{"meta":{"query_hash":"11ff6e23a2ac","filters":{"venue":"Fashion Theory"},"cohort_total":18,"direct_labels_cover":0,"predictions_cover":18,"exported":18,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/11ff6e23a2ac","api":"https://metacan.xera.ac/api/v1/cohort?venue=Fashion+Theory"},"results":[{"id":"W2005939721","doi":"10.2752/136270405778051365","title":"Historicizing Masculine Appearance: John Chute and the Suits at The Vyne, 1740–76","year":2005,"lang":"en","type":"article","venue":"Fashion Theory","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Artificial Intelligence in Medicine (Canada)","funders":"","keywords":"Art; Visual arts; History; Art history","score_opus":0.014472393093336696,"score_gpt":0.203540335703542,"score_spread":0.1890679426102053,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2005939721","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.29538178,0.08824731,0.0010263183,0.09852369,0.0037959134,0.000046411955,0.00015007831,0.000025377356,0.5128031],"genre_scores_gemma":[0.8199835,0.012874788,0.00030620588,0.005654344,0.00069725775,0.000022939425,0.000025446801,0.000060065453,0.16037548],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991574,0.00031300363,0.000020092488,0.00013556812,0.00011386405,0.00025997558],"domain_scores_gemma":[0.99956805,0.00016752035,0.000048359874,0.000021653526,0.00008712625,0.000107244516],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001326887,0.00031286,0.00029568354,0.0012413315,0.018060206,0.004912312,0.00040118129,0.0025766667,0.0048061316],"category_scores_gemma":[0.0022812192,0.0004504566,0.000113896254,0.0018067909,0.019102603,0.003966149,0.0036936724,0.005959617,0.00044072702],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000085661864,0.000060190232,0.0023834289,0.00008073508,0.000009206725,0.0005125585,0.27152205,0.0001441973,0.0003305888,0.65188634,0.04378425,0.02920066],"study_design_scores_gemma":[0.000008387136,0.000036066107,0.0057983524,0.00027649637,0.000006868825,0.00038762,0.061555967,0.00004644009,0.00040290272,0.012899737,0.9185473,0.000033948178],"about_ca_topic_score_codex":0.18257728,"about_ca_topic_score_gemma":0.49424133,"teacher_disagreement_score":0.18257728,"about_ca_system_score_codex":0.009235844,"about_ca_system_score_gemma":0.0048479256,"threshold_uncertainty_score":0.36302912},"labels":[],"label_agreement":null},{"id":"W2015669008","doi":"10.2752/175174107x250253","title":"Material Fictions of Desire","year":2007,"lang":"en","type":"article","venue":"Fashion Theory","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Biography; Aesthetics; Audience measurement; Reading (process); Materialism; Sociology; Negotiation; Alienation; Narrative; Everyday life; Representation (politics); Literature; Art; History; Politics; Philosophy; Social science; Linguistics; Law; Epistemology; Political science","score_opus":0.027901710693377765,"score_gpt":0.2346999784172227,"score_spread":0.20679826772384494,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2015669008","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.023806375,0.0037762215,0.0017026821,0.010808971,0.0010663132,0.000020808226,0.0000937198,0.00004074721,0.95868415],"genre_scores_gemma":[0.8042847,0.002069747,0.0006018286,0.002069527,0.00069039484,0.000043647986,0.00007700871,0.000073030846,0.19009013],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99884415,0.0005982254,0.000029269526,0.00013149154,0.00024280162,0.00015403473],"domain_scores_gemma":[0.9989962,0.0006013486,0.000074683034,0.00013043673,0.00011302093,0.00008438745],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007999742,0.00048626025,0.00022663201,0.001742423,0.006634265,0.0055789463,0.000517272,0.0013177075,0.018215086],"category_scores_gemma":[0.0026019104,0.00011624876,0.0002359362,0.001335067,0.016342068,0.0030972224,0.0031334353,0.0021353278,0.0011837358],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025720838,0.000012234659,0.00019915948,0.00007080024,0.0000023080288,0.00034342104,0.04839119,0.000042809417,0.00022379763,0.9261107,0.01658966,0.007988217],"study_design_scores_gemma":[0.0000061210726,0.00002190264,0.00044604877,0.00022466236,0.000003884339,0.00033725105,0.02980096,0.00008217082,0.00046788793,0.057183344,0.9114187,0.000007246762],"about_ca_topic_score_codex":0.0028001014,"about_ca_topic_score_gemma":0.006168612,"teacher_disagreement_score":0.018215086,"about_ca_system_score_codex":0.0048594945,"about_ca_system_score_gemma":0.0010738586,"threshold_uncertainty_score":0.060935557},"labels":[],"label_agreement":null},{"id":"W2032042645","doi":"10.2752/175174112x13203182460362","title":"Volume 3: The United States and Canada","year":2012,"lang":"en","type":"article","venue":"Fashion Theory","topic":"Canadian Policy and Governance","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Volume (thermodynamics); History; Geography; Thermodynamics; Physics","score_opus":0.010084487525364616,"score_gpt":0.24000386503487295,"score_spread":0.22991937750950833,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2032042645","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.023449589,0.08089963,0.00045392234,0.110832565,0.009731117,0.00013091015,0.008037767,0.00015985618,0.7663046],"genre_scores_gemma":[0.19999118,0.04612345,0.0013479809,0.021795068,0.0015026346,0.00010320658,0.0033440574,0.0002780602,0.72551435],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9968917,0.00020162262,0.000068288144,0.00025601423,0.0013497573,0.0012326149],"domain_scores_gemma":[0.9964399,0.00030601723,0.00008456552,0.00011990596,0.0019855804,0.0010640048],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016179319,0.0007228788,0.0010471342,0.0054052644,0.019471204,0.01800795,0.0019811785,0.0045413948,0.052434802],"category_scores_gemma":[0.004381199,0.0006522332,0.0011224609,0.013284578,0.0049272026,0.002664206,0.002874788,0.0034706725,0.0028279945],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005874537,0.00007052859,0.0052649244,0.00022637332,0.000035510235,0.00011832355,0.0011581072,0.0004947599,0.00010616868,0.1633742,0.79444903,0.034643468],"study_design_scores_gemma":[0.000024347197,0.000008341938,0.015887637,0.00035481952,0.000038940343,0.0000317382,0.0038292361,0.00018359565,0.000088280554,0.0068279956,0.9726768,0.00004833096],"about_ca_topic_score_codex":0.99641883,"about_ca_topic_score_gemma":0.9983364,"teacher_disagreement_score":0.12937939,"about_ca_system_score_codex":0.12937939,"about_ca_system_score_gemma":0.30695775,"threshold_uncertainty_score":0.9387176},"labels":[],"label_agreement":null},{"id":"W2056348255","doi":"10.2752/175174113x13673474643246","title":"Fashionality: Dress and Identity in Contemporary Canadian Art","year":2013,"lang":"en","type":"article","venue":"Fashion Theory","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Identity (music); Aesthetics; Art; Contemporary art; Visual arts; Sociology; Art history; Performance art","score_opus":0.043290697232838,"score_gpt":0.2556447375798856,"score_spread":0.21235404034704758,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2056348255","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23977122,0.031547826,0.002244169,0.034977842,0.0011695846,0.000044912642,0.0010653582,0.00006025534,0.68911886],"genre_scores_gemma":[0.9467971,0.010924302,0.00090770924,0.0009332865,0.00008718509,0.000012398586,0.00020322979,0.000033520842,0.040101357],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9994122,0.00004826917,0.000011989563,0.00004151482,0.0002923947,0.00019363209],"domain_scores_gemma":[0.99946445,0.000046667905,0.000040051553,0.000016892069,0.00030563574,0.00012632736],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007156289,0.0003643823,0.00014814736,0.0021336216,0.014203919,0.0060895914,0.0007735445,0.0008275305,0.0095477],"category_scores_gemma":[0.0015329273,0.00019240189,0.00024188713,0.0035095168,0.007598221,0.0026171058,0.0023748442,0.0013789417,0.00042448886],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009696418,0.000045246878,0.022639675,0.00029804558,0.000019364705,0.0005196661,0.24061933,0.0003172745,0.0007416843,0.4078304,0.12588602,0.20098627],"study_design_scores_gemma":[0.000010915676,0.000026064137,0.15040407,0.0006989425,0.00007320409,0.00046622125,0.3244662,0.0003047536,0.00043220515,0.02455713,0.49844274,0.00011754477],"about_ca_topic_score_codex":0.9869114,"about_ca_topic_score_gemma":0.9958269,"teacher_disagreement_score":0.03671502,"about_ca_system_score_codex":0.03671502,"about_ca_system_score_gemma":0.039366588,"threshold_uncertainty_score":0.26638734},"labels":[],"label_agreement":null},{"id":"W2081990636","doi":"10.2752/175174111x12858453158066","title":"“Lolita”: Imaginative Self and Elusive Consumption","year":2011,"lang":"en","type":"article","venue":"Fashion Theory","topic":"Gender, Feminism, and Media","field":"Social Sciences","cited_by":27,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Escapism; Pleasure; Fantasy; Consumption (sociology); Aesthetics; Everyday life; Subculture (biology); Psychology; Identity (music); Style (visual arts); Conspicuous consumption; Connotation; Hedonism; Entertainment; The Imaginary; Sociology; Social psychology; Psychoanalysis; Art; Literature; Visual