{"meta":{"query_hash":"ce3f9e0f458f","filters":{"venue":"Forum for Modern Language Studies"},"cohort_total":33,"direct_labels_cover":0,"predictions_cover":33,"exported":33,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/ce3f9e0f458f","api":"https://metacan.xera.ac/api/v1/cohort?venue=Forum+for+Modern+Language+Studies"},"results":[{"id":"W2067522106","doi":"10.1093/fmls/cqi031","title":"Fictional Fossils: Life and Death Writing in Carol Shields's The Stone Diaries","year":2005,"lang":"en","type":"article","venue":"Forum for Modern Language Studies","topic":"Short Stories in Global Literature","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Life writing; Literature; Witness; Biography; History; Philosophy; Art","score_opus":0.029785706093179702,"score_gpt":0.29390860760050935,"score_spread":0.26412290150732964,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2067522106","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.060744468,0.07209174,0.001454184,0.15000379,0.0109492075,0.000050743925,0.0003297013,0.00017137676,0.70420486],"genre_scores_gemma":[0.6383612,0.021070812,0.0011600069,0.01550691,0.0033607746,0.000057530546,0.00020159743,0.00027470273,0.3200064],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99888974,0.00061281206,0.000031564465,0.00009249944,0.00025231097,0.00012105806],"domain_scores_gemma":[0.99707377,0.0017640311,0.00018991962,0.00010977102,0.00022707589,0.0006354195],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012739641,0.0004135538,0.00027705455,0.0012758212,0.011477336,0.0060398453,0.0008041334,0.0015769731,0.0067292205],"category_scores_gemma":[0.0038812968,0.00021656862,0.00009308431,0.0013227585,0.010462986,0.0026056329,0.0032700342,0.003136198,0.0010547653],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033616023,0.000021690272,0.00036361718,0.00014534807,0.0000028460672,0.0006181792,0.291547,0.00006397429,0.0002022774,0.2631698,0.41794273,0.025888959],"study_design_scores_gemma":[0.000003971283,0.0000059618924,0.0003871513,0.00014062844,0.0000010392139,0.00014848325,0.041977532,0.00002329612,0.00011778644,0.0044427537,0.9527448,0.0000065183385],"about_ca_topic_score_codex":0.03723272,"about_ca_topic_score_gemma":0.14120907,"teacher_disagreement_score":0.03723272,"about_ca_system_score_codex":0.009687315,"about_ca_system_score_gemma":0.0038149524,"threshold_uncertainty_score":0.07403201},"labels":[],"label_agreement":null},{"id":"W3039734244","doi":"10.1093/fmls/cqaa021","title":"Canadian Noir: Consumer Culture, Colonial Nationalism and the Cardinal Series","year":2020,"lang":"en","type":"article","venue":"Forum for Modern Language Studies","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Western University","funders":"","keywords":"Nationalism; National identity; Colonialism; Representation (politics); Spectacle; HERO; Sociology; Foregrounding; Dominance (genetics); History; Aesthetics; Art; Law; Literature; Political science","score_opus":0.03974175439508097,"score_gpt":0.27655462159919864,"score_spread":0.23681286720411765,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3039734244","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21574074,0.0033674105,0.00042333108,0.026472595,0.00083043595,0.000021979433,0.0002071294,0.00005621001,0.75288016],"genre_scores_gemma":[0.94425625,0.0018347491,0.0002459717,0.0011002019,0.00008184357,0.0000073320625,0.00004797649,0.00005685078,0.05236886],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990079,0.0001695557,0.000013143228,0.00011188856,0.0004001654,0.0002974368],"domain_scores_gemma":[0.9985905,0.00034813135,0.00010785398,0.000113079266,0.0005279838,0.00031239525],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00096883264,0.00037495163,0.00021196135,0.0012081423,0.018265266,0.007846481,0.00088311406,0.0007653546,0.007830249],"category_scores_gemma":[0.00271201,0.00015956236,0.00011735787,0.0022200106,0.014726524,0.0015078189,0.0018008995,0.0019017074,0.00033209985],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000081182174,0.000040626852,0.0064516454,0.00014104665,0.000009217161,0.00079283107,0.37599054,0.00015039086,0.0007177846,0.46019673,0.124034084,0.031393852],"study_design_scores_gemma":[0.0000042754136,0.000011068026,0.009932159,0.00022907917,0.000010103649,0.00023833828,0.23620608,0.0001283854,0.0003501761,0.0040912097,0.74876064,0.000038549322],"about_ca_topic_score_codex":0.94778436,"about_ca_topic_score_gemma":0.9782517,"teacher_disagreement_score":0.052215636,"about_ca_system_score_codex":0.049490344,"about_ca_system_score_gemma":0.026577016,"threshold_uncertainty_score":0.3590793},"labels":[],"label_agreement":null},{"id":"W3172708962","doi":"10.1093/fmls/cqab008","title":"Joseph Krumgold’s <i>…And Now Miguel</i> and <i>Onion John</i>: The Temper of the Times and the Encounter with the Other","year":2021,"lang":"en","type":"article","venue":"Forum for Modern Language Studies","topic":"Themes in Literature Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Winnipeg","funders":"","keywords":"Excellence; Reading (process); Publishing; Medal; Context (archaeology); Literature; Sociology; History; Classics; Art history; Philosophy; Art; Epistemology; Linguistics","score_opus":0.008508895270337963,"score_gpt":0.22583800795561518,"score_spread":0.21732911268527721,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3172708962","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18911217,0.03708703,0.0034891053,0.35191217,0.0075561777,0.00003830936,0.00014973489,0.00012741018,0.41052788],"genre_scores_gemma":[0.92024213,0.0069187945,0.0014297484,0.008268218,0.0011762561,0.00002799255,0.000027338185,0.000121430945,0.06178814],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987245,0.0006570336,0.000035403446,0.00016012852,0.00029292898,0.00013007164],"domain_scores_gemma":[0.99629587,0.0022705796,0.00036115214,0.00015078705,0.00049715163,0.00042441633],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002528997,0.00018019268,0.0001972973,0.0008686205,0.0079489285,0.0067711812,0.00046004183,0.0012970997,0.0029844972],"category_scores_gemma":[0.004637838,0.00020949543,0.00013829522,0.00057349174,0.012324643,0.0049893972,0.0018360486,0.0039331703,0.00048651962],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000045503803,0.000042445932,0.0018890487,0.00012752975,0.000012662078,0.00090347667,0.1974319,0.00011308082,0.00095970725,0.5531171,0.22631238,0.019045139],"study_design_scores_gemma":[0.000004505908,0.000017847082,0.0016763257,0.00034487838,0.000007789885,0.00053612114,0.09234162,0.000093488394,0.0012505323,0.026739713,0.876961,0.000026173959],"about_ca_topic_score_codex":0.009580026,"about_ca_topic_score_gemma":0.01993946,"teacher_disagreement_score":0.009580026,"about_ca_system_score_codex":0.0046426393,"about_ca_system_score_gemma":0.002705725,"threshold_uncertainty_score":0.03368485},"labels":[],"label_agreement":null},{"id":"W4210252741","doi":"10.1093/fmls/xxxvi.2.222-d","title":"Reviews","year":2000,"lang":"en","type":"article","venue":"Forum for Modern Language Studies","topic":"Linguistic Studies and Language Acquisition","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Media studies; Art; History; Humanities; Library science; Sociology; Computer science","score_opus":0.027988466938782586,"score_gpt":0.3236886065401471,"score_spread":0.2957001396013645,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4210252741","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00022665584,0.788162,0.00096107775,0.010386948,0.039636634,0.000361017,0.0039899307,0.0006780036,0.15559787],"genre_scores_gemma":[0.0019682543,0.79094774,0.0013455569,0.0116904015,0.015163436,0.00037717842,0.005870756,0.0002960948,0.17234068],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99825007,0.00022297354,0.0002871618,0.000259075,0.0008474655,0.00013322743],"domain_scores_gemma":[0.99525994,0.0010347016,0.0005456531,0.00034018865,0.002360856,0.00045869616],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001220722,0.0015805456,0.0023548354,0.0056561525,0.0005827439,0.004061493,0.0030288023,0.0024499658,0.28350493],"category_scores_gemma":[0.0075187176,0.00061606313,0.0010976378,0.005262869,0.0006458887,0.0029328484,0.0016757454,0.0023072513,0.25359133],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032091582,0.000019486815,0.000047938498,0.009038317,0.000033474767,0.00010494695,0.00003747656,0.000054474374,0.00025304774,0.0010247817,0.7803639,0.20899002],"study_design_scores_gemma":[0.00000693584,0.00000800958,0.00008226862,0.0026204612,0.000018210752,0.00014947043,0.000017876024,0.000005115621,0.000028889992,0.0003138943,0.9967444,0.000004551655],"about_ca_topic_score_codex":0.0022064352,"about_ca_topic_score_gemma":0.0033986727,"teacher_disagreement_score":0.71649504,"about_ca_system_score_codex":0.001598859,"about_ca_system_score_gemma":0.0051547573,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W4210772603","doi":"10.1093/fmls/39.1.119","title":"Review: