{"meta":{"query_hash":"a0d7d226297c","filters":{"venue":"Framing film festivals."},"cohort_total":10,"direct_labels_cover":0,"predictions_cover":10,"exported":10,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/a0d7d226297c","api":"https://metacan.xera.ac/api/v1/cohort?venue=Framing+film+festivals."},"results":[{"id":"W4313495258","doi":"10.1007/978-3-031-14171-3","title":"Rethinking Film Festivals in the Pandemic Era and After","year":2023,"lang":"en","type":"book","venue":"Framing film festivals.","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":31,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"School of Oriental and African Studies, University of London; Universiteit Utrecht","keywords":"Social distance; Pandemic; Coronavirus disease 2019 (COVID-19); Distancing; Media studies; Social media; Sociology; Art; Political science; Medicine; Law","score_opus":0.044762972936814284,"score_gpt":0.24197771841813653,"score_spread":0.19721474548132226,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4313495258","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09013133,0.074400835,0.00022665288,0.0055269008,0.007138659,0.0026629376,0.0014988611,0.0006455404,0.8177683],"genre_scores_gemma":[0.062141426,0.006241846,0.00041015627,0.0013503596,0.0013324786,0.00037917081,0.00017331704,0.00020390915,0.92776734],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99741733,0.000053726202,0.0009174131,0.00087277533,0.000136119,0.000602614],"domain_scores_gemma":[0.997486,0.001333845,0.00047740023,0.0005804436,0.000035617184,0.00008670546],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0015256663,0.00050716585,0.0010874891,0.0005087789,0.00019696789,0.00014337024,0.00042165062,0.0005788424,0.0001811386],"category_scores_gemma":[0.0013410042,0.00045405794,0.00018738127,0.00028532662,0.00022399263,0.00013172899,0.0003025181,0.0013987886,0.0006281254],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012775404,0.00016180187,0.2972873,0.0021377902,0.0006454216,0.001215106,0.06827188,0.00009164186,0.000007111198,0.04504202,0.5670906,0.017921615],"study_design_scores_gemma":[0.0007983425,0.00010660201,0.1996484,0.0017315442,0.00006930596,0.000046573972,0.00039317145,0.00028735283,0.0000014551621,0.26324943,0.53259546,0.001072389],"about_ca_topic_score_codex":0.0001450838,"about_ca_topic_score_gemma":0.00030359102,"teacher_disagreement_score":0.21820739,"about_ca_system_score_codex":0.00019950503,"about_ca_system_score_gemma":0.00011297194,"threshold_uncertainty_score":0.99979115},"labels":[],"label_agreement":null},{"id":"W4313595922","doi":"10.1007/978-3-031-14171-3_16","title":"Greening Film Festivals","year":2023,"lang":"en","type":"book-chapter","venue":"Framing film festivals.","topic":"Climate Change Communication and Perception","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"School of Oriental and African Studies, University of London; Social Sciences and Humanities Research Council of Canada; Universiteit Utrecht","keywords":"Context (archaeology); Film festival; Greening; Natural (archaeology); Media studies; Political science; Geography; Sociology; Environmental ethics; Law; Archaeology","score_opus":0.4806978326544998,"score_gpt":0.4310382820506032,"score_spread":0.049659550603896596,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4313595922","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0002472167,0.0005059691,0.000113359885,0.0025653495,0.0017326816,0.00051321025,0.00017686356,0.0010349877,0.99311036],"genre_scores_gemma":[0.0026432436,0.005989384,0.00060671894,0.00038586577,0.0014995971,0.000044998294,0.00062254746,0.00018142766,0.9880262],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971793,0.00022210286,0.0005448427,0.0006004021,0.00085100514,0.00060229923],"domain_scores_gemma":[0.9971305,0.0010409895,0.00044313257,0.00084