{"meta":{"query_hash":"56ea29967810","filters":{"venue":"Comparative technology transfer and society"},"cohort_total":27,"direct_labels_cover":0,"predictions_cover":27,"exported":27,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/56ea29967810","api":"https://metacan.xera.ac/api/v1/cohort?venue=Comparative+technology+transfer+and+society"},"results":[{"id":"W1144093454","doi":"","title":"Depth of Perception","year":2015,"lang":"en","type":"article","venue":"Comparative technology transfer and society","topic":"Museums and Cultural Heritage","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Object (grammar); Visual arts; Perception; Representation (politics); Sociology; Space (punctuation); Presentation (obstetrics); Architecture; Situated; Aesthetics; Art; Media studies; Computer science; Psychology; Law; Artificial intelligence","score_opus":0.11707134273714405,"score_gpt":0.28510352456425375,"score_spread":0.16803218182710972,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1144093454","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0028703113,0.0035312707,0.0039699567,0.009385938,0.0010214542,0.00004723012,0.0004165745,0.0002166482,0.9785406],"genre_scores_gemma":[0.23241457,0.00783511,0.003603446,0.0045061978,0.00058815663,0.00011164647,0.00049722,0.00058494165,0.7498587],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.998231,0.0003740423,0.000048433416,0.0002939408,0.0006920318,0.0003606803],"domain_scores_gemma":[0.9985448,0.00022856651,0.00006517961,0.00021158732,0.00060019473,0.00034964792],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011754071,0.0006196189,0.00034721868,0.0010679974,0.0054366114,0.010440479,0.0008855947,0.0019913162,0.1323537],"category_scores_gemma":[0.0037336352,0.00040296186,0.00044541835,0.0011175595,0.009262853,0.0065993248,0.005441672,0.0027944564,0.013442622],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000096858705,0.000022803079,0.0010879337,0.00030753945,0.000009358882,0.0002541972,0.042040594,0.00015912003,0.0020328844,0.39939433,0.42405498,0.13053942],"study_design_scores_gemma":[0.000003492345,0.0000071350173,0.0011865335,0.0001855296,0.0000017871002,0.00010506492,0.007939742,0.00003758917,0.0001234666,0.00980014,0.9805989,0.000010713361],"about_ca_topic_score_codex":0.13122788,"about_ca_topic_score_gemma":0.1800654,"teacher_disagreement_score":0.1323537,"about_ca_system_score_codex":0.013789554,"about_ca_system_score_gemma":0.008170785,"threshold_uncertainty_score":0.4427672},"labels":[],"label_agreement":null},{"id":"W1583071329","doi":"","title":"Manufactured Landscapes: The Photographs of Edward Burtynsky","year":2003,"lang":"en","type":"article","venue":"Comparative technology transfer and society","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Nothing; Sublime; Aesthetics; Beauty; Politics; Subject (documents); Pleasure; Sociology; Ambiguity; Visual arts; Art; Law; Philosophy; Epistemology; Computer science; Psychology","score_opus":0.03175981585796308,"score_gpt":0.2583426414492032,"score_spread":0.22658282559124013,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1583071329","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.052966725,0.026359478,0.0017687132,0.054876223,0.0037968627,0.00009256036,0.0011444556,0.00032349935,0.8586715],"genre_scores_gemma":[0.17719766,0.009915648,0.0020943286,0.005579071,0.0005254499,0.00006111569,0.00044325204,0.00039897911,0.80378443],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99984527,0.00004230793,0.0000037525688,0.000027493039,0.000045104898,0.000036159774],"domain_scores_gemma":[0.99989593,0.000023226587,0.0000075403673,0.00001725461,0.000022590779,0.00003345943],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000288368,0.0005622826,0.00016018617,0.0005694103,0.006286431,0.0028190704,0.0005048234,0.00082414364,0.03130713],"category_scores_gemma":[0.0005338714,0.00039220252,0.00020984228,0.00049949577,0.0022082995,0.0030784707,0.0026633525,0.0028365501,0.005075402],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000072870425,0.000020624244,0.00050452026,0.00012121334,0.000006883378,0.00087545766,0.031666882,0.0001905908,0.0012882921,0.029869467,0.917903,0.017480252],"study_design_scores_gemma":[0.0000024223255,0.000005519945,0.001664055,0.00006254807,0.000002277603,0.00039742072,0.008547412,0.000034031516,0.00018205922,0.00066892826,0.9884221,0.000011087629],"about_ca_topic_score_codex":0.09227509,"about_ca_topic_score_gemma":0.27596873,"teacher_disagreement_score":0.09227509,"about_ca_system_score_codex":0.0033742625,"about_ca_system_score_gemma":0.00088447955,"threshold_uncertainty_score":0.18347597},"labels":[],"label_agreement":null},{"id":"W2017394056","doi":"10.1353/ctt.0.0041","title":"What Lures and Retains the International Creative-Class Family?: A Case Study of the Family Unit Found in Vancouver's Biotechnology Sector","year":2009,"lang":"en","type":"article","venue":"Comparative technology transfer and society","topic":"Cultural Industries and Urban Development","field":"Social Sciences","cited_by":9,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Class (philosophy); Unit (ring theory); Sociology; Law; Genealogy; Political science; Psychology; History; Philosophy; Epistemology; Mathematics education","score_opus":0.07961961771076355,"score_gpt":0.32476777690466485,"score_spread":0.24514815919390132,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2017394056","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98952544,0.000742007,0.00031661213,0.0028716049,0.000070516944,0.000046189063,0.000027559165,0.000009229623,0.0063907444],"genre_scores_gemma":[0.99055064,0.0010685261,0.00031082984,0.0009842791,0.000024968318,0.000030837607,0.000025347488,0.000016892685,0.0069877217],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9964077,0.0015796225,0.00007029871,0.00023196705,0.0003630851,0.0013472801],"domain_scores_gemma":[0.9964809,0.00117434,0.00039765844,0.0001365883,0.00044105313,0.0013694091],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0026458888,0.00073594094,0.00057135924,0.0014856516,0.036942855,0.005428565,0.002557055,0.0024744433,0.0030663772],"category_scores_gemma":[0.0060158293,0.00056792545,0.0003453457,0.0015543122,0.008988303,0.0021431963,0.005280951,0.0033636251,0.00043808087],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000043960925,0.000120822755,0.01816977,0.00006489845,0.000008179383,0.01526459,0.9459363,0.000050370792,0.0004621083,0.0015421321,0.002398797,0.015938085],"study_design_scores_gemma":[0.0000014165037,0.000024445584,0.0022205908,0.000037246245,0.0000029725654,0.001249528,0.99071795,0.000028116441,0.00007067462,0.000063484105,0.0055767004,0.0000068901977],"about_ca_topic_score_codex":0.37253574,"about_ca_topic_score_gemma":0.6392497,"teacher_disagreement_score":0.96305716,"about_ca_system_score_codex":0.015755104,"about_ca_system_score_gemma":0.012226795,"threshold_uncertainty_score":0.7407347},"labels":[],"label_agreement":null},{"id":"W2019905694","doi":"10.1353/ctt.2004.0007","title":"Technology Transfer from Germany to Canada after 1945: A Study in Failure?","year":2004,"lang":"en","type":"article","venue":"Comparative