Rapt in Plaid: Canadian Literature and Scottish Tradition","year":2003,"lang":"en","type":"article","venue":"Forum for Modern Language Studies","topic":"Scottish History and National Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.030095848551802463,"score_gpt":0.2679595965316907,"score_spread":0.23786374797988824,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4210772603","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00043845238,0.9943223,0.000018951052,0.0031034008,0.00057639036,0.000013126021,0.000107162785,0.0000037485584,0.0014164746],"genre_scores_gemma":[0.00546521,0.9913496,0.00006450852,0.0019352889,0.00033623094,0.000016157826,0.00011070972,0.000002498756,0.00071973784],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982008,0.00035980332,0.00019714581,0.00014362099,0.0008873664,0.00021121812],"domain_scores_gemma":[0.98566264,0.004761977,0.0014816993,0.00021041847,0.006919068,0.000964184],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0033733996,0.0009915776,0.0023860275,0.010194918,0.0027939435,0.0050706104,0.0020395226,0.0022380129,0.009954355],"category_scores_gemma":[0.015763907,0.0003149636,0.0006921095,0.03788992,0.0036591734,0.002788381,0.0015528057,0.0014240626,0.0008662233],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021853679,0.000025783185,0.0027062595,0.109454595,0.0005068866,0.0008290668,0.0061513856,0.00021759752,0.00023486036,0.0055146837,0.50081027,0.37333006],"study_design_scores_gemma":[0.000060047558,0.000064095184,0.03273766,0.14591268,0.0010690576,0.0011470146,0.009461337,0.00005031939,0.00011194774,0.0015421372,0.8077387,0.00010500612],"about_ca_topic_score_codex":0.6515207,"about_ca_topic_score_gemma":0.85069644,"teacher_disagreement_score":0.34847927,"about_ca_system_score_codex":0.015224067,"about_ca_system_score_gemma":0.0795988,"threshold_uncertainty_score":0.70106304},"labels":[],"label_agreement":null},{"id":"W4213374637","doi":"10.1093/fmls/cqab035","title":"<i>Medievalism in English Canadian Literature: From Richardson to Atwood</i>. Ed. by M. J. Toswell and Anna Czarnowus","year":2021,"lang":"en","type":"article","venue":"Forum for Modern Language Studies","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Queen's University","funders":"","keywords":"Medievalism; Middle Ages; Humanism; History; Historiography; Settlement (finance); Parliament; Period (music); Classics; Ancient history; Narrative; Politics; Art; Literature; Archaeology; Law; Political science","score_opus":0.00818241243396497,"score_gpt":0.2647959438687562,"score_spread":0.25661353143479126,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4213374637","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0018196452,0.8986705,0.00019997286,0.027444111,0.0028872578,0.0000141372375,0.0004156198,0.0000662801,0.06848246],"genre_scores_gemma":[0.077387586,0.6927658,0.0010891393,0.0075333444,0.0024757131,0.000050626237,0.0006980832,0.00026599917,0.21773368],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99880207,0.00013518133,0.000044815923,0.00012264121,0.00052401074,0.00037131124],"domain_scores_gemma":[0.9991358,0.000109204906,0.00005686755,0.00002927916,0.00044642983,0.00022249667],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010984605,0.0014366714,0.00080487935,0.004769479,0.009762036,0.010174358,0.0022968887,0.0018675756,0.025791164],"category_scores_gemma":[0.0014372563,0.0007292187,0.0003601637,0.01075038,0.00917712,0.005419382,0.0024279393,0.002163166,0.0052616536],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003857347,0.000018223513,0.0006721219,0.0011562313,0.000016590591,0.00019027929,0.03111619,0.000053371226,0.00029066915,0.04162631,0.7906104,0.1342111],"study_design_scores_gemma":[0.0000018738276,0.000001734138,0.0016745646,0.0007129909,0.000005407878,0.00006732013,0.007414805,0.0000082097295,0.000044106277,0.0010033896,0.9890543,0.00001124496],"about_ca_topic_score_codex":0.9593402,"about_ca_topic_score_gemma":0.98568845,"teacher_disagreement_score":0.059305605,"about_ca_system_score_codex":0.059305605,"about_ca_system_score_gemma":0.06576655,"threshold_uncertainty_score":0.43029433},"labels":[],"label_agreement":null},{"id":"W4221025692","doi":"10.1093/fmls/cqac016","title":"<scp>Swift, Megan</scp>. Picturing the Page: Illustrated Children’s Literature and Reading under Lenin and Stalin","year":2022,"lang":"en","type":"article","venue":"Forum for Modern Language Studies","topic":"Themes in Literature Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Swift; Reading (process); History; Media studies; Period (music); Children's literature; Literature; Art history; Sociology; Law; Political science; Art; Aesthetics; Physics; Astrophysics","score_opus":0.016058350894050208,"score_gpt":0.24673629700513294,"score_spread":0.23067794611108272,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4221025692","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0012904562,0.48480225,0.0012666169,0.059438832,0.016341459,0.000112504655,0.0042245537,0.0008038471,0.4317195],"genre_scores_gemma":[0.013472036,0.20285808,0.001220025,0.006918633,0.0036304547,0.00017235301,0.0019131409,0.00084767526,0.7689677],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99944454,0.00007015672,0.000038360275,0.000052032632,0.00034439194,0.00005041795],"domain_scores_gemma":[0.9982272,0.000549637,0.00015667934,0.00008723312,0.000762935,0.0002163633],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004932431,0.0015541511,0.00079682795,0.003387305,0.0020552021,0.0034587854,0.0014496752,0.0020686444,0.1636588],"category_scores_gemma":[0.002758092,0.0008828662,0.00035319894,0.009176604,0.0014115484,0.005252081,0.0017106527,0.0024581042,0.08356074],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000003194852,0.0000013735687,0.000030187575,0.000107545755,0.0000010782138,0.00004310814,0.0004900521,0.000008981641,0.000032718246,0.000983535,0.9768212,0.02147714],"study_design_scores_gemma":[0.0000014965956,0.000002020987,0.00069029385,0.00044229525,0.0000015486982,0.000101544996,0.00060829404,0.0000124099415,0.000048352667,0.00044109367,0.997647,0.0000036926751],"about_ca_topic_score_codex":0.12543915,"about_ca_topic_score_gemma":0.2856174,"teacher_disagreement_score":0.1636588,"about_ca_system_score_codex":0.003355985,"about_ca_system_score_gemma":0.003887531,"threshold_uncertainty_score":0.5474932},"labels":[],"label_agreement":null},{"id":"W4226112881","doi":"10.1093/fmls/cqac008","title":"Surrealizing Wifredo Lam?","year":2022,"lang":"en","type":"article","venue":"Forum for Modern Language Studies","topic":"Cuban History and Society","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Art; Interpretation (philosophy); Temptation; Painting; Politics; Merge (version control); Ethnography; Relation (database); Sociology; Aesthetics; Literature; Art history; Anthropology; Philosophy; Linguistics; Law; Computer science; Political science","score_opus":0.060406941751805214,"score_gpt":0.37943124223874214,"score_spread":0.3190243004869369,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4226112881","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.32814327,0.021347879,0.0029841685,0.13158815,0.0016818615,0.00005840211,0.00010811855,0.00012495469,0.5139632],"genre_scores_gemma":[0.95555216,0.0016480804,0.00047120478,0.0035532734,0.00011580829,0.000026770342,0.00002074373,0.00003585026,0.038576104],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986896,0.000876081,0.0000150832175,0.00009188126,0.00010325179,0.00022407384],"domain_scores_gemma":[0.999356,0.00028803482,0.00007146318,0.000055874316,0.00014905888,0.000079650665],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018655502,0.00036683198,0.000232917,0.00085498486,0.010987109,0.0056059547,0.0007202324,0.0013090451,0.0047762264],"category_scores_gemma":[0.0024630094,0.00014304841,0.000120891134,0.00058522355,0.009708279,0.0023423366,0.0020657415,0.0024929992,0.00044707907],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010006305,0.000032354466,0.0022307185,0.00018425414,0.000012506848,0.0013284821,0.5365842,0.00014607346,0.0012065512,0.37679476,0.053197563,0.02818251],"study_design_scores_gemma":[0.0000051770417,0.000015550193,0.0014620684,0.00035450683,0.0000071248855,0.00045878388,0.2479459,0.00017287668,0.00065500644,0.0069332994,0.7419716,0.000018116378],"about_ca_topic_score_codex":0.106544726,"about_ca_topic_score_gemma":0.16402489,"teacher_disagreement_score":0.106544726,"about_ca_system_score_codex":0.009962177,"about_ca_system_score_gemma":0.0029269045,"threshold_uncertainty_score":0.21184915},"labels":[],"label_agreement":null},{"id":"W4231290257","doi":"10.1093/fmls/cqm112","title":"SPROLES, KARYN Z. Desiring Women: The Partnership of Virginia Woolf and Vita Sackville-West. Toronto: University of Toronto Press, 2006. xii + 242 pp.  42.00/$65.00 (hardback);  20.00/$29.95 (paperback). ISBN 0-8020-3883-2/9402-3","year":2008,"lang":"en","type":"article","venue":"Forum