{"meta":{"query_hash":"98cc35c2a0a8","filters":{"venue":"Chicago Review"},"cohort_total":14,"direct_labels_cover":0,"predictions_cover":14,"exported":14,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/98cc35c2a0a8","api":"https://metacan.xera.ac/api/v1/cohort?venue=Chicago+Review"},"results":[{"id":"W1564207091","doi":"","title":"Lost and Found in the Türler Losses","year":2008,"lang":"en","type":"article","venue":"Chicago Review","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Meaning (existential); Indirection; Introspection; Literature; Philosophy; Reflexive pronoun; Aesthetics; Art; Linguistics; Computer science; Epistemology","score_opus":0.07673606268414104,"score_gpt":0.2746113984250381,"score_spread":0.19787533574089708,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1564207091","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.045586865,0.614147,0.0000030947922,0.008831259,0.000103551974,0.00038785784,0.000008193682,0.000016693362,0.33091545],"genre_scores_gemma":[0.8347394,0.15082632,0.0000054342645,0.01011966,0.00026614396,0.000022658885,0.0000052563173,0.0000065107106,0.0040086373],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994103,0.00007426794,0.00018279794,0.00011215499,0.00010846513,0.000112067304],"domain_scores_gemma":[0.999661,0.000070159535,0.000031455103,0.00018419758,0.000030471283,0.000022664353],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00025210093,0.00007951837,0.00020786047,0.000021063634,0.00017878848,0.000048235263,0.00012008956,0.000013141255,0.0020841416],"category_scores_gemma":[0.00005540358,0.00004402534,0.000059147846,0.000057621117,0.00022563904,0.00008887922,0.000018379975,0.00010297165,0.000212774],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000048447805,0.00023866977,0.0012274843,0.003742199,0.00006902111,0.00015711082,0.019138634,2.9539737e-7,0.0000033585716,0.8170632,0.1447534,0.013601776],"study_design_scores_gemma":[0.000061915205,0.000014083126,0.0013805993,0.00076237967,0.000048504433,0.000035552046,0.00026060158,0.0000025342983,5.307242e-7,0.0012639435,0.99609196,0.000077401186],"about_ca_topic_score_codex":0.000030909236,"about_ca_topic_score_gemma":0.0002102959,"teacher_disagreement_score":0.85133857,"about_ca_system_score_codex":0.0000036927029,"about_ca_system_score_gemma":0.000011044003,"threshold_uncertainty_score":0.9988281},"labels":[],"label_agreement":null},{"id":"W1579978686","doi":"","title":"A Reading Diary","year":2005,"lang":"en","type":"article","venue":"Chicago Review","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Wonder; Nagging; Reading (process); Confession (law); Philosophy; Passion; Faith; Literature; Piety; History; Art; Epistemology; Psychology; Theology; Linguistics","score_opus":0.03347907056243828,"score_gpt":0.27290353646546117,"score_spread":0.23942446590302288,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1579978686","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00047112507,0.27912882,0.00004397541,0.0148765715,0.00015822124,0.000158903,0.000010291973,0.00009942959,0.7050527],"genre_scores_gemma":[0.643879,0.24448535,0.00027321334,0.044162024,0.0044292095,0.00008048874,0.000051307954,0.000042285003,0.062597126],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999341,0.00005163918,0.00022423289,0.00013261927,0.00010196094,0.00014854301],"domain_scores_gemma":[0.99961776,0.000038527483,0.00004405409,0.00020897757,0.0000340896,0.000056584693],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003168509,0.00008935762,0.00024303081,0.000025536714,0.00015326853,0.000054350374,0.00012308078,0.000014543894,0.012657163],"category_scores_gemma":[0.00006374364,0.00006554266,0.00015586092,0.00003355474,0.00006380226,0.00014262005,0.000022410344,0.00009780996,0.0015642177],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[5.972023e-7,0.000042640404,0.000009568089,0.0006499976,0.000033295106,0.00000397067,0.00086321327,1.8497964e-7,0.000009914834,0.7663206,0.09866154,0.1334045],"study_design_scores_gemma":[0.000033465294,0.0000060275825,0.000008806816,0.0010640163,0.000097083444,0.000003258615,0.00004383097,0.000022156184,0.000009673473,0.0008281296,0.9977863,0.00009727005],"about_ca_topic_score_codex":0.000007920656,"about_ca_topic_score_gemma":0.000029230876,"teacher_disagreement_score":0.89912474,"about_ca_system_score_codex":0.000011537768,"about_ca_system_score_gemma":0.000008574976,"threshold_uncertainty_score":0.99921316},"labels":[],"label_agreement":null},{"id":"W1592460612","doi":"","title":"Lifted: