{"meta":{"query_hash":"73777c54ee81","filters":{"venue":"Genre en séries"},"cohort_total":7,"direct_labels_cover":1,"predictions_cover":7,"exported":7,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/73777c54ee81","api":"https://metacan.xera.ac/api/v1/cohort?venue=Genre+en+s%C3%A9ries"},"results":[{"id":"W3130565442","doi":"10.4000/ges.398","title":"Charles-Antoine Courcoux, Des machines et des hommes. Masculinité et technologie dans le cinéma américain contemporain","year":2019,"lang":"fr","type":"article","venue":"Genre en séries","topic":"French Historical and Cultural Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Continental (Canada)","funders":"","keywords":"Art; Humanities","score_opus":0.03167755942455186,"score_gpt":0.24245540187854128,"score_spread":0.21077784245398942,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3130565442","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.016555974,0.31630504,0.002039617,0.1728434,0.008403907,0.00003551674,0.0002482538,0.00016448606,0.48340377],"genre_scores_gemma":[0.27194566,0.11216579,0.0013962995,0.013701836,0.0063515264,0.00007429993,0.00011895195,0.000299923,0.5939457],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99938035,0.00030689745,0.000011709241,0.00007883582,0.00015956393,0.00006272023],"domain_scores_gemma":[0.9986462,0.0008367272,0.0000822206,0.000035849673,0.00025031817,0.000148599],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00076368265,0.00070954696,0.000239186,0.0015098829,0.005365965,0.004913219,0.00047694056,0.0017509109,0.0115660615],"category_scores_gemma":[0.0018695189,0.00025447574,0.00014645948,0.0010744326,0.003862569,0.0033737943,0.0009205601,0.0021944009,0.002025581],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008029046,0.000032948246,0.0013416617,0.00032876423,0.000011932326,0.0006055728,0.09501294,0.00013500822,0.00077550916,0.25014487,0.5885942,0.06293633],"study_design_scores_gemma":[0.000003045993,0.000006849858,0.0019593188,0.00015416673,0.0000023720884,0.00011306984,0.0060033905,0.00004653672,0.0001798187,0.003847294,0.9876774,0.000006781266],"about_ca_topic_score_codex":0.077606,"about_ca_topic_score_gemma":0.09772034,"teacher_disagreement_score":0.077606,"about_ca_system_score_codex":0.0040979926,"about_ca_system_score_gemma":0.002041724,"threshold_uncertainty_score":0.15430856},"labels":[],"label_agreement":null},{"id":"W3132281315","doi":"10.4000/ges.726","title":"Dénoncer les féminicides des femmes autochtones aux États-Unis et au Canada","year":2019,"lang":"fr","type":"article","venue":"Genre en séries","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Political science","score_opus":0.042093292977507996,"score_gpt":0.28800181018490933,"score_spread":0.24590851720740134,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3132281315","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9103138,0.0026315001,0.0005978574,0.009556154,0.00020861007,0.00003127383,0.00016798054,0.00001781389,0.07647515],"genre_scores_gemma":[0.9358047,0.001912683,0.0003182224,0.0013175091,0.000021483103,0.000017124066,0.000054695778,0.000020896558,0.060532607],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9984125,0.00021760378,0.000015635873,0.00012528486,0.00035412185,0.00087489915],"domain_scores_gemma":[0.99884254,0.00019264227,0.000100614176,0.00004216035,0.0004856527,0.00033636266],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011940951,0.0002895507,0.00029156735,0.0010336175,0.024604658,0.0033813189,0.00082112843,0.0011272953,0.006111753],"category_scores_gemma":[0.0019055652,0.0002115301,0.00017739093,0.0013435418,0.01054116,0.0009516952,0.002867171,0.0022818628,0.00029286952],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013537443,0.00