{"meta":{"query_hash":"c18e177976ce","filters":{"venue":"Critical Studies in Men’s Fashion"},"cohort_total":18,"direct_labels_cover":0,"predictions_cover":18,"exported":18,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/c18e177976ce","api":"https://metacan.xera.ac/api/v1/cohort?venue=Critical+Studies+in+Men%E2%80%99s+Fashion"},"results":[{"id":"W2332421448","doi":"10.1386/csmf.2.1.5_1","title":"Dapper dudes: Young men’s fashion consumption and expressions of masculinity","year":2015,"lang":"en","type":"article","venue":"Critical Studies in Men’s Fashion","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":23,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Clothing; Masculinity; Mainstream; Consumption (sociology); Style (visual arts); Creativity; Sociology; Consumer Culture; Gender studies; Media consumption; Identity (music); Psychology; Advertising; Social psychology; Aesthetics; Art; Political science; Visual arts; Business; Social science","score_opus":0.18043603188837226,"score_gpt":0.3654533211845167,"score_spread":0.18501728929614442,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2332421448","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9538944,0.0010577044,0.000022121829,0.0010114955,0.00073307304,0.00027100137,0.00002762528,0.00008038164,0.042902216],"genre_scores_gemma":[0.997207,0.0012143104,0.00011082735,0.00013297543,0.00020154781,0.00008340439,0.0000134162065,0.000014094351,0.0010224438],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99832743,0.00019930002,0.0004743191,0.00032703343,0.0003558044,0.00031613742],"domain_scores_gemma":[0.9989839,0.00029972164,0.0000645415,0.00018548302,0.00030813253,0.0001581902],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00048175466,0.00022681912,0.00041884786,0.00008193374,0.0003073106,0.000077262346,0.00013199433,0.00009420049,0.00040729623],"category_scores_gemma":[0.0009280118,0.00016558603,0.00007194919,0.000041898125,0.0012973654,0.0003600353,0.0001997418,0.00023343775,0.00006570053],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000103539525,0.0004994806,0.0086406795,0.00066518906,0.000115047646,0.000028447841,0.31126532,0.000005312699,0.0016345879,0.6505553,0.024625624,0.0018614788],"study_design_scores_gemma":[0.0020471157,0.00035963274,0.0068685,0.0006975783,0.0001238334,0.000016134867,0.9706432,0.00020989063,0.0002518082,0.00515162,0.01304251,0.0005881777],"about_ca_topic_score_codex":0.000028537153,"about_ca_topic_score_gemma":0.0005505108,"teacher_disagreement_score":0.6593779,"about_ca_system_score_codex":0.00011336377,"about_ca_system_score_gemma":0.000016420574,"threshold_uncertainty_score":0.6752402},"labels":[],"label_agreement":null},{"id":"W2333963830","doi":"10.1386/csmf.1.3.275_1","title":"Expanding the male ideal: The need for diversity in men’s fashion advertisements","year":2014,"lang":"en","type":"article","venue":"Critical Studies in Men’s Fashion","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":36,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Perception; Diversity (politics); Masculinity; Advertising; Psychology; Symbol (formal); Similarity (geometry); Scholarship; Order (exchange); Ideal (ethics); Social psychology; Sociology; Computer science","score_opus":0.10287593577544026,"score_gpt":0.33408762971560724,"score_spread":0.231211693940167,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2333963830","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.93538195,0.00031693952,0.000101119884,0.011260323,0.0012238484,0.0008892755,0.000018546163,0.000075062526,0.050732918],"genre_scores_gemma":[0.99573815,0.00023474249,0.0000190248,0.0013524818,0.0003499919,0.00024503106,0.0000077617115,0.000013572312,0.0020392518],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9982846,0.00023763652,0.00036682436,0.00030890453,0.00031967304,0.00048237972],"domain_scores_gemma":[0.998582,0.0009749096,0.000051578558,0.00021453167,0.0001239635,0.000053023967],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00086231047,0.00022198027,0.00030338773,0.00005797469,0.001636949,0.0001330089,0.00038284218,0.000060196606,0.00030424053],"category_scores_gemma":[0.0007802663,0.00012113147,0.0001146518,0.00006751934,0.00070010626,0.00024431423,0.000489725,0.0002514542,0.00004721558],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009147713,0.00020123109,0.0068665138,0.00022507831,0.000079635814,0.0000075494377,0.18766445,0.000015340382,0.0001682235,0.76115984,0.03859163,0.004929016],"study_design_scores_gemma":[0.0023940213,0.0003067883,0.012340834,0.00032925053,0.000108334585,0.0000037501661,0.9222629,0.0009017403,0.000070144895,0.013322307,0.04741311,0.00054680515],"about_ca_topic_score_codex":0.00007050667,"about_ca_topic_score_gemma":0.0024326646,"teacher_disagreement_score":0.74783754,"about_ca_system_score_codex":0.00020993265,"about_ca_system_score_gemma":0.0000059496883,"threshold_uncertainty_score":0.99966276},"labels":[],"label_agreement":null},{"id":"W2344028549","doi":"10.1386/csmf.3.1.17_1","title":"Destabilizing the gaze towards male fashion models: Expanding men’s gender