arts","score_opus":0.042016094610792705,"score_gpt":0.30003910235761616,"score_spread":0.25802300774682346,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2081990636","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8390917,0.0025679457,0.0036074838,0.002719786,0.00010167058,0.000024202875,0.000035452336,0.000040514955,0.15181124],"genre_scores_gemma":[0.9936706,0.00025295376,0.00031577545,0.00012610322,0.00001309045,0.0000063407015,0.0000087464805,0.000010768588,0.0055956207],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9993173,0.00037644585,0.000026396569,0.00008569437,0.00009172531,0.00010238204],"domain_scores_gemma":[0.99927264,0.0002475163,0.00014761896,0.00012013613,0.000091836584,0.000120229415],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001316166,0.00033534822,0.0002326724,0.0008061485,0.0034271409,0.0056209182,0.0004877799,0.00067157665,0.0013543274],"category_scores_gemma":[0.001166038,0.0002039105,0.00022778298,0.0004738726,0.018254349,0.0036867845,0.003363638,0.0012438874,0.00023909935],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008236169,0.000050416213,0.007241831,0.000104501094,0.00001348308,0.0014779698,0.7636837,0.000061631836,0.0017752678,0.21202694,0.0018119114,0.011669987],"study_design_scores_gemma":[0.00002991914,0.00018202054,0.020200454,0.0003202213,0.0000389134,0.0026823222,0.6982398,0.000828056,0.0015868144,0.052306335,0.22350347,0.00008173991],"about_ca_topic_score_codex":0.0050321775,"about_ca_topic_score_gemma":0.0042232634,"teacher_disagreement_score":0.0056209182,"about_ca_system_score_codex":0.0023878952,"about_ca_system_score_gemma":0.0009506974,"threshold_uncertainty_score":0.01732546},"labels":[],"label_agreement":null},{"id":"W2126607325","doi":"10.2752/175174112x13340749707123","title":"Fast Fashion, Sustainability, and the Ethical Appeal of Luxury Brands","year":2012,"lang":"en","type":"article","venue":"Fashion Theory","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":898,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Social Sciences and Humanities Research Council of Canada; Hong Kong Polytechnic University; University of Hong Kong","keywords":"Sustainability; Clothing; Yesterday; Fast fashion; Quality (philosophy); Aesthetics; Fashion design; Marketing; Advertising; Business; Law; Political science; Art","score_opus":0.015446514078767891,"score_gpt":0.2458771659941584,"score_spread":0.2304306519153905,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2126607325","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20845594,0.005282817,0.0085766455,0.06688266,0.00069455954,0.000023855264,0.00001508918,0.000031459953,0.71003693],"genre_scores_gemma":[0.9889529,0.00043727824,0.0005063763,0.0034185245,0.00014322337,0.000009950446,0.0000026817097,0.000013451762,0.0065155113],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99547607,0.003208239,0.00006852809,0.00021663979,0.0006265094,0.00040413087],"domain_scores_gemma":[0.9954125,0.0030115508,0.00048617518,0.0003398816,0.00038495456,0.0003649379],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0054297005,0.00021416713,0.00012212334,0.0006595187,0.0056836535,0.007020902,0.00031927205,0.00399828,0.002363395],"category_scores_gemma":[0.0068458137,0.00014602972,0.00022434129,0.00042491095,0.03675404,0.0034998362,0.0026322873,0.0027927482,0.00021713745],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001441715,0.000019154471,0.0015598501,0.000017830942,0.0000036509286,0.00013234785,0.020547496,0.00007614317,0.000197165,0.97035956,0.0017787633,0.0052936464],"study_design_scores_gemma":[0.000018025736,0.000050018087,0.004042197,0.00018063036,0.000009963866,0.00050302164,0.047914647,0.00045404234,0.00048986136,0.775618,0.17068963,0.000030066873],"about_ca_topic_score_codex":0.0017282844,"about_ca_topic_score_gemma":0.003029034,"teacher_disagreement_score":0.007020902,"about_ca_system_score_codex":0.0024468957,"about_ca_system_score_gemma":0.0014632165,"threshold_uncertainty_score":0.028715312},"labels":[],"label_agreement":null},{"id":"W2239441608","doi":"10.2752/175174113x13718320331035","title":"In Patagonia (Clothing): A Complicated Greenness","year":2013,"lang":"en","type":"article","venue":"Fashion Theory","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":30,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Social Sciences and Humanities Research Council of Canada; Coordenação de Aperfeiçoamento de Pessoal de Nível Superior","keywords":"Clothing; Casual; Wilderness; Mainstream; Consumption (sociology); Greenwashing; Sustainability; Marketing; Sublime; Aesthetics; Rhetorical question; Sociology; Business; Environmental ethics; Public relations; Political science; Corporate social