{"meta":{"query_hash":"0fc7ee5628d9","filters":{"venue":"English Journal of the English Association"},"cohort_total":9,"direct_labels_cover":0,"predictions_cover":9,"exported":9,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/0fc7ee5628d9","api":"https://metacan.xera.ac/api/v1/cohort?venue=English+Journal+of+the+English+Association"},"results":[{"id":"W2054727187","doi":"10.1093/english/55.211.15","title":"Smoke Signals: The Sexual Semiotics of Smoking in Victorian Fiction","year":2006,"lang":"en","type":"article","venue":"English Journal of the English Association","topic":"Folklore, Mythology, and Literature Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Kellogg's (Canada)","funders":"","keywords":"Smoke; Semiotics; Art; Literature; Engineering; Philosophy; Linguistics","score_opus":0.012576673110419805,"score_gpt":0.2196758940392473,"score_spread":0.20709922092882752,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2054727187","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.93818736,0.0013217966,0.00000803819,0.0006321477,0.013425822,0.00014907059,0.00004152465,0.00002606435,0.046208177],"genre_scores_gemma":[0.98887134,0.0000277345,0.000012250317,0.00009501934,0.0100555895,0.0000020863458,0.0000051119487,0.0000141143055,0.00091673515],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981422,0.00038152267,0.00067794736,0.00010383572,0.0004769748,0.00021755898],"domain_scores_gemma":[0.996826,0.0005600144,0.0011351919,0.00014941249,0.0013114775,0.000017917622],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00215246,0.00013767775,0.00028996126,0.00012061201,0.00029906162,0.00015638655,0.00031046296,0.00011599577,0.000041941763],"category_scores_gemma":[0.002707315,0.00008340988,0.00016105411,0.00013995558,0.00009786326,0.00034729537,0.000046869027,0.00062275934,3.1690752e-7],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009072023,0.00030131964,0.19639127,0.000054848373,0.0004090373,0.0000068193813,0.6412396,0.0025992657,0.00011804438,0.06117449,0.097298,0.0003165967],"study_design_scores_gemma":[0.0017962824,0.00025241068,0.12219577,0.0002501592,0.00033110523,0.000004001381,0.07686385,0.00005931995,0.00054979214,0.0057250797,0.79164743,0.0003248005],"about_ca_topic_score_codex":0.000103296035,"about_ca_topic_score_gemma":0.0006328134,"teacher_disagreement_score":0.69434947,"about_ca_system_score_codex":0.0002744111,"about_ca_system_score_gemma":0.00004071298,"threshold_uncertainty_score":0.34013563},"labels":[],"label_agreement":null},{"id":"W2314381697","doi":"10.1093/english/52.202.86","title":"Melanie Williams., Empty Justice: One Hundred Years of Law, Literature and Philosophy. Existential, Feminist and Normative Perspectives in Literary Jurisprudence","year":2003,"lang":"en","type":"article","venue":"English Journal of the English Association","topic":"Law in Society and Culture","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Calgary","funders":"","keywords":"Jurisprudence; Existentialism; Economic Justice; Normative; Sociology; Law and literature; Publishing; Philosophy and literature; Literary criticism; Law; Philosophy; Political science; Literature; Art; Epistemology","score_opus":0.01332590531151427,"score_gpt":0.26656417578458236,"score_spread":0.2532382704730681,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2314381697","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9443725,0.012236384,0.0000037153357,0.00074450026,0.0017152609,0.0002714532,0.00005615173,0.000020310034,0.04057975],"genre_scores_gemma":[0.99548876,0.002877782,0.00032934526,0.0001254742,0.0009130353,0.0000022447516,0.000001785512,0.000008817325,0.0002527362],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.997828,0.0007687901,0.00039950674,0.00014655884,0.00064909866,0.00020804135],"domain_scores_gemma":[0.9976381,0.00040371247,0.0007904434,0.00010104559,0.0009811799,0.00008548254],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002019118,0.00010537323,0.00028871602,0.000026423317,0.00034614716,0.00021380311,0.0002314958,0.