{"meta":{"query_hash":"338e5b04196c","filters":{"venue":"Film Fashion & Consumption"},"cohort_total":3,"direct_labels_cover":0,"predictions_cover":3,"exported":3,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/338e5b04196c","api":"https://metacan.xera.ac/api/v1/cohort?venue=Film+Fashion+%26+Consumption"},"results":[{"id":"W2315491529","doi":"10.1386/ffc.1.3.289_1","title":"Bill Cunningham New York and the political potentiality of the fashion documentary","year":2012,"lang":"en","type":"article","venue":"Film Fashion & Consumption","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Elitism; Politics; Modernity; Value (mathematics); Democracy; Sociology; Charge (physics); Aesthetics; Film theory; Art; Literature; Visual arts; Law; Political science; Movie theater; Computer science","score_opus":0.07074132029327983,"score_gpt":0.26806312478140726,"score_spread":0.19732180448812742,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2315491529","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9738455,0.00049522583,0.0004133643,0.006838639,0.0020128915,0.00053079374,0.00009884836,0.00007620738,0.015688526],"genre_scores_gemma":[0.98762757,0.00003593992,0.00003309475,0.0016246823,0.00088771654,0.000009392188,0.000028253437,0.000013433581,0.009739908],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99872255,0.00019971946,0.000299477,0.00015030708,0.00024394071,0.0003839872],"domain_scores_gemma":[0.9992424,0.000133654,0.00013671232,0.00029641076,0.000047281854,0.00014349271],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003195076,0.00014566498,0.000181449,0.000038081165,0.0004209653,0.0000817948,0.00014788016,0.00006462833,0.0009932056],"category_scores_gemma":[0.0000500897,0.000075909906,0.00012398695,0.0000038864086,0.00089936244,0.00026278629,0.000104205305,0.00017507898,0.00007322921],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000049114373,0.00007294943,0.03472795,0.000048001268,0.000049830953,1.9361894e-7,0.03951346,0.0000012882562,0.00011622752,0.910573,0.01390691,0.0009410387],"study_design_scores_gemma":[0.006386376,0.00015583249,0.30235338,0.00025752434,0.00089718343,0.000055405148,0.030644204,0.0004788986,0.0009803156,0.04020118,0.61662877,0.0009608965],"about_ca_topic_score_codex":0.002008907,"about_ca_topic_score_gemma":0.0013311188,"teacher_disagreement_score":0.8703719,"about_ca_system_score_codex":0.00004041423,"about_ca_system_score_gemma":0.000037284113,"threshold_uncertainty_score":0.99992},"labels":[],"label_agreement":null},{"id":"W2804121576","doi":"10.1386/ffc.7.1.57_1","title":"A fashion exhibition as cinematic experience","year":2018,"lang":"en","type":"article","venue":"Film Fashion & Consumption","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Exhibition; Scenography; Art; Gaze; Historicity (philosophy); Movie theater; Clothing; Visual arts; Aesthetics; Psychology; History","score_opus":0.061159703372047,"score_gpt":0.2857919794083015,"score_spread":0.22463227603625446,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2804121576","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.93815845,0.000017044506,0.00012365058,0.0003267745,0.0010854576,0.00030439807,0.000014250753,0.00035100905,0.059618946],"genre_scores_gemma":[0.98098993,0.000057564594,0.0000663766,0.00094965706,0.0007902015,0.000081938866,0.000105124345,0.000021629587,0.016937602],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985052,0.0000906983,0.00037370517,0.00037172763,0.0003462832,0.000312404],"domain_scores_gemma":[0.99912894,0.00005719578,0.00016591874,0.0002896688,0.0002395807,0.00011868659],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0001415679,0.00023567936,0.00020147962,0.000120388366,0.0006519651,0.0003091913,0.00017629344,0.0000910814,0.042588327],"category_scores_gemma":[0.00010895001,0.00019495338,0.00010670423,0.00006435217,0.00046361773,0.00067744264,0.000047996356,0.00014363672,0.014699029],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000098385135,0.00030457036,0.0010379418,0.00022760178,0.000049582413,0.000017477138,0.25418764,0.0000030011674,0.029393671,0.6582857,0.042788286,0.0136061525],"study_design_scores_gemma":[0.0047964216,0.002227934,0.03316039,0.0014442694,0.00024450477,0.00024830466,0.27543876,0.003918072,0.0069929827,0.004560993,0.6635582,0.0034092062],"about_ca_topic_score_codex":0.000018072611,"about_ca_topic_score_gemma":0.0005884666,"teacher_disagreement_score":0.6537247,"about_ca_system_score_codex":0.00005438817,"about_ca_system_score_gemma":0.000021030823,"threshold_uncertainty_score":0.9860681},"labels":[],"label_agreement":null},{"id":"W4382991752","doi":"10.1386/ffc_00053_1","title":"Bollywood self-fashioning: Indian popular culture and representations of girlhood in 1970s Indian cinema","year":2023,"lang":"en","type":"article","venue":"Film Fashion & Consumption","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"MacEwan University","funders":"","keywords":"Movie theater; Popular culture; Gender studies; Aesthetics; Sociology; Style (visual arts); Power (physics); Psychology of self; Media studies; Art; Psychology; Literature; Social psychology","score_opus":0.02646732469625063,"score_gpt":0.2593949146368782,"score_spread":0.23292758994062757,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4382991752","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9928586,0.00016312751,0.0000018745973,0.00044983195,0.00031365492,0.00037094756,0.00013000189,0.00022798851,0.0054839794],"genre_scores_gemma":[0.99394894,0.00014430926,0.000072289484,0.00007987298,0.00019434684,0.000054430853,0.00048715182,0.000022440545,0.004996214],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.99863964,0.0000915467,0.00040235042,0.00034069933,0.00024243594,0.00028334913],"domain_scores_gemma":[0.9993519,0.000028533135,0.00017712696,0.0002445217,0.00009247218,0.00010544611],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00017660113,0.00019778765,0.00025998594,0.00037681262,0.00026906014,0.000119068856,0.00012514033,0.0001547053,0.0006468065],"category_scores_gemma":[0.00008084686,0.0001785862,0.00007894622,0.00024665703,0.00010652173,0.0002939348,0.000049621965,0.00024933176,0.0002638767],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000042404925,0.00022595967,0.34676734,0.0005181698,0.00011882487,0.0001453696,0.5690341,0.000024853676,0.0008229558,0.065208346,0.014521646,0.0025700484],"study_design_scores_gemma":[0.004329971,0.0003503976,0.6520312,0.0006528082,0.00018241513,0.00008067968,0.27878553,0.0002259845,0.00025903375,0.0015062401,0.060579818,0.0010159558],"about_ca_topic_score_codex":0.00004469669,"about_ca_topic_score_gemma":0.001440266,"teacher_disagreement_score":0.30526382,"about_ca_system_score_codex":0.000024992936,"about_ca_system_score_gemma":0.000031951757,"threshold_uncertainty_score":0.7282534},"labels":[],"label_agreement":null}]}