for Modern Language Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; General partnership; Media studies; Art history; History; Sociology; Political science; Law","score_opus":0.03251344322341219,"score_gpt":0.24926108284849666,"score_spread":0.21674763962508448,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4231290257","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001212246,0.9083298,0.00094701577,0.04921819,0.0035809467,0.000023006747,0.00021434002,0.000105863735,0.03636865],"genre_scores_gemma":[0.05455074,0.6742118,0.0026148795,0.009040079,0.002232431,0.00007159486,0.0002723351,0.00036072038,0.25664544],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995394,0.00012356511,0.000027207978,0.000059998063,0.00017710742,0.000072818926],"domain_scores_gemma":[0.9986947,0.0005337855,0.00008737934,0.000037626964,0.00042866092,0.00021774793],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010474893,0.0010458112,0.0006480684,0.003129311,0.0054690233,0.0042135445,0.001324871,0.0027596452,0.025237873],"category_scores_gemma":[0.0025468802,0.00083201483,0.0002320315,0.003432529,0.00247032,0.006648396,0.0014342553,0.0027101326,0.007908017],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029643608,0.000009218401,0.00031213788,0.00031409352,0.000006635619,0.00016039802,0.008110736,0.000042521635,0.00016504122,0.009333872,0.86540556,0.116110094],"study_design_scores_gemma":[0.0000050450185,0.000009858995,0.0019935188,0.00084753754,0.000008440778,0.000211904,0.00808962,0.000023576344,0.00013226991,0.0034487136,0.9852169,0.0000125319575],"about_ca_topic_score_codex":0.12361787,"about_ca_topic_score_gemma":0.33690083,"teacher_disagreement_score":0.12361787,"about_ca_system_score_codex":0.0037896424,"about_ca_system_score_gemma":0.003999699,"threshold_uncertainty_score":0.24579668},"labels":[],"label_agreement":null},{"id":"W4235060649","doi":"10.1093/fmls/cqp161","title":"Troubled Legacies: Narrative and Inheritance. Ed. Allan Hepburn. Toronto, Buffalo &amp; London : University of Toronto Press, 2007. viii + 298 pp.  32.00. ISBN 978-0-8020-9110-9","year":2010,"lang":"en","type":"article","venue":"Forum for Modern Language Studies","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Inheritance (genetic algorithm); History; Media studies; Art history; Art; Sociology; Literature; Biology","score_opus":0.01303337346692014,"score_gpt":0.26204351830040357,"score_spread":0.24901014483348344,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4235060649","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0015737321,0.87265515,0.0008777645,0.031451862,0.001677408,0.00001560565,0.00021569416,0.00006847353,0.091464296],"genre_scores_gemma":[0.09151643,0.6660173,0.002479355,0.004424758,0.0017920824,0.00006108483,0.0003038414,0.00021054508,0.23319465],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994172,0.00018774271,0.00003397907,0.0000650168,0.00020422628,0.00009196048],"domain_scores_gemma":[0.99905366,0.0004077491,0.00013306434,0.00004945107,0.00016304037,0.00019301791],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001069891,0.0012650032,0.0007871497,0.0023845285,0.003879756,0.005486386,0.0011264806,0.0019979854,0.03111565],"category_scores_gemma":[0.0022180257,0.0008372866,0.000321607,0.0038930874,0.010183438,0.006990301,0.0017182506,0.002078897,0.004851707],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004418149,0.000018451954,0.0005390942,0.0008907922,0.000015120143,0.00035307207,0.030444432,0.00013741765,0.00020713799,0.08606265,0.74584836,0.13543926],"study_design_scores_gemma":[0.000005664326,0.0000061936244,0.0012696767,0.0011598492,0.000006942725,0.00035091082,0.007854915,0.0000360351,0.0000783396,0.018592048,0.9706236,0.000015789059],"about_ca_topic_score_codex":0.25516763,"about_ca_topic_score_gemma":0.46061313,"teacher_disagreement_score":0.7448324,"about_ca_system_score_codex":0.011786572,"about_ca_system_score_gemma":0.012518832,"threshold_uncertainty_score":0.50736475},"labels":[],"label_agreement":null},{"id":"W4235135126","doi":"10.1093/fmls/cqu055","title":"KOLB, MARTINA. Nietzsche, Freud, Benn and the Azure Spell of Liguria. Toronto: University of Toronto Press, 2013. 281 pp. $55.00. ISBN 978-1-4426-4329-1","year":2014,"lang":"en","type":"article","venue":"Forum for Modern Language Studies","topic":"Nietzsche, Schopenhauer, and Hegel","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Spell; Art history; Art; Classics; Philosophy; Theology","score_opus":0.014664978658428956,"score_gpt":0.23217803702227485,"score_spread":0.2175130583638459,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4235135126","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00040053073,0.9459394,0.00024223852,0.01559382,0.002476459,0.000005396534,0.0007120071,0.000086035245,0.034544095],"genre_scores_gemma":[0.021364877,0.83446884,0.00095413224,0.0038615167,0.0028958505,0.000032527307,0.0012818368,0.00022865237,0.13491182],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99940884,0.00010535383,0.000061286126,0.00006727229,0.00028043092,0.00007689554],"domain_scores_gemma":[0.99894947,0.00042512047,0.00015435331,0.000044434255,0.00028038837,0.00014623917],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00089551194,0.0012677158,0.0010179505,0.005180679,0.002265598,0.004430098,0.0010719921,0.002658144,0.08555855],"category_scores_gemma":[0.0026777568,0.0009382469,0.00036472996,0.0075094793,0.002495157,0.007046472,0.0014256211,0.002607579,0.02783495],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035401517,0.000008585439,0.00033255588,0.0007665131,0.000013124871,0.00007668417,0.0019315139,0.00006272667,0.00013042874,0.008888278,0.9149345,0.072819665],"study_design_scores_gemma":[0.0000070147125,0.0000060196944,0.00389597,0.0016363196,0.000014571392,0.00019697663,0.001914485,0.000013256906,0.00008050806,0.0031846631,0.9890337,0.000016520402],"about_ca_topic_score_codex":0.12689178,"about_ca_topic_score_gemma":0.28408897,"teacher_disagreement_score":0.12689178,"about_ca_system_score_codex":0.0057506114,"about_ca_system_score_gemma":0.00547629,"threshold_uncertainty_score":0.28622186},"labels":[],"label_agreement":null},{"id":"W4238848837","doi":"10.1093/fmls/cqp030","title":"MELVILLE, PETER. Romantic Hospitality and the Resistance to Accommodation. Waterloo, Ontario: Wilfred Laurier University Press, 2007. viii + 199 pp.  35.99. ISBN 978-0-88920-517-8/0-88920-517-5","year":2008,"lang":"en","type":"article","venue":"Forum for Modern Language Studies","topic":"Scottish History and National Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Hospitality; Accommodation; Romance; Resistance (ecology); Media studies; Sociology; Art; Religious studies; Art history; History; Philosophy; Psychology; Archaeology; Literature; Tourism","score_opus":0.022836985759914916,"score_gpt":0.22539693084796475,"score_spread":0.20255994508804984,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4238848837","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002358048,0.69966686,0.00084394106,0.063268125,0.00270545,0.00003616317,0.0009804146,0.0001585803,0.22998248],"genre_scores_gemma":[0.08762252,0.45088646,0.0016617207,0.0059504025,0.0015197971,0.00007572059,0.0006362995,0.00028368278,0.45136347],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993905,0.00014555056,0.000044450142,0.00004818203,0.0002630623,0.00010823312],"domain_scores_gemma":[0.999047,0.00030879403,0.000119721546,0.00004717615,0.00029061295,0.00018679342],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00072190806,0.0007721194,0.00044851907,0.0018154106,0.003249446,0.0032285445,0.0010662407,0.0018562927,0.0644668],"category_scores_gemma":[0.0024114512,0.00057830143,0.00026715812,0.0038496708,0.0036846464,0.0063055684,0.0011793599,0.001773069,0.015641512],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037899958,0.000010748709,0.0005241021,0.00043748048,0.0000057043353,0.00019606504,0.006904324,0.00004780825,0.00017690161,0.019598883,0.8876208,0.08443928],"study_design_scores_gemma":[0.000005344762,0.0000065271283,0.0025674829,0.00059430016,0.0000044493745,0.00014787885,0.0038726286,0.000015420677,0.000074143165,0.003043149,0.9896582,0.000010564881],"about_ca_topic_score_codex":0.3213629,"about_ca_topic_score_gemma":0.5793406,"teacher_disagreement_score":0.3213629,"about_ca_system_score_codex":0.0071701645,"about_ca_system_score_gemma":0.0067916717,"threshold_uncertainty_score":0.63898474},"labels":[],"label_agreement":null},{"id":"W4240597424","doi":"10.1093/fmls/cql048","title":"O'NEILL, PATRICK. Polyglot Joyce: Fictions of Translation. Toronto: University of Toronto Press, 2005. x + 301 pp. $55/ 35. ISBN 0-8020-3897-2","year":2006,"lang":"en","type":"article","venue":"Forum for Modern Language Studies","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Polyglot; Translation (biology); Philosophy; Theology; Computer science; Biology; Messenger