{"meta":{"query_hash":"356d17d8b997","filters":{"venue":"Edith Wharton Review"},"cohort_total":13,"direct_labels_cover":0,"predictions_cover":13,"exported":13,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/356d17d8b997","api":"https://metacan.xera.ac/api/v1/cohort?venue=Edith+Wharton+Review"},"results":[{"id":"W2549204823","doi":"10.5325/editwharrevi.32.1-2.0040","title":"Sexual Violence and Ghostly Justice in “The Lady's Maid's Bell” and “Kerfol”","year":2016,"lang":"en","type":"article","venue":"Edith Wharton Review","topic":"American and British Literature Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Kwantlen Polytechnic University","funders":"","keywords":"Femininity; Contingency; Character (mathematics); Naturalism; Narrative; Sociology; Gender studies; Sexual violence; History; Literature; Criminology; Art; Genealogy; Psychoanalysis; Psychology; Philosophy; Epistemology","score_opus":0.014249984823875796,"score_gpt":0.23756318830406048,"score_spread":0.22331320348018469,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2549204823","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.025361096,0.9196287,0.000060009614,0.014732542,0.00087163184,0.000008240026,0.000033170683,0.0000041611847,0.03930055],"genre_scores_gemma":[0.3433214,0.6372914,0.000113308095,0.0055351453,0.0008747913,0.000028064529,0.000045415465,0.000012469223,0.012777987],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978763,0.0013505815,0.00008636458,0.00012560676,0.00036925415,0.00019193227],"domain_scores_gemma":[0.9981034,0.0012650467,0.00024823518,0.000039010054,0.00024346734,0.00010086865],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019473648,0.00025912488,0.00047530193,0.0024416917,0.0035846396,0.0041540535,0.00060306094,0.0019288035,0.0036591182],"category_scores_gemma":[0.002538491,0.0001953209,0.00015061651,0.004573888,0.007328201,0.0019703805,0.001342778,0.0013328139,0.0003149666],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001440698,0.00009896193,0.0052668727,0.0126137845,0.00012780869,0.0032866322,0.33441588,0.00019202851,0.0005422302,0.2458986,0.16823946,0.22917369],"study_design_scores_gemma":[0.000007468911,0.000040227806,0.013137502,0.013408451,0.000048765465,0.0009313374,0.14562275,0.00002262907,0.00019381299,0.00417723,0.82238746,0.000022317003],"about_ca_topic_score_codex":0.13386054,"about_ca_topic_score_gemma":0.25417596,"teacher_disagreement_score":0.13386054,"about_ca_system_score_codex":0.007694832,"about_ca_system_score_gemma":0.0068397634,"threshold_uncertainty_score":0.26616275},"labels":[],"label_agreement":null},{"id":"W4236798713","doi":"10.5325/editwharrevi.37.1.0082","title":"Roundtable Review: Guilty Pleasures","year":2021,"lang":"en","type":"article","venue":"Edith Wharton Review","topic":"Gothic Literature and Media Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Toronto","funders":"","keywords":"Scholarship; Conversation; Romance; Pleasure; Sociology; Style (visual arts); Media studies; Reading (process); Art; Literature; Psychology; Law; Political science","score_opus":0.03741436531531238,"score_gpt":0.3631181767985084,"score_spread":0.325703811483196,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4236798713","genre_codex":"editorial","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00049933296,0.22380269,0.0012766329,0.15138532,0.57073253,0.00036093057,0.00040858253,0.00077775907,0.050756272],"genre_scores_gemma":[0.010534316,0.2569436,0.0018210222,0.14632322,0.319854,0.0011396225,0.0011239548,0.0012517134,0.26100853],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9835724,0.0036140939,0.0011902945,0.0009382113,0.009735346,0.0009495621],"domain_scores_gemma":[0.9430559,0.014447603,0.003900488,0.0026193096,0.030904803,0.0050719026],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.01069625,0.0012819673,0.0020089746,0.0056058355,0.0030140479,0.013578113,0.0032903668,0.0055187265,0.05251821],"category_scores_gemma":[0.05786888,0.000826014,0.0012030419,0.004253716,0.0029127211,0.0062518143,0.0039547104,0.006160885,0.030973