{"meta":{"query_hash":"319853171cb1","filters":{"venue":"History of Photography"},"cohort_total":7,"direct_labels_cover":0,"predictions_cover":7,"exported":7,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/319853171cb1","api":"https://metacan.xera.ac/api/v1/cohort?venue=History+of+Photography"},"results":[{"id":"W2015470496","doi":"10.1080/03087298.2012.654943","title":"Ethnographic Pictorialism: Caroline Gurrey's Hawaiian Types at the Alaska–Yukon–Pacific Exposition","year":2012,"lang":"en","type":"article","venue":"History of Photography","topic":"Asian American and Pacific Histories","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exposition (narrative); Ethnography; Art; Art history; Archaeology; Geography; Literature","score_opus":0.019149174923606207,"score_gpt":0.2525702132165751,"score_spread":0.23342103829296887,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2015470496","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7775518,0.0025684473,0.0007118478,0.004366539,0.00028559618,0.00006452864,0.00015962099,0.000061449995,0.21423021],"genre_scores_gemma":[0.96014136,0.0016235933,0.0004909309,0.0004475456,0.000058992355,0.000035537865,0.00004176926,0.000029495604,0.037130907],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9997738,0.00013345292,0.000004278748,0.000021268592,0.000026637133,0.000040563667],"domain_scores_gemma":[0.9997818,0.00009408485,0.000021837684,0.000016584076,0.000025959169,0.00005979746],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00037678977,0.00029457433,0.0001141644,0.0008448287,0.01009528,0.0023838242,0.00037622126,0.0006121534,0.004743279],"category_scores_gemma":[0.00051834894,0.00018067408,0.00008945121,0.001026019,0.003744741,0.0009788162,0.0015735547,0.0011738954,0.00024392376],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019812369,0.000018330034,0.0048918827,0.00006488449,0.0000041811686,0.0025110233,0.95754176,0.000072661154,0.0012745493,0.008539803,0.018101227,0.0069597824],"study_design_scores_gemma":[0.0000016825201,0.000020849442,0.012312047,0.00014090021,0.000005024064,0.0011483716,0.76978457,0.000052601477,0.0003677465,0.000358888,0.21579199,0.000015304311],"about_ca_topic_score_codex":0.10200611,"about_ca_topic_score_gemma":0.35173005,"teacher_disagreement_score":0.10200611,"about_ca_system_score_codex":0.0025773665,"about_ca_system_score_gemma":0.0010280537,"threshold_uncertainty_score":0.20282471},"labels":[],"label_agreement":null},{"id":"W2086202269","doi":"10.1080/03087298.2012.745710","title":"The Likeness of Fugitivity: William Notman's<i>Carte-de-visite</i>Portrait of John Anderson","year":2013,"lang":"en","type":"article","venue":"History of Photography","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Portrait; Context (archaeology); Studio; Art; Art history; Sociology; Humanities; Visual arts; Media studies; History; Archaeology","score_opus":0.01949952888524493,"score_gpt":0.20362968198266446,"score_spread":0.18413015309741954,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2086202269","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.36512917,0.01685361,0.0011502734,0.024182145,0.001178095,0.000019227553,0.00006826531,0.00006502451,0.5913542],"genre_scores_gemma":[0.94547075,0.0029539252,0.0003748529,0.001186435,0.00016741302,0.000005859404,0.000015559737,0.000034188117,0.04979112],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.999762,0.00010646439,0.0000023154864,0.000026242267,0.00004892089,0.000054130924],"domain_scores_gemma":[0.9998783,0.000043469416,0.000013664425,0.000009415564,0.000020760132,0.000034417913],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00026304089,0.00021733255,0.00010174358,0.0004147148,0.0065362393,0.0033283702,0.00030410232,0.0006070518,0.002936219],"category_scores_gemma":[0.0005271753,0.00010540022,0.00009861092,0.00037942256,0.007835975,0.0012124971,0.00094687537,0.0014035052,0.0002448509],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000074361924,0.000026177855,0.0035337324,0.00011572891,0.000013208598,0.0029200735,0.6079022,0.00018185611,0.0030096725,0.25434202,0.09249556,0.03538538],"study_design_scores_gemma":[0.000003691205,0.000021859418,0.0065397015,0.00012897445,0.000010205994,0.0016930777,0.15040076,0.00011001522,0.0008024685,0.0038323759,0.8364308,0.00002610652],"about_ca_topic_score_codex":0.2032395,"about_ca_topic_score_gemma":0.47853908,"teacher_disagreement_score":0.2032395,"about_ca_system_score_codex":0.0052989027,"about_ca_system_score_gemma":0.0014855759,"threshold_uncertainty_score":0.40411305},"labels":[],"label_agreement":null},{"id":"W2316893211","doi":"10.1080/03087298.2000.10443414","title":"Pacific album","year":2000,"lang":"en","type":"article","venue":"History of Photography","topic":"Travel Writing and Literature","field":"Arts and Humanities","cited_by":9,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Vernacular; Diaspora; Context (archaeology); Studio; Geography; Photography; Invisibility; Colonialism; History; Yoruba; Ethnology; Gender studies; Visual arts; Art; Sociology; Archaeology; Literature","score_opus":0.012433173555285377,"score_gpt":0.1669621386136401,"score_spread":0.15452896505835473,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2316893211","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00062392396,0.0017128089,0.00013228417,0.0011738169,0.0031349626,0.000034259047,0.0011496217,0.00020512134,0.9918331],"genre_scores_gemma":[0.0020792405,0.001249512,0.0001380321,0.00023440966,0.0004942662,0.000014392002,0.0004285891,0.00014500045,0.9952166],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9998167,0.000013407858,0.000010136701,0.00004080461,0.00008619796,0.000032811324],"domain_scores_gemma":[0.9997564,0.000024561372,0.000016768148,0.00003566182,0.000082127975,0.00008450516],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00017510794,0.0007877376,0.00033718676,0.0016581236,0.0023847646,0.0035816773,0.0006133035,0.00086722785,0.7468353],"category_scores_gemma":[0.00055123307,0.00028514062,0.00025115302,0.0014894444,0.00049324636,0.002091361,0.0024278099,0.0014411405,0.42686373],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000044043412,0.000035379515,0.00027405698,0.00021844104,0.000002967315,0.00032496505,0.00021065306,0.00006144138,0.00087074534,0.010452138,0.85777456,0.12973069],"study_design_scores_gemma":[0.0000013836645,0.0000022186728,0.00020898732,0.00003664277,4.712416e-7,0.000051061066,0.0000430647,0.000010593179,0.00006298589,0.00024194886,0.9993394,0.0000014023962],"about_ca_topic_score_codex":0.009208856,"about_ca_topic_score_gemma":0.016901432,"teacher_disagreement_score":0.7468353,"about_ca_system_score_codex":0.0010757145,"about_ca_system_score_gemma":0.0011280252,"threshold_uncertainty_score":0.36110872},"labels":[],"label_agreement":null},{"id":"W4387140841","doi":"10.1080/03087298.2023.2256584","title":"Capitalism and the Camera: Essays on Photography and Extraction","year":2022,"lang":"en","type":"article","venue":"History of Photography","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Art; Art history; Capitalism; Visual arts; Political science; Law","score_opus":0.020236839438084988,"score_gpt":0.21113409289318566,"score_spread":0.19089725345510067,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387140841","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.019293195,0.16240394,0.0021145225,0.2471862,0.014393332,0.00002718305,0.00013634015,0.000052671956,0.55439264],"genre_scores_gemma":[0.56296825,0.107581906,0.0018742095,0.028575743,0.022548033,0.00006407544,0.00013823317,0.0002948308,0.2759547],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99805945,0.00096555264,0.00006866872,0.00016617712,0.00050100597,0.00023915041],"domain_scores_gemma":[0.99206287,0.006060525,0.00042078167,0.0003701041,0.0006950662,0.00039061307],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0029358645,0.000449822,0.00039780955,0.002435889,0.0073221023,0.009839189,0.00075390184,0.0029756224,0.009966161],"category_scores_gemma":[0.011554282,0.0002412873,0.00023641606,0.0036123847,0.015472251,0.009523412,0.002763866,0.003108945,0.0008956882],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000309036,0.000018068853,0.00031715096,0.00023373861,0.000008582783,0.00016856768,0.029386576,0.00007044533,0.00015490592,0.586216,0.35511792,0.028277125],"study_design_scores_gemma":[0.0000056260365,0.0000054668803,0.0014370993,0.00075866433,0.0000049495998,0.00010773676,0.012203922,0.000053530515,0.00018081114,0.029735498,0.95549417,0.000012616532],"about_ca_topic_score_codex":0.013155573,"about_ca_topic_score_gemma":0.02889511,"teacher_disagreement_score":0.013155573,"about_ca_system_score_codex":0.00972044,"about_ca_system_score_gemma":0.0032477367,"threshold_uncertainty_score":0.07052708},"labels":[],"label_agreement":null},{"id":"W4388454036","doi":"10.1080/03087298.2023.2266945","title":"Victorian Facebooks: Privacy Concerns at William Notman’s Studio","year":2022,"lang":"en","type":"article","venue":"History of Photography","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Studio; Photography; Visibility; Amateur; Visual arts; Notation; Salon; Art; Portrait; Art