{"meta":{"query_hash":"9a10d5a05441","filters":{"venue":"E-rea"},"cohort_total":48,"direct_labels_cover":0,"predictions_cover":48,"exported":48,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/9a10d5a05441","api":"https://metacan.xera.ac/api/v1/cohort?venue=E-rea"},"results":[{"id":"W167135641","doi":"10.4000/erea.584","title":"Leith Davis, Ian Duncan, &amp; Janet Sorensen, eds. Scotland and the Borders of Romanticism","year":2005,"lang":"en","type":"article","venue":"E-rea","topic":"Scottish History and National Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Romanticism; Art history; Environmental ethics; Art; Humanities; Philosophy","score_opus":0.016814352226958817,"score_gpt":0.2311024127706333,"score_spread":0.21428806054367447,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W167135641","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.77315843,0.0058040316,0.000015537295,0.004236656,0.00072455924,0.00027733739,0.000070111506,0.0000531954,0.21566015],"genre_scores_gemma":[0.9585834,0.0001452768,0.000077208206,0.00041365373,0.00054791226,0.000005542747,0.000032556618,0.000010615715,0.040183846],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993224,0.00004607867,0.00018351138,0.00013124652,0.00019545107,0.00012127188],"domain_scores_gemma":[0.99958384,0.000060786366,0.00008946529,0.00015465674,0.00007517331,0.000036099464],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002475823,0.00009317815,0.00015475039,0.00006457896,0.00028995704,0.00007384514,0.00011477954,0.000028943585,0.0015980079],"category_scores_gemma":[0.000045172957,0.00006595756,0.000051405834,0.000026761662,0.00062145456,0.00017628276,0.000028113434,0.0000912991,0.00011775417],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021775048,0.00015615336,0.0011899146,0.00005474613,0.00015043486,0.0000047364792,0.027284663,0.00001877344,0.00009070459,0.6211442,0.34172747,0.007960475],"study_design_scores_gemma":[0.0008676688,0.000018199415,0.0035171902,0.00001996517,0.000042577896,0.000005986949,0.0002590118,0.000029364644,0.000040690713,0.002163082,0.9929324,0.00010387803],"about_ca_topic_score_codex":0.0020998209,"about_ca_topic_score_gemma":0.031350188,"teacher_disagreement_score":0.65120494,"about_ca_system_score_codex":0.000012559913,"about_ca_system_score_gemma":0.000029310551,"threshold_uncertainty_score":0.99931467},"labels":[],"label_agreement":null},{"id":"W1986850527","doi":"10.4000/erea.278","title":"Le républicanisme paradoxal de Walter Bagehot (1826-1877)","year":2003,"lang":"fr","type":"article","venue":"E-rea","topic":"Political Theory and Influence","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Institute on Governance","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.02501182245764791,"score_gpt":0.2988194691500363,"score_spread":0.27380764669238844,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1986850527","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10648305,0.0010890975,0.00065397663,0.0151543515,0.0013538378,0.00014608973,0.000028890357,0.00006928407,0.8750214],"genre_scores_gemma":[0.8766115,0.00010687003,0.0005805492,0.005375637,0.0005302007,0.000014755812,0.0000019328734,0.000016797325,0.11676176],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9969871,0.00089060696,0.00025659296,0.00035269937,0.00031965066,0.0011933277],"domain_scores_gemma":[0.9986118,0.00031425414,0.00007028326,0.000315297,0.0000681721,0.0006202084],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0013959577,0.00019834956,0.00024435078,0.000038944218,0.0005980225,0.00014949529,0.000423837,0.0002575226,0.008749903],"category_scores_gemma":[0.00095784385,0.00021001119,0.00015223818,0.00041371104,0.0014223452,0.0006030996,0.000045480425,0.00034371615,0.0038869742],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000066394673,0.00013239075,0.00042501485,0.000012827735,0.000018430206,0.00002355706,0.00181869,0.000006732192,0.00017217094,0.98791814,0.007467471,0.001997925],"study_design_scores_gemma":[0.00019040472,0.000052393025,0.0007810241,0.000025382538,0.000016303524,0.000012622424,0.0005777918,0.000017032446,0.0015680458,0.32061937,0.6759221,0.00021749915],"about_ca_topic_score_codex":0.0016279097,"about_ca_topic_score_gemma":0.00012785854,"teacher_disagreement_score":0.7701284,"about_ca_system_score_codex":0.00016629738,"about_ca_system_score_gemma":0.0007249847,"threshold_uncertainty_score":0.99688864},"labels":[],"label_agreement":null},{"id":"W1988971659","doi":"10.4000/erea.2557","title":"Quand un pluriel cache un singulier : le cas de they","year":2012,"lang":"fr","type":"article","venue":"E-rea","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Francophone University Association","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.04553383175002185,"score_gpt":0.26882731455891035,"score_spread":0.2232934828088885,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1988971659","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10732497,0.030795146,0.00020400765,0.005455023,0.002256604,0.00010524528,0.00018031364,0.000047153495,0.85363156],"genre_scores_gemma":[0.86288327,0.00033410554,0.00027658793,0.0005025645,0.0071265497,0.0000062292925,0.00003458882,0.00003865766,0.12879743],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99856055,0.00008729159,0.00028194988,0.00020732873,0.0001984443,0.00066440937],"domain_scores_gemma":[0.9990588,0.00009692034,0.00011762268,0.0003310859,0.00012567619,0.00026988424],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004111495,0.00024411186,0.00027944712,0.00006999838,0.00077069114,0.00030277352,0.00016534611,0.00012809019,0.008649377],"category_scores_gemma":[0.0001276967,0.00021620738,0.0002288501,0.000038234917,0.0002514593,0.00015286292,0.000068907466,0.00021442637,0.0007659187],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001264512,0.00049795385,0.0028187092,0.000037107133,0.0003900185,0.000038034534,0.048384544,0.000023551835,0.000019099865,0.9342009,0.010250451,0.0033270228],"study_design_scores_gemma":[0.00037173805,0.000038549195,0.0009950507,0.00004180181,0.00071574334,0.000011679255,0.0056741494,0.00036390766,0.00038121946,0.016105564,0.9749421,0.0003585306],"about_ca_topic_score_codex":0.036627784,"about_ca_topic_score_gemma":0.0043750033,"teacher_disagreement_score":0.96469164,"about_ca_system_score_codex":0.00007592009,"about_ca_system_score_gemma":0.00013838123,"threshold_uncertainty_score":0.9922569},"labels":[],"label_agreement":null},{"id":"W1990836687","doi":"10.4000/erea.3865","title":"A Terrific New World: Polar Space in the Narrative, Journals and Letters of John Franklin’s First Arctic Expedition (1819-22)","year":2014,"lang":"en","type":"article","venue":"E-rea","topic":"Polar Research and Ecology","field":"Environmental Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Narrative; Art history; Cartography; Geography; Literature","score_opus":0.01224640185821911,"score_gpt":0.2511230422632308,"score_spread":0.2388766404050117,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1990836687","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98317444,0.00016194921,0.00018415776,0.01285766,0.00006709422,0.00015203157,0.0000028172358,0.0000054164793,0.0033944317],"genre_scores_gemma":[0.9984181,0.000043876353,0.0001970221,0.00072041946,0.00009032282,0.000008512173,0.0000023797547,0.000006007301,0.0005133466],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99899614,0.00016767114,0.00015029001,0.00016165014,0.00024488714,0.00027936205],"domain_scores_gemma":[0.99950993,0.00014493383,0.00006672893,0.00016734502,0.000003189334,0.00010786879],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006384289,0.00008330265,0.00012286587,0.000089095854,0.00013098767,0.000037591897,0.00020187152,0.000033828248,0.0032076524],"category_scores_gemma":[0.00015468859,0.000059633374,0.000031143427,0.00022197887,0.00019724648,0.00020528711,0.000064156826,0.00021312277,0.00013734239],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000117612886,0.0002312034,0.72499746,0.000039133578,0.000028504286,0.00003719592,0.022992754,0.00027242734,0.03665975,0.00022495532,0.21027213,0.004126894],"study_design_scores_gemma":[0.0006312549,0.0001470556,0.94605374,0.000041050644,0.000005425898,0.00002604583,0.00075400865,0.0002518179,0.0005708682,0.0010854553,0.050315153,0.00011814491],"about_ca_topic_score_codex":0.0029964088,"about_ca_topic_score_gemma":0.009669356,"teacher_disagreement_score":0.22105628,"about_ca_system_score_codex":0.000054257307,"about_ca_system_score_gemma":0.000008638368,"threshold_uncertainty_score":0.99770355},"labels":[],"label_agreement":null},{"id":"W2035586624","doi":"10.4000/erea.3431","title":"« Up came the leaves » : l’antéposition des groupes prépositionnels (GP) et particules adverbiales comme marqueur de style","year":2013,"lang":"fr","type":"article","venue":"E-rea","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Francophone University Association","funders":"","keywords":"Humanities; Philosophy; Style (visual arts); Narrative; Art; Literature; Linguistics","score_opus":0.06189521214380861,"score_gpt":0.288723593075986,"score_spread":0.2268283809321774,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2035586624","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.65312755,0.02856741,0.0011997522,0.047415297,0.0023484852,0.00089824275,0.0008841022,0.00021061797,0.26534852],"genre_scores_gemma":[0.94972223,0.0014313904,0.00019323069,0.0017447093,0.0028692293,0.000098452125,0.00013537963,0.00004278016,0.043762606],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99806654,0.00034135056,0.0004271547,0.00029826452,0.00027247364,0.00059420976],"domain_scores_gemma":[0.99864334,0.0003151755,0.00018344019,0.0003685179,0.00031442917,0.00017512258],"candidate_categories":["sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00040370214,0.00031919993,0.00031736947,0.00008026935,0.0014307766,0.0012591677,0.00027246168,0.00011238686,0.008014589],"category_scores_gemma":[0.00012499499,0.00023466196,0.00028684,0.00006558308,0.001044682,0.00046741703,0.00010207696,0.00025569013,0.0010878408],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020338965,0.00040834222,0.0010550615,0.00015100143,0.0004123256,0.000023197128,0.03610807,0.000115235256,0.0002253817,0.9063362,0.051892247,0.0032526334],"study_design_scores_gemma":[0.0013905821,0.000558953,0.035858236,0.0012464793,0.0029183652,0.0000764293,0.06388211,0.009097011,0.002174213,0.31791925,0.56321585,0.0016624881],"about_ca_topic_score_codex":0.020188995,"about_ca_topic_score_gemma":0.005973766,"teacher_disagreement_score":0.5884169,"about_ca_system_score_codex":0.00009565693,"about_ca_system_score_gemma":0.0000716152,"threshold_uncertainty_score":0.9998692},"labels":[],"label_agreement":null},{"id":"W2047096778","doi":"10.4000/erea.2455","title":"Or else, or so or what? A few Examples of the Staging of the Implicit in English","year":2012,"lang":"en","type":"article","venue":"E-rea","topic":"Syntax, Semantics, Linguistic Variation","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Philosophy","score_opus":0.04954592290444589,"score_gpt":0.25951183085839025,"score_spread":0.20996590795394435,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2047096778","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98546886,0.0001317239,0.000027645821,0.0019183871,0.0034813806,0.00045395023,0.000049611826,0.000037719994,0.008430712],"genre_scores_gemma":[0.9941354,0.000019519228,0.00009763988,0.00015476778,0.0010831911,0.000012301385,0.0000023887344,0.000019050614,0.0044757514],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9990477,0.00007937106,0.00033574805,0.000107811225,0.00020770745,0.0002216905],"domain_scores_gemma":[0.9988714,0.00036165194,0.00023362134,0.0003568713,0.00015211164,0.0000243343],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00037241646,0.00011013883,0.00019796823,0.000049123784,0.00015086324,0.00011184468,0.00027128358,0.000037557045,0.0015992972],"category_scores_gemma":[0.0013196658,0.0000506,0.00006172405,0.00007554934,0.00015156406,0.0002166595,0.00011232394,0.0001025389,0.0000072863227],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017722884,0.00026508738,0.019390997,0.00024596564,0.00009084301,0.0000014626149,0.61207086,0.000006554054,0.00042795375,0.36255762,0.0008565415,0.003908895],"study_design_scores_gemma":[0.0035836918,0.00032059022,0.22727059,0.0029205112,0.0004942114,0.000012527519,0.41330805,0.00034695098,0.015562204,0.03410265,0.30100423,0.0010738013],"about_ca_topic_score_codex":0.002759921,"about_ca_topic_score_gemma":0.013774831,"teacher_disagreement_score":0.32845497,"about_ca_system_score_codex":0.00003321035,"about_ca_system_score_gemma":0.00010318396,"threshold_uncertainty_score":0.99931335},"labels":[],"label_agreement":null},{"id":"W2053968139","doi":"10.4000/erea.178","title":"“A