemma":[0.000010683821,0.000010682913,0.0033492101,0.0003604798,0.000012046042,0.00013608938,0.28965297,0.00013090721,0.00028690032,0.022588244,0.6834162,0.000045542434],"about_ca_topic_score_codex":0.9447602,"about_ca_topic_score_gemma":0.9746903,"teacher_disagreement_score":0.10246711,"about_ca_system_score_codex":0.10246711,"about_ca_system_score_gemma":0.082262,"threshold_uncertainty_score":0.74345446},"labels":[],"label_agreement":null},{"id":"W7161733935","doi":"10.3138/cjfms-2025-0020","title":"Water, Power: Hydro-Imaginaries and the Churchill Falls Project in Crawley Films","year":2025,"lang":"en","type":"article","venue":"Canadian Journal of Film and Media Studies","topic":"Water Governance and Infrastructure","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Memorial University of Newfoundland","funders":"","keywords":"Hydroelectricity; Perpetuity; Modernization theory; Power (physics); Hydro power; Foundation (evidence)","score_opus":0.011666483670260212,"score_gpt":0.2724956045970197,"score_spread":0.26082912092675953,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7161733935","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5068754,0.00768605,0.0011520685,0.03601837,0.00051579217,0.00006470748,0.0005572072,0.00007534586,0.44705507],"genre_scores_gemma":[0.9611082,0.0034399356,0.00038723086,0.000955088,0.00007501395,0.00001955727,0.000083944535,0.00006063187,0.03387042],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99904233,0.000302373,0.000017452781,0.000091221315,0.00032038783,0.00022612442],"domain_scores_gemma":[0.99834085,0.00084625755,0.00019395188,0.00007902829,0.000269598,0.00027024618],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00081104826,0.00044060018,0.00013150093,0.0018474321,0.01618508,0.008056955,0.0007720378,0.0010897595,0.00633185],"category_scores_gemma":[0.003001118,0.00027669503,0.00010145332,0.003165827,0.014971291,0.002924124,0.0026543683,0.0020785667,0.00020828526],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004153466,0.00002160504,0.0038550058,0.00012213025,0.000008318459,0.0008441836,0.8551279,0.000100420126,0.0010003378,0.0780927,0.038630348,0.022155518],"study_design_scores_gemma":[0.000005178215,0.000011834302,0.011352043,0.00024222255,0.000011060288,0.00022413794,0.5211491,0.00009008048,0.0006992091,0.0018713688,0.46431816,0.000025642643],"about_ca_topic_score_codex":0.82045823,"about_ca_topic_score_gemma":0.9325725,"teacher_disagreement_score":0.9838149,"about_ca_system_score_codex":0.026378341,"about_ca_system_score_gemma":0.014420399,"threshold_uncertainty_score":0.3611982},"labels":[],"label_agreement":null},{"id":"W7161736455","doi":"10.3138/cjfms-2024-0047","title":"Establishing Shots: an Oral History of the Winnipeg Film Group. By Kevin Nikkel","year":2025,"lang":"en","type":"article","venue":"Canadian Journal of Film and Media Studies","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Winnipeg","funders":"","keywords":"Oral history; White (mutation); George (robot)","score_opus":0.03758248311597517,"score_gpt":0.22372292178355904,"score_spread":0.18614043866758387,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7161736455","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.021188715,0.35155162,0.001472246,0.3182025,0.03299814,0.0002527396,0.0007374559,0.00012342085,0.27347314],"genre_scores_gemma":[0.17585656,0.19667058,0.003756708,0.01832608,0.009043643,0.00012978347,0.0006114886,0.00065208616,0.5949531],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.9985329,0.00035437607,0.00005877644,0.00016558755,0.00055938703,0.0003289492],"domain_scores_gemma":[0.9974976,0.0006736595,0.00013784025,0.00009119351,0.0008173443,0.0007822659],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0028767583,0.0005687786,0.00044475074,0.0020596334,0.0075153955,0.008031979,0.0009788405,0.0017831593,0.014763864],"category_scores_gemma":[0.006721273,0.00057411764,0.000126648,0.002068716,0.002866007,0.0039063445,0.0037747787,0.002493252,0.0023010492],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000042674452,0.000024676796,0.00059639337,0.00027310385,0.0000075508137,0.00020981119,0.017067593,0.000056044246,0.00048474345,0.022050021,0.81806254,0.14112481],"study_design_scores_gemma":[0.0000016843952,0.000005457118,0.0012605876,0.00018499815,0.0000020717407,0.000043170243,0.005311649,0.000011895073,0.00012991184,0.0004062524,0.992636,0.0000063256666],"about_ca_topic_score_codex":0.33894122,"about_ca_topic_score_gemma":0.5938265,"teacher_disagreement_score":0.6610588,"about_ca_system_score_codex":0.008136907,"about_ca_system_score_gemma":0.008972369,"threshold_uncertainty_score":0.6739367},"labels":[],"label_agreement":null},{"id":"W7161738427","doi":"10.3138/cjfms-2024-1234","title":"Introduction: From International Humanism to More-than-Human Solidarity","year":2025,"lang":"en","type":"article","venue":"Canadian Journal of Film and Media Studies","topic":"Decolonial Thought and Epistemologies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Solidarity; Humanism; Work (physics); Field (mathematics)","score_opus":0.04008507440827746,"score_gpt":0.3623407564928542,"score_spread":0.3222556820845767,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7161738427","genre_codex":"commentary","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0072475867,0.076168224,0.008744389,0.48624188,0.03571607,0.000050298266,0.0007949076,0.00014501264,0.3848916],"genre_scores_gemma":[0.5456038,0.082741484,0.007940334,0.12238155,0.0546812,0.00023902347,0.00070320605,0.000502609,0.18520683],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984847,0.0005821257,0.0000495065,0.0003299683,0.00039045932,0.0001633762],"domain_scores_gemma":[0.99612767,0.0026477368,0.00012701988,0.00019583091,0.00058583025,0.00031595037],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0024731017,0.0005225868,0.0005326391,0.0015678812,0.004599805,0.00870572,0.0013564484,0.003917424,0.020467747],"category_scores_gemma":[0.0045454167,0.00019385274,0.00036765792,0.003064164,0.019212933,0.007102963,0.0026589164,0.0073410813,0.0015763313],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007368876,0.000005967589,0.00008313952,0.00010594381,0.000002316388,0.000016126187,0.004605592,0.000027265793,0.00003625618,0.9164269,0.07134084,0.0073422524],"study_design_scores_gemma":[0.000007484747,0.000010423244,0.00058245653,0.00048748913,0.0000062548143,0.000085846,0.006340442,0.00010611804,0.0000695823,0.24852982,0.74375486,0.000019209676],"about_ca_topic_score_codex":0.052864604,"about_ca_topic_score_gemma":0.047409277,"teacher_disagreement_score":0.052864604,"about_ca_system_score_codex":0.0067298487,"about_ca_system_score_gemma":0.00617473,"threshold_uncertainty_score":0.105113804},"labels":[],"label_agreement":null},{"id":"W7161738887","doi":"10.3138/cjfms-2025-0019","title":"Quand la parole vint à Alexis Tremblay: L’émancipation de la langue vernaculaire dans trois documentaires signés Crawley","year":2025,"lang":"en","type":"article","venue":"Canadian Journal of Film and Media Studies","topic":"Legal and cultural studies analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Vernacular; Representation (politics); Hierarchy; Perspective (graphical); Identity (music)","score_opus":0.01988037884415674,"score_gpt":0.3142204531000192,"score_spread":0.2943400742558625,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7161738887","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24328586,0.0414889,0.002180159,0.18488508,0.002662264,0.00003783708,0.00010691351,0.00006169095,0.5252914],"genre_scores_gemma":[0.83002806,0.010381104,0.0008550448,0.0060930685,0.0005232,0.000035846024,0.000042681906,0.00010006941,0.15194094],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99871504,0.0007619333,0.0000213396,0.00012934404,0.0002505048,0.00012192734],"domain_scores_gemma":[0.99862576,0.00064089586,0.00014614048,0.00006588958,0.00031725602,0.00020399177],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011662102,0.0002629887,0.00015843364,0.00046884283,0.008293708,0.007369787,0.00048162125,0.0013505965,0.0036845184],"category_scores_gemma":[0.0032541938,0.00022230252,0.000097071614,0.0005988654,0.006576995,0.003924011,0.0018291606,0.0027556927,0.00062578253],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000054648994,0.000039128867,0.002624907,0.00012043349,0.000011266353,0.0012704013,0.49578583,0.00004798991,0.0014151133,0.31128192,0.14565356,0.041694794],"study_design_scores_gemma":[0.0000035944468,0.00001275018,0.0021116906,0.00013781019,0.000003910679,0.00032027994,0.057409916,0.000044153654,0.00040263517,0.0033869797,0.93615144,0.000014934815],"about_ca_topic_score_codex":0.10468096,"about_ca_topic_score_gemma":0.22801825,"teacher_disagreement_score":0.89531904,"about_ca_system_score_codex":0.0043409555,"about_ca_system_score_gemma":0.0029257147,"threshold_uncertainty_score":0.2081433},"labels":[],"label_agreement":null},{"id":"W7161744975","doi":"10.3138/cjfms-2024-0055","title":"What