history; Sociology; History; Geography; Archaeology","score_opus":0.055703790820454485,"score_gpt":0.24075014754637944,"score_spread":0.18504635672592495,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388454036","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.34259045,0.01085834,0.0016945815,0.1796996,0.0008543169,0.00007472289,0.00014462814,0.00008744617,0.46399602],"genre_scores_gemma":[0.7794452,0.003857405,0.00065069133,0.0106192315,0.00017417804,0.000035834353,0.000034223718,0.000075516866,0.20510775],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99714166,0.0013532294,0.00005155273,0.0002874007,0.00076346495,0.00040256354],"domain_scores_gemma":[0.9971288,0.0015364148,0.00026854823,0.00021083218,0.0003944002,0.00046103724],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0021656775,0.0001594296,0.00018775571,0.00044317244,0.027256558,0.0070863897,0.0007320215,0.0024501954,0.007676982],"category_scores_gemma":[0.0054683383,0.00034260016,0.000115072435,0.00084534404,0.010293259,0.0036660207,0.0026317753,0.0034396467,0.0007277025],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000041485644,0.000034639088,0.0033984163,0.00008696763,0.0000049463874,0.002480857,0.63915896,0.000086158296,0.0011333133,0.21142563,0.1005552,0.041593373],"study_design_scores_gemma":[0.000002727254,0.000017687047,0.0033787838,0.00014060341,0.000002858337,0.000766178,0.12655756,0.00010992895,0.000504802,0.00589006,0.862598,0.00003085641],"about_ca_topic_score_codex":0.45582607,"about_ca_topic_score_gemma":0.640176,"teacher_disagreement_score":0.45582607,"about_ca_system_score_codex":0.01708414,"about_ca_system_score_gemma":0.0103249755,"threshold_uncertainty_score":0.9063457},"labels":[],"label_agreement":null},{"id":"W4389893361","doi":"10.1080/03087298.2023.2288417","title":"From the <i>Gestell</i> to the <i>Reprogestell:</i> Notes on the Technological Continuum","year":2023,"lang":"en","type":"article","venue":"History of Photography","topic":"History of Computing Technologies","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Art; Visual arts; Aesthetics; Art history","score_opus":0.0330663249451892,"score_gpt":0.2200628105242783,"score_spread":0.1869964855790891,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4389893361","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.023453157,0.020378768,0.016485104,0.09319496,0.0032389448,0.000032178792,0.00010343974,0.00018036409,0.842933],"genre_scores_gemma":[0.7179323,0.01419333,0.0055651097,0.009149166,0.0028932071,0.0001161881,0.00009133826,0.00042845387,0.24963099],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99857104,0.00059556775,0.00004122626,0.00025749882,0.00039435682,0.00014036613],"domain_scores_gemma":[0.99781823,0.0013890831,0.00011873171,0.0003371838,0.00015503872,0.0001818258],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0019652094,0.00037286515,0.0001799935,0.0017263909,0.0066187438,0.01267108,0.0008223017,0.0019110079,0.016668392],"category_scores_gemma":[0.0046262234,0.00023790324,0.00025768683,0.0013562042,0.042644817,0.011500736,0.005268451,0.0073204665,0.0020213681],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011042689,0.0000062395184,0.00012379952,0.000028482526,7.912755e-7,0.000046062487,0.010703346,0.000040107087,0.00017415361,0.9702544,0.010516845,0.00809468],"study_design_scores_gemma":[0.000006065957,0.000032708052,0.0006347307,0.00036930203,0.000003103005,0.0002276073,0.014227359,0.00013568882,0.0010568226,0.17808999,0.80519736,0.000019156927],"about_ca_topic_score_codex":0.00449383,"about_ca_topic_score_gemma":0.006373857,"teacher_disagreement_score":0.99338126,"about_ca_system_score_codex":0.0051444387,"about_ca_system_score_gemma":0.0018642509,"threshold_uncertainty_score":0.055761278},"labels":[],"label_agreement":null},{"id":"W4391551989","doi":"10.1080/03087298.2023.2295174","title":"Contributors","year":2023,"lang":"en","type":"article","venue":"History of Photography","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.05184384886327315,"score_gpt":0.22798664760996368,"score_spread":0.17614279874669053,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391551989","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002189181,0.0073704803,0.003094282,0.07970739,0.16739243,0.0012011887,0.013196786,0.0024403175,0.72340786],"genre_scores_gemma":[0.003423615,0.0021866881,0.00090432755,0.007882823,0.007652385,0.0002775892,0.002894734,0.0004844869,0.9742933],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99695194,0.00035325598,0.00010374401,0.0003769061,0.0018848882,0.00032928304],"domain_scores_gemma":[0.9715788,0.0013844512,0.00044151986,0.0010215393,0.019179165,0.006394593],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0027478808,0.0006003421,0.0005774631,0.002834812,0.0030055041,0.0060076946,0.0014374275,0.0014435276,0.5107677],"category_scores_gemma":[0.022621894,0.000279327,0.0002965214,0.0019403287,0.0005662625,0.002052115,0.0027715242,0.0016223289,0.31254467],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000689032,0.0000037766533,0.00008650483,0.000027956676,4.1727805e-7,0.000020318306,0.00008105193,0.000007154318,0.000031001076,0.000539251,0.9855027,0.013693],"study_design_scores_gemma":[0.0000017998626,0.0000016429217,0.0001255418,0.000041108113,6.0626235e-7,0.00002779377,0.00014338731,0.000006717214,0.000015684262,0.00014101398,0.999493,0.0000016251009],"about_ca_topic_score_codex":0.01264852,"about_ca_topic_score_gemma":0.026498683,"teacher_disagreement_score":0.4892323,"about_ca_system_score_codex":0.0046222485,"about_ca_system_score_gemma":0.007964797,"threshold_uncertainty_score":0.6978305},"labels":[],"label_agreement":null}]}