word-web woven”: Autobiography in Old English Poetry","year":2007,"lang":"en","type":"article","venue":"E-rea","topic":"Cultural History and Identity Formation","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Novelis (Canada)","funders":"","keywords":"Biography; Narrative; Personality; Poetry; Word (group theory); Literature; Ontology; Psychology; Sociology; History; Psychoanalysis; Linguistics; Philosophy; Epistemology; Art","score_opus":0.015119348374555558,"score_gpt":0.2027646367825387,"score_spread":0.18764528840798314,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2053968139","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.68115604,0.00018534296,0.0000015486779,0.000042863216,0.0012608367,0.000074996104,0.00001110338,0.00009419951,0.31717306],"genre_scores_gemma":[0.9657097,0.000012698288,0.000015855128,0.00025177444,0.0005330821,0.0000033323993,0.000036152895,0.000006881259,0.03343054],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99937373,0.00001176244,0.00020467513,0.00010525927,0.00011962545,0.00018495816],"domain_scores_gemma":[0.999723,0.000015090554,0.00005353678,0.000107282096,0.000060143273,0.000040919895],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00021445817,0.00008766912,0.00009500941,0.00021932612,0.00017895436,0.00009571948,0.00009365004,0.00004481128,0.002252947],"category_scores_gemma":[0.000019803438,0.000079083635,0.00009106672,0.00009641764,0.000085142274,0.00059856224,0.000017244083,0.00013852434,0.0003212852],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010789418,0.000383604,0.0049864505,0.00011689572,0.00005164351,0.000032070275,0.2962705,0.0000044509197,0.0006071902,0.44384396,0.24173155,0.011863776],"study_design_scores_gemma":[0.00026148415,0.000023574481,0.011210681,0.000028703396,0.0000067703054,7.466714e-7,0.0041883113,0.0000055492824,0.00006255552,0.0005385754,0.9835367,0.0001363375],"about_ca_topic_score_codex":0.00047359048,"about_ca_topic_score_gemma":0.012276213,"teacher_disagreement_score":0.74180514,"about_ca_system_score_codex":0.000055950422,"about_ca_system_score_gemma":0.000008109613,"threshold_uncertainty_score":0.99865913},"labels":[],"label_agreement":null},{"id":"W2055025600","doi":"10.4000/erea.4093","title":"The Postfeminist Masquerade and the Cynical Male Gaze: The Disavowal of Sexual Difference in Lars von Trier’s Breaking the Waves","year":2014,"lang":"en","type":"article","venue":"E-rea","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McMaster University","funders":"","keywords":"Phallic stage; Subject (documents); Appropriation; Trilogy; Psychoanalysis; Gaze; Subordination (linguistics); The Symbolic; Psychology; Sociology; Aesthetics; Philosophy; Literature; Art; Epistemology","score_opus":0.01938353511089376,"score_gpt":0.21933665983296996,"score_spread":0.19995312472207621,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2055025600","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.95229125,0.004121929,0.00004689253,0.028770426,0.0003406051,0.0002894208,0.000035797857,0.00000764671,0.014096038],"genre_scores_gemma":[0.9964059,0.0007781643,0.000010248127,0.00034973075,0.00015443254,0.000037985894,0.0000019183196,0.000010109975,0.0022515021],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.9989914,0.00007674017,0.00041841174,0.00021332658,0.000057065397,0.00024306087],"domain_scores_gemma":[0.9977927,0.001564216,0.00020012347,0.00040216613,0.000012447567,0.000028347898],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012566865,0.00012768533,0.00031578442,0.000026926402,0.0003318909,0.00007145786,0.00036032632,0.000049938717,0.000022575163],"category_scores_gemma":[0.00060036423,0.000055454584,0.00005825813,0.00012175459,0.0007242358,0.000034612087,0.0001703246,0.00023929475,0.000015445326],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00032095835,0.000112179594,0.15919742,0.00005345043,0.00014231671,0.000003273888,0.018798621,0.000008796259,0.00010984279,0.79035664,0.003590384,0.027306112],"study_design_scores_gemma":[0.0024187958,0.00015620686,0.87331307,0.000042681488,0.000039312057,0.00003752877,0.004742555,0.002264918,0.00008295656,0.02493134,0.09171062,0.0002599959],"about_ca_topic_score_codex":0.00039293955,"about_ca_topic_score_gemma":0.000741162,"teacher_disagreement_score":0.7654253,"about_ca_system_score_codex":0.000016969037,"about_ca_system_score_gemma":0.0000110867295,"threshold_uncertainty_score":0.2668477},"labels":[],"label_agreement":null},{"id":"W2059709566","doi":"10.4000/erea.190","title":"Metaphor as Self-Discovery in Anne Carson’s Autobiography of Red: A Novel in Verse","year":2007,"lang":"en","type":"article","venue":"E-rea","topic":"Language, Metaphor, and Cognition","field":"Psychology","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Metaphor; Biography; Literature; Psychoanalysis; Art; Philosophy; History; Art history; Psychology; Linguistics","score_opus":0.015242047945886674,"score_gpt":0.2883692427702595,"score_spread":0.2731271948243728,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2059709566","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.91779715,0.00085674744,0.00012232157,0.000063203246,0.00054734724,0.00025723653,0.000042819283,0.000058751084,0.08025442],"genre_scores_gemma":[0.99785614,0.000022443906,0.00057769904,0.00027506024,0.00007950312,0.000028314525,0.000035459732,0.000021547254,0.0011038352],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9986046,0.000079575715,0.00040691925,0.00034142545,0.00018618665,0.00038129932],"domain_scores_gemma":[0.9993428,0.00009846587,0.00012167229,0.00033548006,0.000041346942,0.000060262646],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00074665254,0.00016544382,0.00030645434,0.00072765246,0.00001914189,0.000013093326,0.0001584011,0.00018200125,0.00051778735],"category_scores_gemma":[0.00004733925,0.00015688002,0.00016546268,0.0009812582,0.000053392778,0.00016056727,0.000026492404,0.00022045687,0.00012691779],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.009332366,0.023597477,0.37432286,0.00056302134,0.0029852632,0.00505859,0.19136544,0.00003867729,0.24284601,0.060748674,0.041396435,0.04774517],"study_design_scores_gemma":[0.008068085,0.0005506649,0.9417558,0.00013814657,0.00020886475,0.00008027509,0.01925569,0.000020818588,0.013852615,0.001973293,0.013433894,0.00066188147],"about_ca_topic_score_codex":0.004491921,"about_ca_topic_score_gemma":0.0020894045,"teacher_disagreement_score":0.5674329,"about_ca_system_score_codex":0.000047071306,"about_ca_system_score_gemma":0.000034351247,"threshold_uncertainty_score":0.67904705},"labels":[],"label_agreement":null},{"id":"W2060987925","doi":"10.4000/erea.280","title":"La république en Grande-Bretagne aujourd’hui : une idée anglaise","year":2003,"lang":"fr","type":"article","venue":"E-rea","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Political science","score_opus":0.00852444998891369,"score_gpt":0.23211945163176462,"score_spread":0.22359500164285093,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2060987925","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.038565695,0.016393576,0.00008115145,0.043166045,0.0044790492,0.00025713502,0.00008381794,0.00009276539,0.89688075],"genre_scores_gemma":[0.3124137,0.0022171265,0.00014684969,0.001074672,0.0008072497,0.000017979193,0.000010413822,0.000036216712,0.6832758],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99761283,0.00079278206,0.00027052732,0.00033676156,0.00039539204,0.00059173163],"domain_scores_gemma":[0.9988277,0.0001769168,0.0001107379,0.00028522583,0.000092026356,0.000507414],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0012187479,0.00018133619,0.0002737885,0.00031269778,0.0009894659,0.00048472735,0.00033107473,0.0004149584,0.011617714],"category_scores_gemma":[0.00037755302,0.00024846153,0.00021350349,0.0010200898,0.0011645978,0.00051376456,0.000026768885,0.0004532479,0.0022868311],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010690449,0.00015976309,0.00038153294,0.000056404395,0.000051108887,0.00023744431,0.03633878,0.000005273287,0.000034476074,0.52212363,0.4088422,0.031758666],"study_design_scores_gemma":[0.00043247425,0.000040091873,0.0015334096,0.0000494881,0.00006253708,0.00002546806,0.001958629,0.0000031050868,0.000012577523,0.0074640154,0.98812634,0.00029183898],"about_ca_topic_score_codex":0.544892,"about_ca_topic_score_gemma":0.86323166,"teacher_disagreement_score":0.57928413,"about_ca_system_score_codex":0.0010710891,"about_ca_system_score_gemma":0.0017661204,"threshold_uncertainty_score":0.9999968},"labels":[],"label_agreement":null},{"id":"W2061678456","doi":"10.4000/erea.618","title":"Structure and Conjuncture Literary Study and the Return to Althusser","year":2005,"lang":"en","type":"article","venue":"E-rea","topic":"Marxism and Critical Theory","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Postmodernism; Power (physics); Aesthetics; Sociology; Work (physics); Literature; Psychoanalysis; History; Philosophy; Art; Psychology","score_opus":0.009422438628619323,"score_gpt":0.21948480175678978,"score_spread":0.21006236312817045,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2061678456","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.91793835,0.0013892232,0.000001984512,0.0074226856,0.00018215169,0.00038240498,0.000045070024,0.000035633933,0.07260248],"genre_scores_gemma":[0.9815174,0.000009748453,0.000026768797,0.006281289,0.0008352993,0.000008781543,0.0000025960906,0.0000093834,0.011308749],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99943304,0.0000719144,0.00011027154,0.0001581936,0.00009210837,0.00013447856],"domain_scores_gemma":[0.9995972,0.00012037565,0.000014122085,0.0001635784,0.000028447917,0.00007627717],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00015105314,0.00010901843,0.00014190588,0.000021861959,0.00023399957,0.00021752981,0.00008141354,0.000026648127,0.0029148145],"category_scores_gemma":[0.00003653093,0.000056032735,0.00001989381,0.00001416771,0.00022813221,0.000101076614,0.00006537659,0.00013385655,0.000020573572],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00025123116,0.000058414807,0.00036215645,0.000029391134,0.000044840897,0.000008752257,0.16738951,1.584132e-7,0.000019000858,0.7842884,0.020818567,0.026729539],"study_design_scores_gemma":[0.0013722441,0.00015333257,0.001553726,0.000018711862,0.000050659328,0.000009832637,0.0071023586,0.00002358071,0.000033460143,0.091920815,0.89757335,0.00018794567],"about_ca_topic_score_codex":0.000030440888,"about_ca_topic_score_gemma":0.00029069238,"teacher_disagreement_score":0.87675476,"about_ca_system_score_codex":0.0000035321216,"about_ca_system_score_gemma":0.000004647125,"threshold_uncertainty_score":0.9979966},"labels":[],"label_agreement":null},{"id":"W2085346578","doi":"10.4000/erea.2014","title":"Où étiez-vous le 11 septembre 2001 ?","year":2011,"lang":"fr","type":"article","venue":"E-rea","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.04889456416882462,"score_gpt":0.2222384421531489,"score_spread":0.17334387798432427,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2085346578","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12899159,0.011743173,0.000024653002,0.0033770523,0.0034413063,0.00021947338,0.0001968309,0.00007943634,0.8519265],"genre_scores_gemma":[0.48751807,0.00044201122,0.000111630776,0.0003870858,0.0010822025,0.000013995481,0.000016369762,0.000036940462,0.5103917],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99860406,0.000071666815,0.00030361878,0.00030672332,0.00014411805,0.00056979625],"domain_scores_gemma":[0.99919564,0.000043601445,0.00011818377,0.00035221525,0.00010966129,0.00018067712],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00021177322,0.0002657282,0.0002885867,0.00011123943,0.00064022274,0.00016656553,0.00024845445,0.00011878458,0.023901267],"category_scores_gemma":[0.000016107644,0.000254925,0.00023289002,0.00006778194,0.00057005545,0.00025124318,0.00008616344,0.00022953739,0.0010409078],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022697774,0.0003172114,0.00059499533,0.000046810655,0.0000870148,0.000044858447,0.03167466,4.333135e-7,0.000022550383,0.69997674,0.26408914,0.0031228575],"study_design_scores_gemma":[0.00045164468,0.00017454117,0.0016536217,0.00008711712,0.000049873855,0.000014183553,0.0065016234,0.000048402882,0.00015357714,0.02394387,0.9665707,0.00035087488],"about_ca_topic_score_codex":0.011451452,"about_ca_topic_score_gemma":0.014156573,"teacher_disagreement_score":0.7024815,"about_ca_system_score_codex":0.000027990094,"about_ca_system_score_gemma":0.00013661545,"threshold_uncertainty_score":0.9999903},"labels":[],"label_agreement":null},{"id":"W2086296422","doi":"10.4000/erea.2074","title":"Ground Zero(3): Inside the New American