{"meta":{"query_hash":"7e1e1a0575ba","filters":{"venue":"Culture & Musées"},"cohort_total":68,"direct_labels_cover":1,"predictions_cover":68,"exported":68,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/7e1e1a0575ba","api":"https://metacan.xera.ac/api/v1/cohort?venue=Culture+%26+Mus%C3%A9es"},"results":[{"id":"W2046019670","doi":"10.3406/pumus.2007.1430","title":"Politiques culturelles et patrimoines au Québec et au Canada","year":2007,"lang":"fr","type":"article","venue":"Culture & Musées","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Political science; Philosophy","score_opus":0.029539073669554525,"score_gpt":0.271610988252086,"score_spread":0.2420719145825315,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2046019670","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6111471,0.013141363,0.00278815,0.024679583,0.00027095326,0.00014607077,0.0019401985,0.0001129121,0.3457738],"genre_scores_gemma":[0.94037443,0.0032046505,0.0006619316,0.0010031629,0.000022031207,0.000048155973,0.00031081858,0.000020957767,0.054353915],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99863166,0.00021340598,0.00003194912,0.00017025536,0.0003811603,0.0005716047],"domain_scores_gemma":[0.9979315,0.00028883645,0.000201505,0.000080600505,0.0009732416,0.0005242877],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008319938,0.00031801168,0.0003080783,0.0017593262,0.011498715,0.004046653,0.00066798064,0.0006394623,0.009543471],"category_scores_gemma":[0.002143336,0.00024787863,0.00020861936,0.003925075,0.004793417,0.0010240942,0.0013966551,0.0015685487,0.00030341596],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020421373,0.00012007499,0.15559886,0.00065209944,0.00015399743,0.0013406075,0.1425124,0.0031508803,0.0023901807,0.42024425,0.06170121,0.21193123],"study_design_scores_gemma":[0.000024901938,0.00004772837,0.45599127,0.0007588454,0.00006270875,0.00019664,0.06973147,0.0014074225,0.0006665188,0.0053004753,0.4657094,0.00010264945],"about_ca_topic_score_codex":0.9975395,"about_ca_topic_score_gemma":0.9987192,"teacher_disagreement_score":0.902118,"about_ca_system_score_codex":0.09788197,"about_ca_system_score_gemma":0.11466256,"threshold_uncertainty_score":0.7101867},"labels":[],"label_agreement":null},{"id":"W2053681217","doi":"10.3406/pumus.2003.1167","title":"La patrimonialisation de l'environnement au Biodôme de Montréal","year":2003,"lang":"en","type":"article","venue":"Culture & Musées","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Cultural heritage management; Politics; Cultural heritage; Scope (computer science); Environmental ethics; Sociology; Industrial heritage; Consciousness; Political science; Epistemology; Law; Computer science; Philosophy","score_opus":0.018728319948943552,"score_gpt":0.24858935398785356,"score_spread":0.22986103403891,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2053681217","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.28903958,0.0341987,0.015453612,0.03978938,0.0030219716,0.00029219713,0.0024458182,0.00094221963,0.61481655],"genre_scores_gemma":[0.61415833,0.009562886,0.0041205115,0.0015961659,0.00046261775,0.00016137148,0.0003870414,0.00018030278,0.3693708],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9986589,0.00028190727,0.000019026682,0.0002131986,0.0005387655,0.0002880904],"domain_scores_gemma":[0.99904925,0.00020410631,0.000098234435,0.00007292656,0.00025215378,0.0003233084],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009675108,0.0008278314,0.00035460482,0.0010165902,0.0060201483,0.006129734,0.0011011683,0.0014121978,0.031275794],"category_scores_gemma":[0.0021598726,0.00033502866,0.0006998862,0.001682249,0.004565715,0.0017284934,0.0017512427,0.0030127272,0.001503923],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00029893318,0.00013500161,0.015523292,0.00065739686,0.00013343999,0.0033875133,0.01921711,0.004569194,0.011034718,0.6404428,0.08781048,0.21679017],"study_design_scores_gemma":[0.000028207105,0.000034080444,0.033355325,0.00009133508,0.000014399638,0.0003010302,0.0022223485,0.00047279499,0.0011620551,0.0018345466,0.9604316,0.000052413427],"about_ca_topic_score_codex":0.9366483,"about_ca_topic_score_gemma":0.9314949,"teacher_disagreement_score":0.06335169,"about_ca_system_score_codex":0.04193788,"about_ca_system_score_gemma":0.031456873,"threshold_uncertainty_score":0.30428207},"labels":[],"label_agreement":null},{"id":"W2067453359","doi":"10.3406/pumus.2005.1378","title":"Musées « civilisants » du Québec et du Canada : les enjeux politiques et publics","year":2005,"lang":"fr","type":"article","venue":"Culture & Musées","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Political science","score_opus":0.06116433498387872,"score_gpt":0.2690635592068383,"score_spread":0.20789922422295956,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2067453359","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.40452933,0.053811185,0.002009543,0.11943901,0.0009548351,0.00015896285,0.0022803221,0.00013220968,0.41668454],"genre_scores_gemma":[0.83738875,0.009667723,0.0008732499,0.003400586,0.00013029558,0.000085998654,0.00037528007,0.00004994299,0.14802822],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977749,0.0003842223,0.000055612967,0.0001705731,0.0005719881,0.0010425766],"domain_scores_gemma":[0.9959449,0.0010349586,0.00031243014,0.00012900447,0.0011030503,0.0014755257],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0021980747,0.00056349055,0.00046187147,0.002686604,0.022321623,0.009672682,0.0015263413,0.0023817318,0.02031089],"category_scores_gemma":[0.0049521783,0.0005017706,0.00031151678,0.0052428064,0.009676781,0.002978041,0.003120698,0.0044793515,0.0004924918],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016024684,0.00011996748,0.034919698,0.00046136937,0.0000873559,0.0015228116,0.10447885,0.0012229893,0.0013732472,0.63926923,0.11406803,0.10231618],"study_design_scores_gemma":[0.000032234788,0.000023038547,0.10205632,0.0004711725,0.000029581688,0.00022805118,0.078233,0.00037322182,0.0003467563,0.0058849794,0.81223106,0.00009058619],"about_ca_topic_score_codex":0.9969668,"about_ca_topic_score_gemma":0.9983339,"teacher_disagreement_score":0.13990463,"about_ca_system_score_codex":0.13990463,"about_ca_system_score_gemma":0.20984077,"threshold_uncertainty_score":0.9975887},"labels":[],"label_agreement":null},{"id":"W2073828825","doi":"10.3406/pumus.2005.1217","title":"Parcs sous tension","year":2005,"lang":"fr","type":"article","venue":"Culture & Musées","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Political science; Physics; Art","score_opus":0.03836679553240768,"score_gpt":0.27205511481963857,"score_spread":0.23368831928723088,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2073828825","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.025273368,0.0022634736,0.0031460647,0.05157995,0.002307254,0.00010454593,0.00024993595,0.00014575591,0.9149296],"genre_scores_gemma":[0.49745372,0.00327228,0.0018256787,0.028368616,0.001515482,0.00034422777,0.00046689506,0.00038427388,0.46636876],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99181056,0.0022777768,0.00021270887,0.0013663854,0.0020137278,0.002318829],"domain_scores_gemma":[0.9964653,0.0006031674,0.00038265096,0.00034290343,0.0011901386,0.0010158508],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0027130495,0.00077522587,0.0006351631,0.0020719366,0.02219297,0.014227052,0.002040534,0.0048283213,0.07494129],"category_scores_gemma":[0.008629044,0.0004249899,0.000634594,0.004406836,0.019141741,0.008672972,0.014890199,0.009915668,0.008862911],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003796011,0.000023616049,0.0009803841,0.00010926722,0.000014585658,0.0012109841,0.051232446,0.000083593724,0.00033520375,0.8270782,0.10115681,0.017736878],"study_design_scores_gemma":[0.000008766927,0.000010702474,0.0007377285,0.000115095594,0.000007429014,0.00045320264,0.027184354,0.00006687739,0.0000929531,0.029592281,0.9417169,0.0000137104125],"about_ca_topic_score_codex":0.07567905,"about_ca_topic_score_gemma":0.08799685,"teacher_disagreement_score":0.07567905,"about_ca_system_score_codex":0.018252037,"about_ca_system_score_gemma":0.015397837,"threshold_uncertainty_score":0.25070357},"labels":[],"label_agreement":null},{"id":"W2078340061","doi":"10.3406/pumus.2006.1404","title":"Constructions et émotions patrimoniales à Québec : un patrimoine national partagé entre commémorations et reconstructions historiques","year":2006,"lang":"es","type":"article","venue":"Culture & Musées","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Emblem; Art; Political science","score_opus":0.021696721205317807,"score_gpt":0.2507723094891725,"score_spread":0.22907558828385471,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2078340061","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.67938995,0.008784176,0.0031912832,0.03236139,0.00038596927,0.00004303372,0.0003610441,0.00006408087,0.275419],"genre_scores_gemma":[0.9601963,0.0012673212,0.00021575505,0.00056783255,0.00002223241,0.000012690354,0.000041174666,0.00002118981,0.037655447],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9993543,0.00025507962,0.000009552647,0.00006771286,0.00012849006,0.00018481548],"domain_scores_gemma":[0.9992681,0.0001806027,0.00009458226,0.00004041136,0.00025308243,0.00016317105],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001028666,0.0003386327,0.00024243107,0.000911659,0.014349603,0.006649331,0.0007188976,0.0012751276,0.0076076],"category_scores_gemma":[0.00171282,0.00019922186,0.00013927756,0.0018491634,0.01865804,0.002152483,0.001868938,0.0023084327,0.00029088542],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004537771,0.000017563507,0.0070056664,0.00006716952,0.000010118939,0.0003831307,0.8151656,0.00023566211,0.0005588875,0.13911161,0.01711009,0.02028912],"study_design_scores_gemma":[0.000005991287,0.000018565162,0.03042852,0.00020118256,0.000015276339,0.00013524701,0.66358423,0.00036494498,0.00033156402,0.005302277,0.29957414,0.00003806219],"about_ca_topic_score_codex":0.96892804,"about_ca_topic_score_gemma":0.9836165,"teacher_disagreement_score":0.05827889,"about_ca_system_score_codex":0.05827889,"about_ca_system_score_gemma":0.021039115,"threshold_uncertainty_score":0.4228449},"labels":[],"label_agreement":null},{"id":"W2581765124","doi":"10.3406/pumus.2012.1646","title":"Artiste, chercheur, innovateur : Le consortium Hexagram (Montréal)","year":2012,"lang":"en","type":"article","venue":"Culture & Musées","topic":"Cultural Industries and Urban Development","field":"Social Sciences","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Innovator; Frontier; Sociology; Art; Political science; Intellectual property","score_opus":0.05272582604491362,"score_gpt":0.2985079432004975,"score_spread":0.2457821171555839,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2581765124","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.014437601,0.019294556,0.009668185,0.071115375,0.002269068,0.00016492016,0.0015547387,0.0017299356,0.87976557],"genre_scores_gemma":[0.20365213,0.0077098343,0.0068091373,0.0021692566,0.00038113762,0.00016772278,0.0005143915,0.00059420604,0.7780022],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979158,0.0005620038,0.000040345898,0.0002625532,0.00078336295,0.00043591319],"domain_scores_gemma":[0.9983072,0.00034923185,0.00011506355,0.00015018755,0.00043166755,0.00064668123],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0024003214,0.00063575816,0.00029352697,0.001206392,0.0063244435,0.0072968416,0.0010951228,0.0017722506,0.10920173],"category_scores_gemma":[0.0024296574,0.00032568537,0.00020696898,0.0035695066,0.0042296913,0.0029675642,0.0035288874,0.0016722989,0.00918781],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009086026,0.00003567891,0.002274125,0.00021979221,0.000010047953,0.0007086612,0.006610052,0.0005447837,0.0017607232,0.22221364,0.58082074,0.18471096],"study_design_scores_gemma":[0.000007468832,0.00000633634,0.0024074106,0.000059058515,0.000003889707,0.00014047285,0.0035477425,0.00018973721,0.00030906373,0.001671507,0.9916386,0.000018647088],"about_ca_topic_score_codex":0.71186376,"about_ca_topic_score_gemma":0.8137007,"teacher_disagreement_score":0.97923917,"about_ca_system_score_codex":0.02076084,"about_ca_system_score_gemma":0.021954088,"threshold_uncertainty_score":0.57966626},"labels":[],"label_agreement":null},{"id":"W2594412247","doi":"","title":"Gaëlle Lesaffre, Objets de patrimoine, Objets de curiosité : Le statut des objets extra-occidentaux dans l’exposition permanente du musée du quai Branly. (Thèse de doctorat en sciences de l’information et de la communication / Ph. D. en muséologie, université d’Avignon et des Pays de Vaucluse / université du Québec à Montréal, soutenue publiquement le 16 novembre 2011).","year":2012,"lang":"fr","type":"article","venue":"Culture & Musées","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.013527971710132784,"score_gpt":0.24405533858026796,"score_spread":0.23052736687013517,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2594412247","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09365565,0.14457229,0.006899227,0.303969,0.0041922163,0.00015150032,0.0008735125,0.00016039194,0.44552624],"genre_scores_gemma":[0.71912324,0.043838795,0.0036981506,0.018939774,0.0011135687,0.00025103023,0.00020957123,0.0003180682,0.21250772],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9985089,0.00070922554,0.000035399615,0.00019538424,0.0003051735,0.00024595036],"domain_scores_gemma":[0.9956896,0.0030217054,0.00025143212,0.000092696646,0.00061770395,0.00032697874],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002869964,0.0005377592,0.00028859268,0.0012193983,0.0106172,0.005826875,0.0009954765,0.0028040279,0.011563081],"category_scores_gemma":[0.0069450024,0.00038221266,0.0002453241,0.0012114027,0.009793721,0.007470586,0.002586799,0.004289886,0.0012785492],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012400305,0.000038101272,0.006288672,0.000329352,0.000025374,0.0005971116,0.34962568,0.00014390794,0.00041843212,0.34511217,0.2419038,0.0553934],"study_design_scores_gemma":[0.000029066214,0.000023663139,0.031921174,0.0006934541,0.000031116717,0.00039208683,0.1351579,0.00014686285,0.00078174873,0.026771141,0.8039996,0.000052147378],"about_ca_topic_score_codex":0.29824707,"about_ca_topic_score_gemma":0.5606456,"teacher_disagreement_score":0.29824707,"about_ca_system_score_codex":0.008401855,"about_ca_system_score_gemma":0.0074660014,"threshold_uncertainty_score":0.59302217},"labels":[],"label_agreement":null},{"id":"W2615084058","doi":"10.4000/culturemusees.950","title":"L’artiste historien de l’art en narrateur : musées clandestins et copies anonymes","year":2016,"lang":"fr","type":"article","venue":"Culture & Musées","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Art; Humanities","score_opus":0.021909403725401736,"score_gpt":0.2503260331625802,"score_spread":0.22841662943717844,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2615084058","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.25488055,0.021624824,0.01075659,0.019154731,0.0028723397,0.00008973126,0.000817104,0.00031429905,0.68948984],"genre_scores_gemma":[0.8701978,0.005397981,0.0024798631,0.0011873107,0.0007862626,0.00013577117,0.00034640866,0.0003659,0.11910278],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9970065,0.0016919085,0.00012072662,0.00032796527,0.00060452026,0.00024837942],"domain_scores_gemma":[0.9968131,0.0020399964,0.00026844352,0.0004702501,0.00025617552,0.00015197002],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0027288287,0.0004099106,0.00033686945,0.0026914736,0.008615177,0.0083959885,0.0008094905,0.0011045014,0.012482333],"category_scores_gemma":[0.008011062,0.00033495616,0.00015140676,0.0039168266,0.010552545,0.0059628715,0.005816573,0.0019907544,0.0016836493],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005932532,0.000011273219,0.0014399469,0.00017648826,0.000008275523,0.00055037835,0.45976624,0.0001146264,0.00088823,0.480952,0.023520904,0.032512266],"study_design_scores_gemma":[0.0000046222663,0.000010809083,0.001731271,0.00030431748,0.000006798985,0.00047165583,0.062686674,0.000100339465,0.0006559442,0.010982884,0.92302996,0.000014718588],"about_ca_topic_score_codex":0.008588401,"about_ca_topic_score_gemma":0.019866489,"teacher_disagreement_score":0.012482333,"about_ca_system_score_codex":0.00503021,"about_ca_system_score_gemma":0.0021826592,"threshold_uncertainty_score":0.041757584},"labels":[],"label_agreement":null},{"id":"W2815552695","doi":"10.4000/culturemusees.1376","title":"Représentations et médiation du patrimoine mondial : Le site d’Arequipa","year":2014,"lang":"fr","type":"article","venue":"Culture & Musées","topic":"Diverse Aspects of Tourism Research","field":"Social Sciences","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Humanities; Representation (politics); Political