and sexuality identities","year":2016,"lang":"en","type":"article","venue":"Critical Studies in Men’s Fashion","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":9,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Saskatchewan; Toronto Metropolitan University","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Human sexuality; Objectification; Gaze; Male gaze; Psychology; Normative; Mainstream; Gender studies; Fantasy; Conformity; Masculinity; Sexualization; Social psychology; Empirical research; Developmental psychology; Sociology; Psychoanalysis; Art","score_opus":0.20579029710599714,"score_gpt":0.36220836235804216,"score_spread":0.15641806525204502,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2344028549","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.897895,0.0017211419,0.00024388537,0.0031139813,0.0007656585,0.0003149854,0.000020884092,0.00012820898,0.09579628],"genre_scores_gemma":[0.9932363,0.0022205436,0.000036753478,0.00034974617,0.00037977187,0.00015322978,0.00000244196,0.000021252903,0.0035999338],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99792296,0.0002672996,0.00046016285,0.00043864857,0.0003933283,0.0005176075],"domain_scores_gemma":[0.9987544,0.0006759388,0.000052764546,0.00023615577,0.00018831853,0.000092451235],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00075529725,0.00028979857,0.00036571987,0.00006628328,0.0008865315,0.00026892681,0.00021538798,0.00007680896,0.0006854492],"category_scores_gemma":[0.0005769015,0.00015006246,0.00008397573,0.00004741123,0.0016669299,0.00082352036,0.00031104984,0.0001975492,0.000038979444],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020176836,0.000075758384,0.0005408501,0.00023354152,0.000057750025,0.000016352014,0.13568093,0.000002093239,0.00052460696,0.8540668,0.0042837025,0.0044974554],"study_design_scores_gemma":[0.0007804247,0.00011015695,0.0018380691,0.00032848897,0.00007488039,0.00002629497,0.93859255,0.00019383253,0.00011979624,0.05413845,0.0032700598,0.00052699953],"about_ca_topic_score_codex":0.000021916612,"about_ca_topic_score_gemma":0.00038043136,"teacher_disagreement_score":0.80291164,"about_ca_system_score_codex":0.00023316337,"about_ca_system_score_gemma":0.000015207079,"threshold_uncertainty_score":0.75051886},"labels":[],"label_agreement":null},{"id":"W2512778073","doi":"10.1386/csmf.3.2.63_1","title":"Collared: Celluloid, masculinity and class","year":2016,"lang":"en","type":"article","venue":"Critical Studies in Men’s Fashion","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Royal Alberta Museum","funders":"","keywords":"Masculinity; Period (music); Clothing; Social hierarchy; Sincerity; Femininity; Hierarchy; Character (mathematics); Sociology; Gender studies; Aesthetics; History; Psychology; Art; Social science; Social psychology; Law; Political science","score_opus":0.09227870782156301,"score_gpt":0.3225467240255902,"score_spread":0.2302680162040272,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2512778073","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.88162696,0.0010380135,0.000016995793,0.010393755,0.0011019006,0.00022147331,0.000033434135,0.000121506906,0.10544593],"genre_scores_gemma":[0.99267447,0.0013150644,0.000029630752,0.0004404679,0.00030433896,0.00004577931,0.0000015444128,0.000010322367,0.005178362],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988905,0.0000940278,0.00025751293,0.0002717684,0.00018237626,0.00030379326],"domain_scores_gemma":[0.99915177,0.00047946657,0.000022202592,0.00012284158,0.00013813248,0.00008559985],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00022149827,0.00016379429,0.00025977657,0.00004019296,0.00033629697,0.00007535631,0.000097155156,0.000056966313,0.0008765188],"category_scores_gemma":[0.0006105589,0.00009279815,0.00005047767,0.00002988632,0.0012195655,0.00020151373,0.0001305121,0.00010864618,0.00015937579],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023003382,0.00009447578,0.00054479076,0.00012433557,0.000034638324,0.000027685464,0.032444615,6.0248354e-8,0.0005483069,0.9418519,0.016974622,0.007331527],"study_design_scores_gemma":[0.0024505553,0.00042946098,0.0026239643,0.0006424881,0.000081425016,0.000012870602,0.45878732,0.000024432231,0.00039627642,0.032304037,0.50137734,0.00086982956],"about_ca_topic_score_codex":0.000007216211,"about_ca_topic_score_gemma":0.0005891526,"teacher_disagreement_score":0.9095479,"about_ca_system_score_codex":0.000089078916,"about_ca_system_score_gemma":0.000007443348,"threshold_uncertainty_score":0.9597266},"labels":[],"label_agreement":null},{"id":"W2516940286","doi":"10.1386/csmf.3.2.95_1","title":"The rough riders: An exploration of theatricality, masculinity, identities and voyeurism in Canadian football","year":2016,"lang":"en","type":"article","venue":"Critical Studies in Men’s Fashion","topic":"Sports, Gender, and Society","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Fandom; Masculinity; Football; Performative utterance; Queer; Spectacle; Hegemonic masculinity; Sociology; Aesthetics; Voyeurism; Performativity; Gender studies; Art; Media