Home","year":2011,"lang":"en","type":"article","venue":"E-rea","topic":"Memory, Trauma, and Commemoration","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Collège de Maisonneuve; Université du Québec à Montréal","funders":"","keywords":"Humanities; Art","score_opus":0.06274290447082133,"score_gpt":0.3040393958073205,"score_spread":0.24129649133649916,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2086296422","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5998194,0.000231021,0.00187432,0.001368173,0.0013713379,0.00018460958,0.0000029899948,0.000110068286,0.3950381],"genre_scores_gemma":[0.97755927,0.0000102336235,0.00030808695,0.0019173127,0.00038839053,0.000020561725,0.00000796298,0.000021234091,0.01976694],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.9991769,0.0001088562,0.00016363732,0.00020797126,0.000112552756,0.0002300612],"domain_scores_gemma":[0.9991826,0.000049519695,0.00008700992,0.00057025725,0.00002158431,0.00008902214],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00014491138,0.00011713439,0.00013740962,0.000041745887,0.000098488235,0.000026615184,0.00026987196,0.00004662467,0.002779147],"category_scores_gemma":[0.000012160894,0.0000840615,0.000056637906,0.00017638231,0.00011398232,0.00006995623,0.000026374139,0.00015950028,0.0025664298],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002539414,0.00030878856,0.0064099007,0.000006175276,0.00015787571,0.00004848276,0.039045416,8.213667e-7,0.0004890395,0.043602202,0.53549045,0.3741869],"study_design_scores_gemma":[0.0011046435,0.0005269471,0.6828267,0.000010112489,0.00006715828,0.000059672675,0.004033735,0.000010300345,0.00062052085,0.020686697,0.2896525,0.0004010373],"about_ca_topic_score_codex":0.0045611947,"about_ca_topic_score_gemma":0.0005398987,"teacher_disagreement_score":0.67641675,"about_ca_system_score_codex":0.000017387973,"about_ca_system_score_gemma":0.000028887112,"threshold_uncertainty_score":0.9982102},"labels":[],"label_agreement":null},{"id":"W2089475262","doi":"10.4000/erea.2050","title":"Une terreur par l’image","year":2011,"lang":"fr","type":"article","venue":"E-rea","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Humanities; Art","score_opus":0.03850914454489007,"score_gpt":0.2205541841264229,"score_spread":0.1820450395815328,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2089475262","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009582504,0.01542926,0.00002792503,0.0062220832,0.003221166,0.00015188394,0.00018813153,0.00009063632,0.9650864],"genre_scores_gemma":[0.55769306,0.00007563154,0.00016446594,0.0012001197,0.0018916284,0.000012145552,0.00003523484,0.000032689662,0.438895],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988051,0.000064139596,0.00030979278,0.0002838638,0.00014042304,0.00039668693],"domain_scores_gemma":[0.9993046,0.000029452016,0.000063787396,0.00037169448,0.000091967784,0.00013853192],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00011754132,0.00025321133,0.00024798373,0.00006163614,0.00033617232,0.00028161684,0.00021213602,0.00011252467,0.023780117],"category_scores_gemma":[0.000012236543,0.0002346581,0.00016899734,0.00005195111,0.0004539865,0.00060438487,0.000057087982,0.00027826865,0.0030623965],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030297615,0.0002474578,0.00004866579,0.000088857625,0.000057000034,0.00030814586,0.05182507,4.4201247e-9,0.00006930191,0.72265947,0.2203908,0.0042749317],"study_design_scores_gemma":[0.0003070798,0.00017667358,0.0006854599,0.00016009287,0.00007610953,0.0000198337,0.0017447851,0.00000591809,0.000407101,0.015863184,0.98024875,0.00030503032],"about_ca_topic_score_codex":0.0025337676,"about_ca_topic_score_gemma":0.00078751746,"teacher_disagreement_score":0.75985795,"about_ca_system_score_codex":0.000015640291,"about_ca_system_score_gemma":0.000037009086,"threshold_uncertainty_score":0.99771386},"labels":[],"label_agreement":null},{"id":"W2092359766","doi":"10.4000/erea.529","title":"Récits de voyage, fiction et voyageurs fictifs dans American Notes de Charles Dickens","year":2005,"lang":"fr","type":"article","venue":"E-rea","topic":"Travel Writing and Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Art history","score_opus":0.014241571550831892,"score_gpt":0.2498971372677596,"score_spread":0.23565556571692772,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2092359766","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6869847,0.0100788,0.0007439693,0.020809295,0.0013919474,0.00024025649,0.001576577,0.00044514163,0.2777293],"genre_scores_gemma":[0.7875703,0.0008903548,0.0007801727,0.0020820482,0.004491606,0.000021056741,0.0001522261,0.00006982859,0.20394242],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99812555,0.00018869375,0.0003271583,0.00039052646,0.00021938802,0.00074865815],"domain_scores_gemma":[0.9989993,0.00021689317,0.00016949735,0.00029973593,0.000091534166,0.00022301385],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00032625356,0.00035211316,0.00030762292,0.00011747554,0.0006889416,0.00065155176,0.00020811909,0.00015954825,0.0011264889],"category_scores_gemma":[0.000103965205,0.00035815744,0.00019546022,0.00010519513,0.00055838906,0.00033126277,0.000038019818,0.00065308274,0.00033313737],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011282807,0.0009434925,0.008852501,0.00028525735,0.00027521097,0.00015814464,0.32046777,0.00079036626,0.0019433157,0.28930765,0.2098955,0.16696796],"study_design_scores_gemma":[0.00032535708,0.0001743399,0.026880344,0.00030772566,0.000103515675,0.00006452544,0.006430847,0.00060432806,0.00058969087,0.0001227889,0.9639832,0.00041334526],"about_ca_topic_score_codex":0.0052119372,"about_ca_topic_score_gemma":0.003847471,"teacher_disagreement_score":0.7540877,"about_ca_system_score_codex":0.00019722516,"about_ca_system_score_gemma":0.00010608542,"threshold_uncertainty_score":0.99988705},"labels":[],"label_agreement":null},{"id":"W2093144652","doi":"10.4000/erea.1944","title":"Déjouer le spectacle de la violence. Représenter les événements du 11 septembre 2001","year":2011,"lang":"fr","type":"article","venue":"E-rea","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Humanities; Art; Spectacle; Political science","score_opus":0.036452345690181576,"score_gpt":0.26996815312712513,"score_spread":0.23351580743694356,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2093144652","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13098852,0.0034352194,0.00006712007,0.0008158867,0.0011876816,0.00009498373,0.00011201777,0.000046045894,0.8632525],"genre_scores_gemma":[0.77913797,0.001878401,0.00032256028,0.00053074915,0.0046023433,0.000012498426,0.000029208388,0.000045695324,0.21344058],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99845773,0.00012726421,0.00034738204,0.0003531657,0.000205521,0.00050892495],"domain_scores_gemma":[0.9990576,0.000048369206,0.00014500596,0.00038455508,0.0001898208,0.00017467044],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003166598,0.00025268088,0.00028698661,0.00009687991,0.00058796554,0.0002641912,0.00025137613,0.00012093017,0.055732198],"category_scores_gemma":[0.00007811024,0.00023503936,0.00028447152,0.00004008115,0.0005107595,0.00013168943,0.00011209462,0.00018192506,0.0013185076],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003448,0.0012801245,0.03673926,0.00010274195,0.0004854553,0.000380537,0.01358476,0.00000605611,0.000032087617,0.6621468,0.28300473,0.0022029923],"study_design_scores_gemma":[0.0005510662,0.000070011745,0.0047804606,0.0002982317,0.00044193913,0.000013758912,0.0071652676,0.00039428726,0.00039831703,0.016947048,0.9685485,0.0003911215],"about_ca_topic_score_codex":0.044635065,"about_ca_topic_score_gemma":0.0040644277,"teacher_disagreement_score":0.6855438,"about_ca_system_score_codex":0.00005652072,"about_ca_system_score_gemma":0.00011587057,"threshold_uncertainty_score":0.9994591},"labels":[],"label_agreement":null},{"id":"W2192323091","doi":"10.4000/erea.4696","title":"The Sleuth’s Migrations in Recent British and American series (2000-2014)","year":2015,"lang":"en","type":"article","venue":"E-rea","topic":"Media Studies and Communication","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Hatch (Canada)","funders":"","keywords":"Narrative; Character (mathematics); Series (stratigraphy); Public servant; History; Genealogy; Literature; Art; Political science; Law; Mathematics","score_opus":0.032842128901060724,"score_gpt":0.3043477891905338,"score_spread":0.2715056602894731,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2192323091","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5548372,0.01651777,0.0000147513965,0.24216497,0.00066912913,0.00045089523,0.000010204763,0.00008105604,0.18525402],"genre_scores_gemma":[0.9346683,0.055983298,0.00033899743,0.00043383153,0.00016987073,0.000077428034,0.0000061634114,0.000005724216,0.008316384],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.999492,0.00012513416,0.00007791711,0.000064265245,0.000118561096,0.00012211426],"domain_scores_gemma":[0.9996517,0.00007660268,0.000034893346,0.00012139842,0.000058749654,0.000056685127],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00041182621,0.00002906919,0.00005519637,0.000008425733,0.000440746,0.000083969724,0.0001222598,0.000013945141,0.000017425644],"category_scores_gemma":[0.00031195162,0.000025225061,0.000007721936,0.00015546077,0.0003657352,0.000073410025,0.000045206638,0.000053039494,0.000015602924],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016878208,0.000051659375,0.024236575,0.0000017338425,0.00001402938,0.0000022294068,0.094581865,0.0000015819505,0.000007332095,0.019642837,0.32107142,0.54037184],"study_design_scores_gemma":[0.000059033322,0.000017805567,0.019363288,0.000004150221,0.0000019086565,5.1573875e-7,0.035884492,0.0000041694466,0.0000017566872,0.0012485976,0.9433785,0.000035787973],"about_ca_topic_score_codex":0.050154265,"about_ca_topic_score_gemma":0.5168675,"teacher_disagreement_score":0.62230706,"about_ca_system_score_codex":0.000055460332,"about_ca_system_score_gemma":0.00010258448,"threshold_uncertainty_score":0.95617086},"labels":[],"label_agreement":null},{"id":"W2207753791","doi":"10.4000/erea.4731","title":"Daphné du Maurier’s characters in Rebecca living on in Mrs de Winter by Susan Hill","year":2015,"lang":"en","type":"article","venue":"E-rea","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Novelis (Canada)","funders":"","keywords":"Character (mathematics); Art; Art history; Literature; SAINT; Feature (linguistics); History; Philosophy; Linguistics","score_opus":0.044103337293223015,"score_gpt":0.24683154591572357,"score_spread":0.20272820862250054,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2207753791","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7837931,0.00010985405,0.0000034027855,0.0010422384,0.00040774347,0.000088508124,0.00001776073,0.000045007495,0.21449238],"genre_scores_gemma":[0.98517555,0.000026141699,0.000002474583,0.0006260651,0.00030342778,0.000020590021,0.0000055579903,0.000014559219,0.013825657],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992591,0.0000656749,0.00017567356,0.00017689462,0.000108636916,0.00021400068],"domain_scores_gemma":[0.9996629,0.00008414515,0.000042385844,0.00011400132,0.000042216085,0.000054353248],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003004394,0.0001161818,0.00015625857,0.00014037316,0.00008016858,0.00007286011,0.00007132457,0.00003326412,0.0005633151],"category_scores_gemma":[0.000086170214,0.00010260021,0.00004190512,0.00003653496,0.000075052376,0.00015950834,0.000043363998,0.00015925137,0.00022197544],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00027474258,0.00042849412,0.044596463,0.000027641196,0.00006325137,0.000057876077,0.24855918,0.00001092981,0.00037953132,0.013085745,0.6885662,0.00394996],"study_design_scores_gemma":[0.0005395102,0.0001804743,0.028526466,0.00011450763,0.000008233556,0.0000021376993,0.020587746,0.000044132405,0.00026001272,0.00030081527,0.9491943,0.00024165057],"about_ca_topic_score_codex":0.0016463489,"about_ca_topic_score_gemma":0.0048861587,"teacher_disagreement_score":0.26062813,"about_ca_system_score_codex":0.0001382467,"about_ca_system_score_gemma":0.00001846192,"threshold_uncertainty_score":0.61679053},"labels":[],"label_agreement":null},{"id":"W2213427395","doi":"10.4000/erea.4628","title":"De l’intericonicité comme espace et temps (ré)créatif : les Video Portraits de Robert Wilson","year":2015,"lang":"fr","type":"article","venue":"E-rea","topic":"Visual Culture and Art Theory","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Artificial Intelligence in Medicine (Canada)","funders":"","keywords":"Humanities; Art; Portrait; Philosophy; Art