responsibility; Law; Art","score_opus":0.025116018340682094,"score_gpt":0.2229896658347328,"score_spread":0.1978736474940507,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2239441608","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4582992,0.007083701,0.006476368,0.031160098,0.0011636518,0.00004899638,0.00012178074,0.00017094763,0.49547523],"genre_scores_gemma":[0.9350377,0.0014254968,0.001360299,0.0034574934,0.00011162644,0.000020411753,0.00004149433,0.00012524697,0.05842037],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9990127,0.0004507908,0.000013101168,0.00019022055,0.00015261068,0.00018064592],"domain_scores_gemma":[0.99962485,0.00013297559,0.0000548209,0.000045424116,0.000046881945,0.00009514174],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005883928,0.00038333944,0.00018846453,0.00037848126,0.009861847,0.007906528,0.0005515145,0.002412997,0.0048103896],"category_scores_gemma":[0.0007899356,0.00032137617,0.0002476958,0.00074187556,0.015922073,0.004907065,0.0038188396,0.003966096,0.00072119874],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018918402,0.000051673243,0.0049089533,0.0001675232,0.00002553843,0.00695928,0.6380114,0.00024045847,0.0029638524,0.2808645,0.039456487,0.02616108],"study_design_scores_gemma":[0.0000069978737,0.000077433295,0.004253756,0.0001510108,0.000010953821,0.003481476,0.25709248,0.00013565546,0.0010301868,0.012526234,0.7211978,0.00003595074],"about_ca_topic_score_codex":0.009860348,"about_ca_topic_score_gemma":0.023510909,"teacher_disagreement_score":0.009861847,"about_ca_system_score_codex":0.0024252718,"about_ca_system_score_gemma":0.00087004656,"threshold_uncertainty_score":0.019605875},"labels":[],"label_agreement":null},{"id":"W2253560423","doi":"10.1080/1362704x.2015.1058041","title":"Four Exhibitions in Toronto","year":2015,"lang":"en","type":"article","venue":"Fashion Theory","topic":"Museums and Cultural Heritage","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Visual arts; Art; Media studies; Sociology","score_opus":0.06845362968706081,"score_gpt":0.2566373975606102,"score_spread":0.1881837678735494,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2253560423","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23624723,0.005074976,0.0007220845,0.0066646067,0.0016041518,0.00017716414,0.0060245977,0.00027765209,0.7432075],"genre_scores_gemma":[0.37869787,0.0012108848,0.000512528,0.00026340457,0.00010086424,0.000036151978,0.0011830947,0.0001364014,0.6178588],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993581,0.00009487953,0.000011073087,0.000083571496,0.00011219572,0.00034015728],"domain_scores_gemma":[0.9991381,0.00008097888,0.00003653912,0.00006212432,0.00014484617,0.0005373324],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00035905087,0.000590943,0.0003437913,0.0009014377,0.020999998,0.0045713186,0.0008517916,0.0011456824,0.11123783],"category_scores_gemma":[0.00069251924,0.00040599733,0.0005480857,0.0031653664,0.0029053437,0.0009937908,0.0032664493,0.0017582463,0.0048309844],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000913247,0.00015616126,0.029408399,0.0006918759,0.000102249396,0.005605796,0.1517688,0.0017130821,0.0026766334,0.08492016,0.628562,0.0934816],"study_design_scores_gemma":[0.000013499597,0.00004492032,0.06106623,0.00013528357,0.000020504234,0.0001701172,0.06295405,0.00014839301,0.00029723355,0.00079722446,0.8743158,0.000036670204],"about_ca_topic_score_codex":0.84555215,"about_ca_topic_score_gemma":0.9810213,"teacher_disagreement_score":0.15444785,"about_ca_system_score_codex":0.019740902,"about_ca_system_score_gemma":0.015874492,"threshold_uncertainty_score":0.3721276},"labels":[],"label_agreement":null},{"id":"W2410867178","doi":"10.2752/175174115x14223685749449","title":"Montreal Chic: Institutions of Fashion—Fashions of Institutions","year":2015,"lang":"en","type":"article","venue":"Fashion Theory","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Jazz; Exhibition; Politics; Urbanity; Modernization theory; Visual arts; Cultural history; The arts; Urban culture; Art history; History; Art; Sociology; Anthropology; Political science; Law; Engineering","score_opus":0.11167089424615946,"score_gpt":0.2863319177640666,"score_spread":0.17466102351790713,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2410867178","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1845489,0.0030005819,0.002074476,0.007548342,0.0003628619,0.000112715636,0.0021590525,0.00020337012,0.79998976],"genre_scores_gemma":[0.83412796,0.001375832,0.0014568961,0.0010993694,0.00012618507,0.000098262724,0.00065142347,0.00014117172,0.16092294],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9991986,0.00021973278,0.000013092439,0.00011567758,0.00020205336,0.0002509047],"domain_scores_gemma":[0.99870276,0.000156866,0.00016143033,0.00016677783,0.00030152165,0.0005105699],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00075643574,0.00024238252,0.00014653661,0.0017502178,0.013994005,0.0079126535,0.00078079035,0.00058430707,0.027693802],"category_scores_gemma":[0.0015251392,0.00025922028,0.00012537313,0.004293242,0.007111183,0.002198829,0.0028422663,0.0009918951,0.0011949366],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017829372,0.000055714794,0.040572304,0.00017679879,0.00002064058,0.0013475841,0.15889587,0.00031779733,0.0016018677,0.5048865,0.21012305,0.081823476],"study_design_scores_gemma":[0.0000061665082,0.000018383898,0.042910557,0.00008293494,0.000006308049,0.00017279011,0.04889414,0.00009601419,0.00019308567,0.0014814681,0.90611356,0.000024576595],"about_ca_topic_score_codex":0.7994959,"about_ca_topic_score_gemma":0.94162136,"teacher_disagreement_score":0.20050412,"about_ca_system_score_codex":0.027748128,"about_ca_system_score_gemma":0.017010719,"threshold_uncertainty_score":0.40336984},"labels":[],"label_agreement":null},{"id":"W2483808247","doi":"10.4324/9781315094151-49","title":"A