{"meta":{"query_hash":"0c66993171cc","filters":{"venue":"Essays in Criticism"},"cohort_total":15,"direct_labels_cover":0,"predictions_cover":15,"exported":15,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/0c66993171cc","api":"https://metacan.xera.ac/api/v1/cohort?venue=Essays+in+Criticism"},"results":[{"id":"W1970273529","doi":"10.1093/escrit/cgu003","title":"DIFFICULTIES WITH CRITICS * Kingsley Amis: Antimodels and the Audience. By ANDREW JAMES. McGill-Queen's University Press, 2013; $100","year":2014,"lang":"en","type":"article","venue":"Essays in Criticism","topic":"Irish and British Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Subject (documents); Criticism; Queen (butterfly); Pleasure; History; Relation (database); Literature; Classics; Media studies; Psychoanalysis; Art; Sociology; Psychology; Library science; Computer science","score_opus":0.00895872686461057,"score_gpt":0.23657130945671528,"score_spread":0.2276125825921047,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1970273529","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005698089,0.1227341,0.0011064716,0.56503433,0.019447984,0.000028111994,0.00004225769,0.00017467931,0.285734],"genre_scores_gemma":[0.3206715,0.069889106,0.0018781472,0.08098238,0.02458778,0.00020296568,0.000079046484,0.0008372403,0.50087184],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9920259,0.0052057058,0.00016677627,0.00036399227,0.0017539134,0.00048374708],"domain_scores_gemma":[0.9919065,0.0052241087,0.0006629951,0.00037636512,0.0012730616,0.0005569614],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.009003042,0.000867544,0.0007608051,0.0014862905,0.01239424,0.011886291,0.001779383,0.005334995,0.012936744],"category_scores_gemma":[0.020343017,0.00061284396,0.00040731192,0.0021451132,0.02419762,0.00980833,0.0049761585,0.00817041,0.004105638],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002482968,0.000012326376,0.00025523448,0.00018761175,0.0000057544034,0.0001768079,0.05063138,0.00002924393,0.0000922085,0.107099086,0.82074785,0.020737553],"study_design_scores_gemma":[0.0000060980415,0.0000095934465,0.00043294905,0.0005853087,0.000004588606,0.00019479604,0.02572559,0.000044578053,0.000053668064,0.025089229,0.94784045,0.000013103198],"about_ca_topic_score_codex":0.014134388,"about_ca_topic_score_gemma":0.02227424,"teacher_disagreement_score":0.014134388,"about_ca_system_score_codex":0.009107244,"about_ca_system_score_gemma":0.0045938897,"threshold_uncertainty_score":0.06607801},"labels":[],"label_agreement":null},{"id":"W2034673268","doi":"10.1093/eic/54.1.87","title":"The Hour and the Woman: Harriet Martineau's 'Somewhat Remarkable' Life","year":2004,"lang":"en","type":"article","venue":"Essays in Criticism","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"History; Sociology; Genealogy; Gender studies","score_opus":0.013424853750211636,"score_gpt":0.2204785910908965,"score_spread":0.20705373734068486,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2034673268","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0048082317,0.20588282,0.00048399597,0.6907228,0.01491162,0.000011465819,0.000019448311,0.00002883873,0.08313087],"genre_scores_gemma":[0.30784926,0.084323265,0.0007088212,0.22897016,0.013813223,0.00010660182,0.00001842785,0.00016563712,0.36404464],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99731773,0.0017250559,0.000021761149,0.00015571619,0.00047485388,0.00030487255],"domain_scores_gemma":[0.99860257,0.00077502575,0.00009842068,0.00006127174,0.00018039533,0.00028231402],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003120059,0.0006347864,0.0005035326,0.00062813,0.013870945,0.005796816,0.0010959144,0.007069771,0.004873551],"category_scores_gemma":[0.0057208757,0.00033210777,0.00023277137,0.0007463529,0.020659246,0.0061895894,0.0034591819,0.008232935,0.0010126493],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025703652,0.00001617983,0.00014