An Interview with Lisa Robertson","year":2005,"lang":"en","type":"article","venue":"Chicago Review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nothing; Reading (process); Conversation; White (mutation); Exhibition; Media studies; Visual arts; Art history; Sociology; Art; History; Linguistics; Philosophy","score_opus":0.04160066556943545,"score_gpt":0.2586880246326024,"score_spread":0.21708735906316692,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1592460612","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0006125215,0.55674505,0.000021249054,0.020054787,0.0001577908,0.0004226051,0.000017287164,0.00014171623,0.42182696],"genre_scores_gemma":[0.5023304,0.116567925,0.00093264616,0.24358176,0.0076083825,0.00035565603,0.00050202955,0.00018081638,0.12794036],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99904954,0.000102663274,0.00029117064,0.0002383924,0.00013588252,0.00018237079],"domain_scores_gemma":[0.99932563,0.000020024017,0.00006641712,0.00039551608,0.00008514073,0.00010725907],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00023125504,0.00018408339,0.0003506673,0.000031638585,0.00012119244,0.00017329413,0.00020713621,0.000027232525,0.013216787],"category_scores_gemma":[0.000010819898,0.00011722923,0.00010032274,0.000043758377,0.00008339189,0.00053620053,0.000026762486,0.00018078911,0.00025314072],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009797807,0.00019456322,0.000010197358,0.002942723,0.000050276434,0.00002311874,0.0066863713,6.672679e-8,0.0000027832054,0.40266573,0.1250966,0.46231776],"study_design_scores_gemma":[0.00012498998,0.0001336425,0.000009491997,0.005540817,0.00007349438,0.000016995677,0.000086483786,0.0000045192396,0.0000057823045,0.00012990134,0.9936837,0.00019018317],"about_ca_topic_score_codex":0.000009982852,"about_ca_topic_score_gemma":0.00063571444,"teacher_disagreement_score":0.8685871,"about_ca_system_score_codex":0.000011416465,"about_ca_system_score_gemma":0.000022584203,"threshold_uncertainty_score":0.98768526},"labels":[],"label_agreement":null},{"id":"W1597735225","doi":"","title":"Site Surfeit: Office for Soft Architecture Makes the City Confess","year":2016,"lang":"en","type":"article","venue":"Chicago Review","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Architecture; Plot (graphics); Poetry; Sincerity; Paragraph; History; Object (grammar); Literature; Sociology; Visual arts; Art history; Law; Linguistics; Art; Philosophy; Archaeology","score_opus":0.07648905783083075,"score_gpt":0.2880886180981357,"score_spread":0.21159956026730492,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1597735225","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0075298813,0.34553802,0.020637983,0.19074,0.0035343852,0.0071678734,0.0036596395,0.0007467097,0.4204455],"genre_scores_gemma":[0.5072689,0.063661516,0.00022695366,0.081399396,0.0068917526,0.0005455883,0.00015650212,0.00016055632,0.33968884],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990024,0.00007829672,0.0002654875,0.00021795282,0.00012695277,0.0003088999],"domain_scores_gemma":[0.99888,0.0003996254,0.00011442989,0.00040934636,0.000121630736,0.00007492056],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00034296126,0.00017299954,0.00032151354,0.00001660705,0.00037989597,0.00005947758,0.00024901974,0.00003639556,0.0014793003],"category_scores_gemma":[0.00019184497,0.000078208664,0.00021999805,0.0000022480967,0.00039402835,0.00006370218,0.00004956543,0.00010974539,0.00017887965],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000404838,0.000115559036,0.0001125796,0.0053845164,0.00016727905,0.000003763356,0.030977903,4.4518293e-7,0.00007296627,0.5079764,0.24849828,0.20664981],"study_design_scores_gemma":[0.0001859631,0.000029392862,0.00006790821,0.001159726,0.000090755806,0.000004254174,0.000035988967,0.0000022283339,0.000022542627,0.006420467,0.991828,0.00015274095],"about_ca_topic_score_codex":0.000052088144,"about_ca_topic_score_gemma":0.0023990278,"teacher_disagreement_score":0.74332976,"about_ca_system_score_codex":0.00001355916,"about_ca_system_score_gemma":0.00004766672,"threshold_uncertainty_score":0.99943346},"labels":[],"label_agreement":null},{"id":"W221614106","doi":"","title":"Purposeful