226],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013895082,0.000005649385,0.000026957854,0.00044905426,0.000007499187,0.000047641675,0.00008960108,0.000016419519,0.00008455048,0.0012387622,0.97944194,0.018578125],"study_design_scores_gemma":[0.000005806875,0.000012962199,0.0000845223,0.0007471572,0.000005662981,0.00007136257,0.00010386392,0.000012960147,0.000053627406,0.00053220487,0.99835926,0.000010521733],"about_ca_topic_score_codex":0.0039643217,"about_ca_topic_score_gemma":0.009830218,"teacher_disagreement_score":0.05251821,"about_ca_system_score_codex":0.007093647,"about_ca_system_score_gemma":0.009921995,"threshold_uncertainty_score":0.17569095},"labels":[],"label_agreement":null},{"id":"W4237369651","doi":"10.5325/editwharrevi.37.1.v","title":"Editor's Note","year":2021,"lang":"en","type":"article","venue":"Edith Wharton Review","topic":"American and British Literature Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Audience measurement; Art history; Novella; Art; Classics; History; Literature; Law; Political science","score_opus":0.009317271190261519,"score_gpt":0.243581890479892,"score_spread":0.2342646192896305,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4237369651","genre_codex":"editorial","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":"editorial","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00006653615,0.0030990252,0.00020812715,0.10421669,0.8812963,0.000059680744,0.00019767364,0.00020860246,0.010647323],"genre_scores_gemma":[0.0023440712,0.005440413,0.00096496963,0.229675,0.603527,0.00026261804,0.00033572514,0.0004727463,0.15697744],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9866779,0.0013011203,0.0013149356,0.0023538372,0.0070685493,0.0012836645],"domain_scores_gemma":[0.94731116,0.0072711,0.0029613748,0.003319712,0.033502944,0.0056338795],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.010365744,0.0021482725,0.0024779625,0.002861609,0.004780741,0.012160165,0.0059203226,0.013975884,0.114811905],"category_scores_gemma":[0.07639496,0.00097423315,0.0022587068,0.0020952048,0.0025589897,0.0066612693,0.0041407403,0.01472079,0.081959195],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000066019306,0.0000039632914,0.000021672326,0.000065272165,0.0000025391976,0.00003764234,0.000019427705,0.000006033186,0.000024259542,0.0003525983,0.9945057,0.0049542445],"study_design_scores_gemma":[0.0000063057396,0.0000067834962,0.00008457884,0.00015540251,0.0000042895526,0.0000646166,0.000039311926,0.000020176287,0.000048681948,0.0003203851,0.9992415,0.0000080251375],"about_ca_topic_score_codex":0.0025573361,"about_ca_topic_score_gemma":0.005591566,"teacher_disagreement_score":0.114811905,"about_ca_system_score_codex":0.0039952183,"about_ca_system_score_gemma":0.014169842,"threshold_uncertainty_score":0.38408405},"labels":[],"label_agreement":null},{"id":"W4242870779","doi":"10.5325/editwharrevi.33.2.0393","title":"Edith Wharton and Cosmopolitanism","year":2017,"lang":"en","type":"article","venue":"Edith Wharton Review","topic":"American and British Literature Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Cosmopolitanism; Scholarship; Context (archaeology); Internationalism (politics); Sociology; History; Law; Political science; Politics","score_opus":0.019048122149769108,"score_gpt":0.26193182806337817,"score_spread":0.24288370591360905,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4242870779","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.019118909,0.0706976,0.0005265658,0.16684435,0.009868973,0.000014331191,0.000036041252,0.000038683364,0.73285455],"genre_scores_gemma":[0.60781604,0.025871482,0.0007181009,0.04896918,0.009351937,0.000098373675,0.000028005257,0.00015852506,0.30698836],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99800426,0.0010591452,0.000052845113,0.00025436972,0.00036511844,0.0002642762],"domain_scores_gemma":[0.9973117,0.0014698384,0.00024014001,0.00021548134,0.000269089,0.00049381354],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018849812,0.00040409376,0.00037129092,0.0010895411,0.013