RNA","score_opus":0.022440984657857665,"score_gpt":0.2512972044995319,"score_spread":0.22885621984167426,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4240597424","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0008765701,0.770741,0.001490963,0.052288983,0.0064530172,0.00003889973,0.0010342131,0.00024082977,0.16683553],"genre_scores_gemma":[0.033774246,0.4716648,0.00308582,0.008800653,0.003741492,0.00008777036,0.00092672644,0.00071097794,0.47720748],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999073,0.00024013045,0.000063277985,0.00010283762,0.00039878738,0.000122010366],"domain_scores_gemma":[0.99798346,0.0008398069,0.0002131054,0.00011277807,0.0005019058,0.00034897143],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011947033,0.0016431201,0.0008613664,0.003827028,0.0042193667,0.0055739963,0.001322596,0.0031296173,0.11153431],"category_scores_gemma":[0.004164759,0.0010766576,0.00038917438,0.008192062,0.0053669857,0.009605323,0.002037655,0.003574975,0.0346077],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000397295,0.0000046426503,0.00010100461,0.00040163967,0.0000055493547,0.0001565251,0.0037837648,0.000046745386,0.00013147303,0.01458167,0.9276302,0.05311719],"study_design_scores_gemma":[0.0000038125222,0.0000040564437,0.0005250873,0.00035961482,0.000004108136,0.000110981964,0.001105864,0.000012014868,0.000054143147,0.003086617,0.9947241,0.000009666443],"about_ca_topic_score_codex":0.16698527,"about_ca_topic_score_gemma":0.37024122,"teacher_disagreement_score":0.16698527,"about_ca_system_score_codex":0.0076551125,"about_ca_system_score_gemma":0.007147955,"threshold_uncertainty_score":0.37311947},"labels":[],"label_agreement":null},{"id":"W4243035214","doi":"10.1093/fmls/cqp076","title":"GILLIES, MARY ANN. The Professional Literary Agent in Britain, 1880-1920. Toronto: University of Toronto Press, 2007. xi + 247 pp.  42.00/$65.00. ISBN 978-0-8020-9147-5","year":2009,"lang":"en","type":"article","venue":"Forum for Modern Language Studies","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Media studies; History; Art history; Sociology","score_opus":0.013867907260581517,"score_gpt":0.26759630567213255,"score_spread":0.25372839841155104,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4243035214","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0014770408,0.85533184,0.00025165526,0.039992582,0.0027826014,0.000019234127,0.0012061747,0.00010143007,0.098837465],"genre_scores_gemma":[0.04178637,0.5841467,0.0009327059,0.004210754,0.0017248001,0.000036496265,0.0008971883,0.00020200959,0.36606306],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993838,0.000078286175,0.00003867191,0.000060049857,0.0003460307,0.00009299152],"domain_scores_gemma":[0.9989913,0.00025604235,0.00010163034,0.000030096473,0.0003937143,0.00022729982],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007591698,0.0011919099,0.00053941103,0.00451923,0.0035545623,0.0027435394,0.0012406553,0.0021399995,0.044959806],"category_scores_gemma":[0.0019463615,0.000759815,0.00024849176,0.0070333458,0.0033530584,0.0044390303,0.0010062577,0.0017703326,0.015150973],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002093746,0.0000047585813,0.00030041867,0.0004078542,0.000004998311,0.00012471646,0.005893057,0.000044313867,0.00008225327,0.0069400147,0.944095,0.042081725],"study_design_scores_gemma":[0.000003942388,0.000004353534,0.0035145031,0.00073767675,0.000006248419,0.00012996948,0.0035735832,0.000009574373,0.000050705894,0.0012932197,0.99066436,0.000011707475],"about_ca_topic_score_codex":0.6379898,"about_ca_topic_score_gemma":0.848541,"teacher_disagreement_score":0.36201018,"about_ca_system_score_codex":0.014505835,"about_ca_system_score_gemma":0.011956078,"threshold_uncertainty_score":0.72828424},"labels":[],"label_agreement":null},{"id":"W4243486556","doi":"10.1093/fmls/cqm072","title":"BETTELLA, PATRIZIA. The Ugly Woman: Transgressive Aesthetic Models in Italian Poetry from the Middle Ages to the Baroque. Toronto: University of Toronto Press (Toronto Italian Studies), 2005. viii + 260 pp.  40.00/$60.00. ISBN 0 8020 3926 X","year":2007,"lang":"en","type":"article","venue":"Forum for Modern Language Studies","topic":"Renaissance and Early Modern Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Baroque; Poetry; Transgressive; Art; History; Literature; Classics; Art history","score_opus":0.052975033669806375,"score_gpt":0.2733898785225847,"score_spread":0.2204148448527783,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4243486556","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0018392827,0.76383525,0.0010384121,0.06770868,0.0034182118,0.000023921486,0.00033273865,0.00020907368,0.1615944],"genre_scores_gemma":[0.14805675,0.6102026,0.0044434243,0.016451942,0.010175916,0.00017179386,0.0005257308,0.0006909734,0.20928082],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99946743,0.00023163059,0.000025645344,0.00005050631,0.00017101486,0.00005383341],"domain_scores_gemma":[0.9990971,0.00046544787,0.000117467134,0.00003464106,0.00017465153,0.00011083447],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010638934,0.0012426926,0.0006122654,0.0030246584,0.0032102834,0.0039039557,0.0010492776,0.0020146172,0.027144982],"category_scores_gemma":[0.0023660092,0.00067832845,0.00030762985,0.0044492944,0.0047789426,0.007355192,0.0012949298,0.0028530213,0.010202715],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000058132482,0.000016620865,0.00034375873,0.00053396344,0.000009239734,0.00017051121,0.01808283,0.00006846193,0.00022971634,0.042147893,0.85877556,0.079563335],"study_design_scores_gemma":[0.00001593658,0.000021237804,0.004495773,0.001102342,0.000015493386,0.00043155695,0.0052962145,0.000058274025,0.00009339547,0.015991269,0.9724578,0.000020715088],"about_ca_topic_score_codex":0.030810777,"about_ca_topic_score_gemma":0.069056794,"teacher_disagreement_score":0.030810777,"about_ca_system_score_codex":0.0036223894,"about_ca_system_score_gemma":0.0017293213,"threshold_uncertainty_score":0.09080899},"labels":[],"label_agreement":null},{"id":"W4243665182","doi":"10.1093/fmls/cql036","title":"Italian Futurist Poetry. Ed. &amp; Trans. Willard Bohn. Toronto &amp; Buffalo, NY: University of Toronto Press, 2005. 310 pp. ISBN 0-8020-3783-6","year":2006,"lang":"en","type":"article","venue":"Forum for Modern Language Studies","topic":"French Literature and Poetry","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Futurist; Poetry; Art history; Art; Media studies; History; Classics; Sociology; Literature","score_opus":0.01594322587465018,"score_gpt":0.23810162876022545,"score_spread":0.22215840288557526,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4243665182","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0011657878,0.77726835,0.0015800669,0.017754866,0.0045996513,0.00002595287,0.00095985853,0.0003902988,0.19625513],"genre_scores_gemma":[0.03487708,0.49776733,0.004504889,0.0033393553,0.0049908296,0.00007750491,0.001084408,0.00064095465,0.4527176],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99962556,0.00009127935,0.000021058699,0.000056203084,0.00014618135,0.00005967732],"domain_scores_gemma":[0.9996057,0.0001085314,0.00007464399,0.000031853415,0.000102418424,0.00007698561],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009917992,0.0020935922,0.001300789,0.0038265372,0.002446457,0.0048106886,0.0008388162,0.0014266954,0.07810505],"category_scores_gemma":[0.0017713509,0.0010910014,0.0005971657,0.0060778307,0.002634623,0.0052225674,0.001104049,0.0016011082,0.033193424],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028495924,0.000009200601,0.00021296377,0.00051628595,0.0000092664495,0.00008696357,0.0017926648,0.00007998688,0.00017650992,0.013030836,0.8804401,0.10361672],"study_design_scores_gemma":[0.0000028015436,0.000008573451,0.0009698376,0.0002975492,0.000006726414,0.00022233863,0.00046436035,0.000032434986,0.00006856162,0.001874794,0.9960438,0.000008211281],"about_ca_topic_score_codex":0.07093092,"about_ca_topic_score_gemma":0.23606044,"teacher_disagreement_score":0.07810505,"about_ca_system_score_codex":0.005987546,"about_ca_system_score_gemma":0.004449404,"threshold_uncertainty_score":0.2612874},"labels":[],"label_agreement":null},{"id":"W4247851585","doi":"10.1093/fmls/cqp062","title":"CHILDERS, WILLIAM. Transnational Cervantes. Toronto, Buffalo &amp; London: University of Toronto Press, 2006. 