{"meta":{"query_hash":"c343e143d9df","filters":{"venue":"English Literary Renaissance"},"cohort_total":16,"direct_labels_cover":0,"predictions_cover":16,"exported":16,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/c343e143d9df","api":"https://metacan.xera.ac/api/v1/cohort?venue=English+Literary+Renaissance"},"results":[{"id":"W1487575999","doi":"10.1111/j.1475-6757.2010.01072.x","title":"“This Base Stallion Trade”: He‐whores and Male Sexuality on the Early Modern Stage","year":2010,"lang":"en","type":"article","venue":"English Literary Renaissance","topic":"Historical Studies on Reproduction, Gender, Health, and Societal Changes","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Human sexuality; Masculinity; Gender studies; Servant; Sociology; Scholarship; Performative utterance; Aesthetics; Law; Art; Political science","score_opus":0.047825762318433496,"score_gpt":0.2472837219377831,"score_spread":0.19945795961934962,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1487575999","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.36261877,0.01945455,0.0009651634,0.013632899,0.00025941397,0.000011485079,0.000027529473,0.000016971062,0.6030133],"genre_scores_gemma":[0.96616036,0.0023449375,0.00010878256,0.0006564941,0.00018044602,0.0000032488183,0.000006520129,0.000009489546,0.030529756],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9995098,0.00025885185,0.0000059815266,0.00003742767,0.000068981586,0.000119011165],"domain_scores_gemma":[0.9997652,0.00010183884,0.00004167621,0.000020985133,0.000028812596,0.00004144881],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00072718057,0.0001551496,0.000111996975,0.0007299546,0.0035594162,0.0036408645,0.0003271224,0.000967221,0.005382711],"category_scores_gemma":[0.0007490702,0.00011285945,0.000071423034,0.0004508336,0.014620485,0.002185441,0.0014202374,0.0015602695,0.00036248827],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021927459,0.000023362682,0.0019792456,0.000025565872,0.0000025854397,0.00024636867,0.15076146,0.000041875657,0.00025697297,0.822536,0.0033964782,0.020708127],"study_design_scores_gemma":[0.000009815506,0.00013784142,0.01817652,0.0004495337,0.000007941315,0.00092247914,0.11310096,0.00021271622,0.00072364864,0.08364351,0.78258413,0.00003093],"about_ca_topic_score_codex":0.006472906,"about_ca_topic_score_gemma":0.01377775,"teacher_disagreement_score":0.006472906,"about_ca_system_score_codex":0.00230242,"about_ca_system_score_gemma":0.00067579746,"threshold_uncertainty_score":0.01800698},"labels":[],"label_agreement":null},{"id":"W1516101411","doi":"10.1111/1475-6757.12030","title":"Recent Studies of Mary Wroth","year":2014,"lang":"en","type":"article","venue":"English Literary Renaissance","topic":"Medieval Literature and History","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"The Renaissance; Renaissance literature; Renaissance studies; Download; Classics; Literature; Art; History; Art history; Computer science; World Wide Web","score_opus":0.036163382628664094,"score_gpt":0.24254038787433518,"score_spread":0.2063770052456711,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1516101411","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1319125,0.06046182,0.00043434682,0.08976341,0.0021203207,0.000019872357,0.0000938561,0.00002178191,0.71517205],"genre_scores_gemma":[0.7390025,0.029187659,0.00017004876,0.011089409,0.0016675154,0.000031181586,0.000074095646,0.000097601354,0.21868013],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991654,0.00036522053,0.000024703375,0.00012575966,0.00017733518,0.00014166452],"domain_scores_gemma":[0.9970114,0.001976274,0.00028186126,0.00012231468,0.0002990439,0.00030903603],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014840843,0.000271128,0.00034247508,0.0020280597,0.010108421,0.006147798,0.0006554804,0.001599542,0.014942383],"category_scores_gemma":[0.0048001236,0.00020040193,0.00009600642,0.002998909,0.009013262,0.0049808845,0.0036455833,0.0033045043,0.0011555963],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005937187,0.000047669393,0.002544315,0.00048626438,0.000013812149,0.0007504416,0.4982122,0.000041158495,0.00037300077,0.38091823,0.0715079,0.045045655],"study_design_scores_gemma":[0.0000029341072,0.000008491733,0.0043126675,0.000351844,0.000005061895,0.00016297457,0.114135504,0.00001841646,0.00016298653,0.0059528886,0.8748779,0.000008378237],"about_ca_topic_score_codex":0.02105823,"about_ca_topic_score_gemma":0.07467348,"teacher_disagreement_score":0.02105823,"about_ca_system_score_codex":0.0029137225,"about_ca_system_score_gemma":0.0018354729,"threshold_uncertainty_score":0.049987257},"labels":[],"label_agreement":null},{"id":"W1973000345","doi":"10.1111/j.1475-6757.2000.tb01171.x","title":"The