science; Art","score_opus":0.019280431405647894,"score_gpt":0.345276761327962,"score_spread":0.3259963299223141,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2815552695","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7654661,0.0032985357,0.0053536864,0.009432217,0.0004353826,0.000050794886,0.00011189993,0.00004672377,0.21580477],"genre_scores_gemma":[0.99130124,0.0005952306,0.00052776624,0.00012389656,0.000021200185,0.000014451425,0.00001949368,0.000013478485,0.007383312],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99820876,0.0010486322,0.000037488626,0.00013039162,0.00029409997,0.00028061366],"domain_scores_gemma":[0.9981997,0.0009610886,0.00023754752,0.00021611153,0.00018313165,0.0002024627],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0021578304,0.00033473974,0.00031388027,0.0010946655,0.0067783464,0.0060556764,0.00093163236,0.0012633385,0.009843915],"category_scores_gemma":[0.004900041,0.00024401334,0.00030006745,0.002150681,0.011191273,0.004198861,0.005863259,0.002540252,0.00047234018],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000061622966,0.000038507616,0.011326905,0.00019939509,0.000014932426,0.001253201,0.7670055,0.00020034738,0.0007972996,0.17883843,0.0023727217,0.03789121],"study_design_scores_gemma":[0.000012876211,0.00007824476,0.023266584,0.00045811015,0.000021371518,0.0009169572,0.68943655,0.000311488,0.0006704643,0.01488393,0.2698969,0.000046566656],"about_ca_topic_score_codex":0.023871662,"about_ca_topic_score_gemma":0.034500558,"teacher_disagreement_score":0.023871662,"about_ca_system_score_codex":0.0034500265,"about_ca_system_score_gemma":0.0034622422,"threshold_uncertainty_score":0.047465444},"labels":[],"label_agreement":null},{"id":"W2851320614","doi":"10.4000/culturemusees.897","title":"La muséologie soviétique de l’entre-deux-guerres","year":2016,"lang":"fr","type":"article","venue":"Culture & Musées","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Philosophy; Art","score_opus":0.032324870058062394,"score_gpt":0.2596434412997796,"score_spread":0.22731857124171723,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2851320614","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4117203,0.08083572,0.0037526463,0.01626992,0.001928573,0.000041202376,0.0011344807,0.00022413385,0.48409298],"genre_scores_gemma":[0.92137426,0.0119103575,0.003051256,0.0007558769,0.00031593908,0.000071514296,0.00032347732,0.0001203174,0.062076997],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992719,0.0003072785,0.00003139398,0.00010469242,0.00010776743,0.0001768695],"domain_scores_gemma":[0.9997279,0.000099740784,0.00004874115,0.00004250885,0.000031985808,0.000049141097],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001082541,0.0005143314,0.00054203306,0.0017094575,0.008648756,0.0043031476,0.00037692217,0.0008367092,0.0054153684],"category_scores_gemma":[0.0015410277,0.00029684557,0.00032471467,0.0023745967,0.005791199,0.0016448755,0.0033118795,0.001901566,0.00072069414],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003409335,0.000029723808,0.010505644,0.0004895888,0.000058035548,0.0014711982,0.20107476,0.00032733707,0.003951268,0.6343699,0.025786668,0.12159494],"study_design_scores_gemma":[0.00003309781,0.00003151851,0.017687494,0.00039086756,0.00002338942,0.00075576757,0.01795697,0.00007045402,0.0007656231,0.010201763,0.9520547,0.000028296237],"about_ca_topic_score_codex":0.10282057,"about_ca_topic_score_gemma":0.11984538,"teacher_disagreement_score":0.10282057,"about_ca_system_score_codex":0.005886552,"about_ca_system_score_gemma":0.0032335047,"threshold_uncertainty_score":0.20444417},"labels":[],"label_agreement":null},{"id":"W2892110990","doi":"10.4000/culturemusees.386","title":"La participation à des projets artistiques, vecteur d’émancipation ? Le cas de projets de création dans des écoles montréalaises en milieu défavorisé","year":2015,"lang":"fr","type":"article","venue":"Culture & Musées","topic":"Contemporary art, education, critique","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Art; Emancipation; Political science; Politics","score_opus":0.042813931162634725,"score_gpt":0.34775918827710917,"score_spread":0.30494525711447446,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2892110990","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.39066544,0.0036651336,0.0049431883,0.044390276,0.0004447149,0.0001787848,0.00013528553,0.00008346488,0.55549365],"genre_scores_gemma":[0.95428,0.0008647941,0.00079496857,0.0008372517,0.000063690226,0.00007467248,0.000027496104,0.000032533106,0.04302456],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.98526496,0.008027559,0.0001607518,0.00092590303,0.0025580293,0.003062743],"domain_scores_gemma":[0.9858943,0.004243992,0.0010493342,0.000908961,0.0024194822,0.005484],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.008378131,0.0004547002,0.00044247104,0.0017859718,0.019839413,0.017326169,0.0018106471,0.0023446453,0.014769238],"category_scores_gemma":[0.01385627,0.00026353815,0.00044179248,0.0031243092,0.02683326,0.0050106454,0.010220668,0.0031916287,0.0011966953],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014836865,0.00017272249,0.018435244,0.00036432175,0.00003727859,0.0008651037,0.44231132,0.0003732247,0.0014519767,0.45270827,0.013079155,0.07005311],"study_design_scores_gemma":[0.000055554294,0.00015495354,0.04089098,0.0006898738,0.00003440643,0.00029449773,0.35422587,0.00036533218,0.0009198553,0.02121618,0.5810814,0.000071116236],"about_ca_topic_score_codex":0.40146357,"about_ca_topic_score_gemma":0.5524529,"teacher_disagreement_score":0.59853643,"about_ca_system_score_codex":0.0263632,"about_ca_system_score_gemma":0.05389247,"threshold_uncertainty_score":0.7982536},"labels":[],"label_agreement":null},{"id":"W2896766565","doi":"10.4000/culturemusees.371","title":"Considérer les besoins des plus démunis : le nouveau socle de la médiation ?","year":2015,"lang":"fr","type":"article","venue":"Culture & Musées","topic":"Education, sociology, and vocational training","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Université du Québec à Montréal; Université du Québec à Trois-Rivières; Musée de la Civilisation","funders":"","keywords":"Publics; Humanities; Political science; Art","score_opus":0.27524807360506204,"score_gpt":0.4614276644783736,"score_spread":0.18617959087331154,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2896766565","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09099529,0.014433054,0.0069593065,0.25507683,0.0020573759,0.00008427891,0.0001626309,0.00013714591,0.6300941],"genre_scores_gemma":[0.83679324,0.0037477077,0.0011937835,0.009649688,0.0004799681,0.00005893225,0.000055034518,0.00013094809,0.14789073],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9934164,0.0027305027,0.00008209354,0.00065025216,0.0010360819,0.0020846622],"domain_scores_gemma":[0.9960983,0.00085259916,0.0003332658,0.0003396623,0.0006903146,0.0016858546],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004197416,0.00053374295,0.0005038576,0.0012387176,0.028025076,0.017684733,0.0018551579,0.004045224,0.027128717],"category_scores_gemma":[0.0077964473,0.00040104822,0.00045240382,0.0016811825,0.03919675,0.010515255,0.009506331,0.0062780096,0.0025755384],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000039181556,0.000028507418,0.0026872985,0.000111533685,0.0000138318255,0.0005558412,0.13948792,0.00012418856,0.00027787447,0.7977579,0.034606304,0.024309529],"study_design_scores_gemma":[0.000018229463,0.000030324383,0.00353979,0.00039893604,0.00001477774,0.00023329617,0.12060362,0.00016920698,0.00026733486,0.059440874,0.8152399,0.000043777567],"about_ca_topic_score_codex":0.37106383,"about_ca_topic_score_gemma":0.46098396,"teacher_disagreement_score":0.37106383,"about_ca_system_score_codex":0.027698861,"about_ca_system_score_gemma":0.03928779,"threshold_uncertainty_score":0.737808},"labels":[],"label_agreement":null},{"id":"W2899304155","doi":"10.4000/culturemusees.1151","title":"Du matériel à l’immatériel : réflexion sur une muséologie adaptée à la danse","year":2017,"lang":"fr","type":"article","venue":"Culture & Musées","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage; Université du Québec à Montréal","funders":"","keywords":"Art","score_opus":0.05390746397715838,"score_gpt":0.2644990223330085,"score_spread":0.2105915583558501,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2899304155","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18401143,0.011539126,0.025153797,0.11387486,0.0015512779,0.00006922266,0.00004400568,0.00010459429,0.66365165],"genre_scores_gemma":[0.97021425,0.0013519817,0.0023500018,0.0018631183,0.0001669734,0.000032028885,0.000008350971,0.00006512902,0.02394817],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99434435,0.004037525,0.00007929418,0.00039052486,0.0006150478,0.0005332733],"domain_scores_gemma":[0.9957337,0.0024294779,0.00040374175,0.0004888596,0.0004195728,0.0005246439],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00852008,0.000376425,0.0003587554,0.0016336069,0.015887555,0.013598156,0.0015371002,0.0034387622,0.0052351803],"category_scores_gemma":[0.009695053,0.0003121307,0.00030981968,0.001320964,0.063775524,0.011474555,0.01030899,0.0048962245,0.00047562167],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019472205,0.000012377476,0.0007657041,0.00005708438,0.0000040381856,0.00024999457,0.2747905,0.0000921474,0.00032897666,0.7106436,0.0033685733,0.009667594],"study_design_scores_gemma":[0.00001582438,0.000043755394,0.0022861138,0.00050432875,0.000013134056,0.00069820136,0.32828084,0.00042266876,0.00085018313,0.18700771,0.47983414,0.000043135693],"about_ca_topic_score_codex":0.014909304,"about_ca_topic_score_gemma":0.024457326,"teacher_disagreement_score":0.015887555,"about_ca_system_score_codex":0.0063587334,"about_ca_system_score_gemma":0.0070762243,"threshold_uncertainty_score":0.04613602},"labels":[],"label_agreement":null},{"id":"W2899343391","doi":"10.4000/culturemusees.493","title":"Écouter la musique par corps. La socialisation de l’oreille en natation synchronisée","year":2015,"lang":"fr","type":"article","venue":"Culture & Musées","topic":"Education, sociology, and vocational training","field":"Social Sciences","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal; Musée de la Civilisation","funders":"","keywords":"Art; Humanities","score_opus":0.16087361740248507,"score_gpt":0.43977276955321204,"score_spread":0.27889915215072697,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2899343391","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.65750897,0.0030031682,0.028400373,0.0074362615,0.00091729476,0.0001393576,0.00016495456,0.00014949118,0.30228013],"genre_scores_gemma":[0.9192688,0.00061092095,0.005293056,0.00030572436,0.000090446614,0.00006434406,0.000070237045,0.00007600384,0.074220546],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9981976,0.0008327638,0.000054380576,0.0003390356,0.00038048378,0.00019583458],"domain_scores_gemma":[0.99818134,0.0005898839,0.00035984573,0.00021950154,0.00029126913,0.00035820666],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017436292,0.0003681047,0.0002379849,0.0009995798,0.005630882,0.0039400286,0.0007264657,0.0011415123,0.016179258],"category_scores_gemma":[0.0048549655,0.0002996772,0.00027449365,0.0009077131,0.007356777,0.0031168968,0.0048859804,0.0015884133,0.0018141227],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00031247636,0.00011098472,0.027247936,0.00051744824,0.000068466994,0.0014909133,0.6162862,0.0007242737,0.0154852765,0.17170478,0.007542029,0.15850925],"study_design_scores_gemma":[0.000031907915,0.00032910632,0.065594405,0.0006323371,0.000041426854,0.0013250335,0.39659953,0.0010109423,0.0024266709,0.02016962,0.51172763,0.00011142769],"about_ca_topic_score_codex":0.016380914,"about_ca_topic_score_gemma":0.032187942,"teacher_disagreement_score":0.016380914,"about_ca_system_score_codex":0.0021047397,"about_ca_system_score_gemma":0.0021403886,"threshold_uncertainty_score":0.05412501},"labels":[],"label_agreement":null},{"id":"W2900001221","doi":"10.4000/culturemusees.1169","title":"Du queer au musée : Réflexions méthodologiques sur la manière d’inclure le queer dans les collections muséales","year":2017,"lang":"fr","type":"article","venue":"Culture & Musées","topic":"Museums and Cultural Heritage","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Bombardier (Canada)","funders":"","keywords":"Humanities; Queer; Philosophy; Art; Sociology; Gender studies","score_opus":0.05484615844897015,"score_gpt":0.2748866259554842,"score_spread":0.22004046750651404,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2900001221","genre_codex":"other","genre_gemma":"methods","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"methods","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12544885,0.01851688,0.38788486,0.060868304,0.0020095694,0.0013309857,0.000933376,0.00036558678,0.40264153],"genre_scores_gemma":[0.82722074,0.0052916342,0.1302774,0.0046185064,0.00039064718,0.0027368872,0.00037327362,0.00069661316,0.028394312],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.8597149,0.12246675,0.0033044247,0.005240482,0.007921461,0.0013519131],"domain_scores_gemma":[0.8497639,0.12377091,0.0046308883,0.0121486345,0.008793553,0.00089215866],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.10469402,0.0010645717,0.0011506797,0.009847141,0.011763676,0.024945635,0.0037880912,0.003359561,0.008257966],"category_scores_gemma":[0.11485397,0.0010250522,0.0010233315,0.010377874,0.06269967,0.02198338,0.010789972,0.005682293,0.0010927379],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005792066,0.000020016212,0.0015535639,0.00051957706,0.000038552287,0.00014364978,0.44193086,0.000118934026,0.0003896514,0.5305973,0.0029203717,0.021709593],"study_design_scores_gemma":[0.000062621984,0.00005289553,0.0029229051,0.0028449423,0.00008432168,0.00041804666,0.3985461,0.0007504637,0.0019699463,0.32591376,0.26634055,0.00009346189],"about_ca_topic_score_codex":0.019383438,"about_ca_topic_score_gemma":0.027212396,"teacher_disagreement_score":0.10469402,"about_ca_system_score_codex":0.0113740675,"about_ca_system_score_gemma":0.012797457,"threshold_uncertainty_score":0.5536815},"labels":[],"label_agreement":null},{"id":"W2902450754","doi":"10.4000/culturemusees.1072","title":"Conserver la musique enregistrée, 1877-2017. Document, œuvre, expérience : trois paradigmes témoins d’un rapport changeant à la musique","year":2017,"lang":"fr","type":"article","venue":"Culture & Musées","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Art","score_opus":0.04416868643556348,"score_gpt":0.2718167021211991,"score_spread":0.22764801568563564,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2902450754","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.53885007,0.012004896,0.0037482572,0.009313105,0.0011013857,0.00006036422,0.00051208836,0.00006924674,0.4343407],"genre_scores_gemma":[0.9261811,0.0029953837,0.0008575279,0.00022688674,0.00015213799,0.00003241535,0.00016622785,0.000077393575,0.06931106],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99845445,0.00062161,0.000071958566,0.00019259498,0.00037148054,0.00028786252],"domain_scores_gemma":[0.9990932,0.00036017908,0.00013194316,0.000109501,0.00015830372,0.00014691026],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0021941252,0.0003076568,0.00023032656,0.0014778762,0.0053851446,0.0034641542,0.00045256794,0.0006418298,0.0073471963],"category_scores_gemma":[0.0038454141,0.00018307587,0.00014534706,0.0019041237,0.011373869,0.0024612057,0.003465231,0.001990707,0.001116438],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000115567986,0.000028399072,0.008947783,0.00026836453,0.000015628646,0.0004701095,0.51666975,0.00030169237,0.0010195532,0.33179143,0.015359402,0.12501231],"study_design_scores_gemma":[0.0000075023936,0.00006650471,0.030357366,0.000615925,0.000008706348,0.0004674055,0.17749031,0.00011891858,0.0011842825,0.00704094,0.7826104,0.000031709456],"about_ca_topic_score_codex":0.02545576,"about_ca_topic_score_gemma":0.07870171,"teacher_disagreement_score":0.02545576,"about_ca_system_score_codex":0.0067392,"about_ca_system_score_gemma":0.0043167146,"threshold_uncertainty_score":0.05061519},"labels":[],"label_agreement":null},{"id":"W2903796727","doi":"10.4000/culturemusees.838","title":"Re-placer les objets : Pratiques historiques pour la deuxième ère des musées","year":2016,"lang":"fr","type":"article","venue":"Culture & Musées","topic":"Museums and Cultural Heritage","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.032233044030235775,"score_gpt":0.25048277311835376,"score_spread":0.218249729088118,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2903796727","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19642605,0.06505896,0.010876233,0.16296405,0.0028316076,0.00008186545,0.00019887056,0.00012165911,0.5614407],"genre_scores_gemma":[0.84108305,0.012502434,0.0029973523,0.005462641,0.00074670644,0.00011053422,0.00008847082,0.00022173366,0.13678712],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9937697,0.00343911,0.00019936032,0.00076196843,0.00091085077,0.0009188828],"domain_scores_gemma":[0.9903121,0.006014456,0.0007212228,0.0010982561,0.0010542253,0.00079981145],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.013222293,0.0005636179,0.00048897095,0.0030972268,0.02191054,0.02048746,0.002397522,0.0041398047,0.013481359],"category_scores_gemma":[0.017201262,0.00066707697,0.00046275306,0.004414252,0.039475467,0.017044919,0.012198815,0.00975033,0.0009985674],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000042404263,0.000013775566,0.0015284808,0.00010585352,0.0000075226953,0.0003537919,0.49054477,0.00011963723,0.00020781974,0.4714707,0.008769022,0.026836114],"study_design_scores_gemma":[0.000009052512,0.00001935074,0.0028886271,0.000573012,0.0000073992687,0.00025119586,0.15484057,0.00008365841,0.00030085433,0.031372465,0.8096182,0.000035531397],"about_ca_topic_score_codex":0.06211366,"about_ca_topic_score_gemma":0.120751336,"teacher_disagreement_score":0.06211366,"about_ca_system_score_codex":0.019939447,"about_ca_system_score_gemma":0.009799032,"threshold_uncertainty_score":0.1446715},"labels":[],"label_agreement":null},{"id":"W2903979002","doi":"10.4000/culturemusees.445","title":"Ce