{"meta":{"query_hash":"91d023cdcfdc","filters":{"venue":"Captures"},"cohort_total":196,"direct_labels_cover":0,"predictions_cover":196,"exported":196,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/91d023cdcfdc","api":"https://metacan.xera.ac/api/v1/cohort?venue=Captures"},"results":[{"id":"W2425340363","doi":"10.7202/1059827ar","title":"The rising tide of photographs","year":2019,"lang":"en","type":"article","venue":"Captures","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Photography; Context (archaeology); Visual arts; Scale (ratio); History; Work (physics); Geography; Art; Cartography; Archaeology; Engineering","score_opus":0.014121044641544376,"score_gpt":0.2232113709015032,"score_spread":0.20909032625995883,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2425340363","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.82975924,0.0020932166,0.0000019524143,0.0000431661,0.0006122097,0.00014600088,0.000023195707,0.00003555542,0.16728544],"genre_scores_gemma":[0.9967683,0.000035355537,0.0000036768236,0.00018853284,0.00014326305,0.0000041531393,0.000006445101,0.0000062598638,0.0028440305],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995787,0.000019558873,0.00010265005,0.00008067129,0.00009954946,0.00011884411],"domain_scores_gemma":[0.9996596,0.000058295827,0.000056045305,0.00015321952,0.000052377403,0.000020491303],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0000791922,0.00006937409,0.000086675034,0.000030157285,0.00017993838,0.00007232549,0.00013606765,0.000024818932,0.0005376347],"category_scores_gemma":[0.000008352124,0.000037600497,0.00011521422,0.000032470867,0.00018374309,0.00005844794,0.000015093449,0.000090911184,0.00003092386],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000106687585,0.00009008413,0.0038763147,0.00010043243,0.00020827577,0.0000024982603,0.1169842,0.000009912621,0.044130377,0.79263216,0.040435098,0.0014239778],"study_design_scores_gemma":[0.00020942668,0.00008041306,0.001157309,0.000040110426,0.000022246462,0.0000012869247,0.019234996,0.000013242399,0.0134434905,0.007011743,0.95864505,0.00014067114],"about_ca_topic_score_codex":0.0002608895,"about_ca_topic_score_gemma":0.0003208418,"teacher_disagreement_score":0.91820997,"about_ca_system_score_codex":0.0000019230326,"about_ca_system_score_gemma":0.0000065139807,"threshold_uncertainty_score":0.5886723},"labels":[],"label_agreement":null},{"id":"W2605422967","doi":"10.7202/1059799ar","title":"«It’s a horrible thing to live with a writer!»","year":2019,"lang":"fr","type":"article","venue":"Captures","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Passion; Art; Auteur theory; Philosophy; Art history; Psychology; Movie theater","score_opus":0.014303689393130595,"score_gpt":0.2249209972085303,"score_spread":0.2106173078153997,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2605422967","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.54754746,0.013430066,0.000118891934,0.019510284,0.0012474995,0.00048384728,0.00016008646,0.00007903277,0.41742283],"genre_scores_gemma":[0.6432492,0.00003559835,0.00011363637,0.0044677276,0.0007907189,0.000011293569,0.000009746962,0.000022618477,0.35129946],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988452,0.00012289047,0.00017728574,0.0003200896,0.00018410785,0.00035038992],"domain_scores_gemma":[0.99925566,0.000104518396,0.00007124645,0.00029954143,0.00013271677,0.00013629143],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00020463137,0.00023795075,0.00031935173,0.0001275554,0.00032725572,0.00039894154,0.00020907666,0.000071797505,0.02118444],"category_scores_gemma":[0.000019249608,0.00017828643,0.00013365148,0.0000890364,0.00021328893,0.0002903793,0.00005427162,0.0002448905,0.0034945388],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014668527,0.00010339054,0.0002836977,0.00012768299,0.00030885215,0.00005082184,0.41480055,0.00041686514,0.00024648642,0.5303888,0.052328177,0.0007980406],"study_design_scores_gemma":[0.00027428847,0.00046099257,0.000064156855,0.0004921563,0.00015848826,0.000009443594,0.120911054,0.0000824453,0.00021269232,0.0033729,0.8736092,0.00035220597],"about_ca_topic_score_codex":0.0006318412,"about_ca_topic_score_gemma":0.0013343376,"teacher_disagreement_score":0.821281,"about_ca_system_score_codex":0.00004204591,"about_ca_system_score_gemma":0.000045596942,"threshold_uncertainty_score":0.9972814},"labels":[],"label_agreement":null},{"id":"W2765792899","doi":"","title":"[CONTREPOINT] Disparaître derrière le trait – Pierre Alechinsky & Marcel Moreau : Pointes et feutres de Virgile Loyer","year":2017,"lang":"fr","type":"article","venue":"Captures","topic":"Psychoanalysis and Psychopathology Research","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Philosophy; Humanities","score_opus":0.031786551970898726,"score_gpt":0.3861864822930783,"score_spread":0.35439993032217953,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2765792899","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18834834,0.06726554,0.00072150346,0.1252102,0.0039578355,0.0007960838,0.0011973146,0.00016691339,0.6123363],"genre_scores_gemma":[0.78664887,0.001409069,0.00040346922,0.0033866346,0.0011129248,0.00013817872,0.00017215076,0.0001241336,0.20660457],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.9935784,0.001570727,0.0008293897,0.0015792743,0.000504878,0.0019373836],"domain_scores_gemma":[0.9946055,0.0005279048,0.00063305616,0.0032821759,0.00021127966,0.00074008055],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0018096806,0.0008439295,0.0011396803,0.00037855667,0.0012751934,0.0007780997,0.002242069,0.0010889027,0.007856281],"category_scores_gemma":[0.00044395472,0.00080117595,0.00096088235,0.00021439865,0.0018500391,0.000469304,0.00032184395,0.001906553,0.0013018984],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00081435917,0.0017741512,0.07059328,0.00016389022,0.0014619096,0.0021166743,0.006768265,0.00007116966,0.0029797591,0.027153581,0.804882,0.08122095],"study_design_scores_gemma":[0.0037757843,0.0002667512,0.5018286,0.00029927137,0.00037810797,0.0010146222,0.0019329957,0.00024986308,0.00025818264,0.018961906,0.47010964,0.0009242858],"about_ca_topic_score_codex":0.007818497,"about_ca_topic_score_gemma":0.005470337,"teacher_disagreement_score":0.5983005,"about_ca_system_score_codex":0.000115104245,"about_ca_system_score_gemma":0.00034956378,"threshold_uncertainty_score":0.9994757},"labels":[],"label_agreement":null},{"id":"W2810142843","doi":"10.7202/1059808ar","title":"Quand l’aliment nourrit l’imaginaire","year":2019,"lang":"fr","type":"article","venue":"Captures","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.03833446783753127,"score_gpt":0.2610153119524308,"score_spread":0.2226808441148995,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2810142843","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.043024704,0.29877642,0.000012260806,0.033838917,0.011984457,0.00034025806,0.000023084727,0.00006937139,0.61193055],"genre_scores_gemma":[0.7242198,0.004542578,0.00007050207,0.0013574447,0.0012521317,0.0000105699255,0.0000035039532,0.00001606543,0.2685274],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983638,0.00015036018,0.0001858377,0.00030826393,0.00042557478,0.0005661713],"domain_scores_gemma":[0.9993652,0.00011294619,0.000084083484,0.00018456411,0.000088844936,0.00016437024],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00026491348,0.00020156923,0.00029722913,0.00003114892,0.00042045553,0.00010074981,0.00025734297,0.00019345517,0.003060229],"category_scores_gemma":[0.000057347544,0.0001977843,0.0001723068,0.00024721303,0.0007979622,0.00018165716,0.00007607712,0.0002276145,0.0023295917],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000055498945,0.000095104595,0.0051899753,0.000058830137,0.00010017398,0.000013998572,0.030677991,0.000009181012,0.00003479249,0.49293244,0.46199286,0.008889117],"study_design_scores_gemma":[0.00027084508,0.00005915011,0.0055336575,0.00008299946,0.00004742312,8.953564e-7,0.007249179,0.000020642778,0.000032733915,0.010719556,0.97571796,0.00026495726],"about_ca_topic_score_codex":0.01412453,"about_ca_topic_score_gemma":0.0026827035,"teacher_disagreement_score":0.6811951,"about_ca_system_score_codex":0.00035206188,"about_ca_system_score_gemma":0.00011731473,"threshold_uncertainty_score":0.99844724},"labels":[],"label_agreement":null},{"id":"W2810705770","doi":"10.7202/1059800ar","title":"Californication ou la légitimation de l’écriture télévisuelle","year":2019,"lang":"fr","type":"article","venue":"Captures","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Centre hospitalier universitaire de Québec; Institut national de psychiatrie légale Philippe-Pinel","funders":"","keywords":"Humanities; Art","score_opus":0.12725582866053972,"score_gpt":0.31200441536095025,"score_spread":0.18474858670041053,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2810705770","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.090611085,0.033276934,0.03880059,0.042199433,0.0035411313,0.00081798626,0.00008671521,0.00030586045,0.7903603],"genre_scores_gemma":[0.9019974,0.00014825263,0.0019173634,0.0024873987,0.00030004044,0.000006611415,0.000039645533,0.000013859624,0.093089454],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99884313,0.00008874268,0.00019397336,0.0003081544,0.00021280395,0.00035321535],"domain_scores_gemma":[0.999049,0.00011743503,0.00009714601,0.00040248522,0.00014304096,0.0001908807],"candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00016287927,0.00018266178,0.00015814799,0.00004329925,0.000080416416,0.0012401382,0.00034249193,0.00022628198,0.0001972327],"category_scores_gemma":[0.00010722721,0.00014422309,0.000101317346,0.00020438827,0.00008015812,0.001886982,0.00012429434,0.00020874134,0.0012520204],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009737069,0.000118062926,0.00027782968,0.00014037741,0.000025384725,0.00004110216,0.004961339,0.0012223724,0.0045725415,0.85462576,0.1094273,0.024578203],"study_design_scores_gemma":[0.00036904946,0.000091563874,0.0073970505,0.00019229318,0.00002172215,0.0002995474,0.00014988841,0.027448721,0.004269856,0.04577694,0.9136224,0.00036099114],"about_ca_topic_score_codex":0.00031183223,"about_ca_topic_score_gemma":0.000026363188,"teacher_disagreement_score":0.8113863,"about_ca_system_score_codex":0.00008354081,"about_ca_system_score_gemma":0.00012314765,"threshold_uncertainty_score":0.9997967},"labels":[],"label_agreement":null},{"id":"W2811197683","doi":"10.7202/1059809ar","title":"Le récit des emballages de la feuille de brick","year":2019,"lang":"fr","type":"article","venue":"Captures","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Brick; Geography; Archaeology","score_opus":0.012744554296489151,"score_gpt":0.22824636572202542,"score_spread":0.21550181142553626,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2811197683","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6196103,0.031742215,0.0000069490106,0.0019100977,0.00054758956,0.00009634818,0.000043159213,0.00005460964,0.34598872],"genre_scores_gemma":[0.6052473,0.00079728675,0.00006690308,0.00049058546,0.00067366764,0.0000040912887,0.0000073592505,0.00001757388,0.39269522],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990142,0.00012809338,0.00014467663,0.00018999274,0.000111141075,0.00041189726],"domain_scores_gemma":[0.99950945,0.00009991799,0.000051767493,0.0001679756,0.00006300599,0.0001078925],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00020045157,0.00016860725,0.00019295725,0.000037677826,0.00050786865,0.00083541486,0.0002115752,0.0001746481,0.0067964233],"category_scores_gemma":[0.00004546202,0.00016277486,0.00016270336,0.00002965117,0.0006794632,0.00033384532,0.00007179958,0.00024961497,0.0009018382],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013205979,0.00011030979,0.001599855,0.00032847928,0.00007231487,0.000055528944,0.059369512,0.00006563324,0.0021303976,0.82088643,0.11433054,0.0010377987],"study_design_scores_gemma":[0.00029131616,0.00004647433,0.008448439,0.00014326753,0.000046174864,0.000050461782,0.014619528,0.000029272362,0.00048731672,0.026612177,0.9489796,0.00024597696],"about_ca_topic_score_codex":0.030516207,"about_ca_topic_score_gemma":0.013110442,"teacher_disagreement_score":0.8346491,"about_ca_system_score_codex":0.00012240782,"about_ca_system_score_gemma":0.00016020016,"threshold_uncertainty_score":0.9998761},"labels":[],"label_agreement":null},{"id":"W2811429875","doi":"10.7202/1059767ar","title":"Entre les lignes","year":2019,"lang":"fr","type":"article","venue":"Captures","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Political science","score_opus":0.018671420923182643,"score_gpt":0.24262774042186516,"score_spread":0.22395631949868253,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2811429875","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03887757,0.080829464,0.000005046082,0.002968972,0.003480876,0.000089842266,0.00013016645,0.000032014337,0.87358606],"genre_scores_gemma":[0.61661947,0.00052029756,0.000015367354,0.0003179859,0.0046613533,0.0000018362111,0.000023167066,0.000015458521,0.37782505],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99914086,0.000030058662,0.00018033222,0.00022079374,0.00016063527,0.00026730503],"domain_scores_gemma":[0.9994138,0.000062529194,0.000074485775,0.00023838415,0.00013066141,0.00008013313],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00006746747,0.00017538287,0.00022526701,0.00006787192,0.00022491095,0.00032506947,0.0001494218,0.00009657263,0.055731382],"category_scores_gemma":[0.000035967387,0.00014784402,0.00020749097,0.000023945153,0.00022043311,0.00006552532,0.00004385207,0.00013095805,0.00248612],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005379673,0.000069264875,0.0011699041,0.00010239891,0.0001443643,0.000021533382,0.0048104185,0.000071865004,0.00002221916,0.9156263,0.07545154,0.0025048521],"study_design_scores_gemma":[0.00014780191,0.00003653743,0.00016042546,0.00008155096,0.00023392357,0.00000167464,0.007771749,0.00022011904,0.00008775312,0.007558136,0.98348224,0.00021807585],"about_ca_topic_score_codex":0.0032959452,"about_ca_topic_score_gemma":0.00085936347,"teacher_disagreement_score":0.9080681,"about_ca_system_score_codex":0.000021257212,"about_ca_system_score_gemma":0.000041214516,"threshold_uncertainty_score":0.99829054},"labels":[],"label_agreement":null},{"id":"W2814165445","doi":"10.7202/1059773ar","title":"Dieu a planté son compas dans la Seine","year":2019,"lang":"fr","type":"article","venue":"Captures","topic":"Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Philosophy","score_opus":0.009285999841657134,"score_gpt":0.2117861395565226,"score_spread":0.20250013971486547,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2814165445","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.047411256,0.100704186,0.0000038340504,0.00437471,0.0041092397,0.00024702147,0.0004602401,0.00008920048,0.84260035],"genre_scores_gemma":[0.56467587,0.00029166572,0.00001575282,0.0012174778,0.0026723207,0.0000105999625,0.00007835248,0.000024695417,0.43101326],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988426,0.00008558746,0.000211935,0.0002947286,0.00018851372,0.00037666425],"domain_scores_gemma":[0.9994161,0.00009352215,0.00007796271,0.0002460537,0.00008819457,0.00007814184],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0000878064,0.00030767106,0.00036462874,0.000039316947,0.00033552985,0.00037991273,0.00017886522,0.00016020674,0.002734135],"category_scores_gemma":[0.000010312192,0.0002239531,0.0001696397,0.00003512343,0.00039665494,0.00018838007,0.00007448355,0.00035096417,0.0009339134],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004003077,0.00008127434,0.00031529006,0.00020467276,0.00018969696,0.000060297494,0.10345302,0.000007852815,0.00012470875,0.5764189,0.31863865,0.00046563763],"study_design_scores_gemma":[0.00041240948,0.0001517174,0.0012813379,0.00026657802,0.000112221685,0.00003920467,0.015017898,0.000016213291,0.000108829656,0.001955119,0.98031545,0.00032305068],"about_ca_topic_score_codex":0.00050361047,"about_ca_topic_score_gemma":0.0013718801,"teacher_disagreement_score":0.66167676,"about_ca_system_score_codex":0.000029729397,"about_ca_system_score_gemma":0.000026462969,"threshold_uncertainty_score":0.99984396},"labels":[],"label_agreement":null},{"id":"W2816703922","doi":"10.7202/1059819ar","title":"Utopies et anxiétés de la photographie en régime numérique","year":2019,"lang":"fr","type":"article","venue":"Captures","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Political science","score_opus":0.07233122977264098,"score_gpt":0.32103604380075834,"score_spread":0.24870481402811737,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2816703922","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.49936977,0.017061092,0.0023672276,0.010231972,0.0023335007,0.00034146316,0.000029402836,0.00020325523,0.4680623],"genre_scores_gemma":[0.9282903,0.0005975227,0.0011016058,0.0052578957,0.00024301006,0.00000631989,0.0000066727293,0.000017711756,0.064478934],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985031,0.00024966986,0.00018968353,0.00037458603,0.00020939126,0.00047358096],"domain_scores_gemma":[0.99881923,0.00032962332,0.000076008044,0.0004464874,0.00008276029,0.0002458802],"candidate_categories":["scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00029349956,0.0002619572,0.0002458017,0.00008739056,0.00006484663,0.0017676059,0.00051022694,0.0002769635,0.0002886458],"category_scores_gemma":[0.00010736366,0.00019681122,0.00018711176,0.0003165223,0.00022057022,0.0017581094,0.00023187585,0.00035398657,0.0003148011],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015797774,0.00016260392,0.0017983977,0.00010490208,0.000071759365,0.00026196364,0.0242644,0.00037814895,0.0101454165,0.9034482,0.054128375,0.005219997],"study_design_scores_gemma":[0.00044882298,0.00017295837,0.023135018,0.00020577155,0.0000098538085,0.00057344127,0.00046678717,0.0014066165,0.009103333,0.07084689,0.8931373,0.00049321924],"about_ca_topic_score_codex":0.0012873511,"about_ca_topic_score_gemma":0.0001374582,"teacher_disagreement_score":0.8390089,"about_ca_system_score_codex":0.000046222605,"about_ca_system_score_gemma":0.00014698273,"threshold_uncertainty_score":0.99926865},"labels":[],"label_agreement":null},{"id":"W2866340009","doi":"10.7202/1059829ar","title":"Réalisme et télévision","year":2019,"lang":"fr","type":"article","venue":"Captures","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.02847822946493478,"score_gpt":0.2803438515319685,"score_spread":0.2518656220670337,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2866340009","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07494585,0.18127194,0.000021911945,0.031813513,0.01053877,0.00025531967,0.000020674754,0.00007450066,0.7010575],"genre_scores_gemma":[0.7036385,0.00492638,0.00009454666,0.003039323,0.0011031538,0.000004590843,0.0000045923525,0.000014002597,0.28717494],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99859834,0.00022959374,0.00015384381,0.00024903333,0.0003724404,0.0003967449],"domain_scores_gemma":[0.99941695,0.00016862007,0.000071308095,0.00015258937,0.00007352609,0.000116999705],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00035770115,0.00015384895,0.00023665074,0.00002790521,0.00026754537,0.000082401995,0.00021658582,0.00022979251,0.0029640093],"category_scores_gemma":[0.00011044145,0.00014568465,0.00014843256,0.00024990013,0.0004715634,0.00019843527,0.00007777208,0.00022959396,0.0023800419],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000031790041,0.00003646846,0.00070987205,0.00002281923,0.000029956196,0.000005314053,0.035787698,0.000014362119,0.000033830143,0.6703419,0.2872183,0.0057962514],"study_design_scores_gemma":[0.00017378955,0.000045434084,0.0049400395,0.00005972184,0.000019734849,4.8382515e-7,0.004470975,0.00001971314,0.000016120694,0.02350336,0.9665579,0.00019269879],"about_ca_topic_score_codex":0.010780031,"about_ca_topic_score_gemma":0.0024052071,"teacher_disagreement_score":0.6793396,"about_ca_system_score_codex":0.00018595999,"about_ca_system_score_gemma":0.00010191662,"threshold_uncertainty_score":0.9983967},"labels":[],"label_agreement":null},{"id":"W2883638004","doi":"10.7202/1059796ar","title":"Volume 2 Numéro 1","year":2019,"lang":"fr","type":"article","venue":"Captures","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.014717596972327636,"score_gpt":0.23887948751887456,"score_spread":0.22416189054654692,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2883638004","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.018720506,0.04600461,0.000011168465,0.0039042064,0.009765396,0.00010049167,0.0001688635,0.000033784934,0.921291],"genre_scores_gemma":[0.44421515,0.00023309696,0.000018080475,0.00060766784,0.008456621,0.0000020640337,0.000027118316,0.000017613118,0.5464226],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990428,0.000029212817,0.00019555097,0.0002397845,0.00018004606,0.00031259807],"domain_scores_gemma":[0.999324,0.00003607216,0.00007655555,0.000318946,0.00014412068,0.0001002733],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000093179326,0.0001744431,0.00024042458,0.00006674243,0.00018215395,0.0003624019,0.00016829406,0.00009561452,0.10856334],"category_scores_gemma":[0.00004176131,0.00015639405,0.00021930458,0.000028735674,0.00022268463,0.00008579398,0.000046589215,0.00016441365,0.010105564],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000043640757,0.00005476187,0.0009941655,0.0000612079,0.00011086851,0.00001833928,0.0025923806,0.0000739692,0.0000066959483,0.72317636,0.272325,0.00058188627],"study_design_scores_gemma":[0.00015808953,0.000042649066,0.00022476247,0.00005328319,0.00017083396,0.0000020232121,0.0031216834,0.0008650107,0.000016417196,0.010810417,0.9843,0.00023479643],"about_ca_topic_score_codex":0.002694552,"about_ca_topic_score_gemma":0.0003415166,"teacher_disagreement_score":0.7123659,"about_ca_system_score_codex":0.000028802458,"about_ca_system_score_gemma":0.000053027605,"threshold_uncertainty_score":0.9906652},"labels":[],"label_agreement":null},{"id":"W2883933183","doi":"10.7202/1059772ar","title":"Quelques lignes « intra muros et extra »","year":2019,"lang":"fr","type":"article","venue":"Captures","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Geology","score_opus":0.030902540569734193,"score_gpt":0.27591849564760823,"score_spread":0.24501595507787405,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2883933183","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08692878,0.26861534,0.00002978238,0.017228156,0.009631499,0.0003844176,0.00003125773,0.00014065375,0.6170101],"genre_scores_gemma":[0.78101504,0.010025167,0.00018894878,0.0043100766,0.0017967805,0.00001653835,0.000005285864,0.000025062147,0.2026171],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99815905,0.00031538712,0.000231101,0.0003437345,0.00039347503,0.00055723736],"domain_scores_gemma":[0.9992418,0.00019886931,0.000103294624,0.00019367847,0.00010579608,0.00015650931],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00038691226,0.00023989704,0.00034888362,0.000041357565,0.00033714616,0.00015972515,0.0003097652,0.00030285996,0.0023485888],"category_scores_gemma":[0.00017596682,0.00022984912,0.00019155911,0.00027905352,0.0009052158,0.00030562212,0.00008146236,0.00030112924,0.0012256851],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005659534,0.000078535035,0.0013911113,0.00006213964,0.00007329759,0.0000133017475,0.05740522,0.000010522076,0.0001741254,0.7549941,0.1719322,0.013859812],"study_design_scores_gemma":[0.00018610749,0.00007658354,0.0063050063,0.00009075937,0.000036999038,0.0000011118992,0.0089689,0.00001333448,0.000119576594,0.0329615,0.9509146,0.0003255056],"about_ca_topic_score_codex":0.018566608,"about_ca_topic_score_gemma":0.005949043,"teacher_disagreement_score":0.7789824,"about_ca_system_score_codex":0.00019947937,"about_ca_system_score_gemma":0.0001584482,"threshold_uncertainty_score":0.99955195},"labels":[],"label_agreement":null},{"id":"W2883962965","doi":"10.7202/1059824ar","title":"“There Is No Cloud”","year":2019,"lang":"en","type":"article","venue":"Captures","topic":"Posthumanist Ethics and Activism","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Cloud computing; Computer science","score_opus":0.022332412263192776,"score_gpt":0.3050789351568385,"score_spread":0.2827465228936457,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2883962965","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2517181,0.00031766333,0.0000033605245,0.002683265,0.0008950895,0.0000863245,0.0000045257784,0.00004297694,0.7442487],"genre_scores_gemma":[0.93787456,0.000045427365,0.000018770048,0.0022065705,0.0004985801,0.0000017354331,8.4638674e-7,0.0000062546633,0.05934727],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99944913,0.00004034947,0.00004759448,0.000113596405,0.00018689112,0.00016243983],"domain_scores_gemma":[0.99969906,0.000050384344,0.000027101305,0.00012493605,0.000049007176,0.000049524453],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00020624924,0.00004869393,0.00006537476,0.000012672395,0.00016640616,0.0000623245,0.0001701254,0.00009205608,0.0034813215],"category_scores_gemma":[0.00004272336,0.000041349627,0.000042218635,0.00004288182,0.00009615106,0.00006341549,0.000019434052,0.0001314185,0.002367808],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000895144,0.000032851676,0.0025925091,0.000014664949,0.000019584028,0.000005838153,0.035577618,9.338291e-7,0.0016107841,0.8377692,0.120805085,0.0015619652],"study_design_scores_gemma":[0.00006715328,0.000012390594,0.0013281698,0.000008607193,0.0000023180783,1.6869036e-7,0.0011858365,0.000003445997,0.0002372786,0.020825315,0.9762502,0.00007914051],"about_ca_topic_score_codex":0.0013779089,"about_ca_topic_score_gemma":0.0002832155,"teacher_disagreement_score":0.8554451,"about_ca_system_score_codex":0.00002032659,"about_ca_system_score_gemma":0.00006724507,"threshold_uncertainty_score":0.998409},"labels":[],"label_agreement":null},{"id":"W2884202160","doi":"10.7202/1059828ar","title":"Regards queers sur l’architecture","year":2019,"lang":"fr","type":"article","venue":"Captures","topic":"Political and Social Issues","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Architecture; Geography; Archaeology","score_opus":0.015633140180941148,"score_gpt":0.28342628831955735,"score_spread":0.2677931481386162,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2884202160","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2651796,0.03341931,0.000018155144,0.06140621,0.0056806016,0.0002756844,0.000049575385,0.000112438414,0.6338584],"genre_scores_gemma":[0.61585355,0.00025591697,0.00005807291,0.0018824445,0.0015639783,0.0000021410826,0.0000038148037,0.000014618103,0.38036543],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980478,0.00029804325,0.00017462342,0.0002959893,0.00043571668,0.0007477975],"domain_scores_gemma":[0.9990941,0.0002321727,0.000052506417,0.00021122595,0.00008572348,0.0003242276],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002982126,0.00018824993,0.00029548488,0.000036492875,0.00020920271,0.000092795875,0.00032822823,0.00041026465,0.0034927232],"category_scores_gemma":[0.00024828574,0.00017145765,0.00020823507,0.00025132048,0.0008441504,0.00015171894,0.000057170364,0.0003862504,0.0018742906],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011428533,0.00006306883,0.0014220765,0.0000835915,0.000055081626,0.00001950366,0.029782515,0.000034935292,0.000113552334,0.9060756,0.045359913,0.016978744],"study_design_scores_gemma":[0.00015461363,0.000040452072,0.0020858028,0.0000681283,0.00002867659,0.000001336107,0.003433211,0.000010233819,0.00015720759,0.06546468,0.9283151,0.00024056432],"about_ca_topic_score_codex":0.014813559,"about_ca_topic_score_gemma":0.0020055,"teacher_disagreement_score":0.8829552,"about_ca_system_score_codex":0.00013631055,"about_ca_system_score_gemma":0.00020695211,"threshold_uncertainty_score":0.99890286},"labels":[],"label_agreement":null},{"id":"W2884381432","doi":"10.7202/1059768ar","title":"De lignes en lignes. Poétique de l’écrivain-flâneur","year":2019,"lang":"fr","type":"article","venue":"Captures","topic":"Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Biology","score_opus":0.008185145806735291,"score_gpt":0.22135217477534935,"score_spread":0.21316702896861406,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2884381432","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.097216755,0.18695265,0.00001392181,0.025453847,0.0049329214,0.0005039069,0.0002054589,0.00019516922,0.6845254],"genre_scores_gemma":[0.52927035,0.0009718218,0.00008491745,0.0062771305,0.0053134058,0.000029240653,0.00002145491,0.0000470141,0.45798466],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998168,0.00020206445,0.00028395763,0.00039298975,0.00019689229,0.0007561258],"domain_scores_gemma":[0.99906605,0.00016347544,0.000098362034,0.00034830725,0.00016448332,0.00015929517],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00025478998,0.0004158835,0.00041753193,0.00007374179,0.00040225353,0.00065397826,0.0003280921,0.00033856448,0.003107769],"category_scores_gemma":[0.00007412924,0.00033363124,0.00026925586,0.000056674988,0.00027675627,0.00027238883,0.00011393509,0.0005022932,0.00065087376],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029698658,0.00007552661,0.000656942,0.0003191056,0.00016281445,0.000072380266,0.13082115,0.000011754751,0.0008555232,0.5236005,0.34270084,0.00069376914],"study_design_scores_gemma":[0.0003013194,0.0001912828,0.0010097972,0.0002597867,0.00013945327,0.000063353786,0.01376773,0.000014594406,0.0009684459,0.014142464,0.968694,0.00044777532],"about_ca_topic_score_codex":0.00052566396,"about_ca_topic_score_gemma":0.0004937229,"teacher_disagreement_score":0.62599313,"about_ca_system_score_codex":0.00010679289,"about_ca_system_score_gemma":0.000121986384,"threshold_uncertainty_score":0.99991155},"labels":[],"label_agreement":null},{"id":"W2884398481","doi":"10.7202/1059807ar","title":"Volume 1 Numéro 2","year":2019,"lang":"fr","type":"article","venue":"Captures","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.1583190590039098,"score_gpt":0.28373039753647533,"score_spread":0.12541133853256553,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2884398481","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.059381984,0.038123105,0.0018386951,0.015253218,0.016198933,0.00027499726,0.00002246324,0.00015528288,0.86875135],"genre_scores_gemma":[0.48477462,0.0000431607,0.00039488854,0.0025913718,0.00057885575,0.0000012070687,0.0000042322954,0.000008715101,0.51160294],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987846,0.000031178606,0.00016593591,0.0003551505,0.00022549814,0.0004376439],"domain_scores_gemma":[0.9990539,0.000036966638,0.00006315773,0.0004903173,0.000113604176,0.00024205411],"candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00006234472,0.00019449714,0.00019167851,0.000034651177,0.000057812464,0.0014694618,0.00046122103,0.00013860255,0.0018374287],"category_scores_gemma":[0.00004195734,0.00014501049,0.00012730574,0.00021909043,0.00009379588,0.0023665626,0.00022314428,0.00017264616,0.009754217],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000041120993,0.00006251748,0.0004631426,0.000046927544,0.000022196387,0.00010321184,0.0024509246,0.00015990842,0.00077294116,0.39391893,0.5877518,0.014243377],"study_design_scores_gemma":[0.00018528121,0.00011355591,0.005901998,0.00007300822,0.000006170535,0.00015628804,0.00007360076,0.0037639688,0.0006602103,0.015343324,0.97345054,0.00027203356],"about_ca_topic_score_codex":0.00058328937,"about_ca_topic_score_gemma":0.000032494707,"teacher_disagreement_score":0.42539263,"about_ca_system_score_codex":0.000042351086,"about_ca_system_score_gemma":0.00007945506,"threshold_uncertainty_score":0.9995671},"labels":[],"label_agreement":null},{"id":"W2884454309","doi":"10.7202/1059825ar","title":"Photographies de l’Autre, des nôtres, des autres","year":2019,"lang":"fr","type":"article","venue":"Captures","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Philosophy; Humanities; Art","score_opus":0.02307253315815918,"score_gpt":0.2493057207146004,"score_spread":0.2262331875564412,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2884454309","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7487199,0.15412346,0.00000819558,0.00027630688,0.0014334094,0.00033372687,0.0003861822,0.00018641239,0.09453247],"genre_scores_gemma":[0.8688179,0.005449821,0.00015981923,0.0007128163,0.0011355649,0.000038485345,0.00004780161,0.000060704922,0.12357709],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99788505,0.00016184164,0.00031485464,0.0004491155,0.0002489304,0.00094018877],"domain_scores_gemma":[0.9989252,0.0001341556,0.00012367468,0.0003773415,0.00017596579,0.0002636559],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00020307265,0.0004871395,0.00041444754,0.00027538222,0.00096869835,0.00061867863,0.0003911554,0.00031581972,0.011909703],"category_scores_gemma":[0.000038010647,0.0004146787,0.00051544915,0.0002402019,0.002983345,0.0005290573,0.00008069415,0.00048032394,0.00035736946],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024404362,0.0008089261,0.035649005,0.0023675514,0.0008172927,0.00011075883,0.11894717,0.00007550013,0.0065667513,0.6316324,0.1959354,0.0068452456],"study_design_scores_gemma":[0.00056704937,0.0003404596,0.015768489,0.00071645156,0.00019054915,0.000041818173,0.01366326,0.000037783342,0.0056322943,0.037431218,0.9249549,0.00065571285],"about_ca_topic_score_codex":0.009579642,"about_ca_topic_score_gemma":0.008439873,"teacher_disagreement_score":0.7290195,"about_ca_system_score_codex":0.00005968638,"about_ca_system_score_gemma":0.00006542469,"threshold_uncertainty_score":0.9998305},"labels":[],"label_agreement":null},{"id":"W2884787314","doi":"10.7202/1059813ar","title":"Histoires de chasse","year":2019,"lang":"fr","type":"article","venue":"Captures","topic":"Culinary Culture and Tourism","field":"Agricultural and Biological Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Environmental science","score_opus":0.011912898013135248,"score_gpt":0.2072729649951223,"score_spread":0.19536006698198705,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2884787314","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8332177,0.071901925,0.0000021869107,0.043734897,0.0024458235,0.00018853944,0.000033851466,0.000062232866,0.04841284],"genre_scores_gemma":[0.62378293,0.00033365533,0.00006644758,0.0019376035,0.0019162258,0.0000043989485,0.000024609955,0.0000016753625,0.37193245],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99895984,0.00007237993,0.0001368499,0.00028085953,0.00013991824,0.00041012833],"domain_scores_gemma":[0.99959683,0.00007201688,0.000059408747,0.00008155252,0.000038296064,0.00015190011],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00011781288,0.00017179633,0.0001834289,0.000007893649,0.000121884754,0.00007082979,0.0002397251,0.0002598741,0.011871434],"category_scores_gemma":[0.000022866067,0.000072085895,0.00016396266,0.00014008541,0.00010642123,0.00012399467,0.00006048106,0.00020949257,0.002000478],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003710854,0.00020888304,0.013089644,0.00006152294,0.00004390101,0.00011651993,0.0010925545,0.000045640223,0.16502757,0.027533565,0.7354155,0.057327583],"study_design_scores_gemma":[0.0001199684,0.00018765287,0.0440847,0.000050019346,0.000022635339,0.00006172425,0.00038714448,0.00003456436,0.0013278573,0.004225606,0.94928116,0.00021698784],"about_ca_topic_score_codex":0.0011136982,"about_ca_topic_score_gemma":0.00023457172,"teacher_disagreement_score":0.32351962,"about_ca_system_score_codex":0.00006413155,"about_ca_system_score_gemma":0.000020461599,"threshold_uncertainty_score":0.99877656},"labels":[],"label_agreement":null},{"id":"W2884796250","doi":"10.7202/1059766ar","title":"Imaginaire de la ligne. Quand elle joue sur plusieurs tableaux","year":2019,"lang":"fr","type":"article","venue":"Captures","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.08439066355435793,"score_gpt":0.2871150218954283,"score_spread":0.2027243583410704,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2884796250","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2970611,0.13710439,0.002859558,0.014429478,0.0051236507,0.00044104696,0.000052570318,0.0002435855,0.5426846],"genre_scores_gemma":[0.8474472,0.0005998373,0.00056710036,0.0023049002,0.00037623278,0.0000030389401,0.0000052471055,0.000023397331,0.14867304],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982492,0.00012725228,0.00022281511,0.0004571376,0.00027518877,0.00066844607],"domain_scores_gemma":[0.9986235,0.0002185292,0.0001009953,0.0005227144,0.00016463053,0.00036963946],"candidate_categories":["scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0002169754,0.0003021856,0.00029354362,0.00006179827,0.00013212969,0.002310608,0.0005852517,0.00021285085,0.00029444534],"category_scores_gemma":[0.00013391761,0.00023144737,0.00015492862,0.0003009005,0.00026095108,0.0023931281,0.00029623028,0.0003149915,0.0006961784],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003300619,0.0003066339,0.0019190129,0.00026702555,0.00008190129,0.00074494845,0.017184697,0.0032194608,0.006931055,0.33028063,0.6021601,0.036871538],"study_design_scores_gemma":[0.0007841663,0.00019568464,0.012144872,0.00033714826,0.0000307105,0.0005865234,0.00031485522,0.012689639,0.0054430235,0.020775594,0.9460458,0.00065198186],"about_ca_topic_score_codex":0.0022318233,"about_ca_topic_score_gemma":0.00013015656,"teacher_disagreement_score":0.55038613,"about_ca_system_score_codex":0.00010401107,"about_ca_system_score_gemma":0.00033679674,"threshold_uncertainty_score":0.9987251},"labels":[],"label_agreement":null},{"id":"W2884855962","doi":"10.7202/1059797ar","title":"L’écrivain au cinéma, cet obscur objet du désir","year":2019,"lang":"fr","type":"article","venue":"Captures","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Geology","score_opus":0.12599154246231148,"score_gpt":0.27433685509440514,"score_spread":0.14834531263209366,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2884855962","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20387632,0.016349876,0.0016345647,0.03808796,0.012758724,0.0005345565,0.000055765246,0.00024144408,0.7264608],"genre_scores_gemma":[0.80341184,0.00011043927,0.0004985335,0.005527309,0.0011739263,0.0000040401274,0.000017495406,0.000022635984,0.1892338],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977609,0.00008368948,0.00032290863,0.0006176108,0.00039247802,0.0008224182],"domain_scores_gemma":[0.9982779,0.00014225043,0.00013008018,0.0008077877,0.00018407965,0.00045790954],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00017142067,0.0003852832,0.0003791672,0.000073656825,0.00014762391,0.0015525469,0.0008289306,0.00023928266,0.0006355589],"category_scores_gemma":[0.00015306142,0.00028323033,0.00023144847,0.0003717068,0.00018720105,0.0025896945,0.00044874614,0.00030100642,0.0029947974],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022940023,0.00025605148,0.0018070607,0.00017819212,0.00009317528,0.00047564428,0.024753593,0.0006045867,0.0025472548,0.6215184,0.33167505,0.016068105],"study_design_scores_gemma":[0.0005912814,0.00026582388,0.03387066,0.00019646545,0.000024123216,0.00036453563,0.00027690502,0.0054301266,0.001610353,0.010917231,0.94580483,0.0006476555],"about_ca_topic_score_codex":0.0023643353,"about_ca_topic_score_gemma":0.00021585227,"teacher_disagreement_score":0.6141298,"about_ca_system_score_codex":0.00013503319,"about_ca_system_score_gemma":0.00024084005,"threshold_uncertainty_score":0.999962},"labels":[],"label_agreement":null},{"id":"W2884961267","doi":"10.7202/1059812ar","title":"Les émissions culinaires narratives à la télévision française","year":2019,"lang":"fr","type":"article","venue":"Captures","topic":"Culinary Culture and Tourism","field":"Agricultural and Biological Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narrative; Humanities; Art; Philosophy; Linguistics","score_opus":0.017720365770966542,"score_gpt":0.25019092098938106,"score_spread":0.23247055521841453,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2884961267","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.82534224,0.056557614,0.000004834987,0.037000805,0.0014772654,0.00030641037,0.0000543853,0.00008927138,0.079167165],"genre_scores_gemma":[0.8387863,0.00063212303,0.00015917557,0.00039614158,0.0012329653,0.00000776742,0.000051927967,0.0000037483233,0.15872982],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983335,0.00025411858,0.00025337885,0.0004855723,0.00026740055,0.00040600973],"domain_scores_gemma":[0.99921954,0.00023129852,0.00010795594,0.00012858305,0.00008414228,0.00022845763],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00016318404,0.00031343405,0.00031140374,0.000017991837,0.00039311568,0.0001380024,0.00033878212,0.0004916923,0.015422937],"category_scores_gemma":[0.00005013482,0.00012632678,0.0002814181,0.00026634944,0.00025770007,0.00024417392,0.000131567,0.00041853604,0.0011564388],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012883254,0.0007041252,0.011133068,0.00014652846,0.000109940396,0.00022008564,0.016495617,0.0001216324,0.13511255,0.045138743,0.54856783,0.24212104],"study_design_scores_gemma":[0.0002165359,0.0002881342,0.0668138,0.0002462845,0.00002380138,0.000045658428,0.0039198655,0.000029549356,0.00081672956,0.0039640255,0.92329496,0.00034064008],"about_ca_topic_score_codex":0.001372779,"about_ca_topic_score_gemma":0.00034147414,"teacher_disagreement_score":0.37472716,"about_ca_system_score_codex":0.00002253077,"about_ca_system_score_gemma":0.00002194954,"threshold_uncertainty_score":0.9996213},"labels":[],"label_agreement":null},{"id":"W2886049315","doi":"10.7202/1055835ar","title":"La poésie lumineuse de Marie-Andrée Gill","year":2018,"lang":"fr","type":"article","venue":"Captures","topic":"French Literature and Critical Theory","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Forestry; Humanities; Art; Geography","score_opus":0.01390080613902269,"score_gpt":0.23826323835479601,"score_spread":0.22436243221577332,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2886049315","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009362761,0.07752187,0.0000833821,0.004446504,0.0031423012,0.00010298063,0.00021108356,0.00008590965,0.9050432],"genre_scores_gemma":[0.62000394,0.0002326446,0.00012473114,0.004699561,0.007851641,0.000009832255,0.00002052028,0.00003440441,0.36702275],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985752,0.00021851478,0.00022226111,0.00027725231,0.00015189173,0.00055486325],"domain_scores_gemma":[0.9988684,0.00037118222,0.000039149207,0.0003303959,0.00017189709,0.00021898627],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00028584257,0.0002526054,0.00023042037,0.000059231515,0.000385357,0.0005237501,0.00024523336,0.0002841215,0.014075684],"category_scores_gemma":[0.00025072583,0.00021913328,0.00016050656,0.00004412146,0.0025851063,0.00021179112,0.000070562746,0.00042169756,0.00072666886],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027056112,0.00008663853,0.000015120496,0.00008431284,0.000043108874,0.00011993691,0.009243597,2.16978e-7,0.00009167268,0.7198614,0.26500008,0.0054268525],"study_design_scores_gemma":[0.00022089029,0.0001639756,0.000082804516,0.00012330696,0.00008758717,0.000048476042,0.0011785366,0.000020284524,0.0004849424,0.1333236,0.8640074,0.00025816888],"about_ca_topic_score_codex":0.0003449492,"about_ca_topic_score_gemma":0.0001919658,"teacher_disagreement_score":0.6106411,"about_ca_system_score_codex":0.00004231471,"about_ca_system_score_gemma":0.00006913263,"threshold_uncertainty_score":0.9868256},"labels":[],"label_agreement":null},{"id":"W2886668033","doi":"10.7202/1059810ar","title":"Deux poètes font les courses","year":2019,"lang":"fr","type":"article","venue":"Captures","topic":"Education, sociology, and vocational training","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Font; Computer science; Artificial intelligence","score_opus":0.17222467671574299,"score_gpt":0.4434711632521092,"score_spread":0.27124648653636624,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2886668033","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.69793576,0.05232186,0.000039710772,0.052311417,0.01331974,0.00024394576,0.000024316125,0.00006772407,0.18373553],"genre_scores_gemma":[0.92469203,0.001593745,0.0006987177,0.0010661121,0.005208837,0.000013894222,0.000021691094,0.00001416562,0.06669078],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99863124,0.00038767856,0.00017039858,0.0002479721,0.00021344592,0.00034927414],"domain_scores_gemma":[0.9982168,0.0012671005,0.00010436441,0.00015288801,0.00015708395,0.00010176528],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009362533,0.0001359509,0.00017251223,0.000039121715,0.0003737615,0.000051172145,0.0002454701,0.00025776072,0.001925278],"category_scores_gemma":[0.0005003711,0.00013577528,0.000101399026,0.00015137355,0.0012901095,0.00016827787,0.000019275383,0.00020457755,0.0005692392],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000020101315,0.00008529233,0.08148671,0.00004464329,0.000056831876,6.5014575e-7,0.058792148,0.00004098397,0.000078172015,0.8096431,0.042174187,0.0075952904],"study_design_scores_gemma":[0.00015008078,0.000041508574,0.044753395,0.00008812489,0.000038756803,0.0000024878127,0.19441624,0.000015735604,0.000036553465,0.016822943,0.7434153,0.00021885031],"about_ca_topic_score_codex":0.0013811167,"about_ca_topic_score_gemma":0.00037911176,"teacher_disagreement_score":0.79282016,"about_ca_system_score_codex":0.00007287261,"about_ca_system_score_gemma":0.00031912373,"threshold_uncertainty_score":0.9989871},"labels":[],"label_agreement":null},{"id":"W2886907661","doi":"10.7202/1059802ar","title":"Kafka et le «kafkaïsme»","year":2019,"lang":"fr","type":"article","venue":"Captures","topic":"Franz Kafka Literary Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy","score_opus":0.011925170780798244,"score_gpt":0.20950927151551493,"score_spread":0.1975841007347167,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2886907661","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07079956,0.13740002,0.000007314274,0.02862065,0.008006479,0.00035942227,0.00024593063,0.00013042666,0.7544302],"genre_scores_gemma":[0.54825515,0.00035845395,0.00007972294,0.004027579,0.0012758074,0.000013694537,0.000028985864,0.00004409012,0.44591653],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984338,0.0001243699,0.00030353267,0.00040267032,0.00023493136,0.0005006806],"domain_scores_gemma":[0.9990691,0.00018304653,0.0001028223,0.00043444388,0.00011708761,0.00009347539],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00018051443,0.00034039837,0.00039763018,0.0000952032,0.000332415,0.00038772722,0.00026546215,0.00013767488,0.0093667945],"category_scores_gemma":[0.000032010874,0.00031312503,0.00021885986,0.000047113484,0.0005237683,0.00055737223,0.00014181183,0.00037086927,0.0042364197],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019939607,0.00010196008,0.00049338106,0.00018181438,0.0001220276,0.000020669886,0.019263878,0.0000400802,0.000029699468,0.75000817,0.22864309,0.0010752742],"study_design_scores_gemma":[0.0006574315,0.00012356842,0.0020911794,0.00017367449,0.000043126867,0.0000110076,0.0048831603,0.000047496083,0.000060533646,0.007015191,0.9844952,0.00039840152],"about_ca_topic_score_codex":0.0022190895,"about_ca_topic_score_gemma":0.00052880077,"teacher_disagreement_score":0.75585216,"about_ca_system_score_codex":0.000037585385,"about_ca_system_score_gemma":0.00008295764,"threshold_uncertainty_score":0.9999321},"labels":[],"label_agreement":null},{"id":"W2886976350","doi":"10.7202/1055831ar","title":"Volume 3 Numéro 1","year":2018,"lang":"fr","type":"article","venue":"Captures","topic":"Cultural Industries and Urban Development","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Political science; The