studies; Psychology; History; Law; Political science; Psychoanalysis; Archaeology","score_opus":0.13575961621173513,"score_gpt":0.4057586196254212,"score_spread":0.2699990034136861,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2516940286","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9636751,0.0018505731,0.00012801086,0.022379357,0.0005773908,0.00032634495,0.0000075595226,0.00002532338,0.01103038],"genre_scores_gemma":[0.9889582,0.010474092,0.000044549575,0.0001271069,0.0001482418,0.000037675636,7.230453e-7,0.000005595792,0.00020384471],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9983187,0.00038169287,0.0003117371,0.00021451821,0.0003339047,0.00043946254],"domain_scores_gemma":[0.9987021,0.00084949506,0.000031654654,0.00013886693,0.0001331292,0.00014475465],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023134002,0.00009344662,0.00019738573,0.00005383038,0.0005617762,0.000055750483,0.00017044462,0.000104511535,0.0000145225895],"category_scores_gemma":[0.0019317087,0.000060787042,0.00004380785,0.00018319348,0.001458482,0.0006395594,0.00007467633,0.000106096486,0.0000019006144],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018236839,0.00009933859,0.15430301,0.000055210337,0.000031653148,0.000021672755,0.27793494,0.0000016045489,0.000014837927,0.559434,0.0015146004,0.0065708663],"study_design_scores_gemma":[0.0004351695,0.000082669845,0.036087316,0.000077435085,0.000019333707,5.505425e-7,0.7897674,0.000011739809,0.000014747889,0.16953743,0.0037903686,0.00017588818],"about_ca_topic_score_codex":0.07967572,"about_ca_topic_score_gemma":0.6977848,"teacher_disagreement_score":0.61810905,"about_ca_system_score_codex":0.00044766805,"about_ca_system_score_gemma":0.00014161153,"threshold_uncertainty_score":0.9264528},"labels":[],"label_agreement":null},{"id":"W2783642297","doi":"10.1386/csmf.2.2-3.143_1","title":"The toxic lining of men’s fashion consumption: The omnipresent force of hegemonic masculinity","year":2015,"lang":"en","type":"article","venue":"Critical Studies in Men’s Fashion","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":16,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Masculinity; Hegemonic masculinity; Consumption (sociology); Hegemony; Sociology; Identity (music); Clothing; Dominance (genetics); Gender studies; Psychology; Social psychology; Political science; Aesthetics; Art; Social science","score_opus":0.19560570395325388,"score_gpt":0.36940084217892877,"score_spread":0.17379513822567488,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2783642297","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.93333757,0.0037698136,0.00003004611,0.0073606544,0.0013966236,0.0005145987,0.00001977353,0.00006357508,0.05350733],"genre_scores_gemma":[0.99603903,0.0017154312,0.00002649495,0.00015403698,0.00026352753,0.000084459156,0.000004052323,0.000012058563,0.0017009134],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9978841,0.00034431877,0.0006699963,0.00023606258,0.0005142905,0.00035122113],"domain_scores_gemma":[0.9975954,0.0013996568,0.00012994082,0.0003295596,0.0004640558,0.00008135739],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011978413,0.00020424901,0.00039634854,0.00003864674,0.00055725285,0.00007496253,0.00036890674,0.00006813978,0.00016268341],"category_scores_gemma":[0.0015452382,0.00010576011,0.00014789223,0.0000651073,0.0022685465,0.00018117164,0.00027325665,0.00029945667,0.00004509592],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000986178,0.00020400138,0.0011222496,0.00028978704,0.00014838944,0.0000065065024,0.12792088,0.000029156596,0.00018755536,0.85331744,0.014042443,0.0026329602],"study_design_scores_gemma":[0.001279359,0.00045765674,0.0017923507,0.0003825977,0.00012671028,0.000006806134,0.95992607,0.0005589148,0.0004431654,0.010314891,0.024373826,0.00033763735],"about_ca_topic_score_codex":0.000021307615,"about_ca_topic_score_gemma":0.0008725095,"teacher_disagreement_score":0.84300256,"about_ca_system_score_codex":0.00011694424,"about_ca_system_score_gemma":0.00003114569,"threshold_uncertainty_score":0.8358554},"labels":[],"label_agreement":null},{"id":"W2783847367","doi":"10.1386/csmf.2.2-3.213_1","title":"‘Don’t Call Me White’: Fashioning Sami Zayn’s Arabic and transnational identities","year":2015,"lang":"en","type":"article","venue":"Critical Studies in Men’s Fashion","topic":"Sports, Gender, and Society","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Mainstream; Hegemony; White (mutation); Character (mathematics); Ethnic group; Arabic; Entertainment; Identity (music); Popularity; Clothing; Cultural hegemony; Gender studies; Sociology; History; Art; Linguistics; Politics; Aesthetics; Anthropology; Political