{"meta":{"query_hash":"c4b8a09988fb","filters":{"venue":"College literature"},"cohort_total":8,"direct_labels_cover":0,"predictions_cover":8,"exported":8,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/c4b8a09988fb","api":"https://metacan.xera.ac/api/v1/cohort?venue=College+literature"},"results":[{"id":"W2011753824","doi":"10.1353/lit.0.0032","title":"“The Web of Our Life is of a Mingled Yarn”: The Canadian Adaptations of Shakespeare Project, Humanities Scholarship, and ColdFusion","year":2009,"lang":"en","type":"article","venue":"College literature","topic":"Philippine History and Culture","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Scholarship; Context (archaeology); Digital humanities; World Wide Web; Face (sociological concept); Publishing; Process (computing); Web application; Architecture; The Internet; Sociology; Computer science; Humanities; Art; History; Literature; Political science; Visual arts; Social science","score_opus":0.033910224318212986,"score_gpt":0.2827143552161929,"score_spread":0.24880413089797992,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2011753824","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.058431953,0.04656451,0.004139816,0.33344376,0.0045419396,0.00009344957,0.00031110283,0.00029273162,0.5521809],"genre_scores_gemma":[0.81798375,0.023628319,0.00299897,0.018351536,0.00081723474,0.00009320575,0.00015725598,0.00038797344,0.13558185],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99191827,0.0019770483,0.00012485847,0.0005163265,0.0037708723,0.0016926756],"domain_scores_gemma":[0.99214584,0.0023881258,0.00029903598,0.00062570116,0.0026506984,0.0018906236],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0069309375,0.00062975916,0.00051517313,0.004315307,0.060742844,0.02496342,0.0018930241,0.0035508722,0.006792238],"category_scores_gemma":[0.012362748,0.00047838665,0.0002590713,0.008809181,0.08796429,0.010676222,0.0076488047,0.006492842,0.0007730924],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037192294,0.000017196091,0.0012083153,0.00013390294,0.000011268871,0.00038454842,0.21066785,0.0001301313,0.00021466815,0.5678325,0.17684866,0.042513795],"study_design_scores_gemma":[0.000007955732,0.00000829187,0.003791425,0.00033374864,0.0000095677415,0.00019208729,0.11381496,0.000083556166,0.00022391476,0.024540316,0.85694104,0.000053225715],"about_ca_topic_score_codex":0.9697515,"about_ca_topic_score_gemma":0.9792356,"teacher_disagreement_score":0.8840235,"about_ca_system_score_codex":0.11597653,"about_ca_system_score_gemma":0.1553379,"threshold_uncertainty_score":0.8414725},"labels":[],"label_agreement":null},{"id":"W2033795344","doi":"10.1353/lit.2011.0013","title":"The Golden Age of the Classics in America: Greece, Home, and the Antebellum United States (review)","year":2011,"lang":"en","type":"article","venue":"College literature","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Classics; Period (music); History; Sociology; Philosophy; Aesthetics","score_opus":0.013295190240926983,"score_gpt":0.23007986918434578,"score_spread":0.2167846789434188,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2033795344","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000060427243,0.9984571,0.0000055931782,0.0005647022,0.0005152835,0.0000016599063,0.00000999389,0.0000016135366,0.0003836483],"genre_scores_gemma":[0.00080141524,0.9969687,0.000026449452,0.000835377,0.0007088465,0.0000048077027,0.000030104104,0.0000013871003,0.00062296866],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996681,0.000072176765,0.000051008545,0.000047366335,0.00012255198,0.000038782724],"domain_scores_gemma":[0.9989178,0.0004992222,0.00023168566,0.000014780562,0.00022375536,0.00011272745],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005803688,0.0007902273,0.0011695793,0.0032024651,0.000502574,0.0024606052,0.00093880313,0.0012468386,0.0084342705],"category_scores_gemma":[0.00227886,0.00034679042,0.0005641991,0.005087714,0.0008472287,0.0023894792,0.0009642306,0.0024183965,0.001528],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010467434,0.000058435715,0.0005329502,0.060755555,0.00019340929,0.00019785324,0.0007045981,0.00014578777,0.0002180677,0.0029483873,0.38424328,0.5498971],"study_design_scores_gemma":[0.000022453352,0.000047755755,0.0029970356,0.032100983,0.00019490211,0.00071171584,0.00061379984,0.00002320351,0.000066606066,0.0007053722,0.9624967,0.000019376093],"about_ca_topic_score_codex":0.0064277947,"about_ca_topic_score_gemma":0.010693814,"teacher_disagreement_score":0.0084342705,"about_ca_system_score_codex":0.0012815924,"about_ca_system_score_gemma":0.0034178575,"threshold_uncertainty_score":0.028215408},"labels":[],"label_agreement":null},{"id":"W2043912565","doi":"10.1353/lit.2004.0015","title":"The