technology transfer and society","topic":"Twentieth Century Scientific Developments","field":"Arts and Humanities","cited_by":26,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Political science; Technology transfer; Economic history; History; Economics; International trade","score_opus":0.01772649298677868,"score_gpt":0.22886387608997183,"score_spread":0.21113738310319316,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2019905694","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.92588544,0.004953913,0.00013949753,0.012263911,0.00009461314,0.000037899958,0.0012635657,0.000016797232,0.05534435],"genre_scores_gemma":[0.9882647,0.0013500827,0.000057285724,0.0005417818,0.000015978994,0.000017772694,0.00038702396,0.000011855481,0.009353591],"study_design_codex":"observational","study_design_gemma":"qualitative","domain_scores_codex":[0.9954536,0.00022495058,0.00008123879,0.00019161131,0.0006728285,0.003375675],"domain_scores_gemma":[0.99393445,0.0008321331,0.00071355276,0.00017938638,0.0028150782,0.0015253951],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0022736262,0.0004710399,0.00087826414,0.005437444,0.014029684,0.0076814336,0.0022397672,0.0022737375,0.0078013176],"category_scores_gemma":[0.0081973635,0.00024945693,0.00048591694,0.0155864125,0.008627057,0.00489458,0.0048374995,0.0030005847,0.0004660213],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0015341339,0.000554178,0.4058011,0.00055796606,0.0001629571,0.0032463,0.16850907,0.0019339136,0.0007918469,0.19893557,0.03547485,0.18249813],"study_design_scores_gemma":[0.00004808421,0.00018350212,0.61018324,0.00060744927,0.000103244965,0.0003493383,0.26182988,0.00056528323,0.00083590305,0.004239194,0.120954216,0.00010071843],"about_ca_topic_score_codex":0.99108547,"about_ca_topic_score_gemma":0.98997736,"teacher_disagreement_score":0.9859703,"about_ca_system_score_codex":0.101458766,"about_ca_system_score_gemma":0.13691057,"threshold_uncertainty_score":0.73613834},"labels":[],"label_agreement":null},{"id":"W208554210","doi":"","title":"Art for Politics: Reflections on the Whitney Biennial","year":2006,"lang":"en","type":"article","venue":"Comparative technology transfer and society","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Postmodernism; Politics; Tragedy (event); Art history; Sociology; Painting; Art; Media studies; Literature; Law; Political science","score_opus":0.10965109320089902,"score_gpt":0.3197823756741701,"score_spread":0.2101312824732711,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W208554210","genre_codex":"commentary","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":"commentary","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.020733556,0.058598764,0.0006421797,0.498134,0.0295807,0.000034042554,0.0000843502,0.000052826654,0.39213967],"genre_scores_gemma":[0.28108743,0.016885934,0.0006100533,0.09133359,0.0056863413,0.000082672996,0.000026607866,0.00027347056,0.604014],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99664307,0.0015395113,0.000061912004,0.0003195483,0.00060457666,0.00083136116],"domain_scores_gemma":[0.99770397,0.00088386517,0.00011102414,0.0000775773,0.00020712746,0.0010164593],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0033689525,0.00062415405,0.0003634887,0.0009321154,0.04754959,0.012694282,0.0013739824,0.0069658672,0.027345385],"category_scores_gemma":[0.0032826602,0.000472202,0.0003328771,0.001254846,0.020548873,0.0076792454,0.008429936,0.014247015,0.0026962687],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032647124,0.00006415943,0.00031402046,0.00009888266,0.00000418234,0.0007402905,0.106556684,0.00004929094,0.0002565007,0.18960665,0.68313074,0.019145882],"study_design_scores_gemma":[0.0000013892922,0.0000058086594,0.00025395767,0.00009621052,6.806458e-7,0.00008021107,0.03533201,0.000015916341,0.00004604044,0.0019946648,0.9621669,0.0000062901227],"about_ca_topic_score_codex":0.08270615,"about_ca_topic_score_gemma":0.2774881,"teacher_disagreement_score":0.08270615,"about_ca_system_score_codex":0.0149503155,"about_ca_system_score_gemma":0.009207887,"threshold_uncertainty_score":0.16444951},"labels":[],"label_agreement":null},{"id":"W211718513","doi":"","title":"Photography in 2003: Encompassing Globalization, ... Irenic (1) and Helpless","year":2003,"lang":"en","type":"article","venue":"Comparative technology transfer and society","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Globalization; Politics; Tragedy (event); Sociology; Law; History; Political economy; Political science; Social science","score_opus":0.03626211574981202,"score_gpt":0.26931873175081295,"score_spread":0.23305661600100092,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W211718513","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.007121596,0.036281295,0.0012903861,0.23322302,0.055856697,0.00009422851,0.0003641597,0.0005003277,0.66526824],"genre_scores_gemma":[0.12503925,0.0375783,0.0038197548,0.105203874,0.018495092,0.00017206266,0.00051270437,0.0006883481,0.7084906],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99883956,0.00030685778,0.00005476164,0.00018517498,0.00044612514,0.00016747235],"domain_scores_gemma":[0.9989526,0.00016456452,0.00008102611,0.00013203008,0.0003426539,0.0003272145],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016147624,0.0006042957,0.00025869586,0.0012769824,0.008944978,0.01254671,0.0009887998,0.0032696303,0.033724416],"category_scores_gemma":[0.0031546883,0.00031552534,0.00035577136,0.0016327982,0.00526619,0.0058269994,0.004955575,0.005581036,0.009176756],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001916977,0.000018259749,0.00033050848,0.00010458862,0.0000021152498,0.00024605708,0.008250522,0.00002072272,0.00026786662,0.025199896,0.9209806,0.044559654],"study_design_scores_gemma":[0.000002076859,0.000005184297,0.0006641906,0.00011578305,0.0000012388618,0.0001463808,0.0037876558,0.0000056676754,0.00006337603,0.0006391529,0.9945655,0.0000037215952],"about_ca_topic_score_codex":0.04160096,"about_ca_topic_score_gemma":0.11163189,"teacher_disagreement_score":0.04160096,"about_ca_system_score_codex":0.007739159,"about_ca_system_score_gemma":0.004530672,"threshold_uncertainty_score":0.11281943},"labels":[],"label_agreement":null},{"id":"W2125194800","doi":"10.1353/ctt.2007.0022","title":"Can the African Virtual University Transform Higher Education in Sub-Saharan Africa?","year":2007,"lang":"en","type":"article","venue":"Comparative technology transfer and society","topic":"Online and Blended Learning","field":"Social Sciences","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sociology; Political science; Development