Looking and Songs on the Air: A Conversation with Merrill Gilfillan","year":2013,"lang":"en","type":"article","venue":"Chicago Review","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Conversation; Art history; History; Porch; Art; Literature; Sociology; Archaeology","score_opus":0.019261237050619374,"score_gpt":0.2050680832340192,"score_spread":0.18580684618339982,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W221614106","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21480976,0.14019588,0.000046444296,0.17567705,0.00030476644,0.0029819624,0.000027440848,0.00022402071,0.4657327],"genre_scores_gemma":[0.9799159,0.009903924,0.00000824872,0.008150403,0.00015045331,0.000071654766,0.000007811081,0.000010917437,0.0017806819],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99935627,0.00006356281,0.00016017517,0.00015209956,0.00013850554,0.000129361],"domain_scores_gemma":[0.99953127,0.00007342386,0.00007311721,0.00020586442,0.00007037273,0.000045939272],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00019020875,0.00011368113,0.00021751043,0.000020604066,0.00023105888,0.000106466454,0.000093486764,0.00001622657,0.0050341245],"category_scores_gemma":[0.000034503737,0.000055098655,0.000064375585,0.000032894288,0.0001655659,0.00011238864,0.000018183711,0.000106082225,0.00028603556],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006266303,0.000056894878,0.00015330076,0.0013372352,0.00021277193,0.000005201816,0.010258876,6.1180236e-7,0.00001918733,0.9071925,0.043122664,0.03763448],"study_design_scores_gemma":[0.00012839049,0.00008892974,0.00026330622,0.0020528468,0.00018090724,0.0000073308693,0.0020933696,0.00006374672,0.000020945572,0.0023069088,0.992616,0.00017734383],"about_ca_topic_score_codex":0.00008010055,"about_ca_topic_score_gemma":0.00008041043,"teacher_disagreement_score":0.9494933,"about_ca_system_score_codex":0.000007931874,"about_ca_system_score_gemma":0.000007978192,"threshold_uncertainty_score":0.9958754},"labels":[],"label_agreement":null},{"id":"W2321876861","doi":"","title":"Know Your Sudden Book Well: A Postscript to Toad Church","year":2015,"lang":"en","type":"article","venue":"Chicago Review","topic":"Publishing and Scholarly Communication","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art history; Art; Poetry; Vigil; History; Visual arts; Literature; Archaeology","score_opus":0.10611144050205472,"score_gpt":0.3074231142962436,"score_spread":0.20131167379418885,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2321876861","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0007367464,0.40115806,0.000006883442,0.034114514,0.00047991957,0.00041875642,0.000012313957,0.00014749146,0.56292534],"genre_scores_gemma":[0.07417828,0.19572389,0.00078229595,0.13199796,0.0030927318,0.00043901146,0.00037661253,0.00015451868,0.5932547],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986996,0.0002227923,0.0003331246,0.00022288921,0.00028380495,0.00023779178],"domain_scores_gemma":[0.9984342,0.00003853948,0.00009417435,0.00086051074,0.0003099794,0.0002626164],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0012149216,0.00015533937,0.00031733996,0.00007128316,0.00021801576,0.0007259866,0.00077913486,0.000042390307,0.0027180428],"category_scores_gemma":[0.0005794184,0.00012335912,0.00010533402,0.00008941624,0.00005676217,0.00088960066,0.00019321904,0.00034981914,0.0033808125],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000003968287,0.000037987895,0.000020138605,0.00021551969,0.000013351838,0.0000018166583,0.0049582603,9.928087e-8,0.000008217978,0.02532542,0.9524517,0.016963527],"study_design_scores_gemma":[0.00011892078,0.00006234808,0.00006978257,0.00137165,0.000036450656,0.0000052825585,0.00029178988,0.000003261475,0.0000036688268,0.00042101514,0.9974437,0.00017218066],"about_ca_topic_score_codex":0.00016415544,"about_ca_topic_score_gemma":0.000097221906,"teacher_disagreement_score":0.20543417,"about_ca_system_score_codex":0.00005391296,"about_ca_system_score_gemma":0.000093344795,"threshold_uncertainty_score":0.9981936},"labels":[],"label_agreement":null},{"id":"W242035975","doi":"","title":"The