{"meta":{"query_hash":"420ce669d16d","filters":{"venue":"FORUM University of Edinburgh Postgraduate Journal of Culture & the Arts"},"cohort_total":16,"direct_labels_cover":0,"predictions_cover":16,"exported":16,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/420ce669d16d","api":"https://metacan.xera.ac/api/v1/cohort?venue=FORUM+University+of+Edinburgh+Postgraduate+Journal+of+Culture+%26+the+Arts"},"results":[{"id":"W1500798136","doi":"10.2218/forum.01.541","title":"Myths of Origin and Myths of the Future in Larissa Lai's Salt Fish Girl","year":2005,"lang":"en","type":"article","venue":"FORUM University of Edinburgh Postgraduate Journal of Culture & the Arts","topic":"Aviation History and Innovations","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McMaster University","funders":"","keywords":"Mythology; Narrative; Dialectic; Girl; Fish <Actinopterygii>; Literature; Philosophy; Art; Epistemology; Psychology; Fishery; Developmental psychology","score_opus":0.014408291122584264,"score_gpt":0.203810008110034,"score_spread":0.18940171698744973,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1500798136","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05333796,0.016444746,0.001984794,0.5683649,0.0027037794,0.000040918967,0.00005456916,0.00008577511,0.35698256],"genre_scores_gemma":[0.71784854,0.0044966084,0.00085076253,0.06778852,0.00067309843,0.00012972574,0.000027946448,0.00018654583,0.20799823],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9960626,0.0025318018,0.000045838777,0.00031105333,0.00052254833,0.00052619784],"domain_scores_gemma":[0.9973369,0.0012064731,0.00021751266,0.00012397493,0.0004560159,0.0006589149],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0064597367,0.00039566625,0.0004766224,0.0008369703,0.024659395,0.0092314035,0.0014574385,0.005837093,0.0065034158],"category_scores_gemma":[0.008581111,0.0003637201,0.00035679628,0.0006334695,0.037641387,0.011140914,0.008411025,0.015412877,0.001248296],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036620695,0.000030043144,0.000529583,0.000042234136,0.0000037826478,0.00058538065,0.4742055,0.000042196134,0.00015600359,0.4361041,0.08194094,0.006323628],"study_design_scores_gemma":[0.000012576975,0.000021796344,0.0006311063,0.000361374,0.000003308109,0.00038679494,0.24400334,0.000098061704,0.00020553215,0.057344656,0.69690263,0.000028829978],"about_ca_topic_score_codex":0.036954883,"about_ca_topic_score_gemma":0.05230622,"teacher_disagreement_score":0.036954883,"about_ca_system_score_codex":0.012934236,"about_ca_system_score_gemma":0.007178054,"threshold_uncertainty_score":0.09384489},"labels":[],"label_agreement":null},{"id":"W1507603318","doi":"10.2218/forum.0.688","title":"Realising (re)vision, manipulating manoeuvres: editing the English Middle Ages","year":2014,"lang":"en","type":"article","venue":"FORUM University of Edinburgh Postgraduate Journal of Culture & the Arts","topic":"Digital Humanities and Scholarship","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Mount Royal University","funders":"","keywords":"Relevance (law); Middle English; Middle Ages; History; Linguistics; Literature; Visual arts; Art; Classics; Philosophy; Political science; Archaeology","score_opus":0.041595717018451835,"score_gpt":0.219219287061873,"score_spread":0.17762357004342116,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1507603318","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7172978,0.004434861,0.025946341,0.0056312564,0.0010234859,0.00009372104,0.00006879211,0.0003569053,0.24514687],"genre_scores_gemma":[0.9360083,0.0014512214,0.0125289,0.0004423977,0.0001539239,0.000027610462,0.00003796949,0.00025066463,0.04909901],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976336,0.0013403702,0.00012713356,0.00020393511,0.00049619767,0.00019878415],"domain_scores_gemma":[0.9954287,0.002850065,0.00033765179,0.00047937667,0.0005076736,0.00039660698],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005533317,0.0004691668,0.00022719712,0.001320672,0.005124101,0.007707976,0.0008639271,0.0011349353,0.00488022],"category_scores_gemma":[0.012909683,0.00025832493,0.0002652862,0.00049582816,0.0062960507,0.0071050785,0.00492206,0.001551669,0.0010257361],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034194025,0.00003900807,0.0020975375,0.000107051615,0.0000044545286,0.0011318573,0.90545267,0.000083236344,0.0018761976,0.03445838,0.0029051828,0.051810183],"study_design_scores_gemma":[0.000009983491,0.00007802362,0.003626196,0.00036761817,0.000019321891,0.0016620843,0.48265877,0.00032309556,0.0034434323,0.011728218,0.49603832,0.000044990342],"about_ca_topic_score_codex":0.0027048693,"about_ca_topic_score_gemma":0.0067783976,"teacher_disagreement_score":0.007707976,"about_ca_system_score_codex":0.0013049329,"about_ca_system_score_gemma":0.0015839458,"threshold_uncertainty_score":0.029263377},"labels":[],"label_agreement":null},{"id":"W1520552439","doi":"10.2218/forum.19.1146","title":"“the