{"meta":{"query_hash":"70d694db1b7c","filters":{"venue":"East Asian Journal of Popular Culture"},"cohort_total":10,"direct_labels_cover":1,"predictions_cover":10,"exported":10,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/70d694db1b7c","api":"https://metacan.xera.ac/api/v1/cohort?venue=East+Asian+Journal+of+Popular+Culture"},"results":[{"id":"W2528828510","doi":"10.1386/eapc.2.2.247_1","title":"Mao goes pop online: Game art worlds in China","year":2016,"lang":"en","type":"article","venue":"East Asian Journal of Popular Culture","topic":"Cultural Industries and Urban Development","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"China; Censorship; Participatory culture; Aesthetics; Media studies; Politics; Digital media; New media; Art world; Sociology; Political science; Art; Law; Art history; Performance art","score_opus":0.020938967728248253,"score_gpt":0.27986270342951514,"score_spread":0.25892373570126687,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2528828510","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9469709,0.00020612615,0.0003294006,0.00080833095,0.000031286087,0.00003210961,0.000033943823,0.000018330275,0.051569603],"genre_scores_gemma":[0.99470323,0.0001004773,0.00012173231,0.0000741626,0.0000079712845,0.0000102384165,0.000013740084,0.0000049465475,0.0049635572],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99958867,0.00013437624,0.000010699883,0.00003855422,0.00008080483,0.00014691458],"domain_scores_gemma":[0.999686,0.00008762971,0.000030569136,0.000037001817,0.000020173102,0.00013861299],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007229028,0.00037913365,0.00019870738,0.0013938607,0.0088016605,0.0035762019,0.00065838586,0.00081686646,0.006218652],"category_scores_gemma":[0.0005425388,0.0002004348,0.00024388934,0.0014573906,0.006078153,0.001851431,0.0037393402,0.0010441183,0.00014841417],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024085797,0.00031720445,0.045383092,0.00026491395,0.00006094619,0.008176478,0.73581785,0.0017596883,0.0062569054,0.13425183,0.0073494464,0.06012085],"study_design_scores_gemma":[0.000040737217,0.00031859142,0.09642357,0.00024222242,0.00005128543,0.0014276535,0.68920684,0.0049977875,0.0036185072,0.0136547005,0.18993098,0.00008714981],"about_ca_topic_score_codex":0.04113937,"about_ca_topic_score_gemma":0.10802466,"teacher_disagreement_score":0.04113937,"about_ca_system_score_codex":0.0042972188,"about_ca_system_score_gemma":0.0016909264,"threshold_uncertainty_score":0.081799805},"labels":[],"label_agreement":null},{"id":"W3108269083","doi":"10.1386/eapc_00024_1","title":"Intercultural sensitivity in Orientalist cinema","year":2020,"lang":"en","type":"article","venue":"East Asian Journal of Popular Culture","topic":"International Student and Expatriate Challenges","field":"Social Sciences","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Campion College; University of Regina","funders":"","keywords":"Orientalism; Ethnocentrism; Narrative; Movie theater; Aesthetics; Filmography; Literature; Celebrity culture; Art; History; Sociology; Psychology; Social psychology","score_opus":0.03200637357294868,"score_gpt":0.30904123604272804,"score_spread":0.2770348624697794,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3108269083","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8845113,0.00083954737,0.0010050425,0.0009773751,0.000062960535,0.000037806247,0.000023611168,0.000026091997,0.112516195],"genre_scores_gemma":[0.9982185,0.00015216105,0.0001863367,0.000058446254,0.000008866461,0.00000821016,0.0000057561997,0.00000812955,0.001353537],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99732286,0.0018699962,0.0000825404,0.0002053591,0.0003042012,0.00021504729],"domain_scores_gemma":[0.99774843,0.0011155835,0.00041154135,0.00020800014,0.00022731903,0.00028912