{"meta":{"query_hash":"fa1c983a1660","filters":{"venue":"Global Germany in transnational dialogues"},"cohort_total":4,"direct_labels_cover":0,"predictions_cover":4,"exported":4,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/fa1c983a1660","api":"https://metacan.xera.ac/api/v1/cohort?venue=Global+Germany+in+transnational+dialogues"},"results":[{"id":"W2995349815","doi":"10.1007/978-3-030-36252-2_5","title":"The State of Diversity and Decolonization in North American German Studies","year":2019,"lang":"en","type":"book-chapter","venue":"Global Germany in transnational dialogues","topic":"Linguistic Education and Pedagogy","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"German; Instrumentalism; Diversity (politics); Decolonization; Vision; State (computer science); German model; Sociology; Political science; Social science; Epistemology; Linguistics; Anthropology; Law; Computer science; Philosophy","score_opus":0.06766439250369036,"score_gpt":0.3043518017014389,"score_spread":0.23668740919774853,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2995349815","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6334444,0.033642586,0.000567125,0.01735584,0.000166221,0.000014047873,0.00006921857,0.000024776362,0.3147158],"genre_scores_gemma":[0.9908409,0.0016568373,0.000047583922,0.00053284556,0.00002442974,0.0000072753355,0.000011106816,0.000008879089,0.0068700626],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99795425,0.0010411394,0.00005243684,0.00020213766,0.00015698913,0.00059295126],"domain_scores_gemma":[0.9986889,0.00088380877,0.00011233367,0.00010867483,0.00008322493,0.0001229932],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0024173076,0.00022605708,0.00030355513,0.0022655483,0.0076412335,0.008005534,0.0005025661,0.0012340889,0.0025510362],"category_scores_gemma":[0.0018001974,0.00022178233,0.00010474565,0.004696259,0.01996848,0.005118622,0.0046010367,0.0015038248,0.0001437466],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037796715,0.000027396238,0.0022408983,0.00009686641,0.000010230219,0.00015230232,0.27906176,0.00011853435,0.00032531915,0.68644905,0.004592128,0.026887717],"study_design_scores_gemma":[0.000019712945,0.00005017217,0.050115496,0.000659742,0.000032846307,0.0002740307,0.45810118,0.00030991115,0.00084451644,0.13796395,0.35158294,0.000045521156],"about_ca_topic_score_codex":0.045767747,"about_ca_topic_score_gemma":0.13785872,"teacher_disagreement_score":0.045767747,"about_ca_system_score_codex":0.009591208,"about_ca_system_score_gemma":0.004383791,"threshold_uncertainty_score":0.0910027},"labels":[],"label_agreement":null},{"id":"W3160636214","doi":"10.1007/978-3-030-75028-2_1","title":"It Begins with the Theatre: Barrie Kosky’s Workshop","year":2021,"lang":"en","type":"book-chapter","venue":"Global Germany in transnational dialogues","topic":"Theater, Performance, and Music History","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Action (physics); Context (archaeology); Theatre studies; German; Event (particle physics); Political theatre; Visual arts; Frame (networking); Media studies; Sociology; Art; Political science; History; Engineering","score_opus":0.027567289571921626,"score_gpt":0.21381751952293757,"score_spread":0.18625022995101595,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3160636214","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013063501,0.03407861,0.0028085236,0.11505891,0.015420211,0.00007414629,0.00020525094,0.00016983524,0.81912106],"genre_scores_gemma":[0.18881613,0.008825319,0.0010073618,0.021026747,0.0012021449,0.000089059016,0.0001380389,0.0003730496,0.77852213],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992637,0.0002803739,0.000021130203,0.00007732542,0.00008985728,0.00026766423],"domain_scores_gemma":[0.99977535,0.00006912102,0.000010233235,0.000026527607,0.000029522647,0.00008914702],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010763843,0.00073678937,0.0003228182,0.0006562659,0.0069243996,0.0071956106,0.0007257648,0.0030412758,0.012819512],"category_scores_gemma":[0.0014861269,0.00031936585,0.00040458734,0.00068985706,0.005449869,0.006473596,0.0050447583,0.005800321,0.0059968866],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000048319143,0.00004841573,0.00010235037,0.00009552267,0.0000070698034,0.00012828263,0.016560541,0.00013222506,0.00046865497,0.46643847,0.48762167,0.02834843],"study_design_scores_gemma":[0.0000023121968,0.000004494956,0.00016996668,0.000115558105,0.0000015472158,0.000029962273,0.0045695594,0.000018573028,0.0000992776,0.009920737,0.9850616,0.0000064339947],"about_ca_topic_score_codex":0.01704165,"about_ca_topic_score_gemma":0.042881586,"teacher_disagreement_score":0.01704165,"about_ca_system_score_codex":0.0046717185,"about_ca_system_score_gemma":0.003005503,"threshold_uncertainty_score":0.042885482},"labels":[],"label_agreement":null},{"id":"W3185209406","doi":"10.1007/978-3-030-75028-2_6","title":"When