{"meta":{"query_hash":"d6f6bbb96d9c","filters":{"venue":"Design and Culture"},"cohort_total":9,"direct_labels_cover":0,"predictions_cover":9,"exported":9,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/d6f6bbb96d9c","api":"https://metacan.xera.ac/api/v1/cohort?venue=Design+and+Culture"},"results":[{"id":"W1484444367","doi":"10.2752/175470812x13281948976052","title":"<i>The Information: A History, a Theory, a Flood</i>, by James Gleick","year":2012,"lang":"en","type":"article","venue":"Design and Culture","topic":"Museums and Cultural Heritage","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Flood myth; Sociology; Epistemology; History; Philosophy; Archaeology","score_opus":0.018824169775581632,"score_gpt":0.18322280999514434,"score_spread":0.16439864021956271,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1484444367","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0003103766,0.5688709,0.0024934434,0.36180034,0.03025076,0.000034184253,0.00015476966,0.0001377146,0.035947546],"genre_scores_gemma":[0.018732622,0.54093456,0.00407287,0.17428528,0.03990544,0.000136695,0.0003557487,0.0005080798,0.2210687],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.996894,0.0013176247,0.00017755173,0.00030568117,0.0010962147,0.00020896479],"domain_scores_gemma":[0.9930569,0.0040829717,0.00043057048,0.00024467768,0.0015491591,0.00063569174],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0036926845,0.0017074156,0.00087464973,0.003753753,0.0041741156,0.011811111,0.0016313273,0.004920073,0.014293088],"category_scores_gemma":[0.0097347805,0.0008413478,0.00059357577,0.0045564487,0.00785707,0.023228323,0.004795508,0.008618741,0.009483339],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012283682,0.000007773524,0.00010614022,0.0002869303,0.0000065003824,0.000034342218,0.000924389,0.000029459801,0.000058111145,0.0137954615,0.96381134,0.020927401],"study_design_scores_gemma":[0.0000030091528,0.000007732651,0.00017874164,0.00066802435,0.0000045053857,0.00010883006,0.0011685324,0.000036998546,0.00008623727,0.008571719,0.9891521,0.000013590654],"about_ca_topic_score_codex":0.014551756,"about_ca_topic_score_gemma":0.038132258,"teacher_disagreement_score":0.014551756,"about_ca_system_score_codex":0.0059624533,"about_ca_system_score_gemma":0.005415397,"threshold_uncertainty_score":0.047815084},"labels":[],"label_agreement":null},{"id":"W2031928876","doi":"10.2752/175470811x13071166525379","title":"Digitizing North: A Critical Discussion of Jonathan Harris's<i>The Whale Hunt</i>","year":2011,"lang":"en","type":"article","venue":"Design and Culture","topic":"Digital Storytelling and Education","field":"Health Professions","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Narrative; Storytelling; The Imaginary; Ideology; Representation (politics); Whale; Colonialism; Field (mathematics); History; Historicity (philosophy); Digital storytelling; Sociology; Visual arts; Media studies; Literature; Art; Archaeology; Law","score_opus":0.12213585812126901,"score_gpt":0.363668396322973,"score_spread":0.24153253820170398,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2031928876","genre_codex":"other","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18951568,0.023742096,0.014684866,0.3422329,0.003868327,0.0001897876,0.00009519672,0.00012708952,0.42554405],"genre_scores_gemma":[0.91256285,0.009646432,0.0032466156,0.025016006,0.0012804075,0.00023343544,0.0000415059,0.00025455822,0.047718223],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9881357,0.008863856,0.00024315027,0.00073311606,0.0012854959,0.00073868065],"domain_scores_gemma":[0.9834163,0.014294558,0.00056255754,0.00052160944,0.0006750259,0.000529954],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.012549214,0.00078494154,0.0005932118,0.0024372335,0.029610412,0.018535014,0.0030582747,0.0053972825,0.0037778262],"category_scores_gemma":[0.012862997,0.0006800454,0.00039266754,0.002669924,0.08276328,0.017406205,0.011057243,0.009205368,0.00