arts; Art; Law","score_opus":0.044229607608495536,"score_gpt":0.2954681747027964,"score_spread":0.25123856709430087,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2886976350","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06445825,0.026298296,0.000059103157,0.17864215,0.026056373,0.00027866664,0.00003106758,0.00012321233,0.70405287],"genre_scores_gemma":[0.202686,0.00021945365,0.0001570168,0.0013612426,0.0077437363,0.000004054632,0.0000041184367,0.000008237505,0.78781617],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99886644,0.000073567375,0.00015737998,0.00021610969,0.00024808952,0.0004384152],"domain_scores_gemma":[0.999446,0.000023541144,0.000059181457,0.00012906702,0.00016074844,0.0001814692],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00017822464,0.00013329595,0.00013163355,0.000018157933,0.00050440955,0.00011839555,0.00023130992,0.0002491219,0.03647075],"category_scores_gemma":[0.00008783465,0.00011693482,0.000069421156,0.00031090036,0.001308518,0.00016253078,0.000060735376,0.0001677341,0.0035541155],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000003597832,0.00001818365,0.0010350408,0.0000045509846,0.000020334071,0.0000068204695,0.009031026,4.895143e-7,0.00001904212,0.013225968,0.9369869,0.03964801],"study_design_scores_gemma":[0.00007915808,0.00004608415,0.0030629355,0.000037122885,0.000013834935,0.0000036059073,0.005779133,0.00001511905,0.00018280883,0.0019540403,0.98863727,0.00018886873],"about_ca_topic_score_codex":0.004953998,"about_ca_topic_score_gemma":0.0025432508,"teacher_disagreement_score":0.1772809,"about_ca_system_score_codex":0.00015246228,"about_ca_system_score_gemma":0.00016443951,"threshold_uncertainty_score":0.9972217},"labels":[],"label_agreement":null},{"id":"W2887186862","doi":"10.7202/1059821ar","title":"Cecil the Lion's Networked Image","year":2019,"lang":"en","type":"article","venue":"Captures","topic":"Renaissance Literature and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer vision; Image (mathematics); Computer science; Artificial intelligence","score_opus":0.007487258045654138,"score_gpt":0.1795546695194406,"score_spread":0.17206741147378646,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2887186862","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06802876,0.0075975,0.0000038221388,0.0029542688,0.0019820184,0.0002379368,0.000015012543,0.000100703255,0.91907996],"genre_scores_gemma":[0.86092335,0.000015859652,0.000011764831,0.0029841308,0.0022380643,0.000010125265,0.000018018145,0.000011165296,0.13378751],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994899,0.000024998846,0.00008175882,0.00012842998,0.0001119596,0.00016296422],"domain_scores_gemma":[0.9996111,0.000025661648,0.000035903624,0.00024474514,0.0000567924,0.000025825415],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000056114488,0.000103023645,0.0000962209,0.000012730824,0.00018011767,0.00036076893,0.00019059498,0.00004053711,0.004748201],"category_scores_gemma":[0.000005469723,0.000049918348,0.000078848454,0.000024580597,0.0001169815,0.00015298786,0.0000215962,0.00017960664,0.0007186162],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009815666,0.000008291345,0.00004736946,0.000009482177,0.000016979848,0.0000032630842,0.021748556,0.000008026594,0.00029518874,0.23083861,0.74654824,0.00046618],"study_design_scores_gemma":[0.00010654142,0.000016642818,0.00023793729,0.000019039187,0.000009120639,0.0000023490143,0.0017959712,0.000012648436,0.00007973662,0.00269352,0.9949342,0.00009227107],"about_ca_topic_score_codex":0.000018072133,"about_ca_topic_score_gemma":0.000069333626,"teacher_disagreement_score":0.7928946,"about_ca_system_score_codex":0.0000049839477,"about_ca_system_score_gemma":0.000007910246,"threshold_uncertainty_score":0.9961616},"labels":[],"label_agreement":null},{"id":"W2895026285","doi":"10.7202/1055832ar","title":"La notion d’«autochtonie»","year":2018,"lang":"fr","type":"article","venue":"Captures","topic":"Agriculture and Rural Development Research","field":"Agricultural and Biological Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.022631360464923433,"score_gpt":0.26033021534454365,"score_spread":0.23769885487962022,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2895026285","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.40472767,0.043507002,0.00007956206,0.22665237,0.00479399,0.00074917544,0.000059483093,0.00025345193,0.3191773],"genre_scores_gemma":[0.80637896,0.00086944364,0.000119667704,0.000740521,0.0038112705,0.000011431876,0.00003678444,0.0000016103314,0.18803033],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984167,0.00022637856,0.00018467063,0.00034583578,0.00032782572,0.0004985617],"domain_scores_gemma":[0.99928135,0.00021687723,0.0000563506,0.00006284202,0.00019855183,0.00018401448],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00035479403,0.0001984953,0.0001621302,0.00001549544,0.00035608382,0.00016908177,0.0003115926,0.00039454235,0.00814984],"category_scores_gemma":[0.00010212788,0.000068735375,0.00011372839,0.00042881662,0.0005968786,0.00022298715,0.00013231691,0.0002977661,0.0046013673],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000039045706,0.00012701096,0.0013774092,0.00003413013,0.000043227614,0.000041363626,0.000795874,9.718732e-7,0.042921014,0.04347712,0.44218525,0.46895757],"study_design_scores_gemma":[0.00006381195,0.0002567664,0.246913,0.00013898431,0.000014836809,0.00004030746,0.00037536232,0.000014329956,0.004450503,0.0029967614,0.7445261,0.0002092583],"about_ca_topic_score_codex":0.00076100725,"about_ca_topic_score_gemma":0.00052146206,"teacher_disagreement_score":0.4687483,"about_ca_system_score_codex":0.000058409132,"about_ca_system_score_gemma":0.00003064196,"threshold_uncertainty_score":0.9961737},"labels":[],"label_agreement":null},{"id":"W2900729666","doi":"10.7202/1055839ar","title":"Être un artiste contemporain et être autochtone","year":2018,"lang":"fr","type":"article","venue":"Captures","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.03880091665827069,"score_gpt":0.26950568792493684,"score_spread":0.23070477126666616,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2900729666","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.25822496,0.046828706,0.000029831683,0.040974554,0.006334534,0.000493374,0.000781036,0.00026461759,0.6460684],"genre_scores_gemma":[0.49703482,0.00020207427,0.000055475815,0.0026113938,0.003287243,0.000010043679,0.000060302813,0.000026400057,0.49671227],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985311,0.0001414491,0.00033527162,0.00034397907,0.00022436777,0.0004238078],"domain_scores_gemma":[0.9991184,0.000055840344,0.00013831565,0.0003087789,0.00022137782,0.00015731367],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00021704203,0.0002941395,0.00032025107,0.000056340567,0.00079834095,0.0008180936,0.00023343977,0.00019472586,0.020310434],"category_scores_gemma":[0.00005792636,0.00026120344,0.00020333848,0.000051628074,0.0014419311,0.00052622973,0.0001022586,0.00033674395,0.002470535],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025047144,0.00009739433,0.000040144932,0.00009112797,0.00009622611,0.00011759376,0.050698947,7.058019e-7,0.00033165788,0.63434523,0.31272766,0.0014282495],"study_design_scores_gemma":[0.0004412386,0.00019188414,0.0011614916,0.00021975751,0.00008604989,0.00004019129,0.007233938,0.00003085642,0.00045561313,0.011788645,0.9779787,0.0003716231],"about_ca_topic_score_codex":0.008240446,"about_ca_topic_score_gemma":0.029213784,"teacher_disagreement_score":0.6652511,"about_ca_system_score_codex":0.000049195696,"about_ca_system_score_gemma":0.000054796616,"threshold_uncertainty_score":0.999984},"labels":[],"label_agreement":null},{"id":"W2901399078","doi":"10.7202/1055836ar","title":"Perspectives photographiques sur l’autochtonie (1984-2011)","year":2018,"lang":"fr","type":"article","venue":"Captures","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Portrait; Art; Humanities; Cartography; Geography; Art history","score_opus":0.03393544775394749,"score_gpt":0.2723498604598666,"score_spread":0.2384144127059191,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2901399078","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.33431965,0.3100826,0.00005652592,0.00540875,0.008051844,0.000951625,0.0011210529,0.00066710426,0.33934087],"genre_scores_gemma":[0.91547686,0.002697843,0.00006250474,0.0013387782,0.008646317,0.00004416539,0.000031463056,0.00006261172,0.07163945],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978613,0.0001527119,0.00032938167,0.0006213162,0.00030744929,0.0007278056],"domain_scores_gemma":[0.99840975,0.00008058129,0.0001579742,0.0004460691,0.0006670237,0.00023859728],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00020231365,0.0005071085,0.0004124102,0.00025258173,0.0010798672,0.000537412,0.0003969665,0.00034410597,0.0151106445],"category_scores_gemma":[0.000045300472,0.00043403715,0.0005239944,0.00013405917,0.0038945677,0.0005080599,0.000080975246,0.0005167018,0.0007225363],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000096963304,0.0004173054,0.00019313286,0.000114273076,0.00032650706,0.000027182728,0.13517894,3.4572113e-7,0.0012169011,0.63386977,0.22791937,0.0006393358],"study_design_scores_gemma":[0.00039071275,0.00066224183,0.0016974253,0.00018383525,0.0001689882,0.000021275533,0.028938213,0.000025797322,0.0054985383,0.014181509,0.94760054,0.00063093],"about_ca_topic_score_codex":0.005925832,"about_ca_topic_score_gemma":0.0034701398,"teacher_disagreement_score":0.71968114,"about_ca_system_score_codex":0.000047955342,"about_ca_system_score_gemma":0.00007302823,"threshold_uncertainty_score":0.9998111},"labels":[],"label_agreement":null},{"id":"W2901753807","doi":"10.7202/1055838ar","title":"Installation ou sculpture?","year":2018,"lang":"fr","type":"article","venue":"Captures","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sculpture; Art; Computer science; Visual arts","score_opus":0.05201808879850472,"score_gpt":0.2886916224142491,"score_spread":0.2366735336157444,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2901753807","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.015183569,0.1074358,0.00017810249,0.013749488,0.010939828,0.00017981853,0.0000146784805,0.00009103431,0.8522277],"genre_scores_gemma":[0.8283141,0.0014978261,0.00021607436,0.0014013126,0.008869584,0.0000057925176,0.0000041011845,0.00001329322,0.15967791],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99869597,0.00014616491,0.00016739323,0.0002357657,0.00033991103,0.00041477964],"domain_scores_gemma":[0.9994008,0.000064231404,0.00008122381,0.00012846073,0.00019509763,0.00013016615],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002436818,0.00015480499,0.00018167807,0.00003559209,0.00090823404,0.00008547256,0.0001846955,0.00026273925,0.0015566108],"category_scores_gemma":[0.00020502231,0.00015163016,0.00011773477,0.00039016744,0.00221377,0.00019894377,0.000052442294,0.0001572935,0.000890638],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000004249606,0.000033622167,0.000370786,0.000012293045,0.000048345093,0.000003602861,0.04862666,0.0000023051325,0.000019386393,0.6217393,0.30391136,0.025228057],"study_design_scores_gemma":[0.00012779601,0.00005510632,0.006758063,0.000034724264,0.000033019147,5.0834706e-7,0.0029038396,0.00002548743,0.000040376057,0.027432876,0.96240145,0.00018673984],"about_ca_topic_score_codex":0.0064001475,"about_ca_topic_score_gemma":0.015186209,"teacher_disagreement_score":0.81313056,"about_ca_system_score_codex":0.00024397502,"about_ca_system_score_gemma":0.000100021556,"threshold_uncertainty_score":0.9998873},"labels":[],"label_agreement":null},{"id":"W2904787053","doi":"10.7202/1055824ar","title":"Petit précis d’antipathie narratoriale","year":2018,"lang":"fr","type":"article","venue":"Captures","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.02834961030864762,"score_gpt":0.27557551723903106,"score_spread":0.24722590693038343,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2904787053","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013697936,0.03798127,0.00004051173,0.0045036217,0.025063213,0.00013021717,0.0002849866,0.00006878531,0.91822946],"genre_scores_gemma":[0.66000175,0.00036117597,0.000073739895,0.0007749725,0.08400821,0.000006599064,0.000027393315,0.00003474969,0.2547114],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986501,0.000057632125,0.0002902211,0.0003266357,0.00026118697,0.00041426826],"domain_scores_gemma":[0.9987928,0.00005484495,0.000121504476,0.00038390237,0.0004896718,0.00015722957],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00019577323,0.00023921601,0.00028458762,0.000095556716,0.0007745977,0.00050299027,0.00023199049,0.00014555237,0.031416122],"category_scores_gemma":[0.00021059146,0.00021362616,0.00022029641,0.0000597863,0.0012163464,0.00010111976,0.000065135,0.00018216496,0.0021876048],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013797818,0.0000825438,0.00007147534,0.00004071571,0.00013063414,0.000037337184,0.009362142,0.0000018670169,0.000019973751,0.6917438,0.29796368,0.0005320457],"study_design_scores_gemma":[0.00020818379,0.00012752776,0.000034113396,0.00008051,0.000315906,0.0000038216376,0.0032299776,0.00012022976,0.00025671427,0.022407182,0.97291857,0.00029725808],"about_ca_topic_score_codex":0.0027459387,"about_ca_topic_score_gemma":0.0023101093,"teacher_disagreement_score":0.6749549,"about_ca_system_score_codex":0.00003374548,"about_ca_system_score_gemma":0.00011617318,"threshold_uncertainty_score":0.99858934},"labels":[],"label_agreement":null},{"id":"W2912327021","doi":"10.7202/1055823ar","title":"La revanche de l’auteur","year":2018,"lang":"fr","type":"article","venue":"Captures","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Auteur theory; History","score_opus":0.22487508390478847,"score_gpt":0.3322797637061735,"score_spread":0.10740467980138504,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2912327021","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.022551429,0.037085097,0.016780013,0.0123579325,0.0035433979,0.00012321677,0.000019467405,0.00016893998,0.9073705],"genre_scores_gemma":[0.78977156,0.00020122604,0.0053722314,0.007144222,0.002078731,0.0000027556305,0.0000028385164,0.000015732756,0.19541071],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99889684,0.00009495883,0.0001394536,0.00027762822,0.0001523443,0.00043875197],"domain_scores_gemma":[0.9990824,0.00009199368,0.00005283626,0.0003603243,0.00013946852,0.00027301835],"candidate_categories":["scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00017313963,0.0001661366,0.00013390083,0.000030549425,0.00011455901,0.0012171554,0.00041316822,0.00016923435,0.00027372118],"category_scores_gemma":[0.00019422386,0.0001219497,0.000085792744,0.00021892508,0.00042912408,0.0012542735,0.00019726557,0.00018285509,0.000759738],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007943653,0.000061350074,0.000033073902,0.000032354135,0.000020178097,0.00027934145,0.0075138495,0.000009336134,0.00092736067,0.36512682,0.53163445,0.094353944],"study_design_scores_gemma":[0.00012489293,0.00011310746,0.0022298465,0.00009759802,0.000010784028,0.00055233395,0.00005701113,0.0010902795,0.0041754423,0.027825713,0.9635284,0.00019458841],"about_ca_topic_score_codex":0.0003250517,"about_ca_topic_score_gemma":0.00009752299,"teacher_disagreement_score":0.76722014,"about_ca_system_score_codex":0.00005390861,"about_ca_system_score_gemma":0.00013969639,"threshold_uncertainty_score":0.9998197},"labels":[],"label_agreement":null},{"id":"W2916608283","doi":"10.7202/1059818ar","title":"Volume 1 Numéro 1","year":2019,"lang":"fr","type":"article","venue":"Captures","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.021422689043973188,"score_gpt":0.240219730516924,"score_spread":0.21879704147295082,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2916608283","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.036343906,0.18675649,0.000013643601,0.010920988,0.02086444,0.00021275833,0.000018689523,0.00006653997,0.74480253],"genre_scores_gemma":[0.42340392,0.0015215111,0.000054612054,0.00088748935,0.0027320967,0.0000050974622,0.0000022106244,0.000011256902,0.5713818],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986493,0.0001331052,0.0001512949,0.00024787264,0.00032944581,0.0004889836],"domain_scores_gemma":[0.9994787,0.000083857645,0.0000666079,0.00015909623,0.000077499135,0.00013426246],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00021339128,0.00015458452,0.00024765957,0.000024314086,0.00032000747,0.00007388775,0.00024670252,0.00023409245,0.012574209],"category_scores_gemma":[0.00009500072,0.00015649012,0.00016098724,0.00027187698,0.0007120781,0.00016384311,0.00006118327,0.00020818062,0.0082474165],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000022851546,0.00003423759,0.004538977,0.00002487627,0.000044553206,0.000005422378,0.021634538,0.000008479332,0.000011534554,0.3048443,0.66283655,0.006014269],"study_design_scores_gemma":[0.00013471566,0.00003591433,0.0056863516,0.00003301736,0.000020120942,4.7924055e-7,0.006159659,0.000028070548,0.000007182192,0.013722736,0.9739682,0.00020357173],"about_ca_topic_score_codex":0.010023337,"about_ca_topic_score_gemma":0.0017226217,"teacher_disagreement_score":0.38706002,"about_ca_system_score_codex":0.00024336777,"about_ca_system_score_gemma":0.000101196965,"threshold_uncertainty_score":0.996569},"labels":[],"label_agreement":null},{"id":"W2916827131","doi":"10.7202/1055829ar","title":"La mort de François Paradis","year":2018,"lang":"fr","type":"article","venue":"Captures","topic":"Psychoanalysis and Psychopathology Research","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Philosophy","score_opus":0.02992899670143204,"score_gpt":0.42763682844550654,"score_spread":0.3977078317440745,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2916827131","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.27079713,0.055443645,0.0008649724,0.008694628,0.004044016,0.00018960485,0.00008696127,0.00006906487,0.65980995],"genre_scores_gemma":[0.7591687,0.00070523884,0.00032874855,0.002938412,0.0034607598,0.000050553586,0.000016110655,0.000059237103,0.23327224],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9957182,0.0017359873,0.00039021944,0.00074772525,0.00028005298,0.0011278067],"domain_scores_gemma":[0.997863,0.00037600324,0.000115297524,0.0010881701,0.00014336343,0.00041417702],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0018244076,0.00033426695,0.00045483475,0.00026091322,0.00023083427,0.00009469703,0.00066115544,0.0009543118,0.022924216],"category_scores_gemma":[0.00010062784,0.00032495265,0.0003284981,0.0005735648,0.0020303184,0.000074483214,0.0000625236,0.0009719879,0.007525367],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022705265,0.000508158,0.041694075,0.000041186027,0.0005751902,0.00064265204,0.011126703,0.0000025164336,0.0007684213,0.012538674,0.83243746,0.09943791],"study_design_scores_gemma":[0.0008385141,0.00024703538,0.1109481,0.00005441441,0.00016085451,0.0005846426,0.00070229976,0.00007125757,0.0001251983,0.005506017,0.8804547,0.00030693563],"about_ca_topic_score_codex":0.00062730984,"about_ca_topic_score_gemma":0.00023977213,"teacher_disagreement_score":0.48837155,"about_ca_system_score_codex":0.00007159209,"about_ca_system_score_gemma":0.00011839194,"threshold_uncertainty_score":0.99992025},"labels":[],"label_agreement":null},{"id":"W2917192627","doi":"10.7202/1055827ar","title":"La documentation historique","year":2018,"lang":"fr","type":"article","venue":"Captures","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Documentation; Computer science; Programming language","score_opus":0.026190120503975536,"score_gpt":0.26166137310588505,"score_spread":0.23547125260190951,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2917192627","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17921886,0.034229998,0.000033398694,0.010019544,0.009796818,0.00017317627,0.00007867198,0.00010115916,0.76634836],"genre_scores_gemma":[0.4361992,0.0003483285,0.000040245865,0.00065346976,0.0060326043,0.0000053537583,0.000016928698,0.000010744424,0.55669314],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99940336,0.00007135695,0.00012815079,0.00013766758,0.00010003679,0.0001594488],"domain_scores_gemma":[0.99965745,0.000028465978,0.000051178453,0.00010359034,0.00010661992,0.000052720785],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0000924885,0.000108771375,0.000097131706,0.000030835294,0.00042427494,0.00048763576,0.000091306996,0.000105786785,0.020614032],"category_scores_gemma":[0.000019342264,0.00010130628,0.000072199175,0.00001946023,0.0007913645,0.00047953374,0.00002577552,0.00014259497,0.0016326973],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000074160057,0.000028613795,0.0000128295915,0.000050069302,0.00001982887,0.00001289917,0.07624867,2.1487104e-7,0.00022517738,0.5979543,0.323021,0.0024190322],"study_design_scores_gemma":[0.00013394115,0.00006894786,0.0002663639,0.00006120371,0.000037835798,0.000010928726,0.005330739,0.000004135309,0.00029097294,0.007264389,0.98638904,0.00014150674],"about_ca_topic_score_codex":0.009405023,"about_ca_topic_score_gemma":0.011853384,"teacher_disagreement_score":0.66336805,"about_ca_system_score_codex":0.0001205303,"about_ca_system_score_gemma":0.000020875448,"threshold_uncertainty_score":0.9991447},"labels":[],"label_agreement":null},{"id":"W2919139985","doi":"10.7202/1055826ar","title":"Lire en mode conflictuel","year":2018,"lang":"fr","type":"article","venue":"Captures","topic":"Education, sociology, and vocational training","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Mode (computer interface); Computer science","score_opus":0.20379911466036646,"score_gpt":0.48662440734347934,"score_spread":0.28282529268311285,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2919139985","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.36589843,0.008567965,0.00030705545,0.116595834,0.031843945,0.00025102607,0.00005223201,0.00011980578,0.4763637],"genre_scores_gemma":[0.91121197,0.00043649875,0.0011903229,0.0022899318,0.026003186,0.000013351519,0.000016724121,0.000012594477,0.058825426],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987315,0.00040785747,0.0001523748,0.00022485285,0.00016836944,0.0003150798],"domain_scores_gemma":[0.998621,0.0008077108,0.0000737732,0.0001503109,0.00021942111,0.00012781564],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00097170484,0.00011504264,0.00012530816,0.000032471093,0.00051054877,0.000042966778,0.00025560937,0.00026585505,0.0012028932],"category_scores_gemma":[0.0008676057,0.00011957065,0.00006803283,0.0001604404,0.0035975715,0.00014000993,0.000019946168,0.0002038097,0.00046661746],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000011962065,0.00003773775,0.001732567,0.000010772317,0.000028850245,3.5665676e-7,0.17700267,0.0000030895355,0.00010020482,0.764508,0.052805927,0.0037686112],"study_design_scores_gemma":[0.00009374983,0.000034480392,0.008745732,0.000025629512,0.000025897125,0.000002510952,0.06914643,0.00006155309,0.00005132166,0.025432238,0.89622074,0.00015973179],"about_ca_topic_score_codex":0.0015037511,"about_ca_topic_score_gemma":0.00062385417,"teacher_disagreement_score":0.8434148,"about_ca_system_score_codex":0.000051195377,"about_ca_system_score_gemma":0.000332987,"threshold_uncertainty_score":0.99971014},"labels":[],"label_agreement":null},{"id":"W2936986149","doi":"10.7202/1055821ar","title":"Volume 3 Numéro 2","year":2018,"lang":"fr","type":"article","venue":"Captures","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.23868417076512488,"score_gpt":0.31556148626626207,"score_spread":0.07687731550113719,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2936986149","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013088923,0.025776286,0.012305858,0.021351544,0.017160032,0.00015971775,0.00002400511,0.00020054226,0.9099331],"genre_scores_gemma":[0.5701121,0.00004085182,0.0012524815,0.004698797,0.004198752,0.0000016457807,0.00000325222,0.000010804331,0.4196813],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99877137,0.000034049255,0.00017001484,0.0003439338,0.00020808767,0.0004725315],"domain_scores_gemma":[0.9989145,0.000026495647,0.00006152226,0.0004423089,0.0002579744,0.00029719865],"candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00006970733,0.00019295583,0.00015777009,0.000036022604,0.00016915835,0.001647849,0.00048218097,0.00013619669,0.0011765141],"category_scores_gemma":[0.00009862005,0.000143165,0.00010033467,0.00027603033,0.0004831228,0.0021039022,0.00024315508,0.00013121741,0.00459731],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000035147652,0.000045079858,0.00004754271,0.000011888945,0.000014907291,0.00008620926,0.003372259,0.000003902053,0.00035972425,0.23576759,0.73743886,0.022848515],"study_design_scores_gemma":[0.00012496834,0.00020667276,0.0029969993,0.000054823064,0.000007663673,0.00019905878,0.000053890002,0.002401767,0.002183922,0.028376266,0.96315,0.00024391648],"about_ca_topic_score_codex":0.0007764157,"about_ca_topic_score_gemma":0.00016316598,"teacher_disagreement_score":0.55702317,"about_ca_system_score_codex":0.000039010785,"about_ca_system_score_gemma":0.00008463798,"threshold_uncertainty_score":0.99973655},"labels":[],"label_agreement":null},{"id":"W2940715892","doi":"10.7202/1055841ar","title":"Identité liminaire dans 4.48 Psychose de Sarah Kane","year":2018,"lang":"fr","type":"article","venue":"Captures","topic":"Diverse Cultural and Historical Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.03564159558355689,"score_gpt":0.2997970622903941,"score_spread":0.2641554667068372,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2940715892","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19490685,0.0444712,0.000037019407,0.016621523,0.014393428,0.00018542491,0.000040129944,0.0001261118,0.7292183],"genre_scores_gemma":[0.71183115,0.0022862467,0.00015038157,0.001224069,0.004277937,0.000008258928,0.0000028701609,0.000010567298,0.2802085],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986054,0.00010577751,0.00016130084,0.00028622497,0.00031496646,0.00052634714],"domain_scores_gemma":[0.9993685,0.00003668753,0.00007800013,0.00013485114,0.00015232219,0.00022963369],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00017085284,0.00017834795,0.00020595657,0.000024440289,0.0011718416,0.000098037905,0.00035207655,0.00018940054,0.0016304724],"category_scores_gemma":[0.00013603421,0.0001490507,0.00015471589,0.00034094,0.0020312616,0.00022124269,0.00008627399,0.00015990628,0.0031323459],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002127225,0.0001392747,0.0017004239,0.000033254128,0.000077278215,0.000057726,0.09390222,8.49684e-7,0.00029918383,0.19006327,0.6978785,0.01582677],"study_design_scores_gemma":[0.000136063,0.000080780614,0.010878499,0.00005703748,0.0000856429,0.0000057923735,0.010423651,0.0000033749673,0.00009241891,0.005927734,0.97208464,0.00022435687],"about_ca_topic_score_codex":0.019083284,"about_ca_topic_score_gemma":0.01668112,"teacher_disagreement_score":0.5169243,"about_ca_system_score_codex":0.0003699672,"about_ca_system_score_gemma":0.00005118748,"threshold_uncertainty_score":0.9992822},"labels":[],"label_agreement":null},{"id":"W2940870623","doi":"10.7202/1055828ar","title":"Un « je » pour deux","year":2018,"lang":"fr","type":"article","venue":"Captures","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.21487160295079757,"score_gpt":0.31244631444792814,"score_spread":0.09757471149713057,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2940870623","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.072750196,0.03314979,0.015200892,0.037881553,0.007585438,0.00019898958,0.000024153122,0.00023611158,0.8329729],"genre_scores_gemma":[0.84953976,0.00005471843,0.0039500846,0.006282461,0.0022177452,0.0000016355523,0.0000028847119,0.000012443036,0.13793826],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99879086,0.000037473652,0.00017132596,0.00034206858,0.00019821458,0.0004600294],"domain_scores_gemma":[0.9989093,0.0000640352,0.0000664113,0.00042199006,0.00024635845,0.00029193604],"candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000067961046,0.0002039359,0.00015789627,0.00003754138,0.00016990532,0.0012503492,0.0004977633,0.00013321174,0.00056418794],"category_scores_gemma":[0.00013426143,0.00014561115,0.00010182791,0.00025261872,0.00032518164,0.0015094808,0.00025387865,0.0001320196,0.0024553312],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000056181316,0.000082892904,0.000047636542,0.0000143632815,0.000029404382,0.00016294805,0.0038733727,0.000006585192,0.0014525574,0.5485133,0.38702747,0.058783833],"study_design_scores_gemma":[0.00023931215,0.00018620968,0.004877951,0.0000749845,0.000015842472,0.0003374234,0.00006458883,0.0016120182,0.01644185,0.085158415,0.8906749,0.00031649755],"about_ca_topic_score_codex":0.00043335996,"about_ca_topic_score_gemma":0.00013136129,"teacher_disagreement_score":0.77678955,"about_ca_system_score_codex":0.00003420308,"about_ca_system_score_gemma":0.0000989667,"threshold_uncertainty_score":0.99978644},"labels":[],"label_agreement":null},{"id":"W2940880189","doi":"10.7202/1055830ar","title":"Présence cinématographique du passé dans le temps présent","year":2018,"lang":"fr","type":"article","venue":"Captures","topic":"Military, Security, and Education Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.02308897248744666,"score_gpt":0.296820404860815,"score_spread":0.27373143237336833,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2940880189","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.34330136,0.09683284,0.00048284724,0.1751887,0.02712215,0.00073390873,0.000055897468,0.00022843474,0.35605386],"genre_scores_gemma":[0.96271634,0.006280049,0.00021947746,0.0017023187,0.008233172,0.00004893957,0.0000060306425,0.000019906922,0.020773752],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99784243,0.0003868914,0.0003188693,0.00045527171,0.0003933344,0.0006032036],"domain_scores_gemma":[0.99875844,0.00017142766,0.0001190385,0.0003351358,0.00035929732,0.00025665076],"candidate_categories":["sts"],"consensus_categories":["sts"],"category_scores_codex":[0.00056550896,0.0002474995,0.00027547774,0.00009129101,0.0016258856,0.00007633637,0.00039891034,0.00021305581,0.0006919397],"category_scores_gemma":[0.00028286205,0.00023697049,0.0001653831,0.00061321503,0.0036807414,0.0002492101,0.000101796526,0.0002006081,0.0003212094],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000062173167,0.00019749303,0.021026311,0.000053798612,0.000056922116,0.000004523877,0.16378394,0.0000013000359,0.000058685935,0.28823876,0.5260663,0.0005057639],"study_design_scores_gemma":[0.00013503159,0.00007334085,0.027392918,0.00008052768,0.000042508294,0.0000068749105,0.08292742,0.000012833205,0.0003633004,0.022359682,0.86630845,0.0002971021],"about_ca_topic_score_codex":0.037551753,"about_ca_topic_score_gemma":0.032149404,"teacher_disagreement_score":0.619415,"about_ca_system_score_codex":0.000090829635,"about_ca_system_score_gemma":0.00035202302,"threshold_uncertainty_score":0.99967384},"labels":[],"label_agreement":null},{"id":"W2940950291","doi":"10.7202/1055833ar","title":"Le ré-ensauvagement par l’art","year":2018,"lang":"fr","type":"article","venue":"Captures","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Art history","score_opus":0.011662162871661922,"score_gpt":0.22614912188221264,"score_spread":0.21448695901055073,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2940950291","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0060136523,0.016662722,0.000045086483,0.038109325,0.0075002513,0.00013585019,0.000034161963,0.000047291534,0.9314517],"genre_scores_gemma":[0.29649907,0.0005965551,0.00009048072,0.0040608905,0.0036560707,0.0000069640832,0.000004935905,0.000013855556,0.69507116],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99894077,0.0001025013,0.00013114719,0.00021572456,0.00023565363,0.00037421883],"domain_scores_gemma":[0.99942446,0.000022103479,0.00005528315,0.00019366133,0.00007563943,0.00022887337],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":["sts","insufficient_payload"],"category_scores_codex":[0.00023612358,0.000087467204,0.000120744735,0.00013595374,0.0013146203,0.00028964021,0.00023170999,0.00014222474,0.00820808],"category_scores_gemma":[0.000055984285,0.00012574355,0.00009142754,0.00023368672,0.0030754572,0.00018079417,0.000036041347,0.00012540683,0.0067080595],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000002292297,0.000026491403,0.000030549316,0.0000116198535,0.00001595211,0.000014105512,0.007216598,7.718627e-7,0.000027544918,0.26223627,0.72510594,0.005311881],"study_design_scores_gemma":[0.00010798641,0.000036574733,0.0012585782,0.000025137186,0.00002831551,0.0000015007587,0.0012756009,0.0000034625525,0.000029817615,0.0032699278,0.99380934,0.00015375382],"about_ca_topic_score_codex":0.38189772,"about_ca_topic_score_gemma":0.92614233,"teacher_disagreement_score":0.5442446,"about_ca_system_score_codex":0.0003826376,"about_ca_system_score_gemma":0.00093064224,"threshold_uncertainty_score":0.9999855},"labels":[],"label_agreement":null},{"id":"W2941043882","doi":"10.7202/1055840ar","title":"De la poésie à l'écran","year":2018,"lang":"fr","type":"article","venue":"Captures","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.019038414681252044,"score_gpt":0.24251854842027634,"score_spread":0.2234801337390243,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2941043882","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11136134,0.22276111,0.0006978927,0.014100838,0.0065103555,0.00012449747,0.00014977183,0.00004070137,0.6442535],"genre_scores_gemma":[0.82022804,0.00493659,0.00095392385,0.0022011548,0.0034804386,0.000014291876,0.0000053024723,0.000030100213,0.16815017],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990194,0.000026009486,0.00026107766,0.00026913718,0.000022543505,0.00040185155],"domain_scores_gemma":[0.99937403,0.00014406319,0.000112273956,0.00023564519,0.000032248772,0.00010173446],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00035732938,0.00014564436,0.00030003834,0.00009543815,0.00013061141,0.00007819651,0.0001532518,0.00020031858,0.0020857048],"category_scores_gemma":[0.00037965315,0.00017665992,0.000115088296,0.00013230741,0.0006488473,0.00007410005,0.0000633521,0.00017767008,0.0015522452],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015104723,0.0000901788,0.04299731,0.00007659152,0.00012174547,0.000034298708,0.006745309,0.000005121329,0.00004792828,0.36091316,0.5754616,0.013491604],"study_design_scores_gemma":[0.0003460582,0.00007372935,0.053285517,0.000041832554,0.00001811114,0.000023899518,0.0003859423,0.00011074049,0.00018701851,0.031352837,0.9139788,0.00019549785],"about_ca_topic_score_codex":0.00044517353,"about_ca_topic_score_gemma":0.00011658568,"teacher_disagreement_score":0.7088667,"about_ca_system_score_codex":0.00007622571,"about_ca_system_score_gemma":0.000031350504,"threshold_uncertainty_score":0.99922514},"labels":[],"label_agreement":null},{"id":"W2941094915","doi":"10.7202/1055825ar","title":"Automythomanies littéraires","year":2018,"lang":"fr","type":"article","venue":"Captures","topic":"French Literature and Critical Theory","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.016366502589431915,"score_gpt":0.23723199692906013,"score_spread":0.2208654943396282,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2941094915","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005714758,0.19166544,0.000032538752,0.009197973,0.008175998,0.00010766918,0.00016684363,0.00016338563,0.7847754],"genre_scores_gemma":[0.47910762,0.00016664795,0.00013998515,0.0040357322,0.019902268,0.000010461302,0.000015263022,0.000032814383,0.4965892],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99853706,0.00011672699,0.0002500842,0.0003086362,0.00018663018,0.0006008732],"domain_scores_gemma":[0.9990595,0.00013959531,0.00004197767,0.0003299625,0.0002467919,0.00018217461],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00017998554,0.00026667994,0.00024023111,0.00007457336,0.0006140689,0.00061994034,0.00023903813,0.00018866148,0.015357943],"category_scores_gemma":[0.00011359394,0.00022615654,0.00016653008,0.00005181813,0.0035795802,0.00030151097,0.00006722912,0.00028227086,0.0020223185],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013609885,0.000058232632,0.0000047168123,0.00008300455,0.000042349453,0.000031967098,0.011102132,1.3599572e-7,0.00003029663,0.6800459,0.30148885,0.007098809],"study_design_scores_gemma":[0.00013180768,0.00024074859,0.00011873455,0.00019872199,0.00006235872,0.000020275136,0.0016086838,0.000030199528,0.0004701943,0.14803785,0.84881264,0.0002678095],"about_ca_topic_score_codex":0.00023667903,"about_ca_topic_score_gemma":0.00026979687,"teacher_disagreement_score":0.54732376,"about_ca_system_score_codex":0.000034545446,"about_ca_system_score_gemma":0.000053780328,"threshold_uncertainty_score":0.9991321},"labels":[],"label_agreement":null},{"id":"W2941148353","doi":"10.7202/1055837ar","title":"Art contemporain autochtone","year":2018,"lang":"fr","type":"article","venue":"Captures","topic":"Indigenous Studies and Ecology","field":"Health Professions","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Art history; The arts; Visual arts","score_opus":0.0508828072639594,"score_gpt":0.3792807482865401,"score_spread":0.32839794102258074,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2941148353","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0280677,0.021239258,0.00031328594,0.09891088,0.023944136,0.0014251776,0.00012944236,0.00013786809,0.82583225],"genre_scores_gemma":[0.35846177,0.00040417947,0.00040630213,0.02102513,0.007855776,0.00009415425,0.000027927757,0.00004809547,0.6116767],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99703383,0.00050162256,0.00044334246,0.00032589585,0.00012565048,0.0015696504],"domain_scores_gemma":[0.9985332,0.00033816375,0.00018533583,0.0003574625,0.0003994042,0.00018642913],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0009351471,0.00022271468,0.00040963743,0.00006142617,0.0035171423,0.000012140765,0.00018819104,0.00067295885,0.014394275],"category_scores_gemma":[0.00040361242,0.00020467637,0.00009668652,0.00013425885,0.0007468423,0.00006177199,0.0002523302,0.00070917915,0.02621894],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000046652123,0.000084597006,0.001326695,0.00015211439,0.00009807183,0.000039139486,0.08898941,6.211117e-7,0.000038747778,0.04460005,0.86352205,0.0011018422],"study_design_scores_gemma":[0.0005363215,0.00043043922,0.0052568936,0.00011793275,0.000042707674,0.000011357728,0.025860948,0.000036817542,0.000025932099,0.0022296854,0.96523976,0.00021121533],"about_ca_topic_score_codex":0.0040519186,"about_ca_topic_score_gemma":0.05333997,"teacher_disagreement_score":0.33039406,"about_ca_system_score_codex":0.00026183898,"about_ca_system_score_gemma":0.00048663883,"threshold_uncertainty_score":0.99778014},"labels":[],"label_agreement":null},{"id":"W2941375693","doi":"10.7202/1055822ar","title":"Littérature suspecte","year":2018,"lang":"fr","type":"article","venue":"Captures","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.20236475364082687,"score_gpt":0.3108428466746036,"score_spread":0.10847809303377673,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2941375693","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.006795188,0.09219673,0.0032908816,0.03856908,0.009699521,0.00017996061,0.000027107328,0.00023008978,0.8490114],"genre_scores_gemma":[0.606694,0.00023023791,0.0018154604,0.009302476,0.0057368176,0.0000022069125,0.0000073078627,0.000018271188,0.37619323],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986464,0.00004287099,0.00017119602,0.00039956736,0.00022639593,0.0005135899],"domain_scores_gemma":[0.99874926,0.000037662645,0.00006710867,0.00050195906,0.00032890603,0.0003150872],"candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000067850604,0.00023355617,0.00017847924,0.000042556167,0.00018835402,0.002018784,0.0005083008,0.00020452224,0.0003960182],"category_scores_gemma":[0.000104599545,0.00016443575,0.000114027614,0.0005133572,0.00047633253,0.001881904,0.0002405611,0.00022489628,0.0014499606],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000049753853,0.00003852223,0.000008089371,0.000012930103,0.000017000997,0.00013094427,0.0026392716,0.0000032106889,0.0007687466,0.5259013,0.45805737,0.012417651],"study_design_scores_gemma":[0.00014852804,0.00022098901,0.0017599697,0.00008564014,0.000011546898,0.00029359251,0.000057521396,0.000692656,0.0056115785,0.03971203,0.9511301,0.00027583426],"about_ca_topic_score_codex":0.0003377021,"about_ca_topic_score_gemma":0.00027625007,"teacher_disagreement_score":0.5998988,"about_ca_system_score_codex":0.000042580465,"about_ca_system_score_gemma":0.000095447074,"threshold_uncertainty_score":0.99932754},"labels":[],"label_agreement":null},{"id":"W2941955046","doi":"10.7202/1055834ar","title":"Langue française ou langue autochtone?","year":2018,"lang":"fr","type":"article","venue":"Captures","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":8,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.03275166871960283,"score_gpt":0.2822342650373395,"score_spread":0.24948259631773667,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2941955046","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0076523693,0.04045637,0.00006150491,0.006505229,0.0044112164,0.00011460428,0.0004285496,0.000095071446,0.9402751],"genre_scores_gemma":[0.6963239,0.00016368934,0.00007833308,0.0014018838,0.0272795,0.000007966958,0.00007221961,0.00003776302,0.27463478],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987384,0.00004434268,0.00025605885,0.00030757906,0.00023160355,0.00042202917],"domain_scores_gemma":[0.99898356,0.00005631872,0.0000996164,0.0003981669,0.00029785096,0.00016449843],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00013012669,0.0002507662,0.00028646804,0.00010960428,0.0005019712,0.00027339236,0.00023875595,0.00015147142,0.041957017],"category_scores_gemma":[0.00011587399,0.00021611682,0.00022325052,0.000054766286,0.00086659746,0.00008117106,0.00006693126,0.00019657431,0.002814396],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007898818,0.000078366684,0.000070899994,0.000039179125,0.0001368929,0.000059474423,0.008165432,0.000005399406,0.000020351254,0.64800334,0.3422287,0.0011840416],"study_design_scores_gemma":[0.0002281339,0.000077103745,0.00033518288,0.00008204956,0.00035528967,0.0000045284896,0.0022620766,0.00036536605,0.00016812056,0.0051591885,0.9906516,0.00031134233],"about_ca_topic_score_codex":0.027786635,"about_ca_topic_score_gemma":0.013356288,"teacher_disagreement_score":0.68867147,"about_ca_system_score_codex":0.00002102245,"about_ca_system_score_gemma":0.000054875793,"threshold_uncertainty_score":0.99796206},"labels":[],"label_agreement":null},{"id":"W2945303759","doi":"10.7202/1059826ar","title":"Les images ont chaud!","year":2019,"lang":"fr","type":"article","venue":"Captures","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.22560380084178522,"score_gpt":0.3126188588189261,"score_spread":0.08701505797714087,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2945303759","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08839655,0.07567022,0.0017589972,0.012661952,0.005684341,0.00031104044,0.000033509983,0.00016450023,0.8153189],"genre_scores_gemma":[0.6843179,0.00012047863,0.00053559965,0.0014859968,0.00033661164,0.0000018133984,0.0000044779126,0.000010097173,0.31318703],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987721,0.0000357602,0.00017210974,0.00036941742,0.00022759692,0.0004230024],"domain_scores_gemma":[0.99908453,0.00006138015,0.00007396086,0.00044914597,0.0001216793,0.0002093062],"candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00006801235,0.00022101674,0.00021047592,0.000041378004,0.00008271838,0.0013816709,0.00044731513,0.00013369271,0.0006780991],"category_scores_gemma":[0.000042812437,0.00015501489,0.000133206,0.00015983797,0.00012122508,0.0018616276,0.00023514885,0.00018797474,0.0018781675],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000896615,0.00012657515,0.0004079293,0.00011021069,0.00004557382,0.00018970628,0.005027094,0.00023095703,0.0055405293,0.67988753,0.20185657,0.106568374],"study_design_scores_gemma":[0.00028927697,0.00017796132,0.018470736,0.00016220013,0.0000130000535,0.00018439096,0.00017491664,0.0009349707,0.008031164,0.011230666,0.95991606,0.00041468398],"about_ca_topic_score_codex":0.0030680515,"about_ca_topic_score_gemma":0.00012015662,"teacher_disagreement_score":0.75805944,"about_ca_system_score_codex":0.000050291786,"about_ca_system_score_gemma":0.0000571418,"threshold_uncertainty_score":0.999655},"labels":[],"label_agreement":null},{"id":"W2945349971","doi":"10.7202/1059765ar","title":"Volume 2 Numéro 2","year":2019,"lang":"fr","type":"article","venue":"Captures","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.006068422584653539,"score_gpt":0.20574108941116587,"score_spread":0.19967266682651233,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2945349971","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.057014544,0.06495863,0.0000053333215,0.015261671,0.0220846,0.00015952758,0.00004921672,0.000042396845,0.84042406],"genre_scores_gemma":[0.13602456,0.0005836047,0.000020944073,0.0011290174,0.0016680929,0.0000020302398,0.000003319843,0.000009979893,0.86055845],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991255,0.000076781325,0.000098883254,0.00018089976,0.00020743803,0.00031049366],"domain_scores_gemma":[0.9995297,0.000024830988,0.000044860994,0.0001745804,0.000038411494,0.00018757762],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00014469515,0.00007299449,0.00012382839,0.00012583117,0.0003329944,0.00026392686,0.00020992909,0.0001794571,0.058174297],"category_scores_gemma":[0.00003635035,0.00010608665,0.000106491774,0.00021644181,0.00073513726,0.00020859885,0.000020656185,0.00016909096,0.024890952],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000018529494,0.00001573934,0.0007477938,0.000031301035,0.000012022746,0.000013559029,0.009254795,0.000010657679,0.000019471758,0.111736245,0.8687523,0.009404236],"study_design_scores_gemma":[0.000082403945,0.000015061705,0.002592166,0.000024556086,0.000014208182,0.0000020046941,0.0017229202,0.000013675321,0.0000014565813,0.0020690607,0.9933228,0.00013969597],"about_ca_topic_score_codex":0.5374108,"about_ca_topic_score_gemma":0.6593294,"teacher_disagreement_score":0.12457046,"about_ca_system_score_codex":0.00061849627,"about_ca_system_score_gemma":0.00053481624,"threshold_uncertainty_score":0.9758683},"labels":[],"label_agreement":null},{"id":"W2945382809","doi":"10.7202/1059771ar","title":"M. Caravan ou l’homme-pendule","year":2019,"lang":"fr","type":"article","venue":"Captures","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.024709969478901264,"score_gpt":0.26034948500102173,"score_spread":0.23563951552212048,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2945382809","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02702815,0.05322985,0.0000064259775,0.004915128,0.0061591547,0.00014029889,0.00024009951,0.000039060465,0.9082418],"genre_scores_gemma":[0.60396975,0.00033851154,0.000018783245,0.0007773671,0.004799611,0.0000029828386,0.00004756002,0.000024594006,0.39002082],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99876374,0.00004365119,0.00025065412,0.00031110214,0.00022985975,0.0004009709],"domain_scores_gemma":[0.99910975,0.000060788476,0.000101676946,0.00042736923,0.00016398904,0.00013644737],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00012247748,0.00023528664,0.00031596472,0.00009106895,0.00024118905,0.0004027374,0.00022574698,0.00011938967,0.040649515],"category_scores_gemma":[0.000044099124,0.00020890478,0.00026380728,0.000035162688,0.00023680081,0.00009922735,0.00006169131,0.00022548837,0.0054233735],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000071646036,0.0000821254,0.00047717764,0.00007976772,0.00016857177,0.000037872862,0.0034711903,0.000085648215,0.000017602377,0.8831743,0.11148153,0.00091705867],"study_design_scores_gemma":[0.000253166,0.0000588591,0.00021659037,0.00006890348,0.0002787477,0.0000036205652,0.0033863666,0.00033263984,0.00008628871,0.010301897,0.98470294,0.00030999377],"about_ca_topic_score_codex":0.0051221624,"about_ca_topic_score_gemma":0.0011104754,"teacher_disagreement_score":0.8732214,"about_ca_system_score_codex":0.000036412548,"about_ca_system_score_gemma":0.00006254909,"threshold_uncertainty_score":0.995351},"labels":[],"label_agreement":null},{"id":"W2945393874","doi":"10.7202/1059811ar","title":"Dîners imaginaires et repas fantasmes","year":2019,"lang":"fr","type":"article","venue":"Captures","topic":"Culinary Culture and Tourism","field":"Agricultural and Biological