{"meta":{"query_hash":"733e9e5ea425","filters":{"venue":"Comicalités"},"cohort_total":9,"direct_labels_cover":0,"predictions_cover":9,"exported":9,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/733e9e5ea425","api":"https://metacan.xera.ac/api/v1/cohort?venue=Comicalit%C3%A9s"},"results":[{"id":"W1514769518","doi":"10.4000/comicalites.1566","title":"La série Paul de Michel Rabagliati : récits d’espaces et de temps","year":2019,"lang":"fr","type":"article","venue":"Comicalités","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.028413799782299326,"score_gpt":0.30742424614164393,"score_spread":0.2790104463593446,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1514769518","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10498839,0.051723596,0.011881698,0.08895931,0.0057367333,0.00012436128,0.00061413913,0.0005664636,0.7354053],"genre_scores_gemma":[0.6978652,0.00961192,0.003650776,0.0040326403,0.0016294784,0.00009465086,0.00020919117,0.0004649156,0.28244132],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.998938,0.0004992989,0.000021469796,0.00016181025,0.00026327316,0.00011615254],"domain_scores_gemma":[0.99883586,0.0004887467,0.00015950698,0.000092696486,0.00025421506,0.000168964],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013538188,0.0006509589,0.00029005573,0.001345517,0.005821875,0.00490898,0.00058038346,0.001558984,0.0061907894],"category_scores_gemma":[0.003346073,0.00032033218,0.00018858426,0.0011151806,0.006661102,0.0027651123,0.0022022107,0.0028114738,0.0016419135],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013758379,0.000018413475,0.0018789655,0.00032873458,0.00001712533,0.0015047056,0.42162666,0.00019794474,0.0047652735,0.34838435,0.16100709,0.06013315],"study_design_scores_gemma":[0.0000027792287,0.000011472571,0.0018123159,0.00011608167,0.000004149126,0.00036327486,0.013928028,0.000075735225,0.000656327,0.0027300054,0.9802822,0.000017509004],"about_ca_topic_score_codex":0.06952695,"about_ca_topic_score_gemma":0.11162102,"teacher_disagreement_score":0.06952695,"about_ca_system_score_codex":0.008403102,"about_ca_system_score_gemma":0.0033040505,"threshold_uncertainty_score":0.13824451},"labels":[],"label_agreement":null},{"id":"W1601422439","doi":"10.4000/comicalites.1702","title":"L’artiste de bande dessinée et son miroir : l’autoportrait détourné","year":2019,"lang":"fr","type":"article","venue":"Comicalités","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":10,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Centre Intégré de Santé et de Services Sociaux des Laurentides","funders":"","keywords":"Art; Humanities; Portrait; Art history","score_opus":0.037063216947923416,"score_gpt":0.3003442709707722,"score_spread":0.2632810540228488,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1601422439","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.100717805,0.0057533076,0.017488578,0.032814812,0.0018391438,0.00003190847,0.00008295978,0.00016371848,0.84110785],"genre_scores_gemma":[0.8142615,0.0017948069,0.0036855543,0.0014591247,0.0004064849,0.000031989424,0.00005375209,0.00029405317,0.17801271],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99853945,0.000902173,0.000023385026,0.00017205134,0.0002528499,0.000110229164],"domain_scores_gemma":[0.9985879,0.0007552,0.00011838386,0.00020015561,0.00018292476,0.00015540859],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018831366,0.00053064583,0.00022866535,0.0008159034,0.006313401,0.007226805,0.00055501395,0.0018406161,0.010750507],"category_scores_gemma":[0.0046515586,0.00023096034,0.00026614906,0.00065414555,0.012548163,0.006343086,0.003200709,0.004257204,0.0015452611],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000531828,0.000013575634,0.0005941381,0.00008438492,0.0000059723584,0.00035284268,0.2899749,0.00010362827,0.0011366516,0.67801064,0.015745357,0.013924729],"study_design_scores_gemma":[0.000008160534,0.000025813022,0.0012810049,0.0002793398,0.0000111010795,0.0007806027,0.095472954,0.00039143962,0.0013708401,0.045277763,0.8550754,0.000025598394],"about_ca_topic_score_codex":0.00719436,"about_ca_topic_score_gemma":0.011522902,"teacher_disagreement_score":0.010750507,"about_ca_system_score_codex":0.0030713445,"about_ca_system_score_gemma":0.0014382483,"threshold_uncertainty_score":0.035964012},"labels":[],"label_agreement":null},{"id":"W2946103718","doi":"10.4000/comicalites.3431","title":"La représentation muséale de l’auteur de bande dessinée : enjeux d’une dialectique entre l’artiste et l’artisan","year":2019,"lang":"fr","type":"article","venue":"Comicalités","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal; Musée