{"meta":{"query_hash":"36ab807bcc22","filters":{"venue":"EntreLetras"},"cohort_total":1,"direct_labels_cover":0,"predictions_cover":1,"exported":1,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/36ab807bcc22","api":"https://metacan.xera.ac/api/v1/cohort?venue=EntreLetras"},"results":[{"id":"W2914187203","doi":"10.20873/uft.2179-3948.2018v9n2p27","title":"O TEXTO EM CENA: DA REPRODUÇÃO À PRODUÇÃO","year":2018,"lang":"pt","type":"article","venue":"EntreLetras","topic":"Brazilian cultural history and politics","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Discovery Air (Canada)","funders":"","keywords":"Art","score_opus":0.08509156107930091,"score_gpt":0.3533513209342363,"score_spread":0.26825975985493544,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2914187203","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3089239,0.004721706,0.000042453936,0.027004099,0.019066302,0.0014016869,0.00016579183,0.0006240566,0.63805],"genre_scores_gemma":[0.68004775,0.000100662524,0.00004681847,0.0012111799,0.0060945633,0.000007898232,0.000014331928,0.00003063612,0.31244615],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.996307,0.00042297755,0.0004984211,0.00093868806,0.0006848697,0.0011480028],"domain_scores_gemma":[0.99803984,0.000105346735,0.00023227773,0.00080025307,0.00031413985,0.00050812785],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0007260281,0.00037563077,0.00037243718,0.000086622,0.0018503049,0.00020511208,0.0006818695,0.0003855502,0.011270573],"category_scores_gemma":[0.00060119363,0.00035285388,0.00022268905,0.00078671385,0.0013374679,0.0003913114,0.00010492036,0.0005274754,0.01309758],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005303788,0.00028636592,0.0012514981,0.00008686556,0.0000883032,0.000050029703,0.17877804,6.561729e-7,0.00015449198,0.025705472,0.7779705,0.015574736],"study_design_scores_gemma":[0.00029427648,0.00021705647,0.002080558,0.00011516166,0.00007261613,0.000012008179,0.012630934,0.000011224747,0.001034908,0.00050411373,0.9825261,0.0005010374],"about_ca_topic_score_codex":0.0004622859,"about_ca_topic_score_gemma":0.002892695,"teacher_disagreement_score":0.37112385,"about_ca_system_score_codex":0.0003584602,"about_ca_system_score_gemma":0.0002737369,"threshold_uncertainty_score":0.99989235},"labels":[],"label_agreement":null}]}