City and Its Double: Plague Time in Early Modern London","year":2000,"lang":"en","type":"article","venue":"English Literary Renaissance","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":14,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Plague (disease); The Renaissance; Classics; Art; History; Literature; Art history; Ancient history","score_opus":0.017501735792031976,"score_gpt":0.20661580613282107,"score_spread":0.1891140703407891,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1973000345","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5929016,0.014589503,0.0008470451,0.031521752,0.0004744745,0.00004057486,0.00029657022,0.00006631916,0.35926223],"genre_scores_gemma":[0.9254164,0.0011916097,0.00009134867,0.0007010812,0.00006882292,0.000015895788,0.00003208261,0.00007579306,0.072406895],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983525,0.00065860787,0.00008252017,0.0001912249,0.00020701023,0.0005082551],"domain_scores_gemma":[0.99794775,0.0007321682,0.00034041275,0.00024790125,0.00025319553,0.00047871203],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015477409,0.00024765375,0.00044374142,0.0018499311,0.012695514,0.01261868,0.000742163,0.0028639883,0.017544717],"category_scores_gemma":[0.004294518,0.0004397222,0.00023001056,0.0027825017,0.019007044,0.010480765,0.0078028133,0.004224232,0.0011297727],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000062493076,0.000011053683,0.001835554,0.000062340754,0.0000058770256,0.00045019956,0.6536073,0.000044550463,0.00020472078,0.33147776,0.00616809,0.006070094],"study_design_scores_gemma":[0.000013476191,0.000029134957,0.0075541334,0.00018832725,0.000009936285,0.0002787584,0.47647166,0.00006275471,0.00033177715,0.019574013,0.49544886,0.00003717895],"about_ca_topic_score_codex":0.12808669,"about_ca_topic_score_gemma":0.24424505,"teacher_disagreement_score":0.12808669,"about_ca_system_score_codex":0.018125184,"about_ca_system_score_gemma":0.0054449253,"threshold_uncertainty_score":0.2546823},"labels":[],"label_agreement":null},{"id":"W2052820945","doi":"10.1111/j.1475-6757.2000.tb01164.x","title":"Marlowe's Doric Music: Lust and Aggression in <i>Hero and Leander</i>","year":2000,"lang":"en","type":"article","venue":"English Literary Renaissance","topic":"Medieval Literature and History","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Lust; HERO; The Renaissance; Art; Aggression; Literature; Classics; Art history; Psychology; Social psychology","score_opus":0.012203578567207664,"score_gpt":0.18707557505575614,"score_spread":0.17487199648854848,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2052820945","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18917148,0.016801259,0.0011450325,0.0488765,0.0023459857,0.00003814344,0.00006720275,0.00007100361,0.7414835],"genre_scores_gemma":[0.9045563,0.002210178,0.00018878674,0.004134428,0.00071275845,0.000019968253,0.0000138686155,0.000081712504,0.08808209],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99886775,0.00062717806,0.000025684863,0.00011036145,0.00013597429,0.00023301503],"domain_scores_gemma":[0.9990245,0.0004727841,0.00012237407,0.000056454508,0.00010623793,0.00021761573],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014865806,0.00061841804,0.0004582688,0.0011310137,0.018319774,0.0083948225,0.0008942999,0.0030181848,0.0050628847],"category_scores_gemma":[0.0025659706,0.00027825052,0.00013366794,0.000794004,0.029689334,0.0039624884,0.003610472,0.007117795,0.0006604242],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003831524,0.000022334254,0.0004616333,0.00006127484,0.000005666604,0.0005025303,0.5407296,0.000025974043,0.00027136726,0.43585813,0.017189503,0.0048336536],"study_design_scores_gemma":[0.000022657536,0.00006306366,0.0027081005,0.00026389258,0.000014000647,0.001076016,0.3830621,0.00008414884,0.0005597762,0.023947721,0.58816683,0.000031684885],"about_ca_topic_score_codex":0.016049383,"about_ca_topic_score_gemma":0.048055742,"teacher_disagreement_score":0.018319774,"about_ca_system_score_codex":0.0042625493,"about_ca_system_score_gemma":0.0018520708,"threshold_uncertainty_score":0.03191191},"labels":[],"label_agreement":null},{"id":"W2105592743","doi":"10.1111/1475-6757.12032","title":"<i>Conflict