de la Civilisation","funders":"","keywords":"Humanities; Art","score_opus":0.027425570114772087,"score_gpt":0.2916841479910281,"score_spread":0.264258577876256,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2946103718","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.35689446,0.0055932533,0.033601556,0.0069290646,0.0005733027,0.00004750193,0.000106397805,0.000111355905,0.5961431],"genre_scores_gemma":[0.96582043,0.00093977025,0.0025472608,0.0002178665,0.00010146702,0.00003175662,0.00003806676,0.00007026405,0.03023309],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99751484,0.001228079,0.000075814714,0.00031289697,0.00060158235,0.00026669938],"domain_scores_gemma":[0.99778277,0.0011344003,0.00022428345,0.0003395362,0.00027577867,0.0002431984],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0025559657,0.00048650923,0.00033913445,0.0021182278,0.00661659,0.009627199,0.0008001914,0.0013988487,0.008145409],"category_scores_gemma":[0.004813865,0.0002948677,0.0004019467,0.0015886811,0.019744122,0.006006892,0.005121146,0.0028439576,0.00070656184],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000058278583,0.000012129879,0.0015798921,0.00009532512,0.000011235757,0.00031027908,0.4126524,0.00014458077,0.0016364934,0.5651357,0.0016341157,0.016729603],"study_design_scores_gemma":[0.000024648754,0.000072995426,0.017069364,0.0007479384,0.000040091378,0.0018168475,0.34019354,0.0011594505,0.0020838466,0.105616055,0.53106886,0.00010638786],"about_ca_topic_score_codex":0.013816504,"about_ca_topic_score_gemma":0.0177778,"teacher_disagreement_score":0.013816504,"about_ca_system_score_codex":0.0034917668,"about_ca_system_score_gemma":0.0017517597,"threshold_uncertainty_score":0.027472198},"labels":[],"label_agreement":null},{"id":"W4391235937","doi":"10.4000/comicalites.8379","title":"Bande-dessiner avant de savoir lire, une exploration d’archives personnelles","year":2023,"lang":"fr","type":"article","venue":"Comicalités","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Bibliothèque et Archives nationales du Québec","funders":"","keywords":"Art; Humanities","score_opus":0.3896121052044563,"score_gpt":0.3409593346017344,"score_spread":0.04865277060272194,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391235937","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07827248,0.020484606,0.015940435,0.05897931,0.0056652897,0.00011620356,0.00046788657,0.0005833072,0.8194905],"genre_scores_gemma":[0.48421428,0.005658032,0.0058812653,0.0036251121,0.0012463296,0.00010433046,0.00019995631,0.00062408723,0.49844658],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976776,0.0012307394,0.000060912167,0.00031381953,0.0004410864,0.00027581587],"domain_scores_gemma":[0.9979698,0.0008503943,0.00019454211,0.000259472,0.00035941182,0.00036638678],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020221956,0.0007634556,0.00028051247,0.00147339,0.0095105255,0.009154931,0.0008874151,0.002050969,0.021417849],"category_scores_gemma":[0.0044544297,0.00030648813,0.00040516185,0.000948071,0.007284707,0.0070428667,0.0033999037,0.0037221382,0.0053500114],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013000575,0.00004611001,0.0014848235,0.00023854045,0.000012255022,0.0008411933,0.30476776,0.00011115061,0.0017442576,0.5642055,0.079206236,0.047212116],"study_design_scores_gemma":[0.0000030522524,0.00002188094,0.0011557105,0.00017508016,0.0000045450033,0.0003733245,0.03293135,0.00006327295,0.00062574935,0.0065811914,0.95804924,0.0000156943],"about_ca_topic_score_codex":0.015343137,"about_ca_topic_score_gemma":0.035647713,"teacher_disagreement_score":0.021417849,"about_ca_system_score_codex":0.0056286077,"about_ca_system_score_gemma":0.0036362421,"threshold_uncertainty_score":0.07164985},"labels":[],"label_agreement":null},{"id":"W4405268627","doi":"10.4000/12w73","title":"Chanson Cachée: The Music-comic albums of Geneviève Castrée","year":2024,"lang":"en","type":"article","venue":"Comicalités","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comics; Temporality; Art; Narrative; Literature; Art history; Visual