041542744],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008610468,0.0000046432274,0.00012464203,0.00006527727,0.0000018968917,0.0004580623,0.8404197,0.000035881603,0.00015059281,0.14918709,0.005898188,0.0036453872],"study_design_scores_gemma":[0.0000034844707,0.000010042613,0.00027684512,0.0002910707,0.000004155418,0.0004439204,0.68678844,0.00007220263,0.0003309319,0.018092828,0.2936716,0.000014498758],"about_ca_topic_score_codex":0.03345796,"about_ca_topic_score_gemma":0.057519536,"teacher_disagreement_score":0.03345796,"about_ca_system_score_codex":0.018320665,"about_ca_system_score_gemma":0.007147132,"threshold_uncertainty_score":0.13292634},"labels":[],"label_agreement":null},{"id":"W2059523857","doi":"10.2752/175470710x12696138525749","title":"<i>Krulleletters</i> and Bruin Cafes in Amsterdam","year":2010,"lang":"en","type":"article","venue":"Design and Culture","topic":"Public Spaces through Art","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Lettering; Style (visual arts); Visual arts; Craft; Context (archaeology); Art; Art history; Identity (music); History; Archaeology; Aesthetics","score_opus":0.012018582320894207,"score_gpt":0.27342843505555203,"score_spread":0.26140985273465783,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2059523857","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9317293,0.0027131573,0.0003404167,0.00067380595,0.000048887858,0.000011896324,0.00012316735,0.00001898748,0.064340346],"genre_scores_gemma":[0.9859304,0.00067661935,0.00020266567,0.000041047508,0.000012775826,0.000011097946,0.000059143316,0.000037048478,0.013029181],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9992532,0.00032835375,0.00003519107,0.00012749986,0.00013304854,0.00012269766],"domain_scores_gemma":[0.99956495,0.00016705685,0.0001326902,0.000030716335,0.00003799308,0.00006656022],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003570804,0.0001603665,0.0002613652,0.0009990699,0.0033436315,0.0046329517,0.00039612124,0.00060463586,0.008241841],"category_scores_gemma":[0.0012816833,0.00025646744,0.00014898586,0.0020228513,0.0031063228,0.0016317936,0.0019876105,0.000737307,0.000541945],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016717798,0.000050524002,0.022088276,0.00045612847,0.000036957346,0.0019466241,0.9026769,0.00026914582,0.0037097607,0.016729848,0.0064487103,0.045419946],"study_design_scores_gemma":[0.00001466156,0.00006320884,0.12250945,0.00025613452,0.00002994032,0.0010059585,0.5888051,0.00019615174,0.0012195304,0.0016993952,0.28416237,0.000038117756],"about_ca_topic_score_codex":0.03271548,"about_ca_topic_score_gemma":0.09603346,"teacher_disagreement_score":0.03271548,"about_ca_system_score_codex":0.0028669226,"about_ca_system_score_gemma":0.0008018814,"threshold_uncertainty_score":0.065050066},"labels":[],"label_agreement":null},{"id":"W2312709982","doi":"10.2752/175470810x12863771378671","title":"“An Unused Esperanto”: Internationalism and Pictographic Design, 1930–70","year":2011,"lang":"en","type":"article","venue":"Design and Culture","topic":"Visual Culture and Art Theory","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Politics; Internationalism (politics); Graphic design; Visual arts; Engineering; History; Sociology; Media studies; Political science; Art; Law","score_opus":0.07363149803603547,"score_gpt":0.2486338535414204,"score_spread":0.17500235550538493,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2312709982","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.051948763,0.014581857,0.01719904,0.009236998,0.00071422756,0.000043612516,0.000037406895,0.00010178426,0.90613633],"genre_scores_gemma":[0.9243142,0.0067566726,0.006852405,0.000845785,0.0003414925,0.000084510735,0.00003455286,0.00016917603,0.06060119],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99787223,0.0015139213,0.000070173926,0.00019700103,0.00021477521,0.00013184705],"domain_scores_gemma":[0.9986442,0.00084180105,0.0000809397,0.00022034849,0.00012940705,