Sciences","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Narrative; Literature","score_opus":0.01214791268102992,"score_gpt":0.23678149549085664,"score_spread":0.22463358280982673,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2945393874","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.71453094,0.05041854,0.0000012426343,0.11006777,0.0032857636,0.00031827053,0.00008531598,0.000115984316,0.12117619],"genre_scores_gemma":[0.74915814,0.0010616103,0.0001159813,0.004746352,0.0013455765,0.0000070235765,0.00009113099,0.0000034478767,0.24347074],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99848914,0.00013719,0.00021375563,0.00047397945,0.0002348923,0.0004510187],"domain_scores_gemma":[0.99942744,0.00011714551,0.000097439086,0.0001336761,0.000067383524,0.00015694398],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0001870141,0.00026822524,0.00027457363,0.0000135947475,0.00012383552,0.00016248102,0.0003127974,0.00024217594,0.007819513],"category_scores_gemma":[0.00003522818,0.00011090277,0.00024525562,0.00022264587,0.00018588589,0.00031018764,0.00011633022,0.00030752047,0.0022035409],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005261416,0.00018162192,0.010489712,0.00006907572,0.000079331476,0.00016966872,0.0014288605,0.000043925018,0.035082497,0.047548383,0.8635232,0.04133113],"study_design_scores_gemma":[0.00017542683,0.00023724687,0.07612111,0.00009061205,0.000036458357,0.00008674249,0.0009023237,0.00002683513,0.0011119605,0.0060867374,0.91478294,0.00034163307],"about_ca_topic_score_codex":0.001586605,"about_ca_topic_score_gemma":0.00034713084,"teacher_disagreement_score":0.12229455,"about_ca_system_score_codex":0.0000304075,"about_ca_system_score_gemma":0.000023708953,"threshold_uncertainty_score":0.99857336},"labels":[],"label_agreement":null},{"id":"W2945452895","doi":"10.7202/1059801ar","title":"Écrire pour soi, rien que pour soi?","year":2019,"lang":"fr","type":"article","venue":"Captures","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.020403691243836907,"score_gpt":0.2547471370866928,"score_spread":0.23434344584285588,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2945452895","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08643996,0.029432332,0.00004228116,0.012323395,0.0045475354,0.00021380733,0.0003577543,0.000071864546,0.86657107],"genre_scores_gemma":[0.547089,0.0002710461,0.000050362654,0.0011772682,0.0066723404,0.000004136031,0.000042710013,0.000035673915,0.44465744],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998354,0.00006970308,0.00034321976,0.00042062992,0.00028202383,0.0005304031],"domain_scores_gemma":[0.99875957,0.00011527325,0.00015974086,0.00048857153,0.0002954419,0.00018137957],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00016873734,0.00033327044,0.00042597498,0.00012346068,0.0003513542,0.0005189967,0.00030969505,0.00018242431,0.030762278],"category_scores_gemma":[0.00011588257,0.00028730527,0.00038011523,0.00004451097,0.00025354908,0.00013004865,0.00009589847,0.00030147386,0.005517893],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012744995,0.000104378785,0.00082857156,0.00011818344,0.00024656908,0.000061328705,0.005068833,0.00023056162,0.000064050844,0.8204132,0.17190926,0.0009423223],"study_design_scores_gemma":[0.00044065336,0.000050147177,0.00032211904,0.00014696756,0.0004192753,0.000006239241,0.009878799,0.0016406442,0.00015942064,0.02398523,0.9624878,0.00046270993],"about_ca_topic_score_codex":0.0054560844,"about_ca_topic_score_gemma":0.0012125327,"teacher_disagreement_score":0.79642797,"about_ca_system_score_codex":0.000058749396,"about_ca_system_score_gemma":0.00025479446,"threshold_uncertainty_score":0.9999579},"labels":[],"label_agreement":null},{"id":"W2945474425","doi":"10.7202/1059805ar","title":"La poésie déambulée : Agnès Varda et Yannick Bellon filment Baudelaire","year":2019,"lang":"fr","type":"article","venue":"Captures","topic":"Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.010237749609409185,"score_gpt":0.2316991482110846,"score_spread":0.2214613986016754,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2945474425","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.012028684,0.14952634,0.0000022955717,0.02292685,0.0050005335,0.0003870959,0.00032500835,0.00009912231,0.80970407],"genre_scores_gemma":[0.4152316,0.0013289351,0.000040427167,0.0045282827,0.002333598,0.000027164846,0.00010349198,0.000045704157,0.5763608],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99805164,0.00022132279,0.00034610683,0.00049308967,0.00034214792,0.0005457079],"domain_scores_gemma":[0.9989822,0.0001459124,0.00013356657,0.00043313846,0.00017698563,0.00012822812],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00025718447,0.000476922,0.00047217304,0.00006055234,0.00043242966,0.00062681205,0.00027240897,0.00030621662,0.0075970143],"category_scores_gemma":[0.000025446381,0.00036593908,0.00032142087,0.000059156853,0.0003935715,0.0003718964,0.00017223648,0.00066524785,0.0019474284],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003551217,0.00010379853,0.0000732854,0.00026659158,0.0002718047,0.000068938374,0.07182398,0.00001976297,0.000053723026,0.4768198,0.44747233,0.0029904542],"study_design_scores_gemma":[0.0005368843,0.00025870962,0.0006452134,0.00044525677,0.0001665095,0.000030035808,0.012965566,0.0000071665413,0.000086514214,0.003804814,0.9805579,0.0004954225],"about_ca_topic_score_codex":0.000668374,"about_ca_topic_score_gemma":0.0009733632,"teacher_disagreement_score":0.5330856,"about_ca_system_score_codex":0.000065148764,"about_ca_system_score_gemma":0.00007679801,"threshold_uncertainty_score":0.99987924},"labels":[],"label_agreement":null},{"id":"W2945568176","doi":"10.7202/1059774ar","title":"De la ligne d’écriture au passage à l’acte","year":2019,"lang":"fr","type":"article","venue":"Captures","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.021871725992370854,"score_gpt":0.2562223383714397,"score_spread":0.23435061237906885,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2945568176","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06332851,0.114408076,0.000015386478,0.008666594,0.0037255387,0.00020619028,0.000021060028,0.00007315747,0.8095555],"genre_scores_gemma":[0.6920891,0.002096556,0.000081453545,0.0013995869,0.0022570998,0.000008428198,0.000002956725,0.000017208602,0.3020476],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980744,0.000474294,0.00016100067,0.00027105253,0.00033200186,0.00068722334],"domain_scores_gemma":[0.9990613,0.00042322974,0.000078489094,0.00017373229,0.00006130469,0.00020197721],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006034201,0.00020613405,0.00029591756,0.000031237938,0.00046922383,0.00014892298,0.000294862,0.0004987261,0.0014362095],"category_scores_gemma":[0.0002431148,0.00019920539,0.00019172473,0.000263558,0.0011358045,0.00015688555,0.00007593647,0.00041154824,0.00066067994],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000057868247,0.00007486473,0.006831196,0.00006027683,0.00008605552,0.00003199385,0.0714839,0.000011702518,0.00012817678,0.5353949,0.37890145,0.006989675],"study_design_scores_gemma":[0.00021321606,0.000038052007,0.015647674,0.000070824455,0.0000475621,0.0000020113955,0.0082243215,0.000008880412,0.00005453061,0.019442001,0.95600474,0.00024621567],"about_ca_topic_score_codex":0.016145859,"about_ca_topic_score_gemma":0.0027883558,"teacher_disagreement_score":0.6287606,"about_ca_system_score_codex":0.0005916184,"about_ca_system_score_gemma":0.0003439805,"threshold_uncertainty_score":0.9994766},"labels":[],"label_agreement":null},{"id":"W2945673788","doi":"10.7202/1059814ar","title":"De la ferme à la table","year":2019,"lang":"fr","type":"article","venue":"Captures","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.010171855782572186,"score_gpt":0.2221711971029933,"score_spread":0.21199934132042111,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2945673788","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04767672,0.053485785,0.000010281056,0.0008779476,0.0011368269,0.000056380613,0.000067690526,0.000041189047,0.89664716],"genre_scores_gemma":[0.3974945,0.00012940992,0.000023778444,0.00062826794,0.00089116726,0.0000029148132,0.000008889335,0.000011349604,0.60080975],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991624,0.0001883034,0.00013010738,0.00016392501,0.000097432174,0.0002578442],"domain_scores_gemma":[0.9994313,0.00024964154,0.00003825791,0.00015587437,0.000030420433,0.00009451539],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00015742079,0.0001347475,0.00017975953,0.000042557393,0.00018245276,0.00031599595,0.0001323808,0.00013313071,0.022952428],"category_scores_gemma":[0.000023354249,0.00011337123,0.00011090491,0.00003700825,0.00030124598,0.00018901203,0.0000276522,0.00025185902,0.001145128],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011323167,0.000085521315,0.0003214345,0.000103587125,0.000044328397,0.00004622328,0.012444423,0.00006938856,0.000118850345,0.73651356,0.24891515,0.0013261973],"study_design_scores_gemma":[0.00014000652,0.000041404564,0.00031712168,0.000064998814,0.00005080751,0.000016195285,0.000597131,0.000066430206,0.00003962647,0.006818091,0.99168086,0.00016735576],"about_ca_topic_score_codex":0.0016118501,"about_ca_topic_score_gemma":0.000021813386,"teacher_disagreement_score":0.74276567,"about_ca_system_score_codex":0.000051604908,"about_ca_system_score_gemma":0.00005539411,"threshold_uncertainty_score":0.9996326},"labels":[],"label_agreement":null},{"id":"W2945707750","doi":"10.7202/1059769ar","title":"C’est calciné et clair","year":2019,"lang":"fr","type":"article","venue":"Captures","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.2099376178912109,"score_gpt":0.32564842638142905,"score_spread":0.11571080849021814,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2945707750","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07182373,0.02917191,0.002085568,0.025830358,0.0072433366,0.00031926946,0.00003272899,0.00016393457,0.8633292],"genre_scores_gemma":[0.7314507,0.000086207714,0.0005676135,0.008609604,0.0003608518,0.0000018899656,0.000010504163,0.000012600323,0.25890005],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986281,0.000055377688,0.00018639106,0.000389835,0.00024207824,0.00049825566],"domain_scores_gemma":[0.9989349,0.00008467875,0.00007151989,0.0005022519,0.00011354191,0.0002930668],"candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00010835746,0.00022495599,0.00021519301,0.000040062045,0.00005901249,0.0013642831,0.00044183494,0.00015881218,0.0005467038],"category_scores_gemma":[0.000054378866,0.00016088277,0.00013274972,0.00022773397,0.000103022816,0.002343171,0.00025002714,0.00024476007,0.00355481],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000484715,0.00006954485,0.00012811327,0.000042846157,0.000019403507,0.00011212593,0.0032919094,0.00029340253,0.0007622155,0.7822504,0.20475468,0.008270519],"study_design_scores_gemma":[0.00027654742,0.00015607684,0.0058928058,0.00012083414,0.000009288316,0.00017311126,0.00009900489,0.0018533875,0.0012076787,0.015749298,0.9741336,0.00032835745],"about_ca_topic_score_codex":0.0013124172,"about_ca_topic_score_gemma":0.00029904945,"teacher_disagreement_score":0.7693789,"about_ca_system_score_codex":0.00004986601,"about_ca_system_score_gemma":0.00016761133,"threshold_uncertainty_score":0.9996724},"labels":[],"label_agreement":null},{"id":"W2945832877","doi":"10.7202/1059817ar","title":"Le façonnement du visible","year":2019,"lang":"fr","type":"article","venue":"Captures","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.10853648754782233,"score_gpt":0.2640693100886739,"score_spread":0.15553282254085157,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2945832877","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08172468,0.021829179,0.002818416,0.030296968,0.006163623,0.0003353544,0.000013164624,0.00012327489,0.85669535],"genre_scores_gemma":[0.843963,0.000067773486,0.00047340555,0.003585156,0.00036547674,0.0000025193353,0.000005717002,0.000009692238,0.15152726],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988178,0.000029948018,0.00017622867,0.00034845376,0.00022930992,0.0003982497],"domain_scores_gemma":[0.9991312,0.000053497355,0.00006549398,0.0004308912,0.000110934125,0.0002079692],"candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000076595556,0.00018330512,0.00018061318,0.00003890018,0.000100898455,0.0013183068,0.00042684108,0.00009585234,0.00042469052],"category_scores_gemma":[0.000042375494,0.0001409855,0.00011548277,0.0001972632,0.000077405966,0.0019069896,0.00028110747,0.00012094213,0.0022615772],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000037661669,0.00011440754,0.000107405496,0.000033606702,0.000022894348,0.000059609083,0.002361875,0.0003368383,0.0011977084,0.8885005,0.09952188,0.0077394745],"study_design_scores_gemma":[0.0004377676,0.00018038078,0.002559835,0.00012522818,0.0000080436175,0.00014398982,0.00024537303,0.0027506535,0.0039140093,0.016214736,0.9731027,0.00031730958],"about_ca_topic_score_codex":0.0015510865,"about_ca_topic_score_gemma":0.00013176384,"teacher_disagreement_score":0.8735808,"about_ca_system_score_codex":0.000036338093,"about_ca_system_score_gemma":0.00016970381,"threshold_uncertainty_score":0.9997184},"labels":[],"label_agreement":null},{"id":"W2945839786","doi":"10.7202/1059820ar","title":"Temps et photographies numériques chez les adolescents","year":2019,"lang":"fr","type":"article","venue":"Captures","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.12464156233303653,"score_gpt":0.2957435003478725,"score_spread":0.17110193801483597,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2945839786","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.68714345,0.058805723,0.0012254654,0.007436732,0.0055637998,0.00069940527,0.000057813504,0.0004006597,0.23866694],"genre_scores_gemma":[0.9549699,0.0007391626,0.00030857284,0.0026942377,0.0002448496,0.000004441852,0.000011452266,0.000020069798,0.041007325],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99832976,0.00010539683,0.00025471477,0.00048618185,0.00031926404,0.0005047071],"domain_scores_gemma":[0.99891603,0.000048480902,0.000120664896,0.00050151104,0.00016203099,0.0002512624],"candidate_categories":["scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00013574748,0.00033499504,0.00029724752,0.000111598776,0.000102793805,0.002080508,0.00057224906,0.00021347185,0.00024221082],"category_scores_gemma":[0.000044691486,0.00024506196,0.00021470185,0.0003899831,0.0002565705,0.0026790688,0.0002833887,0.00030833803,0.000500832],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006530766,0.00075529347,0.04522652,0.0009270848,0.00018003459,0.00027759557,0.04452459,0.00022842914,0.013573176,0.6605534,0.21149008,0.022198508],"study_design_scores_gemma":[0.00083210826,0.0003767092,0.066554576,0.0019254971,0.000023981895,0.00024295876,0.0021099101,0.000873834,0.014618235,0.02119406,0.8901285,0.0011196247],"about_ca_topic_score_codex":0.0022004975,"about_ca_topic_score_gemma":0.0006998904,"teacher_disagreement_score":0.6786384,"about_ca_system_score_codex":0.00003057144,"about_ca_system_score_gemma":0.00006700477,"threshold_uncertainty_score":0.9993336},"labels":[],"label_agreement":null},{"id":"W2945855595","doi":"10.7202/1059823ar","title":"Par-delà l’ère du post-photographique","year":2019,"lang":"fr","type":"article","venue":"Captures","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.012043118971990082,"score_gpt":0.22234866144894616,"score_spread":0.21030554247695607,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2945855595","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.767,0.06117636,0.0000043918535,0.003553756,0.0067679845,0.00076873135,0.0009577015,0.00020203552,0.15956904],"genre_scores_gemma":[0.9363695,0.0017248932,0.000015089453,0.00546505,0.0025288097,0.000034396737,0.00013247435,0.000055300803,0.05367451],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982169,0.00012241906,0.00032287382,0.00047261655,0.00025911015,0.00060603785],"domain_scores_gemma":[0.9988345,0.00008322205,0.00013788321,0.0004270729,0.00030503602,0.00021227545],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00016068658,0.00044025152,0.00040389094,0.00017505328,0.00048361864,0.00038627133,0.00035814723,0.00037716067,0.014399863],"category_scores_gemma":[0.000026404758,0.000370508,0.00056383346,0.0001374808,0.0006555846,0.00037470486,0.00007319407,0.00059413875,0.0010710006],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000125786,0.00036214036,0.0030200854,0.00044032116,0.00032041618,0.00006508862,0.03463927,0.000013502313,0.0039304513,0.77126014,0.18526445,0.00055833923],"study_design_scores_gemma":[0.0005153143,0.00038333182,0.0036423372,0.0002622674,0.00011589888,0.000031762836,0.008635764,0.000028281214,0.0017192112,0.00252281,0.98156536,0.0005776716],"about_ca_topic_score_codex":0.0030720546,"about_ca_topic_score_gemma":0.0011184884,"teacher_disagreement_score":0.7963009,"about_ca_system_score_codex":0.000024034372,"about_ca_system_score_gemma":0.000053891672,"threshold_uncertainty_score":0.9998747},"labels":[],"label_agreement":null},{"id":"W2945929112","doi":"10.7202/1059803ar","title":"Hammett de Wim Wenders","year":2019,"lang":"fr","type":"article","venue":"Captures","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.21780810468463213,"score_gpt":0.29926241207391857,"score_spread":0.08145430738928644,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2945929112","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1071617,0.0426127,0.0073020873,0.026004087,0.0076880786,0.00032028303,0.000017431228,0.00018781552,0.8087058],"genre_scores_gemma":[0.7632554,0.00007843737,0.0012188843,0.00644038,0.00031360204,0.0000016074284,0.0000033418694,0.000011174189,0.22867717],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99874437,0.00004405854,0.00014787263,0.0003274313,0.00020258121,0.0005337077],"domain_scores_gemma":[0.99908966,0.000070384245,0.000061271254,0.00041829786,0.00007469494,0.000285672],"candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00009686658,0.00019094843,0.00017515615,0.00004108869,0.00006283052,0.0012040142,0.00044042233,0.0001442941,0.00039047404],"category_scores_gemma":[0.0000586428,0.0001444042,0.00012555263,0.00020709414,0.00011155108,0.001739666,0.00017415614,0.00019174308,0.0015385997],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000084206,0.00008671566,0.000365144,0.000076719865,0.000049103808,0.00019129885,0.0066348664,0.00056257553,0.0024181118,0.64786893,0.30660146,0.035136666],"study_design_scores_gemma":[0.00032085614,0.00013758402,0.0044958433,0.00010418871,0.000014592481,0.00029712042,0.00024852497,0.0061264923,0.00306431,0.034652513,0.95017046,0.00036751028],"about_ca_topic_score_codex":0.0009275817,"about_ca_topic_score_gemma":0.000075298216,"teacher_disagreement_score":0.6560937,"about_ca_system_score_codex":0.00007932265,"about_ca_system_score_gemma":0.0001386139,"threshold_uncertainty_score":0.9998328},"labels":[],"label_agreement":null},{"id":"W2945964242","doi":"10.7202/1059804ar","title":"«Jouer son propre rôle» : Michel Houellebecq dans L’enlèvement de Michel Houellebecq","year":2019,"lang":"fr","type":"article","venue":"Captures","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Ambivalence; Michel foucault; Philosophy; Art; Political science; Psychoanalysis; Psychology; Law","score_opus":0.0129739056703419,"score_gpt":0.24476663314395106,"score_spread":0.23179272747360916,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2945964242","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26236132,0.10444943,0.00026146782,0.011564108,0.006787758,0.0011149754,0.0007428685,0.00018978772,0.6125283],"genre_scores_gemma":[0.56776303,0.0008477307,0.0001486938,0.001975492,0.0048697395,0.000031189942,0.0000860815,0.00009273211,0.42418534],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9969006,0.00014073619,0.0006240147,0.00074717257,0.0005395492,0.0010478961],"domain_scores_gemma":[0.9980981,0.000107471795,0.00029501264,0.00082498236,0.00032987748,0.00034456418],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003922426,0.00061988813,0.0006698315,0.00019568934,0.0005446453,0.0006459909,0.00055875705,0.0003348177,0.016701289],"category_scores_gemma":[0.00008349721,0.0005504447,0.00058263633,0.00009442021,0.00050610653,0.00017247094,0.00019590394,0.0005407168,0.0014347398],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008419609,0.00084913505,0.004690901,0.0007905403,0.0011226845,0.00019085937,0.044486802,0.0011869181,0.0013864937,0.40503234,0.538972,0.0012071157],"study_design_scores_gemma":[0.00085455296,0.00018286017,0.0007298165,0.00030325406,0.0010746829,0.000012862322,0.024578962,0.001996209,0.0016298469,0.0065448205,0.9612146,0.00087751803],"about_ca_topic_score_codex":0.013090866,"about_ca_topic_score_gemma":0.0046180133,"teacher_disagreement_score":0.42224258,"about_ca_system_score_codex":0.00025001305,"about_ca_system_score_gemma":0.00031805524,"threshold_uncertainty_score":0.9996947},"labels":[],"label_agreement":null},{"id":"W2946022137","doi":"10.7202/1059770ar","title":"Narrativité anthropologique de la ligne contemporaine : Bailly, Echenoz, Sautière","year":2019,"lang":"fr","type":"article","venue":"Captures","topic":"Diverse Cultural and Historical Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy","score_opus":0.016883899244439518,"score_gpt":0.28871794922551436,"score_spread":0.27183404998107485,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2946022137","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11761222,0.052640036,0.000014804206,0.036879167,0.003880075,0.00032198237,0.000042375872,0.00010392785,0.78850543],"genre_scores_gemma":[0.82474744,0.00281232,0.00010625295,0.00082361046,0.0006402449,0.000008333278,0.0000035607009,0.000009849707,0.17084838],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99821866,0.00054112216,0.00018629953,0.00031851273,0.00026063583,0.00047475455],"domain_scores_gemma":[0.9991335,0.00034319368,0.000111825444,0.00013217698,0.00010276503,0.00017649155],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0005174195,0.00022424816,0.00036594868,0.000025831998,0.000565467,0.00008238515,0.0002724785,0.00040786352,0.00446557],"category_scores_gemma":[0.00027605775,0.00017401541,0.00016656423,0.00025730158,0.0021933313,0.00019429819,0.00010420359,0.0003451056,0.00093897997],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003014661,0.00019524766,0.0043269335,0.000075639546,0.00012847081,0.00007908605,0.063970506,0.000011549712,0.0014253076,0.68960047,0.23561436,0.004542274],"study_design_scores_gemma":[0.00026557964,0.00013781563,0.002743602,0.00006254841,0.000031788994,0.000004829729,0.032108985,0.000005515479,0.00015439576,0.0065849307,0.9576317,0.00026827506],"about_ca_topic_score_codex":0.010139776,"about_ca_topic_score_gemma":0.0019118559,"teacher_disagreement_score":0.7220174,"about_ca_system_score_codex":0.00039757695,"about_ca_system_score_gemma":0.00014101418,"threshold_uncertainty_score":0.9998389},"labels":[],"label_agreement":null},{"id":"W2946184862","doi":"10.7202/1059816ar","title":"Se nourrir de mots","year":2019,"lang":"fr","type":"article","venue":"Captures","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.023398574281658622,"score_gpt":0.26956654462563373,"score_spread":0.2461679703439751,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2946184862","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12608449,0.03598921,0.000020814485,0.0030163166,0.0031604588,0.000099531,0.00016075482,0.00003403208,0.83143437],"genre_scores_gemma":[0.64936143,0.0003188414,0.00004044173,0.0010519499,0.0046749143,0.0000023066136,0.000019028723,0.000018936744,0.34451216],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990875,0.000036383743,0.00016715925,0.00020555448,0.00014973759,0.00035365313],"domain_scores_gemma":[0.99935997,0.000054125438,0.00006901263,0.00027466952,0.00011851104,0.0001237277],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00012297444,0.00016429802,0.00021322191,0.00006693282,0.00017809056,0.00029935042,0.00015612604,0.00009830153,0.024308572],"category_scores_gemma":[0.000051771978,0.00014669153,0.0001936144,0.000025643021,0.0001722825,0.00006513122,0.000041914052,0.00017031831,0.0021688559],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007220128,0.00008787614,0.0011846711,0.00009457194,0.00014988739,0.000044923014,0.008997664,0.00031376307,0.000032302058,0.90752906,0.08083731,0.0007207635],"study_design_scores_gemma":[0.00019162777,0.00003931426,0.00035215972,0.000070953836,0.00022906762,0.000004024456,0.0032899813,0.0013811847,0.00006747242,0.012568632,0.98158485,0.00022072074],"about_ca_topic_score_codex":0.0046031256,"about_ca_topic_score_gemma":0.0006602512,"teacher_disagreement_score":0.90074754,"about_ca_system_score_codex":0.000043756663,"about_ca_system_score_gemma":0.00008507454,"threshold_uncertainty_score":0.99860805},"labels":[],"label_agreement":null},{"id":"W2946222967","doi":"10.7202/1059822ar","title":"Mitchell(s) : doute et conventionnalité des images","year":2019,"lang":"fr","type":"article","venue":"Captures","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Philosophy","score_opus":0.0248729335696241,"score_gpt":0.2753239489374866,"score_spread":0.25045101536786246,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2946222967","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.65471387,0.12869275,0.00003446824,0.00228286,0.0047268975,0.00044894218,0.0006725311,0.00013826459,0.2082894],"genre_scores_gemma":[0.75393224,0.0008525729,0.000033780856,0.0016229688,0.0007549818,0.000011413592,0.000057002482,0.000025133066,0.24270989],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987793,0.00013711958,0.00023022358,0.00029429098,0.00018201416,0.0003770678],"domain_scores_gemma":[0.99931985,0.000064319815,0.000099360404,0.00024309833,0.00015752239,0.000115840776],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00020333607,0.00026729488,0.00025860002,0.00006956771,0.0003018197,0.00044967906,0.00019414134,0.00016321408,0.012629537],"category_scores_gemma":[0.000017271857,0.00022558041,0.00035652224,0.00006169418,0.000712852,0.00042474433,0.000047927235,0.00033902694,0.0011989804],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000048692615,0.00022003609,0.0018833475,0.0006332067,0.00023479559,0.00001710289,0.032723192,0.0000074258314,0.002776571,0.85915947,0.10151697,0.00077917177],"study_design_scores_gemma":[0.0004890237,0.00013562775,0.0062754573,0.00035026672,0.000108455664,0.000012310476,0.0065912204,0.000008595611,0.0035832254,0.020992957,0.9610952,0.00035766396],"about_ca_topic_score_codex":0.0010754857,"about_ca_topic_score_gemma":0.00026216707,"teacher_disagreement_score":0.85957825,"about_ca_system_score_codex":0.000021294607,"about_ca_system_score_gemma":0.000036224774,"threshold_uncertainty_score":0.9995787},"labels":[],"label_agreement":null},{"id":"W2946689953","doi":"10.7202/1059798ar","title":"Des écrivains jumeaux","year":2019,"lang":"fr","type":"article","venue":"Captures","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.018565088402760714,"score_gpt":0.22151946836186656,"score_spread":0.20295437995910584,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2946689953","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6021815,0.06748694,0.000008319971,0.004168205,0.003761682,0.00018432098,0.00010603893,0.00003969604,0.32206333],"genre_scores_gemma":[0.7138291,0.0008540873,0.000036761263,0.0006132584,0.00094514166,0.0000045323286,0.0000094087945,0.000020908514,0.2836868],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99908507,0.00005181654,0.00017797644,0.0002345799,0.00012145951,0.00032908484],"domain_scores_gemma":[0.9994052,0.00008241344,0.00006019911,0.00026427096,0.000097657736,0.000090251175],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000101150006,0.00019563371,0.00021401834,0.000087289605,0.0003421392,0.00027457235,0.00017865664,0.000091823356,0.013103317],"category_scores_gemma":[0.000019390325,0.00017317585,0.00017095105,0.000044816625,0.00075849466,0.00018235517,0.00005670432,0.00021316505,0.000923596],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013188219,0.00006594879,0.0013382013,0.00012357633,0.000071533446,0.000008672534,0.032988336,0.000021448406,0.00012939642,0.89672786,0.06525027,0.0032615452],"study_design_scores_gemma":[0.00024722164,0.00010590284,0.002419704,0.00012305731,0.000029565626,0.000005818367,0.009576271,0.00006957194,0.00008892848,0.0681128,0.9189824,0.00023880343],"about_ca_topic_score_codex":0.0009779003,"about_ca_topic_score_gemma":0.0016837852,"teacher_disagreement_score":0.8537321,"about_ca_system_score_codex":0.00003149941,"about_ca_system_score_gemma":0.00005103228,"threshold_uncertainty_score":0.9998543},"labels":[],"label_agreement":null},{"id":"W2946751116","doi":"10.7202/1059815ar","title":"Nature morte et tableau vivant","year":2019,"lang":"fr","type":"article","venue":"Captures","topic":"Italian Fascism and Post-war Society","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Combinatorics; Mathematics","score_opus":0.009454241505224744,"score_gpt":0.2825667469100028,"score_spread":0.27311250540477805,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2946751116","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.33719355,0.079962276,0.00001913648,0.042147294,0.019746872,0.0005586937,0.00023205565,0.00013072349,0.5200094],"genre_scores_gemma":[0.6506355,0.001302031,0.00021267899,0.011563347,0.0010562666,0.000004261922,0.000029105428,0.000027039603,0.33516982],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980289,0.00025192197,0.00019357089,0.00039327363,0.00049914053,0.0006332118],"domain_scores_gemma":[0.9990743,0.00014312945,0.000107747626,0.00036723303,0.00010288547,0.00020470924],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000592535,0.0002358476,0.00027556272,0.000029061466,0.00025434408,0.0001486687,0.00043913908,0.0008427978,0.0047930395],"category_scores_gemma":[0.00007763986,0.00022118866,0.0002574989,0.00037386568,0.00042501919,0.00038915887,0.00008672462,0.00088460697,0.0028403243],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000093016015,0.00006081285,0.002489735,0.00008984508,0.000070840375,0.00002329129,0.03726834,0.00004134447,0.0003599465,0.2645056,0.69368166,0.0013993176],"study_design_scores_gemma":[0.00024151396,0.000042769432,0.0040008896,0.00008867323,0.000044305652,0.0000052366354,0.008741336,0.000043978594,0.00017882403,0.0043326183,0.98195696,0.0003228753],"about_ca_topic_score_codex":0.0014656418,"about_ca_topic_score_gemma":0.00045444883,"teacher_disagreement_score":0.31344193,"about_ca_system_score_codex":0.00010370258,"about_ca_system_score_gemma":0.00028143215,"threshold_uncertainty_score":0.99793607},"labels":[],"label_agreement":null},{"id":"W2946826373","doi":"10.7202/1059806ar","title":"Le temps presse","year":2019,"lang":"fr","type":"article","venue":"Captures","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Exposition (narrative); Art; Literature","score_opus":0.022889686560071804,"score_gpt":0.24256662834448114,"score_spread":0.21967694178440933,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2946826373","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.035595525,0.19595647,0.000008511709,0.0094566215,0.0064250873,0.00022490973,0.000013207616,0.000056585493,0.75226307],"genre_scores_gemma":[0.67296755,0.0017658403,0.000040245344,0.00061177544,0.0011490964,0.000007012623,0.0000017248935,0.000010580253,0.32344615],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99879754,0.0001418714,0.00013989474,0.0002340043,0.00027963734,0.0004070632],"domain_scores_gemma":[0.99948305,0.000114188406,0.00006553881,0.00015722685,0.00006710312,0.000112900125],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00018815482,0.00013607365,0.00022385347,0.000021246104,0.00038644733,0.000069690934,0.00024251835,0.0002022162,0.0013739372],"category_scores_gemma":[0.000089516216,0.00013938268,0.00012752149,0.00020760574,0.00067792326,0.00017698281,0.00006694068,0.00017991113,0.0015805932],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000025612837,0.00004896653,0.0007661731,0.00003265043,0.000043617707,0.0000040310465,0.023293456,0.000015124066,0.00003211343,0.7484457,0.22461002,0.0027056083],"study_design_scores_gemma":[0.00018045011,0.00002772091,0.0023647638,0.000038609625,0.00001888471,3.6980816e-7,0.007544248,0.000009169484,0.000045753237,0.01592153,0.9736669,0.00018159483],"about_ca_topic_score_codex":0.0217483,"about_ca_topic_score_gemma":0.0057211695,"teacher_disagreement_score":0.7490569,"about_ca_system_score_codex":0.000099783276,"about_ca_system_score_gemma":0.00020996775,"threshold_uncertainty_score":0.99953896},"labels":[],"label_agreement":null},{"id":"W2955813207","doi":"10.7202/1060151ar","title":"Volume 4 numéro 1","year":2019,"lang":"fr","type":"article","venue":"Captures","topic":"Law in Society and Culture","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.011683493385674313,"score_gpt":0.2597271697999149,"score_spread":0.24804367641424058,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2955813207","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07392594,0.08700225,0.00000896019,0.028624937,0.017400522,0.00026776697,0.000031458538,0.000094984265,0.7926432],"genre_scores_gemma":[0.3446377,0.0012907172,0.00011253787,0.0025870078,0.0025084934,0.000004067048,0.000005709681,0.000011111828,0.64884263],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99876064,0.00013019783,0.00012372191,0.0002480185,0.00031937374,0.00041803767],"domain_scores_gemma":[0.999478,0.00004317312,0.00006147106,0.000209205,0.00007077893,0.00013740327],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00022925204,0.00013744528,0.000168316,0.0000025462548,0.00025934793,0.00008926981,0.00031387448,0.00043815278,0.026346017],"category_scores_gemma":[0.000035004166,0.00012494589,0.00020442114,0.00024738428,0.0005288818,0.00023510259,0.000043160187,0.00029964157,0.00996299],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000021857704,0.00003369923,0.0028020039,0.000031303272,0.000030479405,0.000003834237,0.03743023,0.000023992392,0.00007590034,0.22141466,0.73606986,0.0020818885],"study_design_scores_gemma":[0.00013294602,0.00002262359,0.0013256483,0.000040887237,0.000021482067,0.0000021963476,0.015470022,0.000020442556,0.00003759045,0.011534851,0.97120124,0.00019007489],"about_ca_topic_score_codex":0.00072627875,"about_ca_topic_score_gemma":0.000120452314,"teacher_disagreement_score":0.27071175,"about_ca_system_score_codex":0.000091419504,"about_ca_system_score_gemma":0.00008201324,"threshold_uncertainty_score":0.9908079},"labels":[],"label_agreement":null},{"id":"W2956606578","doi":"10.7202/1060152ar","title":"Paroles diffamantes, images infamantes","year":2019,"lang":"fr","type":"article","venue":"Captures","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art; Ethnology; History","score_opus":0.01551551829026257,"score_gpt":0.23642175712633953,"score_spread":0.22090623883607696,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2956606578","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14423186,0.4424039,0.0000128724,0.008821373,0.0119359,0.00035782708,0.00006367132,0.00013770572,0.39203486],"genre_scores_gemma":[0.7109963,0.012913197,0.0000951633,0.0010085793,0.002273852,0.000012688911,0.000006212121,0.000022676932,0.2726713],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99801224,0.0002090424,0.00025995483,0.00037639454,0.00045143662,0.00069092005],"domain_scores_gemma":[0.998989,0.00030428346,0.00012750298,0.00023243009,0.00018041601,0.00016639524],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00027894106,0.00028104108,0.00041748697,0.00005177415,0.00045892617,0.00014904203,0.0003832735,0.00026857347,0.0024463166],"category_scores_gemma":[0.00029226232,0.00026313082,0.0002313926,0.00032788923,0.0013172037,0.00028376418,0.00012058518,0.00030067994,0.0020850906],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010568053,0.00013018053,0.01905819,0.00012328922,0.00017079897,0.000019617688,0.028435603,0.0000121008125,0.0002263581,0.34922194,0.58301854,0.0195728],"study_design_scores_gemma":[0.00027241354,0.000060960057,0.021434851,0.0001350643,0.00005553205,9.60283e-7,0.010468025,0.000020352516,0.00016930305,0.017198203,0.9498037,0.0003806346],"about_ca_topic_score_codex":0.009338424,"about_ca_topic_score_gemma":0.0020066756,"teacher_disagreement_score":0.5667645,"about_ca_system_score_codex":0.00017823152,"about_ca_system_score_gemma":0.00009790101,"threshold_uncertainty_score":0.9999821},"labels":[],"label_agreement":null},{"id":"W2972052380","doi":"10.7202/1060153ar","title":"Marie Darrieussecq et Christine Angot, récidivistes du réel","year":2019,"lang":"fr","type":"article","venue":"Captures","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.12241859614244592,"score_gpt":0.28803453216125363,"score_spread":0.1656159360188077,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2972052380","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21011104,0.08620661,0.0048854942,0.075494796,0.012109804,0.00083634886,0.00020187195,0.00047532748,0.60967875],"genre_scores_gemma":[0.847313,0.00023355686,0.00068724237,0.007815179,0.0006135031,0.0000045175157,0.00003926311,0.000024676461,0.14326906],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99805385,0.0000857927,0.0003111466,0.00058517884,0.0003659619,0.0005980877],"domain_scores_gemma":[0.99831206,0.0002451175,0.0001509663,0.0007008623,0.00021529349,0.00037567553],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00019052543,0.00037355916,0.00035560975,0.00006333581,0.00012430541,0.002291173,0.00069586665,0.00018470814,0.0007224948],"category_scores_gemma":[0.00030107243,0.00027613944,0.00018554193,0.00033374483,0.00019856062,0.0025385849,0.00052343233,0.00029925926,0.0014312469],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022245142,0.0001975176,0.0018745601,0.00016463347,0.000072000425,0.00035881292,0.005367877,0.00034585837,0.0026408075,0.68448216,0.2924298,0.012043746],"study_design_scores_gemma":[0.0005235198,0.00025912115,0.026535783,0.00018480257,0.000023810384,0.00025856128,0.00012246268,0.002936634,0.0013842246,0.015029058,0.9521721,0.000569947],"about_ca_topic_score_codex":0.00259975,"about_ca_topic_score_gemma":0.00023357029,"teacher_disagreement_score":0.6694531,"about_ca_system_score_codex":0.00005753196,"about_ca_system_score_gemma":0.0001802057,"threshold_uncertainty_score":0.99996907},"labels":[],"label_agreement":null},{"id":"W2974647740","doi":"10.7202/1073474ar","title":"La tentation de la carte. Défis méthodologiques et techniques de la réalisation d’un atlas culturel historique","year":2020,"lang":"fr","type":"article","venue":"Captures","topic":"Geographic Information Systems Studies","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.0320374344207378,"score_gpt":0.33470843704314557,"score_spread":0.30267100262240776,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2974647740","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19709918,0.03600717,0.080818735,0.10769923,0.002020433,0.0021957697,0.0001686913,0.002333826,0.57165694],"genre_scores_gemma":[0.9746407,0.0045101144,0.015249933,0.0034151308,0.00080234715,0.00015234505,0.000028522598,0.00002273218,0.0011781259],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9922884,0.006361238,0.0004037379,0.00024464578,0.0003561813,0.0003457602],"domain_scores_gemma":[0.997708,0.0014505858,0.00033154976,0.00012293705,0.00023162634,0.00015528665],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004744832,0.00024242925,0.00029152757,0.00009031331,0.00043492642,0.00022019015,0.00024808865,0.0007871107,0.000054563858],"category_scores_gemma":[0.0017264712,0.00023070516,0.00016818679,0.0004193677,0.001021846,0.0005070638,0.00006240767,0.0005482984,0.000022614575],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020549967,0.00004149849,0.012189122,0.00019153592,0.00009273202,0.000023473112,0.5431231,0.00007312958,0.0012581551,0.36213443,0.07581029,0.0050419755],"study_design_scores_gemma":[0.00021555653,0.000082099934,0.014264088,0.00012245396,0.00008566671,0.000044623488,0.06142807,0.00006623513,0.0025011715,0.022769209,0.8980743,0.00034652563],"about_ca_topic_score_codex":0.0065700216,"about_ca_topic_score_gemma":0.0004829998,"teacher_disagreement_score":0.822264,"about_ca_system_score_codex":0.00048508635,"about_ca_system_score_gemma":0.00023202704,"threshold_uncertainty_score":0.9931951},"labels":[],"label_agreement":null},{"id":"W2980290185","doi":"10.7202/1060155ar","title":"«J’ai créé un monstre que je ne contrôle plus»","year":2019,"lang":"fr","type":"article","venue":"Captures","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Reprise","score_opus":0.013035344800706533,"score_gpt":0.24300698767761503,"score_spread":0.2299716428769085,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2980290185","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03925442,0.10221816,0.000056400782,0.014115836,0.0057020965,0.00032440125,0.0005768245,0.0000818225,0.83767],"genre_scores_gemma":[0.75196093,0.00050096837,0.000032810058,0.002899204,0.0049335165,0.0000068287286,0.00007474874,0.00003477118,0.23955624],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99852324,0.000060889193,0.00033613044,0.00036706476,0.00025287128,0.00045980635],"domain_scores_gemma":[0.9988388,0.000119833516,0.00013794996,0.00045584614,0.0002766189,0.00017094205],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00012600383,0.0003016011,0.00046072213,0.0001038598,0.00033033785,0.00052603433,0.00024801044,0.00017619632,0.024376968],"category_scores_gemma":[0.000084246625,0.00026248823,0.0003206284,0.000049503793,0.00037335086,0.00012810354,0.000078668265,0.00031600206,0.0018856291],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002058916,0.00013062128,0.00035063265,0.00009218368,0.00037450646,0.00006087244,0.003938464,0.00036064102,0.000020400175,0.9062887,0.08703976,0.0013226483],"study_design_scores_gemma":[0.00081115466,0.00006406118,0.0000944433,0.000118098564,0.0005366205,0.00000448567,0.004603991,0.0021705045,0.00013033702,0.017996032,0.97308064,0.00038966068],"about_ca_topic_score_codex":0.0064051435,"about_ca_topic_score_gemma":0.0014957219,"teacher_disagreement_score":0.8882927,"about_ca_system_score_codex":0.00006121939,"about_ca_system_score_gemma":0.00016738429,"threshold_uncertainty_score":0.9999827},"labels":[],"label_agreement":null},{"id":"W2996332851","doi":"10.7202/1060156ar","title":"La littérature infamante et son rapport à la vie privée","year":2019,"lang":"fr","type":"article","venue":"Captures","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Political science","score_opus":0.09742547909356142,"score_gpt":0.29248129606608486,"score_spread":0.19505581697252344,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2996332851","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05395279,0.0529968,0.00080993463,0.011134907,0.0027222743,0.0003727746,0.000033725217,0.00018704511,0.87778974],"genre_scores_gemma":[0.80482996,0.0009074761,0.0006181999,0.0062883385,0.0003457909,0.0000049111536,0.000022629967,0.000025897854,0.1869568],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982168,0.00020054758,0.00026005873,0.0005015914,0.00032893725,0.00049203355],"domain_scores_gemma":[0.9986421,0.00017956436,0.0001370277,0.00060521165,0.00013704256,0.0002990756],"candidate_categories":["scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00032151773,0.00033927226,0.0003186581,0.00006316887,0.000064821346,0.002220094,0.00057171925,0.00042715948,0.0001385768],"category_scores_gemma":[0.00009018447,0.00023825167,0.00019726252,0.00037173062,0.0001851363,0.0023391536,0.00036629933,0.0006136435,0.0006743104],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020389478,0.00017202951,0.000477857,0.00016623003,0.000068770016,0.0005823956,0.008574037,0.00013590022,0.0017875746,0.69591445,0.25564167,0.03645868],"study_design_scores_gemma":[0.00036785172,0.00012325295,0.011109371,0.00027561781,0.00001713886,0.0005824856,0.0001512518,0.0005795413,0.0007947932,0.007316138,0.97828656,0.00039597103],"about_ca_topic_score_codex":0.00012929272,"about_ca_topic_score_gemma":0.000054161846,"teacher_disagreement_score":0.7508772,"about_ca_system_score_codex":0.000030910473,"about_ca_system_score_gemma":0.0003094114,"threshold_uncertainty_score":0.9988157},"labels":[],"label_agreement":null},{"id":"W2997109471","doi":"10.7202/1060158ar","title":"D’une infamie l’autre","year":2019,"lang":"fr","type":"article","venue":"Captures","topic":"Death, Funerary Practices, and Mourning","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy","score_opus":0.023606653967940868,"score_gpt":0.2899091665473495,"score_spread":0.2663025125794086,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2997109471","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23189008,0.027881706,0.000012780411,0.027612431,0.0075752675,0.00020268105,0.000010309756,0.00007534821,0.7047394],"genre_scores_gemma":[0.4686015,0.001416443,0.00016548281,0.0019277364,0.0013865929,0.0000038571197,0.000006517392,0.000018061795,0.5264738],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982523,0.00027122832,0.00021522798,0.00033470461,0.0003891632,0.00053743005],"domain_scores_gemma":[0.9989185,0.00034926028,0.00018101363,0.00028190252,0.0000662061,0.0002031157],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0005128145,0.0001907268,0.00024172015,0.000056597448,0.00031183774,0.00018572652,0.00033274197,0.00029418746,0.005488847],"category_scores_gemma":[0.0001674212,0.0001897463,0.00013471518,0.0003782247,0.0002880292,0.0009464751,0.000063528474,0.00045937666,0.004269069],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005849397,0.00024015186,0.014093754,0.00018539355,0.00018924156,0.00016118189,0.09924202,0.00056363776,0.00095253834,0.36011472,0.29612616,0.22807273],"study_design_scores_gemma":[0.00027788183,0.000056128243,0.001896151,0.00008086968,0.000057531324,0.000010156726,0.0052892556,0.000100242076,0.000061236664,0.0031796086,0.9887351,0.00025584985],"about_ca_topic_score_codex":0.005702562,"about_ca_topic_score_gemma":0.00115135,"teacher_disagreement_score":0.69260895,"about_ca_system_score_codex":0.00007284955,"about_ca_system_score_gemma":0.00021085542,"threshold_uncertainty_score":0.9965062},"labels":[],"label_agreement":null},{"id":"W2997867932","doi":"10.7202/1060159ar","title":"Figures troubles","year":2019,"lang":"fr","type":"article","venue":"Captures","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal; Université Laval; Université du Québec à Montréal","funders":"","keywords":"Humanities; Art","score_opus":0.015447612561045272,"score_gpt":0.20567532399938832,"score_spread":0.19022771143834305,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2997867932","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.33013567,0.26374316,0.0000047230487,0.18215652,0.005982743,0.0002479928,0.00011855631,0.00009664534,0.21751398],"genre_scores_gemma":[0.23512271,0.0046890834,0.00001769572,0.000829211,0.0019521763,0.0000072923385,0.000014991011,0.000014934544,0.7573519],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988858,0.00004853585,0.00022173522,0.0002660427,0.00021404703,0.0003638507],"domain_scores_gemma":[0.9994751,0.00007374,0.00007791748,0.00017841715,0.00009573445,0.00009906728],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00006249169,0.00022151202,0.00036300375,0.000031268683,0.001703088,0.00018497444,0.0001786715,0.00012360443,0.016967556],"category_scores_gemma":[0.00001890963,0.00015855866,0.00036912653,0.000049808725,0.00031451503,0.00014170156,0.00005481479,0.00021237027,0.0022824001],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010248677,0.00006163264,0.00028752725,0.00013370551,0.0002347152,0.000009166537,0.04501702,0.00003908325,0.000021299216,0.46936586,0.48259947,0.0022202674],"study_design_scores_gemma":[0.00017937552,0.00007228227,0.00013440651,0.000051486833,0.0001466543,0.0000011176448,0.006818061,0.000025412206,0.000008991521,0.005726685,0.9865748,0.0002607214],"about_ca_topic_score_codex":0.0047684815,"about_ca_topic_score_gemma":0.0023030872,"teacher_disagreement_score":0.5398379,"about_ca_system_score_codex":0.0005735484,"about_ca_system_score_gemma":0.000013608172,"threshold_uncertainty_score":0.99959654},"labels":[],"label_agreement":null},{"id":"W3010051352","doi":"10.7202/1068766ar","title":"Volume 4 numéro 2","year":2020,"lang":"fr","type":"article","venue":"Captures","topic":"Historical and Scientific