546],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002375443,0.0003550886,0.00014250235,0.0014624385,0.0044810483,0.0057984237,0.00041765804,0.00059314596,0.0023110865],"category_scores_gemma":[0.005309981,0.0002530275,0.0001850277,0.0009423169,0.00832073,0.0020083103,0.0031326343,0.0009342698,0.00019884916],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004581132,0.000040361163,0.016168004,0.00010095744,0.000017695489,0.0015547074,0.94077134,0.00008726638,0.0033833769,0.020186644,0.0011717083,0.016472101],"study_design_scores_gemma":[0.0000071421723,0.00009539076,0.08650682,0.00021093828,0.00002303539,0.002032342,0.80093783,0.00020008619,0.0029932566,0.005337235,0.10159774,0.000058146496],"about_ca_topic_score_codex":0.0060691377,"about_ca_topic_score_gemma":0.009863124,"teacher_disagreement_score":0.0060691377,"about_ca_system_score_codex":0.0028384188,"about_ca_system_score_gemma":0.0005873529,"threshold_uncertainty_score":0.02059424},"labels":[],"label_agreement":null},{"id":"W3208793681","doi":"10.1386/eapc_00055_7","title":"Travelling through East and South East Asia with John Saboe","year":2020,"lang":"en","type":"article","venue":"East Asian Journal of Popular Culture","topic":"Asian Culture and Media Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The Internet; Broadcasting (networking); East Asia; Media studies; Publishing; Work (physics); Advertising; Library science; Geography; Political science; Sociology; Engineering; World Wide Web; Computer science; Business; China; Law; Archaeology; Computer security","score_opus":0.03660211955725548,"score_gpt":0.263490887641967,"score_spread":0.2268887680847115,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3208793681","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.01735933,0.12918888,0.0012258044,0.43128988,0.09617122,0.00006440261,0.00022650928,0.00036039736,0.3241136],"genre_scores_gemma":[0.075675584,0.06698832,0.0016704913,0.09802769,0.018172085,0.00004513016,0.00013930051,0.00030382347,0.7389776],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99923885,0.00019369878,0.000030251398,0.000110321824,0.00022320695,0.00020371583],"domain_scores_gemma":[0.9977913,0.000121233126,0.00009014591,0.000036635618,0.00031579484,0.001644827],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001151975,0.00066483085,0.00040059694,0.0010042384,0.007847442,0.004375005,0.00037633604,0.0013711903,0.034337353],"category_scores_gemma":[0.0021629867,0.00026911456,0.00031075327,0.0009751711,0.0015272908,0.0031427506,0.0039040295,0.003916153,0.010472233],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016077329,0.00003249851,0.000940649,0.0001465037,0.00000768233,0.00061275315,0.011984559,0.00001921036,0.0003843824,0.004285663,0.9437889,0.03778112],"study_design_scores_gemma":[0.0000012095394,0.00001172038,0.0006742973,0.0001344936,0.0000023941845,0.0005544534,0.008042484,0.000008269155,0.000050197574,0.00044932833,0.9900647,0.0000064764736],"about_ca_topic_score_codex":0.0107266335,"about_ca_topic_score_gemma":0.038554054,"teacher_disagreement_score":0.034337353,"about_ca_system_score_codex":0.0010371355,"about_ca_system_score_gemma":0.003094657,"threshold_uncertainty_score":0.11486983},"labels":[],"label_agreement":null},{"id":"W4229442840","doi":"10.1386/eapc_00067_7","title":"Before the Light: A discussion with Ian Rowen on the making of Transitions in Taiwan and translating narratives of the White Terror Period","year":2022,"lang":"en","type":"article","venue":"East Asian Journal of Popular Culture","topic":"Vietnamese History and Culture Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Period (music); Narrative; White (mutation); Human rights; Context (archaeology); Transitional justice; Gender studies; Conversation; Media studies; Sociology; Political