science; Law; Philosophy","score_opus":0.09204605145735474,"score_gpt":0.3806246497131807,"score_spread":0.288578598255826,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2783847367","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.932364,0.0027717762,0.00063214375,0.01503379,0.0015972903,0.00031295128,0.000010854265,0.0001318981,0.04714531],"genre_scores_gemma":[0.9956623,0.0009253393,0.00045219448,0.00036486116,0.00033208038,0.00005517222,0.000005757434,0.000012413694,0.0021898872],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99779725,0.00022819448,0.00034214227,0.00036117132,0.00076281885,0.0005084021],"domain_scores_gemma":[0.9988908,0.00044025158,0.000034929777,0.00010698151,0.000305818,0.00022117609],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017248817,0.0001692174,0.00031091247,0.000069894304,0.0006549307,0.00010826533,0.00016725354,0.00016159196,0.00009484367],"category_scores_gemma":[0.0013197189,0.00016435889,0.00007488328,0.00018840344,0.0015016077,0.0004012068,0.00008479459,0.00024356028,0.000007572218],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014772617,0.000099294004,0.06707495,0.00007358392,0.00004795646,0.000036145633,0.36397654,0.00001364824,0.00001777003,0.56195676,0.0062706564,0.00041795266],"study_design_scores_gemma":[0.00064100925,0.000065477594,0.020521214,0.00004048615,0.00004639215,0.000004492109,0.95118695,0.000072877025,0.000005789797,0.022008946,0.00510132,0.00030501757],"about_ca_topic_score_codex":0.000091010435,"about_ca_topic_score_gemma":0.0017892943,"teacher_disagreement_score":0.5872105,"about_ca_system_score_codex":0.0005615017,"about_ca_system_score_gemma":0.00014122225,"threshold_uncertainty_score":0.6702361},"labels":[],"label_agreement":null},{"id":"W2988438902","doi":"10.1386/csmf_00007_1","title":"The negotiation of masculinity and identity through clothing choices among Russian speakers in Canada","year":2019,"lang":"en","type":"article","venue":"Critical Studies in Men’s Fashion","topic":"Historical Gender and Feminism Studies","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Masculinity; Negotiation; Identity (music); Hegemonic masculinity; Gender studies; Sociology; Clothing; Hegemony; Immigration; Political science; Aesthetics; Politics; Law; Social science; Art","score_opus":0.04389845046021263,"score_gpt":0.3632530811665423,"score_spread":0.3193546307063297,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2988438902","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9185071,0.0032498336,0.000038489154,0.0018168342,0.0011774643,0.0002829636,0.0000023982889,0.000011476908,0.07491344],"genre_scores_gemma":[0.9962602,0.0034555383,0.000051805513,0.00007325118,0.00006620087,0.000015702397,2.9686623e-7,0.000003843974,0.000073146046],"study_design_codex":"observational","study_design_gemma":"qualitative","domain_scores_codex":[0.99851,0.0002447636,0.00031593046,0.00020197363,0.00041768744,0.00030963487],"domain_scores_gemma":[0.99848235,0.0012725369,0.00005037988,0.00009725615,0.00005233204,0.000045161956],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00092364976,0.00009144449,0.00025393543,0.00002176895,0.0004977855,0.000026123982,0.00015150015,0.00004885188,0.000009347058],"category_scores_gemma":[0.001655973,0.00006953838,0.000028259972,0.00024192016,0.0006955835,0.00032527815,0.00011757807,0.00018536007,0.000002001575],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012724535,0.000030261715,0.75820816,0.000105003346,0.000028555061,0.0000056060107,0.17224197,0.0000067245933,0.000005791401,0.06827899,0.00025578123,0.00082045986],"study_design_scores_gemma":[0.0002485478,0.000024466191,0.46164346,0.000071169874,0.000014391282,1.0284308e-7,0.5297825,0.000030902625,0.000006671305,0.006692489,0.0013642418,0.000121057616],"about_ca_topic_score_codex":0.58506197,"about_ca_topic_score_gemma":0.9481995,"teacher_disagreement_score":0.36313754,"about_ca_system_score_codex":0.000866229,"about_ca_system_score_gemma":0.00013213146,"threshold_uncertainty_score":0.41770115},"labels":[],"label_agreement":null},{"id":"W3144116531","doi":"10.1386/csmf_00014_1","title":"Man-made man: The role of the fashion photograph in the development of masculinity","year":2020,"lang":"en","type":"article","venue":"Critical Studies in Men’s Fashion","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Masculinity; Representation (politics); Narrative; Hegemonic masculinity; Photography; Normative; Gesture; Aesthetics; Visual arts; Gaze; Sociology; Gender studies; Art; Psychology; Literature; Computer science; Political science; Artificial intelligence","score_opus":0.09021734398110605,"score_gpt":0.3079057191053013,"score_spread":0.21768837512419525,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3144116531","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97133344,0.00055747986,0.000003919907,0.008640256,0.00022047994,0.00042387584,0.000009811998,0.000018480334,0.018792236],"genre_scores_gemma":[0.9982468,0.00017934549,0.000045657565,0.001257374,0.000101159356,0.00009326797,0.0000029336452,0.000008062549,0.00006539955],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9981997,0.00036497237,0.00055022846,0.00020903934,0.0004222618,0.00025377408],"domain_scores_gemma":[0.9990163,0.0005534416,0.00007629382,0.0002103765,0.0001119412,0.000031684],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006388406,0.00017616735,0.0002982006,0.00003120274,0.00038890023,0.000040218798,0.0005271371,0.000049475868,0.00017716836],"category_