Politics of Re-homing: Asian Diaspora Poetry in Canada","year":2004,"lang":"en","type":"article","venue":"College literature","topic":"Diaspora, migration, transnational identity","field":"Social Sciences","cited_by":19,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Diaspora; Poetry; Politics; Impossibility; Feeling; Sociology; Constructive; Aesthetics; Gender studies; History; Literature; Political science; Process (computing); Art; Social psychology; Psychology; Law; Computer science","score_opus":0.009464031213283753,"score_gpt":0.2541395182394085,"score_spread":0.24467548702612474,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2043912565","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7454341,0.007518919,0.001371129,0.020995034,0.0008318534,0.00011301527,0.00023993012,0.00010300546,0.22339298],"genre_scores_gemma":[0.9771213,0.0026823683,0.00043574817,0.0007242153,0.00003892116,0.00002874545,0.000042811687,0.000054714645,0.018871227],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99837446,0.00046561295,0.00003608624,0.00012922216,0.00037962102,0.0006149313],"domain_scores_gemma":[0.99774736,0.0006562931,0.00010890951,0.00008923726,0.00067425985,0.0007238348],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016501687,0.0006100449,0.00048451367,0.0021567517,0.044121783,0.00947391,0.0015758435,0.0013077136,0.004066455],"category_scores_gemma":[0.0038985445,0.00021925007,0.00023265599,0.005971453,0.015961908,0.0021327874,0.00466946,0.0034784887,0.00029161182],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008148866,0.000026897518,0.0027124963,0.00010463521,0.000010875635,0.0010998227,0.92012817,0.00013739224,0.0006394932,0.03741671,0.012808577,0.024833508],"study_design_scores_gemma":[0.000008379952,0.000015737893,0.00442106,0.00013419245,0.00001437338,0.00027124173,0.8149485,0.0001703163,0.00042162862,0.001505274,0.1780497,0.000039630464],"about_ca_topic_score_codex":0.9759192,"about_ca_topic_score_gemma":0.99209833,"teacher_disagreement_score":0.07631167,"about_ca_system_score_codex":0.07631167,"about_ca_system_score_gemma":0.107937545,"threshold_uncertainty_score":0.5536825},"labels":[],"label_agreement":null},{"id":"W2072847128","doi":"10.1353/lit.2011.0047","title":"Representing \"Other\" Diasporas in Recent Global Canadian Fiction","year":2011,"lang":"en","type":"article","venue":"College literature","topic":"Postcolonial and Cultural Literary Studies","field":"Arts and Humanities","cited_by":9,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Cosmopolitanism; Homeland; Exoticism; The Imaginary; Sociology; Meaning (existential); Aesthetics; PARRY; History; Media studies; Literature; Diaspora; Gender studies; Anthropology; Law; Art; Philosophy; Politics; Political science; Epistemology; Psychology","score_opus":0.039588050507677885,"score_gpt":0.2172203680615527,"score_spread":0.17763231755387482,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2072847128","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.27362952,0.0069270744,0.0013037134,0.017370347,0.0023036315,0.000070339825,0.00052847475,0.00016727875,0.69769955],"genre_scores_gemma":[0.91222614,0.0037731775,0.0007744328,0.0020043878,0.00021270293,0.000029614343,0.00017328317,0.00017695382,0.08062927],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99888617,0.00023792204,0.000016401627,0.00014517635,0.00027414266,0.00044017468],"domain_scores_gemma":[0.99878436,0.0003131772,0.000080312595,0.000105798514,0.00034324694,0.00037299684],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001235825,0.00089308433,0.00040073635,0.0021783486,0.032663316,0.009309229,0.0012794695,0.0012241954,0.010190935],"category_scores_gemma":[0.002289563,0.0002459161,0.00029276262,0.0030012124,0.016314114,0.002449289,0.0041177594,0.0028190452,0.0005725605],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010217265,0.000030547555,0.0020039252,0.00017251988,0.000021346203,0.0013274399,0.7146256,0.00020011074,0.00073594553,0.19255757,0.06805807,0.020164749],"study_design_scores_gemma":[0.000006220226,0.000011910354,0.0024666758,0.00014530374,0.000021335984,0.0004738078,0.27167216,0.00010006409,0.00050120376,0.00210922,0.7224566,0.000035570436],"about_ca_topic_score_codex":0.8761167,"about_ca_topic_score_gemma":0.97223973,"teacher_disagreement_score":0.12388331,"about_ca_system_score_codex":0.050516594,"about_ca_system_score_gemma":0.028875014,"threshold_uncertainty_score":0.36652523},"labels":[],"label_agreement":null},{"id":"W2074865614","doi":"10.1353/lit.2006.0058","title":"The