que les sociabilités font à l’écoute musicale. Le cas des Eurockéennes de Belfort","year":2015,"lang":"fr","type":"article","venue":"Culture & Musées","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Art; Humanities","score_opus":0.0850812351718754,"score_gpt":0.2785106912123712,"score_spread":0.19342945604049583,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2903979002","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3652497,0.0031242387,0.0025325299,0.005188921,0.00061965646,0.00004032154,0.00019178486,0.00006152747,0.6229914],"genre_scores_gemma":[0.924016,0.0005521975,0.0004014069,0.00037710828,0.00006342333,0.000019671856,0.00007680667,0.00003966592,0.07445381],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99826884,0.0005352293,0.000046839603,0.0002685578,0.0003839575,0.00049651973],"domain_scores_gemma":[0.9992235,0.00013352913,0.00010274537,0.000089014415,0.0001492916,0.00030198283],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012431673,0.0003653094,0.00025829143,0.0010895308,0.007430324,0.0069618304,0.00063667673,0.0012563386,0.017107682],"category_scores_gemma":[0.0019230794,0.00024200174,0.00023024181,0.0008993333,0.0070695775,0.0028119232,0.0040236227,0.001630011,0.0019477116],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003796253,0.000089304995,0.030014219,0.00044939495,0.000068990725,0.0019929307,0.41750687,0.0004758313,0.0053762686,0.38227162,0.027561733,0.13381335],"study_design_scores_gemma":[0.000015188143,0.00009557338,0.09901057,0.00045404976,0.000023128494,0.0007627579,0.22720185,0.00015196466,0.00048684562,0.0064503644,0.6652999,0.000047751044],"about_ca_topic_score_codex":0.065198205,"about_ca_topic_score_gemma":0.14503016,"teacher_disagreement_score":0.065198205,"about_ca_system_score_codex":0.004515255,"about_ca_system_score_gemma":0.0026755,"threshold_uncertainty_score":0.12963742},"labels":[],"label_agreement":null},{"id":"W2904174321","doi":"10.4000/culturemusees.935","title":"Les collections muséales, entre histoire et contemporanéité. Mona Hatoum à la fondation Querini Stampalia","year":2016,"lang":"fr","type":"article","venue":"Culture & Musées","topic":"Museums and Cultural Heritage","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Humanities; Art","score_opus":0.030983005811891243,"score_gpt":0.2504486220211524,"score_spread":0.2194656162092612,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2904174321","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3902771,0.014123765,0.006025832,0.0097312955,0.001162478,0.00015720005,0.00046359864,0.0001318361,0.5779269],"genre_scores_gemma":[0.89015347,0.0034799695,0.0015613644,0.00032871362,0.00020622602,0.00005170215,0.00010714713,0.00009913316,0.10401227],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99924684,0.00028653519,0.000016761041,0.00009274338,0.00022966579,0.00012743886],"domain_scores_gemma":[0.99946743,0.00022026447,0.000074201744,0.00006913804,0.00007708567,0.00009186719],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011949127,0.00026439285,0.0001785239,0.0009577027,0.008163149,0.004213689,0.0004901684,0.00055845064,0.011729147],"category_scores_gemma":[0.0024951608,0.00023237997,0.00018095458,0.0018426707,0.00588161,0.001847899,0.0031680276,0.0009369293,0.0006652349],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023731377,0.000032912154,0.011507579,0.0004726295,0.000032598375,0.0020231202,0.5326183,0.00060527475,0.004103636,0.29425666,0.029528959,0.124581136],"study_design_scores_gemma":[0.000006786702,0.000037904374,0.025284242,0.00030708034,0.000013843631,0.00066096854,0.09852503,0.00011512208,0.0010075328,0.00515125,0.86886543,0.000024748255],"about_ca_topic_score_codex":0.04358512,"about_ca_topic_score_gemma":0.1331191,"teacher_disagreement_score":0.04358512,"about_ca_system_score_codex":0.0061933887,"about_ca_system_score_gemma":0.0038435678,"threshold_uncertainty_score":0.08666283},"labels":[],"label_agreement":null},{"id":"W2904987098","doi":"10.4000/culturemusees.866","title":"La réforme muséale à l’heure postcoloniale. Stratégies muséographiques et reformulation du discours au Musée royal d’Afrique centrale (2005-2012)","year":2016,"lang":"fr","type":"article","venue":"Culture & Musées","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Art","score_opus":0.014683849447223445,"score_gpt":0.2429788631162294,"score_spread":0.22829501366900595,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2904987098","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3400929,0.05173331,0.0039770133,0.019784853,0.0010621668,0.00008298566,0.0003099134,0.00013674091,0.5828202],"genre_scores_gemma":[0.9158036,0.0028680826,0.0010167697,0.0006156607,0.0001432341,0.000030005123,0.000044192708,0.0000759642,0.07940255],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99816316,0.0008357197,0.000030484083,0.00015008371,0.00032006102,0.00050055794],"domain_scores_gemma":[0.9992606,0.00020812654,0.00012466751,0.00005816407,0.0001193768,0.00022898943],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015661198,0.00035004126,0.00026405198,0.0013774834,0.009857565,0.006935071,0.00066199986,0.0013674939,0.008189537],"category_scores_gemma":[0.002123528,0.00024346997,0.0002085955,0.0021381879,0.013121877,0.0020152961,0.0028235805,0.0020777103,0.0007117887],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014180536,0.000026361686,0.003760424,0.00033257544,0.000017978531,0.00086445257,0.42020234,0.0003711021,0.00231737,0.49385062,0.025239805,0.052875116],"study_design_scores_gemma":[0.0000093155095,0.00003172396,0.009668644,0.00024604113,0.0000077092745,0.0002833767,0.04890495,0.00006134608,0.00035895559,0.0030002017,0.93741214,0.00001544814],"about_ca_topic_score_codex":0.19945352,"about_ca_topic_score_gemma":0.36636016,"teacher_disagreement_score":0.19945352,"about_ca_system_score_codex":0.022860516,"about_ca_system_score_gemma":0.009275017,"threshold_uncertainty_score":0.39658517},"labels":[],"label_agreement":null},{"id":"W2905293332","doi":"10.4000/culturemusees.560","title":"De l’espace public au musée. Le seuil comme espace de médiation","year":2015,"lang":"fr","type":"article","venue":"Culture & Musées","topic":"Museums and Cultural Heritage","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Art; ESPACE","score_opus":0.10058374726167178,"score_gpt":0.27352519711697804,"score_spread":0.17294144985530624,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2905293332","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16787314,0.004531206,0.024423115,0.0067971624,0.00041157551,0.00014143648,0.0001427056,0.00017679053,0.79550296],"genre_scores_gemma":[0.84708875,0.0014213168,0.004066384,0.0004967423,0.00011443578,0.00011005843,0.00008167094,0.00013903643,0.14648162],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.997581,0.0013841673,0.000051699248,0.00027034455,0.0004376657,0.00027514345],"domain_scores_gemma":[0.99858165,0.0005641122,0.00016435524,0.0002601379,0.00023354088,0.00019616418],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016543957,0.00042488583,0.00027863283,0.0016040243,0.0047751702,0.00893643,0.00081302953,0.001386547,0.025620336],"category_scores_gemma":[0.0036148862,0.00024062612,0.00038888288,0.001764899,0.01094448,0.005905339,0.0061954674,0.0015426632,0.0025268905],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000050761842,0.000022151009,0.003968419,0.00021312162,0.000022762779,0.00093945203,0.23415966,0.000245916,0.0017596147,0.7046819,0.006462944,0.047473356],"study_design_scores_gemma":[0.000016294603,0.000059322643,0.011679006,0.00066686835,0.000023938823,0.00086424936,0.15558256,0.00047456558,0.0011335075,0.05624162,0.7732236,0.0000344863],"about_ca_topic_score_codex":0.014820609,"about_ca_topic_score_gemma":0.018059667,"teacher_disagreement_score":0.025620336,"about_ca_system_score_codex":0.0047736294,"about_ca_system_score_gemma":0.00334652,"threshold_uncertainty_score":0.08570856},"labels":[],"label_agreement":null},{"id":"W2906345810","doi":"10.4000/culturemusees.1557","title":"Résidences d’artistes et diplomatie culturelle québécoise","year":2018,"lang":"fr","type":"article","venue":"Culture & Musées","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Political science; Art","score_opus":0.01557675972077414,"score_gpt":0.27745953927359973,"score_spread":0.2618827795528256,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2906345810","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.45078602,0.008763278,0.0013188652,0.019441236,0.00057168957,0.000052142055,0.00054028566,0.000048686914,0.51847774],"genre_scores_gemma":[0.8966157,0.0017067583,0.00023383557,0.00072442996,0.000063483945,0.00001695286,0.00006366468,0.000016354701,0.10055892],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99898154,0.00016722211,0.000017135502,0.00009652881,0.0001375192,0.0005999962],"domain_scores_gemma":[0.9987349,0.00020674203,0.00013927392,0.000068603345,0.00033062178,0.00051979546],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008052993,0.0002773035,0.00029642446,0.0013255702,0.015759926,0.004500783,0.00081039424,0.0006969357,0.016640872],"category_scores_gemma":[0.0016210281,0.00011181654,0.00016862864,0.0020160752,0.00761132,0.0012046776,0.001989191,0.0014501046,0.0005426772],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000106820655,0.000045126184,0.029568486,0.00025268504,0.00003071492,0.0010723172,0.39404476,0.00036249918,0.000840953,0.45072863,0.046513382,0.07643356],"study_design_scores_gemma":[0.000014280573,0.000032498574,0.10737587,0.00038420747,0.000023016299,0.00023621546,0.16495195,0.00018054033,0.00032897547,0.003725085,0.7226978,0.000049562776],"about_ca_topic_score_codex":0.972785,"about_ca_topic_score_gemma":0.99226767,"teacher_disagreement_score":0.043100573,"about_ca_system_score_codex":0.043100573,"about_ca_system_score_gemma":0.034810487,"threshold_uncertainty_score":0.31271803},"labels":[],"label_agreement":null},{"id":"W2906672625","doi":"10.4000/culturemusees.1817","title":"Créer des espaces pour la création artistique et la médiation culturelle et civique : les maisons des jeunes artistes indépendants bucarestois","year":2018,"lang":"fr","type":"article","venue":"Culture & Musées","topic":"Cultural Industries and Urban Development","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"World Federation of Science Journalists","funders":"","keywords":"Humanities; Art; Ethnology; Sociology","score_opus":0.0512976721502177,"score_gpt":0.3460098615023168,"score_spread":0.2947121893520991,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2906672625","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9279163,0.0023660946,0.00039632584,0.0012196425,0.000078799894,0.00004827735,0.000036511923,0.000011065438,0.067927115],"genre_scores_gemma":[0.9728697,0.0012050926,0.00032073646,0.0001292051,0.000024862798,0.000042280342,0.000025569865,0.000013541282,0.025369054],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99811625,0.0007386161,0.00005238687,0.0001746817,0.00034757698,0.00057059363],"domain_scores_gemma":[0.998541,0.00039980904,0.00020490661,0.00015736392,0.00026236815,0.00043458148],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00201544,0.0005701203,0.00046757917,0.00194584,0.014479697,0.009408629,0.0007565207,0.0011970031,0.008045946],"category_scores_gemma":[0.002837284,0.0004008787,0.00035361282,0.001991915,0.008162373,0.0025109928,0.005337438,0.0022458152,0.0010911651],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009256593,0.00007702059,0.021505468,0.00014747189,0.000017060467,0.0012466823,0.92757624,0.00006097381,0.0013067547,0.016679214,0.0021721951,0.029118339],"study_design_scores_gemma":[0.000007860897,0.00006339791,0.05109207,0.0002695471,0.0000174604,0.0008108376,0.8335646,0.00005507969,0.00045440532,0.0009568258,0.11267917,0.00002876661],"about_ca_topic_score_codex":0.034971006,"about_ca_topic_score_gemma":0.09964392,"teacher_disagreement_score":0.034971006,"about_ca_system_score_codex":0.0045939377,"about_ca_system_score_gemma":0.004187659,"threshold_uncertainty_score":0.0695349},"labels":[],"label_agreement":null},{"id":"W2911247667","doi":"10.4000/culturemusees.1039","title":"Lucie Daignault & Bernard Schiele (dir), Les Musées et leurs publics : Savoirs et enjeux","year":2016,"lang":"fr","type":"article","venue":"Culture & Musées","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Publics; Humanities; Art; Political science; Law","score_opus":0.16549540703291038,"score_gpt":0.30705066498050304,"score_spread":0.14155525794759266,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2911247667","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0051180525,0.32427442,0.0034506437,0.51343155,0.051493946,0.00006379248,0.00044671088,0.00019061063,0.101530306],"genre_scores_gemma":[0.11570251,0.22181122,0.0036483502,0.10253946,0.026351357,0.00014369488,0.00033733938,0.00067211804,0.52879393],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99777824,0.000838125,0.00007672346,0.0003289477,0.00083044637,0.00014752195],"domain_scores_gemma":[0.9973156,0.0014924491,0.00023720226,0.00008257035,0.000558496,0.00031361202],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0026153242,0.0007664304,0.00043869912,0.0022096478,0.005278872,0.0076441523,0.000814047,0.0025033667,0.014023273],"category_scores_gemma":[0.006801422,0.00039034107,0.00027959052,0.0017304568,0.0037983095,0.00696944,0.002077907,0.003822682,0.005733888],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000052729883,0.000017493023,0.0008383117,0.0004323345,0.000012392173,0.00027012828,0.013387555,0.00006369111,0.00045499197,0.047128983,0.8935812,0.043760106],"study_design_scores_gemma":[0.000003530898,0.000005706355,0.0011633589,0.00022682406,0.0000035458638,0.00022860155,0.0053341524,0.000034486133,0.00020143026,0.0034596554,0.9893254,0.00001333297],"about_ca_topic_score_codex":0.027785297,"about_ca_topic_score_gemma":0.06242707,"teacher_disagreement_score":0.027785297,"about_ca_system_score_codex":0.0044405903,"about_ca_system_score_gemma":0.0029738545,"threshold_uncertainty_score":0.055247128},"labels":[],"label_agreement":null},{"id":"W2912715589","doi":"10.4000/culturemusees.1042","title":"Marie-Christine Labourdette, Les Musées de France","year":2016,"lang":"fr","type":"article","venue":"Culture & Musées","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Art; Humanities","score_opus":0.019522398686630305,"score_gpt":0.2312282718167903,"score_spread":0.21170587313015998,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2912715589","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.014727133,0.35608318,0.0019003347,0.3367906,0.0091582155,0.000038540118,0.00044861995,0.0002559948,0.2805974],"genre_scores_gemma":[0.26443,0.098903,0.002704761,0.034928657,0.005093087,0.000119906515,0.0002278242,0.00036212258,0.59323066],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987336,0.0006066172,0.00003095354,0.000200866,0.0002963549,0.00013170525],"domain_scores_gemma":[0.9989027,0.00052554626,0.00014586655,0.00004794944,0.00021083455,0.00016707169],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013235296,0.0008394411,0.0003343707,0.0011756076,0.0076186215,0.005121197,0.0007255646,0.003075633,0.012225487],"category_scores_gemma":[0.0029598146,0.00035861201,0.00026411747,0.0008591441,0.004146222,0.003985549,0.0021728985,0.002824933,0.0033277455],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000077583485,0.000023334118,0.0011542714,0.00035971534,0.000020761832,0.00083185214,0.037935838,0.00020670312,0.0005253581,0.20960072,0.6877714,0.061492495],"study_design_scores_gemma":[0.0000033836118,0.000004383382,0.0008534523,0.0001430976,0.0000013883985,0.00019741782,0.0033221964,0.000028091808,0.00009254454,0.003637325,0.9917075,0.000009241212],"about_ca_topic_score_codex":0.093941405,"about_ca_topic_score_gemma":0.14663294,"teacher_disagreement_score":0.093941405,"about_ca_system_score_codex":0.0066059176,"about_ca_system_score_gemma":0.004098584,"threshold_uncertainty_score":0.18678916},"labels":[],"label_agreement":null},{"id":"W2914011424","doi":"10.4000/culturemusees.2370","title":"Dioramas aquatiques : Théophile Gautier visite l’aquarium du Jardin d’acclimatation","year":2018,"lang":"fr","type":"article","venue":"Culture & Musées","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Bibliothèque et Archives nationales du Québec","funders":"","keywords":"Art; Humanities; Spectacle; Political