003538141,0.049096916,0.00013971298,0.000022179796,0.0024498724,0.7980629,0.00033329305,0.0018301493,0.08552549,0.018275235,0.04409346],"study_design_scores_gemma":[0.000004504671,0.000023272412,0.04230893,0.0002468973,0.000016710297,0.00044091168,0.69563866,0.00013300718,0.000590737,0.0011205281,0.25943446,0.0000413363],"about_ca_topic_score_codex":0.971872,"about_ca_topic_score_gemma":0.99202555,"teacher_disagreement_score":0.040503383,"about_ca_system_score_codex":0.040503383,"about_ca_system_score_gemma":0.057985198,"threshold_uncertainty_score":0.29387397},"labels":[],"label_agreement":null},{"id":"W3132357698","doi":"10.4000/ges.590","title":"Delphine Chedaleux, Jeunes premiers et jeunes premières sur les écrans de l’Occupation (France, 1940-1944)","year":2018,"lang":"fr","type":"article","venue":"Genre en séries","topic":"French Historical and Cultural Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Art","score_opus":0.025939900508016513,"score_gpt":0.24324361844778147,"score_spread":0.21730371793976497,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3132357698","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.43827257,0.09545167,0.00086417847,0.048054356,0.004221926,0.00007522665,0.0006558142,0.000083536994,0.41232073],"genre_scores_gemma":[0.7246096,0.017199285,0.00035348223,0.002751644,0.00094988366,0.000053952852,0.0001297011,0.00005525349,0.25389704],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993075,0.00023483779,0.000015311844,0.00007875028,0.00012281496,0.00024075671],"domain_scores_gemma":[0.9989711,0.0005158035,0.00011388713,0.000030143776,0.00016354218,0.00020562456],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001134838,0.00051510043,0.00021449839,0.002236895,0.010369791,0.0039020644,0.0004084498,0.0011308279,0.012141484],"category_scores_gemma":[0.002142245,0.00021086598,0.00017341711,0.0017782156,0.0049090614,0.0018362087,0.001691593,0.0017807633,0.0008420035],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012224587,0.00002703166,0.011273074,0.00030642617,0.000013720369,0.0012604503,0.6745062,0.00011429024,0.0013989451,0.13480952,0.11435848,0.0618096],"study_design_scores_gemma":[0.0000036347458,0.00002497201,0.023627803,0.00031121902,0.0000044683034,0.000304335,0.08379092,0.000021098407,0.00029424322,0.0008322516,0.8907704,0.000014729273],"about_ca_topic_score_codex":0.29617432,"about_ca_topic_score_gemma":0.4829092,"teacher_disagreement_score":0.29617432,"about_ca_system_score_codex":0.009165893,"about_ca_system_score_gemma":0.0049345703,"threshold_uncertainty_score":0.5889008},"labels":[],"label_agreement":null},{"id":"W3132509570","doi":"10.4000/ges.871","title":"Le trouble silencieux des hommes en série. La « masculinité en crise » dans les séries télévisées dramatiques nord-américaines centrées sur des personnages masculins","year":2017,"lang":"fr","type":"article","venue":"Genre en séries","topic":"Literature and Culture Studies","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.027731946725782823,"score_gpt":0.2613177823058547,"score_spread":0.23358583558007184,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3132509570","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.64825326,0.0064754076,0.0023736155,0.011443123,0.0007892114,0.000028881977,0.00010967502,0.000049155537,0.3304776],"genre_scores_gemma":[0.97056097,0.0012037065,0.0003486026,0.00064067094,0.00005888882,0.000014196213,0.000024009825,0.00002606759,0.027122835],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9986771,0.00063980604,0.00002743924,0.00016396795,0.0002065592,0.00028516748],"domain_scores_gemma":[0.9991147,0.00039763792,0.00017009261,0.000062015606,0.00012271586,0.00013289264],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