Value of Literature as a Public Institution","year":2006,"lang":"en","type":"article","venue":"College literature","topic":"Hannah Arendt's Political Philosophy","field":"Social Sciences","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Orientalism; Institution; Witch; Value (mathematics); Politics; Sociology; Quarter (Canadian coin); Media studies; Aesthetics; Gender studies; Political science; Law; Social science; Literature; History; Philosophy; Art","score_opus":0.010367237078741865,"score_gpt":0.27636162973153755,"score_spread":0.2659943926527957,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2074865614","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.01097655,0.011192477,0.005875903,0.31283107,0.002384895,0.000023746185,0.000044591325,0.00012395164,0.65654683],"genre_scores_gemma":[0.92042124,0.0052162413,0.0016440867,0.015058921,0.0046374816,0.00009814496,0.000035606005,0.0001413596,0.052746896],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9744135,0.017996203,0.00040961528,0.0015472111,0.0035621203,0.0020714172],"domain_scores_gemma":[0.94349307,0.03715639,0.004136186,0.0070422296,0.004012262,0.004159872],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.019456776,0.00048427633,0.0008907579,0.004363843,0.017244054,0.04876937,0.0025848818,0.012761602,0.012281597],"category_scores_gemma":[0.038228802,0.0005157986,0.00045659803,0.0035869668,0.09933993,0.035346404,0.015388842,0.009174926,0.002245327],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000036088322,0.0000055240434,0.000051098043,0.000013889842,0.0000015035905,0.000018525874,0.0025287264,0.000034769026,0.000011857407,0.9899922,0.005004482,0.0023337635],"study_design_scores_gemma":[0.000011622471,0.000013912639,0.00012716193,0.00021191785,0.0000063662014,0.000058032878,0.0063565355,0.000205563,0.000096944816,0.82238907,0.17051342,0.000009453968],"about_ca_topic_score_codex":0.002067132,"about_ca_topic_score_gemma":0.0019563567,"teacher_disagreement_score":0.04876937,"about_ca_system_score_codex":0.011108008,"about_ca_system_score_gemma":0.012506724,"threshold_uncertainty_score":0.10289848},"labels":[],"label_agreement":null},{"id":"W2344113929","doi":"10.1353/lit.2016.0027","title":"“La vida es el honor y el recuerdo” : Oscar Zeta Acosta’s Paratextual Struggle for Survival","year":2016,"lang":"en","type":"article","venue":"College literature","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"University of California, Santa Barbara; Egg Farmers of Canada","keywords":"Humanities; Art; Honor; Philosophy","score_opus":0.017354551488362572,"score_gpt":0.24904853529982807,"score_spread":0.2316939838114655,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2344113929","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4416899,0.0061130077,0.0017812004,0.08491119,0.0022343816,0.000028140208,0.000024526755,0.00007334749,0.46314427],"genre_scores_gemma":[0.9560646,0.0015954137,0.00022055669,0.0023723752,0.0006364017,0.000018192735,0.000009515985,0.000046964604,0.039036043],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986656,0.0007290199,0.000023396233,0.00010645204,0.00025106396,0.00022437808],"domain_scores_gemma":[0.9962302,0.0018822325,0.00022097985,0.00023845088,0.00058609905,0.0008419759],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002943809,0.00027195565,0.00021490351,0.0009111901,0.023575893,0.012611041,0.00068588444,0.0019175913,0.002868098],"category_scores_gemma":[0.0066810055,0.00018254145,0.00011248899,0.0009981414,0.02274846,0.0044906605,0.004229832,0.0055715335,0.0005640327],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004586352,0.00003687234,0.001009008,0.000035696714,0.0000026544765,0.00083891087,0.55770016,0.00005447248,0.0002894321,0.3861862,0.035224207,0.01857648],"study_design_scores_gemma":[0.000012693302,0.000044121738,0.001569305,0.0001769607,0.0000061666306,0.0005403778,0.3727638,0.00014750074,0.00047255636,0.026270822,0.5979758,0.000019965348],"about_ca_topic_score_codex":0.010949389,"about_ca_topic_score_gemma":0.02772392,"teacher_disagreement_score":0.023575893,"about_ca_system_score_codex":0.0046995743,"about_ca_system_score_gemma":0.0048907753,"threshold_uncertainty_score":0.03409797},"labels":[],"label_agreement":null},{"id":"W4313731243","doi":"10.1353/lit.2023.0006","title":"Old