899588,0.009599396,0.0009819387,0.0031402376,0.008704568],"category_scores_gemma":[0.0034615872,0.0002963332,0.00021079158,0.0009728822,0.024166519,0.0051258807,0.005046195,0.005926267,0.00087270513],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011564824,0.000033514516,0.00050802744,0.000074091244,0.0000062702597,0.00046817734,0.04205181,0.00003608712,0.000056543802,0.7235265,0.22096129,0.012266129],"study_design_scores_gemma":[0.0000042039724,0.000006719166,0.0006770516,0.00026367293,0.0000040307405,0.00023715213,0.012178808,0.000027111522,0.00005860732,0.04240061,0.9441309,0.000010974716],"about_ca_topic_score_codex":0.021512136,"about_ca_topic_score_gemma":0.048298232,"teacher_disagreement_score":0.021512136,"about_ca_system_score_codex":0.005151396,"about_ca_system_score_gemma":0.003276927,"threshold_uncertainty_score":0.042773843},"labels":[],"label_agreement":null},{"id":"W4245541570","doi":"10.5325/editwharrevi.36.2.0205","title":"The New Edith Wharton Studies","year":2020,"lang":"en","type":"article","venue":"Edith Wharton Review","topic":"American and British Literature Analysis","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Trent University","funders":"","keywords":"Scholarship; Subject (documents); Sociology; Art history; History; Library science; Law; Political science; Computer science","score_opus":0.05267716008329479,"score_gpt":0.2824776862747176,"score_spread":0.2298005261914228,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4245541570","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0034433191,0.16834174,0.0010576262,0.054295015,0.0457836,0.000039400988,0.0003742601,0.0001512966,0.72651374],"genre_scores_gemma":[0.036610004,0.050969362,0.00064864755,0.010338077,0.010530081,0.00014719777,0.00019373249,0.00034335302,0.8902195],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984987,0.00044979743,0.000073224335,0.00024549442,0.0005935005,0.0001393438],"domain_scores_gemma":[0.9981263,0.0008098666,0.00013862472,0.00032093434,0.00027161575,0.00033261068],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013312484,0.00073399243,0.0005329189,0.0019173092,0.004977322,0.011018335,0.00078499125,0.0022033919,0.04383343],"category_scores_gemma":[0.005651995,0.0004959946,0.00026662453,0.0020927228,0.005216601,0.0056137275,0.0045967493,0.0038962695,0.009514829],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014239227,0.000013504461,0.00025336826,0.00016429868,0.0000055015976,0.00014878012,0.005260103,0.000029752759,0.00011156546,0.09138721,0.84583974,0.05677193],"study_design_scores_gemma":[5.0515376e-7,0.0000018338667,0.00016470533,0.00013923318,8.323655e-7,0.000032361957,0.00049051415,0.0000042813404,0.000017161,0.0015994073,0.9975471,0.0000019765146],"about_ca_topic_score_codex":0.012106235,"about_ca_topic_score_gemma":0.032875374,"teacher_disagreement_score":0.04383343,"about_ca_system_score_codex":0.0035846226,"about_ca_system_score_gemma":0.0049231905,"threshold_uncertainty_score":0.14663744},"labels":[],"label_agreement":null},{"id":"W4252612949","doi":"10.5325/editwharrevi.32.1-2.40","title":"Sexual Violence and Ghostly Justice in “The Lady's Maid's Bell” and “Kerfol”","year":2016,"lang":"en","type":"article","venue":"Edith Wharton Review","topic":"American and British Literature Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Kwantlen Polytechnic University","funders":"","keywords":"Femininity; Contingency; Naturalism; Character (mathematics); Narrative; Sociology; Sexual violence; Psychoanalysis; Literature; Gender