470684,0.0002593168,0.00028135302],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0013036553,0.00045209823,0.0005580934,0.0003485471,0.0013154743,0.00023707682,0.0008887463,0.0009222136,0.008876183],"category_scores_gemma":[0.0010373739,0.0005078725,0.00029223735,0.00019333034,0.0005277966,0.00020827213,0.00037903344,0.0009628371,0.0052935495],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005882495,0.00009406819,0.00089924317,0.00041452056,0.00027310872,0.00016743314,0.08538651,0.00010472848,0.00016965544,0.34825745,0.26433185,0.29984263],"study_design_scores_gemma":[0.00016930736,0.00003524245,0.0008595186,0.0011117185,0.000069342685,0.000003599689,0.0018242807,0.00013800571,0.0000030878887,0.014030801,0.9811062,0.00064885954],"about_ca_topic_score_codex":0.0013991335,"about_ca_topic_score_gemma":0.0020170172,"teacher_disagreement_score":0.7167744,"about_ca_system_score_codex":0.00032684728,"about_ca_system_score_gemma":0.0002571873,"threshold_uncertainty_score":0.9999847},"labels":[],"label_agreement":null},{"id":"W4313596012","doi":"10.1007/978-3-031-14171-3_1","title":"What Happens When Festivals Can’t Happen?","year":2023,"lang":"en","type":"book-chapter","venue":"Framing film festivals.","topic":"Sport and Mega-Event Impacts","field":"Social Sciences","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"School of Oriental and African Studies, University of London; Universiteit Utrecht","keywords":"Event (particle physics); Variety (cybernetics); Phenomenon; Set (abstract data type); Crisis management; Coronavirus disease 2019 (COVID-19); Event management; History; Media studies; Geography; Political science; Public relations; Sociology; Epistemology; Marketing; Business; Computer science; Law","score_opus":0.06935384572027968,"score_gpt":0.31497438994212934,"score_spread":0.24562054422184965,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4313596012","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0014114325,0.0019399067,0.000036017627,0.006743933,0.011304714,0.0013517136,0.00016812877,0.0012752257,0.9757689],"genre_scores_gemma":[0.0068206196,0.0021009839,0.00031618896,0.00082671916,0.0024249665,0.000037831447,0.0003417127,0.0003098225,0.9868212],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9949333,0.00011179043,0.00076694094,0.0010638075,0.0016931345,0.0014309938],"domain_scores_gemma":[0.9966911,0.0006689353,0.0006720997,0.0008505146,0.00028028945,0.0008370642],"candidate_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0015439636,0.00084570586,0.0010915186,0.00046203288,0.0010913035,0.0007996165,0.0010244283,0.0013330588,0.004207874],"category_scores_gemma":[0.0011365004,0.000883034,0.000481941,0.00018721154,0.00070905394,0.0007738952,0.0003288684,0.0011582634,0.0039180005],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004423,0.00007236357,0.00031994647,0.00017783443,0.0003962053,0.0010127149,0.026161565,0.00002806323,0.000041572264,0.4937459,0.43491548,0.04308413],"study_design_scores_gemma":[0.00027199503,0.00006935513,0.00029281917,0.002344752,0.00017710855,0.000009635888,0.0010119505,0.0000068192767,0.000028206416,0.047195863,0.9476004,0.0009910833],"about_ca_topic_score_codex":0.0037355907,"about_ca_topic_score_gemma":0.005375675,"teacher_disagreement_score":0.51268494,"about_ca_system_score_codex":0.0005263229,"about_ca_system_score_gemma":0.0015237217,"threshold_uncertainty_score":0.9999634},"labels":[],"label_agreement":null},{"id":"W4313596022","doi":"10.1007/978-3-031-14171-3_10","title":"Cinephilia, Publics, Cinegoraphilia: Surveying the Short-Term Effects of Covid-19 on Community-Based Festivals in Toronto","year":2023,"lang":"en","type":"book-chapter","venue":"Framing film festivals.","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Brock University","funders":"School of Oriental and African Studies, University