013800741,0.000517429,0.00029536855,0.0012597272,0.013957108,0.0056086136,0.00047923348,0.0015037898,0.005402745],"category_scores_gemma":[0.0024359538,0.00022577081,0.00019781322,0.0011007127,0.018389018,0.0031949135,0.0035125297,0.0030101372,0.0005279545],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003235843,0.000008044265,0.0031574313,0.00004668203,0.0000055521914,0.0005728243,0.8916024,0.000060904476,0.0004995014,0.09222196,0.00285083,0.008941568],"study_design_scores_gemma":[0.0000054213106,0.000026989803,0.0073680268,0.0002679304,0.000011404087,0.00056608196,0.7722927,0.00006631723,0.0003617207,0.0056987605,0.21331151,0.000023168399],"about_ca_topic_score_codex":0.114858285,"about_ca_topic_score_gemma":0.16928136,"teacher_disagreement_score":0.114858285,"about_ca_system_score_codex":0.0052940096,"about_ca_system_score_gemma":0.0043830522,"threshold_uncertainty_score":0.22837943},"labels":[{"model":"gemma","categories":[],"domain":null,"study_design":"qualitative","genre":"empirical","about_ca_system":false,"about_ca_topic":false,"confidence":"low"},{"model":"gpt","categories":[],"domain":null,"study_design":"qualitative","genre":"empirical","about_ca_system":false,"about_ca_topic":false,"confidence":"low"}],"label_agreement":"agree"},{"id":"W3133373337","doi":"10.4000/ges.884","title":"« Délectable Lecter » : réification et (homo-)érotisation des corps masculins dans la série télévisée Hannibal","year":2017,"lang":"fr","type":"article","venue":"Genre en séries","topic":"Psychoanalysis and Psychopathology Research","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"SNC-Lavalin (Canada)","funders":"","keywords":"Humanities; Philosophy; Narrative; Art; Linguistics","score_opus":0.04805171155461165,"score_gpt":0.3931072483233485,"score_spread":0.34505553676873685,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3133373337","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7119979,0.0014112832,0.0038307302,0.0055080038,0.00025860599,0.000043808886,0.000052574982,0.00003831936,0.27685878],"genre_scores_gemma":[0.9591069,0.0003344787,0.00041377672,0.0002494899,0.00002505088,0.000017006005,0.000015203706,0.000019757774,0.039818347],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.998882,0.00052521116,0.00001977719,0.00012308998,0.00019036641,0.00025947596],"domain_scores_gemma":[0.99906415,0.0003876384,0.00015415272,0.00013342053,0.0001137065,0.00014695445],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016340493,0.0003438067,0.00014941423,0.00090920494,0.0073414184,0.0048284405,0.0005280006,0.00082822156,0.008498496],"category_scores_gemma":[0.0019873087,0.00014993644,0.00015975357,0.00069278793,0.017463295,0.0032450582,0.0038680623,0.0017748948,0.0007598107],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007668067,0.000023526678,0.0047660656,0.000060176902,0.0000062013296,0.00065169745,0.7441218,0.00008026866,0.0026489014,0.21264234,0.0030355542,0.03188674],"study_design_scores_gemma":[0.00001566473,0.000076052806,0.016134594,0.000246303,0.000013993567,0.0006139881,0.7032401,0.00018283396,0.0020892553,0.013945302,0.26340967,0.000032311003],"about_ca_topic_score_codex":0.044805344,"about_ca_topic_score_gemma":0.07288054,"teacher_disagreement_score":0.044805344,"about_ca_system_score_codex":0.0067558507,"about_ca_system_score_gemma":0.004569429,"threshold_uncertainty_score":0.089089096},"labels":[],"label_agreement":null},{"id":"W4234201087","doi":"10.4000/ges.1943","title":"Dynamique des études de genre appliquées aux objets médiatiques","year":2016,"lang":"fr","type":"article","venue":"Genre en séries","topic":"Education, sociology, and vocational training","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Institut du Savoir