scores_gemma":[0.00055054063,0.000077879246,0.00013808609,0.00015837504,0.0010345576,0.00008676583,0.0002321885,0.0003286981,0.000017967484],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000055939356,0.00029428766,0.0025487042,0.00033731232,0.000081178296,0.0000036200474,0.749966,0.000006129028,0.0013022856,0.23940516,0.0017323596,0.0042669806],"study_design_scores_gemma":[0.00037823102,0.00007606176,0.015338176,0.00018487276,0.00003893281,9.788894e-7,0.9544253,0.000048542206,0.0010109706,0.001860649,0.02646785,0.00016944678],"about_ca_topic_score_codex":0.0000113288415,"about_ca_topic_score_gemma":0.0015097802,"teacher_disagreement_score":0.2375445,"about_ca_system_score_codex":0.000038394403,"about_ca_system_score_gemma":0.00001904531,"threshold_uncertainty_score":0.38118705},"labels":[],"label_agreement":null},{"id":"W3147155852","doi":"10.1386/csmf_00025_1","title":"‘She will wear the britsch’: Masculinity and the iconography of Prince Albert","year":2020,"lang":"en","type":"article","venue":"Critical Studies in Men’s Fashion","topic":"Historical Art and Culture Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Masculinity; Iconography; Subjectivity; Ideology; Narrative; Archetype; Aesthetics; Essentialism; Art; Gender studies; Sociology; Literature; History; Art history; Philosophy; Politics; Epistemology; Law","score_opus":0.05426762645759937,"score_gpt":0.2825247925823327,"score_spread":0.22825716612473335,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3147155852","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24913935,0.04963745,0.00009162661,0.33370993,0.002106409,0.0015480233,0.00004111864,0.00016277526,0.36356333],"genre_scores_gemma":[0.9955082,0.0020047398,0.000023051203,0.0016388814,0.000440033,0.00005958197,6.4139823e-7,0.0000070288825,0.00031787567],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989163,0.00015771278,0.0003063022,0.00020835856,0.00020158198,0.00020974087],"domain_scores_gemma":[0.998844,0.0008196866,0.000036901136,0.00012292451,0.00012718703,0.000049255403],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0003235556,0.0001466052,0.00036560095,0.000014204145,0.00071079726,0.000039071725,0.0001758723,0.000029059078,0.00008562494],"category_scores_gemma":[0.0010285535,0.00006907659,0.00011201891,0.00007310636,0.0039250213,0.000110566565,0.00023844269,0.0002485419,0.000012998593],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007988172,0.000053577176,0.0008598215,0.00014899646,0.00012067835,0.0000030315148,0.21704249,4.2360352e-7,0.000008877397,0.77039057,0.010640425,0.00065121095],"study_design_scores_gemma":[0.0010517105,0.0001864865,0.0007361899,0.00008436027,0.00013775342,0.000001385222,0.17505631,0.000042489166,0.000016106935,0.009642171,0.8128276,0.00021743767],"about_ca_topic_score_codex":0.000033526743,"about_ca_topic_score_gemma":0.0005172788,"teacher_disagreement_score":0.80218714,"about_ca_system_score_codex":0.00001829734,"about_ca_system_score_gemma":0.0000052996875,"threshold_uncertainty_score":0.99878573},"labels":[],"label_agreement":null},{"id":"W4200089808","doi":"10.1386/csmf_00039_1","title":"Green your groin: Sustainability, men’s underwear and the wild","year":2021,"lang":"en","type":"article","venue":"Critical Studies in Men’s Fashion","topic":"Gender Roles and Identity Studies","field":"Social Sciences","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Brandon University","funders":"","keywords":"Reading (process); Sustainability; Masculinity; Aesthetics; Sociology; Psychology; Advertising; Social psychology; Art; Gender studies; Ecology; Political science; Law; Business","score_opus":0.06919553765637962,"score_gpt":0.3929321359753206,"score_spread":0.32373659831894097,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4200089808","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.31232297,0.016680697,0.00024003227,0.61942863,0.000836295,0.0008176365,0.0000063575853,0.00010201204,0.04956538],"genre_scores_gemma":[0.98964125,0.0072383834,0.00005200366,0.0006188577,0.00024055959,0.000076954166,7.883031e-7,0.00000873866,0.0021224674],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99755263,0.0007126167,0.0002976359,0.0003992979,0.00048931345,0.0005484834],"domain_scores_gemma":[0.9984535,0.0006994472,0.00002870832,0.00020801186,0.0005171885,0.00009316515],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0016741558,0.00015702192,0.00037886112,0.000039075963,0.00144548,0.0001557069,0.00020071186,0.000086085536,0.000021002434],"category_scores_gemma":[0.00607187,0.00011693142,0.00008657112,0.00029713387,0.0018171679,0.00020894781,0.0006963572,0.00025367102,0.000010428753],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004205618,0.00017062447,0.039668098,0.00030777993,0.00014642047,0.00009538703,0.11006385,0.0000023748605,0.0000049228493,0.8318289,0.015049652,0.0026199352],"study_design_scores_gemma":[0.0007464272,0.000028893837,0.010520234,0.000029578874,0.00005649631,0.000004091892,0.83238226,0.000024373621,0.0000029413054,0.1504015,0.0056492663,0.0001539555],"about_ca_topic_score_codex":0.0015022745,"about_ca_topic_score_gemma":0.012956843,"teacher_disagreement_score":0.7223184,"about_ca_system_score_codex":0.0004666929,"about_ca_system_score_gemma":0.00010383538,"threshold_uncertainty_score":0.9998545},"labels":[],"label_agreement":null},{"id":"W4229683992","doi":"10.1386/csmf.5.1-2.125_5","title":"Reviews","year":2018,"lang":"en","type":"article","venue":"Critical