of Conscience</i>and Sixteenth‐Century Religious Drama","year":2014,"lang":"en","type":"article","venue":"English Literary Renaissance","topic":"Medieval Literature and History","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"National Endowment for the Humanities","keywords":"Drama; Art; Literature; Psychology; History","score_opus":0.01269307190943015,"score_gpt":0.20426058935341465,"score_spread":0.1915675174439845,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2105592743","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3464331,0.008414925,0.000616486,0.01879662,0.0007079093,0.000024143159,0.000048060032,0.000026211725,0.6249326],"genre_scores_gemma":[0.9793074,0.00043633964,0.0000539699,0.00071774307,0.0001718251,0.00000789883,0.000008813546,0.000013137607,0.019282866],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998765,0.00066617253,0.000044154414,0.00010910162,0.00010722286,0.00030836495],"domain_scores_gemma":[0.9986381,0.0007329647,0.00020823487,0.000103673294,0.00012524496,0.00019175484],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019965027,0.0003001158,0.0002565885,0.001140349,0.01125785,0.008090814,0.0008811002,0.0021856232,0.0055079837],"category_scores_gemma":[0.003400157,0.0001843569,0.00015226369,0.0010458023,0.036591295,0.0034203464,0.0041759475,0.004616066,0.00038418968],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000039680173,0.000026507643,0.00083265756,0.000043807748,0.0000059363147,0.00035841268,0.24621789,0.000036701385,0.00020395796,0.7454822,0.0034822817,0.0032699893],"study_design_scores_gemma":[0.00005438365,0.00006840743,0.012755875,0.00041276685,0.00001702039,0.00089545955,0.27647817,0.0001885901,0.00095053425,0.12048757,0.5876352,0.00005601107],"about_ca_topic_score_codex":0.009315635,"about_ca_topic_score_gemma":0.017662747,"teacher_disagreement_score":0.01125785,"about_ca_system_score_codex":0.004159636,"about_ca_system_score_gemma":0.0016060491,"threshold_uncertainty_score":0.030180335},"labels":[],"label_agreement":null},{"id":"W2125508979","doi":"10.1111/j.1475-6757.2011.01086.x","title":"The Civil Mutinies of<i>Romeo and Juliet</i>","year":2011,"lang":"en","type":"article","venue":"English Literary Renaissance","topic":"Law in Society and Culture","field":"Social Sciences","cited_by":4,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Manitoba","funders":"","keywords":"The Renaissance; Renaissance literature; Download; Art; Classics; Art history; Computer science; World Wide Web","score_opus":0.01986207681379807,"score_gpt":0.2409723838535123,"score_spread":0.22111030703971424,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2125508979","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04039699,0.018978447,0.0009525954,0.11211701,0.0035209095,0.00003251409,0.000100499,0.000081097576,0.82382],"genre_scores_gemma":[0.7914637,0.002570587,0.00043610483,0.011727616,0.0028968041,0.000050698603,0.00003656831,0.00024125629,0.19057661],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9972038,0.0013507723,0.00007353325,0.000329878,0.00036110554,0.0006808177],"domain_scores_gemma":[0.9980288,0.0010227403,0.00026557202,0.00023181105,0.00020957447,0.00024137499],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0029207212,0.00057240226,0.0005055761,0.0016640145,0.01185959,0.011162709,0.00095395616,0.0042788424,0.00688191],"category_scores_gemma":[0.0050990395,0.0004335999,0.0002822926,0.001338998,0.039064094,0.0048678494,0.0037706585,0.009421655,0.00096105586],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016502456,0.000008308424,0.00009776603,0.000030261961,0.000002651144,0.00010961187,0.034508366,0.000015802687,0.00008267029,0.94525427,0.01802746,0.0018462286],"study_design_scores_gemma":[0.000018948973,0.000015605205,0.0013754411,0.0001586457,0.0000069843527,0.00017847531,0.01651578,0.000060836253,0.0004001319,0.053279623,0.9279635,0.000025971756],"about_ca_topic_score_codex":0.025761865,"about_ca_topic_score_gemma":0.054956492,"teacher_disagreement_score":0.025761865,"about_ca_system_score_codex":0.010144791,"about_ca_system_score_gemma":0.003075146,"threshold_uncertainty_score":0.073605895},"labels":[],"label_agreement":null},{"id":"W2588757074","doi":"10.1111/1475-6757.12071","title":"Recent