310 pp.  40.00 ISBN 0-8020-9045-1","year":2009,"lang":"en","type":"article","venue":"Forum for Modern Language Studies","topic":"Cuban History and Society","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Media studies; History; Art history; Sociology","score_opus":0.02219658006310182,"score_gpt":0.2860995428707451,"score_spread":0.2639029628076433,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4247851585","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00085538597,0.84100705,0.00075830426,0.017420497,0.0019837876,0.0000321019,0.0021254092,0.00018707427,0.13563046],"genre_scores_gemma":[0.01945509,0.623508,0.0030660047,0.0024320486,0.0009494805,0.0000772634,0.0016313831,0.0005523154,0.3483285],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99948573,0.00010270846,0.000060544902,0.00006882189,0.00021565697,0.00006648351],"domain_scores_gemma":[0.9988689,0.00035872037,0.00013802054,0.000071401584,0.0003522156,0.00021069737],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009949489,0.0014967254,0.00086013775,0.0034876377,0.0037417999,0.0033757382,0.0011070758,0.0019726276,0.13923618],"category_scores_gemma":[0.0021777113,0.0015883627,0.00030824167,0.00917504,0.0028546115,0.0068161385,0.0015524678,0.0026366787,0.043021798],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003554173,0.0000062165273,0.00030818922,0.00074431376,0.0000062443414,0.00010507743,0.0046805395,0.00004538752,0.00018517885,0.008917795,0.8926674,0.09229811],"study_design_scores_gemma":[0.00000355379,0.000003615987,0.0013304873,0.00057710067,0.000006264589,0.00015335268,0.0022992596,0.000009150127,0.00007089195,0.0013642918,0.994173,0.000009048398],"about_ca_topic_score_codex":0.30657846,"about_ca_topic_score_gemma":0.5929013,"teacher_disagreement_score":0.30657846,"about_ca_system_score_codex":0.006229683,"about_ca_system_score_gemma":0.007701424,"threshold_uncertainty_score":0.6095879},"labels":[],"label_agreement":null},{"id":"W4254457206","doi":"10.1093/fmls/cql128","title":"The Cinema of Canada. Ed. Jerry White. London &amp; New York: Wallflower Press (24 Frames Series), 2006. xv + 268 pp. £45 (hardback)/£18.99 (paperback). ISBN 1–904–76460–6/76461–4","year":2007,"lang":"en","type":"article","venue":"Forum for Modern Language Studies","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art history; White (mutation); Movie theater; Media studies; Art; Series (stratigraphy); History; Sociology; Chemistry; Geology","score_opus":0.03220858955489927,"score_gpt":0.2516728529204646,"score_spread":0.21946426336556532,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4254457206","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001754524,0.549372,0.002467425,0.03825135,0.008553366,0.0000793739,0.0035068581,0.0006070349,0.3954081],"genre_scores_gemma":[0.023029488,0.3379701,0.0038685726,0.0033769652,0.0024207975,0.00006819937,0.0017011795,0.0006202388,0.6269444],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994197,0.00006030142,0.000018378692,0.000086811524,0.00032358224,0.000091295195],"domain_scores_gemma":[0.99893624,0.00012910609,0.00006724805,0.00003223933,0.00053303444,0.00030210658],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000685139,0.001674566,0.0007673468,0.0039325505,0.0049643195,0.0076726275,0.0011257002,0.0016948493,0.14011608],"category_scores_gemma":[0.0028266609,0.00076424907,0.000449357,0.004714398,0.002400012,0.004415757,0.0013039383,0.0020353554,0.03146516],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013687839,0.000005567716,0.00016435789,0.00023389744,0.0000050438516,0.000054873515,0.0008587629,0.000058407204,0.00016925523,0.0056011705,0.9202347,0.072600305],"study_design_scores_gemma":[0.0000014806869,0.0000021347325,0.0006684315,0.00032608918,0.0000040070768,0.000085931046,0.0006608535,0.000023813811,0.000057968395,0.00073013565,0.99743015,0.000008969236],"about_ca_topic_score_codex":0.7243676,"about_ca_topic_score_gemma":0.882181,"teacher_disagreement_score":0.27563238,"about_ca_system_score_codex":0.015168862,"about_ca_system_score_gemma":0.026454266,"threshold_uncertainty_score":0.55451125},"labels":[],"label_agreement":null},{"id":"W4294001514","doi":"10.1093/fmls/cqac038","title":"‘This was the better way’: The Restoration Afterlives of Ben Jonson’s Comic Designs","year":2022,"lang":"en","type":"article","venue":"Forum for Modern Language Studies","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ambrose University; Dalhousie University","funders":"","keywords":"Comics; Comedy; Literature; Hoax; Trickster; Character (mathematics); Plot (graphics); Tragedy (event); Afterlife; Art; Philosophy; History","score_opus":0.06777102248606745,"score_gpt":0.28453139020268586,"score_spread":0.2167603677166184,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4294001514","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.36761343,0.0041440083,0.005529867,0.019504568,0.0021149581,0.000052203635,0.000049268743,0.00023742641,0.60075426],"genre_scores_gemma":[0.9362176,0.00034180918,0.00068858464,0.000806206,0.00012224512,0.000017093449,0.000015148335,0.00022370106,0.06156754],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9968976,0.0021782308,0.000027897458,0.00021163009,0.00029124154,0.0003933319],"domain_scores_gemma":[0.99891376,0.0004807434,0.000096517484,0.00012452123,0.00015529778,0.00022916222],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001818362,0.0006444182,0.00043256223,0.00092517154,0.014955429,0.008374531,0.00080284325,0.0020703687,0.009005169],"category_scores_gemma":[0.0036956419,0.00033060313,0.00019877656,0.000658866,0.01962853,0.0031903153,0.0036706163,0.0035969317,0.0012241552],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016507994,0.000057576013,0.0007946055,0.0000768235,0.000008937747,0.0013509504,0.5182868,0.00020373282,0.0010780066,0.43832436,0.024808655,0.0148445275],"study_design_scores_gemma":[0.000015940766,0.00007066104,0.0007893307,0.00023846532,0.000008522352,0.0011179807,0.2574009,0.00037345375,0.0010842063,0.0153259905,0.7235398,0.00003469152],"about_ca_topic_score_codex":0.008959739,"about_ca_topic_score_gemma":0.021250887,"teacher_disagreement_score":0.014955429,"about_ca_system_score_codex":0.0058318577,"about_ca_system_score_gemma":0.0012760364,"threshold_uncertainty_score":0.042313278},"labels":[],"label_agreement":null},{"id":"W4304109165","doi":"10.1093/fmls/cqac040","title":"Introduction: Comedy and its Afterlives","year":2022,"lang":"en","type":"article","venue":"Forum for Modern Language Studies","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Saint Mary's University; Dalhousie University","funders":"","keywords":"Comedy; Comics; Literature; Enlightenment; German; Art; Theatrical production; Variety (cybernetics); Philosophy; Drama; Linguistics","score_opus":0.035076414402912204,"score_gpt":0.2712682119330757,"score_spread":0.2361917975301635,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4304109165","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.012658867,0.08961598,0.0025982172,0.08601015,0.048820943,0.000089741945,0.0007222927,0.00018389177,0.7593],"genre_scores_gemma":[0.3147834,0.06715508,0.0019072043,0.030145193,0.042380683,0.0001879023,0.0009676991,0.00045208403,0.5420208],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993662,0.00027073253,0.000023447952,0.00011685188,0.00013479564,0.00008803064],"domain_scores_gemma":[0.9989291,0.0005636845,0.000048485224,0.0000530166,0.00028859515,0.00011709196],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00069403625,0.0005462796,0.00041430845,0.0013877895,0.0035642325,0.0052886736,0.0005583032,0.001734469,0.02579851],"category_scores_gemma":[0.0019577239,0.00013282847,0.0002814772,0.0012830745,0.0040578917,0.0025816676,0.0018082767,0.00289696,0.0032494506],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000046726087,0.000034272565,0.0006361032,0.00055658014,0.000007653604,0.00028683536,0.019972013,0.000103604296,0.00031686123,0.40734726,0.5314166,0.039275393],"study_design_scores_gemma":[0.0000018185146,0.000011707072,0.00043060954,0.0003414875,0.0000010490714,0.00008411707,0.003073011,0.000018855008,0.000053486474,0.005061912,0.9909175,0.0000044673234],"about_ca_topic_score_codex":0.006023102,"about_ca_topic_score_gemma":0.0055733225,"teacher_disagreement_score":0.02579851,"about_ca_system_score_codex":0.0031944122,"about_ca_system_score_gemma":0.0016684739,"threshold_uncertainty_score":0.086304605},"labels":[],"label_agreement":null},{"id":"W4306247017","doi":"10.1093/fmls/cqac039","title":"Individual and Societal Shortcomings in Eighteenth-Century German Comedy: A Reassessment","year":2022,"lang":"en","type":"article","venue":"Forum for Modern Language Studies","topic":"Rousseau and Enlightenment Thought","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Comedy; German; Criticism; Blame; German literature; Literature; Social criticism; Argument (complex analysis); Philosophy; Sociology; History; Law; Art; Psychology; Political science; Social