Studies in Men’s Fashion","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Style (visual arts); Art history; Art; Media studies; Sociology; History; Visual arts","score_opus":0.20423481513581038,"score_gpt":0.3947618798256822,"score_spread":0.19052706468987185,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4229683992","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1663375,0.004606635,0.000014855052,0.006021451,0.0034435252,0.00041202348,0.000008468437,0.000173503,0.818982],"genre_scores_gemma":[0.98811454,0.0015090186,0.00008403231,0.0016650391,0.0013773154,0.00007197595,0.0000024787926,0.000009494186,0.007166113],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99893105,0.00009854036,0.00031398385,0.00022604794,0.00014099364,0.00028937223],"domain_scores_gemma":[0.9994773,0.00013817448,0.000024129677,0.0001444869,0.00016053108,0.00005534984],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002990195,0.00014621705,0.0002851132,0.0000385604,0.0003772983,0.00007080788,0.00013332498,0.00003512989,0.0032687124],"category_scores_gemma":[0.0008476914,0.00009751337,0.00006768539,0.00004321797,0.0014275425,0.00017345061,0.00008949555,0.00013059114,0.0017860542],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000706327,0.00006639869,0.00004559308,0.00010400382,0.0000119371225,0.000007757587,0.063835464,1.7086556e-8,0.00006834015,0.8119058,0.11617821,0.007769422],"study_design_scores_gemma":[0.00020771506,0.00016456313,0.0001458239,0.00022609634,0.00001709484,0.0000023068278,0.089343436,0.000013655371,0.00004488639,0.0054739276,0.9041497,0.00021079792],"about_ca_topic_score_codex":0.0000060928332,"about_ca_topic_score_gemma":0.0006914784,"teacher_disagreement_score":0.82177705,"about_ca_system_score_codex":0.00006663301,"about_ca_system_score_gemma":0.000004173537,"threshold_uncertainty_score":0.9989912},"labels":[],"label_agreement":null},{"id":"W4238707465","doi":"10.1386/csmf.1.2.185_5","title":"Reviews","year":2014,"lang":"en","type":"article","venue":"Critical Studies in Men’s Fashion","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Closet; Art; Art history; Queer; Humanities; History; Sociology; Archaeology; Gender studies","score_opus":0.15506789880897098,"score_gpt":0.3667781061361737,"score_spread":0.2117102073272027,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4238707465","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.112600826,0.004300063,0.000049453167,0.007862553,0.0026878535,0.00041360114,0.0000056371287,0.0001962423,0.87188375],"genre_scores_gemma":[0.9907599,0.0014425882,0.00007957301,0.0017018535,0.0006622181,0.000083557825,0.0000032190942,0.000009540855,0.005257541],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99889094,0.00015895271,0.00031887178,0.00021775196,0.00014225347,0.0002712243],"domain_scores_gemma":[0.99942493,0.00026096933,0.00002522171,0.00014607122,0.000085477324,0.000057331108],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00043386253,0.00014846113,0.00032370246,0.00003595617,0.00027333086,0.00007001272,0.00012852786,0.000034502264,0.0012914486],"category_scores_gemma":[0.001368706,0.00009915429,0.000076645025,0.00003219398,0.0005916569,0.0001502761,0.00007447626,0.00015252088,0.00083789637],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000031239463,0.00004914695,0.00003986727,0.00013368051,0.000007057894,0.0000026982298,0.024775445,1.8262763e-7,0.000032780637,0.9190514,0.044970777,0.01093383],"study_design_scores_gemma":[0.00022821513,0.00009118254,0.0001490307,0.00020866007,0.000016539263,0.0000015470764,0.047942586,0.000046281977,0.000014362289,0.008384993,0.9427078,0.00020881223],"about_ca_topic_score_codex":0.0000049558216,"about_ca_topic_score_gemma":0.00033617346,"teacher_disagreement_score":0.9106664,"about_ca_system_score_codex":0.00005427396,"about_ca_system_score_gemma":0.000002434865,"threshold_uncertainty_score":0.99994004},"labels":[],"label_agreement":null},{"id":"W4294739146","doi":"10.1386/csmf_00058_1","title":"Undressing masculinity: An exploratory study on men’s embodied engagement with underwear","year":2022,"lang":"en","type":"article","venue":"Critical Studies in Men’s Fashion","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Masculinity; Embodied cognition; Context (archaeology); Exploratory research; Psychology; Hegemonic masculinity; Gender studies; Scholarship; Social psychology; Demographics; Sociology; Casual; Social science; Political