science; History; Law; Literature; Aesthetics; Art","score_opus":0.012415485654709965,"score_gpt":0.25124277442636916,"score_spread":0.2388272887716592,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4229442840","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.016834801,0.008801334,0.00053877855,0.9572638,0.0065549742,0.000036772086,0.000029560193,0.00002731747,0.009912736],"genre_scores_gemma":[0.48210037,0.032843087,0.0025627324,0.42709118,0.012363266,0.00041554708,0.00010889358,0.00040565702,0.04210921],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9894187,0.008246267,0.00028362795,0.0004954255,0.00071817194,0.00083784637],"domain_scores_gemma":[0.97274864,0.022750057,0.0008163495,0.00036240337,0.0014765809,0.001845939],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.01674632,0.0009982502,0.0008377104,0.0014087819,0.021485824,0.013074187,0.0028880702,0.010441996,0.0031620297],"category_scores_gemma":[0.025212998,0.00068901276,0.0006508782,0.0031329736,0.018722044,0.014201743,0.0070192334,0.023856184,0.00051954127],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004679676,0.000035333716,0.00072806614,0.00037164686,0.00001634038,0.0038619281,0.70453495,0.00012351782,0.000531555,0.043494057,0.23558454,0.010671243],"study_design_scores_gemma":[0.0000117813,0.00003552007,0.0006127361,0.0008714867,0.000011363825,0.0006581872,0.6374764,0.00017541142,0.00042617926,0.0069415974,0.35272977,0.00004953537],"about_ca_topic_score_codex":0.018814165,"about_ca_topic_score_gemma":0.031122005,"teacher_disagreement_score":0.021485824,"about_ca_system_score_codex":0.008520664,"about_ca_system_score_gemma":0.01118795,"threshold_uncertainty_score":0.0885641},"labels":[{"model":"gemma","categories":[],"domain":null,"study_design":"qualitative","genre":"empirical","about_ca_system":false,"about_ca_topic":false,"confidence":"low"},{"model":"gpt","categories":[],"domain":null,"study_design":"qualitative","genre":"commentary","about_ca_system":false,"about_ca_topic":false,"confidence":"low"}],"label_agreement":"agree"},{"id":"W4296052767","doi":"10.1386/eapc_00082_5","title":"The Anime Ecology: A Genealogy of Television, Animation, and Game Media, Thomas Lamarre (2018)","year":2022,"lang":"en","type":"article","venue":"East Asian Journal of Popular Culture","topic":"Japanese History and Culture","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Anime; Animation; Media ecology; Video game; Sociology; Ecology; Media studies; Art; Multimedia; Computer science; Visual arts; Biology; Artificial intelligence","score_opus":0.01336868345664126,"score_gpt":0.2506909007775004,"score_spread":0.23732221732085912,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4296052767","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0007551845,0.9255509,0.0012464763,0.037017234,0.0029303527,0.000007827838,0.00011724094,0.00005409868,0.032320783],"genre_scores_gemma":[0.024133636,0.9102977,0.001958914,0.0072368425,0.0061106207,0.000028934037,0.00021264795,0.00010322973,0.049917456],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99944526,0.00022103963,0.000027720309,0.00009641396,0.00016569998,0.000043811597],"domain_scores_gemma":[0.9991037,0.000443049,0.000092005655,0.000043927805,0.0002088699,0.00010842415],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010099068,0.00058018905,0.00042309228,0.0023204784,0.0012432259,0.0055132653,0.0008427708,0.0014932205,0.0127342185],"category_scores_gemma":[0.0033591206,0.00043116108,0.00020414667,0.0028948986,0.0045264806,0.0073388307,0.0018106677,0.0022821645,0.003982907],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037400678,0.000020004387,0.0012069328,0.0011556164,0.000030194578,0.00010807074,0.0032324311,0.00028108218,0.00039640095,0.087586954,0.5330436,0.37290132],"study_design_scores_gemma":[0.0000019075235,0.000008091616,0.0013675761,0.00072824646,0.0000066615444,0.00017418312,0.0008883351,0.000050831437,0.00006660874,0.01060437,0.98609364,0.0000095134355],"about_ca_topic_score_codex":0.023881065,"about_ca_topic_score_gemma":0.028844947,"teacher_disagreement_score":0.023881065,"about_ca_system_score_codex":0.002835152,"about_ca_system_score_gemma":0.002279375,"threshold_uncertainty_score":0.04748416},"labels":[],"label_agreement":null},{"id":"W4323356735","doi":"10.1386/eapc_00093_5","title":"Alluring