killing of speech”: The Sonic-Politics of The Four Horsemen","year":2014,"lang":"en","type":"article","venue":"FORUM University of Edinburgh Postgraduate Journal of Culture & the Arts","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Poetry; Sound (geography); Politics; Dimension (graph theory); Literature; Acoustics; Art; Philosophy; History; Physics; Mathematics; Political science; Law","score_opus":0.04450179479986595,"score_gpt":0.2034063671675243,"score_spread":0.15890457236765837,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1520552439","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3496791,0.005501317,0.006238885,0.05655413,0.0016782223,0.000037549526,0.000020290712,0.000072501585,0.580218],"genre_scores_gemma":[0.9765792,0.0002690875,0.0002457518,0.0012711987,0.00015549458,0.000011079052,0.0000037247921,0.000018570649,0.021445947],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9974311,0.0018339579,0.000030029816,0.00013827489,0.00028995617,0.0002765304],"domain_scores_gemma":[0.9990308,0.000525339,0.000091206166,0.00007906737,0.0001176138,0.00015586187],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023877863,0.00031537347,0.00018713658,0.000590371,0.01011201,0.0059831026,0.00061014295,0.0019529206,0.00517379],"category_scores_gemma":[0.004624469,0.00016719043,0.00013245118,0.0003695303,0.0412288,0.0032304327,0.0035089864,0.003550808,0.0005816042],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006776354,0.000015509002,0.0007226046,0.000044270742,0.0000043605905,0.00024741777,0.27935514,0.00006335241,0.0006197146,0.6932951,0.009070345,0.01649442],"study_design_scores_gemma":[0.000024741246,0.00011040794,0.0026023362,0.00025910026,0.000010956415,0.0003912999,0.44522956,0.00027051487,0.0012245353,0.09501448,0.45482785,0.00003423751],"about_ca_topic_score_codex":0.0044880523,"about_ca_topic_score_gemma":0.0065377257,"teacher_disagreement_score":0.01011201,"about_ca_system_score_codex":0.0017236186,"about_ca_system_score_gemma":0.0011288766,"threshold_uncertainty_score":0.017308116},"labels":[],"label_agreement":null},{"id":"W1524788942","doi":"10.2218/forum.08.614","title":"Marcuse on Art and Technology","year":2009,"lang":"en","type":"article","venue":"FORUM University of Edinburgh Postgraduate Journal of Culture & the Arts","topic":"Critical Theory and Philosophy","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Praxis; Aesthetics; Sensation; Philosophy; Epistemology; Sociology; Psychology; Cognitive psychology","score_opus":0.01610255013794715,"score_gpt":0.2626881072474466,"score_spread":0.24658555710949948,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1524788942","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011667586,0.08846881,0.0054669753,0.04132705,0.0021217533,0.000016854787,0.000028112123,0.000050639766,0.8508523],"genre_scores_gemma":[0.5991076,0.05481306,0.003954464,0.00924371,0.0049604657,0.00011145753,0.000029815676,0.0001362688,0.3276431],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9990103,0.00045731018,0.000022506289,0.00013893619,0.00026704447,0.000103859114],"domain_scores_gemma":[0.9994286,0.00035201258,0.000040394727,0.000062124716,0.00006387307,0.000053014486],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007195398,0.00049834844,0.00026479445,0.0011462616,0.0032996375,0.004134614,0.0003465171,0.0018349986,0.005384708],"category_scores_gemma":[0.0022918917,0.00016080627,0.00028123765,0.0007729443,0.01271359,0.0043366915,0.0022787657,0.0023628573,0.0011028858],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000388151,0.000002607399,0.00003951728,0.000022133068,8.7187635e-7,0.000031507814,0.0014535321,0.00006405356,0.00006724045,0.9857022,0.0074242805,0.0051881406],"study_design_scores_gemma":[0.0000035030562,0.000015641728,0.00022986735,0.00018673135,0.0000028364827,0.000182178,0.0008196794,0.00020619604,0.00018556483,0.3624105,0.63574886,0.000008416677],"about_ca_topic_score_codex":0.0027968811,"about_ca_topic_score_gemma":0.0029093386,"teacher_disagreement_score":0.005384708,"about_ca_system_score_codex":0.002138144,"about_ca_system_score_gemma":0.001096213,"threshold_uncertainty_score":0.018013656},"labels":[],"label_agreement":null},{"id":"W1551350170","doi":"10.2218/forum.13.675","title":"Rape