00026797393,0.000010732287],"category_scores_gemma":[0.0051419307,0.0001010377,0.000130158,0.00039871022,0.0002688089,0.00087422284,0.000040790874,0.0006289963,2.0743346e-7],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028426823,0.0001343188,0.0059937164,0.000049222563,0.00010105791,0.0000041570443,0.90313286,0.000005906397,0.0000428431,0.08937535,0.000909136,0.0002230127],"study_design_scores_gemma":[0.0060433936,0.00043653668,0.0851537,0.0029224905,0.0008988352,0.000017846323,0.5752145,0.00000868193,0.0008502873,0.2401781,0.08729007,0.000985575],"about_ca_topic_score_codex":0.000016682903,"about_ca_topic_score_gemma":0.000058005,"teacher_disagreement_score":0.32791835,"about_ca_system_score_codex":0.00028685387,"about_ca_system_score_gemma":0.00010622393,"threshold_uncertainty_score":0.6155743},"labels":[],"label_agreement":null},{"id":"W2332010114","doi":"10.1093/english/55.212.157","title":"From Dogs to Crow: Ted Hughes and a 'world lost' 1956-1970","year":2006,"lang":"en","type":"article","venue":"English Journal of the English Association","topic":"Literature, Film, and Journalism Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"AGE-WELL","keywords":"History; Library science; Art history; Art; Computer science","score_opus":0.006042960887734372,"score_gpt":0.19019623479363743,"score_spread":0.18415327390590305,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2332010114","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.93899846,0.0019797424,0.000017253258,0.0027027158,0.010285502,0.00019503436,0.00032174296,0.000057266465,0.045442276],"genre_scores_gemma":[0.95296216,0.00003476098,0.0001236021,0.00065400766,0.025150776,0.0000021185847,0.000024432638,0.000028428318,0.021019716],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977966,0.0002775806,0.0007364688,0.00018029932,0.0007084341,0.0003005985],"domain_scores_gemma":[0.9965226,0.0003845415,0.0010821531,0.00020105916,0.001685705,0.0001239489],"candidate_categories":["scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0010198351,0.00021524259,0.00042316335,0.000300377,0.00042576954,0.0011452055,0.00036339404,0.00010092911,0.00050526846],"category_scores_gemma":[0.0015353268,0.00015055224,0.00033583178,0.00024235924,0.00004865705,0.0008582194,0.00007139449,0.0005917008,0.000010144497],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009763949,0.00019611209,0.04215685,0.000018553907,0.0006479667,0.0000141507735,0.17645289,0.00020346702,0.00015285218,0.010301116,0.7691609,0.0005974735],"study_design_scores_gemma":[0.0012115926,0.00006705519,0.014516464,0.000201458,0.00050794886,0.0000024078706,0.0057795695,0.00002219171,0.00033306234,0.007642374,0.9694025,0.00031340477],"about_ca_topic_score_codex":0.00050923455,"about_ca_topic_score_gemma":0.0019280105,"teacher_disagreement_score":0.20024154,"about_ca_system_score_codex":0.00025947051,"about_ca_system_score_gemma":0.000050921604,"threshold_uncertainty_score":0.9998917},"labels":[],"label_agreement":null},{"id":"W2973464751","doi":"10.1093/english/efz041","title":"Chaucer’s Gifts: Exchange and Value in the Canterbury Tales. By Robert Epstein","year":2019,"lang":"en","type":"article","venue":"English Journal of the English Association","topic":"Medieval Literature and History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Ethos; Poetry; Opposition (politics); Literature; Capitalism; Close reading; Value (mathematics); Conversation; History; Sociology; Art; Philosophy; Law; Linguistics; Politics","score_opus":0.005956910821567604,"score_gpt":0.18137284463017206,"score_spread":0.17541593380860446,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2973464751","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.81684107,0.01354847,0.000001487882,0.0019148089,0.014510549,0.00044974862,0.000099944555,0.000026214246,0.1526077],"genre_scores_gemma":[0.97918934,0.00020026776,0.000005287904,0.0012136726,0.0039487774,0.0000049978607,0.00000994273,0.000017546952,0.015410164],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983672,0