{"meta":{"query_hash":"fa1c983a1660","filters":{"venue":"Global Germany in transnational dialogues"},"cohort_total":4,"direct_labels_cover":0,"predictions_cover":4,"exported":4,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/fa1c983a1660","api":"https://metacan.xera.ac/api/v1/cohort?venue=Global+Germany+in+transnational+dialogues"},"results":[{"id":"W2995349815","doi":"10.1007/978-3-030-36252-2_5","title":"The State of Diversity and Decolonization in North American German Studies","year":2019,"lang":"en","type":"book-chapter","venue":"Global Germany in transnational dialogues","topic":"Linguistic Education and Pedagogy","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"German; Instrumentalism; Diversity (politics); Decolonization; Vision; State (computer science); German model; Sociology; Political science; Social science; Epistemology; Linguistics; Anthropology; Law; Computer science; Philosophy","score_opus":0.06766439250369036,"score_gpt":0.3043518017014389,"score_spread":0.23668740919774853,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2995349815","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.79600126,0.002268765,0.0000047783196,0.00288544,0.0021174452,0.00077745825,0.002298834,0.000034936213,0.19361106],"genre_scores_gemma":[0.9815302,0.0010617747,0.000005628033,0.0001550591,0.000120121695,0.0000046690297,0.00020997522,0.000007636462,0.016904924],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.9991241,0.000030694962,0.00032991476,0.00017235745,0.00021818106,0.00012476179],"domain_scores_gemma":[0.9991956,0.00025830918,0.00018424608,0.00008887121,0.00024868327,0.00002429096],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00013291341,0.00014846658,0.00026372937,0.00009379814,0.00021035309,0.000025352947,0.00013205277,0.000028514814,0.00004004932],"category_scores_gemma":[0.000030188372,0.00012256397,0.00004339649,0.000029275567,0.0005989154,0.000055190696,0.00007136231,0.000108648775,0.0000074741433],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027806142,0.000021761642,0.016209653,0.00005366215,0.00006084544,0.0000026909731,0.029286144,0.00002677081,3.7460193e-8,0.9526544,0.00014487344,0.0015113129],"study_design_scores_gemma":[0.0005682107,0.00009963355,0.6528783,0.00005128547,0.00006586579,0.0000014380904,0.0009336153,0.00004872951,4.0506683e-7,0.1670692,0.17790395,0.0003793851],"about_ca_topic_score_codex":0.00029170603,"about_ca_topic_score_gemma":0.16650584,"teacher_disagreement_score":0.7855852,"about_ca_system_score_codex":0.00010575477,"about_ca_system_score_gemma":0.00010008403,"threshold_uncertainty_score":0.84870327},"labels":[],"label_agreement":null},{"id":"W3160636214","doi":"10.1007/978-3-030-75028-2_1","title":"It Begins with the Theatre: Barrie Kosky’s Workshop","year":2021,"lang":"en","type":"book-chapter","venue":"Global Germany in transnational dialogues","topic":"Theater, Performance, and Music History","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Action (physics); Context (archaeology); Theatre studies; German; Event (particle physics); Political theatre; Visual arts; Frame (networking); Media studies; Sociology; Art; Political science; History; Engineering","score_opus":0.027567289571921626,"score_gpt":0.21381751952293757,"score_spread":0.18625022995101595,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3160636214","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0003567688,0.0011852449,0.000018574681,0.009946183,0.00125394,0.00034623325,0.0013749305,0.00007220289,0.9854459],"genre_scores_gemma":[0.43886358,0.00044216297,0.00003350622,0.005308077,0.002688914,0.00014347571,0.0020857356,0.00008615256,0.5503484],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982788,0.000035463785,0.00039519032,0.0004095417,0.0005509578,0.00033004643],"domain_scores_gemma":[0.99923396,0.00008954671,0.000121476915,0.00031338067,0.000162386,0.000079220255],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00016920005,0.00042876095,0.00040212373,0.000103248174,0.00035442223,0.0001519437,0.00037268826,0.00019985819,0.0040076273],"category_scores_gemma":[0.0000022552326,0.000298076,0.0002135295,0.000031315994,0.00076607993,0.00019604417,0.000027729324,0.0004186814,0.00011332157],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000054537468,0.000035644065,0.0000055274745,0.000047145604,0.00012005206,0.00005125554,0.009100889,0.000044793254,0.000001012276,0.96225345,0.026699444,0.0015862623],"study_design_scores_gemma":[0.00042823073,0.00003958829,0.0001578248,0.00013323335,0.00009907269,0.000014630402,0.00035564753,0.000007705543,8.757286e-7,0.009640138,0.98873085,0.00039221052],"about_ca_topic_score_codex":0.00003526893,"about_ca_topic_score_gemma":0.01950888,"teacher_disagreement_score":0.9620314,"about_ca_system_score_codex":0.000244807,"about_ca_system_score_gemma":0.00029099116,"threshold_uncertainty_score":0.99994713},"labels":[],"label_agreement":null},{"id":"W3185209406","doi":"10.1007/978-3-030-75028-2_6","title":"When