{"meta":{"query_hash":"1a623a390ef8","filters":{"venue":"Film History"},"cohort_total":5,"direct_labels_cover":0,"predictions_cover":5,"exported":5,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/1a623a390ef8","api":"https://metacan.xera.ac/api/v1/cohort?venue=Film+History"},"results":[{"id":"W2073733220","doi":"","title":"The Myth of Evangeline and the Origin of Canadian National Cinema","year":2014,"lang":"en","type":"article","venue":"Film History","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Mythology; Movie theater; Scholarship; Legend; Milestone; Feature (linguistics); Art history; Art; History; Literature; Political science; Philosophy; Law; Archaeology; Linguistics","score_opus":0.01698874679384702,"score_gpt":0.22094674102325618,"score_spread":0.20395799422940916,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2073733220","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14516142,0.02137028,0.0024156398,0.062908374,0.0014812088,0.00003656282,0.00037520926,0.00013244632,0.76611894],"genre_scores_gemma":[0.964514,0.0042171828,0.0008201061,0.0017749516,0.00015448559,0.000013163359,0.00005791585,0.00007217415,0.028376011],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975992,0.0004974176,0.000040135452,0.0003562992,0.00073693466,0.00077011506],"domain_scores_gemma":[0.99817145,0.00044590773,0.00013635786,0.00012811908,0.0006799718,0.00043825895],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001999988,0.00047339717,0.0003475434,0.002553306,0.029109173,0.012376444,0.001523415,0.0019150904,0.005562669],"category_scores_gemma":[0.0044060997,0.00027240877,0.00019773724,0.0020223977,0.040989053,0.004406114,0.0037897595,0.0032921687,0.00031721347],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005469198,0.000012046324,0.0018808636,0.00010887738,0.0000086712225,0.00037821435,0.25161806,0.00011009651,0.00040476894,0.6985466,0.025841337,0.021035656],"study_design_scores_gemma":[0.000008643114,0.000015750138,0.007432028,0.00047867975,0.00002285052,0.00047787244,0.15523972,0.0001857225,0.0005232684,0.02416526,0.81138253,0.00006771755],"about_ca_topic_score_codex":0.9605918,"about_ca_topic_score_gemma":0.97310984,"teacher_disagreement_score":0.1050366,"about_ca_system_score_codex":0.1050366,"about_ca_system_score_gemma":0.06563413,"threshold_uncertainty_score":0.7620975},"labels":[],"label_agreement":null},{"id":"W2079666748","doi":"","title":"Introduction: Cinema During the Great War","year":2010,"lang":"en","type":"article","venue":"Film History","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Parade; Watson; Nothing; History; Spanish Civil War; Movie theater; Theme (computing); Originality; Period (music); Classics; Representation (politics); Art history; Literature; Media studies; Sociology; Law; Social science; Art; Aesthetics; Political science; Politics; Archaeology; Philosophy","score_opus":0.014532280546931649,"score_gpt":0.17437380710698347,"score_spread":0.15984152656005182,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2079666748","genre_codex":"other","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005043306,0.16350585,0.0008841879,0.06234601,0.09267499,0.00009026709,0.0012749997,0.00029891514,0.6738815],"genre_scores_gemma":[0.10404224,0.12571906,0.001473593,0.027101912,0.13328618,0.00018926137,0.0017657905,0.00056114915,0.6058609],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995654,0.00014356163,0.000021895512,0.000073660456,0.00013454018,0.00006087803],"domain_scores_gemma":[0.998825,0.00048945757,0.00008839549,0.000067501416,0.00030750484,0.00022215165],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00060223846,0.0008667764,0.00028350955,0.0018711123,0.0035060714,0.0051895846,0.0006321833,0.0017122355,0.06894982],"category_scores_gemma":[0.0023887,0.00027296174,0.00028435714,0.0014606668,0.0014060409,0.0032552702,0.0017586523,0.0031056716,0.011059794],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002003136,0.00001194848,0.00017495416,0.00033201036,0.0000031289198,0.0001053833,0.004441597,0.000020673178,0.00032863335,0.012548887,0.95864064,0.02337222],"study_design_scores_gemma":[0.000001346388,0.000006347352,0.00054816157,0.00037338457,0.0000016895059,0.000115770395,0.00094837474,0.000008593456,0.000043007214,0.00046797915,0.99748296,0.0000024452886],"about_ca_topic_score_codex":0.0038400772,"about_ca_topic_score_gemma":0.00797314,"teacher_disagreement_score":0.06894982,"about_ca_system_score_codex":0.0020457553,"about_ca_system_score_gemma":0.0010380968,"threshold_uncertainty_score":0.23066014},"labels":[],"label_agreement":null},{"id":"W257626130","doi":"10.2979/filmhistory.27.1.111","title":"“Ten Dollars' Worth of Fun”: The Obscured History of the Toy Magic Lantern and Early Children's Media Spectatorship","year":2015,"lang":"en","type":"article","venue":"Film History","topic":"Folklore, Mythology, and Literature Studies","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Education and Early Childhood Development","funders":"","keywords":"Lantern; MAGIC (telescope); Art; Visual arts; Art