Monsters: The Pontianak and Cinemas of Decolonization, Rosalind Galt (2021)","year":2023,"lang":"en","type":"article","venue":"East Asian Journal of Popular Culture","topic":"African history and culture studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Campion College; University of Regina","funders":"","keywords":"Movie theater; Decolonization; Media studies; Art; Political science; Art history; Sociology; Law; Politics","score_opus":0.015293446714927664,"score_gpt":0.2666615409778665,"score_spread":0.2513680942629388,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4323356735","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00066948385,0.9702481,0.000050786446,0.014005376,0.0037632314,0.0000081725775,0.000035518482,0.0000147719065,0.011204556],"genre_scores_gemma":[0.027454728,0.90454113,0.00023785114,0.0067984974,0.0064922962,0.000029100986,0.00009861904,0.000038721046,0.054309014],"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9995315,0.000174263,0.000021643837,0.00004596386,0.00014407326,0.000082538405],"domain_scores_gemma":[0.9995239,0.00017004092,0.00007397248,0.000016094382,0.00010203783,0.00011405256],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008905678,0.0008082357,0.00042209824,0.0010567553,0.0013721308,0.0028351047,0.0007079557,0.0014534931,0.019944288],"category_scores_gemma":[0.0017822133,0.00031960098,0.00018559983,0.0015023457,0.0020290888,0.0032653487,0.0018143308,0.0022321884,0.0023090863],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007950199,0.000025282923,0.00030945442,0.0025391239,0.000012113377,0.00017479874,0.0037131382,0.00006874604,0.0003524599,0.008916346,0.7425796,0.2412294],"study_design_scores_gemma":[0.0000051754446,0.000018105971,0.0019668892,0.0014849338,0.0000058445753,0.00032115154,0.0015292861,0.000010270784,0.00009864067,0.0005071951,0.9940467,0.0000059139097],"about_ca_topic_score_codex":0.023902081,"about_ca_topic_score_gemma":0.049769446,"teacher_disagreement_score":0.023902081,"about_ca_system_score_codex":0.0022854896,"about_ca_system_score_gemma":0.0027505949,"threshold_uncertainty_score":0.06672025},"labels":[],"label_agreement":null},{"id":"W4323356821","doi":"10.1386/eapc_00091_1","title":"Yingling and women imagery in contemporary Taiwanese media culture: The Tag-Along film series as an example","year":2023,"lang":"en","type":"article","venue":"East Asian Journal of Popular Culture","topic":"Asian Culture and Media Studies","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"John Abbott College","funders":"","keywords":"Irrationality; Folklore; Agency (philosophy); Sociology; Gender studies; Meaning (existential); Aesthetics; History; Literature; Art; Anthropology; Social science; Epistemology; Philosophy","score_opus":0.047421402470530054,"score_gpt":0.2973336247800704,"score_spread":0.24991222230954035,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4323356821","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9373586,0.0022033956,0.00083535764,0.0035273344,0.00024965516,0.00004730721,0.00020866015,0.00003246172,0.05553721],"genre_scores_gemma":[0.9864542,0.0013929298,0.0006047762,0.00028151594,0.00015637925,0.000033915243,0.00010841953,0.000034265646,0.010933624],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99976665,0.00013004206,0.000008318124,0.000019589406,0.00003