science","score_opus":0.018910599975908524,"score_gpt":0.2850685950582003,"score_spread":0.26615799508229177,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2914011424","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.57137907,0.018987687,0.015297904,0.04308667,0.0027983584,0.000110763736,0.00034994277,0.0002794422,0.34771016],"genre_scores_gemma":[0.8782312,0.0045705205,0.0030783624,0.0038293693,0.0002957781,0.00005903546,0.000071717346,0.00014579124,0.10971814],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991209,0.00039182944,0.000020129422,0.00015604579,0.00017774465,0.00013344389],"domain_scores_gemma":[0.999506,0.00017885212,0.000076260614,0.000034418685,0.00012111056,0.00008338307],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00086055254,0.00058238325,0.0002172598,0.0005010675,0.0053900736,0.00263324,0.00046094437,0.0017652393,0.006501103],"category_scores_gemma":[0.0017188577,0.000210614,0.00021907515,0.00050783984,0.0071193012,0.0021510792,0.0029808232,0.002350824,0.001077168],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002758567,0.000033975295,0.0063026696,0.00057223736,0.000018682518,0.002830944,0.77297163,0.00018450824,0.021184389,0.088961646,0.04014587,0.066517614],"study_design_scores_gemma":[0.0000065432723,0.00010528389,0.010800699,0.0002332813,0.000010586063,0.0016245987,0.13989541,0.00006653769,0.002184559,0.0018507552,0.84316814,0.00005373627],"about_ca_topic_score_codex":0.019620648,"about_ca_topic_score_gemma":0.062331915,"teacher_disagreement_score":0.019620648,"about_ca_system_score_codex":0.0031678108,"about_ca_system_score_gemma":0.0016191585,"threshold_uncertainty_score":0.03901291},"labels":[],"label_agreement":null},{"id":"W2914056402","doi":"10.4000/culturemusees.1292","title":"Exposer le genre : retour sur l’exposition Au Bazar du genre","year":2017,"lang":"fr","type":"article","venue":"Culture & Musées","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Exposition (narrative); Art; Humanities; Philosophy; Literature","score_opus":0.023535354396208824,"score_gpt":0.2148273506825703,"score_spread":0.19129199628636148,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2914056402","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.083795495,0.063827336,0.002261335,0.10816473,0.018725693,0.00008923656,0.00033807752,0.00017003383,0.72262806],"genre_scores_gemma":[0.4989989,0.031034946,0.0019181292,0.012729859,0.010605723,0.00016855382,0.0002921944,0.0006807778,0.44357094],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99878806,0.0004927776,0.000029502075,0.00013572752,0.00038502863,0.00016885878],"domain_scores_gemma":[0.9990356,0.0003776398,0.00008614572,0.000065519336,0.0002721192,0.00016307102],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012189761,0.00057906145,0.00036260096,0.0021311438,0.007446469,0.006618681,0.0006233966,0.0022043744,0.01531575],"category_scores_gemma":[0.0030033991,0.00023406418,0.00045356038,0.0015143818,0.0070463982,0.0023180633,0.0031305174,0.0040493887,0.0029838246],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017867934,0.000049534745,0.0026325902,0.00060840085,0.000022752443,0.0014252919,0.30521646,0.00014585588,0.0031849057,0.2655804,0.34813055,0.072824575],"study_design_scores_gemma":[0.0000021567184,0.000009836718,0.0020968574,0.00023501957,0.0000025950487,0.00019438985,0.011623922,0.00001859712,0.00009999912,0.0010652554,0.9846467,0.0000047422222],"about_ca_topic_score_codex":0.039306816,"about_ca_topic_score_gemma":0.06309245,"teacher_disagreement_score":0.039306816,"about_ca_system_score_codex":0.0077525433,"about_ca_system_score_gemma":0.0019598233,"threshold_uncertainty_score":0.078156054},"labels":[],"label_agreement":null},{"id":"W2914346551","doi":"10.4000/culturemusees.2241","title":"Les dioramas de l’Australian War Memorial (Canberra). Réécrire le récit national à l’heure du centenaire de la Première Guerre mondiale","year":2018,"lang":"fr","type":"article","venue":"Culture & Musées","topic":"Cultural Heritage Management and Preservation","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Humanities; Art","score_opus":0.05367706682278043,"score_gpt":0.271371036812949,"score_spread":0.21769396999016857,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2914346551","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20784311,0.014957658,0.0020065028,0.039416175,0.005226272,0.0002764653,0.00092369615,0.00023361735,0.7291165],"genre_scores_gemma":[0.30018228,0.0031169718,0.001771908,0.004198544,0.00032082337,0.00012456512,0.00027132966,0.0001271748,0.6898864],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.9989261,0.00026057012,0.000022861443,0.00014521595,0.00025562407,0.000389617],"domain_scores_gemma":[0.9987746,0.00013515247,0.00010338474,0.00011792042,0.0001988988,0.0006700273],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011367784,0.00043630967,0.00022502124,0.00067684776,0.010236227,0.0040016747,0.00081419863,0.0018143334,0.031095468],"category_scores_gemma":[0.0024138798,0.00041968407,0.00021990095,0.0010486955,0.0033376238,0.0026156427,0.0058936523,0.0032410242,0.0036145274],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003101147,0.000098684926,0.010515641,0.0009084144,0.000033635275,0.0028107078,0.24350466,0.00033202016,0.005036292,0.15000977,0.4295737,0.15686636],"study_design_scores_gemma":[0.0000022123727,0.000019052348,0.008754333,0.000093476614,0.0000026923638,0.00018772655,0.0098824,0.000026958798,0.00020067513,0.00070178363,0.98011726,0.000011405367],"about_ca_topic_score_codex":0.13882197,"about_ca_topic_score_gemma":0.4240422,"teacher_disagreement_score":0.13882197,"about_ca_system_score_codex":0.004964428,"about_ca_system_score_gemma":0.009990123,"threshold_uncertainty_score":0.27602786},"labels":[],"label_agreement":null},{"id":"W2936277900","doi":"10.4000/culturemusees.1276","title":"La visite guidée au prisme du genre","year":2017,"lang":"fr","type":"article","venue":"Culture & Musées","topic":"Historical Art and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Computer science","score_opus":0.021588597815268337,"score_gpt":0.24934151228126303,"score_spread":0.2277529144659947,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2936277900","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.022075685,0.010956318,0.021673905,0.03426345,0.0050609102,0.00009665463,0.00043474886,0.0004474075,0.9049909],"genre_scores_gemma":[0.22116964,0.010682173,0.012974354,0.004803603,0.0017268119,0.00021347318,0.00040526438,0.0011481137,0.74687654],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9936864,0.0031249525,0.0001716659,0.00077731675,0.0017660698,0.0004736793],"domain_scores_gemma":[0.99313253,0.0033647416,0.00034685482,0.0010532084,0.0013691294,0.00073342875],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0028949745,0.00095728436,0.0005852849,0.0030270894,0.008233649,0.014167777,0.0012483649,0.003842772,0.04873608],"category_scores_gemma":[0.009678522,0.00040290251,0.0008575435,0.0032126368,0.009362575,0.0077806767,0.0051038726,0.0054522865,0.010817326],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000045727633,0.0000406482,0.0014926352,0.00029973345,0.000018689461,0.00063794304,0.08658159,0.00024416568,0.0008340202,0.77245104,0.08368571,0.05366815],"study_design_scores_gemma":[0.0000036199976,0.000012687764,0.00072399294,0.00014886082,0.0000033072358,0.00036483063,0.009122632,0.00006846889,0.00016322102,0.007612764,0.9817647,0.000010910834],"about_ca_topic_score_codex":0.0577447,"about_ca_topic_score_gemma":0.08068221,"teacher_disagreement_score":0.0577447,"about_ca_system_score_codex":0.0076502496,"about_ca_system_score_gemma":0.005942266,"threshold_uncertainty_score":0.16303837},"labels":[],"label_agreement":null},{"id":"W2990322705","doi":"10.4000/culturemusees.3341","title":"Le fort de Bard : lieu ou musée","year":2019,"lang":"fr","type":"article","venue":"Culture & Musées","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Art","score_opus":0.02031434721522638,"score_gpt":0.22910683583863317,"score_spread":0.2087924886234068,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2990322705","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.49657837,0.017817238,0.0014317665,0.011232589,0.0014475957,0.00006991838,0.00077381457,0.00010576498,0.47054297],"genre_scores_gemma":[0.8940737,0.0017780376,0.00075961184,0.00038062411,0.00008671114,0.00002099843,0.00014283099,0.00004031681,0.10271708],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994911,0.00011468359,0.0000133516305,0.000072942814,0.00011128869,0.00019658361],"domain_scores_gemma":[0.999602,0.00008363384,0.000054969267,0.000028632217,0.0000630162,0.00016777164],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000663759,0.00018104122,0.00018816325,0.00085189345,0.008392548,0.0034947845,0.0004921889,0.0008842912,0.01699461],"category_scores_gemma":[0.0012476874,0.00018380526,0.00011045834,0.00093888363,0.004812771,0.0011463009,0.0034973144,0.00085064024,0.00097598764],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00035364862,0.00004960818,0.027537523,0.00066962553,0.000017211854,0.003277511,0.4863922,0.0002636699,0.005015549,0.24296263,0.07249797,0.1609628],"study_design_scores_gemma":[0.000006604897,0.000033209115,0.027972441,0.00039127402,0.000004999636,0.00071745756,0.08375675,0.000045678004,0.00030382018,0.0011689002,0.8855834,0.00001548937],"about_ca_topic_score_codex":0.16646187,"about_ca_topic_score_gemma":0.37354895,"teacher_disagreement_score":0.16646187,"about_ca_system_score_codex":0.005422302,"about_ca_system_score_gemma":0.004695256,"threshold_uncertainty_score":0.33098596},"labels":[{"model":"gemma","categories":[],"domain":null,"study_design":"not_applicable","genre":"empirical","about_ca_system":false,"about_ca_topic":false,"confidence":"low"},{"model":"gpt","categories":[],"domain":null,"study_design":"theoretical_or_conceptual","genre":"empirical","about_ca_system":false,"about_ca_topic":false,"confidence":"low"}],"label_agreement":"split"},{"id":"W2997474780","doi":"10.4000/culturemusees.4302","title":"Réflexions sur la caractérisation et la catégorisation des maisons-musées en Espagne","year":2019,"lang":"fr","type":"article","venue":"Culture & Musées","topic":"Historical Art and Architecture Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Biology; Art","score_opus":0.011602868714243236,"score_gpt":0.24865277998947108,"score_spread":0.23704991127522784,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2997474780","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8798068,0.008507681,0.0037575986,0.0045431536,0.0001500068,0.000040811927,0.0002663529,0.000019785732,0.102907784],"genre_scores_gemma":[0.9922083,0.0018642603,0.0010297181,0.00022176019,0.000048552658,0.000025423753,0.00013698271,0.000020632458,0.0044443496],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982481,0.0008096677,0.00010768422,0.00029188258,0.00035091108,0.00019172272],"domain_scores_gemma":[0.9963427,0.0020154465,0.00057118584,0.00026559303,0.0006155367,0.00018959188],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0043179034,0.00032507424,0.00025764407,0.0048513496,0.0033992347,0.005053166,0.0006010512,0.0007795525,0.0065078167],"category_scores_gemma":[0.0074220086,0.00018404868,0.00026930092,0.006409102,0.0069388323,0.004663102,0.0024930974,0.0011076882,0.00039922926],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011713038,0.000017088436,0.07546015,0.00046604205,0.00006681447,0.0004200026,0.74005437,0.00016376004,0.0030271031,0.10127794,0.0029177312,0.0760119],"study_design_scores_gemma":[0.0000075730154,0.000026922437,0.2050936,0.0007732945,0.000029566596,0.00046172633,0.71291023,0.00021512278,0.000566958,0.012430712,0.06744806,0.000036306614],"about_ca_topic_score_codex":0.037848756,"about_ca_topic_score_gemma":0.0683902,"teacher_disagreement_score":0.037848756,"about_ca_system_score_codex":0.0031985145,"about_ca_system_score_gemma":0.0019550975,"threshold_uncertainty_score":0.07525694},"labels":[],"label_agreement":null},{"id":"W3037650252","doi":"10.4000/culturemusees.4871","title":"La vie intime des objets culturels","year":2020,"lang":"fr","type":"article","venue":"Culture & Musées","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Future Earth","funders":"","keywords":"Appropriation; Humanities; Documentation; Sociology; Art; Philosophy; Computer science; Epistemology","score_opus":0.2588686354733778,"score_gpt":0.31480285588988527,"score_spread":0.055934220416507474,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3037650252","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06559962,0.006905553,0.11858333,0.04027469,0.0021173635,0.0001033614,0.00024002815,0.000513618,0.7656625],"genre_scores_gemma":[0.7160812,0.0059963427,0.055955112,0.0047751945,0.0007302034,0.00025078421,0.00017765585,0.00093035214,0.21510307],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9912204,0.004936939,0.000274578,0.0009666316,0.0020489565,0.0005524314],"domain_scores_gemma":[0.9901424,0.004136527,0.00064015324,0.002563314,0.0019050568,0.00061266543],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0077867853,0.0010252314,0.0005359928,0.0032067148,0.01020876,0.024907956,0.0017034416,0.0032662444,0.012725463],"category_scores_gemma":[0.016299434,0.0005998674,0.00077724375,0.0029347243,0.027697636,0.019361103,0.010835107,0.0053826757,0.002376001],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000041083316,0.000022704618,0.0013055138,0.00017373299,0.000022343174,0.0004818195,0.11847521,0.00029997775,0.0010461904,0.83028126,0.004626164,0.043224063],"study_design_scores_gemma":[0.000012673701,0.000036990703,0.0011090086,0.0005815407,0.00002201258,0.00067063485,0.06698874,0.00044056072,0.002013496,0.17719595,0.7508775,0.000050821152],"about_ca_topic_score_codex":0.012791892,"about_ca_topic_score_gemma":0.014869591,"teacher_disagreement_score":0.024907956,"about_ca_system_score_codex":0.006849014,"about_ca_system_score_gemma":0.0051561655,"threshold_uncertainty_score":0.049693346},"labels":[],"label_agreement":null},{"id":"W3111568788","doi":"10.4000/culturemusees.5762","title":"Le pathos du « soulèvement » au risque de l’insensibilité","year":2020,"lang":"fr","type":"article","venue":"Culture & Musées","topic":"Multiculturalism, Politics, Migration, Gender","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; CONQUEST; Soul; Exposition (narrative); Philosophy; History; Theology; Ancient history; Literature","score_opus":0.10548218750835807,"score_gpt":0.35692187764095795,"score_spread":0.25143969013259987,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3111568788","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.65955967,0.03202393,0.0017081881,0.15432115,0.0008060699,0.000026752683,0.0015454736,0.00008130923,0.14992748],"genre_scores_gemma":[0.9788498,0.0059017385,0.00041281994,0.0018851148,0.0003330201,0.000024540746,0.00020763374,0.00005005295,0.012335163],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980578,0.0007849455,0.000051056264,0.0002596258,0.0002940675,0.00055251387],"domain_scores_gemma":[0.995288,0.0020978863,0.0010794853,0.00016536283,0.0006143714,0.0007548927],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002208165,0.0002669725,0.00022851124,0.0017775993,0.0032467905,0.005974301,0.00071148487,0.0013494381,0.027388701],"category_scores_gemma":[0.008536002,0.00024560097,0.00026236387,0.0019130445,0.006204293,0.0033001786,0.0028707327,0.002259615,0.0011339616],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003231998,0.00009566053,0.31787157,0.0005472916,0.00010871226,0.001617443,0.17965908,0.00027671293,0.0009023984,0.25255388,0.07595423,0.17008981],"study_design_scores_gemma":[0.000013789587,0.00009608729,0.4569358,0.0024751504,0.000047391655,0.001865233,0.2039667,0.00017789786,0.00060211343,0.02896766,0.30475932,0.000092798444],"about_ca_topic_score_codex":0.06358963,"about_ca_topic_score_gemma":0.045545783,"teacher_disagreement_score":0.06358963,"about_ca_system_score_codex":0.0039222087,"about_ca_system_score_gemma":0.003117537,"threshold_uncertainty_score":0.12643898},"labels":[],"label_agreement":null},{"id":"W3111945998","doi":"10.4000/culturemusees.5822","title":"Le Musée des confluences aux prises avec l’émotion. Entretien avec Nathalie Candito (responsable du service d’évaluation et d’accueil) et Christian Sermet (responsable du service des expositions)","year":2020,"lang":"fr","type":"article","venue":"Culture & Musées","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Sociology","score_opus":0.05370666422119049,"score_gpt":0.26295605155356133,"score_spread":0.20924938733237083,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3111945998","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.185863,0.058911163,0.005275195,0.14859538,0.0048743337,0.00010174384,0.000625174,0.00030029265,0.59545374],"genre_scores_gemma":[0.79096425,0.012483811,0.0023453815,0.0052335877,0.0008224423,0.000091209826,0.00019562327,0.0002152938,0.18764842],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99779177,0.001096753,0.000044682423,0.00023876726,0.00046469792,0.00036326054],"domain_scores_gemma":[0.997903,0.00058506767,0.00021051892,0.00023007856,0.0003706955,0.0007006067],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0024945852,0.00048675924,0.00034327433,0.0014549078,0.015137438,0.011070547,0.00082028686,0.0017382603,0.011053192],"category_scores_gemma":[0.0044548586,0.00030502857,0.00040095014,0.0019545942,0.018269736,0.0055558966,0.0075103785,0.003647468,0.001763924],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011579507,0.000027313656,0.0038941992,0.00024677961,0.000026913543,0.0014067712,0.54973114,0.00015749224,0.0015407158,0.24182518,0.14505097,0.05597677],"study_design_scores_gemma":[0.000007957485,0.000019577736,0.0060420213,0.0003157078,0.000009327913,0.00051337713,0.14831363,0.000034662986,0.00031636574,0.005703758,0.8387017,0.000021875165],"about_ca_topic_score_codex":0.1120164,"about_ca_topic_score_gemma":0.20460251,"teacher_disagreement_score":0.1120164,"about_ca_system_score_codex":0.010208746,"about_ca_system_score_gemma":0.008813708,"threshold_uncertainty_score":0.22272879},"labels":[],"label_agreement":null},{"id":"W3134597487","doi":"10.4000/culturemusees.6011","title":"Fabien Van Geert. 