and Revenge in Graphic Detail: Neil Gaiman's \"Calliope,\" in The Sandman Comic Series","year":2011,"lang":"en","type":"article","venue":"FORUM University of Edinburgh Postgraduate Journal of Culture & the Arts","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Saskatchewan","funders":"","keywords":"Fantasy; Literature; Comics; Psyche; Depiction; Metanarrative; Subject (documents); Narrative; Psychoanalysis; Art; Psychology","score_opus":0.031254513321194374,"score_gpt":0.1952039380794749,"score_spread":0.1639494247582805,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1551350170","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.077296674,0.07750374,0.0014768934,0.22180967,0.011310315,0.00006748261,0.00008812881,0.00020671547,0.6102404],"genre_scores_gemma":[0.61908174,0.030592822,0.0013414031,0.030365665,0.0037391023,0.00010602713,0.000055412518,0.000252303,0.3144655],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992042,0.00044243506,0.000013054436,0.0000548925,0.00016398895,0.000121340665],"domain_scores_gemma":[0.9991315,0.00050034974,0.00007886649,0.000061009192,0.00010357091,0.00012466258],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009807686,0.0006802369,0.00024991378,0.00091100344,0.012537787,0.005926623,0.0009644171,0.0025075208,0.004016484],"category_scores_gemma":[0.0025654752,0.00024207815,0.00015236899,0.00057302724,0.011179112,0.0031827574,0.002942088,0.004409121,0.0008038526],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000039398907,0.00004756283,0.0005890056,0.00013010489,0.000010492911,0.0015891781,0.18367893,0.00017511366,0.000338638,0.23773037,0.5358921,0.03977904],"study_design_scores_gemma":[0.0000030146007,0.000013336912,0.0004940441,0.00020417215,0.0000046886807,0.00068410364,0.0398015,0.0000783377,0.00023834543,0.006207212,0.95225644,0.000014886348],"about_ca_topic_score_codex":0.01981607,"about_ca_topic_score_gemma":0.081856586,"teacher_disagreement_score":0.01981607,"about_ca_system_score_codex":0.0050503835,"about_ca_system_score_gemma":0.0020189572,"threshold_uncertainty_score":0.03940147},"labels":[],"label_agreement":null},{"id":"W1653392909","doi":"10.2218/forum.08.618","title":"On Dwarves and Scientists: Probing for Technological Ethics in the Creative Imagination of J.R.R. Tolkien","year":2009,"lang":"en","type":"article","venue":"FORUM University of Edinburgh Postgraduate Journal of Culture & the Arts","topic":"Space Science and Extraterrestrial Life","field":"Physics and Astronomy","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Regent College","funders":"","keywords":"Theme (computing); Creatures; Sociology; Aesthetics; Philosophy of technology; Epistemology; Philosophy; History; Philosophy of science; Natural (archaeology); Computer science","score_opus":0.023592001327188483,"score_gpt":0.28052148928739806,"score_spread":0.2569294879602096,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1653392909","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05599829,0.055128828,0.009600502,0.62740886,0.00895497,0.00010012786,0.00004968269,0.00011743647,0.24264129],"genre_scores_gemma":[0.8752231,0.01969819,0.005876238,0.05377352,0.004382812,0.00020892142,0.000024625471,0.00036356226,0.040449094],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.97332585,0.020668851,0.00043739757,0.0012245524,0.0032156834,0.001127649],"domain_scores_gemma":[0.95567626,0.038544428,0.0014303167,0.00093736645,0.0020865914,0.0013250955],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.02306759,0.0008546709,0.00095143,0.0031699168,0.015763404,0.01778213,0.003083037,0.009784296,0.0018494811],"category_scores_gemma":[0.038752284,0.0006281141,0.00057736214,0.0017421369,0.0650626,0.01638484,0.0070750816,0.014493265,0.00059167674],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022948385,0.000040626728,0.00014117094,0.000104892424,0.0000064033566,0.00043050086,0.30355668,0.00018183964,0.00020729956,0.6480677,0.042162873,0.0050770673],"study_design_scores_gemma":[0.000016760097,0.000037475216,0.0002777131,0.0008594691,0.000010128711,0.00046212453,0.19267415,0.00055888074,0.0004118009,0.21023555,0.5943893,0.00006671594],"about_ca_topic_score_codex":0.008970147,"about_ca_topic_score_gemma":0.013747725,"teacher_disagreement_score":0.02306759,"about_ca_system_score_codex":0.011831292,"about_ca_system_score_gemma":0.008171268,"threshold_uncertainty_score":0.121994555},"labels":[],"label_agreement":null},{"id":"W1684241010","doi":"10.2218/forum.05.588","title":"This