studies; History; Criminology; Art; Psychology; Philosophy; Epistemology","score_opus":0.014249984823875796,"score_gpt":0.23756318830406048,"score_spread":0.22331320348018469,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4252612949","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.025361096,0.9196287,0.000060009614,0.014732542,0.00087163184,0.000008240026,0.000033170683,0.0000041611847,0.03930055],"genre_scores_gemma":[0.3433214,0.6372914,0.000113308095,0.0055351453,0.0008747913,0.000028064529,0.000045415465,0.000012469223,0.012777987],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978763,0.0013505815,0.00008636458,0.00012560676,0.00036925415,0.00019193227],"domain_scores_gemma":[0.9981034,0.0012650467,0.00024823518,0.000039010054,0.00024346734,0.00010086865],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019473648,0.00025912488,0.00047530193,0.0024416917,0.0035846396,0.0041540535,0.00060306094,0.0019288035,0.0036591182],"category_scores_gemma":[0.002538491,0.0001953209,0.00015061651,0.004573888,0.007328201,0.0019703805,0.001342778,0.0013328139,0.0003149666],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001440698,0.00009896193,0.0052668727,0.0126137845,0.00012780869,0.0032866322,0.33441588,0.00019202851,0.0005422302,0.2458986,0.16823946,0.22917369],"study_design_scores_gemma":[0.000007468911,0.000040227806,0.013137502,0.013408451,0.000048765465,0.0009313374,0.14562275,0.00002262907,0.00019381299,0.00417723,0.82238746,0.000022317003],"about_ca_topic_score_codex":0.13386054,"about_ca_topic_score_gemma":0.25417596,"teacher_disagreement_score":0.13386054,"about_ca_system_score_codex":0.007694832,"about_ca_system_score_gemma":0.0068397634,"threshold_uncertainty_score":0.26616275},"labels":[],"label_agreement":null},{"id":"W4255696348","doi":"10.5325/editwharrevi.34.1.v","title":"Editor's Note","year":2018,"lang":"en","type":"article","venue":"Edith Wharton Review","topic":"American and British Literature Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Philosophy","score_opus":0.009719376255575079,"score_gpt":0.2545964363221643,"score_spread":0.24487706006658919,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4255696348","genre_codex":"editorial","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":"editorial","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00007938217,0.004184212,0.00023616674,0.10007901,0.8753143,0.00006988349,0.000465748,0.00027637824,0.01929491],"genre_scores_gemma":[0.00210453,0.0076266043,0.00075886055,0.20831077,0.53378975,0.00023575139,0.000727214,0.0005305277,0.24591598],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9943908,0.0006068159,0.00053668756,0.0011553694,0.0027270077,0.0005833722],"domain_scores_gemma":[0.97849494,0.0033235617,0.0010799733,0.001282878,0.012567052,0.003251523],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00490741,0.0016495923,0.0016584962,0.002447402,0.0029769822,0.008187495,0.0042662425,0.009483979,0.23827404],"category_scores_gemma":[0.040266074,0.00066723657,0.0018023418,0.001630104,0.001396149,0.0052058008,0.0033703235,0.0080347955,0.13949254],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005857125,0.0000036646277,0.000018481225,0.000071320785,0.0000013499437,0.000026389573,0.000012234079,0.00000525638,0.000021703787,0.0002584274,0.99366486,0.005910553],"study_design_scores_gemma":[0.000005970896,0.0000055572773,0.00008287069,0.00014957193,0.0000023580772,0.00006332628,0.000036180296,0.000014940692,0.00003412205,0.0002978985,0.9993018,0.0000054137927],"about_ca_topic_score_codex":0.0020425548,"about_ca_topic_score_gemma":0.0046932395,"teacher_disagreement_score":0.23827404,"about_ca_system_score_codex":0.0025133397,"about_ca_system_score_gemma":0.0077439058,"threshold_uncertainty_score":0.7971061},"labels":[],"label_agreement":null},{"id":"W4385454584","doi":"10.5325/editwharrevi.38.2.0167","title":"Wharton’s Living City in “Bunner Sisters”","year":2022,"lang":"en","type":"article","venue":"Edith Wharton Review","topic":"American and British Literature Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Trent University","funders":"","keywords":"Novella; Appeal; Context (archaeology); Interdependence; Ecocriticism; Sociology; Urban planning; Environmental ethics; Aesthetics; History; Social science; Art; Ecology; Literature; Law; Political