2020. Du musée ethnographique au musée multiculturel. Chronique d’une transformation globale","year":2021,"lang":"fr","type":"article","venue":"Culture & Musées","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Humanities; Art","score_opus":0.01875735891954095,"score_gpt":0.23856456609356777,"score_spread":0.21980720717402683,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3134597487","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.012496361,0.47953114,0.0062054093,0.26883,0.009211461,0.00011913277,0.0011732869,0.00013195729,0.22230129],"genre_scores_gemma":[0.32457978,0.21941155,0.01586042,0.03332134,0.002269495,0.00044862612,0.00070957956,0.00096634467,0.40243292],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99748516,0.0011259805,0.00015650122,0.000309712,0.000696201,0.00022642683],"domain_scores_gemma":[0.99709046,0.0016615912,0.000340665,0.00016173848,0.0004546731,0.0002908293],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004221391,0.0006678015,0.0003771391,0.0021784534,0.005417239,0.00454647,0.00069455,0.0041598612,0.010258169],"category_scores_gemma":[0.0079585835,0.0007536609,0.00028042612,0.0030249446,0.007648349,0.009792324,0.0038031877,0.0036798355,0.0024596832],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009024354,0.000019968307,0.00091633946,0.00040268042,0.000009021811,0.00053476705,0.07280684,0.000172153,0.00075149146,0.3137065,0.44088873,0.16970125],"study_design_scores_gemma":[0.000010011497,0.000005496153,0.0012635024,0.0005699865,0.0000041925805,0.0001369363,0.0080854595,0.000031618223,0.00032107337,0.021466909,0.96808916,0.000015748868],"about_ca_topic_score_codex":0.138914,"about_ca_topic_score_gemma":0.17151392,"teacher_disagreement_score":0.138914,"about_ca_system_score_codex":0.0056643244,"about_ca_system_score_gemma":0.0070771053,"threshold_uncertainty_score":0.27621084},"labels":[],"label_agreement":null},{"id":"W3166638349","doi":"10.4000/culturemusees.6124","title":"La collection a-t-elle un avenir au sein du musée ?","year":2021,"lang":"fr","type":"article","venue":"Culture & Musées","topic":"Museums and Cultural Heritage","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Political science; Art","score_opus":0.0234126308598906,"score_gpt":0.22909986341617986,"score_spread":0.20568723255628926,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3166638349","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23507962,0.0065746787,0.010250085,0.01857962,0.0008783967,0.000061034538,0.00021289033,0.00010584937,0.7282579],"genre_scores_gemma":[0.91190714,0.0019236999,0.0021286278,0.0005425783,0.00026884713,0.000043168046,0.000089806024,0.00012781356,0.082968384],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9977927,0.0010576684,0.000059064056,0.00033988772,0.00042757104,0.00032301017],"domain_scores_gemma":[0.9982273,0.0005435518,0.00020847103,0.00035017834,0.0002619575,0.0004085528],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0028265102,0.00024927198,0.00034814925,0.0013628671,0.010436982,0.00935555,0.0010552724,0.0010498991,0.013960672],"category_scores_gemma":[0.005479015,0.00024249186,0.00026292002,0.0023165331,0.017052341,0.010205234,0.0071131093,0.0019717407,0.0015207111],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000092983355,0.000023926057,0.004712709,0.00012384268,0.000012664194,0.0004378591,0.16571023,0.00015855512,0.00057120336,0.7902211,0.008112238,0.029822629],"study_design_scores_gemma":[0.000017114713,0.000054824042,0.00870334,0.00044292962,0.000014834338,0.0005567447,0.115033075,0.00016333474,0.0005612119,0.053854495,0.82055825,0.00003979419],"about_ca_topic_score_codex":0.016053488,"about_ca_topic_score_gemma":0.034109827,"teacher_disagreement_score":0.016053488,"about_ca_system_score_codex":0.005262739,"about_ca_system_score_gemma":0.004726958,"threshold_uncertainty_score":0.04670304},"labels":[],"label_agreement":null},{"id":"W3166842543","doi":"10.4000/culturemusees.6120","title":"Introduction. Le futur antérieur des collections patrimoniales","year":2021,"lang":"fr","type":"article","venue":"Culture & Musées","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Political science; Art","score_opus":0.026522195820961773,"score_gpt":0.2323891189940234,"score_spread":0.20586692317306163,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3166842543","genre_codex":"other","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.022474397,0.014178373,0.006580696,0.04026695,0.014775591,0.00025473846,0.0047738217,0.00063023483,0.89606535],"genre_scores_gemma":[0.09437411,0.0064058364,0.004697466,0.0048749326,0.0037031062,0.00028386025,0.0015932483,0.0006072801,0.8834603],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987342,0.00029065053,0.000077187804,0.00025990856,0.00044553538,0.00019263092],"domain_scores_gemma":[0.99845684,0.0005243891,0.00014733648,0.00017160877,0.0004936649,0.00020603836],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013330253,0.0004382097,0.000246732,0.0016414914,0.0055709523,0.005223326,0.0007767207,0.0015495657,0.07844955],"category_scores_gemma":[0.0037430958,0.00030089536,0.00032436597,0.0019209782,0.0028323452,0.0037862703,0.003027868,0.0028884714,0.025306417],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012623683,0.000036988364,0.0019515309,0.00071335206,0.000008849407,0.0005471195,0.035679985,0.00009702647,0.0017389791,0.30991212,0.51523644,0.13395141],"study_design_scores_gemma":[0.0000021744302,0.0000067210517,0.0013946871,0.00011769266,0.0000012885579,0.00011115142,0.0017069341,0.000010389476,0.00023748896,0.001608655,0.99479705,0.0000056766717],"about_ca_topic_score_codex":0.015324188,"about_ca_topic_score_gemma":0.024761366,"teacher_disagreement_score":0.07844955,"about_ca_system_score_codex":0.0033949986,"about_ca_system_score_gemma":0.002812189,"threshold_uncertainty_score":0.2624399},"labels":[],"label_agreement":null},{"id":"W3168022932","doi":"10.4000/culturemusees.6305","title":"Collections de marionnettes et politiques du spectacle vivant","year":2021,"lang":"fr","type":"article","venue":"Culture & Musées","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Political science; Art","score_opus":0.02829849589397468,"score_gpt":0.260973977772733,"score_spread":0.23267548187875833,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3168022932","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24854863,0.011460174,0.0055630296,0.02375731,0.0011114373,0.0003038851,0.00054799306,0.0002470048,0.7084606],"genre_scores_gemma":[0.55855435,0.0031919507,0.0032233947,0.0015404795,0.00044116203,0.0001604699,0.00029841435,0.00020162151,0.43238807],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99778783,0.0008214229,0.00006194164,0.00031978358,0.00061149744,0.00039744607],"domain_scores_gemma":[0.9977149,0.0005973964,0.00034451683,0.0002428479,0.0004784511,0.0006218032],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0027664525,0.00041313196,0.00029262502,0.0018361204,0.019088661,0.0074826847,0.0009258973,0.0010731453,0.034658767],"category_scores_gemma":[0.0052069197,0.00036353114,0.00019817476,0.0032628402,0.00709487,0.0037600426,0.007330092,0.0020339864,0.0022087777],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001319953,0.000043066397,0.01175728,0.00044725736,0.000024219951,0.0013382813,0.37882507,0.0003831994,0.0020603007,0.39202797,0.07153665,0.14142467],"study_design_scores_gemma":[0.000004122716,0.000019252873,0.013100852,0.00014478045,0.0000027067176,0.00014451888,0.029887252,0.00003857578,0.00026264574,0.001670518,0.9547063,0.000018374863],"about_ca_topic_score_codex":0.1154231,"about_ca_topic_score_gemma":0.38703436,"teacher_disagreement_score":0.1154231,"about_ca_system_score_codex":0.011133068,"about_ca_system_score_gemma":0.0090417145,"threshold_uncertainty_score":0.2295025},"labels":[],"label_agreement":null},{"id":"W3168852609","doi":"10.4000/culturemusees.6465","title":"Aliénation des collections : quand les artistes s’invitent aux débats","year":2021,"lang":"fr","type":"article","venue":"Culture & Musées","topic":"Museums and Cultural Heritage","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"National Museum of Fine Arts of Quebec; Université du Québec à Montréal","funders":"","keywords":"Art; Humanities; Geography","score_opus":0.0885594753020427,"score_gpt":0.27149856095831965,"score_spread":0.18293908565627695,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3168852609","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24583893,0.012056473,0.017772095,0.02496879,0.0009872994,0.00009233238,0.00028285923,0.00016915702,0.6978321],"genre_scores_gemma":[0.9135087,0.0041644685,0.0038325498,0.0025533207,0.00044200072,0.00012950125,0.00014305049,0.00019131595,0.07503514],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.98960716,0.005145508,0.0003147803,0.0011576365,0.002687911,0.0010869842],"domain_scores_gemma":[0.9918949,0.0030256072,0.0013426256,0.0018729696,0.0009771568,0.0008866654],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.008518972,0.0006488978,0.00050880696,0.0020733096,0.016487734,0.012492687,0.0017046517,0.0020087499,0.009508729],"category_scores_gemma":[0.016476154,0.00047668852,0.0006382756,0.00328951,0.03321236,0.011760406,0.016288918,0.002985461,0.0018995337],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019570685,0.000058365844,0.013059684,0.00044495863,0.00006366436,0.0013328508,0.48344788,0.0002057508,0.002608968,0.40687087,0.015034435,0.076676786],"study_design_scores_gemma":[0.000041657317,0.00009457686,0.01872631,0.00079033314,0.000048632675,0.0025905783,0.17787755,0.0001563183,0.0017492424,0.07934616,0.7184854,0.000093314586],"about_ca_topic_score_codex":0.012850076,"about_ca_topic_score_gemma":0.024167534,"teacher_disagreement_score":0.016487734,"about_ca_system_score_codex":0.0040730885,"about_ca_system_score_gemma":0.0048880815,"threshold_uncertainty_score":0.045053184},"labels":[],"label_agreement":null},{"id":"W3172757105","doi":"10.4000/culturemusees.6223","title":"Les collections patrimoniales en devenir : à propos des sites de musées en ligne","year":2021,"lang":"fr","type":"article","venue":"Culture & Musées","topic":"Death, Funerary Practices, and Mourning","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Art; Political science","score_opus":0.038500682047519726,"score_gpt":0.3290195343350338,"score_spread":0.29051885228751406,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3172757105","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5342314,0.015967837,0.023694847,0.013382789,0.001720313,0.0006594342,0.0011362894,0.00057037495,0.40863663],"genre_scores_gemma":[0.8065102,0.005913223,0.01979349,0.0010969252,0.00045683407,0.000526773,0.0008425663,0.0005609999,0.16429901],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.992218,0.0039440254,0.00033460904,0.0007673633,0.0019365556,0.00079951255],"domain_scores_gemma":[0.99176884,0.0032860003,0.0007355309,0.0014504839,0.0014170065,0.0013422297],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.007371249,0.0006358233,0.0005103608,0.0058503933,0.014119459,0.013552648,0.002229794,0.0017089848,0.019188508],"category_scores_gemma":[0.012821757,0.00077172514,0.00057258835,0.010235184,0.009040223,0.009193577,0.012815837,0.0023938208,0.0025445193],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014865925,0.00007831222,0.016336303,0.00073413155,0.00004451432,0.003333951,0.6511752,0.00029678037,0.0027695284,0.123590335,0.023652919,0.17783943],"study_design_scores_gemma":[0.000010895914,0.00004125658,0.014281952,0.00050063187,0.000020486303,0.0014128622,0.20283242,0.00007782493,0.0009560419,0.004256925,0.77556586,0.0000429048],"about_ca_topic_score_codex":0.02744576,"about_ca_topic_score_gemma":0.08207659,"teacher_disagreement_score":0.02744576,"about_ca_system_score_codex":0.0054615326,"about_ca_system_score_gemma":0.008601682,"threshold_uncertainty_score":0.06419188},"labels":[],"label_agreement":null},{"id":"W3214871844","doi":"10.4000/culturemusees.7352","title":"Eva Sandri. 2020. Les Imaginaires numériques au musée ? Débats sur les injonctions à l’innovation","year":2021,"lang":"fr","type":"article","venue":"Culture & Musées","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Nutrasource","funders":"","keywords":"Humanities; Art","score_opus":0.19461122169112588,"score_gpt":0.3209465734883049,"score_spread":0.12633535179717903,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3214871844","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008219206,0.09146599,0.0016821569,0.611343,0.006018735,0.000016888083,0.00012561935,0.00010937724,0.28101903],"genre_scores_gemma":[0.46491534,0.07547431,0.0042564347,0.1186207,0.0039647934,0.00019903701,0.00020678916,0.00050113443,0.3318614],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99591476,0.0019810395,0.00011374309,0.000410891,0.0011762489,0.00040331928],"domain_scores_gemma":[0.9939911,0.0035856366,0.00037825757,0.0004191828,0.0009849252,0.0006408853],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005051232,0.00048793544,0.00034929486,0.001098933,0.007272755,0.012826913,0.00087056076,0.0065061683,0.015511094],"category_scores_gemma":[0.013684251,0.00028887458,0.00030817994,0.0011296361,0.011542182,0.013898111,0.004625661,0.0066168285,0.0052674515],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000052945416,0.000020049965,0.000791599,0.00018638492,0.0000065227555,0.00017413707,0.02192786,0.00007835885,0.00023161515,0.54093117,0.36760643,0.06799296],"study_design_scores_gemma":[0.0000062313934,0.000011534577,0.0007219959,0.0005115291,0.0000037268157,0.00014650005,0.011815115,0.000056259476,0.00036478104,0.047284544,0.9390609,0.00001678926],"about_ca_topic_score_codex":0.010990021,"about_ca_topic_score_gemma":0.019415077,"teacher_disagreement_score":0.015511094,"about_ca_system_score_codex":0.0058509205,"about_ca_system_score_gemma":0.0049017407,"threshold_uncertainty_score":0.051889777},"labels":[],"label_agreement":null},{"id":"W3214915627","doi":"10.4000/culturemusees.7392","title":"Le paradoxe de la patrimonialisation littéraire en contexte camerounais (1950 à 1980)","year":2021,"lang":"fr","type":"article","venue":"Culture & Musées","topic":"African history and culture studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Francophone University Association","funders":"","keywords":"Art","score_opus":0.011964513035126328,"score_gpt":0.2744436094452067,"score_spread":0.2624790964100804,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3214915627","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9618892,0.005376775,0.000218556,0.01045535,0.00007385687,0.00001943409,0.00006986935,0.0000043147165,0.02189266],"genre_scores_gemma":[0.9965178,0.001345039,0.00008782603,0.000324648,0.000022639122,0.000017047414,0.00001613298,0.0000022678503,0.0016666016],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984767,0.0005394839,0.000041974752,0.00011746676,0.00010554827,0.000718757],"domain_scores_gemma":[0.99677294,0.0014610302,0.0009961152,0.0001291408,0.00029944777,0.00034126366],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0044209315,0.00030939523,0.00027955268,0.0031534934,0.0070599,0.004147246,0.0008019991,0.0011288158,0.0047755507],"category_scores_gemma":[0.0059252298,0.0003357508,0.00015632453,0.0041699354,0.010904601,0.003998969,0.0033228686,0.0016934839,0.0001567967],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021815785,0.00006259531,0.08403395,0.00046063366,0.000030006706,0.0030265306,0.4360163,0.00063906494,0.0018635533,0.43198928,0.0057773725,0.0358825],"study_design_scores_gemma":[0.00003597562,0.00010847597,0.4098528,0.0012349784,0.000040636616,0.0009469003,0.417708,0.00037012604,0.0016274672,0.021811387,0.14618748,0.00007575365],"about_ca_topic_score_codex":0.23477699,"about_ca_topic_score_gemma":0.2672307,"teacher_disagreement_score":0.23477699,"about_ca_system_score_codex":0.01494248,"about_ca_system_score_gemma":0.0072743283,"threshold_uncertainty_score":0.46682084},"labels":[],"label_agreement":null},{"id":"W3215479952","doi":"10.4000/culturemusees.7328","title":"Marie-Sylvie Poli. 2020. Chercheurs à l’écoute. Méthodes qualitatives pour saisir les effets d’une expérience culturelle","year":2021,"lang":"fr","type":"article","venue":"Culture & Musées","topic":"Education, sociology, and vocational