{"meta":{"query_hash":"319853171cb1","filters":{"venue":"History of Photography"},"cohort_total":7,"direct_labels_cover":0,"predictions_cover":7,"exported":7,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/319853171cb1","api":"https://metacan.xera.ac/api/v1/cohort?venue=History+of+Photography"},"results":[{"id":"W2015470496","doi":"10.1080/03087298.2012.654943","title":"Ethnographic Pictorialism: Caroline Gurrey's Hawaiian Types at the Alaska–Yukon–Pacific Exposition","year":2012,"lang":"en","type":"article","venue":"History of Photography","topic":"Asian American and Pacific Histories","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exposition (narrative); Ethnography; Art; Art history; Archaeology; Geography; Literature","score_opus":0.019149174923606207,"score_gpt":0.2525702132165751,"score_spread":0.23342103829296887,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2015470496","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.111653425,0.021102859,0.00009051258,0.00033789186,0.01540292,0.0005534112,0.000060652244,0.00022739064,0.8505709],"genre_scores_gemma":[0.9895756,0.00030708956,0.00011121762,0.00013231974,0.0009957929,0.000040606352,0.000022729948,0.00002365689,0.00879094],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99801004,0.000417864,0.00030194566,0.00022980031,0.00056220155,0.00047814767],"domain_scores_gemma":[0.9988079,0.00012396967,0.00028946577,0.00041961097,0.000117960124,0.00024105767],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00080999633,0.00019231411,0.0002801801,0.00030130424,0.00064371096,0.000011537722,0.00031734892,0.00014868146,0.0013640114],"category_scores_gemma":[0.00004717472,0.0001652767,0.000338766,0.0007319629,0.0030662937,0.00021881073,0.000029462466,0.00019611203,0.00006494121],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010730464,0.00021807721,0.052630782,0.0000363166,0.00009879858,0.000002367983,0.63411677,9.996527e-7,0.004096296,0.0038463774,0.3035659,0.0012800118],"study_design_scores_gemma":[0.00015312518,0.00005295297,0.0017679696,0.000014711642,0.00006050533,0.0000012770166,0.02434127,4.3168382e-7,0.00011936502,0.00006549137,0.9732181,0.00020483017],"about_ca_topic_score_codex":0.0031205649,"about_ca_topic_score_gemma":0.0018780119,"teacher_disagreement_score":0.87792224,"about_ca_system_score_codex":0.00050124485,"about_ca_system_score_gemma":0.00018700308,"threshold_uncertainty_score":0.9996468},"labels":[],"label_agreement":null},{"id":"W2086202269","doi":"10.1080/03087298.2012.745710","title":"The Likeness of Fugitivity: William Notman's<i>Carte-de-visite</i>Portrait of John Anderson","year":2013,"lang":"en","type":"article","venue":"History of Photography","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Portrait; Context (archaeology); Studio; Art; Art history; Sociology; Humanities; Visual arts; Media studies; History; Archaeology","score_opus":0.01949952888524493,"score_gpt":0.20362968198266446,"score_spread":0.18413015309741954,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2086202269","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9362279,0.006255602,0.000026414886,0.000042312644,0.0009334989,0.00053204066,0.00011552803,0.00006188821,0.055804778],"genre_scores_gemma":[0.99826825,0.00018692238,0.000029763058,0.00013547292,0.00010772168,0.000053720087,0.000011145846,0.000022840633,0.00118417],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99857694,0.000094311246,0.00047616498,0.00022084804,0.00034157134,0.00029014307],"domain_scores_gemma":[0.9985781,0.00012583824,0.00048453483,0.0003773899,0.00034566826,0.000088513756],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00030238184,0.00022017206,0.0004225188,0.00026683084,0.00018575638,0.000023141632,0.0003216881,0.00009326399,0.0010