of London; Universiteit Utrecht","keywords":"Publics; Context (archaeology); Media studies; Sociology; Coronavirus disease 2019 (COVID-19); Public relations; Political science; Visual arts; Geography; Art; Politics; Archaeology","score_opus":0.07785608520637233,"score_gpt":0.2851907609968029,"score_spread":0.20733467579043058,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4313596022","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.056983035,0.03263134,0.00104905,0.009518654,0.012550142,0.007421897,0.00379767,0.0010488866,0.87499934],"genre_scores_gemma":[0.80388665,0.0038892461,0.00017406717,0.0024798857,0.0008897526,0.00043596313,0.0010684016,0.00054376916,0.18663229],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9967608,0.00019165708,0.0014324414,0.00076466135,0.00022132964,0.0006291388],"domain_scores_gemma":[0.98971295,0.007691859,0.000813034,0.0014293658,0.00010764809,0.00024512384],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0029758534,0.0007338781,0.0018143371,0.00071939855,0.00043240495,0.00007591809,0.00091633236,0.0005852947,0.00024134717],"category_scores_gemma":[0.0065108486,0.0006887762,0.00041938588,0.00026645916,0.00040212122,0.0001378711,0.00037014304,0.0014920324,0.00013475669],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004311014,0.0012048063,0.21614325,0.014990081,0.001925871,0.00063607,0.015798744,0.001080393,0.00009327474,0.6488049,0.08705093,0.011840547],"study_design_scores_gemma":[0.007829969,0.0025282577,0.35324907,0.009522972,0.000418543,0.000022056312,0.0021143598,0.0007753166,0.00025765973,0.11315499,0.50470006,0.0054267584],"about_ca_topic_score_codex":0.0071818405,"about_ca_topic_score_gemma":0.008420031,"teacher_disagreement_score":0.7469036,"about_ca_system_score_codex":0.00078763114,"about_ca_system_score_gemma":0.00019988869,"threshold_uncertainty_score":0.99955636},"labels":[],"label_agreement":null},{"id":"W4313596030","doi":"10.1007/978-3-031-14171-3_4","title":"Locating Buzz and Liveness: The Role of Geoblocking and Co-presence in Virtual Film Festivals","year":2023,"lang":"en","type":"book-chapter","venue":"Framing film festivals.","topic":"Sport and Mega-Event Impacts","field":"Social Sciences","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"School of Oriental and African Studies, University of London; Universiteit Utrecht","keywords":"Marketing buzz; Spectacle; Liveness; Value (mathematics); Media studies; Advertising; Space (punctuation); Sociology; Internet privacy; Geography; Political science; Computer science; Business","score_opus":0.031079391325942854,"score_gpt":0.29897939489302194,"score_spread":0.2679000035670791,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4313596030","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.51377255,0.009123583,0.000064191154,0.0009282049,0.001317629,0.0018668936,0.00016120596,0.0003433305,0.4724224],"genre_scores_gemma":[0.8593916,0.0008891225,0.000091749156,0.00007396111,0.00039301743,0.000021016514,0.000025580912,0.00007866242,0.13903524],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976166,0.00012144232,0.0005101463,0.0005139594,0.0006884613,0.00054938963],"domain_scores_gemma":[0.9965775,0.002328428,0.000472297,0.00031743152,0.00011518331,0.00018914496],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0017079976,0.00036029037,0.0005944092,0.00024418446,0.0005155663,0.000118384494,0.00041784561,0.0004592796,0.00011688253],"category_scores_gemma":[0.0024086114,0.00031182793,0.0000835379,0.00018258375,0.00088287314,0.00021198962,0.00026166165,0.0006258997,0.000020277332],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016512103,0.00013803488,0.058826502,0.00073361915,0.00033020976,0.0003944056,0.14534687,0.0010740255,0.0014768675,0.48962498,0.0036355911,0.29825377],"study_design_scores_gemma":[0.0014961301,0.000515087,0.041413505,0.01515407,0.0003939872,0.00005687369,0.033686087,0.0023266305,0.0012502959,0.08041853,0.8205164,0.002772401],"about_ca_topic_score_codex":0.0035603165,"about_ca_topic_score_gemma":0.0009614372,"teacher_disagreement_score":0.8168808,"about_ca_system_score_codex":0.0000755643,"about_ca_system_score_gemma":0.00037429674,"threshold_uncertainty_score":0.99993336},"labels":[],"label_agreement":null},{"id":"W4313596036","doi":"10.1007/978-3-031-14171-3_8","title":"Vidéo