history","score_opus":0.06187249735152212,"score_gpt":0.2990593783549042,"score_spread":0.2371868810033821,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2213427395","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.25088054,0.021411397,0.00087290345,0.033267207,0.0020711503,0.00041024422,0.00022155425,0.0003000026,0.690565],"genre_scores_gemma":[0.7297336,0.00020554771,0.00021515881,0.0067836586,0.0015888457,0.000023074323,0.000050447714,0.00006759182,0.26133212],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99796057,0.00036304258,0.0003713589,0.0003345152,0.0002442173,0.00072630885],"domain_scores_gemma":[0.9988113,0.00013218047,0.0001704291,0.00031460897,0.00016576861,0.0004056946],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009114829,0.00038724503,0.00040350595,0.00007126555,0.0004708756,0.0004930616,0.0003189153,0.00021291606,0.002885437],"category_scores_gemma":[0.00013401438,0.00034591247,0.00020055863,0.00005739031,0.00043575966,0.0004405181,0.00013211663,0.0004747899,0.00069346844],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008475949,0.0002851238,0.0003173302,0.00007586875,0.00010114294,0.000071542505,0.08876839,0.000030864445,0.0003089847,0.64446366,0.2605188,0.0049735126],"study_design_scores_gemma":[0.00062607427,0.00040392665,0.00027397633,0.0003629741,0.000110294546,0.0001042848,0.013912892,0.00018420126,0.0005878715,0.009113702,0.97387004,0.00044977412],"about_ca_topic_score_codex":0.00445774,"about_ca_topic_score_gemma":0.008039828,"teacher_disagreement_score":0.71335125,"about_ca_system_score_codex":0.00018826331,"about_ca_system_score_gemma":0.00023811121,"threshold_uncertainty_score":0.99989927},"labels":[],"label_agreement":null},{"id":"W2292876012","doi":"10.4000/erea.4711","title":"Juliet’s Migrations in Alice Munro’s Runaway: Making and Losing Connections","year":2015,"lang":"en","type":"article","venue":"E-rea","topic":"Short Stories in Global Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Trilogy; Interpretation (philosophy); Narrative; Meaning (existential); Feeling; Mythology; Reading (process); Dyad; Aesthetics; Literature; Art; History; Psychology; Epistemology; Philosophy; Linguistics; Social psychology","score_opus":0.047382287679556295,"score_gpt":0.2723524812485806,"score_spread":0.22497019356902428,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2292876012","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.01850651,0.0016446543,0.000025445846,0.0015838535,0.0017989759,0.00016763173,0.0000836095,0.00011862671,0.9760707],"genre_scores_gemma":[0.9886955,0.0000032666333,0.00035968077,0.000804167,0.00063243526,0.000015776823,0.00002651481,0.000013069617,0.00944958],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993964,0.000027974744,0.00015021223,0.00015695707,0.0001087085,0.00015977627],"domain_scores_gemma":[0.99963033,0.00004110277,0.000037621798,0.00014950668,0.00008800566,0.000053442058],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00010562645,0.00010226677,0.00011148708,0.00007174927,0.00029863906,0.00034538563,0.00006917876,0.000047758564,0.00024201236],"category_scores_gemma":[0.00008274731,0.0000966741,0.000024112744,0.00006626139,0.00015536009,0.00026270884,0.00004439245,0.0001414092,0.000010605867],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000803262,0.000025973433,0.0008245863,0.0000065502545,0.000010382584,0.0000074730415,0.045873817,0.0000064876785,0.000010642388,0.86099404,0.092016906,0.0002151288],"study_design_scores_gemma":[0.00016847091,0.000027004595,0.0003173137,0.00004667444,0.000012491699,0.000013486618,0.0045304745,0.000070152695,0.000009953814,0.0034522838,0.991232,0.000119740456],"about_ca_topic_score_codex":0.0007199823,"about_ca_topic_score_gemma":0.008829079,"teacher_disagreement_score":0.970189,"about_ca_system_score_codex":0.00007663047,"about_ca_system_score_gemma":0.000040015973,"threshold_uncertainty_score":0.4926833},"labels":[],"label_agreement":null},{"id":"W2564758182","doi":"10.4000/erea.5311","title":"“Dusk can be a magical time in the French Quarter”: Richard Ford’s New Orleans before and after Katrina in “Puppy” and “Leaving for Kenosha”","year":2016,"lang":"en","type":"article","venue":"E-rea","topic":"Philippine History and Culture","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"ECW Press (Canada)","funders":"","keywords":"Hurricane katrina; Quarter (Canadian coin); Narrative; History; Dusk; Timeline; Art history; Art; Literature; Geography; Natural disaster; Archaeology; Meteorology","score_opus":0.011722329367978457,"score_gpt":0.24854295307648863,"score_spread":0.23682062370851018,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2564758182","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9683936,0.00044615412,0.00002486534,0.02214378,0.00008746411,0.0004442535,0.000047101235,0.000023980754,0.008388764],"genre_scores_gemma":[0.98814535,0.000022183835,0.000060962615,0.00052074547,0.00027750153,0.000048771522,0.0000030125068,0.0000063434127,0.01091514],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991364,0.0000904859,0.00013278905,0.0002224719,0.00014371712,0.00027417648],"domain_scores_gemma":[0.9996702,0.000080970865,0.000033661967,0.00010759451,0.00001536255,0.000092181086],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00038212413,0.000102975806,0.00014159449,0.00004377766,0.00016059264,0.000040582072,0.00015120865,0.00009929092,0.00023754752],"category_scores_gemma":[0.000089326466,0.000060569197,0.00003623405,0.00013949037,0.00015284322,0.00016146577,0.000024582945,0.0001026424,0.000008833472],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021221077,0.00022940715,0.10097939,0.00008036611,0.00003124218,0.000094204464,0.6621646,3.024179e-7,0.0009940404,0.011878779,0.15545312,0.06788234],"study_design_scores_gemma":[0.0017315336,0.0002884593,0.2037861,0.00014801617,0.000028115106,0.000010612607,0.005886944,0.000010365222,0.000012938282,0.014394598,0.7733753,0.00032705817],"about_ca_topic_score_codex":0.0016926407,"about_ca_topic_score_gemma":0.09767518,"teacher_disagreement_score":0.65627766,"about_ca_system_score_codex":0.0000697413,"about_ca_system_score_gemma":0.00006878598,"threshold_uncertainty_score":0.91878986},"labels":[],"label_agreement":null},{"id":"W2567131526","doi":"10.4000/erea.5389","title":"“Resilient City”? The Double Face of the 2006 Mardi Gras Celebrations in New Orleans","year":2016,"lang":"en","type":"article","venue":"E-rea","topic":"Sport and Mega-Event Impacts","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"SNC-Lavalin (Canada)","funders":"","keywords":"Narrative; Face (sociological concept); Hurricane katrina; History; Psychological resilience; Tourism; Sociology; Resilience (materials science); Media studies; Political science; Environmental ethics; Geography; Natural disaster; Social science; Archaeology; Art; Psychology; Literature","score_opus":0.03587742603315505,"score_gpt":0.30435318608292866,"score_spread":0.2684757600497736,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2567131526","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8674091,0.000104464845,0.00009386913,0.023427026,0.00046290935,0.00036243864,0.000009255433,0.000021208201,0.108109705],"genre_scores_gemma":[0.9207735,0.00003307792,0.00001344957,0.0001466575,0.00012623359,0.0000047770654,7.232131e-7,0.00000422165,0.078897364],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99919665,0.00005351799,0.00013584047,0.000097930264,0.00028749154,0.0002285691],"domain_scores_gemma":[0.999525,0.000073206356,0.00007203393,0.00023203016,0.00002472508,0.00007300848],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003961391,0.000060908438,0.00008441401,0.00002611535,0.00020327413,0.000022222546,0.00030922302,0.00004613582,0.00062556635],"category_scores_gemma":[0.00010261354,0.00002801611,0.000068537985,0.0003171304,0.00015259959,0.000120169934,0.000039500686,0.000060802096,0.00006194665],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000074971234,0.00024546293,0.22030185,0.000006634474,0.00003842339,0.0000031673621,0.037070755,0.00007968838,0.0044388436,0.27755454,0.44742715,0.012758507],"study_design_scores_gemma":[0.00053777633,0.00001473587,0.13727967,0.00003779609,0.000012648769,3.632195e-7,0.0011416342,0.0000010648839,0.003402939,0.0027086893,0.854778,0.000084675194],"about_ca_topic_score_codex":0.012197847,"about_ca_topic_score_gemma":0.0602756,"teacher_disagreement_score":0.40735084,"about_ca_system_score_codex":0.000057321264,"about_ca_system_score_gemma":0.00038107648,"threshold_uncertainty_score":0.99438},"labels":[],"label_agreement":null},{"id":"W2626762388","doi":"10.4000/erea.5717","title":"Sound as Environment in Tom Konyves’ Urban Pastorals","year":2017,"lang":"en","type":"article","venue":"E-rea","topic":"Ecocriticism and Environmental Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Sound (geography); Literature; Art; Acoustics","score_opus":0.02187917462320074,"score_gpt":0.22148081689173088,"score_spread":0.19960164226853014,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2626762388","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.55594915,0.00045321413,0.0000013326052,0.0010811423,0.00045687385,0.00012393905,0.00006698103,0.000022059612,0.4418453],"genre_scores_gemma":[0.92109936,0.000035695513,0.000032029115,0.00056526565,0.0005665377,0.000018299932,0.000031241354,0.000018053912,0.0776335],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99921787,0.000017721783,0.00015813416,0.00021998861,0.00013939856,0.00024686503],"domain_scores_gemma":[0.9993906,0.000014511704,0.0000587272,0.000463142,0.0000026860414,0.00007031382],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00007909224,0.00014303769,0.0001483769,0.00003363342,0.00044523808,0.00041448596,0.00024315531,0.000048678154,0.009610399],"category_scores_gemma":[0.000010374878,0.00012638609,0.000056532364,0.0000033015222,0.0002601436,0.000368907,0.000101388025,0.00014000312,0.0022506784],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010062813,0.0008527817,0.05167698,0.00009784723,0.000081552964,0.00039674522,0.09202281,0.000013418297,0.00088758126,0.7141775,0.13377073,0.00592141],"study_design_scores_gemma":[0.00036116535,0.00006655028,0.01786619,0.000032681943,0.000010210555,0.0000030971282,0.0008764567,0.0000049678356,0.00012576627,0.01009791,0.97034335,0.00021164255],"about_ca_topic_score_codex":0.00031674432,"about_ca_topic_score_gemma":0.00031283955,"teacher_disagreement_score":0.83657265,"about_ca_system_score_codex":0.00005124833,"about_ca_system_score_gemma":0.0000041407584,"threshold_uncertainty_score":0.99852616},"labels":[],"label_agreement":null},{"id":"W2772172799","doi":"10.4000/erea.5970","title":"Les manipulations du discours de séduction : éclairage pragmatique","year":2017,"lang":"fr","type":"article","venue":"E-rea","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Centre Intégré de Santé et Services Sociaux de Chaudière-Appalache","funders":"","keywords":"Philosophy; Humanities; Explication; Psychology; Epistemology","score_opus":0.05708959249089206,"score_gpt":0.32305182842945723,"score_spread":0.26596223593856516,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2772172799","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.060218338,0.0019153792,0.0015247621,0.043627538,0.0030029744,0.00018002951,0.00022195927,0.00006181252,0.8892472],"genre_scores_gemma":[0.84958553,0.00042071324,0.00018842169,0.000071271636,0.008248081,0.000015110571,0.00006274605,0.00002945482,0.1413787],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99890584,0.000060593797,0.00027810724,0.0002484163,0.00017623934,0.00033081791],"domain_scores_gemma":[0.9987716,0.000043980523,0.0003020428,0.00058802706,0.00017201799,0.00012234722],"candidate_categories":["sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002647783,0.00020512273,0.00022495861,0.00008291849,0.0032246402,0.001290173,0.00028287913,0.000113353,0.0070695444],"category_scores_gemma":[0.00027560926,0.00019575987,0.00021405086,0.00001587359,0.00046981382,0.00034607248,0.000082971164,0.0001987308,0.00030508105],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000054736893,0.00018573036,0.0022870998,0.000054837325,0.00015088235,0.000039231596,0.0053459844,0.00020937224,0.000008300953,0.9746072,0.014306509,0.0027993307],"study_design_scores_gemma":[0.00028691912,0.0000481223,0.018863937,0.00017849395,0.0007135193,0.000013593611,0.004362987,0.00529707,0.000049417205,0.04982705,0.91996634,0.00039252266],"about_ca_topic_score_codex":0.032830697,"about_ca_topic_score_gemma":0.016623948,"teacher_disagreement_score":0.9247802,"about_ca_system_score_codex":0.0001074736,"about_ca_system_score_gemma":0.00008931142,"threshold_uncertainty_score":0.99974656},"labels":[],"label_agreement":null},{"id":"W2775791646","doi":"10.4000/erea.6033","title":"Writing Against Vanishing: Native American Autobiography and the Trope