Studies","field":"Medicine","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.049765864785875406,"score_gpt":0.25279234062333855,"score_spread":0.20302647583746314,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3010051352","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0061064507,0.48339275,0.0007425605,0.22114782,0.032931447,0.00026458874,0.00007948413,0.0001467475,0.25518817],"genre_scores_gemma":[0.37270835,0.00056394166,0.00028642936,0.011308451,0.012494995,0.0000074611858,0.000011056559,0.000021450944,0.6025979],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989187,0.000032614906,0.00017328579,0.0002938767,0.00024146626,0.00034002634],"domain_scores_gemma":[0.99929416,0.000042743482,0.00003181846,0.00014561434,0.000068772824,0.00041686147],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00007745397,0.00013325896,0.00027259384,0.000018841216,0.00011515405,0.000018906749,0.000107618136,0.00010214345,0.0065471786],"category_scores_gemma":[0.0005474847,0.000109967674,0.00012176026,0.00024914872,0.00027089228,0.0000360696,0.000059753227,0.00023283744,0.00704006],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002250052,0.000044948636,0.0015035105,0.0001644388,0.000052423766,0.00019293335,0.0063695894,0.000004929784,0.0009691126,0.0015261027,0.9789264,0.0102230925],"study_design_scores_gemma":[0.0002888046,0.00012560986,0.0024075247,0.00005858377,0.000088203175,0.000009810828,0.00087674346,0.00049704296,0.00021478957,0.00013730107,0.99517363,0.00012195791],"about_ca_topic_score_codex":0.000058416725,"about_ca_topic_score_gemma":0.0000041132616,"teacher_disagreement_score":0.4828288,"about_ca_system_score_codex":0.00008000917,"about_ca_system_score_gemma":0.000059838752,"threshold_uncertainty_score":0.994361},"labels":[],"label_agreement":null},{"id":"W3010473909","doi":"10.7202/1068773ar","title":"Quand le corps de la bande dessinée s’incarne","year":2020,"lang":"fr","type":"article","venue":"Captures","topic":"Psychoanalysis and Psychopathology Research","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.06102343384819913,"score_gpt":0.3644266596260464,"score_spread":0.3034032257778473,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3010473909","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15165718,0.14152887,0.0043873577,0.08006538,0.0019569867,0.00032255272,0.00013409619,0.00012879641,0.6198188],"genre_scores_gemma":[0.9445807,0.0010945377,0.00041308618,0.00797789,0.0015159723,0.000040435996,0.00003264962,0.00007428368,0.044270482],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9948565,0.002665561,0.00043579246,0.00081734976,0.00028192194,0.0009428728],"domain_scores_gemma":[0.99777037,0.0006864495,0.00015495543,0.00061798334,0.00008543572,0.0006848228],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.001320315,0.0003625658,0.0005844884,0.00013562769,0.00023770268,0.00017140615,0.000644138,0.0008387634,0.0051433397],"category_scores_gemma":[0.00020845949,0.00036342067,0.00035453026,0.0005256996,0.0011011821,0.00009310349,0.000085078675,0.0013091691,0.0014546717],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00068383,0.0006717998,0.0386346,0.0001410156,0.0006442825,0.0016480105,0.010660675,0.00007196219,0.006232798,0.024011139,0.8693288,0.047271118],"study_design_scores_gemma":[0.002632683,0.00025579435,0.052570827,0.00006263966,0.00019748259,0.00041760955,0.0016597793,0.00042536866,0.0002552055,0.0045079417,0.9365745,0.00044014447],"about_ca_topic_score_codex":0.00051876926,"about_ca_topic_score_gemma":0.00004587462,"teacher_disagreement_score":0.7929235,"about_ca_system_score_codex":0.00004976041,"about_ca_system_score_gemma":0.00026369857,"threshold_uncertainty_score":0.9998818},"labels":[],"label_agreement":null},{"id":"W3013198791","doi":"10.7202/1068774ar","title":"Tensions narcissico-identitaires chez Iron Man","year":2020,"lang":"fr","type":"article","venue":"Captures","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy","score_opus":0.038723972426819527,"score_gpt":0.23560078795706377,"score_spread":0.19687681553024425,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3013198791","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.40142536,0.13699496,0.00002839219,0.36757028,0.0042998265,0.00046651709,0.00045912853,0.00019917202,0.088556364],"genre_scores_gemma":[0.93641704,0.00094509294,0.000037876234,0.007515775,0.0029244735,0.0000093187455,0.00003119692,0.00003947153,0.052079737],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99876195,0.00007420324,0.00027027298,0.0003531497,0.00019288818,0.00034755282],"domain_scores_gemma":[0.99926287,0.000073411175,0.00009489327,0.00021364099,0.000094432755,0.0002607397],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00007120398,0.0002632953,0.00028753353,0.000071270944,0.0006716654,0.00039669382,0.0002443998,0.00011303676,0.00500656],"category_scores_gemma":[0.00007156227,0.00023781693,0.00022804247,0.00007470926,0.00076715974,0.00019403955,0.00012066115,0.0003437629,0.00030603516],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024658697,0.00006722002,0.00019827552,0.0001166541,0.00006203303,0.00006972537,0.058846608,0.000022229415,0.0003907146,0.5406093,0.39784205,0.0017504885],"study_design_scores_gemma":[0.00028976178,0.00015260228,0.001600495,0.00009615287,0.00009038089,0.0000063331004,0.015976634,0.00020295828,0.00014265694,0.008534481,0.9725821,0.00032547122],"about_ca_topic_score_codex":0.0006745048,"about_ca_topic_score_gemma":0.0009495397,"teacher_disagreement_score":0.57474,"about_ca_system_score_codex":0.000018947003,"about_ca_system_score_gemma":0.00005508846,"threshold_uncertainty_score":0.995903},"labels":[],"label_agreement":null},{"id":"W3015573103","doi":"10.7202/1068770ar","title":"Fragmentation de l’être. Mémoire et identité dans les mangas","year":2020,"lang":"fr","type":"article","venue":"Captures","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.23866909214263238,"score_gpt":0.32679282375514546,"score_spread":0.08812373161251308,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3015573103","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.42189938,0.02718268,0.1441398,0.12158275,0.0020485453,0.0003885584,0.000081699356,0.00035138908,0.28232518],"genre_scores_gemma":[0.96663624,0.00018812808,0.0022111593,0.013359361,0.00047191133,0.0000045285337,0.000024357461,0.000015050722,0.017089263],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988665,0.000082919,0.00018634701,0.0003161969,0.00022969977,0.0003183509],"domain_scores_gemma":[0.99929863,0.00004703262,0.00008280311,0.00017630207,0.00007077694,0.0003244802],"candidate_categories":["scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00006547103,0.00018958443,0.00014655461,0.000024117944,0.00013919974,0.0014731985,0.00035976252,0.000111443704,0.00010505104],"category_scores_gemma":[0.00009407681,0.00015497416,0.00011036173,0.00022512264,0.00010610996,0.0020084418,0.00017638692,0.00018980967,0.00017049722],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000148166155,0.000103806124,0.0010544701,0.00014199165,0.00006152418,0.0007952935,0.07817236,0.0029933928,0.021055667,0.73393095,0.14364272,0.018033043],"study_design_scores_gemma":[0.001258313,0.0006302132,0.087461405,0.0004337725,0.00014111405,0.0007430823,0.0056278557,0.038021233,0.041401926,0.040442012,0.7825125,0.0013266064],"about_ca_topic_score_codex":0.0018751173,"about_ca_topic_score_gemma":0.0005811739,"teacher_disagreement_score":0.6934889,"about_ca_system_score_codex":0.00008164379,"about_ca_system_score_gemma":0.000093802235,"threshold_uncertainty_score":0.9995634},"labels":[],"label_agreement":null},{"id":"W3030049075","doi":"10.7202/1068772ar","title":"L’envers du corps super-héroïque. Les super-pouvoirs et la réalité du délitement","year":2020,"lang":"fr","type":"article","venue":"Captures","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.027365837636915025,"score_gpt":0.2290282373684041,"score_spread":0.20166239973148908,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3030049075","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.54586047,0.03935095,0.000079473146,0.2874831,0.0026632866,0.0005848959,0.0009721334,0.00017299342,0.1228327],"genre_scores_gemma":[0.9756214,0.005229235,0.000044345983,0.008780742,0.0022330417,0.00003027124,0.00010132566,0.000061022212,0.007898617],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978655,0.0003756736,0.00045998284,0.00051926344,0.00031526748,0.0004643145],"domain_scores_gemma":[0.9988158,0.00033723048,0.000113623704,0.0002771632,0.00015007965,0.000306136],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003333828,0.00045712973,0.00046232744,0.000099262455,0.00067575957,0.0006123459,0.00036102656,0.00019677478,0.0064122938],"category_scores_gemma":[0.00010647487,0.00041667506,0.0003649849,0.00008572938,0.0010272826,0.00028153195,0.00017200936,0.0005066912,0.00013012055],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000059967202,0.00013492566,0.002152104,0.00015317112,0.00019153248,0.00012761705,0.083918735,0.00007024221,0.00011610539,0.74597126,0.16581917,0.0012851664],"study_design_scores_gemma":[0.0007581432,0.00023079349,0.0014947589,0.00011185374,0.00010944599,0.000018882009,0.029100876,0.00030319052,0.00010485331,0.0056886384,0.96157956,0.00049901375],"about_ca_topic_score_codex":0.0026321698,"about_ca_topic_score_gemma":0.0015943631,"teacher_disagreement_score":0.7957604,"about_ca_system_score_codex":0.000045804223,"about_ca_system_score_gemma":0.00011458367,"threshold_uncertainty_score":0.9998285},"labels":[],"label_agreement":null},{"id":"W3030105475","doi":"10.7202/1068769ar","title":"Les figures du « presque-humain » au prisme du manga japonais","year":2020,"lang":"fr","type":"article","venue":"Captures","topic":"Historical and Scientific Studies","field":"Medicine","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Comics; Zombie; Molecular biology; Biology; Computer science; Literature; World Wide Web","score_opus":0.05174391890943182,"score_gpt":0.25531810454712545,"score_spread":0.20357418563769364,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3030105475","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.105218925,0.30411187,0.000996891,0.23872031,0.01600694,0.0010188412,0.0002657814,0.00037689158,0.33328354],"genre_scores_gemma":[0.8863272,0.0009706201,0.0001761721,0.003769303,0.0087145185,0.0000342739,0.0000321024,0.00004067002,0.09993515],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99770933,0.00015080572,0.00039143866,0.00060159655,0.0004949867,0.00065181026],"domain_scores_gemma":[0.9986079,0.00028675512,0.00010296307,0.0002961727,0.00014399843,0.00056222826],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00026753964,0.00033663053,0.00053739955,0.00006265377,0.00049147784,0.00005003459,0.00029551098,0.0002466372,0.0031539374],"category_scores_gemma":[0.0015978893,0.00027125498,0.00025627512,0.00029742988,0.000601475,0.00007680422,0.00017420058,0.00045000296,0.0010346962],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010319088,0.00016695424,0.008185976,0.00066642085,0.0001854597,0.0005166507,0.035373382,0.000036689013,0.0012352212,0.0096859485,0.9319199,0.0119242435],"study_design_scores_gemma":[0.0006844535,0.0002316832,0.027160974,0.00021369258,0.00023324275,0.000027696007,0.0018143583,0.0005274494,0.0004905741,0.00027702923,0.96804285,0.000295983],"about_ca_topic_score_codex":0.0016849429,"about_ca_topic_score_gemma":0.00021051035,"teacher_disagreement_score":0.78110826,"about_ca_system_score_codex":0.00034569966,"about_ca_system_score_gemma":0.0001457282,"threshold_uncertainty_score":0.99997395},"labels":[],"label_agreement":null},{"id":"W3030552820","doi":"10.7202/1068771ar","title":"Du devenir-parasite. Le corps manga entre posthumanité et horreur corporelle","year":2020,"lang":"fr","type":"article","venue":"Captures","topic":"Japanese History and Culture","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.025903130110697798,"score_gpt":0.24232377723811985,"score_spread":0.21642064712742204,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3030552820","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.40227458,0.070141554,0.00006909638,0.12791619,0.004969221,0.0006463101,0.00019452767,0.00033819472,0.39345032],"genre_scores_gemma":[0.90894693,0.0004143655,0.0000701507,0.01273747,0.0017144523,0.000010457348,0.000060888575,0.000035143596,0.07601012],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99798876,0.00046729084,0.0002499357,0.0004576869,0.00038825208,0.00044805472],"domain_scores_gemma":[0.9990516,0.000077046505,0.00017627221,0.0001900989,0.00011731509,0.00038771663],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00022638899,0.00029478283,0.0003192026,0.000025326935,0.00077315007,0.000104059895,0.0005004975,0.00035658228,0.0028505293],"category_scores_gemma":[0.00013545256,0.0002912024,0.00021024256,0.00033943562,0.00068120175,0.0002886035,0.000082842,0.00050952856,0.0017095463],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000048269972,0.00012800947,0.0009393044,0.00005910235,0.00005308075,0.00027148562,0.16196302,0.00006668194,0.00092247204,0.3315525,0.50314736,0.0008487117],"study_design_scores_gemma":[0.0003418252,0.00009067112,0.0010168678,0.000042329128,0.00007114481,0.00003019955,0.021379182,0.000032094667,0.00012288519,0.0024358826,0.9740677,0.00036923008],"about_ca_topic_score_codex":0.0013488748,"about_ca_topic_score_gemma":0.0025431304,"teacher_disagreement_score":0.5066724,"about_ca_system_score_codex":0.0001019822,"about_ca_system_score_gemma":0.00032230126,"threshold_uncertainty_score":0.999954},"labels":[],"label_agreement":null},{"id":"W3031869542","doi":"10.7202/1068767ar","title":"Le corps augmenté dans la bande dessinée","year":2020,"lang":"fr","type":"article","venue":"Captures","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.1518439637586024,"score_gpt":0.2779398251203713,"score_spread":0.1260958613617689,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3031869542","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.022652,0.02279961,0.04557115,0.07040309,0.0018541615,0.00023749395,0.000046754674,0.0002734766,0.83616227],"genre_scores_gemma":[0.9677972,0.00007368925,0.00086127804,0.008811089,0.0004755888,0.0000030052213,0.000009037405,0.000015207008,0.021953875],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987422,0.00008046974,0.00019473852,0.00038289232,0.00022362647,0.0003760249],"domain_scores_gemma":[0.99902934,0.00007564831,0.00007795343,0.00024892495,0.00006763872,0.0005004829],"candidate_categories":["scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.000056485816,0.00021900811,0.00020649444,0.00001839676,0.00015880623,0.0016840148,0.0004909497,0.00013219721,0.00006881167],"category_scores_gemma":[0.000090350746,0.00017142025,0.00012259427,0.00023718749,0.00027991345,0.0016170029,0.00026566902,0.00020314378,0.0002372568],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012142326,0.000098127704,0.00005336373,0.00005415663,0.000035804715,0.0007490171,0.01497868,0.0003574731,0.0054490976,0.7940246,0.17401017,0.01017735],"study_design_scores_gemma":[0.0005528749,0.00017810703,0.0032668759,0.000103509075,0.000026659127,0.0003314704,0.00062995777,0.006139451,0.010370533,0.01447183,0.9634791,0.00044965517],"about_ca_topic_score_codex":0.00060128,"about_ca_topic_score_gemma":0.00011726904,"teacher_disagreement_score":0.94514525,"about_ca_system_score_codex":0.000029291865,"about_ca_system_score_gemma":0.0002653007,"threshold_uncertainty_score":0.99935234},"labels":[],"label_agreement":null},{"id":"W3032530170","doi":"10.7202/1068768ar","title":"Corps, technologies et appareils chez Alejandro Jodorowsky. Les cycles de La Caste des Méta-Barons et des Technopères","year":2020,"lang":"fr","type":"article","venue":"Captures","topic":"Historical and Scientific Studies","field":"Medicine","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Political science; Caste; Philosophy","score_opus":0.07254513056307743,"score_gpt":0.31400865107954934,"score_spread":0.2414635205164719,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3032530170","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.39679134,0.521729,0.0031701974,0.031542845,0.0011993198,0.00062450866,0.00032846554,0.0014656567,0.043148663],"genre_scores_gemma":[0.97315514,0.009980485,0.0053677172,0.001000957,0.00028506469,0.00007540755,0.000018822017,0.00006086486,0.010055514],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99707514,0.00039638364,0.00045363363,0.00070216716,0.00046722798,0.0009054721],"domain_scores_gemma":[0.9980062,0.00091681303,0.00014618038,0.0004066758,0.00019430363,0.00032979404],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0010193908,0.00049846043,0.0007453309,0.00017184419,0.00060967624,0.00013708985,0.0004888916,0.00064703595,0.00023916841],"category_scores_gemma":[0.005119817,0.00040531566,0.00025113084,0.0007030635,0.005868747,0.00016828057,0.00036807387,0.0010411522,0.00016998753],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002835461,0.0007273445,0.091372766,0.0029872325,0.00088373135,0.0021912288,0.07706884,0.00038802033,0.089601666,0.042856418,0.49716568,0.19447352],"study_design_scores_gemma":[0.0014624067,0.0006171571,0.03273411,0.0016259875,0.00067458104,0.0004580481,0.045175742,0.0002938944,0.051154524,0.013843417,0.8509279,0.0010322694],"about_ca_topic_score_codex":0.0007417039,"about_ca_topic_score_gemma":0.00046887164,"teacher_disagreement_score":0.57636386,"about_ca_system_score_codex":0.00031766607,"about_ca_system_score_gemma":0.00027025127,"threshold_uncertainty_score":0.99983984},"labels":[],"label_agreement":null},{"id":"W3032686055","doi":"10.7202/1068776ar","title":"“Deep” Time in Times of Precarity. Comics and Anthropocene Poetics","year":2020,"lang":"en","type":"article","venue":"Captures","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Anthropocene; Temporality; Comics; Deep time; Poetics; Counterpoint; Literature; Reading (process); Contradiction; Art; Politics; Aesthetics; History; Sociology; Philosophy; Geology; Poetry; Environmental ethics; Epistemology; Political science; Law; Paleontology; Linguistics","score_opus":0.019404428446396657,"score_gpt":0.2163138295858382,"score_spread":0.19690940113944155,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3032686055","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6539245,0.012681475,0.00003833978,0.012981962,0.00028067848,0.00046723205,0.0001653402,0.00014032434,0.31932008],"genre_scores_gemma":[0.9984839,0.00011698,0.000064234824,0.00035881277,0.000091193164,0.0000011846824,0.000005837678,0.0000120763625,0.00086576],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999651,0.000016582148,0.000111891604,0.00009667913,0.00004948059,0.00007436685],"domain_scores_gemma":[0.9998114,0.000031819567,0.00004026527,0.000060303515,0.000020226888,0.000035945635],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000029634137,0.000069034315,0.00014875157,0.00004258508,0.00003375161,0.000027700682,0.00006029373,0.000025912652,0.0007734285],"category_scores_gemma":[0.000018539911,0.00005960623,0.000023954646,0.000025973164,0.00030389277,0.000032777953,0.000034048182,0.000065270484,0.0000028808672],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000746878,0.00010802051,0.003527453,0.00012578681,0.00006674551,0.000009868934,0.14613572,0.00004329006,0.00064522785,0.78374845,0.06380745,0.0017072835],"study_design_scores_gemma":[0.004758898,0.0012684285,0.008403502,0.00029539858,0.00014764193,0.000008911956,0.04293047,0.031165699,0.005379936,0.14248745,0.76152253,0.0016311187],"about_ca_topic_score_codex":0.00010734362,"about_ca_topic_score_gemma":0.000276185,"teacher_disagreement_score":0.6977151,"about_ca_system_score_codex":0.0000020391583,"about_ca_system_score_gemma":0.000008136445,"threshold_uncertainty_score":0.8468499},"labels":[],"label_agreement":null},{"id":"W3032726638","doi":"10.7202/1068777ar","title":"Memory Disorders and the Extension of the Postmodern Fictional Boundary. Paul Auster’s Man in the Dark","year":2020,"lang":"en","type":"article","venue":"Captures","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Postmodernity; Postmodernism; Narrative; Subject (documents); Extension (predicate logic); Amnesia; Psychoanalysis; Psychology; Literature; Aesthetics; Philosophy; Cognitive psychology; Art; Computer science","score_opus":0.017988696228930238,"score_gpt":0.202416611559021,"score_spread":0.18442791533009076,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3032726638","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.63377345,0.019453436,0.000010899887,0.19895512,0.000763806,0.0007381688,0.00010750069,0.000032421016,0.14616522],"genre_scores_gemma":[0.9852907,0.000021463678,0.00000119725,0.013509712,0.00027150867,0.000009630093,0.000008457154,0.0000060761495,0.0008812499],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.999394,0.00011929681,0.00013382823,0.000116828145,0.00015209451,0.000083928964],"domain_scores_gemma":[0.9996346,0.000120013436,0.000037990565,0.00016457721,0.000026917874,0.000015873844],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00013352114,0.00008514856,0.000102521124,0.0000103301,0.00024810742,0.00013988027,0.00018533954,0.000024857445,0.00010194274],"category_scores_gemma":[0.000029683699,0.000035303652,0.00006789566,0.000024895726,0.00049024855,0.000088959176,0.000049892762,0.00018740245,0.0000013035983],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00028199638,0.000049477694,0.00018797888,0.00006564802,0.00003567942,0.000009183046,0.4684805,0.000008178904,0.00006532556,0.43482408,0.093579076,0.0024128715],"study_design_scores_gemma":[0.00095624285,0.00005382171,0.006078514,0.000046333946,0.00003965292,0.00000911496,0.026992932,0.00015887509,0.0000142101235,0.041070346,0.9244597,0.000120283126],"about_ca_topic_score_codex":0.00009837903,"about_ca_topic_score_gemma":0.00087770453,"teacher_disagreement_score":0.8308806,"about_ca_system_score_codex":0.0000025801796,"about_ca_system_score_gemma":0.000018177658,"threshold_uncertainty_score":0.19082667},"labels":[],"label_agreement":null},{"id":"W3034228113","doi":"10.7202/1073472ar","title":"Spectacle(s) du monde","year":2020,"lang":"fr","type":"article","venue":"Captures","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Spectacle; Political science","score_opus":0.05385559626766941,"score_gpt":0.23646750800049335,"score_spread":0.18261191173282393,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3034228113","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010134404,0.25752652,0.00009448837,0.20419095,0.0044425484,0.00017514233,0.000027137115,0.00013824661,0.52327055],"genre_scores_gemma":[0.93240196,0.008007955,0.0001414241,0.009720713,0.0107136695,0.0000072795065,0.0000026151245,0.000020314375,0.038984057],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987176,0.00013314573,0.00016152993,0.0002622619,0.0003164697,0.00040896173],"domain_scores_gemma":[0.9994078,0.00009062154,0.000063171916,0.000079640355,0.00006152648,0.00029719443],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0001077957,0.00016391683,0.0002458597,0.000012626955,0.00051135063,0.00007774111,0.00026447614,0.00016801491,0.0021455607],"category_scores_gemma":[0.00035718354,0.00016703435,0.0001624404,0.0003680996,0.00092593546,0.00013090618,0.00007927891,0.00022204836,0.0009863777],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000041410203,0.000025160674,0.0005297767,0.000018289142,0.000046339133,0.00003414356,0.07296115,0.00001086141,0.000020696698,0.33673882,0.585165,0.0044456096],"study_design_scores_gemma":[0.00014965938,0.00004714631,0.002013547,0.000014090251,0.000039367816,4.6823152e-7,0.008396621,0.00006839179,0.000035248704,0.010522831,0.97851056,0.00020206254],"about_ca_topic_score_codex":0.00470704,"about_ca_topic_score_gemma":0.0010089986,"teacher_disagreement_score":0.92226756,"about_ca_system_score_codex":0.00014949935,"about_ca_system_score_gemma":0.00008385974,"threshold_uncertainty_score":0.99979144},"labels":[],"label_agreement":null},{"id":"W3034804588","doi":"10.7202/1073479ar","title":"Penser le palimpseste numérique. Le projet d’édition numérique collaborative de l’Anthologie palatine","year":2020,"lang":"fr","type":"article","venue":"Captures","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.18636506969145555,"score_gpt":0.3094454185985347,"score_spread":0.12308034890707914,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3034804588","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.098964535,0.018939462,0.05700083,0.54147655,0.0020894902,0.0017726007,0.0004712673,0.00081920804,0.27846605],"genre_scores_gemma":[0.9799531,0.00027687332,0.002691572,0.0091405455,0.00077593967,0.000035264406,0.00006423913,0.00003083605,0.00703163],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976466,0.00032845,0.0003938646,0.0006701047,0.00028062752,0.0006803897],"domain_scores_gemma":[0.99824476,0.0001522626,0.00023271532,0.000369349,0.0004693799,0.0005315401],"candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00018366675,0.00041193783,0.00041119888,0.000045441815,0.00029291314,0.0015696458,0.00051313185,0.00030923352,0.000070029404],"category_scores_gemma":[0.0005436074,0.00033197997,0.00015038761,0.0007348149,0.00034622633,0.0027738062,0.0002970239,0.0004102113,0.00012536177],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011559945,0.00037698584,0.00042449572,0.00022906046,0.00009869376,0.0016116787,0.06971527,0.0018939606,0.019978162,0.5719233,0.33089674,0.0027360662],"study_design_scores_gemma":[0.0027274548,0.0019101516,0.0104122395,0.0005556683,0.00003080337,0.00095094275,0.020669976,0.021475913,0.10669873,0.106202446,0.7261646,0.0022010603],"about_ca_topic_score_codex":0.00087935297,"about_ca_topic_score_gemma":0.00041225686,"teacher_disagreement_score":0.88098854,"about_ca_system_score_codex":0.00008605912,"about_ca_system_score_gemma":0.00097295607,"threshold_uncertainty_score":0.9999132},"labels":[],"label_agreement":null},{"id":"W3034892874","doi":"10.7202/1073478ar","title":"Cartographier les internets. Atlas critique d’Internet et diagrammatique sensible de l’espace numérique","year":2020,"lang":"fr","type":"article","venue":"Captures","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Political science; Art","score_opus":0.1297750883214247,"score_gpt":0.3088968552094696,"score_spread":0.17912176688804488,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3034892874","genre_codex":"methods","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14574203,0.039902344,0.36059937,0.28663725,0.0024608439,0.0009375853,0.00012099081,0.0008733244,0.16272628],"genre_scores_gemma":[0.9475635,0.0008141798,0.0025883196,0.024222216,0.00058550143,0.00001594168,0.000023403218,0.00004696578,0.024139956],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9973865,0.0003621323,0.00041528224,0.00073329563,0.00029536732,0.00080740603],"domain_scores_gemma":[0.9980109,0.00022719156,0.00015444835,0.00042428594,0.00027528778,0.0009079337],"candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00020350613,0.0005247177,0.00046176155,0.00009402755,0.00008906295,0.0024483346,0.0007358462,0.000565051,0.00015409176],"category_scores_gemma":[0.00043386267,0.0004316937,0.00035497942,0.0005183168,0.00036100732,0.0019588629,0.00049713644,0.0010598823,0.00015671551],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037745973,0.00010015588,0.00048828305,0.0002084596,0.00008228511,0.0011159055,0.06602889,0.0004965597,0.0031120335,0.5894455,0.33572018,0.0031640523],"study_design_scores_gemma":[0.00049834116,0.00049173285,0.0022283278,0.00050151447,0.000030018258,0.00082480774,0.0018159952,0.020986803,0.034389585,0.016805587,0.9204442,0.0009830755],"about_ca_topic_score_codex":0.009619648,"about_ca_topic_score_gemma":0.004768494,"teacher_disagreement_score":0.8018215,"about_ca_system_score_codex":0.00007786176,"about_ca_system_score_gemma":0.00020228916,"threshold_uncertainty_score":0.9998135},"labels":[],"label_agreement":null},{"id":"W3035219564","doi":"10.7202/1073471ar","title":"Volume 5 numéro 1","year":2020,"lang":"fr","type":"article","venue":"Captures","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art; Physics","score_opus":0.0653115824293495,"score_gpt":0.2535264227693689,"score_spread":0.1882148403400194,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3035219564","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002995123,0.27368313,0.00013804737,0.16535212,0.0075824964,0.00015654914,0.000034631856,0.00012239286,0.5499355],"genre_scores_gemma":[0.73733324,0.004462861,0.00021623886,0.014425947,0.015990961,0.000011001518,0.0000046959894,0.000024692312,0.22753033],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987447,0.00013789105,0.00015531668,0.00024512198,0.00030015674,0.0004167588],"domain_scores_gemma":[0.99943644,0.00005880936,0.00005922278,0.000077347686,0.0000667893,0.00030139592],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00010865846,0.00015005299,0.00023452671,0.000010229858,0.0004681731,0.00007522408,0.00025148797,0.000187609,0.004456696],"category_scores_gemma":[0.00032675086,0.00015636055,0.00015407107,0.00035504994,0.0009954012,0.00013157801,0.00006858886,0.00022359406,0.0019055019],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000028192762,0.00001822509,0.0004886985,0.000021591391,0.000038385468,0.000016038717,0.06405003,0.0000072488565,0.000007981321,0.15995531,0.76831615,0.0070775077],"study_design_scores_gemma":[0.00010975651,0.00004414791,0.0010869598,0.000014301416,0.000029285286,2.4219418e-7,0.0080501465,0.000074834155,0.000009782044,0.006229179,0.9841645,0.00018688786],"about_ca_topic_score_codex":0.004891765,"about_ca_topic_score_gemma":0.0008441356,"teacher_disagreement_score":0.73433816,"about_ca_system_score_codex":0.00012767059,"about_ca_system_score_gemma":0.0000963597,"threshold_uncertainty_score":0.9988716},"labels":[],"label_agreement":null},{"id":"W3035250476","doi":"10.7202/1073476ar","title":"Renversements décoloniaux de la cartographie de l’Arctique","year":2020,"lang":"fr","type":"article","venue":"Captures","topic":"Geographic Information Systems Studies","field":"Social Sciences","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Geography; Humanities; Philosophy","score_opus":0.02602495704092541,"score_gpt":0.31409309561394705,"score_spread":0.28806813857302166,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3035250476","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.38610497,0.028641617,0.000745556,0.12855488,0.0030060937,0.0009796979,0.00009559428,0.00039613334,0.45147544],"genre_scores_gemma":[0.98737305,0.0019085199,0.00045692112,0.006772562,0.00077389256,0.00004391796,0.0000033004096,0.000013604193,0.0026542526],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980454,0.00055107934,0.00028862394,0.00019431996,0.0003427006,0.00057790655],"domain_scores_gemma":[0.99907297,0.00020916101,0.00015973988,0.00012670999,0.00011541064,0.00031599385],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00091265014,0.00017947178,0.00022604135,0.00008818348,0.0006221441,0.00011186193,0.00028751604,0.00030298013,0.00024858332],"category_scores_gemma":[0.00034586294,0.00019173782,0.00018148072,0.00078512746,0.0010954995,0.00023594296,0.000084001804,0.0003106801,0.00015352438],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021514717,0.000049619026,0.11463215,0.0002621611,0.00030906158,0.000054798187,0.44436693,0.00016798028,0.00019893388,0.18659535,0.25178835,0.0015531533],"study_design_scores_gemma":[0.00031039736,0.000051393166,0.028206935,0.00006323411,0.00006620105,0.000008279563,0.043558795,0.00004788632,0.00007086168,0.0032065874,0.92418927,0.00022015472],"about_ca_topic_score_codex":0.007154347,"about_ca_topic_score_gemma":0.00092506583,"teacher_disagreement_score":0.67240095,"about_ca_system_score_codex":0.00013089093,"about_ca_system_score_gemma":0.00023653184,"threshold_uncertainty_score":0.9994571},"labels":[],"label_agreement":null},{"id":"W3094511176","doi":"10.7202/1068775ar","title":"Érotismes du corps augmenté dans la bande dessinée. Le Déclic, Ghost In The Shell, Druuna","year":2020,"lang":"fr","type":"article","venue":"Captures","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Burlesque; Art; Humanities; Augment; Shell (structure); Physics; Art history; Philosophy; Materials science; Linguistics","score_opus":0.019961005335783565,"score_gpt":0.21562765313106386,"score_spread":0.19566664779528029,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3094511176","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4750068,0.060765896,0.00011224666,0.21668895,0.0016409744,0.000703289,0.00033356296,0.00006925594,0.24467903],"genre_scores_gemma":[0.9843895,0.0013726387,0.000017019333,0.0057460647,0.0012614501,0.000030016301,0.000027185644,0.000029045123,0.0071270987],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984762,0.00034606337,0.00031143313,0.0003196508,0.00020420057,0.00034241728],"domain_scores_gemma":[0.9992304,0.00028196696,0.00010832772,0.00022958379,0.000041867042,0.00010788869],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00028101113,0.00027808663,0.00029215345,0.00006463947,0.0005785319,0.00058516156,0.00043191828,0.00011864967,0.0008739247],"category_scores_gemma":[0.000055035216,0.00020544569,0.00017577135,0.00009987901,0.0010146927,0.00018733011,0.000086911314,0.00044513025,0.00004603293],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033560038,0.00014788771,0.0011244242,0.00006291587,0.000040689043,0.00014052664,0.20376009,0.000050375013,0.00013613212,0.6794283,0.11381797,0.0012571895],"study_design_scores_gemma":[0.000686188,0.000113754635,0.007648594,0.00010432196,0.000047133242,0.000020850022,0.07631787,0.00035369585,0.00010186536,0.016284022,0.8980241,0.00029759243],"about_ca_topic_score_codex":0.0020048474,"about_ca_topic_score_gemma":0.0044207405,"teacher_disagreement_score":0.78420615,"about_ca_system_score_codex":0.00002426408,"about_ca_system_score_gemma":0.00011636604,"threshold_uncertainty_score":0.95688623},"labels":[],"label_agreement":null},{"id":"W3110832830","doi":"10.7202/1073475ar","title":"Constellations de données historiques. Un atlas numérique de l’architecture publique en France (1795-1840)","year":2020,"lang":"fr","type":"article","venue":"Captures","topic":"Diverse Cultural and Historical Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Political science; Art","score_opus":0.026325939889426168,"score_gpt":0.24283823433297932,"score_spread":0.21651229444355316,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3110832830","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02076913,0.14818352,0.0018790766,0.4629475,0.0032748883,0.0006410727,0.0001657814,0.00044221673,0.3616968],"genre_scores_gemma":[0.93758976,0.007297506,0.0015280084,0.013765325,0.0047682663,0.000027671116,0.000013511526,0.000033613152,0.03497633],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977671,0.0004564339,0.0002677851,0.0004291163,0.000414958,0.0006646378],"domain_scores_gemma":[0.9985596,0.0003249874,0.00013774348,0.0001287682,0.00028651286,0.00056241814],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00030505346,0.00029831243,0.00037684152,0.000034852386,0.00094847975,0.00013060607,0.0004832706,0.00043316648,0.0010946051],"category_scores_gemma":[0.0009912822,0.00026444733,0.00021513141,0.00058663066,0.0010849074,0.00023558305,0.00012507687,0.00065653905,0.00014057833],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033408785,0.00009051946,0.0021408712,0.00014622719,0.00014641088,0.00008880688,0.23710598,0.0006698128,0.00038179458,0.3542401,0.39712387,0.007832208],"study_design_scores_gemma":[0.00018209554,0.0000681959,0.0005490932,0.00004980158,0.00004115313,0.000007410399,0.00652052,0.000044476208,0.00011697609,0.009331687,0.98274297,0.0003456002],"about_ca_topic_score_codex":0.007090823,"about_ca_topic_score_gemma":0.0015984022,"teacher_disagreement_score":0.91682065,"about_ca_system_score_codex":0.0010973855,"about_ca_system_score_gemma":0.00047601567,"threshold_uncertainty_score":0.99998075},"labels":[],"label_agreement":null},{"id":"W3112118868","doi":"10.7202/1073477ar","title":"Seuils de visibilité dans l’art vidéo. How Not to Be Seen de Hito Steyerl","year":2020,"lang":"fr","type":"article","venue":"Captures","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.24808206630394908,"score_gpt":0.3188459776755003,"score_spread":0.07076391137155125,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3112118868","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3353855,0.0034419799,0.057353735,0.5393374,0.0016010357,0.00073184806,0.00032558516,0.0003958507,0.06142705],"genre_scores_gemma":[0.85816765,0.000025210451,0.005100845,0.07666623,0.0010290849,0.000008980019,0.000011681721,0.000029584304,0.05896072],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99759734,0.0001259617,0.0002498624,0.0007077998,0.0004009882,0.00091802556],"domain_scores_gemma":[0.99755263,0.0001423545,0.000081960454,0.0005611684,0.0001559734,0.0015059032],"candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00017441766,0.00037169745,0.00034916357,0.000044831355,0.00015127298,0.002344134,0.0009295628,0.00021068034,0.00006811905],"category_scores_gemma":[0.0005174093,0.00029884893,0.00020536403,0.00048526688,0.00011732288,0.0016097567,0.0004960667,0.0003035257,0.00029854442],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007824655,0.00013818957,0.00051718834,0.00015593816,0.000082366925,0.0007879659,0.09273848,0.0014447115,0.08247332,0.057222717,0.7531642,0.011196709],"study_design_scores_gemma":[0.00042834764,0.0007594096,0.012973672,0.00011399006,0.00004737831,0.00021992315,0.0012214689,0.008257903,0.06344984,0.0024080311,0.9093734,0.00074663525],"about_ca_topic_score_codex":0.0004433201,"about_ca_topic_score_gemma":0.0005418838,"teacher_disagreement_score":0.52278215,"about_ca_system_score_codex":0.00019706166,"about_ca_system_score_gemma":0.00026723387,"threshold_uncertainty_score":0.99994636},"labels":[],"label_agreement":null},{"id":"W3113246155","doi":"10.7202/1073480ar","title":"Représentations du viol dans la télésérie Fugueuse. Une analyse de la recomposition des scripts sexuels traditionnels","year":2020,"lang":"fr","type":"article","venue":"Captures","topic":"Gender, Security, and Conflict","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Political science; Sociology; Philosophy","score_opus":0.04218892772202326,"score_gpt":0.32640000537257424,"score_spread":0.284211077650551,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3113246155","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8703019,0.00594158,0.0068825316,0.030997153,0.0011394983,0.0003544287,0.00020099591,0.00022001793,0.083961904],"genre_scores_gemma":[0.9929282,0.0012426757,0.0006289715,0.002564547,0.0016063717,0.00003217197,0.000081485785,0.00002662112,0.00088892155],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99712086,0.0013707802,0.00032727348,0.0004441829,0.00030994145,0.0004269737],"domain_scores_gemma":[0.9987848,0.0003333468,0.0001397669,0.00019237622,0.000121146586,0.0004286097],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00043109388,0.00023452268,0.00026155368,0.000066971465,0.0008684377,0.00030508765,0.00031705765,0.0003021096,0.00050165964],"category_scores_gemma":[0.00025446274,0.00026122885,0.00023113094,0.0008001007,0.0013827687,0.0004162766,0.00003356287,0.00033796713,0.00008111142],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040514013,0.00038738808,0.006722998,0.00014196907,0.00026304062,0.0002564954,0.81115085,0.0010912669,0.014232273,0.1234757,0.036016747,0.0062207417],"study_design_scores_gemma":[0.0015179892,0.0003060743,0.16819769,0.00025248833,0.0011013765,0.00018764222,0.44435838,0.0026350725,0.0054163206,0.19902305,0.17576304,0.0012408696],"about_ca_topic_score_codex":0.0061791884,"about_ca_topic_score_gemma":0.0022245706,"teacher_disagreement_score":0.36679247,"about_ca_system_score_codex":0.00016977052,"about_ca_system_score_gemma":0.00025803674,"threshold_uncertainty_score":0.99998397},"labels":[],"label_agreement":null},{"id":"W3119544888","doi":"10.7202/1060157ar","title":"Vérités et fictions de l’infanticide","year":2019,"lang":"fr","type":"article","venue":"Captures","topic":"Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.012545597643537751,"score_gpt":0.2475041303592125,"score_spread":0.23495853271567477,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3119544888","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.029699592,0.10269662,0.000010836399,0.025833836,0.0052462486,0.00021310925,0.0002116437,0.00009128092,0.8359968],"genre_scores_gemma":[0.4539971,0.00069053075,0.000063314634,0.0052538957,0.0020472992,0.0000127754665,0.00003181308,0.000021748085,0.5378815],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990345,0.000070472226,0.00017596064,0.0002223773,0.0001273675,0.0003692735],"domain_scores_gemma":[0.9994615,0.000077014425,0.00005370582,0.00022186554,0.00011322972,0.000072700896],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00011318042,0.00021432705,0.00022479691,0.000043503842,0.00036099067,0.00037961054,0.0001250108,0.00013783904,0.0060529504],"category_scores_gemma":[0.000027747532,0.00017181954,0.00016915807,0.000039165523,0.00020903637,0.00024132195,0.000049013957,0.00036797812,0.0009641703],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000892023,0.000043198972,0.0002700959,0.0000817765,0.00010637093,0.000011091426,0.050043523,0.00001667718,0.00011718297,0.60199505,0.34710237,0.00020375312],"study_design_scores_gemma":[0.0002138345,0.000088462446,0.001034694,0.00016491197,0.00010312095,0.000022239085,0.009263913,0.000015646676,0.00012163907,0.0054005976,0.98333335,0.00023756381],"about_ca_topic_score_codex":0.00050763495,"about_ca_topic_score_gemma":0.0009261115,"teacher_disagreement_score":0.636231,"about_ca_system_score_codex":0.00003199949,"about_ca_system_score_gemma":0.00005050306,"threshold_uncertainty_score":0.9998137},"labels":[],"label_agreement":null},{"id":"W3165225207","doi":"10.7202/1076452ar","title":"Tentative d’épuisement d’un flux parisien","year":2021,"lang":"fr","type":"article","venue":"Captures","topic":"Evelyn Waugh and Hans Urs von Balthasar Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Flux (metallurgy); Geology; Materials science; Metallurgy","score_opus":0.029502708965472448,"score_gpt":0.25641893156223994,"score_spread":0.2269162225967675,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3165225207","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.01587571,0.32173446,0.000086377746,0.03677437,0.0068386705,0.0002624135,0.0006511004,0.000091826994,0.6176851],"genre_scores_gemma":[0.28791717,0.0056270254,0.00045072683,0.006058448,0.0035159744,0.00005247475,0.00017260823,0.000056297344,0.6961493],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99808824,0.00015304689,0.00037796746,0.0004595575,0.00031349406,0.0006076984],"domain_scores_gemma":[0.9988921,0.00013913706,0.00012644757,0.00030791966,0.00036562656,0.00016876978],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000136182,0.0003620977,0.00043428078,0.000062914754,0.00096162205,0.00032165335,0.00017488786,0.00012640927,0.01891841],"category_scores_gemma":[0.000082777784,0.00032138135,0.0002439777,0.00007900983,0.000675949,0.00016794914,0.00017696319,0.00032937812,0.0010005876],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017862865,0.0002959073,0.00032573863,0.00014963844,0.000527742,0.00032521653,0.077386245,0.0000059401536,0.00009417113,0.46891433,0.44214055,0.009816667],"study_design_scores_gemma":[0.0005335534,0.00010151349,0.0018442073,0.00013970143,0.00022630945,0.000021466245,0.048391953,0.00001044873,0.0025396463,0.0095717525,0.93623173,0.000387699],"about_ca_topic_score_codex":0.0005888349,"about_ca_topic_score_gemma":0.0015385392,"teacher_disagreement_score":0.49409118,"about_ca_system_score_codex":0.00011587927,"about_ca_system_score_gemma":0.00014909389,"threshold_uncertainty_score":0.9999238},"labels":[],"label_agreement":null},{"id":"W3176631838","doi":"10.7202/1073473ar","title":"Cartographie anachronique. Le premier plan rétrospectif de Paris par Jacques-Antoine Dulaure en 1821","year":2020,"lang":"fr","type":"article","venue":"Captures","topic":"Diverse Cultural and Historical Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Plan (archaeology); Art; Geography; Archaeology","score_opus":0.024802090745502083,"score_gpt":0.2430219794628681,"score_spread":0.21821988871736603,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3176631838","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10744731,0.26829997,0.00014051494,0.26033944,0.0045878403,0.0009859037,0.00044070638,0.0006845939,0.35707375],"genre_scores_gemma":[0.97562826,0.009065379,0.00029263124,0.0021842064,0.0029124375,0.00002182111,0.000022591716,0.000021339345,0.00985131],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99805325,0.0002463041,0.00023716169,0.0004573074,0.0003716956,0.00063427887],"domain_scores_gemma":[0.99912244,0.00008223224,0.00010990773,0.00012929334,0.00010332475,0.00045279655],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00016355261,0.00028638894,0.00041851442,0.000028319088,0.00092856155,0.000108948814,0.00035195317,0.00029290447,0.0011675104],"category_scores_gemma":[0.00016273919,0.00024490803,0.00028007495,0.0005621096,0.0008556161,0.00023778215,0.000125716,0.00039887312,0.00016500967],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000046714144,0.00013534789,0.012994593,0.00010938243,0.00025706185,0.00012706712,0.08066976,0.000048653277,0.00056843436,0.10096143,0.8012038,0.0028777553],"study_design_scores_gemma":[0.00027060066,0.00012751238,0.008904748,0.00004160322,0.0001284896,0.000002723274,0.0062484066,0.000020273514,0.00024151664,0.0020912774,0.98157644,0.0003463987],"about_ca_topic_score_codex":0.04526398,"about_ca_topic_score_gemma":0.009227571,"teacher_disagreement_score":0.868181,"about_ca_system_score_codex":0.00039767608,"about_ca_system_score_gemma":0.00014611217,"threshold_uncertainty_score":0.99974555},"labels":[],"label_agreement":null},{"id":"W3202169497","doi":"10.7202/1076450ar","title":"Le « continent virtuel ». Configurations romanesques de l’imaginaire numérique chez Nicolas Dickner","year":2021,"lang":"fr","type":"article","venue":"Captures","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.0729436646921723,"score_gpt":0.28053488524658277,"score_spread":0.20759122055441048,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3202169497","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03571379,0.058557108,0.03584284,0.20702052,0.0032181223,0.0003952517,0.000086249755,0.0003449052,0.6588212],"genre_scores_gemma":[0.9239655,0.00039060815,0.00076570536,0.006335662,0.00050735695,0.000017549732,0.000044955894,0.00002174662,0.067950904],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981769,0.00016100201,0.00032934416,0.0005166767,0.00025087895,0.00056521926],"domain_scores_gemma":[0.99834347,0.000104119536,0.00011948751,0.0005274327,0.0004976826,0.00040780538],"candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00011689,0.0003064145,0.00031472655,0.000043364416,0.0002909978,0.0026515794,0.0003992725,0.00019885246,0.00020105361],"category_scores_gemma":[0.000259081,0.00026545473,0.0002075857,0.0003210292,0.0003117215,0.0022226335,0.00022501586,0.00030265466,0.0001309053],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000048517704,0.0002627565,0.000074171745,0.000051559105,0.000055875556,0.0009658766,0.0067123543,0.00017999967,0.024781227,0.8537535,0.11119653,0.0019613146],"study_design_scores_gemma":[0.0005429068,0.0000815302,0.0091743395,0.0002443118,0.000024723064,0.0013891364,0.0011152953,0.0034324978,0.068501234,0.027345607,0.88757974,0.0005686832],"about_ca_topic_score_codex":0.0023503385,"about_ca_topic_score_gemma":0.0019834752,"teacher_disagreement_score":0.8882517,"about_ca_system_score_codex":0.0000898299,"about_ca_system_score_gemma":0.0010990218,"threshold_uncertainty_score":0.9999798},"labels":[],"label_agreement":null},{"id":"W3205177686","doi":"10.7202/1076448ar","title":"Fictions du numérique. Représentations d’Internet et des réseaux sociaux dans le roman