history; History; Astronomy; Physics; Chemistry","score_opus":0.02903539962187265,"score_gpt":0.19140499043203846,"score_spread":0.1623695908101658,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W257626130","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.28200564,0.04875796,0.0019300564,0.03600516,0.0010822365,0.00003037217,0.00016463052,0.00007405597,0.62995],"genre_scores_gemma":[0.9680093,0.008900933,0.00022697757,0.00094710186,0.0002761973,0.000019335086,0.000019586918,0.000053938074,0.021546682],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99900836,0.0005517118,0.000028655411,0.000129644,0.000112148,0.00016947625],"domain_scores_gemma":[0.99872714,0.000856336,0.00010559589,0.00008881608,0.0000954216,0.0001267801],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016550968,0.00027069327,0.0003252485,0.0014487416,0.0070004635,0.0070164017,0.00061447866,0.0014109825,0.0069494233],"category_scores_gemma":[0.0031758933,0.00031513933,0.000116837306,0.0010387809,0.028493525,0.0064033326,0.0038228831,0.002931595,0.0004261575],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004148695,0.000016828812,0.0008491306,0.00012277391,0.000005055114,0.00060914236,0.31767696,0.00005107763,0.00021541041,0.6560914,0.007739818,0.016580978],"study_design_scores_gemma":[0.000010929866,0.00005001126,0.0034038853,0.0008790393,0.000014332511,0.0007615439,0.1659916,0.00006724752,0.0006761314,0.025863606,0.8022598,0.000021887676],"about_ca_topic_score_codex":0.014400801,"about_ca_topic_score_gemma":0.023537958,"teacher_disagreement_score":0.014400801,"about_ca_system_score_codex":0.006062896,"about_ca_system_score_gemma":0.0018325757,"threshold_uncertainty_score":0.0439896},"labels":[],"label_agreement":null},{"id":"W3150391402","doi":"10.2979/filmhistory.25.4.62","title":"Four Cents to Sea: 16mm, the Royal Canadian Naval Film Society, and the Mobilization of Entertainment","year":2013,"lang":"en","type":"article","venue":"Film History","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Entertainment; Mobilization; Political science; Media studies; Art; Visual arts; Law; Sociology","score_opus":0.017776343503490635,"score_gpt":0.17206853109413686,"score_spread":0.15429218759064622,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3150391402","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11400193,0.06443775,0.00024708192,0.5763252,0.005771804,0.00003405728,0.0011027269,0.00004235103,0.23803721],"genre_scores_gemma":[0.6910327,0.0223415,0.00018674826,0.01463248,0.0019339897,0.00003083979,0.00027562256,0.00006344296,0.2695027],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.9987464,0.00022163372,0.000036030997,0.00008329658,0.00040060066,0.00051193946],"domain_scores_gemma":[0.99543273,0.0010542462,0.00044558613,0.000099206256,0.0013779461,0.0015902682],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00222381,0.00049351726,0.00037353343,0.0027363407,0.015457796,0.014579558,0.0012640511,0.005585503,0.032007232],"category_scores_gemma":[0.013092017,0.00033166417,0.00021407893,0.005456557,0.0057840785,0.006358251,0.0021881682,0.0050715585,0.001108981],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018564027,0.00007185328,0.018496385,0.00020654955,0.00003179064,0.00035602183,0.038693983,0.0002116002,0.00013493773,0.17509758,0.69186234,0.0746513],"study_design_scores_gemma":[0.000013823593,0.000017740891,0.037099864,0.00065300247,0.00004598066,0.00009421268,0.0964362,0.00018503454,0.00016685118,0.0091069,0.8560993,0.000081033126],"about_ca_topic_score_codex":0.9416327,"about_ca_topic_score_gemma":0.9807545,"teacher_disagreement_score":0.058367312,"about_ca_system_score_codex":0.050893653,"about_ca_system_score_gemma":0.045020442,"threshold_uncertainty_score":0.36926103},"labels":[],"label_agreement":null},{"id":"W4414166326","doi":"10.2979/fih.00015","title":"Following Caribou Via Rupta from the Early Hunting Film to Jerry Evans’s Apaja’lujik (2019)","year":2025,"lang":"en","type":"article","venue":"Film History","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Shot (pellet); Panning (audio); Stalking; Agency (philosophy); Crime scene; Front (military); Feature film","score_opus":0.02376578852672338,"score_gpt":0.2343835486698006,"score_spread":0.21061776014307723,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4414166326","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.64820385,0.005281477,0.0012722691,0.010902498,0.0010233636,0.000047317346,0.00021071314,0.00010129565,0.3329572],"genre_scores_gemma":[0.95956814,0.0017019523,0.0006175707,0.0005252731,0.00012283857,0.00001640153,0.00007504318,0.00006156704,0.03731117],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997601,0.00008243596,0.0000044475973,0.000037616563,0.00004575842,0.00006972238],"domain_scores_gemma":[0.9997136,0.00011277133,0.000032689197,0.000024642859,0.00006676645,0.000049612976],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005017435,0.00021140791,0.00011209805,0.00071114465,0.0059484094,0.0028476976,0.0003848631,0.00053026783,0.007628538],"category_scores_gemma":[0.0017774674,0.00013541784,0.00007036504,0.00068359,0.003866598,0.0016024733,0.0017393014,0.0019358646,0.00044237322],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001825562,0.0000526383,0.0044659683,0.0003094238,0.00002109082,0.0032344211,0.8270151,0.00012449775,0.004390028,0.04270244,0.042409696,0.07509204],"study_design_scores_gemma":[0.000004417068,0.000054801578,0.020893866,0.0004265664,0.000021784927,0.0011335885,0.4076281,0.00010389014,0.0015031234,0.0010950771,0.56710744,0.000027414731],"about_ca_topic_score_codex":0.0635771,"about_ca_topic_score_gemma":0.21243326,"teacher_disagreement_score":0.0635771,"about_ca_system_score_codex":0.0028361091,"about_ca_system_score_gemma":0.0009756976,"threshold_uncertainty_score":0.12641412},"labels":[],"label_agreement":null}]}