economics; Economics","score_opus":0.02519901654757355,"score_gpt":0.29838929324140445,"score_spread":0.2731902766938309,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2125194800","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.57324106,0.026675398,0.0031318138,0.10777317,0.0010763301,0.00006128227,0.000039658797,0.000042308304,0.28795898],"genre_scores_gemma":[0.9898661,0.0047209836,0.000361859,0.001456701,0.00009222597,0.000014303246,0.0000045718534,0.000006034536,0.0034772241],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.997801,0.0013215883,0.000035247864,0.00006765406,0.00012634248,0.00064820825],"domain_scores_gemma":[0.9991547,0.00031705888,0.00015296519,0.00005872763,0.000048966675,0.0002676703],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0021443518,0.00027891135,0.00017946928,0.0009818265,0.0066172048,0.009614995,0.0005341445,0.002210568,0.005386016],"category_scores_gemma":[0.0046589444,0.00014872357,0.0001876111,0.0015585463,0.009650431,0.011850295,0.006525596,0.0018390127,0.00045009115],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000062828265,0.000091277725,0.0034999107,0.00019482127,0.000011488357,0.001599549,0.060324024,0.0004724043,0.00053333276,0.82839495,0.0049525565,0.09986287],"study_design_scores_gemma":[0.000042090636,0.0002327426,0.015291079,0.0011955481,0.000018037628,0.0014776149,0.24248908,0.0007673884,0.0012090239,0.16790573,0.56932676,0.00004487311],"about_ca_topic_score_codex":0.0030855148,"about_ca_topic_score_gemma":0.004152121,"teacher_disagreement_score":0.009614995,"about_ca_system_score_codex":0.0033165389,"about_ca_system_score_gemma":0.0037321406,"threshold_uncertainty_score":0.02406329},"labels":[],"label_agreement":null},{"id":"W217528684","doi":"","title":"News from AIPAD 2003. (Report)","year":2003,"lang":"en","type":"article","venue":"Comparative technology transfer and society","topic":"Museums and Cultural Heritage","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Presentation (obstetrics); State (computer science); Exhibition; Visual arts; Law; History; Art history; Sociology; Art; Political science","score_opus":0.04971831939755057,"score_gpt":0.25539600093835235,"score_spread":0.2056776815408018,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W217528684","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0007729567,0.006080141,0.00025062732,0.01554465,0.030012764,0.00030116522,0.025755305,0.0017757526,0.9195066],"genre_scores_gemma":[0.0014987647,0.0020188047,0.00016776613,0.0058517978,0.0025829156,0.00009873144,0.0098737795,0.00022959796,0.97767776],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995994,0.00002109159,0.00001863863,0.00004490764,0.00022184798,0.00009414235],"domain_scores_gemma":[0.9992298,0.000061367784,0.00005646907,0.00005440006,0.0003769611,0.00022095424],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00049628876,0.0010277124,0.00049831806,0.0010906627,0.001379224,0.006074942,0.0010289096,0.0029177067,0.5429788],"category_scores_gemma":[0.0015680798,0.00042556922,0.00057927537,0.0017526721,0.00028212092,0.0019358615,0.0012794823,0.0033392643,0.527165],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020940957,0.000009824485,0.00006186757,0.00004055049,7.894642e-7,0.00002199041,0.000006681926,0.000004087814,0.000034523797,0.000126608,0.9916741,0.007997939],"study_design_scores_gemma":[0.0000045307097,0.000005319489,0.0007568541,0.000041551062,0.0000010887223,0.000016900884,0.000030239622,0.0000058116907,0.000031708325,0.000044111996,0.9990595,0.0000023993216],"about_ca_topic_score_codex":0.012849623,"about_ca_topic_score_gemma":0.025504665,"teacher_disagreement_score":0.5429788,"about_ca_system_score_codex":0.0010378205,"about_ca_system_score_gemma":0.0017604749,"threshold_uncertainty_score":0.6518853},"labels":[],"label_agreement":null},{"id":"W218092831","doi":"","title":"Blasting War. (Report and Essay)","year":2002,"lang":"en","type":"article","venue":"Comparative technology transfer and society","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Globe; Nationalism; Law; Dystopia; Humanity; Politics; Human rights; Sociology; Media studies; Political science; Political economy","score_opus":0.0490858647334388,"score_gpt":0.24538362165896063,"score_spread":0.19629775692552182,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W218092831","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0027486624,0.07433237,0.0003279109,0.13040532,0.17569645,0.00031463424,0.003809749,0.0003465997,0.61201835],"genre_scores_gemma":[0.007582533,0.0133774085,0.00018320922,0.023640154,0.015410818,0.00021483116,0.0011281045,0.000108440065,0.93835443],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991254,0.00012029382,0.000048247497,0.00012115292,0.00042439118,0.00016050905],"domain_scores_gemma":[0.9989517,0.00019252577,0.00009396567,0.000065652435,0.0004899832,0.00020613773],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007489356,0.0007623418,0.00030015872,0.0015952757,0.0034795566,0.0038256901,0.00083545846,0.0029579941,0.08821169],"category_scores_gemma":[0.0038453632,0.00025598862,0.00037786964,0.0011191873,0.0005987661,0.002404319,0.002299747,0.0030053528,0.04751827],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000054644543,0.0000069254083,0.000039648225,0.000038357088,8.9732237e-7,0.000036953286,0.00012238503,0.0000048337183,0.000031188945,0.0011463676,0.9875737,0.010993239],"study_design_scores_gemma":[0.0000012103028,0.0000040031805,0.00029708457,0.00005850628,5.9092486e-7,0.000027391545,0.00017223049,0.000003256854,0.000024376652,0.00015922321,0.99925035,0.0000017278325],"about_ca_topic_score_codex":0.008409557,"about_ca_topic_score_gemma":0.018467316,"teacher_disagreement_score":0.08821169,"about_ca_system_score_codex":0.0021841167,"about_ca_system_score_gemma":0.0027386893,"threshold_uncertainty_score":0.29509747},"labels":[],"label_agreement":null},{"id":"W221631749","doi":"","title":"Learning to Be Human: An Interview with William Pope.L","year":2006,"lang":"en","type":"article","venue":"Comparative technology transfer and society","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Luck; Humanity; Compassion; Sociology; Art history; Art; Law; Philosophy","score_opus":0.05232233567578456,"score_gpt":0.2776665928057039,"score_spread":0.22534425712991932,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W221631749","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1521607,0.011733841,0.0018425765,0.7588719,0.0047192047,0.00044332448,0.0001716382,0.00019611533,0.069860734],"genre_scores_gemma":[0.50051457,0.01320843,0.002631707,0.3195202,0.0013383321,0.0008161119,0.00013868259,0.00035280958,0.16147919],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99593073,0.0021732273,0.00010361867,0.00035126344,0.0007103686,0.0007307737],"domain_scores_gemma":[0.9953478,0.0012965591,0.0003101201,0.00008675484,0.00081806653,0.0021406673],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0041900794,0.00093675347,0.00082609075,0.0013157254,0.029103944,0.0068682972,0.00231993,0.0075393626,0.005286181],"category_scores_gemma":[0.012769708,0.0012989041,0.00043504025,0.0010322885,0.0101639815,0.007290431,0.0067612794,0.020042794,0.0013846904],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023592345,0.00008315069,0.0016354679,0.00016225061,0.0000062517847,0.0047122412,0.7588481,0.000058192654,0.000627799,0.004238611,0.21945135,0.010152963],"study_design_scores_gemma":[0.0000030366446,0.000042911513,0.0013413865,0.00023340064,0.0000033676183,0.0012937983,0.68235475,0.000048416005,0.00012974154,0.00046823497,0.31403613,0.000044868106],"about_ca_topic_score_codex":0.080656566,"about_ca_topic_score_gemma":0.11666885,"teacher_disagreement_score":0.080656566,"about_ca_system_score_codex":0.007355255,"about_ca_system_score_gemma":0.00866306,"threshold_uncertainty_score":0.16037416},"labels":[],"label_agreement":null},{"id":"W232888228","doi":"","title":"FEST 