training","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.281468747289401,"score_gpt":0.4924049339862273,"score_spread":0.2109361866968263,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3215479952","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009538589,0.10388615,0.029179359,0.6631411,0.012762316,0.0015843344,0.0026798912,0.0004905004,0.1767378],"genre_scores_gemma":[0.19709449,0.07446626,0.06204326,0.104096666,0.0018480304,0.008445793,0.0012187617,0.0014080926,0.54937863],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.989258,0.0057653557,0.00029377878,0.0008073186,0.0033986676,0.0004768359],"domain_scores_gemma":[0.9776799,0.010591961,0.0010996035,0.0008729593,0.008037762,0.0017177864],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.018043656,0.00062257604,0.00039267782,0.002260671,0.0060134237,0.004126913,0.0011732784,0.002857417,0.020781461],"category_scores_gemma":[0.0331295,0.0009873906,0.00044826968,0.0020490629,0.005478144,0.007079703,0.0039232387,0.0059075146,0.007961324],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008156324,0.000037903745,0.0016592329,0.0015764072,0.00001694084,0.000381777,0.0801346,0.00007398199,0.0011863416,0.050484005,0.6188081,0.2455592],"study_design_scores_gemma":[0.000019379753,0.000023202736,0.0039008313,0.0021335692,0.000010399186,0.00016786494,0.023690322,0.00005625587,0.000512682,0.008955735,0.9605051,0.00002468315],"about_ca_topic_score_codex":0.08884733,"about_ca_topic_score_gemma":0.13075724,"teacher_disagreement_score":0.08884733,"about_ca_system_score_codex":0.008837233,"about_ca_system_score_gemma":0.022889659,"threshold_uncertainty_score":0.17666036},"labels":[],"label_agreement":null},{"id":"W3216332093","doi":"10.4000/culturemusees.7444","title":"Innover en temps de pandémie à Pointe-à-Callière. Entretien avec Katy Tari, directrice des collections, des programmes et services au public, réalisé par Marie-Sylvie Poli","year":2021,"lang":"fr","type":"article","venue":"Culture & Musées","topic":"Diverse Cultural and Historical Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.02604506051135908,"score_gpt":0.2706602542368093,"score_spread":0.2446151937254502,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3216332093","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.060519867,0.027695665,0.018248884,0.45931563,0.004999021,0.00043736317,0.0002479059,0.0007886205,0.42774716],"genre_scores_gemma":[0.52260745,0.010974854,0.012058754,0.023754902,0.00044790652,0.0002863599,0.00013583704,0.00044600505,0.4292879],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9957695,0.0016065292,0.000082310675,0.00062841293,0.0010164317,0.00089686696],"domain_scores_gemma":[0.99386215,0.0011307794,0.00042548435,0.0005374222,0.0018061972,0.0022379837],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0070725367,0.00055867265,0.0002829681,0.0008202958,0.020214358,0.0127108125,0.002037342,0.0033511098,0.015113385],"category_scores_gemma":[0.012658124,0.0004991319,0.00042841487,0.0011488397,0.02281379,0.0076360935,0.009667801,0.005626022,0.0029653695],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000078155215,0.00010858313,0.0072553726,0.0003970435,0.00003872729,0.0012157313,0.276121,0.00029365407,0.0027533958,0.3264937,0.24644844,0.13879617],"study_design_scores_gemma":[0.0000072280072,0.0000258815,0.0028811137,0.00020176986,0.000014627553,0.00016138927,0.046025716,0.000083143204,0.0005993783,0.0074897893,0.9424812,0.000028788683],"about_ca_topic_score_codex":0.33339378,"about_ca_topic_score_gemma":0.5585658,"teacher_disagreement_score":0.6666062,"about_ca_system_score_codex":0.023962235,"about_ca_system_score_gemma":0.061533116,"threshold_uncertainty_score":0.6629064},"labels":[],"label_agreement":null},{"id":"W3216647493","doi":"10.4000/culturemusees.7373","title":"Elsa Guyot. 2021. Rejouer l’histoire. Le Moyen Âge dans les musées du Québec","year":2021,"lang":"fr","type":"article","venue":"Culture & Musées","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.01838160871736979,"score_gpt":0.2077033466210775,"score_spread":0.1893217379037077,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3216647493","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0067992313,0.06645109,0.00096181995,0.18669222,0.022464154,0.0003108035,0.011914999,0.00072003057,0.70368564],"genre_scores_gemma":[0.0111553045,0.0036042128,0.0004452392,0.0074715116,0.00027333797,0.00005139979,0.0009473639,0.00013555725,0.975916],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99929893,0.00008657246,0.000026532774,0.00006449103,0.00031585,0.00020760622],"domain_scores_gemma":[0.99819726,0.00009357674,0.000052360447,0.000075490854,0.0010304702,0.000550844],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011486155,0.0005586176,0.00025307768,0.0011631958,0.0072557367,0.0036080112,0.0010377023,0.003490224,0.16614194],"category_scores_gemma":[0.0021568853,0.00039824613,0.00028799268,0.0014485747,0.0013984632,0.0013711936,0.0019332811,0.0028196804,0.038539767],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016087508,0.000008228137,0.0005774352,0.00008360098,0.0000021237,0.00013437484,0.0009313245,0.000026207683,0.00019171143,0.004898902,0.95715564,0.035974313],"study_design_scores_gemma":[0.0000016077126,0.0000016168088,0.0020694078,0.00006285131,8.4509725e-7,0.000021645212,0.00065316487,0.000010622568,0.000044595843,0.000117908145,0.997012,0.00000367928],"about_ca_topic_score_codex":0.92430145,"about_ca_topic_score_gemma":0.9708572,"teacher_disagreement_score":0.16614194,"about_ca_system_score_codex":0.01923528,"about_ca_system_score_gemma":0.026041027,"threshold_uncertainty_score":0.5558002},"labels":[],"label_agreement":null},{"id":"W3217265806","doi":"10.4000/culturemusees.7408","title":"La décolonisation et l’autochtonisation au Musée McCord (1992-2019)","year":2021,"lang":"fr","type":"article","venue":"Culture & Musées","topic":"Museums and Cultural Heritage","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Decolonization; Art; Political science","score_opus":0.04151003065251911,"score_gpt":0.2817903022015174,"score_spread":0.24028027154899828,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3217265806","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5498059,0.023804447,0.0011924884,0.023098834,0.0005756546,0.00014855037,0.0005457314,0.000053057254,0.4007754],"genre_scores_gemma":[0.8687372,0.0060532144,0.0005934117,0.0012182649,0.00008504097,0.00006576284,0.00015197395,0.000061676925,0.12303336],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9976386,0.00046292506,0.000042284544,0.00021518739,0.0006800555,0.00096098764],"domain_scores_gemma":[0.99841213,0.0003804409,0.00016812289,0.0001248659,0.00046891678,0.00044546346],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00248305,0.00042418548,0.0003118062,0.0014896848,0.015542642,0.0079613505,0.0013526981,0.0013677361,0.0109260725],"category_scores_gemma":[0.0038740232,0.00029972833,0.00026223907,0.0028765216,0.014387846,0.0028107238,0.0057877735,0.0023109294,0.0007801965],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010134756,0.00004284419,0.014180535,0.00041952464,0.000019021461,0.0010777857,0.7131366,0.00027049248,0.0011226876,0.16646987,0.025960185,0.077199146],"study_design_scores_gemma":[0.000009775012,0.000034630088,0.041407935,0.000560105,0.00001271119,0.00027423812,0.23023668,0.00005255814,0.0008987747,0.0016253924,0.7248524,0.0000347774],"about_ca_topic_score_codex":0.88762194,"about_ca_topic_score_gemma":0.95613563,"teacher_disagreement_score":0.11237806,"about_ca_system_score_codex":0.053614303,"about_ca_system_score_gemma":0.057238907,"threshold_uncertainty_score":0.38900083},"labels":[],"label_agreement":null},{"id":"W4235220047","doi":"10.4000/culturemusees.783","title":"Introduction","year":2016,"lang":"fr","type":"article","venue":"Culture & Musées","topic":"Historical Art and Culture Studies","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Computer science","score_opus":0.012693526986354004,"score_gpt":0.20290475117611537,"score_spread":0.19021122418976136,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4235220047","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.003948342,0.0031130177,0.005409766,0.014374172,0.0041832263,0.00022974133,0.004436475,0.0005316525,0.96377367],"genre_scores_gemma":[0.044614933,0.004369292,0.0059074024,0.009650396,0.0017425084,0.00041696505,0.0060725044,0.0005117567,0.92671424],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99780244,0.00038218912,0.000108365166,0.00056082744,0.0007984401,0.0003476964],"domain_scores_gemma":[0.9974371,0.00046650035,0.00014085283,0.00039531535,0.0011731811,0.00038690856],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0020314085,0.0007157108,0.00045586744,0.0013455099,0.0032236073,0.006523358,0.001992043,0.0027914138,0.3841071],"category_scores_gemma":[0.006048505,0.00028205826,0.0006120542,0.0018796774,0.0016982484,0.004000103,0.0035643561,0.0023408574,0.16912809],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011750099,0.000085944404,0.002073827,0.00044264513,0.000011969588,0.00029792957,0.002792989,0.00020388997,0.0005411513,0.2084951,0.6067152,0.17822187],"study_design_scores_gemma":[0.0000040185364,0.000011718015,0.00066328095,0.00014588986,0.0000020578595,0.000084491854,0.00054575695,0.000029262073,0.000085150394,0.005515628,0.9929074,0.0000052923015],"about_ca_topic_score_codex":0.008311925,"about_ca_topic_score_gemma":0.008275565,"teacher_disagreement_score":0.6158929,"about_ca_system_score_codex":0.003230506,"about_ca_system_score_gemma":0.004438143,"threshold_uncertainty_score":0.87849647},"labels":[],"label_agreement":null},{"id":"W4241612558","doi":"10.3406/pumus.2006.1390","title":"La collection muséale d’art contemporain comme mémoire archivée","year":2006,"lang":"es","type":"article","venue":"Culture & Musées","topic":"Museums and Cultural Heritage","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.026700142786346054,"score_gpt":0.2406582618381981,"score_spread":0.21395811905185205,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4241612558","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.012041025,0.028541734,0.004826399,0.011222591,0.011990627,0.00014869728,0.0043521514,0.0009956195,0.92588115],"genre_scores_gemma":[0.056582656,0.009610373,0.0049268445,0.0014764254,0.0026839043,0.00015548288,0.0020763797,0.0013665243,0.9211215],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.9977786,0.00060166797,0.00012472885,0.00023969586,0.0009842152,0.00027101563],"domain_scores_gemma":[0.9971181,0.0006118798,0.00020868232,0.0009314974,0.0006636339,0.00046620576],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0029459554,0.00068576937,0.00063681154,0.005141313,0.007584473,0.010444919,0.0009676412,0.0011647108,0.060020246],"category_scores_gemma":[0.0058178995,0.0004603706,0.00040013803,0.0065877154,0.003733398,0.0032485763,0.0051918477,0.002505095,0.015666936],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011758983,0.00003312904,0.0016256701,0.00049415,0.000020148485,0.0006459606,0.03831348,0.00010065303,0.0025191063,0.11708742,0.70169246,0.1373502],"study_design_scores_gemma":[5.878106e-7,0.0000012202296,0.00038960215,0.000041487212,7.897668e-7,0.00007721888,0.0004716316,0.0000037029836,0.000112671376,0.00019446493,0.9987047,0.0000020021146],"about_ca_topic_score_codex":0.05631899,"about_ca_topic_score_gemma":0.15247542,"teacher_disagreement_score":0.060020246,"about_ca_system_score_codex":0.0053342874,"about_ca_system_score_gemma":0.006754209,"threshold_uncertainty_score":0.20078772},"labels":[],"label_agreement":null},{"id":"W4242244047","doi":"10.4000/culturemusees.689","title":"Avant-propos","year":2013,"lang":"fr","type":"article","venue":"Culture & Musées","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Geography","score_opus":0.032698689400857725,"score_gpt":0.2555731344061161,"score_spread":0.22287444500525838,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4242244047","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009634531,0.013654816,0.020982275,0.031040251,0.019364178,0.000298997,0.002453175,0.0015166837,0.90105516],"genre_scores_gemma":[0.06968954,0.008143046,0.016247194,0.011219703,0.002673397,0.00027986718,0.0034972508,0.0011721811,0.8870778],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9966102,0.0007134671,0.00020229537,0.0008970388,0.0011226607,0.000454166],"domain_scores_gemma":[0.99679995,0.0005127569,0.00014644532,0.0006135529,0.001402076,0.0005252588],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0022789966,0.0011951295,0.0007234452,0.0016085987,0.0045328685,0.0089552635,0.0021249733,0.0031491572,0.19206762],"category_scores_gemma":[0.009533466,0.00048897235,0.0010828457,0.0016915301,0.0018809438,0.0068652243,0.005019456,0.0036049199,0.10110237],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022469558,0.00013609229,0.002859238,0.0007266854,0.000055393102,0.0012421312,0.0049729007,0.00058664865,0.00167305,0.285098,0.47626144,0.2261638],"study_design_scores_gemma":[0.000006477996,0.000016918224,0.00030060278,0.00017078768,0.000009374181,0.0002792065,0.00074845867,0.00013785575,0.00035490876,0.00868989,0.98927337,0.0000121217],"about_ca_topic_score_codex":0.0065973117,"about_ca_topic_score_gemma":0.009983519,"teacher_disagreement_score":0.8079324,"about_ca_system_score_codex":0.0037088997,"about_ca_system_score_gemma":0.0045636785,"threshold_uncertainty_score":0.6425302},"labels":[],"label_agreement":null},{"id":"W4281477621","doi":"10.4000/culturemusees.7804","title":"Société, musées et réappropriation sociale comme « utopie » : modèles de musées de société en Espagne","year":2022,"lang":"fr","type":"article","venue":"Culture & Musées","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Political science; Sociology; Art","score_opus":0.05263642409863126,"score_gpt":0.296515647839098,"score_spread":0.24387922374046675,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4281477621","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1127261,0.006379897,0.03128626,0.011202953,0.00030356832,0.00012483561,0.00009713023,0.00011522693,0.837764],"genre_scores_gemma":[0.9598043,0.0024174147,0.0046768263,0.00045670936,0.000075662414,0.00011857425,0.000060126968,0.00003353055,0.032356884],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99810237,0.001228977,0.000042588654,0.00015829671,0.00023921269,0.00022857726],"domain_scores_gemma":[0.9989986,0.00038302495,0.00013703346,0.00011754732,0.00011599563,0.0002477317],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017686842,0.0005434246,0.00031856002,0.0024765758,0.0058188145,0.009117027,0.0014536849,0.0021250278,0.00860272],"category_scores_gemma":[0.0018868246,0.00024449048,0.0005178622,0.002210465,0.02373883,0.00854553,0.0065844017,0.002015629,0.0008142867],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011992208,0.000016608315,0.0009775312,0.000065266104,0.000006874321,0.00021423312,0.061851356,0.0002783475,0.00013358585,0.92791146,0.0009228953,0.007609863],"study_design_scores_gemma":[0.000034156576,0.00009692645,0.006923346,0.0007394031,0.000037357036,0.001085693,0.17738321,0.0030578275,0.00039787262,0.4158725,0.39431277,0.000058975686],"about_ca_topic_score_codex":0.016711723,"about_ca_topic_score_gemma":0.020546027,"teacher_disagreement_score":0.016711723,"about_ca_system_score_codex":0.005480826,"about_ca_system_score_gemma":0.004554442,"threshold_uncertainty_score":0.03976637},"labels":[],"label_agreement":null},{"id":"W4281482623","doi":"10.4000/culturemusees.8578","title":"Musées de société, musées hybrides : regards croisés sur les mutations québécoises","year":2022,"lang":"fr","type":"article","venue":"Culture & Musées","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Biology; Genetics","score_opus":0.04034270359206905,"score_gpt":0.2581851042073654,"score_spread":0.21784240061529636,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4281482623","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8648809,0.0125358375,0.00058590143,0.007962118,0.00024027191,0.00004628971,0.00020678589,0.000023369344,0.11351863],"genre_scores_gemma":[0.9681015,0.0016784322,0.00017528178,0.0003246875,0.000032413416,0.00001758746,0.000043643733,0.000013273548,0.029613266],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99911493,0.00024832215,0.000017612061,0.00008420132,0.0001782406,0.00035665478],"domain_scores_gemma":[0.99884737,0.00023721861,0.000113065864,0.00005204932,0.00023754165,0.00051266735],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012016767,0.00032304818,0.00033914365,0.0028156156,0.0175942,0.0042231507,0.0008084671,0.001177933,0.010287864],"category_scores_gemma":[0.0021189132,0.00020832062,0.00014864716,0.0033348636,0.011740932,0.0019384172,0.0032492094,0.0016156582,0.0003463533],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013071294,0.000045515717,0.033175755,0.00023429966,0.00003240495,0.0018953455,0.705743,0.00030929854,0.0021179277,0.1720211,0.014106267,0.07018842],"study_design_scores_gemma":[0.000014286767,0.00005588174,0.1348643,0.00043958274,0.000020638952,0.0006947953,0.46190313,0.00027695185,0.0004200955,0.003715802,0.39754173,0.00005284927],"about_ca_topic_score_codex":0.94496304,"about_ca_topic_score_gemma":0.97991395,"teacher_disagreement_score":0.9736325,"about_ca_system_score_codex":0.02636747,"about_ca_system_score_gemma":0.02363236,"threshold_uncertainty_score":0.19131029},"labels":[],"label_agreement":null},{"id":"W4281485597","doi":"10.4000/culturemusees.8478","title":"Un