{"meta":{"query_hash":"2fab4caec1eb","filters":{"venue":"Images The International Journal of European Film Performing Arts and Audiovisual Communication"},"cohort_total":2,"direct_labels_cover":0,"predictions_cover":2,"exported":2,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/2fab4caec1eb","api":"https://metacan.xera.ac/api/v1/cohort?venue=Images+The+International+Journal+of+European+Film+Performing+Arts+and+Audiovisual+Communication"},"results":[{"id":"W1933254395","doi":"10.14746/i.2014.24.10","title":"\"The Story of the Kowalski Family\" and Quarter L. Memory Messages on the Screen","year":2014,"lang":"en","type":"article","venue":"Images The International Journal of European Film Performing Arts and Audiovisual Communication","topic":"Polish Historical and Cultural Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The Holocaust; Subject (documents); Quarter (Canadian coin); Politics; Art history; State (computer science); History; Literature; Art; Psychoanalysis; Philosophy; Psychology; Law; Political science; Computer science; Theology","score_opus":0.02719896402199141,"score_gpt":0.2833463447911201,"score_spread":0.2561473807691287,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1933254395","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5507818,0.011183904,0.0010959406,0.052505974,0.0016588754,0.000064521744,0.0005351273,0.000114116236,0.3820598],"genre_scores_gemma":[0.9547243,0.0016456596,0.00017738224,0.0013041892,0.000096883254,0.000017174047,0.000041700852,0.0000449156,0.041947756],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9997099,0.00014903133,0.000006336547,0.000033010907,0.00003916615,0.00006245329],"domain_scores_gemma":[0.9998092,0.00007752251,0.000028589551,0.000013029022,0.000020843641,0.000050844577],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003838231,0.0003319647,0.00014972471,0.0006026226,0.0068558613,0.0029822348,0.00031588954,0.0010388048,0.0068070455],"category_scores_gemma":[0.0014596782,0.00017861347,0.00010797272,0.0005743839,0.0044136886,0.0026229536,0.0021424713,0.0020720442,0.00063009537],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00025461393,0.000039186125,0.0018779078,0.00015378346,0.000012960398,0.0031105876,0.7836513,0.00008368161,0.0015209899,0.07934237,0.10311571,0.026836906],"study_design_scores_gemma":[0.000014104554,0.00004168024,0.0050824317,0.0002458479,0.000014296655,0.0017124602,0.40664244,0.00007367626,0.0011960893,0.003328094,0.5816319,0.000016901044],"about_ca_topic_score_codex":0.014469534,"about_ca_topic_score_gemma":0.023866313,"teacher_disagreement_score":0.014469534,"about_ca_system_score_codex":0.00221206,"about_ca_system_score_gemma":0.0006293203,"threshold_uncertainty_score":0.028770626},"labels":[],"label_agreement":null},{"id":"W2989029444","doi":"10.14746/i.2018.33.05","title":"“The way up is the way down”: Curzio Malaparte’s “Il Cristo Proibito” and Krzysztof Kieślowski’s “Three Colours: Red”","year":2019,"lang":"en","type":"article","venue":"Images The International Journal of European Film Performing Arts and Audiovisual Communication","topic":"Italian Fascism and Post-war Society","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Humiliation; Isolation (microbiology); Aesthetics; Dehumanization; Wickedness; Solidarity; Action (physics); Epistemology; Philosophy; Humility; Sociology; Social psychology; Psychology; Law; Theology; Political science","score_opus":0.023178140182386578,"score_gpt":0.29882561455735157,"score_spread":0.275647474374965,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2989029444","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.075654075,0.06335739,0.005590813,0.24345785,0.01777165,0.00016292543,0.00034198887,0.0002014171,0.59346193],"genre_scores_gemma":[0.7521851,0.019082729,0.0029483726,0.027265143,0.004354224,0.00026308373,0.00021433804,0.00046883017,0.19321816],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9990664,0.00047808097,0.000013443475,0.00014275318,0.00016809707,0.0001312599],"domain_scores_gemma":[0.99936825,0.00033371444,0.00008624331,0.000033646444,0.00007903744,0.00009917914],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00068243686,0.0009539288,0.00027833888,0.00083030254,0.004869441,0.0066604014,0.0008938236,0.0028453642,0.0050997846],"category_scores_gemma":[0.0037755875,0.00042890193,0.0003451342,0.00068521476,0.0067239674,0.004009006,0.0027773727,0.0072646686,0.0012006299],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002866598,0.00008071651,0.00102056,0.0006222272,0.000048218353,0.0016426602,0.281357,0.00014198289,0.0022054275,0.38394737,0.30204722,0.026599964],"study_design_scores_gemma":[0.000020527903,0.000024481442,0.0026416357,0.0004283594,0.000017424,0.0008253876,0.034428313,0.0001449336,0.00076364994,0.006000297,0.95468056,0.00002443004],"about_ca_topic_score_codex":0.013719991,"about_ca_topic_score_gemma":0.021870079,"teacher_disagreement_score":0.013719991,"about_ca_system_score_codex":0.002663365,"about_ca_system_score_gemma":0.00087992643,"threshold_uncertainty_score":0.027280211},"labels":[],"label_agreement":null}]}