622019,0.000070674294,0.000004091947,0.0002349301,0.030507946,0.00004688473,0.0001087431,0.18537232,0.76841813,0.0150482375],"study_design_scores_gemma":[0.000004471098,0.000009287223,0.00035544182,0.00033639447,0.000002241831,0.00016857109,0.00976893,0.00002142879,0.000051556803,0.013590213,0.97567993,0.000011602864],"about_ca_topic_score_codex":0.02572691,"about_ca_topic_score_gemma":0.05519107,"teacher_disagreement_score":0.02572691,"about_ca_system_score_codex":0.00732464,"about_ca_system_score_gemma":0.0034773499,"threshold_uncertainty_score":0.053144217},"labels":[],"label_agreement":null},{"id":"W2148496596","doi":"10.1093/escrit/cgp026","title":"SPEAK POWER TO TRUTH: Save the World on Your Own Time. By STANLEY FISH","year":2010,"lang":"en","type":"article","venue":"Essays in Criticism","topic":"University Challenges and Reforms","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Power (physics); Aside; Injustice; Politics; Fish <Actinopterygii>; Class (philosophy); Sociology; Media studies; Law; Psychology; Aesthetics; Political science; Literature; Philosophy; Art; Epistemology","score_opus":0.01881739600725039,"score_gpt":0.30507537517272026,"score_spread":0.28625797916546986,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2148496596","genre_codex":"commentary","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":"commentary","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0010758865,0.12988693,0.0006027217,0.7524196,0.030714257,0.000023098422,0.000089695655,0.00019205954,0.08499572],"genre_scores_gemma":[0.025263844,0.043454487,0.001349066,0.28490344,0.012311208,0.00009627233,0.000109064,0.00043815083,0.63207436],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99878544,0.00037759385,0.00004122237,0.0001964214,0.00041840377,0.00018092478],"domain_scores_gemma":[0.99825794,0.0004859882,0.00011610955,0.00007520613,0.00034750364,0.0007171824],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016484006,0.0008842132,0.0003313867,0.0008782056,0.007296009,0.0059281546,0.0010000183,0.003966465,0.030256119],"category_scores_gemma":[0.004181144,0.0005355914,0.0003285642,0.0007576647,0.0056039295,0.008340501,0.0046592634,0.0101353815,0.01742542],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000062281792,0.0000063917173,0.00005153781,0.000035038738,0.0000012684653,0.000031847474,0.0015211334,0.000006662377,0.000057542573,0.0055258395,0.9791134,0.013643124],"study_design_scores_gemma":[0.0000031032316,0.0000048760107,0.00016592654,0.00015336626,9.870212e-7,0.00006815798,0.0019167613,0.000014916465,0.00003562003,0.002408002,0.995223,0.0000052321934],"about_ca_topic_score_codex":0.034964286,"about_ca_topic_score_gemma":0.091773614,"teacher_disagreement_score":0.034964286,"about_ca_system_score_codex":0.0049088215,"about_ca_system_score_gemma":0.004895772,"threshold_uncertainty_score":0.10121679},"labels":[],"label_agreement":null},{"id":"W2327477519","doi":"10.1093/escrit/cgu011","title":"Tying the Knot in Othello","year":2014,"lang":"en","type":"article","venue":"Essays in Criticism","topic":"Cultural Studies and Interdisciplinary Research","field":"Arts and Humanities","cited_by":22,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Dalhousie University","funders":"","keywords":"Tying; Knot (papermaking); Philosophy; Analogy; Action (physics); Art; Epistemology; Computer