tournant communicationnel pris à vitesse variable dans les musées de société au Québec","year":2022,"lang":"fr","type":"article","venue":"Culture & Musées","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Political science; Humanities; Art","score_opus":0.13617901729026094,"score_gpt":0.29819809640915107,"score_spread":0.16201907911889013,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4281485597","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7631605,0.006168305,0.0034381985,0.024371365,0.0003701668,0.000060662172,0.00090426125,0.00013497553,0.20139155],"genre_scores_gemma":[0.9704888,0.0010860796,0.0006433299,0.00077560125,0.00003203208,0.000017997061,0.00011725791,0.00003847165,0.026800409],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.99874324,0.00033523628,0.000027744989,0.0002028227,0.0003035666,0.00038733598],"domain_scores_gemma":[0.99698836,0.0005227846,0.00033727736,0.00016529344,0.0010226122,0.0009636595],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016405236,0.0002377647,0.0003217738,0.0015937239,0.018480316,0.0066118217,0.0009206052,0.0008738634,0.0152433105],"category_scores_gemma":[0.003923312,0.00024843914,0.00015884086,0.0028061166,0.0076186536,0.0021839226,0.0030460332,0.0016985218,0.0005466523],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00025407545,0.000062048304,0.097375,0.00039066758,0.000096929776,0.0020277477,0.55366784,0.000736603,0.004705263,0.12123167,0.05717688,0.16227525],"study_design_scores_gemma":[0.000011334429,0.000037650756,0.18554392,0.00049287296,0.00005583286,0.00035737306,0.3179815,0.0006077457,0.00062135153,0.0035736526,0.4906307,0.00008622134],"about_ca_topic_score_codex":0.95254797,"about_ca_topic_score_gemma":0.984168,"teacher_disagreement_score":0.047452033,"about_ca_system_score_codex":0.03857665,"about_ca_system_score_gemma":0.040851098,"threshold_uncertainty_score":0.27989447},"labels":[],"label_agreement":null},{"id":"W4281485687","doi":"10.4000/culturemusees.8070","title":"Le refus, une stratégie de développement des collections muséales","year":2022,"lang":"fr","type":"article","venue":"Culture & Musées","topic":"Museums and Cultural Heritage","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Université Laval; Université du Québec à Montréal; Musée de la Civilisation","funders":"","keywords":"Humanities; Art","score_opus":0.036865374759035494,"score_gpt":0.26682692366335287,"score_spread":0.22996154890431736,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4281485687","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.31098002,0.0053097336,0.057393394,0.046763994,0.00092360325,0.0011787543,0.00042433734,0.0007899116,0.57623625],"genre_scores_gemma":[0.73481596,0.002415821,0.027301388,0.003320414,0.00014139854,0.0003950152,0.00023921579,0.00030098786,0.23106979],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9921915,0.0035914525,0.00015716041,0.0007607696,0.0021375008,0.0011616226],"domain_scores_gemma":[0.991789,0.0011371386,0.0005285014,0.000782394,0.0032045408,0.0025584083],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.008526095,0.0005680944,0.00037751932,0.002699562,0.02541691,0.00926245,0.0023573874,0.001729002,0.019408034],"category_scores_gemma":[0.010257554,0.00051349594,0.0005198088,0.0025964426,0.008587954,0.0065087415,0.008583907,0.0025196595,0.0017248155],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014248009,0.00019775445,0.030135043,0.000683161,0.00008137708,0.0031255272,0.38750952,0.0014019774,0.006471164,0.23066832,0.060875695,0.27870786],"study_design_scores_gemma":[0.000014563483,0.00010036725,0.020352826,0.00041861663,0.000025500154,0.000355731,0.12215696,0.0005362334,0.0010503944,0.0068682865,0.84804666,0.00007385444],"about_ca_topic_score_codex":0.6548936,"about_ca_topic_score_gemma":0.867767,"teacher_disagreement_score":0.6548936,"about_ca_system_score_codex":0.034325276,"about_ca_system_score_gemma":0.067246065,"threshold_uncertainty_score":0.69427764},"labels":[],"label_agreement":null},{"id":"W4281485693","doi":"10.4000/culturemusees.8493","title":"Musées d’art et musées de société au Québec : 30 ans de métamorphose","year":2022,"lang":"fr","type":"article","venue":"Culture & Musées","topic":"Cultural Heritage Management and Preservation","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.053924034295806986,"score_gpt":0.2705233633847917,"score_spread":0.21659932908898472,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4281485693","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.78456813,0.030487753,0.0017196417,0.014624289,0.00062150526,0.00016026264,0.0059995814,0.000116866846,0.16170199],"genre_scores_gemma":[0.8784474,0.0070291962,0.00088003837,0.0007785725,0.000074629184,0.000045155542,0.0012474809,0.0000428498,0.11145461],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.9992774,0.00008652858,0.000021426722,0.000090535046,0.00029898927,0.00022506564],"domain_scores_gemma":[0.9980724,0.00015926229,0.00017993178,0.000056955007,0.0010176118,0.0005137991],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012005372,0.00040732883,0.00030851096,0.0024224562,0.007886341,0.0031222901,0.0008306539,0.00085245416,0.01418641],"category_scores_gemma":[0.0022241888,0.00028071422,0.0002620956,0.0035694658,0.0027342206,0.0018640114,0.0021303804,0.0018321789,0.000910596],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005316065,0.00020783056,0.19379178,0.00084897666,0.0001409516,0.0026807017,0.3131296,0.000973008,0.00399856,0.045357063,0.07984327,0.35849667],"study_design_scores_gemma":[0.000012107515,0.00004887083,0.4918176,0.00039678445,0.00002582582,0.00030355688,0.05916863,0.00033264727,0.0005894742,0.00070903526,0.44654307,0.000052358293],"about_ca_topic_score_codex":0.9928403,"about_ca_topic_score_gemma":0.9976682,"teacher_disagreement_score":0.05704518,"about_ca_system_score_codex":0.05704518,"about_ca_system_score_gemma":0.03474155,"threshold_uncertainty_score":0.41389364},"labels":[],"label_agreement":null},{"id":"W4281491210","doi":"10.4000/culturemusees.7725","title":"Du musée intégral au musée social : l’épistémologie politique de la muséologie sociale au Brésil","year":2022,"lang":"fr","type":"article","venue":"Culture & Musées","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Political science; Philosophy; Art","score_opus":0.03932788204234057,"score_gpt":0.2778522019517447,"score_spread":0.23852431990940415,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4281491210","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26955462,0.02971714,0.034589384,0.0352624,0.0005639519,0.00006919637,0.00013735225,0.000117975585,0.629988],"genre_scores_gemma":[0.98584217,0.0023729762,0.0016151386,0.0006302214,0.00009519817,0.000034333003,0.000026380674,0.000049961847,0.009333586],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.995336,0.0026199822,0.00013458933,0.00069894607,0.00068920344,0.00052124495],"domain_scores_gemma":[0.99537945,0.0030068788,0.00036223786,0.000462604,0.00047364068,0.00031517603],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005856867,0.00050929363,0.0007354901,0.0052757184,0.010824758,0.016250355,0.0016862265,0.0031122006,0.0076947734],"category_scores_gemma":[0.0070140003,0.00057894585,0.0004711077,0.0035819856,0.070407,0.008620995,0.008595354,0.003896338,0.0005559667],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013576075,0.0000041898584,0.00076657796,0.00007746942,0.000008075471,0.00018084848,0.14223284,0.00013109113,0.00020985055,0.8506868,0.00052300014,0.0051657706],"study_design_scores_gemma":[0.000029771609,0.000052469117,0.010640107,0.0018476979,0.000051149225,0.0006899093,0.25612321,0.00084211153,0.0008890412,0.4440144,0.28475353,0.00006663423],"about_ca_topic_score_codex":0.07077647,"about_ca_topic_score_gemma":0.050571356,"teacher_disagreement_score":0.07077647,"about_ca_system_score_codex":0.012460509,"about_ca_system_score_gemma":0.005617892,"threshold_uncertainty_score":0.14072901},"labels":[],"label_agreement":null},{"id":"W4281492780","doi":"10.4000/culturemusees.7503","title":"Le musée de société aujourd’hui. Héritage et mutation","year":2022,"lang":"fr","type":"paratext","venue":"Culture & Musées","topic":"Museums and Cultural Heritage","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.0273368216828527,"score_gpt":0.27801896845660257,"score_spread":0.2506821467737499,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4281492780","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.084852114,0.025900071,0.012913704,0.023346156,0.0009402413,0.000037682617,0.00019669144,0.00016238724,0.85165095],"genre_scores_gemma":[0.87383443,0.0054739295,0.0031361145,0.0011301322,0.00036198186,0.000042817002,0.000089423505,0.00010327212,0.11582791],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986583,0.0006163821,0.000034098874,0.00020040982,0.00031724336,0.00017356468],"domain_scores_gemma":[0.99917775,0.00023171103,0.000109484376,0.00014130898,0.00017294544,0.00016679765],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012908027,0.00037667845,0.00031315454,0.0015792925,0.005885238,0.005475108,0.0006037856,0.0012188031,0.008975256],"category_scores_gemma":[0.0022086482,0.00014498965,0.00024097142,0.0015040574,0.01742108,0.004185586,0.00277855,0.0018050607,0.001065434],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013778205,0.000003776499,0.00079553836,0.00003662098,0.0000043076643,0.00012954831,0.019830713,0.000098995064,0.00017927024,0.9554254,0.0058151563,0.017666908],"study_design_scores_gemma":[0.000010737813,0.000032659173,0.007720981,0.00026644647,0.000012110002,0.0008617427,0.01889426,0.00039803376,0.0004066394,0.1793285,0.7920367,0.000031189975],"about_ca_topic_score_codex":0.047030214,"about_ca_topic_score_gemma":0.04650033,"teacher_disagreement_score":0.047030214,"about_ca_system_score_codex":0.0071295113,"about_ca_system_score_gemma":0.0032699194,"threshold_uncertainty_score":0.09351295},"labels":[],"label_agreement":null},{"id":"W4311185588","doi":"10.4000/culturemusees.8963","title":"Un Moyen Âge recomposé. Variations autour du déploiement ecclésial dans l’espace d’exposition","year":2022,"lang":"fr","type":"article","venue":"Culture & Musées","topic":"Death, Funerary Practices, and Mourning","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.017307544689070354,"score_gpt":0.2691386576861737,"score_spread":0.2518311129971033,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4311185588","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04031628,0.02404485,0.014831576,0.049065363,0.0045993095,0.0000550247,0.00025191912,0.00018922346,0.8666464],"genre_scores_gemma":[0.5577393,0.007135468,0.0068211635,0.007674344,0.0019259793,0.000116404466,0.00021346752,0.0005886567,0.4177853],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99705255,0.0014775584,0.000107423024,0.0004687264,0.00059821486,0.0002954994],"domain_scores_gemma":[0.998063,0.0007441321,0.00015363123,0.00048002595,0.00038865182,0.00017054932],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0026318906,0.0005907653,0.0003037963,0.0013281887,0.0051591657,0.010353337,0.0008400969,0.002271466,0.018271144],"category_scores_gemma":[0.0047954014,0.0003020459,0.00035596118,0.0010405985,0.015169668,0.009223639,0.005718601,0.004897577,0.003218772],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037009708,0.000011575972,0.00056169595,0.000071262664,0.0000062355266,0.00019127618,0.05768295,0.00005787589,0.0006888698,0.9023331,0.014442429,0.02391572],"study_design_scores_gemma":[0.000005253544,0.000018472698,0.0012974101,0.00019929443,0.0000059761337,0.00027920151,0.012395622,0.000080408274,0.00042071863,0.058403857,0.92687786,0.000015981863],"about_ca_topic_score_codex":0.005580349,"about_ca_topic_score_gemma":0.008370054,"teacher_disagreement_score":0.018271144,"about_ca_system_score_codex":0.004149925,"about_ca_system_score_gemma":0.0020621074,"threshold_uncertainty_score":0.061123073},"labels":[],"label_agreement":null},{"id":"W4311192033","doi":"10.4000/culturemusees.9438","title":"Yves Bergeron & Violette Loget (dir). 2021. Du sens et du plaisir : Une muséologie pour les visiteurs. Musée et exposition selon Raymond Montpetit","year":2022,"lang":"fr","type":"article","venue":"Culture & Musées","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.0347495833060855,"score_gpt":0.2709318041834706,"score_spread":0.23618222087738514,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4311192033","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0047815857,0.47817507,0.000894102,0.3710694,0.033871375,0.00006772188,0.0009283788,0.0001612436,0.11005111],"genre_scores_gemma":[0.056531888,0.1299996,0.0013627403,0.030728107,0.0050901934,0.00014299917,0.00038122386,0.00035460372,0.77540874],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991698,0.00028115907,0.000027021597,0.00011670163,0.00028194394,0.00012336603],"domain_scores_gemma":[0.9992465,0.00018337597,0.0000810096,0.000025611422,0.00027754408,0.00018600155],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001411375,0.00089209265,0.00043368482,0.0011678733,0.006821603,0.00470692,0.00073322235,0.0021788182,0.021644752],"category_scores_gemma":[0.0017688873,0.00049907103,0.0002414415,0.0014071775,0.002407299,0.0032087439,0.0018549769,0.0033598053,0.0070624775],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029797211,0.0000063758775,0.0005750855,0.00012465286,0.000003966665,0.00012618299,0.0037688636,0.000025209534,0.00015688712,0.007909614,0.9473763,0.039897088],"study_design_scores_gemma":[0.000002118119,0.0000034229904,0.0014875496,0.00015146035,0.000001187534,0.000066896595,0.0022630566,0.000009615472,0.000062019455,0.0004887205,0.99545693,0.000007050082],"about_ca_topic_score_codex":0.32308796,"about_ca_topic_score_gemma":0.5341575,"teacher_disagreement_score":0.32308796,"about_ca_system_score_codex":0.007937498,"about_ca_system_score_gemma":0.006667542,"threshold_uncertainty_score":0.64241475},"labels":[],"label_agreement":null},{"id":"W4311192065","doi":"10.4000/culturemusees.8897","title":"Les musées d’art sacré de Dijon et de Saint-Mihiel : va-et-vient entre collection et usage liturgique","year":2022,"lang":"fr","type":"article","venue":"Culture & Musées","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Art; Humanities","score_opus":0.025838622015145696,"score_gpt":0.2710258231752108,"score_spread":0.2451872011600651,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4311192065","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.59696376,0.015328613,0.0012609123,0.002944896,0.00024252266,0.000031833686,0.00027306433,0.000034562458,0.38291973],"genre_scores_gemma":[0.97476023,0.0014495046,0.0004493048,0.00015476214,0.00003265311,0.000019114337,0.000054338798,0.000021052456,0.023059085],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986951,0.0006587201,0.000033084816,0.00011653922,0.00021297262,0.00028364506],"domain_scores_gemma":[0.9992091,0.00035987323,0.00012665382,0.00005861936,0.0000983394,0.00014742895],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001165117,0.00029246576,0.00019828667,0.0027001025,0.005307073,0.007521031,0.0004938662,0.0005199864,0.0071069724],"category_scores_gemma":[0.0021233198,0.00023917735,0.00013180121,0.0043572695,0.009019111,0.0012061772,0.0034856813,0.0010081067,0.00027753995],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00034095894,0.000049214883,0.030852413,0.00035719413,0.00005781564,0.0020080553,0.41190895,0.00034348367,0.0017388896,0.46331188,0.0105564585,0.0784748],"study_design_scores_gemma":[0.000029977007,0.00006898076,0.17225274,0.0006905424,0.000036177214,0.0017099257,0.24419057,0.0001609279,0.0010788862,0.008110885,0.5716024,0.00006801534],"about_ca_topic_score_codex":0.17854778,"about_ca_topic_score_gemma":0.34594595,"teacher_disagreement_score":0.17854778,"about_ca_system_score_codex":0.011533694,"about_ca_system_score_gemma":0.007048934,"threshold_uncertainty_score":0.35501707},"labels":[],"label_agreement":null},{"id":"W4386387439","doi":"10.4000/culturemusees.9717","title":"Pour une perception globale de l’évolution des musées","year":2023,"lang":"fr","type":"article","venue":"Culture & Musées","topic":"Museums and Cultural Heritage","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"Agence Nationale de la Recherche","keywords":"Humanities; Art; Political