de Femmes Dans le Parc: Feminist Rhythms and Festival Times Under Covid","year":2023,"lang":"en","type":"book-chapter","venue":"Framing film festivals.","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"McGill University; Concordia University","funders":"School of Oriental and African Studies, University of London; Universiteit Utrecht","keywords":"Exhibition; Mandate; Coronavirus disease 2019 (COVID-19); Queer; Movie theater; Sociology; Embodied cognition; Media studies; Visual arts; Gender studies; Art; Political science","score_opus":0.05227628213207213,"score_gpt":0.2475307973466903,"score_spread":0.19525451521461817,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4313596036","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0033079777,0.008402537,0.001345208,0.0040717875,0.0017820597,0.0005231182,0.0011929788,0.00041267302,0.97896165],"genre_scores_gemma":[0.046515584,0.002268938,0.00080421875,0.00058227195,0.0007347639,0.000063162486,0.00014561675,0.00023082964,0.9486546],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99759936,0.00001564938,0.0007381729,0.0009260389,0.00010120912,0.0006195498],"domain_scores_gemma":[0.9981458,0.0005627141,0.00049633224,0.0004759537,0.000036357025,0.00028281813],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005087145,0.000577516,0.0011157518,0.00034612283,0.0004329408,0.00012812729,0.0002351313,0.00051081117,0.00027861647],"category_scores_gemma":[0.0005204584,0.0006654183,0.00022814881,0.00009185893,0.00048631328,0.000090767884,0.000333095,0.0005876563,0.000856516],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025886653,0.000045672332,0.0141246915,0.00038269375,0.0004591666,0.00019450388,0.0023982855,0.00006724347,0.000013555053,0.91937315,0.061093472,0.0018216913],"study_design_scores_gemma":[0.00084485725,0.00014504553,0.018370308,0.00047311393,0.000090617374,0.00011077533,0.0006931987,0.00030650495,0.00003232403,0.3250677,0.65263814,0.0012274054],"about_ca_topic_score_codex":0.00039280212,"about_ca_topic_score_gemma":0.00015736648,"teacher_disagreement_score":0.59430546,"about_ca_system_score_codex":0.00019387029,"about_ca_system_score_gemma":0.00016648839,"threshold_uncertainty_score":0.99992144},"labels":[],"label_agreement":null},{"id":"W4313596040","doi":"10.1007/978-3-031-14171-3_15","title":"Festivals, Covid-19, and the Crisis of Archiving","year":2023,"lang":"en","type":"book-chapter","venue":"Framing film festivals.","topic":"Sport and Mega-Event Impacts","field":"Social Sciences","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"School of Oriental and African Studies, University of London; Universiteit Utrecht","keywords":"Amateur; Scholarship; Coronavirus disease 2019 (COVID-19); Media studies; Political science; Pandemic; History; Visual arts; Public