Studies in Elizabeth Cary (1994‐2014, with additional items from 2015)","year":2016,"lang":"en","type":"article","venue":"English Literary Renaissance","topic":"Literature: history, themes, analysis","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Dalhousie University","funders":"","keywords":"Psychology","score_opus":0.03167012380936706,"score_gpt":0.24125753260219013,"score_spread":0.20958740879282306,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2588757074","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.34827495,0.06435421,0.0010838715,0.08001424,0.0049218284,0.00010921844,0.0010596808,0.000040489635,0.50014156],"genre_scores_gemma":[0.7191205,0.03495167,0.0007185768,0.012771377,0.0011528321,0.00019601407,0.00043267483,0.00008784938,0.23056859],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99917704,0.00027283106,0.000037924186,0.00014597649,0.00020112774,0.00016508743],"domain_scores_gemma":[0.99515474,0.0030739729,0.00048406367,0.00018345477,0.000620737,0.00048318526],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013003295,0.000303719,0.00024646256,0.0017362186,0.009748442,0.0035044926,0.00070631906,0.0015493878,0.009263557],"category_scores_gemma":[0.006565481,0.00026629653,0.00015800564,0.0033940983,0.004118663,0.0027672958,0.0023340797,0.0023679999,0.0011889429],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014456682,0.00012148648,0.012522054,0.0012183659,0.000021897044,0.004350617,0.5206347,0.00010446076,0.0019638045,0.07677357,0.3181702,0.06397431],"study_design_scores_gemma":[0.00000378329,0.00002573226,0.02629488,0.00078483345,0.000008728641,0.0007964097,0.13782462,0.000017931063,0.000524188,0.0009992669,0.8326916,0.000027985885],"about_ca_topic_score_codex":0.05225476,"about_ca_topic_score_gemma":0.19367443,"teacher_disagreement_score":0.05225476,"about_ca_system_score_codex":0.006026306,"about_ca_system_score_gemma":0.0034881597,"threshold_uncertainty_score":0.10390121},"labels":[],"label_agreement":null},{"id":"W2730828307","doi":"10.1086/692043","title":"Robert Southwell: Sacrament and Self","year":2017,"lang":"en","type":"article","venue":"English Literary Renaissance","topic":"Medieval Literature and History","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Poetry; Subjectivity; Literature; Narrative; Analogy; Philosophy; Art; History; Epistemology","score_opus":0.013256365868725108,"score_gpt":0.2128801358197093,"score_spread":0.1996237699509842,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2730828307","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.018132875,0.1362165,0.00084127556,0.13755168,0.0023295016,0.000014168426,0.00005001074,0.000065309774,0.7047987],"genre_scores_gemma":[0.5878532,0.03768174,0.00063549494,0.010977302,0.001075213,0.000041703475,0.000040708328,0.00008752014,0.36160716],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996075,0.00019189394,0.000009829069,0.00005035918,0.000083962754,0.000056499415],"domain_scores_gemma":[0.9997192,0.000110948764,0.000032976008,0.00002614876,0.000053234715,0.000057364156],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005001449,0.00031696196,0.00017886912,0.00043615495,0.004494935,0.0039002337,0.0003897517,0.0012887145,0.007544295],"category_scores_gemma":[0.0012298556,0.00013492482,0.00008715241,0.0005403903,0.009120836,0.0037774495,0.0015444483,0.00223936,0.0012193118],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000165508,0.000011085273,0.0002465158,0.000069330745,0.0000021431044,0.00023748104,0.031452667,0.000033190063,0.00022674586,0.74237335,0.19808348,0.027247507],"study_design_scores_gemma":[0.0000025640602,0.000006833817,0.00059351325,0.00013675106,0.0000014175273,0.00021233426,0.010961703,0.000025745292,0.000114597206,0.034491666,0.9534481,0.0000047684257],"about_ca_topic_score_codex":0.016051032,"about_ca_topic_score_gemma":0.030852241,"teacher_disagreement_score":0.016051032,"about_ca_system_score_codex":0.0024903505,"about_ca_system_score_gemma":0.0015412179,"threshold_uncertainty_score":0.031915188},"labels":[],"label_agreement":null},{"id":"W2805006732","doi":"10.1086/697579","title":"The