Truth about Marie","year":2012,"lang":"en","type":"article","venue":"Chicago Review","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Style (visual arts); Portrait; Art history; Art; Literature; History; Quarter (Canadian coin); Archaeology","score_opus":0.04719308339306388,"score_gpt":0.26228362127555815,"score_spread":0.21509053788249427,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W242035975","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00008025631,0.70753264,0.0000031686977,0.0018629467,0.0009559611,0.00007676949,0.000005073104,0.000031556192,0.28945163],"genre_scores_gemma":[0.18753904,0.515729,0.000047383517,0.015076579,0.009056543,0.00014513993,0.000052936994,0.000044731187,0.27230862],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993676,0.00007039709,0.00019445697,0.00007387246,0.00009920889,0.00019448613],"domain_scores_gemma":[0.9993493,0.0002790841,0.00005484557,0.00021040346,0.000026073783,0.00008030652],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00026918013,0.00008302462,0.0001656081,0.000008526875,0.0004689051,0.00006041218,0.0001528161,0.000012430121,0.005479691],"category_scores_gemma":[0.00016623996,0.000039897117,0.00013089123,0.000032727767,0.000119251905,0.00015131393,0.000023762319,0.00010336429,0.0011205651],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000001470286,0.00003009475,0.00003317974,0.00035841332,0.000021471702,4.975296e-7,0.0014237015,5.5544023e-9,3.1122775e-7,0.73130894,0.16491327,0.10190868],"study_design_scores_gemma":[0.000020901463,0.000007794923,0.0000442232,0.00027679035,0.000050594983,8.9334446e-7,0.000022540662,4.6780687e-7,7.843805e-7,0.00049292523,0.99901193,0.00007013047],"about_ca_topic_score_codex":0.000011676444,"about_ca_topic_score_gemma":0.0000065445483,"teacher_disagreement_score":0.8340987,"about_ca_system_score_codex":0.000010992619,"about_ca_system_score_gemma":0.000007640331,"threshold_uncertainty_score":0.99965715},"labels":[],"label_agreement":null},{"id":"W242062751","doi":"","title":"There Are Words: Collected Poems","year":2007,"lang":"en","type":"article","venue":"Chicago Review","topic":"Irish and British Studies","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Literature; Art; Art history; Publishing; History","score_opus":0.0374912954548408,"score_gpt":0.3397285101862255,"score_spread":0.3022372147313847,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W242062751","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00448733,0.45095906,0.000017599898,0.0058835316,0.00023890058,0.0004004096,0.0000039293145,0.00009999822,0.5379092],"genre_scores_gemma":[0.15348496,0.8227078,0.00018493581,0.0074514574,0.00083150016,0.000033292778,0.0000056081058,0.000018013814,0.015282442],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989241,0.000105121864,0.00021196119,0.00016132632,0.00025859103,0.00033891495],"domain_scores_gemma":[0.9994426,0.00011460936,0.00009759601,0.0001317214,0.0001109124,0.000102585116],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001035329,0.00008670997,0.00027730968,0.000021249454,0.0004971583,0.00003155594,0.00019969433,0.000058377453,0.000656773],"category_scores_gemma":[0.0007503611,0.00007314243,0.00009747481,0.00065463694,0.00017143479,0.000055960343,0.000033096978,0.00012245934,0.00022292322],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000029351886,0.00003920463,0.002770715,0.0004517051,0.000024121167,0.00003765752,0.0011921403,6.350979e-9,0.0000032380733,0.00045836178,0.9170666,0.07795337],"study_design_scores_gemma":[0.00007702907,0.000009422422,0.015320291,0.0020368744,0.000024410678,0.0000020331554,0.0013372536,3.851699e-8,0.0000042493466,0.000119023956,0.98095506,0.00011431969],"about_ca_topic_score_codex":0.00021902294,"about_ca_topic_score_gemma":0.0015609399,"teacher_disagreement_score":0.5226268,"about_ca_system_score_codex":0.00004672843,"about_ca_system_score_gemma":0.00006586235,"threshold_uncertainty_score":0.7191203},"labels":[],"label_agreement":null},{"id":"W255464545","doi":"","title":"An