274366,0.000042656455],"domain_scores_gemma":[0.99919623,0.0005326804,0.00010040447,0.000040395393,0.00007632326,0.00005399375],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005616286,0.00049138285,0.0001433968,0.0016870165,0.003147912,0.002939806,0.00036858208,0.0007892765,0.0038508284],"category_scores_gemma":[0.0012255184,0.00015188001,0.00017840342,0.0019269042,0.003137643,0.0019244729,0.0013230596,0.0011321596,0.00023373056],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000060058275,0.000033567896,0.0042637945,0.00026661335,0.000009506588,0.0025752084,0.9625427,0.000047732632,0.0042171753,0.009172973,0.003624694,0.0131859025],"study_design_scores_gemma":[0.0000069042308,0.00006261188,0.01747312,0.00032633316,0.000022619477,0.00097582693,0.895591,0.00020175523,0.0016293154,0.00067749416,0.08301095,0.00002202151],"about_ca_topic_score_codex":0.0074359044,"about_ca_topic_score_gemma":0.02259205,"teacher_disagreement_score":0.0074359044,"about_ca_system_score_codex":0.0013466579,"about_ca_system_score_gemma":0.0005927275,"threshold_uncertainty_score":0.01478529},"labels":[],"label_agreement":null},{"id":"W4387061272","doi":"10.1386/eapc_00112_5","title":"Found in Translation: ‘New People’ in Twentieth-Century Chinese Science Fiction, Jing Jiang (2021)","year":2023,"lang":"en","type":"article","venue":"East Asian Journal of Popular Culture","topic":"Chinese history and philosophy","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Cosmopolitanism; Columbia university; History; Literature; Art history; Art; Media studies; Sociology; Political science; Politics; Law","score_opus":0.024314956394480666,"score_gpt":0.30144276132348025,"score_spread":0.2771278049289996,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387061272","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001281165,0.41090876,0.00065003295,0.10114047,0.32632235,0.00016757888,0.003905768,0.0003431963,0.15528065],"genre_scores_gemma":[0.016285593,0.25440958,0.0007916953,0.027089842,0.077901214,0.00032999433,0.005270741,0.0006049819,0.6173164],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99908876,0.00019654458,0.00009885833,0.00012862263,0.00039310663,0.00009410305],"domain_scores_gemma":[0.99712294,0.00087159785,0.00018123393,0.000097183,0.001399602,0.00032737516],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011961778,0.002053649,0.0011876565,0.0047483714,0.0020980882,0.005094825,0.00106726,0.0020197625,0.19673583],"category_scores_gemma":[0.0063523557,0.00040867378,0.0005616963,0.0061489055,0.0017574255,0.0047699544,0.0024530652,0.002121315,0.067148745],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009330544,0.000003820202,0.000050685165,0.00077920296,0.0000029758487,0.00004046716,0.0004017844,0.000014105102,0.00005823843,0.0009855288,0.97366637,0.02398742],"study_design_scores_gemma":[0.0000044085373,0.000008578419,0.00094436563,0.0006953564,0.0000033999934,0.00008345173,0.00047981399,0.000014629585,0.00003923325,0.00035576976,0.99736446,0.0000064611854],"about_ca_topic_score_codex":0.020468479,"about_ca_topic_score_gemma":0.02884722,"teacher_disagreement_score":0.19673583,"about_ca_system_score_codex":0.003696142,"about_ca_system_score_gemma":0.0047052493,"threshold_uncertainty_score":0.6581469},"labels":[],"label_agreement":null},{"id":"W4391840130","doi":"10.1386/eapc_00118_1","title":"The break-up of SMAP and the rise of entrepreneurial masculinity in 2010s Japan","year":2024,"lang":"en","type":"article","venue":"East Asian Journal of Popular Culture","topic":"Japanese History and Culture","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Masculinity; Psychology; Political