contemporain","year":2021,"lang":"fr","type":"article","venue":"Captures","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.20549950285612528,"score_gpt":0.3570732441825025,"score_spread":0.15157374132637724,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3205177686","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07934805,0.012465878,0.12770535,0.08006694,0.0034352802,0.00028357387,0.00017515388,0.00030645652,0.6962133],"genre_scores_gemma":[0.80958414,0.00018259103,0.0021473116,0.0030916678,0.00034016703,0.000014523964,0.00012434009,0.000020413558,0.18449484],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981942,0.0002606173,0.00035502916,0.00054385315,0.00023079177,0.00041549784],"domain_scores_gemma":[0.9985018,0.00016415522,0.00013049107,0.00046317664,0.00043434554,0.00030602684],"candidate_categories":["scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00013220185,0.0002678105,0.00025924272,0.0000503777,0.00041806532,0.0022886123,0.0003519836,0.00015774326,0.00020859991],"category_scores_gemma":[0.00037099046,0.00024011987,0.00026282872,0.00041508573,0.000440969,0.002500439,0.00028470662,0.0002625172,0.00011562691],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000026890698,0.00023186648,0.0004240569,0.000023386645,0.00007077738,0.0004994397,0.052053943,0.00020715852,0.0014900139,0.6991384,0.24538651,0.0004717658],"study_design_scores_gemma":[0.0009629633,0.00017755697,0.04877657,0.0003507634,0.000043855416,0.0020454149,0.02649751,0.005087849,0.014630589,0.2185103,0.68202406,0.0008925426],"about_ca_topic_score_codex":0.010193971,"about_ca_topic_score_gemma":0.016019166,"teacher_disagreement_score":0.7302361,"about_ca_system_score_codex":0.0001380428,"about_ca_system_score_gemma":0.0005611429,"threshold_uncertainty_score":0.9987471},"labels":[],"label_agreement":null},{"id":"W4205148055","doi":"10.7202/1076453ar","title":"Un roman utile contre les hommes, l’argent et cette saleté d’Instagram. Je hais Internet de Jarett Kobek","year":2021,"lang":"fr","type":"article","venue":"Captures","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Political science","score_opus":0.1212518508635195,"score_gpt":0.2896542742889754,"score_spread":0.1684024234254559,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4205148055","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.28397328,0.28757936,0.021506391,0.17658137,0.010284434,0.00077988696,0.0006237216,0.0009753118,0.21769625],"genre_scores_gemma":[0.89618987,0.00054759235,0.0016256359,0.018108318,0.00044323166,0.000007915001,0.00012558694,0.000034043194,0.08291783],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9973616,0.00025197965,0.00041607794,0.0007176617,0.00038482636,0.00086782733],"domain_scores_gemma":[0.9981407,0.00018893345,0.00016325907,0.0006602532,0.00027535774,0.00057150365],"candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00017112066,0.0004641363,0.0004490992,0.00006320471,0.00016730984,0.0025971197,0.0006702515,0.00027920687,0.0005552365],"category_scores_gemma":[0.00024387469,0.0003743336,0.0003158161,0.0003318099,0.00024806577,0.0018073589,0.0005922879,0.0004800604,0.00016247744],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014011461,0.0002472277,0.00024051007,0.00006876326,0.00013790178,0.0024807015,0.009326465,0.00009698984,0.0012361557,0.36026365,0.59627396,0.029613685],"study_design_scores_gemma":[0.00064928574,0.00013991709,0.0075182286,0.00030464525,0.000054756114,0.00083138596,0.0007252927,0.0031111215,0.01534007,0.008059893,0.96267587,0.00058951194],"about_ca_topic_score_codex":0.0030493701,"about_ca_topic_score_gemma":0.0022721766,"teacher_disagreement_score":0.61221653,"about_ca_system_score_codex":0.00014395354,"about_ca_system_score_gemma":0.00028883916,"threshold_uncertainty_score":0.99987084},"labels":[],"label_agreement":null},{"id":"W4205252184","doi":"10.7202/1076454ar","title":"Apparaître-disparaître dans l’hyperspectacle. Nous voir nous (Cinq visages pour Camille Brunelle)","year":2021,"lang":"fr","type":"article","venue":"Captures","topic":"Death, Funerary Practices, and Mourning","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.025595877661292152,"score_gpt":0.2930244154591104,"score_spread":0.2674285377978182,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4205252184","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.32766935,0.21821985,0.00038553873,0.025415493,0.006676901,0.00038606214,0.00010783041,0.00028075746,0.4208582],"genre_scores_gemma":[0.5564393,0.011911292,0.00095013774,0.0017048238,0.0036595098,0.000019962361,0.000046170633,0.00008899841,0.4251798],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99508494,0.00094969146,0.0005823167,0.0011208697,0.000870512,0.0013916726],"domain_scores_gemma":[0.9970589,0.00085407426,0.0003967467,0.00072610733,0.00034151378,0.0006226262],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0006622092,0.0006124724,0.00073632615,0.00012589087,0.0014961336,0.00053032464,0.000712159,0.0006531512,0.0033715544],"category_scores_gemma":[0.0008096586,0.0006524154,0.00046142802,0.00087238767,0.00079784985,0.00091571204,0.00022546589,0.001070346,0.0015253779],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018109968,0.0022477608,0.009233845,0.0004101948,0.0010137056,0.008642632,0.4323328,0.0045449017,0.011232744,0.08482896,0.38139078,0.063940555],"study_design_scores_gemma":[0.0008225606,0.00010302326,0.0019384329,0.00020251065,0.0003895766,0.00034780565,0.10849998,0.00043496033,0.0011981351,0.0010785739,0.8840943,0.0008901384],"about_ca_topic_score_codex":0.006615419,"about_ca_topic_score_gemma":0.009741111,"teacher_disagreement_score":0.50270355,"about_ca_system_score_codex":0.00037347202,"about_ca_system_score_gemma":0.0012679539,"threshold_uncertainty_score":0.99999964},"labels":[],"label_agreement":null},{"id":"W4205696440","doi":"10.7202/1079759ar","title":"De machine fictionnelle à machine de guerre. Général Instin","year":2021,"lang":"fr","type":"article","venue":"Captures","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Suite; History; Archaeology","score_opus":0.12194443466862882,"score_gpt":0.2910061991093283,"score_spread":0.16906176444069948,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4205696440","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09717777,0.20272832,0.108933136,0.04921301,0.008042946,0.0003103739,0.00026762596,0.00047868086,0.5328481],"genre_scores_gemma":[0.87375456,0.0003472728,0.005876514,0.006449115,0.0007675676,0.00000483829,0.000057319976,0.00002162574,0.11272117],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982874,0.00012477314,0.0002626657,0.00043226953,0.00022391576,0.00066899956],"domain_scores_gemma":[0.99875957,0.0000895516,0.00008222594,0.00044715294,0.0001622024,0.00045929197],"candidate_categories":["scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00014479861,0.0002693583,0.00024322273,0.00004919875,0.00024913234,0.0014818315,0.00038755094,0.0001846089,0.00067403005],"category_scores_gemma":[0.00029443888,0.00022919437,0.0001813119,0.0004141588,0.00013216081,0.001133754,0.0003482534,0.00037298616,0.00014759367],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000043705742,0.00082303234,0.0022627234,0.00020602257,0.0001768655,0.005811178,0.0167699,0.0086381,0.013071028,0.6245703,0.21733832,0.110288806],"study_design_scores_gemma":[0.0009136044,0.0001700543,0.01672035,0.00023951556,0.00006738241,0.0054470357,0.00031769514,0.10975627,0.01847079,0.054518178,0.79260635,0.00077274756],"about_ca_topic_score_codex":0.0032079543,"about_ca_topic_score_gemma":0.0012144182,"teacher_disagreement_score":0.7765768,"about_ca_system_score_codex":0.00014731594,"about_ca_system_score_gemma":0.00032682685,"threshold_uncertainty_score":0.99955475},"labels":[],"label_agreement":null},{"id":"W4205759353","doi":"10.7202/1079750ar","title":"Volume 6 numéro 1","year":2021,"lang":"fr","type":"article","venue":"Captures","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.037127817190083456,"score_gpt":0.2607827329167839,"score_spread":0.22365491572670043,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4205759353","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0036368382,0.40723494,0.000050890416,0.025307288,0.013176084,0.00005614604,0.000022723467,0.000048785187,0.5504663],"genre_scores_gemma":[0.19057725,0.008143912,0.00024533347,0.0021218155,0.006336941,0.000007783405,0.0000072884895,0.000014790342,0.7925449],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99859357,0.00022018177,0.00015587782,0.00025782536,0.0003143047,0.00045822977],"domain_scores_gemma":[0.99937475,0.00008815855,0.000051151004,0.00014734895,0.00018070727,0.00015789036],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00016351273,0.00014090075,0.00023023509,0.000014609756,0.00059709453,0.00010442129,0.00016081045,0.00022103733,0.008001681],"category_scores_gemma":[0.00035478143,0.00015493948,0.00017853921,0.00040784976,0.00093818095,0.00012240303,0.00007826342,0.00020579997,0.0010541558],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[8.44368e-7,0.000049560196,0.0005836257,0.000016551772,0.000051391016,0.00008279901,0.019463291,0.0000036163499,0.000014946471,0.29696128,0.6729205,0.009851596],"study_design_scores_gemma":[0.00009950761,0.000011514687,0.0025818278,0.00003134243,0.000033874934,0.000002317708,0.010187658,0.000010622569,0.00005338534,0.025224429,0.96158016,0.00018336823],"about_ca_topic_score_codex":0.005560935,"about_ca_topic_score_gemma":0.0067493776,"teacher_disagreement_score":0.39909104,"about_ca_system_score_codex":0.00023198337,"about_ca_system_score_gemma":0.00026494783,"threshold_uncertainty_score":0.9997236},"labels":[],"label_agreement":null},{"id":"W4205853200","doi":"10.7202/1079756ar","title":"David Foster Wallace croisiériste. Le méga-paquebot comme destination finale du tourisme de masse","year":2021,"lang":"fr","type":"article","venue":"Captures","topic":"Travel Writing and Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.03202160803706654,"score_gpt":0.23638171979690437,"score_spread":0.20436011175983781,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4205853200","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.28717852,0.17060882,0.00069451315,0.193205,0.0043766187,0.0004174635,0.0008687051,0.00033831628,0.34231204],"genre_scores_gemma":[0.49457172,0.00022788653,0.00065309356,0.0040167663,0.0031115825,0.000016414795,0.00018576397,0.000050613766,0.4971662],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.998198,0.000292144,0.0003402446,0.0004067284,0.00022009354,0.0005427923],"domain_scores_gemma":[0.9987702,0.00024354999,0.00012938019,0.0003640951,0.00032594954,0.00016682986],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00026697147,0.00032106874,0.00030232497,0.00008709343,0.00071348046,0.0011377066,0.00021418427,0.000277951,0.0014818248],"category_scores_gemma":[0.00013572385,0.00033587115,0.0001956274,0.000092709335,0.00021707496,0.00028172252,0.00009459903,0.0005920719,0.0000816724],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004451326,0.00036804267,0.0007058943,0.0005126166,0.000088529945,0.0010777487,0.048399135,0.00006676234,0.00092410605,0.34048417,0.59896594,0.008362544],"study_design_scores_gemma":[0.00068906177,0.00006939236,0.0025019092,0.00049554347,0.00009420028,0.00030820194,0.004711916,0.00022062002,0.0013221599,0.0049280683,0.98424155,0.00041735524],"about_ca_topic_score_codex":0.001145231,"about_ca_topic_score_gemma":0.0015074685,"teacher_disagreement_score":0.38527563,"about_ca_system_score_codex":0.00014916628,"about_ca_system_score_gemma":0.00028371924,"threshold_uncertainty_score":0.99990934},"labels":[],"label_agreement":null},{"id":"W4206022108","doi":"10.7202/1079754ar","title":"Le village centripète","year":2021,"lang":"fr","type":"article","venue":"Captures","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Political science","score_opus":0.023296508495583616,"score_gpt":0.21809696711895482,"score_spread":0.1948004586233712,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4206022108","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06323551,0.2161655,0.000008683318,0.02745265,0.006439961,0.00010182511,0.0002750871,0.000080619764,0.6862402],"genre_scores_gemma":[0.32979476,0.0020040795,0.00003069237,0.0015526686,0.0026395994,0.0000028684706,0.000063708874,0.00001745011,0.6638942],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99905986,0.00006742364,0.00018053285,0.00023191226,0.00014540879,0.00031487417],"domain_scores_gemma":[0.9994548,0.000028958482,0.00004771745,0.00020307863,0.00016195355,0.000103505954],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00005391605,0.00015207547,0.00019130453,0.000022791084,0.00064083136,0.0007740317,0.00011829425,0.00011330631,0.016688807],"category_scores_gemma":[0.000045404446,0.0001553492,0.00019365417,0.000040967298,0.00033000138,0.0003087757,0.00008542671,0.00020891904,0.0009825737],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000003781698,0.00009072189,0.000012293174,0.00012351977,0.000051152634,0.00035877601,0.012877363,0.0000047521235,0.00070661574,0.80550283,0.1793867,0.0008814624],"study_design_scores_gemma":[0.0002452066,0.000013538903,0.0002048776,0.000093825,0.000051244006,0.000040188348,0.012146502,0.000006560944,0.0016869471,0.006997026,0.97829497,0.00021913221],"about_ca_topic_score_codex":0.0042143683,"about_ca_topic_score_gemma":0.019992795,"teacher_disagreement_score":0.79890823,"about_ca_system_score_codex":0.000030849547,"about_ca_system_score_gemma":0.00013540272,"threshold_uncertainty_score":0.99979526},"labels":[],"label_agreement":null},{"id":"W4206052493","doi":"10.7202/1079753ar","title":"Les ruines de plastique. Luna-Park d’Elsa Triolet","year":2021,"lang":"fr","type":"article","venue":"Captures","topic":"French Historical and Cultural Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.03633226471879548,"score_gpt":0.234599195049582,"score_spread":0.19826693033078652,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4206052493","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.027650252,0.73471075,0.000023235036,0.016694488,0.004085208,0.00008827993,0.00019718314,0.00009606856,0.21645455],"genre_scores_gemma":[0.23320872,0.008703305,0.000120727076,0.0010361009,0.0050048935,0.000031683125,0.000046713565,0.000025800347,0.75182205],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987102,0.00010064163,0.0002568318,0.00030620664,0.0001770866,0.00044901168],"domain_scores_gemma":[0.9992312,0.00017594366,0.00007353484,0.00014931972,0.00023253301,0.00013745281],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00006285152,0.00028097603,0.00034189393,0.000024640036,0.0008667472,0.00020774332,0.0001444305,0.00016394457,0.009200528],"category_scores_gemma":[0.00020224099,0.00021728523,0.00022554213,0.00006172827,0.0005343373,0.00011136382,0.00007568886,0.00031751933,0.00018596003],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001529955,0.00012836677,0.00010827604,0.00017788654,0.00013808861,0.000180395,0.012873965,0.000022149581,0.00027215382,0.35283196,0.6202105,0.013040927],"study_design_scores_gemma":[0.00023350619,0.000066221415,0.0011033243,0.00014813144,0.0001146139,0.000033484124,0.0046326206,0.000014858702,0.00050485507,0.0045536505,0.988272,0.00032274812],"about_ca_topic_score_codex":0.0032195821,"about_ca_topic_score_gemma":0.004900434,"teacher_disagreement_score":0.7260074,"about_ca_system_score_codex":0.0001675037,"about_ca_system_score_gemma":0.000071035574,"threshold_uncertainty_score":0.9917052},"labels":[],"label_agreement":null},{"id":"W4206332712","doi":"10.7202/1079755ar","title":"Lincoln à la foire. George Saunders et la nouvelle de parc à thème","year":2021,"lang":"fr","type":"article","venue":"Captures","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities; George (robot); Art history","score_opus":0.029176097855248682,"score_gpt":0.29055438810477713,"score_spread":0.26137829024952847,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4206332712","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.01779672,0.13569477,0.0002158385,0.03707774,0.0024800466,0.0001516322,0.00004888767,0.00009809525,0.8064363],"genre_scores_gemma":[0.7221103,0.017299855,0.0005949968,0.0038991508,0.0013821872,0.000024624662,0.00001151285,0.000032265798,0.25464514],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971289,0.0012600776,0.00021927507,0.0003497219,0.0003927571,0.00064924866],"domain_scores_gemma":[0.99843425,0.0009372994,0.000088825764,0.00017505036,0.00013233504,0.0002322262],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00088276615,0.0002258226,0.00033610914,0.000027608605,0.00071754376,0.00020657106,0.00025069725,0.00045564343,0.001018202],"category_scores_gemma":[0.00067491556,0.0002378349,0.00025625268,0.0004155198,0.001403945,0.0001385146,0.0001533165,0.0004508439,0.000114732444],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000553122,0.0001848603,0.0013879964,0.00005819462,0.00015908666,0.00023611136,0.090507895,0.00004149974,0.000054654247,0.6663322,0.23000608,0.011025886],"study_design_scores_gemma":[0.00025279296,0.00001910347,0.00543093,0.00007276411,0.00006808258,0.0000066437196,0.029596783,0.000025555935,0.00006634091,0.048123434,0.916067,0.00027056027],"about_ca_topic_score_codex":0.013645963,"about_ca_topic_score_gemma":0.029540505,"teacher_disagreement_score":0.7043136,"about_ca_system_score_codex":0.0003305772,"about_ca_system_score_gemma":0.0009771092,"threshold_uncertainty_score":0.999895},"labels":[],"label_agreement":null},{"id":"W4206355771","doi":"10.7202/1079752ar","title":"Le pouvoir d’enclavement et la fin de l’Histoire. De Jurassic Park aux communautés fermées","year":2021,"lang":"fr","type":"article","venue":"Captures","topic":"Gothic Literature and Media Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.018516423672385957,"score_gpt":0.30862170133949934,"score_spread":0.29010527766711336,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4206355771","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14016475,0.15612984,0.0007337878,0.32677415,0.0038482158,0.00022969868,0.000082399805,0.00014061203,0.37189656],"genre_scores_gemma":[0.90281695,0.0026049158,0.00089448737,0.01263787,0.0006160071,0.000029024333,0.000059541242,0.000023539817,0.08031764],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99658185,0.001727002,0.00029072847,0.00033796212,0.00040583452,0.0006566191],"domain_scores_gemma":[0.99841213,0.0005716653,0.00011766796,0.00040933763,0.0001593716,0.00032984393],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010466236,0.00023493996,0.00036349852,0.00006659411,0.0007343446,0.00025466742,0.00039415565,0.0004351216,0.0005437984],"category_scores_gemma":[0.00047653494,0.0002400559,0.0003138481,0.0005336653,0.0007357401,0.00018804654,0.00011269174,0.00066831126,0.000044207794],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010001929,0.00037799688,0.0015369366,0.0001090725,0.00026740195,0.00046914286,0.1122223,0.00012948528,0.0036040377,0.74354035,0.12729838,0.010434917],"study_design_scores_gemma":[0.00028787737,0.000020853031,0.0023212302,0.00017533469,0.00023368553,0.000019996989,0.014559913,0.00006388793,0.0017470147,0.020935206,0.9593599,0.00027510873],"about_ca_topic_score_codex":0.0069882115,"about_ca_topic_score_gemma":0.021206517,"teacher_disagreement_score":0.8320615,"about_ca_system_score_codex":0.00026462134,"about_ca_system_score_gemma":0.0035716754,"threshold_uncertainty_score":0.9996243},"labels":[],"label_agreement":null},{"id":"W4206407169","doi":"10.7202/1076455ar","title":"Écriture incréative et technique de soi. Anamnèse de Fabrice Masson-Goulet","year":2021,"lang":"fr","type":"article","venue":"Captures","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.1380154990226884,"score_gpt":0.3303867009763761,"score_spread":0.19237120195368773,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4206407169","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.022047622,0.07426315,0.38317555,0.09228977,0.0022643409,0.00078917464,0.00030829402,0.0005208657,0.42434123],"genre_scores_gemma":[0.83569574,0.0007643328,0.041848663,0.03448188,0.0007309457,0.0000526113,0.000062435596,0.00004902483,0.086314335],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99778277,0.00034194486,0.00025728374,0.00055282214,0.0002861814,0.0007789741],"domain_scores_gemma":[0.9982855,0.00020986992,0.00011827427,0.0005344067,0.00038550122,0.0004664783],"candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00032254486,0.0003492926,0.0003189254,0.00006631334,0.00017159947,0.0018069452,0.0005197508,0.00038237617,0.00011973085],"category_scores_gemma":[0.00055647903,0.0002904122,0.00019250576,0.00061024516,0.00018944826,0.0018628098,0.00047585875,0.00063487055,0.00006407183],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020271838,0.0003672561,0.0002516371,0.00023599727,0.0001189215,0.0056967773,0.024659,0.00047564533,0.049601108,0.6375605,0.2681932,0.012819718],"study_design_scores_gemma":[0.00043209485,0.0001736877,0.0064304564,0.00057011924,0.00006173864,0.0035940271,0.0010782572,0.0027049263,0.13962495,0.107675016,0.7367799,0.0008747622],"about_ca_topic_score_codex":0.001535186,"about_ca_topic_score_gemma":0.00048822784,"teacher_disagreement_score":0.81364816,"about_ca_system_score_codex":0.00026103432,"about_ca_system_score_gemma":0.00077037705,"threshold_uncertainty_score":0.9999548},"labels":[],"label_agreement":null},{"id":"W4206619891","doi":"10.7202/1079757ar","title":"Comment s’échappe-t-on de son parc à thème natal? Le libre arbitre et les espaces labyrinthiques dans Westworld","year":2021,"lang":"fr","type":"article","venue":"Captures","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy","score_opus":0.036905358219765254,"score_gpt":0.28174885779378855,"score_spread":0.2448434995740233,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4206619891","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.040079996,0.20131505,0.00013047506,0.47738963,0.002146247,0.00026940493,0.00014427541,0.000212903,0.27831203],"genre_scores_gemma":[0.8451792,0.024305824,0.0005999268,0.021574136,0.0018679798,0.000060580664,0.000047329555,0.000059184884,0.10630587],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9968673,0.0010758995,0.00028123768,0.00048914953,0.00051204994,0.00077437545],"domain_scores_gemma":[0.99862045,0.00055910414,0.00015012352,0.00026631833,0.00015316505,0.00025081765],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0006125262,0.00036210034,0.00046026058,0.00004508907,0.001177497,0.00029137256,0.00038880698,0.0003901919,0.0003670731],"category_scores_gemma":[0.0003515605,0.00036028284,0.00027105934,0.00038616548,0.0012400263,0.00022928132,0.00023100886,0.0007129067,0.00006839612],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000110801675,0.00023288828,0.0020040153,0.00006914738,0.00013392896,0.00011233204,0.06618468,0.000051118754,0.000065399814,0.65121317,0.276525,0.0033972648],"study_design_scores_gemma":[0.00027899328,0.00008129542,0.0037380438,0.0002868766,0.00005709218,0.0000033422598,0.048006684,0.000043380296,0.001840853,0.030495023,0.9147623,0.00040610673],"about_ca_topic_score_codex":0.04164646,"about_ca_topic_score_gemma":0.086022966,"teacher_disagreement_score":0.8050992,"about_ca_system_score_codex":0.0004116284,"about_ca_system_score_gemma":0.0005313483,"threshold_uncertainty_score":0.9998849},"labels":[],"label_agreement":null},{"id":"W4206631325","doi":"10.7202/1076447ar","title":"Volume 5 numéro 2","year":2021,"lang":"fr","type":"article","venue":"Captures","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Narrative; Art; Literature","score_opus":0.2353151687615526,"score_gpt":0.30360972145294934,"score_spread":0.06829455269139675,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4206631325","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.007930508,0.16295731,0.009264465,0.047911573,0.013699914,0.00009758717,0.000037142538,0.00015412325,0.7579474],"genre_scores_gemma":[0.2584099,0.00025241103,0.0019253023,0.0066661155,0.0014429397,0.0000020056766,0.000015352669,0.000012412158,0.7312736],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987675,0.00005242133,0.00017338678,0.0003745299,0.00021775016,0.00041440368],"domain_scores_gemma":[0.9988959,0.00003936594,0.000048982638,0.00045914564,0.0002682353,0.00028838142],"candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000048239777,0.00017956708,0.00018034082,0.000021157122,0.00010912981,0.0021069737,0.00030343593,0.00013208388,0.0011985457],"category_scores_gemma":[0.00015892365,0.00014564581,0.00014324929,0.00033591894,0.00012451089,0.0017854457,0.00029018664,0.00017309387,0.0012380426],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000013831996,0.00008257869,0.000053356176,0.000028735201,0.000023557315,0.0014825449,0.0019876417,0.00006435337,0.00091923255,0.34733763,0.6267345,0.021284495],"study_design_scores_gemma":[0.00013510029,0.00003588244,0.0026189887,0.00006907349,0.000010331967,0.0007608838,0.00012107739,0.0014319911,0.0049221036,0.02745015,0.9622019,0.0002425216],"about_ca_topic_score_codex":0.0003174443,"about_ca_topic_score_gemma":0.00012627711,"teacher_disagreement_score":0.3354674,"about_ca_system_score_codex":0.00004103403,"about_ca_system_score_gemma":0.00021159272,"threshold_uncertainty_score":0.9997145},"labels":[],"label_agreement":null},{"id":"W4206633685","doi":"10.7202/1079751ar","title":"Imaginaires du tout-inclus et autres lieux d’enclavement volontaire","year":2021,"lang":"fr","type":"article","venue":"Captures","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Political science","score_opus":0.021326901265785233,"score_gpt":0.2750973532159559,"score_spread":0.2537704519501707,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4206633685","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04585918,0.40986162,0.000091132584,0.19670884,0.010987185,0.00029122058,0.00008579828,0.00018438634,0.33593062],"genre_scores_gemma":[0.73560226,0.021741461,0.00032102756,0.006095026,0.003258704,0.000040278923,0.000025645042,0.00003523066,0.23288034],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9972088,0.0005255564,0.0003349181,0.0005248744,0.0006532891,0.0007526152],"domain_scores_gemma":[0.9987277,0.0002857055,0.00013530233,0.0002797858,0.0003172603,0.00025427036],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00041019396,0.00033864175,0.00044884995,0.000041708307,0.0012059368,0.00023843734,0.00037197984,0.00022881241,0.0019394287],"category_scores_gemma":[0.00056654273,0.00034469363,0.00030908416,0.00043201348,0.0013820799,0.00027916874,0.00038085014,0.00036370233,0.00023733692],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000059651775,0.00023965424,0.0049565425,0.00006699179,0.0001848148,0.0004209356,0.051942673,0.00002099148,0.000028642737,0.29907876,0.5964539,0.04660011],"study_design_scores_gemma":[0.00030636738,0.000052775846,0.036313187,0.00012900335,0.000100352714,0.00000611208,0.009750151,0.000026926446,0.00017413514,0.021947017,0.93079746,0.00039651647],"about_ca_topic_score_codex":0.01657056,"about_ca_topic_score_gemma":0.06598171,"teacher_disagreement_score":0.6897431,"about_ca_system_score_codex":0.0007195121,"about_ca_system_score_gemma":0.00070098904,"threshold_uncertainty_score":0.9999005},"labels":[],"label_agreement":null},{"id":"W4206668276","doi":"10.7202/1076456ar","title":"Mythes déracinés, migrants marginalisés et monstruosité épistémique. Le cas de The X-Files de Chris Carter","year":2021,"lang":"fr","type":"article","venue":"Captures","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Pseudoscience; Humanities; Art; Medicine","score_opus":0.015803709099613848,"score_gpt":0.2443726298258265,"score_spread":0.22856892072621265,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4206668276","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6972357,0.18249139,0.00012624095,0.07948073,0.0010968869,0.00021474772,0.0007453224,0.00005453761,0.038554456],"genre_scores_gemma":[0.944023,0.004997761,0.00016930839,0.004590412,0.0010776,0.00003683677,0.000041517207,0.000044502667,0.045019027],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981959,0.0004838233,0.00027411061,0.00033502173,0.0001708737,0.0005402738],"domain_scores_gemma":[0.9988628,0.00030164665,0.00011246187,0.000423441,0.00016458107,0.0001350874],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003909207,0.00031385946,0.0003163597,0.00006903923,0.000840827,0.0006876912,0.00027807328,0.00016166449,0.0010854917],"category_scores_gemma":[0.00007144782,0.00024287446,0.00031011342,0.00008040958,0.0008403423,0.00016426995,0.0000933349,0.00048346707,0.000020873225],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032395415,0.00014762179,0.0022997316,0.000111289875,0.00024098998,0.00030505896,0.12898432,0.000055329394,0.0006261519,0.73294765,0.13227041,0.0019790707],"study_design_scores_gemma":[0.0003957692,0.00005087851,0.014581569,0.00022165928,0.00013530753,0.00027484668,0.0416757,0.00014478032,0.003451945,0.06576095,0.8729228,0.0003837889],"about_ca_topic_score_codex":0.017726034,"about_ca_topic_score_gemma":0.038830362,"teacher_disagreement_score":0.7406524,"about_ca_system_score_codex":0.000064623695,"about_ca_system_score_gemma":0.00046482636,"threshold_uncertainty_score":0.9998276},"labels":[],"label_agreement":null},{"id":"W4206710663","doi":"10.7202/1076451ar","title":"Entre information et dérision. La mise en récit du Web dans Document 1 de François Blais","year":2021,"lang":"fr","type":"article","venue":"Captures","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.0357676861706872,"score_gpt":0.2655975043835832,"score_spread":0.229829818212896,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4206710663","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.25195363,0.024686284,0.02241468,0.07410024,0.0035819307,0.00043710638,0.00018371393,0.00029006586,0.62235236],"genre_scores_gemma":[0.95027477,0.0013850117,0.0022878635,0.009299138,0.0003244562,0.000008528047,0.00007975736,0.000011909614,0.036328595],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99858457,0.00018512586,0.00029372834,0.00023405757,0.00033171524,0.0003707974],"domain_scores_gemma":[0.99883837,0.00019379973,0.000100890116,0.00035009827,0.00021780793,0.00029901005],"candidate_categories":["scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00020886815,0.00022562857,0.00018517759,0.000051214884,0.00012546107,0.0026723882,0.0003428271,0.00018798132,0.00037719187],"category_scores_gemma":[0.00026513007,0.0001750673,0.00014724824,0.00027461842,0.00008515603,0.0046138405,0.00031517964,0.00023046265,0.00030534677],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015887514,0.0001857252,0.00029006822,0.00012789543,0.000086856286,0.0008990053,0.16414358,0.002265165,0.00278761,0.31610805,0.47877336,0.034316782],"study_design_scores_gemma":[0.0004683219,0.000050093746,0.004562456,0.00015964112,0.000026992198,0.0005847409,0.0018331097,0.0042569614,0.005927772,0.008368197,0.9734734,0.00028826666],"about_ca_topic_score_codex":0.0009838985,"about_ca_topic_score_gemma":0.0004386156,"teacher_disagreement_score":0.6983211,"about_ca_system_score_codex":0.00013475861,"about_ca_system_score_gemma":0.0004097271,"threshold_uncertainty_score":0.99836296},"labels":[],"label_agreement":null},{"id":"W4206762132","doi":"10.7202/1079758ar","title":"Quel double pour l’occupation? La conscientisation de la téléréalité au temps du réalisme capitaliste","year":2021,"lang":"fr","type":"article","venue":"Captures","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy","score_opus":0.02519149627429697,"score_gpt":0.29012694711956977,"score_spread":0.2649354508452728,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4206762132","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.27019843,0.08301912,0.00047097084,0.025646856,0.0050391066,0.00028152595,0.000112825495,0.00013293975,0.61509824],"genre_scores_gemma":[0.91425043,0.0023696418,0.00031919495,0.00083213684,0.0018382038,0.000029899471,0.00003320296,0.000020463638,0.08030685],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971894,0.0011015107,0.0002960062,0.0003831665,0.0004864416,0.00054346025],"domain_scores_gemma":[0.99844,0.0006624858,0.00015746645,0.0001915131,0.00033283132,0.00021568652],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011695337,0.0002229505,0.00029330462,0.000049082115,0.001118043,0.00037766612,0.00022823519,0.0003957531,0.00061479356],"category_scores_gemma":[0.00064167584,0.0002412769,0.00020461534,0.00048787746,0.0018769518,0.0002783004,0.00009678156,0.0002577776,0.00012108787],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007688752,0.00014541604,0.011913173,0.000046617268,0.00007923874,0.00008657687,0.08237659,0.00004697395,0.00013584606,0.76528853,0.13876787,0.0011054754],"study_design_scores_gemma":[0.0008043264,0.000016305998,0.03956386,0.00008103661,0.000117481715,0.000021873546,0.024037326,0.000058967886,0.0004225754,0.049640216,0.8848801,0.00035592125],"about_ca_topic_score_codex":0.061913513,"about_ca_topic_score_gemma":0.033865448,"teacher_disagreement_score":0.7461122,"about_ca_system_score_codex":0.0008826518,"about_ca_system_score_gemma":0.0015629284,"threshold_uncertainty_score":0.98389864},"labels":[],"label_agreement":null},{"id":"W4206809838","doi":"10.7202/1076449ar","title":"Le virtuel, vingt ans après. Lecture croisée de (As Francesca) de Martha Baer et de De synthèse de Karoline Georges","year":2021,"lang":"fr","type":"article","venue":"Captures","topic":"French Literature and Critical Theory","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.009309205378902626,"score_gpt":0.23431796408192687,"score_spread":0.22500875870302425,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4206809838","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24772123,0.47617742,0.009714029,0.04480576,0.0020492054,0.0003162329,0.0010316025,0.00030992436,0.21787462],"genre_scores_gemma":[0.91152984,0.0016742452,0.0016115305,0.034330033,0.0037293523,0.00004659051,0.0000937879,0.00009814843,0.046886485],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9966791,0.0007923092,0.000370998,0.0005223111,0.00024713593,0.0013881385],"domain_scores_gemma":[0.9980615,0.00064900616,0.0000779626,0.0004693965,0.00022591876,0.0005162129],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007531314,0.00048287257,0.0004907104,0.00008956835,0.0006230832,0.00088391156,0.0003695746,0.00056768925,0.0036587946],"category_scores_gemma":[0.00079508015,0.00048365406,0.000366961,0.00011185061,0.00083562644,0.00034128778,0.00010338894,0.0011651898,0.000070604125],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009062206,0.00034956587,0.00056865404,0.00044152944,0.0001851787,0.0013545662,0.020332517,0.00057548383,0.00903634,0.914939,0.05081632,0.0013102647],"study_design_scores_gemma":[0.00042682898,0.000102454396,0.00094569573,0.00047404482,0.00019275666,0.0004990817,0.002308393,0.00027648007,0.015311281,0.20372933,0.7752135,0.00052018865],"about_ca_topic_score_codex":0.0021037909,"about_ca_topic_score_gemma":0.0035438156,"teacher_disagreement_score":0.7243971,"about_ca_system_score_codex":0.00020796311,"about_ca_system_score_gemma":0.0014092847,"threshold_uncertainty_score":0.9997615},"labels":[],"label_agreement":null},{"id":"W4243047551","doi":"10.7202/1060154ar","title":"Évanescentes limites de l’infamie","year":2019,"lang":"fr","type":"article","venue":"Captures","topic":"Diverse Cultural and Historical Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.025851656634941413,"score_gpt":0.2526413967281947,"score_spread":0.22678974009325328,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4243047551","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08996593,0.11228481,0.0000021797655,0.01316214,0.0057548326,0.00017960578,0.00001879473,0.00008457949,0.7785471],"genre_scores_gemma":[0.6687397,0.003953271,0.00009298676,0.0008145999,0.00082413765,0.000003884822,0.0000018877137,0.000007188631,0.3255624],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99889547,0.000079371115,0.00011361011,0.00020890388,0.00023847433,0.00046417973],"domain_scores_gemma":[0.99950576,0.00012023638,0.000054519394,0.00009287875,0.00007822521,0.00014838918],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00012743573,0.00014256,0.0001955748,0.000018828574,0.00033331977,0.000068546695,0.00021981241,0.0001423927,0.0030484102],"category_scores_gemma":[0.00011749192,0.00011546669,0.00013776515,0.00020358726,0.00047948083,0.00016933092,0.00006993503,0.00015620509,0.0036191079],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016001055,0.00014261722,0.012687787,0.00010147675,0.00009302684,0.000022681126,0.03928237,0.000031078638,0.0004721695,0.5473238,0.3885982,0.011228742],"study_design_scores_gemma":[0.00012124711,0.00004143496,0.003786277,0.000055520697,0.00003804183,0.0000012146392,0.007166586,0.00000837735,0.000045533317,0.0030749755,0.98547924,0.00018155672],"about_ca_topic_score_codex":0.003349676,"about_ca_topic_score_gemma":0.00031247167,"teacher_disagreement_score":0.59688103,"about_ca_system_score_codex":0.00025490765,"about_ca_system_score_gemma":0.000045395966,"threshold_uncertainty_score":0.99786294},"labels":[],"label_agreement":null},{"id":"W4286872651","doi":"10.7202/1088408ar","title":"Le format littéraire de l’exposition","year":2022,"lang":"fr","type":"article","venue":"Captures","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Exposition (narrative); Humanities; Art; Literature","score_opus":0.12349937605173188,"score_gpt":0.2706157443216257,"score_spread":0.14711636826989383,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4286872651","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04848006,0.075360626,0.01886799,0.08169505,0.005626023,0.00042480143,0.00013776797,0.00036341295,0.7690443],"genre_scores_gemma":[0.9478089,0.0000417279,0.0005417148,0.007502963,0.0003591619,0.00001730973,0.000022415474,0.000009631759,0.043696158],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99894655,0.00008246096,0.00014871478,0.00020905353,0.00022704323,0.00038619665],"domain_scores_gemma":[0.9994295,0.000028187062,0.00006483389,0.0002452499,0.00004943597,0.0001827852],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00010999223,0.00013059827,0.000113012764,0.00004064996,0.00056571607,0.0008248279,0.0003824996,0.000050680268,0.00013331317],"category_scores_gemma":[0.000021467235,0.00011878153,0.000109293636,0.00024713678,0.00007672321,0.001900667,0.0004386914,0.00022556467,0.000052400002],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000081895805,0.00011627539,0.0000079498195,0.000023797396,0.0000133468675,0.00019918745,0.009015165,0.0014947166,0.00079014467,0.7558814,0.2120052,0.02044461],"study_design_scores_gemma":[0.00023701285,0.0002108131,0.00072422624,0.000023203502,0.000008978945,0.0012864957,0.00070307817,0.0066350834,0.0018152803,0.048354477,0.9397692,0.00023215498],"about_ca_topic_score_codex":0.0013856307,"about_ca_topic_score_gemma":0.00008308201,"teacher_disagreement_score":0.8993289,"about_ca_system_score_codex":0.00014648894,"about_ca_system_score_gemma":0.00025362003,"threshold_uncertainty_score":0.79538345},"labels":[],"label_agreement":null},{"id":"W4286880266","doi":"10.7202/1088412ar","title":"Houellebecq, patrimonialisé ante-mortem. L’anticipation au service de la critique","year":2022,"lang":"fr","type":"article","venue":"Captures","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.23627664549774724,"score_gpt":0.36630700931984767,"score_spread":0.13003036382210043,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4286880266","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5742042,0.03159274,0.01522817,0.08933993,0.008152604,0.00081610656,0.00037319714,0.0005033299,0.27978972],"genre_scores_gemma":[0.9727261,0.00009378283,0.0005227116,0.009771904,0.00056710537,0.00003071852,0.000028406452,0.000023037992,0.016236225],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977527,0.00053297234,0.00026131852,0.00042902734,0.00040118812,0.0006227439],"domain_scores_gemma":[0.9987133,0.00024428513,0.00013753708,0.00041847906,0.00018038813,0.00030599942],"candidate_categories":["scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00048323526,0.0002605691,0.00023797066,0.00008578408,0.00058143336,0.0012393862,0.0006329127,0.00014126627,0.00029997667],"category_scores_gemma":[0.00014683692,0.00023790807,0.0001356924,0.0006091694,0.00013792203,0.0014540617,0.0005613707,0.00045788294,0.00004642163],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006657681,0.00075111695,0.0015070712,0.0003391087,0.000102171805,0.0021459388,0.061923597,0.008874628,0.005083927,0.5597642,0.33779657,0.021645093],"study_design_scores_gemma":[0.0006942108,0.00031063452,0.024365753,0.00011860736,0.00007968597,0.0014474486,0.0016907073,0.026504517,0.002884729,0.028488884,0.91264844,0.0007664067],"about_ca_topic_score_codex":0.032033354,"about_ca_topic_score_gemma":0.0014342876,"teacher_disagreement_score":0.5748519,"about_ca_system_score_codex":0.00034104806,"about_ca_system_score_gemma":0.00064354186,"threshold_uncertainty_score":0.9997974},"labels":[],"label_agreement":null},{"id":"W4303431178","doi":"10.7202/1091532ar","title":"Un conflit quasi anthropologique. Sur une hypothèse d’André Belleau","year":2022,"lang":"fr","type":"article","venue":"Captures","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy","score_opus":0.03928056961263228,"score_gpt":0.2664740114260593,"score_spread":0.22719344181342704,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4303431178","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.036172938,0.516946,0.00005799844,0.10338315,0.013812343,0.00052944623,0.00032285048,0.00026902236,0.32850623],"genre_scores_gemma":[0.7911319,0.014558538,0.000099526536,0.0026110052,0.0014838991,0.000068586334,0.000019294066,0.000034694185,0.18999256],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9968457,0.0009246808,0.0003422337,0.00046502054,0.00064079656,0.0007815212],"domain_scores_gemma":[0.9988142,0.0004654958,0.0001858523,0.00023837764,0.000086787535,0.00020927108],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.00056399265,0.00029260808,0.00047351312,0.000060122416,0.0035989336,0.000091552545,0.00054388266,0.00022807336,0.015077038],"category_scores_gemma":[0.00028521082,0.00030705912,0.00026745198,0.0008602823,0.0033521529,0.00016954319,0.00037235607,0.0006526779,0.00015024137],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002044812,0.0003488296,0.0012705377,0.000023275019,0.0001425157,0.0001152407,0.05156113,0.000054934237,0.000008882776,0.50333744,0.42587405,0.017242704],"study_design_scores_gemma":[0.00039350515,0.00023667871,0.0013288416,0.000012001703,0.00006167982,0.00000474426,0.038459882,0.000017966115,0.00004928604,0.02295639,0.93611634,0.00036268707],"about_ca_topic_score_codex":0.05821766,"about_ca_topic_score_gemma":0.006647376,"teacher_disagreement_score":0.7549589,"about_ca_system_score_codex":0.00046238973,"about_ca_system_score_gemma":0.0003149389,"threshold_uncertainty_score":0.99993813},"labels":[],"label_agreement":null},{"id":"W4303431199","doi":"10.7202/1091527ar","title":"Hypothèses critiques et littérature québécoise. Une mise à l’épreuve","year":2022,"lang":"fr","type":"article","venue":"Captures","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy","score_opus":0.0475021196511899,"score_gpt":0.2927930256255386,"score_spread":0.24529090597434872,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4303431199","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005375473,0.25931564,0.000009156744,0.036257725,0.0035069939,0.0001879413,0.002144676,0.0001133321,0.69308907],"genre_scores_gemma":[0.6757374,0.0041936818,0.000070147245,0.010122955,0.006547222,0.0000730748,0.00029017546,0.00007467549,0.3028907],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99790853,0.00032687237,0.0003759671,0.00045653153,0.00045217577,0.00047990837],"domain_scores_gemma":[0.998749,0.00020553163,0.00016119584,0.00045726242,0.00024949052,0.00017749473],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00031590444,0.0003616534,0.0004216018,0.00016344046,0.0013199159,0.0006324951,0.00039282054,0.00013557063,0.01462602],"category_scores_gemma":[0.00020429085,0.0003496722,0.00040959974,0.00015517486,0.00045669812,0.00014363887,0.00022642052,0.00088141114,0.00007249335],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026340987,0.00025653144,0.0000308999,0.000082237886,0.00020300245,0.00021361778,0.02445466,0.0003273412,0.000018295046,0.7142551,0.25955546,0.00057652855],"study_design_scores_gemma":[0.00022561991,0.0001334498,0.00007374429,0.000054558866,0.00047189117,0.00001628791,0.032855116,0.00013751633,0.000045714005,0.04545776,0.92010105,0.00042730468],"about_ca_topic_score_codex":0.028874358,"about_ca_topic_score_gemma":0.016648287,"teacher_disagreement_score":0.6703619,"about_ca_system_score_codex":0.0001027341,"about_ca_system_score_gemma":0.0002436659,"threshold_uncertainty_score":0.9999802},"labels":[],"label_agreement":null},{"id":"W4303431204","doi":"10.7202/1091529ar","title":"« Petite » littérature, grande ceinture ?","year":2022,"lang":"fr","type":"article","venue":"Captures","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.017852626360067295,"score_gpt":0.239087529798826,"score_spread":0.2212349034387587,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4303431204","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002573944,0.27477014,0.000015676662,0.014250088,0.007607107,0.00015195648,0.0014659396,0.00006866578,0.6990965],"genre_scores_gemma":[0.48699492,0.0018289213,0.000035348814,0.0028541358,0.013916343,0.000037616705,0.00026833336,0.000047338606,0.49401703],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99844044,0.00012772022,0.00025989013,0.0003474548,0.000408813,0.0004157019],"domain_scores_gemma":[0.9991741,0.0000639644,0.0001255092,0.00036236984,0.00013391321,0.00014013624],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00019813924,0.0002575299,0.0002972347,0.00013550611,0.0016036867,0.0004073844,0.00031810254,0.00007805137,0.039995953],"category_scores_gemma":[0.00006247254,0.00024178771,0.00036188046,0.00011507353,0.00032683124,0.00006450923,0.00019047038,0.0006549304,0.00013667786],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021073794,0.00013923588,0.00004492086,0.00005134,0.00017303432,0.0001557988,0.00584217,0.0005275926,0.000007942832,0.7810108,0.21101016,0.0010159345],"study_design_scores_gemma":[0.0002648046,0.00008634752,0.00005520072,0.000024462035,0.00039050984,0.000016540445,0.007973253,0.00021410773,0.000012385988,0.025433742,0.96520495,0.00032367394],"about_ca_topic_score_codex":0.0013790075,"about_ca_topic_score_gemma":0.0006712377,"teacher_disagreement_score":0.7555771,"about_ca_system_score_codex":0.00006956803,"about_ca_system_score_gemma":0.00008937824,"threshold_uncertainty_score":0.9996961},"labels":[],"label_agreement":null},{"id":"W4303431223","doi":"10.7202/1091526ar","title":"Volume 7 numéro 2","year":2022,"lang":"fr","type":"article","venue":"Captures","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy; Political science","score_opus":0.02215125237712241,"score_gpt":0.24520350367911803,"score_spread":0.22305225130199563,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4303431223","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0037239275,0.09085336,0.00001793192,0.010321709,0.011311888,0.000086581196,0.0008917697,0.000045397865,0.8827474],"genre_scores_gemma":[0.44937205,0.00014961172,0.000014588164,0.0012210762,0.009351021,0.00001877024,0.000072300696,0.000020847827,0.5397797],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99891514,0.00007989779,0.00019684664,0.00022586224,0.00028077068,0.00030147235],"domain_scores_gemma":[0.9994569,0.000032153832,0.00008424592,0.00025333924,0.000082212195,0.00009114168],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00015588723,0.00015018987,0.00019178916,0.00008509657,0.0013017571,0.00025681948,0.00022941473,0.00003249575,0.17770372],"category_scores_gemma":[0.00004297206,0.00015523158,0.00022017186,0.000047333724,0.00026207807,0.000047544716,0.0001708768,0.0002819749,0.00045000462],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000047651774,0.00008810286,0.0000992973,0.000016232358,0.00008400246,0.00006790186,0.0044175084,0.00048474563,0.0000015701999,0.5620123,0.43212894,0.0005946357],"study_design_scores_gemma":[0.00012557306,0.000061614424,0.000045304016,0.0000067889578,0.00020572146,0.000006991931,0.012209444,0.0010033232,0.000003836396,0.017409392,0.96870846,0.00021356347],"about_ca_topic_score_codex":0.004211936,"about_ca_topic_score_gemma":0.0003231824,"teacher_disagreement_score":0.54460293,"about_ca_system_score_codex":0.00007295142,"about_ca_system_score_gemma":0.00007692946,"threshold_uncertainty_score":0.9999984},"labels":[],"label_agreement":null},{"id":"W4303431226","doi":"10.7202/1091530ar","title":"Le devenir-belge de la littérature québécoise","year":2022,"lang":"fr","type":"article","venue":"Captures","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Philosophy; Humanities; Political