science; Physics","score_opus":0.05400443425873641,"score_gpt":0.2969622455268499,"score_spread":0.2429578112681135,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2327477519","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.071930096,0.0021009448,0.0069557745,0.0070372904,0.0016716179,0.00007793527,0.00006074168,0.00014479618,0.91002077],"genre_scores_gemma":[0.81891465,0.00096548087,0.0022139116,0.0020397054,0.00052414625,0.00006884866,0.0000569791,0.0002913625,0.17492487],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99934727,0.00015010679,0.00001754614,0.000097401375,0.0001298179,0.00025782685],"domain_scores_gemma":[0.99973065,0.00008745329,0.000028984257,0.000041484553,0.000032692966,0.00007882458],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00057856104,0.00032739792,0.00028936027,0.0006272048,0.0059043034,0.0046945475,0.00040904246,0.0014603053,0.01152244],"category_scores_gemma":[0.002432649,0.00024038808,0.00021578764,0.00047021845,0.007962232,0.0039229803,0.0052098176,0.0024163038,0.0015384357],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021875004,0.00005575363,0.0018907898,0.00013073764,0.0000070082297,0.0011090529,0.057317648,0.00016280464,0.0018503413,0.87424666,0.020342423,0.042668045],"study_design_scores_gemma":[0.000049751416,0.000059007503,0.0037445785,0.00043752426,0.000016612892,0.00053025124,0.013760672,0.00050909555,0.000944311,0.120324604,0.85958004,0.00004355856],"about_ca_topic_score_codex":0.009826459,"about_ca_topic_score_gemma":0.024565116,"teacher_disagreement_score":0.01152244,"about_ca_system_score_codex":0.0022356245,"about_ca_system_score_gemma":0.0009524227,"threshold_uncertainty_score":0.038546383},"labels":[],"label_agreement":null},{"id":"W2332515247","doi":"10.1093/escrit/cgq016","title":"LIVING POWERS: Life: Organic Form and Romanticism. By DENISE GIGANTE","year":2010,"lang":"en","type":"article","venue":"Essays in Criticism","topic":"Themes in Literature Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Waterloo; St. Jerome's University","funders":"","keywords":"Romanticism; Art history; Criticism; Art; Performance art; History; Environmental ethics; Philosophy; Literature","score_opus":0.007342835434899271,"score_gpt":0.22340466708957793,"score_spread":0.21606183165467865,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2332515247","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00090184115,0.5615934,0.00044587275,0.37019673,0.010301398,0.000012287979,0.00012088898,0.000051237133,0.056376275],"genre_scores_gemma":[0.05378133,0.5317296,0.0017968845,0.06667564,0.026785748,0.0001119729,0.00027100218,0.0003630843,0.31848484],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.998749,0.0004718833,0.000064414984,0.00019396217,0.00044779005,0.00007290116],"domain_scores_gemma":[0.9976699,0.0014121158,0.00024735788,0.00011214684,0.00031710262,0.00024137771],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0024522159,0.0012681101,0.0009386056,0.0020256022,0.0035117574,0.006222457,0.0010939447,0.0038692458,0.021185357],"category_scores_gemma":[0.00668564,0.00068430277,0.00035727656,0.0026388664,0.008298462,0.009598512,0.0039555742,0.006265777,0.009346605],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015557196,0.000012081871,0.00011363694,0.00019724826,0.000005600457,0.000042149088,0.0025158497,0.00004616418,0.00008024025,0.02603182,0.94092524,0.030014506],"study_design_scores_gemma":[0.0000035722176,0.0000043529,0.00041931597,0.0005191733,0.000002610357,0.00011690359,0.001734104,0.000028161865,0.000040117455,0.01334213,0.98378146,0.000008122265],"about_ca_topic_score_codex":0.008916565,"about_ca_topic_score_gemma":0.01649974,"teacher_disagreement_score":0.021185357,"about_ca_system_score_codex":0.0035061417,"about_ca_system_score_gemma":0.0020026173,"threshold_uncertainty_score":0.07087213},"labels":[],"label_agreement":null},{"id":"W2608977310","doi":"10.1093/escrit/cgx001","title":"FLOWERS FOR MILTONThe Poetry of John Milton. By Gordon Teskey","year":2017,"lang":"en","type":"article","venue":"Essays in