science; Psychoanalysis","score_opus":0.010659063492535755,"score_gpt":0.25630674680699267,"score_spread":0.2456476833144569,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391840130","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.994142,0.00020132553,0.00005971621,0.00073432614,0.00004794655,0.0000068159006,0.00005867753,0.0000071730456,0.004741942],"genre_scores_gemma":[0.9938346,0.0003212671,0.000083446015,0.00023698785,0.00005499656,0.000014358015,0.00009403559,0.000015472127,0.0053448607],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99949896,0.00006166307,0.000026400508,0.000062886036,0.00009972688,0.00025026375],"domain_scores_gemma":[0.9988213,0.000100151854,0.00028685655,0.00006315534,0.00015934318,0.00056920416],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007381063,0.00037950935,0.00037883772,0.0011000957,0.006744763,0.0030160446,0.00038364055,0.00084404665,0.0031231882],"category_scores_gemma":[0.0013393858,0.00031273952,0.00025672308,0.0012758261,0.0027534608,0.0018610583,0.006552441,0.0017444645,0.0005517714],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00031530764,0.00011715911,0.23546363,0.00025529886,0.00004184837,0.009454675,0.70813,0.00005435357,0.007220955,0.0032951897,0.005357861,0.03029372],"study_design_scores_gemma":[0.000006084441,0.00013902441,0.54983586,0.00008162815,0.000020399722,0.00095430383,0.40575615,0.000089036825,0.00093476666,0.00031788973,0.041816127,0.00004873812],"about_ca_topic_score_codex":0.02228771,"about_ca_topic_score_gemma":0.055340573,"teacher_disagreement_score":0.02228771,"about_ca_system_score_codex":0.0016569596,"about_ca_system_score_gemma":0.0013150972,"threshold_uncertainty_score":0.044315934},"labels":[],"label_agreement":null},{"id":"W4405198088","doi":"10.1386/eapc_00136_1","title":"The Confucian knight-errant: A traditional Chinese masculine ideal in the wuxia film","year":2024,"lang":"en","type":"article","venue":"East Asian Journal of Popular Culture","topic":"Philosophy, Sociology, Political Theory","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Memorial University of Newfoundland","funders":"","keywords":"Knight; Ideal (ethics); Aesthetics; Masculinity; Art; Psychology; Philosophy; Sociology; Gender studies; Epistemology; Physics","score_opus":0.03374313126428306,"score_gpt":0.3260314603107761,"score_spread":0.29228832904649305,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405198088","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6914754,0.0020965468,0.0026376848,0.0054003764,0.00023797055,0.00006689314,0.000055597586,0.000031188727,0.2979983],"genre_scores_gemma":[0.98722225,0.00043667294,0.00034563724,0.00020743634,0.000039860148,0.00001531156,0.000016967355,0.000011269543,0.011704616],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99941945,0.00020266352,0.000022774373,0.000086703454,0.00013795681,0.00013050408],"domain_scores_gemma":[0.999782,0.000082435414,0.000031479216,0.000028235017,0.00003347831,0.000042392487],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001046979,0.0005690392,0.00021708816,0.0013163728,0.008641277,0.004369255,0.0005335896,0.00082651793,0.0021526744],"category_scores_gemma":[0.00096296275,0.0002486714,0.00017987203,0.0015410468,0.016127227,0.0024721974,0.0017453249,0.0017767061,0.00011322898],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000045603763,0.000012687064,0.0029610556,0.00011128128,0.0000070240967,0.0010678995,0.57577366,0.000091007474,0.0019773303,0.40439498,0.0020884066,0.011469023],"study_design_scores_gemma":[0.000027933056,0.00011237994,0.037347615,0.00046427472,0.00006530379,0.001448627,0.6233413,0.0016431165,0.00376776,0.036300376,0.29539305,0.000088351306],"about_ca_topic_score_codex":0.038170666,"about_ca_topic_score_gemma":0.06829427,"teacher_disagreement_score":0.038170666,"about_ca_system_score_codex":0.0070326463,"about_ca_system_score_gemma":0.0032607845,"threshold_uncertainty_score":0.07589698},"labels":[],"label_agreement":null}]}