is the End: Earth First! and Apocalyptic Utopianism","year":2007,"lang":"en","type":"article","venue":"FORUM University of Edinburgh Postgraduate Journal of Culture & the Arts","topic":"Earth Systems and Cosmic Evolution","field":"Earth and Planetary Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McMaster University","funders":"","keywords":"Dialectic; Subjectivity; Narrative; Resistance (ecology); Aesthetics; Environmental ethics; Epistemology; Sociology; History; Philosophy; Literature; Ecology; Art","score_opus":0.010113729373899307,"score_gpt":0.18664909226022283,"score_spread":0.17653536288632352,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1684241010","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09320452,0.01160645,0.017499618,0.11769664,0.0029187254,0.000024892812,0.000039606475,0.00012798107,0.75688154],"genre_scores_gemma":[0.9520671,0.001677502,0.0015774859,0.0067607523,0.000348533,0.000023234168,0.00001902667,0.00008193503,0.03744431],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99701947,0.0017958547,0.000048994643,0.00020965443,0.0005116106,0.000414403],"domain_scores_gemma":[0.99828404,0.00089235714,0.00020068925,0.00021013466,0.000189159,0.00022360336],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002310249,0.00036348592,0.00028022594,0.0006637195,0.007644626,0.008737872,0.00066208694,0.0028429395,0.004649316],"category_scores_gemma":[0.004941133,0.00013089394,0.00023259966,0.00050752674,0.03831187,0.00951456,0.006471242,0.0046406696,0.0006570488],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011948076,0.000007872337,0.00024600982,0.000025304185,0.0000022326128,0.00009893375,0.026462318,0.000065838125,0.000104145955,0.96183527,0.005226493,0.0059135393],"study_design_scores_gemma":[0.000010397153,0.000027322487,0.0005737622,0.00021444776,0.0000045347874,0.00026141244,0.043861244,0.00021480165,0.0006672575,0.49525198,0.45889604,0.000016843043],"about_ca_topic_score_codex":0.002965326,"about_ca_topic_score_gemma":0.003290836,"teacher_disagreement_score":0.008737872,"about_ca_system_score_codex":0.0035648746,"about_ca_system_score_gemma":0.0023668513,"threshold_uncertainty_score":0.025865138},"labels":[],"label_agreement":null},{"id":"W1707123155","doi":"10.2218/forum.06.596","title":"Female Effigies and Performances of Desire: A Consideration of Identity Performance in Lars and the Real Girl.","year":2008,"lang":"en","type":"article","venue":"FORUM University of Edinburgh Postgraduate Journal of Culture & the Arts","topic":"Gender, Feminism, and Media","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Femininity; Fantasy; Objectification; Performative utterance; Psychology; Girl; Human sexuality; Masculinity; Identity (music); Gender studies; Object (grammar); Power (physics); Social psychology; Phallic stage; Ideal (ethics); Sociology; Aesthetics; Psychoanalysis; Developmental psychology; Art; Epistemology; Literature","score_opus":0.028072452809825222,"score_gpt":0.25168400799216534,"score_spread":0.2236115551823401,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1707123155","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4234385,0.008618209,0.0011855174,0.0142846955,0.00047443018,0.000039091883,0.000046922338,0.00001829005,0.55189425],"genre_scores_gemma":[0.9563115,0.0019644564,0.00019260716,0.0005131002,0.000117452095,0.000023163315,0.000019589392,0.000020963664,0.040837124],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99788445,0.0012975411,0.00002995649,0.000117949,0.00025339326,0.00041672713],"domain_scores_gemma":[0.99930453,0.0003310957,0.000073083684,0.000027324773,0.000061898565,0.00020204569],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013038714,0.000466657,0.0002643555,0.001167777,0.00907282,0.00750686,0.0010374967,0.002138296,0.005588144],"category_scores_gemma":[0.0020738344,0.00023558305,0.0003044571,0.000609924,0.014014692,0.0037129424,0.0041807964,0.0022051046,0.00046357696],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005976362,0.000069682836,0.002296531,0.00009411458,0.000004773829,0.0026348322,0.7531868,0.000056536675,0.0004149557,0.22454564,0.004830528,0.011805774],"study_design_scores_gemma":[0.000008624371,0.00008376763,0.00866492,0.0002642723,0.000006788055,0.0013818912,0.8178208,0.00012099891,0.00027140867,0.0056160623,0.1657366,0.000023844237],"about_ca_topic_score_codex":0.018314423,"about_ca_topic_score_gemma":0.036646925,"teacher_disagreement_score":0.018314423,"about_ca_system_score_codex":0.005898432,"about_ca_system_score_gemma":0.001935742,"threshold_uncertainty_score":0.042796314},"labels":[],"label_agreement":null},{"id":"W1758928538","doi":"10.2218/forum.20.1275","title":"After