science","score_opus":0.20340844641450787,"score_gpt":0.36248947303237505,"score_spread":0.1590810266178672,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4294739146","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9096922,0.00016498278,0.000006136562,0.0014853318,0.0006768093,0.000654596,0.000017570059,0.00019205254,0.08711031],"genre_scores_gemma":[0.99728763,0.000043149237,0.000023984621,0.00089506607,0.00024802453,0.0006659744,0.000013152723,0.000033109874,0.00078990846],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99697226,0.00095539103,0.00037922626,0.00053413864,0.0007202381,0.00043875776],"domain_scores_gemma":[0.9990979,0.00030831847,0.000053009448,0.0003102095,0.00012363665,0.00010695389],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009288954,0.00029515196,0.00040281238,0.00012345338,0.002169504,0.0001966792,0.00026093135,0.000026286012,0.0013134304],"category_scores_gemma":[0.0001142449,0.00021894377,0.000060209808,0.000087685556,0.000533688,0.00031588206,0.00034294682,0.00060576637,0.00005537634],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016798239,0.0024867898,0.0003446649,0.00007782018,0.0001658426,0.00021699611,0.6284892,0.000092454226,0.00003229403,0.36339656,0.0034182984,0.0011111224],"study_design_scores_gemma":[0.0011734399,0.0022605169,0.000374925,0.00006447943,0.00006411105,0.0000021390451,0.9846482,0.000050582286,0.000012445532,0.0010915236,0.00990969,0.0003479302],"about_ca_topic_score_codex":0.000013556856,"about_ca_topic_score_gemma":0.0011739037,"teacher_disagreement_score":0.36230505,"about_ca_system_score_codex":0.00043663834,"about_ca_system_score_gemma":0.00002690731,"threshold_uncertainty_score":0.9995995},"labels":[],"label_agreement":null},{"id":"W4294739163","doi":"10.1386/csmf_00055_2","title":"New perspectives on men’s underwear","year":2022,"lang":"en","type":"article","venue":"Critical Studies in Men’s Fashion","topic":"Sports, Gender, and Society","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Brandon University","funders":"","keywords":"Materiality (auditing); Scholarship; Aesthetics; Consumption (sociology); Representation (politics); Sociology; Relation (database); Sustainability; Gender studies; Art; Political science; Law; Politics","score_opus":0.07841953343303588,"score_gpt":0.3937339565333723,"score_spread":0.3153144231003364,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4294739163","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23245908,0.0085883625,0.00044940662,0.04469596,0.0031465213,0.0008833575,0.000016529657,0.00037477602,0.709386],"genre_scores_gemma":[0.9903491,0.0022432262,0.00025912447,0.0007130636,0.0004928884,0.00009468025,0.000001599794,0.000014432561,0.005831895],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.997653,0.00036892132,0.00022130049,0.00043443713,0.0007949878,0.00052736746],"domain_scores_gemma":[0.9989909,0.0005769721,0.000029100664,0.000173765,0.00007874512,0.00015053745],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0011840228,0.00014569635,0.00025997128,0.000059638,0.001731084,0.00004154724,0.00026228014,0.00007047802,0.0012570162],"category_scores_gemma":[0.001062037,0.00014670733,0.00011562367,0.00033687486,0.0006674595,0.00010515484,0.00022269547,0.00040771125,0.00002527938],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019693478,0.00015490536,0.0013479765,0.000010549998,0.000032445758,0.000027346003,0.41731304,0.000016287071,0.000009107804,0.5324437,0.04783419,0.0007907446],"study_design_scores_gemma":[0.00030477127,0.00013652284,0.0012132047,0.000012072903,0.00001558327,8.2647927e-7,0.95252013,0.000010686993,0.0000046841524,0.009497041,0.03610925,0.00017523597],"about_ca_topic_score_codex":0.0005521293,"about_ca_topic_score_gemma":0.0003601468,"teacher_disagreement_score":0.75789,"about_ca_system_score_codex":0.0018903331,"about_ca_system_score_gemma":0.00017470171,"threshold_uncertainty_score":0.99965596},"labels":[],"label_agreement":null},{"id":"W4294739176","doi":"10.1386/csmf_00060_1","title":"‘Impossibly erotic things’: On men’s underwear in Brief Encounters by Suzanne Forster","year":2022,"lang":"en","type":"article","venue":"Critical Studies in Men’s Fashion","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Brandon University","funders":"Canada Research Chairs","keywords":"Romance; Masculinity; Narrative; Scholarship; Human sexuality; Representation (politics); Gender studies; Aesthetics; Sociology; Art; Literature; Law","score_opus":0.06588046701087703,"score_gpt":0.31489304820107794,"score_spread":0.24901258119020092,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4294739176","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8382733,0.0011883115,0.0000059273484,0.013999735,0.0017326698,0.0006562213,0.000082670434,0.00016902837,0.14389217],"genre_scores_gemma":[0.9896737,0.00023557457,0.000010110868,0.0046395436,0.00014174271,0.00030323814,0.000021925034,0.0000266421,0.0049475506],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99772286,0.0002449843,0.0004791531,0.00046255207,0.000521934,0.0005685239],"domain_scores_gemma":[0.9991815,0.00043037563,0.00004738805,0.00019117066,0.000067623136,0.00008192262],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00049692433,0.00028010714,0.00039927385,0.00014123935,0.000743841,0.00015493408,0.00028760117,0.00005183124,0.0022188313],"category_scores_gemma