science","score_opus":0.005297486940912775,"score_gpt":0.21234498025371548,"score_spread":0.2070474933128027,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4303431226","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011020268,0.23632862,0.000010003734,0.023629067,0.002954358,0.00012614825,0.0002068425,0.00005911577,0.72566557],"genre_scores_gemma":[0.5502021,0.0020599857,0.00007923167,0.0047911634,0.0012418509,0.000042716456,0.000014882786,0.00002827234,0.44153985],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99835885,0.00066743453,0.0001143969,0.00020657155,0.00028123983,0.00037152926],"domain_scores_gemma":[0.99942786,0.00009047178,0.00006262106,0.00016005398,0.000025077206,0.00023389203],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005057261,0.000092827475,0.00012946317,0.00016184297,0.0023705824,0.00026515036,0.00035344553,0.00016918727,0.0030878456],"category_scores_gemma":[0.00008801315,0.00014660915,0.00013471169,0.00055574655,0.0012069601,0.00011938265,0.00007674877,0.00059102115,0.000087834684],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000052744813,0.00005060415,0.0000333721,0.000015621454,0.000014056285,0.0001166756,0.018949276,0.000073773146,0.00004433023,0.5927771,0.38264722,0.0052727493],"study_design_scores_gemma":[0.00012741992,0.000018633744,0.0005561514,0.000008984347,0.000028565059,0.00002883016,0.0077436883,0.000004443029,0.000004018541,0.011283193,0.98002595,0.0001701485],"about_ca_topic_score_codex":0.82911855,"about_ca_topic_score_gemma":0.93713844,"teacher_disagreement_score":0.59737873,"about_ca_system_score_codex":0.001418389,"about_ca_system_score_gemma":0.005239551,"threshold_uncertainty_score":0.9989282},"labels":[],"label_agreement":null},{"id":"W4303431232","doi":"10.7202/1091537ar","title":"Sur les seuils du road movie de cavale. Réinventer le héros populaire états-unien","year":2022,"lang":"fr","type":"article","venue":"Captures","topic":"Afro-Latin American Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.027256339958754414,"score_gpt":0.2712601557206183,"score_spread":0.24400381576186386,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4303431232","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8085911,0.06695748,0.000077219236,0.050497286,0.0029393332,0.00054149947,0.00026813056,0.0002158353,0.06991211],"genre_scores_gemma":[0.95446277,0.00067856413,0.0002807775,0.002308023,0.00094734883,0.00011760274,0.000017603337,0.000051857554,0.041135427],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9964745,0.0010296876,0.0003634899,0.00051774504,0.0007162053,0.0008983545],"domain_scores_gemma":[0.9988318,0.00019048537,0.0002740706,0.00033641662,0.00013546526,0.0002317679],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00069247675,0.00032592413,0.00046551236,0.000083621395,0.00294537,0.0000914047,0.00069085107,0.0001231361,0.0019488741],"category_scores_gemma":[0.00043519607,0.0003551207,0.00027968787,0.0005699253,0.0020825388,0.00024102839,0.0005881486,0.00052056304,0.0000798519],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000052913525,0.0005161739,0.13414267,0.00011989945,0.00038474007,0.0003653629,0.18022993,0.0015507685,0.0004633584,0.058119465,0.5619861,0.06206863],"study_design_scores_gemma":[0.0005076676,0.00014529294,0.0359059,0.000055274766,0.00011970507,0.0000349462,0.14819622,0.00029183138,0.000053943728,0.004766783,0.80929154,0.0006309026],"about_ca_topic_score_codex":0.09032622,"about_ca_topic_score_gemma":0.007925525,"teacher_disagreement_score":0.24730545,"about_ca_system_score_codex":0.0006763111,"about_ca_system_score_gemma":0.00053310284,"threshold_uncertainty_score":0.9998901},"labels":[],"label_agreement":null},{"id":"W4303431239","doi":"10.7202/1091528ar","title":"La difficulté inédite d’avancer des hypothèses","year":2022,"lang":"fr","type":"article","venue":"Captures","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Philosophy; Humanities","score_opus":0.03399872485817241,"score_gpt":0.26331007197175965,"score_spread":0.22931134711358725,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4303431239","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12223897,0.18100719,0.000017002405,0.0016437575,0.0034523779,0.00012008149,0.0010514758,0.000076196986,0.690393],"genre_scores_gemma":[0.7975389,0.0012481824,0.000045426015,0.0006896805,0.004054246,0.00004006813,0.00006019955,0.000034514436,0.19628882],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99867064,0.00017445965,0.00023503226,0.00027780415,0.00029402983,0.00034805026],"domain_scores_gemma":[0.99926025,0.0001735973,0.0001083628,0.00024262007,0.0001119026,0.000103267084],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00018588797,0.00022011588,0.00025198303,0.00010562803,0.0015209122,0.00037622623,0.00024248,0.000053903386,0.02813543],"category_scores_gemma":[0.000104588944,0.00020104855,0.00024572175,0.00006951347,0.0008644554,0.000087119304,0.00019172867,0.0003540594,0.00010302989],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018188905,0.00027792176,0.00017562138,0.00007925587,0.00023019027,0.00017256824,0.01941422,0.0021187484,0.000020988697,0.85016733,0.121116765,0.0062082014],"study_design_scores_gemma":[0.00021089656,0.000060178056,0.00026325253,0.000029839315,0.00031797052,0.000014740101,0.0170272,0.00019441509,0.00002183762,0.01926492,0.96231115,0.0002835922],"about_ca_topic_score_codex":0.0025152802,"about_ca_topic_score_gemma":0.001009783,"teacher_disagreement_score":0.8411944,"about_ca_system_score_codex":0.00010197518,"about_ca_system_score_gemma":0.00007352256,"threshold_uncertainty_score":0.999779},"labels":[],"label_agreement":null},{"id":"W4303431349","doi":"10.7202/1091535ar","title":"Une littérature qui refuse de se laisser parler d’amour ? Les romans québécois et l’expression de la passion avant 1960","year":2022,"lang":"fr","type":"article","venue":"Captures","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Passion; Philosophy; Art; Psychology","score_opus":0.011060020842827707,"score_gpt":0.25961141411434224,"score_spread":0.24855139327151454,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4303431349","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7301845,0.11217698,0.000060852315,0.0551667,0.0039309026,0.0003948933,0.0005440423,0.00020852334,0.097332604],"genre_scores_gemma":[0.7700658,0.0058893454,0.00021406336,0.004479772,0.001070957,0.000076722165,0.000054303353,0.0000590517,0.21808998],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99655384,0.001698287,0.00023161803,0.0003915796,0.0005003727,0.00062431727],"domain_scores_gemma":[0.9988419,0.0001995906,0.00015895604,0.00030886522,0.00005417341,0.0004365454],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0010194984,0.00021263654,0.00024230739,0.00023180581,0.0024910157,0.0003608383,0.0004610627,0.00041982083,0.00326475],"category_scores_gemma":[0.00018368578,0.00024919765,0.00021390655,0.00050597836,0.000818258,0.00024285016,0.00014845606,0.0011411395,0.00005114532],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000053304593,0.00020660588,0.00091589463,0.000065895474,0.000027730119,0.00039052463,0.19410105,0.0005390484,0.004315557,0.03765841,0.75808567,0.003640335],"study_design_scores_gemma":[0.00023147046,0.00004690012,0.004996441,0.000105719926,0.000052415668,0.000026703354,0.025300575,0.000021526399,0.00016700427,0.0025471477,0.96619946,0.00030463445],"about_ca_topic_score_codex":0.8907401,"about_ca_topic_score_gemma":0.9556901,"teacher_disagreement_score":0.20811382,"about_ca_system_score_codex":0.0017114242,"about_ca_system_score_gemma":0.0020954125,"threshold_uncertainty_score":0.999996},"labels":[],"label_agreement":null},{"id":"W4303431353","doi":"10.7202/1091536ar","title":"Sur une mort américaine","year":2022,"lang":"fr","type":"article","venue":"Captures","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Political science; Philosophy","score_opus":0.013413732814467222,"score_gpt":0.24115459597418443,"score_spread":0.2277408631597172,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4303431353","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07111781,0.15896848,0.000013862293,0.14814475,0.018467074,0.00031712363,0.0004578215,0.00012063691,0.60239244],"genre_scores_gemma":[0.3304646,0.00068426604,0.000014207634,0.0025033737,0.0008881224,0.0000206727,0.0000138262685,0.000013824256,0.6653971],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99879897,0.00017951262,0.00012744396,0.00019643035,0.00038299212,0.00031464332],"domain_scores_gemma":[0.99950135,0.000049957795,0.00006163827,0.00016183664,0.000038932438,0.00018628837],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002765258,0.000076428376,0.0001308424,0.0001862315,0.0018528762,0.00015069814,0.00029162533,0.000059848335,0.017815478],"category_scores_gemma":[0.000070603215,0.000118597665,0.00011477707,0.00072493334,0.0009414572,0.00013058349,0.00007874986,0.00029827643,0.00028766145],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000038522767,0.000054533204,0.000083672756,0.000013529025,0.000018111345,0.00012608392,0.015801404,0.0002248859,0.00001615011,0.12908377,0.8440864,0.010487616],"study_design_scores_gemma":[0.00010227422,0.000027084023,0.0018337463,0.0000042699294,0.000027457725,0.00000786474,0.0044899615,0.000016827351,8.481256e-7,0.002433111,0.9909141,0.00014245683],"about_ca_topic_score_codex":0.8527676,"about_ca_topic_score_gemma":0.87711227,"teacher_disagreement_score":0.25934678,"about_ca_system_score_codex":0.0013520332,"about_ca_system_score_gemma":0.0008166064,"threshold_uncertainty_score":0.9994466},"labels":[],"label_agreement":null},{"id":"W4303431358","doi":"10.7202/1091534ar","title":"L’hypothèse qui reste à vérifier. Le roman sans aventure d’Isabelle Daunais","year":2022,"lang":"fr","type":"article","venue":"Captures","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Intuition; Art; Philosophy; Epistemology","score_opus":0.020185253401462194,"score_gpt":0.2161101839618687,"score_spread":0.19592493056040652,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4303431358","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04450183,0.28172162,0.000022743096,0.02369485,0.008941558,0.0003645176,0.001418217,0.00021199723,0.63912266],"genre_scores_gemma":[0.46971318,0.00017824517,0.000024985391,0.0023109822,0.0022109267,0.00004712698,0.00014167975,0.00004341654,0.5253295],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99765277,0.0004049503,0.00043158405,0.0005157283,0.00042923028,0.0005657163],"domain_scores_gemma":[0.9989151,0.00014487671,0.00015845604,0.00049547554,0.000060036396,0.00022606368],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00021681597,0.00035581514,0.00041994688,0.00014460617,0.0030775163,0.0002503691,0.00049393025,0.000121330224,0.029902795],"category_scores_gemma":[0.00003547042,0.0003463105,0.00040685284,0.00016525453,0.0004928913,0.0003299066,0.00025516917,0.00082469144,0.00022158212],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004893223,0.0003525214,0.00004378439,0.00008950651,0.00011157085,0.00018310957,0.034995433,0.00024052623,0.000083034625,0.38961148,0.57352245,0.00071765005],"study_design_scores_gemma":[0.0003834016,0.00025164854,0.00006303411,0.000041382624,0.00014176102,0.000032100634,0.0136467945,0.00008468498,0.00006773402,0.0071406653,0.97769254,0.00045425593],"about_ca_topic_score_codex":0.0063897194,"about_ca_topic_score_gemma":0.0007439952,"teacher_disagreement_score":0.42521137,"about_ca_system_score_codex":0.0001691288,"about_ca_system_score_gemma":0.00013505662,"threshold_uncertainty_score":0.9998989},"labels":[],"label_agreement":null},{"id":"W4303431364","doi":"10.7202/1091531ar","title":"Du conflit des codes à l’esthétique du centre. Automatismes, hypothèses et perspectives autour de la culture moyenne au Québec","year":2022,"lang":"fr","type":"article","venue":"Captures","topic":"Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy","score_opus":0.009030841995686472,"score_gpt":0.22571789059719674,"score_spread":0.21668704860151028,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4303431364","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.175596,0.4634104,0.00002931001,0.08700278,0.0020595898,0.0006924156,0.0024132747,0.00067508,0.26812115],"genre_scores_gemma":[0.8443915,0.0064211767,0.0002923943,0.0025502422,0.002807579,0.00012008196,0.000097677475,0.00007555026,0.14324377],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99691164,0.0010414805,0.00037612466,0.0005596393,0.0003625723,0.0007485301],"domain_scores_gemma":[0.9985696,0.0004254708,0.0002085357,0.00029012945,0.00031122507,0.00019503055],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004925628,0.0006071116,0.0005801569,0.00009509828,0.0034225718,0.00086075946,0.0004163136,0.00021210584,0.0039513074],"category_scores_gemma":[0.00029778702,0.000496314,0.00036288513,0.00011224223,0.0018951086,0.00042493228,0.00028886393,0.0009677036,0.00003470941],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003314256,0.00023932804,0.0010225531,0.00010769926,0.00029548287,0.00015865795,0.3755267,0.00007451938,0.000049316885,0.4022765,0.21991599,0.0003001333],"study_design_scores_gemma":[0.0004702442,0.00018408657,0.0039813486,0.00012333716,0.00020944694,0.00026182082,0.24902514,0.000037956575,0.000064469175,0.009745086,0.7354148,0.00048229238],"about_ca_topic_score_codex":0.047772557,"about_ca_topic_score_gemma":0.08260601,"teacher_disagreement_score":0.6687955,"about_ca_system_score_codex":0.00082428474,"about_ca_system_score_gemma":0.000720729,"threshold_uncertainty_score":0.9997488},"labels":[],"label_agreement":null},{"id":"W4303614546","doi":"10.7202/1091533ar","title":"Le maître langage. Un regard psychanalytique sur L’absence du maître de Michel Biron","year":2022,"lang":"fr","type":"article","venue":"Captures","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy","score_opus":0.10562251040525919,"score_gpt":0.26783281855098207,"score_spread":0.16221030814572288,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4303614546","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.38546962,0.1270753,0.010068681,0.14987332,0.0056002275,0.000901859,0.00046414067,0.0006501258,0.31989673],"genre_scores_gemma":[0.8532033,0.00017562382,0.00093869586,0.0058277226,0.00034100973,0.000021038448,0.000027223388,0.000029706876,0.13943565],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.997708,0.00028038546,0.0002817874,0.0006091013,0.00040828812,0.000712389],"domain_scores_gemma":[0.998603,0.00012651009,0.00017119982,0.00061908993,0.00011647794,0.00036371002],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00030055494,0.00032638875,0.00028940503,0.00010175388,0.0005898873,0.0008318182,0.0009905436,0.00013739879,0.00028459306],"category_scores_gemma":[0.00006113682,0.00029343623,0.000222738,0.00054615375,0.00014033976,0.0011305397,0.0007008616,0.0006239371,0.00008780389],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005912583,0.0007660362,0.00060253585,0.00016272903,0.00006104922,0.0020319633,0.014805599,0.0038208896,0.005980223,0.16101548,0.8031927,0.0075017004],"study_design_scores_gemma":[0.0011929119,0.000510464,0.0049666245,0.000090584086,0.00005388593,0.002574723,0.0028270248,0.007908962,0.013489224,0.021167845,0.94414264,0.0010751191],"about_ca_topic_score_codex":0.0056479992,"about_ca_topic_score_gemma":0.00064575707,"teacher_disagreement_score":0.4677337,"about_ca_system_score_codex":0.00015325412,"about_ca_system_score_gemma":0.00048159834,"threshold_uncertainty_score":0.9999518},"labels":[],"label_agreement":null},{"id":"W4312259448","doi":"10.7202/1088415ar","title":"Rester écrivain. L’exposition d’Enrique Vila-Matas à la Whitechapel Gallery","year":2022,"lang":"fr","type":"article","venue":"Captures","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Exposition (narrative); Art; Literature","score_opus":0.14340710621175293,"score_gpt":0.2850377718118795,"score_spread":0.14163066560012658,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4312259448","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.060654495,0.05167573,0.013878676,0.0779431,0.009566597,0.0011599566,0.0005053773,0.0007821808,0.78383386],"genre_scores_gemma":[0.892123,0.00022929262,0.00092781003,0.009963829,0.0005615485,0.000058290923,0.00009469846,0.000039024068,0.09600253],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99772245,0.00032865247,0.00032965234,0.0005613585,0.00051017717,0.00054771674],"domain_scores_gemma":[0.9987057,0.00014943421,0.00014528887,0.00060706533,0.000114407754,0.0002781062],"candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00027925373,0.00031701135,0.00025564426,0.000121043064,0.00047085853,0.0016662689,0.0007281253,0.0001500657,0.0006976427],"category_scores_gemma":[0.00006460203,0.00027572468,0.00019098226,0.0004386833,0.00017580698,0.0020537167,0.0010055566,0.00057887216,0.00015863983],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040526385,0.00029690267,0.000013501372,0.00007155756,0.000050585364,0.001343527,0.012503868,0.0017105965,0.004569851,0.28467825,0.68778086,0.0069399625],"study_design_scores_gemma":[0.0003526759,0.0003078094,0.0009477051,0.000090241156,0.000021530805,0.0019053709,0.00057570514,0.0019962096,0.0013087699,0.022300264,0.9696882,0.0005055627],"about_ca_topic_score_codex":0.00038579662,"about_ca_topic_score_gemma":0.00006183323,"teacher_disagreement_score":0.83146846,"about_ca_system_score_codex":0.00017434543,"about_ca_system_score_gemma":0.00012668326,"threshold_uncertainty_score":0.9999695},"labels":[],"label_agreement":null},{"id":"W4312645776","doi":"10.7202/1088407ar","title":"Inspirations littéraires de l’exposition. D’une matrice curatoriale contemporaine","year":2022,"lang":"fr","type":"article","venue":"Captures","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.1774314470646479,"score_gpt":0.2990278047198052,"score_spread":0.12159635765515733,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4312645776","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.084860966,0.15949312,0.02787474,0.24641502,0.02357835,0.0015975238,0.0011943429,0.0009237205,0.45406222],"genre_scores_gemma":[0.937024,0.00006583775,0.0008871225,0.007370434,0.0014487152,0.0000629981,0.00006588494,0.000019975638,0.053055033],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982581,0.00019699032,0.00033347082,0.00037395037,0.00038723278,0.0004502661],"domain_scores_gemma":[0.99884146,0.00012964716,0.00016301275,0.00039728702,0.00018144144,0.0002871418],"candidate_categories":["scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00020773146,0.00022770718,0.00021708422,0.00008976692,0.00085616636,0.0012483259,0.0005315299,0.00008312435,0.0003011409],"category_scores_gemma":[0.00012848561,0.00020640016,0.00014717573,0.00091055233,0.0001470526,0.0019544535,0.00042834235,0.00033970628,0.000067178225],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016521817,0.00023985897,0.000027799888,0.000029257077,0.00003551289,0.0003584951,0.009995185,0.0017391221,0.0021130948,0.60308415,0.37971562,0.0026454024],"study_design_scores_gemma":[0.00045314146,0.00035491734,0.0007688453,0.000027226339,0.000026634809,0.0005501439,0.00062370976,0.0025913003,0.0008891701,0.036643952,0.95672727,0.0003436838],"about_ca_topic_score_codex":0.0042538373,"about_ca_topic_score_gemma":0.00019296102,"teacher_disagreement_score":0.852163,"about_ca_system_score_codex":0.00025859723,"about_ca_system_score_gemma":0.000392825,"threshold_uncertainty_score":0.99978846},"labels":[],"label_agreement":null},{"id":"W4312653115","doi":"10.7202/1088413ar","title":"Qu’est-ce qu’un auteur (d’exposition) ?","year":2022,"lang":"fr","type":"article","venue":"Captures","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.13547284461899206,"score_gpt":0.2774250303220864,"score_spread":0.1419521857030943,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4312653115","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10990658,0.23923887,0.017332844,0.06993219,0.026245398,0.0011807072,0.0006939304,0.0010235991,0.5344459],"genre_scores_gemma":[0.93313146,0.00017992871,0.0012554965,0.0085538495,0.00063616753,0.000032881973,0.000059057886,0.000025299118,0.056125883],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.997903,0.00016226567,0.0002941791,0.0005345209,0.00052926113,0.0005767881],"domain_scores_gemma":[0.99876744,0.0000892454,0.00013080174,0.0005530238,0.00011626675,0.00034320034],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00015077896,0.00029027427,0.00023853498,0.00007816404,0.00069574325,0.0013816375,0.0008087288,0.00008414732,0.0016831323],"category_scores_gemma":[0.00005803716,0.00024991162,0.00019855559,0.00053702417,0.00014894514,0.0019129459,0.0008509842,0.00043187867,0.0003140048],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015844907,0.00031022073,0.000024413594,0.000029529236,0.000049772978,0.00087553106,0.0070985993,0.0024517064,0.0010689008,0.583985,0.37345943,0.030631058],"study_design_scores_gemma":[0.0003403789,0.00041805557,0.0018943477,0.000032059485,0.00002815851,0.0014505056,0.00032401772,0.0028820753,0.0012408461,0.024763452,0.96615005,0.000476036],"about_ca_topic_score_codex":0.0010504887,"about_ca_topic_score_gemma":0.00002930524,"teacher_disagreement_score":0.82322484,"about_ca_system_score_codex":0.00015269443,"about_ca_system_score_gemma":0.00021351824,"threshold_uncertainty_score":0.9999953},"labels":[],"label_agreement":null},{"id":"W4312704430","doi":"10.7202/1088410ar","title":"Narrations curatoriales. Écritures de l’exposition, fictions et récits dans l’art contemporain","year":2022,"lang":"fr","type":"article","venue":"Captures","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Exposition (narrative); Art; Humanities; Narrative; Storytelling; Literature","score_opus":0.03162802310300068,"score_gpt":0.2698727672895425,"score_spread":0.23824474418654185,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4312704430","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009881998,0.023601107,0.0019110981,0.055742238,0.018011859,0.00086954783,0.010851415,0.00038195352,0.8787488],"genre_scores_gemma":[0.562745,0.00016940723,0.000059813065,0.009229254,0.0039388617,0.00021203957,0.0008078978,0.000055169166,0.42278257],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979165,0.00046807178,0.0004121398,0.0003441168,0.00031722788,0.00054191827],"domain_scores_gemma":[0.9989663,0.000160651,0.00014543094,0.00034301545,0.00016535452,0.00021929714],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00034983447,0.00028688787,0.00025973705,0.00012841578,0.0033227922,0.00034832925,0.00024552568,0.0001179735,0.0042814603],"category_scores_gemma":[0.00009092747,0.00032729167,0.000220565,0.000010523493,0.00069105043,0.00033267887,0.000116770854,0.0006067658,0.00009256922],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010923057,0.00014230284,0.00003786416,0.000021921329,0.000053245167,0.000022067723,0.13780275,0.00034866508,0.00012123942,0.4370368,0.42438656,0.000015659529],"study_design_scores_gemma":[0.0004019271,0.00018521365,0.00013477082,0.000034159813,0.00011000162,0.00006970623,0.033479877,0.00026037145,0.00010986237,0.03158349,0.9332864,0.00034416319],"about_ca_topic_score_codex":0.004829724,"about_ca_topic_score_gemma":0.026730202,"teacher_disagreement_score":0.552863,"about_ca_system_score_codex":0.00034742,"about_ca_system_score_gemma":0.0004971063,"threshold_uncertainty_score":0.9999179},"labels":[],"label_agreement":null},{"id":"W4312750943","doi":"10.7202/1088409ar","title":"Une exposition sous influences. Amberes au M HKA d’Anvers, d’après le roman éponyme de Roberto Bolaño","year":2022,"lang":"fr","type":"article","venue":"Captures","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art; Exposition (narrative); Literature","score_opus":0.01920463952586243,"score_gpt":0.2160616248598079,"score_spread":0.19685698533394547,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4312750943","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4693531,0.14254689,0.00007082117,0.027939525,0.0051079635,0.0006049282,0.0011714596,0.00026594562,0.35293937],"genre_scores_gemma":[0.8890176,0.00008706805,0.00004268574,0.004774729,0.0022032086,0.00010454097,0.00024543452,0.000055284214,0.10346949],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975481,0.00036404052,0.00048759062,0.00048311832,0.00040624803,0.0007109062],"domain_scores_gemma":[0.99899745,0.00011197842,0.00016794814,0.0004128676,0.00009411006,0.00021562638],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000293219,0.00039572222,0.00037325916,0.00016276067,0.0020702768,0.0005878251,0.00039462335,0.00015628788,0.003669244],"category_scores_gemma":[0.000026109321,0.00042908645,0.00028001078,0.00013675836,0.00050746463,0.0006668236,0.00020576702,0.0007227892,0.0000634303],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011609725,0.00029433402,0.00018059766,0.00015622195,0.00012935267,0.00053314306,0.078809075,0.00027135763,0.00066079805,0.7117918,0.20583946,0.0012177296],"study_design_scores_gemma":[0.00063901785,0.0003030616,0.00094318285,0.00011792415,0.00013225852,0.00013602921,0.020117069,0.000120057666,0.00031409436,0.017747499,0.95889616,0.0005336624],"about_ca_topic_score_codex":0.033179652,"about_ca_topic_score_gemma":0.006604701,"teacher_disagreement_score":0.7530567,"about_ca_system_score_codex":0.0003035981,"about_ca_system_score_gemma":0.0004516609,"threshold_uncertainty_score":0.9998161},"labels":[],"label_agreement":null},{"id":"W4312824644","doi":"10.7202/1088406ar","title":"Volume 6 numéro 2","year":2022,"lang":"fr","type":"article","venue":"Captures","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Exposition (narrative); Literature","score_opus":0.217777880236865,"score_gpt":0.29030388152703496,"score_spread":0.07252600129016995,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4312824644","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.016789494,0.10965244,0.00418315,0.05764758,0.026745072,0.00033803575,0.00016934804,0.00029881232,0.78417605],"genre_scores_gemma":[0.515819,0.000029647515,0.00034003222,0.0055976687,0.00068328634,0.000011956291,0.0000119987035,0.000011059254,0.47749534],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986378,0.00008573017,0.00016715936,0.00033491536,0.00035271113,0.00042167108],"domain_scores_gemma":[0.999225,0.00003302047,0.00006931877,0.0003884299,0.00006444887,0.00021978078],"candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00010439827,0.00016730951,0.00015274888,0.000044269047,0.00041620084,0.0010417297,0.00062872376,0.00004679729,0.0033303108],"category_scores_gemma":[0.00004385743,0.00014399704,0.00012800621,0.00036442254,0.000110155495,0.0013073162,0.0008241708,0.0002972453,0.00042593057],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000003840259,0.00008613742,0.00003876291,0.000010457143,0.00001432568,0.0003309853,0.003578694,0.0008843762,0.00015221619,0.26803625,0.71460634,0.012257587],"study_design_scores_gemma":[0.00013881356,0.00015479008,0.0011386697,0.000008606337,0.000007033392,0.00051191566,0.00027951822,0.004081185,0.000142727,0.023421433,0.96988165,0.00023366134],"about_ca_topic_score_codex":0.0009244535,"about_ca_topic_score_gemma":0.000031610274,"teacher_disagreement_score":0.49902952,"about_ca_system_score_codex":0.00010777419,"about_ca_system_score_gemma":0.00011553194,"threshold_uncertainty_score":0.9999953},"labels":[],"label_agreement":null},{"id":"W4312875446","doi":"10.7202/1088411ar","title":"D’une chambre à soi au musée. Virginia Woolf comme symbole d’une légitimation institutionnelle des artistes","year":2022,"lang":"fr","type":"article","venue":"Captures","topic":"Historical and Scientific Studies","field":"Medicine","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.0555970692895646,"score_gpt":0.2667067009517086,"score_spread":0.21110963166214403,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4312875446","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6172146,0.078050226,0.0011868976,0.035398684,0.042124297,0.0013532263,0.00069460855,0.00033356203,0.2236439],"genre_scores_gemma":[0.85092366,0.00009087094,0.00020001315,0.0010001481,0.0010099174,0.00011051224,0.000082651895,0.000025706811,0.1465565],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975176,0.00017152759,0.00047049212,0.00051364885,0.00064931565,0.0006774083],"domain_scores_gemma":[0.9988428,0.000115499184,0.00016116282,0.0004523104,0.00014550815,0.00028274627],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00034973447,0.00030351113,0.00049089326,0.0001439624,0.0023964653,0.000040399736,0.0002582181,0.00012703898,0.0017148211],"category_scores_gemma":[0.0003455856,0.00029052305,0.00024383824,0.0011406963,0.0010874127,0.00016338904,0.00035969817,0.00053366757,0.0003844723],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021306741,0.001914126,0.021718327,0.0014705015,0.00036950968,0.00048576863,0.060336202,0.0035498054,0.009290716,0.052892696,0.8157005,0.032058813],"study_design_scores_gemma":[0.0015967127,0.0002867318,0.053998332,0.00046475002,0.00028030042,0.00018534898,0.009749272,0.0018803173,0.0009509496,0.0068201777,0.9232852,0.0005018925],"about_ca_topic_score_codex":0.0034968143,"about_ca_topic_score_gemma":0.0008773572,"teacher_disagreement_score":0.23370908,"about_ca_system_score_codex":0.0015391682,"about_ca_system_score_gemma":0.00033945302,"threshold_uncertainty_score":0.9999547},"labels":[],"label_agreement":null},{"id":"W4312935569","doi":"10.7202/1088414ar","title":"Un « hommage visuel au livre ». Livre/Louvre de Jean-Philippe Toussaint","year":2022,"lang":"fr","type":"article","venue":"Captures","topic":"Diverse Cultural and Historical Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Art history","score_opus":0.02652637135078293,"score_gpt":0.25785370193939283,"score_spread":0.2313273305886099,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4312935569","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.052287396,0.30339718,0.000058501646,0.12797412,0.018699301,0.0007465901,0.00039945226,0.000338532,0.4960989],"genre_scores_gemma":[0.7594633,0.0031025582,0.00009337457,0.0023829658,0.0021350933,0.00006343224,0.000014736494,0.000022962015,0.23272158],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9972486,0.00043983766,0.00026467754,0.00047530877,0.00067953585,0.0008920217],"domain_scores_gemma":[0.9990128,0.00020668874,0.00014407026,0.0002084685,0.0000915501,0.00033637026],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004726277,0.00029643983,0.0003637731,0.000048205962,0.003847838,0.00009850329,0.0006409277,0.00015435847,0.00980024],"category_scores_gemma":[0.00026231038,0.00026906733,0.00031655704,0.0005819511,0.00081715785,0.0001667991,0.00056479534,0.00058346335,0.00040744522],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000060539624,0.0008784708,0.00072175957,0.00008709196,0.00023147388,0.00033744663,0.15206067,0.00061008893,0.00013838282,0.27346393,0.5205931,0.050817035],"study_design_scores_gemma":[0.00023135215,0.00020746225,0.0013027692,0.000021889096,0.00010279123,0.000006346546,0.028596547,0.000024508734,0.000018455163,0.0051419637,0.9639585,0.0003874345],"about_ca_topic_score_codex":0.024839854,"about_ca_topic_score_gemma":0.0036712205,"teacher_disagreement_score":0.7071759,"about_ca_system_score_codex":0.001948683,"about_ca_system_score_gemma":0.00019591398,"threshold_uncertainty_score":0.99997616},"labels":[],"label_agreement":null},{"id":"W4381328131","doi":"10.7202/1098045ar","title":"Snake Eyes. A Natural History of Picturing, Perception, and the Serpents That Lurk Within","year":2023,"lang":"en","type":"article","venue":"Captures","topic":"Cephalopods and Marine Biology","field":"Agricultural and Biological Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"The Imaginary; Natural history; Perception; Natural (archaeology); Art; Visual arts; History; Psychology; Biology; Archaeology; Neuroscience; Psychoanalysis; Ecology","score_opus":0.017178645543009647,"score_gpt":0.20292688498071065,"score_spread":0.185748239437701,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4381328131","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9957767,0.0010840313,1.3052856e-7,0.0011620356,0.0004965675,0.000106794076,0.000004948048,0.000042703898,0.0013260564],"genre_scores_gemma":[0.99217564,0.00014613286,0.0000100133575,0.0004198835,0.00012819834,0.000008110094,0.00003327788,5.8064757e-7,0.007078141],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.9994904,0.000053444543,0.00009979074,0.00014863416,0.000084908876,0.00012286179],"domain_scores_gemma":[0.9997492,0.000095647694,0.00005936685,0.000042962354,0.000022975773,0.000029892073],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001761421,0.000079015415,0.00012453673,0.000008349295,0.000058846617,0.000008880309,0.00013789057,0.000055603312,0.00020353294],"category_scores_gemma":[0.000041228108,0.000021437347,0.000056111017,0.00006477787,0.000261033,0.000030410445,0.00010666916,0.000087719214,0.000009900798],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00084867206,0.00012666754,0.19803075,0.00011434421,0.00018329921,0.00002893119,0.018255869,0.000012072029,0.40224403,0.018503614,0.19656059,0.16509117],"study_design_scores_gemma":[0.00025226377,0.000041344672,0.8554623,0.0000066544703,0.000009998744,0.00000819854,0.00087548536,0.0000623829,0.00013072035,0.001000098,0.14206445,0.000086112785],"about_ca_topic_score_codex":0.00059752737,"about_ca_topic_score_gemma":0.0008166803,"teacher_disagreement_score":0.65743154,"about_ca_system_score_codex":0.000020539515,"about_ca_system_score_gemma":0.000006159481,"threshold_uncertainty_score":0.2228543},"labels":[],"label_agreement":null},{"id":"W4381328217","doi":"10.7202/1098050ar","title":"La place de l’imaginaire dans le travail de l’Histoire","year":2023,"lang":"fr","type":"article","venue":"Captures","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.01802756647409869,"score_gpt":0.22619164892186808,"score_spread":0.20816408244776938,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4381328217","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.48016277,0.037390016,0.000024346733,0.01891585,0.0013347225,0.00015399561,0.00024173965,0.0004013702,0.46137518],"genre_scores_gemma":[0.44033334,0.0010717233,0.000017699167,0.00035325112,0.0006745326,0.00001219513,0.000031462645,0.000026841928,0.55747896],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988802,0.00015426418,0.0001534406,0.00021178187,0.0001300396,0.00047026094],"domain_scores_gemma":[0.99954075,0.00007052525,0.00004661911,0.00016929378,0.000040489467,0.00013230786],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002457292,0.00018607306,0.00017834986,0.000056841105,0.0011085834,0.0004841637,0.00022243895,0.00016413552,0.0010132117],"category_scores_gemma":[0.00004338732,0.00018759038,0.00015806637,0.000068908295,0.0011127242,0.00028135214,0.00005794921,0.00035674695,0.0005575082],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001137269,0.000062830324,0.00014094441,0.00024163461,0.00004002932,0.00037578063,0.1437886,0.000056576628,0.0010531317,0.45995754,0.38976476,0.0045068236],"study_design_scores_gemma":[0.0002451751,0.00002555252,0.006262208,0.00012821537,0.000058492064,0.00006944942,0.055132393,0.00018134994,0.00014012371,0.004648098,0.9328644,0.0002445183],"about_ca_topic_score_codex":0.023493474,"about_ca_topic_score_gemma":0.035045154,"teacher_disagreement_score":0.5430997,"about_ca_system_score_codex":0.00018021672,"about_ca_system_score_gemma":0.00015046356,"threshold_uncertainty_score":0.9999},"labels":[],"label_agreement":null},{"id":"W4381429290","doi":"10.7202/1098042ar","title":"“Je ne sçai quoi”. On Animal Imagery, Evolution and Beauty","year":2023,"lang":"en","type":"article","venue":"Captures","topic":"Animal and Plant Science Education","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Anthropocentrism; Beauty; Realm; Darwin (ADL); Focus (optics); Plea; Epistemology; Aesthetics; Philosophy; Environmental ethics; Computer science; History","score_opus":0.033213667612999875,"score_gpt":0.3187069170411424,"score_spread":0.2854932494281425,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4381429290","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9665187,0.00032347918,0.000021662212,0.0018261906,0.00094357517,0.00008309078,0.000020586993,0.00009378358,0.030168924],"genre_scores_gemma":[0.99404615,0.000009900351,0.000027480135,0.00033528084,0.00038986816,0.000011789361,0.000025430687,0.0000061460264,0.005147966],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.9993088,0.000038566126,0.000082403094,0.00023918376,0.00010534938,0.00022566407],"domain_scores_gemma":[0.9996681,0.000096532196,0.000032829026,0.00011668917,0.00001737926,0.00006843563],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00018791831,0.00007830422,0.00007294845,0.000093593255,0.00010815182,0.000026242655,0.00007918345,0.00007019795,0.00035874828],"category_scores_gemma":[0.00005297962,0.00006448773,0.00002254852,0.00020599342,0.00007784486,0.00006838527,0.000017263092,0.00010521876,0.0015938953],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00029117684,0.00012090119,0.06195898,0.000018861918,0.00002445472,0.0000505379,0.008046153,0.000017651386,0.02742363,0.14417818,0.74893814,0.008931361],"study_design_scores_gemma":[0.00011814667,0.00015213802,0.97629195,0.000008583511,0.0000068548097,0.000022293494,0.0012559511,0.00007942617,0.00013847095,0.0029234255,0.01889737,0.000105406514],"about_ca_topic_score_codex":0.0001775625,"about_ca_topic_score_gemma":0.000017741128,"teacher_disagreement_score":0.9143329,"about_ca_system_score_codex":0.000019006435,"about_ca_system_score_gemma":0.000020540478,"threshold_uncertainty_score":0.9991835},"labels":[],"label_agreement":null},{"id":"W4381429740","doi":"10.7202/1098049ar","title":"Empreintes corporelles, entre traces et effacements. Vers une esthétique théâtrale de la disparition","year":2023,"lang":"fr","type":"article","venue":"Captures","topic":"Diverse Cultural and Historical Studies","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.026245077424785424,"score_gpt":0.30033309161755867,"score_spread":0.27408801419277323,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4381429740","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.43323007,0.035265237,0.000046445235,0.0845286,0.0049368218,0.00060979655,0.00024472293,0.0005729685,0.44056532],"genre_scores_gemma":[0.902232,0.019113258,0.00007720201,0.00044038193,0.00031199155,0.000026698424,0.000053474163,0.000012638598,0.07773234],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.998485,0.0003296829,0.0001636124,0.00027020706,0.0003071087,0.0004443446],"domain_scores_gemma":[0.99926996,0.00034955709,0.000086174245,0.0000772752,0.000055096538,0.00016191504],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00033247485,0.00018959948,0.00021449268,0.00003893084,0.0005852013,0.00011889349,0.00020344876,0.00020813354,0.0005415366],"category_scores_gemma":[0.00018362745,0.00016261954,0.00015174742,0.00054442533,0.0009938993,0.00020222188,0.000066041765,0.00024246267,0.0004514125],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027989954,0.00015662986,0.002747216,0.00008990401,0.00011975977,0.00011078459,0.04651236,0.00037540053,0.0003675597,0.37446937,0.56875986,0.006263161],"study_design_scores_gemma":[0.00023626591,0.000048375692,0.012132201,0.000105144274,0.00007473723,0.0000021348737,0.019450257,0.000030253279,0.00009816832,0.010447543,0.9571529,0.00022202801],"about_ca_topic_score_codex":0.016068013,"about_ca_topic_score_gemma":0.0049989074,"teacher_disagreement_score":0.46900195,"about_ca_system_score_codex":0.0003024845,"about_ca_system_score_gemma":0.000079096,"threshold_uncertainty_score":0.99048406},"labels":[],"label_agreement":null},{"id":"W4381429868","doi":"10.7202/1098040ar","title":"Volume 7 numéro 2","year":2023,"lang":"fr","type":"article","venue":"Captures","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.052772874775053664,"score_gpt":0.2802927356196111,"score_spread":0.22751986084455744,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4381429868","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.016046338,0.16370058,0.000020243702,0.044399098,0.027061416,0.00020040502,0.000051087874,0.00043353316,0.7480873],"genre_scores_gemma":[0.22780152,0.0070059327,0.00003255368,0.0007958016,0.006102078,0.000016295187,0.000008561348,0.000017789083,0.7582195],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985343,0.00014168362,0.00015096477,0.00022863716,0.00034907777,0.0005953067],"domain_scores_gemma":[0.99948853,0.0001156951,0.000050555995,0.00012434956,0.000068951806,0.00015192047],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00031837713,0.00014372669,0.00020764233,0.000048478872,0.0007203261,0.000077679484,0.0002367313,0.00021463285,0.0024752973],"category_scores_gemma":[0.00025774588,0.0001495325,0.00015443412,0.0009271903,0.0010952959,0.00012292908,0.000082406776,0.00018095096,0.0075031216],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[9.903256e-7,0.000014903721,0.00060298207,0.000015455602,0.00003412007,0.000026068494,0.027420286,0.000011657911,0.0000042099387,0.18541263,0.77628696,0.010169728],"study_design_scores_gemma":[0.00008333603,0.000018105642,0.007286928,0.000024000145,0.000019985186,3.3575748e-7,0.009248293,0.000062496074,0.000004579532,0.032173406,0.9509035,0.00017507908],"about_ca_topic_score_codex":0.009537758,"about_ca_topic_score_gemma":0.0030290643,"teacher_disagreement_score":0.21175517,"about_ca_system_score_codex":0.00018892228,"about_ca_system_score_gemma":0.00009192109,"threshold_uncertainty_score":0.99843657},"labels":[],"label_agreement":null},{"id":"W4381430043","doi":"10.7202/1098046ar","title":"Milieu animal, modèle musical et optique cinématographique. Jakob von Uexküll contre Tod Browning","year":2023,"lang":"fr","type":"article","venue":"Captures","topic":"Visual Culture and Art Theory","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Vampire; Philosophy; Literature","score_opus":0.04633630322769894,"score_gpt":0.2799123374152303,"score_spread":0.23357603418753137,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4381430043","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.67231995,0.031039802,0.000060102342,0.02316461,0.0034883525,0.0007740008,0.00059327565,0.0010264453,0.26753345],"genre_scores_gemma":[0.8852335,0.0013079064,0.00006553957,0.005176405,0.0035363731,0.000054714543,0.00018910108,0.000102567275,0.10433386],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99747914,0.0003301238,0.00045599282,0.00059068686,0.00031951434,0.0008245179],"domain_scores_gemma":[0.9987938,0.00025912953,0.00013483195,0.00037443382,0.00017191027,0.000265887],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00048670085,0.0005066319,0.00053757854,0.0002451124,0.00084983447,0.00050848565,0.00033394032,0.00036605968,0.002804369],"category_scores_gemma":[0.00010008654,0.000443281,0.00042359356,0.00021518207,0.0007731019,0.00043813555,0.00018089803,0.00071699,0.0010132248],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007266398,0.00012082247,0.000048307797,0.00014335304,0.000115932155,0.00016055514,0.026138166,0.00008017813,0.0019337946,0.661768,0.30862114,0.00079705263],"study_design_scores_gemma":[0.0006038106,0.00034654932,0.0006770188,0.00040714839,0.00012615995,0.000026388425,0.015403073,0.00045035136,0.00085075933,0.015816288,0.9646538,0.0006386343],"about_ca_topic_score_codex":0.00063379435,"about_ca_topic_score_gemma":0.0011996236,"teacher_disagreement_score":0.6560327,"about_ca_system_score_codex":0.00003430719,"about_ca_system_score_gemma":0.00007044785,"threshold_uncertainty_score":0.9998019},"labels":[],"label_agreement":null},{"id":"W4381430176","doi":"10.7202/1098047ar","title":"Imagining Zoos","year":2023,"lang":"en","type":"article","venue":"Captures","topic":"Geographies of human-animal interactions","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Flemish; The Imaginary; Painting; Natural (archaeology); Art; Art history; Visual arts; Aesthetics; History; Psychology; Archaeology; Psychoanalysis","score_opus":0.038947796085437254,"score_gpt":0.35800386732055384,"score_spread":0.3190560712351166,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4381430176","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.38967687,0.0003120229,0.0000027688873,0.010499485,0.0013026147,0.00012677377,0.000005563446,0.0008470632,0.59722686],"genre_scores_gemma":[0.9885454,0.000044444118,0.00007709393,0.00030624864,0.00032009737,0.000012673929,0.0000040072955,0.0000070932106,0.010682913],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99937314,0.000039217954,0.00006913415,0.00011485086,0.00017079705,0.00023287369],"domain_scores_gemma":[0.99966425,0.00010057264,0.000024291843,0.000096817384,0.00005067937,0.00006338985],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00017775524,0.00004872578,0.000055026245,0.0001465153,0.00045626113,0.00009655621,0.0001781033,0.0000348468,0.00084378675],"category_scores_gemma":[0.0002242303,0.00004863255,0.00006064041,0.0003906238,0.00020613777,0.00015517337,0.000033837245,0.000103622,0.0011697338],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008075033,0.000028139704,0.008446781,0.000007183017,0.000044252396,0.000049191793,0.07655864,0.00006739584,0.0015588382,0.17433469,0.7368883,0.0020085084],"study_design_scores_gemma":[0.000080336955,0.000014504392,0.03479847,0.00001231024,0.000011680239,0.0000011723271,0.09697654,0.000029239083,0.00009421508,0.011712776,0.8561143,0.00015442102],"about_ca_topic_score_codex":0.002069823,"about_ca_topic_score_gemma":0.007632382,"teacher_disagreement_score":0.59886855,"about_ca_system_score_codex":0.00001513123,"about_ca_system_score_gemma":0.00002509547,"threshold_uncertainty_score":0.999608},"labels":[],"label_agreement":null},{"id":"W4381430279","doi":"10.7202/1098043ar","title":"Sur l’apport des fictions littéraires à la connaissance des animaux. Notre communication est-elle une illusion ?","year":2023,"lang":"fr","type":"article","venue":"Captures","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy","score_opus":0.05973209281931025,"score_gpt":0.3052417342110772,"score_spread":0.24550964139176695,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4381430279","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.44645575,0.17547435,0.000106770065,0.024065586,0.0016030354,0.00038454705,0.00013675602,0.0006233826,0.35114983],"genre_scores_gemma":[0.8127313,0.019902918,0.00032838059,0.0001918869,0.00036852513,0.000038539773,0.000040435214,0.000021099715,0.16637686],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981069,0.0005000326,0.0003039422,0.00031026176,0.00030071288,0.00047817107],"domain_scores_gemma":[0.9984436,0.0007063521,0.000113248636,0.0003179831,0.00024020097,0.00017859813],"candidate_categories":["sts"],"consensus_categories":["sts"],"category_scores_codex":[0.00055277575,0.00021561509,0.0002720311,0.00007782323,0.0028482191,0.00008645316,0.00037179526,0.00020969457,0.0003334291],"category_scores_gemma":[0.00048223478,0.00020235995,0.00015005094,0.00152271,0.0038528028,0.0004651175,0.00018836484,0.00027431545,0.00030546242],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031714702,0.00028902426,0.00923963,0.00024267093,0.000099984136,0.000059187143,0.3959306,0.00027401524,0.00021869657,0.13225314,0.38314098,0.07822037],"study_design_scores_gemma":[0.00013956324,0.000047959886,0.04258569,0.00024454438,0.0000418507,0.000004314277,0.012556304,0.00018216106,0.000019548614,0.014443098,0.92950463,0.00023035302],"about_ca_topic_score_codex":0.015570721,"about_ca_topic_score_gemma":0.0110475235,"teacher_disagreement_score":0.54636365,"about_ca_system_score_codex":0.00019213694,"about_ca_system_score_gemma":0.000117360796,"threshold_uncertainty_score":0.99885815},"labels":[],"label_agreement":null},{"id":"W4381431199","doi":"10.7202/1098044ar","title":"The ‘Strange Kinship’ of Interanimality. Vision, Visibility and Lifeworlds in Science and Art","year":2023,"lang":"en","type":"article","venue":"Captures","topic":"Art, Aesthetics, and Perception","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Kinship; Transformative learning; Gaze; Visibility; Subject (documents); Dichotomy; Sovereignty; Aesthetics; Representation (politics); Sociology; Quality (philosophy); Natural (archaeology); Epistemology; Visual arts; Psychology; Art; Philosophy; Anthropology; Psychoanalysis; Political science; History; Geography; Pedagogy; Computer