science; Philosophy; Archaeology","score_opus":0.018753573584790975,"score_gpt":0.22890668234585126,"score_spread":0.2101531087610603,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385454584","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00297265,0.94824106,0.00007633767,0.016282722,0.0026793887,0.0000073083324,0.00003827244,0.0000074340414,0.02969474],"genre_scores_gemma":[0.06697817,0.8878259,0.00019724718,0.014923636,0.001785645,0.00004086474,0.00009959081,0.000034525066,0.028114457],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986028,0.00063317455,0.00008034779,0.00016601248,0.00039988238,0.000117824944],"domain_scores_gemma":[0.9987696,0.0006811752,0.00013384603,0.000038158047,0.0002693585,0.00010796285],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014876882,0.00038846344,0.0005548891,0.0029461612,0.0026339467,0.004434765,0.0005827025,0.0020633787,0.009356182],"category_scores_gemma":[0.0029911106,0.0002706871,0.00023012594,0.005338795,0.0042529167,0.0036907448,0.0022228379,0.0021553636,0.00093331246],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006732869,0.000052413194,0.0006953139,0.015044829,0.00009169486,0.001341076,0.046904586,0.00012269053,0.000526886,0.15324621,0.5085884,0.27331868],"study_design_scores_gemma":[0.0000028420088,0.000007917178,0.0009736081,0.006095718,0.000018809656,0.00018678565,0.008278191,0.000005090227,0.00006997858,0.0013586795,0.982995,0.000007297028],"about_ca_topic_score_codex":0.08413292,"about_ca_topic_score_gemma":0.14147702,"teacher_disagreement_score":0.08413292,"about_ca_system_score_codex":0.005584536,"about_ca_system_score_gemma":0.008205555,"threshold_uncertainty_score":0.1672864},"labels":[],"label_agreement":null},{"id":"W4394967697","doi":"10.5325/editwharrevi.39.2.0166","title":"Review of the Shaw Festival’s Production of Edith Wharton’s <i>The Shadow of a Doubt</i>","year":2023,"lang":"en","type":"article","venue":"Edith Wharton Review","topic":"Cultural Studies and Interdisciplinary Research","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Shadow (psychology); Art; Art history; Production (economics); Economics; Psychoanalysis; Psychology","score_opus":0.06759774332122154,"score_gpt":0.3182922527645878,"score_spread":0.25069450944336624,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4394967697","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00045538737,0.98797613,0.000031416814,0.004288767,0.0033778644,0.000011687493,0.000073637726,0.0000034867212,0.0037816453],"genre_scores_gemma":[0.008617069,0.9826247,0.00011397524,0.003605466,0.0020998472,0.00003638052,0.00012984702,0.000013874291,0.0027587865],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99673885,0.0011662768,0.00042924652,0.00023569538,0.0012259189,0.00020400595],"domain_scores_gemma":[0.9850761,0.0081970915,0.0012740513,0.00032297976,0.0044599636,0.00066980784],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0062433863,0.0005337913,0.0009638352,0.004966122,0.001253076,0.0030466267,0.0009675439,0.0011524931,0.0064184247],"category_scores_gemma":[0.018554134,0.00032468434,0.0004056111,0.004860184,0.0019488723,0.0017235095,0.0018838232,0.0015187452,0.0009773923],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012348323,0.000030221874,0.0006804772,0.08529714,0.0002905732,0.00057456346,0.0089168055,0.000086304964,0.0006283466,0.01054793,0.525705,0.36711934],"study_design_scores_gemma":[0.0000048436495,0.000025189212,0.0017291545,0.043986715,0.000082952836,0.00022233783,0.0019531378,0.0000045388756,0.00008028588,0.00026268698,0.9516344,0.000013711618],"about_ca_topic_score_codex":0.024350597,"about_ca_topic_score_gemma":0.06277253,"teacher_disagreement_score":0.024350597,"about_ca_system_score_codex":0.0035690658,"about_ca_system_score_gemma":0.012870422,"threshold_uncertainty_score":0.048417687},"labels":[],"label_agreement":null},{"id":"W4394967698","doi":"10.5325/editwharrevi.39.2.0143","title":"“I believe my play is really ‘going through’”: Edith Wharton’s <i>The Shadow of a Doubt</i> : A Play in Three Acts in Performance","year":2023,"lang":"en","type":"article","venue":"Edith Wharton Review","topic":"American and British Literature Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Shadow (psychology); Philosophy; Art