relations; Sociology; Art; Law; Medicine","score_opus":0.06302679653506006,"score_gpt":0.3298693232641152,"score_spread":0.2668425267290552,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4313596040","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0037352084,0.002297127,0.00037964922,0.010943667,0.0020015617,0.0012972126,0.00016791103,0.0004951115,0.9786826],"genre_scores_gemma":[0.11292779,0.0019934499,0.0003652347,0.0010335704,0.00092876726,0.000026670496,0.000045516834,0.00012970318,0.8825493],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975077,0.00016577056,0.0004983401,0.00046631737,0.0008456028,0.0005162937],"domain_scores_gemma":[0.9960291,0.0024376214,0.0005425121,0.00043374795,0.00009829718,0.00045874686],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0025114547,0.00036006587,0.0007210602,0.00025360586,0.00080761616,0.00009999819,0.00052497967,0.00038867086,0.00041905383],"category_scores_gemma":[0.004499593,0.00027767112,0.00025764265,0.00014561876,0.001417324,0.0001149666,0.0002473485,0.0005823179,0.000069598085],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000089289875,0.000019870247,0.00033527522,0.00028733545,0.00019639953,0.000091427224,0.025533816,0.00002981557,0.000011170791,0.9073834,0.05831651,0.007705709],"study_design_scores_gemma":[0.00056857546,0.00003561598,0.0006752313,0.0005430871,0.00019846988,0.000007444324,0.0012165633,0.000017254393,0.000007254878,0.10156498,0.89477783,0.0003877078],"about_ca_topic_score_codex":0.0053578345,"about_ca_topic_score_gemma":0.0007375952,"teacher_disagreement_score":0.8364613,"about_ca_system_score_codex":0.00012235282,"about_ca_system_score_gemma":0.00093694567,"threshold_uncertainty_score":0.9999676},"labels":[],"label_agreement":null},{"id":"W4411566404","doi":"10.1007/978-3-031-88590-7_8","title":"“Act in Your Location, Think with the World”: Constructing Audience “Afterlives” at Three North American-Based African Film Festivals","year":2025,"lang":"en","type":"book-chapter","venue":"Framing film festivals.","topic":"Sport and Mega-Event Impacts","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Media studies; Advertising; Visual arts; History; Geography; Sociology; Art; Business","score_opus":0.024303822558829742,"score_gpt":0.27959121340208626,"score_spread":0.2552873908432565,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4411566404","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13467261,0.00092866155,0.000818327,0.005486038,0.0011638164,0.002471453,0.00014493907,0.000510627,0.8538035],"genre_scores_gemma":[0.6458842,0.000043190284,0.0017645148,0.0008080683,0.00042109823,0.0000684343,0.00008324992,0.00008672541,0.3508405],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.9959475,0.00017539706,0.0006670699,0.0009619062,0.0011956715,0.0010524769],"domain_scores_gemma":[0.9956414,0.0016426296,0.001177585,0.00079439714,0.00040733322,0.00033662212],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00105399,0.00073093234,0.0009399053,0.00055997,0.0011709124,0.00020765998,0.0010392085,0.00023587498,0.00041155805],"category_scores_gemma":[0.0010429149,0.00056409684,0.00019241407,0.0012816825,0.0023791427,0.000253014,0.00019185645,0.0010930549,0.00006741695],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0009640953,0.0003360243,0.5874296,0.00062818377,0.00081276207,0.00096121273,0.05990019,0.006368822,0.000027493514,0.10137673,0.04428494,0.19690993],"study_design_scores_gemma":[0.0012210965,0.00036803985,0.19232926,0.004874952,0.00048079732,0.000019307907,0.005109175,0.0004460435,0.00006137868,0.0016865461,0.790884,0.0025193654],"about_ca_topic_score_codex":0.0056646885,"about_ca_topic_score_gemma":0.14603871,"teacher_disagreement_score":0.7465991,"about_ca_system_score_codex":0.0009003112,"about_ca_system_score_gemma":0.0026290626,"threshold_uncertainty_score":0.99968106},"labels":[],"label_agreement":null},{"id":"W4411566417","doi":"10.1007/978-3-031-88590-7_1","title":"Introduction: African Film Festivals and Transnational Flows of Living Cultural Heritage","year":2025,"lang":"en","type":"book-chapter","venue":"Framing film festivals.","topic":"African history and culture studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Regina","funders":"","keywords":"Cultural