Interview with Stephen Rodefer: You Were a Student of Charles Olson's in the Mid-1960s at SUNY, Buffalo. What Was That Like?","year":2009,"lang":"en","type":"article","venue":"Chicago Review","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Sign (mathematics); Mythology; Art history; Art; History; Literature; Classics","score_opus":0.05289525360831419,"score_gpt":0.2955066017742679,"score_spread":0.24261134816595373,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W255464545","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.098674946,0.86901385,0.0000047844896,0.012869071,0.0001338659,0.0010858049,0.000027622124,0.00004880935,0.01814125],"genre_scores_gemma":[0.7455197,0.24418029,0.000011111545,0.008667855,0.00015206268,0.000056740657,0.000051391213,0.000019228004,0.0013416207],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99787307,0.00044030958,0.00053885946,0.0003723567,0.00046518532,0.00031023406],"domain_scores_gemma":[0.9987033,0.00006495278,0.00023192483,0.0008237623,0.00009116652,0.00008491967],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00091016694,0.00030061055,0.00087229535,0.00006724632,0.00019244598,0.0003123527,0.000771133,0.0000452478,0.0030222896],"category_scores_gemma":[0.000012542359,0.0001620692,0.00028510083,0.00011083072,0.00018605545,0.0005603476,0.00006389278,0.00023914193,0.0001006711],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000101296384,0.003569821,0.0015339787,0.0114540085,0.000623188,0.00015940811,0.10036054,0.0000060801303,0.000044469914,0.09147164,0.017050333,0.77362525],"study_design_scores_gemma":[0.00034414607,0.0004494397,0.0024357322,0.011957999,0.00053029275,0.000016880736,0.008647114,0.000004473393,0.000023040517,0.000383868,0.97487473,0.0003322637],"about_ca_topic_score_codex":0.000057808582,"about_ca_topic_score_gemma":0.0011874478,"teacher_disagreement_score":0.9578244,"about_ca_system_score_codex":0.000039359875,"about_ca_system_score_gemma":0.000023816663,"threshold_uncertainty_score":0.9978891},"labels":[],"label_agreement":null},{"id":"W2596534319","doi":"","title":"She Tries Her Tongue, Her Silence Softly Breaks","year":2016,"lang":"en","type":"article","venue":"Chicago Review","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":23,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Silence; Poetry; Venn diagram; Reading (process); Literature; Philosophy; Art history; History; Art; Linguistics; Psychology; Aesthetics","score_opus":0.03150422327427166,"score_gpt":0.26119995146717817,"score_spread":0.2296957281929065,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2596534319","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0043430487,0.46997672,0.00014969401,0.023897799,0.00067365257,0.00046226248,0.00009107333,0.00021167847,0.5001941],"genre_scores_gemma":[0.6441932,0.15965298,0.000029715586,0.014296268,0.0014409336,0.00010532296,0.00001409609,0.000047941387,0.18021958],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987488,0.000086854925,0.00039171663,0.00028243553,0.00021194037,0.0002782716],"domain_scores_gemma":[0.9991479,0.000112572976,0.0000966331,0.0004314473,0.00011417068,0.00009728119],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003113915,0.00019211098,0.00046646217,0.000033128275,0.00021773716,0.00009427976,0.0002751615,0.000039665832,0.03678501],"category_scores_gemma":[0.00014796585,0.00010292379,0.00027454086,0.000056809047,0.00030047414,0.00025794964,0.0000520085,0.00010117619,0.0018746558],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008298029,0.00013513863,0.00012094804,0.0017589449,0.000140251,0.000020859059,0.0016218993,3.5992294e-8,0.00013149742,0.43450993,0.19536896,0.36618322],"study_design_scores_gemma":[0.00012528061,0.000028019494,0.00010423862,0.003213857,0.00015594641,0.000005267702,0.000095293115,4.818041e-7,0.000059921913,0.0029556674,0.9930478,0.00020824753],"about_ca_topic_score_codex":0.000030519146,"about_ca_topic_score_gemma":0.00008112789,"teacher_disagreement_score":0.7976788,"about_ca_system_score_codex":0.0000167794,"about_ca_system_score_gemma":0.00002815395,"threshold_uncertainty_score":0.9989025},"labels":[],"label_agreement":null},{"id":"W277578273","doi":"","title":"Amtrak