.0003877995,0.00038652355,0.00011368748,0.0005359338,0.00020886936],"domain_scores_gemma":[0.9984884,0.0003009083,0.0005829401,0.00016278953,0.00042280168,0.00004210532],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019121026,0.000133632,0.00024589364,0.00009132718,0.00016100329,0.00024268776,0.00033826556,0.00009619494,0.00020644699],"category_scores_gemma":[0.0009096187,0.000079746096,0.00012657086,0.00006455454,0.000048585054,0.00050961616,0.000037403363,0.00062545255,0.00000475378],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003943627,0.00009883823,0.0042770035,0.000054398646,0.00008178792,0.000005094042,0.5735315,0.000012097799,0.00006114849,0.011675269,0.40954834,0.00061504636],"study_design_scores_gemma":[0.0007169343,0.00008546261,0.0008848053,0.00012178042,0.00004351587,0.000002478414,0.010664591,0.000015857833,0.000027858432,0.00024271525,0.9870819,0.0001120912],"about_ca_topic_score_codex":0.00009813788,"about_ca_topic_score_gemma":0.00035939357,"teacher_disagreement_score":0.57753354,"about_ca_system_score_codex":0.00031051834,"about_ca_system_score_gemma":0.00004561913,"threshold_uncertainty_score":0.32519513},"labels":[],"label_agreement":null},{"id":"W4244663800","doi":"10.1093/english/efw038","title":"Poem","year":2016,"lang":"en","type":"article","venue":"English Journal of the English Association","topic":"Irish and British Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Archaeology; Art; Fountain; Kettle (birds); Visual arts; Art history; History; Biology; Ecology","score_opus":0.007950973036181634,"score_gpt":0.24492738483297982,"score_spread":0.23697641179679818,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4244663800","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.62909645,0.00085928245,0.00008279242,0.012219757,0.02314228,0.00022975677,0.000024988045,0.00011029688,0.33423442],"genre_scores_gemma":[0.9805603,0.00051174493,0.000061165505,0.00019612674,0.0079756975,0.0000017609241,1.7245107e-7,0.000009648712,0.010683372],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99785864,0.00047399406,0.00035143824,0.00008642322,0.00090778456,0.00032171104],"domain_scores_gemma":[0.99585205,0.0006580329,0.0010515043,0.00010177523,0.00224914,0.00008751757],"candidate_categories":["metaresearch"],"consensus_categories":[],"category_scores_codex":[0.0029271883,0.000082748884,0.00018965511,0.000054854143,0.00051057944,0.00010052515,0.00044634353,0.00012694411,0.00008771682],"category_scores_gemma":[0.04449392,0.000048825354,0.00022891605,0.00027035814,0.000083400686,0.0006163711,0.000054364828,0.00021506923,0.000009496768],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013002426,0.000045475794,0.099477984,0.000002119883,0.00009676038,0.000003129398,0.025063891,0.0000018011397,0.000051422365,0.000648207,0.8669884,0.007607799],"study_design_scores_gemma":[0.0009770979,0.00004337891,0.047903787,0.0001340523,0.00006554823,0.0000010978908,0.009643442,1.5997841e-7,0.00044537,0.0013198981,0.93931687,0.0001492717],"about_ca_topic_score_codex":0.00003352799,"about_ca_topic_score_gemma":0.00008017372,"teacher_disagreement_score":0.35146388,"about_ca_system_score_codex":0.000802938,"about_ca_system_score_gemma":0.00018593244,"threshold_uncertainty_score":0.96355474},"labels":[],"label_agreement":null},{"id":"W4318947895","doi":"10.1093/english/efad002","title":"Challenging sympathy in Mary Shelley’s fiction: <i>Frankenstein</i>, <i>Mathilda</i>, and ‘The Mourner’","year":2022,"lang":"en","type":"article","venue":"English Journal of the English Association","topic":"Psychology of Social Influence","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Manitoba","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Sympathy; Romance; Philosophy; Literature; Affect (linguistics); Aesthetics; Sociology; Psychoanalysis; Psychology; Social