Criticism","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Poetry; Literature; Art; Philosophy","score_opus":0.029533384504840894,"score_gpt":0.34472247374388143,"score_spread":0.31518908923904054,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2608977310","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0010998871,0.4290872,0.00039325617,0.3740466,0.06841684,0.000014136923,0.000084396546,0.00009940864,0.12675844],"genre_scores_gemma":[0.031516384,0.09534987,0.000587715,0.052997243,0.031329546,0.00003977646,0.00007731588,0.00021240297,0.7878896],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995727,0.00015081296,0.000015440535,0.000071933915,0.000146234,0.000042860815],"domain_scores_gemma":[0.99904126,0.00047279696,0.00006174232,0.000060753217,0.00020999985,0.00015351776],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00083978515,0.0008193186,0.0005080761,0.0011486948,0.00469522,0.0036503875,0.00058069744,0.0024454424,0.034253653],"category_scores_gemma":[0.0041201552,0.0003654644,0.00026997447,0.00096309633,0.0033231874,0.0040976284,0.0020135534,0.0047967713,0.010003733],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000121839275,0.0000057685174,0.00003505601,0.000046794983,0.0000019095476,0.00003733099,0.0006716075,0.00001418351,0.00006298725,0.009757853,0.9723159,0.01703849],"study_design_scores_gemma":[0.0000032784444,0.0000043715695,0.00017444963,0.00017751682,0.0000015517335,0.000084701096,0.0007472547,0.000015492444,0.000038174174,0.0037733824,0.9949763,0.0000035177775],"about_ca_topic_score_codex":0.0068557607,"about_ca_topic_score_gemma":0.017554848,"teacher_disagreement_score":0.034253653,"about_ca_system_score_codex":0.0015502882,"about_ca_system_score_gemma":0.0009980086,"threshold_uncertainty_score":0.11458987},"labels":[],"label_agreement":null},{"id":"W2763865812","doi":"10.1093/escrit/cgx020","title":"STILL LESS REVELATIONSThe Letters of Samuel Beckett, IV: 1966-1989. Edited by George Craig, Martha Dow Fehsenfeld, Dan Gunn, and Lois More Overbeck","year":2017,"lang":"en","type":"article","venue":"Essays in Criticism","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Trinity College","funders":"","keywords":"George (robot); Art history; Performance art; Art; Literature; Soliloquy; History; Psychoanalysis; Philosophy; Psychology","score_opus":0.05940433316210248,"score_gpt":0.2895201425875221,"score_spread":0.23011580942541965,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2763865812","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0016827103,0.30655122,0.0008491675,0.09912324,0.17282619,0.000054267577,0.0017852935,0.00047335165,0.41665465],"genre_scores_gemma":[0.0068051317,0.03822334,0.000392667,0.010757229,0.013398847,0.000030289075,0.0006576048,0.00026978934,0.92946506],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988555,0.00023793832,0.00006900628,0.00018383116,0.00047885304,0.0001747774],"domain_scores_gemma":[0.99858284,0.0004089408,0.00014893402,0.00008015408,0.0004709601,0.00030818908],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009451052,0.0013330709,0.00058076944,0.0020582872,0.003383571,0.007465709,0.0007961558,0.002437733,0.12561063],"category_scores_gemma":[0.0034330152,0.00059851905,0.00035603787,0.0023723012,0.0014772248,0.003455119,0.0022677083,0.003369934,0.07920857],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019508341,0.000009194959,0.00006248237,0.00007344306,9.711446e-7,0.000025914496,0.0002849267,0.000012829204,0.00006213304,0.0028067576,0.9760724,0.020569425],"study_design_scores_gemma":[0.0000011105014,0.0000024236342,0.00016288823,0.00009899844,4.4370157e-7,0.00003127099,0.00015280598,0.0000036933106,0.000021609529,0.00017332533,0.99935,0.0000015117573],"about_ca_topic_score_codex":0.016452372,"about_ca_topic_score_gemma":0.039900348,"teacher_disagreement_score":0.12561063,"about_ca_system_score_codex":0.0050243,"about_ca_system_score_gemma":0.0040876972,"threshold_uncertainty_score":0.4202094},"labels":[],"label_agreement":null},{"id":"W3097958180","doi":"10.1093/escrit/cgaa024","title":"Elizabeth Bishop’s Animal Manners","year":2020,"lang":"en","type":"article","venue":"Essays in Criticism","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Environmental