of an Ever-Pending Vanishment","year":2017,"lang":"en","type":"article","venue":"E-rea","topic":"Indigenous Health, Education, and Rights","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Trope (literature); Indigenous; Etymology; Biography; History; Rhyme; Native american; Literature; American literature; Alien; Art; Genealogy; Law; Political science","score_opus":0.016343043454107305,"score_gpt":0.32330269986494464,"score_spread":0.30695965641083733,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2775791646","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.75341004,0.0000699944,0.000012273516,0.00053801865,0.00027327874,0.00030701357,0.0000060539837,0.000022545373,0.24536076],"genre_scores_gemma":[0.99704623,0.001337324,0.00039173165,0.000055117038,0.00033866288,0.000003129471,0.0000037973514,0.0000080003465,0.0008159901],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987652,0.0002951276,0.00019416837,0.00018623371,0.00026087137,0.00029840114],"domain_scores_gemma":[0.9989754,0.00016399023,0.0003884902,0.00025622777,0.00010663354,0.000109288136],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0014697723,0.000086433945,0.0001780373,0.000059500395,0.010343344,0.00022249676,0.00038089036,0.000037266615,0.000022914928],"category_scores_gemma":[0.000024266823,0.000057359142,0.00005560245,0.00011547666,0.0013547441,0.00035970952,0.0000053866975,0.000114159106,0.0000033398985],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030390534,0.00011533171,0.005971066,0.00001900122,0.000047456302,0.0000021976984,0.7512848,0.0000013967548,0.000014373064,0.23162757,0.00008123398,0.010805194],"study_design_scores_gemma":[0.002739376,0.0004998316,0.17316566,0.00027349367,0.00013541582,0.0000052590535,0.34810027,0.00019369059,0.0015177353,0.01357248,0.45890963,0.00088715396],"about_ca_topic_score_codex":0.14126213,"about_ca_topic_score_gemma":0.23937938,"teacher_disagreement_score":0.4588284,"about_ca_system_score_codex":0.00006770347,"about_ca_system_score_gemma":0.0010505804,"threshold_uncertainty_score":0.99094504},"labels":[],"label_agreement":null},{"id":"W2807722931","doi":"10.4000/erea.6283","title":"On the margins of perception - TO-clauses: a standard construction of perception verbs?","year":2018,"lang":"en","type":"article","venue":"E-rea","topic":"Syntax, Semantics, Linguistic Variation","field":"Arts and Humanities","cited_by":31,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Linguistics; Perception; Verb; Rule-based machine translation; Semantic interpretation; Judgement; Psychology; Computer science; Modal verb; Natural language processing; Philosophy","score_opus":0.02588709501501331,"score_gpt":0.24944963703161785,"score_spread":0.22356254201660453,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2807722931","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.964865,0.0000017916215,0.0014458053,0.0030173457,0.0014121082,0.00027040354,0.00010215801,0.000036298716,0.028849078],"genre_scores_gemma":[0.99726254,0.0000048297193,0.0008439352,0.00014249471,0.0011273517,0.000008324193,0.00001741939,0.000015262378,0.00057787396],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9990759,0.000061804734,0.00028612211,0.000158963,0.00029441493,0.00012281485],"domain_scores_gemma":[0.9990302,0.00009124606,0.00017462065,0.0002534046,0.0004222652,0.00002829967],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00027755913,0.00010693759,0.00016641508,0.00011009175,0.00019264274,0.00004684208,0.00010607256,0.000046761787,0.007942259],"category_scores_gemma":[0.00034191037,0.00008087062,0.0000628435,0.00004678587,0.00033509254,0.00007480015,0.000024186878,0.00007159243,0.00029153965],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002564339,0.00007645538,0.00038552115,0.000048834474,0.000049458788,3.4816514e-7,0.13357891,0.0000050570034,0.005999409,0.85240805,0.0031125317,0.004078982],"study_design_scores_gemma":[0.0035321221,0.007429919,0.11857805,0.0015982848,0.00067773456,0.000021574611,0.30975538,0.0025818436,0.011564449,0.46571347,0.07712592,0.0014212559],"about_ca_topic_score_codex":0.0010033172,"about_ca_topic_score_gemma":0.00089428836,"teacher_disagreement_score":0.38669458,"about_ca_system_score_codex":0.00008849775,"about_ca_system_score_gemma":0.000034448323,"threshold_uncertainty_score":0.9929646},"labels":[],"label_agreement":null},{"id":"W2808661734","doi":"10.4000/erea.6096","title":"Noah Webster and the standardization of sound","year":2018,"lang":"en","type":"article","venue":"E-rea","topic":"Linguistic Variation and Morphology","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Future Earth","funders":"","keywords":"Pronunciation; Scholarship; Stress (linguistics); Linguistics; Spelling; Standardization; Sound (geography); Foreign language; History; Political science; Law; Acoustics; Philosophy","score_opus":0.02001224471022936,"score_gpt":0.31989978216575626,"score_spread":0.2998875374555269,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2808661734","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12141984,0.000083584906,0.031604894,0.007786054,0.0016237496,0.00025964808,0.000012764801,0.000035830133,0.83717364],"genre_scores_gemma":[0.99652743,0.0000101664555,0.00021788015,0.00032323285,0.00035224805,0.0000013104659,8.936656e-7,0.0000015857719,0.0025652337],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99966925,0.00007487815,0.000063799365,0.000047079735,0.000089813235,0.000055170214],"domain_scores_gemma":[0.99971086,0.000075615804,0.000038801292,0.000053235082,0.000105282765,0.00001620886],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004714887,0.000019347775,0.000047122892,0.000010836884,0.00015077984,0.000016374577,0.000043951906,0.000026567184,0.0005268674],"category_scores_gemma":[0.00058314676,0.000012655519,0.000010406087,0.00004840577,0.00045701477,0.000019015932,0.000012293223,0.000016908993,0.000025372456],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040868355,0.000008242726,0.0017679917,0.0000020796465,0.000010814937,3.1994432e-7,0.03554524,5.739498e-7,0.000052140957,0.9564694,0.0052751824,0.00082711753],"study_design_scores_gemma":[0.0012894357,0.00004429082,0.004642361,0.000005611247,0.000025594129,9.3235127e-7,0.0021543135,0.00006155098,0.00024460448,0.0658897,0.9255751,0.00006650235],"about_ca_topic_score_codex":0.0004339477,"about_ca_topic_score_gemma":0.00071444304,"teacher_disagreement_score":0.92029995,"about_ca_system_score_codex":0.000007764892,"about_ca_system_score_gemma":0.000037370275,"threshold_uncertainty_score":0.57688284},"labels":[],"label_agreement":null},{"id":"W2903733840","doi":"10.4000/erea.6883","title":"Reproduction as Genealogy in Anna Torma’s Textile Art","year":2018,"lang":"en","type":"article","venue":"E-rea","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Mount Allison University","funders":"","keywords":"Reproduction; Textile; sort; Visual arts; Aesthetics; Art; Genealogy; History; Computer science; Biology; Genetics","score_opus":0.03637504116499298,"score_gpt":0.25538869495130684,"score_spread":0.21901365378631385,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2903733840","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.47126713,0.00004550026,3.82255e-7,0.0010133253,0.0009197557,0.00007000377,0.0000039424945,0.000066144734,0.52661383],"genre_scores_gemma":[0.7772435,0.00001711666,0.000012709223,0.0006598465,0.0017214208,0.00000995275,0.00002095606,0.000008279917,0.22030625],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993378,0.000026011736,0.00015230665,0.00022223142,0.000090754795,0.00017092768],"domain_scores_gemma":[0.9996446,0.000005837273,0.000037854425,0.00020307198,0.00007139873,0.000037238955],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00010214723,0.00008831103,0.00010035605,0.00004866202,0.00015189701,0.00007226399,0.00008418073,0.000036150115,0.02350273],"category_scores_gemma":[0.00003190783,0.000069423164,0.000037023987,0.000032796375,0.00016708595,0.00019207908,0.00002338164,0.00007713462,0.010188509],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003715553,0.0001201757,0.00008140432,0.000013937829,0.000015835143,0.000010233088,0.08059768,0.0000012550964,0.0022222993,0.16517852,0.73124266,0.020478865],"study_design_scores_gemma":[0.00014400635,0.00011356306,0.0010966418,0.000010083206,0.0000032820922,0.000008979649,0.004153276,0.000013220518,0.00093784835,0.0011393029,0.9922709,0.00010890028],"about_ca_topic_score_codex":0.0002539152,"about_ca_topic_score_gemma":0.0048076003,"teacher_disagreement_score":0.30630758,"about_ca_system_score_codex":0.000021678725,"about_ca_system_score_gemma":0.000014661112,"threshold_uncertainty_score":0.99058217},"labels":[],"label_agreement":null},{"id":"W2949389978","doi":"10.4000/erea.7864","title":"Costumed doubles and avatars in Janieta Eyre’s photographic self-portraits","year":2019,"lang":"en","type":"article","venue":"E-rea","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Liminality; Identity (music); Visual arts; Aesthetics; Avatar; Photography; Fantasy; Art history; Literature","score_opus":0.01312391276208503,"score_gpt":0.1953826471853333,"score_spread":0.18225873442324828,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2949389978","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8609203,0.00018860312,2.8766044e-8,0.00019696346,0.00027797822,0.00020959481,0.000014472505,0.00008722137,0.13810484],"genre_scores_gemma":[0.9822828,0.00013075555,0.000016522908,0.00041242878,0.00008807353,0.000014698655,0.000025357996,0.000012888721,0.017016437],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99925375,0.00002099338,0.00017484196,0.00021433883,0.00013067751,0.00020537485],"domain_scores_gemma":[0.9997006,0.000021910702,0.000046689827,0.00013592902,0.000033957673,0.000060893257],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00009630488,0.00013855593,0.00017580086,0.00008058492,0.00009139218,0.00014883629,0.00010526425,0.000044764445,0.0049624126],"category_scores_gemma":[0.0000048112956,0.0001040756,0.00005038403,0.00004889771,0.000083526764,0.00021185864,0.000031803742,0.00012344687,0.0004781649],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016309628,0.0008221942,0.049446795,0.00047180976,0.00030796387,0.00008724702,0.33466172,0.000004653234,0.007756127,0.50158757,0.092617676,0.012073163],"study_design_scores_gemma":[0.0018033243,0.00014347763,0.05402243,0.00012419863,0.00002871564,0.000011777969,0.01785996,0.00006916053,0.0003550841,0.0010284712,0.9240414,0.0005120356],"about_ca_topic_score_codex":0.0003050507,"about_ca_topic_score_gemma":0.0055467733,"teacher_disagreement_score":0.8314237,"about_ca_system_score_codex":0.0000097029615,"about_ca_system_score_gemma":0.000012950696,"threshold_uncertainty_score":0.9959472},"labels":[],"label_agreement":null},{"id":"W3110968114","doi":"10.4000/erea.11107","title":"James Boswell, État de la Corse suivi de Journal d’un voyage en Corse et Mémoires de Pascal Paoli, traduction et édition critique par Jean Viviès. Suivi de An Account of Corsica, introduced by Gordon Turnbull","year":2020,"lang":"fr","type":"article","venue":"E-rea","topic":"Historical and Environmental Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Pascal (unit); Philosophy; Physics","score_opus":0.01075384335411887,"score_gpt":0.2729128563792552,"score_spread":0.26215901302513633,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3110968114","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9337653,0.002929076,0.0023986676,0.058550242,0.0006634906,0.00021176103,0.00017291696,0.00006641443,0.0012421355],"genre_scores_gemma":[0.9803408,0.012794977,0.0010436515,0.002995203,0.0015671157,0.000024650766,0.00004638195,0.000045721736,0.001141548],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9949217,0.002568254,0.00051267946,0.00044782905,0.00054547563,0.0010040972],"domain_scores_gemma":[0.99800843,0.00067484874,0.00029226393,0.00015524002,0.000058107515,0.0008110999],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0025922242,0.00035227457,0.0004908844,0.000049695336,0.00074895204,0.00013440853,0.00036506518,0.00037343745,0.00077867776],"category_scores_gemma":[0.0011588845,0.00035735682,0.00023467728,0.00028256123,0.0011370024,0.0006179783,0.00008717818,0.00090155686,0.000045292138],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0007224742,0.0030822654,0.035753917,0.00023365903,0.00034131177,0.00032210926,0.2949508,0.0008782489,0.14218532,0.0046471464,0.48369443,0.033188306],"study_design_scores_gemma":[0.0019854947,0.0021610006,0.08882398,0.0002646402,0.00056763337,0.0002577373,0.03568951,0.001336183,0.034260537,0.00985247,0.8234902,0.0013106281],"about_ca_topic_score_codex":0.014379682,"about_ca_topic_score_gemma":0.0024751534,"teacher_disagreement_score":0.33979577,"about_ca_system_score_codex":0.001773579,"about_ca_system_score_gemma":0.00032646404,"threshold_uncertainty_score":0.9998878},"labels":[],"label_agreement":null},{"id":"W3168121714","doi":"10.4000/erea.11940","title":"Imaging