history; Psychoanalysis; Art; Psychology","score_opus":0.023207249782179393,"score_gpt":0.2526170141012648,"score_spread":0.2294097643190854,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4394967698","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002477811,0.9400193,0.00010325833,0.019501152,0.002905001,0.000011466312,0.000038478218,0.000008438907,0.034935124],"genre_scores_gemma":[0.07386637,0.89676857,0.00017887444,0.009901451,0.0031276569,0.000059425307,0.00007647327,0.00004421318,0.015976978],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9954352,0.0023422425,0.00026534175,0.00032809455,0.0013103371,0.0003188927],"domain_scores_gemma":[0.9915127,0.005574682,0.0006424591,0.00019342371,0.0016627521,0.00041402833],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0037382427,0.00048660082,0.00067460956,0.0049634743,0.0041397396,0.00783262,0.0009272299,0.0020535502,0.008894431],"category_scores_gemma":[0.008953131,0.00039711164,0.00017711056,0.008094718,0.0101176575,0.005136131,0.0020522722,0.0025419453,0.0016462159],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000052951145,0.000055069668,0.0011876533,0.014050409,0.00006949717,0.0010262005,0.06997519,0.00006998557,0.00031557048,0.06856895,0.5419135,0.3027151],"study_design_scores_gemma":[0.0000033010333,0.000014895712,0.0041464497,0.015202635,0.000023867564,0.0004511298,0.027801812,0.000008915876,0.000064868866,0.0014722594,0.95079666,0.000013295681],"about_ca_topic_score_codex":0.09493337,"about_ca_topic_score_gemma":0.17976928,"teacher_disagreement_score":0.09493337,"about_ca_system_score_codex":0.007986839,"about_ca_system_score_gemma":0.012102574,"threshold_uncertainty_score":0.18876159},"labels":[],"label_agreement":null},{"id":"W4394967699","doi":"10.5325/editwharrevi.39.2.v","title":"EDITOR’S NOTE","year":2023,"lang":"en","type":"article","venue":"Edith Wharton Review","topic":"American and British Literature Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History; Computer science","score_opus":0.013657468056903982,"score_gpt":0.26209483538274253,"score_spread":0.24843736732583854,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4394967699","genre_codex":"editorial","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":"editorial","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0002768507,0.003536545,0.00078595325,0.11209885,0.7520278,0.00015650182,0.0015374516,0.0009577838,0.12862219],"genre_scores_gemma":[0.004189931,0.0035272087,0.0012991572,0.10156794,0.14681865,0.00019012103,0.001073322,0.0008169302,0.7405168],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9967242,0.00032004123,0.00027199497,0.00069293665,0.001632619,0.00035835538],"domain_scores_gemma":[0.9904974,0.0016018259,0.00040598458,0.00077933905,0.0052482747,0.0014671996],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0022727512,0.0011076033,0.0009424957,0.0015509237,0.0028641883,0.0060131843,0.0033047996,0.0066141365,0.4086435],"category_scores_gemma":[0.021296348,0.00056510465,0.001163485,0.00090595736,0.0012072306,0.003167597,0.0024216648,0.0066184327,0.22757892],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008081417,0.000005401548,0.000026999038,0.000059097372,0.0000013603996,0.00005186557,0.000018715049,0.000010024152,0.00005006306,0.0006969186,0.99019533,0.008876078],"study_design_scores_gemma":[0.0000035110877,0.0000033625247,0.00006514033,0.000056583624,0.0000011567125,0.00005425851,0.000029748655,0.000014485456,0.00004715199,0.00025392225,0.9994671,0.0000034833124],"about_ca_topic_score_codex":0.003338306,"about_ca_topic_score_gemma":0.007369553,"teacher_disagreement_score":0.4086435,"about_ca_system_score_codex":0.0017940163,"about_ca_system_score_gemma":0.0051463908,"threshold_uncertainty_score":0.84349823},"labels":[],"label_agreement":null},{"id":"W4403862423","doi":"10.5325/editwharrevi.40.1-2.0156","title":"Modernism and the Aristocracy: Monsters of English Privilege","year":2024,"lang":"en","type":"article","venue":"Edith Wharton Review","topic":"Irish and British Studies","field":"Social Sciences","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Lakehead