the Good Life - Introduction","year":2015,"lang":"en","type":"article","venue":"FORUM University of Edinburgh Postgraduate Journal of Culture & the Arts","topic":"Political Economy and Marxism","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of New Brunswick","funders":"","keywords":"Middle class; Ideal (ethics); Ideology; Capitalism; Welfare; Welfare state; Sociology; Political economy; Political science; Politics; Law","score_opus":0.020763808930969258,"score_gpt":0.24091529373204992,"score_spread":0.22015148480108065,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1758928538","genre_codex":"other","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.022277486,0.019808441,0.0058779675,0.15063846,0.011192859,0.00010151829,0.000442381,0.0001926139,0.78946817],"genre_scores_gemma":[0.4293309,0.00936362,0.0028548278,0.046063583,0.002785287,0.00012823028,0.00029109995,0.00020602204,0.50897646],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99810565,0.0007015755,0.000054988097,0.0002964809,0.0004552174,0.000386136],"domain_scores_gemma":[0.99890375,0.00022463694,0.00010746002,0.00014242955,0.00028360315,0.00033809344],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014098193,0.00041441174,0.00026081307,0.00047161747,0.004825685,0.0075558466,0.0005523554,0.0028442808,0.027715497],"category_scores_gemma":[0.002288708,0.0001330678,0.00028072225,0.0005873831,0.011408122,0.005187227,0.004526906,0.0063461727,0.008064947],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000041546195,0.00003632768,0.0007900822,0.00012661483,0.000004277181,0.00018454052,0.014689195,0.00004914517,0.00025509493,0.8006652,0.1400445,0.0431134],"study_design_scores_gemma":[0.000004022175,0.00003331362,0.00088623544,0.00018780105,0.0000020018313,0.00017525612,0.005654653,0.00002437518,0.00011818084,0.030223286,0.96268106,0.000009924864],"about_ca_topic_score_codex":0.0047353017,"about_ca_topic_score_gemma":0.006494964,"teacher_disagreement_score":0.027715497,"about_ca_system_score_codex":0.003896466,"about_ca_system_score_gemma":0.0032326074,"threshold_uncertainty_score":0.09271759},"labels":[],"label_agreement":null},{"id":"W1878310080","doi":"10.2218/forum.09.628","title":"Irish voices for Irish visions: Gael Linn’s documentary film projects","year":2009,"lang":"en","type":"article","venue":"FORUM University of Edinburgh Postgraduate Journal of Culture & the Arts","topic":"Irish and British Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Irish; Vision; Movie theater; Ideology; Nationalism; Irish nationalism; Political science; Media studies; Sociology; History; Law; Politics; Art history; Anthropology; Linguistics","score_opus":0.020848349818935994,"score_gpt":0.28785190952933803,"score_spread":0.267003559710402,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1878310080","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13696119,0.015590529,0.0011713068,0.26825887,0.015600676,0.00021873253,0.0001987086,0.00014531663,0.5618546],"genre_scores_gemma":[0.6640118,0.008063285,0.0031893556,0.029909322,0.0023549085,0.00017887702,0.00014569265,0.00031791793,0.29182896],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.9972408,0.001211626,0.00003958941,0.0002441992,0.00053788704,0.00072589796],"domain_scores_gemma":[0.9973314,0.00080738,0.0001288951,0.00010301033,0.00031913683,0.0013102354],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0039025096,0.0005556282,0.00021644848,0.0011867265,0.012408175,0.00874145,0.0013049459,0.0031063862,0.005109304],"category_scores_gemma":[0.0046407273,0.000369479,0.00020263076,0.0009712558,0.007221545,0.0038478205,0.006783019,0.0075818254,0.00089487864],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007701501,0.000097349315,0.0008796359,0.00013952161,0.000009531753,0.0015918574,0.2565873,0.00013192343,0.001340282,0.13211954,0.54813915,0.058886882],"study_design_scores_gemma":[0.0000066684797,0.000017443424,0.0006824237,0.00011834296,0.0000019095787,0.00024783015,0.082193285,0.000044011926,0.00029086048,0.002109433,0.9142684,0.000019446114],"about_ca_topic_score_codex":0.038478177,"about_ca_topic_score_gemma":0.123814166,"teacher_disagreement_score":0.038478177,"about_ca_system_score_codex":0.011307867,"about_ca_system_score_gemma":0.0070798197,"threshold_uncertainty_score":0.08204466},"labels":[],"label_agreement":null},{"id":"W2903266882","doi":"10.2218/forum.26.2778","title":"The