Tale of Inscription/Fashion Statements","year":2017,"lang":"en","type":"book-chapter","venue":"Fashion Theory","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":18,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Cultural studies; Critical theory; Sociology; Epistemology; Social science; Philosophy; Anthropology","score_opus":0.05454080407214803,"score_gpt":0.2759384257281254,"score_spread":0.22139762165597734,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2483808247","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0040038773,0.0013872811,0.0028805654,0.004745609,0.0031940618,0.00003922494,0.00016095712,0.00011813184,0.9834704],"genre_scores_gemma":[0.08439046,0.0016703368,0.0021634037,0.0023544598,0.0008869306,0.0000772294,0.00030845366,0.00040002537,0.90774864],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99952257,0.00016168522,0.000014347519,0.000058904203,0.00018669208,0.000055819928],"domain_scores_gemma":[0.9996697,0.00012539754,0.00002280492,0.00004486234,0.000106549116,0.000030725267],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00064773276,0.00069573225,0.00017885392,0.00094745436,0.003897647,0.0038611896,0.0006008238,0.0007915229,0.04954185],"category_scores_gemma":[0.0013419375,0.00018869703,0.00019515057,0.0010596804,0.004810209,0.0031010513,0.001555622,0.0033202686,0.014134954],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000043851356,0.000022386534,0.00012756247,0.00008418108,0.0000018289303,0.00021341232,0.011227999,0.000049382932,0.0005830711,0.75630915,0.1945529,0.03678428],"study_design_scores_gemma":[0.000002409214,0.000007636137,0.00014761202,0.000093589304,0.0000010874153,0.00010230697,0.005796538,0.00007078572,0.00041416116,0.018514464,0.97484326,0.000006200916],"about_ca_topic_score_codex":0.002759031,"about_ca_topic_score_gemma":0.0057753706,"teacher_disagreement_score":0.04954185,"about_ca_system_score_codex":0.0016979114,"about_ca_system_score_gemma":0.0012823787,"threshold_uncertainty_score":0.165734},"labels":[],"label_agreement":null},{"id":"W3012503775","doi":"10.1080/1362704x.2020.1733277","title":"Dress Code: Are You Playing Fashion?","year":2020,"lang":"en","type":"article","venue":"Fashion Theory","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Dress code; Code (set theory); Visual arts; Art; National museum; Clothing; Art history; History; Archaeology; Computer science; Programming language","score_opus":0.05413787538517669,"score_gpt":0.2424665162191831,"score_spread":0.1883286408340064,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3012503775","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.053671952,0.0032780196,0.0027404819,0.11697332,0.014321236,0.000097615404,0.0023755997,0.00017731852,0.8063644],"genre_scores_gemma":[0.4106576,0.003695758,0.0015246855,0.027402934,0.002119413,0.00017586586,0.0020890732,0.00030007825,0.55203456],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.9994555,0.0001561582,0.000037652255,0.0000580226,0.00015079687,0.00014179894],"domain_scores_gemma":[0.9987715,0.00009864143,0.00010040755,0.000040010116,0.00055761734,0.00043195067],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008508409,0.00024153866,0.00020248457,0.0006259704,0.0021667692,0.004142243,0.00030136388,0.0020260988,0.08436422],"category_scores_gemma":[0.0036563096,0.00014254177,0.00016823388,0.0006449497,0.0019931516,0.0029554076,0.0012553661,0.002429611,0.027115317],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002545713,0.00013652418,0.015182677,0.00012537079,0.0000072028547,0.0004270423,0.007342108,0.00005300611,0.000833255,0.060348343,0.80661285,0.10867712],"study_design_scores_gemma":[0.00001432175,0.00005538865,0.026763055,0.0002478229,0.000008555179,0.0007531208,0.025504721,0.00013864704,0.000206911,0.007578663,0.9386897,0.00003905785],"about_ca_topic_score_codex":0.014859077,"about_ca_topic_score_gemma":0.021085132,"teacher_disagreement_score":0.08436422,"about_ca_system_score_codex":0.0013060991,"about_ca_system_score_gemma":0.0011192065,"threshold_uncertainty_score":0.28222644},"labels":[],"label_agreement":null},{"id":"W4250822775","doi":"10.1080/1362704x.2021.1905946","title":"Letter from the Editor","year":2021,"lang":"en","type":"letter","venue":"Fashion Theory","topic":"Educational Robotics and Engineering","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Royal Ontario