Converted Robber, or Stonehenge, a Pastoral","year":2018,"lang":"en","type":"article","venue":"English Literary Renaissance","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":14,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Invocation; Drama; Elite; Comics; Spectacle; Entertainment; Perspective (graphical); Politics; Literature; History; Art; Sociology; Visual arts; Law; Anthropology","score_opus":0.03133003378671722,"score_gpt":0.23890061737291274,"score_spread":0.2075705835861955,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2805006732","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10242436,0.0063729617,0.0009909982,0.015540364,0.0017571651,0.000048903745,0.00016091004,0.0000804016,0.8726239],"genre_scores_gemma":[0.5670499,0.002099802,0.000424203,0.0014095791,0.00029861985,0.00002558342,0.00008374013,0.00009897836,0.42850956],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996166,0.00018171959,0.000007834739,0.000038644495,0.0000801414,0.000074893585],"domain_scores_gemma":[0.99975973,0.000072573515,0.000023256047,0.00003101757,0.000039337378,0.00007406985],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003816936,0.00031749153,0.00015816513,0.0005363794,0.007032736,0.0048690643,0.0003884157,0.0006351979,0.014386034],"category_scores_gemma":[0.0013247309,0.00014270905,0.000094236246,0.0005734368,0.0059499014,0.00136464,0.001212809,0.0014904275,0.001205948],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013490375,0.000064149106,0.0012942074,0.00018277517,0.0000123421205,0.0016717499,0.19672392,0.00011262363,0.0014312114,0.3501001,0.39782274,0.050449193],"study_design_scores_gemma":[0.000005744492,0.000018184644,0.0017745476,0.00010701795,0.0000029479106,0.00028586958,0.057264335,0.000041683503,0.00041759678,0.0021881436,0.9378853,0.000008702418],"about_ca_topic_score_codex":0.036286052,"about_ca_topic_score_gemma":0.124629244,"teacher_disagreement_score":0.036286052,"about_ca_system_score_codex":0.0028437574,"about_ca_system_score_gemma":0.001585814,"threshold_uncertainty_score":0.072149694},"labels":[],"label_agreement":null},{"id":"W2968588270","doi":"10.1086/704510","title":"Fixing Affections: Nicholas and John Ferrar and the Books of Little Gidding","year":2019,"lang":"en","type":"article","venue":"English Literary Renaissance","topic":"Historical Studies of British Isles","field":"Arts and Humanities","cited_by":19,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Biography; Harmony (Music); Narrative; Relation (database); Compendium; Literature; Materiality (auditing); History; Aesthetics; Art; Sociology; Archaeology","score_opus":0.00929933547336758,"score_gpt":0.18401523349666515,"score_spread":0.17471589802329757,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2968588270","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19328596,0.0884153,0.0004571815,0.0805808,0.0025224052,0.000048419995,0.00010247971,0.00010270954,0.63448477],"genre_scores_gemma":[0.71361524,0.014304629,0.00046488436,0.006987312,0.0006092954,0.000045825418,0.00003832755,0.00013143377,0.26380312],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988398,0.0005887466,0.00002259515,0.00008804075,0.0002931324,0.00016763779],"domain_scores_gemma":[0.9985397,0.0008113146,0.00012691489,0.000071857794,0.00022381084,0.00022646137],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012166284,0.00036001366,0.0003051557,0.0014558905,0.019699905,0.0070662606,0.00087596005,0.0015018178,0.005099799],"category_scores_gemma":[0.003100401,0.0002576699,0.00008650336,0.0017994718,0.023908133,0.003428747,0.0023484945,0.0028113641,0.0006632768],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004934246,0.000027844084,0.0011339457,0.0001497755,0.0000083121,0.001431531,0.7188262,0.00005714891,0.00031208424,0.120672315,0.1376162,0.019715313],"study_design_scores_gemma":[0.000005504458,0.000012416086,0.0026048215,0.00032822357,0.000006169994,0.0005255041,0.20758232,0.00002317742,0.00018641748,0.0043288423,0.7843738,0.000022645912],"about_ca_topic_score_codex":0.29413208,"about_ca_topic_score_gemma":0.55282557,"teacher_disagreement_score":0.29413208,"about_ca_system_score_codex":0.015712608,"about_ca_system_score_gemma":0.003669497,"threshold_uncertainty_score":0.58484006},"labels":[],"label_agreement":null},{"id":"W3195883217","doi":"10.1086/715422","title":"The