Real Deal: Hip-hop Mixtape Artwork and Black Masculinity","year":2018,"lang":"en","type":"article","venue":"FORUM University of Edinburgh Postgraduate Journal of Culture & the Arts","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Oppression; Masculinity; Aesthetics; Popularity; Expression (computer science); Sociology; Art; Visual arts; Gender studies; Politics; Psychology; Political science; Social psychology; Law; Computer science","score_opus":0.02031508710399057,"score_gpt":0.2067631765194435,"score_spread":0.18644808941545293,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2903266882","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.51411027,0.0033533722,0.0015320079,0.008689235,0.0008509642,0.00004051361,0.000046334142,0.000048327416,0.47132897],"genre_scores_gemma":[0.9370916,0.0011349772,0.0007925802,0.0007805242,0.00022363417,0.000022303173,0.000018119075,0.000058917252,0.059877396],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9995863,0.00019234148,0.0000053064605,0.000028378001,0.000108692744,0.00007897165],"domain_scores_gemma":[0.9996531,0.00017499638,0.000032211614,0.00003421934,0.000028247696,0.00007726583],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00079603103,0.00036909248,0.00015555904,0.000815065,0.0067148358,0.0051674047,0.0003399837,0.00087389664,0.011101301],"category_scores_gemma":[0.0012357645,0.00013738437,0.00013289586,0.00039939163,0.009114864,0.0014344478,0.003423467,0.0017100443,0.0006826229],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00027257428,0.00010210585,0.0033745791,0.00035784277,0.000020559757,0.0012933358,0.63841647,0.00013695507,0.0045540337,0.25172257,0.034812983,0.06493596],"study_design_scores_gemma":[0.000018451816,0.00013965464,0.008341133,0.0006080691,0.00002343487,0.0014991045,0.6191042,0.00024397162,0.0025388421,0.015681917,0.3517762,0.000025040417],"about_ca_topic_score_codex":0.0029074247,"about_ca_topic_score_gemma":0.010983208,"teacher_disagreement_score":0.011101301,"about_ca_system_score_codex":0.0010773158,"about_ca_system_score_gemma":0.00058703724,"threshold_uncertainty_score":0.037137568},"labels":[],"label_agreement":null},{"id":"W2903598062","doi":"10.2218/forum.25.2556","title":"Perspective in Australia’s Outback: Travel and Truth","year":2017,"lang":"en","type":"article","venue":"FORUM University of Edinburgh Postgraduate Journal of Culture & the Arts","topic":"Travel Writing and Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Memoir; Perspective (graphical); Obligation; Sociology; History; Media studies; Art; Literature; Political science; Law; Visual arts","score_opus":0.03585790219615913,"score_gpt":0.25298006558051184,"score_spread":0.2171221633843527,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2903598062","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.65170693,0.0047908085,0.003523603,0.04989473,0.001483964,0.000039052713,0.00005332159,0.000052685602,0.28845498],"genre_scores_gemma":[0.97612906,0.0011886059,0.0004367317,0.0021921718,0.00010508641,0.000008480896,0.0000085094625,0.000036431396,0.01989495],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99695,0.0017953501,0.00009696925,0.00014474773,0.00054785324,0.00046511777],"domain_scores_gemma":[0.9960848,0.0021099274,0.0003667773,0.00026613576,0.0006043481,0.0005678727],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003597332,0.0004555312,0.00034731303,0.0016334311,0.0184371,0.009660307,0.0009031111,0.0033305362,0.0045357225],"category_scores_gemma":[0.00790829,0.00032432174,0.0002252885,0.0014861093,0.015409974,0.007226836,0.0067897676,0.006246265,0.0003337799],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016878526,0.000010237929,0.0005396961,0.000070065835,0.0000025151196,0.0010436276,0.941056,0.00004501301,0.00027987556,0.047586817,0.002926125,0.006423159],"study_design_scores_gemma":[0.0000033410727,0.000028396194,0.0018652077,0.00028699604,0.0000064659207,0.0008907404,0.83414763,0.00016499008,0.00037162544,0.009658022,0.15255383,0.000022726663],"about_ca_topic_score_codex":0.047218245,"about_ca_topic_score_gemma":0.07551973,"teacher_disagreement_score":0.047218245,"about_ca_system_score_codex":0.0068635275,"about_ca_system_score_gemma":0.0062888176,"threshold_uncertainty_score":0.09388679},"labels":[],"label_agreement":null},{"id":"W3206054384","doi":"10.2218/forum.32.6459","title":"\"A