0.00008327718],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003731561,0.0006388159,0.0002703482,0.0025375288,0.006560656,0.009499441,0.00047515924,0.0012085285,0.00642262],"category_scores_gemma":[0.004568277,0.0003184504,0.00027360348,0.0015690544,0.034179956,0.005401702,0.0029411525,0.0020676581,0.00055635476],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002189822,0.000007849204,0.00025098352,0.00003668157,0.0000028231648,0.00006711491,0.038697615,0.00015042814,0.0001254192,0.9399085,0.0028746373,0.01785604],"study_design_scores_gemma":[0.000016067279,0.00006244915,0.0013836614,0.0003989245,0.00001462828,0.00053670927,0.025726961,0.0005690516,0.00081314973,0.15750663,0.81294477,0.000027040778],"about_ca_topic_score_codex":0.0040299143,"about_ca_topic_score_gemma":0.0059598456,"teacher_disagreement_score":0.009499441,"about_ca_system_score_codex":0.0062799314,"about_ca_system_score_gemma":0.001643785,"threshold_uncertainty_score":0.045564294},"labels":[],"label_agreement":null},{"id":"W2330175468","doi":"10.1080/17547075.2016.1142347","title":"A Case for the Sublime Uselessness of Graphic Design","year":2016,"lang":"en","type":"article","venue":"Design and Culture","topic":"Design Education and Practice","field":"Engineering","cited_by":9,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Architecture; Discipline; Scientism; Criticism; Sublime; Positivism; Autonomy; Sociology; Field (mathematics); Value (mathematics); Epistemology; Aesthetics; Engineering ethics; Computer science; Social science; Visual arts; Engineering; Political science; Art; Law","score_opus":0.04787833977021189,"score_gpt":0.2551194889803148,"score_spread":0.2072411492101029,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2330175468","genre_codex":"commentary","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":"commentary","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04782515,0.011543711,0.044611387,0.47341013,0.0029617928,0.00006564241,0.000075125085,0.00054343726,0.41896358],"genre_scores_gemma":[0.8722846,0.004710372,0.018978663,0.048857078,0.0020121874,0.0001817033,0.000046229627,0.0010623697,0.051866807],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9710886,0.018368557,0.0006434502,0.0026594377,0.006025823,0.0012142294],"domain_scores_gemma":[0.9527614,0.028457925,0.0020197027,0.009743136,0.0048153684,0.0022023434],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.026803792,0.0010966894,0.00084689213,0.0043312428,0.01519768,0.020344326,0.0025309524,0.009334704,0.012358994],"category_scores_gemma":[0.039642658,0.0009091694,0.00085713796,0.0018261386,0.11542366,0.02064588,0.011773537,0.013480839,0.0028689764],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004638066,0.000023755889,0.00061427674,0.00016312175,0.000012530681,0.00027672044,0.03115748,0.00023410407,0.00035506612,0.9326825,0.0214613,0.012972701],"study_design_scores_gemma":[0.00004474031,0.00006534109,0.00075486937,0.0005739147,0.000015512913,0.00096453645,0.015850399,0.0006692222,0.00065888645,0.3578698,0.622472,0.000060785867],"about_ca_topic_score_codex":0.0038306834,"about_ca_topic_score_gemma":0.004660307,"teacher_disagreement_score":0.026803792,"about_ca_system_score_codex":0.007995214,"about_ca_system_score_gemma":0.00464893,"threshold_uncertainty_score":0.14175367},"labels":[],"label_agreement":null},{"id":"W2517195684","doi":"10.1080/17547075.2016.1187930","title":"<i>Chromatic Algorithms: Synthetic Color, Computer Art, and Aesthetics After Code</i>, by Carolyn Kane","year":2016,"lang":"en","type":"article","venue":"Design and Culture","topic":"Art, Technology, and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Chromatic scale; Code (set theory); Art; Computer art; Art history; Algorithm; Computer science; Aesthetics; Artificial intelligence; Visual arts; Computer vision; Performance art; Mathematics; Programming language; Combinatorics; Set (abstract data