arts; Philosophy","score_opus":0.06318649322919381,"score_gpt":0.24816694085294536,"score_spread":0.18498044762375154,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405268627","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4889395,0.005283178,0.0014699643,0.015227913,0.0009441241,0.00006452904,0.00052230235,0.0002175821,0.48733088],"genre_scores_gemma":[0.7967738,0.0010773486,0.0006839876,0.001026299,0.00008077495,0.000016267322,0.00011810675,0.00016414521,0.20005926],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99951077,0.00014137496,0.000003947712,0.00005373839,0.00016837515,0.00012180741],"domain_scores_gemma":[0.9995146,0.0001456682,0.00003054321,0.000027739263,0.00009926331,0.0001822065],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00041165613,0.00036311243,0.00019691278,0.0010889065,0.014788915,0.004768261,0.00077129574,0.0010900757,0.018221525],"category_scores_gemma":[0.0016063863,0.00016179415,0.00013794134,0.0010309775,0.005070257,0.0013605192,0.0014968672,0.0015357615,0.0009366],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019207697,0.000097515294,0.0063335258,0.00014412185,0.00001723491,0.0045884834,0.61023295,0.0003781524,0.0025532127,0.11317038,0.1707678,0.09152462],"study_design_scores_gemma":[0.0000061127907,0.00002556582,0.005743474,0.00010080302,0.0000040546397,0.00058028713,0.12147368,0.00014305426,0.00042587682,0.0008329215,0.8706422,0.000021964166],"about_ca_topic_score_codex":0.8222202,"about_ca_topic_score_gemma":0.9507596,"teacher_disagreement_score":0.8222202,"about_ca_system_score_codex":0.01576,"about_ca_system_score_gemma":0.0053352816,"threshold_uncertainty_score":0.3576535},"labels":[],"label_agreement":null},{"id":"W4405268686","doi":"10.4000/12w6z","title":"Un nouvel essor sonore de la bande dessinée en France (2019-2023)","year":2024,"lang":"fr","type":"article","venue":"Comicalités","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Francophone University Association","funders":"","keywords":"Art; Humanities","score_opus":0.0881830000902476,"score_gpt":0.31998131298074933,"score_spread":0.23179831289050173,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405268686","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.57608235,0.018076178,0.0076378933,0.037277374,0.0034551984,0.00018574839,0.0034271835,0.0006451154,0.35321295],"genre_scores_gemma":[0.7653919,0.004957847,0.0024909065,0.0028479998,0.0007092261,0.00012452868,0.0014792471,0.000289993,0.22170843],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984322,0.0004105002,0.000041860796,0.0002674163,0.0005072613,0.00034067285],"domain_scores_gemma":[0.9974952,0.00051821955,0.00030543085,0.00011148659,0.000941102,0.0006285802],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019792384,0.00038880986,0.00021548252,0.0018014925,0.0052100574,0.006135847,0.0005610109,0.0014300967,0.029032947],"category_scores_gemma":[0.004125408,0.00019193282,0.00025419347,0.0014978774,0.0017788927,0.002920499,0.00210612,0.0017418946,0.003412743],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004823983,0.0001042264,0.050092097,0.0011629354,0.000048893788,0.0025034123,0.3245361,0.0005862095,0.011985233,0.087131985,0.16159165,0.35977498],"study_design_scores_gemma":[0.000005494426,0.00006358841,0.047900382,0.00033680288,0.000008521799,0.00030858614,0.058120385,0.000115763185,0.0006362259,0.0007957183,0.8916784,0.000030124651],"about_ca_topic_score_codex":0.15156436,"about_ca_topic_score_gemma":0.20220514,"teacher_disagreement_score":0.15156436,"about_ca_system_score_codex":0.007502179,"about_ca_system_score_gemma":0.0056269555,"threshold_uncertainty_score":0.3013643},"labels":[],"label_agreement":null},{"id":"W4405278458","doi":"10.4000/12w6w","title":"“Making Noise” with Comics: An Interview with Argentine Author, Artist, Singer, and Song Writer, Isol","year":2024,"lang":"en","type":"article","venue":"Comicalités","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Social Sciences and Humanities Research Council","funders":"","keywords":"Comics; Art; Visual arts; Noise (video); Literature; Speech recognition; Computer science; Image (mathematics); Artificial intelligence","score_opus":0.11334148564286169,"score_gpt":0.3086609069900947,"score_spread":0.195319421347233,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405278458","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8267467,0.011371929,0.00186907,0.055609267,0.0008688353,0.00020271556,0.00016131772,0.00009644579,0.10307373],"genre_scores_gemma":[0.9660107,0.0028452259,0.0006605057,0.008246569,0.0003197177,0.00015354832,0.000054436845,0.00012533298,0.02158403],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9944317,0.003933227,0.00009232798,0.0003539309,0.00052230275,0.0006665434],"domain_scores_gemma":[0.9955569,0.0029296486,0.00045598057,0.000077177196,0.00035651983,0.00062376476],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005422534,0.0010067703,0.0011502655,0.0016210119,0.02326768,0.0097981375,0.0014871237,0.0045727505,0.0034019672],"category_scores_gemma":[0.007246894,0.00083169027,0.0003132292,0.0015765452,0.013086918,0.005208333,0.0044054384,0.0063757114,0.0004219679],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