psychology; Art; Linguistics","score_opus":0.006410164824946732,"score_gpt":0.23202921300097998,"score_spread":0.22561904817603323,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4318947895","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.873128,0.0059289313,0.000013154972,0.02620458,0.01658011,0.000645444,0.000020063626,0.00008937419,0.077390336],"genre_scores_gemma":[0.9942765,0.0011083893,0.000031911175,0.0010920984,0.0025167358,0.000022535052,8.0392005e-7,0.000017626604,0.000933392],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9950488,0.0025161367,0.0006328619,0.00018393905,0.0012048974,0.00041335291],"domain_scores_gemma":[0.9967676,0.001220759,0.0011594881,0.00018749584,0.0005770807,0.00008762163],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.011530523,0.00014331217,0.00034313195,0.00014353606,0.0018867177,0.00013355332,0.00080143526,0.00016397305,0.00008586937],"category_scores_gemma":[0.007403354,0.00011496591,0.00023056245,0.00071127,0.000293252,0.00060649257,0.00019299632,0.0015529164,0.0000012667128],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00034521526,0.00030285693,0.08054291,0.000016040098,0.00028122563,0.000033831388,0.7760056,0.0057074632,0.000044068664,0.021977168,0.112017296,0.0027263018],"study_design_scores_gemma":[0.009726016,0.00015364085,0.05620319,0.00016529151,0.00021491958,0.00003056271,0.33621252,0.00016358895,0.000032885262,0.012242188,0.58425224,0.00060296425],"about_ca_topic_score_codex":0.00017577223,"about_ca_topic_score_gemma":0.00010218159,"teacher_disagreement_score":0.47223493,"about_ca_system_score_codex":0.0010359421,"about_ca_system_score_gemma":0.0001939909,"threshold_uncertainty_score":0.9994127},"labels":[],"label_agreement":null},{"id":"W4385848281","doi":"10.1093/english/efad017","title":"<i>Literary Rebels: A History of Creative Writers in Anglo-American Universities</i>. By Lise Jaillant","year":2023,"lang":"en","type":"article","venue":"English Journal of the English Association","topic":"Higher Education Practises and Engagement","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Ottawa","funders":"","keywords":"History of literature; Creative writing; History; Media studies; Art; Classics; Art history; Sociology; Literature","score_opus":0.014452969186194646,"score_gpt":0.26921441796902434,"score_spread":0.2547614487828297,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385848281","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9161104,0.0007189422,0.000003156613,0.0027873046,0.005448086,0.00017103816,0.000047401318,0.000048684502,0.07466497],"genre_scores_gemma":[0.98051995,0.0008198494,0.000052294316,0.00020691668,0.00076388963,0.0000031644208,0.000009758116,0.0000128989395,0.017611273],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99735415,0.0011363437,0.00042939273,0.00010877598,0.0007225341,0.00024880326],"domain_scores_gemma":[0.9970728,0.00068226235,0.0012487189,0.00011919169,0.00079020613,0.00008679707],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0032102945,0.00009200769,0.00024423626,0.00022120604,0.00013848275,0.000038995124,0.0003559748,0.00007678507,0.00011411611],"category_scores_gemma":[0.0026754737,0.00008356515,0.00014789646,0.0008793229,0.000112004054,0.0006005698,0.000046095425,0.00040068882,0.0000026410676],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034546272,0.00011076824,0.019412795,0.000008611878,0.00008571772,0.000005156384,0.4924736,0.000098792654,0.000041725976,0.0007970318,0.48595166,0.000979587],"study_design_scores_gemma":[0.00046729523,0.00005134718,0.010460997,0.000086718836,0.000029308632,1.5927503e-7,0.24319388,0.0000076000247,0.00003033425,0.00020081131,0.7453714,0.00010017923],"about_ca_topic_score_codex":0.00094005157,"about_ca_topic_score_gemma":0.00014640694,"teacher_disagreement_score":0.2594197,"about_ca_system_score_codex":0.0044114054,"about_ca_system_score_gemma":0.000727877,"threshold_uncertainty_score":0.9994105},"labels":[],"label_agreement":null},{"id":"W4392791306","doi":"10.1093/english/efae003","title":"The politics of death in Nnedi Okorafor’s Africanfuturist Novels","year":2023,"lang":"en","type":"article","venue":"English Journal of the English