type)","score_opus":0.011600289220683813,"score_gpt":0.1947899167789173,"score_spread":0.18318962755823348,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2517195684","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0054189903,0.17196706,0.2581437,0.20603298,0.07207663,0.0001472362,0.0005155439,0.0037880414,0.28190985],"genre_scores_gemma":[0.08136547,0.077239834,0.15731297,0.028679304,0.027301991,0.0002776372,0.00043945204,0.0074386885,0.61994463],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994505,0.00016270774,0.000020558015,0.00011083308,0.00022674857,0.00002859928],"domain_scores_gemma":[0.9983999,0.00072446093,0.00003950798,0.00009473605,0.000628092,0.00011330508],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011439474,0.0010213227,0.00039083444,0.0014213218,0.0020052618,0.0040413486,0.0007436359,0.0013705682,0.012472896],"category_scores_gemma":[0.0045417678,0.0004780992,0.00033348694,0.0011304832,0.0037469757,0.0044316673,0.0014602453,0.003677667,0.004751656],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035158086,0.00001469027,0.00019153414,0.00012477303,0.00001022394,0.00002589,0.00044073502,0.0011562641,0.0009877322,0.090824045,0.82042265,0.08576645],"study_design_scores_gemma":[0.000006685221,0.000013902894,0.00018928079,0.00010360304,0.000005248476,0.00013482032,0.0003429695,0.002628261,0.0009520009,0.02932387,0.96627074,0.000028698878],"about_ca_topic_score_codex":0.013362546,"about_ca_topic_score_gemma":0.027764104,"teacher_disagreement_score":0.013362546,"about_ca_system_score_codex":0.0016298519,"about_ca_system_score_gemma":0.00090262643,"threshold_uncertainty_score":0.041725993},"labels":[],"label_agreement":null},{"id":"W2520014149","doi":"10.2752/175470710x12789399280433","title":"<i>The Culture of Knitting</i>, by Joanne Turney","year":2010,"lang":"en","type":"article","venue":"Design and Culture","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Guelph","funders":"","keywords":"Art; Sociology; Aesthetics; Visual arts","score_opus":0.013091914462088725,"score_gpt":0.20515317263461727,"score_spread":0.19206125817252856,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2520014149","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0005792222,0.76817006,0.0013082278,0.12557736,0.045717012,0.000025465257,0.00020671415,0.00016862655,0.058247358],"genre_scores_gemma":[0.015593206,0.47078362,0.0022422362,0.063391104,0.015105375,0.000104725965,0.00039549675,0.000451715,0.4319326],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988558,0.00027430482,0.000063884334,0.0001677657,0.0004948541,0.00014323482],"domain_scores_gemma":[0.9986405,0.00041153547,0.00014111317,0.000049779177,0.0004954117,0.0002617352],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011105906,0.0019198413,0.00056075404,0.0021891233,0.0037025588,0.006543734,0.0013068832,0.003941771,0.021449948],"category_scores_gemma":[0.0030110949,0.00074004644,0.00054499134,0.0024704423,0.0029702317,0.0088218935,0.0031068486,0.005100653,0.015830006],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011251098,0.00000636452,0.00010082279,0.00017242062,0.0000034990792,0.000025467501,0.000586097,0.00002064696,0.00008550406,0.0023915756,0.9760459,0.020550376],"study_design_scores_gemma":[0.000002298403,0.00000790243,0.00037243188,0.00034702136,0.000003440041,0.00012456319,0.0011316639,0.000020950592,0.000115372975,0.0014354873,0.9964306,0.000008367879],"about_ca_topic_score_codex":0.03284619,"about_ca_topic_score_gemma":0.116091035,"teacher_disagreement_score":0.03284619,"about_ca_system_score_codex":0.0040456327,"about_ca_system_score_gemma":0.0035759585,"threshold_uncertainty_score":0.07175726},"labels":[],"label_agreement":null},{"id":"W3113239643","doi":"10.1080/17547075.2020.1827844","title":"Audio Essay East Vancouver Dispatch: Ecotones and Subsistence Zones","year":2020,"lang":"en","type":"article","venue":"Design and Culture","topic":"Noise Effects and Management","field":"Health Professions","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Soundscape; Subsistence