031331936,0.000019772626,0.00066516706,0.00006511748,0.0000025207355,0.0010506882,0.9908109,0.000017280876,0.0003267286,0.0018327971,0.0035153748,0.0016623215],"study_design_scores_gemma":[0.000004656085,0.000024909195,0.0015608663,0.00018129424,0.000005231738,0.00059865107,0.9299712,0.000048414586,0.00011538036,0.00017938248,0.06729797,0.000012049137],"about_ca_topic_score_codex":0.036748275,"about_ca_topic_score_gemma":0.04959593,"teacher_disagreement_score":0.036748275,"about_ca_system_score_codex":0.00851412,"about_ca_system_score_gemma":0.002132064,"threshold_uncertainty_score":0.0730688},"labels":[],"label_agreement":null},{"id":"W4410096128","doi":"10.4000/13u2g","title":"La mémoire sonore des magazines de bande dessinée","year":2025,"lang":"fr","type":"article","venue":"Comicalités","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Francophone University Association","funders":"","keywords":"Art; Moiré pattern; Physics; Optics","score_opus":0.02657693256174213,"score_gpt":0.28272606570452996,"score_spread":0.2561491331427878,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410096128","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.46992186,0.020390775,0.001481403,0.026134899,0.0024344109,0.000042171167,0.00079586566,0.000084476414,0.4787141],"genre_scores_gemma":[0.7929979,0.007850787,0.00058602367,0.0017809808,0.0010408869,0.000042224216,0.0002833285,0.00008472427,0.19533314],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987907,0.00038314692,0.000038412945,0.00015315451,0.00037426062,0.000260312],"domain_scores_gemma":[0.99623305,0.0015220399,0.00064240675,0.00020737985,0.00094564655,0.0004495213],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015787685,0.00037006437,0.00017364594,0.002540473,0.0049028154,0.0057943184,0.0003400145,0.000903678,0.012921293],"category_scores_gemma":[0.0057912264,0.00019417575,0.00014655924,0.0025318204,0.0036573503,0.0037503329,0.0014454913,0.0010620073,0.0016569196],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00029381597,0.00006065262,0.018703997,0.0007622151,0.00003514217,0.001393852,0.58054256,0.00010892326,0.008691681,0.14525744,0.06948906,0.17466067],"study_design_scores_gemma":[0.000004851104,0.00003887609,0.022202868,0.0002980533,0.000008605381,0.0003961959,0.049939916,0.000023957396,0.00078884914,0.0011220963,0.9251587,0.00001698667],"about_ca_topic_score_codex":0.039844792,"about_ca_topic_score_gemma":0.068776205,"teacher_disagreement_score":0.039844792,"about_ca_system_score_codex":0.004169391,"about_ca_system_score_gemma":0.0032053113,"threshold_uncertainty_score":0.07922572},"labels":[],"label_agreement":null},{"id":"W4410096135","doi":"10.4000/13u28","title":"Les seventies, le moment bédéesque du rire français","year":2025,"lang":"fr","type":"article","venue":"Comicalités","topic":"French Literature and Poetry","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Art; Moment (physics); Humanities; Physics","score_opus":0.014689472080411475,"score_gpt":0.23251557161330477,"score_spread":0.2178260995328933,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410096135","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16799533,0.016086781,0.001529075,0.019642401,0.0013364573,0.000057613754,0.0006158069,0.00008920602,0.7926473],"genre_scores_gemma":[0.5813815,0.0039788773,0.00051249465,0.0013601421,0.0002473996,0.000033097123,0.00015231024,0.00006928579,0.41226482],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987048,0.00036842233,0.00004517637,0.00013488616,0.00026910126,0.00047767736],"domain_scores_gemma":[0.9989573,0.0002310234,0.0001487718,0.000072391515,0.00033579936,0.00025468206],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012477273,0.0005307953,0.00024561572,0.0011715133,0.00857635,0.004118045,0.00033930648,0.00082912337,0.022940872],"category_scores_gemma":[0.0019746677,0.00020627648,0.00025904164,0.0012145385,0.004923443,0.0017349875,0.0016176976,0.0025825212,0.0025098096],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00031032265,0.00006593063,0.014109759,0.00041868133,0.000051867435,0.0018335456,0.19236718,0.00032865556,0.0023558398,0.61395425,0.07353898,0.10066496],"study_design_scores_gemma":[0.000008592573,0.000045155208,0.010868922,0.000221002,0.0000068433815,0.00018812035,0.015941756,0.00003477723,0.000351508,0.0020575228,0.97025484,0.000020914522],"about_ca_topic_score_codex":0.3247248,"about_ca_topic_score_gemma":0.5248211,"teacher_disagreement_score":0.3247248,"about_ca_system_score_codex":0.012409121,"about_ca_system_score_gemma":0.008445803,"threshold_uncertainty_score":0.64566934},"labels":[],"label_agreement":null}]}