844704],"category_scores_gemma":[0.000014753965,0.00016288977,0.00057624554,0.00015362777,0.0017285646,0.00024764152,0.000028909188,0.0001826605,0.0000044237204],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004765938,0.002151527,0.02527032,0.00188055,0.0012081155,0.000008593712,0.24127844,0.00000599065,0.29624736,0.096036874,0.32937902,0.0060566235],"study_design_scores_gemma":[0.00079711113,0.00066081854,0.013844786,0.00020674101,0.00018120407,0.0000030620943,0.009122227,0.00002669342,0.018847583,0.0025401884,0.95333457,0.0004350389],"about_ca_topic_score_codex":0.0025896453,"about_ca_topic_score_gemma":0.0010445765,"teacher_disagreement_score":0.62395555,"about_ca_system_score_codex":0.000027671764,"about_ca_system_score_gemma":0.00008573057,"threshold_uncertainty_score":0.9998287},"labels":[],"label_agreement":null},{"id":"W2316893211","doi":"10.1080/03087298.2000.10443414","title":"Pacific album","year":2000,"lang":"en","type":"article","venue":"History of Photography","topic":"Travel Writing and Literature","field":"Arts and Humanities","cited_by":9,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Vernacular; Diaspora; Context (archaeology); Studio; Geography; Photography; Invisibility; Colonialism; History; Yoruba; Ethnology; Gender studies; Visual arts; Art; Sociology; Archaeology; Literature","score_opus":0.012433173555285377,"score_gpt":0.1669621386136401,"score_spread":0.15452896505835473,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2316893211","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07926416,0.003291856,4.808245e-7,0.000027006838,0.00062662474,0.000053971904,0.00003460906,0.00008514817,0.91661614],"genre_scores_gemma":[0.8128242,0.000029414769,0.000044438788,0.00016188853,0.00022407767,0.000006480473,0.000012596406,0.000011863009,0.18668506],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994855,0.000018921732,0.00014084889,0.00012588894,0.0001058391,0.00012299181],"domain_scores_gemma":[0.9997105,0.000012619093,0.0000384901,0.00016305325,0.000036013957,0.00003932046],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000052540985,0.000088306726,0.0001197286,0.00012775142,0.000067714296,0.000015316165,0.000091138725,0.000031038442,0.025517043],"category_scores_gemma":[0.0000012088581,0.0000821601,0.00015448734,0.000029000472,0.00034189204,0.00006627207,0.000002450582,0.00009731414,0.00007220453],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008788798,0.00028069128,0.00042013818,0.00013361189,0.000071742914,0.00001150272,0.16946656,9.336787e-7,0.0022533708,0.08156238,0.7233564,0.02235478],"study_design_scores_gemma":[0.00013244597,0.000046139154,0.00023268828,0.000027325197,0.000010499885,0.000001233318,0.0007310613,0.0000020100033,0.00003833269,0.0002448395,0.9984323,0.00010111777],"about_ca_topic_score_codex":0.00021520483,"about_ca_topic_score_gemma":0.000059692204,"teacher_disagreement_score":0.73356,"about_ca_system_score_codex":0.00001979278,"about_ca_system_score_gemma":0.000018377417,"threshold_uncertainty_score":0.97537374},"labels":[],"label_agreement":null},{"id":"W4387140841","doi":"10.1080/03087298.2023.2256584","title":"Capitalism and the Camera: Essays on Photography and Extraction","year":2022,"lang":"en","type":"article","venue":"History of Photography","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Art; Art history; Capitalism; Visual arts; Political