science","score_opus":0.047079423159035245,"score_gpt":0.27437874719947497,"score_spread":0.22729932404043973,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386387439","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.22933705,0.08589574,0.01360865,0.13211533,0.002700447,0.000100996964,0.00051151204,0.00022511314,0.5355052],"genre_scores_gemma":[0.91640735,0.029176395,0.0049910396,0.0032399076,0.0012515788,0.00009400368,0.0002539729,0.00019434097,0.044391286],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9961371,0.001766794,0.00016513451,0.0005693325,0.00091904536,0.00044254956],"domain_scores_gemma":[0.9917163,0.0036533999,0.0010203507,0.00095163035,0.001571283,0.001086992],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0069606705,0.00038255475,0.0004589155,0.0032071858,0.0076125595,0.018609222,0.00092979416,0.0025658975,0.017477144],"category_scores_gemma":[0.010735572,0.00032522867,0.00047771723,0.005165072,0.012168903,0.017114658,0.0068086986,0.0045296787,0.001594451],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000096209544,0.000025812196,0.012448716,0.0008487681,0.00007428133,0.0005838908,0.24385871,0.000327322,0.0022405288,0.61462647,0.016445981,0.10842323],"study_design_scores_gemma":[0.000010089792,0.000050083483,0.019979097,0.0011484091,0.000034537527,0.000594092,0.1579953,0.00017340385,0.00049738894,0.046428952,0.77303356,0.000055077555],"about_ca_topic_score_codex":0.008869478,"about_ca_topic_score_gemma":0.015181576,"teacher_disagreement_score":0.018609222,"about_ca_system_score_codex":0.005149871,"about_ca_system_score_gemma":0.006790591,"threshold_uncertainty_score":0.05846691},"labels":[],"label_agreement":null},{"id":"W4386387514","doi":"10.4000/culturemusees.10140","title":"L’étude des prestataires dans les transformations des musées. L’exemple des offres numériques","year":2023,"lang":"fr","type":"article","venue":"Culture & Musées","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Bibliothèque et Archives nationales du Québec; Université du Québec à Montréal; Musée de la Civilisation","funders":"","keywords":"Mathematics; Computer science","score_opus":0.22695734549206562,"score_gpt":0.3290113166830958,"score_spread":0.10205397119103018,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386387514","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21011399,0.014675217,0.037055165,0.042797778,0.0011818826,0.00013118047,0.00030319433,0.00015781519,0.69358385],"genre_scores_gemma":[0.93042,0.005147325,0.00882,0.001708342,0.00041223352,0.00014761073,0.00009706849,0.00023907979,0.05300825],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99384403,0.0031154775,0.00017863566,0.00080071355,0.0014551883,0.0006059273],"domain_scores_gemma":[0.9931851,0.0033658328,0.0009063505,0.0010154484,0.0008460448,0.00068125816],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0053784777,0.0004696769,0.00044108767,0.0023537478,0.008168274,0.015008381,0.001355667,0.0023302732,0.017835077],"category_scores_gemma":[0.014349063,0.00035759207,0.00047741906,0.003534892,0.026378471,0.016391004,0.009240898,0.0042715287,0.0013431656],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004354846,0.000023343893,0.003399793,0.0002528909,0.000013622191,0.00034695864,0.16531262,0.00019372109,0.000829838,0.7886241,0.0038572107,0.037102323],"study_design_scores_gemma":[0.00001931161,0.0000475838,0.012423019,0.001070336,0.000022453194,0.0007374012,0.15208974,0.00043359832,0.0011742836,0.14046995,0.69145155,0.000060708615],"about_ca_topic_score_codex":0.014774548,"about_ca_topic_score_gemma":0.028143112,"teacher_disagreement_score":0.017835077,"about_ca_system_score_codex":0.0069956123,"about_ca_system_score_gemma":0.0062846495,"threshold_uncertainty_score":0.05966431},"labels":[],"label_agreement":null},{"id":"W4386392124","doi":"10.4000/culturemusees.10440","title":"François Mairesse (dir.). 2022. Dictionnaire de muséologie","year":2023,"lang":"fr","type":"article","venue":"Culture & Musées","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Art; Philosophy","score_opus":0.03548817180896651,"score_gpt":0.25983818895013916,"score_spread":0.22435001714117264,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386392124","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0026482737,0.54312736,0.0013712469,0.07319614,0.07209445,0.00006258705,0.0068489583,0.00050242536,0.30014858],"genre_scores_gemma":[0.01739755,0.08095687,0.0009830577,0.0060180603,0.008423398,0.00008836557,0.0021558686,0.00037653252,0.88360023],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991671,0.00017478957,0.00009775993,0.00017874528,0.00028280463,0.00009887786],"domain_scores_gemma":[0.9994067,0.00013112281,0.00010501275,0.000029321669,0.00022426702,0.00010367238],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008917672,0.0012642744,0.0005202923,0.0022519126,0.0020445085,0.0035146968,0.0004903079,0.0020107592,0.16336595],"category_scores_gemma":[0.0017028674,0.00049490505,0.00034529105,0.0022121347,0.0007465912,0.0034095047,0.0019394055,0.002105613,0.1063825],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007308204,0.0000075907215,0.00036254167,0.00026128488,0.000007524025,0.0001375027,0.0007009843,0.000031430576,0.00020365817,0.007897567,0.87831545,0.11200138],"study_design_scores_gemma":[0.0000026714117,0.000004041193,0.0006685387,0.00014172209,0.0000014205876,0.00009944445,0.00017417212,0.000009367603,0.000052501633,0.0003558114,0.9984863,0.000003997694],"about_ca_topic_score_codex":0.023824735,"about_ca_topic_score_gemma":0.03772983,"teacher_disagreement_score":0.16336595,"about_ca_system_score_codex":0.0021604502,"about_ca_system_score_gemma":0.0013681672,"threshold_uncertainty_score":0.54651356},"labels":[],"label_agreement":null},{"id":"W4386397417","doi":"10.4000/culturemusees.10204","title":"« Oser la singularité », entretien avec Marc Atallah, directeur de La Maison d’Ailleurs à Yverdon-les-Bains, réalisé par Marie-Sylvie Poli","year":2023,"lang":"fr","type":"article","venue":"Culture & Musées","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Art","score_opus":0.018925562444558883,"score_gpt":0.2691034940099141,"score_spread":0.2501779315653552,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386397417","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02608467,0.059678767,0.004302739,0.76581866,0.016935658,0.000046532103,0.00011995873,0.00009929774,0.12691373],"genre_scores_gemma":[0.49046373,0.030453598,0.0040098755,0.116918944,0.01295655,0.00017993334,0.00007636792,0.0006562534,0.34428483],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99609596,0.0021785519,0.00013483269,0.0004748003,0.000713137,0.0004027046],"domain_scores_gemma":[0.9943258,0.0036172608,0.00041584295,0.00023595052,0.0008609021,0.0005442558],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.006078539,0.00088727596,0.0006840553,0.0013403217,0.017756173,0.011859383,0.0011285073,0.0052002403,0.0045797904],"category_scores_gemma":[0.012675508,0.00043321957,0.00034123828,0.0011288287,0.01987564,0.010122363,0.0052425307,0.010539991,0.0012143649],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009144692,0.000023195811,0.0008993031,0.0002571675,0.00001604173,0.00042568098,0.19635786,0.00007146121,0.00059793575,0.5288421,0.25205266,0.02036521],"study_design_scores_gemma":[0.000007134576,0.000010912762,0.0006934203,0.00022766339,0.000006384095,0.00020651973,0.03219066,0.00007562551,0.00047620622,0.022060964,0.94402534,0.000019205429],"about_ca_topic_score_codex":0.03667542,"about_ca_topic_score_gemma":0.074805,"teacher_disagreement_score":0.03667542,"about_ca_system_score_codex":0.0056334827,"about_ca_system_score_gemma":0.0063203154,"threshold_uncertainty_score":0.0729239},"labels":[],"label_agreement":null},{"id":"W4389255912","doi":"10.4000/culturemusees.11138","title":"Mélanie Boucher, Marie Fraser & Johanne Lamoureux (dir.), 2023. Réinventer la collection. L’art et le musée au temps de l’évènementiel","year":2023,"lang":"fr","type":"article","venue":"Culture & Musées","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Art; Physics","score_opus":0.03640873059654628,"score_gpt":0.26931214538264214,"score_spread":0.23290341478609586,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4389255912","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00093293894,0.5449942,0.0007433555,0.33091792,0.04076068,0.00004348396,0.00073699135,0.00014973158,0.080720685],"genre_scores_gemma":[0.01782923,0.20342769,0.0012717587,0.0590718,0.009679229,0.00015063361,0.00042113618,0.00040224587,0.70774627],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982754,0.00050508435,0.00012354946,0.0002834983,0.0006142238,0.0001983623],"domain_scores_gemma":[0.99887496,0.00047970412,0.00014219027,0.000047898982,0.0002963655,0.0001588198],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020894404,0.0011269362,0.00045994998,0.0012517399,0.005784503,0.0050980644,0.0009818957,0.0048091593,0.029020917],"category_scores_gemma":[0.0037334596,0.0008404387,0.0003755805,0.0015147063,0.0021748347,0.006505829,0.0027884038,0.0053402716,0.029062603],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017095235,0.0000052687897,0.00014376953,0.00012109172,0.0000029474168,0.000055284447,0.0011714833,0.000011420314,0.00006451533,0.0073434776,0.9639123,0.027151313],"study_design_scores_gemma":[0.0000015227946,0.0000016319121,0.0005050615,0.00015595907,0.0000013310062,0.0000563941,0.0007185001,0.000006538727,0.000043610286,0.0007904221,0.99771476,0.0000042787165],"about_ca_topic_score_codex":0.05109338,"about_ca_topic_score_gemma":0.11990668,"teacher_disagreement_score":0.05109338,"about_ca_system_score_codex":0.0046086665,"about_ca_system_score_gemma":0.0038161413,"threshold_uncertainty_score":0.101591945},"labels":[],"label_agreement":null},{"id":"W4389256758","doi":"10.4000/culturemusees.10504","title":"La dialectique entreprises-musées dans des territoires en reconversion. Le cas du textile roannais","year":2023,"lang":"fr","type":"article","venue":"Culture & Musées","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Political science; Humanities; Art","score_opus":0.021927093749885673,"score_gpt":0.25829578267509795,"score_spread":0.2363686889252123,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4389256758","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.49490592,0.008979943,0.0058386526,0.008389939,0.0005264147,0.00005253164,0.00032075064,0.00008182965,0.48090392],"genre_scores_gemma":[0.92394555,0.0011637363,0.001181388,0.00039647188,0.000057851343,0.000028011711,0.00007394721,0.00005000032,0.073103085],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99875104,0.0006975334,0.00003626555,0.00021533285,0.00014186247,0.00015785385],"domain_scores_gemma":[0.9993943,0.00024070988,0.00008746273,0.000077729776,0.000094940355,0.00010484993],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011779678,0.00037641462,0.00027103003,0.0010609335,0.008050251,0.005481484,0.000636604,0.001154008,0.013614149],"category_scores_gemma":[0.0012993916,0.00023830596,0.00020579596,0.0013115385,0.010694222,0.0049812035,0.0031155266,0.002187251,0.0012609769],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000053202682,0.000016748567,0.0034223967,0.00012044947,0.000008527574,0.000809514,0.7222997,0.000049724942,0.0014195616,0.25073546,0.0043447907,0.016719945],"study_design_scores_gemma":[0.000010665014,0.000039374005,0.015293247,0.00026274557,0.000011376779,0.0013250554,0.40158156,0.00012345074,0.0005016251,0.011482294,0.5693341,0.000034491368],"about_ca_topic_score_codex":0.02922223,"about_ca_topic_score_gemma":0.068351924,"teacher_disagreement_score":0.02922223,"about_ca_system_score_codex":0.003688219,"about_ca_system_score_gemma":0.0016491275,"threshold_uncertainty_score":0.058104277},"labels":[],"label_agreement":null},{"id":"W4389256842","doi":"10.4000/culturemusees.10846","title":"Le Musée de la chaussure de Romans-sur-Isère : entre patrimoine et économie","year":2023,"lang":"fr","type":"article","venue":"Culture & Musées","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Political science; Art; Philosophy","score_opus":0.018409848830733707,"score_gpt":0.2425209763213565,"score_spread":0.22411112749062279,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4389256842","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.37031642,0.0113229025,0.0028651857,0.022691794,0.00041219642,0.000033445383,0.000109215856,0.000027400087,0.59222144],"genre_scores_gemma":[0.9671049,0.0028257847,0.00078579935,0.0005888225,0.00012070365,0.000019950807,0.000027073645,0.000028941316,0.02849802],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99802375,0.0010731765,0.000045616565,0.00017039043,0.00033651508,0.00035073454],"domain_scores_gemma":[0.9982973,0.0009793398,0.00020311668,0.00018879998,0.00015001083,0.00018141295],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002744706,0.00020000164,0.00031172804,0.0010143381,0.0053543877,0.006907252,0.00070285634,0.0012521131,0.009942688],"category_scores_gemma":[0.0045563453,0.000215567,0.00022064484,0.0017107591,0.01332523,0.0042020106,0.0044543194,0.0020287568,0.00067766523],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000055319408,0.000019761213,0.0041547073,0.00013184443,0.000008033983,0.00044884277,0.18844824,0.00017689941,0.00047371065,0.77898324,0.004337625,0.022761805],"study_design_scores_gemma":[0.000026811627,0.000077039454,0.026428891,0.0011917677,0.000020712137,0.0008659156,0.25357482,0.00031075574,0.001617728,0.061659824,0.6541816,0.000044122266],"about_ca_topic_score_codex":0.01643614,"about_ca_topic_score_gemma":0.029311612,"teacher_disagreement_score":0.01643614,"about_ca_system_score_codex":0.0038780465,"about_ca_system_score_gemma":0.003523588,"threshold_uncertainty_score":0.033261597},"labels":[],"label_agreement":null},{"id":"W4389256885","doi":"10.4000/culturemusees.10966","title":"L’Alimentarium de Vevey : retour sur une naissance","year":2023,"lang":"fr","type":"article","venue":"Culture & Musées","topic":"Horticultural and Viticultural Research","field":"Agricultural and Biological Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Political science; Art","score_opus":0.06294609279255352,"score_gpt":0.307802363700205,"score_spread":0.24485627090765144,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4389256885","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2352868,0.20996962,0.010070146,0.2694825,0.026440652,0.00015061769,0.0012491706,0.0006842039,0.24666636],"genre_scores_gemma":[0.53772604,0.047399815,0.007719597,0.018841472,0.0039994847,0.00012988971,0.00079385715,0.00048522238,0.3829046],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99836844,0.00047656018,0.00006501098,0.00023269276,0.0006390675,0.00021821262],"domain_scores_gemma":[0.99842346,0.00024251381,0.00017270235,0.00007778154,0.0007086515,0.00037492218],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002069365,0.0004452789,0.0002747927,0.00095757586,0.0037384257,0.004831049,0.0008258251,0.0021218623,0.010509313],"category_scores_gemma":[0.002405163,0.00024856522,0.00020807823,0.0010783945,0.0031047668,0.0031459613,0.0028391436,0.0026150458,0.001778577],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00066823885,0.00010439266,0.017275678,0.00089935004,0.000041786006,0.002163717,0.02469005,0.00053692557,0.036296446,0.12013135,0.20865333,0.5885387],"study_design_scores_gemma":[0.0000039117663,0.000050119623,0.008915306,0.00014281266,0.0000029231994,0.00018423997,0.0020535614,0.000051343955,0.0009720377,0.0008213776,0.98678756,0.000014868652],"about_ca_topic_score_codex":0.04876361,"about_ca_topic_score_gemma":0.07179354,"teacher_disagreement_score":0.04876361,"about_ca_system_score_codex":0.0032741139,"about_ca_system_score_gemma":0.0045233555,"threshold_uncertainty_score":0.09695953},"labels":[],"label_agreement":null},{"id":"W4416912663","doi":"10.4000/159ci","title":"François Mairesse & Fabien Van Geert (dir.). 2022. Jacques Hainard : La muséologie entre rupture et transmission","year":2025,"lang":"fr","type":"article","venue":"Culture & Musées","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Transmission (telecommunications); Field (mathematics); Government (linguistics); Work (physics); Context (archaeology)","score_opus":0.0197917334462322,"score_gpt":0.2740725859857891,"score_spread":0.2542808525395569,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4416912663","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0011173025,0.7876466,0.0017267655,0.068532184,0.049380355,0.00005139679,0.003533176,0.00045823134,0.08755396],"genre_scores_gemma":[0.018417334,0.3062803,0.0021285205,0.007645341,0.013277119,0.00018632278,0.0017236044,0.0008919568,0.6494495],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989875,0.00026159006,0.00008548328,0.00021068743,0.00033099097,0.00012377232],"domain_scores_gemma":[0.9990883,0.000293947,0.00016272851,0.000031669526,0.00029620694,0.00012723943],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012945061,0.0022023406,0.0010081745,0.0018349199,0.0018238331,0.0030360622,0.00080002454,0.0028812494,0.12371095],"category_scores_gemma":[0.0028317,0.00077527016,0.00036317453,0.0019922848,0.0008033648,0.0033463116,0.0018180073,0.002691082,0.10914385],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000058593967,0.000007955,0.00014614995,0.0002446242,0.0000063195057,0.00011586346,0.00020867222,0.000050900766,0.00011722957,0.0031031775,0.89603096,0.099909574],"study_design_scores_gemma":[0.000005750446,0.000006197527,0.00061454874,0.00019014915,0.0000027944993,0.00016601654,0.00015698954,0.000033253342,0.00010376633,0.00065813,0.99805593,0.000006635053],"about_ca_topic_score_codex":0.03407522,"about_ca_topic_score_gemma":0.043665517,"teacher_disagreement_score":0.12371095,"about_ca_system_score_codex":0.0020262646,"about_ca_system_score_gemma":0.00167067,"threshold_uncertainty_score":0.41385442},"labels":[],"label_agreement":null}]}