All Else Fails, Sing: Barrie Kosky’s The Women of Troy","year":2021,"lang":"en","type":"book-chapter","venue":"Global Germany in transnational dialogues","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Opera; Art; Style (visual arts); Literature; Wright; Repertoire; Context (archaeology); Performance art; Period (music); Visual arts; Wonder; Art history; Aesthetics; History; Psychology","score_opus":0.036105960305446445,"score_gpt":0.23041961033517322,"score_spread":0.19431365002972678,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3185209406","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.022309918,0.030091848,0.0017392881,0.18589807,0.006048873,0.000036045487,0.00009839324,0.000080096725,0.7536975],"genre_scores_gemma":[0.38528344,0.0048577925,0.00053538906,0.025164537,0.0008935132,0.00005543372,0.000039655628,0.00027172902,0.58289844],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99879897,0.00056883006,0.000019587398,0.00009786838,0.00012964092,0.00038496897],"domain_scores_gemma":[0.99966156,0.00015568447,0.000026168955,0.000029422774,0.000037245623,0.000089784255],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013656254,0.0006148571,0.00025755787,0.000702865,0.011690409,0.0072795744,0.0005986765,0.00398788,0.009366321],"category_scores_gemma":[0.0027269104,0.00031685864,0.00024136253,0.0006854064,0.012991765,0.007939173,0.0041224197,0.0059124785,0.0023512444],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003306941,0.000017668042,0.0002528706,0.00004716891,0.000004687874,0.00018963986,0.1003671,0.000066886125,0.00016744503,0.625428,0.25572735,0.017698139],"study_design_scores_gemma":[0.0000044784647,0.000008032735,0.00049406575,0.000176136,0.0000028663214,0.000112718444,0.05279263,0.000035684076,0.000124268,0.029569978,0.9166638,0.00001538936],"about_ca_topic_score_codex":0.03437148,"about_ca_topic_score_gemma":0.12437339,"teacher_disagreement_score":0.03437148,"about_ca_system_score_codex":0.0034725629,"about_ca_system_score_gemma":0.0033985595,"threshold_uncertainty_score":0.068342865},"labels":[],"label_agreement":null},{"id":"W3186478142","doi":"10.1007/978-3-030-75028-2_8","title":"“Es klang so alt und war doch so neu”: Barrie Kosky and Wagner’s Die Meistersinger von Nürnberg","year":2021,"lang":"de","type":"book-chapter","venue":"Global Germany in transnational dialogues","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Opera; Art; Nazism; Literature; Art history; Politics; Law; Political science","score_opus":0.029019458579822868,"score_gpt":0.24879367056647872,"score_spread":0.21977421198665587,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3186478142","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.017302958,0.08140595,0.003900163,0.24276757,0.00660359,0.000033773238,0.00010346257,0.00005468304,0.64782786],"genre_scores_gemma":[0.45343783,0.017921777,0.00096767826,0.04346122,0.001572676,0.00011041851,0.00006760525,0.00025370897,0.48220712],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987759,0.00053340703,0.00003525513,0.00017188294,0.00017100903,0.0003126243],"domain_scores_gemma":[0.9995944,0.00022415667,0.000034594403,0.00003340802,0.0000525117,0.00006089762],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001416404,0.0007654487,0.00040176534,0.0010482111,0.007058904,0.008891019,0.0008213514,0.005254044,0.0055537554],"category_scores_gemma":[0.0027492049,0.00039523517,0.00024488664,0.0012407139,0.016630419,0.0121503165,0.0044734227,0.005701094,0.0018652519],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008089223,0.000008131035,0.00006655584,0.000020412375,0.000003048048,0.000045130888,0.009732602,0.000041758798,0.000049801885,0.9173967,0.065900035,0.006727681],"study_design_scores_gemma":[0.00000618119,0.0000049781684,0.00032562864,0.00020595216,0.000007360127,0.00010717161,0.011119387,0.00007262259,0.00014208605,0.19269124,0.795295,0.000022284174],"about_ca_topic_score_codex":0.032204896,"about_ca_topic_score_gemma":0.080457926,"teacher_disagreement_score":0.032204896,"about_ca_system_score_codex":0.006718877,"about_ca_system_score_gemma":0.00421537,"threshold_uncertainty_score":0.06403488},"labels":[],"label_agreement":null}]}