ethics; Art; History; Philosophy","score_opus":0.056007123215937135,"score_gpt":0.2647539968840781,"score_spread":0.20874687366814093,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3097958180","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.01014626,0.01143674,0.0022361595,0.32036075,0.015366873,0.000033309607,0.00004426914,0.000037404843,0.64033824],"genre_scores_gemma":[0.20474032,0.0032574465,0.00083814585,0.03737475,0.0047805756,0.00005820366,0.00001985283,0.00024688532,0.74868387],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99627715,0.0022862528,0.00005420829,0.000283732,0.00077258854,0.00032615487],"domain_scores_gemma":[0.99592054,0.0027173471,0.00011914355,0.00022492457,0.0006253446,0.0003926714],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0034377805,0.00051087065,0.0003293941,0.0012469628,0.016194947,0.007536562,0.0010101027,0.004798265,0.014118743],"category_scores_gemma":[0.009592196,0.00029355133,0.0002074012,0.00071496086,0.020793676,0.0043573896,0.0041245264,0.011470613,0.0022481007],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001901548,0.000022596885,0.00012380957,0.000047511712,0.0000049467326,0.00026016386,0.034716748,0.00005611482,0.00019293603,0.5656714,0.38901335,0.009871463],"study_design_scores_gemma":[0.0000037886593,0.0000075477883,0.00018460896,0.00017616684,0.0000025008815,0.00009702516,0.011244387,0.000047494043,0.0002369619,0.035262827,0.9527257,0.000011008696],"about_ca_topic_score_codex":0.014654171,"about_ca_topic_score_gemma":0.032090757,"teacher_disagreement_score":0.016194947,"about_ca_system_score_codex":0.004930154,"about_ca_system_score_gemma":0.0024506464,"threshold_uncertainty_score":0.047231853},"labels":[],"label_agreement":null},{"id":"W4323529296","doi":"10.1093/escrit/cgad004","title":"Roger Lonsdale","year":2022,"lang":"en","type":"article","venue":"Essays in Criticism","topic":"Commonwealth, Australian Politics and Federalism","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art history; Art; Tribute; Wright; Poetry; Adventure; History; Literature","score_opus":0.043407249017048455,"score_gpt":0.360234641834614,"score_spread":0.31682739281756556,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4323529296","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00012167849,0.001395293,0.00030981243,0.0006863503,0.0009725645,0.00005229136,0.0022990457,0.0010630587,0.9930998],"genre_scores_gemma":[0.00035711573,0.0008283662,0.00018207189,0.00037383367,0.000078873185,0.00003701668,0.00085514196,0.00039753367,0.99689],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994505,0.000046929996,0.000030465178,0.00021449706,0.00018836306,0.000069238085],"domain_scores_gemma":[0.99902225,0.00013256847,0.000050009705,0.00016716724,0.00028848037,0.00033960352],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00043171918,0.0018213824,0.0011849779,0.0015849898,0.0014888353,0.0059880367,0.001578446,0.0019474364,0.9313837],"category_scores_gemma":[0.0021149174,0.00067780376,0.00065425993,0.0019063652,0.00048878224,0.0038464735,0.004021888,0.001956909,0.9174767],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028622031,0.000028651255,0.000092954084,0.0001588519,0.0000030297024,0.000065569235,0.00004447829,0.00003517274,0.00022504404,0.0019447607,0.90800995,0.08936294],"study_design_scores_gemma":[0.0000028085376,0.000005065362,0.00011388618,0.000054260883,8.4598236e-7,0.000025586454,0.000032424574,0.000009043824,0.000024783614,0.00014600297,0.99958223,0.0000030256151],"about_ca_topic_score_codex":0.0035988567,"about_ca_topic_score_gemma":0.008832702,"teacher_disagreement_score":0.9313837,"about_ca_system_score_codex":0.0007324088,"about_ca_system_score_gemma":0.0012792288,"threshold_uncertainty_score":0.097872674},"labels":[],"label_agreement":null},{"id":"W4323529333","doi":"10.1093/escrit/cgad007","title":"Kisses and Comedy in <i>Astrophil and Stella</i>","year":2022,"lang":"en","type":"article","venue":"Essays in Criticism","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"KISS (TNC); STELLA (programming language); Sonnet; Sander; Art history; Literature; Art","score_opus":0.015823510153269577,"score_gpt":0.2100002760095277,"score_spread":0.19417676585625812,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4323529333","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11853868,0.11253173,0.0011161399,0.2558516,0.023100967,0.000030580177,0.00042468598,0.0002499651,0.4881557],"genre_scores_gemma":[0.73751247,0.025362685,0.0006301636,0.045054708,0.012310854,0.000039794304,0.00033645396,0.00045689405,0.17829604],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991032,0.0003800768,0.000032977976,0.00014456167,0.00020960289,0.00012960167],"domain_scores_gemma":[0.9988668,0.00046305434,0.00016262248,0.000074034615,0.00012260379,0.00031089553],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007321572,0.00037098152,0.0003715953,0.0006772507,0.008356205,0.007239975,0.0005511687,0.0022639183,0.009342848],"category_scores_gemma":[0.0030312396,0.00027654416,0.00022070901,0.0008041763,0.0065737213,0.0047018365,0.0033361746,0.0034964154,0.0018133095],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020252423,0.000031107542,0.0049729366,0.00043749614,0.000048193633,0.0020733576,0.20852761,0.000055323973,0.0009821188,0.16796465,0.56460905,0.05009559],"study_design_scores_gemma":[0.0000054338543,0.000023013645,0.0047206683,0.00029759368,0.000008927952,0.001035229,0.04237131,0.000030125602,0.00029237397,0.0039329147,0.94725436,0.00002808829],"about_ca_topic_score_codex":0.01701914,"about_ca_topic_score_gemma":0.051388185,"teacher_disagreement_score":0.01701914,"about_ca_system_score_codex":0.0035613277,"about_ca_system_score_gemma":0.0010368318,"threshold_uncertainty_score":0.03384018},"labels":[],"label_agreement":null},{"id":"W4384454097","doi":"10.1093/escrit/cgad024","title":"Genre, Motifs, and the Failure of Hellenism in <i>Jacob’s Room</i>","year":2023,"lang":"en","type":"article","venue":"Essays in Criticism","topic":"Historical Philosophy and Science","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Windsor","funders":"","keywords":"Windsor; History; Art","score_opus":0.029984785134041902,"score_gpt":0.2328611706325911,"score_spread":0.2028763854985492,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4384454097","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14885125,0.0050342884,0.0016951743,0.03049086,0.0009487479,0.000013288467,0.000049252907,0.000080419,0.81283677],"genre_scores_gemma":[0.96021366,0.0006860115,0.00024097947,0.00079716323,0.00027765334,0.000008644501,0.000017787894,0.00011356542,0.037644446],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99736124,0.0015201886,0.00007226241,0.00015324031,0.0005793833,0.00031370987],"domain_scores_gemma":[0.99529713,0.0022077386,0.00050808355,0.0004703562,0.00067733333,0.0008393575],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0035932201,0.00020790371,0.0002789789,0.0013818134,0.007601645,0.008894364,0.0007011824,0.0016030121,0.011647718],"category_scores_gemma":[0.010991182,0.0002423227,0.00014633706,0.0013807538,0.02016125,0.004272184,0.0032852916,0.0027282382,0.0015490715],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009637604,0.00004384543,0.0035758854,0.00008797519,0.000015699801,0.00022115528,0.108804785,0.00015285428,0.00037209483,0.8189305,0.049001392,0.01869761],"study_design_scores_gemma":[0.0000560461,0.000069109556,0.017306134,0.00064258155,0.000029589759,0.00039176986,0.104316674,0.0004663165,0.0008073576,0.33159953,0.5442526,0.00006229278],"about_ca_topic_score_codex":0.006693561,"about_ca_topic_score_gemma":0.0141627425,"teacher_disagreement_score":0.011647718,"about_ca_system_score_codex":0.004725657,"about_ca_system_score_gemma":0.0017196162,"threshold_uncertainty_score":0.038965523},"labels":[],"label_agreement":null},{"id":"W4408224533","doi":"10.1093/escrit/cgaf002","title":"Yes No: Form and Content in <i>The Third