heritage; Geography; Anthropology; History; Sociology; Archaeology","score_opus":0.016353035416027038,"score_gpt":0.2546163802326344,"score_spread":0.23826334481660735,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4411566417","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00029650363,0.002191694,0.00015945848,0.004168205,0.00138941,0.00040262897,0.00019312261,0.00015204492,0.9910469],"genre_scores_gemma":[0.12627178,0.00029998698,0.0017006018,0.00006574257,0.002144895,0.000030951738,0.000035619396,0.00003533932,0.8694151],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978435,0.00013568375,0.00047325375,0.0005974118,0.00061862275,0.0003315415],"domain_scores_gemma":[0.9982518,0.00068637735,0.00033027504,0.00022030504,0.00038539956,0.00012584121],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005141652,0.00039517414,0.00067056925,0.00015203294,0.001039434,0.00006033223,0.00029304394,0.00040107197,0.0024433383],"category_scores_gemma":[0.001312197,0.00037495643,0.00020707837,0.00015264063,0.0010835982,0.00023233036,0.00009901908,0.0005160666,0.000009765118],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030137631,0.000053935688,0.00010803543,0.0002915974,0.0003364051,0.00001766566,0.067587525,0.000040634895,0.00012643448,0.83286047,0.09399251,0.00455462],"study_design_scores_gemma":[0.000080781676,0.00006264882,0.00042522274,0.00049021107,0.00018424759,0.0000045423812,0.009070944,0.000017898297,0.0000063794,0.0037193294,0.98546374,0.0004740689],"about_ca_topic_score_codex":0.00008939161,"about_ca_topic_score_gemma":0.00029771883,"teacher_disagreement_score":0.8914712,"about_ca_system_score_codex":0.00022564727,"about_ca_system_score_gemma":0.0003053876,"threshold_uncertainty_score":0.99987024},"labels":[],"label_agreement":null},{"id":"W4411566467","doi":"10.1007/978-3-031-88590-7_7","title":"African Film Festivals: A Transnational Programming Intervention and Tales of the Accidental City as a Case Study","year":2025,"lang":"en","type":"book-chapter","venue":"Framing film festivals.","topic":"African history and culture studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Regina","funders":"","keywords":"Accidental; Intervention (counseling); Visual arts; Psychology; Advertising; Art; Business; Psychiatry; Physics","score_opus":0.02569103814936117,"score_gpt":0.3061955026891929,"score_spread":0.2805044645398317,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4411566467","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19169287,0.0033217955,0.0001862406,0.0013263118,0.001746542,0.0041567693,0.0002966729,0.0002680379,0.79700476],"genre_scores_gemma":[0.81711274,0.000013376694,0.00014076867,0.000018552964,0.00012597498,0.00006803778,0.000008743689,0.000018246006,0.18249355],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.997855,0.00025686697,0.0004820284,0.00048662198,0.000660475,0.00025901804],"domain_scores_gemma":[0.99863166,0.00036076084,0.0004624431,0.00022459993,0.00023275099,0.00008778639],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00071799656,0.00033452397,0.00049162685,0.0001023417,0.0013710157,0.00007532426,0.00033861556,0.00024713724,0.00022479943],"category_scores_gemma":[0.00060458237,0.00026986178,0.00030632742,0.00016864283,0.0010810634,0.00014663511,0.00020910302,0.00049002044,0.000001997119],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017129662,0.0012041213,0.013904612,0.00062131346,0.0016915658,0.0014614289,0.4499687,0.000011685257,0.000015785221,0.41294146,0.0041911528,0.113816895],"study_design_scores_gemma":[0.0017917294,0.000994963,0.0080881165,0.0024735811,0.001965624,0.00042014898,0.42452535,0.000023775505,0.000021630036,0.020244207,0.5378255,0.001625378],"about_ca_topic_score_codex":0.001907686,"about_ca_topic_score_gemma":0.008584979,"teacher_disagreement_score":0.62541986,"about_ca_system_score_codex":0.00023147368,"about_ca_system_score_gemma":0.00023929108,"threshold_uncertainty_score":0.9999754},"labels":[],"label_agreement":null}]}