psychology; Linguistics; Politics","score_opus":0.03919785798276049,"score_gpt":0.3145717180625157,"score_spread":0.27537386007975523,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4306247017","genre_codex":"empirical","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.68475616,0.008834295,0.001129834,0.019443106,0.00026707602,0.000020666614,0.00004500695,0.000022695,0.28548115],"genre_scores_gemma":[0.99401045,0.00055463647,0.00007721091,0.00053188566,0.000035006167,0.0000054425645,0.0000060481966,0.0000062636846,0.004773117],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99786323,0.0010056514,0.00006561956,0.00020701872,0.0002815806,0.00057686184],"domain_scores_gemma":[0.99870753,0.00061366893,0.00019742014,0.00010017636,0.00023720146,0.00014406767],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0035743434,0.00034910845,0.0003799526,0.0025587087,0.008507212,0.0064299847,0.00087448355,0.0027765937,0.002768126],"category_scores_gemma":[0.0027082067,0.00019863293,0.00021037416,0.0013210023,0.03676339,0.004605209,0.005144363,0.0019485024,0.00021964427],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028729559,0.000019128249,0.0023873835,0.00007077538,0.000009345793,0.0007467781,0.46157044,0.00005086119,0.00014971291,0.52524275,0.0023268491,0.007397293],"study_design_scores_gemma":[0.000034911056,0.00007745961,0.015541607,0.00055465376,0.000035009678,0.00086599676,0.42918092,0.00022988532,0.0006979295,0.06474029,0.4879865,0.000054812757],"about_ca_topic_score_codex":0.021131972,"about_ca_topic_score_gemma":0.038194623,"teacher_disagreement_score":0.021131972,"about_ca_system_score_codex":0.014062311,"about_ca_system_score_gemma":0.002440072,"threshold_uncertainty_score":0.10202968},"labels":[],"label_agreement":null},{"id":"W4309074405","doi":"10.1093/fmls/cqac064","title":"On Researching Early Modern Mediated Translations: Challenges and Prospects","year":2022,"lang":"en","type":"article","venue":"Forum for Modern Language Studies","topic":"Philippine History and Culture","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Metadata; The Renaissance; History; Task (project management); Computer science; World Wide Web; Art history; Engineering","score_opus":0.06838560081084004,"score_gpt":0.3514937901508521,"score_spread":0.28310818934001203,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4309074405","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06617115,0.34709334,0.046181254,0.35019028,0.0046464796,0.0002350798,0.0006172521,0.00027315493,0.184592],"genre_scores_gemma":[0.6274278,0.24038436,0.05733981,0.032358214,0.0074409647,0.0009866052,0.0009003843,0.0006870325,0.032474883],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9652856,0.027360423,0.0011824855,0.0023637745,0.0026481075,0.0011596235],"domain_scores_gemma":[0.8372298,0.13180819,0.004747592,0.009485806,0.013939025,0.0027895975],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.06145522,0.0014069852,0.0021211598,0.008050553,0.008493728,0.020015705,0.0038868482,0.007443097,0.018918408],"category_scores_gemma":[0.06212965,0.00075811066,0.0006647865,0.0130726,0.04095426,0.06245916,0.0095784515,0.0070178476,0.004887875],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000114843475,0.00017975329,0.0029459333,0.0027778782,0.000035831883,0.0008331759,0.13623877,0.00031137426,0.00038609758,0.72011024,0.014287926,0.1217782],"study_design_scores_gemma":[0.00003172527,0.000122061574,0.0034538298,0.008480765,0.00003199514,0.0010639546,0.16485958,0.00094686483,0.0010564552,0.50626165,0.31359005,0.000100933525],"about_ca_topic_score_codex":0.0045807995,"about_ca_topic_score_gemma":0.005848627,"teacher_disagreement_score":0.06145522,"about_ca_system_score_codex":0.0076569202,"about_ca_system_score_gemma":0.012570837,"threshold_uncertainty_score":0.32501018},"labels":[],"label_agreement":null},{"id":"W4366318344","doi":"10.1093/fmls/cqad001","title":"<i>Concrete Poetry: A 21st-Century Anthology</i>. Ed. by Nancy Perloff","year":2023,"lang":"en","type":"article","venue":"Forum for Modern Language Studies","topic":"Literature, Language, and Rhetoric Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Exhibition; Selection (genetic algorithm); Section (typography); Art history; American poetry; Reading (process); Literature; History; Art; Philosophy; Computer science; Artificial intelligence; Linguistics","score_opus":0.018748888537710933,"score_gpt":0.33963713479670804,"score_spread":0.3208882462589971,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4366318344","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0024681936,0.5546995,0.0035687664,0.043273658,0.040854167,0.000079136,0.000314894,0.00030890355,0.3544328],"genre_scores_gemma":[0.02663841,0.25086018,0.003903743,0.012079833,0.018678866,0.00018212633,0.0004943484,0.00096209766,0.68620044],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99950695,0.00011756711,0.000025246747,0.00007673583,0.00022776269,0.000045618966],"domain_scores_gemma":[0.9995134,0.00021098397,0.00004637258,0.000026159787,0.00012521232,0.00007791161],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006698629,0.0009976827,0.0005955362,0.0016065807,0.0023692448,0.0057750368,0.000723052,0.0011868898,0.021887984],"category_scores_gemma":[0.0016818733,0.00060808024,0.00038480567,0.0017976338,0.002397562,0.00459365,0.0020065506,0.004046265,0.014183929],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017459555,0.000018209059,0.00009464523,0.0003082444,0.000003120177,0.00006714303,0.0025685406,0.00005994878,0.0003948276,0.022956152,0.9071009,0.066410825],"study_design_scores_gemma":[0.000001032188,0.000005421504,0.00017425312,0.00034655,7.2524256e-7,0.0000891192,0.0004846429,0.000017614186,0.00005274194,0.0019770686,0.99684745,0.000003455856],"about_ca_topic_score_codex":0.002852671,"about_ca_topic_score_gemma":0.006965237,"teacher_disagreement_score":0.021887984,"about_ca_system_score_codex":0.0020446982,"about_ca_system_score_gemma":0.0021037804,"threshold_uncertainty_score":0.07322264},"labels":[],"label_agreement":null},{"id":"W4382561648","doi":"10.1093/fmls/cqad041","title":"‘Curiouser and curiouser’: Childhood Figures to Live By, in Writings in French by Lydia Flem and Philippe Forest","year":2023,"lang":"en","type":"article","venue":"Forum for Modern Language Studies","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Curiosity; The Imaginary; Fantasy; Storytelling; Life writing; Reading (process); Biography; Literature; Sociology; History; Art; Psychoanalysis; Art history; Aesthetics; Narrative; Psychology; Philosophy; Linguistics; Social psychology","score_opus":0.01814602568778713,"score_gpt":0.2858813110310608,"score_spread":0.2677352853432737,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4382561648","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.87107813,0.0099924505,0.0015871589,0.023977388,0.00040309402,0.000037322163,0.00010319417,0.00007760187,0.09274364],"genre_scores_gemma":[0.99078584,0.001042923,0.00031128488,0.0006403982,0.00006294274,0.000013027737,0.000021254189,0.000037258287,0.007085146],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9949787,0.0036738364,0.00005654449,0.00034144917,0.0005096146,0.0004397384],"domain_scores_gemma":[0.995576,0.0025819247,0.00065661466,0.00014572586,0.0004998327,0.00053982396],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0032384282,0.00078801427,0.00058727595,0.0020497327,0.017917026,0.009446721,0.00092067185,0.002563068,0.004017121],"category_scores_gemma":[0.008046825,0.00034510726,0.00028787792,0.0012174271,0.017346289,0.004077811,0.002701112,0.0029467554,0.0004993054],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018493305,0.000013749807,0.0013650713,0.000039574432,0.000005356425,0.0018060221,0.9716219,0.000037172664,0.00027776475,0.016136555,0.0033351453,0.005343265],"study_design_scores_gemma":[0.0000033742535,0.000034894765,0.004514842,0.00017476757,0.000007962267,0.0019194436,0.8286784,0.000055864613,0.00043381806,0.0013175553,0.16283253,0.000026638952],"about_ca_topic_score_codex":0.0775159,"about_ca_topic_score_gemma":0.11281256,"teacher_disagreement_score":0.0775159,"about_ca_system_score_codex":0.011751431,"about_ca_system_score_gemma":0.0035254785,"threshold_uncertainty_score":0.15412939},"labels":[],"label_agreement":null},{"id":"W4388274257","doi":"10.1093/fmls/cqad032","title":"<i>The Gastronomical Arts in Spain: Food and Etiquette</i>. Ed. by Frederick A. de Armas and James Mandrell","year":2023,"lang":"en","type":"article","venue":"Forum for Modern Language Studies","topic":"Culinary Culture and Tourism","field":"Agricultural and Biological Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Etiquette; The arts; Art history; History; Humanities; Art; Media studies; Sociology; Political science; Law; Visual