Television Remembers: Artifacts and Footprints of TV in Toronto. By Jennifer VanderBurgh","year":2025,"lang":"en","type":"article","venue":"Canadian Journal of Film and Media Studies","topic":"Media Studies and Communication","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Brock University","funders":"","keywords":"Photography; Perspective (graphical); Narrative","score_opus":0.033699409819427525,"score_gpt":0.33455130530962246,"score_spread":0.3008518954901949,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7161744975","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4026034,0.28179953,0.0012470041,0.118733235,0.0029029918,0.000101326885,0.014189106,0.00024968613,0.17817384],"genre_scores_gemma":[0.72907674,0.12156175,0.001606981,0.0026811077,0.0008985503,0.00006116648,0.0019505586,0.00024901587,0.14191416],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99958044,0.00011141269,0.000019374384,0.00006925792,0.00014122794,0.000078318604],"domain_scores_gemma":[0.9986211,0.000527676,0.00020881319,0.000062193096,0.00024194358,0.00033828322],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005819591,0.00067314977,0.00038890677,0.002375756,0.008814983,0.004609622,0.0007724042,0.0008242661,0.012734747],"category_scores_gemma":[0.0019960743,0.00058047473,0.00025075415,0.007306374,0.0041813087,0.0026791987,0.0025861338,0.0016404415,0.0010262169],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012878304,0.000020039573,0.02574657,0.0008954656,0.000048627317,0.0011046289,0.66266686,0.00019222208,0.0011998996,0.008161932,0.2279044,0.0719306],"study_design_scores_gemma":[0.000004719234,0.000024612771,0.13302517,0.00096501125,0.000059412036,0.0005362015,0.36154485,0.00006864216,0.00040519913,0.00077169907,0.5025557,0.00003877491],"about_ca_topic_score_codex":0.9259871,"about_ca_topic_score_gemma":0.9836052,"teacher_disagreement_score":0.074012876,"about_ca_system_score_codex":0.019068025,"about_ca_system_score_gemma":0.011834275,"threshold_uncertainty_score":0.14889747},"labels":[],"label_agreement":null},{"id":"W7161747362","doi":"10.3138/cjfms-2025-0023","title":"Canadian Modernity, American Sponsored: The Case of <i>A New Future Lies North</i> (1956)","year":2025,"lang":"en","type":"article","venue":"Canadian Journal of Film and Media Studies","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Concordia University","funders":"","keywords":"Movie theater; Investment (military); Resource (disambiguation); Production (economics)","score_opus":0.016708833394480038,"score_gpt":0.26300027151101346,"score_spread":0.24629143811653342,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7161747362","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14696531,0.007753013,0.0004300061,0.06287346,0.00080442167,0.000040617593,0.00012957677,0.0000252578,0.7809784],"genre_scores_gemma":[0.92736304,0.0048779864,0.00036049745,0.0073160767,0.00018829644,0.000025942576,0.000047760503,0.00004118697,0.059779238],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9974286,0.0004774734,0.000022399534,0.00019410055,0.00074154366,0.0011358452],"domain_scores_gemma":[0.9979081,0.00040873644,0.00011634615,0.00008488395,0.0007139147,0.00076811423],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016967253,0.000437265,0.00029988954,0.0017408105,0.063250266,0.010905845,0.001790928,0.004219926,0.0056827865],"category_scores_gemma":[0.0036646451,0.00033002967,0.00030547474,0.003936553,0.021184029,0.0032228976,0.004474697,0.005887814,0.00038392024],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029670186,0.00002777065,0.0026004515,0.00007918398,0.000013915211,0.0026065444,0.3644656,0.00014196249,0.00021894927,0.5296876,0.08629233,0.013835941],"study_design_scores_gemma":[0.000008116502,0.000008819156,0.0038034788,0.00014790401,0.00001787874,0.0005189845,0.17875654,0.000098656375,0.000082764396,0.0073714964,0.80913746,0.00004787885],"about_ca_topic_score_codex":0.98100936,"about_ca_topic_score_gemma":0.99257046,"teacher_disagreement_score":0.091017984,"about_ca_system_score_codex":0.091017984,"about_ca_system_score_gemma":0.07321994,"threshold_uncertainty_score":0.6603848},"labels":[],"label_agreement":null}]}