{"meta":{"query_hash":"2f061bdc5a5c","filters":{"venue":"Frontiers of Philosophy in China"},"cohort_total":3,"direct_labels_cover":0,"predictions_cover":3,"exported":3,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/2f061bdc5a5c","api":"https://metacan.xera.ac/api/v1/cohort?venue=Frontiers+of+Philosophy+in+China"},"results":[{"id":"W1981714936","doi":"10.1007/s11466-011-0139-1","title":"The Ontology of Musical Works: A Philosophical Pseudo-Problem","year":2011,"lang":"en","type":"article","venue":"Frontiers of Philosophy in China","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":11,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Ontology; Musical; Action (physics); Computer science; Epistemology; Cognitive science; Term (time); Philosophy; Psychology; Literature; Art","score_opus":0.03467763402996402,"score_gpt":0.22001437235101365,"score_spread":0.18533673832104963,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1981714936","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.065647915,0.017855084,0.2554176,0.28553128,0.0023786838,0.00012431598,0.00037428443,0.00016002453,0.3725108],"genre_scores_gemma":[0.9338333,0.004161709,0.040650677,0.008513918,0.0015572668,0.00028114812,0.00013154146,0.00012093748,0.010749476],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99181914,0.0045733666,0.00040910445,0.000897494,0.0017668131,0.0005341797],"domain_scores_gemma":[0.9926174,0.004036248,0.00037551136,0.0016624107,0.00070027716,0.00060821965],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.009573758,0.00048061894,0.00088264124,0.0024253987,0.007979214,0.008419372,0.001946723,0.00518016,0.0030417354],"category_scores_gemma":[0.008472656,0.0006236587,0.000988731,0.0021105965,0.070683874,0.025725381,0.0075559253,0.008045321,0.0005141682],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000024397382,0.000003551397,0.00003708031,0.000008516571,0.0000011591536,0.000008517693,0.0008382936,0.00004160821,0.00001871916,0.9976078,0.00045308648,0.0009791619],"study_design_scores_gemma":[0.0000056856,0.000002442612,0.000053197124,0.000017324985,0.0000012933098,0.000025167732,0.00090502494,0.00030800013,0.00002518497,0.98481846,0.013834573,0.0000035837534],"about_ca_topic_score_codex":0.0045011737,"about_ca_topic_score_gemma":0.0022508393,"teacher_disagreement_score":0.009573758,"about_ca_system_score_codex":0.0051249056,"about_ca_system_score_gemma":0.0043292693,"threshold_uncertainty_score":0.050631464},"labels":[],"label_agreement":null},{"id":"W2039441108","doi":"10.1007/s11466-006-0019-2","title":"Art, authenticity and appropriation","year":2006,"lang":"en","type":"article","venue":"Frontiers of Philosophy in China","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":11,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"Renmin University of China; Beijing Normal University","keywords":"Appropriation; Aesthetics; Value (mathematics); Cultural appropriation; Aesthetic value; Context (archaeology); Content (measure theory); Sociology; Epistemology; Art; History; Philosophy; Computer science","score_opus":0.012076728150712073,"score_gpt":0.22597581240047424,"score_spread":0.21389908424976217,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2039441108","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07093363,0.0045781634,0.04686201,0.010788198,0.00041856105,0.00007645568,0.000034921373,0.000092734954,0.86621535],"genre_scores_gemma":[0.96904624,0.0009947846,0.008713418,0.00054293015,0.00016843856,0.000059849757,0.000019945304,0.000077493896,0.02037694],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99093586,0.0047584763,0.00042415148,0.0012899098,0.0019969698,0.0005945679],"domain_scores_gemma":[0.9916038,0.0032767078,0.0007335566,0.0032514378,0.0006953365,0.00043920954],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.008396664,0.0005188373,0.000591875,0.001998692,0.005729345,0.010351999,0.0011822663,0.0022203983,0.0058239424],"category_scores_gemma":[0.010257123,0.00033430633,0.0004978637,0.0011477076,0.0703202,0.009941763,0.00926417,0.003065309,0.00081480487],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012066163,0.0000140423335,0.0005767861,0.00006954871,0.000008063579,0.00017334851,0.023915986,0.0001270804,0.00033087248,0.9603501,0.000861406,0.013560747],"study_design_scores_gemma":[0.000019036135,0.000047594043,0.0018958559,0.000317908,0.000013649491,0.0012317055,0.01949635,0.00042262947,0.0010538502,0.81931496,0.15616173,0.000024755478],"about_ca_topic_score_codex":0.00090125354,"about_ca_topic_score_gemma":0.0011723266,"teacher_disagreement_score":0.010351999,"about_ca_system_score_codex":0.0020787884,"about_ca_system_score_gemma":0.0015873936,"threshold_uncertainty_score":0.044406354},"labels":[],"label_agreement":null},{"id":"W2100408342","doi":"10.1007/s11466-009-0037-y","title":"Truth, correspondence and deflationism","year":2009,"lang":"en","type":"article","venue":"Frontiers of Philosophy in China","topic":"Philosophy and Theoretical Science","field":"Psychology","cited_by":23,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Deflation; Epistemology; Philosophy; Economics; Keynesian economics","score_opus":0.011818679604206005,"score_gpt":0.27674722649716404,"score_spread":0.26492854689295803,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2100408342","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08495206,0.032757577,0.1341639,0.05835403,0.0022802008,0.000070164824,0.0003161966,0.000316081,0.68678975],"genre_scores_gemma":[0.96630156,0.004208976,0.008798627,0.0023616645,0.0017331225,0.00007944971,0.0001121896,0.00008506446,0.016319415],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99700934,0.0015596166,0.00014731468,0.00046031998,0.00059157796,0.00023190842],"domain_scores_gemma":[0.9964025,0.0024422081,0.00024848024,0.00042290374,0.00035556444,0.00012842027],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0033834714,0.0003164384,0.0005200095,0.0014864187,0.0027509455,0.0041763918,0.000795183,0.0019312724,0.008152666],"category_scores_gemma":[0.007172901,0.00029454374,0.0005101604,0.001727434,0.015378743,0.012814867,0.003677167,0.0035639484,0.00085512054],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007764422,0.0000042227716,0.00005114779,0.00001820092,0.0000015781092,0.000019511752,0.00044711432,0.00006759425,0.00003672622,0.99632406,0.00077464426,0.0022474637],"study_design_scores_gemma":[0.000005098902,0.0000052008427,0.00008488734,0.000014501171,0.0000015703979,0.000036146685,0.0001609736,0.00020786286,0.000059748887,0.9882498,0.011171977,0.00000224232],"about_ca_topic_score_codex":0.0008573826,"about_ca_topic_score_gemma":0.00039733012,"teacher_disagreement_score":0.008152666,"about_ca_system_score_codex":0.0031863237,"about_ca_system_score_gemma":0.0015970774,"threshold_uncertainty_score":0.027273357},"labels":[],"label_agreement":null}]}