lady to take care of us at last\"","year":2021,"lang":"en","type":"article","venue":"FORUM University of Edinburgh Postgraduate Journal of Culture & the Arts","topic":"Gender, Feminism, and Media","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Femininity; Ambivalence; Depiction; Masculinity; Ideal (ethics); Politics; Psychoanalysis; Aesthetics; Relation (database); Sociology; Gender studies; Art; Psychology; Literature; Philosophy; Political science; Law; Epistemology","score_opus":0.019629697684061333,"score_gpt":0.25563257274181733,"score_spread":0.236002875057756,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3206054384","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.044578116,0.009482787,0.0096993875,0.21199657,0.016842587,0.00006111536,0.00015554008,0.00048299987,0.70670086],"genre_scores_gemma":[0.5213489,0.004347827,0.0024027247,0.053815607,0.0025362598,0.00009085428,0.00007835065,0.0004083749,0.41497114],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99797314,0.001062547,0.000027560185,0.00017589996,0.00043124458,0.00032958636],"domain_scores_gemma":[0.99884593,0.00035724853,0.0001287137,0.00011670208,0.00023383225,0.00031746764],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015570461,0.0005569373,0.0002733967,0.0006568882,0.012498418,0.0060696923,0.0007709952,0.002237225,0.014571962],"category_scores_gemma":[0.0043773754,0.00023226677,0.00024085566,0.00040458,0.01404248,0.008072317,0.005198388,0.007284365,0.004514854],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006962854,0.000040146737,0.0010271597,0.000121453784,0.000013206744,0.00086908985,0.23139182,0.000047412133,0.0011850875,0.39092588,0.33251846,0.041790675],"study_design_scores_gemma":[0.0000025507377,0.00001735688,0.00026807174,0.00009762646,0.0000040418254,0.0004087797,0.04810811,0.000033869328,0.00025055374,0.006580843,0.9442127,0.00001539002],"about_ca_topic_score_codex":0.006422848,"about_ca_topic_score_gemma":0.012946581,"teacher_disagreement_score":0.014571962,"about_ca_system_score_codex":0.0020075839,"about_ca_system_score_gemma":0.0017551967,"threshold_uncertainty_score":0.048748076},"labels":[],"label_agreement":null},{"id":"W4387705289","doi":"10.2218/forum.1.9140","title":"Resisting Transhistorical Violence: Fringe and Art Activism","year":2023,"lang":"en","type":"article","venue":"FORUM University of Edinburgh Postgraduate Journal of Culture & the Arts","topic":"Geographies of human-animal interactions","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Allegory; Colonialism; Indigenous; Visual culture; History; White (mutation); Art; Visual arts; Art history; Archaeology","score_opus":0.028310583141787683,"score_gpt":0.278305069904031,"score_spread":0.24999448676224328,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387705289","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.38024983,0.02715058,0.0017547674,0.044349194,0.002075038,0.000100503596,0.00006920435,0.00010827709,0.54414266],"genre_scores_gemma":[0.9433881,0.0038668427,0.00069063815,0.002888181,0.00037372453,0.000042504387,0.000027584008,0.000082976265,0.048639607],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99740475,0.0011484299,0.00004387511,0.00030021707,0.00025714978,0.0008455814],"domain_scores_gemma":[0.99836487,0.0008929181,0.00013302703,0.00014539425,0.00010189667,0.00036184434],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004430887,0.0007324147,0.0004200007,0.0027072164,0.036606092,0.010545677,0.0023339386,0.003789266,0.012039784],"category_scores_gemma":[0.003984048,0.00039738996,0.00042100082,0.0010056966,0.030159893,0.004932674,0.009829443,0.005954517,0.0008185995],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007851428,0.00012161224,0.0016128023,0.00016352125,0.00001718022,0.0011892891,0.8335984,0.000063868734,0.0010358623,0.098517954,0.019936003,0.043665066],"study_design_scores_gemma":[0.000013030611,0.00005891749,0.0029513554,0.00047802177,0.00001186282,0.0008158681,0.40617326,0.00006179449,0.00048651922,0.004665925,0.5842601,0.000023326054],"about_ca_topic_score_codex":0.04703981,"about_ca_topic_score_gemma":0.17259517,"teacher_disagreement_score":0.04703981,"about_ca_system_score_codex":0.010363012,"about_ca_system_score_gemma":0.0026080604,"threshold_uncertainty_score":0.093532026},"labels":[],"label_agreement":null},{"id":"W4403761087","doi":"10.2218/forum.1.10039","title":"Through