Museum","funders":"","keywords":"History; Art","score_opus":0.012654443409775009,"score_gpt":0.21155618670015003,"score_spread":0.19890174329037502,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4250822775","genre_codex":"commentary","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0005722913,0.0016037431,0.00013653166,0.88865995,0.059884712,0.000046174697,0.00011092653,0.00006193145,0.048923686],"genre_scores_gemma":[0.0055510243,0.0008042792,0.0001347575,0.79179615,0.021995448,0.0000742462,0.000044482196,0.000045775756,0.17955393],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99762183,0.00046142974,0.00012971705,0.00037503813,0.0008453816,0.0005666272],"domain_scores_gemma":[0.9957634,0.0019678562,0.00016529342,0.00013485042,0.0010137623,0.00095485075],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023197841,0.00087644847,0.0014812371,0.0010418498,0.008057303,0.006468317,0.0014700538,0.03614348,0.026778625],"category_scores_gemma":[0.016633749,0.0008381942,0.0011408508,0.00057390484,0.001933002,0.0027747378,0.0015125904,0.026526978,0.018305805],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021011738,0.000011894922,0.00010362638,0.00001161902,0.000003556005,0.0003331408,0.000036636073,0.000017362836,0.000023045824,0.0018241922,0.9957503,0.0018635689],"study_design_scores_gemma":[0.000040215557,0.00002610921,0.00061314536,0.000106730324,0.000011764112,0.00040213278,0.00040468268,0.0002410192,0.00012834415,0.0054881857,0.99250495,0.000032807082],"about_ca_topic_score_codex":0.01142068,"about_ca_topic_score_gemma":0.020260796,"teacher_disagreement_score":0.03614348,"about_ca_system_score_codex":0.0039035156,"about_ca_system_score_gemma":0.005768092,"threshold_uncertainty_score":0.08958346},"labels":[],"label_agreement":null},{"id":"W4295249875","doi":"10.1080/1362704x.2022.2118671","title":"The Moral Dilemma in Fashion: Using the Prisoner’s Dilemma Game on Animals and the Environment","year":2022,"lang":"en","type":"article","venue":"Fashion Theory","topic":"Environmental Sustainability in Business","field":"Business, Management and Accounting","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Cruelty; Dilemma; Prisoner's dilemma; Animal welfare; Game theory; Ideal (ethics); Animal rights; Pareto principle; Advertising; Marketing; Business; Environmental ethics; Sociology; Economics; Microeconomics; Law; Political science; Ecology; Criminology; Operations management; Epistemology; Biology; Philosophy","score_opus":0.01609791811632417,"score_gpt":0.2144005288626039,"score_spread":0.19830261074627975,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4295249875","genre_codex":"methods","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21441148,0.0038832186,0.466231,0.01846967,0.000577258,0.00056991033,0.00012189887,0.00007149409,0.295664],"genre_scores_gemma":[0.91541845,0.0017887375,0.07281926,0.001105428,0.00012925777,0.00036976772,0.000023011187,0.000021116875,0.00832508],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9924759,0.0066515105,0.0000899618,0.00022196685,0.00037062934,0.00018997713],"domain_scores_gemma":[0.9921366,0.006810571,0.0004457711,0.00018343133,0.00018918407,0.0002343837],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.006187663,0.0008354329,0.0006686402,0.00093491544,0.0019449412,0.0060954327,0.001173801,0.002464487,0.0029118047],"category_scores_gemma":[0.010003204,0.00038701892,0.00089430285,0.0007031239,0.010025305,0.0071027884,0.0030997614,0.0022729263,0.00022825299],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000060991235,0.00008422725,0.0014402227,0.00011795597,0.00004590217,0.0004030508,0.0032298598,0.031807132,0.00040440046,0.95278114,0.0011183098,0.0085066715],"study_design_scores_gemma":[0.00008413115,0.00017259628,0.00079745974,0.00019566993,0.000038642112,0.0003096717,0.0040526087,0.12992853,0.00029749842,0.84653825,0.017515156,0.000069868474],"about_ca_topic_score_codex":0.0041311914,"about_ca_topic_score_gemma":0.004902555,"teacher_disagreement_score":0.006187663,"about_ca_system_score_codex":0.0025814949,"about_ca_system_score_gemma":0.002003258,"threshold_uncertainty_score":0.032723904},"labels":[],"label_agreement":null},{"id":"W4385703722","doi":"10.1080/1362704x.2023.2243083","title":"Cripping Masculinities: Designing Fashion Utopias","year":2023,"lang":"en","type":"article","venue":"Fashion Theory","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Clothing; Materiality (auditing); Fashion design; Hacker; Sociology; Visual arts; Masculinity; Media studies; Art; Aesthetics; Gender studies; Law; Political science; Computer