the Climate Crisis. The Ceramic Art of Horie, Galloway, Snider, and Rhymer-Zwierciadlowska","year":2021,"lang":"en","type":"article","venue":"E-rea","topic":"Climate Change Communication and Perception","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Manitoba; Manitoba Hydro","funders":"","keywords":"Civilization; Aesthetics; History; Sociology; Environmental ethics; Visual arts; Art; Archaeology; Philosophy","score_opus":0.19532143534706506,"score_gpt":0.4073705841525948,"score_spread":0.21204914880552975,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3168121714","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.43016577,0.0058003813,0.000047685786,0.1949591,0.0007645889,0.00041734288,0.00005280541,0.000111429355,0.3676809],"genre_scores_gemma":[0.9699822,0.026251862,0.00006756235,0.001585508,0.00014880349,0.00001564235,0.000024958512,0.000010015605,0.0019134318],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.998958,0.0003310723,0.00016958496,0.00013343884,0.00021012923,0.00019778444],"domain_scores_gemma":[0.99917173,0.00018382438,0.00008111992,0.00040609317,0.00011469628,0.0000425103],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008314695,0.000073737734,0.00010738177,0.000020148496,0.00081107434,0.00011359466,0.0002643943,0.00003886217,0.0012219987],"category_scores_gemma":[0.00012934308,0.000049279555,0.000061562285,0.00021969913,0.00031654406,0.00014168328,0.0001503124,0.00013654587,0.00008359401],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008937708,0.00040895698,0.05731221,0.00014626577,0.000120127355,0.000019006,0.38525257,0.000010152591,0.014004911,0.118963294,0.25035262,0.17332052],"study_design_scores_gemma":[0.00027198868,0.000013808906,0.06527749,0.00005292045,0.00005367442,0.000013066605,0.11836526,0.00013004118,0.00029014066,0.0030953805,0.81224334,0.00019287514],"about_ca_topic_score_codex":0.0006327385,"about_ca_topic_score_gemma":0.0052645705,"teacher_disagreement_score":0.5618907,"about_ca_system_score_codex":0.00003134618,"about_ca_system_score_gemma":0.00004881797,"threshold_uncertainty_score":0.999691},"labels":[],"label_agreement":null},{"id":"W3168769514","doi":"10.4000/erea.12450","title":"The idlest trifling stuff that ever was writt”?","year":2021,"lang":"en","type":"article","venue":"E-rea","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Future Earth","funders":"","keywords":"Swift; Criticism; Philosophy; Art; Literature; Computer science; Programming language","score_opus":0.05540765102603374,"score_gpt":0.23728612579260003,"score_spread":0.1818784747665663,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3168769514","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21244843,0.0019404035,0.00020368547,0.003849123,0.0019289361,0.00015702227,0.000037344184,0.00016328556,0.7792718],"genre_scores_gemma":[0.90430224,0.00015411929,0.000019069386,0.0005302025,0.0005449016,0.0000071621666,0.00002340876,0.00001164916,0.09440725],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992953,0.000045707584,0.0001556525,0.00011333892,0.00020228929,0.00018773988],"domain_scores_gemma":[0.9995023,0.000060750608,0.000053677486,0.00023128309,0.00010217079,0.00004982056],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00018221897,0.00009259031,0.00010084914,0.000018461136,0.00080745347,0.0005446313,0.00012859843,0.000030009523,0.0024296048],"category_scores_gemma":[0.00003870527,0.00005713535,0.000077568686,0.000022139975,0.000090277834,0.00024195774,0.000042747346,0.00014699335,0.0010478392],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007419008,0.0003342487,0.0010284131,0.000100041274,0.00022560639,0.00008232784,0.12422013,0.000030557974,0.00015114443,0.56030464,0.25281692,0.06063178],"study_design_scores_gemma":[0.00024625222,0.000010908779,0.0009370111,0.000016854774,0.000010492399,0.000005414504,0.00683916,0.00020046522,0.00036501678,0.0012189338,0.9900473,0.000102235164],"about_ca_topic_score_codex":0.00019431656,"about_ca_topic_score_gemma":0.0013103898,"teacher_disagreement_score":0.73723036,"about_ca_system_score_codex":0.00002407021,"about_ca_system_score_gemma":0.000044316035,"threshold_uncertainty_score":0.99972993},"labels":[],"label_agreement":null},{"id":"W3173486656","doi":"10.4000/erea.12470","title":"Horsing around: the swan song of the Houyhnhnm race","year":2021,"lang":"en","type":"article","venue":"E-rea","topic":"Indigenous Studies and Ecology","field":"Health Professions","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Artificial Intelligence in Medicine (Canada)","funders":"","keywords":"Tribute; Race (biology); Swift; History; SAINT; Genealogy; Art history; Sociology; Gender studies; Physics","score_opus":0.041376982791444264,"score_gpt":0.36661859220481735,"score_spread":0.3252416094133731,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3173486656","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8793338,0.00084330287,0.000039869155,0.023652462,0.0024185514,0.00045069924,0.000010786715,0.00002479779,0.09322576],"genre_scores_gemma":[0.98607045,0.00009438725,0.00006534834,0.002211627,0.00045327985,0.000032577,0.0000023575471,0.000013945661,0.011056],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985943,0.00036223998,0.00024485323,0.00013016151,0.00011803036,0.0005504536],"domain_scores_gemma":[0.9989284,0.00036649572,0.00014347797,0.00038385377,0.00015135361,0.000026375936],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0005880066,0.00007782044,0.00018434881,0.000011542115,0.004171417,0.0000047816393,0.00018511844,0.00009846038,0.00046370013],"category_scores_gemma":[0.00020939877,0.000042017182,0.00007937899,0.00016078344,0.00007781295,0.000024101884,0.00033184118,0.00041643486,0.00018823973],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011006782,0.00030767344,0.2504135,0.0004351632,0.0003963898,0.000039642495,0.498699,0.000081938684,0.0021740275,0.024869274,0.2176858,0.0047874944],"study_design_scores_gemma":[0.0007007673,0.00009241362,0.15012959,0.00017079902,0.00009024134,0.000012674948,0.27822438,0.00006227818,0.00067156274,0.0016512005,0.5680024,0.00019169995],"about_ca_topic_score_codex":0.0014174491,"about_ca_topic_score_gemma":0.01855497,"teacher_disagreement_score":0.3503166,"about_ca_system_score_codex":0.0001151378,"about_ca_system_score_gemma":0.00039553986,"threshold_uncertainty_score":0.9993538},"labels":[],"label_agreement":null},{"id":"W41276731","doi":"10.4000/erea.2637","title":"Juan Manuel López-Muñoz, Sophie Marnette, Laurence Rosier, Diane Vincent (dir.). La circulation des discours","year":2012,"lang":"fr","type":"article","venue":"E-rea","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.030946482709560935,"score_gpt":0.27339993920170513,"score_spread":0.2424534564921442,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W41276731","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15838629,0.26487672,0.00091318256,0.01023087,0.008145927,0.00062386965,0.00090158806,0.00021371372,0.5557078],"genre_scores_gemma":[0.9424133,0.0038335598,0.00020763156,0.00026503464,0.0069642863,0.00002402725,0.00021523489,0.00006302584,0.046013933],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99762255,0.00014614686,0.00047849712,0.00039715352,0.00046548355,0.00089014304],"domain_scores_gemma":[0.9985474,0.0001351719,0.00024736588,0.00048803326,0.00019372973,0.00038831847],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00047008248,0.00041354646,0.00041303647,0.00012875034,0.0008334906,0.00060520845,0.00027842735,0.00017574232,0.00787776],"category_scores_gemma":[0.00012381746,0.00038935183,0.0003109043,0.000117267286,0.0009150838,0.00056898984,0.00011391223,0.00029837296,0.0009968999],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019643083,0.00076639757,0.0091467155,0.00020628615,0.00028233684,0.000048850314,0.0052879755,0.00017580288,0.000059730148,0.94328916,0.029468121,0.011249007],"study_design_scores_gemma":[0.0004295087,0.000056550703,0.023631368,0.0003023717,0.00094800565,0.000014178621,0.0015397503,0.0011051807,0.00006158203,0.024108432,0.94707966,0.0007234194],"about_ca_topic_score_codex":0.006532592,"about_ca_topic_score_gemma":0.0021267878,"teacher_disagreement_score":0.9191807,"about_ca_system_score_codex":0.0002196825,"about_ca_system_score_gemma":0.00008280845,"threshold_uncertainty_score":0.9998558},"labels":[],"label_agreement":null},{"id":"W4200253449","doi":"10.4000/erea.13032","title":"Kopano Maroga: Archiving creation as creative practice","year":2021,"lang":"en","type":"article","venue":"E-rea","topic":"Digital and Traditional Archives Management","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Business","score_opus":0.0227923891817056,"score_gpt":0.24107427001945,"score_spread":0.2182818808377444,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4200253449","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009254137,0.000037984577,0.00013090724,0.0034553087,0.00021334398,0.00008760273,0.000051834508,0.00006480341,0.98670405],"genre_scores_gemma":[0.73475236,0.00002847487,0.0004367593,0.0013420318,0.00050697,0.000025158479,0.00025469624,0.0000134992615,0.26264003],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99927574,0.00004789932,0.00013265286,0.00019817374,0.00019914891,0.00014641068],"domain_scores_gemma":[0.9995063,0.00017443024,0.000061721825,0.00012171923,0.00008339269,0.000052427724],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00005915148,0.00010070496,0.000096144286,0.000045819157,0.00023361489,0.00032763602,0.000075726144,0.0000056836516,0.0028422913],"category_scores_gemma":[0.00013375246,0.00009057452,0.00006781543,0.000029736346,0.00011127375,0.00060907693,0.00007276843,0.00007851696,0.0013727577],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026034118,0.00022582833,0.000008877287,0.000017629236,0.000097462034,0.00009937022,0.006496691,0.000005894915,0.000020272546,0.9659431,0.008068816,0.01899002],"study_design_scores_gemma":[0.0001642128,0.00007715399,0.0034036727,0.000046051176,0.00004767321,0.000018223882,0.003301895,0.000025617428,0.00013873262,0.09785805,0.89478844,0.0001302793],"about_ca_topic_score_codex":0.00016065255,"about_ca_topic_score_gemma":0.00006574463,"teacher_disagreement_score":0.88671964,"about_ca_system_score_codex":0.00001991175,"about_ca_system_score_gemma":0.000037791335,"threshold_uncertainty_score":0.9994048},"labels":[],"label_agreement":null},{"id":"W4200479117","doi":"10.4000/erea.13109","title":"Decolonial Spectatorship and Performances of Contemporary Dance in South Africa:Mamela Nyamza’s Choreographies of Embodied Politics of Race and Gender in Place","year":2021,"lang":"en","type":"article","venue":"E-rea","topic":"Sports, Gender, and Society","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"École Nationale d'Administration Publique","funders":"","keywords":"Dance; Choreography; Gender studies; Politics; Performing arts; Contemporary dance; Sociology; Race (biology); Concert dance; Power (physics); Aesthetics; Embodied cognition; Visual arts; Art; Political science; Law","score_opus":0.0416552166142997,"score_gpt":0.2894981580598634,"score_spread":0.24784294144556368,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4200479117","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9786889,0.005332089,0.0000019530185,0.000096386895,0.00009173333,0.00012319579,0.000020207191,0.000006854718,0.015638689],"genre_scores_gemma":[0.9984508,0.0008851162,0.00023825355,0.000015101586,0.000041170024,0.000003867731,0.0000025246793,0.0000060503503,0.00035709687],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9988964,0.0001137916,0.00033532662,0.00018865167,0.00024544192,0.00022034485],"domain_scores_gemma":[0.99941796,0.0001464,0.00017935447,0.000114541486,0.00007608796,0.00006563769],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000639711,0.000094005474,0.0003403942,0.00010312269,0.000074426775,0.000011344065,0.00009358097,0.000108741,0.000022423414],"category_scores_gemma":[0.00012881968,0.000095016425,0.000052433676,0.00044430434,0.0007286179,0.00012381045,0.000045246896,0.00011186371,1.5270027e-7],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022760341,0.000049660244,0.6112431,0.000078003955,0.000013899141,0.000004626967,0.38181186,0.0000022920117,0.000046755365,0.0066128653,0.00008567227,0.000028453967],"study_design_scores_gemma":[0.0010522428,0.000057205725,0.56548613,0.00006998959,0.000015510926,0.0000013062063,0.4282778,0.000033264645,0.0010178993,0.0032157768,0.00060823734,0.00016468288],"about_ca_topic_score_codex":0.0011405234,"about_ca_topic_score_gemma":0.0030626887,"teacher_disagreement_score":0.04646591,"about_ca_system_score_codex":0.000025126234,"about_ca_system_score_gemma":0.00035527872,"threshold_uncertainty_score":0.38746572},"labels":[],"label_agreement":null},{"id":"W4243596905","doi":"10.4000/erea.6170","title":"Modernist