arts","score_opus":0.016034413075578412,"score_gpt":0.24953743026023306,"score_spread":0.23350301718465466,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388274257","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0008688127,0.86102265,0.00028031273,0.029534535,0.01450491,0.000013189658,0.00031638655,0.000115503135,0.09334362],"genre_scores_gemma":[0.01841448,0.56249726,0.00090154476,0.008626663,0.009573437,0.000045166114,0.00069977675,0.00031090286,0.39893076],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995049,0.00012300638,0.00003347117,0.00006089078,0.00019912454,0.000078562305],"domain_scores_gemma":[0.99943286,0.00015838715,0.00007307516,0.000028327413,0.00015192716,0.00015545556],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00089648645,0.0013458815,0.0008917685,0.0021245365,0.0011936562,0.006504611,0.00084647094,0.0021260686,0.08044036],"category_scores_gemma":[0.0015741012,0.00047105804,0.00061718887,0.0037815452,0.001576504,0.0042704563,0.0021112515,0.0025808022,0.040800847],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000044077504,0.000015890299,0.00029678454,0.00069595507,0.000006199913,0.000057339137,0.00086691056,0.00004104152,0.00015147547,0.0033088378,0.90457404,0.089941464],"study_design_scores_gemma":[0.0000045738425,0.000009053454,0.0011809766,0.00084634864,0.000002589461,0.00012387031,0.0009792848,0.000012227613,0.000043084936,0.0010577154,0.9957344,0.000005991757],"about_ca_topic_score_codex":0.01218649,"about_ca_topic_score_gemma":0.023480663,"teacher_disagreement_score":0.08044036,"about_ca_system_score_codex":0.00268958,"about_ca_system_score_gemma":0.0035288369,"threshold_uncertainty_score":0.26909983},"labels":[],"label_agreement":null},{"id":"W4395084103","doi":"10.1093/fmls/cqae022","title":"How Literary Texts ‘Stage’ Code-Switching","year":2024,"lang":"en","type":"article","venue":"Forum for Modern Language Studies","topic":"Media, Communication, and Education","field":"Social Sciences","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Stage (stratigraphy); Code-switching; Code (set theory); Linguistics; History; Art; Literature; Computer science; Programming language; Philosophy; Biology","score_opus":0.06316601289312844,"score_gpt":0.40743350881112295,"score_spread":0.3442674959179945,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4395084103","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6292033,0.00063899497,0.036434475,0.0047155716,0.00030666654,0.00015633937,0.00021201874,0.00043051183,0.32790208],"genre_scores_gemma":[0.98766786,0.00012332901,0.002965109,0.00023698022,0.00004857538,0.000044689306,0.00010228206,0.0002637649,0.008547348],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9934141,0.0041086525,0.00018410751,0.0008434191,0.0010253397,0.00042438097],"domain_scores_gemma":[0.9847318,0.009313459,0.001102017,0.0028706368,0.0014402773,0.00054185913],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0038126044,0.00035429175,0.00036610675,0.0021832795,0.003581558,0.009739236,0.0012043511,0.0017624887,0.0064274264],"category_scores_gemma":[0.020618403,0.00036964848,0.00029582958,0.0015794309,0.017977614,0.0093181925,0.005245936,0.0023696676,0.0014415523],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013581675,0.000032830092,0.0039755763,0.00018185646,0.00001806538,0.00084773026,0.66069967,0.00030361296,0.010351548,0.28215885,0.0026589031,0.03863558],"study_design_scores_gemma":[0.00006460124,0.00016713275,0.015760792,0.0005992265,0.00004400782,0.0021484334,0.35880503,0.0029011155,0.012198809,0.18041365,0.42676553,0.00013166342],"about_ca_topic_score_codex":0.0017296622,"about_ca_topic_score_gemma":0.0021229782,"teacher_disagreement_score":0.009739236,"about_ca_system_score_codex":0.0024359422,"about_ca_system_score_gemma":0.0011830961,"threshold_uncertainty_score":0.021501899},"labels":[],"label_agreement":null},{"id":"W4395084107","doi":"10.1093/fmls/cqae023","title":"Code-Switching, Queering Food and Narrative Construction in Monica Meneghetti’s Memoir <i>What the Mouth Wants</i>","year":2024,"lang":"en","type":"article","venue":"Forum for Modern Language Studies","topic":"Culinary Culture and Tourism","field":"Agricultural and Biological Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Memoir; Narrative; Code (set theory); Art; Sociology; Art history; Computer science; Programming language; Literature","score_opus":0.020856310445208335,"score_gpt":0.2680432133409141,"score_spread":0.24718690289570575,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4395084107","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.68192255,0.0029166613,0.00644878,0.01091167,0.00050151517,0.00008463804,0.0002445815,0.0002110434,0.29675862],"genre_scores_gemma":[0.9860321,0.0002546229,0.00059660967,0.00022891606,0.000042264164,0.000013088844,0.0000317738,0.000052168623,0.012748367],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99851984,0.0007037755,0.000020783911,0.00017686166,0.000253246,0.0003254616],"domain_scores_gemma":[0.9980971,0.00088455126,0.00022544259,0.00016028712,0.0003073077,0.00032530056],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002535162,0.00078654685,0.00035488978,0.0013252394,0.016147396,0.0066648577,0.0013022145,0.0012017746,0.0030873148],"category_scores_gemma":[0.00381997,0.0003212371,0.00022339336,0.0011014354,0.04023218,0.0026005271,0.0033861639,0.0021605243,0.00027286285],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033363438,0.00000609021,0.0005880477,0.000028674041,0.0000029303694,0.000621197,0.95623744,0.000042590804,0.00059252454,0.036878347,0.0023492575,0.0026195655],"study_design_scores_gemma":[0.000015969774,0.000027800272,0.004377559,0.00012743846,0.000013181945,0.0010638742,0.70512646,0.00027653846,0.0012010634,0.0064389072,0.28127512,0.000056085675],"about_ca_topic_score_codex":0.33505338,"about_ca_topic_score_gemma":0.49671173,"teacher_disagreement_score":0.33505338,"about_ca_system_score_codex":0.017786171,"about_ca_system_score_gemma":0.00656558,"threshold_uncertainty_score":0.6662063},"labels":[],"label_agreement":null},{"id":"W4399153283","doi":"10.1093/fmls/cqae041","title":"Imperial Transnationality: On Soviet Screens","year":2024,"lang":"en","type":"article","venue":"Forum for Modern Language Studies","topic":"European history and politics","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Trinity College","funders":"","keywords":"Transnationality; History; Art; Political science; Law","score_opus":0.062296624269932994,"score_gpt":0.38936380754302974,"score_spread":0.32706718327309675,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399153283","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12657842,0.0053642425,0.0029137568,0.027295643,0.0015122932,0.000012195337,0.000060555507,0.000060270657,0.8362026],"genre_scores_gemma":[0.9588104,0.0013987655,0.00027182497,0.0018957531,0.00034576538,0.0000143817615,0.00002435895,0.000074864736,0.037163958],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99904543,0.0003629851,0.000044629134,0.00014396929,0.000152315,0.00025056972],"domain_scores_gemma":[0.9990544,0.0005854277,0.00006518389,0.00011226371,0.00010691049,0.00007586398],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009305807,0.00028076666,0.00037582335,0.00093731727,0.0064594154,0.010450298,0.0004942839,0.0021941345,0.005304078],"category_scores_gemma":[0.0036188802,0.00019862743,0.0002589325,0.00128238,0.010911623,0.0074236174,0.0038757848,0.003939819,0.0006129643],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001447085,0.0000039379443,0.00032193944,0.00001479308,0.0000027799217,0.00004917455,0.021284522,0.000026715043,0.000048712132,0.96944886,0.0054210424,0.0033630403],"study_design_scores_gemma":[0.00003982902,0.00004558119,0.0038651286,0.00046919635,0.0000425586,0.00027810407,0.070121154,0.0005318844,0.0010308311,0.3243372,0.5992061,0.00003233883],"about_ca_topic_score_codex":0.01031652,"about_ca_topic_score_gemma":0.010163041,"teacher_disagreement_score":0.010450298,"about_ca_system_score_codex":0.0025434569,"about_ca_system_score_gemma":0.001480795,"threshold_uncertainty_score":0.020512938},"labels":[],"label_agreement":null},{"id":"W4400379558","doi":"10.1093/fmls/cqae054","title":"Beauty with an Explanation and the Poetics of Acculturation: How, and Why, Michael Ondaatje’s Poetic Novels Work","year":2024,"lang":"en","type":"article","venue":"Forum for Modern Language Studies","topic":"Postcolonial and Cultural Literary Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université Sainte-Anne","funders":"","keywords":"Metonymy; Poetics; Metaphor; Poetry; Postmodernism; Literature; Beauty; Trope (literature); Meaning (existential); Philosophy; Art; Aesthetics; Linguistics; Epistemology","score_opus":0.0302124864649188,"score_gpt":0.26255410682465236,"score_spread":0.23234162035973355,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4400379558","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23613536,0.009117572,0.018319502,0.08769327,0.0069905343,0.000070582064,0.00012839597,0.00022540029,0.6413194],"genre_scores_gemma":[0.9502815,0.0007893033,0.0019961225,0.0010538752,0.0004651306,0.00002519614,0.000021606058,0.00013392554,0.04523338],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99868613,0.0007960279,0.00003249533,0.00014656736,0.00017467243,0.00016410429],"domain_scores_gemma":[0.99788123,0.0012400468,0.00023901992,0.00023940843,0.00019501412,0.00020537339],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022731405,0.0004607763,0.00026570613,0.0007141903,0.006443479,0.008780665,0.00086281786,0.0015034969,0.00648928],"category_scores_gemma":[0.0060935807,0.0002569028,0.00027763788,0.0005153268,0.024833618,0.005484812,0.0028925035,0.0036944393,0.0007075641],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007296686,0.000039051723,0.00052196643,0.00007804526,0.000007592741,0.00093575846,0.1304234,0.00024233933,0.00039647205,0.84687865,0.013407489,0.0069962796],"study_design_scores_gemma":[0.000044839442,0.000043196498,0.00093747413,0.0002486446,0.000015134559,0.0016185854,0.11313917,0.00091584836,0.0012475884,0.1886891,0.6930552,0.00004524373],"about_ca_topic_score_codex":0.0024392502,"about_ca_topic_score_gemma":0.0049064043,"teacher_disagreement_score":0.008780665,"about_ca_system_score_codex":0.0024018644,"about_ca_system_score_gemma":0.0011228406,"threshold_uncertainty_score":0.021708786},"labels":[],"label_agreement":null},{"id":"W4403123301","doi":"10.1093/fmls/cqae058","title":"<scp>Lethbridge, Robert</scp>. <i>Zola’s