science","score_opus":0.061723077628455296,"score_gpt":0.2551588559363693,"score_spread":0.19343577830791397,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385703722","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09291255,0.004723367,0.08824288,0.01249411,0.00052944856,0.00029068548,0.000057107085,0.00033925477,0.8004105],"genre_scores_gemma":[0.76250744,0.0027478,0.082611725,0.0017778757,0.0000496779,0.00032065518,0.00005583141,0.00027137637,0.14965756],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99884665,0.0006956298,0.000019582712,0.00007326698,0.00016937384,0.00019563701],"domain_scores_gemma":[0.9995229,0.00014940245,0.00003454482,0.000050023747,0.000080273705,0.00016280629],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019682879,0.0006931188,0.00015386564,0.00076499075,0.006329069,0.0053455927,0.00055922166,0.0009915801,0.015282096],"category_scores_gemma":[0.0014211973,0.0003147538,0.00028814893,0.00043161894,0.010855926,0.0034017945,0.004335129,0.0011066584,0.0017518805],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000045652392,0.000057987745,0.001297801,0.00040000424,0.000009254161,0.00037241512,0.109067515,0.0010579445,0.004115633,0.78821766,0.017453419,0.077904776],"study_design_scores_gemma":[0.0000251681,0.000120339326,0.0017128161,0.0006431464,0.000021784124,0.00036683123,0.10440348,0.0014010015,0.0027857872,0.092269,0.79621655,0.00003400032],"about_ca_topic_score_codex":0.012086565,"about_ca_topic_score_gemma":0.057931606,"teacher_disagreement_score":0.015282096,"about_ca_system_score_codex":0.0037240942,"about_ca_system_score_gemma":0.004166086,"threshold_uncertainty_score":0.05112368},"labels":[],"label_agreement":null},{"id":"W4386051475","doi":"10.1080/1362704x.2023.2243766","title":"Object Lives and Global Histories in Northern North America: Material Culture in Motion, C. 1780-1980 <i>Object Lives and Global Histories in Northern North America: Material Culture in Motion, C. 1780-1980</i> edited by Beverly Lemire, Laura Peers, and Anne Whitelaw, Vol. 32 (McGill-Queen’s Press-MQUP, 2022)","year":2023,"lang":"en","type":"article","venue":"Fashion Theory","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Queer; Minor (academic); Object (grammar); Economic Justice; Cultural studies; Motion (physics); Visual culture; Social justice; History; Sociology; Art history; Media studies; Anthropology; Social science; Art; Gender studies; Political science; Law; Humanities; Linguistics; Philosophy; Computer science","score_opus":0.007247802605271748,"score_gpt":0.20266180002795126,"score_spread":0.1954139974226795,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386051475","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04788115,0.46742547,0.00024626148,0.038352087,0.0022255364,0.000033509146,0.0013282083,0.00004170897,0.44246617],"genre_scores_gemma":[0.42671603,0.25717556,0.00083717494,0.0035741033,0.0014723428,0.00016747857,0.0011707471,0.00009827565,0.30878824],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996489,0.00010167339,0.000015865293,0.000053144944,0.00010102764,0.00007938376],"domain_scores_gemma":[0.9996575,0.000114312825,0.000062161715,0.000023267112,0.00006819932,0.00007454321],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007079982,0.00071797817,0.00032019446,0.0018766926,0.005502877,0.004851228,0.0005515702,0.0009739033,0.010680791],"category_scores_gemma":[0.0008467953,0.00034211823,0.00011517814,0.005075289,0.009188822,0.0047367983,0.0023796617,0.0013552371,0.0008796041],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006193686,0.000057878522,0.0070459894,0.0007395261,0.000014861428,0.00036599825,0.23978208,0.000185633,0.00036417347,0.17922175,0.45036402,0.12179615],"study_design_scores_gemma":[0.0000038457374,0.000008155134,0.026254676,0.00067476294,0.0000060289062,0.00009783245,0.048824273,0.000016852833,0.00009036708,0.006528047,0.91748345,0.000011747324],"about_ca_topic_score_codex":0.4543106,"about_ca_topic_score_gemma":0.7633501,"teacher_disagreement_score":0.5456894,"about_ca_system_score_codex":0.017338065,"about_ca_system_score_gemma":0.009852302,"threshold_uncertainty_score":0.9033324},"labels":[],"label_agreement":null},{"id":"W4392960350","doi":"10.1080/1362704x.2024.2326330","title":"Fabrics of Memory","year":2024,"lang":"en","type":"article","venue":"Fashion Theory","topic":"Memory, Trauma, and Commemoration","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.02798521544526245,"score_gpt":0.3107655408311028,"score_spread":0.28278032538584036,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392960350","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15798707,0.029112099,0.010828959,0.014603669,0.0009464965,0.000038687584,0.00018189792,0.00010983086,0.7861912],"genre_scores_gemma":[0.9745239,0.005076272,0.0011228478,0.00062845764,0.00027963327,0.000016180715,0.000046281908,0.000044818404,0.018261563],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99924433,0.0002897064,0.000028954304,0.00012042936,0.00012213315,0.00019456926],"domain_scores_gemma":[0.9990308,0.00035301442,0.00014616323,0.0001972008,0.0001225797,0.00015034186],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010233525,0.00047895196,0.0002718336,0.0018700244,0.0056098234,0.008605429,0.00070881407,0.0010833091,0.010720811],"category_scores_gemma":[0.0024395937,0.0002137375,0.00023786035,0.0012506632,0.032723457,0.007711474,0.0048