science; Law","score_opus":0.031023967349081836,"score_gpt":0.2822590677924481,"score_spread":0.2512351004433662,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4381431199","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98642933,0.0002619572,6.9765224e-7,0.0010222852,0.00012747307,0.000088976594,0.000011663254,0.000021076941,0.01203655],"genre_scores_gemma":[0.9989032,0.00017064397,0.0000040595373,0.00013024217,0.00007166333,0.0000033028282,0.0000022145064,0.00000386307,0.0007107812],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.99940675,0.00003547145,0.00014013918,0.00014706848,0.00014582399,0.00012476376],"domain_scores_gemma":[0.99963903,0.00008310149,0.000029250346,0.00012706219,0.00008763339,0.00003391777],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00079556485,0.000058306414,0.0000820067,0.00005995383,0.00025688566,0.00013536586,0.00009172557,0.000019093079,0.000049386425],"category_scores_gemma":[0.00010402443,0.000037753696,0.000015246187,0.000044647022,0.0015151363,0.00014215097,0.000048969112,0.00007675904,0.000009422017],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020501632,0.00011736889,0.07327956,0.00024747266,0.000014851065,0.000008401646,0.4660931,0.0000055453356,0.0031316192,0.35212702,0.049941637,0.054828413],"study_design_scores_gemma":[0.0002984938,0.00017315286,0.7249458,0.00007865762,0.000009212943,0.0000028989868,0.020147054,0.00049064314,0.00008377289,0.040514797,0.21309268,0.00016286096],"about_ca_topic_score_codex":0.00023392966,"about_ca_topic_score_gemma":0.012048494,"teacher_disagreement_score":0.6516662,"about_ca_system_score_codex":0.0000111850895,"about_ca_system_score_gemma":0.000018695222,"threshold_uncertainty_score":0.67233425},"labels":[],"label_agreement":null},{"id":"W4381433005","doi":"10.7202/1098041ar","title":"Animaux et figurations animales","year":2023,"lang":"fr","type":"article","venue":"Captures","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.06265618494514895,"score_gpt":0.34289606270996065,"score_spread":0.2802398777648117,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4381433005","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11453463,0.07331284,0.00004184524,0.16677625,0.0055935117,0.0002411855,0.00022764513,0.0004972153,0.6387749],"genre_scores_gemma":[0.54218215,0.0026095335,0.00010698369,0.0014419395,0.001050498,0.000018152448,0.000022097947,0.000010569885,0.45255807],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989551,0.00017399304,0.00014227218,0.00019712024,0.00021479826,0.00031677072],"domain_scores_gemma":[0.9994742,0.00022967065,0.00003746433,0.000095650226,0.000057435027,0.000105529354],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00020729785,0.0001112061,0.00014174114,0.00005214478,0.0006120779,0.000051422263,0.0001446266,0.0001022147,0.0008235886],"category_scores_gemma":[0.00020246166,0.000102235834,0.00009268024,0.00078246987,0.00041779343,0.00023994864,0.00004737808,0.00014221664,0.002019019],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000023916873,0.000025130448,0.00033822414,0.00001615144,0.000018808352,0.000022805561,0.08427077,0.000014849341,0.000060694347,0.38212138,0.53031945,0.0027893705],"study_design_scores_gemma":[0.000048549922,0.00003408956,0.007967601,0.000023986739,0.00001650174,7.564652e-7,0.005988706,0.000038846054,0.000007099913,0.005624393,0.9801201,0.00012936706],"about_ca_topic_score_codex":0.0014458402,"about_ca_topic_score_gemma":0.0013386783,"teacher_disagreement_score":0.44980067,"about_ca_system_score_codex":0.000072109324,"about_ca_system_score_gemma":0.00008369281,"threshold_uncertainty_score":0.998758},"labels":[],"label_agreement":null},{"id":"W4381544180","doi":"10.7202/1098048ar","title":"Représentation animale, réflexion et dialectique","year":2023,"lang":"fr","type":"article","venue":"Captures","topic":"Geographies of human-animal interactions","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art; Perspective (graphical)","score_opus":0.04751186139794629,"score_gpt":0.3859445034066667,"score_spread":0.3384326420087204,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4381544180","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.74668896,0.004747397,0.000013679283,0.07950182,0.00875963,0.00044637287,0.00004546144,0.0006316366,0.15916507],"genre_scores_gemma":[0.918521,0.0023720607,0.0001542981,0.0013292985,0.0010866557,0.00004484457,0.00004770452,0.000028337921,0.07641581],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980659,0.0004434104,0.0002673398,0.00039457422,0.00035723447,0.00047156712],"domain_scores_gemma":[0.99895525,0.0003708734,0.00014404836,0.00022616728,0.00016093609,0.00014275432],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0005771957,0.00018079308,0.00017380594,0.00030375554,0.0005756645,0.00020530015,0.00023938523,0.00022503287,0.0018817018],"category_scores_gemma":[0.00046219552,0.0002048832,0.00020712827,0.001423007,0.0005633708,0.0006541169,0.00007317775,0.00037641288,0.0023151964],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005228175,0.0001221526,0.0029459996,0.000052864933,0.00009634294,0.00006719775,0.06379815,0.0004051815,0.003885634,0.3816176,0.5452294,0.0017272023],"study_design_scores_gemma":[0.00031552327,0.00027078541,0.12370962,0.00015646839,0.00012080931,0.000020086156,0.06534606,0.00020309517,0.0009547286,0.06688939,0.7414386,0.00057478924],"about_ca_topic_score_codex":0.012026874,"about_ca_topic_score_gemma":0.048787996,"teacher_disagreement_score":0.31472823,"about_ca_system_score_codex":0.00010994712,"about_ca_system_score_gemma":0.0001161319,"threshold_uncertainty_score":0.9990307},"labels":[],"label_agreement":null},{"id":"W4386275603","doi":"10.7202/1102709ar","title":"Mettre l’éden aux normes. L’imaginaire territorial de la halte routière québécoise","year":2023,"lang":"fr","type":"article","venue":"Captures","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"The Imaginary; Humanities; Chronotope; Art; Rest (music); Art history; Geography; Literature","score_opus":0.025652387797405536,"score_gpt":0.3023488600136523,"score_spread":0.27669647221624677,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386275603","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0466153,0.123723835,0.000016386617,0.08042714,0.034452476,0.0005029317,0.00019229224,0.0007652375,0.7133044],"genre_scores_gemma":[0.8172753,0.009981557,0.000092492795,0.0010418193,0.022384798,0.000063143205,0.000024903526,0.00005965057,0.14907637],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99715483,0.00058856275,0.00027637705,0.00041690032,0.0005895726,0.00097378466],"domain_scores_gemma":[0.99873877,0.00049883913,0.00011242255,0.00022100445,0.00012448378,0.00030450712],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0007818434,0.0003181242,0.00042257682,0.00009189004,0.0012060922,0.00025533108,0.0004981968,0.00048394658,0.00029470725],"category_scores_gemma":[0.0007417552,0.00032042904,0.00030810214,0.000851409,0.0021739888,0.00026466473,0.00016053846,0.00048975955,0.0005072108],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009410831,0.000053051208,0.0025961155,0.000046020505,0.00011537964,0.00015419757,0.055530444,0.000022644836,0.000023793298,0.21186836,0.71859455,0.010986054],"study_design_scores_gemma":[0.000350732,0.000034172983,0.016558588,0.000075645796,0.00011100485,0.0000027732096,0.008562976,0.000060429098,0.000019317544,0.02973839,0.94413155,0.00035442165],"about_ca_topic_score_codex":0.19566342,"about_ca_topic_score_gemma":0.07011545,"teacher_disagreement_score":0.77066,"about_ca_system_score_codex":0.0006801632,"about_ca_system_score_gemma":0.0007602096,"threshold_uncertainty_score":0.9999248},"labels":[],"label_agreement":null},{"id":"W4386275624","doi":"10.7202/1102706ar","title":"Le compositeur se trompe-t-il? La mise en musique comme espace de dérèglement","year":2023,"lang":"fr","type":"article","venue":"Captures","topic":"Contemporary art, education, critique","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Musical; Proposition; Philosophy; Ethnology; Literature; Linguistics; Sociology","score_opus":0.04260154254074352,"score_gpt":0.3390328792446141,"score_spread":0.2964313367038706,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386275624","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3688488,0.0051553603,0.00025335784,0.5304731,0.0023116947,0.0007641257,0.00014002877,0.00039319834,0.09166034],"genre_scores_gemma":[0.7832909,0.0016031765,0.00045950292,0.0030587378,0.0010780093,0.00007119933,0.00007526114,0.000043895274,0.21031928],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99509555,0.0031615484,0.00032386128,0.00040753887,0.00032954552,0.00068196363],"domain_scores_gemma":[0.998052,0.0009656595,0.00012456923,0.00037387645,0.00011393791,0.0003699413],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0024681727,0.00025517825,0.0002850648,0.00013350215,0.00061680557,0.00018212835,0.0005240541,0.00028251944,0.00037174398],"category_scores_gemma":[0.00019290906,0.00030597224,0.00016225602,0.0005750321,0.00051290204,0.0006698631,0.00010657707,0.00040639128,0.00033673298],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020074744,0.00023323152,0.002138737,0.000093629584,0.000056770925,0.00008745548,0.2240593,0.0001239656,0.0013046173,0.2347051,0.53589875,0.0012783655],"study_design_scores_gemma":[0.00036881818,0.000043853728,0.006058531,0.00011379209,0.000035726545,0.000012476982,0.0571474,0.00013818087,0.000579438,0.009477528,0.9257112,0.00031307025],"about_ca_topic_score_codex":0.017041557,"about_ca_topic_score_gemma":0.015298317,"teacher_disagreement_score":0.5274143,"about_ca_system_score_codex":0.00021051394,"about_ca_system_score_gemma":0.0014389803,"threshold_uncertainty_score":0.99993926},"labels":[],"label_agreement":null},{"id":"W4386275649","doi":"10.7202/1102701ar","title":"Imaginaires musico-littéraires. Métamorphoses et dérèglements","year":2023,"lang":"fr","type":"article","venue":"Captures","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.28401050167504405,"score_gpt":0.35474383371768337,"score_spread":0.07073333204263932,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386275649","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20900534,0.09305903,0.002789484,0.23628733,0.023578461,0.001208337,0.0004624799,0.002662868,0.43094668],"genre_scores_gemma":[0.6787906,0.0011752514,0.0011179155,0.016111903,0.0010345133,0.000028960307,0.00011052412,0.000057898575,0.3015724],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974213,0.000116078154,0.00035559945,0.0006565126,0.0005372577,0.00091320655],"domain_scores_gemma":[0.9984515,0.00015804525,0.00012887953,0.0006546352,0.00019716298,0.00040981418],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00025205567,0.00040620787,0.00031610962,0.00017205387,0.00023220688,0.0027157827,0.0007828654,0.00014584276,0.00024383087],"category_scores_gemma":[0.00023437435,0.00031684674,0.00021655511,0.0010290527,0.0003422951,0.0033633944,0.0007523749,0.0002749328,0.0023547313],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006527055,0.00009883406,0.00025138358,0.00007219768,0.000051502207,0.00082602917,0.0045262943,0.00013180239,0.00073526846,0.21236849,0.74954486,0.031386845],"study_design_scores_gemma":[0.00042765602,0.00012219461,0.049898576,0.00023550184,0.000025594934,0.00015195293,0.00021238011,0.0019259375,0.0016845946,0.048795354,0.8959837,0.00053654966],"about_ca_topic_score_codex":0.0027273535,"about_ca_topic_score_gemma":0.00032287327,"teacher_disagreement_score":0.46978527,"about_ca_system_score_codex":0.00007280807,"about_ca_system_score_gemma":0.0001970578,"threshold_uncertainty_score":0.99992836},"labels":[],"label_agreement":null},{"id":"W4386280878","doi":"10.7202/1102702ar","title":"Les dérèglements des sens dans les romans fin-de-siècle. L’influence de la musique sur deux personnages névrosés","year":2023,"lang":"fr","type":"article","venue":"Captures","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.033480823796762135,"score_gpt":0.3014956609469476,"score_spread":0.2680148371501854,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386280878","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.93745095,0.011234038,0.000106226245,0.003281391,0.00055438245,0.00016656535,0.00012409047,0.00025393965,0.046828445],"genre_scores_gemma":[0.9212496,0.003817161,0.00043000735,0.00047193092,0.0008950981,0.000039037674,0.000010855318,0.00003316754,0.07305311],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99711245,0.0007936005,0.00028571137,0.00045046254,0.00039088633,0.00096688257],"domain_scores_gemma":[0.9984937,0.0008079399,0.00010179892,0.00020868257,0.000116918716,0.00027098233],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00075288,0.00032274227,0.00032299093,0.00010086096,0.00204218,0.00013338176,0.00044576437,0.00034049025,0.00027201656],"category_scores_gemma":[0.0007012777,0.00030774195,0.00020038501,0.0006973566,0.0024680907,0.00028761986,0.00014983809,0.00039428982,0.00012448599],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015785585,0.0001590009,0.22094262,0.00024966605,0.00014832502,0.00039199498,0.6727469,0.0005778577,0.0023580627,0.02335533,0.0661182,0.0129362475],"study_design_scores_gemma":[0.00016617768,0.00005503752,0.32171044,0.00016555816,0.00006436078,0.000008766676,0.026752248,0.00006404024,0.00016114744,0.0023092967,0.64821184,0.00033112802],"about_ca_topic_score_codex":0.049546894,"about_ca_topic_score_gemma":0.013616396,"teacher_disagreement_score":0.64599466,"about_ca_system_score_codex":0.00054561783,"about_ca_system_score_gemma":0.00019940981,"threshold_uncertainty_score":0.9999375},"labels":[],"label_agreement":null},{"id":"W4386280901","doi":"10.7202/1102700ar","title":"Volume 8 numéro 1","year":2023,"lang":"fr","type":"article","venue":"Captures","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.31886416011178237,"score_gpt":0.323783859612047,"score_spread":0.004919699500264607,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386280901","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.034309942,0.0380283,0.0037808581,0.082505025,0.026857007,0.00033970867,0.00008539865,0.0013238293,0.81276995],"genre_scores_gemma":[0.30593967,0.00019178454,0.00026125042,0.0024212503,0.00129553,0.0000043162354,0.000016893593,0.000014549483,0.68985474],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99868464,0.00003366845,0.00016772769,0.00033256094,0.00024201331,0.0005394009],"domain_scores_gemma":[0.99912846,0.00005388423,0.000048240872,0.00038919176,0.000102692065,0.00027753966],"candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00009554443,0.00018331475,0.00016241627,0.00007049899,0.00013170361,0.0015563023,0.0004479569,0.00012823901,0.00038862752],"category_scores_gemma":[0.000121031,0.0001406598,0.00012385013,0.00076608564,0.0001454822,0.0017880177,0.00030566,0.00015225355,0.009255087],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000014271122,0.000021409318,0.000051080413,0.000022264077,0.000013442635,0.00037217158,0.0024343925,0.00017352795,0.0002391733,0.17674483,0.80223334,0.017692942],"study_design_scores_gemma":[0.00011273188,0.000057349735,0.007833474,0.000054654036,0.000006237054,0.00011037566,0.00011441723,0.008612212,0.00043536592,0.035313275,0.9471137,0.00023624234],"about_ca_topic_score_codex":0.0005408428,"about_ca_topic_score_gemma":0.00005696724,"teacher_disagreement_score":0.27162972,"about_ca_system_score_codex":0.00003333893,"about_ca_system_score_gemma":0.00007404772,"threshold_uncertainty_score":0.9994802},"labels":[],"label_agreement":null},{"id":"W4386280910","doi":"10.7202/1102703ar","title":"L’imaginaire du dodécaphonisme sériel. Du « Docteur Faustus » au début du XXIe siècle","year":2023,"lang":"fr","type":"article","venue":"Captures","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"The Imaginary; Humanities; Art; Art history; Philosophy; Psychoanalysis; Psychology","score_opus":0.11410563818288695,"score_gpt":0.27990247901994714,"score_spread":0.1657968408370602,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386280910","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4268392,0.01113068,0.0027859116,0.24165303,0.022619162,0.00087437336,0.00020176421,0.0019067515,0.29198915],"genre_scores_gemma":[0.9535961,0.0010066687,0.00020962265,0.004327616,0.0028558548,0.00002115553,0.000049885515,0.00005139458,0.037881672],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99654466,0.00012314464,0.00047748274,0.0009112874,0.00062021246,0.0013232289],"domain_scores_gemma":[0.9977035,0.00021035163,0.00017269398,0.0008170351,0.00037057497,0.00072585826],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00028535398,0.0005967991,0.0004982588,0.00016536725,0.00073427835,0.0030094539,0.0011334422,0.0002684744,0.00016908912],"category_scores_gemma":[0.00038898515,0.00046790304,0.00035969118,0.0011522702,0.0006370374,0.003262945,0.00094937836,0.00041067947,0.003127226],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021998841,0.00021473126,0.0018168566,0.000119202385,0.00009507521,0.0037097721,0.016406674,0.00097123906,0.0010668816,0.18058832,0.7608217,0.034167558],"study_design_scores_gemma":[0.0007877421,0.00022970553,0.055146445,0.0001681777,0.000057393514,0.00092764996,0.0005082575,0.0077950438,0.0022201966,0.019643279,0.9115931,0.0009230475],"about_ca_topic_score_codex":0.0047417204,"about_ca_topic_score_gemma":0.00046877968,"teacher_disagreement_score":0.52675694,"about_ca_system_score_codex":0.00018853096,"about_ca_system_score_gemma":0.00033521588,"threshold_uncertainty_score":0.99977726},"labels":[],"label_agreement":null},{"id":"W4386280911","doi":"10.7202/1102705ar","title":"Adaptation, dérives et dérèglements. Le devenir-opéra de « The Handmaid’s Tale » selon Paul Bentley","year":2023,"lang":"fr","type":"article","venue":"Captures","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Opera; Adaptation (eye); Art history; Psychology","score_opus":0.039616811395121035,"score_gpt":0.26583171217984247,"score_spread":0.22621490078472145,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386280911","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.41568807,0.15331946,0.0024546972,0.11031324,0.012750162,0.002397637,0.0037384557,0.0011465694,0.2981917],"genre_scores_gemma":[0.7284237,0.0019146553,0.0003054301,0.0044713723,0.0022111183,0.00012416554,0.00083530834,0.00008698619,0.2616273],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99779546,0.0003685328,0.0004513682,0.0003778895,0.00036922266,0.00063754286],"domain_scores_gemma":[0.9987468,0.00040993432,0.00013725588,0.000344624,0.00022201418,0.00013938335],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00060041895,0.00032419307,0.00024476857,0.00014824914,0.0014573173,0.00072240515,0.00034092422,0.00012990632,0.0017788977],"category_scores_gemma":[0.0001288347,0.0002697028,0.00018928859,0.00016389444,0.0005626208,0.00061141606,0.00007259041,0.0003100456,0.0004887545],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029925659,0.000090583046,0.00011653011,0.00010251432,0.00012202846,0.00004582858,0.19048491,0.0005518726,0.000049786002,0.5855174,0.21961118,0.0032774508],"study_design_scores_gemma":[0.0007656698,0.00007663419,0.0033917893,0.00014585,0.0000967664,0.000016665237,0.06715238,0.0014480824,0.00015945443,0.035732266,0.8906875,0.00032691352],"about_ca_topic_score_codex":0.0031597635,"about_ca_topic_score_gemma":0.0049992255,"teacher_disagreement_score":0.67107636,"about_ca_system_score_codex":0.0000583347,"about_ca_system_score_gemma":0.0003294837,"threshold_uncertainty_score":0.9999755},"labels":[],"label_agreement":null},{"id":"W4386280930","doi":"10.7202/1102704ar","title":"Comment assassiner Wagner. « The Mastersinger from Minsk » de Morley Torgov","year":2023,"lang":"fr","type":"article","venue":"Captures","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.03648485449350432,"score_gpt":0.24143797833359076,"score_spread":0.20495312384008646,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386280930","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26109684,0.017667968,0.00009933278,0.64893216,0.00683441,0.00025220757,0.0005140314,0.00016430502,0.06443878],"genre_scores_gemma":[0.57497895,0.00038811562,0.00007908019,0.08078224,0.007796237,0.000054412823,0.00022965253,0.000046811285,0.33564448],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99855417,0.00025286438,0.00023440208,0.00027626514,0.00019375258,0.00048853393],"domain_scores_gemma":[0.99890596,0.00048496047,0.00008288105,0.00034820408,0.00005796608,0.000120058605],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00027512872,0.0002222923,0.0002656712,0.00007339799,0.00082078826,0.0002740883,0.00029464977,0.0001806609,0.022465797],"category_scores_gemma":[0.00005346953,0.00014587885,0.0002442926,0.00010963291,0.00078666845,0.00008830766,0.00013628391,0.00035031108,0.0011262723],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016323214,0.000094939984,0.00023089033,0.00002131573,0.00030919115,0.00006194729,0.019571139,0.00007989574,0.00015259451,0.1234914,0.85047233,0.005498035],"study_design_scores_gemma":[0.00022177534,0.000036532318,0.003510892,0.000050140072,0.00045488044,0.0000017779007,0.006587995,0.0010102871,0.00008809646,0.0062627345,0.98157465,0.00020024189],"about_ca_topic_score_codex":0.007987124,"about_ca_topic_score_gemma":0.0043458743,"teacher_disagreement_score":0.56814986,"about_ca_system_score_codex":0.00007476854,"about_ca_system_score_gemma":0.000042580377,"threshold_uncertainty_score":0.9996515},"labels":[],"label_agreement":null},{"id":"W4386280950","doi":"10.7202/1102708ar","title":"L’album-concept metal pour donner forme au chaos? Anthologie, geste, épopée","year":2023,"lang":"fr","type":"article","venue":"Captures","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.3147883216066387,"score_gpt":0.3362029270061343,"score_spread":0.02141460539949558,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386280950","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4879699,0.035703473,0.0053712125,0.09359063,0.023271363,0.0011563367,0.00041080723,0.002206386,0.3503199],"genre_scores_gemma":[0.76026815,0.0001884322,0.00077640713,0.0024912658,0.001419399,0.000014901664,0.00005888109,0.000033795026,0.23474874],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9970907,0.000092822236,0.00039964507,0.0007260466,0.000435645,0.0012551484],"domain_scores_gemma":[0.99827784,0.00022370076,0.000164111,0.00068283326,0.00019024179,0.00046124778],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002410777,0.0004676402,0.0004587751,0.0001622391,0.00031971768,0.0013369236,0.00089388597,0.0003208791,0.00016977427],"category_scores_gemma":[0.0003518522,0.00032746248,0.0003327757,0.0009400835,0.00044437707,0.003292085,0.0006735842,0.0003592538,0.002078493],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024827821,0.0002323909,0.00031576407,0.00011914032,0.00017881673,0.002667444,0.021842306,0.0012410381,0.003740998,0.39040634,0.51736295,0.061867967],"study_design_scores_gemma":[0.0016702109,0.00064914854,0.07616355,0.00034913933,0.00014062366,0.0016328298,0.0023018266,0.007065623,0.020318296,0.081358746,0.80633825,0.0020117266],"about_ca_topic_score_codex":0.001035455,"about_ca_topic_score_gemma":0.00030091687,"teacher_disagreement_score":0.30904758,"about_ca_system_score_codex":0.00012480194,"about_ca_system_score_gemma":0.0002679492,"threshold_uncertainty_score":0.99991775},"labels":[],"label_agreement":null},{"id":"W4386280954","doi":"10.7202/1102710ar","title":"An Atlas of Clichés. Peter Fischli and David Weiss’ Visible World","year":2023,"lang":"en","type":"article","venue":"Captures","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Beauty; Cliché; Art history; Art; History; Cartography; Aesthetics; Literature; Geography","score_opus":0.03988872877316,"score_gpt":0.3093948817863618,"score_spread":0.2695061530132018,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386280954","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.61692154,0.0061667114,0.0000068271406,0.0027245046,0.0008561919,0.00024703948,0.000025312125,0.00025918306,0.37279266],"genre_scores_gemma":[0.9802721,0.0005395802,0.000057690264,0.00022406252,0.00040225268,0.000008019091,0.000005013697,0.000007696092,0.018483559],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99921715,0.0000744492,0.000112288646,0.00015374096,0.00021079803,0.00023155345],"domain_scores_gemma":[0.9996106,0.000106664804,0.000042201584,0.00010129517,0.000044845077,0.00009440507],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00026102358,0.00007441572,0.00015239416,0.0000778044,0.00033081305,0.00004717668,0.00013893162,0.000055142267,0.00012630415],"category_scores_gemma":[0.000106498286,0.00006562664,0.000044790624,0.00039135726,0.0004036015,0.00010914127,0.000042568314,0.000073765295,0.000027991675],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021337266,0.00007993193,0.04784805,0.000056807152,0.0000906147,0.00002074903,0.13925652,0.000015493077,0.0010336847,0.22975911,0.5734396,0.008378087],"study_design_scores_gemma":[0.00017420854,0.000046637375,0.12589796,0.000019882229,0.00001778456,1.2480785e-7,0.006021494,0.00001677058,0.00021324902,0.009662747,0.8577662,0.0001629283],"about_ca_topic_score_codex":0.0036957678,"about_ca_topic_score_gemma":0.014351411,"teacher_disagreement_score":0.36335057,"about_ca_system_score_codex":0.000022662502,"about_ca_system_score_gemma":0.000033859753,"threshold_uncertainty_score":0.8008424},"labels":[],"label_agreement":null},{"id":"W4386280956","doi":"10.7202/1102707ar","title":"Musique pour une poésie de derrière les barreaux. John McLeod et la mise en musique du poème concentrationnaire","year":2023,"lang":"fr","type":"article","venue":"Captures","topic":"French Literature and Poetry","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.015731784159323917,"score_gpt":0.25566054669780414,"score_spread":0.23992876253848022,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386280956","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1697997,0.04622538,0.00017760061,0.1003166,0.0045916475,0.0006474343,0.00114599,0.0006582617,0.6764374],"genre_scores_gemma":[0.87323076,0.0020666372,0.00010052083,0.00817484,0.004855984,0.000045699315,0.00037104142,0.00007837726,0.11107616],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976515,0.0006177216,0.00039433982,0.00042438108,0.00023854659,0.00067349954],"domain_scores_gemma":[0.99853843,0.00055558275,0.00012700881,0.00033117735,0.00019649699,0.0002512727],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00043506583,0.00044083584,0.00035803736,0.00014847257,0.0005666944,0.0006639214,0.00030930626,0.00052722247,0.0021120037],"category_scores_gemma":[0.00020025764,0.00041386558,0.00025183285,0.00017837633,0.00049665023,0.00036618972,0.00007691299,0.0007514332,0.00029274158],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018588898,0.00007872675,0.00064188265,0.00022380841,0.00009254796,0.0004954007,0.07228879,0.00011938095,0.00024869555,0.5591924,0.3634452,0.003154593],"study_design_scores_gemma":[0.0005623553,0.00006089843,0.0059147077,0.0005079341,0.00009825132,0.00011274635,0.008370724,0.00028000044,0.0002653993,0.018169057,0.9651698,0.0004881282],"about_ca_topic_score_codex":0.004514052,"about_ca_topic_score_gemma":0.0066378447,"teacher_disagreement_score":0.70343107,"about_ca_system_score_codex":0.00009517482,"about_ca_system_score_gemma":0.00043067077,"threshold_uncertainty_score":0.9998313},"labels":[],"label_agreement":null},{"id":"W4392955228","doi":"10.7202/1109862ar","title":"Charles Perrault à l’ère du numérique. Le Chat Botté dans l’objectif de Frank Horvat","year":2023,"lang":"fr","type":"article","venue":"Captures","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Philosophy; Humanities","score_opus":0.12285837561040061,"score_gpt":0.2796653634155637,"score_spread":0.15680698780516308,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392955228","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5150528,0.08810208,0.0109979175,0.07108406,0.009703687,0.00086960767,0.00020541079,0.0018971867,0.30208725],"genre_scores_gemma":[0.8930726,0.0027250363,0.0002657686,0.0025404955,0.0015510196,0.000024364997,0.000047248497,0.000047605256,0.09972589],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974685,0.000113486334,0.00031762943,0.00066457223,0.00040078745,0.0010350542],"domain_scores_gemma":[0.9984211,0.00014286462,0.00011819435,0.00061731436,0.00019051776,0.00051006104],"candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0002445517,0.0004357237,0.00037336885,0.00012772108,0.00046973428,0.002043739,0.00083679036,0.0003284421,0.00009244138],"category_scores_gemma":[0.00023660346,0.00034652484,0.00027924406,0.00085774384,0.00032932573,0.0024561447,0.0004330655,0.00038289063,0.000764771],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020928337,0.00022499135,0.00088098255,0.00016193793,0.00011083891,0.0015958428,0.08595166,0.0011641847,0.010767713,0.29038256,0.5913013,0.017437056],"study_design_scores_gemma":[0.00074601715,0.00026496567,0.047903072,0.00036530726,0.00002511917,0.0009978538,0.008791669,0.019870356,0.016233156,0.020797445,0.88285553,0.0011494823],"about_ca_topic_score_codex":0.004312687,"about_ca_topic_score_gemma":0.00090754696,"teacher_disagreement_score":0.37801978,"about_ca_system_score_codex":0.00012082479,"about_ca_system_score_gemma":0.00028028732,"threshold_uncertainty_score":0.9998987},"labels":[],"label_agreement":null},{"id":"W4392955231","doi":"10.7202/1109858ar","title":"Contes en habits neufs. La littérature jeunesse patrimoniale à l’ère de la photographie","year":2023,"lang":"fr","type":"article","venue":"Captures","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.014660921537185028,"score_gpt":0.24321371205341263,"score_spread":0.2285527905162276,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392955231","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7707933,0.13195695,0.0000019307327,0.010177521,0.0027632287,0.00041382416,0.00085841614,0.0005363493,0.082498446],"genre_scores_gemma":[0.7384087,0.014673751,0.000021608499,0.000605527,0.0033125503,0.000046027086,0.0001277707,0.000056978857,0.24274708],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982003,0.00041179295,0.00026559443,0.00034025495,0.00022338258,0.0005586516],"domain_scores_gemma":[0.99883723,0.00052222767,0.00009589011,0.00025127956,0.00011896558,0.00017442317],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00041573224,0.00033079163,0.00034692927,0.00016542315,0.0006954839,0.0012130397,0.00031198584,0.0005063943,0.0012341556],"category_scores_gemma":[0.00017529614,0.00029556942,0.0003465462,0.00027541546,0.0010771035,0.0003645917,0.000118110795,0.0007361904,0.00039351574],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000039367653,0.00013969862,0.0013142566,0.0005262072,0.00015747728,0.000682984,0.080941044,0.000019880203,0.0025481498,0.5550745,0.35660437,0.0019520263],"study_design_scores_gemma":[0.0004336938,0.000054231183,0.0073777894,0.0002740529,0.00013095059,0.000043157797,0.019345963,0.000027080592,0.0004243092,0.00939282,0.9621019,0.00039409872],"about_ca_topic_score_codex":0.0059059933,"about_ca_topic_score_gemma":0.008900303,"teacher_disagreement_score":0.6054975,"about_ca_system_score_codex":0.000041744755,"about_ca_system_score_gemma":0.000075720236,"threshold_uncertainty_score":0.99994963},"labels":[],"label_agreement":null},{"id":"W4392955315","doi":"10.7202/1109860ar","title":"Les contes et leurs fantômes dans l’objectif des photographes. Album pour la jeunesse et art contemporain","year":2023,"lang":"fr","type":"article","venue":"Captures","topic":"Diverse multidisciplinary academic research","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.23123283814600898,"score_gpt":0.4207421402236376,"score_spread":0.18950930207762862,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392955315","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7212355,0.007854137,0.000115312716,0.042757895,0.0011681679,0.0007707147,0.00033638327,0.00046394684,0.22529794],"genre_scores_gemma":[0.8210236,0.008890925,0.00018848016,0.00040945748,0.0003001992,0.00009508372,0.000075086355,0.000072180526,0.16894498],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99363154,0.0028917477,0.00047483257,0.0007945884,0.001012249,0.0011950489],"domain_scores_gemma":[0.99588305,0.002826608,0.00021057086,0.00038283636,0.00026118464,0.00043577183],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.004562592,0.00046530523,0.00054652843,0.0003797411,0.00092087267,0.00040731378,0.0009861233,0.00063309533,0.0005663304],"category_scores_gemma":[0.0017390363,0.0004469839,0.00038006352,0.001675149,0.0046115946,0.0008373851,0.00046062394,0.0011637565,0.0009905662],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014686388,0.0003442011,0.11251254,0.00031306702,0.0003872697,0.0009007882,0.30234098,0.00030120445,0.008552599,0.19862291,0.36638185,0.009195719],"study_design_scores_gemma":[0.00099447,0.00010651576,0.062794045,0.00056374964,0.00007450074,0.000026660042,0.2934495,0.00031534833,0.0017319458,0.02024268,0.6189811,0.00071949686],"about_ca_topic_score_codex":0.019382566,"about_ca_topic_score_gemma":0.014534583,"teacher_disagreement_score":0.25259924,"about_ca_system_score_codex":0.00017262965,"about_ca_system_score_gemma":0.00054137147,"threshold_uncertainty_score":0.9997982},"labels":[],"label_agreement":null},{"id":"W4392955316","doi":"10.7202/1109865ar","title":"La violence comme praxis de subjectivation. L’opoponax et Les guérillères de Monique Wittig","year":2023,"lang":"fr","type":"article","venue":"Captures","topic":"Psychoanalysis and Psychopathology Research","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Praxis; Sociology; Philosophy; Epistemology","score_opus":0.06527284039839674,"score_gpt":0.417486421814106,"score_spread":0.35221358141570924,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392955316","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7688306,0.034574382,0.0034582347,0.052378718,0.0015777289,0.00056015357,0.00026405373,0.0003967176,0.13795939],"genre_scores_gemma":[0.9411598,0.0073218634,0.00051007007,0.0041872445,0.0006766163,0.0002533619,0.00009490414,0.000099174285,0.04569699],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.99191993,0.005091265,0.00050756044,0.0008308534,0.0003603064,0.0012900908],"domain_scores_gemma":[0.99603844,0.0022241233,0.00019754146,0.0009551366,0.00023723413,0.0003475102],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0049348553,0.00042049153,0.00051987916,0.0005517479,0.00033356043,0.0001476616,0.00077831803,0.0011754599,0.0014006358],"category_scores_gemma":[0.00071822817,0.00042379758,0.00032534465,0.0012987106,0.0009012934,0.00013683812,0.0001355644,0.0017741647,0.00088756345],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004034545,0.0006326317,0.22947268,0.00019584532,0.000640906,0.0010103133,0.014927255,0.00052546966,0.0036232115,0.056670193,0.6028724,0.08902568],"study_design_scores_gemma":[0.0010927451,0.00022325545,0.50536644,0.00044851488,0.00011364431,0.0005037018,0.0040974086,0.0004915337,0.00046334212,0.046365052,0.44027248,0.0005618827],"about_ca_topic_score_codex":0.0030115915,"about_ca_topic_score_gemma":0.00044525362,"teacher_disagreement_score":0.27589375,"about_ca_system_score_codex":0.00014566415,"about_ca_system_score_gemma":0.00028282785,"threshold_uncertainty_score":0.9998904},"labels":[],"label_agreement":null},{"id":"W4392955360","doi":"10.7202/1109864ar","title":"Métamorphoses d’un conte lispectorien. De l’usage du collage photographique dans La femme qui tuait les poissons","year":2023,"lang":"fr","type":"article","venue":"Captures","topic":"French Literature and Critical Theory","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.015012323168271611,"score_gpt":0.22938215269987577,"score_spread":0.21436982953160416,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392955360","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.33383527,0.07362937,0.00014474947,0.0069229715,0.0037821438,0.0005434682,0.0026218153,0.0007346529,0.57778555],"genre_scores_gemma":[0.89241,0.0019620892,0.000053813295,0.0015892932,0.002988262,0.00009339293,0.00013165032,0.00008860373,0.10068293],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99721175,0.0006010195,0.00041503808,0.000517487,0.00029526022,0.00095946435],"domain_scores_gemma":[0.99766755,0.0012528405,0.000091300106,0.00043466472,0.00019556271,0.00035809525],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007187171,0.0005035419,0.0004991591,0.00024324199,0.0009719954,0.0008933118,0.00043780747,0.00043167797,0.0035666996],"category_scores_gemma":[0.0004092001,0.0004626231,0.00043044784,0.00032049982,0.002133065,0.00026957662,0.00012475334,0.00065367034,0.00022160381],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000043820837,0.00016522,0.00033724634,0.00017575134,0.00015262216,0.001084,0.045299303,0.00000426949,0.0018351034,0.78613925,0.16438617,0.00037724467],"study_design_scores_gemma":[0.000489968,0.00015444061,0.0012041796,0.00039704394,0.00017185391,0.00009430436,0.03003212,0.0000379937,0.0025413125,0.07760174,0.8867179,0.00055715704],"about_ca_topic_score_codex":0.0025993637,"about_ca_topic_score_gemma":0.001963086,"teacher_disagreement_score":0.7223317,"about_ca_system_score_codex":0.00009171299,"about_ca_system_score_gemma":0.00010187567,"threshold_uncertainty_score":0.99978256},"labels":[],"label_agreement":null},{"id":"W4392955393","doi":"10.7202/1109863ar","title":"Les contes photoillustrés de Károly Gink","year":2023,"lang":"fr","type":"article","venue":"Captures","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Philosophy","score_opus":0.0502620567252843,"score_gpt":0.2814752636514045,"score_spread":0.2312132069261202,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392955393","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.52259123,0.05088082,0.000080498685,0.01457715,0.0020067235,0.00021064012,0.0005505907,0.00043772932,0.4086646],"genre_scores_gemma":[0.6325002,0.00046020534,0.000010984068,0.00046228533,0.0013842199,0.0000128561815,0.00003619001,0.000021794605,0.3651113],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987572,0.00020785021,0.00021172685,0.00023622159,0.00013527402,0.00045171942],"domain_scores_gemma":[0.9992709,0.0002473165,0.00008102972,0.00019626484,0.00009200656,0.000112476446],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003495641,0.00022440102,0.00028414428,0.00014595236,0.0007491027,0.00023919756,0.00019787949,0.00012517425,0.0120363375],"category_scores_gemma":[0.00009112313,0.00019751333,0.0002493383,0.00012967418,0.0008288315,0.00014047393,0.000047647893,0.0002644344,0.0010030979],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029009278,0.00004366681,0.0002241391,0.000087948465,0.00024239335,0.00009854712,0.031869683,0.00016106345,0.000858589,0.8421265,0.11768412,0.0065743327],"study_design_scores_gemma":[0.0002421164,0.000061104,0.00038923483,0.00011847666,0.00016189972,0.0000059586678,0.031194948,0.00051449885,0.0013425727,0.039391994,0.9262958,0.00028137382],"about_ca_topic_score_codex":0.0025057257,"about_ca_topic_score_gemma":0.0011796758,"teacher_disagreement_score":0.8086117,"about_ca_system_score_codex":0.00004915783,"about_ca_system_score_gemma":0.00004347504,"threshold_uncertainty_score":0.99977475},"labels":[],"label_agreement":null},{"id":"W4392955669","doi":"10.7202/1109861ar","title":"Contes à la une. La collection « Te Cuento »","year":2023,"lang":"fr","type":"article","venue":"Captures","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.028209465328989415,"score_gpt":0.24872362049322783,"score_spread":0.22051415516423842,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392955669","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0244436,0.051318124,0.000017192826,0.012154617,0.0038356131,0.00015656701,0.0001828127,0.0003536033,0.9075379],"genre_scores_gemma":[0.33727413,0.0006127694,0.0000046930345,0.0003792991,0.0011455666,0.00001409242,0.00003792931,0.000016167254,0.66051537],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990189,0.00019272497,0.00019603914,0.00020490275,0.00014484186,0.0002426112],"domain_scores_gemma":[0.99929166,0.00037748372,0.0000538848,0.00012322587,0.00006231621,0.00009145381],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00014656186,0.0001632966,0.0002029093,0.00013714883,0.0005461456,0.00026313317,0.00010366288,0.00012307952,0.0020983575],"category_scores_gemma":[0.000059720664,0.00014062168,0.00016346623,0.00024063981,0.00040459557,0.00018122452,0.000029573084,0.00020920979,0.0008089922],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001622127,0.00005303512,0.00008222606,0.00006920362,0.00006536674,0.00008195448,0.026251761,0.000020147705,0.000033574022,0.37855697,0.59158295,0.0031866066],"study_design_scores_gemma":[0.00018059144,0.000056351284,0.00045357234,0.00008709464,0.00007842215,0.000009137869,0.004113417,0.00016472486,0.000043586177,0.0068909624,0.98773956,0.00018255529],"about_ca_topic_score_codex":0.006171177,"about_ca_topic_score_gemma":0.0011135896,"teacher_disagreement_score":0.39615664,"about_ca_system_score_codex":0.000049200517,"about_ca_system_score_gemma":0.00003922441,"threshold_uncertainty_score":0.999969},"labels":[],"label_agreement":null},{"id":"W4395476771","doi":"10.7202/1122016ar","title":"« Junkies Stoned on History ». Échapper au présent dans <i>The Tiger Flu</i> de Larissa Lai","year":2025,"lang":"fr","type":"article","venue":"Captures","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Tiger; Computer science; Computer security","score_opus":0.019301584785317343,"score_gpt":0.2602005749438438,"score_spread":0.24089899015852645,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4395476771","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013621576,0.059820015,0.000106008716,0.021916239,0.007191684,0.00019439451,0.00010345302,0.000056728324,0.8969899],"genre_scores_gemma":[0.39420518,0.00042481505,0.000013576073,0.006435085,0.0035704747,0.000022687407,0.000025184263,0.000022766932,0.59528023],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985194,0.00013302514,0.00029696545,0.00032251157,0.00024824485,0.00047984923],"domain_scores_gemma":[0.9989244,0.00022814868,0.00010433276,0.0004932613,0.00014857759,0.00010128617],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00029342226,0.00029240482,0.0003070239,0.00013152008,0.00077369314,0.0001957054,0.00032057078,0.0001494602,0.003225981],"category_scores_gemma":[0.0001725627,0.00021188118,0.000313412,0.000046744015,0.0009681381,0.000047494053,0.00007897878,0.0003715219,0.0002119582],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019109268,0.00013721529,0.00019844408,0.00006157224,0.00022305152,0.000027299346,0.025893226,0.00018146595,0.00003864306,0.58641815,0.38648662,0.000315179],"study_design_scores_gemma":[0.00021577485,0.0000393924,0.00038239345,0.0001631811,0.00065460533,9.886431e-7,0.010814468,0.00025266162,0.00019190885,0.00900627,0.97803056,0.00024779962],"about_ca_topic_score_codex":0.012726159,"about_ca_topic_score_gemma":0.010368966,"teacher_disagreement_score":0.5915439,"about_ca_system_score_codex":0.0006028462,"about_ca_system_score_gemma":0.0004927071,"threshold_uncertainty_score":0.9976852},"labels":[],"label_agreement":null},{"id":"W4405527911","doi":"10.7202/1114650ar","title":"Fonctions de l’échec dans le streaming de jeu vidéo. Adversité ludique, esthétique du glitch et art de la mise en scène chez HortyUnderscore","year":2024,"lang":"fr","type":"article","venue":"Captures","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.04518219399833086,"score_gpt":0.2881233649426363,"score_spread":0.24294117094430545,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405527911","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5068653,0.016114142,0.16021863,0.03185362,0.0013397314,0.00039489137,0.00009114791,0.0007067955,0.28241572],"genre_scores_gemma":[0.94849896,0.00076017546,0.0038816584,0.002220822,0.00052091066,0.000016838767,0.000027159218,0.000039550418,0.044033933],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979209,0.00034532588,0.00024836537,0.00054260355,0.00021955831,0.00072325004],"domain_scores_gemma":[0.9985191,0.00044506462,0.00006175543,0.00037365913,0.00008935897,0.0005110629],"candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00053387164,0.00035568076,0.0002490261,0.00011093035,0.0002866941,0.0021157898,0.00048752056,0.0003732245,0.000048902428],"category_scores_gemma":[0.0002185188,0.00031095807,0.00025840412,0.0004422913,0.00033145354,0.0019321826,0.0002543179,0.00063225185,0.000058409743],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002127895,0.0003828729,0.0015000467,0.00031219894,0.0002609873,0.0038727405,0.07878457,0.005826038,0.025245389,0.69231623,0.18200283,0.009474805],"study_design_scores_gemma":[0.00079638726,0.00029401443,0.03200968,0.0013714231,0.00025951478,0.006799498,0.007015249,0.054502007,0.029732829,0.094378725,0.77153337,0.0013073067],"about_ca_topic_score_codex":0.003981769,"about_ca_topic_score_gemma":0.002223143,"teacher_disagreement_score":0.5979375,"about_ca_system_score_codex":0.0005814196,"about_ca_system_score_gemma":0.0012975523,"threshold_uncertainty_score":0.99993426},"labels":[],"label_agreement":null},{"id":"W4405527934","doi":"10.7202/1114644ar","title":"Esthétiques du ratage","year":2024,"lang":"fr","type":"article","venue":"Captures","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Surprise; Philosophy; Art; Psychology; Communication","score_opus":0.18854030659293286,"score_gpt":0.3164358151233426,"score_spread":0.12789550853040976,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405527934","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008908058,0.39455697,0.013865691,0.05125006,0.01209288,0.00019310848,0.000048005517,0.0007220719,0.5183632],"genre_scores_gemma":[0.80712193,0.0010662581,0.0008074628,0.003184627,0.0017259797,0.000004441145,0.000010430904,0.000019200055,0.1860597],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988762,0.000039364175,0.00016873387,0.0003815833,0.00018514722,0.00034894908],"domain_scores_gemma":[0.9992921,0.000093845694,0.000022103843,0.00029443295,0.00007496816,0.00022255843],"candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00009439366,0.00020904571,0.00015086189,0.000057110192,0.00008437418,0.005375851,0.00035833518,0.00012266087,0.00024096548],"category_scores_gemma":[0.00006553977,0.00014354978,0.00013784575,0.00030199587,0.00015573783,0.003259881,0.00019821181,0.00020704945,0.0009671391],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000011008284,0.000020633153,0.0000040334344,0.00007023067,0.000018797951,0.0013411763,0.0027195937,0.000020348905,0.0003108674,0.6064831,0.3600383,0.02897177],"study_design_scores_gemma":[0.00004797513,0.00007186126,0.0003439764,0.00026491628,0.00001467929,0.0005959799,0.00004302966,0.0070542977,0.0023045985,0.03795783,0.95106816,0.00023269057],"about_ca_topic_score_codex":0.0004918593,"about_ca_topic_score_gemma":0.00007006334,"teacher_disagreement_score":0.79821384,"about_ca_system_score_codex":0.000047422458,"about_ca_system_score_gemma":0.00012555537,"threshold_uncertainty_score":0.9998107},"labels":[],"label_agreement":null},{"id":"W4405527945","doi":"10.7202/1114645ar","title":"Échouer la mise en scène. « Ratés » et ratage chez Christoph Schlingensief","year":2024,"lang":"fr","type":"article","venue":"Captures","topic":"Political and Social Issues","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Political science; Art; Philosophy","score_opus":0.026321661111062534,"score_gpt":0.3436771082793311,"score_spread":0.3173554471682686,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405527945","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0820663,0.27136377,0.000067337525,0.098580495,0.007771734,0.0003171031,0.00016849286,0.0004349169,0.5392298],"genre_scores_gemma":[0.750368,0.0037062345,0.0001276317,0.002460172,0.0041940454,0.000014827598,0.000014533039,0.00004064902,0.23907392],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9970708,0.0009769131,0.00027976284,0.000470001,0.00044792017,0.00075462257],"domain_scores_gemma":[0.99837613,0.00089466426,0.00003610679,0.00020672905,0.00007190144,0.0004144445],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0011443848,0.0002838715,0.0003488417,0.000069469395,0.00034374546,0.0005274499,0.00035016894,0.00058305904,0.0017445016],"category_scores_gemma":[0.00057198334,0.00026249638,0.00028253606,0.00040565868,0.0015024872,0.00035139846,0.0001025444,0.0007432772,0.0014880913],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007431777,0.00007164786,0.00003319422,0.00016187284,0.00007948419,0.00035952145,0.06883996,0.000005201092,0.0004485236,0.839786,0.080850005,0.00935715],"study_design_scores_gemma":[0.00011945813,0.00002395144,0.00048871944,0.00024786725,0.00009745146,0.0000052291534,0.005999893,0.00007344525,0.00044232767,0.04536286,0.94681257,0.00032621622],"about_ca_topic_score_codex":0.0060484055,"about_ca_topic_score_gemma":0.0007895484,"teacher_disagreement_score":0.86596256,"about_ca_system_score_codex":0.00017670105,"about_ca_system_score_gemma":0.00047096593,"threshold_uncertainty_score":0.9999827},"labels":[],"label_agreement":null},{"id":"W4405527959","doi":"10.7202/1114648ar","title":"De