Painters</i>","year":2024,"lang":"en","type":"article","venue":"Forum for Modern Language Studies","topic":"French Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Painting; Art; Art history","score_opus":0.022372480204590994,"score_gpt":0.27481074320655746,"score_spread":0.2524382630019665,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4403123301","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0005333557,0.09256219,0.0006418215,0.5629539,0.03593776,0.000066502296,0.0057674483,0.0010748046,0.3004622],"genre_scores_gemma":[0.01056259,0.025740115,0.0007986554,0.09278218,0.010022941,0.0001512297,0.0017974915,0.0010591412,0.8570857],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990727,0.00014384874,0.000051395582,0.00010235278,0.000506041,0.00012356619],"domain_scores_gemma":[0.99366546,0.0015770873,0.00026561244,0.0002975223,0.0035010523,0.00069336506],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011563645,0.00094092276,0.0008235972,0.0032434775,0.0055917995,0.0040384154,0.0021768224,0.005102459,0.23257995],"category_scores_gemma":[0.008126488,0.00058582687,0.00055275176,0.004122216,0.0015185385,0.0042123026,0.0026282493,0.0057506715,0.12042017],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000023934576,8.9797993e-7,0.000010424944,0.000021033153,4.927812e-7,0.0000130409635,0.000056571997,0.0000025962063,0.000013041524,0.0005540943,0.9966378,0.0026875786],"study_design_scores_gemma":[0.0000033897827,0.0000015107266,0.0005955814,0.00014972444,0.0000019688318,0.000031562384,0.0004929961,0.000014563801,0.00007419464,0.00062798307,0.9980003,0.0000061114683],"about_ca_topic_score_codex":0.114431426,"about_ca_topic_score_gemma":0.30520958,"teacher_disagreement_score":0.23257995,"about_ca_system_score_codex":0.00459927,"about_ca_system_score_gemma":0.0039911694,"threshold_uncertainty_score":0.77805746},"labels":[],"label_agreement":null},{"id":"W4403623189","doi":"10.1093/fmls/cqae073","title":"Alfonso Nitti’s Inertia or Impotentiality: Reconsidering Ineptitude in Italo Svevo’s <i>Una vita</i>","year":2024,"lang":"en","type":"article","venue":"Forum for Modern Language Studies","topic":"Italian Literature and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Art; Philosophy; Humanities","score_opus":0.05745315119914408,"score_gpt":0.31424992325942425,"score_spread":0.2567967720602802,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4403623189","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2702604,0.011409816,0.0040305005,0.028578212,0.0016933685,0.00002662897,0.00005218629,0.00009183092,0.683857],"genre_scores_gemma":[0.99010336,0.00065648917,0.00017965215,0.00046261575,0.0003130988,0.000006564256,0.000010294398,0.00002958828,0.0082383435],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99894744,0.0006453063,0.000023921082,0.000114837414,0.00013632039,0.00013212262],"domain_scores_gemma":[0.99882954,0.0007124291,0.00014464589,0.00010001275,0.000081566635,0.00013181455],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018007966,0.0003823185,0.00034427358,0.0010965718,0.0023679323,0.0046926048,0.00046386712,0.001134182,0.0019695724],"category_scores_gemma":[0.0026379244,0.00014144709,0.0001357198,0.0005539931,0.013577404,0.0018790049,0.0022873115,0.0016903927,0.00044969766],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000075734635,0.000027498256,0.0019390184,0.00011458524,0.000007852952,0.0006899575,0.1571575,0.00012388143,0.00072394277,0.81493694,0.013488007,0.010715085],"study_design_scores_gemma":[0.00004309842,0.00013497709,0.011412406,0.0010409731,0.000033023218,0.0014737986,0.062052496,0.0010442678,0.0016680001,0.13320947,0.7878306,0.000056964513],"about_ca_topic_score_codex":0.0014879098,"about_ca_topic_score_gemma":0.0023206805,"teacher_disagreement_score":0.0046926048,"about_ca_system_score_codex":0.0019399584,"about_ca_system_score_gemma":0.0005568346,"threshold_uncertainty_score":0.014075398},"labels":[],"label_agreement":null},{"id":"W4407909474","doi":"10.1093/fmls/cqaf005","title":"Two Concepts of Liberty in <i>Paradise Lost</i>","year":2025,"lang":"en","type":"article","venue":"Forum for Modern Language Studies","topic":"American Constitutional Law and Politics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Thompson Rivers University","funders":"","keywords":"Paradise; Art; Philosophy; History; Art history; Environmental ethics","score_opus":0.023549462208919836,"score_gpt":0.40540036225896564,"score_spread":0.3818509000500458,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4407909474","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0764498,0.0029472671,0.027323337,0.025524205,0.0006612535,0.00006409959,0.00008490407,0.000051275274,0.8668939],"genre_scores_gemma":[0.97868747,0.00027241063,0.0019312248,0.000799059,0.00014244474,0.00006192089,0.000035371006,0.000041389118,0.018028835],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9950582,0.0027351065,0.00018239119,0.00049662974,0.00084092765,0.000686756],"domain_scores_gemma":[0.9962224,0.0015692764,0.00041835816,0.0006725914,0.0004886571,0.0006286301],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0051335194,0.00038837438,0.00050663954,0.0017129375,0.006791743,0.011863496,0.0015139255,0.0025196893,0.0076928874],"category_scores_gemma":[0.0069844713,0.00035526702,0.00062832545,0.0009824843,0.065151066,0.011200341,0.010210717,0.008156264,0.0006896914],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007987413,0.0000052020014,0.00004046228,0.0000059794324,0.0000011668587,0.000018584811,0.0025148678,0.00003689093,0.000023365548,0.9963148,0.00045840567,0.0005723771],"study_design_scores_gemma":[0.00002303993,0.000019213827,0.00036349034,0.000083938794,0.0000048197967,0.00010046158,0.004678802,0.00039613483,0.00014558963,0.9405534,0.053611852,0.000019166591],"about_ca_topic_score_codex":0.0025951134,"about_ca_topic_score_gemma":0.0023573707,"teacher_disagreement_score":0.011863496,"about_ca_system_score_codex":0.0071507334,"about_ca_system_score_gemma":0.001995323,"threshold_uncertainty_score":0.051882505},"labels":[],"label_agreement":null},{"id":"W4407937748","doi":"10.1093/fmls/cqaf004","title":"How I Became the Man I Had Always Been: Narrating the Self in Recent English and German Life Writing by Trans Men","year":2025,"lang":"en","type":"article","venue":"Forum for Modern Language Studies","topic":"LGBTQ Health, Identity, and Policy","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"German; History; Psychology; Archaeology","score_opus":0.02374873933902974,"score_gpt":0.3615770332631993,"score_spread":0.3378282939241696,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4407937748","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9105621,0.0074602505,0.0019711202,0.011696905,0.00081871485,0.000039204744,0.0001846995,0.000045380817,0.06722158],"genre_scores_gemma":[0.9911596,0.0011716335,0.00019668182,0.00065405073,0.00009434971,0.000016827122,0.00005001346,0.000049623162,0.0066071786],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99662614,0.002394269,0.000079365396,0.00022454065,0.00027593062,0.00039974946],"domain_scores_gemma":[0.99622583,0.0024402828,0.00037940114,0.00010722059,0.00029154003,0.000555694],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003911664,0.0008770733,0.00062705175,0.0020408256,0.011339893,0.008103053,0.001224673,0.0022334813,0.0036113448],"category_scores_gemma":[0.006048439,0.0004737545,0.00025419687,0.0016097472,0.017827561,0.0073041366,0.0049585197,0.003973234,0.00051617017],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001826988,0.000008877854,0.00047997737,0.000031128275,0.0000033261806,0.00043396142,0.9905991,0.0000120779,0.0001509927,0.006417826,0.000917184,0.00092732627],"study_design_scores_gemma":[0.0000020322002,0.000017337192,0.0010373102,0.00013947928,0.0000044005383,0.00031356871,0.9692291,0.00003875631,0.00021184728,0.0005059738,0.028490571,0.000009615033],"about_ca_topic_score_codex":0.01393473,"about_ca_topic_score_gemma":0.027729033,"teacher_disagreement_score":0.01393473,"about_ca_system_score_codex":0.0052849073,"about_ca_system_score_gemma":0.0014235332,"threshold_uncertainty_score":0.03834486},"labels":[],"label_agreement":null}]}