2003: Belgrade's International Film Festival","year":2003,"lang":"en","type":"article","venue":"Comparative technology transfer and society","topic":"Balkans: History, Politics, Society","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Movie theater; Göran; Serbian; Tragedy (event); Media studies; Politics; Art history; Surprise; Sociology; Art; History; Law; Political science; Humanities; Social science; Philosophy","score_opus":0.0401797689185564,"score_gpt":0.32429039798868603,"score_spread":0.2841106290701296,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W232888228","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07034062,0.028055467,0.0014596926,0.024632491,0.031263053,0.0003898619,0.012780978,0.0016508589,0.8294271],"genre_scores_gemma":[0.27639922,0.0055438187,0.0021265696,0.004395776,0.0019216436,0.0001557616,0.0050378838,0.0009499445,0.70346946],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996488,0.000056975754,0.000009422096,0.000060301674,0.00008079574,0.00014373225],"domain_scores_gemma":[0.99966,0.00002081197,0.000017996561,0.000017333768,0.00007459417,0.0002092155],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011139155,0.00064131984,0.00026837253,0.0007760016,0.0046613,0.004384661,0.00065814995,0.0012335788,0.04149691],"category_scores_gemma":[0.00073791464,0.00022217876,0.00046738217,0.00080900546,0.00083101215,0.0008346217,0.0011464248,0.0017859336,0.008813879],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021373437,0.000052379062,0.00111103,0.00018353485,0.000013590559,0.0005211016,0.0027358537,0.000110463756,0.00092497224,0.0054203025,0.96573323,0.022979794],"study_design_scores_gemma":[0.000007904964,0.00001765599,0.0055526663,0.0000526089,0.000002256682,0.00010536667,0.0013223814,0.000016791979,0.00015716229,0.00006135553,0.99269754,0.0000062054532],"about_ca_topic_score_codex":0.14540777,"about_ca_topic_score_gemma":0.2874653,"teacher_disagreement_score":0.14540777,"about_ca_system_score_codex":0.004647004,"about_ca_system_score_gemma":0.0021261577,"threshold_uncertainty_score":0.28912282},"labels":[],"label_agreement":null},{"id":"W236101742","doi":"","title":"Palestinian Identity: The Work of Tarek Al-Ghoussein","year":2006,"lang":"en","type":"article","venue":"Comparative technology transfer and society","topic":"Middle East Politics and Society","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Yesterday; Media studies; Art history; History; Visual arts; Sociology; Art","score_opus":0.032691192746306746,"score_gpt":0.3141451053885681,"score_spread":0.2814539126422614,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W236101742","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.070917316,0.14546402,0.00071589625,0.36961448,0.025833687,0.00006159496,0.0001717843,0.000086884516,0.3871343],"genre_scores_gemma":[0.6403609,0.062006723,0.0009345689,0.10216521,0.0058505,0.00010915605,0.00014646447,0.00028142278,0.1881451],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9972523,0.0015189995,0.000047655634,0.00019927541,0.0003809298,0.0006008988],"domain_scores_gemma":[0.9987954,0.0003541489,0.000085285435,0.000046648853,0.00017335506,0.00054514507],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005032612,0.0011210003,0.0009255656,0.00092443405,0.032347072,0.010694569,0.00097395515,0.0025916905,0.0130518535],"category_scores_gemma":[0.0032397213,0.00042803297,0.00026156614,0.0013630133,0.016007157,0.0062689814,0.0075434023,0.010213792,0.003803477],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000107431886,0.00016150494,0.001919288,0.00024819354,0.000016107493,0.0015781401,0.5627202,0.000044734672,0.0003341354,0.074358374,0.30826178,0.050249994],"study_design_scores_gemma":[0.000011550876,0.000020934755,0.0014325464,0.000686932,0.0000045663714,0.0006452237,0.29484785,0.000028115315,0.00009785602,0.004302332,0.6979052,0.000016979759],"about_ca_topic_score_codex":0.019069253,"about_ca_topic_score_gemma":0.03143996,"teacher_disagreement_score":0.032347072,"about_ca_system_score_codex":0.0068759485,"about_ca_system_score_gemma":0.0053993175,"threshold_uncertainty_score":0.04988873},"labels":[],"label_agreement":null},{"id":"W246048772","doi":"","title":"Jud Yalkut: A Video Beachcomber","year":2004,"lang":"en","type":"article","venue":"Comparative technology transfer and society","topic":"Digital Games and Media","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Beauty; Theme (computing); Narrative; Visual arts; Aesthetics; Sociology; Art; Art history; Literature; Computer science","score_opus":0.030239814964051034,"score_gpt":0.31175679013533963,"score_spread":0.2815169751712886,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W246048772","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013710823,0.0056613893,0.005307175,0.0328519,0.011738213,0.00022673173,0.0005855429,0.0023074974,0.9276107],"genre_scores_gemma":[0.027484614,0.0014431471,0.002432225,0.0039266963,0.00070506707,0.000059119728,0.0002824832,0.00061897264,0.96304786],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995845,0.000079288984,0.000009785445,0.000078987025,0.00013699962,0.0001104556],"domain_scores_gemma":[0.999258,0.00007301877,0.000026921012,0.00004199494,0.00017831169,0.0004217147],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004608165,0.000545068,0.00018884048,0.0007232409,0.0059551103,0.004358254,0.0008952799,0.0014585917,0.15174711],"category_scores_gemma":[0.0013642593,0.0003071372,0.00017813181,0.00050133484,0.0012737821,0.0037753435,0.003417804,0.0029799035,0.02394848],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000050669092,0.00005853166,0.00031911235,0.00005968217,0.0000023419163,0.0007063347,0.0034057335,0.000032251646,0.0010121672,0.011761137,0.9398033,0.042788833],"study_design_scores_gemma":[0.0000033540475,0.000012755887,0.00032984914,0.00004388976,0.0000010683519,0.00031656792,0.0026344245,0.000056270448,0.00024387352,0.00027783,0.9960731,0.00000705411],"about_ca_topic_score_codex":0.01832938,"about_ca_topic_score_gemma":0.05437222,"teacher_disagreement_score":0.15174711,"about_ca_system_score_codex":0.001775596,"about_ca_system_score_gemma":0.0011139134,"threshold_uncertainty_score":0.50764465},"labels":[],"label_agreement":null},{"id":"W252076060","doi":"","title":"Mise En Abyme","year":2000,"lang":"en","type":"article","venue":"Comparative technology transfer and society","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The Imaginary; Modernism (music); Mythology; Fantasy; Art; Illusion; Kitsch; Art history; Subjectivity; Visual