Disavowal","year":2018,"lang":"en","type":"article","venue":"E-rea","topic":"Joseph Conrad and Literature","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Spiritualism; Modernism (music); Reading (process); Key (lock); Literature; Aesthetics; Extension (predicate logic); Philosophy; Psychoanalysis; Art; Psychology; Linguistics","score_opus":0.022804348314186308,"score_gpt":0.22100303388828182,"score_spread":0.1981986855740955,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4243596905","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.22164926,0.00016376605,0.00001705988,0.0007877056,0.0011673478,0.00005569958,0.000047515212,0.00010968447,0.776002],"genre_scores_gemma":[0.9134039,0.0000013407938,0.00002948512,0.0007713742,0.0034640327,0.0000033031354,0.000017886718,0.000011041628,0.08229761],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995472,0.000010782803,0.000080106896,0.00012175628,0.0000871757,0.00015302142],"domain_scores_gemma":[0.99972266,0.000009926863,0.00002012066,0.0001523183,0.00005225786,0.00004268837],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000037501166,0.00008080257,0.00007667741,0.000021681197,0.00024557146,0.00021990099,0.000099006946,0.000027198272,0.009790091],"category_scores_gemma":[0.000006957665,0.000060933584,0.000044253957,0.000011134334,0.00020220784,0.00012379924,0.00002186674,0.00007917709,0.0017971187],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019928184,0.0000532494,0.00008354201,0.000010189198,0.00002297628,0.000007697293,0.21082553,7.9121804e-8,0.00016668401,0.7126979,0.07229492,0.0038172693],"study_design_scores_gemma":[0.00011521308,0.000054120766,0.00014020628,0.000010873778,0.0000061389323,0.0000017891447,0.00036705,0.00005316578,0.000028032217,0.003910676,0.9952164,0.000096320895],"about_ca_topic_score_codex":0.00008296292,"about_ca_topic_score_gemma":0.0005451336,"teacher_disagreement_score":0.9229215,"about_ca_system_score_codex":0.000008396439,"about_ca_system_score_gemma":0.000011450894,"threshold_uncertainty_score":0.9989801},"labels":[],"label_agreement":null},{"id":"W4247511532","doi":"10.4000/erea.6141","title":"Daniela Haisan (coord.), Atelier de traduction N°24.","year":2018,"lang":"fr","type":"article","venue":"E-rea","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.03975510293976836,"score_gpt":0.27983506051437756,"score_spread":0.2400799575746092,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4247511532","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.091023326,0.005632627,0.0003838284,0.004873946,0.009199552,0.00012189836,0.00014794168,0.00009250776,0.88852435],"genre_scores_gemma":[0.5976289,0.00040479715,0.00022723412,0.00043525887,0.027352517,0.0000067926276,0.000041934658,0.000038822847,0.37386376],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99865925,0.000059605656,0.00029940892,0.00031313646,0.00019953625,0.00046905008],"domain_scores_gemma":[0.999122,0.000032214546,0.00011298383,0.0003357267,0.00022805358,0.00016897496],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00022574748,0.00022516606,0.00024198511,0.00009954538,0.00070772617,0.0003855204,0.00016959071,0.00012393032,0.02171126],"category_scores_gemma":[0.00006781347,0.00021497351,0.00020756562,0.000068717374,0.00072642433,0.00014452885,0.000028859773,0.00018203126,0.0024110733],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028636185,0.00030404274,0.00024598316,0.00004757202,0.0002821582,0.000037643775,0.022940015,0.0000072078665,0.00012673829,0.7474094,0.21817398,0.010396625],"study_design_scores_gemma":[0.000242979,0.00021707299,0.00019188148,0.00006094262,0.00045131083,0.000009394774,0.0028843381,0.0009054588,0.0003757446,0.011912406,0.9824562,0.00029227935],"about_ca_topic_score_codex":0.0074206926,"about_ca_topic_score_gemma":0.003521188,"teacher_disagreement_score":0.7642822,"about_ca_system_score_codex":0.00007963304,"about_ca_system_score_gemma":0.00009536216,"threshold_uncertainty_score":0.99918896},"labels":[],"label_agreement":null},{"id":"W4282958741","doi":"10.4000/erea.14343","title":"John Clifford, Militant Evangelicals, and the Colonial Model for ‘Secular’ Schools (1870s-1920s)","year":2022,"lang":"en","type":"article","venue":"E-rea","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Militant; Protestantism; Ethos; State (computer science); Colonialism; Secular education; Religious studies; Sociology; Religious education; Political science; Law; Philosophy; Politics","score_opus":0.01699005858443199,"score_gpt":0.2609345005381611,"score_spread":0.2439444419537291,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4282958741","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.689792,0.019461237,0.0017695035,0.15833649,0.0044244183,0.00624924,0.0023760437,0.0003383927,0.117252685],"genre_scores_gemma":[0.9233057,0.00050229253,0.0005526261,0.0047514485,0.0006664455,0.0007820073,0.000024776438,0.00003032317,0.06938439],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99895674,0.00014656343,0.0001369884,0.00018787471,0.00031280384,0.00025904382],"domain_scores_gemma":[0.9995114,0.00010908958,0.000046865232,0.00015617031,0.000041978205,0.00013447675],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.001072592,0.00006157279,0.00013532804,0.00009061458,0.0030722844,0.00018620378,0.00025662602,0.000046496847,0.000410472],"category_scores_gemma":[0.00027727085,0.00006254048,0.00010607046,0.00015046108,0.00052036863,0.000089004076,0.00007492205,0.00017875277,0.000034767207],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00031484943,0.00006404354,0.000075275995,0.000018967914,0.000043862587,0.000008360382,0.03747489,0.00019647369,0.00006268654,0.2656439,0.6926057,0.003491053],"study_design_scores_gemma":[0.00076717575,0.000028304858,0.000100425685,0.0000026016166,0.000029170307,0.0000011737785,0.0016288199,0.0031657703,6.35402e-7,0.016345162,0.97783405,0.00009668827],"about_ca_topic_score_codex":0.16818547,"about_ca_topic_score_gemma":0.593995,"teacher_disagreement_score":0.4258095,"about_ca_system_score_codex":0.00054086384,"about_ca_system_score_gemma":0.0006761634,"threshold_uncertainty_score":0.99822557},"labels":[],"label_agreement":null},{"id":"W4313274281","doi":"10.4000/erea.15359","title":"There was a silly teacher in Mâcon … Nonsense et écriture créative au service de la polyvalence en master MEEF 1er degré","year":2022,"lang":"en","type":"article","venue":"E-rea","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Centre Jeunesse de Quebec","funders":"","keywords":"Poetry; Psychology; Creativity; Vocabulary; Nonsense; Linguistics; Syntax; Pedagogy; Singing; Philosophy","score_opus":0.046434281081335,"score_gpt":0.2939617691899701,"score_spread":0.24752748810863506,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4313274281","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.48766702,0.0003557789,0.000010150627,0.004135592,0.00013802129,0.00010509747,0.00012387538,0.000032721542,0.50743175],"genre_scores_gemma":[0.95320636,0.000012965863,0.000060040828,0.002397284,0.0005051415,0.000034184293,0.000024072326,0.00002478912,0.043735158],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987758,0.00037382785,0.0001606887,0.00022576377,0.00021206764,0.00025187962],"domain_scores_gemma":[0.9994458,0.00017497214,0.00006795502,0.00018836484,0.000066019806,0.000056911314],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00051507796,0.00015464939,0.00018473089,0.00009679501,0.0002572882,0.00013351139,0.0001974595,0.000045992732,0.008280393],"category_scores_gemma":[0.00007734006,0.00012827404,0.00008543842,0.00006816346,0.000078530815,0.00007038447,0.00013683001,0.0003534398,0.00007753621],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018320639,0.000696816,0.013054002,0.00008541875,0.00030869985,0.0005067917,0.6890669,0.00048022432,0.0003893159,0.27355334,0.020698423,0.0009768791],"study_design_scores_gemma":[0.0011028543,0.00013302121,0.008556392,0.00009479564,0.00026579216,0.000020130134,0.13240287,0.0026573285,0.000120997494,0.007516469,0.8464706,0.0006587291],"about_ca_topic_score_codex":0.009265986,"about_ca_topic_score_gemma":0.01348398,"teacher_disagreement_score":0.8257722,"about_ca_system_score_codex":0.000098681296,"about_ca_system_score_gemma":0.0001510658,"threshold_uncertainty_score":0.9973314},"labels":[],"label_agreement":null},{"id":"W4313274283","doi":"10.4000/erea.15581","title":"L’intégration régionale vue par le prisme de la frontière Canada/États-Unis : l’entre-deux comme un processus remis en question par la politique de sécurisation post 9/11","year":2022,"lang":"fr","type":"article","venue":"E-rea","topic":"Cross-Border Cooperation and Integration","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Political science; Philosophy","score_opus":0.0084155461822569,"score_gpt":0.2817282997754967,"score_spread":0.2733127535932398,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4313274283","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.85659236,0.0007173088,0.0025609515,0.117193684,0.0008342999,0.00067282555,0.0003236948,0.00015212367,0.020952743],"genre_scores_gemma":[0.9905923,0.00034649513,0.00052586745,0.0019641684,0.00049223023,0.00017458007,0.0007797349,0.000038536346,0.0050861016],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99556434,0.0023280196,0.00049188983,0.00041838584,0.0006644975,0.000532856],"domain_scores_gemma":[0.9984494,0.00036245573,0.000286799,0.00021809092,0.00044363513,0.0002396573],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0017043904,0.00026856607,0.0002428316,0.00009615036,0.0026010645,0.0003311592,0.00032559363,0.00029098438,0.0015583416],"category_scores_gemma":[0.0007194529,0.00032159427,0.00009654353,0.0005187593,0.00039191125,0.0006056233,0.00007460479,0.000568001,0.000017018012],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001274242,0.00091223494,0.031733252,0.000121079,0.00009554161,0.000051647727,0.106590085,0.0046058977,0.003511489,0.6722537,0.16903041,0.010967223],"study_design_scores_gemma":[0.0009843728,0.00017220774,0.055705722,0.000092213966,0.00009069169,0.00006270096,0.018254085,0.012790912,0.003536871,0.016669651,0.89102596,0.000614624],"about_ca_topic_score_codex":0.7893698,"about_ca_topic_score_gemma":0.8145361,"teacher_disagreement_score":0.72199553,"about_ca_system_score_codex":0.0020606217,"about_ca_system_score_gemma":0.0062500187,"threshold_uncertainty_score":0.9999236},"labels":[],"label_agreement":null},{"id":"W4313412611","doi":"10.4000/erea.15114","title":"Self-translation as re-creation: The incipit of a fantasy novel in French (original language) and English","year":2022,"lang":"en","type":"article","venue":"E-rea","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Novelis (Canada); CARE Canada","funders":"","keywords":"Trilogy; Sublime; Fantasy; Literature; MAGIC (telescope); Art; Dystopia","score_opus":0.01952655298118386,"score_gpt":0.26297433689589916,"score_spread":0.2434477839147153,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4313412611","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4548061,0.0010068917,0.000020726848,0.00037762334,0.00022769347,0.00013261574,0.00010503351,0.000026190464,0.5432972],"genre_scores_gemma":[0.9972681,0.000016083317,0.00010919437,0.0000760975,0.00050031254,0.000015038377,0.000049778788,0.000005424883,0.0019599951],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995035,0.000021276066,0.00013934608,0.00009735347,0.0001619854,0.00007654256],"domain_scores_gemma":[0.99971575,0.00005352062,0.000058484016,0.00010545018,0.000051230225,0.000015552989],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00018929606,0.000057000787,0.00009298316,0.00006529489,0.00018033173,0.00005087736,0.00007518552,0.000010837952,0.002679817],"category_scores_gemma":[0.000026658121,0.000043329965,0.000033395838,0.000051527488,0.000046820656,0.000042234533,0.00002736027,0.00008579732,0.0000036968945],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020442027,0.00018931062,0.0022590738,0.000030834723,0.00008406812,0.000009739031,0.36514035,0.000097170996,0.000041678875,0.6298196,0.001182888,0.0011248742],"study_design_scores_gemma":[0.00075123645,0.000115268434,0.0012637972,0.000014656093,0.00017418902,0.0000021915582,0.045139767,0.0025637106,0.00006200574,0.0027649612,0.9469761,0.00017206864],"about_ca_topic_score_codex":0.004129215,"about_ca_topic_score_gemma":0.0038466312,"teacher_disagreement_score":0.9457933,"about_ca_system_score_codex":0.000015299478,"about_ca_system_score_gemma":0.000033006854,"threshold_uncertainty_score":0.9982319},"labels":[],"label_agreement":null},{"id":"W4313412657","doi":"10.4000/erea.15538","title":"Persephone","year":2022,"lang":"en","type":"article","venue":"E-rea","topic":"Paranormal