Physics of Poetic Form in Arthur Golding’s Translation of Ovid’s <i>Metamorphoses</i>","year":2021,"lang":"en","type":"article","venue":"English Literary Renaissance","topic":"Religious Studies and Spiritual Practices","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Poetics; Poetry; Literature; Modernity; Philosophy; Natural (archaeology); Variety (cybernetics); Object (grammar); Natural philosophy; Art; Linguistics; Epistemology; History; Computer science; Artificial intelligence","score_opus":0.03135186062337106,"score_gpt":0.23986624847176544,"score_spread":0.20851438784839438,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3195883217","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03601782,0.04238835,0.013618009,0.17809653,0.010079976,0.000046163026,0.00016587076,0.00014197546,0.7194453],"genre_scores_gemma":[0.7986019,0.009721922,0.0059328172,0.03506307,0.004289754,0.00010172316,0.000095612486,0.0003579648,0.14583533],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9987961,0.0006275088,0.00004327701,0.00013955862,0.00030667943,0.000086875094],"domain_scores_gemma":[0.99928194,0.0004491734,0.00004260744,0.000065239736,0.00011899164,0.00004206353],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010411548,0.00045106636,0.0002731742,0.0008869755,0.0034270952,0.0038186526,0.00037390896,0.0014855475,0.002224516],"category_scores_gemma":[0.0032344318,0.0002043913,0.00019127877,0.00049888075,0.013470145,0.0038334033,0.0017023828,0.0041526887,0.00068205484],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012674806,0.0000052085707,0.00010461045,0.000032038846,0.0000012760049,0.000069050046,0.011895053,0.00005207009,0.00013054501,0.95708567,0.0252013,0.005410543],"study_design_scores_gemma":[0.000010279601,0.000015078151,0.000534561,0.00023317744,0.0000028891216,0.00022808458,0.00481722,0.00019577304,0.00032171584,0.23356651,0.7600584,0.000016264994],"about_ca_topic_score_codex":0.008631022,"about_ca_topic_score_gemma":0.010119109,"teacher_disagreement_score":0.008631022,"about_ca_system_score_codex":0.0034113633,"about_ca_system_score_gemma":0.0013351985,"threshold_uncertainty_score":0.024751306},"labels":[],"label_agreement":null},{"id":"W4293773935","doi":"10.1086/721059","title":"Fictions of Race: Racecraft, Reproduction, and Whiteness in <i>Titus Andronicus</i>","year":2022,"lang":"en","type":"article","venue":"English Literary Renaissance","topic":"Literature: history, themes, analysis","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Toronto","funders":"","keywords":"Race (biology); Reproduction; Art; Gender studies; Sociology; Biology; Ecology","score_opus":0.010304147286590022,"score_gpt":0.19332121095499485,"score_spread":0.18301706366840484,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4293773935","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6345251,0.0053246366,0.0009694622,0.009214024,0.0006632437,0.000045360644,0.00007845432,0.00003800071,0.34914178],"genre_scores_gemma":[0.94644874,0.000820455,0.00025921303,0.00051755836,0.00016908304,0.000018740728,0.000031079515,0.00002748602,0.051707566],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99960035,0.0002038943,0.000007506323,0.000045927896,0.00006466694,0.00007763327],"domain_scores_gemma":[0.9994497,0.0003073754,0.00008090131,0.000024853862,0.000031151467,0.00010615408],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005189209,0.00034496514,0.00019788944,0.00073212193,0.009112857,0.0024841677,0.0004067212,0.0006277149,0.0061652423],"category_scores_gemma":[0.0013027294,0.000107065265,0.00012874561,0.00049343536,0.008484714,0.0011394618,0.0027260052,0.0019375371,0.0004879085],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005362759,0.00005709324,0.002377403,0.00014084029,0.000006644223,0.0013879428,0.8391709,0.00009704638,0.0011423904,0.11376305,0.017294582,0.02450851],"study_design_scores_gemma":[0.000010625871,0.00014342151,0.032765094,0.00033473276,0.000015518264,0.0020707247,0.34639215,0.00026639903,0.0015159069,0.016561568,0.59987915,0.00004463623],"about_ca_topic_score_codex":0.0074888137,"about_ca_topic_score_gemma":0.027691621,"teacher_disagreement_score":0.009112857,"about_ca_system_score_codex":0.0020494694,"about_ca_system_score_gemma":0.00071065617,"threshold_uncertainty_score":0.020624757},"labels":[],"label_agreement":null},{"id":"W4389980430","doi":"10.1086/728000","title":"A