arts; Aesthetics; Literature; Philosophy","score_opus":0.04816571192706239,"score_gpt":0.2728170468346929,"score_spread":0.22465133490763048,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W252076060","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0014672001,0.008889188,0.0005193121,0.017809482,0.037916064,0.00006937992,0.0006336247,0.0003660407,0.93232965],"genre_scores_gemma":[0.0033924947,0.0014575034,0.0001233553,0.0018105387,0.000790827,0.000009989059,0.00014501024,0.00012136958,0.9921489],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99919134,0.00007483239,0.000024520818,0.000111089066,0.00043954432,0.00015866678],"domain_scores_gemma":[0.9989513,0.00007454407,0.000026154554,0.0000763555,0.0006140498,0.00025761875],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00059434253,0.0009770241,0.0005111373,0.0012235623,0.007849922,0.008811387,0.0008196493,0.0022173284,0.38289914],"category_scores_gemma":[0.0029331483,0.00033297704,0.00029475358,0.00087436975,0.0011575442,0.002143951,0.0032756454,0.0034236377,0.1946001],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022338463,0.00000920441,0.00012565764,0.00004598187,0.000001982277,0.00010401183,0.00055722706,0.0000145234435,0.00016053901,0.0068492084,0.9630337,0.029075583],"study_design_scores_gemma":[7.403075e-7,0.0000017863415,0.000102237376,0.00003222812,5.1314095e-7,0.000035443496,0.0003857473,0.0000060038406,0.00003329599,0.00017505766,0.99922526,0.0000017238472],"about_ca_topic_score_codex":0.05361545,"about_ca_topic_score_gemma":0.17865656,"teacher_disagreement_score":0.38289914,"about_ca_system_score_codex":0.0044138795,"about_ca_system_score_gemma":0.0036376521,"threshold_uncertainty_score":0.88021946},"labels":[],"label_agreement":null},{"id":"W269162717","doi":"","title":"\"An American Vision\": The Annual Conference of the Society for Photographic Education Austin, TX - 2003","year":2003,"lang":"en","type":"article","venue":"Comparative technology transfer and society","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Theme (computing); Photography; Subject (documents); Tragedy (event); Sociology; Law; History; Visual arts; Library science; Political science; Social science; Art; Computer science","score_opus":0.03833305487797599,"score_gpt":0.3097438903688727,"score_spread":0.2714108354908967,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W269162717","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004059738,0.045693927,0.0018827231,0.22778669,0.16641971,0.00030554293,0.0007273311,0.0005041646,0.5526201],"genre_scores_gemma":[0.013637513,0.017165262,0.0012248639,0.011627139,0.013204809,0.00020089932,0.00054222153,0.00020812868,0.94218916],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987387,0.000258114,0.00006083847,0.00018965328,0.00047967208,0.0002729924],"domain_scores_gemma":[0.9979962,0.00008076801,0.00010117766,0.000059175905,0.0007801493,0.0009825886],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0024843034,0.0012039492,0.0003496292,0.00111797,0.0056685964,0.0097921025,0.0011730108,0.0037857147,0.11026655],"category_scores_gemma":[0.00196705,0.0003707766,0.0004283826,0.0013247656,0.0013073942,0.0042424994,0.004348648,0.0055837315,0.036044586],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013512211,0.00001481687,0.00012071233,0.00004997857,8.8276204e-7,0.000069939924,0.000334341,0.0000105803165,0.00009516866,0.0014559929,0.9839213,0.0139128985],"study_design_scores_gemma":[0.0000012353729,0.0000036061508,0.00037002476,0.00009191349,6.293261e-7,0.00004697097,0.0010147471,0.0000071190875,0.000028528539,0.00013623734,0.9982961,0.000002936492],"about_ca_topic_score_codex":0.010830871,"about_ca_topic_score_gemma":0.036503904,"teacher_disagreement_score":0.11026655,"about_ca_system_score_codex":0.004704495,"about_ca_system_score_gemma":0.00794249,"threshold_uncertainty_score":0.36887836},"labels":[],"label_agreement":null},{"id":"W295102792","doi":"","title":"Repeat of History","year":2001,"lang":"en","type":"article","venue":"Comparative technology transfer and society","topic":"Balkans: History, Politics, Society","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The Holocaust; Cliché; Power (physics); White (mutation); Law; Ethnic group; Sociology; History; Racism; Happening; Ethnic Cleansing; Media studies; Gender studies; Political science; Art history; Literature; Art","score_opus":0.061811669538539234,"score_gpt":0.3164213413818714,"score_spread":0.25460967184333216,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W295102792","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.012574169,0.0049051614,0.0020879554,0.03302601,0.008973362,0.000065425505,0.0006472075,0.00038257818,0.93733823],"genre_scores_gemma":[0.2292933,0.0028002702,0.0017564887,0.017592425,0.0026350194,0.00006592403,0.0006802243,0.000635604,0.7445408],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.9977939,0.00064216886,0.00009817792,0.00039628334,0.00075955247,0.00030990803],"domain_scores_gemma":[0.99694186,0.00056045194,0.00025428148,0.0010363908,0.00063897704,0.0005678856],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012917374,0.00038244008,0.00034134285,0.0011795267,0.004867265,0.0062456317,0.0009301637,0.0015543286,0.08134914],"category_scores_gemma":[0.007929947,0.00023711339,0.00031356083,0.0010862185,0.0059605916,0.008497223,0.0049520466,0.0035723264,0.017582705],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000068515925,0.000037092897,0.002482363,0.00024978712,0.000018611021,0.0009894656,0.05446098,0.000065137625,0.0011125704,0.32617,0.49429312,0.12005238],"study_design_scores_gemma":[0.0000011278769,0.00000858246,0.0005128829,0.00007370961,0.0000018178386,0.000270494,0.0040004677,0.000009683021,0.00008863951,0.00416842,0.99085706,0.0000071406967],"about_ca_topic_score_codex":0.0060323956,"about_ca_topic_score_gemma":0.014400056,"teacher_disagreement_score":0.08134914,"about_ca_system_score_codex":0.0026548014,"about_ca_system_score_gemma":0.0020829244,"threshold_uncertainty_score":0.27213997},"labels":[],"label_agreement":null},{"id":"W2992651591","doi":"","title":"The Photographic Object, 1970","year":2014,"lang":"en","type":"article","venue":"Comparative technology transfer and society","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Sculpture; Modern art; Art history; Visitor pattern; Object (grammar); Visual arts; Photography; Art; Computer science; Performance art","score_opus":0.03959678840294318,"score_gpt":0.25851005955190814,"score_spread":0.21891327114896497,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2992651591","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0015801546,0.02626146,0.0005414954,0.0069737243,0.0023230147,0.00003197847,0.00037434732,0.00018014525,0.9617337],"genre_scores_gemma":[0.010564233,0.009910838,0.00055453484,0.0012178826,0.0007296345,0.000023635559,0.00024915545,0.000107442764,0.9766426],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995852,0.000053617325,0.00002170509,0.000082323815,0.00019005097,0.00006712458],"domain_scores_gemma":[0.99968135,0.00005680497,0.000022007986,0.000055338678,0.00010244454,0.00008200169],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00043712725,0.00052002183,0.00018110148,0.001639457,0.0038581076,0.008418966,0.00044711848,0.0011780406,0.12342467],"category_scores_gemma":[0.0013641774,0.00032230344,0.0001741495,0.0014424531,0.0025643788,0.0032406005,0.0023948892,0.0020200056,0.032001857],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002276442,0.000014798772,0.00036571085,0.00009531348,0.000002331968,0.00012403405,0.0020011095,0.000032149303,0.00039334892,0.12309353,0.79494303,0.07891182],"study_design_scores_gemma":[6.7568345e-7,0.000001877262,0.0003524362,0.000040598483,5.544203e-7,0.00004009233,0.0003007054,0.000004727977,0.000039295883,0.000718251,0.9984995,0.0000013015522],"about_ca_topic_score_codex":0.044069916,"about_ca_topic_score_gemma":0.1106335,"teacher_disagreement_score":0.12342467,"about_ca_system_score_codex":0.0055102827,"about_ca_system_score_gemma":0.002886213,"threshold_uncertainty_score":0.4128967},"labels":[],"label_agreement":null},{"id":"W2992867552","doi":"","title":"Introducing