agriculture; Coronavirus disease 2019 (COVID-19); Government (linguistics); Geography; Sociology; Economy; Sound (geography); Economics; Archaeology; Agriculture","score_opus":0.05639106582369489,"score_gpt":0.32098113735336475,"score_spread":0.26459007152966985,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3113239643","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.071660906,0.032198794,0.00091934134,0.08028918,0.020806815,0.0001203956,0.001742604,0.000109500754,0.79215246],"genre_scores_gemma":[0.343733,0.019694114,0.0005002151,0.007908886,0.006091747,0.00007724593,0.0006541607,0.00017766845,0.621163],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994375,0.00009572526,0.0000113518645,0.00005613622,0.00022703643,0.0001722391],"domain_scores_gemma":[0.9988759,0.00026615584,0.00004061274,0.00003877631,0.00043429213,0.0003442483],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00045527425,0.0005600135,0.00029285724,0.0013656034,0.012627077,0.0075842976,0.0006476445,0.0013396676,0.026462464],"category_scores_gemma":[0.0015908177,0.0002598659,0.00012857912,0.0016725918,0.0035755103,0.0010943454,0.002532071,0.0018458386,0.0024708444],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001443082,0.000036978727,0.0051093926,0.00034881532,0.000009232339,0.0010267834,0.075259976,0.00017467256,0.0011728281,0.02055641,0.7949464,0.101214305],"study_design_scores_gemma":[0.0000031171912,0.0000100171665,0.008251642,0.00024008962,0.000003411265,0.000111705405,0.08327809,0.000021790836,0.00012218663,0.00048411454,0.9074635,0.00001041392],"about_ca_topic_score_codex":0.73747694,"about_ca_topic_score_gemma":0.924097,"teacher_disagreement_score":0.26252306,"about_ca_system_score_codex":0.0133895865,"about_ca_system_score_gemma":0.008410313,"threshold_uncertainty_score":0.52813816},"labels":[],"label_agreement":null},{"id":"W4291899713","doi":"10.1080/17547075.2022.2103949","title":"From Needs to Desire: Pluriversal Design as a Desire-Based Design","year":2022,"lang":"en","type":"article","venue":"Design and Culture","topic":"Innovative Human-Technology Interaction","field":"Computer Science","cited_by":31,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Aesthetics; Sociology; Psychology; Art","score_opus":0.0357053652966176,"score_gpt":0.25640759374216693,"score_spread":0.22070222844554932,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4291899713","genre_codex":"methods","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.038187735,0.0011082006,0.5954593,0.014827715,0.000503001,0.00039213785,0.00005457179,0.00046406724,0.34900326],"genre_scores_gemma":[0.776208,0.0007076656,0.17440069,0.0016526293,0.00007047591,0.00068608724,0.00007248741,0.0003800659,0.0458218],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9838035,0.012901622,0.00035656284,0.00085723994,0.0015734961,0.00050764385],"domain_scores_gemma":[0.99382365,0.003234563,0.00029623296,0.0011504083,0.00074738055,0.0007478219],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.014036908,0.00089711323,0.00047831665,0.0018600718,0.004747628,0.0115639195,0.0017245109,0.0027250357,0.007116919],"category_scores_gemma":[0.010099984,0.0007575622,0.00090921146,0.00096027146,0.023291806,0.01603679,0.010711252,0.0036724743,0.0010584818],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027327724,0.000044716773,0.00038504376,0.00012701612,0.000009906474,0.0001361507,0.0505855,0.00069054664,0.0009756005,0.9279637,0.001510011,0.0175444],"study_design_scores_gemma":[0.000049801434,0.00017549325,0.0003216034,0.0003360491,0.000030137899,0.000786882,0.027088271,0.004996356,0.002499149,0.6012038,0.3624446,0.00006788275],"about_ca_topic_score_codex":0.0011090038,"about_ca_topic_score_gemma":0.0013117584,"teacher_disagreement_score":0.014036908,"about_ca_system_score_codex":0.0036202245,"about_ca_system_score_gemma":0.0038684993,"threshold_uncertainty_score":0.07423514},"labels":[],"label_agreement":null}]}