Ecocriticism and Affect Theory, Exploring Climate Change Artistry: The Ice Receding/Books Reseeding Project","year":2024,"lang":"en","type":"article","venue":"FORUM University of Edinburgh Postgraduate Journal of Culture & the Arts","topic":"Ecocriticism and Environmental Literature","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Ecocriticism; Affect (linguistics); Climate change; Aesthetics; Psychology; Art; Environmental ethics; Philosophy; Geology; Communication; Oceanography","score_opus":0.07102490988754032,"score_gpt":0.25164198199902893,"score_spread":0.1806170721114886,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4403761087","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3976071,0.0028451667,0.007925919,0.011193208,0.0008612883,0.00025274712,0.000106448715,0.0001168533,0.5790913],"genre_scores_gemma":[0.8956187,0.0019939956,0.006654752,0.0013863312,0.00026354287,0.00024507986,0.000073244795,0.00013268852,0.09363182],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99798405,0.001293788,0.00002899179,0.00015140888,0.0003281438,0.0002136401],"domain_scores_gemma":[0.9979377,0.0013333538,0.00011601453,0.00017268963,0.0001077178,0.00033264264],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0032366293,0.00056019553,0.00027235085,0.0012215722,0.010679275,0.0071003274,0.0010297907,0.0012694522,0.007704745],"category_scores_gemma":[0.0026802118,0.00016762989,0.0003603349,0.0006295596,0.012653959,0.0026418488,0.0053198724,0.0031431378,0.00095257506],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017569262,0.00041209272,0.004018223,0.0005271928,0.000022929229,0.0022043888,0.69232434,0.000660455,0.0058628395,0.1307953,0.030809995,0.13218659],"study_design_scores_gemma":[0.00002929071,0.00022037026,0.006574152,0.00043921295,0.000019270306,0.001095379,0.4481909,0.00034163674,0.0035055606,0.016268497,0.5232741,0.000041646534],"about_ca_topic_score_codex":0.0014453722,"about_ca_topic_score_gemma":0.007256259,"teacher_disagreement_score":0.010679275,"about_ca_system_score_codex":0.002181233,"about_ca_system_score_gemma":0.0015048741,"threshold_uncertainty_score":0.025774896},"labels":[],"label_agreement":null},{"id":"W4403761296","doi":"10.2218/forum.1.10034","title":"Remixing Britishness: Affect and National Pride in the London 2012 Olympic Opening Ceremony","year":2024,"lang":"en","type":"article","venue":"FORUM University of Edinburgh Postgraduate Journal of Culture & the Arts","topic":"Philippine History and Culture","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Dalhousie University","funders":"","keywords":"Britishness; Pride; Affect (linguistics); Ceremony; Opening ceremony; Aesthetics; Art; Media studies; Political science; History; Sociology; Archaeology; Law; Communication","score_opus":0.01960891673539154,"score_gpt":0.263672989606498,"score_spread":0.24406407287110646,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4403761296","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9231935,0.0005489195,0.00026805457,0.0014828298,0.00012981621,0.000008912352,0.000029266936,0.00001349196,0.07432508],"genre_scores_gemma":[0.9923999,0.00019007637,0.00008266716,0.00020775884,0.000018252056,0.0000047190165,0.000011100319,0.000014021709,0.007071613],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99923813,0.0004294549,0.000014819973,0.00005614301,0.00016714165,0.000094349154],"domain_scores_gemma":[0.99924445,0.0002625272,0.00015045793,0.0000357219,0.00012488755,0.00018203656],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00080018083,0.00019578611,0.00020912921,0.0005178667,0.0034958974,0.0050536264,0.00024701163,0.00071954465,0.002875619],"category_scores_gemma":[0.002388977,0.00022383855,0.00012360467,0.0004479068,0.0051073316,0.001287636,0.0021680736,0.0013709004,0.00030998394],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015458849,0.00003001855,0.013447199,0.00008723886,0.000020863736,0.0008867883,0.9630024,0.00006697919,0.0037823708,0.007515922,0.0041663437,0.006839221],"study_design_scores_gemma":[0.000011234107,0.00007938694,0.11236736,0.0001241453,0.000015968104,0.00050300814,0.8233458,0.00013991963,0.0006272761,0.0010113041,0.06170832,0.000066378234],"about_ca_topic_score_codex":0.036553714,"about_ca_topic_score_gemma":0.09978244,"teacher_disagreement_score":0.036553714,"about_ca_system_score_codex":0.0022920095,"about_ca_system_score_gemma":0.000499298,"threshold_uncertainty_score":0.072681904},"labels":[],"label_agreement":null}]}