Suzy Lake","year":2015,"lang":"en","type":"article","venue":"Comparative technology transfer and society","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Art history; Face (sociological concept); Art; Sociology; Visual arts; Social science","score_opus":0.06113169213000809,"score_gpt":0.27002301407892404,"score_spread":0.20889132194891596,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2992867552","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00694241,0.01264665,0.0018777687,0.050561924,0.017681677,0.00034878214,0.0020347084,0.0017561483,0.90615],"genre_scores_gemma":[0.009380839,0.0031113382,0.0008221488,0.0023187504,0.0008382299,0.0000650845,0.00035826795,0.00048400866,0.9826214],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99928004,0.000051694733,0.0000149811585,0.00011352345,0.00034450192,0.00019530293],"domain_scores_gemma":[0.99889684,0.000039075036,0.00003491474,0.000045794266,0.0003994619,0.0005839237],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005794482,0.0010465657,0.0003302928,0.0011552254,0.010800889,0.005876757,0.0010198656,0.0018090061,0.30634826],"category_scores_gemma":[0.0010562963,0.00066169805,0.0003652138,0.0010428374,0.002176406,0.0025453812,0.0044339714,0.002574633,0.07187208],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008225216,0.000005675537,0.00026461823,0.000048937694,0.0000012605697,0.00015418773,0.0020326974,0.0000140824595,0.00032831423,0.0019403294,0.98392993,0.011271729],"study_design_scores_gemma":[7.0577033e-7,0.0000018057332,0.00041013415,0.000029490975,6.880261e-7,0.00005264695,0.0012537657,0.0000056602307,0.000036616806,0.000056272303,0.99814856,0.0000036742365],"about_ca_topic_score_codex":0.54172677,"about_ca_topic_score_gemma":0.9335905,"teacher_disagreement_score":0.54172677,"about_ca_system_score_codex":0.018071234,"about_ca_system_score_gemma":0.014565868,"threshold_uncertainty_score":0.98941004},"labels":[],"label_agreement":null},{"id":"W2993223067","doi":"","title":"Post-Marxist Aesthetics Anyone?","year":2013,"lang":"en","type":"article","venue":"Comparative technology transfer and society","topic":"Cultural Industries and Urban Development","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Marxist philosophy; Politics; Capitalism; Art history; Sociology; Realm; Law; Aesthetics; History; Art; Political science","score_opus":0.04064745233623528,"score_gpt":0.29137239936646,"score_spread":0.2507249470302247,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2993223067","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.003728425,0.053119563,0.0052275574,0.076706834,0.0064453543,0.000015415491,0.000118132775,0.00018870326,0.85445],"genre_scores_gemma":[0.34626985,0.04083119,0.003514261,0.016128795,0.010821012,0.000098872806,0.00014827824,0.00056953455,0.58161825],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9990533,0.00039691126,0.000027022104,0.00011872595,0.00025613105,0.00014783096],"domain_scores_gemma":[0.9993537,0.00030715336,0.00006158564,0.0001349711,0.00007806775,0.00006452594],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011987397,0.0007525133,0.00033865788,0.0010139433,0.0033114091,0.009014612,0.00092145463,0.0017857383,0.014624504],"category_scores_gemma":[0.0019691235,0.00024992425,0.00033878672,0.0012467781,0.016769523,0.006348916,0.002291808,0.0038203944,0.004157292],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000066085354,0.000006175561,0.00004651746,0.00005352457,0.000002707088,0.00003696636,0.0030826288,0.00006080232,0.000044754303,0.9143385,0.07238033,0.009940509],"study_design_scores_gemma":[0.0000041259386,0.000004955865,0.0001252438,0.00014401195,0.0000021948501,0.00010419827,0.0026498756,0.00009813609,0.00007215092,0.27189603,0.72489434,0.0000047526732],"about_ca_topic_score_codex":0.002717945,"about_ca_topic_score_gemma":0.004217542,"teacher_disagreement_score":0.014624504,"about_ca_system_score_codex":0.0046319314,"about_ca_system_score_gemma":0.0024743408,"threshold_uncertainty_score":0.04892385},"labels":[],"label_agreement":null},{"id":"W2993224295","doi":"","title":"Body of Work","year":2007,"lang":"en","type":"article","venue":"Comparative technology transfer and society","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Transgender; Expansive; Viewpoints; Sociology; Subject (documents); Contemporary art; Visual arts; Gender studies; Art history; Art; Performance art","score_opus":0.05965586209324023,"score_gpt":0.2892351269271248,"score_spread":0.22957926483388455,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2993224295","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00057382154,0.006470828,0.0010408595,0.021640783,0.018865848,0.00022646347,0.0025915273,0.00054451963,0.9480454],"genre_scores_gemma":[0.006542025,0.008169307,0.0012820468,0.008379971,0.004378376,0.00032707833,0.003746774,0.00065337727,0.966521],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99311477,0.0009270419,0.000419428,0.0009964355,0.0035464377,0.0009958632],"domain_scores_gemma":[0.97833806,0.0017678761,0.0006903784,0.0023876221,0.009775722,0.0070403423],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0043605617,0.0009256904,0.0012346979,0.0059916815,0.006096282,0.015332018,0.0032897838,0.00435037,0.6056552],"category_scores_gemma":[0.024008237,0.0005032178,0.00094820204,0.004949989,0.0023412725,0.006984409,0.008838399,0.0037566556,0.4726692],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002338059,0.00006177897,0.00022366719,0.00026766374,0.0000035596493,0.000053603086,0.00047564605,0.000025161626,0.00013702172,0.007204291,0.89064276,0.10088141],"study_design_scores_gemma":[0.0000017948477,0.0000065054787,0.00018064631,0.0003996101,0.0000010143008,0.00003820318,0.0002485994,0.000007850638,0.000019772315,0.0006523371,0.9984396,0.0000039099427],"about_ca_topic_score_codex":0.00508922,"about_ca_topic_score_gemma":0.0067214225,"teacher_disagreement_score":0.6056552,"about_ca_system_score_codex":0.0052936706,"about_ca_system_score_gemma":0.014670813,"threshold_uncertainty_score":0.562485},"labels":[],"label_agreement":null},{"id":"W2993676053","doi":"","title":"Conflict, Time, Photography","year":2015,"lang":"en","type":"article","venue":"Comparative technology transfer and society","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":18,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Photography; History; White (mutation); Visual arts; History of photography; Photojournalism; Art history; Law; Sociology; Art","score_opus":0.09444781396052972,"score_gpt":0.28988727752390825,"score_spread":0.19543946356337855,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2993676053","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009060989,0.06692566,0.0012092222,0.04026421,0.010006533,0.00005399198,0.00061871036,0.0002918662,0.871569],"genre_scores_gemma":[0.22147252,0.059449438,0.0025506343,0.013260473,0.007719419,0.00013642572,0.00080211554,0.0006846469,0.6939244],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993647,0.00025419882,0.000029633793,0.000081124264,0.00019158513,0.00007874337],"domain_scores_gemma":[0.99933857,0.00017647487,0.00007003424,0.00009082113,0.000108258464,0.00021577784],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006337273,0.00046786334,0.00026278695,0.0016616897,0.004972042,0.011504819,0.00052199414,0.0011572741,0.06179001],"category_scores_gemma":[0.00242477,0.00031925624,0.00016479856,0.0022361714,0.005164876,0.004498775,0.00460866,0.0029439714,0.010071862],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000048798945,0.000018555866,0.00096599566,0.00039699962,0.000008613066,0.00034111677,0.019101525,0.00005575641,0.0005937274,0.09201848,0.81414354,0.072306976],"study_design_scores_gemma":[0.0000017187135,0.0000041735416,0.0009255028,0.000143918,0.0000017242709,0.0001936682,0.0063876323,0.0000069758553,0.00004525364,0.0014105432,0.9908751,0.000003804564],"about_ca_topic_score_codex":0.009686802,"about_ca_topic_score_gemma":0.023442999,"teacher_disagreement_score":0.06179001,"about_ca_system_score_codex":0.0032064267,"about_ca_system_score_gemma":0.001372321,"threshold_uncertainty_score":0.2067082},"labels":[],"label_agreement":null},{"id":"W302401902","doi":"","title":"Home Truths and Other Fictions: Geopolitics at the Film Festival","year":2001,"lang":"en","type":"article","venue":"Comparative technology transfer and society","topic":"Sport and Mega-Event Impacts","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Geopolitics; Politics; Media studies; Sociology; Movie theater; Film festival; History; Law; Political science; Art history","score_opus":0.05388441208170789,"score_gpt":0.33547302117767824,"score_spread":0.28158860909597033,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W302401902","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07789439,0.028452145,0.0019598706,0.1358197,0.010648499,0.00008912177,0.0008094059,0.00017128873,0.7441555],"genre_scores_gemma":[0.8685136,0.009185079,0.00045279704,0.007587763,0.0034667177,0.000045410972,0.00018662121,0.00023711263,0.11032484],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9977558,0.0013060513,0.000035572884,0.00017222614,0.000306681,0.0004237787],"domain_scores_gemma":[0.9981902,0.00083487085,0.00016389489,0.00012615656,0.00018743696,0.0004974295],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015554989,0.0006243016,0.00035076297,0.0025983318,0.027129615,0.015612686,0.0010456563,0.0024759055,0.011728186],"category_scores_gemma":[0.003869869,0.00031436843,0.0002337896,0.0034207383,0.026594127,0.005819463,0.004958237,0.0044352724,0.00093011005],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036905225,0.000021175112,0.00096482196,0.00013714873,0.000009422987,0.001429081,0.4156512,0.000089678724,0.00012897846,0.34874058,0.22407714,0.008713897],"study_design_scores_gemma":[0.0000059972767,0.000009405501,0.0012894555,0.00024427034,0.00000679784,0.00030673243,0.21852094,0.000048614296,0.00011836218,0.0061349072,0.77330273,0.000011765367],"about_ca_topic_score_codex":0.16904636,"about_ca_topic_score_gemma":0.3107774,"teacher_disagreement_score":0.16904636,"about_ca_system_score_codex":0.018975625,"about_ca_system_score_gemma":0.004463148,"threshold_uncertainty_score":0.33612478},"labels":[],"label_agreement":null},{"id":"W348350583","doi":"","title":"Activating Exodus: The Art of Melissa Shiff","year":2006,"lang":"en","type":"article","venue":"Comparative technology transfer and society","topic":"Rhetoric and Communication Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Israelites; Ridiculous; Hatred; Rhetoric; Art history; Art; Visual arts; Literature; History; Politics; Philosophy; Law; Theology","score_opus":0.04976097176022533,"score_gpt":0.25717809959567256,"score_spread":0.20741712783544725,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W348350583","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.033875853,0.008585322,0.008723928,0.02382965,0.004504943,0.00006842295,0.000114396134,0.0005671605,0.91973037],"genre_scores_gemma":[0.382022,0.003951872,0.006245677,0.00518031,0.00096781447,0.00008117077,0.00007937291,0.0005696871,0.60090196],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995171,0.00017926136,0.000006283002,0.000053511612,0.00014443837,0.00009940689],"domain_scores_gemma":[0.9997613,0.00010424562,0.000010393644,0.000022631293,0.000045160075,0.000056245353],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007082938,0.00061413646,0.0001778962,0.0005879827,0.0057542366,0.0035735995,0.00051419315,0.00090390275,0.01710013],"category_scores_gemma":[0.0013749655,0.00016005899,0.00020901638,0.0002531139,0.0039002076,0.002124205,0.0022737894,0.0021355972,0.0027122884],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001653191,0.00005508433,0.00063415064,0.00015790197,0.000007757581,0.0011345227,0.09228123,0.00015242783,0.0034059922,0.17152345,0.61057293,0.119909085],"study_design_scores_gemma":[0.0000046382756,0.000012596147,0.00030587486,0.000091282054,0.0000022377747,0.00041428162,0.010825249,0.00013920404,0.00058354635,0.0031244415,0.9844892,0.0000075758117],"about_ca_topic_score_codex":0.012224681,"about_ca_topic_score_gemma":0.040419374,"teacher_disagreement_score":0.01710013,"about_ca_system_score_codex":0.0021253373,"about_ca_system_score_gemma":0.0010331519,"threshold_uncertainty_score":0.057205617},"labels":[],"label_agreement":null},{"id":"W562563481","doi":"","title":"There's No Place like Home: The Paradox of Embodiment in the Work of Annette Barbier","year":2006,"lang":"en","type":"article","venue":"Comparative technology transfer and society","topic":"Art, Technology, and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Sculpture; Sociology; Visual arts; Art history; Identity (music); Art; Media