All Else Fails, Sing: Barrie Kosky’s The Women of Troy","year":2021,"lang":"en","type":"book-chapter","venue":"Global Germany in transnational dialogues","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Opera; Art; Style (visual arts); Literature; Wright; Repertoire; Context (archaeology); Performance art; Period (music); Visual arts; Wonder; Art history; Aesthetics; History; Psychology","score_opus":0.036105960305446445,"score_gpt":0.23041961033517322,"score_spread":0.19431365002972678,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3185209406","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0039256494,0.0026293474,0.0000036981178,0.0050273063,0.00090014527,0.00028563957,0.002854754,0.000043796565,0.98432964],"genre_scores_gemma":[0.8742759,0.0007336429,0.000025434745,0.0010514305,0.0011458218,0.000060945724,0.0010424218,0.000037596772,0.12162676],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99835986,0.000036425816,0.00053397886,0.00028434471,0.00046795438,0.0003174262],"domain_scores_gemma":[0.99925506,0.00011976488,0.00015221347,0.00021801547,0.00020262666,0.00005232397],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002046411,0.0003382247,0.00049294444,0.00008788898,0.00017256768,0.00011031991,0.0003124915,0.00014425252,0.003732936],"category_scores_gemma":[0.0000071635864,0.00025642427,0.00023591945,0.00001847172,0.0005133626,0.00021175986,0.000047891834,0.00024750392,0.000039551596],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000045333778,0.000036385016,0.000023855377,0.00008523553,0.00028580514,0.000012178107,0.024175132,0.000012541343,0.0000036697256,0.9696485,0.004007608,0.0016638043],"study_design_scores_gemma":[0.0003215691,0.00005965477,0.0005420673,0.00006806453,0.00007072152,0.0000030614763,0.0010078681,0.0000041071535,0.0000049209925,0.18536684,0.81228185,0.00026926713],"about_ca_topic_score_codex":0.00006446313,"about_ca_topic_score_gemma":0.004075371,"teacher_disagreement_score":0.8703503,"about_ca_system_score_codex":0.00015913844,"about_ca_system_score_gemma":0.00014090369,"threshold_uncertainty_score":0.9999888},"labels":[],"label_agreement":null},{"id":"W3186478142","doi":"10.1007/978-3-030-75028-2_8","title":"“Es klang so alt und war doch so neu”: Barrie Kosky and Wagner’s Die Meistersinger von Nürnberg","year":2021,"lang":"de","type":"book-chapter","venue":"Global Germany in transnational dialogues","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Opera; Art; Nazism; Literature; Art history; Politics; Law; Political science","score_opus":0.029019458579822868,"score_gpt":0.24879367056647872,"score_spread":0.21977421198665587,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3186478142","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18322732,0.14313114,0.00023439445,0.07581939,0.012501194,0.0024924558,0.021613322,0.00045194983,0.5605288],"genre_scores_gemma":[0.95696074,0.005370622,0.00012138703,0.0065561878,0.0031312308,0.000064770975,0.0072392584,0.00008661616,0.020469181],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99609995,0.00020064722,0.0010758316,0.0011448845,0.00075136335,0.0007273326],"domain_scores_gemma":[0.9982928,0.00039087626,0.0002882629,0.00035408078,0.00037172777,0.0003022376],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00033867234,0.00087397057,0.0011970975,0.00032049496,0.0010829841,0.0005471917,0.00037726405,0.000777407,0.0067551825],"category_scores_gemma":[0.000038175036,0.0008508036,0.00062144717,0.0000869468,0.0020004648,0.00035439263,0.00013669726,0.0006910186,0.00018954839],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001522106,0.00020983018,0.00013764777,0.0002669662,0.0011881125,0.00039441284,0.0040085563,0.000041913547,0.00004058897,0.987462,0.0017358246,0.0043619587],"study_design_scores_gemma":[0.0012238298,0.00014254589,0.008927624,0.00025720522,0.0017871166,0.00001875678,0.00024657653,0.0001618438,0.000018746372,0.09483069,0.8911718,0.0012132501],"about_ca_topic_score_codex":0.0004530034,"about_ca_topic_score_gemma":0.02315053,"teacher_disagreement_score":0.8926313,"about_ca_system_score_codex":0.00022530774,"about_ca_system_score_gemma":0.00030232524,"threshold_uncertainty_score":0.9993943},"labels":[],"label_agreement":null}]}