Style: Unoriginality and Its Uses in Nineteenth-Century U.S. Literature by Claudia Stokes, and: Fair Copy: Relational Poetics and Antebellum American Women's Poetry by Jennifer Putzi","year":2023,"lang":"en","type":"article","venue":"College literature","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetics; Poetry; Literature; Copying; Style (visual arts); Value (mathematics); Sociology; Art history; Philosophy; Art; Law","score_opus":0.007833113206465526,"score_gpt":0.21871635900177658,"score_spread":0.21088324579531106,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4313731243","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0057701375,0.5781287,0.00068611896,0.22301564,0.048364297,0.000028272987,0.00025993702,0.00010409143,0.14364281],"genre_scores_gemma":[0.18633825,0.39634722,0.0011096676,0.037185997,0.04753359,0.00013964105,0.00038133515,0.00048652393,0.33047783],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99844116,0.0006819801,0.00007989043,0.00018637258,0.000493571,0.000117064235],"domain_scores_gemma":[0.9961389,0.0016404352,0.00033009058,0.00016165889,0.0012123585,0.0005165906],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002247539,0.00081689685,0.0006101839,0.0037780507,0.006840029,0.007708975,0.00089656556,0.0014174572,0.023350693],"category_scores_gemma":[0.0048678424,0.00043954785,0.00025099432,0.005048029,0.008626947,0.008639222,0.0029429959,0.0038403084,0.0053736307],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023986602,0.000019642825,0.0003691538,0.00023979638,0.0000064113256,0.000088303364,0.01800395,0.000030913405,0.000120474775,0.059445538,0.8713066,0.05034518],"study_design_scores_gemma":[0.0000032593287,0.000007395583,0.0007724228,0.00072824117,0.0000034991342,0.00006416016,0.00570943,0.000020181613,0.000040828327,0.0057659103,0.98687476,0.0000099482095],"about_ca_topic_score_codex":0.01183171,"about_ca_topic_score_gemma":0.022798626,"teacher_disagreement_score":0.023350693,"about_ca_system_score_codex":0.004184902,"about_ca_system_score_gemma":0.0027850908,"threshold_uncertainty_score":0.07811582},"labels":[],"label_agreement":null},{"id":"W4384433384","doi":"10.1353/lit.2023.a902221","title":"Citational Gothic: Silvia Moreno-Garcia's Mexican Archive","year":2023,"lang":"en","type":"article","venue":"College literature","topic":"Gothic Literature and Media Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Garcia; Reading (process); Relation (database); Literature; The Symbolic; Literary genre; Humanities; History; Sociology; Art; Philosophy; Linguistics; Psychoanalysis; Psychology","score_opus":0.0127990909899411,"score_gpt":0.2930737342313194,"score_spread":0.2802746432413783,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4384433384","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1760886,0.029383572,0.00086748245,0.06978048,0.004985464,0.000036062575,0.00069162366,0.00019240151,0.7179743],"genre_scores_gemma":[0.8834961,0.015581,0.0005114358,0.002084088,0.0018631135,0.000026803757,0.0002157522,0.00018093183,0.09604083],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992986,0.0002289597,0.0000198722,0.000066507724,0.00026778036,0.000118250486],"domain_scores_gemma":[0.99790025,0.0008083646,0.0002658852,0.00016166313,0.00068609096,0.00017776196],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010648343,0.0002898426,0.00024444528,0.003333756,0.012059413,0.0073456243,0.0006620276,0.0007870023,0.006828817],"category_scores_gemma":[0.0055261822,0.00010488567,0.00009764098,0.0060082213,0.0057086833,0.0018483961,0.0024492317,0.0014025444,0.00034484416],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012374113,0.000031848467,0.0040824884,0.00040542797,0.000012421129,0.0010878146,0.30288103,0.0001585707,0.0006018938,0.41219944,0.20359553,0.074819766],"study_design_scores_gemma":[0.000004538966,0.0000070939145,0.003830102,0.00042269527,0.0000117755635,0.00015872516,0.066549234,0.00005498504,0.00032592771,0.0032125483,0.9254086,0.000013815284],"about_ca_topic_score_codex":0.2850299,"about_ca_topic_score_gemma":0.47760758,"teacher_disagreement_score":0.2850299,"about_ca_system_score_codex":0.014836665,"about_ca_system_score_gemma":0.0073642186,"threshold_uncertainty_score":0.56674165},"labels":[],"label_agreement":null}]}