studies; Aesthetics","score_opus":0.019152291240993904,"score_gpt":0.22929185227309407,"score_spread":0.21013956103210016,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W562563481","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.050077353,0.07097062,0.007881826,0.4963933,0.004264769,0.00005174304,0.000041119052,0.0003529069,0.36996642],"genre_scores_gemma":[0.72133225,0.030227633,0.008953389,0.06147241,0.0024074474,0.00017840938,0.00004223461,0.0007745372,0.17461166],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9952656,0.0030313365,0.000049233888,0.00037954748,0.0008847651,0.00038956126],"domain_scores_gemma":[0.99710804,0.0018048793,0.00019197023,0.00014417795,0.00029002843,0.0004609305],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005035103,0.0004909931,0.00044798496,0.0010475941,0.021491423,0.008905637,0.0014204849,0.002738188,0.0041001434],"category_scores_gemma":[0.0047321045,0.00039810702,0.00025494638,0.00064906385,0.030836683,0.0069246357,0.0059600314,0.00540966,0.0011837082],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000048304828,0.00004086992,0.00045156205,0.000120168406,0.0000078547355,0.00066672266,0.51666206,0.00017701784,0.00043992515,0.23720983,0.21277642,0.031399224],"study_design_scores_gemma":[0.000009305408,0.000020010668,0.0006774608,0.0003770558,0.000006002267,0.00068290444,0.11132906,0.00012910998,0.00015968122,0.023094242,0.8634752,0.00004004327],"about_ca_topic_score_codex":0.07111824,"about_ca_topic_score_gemma":0.09072346,"teacher_disagreement_score":0.07111824,"about_ca_system_score_codex":0.005945551,"about_ca_system_score_gemma":0.0047626756,"threshold_uncertainty_score":0.14140856},"labels":[],"label_agreement":null},{"id":"W56324021","doi":"","title":"Down the Digital Rabbit Hole: Digifest 2003","year":2003,"lang":"en","type":"article","venue":"Comparative technology transfer and society","topic":"Digital Games and Media","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Context (archaeology); Theme (computing); Stock exchange; Public relations; Order (exchange); Sociology; Business; Political science; Visual arts; World Wide Web; Computer science; History; Finance","score_opus":0.02544140466678661,"score_gpt":0.28785651793630734,"score_spread":0.2624151132695207,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W56324021","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008056129,0.00362173,0.0020539267,0.019650185,0.01143122,0.00022841473,0.00435736,0.0025636798,0.94803727],"genre_scores_gemma":[0.009105271,0.001002489,0.00088194344,0.0022717093,0.00044887132,0.000068158646,0.0024330346,0.00072621065,0.98306227],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99951136,0.00004301317,0.000013915581,0.00008339227,0.00019142458,0.00015686713],"domain_scores_gemma":[0.9992999,0.00005462233,0.000017605344,0.00006736338,0.00017121316,0.00038932925],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010588473,0.00072151946,0.0003575919,0.0009903371,0.0061937617,0.007269007,0.0014424325,0.0023993305,0.27383438],"category_scores_gemma":[0.0016368561,0.00057225715,0.000380646,0.0010859102,0.00095772586,0.0037918303,0.004724616,0.0029812963,0.0767199],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000060860897,0.000018670371,0.00020231825,0.000035587473,0.0000014845941,0.000259241,0.0006445503,0.000024266325,0.0001992876,0.002368358,0.9774334,0.01875199],"study_design_scores_gemma":[0.000004595894,0.000007343805,0.0003818282,0.00003711135,6.385506e-7,0.000045449746,0.0004750583,0.000014067501,0.000053170403,0.00013811319,0.9988391,0.0000033811332],"about_ca_topic_score_codex":0.033171535,"about_ca_topic_score_gemma":0.16801131,"teacher_disagreement_score":0.27383438,"about_ca_system_score_codex":0.0024268748,"about_ca_system_score_gemma":0.0023256827,"threshold_uncertainty_score":0.91606724},"labels":[],"label_agreement":null},{"id":"W757970407","doi":"","title":"Robert Burley: The Disappearance of Darkness","year":2014,"lang":"en","type":"article","venue":"Comparative technology transfer and society","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Photography; Art history; Visual arts; Shot (pellet); Uncanny; Art; Aesthetics","score_opus":0.02613743636796294,"score_gpt":0.26270137806905564,"score_spread":0.23656394170109268,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W757970407","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005113887,0.052676935,0.0007492918,0.09067655,0.017746406,0.000041102954,0.0005272223,0.00062267407,0.8318458],"genre_scores_gemma":[0.039856043,0.020381263,0.00061330985,0.0072318027,0.0018158511,0.000022472303,0.00021533482,0.00035419126,0.92950964],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993773,0.00010988411,0.000009950048,0.00007419045,0.00029463664,0.0001339999],"domain_scores_gemma":[0.9995803,0.00004933607,0.000023573146,0.000048095037,0.00013211455,0.00016651672],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006237782,0.00064961653,0.00024416205,0.0006010111,0.006656204,0.005943511,0.0007839242,0.0014833523,0.09552913],"category_scores_gemma":[0.0012572382,0.0004246617,0.00025918492,0.0008275897,0.0035812296,0.0023270638,0.0029142755,0.0029572898,0.014862561],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015283826,0.0000042315637,0.00009735893,0.000051866504,0.0000017772335,0.00012785672,0.0017687515,0.000021222953,0.00018955613,0.011824408,0.9735421,0.012355632],"study_design_scores_gemma":[9.547055e-7,0.0000016854759,0.00019904831,0.000043873562,7.520624e-7,0.00006272826,0.00091245316,0.000004801588,0.000054820415,0.00019248319,0.9985232,0.0000032370506],"about_ca_topic_score_codex":0.2792281,"about_ca_topic_score_gemma":0.5397869,"teacher_disagreement_score":0.2792281,"about_ca_system_score_codex":0.00838188,"about_ca_system_score_gemma":0.0046599843,"threshold_uncertainty_score":0.5552056},"labels":[],"label_agreement":null},{"id":"W846996841","doi":"","title":"Le Mois De la Photo a Montreal: September 5-October 5, 2013","year":2014,"lang":"en","type":"article","venue":"Comparative technology transfer and society","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Art history; Visual arts; Art","score_opus":0.018845909687039024,"score_gpt":0.2630667802027945,"score_spread":0.24422087051575547,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W846996841","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002315033,0.0063801934,0.0006480744,0.0124373445,0.012603727,0.00030607902,0.008675051,0.001745123,0.9548894],"genre_scores_gemma":[0.0062508946,0.0013008417,0.00032602635,0.0012775221,0.0006138705,0.000035331264,0.0014805585,0.00030802598,0.98840696],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99954826,0.000024227757,0.000005881133,0.000074534706,0.00019783825,0.00014930025],"domain_scores_gemma":[0.99929297,0.00002325448,0.000016629294,0.000040609168,0.000405634,0.00022082645],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004752254,0.0010914546,0.00038033823,0.0010044153,0.00553258,0.00449996,0.0011783628,0.0018844726,0.5828986],"category_scores_gemma":[0.0011380614,0.00042021394,0.0005228312,0.00090306514,0.00084837334,0.0016324975,0.0020161902,0.0024025638,0.19196129],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034951125,0.000014612126,0.0002734682,0.000045019806,0.0000034091977,0.00010701532,0.000106507265,0.000028147886,0.00029845015,0.0010830245,0.9856629,0.01234273],"study_design_scores_gemma":[0.000004535321,0.000006701734,0.0011845707,0.000052397365,0.0000017545688,0.000039099763,0.00015780107,0.000016315285,0.000106881234,0.00007488374,0.9983486,0.000006526043],"about_ca_topic_score_codex":0.34847254,"about_ca_topic_score_gemma":0.7552033,"teacher_disagreement_score":0.65152746,"about_ca_system_score_codex":0.0077906437,"about_ca_system_score_gemma":0.0041520125,"threshold_uncertainty_score":0.6928884},"labels":[],"label_agreement":null}]}