University","funders":"","keywords":"Aristocracy (class); Privilege (computing); Modernism (music); Art; History; Literature; Political science; Law; Politics","score_opus":0.0123983098765433,"score_gpt":0.29874459835809664,"score_spread":0.28634628848155336,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4403862423","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2481047,0.014636544,0.002238857,0.04803947,0.00080837874,0.00001412874,0.00006075702,0.000048971982,0.6860482],"genre_scores_gemma":[0.97315663,0.0010338688,0.00013454376,0.0018248259,0.00031197513,0.000006044872,0.0000066267594,0.000024677534,0.023500873],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987036,0.0006703389,0.000025117924,0.00012413878,0.00019343336,0.0002833028],"domain_scores_gemma":[0.9990767,0.00051104365,0.000091929855,0.00009210053,0.00008929959,0.00013888541],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015366363,0.00026211832,0.00025538428,0.0007923613,0.0076653413,0.006403242,0.0004978117,0.00146667,0.0045662113],"category_scores_gemma":[0.0022421232,0.00016213869,0.0001133115,0.00052326574,0.034430824,0.006019104,0.002922755,0.0031042532,0.00037622143],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025312833,0.000014413906,0.0006196152,0.000027553018,0.0000030644464,0.0002482628,0.22923262,0.00002707646,0.00012877163,0.75866956,0.0065542758,0.0044495156],"study_design_scores_gemma":[0.000024139015,0.00003815035,0.003631748,0.00024077158,0.00000922201,0.00038564106,0.1433084,0.00016116168,0.00036118046,0.1522554,0.699555,0.00002920136],"about_ca_topic_score_codex":0.022807483,"about_ca_topic_score_gemma":0.04276875,"teacher_disagreement_score":0.022807483,"about_ca_system_score_codex":0.005207893,"about_ca_system_score_gemma":0.0013909903,"threshold_uncertainty_score":0.04534948},"labels":[],"label_agreement":null},{"id":"W4410955910","doi":"10.5325/editwharrevi.41.1.0049","title":"Home and <i>Unheimlich</i> : The Ghost Stories of Edith Wharton, Mary E. Wilkins Freeman, and Harriet Beecher Stowe","year":2025,"lang":"en","type":"article","venue":"Edith Wharton Review","topic":"American and British Literature Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Kwantlen Polytechnic University","funders":"","keywords":"Art; Wharton's jelly; Art history; Philosophy; Medicine; Anatomy; Umbilical cord","score_opus":0.007446456994568943,"score_gpt":0.22678019114429296,"score_spread":0.219333734149724,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410955910","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04366353,0.8133698,0.00021841531,0.056844532,0.0031529781,0.000021994756,0.00006244397,0.000013258763,0.08265303],"genre_scores_gemma":[0.34645012,0.6023371,0.00033636857,0.01492723,0.0016743469,0.000074299925,0.000053275013,0.00004165075,0.034105603],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9972038,0.001940112,0.00006590837,0.00012376974,0.0004996128,0.00016685149],"domain_scores_gemma":[0.9946891,0.003919298,0.0004728085,0.000096652504,0.0005741348,0.00024805535],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003614519,0.00026005725,0.0003905322,0.0025949627,0.004199661,0.0050936216,0.00051186205,0.0014643115,0.0032654046],"category_scores_gemma":[0.005063154,0.00020945109,0.000095408446,0.003377458,0.0061310623,0.0035267666,0.0017637023,0.0016064369,0.00040968874],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000857827,0.000045679575,0.0030221816,0.0062409025,0.00006155382,0.0024031182,0.33269262,0.00009567717,0.00063072605,0.13000491,0.37275553,0.15196136],"study_design_scores_gemma":[0.000005138036,0.00001817365,0.0044792853,0.00742099,0.000025109432,0.00055215583,0.17551492,0.000016385833,0.00025101303,0.0028558616,0.8088469,0.0000140302955],"about_ca_topic_score_codex":0.042094488,"about_ca_topic_score_gemma":0.12549746,"teacher_disagreement_score":0.042094488,"about_ca_system_score_codex":0.0039940914,"about_ca_system_score_gemma":0.0057437234,"threshold_uncertainty_score":0.08369899},"labels":[],"label_agreement":null}]}