New York-Montreal, January 24, 1974","year":2006,"lang":"en","type":"article","venue":"Chicago Review","topic":"American Environmental and Regional History","field":"Environmental Science","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.013040385092106544,"score_gpt":0.20456133929073608,"score_spread":0.19152095419862955,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W277578273","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009003114,0.3924683,0.00035350435,0.007241661,0.00035436,0.00082967425,0.000012665772,0.00015364742,0.58958304],"genre_scores_gemma":[0.12638439,0.28511214,0.0068090498,0.047095533,0.0017973746,0.00018390028,0.00030522494,0.00018722721,0.5321252],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986812,0.0000505364,0.00028203282,0.00038024606,0.00032892285,0.00027709623],"domain_scores_gemma":[0.99932176,0.000021514341,0.0001232873,0.0003533283,0.0000010020237,0.00017910644],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00009787994,0.00020410624,0.00029813653,0.000013259406,0.00011661706,0.000004491816,0.00029259516,0.000049173774,0.0056735165],"category_scores_gemma":[0.000005504614,0.00015729644,0.0001763277,0.00018932414,0.0008822232,0.00008998075,0.00011783006,0.0001538249,0.006430418],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000031920151,0.000093136085,0.0012797096,0.000079294805,0.000005123144,0.0000149152675,0.000031913387,0.000033443688,0.00030557215,0.00006169823,0.92674166,0.07135036],"study_design_scores_gemma":[0.000117234085,0.00003301705,0.030203173,0.00027222693,0.00003778406,0.000032822398,0.000010503736,0.000004286151,0.000022049786,0.00033451285,0.9687125,0.00021985506],"about_ca_topic_score_codex":0.002234405,"about_ca_topic_score_gemma":0.00020756577,"teacher_disagreement_score":0.11738128,"about_ca_system_score_codex":0.00020078696,"about_ca_system_score_gemma":0.000014494234,"threshold_uncertainty_score":0.99523544},"labels":[],"label_agreement":null},{"id":"W283895560","doi":"","title":"The Battered Vessel","year":2006,"lang":"en","type":"article","venue":"Chicago Review","topic":"Irish and British Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Dream; Art history; History; Psychology","score_opus":0.017815364131596068,"score_gpt":0.30464047859056714,"score_spread":0.2868251144589711,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W283895560","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00042759127,0.48027888,0.0000052311348,0.04365108,0.00021001553,0.0002055644,0.0000015719385,0.000040112554,0.47517997],"genre_scores_gemma":[0.056001063,0.9250141,0.000045437853,0.004530651,0.0009407663,0.000057292254,0.000003846343,0.000007661829,0.013399229],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99927723,0.00011643729,0.00013840786,0.00009286573,0.00016941385,0.00020565203],"domain_scores_gemma":[0.99964947,0.000114666684,0.000044345332,0.00011712326,0.00004709671,0.0000272937],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005614714,0.000049699353,0.00012255624,0.000004304217,0.0009014108,0.000055495762,0.00019610986,0.00002057925,0.00010034012],"category_scores_gemma":[0.00022128917,0.000031892345,0.000065920416,0.00015289044,0.0002218083,0.000041520216,0.000026104337,0.00006310475,0.00021402596],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[2.0751776e-7,0.000005954273,0.00019167547,0.0000727233,0.0000030064396,0.0000014554453,0.000037694183,8.051685e-9,0.0000012848556,0.002074028,0.95733637,0.040275615],"study_design_scores_gemma":[0.000028819562,0.0000026977518,0.0032577731,0.00037742942,0.000012411258,7.420095e-7,0.00006071696,8.120095e-8,0.0000022812844,0.0007686706,0.9954386,0.000049780865],"about_ca_topic_score_codex":0.00041232858,"about_ca_topic_score_gemma":0.0002985891,"teacher_disagreement_score":0.46178073,"about_ca_system_score_codex":0.000015020185,"about_ca_system_score_gemma":0.00003493463,"threshold_uncertainty_score":0.69330144},"labels":[],"label_agreement":null},{"id":"W299148289","doi":"","title":"The