science; Law","score_opus":0.020236839438084988,"score_gpt":0.21113409289318566,"score_spread":0.19089725345510067,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387140841","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9128632,0.015417974,0.0000031363365,0.0001766472,0.0018577422,0.00065699464,0.00017384335,0.000099353514,0.068751134],"genre_scores_gemma":[0.997548,0.00030506507,0.00000902553,0.0009334957,0.000103233804,0.00020076348,0.00001602116,0.0000193796,0.0008650457],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99878365,0.00018473415,0.00023738881,0.00029505283,0.0003148484,0.00018430495],"domain_scores_gemma":[0.99933475,0.00011558151,0.00020153617,0.00022790894,0.000052669493,0.00006756594],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00035546403,0.00020213934,0.00027152704,0.0004246821,0.000750712,0.00003434649,0.00015489529,0.00003592617,0.0012170954],"category_scores_gemma":[0.0000065416675,0.00015096886,0.0002741533,0.00012460061,0.0018480516,0.00012777561,0.000054858076,0.0003691969,0.000001091022],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0015404541,0.00062198145,0.0009222675,0.00015895547,0.00040388512,0.000014348276,0.2737443,0.000003579698,0.009074188,0.6184466,0.09375931,0.0013101511],"study_design_scores_gemma":[0.0016674158,0.0004598612,0.00059311494,0.000017579641,0.00011869075,0.000016215386,0.014630521,0.000027279439,0.00022786939,0.004396605,0.9775625,0.0002823647],"about_ca_topic_score_codex":0.0025332384,"about_ca_topic_score_gemma":0.00032641445,"teacher_disagreement_score":0.8838032,"about_ca_system_score_codex":0.0000344284,"about_ca_system_score_gemma":0.000021021826,"threshold_uncertainty_score":0.99969596},"labels":[],"label_agreement":null},{"id":"W4388454036","doi":"10.1080/03087298.2023.2266945","title":"Victorian Facebooks: Privacy Concerns at William Notman’s Studio","year":2022,"lang":"en","type":"article","venue":"History of Photography","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Studio; Photography; Visibility; Amateur; Visual arts; Notation; Salon; Art; Portrait; Art history; Sociology; History; Geography; Archaeology","score_opus":0.055703790820454485,"score_gpt":0.24075014754637944,"score_spread":0.18504635672592495,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388454036","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.84567493,0.0038547318,0.0000032671257,0.000030191994,0.006264891,0.0008031324,0.0004734038,0.00025454815,0.1426409],"genre_scores_gemma":[0.9809342,0.000030014065,0.000012295508,0.000379504,0.00034468705,0.0002709141,0.0000553361,0.000035622383,0.017937414],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983112,0.00012424607,0.00036240023,0.00037789313,0.00051084784,0.00031338006],"domain_scores_gemma":[0.999043,0.000039106875,0.00029384982,0.00040342877,0.00010289437,0.000117710435],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00019440764,0.00026206154,0.00036462705,0.00034289644,0.00072910765,0.000017721553,0.00046527895,0.000044781886,0.01500088],"category_scores_gemma":[0.000006614086,0.0002595026,0.0005315981,0.0001117033,0.0008906755,0.00014401402,0.00020674366,0.0003077497,0.000020354455],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00029956643,0.0006701336,0.01266844,0.00014044503,0.00046437173,0.0000222737,0.49297765,0.0000067064207,0.014553784,0.033262175,0.44485536,0.00007909438],"study_design_scores_gemma":[0.0006105401,0.000380292,0.0009349224,0.000013869453,0.00007113499,0.0000016403334,0.0033723721,0.000002654523,0.00057458674,0.00018652578,0.99352634,0.00032510288],"about_ca_topic_score_codex":0.0007740644,"about_ca_topic_score_gemma":0.0012737284,"teacher_disagreement_score":0.548671,"about_ca_system_score_codex":0.0003706502,"about_ca_system_score_gemma":0.000071874936,"threshold_uncertainty_score":0.9999857},"labels":[],"label_agreement":null},{"id":"W4389893361","doi":"10.1080/03087298.2023.2288417","title":"From the <i>Gestell</i> to the <i>Reprogestell:</i> Notes on the Technological Continuum","year":2023,"lang":"en","type":"article","venue":"History of Photography","topic":"History of Computing