Association","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Winnipeg","funders":"","keywords":"Politics; Art; Political science; Literature; History; Law","score_opus":0.018107580193871372,"score_gpt":0.22574768848096555,"score_spread":0.20764010828709417,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392791306","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9487222,0.00006241482,0.000005813848,0.00081749854,0.008864442,0.00015766741,0.000057465004,0.00003832547,0.04127416],"genre_scores_gemma":[0.8972877,0.00010607398,0.000010961444,0.00004928474,0.0052538514,0.0000034862712,0.0000056651666,0.00001792763,0.09726501],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981378,0.0002387866,0.00064141466,0.00009033699,0.00059611513,0.00029559547],"domain_scores_gemma":[0.99692327,0.0005896122,0.0009782991,0.00016606442,0.0012986064,0.000044178356],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017110724,0.00012085153,0.00024419825,0.00015502049,0.0004548364,0.0001567059,0.0003517475,0.00008374096,0.00004466111],"category_scores_gemma":[0.0036731348,0.000075988835,0.00022970256,0.00022140841,0.00007394633,0.0003440648,0.00004936731,0.0004178778,0.0000043181117],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001772766,0.00006493449,0.023900375,0.000013464153,0.00010820866,0.0000026472426,0.108595945,0.00025026026,0.000017761717,0.8557208,0.011087694,0.00022017754],"study_design_scores_gemma":[0.0008179761,0.000085947126,0.07010296,0.00009089295,0.00006063006,8.255154e-7,0.008554801,0.00011199779,0.00021694886,0.0073272316,0.91249466,0.00013515023],"about_ca_topic_score_codex":0.000066887966,"about_ca_topic_score_gemma":0.00047989137,"teacher_disagreement_score":0.90140694,"about_ca_system_score_codex":0.00048925757,"about_ca_system_score_gemma":0.000094642994,"threshold_uncertainty_score":0.43973508},"labels":[],"label_agreement":null},{"id":"W64864539","doi":"10.1093/english/52.203.186","title":"David Punter, Postcolonial Imaginings: Fictions of a New World Order; Roger Clark, Stranger Gods: Salman Rushdie's Other Worlds","year":2003,"lang":"en","type":"article","venue":"English Journal of the English Association","topic":"Postcolonial and Cultural Literary Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Queen (butterfly); Order (exchange); Art history; History; Media studies; Art; Sociology","score_opus":0.012953786315963103,"score_gpt":0.2187931656641624,"score_spread":0.2058393793481993,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W64864539","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.713743,0.0035891046,0.000016357515,0.006144758,0.023477288,0.0006818509,0.00034890603,0.000149108,0.25184965],"genre_scores_gemma":[0.90182585,0.00005258097,0.00019458032,0.000740035,0.0058449963,0.000007645482,0.0000075222665,0.000039129412,0.09128765],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978351,0.00029378833,0.00077981956,0.00016486149,0.0005729688,0.0003534901],"domain_scores_gemma":[0.99652094,0.00022789891,0.0012044292,0.00017643848,0.0017707905,0.00009951847],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00076972257,0.00024632682,0.000448544,0.00015669195,0.0004140255,0.00026143895,0.0003541418,0.000087443725,0.0009860379],"category_scores_gemma":[0.0019895094,0.00016750867,0.0004040639,0.00027664538,0.00009580007,0.0009865782,0.00004726767,0.0005989423,0.000007123539],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002063608,0.0004961484,0.030083483,0.00003970373,0.0013421682,0.0000068483655,0.49547288,0.000106477426,0.00013709714,0.042965285,0.42821673,0.00092682143],"study_design_scores_gemma":[0.0012385492,0.00012187824,0.0032391301,0.00015827165,0.00024054128,0.0000028082518,0.006847399,0.0000026003797,0.0002831696,0.0017765737,0.98587084,0.00021822713],"about_ca_topic_score_codex":0.0001009917,"about_ca_topic_score_gemma":0.0016527255,"teacher_disagreement_score":0.55765414,"about_ca_system_score_codex":0.0002690841,"about_ca_system_score_gemma":0.00013990082,"threshold_uncertainty_score":0.9999272},"labels":[],"label_agreement":null}]}