City Man","year":2006,"lang":"en","type":"article","venue":"Chicago Review","topic":"Short Stories in Global Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sentence; Narrative; History; Linguistics; Literature; Art; Philosophy","score_opus":0.015783771185367324,"score_gpt":0.23823055823958703,"score_spread":0.2224467870542197,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W299148289","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00011054644,0.30145675,9.956331e-7,0.0025718252,0.00070881547,0.00016396641,0.000017200673,0.00005248463,0.6949174],"genre_scores_gemma":[0.2736342,0.21031947,0.00026949204,0.05083433,0.01846483,0.00036289598,0.0003436272,0.00011814551,0.445653],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993597,0.000036532227,0.00019268393,0.00011922428,0.000134802,0.00015705165],"domain_scores_gemma":[0.999469,0.000048854145,0.000056207882,0.00033742134,0.00006569068,0.000022861524],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00018123044,0.00009783831,0.00014399223,0.000005896615,0.0004835553,0.00015195113,0.00023692369,0.000020405905,0.0015570307],"category_scores_gemma":[0.00004583032,0.00005288597,0.00009426173,0.000035852205,0.00019763106,0.000059851187,0.000044185304,0.00013486286,0.00009664911],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[5.6508287e-7,0.0000052006826,0.000036395086,0.00011124144,0.0000038152284,0.0000012063591,0.000076675664,6.2690124e-9,1.7850603e-7,0.6489347,0.34772503,0.0031049263],"study_design_scores_gemma":[0.000021902084,0.000006751692,0.000121251316,0.0004062089,0.00002199165,0.00000347978,0.000014136204,2.1757829e-7,0.0000015745611,0.006344069,0.99298316,0.00007528029],"about_ca_topic_score_codex":0.000028288448,"about_ca_topic_score_gemma":0.00019492058,"teacher_disagreement_score":0.64525807,"about_ca_system_score_codex":0.00001988362,"about_ca_system_score_gemma":0.000010227375,"threshold_uncertainty_score":0.9993557},"labels":[],"label_agreement":null},{"id":"W853170988","doi":"","title":"Flowers of Spit","year":2013,"lang":"en","type":"article","venue":"Chicago Review","topic":"French Literature and Poetry","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History; Laughter; Literature; Art history; Art","score_opus":0.01631566990277689,"score_gpt":0.21069891719023712,"score_spread":0.19438324728746023,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W853170988","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0021249263,0.38469446,0.0000018151369,0.0021439698,0.00047656143,0.0003014903,0.000011326267,0.000029609646,0.61021584],"genre_scores_gemma":[0.5217305,0.23701735,0.000674929,0.04701285,0.003844046,0.0002756219,0.000188854,0.00008757816,0.18916827],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995299,0.00001944261,0.00019871541,0.00008174591,0.0000774884,0.0000926931],"domain_scores_gemma":[0.99961233,0.00002018311,0.000058253423,0.00019960884,0.000073285955,0.00003631317],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00006911782,0.00007363037,0.00020474402,0.00001906003,0.00003524959,0.00003288512,0.00011025507,0.000017780927,0.028899305],"category_scores_gemma":[0.000024115785,0.000048593203,0.00009618495,0.000027108832,0.00007678511,0.00011248326,0.0000143436455,0.00007908712,0.0010369787],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[3.9924302e-7,0.000028070319,0.00002634957,0.0030326878,0.000022098251,8.699976e-7,0.0017269843,1.6321573e-8,0.00003612216,0.1953331,0.75764626,0.04214704],"study_design_scores_gemma":[0.00003454286,0.000021345506,0.000053394186,0.0015808553,0.000020678095,8.76577e-7,0.00002192337,7.533741e-7,0.00002355376,0.00090487936,0.99727315,0.000064054766],"about_ca_topic_score_codex":0.000040365347,"about_ca_topic_score_gemma":0.000010900697,"teacher_disagreement_score":0.5196056,"about_ca_system_score_codex":0.0000028766215,"about_ca_system_score_gemma":0.000009321383,"threshold_uncertainty_score":0.99974084},"labels":[],"label_agreement":null}]}