la remédiatisation à la parodie de genre. Stratégies de la malfaçon dans <i>Top Télé Maximum</i> de Pierre La Police","year":2024,"lang":"fr","type":"article","venue":"Captures","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.01278965200887186,"score_gpt":0.2836055770352081,"score_spread":0.2708159250263362,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405527959","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14232288,0.058112197,0.0012686137,0.0018177916,0.0005992994,0.00013076868,0.0006231757,0.0001877657,0.7949375],"genre_scores_gemma":[0.9586592,0.0050669415,0.000636812,0.0007888143,0.0048704655,0.000028992152,0.00008554481,0.00007658565,0.029786661],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99767697,0.0007579572,0.0003208902,0.0003683449,0.00023875941,0.0006370797],"domain_scores_gemma":[0.9981491,0.0011509809,0.00009831672,0.00029500463,0.0000820081,0.00022458597],"candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0011468927,0.00034203217,0.00029831924,0.00015988071,0.00042199483,0.0021475165,0.00026124823,0.0004165066,0.000774033],"category_scores_gemma":[0.00027703235,0.00033049498,0.0002841787,0.00009436165,0.0008340261,0.00014771461,0.0000647638,0.0005860521,0.000044826946],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018800647,0.00012699078,0.0022408145,0.00037179186,0.00033998728,0.0005175443,0.06404232,0.0017807464,0.00049520435,0.88490754,0.04174949,0.0034087785],"study_design_scores_gemma":[0.0002363863,0.000041021343,0.0054927897,0.00030675053,0.0010745212,0.00015461253,0.017816607,0.003923533,0.00048848125,0.092522845,0.87748104,0.0004613804],"about_ca_topic_score_codex":0.026806645,"about_ca_topic_score_gemma":0.003516642,"teacher_disagreement_score":0.83573157,"about_ca_system_score_codex":0.0002596252,"about_ca_system_score_gemma":0.00072527514,"threshold_uncertainty_score":0.9999147},"labels":[],"label_agreement":null},{"id":"W4405527969","doi":"10.7202/1114647ar","title":"Le spectre de l’échec. De L’impossibilité du ratage en photographie","year":2024,"lang":"fr","type":"article","venue":"Captures","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.07128670029527853,"score_gpt":0.283357887711774,"score_spread":0.21207118741649547,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405527969","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.39356798,0.19539738,0.018161643,0.038839933,0.0051066536,0.0005234009,0.0001359351,0.00091840234,0.34734866],"genre_scores_gemma":[0.9679884,0.0007432713,0.0013240438,0.002189186,0.001162062,0.000008880103,0.000010418122,0.000027450584,0.026546309],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99816126,0.00011049369,0.0002416572,0.00055793213,0.00020939423,0.00071926555],"domain_scores_gemma":[0.9988066,0.00020631295,0.000038654623,0.00046297364,0.00005960477,0.00042586046],"candidate_categories":["scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00027806903,0.00029700826,0.000223173,0.00012147555,0.00016838849,0.0034075698,0.00058009406,0.00022024725,0.00013177039],"category_scores_gemma":[0.0001391983,0.00023098258,0.00028062172,0.0006541884,0.00027444746,0.0018455043,0.00023035759,0.0003753683,0.00015643866],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010389174,0.00014169478,0.00015969946,0.000212915,0.00008924172,0.0028285214,0.017623372,0.00013385522,0.015546529,0.8063486,0.14217435,0.014730833],"study_design_scores_gemma":[0.00030495404,0.00018859678,0.0049685133,0.00042207254,0.000057043726,0.001954352,0.00059326575,0.015752148,0.031761114,0.1920997,0.7512499,0.00064833224],"about_ca_topic_score_codex":0.0034761003,"about_ca_topic_score_gemma":0.0007459413,"teacher_disagreement_score":0.6142489,"about_ca_system_score_codex":0.000121493875,"about_ca_system_score_gemma":0.00065318414,"threshold_uncertainty_score":0.99762696},"labels":[],"label_agreement":null},{"id":"W4405527988","doi":"10.7202/1114646ar","title":"Faire rater l’architecture pour ménager l’appropriation","year":2024,"lang":"fr","type":"article","venue":"Captures","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Appropriation; Art; Philosophy; Linguistics","score_opus":0.029347429714065218,"score_gpt":0.26672379399110807,"score_spread":0.23737636427704284,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405527988","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.007767635,0.49905804,0.0013139665,0.09467836,0.015711484,0.00035343895,0.000050604747,0.00032883705,0.38073763],"genre_scores_gemma":[0.5301023,0.0020022683,0.00027048538,0.000906641,0.006533507,0.000024722072,0.000010784661,0.000031288997,0.460118],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99833196,0.00023473437,0.00019410317,0.0003703394,0.00037851406,0.0004903345],"domain_scores_gemma":[0.99948126,0.00015480795,0.000040026836,0.00012830604,0.00007048385,0.00012512645],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003236229,0.00022706606,0.00022314486,0.000068316476,0.00048448297,0.0003223952,0.000197696,0.0003225578,0.0016530112],"category_scores_gemma":[0.00011770423,0.00019336396,0.00021711187,0.00045662472,0.0006352932,0.0001985405,0.000058808157,0.00041162997,0.0010037204],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000370534,0.000028517996,0.00005332759,0.000125471,0.00012706337,0.000057119767,0.053199314,0.00004439727,0.000097337026,0.4274053,0.4408515,0.07800695],"study_design_scores_gemma":[0.00008186006,0.000020033473,0.00058242347,0.00013140692,0.00007320412,0.0000023095827,0.0038465115,0.00012650677,0.00005943319,0.1039488,0.8908892,0.00023830787],"about_ca_topic_score_codex":0.0021478236,"about_ca_topic_score_gemma":0.0015261802,"teacher_disagreement_score":0.52233464,"about_ca_system_score_codex":0.00026895595,"about_ca_system_score_gemma":0.00019698605,"threshold_uncertainty_score":0.9997741},"labels":[],"label_agreement":null},{"id":"W4405528010","doi":"10.7202/1114643ar","title":"Volume 9 numéro 1","year":2024,"lang":"fr","type":"article","venue":"Captures","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.033945189231445454,"score_gpt":0.27540357303557206,"score_spread":0.2414583838041266,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405528010","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0010875687,0.52573925,0.00007272191,0.021140285,0.024169685,0.00007879267,0.000025420311,0.00014828752,0.42753798],"genre_scores_gemma":[0.32707646,0.007623812,0.00006764327,0.0006435335,0.00928729,0.0000110577375,0.0000030099657,0.000018267438,0.6552689],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987346,0.000114571754,0.00014587099,0.00026559297,0.0002977336,0.0004416551],"domain_scores_gemma":[0.9995817,0.000117498596,0.000020263795,0.000098774224,0.000047006884,0.00013476946],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00024012112,0.00015287154,0.00018139389,0.0000372633,0.00042599635,0.00024724958,0.00018605884,0.00021567376,0.005110992],"category_scores_gemma":[0.00011082267,0.00014760713,0.00018779181,0.00044998655,0.0010953841,0.0001899648,0.000048922997,0.00025888858,0.003131561],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[5.226457e-7,0.000011717241,0.000052524905,0.000042015054,0.00004959604,0.000040171723,0.024477873,0.0000021816875,0.0000031735988,0.38415313,0.5698425,0.021324567],"study_design_scores_gemma":[0.000032403248,0.000019404575,0.00041800624,0.000103169936,0.000042800475,0.0000013355697,0.0038881805,0.00011991543,0.0000051642214,0.04518291,0.950011,0.00017570159],"about_ca_topic_score_codex":0.008620373,"about_ca_topic_score_gemma":0.0023147163,"teacher_disagreement_score":0.51811546,"about_ca_system_score_codex":0.00030597704,"about_ca_system_score_gemma":0.00015963438,"threshold_uncertainty_score":0.9979813},"labels":[],"label_agreement":null},{"id":"W4405528038","doi":"10.7202/1114651ar","title":"Esthétique du brouillon et des compositions déjetées. L’élégance-crasse de Cy Twombly par Roland Barthes","year":2024,"lang":"fr","type":"article","venue":"Captures","topic":"Diverse Cultural and Historical Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.032287252997095464,"score_gpt":0.2973880757660367,"score_spread":0.26510082276894126,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405528038","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.45622334,0.2518996,0.00026295928,0.06645019,0.0051033376,0.00038179915,0.00021148175,0.00040242632,0.21906485],"genre_scores_gemma":[0.9579501,0.021141913,0.00040542995,0.0010099424,0.0011902973,0.000029707318,0.000014069583,0.00001863297,0.018239915],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984191,0.0002540405,0.00020013431,0.00034893464,0.00025776686,0.0005200115],"domain_scores_gemma":[0.99917716,0.00031586006,0.000044654043,0.00009971623,0.000120927114,0.00024168157],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00026872463,0.00024810893,0.00027701727,0.00004297266,0.001185258,0.0003774853,0.00023577869,0.00018721192,0.0005344899],"category_scores_gemma":[0.00015750855,0.00019769924,0.00022204683,0.00039861535,0.0012617119,0.00044871654,0.000081853614,0.0003178241,0.00049088785],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026954654,0.0002488729,0.006169699,0.0002728281,0.00028984234,0.00032843038,0.09699058,0.0002855903,0.0010498854,0.5685147,0.313135,0.012687603],"study_design_scores_gemma":[0.00012249642,0.00007235296,0.014396662,0.00028058578,0.00013496361,0.000022064605,0.0027187888,0.000071638635,0.00007967753,0.01932376,0.96247154,0.0003054749],"about_ca_topic_score_codex":0.008595033,"about_ca_topic_score_gemma":0.010826715,"teacher_disagreement_score":0.6493365,"about_ca_system_score_codex":0.00041969362,"about_ca_system_score_gemma":0.00014063723,"threshold_uncertainty_score":0.9980068},"labels":[],"label_agreement":null},{"id":"W4405528048","doi":"10.7202/1114649ar","title":"Dreyer, l’homme aux ratages","year":2024,"lang":"fr","type":"article","venue":"Captures","topic":"French Historical and Cultural Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.042181290143667095,"score_gpt":0.24696254354917466,"score_spread":0.20478125340550757,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405528048","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00066516054,0.7231758,0.0000059722533,0.031095603,0.0108085275,0.000078265126,0.00014268156,0.00017728118,0.23385066],"genre_scores_gemma":[0.13919519,0.009092675,0.000014307044,0.0007483176,0.006378389,0.000020772693,0.000021398597,0.000022817214,0.84450614],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99892855,0.000032944725,0.00019943008,0.00030678272,0.00017885698,0.00035343767],"domain_scores_gemma":[0.9995811,0.00008709879,0.000022740804,0.00013235379,0.000075698954,0.000101001926],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000057158974,0.00025217055,0.00023013291,0.000040197578,0.0006507499,0.000533103,0.00015671019,0.0000988361,0.010680405],"category_scores_gemma":[0.00003309738,0.00017438886,0.00020497786,0.00006129527,0.00068215776,0.00022863122,0.00006568987,0.00030475418,0.0019829094],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000018424729,0.000023140234,0.0000015819442,0.00017277834,0.000074923126,0.00008567974,0.007824149,0.0000014001132,0.000020970501,0.46310103,0.5161482,0.012544294],"study_design_scores_gemma":[0.00006538899,0.000072653864,0.00004588774,0.00023107794,0.00011095528,0.000012682025,0.0016844969,0.00003430503,0.000041210867,0.013534728,0.983889,0.0002776272],"about_ca_topic_score_codex":0.0018145764,"about_ca_topic_score_gemma":0.000694583,"teacher_disagreement_score":0.7140832,"about_ca_system_score_codex":0.000099404264,"about_ca_system_score_gemma":0.000040502655,"threshold_uncertainty_score":0.99879414},"labels":[],"label_agreement":null},{"id":"W4405528090","doi":"10.7202/1114652ar","title":"Des musiques docu-critiques. L’usage de l’hymne national dans « Aux armes et caetera » de Serge Gainsbourg","year":2024,"lang":"fr","type":"article","venue":"Captures","topic":"French Literature and Poetry","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.029858184159783745,"score_gpt":0.307763291112105,"score_spread":0.27790510695232123,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405528090","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08494244,0.34655195,0.0004621689,0.010133048,0.0031478882,0.0002160586,0.0017511536,0.00041541367,0.55237985],"genre_scores_gemma":[0.7945225,0.0045710714,0.0007851789,0.008580055,0.005933287,0.00005192831,0.00027496993,0.00008297069,0.18519798],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979083,0.00029863967,0.0003533675,0.00041496736,0.0003174278,0.0007072827],"domain_scores_gemma":[0.99891317,0.00035837802,0.000049318085,0.00019826053,0.00025516844,0.00022571953],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00058838964,0.00040885812,0.00028173352,0.00021610828,0.00048689177,0.0018196448,0.00025792717,0.00030241485,0.0036978393],"category_scores_gemma":[0.00012853071,0.00037661564,0.0002785213,0.000100995516,0.00078075484,0.00077648956,0.000065732,0.0007566259,0.00009392811],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010466878,0.000073730414,0.0001428191,0.00065556215,0.00013054993,0.00047231806,0.115885295,0.00002546111,0.00048683563,0.6345136,0.24606799,0.0015353621],"study_design_scores_gemma":[0.00012277838,0.000086094034,0.0007369245,0.0010681922,0.000085134314,0.0001923993,0.0023312147,0.00033390027,0.0011892759,0.153224,0.84022844,0.0004016709],"about_ca_topic_score_codex":0.002822896,"about_ca_topic_score_gemma":0.004729165,"teacher_disagreement_score":0.7095801,"about_ca_system_score_codex":0.00034641748,"about_ca_system_score_gemma":0.00071426196,"threshold_uncertainty_score":0.9998686},"labels":[],"label_agreement":null},{"id":"W4413045270","doi":"10.7202/1118401ar","title":"<i>Samoseli</i>, portrait sonore d’une zone","year":2024,"lang":"fr","type":"article","venue":"Captures","topic":"Child Welfare and Adoption","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Portrait; Art; Art history","score_opus":0.01615373294136727,"score_gpt":0.2867136909319089,"score_spread":0.2705599579905416,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4413045270","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.050050035,0.42458764,0.0007293278,0.23804075,0.012696431,0.000322121,0.000121978694,0.00048399033,0.27296776],"genre_scores_gemma":[0.8453913,0.0059121386,0.00020422234,0.0021464003,0.005295499,0.000008087944,0.000042567408,0.000032969674,0.14096686],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99858284,0.000083305684,0.00021743677,0.00036480933,0.00032292906,0.00042870737],"domain_scores_gemma":[0.999494,0.00008469942,0.000039678438,0.00016420992,0.000044739314,0.00017268596],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002900835,0.00018781544,0.00017849849,0.00005621511,0.00029781493,0.00025613807,0.0001873853,0.00026003626,0.0019862035],"category_scores_gemma":[0.000027728325,0.00018137478,0.0002086947,0.0007287251,0.00044085627,0.00032450273,0.00003553888,0.000332798,0.0009734123],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000039760876,0.00005012537,0.000092647155,0.000121835525,0.00005458957,0.00017275922,0.011537212,0.000028352075,0.00015452667,0.48614058,0.29159096,0.21005245],"study_design_scores_gemma":[0.00007588751,0.000030268617,0.0013355353,0.00023484777,0.00008482716,0.000019502477,0.0027178647,0.00009198516,0.00008653205,0.01518454,0.9799066,0.00023156025],"about_ca_topic_score_codex":0.004582832,"about_ca_topic_score_gemma":0.0031321312,"teacher_disagreement_score":0.7953412,"about_ca_system_score_codex":0.00009377827,"about_ca_system_score_gemma":0.00026847338,"threshold_uncertainty_score":0.99980444},"labels":[],"label_agreement":null},{"id":"W4413045272","doi":"10.7202/1118397ar","title":"Portraits sonores de pays","year":2024,"lang":"fr","type":"article","venue":"Captures","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Portrait; Art history","score_opus":0.02916148233222229,"score_gpt":0.25011568469513007,"score_spread":0.22095420236290778,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4413045272","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14053704,0.5593632,0.000023543496,0.020047707,0.007686952,0.00015797753,0.00042449002,0.00032030375,0.27143878],"genre_scores_gemma":[0.4434213,0.0023778793,0.00003601385,0.0006845082,0.004883698,0.000008410869,0.000028720202,0.000025085776,0.5485344],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99911386,0.000033649718,0.00016660948,0.00021639666,0.00012120623,0.0003482633],"domain_scores_gemma":[0.9996756,0.00004648923,0.000020688196,0.000110437366,0.00004077267,0.000106053565],"candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00011383257,0.00016959537,0.00014511542,0.000052898995,0.00032323416,0.0015143638,0.00012970793,0.00012539815,0.012886996],"category_scores_gemma":[0.000020680258,0.00014301986,0.00018879485,0.00003507391,0.0003645284,0.00038401998,0.000038976763,0.00030084373,0.0012390156],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000025405895,0.000021485585,0.000015594047,0.00035097136,0.00005966016,0.00028060045,0.030104239,0.000005315978,0.00013907257,0.61042625,0.35409167,0.0045026112],"study_design_scores_gemma":[0.000051471852,0.00003113964,0.0003676521,0.00032316468,0.00010008005,0.00006150377,0.005193954,0.00008962281,0.00009972243,0.02508595,0.96838754,0.00020819149],"about_ca_topic_score_codex":0.0050468137,"about_ca_topic_score_gemma":0.007175317,"teacher_disagreement_score":0.6142959,"about_ca_system_score_codex":0.00007740227,"about_ca_system_score_gemma":0.00007306787,"threshold_uncertainty_score":0.99953866},"labels":[],"label_agreement":null},{"id":"W4413045285","doi":"10.7202/1118400ar","title":"Knud Viktor, éthopoète. Sonorités situées et mémoires du pays","year":2024,"lang":"fr","type":"article","venue":"Captures","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Philosophy; Political science","score_opus":0.031358872854884944,"score_gpt":0.2571006120765719,"score_spread":0.22574173922168697,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4413045285","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14335452,0.5679607,0.000032292846,0.0512121,0.019237999,0.0003423032,0.00084122916,0.00061996083,0.21639892],"genre_scores_gemma":[0.44820008,0.010228059,0.000061101295,0.0018249468,0.009528372,0.000025295847,0.00010309724,0.00006477012,0.52996427],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983373,0.00012189804,0.0003321799,0.00045326515,0.0002729404,0.0004824046],"domain_scores_gemma":[0.9992711,0.000167618,0.000050941304,0.0002495041,0.00010696088,0.00015390187],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00024238067,0.00036746374,0.00032678424,0.00010754022,0.0006831923,0.0030773815,0.0002659308,0.00023169846,0.010951608],"category_scores_gemma":[0.00005897707,0.00030963146,0.00037570056,0.00007325049,0.0005842206,0.0009747458,0.00013474606,0.00056767254,0.0022913998],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008278574,0.000083114,0.00003548475,0.0005005736,0.000120379766,0.0002741157,0.029607382,0.000009228494,0.00019264515,0.6083703,0.35829824,0.0025002793],"study_design_scores_gemma":[0.00014497589,0.000095623596,0.00024972533,0.00050897803,0.00017947202,0.000055349497,0.008272304,0.00012535304,0.00010502932,0.0143696405,0.975448,0.0004455162],"about_ca_topic_score_codex":0.007921451,"about_ca_topic_score_gemma":0.015305652,"teacher_disagreement_score":0.6171498,"about_ca_system_score_codex":0.000118998025,"about_ca_system_score_gemma":0.00009187987,"threshold_uncertainty_score":0.99993557},"labels":[],"label_agreement":null},{"id":"W4413045301","doi":"10.7202/1118402ar","title":"Les sons ne vont jamais seuls. Discours et images dans la portraiture sonore des lieux","year":2024,"lang":"fr","type":"article","venue":"Captures","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Art history","score_opus":0.13104823742243524,"score_gpt":0.33701235157815584,"score_spread":0.2059641141557206,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4413045301","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.078156106,0.3643842,0.02836641,0.12105624,0.004590752,0.0004933848,0.0009843784,0.0009639719,0.40100455],"genre_scores_gemma":[0.90516233,0.0010765096,0.0021564832,0.0010284125,0.0006390765,0.00001119578,0.00004886241,0.00004469861,0.08983245],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99788076,0.00011859356,0.00029652833,0.0006774853,0.0003400577,0.0006865932],"domain_scores_gemma":[0.9987578,0.00017347907,0.00007005563,0.00044930182,0.00012430626,0.0004251048],"candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0001957655,0.00047922344,0.00032507654,0.00009481779,0.00027590056,0.00628711,0.00059026806,0.000289202,0.00009305377],"category_scores_gemma":[0.000105037594,0.00032098673,0.00032183426,0.000409111,0.0007262382,0.0032196895,0.00032515413,0.0005958432,0.000098745484],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006431187,0.00013118683,0.0000790521,0.00025825918,0.00012693282,0.0024684905,0.0392092,0.00042326885,0.0032257473,0.63902307,0.20305501,0.11199337],"study_design_scores_gemma":[0.000243991,0.00019856873,0.034150135,0.0014093685,0.00015002057,0.0024197223,0.0059775948,0.0017805522,0.0033549534,0.078793906,0.87057,0.0009511905],"about_ca_topic_score_codex":0.0028350174,"about_ca_topic_score_gemma":0.0023836673,"teacher_disagreement_score":0.8270062,"about_ca_system_score_codex":0.000108110355,"about_ca_system_score_gemma":0.00028613245,"threshold_uncertainty_score":0.99992424},"labels":[],"label_agreement":null},{"id":"W4413045322","doi":"10.7202/1118403ar","title":"Politisations et dépolitisations contemporaines de la photographie documentaire. La controverse autour de l’exposition d’Ahlam Shibli au Jeu de Paume","year":2024,"lang":"fr","type":"article","venue":"Captures","topic":"Middle East Politics and Society","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Exposition (narrative); Literature","score_opus":0.01600780634056191,"score_gpt":0.3557728787435074,"score_spread":0.33976507240294546,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4413045322","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.38922563,0.01564918,0.005886915,0.07548928,0.0026331393,0.0009187772,0.002066133,0.00063426734,0.50749665],"genre_scores_gemma":[0.97552824,0.0016366927,0.000651361,0.0041232314,0.0017720049,0.00012770663,0.000099848585,0.000051305557,0.0160096],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9959197,0.0017997191,0.00039387148,0.0003935768,0.00038082374,0.0011123308],"domain_scores_gemma":[0.9973296,0.00161413,0.00011558068,0.00023066606,0.00011139735,0.0005986513],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0021616146,0.000310096,0.00028964123,0.00020646621,0.0007980428,0.000929694,0.00026927292,0.0005709372,0.0005758234],"category_scores_gemma":[0.000428715,0.00034837576,0.0004698904,0.00059057446,0.0018595181,0.000591213,0.00005427336,0.00058163586,0.000047520392],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000046996865,0.00011207471,0.0034234533,0.00010609697,0.00017405047,0.00008165637,0.0908378,0.000052174233,0.00031312287,0.85208124,0.052489992,0.00032363008],"study_design_scores_gemma":[0.00063454406,0.00006344853,0.0141464155,0.00044830795,0.00028916195,0.00011677534,0.05101266,0.0013915445,0.0001607155,0.3831614,0.54808474,0.00049031107],"about_ca_topic_score_codex":0.07182324,"about_ca_topic_score_gemma":0.004014303,"teacher_disagreement_score":0.5863026,"about_ca_system_score_codex":0.0013281736,"about_ca_system_score_gemma":0.0029425947,"threshold_uncertainty_score":0.9998968},"labels":[],"label_agreement":null},{"id":"W4413045326","doi":"10.7202/1118398ar","title":"Compositions à base de paysages et de portraits sonores. Le cas de Hildegard Westerkamp","year":2024,"lang":"fr","type":"article","venue":"Captures","topic":"French Literature and Critical Theory","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.015179423089093168,"score_gpt":0.2650893013561034,"score_spread":0.24990987826701025,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4413045326","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0503458,0.39124665,0.0028586737,0.067935705,0.0028894942,0.0003157244,0.0024961045,0.00048517823,0.48142666],"genre_scores_gemma":[0.91316205,0.0006129002,0.00058194035,0.010073968,0.0026766828,0.00003983296,0.00014463389,0.000061220075,0.07264676],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983063,0.0002935387,0.00025692242,0.00032048338,0.00013700835,0.0006857734],"domain_scores_gemma":[0.998972,0.00039956684,0.000025172385,0.00022327853,0.00007125888,0.00030870436],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004252072,0.0002837681,0.00023774325,0.00010501117,0.00038552622,0.0013203241,0.00018162733,0.00021847703,0.0017531723],"category_scores_gemma":[0.000048127466,0.00026352258,0.00025126204,0.000054565753,0.00065329426,0.00032035925,0.000047492977,0.0006729086,0.00011026135],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000117240015,0.00013402263,0.000036269543,0.00038145177,0.00009679155,0.00096876704,0.028924761,0.0000465614,0.0005356458,0.7991356,0.16890086,0.00082752557],"study_design_scores_gemma":[0.00016467865,0.00008508931,0.0006032608,0.0007522668,0.00018367225,0.00036056672,0.0022279797,0.00023461315,0.0008804386,0.147767,0.84641767,0.0003227412],"about_ca_topic_score_codex":0.00150561,"about_ca_topic_score_gemma":0.00095425214,"teacher_disagreement_score":0.8628163,"about_ca_system_score_codex":0.0001711975,"about_ca_system_score_gemma":0.0005234159,"threshold_uncertainty_score":0.9999817},"labels":[],"label_agreement":null},{"id":"W4413045331","doi":"10.7202/1118396ar","title":"Volume 9 numéro 2","year":2024,"lang":"fr","type":"article","venue":"Captures","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Volume (thermodynamics); Physics; Thermodynamics","score_opus":0.032272879812757685,"score_gpt":0.27458806312214573,"score_spread":0.24231518330938806,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4413045331","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0010695147,0.5244431,0.00007011903,0.020836856,0.024159234,0.00007799437,0.000024484152,0.0001470833,0.42917162],"genre_scores_gemma":[0.3234338,0.007913345,0.00006590259,0.0006456495,0.009497751,0.00001081379,0.0000030365493,0.000018292401,0.65841144],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99873513,0.00011452066,0.00014595731,0.00026533083,0.0002976357,0.00044144105],"domain_scores_gemma":[0.99958426,0.00011531501,0.000020301228,0.00009852456,0.000046869263,0.00013474376],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00023839508,0.00015280748,0.00018145243,0.000037231148,0.00042603747,0.000247957,0.00018592238,0.0002156754,0.0049850666],"category_scores_gemma":[0.00010906311,0.00014754354,0.00018774395,0.0004495257,0.0010953642,0.00019013639,0.000048913927,0.00025881006,0.0030877332],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[5.1704757e-7,0.000011670434,0.000050161256,0.00004236604,0.000049419777,0.000041478586,0.024417311,0.000002187689,0.000003018755,0.38633728,0.567037,0.022007592],"study_design_scores_gemma":[0.00003274806,0.000019439729,0.00040981124,0.00010165691,0.00004266402,0.0000013416064,0.003842229,0.00011904907,0.0000051300667,0.045702644,0.94954777,0.00017549424],"about_ca_topic_score_codex":0.008734059,"about_ca_topic_score_gemma":0.0023327486,"teacher_disagreement_score":0.51652974,"about_ca_system_score_codex":0.00030609255,"about_ca_system_score_gemma":0.00015869876,"threshold_uncertainty_score":0.99786687},"labels":[],"label_agreement":null},{"id":"W4413045342","doi":"10.7202/1118399ar","title":"Une gare de triage. Gestes, matériaux et figures dans <i>Y Bush Corrida</i>","year":2024,"lang":"fr","type":"article","venue":"Captures","topic":"French Literature and Poetry","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Triage; Psychology; Psychiatry","score_opus":0.01782479342761875,"score_gpt":0.24866214103580406,"score_spread":0.2308373476081853,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4413045342","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0054979515,0.5409786,0.0001875323,0.01919954,0.011780904,0.0002669552,0.0020413876,0.00033762862,0.4197095],"genre_scores_gemma":[0.22590882,0.0039145206,0.00023053978,0.007839556,0.009755401,0.000049176066,0.0005340102,0.00013037119,0.75163764],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99795675,0.0002207761,0.0004040854,0.00048500064,0.0002737691,0.00065958936],"domain_scores_gemma":[0.99875045,0.00044415926,0.00007055368,0.00042182504,0.00009423804,0.00021876833],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00031609696,0.0004625725,0.0003897399,0.00014410062,0.00054531056,0.0015453716,0.00031899993,0.0003609752,0.004613945],"category_scores_gemma":[0.00008313919,0.00039562545,0.00031981984,0.0001609832,0.00047059898,0.00039715273,0.000085266154,0.0009192935,0.00048350316],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016512513,0.000046938287,0.000025987541,0.0006424605,0.00009841962,0.0004832466,0.048003566,0.00006847737,0.0001231648,0.4379258,0.5112097,0.0013556855],"study_design_scores_gemma":[0.00029650517,0.00013112706,0.00026038277,0.0015842275,0.00022979276,0.00014825196,0.0031748968,0.00032652175,0.00033751223,0.012456305,0.9805705,0.000483959],"about_ca_topic_score_codex":0.0040295324,"about_ca_topic_score_gemma":0.003945004,"teacher_disagreement_score":0.5370641,"about_ca_system_score_codex":0.00011022241,"about_ca_system_score_gemma":0.00029332665,"threshold_uncertainty_score":0.99984956},"labels":[],"label_agreement":null},{"id":"W7115685938","doi":"10.7202/1122014ar","title":"Nostalgie des origines? Sur le désir et l’atemporalité dans la série <i>Dark</i>","year":2025,"lang":"fr","type":"article","venue":"Captures","topic":"Nostalgia and Consumer Behavior","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narrative; Narrative history; Context (archaeology)","score_opus":0.031039821137605717,"score_gpt":0.3373805109017825,"score_spread":0.3063406897641768,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7115685938","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5448159,0.055426855,0.00067461835,0.009552955,0.0053841183,0.00053265906,0.00045226738,0.00026381848,0.38289684],"genre_scores_gemma":[0.7395584,0.00044272374,0.0003949435,0.0020643475,0.00013911336,0.00009963972,0.0001259256,0.000079633755,0.2570953],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99689054,0.0007729415,0.0005469024,0.00075438095,0.00021565631,0.0008195944],"domain_scores_gemma":[0.9981096,0.00045797206,0.00014997683,0.00087939366,0.00018048211,0.00022262326],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0004909426,0.00053067744,0.0005326627,0.00018161979,0.0002481773,0.00019760068,0.0005311788,0.00059968035,0.000740528],"category_scores_gemma":[0.00011575154,0.00055125606,0.00030730412,0.00055020885,0.001050312,0.0002558717,0.00016771845,0.0006754717,0.0004433143],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00026273853,0.0017059844,0.083164714,0.0005593246,0.00045466473,0.0016446341,0.008518591,0.000009689614,0.013299971,0.37877235,0.47237688,0.039230485],"study_design_scores_gemma":[0.0021789456,0.00007020448,0.07322104,0.00034372316,0.0003734253,0.00016249009,0.0023941381,0.0000045914726,0.0042043547,0.01298956,0.9034282,0.0006293264],"about_ca_topic_score_codex":0.009230798,"about_ca_topic_score_gemma":0.0014594918,"teacher_disagreement_score":0.4310513,"about_ca_system_score_codex":0.00009613465,"about_ca_system_score_gemma":0.0009261089,"threshold_uncertainty_score":0.9996939},"labels":[],"label_agreement":null},{"id":"W7115690846","doi":"10.7202/1122018ar","title":"Raconter par PowerPoint. « Great Rock and Roll Pauses by Alison Blake » de Jennifer Egan","year":2025,"lang":"fr","type":"article","venue":"Captures","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Ligne; Context (archaeology); Period (music)","score_opus":0.06882267839607928,"score_gpt":0.2890580284026489,"score_spread":0.2202353500065696,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7115690846","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.28726202,0.3418958,0.022018353,0.069692135,0.005321851,0.00087985216,0.00025356183,0.00041300722,0.2722634],"genre_scores_gemma":[0.85292,0.0004177343,0.00023212467,0.01338064,0.00017825559,0.0000065776053,0.000012228346,0.00001338485,0.13283905],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983721,0.00007967733,0.00027592634,0.000517587,0.00017246084,0.00058226474],"domain_scores_gemma":[0.99895906,0.0001270519,0.000078999234,0.0003908178,0.000120982615,0.00032309318],"candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00010018969,0.0003437512,0.00032409732,0.00007251035,0.00018508785,0.0020179586,0.0003758625,0.00022894154,0.00011089203],"category_scores_gemma":[0.00013238522,0.00025138562,0.00011495842,0.00023551231,0.00015856822,0.0016472788,0.0003010081,0.00022727074,0.00004969987],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000038766375,0.00012151357,0.0011482029,0.00009529275,0.0001197622,0.00018826296,0.0039951433,0.0000519505,0.0046265326,0.049081728,0.9307142,0.0098186275],"study_design_scores_gemma":[0.0007528367,0.00017388567,0.009467573,0.00033094885,0.00007423059,0.00017691185,0.00017156325,0.0016299951,0.014600542,0.018487995,0.95364946,0.0004840266],"about_ca_topic_score_codex":0.0012582071,"about_ca_topic_score_gemma":0.0005525184,"teacher_disagreement_score":0.565658,"about_ca_system_score_codex":0.00006187015,"about_ca_system_score_gemma":0.00009993733,"threshold_uncertainty_score":0.99999386},"labels":[],"label_agreement":null},{"id":"W7115690944","doi":"10.7202/1122012ar","title":"Recomposer des mondes passés. La  <i>gaslamp fantasy</i>  et l’Angleterre victorienne fantastique","year":2025,"lang":"fr","type":"article","venue":"Captures","topic":"Thomas Hardy Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Order (exchange); Identity (music); Field (mathematics)","score_opus":0.012285427743583212,"score_gpt":0.26509410480991047,"score_spread":0.25280867706632726,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7115690944","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00930304,0.17982222,0.00035413748,0.009116732,0.0072221323,0.00047199384,0.0012935945,0.0003166005,0.79209954],"genre_scores_gemma":[0.8442523,0.003456026,0.0007879879,0.0031027768,0.001633851,0.000105506915,0.00012397282,0.000084393585,0.14645317],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99721754,0.0005240192,0.0005529579,0.00066328346,0.0002391013,0.0008030785],"domain_scores_gemma":[0.9982544,0.0006236107,0.00016088861,0.00051077665,0.00031012032,0.00014017375],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00040928595,0.00067669724,0.0006684527,0.00023979876,0.0009031455,0.0010201097,0.00042512317,0.000360144,0.00068518164],"category_scores_gemma":[0.00018132456,0.0006002709,0.0003386498,0.00018813368,0.001698144,0.0005308359,0.00029891238,0.0008444719,0.000077353005],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000084370455,0.00016996301,0.00062748283,0.0005418615,0.00042720142,0.0001264745,0.05171113,0.000010979187,0.00042695165,0.8362877,0.1081086,0.0014772788],"study_design_scores_gemma":[0.00054885977,0.00009366863,0.0016055924,0.0012285158,0.00022666885,0.000030837415,0.0048759584,0.0000063396637,0.0009274354,0.049250193,0.94064575,0.00056015264],"about_ca_topic_score_codex":0.00031270224,"about_ca_topic_score_gemma":0.0040200204,"teacher_disagreement_score":0.83494925,"about_ca_system_score_codex":0.00013879295,"about_ca_system_score_gemma":0.00013523553,"threshold_uncertainty_score":0.9996449},"labels":[],"label_agreement":null},{"id":"W7115701225","doi":"10.7202/1122015ar","title":"Collisions temporelles entre passé décomposé et futur désincarné dans <i>Skin Elegies</i> de Lance Olsen","year":2025,"lang":"fr","type":"article","venue":"Captures","topic":"Migration and Exile Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Work (physics); Term (time)","score_opus":0.011799366400502794,"score_gpt":0.31325574093964903,"score_spread":0.30145637453914625,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7115701225","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05722562,0.05683323,0.0007718356,0.16786404,0.0041045877,0.0005372143,0.00021820609,0.0002117248,0.71223354],"genre_scores_gemma":[0.84202194,0.017278215,0.0006039638,0.007161269,0.0009924289,0.000054286716,0.000033915738,0.0000195111,0.13183449],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979464,0.00048167666,0.000319683,0.000380374,0.0003177408,0.00055414723],"domain_scores_gemma":[0.99890786,0.0004085281,0.0001230469,0.00027249768,0.00013577494,0.00015230462],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00043102386,0.00026390617,0.00034512035,0.000079916324,0.0009278538,0.00016918387,0.00039318178,0.00025682864,0.00035711736],"category_scores_gemma":[0.00022909521,0.00024667944,0.00019816916,0.00055478985,0.0007093151,0.00016536811,0.00013621681,0.00032888615,0.00014317],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013194397,0.00008755441,0.008483363,0.000047270925,0.00008362736,0.00001589987,0.041751064,0.00017253128,0.000264446,0.34078148,0.60724735,0.001052206],"study_design_scores_gemma":[0.00026532589,0.000018200848,0.01114802,0.00016649488,0.000059156213,0.000002055535,0.052473214,0.00010008621,0.0005539379,0.0062779346,0.9287003,0.00023527336],"about_ca_topic_score_codex":0.007950507,"about_ca_topic_score_gemma":0.03994614,"teacher_disagreement_score":0.7847963,"about_ca_system_score_codex":0.00020921495,"about_ca_system_score_gemma":0.0005856832,"threshold_uncertainty_score":0.99999857},"labels":[],"label_agreement":null},{"id":"W7115704820","doi":"10.7202/1122011ar","title":"Du « mal de l’avenir » aux « futurs de la nostalgie ». Les émotions des temporalités alternatives","year":2025,"lang":"fr","type":"article","venue":"Captures","topic":"Nostalgia and Consumer Behavior","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Object (grammar); Exhibition","score_opus":0.03626574850019784,"score_gpt":0.38435368016179766,"score_spread":0.3480879316615998,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7115704820","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.87552065,0.044202056,0.0015674297,0.008576778,0.0021477253,0.00027851973,0.00024502876,0.00014068723,0.06732114],"genre_scores_gemma":[0.92218876,0.00070734683,0.0010312439,0.0005963871,0.00040279215,0.00009427756,0.000036329802,0.000047783047,0.074895106],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99716896,0.0010639407,0.0003599362,0.00049120723,0.00014123862,0.0007747041],"domain_scores_gemma":[0.9985716,0.0005253963,0.000109291526,0.00045736486,0.00011508947,0.00022126225],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00044859078,0.00037389985,0.00032979192,0.00022454935,0.00044114635,0.00016285497,0.00046159717,0.0005463675,0.0017479454],"category_scores_gemma":[0.00019792537,0.00039582368,0.0002731934,0.00028129714,0.0016393724,0.00013120344,0.00012864964,0.0006491895,0.0001390739],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013164952,0.0010585943,0.4731275,0.00023291181,0.0005401939,0.0008866133,0.014404376,0.000021016134,0.0069805086,0.3323685,0.06870178,0.10154638],"study_design_scores_gemma":[0.0011912013,0.000076140386,0.6869512,0.00030181516,0.00045983656,0.00025897863,0.008380241,0.000017584092,0.002811434,0.027117811,0.27200472,0.00042899034],"about_ca_topic_score_codex":0.0059099314,"about_ca_topic_score_gemma":0.00036843345,"teacher_disagreement_score":0.30525067,"about_ca_system_score_codex":0.0002759789,"about_ca_system_score_gemma":0.0005305141,"threshold_uncertainty_score":0.9998494},"labels":[],"label_agreement":null},{"id":"W7115720680","doi":"10.7202/1122010ar","title":"Nostalgies du futur et rétrofuturisme. Présentation du dossier","year":2025,"lang":"fr","type":"article","venue":"Captures","topic":"Migration and Exile Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Vision; European union; Context (archaeology)","score_opus":0.01149412071846547,"score_gpt":0.3176423838365619,"score_spread":0.30614826311809645,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7115720680","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.062225938,0.05429992,0.0009638979,0.46379316,0.027737623,0.00049683434,0.00004268048,0.00018890091,0.39025104],"genre_scores_gemma":[0.84788865,0.013133915,0.00028590605,0.011317236,0.0049198605,0.00004364946,0.000031789517,0.000014152788,0.122364864],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986177,0.00028936166,0.0002451779,0.00026841613,0.00026779945,0.00031155001],"domain_scores_gemma":[0.9993423,0.0001798287,0.00009513494,0.00014002089,0.00017065817,0.00007202906],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00033001928,0.00018615075,0.00020972615,0.00009168063,0.00071562943,0.0001908908,0.00017391767,0.00017571216,0.0011546006],"category_scores_gemma":[0.00024551997,0.000171127,0.00013709042,0.000505069,0.0005502515,0.00042732267,0.00007470509,0.00017930804,0.00024067404],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000123376385,0.000042411393,0.0023692155,0.00004277606,0.00006167929,0.0000059182707,0.053230215,0.000026770678,0.000032869844,0.30920568,0.62906057,0.0059096],"study_design_scores_gemma":[0.0002690695,0.00001841177,0.038678642,0.00006401816,0.00006161006,0.0000011671572,0.045792565,0.000072197094,0.00013534553,0.0098208515,0.904913,0.00017314055],"about_ca_topic_score_codex":0.0020703264,"about_ca_topic_score_gemma":0.0038015794,"teacher_disagreement_score":0.7856627,"about_ca_system_score_codex":0.000106996406,"about_ca_system_score_gemma":0.0001999685,"threshold_uncertainty_score":0.9997585},"labels":[],"label_agreement":null},{"id":"W7115736352","doi":"10.7202/1122017ar","title":"Contrefaire la mort. Les fictions extrêmes de David Vann","year":2025,"lang":"fr","type":"article","venue":"Captures","topic":"Thomas Hardy Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Power (physics); Context (archaeology); Gloom; Race (biology)","score_opus":0.0095039175088464,"score_gpt":0.28684305759230316,"score_spread":0.2773391400834568,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7115736352","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0015276849,0.2514219,0.00012837417,0.015840378,0.0032481344,0.00018904729,0.0004998577,0.00017237078,0.7269723],"genre_scores_gemma":[0.5184445,0.0010629537,0.00013583443,0.0007029609,0.0013829399,0.000046747336,0.00002420747,0.000023471031,0.47817641],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986218,0.00018458723,0.00028822315,0.00032779915,0.00012903745,0.00044852987],"domain_scores_gemma":[0.99898386,0.00037130306,0.00007676709,0.00031503153,0.00017563431,0.00007739154],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00015392962,0.00032254076,0.0003463526,0.00015035836,0.0011862885,0.0005583324,0.00021711363,0.00022616837,0.0011446404],"category_scores_gemma":[0.00016178562,0.0002931934,0.0002267933,0.00007859021,0.0010349408,0.000191743,0.000110261535,0.00045817724,0.000046832265],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017509668,0.0000797812,0.0005022634,0.0001633912,0.0002786636,0.000049918508,0.019500956,0.00001858738,0.000042274223,0.707716,0.2700092,0.0016214686],"study_design_scores_gemma":[0.00033746683,0.000028104985,0.0041904715,0.00047099177,0.00028455697,0.000013708726,0.010723696,0.00002196333,0.000085865184,0.0102442335,0.9733375,0.00026147],"about_ca_topic_score_codex":0.00043754623,"about_ca_topic_score_gemma":0.002323987,"teacher_disagreement_score":0.70332825,"about_ca_system_score_codex":0.000096871205,"about_ca_system_score_gemma":0.00012791806,"threshold_uncertainty_score":0.999952},"labels":[],"label_agreement":null},{"id":"W7115747536","doi":"10.7202/1122009ar","title":"Éditorial. Le temps en éclats","year":2025,"lang":"fr","type":"article","venue":"Captures","topic":"Philosophy, Sociology, Political Theory","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"","score_opus":0.024873527289776615,"score_gpt":0.34471195567827323,"score_spread":0.31983842838849663,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7115747536","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.016780829,0.025252653,0.00008386714,0.1020466,0.057490386,0.0002636606,0.00005247838,0.00014534214,0.79788417],"genre_scores_gemma":[0.89956325,0.00036175156,0.00011217561,0.0038998146,0.024831796,0.000021116397,0.0000051079764,0.00001706995,0.07118789],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9969707,0.001457378,0.00027377,0.00037757494,0.00023287421,0.0006876626],"domain_scores_gemma":[0.9975685,0.0017319203,0.00006305452,0.0003230881,0.000097916316,0.0002155192],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0010226858,0.0002136496,0.00033971373,0.00007216711,0.000488952,0.000056161025,0.00056797167,0.0007939626,0.00031978654],"category_scores_gemma":[0.0020680523,0.00022340125,0.00019765155,0.00031199594,0.0030680962,0.00015859594,0.00014907001,0.00055251474,0.0005797185],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009144209,0.00007408881,0.000109650595,0.000037277307,0.000071079856,0.0000087845365,0.0033662436,0.000006052479,0.00014199126,0.88194495,0.11263533,0.0015953849],"study_design_scores_gemma":[0.00014699197,0.00001385112,0.00035635618,0.000042040152,0.000032782205,4.1352803e-7,0.001678059,0.0000026668652,0.00014812275,0.51827335,0.47918862,0.00011675662],"about_ca_topic_score_codex":0.002281621,"about_ca_topic_score_gemma":0.00009634798,"teacher_disagreement_score":0.88278246,"about_ca_system_score_codex":0.00032933318,"about_ca_system_score_gemma":0.00068749633,"threshold_uncertainty_score":0.999645},"labels":[],"label_agreement":null},{"id":"W7115775980","doi":"10.7202/1122013ar","title":"Un avenir pétrifié. Le paléofuturisme conservateur de Dr. Stone","year":2025,"lang":"fr","type":"article","venue":"Captures","topic":"Japanese History and Culture","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Emic and etic; Period (music)","score_opus":0.013599854858899179,"score_gpt":0.26787055897578715,"score_spread":0.25427070411688796,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7115775980","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24186203,0.21394072,0.00012170923,0.14354417,0.008862972,0.00043928795,0.00006665797,0.00023841533,0.39092404],"genre_scores_gemma":[0.48288414,0.0005920577,0.000099284436,0.0051992415,0.0007039847,0.000018300309,0.000010377573,0.000013215701,0.5104794],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980071,0.00055831013,0.0002513495,0.00037456112,0.00023932067,0.00056931574],"domain_scores_gemma":[0.9991696,0.0001253192,0.00010223228,0.0002863451,0.00011382623,0.00020267219],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00050801405,0.00024332518,0.00030391765,0.00005752616,0.0009947543,0.00008592934,0.0004585883,0.00056063506,0.0010339681],"category_scores_gemma":[0.00016965704,0.00024447122,0.0001995538,0.00060018385,0.0011140666,0.00018945911,0.000054374843,0.000515205,0.00024163666],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029040088,0.00014855806,0.0005414885,0.00009194942,0.00008970391,0.00008547229,0.028952295,0.000034412806,0.0010409736,0.41581511,0.54790515,0.0052658655],"study_design_scores_gemma":[0.00038137718,0.00002096489,0.0022274617,0.00010789078,0.00009293531,0.000007995386,0.009030351,0.0000151372615,0.0008965626,0.028202953,0.9587609,0.0002554666],"about_ca_topic_score_codex":0.004609639,"about_ca_topic_score_gemma":0.0019757971,"teacher_disagreement_score":0.41085577,"about_ca_system_score_codex":0.0002798749,"about_ca_system_score_gemma":0.0010043845,"threshold_uncertainty_score":0.99987924},"labels":[],"label_agreement":null}]}