Proof of Pleasure: Renaissance in Rancière, Auerbach, Marlowe","year":2023,"lang":"en","type":"article","venue":"English Literary Renaissance","topic":"Artistic and Creative Research","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Pleasure; The Renaissance; Aesthetics; Art; Philosophy; Psychology; Art history; Neuroscience","score_opus":0.0381441164457083,"score_gpt":0.26515841647601723,"score_spread":0.22701430003030892,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4389980430","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03224763,0.053957403,0.0031563293,0.13196106,0.004732621,0.000036312602,0.000031183852,0.00010982526,0.77376753],"genre_scores_gemma":[0.81556475,0.008433265,0.0017410131,0.010422867,0.0015040179,0.00007767594,0.000017924925,0.00018471968,0.16205378],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99628663,0.002573169,0.000055790162,0.0003645825,0.00046891448,0.0002509202],"domain_scores_gemma":[0.9981943,0.00094684976,0.00013734426,0.00016632483,0.00032733206,0.00022786089],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0035317927,0.00076292834,0.0005104199,0.0010116391,0.010992789,0.009834424,0.0010010193,0.0024307463,0.0044691735],"category_scores_gemma":[0.009075599,0.00026502935,0.0002084265,0.00079456304,0.022803396,0.0074988175,0.0034410001,0.0053555556,0.0010488998],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001763404,0.0000099348445,0.00008300529,0.000034421064,0.0000023100426,0.00021423287,0.05506819,0.000034196448,0.00008218947,0.9105697,0.027214658,0.006669396],"study_design_scores_gemma":[0.000010747082,0.000022957674,0.00036242793,0.00015750337,0.0000040645705,0.0003255364,0.019810686,0.00010770502,0.00020849794,0.07061721,0.90835065,0.000022104556],"about_ca_topic_score_codex":0.012567001,"about_ca_topic_score_gemma":0.022919685,"teacher_disagreement_score":0.012567001,"about_ca_system_score_codex":0.0066775447,"about_ca_system_score_gemma":0.0024032553,"threshold_uncertainty_score":0.04844916},"labels":[],"label_agreement":null},{"id":"W4396602527","doi":"10.1086/729657","title":"Lord Burghley’s “Ten Precepts” for his Son Robert Cecil: A New Edition","year":2024,"lang":"en","type":"article","venue":"English Literary Renaissance","topic":"Scottish History and National Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Public Health","funders":"","keywords":"Art; Classics; Philosophy","score_opus":0.022965774350172462,"score_gpt":0.2398572270656638,"score_spread":0.21689145271549132,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4396602527","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0935421,0.02063605,0.0030585714,0.09966231,0.022858446,0.00005626685,0.00040279096,0.00038611036,0.75939727],"genre_scores_gemma":[0.45929784,0.007175086,0.0022384117,0.0053601814,0.004350644,0.000022174681,0.00029378262,0.0003085709,0.52095336],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993149,0.0001523702,0.000025833422,0.00005254861,0.00035896385,0.00009537692],"domain_scores_gemma":[0.9986345,0.00038627518,0.00008550427,0.00011703868,0.0005900374,0.00018671113],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012973691,0.00033902403,0.00014378881,0.0008985693,0.0030237841,0.0038848547,0.00046751692,0.0006600605,0.00992862],"category_scores_gemma":[0.0035674295,0.00012218858,0.00014770671,0.00058878324,0.004004163,0.0019493224,0.0010987567,0.0016609937,0.0015969762],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000084400905,0.000025395602,0.001230516,0.0001701237,0.0000063165116,0.00092179806,0.05111141,0.00007174764,0.0016473953,0.15754879,0.69297844,0.09420366],"study_design_scores_gemma":[0.0000028921177,0.00001486742,0.0015301056,0.000088286586,0.0000024408462,0.00017368412,0.005283435,0.000024344286,0.00035813078,0.0020032753,0.99051005,0.000008624706],"about_ca_topic_score_codex":0.018749021,"about_ca_topic_score_gemma":0.057016097,"teacher_disagreement_score":0.018749021,"about_ca_system_score_codex":0.003896934,"about_ca_system_score_gemma":0.002642687,"threshold_uncertainty_score":0.037279785},"labels":[],"label_agreement":null},{"id":"W4401900539","doi":"10.1086/731557","title":"Preface","year":2024,"lang":"en","type":"article","venue":"English