Policeman</i>","year":2025,"lang":"en","type":"article","venue":"Essays in Criticism","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Windsor","funders":"","keywords":"Content (measure theory); Psychology; Mathematics; Mathematical analysis","score_opus":0.05984282298295857,"score_gpt":0.29242393224359897,"score_spread":0.2325811092606404,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4408224533","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10363064,0.0024154203,0.0024907894,0.30961514,0.0056050248,0.000060064933,0.00016954415,0.000118068456,0.57589525],"genre_scores_gemma":[0.8648276,0.000675296,0.0007401138,0.016043603,0.0023324548,0.00006253158,0.00007767618,0.00035928376,0.11488142],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979595,0.0010847587,0.00007086701,0.00020729554,0.00042930475,0.00024819325],"domain_scores_gemma":[0.99149656,0.0052631064,0.0008102188,0.00043514234,0.0014580829,0.00053692545],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002408072,0.00032468617,0.00030587427,0.001288998,0.011351606,0.0083988,0.0011508524,0.004002901,0.007519853],"category_scores_gemma":[0.016537713,0.0003194703,0.0003180053,0.0015966682,0.013996677,0.005325899,0.002784613,0.0069718035,0.0010895302],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007007664,0.000052935837,0.0021820464,0.00010666933,0.000010461509,0.00062773185,0.2694196,0.000075143485,0.0008075313,0.41590738,0.29340148,0.017338853],"study_design_scores_gemma":[0.000017801603,0.000058599115,0.010442388,0.0005565777,0.00002251557,0.0009463887,0.24964502,0.0002662245,0.0018243877,0.062671736,0.6734897,0.000058513226],"about_ca_topic_score_codex":0.01296394,"about_ca_topic_score_gemma":0.01792608,"teacher_disagreement_score":0.01296394,"about_ca_system_score_codex":0.0051966226,"about_ca_system_score_gemma":0.0024104249,"threshold_uncertainty_score":0.03770429},"labels":[],"label_agreement":null},{"id":"W4416127661","doi":"10.1093/escrit/cgaf016","title":"Henry James and Charisma","year":2025,"lang":"en","type":"article","venue":"Essays in Criticism","topic":"Pragmatism in Philosophy and Education","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Trinity College","funders":"","keywords":"","score_opus":0.02164313606247181,"score_gpt":0.27105656801617056,"score_spread":0.24941343195369875,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4416127661","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0015720396,0.08180259,0.0012435114,0.5949656,0.043394726,0.000024540688,0.00005323662,0.00007386937,0.27686974],"genre_scores_gemma":[0.076747626,0.025296327,0.00096631184,0.122295275,0.031932876,0.000079327685,0.000031286876,0.00027922986,0.7423718],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99494755,0.0021006267,0.00012432846,0.00064464565,0.001777676,0.00040516863],"domain_scores_gemma":[0.991787,0.0046775434,0.0003503853,0.00057493895,0.0015711334,0.001038957],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00506885,0.0007105586,0.0008604787,0.002502219,0.013499381,0.0096999025,0.0011566014,0.009736559,0.015637806],"category_scores_gemma":[0.017576225,0.0005815008,0.00035106993,0.0016153266,0.017397929,0.0075515895,0.003943786,0.01340518,0.0051280186],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023920877,0.000024940571,0.000066547145,0.0000750221,0.0000070157034,0.000040870695,0.0021462834,0.00005097561,0.000053826854,0.37424192,0.61323893,0.010029828],"study_design_scores_gemma":[0.000012058067,0.000006072111,0.00012594042,0.00013275257,0.0000036113977,0.00003173719,0.00077450986,0.00003327774,0.00006659881,0.060440313,0.9383605,0.000012634685],"about_ca_topic_score_codex":0.01618666,"about_ca_topic_score_gemma":0.020952508,"teacher_disagreement_score":0.01618666,"about_ca_system_score_codex":0.010171025,"about_ca_system_score_gemma":0.0061314804,"threshold_uncertainty_score":0.07379633},"labels":[],"label_agreement":null},{"id":"W7105676250","doi":"10.1093/escrit/cgaf019","title":"Composing ‘The Nightfishing’","year":2025,"lang":"en","type":"article","venue":"Essays in Criticism","topic":"Posthumanist Ethics and Activism","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Trinity College","funders":"","keywords":"","score_opus":0.03302943705403735,"score_gpt":0.3754637917490524,"score_spread":0.34243435469501504,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7105676250","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.016287748,0.00985502,0.013534375,0.47502655,0.024078734,0.00006075553,0.0000594577,0.00010392138,0.4609934],"genre_scores_gemma":[0.586365,0.0024383618,0.004337923,0.114870004,0.015362387,0.00018865826,0.00005248667,0.00055844255,0.27582666],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99111813,0.005982068,0.0001492278,0.0007734614,0.0012502926,0.0007268056],"domain_scores_gemma":[0.98626846,0.010066395,0.0003962752,0.00159138,0.0010550935,0.00062237936],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.009583751,0.0007992115,0.00060481834,0.0015451286,0.011413513,0.009926802,0.0020491846,0.012526639,0.009627085],"category_scores_gemma":[0.023826297,0.0003167665,0.00049185945,0.0010439657,0.0636235,0.010308597,0.0052094124,0.014881247,0.0012472437],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001112043,0.0000109262755,0.0000471811,0.00003085584,0.000004794492,0.00004434461,0.012514148,0.000032289958,0.000101173566,0.92968005,0.053654946,0.0038682267],"study_design_scores_gemma":[0.00001723628,0.000016048321,0.00023701006,0.0001945691,0.0000060134626,0.000083012026,0.011201047,0.00012917277,0.00033386215,0.39091974,0.5968468,0.000015581798],"about_ca_topic_score_codex":0.0037663977,"about_ca_topic_score_gemma":0.0073101968,"teacher_disagreement_score":0.012526639,"about_ca_system_score_codex":0.0057236594,"about_ca_system_score_gemma":0.0032333452,"threshold_uncertainty_score":0.050684333},"labels":[],"label_agreement":null},{"id":"W7132844584","doi":"10.1093/escrit/cgaf029","title":"AND TAAK A WYF, FOR HYE GODDES SAKE!","year":2025,"lang":"en","type":"article","venue":"Essays in Criticism","topic":"Ancient Near East History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"","score_opus":0.02222719510498589,"score_gpt":0.26450944990327013,"score_spread":0.24228225479828425,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7132844584","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0023255053,0.019499063,0.0012773225,0.7809354,0.05839955,0.000037718426,0.00019923325,0.00014716004,0.137179],"genre_scores_gemma":[0.027369741,0.0044290987,0.0013419176,0.1359207,0.005490893,0.000063169085,0.00009104411,0.00031381982,0.82497954],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993235,0.00022063048,0.000030055417,0.00013305587,0.0001876997,0.00010507973],"domain_scores_gemma":[0.99831283,0.00053472904,0.000080284786,0.0001152444,0.0006449923,0.00031187618],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018042326,0.00055980857,0.0005165366,0.0007967633,0.0093723275,0.0059068874,0.00061921513,0.0047514937,0.040183753],"category_scores_gemma":[0.009882827,0.0003315908,0.00035138734,0.0005680261,0.004452971,0.008111075,0.002707684,0.0111504635,0.016229512],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027846627,0.000012359683,0.00022831064,0.000043045588,0.0000047063304,0.00009488168,0.0038870352,0.000020231957,0.00012750762,0.04027033,0.94437367,0.010910113],"study_design_scores_gemma":[0.000004895247,0.000004708337,0.00029191218,0.00008440087,0.0000028504342,0.00006935373,0.005735492,0.0000242621,0.000059619542,0.004900257,0.9888122,0.000010142705],"about_ca_topic_score_codex":0.014961387,"about_ca_topic_score_gemma":0.030953495,"teacher_disagreement_score":0.040183753,"about_ca_system_score_codex":0.0018987383,"about_ca_system_score_gemma":0.0019547225,"threshold_uncertainty_score":0.13442802},"labels":[],"label_agreement":null}]}