Experiences and Beliefs","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ministère de l’Emploi et de la Solidarité Sociale (Québec)","funders":"","keywords":"Poetry; Stanza; Literature; Art; Psyche; Mythology; Visual arts; Painting; Perspective (graphical); Rhyme; Psychology; Psychoanalysis","score_opus":0.023012162330647852,"score_gpt":0.3165140847124976,"score_spread":0.29350192238184974,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4313412657","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3756626,0.0005596319,0.00001890058,0.0002566802,0.0014477271,0.00005478751,0.000012665211,0.000050205264,0.6219368],"genre_scores_gemma":[0.85458577,0.0000021724552,0.000050185623,0.0008095233,0.00011760232,0.00008725314,0.0000064838237,0.0000071665872,0.14433382],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99943,0.000041802716,0.000078332174,0.00014690208,0.0001210221,0.00018193794],"domain_scores_gemma":[0.99974084,0.000011555257,0.000023912507,0.00017815076,0.0000056854424,0.000039834234],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00008746815,0.000052274823,0.00006755624,0.000027506487,0.0001657058,0.000006854254,0.00016048999,0.0000173807,0.07659888],"category_scores_gemma":[0.000003186939,0.00004921551,0.000042810294,0.00012928991,0.000028629014,0.000025219693,0.00006928845,0.00011503805,0.002226623],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00051716145,0.0014576319,0.011062476,0.000008451565,0.00017248698,0.00069476105,0.11138803,0.00018010779,0.012261267,0.15767126,0.65538156,0.04920479],"study_design_scores_gemma":[0.00030113853,0.00013199232,0.007012049,4.3288875e-7,0.0000029875778,0.000053942145,0.0053141657,0.00001787888,0.000066128465,0.00007126565,0.98694366,0.00008437379],"about_ca_topic_score_codex":0.0003723954,"about_ca_topic_score_gemma":0.00000582058,"teacher_disagreement_score":0.4789232,"about_ca_system_score_codex":0.00001931525,"about_ca_system_score_gemma":0.00001081639,"threshold_uncertainty_score":0.99855024},"labels":[],"label_agreement":null},{"id":"W4380995666","doi":"10.4000/erea.16149","title":"Pierre-Yves Petillon, La grand-route : espace et écriture en Amérique, Paris, Seuil, 1979","year":2023,"lang":"fr","type":"article","venue":"E-rea","topic":"French Literature and Critical Theory","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Bibliothèque et Archives nationales du Québec","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.011529428323902479,"score_gpt":0.253173935087043,"score_spread":0.24164450676314053,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4380995666","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0042902036,0.07829591,0.00005069307,0.040985033,0.0035029813,0.0003427593,0.0012083007,0.0005211207,0.870803],"genre_scores_gemma":[0.16538565,0.0070132837,0.00011440275,0.002953052,0.0030048825,0.00005922055,0.00035131842,0.00009653774,0.8210217],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971106,0.0006479912,0.00042994812,0.0005655572,0.0003858316,0.00086005323],"domain_scores_gemma":[0.99813944,0.0008827075,0.000077067896,0.00044749008,0.00015593863,0.00029737718],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00085119926,0.00051351596,0.0005263882,0.00017048592,0.0005197749,0.00101262,0.00036904315,0.00043751838,0.0042916373],"category_scores_gemma":[0.00019822581,0.00045257705,0.0003519081,0.00021728239,0.00078481395,0.000531284,0.00017959398,0.0010715668,0.0021322505],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000041860618,0.00010843275,0.000027620921,0.00020614764,0.00008167876,0.00023814407,0.02522216,0.0000035104626,0.000042865133,0.57854205,0.39332336,0.0021621333],"study_design_scores_gemma":[0.00053004356,0.00016845613,0.0006294075,0.0005197187,0.00011706856,0.000037390637,0.0041639563,0.000039362094,0.00010339443,0.03988315,0.9532509,0.000557153],"about_ca_topic_score_codex":0.0004889163,"about_ca_topic_score_gemma":0.00083776866,"teacher_disagreement_score":0.5599275,"about_ca_system_score_codex":0.000046753918,"about_ca_system_score_gemma":0.000100132005,"threshold_uncertainty_score":0.9997926},"labels":[],"label_agreement":null},{"id":"W4380997480","doi":"10.4000/erea.15914","title":"Anne-Florence Quaireau, Le Féminin en partage. Le voyage d’Anna Jameson au Canada (1836-1837), Préface de Robert Sayre","year":2023,"lang":"fr","type":"article","venue":"E-rea","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Memorial University of Newfoundland","funders":"","keywords":"Art; Face (sociological concept); Humanities; Philosophy","score_opus":0.010549671253548297,"score_gpt":0.2295490767202758,"score_spread":0.2189994054667275,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4380997480","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3788946,0.023488948,0.00006352634,0.12560959,0.0118587855,0.00078022,0.0009158572,0.00040461207,0.45798385],"genre_scores_gemma":[0.36703104,0.0008473123,0.000058213067,0.000846888,0.0012336231,0.000042324053,0.000052770247,0.00004553457,0.6298423],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99662054,0.00043060252,0.00037180862,0.00057593157,0.00068428274,0.0013168296],"domain_scores_gemma":[0.99826735,0.00026960432,0.00016525947,0.00043139895,0.000086161876,0.0007802096],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00097012776,0.00027323372,0.0003755676,0.00024490856,0.0020074728,0.000305784,0.0007189881,0.00032701835,0.0013876652],"category_scores_gemma":[0.0004507198,0.00040383328,0.00016590227,0.0012675634,0.00095311285,0.00048039222,0.00011069228,0.00044930045,0.0011923272],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.000010244111,0.000064565196,0.0012243327,0.00009021037,0.0000456131,0.00042124168,0.03349993,0.00020444994,0.00007643684,0.03053674,0.91293085,0.020895371],"study_design_scores_gemma":[0.00026108004,0.000041455554,0.010134871,0.00012308145,0.000040995168,0.000007799376,0.010884543,0.00023659246,0.000059862108,0.0004702407,0.9772877,0.00045178737],"about_ca_topic_score_codex":0.9996132,"about_ca_topic_score_gemma":0.999924,"teacher_disagreement_score":0.17185843,"about_ca_system_score_codex":0.0042757913,"about_ca_system_score_gemma":0.02472928,"threshold_uncertainty_score":0.99984133},"labels":[],"label_agreement":null},{"id":"W4405403105","doi":"10.4000/12xgp","title":"Introduction: The Art of Dis/Consolation","year":2024,"lang":"en","type":"article","venue":"E-rea","topic":"Religious Studies and Spiritual Practices","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"ECW Press (Canada)","funders":"","keywords":"Consolation; Art; Philosophy; Literature","score_opus":0.022648833160794288,"score_gpt":0.24553725978446328,"score_spread":0.22288842662366898,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405403105","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.016455492,0.0056647738,0.000045607238,0.089892395,0.0033349223,0.00013459848,0.000012747371,0.00009183734,0.88436764],"genre_scores_gemma":[0.92087823,0.00040369216,0.0000114531895,0.00014745412,0.0044417027,0.000008653627,0.0000064417823,0.00000744202,0.07409494],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99961835,0.00001615068,0.00011695541,0.000091001406,0.0000894962,0.00006806791],"domain_scores_gemma":[0.99972916,0.000081339895,0.000031155563,0.000109107306,0.000040527615,0.000008698549],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00013186547,0.000049890943,0.00006606615,0.000020247413,0.00020807897,0.00014267463,0.000050499784,0.000010862494,0.0024081555],"category_scores_gemma":[0.000029747991,0.000028102184,0.00004636075,0.00002548007,0.0001290401,0.00015405953,0.000020598642,0.000075109434,0.00065847335],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000052084856,0.000009541915,0.0000098062355,0.000019481588,0.000041540974,7.973876e-7,0.008803186,0.0000032711644,0.000023946992,0.3668466,0.6215844,0.002652222],"study_design_scores_gemma":[0.000024269679,0.000035977337,0.00005808826,0.000010303971,0.000027095999,0.0000022328038,0.0019052597,0.00010620986,0.00003422633,0.0029403311,0.9948177,0.00003833217],"about_ca_topic_score_codex":0.00015032208,"about_ca_topic_score_gemma":0.00034632496,"teacher_disagreement_score":0.9044227,"about_ca_system_score_codex":0.000006616593,"about_ca_system_score_gemma":0.000008252081,"threshold_uncertainty_score":0.9985038},"labels":[],"label_agreement":null},{"id":"W4405403144","doi":"10.4000/12xfs","title":"Deux visions du noir : le roman Jack’s Return Home de Ted Lewis et le film Get Carter de Mike Hodges","year":2024,"lang":"fr","type":"article","venue":"E-rea","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ministère de l’Emploi et de la Solidarité Sociale (Québec)","funders":"","keywords":"Vision; Art; Humanities; Philosophy; Theology","score_opus":0.01591821394805863,"score_gpt":0.2280634339630878,"score_spread":0.2121452200150292,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405403144","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.61648816,0.13844807,0.0016399492,0.15573739,0.0061291642,0.00036873296,0.0012807645,0.00019228453,0.079715505],"genre_scores_gemma":[0.9091533,0.009108948,0.0010825426,0.0011641755,0.0009187032,0.000072382,0.00008532709,0.00008249749,0.07833215],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.997991,0.000044310713,0.0005509146,0.000604757,0.000057254794,0.00075174996],"domain_scores_gemma":[0.99894357,0.00025610015,0.00012482109,0.00042209955,0.00004328865,0.00021013396],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00061200885,0.0003153142,0.0005987193,0.00030053628,0.00027394804,0.00021691578,0.00025686208,0.00026254315,0.0007213229],"category_scores_gemma":[0.00024705724,0.00037275505,0.00031129128,0.00038221368,0.0001714599,0.0002954798,0.00018270523,0.00042942606,0.0010611747],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002421179,0.00037221942,0.065394126,0.0004060377,0.00051064737,0.00029300808,0.013662977,0.00010233238,0.00024429258,0.11210831,0.79954135,0.0073404596],"study_design_scores_gemma":[0.0006825852,0.00012435182,0.082006656,0.00023482113,0.000058549456,0.00006698044,0.0010044156,0.0052923914,0.00019082877,0.005985703,0.9038918,0.00046094472],"about_ca_topic_score_codex":0.0031816545,"about_ca_topic_score_gemma":0.0034265819,"teacher_disagreement_score":0.29266512,"about_ca_system_score_codex":0.00023006479,"about_ca_system_score_gemma":0.00025643973,"threshold_uncertainty_score":0.99987245},"labels":[],"label_agreement":null},{"id":"W651146712","doi":"10.4000/erea.4475","title":"Theatrical Colours: Cosmetics, Rhetoric and Theatre in Webster’s The White Devil","year":2015,"lang":"en","type":"article","venue":"E-rea","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"St. Thomas Hospital","funders":"","keywords":"Rhetoric; White (mutation); Rhetorical question; Irony; Art; Literature; Cosmetics; Philosophy; Linguistics","score_opus":0.056220328669198946,"score_gpt":0.24709613818126427,"score_spread":0.19087580951206534,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W651146712","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.41374767,0.004898092,0.000021829532,0.005657508,0.0014424234,0.00039146666,0.000042965214,0.000091874404,0.57370615],"genre_scores_gemma":[0.97994477,0.000035356697,0.000047249214,0.0007222682,0.0006921992,0.000017006585,0.0000131341485,0.000017101569,0.018510936],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991097,0.00010988144,0.000206025,0.00017134883,0.00018772886,0.0002153362],"domain_scores_gemma":[0.99947685,0.00013080864,0.000034029017,0.0001814412,0.00008642241,0.000090456895],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00028813962,0.00012860102,0.00015625382,0.000077060584,0.00016093599,0.00023862155,0.00013809571,0.000040289968,0.000446887],"category_scores_gemma":[0.000037738126,0.00008222084,0.000036927533,0.000059258546,0.00019355318,0.00019602024,0.00003125547,0.00014127186,0.00010708329],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009694378,0.00017966617,0.0069253687,0.000032306893,0.000037505044,0.000038821105,0.616496,0.000010968676,0.0000023726582,0.2769442,0.091041006,0.008194836],"study_design_scores_gemma":[0.00069784274,0.00013236233,0.0023974564,0.00003067248,0.000028153787,0.000012279832,0.037621416,0.0002202667,0.0000027979377,0.0083979145,0.9502896,0.00016924381],"about_ca_topic_score_codex":0.00015528753,"about_ca_topic_score_gemma":0.0010266976,"teacher_disagreement_score":0.8592486,"about_ca_system_score_codex":0.000035992143,"about_ca_system_score_gemma":0.00005443823,"threshold_uncertainty_score":0.4893099},"labels":[],"label_agreement":null}]}