Montfort","funders":"","keywords":"Art; Humanities","score_opus":0.16216454089272905,"score_gpt":0.4473354155966767,"score_spread":0.28517087470394764,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4234201087","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.25396,0.012972099,0.04697231,0.021689415,0.0010353395,0.00034603875,0.0010502766,0.00050719903,0.6614673],"genre_scores_gemma":[0.8275906,0.009646187,0.02335485,0.0015417363,0.00073505944,0.00043656598,0.0005781467,0.00059197814,0.13552487],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.98586464,0.007128959,0.00062962447,0.001849958,0.003927784,0.00059913204],"domain_scores_gemma":[0.96068674,0.021591272,0.004622982,0.004819661,0.006628633,0.001650855],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0135177765,0.0005947256,0.0004441773,0.008582888,0.004500225,0.020303793,0.0014091247,0.0021676433,0.018720545],"category_scores_gemma":[0.044201188,0.0005481926,0.00075402507,0.007936106,0.009749781,0.014267831,0.0059071165,0.0024531551,0.0035124714],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013162522,0.00007367005,0.032704372,0.00078059145,0.000075674725,0.0006673665,0.2710422,0.00039616626,0.0042675887,0.5109531,0.010504248,0.16840339],"study_design_scores_gemma":[0.000027282065,0.00012918854,0.059253182,0.001600432,0.00008002167,0.0010727412,0.17808388,0.0016499805,0.0026722346,0.08716589,0.6681715,0.000093655326],"about_ca_topic_score_codex":0.012436651,"about_ca_topic_score_gemma":0.014242952,"teacher_disagreement_score":0.020303793,"about_ca_system_score_codex":0.008590438,"about_ca_system_score_gemma":0.0035554087,"threshold_uncertainty_score":0.07148969},"labels":[],"label_agreement":null},{"id":"W4391026470","doi":"10.4000/ges.4144","title":"Christine Planté et Marie-Ève Thérenty (dir.), Féminin / Masculin dans la presse du XIXe siècle","year":2023,"lang":"fr","type":"article","venue":"Genre en séries","topic":"French Historical and Cultural Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Art; Humanities","score_opus":0.015665254955335335,"score_gpt":0.21869392468286933,"score_spread":0.203028669727534,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391026470","genre_codex":"commentary","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0061484287,0.37380672,0.0017197963,0.51026744,0.02155486,0.000045245826,0.00019997053,0.00009495213,0.086162716],"genre_scores_gemma":[0.13032593,0.29325444,0.002311929,0.10555992,0.015779516,0.0002547337,0.00015722841,0.00046209656,0.45189422],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.9979836,0.000907284,0.00005253168,0.00026941748,0.00056972564,0.00021739685],"domain_scores_gemma":[0.9954828,0.0029028219,0.00036614755,0.00008892661,0.000682704,0.00047662648],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0027483918,0.0010642532,0.0006869766,0.0016050319,0.008871699,0.008508153,0.00087783206,0.0035227991,0.01273052],"category_scores_gemma":[0.005661653,0.00045303928,0.00026809506,0.0015776677,0.007060863,0.0065821223,0.0020145338,0.0060743485,0.0035184564],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008306367,0.000021516935,0.0013395541,0.0005139308,0.000018253315,0.0005747239,0.06385478,0.000066847555,0.0005038405,0.11400515,0.773129,0.04588946],"study_design_scores_gemma":[0.0000042476145,0.000009538676,0.0017159412,0.0003395806,0.000003969855,0.00021147841,0.015347976,0.000024208191,0.00018630752,0.003716315,0.9784219,0.000018401715],"about_ca_topic_score_codex":0.06441025,"about_ca_topic_score_gemma":0.120641254,"teacher_disagreement_score":0.06441025,"about_ca_system_score_codex":0.0054009412,"about_ca_system_score_gemma":0.0046856613,"threshold_uncertainty_score":0.12807065},"labels":[],"label_agreement":null}]}