":[0.0002665882,0.00023089293,0.000099889636,0.000103040904,0.0005977457,0.0003574023,0.0002720712,0.00057726563,0.00008147984],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017796272,0.0009153092,0.0004147108,0.00026758562,0.00008307812,0.00015112908,0.26114672,0.00005120789,0.0003298525,0.5540408,0.18058787,0.0018337556],"study_design_scores_gemma":[0.0019545108,0.0010688334,0.00033950235,0.00041131166,0.00003757197,0.00001024703,0.8559013,0.0004623229,0.00007371697,0.007960117,0.13104299,0.00073758524],"about_ca_topic_score_codex":0.0000890396,"about_ca_topic_score_gemma":0.0006390315,"teacher_disagreement_score":0.5947546,"about_ca_system_score_codex":0.00065592857,"about_ca_system_score_gemma":0.000015677304,"threshold_uncertainty_score":0.9986933},"labels":[],"label_agreement":null},{"id":"W4383958546","doi":"10.1386/csmf_00063_1","title":"Fire on the island: Chester Weinberg and the first generation lost to AIDS","year":2023,"lang":"en","type":"article","venue":"Critical Studies in Men’s Fashion","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Seneca Polytechnic","funders":"","keywords":"History; Happening; Haven; Safe haven; Sociology; Genealogy; Gender studies; Art history; Performance art","score_opus":0.11119984987259202,"score_gpt":0.3178767391703654,"score_spread":0.2066768892977734,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4383958546","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8848302,0.00027181473,0.000002166933,0.08456045,0.0007847202,0.00039109864,0.0000144252535,0.00006023281,0.029084893],"genre_scores_gemma":[0.98685956,0.0003849655,0.0000028033865,0.0057984055,0.0006267426,0.00015949135,0.0000049229875,0.000009485458,0.006153598],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990926,0.00009811891,0.00018792173,0.0002033668,0.00019229154,0.00022572432],"domain_scores_gemma":[0.99902546,0.00071521336,0.000014322407,0.00014471848,0.00006674697,0.000033542572],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00037557297,0.00013909265,0.00017487993,0.000029038321,0.00078134035,0.00018434523,0.000120942655,0.000032277687,0.00041345938],"category_scores_gemma":[0.00055807084,0.000062611995,0.00004624639,0.00007219298,0.00068580266,0.00008367482,0.00013211084,0.00014904112,0.00052948715],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030709438,0.000026390453,0.00005572614,0.000039033537,0.000026554919,0.000006413067,0.11103683,0.000007641186,0.000014608726,0.72777325,0.15948166,0.0015011814],"study_design_scores_gemma":[0.0017334066,0.0005106231,0.0023188,0.0003838985,0.00007601852,0.0000047756776,0.4501384,0.0023165122,0.0000915231,0.0078702895,0.53399384,0.00056191173],"about_ca_topic_score_codex":0.000011061796,"about_ca_topic_score_gemma":0.0019691563,"teacher_disagreement_score":0.719903,"about_ca_system_score_codex":0.00003853518,"about_ca_system_score_gemma":0.0000029672638,"threshold_uncertainty_score":0.6805663},"labels":[],"label_agreement":null},{"id":"W4392312901","doi":"10.1386/csmf_00077_1","title":"Uniform-undone: A study in the repurposing of military attire through history and in experimental practice","year":2023,"lang":"en","type":"article","venue":"Critical Studies in Men’s Fashion","topic":"Artistic and Creative Research","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Repurposing; Medicine; History; Engineering","score_opus":0.1972157920165595,"score_gpt":0.4320149454286115,"score_spread":0.23479915341205201,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392312901","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.92828447,0.011737378,0.0000019255258,0.001149145,0.00008143787,0.0004794124,0.000003271793,0.00001572369,0.05824727],"genre_scores_gemma":[0.9985144,0.00088927295,0.00003559174,0.00013231504,0.000053582826,0.00017112262,0.0000017359188,0.000007646948,0.000194338],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9984612,0.00045034176,0.00031563945,0.00021869448,0.00029675325,0.00025740187],"domain_scores_gemma":[0.997941,0.0018213368,0.000020704145,0.00012861214,0.000069597576,0.000018739202],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010956879,0.00010616246,0.00024057401,0.00009185649,0.00016485552,0.000009112095,0.00010591764,0.000023839091,0.00005057299],"category_scores_gemma":[0.0012103547,0.000075687174,0.000020872483,0.00009414626,0.0011246947,0.0002721958,0.00018129863,0.00022570086,0.0000062336435],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024032655,0.0012519652,0.009015508,0.00018214372,0.000037830967,0.000374022,0.6651459,0.000002311259,0.000051160554,0.31919372,0.0038379412,0.0006672094],"study_design_scores_gemma":[0.0005614307,0.00040412438,0.005552843,0.00011382821,0.000012811119,0.000002785795,0.9857299,0.00008890297,0.000011190197,0.00076119386,0.0066727367,0.000088274086],"about_ca_topic_score_codex":0.000639947,"about_ca_topic_score_gemma":0.0019862517,"teacher_disagreement_score":0.32058403,"about_ca_system_score_codex":0.00033631898,"about_ca_system_score_gemma":0.0000239047,"threshold_uncertainty_score":0.41439846},"labels":[],"label_agreement":null}]}