Technologies","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Art; Visual arts; Aesthetics; Art history","score_opus":0.0330663249451892,"score_gpt":0.2200628105242783,"score_spread":0.1869964855790891,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4389893361","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6955944,0.007619904,0.037146773,0.21472485,0.009160484,0.003995675,0.00005326973,0.012319148,0.01938553],"genre_scores_gemma":[0.99049306,0.00004232837,0.002961878,0.0057744123,0.00011414352,0.00016744989,0.0000020057275,0.00002659637,0.000418109],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99772847,0.00024195571,0.000356141,0.0006413446,0.0006095335,0.0004225687],"domain_scores_gemma":[0.99389356,0.0027927249,0.00022781269,0.0029479174,0.000085676475,0.00005229793],"candidate_categories":["open_science"],"consensus_categories":[],"category_scores_codex":[0.0013546571,0.00027386876,0.00028910718,0.00027523673,0.0003929993,0.000050621013,0.0057846666,0.00014814112,0.00002013434],"category_scores_gemma":[0.0006555911,0.00013384085,0.00031100577,0.0018706159,0.0014161518,0.00007059154,0.0008734149,0.0005574102,0.00037877337],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001804322,0.00008379879,0.0006775999,0.000005323157,0.0000498661,0.000017163913,0.0040181275,0.000062900785,0.009003065,0.021693997,0.9403365,0.024033615],"study_design_scores_gemma":[0.00010291368,0.00014909981,0.0013677815,0.00004556574,0.000011833352,0.000003494538,0.0002267909,0.000316104,0.008565675,0.0060698492,0.9829345,0.00020639232],"about_ca_topic_score_codex":0.00016121169,"about_ca_topic_score_gemma":0.000072968964,"teacher_disagreement_score":0.29489872,"about_ca_system_score_codex":0.00011378639,"about_ca_system_score_gemma":0.000082140534,"threshold_uncertainty_score":0.9995945},"labels":[],"label_agreement":null},{"id":"W4391551989","doi":"10.1080/03087298.2023.2295174","title":"Contributors","year":2023,"lang":"en","type":"article","venue":"History of Photography","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.05184384886327315,"score_gpt":0.22798664760996368,"score_spread":0.17614279874669053,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391551989","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7503042,0.002628327,0.0000057995676,0.00006955219,0.00533571,0.00036520962,0.00023409385,0.00084464677,0.24021241],"genre_scores_gemma":[0.9911614,0.000048183898,0.0000061074916,0.0001948669,0.00017946577,0.000029180726,0.000042727126,0.000014773007,0.008323298],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999245,0.00002774566,0.00018871161,0.00015559873,0.0001793476,0.00020362808],"domain_scores_gemma":[0.9995421,0.000033656735,0.00009340295,0.00017070612,0.000097566684,0.000062561754],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00013969293,0.00011708008,0.00018756944,0.0004430825,0.00009832989,0.000010515765,0.0001533584,0.00004245203,0.002429153],"category_scores_gemma":[0.000010687397,0.00010415104,0.00031197196,0.00017975425,0.0005261673,0.00009952338,0.000017330884,0.00009652382,0.00011093157],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004893619,0.0001179994,0.0010673502,0.000084041014,0.000110996756,0.000009244356,0.054705244,6.207421e-7,0.01642405,0.14571391,0.78143185,0.00028577674],"study_design_scores_gemma":[0.00023196032,0.00008573478,0.0006092507,0.000017201157,0.000021824144,3.7304497e-7,0.0014388185,0.000007530016,0.00089384,0.0008276869,0.9957296,0.0001361607],"about_ca_topic_score_codex":0.0004242604,"about_ca_topic_score_gemma":0.00019733002,"teacher_disagreement_score":0.24085715,"about_ca_system_score_codex":0.00002870917,"about_ca_system_score_gemma":0.000030043271,"threshold_uncertainty_score":0.99848276},"labels":[],"label_agreement":null}]}