Literary Renaissance","topic":"","field":"","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Psychology; Art","score_opus":0.011381472385959518,"score_gpt":0.2546072097293848,"score_spread":0.24322573734342526,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4401900539","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0010719015,0.006835898,0.0023277586,0.017968222,0.1577323,0.00050236954,0.011510989,0.0009956321,0.80105484],"genre_scores_gemma":[0.0034376173,0.0022822975,0.0006968023,0.002839914,0.013244863,0.0002190079,0.004772345,0.00057082745,0.9719364],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99922335,0.00015031677,0.000045577235,0.00011377994,0.00039659097,0.000070407994],"domain_scores_gemma":[0.99470395,0.0008969502,0.0001416704,0.000400639,0.0033473652,0.0005094377],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0014632771,0.00083255774,0.0006781249,0.004499567,0.004045602,0.0037593532,0.0011180041,0.00090269087,0.4765966],"category_scores_gemma":[0.009909065,0.0003094023,0.0004549335,0.0032321326,0.00072984264,0.0024524436,0.0021331802,0.0027914932,0.28132483],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019839055,0.000011071222,0.000049635804,0.000066285575,0.0000010159634,0.000028214146,0.00009430096,0.00001959667,0.00005473467,0.0037207848,0.9781756,0.01775883],"study_design_scores_gemma":[0.0000029467524,0.000005248282,0.00025226604,0.00008382521,9.886587e-7,0.000019546895,0.00012839545,0.000011599191,0.000055622088,0.001119659,0.9983165,0.0000034602097],"about_ca_topic_score_codex":0.012572939,"about_ca_topic_score_gemma":0.015587591,"teacher_disagreement_score":0.5234034,"about_ca_system_score_codex":0.0022709656,"about_ca_system_score_gemma":0.0024888157,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W4413151381","doi":"10.1086/736909","title":"How to Know the Witch: Trivial Domestication, Tragicomedy, and Race in <i>The Witch of Edmonton</i>","year":2025,"lang":"en","type":"article","venue":"English Literary Renaissance","topic":"Folklore, Mythology, and Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Witch; Tragicomedy; Race (biology); Domestication; Art; Literature; Sociology; Ecology; Gender studies; Biology","score_opus":0.010797070372198866,"score_gpt":0.232461611875835,"score_spread":0.22166454150363613,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4413151381","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.37965235,0.0069048284,0.0057091066,0.06222706,0.00074596965,0.000032687964,0.00004022798,0.00006297304,0.54462475],"genre_scores_gemma":[0.96182173,0.0006432472,0.00053881627,0.0018447206,0.000062704916,0.000019091665,0.0000074532163,0.000032811833,0.035029463],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99838305,0.0010585488,0.000015469663,0.00015434748,0.00014846199,0.00024012165],"domain_scores_gemma":[0.99859995,0.0009569932,0.000091276095,0.00014322723,0.00009349645,0.00011508499],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002790806,0.00036590087,0.00024299757,0.00060572545,0.016557625,0.0070977123,0.0009003343,0.00206391,0.0049359496],"category_scores_gemma":[0.003501513,0.00026103473,0.0001803436,0.00047835836,0.06791471,0.0066914787,0.0046238746,0.0040434105,0.0002615073],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001892962,0.000011344495,0.00025660096,0.000023373377,0.0000025505487,0.00018392107,0.354789,0.0000489753,0.00016339429,0.63496614,0.0050109024,0.0045249118],"study_design_scores_gemma":[0.000020217454,0.000040521863,0.0016785414,0.00036245584,0.000017051028,0.00041336674,0.45509678,0.00023896422,0.0013189719,0.18583818,0.35493243,0.000042525273],"about_ca_topic_score_codex":0.05587593,"about_ca_topic_score_gemma":0.076748155,"teacher_disagreement_score":0.05587593,"about_ca_system_score_codex":0.009043001,"about_ca_system_score_gemma":0.003670271,"threshold_uncertainty_score":0.11110139},"labels":[],"label_agreement":null}]}