505696,0.0017719674,0.00077836664],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006763553,0.000013184974,0.0014440502,0.00016736952,0.000010983173,0.0004576913,0.0783352,0.00015660762,0.0007098834,0.8928632,0.0032621224,0.022512026],"study_design_scores_gemma":[0.000024870313,0.000098538905,0.007179661,0.0007754811,0.00003539726,0.001847823,0.11111829,0.0002612552,0.0012283634,0.44099143,0.43638524,0.00005374503],"about_ca_topic_score_codex":0.006445576,"about_ca_topic_score_gemma":0.008832114,"teacher_disagreement_score":0.010720811,"about_ca_system_score_codex":0.0032490012,"about_ca_system_score_gemma":0.0017659923,"threshold_uncertainty_score":0.03586471},"labels":[],"label_agreement":null},{"id":"W4394885035","doi":"10.1080/1362704x.2024.2338578","title":"Locational Fashion Cultures","year":2024,"lang":"en","type":"article","venue":"Fashion Theory","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Obsolescence; Fashion industry; Fashion design; Value (mathematics); Order (exchange); Sociology; Inscribed figure; Cultural studies; Urban culture; Aesthetics; Media studies; History; Clothing; Anthropology; Art; Marketing; Political science; Computer science; Business","score_opus":0.023559862887356182,"score_gpt":0.2558267459268611,"score_spread":0.23226688303950493,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4394885035","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18764491,0.00156155,0.021375174,0.0017075004,0.00023052136,0.00011014725,0.00024082864,0.000056310797,0.78707296],"genre_scores_gemma":[0.96967536,0.0009408176,0.004390324,0.00028963044,0.000044717646,0.0001230007,0.00008124447,0.000053305666,0.024401577],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9965676,0.0019440185,0.00015145258,0.0004272171,0.00051041064,0.00039928287],"domain_scores_gemma":[0.9983614,0.00048212006,0.00024496118,0.00039235016,0.0003323535,0.00018673662],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023018694,0.00039542286,0.0003146035,0.0027689436,0.0057381494,0.010438523,0.0010821105,0.0008733922,0.007054824],"category_scores_gemma":[0.0030819145,0.00027972224,0.00032623074,0.004088716,0.014735806,0.005393454,0.0058741895,0.0013649162,0.0010141506],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024279205,0.000016712287,0.0042926664,0.00009118306,0.000008655721,0.0002398862,0.12009547,0.0001569412,0.00024901153,0.85971445,0.0016501092,0.013460647],"study_design_scores_gemma":[0.000014957093,0.00008380177,0.012895836,0.00065691886,0.00004053108,0.0010475127,0.4261246,0.0008131922,0.0010488973,0.14070728,0.41649908,0.00006734946],"about_ca_topic_score_codex":0.0061405855,"about_ca_topic_score_gemma":0.010314821,"teacher_disagreement_score":0.010438523,"about_ca_system_score_codex":0.003626269,"about_ca_system_score_gemma":0.0018591931,"threshold_uncertainty_score":0.026310563},"labels":[],"label_agreement":null},{"id":"W4401074340","doi":"10.1080/1362704x.2024.2379634","title":"Conceptualizing Australian First Nations Fashion, Art and Style","year":2024,"lang":"en","type":"article","venue":"Fashion Theory","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Style (visual arts); Visual arts; Art; Aesthetics","score_opus":0.032532359295966415,"score_gpt":0.25279240159874994,"score_spread":0.2202600423027835,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4401074340","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.258302,0.0034586198,0.014070277,0.010089218,0.00043894412,0.00007691878,0.000068863264,0.000036214613,0.7134589],"genre_scores_gemma":[0.95297,0.002034387,0.006578565,0.00083058927,0.000040830742,0.0000614887,0.00003512902,0.000014737388,0.037434258],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99871135,0.00065941253,0.00005234287,0.0000813011,0.00031551562,0.00018011019],"domain_scores_gemma":[0.9992499,0.00020357863,0.00010411521,0.00007306889,0.00020188343,0.00016738145],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001906054,0.00035121653,0.00020674177,0.0022282987,0.004141344,0.0045790276,0.0006591367,0.0010340859,0.004458525],"category_scores_gemma":[0.0018753705,0.00016243674,0.00032747345,0.0021344998,0.0109243775,0.003456262,0.0027925847,0.0016698724,0.00035749938],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011145872,0.000035032142,0.0065722996,0.000109527515,0.0000056240924,0.00034527478,0.17262703,0.00029326236,0.00032052633,0.7907472,0.0023179692,0.026614966],"study_design_scores_gemma":[0.0000069564912,0.00013653866,0.05922666,0.0011356361,0.00003455479,0.0013421169,0.22329573,0.0035369343,0.00044752908,0.23336868,0.47740084,0.000067817135],"about_ca_topic_score_codex":0.053852353,"about_ca_topic_score_gemma":0.08906519,"teacher_disagreement_score":0.053852353,"about_ca_system_score_codex":0.008047065,"about_ca_system_score_gemma":0.004157148,"threshold_uncertainty_score":0.10707778},"labels":[],"label_agreement":null}]}